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Speaker 1: Everyone deserves a chance in the driver's seat. For GM

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Speaker 1: and Revolt, that means leading the way on the road

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Speaker 1: to an all electric feature and envisioning a world to

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Speaker 1: zero crashes, zero tail pipe admissions, and zero congestion. GM's

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Speaker 1: committed to making evis accessible for everybody. That means you too,

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Speaker 1: So what are you waiting for. GM's got the keys,

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Speaker 1: You grab the wheel. Learn more about an all electric

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Speaker 1: feature and the zero zero Zero initiative at GM dot com.

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Speaker 1: GM everybody in. Welcome too It's Up their podcast, your

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Speaker 1: number one place for business in podcasting rank number threety

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Speaker 1: six in the motherfucking world Ship back, Turn up the

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Speaker 1: volume on your phone and enjoy the show with your

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Speaker 1: homie and host Big Loon. Welcome to another episode of

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Speaker 1: It's Up their Podcast. I am your Active and Attractive

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Speaker 1: for another episode of the fastest growing podcasts on the

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Speaker 1: market Right now. We are currently sitting at number thirty

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Speaker 1: six in the world. Round of applause for that in

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Speaker 1: a very great situation being an independent platform without any

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Speaker 1: reach in regards to the end of excuse me in

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Speaker 1: regards to the industry. If you are right now listening

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Speaker 1: to the audio version of this podcast, so you want

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Speaker 1: to see the video version of fo K. You know

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Speaker 1: exactly how we're coming. You head over this up that

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Speaker 1: podcast fog fo TV on YouTube and you will find

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Speaker 1: the videos there. We re uploading everything, so it's gonna

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Speaker 1: take a minute. But do what's that favor? Subscribe like it.

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Speaker 1: Make sure you shan't put somebody on top of the game.

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Speaker 1: If you are looking at the video stump it upponent,

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Speaker 1: make sure you subscribe. But if you need the audio version,

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Speaker 1: you head to any where you get podcasts and you

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Speaker 1: tap in and put this up that podcast, and we

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Speaker 1: should pop up. You understand me, because we are kicking

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Speaker 1: high and we are doing exactly what we're posted to

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Speaker 1: do to be at the top of the charts. You

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Speaker 1: see what I'm saying. So we'll appreciate that about it

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Speaker 1: that's taped and tuned in and lenkedin with the reel

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Speaker 1: because we know the game is so full of fakes.

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Speaker 1: The game is so full of imposters. The game is

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Speaker 1: full of things that don't run parallel with the way

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Speaker 1: that we grew up, in the way that we survived

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Speaker 1: all our life, right, you know, and so we must

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Speaker 1: take in considerations that change is here. But we must

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Speaker 1: celebrate the real You know, I got a couple of niggas.

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Speaker 1: I'm gonna celebrate this podcast, just in regards to showing Lord.

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Speaker 1: When when when when you know in this game, you

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Speaker 1: see they don't want to let us in this game.

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Speaker 1: It's a different type of field. Shit is different, right,

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Speaker 1: you let the right dudes in. Things change because we

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Speaker 1: spark other I got street dudes talking about podcast the

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Speaker 1: right now in my city, right now, cold harsh street dude, right,

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Speaker 1: just like me. They come up. They ain't man, they're

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Speaker 1: right there. What you're doing? Are you killing them? Right?

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Speaker 1: But that's what happens. So they see us show Lord,

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Speaker 1: They see us incorporate each other in our plans and

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Speaker 1: then our wins. Right, we lose together, we win together.

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Speaker 1: It is what it is. You understand me. We support

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Speaker 1: each other whenever we can, and we don't stretch ourselves.

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Speaker 1: Then men don't expect much from other men, real men.

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Speaker 1: See that be the problem. Some of y'all expect too

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Speaker 1: much from your home boys. You understand me. You get

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Speaker 1: mad when you're home boys, see and the things. Man,

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Speaker 1: you can't put your feelings on another individual, right, you

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Speaker 1: can't basically spending out my uncle told me then when

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Speaker 1: I was a young man. And we'll get to the podcast.

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Speaker 1: We got a lot to talk about. Drake dropped, Kanye dropped.

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Speaker 1: They've going at it. Drake has effectively dropped Kanye West

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Speaker 1: track before him his dish track. So it's a lot

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Speaker 1: going on. People left out. You know, it's a lot

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Speaker 1: to talk about. Now. Know y'all here for the game,

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Speaker 1: but you know, I like to sometimes just put y'all

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Speaker 1: up on just reguless shit too that be happening and

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Speaker 1: things that go on there in my life and the

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Speaker 1: things that I'm peeping out right, my uncle, you start

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Speaker 1: always timm and if you can't spend your money and

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Speaker 1: then come spend mine, because I go spend my money

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Speaker 1: on things that don't I ain't concerned with the bills.

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Speaker 1: Then I go holiday. One of them young nigga, Hey man,

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Speaker 1: I need this amount. They cut that off quickly, No, sir,

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Speaker 1: you can't get it. And they got to be the

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Speaker 1: best thing to happen to me because what he did

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Speaker 1: was it put them on notice. And see, some of

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Speaker 1: y'all need to be put on notice because you waged too.

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Speaker 1: You think you're eligible for things you didn't earn. You

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Speaker 1: ain't did nothing to get the money, but you want

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Speaker 1: to spend the money. I think it's a sickness. I

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Speaker 1: ain't gonna cap you now. I think it's a sickness. Dog.

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Speaker 1: You ain't did nothing to help get the money and

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Speaker 1: want to spend the money. I'd be wondering, as you

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Speaker 1: sick in the man, what else can you do that with?

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Speaker 1: But some people grow up that way. They people allowed

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Speaker 1: them to eat when they don't work. They people allowed

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Speaker 1: them to participate in things that they don't help build

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Speaker 1: or they don't have any interest in keeping build. They

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Speaker 1: just get participation awards. I didn't get those as a

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Speaker 1: young man. I was only awarded when I won first

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Speaker 1: place and badly then. Right, So you must understand what

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Speaker 1: they're done to me in regards to the mentality. That's

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Speaker 1: why I know I'm a supreme game. I don't worry

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Speaker 1: about no individual. I can't go in any room. I'm comfortable.

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Speaker 1: I can get nervous, but give me a second. I

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Speaker 1: peeped the scene very quick and adapting. Be okay, right,

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Speaker 1: But like they calling me now with certain people face

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Speaker 1: timing me that I grew up looking at I grew

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Speaker 1: up listening to and things like that and then be

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Speaker 1: making me nervous. But I gotta trust the game. You

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Speaker 1: got your whole life in the game. They can feel it,

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Speaker 1: they can they can hold it. They appreciate it, you

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Speaker 1: understand me. But it's so much money I know involved

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Speaker 1: that it make my brain say, boy boy, you know,

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Speaker 1: get to it. It's a lot of paper involved. And

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Speaker 1: I got some folks depending on me. I got folks

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Speaker 1: depending on me that don't even know they depending on me.

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Speaker 1: Some of my haters is depending on me by default

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Speaker 1: because they don't got to know how to get it

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Speaker 1: jumping around here. I got to get it jumping and

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Speaker 1: then you're gonna get a boost off the jump. But

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Speaker 1: they don't know what it like to get it jumping.

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Speaker 1: When I talk to people and they asked me, you know,

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Speaker 1: I tell them it's so much involved. Man, I'm a

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Speaker 1: scientist with this shit. This ain't just me sitting up

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Speaker 1: here talking every I make it. Could I hope. I'm

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Speaker 1: glad it come off like that, but it did. This

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Speaker 1: is sad homes. This is me out of studied this game.

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Speaker 1: I know everything about everything. And plus I come out

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Speaker 1: the street and that's the edge. I got on them

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Speaker 1: because they know about what I know, maybe a little more,

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Speaker 1: but I'm in the area to understand when they may

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Speaker 1: be doing something this hold on. I read something about that,

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Speaker 1: but on my end why I'm coming from, they know

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Speaker 1: nothing about it. And the people that they're dealing with,

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Speaker 1: which is the rappers, is people that portray what I

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Speaker 1: come from. So when I communicate with them people, you

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Speaker 1: get a different outcome. It's just like putting It's just

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Speaker 1: like putting seasons salt on the fool versus golic salt

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Speaker 1: on the fool. You understand, it's both salt, but it's

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Speaker 1: a little different. It give you a different flavor. And

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Speaker 1: my flavor is the one that the foc is gonna

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Speaker 1: save her, you understand me. And that's just how the

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Speaker 1: thing gonna go, hopefully, because I'm gonna keep putting the

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Speaker 1: game down every time. I'm never gonna stop. They're not

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Speaker 1: gonna scare me, they ain't gonna kill me, or they

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Speaker 1: gotta kid and see what they're doing. He's speaking too

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Speaker 1: much truth. He's speaking too much truth. He giving out

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Speaker 1: some of the game that's dangerous, and then they're trying

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Speaker 1: to put a stop to it. But were unaware. Were

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Speaker 1: unaware of their threats, even when they say them directly

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Speaker 1: to us, We unaware of them because we already prepare

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Speaker 1: for war mentally, physically, we prepared in every way possible.

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Speaker 1: So we just hope we can get some money. Get

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Speaker 1: it popping for our area, collaborate will Real wants to

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Speaker 1: make good content. Let people know what the vibrations is,

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Speaker 1: and I sit in our vibe, in our world and

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Speaker 1: our culture. Let him stop faking it, you know, stop

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Speaker 1: bringing out rap buddish through and asking them, hey, what's

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Speaker 1: your name? Hey, how did you you know? Some of

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Speaker 1: the things they asked. How people just kind of be

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Speaker 1: I get the thinking, like, man, they need somebody in

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Speaker 1: position they can really have a conversation. Their conversation be

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Speaker 1: based on the Internet because they don't understand the ins

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Speaker 1: and outs. I know what it too, I know what

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Speaker 1: it takes. It's been fifty k on the verse, ten

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Speaker 1: k on the interview, five k a week for thirty weeks,

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Speaker 1: you know, type shit like you know, so when you understand,

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Speaker 1: and then you gotta think if no deals are coming

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Speaker 1: in in regards to the podcast, So this is just hustling.

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Speaker 1: This is a guy understanding something navigating in and not

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Speaker 1: the game understanding something. You see what I mean. But

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Speaker 1: let's get into the show man. Let's talk about the

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Speaker 1: Kanye West done to drop. He dropped, man, I think

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Speaker 1: a week or a couple of days before Drake, maybe

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Speaker 1: it's five six days before Drake. I think he sold

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Speaker 1: three twenty seven. A lot of things happened at his drop,

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Speaker 1: and we'll we'll get past it, but I want to

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Speaker 1: just kind of spend some time on speaking about what

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Speaker 1: happened with his drops. So when he dropped, a lot

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Speaker 1: of the industry came out kind of dissinging me, going

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Speaker 1: at him. You know, you saw Soldier Boy, you saw

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Speaker 1: Chris Brown, you saw Little Ooze. You know, it was

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Speaker 1: a couple of people that showed they did service for

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Speaker 1: the situation, like, yo, man, we don't mess with Kanye.

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Speaker 1: Then you saw DJ Envoys say there's things happening behind

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Speaker 1: the scenes that he can't speak about it. I would

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Speaker 1: wish that he would speak about it, just so you know,

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Speaker 1: people can have a real clear view on exactly what

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Speaker 1: the circumstances are that they caused you not to like them,

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Speaker 1: just simply because you know how the internet work. Some

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Speaker 1: people don't say all they hate on Kanye, which you know,

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Speaker 1: I don't see them boys hating on Kanye because they

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Speaker 1: don't have any interest in it. They're not in music.

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Speaker 1: They in radio. You're catched at some other time. Those

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Speaker 1: are two different things. Some times they coexist and they

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Speaker 1: do run parallel, but they're two different things. Somebody on

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Speaker 1: radio can have no interest in music. I don't even

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Speaker 1: want to live there because that's a different conversation. But

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Speaker 1: podcasting is so dope because of those kind of things.

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Speaker 1: You like, you run in a tunnel when you go

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Speaker 1: to talking and then other things start to pop up,

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Speaker 1: You're like, which way I want to go with the conversation.

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Speaker 1: It's just a dope art form, so don't disrespect it

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Speaker 1: and think it's just talking nothing. Nonetheless, we've seen everybody

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Speaker 1: going that Kanye West and just getting at him, getting

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Speaker 1: at him. What I want to say is this is

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Speaker 1: almost like some old school football, like red team, blue

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Speaker 1: team type things. So if you look at Kanye West album,

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Speaker 1: he had to coexist with some people. Some people like

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Speaker 1: the Baby and Little Dirt and certain individuals. They on

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Speaker 1: both sides of the spectrum just because they're so influential.

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Speaker 1: Right now, this moment. You know what I'm saying, At

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Speaker 1: this moment, you really can't miss them too, so them

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Speaker 1: to take him out because they ain't forced to choose side.

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Speaker 1: But it feels like said, some of these people are

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Speaker 1: choosing side. You got like Drake side. If you look

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Speaker 1: at Dunda, you don't see Future, you don't see Thug,

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Speaker 1: you don't see um. Who else is close with Drake?

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Speaker 1: You don't see Chris Brown like that he tried to

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Speaker 1: go around Chris because Chris is on the Drake side. Right.

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Speaker 1: Who else was it that we didn't see? You ain't

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Speaker 1: see no Meek mea um, really, none of them, none

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Speaker 1: of that. You ain't see no Gunna ill let that's

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Speaker 1: that Drake that said kind of that Drake side, right.

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Speaker 1: I think you've seen Travis. He's another name that you

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Speaker 1: really can't you know what I'm saying. He's big in

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Speaker 1: certain areas that that they want to just collaborate with.

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Speaker 1: But it's almost like that them in teams and you

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Speaker 1: got to choose a side. It's a crazy thing. And

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Speaker 1: when you see them two dudes going at it. If

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Speaker 1: we talk about the albums, I just tried to listen

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Speaker 1: to Kanye West's album back through, and you gotta kind

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Speaker 1: of the only thing for Danda to me's a dope album, masterpiece,

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Speaker 1: great work. I think it's a great piece of work.

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Speaker 1: I do think though, that you gotta be in a

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Speaker 1: certain mindset to listen to it. I just put Drake on.

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Speaker 1: I ran that. Y'all just heard it. I ran that

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Speaker 1: pipe down forty five times straight, forty five fucking times straight.

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Speaker 1: It's important you understand what that means. Like and I

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Speaker 1: make music, and I can make that kind of music,

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Speaker 1: that same vibe, that same right. So to hear it

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Speaker 1: done so perfectly, it's just like, yo, yo, this is

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Speaker 1: next level right here. You understand me. But when you

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Speaker 1: think about Kanye when I when I put it on

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Speaker 1: some of the songs, and then you gotta think he

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Speaker 1: does it for a show, because it takes almost a

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Speaker 1: minute for some of them songs to even come in.

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Speaker 1: You know, I think he's he's moving it into a

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Speaker 1: more of a performance piece of work. But Drake done

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Speaker 1: doublest numbers. Drake done doublest numbers first week. But when

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Speaker 1: you see Soldier Boy come out and cuss him, man,

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Speaker 1: I think it feels like Soldier Boy kind of clouded.

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Speaker 1: Then it's kind of partly clouded over that way yet

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Speaker 1: in regards to what he's doing. And he dropped the

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Speaker 1: album and called him out again, it's like you called

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Speaker 1: him out. He didn't respond. He called him out again.

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Speaker 1: I think it more so for promotion the second time. UM,

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Speaker 1: using certain you know words that that that that I'm

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Speaker 1: not sure is um gonna be received in a good way,

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Speaker 1: you know. Um, you can't just say certain things about people, Manum,

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Speaker 1: but the young dudes kind of throw the bitch word

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Speaker 1: around like it's uncomfortable. You know, you're talking about people

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Speaker 1: wife and out less. So to me, soldier boy ready

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Speaker 1: for war? Yea, I better quit playing with Big Draco.

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Speaker 1: He ready to go head to head with Bigger Nass,

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Speaker 1: Big Drisko. Yeah, so y'all better put some respect on

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Speaker 1: his name. But UM, when I seen all the rappers

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Speaker 1: going at Kanye, I was kind of torn, you know

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Speaker 1: because the first part of me say, you know what,

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Speaker 1: I don't feel sorry for the rap dudes. I don't

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Speaker 1: feel sorry for the rap dude because he rap dudes

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Speaker 1: or go stop. They tour for Kanye and Jay and

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Speaker 1: whoever really in the industry, they call him that they

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Speaker 1: kind of look up to and that's cool, but they're

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Speaker 1: turned down money from an up and coming. They're turned

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Speaker 1: down money from an up and coming. They don't want

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Speaker 1: to give him a boost, but Kanye bring him way

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Speaker 1: out there for three weeks and don't even use what

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Speaker 1: they put down. I respect the music game, so I

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Speaker 1: understand how to create the music unfolds, especially for someone

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Speaker 1: that's looking at it from a standpoint like him. Um,

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Speaker 1: but I usually don't feel so our form because the

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Speaker 1: way they treat they counterpause the people that's under them,

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Speaker 1: you know, give them songs, charging for songs, and don't

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Speaker 1: repost it, you know. So it tells me the game

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Speaker 1: is the same all the way up, and it's unfortunate

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Speaker 1: for them that they don't put enough value on themselves

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Speaker 1: to at least put some kind of clouds in with it. Hey,

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Speaker 1: if it don't come out, I received this amount of

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Speaker 1: money for my time. That's how you know it. They

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Speaker 1: ain't doing business. I have my people reach out to boot. Hey,

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Speaker 1: listen if what I work on, if what he work

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Speaker 1: on doesn't come out. You didn't see money bag you

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Speaker 1: on Kanye either, which is I don't know why, because

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Speaker 1: bagging them going crazy in Memphis. But hey, if he

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Speaker 1: comes out there and stop what he's doing and what

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Speaker 1: he's the time he dedicated, nothing comes out of it

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Speaker 1: in regards to it doesn't make the final placement on

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Speaker 1: the album. He receives x y Z compensation. No but you,

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Speaker 1: but people not doing that. They're so scared. I'm just

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Speaker 1: gonna run up he and do it for him. Yeah,

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Speaker 1: you know, but it's dudes. They say, hey, Yo, I'll

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Speaker 1: pay you five K main for interview. Five K. You serious?

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Speaker 1: I get to I get thirty thousand a show, at

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Speaker 1: least need ten K, Like yo, y'all litle dudes be crazy.

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Speaker 1: And then when when you start putting you know, going

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Speaker 1: another round with it, then everybody say you wrong. You

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Speaker 1: know what I'm saying here, trouble making things like that.

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Speaker 1: But I trust the game. They starting to, you know,

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Speaker 1: come in one by one. So I trust the game.

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Speaker 1: I'm gonna trust the game with that. But um and

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Speaker 1: so then after Soldier Boys said that, Kanye came out

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Speaker 1: and basically said, yo, Universal put my album out without

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Speaker 1: me knowing a lot of people called kelp. The first

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Speaker 1: thing I looked at though, I said, you know what

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Speaker 1: if you remember last week, and you get time stamped

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Speaker 1: these as being my ideas as they unfold and come

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Speaker 1: out based on when I'm recording. So you're a note.

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Speaker 1: But last week I said that, man, Kanye's changing the

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Speaker 1: music business. He's making all the money before the music

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Speaker 1: come out. But there was one thing I left out.

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Speaker 1: But yeah, he makes money, but the label may not

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Speaker 1: be making as much money without the actual music being

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Speaker 1: available to stream. So the label's interest is not in

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Speaker 1: these events where you're selling these tickets because he's a

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Speaker 1: grandfather type guy who we would think doesn't have some

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Speaker 1: sort of three sixty deal. I'm sure they get a percentage,

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Speaker 1: but not a three sixty type situation. Right. So with

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Speaker 1: him going and making twelve million with Apple Universal is like, Yo,

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Speaker 1: we ain't made nothing. Like you can't keep running around.

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Speaker 1: That's like, dude, that's like with my po podcast. If

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Speaker 1: you're selling out venue showing my podcasts every week, you're

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Speaker 1: selling five thousand tickets showing my podcast every my content

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Speaker 1: every week. Though, I gotta feel, hey, man, you gotta

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Speaker 1: I gotta be cut into that some kind of way.

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Speaker 1: You did what I'm saying, So the label's probably like, yo,

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Speaker 1: we can't allow you just to run off like this

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Speaker 1: and just this, this, this, this. That ain't cool. We're

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Speaker 1: not doing that. That's not straight. So we the date

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Speaker 1: you got, we're gonna gonna hit the button and ignore

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Speaker 1: emails or something. Boom it's out. Oh what happened? Oh

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Speaker 1: we just saw this email. You know what I'm saying.

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Speaker 1: But it's you gotta think, would you let somebody make

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Speaker 1: that much money? You don't make nothing this business. At

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Speaker 1: the end of the day, West being one of the

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Speaker 1: biggest names in the game, one of the biggest names

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Speaker 1: in the industry, one of the biggest black money guys

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Speaker 1: in the world, effectively making money off the music that

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Speaker 1: you make, that you help with and has a deal

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Speaker 1: with him with this music, he's effectively exercising his right

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Speaker 1: to make money off the music. But you tend to

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Speaker 1: not make any because it's not available. You're only really

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00:20:27,640 --> 00:20:31,280
Speaker 1: weighing avenue to get your revenue. It's with the streaming

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Speaker 1: and the sale of merchandise attached to streaming and said

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Speaker 1: all of that stuff. With him going to sell tickets,

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Speaker 1: that's his an Apple thing. Apples probably funding the money

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Speaker 1: to build the sets and all of that and splitting

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Speaker 1: the back end some kind of way, that kind of

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Speaker 1: thing is happening, but universals like, yo, that's enough, Drake

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Speaker 1: come right out and then a short short day crashes

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Speaker 1: all the records. It was twelve hours. He was already

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Speaker 1: number one, broke all the records for singing day streaming

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Speaker 1: in twelve hours, So it was really not even a day.

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Speaker 1: It was half a day. I hear the rumbles out there,

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Speaker 1: people saying, well, Drake hasn't pivoted. Well, Drake isn't evolving,

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Speaker 1: and he's safe. I told y'all, he hasn't pivoted yet.

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Speaker 1: To y'all, y'all look at that as an issue. I

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Speaker 1: took that as the complete opposite. That's where you guys

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Speaker 1: are in trouble at because he's gonna be given the

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Speaker 1: lead way to be able to evolve, and he hasn't

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Speaker 1: even started yet. And he's made seventy five percent of

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Speaker 1: the money that you guys have made out of music

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Speaker 1: in your entire career and hasn't even pivoted into anything

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Speaker 1: in a real way, that being liquor clothes, anything. Yeah,

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Speaker 1: I know these little deals. Trust me, he has not

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Speaker 1: took these things in a real way. He's still on music.

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Speaker 1: I'm just music man. He'll get a chance and he'll

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Speaker 1: start to evolve. You see all these different genres of

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Speaker 1: music he touches on him. You think he doesn't know

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Speaker 1: he's gonna have to evolve. He's gonna go R and

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Speaker 1: B soon. People saying the R and B album's not coming.

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Speaker 1: He's going R and B soon. He understands that he

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Speaker 1: asked evolved. I don't know what people are saying this

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Speaker 1: third chord and he's on his way out. The man

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Speaker 1: ain't even started to go left yet. They've allowed him

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Speaker 1: to steal beat them with the three point shot. He

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Speaker 1: ain't showed him if he can dribble for real. I

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Speaker 1: ain't talking about his range in regards to music. He's

385
00:22:31,280 --> 00:22:36,679
Speaker 1: aced music, but he's only dealt with music with all

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Speaker 1: of his might. And then you're gonna see him spin

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00:22:41,320 --> 00:22:43,719
Speaker 1: off and put all of his might into a different

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Speaker 1: kind of style of R and B ish type of watch.

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Speaker 1: You're gonna see that. And you're also gonna see him

390
00:22:51,320 --> 00:22:55,600
Speaker 1: put his brand power into some products. You're gonna start

391
00:22:55,640 --> 00:22:58,560
Speaker 1: to see product placement. You're gonna start to see the

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Speaker 1: dude ain't even pivoty yet, and he's made half the

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Speaker 1: money that these guys have made it. That's the issue.

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Speaker 1: So you guys don't be alarmed in regards to music

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Speaker 1: when you hit pipe down and know that he can

396
00:23:09,200 --> 00:23:12,560
Speaker 1: still do that. When you him and he can still

397
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Speaker 1: do this to the superman to be together. He got

398
00:23:17,440 --> 00:23:21,080
Speaker 1: an when you him and he's still gonna do that.

399
00:23:21,720 --> 00:23:24,240
Speaker 1: It's not even a situation you need that. It's yourself.

400
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Speaker 1: He's gonna go this route. Oh yeah, yeah, I ain't

401
00:23:27,480 --> 00:23:30,560
Speaker 1: me how much I gotta span for you to pipe down.

402
00:23:30,800 --> 00:23:33,840
Speaker 1: This is the route for you. He's gonna go back

403
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Speaker 1: into that R and B bag and it's gonna live

404
00:23:36,520 --> 00:23:40,760
Speaker 1: down for a couple of years. It down. He gonna

405
00:23:40,800 --> 00:23:44,520
Speaker 1: mix in a little route but this kind of thing

406
00:23:44,560 --> 00:23:46,399
Speaker 1: and call me Drake. I can help with some of this,

407
00:23:46,520 --> 00:23:49,320
Speaker 1: I promise you. But this is the vibe he's gonna have.

408
00:23:49,520 --> 00:23:51,520
Speaker 1: This is what he's gonna be doing for you to

409
00:23:51,640 --> 00:23:58,200
Speaker 1: pipe down, trying to running back running times of yours.

410
00:23:58,240 --> 00:24:01,680
Speaker 1: But the city mind, that's not another rapper. You're gonna

411
00:24:01,680 --> 00:24:05,800
Speaker 1: get that sound from you get that kind of content

412
00:24:05,880 --> 00:24:07,719
Speaker 1: from me. Go listen. I was big home and when

413
00:24:07,760 --> 00:24:09,840
Speaker 1: you met me. There's things on there. Call me. There's

414
00:24:09,880 --> 00:24:12,879
Speaker 1: records I put out in that vein, but I haven't

415
00:24:12,920 --> 00:24:15,879
Speaker 1: aced it that way. That dude, that song gets perfect,

416
00:24:18,119 --> 00:24:21,480
Speaker 1: which tells me it's an ace in the hole there.

417
00:24:21,840 --> 00:24:24,480
Speaker 1: Then he also got that Barry stuff he does. But

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00:24:25,440 --> 00:24:28,320
Speaker 1: I'm focused on that R and B bag. I think

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00:24:28,320 --> 00:24:30,320
Speaker 1: he's gonna pull that R and B bag out and

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00:24:30,359 --> 00:24:34,879
Speaker 1: it's another decade run. You're gonna go into his T

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00:24:35,160 --> 00:24:40,840
Speaker 1: pain wave R and B T pain way. Watch that's

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00:24:40,840 --> 00:24:43,400
Speaker 1: what I would think that's gonna happen. But yeah, I mean,

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Speaker 1: it's just it's unfortunate. Man. M Drake done a hell

424
00:24:47,760 --> 00:24:50,640
Speaker 1: of what he done, a hell of a hell of album.

425
00:24:50,680 --> 00:24:52,800
Speaker 1: I like it, man, like it so far here people

426
00:24:52,960 --> 00:24:56,320
Speaker 1: criticizing him in Future him and though I think the

427
00:24:56,480 --> 00:25:02,040
Speaker 1: sound that they're giving is um. I like those guys together.

428
00:25:02,440 --> 00:25:05,480
Speaker 1: And I speak for the South, So are you up north?

429
00:25:05,560 --> 00:25:11,080
Speaker 1: Dudes talking about Drake shouldn't be on records with Thug

430
00:25:11,200 --> 00:25:15,119
Speaker 1: and Future. I'm a respectfully tell y'all to catch a

431
00:25:15,320 --> 00:25:18,640
Speaker 1: cut and shut the shut it down. Just shut it down.

432
00:25:18,720 --> 00:25:21,600
Speaker 1: Y'all don't know nothing about the South. Y'all don't know

433
00:25:21,640 --> 00:25:26,120
Speaker 1: what it's like in the South, So respectfully bag about

434
00:25:26,200 --> 00:25:28,800
Speaker 1: what we're talking about. In regards to the South, we

435
00:25:28,920 --> 00:25:32,000
Speaker 1: like to hear Drake in future. That's Scotty and Mike.

436
00:25:33,640 --> 00:25:38,160
Speaker 1: Did you throw thug in there? Say? Man, come on, man,

437
00:25:38,200 --> 00:25:42,239
Speaker 1: what we're doing? Man, that's the bulls right there. In

438
00:25:42,280 --> 00:25:45,600
Speaker 1: regards to the sound, they all got a certain kind

439
00:25:45,640 --> 00:25:48,040
Speaker 1: of thing about him. Man, come on, man, when you

440
00:25:48,119 --> 00:25:50,600
Speaker 1: tell me you don't want to hear Draking Thug and

441
00:25:50,760 --> 00:25:58,080
Speaker 1: Draking Future, who you want to hear Drake and Joe

442
00:25:58,119 --> 00:26:03,160
Speaker 1: Button like, come on, man, we gotta hear Draking Future.

443
00:26:03,200 --> 00:26:07,159
Speaker 1: Come on, man, we're talking about Draking Future in that

444
00:26:07,280 --> 00:26:11,399
Speaker 1: slow down bag. What did you in that slow down

445
00:26:13,400 --> 00:26:18,119
Speaker 1: woman toxicity bag when you were talking back? Man? And

446
00:26:18,160 --> 00:26:21,800
Speaker 1: then we know thug Thug is instruments? Come on, man,

447
00:26:21,840 --> 00:26:25,280
Speaker 1: don't do that. Man. All these podcasts, dude, see four story,

448
00:26:25,359 --> 00:26:28,040
Speaker 1: they're say anything a pair of lips, a pair of

449
00:26:28,119 --> 00:26:32,399
Speaker 1: lips to say anything. Man in the South, realm, do

450
00:26:32,480 --> 00:26:36,840
Speaker 1: it like that? Brother? That was y'all problem up. There's

451
00:26:36,880 --> 00:26:40,320
Speaker 1: easy to divide the dudes up top in the North.

452
00:26:40,680 --> 00:26:42,920
Speaker 1: I don't let the always rapper. You need to stop

453
00:26:42,960 --> 00:26:46,720
Speaker 1: missing with your boys. This rapper time we rappers like

454
00:26:46,840 --> 00:26:51,800
Speaker 1: nah dog got these dudes? Is I feed off them

455
00:26:51,920 --> 00:26:54,720
Speaker 1: that same night I made that I'm too sexy. I

456
00:26:54,840 --> 00:26:57,240
Speaker 1: made the pipe down because me and Future had a

457
00:26:57,280 --> 00:27:00,600
Speaker 1: long talk about But you don't get that part of that.

458
00:27:00,640 --> 00:27:03,480
Speaker 1: You don't get what you be talking about. Cut your

459
00:27:03,520 --> 00:27:08,800
Speaker 1: friends off. I pull from these guys. It's a reason

460
00:27:08,840 --> 00:27:14,120
Speaker 1: why I tagged them in the match. He said, well, nah,

461
00:27:14,200 --> 00:27:18,760
Speaker 1: don't tag nobody in. It's on you. It is on me,

462
00:27:19,840 --> 00:27:23,760
Speaker 1: and I'm gonna fight the whole fight by myself. But

463
00:27:23,960 --> 00:27:26,159
Speaker 1: in between rounds, I'm gonna run over here to the

464
00:27:26,200 --> 00:27:30,440
Speaker 1: trainer and he gonna say, nah, hey, look, we're gonna

465
00:27:30,440 --> 00:27:32,560
Speaker 1: do that. I'm two six, We're gonna do that. Let

466
00:27:32,560 --> 00:27:34,240
Speaker 1: me get on that and say, yeah, we're gonna this

467
00:27:34,440 --> 00:27:37,359
Speaker 1: ride with it. Watch this. Watch that they're trying to

468
00:27:37,400 --> 00:27:40,280
Speaker 1: do this. But they suggesting that the robber poster go

469
00:27:40,359 --> 00:27:42,800
Speaker 1: in the corner and with all the pressure in the

470
00:27:42,840 --> 00:27:45,199
Speaker 1: world on him, come out and no, hell by, I

471
00:27:45,240 --> 00:27:47,440
Speaker 1: don't want know about the round me all my friends.

472
00:27:47,480 --> 00:27:49,719
Speaker 1: I'm done with y'all. They don't even I don't get that.

473
00:27:51,400 --> 00:27:55,920
Speaker 1: I don't get that, and you can't. You can't make

474
00:27:55,960 --> 00:27:58,680
Speaker 1: everybody happy one minute. They say, Man, the writers don't

475
00:27:58,720 --> 00:28:00,800
Speaker 1: get credit. Then when the writers get created. All the

476
00:28:00,880 --> 00:28:03,879
Speaker 1: rappers not writing everything. A lot of times the dudes

477
00:28:03,920 --> 00:28:07,000
Speaker 1: are just keeping it super real. I might be in

478
00:28:07,040 --> 00:28:09,360
Speaker 1: the studio and said one thing, and he might say,

479
00:28:09,400 --> 00:28:13,560
Speaker 1: I'm putting you down. Bro, I ain't really done too

480
00:28:13,720 --> 00:28:17,280
Speaker 1: much in there about the record. But y'all don't get

481
00:28:17,320 --> 00:28:20,520
Speaker 1: that either. But see, that's the that's the problem with

482
00:28:20,600 --> 00:28:23,840
Speaker 1: the culture up top is you want to be such

483
00:28:23,880 --> 00:28:27,240
Speaker 1: a rapper and so competitive that you ex your buddies

484
00:28:27,280 --> 00:28:31,280
Speaker 1: out that same lodder you climbed up, you gotta come down.

485
00:28:32,200 --> 00:28:34,480
Speaker 1: So when I'm coming back down the ladder, maybe they're

486
00:28:34,600 --> 00:28:36,800
Speaker 1: keep keeping up now stay up at home and holming.

487
00:28:37,080 --> 00:28:43,560
Speaker 1: But you're letting no understanding to prosperity for others. Dirt

488
00:28:43,600 --> 00:28:46,600
Speaker 1: gets on the song and shout out his old lady business.

489
00:28:48,520 --> 00:28:51,840
Speaker 1: You don't understand how the internet works. You would have said,

490
00:28:51,880 --> 00:28:56,760
Speaker 1: why are you shouting out your girl business on my record? Bro?

491
00:28:56,840 --> 00:29:00,960
Speaker 1: It's rapper time. That instantly to golf online. All the

492
00:29:01,000 --> 00:29:07,479
Speaker 1: women love that. So again understanding where you are and

493
00:29:07,520 --> 00:29:10,120
Speaker 1: what's going on, shout out to them, dudes, man, very

494
00:29:10,200 --> 00:29:14,120
Speaker 1: great albums out Uh rap rapper is in a great place.

495
00:29:14,600 --> 00:29:18,040
Speaker 1: Um music is at a great place. I dropped next week. Man,

496
00:29:18,080 --> 00:29:21,240
Speaker 1: We're doing great. Man, God is good and and and

497
00:29:21,440 --> 00:29:25,520
Speaker 1: we love everything about rapping the trapping podcasting. Right now,

498
00:29:25,560 --> 00:29:28,200
Speaker 1: it's just in a good place. UM, let's see what

499
00:29:28,200 --> 00:29:30,880
Speaker 1: else we want to talk about. I want to talk about, UM,

500
00:29:32,560 --> 00:29:42,320
Speaker 1: Mercedes RP, Mercedes More. UM. I was scrolling down Instagram

501
00:29:43,280 --> 00:29:48,600
Speaker 1: and seeing you know, there's a small community on Instagram

502
00:29:49,080 --> 00:29:51,720
Speaker 1: in regards to the females in which like, once you

503
00:29:51,920 --> 00:29:54,959
Speaker 1: tag one bad one, it's like they tag all up.

504
00:29:55,840 --> 00:29:58,800
Speaker 1: You find your type and that's who if you're a trick,

505
00:29:58,920 --> 00:30:01,920
Speaker 1: it's a it's a crazy game, dude, because what they

506
00:30:01,960 --> 00:30:04,680
Speaker 1: do is right, you follow one of them, and then

507
00:30:05,200 --> 00:30:08,160
Speaker 1: certain times they tagging each other, right, And so what

508
00:30:08,320 --> 00:30:12,240
Speaker 1: they're doing is they're fishing. You find your type, you

509
00:30:12,320 --> 00:30:14,680
Speaker 1: get on her thing, and then you become her customer

510
00:30:14,800 --> 00:30:17,320
Speaker 1: in regards to only fans or whatever the case may be.

511
00:30:18,680 --> 00:30:21,480
Speaker 1: But when I looked at the Mercedes More situation again,

512
00:30:21,720 --> 00:30:26,360
Speaker 1: r P, I feel for the family. I say, you're

513
00:30:26,400 --> 00:30:29,520
Speaker 1: not only bringing customers over to your Instagram and your

514
00:30:29,560 --> 00:30:32,520
Speaker 1: only fans and some of these things, the ramifications of

515
00:30:32,640 --> 00:30:39,000
Speaker 1: what people seeing can't have you know, the look but

516
00:30:39,120 --> 00:30:42,920
Speaker 1: don't touch push some of these weird guys in a

517
00:30:43,080 --> 00:30:46,920
Speaker 1: very strange situation in which they failed to be able

518
00:30:46,960 --> 00:30:51,680
Speaker 1: to recognize that they don't deserve what's not given to

519
00:30:51,760 --> 00:30:54,200
Speaker 1: them in regards to another human being. They like to

520
00:30:54,280 --> 00:30:56,320
Speaker 1: kind of try to like they want to take something

521
00:30:57,280 --> 00:31:00,960
Speaker 1: against your wheel type of vibe. Right. So, um, this

522
00:31:01,160 --> 00:31:05,240
Speaker 1: young lady I remember talking to the other week in DM.

523
00:31:05,320 --> 00:31:08,479
Speaker 1: I said, man, I remember years ago, you was the

524
00:31:08,480 --> 00:31:11,480
Speaker 1: thickest girl on Instagram that I had knew, right, because

525
00:31:13,080 --> 00:31:14,960
Speaker 1: back in the day it was a little more unique

526
00:31:14,960 --> 00:31:19,440
Speaker 1: to see that kind of body frame. And she just laughed,

527
00:31:19,480 --> 00:31:22,000
Speaker 1: you know, DM me back and laugh. And then to

528
00:31:22,080 --> 00:31:24,360
Speaker 1: see that news, I was like, Yo, what's going on?

529
00:31:24,480 --> 00:31:28,440
Speaker 1: And of course the internet's going Internet, so they're saying

530
00:31:28,520 --> 00:31:31,760
Speaker 1: all kind of things that, you know, whether or not

531
00:31:31,800 --> 00:31:34,200
Speaker 1: as true, it was unfair to be said in such

532
00:31:34,200 --> 00:31:38,680
Speaker 1: a place. It's another thing I hate about the Internet

533
00:31:38,760 --> 00:31:42,520
Speaker 1: is that you can't block out what you can't control, right,

534
00:31:42,600 --> 00:31:45,160
Speaker 1: So they under that saying all kinds of things, And

535
00:31:45,320 --> 00:31:49,000
Speaker 1: of course your first thing is, man, what happened? You know?

536
00:31:49,040 --> 00:31:54,600
Speaker 1: And then he came out that some guy came from

537
00:31:54,640 --> 00:32:00,280
Speaker 1: out of town tractor down Stalkeda winning then or the

538
00:32:00,800 --> 00:32:04,680
Speaker 1: and then stabbed itself, and and and the father kicked

539
00:32:04,680 --> 00:32:06,600
Speaker 1: the do in and actually found the guy in the

540
00:32:06,800 --> 00:32:11,400
Speaker 1: stabb but not dead, still alive, his daughter dead. Here's

541
00:32:11,400 --> 00:32:15,320
Speaker 1: the dude. They've done it and he's still alive. Um

542
00:32:15,360 --> 00:32:17,640
Speaker 1: I say, man, when when when? When? When you deal

543
00:32:17,640 --> 00:32:24,400
Speaker 1: with some of these men, you're selling fantasy. You're selling

544
00:32:24,440 --> 00:32:29,760
Speaker 1: fantasy sometimes and it's almost like the mouth customer when

545
00:32:29,800 --> 00:32:32,800
Speaker 1: you're selling mouth in the street. You know them some

546
00:32:32,880 --> 00:32:35,400
Speaker 1: of the most don't them customers there? Man, they get

547
00:32:35,400 --> 00:32:38,360
Speaker 1: on your nerves. They you can people mouth out of

548
00:32:38,360 --> 00:32:41,520
Speaker 1: a crowd like they just hot. They just you can

549
00:32:41,560 --> 00:32:45,200
Speaker 1: get rich. But your customer is a it's a it's

550
00:32:45,200 --> 00:32:49,640
Speaker 1: a it's a mean customer. You got them. It speaks

551
00:32:49,760 --> 00:32:54,120
Speaker 1: volumes the way they dress the actor, the the way

552
00:32:54,120 --> 00:32:56,840
Speaker 1: they scratch, or the holes in that way they you know,

553
00:32:56,920 --> 00:33:00,320
Speaker 1: digging in the skin, the missing teeth to you know,

554
00:33:00,520 --> 00:33:04,320
Speaker 1: it's it's that that it speaks volumes when when a

555
00:33:04,440 --> 00:33:09,000
Speaker 1: normal individuals looks at them like yo, this is But

556
00:33:09,160 --> 00:33:12,640
Speaker 1: you can benefit from them if you sell mouth sometimes

557
00:33:12,680 --> 00:33:15,240
Speaker 1: the only fans game and the internet game is the

558
00:33:15,320 --> 00:33:17,760
Speaker 1: same way. Right, you benefit from a lot of people

559
00:33:17,800 --> 00:33:22,880
Speaker 1: that's unstable, right, You got some people like me that's

560
00:33:22,920 --> 00:33:25,320
Speaker 1: on that. It's just looking like, oh that's hard. I'm

561
00:33:25,320 --> 00:33:29,200
Speaker 1: gonna tell her, come in do this. See that. See

562
00:33:29,200 --> 00:33:31,959
Speaker 1: how she bounced like that. Let's see if you can

563
00:33:32,000 --> 00:33:34,320
Speaker 1: get that bounce going with that. Yeah, let's yeah, you

564
00:33:34,360 --> 00:33:36,800
Speaker 1: see that bounce. Look where a leg get pay attention now,

565
00:33:37,360 --> 00:33:40,160
Speaker 1: make sure you you know, yeah, bounce on that. See

566
00:33:40,200 --> 00:33:43,880
Speaker 1: that that's the vibe. We that's it. Hey would get

567
00:33:43,880 --> 00:33:47,120
Speaker 1: that lingerie. I'm people ain't get gold, get whatever, lank

568
00:33:47,280 --> 00:33:49,560
Speaker 1: just by this. I'm gonna see you the bread figure

569
00:33:49,600 --> 00:33:51,880
Speaker 1: out where they're getting this set because I'm liking this.

570
00:33:52,800 --> 00:33:55,400
Speaker 1: So that's me. There's certain guys on that like that.

571
00:33:55,480 --> 00:33:58,160
Speaker 1: But there's others that's looking at these kind of women

572
00:33:58,200 --> 00:34:01,120
Speaker 1: in this kind of thing and could never be in

573
00:34:01,120 --> 00:34:06,040
Speaker 1: a situation of being the same places these people or

574
00:34:06,080 --> 00:34:09,319
Speaker 1: have some of these things done. They'll never see a

575
00:34:09,360 --> 00:34:13,760
Speaker 1: big fat, round ass. You'll never be behind it hitting

576
00:34:13,800 --> 00:34:16,480
Speaker 1: it to somebody that ain't got no stomach and no

577
00:34:17,000 --> 00:34:21,239
Speaker 1: take care of their body, pretty teeth, pretty toads that

578
00:34:21,400 --> 00:34:23,759
Speaker 1: they never they'll never be next to that. And then

579
00:34:23,840 --> 00:34:27,840
Speaker 1: what that does is that breeds it passes lust. A

580
00:34:27,880 --> 00:34:30,480
Speaker 1: couple of weeks ago. I went viol for speaking about

581
00:34:30,960 --> 00:34:34,360
Speaker 1: the man that get lusted and he'll promised you a

582
00:34:34,440 --> 00:34:37,239
Speaker 1: bent ling. He drive a Honda because lust, lust as

583
00:34:37,280 --> 00:34:40,880
Speaker 1: tooking over. You're dealing with some of these same type

584
00:34:40,880 --> 00:34:44,319
Speaker 1: of men. When lust drives the vehicle, sometimes that shit

585
00:34:44,440 --> 00:34:51,280
Speaker 1: take over and then becomes he's stalking. He cannot control himself.

586
00:34:51,400 --> 00:34:55,040
Speaker 1: He's never saw you or touched you. But because of

587
00:34:55,160 --> 00:34:57,359
Speaker 1: this app he get to see your prime. He get

588
00:34:57,400 --> 00:35:00,360
Speaker 1: to see you busted open hold, he hear your mon in.

589
00:35:00,640 --> 00:35:05,359
Speaker 1: These dudes get weird. Bro. So she posted had took

590
00:35:05,360 --> 00:35:08,640
Speaker 1: a picture outside of her apartment, and she blurred the

591
00:35:08,719 --> 00:35:12,640
Speaker 1: number some kind of way. He unblurred, didn't figured out

592
00:35:12,640 --> 00:35:14,600
Speaker 1: where it was and went to a house and done that.

593
00:35:14,840 --> 00:35:22,600
Speaker 1: Bro went to her house and done that. Broad strangled

594
00:35:22,640 --> 00:35:25,319
Speaker 1: her and then stabbed itself. The father walk in. Let's

595
00:35:25,360 --> 00:35:32,480
Speaker 1: listen to what exactly happened. A popular Instagram influenced her

596
00:35:32,560 --> 00:35:37,080
Speaker 1: husband killed in the parent murder suicide. Janee Gagnier, who

597
00:35:37,120 --> 00:35:40,080
Speaker 1: is better known as Miss Mercedes more to her nearly

598
00:35:40,120 --> 00:35:43,600
Speaker 1: three million Instagram followers and is followed by Snoop Dog

599
00:35:43,640 --> 00:35:46,920
Speaker 1: and Megan ze Stallion, was found dead in her Texas

600
00:35:46,920 --> 00:35:51,080
Speaker 1: apartment on Sunday after police performed a welfare check. According

601
00:35:51,120 --> 00:35:54,960
Speaker 1: to local news station KHOU, the four Bend County medical

602
00:35:55,000 --> 00:35:58,160
Speaker 1: examiners told kho You that the thirty three year old

603
00:35:58,200 --> 00:36:01,200
Speaker 1: was strangled to death. The man unsuspected of killing the

604
00:36:01,280 --> 00:36:04,840
Speaker 1: Instagram model was also found dead in her Richmond apartment.

605
00:36:05,160 --> 00:36:09,400
Speaker 1: Police later identified him as Kevin Alexander Accordo from Florida,

606
00:36:09,520 --> 00:36:12,279
Speaker 1: and the medical examiner told local news stations that the

607
00:36:12,280 --> 00:36:15,920
Speaker 1: thirty four year old killed himself with multiple sharp four's trauma.

608
00:36:16,480 --> 00:36:19,239
Speaker 1: The late influencer's family told police that there was no

609
00:36:19,360 --> 00:36:23,520
Speaker 1: relationship between her and the suspected killer, according to multiple

610
00:36:23,560 --> 00:36:27,360
Speaker 1: published reports, which is leading investigators to believe she was

611
00:36:27,400 --> 00:36:31,920
Speaker 1: allegedly stalked by the suspect. Gagner's sister took the Instagram

612
00:36:31,960 --> 00:36:34,600
Speaker 1: to post a tribute for her late sibling and said

613
00:36:34,680 --> 00:36:37,480
Speaker 1: she and her mom checked on her just last Thursday

614
00:36:37,680 --> 00:36:41,440
Speaker 1: and she was having a quote amazing time. Yesterday was

615
00:36:41,480 --> 00:36:44,400
Speaker 1: the worst day of my life. My heart is gone,

616
00:36:44,640 --> 00:36:48,640
Speaker 1: my soul is gone, my baby. Gagner's sister, London wrote

617
00:36:48,640 --> 00:36:53,440
Speaker 1: in part, the investigation is ongoing. That's the picture with

618
00:36:53,560 --> 00:36:59,879
Speaker 1: the blurred out up there. He's still up. Actually as

619
00:37:00,080 --> 00:37:04,160
Speaker 1: the GRAM it's funky man, it's like spooky. I was like, bro,

620
00:37:04,440 --> 00:37:08,239
Speaker 1: come on man, So I just tell y'all women, be careful. Man.

621
00:37:08,280 --> 00:37:12,000
Speaker 1: You apprize you look so good and so soften, and

622
00:37:12,040 --> 00:37:15,000
Speaker 1: then they get to see you fucking That's what I think.

623
00:37:15,040 --> 00:37:18,640
Speaker 1: That's where the problem come in. That I only touch women.

624
00:37:18,680 --> 00:37:21,359
Speaker 1: I only touch bad bitches. So that's all I can.

625
00:37:22,320 --> 00:37:24,160
Speaker 1: You know what I'm saying. When I see another bad

626
00:37:24,200 --> 00:37:27,240
Speaker 1: bitch getting down, I just salute and be like, Lord Jesus,

627
00:37:27,320 --> 00:37:30,160
Speaker 1: I know what it's like. But some of these people,

628
00:37:30,200 --> 00:37:33,320
Speaker 1: they don't get to touch it. They don't get the fist.

629
00:37:33,400 --> 00:37:36,719
Speaker 1: Almost like people they can't hear. They be stilling, They

630
00:37:36,760 --> 00:37:39,040
Speaker 1: get around you and steal your stuff because they don't

631
00:37:39,080 --> 00:37:41,080
Speaker 1: think they can never get it. That they're just taking

632
00:37:41,120 --> 00:37:43,440
Speaker 1: this too far. But the idea that they get to

633
00:37:43,480 --> 00:37:46,759
Speaker 1: see you naked, I think that's what's driving them. Not

634
00:37:46,920 --> 00:37:50,080
Speaker 1: that I'm victims shaming because you don't get drove into

635
00:37:50,160 --> 00:37:54,680
Speaker 1: doing that I'm saying. I think in their mind, because

636
00:37:54,719 --> 00:37:59,720
Speaker 1: they're sick, derange and twisted, that they justify the chase

637
00:38:00,360 --> 00:38:04,600
Speaker 1: because of what they have access to. In regards to

638
00:38:05,000 --> 00:38:08,440
Speaker 1: these women, nowadays, man, And it's unfortunate. I'm not sure

639
00:38:08,600 --> 00:38:12,279
Speaker 1: she even had up only fans. I'm almost I'm gonna

640
00:38:12,280 --> 00:38:15,600
Speaker 1: think she did not. She may have did, but nonetheless,

641
00:38:15,680 --> 00:38:18,799
Speaker 1: what I'm just saying is is that these dudes they

642
00:38:18,840 --> 00:38:23,239
Speaker 1: gotta protect themselves. I always tell them, my old lady,

643
00:38:23,320 --> 00:38:25,919
Speaker 1: you know you got the big ass, and she I'll

644
00:38:25,960 --> 00:38:28,839
Speaker 1: be seeing niggas like right now to this day. They

645
00:38:28,880 --> 00:38:31,680
Speaker 1: take pictures of women. You can just be walking in

646
00:38:31,719 --> 00:38:34,320
Speaker 1: the stove. You can be walking out the stove, in

647
00:38:34,440 --> 00:38:38,360
Speaker 1: the laundry, man in the target, it's dude somewhere that

648
00:38:38,400 --> 00:38:41,200
Speaker 1: if you think enough, they really is taking video or

649
00:38:41,280 --> 00:38:44,439
Speaker 1: you walking like man, she think that's because they don't

650
00:38:44,440 --> 00:38:47,560
Speaker 1: got one of them at the house. You ever seen

651
00:38:47,840 --> 00:38:51,400
Speaker 1: a whole bunch of broke dudes by Lamborghini, Man, I

652
00:38:51,440 --> 00:38:53,160
Speaker 1: take a picture of your cock? Can I take a picture.

653
00:38:53,400 --> 00:38:55,919
Speaker 1: That's what they're doing to these women. Now. This woman

654
00:38:56,080 --> 00:38:57,840
Speaker 1: is at the stoke man and her being and he

655
00:38:57,960 --> 00:39:00,520
Speaker 1: heego video and just trying to zoom in to get

656
00:39:00,560 --> 00:39:07,520
Speaker 1: a good shout of her bbl You understand me. But again,

657
00:39:08,080 --> 00:39:10,200
Speaker 1: you ain't got one of them at the house. When

658
00:39:10,200 --> 00:39:11,799
Speaker 1: you got one of them at the house. Now I'm

659
00:39:11,800 --> 00:39:14,120
Speaker 1: gonna look. Don't get it confused. I'm gonna look because

660
00:39:14,160 --> 00:39:19,440
Speaker 1: I can appreciate the form. Yeah, I appreciate the form.

661
00:39:19,480 --> 00:39:22,480
Speaker 1: So I'm gonna look myself, but I ain't gonna video

662
00:39:22,600 --> 00:39:25,200
Speaker 1: and stalk. Nobody follow them around the store. I had

663
00:39:25,239 --> 00:39:29,400
Speaker 1: to be the dude up one time about that, like,

664
00:39:29,719 --> 00:39:32,120
Speaker 1: you can't follow people around the store because you've never

665
00:39:32,160 --> 00:39:36,680
Speaker 1: seen a fat ass, my boy, you know what I'm saying. So,

666
00:39:37,120 --> 00:39:41,120
Speaker 1: y'all dudes be weird. And I'm fortunate that she she

667
00:39:41,239 --> 00:39:44,200
Speaker 1: has become a victim or some such a heinous act.

668
00:39:44,239 --> 00:39:48,720
Speaker 1: And I think with that being said, you know, maybe

669
00:39:48,719 --> 00:39:51,440
Speaker 1: it starts to change the way that the Instagram girls

670
00:39:52,680 --> 00:39:55,960
Speaker 1: or the famous girls or anyone that decides to, you know,

671
00:39:56,000 --> 00:39:59,600
Speaker 1: put themselves in front of the public kind of moves, man,

672
00:39:59,719 --> 00:40:04,879
Speaker 1: Because stalking is real. People stalk women, bro, people stalk men.

673
00:40:06,239 --> 00:40:09,520
Speaker 1: I had people jump in my cars and do certain

674
00:40:09,560 --> 00:40:13,839
Speaker 1: things like bro people stalk people, man, So I don't

675
00:40:13,880 --> 00:40:15,759
Speaker 1: look at it as a small feet I think it's

676
00:40:15,760 --> 00:40:19,480
Speaker 1: a very serious situation, man. And we want to say again,

677
00:40:19,520 --> 00:40:21,680
Speaker 1: all right, Peter baby girl man, and y'all just keep

678
00:40:21,719 --> 00:40:25,319
Speaker 1: y'all head on a swivel lot there. I want to

679
00:40:25,360 --> 00:40:28,560
Speaker 1: talk about the little bit more about the Drake and

680
00:40:28,680 --> 00:40:33,800
Speaker 1: Kanye situation. I was gonna move on, but then the

681
00:40:33,960 --> 00:40:39,920
Speaker 1: more and more I think about it, Um, I gotta

682
00:40:39,960 --> 00:40:43,000
Speaker 1: pay attention to write to the rightness on the wall.

683
00:40:43,080 --> 00:40:45,760
Speaker 1: You know. I look at Drake and I say, Damn,

684
00:40:46,880 --> 00:40:49,439
Speaker 1: this album to me is great. You know, I haven't

685
00:40:49,480 --> 00:40:51,960
Speaker 1: made it through either album. I'm gonna be honest with you.

686
00:40:52,000 --> 00:40:54,799
Speaker 1: I'm very busy individual. I got a lot going on,

687
00:40:55,440 --> 00:40:58,840
Speaker 1: and I don't listen to music and passing. I like

688
00:40:58,960 --> 00:41:01,200
Speaker 1: to digest music, can listen to it in a way

689
00:41:01,239 --> 00:41:05,080
Speaker 1: where I really can sit down and get what the

690
00:41:05,320 --> 00:41:07,719
Speaker 1: artist is intending for me to get as the as

691
00:41:07,760 --> 00:41:10,640
Speaker 1: the person on the other side receiving the music. Right,

692
00:41:10,680 --> 00:41:14,040
Speaker 1: So I pay attention to your skits, your drums, your ends,

693
00:41:14,080 --> 00:41:18,040
Speaker 1: your outs, your ad lives the reverb right. So I'm

694
00:41:18,400 --> 00:41:23,239
Speaker 1: paying attention in close detail. And so it's a lot

695
00:41:23,280 --> 00:41:25,880
Speaker 1: of music crammed into the two of these artists. So

696
00:41:25,920 --> 00:41:28,920
Speaker 1: I haven't had a real chance to really live with

697
00:41:29,000 --> 00:41:37,600
Speaker 1: both albums. I am gonna put Drake's album over Kanye's album.

698
00:41:37,640 --> 00:41:41,080
Speaker 1: And it seems like the consensus is saying that as well.

699
00:41:41,120 --> 00:41:44,440
Speaker 1: But I'm only speaking for me now. When I say

700
00:41:45,320 --> 00:41:51,239
Speaker 1: Drake's album over Kanye's album. When I first said that

701
00:41:51,320 --> 00:41:53,640
Speaker 1: to myself, I'm like, well that's a giving just listen

702
00:41:53,680 --> 00:41:56,840
Speaker 1: to it. There's different things going on, right. Drake gets

703
00:41:56,880 --> 00:41:59,400
Speaker 1: in every single bag that you can think of, so

704
00:41:59,440 --> 00:42:01,720
Speaker 1: we serve all of his people. Are What I always

705
00:42:01,719 --> 00:42:04,600
Speaker 1: tell people to listen to me is it's important to

706
00:42:04,640 --> 00:42:08,160
Speaker 1: find your customer and then service your customer. A lot

707
00:42:08,160 --> 00:42:10,640
Speaker 1: of these people on the internet, you see, they problem

708
00:42:10,840 --> 00:42:12,719
Speaker 1: is they found their customer, but they don't know how

709
00:42:12,760 --> 00:42:15,040
Speaker 1: to service their customer. They don't know what they want,

710
00:42:15,080 --> 00:42:18,640
Speaker 1: what they engage with. They don't have any data on them, right,

711
00:42:18,719 --> 00:42:21,160
Speaker 1: So they got the people following them. They like this

712
00:42:21,239 --> 00:42:23,719
Speaker 1: kind of thing that they do, but they don't have

713
00:42:23,880 --> 00:42:26,880
Speaker 1: enough data to convert them into a customer. I always

714
00:42:26,960 --> 00:42:30,640
Speaker 1: preach to my people it's a difference between fans and customers.

715
00:42:30,840 --> 00:42:35,360
Speaker 1: These are two different things, right, and social media blends

716
00:42:35,440 --> 00:42:37,799
Speaker 1: these things together. So some people get to look at

717
00:42:37,840 --> 00:42:41,000
Speaker 1: your social media account and see you got eight hundred

718
00:42:41,040 --> 00:42:44,720
Speaker 1: million followers and say he has eight hundred million customers.

719
00:42:44,760 --> 00:42:46,719
Speaker 1: That's not the case. But the people that's in the

720
00:42:46,840 --> 00:42:51,879
Speaker 1: rooms they're really digesting, analyze data, understand that maybe two

721
00:42:52,040 --> 00:42:55,399
Speaker 1: three percent of those people will actually convert over. So

722
00:42:55,440 --> 00:42:58,080
Speaker 1: the more followers you do got, the more chance you

723
00:42:58,120 --> 00:43:01,920
Speaker 1: do have to convert people. That's another tool, that's another

724
00:43:01,960 --> 00:43:06,799
Speaker 1: thing happening to do that. So with Drake, when you

725
00:43:06,840 --> 00:43:08,840
Speaker 1: see him dip his hand in all of these different

726
00:43:08,880 --> 00:43:12,560
Speaker 1: parts in regards to music, what you're seeing is I'm

727
00:43:12,560 --> 00:43:14,960
Speaker 1: serving y'all that like the drill, I'm serving my R

728
00:43:15,000 --> 00:43:17,680
Speaker 1: and B people, serving my people that like the rap,

729
00:43:18,680 --> 00:43:22,680
Speaker 1: serving my UK people, my techno people, my African dance

730
00:43:22,800 --> 00:43:26,600
Speaker 1: type people, my Jamaican thing, right, So I'm serving all

731
00:43:26,640 --> 00:43:30,080
Speaker 1: of that. And that's why you see the numbers be

732
00:43:30,200 --> 00:43:34,160
Speaker 1: so high, seven eight hundred thousand. It's so many, so

733
00:43:34,200 --> 00:43:36,800
Speaker 1: many people being served, right. And so for y'all to

734
00:43:36,920 --> 00:43:39,839
Speaker 1: thank you just going to a studio and rap rap

735
00:43:40,000 --> 00:43:42,920
Speaker 1: rap rap rap, I say the same thing with podcasting.

736
00:43:43,480 --> 00:43:46,439
Speaker 1: People come holiday me and I make it look easy, right,

737
00:43:46,480 --> 00:43:48,759
Speaker 1: So they say, damn, I'm gonna do what alan doing.

738
00:43:49,080 --> 00:43:52,719
Speaker 1: All you gotta do is talk d just talking, yo. Bro,

739
00:43:52,880 --> 00:43:55,200
Speaker 1: I'm a scientist. Bro. I was talking to my old

740
00:43:55,280 --> 00:43:58,480
Speaker 1: lady last night. I'm like, I'm like these people don't

741
00:43:58,560 --> 00:44:04,239
Speaker 1: understand the level of dedication I've had to understanding how

742
00:44:04,280 --> 00:44:10,200
Speaker 1: to talk, Understand conversations, understanding segues, Understanding you know when

743
00:44:10,239 --> 00:44:13,480
Speaker 1: the interject, when not to, when to listen, because a

744
00:44:13,520 --> 00:44:17,320
Speaker 1: good interview ultimately is a good listener, but he inserts

745
00:44:17,400 --> 00:44:22,680
Speaker 1: himself to further conversations. But I spent countless of hours

746
00:44:23,120 --> 00:44:28,480
Speaker 1: understanding these things, and so all the way down to

747
00:44:28,640 --> 00:44:33,680
Speaker 1: everything I do is science involved. But because I've studied

748
00:44:33,680 --> 00:44:36,120
Speaker 1: it so long, I'm able to make it look like

749
00:44:38,320 --> 00:44:41,200
Speaker 1: I'm just doing it now. It's easy to me because

750
00:44:41,440 --> 00:44:45,600
Speaker 1: I move real time with this way of thinking and

751
00:44:45,719 --> 00:44:48,919
Speaker 1: how to digest things and break things down. So it's

752
00:44:49,000 --> 00:44:52,520
Speaker 1: real time for me. So it's not as hard as

753
00:44:53,719 --> 00:44:57,640
Speaker 1: I'm projecting. Once you've got all the tools you need.

754
00:44:57,640 --> 00:45:00,319
Speaker 1: But getting the tools, it's what's hard, because you gotta

755
00:45:00,360 --> 00:45:02,279
Speaker 1: watch this, you gotta watch that, you gotta do this,

756
00:45:02,400 --> 00:45:04,799
Speaker 1: you gotta do that, you gotta do it, and ultimately

757
00:45:04,840 --> 00:45:10,320
Speaker 1: that changes the way that your mind, that your mind

758
00:45:10,400 --> 00:45:13,480
Speaker 1: sees things, and then it allows you to digest things

759
00:45:13,560 --> 00:45:15,520
Speaker 1: from that way. But when you look at when you

760
00:45:15,560 --> 00:45:18,480
Speaker 1: look at these two albums, Drake basically doubled his streams

761
00:45:18,520 --> 00:45:25,840
Speaker 1: doubled his sales in the first week. And so we see,

762
00:45:26,440 --> 00:45:31,440
Speaker 1: like I said earlier, that Drake released Kanye West This

763
00:45:31,680 --> 00:45:33,920
Speaker 1: before him. It's almost like he knew it was about

764
00:45:33,960 --> 00:45:36,800
Speaker 1: to come, so he released it this this head Andre

765
00:45:36,960 --> 00:45:41,239
Speaker 1: three thousand on that and Kanye West mentioned that he

766
00:45:41,320 --> 00:45:43,439
Speaker 1: told Drake to quit playing with him and he put

767
00:45:43,480 --> 00:45:49,040
Speaker 1: it on GDUM. So very interesting, right, because you know

768
00:45:50,000 --> 00:45:52,879
Speaker 1: he represents this God thing and then the GD thing,

769
00:45:52,960 --> 00:45:54,799
Speaker 1: and that's why people are like, yo, this is kind

770
00:45:54,800 --> 00:45:58,600
Speaker 1: of crazy. Even when he was doing the m the

771
00:45:58,719 --> 00:46:01,279
Speaker 1: Live pop up show, would he would come out with

772
00:46:01,320 --> 00:46:04,360
Speaker 1: the GD thing. You know, they don't let the gds

773
00:46:04,400 --> 00:46:07,120
Speaker 1: in the doose song, right, he's showing love, trying to

774
00:46:07,120 --> 00:46:09,880
Speaker 1: show love of Larry Whover. So he is from Chicago,

775
00:46:09,960 --> 00:46:13,399
Speaker 1: So I'm not sure the affiliation if there is one,

776
00:46:15,760 --> 00:46:17,960
Speaker 1: but I guess he made a threat to Drake and

777
00:46:18,000 --> 00:46:19,640
Speaker 1: told him quit playing with him and put it on

778
00:46:20,120 --> 00:46:23,399
Speaker 1: gd You know that here, you know, makes some shake.

779
00:46:23,560 --> 00:46:27,719
Speaker 1: Now these dudes here, man, like, you know, if you're

780
00:46:27,719 --> 00:46:29,720
Speaker 1: gonna make some shake, you don't have to say nothing.

781
00:46:30,400 --> 00:46:32,440
Speaker 1: You know, I always told my prey, you know, you

782
00:46:32,440 --> 00:46:36,600
Speaker 1: don't never see a line warn a gazelle you don't

783
00:46:36,640 --> 00:46:39,520
Speaker 1: never see when you go out in the wild, man

784
00:46:40,640 --> 00:46:43,640
Speaker 1: and you see a predator creeping up on a prey,

785
00:46:43,719 --> 00:46:47,080
Speaker 1: you don't never see him warn the prey. I'm gonna

786
00:46:47,200 --> 00:46:53,200
Speaker 1: get you. Na ain't no warning shots. I'm trying to creep,

787
00:46:53,440 --> 00:46:58,000
Speaker 1: get closest I can, and get my man. I'm not

788
00:46:58,120 --> 00:47:00,560
Speaker 1: doing all this, So when these warning shot be happening,

789
00:47:00,640 --> 00:47:02,880
Speaker 1: he gets really weird. To me. I don't understand it.

790
00:47:02,920 --> 00:47:07,560
Speaker 1: Why I'm from, they don't do that. Every dude where

791
00:47:07,600 --> 00:47:09,680
Speaker 1: I'm from that don't gave him one and shot don't

792
00:47:09,719 --> 00:47:14,160
Speaker 1: got killed. Every dude I know from my town that

793
00:47:14,280 --> 00:47:16,879
Speaker 1: don't told somebody what he's gonna do. Or man I'm

794
00:47:16,920 --> 00:47:19,840
Speaker 1: telling when I kids him, is they don't got killed

795
00:47:21,160 --> 00:47:23,640
Speaker 1: because the predator don't tell to pray, what did he

796
00:47:23,760 --> 00:47:25,919
Speaker 1: walking into a trap? All you do is you gonna

797
00:47:25,960 --> 00:47:29,000
Speaker 1: grab your man. But that's why I know it's entertainment,

798
00:47:29,000 --> 00:47:31,239
Speaker 1: and I'm glad it's entertainment because these are two of

799
00:47:31,320 --> 00:47:35,160
Speaker 1: the the biggest names our coach has ever seen, and

800
00:47:35,200 --> 00:47:37,360
Speaker 1: I think some great music could come out of it.

801
00:47:37,440 --> 00:47:39,719
Speaker 1: But when we go to talking about that and then

802
00:47:39,760 --> 00:47:42,719
Speaker 1: I hear this this dude consequence, and I got a

803
00:47:42,840 --> 00:47:50,240
Speaker 1: problem with with all of this, right because it's almost

804
00:47:50,280 --> 00:47:54,120
Speaker 1: like y'all trying to little boy Drake without little born Drake.

805
00:47:54,200 --> 00:47:58,680
Speaker 1: Stop sending your little brother man, these little dudes is pans.

806
00:47:58,800 --> 00:48:01,560
Speaker 1: Don't sending them to talk to me. They're not gonna

807
00:48:01,560 --> 00:48:04,279
Speaker 1: do nothing. They ain't gonna shake. Leave me alone. You

808
00:48:04,400 --> 00:48:07,000
Speaker 1: little boys. I don't know you little boys sending the

809
00:48:07,080 --> 00:48:10,080
Speaker 1: boss to come high letting me, sending your head man

810
00:48:10,400 --> 00:48:14,160
Speaker 1: to come see me because we're talking boss talk. You're

811
00:48:14,200 --> 00:48:17,239
Speaker 1: sending me little boys. Man. Quits sending these little boys,

812
00:48:18,600 --> 00:48:21,080
Speaker 1: and as you're not paying these boys where they're trying

813
00:48:21,080 --> 00:48:26,000
Speaker 1: to gain favor somewhere. Yo, Bro, why is consequence dropping

814
00:48:26,000 --> 00:48:29,480
Speaker 1: a song? Bro? Why is consequence dropping a this song?

815
00:48:29,719 --> 00:48:33,839
Speaker 1: Drake fro Bro? Why are you dropping a this song?

816
00:48:34,040 --> 00:48:38,360
Speaker 1: My guy? In the grand scheme of things, Bro, you

817
00:48:38,560 --> 00:48:44,520
Speaker 1: is a peon this right here. That's like me slapping

818
00:48:44,520 --> 00:48:47,279
Speaker 1: the nude. He gonna get his little brother. Man. You

819
00:48:47,360 --> 00:48:49,360
Speaker 1: see what I'm doing to your big brother man. You

820
00:48:49,400 --> 00:48:56,239
Speaker 1: better sit down somewhere. Man. But again, I think a

821
00:48:56,239 --> 00:48:59,160
Speaker 1: lot of people don't have no real I'm telling you, man,

822
00:48:59,200 --> 00:49:01,239
Speaker 1: I really think a lot of people, in respect to

823
00:49:01,320 --> 00:49:06,759
Speaker 1: everybody involve everybody is rich, everybody is talented. But when

824
00:49:06,800 --> 00:49:11,000
Speaker 1: I'm talking to him, when I'm talking to him and

825
00:49:11,120 --> 00:49:14,640
Speaker 1: i'm boss status to where what I say to him

826
00:49:14,719 --> 00:49:18,120
Speaker 1: affects him, let him come high letting me, because we

827
00:49:18,200 --> 00:49:21,759
Speaker 1: can start a civil war. Man, I can like YO,

828
00:49:22,160 --> 00:49:26,120
Speaker 1: tell dude, come high letting me your boss and everybody else,

829
00:49:26,160 --> 00:49:29,320
Speaker 1: I'm gonna ignore you, dudes. It's Leon's man, you Leon

830
00:49:29,440 --> 00:49:34,719
Speaker 1: the pon. I'm not acknowledging nothing nobody doing that's up

831
00:49:34,880 --> 00:49:40,799
Speaker 1: under the dude that I'm currently shooting at y'all trying

832
00:49:40,800 --> 00:49:42,799
Speaker 1: to take the fight. I let y'all trick me with that,

833
00:49:42,840 --> 00:49:45,719
Speaker 1: with the push your teeth thing once seeing that's the

834
00:49:45,840 --> 00:49:50,600
Speaker 1: mistake Drake made at the first first the first l

835
00:49:50,719 --> 00:49:53,239
Speaker 1: what some people are that you know, they say he

836
00:49:53,280 --> 00:49:56,440
Speaker 1: took maybe his first ale. We'll push your t but

837
00:49:56,560 --> 00:50:01,000
Speaker 1: that wouldn't even push your teeth fight. I'm talking to

838
00:50:01,120 --> 00:50:06,080
Speaker 1: your boy. I get you smushed like you want to play.

839
00:50:06,239 --> 00:50:08,880
Speaker 1: I get you smushed, little dude, But I want to

840
00:50:08,920 --> 00:50:10,719
Speaker 1: talk to that dude. I want to I want to

841
00:50:10,760 --> 00:50:14,560
Speaker 1: see him and if I can see him, don't know,

842
00:50:14,719 --> 00:50:16,680
Speaker 1: violence got to happen, but me and him need to

843
00:50:16,719 --> 00:50:19,200
Speaker 1: see each other but if I gotta go through all y'all,

844
00:50:19,280 --> 00:50:23,959
Speaker 1: somebody gonna get hurt. He know, he know he talking

845
00:50:24,040 --> 00:50:28,840
Speaker 1: to another a bain. He know he talking to another

846
00:50:28,920 --> 00:50:31,279
Speaker 1: big dog. He's not talking to no little boy. Why

847
00:50:31,400 --> 00:50:34,160
Speaker 1: he keeps sending y'all And I don't think he's sending them.

848
00:50:34,640 --> 00:50:37,560
Speaker 1: What I think's happening is is that they gain In fact,

849
00:50:37,600 --> 00:50:41,160
Speaker 1: they're trying to gain favor with him, but that but

850
00:50:41,280 --> 00:50:46,239
Speaker 1: they are previewed to personal conversations, right, So I do

851
00:50:46,400 --> 00:50:49,160
Speaker 1: think that there's they're able to see his raw emotion

852
00:50:49,200 --> 00:50:51,640
Speaker 1: to some of these things that's happening when Drake dropped

853
00:50:52,000 --> 00:50:56,960
Speaker 1: him him getting in this creative bag and getting upset,

854
00:50:57,040 --> 00:51:00,160
Speaker 1: and maybe they are able to actually see these raw emotions.

855
00:51:01,320 --> 00:51:03,640
Speaker 1: And because they have love for the dude, it's like

856
00:51:04,120 --> 00:51:07,960
Speaker 1: a bro like But it seemed like it's a little

857
00:51:08,000 --> 00:51:12,200
Speaker 1: partly cloudy. You understand when when I see a dude

858
00:51:12,719 --> 00:51:17,359
Speaker 1: like Consequence come drop a song called Party Time. When

859
00:51:17,440 --> 00:51:22,040
Speaker 1: the night before Drake dropped, the leaked this track by

860
00:51:22,160 --> 00:51:26,200
Speaker 1: Kanye West to Drake called Life for the Party. So

861
00:51:26,239 --> 00:51:30,160
Speaker 1: you see, we know how algorithm works. People are gonna

862
00:51:30,200 --> 00:51:35,160
Speaker 1: be googling, right, People are gonna be googling and searching

863
00:51:35,200 --> 00:51:39,480
Speaker 1: on YouTube and other platforms for life of the Party

864
00:51:39,680 --> 00:51:43,319
Speaker 1: drake this by Kanye West. So if I put out

865
00:51:43,520 --> 00:51:48,400
Speaker 1: party time drake this, it's gonna show up in that

866
00:51:48,520 --> 00:51:51,920
Speaker 1: algorithm right by Defunt. So it's a game being played,

867
00:51:51,960 --> 00:51:54,560
Speaker 1: which made me think it's a little cloud involved, But

868
00:51:54,760 --> 00:51:56,719
Speaker 1: you know, I want to believe that it's based on

869
00:51:56,760 --> 00:51:58,880
Speaker 1: the love and it's based on Yo, you playing with

870
00:51:59,000 --> 00:52:01,839
Speaker 1: my people like because I got people to feel like

871
00:52:01,880 --> 00:52:05,000
Speaker 1: that about me, but I had to tell them, Yo,

872
00:52:05,120 --> 00:52:09,440
Speaker 1: this ain't no violence. Y'all relaxed this creator on creator.

873
00:52:10,600 --> 00:52:13,000
Speaker 1: Let us get in the ring. Let us see, we

874
00:52:13,120 --> 00:52:16,600
Speaker 1: got money as our disposal. We got any music person,

875
00:52:16,800 --> 00:52:21,040
Speaker 1: any writer, any producer in the world at our disposal.

876
00:52:21,080 --> 00:52:24,279
Speaker 1: We got the finances to make the exact music we

877
00:52:24,320 --> 00:52:27,440
Speaker 1: want to make and be creative in any way. I

878
00:52:27,480 --> 00:52:30,359
Speaker 1: can set myself on fire, I can fly, I can

879
00:52:30,400 --> 00:52:33,280
Speaker 1: sell out the stadium and come out and rebuild my house.

880
00:52:33,600 --> 00:52:35,840
Speaker 1: I can whatever we want to do, we can do.

881
00:52:36,040 --> 00:52:39,759
Speaker 1: So let us let us get into that spaw and

882
00:52:39,840 --> 00:52:42,799
Speaker 1: managmentally creative versus creator and see what we can get

883
00:52:42,880 --> 00:52:45,040
Speaker 1: out of that. And for me, that's gonna be a

884
00:52:45,120 --> 00:52:49,279
Speaker 1: beautiful thing because I can recognize when that's happening, and

885
00:52:49,440 --> 00:52:53,600
Speaker 1: sometimes I want to get into that mode myself. The

886
00:52:53,760 --> 00:52:57,239
Speaker 1: difference with me is is that I'm fresh creator, so

887
00:52:57,680 --> 00:53:00,359
Speaker 1: so my eyes see a little different than I'm able

888
00:53:00,400 --> 00:53:03,200
Speaker 1: to view things a little different. Some may say that's

889
00:53:03,239 --> 00:53:06,960
Speaker 1: a weakness based on experience, but I say it's not

890
00:53:07,160 --> 00:53:11,719
Speaker 1: because I know everything that they've done. Everything that they've done,

891
00:53:11,800 --> 00:53:16,200
Speaker 1: I know it, so I consider it. But I'm so

892
00:53:16,440 --> 00:53:18,920
Speaker 1: innovative that I move away from it and I try

893
00:53:18,960 --> 00:53:22,319
Speaker 1: to I try to meet the curve where it's gone, right.

894
00:53:22,400 --> 00:53:24,440
Speaker 1: So it's that's why I'm saying this shit is different

895
00:53:24,480 --> 00:53:27,800
Speaker 1: than just sitting talking. You can't you can't duplicate this

896
00:53:28,040 --> 00:53:31,360
Speaker 1: type thing. You see, the mind frame and the and

897
00:53:31,440 --> 00:53:34,839
Speaker 1: the mentality, the way that things just rumble. You can't

898
00:53:35,000 --> 00:53:38,760
Speaker 1: something you really can't pay for. But my next question

899
00:53:38,880 --> 00:53:41,880
Speaker 1: to myself about the Kanye West and Drake is I,

900
00:53:42,040 --> 00:53:46,399
Speaker 1: right now, how to these albums age? Because I said

901
00:53:46,480 --> 00:53:49,120
Speaker 1: to myself, I wanted this Kanye playing a long game,

902
00:53:50,840 --> 00:53:54,080
Speaker 1: right because sometimes you know, we'll see where stuff all

903
00:53:54,160 --> 00:53:56,640
Speaker 1: come out and then they'll say it's better, but ten

904
00:53:56,800 --> 00:54:00,479
Speaker 1: years later now I think this kind of it's a little,

905
00:54:00,840 --> 00:54:04,919
Speaker 1: you know. So I'm wondering it's Kanye worried about Hey,

906
00:54:05,160 --> 00:54:09,840
Speaker 1: this is an age better than that because Drake's sound

907
00:54:10,320 --> 00:54:12,319
Speaker 1: and a lot of it is kind of right now.

908
00:54:12,360 --> 00:54:15,759
Speaker 1: Wish like what's going on right now? Maybe the next

909
00:54:15,840 --> 00:54:20,479
Speaker 1: five years it is still being right, maybe seven, maybe

910
00:54:20,520 --> 00:54:26,880
Speaker 1: even a decade. But in fifteen years, right when they

911
00:54:26,960 --> 00:54:29,719
Speaker 1: look back and they say, all right, Donda versus certified

912
00:54:29,800 --> 00:54:33,200
Speaker 1: lovel Boy, which one is right? Because I think Kanye

913
00:54:33,400 --> 00:54:36,520
Speaker 1: is in the future a little bit with the way

914
00:54:36,560 --> 00:54:39,440
Speaker 1: he's doing this thing. He's turned this into a play

915
00:54:40,320 --> 00:54:42,840
Speaker 1: and it's almost like I can't sit and listen to

916
00:54:43,000 --> 00:54:47,600
Speaker 1: the music from top to bottom without seeing I can

917
00:54:47,680 --> 00:54:50,239
Speaker 1: listen to it if I'm watching him doing listening event

918
00:54:50,440 --> 00:54:53,080
Speaker 1: or something, he comes off a little different. But just

919
00:54:53,320 --> 00:54:55,440
Speaker 1: riding in the cars song for song for song, I

920
00:54:55,520 --> 00:54:58,239
Speaker 1: haven't been able to do that just yet, you know.

921
00:54:59,560 --> 00:55:01,480
Speaker 1: But like I said, we'll get a lot from this,

922
00:55:01,680 --> 00:55:04,600
Speaker 1: a lot of good music, a lot of innovation. These

923
00:55:04,680 --> 00:55:07,600
Speaker 1: dudes to continue to put the coach in a place

924
00:55:07,680 --> 00:55:11,320
Speaker 1: where very few people has been able to do. So

925
00:55:12,200 --> 00:55:14,319
Speaker 1: we'll be here for the ride and this up there

926
00:55:14,440 --> 00:55:18,719
Speaker 1: podcasts to be able to provide commentary along the way.

927
00:55:19,280 --> 00:55:22,920
Speaker 1: You know, I also want to speak about this is

928
00:55:23,040 --> 00:55:26,840
Speaker 1: important to me and this is important for the South,

929
00:55:28,360 --> 00:55:32,560
Speaker 1: and I'm gonna get the Big Bank shout out Big Facts, podcasts,

930
00:55:33,040 --> 00:55:36,960
Speaker 1: shout out Revote, shout out Black Effect, shout out all

931
00:55:37,040 --> 00:55:39,200
Speaker 1: of them. Right, I'm gonna get to that, But right now,

932
00:55:39,239 --> 00:55:42,920
Speaker 1: I want to speak about piggybacking off of the Kanye

933
00:55:43,080 --> 00:55:46,200
Speaker 1: and Drake thing. And I see that a lot of

934
00:55:46,320 --> 00:55:52,240
Speaker 1: takes are coming from the North, you know, from the academics,

935
00:55:52,360 --> 00:55:56,239
Speaker 1: from the Joe buttons, from the all these people who

936
00:55:56,280 --> 00:56:00,719
Speaker 1: are basically saying that all of these great artists from

937
00:56:00,760 --> 00:56:02,799
Speaker 1: the South shouldn't be able to be on such an

938
00:56:02,880 --> 00:56:07,239
Speaker 1: influential album and be able to show their talents and

939
00:56:07,400 --> 00:56:10,760
Speaker 1: showcase their ability standing next to one of the biggest

940
00:56:10,840 --> 00:56:15,320
Speaker 1: acts that that our industry has ever seen. And I

941
00:56:15,440 --> 00:56:17,840
Speaker 1: want to reject the notion. I want, I want to

942
00:56:17,880 --> 00:56:23,279
Speaker 1: speak directly to some of you guys, see, because we've

943
00:56:23,360 --> 00:56:26,399
Speaker 1: effectively changed the game, and I think that you guys,

944
00:56:26,480 --> 00:56:31,080
Speaker 1: having still having adopted the new rules, the guard has changed,

945
00:56:31,120 --> 00:56:34,680
Speaker 1: and I think you guys are still trying to play

946
00:56:34,800 --> 00:56:40,320
Speaker 1: chick had hand chick. You know, we've changed everything that

947
00:56:40,440 --> 00:56:43,680
Speaker 1: you guys set forth. We took what you guys set forth,

948
00:56:43,719 --> 00:56:45,520
Speaker 1: and we put our spend on it. I want to

949
00:56:45,560 --> 00:56:47,759
Speaker 1: say this for the South and for all the real

950
00:56:47,880 --> 00:56:51,760
Speaker 1: niggas that's on the other side of being a billion

951
00:56:51,880 --> 00:56:56,520
Speaker 1: stream guy, but could definitely contribute to the outcome of

952
00:56:56,680 --> 00:57:02,399
Speaker 1: great music and great ideas and create yations that their

953
00:57:02,520 --> 00:57:11,960
Speaker 1: input was needed, but maybe not value. Right, even with

954
00:57:12,080 --> 00:57:14,200
Speaker 1: the Soldier Boy thing, I'd like to tell people, you

955
00:57:14,280 --> 00:57:17,560
Speaker 1: see Soldier Boy get took off, Kanye shit, you see

956
00:57:17,640 --> 00:57:20,800
Speaker 1: Drake get I'm sorry. You see Chris Brown get took off.

957
00:57:20,840 --> 00:57:23,560
Speaker 1: You see all of these people get took off. The

958
00:57:23,760 --> 00:57:27,120
Speaker 1: thing about equality though, and this is what's funny. That's

959
00:57:27,120 --> 00:57:28,680
Speaker 1: why I said a lot of time, I don't feel

960
00:57:28,760 --> 00:57:32,640
Speaker 1: bad for these guys, but in the grand scheme of things,

961
00:57:32,680 --> 00:57:38,200
Speaker 1: I understand the feelings, right. But the thing about equality, bro,

962
00:57:39,520 --> 00:57:43,920
Speaker 1: is that we only want it for our superiors. Right.

963
00:57:44,080 --> 00:57:46,360
Speaker 1: So they won't. They won't when they go work with Kanye,

964
00:57:46,480 --> 00:57:48,920
Speaker 1: they wanna, they wanna, you know, man, come on, man,

965
00:57:48,960 --> 00:57:51,200
Speaker 1: you're doing me wrong. Man, You ain't put it out Yea.

966
00:57:51,920 --> 00:57:55,240
Speaker 1: You hear a lot of hoop it in Holland. But

967
00:57:55,400 --> 00:57:57,440
Speaker 1: the young guy that is coming up, you know with

968
00:57:57,560 --> 00:58:01,120
Speaker 1: the bank road and maybe fifteen grand off, ten grand

969
00:58:01,200 --> 00:58:04,920
Speaker 1: off because you want sixty five thousand. He making get

970
00:58:05,000 --> 00:58:09,600
Speaker 1: forty may be talented that the guy that's in your DM,

971
00:58:09,720 --> 00:58:12,000
Speaker 1: hey man, I just can you get me a shout out?

972
00:58:12,120 --> 00:58:13,880
Speaker 1: Can I pay you to do X, Y and Z.

973
00:58:14,960 --> 00:58:17,600
Speaker 1: They don't see him, They don't, they don't, they don't

974
00:58:17,600 --> 00:58:21,080
Speaker 1: wan't equality for him. They don't want to see him

975
00:58:21,160 --> 00:58:22,919
Speaker 1: be in a position to get some of the same

976
00:58:23,960 --> 00:58:28,120
Speaker 1: lee way or even share the same respect that they

977
00:58:28,200 --> 00:58:32,160
Speaker 1: won't from Kanye. I've seen again, I reiterate a lot

978
00:58:32,240 --> 00:58:35,480
Speaker 1: of big artists charged dudes for songs and they never posted.

979
00:58:37,960 --> 00:58:41,160
Speaker 1: A lot of big dudes come do interviews with podcasts

980
00:58:41,200 --> 00:58:46,560
Speaker 1: and they don't promote it. A lot of dudes going dudes, DM, yo,

981
00:58:46,760 --> 00:58:49,520
Speaker 1: can we get an interview? They respond to that, they

982
00:58:49,600 --> 00:58:53,240
Speaker 1: see the DM, they don't even respond to it. It's

983
00:58:53,280 --> 00:58:55,520
Speaker 1: still one dude out there and I'm gonna smack his

984
00:58:55,640 --> 00:58:58,080
Speaker 1: manager and I ain't gonna say it on camera, but

985
00:58:58,200 --> 00:59:01,280
Speaker 1: you are here about it when I catch him, only

986
00:59:01,440 --> 00:59:06,520
Speaker 1: because it was outrageous what I knew he was doing.

987
00:59:06,600 --> 00:59:08,720
Speaker 1: And the reason, see, they don't know who knows who

988
00:59:09,080 --> 00:59:12,320
Speaker 1: I go around this way. Speak to the artist, right,

989
00:59:13,240 --> 00:59:16,640
Speaker 1: and I gotta understanding what the artists about what we're

990
00:59:16,640 --> 00:59:20,680
Speaker 1: gonna do in regards to the podcast. But he let

991
00:59:20,800 --> 00:59:23,720
Speaker 1: me know, brain case, I forget this x y Z

992
00:59:24,320 --> 00:59:26,760
Speaker 1: you know, hit him and he here make sure I'll

993
00:59:26,840 --> 00:59:30,800
Speaker 1: remember I hit him. He tried to triple the price.

994
00:59:30,880 --> 00:59:34,520
Speaker 1: And I'm telling him, you can't be serious, bro, you

995
00:59:34,640 --> 00:59:37,720
Speaker 1: know you know check you know, run my name bro

996
00:59:37,960 --> 00:59:42,760
Speaker 1: for you play like this, run my respect this. But

997
00:59:42,920 --> 00:59:44,800
Speaker 1: he didn't want to. He want to laugh and like

998
00:59:44,920 --> 00:59:47,440
Speaker 1: it's a joke. I stopped talking. But when I see him,

999
00:59:47,720 --> 00:59:50,760
Speaker 1: When I see him, we're going platinum. It ain't nothing

1000
00:59:50,800 --> 00:59:54,280
Speaker 1: to talk about. But he's just amazes me that they

1001
00:59:54,320 --> 00:59:56,520
Speaker 1: don't want to see the equality when it comes to that.

1002
00:59:56,640 --> 01:00:00,320
Speaker 1: But everybody that want to go to Kanye West, why owning?

1003
01:00:00,360 --> 01:00:02,360
Speaker 1: He flung y'all out the wind, ain't even might not

1004
01:00:02,480 --> 01:00:05,400
Speaker 1: even got a wal Mart. And every rapper going these

1005
01:00:05,520 --> 01:00:10,160
Speaker 1: niggas is clowns to me, man, And let me be clear,

1006
01:00:10,320 --> 01:00:14,240
Speaker 1: I would go, but I would go from a creative standpoint,

1007
01:00:15,160 --> 01:00:17,560
Speaker 1: and I would also big up the youngster in my

1008
01:00:17,720 --> 01:00:21,440
Speaker 1: DM if it sounds right, if I happen to see it,

1009
01:00:21,560 --> 01:00:25,360
Speaker 1: if I happen to come across it some kind of way.

1010
01:00:25,440 --> 01:00:27,840
Speaker 1: I try to engage and live one another up. So

1011
01:00:28,040 --> 01:00:30,840
Speaker 1: I'm trying to And of course I'm not perfect, so

1012
01:00:30,960 --> 01:00:33,520
Speaker 1: I can't say I'm gonna execute this at at one

1013
01:00:33,600 --> 01:00:38,680
Speaker 1: hundred percent. But the goal is to each one teach

1014
01:00:38,760 --> 01:00:42,280
Speaker 1: one and everybody spread this around. One hand, watch the

1015
01:00:42,400 --> 01:00:48,280
Speaker 1: other both watch the face you see. So it amazes me.

1016
01:00:48,400 --> 01:00:51,400
Speaker 1: Everybody jump on planes and head to wound them in somewhere.

1017
01:00:51,440 --> 01:00:55,200
Speaker 1: Ain't got no tight malls or none. Everything the rappers got,

1018
01:00:55,320 --> 01:00:58,040
Speaker 1: they don't have what Kanye West told y'all to come,

1019
01:00:58,320 --> 01:01:06,080
Speaker 1: and everybody came. Everybody came, and then they got mad

1020
01:01:06,160 --> 01:01:09,640
Speaker 1: when he don't put them on the album. Yo, bro,

1021
01:01:10,320 --> 01:01:12,280
Speaker 1: you know I'm on some different you know, I'm on

1022
01:01:12,440 --> 01:01:15,680
Speaker 1: some whole other type time. You know I'm on some

1023
01:01:15,840 --> 01:01:18,920
Speaker 1: creative You know this, This is the vibration I'm on.

1024
01:01:19,120 --> 01:01:22,560
Speaker 1: You know I ain't doing let y'all got to respect

1025
01:01:22,640 --> 01:01:29,560
Speaker 1: the game. Like I'll be hearing people won't. I'll be

1026
01:01:29,680 --> 01:01:33,080
Speaker 1: hearing people won't. Interview from Drake Yo in Drake need

1027
01:01:33,160 --> 01:01:36,400
Speaker 1: to come interview with this up there podcast. They need

1028
01:01:36,480 --> 01:01:39,560
Speaker 1: to give some other people some opportunity you have had

1029
01:01:39,600 --> 01:01:41,880
Speaker 1: you Rick Ross, you didn't had you did you to

1030
01:01:42,000 --> 01:01:43,920
Speaker 1: had you that you know you ain't getting nothing out

1031
01:01:43,920 --> 01:01:49,640
Speaker 1: of these people. We don't understand what y'all talking about.

1032
01:01:49,720 --> 01:01:51,680
Speaker 1: Like it's time for them to come. It's a change

1033
01:01:51,720 --> 01:01:57,120
Speaker 1: another guard. And I wanna um also let you dudes

1034
01:01:57,200 --> 01:02:00,560
Speaker 1: know from up north and from wherever you from when

1035
01:02:00,600 --> 01:02:04,480
Speaker 1: you speak about the South, because nobody won't say And

1036
01:02:04,560 --> 01:02:08,200
Speaker 1: it's important I say it because I represent everything that

1037
01:02:08,360 --> 01:02:12,080
Speaker 1: you guys don't understand. Um. You know, I hear a

1038
01:02:12,120 --> 01:02:15,720
Speaker 1: lot of y'all you know up north, your Joe Buttons,

1039
01:02:15,840 --> 01:02:19,920
Speaker 1: you're academics, A couple of you guys. I hear a

1040
01:02:19,960 --> 01:02:22,720
Speaker 1: lot of y'all talk about, Hey man, we don't want

1041
01:02:22,760 --> 01:02:27,240
Speaker 1: to hear Drake with the futures, the young thugs, the

1042
01:02:27,360 --> 01:02:33,000
Speaker 1: twenty one savages, to all these the Tide Dollar signs,

1043
01:02:33,160 --> 01:02:36,120
Speaker 1: the all these guys you're saying you don't want to

1044
01:02:36,160 --> 01:02:38,640
Speaker 1: hear from. And for me, they happen to be from

1045
01:02:38,680 --> 01:02:41,760
Speaker 1: the South. It's important that I point that out right.

1046
01:02:41,880 --> 01:02:44,920
Speaker 1: I think if we see nas go kick it with Jade,

1047
01:02:45,160 --> 01:02:47,840
Speaker 1: don't nobody got nothing to say. I mean, this is

1048
01:02:47,920 --> 01:02:52,360
Speaker 1: the twentieth time this has happened. We see um Fat Joe,

1049
01:02:52,560 --> 01:02:55,400
Speaker 1: go kick it with Remy nobody. I want you dudes

1050
01:02:55,480 --> 01:03:00,560
Speaker 1: to understand the biasedness that you have. Not only the

1051
01:03:00,680 --> 01:03:03,680
Speaker 1: basiness that you have, I need you to understand the

1052
01:03:03,800 --> 01:03:09,280
Speaker 1: counterproductive behavior that you have incorporated inside of an industry

1053
01:03:09,560 --> 01:03:14,200
Speaker 1: that's based on numbers. In business, it's counterproductive. And then

1054
01:03:14,280 --> 01:03:16,800
Speaker 1: the South see a lot of y'all speak from a

1055
01:03:16,880 --> 01:03:22,000
Speaker 1: losing position, a lot of y'all speaking to Drake and

1056
01:03:22,080 --> 01:03:26,840
Speaker 1: these other dudes from a losing position. Everything you did

1057
01:03:26,920 --> 01:03:30,280
Speaker 1: in music didn't do ten percent of what Drake done,

1058
01:03:30,560 --> 01:03:34,040
Speaker 1: but you got all the answers. And I'm tired of

1059
01:03:34,120 --> 01:03:36,919
Speaker 1: y'all dudes talking from a losing position. I'm in the fight.

1060
01:03:37,600 --> 01:03:40,800
Speaker 1: Everything I speak about, I'm currently in the fight. So

1061
01:03:40,960 --> 01:03:45,200
Speaker 1: I got it a certain level of respect for in

1062
01:03:45,360 --> 01:03:49,160
Speaker 1: the same way I'm critiquing, I could be critiqued, and

1063
01:03:49,280 --> 01:03:53,240
Speaker 1: so it's important that you dudes understand that. But more importantly,

1064
01:03:55,080 --> 01:03:59,120
Speaker 1: in the South, since the South took over the game,

1065
01:04:00,920 --> 01:04:05,960
Speaker 1: we've rejected that hat shit that come from a lot

1066
01:04:06,000 --> 01:04:11,920
Speaker 1: of the people up north. When you get so competitive

1067
01:04:12,000 --> 01:04:14,680
Speaker 1: that you can't you can't work with one another, and

1068
01:04:15,120 --> 01:04:18,040
Speaker 1: and don't work with the folk, because yeah, yo, man,

1069
01:04:18,160 --> 01:04:25,400
Speaker 1: we killed that spirit. Dog, We killed that spirit home,

1070
01:04:26,520 --> 01:04:29,760
Speaker 1: We killed that spirit. Were about getting money down here, man,

1071
01:04:33,160 --> 01:04:35,880
Speaker 1: we don't throw no slurs because we throw our homeball

1072
01:04:35,920 --> 01:04:40,920
Speaker 1: on the track. Look, how y'all box yourself in the box. Now,

1073
01:04:40,960 --> 01:04:43,720
Speaker 1: it gotta be just me, just me now, just me.

1074
01:04:45,160 --> 01:04:47,240
Speaker 1: What the what we're talking about? I don't want to

1075
01:04:47,280 --> 01:04:50,240
Speaker 1: see your friends? What the fuck? What are we talking about?

1076
01:04:50,680 --> 01:04:52,640
Speaker 1: I don't want to see twenty one seven. I don't

1077
01:04:52,640 --> 01:04:54,680
Speaker 1: want to see Travis Carr. I don't want to see

1078
01:04:54,960 --> 01:04:58,880
Speaker 1: Tell me what you're saying, my brother. The very weak

1079
01:04:59,000 --> 01:05:01,640
Speaker 1: reason we went it right now is because we rejected

1080
01:05:01,720 --> 01:05:07,280
Speaker 1: that hate the spirit. First, y'all want to say, fifty

1081
01:05:07,360 --> 01:05:09,919
Speaker 1: cent killed the whole spirit of New York. He made

1082
01:05:09,960 --> 01:05:14,080
Speaker 1: everybody start going against each other. But just so happened,

1083
01:05:14,840 --> 01:05:18,800
Speaker 1: that same spirit seems to still be in New York.

1084
01:05:18,840 --> 01:05:21,920
Speaker 1: We're still hitting people saying, heyo, Drake, bro. We don't

1085
01:05:21,960 --> 01:05:24,320
Speaker 1: want to hear you in Travis. We don't want to

1086
01:05:24,400 --> 01:05:26,120
Speaker 1: hear you in future. Bro. We don't want to hear

1087
01:05:26,160 --> 01:05:27,720
Speaker 1: you in savage, none of you. We want to just

1088
01:05:27,840 --> 01:05:31,320
Speaker 1: hear you, hey man, one iron in the fire man,

1089
01:05:31,440 --> 01:05:34,959
Speaker 1: make the fire go out. What y'all trying to trick

1090
01:05:35,080 --> 01:05:38,320
Speaker 1: me into losing? Y'all trying to trick me in the

1091
01:05:38,560 --> 01:05:42,080
Speaker 1: very thing that jay Z stopped doing once he reached

1092
01:05:42,120 --> 01:05:45,080
Speaker 1: a certain part of his career, because it's kunterproductive. That's

1093
01:05:45,160 --> 01:05:47,919
Speaker 1: only so long that you can stay on the top

1094
01:05:48,200 --> 01:05:52,880
Speaker 1: and not fuck with nobody. Everybody's gunning for you when

1095
01:05:52,920 --> 01:05:55,800
Speaker 1: you have alliances at the time, how dumb like, I

1096
01:05:55,880 --> 01:05:59,959
Speaker 1: don't get it, bro, I don't get it. And maybe

1097
01:06:00,120 --> 01:06:02,959
Speaker 1: that's why some of y'all see some of y'all lucky.

1098
01:06:03,080 --> 01:06:07,320
Speaker 1: You found something else to do and got lucky, because

1099
01:06:07,400 --> 01:06:10,040
Speaker 1: if all you had was what you critiquing with Drake,

1100
01:06:10,400 --> 01:06:13,440
Speaker 1: if all you had was wrapped, you would be yo,

1101
01:06:13,640 --> 01:06:19,200
Speaker 1: bro be for real, you know. So I'm really I'm

1102
01:06:19,240 --> 01:06:23,280
Speaker 1: really just tired of hearing people speak from a perspective,

1103
01:06:24,360 --> 01:06:26,680
Speaker 1: you know, and say certain things like that. You know

1104
01:06:26,720 --> 01:06:33,000
Speaker 1: what I'm saying, because again, they speak from a losing perspective. See,

1105
01:06:33,400 --> 01:06:37,200
Speaker 1: when you are lose at something, but you still hang around,

1106
01:06:37,280 --> 01:06:39,560
Speaker 1: you gotta know that. See, you gotta know the man

1107
01:06:39,680 --> 01:06:43,880
Speaker 1: set of that type person. You're losing over here, but

1108
01:06:44,000 --> 01:06:51,080
Speaker 1: you're hanging on. You're hanging around that breede bitterness just

1109
01:06:51,280 --> 01:06:53,480
Speaker 1: so happened. A lot of these guys find something to

1110
01:06:53,560 --> 01:06:56,959
Speaker 1: do with podcasting or something else to provide some sort

1111
01:06:57,000 --> 01:07:00,400
Speaker 1: of income. But a lot of these do are like

1112
01:07:00,520 --> 01:07:05,400
Speaker 1: the old coach on the little league football field. It's

1113
01:07:05,480 --> 01:07:08,120
Speaker 1: mad at the little player called the little player. Don't

1114
01:07:08,160 --> 01:07:11,040
Speaker 1: really like him, but the little player good to here

1115
01:07:11,120 --> 01:07:13,880
Speaker 1: hold the player back instead of letting him play because

1116
01:07:13,920 --> 01:07:19,080
Speaker 1: of how he feel about him. That's what a lot

1117
01:07:19,160 --> 01:07:21,440
Speaker 1: of these dudes out. They speak from a position or

1118
01:07:21,920 --> 01:07:23,840
Speaker 1: I couldn't run that fast when I were young. You

1119
01:07:23,880 --> 01:07:25,600
Speaker 1: don't got to work on your running, car and it

1120
01:07:25,680 --> 01:07:28,240
Speaker 1: ain't really what's important now. You couldn't run, so you

1121
01:07:28,320 --> 01:07:33,080
Speaker 1: don't want me to work on my running. You don't

1122
01:07:33,120 --> 01:07:35,640
Speaker 1: see it as important because you didn't think you needed

1123
01:07:35,680 --> 01:07:37,560
Speaker 1: to get where you were trying to go. But we

1124
01:07:37,680 --> 01:07:40,320
Speaker 1: don't care what you thought because you didn't win. You

1125
01:07:40,440 --> 01:07:44,720
Speaker 1: didn't make it, not saying your point ain't valid at all.

1126
01:07:45,400 --> 01:07:47,680
Speaker 1: But it ain't enough to hold me back or make

1127
01:07:47,720 --> 01:07:50,600
Speaker 1: a decision based on what my next move should be.

1128
01:07:50,720 --> 01:07:53,600
Speaker 1: You got information, but I still got to digest it

1129
01:07:53,680 --> 01:07:58,080
Speaker 1: and dissect it because your identity is placed in the

1130
01:07:58,160 --> 01:08:03,240
Speaker 1: information you got. See your identity it's inside the information.

1131
01:08:04,240 --> 01:08:07,120
Speaker 1: And if you have a lose an identity, meaning a

1132
01:08:07,240 --> 01:08:10,840
Speaker 1: disappointed identity because you didn't make it in this or

1133
01:08:10,920 --> 01:08:13,120
Speaker 1: you didn't wrap this good, or you didn't sell as

1134
01:08:13,200 --> 01:08:15,560
Speaker 1: many records, or you didn't go on to it, then

1135
01:08:15,680 --> 01:08:19,360
Speaker 1: now when you speak about it, you speak from that standpoint.

1136
01:08:20,840 --> 01:08:23,920
Speaker 1: Your identity ain't in the right place for you to

1137
01:08:24,000 --> 01:08:28,080
Speaker 1: be able to critique me. I always told y'all, it

1138
01:08:28,120 --> 01:08:32,960
Speaker 1: ain't about who like what. It's about taste. You don't

1139
01:08:33,000 --> 01:08:36,920
Speaker 1: never criticize what somebody liked, because if you will, if

1140
01:08:37,000 --> 01:08:40,439
Speaker 1: it listen is simple. If you will fly, I expect

1141
01:08:40,520 --> 01:08:44,600
Speaker 1: you to like shit, you will fly. I don't criticize

1142
01:08:44,680 --> 01:08:48,720
Speaker 1: the fly for liking shit. It's a fly. You see

1143
01:08:48,800 --> 01:08:52,720
Speaker 1: what I'm saying. It's about taste. Who are you that

1144
01:08:52,960 --> 01:08:56,920
Speaker 1: tells me what you should like? Not you know what

1145
01:08:57,160 --> 01:08:59,880
Speaker 1: you're currently doing or listening to. I expect certain things

1146
01:09:00,080 --> 01:09:03,479
Speaker 1: out of people. So when I hear when I here

1147
01:09:03,600 --> 01:09:11,720
Speaker 1: failed the rapper talk about X, yourself out, be by yourself.

1148
01:09:12,439 --> 01:09:15,920
Speaker 1: Don't put nobody on the albums. We rejected that in

1149
01:09:16,040 --> 01:09:20,920
Speaker 1: the South, brother, that's hater spirit homes. I don't let

1150
01:09:21,040 --> 01:09:26,120
Speaker 1: competitive reditive 's hater sick. We don't do that down here.

1151
01:09:26,439 --> 01:09:29,000
Speaker 1: And so for the youngsters just listening to me, for

1152
01:09:29,120 --> 01:09:31,719
Speaker 1: the youngsters that want to listen to these other dudes,

1153
01:09:32,360 --> 01:09:34,720
Speaker 1: it gotta be sick because ain't nobody else gonna say

1154
01:09:34,720 --> 01:09:39,599
Speaker 1: it because they don't know. They almost had me biting

1155
01:09:39,640 --> 01:09:42,000
Speaker 1: into it. Yeah, Drake, we don't need to see No.

1156
01:09:42,200 --> 01:09:45,559
Speaker 1: Twenty one Savage and Ali Yeah, man ain't right. Then

1157
01:09:45,600 --> 01:09:49,800
Speaker 1: I got the thinking, how dad them try to trick

1158
01:09:49,920 --> 01:09:52,000
Speaker 1: us out of everything that made us who we are.

1159
01:09:54,880 --> 01:09:57,320
Speaker 1: If Master Pete would have took the blueprint that some

1160
01:09:57,439 --> 01:10:00,280
Speaker 1: of these people use and we're gonna focus on one

1161
01:10:00,520 --> 01:10:03,720
Speaker 1: artists and put maybe one album out of year, the

1162
01:10:03,840 --> 01:10:06,880
Speaker 1: South would have done what it done. He understood. One

1163
01:10:06,960 --> 01:10:08,960
Speaker 1: hand watched the other. Both watched the face. We got

1164
01:10:09,080 --> 01:10:12,080
Speaker 1: an album every month. Mia X this month, Mystical next month,

1165
01:10:12,120 --> 01:10:15,360
Speaker 1: six to Shocker next month, Nigga Feed the next month,

1166
01:10:15,520 --> 01:10:18,680
Speaker 1: Smister serve on all us together, no limit board, Like

1167
01:10:19,120 --> 01:10:21,960
Speaker 1: you gotta understand what you're dealing with. In the South,

1168
01:10:22,080 --> 01:10:25,960
Speaker 1: we got a different hustle. Y'all want to go isolation.

1169
01:10:28,120 --> 01:10:33,000
Speaker 1: We know how to go isolation, but we really want

1170
01:10:33,040 --> 01:10:40,760
Speaker 1: to just win. We really want to just win. When

1171
01:10:40,800 --> 01:10:43,639
Speaker 1: it all boils down. But in the South we rejected

1172
01:10:43,720 --> 01:10:46,680
Speaker 1: that and we and we stand on that. You know,

1173
01:10:46,840 --> 01:10:50,840
Speaker 1: we we don't do that to one another, you know

1174
01:10:50,920 --> 01:10:53,280
Speaker 1: what I'm saying. So a lot of y'all got to

1175
01:10:53,320 --> 01:10:57,240
Speaker 1: really stop projecting that on us. In the South. Were

1176
01:10:57,240 --> 01:11:01,240
Speaker 1: about love with about peace. You know, we'll kill over none,

1177
01:11:01,320 --> 01:11:03,599
Speaker 1: but we'll about peace in regards to if we can

1178
01:11:03,640 --> 01:11:05,720
Speaker 1: find a way to make some money together. Let's do that,

1179
01:11:06,880 --> 01:11:10,599
Speaker 1: you know, let's shout a love. That's why you got

1180
01:11:10,680 --> 01:11:14,240
Speaker 1: some of them hits. You had Metro and South Side

1181
01:11:14,360 --> 01:11:17,720
Speaker 1: and London on the trial in one studio three four

1182
01:11:17,840 --> 01:11:21,000
Speaker 1: five producers. It was unheard of when they get that status.

1183
01:11:21,360 --> 01:11:23,759
Speaker 1: See everybody get to a status and grab a team

1184
01:11:24,200 --> 01:11:27,880
Speaker 1: and then isolate. In Atlanta they had Thug Home, rich

1185
01:11:27,960 --> 01:11:30,840
Speaker 1: Holm Qall and me Go gooch All in one studio. Man,

1186
01:11:30,920 --> 01:11:34,280
Speaker 1: we reject that, Hey to shit. Man in the South,

1187
01:11:34,400 --> 01:11:36,960
Speaker 1: we reject that, Hey to site Home. Hey, listen, big

1188
01:11:37,040 --> 01:11:38,960
Speaker 1: Bank just reached out to me. I gotta hold I

1189
01:11:39,000 --> 01:11:42,080
Speaker 1: gotta talk about that, like, Bro, we reject that, Hey

1190
01:11:42,160 --> 01:11:44,400
Speaker 1: to shit in the South, Bro, don't push that on uther.

1191
01:11:44,680 --> 01:11:47,160
Speaker 1: We gonna get biggest we can get and bring the

1192
01:11:47,240 --> 01:11:53,000
Speaker 1: whole team in. I feed off these boars. Yeah, I'm

1193
01:11:53,040 --> 01:11:55,200
Speaker 1: the biggest one in the world, but I feed off

1194
01:11:55,240 --> 01:12:00,680
Speaker 1: these people. What y'all to do is fee off fu me.

1195
01:12:00,760 --> 01:12:03,560
Speaker 1: Don't tell nobody. That's why y'all got a lot of

1196
01:12:03,600 --> 01:12:07,240
Speaker 1: them hate the stories come out. Hey man, he dune

1197
01:12:07,280 --> 01:12:09,200
Speaker 1: me wrong. Man, they were feeding off each other and

1198
01:12:09,320 --> 01:12:13,519
Speaker 1: letting you know, Oh, that's future, that's future. Yeah yeah, yeah, yeah,

1199
01:12:13,520 --> 01:12:17,240
Speaker 1: I'm in my future. Bad like. We aren't doing that, bro,

1200
01:12:17,720 --> 01:12:19,920
Speaker 1: So y'all bad up and stop speaking for the South.

1201
01:12:20,000 --> 01:12:22,360
Speaker 1: Y'all don't got that lead way. Y'all don't got no

1202
01:12:22,520 --> 01:12:25,800
Speaker 1: understanding on the South. Let us handle that, y'all. Y'all

1203
01:12:25,880 --> 01:12:29,000
Speaker 1: spoke for a long time and ran radio and ran

1204
01:12:29,200 --> 01:12:32,439
Speaker 1: media for a long time. It's time for the South now.

1205
01:12:33,160 --> 01:12:35,960
Speaker 1: And I met the forefront of other. I met the

1206
01:12:36,040 --> 01:12:40,520
Speaker 1: forefront of other speaking with experience. I'm dealing with experience.

1207
01:12:40,600 --> 01:12:44,439
Speaker 1: I ain't just explaining shit. I'm dealing with experience. So

1208
01:12:44,640 --> 01:12:47,240
Speaker 1: respect the game I'm putting down and get off the South. Man,

1209
01:12:47,280 --> 01:12:49,599
Speaker 1: you know what's going on. We don't do the hat shit.

1210
01:12:51,080 --> 01:12:54,200
Speaker 1: I also want to talk about, you know, because I'm

1211
01:12:54,240 --> 01:12:57,479
Speaker 1: a fan of student of the game and it kind

1212
01:12:57,479 --> 01:13:00,880
Speaker 1: of seemed like that um when things wasn't looking really

1213
01:13:00,960 --> 01:13:03,519
Speaker 1: well for Royal room Mall. You know, a lot of

1214
01:13:03,560 --> 01:13:06,439
Speaker 1: people jumped on the story. I'll be I'm included in

1215
01:13:06,600 --> 01:13:10,880
Speaker 1: regards to jumping on the situation and reporting on the

1216
01:13:10,960 --> 01:13:14,640
Speaker 1: debacle the death of a dynasty in regards to the

1217
01:13:14,760 --> 01:13:18,960
Speaker 1: Joe Budden podcast and in his current form at that time.

1218
01:13:19,080 --> 01:13:23,120
Speaker 1: So I viewed it as a teachable moment, as a

1219
01:13:23,240 --> 01:13:25,720
Speaker 1: learning moment, as a moment to give some game out

1220
01:13:25,760 --> 01:13:27,880
Speaker 1: to the babies and to the youngsters and to the

1221
01:13:28,720 --> 01:13:32,120
Speaker 1: other creators, and so we examined it from that standpoint.

1222
01:13:33,240 --> 01:13:35,800
Speaker 1: Throughout that time, I spoke about the Royal rim Mall

1223
01:13:35,960 --> 01:13:40,080
Speaker 1: podcast and kind of the shock value when the fans

1224
01:13:40,240 --> 01:13:44,519
Speaker 1: understanding that they left Joe Budden and the way that

1225
01:13:44,600 --> 01:13:47,120
Speaker 1: he kind of went off about it and fired the chair,

1226
01:13:47,280 --> 01:13:50,200
Speaker 1: and it was just kind of a weird situation. The

1227
01:13:50,320 --> 01:13:53,560
Speaker 1: ego kind of got the best of him and it

1228
01:13:53,720 --> 01:13:57,000
Speaker 1: unfolded on camera, which someone had the press record. Then

1229
01:13:57,280 --> 01:14:01,000
Speaker 1: edit thedn't put out three step process that went unnoticed.

1230
01:14:01,600 --> 01:14:05,559
Speaker 1: The lack of empathy and sympathy in regards to building

1231
01:14:05,640 --> 01:14:09,280
Speaker 1: something with someone, and we have reached the timely demands.

1232
01:14:09,479 --> 01:14:11,799
Speaker 1: We have reached the situation where we can no longer

1233
01:14:12,360 --> 01:14:15,559
Speaker 1: do business in the same fashion. Right. I remember jay

1234
01:14:15,640 --> 01:14:20,040
Speaker 1: Z speaking about one time that hey, yo, deaf Jam,

1235
01:14:20,680 --> 01:14:23,320
Speaker 1: we can't It ain't that we can't do business no more.

1236
01:14:23,479 --> 01:14:25,880
Speaker 1: That ain't what the problem is. What has to change

1237
01:14:26,000 --> 01:14:29,519
Speaker 1: is the way we do business. Yeah. So at first

1238
01:14:29,560 --> 01:14:31,559
Speaker 1: she was paying me like an artist. You gotta pay

1239
01:14:31,640 --> 01:14:36,000
Speaker 1: me like a CEO now. And in response to that,

1240
01:14:36,160 --> 01:14:39,559
Speaker 1: you saw jay Z get handed the presidency of Death Jam.

1241
01:14:39,680 --> 01:14:43,559
Speaker 1: But that's a whole other story. Just watching the Royal

1242
01:14:43,720 --> 01:14:48,680
Speaker 1: Nmall's situation, you know, the numbers were extremely high when

1243
01:14:48,720 --> 01:14:51,240
Speaker 1: they first tipped it off, and the fans showed their

1244
01:14:51,320 --> 01:14:56,040
Speaker 1: supporting and they can't showed up in drones to support them.

1245
01:14:56,880 --> 01:15:00,760
Speaker 1: As I look at it now, right, I say, all right,

1246
01:15:00,880 --> 01:15:03,240
Speaker 1: from a business standpoint, I look at the product. I said,

1247
01:15:03,240 --> 01:15:05,439
Speaker 1: what kind of product do we got here with Roral Rill?

1248
01:15:05,479 --> 01:15:09,080
Speaker 1: All right? So basically it's the same rural m Mall's like, Yo,

1249
01:15:09,200 --> 01:15:13,800
Speaker 1: that's cool. But looking at Rory and Malls podcast right

1250
01:15:13,920 --> 01:15:19,880
Speaker 1: now in a weird way, helps you appreciate Joe Button

1251
01:15:21,160 --> 01:15:25,640
Speaker 1: because you can see that they're great wing men, but

1252
01:15:25,760 --> 01:15:32,240
Speaker 1: they needed Joe to be at a distribute the situation, right,

1253
01:15:32,360 --> 01:15:36,400
Speaker 1: So it's there's a topic, right, and so everybody has strengths, right,

1254
01:15:37,040 --> 01:15:39,320
Speaker 1: and so as a boss, that's what you do. You

1255
01:15:39,439 --> 01:15:42,240
Speaker 1: bring the topic in, you distribute it out the way

1256
01:15:42,320 --> 01:15:45,160
Speaker 1: that you know it needs to be. And you don't

1257
01:15:45,200 --> 01:15:48,120
Speaker 1: do that in a literal sense or in a technical sense.

1258
01:15:48,280 --> 01:15:51,639
Speaker 1: It's just in the heat of the moment, right, you're

1259
01:15:51,680 --> 01:15:55,000
Speaker 1: moving things around. So we kept them in a situation.

1260
01:15:55,120 --> 01:15:57,599
Speaker 1: And as I look at the Joe Buddon podcast, I say,

1261
01:15:59,720 --> 01:16:02,920
Speaker 1: they still like they don't have as many of those moments, right,

1262
01:16:03,080 --> 01:16:06,639
Speaker 1: those laughable where they just going to a crazy lab

1263
01:16:06,800 --> 01:16:09,680
Speaker 1: Rury Mall and him have none of those moments. It

1264
01:16:09,800 --> 01:16:13,240
Speaker 1: seems more manufactured. Right. They have moments of course where

1265
01:16:13,240 --> 01:16:16,479
Speaker 1: they laugh things. You know, we're gonna say funny things

1266
01:16:16,560 --> 01:16:20,680
Speaker 1: if you're pardon but those where you just they just

1267
01:16:20,920 --> 01:16:24,040
Speaker 1: cracking up, laughing where it's just they really enjoyed, like

1268
01:16:24,160 --> 01:16:28,080
Speaker 1: it's it's it's it just don't seem it seemed like

1269
01:16:28,160 --> 01:16:31,960
Speaker 1: they're missing that. Joe gets it sometime out of issuing Ice.

1270
01:16:32,560 --> 01:16:34,920
Speaker 1: But that's the value of Joe being in the middle

1271
01:16:34,960 --> 01:16:37,840
Speaker 1: of the conversation. He presents things in a weird way

1272
01:16:37,920 --> 01:16:40,800
Speaker 1: to where his brain works and things like that. Um.

1273
01:16:41,400 --> 01:16:46,400
Speaker 1: I was also I was also kind of interested in

1274
01:16:46,479 --> 01:16:49,840
Speaker 1: the fact that the Rural Mall podcast, none of those

1275
01:16:50,520 --> 01:16:52,760
Speaker 1: did a median views. I thought at the gate they

1276
01:16:52,800 --> 01:16:54,600
Speaker 1: would lease one of those would do a meet, and

1277
01:16:54,680 --> 01:16:56,880
Speaker 1: they're really close and they probably will do a meet.

1278
01:16:56,960 --> 01:17:00,720
Speaker 1: And it's been maybe a couple of months. But just

1279
01:17:00,920 --> 01:17:03,559
Speaker 1: when you're just watching the landscape and the numbers and things,

1280
01:17:03,600 --> 01:17:05,519
Speaker 1: I just it just was interested in that. I wanted

1281
01:17:05,560 --> 01:17:08,080
Speaker 1: to just give an update on those guys, just because

1282
01:17:09,080 --> 01:17:13,280
Speaker 1: you know it. You're able to see the value of

1283
01:17:13,400 --> 01:17:15,640
Speaker 1: Joe Budden when you watch them. Although they're gonna be

1284
01:17:15,720 --> 01:17:19,599
Speaker 1: able to sustain some level of business right in regards

1285
01:17:19,680 --> 01:17:22,280
Speaker 1: to podcasting me because they do have a fan base.

1286
01:17:23,120 --> 01:17:27,880
Speaker 1: Um I think Mall is losing some of the cool though,

1287
01:17:29,960 --> 01:17:33,960
Speaker 1: right because he's he has to live more now now

1288
01:17:34,040 --> 01:17:37,439
Speaker 1: it's fifty fifty. It was thirty three. Really, Joe still

1289
01:17:37,520 --> 01:17:42,479
Speaker 1: had maybe sixty percent seventy percent of the part not business,

1290
01:17:42,680 --> 01:17:46,920
Speaker 1: nothing like not the money. I'm just talking about the usage,

1291
01:17:47,800 --> 01:17:51,880
Speaker 1: the set up shots to set up conversations, the segues,

1292
01:17:52,000 --> 01:17:54,760
Speaker 1: the just kind of the leader of the thing over there.

1293
01:17:54,800 --> 01:17:57,960
Speaker 1: He may have had seventy and then them to distribute

1294
01:17:58,000 --> 01:18:01,519
Speaker 1: that other fifteen. Understand what I'm saying, That other thirty

1295
01:18:01,560 --> 01:18:06,360
Speaker 1: percent in regards to talking on the MC right now,

1296
01:18:06,800 --> 01:18:11,720
Speaker 1: you got Rory Mars fifty fifty percent. So Mall has

1297
01:18:11,760 --> 01:18:13,560
Speaker 1: to come out on that branch a little bit and

1298
01:18:13,680 --> 01:18:17,200
Speaker 1: talk more. Sometimes Maull will be cool in the corner

1299
01:18:17,200 --> 01:18:19,280
Speaker 1: and not say enough for ten minutes of the part.

1300
01:18:19,439 --> 01:18:21,839
Speaker 1: That's a long time and as an on a podcast

1301
01:18:22,000 --> 01:18:25,280
Speaker 1: not to say nothing, and then they'll swing the conversation

1302
01:18:25,400 --> 01:18:28,479
Speaker 1: his way and he'll jump in those little things. Right.

1303
01:18:28,640 --> 01:18:31,120
Speaker 1: Just make a podcast, do what it's supposed to do.

1304
01:18:31,240 --> 01:18:34,960
Speaker 1: And I think that um, Rory and Mall are missing that.

1305
01:18:36,400 --> 01:18:39,679
Speaker 1: Seeing that they have been parting together for six seven years,

1306
01:18:39,720 --> 01:18:43,160
Speaker 1: I just thought that I would see that a little quicker,

1307
01:18:43,760 --> 01:18:46,000
Speaker 1: you know. I thought that they I would be able

1308
01:18:46,040 --> 01:18:49,040
Speaker 1: to see the camaraderie and they would still have those

1309
01:18:49,160 --> 01:18:52,200
Speaker 1: funny moments where they I'm laughing with them on the

1310
01:18:52,320 --> 01:18:54,240
Speaker 1: screen and things like that. And it kind of just

1311
01:18:54,320 --> 01:18:57,320
Speaker 1: seems that they're missing that Joel is over there still

1312
01:18:57,400 --> 01:19:01,840
Speaker 1: doing it a little bit. Um you know, I think

1313
01:19:01,960 --> 01:19:04,880
Speaker 1: Ice and them is coming into their thing in regards

1314
01:19:04,920 --> 01:19:07,439
Speaker 1: to how they want to part or Rory and mar

1315
01:19:07,479 --> 01:19:09,519
Speaker 1: It's basically what you're looking at is kind of what

1316
01:19:09,640 --> 01:19:13,240
Speaker 1: you're gonna get coming up. And I just think they

1317
01:19:13,280 --> 01:19:17,960
Speaker 1: should have inserted something because I think that they put

1318
01:19:18,080 --> 01:19:22,479
Speaker 1: too much on them in regards to how do you

1319
01:19:22,720 --> 01:19:27,479
Speaker 1: keep these fans entertained. We're not gonna do nothing. Crazy,

1320
01:19:27,560 --> 01:19:31,200
Speaker 1: Go get somebody crazy. He a no name guy crazy.

1321
01:19:31,800 --> 01:19:34,080
Speaker 1: He's the butter the jokes. He's the person we keep

1322
01:19:34,120 --> 01:19:36,200
Speaker 1: going that, he's the person to blame and say something

1323
01:19:36,280 --> 01:19:40,240
Speaker 1: crazy about Joe every other week, or like, let's get it,

1324
01:19:40,360 --> 01:19:44,599
Speaker 1: let's hustle, you know. But I guess everybody don't really

1325
01:19:44,720 --> 01:19:47,640
Speaker 1: understand how to navigate in this game, or they may

1326
01:19:47,760 --> 01:19:50,800
Speaker 1: need some pointers, or that maybe the ego says not

1327
01:19:50,880 --> 01:19:54,960
Speaker 1: to do certain things. I'm not sure, but I watched Steve.

1328
01:19:55,000 --> 01:19:57,200
Speaker 1: I watch both the parts. If you have a comment

1329
01:19:57,320 --> 01:19:59,880
Speaker 1: or thing different than that, help me understand what you see.

1330
01:20:00,000 --> 01:20:01,680
Speaker 1: I want to see it for what it is. And

1331
01:20:01,800 --> 01:20:04,920
Speaker 1: of course we like to start conversations with a conversation

1332
01:20:05,040 --> 01:20:10,000
Speaker 1: starts in regards to the podcast business, Um, what else

1333
01:20:10,240 --> 01:20:13,040
Speaker 1: I want to talk about? Let's talk about twenty one servers.

1334
01:20:13,080 --> 01:20:15,040
Speaker 1: Twenty one servers went up to a million. I was

1335
01:20:15,080 --> 01:20:17,519
Speaker 1: worth a game. Shout out willow, shout out, get it.

1336
01:20:18,120 --> 01:20:19,800
Speaker 1: You know, I like with their brain to the game

1337
01:20:19,880 --> 01:20:21,840
Speaker 1: as well. I'm sure there'll be a certain amount of

1338
01:20:21,920 --> 01:20:25,200
Speaker 1: time for we bump heads and rub shoulders. You know,

1339
01:20:25,320 --> 01:20:29,640
Speaker 1: we tend to talk to the same people. You know,

1340
01:20:30,720 --> 01:20:33,120
Speaker 1: the way I the way I navigate around things. I

1341
01:20:33,200 --> 01:20:36,240
Speaker 1: think they can appreciate the way that the game I'm

1342
01:20:36,280 --> 01:20:40,360
Speaker 1: putting down because it's supreme, you know what I'm saying

1343
01:20:40,439 --> 01:20:45,080
Speaker 1: and understanding the game, navigating from nothing, coming from the street, hustling,

1344
01:20:45,360 --> 01:20:48,080
Speaker 1: going to jail, all those things we have in coming,

1345
01:20:48,200 --> 01:20:52,320
Speaker 1: and being able to be at the forefront of thing.

1346
01:20:53,439 --> 01:20:55,800
Speaker 1: This is what we're doing. Ain't ain't ain't ain't a

1347
01:20:55,960 --> 01:21:00,519
Speaker 1: light thing. This is we're breaking ground. And regards to

1348
01:21:00,760 --> 01:21:04,720
Speaker 1: us counter individuals before me, you haven't heard a dude

1349
01:21:04,800 --> 01:21:07,840
Speaker 1: talk like me about in a podcast. And I don't

1350
01:21:07,920 --> 01:21:11,800
Speaker 1: just mean you know, I'm the smartest one or nothing

1351
01:21:11,920 --> 01:21:15,679
Speaker 1: like that. I mean from my type area, my swing,

1352
01:21:16,000 --> 01:21:20,559
Speaker 1: my sling, my style. You know. So this birth's new ones.

1353
01:21:20,760 --> 01:21:23,160
Speaker 1: This is the birth of a new nation, the birth

1354
01:21:23,240 --> 01:21:27,240
Speaker 1: of a new type of individual. Right, So when you

1355
01:21:27,400 --> 01:21:31,439
Speaker 1: deal with the Wallows, the Gelts, the Big Banks, the

1356
01:21:31,600 --> 01:21:42,200
Speaker 1: Screams them, the Jay's, Charlemagne's, the Joe Buttons. You know,

1357
01:21:42,479 --> 01:21:44,920
Speaker 1: when you deal with some of these individuals right this,

1358
01:21:45,080 --> 01:21:47,880
Speaker 1: in this space that we in and they able to,

1359
01:21:50,280 --> 01:21:53,080
Speaker 1: you get a certain texture, you get a certain feel

1360
01:21:53,240 --> 01:21:57,639
Speaker 1: from them. You see, this ship is built, not bought.

1361
01:21:59,000 --> 01:22:01,720
Speaker 1: You know. I'd like to tell people, man Like in

1362
01:22:01,920 --> 01:22:05,559
Speaker 1: my city, I was doing shows and podcasts and things,

1363
01:22:05,600 --> 01:22:07,679
Speaker 1: and people didn't know what it was. I was ahead

1364
01:22:07,720 --> 01:22:11,519
Speaker 1: of the curve, and right now, I guarantee guys that

1365
01:22:11,680 --> 01:22:15,360
Speaker 1: these things do. What's happening now, I had already guaranteed

1366
01:22:15,439 --> 01:22:18,920
Speaker 1: people this would be, this would be what the circumstances was,

1367
01:22:19,160 --> 01:22:22,920
Speaker 1: based on what I put in it, and so um,

1368
01:22:24,040 --> 01:22:26,400
Speaker 1: just to see what these guys have brought to the game,

1369
01:22:26,520 --> 01:22:29,760
Speaker 1: it's been a beautiful thing. Along with along with some

1370
01:22:29,840 --> 01:22:32,280
Speaker 1: of the other names that I mentioned, this great content,

1371
01:22:32,400 --> 01:22:35,639
Speaker 1: great podcast. Twenty one Savage went up here. Of course,

1372
01:22:35,720 --> 01:22:39,599
Speaker 1: we know twenty one been in the media. He's been

1373
01:22:39,680 --> 01:22:42,280
Speaker 1: in the media cycle due to the whack one hundred

1374
01:22:42,360 --> 01:22:48,120
Speaker 1: situation being mentioned in the Takashi six nine bs and

1375
01:22:48,320 --> 01:22:50,680
Speaker 1: all of that. So we're gonna play a couple of

1376
01:22:50,720 --> 01:22:52,880
Speaker 1: clips of what twenty one Savage City and if we

1377
01:22:53,040 --> 01:22:56,400
Speaker 1: find some game or something we can speak about, we're

1378
01:22:56,400 --> 01:22:58,680
Speaker 1: gonna put it down. Let's see what's going on. Right.

1379
01:22:59,400 --> 01:23:02,320
Speaker 1: So for me, you know, it was just like I

1380
01:23:02,400 --> 01:23:04,320
Speaker 1: ain't want to see that going down, and I hope

1381
01:23:04,400 --> 01:23:07,000
Speaker 1: y'all honestly, I don't know if it happened, but behind

1382
01:23:07,080 --> 01:23:09,720
Speaker 1: closed doors, work that shit out because at the end

1383
01:23:09,720 --> 01:23:11,880
Speaker 1: of the day, it's like for for y'all to go

1384
01:23:12,080 --> 01:23:16,759
Speaker 1: through it. And what like he talked to my manager.

1385
01:23:16,840 --> 01:23:19,559
Speaker 1: Remember my manager had talked. I ain't talked, well he can't.

1386
01:23:19,880 --> 01:23:22,640
Speaker 1: He came in another clubhouse room and he was kind

1387
01:23:22,680 --> 01:23:25,280
Speaker 1: of calmed down and ship so we ain't really like

1388
01:23:25,479 --> 01:23:27,600
Speaker 1: talk talk, but it was like he was in the

1389
01:23:27,720 --> 01:23:29,760
Speaker 1: room and everything was at the end of the day, man,

1390
01:23:30,280 --> 01:23:32,680
Speaker 1: we all black man is getting money, man. And that

1391
01:23:32,840 --> 01:23:36,480
Speaker 1: beat the beat the motherfucking's system. Man, beat the motherfucking

1392
01:23:37,160 --> 01:23:39,360
Speaker 1: everything that was supposed to hold us back. Man, We

1393
01:23:39,479 --> 01:23:42,960
Speaker 1: beat that shit. So you know, Lee, let y'all let

1394
01:23:43,040 --> 01:23:45,080
Speaker 1: that shit go, man, because at the end of the day,

1395
01:23:45,120 --> 01:23:48,920
Speaker 1: that shit not worth nothing and ain't a niggame. Fuck.

1396
01:23:49,120 --> 01:23:50,720
Speaker 1: And let me say this, I'm with you when you

1397
01:23:50,840 --> 01:23:53,960
Speaker 1: say let's let the beef go and let's not kill

1398
01:23:54,040 --> 01:23:56,760
Speaker 1: each other, and you know, let's make sure that we

1399
01:23:56,960 --> 01:24:01,080
Speaker 1: preach positivity and everybody standing on the same fool. But

1400
01:24:01,160 --> 01:24:03,000
Speaker 1: then I got to ask you a question, what do

1401
01:24:03,120 --> 01:24:08,240
Speaker 1: we do with the disrespect? Well, I'm gonna talk to disrespect.

1402
01:24:08,320 --> 01:24:10,160
Speaker 1: What I'm gonna do with the disrespect? I all that

1403
01:24:10,240 --> 01:24:14,400
Speaker 1: you said to me? The humiliation? What I'm gonna do

1404
01:24:14,479 --> 01:24:16,280
Speaker 1: with that? Because we are men at the end of

1405
01:24:16,360 --> 01:24:19,040
Speaker 1: the day, when I'm puled to do with that, right,

1406
01:24:19,160 --> 01:24:23,759
Speaker 1: So I think it's important more more important to before

1407
01:24:23,880 --> 01:24:26,519
Speaker 1: you do some of these things to have that level head.

1408
01:24:26,960 --> 01:24:29,720
Speaker 1: Don't smack me and then say, well, now hold up, y'all,

1409
01:24:29,800 --> 01:24:32,360
Speaker 1: let's be cool about this. Now, black on black crime

1410
01:24:32,479 --> 01:24:34,640
Speaker 1: is a hell of a thing, but we'll hold up. Man,

1411
01:24:34,720 --> 01:24:36,640
Speaker 1: I just was smacked. We tell me, my dude, that

1412
01:24:36,840 --> 01:24:38,759
Speaker 1: hit me. You know, I got to have a response

1413
01:24:38,840 --> 01:24:43,720
Speaker 1: to that. What type individual don't have a respond to

1414
01:24:43,800 --> 01:24:46,280
Speaker 1: being smacked? I think I'm gonna right. So it's a

1415
01:24:46,400 --> 01:24:49,240
Speaker 1: it's a it's a thin line, but I think us,

1416
01:24:49,320 --> 01:24:54,919
Speaker 1: it's black men, we gotta share that responsibility in regards

1417
01:24:55,000 --> 01:24:59,200
Speaker 1: to look man, before we react, respect my gangster, like

1418
01:24:59,280 --> 01:25:01,320
Speaker 1: you want me to respect yours. You ain't the only

1419
01:25:01,400 --> 01:25:04,599
Speaker 1: one that can start war. You ain't the only person

1420
01:25:04,720 --> 01:25:07,599
Speaker 1: that can push your button and make certain things happen.

1421
01:25:07,720 --> 01:25:10,000
Speaker 1: But you, since you don't respect it, I don't respect it.

1422
01:25:10,080 --> 01:25:13,400
Speaker 1: And let's see what the chips lay, right, And it's

1423
01:25:13,520 --> 01:25:16,080
Speaker 1: it's saying that that's the circumstances, but it's a whole

1424
01:25:16,200 --> 01:25:20,320
Speaker 1: lot of money at statement. You're trying to kill my image,

1425
01:25:20,320 --> 01:25:23,639
Speaker 1: which killed my fan base. You kill my fan base,

1426
01:25:23,720 --> 01:25:27,839
Speaker 1: which killed my finances. You kill my finances which affixed

1427
01:25:27,920 --> 01:25:33,000
Speaker 1: my fiance and my family. This thing is, this thing

1428
01:25:33,280 --> 01:25:37,439
Speaker 1: is critical what you're playing with about you the toughest

1429
01:25:37,520 --> 01:25:40,680
Speaker 1: and the roughest, now, you know. So I think we

1430
01:25:40,840 --> 01:25:43,360
Speaker 1: all got a shot effect that understand that this ain't

1431
01:25:43,400 --> 01:25:46,759
Speaker 1: worth for war. And if it ain't no real issue,

1432
01:25:47,800 --> 01:25:51,400
Speaker 1: let's not because the humiliation and embarrassment is always attached

1433
01:25:51,479 --> 01:25:55,800
Speaker 1: to this ship. You know what I'm saying. Anybody wants

1434
01:25:55,800 --> 01:25:57,479
Speaker 1: you to let it go after you being here, you

1435
01:25:57,600 --> 01:26:00,280
Speaker 1: said that about me, I ain't really did nothing flow,

1436
01:26:02,400 --> 01:26:04,439
Speaker 1: you know. And it's the sad thing that we got

1437
01:26:04,520 --> 01:26:06,840
Speaker 1: to operate around there. But that's kind of hard he is.

1438
01:26:06,880 --> 01:26:08,960
Speaker 1: But let's hear a little more shout out savage too.

1439
01:26:09,000 --> 01:26:11,840
Speaker 1: I didn't say shout out savage. Shout out savage. You know,

1440
01:26:12,000 --> 01:26:15,280
Speaker 1: I think he handled it in a way well he

1441
01:26:15,479 --> 01:26:18,479
Speaker 1: was supposed to handle it, being in this circumstances. See,

1442
01:26:18,520 --> 01:26:21,000
Speaker 1: you gotta remember certain things. A lot of y'all fans,

1443
01:26:21,400 --> 01:26:24,519
Speaker 1: y'all don't remember things. He can't afford to just be,

1444
01:26:25,640 --> 01:26:28,200
Speaker 1: you know, no internet that other day. It don't make

1445
01:26:28,280 --> 01:26:31,640
Speaker 1: sense to do we remember what happened. Right, Let's be

1446
01:26:31,800 --> 01:26:34,280
Speaker 1: careful and allow my boy to stay. Oh he didn't

1447
01:26:34,280 --> 01:26:40,120
Speaker 1: get him some paper, They kill your homie, ain't slap

1448
01:26:40,240 --> 01:26:42,479
Speaker 1: your mom. And I ain't got a lot of I

1449
01:26:42,600 --> 01:26:44,760
Speaker 1: feel like back in y'all day, like a lot of

1450
01:26:44,880 --> 01:26:47,360
Speaker 1: rappers was beat your ass niggas. So a lot of

1451
01:26:47,439 --> 01:26:49,640
Speaker 1: niggas from the old schools just got that stink, that

1452
01:26:49,760 --> 01:26:52,360
Speaker 1: same mindset, like they still feel like every nigga that

1453
01:26:52,479 --> 01:26:55,240
Speaker 1: route is a character. But in our generation, a lot

1454
01:26:55,280 --> 01:26:57,080
Speaker 1: of the niggas who wropped really come from that shit.

1455
01:26:57,160 --> 01:27:00,519
Speaker 1: They really from this on. I'm gonna say, I won't say,

1456
01:27:00,600 --> 01:27:03,080
Speaker 1: just a lot of dudes and that and back then

1457
01:27:03,200 --> 01:27:05,040
Speaker 1: was bitch ass niggas. A lot of dude stayed in

1458
01:27:05,080 --> 01:27:07,760
Speaker 1: elane and everything wasn't based off street rap because you

1459
01:27:07,880 --> 01:27:10,640
Speaker 1: had some majority of rap wasn't street. It was a

1460
01:27:10,720 --> 01:27:13,880
Speaker 1: small time out. The rappers who were screaked A lot

1461
01:27:13,920 --> 01:27:21,120
Speaker 1: of ain't gonna say that he was bits Nis. Maybe

1462
01:27:21,160 --> 01:27:23,360
Speaker 1: they was faking Matt. Then they were just telling the

1463
01:27:23,439 --> 01:27:26,960
Speaker 1: story of the environment more though, this before Motherfucker's actually

1464
01:27:27,040 --> 01:27:29,839
Speaker 1: was doing putting work in and talking about it. Bro Okay,

1465
01:27:29,960 --> 01:27:32,920
Speaker 1: let's list a lot of dudes. Let's just be for real.

1466
01:27:33,040 --> 01:27:39,479
Speaker 1: That's and this and this, and in today's society, you

1467
01:27:39,600 --> 01:27:42,120
Speaker 1: could be a shooter. You could run around, you could

1468
01:27:42,320 --> 01:27:44,759
Speaker 1: have grenades on you, you could do all this crazy

1469
01:27:44,840 --> 01:27:47,880
Speaker 1: shit and you get like worshiped for that shit. Back

1470
01:27:48,000 --> 01:27:50,800
Speaker 1: when I was young, I was crazy. Oh don't fuck

1471
01:27:50,880 --> 01:27:54,360
Speaker 1: with Gilly. He crazy. Oh these niggers has bitch hasd

1472
01:27:54,400 --> 01:27:58,960
Speaker 1: snickers man, let's just call it, well your crazy as

1473
01:27:59,520 --> 01:28:02,040
Speaker 1: crazy was based off of No, nigga, I know a

1474
01:28:02,120 --> 01:28:05,200
Speaker 1: little something. I ain't allowing you to fuck me. Nigga. No,

1475
01:28:05,520 --> 01:28:08,360
Speaker 1: I need the proper, the proper deal that I deserve.

1476
01:28:08,720 --> 01:28:11,280
Speaker 1: And when you know more than what you're supposed to know,

1477
01:28:11,640 --> 01:28:14,800
Speaker 1: and they can't lay it down and fuck you over

1478
01:28:15,120 --> 01:28:17,560
Speaker 1: when you're coming in the game, because that's what the

1479
01:28:17,680 --> 01:28:20,200
Speaker 1: game is all about. When you're coming in, we're gonna

1480
01:28:20,240 --> 01:28:22,960
Speaker 1: fuck you over, and then we're gonna then you're gonna

1481
01:28:23,040 --> 01:28:25,320
Speaker 1: learn as you get, as you're in the game, then

1482
01:28:25,320 --> 01:28:27,720
Speaker 1: you're gonna realize we're fucking you're over, and then you're

1483
01:28:27,760 --> 01:28:30,080
Speaker 1: gonna try to come back for yours. I couldn't get

1484
01:28:30,120 --> 01:28:34,680
Speaker 1: fucked over. I knew ship. Yeah, So to me, if

1485
01:28:34,880 --> 01:28:39,360
Speaker 1: a motherfucker just like today, let's be for real. Let's

1486
01:28:39,360 --> 01:28:44,240
Speaker 1: be for real. How many motherfuckers call us on the

1487
01:28:44,320 --> 01:28:47,320
Speaker 1: type of time? Yo, Man, we gotta get some money

1488
01:28:47,360 --> 01:28:49,560
Speaker 1: to give. All the big niggas name them, all the

1489
01:28:49,680 --> 01:28:53,400
Speaker 1: big black niggas be on our fucking phone. Niggas. We

1490
01:28:53,479 --> 01:28:55,720
Speaker 1: got money with none of them. We're getting money with

1491
01:28:55,800 --> 01:28:59,240
Speaker 1: the white people, nigga. So when it comes down to it,

1492
01:28:59,560 --> 01:29:02,240
Speaker 1: if you know, damn, I can get some money with

1493
01:29:02,360 --> 01:29:05,320
Speaker 1: these niggas, but you don't get money with To me,

1494
01:29:05,400 --> 01:29:07,519
Speaker 1: your bitch ass nigga, fuck out of here. I get

1495
01:29:07,560 --> 01:29:10,320
Speaker 1: money with the white folks, nigga. And let me speak

1496
01:29:10,400 --> 01:29:12,320
Speaker 1: on that because a lot of y'all know that's my

1497
01:29:12,520 --> 01:29:17,280
Speaker 1: fight being placed in the middle of an industry that's

1498
01:29:18,720 --> 01:29:23,040
Speaker 1: that looks like blacks are in such high favor, but

1499
01:29:23,160 --> 01:29:26,240
Speaker 1: there's really white set the forefront of the decision making,

1500
01:29:27,840 --> 01:29:30,240
Speaker 1: and the blacks that are in position, they tend to

1501
01:29:30,400 --> 01:29:35,880
Speaker 1: shy away from shed light on things that confer to

1502
01:29:35,960 --> 01:29:40,960
Speaker 1: the culture. See, certain things are not digestible for the

1503
01:29:41,080 --> 01:29:44,680
Speaker 1: consumer because they don't You don't see what you don't consider.

1504
01:29:46,439 --> 01:29:48,479
Speaker 1: But when you deal with people like me, You've been

1505
01:29:48,560 --> 01:29:54,200
Speaker 1: hearing me say this for a long time. These people

1506
01:29:54,280 --> 01:29:57,800
Speaker 1: don't care about how much money they can make with you.

1507
01:29:58,400 --> 01:30:03,000
Speaker 1: These people ain't interested in you in position. They want

1508
01:30:03,040 --> 01:30:05,160
Speaker 1: to close the doors and they want to fight over

1509
01:30:05,240 --> 01:30:08,400
Speaker 1: the next fifty and sixty meeting. And then when you

1510
01:30:08,520 --> 01:30:11,760
Speaker 1: get sizzling like this, just to keep them. See, you

1511
01:30:11,840 --> 01:30:14,200
Speaker 1: gotta understand what's happening when they say this, and then

1512
01:30:14,240 --> 01:30:16,559
Speaker 1: you can you can understand the passion when you hear

1513
01:30:17,000 --> 01:30:22,280
Speaker 1: Gilly talk about it because you tell me, yo, my boy,

1514
01:30:22,400 --> 01:30:26,320
Speaker 1: you hard, you get money. Let's get some money together.

1515
01:30:28,439 --> 01:30:32,800
Speaker 1: But you don't never make a move, you don't never

1516
01:30:32,920 --> 01:30:35,040
Speaker 1: post it, you don't never do nothing. That's why I

1517
01:30:35,120 --> 01:30:37,880
Speaker 1: gotta send a shout out. Let me send a shout

1518
01:30:37,920 --> 01:30:45,720
Speaker 1: out to big bank, a big facts parks and get

1519
01:30:45,760 --> 01:30:48,960
Speaker 1: a round of applause for Big Banking, Big Facts Podcasting

1520
01:30:49,080 --> 01:30:52,640
Speaker 1: DJ screaming the whole team, baby Jade, all, y'all, the

1521
01:30:52,680 --> 01:30:56,360
Speaker 1: whole team down there. I'm a student of the game.

1522
01:30:56,479 --> 01:31:00,240
Speaker 1: I'm a professional podcasting, you know. Shout out to y'all.

1523
01:31:00,479 --> 01:31:02,519
Speaker 1: You know, Big Bank came and showed me some love.

1524
01:31:02,600 --> 01:31:06,160
Speaker 1: I guess one of my fans or supporters hit him,

1525
01:31:07,000 --> 01:31:10,640
Speaker 1: you know, about my podcast, and he showed love. He

1526
01:31:10,800 --> 01:31:13,920
Speaker 1: came to my payment, watched a few of my clips

1527
01:31:14,920 --> 01:31:20,120
Speaker 1: and said, bro, yo, shit, dope, I'm in spy none

1528
01:31:20,160 --> 01:31:23,080
Speaker 1: of you. That didn't mean noning to you. That seemed

1529
01:31:23,160 --> 01:31:25,280
Speaker 1: like just to chip off the old block. But see

1530
01:31:25,320 --> 01:31:27,960
Speaker 1: what you don't understand. I win a game where I

1531
01:31:28,080 --> 01:31:31,799
Speaker 1: tell you what I always tell Some people got fans,

1532
01:31:31,880 --> 01:31:35,080
Speaker 1: some people got customers. Bank screamed them. Boys don't work

1533
01:31:35,120 --> 01:31:38,479
Speaker 1: themselves in a place where they dealing with consumers on

1534
01:31:38,640 --> 01:31:42,800
Speaker 1: their end. And see when you deal with some of

1535
01:31:42,880 --> 01:31:46,160
Speaker 1: these podcasters, some of these media guys, some of these

1536
01:31:46,280 --> 01:31:48,960
Speaker 1: rap guys, they know on the other end of their name,

1537
01:31:49,400 --> 01:31:52,000
Speaker 1: it's consumers on the other end of their name, so

1538
01:31:52,160 --> 01:31:56,400
Speaker 1: they try not to shed light unless it's some kind

1539
01:31:56,439 --> 01:32:00,439
Speaker 1: of contracting place. You know what, Big Bank done. He

1540
01:32:00,600 --> 01:32:04,960
Speaker 1: took one of my clips off my page, posted it

1541
01:32:05,120 --> 01:32:09,800
Speaker 1: on his page and said, Bro, I'm feeling your shit.

1542
01:32:09,880 --> 01:32:16,840
Speaker 1: I'm inspired putting five motives I hit Bank. I say, bro,

1543
01:32:17,000 --> 01:32:20,439
Speaker 1: that was so gangster. Bro, I'm telling about man that

1544
01:32:20,600 --> 01:32:23,080
Speaker 1: was so gangster. Man in Folk? Would it charged me fine?

1545
01:32:23,120 --> 01:32:25,840
Speaker 1: Teen grand? I'm spending all kinds of money trying to

1546
01:32:25,880 --> 01:32:29,200
Speaker 1: survive and market this thing. Man. And the way I

1547
01:32:29,360 --> 01:32:32,599
Speaker 1: talking people gravitating towards it, I don't you know, I'm

1548
01:32:32,640 --> 01:32:35,320
Speaker 1: trying to figure it out. Homes it posted my shit

1549
01:32:35,400 --> 01:32:40,040
Speaker 1: on hit page, front page. I say, paint kept it gangster.

1550
01:32:42,800 --> 01:32:48,519
Speaker 1: Then you gotta remember bank or street dude. We street niggas.

1551
01:32:49,880 --> 01:32:54,240
Speaker 1: We speak the same language. We we we got the

1552
01:32:54,360 --> 01:32:58,599
Speaker 1: same intentions in regards to the game. Put some game down,

1553
01:32:58,760 --> 01:33:03,680
Speaker 1: let the folk pick it up. Right. Then I got

1554
01:33:03,760 --> 01:33:07,400
Speaker 1: the thinking this man. Then they don't revote on Wednesdays.

1555
01:33:08,200 --> 01:33:11,160
Speaker 1: They got bird Man. They last five episodes. It's just

1556
01:33:11,280 --> 01:33:17,680
Speaker 1: the last five is bird Man. I swear Vizo, I

1557
01:33:17,920 --> 01:33:21,040
Speaker 1: ain't no telling who are d do that g Herbo dirt,

1558
01:33:21,800 --> 01:33:26,160
Speaker 1: you know, d folk it popping right. And I say,

1559
01:33:26,200 --> 01:33:28,720
Speaker 1: when you use the word inspired and you already in

1560
01:33:28,800 --> 01:33:32,280
Speaker 1: that position, that just gave me. That just gave me

1561
01:33:32,400 --> 01:33:36,960
Speaker 1: a hundred on pump Wall, because what that meant to

1562
01:33:37,120 --> 01:33:40,040
Speaker 1: me was long you you ain't shooting in the dog.

1563
01:33:41,640 --> 01:33:43,960
Speaker 1: You ain't shooting in the dog. What you're doing is

1564
01:33:44,560 --> 01:33:47,920
Speaker 1: is actually moving right. I know a lot of people

1565
01:33:48,040 --> 01:33:50,000
Speaker 1: click on it, a lot of people listen to it,

1566
01:33:51,080 --> 01:33:53,360
Speaker 1: but it's some people that got the information to turn

1567
01:33:53,439 --> 01:33:56,120
Speaker 1: to listen to it, and it took some money. It's

1568
01:33:56,120 --> 01:33:58,880
Speaker 1: some people that got some information to turn that listen

1569
01:33:58,960 --> 01:34:01,839
Speaker 1: to it and took some dog loves. And I'm starting

1570
01:34:01,880 --> 01:34:06,880
Speaker 1: to creep into day. They they area with it, and

1571
01:34:07,040 --> 01:34:09,800
Speaker 1: I know it because some of them copying me. But

1572
01:34:10,000 --> 01:34:12,400
Speaker 1: you got dudes that come from the South, like bank

1573
01:34:13,680 --> 01:34:17,560
Speaker 1: he run acrossing it. Oh this one of us. He

1574
01:34:17,640 --> 01:34:19,720
Speaker 1: ain't hit my DM and say, Bro, Man, I like

1575
01:34:19,880 --> 01:34:22,599
Speaker 1: your ship. Bro, I post you for twenty five hundred.

1576
01:34:23,000 --> 01:34:25,160
Speaker 1: I really get ten, but I funk with your ship

1577
01:34:25,320 --> 01:34:28,120
Speaker 1: for the twenty five. I kind of like what you've

1578
01:34:28,160 --> 01:34:33,120
Speaker 1: got gone. That dude just posted it. Man. So when

1579
01:34:33,200 --> 01:34:35,800
Speaker 1: this game is so it's so hard core, it's so

1580
01:34:36,120 --> 01:34:39,360
Speaker 1: it's so and I'm getting people that's hitting me behind that.

1581
01:34:39,560 --> 01:34:44,360
Speaker 1: You know certain people, DMI men, you gotta think who's

1582
01:34:44,400 --> 01:34:47,519
Speaker 1: following him, you know what I'm saying. Certain celebrities and

1583
01:34:47,640 --> 01:34:51,479
Speaker 1: everything engaging with my things, right, so they able to

1584
01:34:51,560 --> 01:34:54,200
Speaker 1: feel where I'm coming from. And it's it's just it's

1585
01:34:54,280 --> 01:34:56,080
Speaker 1: good to be able to look in the game because

1586
01:34:56,080 --> 01:34:59,120
Speaker 1: I'm critical these dudes. It's good to be able to

1587
01:34:59,200 --> 01:35:03,400
Speaker 1: look in the game and see a big bait reach

1588
01:35:03,479 --> 01:35:05,519
Speaker 1: out there and say, oh, they're gonna want us home

1589
01:35:05,600 --> 01:35:13,800
Speaker 1: it holme it, and you gotta stay tuned and to

1590
01:35:13,880 --> 01:35:15,560
Speaker 1: see what may happen in the in the in the

1591
01:35:15,960 --> 01:35:19,200
Speaker 1: months to come. One thing for show, two things for certain.

1592
01:35:19,439 --> 01:35:23,680
Speaker 1: I might always remember that in this game where it's

1593
01:35:24,280 --> 01:35:28,080
Speaker 1: there are suff the blood out of you, knowing I

1594
01:35:28,240 --> 01:35:31,240
Speaker 1: come from where I gotta certain things gotta happen for

1595
01:35:31,320 --> 01:35:34,680
Speaker 1: me to turn a dollar to ten dollars. I'm trying

1596
01:35:34,720 --> 01:35:38,880
Speaker 1: to do lessons that is possible. It's getting dangerous the

1597
01:35:39,040 --> 01:35:44,040
Speaker 1: more I exposed myself to the people. So it's just

1598
01:35:44,200 --> 01:35:47,759
Speaker 1: a dance. It's a dance, man, and you hit Gilly.

1599
01:35:47,880 --> 01:35:50,880
Speaker 1: You can feel it. Get money with the white people

1600
01:35:51,960 --> 01:35:54,800
Speaker 1: because the blacks don't. They hit him up when they

1601
01:35:54,840 --> 01:35:57,400
Speaker 1: see it. Boy, you hard, you getting it in. Hey,

1602
01:35:57,479 --> 01:35:59,559
Speaker 1: let's get some money together. Man, don't you work over

1603
01:35:59,640 --> 01:36:03,639
Speaker 1: every vote telling folks about what I'm doing? Man telling folk.

1604
01:36:03,880 --> 01:36:09,360
Speaker 1: Ain't nobody talking like that, dude telling folk? Man, dude,

1605
01:36:09,439 --> 01:36:11,960
Speaker 1: and there by myself doing that? Man, something is up

1606
01:36:12,040 --> 01:36:17,439
Speaker 1: with that, dude. Man, don't that dem me about it.

1607
01:36:17,920 --> 01:36:21,000
Speaker 1: Don't be behind closed dog telling me I'm dissing there,

1608
01:36:21,280 --> 01:36:25,800
Speaker 1: Go telling people. Go tell your people. Can I take

1609
01:36:25,840 --> 01:36:29,400
Speaker 1: it like it's something behind it? Me and Bank had

1610
01:36:29,479 --> 01:36:31,760
Speaker 1: even talked, He had already to win with the play,

1611
01:36:32,479 --> 01:36:37,559
Speaker 1: and then we dim and talk. But that's what real

1612
01:36:37,760 --> 01:36:43,160
Speaker 1: niggas do. That's what real niggas do. So again, shout

1613
01:36:43,200 --> 01:36:47,519
Speaker 1: out Bank, because less of us is more of us.

1614
01:36:47,560 --> 01:36:49,679
Speaker 1: And I'm on my way and I'm gonna make sure

1615
01:36:51,800 --> 01:36:54,840
Speaker 1: that that that that we keep ourselves in a situation

1616
01:36:55,000 --> 01:37:00,679
Speaker 1: dog to make millions of dollars to break this coach

1617
01:37:00,720 --> 01:37:08,680
Speaker 1: it down. I understand it. I've digested it, I've examined it.

1618
01:37:09,479 --> 01:37:14,280
Speaker 1: We just need some more little opportunities and we'll generate

1619
01:37:14,640 --> 01:37:17,479
Speaker 1: will generate millions of dollars. But let's let's hear because

1620
01:37:17,520 --> 01:37:20,519
Speaker 1: you I want you to feel get it. I want

1621
01:37:20,560 --> 01:37:23,400
Speaker 1: you to hear what he's saying about. He's already in

1622
01:37:23,479 --> 01:37:26,360
Speaker 1: a situation getting millions of dollars and can't get another

1623
01:37:26,479 --> 01:37:33,479
Speaker 1: black dude to reach back and do nothing. A lot

1624
01:37:33,560 --> 01:37:36,280
Speaker 1: of these niggas be bitch ass niggas. They're they're on

1625
01:37:36,360 --> 01:37:38,400
Speaker 1: what they're on't they'll be scared you're go out shine

1626
01:37:38,439 --> 01:37:41,400
Speaker 1: them and all that shit. The fuck they can make

1627
01:37:41,439 --> 01:37:44,879
Speaker 1: a shitload of money with you. These niggas be outating

1628
01:37:44,880 --> 01:37:49,439
Speaker 1: off the ego. Man a lot. Don't be scared to

1629
01:37:49,479 --> 01:37:51,120
Speaker 1: death when a nigga walk in the room. Not not

1630
01:37:51,280 --> 01:37:52,640
Speaker 1: not that you're gonna do something for him. It's just

1631
01:37:52,800 --> 01:37:55,519
Speaker 1: you take these shine, but because you could tell them,

1632
01:37:55,720 --> 01:37:57,519
Speaker 1: you could always tell them. Type of niggas a boy

1633
01:37:57,600 --> 01:37:59,439
Speaker 1: just looking at their crew though, Like because if you

1634
01:37:59,560 --> 01:38:02,599
Speaker 1: look at me crew, everybody turned up, everybody got our

1635
01:38:02,640 --> 01:38:05,160
Speaker 1: tight Jerry cards whatever, and nigga turn out money and

1636
01:38:05,200 --> 01:38:09,240
Speaker 1: they seat and we're talking two different perspectives. Hill Savage

1637
01:38:09,320 --> 01:38:12,479
Speaker 1: talking rapper perspective, and he going, he letting you know

1638
01:38:12,680 --> 01:38:15,280
Speaker 1: the game. He picking up when he go around the dude,

1639
01:38:16,360 --> 01:38:18,960
Speaker 1: Oh the rap dude got money. Maybe one more of

1640
01:38:19,040 --> 01:38:21,960
Speaker 1: them dudes and maybe his big home and somebody's scared

1641
01:38:22,000 --> 01:38:25,160
Speaker 1: of maybe a but the rest of them dudes can't

1642
01:38:25,200 --> 01:38:30,800
Speaker 1: eat until he or that's pity. I'm gonna make sure

1643
01:38:30,880 --> 01:38:33,679
Speaker 1: my boys got it, little babe or another one. I'd

1644
01:38:33,680 --> 01:38:36,080
Speaker 1: be sad. I think he makes sure if people straight.

1645
01:38:37,160 --> 01:38:40,160
Speaker 1: But some of these rap boys is the boys from

1646
01:38:40,240 --> 01:38:45,799
Speaker 1: the hood that ain't never got none. They got bullet

1647
01:38:45,880 --> 01:38:48,759
Speaker 1: and talked bad too, and they ain't never had the hustle,

1648
01:38:48,760 --> 01:38:52,800
Speaker 1: ain't bust the concrete open for none. They ain't never

1649
01:38:52,920 --> 01:38:55,920
Speaker 1: had a trick ran on him or ran a trick

1650
01:38:56,040 --> 01:38:58,559
Speaker 1: on nobody. They don't know nothing about this hill. They

1651
01:38:58,640 --> 01:39:02,920
Speaker 1: just happen to bump in the taking gangster and ain't

1652
01:39:02,920 --> 01:39:05,000
Speaker 1: nobody done none to him. A lot of these boys

1653
01:39:05,040 --> 01:39:09,240
Speaker 1: ain't never even bumped into the energy they're projecting. That's

1654
01:39:09,280 --> 01:39:11,280
Speaker 1: why a lot of them might be waring. I'd be like, yo, bro,

1655
01:39:11,439 --> 01:39:14,200
Speaker 1: y'all ain't never even bumped the bumped into the energy

1656
01:39:14,280 --> 01:39:17,040
Speaker 1: you projected. You think you prepare for what you don't

1657
01:39:17,080 --> 01:39:20,439
Speaker 1: even know. You don't even consider because you can't consider

1658
01:39:20,479 --> 01:39:24,120
Speaker 1: what you don't know unless you examine. But y'all don't

1659
01:39:24,160 --> 01:39:26,120
Speaker 1: even think about it. You see the rap dudes talk

1660
01:39:26,160 --> 01:39:27,920
Speaker 1: about it, you think what they talk about it is

1661
01:39:27,960 --> 01:39:31,800
Speaker 1: what's gonna happen. I'm gonna get on your ass so

1662
01:39:32,040 --> 01:39:35,320
Speaker 1: bad you're gonna say, God, that ain't nobody told me

1663
01:39:35,400 --> 01:39:38,679
Speaker 1: he might have a razor and I may be cut

1664
01:39:38,800 --> 01:39:42,080
Speaker 1: six times for I know I'm cut. They didn't tell

1665
01:39:42,160 --> 01:39:45,479
Speaker 1: me that part. Right, They're leaving a lot out because

1666
01:39:45,520 --> 01:39:49,280
Speaker 1: they're faking it, you see what I'm saying. So he

1667
01:39:49,479 --> 01:39:52,040
Speaker 1: looking at the other robbers, saying they ain't feeding their people,

1668
01:39:52,680 --> 01:39:55,959
Speaker 1: getting wallow is saying that were popping in an industry

1669
01:39:56,000 --> 01:39:59,680
Speaker 1: that's new, and we can't figure out a way for

1670
01:39:59,760 --> 01:40:04,160
Speaker 1: them incorporate me in they albums or this or that.

1671
01:40:04,280 --> 01:40:08,880
Speaker 1: Look at me very low overhead, talking that talk talk

1672
01:40:11,080 --> 01:40:13,360
Speaker 1: and trying to figure out Yo, y'all throw some chips

1673
01:40:13,439 --> 01:40:18,000
Speaker 1: to what we're doing. Y'all, don't you feel me? But

1674
01:40:18,479 --> 01:40:20,640
Speaker 1: they're see men, that's a littlement They're asked me to

1675
01:40:20,680 --> 01:40:23,920
Speaker 1: talk about this. They're send me email and ask for this. Hey,

1676
01:40:24,000 --> 01:40:26,920
Speaker 1: can you mention that you know? It's it's it's disrespect

1677
01:40:27,000 --> 01:40:31,160
Speaker 1: for its rule. It's rude to see me and say

1678
01:40:31,240 --> 01:40:33,040
Speaker 1: let's get some money and let's do this, and you

1679
01:40:33,160 --> 01:40:35,880
Speaker 1: pop it and I like it, and then we can't

1680
01:40:35,920 --> 01:40:38,600
Speaker 1: even I can't even communicate with you, get you to

1681
01:40:39,160 --> 01:40:42,160
Speaker 1: like come on fan we y'all black, we y'all pushing.

1682
01:40:43,520 --> 01:40:47,200
Speaker 1: Let's push or let's get let's go to wall, but

1683
01:40:47,320 --> 01:40:51,360
Speaker 1: let's not fake it, whichever one we're gonna do. Pocket

1684
01:40:52,000 --> 01:40:55,479
Speaker 1: my Yall Niggas seventeen eighteen two, three hundred thousand, Like, yeah,

1685
01:40:55,600 --> 01:40:57,280
Speaker 1: so you can you can just tell that nigga, that

1686
01:40:57,400 --> 01:41:01,000
Speaker 1: type of nigga off back by looking at a lot

1687
01:41:01,000 --> 01:41:03,360
Speaker 1: of niggas from what ever was a bit yess niggas. Yeah,

1688
01:41:03,400 --> 01:41:05,800
Speaker 1: and niggas from that era start to think like, oh,

1689
01:41:06,120 --> 01:41:08,600
Speaker 1: that just every nigga who rapped like ain't cut like that.

1690
01:41:08,720 --> 01:41:10,439
Speaker 1: Like niggas got to start think. But there's a lot

1691
01:41:10,479 --> 01:41:12,400
Speaker 1: of niggas that wrapped in this era that ain't cut

1692
01:41:12,439 --> 01:41:14,160
Speaker 1: like that. That's front and though, yeah, but it ain't

1693
01:41:14,240 --> 01:41:16,639
Speaker 1: all of them, all of them for sure. Like that's

1694
01:41:16,680 --> 01:41:18,680
Speaker 1: the first thing that nigga say when a nigga get

1695
01:41:18,720 --> 01:41:20,840
Speaker 1: into it with a nigga, you're a rap nigga. That's

1696
01:41:20,880 --> 01:41:23,920
Speaker 1: like like like being a rapper automatically mean you ain't

1697
01:41:23,960 --> 01:41:26,680
Speaker 1: bout Then when I'm telling them when they say you're

1698
01:41:26,720 --> 01:41:31,120
Speaker 1: a wrapped nigga, Yeah, I'm a wrapped nigga, that mean

1699
01:41:31,200 --> 01:41:34,000
Speaker 1: I gotta access to a whole bunch of money, and

1700
01:41:34,400 --> 01:41:38,040
Speaker 1: guess what, it don't stop it. Wrapped nigga. I'm a

1701
01:41:38,200 --> 01:41:42,400
Speaker 1: wrapped nigga. I'm a real nigga. I'm a father, I'm

1702
01:41:42,439 --> 01:41:46,120
Speaker 1: a father figure, I'm a husband, I'm a you know,

1703
01:41:46,240 --> 01:41:48,760
Speaker 1: I'm a son. Yeah, I'm a whole bunch of shit.

1704
01:41:49,120 --> 01:41:53,839
Speaker 1: But the wrapped nigga just needed you better solidified, especially

1705
01:41:53,880 --> 01:41:57,880
Speaker 1: in this kind of situation. That wrapped nigga you us,

1706
01:41:57,960 --> 01:42:01,000
Speaker 1: and you better let that be known. That's a little fire,

1707
01:42:01,080 --> 01:42:08,560
Speaker 1: whole bunch of finances. So wrapped nigga, Camma, I'm a

1708
01:42:08,640 --> 01:42:17,759
Speaker 1: wrapped nigga. Calma, real nigga, Calma, you understand. So again,

1709
01:42:20,680 --> 01:42:25,479
Speaker 1: you gotta stop projecting. You gotta stop projecting because your

1710
01:42:25,600 --> 01:42:28,679
Speaker 1: little homies ain't gonna do that. I got some little

1711
01:42:28,720 --> 01:42:31,000
Speaker 1: homies that have come cut your head off and bring

1712
01:42:31,160 --> 01:42:35,479
Speaker 1: me one of your fingers. I got some little homies

1713
01:42:35,520 --> 01:42:43,280
Speaker 1: don't care nothing about nobody that's right there, unfortunately, right

1714
01:42:43,560 --> 01:42:45,920
Speaker 1: some of us. I got some homeboards that got some

1715
01:42:46,080 --> 01:42:53,840
Speaker 1: homeboards that all do almost anything, almost anything. But you

1716
01:42:54,000 --> 01:42:56,240
Speaker 1: called me a rap nigga. But just put a comma

1717
01:42:56,360 --> 01:43:00,000
Speaker 1: behind that and respect the game for what it means,

1718
01:43:00,760 --> 01:43:02,800
Speaker 1: especially if you don't you know, it's a lot of

1719
01:43:02,880 --> 01:43:05,280
Speaker 1: money coming through. I went platting them with no ordeal.

1720
01:43:06,280 --> 01:43:10,040
Speaker 1: I'm a rapp nigga, Colma, I'm a million now, Comma,

1721
01:43:10,120 --> 01:43:16,000
Speaker 1: I'm a real nigga. Calma, keep putting them, keep putting them.

1722
01:43:18,120 --> 01:43:20,680
Speaker 1: Let's not talk about what I ain't though, because that's

1723
01:43:20,720 --> 01:43:24,639
Speaker 1: when I get mad. I get mad when you start

1724
01:43:24,760 --> 01:43:28,160
Speaker 1: calling me what I ain't. So I let you put

1725
01:43:28,200 --> 01:43:30,560
Speaker 1: that rapp nigga on there, but make sure Calma go

1726
01:43:30,680 --> 01:43:36,200
Speaker 1: after that. That's what I'm saying. Yeah, but I'm gonna

1727
01:43:36,240 --> 01:43:38,880
Speaker 1: keep it all way real though. Back when when I was,

1728
01:43:39,160 --> 01:43:41,560
Speaker 1: when I was coming up and doing my thing that

1729
01:43:41,840 --> 01:43:43,680
Speaker 1: I had a couple of niggas say that to me

1730
01:43:43,920 --> 01:43:47,000
Speaker 1: on something. Yeah, but yeah, you that's just some raptures

1731
01:43:47,160 --> 01:43:52,559
Speaker 1: like yeah, just because I rapped and you don't back then.

1732
01:43:52,680 --> 01:43:55,080
Speaker 1: Back then, but back then it was different because rappers

1733
01:43:55,200 --> 01:43:58,479
Speaker 1: wasn't respected like it is like right now. Now. Rappers

1734
01:43:58,640 --> 01:44:00,840
Speaker 1: is the street nigga respect the rap becau. Street niggas

1735
01:44:00,880 --> 01:44:03,280
Speaker 1: want to be rappers because the money and they're looking

1736
01:44:03,280 --> 01:44:05,400
Speaker 1: at it. But it wasn't like that. Back then. It

1737
01:44:05,520 --> 01:44:06,800
Speaker 1: was like, oh, you're a rapper and get the funk

1738
01:44:06,840 --> 01:44:10,960
Speaker 1: out of the here the street niggas. So it was different. See,

1739
01:44:11,200 --> 01:44:14,240
Speaker 1: back then, the rappers wanted to be like the street niggas.

1740
01:44:14,720 --> 01:44:17,160
Speaker 1: You would that nigga pulled up and that motherfucking bends

1741
01:44:17,320 --> 01:44:20,040
Speaker 1: with them hammers on it. That five hundred nigga he

1742
01:44:20,120 --> 01:44:23,400
Speaker 1: jumped out nigga. Back then, the rappers were getting three

1743
01:44:23,520 --> 01:44:28,120
Speaker 1: cents off for lab them down album. They don't adjusted

1744
01:44:28,240 --> 01:44:32,679
Speaker 1: the volume of that number. So now the rappers getting

1745
01:44:32,680 --> 01:44:36,080
Speaker 1: a whole bunch of more money. I got more money

1746
01:44:36,160 --> 01:44:40,960
Speaker 1: in little small countries around him. I'm a rapped nigga.

1747
01:44:41,040 --> 01:44:44,920
Speaker 1: Put a comb after that. I'm a real nigga. Put

1748
01:44:44,960 --> 01:44:48,880
Speaker 1: a comb after that. You was like, you wanted to

1749
01:44:48,960 --> 01:44:52,000
Speaker 1: be like the street niggas now, but now the rapper

1750
01:44:52,200 --> 01:44:54,599
Speaker 1: is the street niggas. Yeah, but but hold on now.

1751
01:44:55,360 --> 01:44:57,880
Speaker 1: A lot of times the street niggas want to be

1752
01:44:57,960 --> 01:45:03,479
Speaker 1: like the rappers. That's why, that's why, that's why a

1753
01:45:03,560 --> 01:45:05,920
Speaker 1: lot of these trappers, that's why a lot of these

1754
01:45:06,120 --> 01:45:09,519
Speaker 1: rappers could run around here with a trillion dollars worth

1755
01:45:09,560 --> 01:45:12,439
Speaker 1: of jewelry on and never get robbed. Because the niggas

1756
01:45:12,439 --> 01:45:14,600
Speaker 1: that's supposed to do the robbing. Ain't coming to rob them.

1757
01:45:14,760 --> 01:45:17,920
Speaker 1: They coming to get a pictures. They jumping over couches.

1758
01:45:18,000 --> 01:45:20,040
Speaker 1: They coming to get a picture for the Graham. Got

1759
01:45:20,240 --> 01:45:22,720
Speaker 1: jump over the couch. They pushing pitches out the way

1760
01:45:22,760 --> 01:45:24,760
Speaker 1: they get that picture. Savage here, I need to Then

1761
01:45:24,760 --> 01:45:27,759
Speaker 1: they're gonna put They're gonna pust the bullshit caption savage

1762
01:45:27,800 --> 01:45:29,920
Speaker 1: to me, He's not the only savage in the building.

1763
01:45:30,040 --> 01:45:31,960
Speaker 1: Way do you see this next move? But sometimes the

1764
01:45:32,080 --> 01:45:33,880
Speaker 1: niggas who posted the robber and be with him though

1765
01:45:33,920 --> 01:45:36,200
Speaker 1: too though, yeah, that's too that too. You know that's

1766
01:45:36,560 --> 01:45:40,479
Speaker 1: can't go out. I mean that get crazy New Amsterdam.

1767
01:45:40,680 --> 01:45:43,400
Speaker 1: They hold them before we go any further. This episode

1768
01:45:43,439 --> 01:45:45,120
Speaker 1: of Me and I was worth a game is bored

1769
01:45:45,160 --> 01:45:48,639
Speaker 1: to you buy New amshter Damn. Let go get y'all

1770
01:45:48,680 --> 01:45:52,519
Speaker 1: some foot before we go any further. Savage, you gotta

1771
01:45:52,600 --> 01:45:54,599
Speaker 1: check this nigga about some shit that happened. You see.

1772
01:45:54,640 --> 01:46:02,040
Speaker 1: You need to hold this. Yeah, fuck the pocket. The waist.

1773
01:46:02,240 --> 01:46:04,880
Speaker 1: A lot of time is the waist. We'll have tons

1774
01:46:04,920 --> 01:46:10,600
Speaker 1: of cute like she chief. I don't think she you

1775
01:46:10,640 --> 01:46:13,000
Speaker 1: could put dick to it and she not gets some

1776
01:46:13,080 --> 01:46:20,760
Speaker 1: type of attachment. Man rhyme right, so do be a

1777
01:46:20,800 --> 01:46:23,880
Speaker 1: little different. It's way different, man, It's a whole different

1778
01:46:26,640 --> 01:46:30,160
Speaker 1: with emotions. We just man. So right now they're talking

1779
01:46:30,200 --> 01:46:36,639
Speaker 1: about whether or not women having sexual emotions, cheating things

1780
01:46:36,720 --> 01:46:38,720
Speaker 1: like that, and just do that shit. Just to do it.

1781
01:46:38,800 --> 01:46:40,760
Speaker 1: We can hit a bitch. Never talked to her, right

1782
01:46:41,120 --> 01:46:46,280
Speaker 1: and especially if you got a woman that's she not

1783
01:46:46,720 --> 01:46:48,760
Speaker 1: she not just giving no pussy up. That means this

1784
01:46:48,880 --> 01:46:52,200
Speaker 1: nigga had to put in a lot of fun conversation. God,

1785
01:46:52,800 --> 01:46:56,320
Speaker 1: she she she's telling this nigga all your business because

1786
01:46:56,320 --> 01:46:59,120
Speaker 1: she's trying to justify to this nigga why she's about

1787
01:46:59,160 --> 01:47:01,560
Speaker 1: the sucking stick. Oh God, she don't want to be

1788
01:47:01,640 --> 01:47:05,240
Speaker 1: looked upon as a smutty buddy, so she he'd just

1789
01:47:05,360 --> 01:47:07,000
Speaker 1: be coming in late all the time. And I'm just

1790
01:47:07,080 --> 01:47:09,720
Speaker 1: getting tired of it because because she still might need

1791
01:47:09,880 --> 01:47:12,560
Speaker 1: him to save her if you find out right, so

1792
01:47:12,720 --> 01:47:14,840
Speaker 1: she might need to rebound. So she wanted to kick

1793
01:47:14,880 --> 01:47:16,639
Speaker 1: it to him like because she don't want to look

1794
01:47:16,680 --> 01:47:18,800
Speaker 1: like she just know China as bitched at him. Right.

1795
01:47:18,880 --> 01:47:21,800
Speaker 1: What I'm saying, like she damned that dune already. I'm

1796
01:47:21,840 --> 01:47:24,519
Speaker 1: really done with him already anyway, you know what I'm

1797
01:47:24,520 --> 01:47:30,280
Speaker 1: saying that should just be way no. A lot of times,

1798
01:47:30,560 --> 01:47:32,560
Speaker 1: a lot of times they're gonna through that motherfucker for

1799
01:47:32,680 --> 01:47:35,439
Speaker 1: next game on. Here gonna tell a bitch we want

1800
01:47:35,439 --> 01:47:37,519
Speaker 1: to gotta, she want to gotta when she want to hear,

1801
01:47:37,560 --> 01:47:39,960
Speaker 1: So we could drill a bitch like oil cheat though,

1802
01:47:40,080 --> 01:47:43,000
Speaker 1: But most niggas when they cheat, you never got no

1803
01:47:43,080 --> 01:47:45,439
Speaker 1: pussy on the shot I have before. But I'm saying,

1804
01:47:45,520 --> 01:47:48,000
Speaker 1: like as the man I am today, I don't cheat.

1805
01:47:48,320 --> 01:47:50,599
Speaker 1: Shit don't be worth it. Right, Like on the song

1806
01:47:50,720 --> 01:47:52,639
Speaker 1: I said, if you lose your home for a hotel,

1807
01:47:52,720 --> 01:47:56,800
Speaker 1: you ain't you a fool? So I ain't risking it,

1808
01:47:56,840 --> 01:48:00,559
Speaker 1: you know what I'm saying. But most niggas ship, they're

1809
01:48:00,560 --> 01:48:02,759
Speaker 1: just gonna knock something down. They're gonna like, ain't that happened?

1810
01:48:03,320 --> 01:48:06,080
Speaker 1: A girl started chee, She gonna start starting arguments with

1811
01:48:06,200 --> 01:48:09,759
Speaker 1: you for no reason. You ain't You ain't even a nigga.

1812
01:48:09,880 --> 01:48:11,840
Speaker 1: She arguing with y'all. I was calling you last night.

1813
01:48:11,880 --> 01:48:13,960
Speaker 1: You ain't bitch. You was in the bed with your nigga.

1814
01:48:14,040 --> 01:48:17,880
Speaker 1: Fuck is you doing? Texted me? Right? So women is

1815
01:48:17,920 --> 01:48:22,200
Speaker 1: a whole emotional thing. Yeah, I don't think that you

1816
01:48:22,280 --> 01:48:25,760
Speaker 1: could put dick to a woman if she like you,

1817
01:48:26,600 --> 01:48:30,200
Speaker 1: like she she, I don't think you could put dick

1818
01:48:30,280 --> 01:48:33,920
Speaker 1: to it and she not gets some type of attachment. Man. Yeah,

1819
01:48:34,760 --> 01:48:36,720
Speaker 1: you know what I'm saying. Yeah, but let me ask

1820
01:48:36,760 --> 01:48:42,960
Speaker 1: you a question. Yeah unless you yeah like um, let

1821
01:48:43,040 --> 01:48:44,760
Speaker 1: me let me speak on that. Do I think a

1822
01:48:44,840 --> 01:48:47,720
Speaker 1: woman can have six with you without attachment? I don't

1823
01:48:47,760 --> 01:48:50,240
Speaker 1: think a woman can have six with me without attachment?

1824
01:48:51,080 --> 01:48:53,040
Speaker 1: You know, I'm the one that they don't want to.

1825
01:48:53,120 --> 01:48:55,479
Speaker 1: They want to play with everybody else indeed be my

1826
01:48:55,680 --> 01:48:59,360
Speaker 1: main I don't know why they be my kind of circumstances.

1827
01:48:59,360 --> 01:49:02,479
Speaker 1: It's unfore fortunate, man, It's it's a curse I got.

1828
01:49:02,960 --> 01:49:05,519
Speaker 1: You know, everybody can can come through and play and

1829
01:49:05,600 --> 01:49:07,559
Speaker 1: then I come through and they want me to lay.

1830
01:49:08,800 --> 01:49:11,479
Speaker 1: You know. I think it's unfair, you know, And I

1831
01:49:11,840 --> 01:49:15,920
Speaker 1: don't know if anybody else shares that. But I do think, um,

1832
01:49:16,680 --> 01:49:19,759
Speaker 1: women a lot of times can have six without feelings.

1833
01:49:21,160 --> 01:49:24,880
Speaker 1: It depends on whether morals lie in regards to or

1834
01:49:24,920 --> 01:49:27,680
Speaker 1: their interests lie. I won't say morals because morals are

1835
01:49:28,840 --> 01:49:31,439
Speaker 1: morals or things that I think A foundation or an

1836
01:49:31,520 --> 01:49:35,560
Speaker 1: interest can change based on circumstance. It's based on environments

1837
01:49:35,640 --> 01:49:39,080
Speaker 1: things like that. So I think wherever the interests lie

1838
01:49:40,840 --> 01:49:43,720
Speaker 1: depends on whether or not they catch feelings or not

1839
01:49:43,920 --> 01:49:47,160
Speaker 1: when they have the interactions. Some women, some men, some

1840
01:49:47,400 --> 01:49:50,120
Speaker 1: people the same way. Men use money as a tool,

1841
01:49:50,320 --> 01:49:54,760
Speaker 1: some men, some women use six as a tool, or

1842
01:49:54,800 --> 01:49:57,519
Speaker 1: two to keep your interests, or two to get you know,

1843
01:49:58,439 --> 01:50:03,719
Speaker 1: you in a position to be comfortable enough to embrace

1844
01:50:03,880 --> 01:50:12,200
Speaker 1: their bad decisions in regards to their financial literacy. You know,

1845
01:50:12,760 --> 01:50:16,320
Speaker 1: get you comfortable and kind of put you in a situation.

1846
01:50:16,400 --> 01:50:18,160
Speaker 1: And then you got some dudes that weigh it up

1847
01:50:18,200 --> 01:50:20,839
Speaker 1: and be like, yo, money, I got plenty of paper.

1848
01:50:21,960 --> 01:50:25,200
Speaker 1: So you got guys that will be like yo, ideal

1849
01:50:25,280 --> 01:50:27,720
Speaker 1: with her because you know when I'm around her, you know,

1850
01:50:27,880 --> 01:50:29,800
Speaker 1: and I ain't gonna do it for long anyway. So

1851
01:50:29,920 --> 01:50:32,519
Speaker 1: shit might get about this much ideal with it for

1852
01:50:32,640 --> 01:50:36,160
Speaker 1: this amount of time. But if you go long term

1853
01:50:36,280 --> 01:50:40,760
Speaker 1: with it, you know, that's a bill. Then when you

1854
01:50:40,880 --> 01:50:43,080
Speaker 1: got a bill and you see your bill run off

1855
01:50:43,240 --> 01:50:44,960
Speaker 1: a lot of times, you'd be like, man, shit, they

1856
01:50:45,000 --> 01:50:47,840
Speaker 1: don't want you. Man you ten thousand dollars a month

1857
01:50:48,960 --> 01:50:52,559
Speaker 1: by yourself. I'm not he don't heat playing. He want

1858
01:50:52,600 --> 01:50:55,160
Speaker 1: to hit a little bit. So once you cross the line.

1859
01:50:55,200 --> 01:50:58,519
Speaker 1: You don't come back because I provide you what you

1860
01:50:58,640 --> 01:51:01,880
Speaker 1: didn't what you didn't work. For a lot of times,

1861
01:51:01,960 --> 01:51:05,000
Speaker 1: that's our problem too, as me and we give things

1862
01:51:05,080 --> 01:51:07,760
Speaker 1: to women that didn't put in the the the the

1863
01:51:08,000 --> 01:51:11,800
Speaker 1: the the well. You know, we give things to women

1864
01:51:11,840 --> 01:51:13,880
Speaker 1: that didn't put in the time, or didn't put in

1865
01:51:14,000 --> 01:51:18,120
Speaker 1: the don't have the same. We give things to women

1866
01:51:18,160 --> 01:51:22,320
Speaker 1: that didn't put in the stressing for the blessing. You know,

1867
01:51:22,560 --> 01:51:25,040
Speaker 1: they ain't really done nothing just being beside me. I

1868
01:51:25,240 --> 01:51:28,920
Speaker 1: keep it this gangster, not because you warranted in regards

1869
01:51:28,960 --> 01:51:31,760
Speaker 1: to your behavior or what you've done for me. You

1870
01:51:31,840 --> 01:51:37,599
Speaker 1: don't even provide me enough luxury in regards to comfortability, right,

1871
01:51:38,080 --> 01:51:40,880
Speaker 1: But I provide you with a certain standard because this

1872
01:51:41,080 --> 01:51:45,120
Speaker 1: is where my standardize. A lot of times, what we're

1873
01:51:45,240 --> 01:51:47,560
Speaker 1: doing is me and as we're teaching that person not

1874
01:51:47,760 --> 01:51:51,160
Speaker 1: to ever consider the things that make us move or

1875
01:51:51,280 --> 01:51:55,560
Speaker 1: make us feel right, because it's a standard thing I

1876
01:51:55,760 --> 01:52:00,439
Speaker 1: give you because you this close to them. Now, you

1877
01:52:00,560 --> 01:52:02,840
Speaker 1: got people that I think it's a little small right

1878
01:52:02,880 --> 01:52:04,840
Speaker 1: where they move around, and I missed with you for

1879
01:52:04,920 --> 01:52:07,880
Speaker 1: a little while, so I'm wide open for two months.

1880
01:52:08,680 --> 01:52:10,760
Speaker 1: You got six to DA's I'm gonna hit you as

1881
01:52:10,800 --> 01:52:13,840
Speaker 1: many times I want to. I'm gonna let you run wild.

1882
01:52:13,960 --> 01:52:17,439
Speaker 1: But then after that you're done. Then you're gonna chase

1883
01:52:17,920 --> 01:52:20,040
Speaker 1: or try to get me back at that spot. And

1884
01:52:20,080 --> 01:52:23,920
Speaker 1: I ain't going back there. I'm only somebody else, you

1885
01:52:24,040 --> 01:52:27,880
Speaker 1: know what I'm saying. So you gotta when your interests

1886
01:52:27,920 --> 01:52:29,720
Speaker 1: out there, you gotta know what you're dealing with. That's

1887
01:52:29,720 --> 01:52:32,000
Speaker 1: why sometimes I do believe they can do it without

1888
01:52:32,520 --> 01:52:34,800
Speaker 1: that certain level of feelings. Now when you get to

1889
01:52:34,880 --> 01:52:38,640
Speaker 1: a point where it's a bunch of broke people, you know,

1890
01:52:38,840 --> 01:52:42,160
Speaker 1: having six and doing certain things like that, then I

1891
01:52:42,200 --> 01:52:45,600
Speaker 1: can say that they definitely they love it, love it,

1892
01:52:45,760 --> 01:52:48,200
Speaker 1: dove it, and they probably doing it because they really

1893
01:52:48,280 --> 01:52:51,040
Speaker 1: got interest in this guy. But when we talk about

1894
01:52:51,080 --> 01:52:54,439
Speaker 1: it surrounded by a status in money and those kind

1895
01:52:54,479 --> 01:52:58,040
Speaker 1: of guys, and you know, I tell people, like, what

1896
01:52:58,200 --> 01:53:00,800
Speaker 1: you provide for a woman gotta be more than money.

1897
01:53:00,880 --> 01:53:04,599
Speaker 1: I provastibility. I teach you this same way. I am

1898
01:53:04,760 --> 01:53:07,960
Speaker 1: right here. I'm probably ten times harder without the cameras

1899
01:53:08,000 --> 01:53:11,960
Speaker 1: and mic song because I'm able to be free with

1900
01:53:12,160 --> 01:53:15,920
Speaker 1: my past and my experiences without me worried about them

1901
01:53:16,040 --> 01:53:18,840
Speaker 1: coming back in some sort of way to you know,

1902
01:53:19,800 --> 01:53:22,880
Speaker 1: just you know, biting me into you know, just making

1903
01:53:22,920 --> 01:53:26,519
Speaker 1: a mistake, right, so you know, I'm able to provide

1904
01:53:26,560 --> 01:53:30,679
Speaker 1: a certain kind of luxury right on top of the gifts,

1905
01:53:30,720 --> 01:53:33,840
Speaker 1: the money, the wherever we're going to think those things

1906
01:53:33,880 --> 01:53:36,720
Speaker 1: are standing to things. But what I see happening is

1907
01:53:37,000 --> 01:53:41,519
Speaker 1: they're getting that confused is old. I don't gotta do

1908
01:53:41,800 --> 01:53:48,080
Speaker 1: nothing because I'm getting this by providing nothing. And then

1909
01:53:48,640 --> 01:53:51,160
Speaker 1: you know that's why I do continues to move on.

1910
01:53:52,880 --> 01:53:55,320
Speaker 1: But sex sex, You know something I always say this

1911
01:53:56,640 --> 01:54:02,639
Speaker 1: some women or whether rather by legings than lingerie. Yeah,

1912
01:54:02,680 --> 01:54:05,720
Speaker 1: you rather buy legas than lingerie. You rather see the

1913
01:54:05,880 --> 01:54:08,559
Speaker 1: legas is when you go out in public and anybody

1914
01:54:08,640 --> 01:54:11,040
Speaker 1: get to see how woo she got it right. The

1915
01:54:11,160 --> 01:54:14,080
Speaker 1: lingeria is for whoever it is you gonna meet in

1916
01:54:14,160 --> 01:54:18,120
Speaker 1: that bedroom. It's again, it's about where your interest lies.

1917
01:54:18,600 --> 01:54:21,040
Speaker 1: I just think that if you got a woman that

1918
01:54:21,640 --> 01:54:26,160
Speaker 1: that don't ever consider like for me, I'm gonna tell

1919
01:54:26,200 --> 01:54:29,040
Speaker 1: you something. I'm gonna keep it gangst. If you're gonna

1920
01:54:29,040 --> 01:54:32,960
Speaker 1: be my woman certain nights, he got to be a

1921
01:54:33,240 --> 01:54:38,480
Speaker 1: vibe in there about this sex thing. You know, he

1922
01:54:38,600 --> 01:54:41,280
Speaker 1: gotta be. You gotta be a vibe when I walk in.

1923
01:54:41,480 --> 01:54:44,120
Speaker 1: You gotta just be a vibe. Like when I walk in,

1924
01:54:44,320 --> 01:54:49,040
Speaker 1: it's just like, oh, yeah right. You might choose the

1925
01:54:49,160 --> 01:54:53,560
Speaker 1: red set up and to dinner and you just yeah right.

1926
01:54:53,680 --> 01:54:57,080
Speaker 1: So if you're dealing with people that's not even doing that,

1927
01:54:57,240 --> 01:55:01,320
Speaker 1: I'd be wondering about child people, you know what I'm

1928
01:55:01,320 --> 01:55:03,920
Speaker 1: saying that Number one, I wonder how you expect somebody

1929
01:55:04,000 --> 01:55:07,320
Speaker 1: to stay faithful to you when you rather buy legs

1930
01:55:07,440 --> 01:55:12,800
Speaker 1: than lingerie. You don't even consider in the bedroom with

1931
01:55:12,920 --> 01:55:16,280
Speaker 1: you're significant other, but you consider how that ass look

1932
01:55:16,360 --> 01:55:19,000
Speaker 1: when you go outside in the public. I think you

1933
01:55:19,040 --> 01:55:24,760
Speaker 1: should consider both. Are we asking too much to do

1934
01:55:24,920 --> 01:55:27,400
Speaker 1: two things? And then if we are, then that means

1935
01:55:27,520 --> 01:55:30,400
Speaker 1: we face with a decision where do you choose whether

1936
01:55:30,440 --> 01:55:33,120
Speaker 1: it tears me, where your interests lies? I think you

1937
01:55:33,240 --> 01:55:36,800
Speaker 1: know these things are just fundamental once you break them down.

1938
01:55:40,080 --> 01:55:44,040
Speaker 1: But nine times out of ten, if a woman is

1939
01:55:44,080 --> 01:55:47,000
Speaker 1: talking to a man about you and about your business,

1940
01:55:49,000 --> 01:55:52,640
Speaker 1: you should probably leave her alone. She's no longer you

1941
01:55:52,800 --> 01:55:59,000
Speaker 1: no longer have any There's no connection now because when

1942
01:55:59,040 --> 01:56:03,080
Speaker 1: you're dealing with your are you dealing with the guy?

1943
01:56:07,160 --> 01:56:12,600
Speaker 1: You just you hold it down, mad and all Randy's

1944
01:56:12,600 --> 01:56:15,920
Speaker 1: been too good to me, and if you don't understand that,

1945
01:56:16,040 --> 01:56:19,200
Speaker 1: I need to cut the relationship on where there's been

1946
01:56:19,280 --> 01:56:26,160
Speaker 1: twenty years, Like whether there's been twenty years, you don't

1947
01:56:26,200 --> 01:56:28,840
Speaker 1: even understand the privilege in the position that you in.

1948
01:56:31,280 --> 01:56:33,920
Speaker 1: You don't understand the privilege in the position you rather

1949
01:56:34,000 --> 01:56:37,400
Speaker 1: buy legings than lingerie. Although I provide you with a

1950
01:56:37,520 --> 01:56:42,440
Speaker 1: certain level of luxury based on my standard, not based

1951
01:56:42,520 --> 01:56:45,520
Speaker 1: on what you provide for me. I think it's on way.

1952
01:56:45,640 --> 01:56:51,720
Speaker 1: It gets mixed up. It gets mixed up, and then

1953
01:56:51,880 --> 01:56:57,160
Speaker 1: we don't know how to communicate our standards. I said

1954
01:56:57,200 --> 01:57:01,080
Speaker 1: it in a song. We don't have trouble communicating my standard.

1955
01:57:01,120 --> 01:57:03,200
Speaker 1: I don't know really how to tell you to get

1956
01:57:03,280 --> 01:57:06,040
Speaker 1: why I need just it's a weird thing. I just

1957
01:57:06,200 --> 01:57:07,880
Speaker 1: to know you that when you get that, it's a

1958
01:57:08,400 --> 01:57:12,760
Speaker 1: very weird thing, but it's valuable. And I think I

1959
01:57:12,920 --> 01:57:15,920
Speaker 1: gotta deal with somebody that understands at the time that

1960
01:57:16,040 --> 01:57:19,440
Speaker 1: they put in trying to understand that I would appreciate

1961
01:57:19,600 --> 01:57:22,960
Speaker 1: more than anything. Because I'm gonna get the money, I'm

1962
01:57:23,000 --> 01:57:25,560
Speaker 1: gonna handle any problem they come. I'm gonna stay close

1963
01:57:25,600 --> 01:57:28,520
Speaker 1: to God, I'm gonna pray I'm gonna love my children

1964
01:57:28,600 --> 01:57:32,960
Speaker 1: and my mother. I'm gonna keep be upright and independent,

1965
01:57:33,160 --> 01:57:36,240
Speaker 1: sound decision maker head, not to tell a lead or

1966
01:57:36,320 --> 01:57:41,560
Speaker 1: the pack. I'm gonna stay there. I'm gonna stay there,

1967
01:57:43,160 --> 01:57:46,960
Speaker 1: but I gotta be provided with a certain significant other

1968
01:57:48,920 --> 01:57:51,680
Speaker 1: that understands that the man is a valuable thing to

1969
01:57:51,840 --> 01:57:57,680
Speaker 1: somebody at the forefront of so much. And I think

1970
01:57:57,760 --> 01:58:00,240
Speaker 1: if you got a girl's mind, you got everything. Ain't

1971
01:58:00,320 --> 01:58:04,640
Speaker 1: that she got a lot of people hit, a lot

1972
01:58:04,720 --> 01:58:07,920
Speaker 1: of people go for a body. My name is a

1973
01:58:08,040 --> 01:58:12,560
Speaker 1: test to real, real pretty women that I could have

1974
01:58:12,680 --> 01:58:19,280
Speaker 1: took down. But I'd rather I'd rather kicked it with him.

1975
01:58:19,320 --> 01:58:21,360
Speaker 1: I'm some matter. This is getting paper. I don't have

1976
01:58:21,560 --> 01:58:24,400
Speaker 1: no shortage of pooling any in mind. That ain't the

1977
01:58:24,560 --> 01:58:28,440
Speaker 1: thing out right? And I see you itching forward. I

1978
01:58:28,560 --> 01:58:33,760
Speaker 1: see what's going on. I see you itching forward. Its cool, right,

1979
01:58:34,240 --> 01:58:39,120
Speaker 1: I see you. I need you to know who you're

1980
01:58:39,160 --> 01:58:45,640
Speaker 1: dealing with, upright and independent, firm decision maker, right so

1981
01:58:45,800 --> 01:58:47,760
Speaker 1: I can stand next to it. I need you to

1982
01:58:47,880 --> 01:58:51,800
Speaker 1: know that you know what I'm saying. Now, some nice

1983
01:58:51,840 --> 01:58:54,280
Speaker 1: I'm ready to take it down. It's in boom, let's

1984
01:58:54,320 --> 01:58:58,120
Speaker 1: get it. I'm gonna show you why they called me right.

1985
01:58:58,320 --> 01:59:01,720
Speaker 1: But other times I just like you as an individual.

1986
01:59:02,760 --> 01:59:05,240
Speaker 1: I don't need you. I don't need to stalk a ways.

1987
01:59:05,320 --> 01:59:07,680
Speaker 1: I don't need to get it confused. They started to

1988
01:59:07,760 --> 01:59:10,960
Speaker 1: come him more. I want to see. I want to

1989
01:59:11,000 --> 01:59:13,840
Speaker 1: see if I can build something in your brain. Right.

1990
01:59:13,960 --> 01:59:16,640
Speaker 1: So I've been in those situations, so I get that.

1991
01:59:17,000 --> 01:59:19,720
Speaker 1: But once a man got a man, he got everything.

1992
01:59:20,640 --> 01:59:22,720
Speaker 1: And when he started, when she started talking to him

1993
01:59:22,760 --> 01:59:26,880
Speaker 1: about your personal business, that starts to tell me, might

1994
01:59:27,000 --> 01:59:31,760
Speaker 1: got a man. I always tell people due if it's

1995
01:59:31,800 --> 01:59:35,040
Speaker 1: a man, they get inserted in a situation with you

1996
01:59:35,160 --> 01:59:41,160
Speaker 1: and a woman. You really, I don't talk to the man. Hey, baby,

1997
01:59:41,280 --> 01:59:49,120
Speaker 1: girl called me right, and he might want to All men,

1998
01:59:49,240 --> 01:59:51,440
Speaker 1: you an't got no long as you don't disrespect me.

1999
01:59:51,640 --> 01:59:54,760
Speaker 1: You stay over there, a you mean you got this thing?

2000
01:59:54,920 --> 01:59:59,320
Speaker 1: You know what's up? Called me? Call me? You hear me,

2001
01:59:59,600 --> 02:00:03,880
Speaker 1: call me, you hit me, call me. I don't know

2002
02:00:04,000 --> 02:00:05,960
Speaker 1: what's gotten in to you, but you know what we

2003
02:00:06,120 --> 02:00:08,360
Speaker 1: got and you know what it's built out for. You

2004
02:00:08,520 --> 02:00:11,080
Speaker 1: called me when he whenever just called me. We need

2005
02:00:11,160 --> 02:00:14,120
Speaker 1: to talk, and you know I don't wait long, and

2006
02:00:14,200 --> 02:00:16,680
Speaker 1: I ain't got long to wait. So you get your

2007
02:00:16,800 --> 02:00:19,320
Speaker 1: you know, whatever you need to do, get in community.

2008
02:00:19,480 --> 02:00:21,480
Speaker 1: He might be holly man, I don't know, nigga, she

2009
02:00:21,560 --> 02:00:24,640
Speaker 1: ain't calling you mean you don't got a talk player.

2010
02:00:26,800 --> 02:00:28,960
Speaker 1: I got this little thing build with her. I think

2011
02:00:29,040 --> 02:00:31,160
Speaker 1: she knows what I'm saying. Let me speak with her,

2012
02:00:33,000 --> 02:00:36,800
Speaker 1: you know, And I tell her you keep trying to interfere.

2013
02:00:36,840 --> 02:00:39,480
Speaker 1: I'm not talking to you, dog, I'm not talking to you.

2014
02:00:40,720 --> 02:00:44,520
Speaker 1: I'm talking to huh. I'm talking to her. She the

2015
02:00:44,640 --> 02:00:46,680
Speaker 1: one I got this thing with. I'm talking to you.

2016
02:00:47,040 --> 02:00:49,480
Speaker 1: You come in or you called me. You don't let

2017
02:00:49,600 --> 02:00:51,800
Speaker 1: him stop you from calling me. I need to speak

2018
02:00:51,840 --> 02:00:55,640
Speaker 1: with you. I do that one time. You don't get

2019
02:00:55,720 --> 02:00:58,360
Speaker 1: that twice, three or four times. You get that once

2020
02:00:59,320 --> 02:01:01,280
Speaker 1: because I want to know that you are you making

2021
02:01:01,320 --> 02:01:03,960
Speaker 1: a mistake him and give you a chance to get right.

2022
02:01:04,400 --> 02:01:07,720
Speaker 1: And that's the only chance you got. And we stand

2023
02:01:07,880 --> 02:01:11,280
Speaker 1: on that because I know how valuable it is for

2024
02:01:11,360 --> 02:01:13,400
Speaker 1: you to be next to another man that got you

2025
02:01:13,560 --> 02:01:17,320
Speaker 1: allging with me or maybe be calling me or those things.

2026
02:01:17,520 --> 02:01:20,480
Speaker 1: Is your mind is in a different place. And when

2027
02:01:20,560 --> 02:01:23,440
Speaker 1: your mind is in a place, and my position is valuable,

2028
02:01:23,480 --> 02:01:25,720
Speaker 1: and I'll place you next to me with your mind

2029
02:01:25,800 --> 02:01:28,680
Speaker 1: in a different place. It just it provides me a

2030
02:01:28,840 --> 02:01:36,080
Speaker 1: certain level of anxiety I'm not comfortable with. So I'm saying, so, um,

2031
02:01:36,200 --> 02:01:39,120
Speaker 1: that's that on that after this break, we'll be back

2032
02:01:39,200 --> 02:01:43,440
Speaker 1: breaking a game down with each other. Podcast Stay tune.

2033
02:01:45,280 --> 02:01:47,680
Speaker 1: I want I wanted to speak about this real quick,

2034
02:01:47,720 --> 02:01:50,480
Speaker 1: and then I'm gonna get out of here, right Jake,

2035
02:01:50,600 --> 02:01:57,280
Speaker 1: Paul and Tyrone with a fight. When the fight came

2036
02:01:57,400 --> 02:02:00,880
Speaker 1: on and I watched it, right, I see Tyrone wood

2037
02:02:00,960 --> 02:02:03,200
Speaker 1: I say, oh, he he in the kind of shape

2038
02:02:03,240 --> 02:02:05,560
Speaker 1: boy he out of he ought to be able to

2039
02:02:05,640 --> 02:02:08,400
Speaker 1: go in there and you know, take care of the buddiness.

2040
02:02:08,640 --> 02:02:12,520
Speaker 1: I see the big dude, you know, bigger than Tyrone

2041
02:02:12,560 --> 02:02:15,840
Speaker 1: woodle it. But he don't really got no type skill set,

2042
02:02:17,040 --> 02:02:18,840
Speaker 1: you know. I can tell by the way he holds

2043
02:02:18,880 --> 02:02:21,800
Speaker 1: his hands. I can tell he learning, but he learning

2044
02:02:21,880 --> 02:02:26,200
Speaker 1: on the job. And he's being paid with very privileged position.

2045
02:02:26,280 --> 02:02:28,440
Speaker 1: I don't even think I've ever seen it happened that

2046
02:02:28,560 --> 02:02:32,240
Speaker 1: way with any other any other individual that I can

2047
02:02:32,360 --> 02:02:37,360
Speaker 1: remember being paid on the job as such a a

2048
02:02:37,520 --> 02:02:41,160
Speaker 1: high number. Right. Nonetheless, that's day business. You you're not

2049
02:02:41,480 --> 02:02:43,960
Speaker 1: you don't get what you're worth. You get what you negotiate.

2050
02:02:44,120 --> 02:02:47,520
Speaker 1: We understand that with the game. So it's cool. But

2051
02:02:48,600 --> 02:02:51,240
Speaker 1: when I watched the fight, I see Tyrone Woodle, I say,

2052
02:02:51,280 --> 02:02:56,080
Speaker 1: why he not fighting? It seemed like I'm telling my

2053
02:02:56,160 --> 02:02:58,920
Speaker 1: old lady, yo, he gotta let his hands go. He tripping,

2054
02:02:59,000 --> 02:03:01,880
Speaker 1: he ain't throwing. He it seemed like he you know,

2055
02:03:02,120 --> 02:03:04,440
Speaker 1: it's clear that you in better shape than him. It's

2056
02:03:04,440 --> 02:03:06,440
Speaker 1: clear he it was a point in the fight. It

2057
02:03:06,600 --> 02:03:09,800
Speaker 1: was clear he was tired. It was clear Tyrone Woodle

2058
02:03:09,840 --> 02:03:12,760
Speaker 1: it was in better shape. It was clear Tyrone Woody

2059
02:03:12,840 --> 02:03:16,760
Speaker 1: Steel had power behind his shots. And it appeared that

2060
02:03:16,880 --> 02:03:19,280
Speaker 1: Jake Paul was just throwing shots to keep him off

2061
02:03:19,560 --> 02:03:23,360
Speaker 1: m not to try to really hurt him. Just back up,

2062
02:03:23,400 --> 02:03:28,320
Speaker 1: get off me type shots and you post attack. I

2063
02:03:28,480 --> 02:03:30,920
Speaker 1: just found it strange. Even when he knocked him back

2064
02:03:31,040 --> 02:03:34,000
Speaker 1: like that, I didn't feel it didn't feel like he

2065
02:03:34,120 --> 02:03:36,920
Speaker 1: wanted blood. And for me, that was that was I

2066
02:03:37,000 --> 02:03:41,240
Speaker 1: don't know. I couldn't understand that. I really couldn't understand that.

2067
02:03:41,360 --> 02:03:43,000
Speaker 1: And then he going to go get a tattoo to

2068
02:03:43,040 --> 02:03:45,360
Speaker 1: get a rematch. I think he feels like, man, we're

2069
02:03:45,360 --> 02:03:49,400
Speaker 1: gonna get paid. We'll get the tattoo, get paid. After

2070
02:03:49,480 --> 02:03:54,080
Speaker 1: the rematch wood just cover it up. What they're gonna say, Oh, man,

2071
02:03:54,200 --> 02:03:56,240
Speaker 1: he don't. He ain't a man of his word. Man,

2072
02:03:56,280 --> 02:03:59,480
Speaker 1: I wish I would keep that on me right. So

2073
02:03:59,640 --> 02:04:02,000
Speaker 1: he may be just doing it for the money. That's cool,

2074
02:04:02,080 --> 02:04:04,680
Speaker 1: But why you ain't beat him own up? You got

2075
02:04:04,800 --> 02:04:07,880
Speaker 1: to beat him up. You got to know. I don't

2076
02:04:07,920 --> 02:04:10,480
Speaker 1: care how big you look, how much muscle you got.

2077
02:04:10,560 --> 02:04:12,560
Speaker 1: You don't know how to fight for real. I know

2078
02:04:12,680 --> 02:04:16,280
Speaker 1: how to fight. I'm finna whoop you. I'm finna getting

2079
02:04:16,320 --> 02:04:19,240
Speaker 1: hit in the trenches with you. You're gonna last a second.

2080
02:04:19,520 --> 02:04:21,440
Speaker 1: But when I hit you with a couple of clean ones.

2081
02:04:21,480 --> 02:04:24,680
Speaker 1: You don't know nothing about this. You ain't been hit

2082
02:04:24,840 --> 02:04:27,000
Speaker 1: for real. You don't know nothing about I've been hit.

2083
02:04:27,120 --> 02:04:30,720
Speaker 1: I box, I fight, I whatever I do. I've been hit,

2084
02:04:30,840 --> 02:04:33,480
Speaker 1: So I'm cool with being hit. I ain't. It's cool.

2085
02:04:33,640 --> 02:04:36,400
Speaker 1: I understand it. Come with the game. You ain't really

2086
02:04:36,520 --> 02:04:40,280
Speaker 1: took no real in the trenches hits and shots and

2087
02:04:40,400 --> 02:04:43,480
Speaker 1: Tyron Wooding didn't give him no. You knocked him do

2088
02:04:43,560 --> 02:04:45,400
Speaker 1: you damned then knocked him out of the ropes, keep

2089
02:04:45,480 --> 02:04:49,280
Speaker 1: him up and you fell back for the last fifty

2090
02:04:49,320 --> 02:04:52,320
Speaker 1: seconds of the round. I didn't understand that. But then

2091
02:04:52,560 --> 02:04:57,160
Speaker 1: after that you showed me why you did that. You

2092
02:04:57,280 --> 02:05:01,400
Speaker 1: were scared. And this ain't what Loom saying. This is

2093
02:05:01,480 --> 02:05:04,760
Speaker 1: what he said. He said he saw people rush in

2094
02:05:06,760 --> 02:05:09,280
Speaker 1: and Jake Paul knocked him out, and he wasn't trying

2095
02:05:09,280 --> 02:05:12,080
Speaker 1: to get knocked out that way, just letting his emotions

2096
02:05:12,120 --> 02:05:15,120
Speaker 1: get the best something and rush in. You gotta trust

2097
02:05:15,160 --> 02:05:18,520
Speaker 1: the game. I know you don't know nothing about it

2098
02:05:18,560 --> 02:05:21,040
Speaker 1: in the trenches. I'm trying to get down here in

2099
02:05:21,080 --> 02:05:24,560
Speaker 1: the trenches with you. You see what I'm saying, because

2100
02:05:24,640 --> 02:05:26,560
Speaker 1: I know you don't know nothing. And when I get here,

2101
02:05:27,360 --> 02:05:29,560
Speaker 1: it's over for you. One two to the body, two

2102
02:05:29,680 --> 02:05:32,200
Speaker 1: to the head, one one man. I feel that you

2103
02:05:32,360 --> 02:05:35,240
Speaker 1: understand me. And he wouldn't let his hands go. Even

2104
02:05:35,320 --> 02:05:39,560
Speaker 1: his trainers were telling him, yo, bro, let you hit him,

2105
02:05:39,680 --> 02:05:43,200
Speaker 1: fight him, get him one two three. You know, don't

2106
02:05:43,280 --> 02:05:48,040
Speaker 1: just because he's tired. He's a big old tad dude.

2107
02:05:48,600 --> 02:05:52,440
Speaker 1: He in good shape. But twelve rounds three minutes east time,

2108
02:05:52,520 --> 02:05:56,120
Speaker 1: it's a lot going on. Ten rounds three minutes east time,

2109
02:05:56,160 --> 02:05:59,120
Speaker 1: it's a lot going on. You know what I'm saying,

2110
02:05:59,240 --> 02:06:01,200
Speaker 1: But nothing to less. You don't know how to fight

2111
02:06:02,080 --> 02:06:04,920
Speaker 1: the only thing Jake Paul got is a one too.

2112
02:06:05,040 --> 02:06:07,720
Speaker 1: I think it was a two jabs and one to

2113
02:06:07,840 --> 02:06:10,160
Speaker 1: the body. He hit him with that two or three times.

2114
02:06:10,200 --> 02:06:13,440
Speaker 1: Boom boom bam. I was like, that's a cool combo.

2115
02:06:14,040 --> 02:06:19,120
Speaker 1: But other than that, he didn't have nothing. And I just,

2116
02:06:19,440 --> 02:06:21,800
Speaker 1: you know, it's unfortunately you when he went out like that,

2117
02:06:21,880 --> 02:06:24,600
Speaker 1: because I felt like he was the better fighter, in

2118
02:06:24,720 --> 02:06:27,160
Speaker 1: better shape. Now he's gonna be to come back in shape.

2119
02:06:27,720 --> 02:06:30,080
Speaker 1: I wouldn't fight him twice. That's one of the stupidest

2120
02:06:30,120 --> 02:06:33,200
Speaker 1: things he can do. That's how you know again, people

2121
02:06:33,240 --> 02:06:36,200
Speaker 1: don't pay attention to the game flow and then put

2122
02:06:36,280 --> 02:06:39,480
Speaker 1: the game down for you. You don't. You don't stay undefeated,

2123
02:06:39,640 --> 02:06:43,400
Speaker 1: keep fighting the same person because what you what you

2124
02:06:43,640 --> 02:06:46,680
Speaker 1: understand by fighting me, you can only understand it when

2125
02:06:46,720 --> 02:06:49,680
Speaker 1: we get in the ring. And so once we get

2126
02:06:49,760 --> 02:06:51,960
Speaker 1: in the ring, the information you lead a ring with,

2127
02:06:52,240 --> 02:06:55,440
Speaker 1: you come into the next fight with that. You might

2128
02:06:55,520 --> 02:06:58,200
Speaker 1: have peeped something, you know what I'm saying. So I'm

2129
02:06:58,200 --> 02:07:00,400
Speaker 1: gonna beat you once you gotta get out the way

2130
02:07:00,720 --> 02:07:02,960
Speaker 1: he going back, he gonna end up getting knocked out

2131
02:07:03,000 --> 02:07:06,000
Speaker 1: because he should have lost this fight, you know. So

2132
02:07:07,520 --> 02:07:09,640
Speaker 1: I just you know, I just want to put that down.

2133
02:07:09,720 --> 02:07:13,880
Speaker 1: One thing for show though. People watching, you understand me.

2134
02:07:14,000 --> 02:07:18,040
Speaker 1: People watching, I'm watching. I like to see what's going

2135
02:07:18,160 --> 02:07:20,680
Speaker 1: on with the Paul people. You know, see how they're

2136
02:07:20,720 --> 02:07:25,040
Speaker 1: getting down. They drawn a lot of money, so the

2137
02:07:25,160 --> 02:07:27,720
Speaker 1: business is going well. We'll see how far they able

2138
02:07:27,760 --> 02:07:31,000
Speaker 1: to go in regards to really fighting some of these people.

2139
02:07:31,040 --> 02:07:35,880
Speaker 1: Because if he was planning on stepping up after Tyrone Woodley,

2140
02:07:35,920 --> 02:07:38,960
Speaker 1: he was definitely is gonna lose because you should have

2141
02:07:39,040 --> 02:07:41,840
Speaker 1: lost that fight. If dude would have just pressed a

2142
02:07:41,920 --> 02:07:45,360
Speaker 1: little bit and just gone and beat you up. Don't

2143
02:07:45,400 --> 02:07:48,560
Speaker 1: beat him up. See y'all going in there trying to

2144
02:07:48,640 --> 02:07:51,720
Speaker 1: one tune the death. That's cool for a little while.

2145
02:07:51,840 --> 02:07:53,520
Speaker 1: Box him a little bit, but when he get in

2146
02:07:53,600 --> 02:07:56,960
Speaker 1: deep waters and get tired, don't beat him up. He

2147
02:07:57,160 --> 02:08:02,040
Speaker 1: do not know nothing about this. Whoop him. Man. You

2148
02:08:02,120 --> 02:08:04,800
Speaker 1: see what I'm saying. You've been fighting out these years,

2149
02:08:04,880 --> 02:08:08,800
Speaker 1: so I just it just came off kind of you know,

2150
02:08:09,160 --> 02:08:12,680
Speaker 1: it kind of pissed me off. I'm gonna be real, so, um,

2151
02:08:13,040 --> 02:08:15,560
Speaker 1: I'm gonna move on from that. We gotta um, let's

2152
02:08:15,600 --> 02:08:19,600
Speaker 1: talk about this. That's cool. That's cool. Fat Joe and

2153
02:08:19,760 --> 02:08:26,000
Speaker 1: jar Rule Versus announced for September the seventh. I think, Um,

2154
02:08:28,160 --> 02:08:31,800
Speaker 1: when I first heard that, you know, I was like, yell,

2155
02:08:31,840 --> 02:08:39,040
Speaker 1: I don't. Then I got the thinking, this might be different, right,

2156
02:08:39,080 --> 02:08:41,560
Speaker 1: it might be better than I thought, at least because

2157
02:08:42,640 --> 02:08:46,520
Speaker 1: Fat Joe is he on records with Chris Brown. You

2158
02:08:46,600 --> 02:08:49,000
Speaker 1: gotta thank a whole lot of them catlic songs that

2159
02:08:49,160 --> 02:08:54,800
Speaker 1: women love. Gotta Fat Joe verse somewhere, and you know,

2160
02:08:54,920 --> 02:08:57,960
Speaker 1: and then he got that whole lean back arway got

2161
02:08:58,000 --> 02:09:01,080
Speaker 1: the error before that when he was active. But Jah

2162
02:09:01,200 --> 02:09:07,760
Speaker 1: Rule got smashes. Jah Rule got real deal smashes. Like

2163
02:09:08,040 --> 02:09:13,000
Speaker 1: I'm talking real deal smashes um, And so I'm I'm

2164
02:09:13,000 --> 02:09:16,240
Speaker 1: gonna watch that. But I was intrigued when I just

2165
02:09:16,440 --> 02:09:20,840
Speaker 1: read a press release that said, um, trick Dad. It

2166
02:09:20,960 --> 02:09:27,040
Speaker 1: turned down versus against Boots, because again, that's one of

2167
02:09:27,200 --> 02:09:29,600
Speaker 1: another one of them times. While first look at I

2168
02:09:29,760 --> 02:09:35,000
Speaker 1: say that I don't sign, but then I think, you know,

2169
02:09:35,160 --> 02:09:39,920
Speaker 1: Boosey got hits, he got ghetto hits too, But then

2170
02:09:40,040 --> 02:09:42,920
Speaker 1: Trick due to the same way, So I said, Yo,

2171
02:09:43,040 --> 02:09:50,360
Speaker 1: Dad'll be dope. It's almost like that's almost the same comparison.

2172
02:09:50,480 --> 02:09:52,080
Speaker 1: I hate. I kind of looked at it the same

2173
02:09:52,160 --> 02:09:54,560
Speaker 1: like the Fat Joe and Jah rule is kind of

2174
02:09:54,600 --> 02:09:57,400
Speaker 1: how I looked at the boots and tricked that until

2175
02:09:57,440 --> 02:10:00,360
Speaker 1: I really thought about it. Trick that and boostes that's

2176
02:10:00,400 --> 02:10:04,840
Speaker 1: a that's a mean one. That's a mean You gotta

2177
02:10:04,960 --> 02:10:08,080
Speaker 1: think Trick Dadder was on fire. Then he got all

2178
02:10:08,120 --> 02:10:10,760
Speaker 1: them songs where he incorporated the kids. I'm gonna bring

2179
02:10:10,920 --> 02:10:15,600
Speaker 1: that back to the game. Incorporating them kids on them songs.

2180
02:10:16,200 --> 02:10:18,240
Speaker 1: You know, when he got to like the baby I'm

2181
02:10:18,240 --> 02:10:20,680
Speaker 1: a Thug and all those type records where he kind

2182
02:10:20,720 --> 02:10:24,840
Speaker 1: of let a child go off in there. I'm gonna

2183
02:10:24,880 --> 02:10:27,400
Speaker 1: bring that back because that was super dope. That was

2184
02:10:27,600 --> 02:10:31,080
Speaker 1: dope and creative. That was real creative. So I get

2185
02:10:31,200 --> 02:10:35,200
Speaker 1: real props to that. But Boosty got some boost can

2186
02:10:35,240 --> 02:10:39,040
Speaker 1: really go all different kind of routes with it. But

2187
02:10:39,400 --> 02:10:41,960
Speaker 1: they're letting you know, they respect boosta Handle because they

2188
02:10:42,040 --> 02:10:46,280
Speaker 1: grabbed Trick because Trick Handle is he got a lot

2189
02:10:46,320 --> 02:10:48,360
Speaker 1: of stuff he'd been on. He also done seeing some

2190
02:10:48,480 --> 02:10:51,000
Speaker 1: of that Calid wave, some of that Little John wave.

2191
02:10:52,560 --> 02:10:54,320
Speaker 1: You see what I'm saying, Because you gotta think let

2192
02:10:54,480 --> 02:10:57,600
Speaker 1: John had a wave back in the day that was

2193
02:11:00,880 --> 02:11:04,560
Speaker 1: I would probably say Lejohn wave was probably the same

2194
02:11:04,640 --> 02:11:09,000
Speaker 1: as Kellet wave. Instead of using Chris Brown, Lejohn was

2195
02:11:09,160 --> 02:11:14,520
Speaker 1: using ushering them. Lejohn had a mean wave the same

2196
02:11:14,600 --> 02:11:18,520
Speaker 1: way Kelly having his little moment. From a producer type level,

2197
02:11:19,040 --> 02:11:23,280
Speaker 1: Lejohn had one of them waves like that T Paine wave.

2198
02:11:23,400 --> 02:11:26,560
Speaker 1: One real T Paine wave was hard too. Whin't t

2199
02:11:26,800 --> 02:11:31,200
Speaker 1: Paine had a mean wave too? But le Johnny Kelly

2200
02:11:31,280 --> 02:11:33,680
Speaker 1: had a different type thing. I think I'm gonna revisit

2201
02:11:33,800 --> 02:11:35,920
Speaker 1: that next episode and kind of look at some of

2202
02:11:36,000 --> 02:11:39,120
Speaker 1: the those record side by side. What if they did

2203
02:11:39,200 --> 02:11:43,680
Speaker 1: a versus le John versus d J. Kellett. That'll probably

2204
02:11:43,760 --> 02:11:47,600
Speaker 1: be dope because when when when when Kellet brand some

2205
02:11:47,720 --> 02:11:53,480
Speaker 1: of them records, where with Chris Brown he can come

2206
02:11:53,520 --> 02:11:56,560
Speaker 1: with some of that usher talk because you gotta think

2207
02:11:56,720 --> 02:12:00,160
Speaker 1: ushering them sing them there. He had his own own

2208
02:12:00,320 --> 02:12:03,240
Speaker 1: little thing going on. It's really like Kellet some of

2209
02:12:03,320 --> 02:12:07,720
Speaker 1: the blueprint let John laid down Kelly ran with as

2210
02:12:07,760 --> 02:12:10,800
Speaker 1: far as just making music. You know what I'm saying,

2211
02:12:11,720 --> 02:12:13,880
Speaker 1: if we really want to digest it and look at

2212
02:12:13,920 --> 02:12:17,200
Speaker 1: it for what it worked, because Kelly Kelly really just

2213
02:12:17,440 --> 02:12:20,400
Speaker 1: grabs people the same way let John kind of put

2214
02:12:20,480 --> 02:12:24,960
Speaker 1: people together. You will hear ludicrous usher and Crro on

2215
02:12:25,040 --> 02:12:28,040
Speaker 1: a song, you'd be like, what is this Kelly Roll

2216
02:12:28,120 --> 02:12:30,120
Speaker 1: and this person and that person? You know what I mean?

2217
02:12:30,320 --> 02:12:32,800
Speaker 1: So he would do that. Then some of his songs

2218
02:12:32,920 --> 02:12:35,680
Speaker 1: may be for the South, but it might got him

2219
02:12:35,760 --> 02:12:38,240
Speaker 1: on the hook, but it got a Jada kiss verse

2220
02:12:38,400 --> 02:12:41,200
Speaker 1: or little scrap on that is, you know what I mean.

2221
02:12:41,320 --> 02:12:45,640
Speaker 1: So again mega hits from coming from let John and

2222
02:12:45,920 --> 02:12:49,520
Speaker 1: and DJ Kelly switching them. Might need to look into that.

2223
02:12:50,400 --> 02:12:53,480
Speaker 1: That's powerful and then call my phone and hit me

2224
02:12:53,600 --> 02:12:56,440
Speaker 1: with a little finder's feet because I put that game together,

2225
02:12:57,360 --> 02:12:59,480
Speaker 1: you know. And if not, it's good for the culture.

2226
02:12:59,760 --> 02:13:01,640
Speaker 1: You know what I'm saying. Just invite me to it,

2227
02:13:01,880 --> 02:13:04,160
Speaker 1: you know what I mean, and let me you know,

2228
02:13:04,880 --> 02:13:07,760
Speaker 1: hols or do something matter and then we even you

2229
02:13:07,840 --> 02:13:09,840
Speaker 1: know what I mean, and let me keep creating. But

2230
02:13:10,840 --> 02:13:13,480
Speaker 1: I think that'll be a dope thing. Man. Nonetheless, I

2231
02:13:13,720 --> 02:13:18,160
Speaker 1: always always kind of examine these things. Man. They make

2232
02:13:18,200 --> 02:13:20,720
Speaker 1: you look at these artists a little different. Man versus

2233
02:13:21,360 --> 02:13:28,040
Speaker 1: is the battle wrap of hip hop? Right. Um. What

2234
02:13:28,200 --> 02:13:30,640
Speaker 1: happens is they make you look at these artists from

2235
02:13:30,680 --> 02:13:35,200
Speaker 1: a technical standpoint. Sometimes you forget, like oh man, Fat

2236
02:13:35,280 --> 02:13:39,400
Speaker 1: Joe was on that like that that song with Chris Brown.

2237
02:13:39,800 --> 02:13:43,240
Speaker 1: I think it's hold hold Me Down or something with

2238
02:13:43,400 --> 02:13:45,800
Speaker 1: the DJ. Kelly's one of the hard girls here that

2239
02:13:45,960 --> 02:13:50,520
Speaker 1: they instantly they they they they gone, he on that.

2240
02:13:50,680 --> 02:13:52,840
Speaker 1: It's a bunch of them little records out there like

2241
02:13:53,040 --> 02:13:57,960
Speaker 1: that for him, And so I didn't think about it.

2242
02:13:58,120 --> 02:14:02,320
Speaker 1: Same way with Trick Daddy. I thought about his mega hits.

2243
02:14:02,360 --> 02:14:06,040
Speaker 1: But then I'm like, yo, you're going against Bousa. Boosey

2244
02:14:06,120 --> 02:14:09,600
Speaker 1: got household records that made never made the charts. But

2245
02:14:09,720 --> 02:14:12,120
Speaker 1: when they played in the verses, whoever standing next to

2246
02:14:12,200 --> 02:14:16,600
Speaker 1: theyre coming from boost, they got a problem. Whoever standing

2247
02:14:16,680 --> 02:14:19,640
Speaker 1: across the stage from Boshit when this song here come on,

2248
02:14:20,920 --> 02:14:23,880
Speaker 1: they got a problem. You know what I'm saying. His

2249
02:14:24,120 --> 02:14:27,080
Speaker 1: credibility still walks with him. So when the records come

2250
02:14:27,160 --> 02:14:29,880
Speaker 1: on and you gotta deal with him right there, it's

2251
02:14:29,920 --> 02:14:32,920
Speaker 1: a problem. You know what I'm saying. From a fan perspective,

2252
02:14:32,960 --> 02:14:35,520
Speaker 1: they don't know. They're like, ooh, that was hard that

2253
02:14:35,680 --> 02:14:40,440
Speaker 1: song you know my Struggle or or Baby Mama. He

2254
02:14:40,560 --> 02:14:45,160
Speaker 1: got so many records that can resonate. There's just different

2255
02:14:45,240 --> 02:14:48,680
Speaker 1: type things. Man. They're serving pockets of people, but they

2256
02:14:48,800 --> 02:14:52,120
Speaker 1: household records. You know what I'm saying, if you're a

2257
02:14:52,200 --> 02:14:54,400
Speaker 1: part of this coach and you've been to the South,

2258
02:14:54,600 --> 02:14:57,560
Speaker 1: or you your kind of cousin from the South, he

2259
02:14:57,680 --> 02:15:00,160
Speaker 1: got certain records you're gonna know about coming from him them.

2260
02:15:00,240 --> 02:15:03,400
Speaker 1: So the versus thing man is good for the coach.

2261
02:15:03,480 --> 02:15:07,760
Speaker 1: I think that, um, that they added a different element

2262
02:15:09,000 --> 02:15:13,800
Speaker 1: to the way that the consumer sees the artists. And

2263
02:15:14,000 --> 02:15:16,760
Speaker 1: so the only question I may have is how do

2264
02:15:16,880 --> 02:15:23,240
Speaker 1: you do this again? How do you make repeat situations?

2265
02:15:23,640 --> 02:15:25,680
Speaker 1: I know that thinking about that, but how do you

2266
02:15:25,840 --> 02:15:32,560
Speaker 1: do it and maintain the interest? You know, even if

2267
02:15:32,600 --> 02:15:35,360
Speaker 1: you change people. I think they may have done something

2268
02:15:35,440 --> 02:15:39,879
Speaker 1: like it already. I'm not sure, But is that a concern?

2269
02:15:40,520 --> 02:15:42,960
Speaker 1: Is the consumer gonna watch some of these people? I

2270
02:15:43,040 --> 02:15:46,400
Speaker 1: think Jada Jada can draw another crowd to watch him

2271
02:15:46,440 --> 02:15:48,840
Speaker 1: again his performance with such a high level. But can

2272
02:15:48,960 --> 02:15:52,280
Speaker 1: a soldier boy do it again? Can a by Wild

2273
02:15:52,760 --> 02:15:55,320
Speaker 1: come out again? You know what I'm saying? Can can

2274
02:15:55,440 --> 02:15:58,240
Speaker 1: all of the artists that step in, can they do

2275
02:15:58,360 --> 02:16:03,720
Speaker 1: a repeat? You know? Um? And are they working on

2276
02:16:03,800 --> 02:16:08,640
Speaker 1: a little baby versus bag or uh, you know, a

2277
02:16:08,840 --> 02:16:12,360
Speaker 1: god It versus Gucci or god It versus plies or

2278
02:16:12,960 --> 02:16:15,000
Speaker 1: you know, are they working on some of the South

2279
02:16:15,880 --> 02:16:18,240
Speaker 1: things as well, and they need a voice in the

2280
02:16:18,360 --> 02:16:22,320
Speaker 1: South that represents the brand. And it's influential to be

2281
02:16:22,400 --> 02:16:25,160
Speaker 1: able to get some of these things at their doorstep.

2282
02:16:26,120 --> 02:16:28,480
Speaker 1: You know, you got future Thug, you got so many

2283
02:16:28,560 --> 02:16:32,720
Speaker 1: dope artists, they've been on runs, they've got records. You know,

2284
02:16:32,840 --> 02:16:35,240
Speaker 1: let's get some of them involved in and getting paid

2285
02:16:35,360 --> 02:16:38,879
Speaker 1: good and do good business and see what's going on. UM.

2286
02:16:39,240 --> 02:16:41,640
Speaker 1: I want to also touch on this inn the Mouth.

2287
02:16:41,760 --> 02:16:46,720
Speaker 1: Fu Quan Johnson and two others are dead due to

2288
02:16:46,840 --> 02:16:53,160
Speaker 1: a cocaine overdose laced with fitting You hit me out

2289
02:16:53,160 --> 02:16:57,279
Speaker 1: of time, talk about the fitting all situation. High started

2290
02:16:57,600 --> 02:17:04,720
Speaker 1: starting to feel like it it's becoming intentional if it

2291
02:17:04,959 --> 02:17:09,000
Speaker 1: almost feel like it's becoming it's like an attack on

2292
02:17:09,400 --> 02:17:13,360
Speaker 1: our people, right because I'm starting to look at it

2293
02:17:13,440 --> 02:17:16,680
Speaker 1: a little different than some of my brethren. They may

2294
02:17:16,760 --> 02:17:18,800
Speaker 1: look at it like it's it's a it's a get

2295
02:17:18,920 --> 02:17:23,600
Speaker 1: rich thing. But I see the ramifications of people dropping

2296
02:17:23,680 --> 02:17:27,360
Speaker 1: dead at a very high rate, like very high rate

2297
02:17:27,480 --> 02:17:31,280
Speaker 1: dealing with this stuff. So um. And I've been at

2298
02:17:31,320 --> 02:17:43,160
Speaker 1: the forefront of them understanding um and maybe being maybe

2299
02:17:43,240 --> 02:17:46,640
Speaker 1: being closer than I would like to be too. Um

2300
02:17:50,680 --> 02:17:54,840
Speaker 1: to the situation right, so so um so so so

2301
02:17:55,040 --> 02:17:58,280
Speaker 1: when I hear about it, it always strikes me, right

2302
02:17:58,320 --> 02:18:02,240
Speaker 1: because I know that somebody somewhere can get this right

2303
02:18:02,280 --> 02:18:06,920
Speaker 1: if they wanted to. I know this I noticed to

2304
02:18:07,000 --> 02:18:11,480
Speaker 1: be the case, and it concerns me that nobody's worried

2305
02:18:11,680 --> 02:18:14,520
Speaker 1: about this. Right, they don't think it's hidden eight people.

2306
02:18:14,560 --> 02:18:17,560
Speaker 1: But the next though, it ain't never hidden somebody in

2307
02:18:17,640 --> 02:18:20,000
Speaker 1: the family. But let's listen to what did news say

2308
02:18:20,040 --> 02:18:22,720
Speaker 1: happened to these people? Well, a comedian and two other

2309
02:18:22,840 --> 02:18:25,560
Speaker 1: people have died after an apparent drug overdose, and an

2310
02:18:25,600 --> 02:18:29,360
Speaker 1: actress and comedian is also in critical condition. Now. Emergency

2311
02:18:29,400 --> 02:18:32,160
Speaker 1: crews were called to a home in Venice early Saturday

2312
02:18:32,200 --> 02:18:35,640
Speaker 1: morning comedian fu Quan Johnson and two others who were

2313
02:18:35,680 --> 02:18:38,120
Speaker 1: pronounced dead at the scene. Now. Johnson was known for

2314
02:18:38,240 --> 02:18:41,640
Speaker 1: his work with comedy Parlor Live and comedian and Modeled

2315
02:18:41,720 --> 02:18:44,720
Speaker 1: Kate quickly was taken to the hospital in critical condition.

2316
02:18:45,240 --> 02:18:48,600
Speaker 1: She has hosted Playboy TV's Undercover in the twenty sixteen

2317
02:18:48,640 --> 02:18:52,360
Speaker 1: AVIN Awards. According to TMZ, they had all possibly taken

2318
02:18:52,480 --> 02:18:56,879
Speaker 1: cocaine blaced with fentanyl. Well, fans and friends are showing

2319
02:18:56,920 --> 02:19:01,360
Speaker 1: support online and Damian Dante. Wayne's tweeted today, I love

2320
02:19:01,440 --> 02:19:07,600
Speaker 1: you for Quan La Chief Johnson fo Fox rip Kate

2321
02:19:07,760 --> 02:19:10,680
Speaker 1: quigli Is. I've watched her a lot. I didn't know

2322
02:19:10,840 --> 02:19:12,960
Speaker 1: she was in on that too. I wondered if she

2323
02:19:14,760 --> 02:19:20,680
Speaker 1: I'm saying, I've seen Home Joe Rogan and Joey Diaz. Yeah,

2324
02:19:20,760 --> 02:19:22,480
Speaker 1: I don't know. I don't I didn't know that was

2325
02:19:22,600 --> 02:19:25,920
Speaker 1: Kate that was in on Again. I've seen seen um

2326
02:19:27,160 --> 02:19:31,080
Speaker 1: seen Home Joey Diaz and I think Ryan Stickler and Sickler,

2327
02:19:31,160 --> 02:19:36,360
Speaker 1: I mean Burt Christ now then I've seen home that stuff. Um,

2328
02:19:36,400 --> 02:19:42,680
Speaker 1: but rp fu Quan's That's a that's a very unfortunate situation,

2329
02:19:43,400 --> 02:19:46,920
Speaker 1: especially at being a comic or a rapper or entertainer

2330
02:19:47,000 --> 02:19:49,640
Speaker 1: that go in and out of these cities, in and

2331
02:19:49,760 --> 02:19:52,440
Speaker 1: out of these different little areas. Right. So some of

2332
02:19:52,480 --> 02:19:55,720
Speaker 1: these areas are not you know, you gotta get there

2333
02:19:55,760 --> 02:19:57,920
Speaker 1: and trust to dialer. In a lot of these areas,

2334
02:19:58,360 --> 02:20:00,440
Speaker 1: you know, you gotta get there and be like, he's

2335
02:20:00,480 --> 02:20:04,000
Speaker 1: not gonna try to set me up, or he's not

2336
02:20:04,160 --> 02:20:09,880
Speaker 1: gonna try to rob me, or a lot of times

2337
02:20:09,959 --> 02:20:13,080
Speaker 1: the dealer don't even know where he got. He ain't

2338
02:20:13,160 --> 02:20:16,720
Speaker 1: just the sharpest knife in the draw itself. So he

2339
02:20:16,879 --> 02:20:20,560
Speaker 1: don't know what it is. You understand me. Now, if

2340
02:20:20,560 --> 02:20:22,880
Speaker 1: you're dealing with somebody didn't know what it is, you know,

2341
02:20:24,800 --> 02:20:28,800
Speaker 1: that's a different level of conversation. But a lot of

2342
02:20:28,840 --> 02:20:31,160
Speaker 1: these guys don't know what they're dealing with. They ain't

2343
02:20:31,160 --> 02:20:34,360
Speaker 1: the smartest people, so they're giving you what they're getting.

2344
02:20:35,720 --> 02:20:39,000
Speaker 1: And it's like that for almost for almost all way

2345
02:20:39,120 --> 02:20:43,560
Speaker 1: up to the top. A couple of layers from the top,

2346
02:20:43,680 --> 02:20:46,120
Speaker 1: maybe the fourth layer from the top, they start to

2347
02:20:46,240 --> 02:20:48,720
Speaker 1: really take a understanding of what they got and what

2348
02:20:48,879 --> 02:20:52,200
Speaker 1: he can take and what's the you know what this

2349
02:20:52,360 --> 02:20:55,720
Speaker 1: can take a tool or you know, and things like that,

2350
02:20:55,879 --> 02:20:57,960
Speaker 1: and got somebody to test it and this and that.

2351
02:20:58,120 --> 02:21:00,560
Speaker 1: But alway under that, most of them people just what

2352
02:21:00,720 --> 02:21:05,240
Speaker 1: they get is what they give. And some people hitting

2353
02:21:05,240 --> 02:21:08,960
Speaker 1: it along the way without no understanding or nothing. You

2354
02:21:09,040 --> 02:21:11,280
Speaker 1: know what I'm saying. I'm gonna make man a little

2355
02:21:11,320 --> 02:21:13,520
Speaker 1: more blister and put a little more to you know

2356
02:21:13,600 --> 02:21:17,000
Speaker 1: what I'm saying. So again the understanding is lost all

2357
02:21:17,000 --> 02:21:19,080
Speaker 1: the way down. But I think from the top they

2358
02:21:19,160 --> 02:21:22,800
Speaker 1: can get it together. But now if it's for sale,

2359
02:21:23,440 --> 02:21:29,080
Speaker 1: and I say if because I don't want to ever

2360
02:21:29,240 --> 02:21:31,800
Speaker 1: say I know what these things are or that I

2361
02:21:31,959 --> 02:21:34,480
Speaker 1: know these things are being the case. You know, everything

2362
02:21:34,560 --> 02:21:38,200
Speaker 1: I speak about is for entertainment purposes. Because I do

2363
02:21:38,320 --> 02:21:43,600
Speaker 1: a podcast, it's important that I say that it's dangerous

2364
02:21:43,680 --> 02:21:46,280
Speaker 1: giving this kind of game out, you know, when you

2365
02:21:46,360 --> 02:21:49,119
Speaker 1: got any kind of background and any kind of background

2366
02:21:49,200 --> 02:21:56,760
Speaker 1: with doing things. But I just think they can get

2367
02:21:56,800 --> 02:21:59,600
Speaker 1: it right. If it's if it's for sale bad self.

2368
02:22:00,120 --> 02:22:02,920
Speaker 1: It may be out of control because it's people that

2369
02:22:03,080 --> 02:22:05,360
Speaker 1: might buy some of this from you and some of

2370
02:22:05,440 --> 02:22:07,520
Speaker 1: this from him, and then they do their own little

2371
02:22:07,600 --> 02:22:10,440
Speaker 1: thing to it. And I think that's where the problem

2372
02:22:10,640 --> 02:22:16,360
Speaker 1: is coming in that you know. Um, you know again,

2373
02:22:16,480 --> 02:22:20,279
Speaker 1: we don't condone drugs selling. We just hit the examine

2374
02:22:20,400 --> 02:22:24,560
Speaker 1: the coach in all ways from a standpoint of understanding

2375
02:22:24,640 --> 02:22:28,000
Speaker 1: and being at the forefront of putting information now and

2376
02:22:28,120 --> 02:22:31,240
Speaker 1: trying to be correct when doing so. You did what

2377
02:22:31,360 --> 02:22:35,080
Speaker 1: I'm saying. But the finn Al scale, man, it's um,

2378
02:22:35,560 --> 02:22:37,600
Speaker 1: it's at an all time high right now and it

2379
02:22:37,720 --> 02:22:43,240
Speaker 1: affects it affects the community in a way man, that's

2380
02:22:43,360 --> 02:22:46,680
Speaker 1: really really like, it's no, it's no signs of it.

2381
02:22:46,840 --> 02:22:49,280
Speaker 1: You know, we talk about COVID, and you see people

2382
02:22:50,280 --> 02:22:52,560
Speaker 1: go in the house and get afraid and get this

2383
02:22:52,760 --> 02:22:56,000
Speaker 1: and that find all is on that level. It really

2384
02:22:56,080 --> 02:23:00,560
Speaker 1: surpasses that level. It's more dangerous than COVID. Right with COVID,

2385
02:23:00,640 --> 02:23:04,000
Speaker 1: you get signs and symptoms, get days to react, hopefully

2386
02:23:04,080 --> 02:23:06,960
Speaker 1: your immune system can fight out. This Here is an

2387
02:23:07,040 --> 02:23:11,400
Speaker 1: instant on contact. Depending on who you are, it's on contact.

2388
02:23:12,720 --> 02:23:16,039
Speaker 1: And people are buying things with the understanding of Now

2389
02:23:16,080 --> 02:23:17,760
Speaker 1: I ain't talking about the ones that won't it. I

2390
02:23:17,879 --> 02:23:20,840
Speaker 1: know it's a whole bunch they're won't it. But it's

2391
02:23:20,920 --> 02:23:25,520
Speaker 1: people buying things with the understanding that I just want

2392
02:23:25,560 --> 02:23:29,520
Speaker 1: to have a good time. Like these comedians. They ain't.

2393
02:23:30,440 --> 02:23:36,480
Speaker 1: They ain't in this to u, you know, going the

2394
02:23:36,560 --> 02:23:39,720
Speaker 1: house and look out the wonder and get spooked out.

2395
02:23:39,879 --> 02:23:42,440
Speaker 1: They ain't. They they comedians. They're in town for a

2396
02:23:42,560 --> 02:23:45,959
Speaker 1: few days looking for a little some some get right

2397
02:23:46,480 --> 02:23:50,560
Speaker 1: laughing talk. You did what I'm saying. They just and

2398
02:23:50,720 --> 02:23:53,120
Speaker 1: so now you get ahold of something. Now people looking

2399
02:23:53,160 --> 02:23:55,680
Speaker 1: for who that dealer was. He's you know, they're looking

2400
02:23:55,720 --> 02:23:58,160
Speaker 1: through phones, text messages. Who brought it? Who did they

2401
02:23:58,280 --> 02:24:01,440
Speaker 1: get it from? It's a it's a guy, you know,

2402
02:24:01,600 --> 02:24:04,200
Speaker 1: so now you know, you head accountable for things and

2403
02:24:04,320 --> 02:24:06,120
Speaker 1: he may not do so now they want to know.

2404
02:24:06,520 --> 02:24:11,080
Speaker 1: It's just it's it's it's you know, and again, these

2405
02:24:11,160 --> 02:24:14,600
Speaker 1: people are not living the kind of life where that

2406
02:24:15,120 --> 02:24:17,760
Speaker 1: that that that they would want to indulge from a

2407
02:24:17,879 --> 02:24:20,240
Speaker 1: level of make sure you got some of that feeling

2408
02:24:20,360 --> 02:24:23,640
Speaker 1: on it. They just comics in town trying to get

2409
02:24:23,640 --> 02:24:26,040
Speaker 1: a little boost or other situation of what's going on.

2410
02:24:28,560 --> 02:24:31,960
Speaker 1: And so it's unfortunate to lose life that way. You

2411
02:24:32,080 --> 02:24:38,720
Speaker 1: know that that's a very detrimental thing to the family,

2412
02:24:39,080 --> 02:24:44,680
Speaker 1: you know, of those three people, and it's still it's

2413
02:24:44,680 --> 02:24:48,040
Speaker 1: still two other people in critical condition. And yeah, so

2414
02:24:48,240 --> 02:24:51,920
Speaker 1: that this is another episode Man of the Fashion Grown

2415
02:24:52,080 --> 02:24:55,320
Speaker 1: podcast on the market in the world, in the country,

2416
02:24:55,920 --> 02:24:58,120
Speaker 1: it's up that podcast. If you made it to this

2417
02:24:58,320 --> 02:25:02,240
Speaker 1: point again, subscri grabbed the Patreon. It's up that podcasts

2418
02:25:02,280 --> 02:25:06,600
Speaker 1: on Patreon. Subscribe to the YouTube fo Jilfo TV. It's

2419
02:25:06,680 --> 02:25:11,119
Speaker 1: up that podcast on YouTube. I submerged t Springs account.

2420
02:25:11,160 --> 02:25:14,640
Speaker 1: It's up that podcast on that support the album I

2421
02:25:14,800 --> 02:25:17,120
Speaker 1: was being Home and when you may missing that streaming,

2422
02:25:17,760 --> 02:25:19,959
Speaker 1: it's doing pretty good. You know, we like to keep

2423
02:25:20,040 --> 02:25:22,720
Speaker 1: both businesses separate. But I do want to mention that

2424
02:25:22,879 --> 02:25:26,600
Speaker 1: for those that really rock with me, go support the album,

2425
02:25:27,320 --> 02:25:31,760
Speaker 1: Go support the music, support the videos, repost, share, like, subscribe,

2426
02:25:32,440 --> 02:25:37,040
Speaker 1: go listen on that, and also listen to Big Fast Podcast. Again,

2427
02:25:37,080 --> 02:25:39,640
Speaker 1: I give another big shout out the Big Bank just

2428
02:25:39,800 --> 02:25:44,280
Speaker 1: for showing a little to a fellow real winning this game.

2429
02:25:44,959 --> 02:25:49,959
Speaker 1: It's unfortunate that it's such a unique thing, but it's

2430
02:25:50,000 --> 02:25:54,119
Speaker 1: so much value associated with it. So shout out to y'all,

2431
02:25:54,240 --> 02:25:57,480
Speaker 1: and let's keep building, keep making money, keep giving the

2432
02:25:57,600 --> 02:26:00,680
Speaker 1: game out what I give you you only can get him.

2433
02:26:01,480 --> 02:26:03,600
Speaker 1: You already know that. Let's get some money. It's up

2434
02:26:03,680 --> 02:26:07,680
Speaker 1: the podcast. This is not the Joe Burden podcast. This

2435
02:26:08,000 --> 02:26:10,880
Speaker 1: is not million dollars worth a game. This is not

2436
02:26:11,080 --> 02:26:15,520
Speaker 1: the brilliant idiots. Vc is eats up their podcast doctor

2437
02:26:16,520 --> 02:26:22,199
Speaker 1: Dog Demco Manco. This is not the Joe Burden podcast.

2438
02:26:22,680 --> 02:26:25,760
Speaker 1: This is not million dollars worth the game. This is

2439
02:26:25,879 --> 02:26:29,760
Speaker 1: not the brilliant idiots. Vc is eats up their podcast

2440
02:26:30,200 --> 02:26:32,440
Speaker 1: with Looney Dog de Monco