1 00:00:02,640 --> 00:00:06,520 Speaker 1: What up, bright Side besties, Hello Sunshine. Today on the 2 00:00:06,519 --> 00:00:10,360 Speaker 1: bright Side, we're closing out National Poetry Months with poet 3 00:00:10,520 --> 00:00:14,840 Speaker 1: Laureate Ada Lemon, and we're talking all about awe and wonder. 4 00:00:15,320 --> 00:00:18,520 Speaker 1: It's Friday, April twenty sixth. I'm Danielle Robe. 5 00:00:18,120 --> 00:00:20,279 Speaker 2: And it's a girl simone. Boys, this is the bright 6 00:00:20,360 --> 00:00:22,000 Speaker 2: Side from Hello Sunshine. 7 00:00:24,239 --> 00:00:27,480 Speaker 1: Okay, Simone. We always save our chit chat for on air, 8 00:00:27,600 --> 00:00:29,360 Speaker 1: So I don't even know what's going on in your life? 9 00:00:29,400 --> 00:00:30,000 Speaker 1: What's going on? 10 00:00:30,640 --> 00:00:32,879 Speaker 2: So? I was hanging out with my mom yesterday and 11 00:00:32,960 --> 00:00:35,239 Speaker 2: she was like, so I listened to a few of 12 00:00:35,240 --> 00:00:35,960 Speaker 2: the recently. 13 00:00:35,680 --> 00:00:38,240 Speaker 3: Oh no, oh no, no, no, no, it was all good. 14 00:00:38,400 --> 00:00:39,520 Speaker 3: She's like, it's really good. 15 00:00:39,600 --> 00:00:42,000 Speaker 2: She was like, so you and Danielle have like a 16 00:00:42,040 --> 00:00:45,440 Speaker 2: really great rapport and I was like yeah, and she's like, 17 00:00:46,080 --> 00:00:46,760 Speaker 2: is that real? 18 00:00:48,600 --> 00:00:50,440 Speaker 3: This is one of our most asked questions. 19 00:00:50,479 --> 00:00:53,080 Speaker 1: Everybody asked me that too. All my friends are like, 20 00:00:53,120 --> 00:00:55,040 Speaker 1: you guys sound like you really like each other? 21 00:00:55,080 --> 00:00:57,880 Speaker 3: Do you really like her? I know, I'm like, should 22 00:00:57,920 --> 00:00:59,520 Speaker 3: I not like her? At this point? 23 00:00:59,640 --> 00:01:02,880 Speaker 2: I don't get it. Yes, it's real, Yes we are 24 00:01:02,920 --> 00:01:03,600 Speaker 2: really friends. 25 00:01:03,920 --> 00:01:05,360 Speaker 1: Should we stage a fake fight? 26 00:01:05,600 --> 00:01:08,479 Speaker 2: I honestly think maybe we should just for publicity. 27 00:01:08,959 --> 00:01:11,839 Speaker 1: I think so too. Let's get into the drums. Okay, 28 00:01:11,920 --> 00:01:14,360 Speaker 1: I actually need your advice on something before we jump in. 29 00:01:14,520 --> 00:01:17,400 Speaker 3: Yes, I'm honored that you're asking me for advice. 30 00:01:17,720 --> 00:01:19,319 Speaker 1: Well, I'm gonna put myself on blast. 31 00:01:19,480 --> 00:01:19,840 Speaker 3: Okay. 32 00:01:20,480 --> 00:01:24,240 Speaker 1: I got a text from my ex boyfriend like two 33 00:01:24,360 --> 00:01:24,800 Speaker 1: days ago. 34 00:01:25,440 --> 00:01:26,680 Speaker 3: Is this the one that I know about? 35 00:01:27,040 --> 00:01:27,240 Speaker 1: No? 36 00:01:27,760 --> 00:01:28,560 Speaker 3: The one before? 37 00:01:28,880 --> 00:01:29,240 Speaker 1: Yeah? 38 00:01:29,319 --> 00:01:34,000 Speaker 2: Okay, Okay, I have less context on him, but go ahead. 39 00:01:34,319 --> 00:01:39,720 Speaker 1: He was a bad man and he texted me and said, hey, 40 00:01:39,800 --> 00:01:42,360 Speaker 1: do you want to grab a coffee or a meal? 41 00:01:43,120 --> 00:01:45,399 Speaker 1: And I've told him in the past to please stop 42 00:01:45,440 --> 00:01:48,240 Speaker 1: contacting me. Do I block him now? 43 00:01:48,760 --> 00:01:51,040 Speaker 3: Number one? Do you want to meet with him? 44 00:01:51,160 --> 00:01:53,920 Speaker 1: Nah? Actually, I'm gonna say, hell nah? 45 00:01:54,040 --> 00:01:56,280 Speaker 2: Do you want to have any contact with him whatsoever? 46 00:01:56,480 --> 00:01:56,760 Speaker 1: No? 47 00:01:56,760 --> 00:01:59,840 Speaker 3: No, I don't. Then yeah, block, just block blocked? 48 00:02:00,240 --> 00:02:00,560 Speaker 1: You know that? 49 00:02:03,560 --> 00:02:03,800 Speaker 2: Black. 50 00:02:04,240 --> 00:02:06,920 Speaker 1: I wish I could have like a voice note of 51 00:02:06,960 --> 00:02:09,160 Speaker 1: you saying that if he texted. 52 00:02:08,720 --> 00:02:11,639 Speaker 2: Me, I'll just text it to him from my random 53 00:02:11,680 --> 00:02:12,680 Speaker 2: three oh five number. 54 00:02:12,840 --> 00:02:13,360 Speaker 1: I like that. 55 00:02:13,840 --> 00:02:16,480 Speaker 2: I feel like you could just give him a line 56 00:02:16,520 --> 00:02:20,560 Speaker 2: that's like, hey, I don't really want to be in touch, but. 57 00:02:20,560 --> 00:02:21,359 Speaker 1: I already did that. 58 00:02:21,400 --> 00:02:22,040 Speaker 3: You already did that. 59 00:02:22,240 --> 00:02:27,040 Speaker 1: Yeah, black, I think maybe we should get into the show. 60 00:02:27,040 --> 00:02:28,280 Speaker 3: Maybe we should move on. 61 00:02:28,600 --> 00:02:33,680 Speaker 2: Okay, So when I say the term gorpcore, what does 62 00:02:33,720 --> 00:02:35,600 Speaker 2: that mean to you, Danielle, what comes to mind? 63 00:02:35,880 --> 00:02:41,200 Speaker 1: I think, uh, gore texts, So I think like lots 64 00:02:41,240 --> 00:02:43,840 Speaker 1: of police strings and crisscross stuff. 65 00:02:43,919 --> 00:02:47,000 Speaker 2: Hot hot, You're very hot, nor face. Yes, yes, that 66 00:02:47,160 --> 00:02:52,000 Speaker 2: is exactly what gorpcore is. I'm super into gorpcore, always 67 00:02:52,000 --> 00:02:53,840 Speaker 2: have been. I've been doing it before it was cool, 68 00:02:53,880 --> 00:02:56,960 Speaker 2: before it was gorpcore. But it's basically the next evolution 69 00:02:57,280 --> 00:03:01,160 Speaker 2: of ath leisure where what Yeah, it's it's the outdoors 70 00:03:01,240 --> 00:03:03,680 Speaker 2: y aesthetic like you said the Arii, the north Face, 71 00:03:03,720 --> 00:03:06,480 Speaker 2: the Patagucci, but people are wearing it as street wear. 72 00:03:06,600 --> 00:03:08,600 Speaker 1: So did you just say Padagucci? 73 00:03:08,720 --> 00:03:10,320 Speaker 3: Yeah, Padagucci, like the. 74 00:03:10,280 --> 00:03:12,160 Speaker 1: Gucci, Patagonias or collab. 75 00:03:12,440 --> 00:03:12,919 Speaker 3: No. 76 00:03:12,919 --> 00:03:15,520 Speaker 2: No, it's just like, in like our world, in like 77 00:03:15,560 --> 00:03:18,440 Speaker 2: the outdoorsy girl world, we say Padagucci. 78 00:03:18,760 --> 00:03:20,360 Speaker 3: I don't know why. It's like when people. 79 00:03:20,200 --> 00:03:23,400 Speaker 2: Say tarje Oh, oh gotcha. You know, it's just a 80 00:03:23,440 --> 00:03:24,600 Speaker 2: fun little thing that we do. 81 00:03:24,760 --> 00:03:26,640 Speaker 1: I'm so on the outside of this world. 82 00:03:28,600 --> 00:03:33,440 Speaker 2: So, actually, uh, Belahedide, Kendall Jenner have been wearing this 83 00:03:33,520 --> 00:03:35,800 Speaker 2: style lately, but of course it's been around forever. 84 00:03:35,880 --> 00:03:38,200 Speaker 3: It's all over TikTok. That's really where it's blowing up. 85 00:03:38,400 --> 00:03:40,080 Speaker 2: You know why I love this trend because it's not 86 00:03:40,240 --> 00:03:44,080 Speaker 2: about putting on this artificial layer of beauty, right, It's 87 00:03:44,080 --> 00:03:47,320 Speaker 2: about stripping it all away. It's not about wearing a 88 00:03:47,360 --> 00:03:50,160 Speaker 2: ton of makeup. It's about coming as you are in comfortable, 89 00:03:50,320 --> 00:03:51,560 Speaker 2: functional clothing. 90 00:03:51,760 --> 00:03:54,440 Speaker 1: You're wearing cargo capris today, are those gorp Core? 91 00:03:54,560 --> 00:03:56,640 Speaker 2: Yeah? I leaned into the gorp cord today. I also 92 00:03:56,720 --> 00:03:59,080 Speaker 2: have this really crinkly jacket. 93 00:03:59,280 --> 00:04:01,360 Speaker 1: Oh my god, it's yellow puffer by the way. 94 00:04:01,480 --> 00:04:02,480 Speaker 3: Yeah. 95 00:04:02,560 --> 00:04:05,520 Speaker 1: Okay, so do you already own this stuff and you 96 00:04:05,640 --> 00:04:07,480 Speaker 1: used to wear it camping and now you're just wearing 97 00:04:07,520 --> 00:04:10,520 Speaker 1: it on the outside world? Or do people buy gorpcore 98 00:04:10,760 --> 00:04:11,960 Speaker 1: to walk around in the world. 99 00:04:12,160 --> 00:04:15,080 Speaker 2: It's like, okay, you know how people were wearing Lululemon 100 00:04:15,200 --> 00:04:16,000 Speaker 2: pants everywhere. 101 00:04:16,040 --> 00:04:19,200 Speaker 3: I think Danielle is wearing Lululemon. 102 00:04:19,400 --> 00:04:22,039 Speaker 2: See, this is just like this is this is ath 103 00:04:22,120 --> 00:04:26,360 Speaker 2: leisure adjacent, you know, so choogee, we're all chewgy girl. 104 00:04:26,720 --> 00:04:29,360 Speaker 2: But the other layer to this for me is that 105 00:04:29,400 --> 00:04:33,000 Speaker 2: gorpcore is more than just like a silly fashion trend. 106 00:04:33,000 --> 00:04:35,400 Speaker 2: It's a lifestyle. It means you're always dressed for adventure 107 00:04:35,560 --> 00:04:38,600 Speaker 2: or nature therapy. And you know what's really cool. Since 108 00:04:38,640 --> 00:04:41,440 Speaker 2: the pandemic, there have been a rise in communities focused 109 00:04:41,480 --> 00:04:44,919 Speaker 2: on bringing women and women of color together outdoors. So 110 00:04:45,000 --> 00:04:47,200 Speaker 2: one that comes to mind is called Hike Clerb. They 111 00:04:47,200 --> 00:04:52,000 Speaker 2: host hike group hikes and activities. Another one clurb It's 112 00:04:52,040 --> 00:04:55,040 Speaker 2: Cute Right Outdoor Afro, which is all about reconnecting black 113 00:04:55,040 --> 00:04:57,839 Speaker 2: folks to the land through fishing kayaking. So I think 114 00:04:57,839 --> 00:05:01,480 Speaker 2: that's beautiful, and I also think about my own community. 115 00:05:01,640 --> 00:05:04,520 Speaker 2: I mean, I have a gaggle of GORP girls that 116 00:05:04,600 --> 00:05:07,800 Speaker 2: I go camping with. Some of my best memories are 117 00:05:07,839 --> 00:05:11,039 Speaker 2: with them in the wilderness in Canada or the Pacific Northwest. 118 00:05:11,120 --> 00:05:14,040 Speaker 1: The ggg's the GGG Gaggle of GORP Girls. 119 00:05:14,080 --> 00:05:16,599 Speaker 3: It's the triple G. Hmmm, I'm all about the GORP 120 00:05:16,640 --> 00:05:17,320 Speaker 3: core lifestyle. 121 00:05:17,760 --> 00:05:20,599 Speaker 1: You are really bringing something new to my life. I 122 00:05:20,680 --> 00:05:25,640 Speaker 1: had no idea that gorpecore existed. I don't know if 123 00:05:25,640 --> 00:05:26,359 Speaker 1: I'm interested. 124 00:05:26,600 --> 00:05:27,320 Speaker 3: To be quite. 125 00:05:27,160 --> 00:05:30,680 Speaker 2: Honest, don't speak too soon, because I have brought you 126 00:05:30,839 --> 00:05:35,520 Speaker 2: actually my favorite GORP recipe. So GORP stands for good 127 00:05:35,520 --> 00:05:40,480 Speaker 2: old raisins and peanuts. It's essentially trail mix. But I 128 00:05:40,640 --> 00:05:43,200 Speaker 2: have what I think is the best recipe for gorp. 129 00:05:43,400 --> 00:05:45,680 Speaker 1: You've given me so many gifts this week, it's not 130 00:05:45,720 --> 00:05:48,800 Speaker 1: really a good Wait. Is there Captain Crunch in there? Yes? 131 00:05:49,000 --> 00:05:51,520 Speaker 3: Okay, so here I love Captain Crunch. 132 00:05:51,640 --> 00:05:54,039 Speaker 2: Here is the recipe for the best gorp in the world. 133 00:05:54,160 --> 00:05:58,440 Speaker 2: It is Captain Crunch, almonds, crasins, and reci's pieces. 134 00:05:58,560 --> 00:05:59,120 Speaker 1: Can I have some? 135 00:05:59,320 --> 00:06:02,760 Speaker 3: Yeah, but make sure that you get one of the bite. 136 00:06:06,600 --> 00:06:11,080 Speaker 1: This is freaking delicious. I want to curse, right, God, 137 00:06:11,400 --> 00:06:14,279 Speaker 1: it's it's This is better than puppy chow. 138 00:06:15,080 --> 00:06:15,719 Speaker 3: It was amazing. 139 00:06:15,960 --> 00:06:17,479 Speaker 1: I think we have to end the show because we're 140 00:06:17,520 --> 00:06:21,480 Speaker 1: eating I know, right, Okay, So you are a gorpe 141 00:06:21,560 --> 00:06:27,680 Speaker 1: girl living your most authentic life. Yes, This article from 142 00:06:27,720 --> 00:06:33,599 Speaker 1: Glamour by Sophia Bush really had me feeling away because 143 00:06:34,000 --> 00:06:37,480 Speaker 1: she's truly living her authentic life now. One year after 144 00:06:37,600 --> 00:06:41,359 Speaker 1: a picture perfect wedding turned very public divorce, Sophia Bush 145 00:06:41,360 --> 00:06:44,760 Speaker 1: found herself in a new relationship with a woman, and 146 00:06:44,800 --> 00:06:47,720 Speaker 1: it was with famed soccer star Ashlyn Harris, and the 147 00:06:47,760 --> 00:06:51,080 Speaker 1: internet went wild. Of course, there were rumors because Ashland 148 00:06:51,120 --> 00:06:53,080 Speaker 1: was married and had kids with her ex wife, who 149 00:06:53,200 --> 00:06:56,800 Speaker 1: was also a famous soccer player, and Sophia Bush has 150 00:06:56,839 --> 00:06:59,400 Speaker 1: not spoken out about it until now. She wrote an 151 00:06:59,480 --> 00:07:02,839 Speaker 1: essay for Glas in her own words, addressing everything for 152 00:07:02,880 --> 00:07:05,080 Speaker 1: the first time. And the reason I'm bringing this up 153 00:07:05,160 --> 00:07:07,480 Speaker 1: is I thought it was really moving. She mentions joy 154 00:07:08,000 --> 00:07:11,640 Speaker 1: four times in the article. She said she's been chasing 155 00:07:11,760 --> 00:07:14,920 Speaker 1: joy and has made a few decisions like doing a 156 00:07:14,920 --> 00:07:18,480 Speaker 1: play in London last year, thinking it would jumpstart this joy. 157 00:07:18,920 --> 00:07:21,120 Speaker 1: You know how we do that when we're not happy. 158 00:07:21,160 --> 00:07:23,400 Speaker 1: We try all these things to jumpstart the joy, and 159 00:07:23,520 --> 00:07:27,080 Speaker 1: unfortunately it's just an inside job. And she wrote, I 160 00:07:27,120 --> 00:07:29,120 Speaker 1: have real joy. It took me forty one years to 161 00:07:29,120 --> 00:07:32,200 Speaker 1: get here. I feel like I can finally breathe. 162 00:07:32,400 --> 00:07:32,679 Speaker 3: Wow. 163 00:07:34,000 --> 00:07:36,680 Speaker 1: I think women just want to exhale. We hold so 164 00:07:36,800 --> 00:07:42,360 Speaker 1: much in We hold guilt, shame, past hurts, betrayals, lost, divorce, 165 00:07:43,320 --> 00:07:46,360 Speaker 1: like feelings of all of our family, our parents, our kids, 166 00:07:46,760 --> 00:07:48,520 Speaker 1: and we just want to feel like we can breathe. 167 00:07:49,080 --> 00:07:53,560 Speaker 1: There's been so much judgment around her relationship and how 168 00:07:53,600 --> 00:07:56,040 Speaker 1: she chose to live her life. That just made me 169 00:07:56,200 --> 00:07:58,400 Speaker 1: happy to read that she was exhaling. I think we 170 00:07:58,440 --> 00:08:00,760 Speaker 1: all want permission to exhale. 171 00:08:00,920 --> 00:08:03,080 Speaker 2: I know a lot of people are going through this 172 00:08:03,880 --> 00:08:07,400 Speaker 2: internally or in a quiet way, right like getting to 173 00:08:08,360 --> 00:08:13,040 Speaker 2: their true self and living out their truest life and identity. 174 00:08:13,280 --> 00:08:15,440 Speaker 2: But she had to do it in such a public forum, 175 00:08:15,880 --> 00:08:19,160 Speaker 2: and from the outside looking in, it got messy, and 176 00:08:19,240 --> 00:08:21,640 Speaker 2: so I can only imagine how hard that was to 177 00:08:21,720 --> 00:08:25,120 Speaker 2: both be feeling like you're living alive for so long 178 00:08:25,360 --> 00:08:29,360 Speaker 2: and then have to get into this new relationship and 179 00:08:29,400 --> 00:08:32,520 Speaker 2: have everyone comment on it and weigh in. So does 180 00:08:32,559 --> 00:08:34,040 Speaker 2: feel like she's exhaling right now. 181 00:08:34,400 --> 00:08:36,559 Speaker 1: I like that you use the word messy because I 182 00:08:36,600 --> 00:08:38,560 Speaker 1: think we all look at the mess in life and 183 00:08:38,600 --> 00:08:41,880 Speaker 1: it scares us. But when we think about books or 184 00:08:41,920 --> 00:08:45,000 Speaker 1: films or things that we gravitate towards, a lot of 185 00:08:45,040 --> 00:08:48,280 Speaker 1: it oftentimes is the mess of life because we're all 186 00:08:48,280 --> 00:08:51,080 Speaker 1: looking for that permission to live in our mess too. 187 00:08:51,640 --> 00:08:54,200 Speaker 1: And so I like that she threw away the rules. 188 00:08:54,679 --> 00:08:55,880 Speaker 1: She's just living in the mess. 189 00:08:56,040 --> 00:08:57,720 Speaker 3: We got to live in the mess. It's the only 190 00:08:57,760 --> 00:08:58,360 Speaker 3: way to live. 191 00:08:58,800 --> 00:09:01,000 Speaker 1: Okay, we are not going to stage a fake fight 192 00:09:01,240 --> 00:09:05,280 Speaker 1: at least right now, but there is a celebrity that 193 00:09:05,360 --> 00:09:07,720 Speaker 1: did stage of fake scenario that we have to get 194 00:09:07,760 --> 00:09:11,280 Speaker 1: into before break because last spring, when there were rumors 195 00:09:11,280 --> 00:09:14,000 Speaker 1: that Sidney Sweeney was secretly dating her anyone but you 196 00:09:14,080 --> 00:09:16,960 Speaker 1: co star Glenn Powell. Oh, I remember this, You remember this? 197 00:09:17,040 --> 00:09:20,400 Speaker 1: Everyone believed it. It was super scandalous because she was 198 00:09:20,440 --> 00:09:23,240 Speaker 1: and still is very much engaged and he had recently 199 00:09:23,280 --> 00:09:26,600 Speaker 1: broken up with his long term girlfriend. And despite all that, 200 00:09:27,040 --> 00:09:29,360 Speaker 1: they were spotted going to the zoo with his family, 201 00:09:29,440 --> 00:09:32,760 Speaker 1: holding hands, lovingly looking into each other's eyes on the 202 00:09:32,800 --> 00:09:36,800 Speaker 1: red carpet Internet. Sluice also noticed that Sidney wasn't wearing 203 00:09:36,840 --> 00:09:39,480 Speaker 1: her engagement ring at the time, and we all fell 204 00:09:39,520 --> 00:09:41,440 Speaker 1: for it. We thought it was real. But in an 205 00:09:41,480 --> 00:09:44,440 Speaker 1: interview with The New York Times, Sidney Sweeney admitted that 206 00:09:44,480 --> 00:09:47,600 Speaker 1: she and Glenn leaned into the affairs and the rumors 207 00:09:47,679 --> 00:09:51,199 Speaker 1: to promote the film. Sidney and her fiance were producers 208 00:09:51,200 --> 00:09:53,880 Speaker 1: on the film, and so they were like financially invested 209 00:09:53,920 --> 00:09:55,640 Speaker 1: in its success, and they were like, let's do what 210 00:09:55,679 --> 00:09:56,120 Speaker 1: we gotta do. 211 00:09:56,600 --> 00:10:00,080 Speaker 2: That is a supportive fiance, right there, someone who is 212 00:10:00,120 --> 00:10:03,480 Speaker 2: going to let their partner lean into the chemistry with 213 00:10:03,559 --> 00:10:08,000 Speaker 2: their costar on the Today Show, on all these public outings. 214 00:10:08,080 --> 00:10:10,679 Speaker 2: I mean, both of them are very comfortable in their relationship. 215 00:10:11,160 --> 00:10:14,360 Speaker 2: But this makes me think about all the times when 216 00:10:15,040 --> 00:10:18,400 Speaker 2: celebrities have been in relationships that were actually pr stunts. 217 00:10:18,960 --> 00:10:21,040 Speaker 1: Here's the thing about twenty twenty four. I feel like 218 00:10:21,080 --> 00:10:24,520 Speaker 1: the veil is being lifted. We used to believe all 219 00:10:24,559 --> 00:10:27,760 Speaker 1: of this, like growing up with tabloids and you know, 220 00:10:27,800 --> 00:10:30,000 Speaker 1: I used to work in entertainment news, and I was like, 221 00:10:30,440 --> 00:10:32,920 Speaker 1: I saw the behind the scenes where there's smoke, there's 222 00:10:33,000 --> 00:10:36,480 Speaker 1: usually fire like et and extra and either not making 223 00:10:36,520 --> 00:10:39,440 Speaker 1: things up. They have multiple sources. So I used to 224 00:10:39,480 --> 00:10:42,080 Speaker 1: believe all this stuff. But now celebrities are in on it. 225 00:10:42,120 --> 00:10:44,400 Speaker 1: They know how to work the system also in terms 226 00:10:44,400 --> 00:10:47,360 Speaker 1: of fake relationships. So I did a little deep dive. 227 00:10:47,800 --> 00:10:50,160 Speaker 1: Nick Lache went on one date with Kim Kardashian back 228 00:10:50,160 --> 00:10:52,080 Speaker 1: in two thousand and six, and then later on he 229 00:10:52,120 --> 00:10:54,840 Speaker 1: went on Watch What Happens Live and he said that 230 00:10:55,559 --> 00:10:58,600 Speaker 1: he thinks now looking back, that she leveraged that whole 231 00:10:58,600 --> 00:11:02,679 Speaker 1: thing publicity. Duh, She's masterful. 232 00:11:02,800 --> 00:11:03,640 Speaker 3: Uh huh. 233 00:11:03,679 --> 00:11:07,280 Speaker 2: And then also Rachel Bilson and that guy Nick Faiel 234 00:11:07,400 --> 00:11:11,360 Speaker 2: from The Bachelor. Okay, so they apparently went on a 235 00:11:11,440 --> 00:11:15,400 Speaker 2: date too, back in twenty nineteen, and then Rachel admitted 236 00:11:15,400 --> 00:11:17,760 Speaker 2: on his podcast that they just did it for the 237 00:11:17,800 --> 00:11:20,400 Speaker 2: internet for attention. She said, we were messing around, not 238 00:11:20,480 --> 00:11:22,760 Speaker 2: with each other, but with the Internet. So this happens 239 00:11:22,800 --> 00:11:23,760 Speaker 2: way more than we think. 240 00:11:24,320 --> 00:11:28,360 Speaker 1: I think we forget it's the entertainment business. Yeah, that business, and. 241 00:11:28,360 --> 00:11:30,559 Speaker 2: A lot of times both of these people are profiting 242 00:11:30,600 --> 00:11:33,600 Speaker 2: off of the attention in some way. Yeah, Danielle, Any 243 00:11:33,960 --> 00:11:37,280 Speaker 2: any gorp tastic plans for the weekend? What's the opposite 244 00:11:37,280 --> 00:11:39,480 Speaker 2: of GORP? What happens if you stay in your apartment 245 00:11:39,480 --> 00:11:45,679 Speaker 2: all wee get bed rot? No, I'm interviewing Chaz Ebert, 246 00:11:46,280 --> 00:11:49,959 Speaker 2: who was Roger Ebert's wife, and I'm from Chicago, so 247 00:11:50,000 --> 00:11:50,920 Speaker 2: I'm excited for that. 248 00:11:51,240 --> 00:11:51,920 Speaker 3: Yeah. 249 00:11:52,120 --> 00:11:56,960 Speaker 1: And I turned down a bachelorette party classic, so won't 250 00:11:57,000 --> 00:11:57,880 Speaker 1: be going to that. 251 00:11:58,840 --> 00:11:59,640 Speaker 3: Were they offended? 252 00:12:00,000 --> 00:12:02,160 Speaker 1: I know they love me and I love them, and 253 00:12:02,160 --> 00:12:05,439 Speaker 1: they know I'm just gonna take them to dinner instead. 254 00:12:06,440 --> 00:12:09,600 Speaker 1: And I really need new workout clothes. I am committed 255 00:12:09,640 --> 00:12:12,320 Speaker 1: on Sunday to trying to find some new workout clothes. 256 00:12:12,320 --> 00:12:15,320 Speaker 1: I feel like all of mine are from twenty twenty 257 00:12:15,360 --> 00:12:17,520 Speaker 1: one and it's just not looking good at the gym. 258 00:12:17,600 --> 00:12:20,600 Speaker 3: Yeah, I agree, Oh mine are ratty af. 259 00:12:20,320 --> 00:12:24,520 Speaker 1: What are you doing. Who cares about my pants, my expandex. 260 00:12:24,080 --> 00:12:26,600 Speaker 2: This is a weekend where I think I have no plans, 261 00:12:27,080 --> 00:12:28,520 Speaker 2: which is very exciting, But. 262 00:12:28,640 --> 00:12:30,120 Speaker 1: I want to make a prediction. I think you're going 263 00:12:30,160 --> 00:12:31,360 Speaker 1: to end up being really busy. 264 00:12:32,360 --> 00:12:35,800 Speaker 2: I hope not. No, I don't have any plans. The 265 00:12:35,840 --> 00:12:37,679 Speaker 2: books are clear for this weekend. 266 00:12:38,120 --> 00:12:39,640 Speaker 1: Awesome, you're gonna jump in the pool? 267 00:12:40,520 --> 00:12:40,920 Speaker 3: Yeah? 268 00:12:41,120 --> 00:12:44,160 Speaker 1: Not cuddle with Michael? What you don't do that? 269 00:12:44,360 --> 00:12:49,239 Speaker 2: I cuddle, but I I need to clear up some misinformation. 270 00:12:49,360 --> 00:12:51,600 Speaker 2: I do cuddle, but I don't what you said something 271 00:12:51,640 --> 00:12:53,679 Speaker 2: you were like, I want to like be next to 272 00:12:53,720 --> 00:12:55,040 Speaker 2: you every moment of the day. 273 00:12:55,240 --> 00:12:55,480 Speaker 3: Yeah. 274 00:12:55,520 --> 00:12:57,400 Speaker 1: My definition of love is like you don't want to 275 00:12:57,440 --> 00:12:58,959 Speaker 1: go to the grocery store because you don't want to 276 00:12:59,000 --> 00:13:01,000 Speaker 1: get up off the couch as you love that person 277 00:13:01,080 --> 00:13:04,280 Speaker 1: so much. Simone's looking at me with terror in her eyes? 278 00:13:05,200 --> 00:13:06,320 Speaker 1: Is that codependency? 279 00:13:06,679 --> 00:13:10,320 Speaker 2: I think that sounds unhealthy to me. I'm not an expert, 280 00:13:10,400 --> 00:13:13,040 Speaker 2: but you do you you know, if anyone out there 281 00:13:13,080 --> 00:13:13,640 Speaker 2: agrees with. 282 00:13:13,559 --> 00:13:14,080 Speaker 1: Me, let me know. 283 00:13:17,880 --> 00:13:20,880 Speaker 2: After the break, we're bringing poetry off the shelf and 284 00:13:21,080 --> 00:13:24,480 Speaker 2: into the wild with poet Laureate Ada Lemone. We'll be 285 00:13:24,559 --> 00:13:25,240 Speaker 2: right back. 286 00:13:35,800 --> 00:13:36,640 Speaker 3: And we're back. 287 00:13:37,760 --> 00:13:41,199 Speaker 2: April is National Poetry Month, and our next guest has 288 00:13:41,240 --> 00:13:44,080 Speaker 2: been lighting up the literary world with her poetry for 289 00:13:44,160 --> 00:13:45,439 Speaker 2: nearly two decades. 290 00:13:45,800 --> 00:13:48,439 Speaker 1: Ada Le Moon is the twenty fourth Poet Laureate of 291 00:13:48,480 --> 00:13:52,600 Speaker 1: the United States, the recipient of a MacArthur Fellowship, and 292 00:13:52,679 --> 00:13:56,040 Speaker 1: one of Time's twenty twenty four Women of the Year. 293 00:13:56,720 --> 00:13:59,959 Speaker 1: If that's not cool enough, later this year, NASA is 294 00:14:00,240 --> 00:14:03,480 Speaker 1: sending one of her poems all the way to Jupiter. 295 00:14:04,040 --> 00:14:07,040 Speaker 2: Danielle, you know it's fitting because AIDA's poetry explores the 296 00:14:07,120 --> 00:14:11,319 Speaker 2: awe inspiring beauty and power of nature and our complex 297 00:14:11,400 --> 00:14:14,880 Speaker 2: relationship with it in today's world. We often talk about 298 00:14:15,040 --> 00:14:19,240 Speaker 2: on this show how simply going outside, getting your photosynthesis on, 299 00:14:19,560 --> 00:14:22,880 Speaker 2: and even touching grass just helps us find joy. 300 00:14:23,080 --> 00:14:25,240 Speaker 1: Yep, And we asked Ada on the show to talk 301 00:14:25,240 --> 00:14:29,320 Speaker 1: about finding meaning and purpose in the wilderness and about 302 00:14:29,320 --> 00:14:35,360 Speaker 1: her signature project bringing poetry to national parks across the country. Ada, 303 00:14:35,400 --> 00:14:38,600 Speaker 1: thank you so much for joining us on the bright side. 304 00:14:39,040 --> 00:14:40,640 Speaker 4: Thank you so much for having me. 305 00:14:41,440 --> 00:14:44,840 Speaker 1: Ada, You have achieved the highest honors in your field. 306 00:14:45,480 --> 00:14:47,880 Speaker 1: One of your poems is actually going to space. 307 00:14:48,240 --> 00:14:48,880 Speaker 3: So cool. 308 00:14:49,120 --> 00:14:53,480 Speaker 1: It's very cool. But also I don't think very many 309 00:14:53,560 --> 00:14:56,520 Speaker 1: people grow up thinking, yeah, I'm going to be a 310 00:14:56,520 --> 00:15:00,280 Speaker 1: poet and think that it's a viable career path. How 311 00:15:00,280 --> 00:15:01,600 Speaker 1: did you get into this field? 312 00:15:03,720 --> 00:15:05,160 Speaker 4: Thank you so much for that question. 313 00:15:06,280 --> 00:15:09,280 Speaker 5: I will say that I knew I always wanted to 314 00:15:09,360 --> 00:15:12,280 Speaker 5: be in a creative field. 315 00:15:11,960 --> 00:15:12,600 Speaker 4: In some way. 316 00:15:14,520 --> 00:15:16,160 Speaker 5: In fact, I think it was a joke in my 317 00:15:16,240 --> 00:15:20,160 Speaker 5: family that Ada was going to be a dancing, singing. 318 00:15:20,000 --> 00:15:21,120 Speaker 4: Doctor, lawyer, writer. 319 00:15:22,360 --> 00:15:26,920 Speaker 5: It wasn't really until I was in high school that 320 00:15:27,240 --> 00:15:31,320 Speaker 5: I discovered poetry in earnest and really fell in love 321 00:15:31,360 --> 00:15:34,360 Speaker 5: with it. And then I had a moment when I 322 00:15:34,520 --> 00:15:38,480 Speaker 5: was in undergraduate at the University of Washington and I 323 00:15:38,480 --> 00:15:40,600 Speaker 5: thought I was going to be an actor. And I 324 00:15:40,640 --> 00:15:43,760 Speaker 5: loved being on the stage. I loved the collaboration of 325 00:15:43,840 --> 00:15:46,720 Speaker 5: the theater group, all of those things that you know 326 00:15:46,840 --> 00:15:51,200 Speaker 5: made theater so beautiful. And in my junior year, I 327 00:15:51,240 --> 00:15:54,280 Speaker 5: took a poetry class and I thought, oh no, I 328 00:15:54,320 --> 00:15:58,680 Speaker 5: love this so much. And one of the things I 329 00:15:58,720 --> 00:16:03,800 Speaker 5: loved about it as much as I love collaboration, is 330 00:16:03,800 --> 00:16:07,080 Speaker 5: that you can do poetry whenever you want to do it. 331 00:16:08,040 --> 00:16:11,360 Speaker 5: No one can say, oh, you know, you're not right 332 00:16:11,400 --> 00:16:14,520 Speaker 5: for this, or you were you know, you get to 333 00:16:14,600 --> 00:16:18,400 Speaker 5: do it whenever you want. And when I was writing, 334 00:16:18,560 --> 00:16:21,560 Speaker 5: it felt like the truest form of creative freedom for me, 335 00:16:22,680 --> 00:16:26,280 Speaker 5: and everything just clicked into place, and I thought, this 336 00:16:26,840 --> 00:16:28,960 Speaker 5: is what I want to dedicate my life to. 337 00:16:29,440 --> 00:16:33,400 Speaker 1: That's such an incredible feeling to lock in like that. Yeah, 338 00:16:33,480 --> 00:16:37,360 Speaker 1: you mentioned writing. I'm curious about who you read. Who 339 00:16:37,360 --> 00:16:40,600 Speaker 1: were the poets that you grew up reading that made 340 00:16:40,600 --> 00:16:41,840 Speaker 1: you want to become a poet. 341 00:16:42,680 --> 00:16:45,520 Speaker 5: Yeah, I still remember where I was in I worked 342 00:16:45,520 --> 00:16:48,840 Speaker 5: at the local bookstore, Readers Books and Sonoma, which is 343 00:16:48,880 --> 00:16:52,000 Speaker 5: still there. It's an amazing independent bookstore. And at fifteen 344 00:16:52,880 --> 00:16:55,760 Speaker 5: they opened and I was their first employee. 345 00:16:55,800 --> 00:16:57,360 Speaker 4: And I still. 346 00:16:57,120 --> 00:16:59,840 Speaker 5: Remember where I was when I was reading Lucill Clifton, 347 00:17:00,440 --> 00:17:05,640 Speaker 5: Elizabeth Bishop. Those were two really you know, seminal poets 348 00:17:05,640 --> 00:17:05,879 Speaker 5: for me. 349 00:17:06,200 --> 00:17:09,280 Speaker 2: Yeah, Ada, you live in Kentucky now, but before that, 350 00:17:09,320 --> 00:17:13,080 Speaker 2: you spent twelve years working in magazines in New York City, 351 00:17:13,200 --> 00:17:15,320 Speaker 2: And I lived in New York City for a while too, 352 00:17:15,359 --> 00:17:17,760 Speaker 2: also working in media, and I can remember feeling so 353 00:17:17,960 --> 00:17:21,240 Speaker 2: claustrophobic as a nature lover, just itching to get out 354 00:17:21,280 --> 00:17:25,119 Speaker 2: into a wide open expanse. How did you find inspiration 355 00:17:25,400 --> 00:17:26,760 Speaker 2: as a writer in New York City. 356 00:17:27,680 --> 00:17:30,919 Speaker 5: Yeah. You know, it's funny because I am such a 357 00:17:31,000 --> 00:17:35,320 Speaker 5: nature lover. I'm born and raised in California and a 358 00:17:35,359 --> 00:17:39,879 Speaker 5: small town Sonoma and Glenellen and I really it was 359 00:17:39,920 --> 00:17:42,960 Speaker 5: difficult for me at first to find a way to 360 00:17:43,359 --> 00:17:49,760 Speaker 5: exist in the sheer buzz and chaos that is New 361 00:17:49,840 --> 00:17:54,960 Speaker 5: York City. And I really would double down on naming 362 00:17:55,280 --> 00:17:58,520 Speaker 5: and looking at trees and thinking, Okay, there are three 363 00:17:58,560 --> 00:18:01,480 Speaker 5: trees on my block. This is what kind of trees 364 00:18:01,520 --> 00:18:05,160 Speaker 5: they are, And I think they became so precious. And 365 00:18:05,280 --> 00:18:07,439 Speaker 5: I still remember this moment when I was walking I 366 00:18:07,480 --> 00:18:11,960 Speaker 5: was tempting for a magazine very early on, and there 367 00:18:12,080 --> 00:18:14,600 Speaker 5: was all of these pots that were set out with 368 00:18:15,119 --> 00:18:17,960 Speaker 5: greenery in them, and I remember looking at them grow 369 00:18:18,000 --> 00:18:19,240 Speaker 5: and thinking, Okay. 370 00:18:19,680 --> 00:18:20,240 Speaker 4: We got this. 371 00:18:20,680 --> 00:18:23,000 Speaker 5: You know, you and me, You and me, plants, we 372 00:18:23,040 --> 00:18:25,880 Speaker 5: got this. But I will say that when I moved 373 00:18:25,880 --> 00:18:29,320 Speaker 5: out of New York City, I found myself feeling a 374 00:18:29,320 --> 00:18:34,520 Speaker 5: little more grounded in terms of belonging to the natural world. 375 00:18:35,000 --> 00:18:37,320 Speaker 5: And I felt like it was definitely a little bit 376 00:18:37,320 --> 00:18:41,040 Speaker 5: more of a more fraught relationship when I was living 377 00:18:41,040 --> 00:18:43,480 Speaker 5: in the city. Even though New York City is still 378 00:18:43,920 --> 00:18:45,280 Speaker 5: my all time favorite city. 379 00:18:45,119 --> 00:18:47,720 Speaker 1: I mean it's so literary, it is. 380 00:18:47,600 --> 00:18:49,679 Speaker 5: And really growing up in that poetry scene in my 381 00:18:49,720 --> 00:18:54,159 Speaker 5: twenties and just finding so many inspirational poets to go 382 00:18:54,200 --> 00:18:57,840 Speaker 5: and listen to, and around every corner was someone talking 383 00:18:57,920 --> 00:18:59,639 Speaker 5: about making art of some sort. 384 00:19:00,200 --> 00:19:03,560 Speaker 2: Creative juices there are just infectious in New York City. 385 00:19:03,600 --> 00:19:06,080 Speaker 2: But as we were talking about the trees I realize 386 00:19:06,080 --> 00:19:07,720 Speaker 2: the way you feel about trees is the way I'm 387 00:19:07,720 --> 00:19:10,400 Speaker 2: starting to feel about birds. You guys, I think I'm 388 00:19:10,560 --> 00:19:15,400 Speaker 2: entering my bird watching era. Yes, I feel like it's 389 00:19:15,840 --> 00:19:19,760 Speaker 2: part of just growing up. Eventually, bird watching just becomes 390 00:19:19,800 --> 00:19:21,280 Speaker 2: something that you want to do. 391 00:19:21,560 --> 00:19:22,480 Speaker 3: Ada is nodding. 392 00:19:22,760 --> 00:19:24,080 Speaker 4: Listen. It sneaks up on you. 393 00:19:24,200 --> 00:19:25,199 Speaker 3: It reallyaks up on you. 394 00:19:27,880 --> 00:19:30,240 Speaker 5: I have a bird's nest right now being built on 395 00:19:30,280 --> 00:19:35,000 Speaker 5: the back door in Kentucky here, and I don't want 396 00:19:35,040 --> 00:19:37,199 Speaker 5: to disturb the mama, so I keep I put a 397 00:19:37,200 --> 00:19:39,760 Speaker 5: big sign on the back porch that just says birds 398 00:19:39,800 --> 00:19:43,040 Speaker 5: nest with an arrow, just for myself. So my husband 399 00:19:43,080 --> 00:19:45,000 Speaker 5: and I said, we can remember not to open that 400 00:19:45,040 --> 00:19:47,760 Speaker 5: back door so that she can have her peace. And 401 00:19:47,920 --> 00:19:50,320 Speaker 5: that's what it turns into. At first, you get a feeder, 402 00:19:50,359 --> 00:19:52,840 Speaker 5: then you get a VIP feeder, and then you get 403 00:19:52,840 --> 00:19:54,840 Speaker 5: another feeder, and this is how it begins. 404 00:19:54,880 --> 00:19:57,639 Speaker 4: So you know you're in for a beautiful ride. My friend, 405 00:19:58,320 --> 00:19:58,800 Speaker 4: Thank you. 406 00:19:59,040 --> 00:20:01,920 Speaker 2: I find myself wanting to learn more about you as 407 00:20:01,960 --> 00:20:05,960 Speaker 2: a child. What are the core memories that come to 408 00:20:06,040 --> 00:20:09,919 Speaker 2: mind in terms of how nature impacted you as a child. 409 00:20:10,440 --> 00:20:13,480 Speaker 5: You know, I grew up in a rural space, and 410 00:20:13,880 --> 00:20:19,640 Speaker 5: I feel like nature was all around us. All four 411 00:20:19,680 --> 00:20:22,480 Speaker 5: of my parents, both my mom and my stepdad, and 412 00:20:22,720 --> 00:20:26,360 Speaker 5: my father and my stepmother were all nature lovers. They 413 00:20:26,359 --> 00:20:29,120 Speaker 5: were people that could look at a tree and name 414 00:20:29,160 --> 00:20:31,359 Speaker 5: it and tell you a little bit about it. The 415 00:20:31,400 --> 00:20:35,400 Speaker 5: same with plants and animals. So I remember my interest, 416 00:20:35,760 --> 00:20:40,919 Speaker 5: even as a very young person, feeling not just the 417 00:20:41,000 --> 00:20:46,800 Speaker 5: wonder of nature, but the way that it unfolds and 418 00:20:46,840 --> 00:20:51,359 Speaker 5: the mystery deepens the more you know. It just sort 419 00:20:51,359 --> 00:20:55,399 Speaker 5: of evolves into more and more questions about the natural world. 420 00:20:55,440 --> 00:20:59,920 Speaker 5: And that was also where I felt like I belonged 421 00:21:00,320 --> 00:21:03,240 Speaker 5: the most as a young person. I'm sure that you 422 00:21:03,400 --> 00:21:06,480 Speaker 5: both know that there's oftentimes where you feel like, oh, 423 00:21:06,680 --> 00:21:12,399 Speaker 5: humanity is not for me. And I remember there was 424 00:21:12,440 --> 00:21:14,359 Speaker 5: a creek across the street from my house, and I 425 00:21:14,400 --> 00:21:17,600 Speaker 5: would go to that creek and sit there in the 426 00:21:17,640 --> 00:21:22,080 Speaker 5: shade and watch the very small world of that little 427 00:21:22,119 --> 00:21:25,560 Speaker 5: creek and think, this is where I feel most at home. 428 00:21:25,640 --> 00:21:28,360 Speaker 5: This is where I feel a sense of belonging. 429 00:21:29,560 --> 00:21:31,960 Speaker 1: Has your writing always been focused on the natural world 430 00:21:32,080 --> 00:21:33,359 Speaker 1: or did that happen over time? 431 00:21:34,440 --> 00:21:36,879 Speaker 5: You know, it's funny because when I lived in New 432 00:21:36,920 --> 00:21:39,639 Speaker 5: York City, of course, the relationship to nature was a 433 00:21:39,640 --> 00:21:43,600 Speaker 5: little more bifurcated than it is now. And yet the 434 00:21:43,640 --> 00:21:47,440 Speaker 5: East River is very prevalent in my early work. 435 00:21:47,480 --> 00:21:48,320 Speaker 4: When I was writing in. 436 00:21:48,280 --> 00:21:52,200 Speaker 5: New York City, the feral cats in Brooklyn were very prevalent. 437 00:21:52,680 --> 00:21:57,880 Speaker 5: I think perhaps it's more evident now, But I do 438 00:21:57,960 --> 00:22:01,000 Speaker 5: think it's always been part of my impulse to write, 439 00:22:01,680 --> 00:22:05,560 Speaker 5: and it's always been part of my fascination and curiosity 440 00:22:05,560 --> 00:22:06,040 Speaker 5: as a writer. 441 00:22:07,000 --> 00:22:10,400 Speaker 1: Have you always found that poetry feels like the best 442 00:22:10,400 --> 00:22:12,080 Speaker 1: way to capture that for you? 443 00:22:13,280 --> 00:22:13,800 Speaker 2: Yes? And no. 444 00:22:13,960 --> 00:22:18,119 Speaker 5: I think that poetry is my most natural language. You know, 445 00:22:18,280 --> 00:22:22,080 Speaker 5: I think that's not for everyone. It's not everyone's, you know, 446 00:22:22,680 --> 00:22:26,680 Speaker 5: preferred way of communicating. But for me, it leaves room 447 00:22:26,920 --> 00:22:29,840 Speaker 5: for all of the different mysteries and wonders of nature, 448 00:22:30,600 --> 00:22:34,080 Speaker 5: and in some ways it becomes more of a mirror, 449 00:22:35,160 --> 00:22:37,720 Speaker 5: and there's no summing up. You know, in a poem 450 00:22:38,080 --> 00:22:41,320 Speaker 5: there is a lot of looking and deep attention, and 451 00:22:41,960 --> 00:22:46,560 Speaker 5: that attention is a way of loving. And so I 452 00:22:46,600 --> 00:22:49,800 Speaker 5: think that for me makes the most sense with poetry 453 00:22:49,840 --> 00:22:51,040 Speaker 5: as the preferred form. 454 00:22:51,480 --> 00:22:54,639 Speaker 1: There is no summing up. I like that so much. 455 00:22:55,520 --> 00:22:56,880 Speaker 1: We're always trying to sum. 456 00:22:56,720 --> 00:22:59,600 Speaker 4: Up, Yeah, to our detriment. 457 00:22:59,680 --> 00:23:03,199 Speaker 1: I think, has there ever been a natural phenomenon that 458 00:23:03,240 --> 00:23:05,960 Speaker 1: you've tried to write about but haven't quite been able 459 00:23:06,000 --> 00:23:06,959 Speaker 1: to capture in words? 460 00:23:08,400 --> 00:23:09,520 Speaker 4: What a beautiful question. 461 00:23:11,320 --> 00:23:15,600 Speaker 5: I've written about the wildfires in California, but I wrote 462 00:23:15,640 --> 00:23:19,200 Speaker 5: about it from a distance because even though my family 463 00:23:19,320 --> 00:23:23,439 Speaker 5: was all there, I was in Kentucky. If something is 464 00:23:23,480 --> 00:23:28,200 Speaker 5: firsthand and it feels very intense, I have to get 465 00:23:28,280 --> 00:23:31,480 Speaker 5: more distance from it. So the wildfires were one that 466 00:23:31,520 --> 00:23:34,000 Speaker 5: I could write about, but only because of the distance. 467 00:23:35,600 --> 00:23:40,240 Speaker 5: And I think that one of the things that I 468 00:23:40,280 --> 00:23:44,679 Speaker 5: struggle with the most in terms of the natural world is, 469 00:23:46,000 --> 00:23:48,359 Speaker 5: you know, the human impact. I write about it, but 470 00:23:48,640 --> 00:23:50,119 Speaker 5: I struggle with it each time I do. 471 00:23:51,600 --> 00:23:54,000 Speaker 2: I want to talk about AWE for a moment. It's 472 00:23:54,000 --> 00:23:57,359 Speaker 2: been really cool to witness the scientific research on this 473 00:23:57,560 --> 00:24:01,159 Speaker 2: topic and how it's helping us articulate the healing properties 474 00:24:01,160 --> 00:24:04,160 Speaker 2: of awe in nature. What does awe mean to you? 475 00:24:04,240 --> 00:24:04,560 Speaker 3: Ada? 476 00:24:05,440 --> 00:24:08,760 Speaker 5: Yeah, you know, I love that question because I do 477 00:24:08,800 --> 00:24:14,120 Speaker 5: feel like a lot of people will talk about hope 478 00:24:14,800 --> 00:24:17,960 Speaker 5: or resilience. You know, we use the word resilience a lot. 479 00:24:18,000 --> 00:24:23,320 Speaker 5: We have to be so resilient and courage and bravery 480 00:24:23,440 --> 00:24:27,200 Speaker 5: and all those beautiful words. But when I can't feel 481 00:24:27,320 --> 00:24:31,760 Speaker 5: any of those things, I can still feel all. It's 482 00:24:31,800 --> 00:24:34,520 Speaker 5: still the thing that I can turn on in myself, 483 00:24:35,200 --> 00:24:39,439 Speaker 5: and I can get there simply by walking into the backyard. 484 00:24:39,840 --> 00:24:43,000 Speaker 5: It doesn't even have to be the you know, huge 485 00:24:43,040 --> 00:24:46,840 Speaker 5: expanse of the intentional nature of national parks. You know, 486 00:24:47,359 --> 00:24:50,359 Speaker 5: it can be just a tree and just the bird's 487 00:24:50,440 --> 00:24:53,919 Speaker 5: nest that's being built right now on the gutters. You know, 488 00:24:54,160 --> 00:24:58,800 Speaker 5: I don't know there's I can experience it very accidentally, 489 00:24:59,520 --> 00:25:01,639 Speaker 5: and that feels really. 490 00:25:01,680 --> 00:25:02,359 Speaker 4: Special to me. 491 00:25:03,000 --> 00:25:06,520 Speaker 5: So it's one of my most favorite emotions because it 492 00:25:06,560 --> 00:25:10,359 Speaker 5: gets me out of myself. It reminds me that to 493 00:25:10,440 --> 00:25:13,840 Speaker 5: be in wonder is to be alive. 494 00:25:15,160 --> 00:25:18,280 Speaker 2: Have you noticed whenever she opens her mouth a poem 495 00:25:18,440 --> 00:25:21,760 Speaker 2: just falls out. It's crazy, It's crazy. That was so 496 00:25:21,880 --> 00:25:26,760 Speaker 2: beautiful when was the last time that you experienced. 497 00:25:26,240 --> 00:25:30,320 Speaker 5: Ah, It was just now. I went to take my 498 00:25:30,440 --> 00:25:34,480 Speaker 5: dog out right before we all met for this interview, 499 00:25:35,160 --> 00:25:39,200 Speaker 5: and as I was doing so, all of these new 500 00:25:39,320 --> 00:25:42,400 Speaker 5: plants have been coming up. And I just planted them 501 00:25:42,560 --> 00:25:45,239 Speaker 5: in November, so they were from bulbs, and I've never 502 00:25:45,320 --> 00:25:48,639 Speaker 5: planted them before. And they are these beautiful, big purple onions, 503 00:25:48,920 --> 00:25:52,399 Speaker 5: and I'm watching them grow and they're so wild and gorgeous, 504 00:25:53,040 --> 00:25:56,359 Speaker 5: and I just, you know, was sitting there looking at them, 505 00:25:56,840 --> 00:26:00,520 Speaker 5: and I felt this sense of like how the Earth 506 00:26:00,600 --> 00:26:03,679 Speaker 5: makes something is incredible to me. 507 00:26:04,480 --> 00:26:08,040 Speaker 1: And I think when I do an interview, I try 508 00:26:08,040 --> 00:26:12,720 Speaker 1: to show up as present and real as possible. And 509 00:26:12,960 --> 00:26:17,160 Speaker 1: when I'm going through hard things in my life, it's 510 00:26:17,200 --> 00:26:19,760 Speaker 1: hard for me to show up at my job the 511 00:26:19,800 --> 00:26:22,600 Speaker 1: way i'd like to. And when I heard you just 512 00:26:22,640 --> 00:26:26,640 Speaker 1: talk about AH, I couldn't help but think what happens 513 00:26:26,640 --> 00:26:30,200 Speaker 1: when you're numb? What happens when the words aren't flowing 514 00:26:30,240 --> 00:26:33,040 Speaker 1: out of you. Have you gone through periods of your 515 00:26:33,080 --> 00:26:33,600 Speaker 1: life like that? 516 00:26:35,240 --> 00:26:36,359 Speaker 4: Yeah? And I think that. 517 00:26:38,240 --> 00:26:43,000 Speaker 5: More dangerous for me than sadness or sorrow or anxiety 518 00:26:43,080 --> 00:26:47,520 Speaker 5: or depression is the numbness, Because I can sustain it. 519 00:26:48,359 --> 00:26:51,800 Speaker 5: I can sustain a numbness for much longer than I 520 00:26:51,840 --> 00:26:57,520 Speaker 5: can any of those other hard things. And so what 521 00:26:57,640 --> 00:27:01,040 Speaker 5: happens to me I start to notice that I haven't 522 00:27:01,080 --> 00:27:04,439 Speaker 5: seen anything. I haven't witnessed anything. I don't know if 523 00:27:04,440 --> 00:27:07,080 Speaker 5: you've ever had those moments when you're going through something 524 00:27:07,200 --> 00:27:12,440 Speaker 5: very difficult, maybe grief rage, and you've gone through the 525 00:27:12,440 --> 00:27:16,600 Speaker 5: whole day and you're like, wait, what happened today? I 526 00:27:16,640 --> 00:27:19,640 Speaker 5: don't know if I could actually go through what happened. 527 00:27:20,480 --> 00:27:23,919 Speaker 5: And so for me, the way that is back, the 528 00:27:23,960 --> 00:27:27,560 Speaker 5: way that I guess call myself back to myself is 529 00:27:27,600 --> 00:27:31,800 Speaker 5: to notice, is to pay attention, is to look outside 530 00:27:32,280 --> 00:27:35,080 Speaker 5: of the brain, to look outside of the body. Even 531 00:27:35,560 --> 00:27:39,560 Speaker 5: you know, meditations will often say, oh, return to the body, 532 00:27:39,640 --> 00:27:40,600 Speaker 5: return to the breath. 533 00:27:41,119 --> 00:27:43,840 Speaker 4: But when you're really numb, or when you're feeling rageful, 534 00:27:44,040 --> 00:27:47,439 Speaker 4: or if you're feeling super sorrowful, or maybe your body 535 00:27:47,480 --> 00:27:49,760 Speaker 4: is in pain, it's not the safest place to be. 536 00:27:51,160 --> 00:27:54,399 Speaker 4: And so I have to find the meditations outside of 537 00:27:54,440 --> 00:27:57,600 Speaker 4: the self. And those can just be looking at leaves, 538 00:27:58,080 --> 00:28:02,479 Speaker 4: looking at trees, looking at the patterns that the leaves 539 00:28:02,520 --> 00:28:06,320 Speaker 4: make on the ground, and then I can think Okay, 540 00:28:06,640 --> 00:28:10,800 Speaker 4: I am a human animal and there are so many 541 00:28:10,840 --> 00:28:14,520 Speaker 4: of us on this planet doing our thing, and I 542 00:28:14,560 --> 00:28:17,119 Speaker 4: belong to something larger. And the thing I belong to 543 00:28:17,800 --> 00:28:22,680 Speaker 4: is the earth. And for now that's enough, and let's 544 00:28:22,760 --> 00:28:28,080 Speaker 4: not numb out to this beauty of being alive. 545 00:28:28,880 --> 00:28:31,720 Speaker 1: That reminds me so much of what Cheryl Strade said 546 00:28:31,720 --> 00:28:35,000 Speaker 1: in her book Wild that being in raw, untamed nature 547 00:28:35,200 --> 00:28:39,080 Speaker 1: actually made her feel safer in the world. How does 548 00:28:39,160 --> 00:28:42,320 Speaker 1: being alone in nature make you feel empowered? 549 00:28:42,800 --> 00:28:43,000 Speaker 2: Yeah? 550 00:28:43,080 --> 00:28:46,080 Speaker 1: How do you bring the lion out or the lioness? Should? 551 00:28:46,120 --> 00:28:46,480 Speaker 1: I say? 552 00:28:47,120 --> 00:28:47,760 Speaker 4: Yeah? 553 00:28:48,120 --> 00:28:50,640 Speaker 5: I think the big part for me is that it 554 00:28:50,760 --> 00:28:55,600 Speaker 5: makes me feel as if all of this has a purpose, 555 00:28:56,360 --> 00:29:01,120 Speaker 5: that all of this is a way of moving forward. 556 00:29:01,280 --> 00:29:04,400 Speaker 5: Right that you look and you find inspiration from what's 557 00:29:04,400 --> 00:29:07,760 Speaker 5: around you. You think, oh, you know, that tree went 558 00:29:07,800 --> 00:29:11,959 Speaker 5: through winter. It went through winter, it lost everything, it 559 00:29:12,000 --> 00:29:15,320 Speaker 5: lost all of its leaves, it looked nearly dead, and 560 00:29:15,360 --> 00:29:19,880 Speaker 5: now it's coming back again. And I think it's not 561 00:29:20,040 --> 00:29:24,480 Speaker 5: just the metaphor of nature, but also the sense said, oh, right, this. 562 00:29:24,320 --> 00:29:24,880 Speaker 4: Is me too. 563 00:29:26,000 --> 00:29:29,080 Speaker 5: You know that I am I am nature and that 564 00:29:29,840 --> 00:29:35,800 Speaker 5: as nature continues, I will also continue. And I think 565 00:29:35,840 --> 00:29:38,320 Speaker 5: that's really important because I think it's very easy to 566 00:29:38,360 --> 00:29:42,320 Speaker 5: think that we are only going through what we're going 567 00:29:42,360 --> 00:29:45,440 Speaker 5: through and no one else has ever gone through it before. 568 00:29:46,600 --> 00:29:49,480 Speaker 5: And I've been there, I've thought, oh, no one has 569 00:29:49,520 --> 00:29:52,200 Speaker 5: had this kind of pain, or no one you know. 570 00:29:52,720 --> 00:29:55,520 Speaker 1: Every time my heart's broken, I'm like, no one has 571 00:29:55,640 --> 00:29:57,520 Speaker 1: ever felt this before. 572 00:29:57,720 --> 00:30:01,920 Speaker 5: Nothing, nothing has, no one has experiences. And then of 573 00:30:01,960 --> 00:30:06,720 Speaker 5: course you think, oh, wait, no everyone has. And there's 574 00:30:06,760 --> 00:30:09,640 Speaker 5: power in that, even if you're not connected to others 575 00:30:09,680 --> 00:30:13,920 Speaker 5: in that moment, just the recognition that others have gone 576 00:30:13,960 --> 00:30:14,280 Speaker 5: through it. 577 00:30:14,720 --> 00:30:18,040 Speaker 1: Talk to us about this National Parks project. It's called 578 00:30:18,120 --> 00:30:19,880 Speaker 1: You Are Here. It sounds so exciting. 579 00:30:21,080 --> 00:30:21,440 Speaker 3: Thank you. 580 00:30:21,560 --> 00:30:25,600 Speaker 5: I'm very excited about it. We're going to visit seven 581 00:30:25,720 --> 00:30:31,360 Speaker 5: different National parks and we're putting in these beautiful poetic 582 00:30:31,480 --> 00:30:35,200 Speaker 5: installations into these different parks, of really. 583 00:30:35,120 --> 00:30:36,520 Speaker 4: Iconic, beautiful poems. 584 00:30:36,680 --> 00:30:41,480 Speaker 5: And it's my way of hoping that visitors will come 585 00:30:42,320 --> 00:30:46,160 Speaker 5: and look at these beautiful spaces and landscapes and then 586 00:30:46,200 --> 00:30:49,400 Speaker 5: read the poem that has been paired with that place, 587 00:30:50,120 --> 00:30:56,080 Speaker 5: and that that reading might deepen their experience to the 588 00:30:56,200 --> 00:31:00,040 Speaker 5: natural world in that moment and might allow them to 589 00:31:01,440 --> 00:31:04,920 Speaker 5: pay closer attention and be more present. 590 00:31:05,480 --> 00:31:08,720 Speaker 2: Do you have a national park that has a special 591 00:31:09,360 --> 00:31:10,520 Speaker 2: sweet spot in your heart. 592 00:31:11,000 --> 00:31:13,160 Speaker 4: I'm really excited for all of them, but I'm definitely 593 00:31:13,160 --> 00:31:16,840 Speaker 4: excited for Cape Cod. The National Seashore there has been 594 00:31:16,880 --> 00:31:20,479 Speaker 4: really important to me. And then also, I mean the 595 00:31:20,480 --> 00:31:24,520 Speaker 4: red Woods. I just you know, I can't wait. I 596 00:31:24,560 --> 00:31:29,640 Speaker 4: cannot wait to see them again. And you know, the 597 00:31:29,920 --> 00:31:32,760 Speaker 4: writer whose poem I chose to put in the red 598 00:31:32,760 --> 00:31:37,040 Speaker 4: Woods is his name is Francisco X R. Lacon and 599 00:31:37,560 --> 00:31:40,160 Speaker 4: he wrote in Spanish and in Nawa. 600 00:31:40,680 --> 00:31:43,280 Speaker 5: And I remember not even knowing that there was a 601 00:31:43,360 --> 00:31:47,320 Speaker 5: native language of Mexico, and now I know there's so 602 00:31:47,360 --> 00:31:52,520 Speaker 5: many indigenous languages of Mexico, where my paternal grandfather's from. 603 00:31:53,200 --> 00:31:57,040 Speaker 5: He's since passed away, Francisco X R. Lacon, but it's 604 00:31:57,080 --> 00:31:59,760 Speaker 5: his poem that's going into the Redwoods, and it feels 605 00:31:59,880 --> 00:32:04,200 Speaker 5: very it feels very moving to bring his words into 606 00:32:04,920 --> 00:32:09,360 Speaker 5: one of the most sort of foundational natural spaces that 607 00:32:09,400 --> 00:32:10,040 Speaker 5: I can think of. 608 00:32:10,480 --> 00:32:12,040 Speaker 3: Redwoods are so majestic. 609 00:32:12,360 --> 00:32:15,800 Speaker 2: I've spent a lot of time there camping out under 610 00:32:15,840 --> 00:32:19,640 Speaker 2: the redwoods, and there's nothing quite like it. Just feeling small, 611 00:32:19,800 --> 00:32:22,240 Speaker 2: I think that's part of awe too. 612 00:32:22,400 --> 00:32:26,959 Speaker 5: I absolutely agree it's feeling like a part of something, 613 00:32:26,960 --> 00:32:32,040 Speaker 5: but also feeling like, oh, I am nothing. Yeah, you know, 614 00:32:32,600 --> 00:32:36,320 Speaker 5: And that seems like a strange thing to say, but 615 00:32:36,680 --> 00:32:41,320 Speaker 5: we always center ourselves. Everything is all about us, even 616 00:32:41,360 --> 00:32:44,600 Speaker 5: when we're being our most generous selves. And you get 617 00:32:44,640 --> 00:32:47,520 Speaker 5: out into those redwoods or you see the ocean or 618 00:32:47,920 --> 00:32:51,880 Speaker 5: whatever it is, and you think, oh, none of this 619 00:32:52,000 --> 00:32:55,960 Speaker 5: is about me. I'm just a part of this. And 620 00:32:56,200 --> 00:32:59,480 Speaker 5: there's peace in that, you know. I love being sort 621 00:32:59,480 --> 00:33:03,400 Speaker 5: of swallowed whole by the natural world in some ways, 622 00:33:03,440 --> 00:33:08,160 Speaker 5: and that idea of disappearing into the greatness of it all. 623 00:33:09,040 --> 00:33:12,240 Speaker 2: As I've listened to you speak throughout this interview, I've 624 00:33:12,240 --> 00:33:15,120 Speaker 2: been struck by your natural gift with language but also 625 00:33:15,320 --> 00:33:20,000 Speaker 2: with performing. And I'm curious which came first. Was it 626 00:33:20,720 --> 00:33:23,440 Speaker 2: your skill for poetry or performance. 627 00:33:24,920 --> 00:33:31,080 Speaker 5: Ah, that's an interesting question. I think that I've always 628 00:33:31,400 --> 00:33:36,520 Speaker 5: loved language first, because as much as I loved performing, 629 00:33:36,560 --> 00:33:40,320 Speaker 5: when I was doing theater that was wonderful, it never 630 00:33:40,360 --> 00:33:43,600 Speaker 5: felt fully like me. And so it wasn't until I 631 00:33:43,680 --> 00:33:47,440 Speaker 5: found language that I could find, Oh, this is me. 632 00:33:48,320 --> 00:33:50,840 Speaker 5: And I always think of it as the voice underneath 633 00:33:51,000 --> 00:33:55,600 Speaker 5: the voice, right, And I always think my poetic self 634 00:33:55,680 --> 00:33:59,600 Speaker 5: is the truest self, and so I think language first. 635 00:34:00,160 --> 00:34:02,640 Speaker 2: What can we do to get in touch with our 636 00:34:02,680 --> 00:34:06,520 Speaker 2: poetic selves? Can you leave us with a few practical 637 00:34:06,560 --> 00:34:08,360 Speaker 2: tips for our bright sideties? 638 00:34:08,840 --> 00:34:10,600 Speaker 3: That voice under the voice? 639 00:34:11,080 --> 00:34:13,600 Speaker 4: Yeah, you know, I have a great prompt. 640 00:34:13,880 --> 00:34:15,960 Speaker 3: If you want one, I would love it. Yeah. 641 00:34:16,200 --> 00:34:18,120 Speaker 5: One of the things that I think about, especially if 642 00:34:18,160 --> 00:34:22,160 Speaker 5: you are in tune to the natural world, is to 643 00:34:22,280 --> 00:34:27,880 Speaker 5: think about something in nature that you've always been interested in, 644 00:34:28,840 --> 00:34:33,080 Speaker 5: you know, just curious, like whether it's in an urban 645 00:34:33,160 --> 00:34:37,400 Speaker 5: space and how maybe the ivy starts to corrode bricks, 646 00:34:37,520 --> 00:34:40,560 Speaker 5: or the way the drainage ditch fills up really fast 647 00:34:40,600 --> 00:34:43,319 Speaker 5: when it rains, or you know whatever. It is just 648 00:34:43,360 --> 00:34:46,520 Speaker 5: something and it can be beautiful, it can be interesting, 649 00:34:46,680 --> 00:34:49,440 Speaker 5: it can be harmful, but something that you've always been 650 00:34:49,480 --> 00:34:56,120 Speaker 5: curious about. And then ask yourself why you curious? What 651 00:34:56,160 --> 00:35:00,360 Speaker 5: does it remind you about in your own life moments 652 00:35:00,400 --> 00:35:05,160 Speaker 5: that relate to that image that you have that Oh right, 653 00:35:06,080 --> 00:35:10,279 Speaker 5: that is why I like a wildfire. Oh that is 654 00:35:10,360 --> 00:35:13,920 Speaker 5: why I relate to the desert and it's great expanse, 655 00:35:14,840 --> 00:35:17,799 Speaker 5: you know. That is why when the storm comes it 656 00:35:17,840 --> 00:35:21,399 Speaker 5: feels like me. And if you can start to think 657 00:35:21,440 --> 00:35:24,520 Speaker 5: of those connections. You can build a poem from that, 658 00:35:24,640 --> 00:35:25,120 Speaker 5: right there. 659 00:35:26,400 --> 00:35:27,319 Speaker 3: I love that. 660 00:35:28,280 --> 00:35:31,200 Speaker 2: I love that we always end our show with thoughtful 661 00:35:31,239 --> 00:35:34,279 Speaker 2: prompt So that's a beautiful one. 662 00:35:34,520 --> 00:35:35,759 Speaker 4: Oh, I'm so glad good. 663 00:35:36,320 --> 00:35:40,399 Speaker 1: I'm wondering if you can read us your poem how 664 00:35:40,400 --> 00:35:44,000 Speaker 1: to Triumph Like a Girl. Yeah, of course i'd be 665 00:35:44,000 --> 00:35:49,759 Speaker 1: happy to aida. We love that poem, how to Triumph 666 00:35:50,440 --> 00:35:56,000 Speaker 1: Like a Girl. I like the Lady Horse's best. How 667 00:35:56,000 --> 00:36:00,480 Speaker 1: they make it all look easy, like running forty miles 668 00:36:00,520 --> 00:36:05,000 Speaker 1: per hour is as fun as taking a nap or grass. 669 00:36:05,600 --> 00:36:10,480 Speaker 1: I like their lady horse swagger after winning. Ears up, girls, 670 00:36:11,040 --> 00:36:17,440 Speaker 1: ears up. But mainly, let's be honest, I like that 671 00:36:17,480 --> 00:36:23,360 Speaker 1: they're ladies, as if this big, dangerous animal is also 672 00:36:23,880 --> 00:36:28,240 Speaker 1: a part of me, that's somewhere inside the delicate skin 673 00:36:28,320 --> 00:36:33,360 Speaker 1: of my body. They're pumps, an eight pound female horseheart, 674 00:36:34,239 --> 00:36:35,719 Speaker 1: giant with power. 675 00:36:36,239 --> 00:36:40,520 Speaker 6: Heavy with blood. Don't you want to believe it? Don't 676 00:36:40,560 --> 00:36:43,040 Speaker 6: you want to lift my shirt and see the huge, 677 00:36:43,440 --> 00:36:50,560 Speaker 6: beating genius machine that thinks, no, it knows, it's going 678 00:36:50,600 --> 00:36:54,360 Speaker 6: to come in first. 679 00:36:55,120 --> 00:37:01,319 Speaker 2: Thank you so much, Ada, Ada, thank you, thank you you. 680 00:37:01,800 --> 00:37:04,879 Speaker 1: I couldn't help it think that when you were talking 681 00:37:04,920 --> 00:37:10,800 Speaker 1: about your paternal grandfather, the namely moan. You're wearing lemon. 682 00:37:10,840 --> 00:37:14,040 Speaker 1: You're wearing yellow, which is our hellow sunshine color. So 683 00:37:14,160 --> 00:37:15,600 Speaker 1: thank you for being so on brand. 684 00:37:16,640 --> 00:37:17,720 Speaker 4: You know, I try. 685 00:37:17,920 --> 00:37:20,520 Speaker 1: I try the important things. 686 00:37:20,800 --> 00:37:24,600 Speaker 2: Wait, speaking of fashion, I know you're an outdoor early Ada. 687 00:37:25,120 --> 00:37:27,160 Speaker 2: I have to ask you about something that we talked 688 00:37:27,160 --> 00:37:28,480 Speaker 2: about earlier in the show today. 689 00:37:28,480 --> 00:37:31,520 Speaker 3: Have you heard of the gorpe core fashion trend? 690 00:37:32,360 --> 00:37:35,080 Speaker 5: You know, I just heard that phrase the other day, 691 00:37:35,760 --> 00:37:37,440 Speaker 5: but I'm not sure if I know what it is. 692 00:37:37,960 --> 00:37:38,920 Speaker 3: Well, and I just heard that. 693 00:37:39,000 --> 00:37:40,000 Speaker 1: I don't get it either. 694 00:37:40,560 --> 00:37:45,200 Speaker 2: Okay, it's a new silly title for basically just dressing 695 00:37:45,280 --> 00:37:50,279 Speaker 2: in comfortable performance clothing like you know, north Face or Patagonia. 696 00:37:50,320 --> 00:37:52,200 Speaker 2: It's like what we wear hiking or you know, whenever 697 00:37:52,239 --> 00:37:56,000 Speaker 2: we're outside connecting in nature. I'm a big fan of it. 698 00:37:56,040 --> 00:37:58,120 Speaker 2: I wear it all the time because I like that 699 00:37:58,160 --> 00:38:01,080 Speaker 2: it primes me for adventure. You know, I'm always ready 700 00:38:01,120 --> 00:38:01,400 Speaker 2: for it. 701 00:38:02,160 --> 00:38:02,680 Speaker 4: I love that. 702 00:38:02,800 --> 00:38:06,319 Speaker 5: I love always feeling like you can do something right. 703 00:38:07,360 --> 00:38:10,800 Speaker 5: I feel like anytime, I mean, I have to wear heels, 704 00:38:11,000 --> 00:38:14,479 Speaker 5: you know, I move in heels, and at the same time, 705 00:38:14,520 --> 00:38:18,160 Speaker 5: I'm like, could I run on these right? 706 00:38:18,560 --> 00:38:18,799 Speaker 2: You know? 707 00:38:19,440 --> 00:38:23,799 Speaker 5: Could I do this, and I'm most comfortable, I think 708 00:38:23,880 --> 00:38:27,680 Speaker 5: when I'm in my in my hiking boots and really 709 00:38:27,719 --> 00:38:30,600 Speaker 5: able to get around and move very freely. 710 00:38:31,239 --> 00:38:31,399 Speaker 1: Right. 711 00:38:31,719 --> 00:38:35,280 Speaker 2: Yes, it's freedom. It's liberation to wear that clothing. 712 00:38:35,920 --> 00:38:36,520 Speaker 4: Absolutely. 713 00:38:36,840 --> 00:38:37,400 Speaker 3: And gorp. 714 00:38:37,719 --> 00:38:39,759 Speaker 2: I know that term is confusing a lot of people 715 00:38:39,800 --> 00:38:41,399 Speaker 2: don't know what it means, but it stands for good 716 00:38:41,400 --> 00:38:43,720 Speaker 2: old raisins and peanuts. It's just another way I'm saying 717 00:38:43,719 --> 00:38:45,880 Speaker 2: trail mix. So she's a gorp girl. 718 00:38:46,280 --> 00:38:50,440 Speaker 5: But I will say that my disdain for reasons is 719 00:38:50,600 --> 00:38:55,960 Speaker 5: so wholly deep and in my bloodstream that even when 720 00:38:56,000 --> 00:38:57,320 Speaker 5: you said it, I was like, oh. 721 00:38:57,280 --> 00:39:01,960 Speaker 4: I hope they're not referring to gorb with the one with. 722 00:39:01,960 --> 00:39:04,440 Speaker 3: The raiss ada. 723 00:39:04,520 --> 00:39:07,520 Speaker 2: Thank you so much for blessing us with your presence 724 00:39:07,520 --> 00:39:08,680 Speaker 2: and your poetry today. 725 00:39:08,840 --> 00:39:11,640 Speaker 4: Thank you, Thank you guys so much for having me. 726 00:39:11,760 --> 00:39:12,720 Speaker 4: It was the real pleasure. 727 00:39:13,200 --> 00:39:17,840 Speaker 1: It was so lovely to meet you. Same same aidaly 728 00:39:17,960 --> 00:39:22,120 Speaker 1: mone Is the US poet laureate. You are here poetry 729 00:39:22,160 --> 00:39:25,600 Speaker 1: in the natural World. The companion poetry anthology to her 730 00:39:25,680 --> 00:39:27,719 Speaker 1: National Parks Project is available. 731 00:39:27,760 --> 00:39:30,600 Speaker 2: Now. We have to take a quick break, but we'll 732 00:39:30,600 --> 00:39:43,200 Speaker 2: be right back. Stay with us, Danielle. I feel like, 733 00:39:43,239 --> 00:39:46,560 Speaker 2: my blood pressure is so much lower after having spoken 734 00:39:46,640 --> 00:39:48,759 Speaker 2: with her, my nervous system is calm. 735 00:39:48,800 --> 00:39:50,600 Speaker 3: That was just really good for my vagus nerve. 736 00:39:51,000 --> 00:39:55,719 Speaker 1: She has a really calming voice and calming presence. I 737 00:39:55,840 --> 00:39:58,799 Speaker 1: felt calm when she said that in poetry there's no 738 00:39:58,960 --> 00:40:03,520 Speaker 1: summing up, and I am constantly trying to sum up everything, 739 00:40:04,120 --> 00:40:07,400 Speaker 1: and it really reminded me that it's about the questions, 740 00:40:07,520 --> 00:40:08,759 Speaker 1: not the answers all the time. 741 00:40:09,040 --> 00:40:09,520 Speaker 3: I love that. 742 00:40:09,920 --> 00:40:12,520 Speaker 2: Something that stuck with me is when she said that 743 00:40:12,600 --> 00:40:18,239 Speaker 2: we are fixated on these characteristics like resilience, bravery, and courage, 744 00:40:18,320 --> 00:40:20,840 Speaker 2: but she said when I can't feel any of those things, 745 00:40:20,960 --> 00:40:23,719 Speaker 2: I know I can always still feel AWE. That was 746 00:40:23,760 --> 00:40:26,520 Speaker 2: such a great reminder that whenever you're struggling with something 747 00:40:26,560 --> 00:40:28,239 Speaker 2: and you feel like I need to be resilient in 748 00:40:28,280 --> 00:40:30,560 Speaker 2: this moment, I need to be brave in this moment. 749 00:40:31,640 --> 00:40:34,560 Speaker 2: Instead of searching for those emotions if they're not coming 750 00:40:34,640 --> 00:40:37,520 Speaker 2: up naturally, maybe you just seem to take yourself out 751 00:40:37,520 --> 00:40:39,800 Speaker 2: of that current situation and seek out AWE. 752 00:40:40,000 --> 00:40:41,680 Speaker 3: Yeah that's a cure. Great. 753 00:40:41,880 --> 00:40:46,200 Speaker 2: Yeah, I really like that. Go touch grass exactly. Go 754 00:40:46,280 --> 00:40:47,840 Speaker 2: touch grass is always the answer. 755 00:40:52,239 --> 00:40:55,200 Speaker 1: Well, we're gonna miss you, but we'll see you on Monday. 756 00:40:55,360 --> 00:40:57,680 Speaker 1: On the bright Side, we're talking with the Reese's Book 757 00:40:57,680 --> 00:41:01,759 Speaker 1: Club April pick Claire Lombardo. She's sharing her stories on 758 00:41:01,880 --> 00:41:05,400 Speaker 1: drafting her debut novel, The Most Fun We Ever Had. 759 00:41:09,640 --> 00:41:12,279 Speaker 1: The bright Side is a production of Hello Sunshine and 760 00:41:12,360 --> 00:41:16,480 Speaker 1: iHeart Podcasts and is executive produced by Reese Witherspoon. 761 00:41:16,200 --> 00:41:20,520 Speaker 2: Production by Arcana Audio. Courtney Gilbert is our associate producer. 762 00:41:20,640 --> 00:41:24,360 Speaker 2: Our producers are Stephanie Brown and Jessica Wank. Our engineer 763 00:41:24,440 --> 00:41:28,360 Speaker 2: is PJ. Shahamat, and our senior producer is Itzy Keinthania. 764 00:41:29,120 --> 00:41:33,600 Speaker 1: Arcana's executive producers are Francis Harlowe and Abby Ruska. Arcana's 765 00:41:33,640 --> 00:41:35,280 Speaker 1: head of production is Matt Schultz. 766 00:41:35,800 --> 00:41:39,160 Speaker 2: Natalie Tulluck and Maureen Polo are the executive producers for 767 00:41:39,239 --> 00:41:40,239 Speaker 2: Hello Sunshine. 768 00:41:40,560 --> 00:41:43,680 Speaker 1: Julia Weaver is the supervising producer, and Ali Perry is 769 00:41:43,719 --> 00:41:47,520 Speaker 1: the executive producer for iHeart Podcasts. This week's episodes were 770 00:41:47,520 --> 00:41:48,840 Speaker 1: recorded by Graham Gibson. 771 00:41:49,280 --> 00:41:52,960 Speaker 3: Our theme song is by Anna Stumpf and Hamilton lighthauser. 772 00:41:52,640 --> 00:41:56,160 Speaker 1: Special thanks to Connell Byrne, Will Pearson and Garrett Lang. 773 00:41:56,480 --> 00:41:59,040 Speaker 2: I'm Simone Boyce. You can find me at Simone Boyce 774 00:41:59,239 --> 00:42:00,720 Speaker 2: on Instagram and TikTok. 775 00:42:00,880 --> 00:42:04,160 Speaker 1: And I'm Danielle Robe on Instagram and TikTok. That's r 776 00:42:04,280 --> 00:42:04,960 Speaker 1: O b A. 777 00:42:05,239 --> 00:42:06,719 Speaker 3: Y see you, Monday fan 778 00:42:12,360 --> 00:42:12,720 Speaker 2: Mhm