1 00:00:01,000 --> 00:00:03,880 Speaker 1: Dear listeners of Hollywood Land, does it feel like you're 2 00:00:03,880 --> 00:00:07,120 Speaker 1: stuck in limbo? Standing under a flickering street light at 3 00:00:07,160 --> 00:00:09,880 Speaker 1: the corner of Hollywood and True Crime, waiting for the 4 00:00:09,920 --> 00:00:11,639 Speaker 1: next episode of hollywood Land to drop. 5 00:00:12,680 --> 00:00:13,159 Speaker 2: I got you. 6 00:00:13,960 --> 00:00:16,079 Speaker 1: Welcome to Hollywood Land the Rap Party. 7 00:00:28,800 --> 00:00:30,840 Speaker 2: What is going on? Everybody here? 8 00:00:30,840 --> 00:00:34,520 Speaker 1: We are in another bonus episode of hollywood Land. That's right, 9 00:00:34,600 --> 00:00:37,240 Speaker 1: It's time for the rap Party. This is the show 10 00:00:37,240 --> 00:00:39,519 Speaker 1: that gets you from one full episode of hollywood Land 11 00:00:39,600 --> 00:00:42,560 Speaker 1: to the next. The place where movie history is far 12 00:00:42,600 --> 00:00:46,440 Speaker 1: from boring. It's dangerous, it's profound. It's full of players 13 00:00:46,479 --> 00:00:49,360 Speaker 1: and fixers and behind the scenestars, and of course it 14 00:00:49,479 --> 00:00:52,440 Speaker 1: routinely intersects with the world of true crime. My name 15 00:00:52,479 --> 00:00:55,960 Speaker 1: is Zeth Lundy, writer at Double Elvis, showrunner for Hollywood Land. 16 00:00:56,120 --> 00:00:58,440 Speaker 1: And on this bonus episode we are talking about this 17 00:00:58,520 --> 00:01:02,360 Speaker 1: week's full episode sub and a Nicole Smith. We are 18 00:01:02,400 --> 00:01:07,640 Speaker 1: previewing next week's episode on Poltergeist. We're talking movie music recommendations, 19 00:01:07,840 --> 00:01:10,000 Speaker 1: and of course we're going to check out your voicemails, 20 00:01:10,040 --> 00:01:11,880 Speaker 1: your texts, dms and emails. 21 00:01:12,120 --> 00:01:13,960 Speaker 2: So come on, everybody, let's. 22 00:01:13,720 --> 00:01:30,160 Speaker 3: Party our movies dead. 23 00:01:31,400 --> 00:01:34,880 Speaker 1: This is a question that has been banded about over 24 00:01:34,920 --> 00:01:38,880 Speaker 1: the last few years, at least first with COVID, then 25 00:01:38,920 --> 00:01:41,880 Speaker 1: with the writers and the actress strikes in Hollywood, bringing 26 00:01:41,920 --> 00:01:44,960 Speaker 1: this idea to the surface once again, this idea that 27 00:01:45,040 --> 00:01:48,360 Speaker 1: things have irreparably changed and nothing is ever going to 28 00:01:48,400 --> 00:01:51,800 Speaker 1: be like it once was ever again. I bring this 29 00:01:51,920 --> 00:01:56,200 Speaker 1: up now, this question of our movies dead, because just 30 00:01:56,240 --> 00:01:59,240 Speaker 1: a couple of days ago, the director Ridley Scott, the 31 00:01:59,280 --> 00:02:07,560 Speaker 1: Great Ridley's visionary filmmaker behind films like Alien, Blade, Runner, Gladiator, Thelman, Louise, 32 00:02:07,640 --> 00:02:09,959 Speaker 1: American Gangster, so many great movies. 33 00:02:10,560 --> 00:02:10,840 Speaker 2: Really. 34 00:02:10,880 --> 00:02:13,799 Speaker 1: Scott was speaking about his career at an event at 35 00:02:13,960 --> 00:02:16,839 Speaker 1: BFI South Bank, which is a repertory cinema in the UK. 36 00:02:17,240 --> 00:02:19,840 Speaker 1: He was being interviewed by his son, and when someone 37 00:02:19,840 --> 00:02:23,760 Speaker 1: in the audience asked him about his viewing habits, he said, quote, well, 38 00:02:23,840 --> 00:02:27,960 Speaker 1: right now, I'm finding mediocrity. We're drowning in mediocrity. So 39 00:02:28,000 --> 00:02:30,240 Speaker 1: what I do, and it's a horrible thing, but I've 40 00:02:30,280 --> 00:02:33,040 Speaker 1: started to watch my own movies and they're actually really 41 00:02:33,080 --> 00:02:34,919 Speaker 1: good and also they don't age. 42 00:02:35,520 --> 00:02:35,760 Speaker 2: Really. 43 00:02:35,800 --> 00:02:38,560 Speaker 1: Scott then went on to say, quote the quantity of 44 00:02:38,600 --> 00:02:42,680 Speaker 1: movies that are made today literally globally millions. There's not thousands, 45 00:02:42,720 --> 00:02:46,000 Speaker 1: there's millions, and most of it is shit eighty to 46 00:02:46,040 --> 00:02:50,880 Speaker 1: sixty percent, Eh, forty percent is the rest. Twenty five 47 00:02:50,880 --> 00:02:53,840 Speaker 1: percent of that forty is not bad, and ten percent 48 00:02:53,919 --> 00:02:57,240 Speaker 1: is good and the top five percent is great. 49 00:02:57,880 --> 00:02:58,440 Speaker 2: Unquote. 50 00:02:58,800 --> 00:03:01,400 Speaker 1: There's a lot of percentages on numbers being thrown around there. 51 00:03:01,480 --> 00:03:04,519 Speaker 1: So it's okay if you didn't follow the math that 52 00:03:04,680 --> 00:03:09,360 Speaker 1: really Scott was thrown down. So now, naturally what's happened 53 00:03:09,400 --> 00:03:12,720 Speaker 1: is that this blurb, this SoundBite from really Scott has 54 00:03:12,760 --> 00:03:15,480 Speaker 1: been reported on everywhere and in all the trades, in 55 00:03:15,520 --> 00:03:19,360 Speaker 1: a lot of places online, and the headline is we're 56 00:03:19,440 --> 00:03:21,000 Speaker 1: drowning in mediocrity. 57 00:03:21,840 --> 00:03:23,960 Speaker 2: Now, there are a couple of different ways you can 58 00:03:24,000 --> 00:03:24,280 Speaker 2: take this. 59 00:03:24,480 --> 00:03:27,079 Speaker 1: One is to say, look, this is an eighty seven 60 00:03:27,160 --> 00:03:31,040 Speaker 1: year old filmmaker. He's been making movies since nineteen seventy seven, 61 00:03:31,520 --> 00:03:35,200 Speaker 1: and despite kicking off huge sci fi franchises like Alien 62 00:03:35,280 --> 00:03:38,960 Speaker 1: and Blade Runner, he's never really been in the conversation 63 00:03:39,080 --> 00:03:42,680 Speaker 1: when we talk about these other great oteur filmmakers from 64 00:03:42,720 --> 00:03:46,520 Speaker 1: his generation. You know, usual suspects like Scorsese, Spielberg and 65 00:03:46,560 --> 00:03:49,440 Speaker 1: the like. And perhaps there's some sour grapes here in 66 00:03:49,480 --> 00:03:52,440 Speaker 1: his older years, which would explain his comment about rewatching 67 00:03:52,440 --> 00:03:54,360 Speaker 1: his old films and finding them to be really great. 68 00:03:54,640 --> 00:03:58,240 Speaker 1: But still, if one is calling out mediocrity in twenty 69 00:03:58,320 --> 00:04:02,120 Speaker 1: twenty five, let's look at Ridley Scott's last four movies, 70 00:04:02,280 --> 00:04:05,760 Speaker 1: the last the movies he's made in the twenty twenties. Now, 71 00:04:05,800 --> 00:04:08,440 Speaker 1: just in comparison Scorsese. The people that I mentioned in 72 00:04:08,520 --> 00:04:11,720 Speaker 1: a second ago to compare him with Scorsese's has made 73 00:04:11,760 --> 00:04:14,400 Speaker 1: one film in the twenty twenties thus far, Spielberg has 74 00:04:14,440 --> 00:04:17,680 Speaker 1: made two. Ridley Scott has made four. But he's just 75 00:04:17,720 --> 00:04:21,560 Speaker 1: a different kind of director, right, He's less autor more workhorse. 76 00:04:22,000 --> 00:04:24,640 Speaker 1: That said, these are the last four films he's made, 77 00:04:24,760 --> 00:04:30,360 Speaker 1: Gladiator to Napoleon, House of Gucci, and the Last Duel. Now, 78 00:04:30,440 --> 00:04:33,000 Speaker 1: I actually liked House of Gucci quite a bit, but 79 00:04:33,240 --> 00:04:36,240 Speaker 1: Napoleon I thought was a pretty big swing and a miss. 80 00:04:36,279 --> 00:04:39,960 Speaker 1: And just in general, none of these movies the last 81 00:04:40,040 --> 00:04:42,480 Speaker 1: couple of years here are going to go down as 82 00:04:42,760 --> 00:04:47,120 Speaker 1: one of Ridley Scott's master works. You know, perhaps an 83 00:04:47,160 --> 00:04:50,440 Speaker 1: element of his commentary here, he doesn't really say it explicitly, 84 00:04:50,480 --> 00:04:53,040 Speaker 1: but perhaps an element of it is that he himself 85 00:04:53,040 --> 00:04:55,560 Speaker 1: has become a part of this perceived mediocrity, that it's 86 00:04:55,600 --> 00:04:59,240 Speaker 1: an industry wide scourge or something like that. But the 87 00:04:59,320 --> 00:05:02,760 Speaker 1: other way to look this, and this dubtails back into 88 00:05:02,800 --> 00:05:04,240 Speaker 1: what I was talking about at the top of the show, 89 00:05:04,600 --> 00:05:06,680 Speaker 1: is to say, Okay, hold up, Really, Scott is a 90 00:05:06,720 --> 00:05:09,880 Speaker 1: pretty smart guy, a damn good filmmaker, So is he 91 00:05:10,120 --> 00:05:13,000 Speaker 1: actually onto something. I mean, it is twenty twenty five, 92 00:05:13,080 --> 00:05:16,800 Speaker 1: It's one hundred years since Charlie Chaplin made the Gold Rush. 93 00:05:17,120 --> 00:05:20,479 Speaker 1: So maybe, yeah, this whole movie thing has run its course. 94 00:05:20,560 --> 00:05:23,839 Speaker 1: Maybe the chicken Littles of the world out there who 95 00:05:23,880 --> 00:05:26,160 Speaker 1: have been saying similar things over the last five ten 96 00:05:26,240 --> 00:05:28,840 Speaker 1: years are right. Maybe television really is where it's at 97 00:05:28,880 --> 00:05:32,320 Speaker 1: now and for the foreseeable future. Now forget for a 98 00:05:32,360 --> 00:05:34,520 Speaker 1: moment about all the great films that have come out 99 00:05:34,520 --> 00:05:36,200 Speaker 1: this year alone, and all the great films that have 100 00:05:36,240 --> 00:05:39,119 Speaker 1: come out in the last five, ten, fifteen years. Math 101 00:05:39,240 --> 00:05:41,240 Speaker 1: as if you know me personally, you know is not 102 00:05:41,320 --> 00:05:43,920 Speaker 1: my thing. So I don't really know if really these 103 00:05:43,920 --> 00:05:47,160 Speaker 1: percentages here are correct. Maybe those great films really are 104 00:05:47,240 --> 00:05:49,279 Speaker 1: just the top five percent. And actually I'll get to 105 00:05:49,279 --> 00:05:51,120 Speaker 1: that in a second. But I went back and I 106 00:05:51,160 --> 00:05:54,000 Speaker 1: looked arbitrarily at the year nineteen eighty nine. I has 107 00:05:54,040 --> 00:05:56,240 Speaker 1: picked that year out of thin air to see what 108 00:05:56,279 --> 00:05:58,119 Speaker 1: was happening in terms of the wheat and the chaff 109 00:05:58,120 --> 00:06:01,640 Speaker 1: and all that. Now, according to the Internet Movie Database, 110 00:06:01,760 --> 00:06:03,919 Speaker 1: I was scrolling through movie titles that were released in 111 00:06:04,000 --> 00:06:08,440 Speaker 1: nineteen eighty nine, and these are worldwide releases. Okay, So 112 00:06:08,680 --> 00:06:11,320 Speaker 1: I got to six hundred movies and I stopped scrolling. 113 00:06:11,360 --> 00:06:16,520 Speaker 1: I stopped refreshing the ticker because well, because I had 114 00:06:16,560 --> 00:06:19,039 Speaker 1: to record this episode today and I can spend my 115 00:06:19,080 --> 00:06:21,600 Speaker 1: whole day seeing just how many movies are made in 116 00:06:21,640 --> 00:06:25,040 Speaker 1: nineteen eighty nine. But again, according to IMDb, there in 117 00:06:25,120 --> 00:06:27,960 Speaker 1: nineteen eighty nine there were at least six hundred movies 118 00:06:28,040 --> 00:06:31,200 Speaker 1: released worldwide. At least six hundred. There were more than that, 119 00:06:31,680 --> 00:06:34,279 Speaker 1: which seems fucking insane right now, but you know, different 120 00:06:34,320 --> 00:06:37,039 Speaker 1: time and all that. So I'm looking through some of 121 00:06:37,040 --> 00:06:39,599 Speaker 1: the movies that I would deem just off the cuff 122 00:06:39,640 --> 00:06:43,600 Speaker 1: great from that year. Okay, Very quickly I identified Batman, 123 00:06:44,240 --> 00:06:48,360 Speaker 1: Dead Poets Society, The Indiana Jones, The Last Crusade, Mystery Train, 124 00:06:48,920 --> 00:06:51,680 Speaker 1: Do the Right Thing, Leave the Weapon two, The Burbs, 125 00:06:51,839 --> 00:06:56,400 Speaker 1: Uncle Buck, the Abyss, Christmas Vacation, Bill and Ted's Excellent Adventure, 126 00:06:56,720 --> 00:06:59,960 Speaker 1: Sex Lies and Videotape Say Anything, Born on the four 127 00:07:00,200 --> 00:07:05,320 Speaker 1: July Drugstore, Cowboy, The Killer, Crimes and Misdemeanors, and Roger 128 00:07:05,360 --> 00:07:09,760 Speaker 1: and Me. Okay, that's just eighteen titles there that I 129 00:07:09,760 --> 00:07:12,520 Speaker 1: went through and has picked out. Okay, let's just call 130 00:07:12,560 --> 00:07:16,360 Speaker 1: it an even twenty Okay, twenty films out of six hundred, 131 00:07:16,720 --> 00:07:18,320 Speaker 1: and again there were more than six hundred, but we're 132 00:07:18,320 --> 00:07:20,080 Speaker 1: just playing with these numbers. 133 00:07:19,880 --> 00:07:21,920 Speaker 2: That's only three percent. Okay. 134 00:07:22,320 --> 00:07:24,520 Speaker 1: Now, let's say I go through more of the lists 135 00:07:24,520 --> 00:07:27,880 Speaker 1: and I deem that there are actually forty films on 136 00:07:27,920 --> 00:07:31,480 Speaker 1: this list that are great quote unquote great. That's still 137 00:07:31,600 --> 00:07:35,360 Speaker 1: only six percent out of six hundred, which is to 138 00:07:35,400 --> 00:07:39,520 Speaker 1: say that when it comes to Ridley Scott's claim that 139 00:07:39,560 --> 00:07:42,440 Speaker 1: we are now in twenty twenty five drowning in mediocrity, 140 00:07:42,800 --> 00:07:46,000 Speaker 1: have we always been drowning in mediocrity? And just the 141 00:07:46,120 --> 00:07:48,440 Speaker 1: numbers have change, it's become a smaller game than it 142 00:07:48,520 --> 00:07:50,920 Speaker 1: used to be. There's a case to be made here 143 00:07:50,920 --> 00:07:56,120 Speaker 1: that there were even more examples of mediocrity back in 144 00:07:56,160 --> 00:07:59,800 Speaker 1: the day when more movies were released every year. Now 145 00:08:00,360 --> 00:08:02,680 Speaker 1: Here's the interesting thing, because this gull got me thinking, 146 00:08:03,240 --> 00:08:06,840 Speaker 1: has this ever happened before? Have other notable people in 147 00:08:07,280 --> 00:08:09,800 Speaker 1: history called out a year, or a decade or an 148 00:08:09,840 --> 00:08:14,040 Speaker 1: era as being mediocre? Has the death of movies been 149 00:08:14,080 --> 00:08:18,720 Speaker 1: announced before? The short answer is, of course, I did 150 00:08:18,720 --> 00:08:22,080 Speaker 1: a little research here. The most high profile example of 151 00:08:22,080 --> 00:08:24,960 Speaker 1: this was way back in the year nineteen eighty when 152 00:08:25,080 --> 00:08:28,680 Speaker 1: Pauline Cale, the incredible film critic Pauline Cale, wrote a 153 00:08:28,680 --> 00:08:31,600 Speaker 1: piece for The New Yorker called why are Movies So Bad? 154 00:08:31,760 --> 00:08:31,960 Speaker 3: Now? 155 00:08:32,800 --> 00:08:36,199 Speaker 1: That's literally the title, and this is the opening line 156 00:08:36,320 --> 00:08:40,079 Speaker 1: of her article. Okay, this quote. The movies have been 157 00:08:40,160 --> 00:08:42,480 Speaker 1: so ranked the last couple of years that when I 158 00:08:42,520 --> 00:08:45,440 Speaker 1: see people lining up to buy tickets, I sometimes think 159 00:08:45,720 --> 00:08:50,319 Speaker 1: the movies aren't drawing an audience, They're inheriting an audience. Unquote, 160 00:08:50,679 --> 00:08:52,839 Speaker 1: this idea that going to the movies is there some 161 00:08:52,920 --> 00:08:56,520 Speaker 1: mechanical rote thing that human beings have been trained to do. 162 00:08:56,800 --> 00:09:01,120 Speaker 1: In nothing more, nothing less, it's brutal article. She talks 163 00:09:01,160 --> 00:09:04,640 Speaker 1: about the influence of conglomerates taking over the studios. She 164 00:09:04,640 --> 00:09:07,200 Speaker 1: also talks about the lack of risk in favor of 165 00:09:07,240 --> 00:09:10,360 Speaker 1: safe bets, which is wild because these are the exact 166 00:09:10,400 --> 00:09:14,560 Speaker 1: same things that people are talking about and complaining about 167 00:09:14,600 --> 00:09:17,720 Speaker 1: nearly fifty years later. Incidentally, in this article as well, 168 00:09:17,800 --> 00:09:20,680 Speaker 1: she talks a little bit about Ridley Scott's Alien, which 169 00:09:20,720 --> 00:09:24,200 Speaker 1: had just come out in nineteen seventy nine, and which 170 00:09:24,240 --> 00:09:27,240 Speaker 1: she says, quote, this was a haunted house with gorilla 171 00:09:27,280 --> 00:09:30,680 Speaker 1: picture set and outer space. It reached out, grabbed you 172 00:09:30,800 --> 00:09:34,120 Speaker 1: and squeezed your stomach. It was more gripping than entertaining. 173 00:09:34,360 --> 00:09:36,560 Speaker 1: But a lot of people didn't mind. They thought it 174 00:09:36,600 --> 00:09:39,840 Speaker 1: was terrific because at least they'd felt something, they'd been 175 00:09:40,040 --> 00:09:41,640 Speaker 1: brutalized unquote. 176 00:09:42,760 --> 00:09:45,480 Speaker 2: Ouch. Pauline keeping it real. 177 00:09:45,280 --> 00:09:50,800 Speaker 1: As always, even with one of Ridley Scott's masterpieces, she 178 00:09:50,880 --> 00:09:51,760 Speaker 1: did not hold back. 179 00:09:52,120 --> 00:09:52,600 Speaker 2: But listen. 180 00:09:52,640 --> 00:09:55,199 Speaker 1: Even if you look at the so called film school generation, 181 00:09:55,280 --> 00:09:58,079 Speaker 1: the filmmakers of the late sixties and the nineteen seventies, 182 00:09:59,120 --> 00:10:01,680 Speaker 1: that whole movement that was a reaction to what was 183 00:10:01,720 --> 00:10:05,640 Speaker 1: seen as a dead system in Hollywood, that it was 184 00:10:05,720 --> 00:10:08,640 Speaker 1: high time for a shakeup at the movies, for something different, 185 00:10:08,679 --> 00:10:11,920 Speaker 1: something daring, and something risky. Which makes sense that this 186 00:10:12,000 --> 00:10:14,800 Speaker 1: Pauline Kyle article comes along in nineteen eighty as the 187 00:10:14,840 --> 00:10:18,760 Speaker 1: landscape is about to change again and some would say 188 00:10:18,480 --> 00:10:23,160 Speaker 1: in the direction that did not favor you know, risk 189 00:10:23,640 --> 00:10:29,680 Speaker 1: and independent thought and creative minds, that we're going into 190 00:10:29,679 --> 00:10:32,959 Speaker 1: this era of the corporatization of movies. You know, the 191 00:10:33,080 --> 00:10:34,960 Speaker 1: nineteen eighties is this time when a lot of these 192 00:10:35,000 --> 00:10:38,920 Speaker 1: franchises began to be built and the audience's relationship to 193 00:10:39,120 --> 00:10:41,200 Speaker 1: movies becomes something different than it once was. 194 00:10:41,840 --> 00:10:43,120 Speaker 2: So, you know, I think it was. 195 00:10:43,160 --> 00:10:46,440 Speaker 1: Really timely that Pauline Kle wrote this article when she 196 00:10:46,480 --> 00:10:48,680 Speaker 1: did in nineteen eighty. But again, my point here is 197 00:10:48,679 --> 00:10:52,240 Speaker 1: that Ridley Scott's point isn't new. This is something that's 198 00:10:52,240 --> 00:10:56,000 Speaker 1: been talked about probably since the movies began. Honestly, in 199 00:10:56,040 --> 00:10:58,920 Speaker 1: this Pauline Kale example is just one example of it, 200 00:10:59,520 --> 00:11:01,360 Speaker 1: and when it was a really Scott's opinion. I don't 201 00:11:01,360 --> 00:11:04,240 Speaker 1: think he's wrong, but I just don't think it's a 202 00:11:04,240 --> 00:11:07,640 Speaker 1: new problem. I think there's always been a smaller percentage 203 00:11:07,960 --> 00:11:10,680 Speaker 1: of truly great films, and then his whole ten percent 204 00:11:10,760 --> 00:11:13,400 Speaker 1: is pretty good and so on, and perhaps where there 205 00:11:13,400 --> 00:11:15,640 Speaker 1: are just less films that come out these days, the 206 00:11:15,760 --> 00:11:18,319 Speaker 1: issue just seems bigger to us maybe, or perhaps there 207 00:11:18,360 --> 00:11:20,520 Speaker 1: tends to be such good stuff on TV as well. 208 00:11:20,520 --> 00:11:22,560 Speaker 1: These days that the issue seems better. I don't know, 209 00:11:22,559 --> 00:11:24,840 Speaker 1: what do you what do you think? Are we drowning 210 00:11:24,880 --> 00:11:28,559 Speaker 1: in mediocrity? Is really Scott overreacting? Call me or send 211 00:11:28,640 --> 00:11:32,040 Speaker 1: me a text at six one seven nine oh six six' 212 00:11:32,120 --> 00:11:34,960 Speaker 1: six three eight and let me. Know and when it 213 00:11:35,000 --> 00:11:39,600 Speaker 1: comes to this week's full episode subject of the Show Hollywood, 214 00:11:39,640 --> 00:11:43,320 Speaker 1: land our episode On Anna Nicole. Smith what percentage of 215 00:11:43,559 --> 00:11:47,440 Speaker 1: her films were? Great it's interesting her whole look was 216 00:11:47,440 --> 00:11:50,840 Speaker 1: a very modernized twist on Vintage. Hollywood you know this 217 00:11:50,880 --> 00:11:53,240 Speaker 1: Whole Marilyn monroe reimagined kind of, thing at least at. 218 00:11:53,280 --> 00:11:55,760 Speaker 1: First but in terms of, movies she really didn't make that, 219 00:11:55,800 --> 00:11:58,480 Speaker 1: many much fewer Than Marilyn monroe for. Sure though that, 220 00:11:58,600 --> 00:12:00,920 Speaker 1: said did you know that she was in The Coen 221 00:12:00,960 --> 00:12:04,600 Speaker 1: brothers nineteen ninety four Film The Hudsucker. Proxy very small, 222 00:12:04,679 --> 00:12:07,960 Speaker 1: role but nevertheless it was her film, debut believe it or, 223 00:12:08,000 --> 00:12:10,840 Speaker 1: not and speaking and believing it or not her tragic 224 00:12:10,880 --> 00:12:14,120 Speaker 1: stories is at times very hard to, believe, which of, 225 00:12:14,120 --> 00:12:16,280 Speaker 1: course you know if you've heard the, episode and if you, 226 00:12:16,400 --> 00:12:18,800 Speaker 1: haven't go check that. Out it's right there at the 227 00:12:18,800 --> 00:12:21,680 Speaker 1: top of your. Feet, okay coming next, week one of 228 00:12:21,720 --> 00:12:24,720 Speaker 1: my Favorite Hollywood land. Episodes i'm a little BIASED i 229 00:12:24,760 --> 00:12:27,360 Speaker 1: wrote this, one but, still but it's about the Movie, 230 00:12:27,400 --> 00:12:32,160 Speaker 1: poltergeist about the Franchise, poltergeist more specifically the so Called Pultergeist, 231 00:12:32,160 --> 00:12:37,400 Speaker 1: curse in which four different actors from the movie franchise 232 00:12:37,480 --> 00:12:41,600 Speaker 1: died within a sixty year. Span it's always a challenge 233 00:12:41,720 --> 00:12:46,240 Speaker 1: to succinctly tell the story of one person in a 234 00:12:46,280 --> 00:12:50,720 Speaker 1: thirty minute, episode let alone four different. People BUT i 235 00:12:50,720 --> 00:12:52,560 Speaker 1: think we really nailed it in this, one IF i 236 00:12:52,559 --> 00:12:56,880 Speaker 1: do say so. Myself and, listen we are officially in spooky, 237 00:12:56,920 --> 00:13:00,000 Speaker 1: season so this episode On poltergeist is perfect for us 238 00:13:00,080 --> 00:13:04,880 Speaker 1: Some halloween themed. Listening all, Right i'm psyched to shift 239 00:13:04,880 --> 00:13:07,680 Speaker 1: gears here and get into your messages and texts and, 240 00:13:07,800 --> 00:13:10,720 Speaker 1: dms Which i'm gonna do right after we take a quick. 241 00:13:10,760 --> 00:13:26,360 Speaker 1: Break stay, Put i'll be right. Back what's, happening as 242 00:13:26,400 --> 00:13:29,880 Speaker 1: the boss says The peter and office, Space, peter what's? 243 00:13:29,920 --> 00:13:33,040 Speaker 1: Happening we are back here once, again here in The Rap, 244 00:13:33,040 --> 00:13:37,040 Speaker 1: party your weekly bonus episode of The Hollywood Lamb. PODCAST 245 00:13:37,520 --> 00:13:41,720 Speaker 1: i want to get into communication from all of, you 246 00:13:42,160 --> 00:13:44,560 Speaker 1: engagement with all of you listeners out there In Hollywood. 247 00:13:44,600 --> 00:13:45,280 Speaker 2: Land all. 248 00:13:45,400 --> 00:13:48,160 Speaker 1: Right last WEEK i was talking at length About One 249 00:13:48,240 --> 00:13:51,720 Speaker 1: battle After, another the new film From Paul Thomas, anderson 250 00:13:52,480 --> 00:13:54,720 Speaker 1: AND i also gave my top ten list of my 251 00:13:54,800 --> 00:13:56,079 Speaker 1: FAVORITE pta, movies AND. 252 00:13:56,040 --> 00:13:57,240 Speaker 2: I asked all of you to weigh. 253 00:13:57,280 --> 00:14:00,480 Speaker 1: In got a lot of responses from you, guys including 254 00:14:00,480 --> 00:14:03,520 Speaker 1: this voicemail From matt in the eight one to. 255 00:14:03,640 --> 00:14:05,520 Speaker 2: Five, hey what's going? 256 00:14:05,559 --> 00:14:07,319 Speaker 4: On this Is matt calling from the eight one to, 257 00:14:07,440 --> 00:14:10,320 Speaker 4: five which Is, illinois And i've actually been living In 258 00:14:10,360 --> 00:14:13,680 Speaker 4: ohio for the last seven. Years paulin about my Favorite 259 00:14:13,720 --> 00:14:17,560 Speaker 4: Paul Thomas anderson, Movies i'm just gonna go with the 260 00:14:17,600 --> 00:14:22,200 Speaker 4: top three in no particular. Order There Will Be blood was. 261 00:14:22,240 --> 00:14:25,840 Speaker 4: INCREDIBLE i just remember always Loving daniel Day, lewis but 262 00:14:25,880 --> 00:14:29,200 Speaker 4: this was just like a game, changer even for his own. 263 00:14:29,280 --> 00:14:33,440 Speaker 4: Performances Also The. MASTER i remember seeing this movie in 264 00:14:33,440 --> 00:14:36,000 Speaker 4: the theater and just being absolutely blown away by, it, 265 00:14:37,080 --> 00:14:41,360 Speaker 4: thinking you, know another game changer For Joaquin. PHOENIX i 266 00:14:41,360 --> 00:14:43,960 Speaker 4: think he should have won The Academy. Award actually he 267 00:14:44,080 --> 00:14:48,800 Speaker 4: lost To daniel Day lewis And, lincoln but that's neither. 268 00:14:48,840 --> 00:14:53,440 Speaker 4: Here North ayre and my last one Is. MAGNOLIA i 269 00:14:53,600 --> 00:14:57,520 Speaker 4: just loved that. MOVIE i still love it all these years. 270 00:14:57,560 --> 00:14:59,560 Speaker 4: LATER i remember watching it WHEN i was twenty WHEN 271 00:14:59,560 --> 00:15:04,040 Speaker 4: i came, out and just how they wove the different 272 00:15:04,040 --> 00:15:08,640 Speaker 4: storylines together so, beautifully so, Wonderfully and it's a MOVIE 273 00:15:08,640 --> 00:15:11,320 Speaker 4: i like to visit every couple of. Years cannot wait 274 00:15:11,360 --> 00:15:12,920 Speaker 4: to check out his new. Movie i'm hearing a lot 275 00:15:12,960 --> 00:15:16,080 Speaker 4: Of oscar buzz For Sean penn's which is nice because 276 00:15:16,120 --> 00:15:20,440 Speaker 4: he is deserving of anything he. Gets so all, right 277 00:15:20,480 --> 00:15:22,840 Speaker 4: love you, guys thanks for all that you. Do can't 278 00:15:22,840 --> 00:15:25,240 Speaker 4: wait to see what you got. Next bye, Bye. 279 00:15:24,960 --> 00:15:27,000 Speaker 1: Hey, matt thanks a lot for calling. In that's a 280 00:15:27,120 --> 00:15:30,200 Speaker 1: solid top three in no particular. Order as you, Said 281 00:15:30,520 --> 00:15:33,480 Speaker 1: magnolia is really. SPECIAL i talked a bit about this last, 282 00:15:33,480 --> 00:15:37,680 Speaker 1: week but rewatching it again, RECENTLY i was reminded there's 283 00:15:37,680 --> 00:15:39,120 Speaker 1: a couple of examples of this in the, movie but 284 00:15:39,160 --> 00:15:42,000 Speaker 1: the most striking, ONE i think is the scene at 285 00:15:42,000 --> 00:15:45,320 Speaker 1: the bar With WILLIAM. H macy And Henry, gibson and 286 00:15:45,360 --> 00:15:47,320 Speaker 1: the jukebox at the bar or the stereo whatever is 287 00:15:47,360 --> 00:15:51,800 Speaker 1: playing songs By, supertramp but also the score is. Running the, 288 00:15:51,840 --> 00:15:54,520 Speaker 1: score which IS i think By John, bryan is playing 289 00:15:54,560 --> 00:15:57,600 Speaker 1: and the two of them begin to compete in overlap 290 00:15:57,680 --> 00:16:00,400 Speaker 1: so you've got The supertramp, song but you've also got 291 00:16:00,440 --> 00:16:04,840 Speaker 1: this orchestral, score and it's basically what is happening with 292 00:16:04,880 --> 00:16:07,480 Speaker 1: these characters in the. Movie all this overlap is starting 293 00:16:07,480 --> 00:16:09,400 Speaker 1: to happen with the music as, well in this like 294 00:16:09,520 --> 00:16:11,560 Speaker 1: meta kind of. Way AND i remember WHEN i first 295 00:16:11,600 --> 00:16:14,080 Speaker 1: saw that thinking, like wait a, minute somebody fucked this. 296 00:16:14,200 --> 00:16:17,480 Speaker 1: Up someone did in the sound. Department they forgot to 297 00:16:18,400 --> 00:16:20,960 Speaker 1: pull the score down while the song was opera vice. 298 00:16:21,040 --> 00:16:24,120 Speaker 1: Versa but you, know then at some POINT i was, 299 00:16:24,160 --> 00:16:26,240 Speaker 1: like oh, shit, wait, okay all, RIGHT i get. IT 300 00:16:26,280 --> 00:16:27,960 Speaker 1: i get what's happening. Here and then it was, like oh, 301 00:16:28,040 --> 00:16:29,400 Speaker 1: DAMN i didn't know you could do this in a, 302 00:16:29,440 --> 00:16:32,040 Speaker 1: movie which is really. COOL i love that kind of 303 00:16:32,080 --> 00:16:34,160 Speaker 1: experience when you're watching a movie and you feel like 304 00:16:34,200 --> 00:16:37,640 Speaker 1: you're experiencing something you haven't really seen. Before AND i 305 00:16:37,680 --> 00:16:39,280 Speaker 1: don't know if that was done before in a, movie 306 00:16:39,560 --> 00:16:42,520 Speaker 1: BUT i just remember it hitting me in that sort 307 00:16:42,520 --> 00:16:44,440 Speaker 1: of eye opening you kind of way WHEN i Saw 308 00:16:44,520 --> 00:16:48,040 Speaker 1: magnolia for the first. Time so, Anyways, matt thanks for the, 309 00:16:48,080 --> 00:16:49,160 Speaker 1: call and thanks for. 310 00:16:49,120 --> 00:16:50,160 Speaker 2: Reminding me about. 311 00:16:50,240 --> 00:16:54,520 Speaker 1: That staying on THE pta kick here for a, minute 312 00:16:54,720 --> 00:16:56,880 Speaker 1: we got a text here From the nine to, four 313 00:16:57,760 --> 00:17:00,440 Speaker 1: Says Zeth spencer From the nine oh. FOUR i literally 314 00:17:00,440 --> 00:17:02,920 Speaker 1: saw one battle after another last night and agree with 315 00:17:02,960 --> 00:17:05,320 Speaker 1: everything you. Said it was so good and so funny 316 00:17:05,320 --> 00:17:08,560 Speaker 1: in the best. Way leo And benicio deserve all the. 317 00:17:08,600 --> 00:17:12,640 Speaker 1: Awards Thanks, spencer glad you dug, it and you're exactly. 318 00:17:12,720 --> 00:17:17,000 Speaker 1: Right there's that amazing moment that's been going around the. 319 00:17:17,080 --> 00:17:18,919 Speaker 1: Internet the best meeting from the film so far Is 320 00:17:18,920 --> 00:17:22,160 Speaker 1: benicio telling the Cop i've had a few few small 321 00:17:22,160 --> 00:17:26,439 Speaker 1: beers so. GOOD i was trying to get it this 322 00:17:26,520 --> 00:17:28,840 Speaker 1: last week WHEN i was talking about the, movie BUT 323 00:17:29,119 --> 00:17:31,879 Speaker 1: i think my train of thought was hijacked by some 324 00:17:31,960 --> 00:17:34,240 Speaker 1: of the bandits that live in my. Brain but the, 325 00:17:34,359 --> 00:17:37,320 Speaker 1: MOVIE i don't THINK i made this. Point the movie 326 00:17:37,359 --> 00:17:40,159 Speaker 1: is so. FUNNY i think there was a review on 327 00:17:40,240 --> 00:17:42,600 Speaker 1: letterbox somewhere where someone said it's like if the dude 328 00:17:42,600 --> 00:17:46,640 Speaker 1: From The Big lebowski was in the Movie. Heat that's 329 00:17:46,680 --> 00:17:49,239 Speaker 1: another reason why it's so, special is how it can 330 00:17:49,320 --> 00:17:51,560 Speaker 1: be so funny yet so horrifying and so moving at 331 00:17:51,560 --> 00:17:54,080 Speaker 1: the same. Time, spencer glad you dug. It thanks for 332 00:17:54,119 --> 00:17:58,520 Speaker 1: reaching out and let me. Know, okay let's do one 333 00:17:58,520 --> 00:18:02,119 Speaker 1: more message here about this peace. Conversation this one is 334 00:18:02,160 --> 00:18:07,160 Speaker 1: an email From. Jason jason writes strangely, enough And hearentvice 335 00:18:07,280 --> 00:18:10,000 Speaker 1: is my favorite of. His Phantom thread is my second. 336 00:18:10,000 --> 00:18:14,000 Speaker 1: Favorite there'll Be blood hilarious. THIRD i can't wait to 337 00:18:14,000 --> 00:18:15,800 Speaker 1: see the new, one even THOUGH i don't Like leo at. 338 00:18:15,800 --> 00:18:18,720 Speaker 1: All Boogie knights loved WHEN i was, young but now 339 00:18:18,720 --> 00:18:22,520 Speaker 1: it feels. IMMATURE PS i Mean Martin short and Inherent 340 00:18:22,560 --> 00:18:27,960 Speaker 1: Wes he's. Insane thank You jason for the, email and, 341 00:18:28,359 --> 00:18:31,040 Speaker 1: YEAH i. AGREE i so much to love About Martin 342 00:18:31,080 --> 00:18:33,880 Speaker 1: short in that, Movie Josh brolin in that. Movie there's 343 00:18:33,960 --> 00:18:37,560 Speaker 1: so much humor in all Of Paul Thomas anderson's, movies 344 00:18:37,600 --> 00:18:40,320 Speaker 1: From john C riley And Boogie knights To Alana hym 345 00:18:40,359 --> 00:18:44,320 Speaker 1: And Liquorice. PIZZA i think PT's sense of humor actually 346 00:18:44,400 --> 00:18:47,800 Speaker 1: is something that's routinely. Underrated and, yes that Includes There 347 00:18:47,800 --> 00:18:50,400 Speaker 1: Will Be, blood which is hilarious and horrifying at the same, 348 00:18:50,440 --> 00:18:53,439 Speaker 1: time just like one battle after. Another so thank you 349 00:18:53,560 --> 00:18:56,800 Speaker 1: Again jason for that. Email thanks to everyone for reaching 350 00:18:56,840 --> 00:19:02,880 Speaker 1: out with their takes ON, pta which also you can 351 00:19:02,920 --> 00:19:07,480 Speaker 1: dig if you're A Disgraceland All access, member specifically over In. 352 00:19:07,600 --> 00:19:12,240 Speaker 1: PATREON i Know jake was posting his take ON pta over, 353 00:19:12,280 --> 00:19:15,800 Speaker 1: there which was That Boogie knights is his Favorite Paul 354 00:19:15,840 --> 00:19:18,200 Speaker 1: Thomas anderson, movie and he kind of got the conversation 355 00:19:18,320 --> 00:19:21,720 Speaker 1: going over there with all you disco's about. That so 356 00:19:22,280 --> 00:19:25,440 Speaker 1: if you want to get involved with more of an 357 00:19:25,760 --> 00:19:28,520 Speaker 1: in depth chat on that sort of, thing make sure 358 00:19:28,560 --> 00:19:31,160 Speaker 1: you go over and check Out Disgraceland All. Access all, Right, 359 00:19:31,480 --> 00:19:34,680 Speaker 1: okay last WEEK i was also talking About Robert, mitcham 360 00:19:35,200 --> 00:19:38,440 Speaker 1: so we got this text from the five one. Two 361 00:19:39,440 --> 00:19:42,400 Speaker 1: listener writes In loving The Bob mitcham, details here's something 362 00:19:42,440 --> 00:19:44,640 Speaker 1: About Jane russell if you ever do a bit about. 363 00:19:44,640 --> 00:19:46,639 Speaker 1: HER i went to high school in the eighties with 364 00:19:46,720 --> 00:19:50,119 Speaker 1: some guys that lived near her In, Sedona. Arizona she 365 00:19:50,280 --> 00:19:52,720 Speaker 1: used to pay them to wash her, cars and the 366 00:19:52,760 --> 00:19:56,720 Speaker 1: guys that were shirtless always made more. MONEY i would 367 00:19:56,720 --> 00:20:03,280 Speaker 1: probably do the same. Someday Thanks Zeth. Cool that's amazing 368 00:20:03,320 --> 00:20:06,040 Speaker 1: text five one, Two and there's a lesson here for 369 00:20:06,119 --> 00:20:07,920 Speaker 1: all of you doing some odd jobs on the. Side 370 00:20:08,000 --> 00:20:09,879 Speaker 1: you know you got to find a way to stand 371 00:20:09,920 --> 00:20:12,720 Speaker 1: out and earn at earn a little bit extra. Money, 372 00:20:12,720 --> 00:20:15,399 Speaker 1: okay thanks so much for the. Text IF i want 373 00:20:15,440 --> 00:20:18,160 Speaker 1: two love that love that. STORY i was also talking 374 00:20:18,160 --> 00:20:21,760 Speaker 1: about the movie seven at some, point and about WHEN 375 00:20:21,800 --> 00:20:25,120 Speaker 1: i first saw that movie and my sort of visceral 376 00:20:25,119 --> 00:20:28,000 Speaker 1: reaction to it WHEN i was a new, member a 377 00:20:28,040 --> 00:20:31,320 Speaker 1: new resident of the big city coming from a small. 378 00:20:31,359 --> 00:20:34,480 Speaker 1: Town and we got an email here From heather about. 379 00:20:34,480 --> 00:20:37,080 Speaker 1: This Heather rights And, zeth you were talking about the 380 00:20:37,080 --> 00:20:39,280 Speaker 1: movie seven on the wrap party this week and how 381 00:20:39,320 --> 00:20:42,600 Speaker 1: it affected you in nineteen ninety. Five back in nineteen ninety, 382 00:20:42,680 --> 00:20:44,960 Speaker 1: FIVE i was in a fairly new relationship with a 383 00:20:45,000 --> 00:20:47,119 Speaker 1: GUY i liked a. Lot he KNEW i was a 384 00:20:47,160 --> 00:20:49,119 Speaker 1: huge horror movie, fan and so he took me to 385 00:20:49,119 --> 00:20:51,280 Speaker 1: see seven at the, theater thinking he was making a 386 00:20:51,280 --> 00:20:55,679 Speaker 1: sweet romantic. GESTURE i absolutely fucking loved the. MOVIE i 387 00:20:55,720 --> 00:20:58,879 Speaker 1: couldn't stop talking about the practical, effects the cool credit 388 00:20:58,920 --> 00:21:01,760 Speaker 1: sequence at the, end and the. Performances to this, day 389 00:21:01,840 --> 00:21:05,520 Speaker 1: it's one of my favorite. Movies, he, however was completely 390 00:21:05,560 --> 00:21:08,200 Speaker 1: freaked out by the. Movie he couldn't even look at 391 00:21:08,200 --> 00:21:11,159 Speaker 1: me or talk to me after it was, over and 392 00:21:11,200 --> 00:21:12,680 Speaker 1: he broke up with me about a week. 393 00:21:12,800 --> 00:21:13,040 Speaker 3: Later. 394 00:21:13,400 --> 00:21:19,400 Speaker 1: Lol heather from the duo, Six, Oh, HEATHER i love 395 00:21:19,480 --> 00:21:23,960 Speaker 1: The lol the. End that's an incredible. Story oh my. 396 00:21:24,040 --> 00:21:28,760 Speaker 1: God taste of movies is so important for a compatible relationship, 397 00:21:28,840 --> 00:21:32,160 Speaker 1: period but for for a romantic. RELATIONSHIP i am convinced 398 00:21:32,720 --> 00:21:34,959 Speaker 1: you you've got to be on the same page at 399 00:21:35,040 --> 00:21:37,720 Speaker 1: least with, uh with some some big movies like, That 400 00:21:38,200 --> 00:21:39,920 Speaker 1: and it sounds like maybe you dodged a bullet there 401 00:21:41,840 --> 00:21:44,200 Speaker 1: movies that have been at the center of a. Breakup 402 00:21:44,280 --> 00:21:46,840 Speaker 1: i'm curious if anyone else out there has a similar 403 00:21:46,920 --> 00:21:50,000 Speaker 1: experience where it's, Like, nah, man you can't get this 404 00:21:50,119 --> 00:21:52,359 Speaker 1: with this, movie you can't get with. Me hit me 405 00:21:52,440 --> 00:21:54,199 Speaker 1: up and let me know if that has ever happened to. 406 00:21:54,240 --> 00:21:57,760 Speaker 1: You six one seven nine oh six six six three. 407 00:21:57,960 --> 00:22:00,439 Speaker 1: Eight you can send me a text or call in 408 00:22:00,520 --> 00:22:03,560 Speaker 1: and leave a. Voicemail all, RIGHT i gotta take a quick, 409 00:22:03,560 --> 00:22:05,919 Speaker 1: break but don't go anywhere Because i'm going to come 410 00:22:05,920 --> 00:22:07,919 Speaker 1: back with you with some recommendations on What i've been 411 00:22:07,960 --> 00:22:39,680 Speaker 1: listening to and watching. Lately be're. Back oh, righty, Everybody 412 00:22:39,800 --> 00:22:41,840 Speaker 1: welcome back to the rap. Party z Ethe lene here 413 00:22:41,840 --> 00:22:45,639 Speaker 1: with you once, again talking about What i've been. Watching 414 00:22:45,800 --> 00:22:49,360 Speaker 1: What i've been listening. To first of, ALL i finished 415 00:22:49,480 --> 00:22:52,199 Speaker 1: The netflix Show Black, rabbit, which if you are a 416 00:22:52,240 --> 00:22:55,240 Speaker 1: member Of disgrace and all access over on The patreon. 417 00:22:55,320 --> 00:22:57,720 Speaker 1: Side you probably saw a video there recently of me 418 00:22:57,760 --> 00:23:00,600 Speaker 1: And jake breaking down that. Show the thing about the 419 00:23:00,640 --> 00:23:02,800 Speaker 1: show THAT i really loved at the end of, IT 420 00:23:03,320 --> 00:23:05,240 Speaker 1: i hated for it to end because it was it 421 00:23:05,280 --> 00:23:07,480 Speaker 1: was so. GREAT i loved the, CHARACTERS i loved the, 422 00:23:07,640 --> 00:23:11,600 Speaker 1: CONCEIT i love the world. Building but the thing when it, 423 00:23:11,760 --> 00:23:15,480 Speaker 1: ended it stuck the, landing which is, tough the toughest 424 00:23:15,480 --> 00:23:17,920 Speaker 1: thing to, do probably especially in a show with stakes 425 00:23:18,280 --> 00:23:21,639 Speaker 1: as high as. These it really like doubles down on 426 00:23:22,280 --> 00:23:24,720 Speaker 1: me recommending and to other people the fact that you 427 00:23:24,760 --> 00:23:27,040 Speaker 1: get to the end and it really does stit the. 428 00:23:27,119 --> 00:23:29,679 Speaker 1: Landing So Black rabbit was. Great i'm also still Watching, 429 00:23:29,720 --> 00:23:32,840 Speaker 1: task still Loving. TASK i haven't seen the latest episode, 430 00:23:32,880 --> 00:23:34,840 Speaker 1: yet But i'm looking forward to. IT i do want 431 00:23:34,880 --> 00:23:38,399 Speaker 1: to check out this new show Called The lowdown With Ethan. 432 00:23:38,440 --> 00:23:40,720 Speaker 1: Hawk of any of you out there seen, it is 433 00:23:40,720 --> 00:23:41,040 Speaker 1: it worth? 434 00:23:41,080 --> 00:23:41,520 Speaker 2: It let me? 435 00:23:41,560 --> 00:23:44,359 Speaker 1: Know it looks right up my, alley and i just 436 00:23:44,400 --> 00:23:46,320 Speaker 1: want to know if my instincts are. Correct But i'm 437 00:23:46,359 --> 00:23:48,119 Speaker 1: hoping to get to that. Soon but give me a. 438 00:23:48,119 --> 00:23:50,199 Speaker 1: Shout if you've seen it and you love it or 439 00:23:50,200 --> 00:23:52,480 Speaker 1: you hate, it let me know this is super random 440 00:23:52,560 --> 00:23:54,960 Speaker 1: kind OF i, guess but what kind of. Not i'll 441 00:23:54,960 --> 00:23:56,760 Speaker 1: tell you a, Minute BUT i watched for the first 442 00:23:56,800 --> 00:24:00,280 Speaker 1: time the other. Night What Lies Beneath this is The 443 00:24:00,600 --> 00:24:04,200 Speaker 1: Robert zamechis film from the year two, thousand Starring Michelle 444 00:24:04,200 --> 00:24:07,360 Speaker 1: pfiffer And Harrison. FORD i have never seen this one. 445 00:24:07,400 --> 00:24:09,840 Speaker 1: Before this was a blind spot for. Me it's one 446 00:24:09,840 --> 00:24:12,080 Speaker 1: of my wife's, favorites WHICH i didn't know until we 447 00:24:12,119 --> 00:24:13,080 Speaker 1: sort of stumbled across. 448 00:24:13,119 --> 00:24:13,639 Speaker 2: This It's. 449 00:24:13,680 --> 00:24:17,720 Speaker 1: October this is the month where seasonal viewing around my 450 00:24:17,800 --> 00:24:19,480 Speaker 1: house begins for the rest of the. Year lots of 451 00:24:19,520 --> 00:24:23,639 Speaker 1: seasonally appropriate entertainment going, on and so this movie is 452 00:24:23,680 --> 00:24:27,440 Speaker 1: part of The Criterion, collections or The Criterion channels two 453 00:24:27,480 --> 00:24:31,359 Speaker 1: thousand's horror collection that they've curated for the. Month so, 454 00:24:31,400 --> 00:24:32,840 Speaker 1: anyways this is WHEN i found out it was one 455 00:24:32,840 --> 00:24:34,320 Speaker 1: of her. FAVORITES i don't think she thought about it 456 00:24:34,359 --> 00:24:36,600 Speaker 1: for a. While we put the movie on this, weekend 457 00:24:36,600 --> 00:24:38,600 Speaker 1: AND i gotta tell, YOU i fucking loved. It It's 458 00:24:39,119 --> 00:24:42,359 Speaker 1: Robert zamchis going Full, hitchcock and it's so. GOOD i 459 00:24:42,520 --> 00:24:44,320 Speaker 1: was thinking of this the whole time watching. It you 460 00:24:44,320 --> 00:24:47,720 Speaker 1: could literally transpose this movie to the nineteen fifties the 461 00:24:47,800 --> 00:24:51,399 Speaker 1: nineteen sixties With hitchcock making, it and it would totally. 462 00:24:51,440 --> 00:24:54,159 Speaker 1: WORK i think maybe you've Got Grace kelly as The 463 00:24:54,160 --> 00:24:58,320 Speaker 1: Michelle pfiffer, character And Jimmy stewart could play slightly against 464 00:24:58,359 --> 00:24:59,919 Speaker 1: type in The harrison four. 465 00:25:00,280 --> 00:25:01,760 Speaker 2: Character what really. 466 00:25:01,720 --> 00:25:03,919 Speaker 1: Struck me about this movie was it's got some of 467 00:25:03,920 --> 00:25:07,879 Speaker 1: the greatest camera work Of Robert zemeckis's, career maybe my. 468 00:25:07,960 --> 00:25:11,200 Speaker 1: Favorite and there's one shot in particular where the camera 469 00:25:11,240 --> 00:25:13,440 Speaker 1: comes through the front door and the door closes behind 470 00:25:13,480 --> 00:25:14,760 Speaker 1: it in a way it's, like, wait how the fuck 471 00:25:14,840 --> 00:25:16,920 Speaker 1: they do? IT i actually stopped the movie and backed 472 00:25:16,920 --> 00:25:20,000 Speaker 1: it up to watch it. Again it like just completely 473 00:25:20,080 --> 00:25:22,439 Speaker 1: knocked me. Over there are a few moments like that 474 00:25:22,480 --> 00:25:25,680 Speaker 1: in this. Movie it just technically the technical stuff does 475 00:25:25,720 --> 00:25:27,800 Speaker 1: not get in the way of the emotional part of the, 476 00:25:27,840 --> 00:25:32,080 Speaker 1: movie but it really amplifies, it especially when part of 477 00:25:32,080 --> 00:25:34,159 Speaker 1: the conceit of the movie is that there's this like you, 478 00:25:34,200 --> 00:25:38,080 Speaker 1: know this like the otherworldly spirit in this, house AND 479 00:25:38,320 --> 00:25:42,680 Speaker 1: i think that the technical stuff really really communicates that. 480 00:25:42,640 --> 00:25:43,280 Speaker 2: In this really cool. 481 00:25:43,320 --> 00:25:45,240 Speaker 1: WAY i also think this is the kind of movie 482 00:25:45,280 --> 00:25:48,080 Speaker 1: that's been lost to history a bit because you know these, 483 00:25:48,160 --> 00:25:49,879 Speaker 1: days this brand of you, know the idea of a 484 00:25:49,920 --> 00:25:52,760 Speaker 1: husband and a, wife just a. Couple you, know they've 485 00:25:52,760 --> 00:25:55,199 Speaker 1: got some of their, issues and there's a slightly melodramatic, 486 00:25:55,280 --> 00:25:57,280 Speaker 1: angle and one of them is maybe losing their mind 487 00:25:57,720 --> 00:26:00,800 Speaker 1: while the other one is seemingly in ple of seeing 488 00:26:01,080 --> 00:26:03,520 Speaker 1: what's going on right in front of. Them this kind 489 00:26:03,560 --> 00:26:06,919 Speaker 1: of thing is is it's often more cheesy than, not you, 490 00:26:06,960 --> 00:26:10,280 Speaker 1: know and this movie definitely acknowledges the melodrama of it 491 00:26:10,320 --> 00:26:13,240 Speaker 1: all and the antiquated notion of his, presence because, again 492 00:26:13,320 --> 00:26:16,080 Speaker 1: it is A hitchcock, movie and so it is kind 493 00:26:16,080 --> 00:26:19,399 Speaker 1: of rooted in some of these like antiquated styles and, 494 00:26:20,160 --> 00:26:22,840 Speaker 1: themes but it's made with the kind of care THAT 495 00:26:23,040 --> 00:26:26,040 Speaker 1: i don't think movies like this really command, anymore if 496 00:26:26,080 --> 00:26:28,359 Speaker 1: that makes. Sense like THESE i feel like a movie 497 00:26:28,359 --> 00:26:31,040 Speaker 1: like this couldn't be a big event in the way 498 00:26:31,040 --> 00:26:33,760 Speaker 1: that it could have been in the, past and maybe 499 00:26:33,760 --> 00:26:35,400 Speaker 1: that's also part of what drew me in so. Much 500 00:26:35,440 --> 00:26:37,680 Speaker 1: BUT i highly recommend this movie if you haven't seen, 501 00:26:37,720 --> 00:26:41,760 Speaker 1: it especially during this spooky, season AS i keep, saying 502 00:26:41,960 --> 00:26:44,639 Speaker 1: the month Of, october WHICH i got to, say you, 503 00:26:44,720 --> 00:26:46,040 Speaker 1: know for the, record it's got to get off my. 504 00:26:46,119 --> 00:26:47,960 Speaker 1: Chest i'm not a Big halloween. Person i'm not a 505 00:26:47,960 --> 00:26:50,919 Speaker 1: big never been a big dressing up in costume. Person 506 00:26:51,240 --> 00:26:55,320 Speaker 1: BUT i do love the scary movie aspect Of. October 507 00:26:55,640 --> 00:26:57,239 Speaker 1: i'm going to get in some more of, Those so 508 00:26:57,359 --> 00:27:00,520 Speaker 1: stay tuned for other sorts of scary movies That i'm 509 00:27:00,520 --> 00:27:03,000 Speaker 1: going to check out this. Month and, please by all, 510 00:27:03,040 --> 00:27:08,320 Speaker 1: means give me your recommendations for your favorite scary. Movies 511 00:27:08,359 --> 00:27:11,520 Speaker 1: they could be, thrillers they can be horror. Films let me. 512 00:27:11,560 --> 00:27:14,280 Speaker 1: Know six one seven nine oh six six six three, Eight, 513 00:27:14,720 --> 00:27:17,200 Speaker 1: okay What i'm listening. TO i know there's been a 514 00:27:17,200 --> 00:27:19,840 Speaker 1: lot of excitement out there about The oasis, reunion AND 515 00:27:19,960 --> 00:27:23,160 Speaker 1: i Dig. OASIS i love some of their stuff, definitely 516 00:27:23,160 --> 00:27:26,560 Speaker 1: maybe in particular is. Incredible but just as last, week 517 00:27:26,640 --> 00:27:29,720 Speaker 1: another band from the so called britpop movement of the 518 00:27:29,800 --> 00:27:33,320 Speaker 1: nineteen nineties announced that they were reuniting after a long 519 00:27:33,400 --> 00:27:36,800 Speaker 1: stretch of not touring or releasing new. MUSIC i, am 520 00:27:36,840 --> 00:27:40,399 Speaker 1: of course talking About Super Furry, animals The welsh band 521 00:27:40,600 --> 00:27:43,440 Speaker 1: that personally were always one of my favorites back on the. 522 00:27:43,520 --> 00:27:46,199 Speaker 1: Day they just announced some tour dates over in THE. 523 00:27:46,280 --> 00:27:49,520 Speaker 1: UK i believe in they sold out and they had 524 00:27:49,560 --> 00:27:52,159 Speaker 1: to add more dates because the demand was so. High 525 00:27:52,600 --> 00:27:55,359 Speaker 1: nothing here in The states yet a similar fashion To, 526 00:27:55,400 --> 00:27:59,360 Speaker 1: oasis but even more, so super furry animals were never 527 00:27:59,440 --> 00:28:02,800 Speaker 1: really broke THE, us AND i Know, oasis it seems 528 00:28:02,840 --> 00:28:05,080 Speaker 1: like maybe they're only breaking THE us now with this 529 00:28:05,520 --> 00:28:09,880 Speaker 1: new reunion, Tour but The furries were always more of 530 00:28:09,920 --> 00:28:12,879 Speaker 1: a hidden gem over here in The. States so this 531 00:28:12,960 --> 00:28:16,320 Speaker 1: announcement of them touring again coincides not with a new, 532 00:28:16,320 --> 00:28:18,840 Speaker 1: record at least not, yet but with the announcement that 533 00:28:18,840 --> 00:28:22,920 Speaker 1: they're reissuing their two thousand and five, Album, lovecraft which 534 00:28:23,119 --> 00:28:26,600 Speaker 1: was produced By Mario Caldado, junior who's best known for 535 00:28:26,600 --> 00:28:27,240 Speaker 1: his work with THE Bc. 536 00:28:27,359 --> 00:28:27,879 Speaker 2: Boys BUT i. 537 00:28:27,920 --> 00:28:31,520 Speaker 1: Digress So i've been listening To lovecraft again this, week 538 00:28:31,640 --> 00:28:33,720 Speaker 1: which is pretty. SOLID i gotta, say like two thirds 539 00:28:33,760 --> 00:28:36,640 Speaker 1: of it is. EXCELLENT i don't think that The furries 540 00:28:36,720 --> 00:28:40,120 Speaker 1: made a bad. Record they've got nine studio, albums but 541 00:28:40,240 --> 00:28:43,120 Speaker 1: in my, opinion the two that aren't as strong as 542 00:28:43,120 --> 00:28:46,720 Speaker 1: the rest Are lovecraft And Hey, venus which are near 543 00:28:46,760 --> 00:28:48,680 Speaker 1: the end of the. Run but, again you, know they're not, 544 00:28:48,800 --> 00:28:50,640 Speaker 1: bad it's just when you rank them against you, know 545 00:28:51,160 --> 00:28:54,880 Speaker 1: fuzzy logic Or radiator Or rings around The. World Damn 546 00:28:54,960 --> 00:28:58,520 Speaker 1: rings around The. World now that is a. Record and 547 00:28:58,520 --> 00:29:01,640 Speaker 1: if you're sitting there going super, furry what, now listen 548 00:29:02,160 --> 00:29:05,800 Speaker 1: these guys. Rule, Okay they've got this. Song their vibe 549 00:29:05,840 --> 00:29:08,760 Speaker 1: is summed up best in the song Called receptacle for The, 550 00:29:08,840 --> 00:29:11,600 Speaker 1: respectable which is off this Album Rings around The. World 551 00:29:12,080 --> 00:29:14,959 Speaker 1: it starts as this bouncy beach boy's earworm and then 552 00:29:14,960 --> 00:29:19,360 Speaker 1: it descends into like an electronica. Nightmare just like other britpop, 553 00:29:19,440 --> 00:29:22,600 Speaker 1: bands they were clearly inspired by the music of the nineteen, 554 00:29:22,640 --> 00:29:25,040 Speaker 1: sixties but they also had a foot in the present 555 00:29:25,120 --> 00:29:27,240 Speaker 1: and in the future in a way That oasis never. 556 00:29:27,280 --> 00:29:29,960 Speaker 1: Did kind of Like, RADIOHEAD i, guess but it's like 557 00:29:30,000 --> 00:29:32,480 Speaker 1: If radiohead had a sense of humor and a better 558 00:29:32,520 --> 00:29:35,640 Speaker 1: sense of. Melody no Shade radiohead love, them but The 559 00:29:35,640 --> 00:29:38,480 Speaker 1: fairies beat them in both the humor and melody. 560 00:29:38,480 --> 00:29:39,680 Speaker 2: Department The furries. 561 00:29:39,680 --> 00:29:42,560 Speaker 1: Were they're sort of like the anarchic prankster as a 562 00:29:42,600 --> 00:29:46,200 Speaker 1: Britpop they once bought this decommissioned military tank and they 563 00:29:46,240 --> 00:29:48,960 Speaker 1: would bring it to big music festivals and drive it 564 00:29:49,000 --> 00:29:54,520 Speaker 1: around on the, grounds just blaring. Techno they also were 565 00:29:54,560 --> 00:30:00,280 Speaker 1: aligned with this Guy Howard mark's aka Mister, nice who 566 00:30:00,360 --> 00:30:05,440 Speaker 1: was this, legendary legendary drug smuggler from back in the 567 00:30:05,680 --> 00:30:08,280 Speaker 1: well in the seventies AND i think into the eighties as. 568 00:30:08,320 --> 00:30:11,800 Speaker 1: Well his story is, wild and part of what he 569 00:30:11,880 --> 00:30:14,600 Speaker 1: used to do is he used to smuggle dope from 570 00:30:14,680 --> 00:30:19,600 Speaker 1: THE uk to THE us in the gear of touring 571 00:30:19,840 --> 00:30:22,720 Speaker 1: prog rock bands like bands Like genesis and. STUFF i 572 00:30:22,760 --> 00:30:25,000 Speaker 1: THINK i Think genesis is one of. Them and then 573 00:30:25,000 --> 00:30:30,000 Speaker 1: Eventually Howard marx created a fake band that wasn't even, 574 00:30:30,120 --> 00:30:33,040 Speaker 1: douring but he had the musical equipment that he was 575 00:30:33,080 --> 00:30:34,680 Speaker 1: stashing the dope in so we could get it through 576 00:30:34,680 --> 00:30:38,440 Speaker 1: customs and send it to The. States, anyways my point 577 00:30:38,440 --> 00:30:41,720 Speaker 1: here is that The furries aligned themselves with When Howard 578 00:30:41,760 --> 00:30:44,240 Speaker 1: marks became this sort of folk hero in the nineties 579 00:30:44,240 --> 00:30:46,640 Speaker 1: after he got out of. Prison his face is on 580 00:30:46,720 --> 00:30:50,960 Speaker 1: the cover of their first, Album Fuzzy, logic and his 581 00:30:51,600 --> 00:30:56,040 Speaker 1: face being the many different passport photos and aliases that 582 00:30:56,080 --> 00:30:59,800 Speaker 1: he had from his criminal. Career but The furries are 583 00:30:59,840 --> 00:31:05,560 Speaker 1: all sort of this anarchic prankster live in a bit 584 00:31:05,600 --> 00:31:09,720 Speaker 1: on the outside of what was deemed. ACCEPTABLE i guess 585 00:31:10,000 --> 00:31:12,840 Speaker 1: in this whole. Scene they also have the biggest Selling 586 00:31:12,840 --> 00:31:15,400 Speaker 1: welsh language album to date out, there which is pretty. 587 00:31:15,400 --> 00:31:18,680 Speaker 1: COOL i saw them perform live, twice once at The 588 00:31:19,080 --> 00:31:21,680 Speaker 1: Henry Fonda theater In Los angeles WHEN i lived, there 589 00:31:21,720 --> 00:31:25,040 Speaker 1: and then at The paradise In. Boston The paradise was 590 00:31:25,400 --> 00:31:28,640 Speaker 1: my first writing gig for The Boston. PHOENIX i was 591 00:31:28,680 --> 00:31:31,320 Speaker 1: supposed to be on the list to review that, show 592 00:31:31,800 --> 00:31:35,760 Speaker 1: but unbeknownst to, me the music editor who assigned the 593 00:31:35,880 --> 00:31:39,120 Speaker 1: article to, me either they quit or they were fired 594 00:31:39,920 --> 00:31:43,360 Speaker 1: right AFTER i was assigned this, story so they never 595 00:31:43,400 --> 00:31:45,800 Speaker 1: actually contacted The paradise to get me on the, list. 596 00:31:45,960 --> 00:31:48,120 Speaker 1: Right SO i get there AND i walk up to 597 00:31:48,160 --> 00:31:50,200 Speaker 1: the window AND i give him my, Name i'm on the, 598 00:31:50,240 --> 00:31:53,600 Speaker 1: list AND i wasn't on the, list and the show 599 00:31:53,640 --> 00:31:56,080 Speaker 1: was sold out and they wouldn't let me. In AND 600 00:31:56,120 --> 00:32:00,720 Speaker 1: i was Like William miller in almost, famous you, know 601 00:32:00,840 --> 00:32:04,200 Speaker 1: running down to the back door of the venue trying 602 00:32:04,200 --> 00:32:06,840 Speaker 1: to get into the Interview Black sabbath and having the 603 00:32:06,840 --> 00:32:09,680 Speaker 1: doorman like laugh in my. Face it was literally happening 604 00:32:09,760 --> 00:32:12,680 Speaker 1: to me in real. Time and WHILE i was not 605 00:32:12,880 --> 00:32:15,600 Speaker 1: ceremoniously rescued by a group of band aids led by 606 00:32:15,640 --> 00:32:19,320 Speaker 1: the Beautiful Penny, LANE i did manage to use my 607 00:32:19,440 --> 00:32:23,280 Speaker 1: gift of gab to finally get inside and see the 608 00:32:23,320 --> 00:32:26,760 Speaker 1: show and write the, piece WHICH i gotta, Say i'm 609 00:32:26,760 --> 00:32:28,960 Speaker 1: still pretty impressed with myself THAT i managed to pull that. 610 00:32:29,000 --> 00:32:32,600 Speaker 1: Off the thing, is the piece never ran because. 611 00:32:32,280 --> 00:32:33,160 Speaker 2: Then editor was. 612 00:32:33,240 --> 00:32:36,360 Speaker 1: Gone so, ANYWAYS i don't know whatever happened to. That all, 613 00:32:36,440 --> 00:32:38,080 Speaker 1: right enough about, Me what about all of? You what 614 00:32:38,120 --> 00:32:39,920 Speaker 1: are you guys? Watching what are you listening? To are 615 00:32:39,920 --> 00:32:41,880 Speaker 1: you on the oasis side of the? Street are you 616 00:32:41,920 --> 00:32:45,040 Speaker 1: a blur fan of super furry? Animals maybe maybe you're 617 00:32:45,080 --> 00:32:47,640 Speaker 1: Into suede let me. Know six one seven nine oh 618 00:32:47,760 --> 00:32:51,320 Speaker 1: six six six three, Eight AND i want you to hang. 619 00:32:51,400 --> 00:32:53,200 Speaker 1: Tight we got to take one more, break But i'll 620 00:32:53,240 --> 00:33:09,680 Speaker 1: be right back with some final parting. Thoughts, yo, Yo, 621 00:33:09,760 --> 00:33:13,200 Speaker 1: yo my, people good people Of Hollywood. Land it has 622 00:33:13,280 --> 00:33:16,280 Speaker 1: once again been my pleasure to hang out with all 623 00:33:16,280 --> 00:33:18,760 Speaker 1: of you here in The Rap. PARTY i truly hope 624 00:33:18,760 --> 00:33:22,160 Speaker 1: you've enjoyed your, time and if you've, written or texted 625 00:33:22,280 --> 00:33:24,960 Speaker 1: or called, in got to say thanks so much for 626 00:33:25,000 --> 00:33:26,840 Speaker 1: being a part of the conversation. Here one of the 627 00:33:26,920 --> 00:33:31,360 Speaker 1: highlights of my week is preparing for this the show 628 00:33:31,400 --> 00:33:35,360 Speaker 1: every week and going into into the phone banks, there 629 00:33:35,480 --> 00:33:38,040 Speaker 1: going into the voicemails and the text messages and the 630 00:33:38,080 --> 00:33:40,960 Speaker 1: emails and everything the. DMS i love, that AND i 631 00:33:41,040 --> 00:33:43,640 Speaker 1: love to see what you're all responding to and what 632 00:33:43,680 --> 00:33:44,080 Speaker 1: you're thinking. 633 00:33:44,120 --> 00:33:44,960 Speaker 2: About it's. 634 00:33:44,960 --> 00:33:46,800 Speaker 1: Great and if you, haven't if you haven't gotten in, 635 00:33:46,880 --> 00:33:47,680 Speaker 1: touch then what are you waiting? 636 00:33:47,680 --> 00:33:48,239 Speaker 2: For get in? 637 00:33:48,240 --> 00:33:50,840 Speaker 1: Here we want to hear from. You one way you 638 00:33:50,840 --> 00:33:54,280 Speaker 1: can get super involved with me And jake and and 639 00:33:54,360 --> 00:33:57,360 Speaker 1: our production Guy matt and all the other discos out 640 00:33:57,400 --> 00:34:00,800 Speaker 1: there in the Disgraced, Land Hollywood Land Double Elvis, world of, 641 00:34:00,840 --> 00:34:03,480 Speaker 1: course is to join us over In All, access which 642 00:34:03,560 --> 00:34:07,120 Speaker 1: is our member only, experience talking specifically about The patreon 643 00:34:07,200 --> 00:34:10,280 Speaker 1: version Of All, access where the conversation is on twenty 644 00:34:10,280 --> 00:34:13,800 Speaker 1: four to seven and there's always lots of exclusive bonus content. 645 00:34:13,880 --> 00:34:17,200 Speaker 1: Happening you can also become An All access member On Apple, 646 00:34:17,239 --> 00:34:19,760 Speaker 1: podcast which is totally. Dope but if you want some extra, 647 00:34:19,840 --> 00:34:23,560 Speaker 1: extra we've got more video content coming down the pike In. Patreon, 648 00:34:23,680 --> 00:34:26,680 Speaker 1: actually there are a lot of really exciting new things 649 00:34:26,680 --> 00:34:29,200 Speaker 1: coming down the pike very very soon over In. Patreon 650 00:34:29,280 --> 00:34:32,560 Speaker 1: i'm talking in the next three weeks or, so so 651 00:34:32,600 --> 00:34:33,920 Speaker 1: you don't want to miss out on, that and in 652 00:34:33,920 --> 00:34:36,920 Speaker 1: addition to all that new exciting. Stuff as a, member 653 00:34:37,000 --> 00:34:40,719 Speaker 1: you get ad free listening for every Hollywood land And disgraceline, 654 00:34:40,760 --> 00:34:44,080 Speaker 1: episode plus a weekly bonus mini episode Of. Disgraceland and 655 00:34:44,560 --> 00:34:47,080 Speaker 1: there's a member only bonus section of The After, party 656 00:34:47,080 --> 00:34:49,719 Speaker 1: which is The disgraceland version of this show, here and 657 00:34:49,840 --> 00:34:52,239 Speaker 1: in that member only bonus section you get me And 658 00:34:52,360 --> 00:34:55,720 Speaker 1: jake chopping it up each week with recommendations or behind 659 00:34:55,760 --> 00:34:58,680 Speaker 1: the scenes stuff that you can't get anywhere. Else and 660 00:34:58,880 --> 00:34:59,840 Speaker 1: how do you become a? 661 00:34:59,840 --> 00:35:00,520 Speaker 2: Men you? 662 00:35:00,560 --> 00:35:04,520 Speaker 1: Know you just go to disgracelamdpod dot. Com all right with, 663 00:35:04,600 --> 00:35:06,319 Speaker 1: That i've got to. JUMP i actually have to go 664 00:35:06,360 --> 00:35:08,399 Speaker 1: prepare to make some of this new video content later 665 00:35:08,440 --> 00:35:11,520 Speaker 1: today with my Guy Jake. Brennan but BEFORE i leave you, 666 00:35:11,680 --> 00:35:15,000 Speaker 1: all here are the four important THINGS i need you to. 667 00:35:15,120 --> 00:35:18,239 Speaker 1: Remember number, one available right now in Your Hollywood land, 668 00:35:18,280 --> 00:35:22,440 Speaker 1: Feed our episode On Anna Nicole. Smith number two coming 669 00:35:22,480 --> 00:35:26,840 Speaker 1: next week On, Monday our episode On. Poltergeist number three 670 00:35:27,080 --> 00:35:30,520 Speaker 1: over in The disgraceland. Feed spooky season continues with this 671 00:35:30,560 --> 00:35:34,560 Speaker 1: week's brand new episode On Doom Metal Pioneers, pentagram plus 672 00:35:34,719 --> 00:35:39,360 Speaker 1: upcoming new episodes On Judas PRIEST acdc And. More number. 673 00:35:39,400 --> 00:35:43,200 Speaker 1: Four now in honor of this week's, episode me Reading, 674 00:35:43,280 --> 00:35:46,200 Speaker 1: you the list of the top grossing films From february 675 00:35:46,239 --> 00:35:48,920 Speaker 1: two thousand and, seven the month That Anna Nicole smith 676 00:35:49,200 --> 00:35:56,279 Speaker 1: died at the age of thirty. Nine number One, ghostwriter 677 00:35:56,960 --> 00:36:03,640 Speaker 1: directed By Mark Stephen. Johnson number Two norbit directed By Brian, 678 00:36:03,719 --> 00:36:08,359 Speaker 1: robbins as of, Each number, Three bridge To, tarabithia number 679 00:36:08,400 --> 00:36:11,720 Speaker 1: eight directed By I's Like Gabor Chris ball directed By Directed, 680 00:36:11,760 --> 00:36:15,120 Speaker 1: Perry number Four Stephen. Johnson BECAUSE I Said so directed 681 00:36:15,120 --> 00:36:18,759 Speaker 1: By Michael delayman By sean directed By number. Five The 682 00:36:18,800 --> 00:36:23,080 Speaker 1: messengers were directed by The Pang Brothers Yer number. 683 00:36:23,160 --> 00:36:25,799 Speaker 2: Six music And lyrics Sixty Jordan. 684 00:36:25,719 --> 00:36:31,120 Speaker 1: Foquit talking and start Mixing. 685 00:36:31,719 --> 00:36:31,759 Speaker 3: It