WEBVTT - Rob Corddry

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<v Speaker 1>Improv still terrifies me to this day. I was doing

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<v Speaker 1>it for the that the skill, to to learn this skill,

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<v Speaker 1>to be comfortable, for confidence and for like you know,

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<v Speaker 1>and also for the community. I made a lot of

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<v Speaker 1>great friends there and we then branched out and did

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<v Speaker 1>other things. As you know. Yeah, you you you said

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<v Speaker 1>it terrifies you do you. There's no there's no lines, Brian.

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<v Speaker 1>You gotta you gotta make them up. Yes, and that's terrifying.

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<v Speaker 1>It's stupid. Shakespeare's got all planned out for you. Hi.

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<v Speaker 1>My name is Rob Quadrey, and I am a gentleman.

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<v Speaker 1>Hello everybody, and welcome back to a brand spanking new

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<v Speaker 1>episode of Off the B. As always, this is your host,

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<v Speaker 1>Brian Baumgartner. Now, as you just heard today, I'm bringing

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<v Speaker 1>on a very exciting guest, the incredible, the hilarious, my

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<v Speaker 1>friend and yours, Rob Cordrey. Maybe you know him as

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<v Speaker 1>Lou from Hot Tub Time Machine, or from his time

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<v Speaker 1>playing Dr Blake Clowns on Children's Hospital, or maybe even

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<v Speaker 1>from his latest conquest as the host of top Gear America.

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<v Speaker 1>Whatever it is, you know him because he's been on

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<v Speaker 1>just about every movie ever made. That's right, I mean,

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<v Speaker 1>this is a man who came up during what some

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<v Speaker 1>could argue is the most exciting times in the history

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<v Speaker 1>of comedy, the birth of U c. B, The Upright

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<v Speaker 1>Citizens Brigade, and then on The Daily Show with John Stewart.

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<v Speaker 1>He took everything that he learned the air to go off,

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<v Speaker 1>to adapt and to create true greatness. And that's what

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<v Speaker 1>he continues to do to this day. So, yeah, he's

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<v Speaker 1>a he's a pretty cool guy. And also he's a

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<v Speaker 1>good guy. I mean, he said it himself. The man

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<v Speaker 1>is a gentleman. So now that that is out of

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<v Speaker 1>the way, it's time to bring Rob on. I am

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<v Speaker 1>so excited to share this conversation with you, Rob Cordry. Everybody,

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<v Speaker 1>Bubble and Squeak. I love it, Bubble and Squeak on,

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<v Speaker 1>Bubble and Squeaker, cooking it every month, lift over from

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<v Speaker 1>the nut before. What's up, Rob? What's going on right?

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<v Speaker 1>How are you? Man? I'm so good. Thank you so

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<v Speaker 1>much for coming to talk to me. Oh my god,

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<v Speaker 1>thanks for having me. Where where are you right now?

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<v Speaker 1>I'm I'm in my office, my home office. Yeah, my

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<v Speaker 1>my illegal garage conversion. Perfect. Well, as long as you

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<v Speaker 1>don't sell, there's nothing illegal about it. Yeah, I guess. Yeah,

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<v Speaker 1>that's right. So I guess I'm stuck here. I am.

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<v Speaker 1>I'm coming to you. This is the first first time

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<v Speaker 1>on the road from Atlanta, Georgia, in a hotel that

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<v Speaker 1>very bizarre pome it's pomegranate. It looks weirdly both sexual

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<v Speaker 1>and kind of grotesque. Yeah, that's an odd hotel art

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<v Speaker 1>behind you. Yeah, it's it's pomegrand It's like an intense

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<v Speaker 1>close up on pomegranate seeds. Yeah, but do you think

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<v Speaker 1>the artist was really like it's a metaphor somehow. I

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<v Speaker 1>don't know if that artist was thinking pomegranate seeds. It's

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<v Speaker 1>probably something to do with Genitalia. Okay, Yeah, you're probably right.

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<v Speaker 1>It's that old Georgia o'key thing. I am in Georgia.

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<v Speaker 1>So there you go. Thank you, thanks for talking to me.

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<v Speaker 1>I am such a huge fan of you and yours.

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<v Speaker 1>I want to start going back to the beginning with you.

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<v Speaker 1>You grew up in uh in Massachusetts, Waymouth. Actually, you

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<v Speaker 1>know it's so funny is that I've never heard anybody

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<v Speaker 1>pronounce it like that. But it's the most obvious pronunciation,

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<v Speaker 1>isn't it. I guess yeah, No, it's yeah, it's Weymouth.

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<v Speaker 1>Nothing in Massachusetts is pronounced like it's spelled. For instance,

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<v Speaker 1>the city right smack in the middle of Massachusetts w

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<v Speaker 1>O R C E S T e R looks like

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<v Speaker 1>Worcester or something. It's whist. What of course, it's describe

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<v Speaker 1>your town three words or five? Uh, chip on shoulder,

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<v Speaker 1>got it? Okay, that's clear, and I now know exactly

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<v Speaker 1>what your town was like. Yeah, were you were always

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<v Speaker 1>interested in the arts? Um? Yes, and no. I guess

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<v Speaker 1>abstract lee, I wasn't necessarily interested in the I would.

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<v Speaker 1>I love to draw, I love to write, but I

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<v Speaker 1>never I would never, as a kid, say that meant

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<v Speaker 1>I was interested in the arts. Does that make any sense?

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<v Speaker 1>I guess maybe that. I think that's that sort of

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<v Speaker 1>blue collar Boston upbringing, whereas like no one does the odds. Dude,

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<v Speaker 1>you know they have for fairies and fruitcakes and so

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<v Speaker 1>so I guess I was like, um yeah, very sensitive kid,

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<v Speaker 1>but but uh. It took a while for me to

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<v Speaker 1>realize that. I Like, I watched some home movies of

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<v Speaker 1>myself and I was like, God, I was way more

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<v Speaker 1>quiet and anxious looking than I remember being. Yeah it was,

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<v Speaker 1>you asked me about what was my upbringing, like right

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<v Speaker 1>or town? Yeah? Well yeah, like like in terms of

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<v Speaker 1>the arts and the arts, Yeah yeah, so that, I

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<v Speaker 1>guess um lends itself, that sensitivity lends itself to broadly

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<v Speaker 1>preferring the arts over something like sports or pipe fitting.

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<v Speaker 1>Right right. I have read that you described yourself as

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<v Speaker 1>as a class clown. Now was that about performing or

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<v Speaker 1>was that about coping? Or coping? For sure? It was totally.

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<v Speaker 1>Any talent I have now, especially in comedy, has to

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<v Speaker 1>do with avoiding fights. It was kind of like I was, Um.

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<v Speaker 1>I worked in this restaurant in New York and this

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<v Speaker 1>bus boy had just gotten out a prison, and and

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<v Speaker 1>we became friendly, and after a while he told me

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<v Speaker 1>I would do good in prison. It was like, you

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<v Speaker 1>do good in prison? I was like, you know what,

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<v Speaker 1>what not? Are you kidding me? I was really a

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<v Speaker 1>lot prettier back then, and and and he said, no,

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<v Speaker 1>you're funny, And I was like, oh my god, Well

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<v Speaker 1>that's how I got through childhood. Everybody in my town

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<v Speaker 1>was like their fathers were from Southey, and you know,

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<v Speaker 1>their cousins beat the crap out of them because they

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<v Speaker 1>weren't from Southie anymore. They were from Weymouth and and

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<v Speaker 1>and then they just transferred that onto everybody else and

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<v Speaker 1>it was a tough it was a it was it

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<v Speaker 1>was a scary town. It was I remember it being scary.

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<v Speaker 1>I that said, you know, it was a good child

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<v Speaker 1>though it overall? Right, you you became an eagle scout. Yeah, yeah, yeah,

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<v Speaker 1>that's it. That's impressive. Well, thank you. I um, it

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<v Speaker 1>was yeah. I mean, I don't know what else to

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<v Speaker 1>say about it. Yeah, you just did that. That was

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<v Speaker 1>the thing you did. Thank you very much. I did it.

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<v Speaker 1>When when uh you you you ended up going to

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<v Speaker 1>you mask? When did you start to think that theater

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<v Speaker 1>was something that you were interested in doing? Well? I

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<v Speaker 1>never got along with the guys in high school that

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<v Speaker 1>used to do theater. They were in a class above me.

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<v Speaker 1>As a matter of fact, speaking of fights, I got

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<v Speaker 1>into a fight with one of them at a party

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<v Speaker 1>over a girl. And so it was I I just

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<v Speaker 1>didn't want to be part of that whole thing. Although

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<v Speaker 1>I thought I could do that, you know, just instinctively

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<v Speaker 1>thought I could do it. And then when they graduated

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<v Speaker 1>senior year, I ended up doing two plays, the only

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<v Speaker 1>two plays that were offered basically in my high school

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<v Speaker 1>and and then when I went to college, I didn't

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<v Speaker 1>do anything my freshman year. I just I guess I

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<v Speaker 1>had considered that sort of a lark. And uh then

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<v Speaker 1>my I had a roommate first semester sophomore year named Cutter.

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<v Speaker 1>He was we were very like minded, and uh, he

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<v Speaker 1>signed me up for a play. He just signed me

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<v Speaker 1>up for an audition, and and we both and you know,

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<v Speaker 1>so I was like, oh man, so I went in

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<v Speaker 1>and did the audition. We both ended up getting it, okay.

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<v Speaker 1>So that that was so it's it's really like not

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<v Speaker 1>of my doing that. I ended up here today. It's Cutter.

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<v Speaker 1>It's Cutter. Yeah did he did? He pursue it later on? Yeah,

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<v Speaker 1>he's still doing it now. He's say he's a pretty

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<v Speaker 1>successful voice actor, and you know he shows up on

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<v Speaker 1>TV and films sometimes too and does his does his

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<v Speaker 1>stuff rights. I believe is this John Cutter? You know,

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<v Speaker 1>his name's uh Cutter, Garsia, Cutter, Garcia. We'll shout out

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<v Speaker 1>to Cutter guarenas Cutter. Yeah, I read this. This is

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<v Speaker 1>so interesting to me because no joke. I don't know

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<v Speaker 1>how old you are, but I feel I had a

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<v Speaker 1>weird attachment to this movie as well. I read that

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<v Speaker 1>a big influence of yours was the movie Arthur. Yeah,

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<v Speaker 1>why how and why Yeah? My wife bought that for

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<v Speaker 1>me for my birthday when you're just because she liked

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<v Speaker 1>she enjoyed watching me watch it. Um how indeed, right, Um,

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<v Speaker 1>I guess it was because I grew up in that era, uh,

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<v Speaker 1>when HBO was in its infancy, you know, and and

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<v Speaker 1>there were in those days if you had HBO, and

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<v Speaker 1>there was just that HBO at one point, and they

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<v Speaker 1>would just play certain movies on a loop. And you know,

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<v Speaker 1>Arthur was one of them. And Arthur two on the

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<v Speaker 1>Rocks on the Rock doesn't hold up as well and

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<v Speaker 1>it does not let Yeah, but so that you know,

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<v Speaker 1>like Silver Streak, I remember being a big like having

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<v Speaker 1>a big moment on it. Yeah and yeah, and but

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<v Speaker 1>Arthur was just the best one of of of all

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<v Speaker 1>of them, at least that I can remember. And so

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<v Speaker 1>I just I got in the college and and uh,

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<v Speaker 1>I had another roommate who had it on VHS and

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<v Speaker 1>we just watched it over and over and over again,

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<v Speaker 1>and then that just it just stuck with me. It's

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<v Speaker 1>it's something that it's that one movie I can probably

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<v Speaker 1>quote verbatim. Wow, Yeah, did you ever meet Dudley Moore? No,

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<v Speaker 1>I don't know if i'd want to. I don't know

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<v Speaker 1>what i'd say to a guy like that. I usually

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<v Speaker 1>blow it with guys like that. I really I make

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<v Speaker 1>an ass out. Oh classically, Yeah, what what do you mean? Like,

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<v Speaker 1>you get awkward if you if you really love them

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<v Speaker 1>or respect them. Yeah, And I don't even know I'm

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<v Speaker 1>doing yet. Like at the Daily Show, Stephen King was

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<v Speaker 1>the guest, and I was like, you know, I never

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<v Speaker 1>went and bothered the guests, but but he was such

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<v Speaker 1>an inspiration influence on me. I'd read all his books.

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<v Speaker 1>I still think he's one of the greatest American storytellers.

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<v Speaker 1>And I said to him, I said, I just wanted

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<v Speaker 1>to say what a big fan I am. And he went, oh,

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<v Speaker 1>thank you. Hey, yeah, you're from Boston, right, go Red

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<v Speaker 1>Sox like and so I was like, oh my god,

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<v Speaker 1>we were. It's it's terrible when they give you an inch.

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<v Speaker 1>And I went, anyway, yeah, I know you've got to prepare.

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<v Speaker 1>I'm I'm just your biggest fan. And I said, as

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<v Speaker 1>I said it in a way that he must have thought,

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<v Speaker 1>I was like quoting misery or something in that annoying

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<v Speaker 1>way that in that annoying way fans do, and he

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<v Speaker 1>just kind of like his smile just kind of went away,

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<v Speaker 1>and he went, well, just don't cut off my feet,

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<v Speaker 1>and then he turned around slowly he turned his back

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<v Speaker 1>on me. Oh no, that is the mildest weird fails

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<v Speaker 1>I've had with celebrities. I don't know. That is pretty bad, right,

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<v Speaker 1>that's pretty that's pretty bad as you're saying it, realizing

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<v Speaker 1>you're quoting one of the famous lines of him. Yes, yeah,

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<v Speaker 1>I had no idea. I wasn't I wouldn't do that.

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<v Speaker 1>I mean, I guess some sense. So Cutter gets you

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<v Speaker 1>into the plays, you start doing the plays, then you

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<v Speaker 1>you get cast in an off Broadway production of The

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<v Speaker 1>Manchurian Candidate. So are you at this point you're interested

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<v Speaker 1>in theater, right? Acting? Yeah? Yeah, yeah, yeah, I I

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<v Speaker 1>went you know when when I in in college. Once

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<v Speaker 1>I got that one play, I was off and running

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<v Speaker 1>and I joined the theater department. I had a second

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<v Speaker 1>major in theater. And then at the I remember with

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<v Speaker 1>my I had one of an acting teacher you probably

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<v Speaker 1>had when everybody does one of those gurus that you

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<v Speaker 1>never forget. And his name was Ed Golden, and he

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<v Speaker 1>said to me, he called it. Right before we graduated,

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<v Speaker 1>he had a little conference, personal conference with all his students,

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<v Speaker 1>and he said to me, Um, and I'm by the way,

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<v Speaker 1>doing a perfect imitations spot on Ed Golden. So do

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<v Speaker 1>you think, um, you want to do this, uh for

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<v Speaker 1>a living? And I went, uh, yeah, yeah, I think

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<v Speaker 1>I think so. And he goes, mm hmmm, yeah you can.

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<v Speaker 1>It's just like a matter of factly gave me permission

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<v Speaker 1>to live. Yeah. And I went to New York the

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<v Speaker 1>day after I graduated. Wow. Yeah. And you well, so

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<v Speaker 1>you start working odd jobs. You were a security guard

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<v Speaker 1>at the met Yeah, very odd jobs. What was the

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<v Speaker 1>what was the oddest job you had? I was passing out,

0:15:33.400 --> 0:15:38.800
<v Speaker 1>probably passing out menus for a Mexican restaurant in Hell's Kitchen.

0:15:39.560 --> 0:15:42.440
<v Speaker 1>I hate those I hate that people. I mean, I

0:15:42.480 --> 0:15:45.000
<v Speaker 1>don't hate the people who do that job. I don't

0:15:45.040 --> 0:15:47.520
<v Speaker 1>hate the people that do that job. I find it

0:15:47.640 --> 0:15:50.480
<v Speaker 1>so awkward. But it's so weird because the guy it

0:15:50.560 --> 0:15:53.120
<v Speaker 1>was a daily every day for the first for a

0:15:53.160 --> 0:15:55.360
<v Speaker 1>couple of hours in the morning, and he, the owner,

0:15:55.400 --> 0:15:58.840
<v Speaker 1>would look at me and and he wasn't Mexican, so

0:15:58.920 --> 0:16:00.880
<v Speaker 1>I don't know what his acts sent was that I'm

0:16:00.920 --> 0:16:05.160
<v Speaker 1>just doing an appropriation. He said, just every time you

0:16:05.240 --> 0:16:13.000
<v Speaker 1>give out the flyer, say good Mexican food. So he

0:16:13.040 --> 0:16:16.720
<v Speaker 1>had to hit a fire go good Mexican food. And

0:16:16.760 --> 0:16:19.080
<v Speaker 1>I would. I learned that thing where you if you

0:16:19.240 --> 0:16:21.600
<v Speaker 1>take one flyer and you smack it on the rest

0:16:21.600 --> 0:16:28.640
<v Speaker 1>of him, it's like and it gets people's attention. M Yeah.

0:16:28.680 --> 0:16:30.760
<v Speaker 1>After about a week or two doing that, I just

0:16:30.800 --> 0:16:38.960
<v Speaker 1>would throw them away and go sleep in Central Park. Yeah, yeah, yeah.

0:16:39.080 --> 0:16:41.240
<v Speaker 1>Let me be clear, I don't hate the people who

0:16:41.320 --> 0:16:43.920
<v Speaker 1>do that job. I hate that job being done. I

0:16:44.000 --> 0:16:46.600
<v Speaker 1>hate that job. Yeah, I hate that job being done

0:16:46.680 --> 0:16:49.880
<v Speaker 1>to me though, as someone walking along the street. God

0:16:49.880 --> 0:16:54.960
<v Speaker 1>blessed Los Angeles because we have a very specific version

0:16:55.000 --> 0:16:59.040
<v Speaker 1>of that, which is wonderful. That the sign spinners, Yes,

0:16:59.080 --> 0:17:01.760
<v Speaker 1>the sign spinners. I don't know if that exists anywhere else.

0:17:01.800 --> 0:17:05.080
<v Speaker 1>Do you know, I never thought about it before. It does,

0:17:05.200 --> 0:17:09.320
<v Speaker 1>I've never seen it anywhere else. It's because you're driving,

0:17:10.280 --> 0:17:12.440
<v Speaker 1>so you yeah, and in New York if you if

0:17:12.440 --> 0:17:16.880
<v Speaker 1>you spun the sign, you would hit fourteen people. Here

0:17:17.480 --> 0:17:20.880
<v Speaker 1>it's it's your virtual handing of the menu because it's

0:17:21.000 --> 0:17:23.639
<v Speaker 1>you're in a car, but nobody can read the side,

0:17:23.640 --> 0:17:26.480
<v Speaker 1>which is the best part. You know, I know, it's ridiculous.

0:17:27.080 --> 0:17:49.280
<v Speaker 1>It's ridiculous. So then, as I said, you could cast

0:17:49.280 --> 0:17:53.240
<v Speaker 1>in an off Broadway production of The Manchurian Candidate. You

0:17:53.320 --> 0:17:58.439
<v Speaker 1>then go on tour with the National Shakespeare Company. So

0:17:58.520 --> 0:18:03.280
<v Speaker 1>at this moment you are as you are a serious actor. Yeah,

0:18:03.359 --> 0:18:07.680
<v Speaker 1>I did. A Manchurian Candidate was probably the only play

0:18:07.760 --> 0:18:13.480
<v Speaker 1>I did in New York that wasn't Shakespeare. Okay. I

0:18:13.640 --> 0:18:19.400
<v Speaker 1>fancied myself quite a Shakespearean thespian. I mean too, by

0:18:19.400 --> 0:18:22.800
<v Speaker 1>the way, I don't Yes, I was at the Gut

0:18:22.800 --> 0:18:27.800
<v Speaker 1>three many times. Didn't many uh Shakespearean productions myself. I

0:18:27.880 --> 0:18:30.880
<v Speaker 1>now get made fun of it because people think when

0:18:30.920 --> 0:18:33.400
<v Speaker 1>I say it, they think that I'm trying to take

0:18:33.440 --> 0:18:38.480
<v Speaker 1>myself seriously. No, it's just a I did place that

0:18:38.520 --> 0:18:41.680
<v Speaker 1>were written by Shakespeare. Yeah, man, and by the day

0:18:42.119 --> 0:18:45.560
<v Speaker 1>Shakespeare in his day. I used to teach a little

0:18:45.880 --> 0:18:50.000
<v Speaker 1>course along with that National Shakespeare Shakespeare Company job about

0:18:50.760 --> 0:18:55.000
<v Speaker 1>Shakespeare and uh and and two students. And the thing

0:18:55.000 --> 0:18:57.360
<v Speaker 1>about Shakespeare is that he was like the Michael Bay

0:18:57.520 --> 0:19:01.520
<v Speaker 1>of his day. This was schlocky, right, It was not

0:19:01.840 --> 0:19:05.720
<v Speaker 1>upper crust stuff. This was for the ground blazes, the

0:19:05.880 --> 0:19:10.879
<v Speaker 1>like rabble, and you know it was. That's why he

0:19:10.920 --> 0:19:13.399
<v Speaker 1>repeats things over and over again, because no one's gonna

0:19:13.760 --> 0:19:16.440
<v Speaker 1>hear it the first time. They were all beating each

0:19:16.480 --> 0:19:20.800
<v Speaker 1>other up and drinking. But yeah, so I I it's

0:19:20.800 --> 0:19:23.440
<v Speaker 1>funny when people think of it as as so highbrow,

0:19:23.560 --> 0:19:27.080
<v Speaker 1>you know, yeah, I mean the stories are fairly just

0:19:27.920 --> 0:19:32.840
<v Speaker 1>universal and simple, and the comedy is not highbrow at all.

0:19:33.160 --> 0:19:38.920
<v Speaker 1>Oh my god, he like coined so many dirty phrases.

0:19:39.240 --> 0:19:44.240
<v Speaker 1>And you know, Hamlet, I believe, I don't know if

0:19:44.240 --> 0:19:46.959
<v Speaker 1>it's the first, you know, it couldn't be, but he

0:19:46.960 --> 0:19:50.359
<v Speaker 1>he references like, I'm I'll refrain from saying the actual

0:19:50.400 --> 0:19:53.080
<v Speaker 1>word because it offends so many people. But the C

0:19:53.320 --> 0:20:00.719
<v Speaker 1>word he he says, yeah. Hamlet says um to Ophelia, Ma, lady,

0:20:01.119 --> 0:20:04.679
<v Speaker 1>melee in your lap and she says, no, my lord,

0:20:05.440 --> 0:20:08.639
<v Speaker 1>and he says, no, I meant my head in your lap.

0:20:09.640 --> 0:20:16.359
<v Speaker 1>Did you think I meant country matters? It's Shakespeare popping

0:20:16.400 --> 0:20:19.359
<v Speaker 1>off the sea word got popping it off. That's because

0:20:19.359 --> 0:20:22.560
<v Speaker 1>that's what he meant. Did you think I meant country matters. Yes,

0:20:25.000 --> 0:20:29.000
<v Speaker 1>what was it like being on the road touring? Man,

0:20:29.320 --> 0:20:32.119
<v Speaker 1>it was awesome. I was twenty four and twenty five

0:20:32.200 --> 0:20:34.359
<v Speaker 1>years old. I was there doing it for about a year.

0:20:35.240 --> 0:20:38.960
<v Speaker 1>There was a fifteen past van and another van that

0:20:39.080 --> 0:20:43.480
<v Speaker 1>two people were in with all the sets and we

0:20:43.480 --> 0:20:47.840
<v Speaker 1>we did the crappiest Shakespeare ever. But you know it

0:20:47.960 --> 0:20:51.800
<v Speaker 1>was not a great brutal proud of it. Oh well

0:20:52.400 --> 0:20:54.879
<v Speaker 1>I was at the time. I thought we were changing theater,

0:20:55.080 --> 0:21:00.159
<v Speaker 1>but it was. But you know that I've made I

0:21:00.240 --> 0:21:03.200
<v Speaker 1>made friends that i've I still have to this day.

0:21:03.440 --> 0:21:06.080
<v Speaker 1>And it was such and I got to see the

0:21:06.119 --> 0:21:12.000
<v Speaker 1>country really for the first time. Um, it was pretty awesome.

0:21:12.040 --> 0:21:15.159
<v Speaker 1>And also just doing something like that for that long,

0:21:15.600 --> 0:21:21.600
<v Speaker 1>doing two plays for that long was an education as well,

0:21:21.960 --> 0:21:26.119
<v Speaker 1>in an acting education, like how you keep it going,

0:21:26.280 --> 0:21:29.119
<v Speaker 1>how you you know, get up and do it each

0:21:29.240 --> 0:21:32.880
<v Speaker 1>night and make it fresh and blah blah blah. Yeah,

0:21:33.040 --> 0:21:35.200
<v Speaker 1>I did. You know, it's interesting. I don't think I've

0:21:35.240 --> 0:21:38.679
<v Speaker 1>talked to anybody about that before, but I did. I

0:21:38.720 --> 0:21:41.560
<v Speaker 1>did a production for a year, toured it. A couple

0:21:41.640 --> 0:21:48.199
<v Speaker 1>of places, had a residency, like and you know, you

0:21:48.200 --> 0:21:49.800
<v Speaker 1>didn't exactly say this, so I don't want to put

0:21:49.840 --> 0:21:54.159
<v Speaker 1>words in your mouth, but the the idea of making

0:21:54.200 --> 0:21:58.720
<v Speaker 1>it like the first time, right, like having to after

0:21:58.840 --> 0:22:03.239
<v Speaker 1>you've done it too hundred times that old you know.

0:22:03.359 --> 0:22:07.240
<v Speaker 1>I mean, it's like an obvious old time stereotypical direct

0:22:07.280 --> 0:22:09.080
<v Speaker 1>like say it like it's the first time or whatever,

0:22:09.119 --> 0:22:13.400
<v Speaker 1>but like actually having to do that so much, I

0:22:13.440 --> 0:22:16.840
<v Speaker 1>think in a weird way. Even when you start talking

0:22:16.880 --> 0:22:19.320
<v Speaker 1>about film and television and you're you're not doing it

0:22:19.600 --> 0:22:21.879
<v Speaker 1>two hundred times over the course of a year, but

0:22:22.040 --> 0:22:25.320
<v Speaker 1>sometimes you're doing it twenty five times in the span

0:22:25.359 --> 0:22:28.479
<v Speaker 1>of an hour. And that idea of having to do that,

0:22:28.560 --> 0:22:32.040
<v Speaker 1>I I never really was thinking about that, But that

0:22:32.160 --> 0:22:34.919
<v Speaker 1>is a really good lesson, right, Yeah, it really is.

0:22:35.119 --> 0:22:39.560
<v Speaker 1>And uh and you know it's sometimes it starts off

0:22:39.600 --> 0:22:43.159
<v Speaker 1>just being luck when I was, you know, like, oh tonight,

0:22:43.160 --> 0:22:46.240
<v Speaker 1>I'm for some reason more into it than I was

0:22:46.359 --> 0:22:49.800
<v Speaker 1>last night, you know, And that's when I started. That's

0:22:49.800 --> 0:22:53.640
<v Speaker 1>when you start to think about it, the mechanics of it. Yeah,

0:22:53.840 --> 0:22:56.280
<v Speaker 1>you get back to New York. Now at this point

0:22:56.760 --> 0:23:02.480
<v Speaker 1>you're a serious Shakespearean actor, and then you get involved

0:23:02.600 --> 0:23:07.159
<v Speaker 1>with what was at the time this little improv group

0:23:07.760 --> 0:23:12.479
<v Speaker 1>you see b upright Citizens Brigade. How did you how

0:23:12.480 --> 0:23:16.000
<v Speaker 1>did you discover this group? And why as a serious

0:23:16.080 --> 0:23:19.280
<v Speaker 1>actor did you did you pursue wanting to do stuff

0:23:19.280 --> 0:23:24.600
<v Speaker 1>with them? That's a good question. Uh, you know, I,

0:23:25.640 --> 0:23:28.520
<v Speaker 1>first of all, I mean I realized the one thing

0:23:28.600 --> 0:23:30.960
<v Speaker 1>I wasn't doing well, the one thing I wasn't taught

0:23:30.960 --> 0:23:34.280
<v Speaker 1>in college it was just seemed to be a crapshoot,

0:23:34.600 --> 0:23:39.160
<v Speaker 1>was auditioning. And so I learned how to audition by

0:23:39.320 --> 0:23:42.960
<v Speaker 1>I taught myself by just going out over and over

0:23:43.040 --> 0:23:45.520
<v Speaker 1>and over again, and I, you know, got my ten thousand.

0:23:45.640 --> 0:23:49.240
<v Speaker 1>I was auditioning for everything in backstage, and one of

0:23:49.280 --> 0:23:52.719
<v Speaker 1>them just happened to be a sketch group. You know,

0:23:52.840 --> 0:23:57.920
<v Speaker 1>I I I'd be a performance artist in Berlin right

0:23:57.960 --> 0:24:00.840
<v Speaker 1>now if if it worked out a different way. I

0:24:02.280 --> 0:24:04.679
<v Speaker 1>just happened to be a sketch group. And then then

0:24:04.920 --> 0:24:08.200
<v Speaker 1>that when I got into the sort of comedy scene

0:24:08.320 --> 0:24:10.359
<v Speaker 1>and or at least got a view of it, because

0:24:10.400 --> 0:24:14.879
<v Speaker 1>we were pretty outside this sketch group. The u c

0:24:15.119 --> 0:24:17.919
<v Speaker 1>B were just starting to gain prominence. They were just

0:24:17.960 --> 0:24:22.199
<v Speaker 1>starting to teach classes, they were starting their takeover. I

0:24:22.200 --> 0:24:24.879
<v Speaker 1>believe they had taught one class of students and I

0:24:25.359 --> 0:24:27.639
<v Speaker 1>and I thought I was under the impression that it

0:24:27.680 --> 0:24:31.760
<v Speaker 1>was Andy Richter's sketch group. Okay, so I went and

0:24:31.800 --> 0:24:35.160
<v Speaker 1>saw an ascat which is there was their weekly show,

0:24:36.119 --> 0:24:39.119
<v Speaker 1>and uh Andy Richter happened to be performing. So I

0:24:39.119 --> 0:24:43.760
<v Speaker 1>don't know when I stopped believing it was this, but um,

0:24:43.880 --> 0:24:46.160
<v Speaker 1>you know, then I got in. I got into a

0:24:46.200 --> 0:24:49.240
<v Speaker 1>class at the very It's the only thing I've gotten

0:24:49.280 --> 0:24:52.320
<v Speaker 1>in on the ground floor of you know, when they

0:24:52.320 --> 0:24:56.440
<v Speaker 1>were the four original UCB guys are still teaching classes

0:24:56.440 --> 0:25:01.600
<v Speaker 1>in a five story walk up ballet studio and in Manhattan,

0:25:02.160 --> 0:25:04.560
<v Speaker 1>and I just stuck away that I loved it. I

0:25:04.600 --> 0:25:08.600
<v Speaker 1>was terrified of it, you know, improv. Improv still terrifies

0:25:08.640 --> 0:25:11.840
<v Speaker 1>me to this day. I was doing it for the

0:25:12.640 --> 0:25:16.879
<v Speaker 1>that the skill, to to learn this skill, to be comfortable,

0:25:17.040 --> 0:25:20.320
<v Speaker 1>for confidence, and for like you know, and also for

0:25:20.359 --> 0:25:22.960
<v Speaker 1>the community. I made a lot of great friends there

0:25:23.040 --> 0:25:26.480
<v Speaker 1>and we then branched out and did other things. As

0:25:26.520 --> 0:25:31.280
<v Speaker 1>you know, yeah, you you you said it. It terrifies you,

0:25:32.400 --> 0:25:37.000
<v Speaker 1>do you. There's no there's no lines, Brian, you gotta

0:25:37.280 --> 0:25:42.760
<v Speaker 1>you gotta make them up, yes, And that's terrifying. It's stupid.

0:25:43.080 --> 0:25:46.919
<v Speaker 1>Shakespeare's got all planned out for you, right, you just

0:25:46.920 --> 0:25:49.160
<v Speaker 1>follow the map and you're gonna get and you're gonna

0:25:49.200 --> 0:25:54.320
<v Speaker 1>get there. That's right. Yeah, you know, it's it's interesting.

0:25:54.960 --> 0:26:00.080
<v Speaker 1>So I have, by the way, zero improv training, and

0:26:00.400 --> 0:26:02.879
<v Speaker 1>it sounds like much like you, I stayed on the

0:26:02.960 --> 0:26:07.320
<v Speaker 1>serious theater tracked longer. But I you know, so I

0:26:07.359 --> 0:26:11.240
<v Speaker 1>was doing comedy, I was doing dramatic role I was

0:26:11.280 --> 0:26:15.400
<v Speaker 1>doing different stuff. I never did improv. I never Yeah,

0:26:15.440 --> 0:26:18.560
<v Speaker 1>I never studied it. I didn't take the classes. And

0:26:19.040 --> 0:26:21.920
<v Speaker 1>I don't know if that maybe for me is why

0:26:22.359 --> 0:26:28.320
<v Speaker 1>I don't find it as challenging somehow. Oh, yes, that

0:26:28.440 --> 0:26:31.320
<v Speaker 1>is exactly why, Because you don't you haven't been in

0:26:31.359 --> 0:26:35.680
<v Speaker 1>a position where you've had to think about it too much. Right.

0:26:36.440 --> 0:26:39.639
<v Speaker 1>But now I feel like because people are saying, like, Okay,

0:26:39.680 --> 0:26:42.480
<v Speaker 1>we're gonna you know, we're gonna improv, I don't have

0:26:42.600 --> 0:26:46.040
<v Speaker 1>I don't I'm like, okay, now, that's fine. I also

0:26:46.080 --> 0:26:49.360
<v Speaker 1>want to set it's a little bit more different, right,

0:26:49.400 --> 0:26:52.120
<v Speaker 1>because it's really just like you're just trying to find something.

0:26:52.240 --> 0:26:55.160
<v Speaker 1>And and also you sometimes go in with a couple

0:26:55.200 --> 0:26:57.359
<v Speaker 1>of things. You've got a couple of ideas which you

0:26:57.359 --> 0:26:59.760
<v Speaker 1>would never do, and don't try to act like you

0:26:59.800 --> 0:27:04.200
<v Speaker 1>know me, come on by everybody knows you're like, oh,

0:27:04.240 --> 0:27:08.080
<v Speaker 1>I'm gonna improvise this, and I'm going to improvise that.

0:27:10.240 --> 0:27:13.959
<v Speaker 1>But even like going in, you just that's kind of easy,

0:27:14.040 --> 0:27:18.919
<v Speaker 1>like just because you're just playing the scene that that

0:27:19.119 --> 0:27:23.640
<v Speaker 1>is written. Actually that's a different version. Yes, Actually that's

0:27:23.640 --> 0:27:28.439
<v Speaker 1>a really good point because because it's it is for

0:27:28.640 --> 0:27:33.159
<v Speaker 1>me and I do you know, I'm not going to

0:27:33.280 --> 0:27:36.280
<v Speaker 1>say I write a book on my character or you know,

0:27:36.359 --> 0:27:41.560
<v Speaker 1>have a fully developed history or whatever, but I begin

0:27:41.640 --> 0:27:44.800
<v Speaker 1>to understand who that character is. And once you know,

0:27:45.200 --> 0:27:49.160
<v Speaker 1>if you're given a situation which is improv but along

0:27:49.200 --> 0:27:52.520
<v Speaker 1>with that, given a character who has the certain characteristic,

0:27:52.960 --> 0:27:56.639
<v Speaker 1>it all begins to fill in much. Do you know

0:27:56.680 --> 0:27:59.520
<v Speaker 1>what the scene is about. You've already memorized the lines

0:28:00.080 --> 0:28:02.640
<v Speaker 1>the actual scene, so you know what the scene is about,

0:28:02.800 --> 0:28:06.080
<v Speaker 1>you know what the game is. So basically you're just

0:28:06.520 --> 0:28:10.639
<v Speaker 1>you're just subbing in things or or adding jokes that

0:28:10.720 --> 0:28:13.920
<v Speaker 1>the writers might have missed. You're just trying to make

0:28:13.960 --> 0:28:17.720
<v Speaker 1>it a little bit better, you know, and usually it no,

0:28:18.400 --> 0:28:23.040
<v Speaker 1>it's not as good. But sometimes when when you start

0:28:23.119 --> 0:28:26.840
<v Speaker 1>working with those guys. You also created your own sketch

0:28:26.880 --> 0:28:30.399
<v Speaker 1>comedy group, The Naked Babies. You spent a couple of

0:28:30.440 --> 0:28:33.919
<v Speaker 1>years with Third Rail Comedy. I mean, at this point,

0:28:34.680 --> 0:28:37.880
<v Speaker 1>do you feel like and that's kind of a weird question,

0:28:38.400 --> 0:28:41.520
<v Speaker 1>but do you feel like your your career, your focus

0:28:41.720 --> 0:28:47.680
<v Speaker 1>is now fully changed to this? Y? Yeah? Um, I

0:28:47.840 --> 0:28:52.200
<v Speaker 1>still had there is still this part of me that

0:28:52.320 --> 0:28:55.400
<v Speaker 1>wanted that, well, maybe I'll go back to the theater someday.

0:28:55.480 --> 0:28:58.680
<v Speaker 1>But but I'm doing comedy now. This is I have

0:28:58.840 --> 0:29:02.760
<v Speaker 1>found what I do best. I have I have once

0:29:02.760 --> 0:29:07.480
<v Speaker 1>again lucked into this sort of uh have found the

0:29:07.560 --> 0:29:10.920
<v Speaker 1>end of the maze. But you know, nowadays, like I

0:29:11.000 --> 0:29:14.240
<v Speaker 1>was always, I always still harbored a dream that I

0:29:14.560 --> 0:29:19.080
<v Speaker 1>would be on Broadway someday. Now that it's maybe even

0:29:19.080 --> 0:29:23.680
<v Speaker 1>a possibility, I could probably, you know, if I made

0:29:23.760 --> 0:29:28.920
<v Speaker 1>myself you know it really worked at it. But I don't, boy,

0:29:28.960 --> 0:29:34.760
<v Speaker 1>oh boy, I would dread that. It's so hard. Who's

0:29:34.760 --> 0:29:37.760
<v Speaker 1>got time for Broadway? It's like it's so much work.

0:29:38.160 --> 0:29:41.200
<v Speaker 1>It's so much work. It's it's you know, And that

0:29:41.280 --> 0:29:43.520
<v Speaker 1>was what it was for me. I mean, the the

0:29:43.600 --> 0:29:46.680
<v Speaker 1>eight shows a week you have off on Monday, nobody

0:29:46.680 --> 0:29:49.320
<v Speaker 1>has Monday off, Like, what do you know that the

0:29:49.400 --> 0:29:54.120
<v Speaker 1>life is is very is very difficult. Oh my god,

0:29:54.640 --> 0:29:57.640
<v Speaker 1>two thousand one, you got what you hoped would be

0:29:57.640 --> 0:29:59.960
<v Speaker 1>your first big break. This is what I was told

0:30:00.000 --> 0:30:03.400
<v Speaker 1>old a commercial with Karen Top. What do you remember

0:30:03.400 --> 0:30:07.560
<v Speaker 1>about that? Yeah, I don't know. It was definitely my

0:30:07.640 --> 0:30:12.920
<v Speaker 1>first big on you know, television network commercial. And so

0:30:13.200 --> 0:30:16.720
<v Speaker 1>by break, I guess it was a break in terms

0:30:16.760 --> 0:30:19.960
<v Speaker 1>of just cash, Like this thing was going to go

0:30:20.040 --> 0:30:21.880
<v Speaker 1>out there and I was going to be able to

0:30:22.000 --> 0:30:26.520
<v Speaker 1>quit my one of my day jobs and and live

0:30:26.600 --> 0:30:30.400
<v Speaker 1>as an actor, actually be an actor and make money

0:30:30.480 --> 0:30:33.560
<v Speaker 1>at it. So I did this and it was a

0:30:33.640 --> 0:30:36.920
<v Speaker 1>care and yeah, I did this call a t T

0:30:37.160 --> 0:30:42.760
<v Speaker 1>commercial in which and then about a month later, nine

0:30:42.800 --> 0:30:47.240
<v Speaker 1>eleven happened. So it ran for about a week. Nine

0:30:47.280 --> 0:30:53.480
<v Speaker 1>eleven happened, and they pulled the commercial because in the commercial,

0:30:53.640 --> 0:31:01.000
<v Speaker 1>Carrot Top hijacks a tour bus in New York. Yeah,

0:31:01.400 --> 0:31:06.560
<v Speaker 1>so that went away. Okay, it didn't end up being

0:31:07.040 --> 0:31:10.040
<v Speaker 1>what you would hope. So I guess what your next

0:31:10.080 --> 0:31:12.920
<v Speaker 1>question is, I'll answer, yes, I am a victim of

0:31:13.000 --> 0:31:19.280
<v Speaker 1>nine eleven. Oh oh no, that's that's too soon, Rob.

0:31:20.800 --> 0:31:43.280
<v Speaker 1>I don't know it's definitely off, definitely tasteless. You get

0:31:43.320 --> 0:31:48.760
<v Speaker 1>an audition for The Daily Show in two thousand and two.

0:31:49.240 --> 0:31:52.600
<v Speaker 1>Were you a fan of the show, huge fan? I

0:31:52.680 --> 0:31:54.480
<v Speaker 1>used to watch it. I was a huge fan from

0:31:54.520 --> 0:32:00.120
<v Speaker 1>the Craig Killborn days too. Okay, yes, you know, and

0:32:00.160 --> 0:32:03.840
<v Speaker 1>I got that show. I got it. I understood it.

0:32:03.960 --> 0:32:06.280
<v Speaker 1>And so when I got this audition, and it was

0:32:06.360 --> 0:32:08.360
<v Speaker 1>through a friend, I just kind of looked into that

0:32:08.440 --> 0:32:12.200
<v Speaker 1>audition as well, and I was like, I can I know,

0:32:12.280 --> 0:32:14.840
<v Speaker 1>I can do this, I can do this well. And

0:32:14.880 --> 0:32:18.920
<v Speaker 1>I worked my ass off on that audition. Yeah, like

0:32:19.000 --> 0:32:22.560
<v Speaker 1>you like, did you feel like you started to create

0:32:22.800 --> 0:32:25.880
<v Speaker 1>that character that you were going to be even when

0:32:26.040 --> 0:32:28.840
<v Speaker 1>you know no, See, that's the thing everybody and I

0:32:28.920 --> 0:32:32.480
<v Speaker 1>love that that people watching the show have an impression

0:32:32.560 --> 0:32:35.280
<v Speaker 1>that we go in there with a character in mind,

0:32:36.120 --> 0:32:39.719
<v Speaker 1>you know, because Colbert, I guess did to the to

0:32:39.800 --> 0:32:43.320
<v Speaker 1>the extent that he was copying Stone Phillips at the point.

0:32:44.440 --> 0:32:49.320
<v Speaker 1>But we it's really just like I I was my character,

0:32:49.400 --> 0:32:52.760
<v Speaker 1>if I could call it, that was everybody's character. Newscaster,

0:32:52.920 --> 0:32:55.240
<v Speaker 1>it was, it was newsman, it was on the spot,

0:32:55.480 --> 0:32:58.840
<v Speaker 1>Johnny on the spot, and uh I had and if

0:32:58.880 --> 0:33:03.400
<v Speaker 1>anything I was imitating Colbert, right, you know, people would

0:33:03.400 --> 0:33:06.600
<v Speaker 1>come to me like Jason Jones and Nate Cordream. My

0:33:06.680 --> 0:33:09.360
<v Speaker 1>brother got cast on the show, and they both came

0:33:09.400 --> 0:33:12.400
<v Speaker 1>to me separately and said, how did you choose your character?

0:33:12.440 --> 0:33:14.480
<v Speaker 1>How did you how did you decide what your character

0:33:14.560 --> 0:33:16.560
<v Speaker 1>is going to be? And I was like, dude, don't don't.

0:33:17.000 --> 0:33:21.719
<v Speaker 1>You're thinking too hard about this. Just copy Colbert and

0:33:21.760 --> 0:33:29.480
<v Speaker 1>then it'll happen. I still have to this day. This

0:33:29.560 --> 0:33:32.240
<v Speaker 1>is not about you. I don't know why I'm saying that.

0:33:32.560 --> 0:33:36.000
<v Speaker 1>I still have the I won't close it because I

0:33:36.080 --> 0:33:38.000
<v Speaker 1>want to be able to find it again when I'm

0:33:38.000 --> 0:33:42.360
<v Speaker 1>talking to somebody about it. But the responsible drinking thing

0:33:42.560 --> 0:33:45.720
<v Speaker 1>with Correll and him from back in the day, I

0:33:45.800 --> 0:33:50.440
<v Speaker 1>still have that. So I have the Daily Show Responsible Drinking,

0:33:50.520 --> 0:33:53.320
<v Speaker 1>and I think that's what it's called. It's it's yeah,

0:33:53.680 --> 0:33:57.960
<v Speaker 1>Steve really goes and drinks. Oh I have seen that.

0:33:58.120 --> 0:34:03.800
<v Speaker 1>Oh yeah, yeah, that's so interesting that you bring up

0:34:03.920 --> 0:34:08.759
<v Speaker 1>Colbert because I think that you know wanta if I

0:34:08.800 --> 0:34:13.399
<v Speaker 1>may say, based on me not being an expert at all,

0:34:13.520 --> 0:34:16.040
<v Speaker 1>but I feel like it makes a lot of sense.

0:34:16.360 --> 0:34:19.719
<v Speaker 1>You're I don't know, I don't even know how you

0:34:19.719 --> 0:34:22.440
<v Speaker 1>would describe what he's doing. But it is in a

0:34:22.480 --> 0:34:30.680
<v Speaker 1>lot of ways the same characteristic dimwitted naivete with expert

0:34:30.800 --> 0:34:33.640
<v Speaker 1>put on the top or something like that. That's exactly right.

0:34:34.120 --> 0:34:38.360
<v Speaker 1>What we thought of ourselves, yes, is the the dumbest

0:34:38.360 --> 0:34:41.200
<v Speaker 1>guys in the room who thought they were the smartest.

0:34:42.200 --> 0:34:46.440
<v Speaker 1>So that's exactly what you said, basically, Um, yeah, we

0:34:46.440 --> 0:34:50.600
<v Speaker 1>we thought we knew everything and we knew nothing. What

0:34:50.640 --> 0:34:54.000
<v Speaker 1>was it like working on the show? Positive? It was great.

0:34:54.600 --> 0:34:56.919
<v Speaker 1>I mean it was great. It was so funny. I

0:34:57.080 --> 0:34:59.480
<v Speaker 1>remember it was a job. You know, we went in

0:34:59.560 --> 0:35:02.239
<v Speaker 1>every day and it was a lot of work. But

0:35:03.239 --> 0:35:06.279
<v Speaker 1>I remember one day I shared an office with Ed

0:35:06.360 --> 0:35:12.640
<v Speaker 1>Helms and m who your buddy? Your buddy? I shared

0:35:12.640 --> 0:35:15.600
<v Speaker 1>an office with Ed and he we were both like

0:35:16.400 --> 0:35:21.480
<v Speaker 1>complaining about something about you know, I got stuck in

0:35:21.520 --> 0:35:26.759
<v Speaker 1>Montreal and doing this this field piece, and John gave

0:35:26.840 --> 0:35:28.520
<v Speaker 1>us a lot of notes We've got to go through

0:35:28.560 --> 0:35:30.640
<v Speaker 1>it all again and write a whole new thing and

0:35:30.640 --> 0:35:34.000
<v Speaker 1>blah blah blah. And then you know, Ed stopped us

0:35:34.239 --> 0:35:37.959
<v Speaker 1>and stopped. He goes, you know what, We're gonna look

0:35:38.000 --> 0:35:42.040
<v Speaker 1>back on this experience. He had the foresight just to

0:35:42.120 --> 0:35:45.200
<v Speaker 1>think this way, and thank God for him. He said,

0:35:45.440 --> 0:35:47.800
<v Speaker 1>you're we're gonna both look back on this experience and

0:35:47.840 --> 0:35:51.480
<v Speaker 1>we're not gonna remember this stupid stuff of being stressed

0:35:51.520 --> 0:35:55.360
<v Speaker 1>out about notes or whatever. We're we're only gonna remember

0:35:56.320 --> 0:35:59.799
<v Speaker 1>the positive, the wonderful, you know experience that it was

0:36:00.000 --> 0:36:04.279
<v Speaker 1>and it and it really He's so right. That was

0:36:04.320 --> 0:36:09.000
<v Speaker 1>the one time Ed Helms was the one time yeah

0:36:09.040 --> 0:36:13.680
<v Speaker 1>wrong about everything very wrong in his life. How did

0:36:13.960 --> 0:36:18.879
<v Speaker 1>Jon Stewart influence your comedy or your perspective? God, it's

0:36:18.880 --> 0:36:24.120
<v Speaker 1>so hard to describe succinctly because he's not teaching when

0:36:24.160 --> 0:36:28.560
<v Speaker 1>he's doing notes and stuff. He's it's at first very confusing.

0:36:29.440 --> 0:36:33.000
<v Speaker 1>His notes are sometimes abstract and you really have to

0:36:33.040 --> 0:36:38.000
<v Speaker 1>think about them. And but I realized the result, you

0:36:38.080 --> 0:36:43.000
<v Speaker 1>get the result that he approves. You then realize how

0:36:43.040 --> 0:36:46.959
<v Speaker 1>to basically and in a John way, construct a joke.

0:36:48.280 --> 0:36:52.640
<v Speaker 1>And constructing a joke is something after five years of

0:36:52.719 --> 0:36:57.880
<v Speaker 1>comedy I had never thought about and actual joke construction,

0:36:58.000 --> 0:37:01.960
<v Speaker 1>it being a mechanical thing. And you know, I would say,

0:37:02.000 --> 0:37:04.000
<v Speaker 1>John never went out and you know, set out to

0:37:04.040 --> 0:37:06.520
<v Speaker 1>teach us that. But that's I think what I learned.

0:37:07.280 --> 0:37:11.160
<v Speaker 1>Mhm what. I don't think I've ever talked to add

0:37:11.160 --> 0:37:13.120
<v Speaker 1>about this. And and then I went to high school together.

0:37:13.160 --> 0:37:15.680
<v Speaker 1>By the way, I knew that. I knew that. Yeah,

0:37:15.680 --> 0:37:20.719
<v Speaker 1>that's crazy. Were you watching the news as a part

0:37:20.760 --> 0:37:27.000
<v Speaker 1>of your job when you're Brian Bright? Yeah, I at

0:37:27.040 --> 0:37:31.480
<v Speaker 1>one point was in so deep. I had two I

0:37:31.520 --> 0:37:36.680
<v Speaker 1>was watching two c spans at once, C Span one

0:37:36.760 --> 0:37:39.800
<v Speaker 1>and c Span two, which, by the way, John Stewart

0:37:39.880 --> 0:37:45.680
<v Speaker 1>himself calls the security camera of news. Like that's that's

0:37:45.719 --> 0:37:49.239
<v Speaker 1>how deep I was. You had to I mean, you

0:37:49.360 --> 0:37:52.799
<v Speaker 1>just had to be up on everything, and you don't

0:37:52.800 --> 0:37:54.440
<v Speaker 1>want to get a script to be like, what is

0:37:55.080 --> 0:37:58.160
<v Speaker 1>what is the debt canceling? What is all this about?

0:37:58.640 --> 0:38:02.520
<v Speaker 1>You know? And to also write your help write your pieces.

0:38:02.600 --> 0:38:05.759
<v Speaker 1>It's it's a imperative. And also you get into it.

0:38:06.200 --> 0:38:11.040
<v Speaker 1>You want to watch the news. That ended when I

0:38:11.160 --> 0:38:13.840
<v Speaker 1>left the Daily Show. You love the Daily Show. You

0:38:13.880 --> 0:38:16.960
<v Speaker 1>were no longer scouring Fox News and see it in

0:38:17.000 --> 0:38:20.600
<v Speaker 1>an MSNBC. It ruined it for me too, because you know,

0:38:21.320 --> 0:38:25.120
<v Speaker 1>people think that The Daily Show is like a satire

0:38:25.160 --> 0:38:29.160
<v Speaker 1>of politics, but it's more a satire of the media itself,

0:38:29.200 --> 0:38:32.480
<v Speaker 1>of news itself. And that's right. I just I can't.

0:38:32.600 --> 0:38:34.640
<v Speaker 1>I con still to this day of a hard time

0:38:34.680 --> 0:38:39.680
<v Speaker 1>watching twenty four hour news. They they've they're doing a

0:38:39.719 --> 0:38:42.920
<v Speaker 1>lot better than they used to do. Like Jake Tapper,

0:38:43.960 --> 0:38:46.840
<v Speaker 1>I think it's fantastic. And he he actually said to

0:38:46.880 --> 0:38:52.120
<v Speaker 1>me in two thousand four, he said, I, God, I

0:38:52.160 --> 0:38:55.839
<v Speaker 1>wish we could do what you guys do. And I

0:38:55.880 --> 0:38:59.120
<v Speaker 1>was like, I said what I said say when whenever

0:38:59.360 --> 0:39:02.280
<v Speaker 1>a news payer and said that to me, which was always,

0:39:02.320 --> 0:39:06.160
<v Speaker 1>I said, you can you can't? You just do it? Yeah,

0:39:06.320 --> 0:39:08.560
<v Speaker 1>you know what? And now he now they do. They

0:39:08.640 --> 0:39:12.120
<v Speaker 1>show like those videos where they'll show us somebody saying

0:39:12.160 --> 0:39:15.520
<v Speaker 1>one thing and then contradicting themselves in the next cut.

0:39:15.640 --> 0:39:19.640
<v Speaker 1>And you know, if if the Daily Show has had

0:39:19.680 --> 0:39:22.560
<v Speaker 1>any influence on anything, I guess it's that little thing

0:39:23.960 --> 0:39:29.000
<v Speaker 1>still unwatchable. I've talked to add about this. I've talked

0:39:29.040 --> 0:39:32.279
<v Speaker 1>to Wriggle a few other people. When you left, why

0:39:32.320 --> 0:39:35.520
<v Speaker 1>did you? Why did you leave? Oh? I left because

0:39:36.040 --> 0:39:42.719
<v Speaker 1>I got cast in a show seth McFarland's first live

0:39:42.800 --> 0:39:51.240
<v Speaker 1>action sitcom. Okay, which, sure thing right, I'm already counting

0:39:51.280 --> 0:39:55.080
<v Speaker 1>my money. I'm buying a golden helicopter with that money,

0:39:55.360 --> 0:39:58.880
<v Speaker 1>and and uh so, I just I moved my family.

0:39:59.080 --> 0:40:03.160
<v Speaker 1>That's why I often moved to l A. You had, Yeah,

0:40:03.200 --> 0:40:06.080
<v Speaker 1>you had that. You should have looked. You should have

0:40:06.120 --> 0:40:08.719
<v Speaker 1>listened to Ed. Ed chose the show that it just

0:40:08.760 --> 0:40:12.080
<v Speaker 1>won the Emmy a month before he started. He knew

0:40:12.120 --> 0:40:15.319
<v Speaker 1>that was gonna be around for a while. I did. Yeah, Yeah,

0:40:15.320 --> 0:40:18.360
<v Speaker 1>that was a good move. Yeah, I guess I missed.

0:40:18.440 --> 0:40:20.440
<v Speaker 1>Ed didn't tell me that there was a sign up

0:40:20.480 --> 0:40:23.799
<v Speaker 1>sheet for the office. I would love to have been that.

0:40:24.640 --> 0:40:28.319
<v Speaker 1>I did audition for Parks and reg did I did, Yeah,

0:40:28.520 --> 0:40:33.600
<v Speaker 1>auditioned for Nick Offerman's character. And uh so glad I

0:40:33.600 --> 0:40:36.279
<v Speaker 1>didn't get it, are you? Oh yeah, I think I

0:40:36.280 --> 0:40:38.879
<v Speaker 1>did a pretty good audition too. But I'm so glad

0:40:38.920 --> 0:40:44.839
<v Speaker 1>because he made that iconic roronic. He crushed that. Um So,

0:40:44.880 --> 0:40:47.200
<v Speaker 1>what I heard, you moved to l A. The SETH

0:40:47.400 --> 0:40:53.840
<v Speaker 1>McFarland show doesn't doesn't go and then then then the

0:40:53.880 --> 0:40:58.840
<v Speaker 1>writers strike. It happens. Um but I am not to

0:40:58.880 --> 0:41:01.960
<v Speaker 1>bring that up again. That was a difficult time for everybody.

0:41:02.000 --> 0:41:04.960
<v Speaker 1>But I heard that you decided to use this opportunity

0:41:05.040 --> 0:41:08.960
<v Speaker 1>to be very productive and you adopted the g t

0:41:09.400 --> 0:41:14.160
<v Speaker 1>D system getting things done. Talk to me a little

0:41:14.160 --> 0:41:17.680
<v Speaker 1>about that, yeah, or sort of a modified way at

0:41:17.719 --> 0:41:20.680
<v Speaker 1>g t D. It was at one for the more

0:41:20.760 --> 0:41:25.280
<v Speaker 1>modern age. I spent my time because I had nothing

0:41:25.320 --> 0:41:30.879
<v Speaker 1>to do work wise, I spent my time learning how

0:41:30.920 --> 0:41:36.680
<v Speaker 1>to be more productive, okay, And I was just looking

0:41:36.800 --> 0:41:42.399
<v Speaker 1>just googling methods of of that, just product literally googling productivity.

0:41:43.000 --> 0:41:45.839
<v Speaker 1>And eventually I found and I would do this for

0:41:45.880 --> 0:41:49.319
<v Speaker 1>eight hours a day. I eventually discovered this guy named

0:41:49.320 --> 0:41:54.399
<v Speaker 1>Merlin Mann who was a sort of tech guy who

0:41:54.480 --> 0:41:57.719
<v Speaker 1>had adopted g t D and sort of like modified

0:41:57.760 --> 0:42:03.880
<v Speaker 1>it for a more modern tech world old and his stuff. Really,

0:42:04.560 --> 0:42:06.000
<v Speaker 1>I don't know, I just spoke to me. I'm a

0:42:06.000 --> 0:42:10.120
<v Speaker 1>list guy, okay, I like making lists. Uh. You know

0:42:10.120 --> 0:42:12.239
<v Speaker 1>that feeling when you've when you have a lot to

0:42:12.239 --> 0:42:13.759
<v Speaker 1>do and so you write it all down and then

0:42:13.800 --> 0:42:18.920
<v Speaker 1>you feel like you've done something. Yeah already. I love that.

0:42:19.000 --> 0:42:21.840
<v Speaker 1>I'm a big fan of that thing. And that's what

0:42:21.960 --> 0:42:26.799
<v Speaker 1>gt D foster is essentially, I mean, okay, yeah, fascinating.

0:42:27.440 --> 0:42:30.440
<v Speaker 1>I wish that I did it more when I get

0:42:30.880 --> 0:42:36.520
<v Speaker 1>incredibly I don't know that I do it for efficiency, really,

0:42:37.040 --> 0:42:44.520
<v Speaker 1>I will do it when I get completely and totally overwhelmed. Yeah,

0:42:44.960 --> 0:42:48.239
<v Speaker 1>like right now, I'm in the span of I don't know,

0:42:48.320 --> 0:42:50.600
<v Speaker 1>I don't know. I think this is like my fifth

0:42:50.640 --> 0:42:53.600
<v Speaker 1>city in like the last two and a half weeks,

0:42:54.000 --> 0:42:57.080
<v Speaker 1>and suddenly trying to pack. And then you know, you're

0:42:57.160 --> 0:42:59.279
<v Speaker 1>laying in bed at night and you're like, what's the

0:42:59.320 --> 0:43:03.320
<v Speaker 1>weather in it in November? And I'm like, I don't know,

0:43:03.080 --> 0:43:08.080
<v Speaker 1>and it just becomes like literally like check the weather, weather,

0:43:08.719 --> 0:43:11.600
<v Speaker 1>do I need sweater? Like all of that stuff. My

0:43:11.719 --> 0:43:15.000
<v Speaker 1>point is, I do feel really good when I make

0:43:15.040 --> 0:43:18.440
<v Speaker 1>the list and then I start crossing the stuff off. Yeah.

0:43:18.520 --> 0:43:20.880
<v Speaker 1>The other thing about all that, I'm sorry, did I interrupt?

0:43:20.920 --> 0:43:23.239
<v Speaker 1>You know? The other thing about all that is that

0:43:23.320 --> 0:43:27.960
<v Speaker 1>it was for creativity as well. It was g t D.

0:43:28.160 --> 0:43:32.800
<v Speaker 1>The whole idea behind that system was too basically ways

0:43:32.840 --> 0:43:35.600
<v Speaker 1>in which you can get everything out of your head

0:43:36.280 --> 0:43:41.239
<v Speaker 1>and onto something physical to be to be organized later

0:43:41.280 --> 0:43:43.880
<v Speaker 1>at a later date. But everything is just out of

0:43:43.880 --> 0:43:45.880
<v Speaker 1>your head. So you know, if you when you have

0:43:46.000 --> 0:43:47.759
<v Speaker 1>that thing, you're walking out the door and you're like,

0:43:47.760 --> 0:43:50.520
<v Speaker 1>oh god, I gotta remember to do that thing with

0:43:50.600 --> 0:43:54.040
<v Speaker 1>so and so now, and then no matter how slow

0:43:54.160 --> 0:43:57.880
<v Speaker 1>steaks that thing with so and so is it's stressing

0:43:57.960 --> 0:44:01.759
<v Speaker 1>your brain right to have it in there, to just

0:44:02.480 --> 0:44:07.480
<v Speaker 1>write it down, have an inbox of meaning a note book,

0:44:08.080 --> 0:44:09.880
<v Speaker 1>you know, phone to like write down and get it

0:44:09.880 --> 0:44:13.120
<v Speaker 1>out of your head. It frees and it freed up

0:44:13.160 --> 0:44:18.480
<v Speaker 1>my mind for ideas and creativity. I felt creative in

0:44:18.560 --> 0:44:22.080
<v Speaker 1>a time where I was not doing anything creative right,

0:44:22.400 --> 0:44:27.000
<v Speaker 1>and it was It definitely changed my life. Well, you

0:44:27.080 --> 0:44:30.520
<v Speaker 1>might have just changed mind because I at one, it

0:44:30.560 --> 0:44:32.319
<v Speaker 1>makes a hell of a lot of sense to me.

0:44:32.600 --> 0:44:36.080
<v Speaker 1>And two, I know what happened. I know the end

0:44:36.120 --> 0:44:40.480
<v Speaker 1>of the story. Your mind got uh free to be

0:44:40.680 --> 0:44:46.920
<v Speaker 1>creative and you create a brilliant web series way ahead

0:44:46.960 --> 0:44:50.520
<v Speaker 1>of its time, Children's Hospital. Now, for those of you

0:44:50.600 --> 0:44:55.000
<v Speaker 1>listening now, web series then it was not the same

0:44:55.040 --> 0:44:59.160
<v Speaker 1>as now. We weren't. We didn't. We didn't have all

0:44:59.239 --> 0:45:02.840
<v Speaker 1>of the Mary had options and choices and platforms that

0:45:02.840 --> 0:45:07.560
<v Speaker 1>are available. Now, what what made you decide to launch

0:45:07.680 --> 0:45:09.880
<v Speaker 1>the show in the way that you did, which was

0:45:09.960 --> 0:45:15.719
<v Speaker 1>essentially independently online. Well, because you know the type of

0:45:15.719 --> 0:45:18.319
<v Speaker 1>show that it was, and I which I describe it

0:45:18.320 --> 0:45:23.040
<v Speaker 1>as sort of just like a joke machine gun. Uh,

0:45:23.280 --> 0:45:27.640
<v Speaker 1>it's you know, it's just so many jokes a minute

0:45:27.719 --> 0:45:31.040
<v Speaker 1>that you can only handle about fifteen minutes of this,

0:45:31.920 --> 0:45:35.000
<v Speaker 1>So it was a shorter show. And I just didn't

0:45:35.160 --> 0:45:39.560
<v Speaker 1>I couldn't picture that show being on television. I just

0:45:39.719 --> 0:45:42.880
<v Speaker 1>couldn't picture it. So, you know, this was at a

0:45:42.960 --> 0:45:47.600
<v Speaker 1>time when due to the writer's strike, all these studios

0:45:48.000 --> 0:45:52.680
<v Speaker 1>were launching, uh, these web series studios, these arms of

0:45:52.760 --> 0:45:55.799
<v Speaker 1>their you know, and and Warner Brothers had one. And

0:45:55.840 --> 0:45:58.560
<v Speaker 1>so we pitched it. I pitched it to a friend

0:45:58.640 --> 0:46:01.879
<v Speaker 1>and and got David Wayne involved, and we we went

0:46:01.960 --> 0:46:05.040
<v Speaker 1>to Warner Brothers and and they wanted to do it.

0:46:05.160 --> 0:46:10.080
<v Speaker 1>So we just did a ten episode season one. But

0:46:10.120 --> 0:46:13.560
<v Speaker 1>I wanted to look like it was a TV show, right,

0:46:14.120 --> 0:46:17.759
<v Speaker 1>you know from the beginning, Yes, yes, you brought in

0:46:17.880 --> 0:46:22.560
<v Speaker 1>a bunch of your old pals from UCB. Described the

0:46:22.560 --> 0:46:25.400
<v Speaker 1>writer's room to me and trying to create a show

0:46:25.560 --> 0:46:29.200
<v Speaker 1>that was machine gun jokes. The writer's room looked a

0:46:29.200 --> 0:46:32.399
<v Speaker 1>lot like my office here that you're looking at right now.

0:46:33.120 --> 0:46:35.920
<v Speaker 1>This was just me. It was just the writers was

0:46:36.000 --> 0:46:40.239
<v Speaker 1>just yeah, yeah, it was just And we didn't get

0:46:40.239 --> 0:46:43.960
<v Speaker 1>a writer's room of formal writers room until season six,

0:46:45.320 --> 0:46:48.360
<v Speaker 1>around season I think probably the second season, which was

0:46:48.360 --> 0:46:52.560
<v Speaker 1>on Adult Swim, sort of the Internet of television. We

0:46:52.680 --> 0:46:57.000
<v Speaker 1>started farming out episodes two people that we liked, funny

0:46:57.040 --> 0:47:01.040
<v Speaker 1>people that are funny writers and actors, and and then

0:47:01.120 --> 0:47:04.799
<v Speaker 1>we would sort of rewrite them and and do that.

0:47:04.880 --> 0:47:07.320
<v Speaker 1>We that was our writer's room was kind of virtual,

0:47:07.360 --> 0:47:09.760
<v Speaker 1>but it was never It wasn't a group of people

0:47:09.840 --> 0:47:15.480
<v Speaker 1>together in a room until season six, okay, because season

0:47:15.560 --> 0:47:21.600
<v Speaker 1>five killed me. Okay, Speaking of Adult Swim, what was

0:47:22.320 --> 0:47:25.799
<v Speaker 1>what were your feelings? What was that like when, even

0:47:25.800 --> 0:47:28.400
<v Speaker 1>though you call it the Internet of the networks or

0:47:28.400 --> 0:47:31.600
<v Speaker 1>whatever you said, when when Adults Swim wanted to put

0:47:31.600 --> 0:47:36.640
<v Speaker 1>it onto television? Oh, it's great, man, uh I yeah,

0:47:36.719 --> 0:47:40.319
<v Speaker 1>I had no. I never intended it to be on television.

0:47:40.400 --> 0:47:44.000
<v Speaker 1>I never, you know. But I also wasn't against it.

0:47:44.160 --> 0:47:47.560
<v Speaker 1>I just never. I wasn't thinking about it. And I

0:47:47.600 --> 0:47:52.360
<v Speaker 1>don't remember whether they came to us or whether John,

0:47:52.480 --> 0:47:56.560
<v Speaker 1>my producing partner, had at and the College, my executive producer,

0:47:57.239 --> 0:48:00.120
<v Speaker 1>had the idea and just had a conversation with somebody

0:48:00.120 --> 0:48:03.279
<v Speaker 1>and decided we was anyway, we ended up pitching it

0:48:03.400 --> 0:48:07.960
<v Speaker 1>to Comedy Central and Adult Swim, and Adult Swim was

0:48:08.680 --> 0:48:14.840
<v Speaker 1>just very obviously a better fit for this show. We

0:48:15.000 --> 0:48:36.080
<v Speaker 1>was already sort of an adult swim show right during

0:48:36.120 --> 0:48:40.120
<v Speaker 1>its its lifespan, incredibly inventive. You did a bunch of

0:48:40.120 --> 0:48:44.160
<v Speaker 1>of conceptual things. I am told that in addition to

0:48:44.200 --> 0:48:49.080
<v Speaker 1>the movie Arthur, another huge influence for you early on

0:48:49.400 --> 0:48:55.560
<v Speaker 1>was Twin Peaks. Do you think Twin Peaks inspired Oh? Yeah, yeah?

0:48:55.840 --> 0:49:00.680
<v Speaker 1>Answers yes, yes, yeah, yeah, yeah, let's say. And and

0:49:00.840 --> 0:49:03.560
<v Speaker 1>to that end, I wanted I, in my head, was

0:49:03.640 --> 0:49:08.440
<v Speaker 1>creating this whole mythology around Children's Hospital in the way

0:49:08.480 --> 0:49:11.640
<v Speaker 1>that David Lynch and Mark Frost do with Twin Peaks.

0:49:11.960 --> 0:49:15.719
<v Speaker 1>I wanted there to be a reason why everything was

0:49:16.040 --> 0:49:20.880
<v Speaker 1>wrong here in this place, in this why things didn't

0:49:20.880 --> 0:49:23.880
<v Speaker 1>work like the life we lead here, uh, in in

0:49:24.000 --> 0:49:28.080
<v Speaker 1>normal life. Right. And of course you know it was

0:49:28.120 --> 0:49:31.040
<v Speaker 1>too much. It's too it's it's I was thinking about

0:49:31.080 --> 0:49:33.799
<v Speaker 1>it a little too much. But I did manage to

0:49:34.200 --> 0:49:38.879
<v Speaker 1>do it in certain regards. But I mostly it still

0:49:38.920 --> 0:49:42.920
<v Speaker 1>exists just in my head, the mythology, uh, the universe

0:49:42.960 --> 0:49:47.200
<v Speaker 1>of Children's Hospital. But you know, we we did definitely

0:49:47.239 --> 0:49:51.479
<v Speaker 1>expand it with the behind the scenes characters. Every every

0:49:51.520 --> 0:49:56.359
<v Speaker 1>season we did an episode of Newsreaders. They they would

0:49:56.400 --> 0:49:59.880
<v Speaker 1>like a sixty minutes that would do a show I

0:50:00.040 --> 0:50:03.680
<v Speaker 1>do an episode on the actors involved with the show

0:50:03.840 --> 0:50:07.600
<v Speaker 1>Children's Hospital, the longest running hospital show of all time,

0:50:09.040 --> 0:50:12.040
<v Speaker 1>and so we already we sort of just expanded it

0:50:12.040 --> 0:50:15.400
<v Speaker 1>out that way, and then later on with Medical Police.

0:50:16.160 --> 0:50:18.399
<v Speaker 1>You uh, you said that your goal on the show

0:50:18.480 --> 0:50:21.440
<v Speaker 1>was to write the perfect joke. Yeah, did you ever

0:50:21.480 --> 0:50:24.759
<v Speaker 1>do that? No? I don't know. I don't know what

0:50:24.800 --> 0:50:28.759
<v Speaker 1>was the what was the closest. Oh god, it's so

0:50:28.800 --> 0:50:32.000
<v Speaker 1>hard because it's like I said, there was just so many,

0:50:32.880 --> 0:50:35.799
<v Speaker 1>I mean, good or bad. There was just a quantity

0:50:35.840 --> 0:50:45.640
<v Speaker 1>of jokes. H I can't I don't know. I don't know.

0:50:47.480 --> 0:50:49.920
<v Speaker 1>Can I get to you? You can get back to me.

0:50:50.360 --> 0:50:55.560
<v Speaker 1>You take Home for Emma. No, it's not a perfect joke. Sorry,

0:50:55.560 --> 0:51:00.360
<v Speaker 1>go ahead, you uh you take Home for Emmy words.

0:51:00.680 --> 0:51:05.200
<v Speaker 1>It becomes a huge success in in Hollywood, whatever that

0:51:05.239 --> 0:51:07.719
<v Speaker 1>means and beyond. Were you surprised by the reaction to

0:51:07.719 --> 0:51:11.359
<v Speaker 1>the show. Oh yeah, I mean this is the stupidest

0:51:11.360 --> 0:51:15.759
<v Speaker 1>show on TV. People were calling it smart. Yeah, it's

0:51:15.760 --> 0:51:19.960
<v Speaker 1>still think that's ridiculous. But yeah, I mean awards, I

0:51:20.000 --> 0:51:25.759
<v Speaker 1>mean that's bonkers. This was like a thing to do

0:51:26.040 --> 0:51:30.280
<v Speaker 1>while the writers were striking, and you couldn't do anything

0:51:30.440 --> 0:51:34.400
<v Speaker 1>except for my series. Yeah, I don't. Yeah, it was

0:51:34.560 --> 0:51:37.920
<v Speaker 1>still to this day. Obviously, I'm getting tongue tied because

0:51:38.040 --> 0:51:42.360
<v Speaker 1>I can't really wrap my head around it. As the

0:51:42.480 --> 0:51:47.440
<v Speaker 1>show is continuing, your film career starts taking off. Notably,

0:51:47.520 --> 0:51:49.680
<v Speaker 1>I don't know if that even means anything, but it

0:51:49.800 --> 0:51:52.120
<v Speaker 1>does because I'm gonna ask you two questions about it.

0:51:52.719 --> 0:51:59.799
<v Speaker 1>Notably the hot Tub time Machine movie. I'm told this

0:51:59.840 --> 0:52:04.680
<v Speaker 1>movie was written for you. Oh uh, I don't know.

0:52:05.040 --> 0:52:07.680
<v Speaker 1>I'm not sure. I never heard that. I know that

0:52:07.760 --> 0:52:11.840
<v Speaker 1>it was written. It was a joke with the writing.

0:52:11.880 --> 0:52:16.680
<v Speaker 1>The movie itself was a bit. Yeah. The guys um

0:52:17.760 --> 0:52:22.040
<v Speaker 1>all actually all the producers of Karate Kid, the TV show,

0:52:22.080 --> 0:52:26.600
<v Speaker 1>the Netflix show. They all went to college together and

0:52:26.840 --> 0:52:28.920
<v Speaker 1>one of them is the writer of Hot Tub and

0:52:28.960 --> 0:52:32.279
<v Speaker 1>they used to joke about pitching a show or a

0:52:32.280 --> 0:52:37.160
<v Speaker 1>TV movie called hot Tub time Machine. You know. They

0:52:37.200 --> 0:52:40.440
<v Speaker 1>were like, because it's ridiculous, I didn't dumb idea. And

0:52:40.480 --> 0:52:43.600
<v Speaker 1>then one of them actually did it. He just he

0:52:43.719 --> 0:52:49.040
<v Speaker 1>was like, let's just keep this bit going. What was it?

0:52:49.120 --> 0:52:52.560
<v Speaker 1>What was it like working with Craig Robinson, so good man.

0:52:52.600 --> 0:52:54.480
<v Speaker 1>I just talked to him the other day he's the

0:52:54.520 --> 0:52:58.640
<v Speaker 1>sweetest guy. You know, he's Uh. It was his birthday

0:52:58.719 --> 0:53:02.920
<v Speaker 1>last week and I texted him and that he said,

0:53:02.960 --> 0:53:06.279
<v Speaker 1>thanks man, And the second thing out of his mouth was,

0:53:06.640 --> 0:53:10.759
<v Speaker 1>how are the kids like he? He's just such a sweet,

0:53:11.000 --> 0:53:14.439
<v Speaker 1>sweet guy. And by the way, my key, I told

0:53:14.440 --> 0:53:19.239
<v Speaker 1>my kids that they're thrilled. Thrilled I was. They were like,

0:53:19.320 --> 0:53:21.360
<v Speaker 1>I met Craig. I was like, yeah, you were like

0:53:21.400 --> 0:53:24.040
<v Speaker 1>a tiny person. But you've yeah, you've met Craig a

0:53:24.080 --> 0:53:26.399
<v Speaker 1>couple of times. And they're like, I met somebody from

0:53:26.400 --> 0:53:32.280
<v Speaker 1>the office. Yeah, yeah, you met at Helen's too. I'm sure,

0:53:32.400 --> 0:53:39.239
<v Speaker 1>but right, oh, he doesn't count. Um. You also then

0:53:39.360 --> 0:53:44.680
<v Speaker 1>get cast on HBO's Ballers. Is this part of the

0:53:44.680 --> 0:53:47.680
<v Speaker 1>reason you decided to end Children's Hospital? You got there

0:53:47.760 --> 0:53:50.520
<v Speaker 1>was so much going on for you that even the

0:53:50.560 --> 0:53:55.120
<v Speaker 1>g t D system couldn't couldn't no no, because you

0:53:55.160 --> 0:53:59.840
<v Speaker 1>know them, I wrote a lot of Children's Hospital on

0:54:00.040 --> 0:54:04.200
<v Speaker 1>the road from different places. Uh. We were able to

0:54:04.239 --> 0:54:08.200
<v Speaker 1>put that show together from you know, different places with

0:54:08.400 --> 0:54:11.319
<v Speaker 1>just Google docs. It's the best thing ever invented. But

0:54:12.360 --> 0:54:16.279
<v Speaker 1>I know, I we sort of structured that show. This

0:54:16.320 --> 0:54:19.880
<v Speaker 1>show was like a summer camp that all our famous

0:54:19.960 --> 0:54:25.200
<v Speaker 1>funny friends could come and do and it's not we

0:54:25.280 --> 0:54:28.680
<v Speaker 1>don't we We would love it if they had, you know,

0:54:28.760 --> 0:54:31.360
<v Speaker 1>made it a priority, but we never said, like we

0:54:31.360 --> 0:54:34.040
<v Speaker 1>we understand that this can't be your This is not

0:54:34.080 --> 0:54:36.880
<v Speaker 1>a money maker for you. This is this is something

0:54:36.920 --> 0:54:39.799
<v Speaker 1>you do for fun. Let's create an environment full of

0:54:39.960 --> 0:54:42.759
<v Speaker 1>funny people that that love each other. You know. That

0:54:42.880 --> 0:54:45.600
<v Speaker 1>was my m O and and so. But then that

0:54:45.680 --> 0:54:48.680
<v Speaker 1>went for me too, like I was wasn't able to

0:54:48.719 --> 0:54:53.120
<v Speaker 1>do other stuff. The thing was is that I got tired.

0:54:53.440 --> 0:54:56.680
<v Speaker 1>I did I didn't see an end to it, and

0:54:56.719 --> 0:55:00.520
<v Speaker 1>I sort of subscribed to the seinfeld I idea. The

0:55:00.560 --> 0:55:05.919
<v Speaker 1>Seinfeldian idea that Seinfeldian, I guess is now a philosophy.

0:55:06.080 --> 0:55:09.240
<v Speaker 1>We can say that that you know you want something,

0:55:09.840 --> 0:55:12.400
<v Speaker 1>you don't know it, but you do want something to

0:55:12.680 --> 0:55:16.640
<v Speaker 1>end before it's run its course in a way you don't.

0:55:16.960 --> 0:55:21.160
<v Speaker 1>You don't want it to peter out. And that show

0:55:21.239 --> 0:55:24.040
<v Speaker 1>is so important to me that that that was sort

0:55:24.080 --> 0:55:26.359
<v Speaker 1>of my philosophy is that like we've we've done it,

0:55:26.760 --> 0:55:29.880
<v Speaker 1>I want to do right now for for a span

0:55:29.920 --> 0:55:33.279
<v Speaker 1>of time, I just want to be an actor. I

0:55:33.360 --> 0:55:38.200
<v Speaker 1>love writing and and producing, but but I just want

0:55:38.239 --> 0:55:40.520
<v Speaker 1>to want to do that for a little bit and

0:55:41.400 --> 0:55:44.280
<v Speaker 1>uh not have to worry about going home from set

0:55:44.520 --> 0:55:50.480
<v Speaker 1>on Ballers and writing the whole episode of Children's Hospital. Um,

0:55:50.520 --> 0:55:52.719
<v Speaker 1>so yeah, that that was really it. I mean, just

0:55:52.880 --> 0:55:56.920
<v Speaker 1>get out while it's still hot. How was I want

0:55:56.920 --> 0:55:59.880
<v Speaker 1>to talk about Ballers just a little bit. You played

0:56:00.040 --> 0:56:04.200
<v Speaker 1>the financial manager for Sports Stars. I am a huge

0:56:04.440 --> 0:56:07.680
<v Speaker 1>Now are you a sports fan? I'm a football fan.

0:56:07.800 --> 0:56:10.439
<v Speaker 1>I'm a football fan. I'm a fair weather baseball fan.

0:56:11.280 --> 0:56:14.120
<v Speaker 1>What was it like working with the Rock and working

0:56:14.160 --> 0:56:19.200
<v Speaker 1>on that show with obviously featured so many I know,

0:56:19.360 --> 0:56:23.160
<v Speaker 1>it's so crazy. It's so crazy because football is my sport,

0:56:23.360 --> 0:56:28.960
<v Speaker 1>and uh people I would run it, you know, like

0:56:30.000 --> 0:56:35.680
<v Speaker 1>Victor Cruz and and Terrell Suggs, Like we're on the

0:56:35.719 --> 0:56:41.080
<v Speaker 1>show almost as much as a regular cast member. And

0:56:41.120 --> 0:56:44.440
<v Speaker 1>it was just to become familiar with guys like that

0:56:44.680 --> 0:56:50.839
<v Speaker 1>was amazing. And I hate them so much because they're good, right,

0:56:51.320 --> 0:56:55.640
<v Speaker 1>Like Sugs is like he's a better improviser than I am.

0:56:57.360 --> 0:57:01.200
<v Speaker 1>He just doesn't know what cut means. It just keeps going.

0:57:01.360 --> 0:57:06.640
<v Speaker 1>It keeps going. Yeah, even even as you're having lunch,

0:57:06.680 --> 0:57:09.680
<v Speaker 1>it's just the same. Yeah, it's going. Did you feel

0:57:09.719 --> 0:57:12.400
<v Speaker 1>like this was a step in a new direction for

0:57:12.520 --> 0:57:16.000
<v Speaker 1>you in your career. I wasn't sure at the time

0:57:16.000 --> 0:57:18.320
<v Speaker 1>when I was doing it, because it was sort of

0:57:18.600 --> 0:57:21.200
<v Speaker 1>it was a half hour show, so I guess I

0:57:21.280 --> 0:57:24.760
<v Speaker 1>thought of it as a comedy on the outset because

0:57:24.800 --> 0:57:30.240
<v Speaker 1>I was also sort of the comic relief. So I

0:57:30.280 --> 0:57:32.800
<v Speaker 1>was in my work little world. I was doing a comedy.

0:57:32.920 --> 0:57:37.120
<v Speaker 1>But it did, you know it. I realized gradually that

0:57:37.360 --> 0:57:41.200
<v Speaker 1>if this was a different thing for me, yeah, fun

0:57:41.440 --> 0:57:46.320
<v Speaker 1>to do that, super fun, very challenging the because it

0:57:46.360 --> 0:57:49.120
<v Speaker 1>was a different world I had worked for so long

0:57:49.160 --> 0:57:51.640
<v Speaker 1>in worlds that I created or where it was. It

0:57:51.760 --> 0:57:54.680
<v Speaker 1>felt sort of insular and I knew everybody, and it

0:57:54.720 --> 0:57:57.880
<v Speaker 1>was comedic and this was this was like the Hollywood

0:57:57.920 --> 0:58:05.160
<v Speaker 1>machine man and uh very very uh educational and and

0:58:05.360 --> 0:58:09.240
<v Speaker 1>getting it watched the rock work and watch how he

0:58:09.320 --> 0:58:14.320
<v Speaker 1>gets things done. Is was awesome, And yeah it was.

0:58:14.680 --> 0:58:18.880
<v Speaker 1>It was a great thing, very very difficult, but in

0:58:18.960 --> 0:58:23.240
<v Speaker 1>the best way. Yeah, your energy on that show and

0:58:23.280 --> 0:58:27.120
<v Speaker 1>what you brought to that show. I just always really

0:58:27.800 --> 0:58:32.880
<v Speaker 1>really admired and yeah, I just I I loved it.

0:58:32.960 --> 0:58:34.680
<v Speaker 1>I was a fan of the show. I'm you know,

0:58:34.800 --> 0:58:38.560
<v Speaker 1>I've worked myself in in in sports and various capacities

0:58:38.560 --> 0:58:41.120
<v Speaker 1>as well. And I just thought, yeah, I thought you

0:58:41.160 --> 0:58:45.840
<v Speaker 1>were spectacular and and and seeing you begin to turn

0:58:46.480 --> 0:58:50.040
<v Speaker 1>as the show did, it was awesome. So yeah, there

0:58:50.040 --> 0:58:52.400
<v Speaker 1>you go, Thank you very much. That's the only thing

0:58:52.480 --> 0:58:55.600
<v Speaker 1>I really enjoyed playing that character, you know, because the

0:58:56.320 --> 0:58:59.040
<v Speaker 1>sky was the limit. They let me do what I

0:58:59.120 --> 0:59:03.040
<v Speaker 1>will go anywhere. Yeah, I think I did that improvised.

0:59:03.320 --> 0:59:08.400
<v Speaker 1>I improvised that I had tried crack. I think it's

0:59:08.400 --> 0:59:10.280
<v Speaker 1>in the show. I don't remember where they kept that.

0:59:11.560 --> 0:59:20.640
<v Speaker 1>Why not? Why not? Um? Recently I hear you this

0:59:20.720 --> 0:59:23.520
<v Speaker 1>is a this is a very big thing for you.

0:59:23.760 --> 0:59:27.240
<v Speaker 1>I would be so far out of my element. I

0:59:27.280 --> 0:59:30.800
<v Speaker 1>was told for years you planted your love of cars

0:59:31.240 --> 0:59:36.280
<v Speaker 1>in interviews and now as one of the hosts of

0:59:36.600 --> 0:59:41.480
<v Speaker 1>Top Gear America. Was this a conscious strategy you have

0:59:41.720 --> 0:59:44.280
<v Speaker 1>or you just love cars? Yeah? I mean this was

0:59:44.320 --> 0:59:49.240
<v Speaker 1>a conscious strategy in that I wanted to I wanted

0:59:49.280 --> 0:59:51.840
<v Speaker 1>to be one of those guys, one of those actors

0:59:51.880 --> 0:59:56.680
<v Speaker 1>that car companies sent cars to for a weekend. Okay,

0:59:57.000 --> 0:59:59.480
<v Speaker 1>I wanted to get a Ferrari dropped off at my

0:59:59.560 --> 1:00:04.040
<v Speaker 1>house four days, Uh, you know, for with no obligation,

1:00:04.960 --> 1:00:08.440
<v Speaker 1>and and so I that's exactly I made it. I

1:00:08.520 --> 1:00:13.240
<v Speaker 1>made a very conscious, conscious effort to mention my love

1:00:13.280 --> 1:00:17.360
<v Speaker 1>of cars in the media, and it happened once. But

1:00:17.480 --> 1:00:22.760
<v Speaker 1>it was it stupid. It was a lame car, you know.

1:00:22.960 --> 1:00:25.720
<v Speaker 1>It was a I don't remember it was this one

1:00:25.760 --> 1:00:28.200
<v Speaker 1>of those electric cars. By the way, I love cameras.

1:00:28.800 --> 1:00:33.720
<v Speaker 1>That was not I would just sponsored my cameras. No, no,

1:00:33.960 --> 1:00:36.680
<v Speaker 1>I don't know. But if we ever need that sponsorship,

1:00:36.760 --> 1:00:40.600
<v Speaker 1>I don't Nissan. Nissan Maxima is a far better car.

1:00:40.840 --> 1:00:44.320
<v Speaker 1>Ultima is a far better car. But anyway, all right,

1:00:44.760 --> 1:00:49.000
<v Speaker 1>we could I could go off testing the limits of

1:00:49.040 --> 1:00:52.360
<v Speaker 1>these cars. Has been fun for you and myself, man,

1:00:52.480 --> 1:00:56.720
<v Speaker 1>because I would I feel just as out of my element.

1:00:57.640 --> 1:01:01.200
<v Speaker 1>I was cast as the one of the three guys.

1:01:02.200 --> 1:01:05.040
<v Speaker 1>I'm the I'm the guy sort of the audience, the

1:01:05.120 --> 1:01:09.120
<v Speaker 1>voice of the audience. I'm the enthusiast. I've never I

1:01:09.160 --> 1:01:13.720
<v Speaker 1>had never driven on a track before. I don't know.

1:01:14.320 --> 1:01:18.360
<v Speaker 1>I didn't know about the mechanics of cars or I

1:01:18.480 --> 1:01:23.320
<v Speaker 1>wasn't an encyclopedia of automobiles. But you know, I sort

1:01:23.320 --> 1:01:25.360
<v Speaker 1>of rounded out the group in that way. So it

1:01:25.400 --> 1:01:27.640
<v Speaker 1>was it added a fun dynamic, but it was also

1:01:27.800 --> 1:01:31.280
<v Speaker 1>to the show. But I was terrified all the time there.

1:01:31.360 --> 1:01:35.400
<v Speaker 1>We did some crazy stuff, Dude, I can't, I can't.

1:01:36.040 --> 1:01:39.000
<v Speaker 1>I did the you know what do you call it?

1:01:39.080 --> 1:01:41.640
<v Speaker 1>You know, started the NASCAR thing one time and rode

1:01:41.680 --> 1:01:45.600
<v Speaker 1>in the in the pace car terrifying. Was it her

1:01:45.840 --> 1:01:48.080
<v Speaker 1>made the pace car? How fast did it go? I

1:01:48.120 --> 1:01:49.840
<v Speaker 1>don't know, but he said, you want to go, you

1:01:49.840 --> 1:01:51.880
<v Speaker 1>want to open it up a little bit. And I

1:01:51.960 --> 1:01:55.280
<v Speaker 1>just remember hearing the crowd going crazy as you're going

1:01:55.320 --> 1:01:58.720
<v Speaker 1>around the engine right and the engine it's so loud

1:01:58.880 --> 1:02:02.120
<v Speaker 1>you can't even stand that. I want that I play.

1:02:02.280 --> 1:02:04.920
<v Speaker 1>I could play that to go to sleep to that

1:02:05.080 --> 1:02:10.480
<v Speaker 1>engine noise. Love it, love it, dude. I am such

1:02:10.480 --> 1:02:13.320
<v Speaker 1>a big fan of yours. I so appreciate uh you

1:02:13.440 --> 1:02:16.560
<v Speaker 1>spending some time with me. Is there anything else you

1:02:16.600 --> 1:02:20.440
<v Speaker 1>want listeners to be looking out for? Um? No, top

1:02:20.480 --> 1:02:23.960
<v Speaker 1>Gear is still I believe it's running right now, right now,

1:02:24.320 --> 1:02:27.640
<v Speaker 1>both seasons on the Motor Trend app, probably on the

1:02:27.640 --> 1:02:31.800
<v Speaker 1>Motor Trend network, but it's not. That's not available everywhere.

1:02:31.800 --> 1:02:34.720
<v Speaker 1>We're working right now to get better, get more money,

1:02:34.760 --> 1:02:39.400
<v Speaker 1>to broaden, to expand it a little bit. But what

1:02:39.480 --> 1:02:41.440
<v Speaker 1>am I No, I'm not doing a thing. You got anything,

1:02:41.440 --> 1:02:44.680
<v Speaker 1>I'll do it. Yeah, job in Atlanta, I'll do it.

1:02:44.960 --> 1:02:47.000
<v Speaker 1>Tell them I'll do it. I can't talk about it.

1:02:47.720 --> 1:02:50.320
<v Speaker 1>Come on, man, I can't talk about it all right.

1:02:50.600 --> 1:02:56.400
<v Speaker 1>Have you ever ever heard the phrase material breach of contract?

1:02:55.440 --> 1:02:58.800
<v Speaker 1>I love that band. You're doing a video for material

1:02:58.880 --> 1:03:04.240
<v Speaker 1>breaching contract. Yeah, thank you so much, Rob. I appreciate it.

1:03:04.720 --> 1:03:10.000
<v Speaker 1>Whatever you do next, I'm in. I'm full in on you. Well.

1:03:10.320 --> 1:03:13.840
<v Speaker 1>I you are such a lovely guy. Um, thank you

1:03:13.880 --> 1:03:16.040
<v Speaker 1>for letting me do this, and thank you for having

1:03:16.080 --> 1:03:19.120
<v Speaker 1>this podcast. I love. These are my favorite kinds of podcast.

1:03:19.240 --> 1:03:23.920
<v Speaker 1>It's just we're just this is just talking I I

1:03:24.080 --> 1:03:27.160
<v Speaker 1>and you're very good at it, so so um, thanks

1:03:27.200 --> 1:03:31.680
<v Speaker 1>for having me stop it. I appreciate it. And uh

1:03:31.880 --> 1:03:35.960
<v Speaker 1>and we'll do it again. Um. No, I'm not available, Okay,

1:03:36.000 --> 1:03:56.000
<v Speaker 1>I'll be in Atlanta. You can't tell you why. Thanks Rob. Wow,

1:03:56.200 --> 1:03:59.000
<v Speaker 1>thank you so much for joining me today. That was incredible.

1:03:59.840 --> 1:04:01.439
<v Speaker 1>I I'm going to spend the next couple of days

1:04:01.480 --> 1:04:05.920
<v Speaker 1>thinking about what little morsels i'd like to feed the media.

1:04:06.720 --> 1:04:10.960
<v Speaker 1>Not a bad idea, my friend, not bad at all,

1:04:11.640 --> 1:04:14.600
<v Speaker 1>And my listeners, thank you for joining me. On this

1:04:14.680 --> 1:04:19.080
<v Speaker 1>beautiful Tuesday or whatever day you're listening. Time is weird

1:04:19.480 --> 1:04:22.360
<v Speaker 1>in the world of podcasts. Am I right, I'm gonna

1:04:22.400 --> 1:04:27.200
<v Speaker 1>be back next week with another fantastic conversation. Let's see.

1:04:27.320 --> 1:04:30.240
<v Speaker 1>Do I have any hints for you? How about they

1:04:30.280 --> 1:04:37.160
<v Speaker 1>have been both royalty and a teenage heartthrop m m, yes,

1:04:37.720 --> 1:04:47.280
<v Speaker 1>We'll see you next week. Off the Beat is hosted

1:04:47.280 --> 1:04:51.760
<v Speaker 1>and executive produced by me Brian Baumgartner, alongside our executive

1:04:51.760 --> 1:04:56.480
<v Speaker 1>producer Langley. Our senior producer is Diego Tapia. Our producers

1:04:56.480 --> 1:05:00.160
<v Speaker 1>are Liz Hayes, Hannah Harris, and Emily carr Are. Talent

1:05:00.280 --> 1:05:04.800
<v Speaker 1>producer is Ryan Papa Zachary At. Our intern is Sammy Cats.

1:05:05.120 --> 1:05:08.960
<v Speaker 1>Our theme song Bubble and Squeak, performed by the one

1:05:08.960 --> 1:05:10.480
<v Speaker 1>and only Creed Bratton,