1 00:00:00,520 --> 00:00:04,080 Speaker 1: My guest is Thomas Q. Jones. He's an actor, producer, showrunner. 2 00:00:04,240 --> 00:00:07,120 Speaker 1: He's an executive producer, show running star on The Bounds 3 00:00:07,160 --> 00:00:10,400 Speaker 1: TV comedy I like to call it a drama. Y Johnson, 4 00:00:10,720 --> 00:00:13,200 Speaker 1: he plays the role of Omar on the show Well. 5 00:00:13,280 --> 00:00:15,880 Speaker 1: Best known as a leading running back who played twelve 6 00:00:15,880 --> 00:00:18,280 Speaker 1: season in the NFL, his focus is turned to acting 7 00:00:18,360 --> 00:00:21,119 Speaker 1: and technology. We talked to Thomas about his path and 8 00:00:21,160 --> 00:00:24,720 Speaker 1: career trajectory. What made him decide to transition to Hollywood 9 00:00:24,800 --> 00:00:28,160 Speaker 1: doing acting and producing after his NFL career. What has 10 00:00:28,200 --> 00:00:31,480 Speaker 1: been some important tools that helped him and finding success 11 00:00:31,600 --> 00:00:34,760 Speaker 1: in the entertainment industry. If you know if face looked 12 00:00:34,800 --> 00:00:37,960 Speaker 1: Saverior for sounds familiar, Luke Cage, one of my favorite 13 00:00:37,960 --> 00:00:41,760 Speaker 1: show tales, p Valley, one of my favorite shows. Being 14 00:00:41,800 --> 00:00:44,639 Speaker 1: Married to Mary, Being Being Mary, Jane, and many many Moore. 15 00:00:44,880 --> 00:00:49,360 Speaker 1: Please welcome to Money Making Conversations Masterclass. Thomas Q. Jones. 16 00:00:49,479 --> 00:00:52,720 Speaker 1: How you doing, sir? Hey, thank you, I'm doing great. 17 00:00:52,840 --> 00:00:54,840 Speaker 1: Thank you so much for having me on. I truly 18 00:00:54,880 --> 00:00:57,840 Speaker 1: appreciate a big family show as well. Well. I appreciate 19 00:00:57,840 --> 00:01:03,160 Speaker 1: that compliment because I we got the interview book this week. Thomas. Okay, 20 00:01:03,280 --> 00:01:06,360 Speaker 1: so I don't do an interview unless I read the book, 21 00:01:06,480 --> 00:01:09,200 Speaker 1: see the movie, see the show. So they sent me 22 00:01:09,200 --> 00:01:11,200 Speaker 1: fourteen episodes, and I'm gonna tell you how I usually 23 00:01:11,560 --> 00:01:14,000 Speaker 1: sometimes I cheat. They sent me that many episode. I 24 00:01:14,120 --> 00:01:17,160 Speaker 1: watched the first two, watched the last two. I got 25 00:01:17,200 --> 00:01:21,400 Speaker 1: it right. That's how sometimes I do. I watched yesterday, 26 00:01:21,400 --> 00:01:26,760 Speaker 1: I got it started five thirty. I watched twelve episodes 27 00:01:27,160 --> 00:01:32,680 Speaker 1: last night. Wrapped up about eleven o'clock. Okay, I got 28 00:01:32,760 --> 00:01:34,480 Speaker 1: woke up at fourth thirty. I get up at fourth 29 00:01:34,480 --> 00:01:36,679 Speaker 1: third every day. Got to the officer out about seven, 30 00:01:37,160 --> 00:01:42,920 Speaker 1: wrapped up the last two episodes. That's how engaging. That's 31 00:01:42,959 --> 00:01:46,959 Speaker 1: how good this series was. It. It would not allow 32 00:01:47,040 --> 00:01:50,040 Speaker 1: me to cheat, because if I had a cheat out, 33 00:01:50,040 --> 00:01:53,080 Speaker 1: have missed the character development. If I achieved out of 34 00:01:53,160 --> 00:01:55,560 Speaker 1: missed the character moment. If I to cheat, out of 35 00:01:55,600 --> 00:01:59,920 Speaker 1: the disservice to the quality of this great series. Tell 36 00:02:00,080 --> 00:02:02,880 Speaker 1: me how I got started, Thomas, and tell me why 37 00:02:02,960 --> 00:02:07,480 Speaker 1: you involved in Well what that means everything to to 38 00:02:07,600 --> 00:02:11,120 Speaker 1: have that type of feedback from something that you produced 39 00:02:11,160 --> 00:02:14,000 Speaker 1: and acted in and given a lot of your heart. 40 00:02:14,400 --> 00:02:16,680 Speaker 1: Uh and so too, so thank you so much for 41 00:02:16,680 --> 00:02:19,120 Speaker 1: the comwords and I'm so grateful and appreciative to that 42 00:02:19,200 --> 00:02:22,320 Speaker 1: you enjoyed the show. Um. The show was created by 43 00:02:22,320 --> 00:02:25,480 Speaker 1: my producer part of das Lay and actually two thousands 44 00:02:25,480 --> 00:02:30,160 Speaker 1: of fourteen and I bumped in and daj in two seventeen. 45 00:02:30,720 --> 00:02:33,760 Speaker 1: And I had originally heard about Johnson through a mutual 46 00:02:33,840 --> 00:02:36,640 Speaker 1: friend three years earlier, and I didn't know that it 47 00:02:36,800 --> 00:02:41,960 Speaker 1: was his show. And when we met, we just clicked immediately. 48 00:02:42,760 --> 00:02:47,560 Speaker 1: I loved his insight just on Hollywood, on being a creator. 49 00:02:48,960 --> 00:02:52,520 Speaker 1: I was just engulfed with the idea around Johnson, being 50 00:02:52,560 --> 00:02:56,960 Speaker 1: that it was a positive UH series and with a 51 00:02:57,000 --> 00:03:00,919 Speaker 1: positive narrative around black men and UH. And I felt 52 00:03:00,919 --> 00:03:02,720 Speaker 1: that not only was it something that was needed for 53 00:03:02,760 --> 00:03:05,360 Speaker 1: the industry, but I felt like it was something that 54 00:03:05,400 --> 00:03:07,000 Speaker 1: I needed to be a part of and had to 55 00:03:07,040 --> 00:03:10,799 Speaker 1: be a part of. And so we UH. We created 56 00:03:10,800 --> 00:03:14,880 Speaker 1: our production company and Night Training Productions, and we filled 57 00:03:14,919 --> 00:03:17,240 Speaker 1: the pilot episode of Johnson just on our own with 58 00:03:17,240 --> 00:03:20,920 Speaker 1: our own money, our own friends, our own relationships, and 59 00:03:21,000 --> 00:03:23,040 Speaker 1: we set out on a journey to shop this thing 60 00:03:23,560 --> 00:03:27,800 Speaker 1: in seventeen and we were fortunate enough to have senter 61 00:03:27,919 --> 00:03:30,639 Speaker 1: the Entertainer and Eric wrote his partner at a burning 62 00:03:30,680 --> 00:03:35,080 Speaker 1: a Bear see the project and they loved it immediately. 63 00:03:35,160 --> 00:03:36,880 Speaker 1: They brought us in for a meeting. We sat down, 64 00:03:37,520 --> 00:03:40,200 Speaker 1: told him what our vision was for the show. They 65 00:03:40,240 --> 00:03:42,520 Speaker 1: appreciated it being that they were two black men that 66 00:03:42,520 --> 00:03:46,240 Speaker 1: have been in Hollywood for thirty plus years and they've 67 00:03:46,280 --> 00:03:49,160 Speaker 1: had a very similar relationship to the date the relationship 68 00:03:49,200 --> 00:03:52,560 Speaker 1: Day and I have and they were on board. So 69 00:03:52,680 --> 00:03:56,080 Speaker 1: we signed the shopping agreement and we went to a 70 00:03:56,080 --> 00:04:00,120 Speaker 1: few different places in Hollywood. Everyone loved the idea. They 71 00:04:00,120 --> 00:04:02,600 Speaker 1: loved the pilot episode that we had filmed, but they 72 00:04:02,600 --> 00:04:04,720 Speaker 1: were a little bit, you know, nervous to pull the 73 00:04:04,720 --> 00:04:07,880 Speaker 1: trigger because they weren't sure if a black mail PLV show, 74 00:04:08,840 --> 00:04:14,640 Speaker 1: UH number one would be interesting to audiences and number 75 00:04:14,680 --> 00:04:18,120 Speaker 1: two would actually uh pull in the ratings that they 76 00:04:18,160 --> 00:04:20,680 Speaker 1: were used to from some of these other narratives that 77 00:04:20,760 --> 00:04:23,919 Speaker 1: they typically push. So we ended up at Bounced TV 78 00:04:24,279 --> 00:04:27,640 Speaker 1: and David Hudson at Bounce, who's uh the head of 79 00:04:27,640 --> 00:04:31,920 Speaker 1: original programming over there, loved the idea, loved the concept, 80 00:04:32,040 --> 00:04:33,720 Speaker 1: thought it was fresh, thought it was new, and thought 81 00:04:33,720 --> 00:04:36,080 Speaker 1: would be a great show for Bounce. And now here 82 00:04:36,080 --> 00:04:39,120 Speaker 1: we are the season two. Johnson, Uh, with feedback that 83 00:04:39,200 --> 00:04:41,240 Speaker 1: you've given us on that show. So it's been an 84 00:04:41,279 --> 00:04:44,120 Speaker 1: incredible journey. It's been a lot of fun, it's been 85 00:04:44,160 --> 00:04:47,240 Speaker 1: intriguing best some incredible people, and I'm just looking to 86 00:04:47,360 --> 00:04:51,160 Speaker 1: keep the journey going. Talking to Thomas Q. Jones from 87 00:04:51,320 --> 00:04:54,359 Speaker 1: NFL running back of twelve years now, he's gonna be 88 00:04:54,400 --> 00:04:59,039 Speaker 1: acting forever this show. This guy, Now, how did you 89 00:04:59,080 --> 00:05:01,400 Speaker 1: get the acting bo okay? Because you know, if I 90 00:05:01,480 --> 00:05:03,160 Speaker 1: remember correctly, because I was, if I've been a fan 91 00:05:03,200 --> 00:05:05,880 Speaker 1: of yours, I remember you was at the University of Virginia, right, 92 00:05:05,920 --> 00:05:08,400 Speaker 1: that's what used to college ball. Right, he became out 93 00:05:08,440 --> 00:05:11,720 Speaker 1: with your second round draft pick. But was I was, 94 00:05:11,920 --> 00:05:15,039 Speaker 1: I was the seventh overall pictures, that's right, seventhorall picks. 95 00:05:15,040 --> 00:05:19,320 Speaker 1: I apologize. And then you went you went to the Cardinals, right, 96 00:05:19,400 --> 00:05:23,080 Speaker 1: it was clowning. And then uh, because like I said, 97 00:05:23,160 --> 00:05:26,760 Speaker 1: it's something about you know, athletes, and and I was 98 00:05:26,800 --> 00:05:28,839 Speaker 1: an a c C fan. I lived in Texas. I was, 99 00:05:28,960 --> 00:05:31,599 Speaker 1: I was that that's amazing. I knew you and knew 100 00:05:31,680 --> 00:05:34,080 Speaker 1: your talents and followed you. And I was born and 101 00:05:34,160 --> 00:05:37,800 Speaker 1: raised in Houston, Texas. And then fast forward, I'm interviewing 102 00:05:37,839 --> 00:05:40,520 Speaker 1: you on my show about your TV show and I'm 103 00:05:40,560 --> 00:05:44,080 Speaker 1: recalling information that I haven't had had a need to 104 00:05:44,120 --> 00:05:46,120 Speaker 1: call up ever. I was just a fan of yours 105 00:05:46,120 --> 00:05:48,520 Speaker 1: just because I just knew you was a bestial talent. 106 00:05:48,520 --> 00:05:51,080 Speaker 1: I saw some of your interviews, and you didn't talk 107 00:05:51,200 --> 00:05:53,600 Speaker 1: like an athlete and other one that's nothing negative, but 108 00:05:54,000 --> 00:05:56,440 Speaker 1: you always talked like a person that had had a life. 109 00:05:57,240 --> 00:05:59,080 Speaker 1: This is something you were just doing because God gave 110 00:05:59,120 --> 00:06:01,480 Speaker 1: you that talent. This is what didn't define you. Your 111 00:06:01,520 --> 00:06:04,640 Speaker 1: athleticism didn't define you. I think that's what stood out 112 00:06:04,640 --> 00:06:08,520 Speaker 1: for me. Thomas, Am I correct, You're you're You're absolutely correct. 113 00:06:08,960 --> 00:06:11,760 Speaker 1: I was fortunate to have an incredible mother and father. 114 00:06:13,160 --> 00:06:18,120 Speaker 1: Um As I grew up that that UH told me 115 00:06:18,240 --> 00:06:22,800 Speaker 1: that being an athlete is secondary to being uh number 116 00:06:22,839 --> 00:06:28,320 Speaker 1: one a good person and also an intelligent person. UH, 117 00:06:28,360 --> 00:06:30,520 Speaker 1: because that's one thing people can never take away from us, 118 00:06:30,560 --> 00:06:35,039 Speaker 1: your intelligence when injury takes your bathlete career way and 119 00:06:35,120 --> 00:06:39,080 Speaker 1: so so much so that in high school I had 120 00:06:39,120 --> 00:06:43,120 Speaker 1: a really really um really really good high school career 121 00:06:43,640 --> 00:06:48,159 Speaker 1: and I rushed for a lot of yards and my father, UM, 122 00:06:48,240 --> 00:06:50,600 Speaker 1: he understood it. On Saturday mornings after I fighting my 123 00:06:50,720 --> 00:06:54,240 Speaker 1: game that I wanted grab the newspaper and immediately reading 124 00:06:54,279 --> 00:06:58,839 Speaker 1: sports sports section to my stads see what other running 125 00:06:58,880 --> 00:07:02,120 Speaker 1: backs had some of stats. That's position a cree running back. 126 00:07:02,680 --> 00:07:04,719 Speaker 1: So he would take the sports section out of the 127 00:07:04,800 --> 00:07:06,960 Speaker 1: newspaper and I would have to read the French front 128 00:07:07,000 --> 00:07:10,800 Speaker 1: page of the paper first before he would give me 129 00:07:10,840 --> 00:07:15,480 Speaker 1: the sports page, and so psychologically what that game was. 130 00:07:15,520 --> 00:07:20,760 Speaker 1: It made me realize that yes, sports are cool, they're fun. Uh. 131 00:07:20,800 --> 00:07:22,960 Speaker 1: It's a former recreation and even in my case it 132 00:07:23,040 --> 00:07:25,960 Speaker 1: was an opportunity for me to get a scholarship UH 133 00:07:26,000 --> 00:07:29,480 Speaker 1: to university and get a degree, but his field was 134 00:07:29,600 --> 00:07:31,920 Speaker 1: second in regards to the understanding what's going on in 135 00:07:31,920 --> 00:07:36,320 Speaker 1: the world, being an intelligent person and a citizen that 136 00:07:36,360 --> 00:07:40,520 Speaker 1: can contribute to society, and that never left from the 137 00:07:40,560 --> 00:07:45,840 Speaker 1: time I was thirteen years old, so now at three um, 138 00:07:45,880 --> 00:07:47,960 Speaker 1: that ideal never left and I think that's been a 139 00:07:48,040 --> 00:07:52,200 Speaker 1: huge catalyst while continued to be successful in other industries 140 00:07:52,200 --> 00:07:54,800 Speaker 1: outside of the sports. We'll be right back with more 141 00:07:54,840 --> 00:08:01,240 Speaker 1: Money Making Conversations Masterclass with Rushan McDonald. Now let's return 142 00:08:01,280 --> 00:08:06,320 Speaker 1: to Money Making Conversations Masterclass with Rashan McDonald. I'm speaking 143 00:08:06,360 --> 00:08:11,160 Speaker 1: to Thomas ke Jones used to show runner actor UH 144 00:08:11,280 --> 00:08:14,520 Speaker 1: when I wanna call it hit serious. Okay, it's a 145 00:08:14,560 --> 00:08:17,679 Speaker 1: hit serious to me called Bounces under its own Bounce 146 00:08:17,800 --> 00:08:21,480 Speaker 1: network is called Johnson and Johnson is about four four brothers. 147 00:08:21,720 --> 00:08:24,840 Speaker 1: You know, I say brothers because of them being brothers, 148 00:08:25,080 --> 00:08:27,760 Speaker 1: but they're not related. They just have the last name 149 00:08:27,800 --> 00:08:31,280 Speaker 1: of Johnson. They met in school and and was was 150 00:08:31,440 --> 00:08:34,400 Speaker 1: lined up as Johnson. They they befriended themselves, as it 151 00:08:34,440 --> 00:08:37,600 Speaker 1: is announced in the second episode. And then the thing 152 00:08:37,679 --> 00:08:39,920 Speaker 1: about it is that each one of the characters are different. 153 00:08:39,960 --> 00:08:42,280 Speaker 1: That's what he's talking about seeing Hollywood has a way 154 00:08:42,320 --> 00:08:45,839 Speaker 1: of saying what people want to see because it's never 155 00:08:45,880 --> 00:08:47,959 Speaker 1: been done before. And what they're doing on TV. This 156 00:08:48,200 --> 00:08:51,400 Speaker 1: drama t and that's what it is. A drama is 157 00:08:51,480 --> 00:08:55,280 Speaker 1: like a drama slash comedy. You know, they have funny moments, 158 00:08:55,440 --> 00:08:58,920 Speaker 1: but the storytelling and the lessons you learned the takeaway 159 00:08:59,240 --> 00:09:00,800 Speaker 1: makes it the drama on you. That's what makes this 160 00:09:00,920 --> 00:09:03,880 Speaker 1: series so special is that I would tell people, you know, 161 00:09:04,160 --> 00:09:06,319 Speaker 1: as a stand up, and it's funny that you know, 162 00:09:06,400 --> 00:09:09,280 Speaker 1: one of the stars of the show is Dio Hughley, 163 00:09:09,440 --> 00:09:11,600 Speaker 1: who is one of the all time great stand ups. 164 00:09:12,000 --> 00:09:13,920 Speaker 1: And then you have one of the backers of the 165 00:09:14,000 --> 00:09:16,679 Speaker 1: show is a stand up center the entertain the one 166 00:09:16,679 --> 00:09:19,120 Speaker 1: of the all time great stand ups. And then you 167 00:09:19,200 --> 00:09:22,319 Speaker 1: also have one of the co stars of the show Earthquake, 168 00:09:22,800 --> 00:09:24,880 Speaker 1: one of the all time great stand ups in the 169 00:09:24,920 --> 00:09:28,520 Speaker 1: show as well. So you have these incredible stand up components, 170 00:09:28,559 --> 00:09:32,240 Speaker 1: are comedy components around it, and then as actors they 171 00:09:32,280 --> 00:09:36,599 Speaker 1: are funny. But your character, Omar, you know, let me 172 00:09:36,679 --> 00:09:38,679 Speaker 1: just tell you a little bit. We're gonna talk about over. 173 00:09:38,920 --> 00:09:41,400 Speaker 1: It's a little bit show wist, you know, because you 174 00:09:41,480 --> 00:09:44,000 Speaker 1: got those old values. You don't think a woman should 175 00:09:44,000 --> 00:09:47,079 Speaker 1: be like this. And so when you when when you 176 00:09:47,160 --> 00:09:50,760 Speaker 1: have to play your character, did you did you? Did you? Did? 177 00:09:50,840 --> 00:09:53,319 Speaker 1: Some people say, man, you're not gonna be like that 178 00:09:53,559 --> 00:09:55,320 Speaker 1: or you are? You said, hey, man, just the characters, 179 00:09:55,360 --> 00:09:57,079 Speaker 1: the role I'm playing. I don't believe in none of 180 00:09:57,120 --> 00:09:59,640 Speaker 1: these values. Because you know your fans hitting you up. 181 00:09:59,720 --> 00:10:03,440 Speaker 1: I know they are talk about it right right listen. 182 00:10:03,600 --> 00:10:06,120 Speaker 1: I love this show. And first of all, just to 183 00:10:06,200 --> 00:10:10,439 Speaker 1: talk to the point of have an Earthquake, DL and 184 00:10:10,559 --> 00:10:12,800 Speaker 1: Ced drink on the show. That was very important to 185 00:10:12,880 --> 00:10:14,880 Speaker 1: day G and I because we're standing on their Showlder 186 00:10:14,960 --> 00:10:16,439 Speaker 1: stay paid the way for us and even have a 187 00:10:16,480 --> 00:10:20,800 Speaker 1: show right, and and we appreciate the work that they 188 00:10:20,920 --> 00:10:23,400 Speaker 1: put in, the struggles and obstacles that they had to 189 00:10:23,440 --> 00:10:26,280 Speaker 1: overcome to being a position that they are, and we 190 00:10:26,400 --> 00:10:30,839 Speaker 1: wanted to showcase them and also create characters that our 191 00:10:31,000 --> 00:10:34,920 Speaker 1: characters could learn from, because it's important to showcase what 192 00:10:35,120 --> 00:10:37,000 Speaker 1: you want to see in real life and a real time. 193 00:10:37,640 --> 00:10:40,280 Speaker 1: And I know I had my father in my life 194 00:10:40,760 --> 00:10:43,880 Speaker 1: and other black men that had experienced life before me 195 00:10:44,320 --> 00:10:47,800 Speaker 1: that I learned from, whether it be NFL coaches, college coaches, 196 00:10:47,840 --> 00:10:50,880 Speaker 1: these are men that molded me and to who I am, 197 00:10:51,160 --> 00:10:53,840 Speaker 1: and they deserve the utmost respective flowers because I wouldn't 198 00:10:53,840 --> 00:10:55,679 Speaker 1: be a man that I am to stay it wasn't them, 199 00:10:56,400 --> 00:11:00,319 Speaker 1: And we wanted to show love and appreciate you to 200 00:11:00,480 --> 00:11:03,960 Speaker 1: deal he too Earthquake to Riveney Perry to seduct the entertainer. 201 00:11:04,400 --> 00:11:07,360 Speaker 1: Even Eric Rohme, who's not an actor, but he's sent 202 00:11:07,480 --> 00:11:11,319 Speaker 1: to his partner and they've navigated the path that de 203 00:11:11,480 --> 00:11:14,640 Speaker 1: g and I as producers young just trying to navigate through. 204 00:11:15,120 --> 00:11:17,000 Speaker 1: And I think he's important to pass the torch and 205 00:11:17,200 --> 00:11:19,120 Speaker 1: it's sporting for us to show that we respect you 206 00:11:19,280 --> 00:11:22,000 Speaker 1: and the journey we appreciate you and love you. We're 207 00:11:22,000 --> 00:11:24,480 Speaker 1: giving you your flowers, and we appreciate advice to you 208 00:11:24,720 --> 00:11:27,880 Speaker 1: give us. So that was a huge part of our show, 209 00:11:28,200 --> 00:11:34,160 Speaker 1: is giving those legends their flowers. And then in regards 210 00:11:34,240 --> 00:11:39,319 Speaker 1: to my character, Omar, Omar is a he's he's going 211 00:11:39,360 --> 00:11:43,959 Speaker 1: through a custody battle and marital problems with his wife Naomi, 212 00:11:44,880 --> 00:11:49,280 Speaker 1: and it's a complex situation. I don't want to give 213 00:11:49,360 --> 00:11:52,439 Speaker 1: too much away because you have to watch season one. Absolutely, 214 00:11:53,200 --> 00:11:55,640 Speaker 1: you have to watch. You gotta watch it. Yeah, you 215 00:11:55,720 --> 00:11:59,160 Speaker 1: have to your extreme season one of Johnson on this 216 00:11:59,400 --> 00:12:02,000 Speaker 1: at brown Sugar, you can download the app. You can 217 00:12:02,120 --> 00:12:04,880 Speaker 1: stream all the episodes from season one, which your ten 218 00:12:05,360 --> 00:12:08,160 Speaker 1: thirty minute episodes, and then also season two you haven't 219 00:12:08,200 --> 00:12:10,680 Speaker 1: been able to catch up with on the show about CV, 220 00:12:11,120 --> 00:12:12,800 Speaker 1: you can download the brown Sugar app and you can 221 00:12:12,840 --> 00:12:16,600 Speaker 1: get caught up all the way up to episode three. Sunday. 222 00:12:18,720 --> 00:12:23,240 Speaker 1: Episode four airs. This four airs this Sunday, So yeah, 223 00:12:23,400 --> 00:12:26,120 Speaker 1: so four will be available on Monday, but you want 224 00:12:26,120 --> 00:12:29,080 Speaker 1: to download the app whenever you see this, you'll definitely 225 00:12:29,080 --> 00:12:31,439 Speaker 1: be able to get caught up to three episode three 226 00:12:31,640 --> 00:12:36,679 Speaker 1: per season two. But this character, it is very flawed, 227 00:12:36,840 --> 00:12:41,440 Speaker 1: just like everyone else is, and and he's confused about 228 00:12:43,040 --> 00:12:46,000 Speaker 1: his relationship with his wife. He's he's trying to figure 229 00:12:46,040 --> 00:12:48,160 Speaker 1: it out. He's trying to give her her space, and 230 00:12:48,240 --> 00:12:50,240 Speaker 1: she needs to figure it out. But he's also a 231 00:12:50,360 --> 00:12:54,240 Speaker 1: human being with instincts and and and needs, and he 232 00:12:54,440 --> 00:12:57,719 Speaker 1: falls short. He falls short just like everyone else. But 233 00:12:58,120 --> 00:13:00,679 Speaker 1: the point of Almont's character is that we want to 234 00:13:00,760 --> 00:13:03,680 Speaker 1: debunk the idea that black men aren't there for their children, 235 00:13:04,080 --> 00:13:06,800 Speaker 1: aren't there for their families. He loves his son, it's 236 00:13:06,800 --> 00:13:08,920 Speaker 1: the most important thing that's like us side of his marriage. 237 00:13:09,240 --> 00:13:12,959 Speaker 1: And he's fighting for his sons, fighting for the opportunity 238 00:13:13,000 --> 00:13:15,200 Speaker 1: to being his son's life and help raise him because 239 00:13:15,200 --> 00:13:18,320 Speaker 1: he understands important about father and a child's life, especially 240 00:13:18,360 --> 00:13:21,319 Speaker 1: little boys life. But he's also a human being. He 241 00:13:21,480 --> 00:13:24,800 Speaker 1: has needs, he has once, he has feelings, he has emotions, 242 00:13:24,840 --> 00:13:27,120 Speaker 1: and a lot of times, the way black mail characters 243 00:13:27,160 --> 00:13:30,040 Speaker 1: are written on a lot of shows, we're written as 244 00:13:30,040 --> 00:13:34,360 Speaker 1: avoid of emotion, we're written for a void of of necessities, 245 00:13:35,080 --> 00:13:41,320 Speaker 1: and we're written very emotionally and unintelligent, emotionally illiterate, I'll say, 246 00:13:42,000 --> 00:13:44,280 Speaker 1: And that's not the case with the majority of black men, 247 00:13:44,400 --> 00:13:47,120 Speaker 1: especially black men that I know and she knows. So 248 00:13:47,520 --> 00:13:49,400 Speaker 1: it'll be interesting when you get chanced to see it. 249 00:13:49,920 --> 00:13:52,800 Speaker 1: You can judge for yourself what you think about Omar 250 00:13:52,920 --> 00:13:56,240 Speaker 1: and and and Omar's reasoning in his plate and uh, 251 00:13:56,720 --> 00:13:58,800 Speaker 1: that's the point of the show we try to create. 252 00:13:59,320 --> 00:14:00,920 Speaker 1: Look at me. Let me break it down a little 253 00:14:00,920 --> 00:14:03,080 Speaker 1: bit more. Because Omar leaving out of what he did 254 00:14:03,200 --> 00:14:05,440 Speaker 1: to this board, Keith, but watch the show, but watch 255 00:14:05,480 --> 00:14:08,840 Speaker 1: the show, But watch the show, but watch it's board Keith, 256 00:14:08,960 --> 00:14:11,920 Speaker 1: Mrs Sisters there, Mr Sis there, Keith. And then you 257 00:14:12,040 --> 00:14:15,679 Speaker 1: have character who plays the character Greg you know, and 258 00:14:15,760 --> 00:14:19,240 Speaker 1: then as you have jovis the probably the most complex 259 00:14:19,360 --> 00:14:22,280 Speaker 1: character I think outside of Omar. I think Omar's character 260 00:14:22,640 --> 00:14:25,320 Speaker 1: and Jarvis characters are the two most complex characters on 261 00:14:25,360 --> 00:14:31,080 Speaker 1: the show. Because Omar, they deal with mental issues, anger, anger, management. 262 00:14:31,120 --> 00:14:34,920 Speaker 1: They talk about the father being in the in the 263 00:14:35,560 --> 00:14:38,000 Speaker 1: relationship with a child because he's the only out of 264 00:14:38,040 --> 00:14:39,920 Speaker 1: the four friends, he's the only one that has a 265 00:14:40,040 --> 00:14:42,840 Speaker 1: child that he knows of. And then that's that's really 266 00:14:42,920 --> 00:14:46,640 Speaker 1: important that this continues to be that way. Something happened 267 00:14:46,680 --> 00:14:49,480 Speaker 1: with that Okay, cool? And so I want to make 268 00:14:49,520 --> 00:14:52,880 Speaker 1: sure that you understand that when I'm watching the show Thomas, 269 00:14:54,240 --> 00:14:58,520 Speaker 1: I am pulled in by the character, by the acting, 270 00:14:59,360 --> 00:15:03,080 Speaker 1: the same tenuity, the editing, the lighting, the the the 271 00:15:03,880 --> 00:15:07,800 Speaker 1: believable relationships, all that special. I'm gonna tell fans who 272 00:15:07,800 --> 00:15:10,440 Speaker 1: are gonna stream it, he says, thirty minutes, because that's 273 00:15:10,480 --> 00:15:14,760 Speaker 1: what a commercial. It's twenty two minutes. It's a fast stream. Now. 274 00:15:15,400 --> 00:15:18,760 Speaker 1: I saw twelve episodes from five thirty to eleven o'clock 275 00:15:18,880 --> 00:15:21,280 Speaker 1: last night. Didn't miss a beat. Would have did the 276 00:15:21,400 --> 00:15:23,040 Speaker 1: last two, but I get up at four thirty in 277 00:15:23,080 --> 00:15:25,000 Speaker 1: the morning. I said, I just get up early to 278 00:15:25,080 --> 00:15:27,040 Speaker 1: watch the next to next day. And I'm glad I 279 00:15:27,120 --> 00:15:30,400 Speaker 1: did because the next two episodes or equally outstanding. But 280 00:15:30,640 --> 00:15:34,640 Speaker 1: the character man. I root for Thomas's character, which is Omar. 281 00:15:35,120 --> 00:15:38,560 Speaker 1: He makes me mad, but just all good. When characters 282 00:15:38,600 --> 00:15:40,160 Speaker 1: are written an act of a certain way that you 283 00:15:40,320 --> 00:15:43,800 Speaker 1: become engaged in the relationship. So he makes me mad. 284 00:15:44,320 --> 00:15:47,280 Speaker 1: I root for him sometimes I think his wife should 285 00:15:47,320 --> 00:15:49,200 Speaker 1: just kick him in the in the in the butt. 286 00:15:50,040 --> 00:15:51,520 Speaker 1: I know he needs to be there for his son, 287 00:15:51,680 --> 00:15:54,560 Speaker 1: but he does stupid stuff with his board. Keith keeps 288 00:15:54,600 --> 00:15:57,160 Speaker 1: to know that he half the time, me whiney don't 289 00:15:57,160 --> 00:15:59,560 Speaker 1: know how to get a woman. Woman plays him sometimes 290 00:16:00,000 --> 00:16:02,440 Speaker 1: and then and then job was over there he married 291 00:16:02,440 --> 00:16:04,080 Speaker 1: to a white woman, don't know how to deal with 292 00:16:04,280 --> 00:16:06,680 Speaker 1: being black. And then you got Greg over that mad 293 00:16:06,800 --> 00:16:09,760 Speaker 1: at him because he taught time macolm x. He driving 294 00:16:09,800 --> 00:16:11,880 Speaker 1: a uber? What a what a two seed with the 295 00:16:11,920 --> 00:16:16,880 Speaker 1: two door uber? Who does that? That's where the drama 296 00:16:16,960 --> 00:16:20,920 Speaker 1: that comes from. Brother great Man, you something that you 297 00:16:21,080 --> 00:16:24,640 Speaker 1: something up all the characters at one rank. I love it. 298 00:16:24,840 --> 00:16:27,480 Speaker 1: I love it. That just means you're emotionally connected to 299 00:16:27,560 --> 00:16:30,280 Speaker 1: the characters. And and that's the first thing you want 300 00:16:30,360 --> 00:16:32,760 Speaker 1: when you're creating a show is you want the audise 301 00:16:32,840 --> 00:16:35,040 Speaker 1: to care about the characters. You wanted me, care about 302 00:16:35,080 --> 00:16:38,520 Speaker 1: the leads, care about the situation, root for them, want 303 00:16:38,560 --> 00:16:41,360 Speaker 1: them to do well, want them to succeed, but also 304 00:16:41,560 --> 00:16:44,840 Speaker 1: understand the mistakes they made, because we all make mistakes. 305 00:16:44,880 --> 00:16:47,160 Speaker 1: No one's perfect. If you if you write a show 306 00:16:47,240 --> 00:16:49,960 Speaker 1: with a perfect character, people probably gonna turn the channel. 307 00:16:51,040 --> 00:16:53,200 Speaker 1: There's there's nothing they can relate to. And all four 308 00:16:53,200 --> 00:16:56,120 Speaker 1: of these black men are very very different, different energies, 309 00:16:56,200 --> 00:17:04,040 Speaker 1: different essences, different complexions, different and uh you know, physical attributes. 310 00:17:04,160 --> 00:17:06,520 Speaker 1: They're all different. But they are all best friends, and 311 00:17:06,600 --> 00:17:09,320 Speaker 1: you can see the chemistry is national because in real life, 312 00:17:09,320 --> 00:17:13,359 Speaker 1: all four of us as the lead characters are really brothers. 313 00:17:13,400 --> 00:17:18,400 Speaker 1: In real life, uh Jarvis Johnson played by Derek Sprady, 314 00:17:18,520 --> 00:17:22,679 Speaker 1: Philip Smithie plays Keith Johnson, and then she already created 315 00:17:22,720 --> 00:17:25,080 Speaker 1: the show plays Greg Johnson, and I play Omar Johnson. 316 00:17:25,480 --> 00:17:27,600 Speaker 1: If you see us in real life at a pool hall, 317 00:17:28,160 --> 00:17:32,160 Speaker 1: at a bar, at a wedding, wherever we are, it's 318 00:17:32,200 --> 00:17:37,919 Speaker 1: the exact same relationship in between takes. If we're shooting 319 00:17:37,960 --> 00:17:39,200 Speaker 1: the scene where all four of us are in the 320 00:17:39,320 --> 00:17:44,680 Speaker 1: scene and they're changing the cameras or there's some quick 321 00:17:44,720 --> 00:17:46,840 Speaker 1: adjustment they have to make it, we all forego into 322 00:17:46,880 --> 00:17:49,880 Speaker 1: the room where the cast is. You could literally put 323 00:17:49,920 --> 00:17:52,080 Speaker 1: the camera in that room and you would get the 324 00:17:52,160 --> 00:17:55,400 Speaker 1: same energy that you get on screen, the same conversations, 325 00:17:55,440 --> 00:17:58,120 Speaker 1: the same personalities. And that's because they do not wanted 326 00:17:58,160 --> 00:18:01,639 Speaker 1: to cast this show very, very, as much as true 327 00:18:01,880 --> 00:18:04,520 Speaker 1: to the character as possible, So that way, it wasn't 328 00:18:04,680 --> 00:18:07,920 Speaker 1: too much work for the actor to be someone that 329 00:18:08,119 --> 00:18:10,400 Speaker 1: we wanted him to be, as opposed to just being 330 00:18:10,520 --> 00:18:13,200 Speaker 1: them as an actor and as a person. So that's 331 00:18:13,240 --> 00:18:16,280 Speaker 1: why the relationships are authentic and when you watched the show, 332 00:18:16,760 --> 00:18:20,159 Speaker 1: you automatically can connect to the characters and connect to 333 00:18:20,200 --> 00:18:22,680 Speaker 1: our friendship because it's real. We'll be right back with 334 00:18:22,840 --> 00:18:29,280 Speaker 1: more Money Making Conversations Masterclass with Rushan McDonald. Now, let's 335 00:18:29,320 --> 00:18:34,640 Speaker 1: return to Money Making Conversations Masterclass with Rashan McDonald. Being 336 00:18:34,640 --> 00:18:39,399 Speaker 1: an incredible athlete and being who was performing at a 337 00:18:39,480 --> 00:18:41,800 Speaker 1: high level and from an athletic stampo in the NFL 338 00:18:42,040 --> 00:18:44,520 Speaker 1: is the sport in America. And then you come to 339 00:18:44,640 --> 00:18:47,800 Speaker 1: Hollywood and something, Oh, here's another athlete trying to be 340 00:18:47,880 --> 00:18:50,640 Speaker 1: an actor. There's another athlete act like he got some ideas. 341 00:18:51,040 --> 00:18:53,480 Speaker 1: How did you overcome some of the stereotypes that you 342 00:18:53,520 --> 00:18:56,040 Speaker 1: will hit with when you start making that transition from 343 00:18:56,320 --> 00:18:59,280 Speaker 1: an NFL star to a to a professor to an 344 00:18:59,320 --> 00:19:03,879 Speaker 1: actor in the Hollywood. Well, that goes back to my 345 00:19:04,040 --> 00:19:07,719 Speaker 1: father making me read the front page of the paper. Um, 346 00:19:07,840 --> 00:19:12,840 Speaker 1: that's how far that that mindset goes back. I had 347 00:19:13,240 --> 00:19:16,880 Speaker 1: probably over ninety I had about ninety five Scholarshoo officers 348 00:19:16,920 --> 00:19:21,680 Speaker 1: in high school. Um I was I was reading the 349 00:19:21,760 --> 00:19:24,359 Speaker 1: number two running back in the nation coming out of 350 00:19:24,440 --> 00:19:27,280 Speaker 1: high school. So any college in the country that I 351 00:19:27,359 --> 00:19:29,280 Speaker 1: want to go to major college fball programmer could have 352 00:19:29,320 --> 00:19:33,480 Speaker 1: gone to, but I understood that certain schools had a 353 00:19:33,560 --> 00:19:37,880 Speaker 1: better academic reputation, and so that's why I chose Virginia 354 00:19:38,200 --> 00:19:40,720 Speaker 1: and O to Dame. Those are my two last to 355 00:19:40,920 --> 00:19:44,560 Speaker 1: two final picks. Um outside of some other schools that 356 00:19:44,600 --> 00:19:46,639 Speaker 1: were incredible schools, but they just didn't have the same 357 00:19:46,680 --> 00:19:49,240 Speaker 1: reputation to understood what if I break my leg, what 358 00:19:49,359 --> 00:19:51,199 Speaker 1: if I don't make it to the NFL? And at 359 00:19:51,280 --> 00:19:55,600 Speaker 1: least I have an incredible UH degree from a from 360 00:19:55,640 --> 00:19:58,720 Speaker 1: a from a from a very very respected college and 361 00:19:58,800 --> 00:20:01,280 Speaker 1: university that will put ventually helped me get a job, 362 00:20:01,880 --> 00:20:06,040 Speaker 1: a good paying job. Um. So I never saw myself 363 00:20:06,119 --> 00:20:07,760 Speaker 1: as just a football player. And even though I played 364 00:20:07,760 --> 00:20:12,359 Speaker 1: twelvers in the league, that was my life. That was 365 00:20:12,400 --> 00:20:14,239 Speaker 1: who I was, that was what I did, That's how 366 00:20:14,280 --> 00:20:16,720 Speaker 1: he saw me. There was a part of me that 367 00:20:16,840 --> 00:20:19,520 Speaker 1: also understood that that's not my identity and I struggled 368 00:20:19,560 --> 00:20:21,439 Speaker 1: with it even when I retired between twelve, I went 369 00:20:21,480 --> 00:20:25,080 Speaker 1: to this phase of no more cameras, no more crowd, 370 00:20:25,240 --> 00:20:30,040 Speaker 1: no more number twenty jones. Who am I? Despite not 371 00:20:30,200 --> 00:20:33,720 Speaker 1: being you know, raised that way, I still had that 372 00:20:34,560 --> 00:20:36,800 Speaker 1: what am I gonna do. How am I gonna give validation? 373 00:20:36,880 --> 00:20:40,640 Speaker 1: I don't have uh the fans cheer me on after 374 00:20:40,720 --> 00:20:42,480 Speaker 1: a touchdown or when I come out of the tunnel. 375 00:20:43,200 --> 00:20:46,200 Speaker 1: And so acting that was the perfect industry for me, 376 00:20:46,200 --> 00:20:53,840 Speaker 1: the transition to because it's not the typical uh career 377 00:20:54,000 --> 00:20:58,000 Speaker 1: choice that athletes make. And like you said, it's another 378 00:20:58,119 --> 00:21:02,120 Speaker 1: athlete trying to be an actor, trying to be a producer, 379 00:21:02,240 --> 00:21:05,280 Speaker 1: trying to have ideas. No, I'm a black man first 380 00:21:05,560 --> 00:21:10,440 Speaker 1: for anything else, and so my experience comes before a 381 00:21:10,520 --> 00:21:15,280 Speaker 1: football and so this show was just perfect because I 382 00:21:15,400 --> 00:21:20,359 Speaker 1: was able to suggest and and and and interject all 383 00:21:20,400 --> 00:21:24,320 Speaker 1: of my experiences as a black man into all four 384 00:21:24,359 --> 00:21:28,520 Speaker 1: of these characters and then act as an actor and 385 00:21:28,640 --> 00:21:31,359 Speaker 1: bring it to life. So it's the perfect scenario at 386 00:21:31,400 --> 00:21:33,560 Speaker 1: the perfect time for me, in a perfect show. I'm 387 00:21:33,600 --> 00:21:36,000 Speaker 1: talking to Thomas q joon is that coutive producers show 388 00:21:36,080 --> 00:21:40,040 Speaker 1: running star on the Bounce TVs drama y Johnson. Two 389 00:21:40,119 --> 00:21:42,639 Speaker 1: questions as we close out this interview. What don't you 390 00:21:42,760 --> 00:21:48,840 Speaker 1: miss about the NFL? I don't miss training camp? Well? 391 00:21:48,880 --> 00:21:50,720 Speaker 1: What my training camp? So I've heard that on TV 392 00:21:50,920 --> 00:21:53,400 Speaker 1: TV show sports or what? What? What's so bad? About 393 00:21:53,440 --> 00:21:59,240 Speaker 1: training camp, training camp, and I don't I don't necessarily 394 00:21:59,280 --> 00:22:01,680 Speaker 1: mean this. I kind mean this literally, but I kind 395 00:22:01,720 --> 00:22:06,239 Speaker 1: of don't me this training camp. Unfortunately, I've never been 396 00:22:06,280 --> 00:22:15,000 Speaker 1: in prison before, but training camp is like being locked 397 00:22:15,080 --> 00:22:18,840 Speaker 1: up back when, back when I was in the league, 398 00:22:18,920 --> 00:22:21,760 Speaker 1: not my last few years. It's like two thousand and 399 00:22:21,800 --> 00:22:26,000 Speaker 1: ten eleven, but I was drafting two thousand, where we 400 00:22:26,080 --> 00:22:32,640 Speaker 1: started training camping in July early junely like July eleven, 401 00:22:34,680 --> 00:22:36,280 Speaker 1: you know what I'm saying that we didn't break camp 402 00:22:36,400 --> 00:22:42,760 Speaker 1: until September one or August thirty one, where on the 403 00:22:42,920 --> 00:22:46,000 Speaker 1: ladder end of my career we started training camp and 404 00:22:46,119 --> 00:22:48,440 Speaker 1: it was a new CB a like Bargain Agree Man, 405 00:22:49,080 --> 00:22:51,159 Speaker 1: and so we only had one two a day and 406 00:22:51,560 --> 00:22:54,359 Speaker 1: three and all that stuff, you know, when we started 407 00:22:54,400 --> 00:22:58,200 Speaker 1: training camp maybe two seven eight, But I was used 408 00:22:58,240 --> 00:23:00,359 Speaker 1: to being in training camp the majority of my career 409 00:23:01,200 --> 00:23:07,560 Speaker 1: for um almost two months. And you're in a secluded 410 00:23:07,880 --> 00:23:11,160 Speaker 1: place most of the time, and it's all football every day. 411 00:23:11,560 --> 00:23:14,080 Speaker 1: So after the first two days, you don't even know 412 00:23:14,119 --> 00:23:18,359 Speaker 1: what that is. You know, you don't care what it is. 413 00:23:18,800 --> 00:23:21,359 Speaker 1: You don't you don't have the energy to care about 414 00:23:21,359 --> 00:23:24,520 Speaker 1: anything but football. You don't have the energy. My birthday 415 00:23:24,560 --> 00:23:28,200 Speaker 1: is August nineteen, so I just I still haven't celebrated 416 00:23:28,240 --> 00:23:32,480 Speaker 1: my birthday, uh, because I've always been a training camp 417 00:23:32,560 --> 00:23:36,119 Speaker 1: for my birthday, you know. So, So my birthday is 418 00:23:36,119 --> 00:23:38,240 Speaker 1: August nineteen. I wake up in the morning after the 419 00:23:38,440 --> 00:23:40,280 Speaker 1: facility is six thirty, and I have to be a 420 00:23:40,320 --> 00:23:44,560 Speaker 1: practice at eight thirty, and then training training room for treatment, 421 00:23:44,640 --> 00:23:46,320 Speaker 1: that I'm in the cold tub. That I have lunch, 422 00:23:46,400 --> 00:23:48,560 Speaker 1: that I have meetings, that I practice again, and then 423 00:23:48,600 --> 00:23:50,000 Speaker 1: we have meetings again. I don't get back to my 424 00:23:50,119 --> 00:23:53,919 Speaker 1: room until ten ten fifteen, curfews at eleven. So by 425 00:23:54,000 --> 00:23:55,720 Speaker 1: the time I get home and I check all my messages, 426 00:23:55,800 --> 00:23:58,680 Speaker 1: thirty forty messages, and I call everybody back, thank you, 427 00:23:58,760 --> 00:24:03,000 Speaker 1: my birthday is over. It's already. So I haven't been 428 00:24:03,000 --> 00:24:06,159 Speaker 1: able to. Really, I still have the psychologically connected my 429 00:24:06,280 --> 00:24:10,880 Speaker 1: birthday to enjoying the day because I'm in training camp 430 00:24:10,920 --> 00:24:14,240 Speaker 1: and usually that's my third week of camp where I'm 431 00:24:14,280 --> 00:24:17,560 Speaker 1: just physically and mentally dreamed. So I don't miss training 432 00:24:17,640 --> 00:24:23,520 Speaker 1: camp at all. Um, I do miss the camaraderie and 433 00:24:23,600 --> 00:24:26,440 Speaker 1: the brotherhood in the locker room, and and and I 434 00:24:26,680 --> 00:24:33,000 Speaker 1: miss the fact that I'm around guys that understand the 435 00:24:33,160 --> 00:24:38,119 Speaker 1: stakes and the consequences of not being successful as an 436 00:24:38,200 --> 00:24:41,840 Speaker 1: NFL player. That means you're gonna lose the game, means 437 00:24:42,359 --> 00:24:46,160 Speaker 1: someone's gonna get fired. So the stakes are always here, 438 00:24:47,160 --> 00:24:49,639 Speaker 1: and so everyone always we understand each other. We know 439 00:24:49,760 --> 00:24:51,600 Speaker 1: if you drop a ball, you might get cut. If 440 00:24:51,640 --> 00:24:53,520 Speaker 1: I phone the ball, I might be cut. You miss 441 00:24:53,560 --> 00:24:55,600 Speaker 1: a tackle, you might get cut. So we all have 442 00:24:55,720 --> 00:24:57,560 Speaker 1: the same energy. And that's why I'm so thankful for 443 00:24:57,680 --> 00:25:01,560 Speaker 1: Johnson in Hollywood because it's the same state. There's the 444 00:25:01,600 --> 00:25:05,359 Speaker 1: same stakes here. You know, you have to force your 445 00:25:05,400 --> 00:25:08,119 Speaker 1: way in this business because you're You're not guarantee to 446 00:25:08,119 --> 00:25:10,639 Speaker 1: get a job. It doesn't matter what you've done. My 447 00:25:10,840 --> 00:25:14,359 Speaker 1: last big job that I did was Blue Cage, and 448 00:25:14,400 --> 00:25:17,000 Speaker 1: I've been booked for a lot of other projects outside 449 00:25:17,040 --> 00:25:19,399 Speaker 1: of that, even p Valley. But my royal p value 450 00:25:19,520 --> 00:25:25,680 Speaker 1: was maybe three episode season one. But if I wouldn't 451 00:25:25,760 --> 00:25:30,640 Speaker 1: have produced Johnson my own series as a show runner, 452 00:25:30,680 --> 00:25:34,359 Speaker 1: EP and the lead act the lead actor regards to 453 00:25:34,440 --> 00:25:38,040 Speaker 1: the call sheet, what else would I be working on? 454 00:25:38,880 --> 00:25:41,080 Speaker 1: We wouldn't. We wouldn't we wouldn't be having this conversation. 455 00:25:42,400 --> 00:25:44,480 Speaker 1: So the stakes are high. If you want to continue 456 00:25:44,480 --> 00:25:46,320 Speaker 1: to be successful and you want to make money in 457 00:25:46,600 --> 00:25:51,240 Speaker 1: and evolving this business, you have to continue to grow 458 00:25:51,359 --> 00:25:55,080 Speaker 1: and evolved and work hard because everyone at any time 459 00:25:55,080 --> 00:25:57,240 Speaker 1: because self for the same consequences. And that's why I 460 00:25:57,240 --> 00:25:59,720 Speaker 1: think I'll transition so smooth into it and also beating 461 00:25:59,720 --> 00:26:03,359 Speaker 1: someone a day that understand those understands, those states, and 462 00:26:03,440 --> 00:26:06,399 Speaker 1: it's willing to work just as hard as me, and 463 00:26:06,480 --> 00:26:09,359 Speaker 1: he's just as dedicated and believing in him, embedding on 464 00:26:09,520 --> 00:26:13,840 Speaker 1: himself as I am to make this possible. So spending 465 00:26:13,880 --> 00:26:16,480 Speaker 1: incredible transition, I'm really excited. I couldn't pick the better 466 00:26:17,280 --> 00:26:22,400 Speaker 1: career uh An industry to transition into it. Spen therapeutic 467 00:26:22,440 --> 00:26:23,800 Speaker 1: in a lot of ways, I'm been able to be 468 00:26:23,920 --> 00:26:25,879 Speaker 1: some incredible people in the voltic as a person, as 469 00:26:25,880 --> 00:26:28,480 Speaker 1: a man, and a show like Johnson just only helps 470 00:26:28,520 --> 00:26:30,600 Speaker 1: me grow in involve as a black man. So spending 471 00:26:30,600 --> 00:26:34,359 Speaker 1: credible experience, we've answered both my questions. Thomas Thomas Q. 472 00:26:34,560 --> 00:26:40,119 Speaker 1: Jones um high school star, NFL star. Now he's a 473 00:26:40,160 --> 00:26:42,720 Speaker 1: TV star, next left, gonna be a film star. Because brother, 474 00:26:42,800 --> 00:26:45,800 Speaker 1: your talented and all these blessings that I'm throwing your way, 475 00:26:46,119 --> 00:26:49,760 Speaker 1: receive it because I feel blessed after watching fourteen episodes 476 00:26:49,840 --> 00:26:52,800 Speaker 1: of The Johnson on the Bounce Network. It's a hit series. 477 00:26:53,640 --> 00:26:56,600 Speaker 1: When they do thirty minutes, they always call them sitcoms 478 00:26:56,640 --> 00:26:58,960 Speaker 1: and comedies. This is a drama and that's a compliment 479 00:26:59,000 --> 00:27:01,080 Speaker 1: when I call it a draw money. And it's put 480 00:27:01,160 --> 00:27:05,919 Speaker 1: together out in the outstanding level of production, with the lighting, 481 00:27:06,440 --> 00:27:10,359 Speaker 1: with the editing, with the continuity, with the storytelling. When 482 00:27:10,400 --> 00:27:13,480 Speaker 1: one episode ends, they pick up the next episode right there. 483 00:27:13,680 --> 00:27:15,600 Speaker 1: There's no lost time. It just feels like it's just 484 00:27:15,760 --> 00:27:20,200 Speaker 1: one long movie, which is a blessing. And again, thank 485 00:27:20,240 --> 00:27:22,040 Speaker 1: you for coming on my show and allow me to 486 00:27:22,440 --> 00:27:24,160 Speaker 1: go down memory lane and to let you know I've 487 00:27:24,200 --> 00:27:26,080 Speaker 1: been a fan and now I'm gonna be a bigger 488 00:27:26,119 --> 00:27:28,880 Speaker 1: fan because what you put on TV as a black man, 489 00:27:29,280 --> 00:27:32,760 Speaker 1: it's never been done before. So know you're a groundbreaker too, 490 00:27:33,240 --> 00:27:35,760 Speaker 1: And to be a groundbreaker that means that there's more 491 00:27:35,840 --> 00:27:38,760 Speaker 1: blessings and more people are gonna recognize your talents. And 492 00:27:40,080 --> 00:27:42,360 Speaker 1: it's I'm gonna want to meet what you already told 493 00:27:42,440 --> 00:27:44,920 Speaker 1: j G told Chris. I say, look, I need to 494 00:27:44,960 --> 00:27:47,879 Speaker 1: connect with these brothers, because once we sit down, I'm 495 00:27:47,920 --> 00:27:50,080 Speaker 1: gonna connecting with other people because I want to do something. 496 00:27:50,080 --> 00:27:52,720 Speaker 1: I want to do some projects with y'all. Okay, thank you, 497 00:27:52,920 --> 00:27:57,280 Speaker 1: thank thank you Russian. We appreciate the opportunity. We appreciate 498 00:27:57,680 --> 00:28:01,080 Speaker 1: the flowers and the recognition, and we also appreciate you 499 00:28:01,160 --> 00:28:04,400 Speaker 1: giving us a voice because without your platform and your 500 00:28:04,480 --> 00:28:07,040 Speaker 1: voice and you're taking the time to watch the series 501 00:28:07,600 --> 00:28:12,480 Speaker 1: and understand the narrative and appreciate the narrative, we're wasting 502 00:28:12,520 --> 00:28:15,440 Speaker 1: our time. So you just as equally as a fifty 503 00:28:15,520 --> 00:28:19,120 Speaker 1: fifty partnership between us as the creators and you giving 504 00:28:19,240 --> 00:28:22,840 Speaker 1: us the platform. So trust me, you're just as valuable 505 00:28:22,920 --> 00:28:25,600 Speaker 1: to us as we are to creating the show. You 506 00:28:25,680 --> 00:28:28,080 Speaker 1: go handing had so you can get you, you can 507 00:28:28,200 --> 00:28:30,159 Speaker 1: get always nay think you canna get tagged because I'm 508 00:28:30,200 --> 00:28:33,440 Speaker 1: wish your happy birthday on my social media. Okay, thank 509 00:28:33,480 --> 00:28:35,480 Speaker 1: you for coming money making confience about the class. I 510 00:28:35,480 --> 00:28:39,000 Speaker 1: appreciate you. Thomas ke Jones, all right, I always remember 511 00:28:39,360 --> 00:28:42,680 Speaker 1: leave with your gifts. Keep winning. I'm Rashan McDonald. I 512 00:28:42,800 --> 00:28:43,400 Speaker 1: am your host.