1 00:00:01,760 --> 00:00:05,160 Speaker 1: And that's what you really missed with Jenna and Kevin 2 00:00:05,480 --> 00:00:10,880 Speaker 1: and iHeartRadio podcast. Welcome to and that's what you really 3 00:00:10,960 --> 00:00:16,800 Speaker 1: miss podcast. We've made it. It is season four. Welcome. 4 00:00:17,800 --> 00:00:22,720 Speaker 1: Can you believe it? Welcome Kevin? Can you believe? It's crazy? 5 00:00:22,800 --> 00:00:23,560 Speaker 1: It's flown. 6 00:00:24,400 --> 00:00:26,760 Speaker 2: We even tried to delay getting into this season just 7 00:00:26,800 --> 00:00:30,360 Speaker 2: to we did. We did not because you didn't want 8 00:00:30,360 --> 00:00:32,639 Speaker 2: to see it, just because we're speeding right through all 9 00:00:32,680 --> 00:00:36,440 Speaker 2: of this. I was very excited to watch this episode. 10 00:00:36,560 --> 00:00:40,560 Speaker 1: I watched this episode and part of Brittany the next one. 11 00:00:42,159 --> 00:00:45,600 Speaker 1: Wait is that in the next episode Brittany two Quano. 12 00:00:46,920 --> 00:00:51,239 Speaker 1: That's correct. Wow, this was great. This is a great 13 00:00:51,280 --> 00:00:56,400 Speaker 1: start to season four. I think this is called The 14 00:00:56,480 --> 00:01:00,720 Speaker 1: New Rachel and there's a lot to cover, a lot 15 00:01:00,760 --> 00:01:02,800 Speaker 1: of new characters. Okay, let's get into it. So this 16 00:01:02,840 --> 00:01:05,520 Speaker 1: is episode one of season four, The New Rachel, and 17 00:01:05,560 --> 00:01:09,560 Speaker 1: the air date is September thirteenth, twenty twelve. We're just 18 00:01:09,680 --> 00:01:10,680 Speaker 1: making our way through. 19 00:01:11,200 --> 00:01:14,520 Speaker 2: Wow, Jenna, this is almost three years to the date 20 00:01:14,600 --> 00:01:16,360 Speaker 2: after we first met. 21 00:01:17,040 --> 00:01:21,080 Speaker 1: Mm hmmm, that's right. Wow, And a lot has happened, 22 00:01:21,440 --> 00:01:24,520 Speaker 1: Okay in the news, and let's get past all of 23 00:01:24,560 --> 00:01:29,240 Speaker 1: this because there's a lot of stuff. The number one 24 00:01:29,240 --> 00:01:34,800 Speaker 1: song was whistled by Flora, Yeah, baby whistle. And the 25 00:01:34,880 --> 00:01:39,680 Speaker 1: number one movie was Possession. Never saw it. It starred Jeffrey, 26 00:01:39,680 --> 00:01:43,679 Speaker 1: Deine Morgan and cire Centric. Yeah, okay, never have I 27 00:01:43,720 --> 00:01:45,920 Speaker 1: ever Glee news. This week. 28 00:01:45,959 --> 00:01:50,000 Speaker 2: On September tenth, members of the cast attended the fox 29 00:01:50,080 --> 00:01:53,200 Speaker 2: Fall Eco Casino party. Remember those, I. 30 00:01:53,160 --> 00:01:56,320 Speaker 1: Do remember those. Those were really fun. Actually, yeah, I 31 00:01:56,440 --> 00:01:59,320 Speaker 1: enjoyed them. Yeah. We like a bit of gambling too. 32 00:01:59,440 --> 00:02:03,280 Speaker 1: There are all these rises. It was a really fun night. 33 00:02:03,840 --> 00:02:08,760 Speaker 2: September twelfth, the cast and creators attended season four premiere 34 00:02:08,800 --> 00:02:12,720 Speaker 2: party at Paramount Studios with all the new kids. 35 00:02:13,320 --> 00:02:18,120 Speaker 1: So, okay, I have a story about this. So season 36 00:02:18,160 --> 00:02:21,120 Speaker 1: three the premiere, it was either two or three, I 37 00:02:21,160 --> 00:02:22,880 Speaker 1: don't know if you remember. We were filming and it 38 00:02:22,919 --> 00:02:26,720 Speaker 1: was also on Paramount, and we had filmed up up 39 00:02:26,840 --> 00:02:29,919 Speaker 1: until the you know, the last second that we ran 40 00:02:29,960 --> 00:02:33,079 Speaker 1: to our trailers, got ready and went to go hit 41 00:02:33,080 --> 00:02:37,200 Speaker 1: the red carpet. Now I remember us getting stuck on 42 00:02:37,240 --> 00:02:39,360 Speaker 1: the carpet for so long. I think it was season 43 00:02:39,400 --> 00:02:42,760 Speaker 1: two or three. I can't remember which one that the 44 00:02:42,800 --> 00:02:46,720 Speaker 1: premiere had started without us, Yes, and we didn't have 45 00:02:46,760 --> 00:02:51,560 Speaker 1: anywhere to sit, correct, so we stood on the sides 46 00:02:54,120 --> 00:03:00,239 Speaker 1: of the premiere of our own premiere through a fit. Obviously. Yeah, 47 00:03:00,280 --> 00:03:04,799 Speaker 1: this season they had reserved seating for us. They sure did, 48 00:03:04,919 --> 00:03:19,960 Speaker 1: at our request. It's so funny. It wasn't good, okay. 49 00:03:20,560 --> 00:03:25,520 Speaker 1: I remember these outfits too, yes, very much. So. I 50 00:03:25,560 --> 00:03:29,520 Speaker 1: remember what we did after this too. Darren and like 51 00:03:29,560 --> 00:03:31,560 Speaker 1: a few of us, you weren't there. We went back 52 00:03:31,560 --> 00:03:34,720 Speaker 1: to Darren's little hideaway and he played drums and we 53 00:03:34,920 --> 00:03:38,920 Speaker 1: like hung out and we played music. It was so 54 00:03:39,040 --> 00:03:43,400 Speaker 1: much fun. What was I doing? I don't know, anyway, 55 00:03:43,440 --> 00:03:47,360 Speaker 1: it's really fun. This was directed by Brad Fealtchuk, which 56 00:03:47,400 --> 00:03:51,520 Speaker 1: I didn't remember that. I feel like it was somebody 57 00:03:51,560 --> 00:03:55,720 Speaker 1: else but okay, And it was written by Ryan Murphy. 58 00:03:57,480 --> 00:04:01,120 Speaker 2: We have so many new people to introduce. I mean, 59 00:04:01,160 --> 00:04:03,880 Speaker 2: obviously we have Whoopee. We have Kate Hudson for the 60 00:04:03,880 --> 00:04:04,440 Speaker 2: first time. 61 00:04:04,880 --> 00:04:10,760 Speaker 1: Mm hmm, she's to die for, I mean Kate Hudson. 62 00:04:12,000 --> 00:04:17,560 Speaker 2: Well, yeah, but we have Alex Noule's back, Samuel Larson's back, 63 00:04:17,760 --> 00:04:21,800 Speaker 2: we now have Melissa Banoy's, we have Dean Geyer, Jacob Artist, 64 00:04:22,000 --> 00:04:26,960 Speaker 2: Becca Tobin, Josh Susman, is back. There are just so 65 00:04:27,080 --> 00:04:29,679 Speaker 2: many and like we're going to see all these people 66 00:04:29,920 --> 00:04:33,599 Speaker 2: so much more and they don't really even ease you 67 00:04:33,640 --> 00:04:37,440 Speaker 2: into them. Oh no, they're just throw you Like Kitty 68 00:04:37,640 --> 00:04:40,839 Speaker 2: is just there, like we're supposed to know who she is? 69 00:04:41,120 --> 00:04:46,760 Speaker 1: Yeah, yes, uh, Amanda Jane Cooper. Also, who's sang ave 70 00:04:46,920 --> 00:04:52,320 Speaker 1: Maria in Nyatta? She was in Wicked? Is Glinda with 71 00:04:52,480 --> 00:04:57,159 Speaker 1: my friend our friend Jackie Burns? No way? Yes. I 72 00:04:57,200 --> 00:04:58,720 Speaker 1: don't think it dawned on me though, because I met 73 00:04:58,760 --> 00:05:02,080 Speaker 1: Amanda Jane after and I don't think I realized that 74 00:05:02,080 --> 00:05:04,479 Speaker 1: that was her until today when I watched the show 75 00:05:04,520 --> 00:05:09,760 Speaker 1: and was like, Wow, that's Amanda Jane crazy. Yeah, Okay, 76 00:05:09,800 --> 00:05:11,480 Speaker 1: there's a lot of songs in this episode and they're 77 00:05:11,520 --> 00:05:11,960 Speaker 1: quite good. 78 00:05:12,400 --> 00:05:14,560 Speaker 2: What an assortment of songs, though, I also felt like 79 00:05:14,600 --> 00:05:17,120 Speaker 2: it was so weird that the first song of a 80 00:05:17,160 --> 00:05:18,240 Speaker 2: new season was called me. 81 00:05:18,279 --> 00:05:21,039 Speaker 1: Maybe I'm not surprised by that at all. A song 82 00:05:21,080 --> 00:05:28,760 Speaker 1: in the summer, I know. And Tina looking different, She's highlights? 83 00:05:29,080 --> 00:05:33,600 Speaker 1: Is it bangs? Did? Is this new Bangs? Yeah? She's 84 00:05:33,640 --> 00:05:34,360 Speaker 1: getting crazy? 85 00:05:34,440 --> 00:05:39,080 Speaker 2: You just you just look grown, you know, And I 86 00:05:39,520 --> 00:05:42,080 Speaker 2: think this number is great. I love the four of 87 00:05:42,120 --> 00:05:42,599 Speaker 2: you together. 88 00:05:43,320 --> 00:05:46,440 Speaker 1: It's really fun. I really love joining this number. 89 00:05:46,680 --> 00:05:50,720 Speaker 2: The chemistry between you and Alex Nola, this entire episode 90 00:05:50,760 --> 00:05:54,120 Speaker 2: is really wonderful. It's like oozing with chemistry. 91 00:05:54,480 --> 00:05:59,920 Speaker 1: It's so fun. You guys are so funny. Thanks Americana 92 00:06:00,120 --> 00:06:04,680 Speaker 1: Dance Again. Yes, yes, yes, what a crazy mashup, but 93 00:06:04,800 --> 00:06:08,440 Speaker 1: it worked. It does. I Never Say Never by The 94 00:06:08,480 --> 00:06:13,600 Speaker 1: Fray performed by Jake New York City, the Barber version. 95 00:06:14,400 --> 00:06:18,200 Speaker 1: Uh huh, it's time. I imagine dragons and chasing payments 96 00:06:18,360 --> 00:06:22,720 Speaker 1: right now. Well, I forgot about that one too. I 97 00:06:22,720 --> 00:06:23,040 Speaker 1: did too. 98 00:06:23,160 --> 00:06:26,400 Speaker 2: I was like, damn, Melissa came on here with the 99 00:06:26,480 --> 00:06:29,440 Speaker 2: duet with Leah exactly, that's pretty crazy. 100 00:06:29,720 --> 00:06:33,800 Speaker 1: Exactly they had to. It's called the New Rachel. Yeah. 101 00:06:33,839 --> 00:06:38,240 Speaker 2: So there were some unreleased songs as well. Yeah, Sister 102 00:06:38,320 --> 00:06:41,120 Speaker 2: Christian and then we have aub Maria. 103 00:06:43,080 --> 00:06:46,960 Speaker 1: Okay, there's a lot of fun facts about this episode. 104 00:06:48,160 --> 00:06:51,599 Speaker 2: So we've referenced the timing of the show, like the 105 00:06:51,680 --> 00:06:56,320 Speaker 2: time slot getting moved around a bit a few times 106 00:06:56,360 --> 00:06:59,800 Speaker 2: on the show. But this was the really big one 107 00:07:00,000 --> 00:07:02,280 Speaker 2: because before I think we had always been on Tuesdays 108 00:07:02,680 --> 00:07:05,320 Speaker 2: either eight pm or nine pm, originally nine pm. Then 109 00:07:05,320 --> 00:07:07,840 Speaker 2: I think we moved to eight pm because we were 110 00:07:07,839 --> 00:07:09,920 Speaker 2: doing so well to be a strong lead in and 111 00:07:09,960 --> 00:07:13,840 Speaker 2: then Fox decided to move us to an entirely different 112 00:07:13,960 --> 00:07:17,000 Speaker 2: night and we get moved to Thursdays. 113 00:07:17,800 --> 00:07:20,400 Speaker 1: It's a scary thing to night. Yes. 114 00:07:21,320 --> 00:07:25,840 Speaker 2: An hour later, on a different night, Wow, Cord was 115 00:07:25,880 --> 00:07:30,640 Speaker 2: promoted to season regular, while Diana and Jama became recurring. 116 00:07:30,760 --> 00:07:32,920 Speaker 2: It has to happen, which means for people who don't know, 117 00:07:33,520 --> 00:07:37,239 Speaker 2: regular means you're signed up for every episode or most 118 00:07:37,280 --> 00:07:39,600 Speaker 2: of them or most of them, and you get your 119 00:07:40,480 --> 00:07:45,920 Speaker 2: quite a large pay increase and then recur as someone 120 00:07:45,920 --> 00:07:48,480 Speaker 2: who is just not committed to a certain number of 121 00:07:48,520 --> 00:07:52,120 Speaker 2: episodes necessarily, but you will be in several, which we learned. 122 00:07:52,520 --> 00:07:55,480 Speaker 1: Do you find out as you go what you're in 123 00:07:55,520 --> 00:07:58,480 Speaker 1: and why you're not in and if you're not available, 124 00:07:58,640 --> 00:08:00,840 Speaker 1: they have to work around you or just hard you out. 125 00:08:01,120 --> 00:08:03,400 Speaker 1: That's right, Okay. So this is the first episode of 126 00:08:03,480 --> 00:08:06,520 Speaker 1: multiple settings and storylines in the show. Wow. So we 127 00:08:06,560 --> 00:08:10,360 Speaker 1: are at William McKinley focusing on the new directions, and 128 00:08:10,560 --> 00:08:14,160 Speaker 1: we are in New York focusing on Rachel and Kurt, 129 00:08:15,560 --> 00:08:17,160 Speaker 1: which continues through season five. 130 00:08:18,360 --> 00:08:19,880 Speaker 2: What a big break? I mean, this is just a 131 00:08:19,960 --> 00:08:21,679 Speaker 2: gigantic shift in the show. 132 00:08:22,080 --> 00:08:24,960 Speaker 1: What a change, but it feels so normal to me. 133 00:08:25,720 --> 00:08:27,640 Speaker 1: It does, and I don't know if it's because we 134 00:08:28,120 --> 00:08:30,520 Speaker 1: were just used to it. I also would like to know, 135 00:08:30,560 --> 00:08:35,000 Speaker 1: like the creative conversations into what was that talk. Was 136 00:08:35,000 --> 00:08:37,559 Speaker 1: there a talk of how to balance both, or we're 137 00:08:37,600 --> 00:08:40,880 Speaker 1: just gonna write both and they're gonna work together, or 138 00:08:41,000 --> 00:08:43,720 Speaker 1: was it about tying them together because all those musical moments, 139 00:08:44,000 --> 00:08:47,559 Speaker 1: especially tying them together doing the same song at the 140 00:08:47,600 --> 00:08:49,760 Speaker 1: same time, And yeah, I think it was a little 141 00:08:49,760 --> 00:08:50,240 Speaker 1: bit of both. 142 00:08:50,760 --> 00:08:53,560 Speaker 2: As of this episode, each of the three co creators 143 00:08:53,559 --> 00:08:56,800 Speaker 2: has written one premiere episode on their own. Ian wrote Audition, 144 00:08:56,960 --> 00:09:00,680 Speaker 2: Brad wrote Purple Piano Project, and Ryan wrote this episode, 145 00:09:00,760 --> 00:09:02,800 Speaker 2: and all three of them wrote the pilot together. 146 00:09:03,440 --> 00:09:08,079 Speaker 1: I think that's sweet. I think it's on purpose. Rory 147 00:09:08,120 --> 00:09:13,960 Speaker 1: Flannagan's departure is not commented on at all RIP and 148 00:09:14,280 --> 00:09:16,200 Speaker 1: it had been established in season three that he had 149 00:09:16,240 --> 00:09:20,199 Speaker 1: to leave the country like sort of yes, but it's 150 00:09:20,240 --> 00:09:23,599 Speaker 1: really not spoken about. It just happens. No, this is 151 00:09:23,640 --> 00:09:27,040 Speaker 1: the first episode finn, Santana and Mercedes are not there. 152 00:09:27,559 --> 00:09:32,320 Speaker 2: That was very weird, so strange you feel that, especially 153 00:09:32,360 --> 00:09:36,280 Speaker 2: when you're referencing these characters, and then like you see 154 00:09:36,280 --> 00:09:41,280 Speaker 2: a picture of Finn, like that feels weird, weird. 155 00:09:41,600 --> 00:09:44,320 Speaker 1: And then like they talk about Santana a lot. Britney 156 00:09:44,360 --> 00:09:50,280 Speaker 1: talks about Santana a lot. Yeah, but it's so weird. Okay. Also, 157 00:09:51,720 --> 00:09:56,719 Speaker 1: Mike Chang's out as well. Yeah, since Preger's this is 158 00:09:56,760 --> 00:09:59,000 Speaker 1: the first one since Preger's had he's not been in and. 159 00:09:58,960 --> 00:10:01,920 Speaker 2: Hold him to sixteen bash and predicted that Blaine would 160 00:10:01,920 --> 00:10:04,440 Speaker 2: be his by the end of the school year and 161 00:10:04,440 --> 00:10:06,240 Speaker 2: that Kurt would be in the line of being apron 162 00:10:06,880 --> 00:10:09,720 Speaker 2: As revealed in this episode, Kurt is working in the 163 00:10:09,720 --> 00:10:10,960 Speaker 2: line of being apron. 164 00:10:11,040 --> 00:10:13,600 Speaker 1: Wow, until he moves to New York. At the end 165 00:10:13,600 --> 00:10:17,040 Speaker 1: of the alert at Okay, the members of the New 166 00:10:17,080 --> 00:10:20,720 Speaker 1: Direction compete so you become the next star of the 167 00:10:20,760 --> 00:10:24,960 Speaker 1: Glee Club. A fresh crop of students is introduced and 168 00:10:25,080 --> 00:10:27,520 Speaker 1: Rachel is struggling with her new life in New York. 169 00:10:28,280 --> 00:10:31,880 Speaker 1: Let's talk about it. Let's start in the new place. Yeah, 170 00:10:31,920 --> 00:10:32,880 Speaker 1: let's start in a new place. 171 00:10:33,080 --> 00:10:36,200 Speaker 2: So we have the intro introduction of New York Niata 172 00:10:36,600 --> 00:10:40,160 Speaker 2: and we are thrown in like we are. I feel 173 00:10:40,200 --> 00:10:43,360 Speaker 2: like with this entire episode, just new character on new character, 174 00:10:44,360 --> 00:10:47,160 Speaker 2: even new characters in old places still feel new. 175 00:10:47,880 --> 00:10:49,160 Speaker 1: Yes, that's right. 176 00:10:49,400 --> 00:10:52,480 Speaker 2: And so New York we have everything is new. We 177 00:10:52,559 --> 00:10:59,200 Speaker 2: have Rachel and that dance class with Cassandra July. I mean, 178 00:10:59,840 --> 00:11:03,199 Speaker 2: she is ruthless and she's really good. 179 00:11:03,679 --> 00:11:06,520 Speaker 1: Oh, she's so good. She's so good. 180 00:11:06,720 --> 00:11:08,920 Speaker 2: Coming out of season three, where like we had talked 181 00:11:08,960 --> 00:11:14,120 Speaker 2: about where we sort of got used to having all 182 00:11:14,160 --> 00:11:17,640 Speaker 2: these big movie stars and TV stars on the show 183 00:11:18,520 --> 00:11:22,199 Speaker 2: that we didn't necessarily get a moment to really appreciate 184 00:11:22,240 --> 00:11:24,240 Speaker 2: what they were doing some of the time. Yeah, and 185 00:11:24,280 --> 00:11:27,840 Speaker 2: we obviously did not get to work with Kats. We 186 00:11:27,960 --> 00:11:29,360 Speaker 2: hung out with her a lot, though, I think at 187 00:11:29,360 --> 00:11:32,560 Speaker 2: base Camp I did, at least you did. I rarely 188 00:11:32,600 --> 00:11:37,880 Speaker 2: saw her, and she was so cool. Yeah, just like 189 00:11:38,720 --> 00:11:42,360 Speaker 2: sort of like all the cool parts of Cassandra without 190 00:11:42,400 --> 00:11:42,719 Speaker 2: like the. 191 00:11:42,679 --> 00:11:45,480 Speaker 1: Mean part exactly exactly. And she would just. 192 00:11:45,440 --> 00:11:47,560 Speaker 2: Ask about the sketch, like what's the schedule? Like this 193 00:11:47,600 --> 00:11:49,960 Speaker 2: is crazy, how are you guys doing this? She was 194 00:11:50,080 --> 00:11:54,160 Speaker 2: very interested in learning about it and sort of appreciating 195 00:11:55,600 --> 00:11:57,839 Speaker 2: the work everybody was putting in all the departments. 196 00:11:58,240 --> 00:12:04,200 Speaker 1: Yeah. Yeah, she's really really effective in this. Yes, and 197 00:12:04,240 --> 00:12:07,080 Speaker 1: her and Leah worked really well together. And like the 198 00:12:07,160 --> 00:12:10,560 Speaker 1: dynamic worked. And I love this character for her. 199 00:12:10,840 --> 00:12:12,839 Speaker 2: Yeah, and it's nice that it's sort of like a 200 00:12:12,960 --> 00:12:18,000 Speaker 2: villain ish character but just very different from what we've 201 00:12:18,040 --> 00:12:20,000 Speaker 2: seen before on the show exactly. 202 00:12:20,040 --> 00:12:24,520 Speaker 1: I do like her, Yeah, you do. And you see 203 00:12:24,559 --> 00:12:27,319 Speaker 1: like Rachel's struggle, which we don't like. We see her 204 00:12:27,320 --> 00:12:29,800 Speaker 1: go through things that happened to her, but like this 205 00:12:29,920 --> 00:12:32,640 Speaker 1: is really the first time you see like a real 206 00:12:35,520 --> 00:12:38,680 Speaker 1: she's a small fish, yes, yes, yes. 207 00:12:38,400 --> 00:12:40,560 Speaker 2: And it's also nice to see somebody who's been talking 208 00:12:40,559 --> 00:12:43,800 Speaker 2: about this thing happening the entirety of the show, and 209 00:12:43,840 --> 00:12:45,719 Speaker 2: like it's not going the way that she planned, not 210 00:12:45,840 --> 00:12:48,000 Speaker 2: at all. So she's very lonely. 211 00:12:48,080 --> 00:12:52,160 Speaker 1: She hasn't spoken Rachel hasn't spoken to Finn because he's obviously. 212 00:12:52,840 --> 00:12:56,559 Speaker 2: That was jarring Busy when she reveals I haven't spoken 213 00:12:56,600 --> 00:13:00,280 Speaker 2: in two months. That was very weird, I know, but 214 00:13:00,480 --> 00:13:03,760 Speaker 2: like I know, she seems so cool about it, I know, 215 00:13:04,200 --> 00:13:04,800 Speaker 2: until she's not. 216 00:13:07,880 --> 00:13:11,560 Speaker 1: And she meets Brody, who has a very finesque moment 217 00:13:11,600 --> 00:13:13,480 Speaker 1: in the showers, singing his song. 218 00:13:14,040 --> 00:13:17,200 Speaker 2: The new Leading Boys always are having shower songs. 219 00:13:17,320 --> 00:13:19,280 Speaker 1: Well, we have to, we have to keep the theme going. 220 00:13:19,880 --> 00:13:23,040 Speaker 2: I didn't remember I did not remember that this happened 221 00:13:23,040 --> 00:13:24,360 Speaker 2: that he introduced in the shower. 222 00:13:24,960 --> 00:13:28,719 Speaker 1: Yeah I did. I don't know. I mean that pod. 223 00:13:30,240 --> 00:13:33,840 Speaker 1: I Also, we also didn't see him a lot Dean, No, 224 00:13:34,000 --> 00:13:37,520 Speaker 1: really barely ever I've got to see him. Yeah, And 225 00:13:37,559 --> 00:13:41,680 Speaker 1: that also goes for any of the New York people. 226 00:13:42,360 --> 00:13:45,040 Speaker 1: So it's like, Okay, we got like one last episode 227 00:13:45,040 --> 00:13:49,200 Speaker 1: with Chris. Yeah, but we never really saw Leah right, 228 00:13:49,280 --> 00:13:52,560 Speaker 1: and we never after this episode saw Chris. It was 229 00:13:52,920 --> 00:13:57,040 Speaker 1: two different lives, totally shooting two different shows. When we 230 00:13:57,040 --> 00:14:01,439 Speaker 1: were shooting, they were off, and when they were shooting, 231 00:14:02,400 --> 00:14:05,280 Speaker 1: we were off, and we would cross over like at 232 00:14:05,360 --> 00:14:07,800 Speaker 1: dance rehearsal and they'd be shooting on set. And that's 233 00:14:07,840 --> 00:14:09,680 Speaker 1: what I was going to say. Also, like the Neanta set, 234 00:14:09,800 --> 00:14:13,160 Speaker 1: I loved it. I love watching this New York side 235 00:14:13,160 --> 00:14:16,080 Speaker 1: of things. But I think it's also familiar to me 236 00:14:16,080 --> 00:14:19,400 Speaker 1: because I can imagine this set. We hung out on 237 00:14:19,400 --> 00:14:21,960 Speaker 1: those sets a lot. Yeah, the dance room we werehearsed 238 00:14:21,960 --> 00:14:24,360 Speaker 1: in there, like I remember spending a lot of time 239 00:14:24,400 --> 00:14:27,760 Speaker 1: in there, so it feels really familiar. 240 00:14:27,960 --> 00:14:31,560 Speaker 2: But do you remember where they built those sets? Like 241 00:14:31,640 --> 00:14:34,840 Speaker 2: where was the dance studio shooters old apartment. 242 00:14:35,080 --> 00:14:36,760 Speaker 1: That wrong person. 243 00:14:38,240 --> 00:14:42,680 Speaker 2: I'm having a hard time. So they moved full rooms 244 00:14:42,800 --> 00:14:46,000 Speaker 2: around on the stages. It might have been Shoe's apartment, 245 00:14:46,360 --> 00:14:49,440 Speaker 2: so they might have broken down shoes apartment. That sounds right. 246 00:14:49,960 --> 00:14:52,720 Speaker 2: But I like the NYATA. I don't know that I 247 00:14:52,800 --> 00:14:54,720 Speaker 2: paid as much attention to it back in the day 248 00:14:55,480 --> 00:15:00,680 Speaker 2: m hm. And I really am enjoying it now. Yeah, 249 00:15:00,800 --> 00:15:05,240 Speaker 2: I get why some of the listeners have said that 250 00:15:05,320 --> 00:15:08,400 Speaker 2: they sort of wish either it was just everybody went 251 00:15:08,440 --> 00:15:10,840 Speaker 2: to New York and we got to see Oh I see, well, 252 00:15:11,040 --> 00:15:13,200 Speaker 2: like it was entirely its own thing because it is 253 00:15:13,280 --> 00:15:16,560 Speaker 2: nice to just live there or live in the other one. 254 00:15:17,040 --> 00:15:28,480 Speaker 1: Yeah, it's a little split right now. We are kind 255 00:15:28,480 --> 00:15:32,160 Speaker 1: of New Directions is kind of like Popular or like 256 00:15:32,240 --> 00:15:37,200 Speaker 1: Celabs now because of the national title, which like Bravo 257 00:15:37,520 --> 00:15:40,320 Speaker 1: New Directions. This was always Ryan's vision, do you remember 258 00:15:40,480 --> 00:15:41,360 Speaker 1: from the very beginning. 259 00:15:42,280 --> 00:15:45,840 Speaker 2: His whole plan was that these kids will become popular, 260 00:15:45,960 --> 00:15:47,960 Speaker 2: the popular kids, And yeah, like. 261 00:15:48,120 --> 00:15:53,320 Speaker 1: Finally the moment is realized and now we're all fighting. 262 00:15:53,720 --> 00:15:56,560 Speaker 2: I even thought, you know, when when Will posts the 263 00:15:56,600 --> 00:15:59,320 Speaker 2: sign up sheet for auditions, that no one was going 264 00:15:59,360 --> 00:16:03,440 Speaker 2: to sign up again. But I have the personal like 265 00:16:03,520 --> 00:16:04,720 Speaker 2: PTSD from the right. 266 00:16:04,800 --> 00:16:08,960 Speaker 1: Of course, of course it's funny to like sit with 267 00:16:09,040 --> 00:16:11,600 Speaker 1: like cool people at the table even though they're mean 268 00:16:11,760 --> 00:16:15,080 Speaker 1: and like, I don't know, it's so weird. I don't 269 00:16:15,120 --> 00:16:15,600 Speaker 1: remember that. 270 00:16:18,920 --> 00:16:21,240 Speaker 2: What I will say so we flagged this last time 271 00:16:21,360 --> 00:16:23,080 Speaker 2: is that this is the first season, not to get 272 00:16:23,120 --> 00:16:27,440 Speaker 2: too technical, that we stopped shooting on film m hm, 273 00:16:27,600 --> 00:16:30,760 Speaker 2: and we were on digital. Yes, And so I've realized 274 00:16:30,800 --> 00:16:35,120 Speaker 2: that more and the things that were off the stage, 275 00:16:35,200 --> 00:16:39,480 Speaker 2: like the cafeteria or the outside stuff, we look different. 276 00:16:40,680 --> 00:16:42,640 Speaker 2: I don't know if you noticed, but it's like a 277 00:16:42,640 --> 00:16:46,720 Speaker 2: little brighter. It all just starts to get a little brighter. 278 00:16:46,720 --> 00:16:48,600 Speaker 2: I think from season to season to season. 279 00:16:49,120 --> 00:16:57,880 Speaker 1: Now, unfortunately, as we get older, it's quite different. So Blaine, Brittany, Tina, 280 00:16:58,120 --> 00:17:03,520 Speaker 1: and Wade, who has Ansford successfully to your new new directions, 281 00:17:04,080 --> 00:17:06,000 Speaker 1: are trying to figure out who the new Rachel's going 282 00:17:06,040 --> 00:17:09,600 Speaker 1: to be, and they all are going to audition for Artie, 283 00:17:09,640 --> 00:17:13,160 Speaker 1: who already says that he's going to be the deciding 284 00:17:13,600 --> 00:17:15,719 Speaker 1: I was pissed I didn't get to audition. I was 285 00:17:15,840 --> 00:17:17,639 Speaker 1: I thought you were when we were on the stage 286 00:17:17,640 --> 00:17:19,320 Speaker 1: and I was watching it and I was like, where's 287 00:17:19,400 --> 00:17:21,760 Speaker 1: Lardie and then I remember you didn't do this, and 288 00:17:21,800 --> 00:17:24,119 Speaker 1: I was kind of sad for you. I wanted to 289 00:17:24,119 --> 00:17:26,439 Speaker 1: be able to do it. Of course you still got 290 00:17:26,480 --> 00:17:32,880 Speaker 1: all the soulos anyway, it was all right. They still 291 00:17:32,960 --> 00:17:39,200 Speaker 1: put you in there. It's used to have something to do. Yeah, yeah, yeah. 292 00:17:39,240 --> 00:17:42,760 Speaker 1: It was fun doing that number and then doing the 293 00:17:42,800 --> 00:17:46,080 Speaker 1: slow mo and like doing all the hair stuff. I remember, Brad, 294 00:17:46,280 --> 00:17:50,240 Speaker 1: That's what I remember, Brad being like, whip your hair was. 295 00:17:50,400 --> 00:17:52,280 Speaker 2: I really enjoyed watching this number. It looked like it 296 00:17:52,320 --> 00:17:53,320 Speaker 2: was so much fun to film. 297 00:17:53,480 --> 00:17:55,840 Speaker 1: It was. It was a really fun one to film, 298 00:17:56,240 --> 00:18:00,600 Speaker 1: and it was aside from Alex who had been there 299 00:18:00,640 --> 00:18:03,040 Speaker 1: with us in the previous season, it was all the 300 00:18:03,080 --> 00:18:06,520 Speaker 1: familiar faces, so there was still that like feeling of 301 00:18:06,560 --> 00:18:11,480 Speaker 1: like the ogs or whatever, even though just wait, like 302 00:18:11,840 --> 00:18:13,600 Speaker 1: everybody will fit in real nice. 303 00:18:13,880 --> 00:18:16,200 Speaker 2: I also thought a couple of highlights from that performance 304 00:18:16,200 --> 00:18:19,000 Speaker 2: that I'd just like to point out. I love that, 305 00:18:19,080 --> 00:18:26,960 Speaker 2: even during a random audition amongst ourselves thrown together, there's 306 00:18:27,000 --> 00:18:31,520 Speaker 2: still a scrim that is hoisted and a full orchestra 307 00:18:32,520 --> 00:18:33,080 Speaker 2: behind you. 308 00:18:33,680 --> 00:18:37,119 Speaker 1: That they sounded so nice. Oh they did. They sounded beautiful. 309 00:18:37,920 --> 00:18:40,639 Speaker 1: They have to really play in order for it to 310 00:18:40,680 --> 00:18:42,960 Speaker 1: look real, and so they were always playing behind us 311 00:18:42,960 --> 00:18:46,359 Speaker 1: and it was like, oh, serenaded. It was so nice. 312 00:18:46,600 --> 00:18:47,119 Speaker 1: Oh I love it. 313 00:18:47,240 --> 00:18:50,840 Speaker 2: I just loved how instantly they're like, Okay, well this 314 00:18:50,880 --> 00:18:53,399 Speaker 2: little like performance that doesn't mean anything. 315 00:18:54,040 --> 00:18:55,520 Speaker 1: I still have impromptu. 316 00:18:56,040 --> 00:19:01,800 Speaker 2: Yeah, Jenna, So when you and Heather, you guys are 317 00:19:01,800 --> 00:19:04,600 Speaker 2: like doing windows, right, you guys sin second, I believe, 318 00:19:05,400 --> 00:19:07,600 Speaker 2: and everyone's doing poses and you come out in your 319 00:19:07,640 --> 00:19:08,520 Speaker 2: second pose. 320 00:19:08,680 --> 00:19:13,240 Speaker 1: Is break the wrists, break the wrists, swamp hands. I laughed. 321 00:19:13,640 --> 00:19:14,560 Speaker 1: I laughed. 322 00:19:14,720 --> 00:19:17,719 Speaker 2: It was so good and you looked like you were 323 00:19:17,720 --> 00:19:20,359 Speaker 2: having You had this gigantic smile on your face. 324 00:19:20,480 --> 00:19:23,760 Speaker 1: It was the cutest thing. I think Zach told me 325 00:19:23,800 --> 00:19:24,879 Speaker 1: to do it. 326 00:19:25,040 --> 00:19:27,560 Speaker 2: And also it feels different. I don't know if you 327 00:19:27,680 --> 00:19:31,960 Speaker 2: got this or anybody watching it, but there's a confidence 328 00:19:32,840 --> 00:19:38,840 Speaker 2: in the four of you that just feels different where 329 00:19:38,920 --> 00:19:43,200 Speaker 2: I think everybody's like the dancing is sharper, the presence 330 00:19:43,359 --> 00:19:47,280 Speaker 2: of you guys on that stage is sharper and taking 331 00:19:47,359 --> 00:19:51,280 Speaker 2: up more space. Maybe it's because the four of you 332 00:19:51,400 --> 00:19:54,080 Speaker 2: are like being highlighted in a way together that wasn't 333 00:19:54,080 --> 00:20:00,280 Speaker 2: previously done, especially I think your character. Yeah, but just 334 00:20:00,480 --> 00:20:03,960 Speaker 2: it felt free and I don't know if I'm filling 335 00:20:04,000 --> 00:20:04,320 Speaker 2: that in. 336 00:20:04,920 --> 00:20:06,520 Speaker 1: No, No, I agree with you. It's hard to put 337 00:20:06,560 --> 00:20:08,639 Speaker 1: your finger on what it is exactly, but I agree 338 00:20:08,640 --> 00:20:08,960 Speaker 1: with you. 339 00:20:11,280 --> 00:20:12,960 Speaker 2: And it was it felt like I could feel that 340 00:20:13,000 --> 00:20:16,680 Speaker 2: watching it. It was really I think it's all carry through. 341 00:20:17,240 --> 00:20:21,800 Speaker 1: Yeah, that's fun. It was a really fun number. It 342 00:20:21,840 --> 00:20:23,640 Speaker 1: was really really fun to watch. It was fun to do. 343 00:20:25,000 --> 00:20:27,800 Speaker 1: It's a good song. It's like a good tune. And 344 00:20:27,840 --> 00:20:29,200 Speaker 1: I really enjoyed. 345 00:20:30,400 --> 00:20:34,679 Speaker 2: The chemistry obviously between like you and Darren and you 346 00:20:34,720 --> 00:20:39,560 Speaker 2: and Heather and you and Alex, where Alex is like 347 00:20:39,720 --> 00:20:43,239 Speaker 2: clearly new to the new directions, but the way you 348 00:20:43,240 --> 00:20:44,800 Speaker 2: guys were behaving, it was not. 349 00:20:46,160 --> 00:20:51,040 Speaker 1: Them pushing each other. Yeah, but you guys are old friends. Yeah, 350 00:20:51,160 --> 00:20:54,240 Speaker 1: it's true. We had fun. There's also like a story 351 00:20:54,280 --> 00:20:56,800 Speaker 1: to tell in this number, Like there was a story 352 00:20:56,800 --> 00:20:59,520 Speaker 1: to tell. We were all acting and also having like 353 00:20:59,600 --> 00:21:03,840 Speaker 1: a block and being ridiculous because like we know, we're 354 00:21:03,880 --> 00:21:08,760 Speaker 1: not going to be the new ritual anyway. No, I 355 00:21:08,840 --> 00:21:14,920 Speaker 1: like this group of feeniors this year. I do we 356 00:21:14,960 --> 00:21:19,800 Speaker 1: meet Kitty. Let's to give Alex why you hate black women? 357 00:21:19,840 --> 00:21:24,560 Speaker 1: For oh god, the cupcake. I take the cupcake away 358 00:21:24,560 --> 00:21:29,720 Speaker 1: from you and Dottie's. Tina has an assistant named Dottie. 359 00:21:29,840 --> 00:21:33,920 Speaker 1: I forgot about Dottie. You love Dottie so sweet. It 360 00:21:33,960 --> 00:21:37,600 Speaker 1: was so good. She's so funny. This is not an 361 00:21:37,720 --> 00:21:43,159 Speaker 1: organic banana, Tina, get it together. We meet Kitty that 362 00:21:43,400 --> 00:21:50,160 Speaker 1: is open now, She's just there. She sits sidekicks. She's 363 00:21:50,200 --> 00:21:54,600 Speaker 1: like the new head cheerleader. We know where. We sit 364 00:21:54,680 --> 00:21:57,160 Speaker 1: together with her at lunch. It's like she's just there already. 365 00:21:57,280 --> 00:22:01,639 Speaker 1: But she's not in the glee club yet. No, but 366 00:22:02,440 --> 00:22:05,160 Speaker 1: it feels weird that we're sitting with her. It does. 367 00:22:05,240 --> 00:22:08,040 Speaker 1: It's so like out of nowhere. 368 00:22:08,240 --> 00:22:11,879 Speaker 2: Like it also feels outnumbered, like she and her like 369 00:22:12,240 --> 00:22:16,120 Speaker 2: two roots are like fully outnumbered by. 370 00:22:16,119 --> 00:22:22,399 Speaker 1: Us, and yet they still rule. She When I met Becca, 371 00:22:23,680 --> 00:22:27,840 Speaker 1: our good friend Dante, we had a mutual friend and 372 00:22:27,920 --> 00:22:31,000 Speaker 1: our and both of our very dear friends Dante and 373 00:22:31,119 --> 00:22:36,080 Speaker 1: Dante said, my friend Becca got glee like say hi 374 00:22:36,240 --> 00:22:39,520 Speaker 1: when you when you work with her, So I like 375 00:22:40,000 --> 00:22:43,159 Speaker 1: very nicely remember going into the trailer and like saying 376 00:22:43,240 --> 00:22:46,439 Speaker 1: hi to her, and I was like, oh hey, like 377 00:22:46,520 --> 00:22:49,280 Speaker 1: welcome to the show. I know Dante is like a 378 00:22:49,320 --> 00:22:54,080 Speaker 1: really close friend of mine. She's like, oh cool, and 379 00:22:54,119 --> 00:22:55,720 Speaker 1: that was it, and she's getting her maakup done and 380 00:22:55,760 --> 00:23:05,560 Speaker 1: I was like, Okay, gotta go and she'll be like. 381 00:23:05,760 --> 00:23:08,560 Speaker 1: I was so nervous. I didn't want to say anything. 382 00:23:12,119 --> 00:23:15,440 Speaker 2: I remember you texting me about all of that, because 383 00:23:15,440 --> 00:23:18,920 Speaker 2: he texted me like, oh, Dante knows the girl Becca, 384 00:23:19,600 --> 00:23:21,399 Speaker 2: like we should go talk to her. 385 00:23:22,000 --> 00:23:26,080 Speaker 1: She was so cold. I couldn't. I was shocked, and 386 00:23:26,160 --> 00:23:28,639 Speaker 1: I was like, I went out of my way to 387 00:23:28,680 --> 00:23:32,440 Speaker 1: be nice to somebody. I'm not feel like not I'm 388 00:23:32,480 --> 00:23:35,119 Speaker 1: an introer. I don't like like introducing myself as neutul 389 00:23:35,200 --> 00:23:37,199 Speaker 1: It's not my thing, so like, but I was like, 390 00:23:37,280 --> 00:23:40,840 Speaker 1: let me just like do it anyway. It's very funny. 391 00:23:40,840 --> 00:23:44,200 Speaker 1: It's a very funny story to tell because obviously we yeah, 392 00:23:44,240 --> 00:23:52,040 Speaker 1: obvious no within a second. And then Jake Jacob artist 393 00:23:52,280 --> 00:23:56,720 Speaker 1: Jake we find out is Parkerman's half brother, which Puck 394 00:23:56,760 --> 00:24:02,440 Speaker 1: does not know. I didn't remembers with the Fray song. 395 00:24:03,200 --> 00:24:06,840 Speaker 1: Why does he sound so good? Because he's so talented. 396 00:24:07,920 --> 00:24:08,399 Speaker 1: He just is. 397 00:24:08,400 --> 00:24:10,600 Speaker 2: He's like a really specially unique tone and. 398 00:24:10,520 --> 00:24:15,200 Speaker 1: He's like a dancer to start. Yes, Oh my god, 399 00:24:15,320 --> 00:24:17,560 Speaker 1: he's so good. Some people just have it all that 400 00:24:17,720 --> 00:24:20,320 Speaker 1: tone and you're right. I just he's got it. He 401 00:24:20,359 --> 00:24:24,000 Speaker 1: really does have it all. He's so like such a baby, 402 00:24:24,840 --> 00:24:27,280 Speaker 1: such a baby. He was like so funny eighteen or 403 00:24:27,280 --> 00:24:29,800 Speaker 1: something or eighteen. Yeah, he was very young. He guys 404 00:24:29,840 --> 00:24:35,400 Speaker 1: really young, so so sweet. And to watch him play 405 00:24:35,400 --> 00:24:37,640 Speaker 1: a bad boy though, because he does start like that, 406 00:24:37,800 --> 00:24:41,880 Speaker 1: I didn't remember that. I so jarring, so jarring, because 407 00:24:41,960 --> 00:24:46,119 Speaker 1: he could not be further from that, the funniest, nicest person. Yes, 408 00:24:46,200 --> 00:24:48,960 Speaker 1: like goofy. I mean he's still like cool and hot, 409 00:24:49,400 --> 00:24:52,320 Speaker 1: no for sure, but like bad boy. Not that is 410 00:24:52,400 --> 00:24:55,480 Speaker 1: not what I would And Jake doesn't end up being that. Yeah, 411 00:24:55,520 --> 00:24:58,919 Speaker 1: I was not, I was, I gasped. And he doesn't 412 00:24:58,920 --> 00:25:01,240 Speaker 1: make the glee Club. I also didn't remember that, and 413 00:25:01,359 --> 00:25:04,280 Speaker 1: she was weak ass response. You need to pick that 414 00:25:04,359 --> 00:25:08,720 Speaker 1: back up, like sir, thank you, and cute Kurt who's 415 00:25:08,720 --> 00:25:14,320 Speaker 1: like that's inappropriate. I'm okay, but Jake doesn't make it. 416 00:25:14,640 --> 00:25:17,720 Speaker 1: Didn't remember that either. When did Jake and Kitty join? 417 00:25:19,160 --> 00:25:23,560 Speaker 1: It's got to be soon, I'm sure, very soon. Okay. Oh, 418 00:25:23,600 --> 00:25:28,480 Speaker 1: and then we have the new Rachel which Marley Rose 419 00:25:29,400 --> 00:25:32,960 Speaker 1: were very rudely making fun of her mother, who is 420 00:25:33,040 --> 00:25:37,240 Speaker 1: the lunch lady. This reminded me of Chris's story how 421 00:25:37,280 --> 00:25:39,679 Speaker 1: he used to make friends with the lunch ladies in 422 00:25:39,680 --> 00:25:42,280 Speaker 1: the cafeteria at his school because he didn't have like 423 00:25:42,520 --> 00:25:46,000 Speaker 1: a lot of friends at school. And I was wondering 424 00:25:46,000 --> 00:25:48,240 Speaker 1: if they stole that from him. I don't know. 425 00:25:48,480 --> 00:25:53,080 Speaker 2: But Tricia, who played Marley's mom. 426 00:25:53,440 --> 00:25:56,920 Speaker 1: So good. I love them together. It's so cute there. 427 00:25:57,240 --> 00:26:01,480 Speaker 2: Yes, like those two together. Melissa came in Blaze in Yes, 428 00:26:02,080 --> 00:26:05,520 Speaker 2: just had Those two had chemistry, like familial chemistry. 429 00:26:07,080 --> 00:26:10,800 Speaker 1: Melissa and I also went to the same college and 430 00:26:10,840 --> 00:26:14,560 Speaker 1: we didn't we had that little connection when she didn't finish, 431 00:26:14,640 --> 00:26:19,200 Speaker 1: but we we had that connection. When she came She's 432 00:26:19,240 --> 00:26:21,840 Speaker 1: like I went to Merormount. I was like, oh my god, 433 00:26:22,200 --> 00:26:26,400 Speaker 1: I did not know that. Yeah, yeah, I remember bonding 434 00:26:26,400 --> 00:26:30,880 Speaker 1: with her of that quickly and her voice is real. 435 00:26:31,560 --> 00:26:33,320 Speaker 1: Remember when it was revealed that I had a crush 436 00:26:33,320 --> 00:26:34,639 Speaker 1: on her and all you girls are mad at me? 437 00:26:35,600 --> 00:26:37,760 Speaker 1: Were we mad at you? 438 00:26:37,840 --> 00:26:39,399 Speaker 2: We were at your house. I think it might have 439 00:26:39,400 --> 00:26:43,520 Speaker 2: been after the super Bowl and we were playing I 440 00:26:43,560 --> 00:26:45,320 Speaker 2: don't know, like two truths in a lie or something. 441 00:26:45,400 --> 00:26:49,359 Speaker 2: We were all a little intoxicated, and maybe it was 442 00:26:49,520 --> 00:26:52,679 Speaker 2: justin my friend Justin who like called me out and 443 00:26:52,680 --> 00:26:54,280 Speaker 2: said that I had a crush on one of the 444 00:26:54,320 --> 00:26:57,880 Speaker 2: girls in the cast, and I sort of did. Obviously, 445 00:26:58,080 --> 00:27:01,000 Speaker 2: you know, it wasn't And when I said it was her, 446 00:27:01,200 --> 00:27:04,760 Speaker 2: you were all offended, Oh because it wasn't us. 447 00:27:04,800 --> 00:27:10,120 Speaker 1: Of course, it's very us. I just was that's right, 448 00:27:10,280 --> 00:27:10,720 Speaker 1: that's right. 449 00:27:10,840 --> 00:27:17,040 Speaker 2: Yeah, yeah, it was so funny. I did not expect 450 00:27:17,080 --> 00:27:17,920 Speaker 2: you were all like what. 451 00:27:19,040 --> 00:27:21,159 Speaker 1: It's also, I would not have expected you to have 452 00:27:21,200 --> 00:27:24,280 Speaker 1: a crush on Melissa. Yeah, she was gorgeous. I mean 453 00:27:24,320 --> 00:27:27,119 Speaker 1: I get it, but like I was surprised too, Okay, 454 00:27:27,640 --> 00:27:30,800 Speaker 1: I get it. There's something and she's so charming, something 455 00:27:31,000 --> 00:27:35,320 Speaker 1: very charming and alluring about her, like like I don't 456 00:27:35,359 --> 00:27:38,280 Speaker 1: know what the word is, but this charm was m 457 00:27:38,680 --> 00:27:40,760 Speaker 1: How did you feel about the introductions to all these 458 00:27:40,840 --> 00:27:44,040 Speaker 1: characters in this episode? Each of them got their own moment, 459 00:27:44,200 --> 00:27:46,640 Speaker 1: each of them got to sing out of the ones 460 00:27:46,680 --> 00:27:49,440 Speaker 1: that joined the Glee Club. Yeah, I thought it was great. 461 00:27:50,760 --> 00:27:54,040 Speaker 1: I thought it was evenly dispersed between the old cast 462 00:27:54,200 --> 00:27:56,800 Speaker 1: the new cast, the New York side. Like I really 463 00:27:56,840 --> 00:27:59,080 Speaker 1: thought they did a good job. Yeah I did too, 464 00:27:59,200 --> 00:28:01,639 Speaker 1: And I felt like I got to know them enough, 465 00:28:01,840 --> 00:28:05,760 Speaker 1: like we did the Marlee mom piece auditioning Furly Club, 466 00:28:05,800 --> 00:28:09,520 Speaker 1: like Kitty has stuff with Sue and you know, like 467 00:28:09,640 --> 00:28:12,879 Speaker 1: the cheerio kind of with the and the slushies, and 468 00:28:12,880 --> 00:28:17,119 Speaker 1: then Jake being the bad boy, and then also you know, 469 00:28:17,200 --> 00:28:20,080 Speaker 1: being offered a chance, a second chance and then turning 470 00:28:20,119 --> 00:28:21,800 Speaker 1: it down. So I really do feel like it was 471 00:28:21,840 --> 00:28:24,359 Speaker 1: woven in really nicely. And then of course opening with 472 00:28:24,480 --> 00:28:26,600 Speaker 1: Jacob and new Zeel and the. 473 00:28:26,560 --> 00:28:31,119 Speaker 2: Whole Yeah there was they like surrounded it in familiarity 474 00:28:31,200 --> 00:28:32,640 Speaker 2: in that ye yes. 475 00:28:32,760 --> 00:28:35,080 Speaker 1: It wasn't so jarring like a new class and a 476 00:28:35,080 --> 00:28:37,920 Speaker 1: totally different show. Yeah it did. 477 00:28:38,240 --> 00:28:40,280 Speaker 2: It was nice too to have like those moments with 478 00:28:41,080 --> 00:28:44,200 Speaker 2: Sam talking to Marley about like, hey, I think I 479 00:28:44,320 --> 00:28:49,080 Speaker 2: know what you're up to. I'm in a similar situation, right, 480 00:28:49,360 --> 00:28:52,640 Speaker 2: and having the older kids help out the new kids, 481 00:28:52,680 --> 00:28:56,560 Speaker 2: and also the new directions making fun of the lunch 482 00:28:56,640 --> 00:29:00,840 Speaker 2: lady to like, I love how Kitty, who was obviously 483 00:29:00,840 --> 00:29:08,040 Speaker 2: younger than them, has riddled them with fear something they 484 00:29:08,080 --> 00:29:09,880 Speaker 2: have to make fun of. 485 00:29:09,920 --> 00:29:13,880 Speaker 1: Someone scared of Kitty too. I'm scared of Becca, so 486 00:29:14,120 --> 00:29:18,800 Speaker 1: yes exactly. I also have to say Jake being mad 487 00:29:18,800 --> 00:29:20,680 Speaker 1: that his song got cut off get used to a 488 00:29:20,720 --> 00:29:22,800 Speaker 1: bitch teen. It's every song gets cut off. 489 00:29:24,680 --> 00:29:26,400 Speaker 2: I also am like, oh, you're the big bad boy 490 00:29:26,440 --> 00:29:28,480 Speaker 2: and you're upset because you didn't get to sing long enough? 491 00:29:29,920 --> 00:29:36,480 Speaker 1: Like what so hard? Yeah? Funny, and then we still 492 00:29:36,520 --> 00:29:40,880 Speaker 1: have one less storyline to talk about, Uh, Kurt of 493 00:29:40,960 --> 00:29:45,640 Speaker 1: it all. Here's Kurt back in the colly Well at 494 00:29:45,680 --> 00:29:50,520 Speaker 1: the line of Bean Too, in a cute little uniform. 495 00:29:50,960 --> 00:29:53,960 Speaker 1: He gets rejected from YEA obviously, and so he's working 496 00:29:54,000 --> 00:29:57,600 Speaker 1: at the linea Bean and he's like integrated himself into 497 00:29:57,680 --> 00:30:00,160 Speaker 1: like the new glee club and being part of the 498 00:30:00,200 --> 00:30:03,400 Speaker 1: auditions and stuff. Because of course wouldn't Why wouldn't correct 499 00:30:03,440 --> 00:30:10,640 Speaker 1: you that. I love an audition moment. But very sweetly, 500 00:30:11,080 --> 00:30:16,600 Speaker 1: Blaine says, you can't be just very he really spoke 501 00:30:16,680 --> 00:30:18,840 Speaker 1: for all of us. Yeah, you're like, what are you 502 00:30:18,880 --> 00:30:21,479 Speaker 1: doing here? Get out of here. I love that they 503 00:30:21,520 --> 00:30:24,440 Speaker 1: didn't imagine dragons. I love that song. 504 00:30:25,080 --> 00:30:26,720 Speaker 2: Yeah, that song is great, and the number is great. 505 00:30:26,760 --> 00:30:28,560 Speaker 2: The cup comes pretty good. 506 00:30:28,880 --> 00:30:31,440 Speaker 1: All our girls are in it. 507 00:30:30,720 --> 00:30:34,440 Speaker 2: So good, really really good. Yeah, Sam, Yeah, they're all 508 00:30:34,480 --> 00:30:35,320 Speaker 2: in it. 509 00:30:35,560 --> 00:30:39,520 Speaker 1: Very cute. I love that number. You know, Darren's songs 510 00:30:39,520 --> 00:30:42,840 Speaker 1: in the Courtyard always are really good, and you know. 511 00:30:42,840 --> 00:30:46,320 Speaker 2: What's interesting. So after hearing him talk about how the 512 00:30:46,400 --> 00:30:50,440 Speaker 2: sun in the courtyard is just awful to filming. If 513 00:30:50,440 --> 00:30:55,400 Speaker 2: you notice, they put he's in the shade the son, 514 00:30:55,520 --> 00:30:58,920 Speaker 2: so they put up those big filters you love us. 515 00:30:58,960 --> 00:31:01,120 Speaker 2: You can't see them, but you can tell he's not squinting. 516 00:31:01,160 --> 00:31:03,440 Speaker 2: And then you'll see when some of the dancers step 517 00:31:03,520 --> 00:31:06,800 Speaker 2: out into the sun. Even though the whole courtyard is 518 00:31:06,800 --> 00:31:07,400 Speaker 2: not supposed to be. 519 00:31:07,440 --> 00:31:10,600 Speaker 1: Covered, it's it's a silver reflection. 520 00:31:11,240 --> 00:31:13,520 Speaker 2: And that could be because we are shooting on digital. 521 00:31:13,640 --> 00:31:16,040 Speaker 2: That maybe because there's something with the lighting that has 522 00:31:16,080 --> 00:31:16,600 Speaker 2: to be different. 523 00:31:17,640 --> 00:31:22,080 Speaker 1: Who knows. Kurt stuff though is quite cute. It was 524 00:31:22,160 --> 00:31:24,400 Speaker 1: nice to see Kurt's still at McKinley though. It was 525 00:31:24,440 --> 00:31:26,840 Speaker 1: like a nice transition. I thought it wasn't just Kurt 526 00:31:26,880 --> 00:31:29,240 Speaker 1: and Rachel out the bat like in New York living 527 00:31:29,240 --> 00:31:32,520 Speaker 1: their best life. And Bert driving him to the airport 528 00:31:32,680 --> 00:31:39,880 Speaker 1: is so sweet. It broke my heart. God any every time. Yeah, 529 00:31:39,960 --> 00:31:42,120 Speaker 1: I also love this fountain. I was like, we did 530 00:31:42,280 --> 00:31:44,640 Speaker 1: did Leah go to New York to shoot this episode? 531 00:31:44,720 --> 00:31:47,000 Speaker 1: Some of it? Yeah? And then I forgot when they 532 00:31:47,040 --> 00:31:48,800 Speaker 1: did the fountain, of course they did. They have to 533 00:31:48,840 --> 00:31:52,760 Speaker 1: do exteriors there in Central Park and Kurt just happened 534 00:31:52,760 --> 00:31:56,760 Speaker 1: to know where Rachel was here. Yeah, but it was sweet. 535 00:31:56,840 --> 00:31:59,680 Speaker 1: It was really sweet. It really linked it. 536 00:31:59,760 --> 00:32:05,520 Speaker 2: The way they did this folded in Rachel saying like 537 00:32:05,600 --> 00:32:08,920 Speaker 2: I'm not okay into the end of that song and yeah, 538 00:32:09,360 --> 00:32:13,640 Speaker 2: Kurt being there. It was very emotional. It was very emotional. 539 00:32:14,200 --> 00:32:14,880 Speaker 1: I really liked. 540 00:32:15,040 --> 00:32:20,880 Speaker 2: Nothing gets me more than Leah crying. I'm just I'm 541 00:32:20,960 --> 00:32:23,600 Speaker 2: a sucker for it. I know she gets me back 542 00:32:23,640 --> 00:32:28,320 Speaker 2: in And every time. Do you remember when when Chris 543 00:32:28,360 --> 00:32:30,360 Speaker 2: showed up with that, You notice like part of his 544 00:32:30,400 --> 00:32:31,200 Speaker 2: hair is highlighted. 545 00:32:31,840 --> 00:32:33,080 Speaker 1: Chris is in the front and the hat. 546 00:32:33,280 --> 00:32:36,400 Speaker 2: Yes, yeah, and do you remember why? No, remember he 547 00:32:36,400 --> 00:32:38,280 Speaker 2: showed up like, first of all, he's had like a 548 00:32:38,280 --> 00:32:39,920 Speaker 2: complete he looks so different. 549 00:32:40,240 --> 00:32:42,560 Speaker 1: Well, every year Chris would look different because he was grown, 550 00:32:42,600 --> 00:32:45,680 Speaker 1: growing up. Yes, in front of us. Wait, tell me 551 00:32:45,720 --> 00:32:46,640 Speaker 1: about the hair though. 552 00:32:47,760 --> 00:32:49,600 Speaker 2: Chris can correct me if I'm wrong, but I believe 553 00:32:49,600 --> 00:32:52,320 Speaker 2: it was because of proactive. 554 00:32:53,440 --> 00:32:54,240 Speaker 1: Face wash. 555 00:32:54,360 --> 00:32:58,760 Speaker 2: It started to bleach the front of his hair. Because 556 00:32:58,840 --> 00:33:02,080 Speaker 2: he came back and everyone was like, oh my god, yeah, 557 00:33:02,120 --> 00:33:04,440 Speaker 2: and he's like, no, it's just happened to me. 558 00:33:04,400 --> 00:33:15,240 Speaker 1: Too, Bani. I have to give a shout out to 559 00:33:15,240 --> 00:33:19,840 Speaker 1: Stone or Brett and his audition. Stone of Bread is 560 00:33:19,880 --> 00:33:23,920 Speaker 1: always crushing. I'm so glad they threw him in there. 561 00:33:24,280 --> 00:33:31,440 Speaker 1: Stoner Bread shows up really does his job that any 562 00:33:31,440 --> 00:33:36,440 Speaker 1: audition on the stage or Cheerio's auditions gets me. Yeah, 563 00:33:36,560 --> 00:33:36,960 Speaker 1: they get. 564 00:33:37,120 --> 00:33:39,959 Speaker 2: And also whoever like they get to do those things 565 00:33:40,240 --> 00:33:44,840 Speaker 2: really just like goes for it, like leans into it fully, 566 00:33:45,320 --> 00:33:49,760 Speaker 2: I know. I would also like to talk about New 567 00:33:49,840 --> 00:33:54,080 Speaker 2: York state of Mind. It's our introduction to Marley singing. 568 00:33:54,560 --> 00:33:58,880 Speaker 2: It's our introduction to Rachel singing at Nyada, and you 569 00:33:58,960 --> 00:34:03,520 Speaker 2: have Whoopee who basically cuts the girl right before her, 570 00:34:04,120 --> 00:34:09,000 Speaker 2: like kicks her out of the school and does this 571 00:34:09,280 --> 00:34:13,520 Speaker 2: really incredible rendition of New York side of mind. 572 00:34:13,640 --> 00:34:18,359 Speaker 1: It's so beautiful, so beautiful. They were both singing down 573 00:34:18,560 --> 00:34:22,120 Speaker 1: like not there was no growth. It was just out 574 00:34:22,160 --> 00:34:24,960 Speaker 1: the gate. Let's go, let me sing and let me 575 00:34:25,000 --> 00:34:26,640 Speaker 1: show you what I can do. And they were both 576 00:34:27,280 --> 00:34:30,520 Speaker 1: very good. I was also happy for Rachel as the 577 00:34:30,640 --> 00:34:35,400 Speaker 1: character to have that moment agreed, agreed, she killed. You 578 00:34:35,440 --> 00:34:37,520 Speaker 1: can't ever fail again, I mean, come on. I was 579 00:34:37,560 --> 00:34:40,719 Speaker 1: also like, listen, ding Geyer, cool it. You don't know 580 00:34:40,760 --> 00:34:44,120 Speaker 1: her that well yet. I know he comes in guns 581 00:34:44,120 --> 00:34:44,839 Speaker 1: and place and too. 582 00:34:45,320 --> 00:34:48,160 Speaker 2: Yeah, it's like the finial of it. Am I can 583 00:34:48,200 --> 00:34:52,400 Speaker 2: we I know she's vulnerable. 584 00:34:53,800 --> 00:35:00,000 Speaker 1: Oh and then Marley, I guess, is the new Rachel. 585 00:35:00,520 --> 00:35:04,080 Speaker 1: But Shoe says we're not about stars. 586 00:35:04,960 --> 00:35:07,240 Speaker 2: Well, it already picks Blaine to be the new Rachel. 587 00:35:08,800 --> 00:35:11,360 Speaker 1: I don't know. It's all very strange, but it's. 588 00:35:11,160 --> 00:35:16,160 Speaker 2: Framed as we're Marley, but Marley is sort of the 589 00:35:16,200 --> 00:35:19,799 Speaker 2: new Rachel and gets the song at the end exactly 590 00:35:20,680 --> 00:35:21,239 Speaker 2: which I thought. 591 00:35:21,239 --> 00:35:24,560 Speaker 1: It was so funny getting mister Shoe also to lead 592 00:35:24,680 --> 00:35:28,279 Speaker 1: us through the rehearsal. At the end, Matt's like, what 593 00:35:28,440 --> 00:35:29,680 Speaker 1: is this? Right? 594 00:35:31,200 --> 00:35:37,040 Speaker 2: Welcome? I have a bone I'd like to pick. During 595 00:35:37,040 --> 00:35:39,719 Speaker 2: those auditions, you had multiple pages of people signing up. 596 00:35:40,719 --> 00:35:45,040 Speaker 1: Where are they? Why would we just pick one? Oh, 597 00:35:45,160 --> 00:35:50,120 Speaker 1: only one member? Yeah? Maybe they all stunk, but like, 598 00:35:50,800 --> 00:35:53,960 Speaker 1: wouldn't you want to stack it? Yeah? Right? 599 00:35:54,080 --> 00:35:56,600 Speaker 2: That felt so anti climactic in a way. At the end, 600 00:35:56,960 --> 00:36:01,000 Speaker 2: and we have one new member, Like, wait, we're the 601 00:36:01,040 --> 00:36:04,960 Speaker 2: most popular club in school. People are fighting to sign 602 00:36:05,080 --> 00:36:11,200 Speaker 2: up to audition and we have one No sir, no sir? 603 00:36:11,680 --> 00:36:15,279 Speaker 2: And also is that popular? Why didn't kitties sign up. 604 00:36:16,760 --> 00:36:19,759 Speaker 1: You're right. Why didn't she sign up? It can't be 605 00:36:19,800 --> 00:36:22,640 Speaker 1: that easy, though. We can't have our set Glee Club 606 00:36:23,000 --> 00:36:29,200 Speaker 1: now for the ones that we'll have later. Know, weird, 607 00:36:29,840 --> 00:36:34,040 Speaker 1: so weird? When does writer? Yeah, I was just going 608 00:36:34,040 --> 00:36:40,800 Speaker 1: to say the same thing. I don't know soon because 609 00:36:40,800 --> 00:36:44,880 Speaker 1: he comes in as a love interest for the triangle 610 00:36:46,000 --> 00:36:52,080 Speaker 1: for Marley, right, don't ask me questions. Well, stay tuned, 611 00:36:52,680 --> 00:36:57,439 Speaker 1: stay tuned. Yeah, we're discovering this together. We are. Overall though, 612 00:36:57,480 --> 00:36:59,560 Speaker 1: I thought it was a very solid episode and I 613 00:36:59,600 --> 00:37:08,040 Speaker 1: felt very satisfied. I got my McKinley, Phil, I got 614 00:37:08,080 --> 00:37:11,400 Speaker 1: my I thought it was very funny. We got our 615 00:37:11,520 --> 00:37:14,440 Speaker 1: YadA Phil, we got Cassandra. 616 00:37:15,040 --> 00:37:16,880 Speaker 2: I think they did a good job of world building 617 00:37:16,880 --> 00:37:19,160 Speaker 2: in New York as well. Agreed, even though they were 618 00:37:19,200 --> 00:37:22,560 Speaker 2: shooting things in New York and l A. It felt 619 00:37:22,880 --> 00:37:26,239 Speaker 2: I think, very cohesive and felt different but still in 620 00:37:26,280 --> 00:37:27,040 Speaker 2: the same universe. 621 00:37:27,280 --> 00:37:32,560 Speaker 1: Let's grade the performances, Kevin, Okay, call me maybe I 622 00:37:32,600 --> 00:37:36,600 Speaker 1: loved it. I'm giving it an A. Yeah, Americano Dance 623 00:37:36,600 --> 00:37:41,880 Speaker 1: Again A plus. Yes, Never Say Never a A New York, 624 00:37:42,280 --> 00:37:46,360 Speaker 1: New York state of mind A plus. It's time a 625 00:37:47,280 --> 00:37:55,120 Speaker 1: chasing pavements as Okay, same thing. That's a solid a average. 626 00:37:55,360 --> 00:38:00,040 Speaker 1: That's really good. That's really good. Yeah, okay, let's do 627 00:38:00,120 --> 00:38:05,720 Speaker 1: some tarty takes any cringe moments. Although Marley jokes, Marley's 628 00:38:05,719 --> 00:38:06,680 Speaker 1: Mom jokes, all. 629 00:38:06,600 --> 00:38:11,759 Speaker 2: The Marley's Mom jokes were really bad. Oh my gosh, 630 00:38:11,840 --> 00:38:14,719 Speaker 2: all of us telling unique. 631 00:38:14,800 --> 00:38:20,320 Speaker 1: Oh, take off your face, like we have a certain reputation, 632 00:38:20,680 --> 00:38:24,400 Speaker 1: get out of here. Bullshit. I would I would have 633 00:38:24,520 --> 00:38:27,240 Speaker 1: just fired us. All that is wrong with these kids? 634 00:38:27,280 --> 00:38:29,520 Speaker 1: Have you learned nothing that felt very out of character? 635 00:38:31,160 --> 00:38:32,880 Speaker 1: You get a little bit of ego, you get a 636 00:38:32,920 --> 00:38:35,280 Speaker 1: little bit you know, like you're happy that you finally 637 00:38:35,280 --> 00:38:37,120 Speaker 1: made it up, and so you're like trying not to 638 00:38:37,120 --> 00:38:39,719 Speaker 1: mess it up. So we you know, you make mistakes, 639 00:38:39,960 --> 00:38:42,239 Speaker 1: you make mistakes. I did hate it too that I 640 00:38:42,239 --> 00:38:44,160 Speaker 1: did hate it too, really hate it. Okay, best dance 641 00:38:44,200 --> 00:38:50,560 Speaker 1: move Americano obviously. Yeah. That was just also that body. 642 00:38:51,280 --> 00:38:55,120 Speaker 1: I mean, she said, I went on Keith's podcast recently 643 00:38:55,840 --> 00:38:59,120 Speaker 1: and she's like, I hadn't danced in ten years. And 644 00:38:59,160 --> 00:39:01,080 Speaker 1: she's like, and then I had to do this thing 645 00:39:01,120 --> 00:39:03,640 Speaker 1: that I learned in five seconds, and I was like, wow, 646 00:39:04,200 --> 00:39:07,839 Speaker 1: you did great. Yeah. Did she enjoy her experience? She did. 647 00:39:07,920 --> 00:39:10,520 Speaker 1: She said it was good. She said there was a 648 00:39:10,520 --> 00:39:16,000 Speaker 1: lot of we had a very dramatic set. Really yeah, 649 00:39:16,040 --> 00:39:18,000 Speaker 1: but not only in a bad way. She just was like, 650 00:39:18,719 --> 00:39:22,680 Speaker 1: it was very dramatic there interesting. I thought that was 651 00:39:22,719 --> 00:39:25,719 Speaker 1: so fascinating. Yeah, but yeah, she had a great time. 652 00:39:25,760 --> 00:39:29,359 Speaker 1: She said, best song, I think I'd go with New 653 00:39:29,400 --> 00:39:35,440 Speaker 1: York State of Mind. Yeah, okay, echo you prop. 654 00:39:37,280 --> 00:39:43,879 Speaker 2: Oh there's some good props in this one. I don't 655 00:39:43,880 --> 00:39:45,520 Speaker 2: think this is the best prop, but I do. I 656 00:39:45,560 --> 00:39:51,240 Speaker 2: would like to shine a light on Cassandra's bottle of rum. 657 00:39:53,719 --> 00:39:56,640 Speaker 1: Like that was weird. It was really weird. I forgot 658 00:39:56,640 --> 00:39:57,560 Speaker 1: about that whole. 659 00:39:57,920 --> 00:40:00,279 Speaker 2: That was very also, even how it was edited, like 660 00:40:00,440 --> 00:40:03,279 Speaker 2: lingered on it for a little too long, and it's 661 00:40:03,320 --> 00:40:05,000 Speaker 2: like that scene was just so random. 662 00:40:05,280 --> 00:40:07,960 Speaker 1: Yes, agreed, I don't know. I thought the cops did 663 00:40:08,000 --> 00:40:08,759 Speaker 1: a really good job. 664 00:40:09,280 --> 00:40:11,520 Speaker 2: Oh yeah, the cups are great. I mean the slushies 665 00:40:11,520 --> 00:40:14,160 Speaker 2: are back too. So I do think the J Crew 666 00:40:14,239 --> 00:40:16,239 Speaker 2: label did a lot of heavy lived in this episode. 667 00:40:18,040 --> 00:40:21,200 Speaker 1: There's a lot of good options. Okay, best line, I 668 00:40:21,239 --> 00:40:24,279 Speaker 1: have to say, I'm gonna say my own line. Hm. 669 00:40:24,840 --> 00:40:27,560 Speaker 1: I remember reading it and I was like, that's pretty funny. 670 00:40:29,440 --> 00:40:33,680 Speaker 2: When Jbi says Ardy Abram Zunchrum sources tell me you've 671 00:40:33,719 --> 00:40:37,080 Speaker 2: been sitting with the cheerios, and already goes well, I'm 672 00:40:37,120 --> 00:40:37,800 Speaker 2: usually sitting. 673 00:40:39,960 --> 00:40:43,239 Speaker 1: I did like that Brittany had a lot of really 674 00:40:43,280 --> 00:40:46,200 Speaker 1: good lines to this episode. My got so many. Heather 675 00:40:46,400 --> 00:40:49,320 Speaker 1: was like on a different level. Yes, Brittany said, I 676 00:40:49,360 --> 00:40:51,279 Speaker 1: had a song in my heart, Blade Warbler, and you 677 00:40:51,400 --> 00:40:53,200 Speaker 1: killed it. Now I have a dead song in my 678 00:40:53,600 --> 00:40:55,640 Speaker 1: heart and pretty soon the corpse of my dead heart 679 00:40:55,680 --> 00:40:57,240 Speaker 1: song is going to start to smell. 680 00:41:00,680 --> 00:41:03,120 Speaker 2: I was really, but I do forget to wear underwear 681 00:41:03,200 --> 00:41:09,680 Speaker 2: sometimes though. Yes, Oh my god, that's a great haircut, Mercedes, 682 00:41:09,719 --> 00:41:10,839 Speaker 2: I thought you graduated. 683 00:41:10,880 --> 00:41:14,840 Speaker 1: They could not. I just fell out of my chair. 684 00:41:15,280 --> 00:41:23,840 Speaker 1: I could not performance MVP. Sorry, sorry, there's another one. 685 00:41:25,120 --> 00:41:26,960 Speaker 1: But asked about Santana. She's good. 686 00:41:27,000 --> 00:41:29,399 Speaker 2: She's just really busy with cheerleading practice, and it's hard 687 00:41:29,480 --> 00:41:32,600 Speaker 2: making out over Skype. You can't really scissor on a webcam. 688 00:41:33,000 --> 00:41:34,680 Speaker 2: You can't really scissor a webcam. 689 00:41:34,840 --> 00:41:40,600 Speaker 1: Oh my god, oh god, what a treat to write 690 00:41:40,600 --> 00:41:48,439 Speaker 1: for Brittany. Right, treat performance MEP. I'm going. I'm going 691 00:41:48,480 --> 00:41:50,719 Speaker 1: with all the newbies because it's a hard thing to 692 00:41:50,840 --> 00:41:56,160 Speaker 1: join that swiftly with the show being what it was 693 00:41:56,200 --> 00:41:59,080 Speaker 1: at the time and really just bringing it. 694 00:42:00,320 --> 00:42:03,400 Speaker 2: I agree, that's great. Okay, let's go with that. Okay, 695 00:42:03,640 --> 00:42:08,520 Speaker 2: well done, newbies, Well done. Should we found on ze TikTok. 696 00:42:09,560 --> 00:42:11,760 Speaker 2: So there's there's a meme going around with tato shifts 697 00:42:13,160 --> 00:42:15,960 Speaker 2: one of tail shifts new songs you'll know it and 698 00:42:16,040 --> 00:42:19,880 Speaker 2: the Asylum where they raised Me? And there's a couple 699 00:42:19,920 --> 00:42:24,879 Speaker 2: of these, but Carly McNaughton drive my Car on TikTok 700 00:42:25,400 --> 00:42:27,680 Speaker 2: posted one and says you wouldn't last an hour in 701 00:42:27,719 --> 00:42:30,600 Speaker 2: the asylum where they raised me? And the second picture 702 00:42:30,840 --> 00:42:38,240 Speaker 2: is the choir room, and it's just great. That's really good. 703 00:42:38,080 --> 00:42:41,160 Speaker 2: I love I love that. It makes a lot of 704 00:42:41,200 --> 00:42:44,560 Speaker 2: sense because all same you know, it's. 705 00:42:44,400 --> 00:42:48,480 Speaker 1: To the song Who's Afraid of Little Old Me? That's right, 706 00:42:50,400 --> 00:42:53,040 Speaker 1: very good. Yeah, I love it. 707 00:42:53,239 --> 00:42:56,560 Speaker 2: Very funny me because I can name every episode of 708 00:42:56,640 --> 00:42:59,520 Speaker 2: Glenn order the person who posted this is like and 709 00:42:59,680 --> 00:43:00,800 Speaker 2: every song in each. 710 00:43:02,280 --> 00:43:08,840 Speaker 1: Very good, very very good. Well that's the beginning of 711 00:43:09,440 --> 00:43:13,280 Speaker 1: season four. Buckle up, my friends, it's about to get cray. 712 00:43:14,080 --> 00:43:17,320 Speaker 1: I mean, it was a good one. 713 00:43:17,480 --> 00:43:22,000 Speaker 2: We're starting off really strong, and I'm fascinated by the 714 00:43:22,040 --> 00:43:26,040 Speaker 2: things everyone has said, because I do understand and I 715 00:43:26,080 --> 00:43:29,480 Speaker 2: was very conscious of it. When you meet all these 716 00:43:29,480 --> 00:43:33,600 Speaker 2: new people, like are you just attached to the older 717 00:43:33,640 --> 00:43:35,759 Speaker 2: people and you're like, Okay, I get why they need 718 00:43:35,840 --> 00:43:37,800 Speaker 2: new people, but I just want to see the older storyline. 719 00:43:37,840 --> 00:43:42,400 Speaker 2: So like we're all interconnected with the new people pretty quickly. Yeah, 720 00:43:42,920 --> 00:43:43,760 Speaker 2: but so far. 721 00:43:43,880 --> 00:43:48,040 Speaker 1: So good. Okay, thanks for having to it, Thanks for 722 00:43:48,120 --> 00:43:48,560 Speaker 1: joining us. 723 00:43:48,560 --> 00:43:52,560 Speaker 2: Next week is Brittany two point zero. Wow, some great 724 00:43:52,640 --> 00:43:53,399 Speaker 2: numbers in that one. 725 00:43:54,040 --> 00:43:58,239 Speaker 1: It's a banger. I can't wait to watch it. And 726 00:43:58,320 --> 00:43:59,640 Speaker 1: that's what you really missed. 727 00:44:00,120 --> 00:44:03,239 Speaker 2: Thanks for listening and follow us on Instagram at and 728 00:44:03,320 --> 00:44:05,560 Speaker 2: that's what you really miss pod. Make sure to write 729 00:44:05,600 --> 00:44:07,400 Speaker 2: us a review and leave us five stars. 730 00:44:07,600 --> 00:44:08,279 Speaker 1: See you next time.