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Speaker 1: So your brother fright to Yeah, you get the world's

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Speaker 1: most stagers want to shut the camera. I didn't agree. Show.

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Speaker 1: Isn't this who list the city South? Try the captain

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Speaker 1: of this speech the only one who can keep these

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Speaker 1: guys in chat. Charm God is the breakfast competition. Wake up,

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Speaker 1: wake up, wake ya as. This is your time to

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Speaker 1: get it off your chat with your man or blas.

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Speaker 1: We want to hear from you on the breakfast block. Hello.

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Speaker 1: Who's this? Hi? This is Ali? How are you all

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Speaker 1: this morning? Alie? Good morning? You mad this morning? I

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Speaker 1: am mad at Um Charlotte made for God now Baby.

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Speaker 1: I spent you a few times and Um I have

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Speaker 1: followed you. I've followed your directions to get in contact

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Speaker 1: with you. I wrote a book for you on black privilege,

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Speaker 1: and you have not answered my d you yet. I

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Speaker 1: d n you at at be the God on Twitter,

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Speaker 1: I didn't see no DM. What did you want my well,

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Speaker 1: I'm hauling to see when he will be available to

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Speaker 1: have a one on one discussion with me. Oh, Ali?

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Speaker 1: I did Yeah, I retweeted your review, Ali, what are

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Speaker 1: you gonna give a one on one? Whenever? She wanted? Baby, Okay,

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Speaker 1: reach out to reach out to the people on my

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Speaker 1: I G and What'll make it happen time you spoke

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Speaker 1: to me on the radio from on I G. Yes,

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Speaker 1: where are you from? I am actually from South Carolina,

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Speaker 1: but I live in New York. Now, okay, all right,

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Speaker 1: I got you, boll you know, I hold myself amount

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Speaker 1: of people down, I know it. Thank you so much, y'all.

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Speaker 1: Have a good morning. Hey Keisha, Hey, how you doing?

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Speaker 1: You got a deep voice? Keisha? What's up? What you

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Speaker 1: blessed this morning? Yes? I just want up. I just

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Speaker 1: want to say I'm blessed morning because I have a

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Speaker 1: great husband, great sons, and great daughters. Nice. I just

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Speaker 1: want to say that I came to your show. Oh okay,

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Speaker 1: but we take the live podcast me and my wife.

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Speaker 1: Did you enjoy it? Yes, you got my husband all

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Speaker 1: the way in whoa on that show? Okay, all right,

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Speaker 1: thank you, just saying before before that I had to

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Speaker 1: talk to my husband a whole lot. You got him

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Speaker 1: all the way in. Well, thank you and your family.

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Speaker 1: All right, Well, thank you. If you don't know what

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Speaker 1: she's talking about, we got a podcast called The Casey

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Speaker 1: Creue with me and my wife just talking about relationship.

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Speaker 1: Everything good. The bad, the ugly, and we have good,

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Speaker 1: good discussions and it's all honest, old true. But thank

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Speaker 1: you for listening. Mama. Yes, and we have a blended family.

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Speaker 1: So that's where I wanted to say. I'm blessed for that.

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Speaker 1: All right, I'm you got a white podcast me say,

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Speaker 1: I said, you got a white husband? Is Puerto Rican?

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Speaker 1: And I am what's in the end? Get it? Don't

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Speaker 1: get checked? Please? Okay, Well bless you got a Puerto

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Speaker 1: Rican God bless you. Yeah, he's awesome. All right, thank you, mama.

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Speaker 1: Get it off your chest. Eight hundred five eighty five

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Speaker 1: one O five one. If you're upset you need to vent,

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Speaker 1: you could call us or if you feel blessed, hit

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Speaker 1: us up. It's the breakfast Clocal Morning, the breakfast Club.

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Speaker 1: Pick up the mother mother phone and down. This is

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Speaker 1: your time to get it off your chest. Nother your man.

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Speaker 1: You want to hear from you on the breakfast club.

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Speaker 1: He better have the same energy. Chandeliah, it's Chandler. Oh

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Speaker 1: my bad, my bad, bron you're calling from man. Why

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Speaker 1: are you mad this morning? Man? Because my uh daughter, Mom,

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Speaker 1: she hasn't let me see my daughter within four years.

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Speaker 1: I don't want school customer joint custody when she was two.

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Speaker 1: She's about to be nine. But she tried to lie

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Speaker 1: and say that I hit my daughter. But you know, Ohio,

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Speaker 1: they go with whatever the woman I said. So I

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Speaker 1: even beat that case and I'm trying to stina her

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Speaker 1: to get my visitation so I can get my joint

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Speaker 1: custody back. But she's still acting stupid. Her name is

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Speaker 1: I'm gonna say her name to everybody in Columbus and

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Speaker 1: know her name is Brittany. But she ain't let me

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Speaker 1: see my daughter within you know I haven't. I missed

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Speaker 1: four of her birthdays? How did I missed four Father's

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Speaker 1: Day with her? Now? So you know what I'm saying.

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Speaker 1: But that's why I'm mad, because I've been trying to

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Speaker 1: fight this case for about three four years and she's

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Speaker 1: awfully and your daughter probably has no idea what's going on. Yeah,

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Speaker 1: she had put me in jail, which I beat that case,

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Speaker 1: so she probably thinks the last two years I've been

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Speaker 1: in jail. But hey, brother, you keep fighting. I love

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Speaker 1: brothers that God didn't actually fight for their kids when

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Speaker 1: it comes to child supporting, custody and all that good stuff. Man, Angel,

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Speaker 1: good morning, good morning. There's your birthday out? How old

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Speaker 1: are you? Angel? How old are you? I am thirty seven?

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Speaker 1: Then you go boot, thank you so much. How are

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Speaker 1: you guys today? We are great, man, we have I'm

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Speaker 1: glad you're having a great birthday. What you're doing today?

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Speaker 1: Actually I have to go to work, but that is fine.

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Speaker 1: I ensure that is well. But after work, I'm gonna

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Speaker 1: hang out with my girls. I have three daughters. And

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Speaker 1: then you got with them, and then that's about it.

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Speaker 1: I think I have take for you at working stuff. Well,

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Speaker 1: they should have cake at work in my desk decorator.

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Speaker 1: When I get this, I'm excited, Thank you, thank you

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Speaker 1: guys already an event. Are you sure you can eat

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Speaker 1: cake at your age? I am positive I can eat

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Speaker 1: cake and by eggs and actually, Charlote ain't to be honest.

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Speaker 1: I've earned the right because in twenty fifteen I was

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Speaker 1: almost three hundred pounds. I lost about one hundred and

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Speaker 1: ten pounds. I'm gonna I don't know if you should

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Speaker 1: have to kick that. I would choose some salary, choose

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Speaker 1: a healthy option. Keep that keep coming down. I got it,

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Speaker 1: I got it. It's gonna be a nice little small

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Speaker 1: piece with a little piece of cake. We got it covered.

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Speaker 1: I promised, what made you want to lose that weight boat?

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Speaker 1: I was on blood pressure medicine every day and I

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Speaker 1: was just really tired of it. I wanted to change.

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Speaker 1: I was tired, I couldn't really keep up with the girls,

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Speaker 1: and I wanted to do something different for myself. Then

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Speaker 1: you go, you just wanted to deliver healthier life. That

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Speaker 1: I respect that. Okay, we're having a great morning birthday,

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Speaker 1: all right. That is the best birthday gift you can

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Speaker 1: give yourself, is the gift of good health. Okay, you're

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Speaker 1: gonna plus poinds you lose some of that weight boat,

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Speaker 1: all right, all right, get it off your chest. Eight

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Speaker 1: hundred five eight five one on five one you bless.

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Speaker 1: You can call us you're mad, You could call us

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Speaker 1: keep a lock. This a breakfast club morning, the breakfast

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Speaker 1: club morning. Everybody is DJ Envy, Angela Yee, Charlomagne and guy.

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Speaker 1: We are the breakfast club. We got a special guest

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Speaker 1: in the building, Safari. He wasn't inviting. He really needs

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Speaker 1: to stop. He wasn't inviting. No, he wasn't. He just

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Speaker 1: called us in. These content't believe he's up here again.

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Speaker 1: Got the jews. You know what I'm saying. It's just

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Speaker 1: like that, I can make the call pop up. I

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Speaker 1: hopped up. Now I'm here. Gentlemen, we need to feel

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Speaker 1: content because we had eighteen hours. That's all. That's all

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Speaker 1: came through. Of course he had a fur run, yes

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Speaker 1: he did. Let me take this off too hot. You

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Speaker 1: was wearing it when it was seventy degrees out Now

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Speaker 1: all those other different studios cold. If you was gonna

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Speaker 1: wear it is in here, it's freezing. What made you

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Speaker 1: decide to pick up the first? Why the first is

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Speaker 1: your thing? Now it's been Yeah, look like you don't know.

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Speaker 1: He hasn't seen you yet. They sent me an email. No, no, no,

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Speaker 1: they sent me an email saying like, hey, um, you

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Speaker 1: know so far we don't know if you know what

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Speaker 1: goes into what's being done into getting your fur cold

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Speaker 1: animals right, And they were like, we want you to

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Speaker 1: come to the headquarters so we can show you so

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Speaker 1: you can stop wearing fur. Are you gonna go? I

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Speaker 1: ain't answer the email. The next thing. The next thing

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Speaker 1: is they're gonna throw paint on you in the street.

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Speaker 1: But are you thinking about going just to see it

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Speaker 1: might change your mind. Um no, how would you react

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Speaker 1: if they throw paint on you when you show them

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Speaker 1: that you're the roughest, toughest bump clot of me? Can decide?

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Speaker 1: I would probably, I'd probably laugh, you know. And behind

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Speaker 1: all of that, that's what I'm saying. You know, I'm

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Speaker 1: about to drop the project by your work called for

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Speaker 1: a Coat Volume one. Okay, so you can't stop wearing

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Speaker 1: a coat. So you know what I wanted to tell

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Speaker 1: everybody is figuring don't gotta be real fur Tell everybody, yeah,

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Speaker 1: this ain't a real fur, Peter. So you know what

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Speaker 1: I'm saying, don't worry about it. You can look at

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Speaker 1: it and tell Jesus Christ. Oh you can tell when

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Speaker 1: the coach is real. Now, what happened when we see

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Speaker 1: you on TV one time and you had the illest

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Speaker 1: fake line in the world. I was in the court.

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Speaker 1: Oh my god, Yes, I forgot about that. Oh my god.

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Speaker 1: So look I never that. Look that's a good question.

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Speaker 1: Could people be asking me about it? But I never

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Speaker 1: really spoke about it. So what had happened was, Oh boy,

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Speaker 1: the dude he has put Beijing in my hair? Right,

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Speaker 1: so when he did it, he didn't wash it out

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Speaker 1: because I was in a rush. Is Beijing is something

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Speaker 1: that you look, I know, but look so it's a

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Speaker 1: thing that makes you hear extra extra black. So I'm

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Speaker 1: like polished. So I guess shoo polished, right, he's the

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Speaker 1: egg died. Yeah. Yeah, So they put he put it

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Speaker 1: in my hair and I had to film and I

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Speaker 1: couldn't be late, so I just was like, yo, let's

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Speaker 1: just leaving them a finish it later. So I didn't

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Speaker 1: wash it out, so it just had my hair looking

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Speaker 1: so there was no hats available in the try say

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Speaker 1: area that. Then I kind of feel like the camera

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Speaker 1: person could have said something he seen it. It was,

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Speaker 1: it was, it's Lloyd was there in the almost brows

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Speaker 1: it was. It wasn't. It wasn't how far down it was.

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Speaker 1: It was just a texture and how seethrew it was.

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Speaker 1: It just looked crazy. But you want to know, it's

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Speaker 1: so crazy. Some people hit me up to go like

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Speaker 1: do some like work with them, and they paid me

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Speaker 1: a lot of money to do what you mean to

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Speaker 1: do it. It's some hair growth stuff I'm about to do.

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Speaker 1: And you know what I'm saying, No, no, no, you're

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Speaker 1: trying to get your hairline back. It ain't trying. I'm good.

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Speaker 1: I did the surgery women get fake gases and fake

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Speaker 1: fake hairline that Lebron did. Yeah, I did that years

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Speaker 1: ago before the work. Just let it go. Bro If

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Speaker 1: I didn't do it, broke, my hair would not be

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Speaker 1: where it is right now. Just have a body. No,

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Speaker 1: I don't think that that's what I got. You know

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Speaker 1: why my hairlines in the middle of my head. I

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Speaker 1: look like robo cop. But you got a small headed yeah, yeah, yeah. Pause.

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Speaker 1: We've seen on the other day on it on that

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Speaker 1: girl Dredge. You're making not every jack that everyone's talking

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Speaker 1: about it. The other day in the rumor report, so

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Speaker 1: far seen you shoot your shot again? What are ya

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Speaker 1: talking about? You posting Nicki Minaj on the cover paper magazine.

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Speaker 1: You said, why you make something out these the kind

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Speaker 1: of pictures I always wanted you to take from me. Wow,

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Speaker 1: I don't think Niki dated the reality show stuff, and

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Speaker 1: that's what I think that's beneath her. I'm not a

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Speaker 1: reality show star. Yes you are what you're in. I'm

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Speaker 1: just out there serious. I'm on five five loving hip hop,

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Speaker 1: but loving hip hop. Why did you cry at the

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Speaker 1: end of love and hip hop, like how you gave

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Speaker 1: me donkey on the day for that. I didn't your donkey,

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Speaker 1: but I was like, we could, let me explain what

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Speaker 1: happened in that segment. I just finished speaking about my uncle.

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Speaker 1: My uncle was just killed. So that's where I was

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Speaker 1: at mentally. So I was thinking about that when I

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Speaker 1: was talking about that, and my last week of living

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Speaker 1: in LA that's the week my uncle got killed. So

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Speaker 1: I was talking about that, and then it went to

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Speaker 1: the leaving thing. They made it seem like you were

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Speaker 1: crying because that was your career peak and that it

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Speaker 1: wasn't na it was really mentally, I was in the

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Speaker 1: world of talking about my uncle and because I was

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Speaker 1: thinking if he cried like that because he leaving loved

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Speaker 1: him hoop. Imagine now he cried when he left, Nikki.

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Speaker 1: But we got to go back to that you shot,

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Speaker 1: you were shooting, you shot again. You see those pictures

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Speaker 1: and he was like, no, no, I'm gonna be honest

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Speaker 1: and I'm not gonna lie. And it's like I'm not

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Speaker 1: doing nothing for attention or hating or not like it was.

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Speaker 1: Those were some amazing pictures and I used to really

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Speaker 1: want her to take pictures like that for me, So

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Speaker 1: you know what I'm saying. That's why I just was like,

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Speaker 1: wow her, we were inspired too, you want to see Look,

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Speaker 1: I'm sure you were inspired by whatever. Has no idea

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Speaker 1: what you're about to see. The Breakfast Club broke the Internet.

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Speaker 1: WoT me look at the lot MB space is the

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Speaker 1: worst one I know. But that looks like it matches

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Speaker 1: you a little bit, right, actually looks the most real.

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Speaker 1: Yeah it does a perfect No yours does. But shout

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Speaker 1: out to bear the human and now we're all. Now,

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Speaker 1: you were trying to shoot your shot because you could

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Speaker 1: have kept the tea, you guys, this has nothing to

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Speaker 1: do with the donuts. You're right, You're right, you're right.

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Speaker 1: But you want Nicky back though, Look you thought about back. No,

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Speaker 1: of course I still care about her. No, no, no, no,

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Speaker 1: if you want her back, you do. You wouldn't have

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Speaker 1: shout to your shot shot. I just was saying, you

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Speaker 1: would shooting what I was saying about the pictures, what

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Speaker 1: everybody else said. You know what I'm saying. So I

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Speaker 1: just looking, No, you were shooting the way y'all shred fights.

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Speaker 1: I have a feeling that y'all too kind of speak

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Speaker 1: to each other a little bit with some some tragedies

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Speaker 1: in the family. That's unfortunate. Have you seen her Texas?

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Speaker 1: Sorry about your brother or anything like that? Nom, How

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Speaker 1: do you feel about that situation? Safari? It's just it's

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Speaker 1: crazy because I know everyone involved. So it's just something

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Speaker 1: that I would have never ever thought in a million years, Yeah,

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Speaker 1: would actually happened. You know what I'm saying. Yeah, I'm

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Speaker 1: sure no. One wouldn't have thought something like that. It's

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Speaker 1: just crazy when you know the people. So it's just like,

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Speaker 1: I can't even wrap your brain around. You don't call

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Speaker 1: nobody from that side. No, you don't call you to

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Speaker 1: visit him the other day, And I know what, I

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Speaker 1: gotta be tough to even go in the system to

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Speaker 1: see him. Oh, I didn't know he's in jail. Ye guilty. Oh,

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Speaker 1: I didn't know he was. I didn't know he was

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Speaker 1: in jail. I mean, I don't know. I thought I

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Speaker 1: read that to it, they said, Nikki when they go

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Speaker 1: see him, Oh, I didn't know that. We got more

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Speaker 1: with Safari when we come back, don't move. It's to

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Speaker 1: breakfast club. Good morning, the Breakfast Club. Everybody is DJ

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Speaker 1: Envy Angela Ye Charlomagne, the guy we all the breakfast club.

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Speaker 1: We got Safari in the building. What do you think

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Speaker 1: of Meek Milk being sentenced to the four years? It's

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Speaker 1: under my business, okay for a cold volume one is

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Speaker 1: dropping this money. I don't care what you say, Charlomagne.

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Speaker 1: I'm so nice Charlomagne. I'm not even gonna beg him

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Speaker 1: on ask him because when I drop it, you're gonna

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Speaker 1: hear him and be like, but have historically listen to

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Speaker 1: your music and give you back. On my first project,

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Speaker 1: Charlotte Agne was my intro for my first mixtap, And

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Speaker 1: what do he say about it? Though I don't remember

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Speaker 1: what I said, he supported it. It don't matter. He

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Speaker 1: was a part of it, soul. But I'm also giving

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Speaker 1: your real feedback on your music. He definitely does you

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Speaker 1: know what I'm saying. But whold lord. By the time

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Speaker 1: my new song Paradise to Sean Kinston, it just hit

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Speaker 1: a million, just hit a million. He was on YouTube.

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Speaker 1: What that means? I'm independent? Boy? What you mean? What

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Speaker 1: that means? I get a million views? Give me give

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Speaker 1: me my props? Yeah, yeah, I got first. I got

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Speaker 1: to hear it first. Now I won't say this. So far,

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Speaker 1: You're not as whack as people try to make you

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Speaker 1: out to be. Thank you. I'm not yet one of

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Speaker 1: those people. Yeah, what is this live? Yeah, but you gotta.

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Speaker 1: I'm gonna let my fans cuss you out, Charlomagne. They

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Speaker 1: hate you, they do you got Yeah, I'm gonna show

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Speaker 1: what I'm happening. Charlomagne, the god him. You know what

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Speaker 1: I'm saying. I'm on SBS Live right now. My name

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Speaker 1: is Safari. Oh my bad. Safari's live right now. Charlomagne

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Speaker 1: got good skin, so he acts a real different I'm

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Speaker 1: one of the best rappers in the world or not

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Speaker 1: volume on Spotify, and I that this is the thing

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Speaker 1: so far you had listen. By the way, By the way,

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Speaker 1: I always say so far as that as whack as

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Speaker 1: people make them seem. But when you talk like that

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Speaker 1: that you're the best in the way, that's when we

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Speaker 1: start being like, all right, so far as sim of

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Speaker 1: that good. If I don't believe in me, who will,

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Speaker 1: just like y'all don't believe in me? I believe it

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Speaker 1: is sixteen right now? Then, yo, sim Simo, who got there?

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Speaker 1: He says that on Paradise, Yes, I thought you never

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Speaker 1: heard the song. Shot me right, I said, I never

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Speaker 1: heard the slung. I'm not trying here for a coat.

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Speaker 1: Heard it because I watched the video sixteen for the people. Man. Look,

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Speaker 1: I'm feeling lyrical and biblical sitting up on my pitos.

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Speaker 1: So no matter how you see it, I'm the pinnacle.

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Speaker 1: It's pitiful. You were imbecile. If you try to make

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Speaker 1: it physical, you end up critical. I think it's a

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Speaker 1: bliminal you not no criminal. Seeotypical. No, see me, I'm invisible. Okay,

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Speaker 1: I'm switching up the pattern. Stamina spasm, comebat. I'm a

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Speaker 1: really flattened, filing assassin. Got God on my side, Christ

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Speaker 1: with a passion, A bunch of mad ex bitches. Fatal

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Speaker 1: attraction feeding y'all bullsh that's a distraction, ripping on any beat,

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Speaker 1: that's an adaption. I'm running out of breath. I'm bringing

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Speaker 1: it back in. Mean my money upfront. Don't deal with

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Speaker 1: a back in your pocket sort of dyeing. I'm calling

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Speaker 1: you atkins. Nah, that ain't it, y'all. Listen, man, volume one,

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Speaker 1: You was too aggressive. Man, you too hype. No, because man,

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Speaker 1: that was a disc to be so hypful. Man, if

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Speaker 1: you listen to him and then you listen to Nikki

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Speaker 1: wrap you guys kind of wrapped the same love, saying

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Speaker 1: that I can't appreciate listen, by the way, hold on,

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Speaker 1: do you think that Nikki's fell off a little bit?

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Speaker 1: I saw you quoting one of her balls that you

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Speaker 1: quoted the ball was it? But you can't smoke with me.

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Speaker 1: You can't smoke lace blunt lunt? Was I like that verse? Actually? Yeah,

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Speaker 1: that was like to break it up as hard? Do

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Speaker 1: you know what I like the best? Far? He's a

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Speaker 1: good sport. Y'all be talking. So the guy determined it

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Speaker 1: was a very nice person, nice guy, but it should

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Speaker 1: be cool. Yeah, man, so far as the guy that's

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Speaker 1: determined to prove you wrong. Absolutely, I know. It's not

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Speaker 1: even about proof when you're wrong. It's just that I

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Speaker 1: got a family, and my family depends on me, and

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Speaker 1: I want to make my mom proud. I will say.

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Speaker 1: I will say this. I do like the fact that

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Speaker 1: you didn't go to the wayside once Nikki dumped you,

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Speaker 1: Like you didn't like the waist side. Yeah, like you

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Speaker 1: didn't just you didn't do the jo name. I don't

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Speaker 1: even remember. Like you went out there and you made

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Speaker 1: something of yourself. Charlayne, that's the first time you ever

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Speaker 1: said something positive to me. Thank you. It really because

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Speaker 1: he said the wayside like side, he didn't go to

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Speaker 1: the wayside. You know what? Yeah, you want to end

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Speaker 1: this for one more sixteen real quick listen, Charlottegayne Champagne.

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Speaker 1: His hair used to look like a ball for a

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Speaker 1: man campaign. I'm here with gold headphones, Charlotta Magne. Leave

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Speaker 1: me alone, going home as Spade. I'm gonna take a

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Speaker 1: deck a casse until they shot. People always tell me

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Speaker 1: don't come. They're like, yo, them guys are so nigga,

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Speaker 1: don't support you. But that's not true. You guys are fun.

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Speaker 1: You supported you more than us artists to be for real. Now,

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Speaker 1: y'all were the first people that ever give me a

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Speaker 1: big platform interview. That first interview I ever did with

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Speaker 1: y'all definitely changed everything that I did. But when when

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Speaker 1: you stuck to your tee one hundred times, that's when

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Speaker 1: I was really I was when I was drinking the

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Speaker 1: tea and that was like my first time. I didn't cry, y'all, no,

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Speaker 1: but he was like, buttery, did you try? When he

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Speaker 1: broke up? Seriously, cancer like me, so we sensitive and emotional, saying,

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Speaker 1: of course there's time YEA were together that long time,

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Speaker 1: and I realized, Joe, damn, it's really really old. Of

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Speaker 1: course there was times, you know, that feeling hit me.

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Speaker 1: But you know, I just wish outside of all of this.

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Speaker 1: It's messed up that we can't still be friends friends,

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Speaker 1: you know what I'm saying. And it's like I don't

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Speaker 1: need nothing from you. You know. It's not like, oh

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Speaker 1: I don't I don't need money or nothing, but it

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Speaker 1: just was I don't care how them So I don't

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Speaker 1: care how big you are, but we should We should

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Speaker 1: have still been able to be like yo, laugh about things.

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Speaker 1: And you know, I've tried listen, whether y'all know or not,

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Speaker 1: I've definitely tried to reach out and be like, yo,

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Speaker 1: you know what I'm saying, let's speak because I don't

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Speaker 1: want to be what she said back in return? It

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Speaker 1: was nothing back in return. You know what. Sometimes to

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Speaker 1: take a few years, though, like you gotta let a

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Speaker 1: lot of time pass when there's like no feelings at all,

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Speaker 1: and boys got deeper, she said. Sometimes I say sometimes

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Speaker 1: it takes a few years to be able to be

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Speaker 1: is she really wouldn't. Are they really together? That's what

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Speaker 1: I'm saying. I don't. Honestly, I don't listen to other

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Speaker 1: people's music. And you need to know I listened to myself.

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Speaker 1: I can't because I'm not gonna let anybody else influence me.

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Speaker 1: So I listened to myself. I got bars on NICs.

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Speaker 1: I don't need to listen to other people. I'm listening

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Speaker 1: to His fur Coat Volume one. Here you go now

398
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Speaker 1: on Spotify and youtubes. I'm gonna doctor anything else different. True,

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Speaker 1: all right, so far? True your mind? All right? We

400
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Speaker 1: have money too. The Breakfast Club, y'all more than everybody is.

401
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Speaker 1: DJ Envy and Julu Yee, Charlomagne the guy. We all

402
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Speaker 1: the Breakfast Club. We got some special guests in the building. Yes,

403
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Speaker 1: sir Duel, Yeah, what's up my brothers. No Cisco has

404
00:21:11,600 --> 00:21:12,920
Speaker 1: been here. I feel like y'all been here, but you've

405
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Speaker 1: been here before. No, just Cisco. First time to Breakfast Club.

406
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Speaker 1: Now you got a Christmas album out, yea, let's start there.

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Speaker 1: Christmas in Baltimore, Okay, you know, first Christmas album ever

408
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Speaker 1: after you know, twenty years and were just the fans

409
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Speaker 1: kept asking us from music and we couldn't let it

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Speaker 1: go and every year, so we wanted to make sure

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Speaker 1: we gained something special this hit. Is there money in

412
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Speaker 1: these Christmas albums? That's a good question, used to guess,

413
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Speaker 1: we'll see you know when you do these Christmas songs, ever,

414
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Speaker 1: do you have to like because is that just out

415
00:21:48,000 --> 00:21:49,919
Speaker 1: there for anybody to be able to use like public

416
00:21:50,160 --> 00:21:52,320
Speaker 1: or do you have to get things cleared? There are

417
00:21:52,400 --> 00:21:55,480
Speaker 1: some public domain songs, but um, we only we only

418
00:21:55,520 --> 00:21:59,880
Speaker 1: did one remake and that was UM Solid Night from

419
00:22:00,040 --> 00:22:04,040
Speaker 1: Um the Temptations because for me, like, it's not Christmas

420
00:22:04,119 --> 00:22:07,040
Speaker 1: unless I hear um, you know all I want from

421
00:22:07,119 --> 00:22:10,600
Speaker 1: Christmas from Mariah Carry and sat a Night from the

422
00:22:10,720 --> 00:22:15,159
Speaker 1: Temptations and we wasn't going to sing Mariot songs, so

423
00:22:15,560 --> 00:22:18,199
Speaker 1: we went for that. The craziest part is is um

424
00:22:18,280 --> 00:22:19,960
Speaker 1: shout the theater. She was like, you don't have any

425
00:22:20,040 --> 00:22:22,280
Speaker 1: Christmas songs. I was like, all I have is the

426
00:22:22,359 --> 00:22:25,919
Speaker 1: Temptations Christmas in high let's run the MC right right

427
00:22:26,000 --> 00:22:28,280
Speaker 1: and Mariah Carry I was like, there's no more Christmas songs,

428
00:22:28,840 --> 00:22:31,640
Speaker 1: No boys a man boys. They had a Christmas album

429
00:22:33,920 --> 00:22:41,600
Speaker 1: you gotta do, but it was like, nobody makes Christmas

430
00:22:41,640 --> 00:22:44,440
Speaker 1: songs and Christmas albums and so why did your guys

431
00:22:44,480 --> 00:22:49,520
Speaker 1: decide to do it just for that reason right there? Yeah, exactly, Yeah,

432
00:22:49,520 --> 00:22:50,959
Speaker 1: you know what I mean. We made you know, all

433
00:22:51,000 --> 00:22:53,440
Speaker 1: the other albums that you know we did, so you know,

434
00:22:53,680 --> 00:22:57,200
Speaker 1: before we got into did proper Drew Hill albums like

435
00:22:57,359 --> 00:23:00,960
Speaker 1: you know, let's not let another year go pass, had

436
00:23:01,000 --> 00:23:03,200
Speaker 1: people asking this, when when we're gonna hear y'all sings?

437
00:23:03,920 --> 00:23:06,280
Speaker 1: And after this, you guys have another album coming out

438
00:23:06,400 --> 00:23:08,919
Speaker 1: right us. Yeah, so this is kind of the setup

439
00:23:08,960 --> 00:23:11,639
Speaker 1: for that. Yes. First of all, I want to salute

440
00:23:11,680 --> 00:23:13,440
Speaker 1: the y'all for creating one of the greatest moments in

441
00:23:13,600 --> 00:23:16,639
Speaker 1: radio history. When I was a young radio lad, I

442
00:23:16,760 --> 00:23:20,840
Speaker 1: watched y'all on w R Hugh in Baltimore and you know,

443
00:23:21,000 --> 00:23:28,480
Speaker 1: you guys reunited in the moment God told what he no,

444
00:23:28,720 --> 00:23:33,119
Speaker 1: this is what I wouldn't want you to do, headphones

445
00:23:33,200 --> 00:23:35,440
Speaker 1: down and said you could have told us this yesterday,

446
00:23:35,640 --> 00:23:38,359
Speaker 1: and then the video cuts with no Kiyo swinging that wardy.

447
00:23:38,400 --> 00:23:43,000
Speaker 1: I was like, this is amazing. Wait, before the internet

448
00:23:43,080 --> 00:23:45,719
Speaker 1: was really a thing thing, Well, me and Nooke already

449
00:23:45,760 --> 00:23:48,040
Speaker 1: fought right before this album started, So we got you.

450
00:23:48,119 --> 00:23:52,960
Speaker 1: You don't remember that. No, no, no, no, he's talking

451
00:23:52,960 --> 00:23:58,680
Speaker 1: about like the process Christians. The first day, you know,

452
00:23:58,800 --> 00:24:03,320
Speaker 1: we got under with Drew Hill Entertainment and and and Empire.

453
00:24:03,440 --> 00:24:06,240
Speaker 1: So we're sitting with the people from Empire and they

454
00:24:06,359 --> 00:24:09,240
Speaker 1: playing records and you know, it was just a moment

455
00:24:09,280 --> 00:24:11,520
Speaker 1: where it was like, look, man, we're not doing nothing

456
00:24:11,600 --> 00:24:14,200
Speaker 1: we ever did before. And you know, we got into

457
00:24:14,240 --> 00:24:15,920
Speaker 1: it in front of it. You know, it was you know,

458
00:24:15,960 --> 00:24:18,119
Speaker 1: I went and sat outside. Everybody calmed down. You know,

459
00:24:18,160 --> 00:24:19,800
Speaker 1: we talked about it. But that's just it. That's just

460
00:24:19,920 --> 00:24:22,520
Speaker 1: the passion. Man. It's like one. I mean, they weren't

461
00:24:22,560 --> 00:24:25,240
Speaker 1: really it wasn't really it wasn't really like it wasn't

462
00:24:25,280 --> 00:24:28,359
Speaker 1: it wasn't physical or it was a little different, just

463
00:24:28,440 --> 00:24:32,119
Speaker 1: a little used to fight every day at rehearsal and

464
00:24:32,200 --> 00:24:35,040
Speaker 1: then one day to get on my nerves. One day,

465
00:24:35,200 --> 00:24:37,440
Speaker 1: Jazz is like, if y'all keep this up, I'm with

466
00:24:37,560 --> 00:24:40,879
Speaker 1: both y'all. So, I mean I kept going though and

467
00:24:42,280 --> 00:24:44,840
Speaker 1: y'all old and now y'all swingle points you like, I'm tired, man.

468
00:24:50,080 --> 00:24:53,000
Speaker 1: I mean you may generation where you fight with your friends.

469
00:24:53,040 --> 00:24:55,000
Speaker 1: The next day, y'all, Dad, like you make the point.

470
00:24:55,080 --> 00:24:57,040
Speaker 1: And then it's over with. You know, it's not nothing

471
00:24:57,080 --> 00:24:58,879
Speaker 1: that's in the fan with the music or nothing like that.

472
00:24:59,040 --> 00:25:01,280
Speaker 1: That moment in Baltimore, though, how did y'all get to

473
00:25:01,359 --> 00:25:04,159
Speaker 1: the point of reconciliation. Let's bring the group back? And

474
00:25:04,240 --> 00:25:06,560
Speaker 1: then Woody in that moment, you like, I gotta I

475
00:25:06,560 --> 00:25:16,879
Speaker 1: don't want to be here. Well, was drinking the night before? No,

476
00:25:17,040 --> 00:25:19,960
Speaker 1: I mean for real, like you never know where people

477
00:25:20,040 --> 00:25:23,159
Speaker 1: are in life. And we we we came back, you know,

478
00:25:23,400 --> 00:25:26,200
Speaker 1: after taking a lot of time and you know, figuring

479
00:25:26,320 --> 00:25:28,960
Speaker 1: what we really wanted to do, and so it was

480
00:25:29,080 --> 00:25:31,159
Speaker 1: just for it that happened so fast with like no

481
00:25:31,400 --> 00:25:35,320
Speaker 1: real discussion after you know, it was a commitment made.

482
00:25:35,359 --> 00:25:37,440
Speaker 1: It was things that you know, people were doing the

483
00:25:37,560 --> 00:25:39,719
Speaker 1: move around and you know, be able to actually make

484
00:25:39,760 --> 00:25:41,680
Speaker 1: it happen. And then all of a sudden, you know like,

485
00:25:41,920 --> 00:25:43,720
Speaker 1: oh man, I don't want to do it again. So

486
00:25:44,040 --> 00:25:46,600
Speaker 1: you know that that one but he said God though,

487
00:25:47,000 --> 00:25:52,720
Speaker 1: I mean he said God the first time too. I'm

488
00:25:52,800 --> 00:25:55,159
Speaker 1: just saying I mean, like it's it's it's what he is,

489
00:25:55,200 --> 00:25:57,560
Speaker 1: our brother like everybody else. And you know, it was

490
00:25:57,600 --> 00:26:00,159
Speaker 1: a moment in time. It didn't go past that. It

491
00:26:00,240 --> 00:26:01,879
Speaker 1: was like, man, if I see you on the street,

492
00:26:01,920 --> 00:26:03,800
Speaker 1: you know whatever. It was nothing like that. It was

493
00:26:03,880 --> 00:26:06,680
Speaker 1: just what it was. It was the expression of you

494
00:26:06,760 --> 00:26:09,680
Speaker 1: know what happens when things like that happened sometimes. I'm

495
00:26:09,680 --> 00:26:11,639
Speaker 1: sure you guys have a lot of behind the scenes stories,

496
00:26:11,680 --> 00:26:14,280
Speaker 1: like before you're about to perform and something crazy happens

497
00:26:15,119 --> 00:26:19,359
Speaker 1: and then flip the tables over on this stuff. He

498
00:26:20,040 --> 00:26:24,159
Speaker 1: note was notorious and not a trast for like, just

499
00:26:24,400 --> 00:26:30,960
Speaker 1: re record the room like y'all video on our video

500
00:26:31,040 --> 00:26:34,360
Speaker 1: I Love you where you like see him like trash man,

501
00:26:34,760 --> 00:26:38,680
Speaker 1: I actually do that. That was real footage, that real

502
00:26:38,800 --> 00:26:41,879
Speaker 1: note man from another time. Don't ever get tired of

503
00:26:41,960 --> 00:26:44,200
Speaker 1: each other like you've been now. I mean, it's like

504
00:26:47,080 --> 00:26:50,040
Speaker 1: I mean, the thing about it, it's like you don't

505
00:26:50,080 --> 00:26:52,399
Speaker 1: always like each other, but we love each other. Man,

506
00:26:52,480 --> 00:26:55,080
Speaker 1: We've been through too much to let little stuff. It's

507
00:26:55,080 --> 00:26:57,240
Speaker 1: like I said, it's express in the moment, I'm gonna

508
00:26:57,320 --> 00:26:59,520
Speaker 1: let you understand where I am. And then after that

509
00:26:59,600 --> 00:27:01,600
Speaker 1: that's it. We're gonna go jump on stage and we're

510
00:27:01,640 --> 00:27:03,639
Speaker 1: gonna make this music. Do you'll have to make new

511
00:27:03,720 --> 00:27:06,080
Speaker 1: music or y'all can just talk you old? I mean,

512
00:27:06,200 --> 00:27:11,520
Speaker 1: the reality is making new music helps with you know,

513
00:27:11,760 --> 00:27:15,280
Speaker 1: being on the road and being visible. But at the

514
00:27:15,359 --> 00:27:17,639
Speaker 1: same time we were like one of the last groups

515
00:27:17,680 --> 00:27:20,720
Speaker 1: of artists that really had artists development and that you know,

516
00:27:20,800 --> 00:27:22,960
Speaker 1: the purpose was to teach you to be in the

517
00:27:23,080 --> 00:27:25,440
Speaker 1: industry as long as you wanted to be in it. So,

518
00:27:25,720 --> 00:27:28,000
Speaker 1: I mean we're on the road every week, we all

519
00:27:28,080 --> 00:27:31,040
Speaker 1: over the world, and you know, even before you know

520
00:27:31,280 --> 00:27:35,480
Speaker 1: having this situation with Empire, we've just been on the

521
00:27:35,600 --> 00:27:37,960
Speaker 1: road doing what we do, you know. I mean that's

522
00:27:37,960 --> 00:27:40,080
Speaker 1: because that's really where it started with especially with us

523
00:27:40,119 --> 00:27:42,399
Speaker 1: with radio. It was like people heard the record, but

524
00:27:42,480 --> 00:27:44,879
Speaker 1: it wasn't until they started performed and it was like

525
00:27:45,040 --> 00:27:47,200
Speaker 1: o okay, like they did it for real. So we

526
00:27:47,359 --> 00:27:49,440
Speaker 1: try to stay that first because that's what you know,

527
00:27:49,560 --> 00:27:52,800
Speaker 1: grabs the people before anything else. Or yep, they realized

528
00:27:52,840 --> 00:27:55,160
Speaker 1: we wasn't a fake Joe to see we were Drew Hill,

529
00:27:55,280 --> 00:28:00,200
Speaker 1: damn it. But you guys were so inspired by to

530
00:28:00,280 --> 00:28:02,680
Speaker 1: sound like look, yeah, look, you can't understand like the

531
00:28:02,960 --> 00:28:05,840
Speaker 1: like you know, being friends with them and you know,

532
00:28:06,040 --> 00:28:09,240
Speaker 1: mentor them being mentors and everything. But when the day

533
00:28:09,359 --> 00:28:11,960
Speaker 1: came that they finally like asked us to come out

534
00:28:12,000 --> 00:28:14,399
Speaker 1: on stage and liked the Jody See set with them

535
00:28:14,520 --> 00:28:16,040
Speaker 1: and we got to sing all the songs that we

536
00:28:16,119 --> 00:28:18,680
Speaker 1: were singing in high school. Like that was like all right, cool,

537
00:28:18,760 --> 00:28:21,320
Speaker 1: Like what's your original group name? Inspired by Joda C.

538
00:28:21,720 --> 00:28:27,320
Speaker 1: Yeah it was Legacy. Yeah, ye had high and you

539
00:28:27,600 --> 00:28:30,360
Speaker 1: were trying you know, we bore the boots and card

540
00:28:34,200 --> 00:28:37,119
Speaker 1: you know what I mean. No, no, somebody labels like

541
00:28:37,280 --> 00:28:39,360
Speaker 1: we were doing tell me and like somebody really Like

542
00:28:39,440 --> 00:28:40,920
Speaker 1: we were trying to figure out the name and they

543
00:28:40,960 --> 00:28:45,520
Speaker 1: were like, what about it? Together, brothers, it was like no, no, no,

544
00:28:46,360 --> 00:28:48,120
Speaker 1: but it Drew Hill, like the name of y'all street

545
00:28:48,200 --> 00:28:52,160
Speaker 1: or someone. It's like Druid Hill Park and it's um,

546
00:28:52,400 --> 00:28:55,160
Speaker 1: you know, it's a street also, but nobody says Druid

547
00:28:55,240 --> 00:28:57,440
Speaker 1: Hill like I'm going to Druid Hills, like going up

548
00:28:57,520 --> 00:28:59,680
Speaker 1: drew Hill Park. So, you know, we wanted to just

549
00:29:00,080 --> 00:29:02,480
Speaker 1: that people know, especially being from Baltimore, you know that

550
00:29:02,680 --> 00:29:04,440
Speaker 1: no matter where we're going in the world, we always

551
00:29:04,520 --> 00:29:06,440
Speaker 1: love where we come from. We don't never forget about that.

552
00:29:06,760 --> 00:29:08,320
Speaker 1: We got more with Drew Hill when we come back.

553
00:29:08,440 --> 00:29:10,680
Speaker 1: Keep it locked as the Breakfast Club, Good Morning, The

554
00:29:10,920 --> 00:29:17,920
Speaker 1: Breakfast Club wanted everybody as DJ Envy Angela yee, Charlomagne,

555
00:29:17,960 --> 00:29:19,760
Speaker 1: the guy. We are the breakfast club. We have Drew

556
00:29:19,880 --> 00:29:22,080
Speaker 1: Hill in the building. Charlomagne, Now, Jazz, where were you

557
00:29:22,160 --> 00:29:27,120
Speaker 1: when Cisco and Kyle was fighting? Hey? The group of

558
00:29:27,160 --> 00:29:29,960
Speaker 1: little bit you know? Man, where was you when? Hey? Hey? Man?

559
00:29:30,080 --> 00:29:31,960
Speaker 1: First of all, I think we were in the room

560
00:29:32,120 --> 00:29:35,440
Speaker 1: just chilling where he was at. We don't even know,

561
00:29:35,680 --> 00:29:42,080
Speaker 1: you know, walking around getting drunk, just me and him together.

562
00:29:43,040 --> 00:29:46,040
Speaker 1: T Yall came and broke it up. Got you You

563
00:29:46,120 --> 00:29:48,480
Speaker 1: and Kyle was already together hanging out. Yeah, we just rolling.

564
00:29:48,560 --> 00:29:55,120
Speaker 1: We were rolling around around. It seems like a mess.

565
00:29:55,160 --> 00:29:57,160
Speaker 1: I wanted to go use bathroom and in our room

566
00:29:57,200 --> 00:29:59,240
Speaker 1: and our room was locked, so he was like, come on,

567
00:29:59,720 --> 00:30:02,320
Speaker 1: you can use use the bathroom an hour room, and

568
00:30:02,640 --> 00:30:13,040
Speaker 1: you know it was everybody got the old dressing room

569
00:30:13,080 --> 00:30:16,640
Speaker 1: when you do when you're doing show at a certain caliber,

570
00:30:16,960 --> 00:30:20,040
Speaker 1: and I dressing room was a lot. The Drew Hill

571
00:30:20,120 --> 00:30:22,560
Speaker 1: dressing room was a lot, and NAS was not. Do

572
00:30:22,640 --> 00:30:25,120
Speaker 1: you remember what the conversation was that led to the fight. Nope,

573
00:30:26,840 --> 00:30:29,520
Speaker 1: Because you think R and B groups was fighting back then,

574
00:30:29,640 --> 00:30:33,760
Speaker 1: man to be groups like bad R and B groups

575
00:30:33,800 --> 00:30:38,080
Speaker 1: like these, ain't you like your B is like, look,

576
00:30:38,200 --> 00:30:39,720
Speaker 1: I mean a lot of times with me R and

577
00:30:39,800 --> 00:30:41,840
Speaker 1: B they got jack might be you know, more real

578
00:30:42,120 --> 00:30:43,720
Speaker 1: wrapper for real just you know what I mean, Like

579
00:30:44,080 --> 00:30:46,880
Speaker 1: you're always dealing with emotions and you know, I mean

580
00:30:46,960 --> 00:30:48,960
Speaker 1: we try not to, you know, we don't feel like

581
00:30:49,000 --> 00:30:50,840
Speaker 1: getting in trouble in like, dude, that's not like what

582
00:30:51,000 --> 00:30:52,760
Speaker 1: we see out to do, especially when you're trying to

583
00:30:52,840 --> 00:30:55,000
Speaker 1: sing a song to a girl about being in love.

584
00:30:55,120 --> 00:30:58,280
Speaker 1: But I mean sometimes that's just what happened. I'm feelical

585
00:30:58,320 --> 00:31:09,800
Speaker 1: upctions of your head, man, who it wasn't even really

586
00:31:09,840 --> 00:31:12,440
Speaker 1: a fight. They was like wrestling like, it wasn't even

587
00:31:12,960 --> 00:31:16,200
Speaker 1: it was like what you say to me. By time

588
00:31:16,280 --> 00:31:18,760
Speaker 1: I got Dad was just you know, tussling around. You

589
00:31:18,760 --> 00:31:20,480
Speaker 1: know what I mean. We're hard to break up. Nah

590
00:31:21,400 --> 00:31:25,880
Speaker 1: wind I mean not wind up, but people, I didn't

591
00:31:25,920 --> 00:31:31,720
Speaker 1: mean that. I didn't mean that. People. And then and

592
00:31:31,960 --> 00:31:36,400
Speaker 1: you know what I'm saying, just say, man, that's my man,

593
00:31:37,920 --> 00:31:41,320
Speaker 1: that's my man. It wasn't even it wasn't even like

594
00:31:41,480 --> 00:31:43,480
Speaker 1: a real fight. You know what I'm saying. It's all good,

595
00:31:43,560 --> 00:31:45,040
Speaker 1: you know what I mean. Did you have a drinking

596
00:31:45,080 --> 00:31:47,200
Speaker 1: problem back then? Cincool? I don't have a drinking not

597
00:31:47,480 --> 00:31:50,800
Speaker 1: at all. Well back then, no period never, that just

598
00:31:50,880 --> 00:31:54,480
Speaker 1: slipped out. I mean that I didn't. We were off work,

599
00:31:54,560 --> 00:31:58,880
Speaker 1: I was having was celebrating. We all get a drink

600
00:31:58,920 --> 00:32:02,680
Speaker 1: every now, right, literally like right after it we still

601
00:32:02,720 --> 00:32:04,920
Speaker 1: straight to day. Now we hear all these hardest stories

602
00:32:04,960 --> 00:32:10,680
Speaker 1: about yeah, like please, this is a funny moment, right,

603
00:32:11,840 --> 00:32:15,560
Speaker 1: you know what happened right or two drunk people was fighting.

604
00:32:17,000 --> 00:32:18,960
Speaker 1: Now we hear all these stories about bad deals that

605
00:32:19,160 --> 00:32:20,880
Speaker 1: artists had early on in their career. But you guys

606
00:32:20,920 --> 00:32:23,280
Speaker 1: did have some guidance and people that were helping you out.

607
00:32:23,600 --> 00:32:25,960
Speaker 1: So what was that like for y'all starting out getting

608
00:32:25,960 --> 00:32:28,640
Speaker 1: your first deal? We had bad deals too, for real.

609
00:32:28,720 --> 00:32:30,520
Speaker 1: I mean like I mean we put it like this.

610
00:32:30,760 --> 00:32:36,200
Speaker 1: You learned something that's called industry standard, which means like

611
00:32:36,360 --> 00:32:38,440
Speaker 1: we're not going to take everything from you, but we're

612
00:32:38,480 --> 00:32:41,200
Speaker 1: gonna take a lot, but in return, we're gonna risk

613
00:32:41,280 --> 00:32:44,480
Speaker 1: ad there ends the dollars to put you out there

614
00:32:44,680 --> 00:32:48,360
Speaker 1: and you know, do everything else. So you know, starting out,

615
00:32:48,680 --> 00:32:50,240
Speaker 1: you know, you just like I want to be in it.

616
00:32:50,360 --> 00:32:52,960
Speaker 1: And then you know, luckily after that, that's when people

617
00:32:53,040 --> 00:32:55,480
Speaker 1: started coming and saying, hey, look, you guys ain't really

618
00:32:55,520 --> 00:32:57,360
Speaker 1: gotta do this. You guys don't really have to do that,

619
00:32:57,600 --> 00:33:00,320
Speaker 1: you know, And we just always stood for know what

620
00:33:00,440 --> 00:33:02,480
Speaker 1: we knew and what we believed. And we went in

621
00:33:02,520 --> 00:33:05,160
Speaker 1: the studio with baby Face the first time we recorded

622
00:33:05,200 --> 00:33:07,520
Speaker 1: with him, and he said, Man, all you gotta do

623
00:33:08,240 --> 00:33:10,680
Speaker 1: is outlive all the bad deals and then you could

624
00:33:10,680 --> 00:33:12,360
Speaker 1: do everything that you want to do. And I mean,

625
00:33:12,480 --> 00:33:15,000
Speaker 1: like for real, we've been through everything that you could

626
00:33:15,040 --> 00:33:17,960
Speaker 1: go through in his business. And we started we were kids,

627
00:33:18,160 --> 00:33:21,120
Speaker 1: like you know, like kids kids like no none of

628
00:33:21,200 --> 00:33:23,800
Speaker 1: this facial head like nothing is like just come in

629
00:33:23,840 --> 00:33:26,120
Speaker 1: and here, fresh out of Baltimore and just wanted to

630
00:33:26,240 --> 00:33:29,239
Speaker 1: make it, you know, like we wanted like I mean,

631
00:33:29,360 --> 00:33:30,880
Speaker 1: like for real, like we were the kids that were

632
00:33:30,920 --> 00:33:33,360
Speaker 1: really like happy to be here. We shook everybody's hand

633
00:33:33,360 --> 00:33:35,120
Speaker 1: and it's like, hey, you know, like Drew Hood, they

634
00:33:35,160 --> 00:33:37,680
Speaker 1: don't drink, they don't do anything, you know, but you know,

635
00:33:38,000 --> 00:33:40,160
Speaker 1: after a while, people you know, just try to take

636
00:33:40,160 --> 00:33:42,640
Speaker 1: advantage of you, and you know, you just gotta let

637
00:33:42,720 --> 00:33:44,240
Speaker 1: him know, like man, we're here to states who We're

638
00:33:44,240 --> 00:33:49,280
Speaker 1: gonna figure it out. And yeah, I mean like because

639
00:33:49,320 --> 00:33:51,400
Speaker 1: it was like five, I didn't know split a penny

640
00:33:51,480 --> 00:33:54,800
Speaker 1: until our first it was it was like five years,

641
00:33:55,480 --> 00:33:57,440
Speaker 1: you know, before we had our first deal that we

642
00:33:57,520 --> 00:33:59,480
Speaker 1: were together. So we were going back and forth to

643
00:33:59,600 --> 00:34:02,720
Speaker 1: the how we were going to meet Jimmy Ivin and

644
00:34:03,080 --> 00:34:06,200
Speaker 1: you know, California and people setting up meetings like we

645
00:34:06,280 --> 00:34:08,239
Speaker 1: did the whole thing, like people knew who we were.

646
00:34:08,320 --> 00:34:11,160
Speaker 1: We just didn't have that opportunity. And we actually got

647
00:34:11,239 --> 00:34:14,359
Speaker 1: the opportunity on the last day that we were going

648
00:34:14,400 --> 00:34:17,480
Speaker 1: to be together, like the production company head called and say, look,

649
00:34:17,560 --> 00:34:19,719
Speaker 1: take this meeting in New York. If it don't work out,

650
00:34:19,760 --> 00:34:21,600
Speaker 1: I'll let y'all out to our contract because our mothers

651
00:34:21,640 --> 00:34:23,319
Speaker 1: on trying to hear a singing out making no money.

652
00:34:23,680 --> 00:34:25,680
Speaker 1: And you know, we came up here. They told us, look,

653
00:34:25,719 --> 00:34:27,799
Speaker 1: if you they played us, tell me. They said, if

654
00:34:27,800 --> 00:34:29,800
Speaker 1: you sing back the hook to us in fifteen minutes,

655
00:34:29,840 --> 00:34:32,160
Speaker 1: you have a song out. In thirty days. They left out.

656
00:34:32,200 --> 00:34:34,160
Speaker 1: They came back, we're singing. The song was down the

657
00:34:34,200 --> 00:34:35,800
Speaker 1: hip factory that they ain't there no more in the

658
00:34:35,880 --> 00:34:37,960
Speaker 1: big room. As soon as we finished singing that, they

659
00:34:38,000 --> 00:34:39,760
Speaker 1: opened up that door and they put us in the studio.

660
00:34:39,960 --> 00:34:42,120
Speaker 1: That song out thirty days later, no paperwork. It was

661
00:34:42,160 --> 00:34:48,200
Speaker 1: a HANDSHAKEE. Look, I give y'all this song high Room Hicks. No,

662
00:34:48,239 --> 00:34:49,759
Speaker 1: I mean hi, imin't get all the money now, And

663
00:34:49,800 --> 00:34:51,440
Speaker 1: I mean, look, we aren't gonna get into all of

664
00:34:51,480 --> 00:34:53,320
Speaker 1: that how that went down. I'm just saying that, like

665
00:34:53,480 --> 00:34:56,399
Speaker 1: we learned a great lesson early on, Like we got

666
00:34:56,640 --> 00:34:59,160
Speaker 1: the guys, we got people that gave us opportunities, we

667
00:34:59,239 --> 00:35:01,400
Speaker 1: got to produce on our first album, you know, all

668
00:35:01,480 --> 00:35:03,239
Speaker 1: that stuff. But at the same time, we got to

669
00:35:03,280 --> 00:35:06,040
Speaker 1: see the bad side of it. And because of that,

670
00:35:06,200 --> 00:35:08,960
Speaker 1: we always stayed insulated because we ain't come from nobody's

671
00:35:08,960 --> 00:35:11,480
Speaker 1: team when come. We don't get invited to none of

672
00:35:11,520 --> 00:35:14,000
Speaker 1: the reunions, you know, when no record companies get together,

673
00:35:14,000 --> 00:35:15,759
Speaker 1: because we weren't a part of that. We're just from

674
00:35:15,840 --> 00:35:18,279
Speaker 1: kids from Baltimore that knew we could sing and knew

675
00:35:18,320 --> 00:35:20,319
Speaker 1: we could be better than anybody that was out there.

676
00:35:20,400 --> 00:35:22,759
Speaker 1: And we just spent the last twenty years proving that

677
00:35:22,840 --> 00:35:25,400
Speaker 1: the people. When y'all start making money, I mean honestly,

678
00:35:25,520 --> 00:35:28,520
Speaker 1: probably like two like two years later, like two years

679
00:35:28,640 --> 00:35:30,440
Speaker 1: later after we first started, Like you know, you started

680
00:35:30,480 --> 00:35:33,160
Speaker 1: out first, you made like see, we started making money

681
00:35:33,200 --> 00:35:35,480
Speaker 1: in high school, so like we would like you know,

682
00:35:35,640 --> 00:35:38,319
Speaker 1: be able to go shopping at the school and everybody like, oh,

683
00:35:38,640 --> 00:35:40,399
Speaker 1: you know whatever, I was a new kid. What I'm saying,

684
00:35:40,520 --> 00:35:42,640
Speaker 1: you out and then with the Jesus peace, but it

685
00:35:42,760 --> 00:35:47,600
Speaker 1: was thin, you know. And then you know they gave us,

686
00:35:47,719 --> 00:35:50,400
Speaker 1: you know, like like we had um, you know, a

687
00:35:50,520 --> 00:35:52,799
Speaker 1: deal where we made money for records that we did

688
00:35:52,920 --> 00:35:54,960
Speaker 1: for the album. So you know, we slowly but surely

689
00:35:55,160 --> 00:35:56,800
Speaker 1: you know, made then you get to show money to

690
00:35:57,080 --> 00:36:00,520
Speaker 1: beginning of it whatever. But it wont until like that

691
00:36:00,800 --> 00:36:04,320
Speaker 1: right after that second album hit and we were like

692
00:36:04,680 --> 00:36:07,640
Speaker 1: all over the world, like you know, we like in London,

693
00:36:07,760 --> 00:36:09,640
Speaker 1: y'all gotta come back to it Seawan, New York to night.

694
00:36:09,680 --> 00:36:12,120
Speaker 1: Then we're gonna go to Africa and you know, without

695
00:36:12,160 --> 00:36:14,120
Speaker 1: else and y'all gonna sit with man dollar. And then

696
00:36:14,200 --> 00:36:17,160
Speaker 1: it was like holy man, Like you know, you're just

697
00:36:17,280 --> 00:36:19,840
Speaker 1: walking around women like you're like when you're young. So

698
00:36:19,960 --> 00:36:22,160
Speaker 1: it's like you get the money they get you at

699
00:36:22,200 --> 00:36:24,920
Speaker 1: the show and you're just like all right, whatever thing,

700
00:36:25,000 --> 00:36:26,880
Speaker 1: you got the money that goes to your accounting and

701
00:36:27,040 --> 00:36:28,800
Speaker 1: you know whatever else, so you know, you just like

702
00:36:29,400 --> 00:36:31,320
Speaker 1: you have fun. But you know, like I said, we

703
00:36:31,520 --> 00:36:33,680
Speaker 1: like I was always like all right, cool. We're gonna

704
00:36:33,680 --> 00:36:35,560
Speaker 1: figure out this business thing, you know, no matter how

705
00:36:35,640 --> 00:36:39,000
Speaker 1: long you're taking. Everybody just found a way to make

706
00:36:39,080 --> 00:36:41,200
Speaker 1: us just insulated where you know, we could kind of

707
00:36:41,239 --> 00:36:43,040
Speaker 1: just do it all ourselves and you know, figure it

708
00:36:43,120 --> 00:36:45,040
Speaker 1: out and not be like hurt for real. All right,

709
00:36:45,040 --> 00:36:46,600
Speaker 1: we got more with Drew Hill when we come back.

710
00:36:46,719 --> 00:36:48,640
Speaker 1: Keep a lot as the Breakfast Club go Morning Morning.

711
00:36:48,680 --> 00:36:52,160
Speaker 1: Everybody in dj N v Angela yee, Charlomagne, the guy

712
00:36:52,239 --> 00:36:54,080
Speaker 1: we all the Breakfast Club. We have Drew Hill in

713
00:36:54,120 --> 00:36:56,960
Speaker 1: the building, Charlomagne. Now. Now, when it came to Cisco

714
00:36:57,080 --> 00:37:00,600
Speaker 1: wanting to go solo, I didn't I want to go solo,

715
00:37:00,680 --> 00:37:03,480
Speaker 1: but the label pushed that they didn't want it either.

716
00:37:03,880 --> 00:37:07,120
Speaker 1: Nobody really wanted it. I wanted to. I always wanted

717
00:37:07,120 --> 00:37:09,800
Speaker 1: to be the best Jodo See that we could be

718
00:37:10,320 --> 00:37:12,920
Speaker 1: or Joda See slash boys demand. I mean, if you

719
00:37:13,040 --> 00:37:15,960
Speaker 1: kind of merge boys and men and Jody See, I

720
00:37:16,000 --> 00:37:17,800
Speaker 1: feel like you kind of get I guess kind of

721
00:37:17,840 --> 00:37:19,960
Speaker 1: what Drew Hill is. We got like a little bit

722
00:37:20,000 --> 00:37:22,160
Speaker 1: of that rough sound. But then we still could sing

723
00:37:22,280 --> 00:37:25,120
Speaker 1: songs that Joda See would never sing, but boys the

724
00:37:25,160 --> 00:37:27,719
Speaker 1: men maybe could sing, and vice versa. So that was

725
00:37:27,800 --> 00:37:31,120
Speaker 1: all tell you he never wanted to go no. I mean, look,

726
00:37:31,120 --> 00:37:34,000
Speaker 1: I'm gonna let him tell the story. And then I

727
00:37:34,160 --> 00:37:38,640
Speaker 1: culminatedn't you never wanted to be solo? If that was

728
00:37:38,800 --> 00:37:42,280
Speaker 1: if I had opportunities to be a solo artist before

729
00:37:42,400 --> 00:37:44,759
Speaker 1: we even decided we wanted to be a group. So

730
00:37:44,880 --> 00:37:47,640
Speaker 1: how did it happen? You know, look has his his

731
00:37:47,920 --> 00:37:53,839
Speaker 1: version of y'all not gonna fight you here right now. Look, look,

732
00:37:53,920 --> 00:37:56,400
Speaker 1: the reality of it is just like if you if

733
00:37:56,640 --> 00:37:59,160
Speaker 1: if you take out all the emotion in it with

734
00:37:59,440 --> 00:38:02,239
Speaker 1: none know while wild West and you know, everywhere. So

735
00:38:02,480 --> 00:38:04,840
Speaker 1: it was just like, you know, in hindsight, I probably

736
00:38:04,880 --> 00:38:08,080
Speaker 1: sold a lot who got that platinum black? You know

737
00:38:08,120 --> 00:38:10,279
Speaker 1: what I'm saying. Matter, So you know, it's like we

738
00:38:10,400 --> 00:38:13,120
Speaker 1: did the record, you know, highly Visible. We had the

739
00:38:13,280 --> 00:38:17,399
Speaker 1: MTV Movie Awards. MTV went to Cisco during the Wars

740
00:38:17,440 --> 00:38:19,279
Speaker 1: and he came to me. It was like, look, man,

741
00:38:19,680 --> 00:38:21,319
Speaker 1: MTV just said they want to give me a show,

742
00:38:21,400 --> 00:38:23,120
Speaker 1: and I don't know what it's gonna be about. They

743
00:38:23,120 --> 00:38:24,600
Speaker 1: don't even know the name of it. And you know,

744
00:38:24,800 --> 00:38:26,440
Speaker 1: in that moment, it's kind of like you could be

745
00:38:26,520 --> 00:38:29,600
Speaker 1: a hater and say no, man, we gotta do the group,

746
00:38:29,880 --> 00:38:32,879
Speaker 1: the group group group, or you could be like, for man,

747
00:38:33,080 --> 00:38:35,920
Speaker 1: up to this point out of produced all the records

748
00:38:35,960 --> 00:38:38,160
Speaker 1: that we did internally, and I can do this, so

749
00:38:38,520 --> 00:38:40,800
Speaker 1: I can do that. So you know, we took this

750
00:38:40,960 --> 00:38:42,799
Speaker 1: stand stuff. Okay, Well this is gonna be a time

751
00:38:42,800 --> 00:38:45,479
Speaker 1: where everybody gets a chance to go out and figure

752
00:38:45,480 --> 00:38:47,239
Speaker 1: out what they wanted to do and learn something else

753
00:38:47,280 --> 00:38:49,520
Speaker 1: and explore some other stuff. Because it's not like they

754
00:38:49,640 --> 00:38:51,920
Speaker 1: just left us out there, like we all had deals.

755
00:38:52,040 --> 00:38:55,280
Speaker 1: We are production deals and label deals and artist deals

756
00:38:55,320 --> 00:38:59,239
Speaker 1: and def Jam you know had done the Russia our

757
00:38:59,320 --> 00:39:01,799
Speaker 1: record with us, so they are they were already acclimated

758
00:39:01,840 --> 00:39:03,440
Speaker 1: with us, but they never got to do an album.

759
00:39:03,640 --> 00:39:05,600
Speaker 1: So it was like right at the time for us

760
00:39:05,680 --> 00:39:07,160
Speaker 1: to do an album with them, and then all of

761
00:39:07,200 --> 00:39:09,000
Speaker 1: a sudden, what he leaves? So they give us all

762
00:39:09,040 --> 00:39:11,600
Speaker 1: this stuff and we can't deliver what they paid for

763
00:39:12,120 --> 00:39:14,120
Speaker 1: for real, So it was just like, well what do

764
00:39:14,239 --> 00:39:17,280
Speaker 1: you do? So then the opportunity comes and it's like, okay,

765
00:39:17,360 --> 00:39:20,480
Speaker 1: this is something that's still keeping everybody's attention. You know

766
00:39:20,680 --> 00:39:23,800
Speaker 1: while I'm in the building, you know, producing and you know,

767
00:39:24,120 --> 00:39:26,719
Speaker 1: learning this and jazz is bringing people in or whatever.

768
00:39:26,840 --> 00:39:29,279
Speaker 1: So it's like people always like to try to look

769
00:39:29,320 --> 00:39:31,600
Speaker 1: at it like, oh man, Francisco went solo when y'all

770
00:39:31,719 --> 00:39:34,560
Speaker 1: was just like home, you know, doing whatever. But you

771
00:39:34,640 --> 00:39:36,840
Speaker 1: know it was really just like, all right, cool, this

772
00:39:37,040 --> 00:39:39,520
Speaker 1: is a time where if you so let's say, you

773
00:39:39,600 --> 00:39:41,640
Speaker 1: do got a bad attitude about it, It's like, well,

774
00:39:42,200 --> 00:39:43,759
Speaker 1: this is the time where I show that I could

775
00:39:43,800 --> 00:39:45,919
Speaker 1: do something to you. And that's really what it comes

776
00:39:45,960 --> 00:39:48,080
Speaker 1: down to you, you know, you know what I'm saying, Like,

777
00:39:48,280 --> 00:39:50,160
Speaker 1: you know, that's just that's just what it is. Or

778
00:39:50,239 --> 00:39:52,880
Speaker 1: you could be a guy online all day long or

779
00:39:52,920 --> 00:39:55,800
Speaker 1: wherever else talking about all man and he destroyed my

780
00:39:55,920 --> 00:40:00,239
Speaker 1: life and quit the group. In the middle of of

781
00:40:00,400 --> 00:40:03,880
Speaker 1: the Waia West video shoot, God told him to get

782
00:40:03,880 --> 00:40:06,759
Speaker 1: away from this. I don't know what. You look at

783
00:40:06,800 --> 00:40:08,560
Speaker 1: the video. You see four of us in the beginning,

784
00:40:09,160 --> 00:40:14,160
Speaker 1: and and and you have to understand that man, we

785
00:40:14,320 --> 00:40:16,960
Speaker 1: we I know what he sents elementary school. What he

786
00:40:17,000 --> 00:40:19,480
Speaker 1: wanted to quit. After the video on Cisco said, if

787
00:40:19,480 --> 00:40:22,480
Speaker 1: you're gonna leave, you got to leave now. After what,

788
00:40:22,640 --> 00:40:24,719
Speaker 1: he came into trailer and played us a whole song

789
00:40:24,920 --> 00:40:27,640
Speaker 1: and sang and yeah it was a lot, man, And

790
00:40:27,719 --> 00:40:29,160
Speaker 1: then we had to go like right and do a

791
00:40:29,320 --> 00:40:32,080
Speaker 1: video with MTV. So they sitting there like where the

792
00:40:32,160 --> 00:40:34,840
Speaker 1: other guys and it's like, right, I dude, it was

793
00:40:34,880 --> 00:40:37,200
Speaker 1: That's why if you look at the video, man, like

794
00:40:37,360 --> 00:40:39,200
Speaker 1: we got our hat spooled all the way down. It

795
00:40:39,360 --> 00:40:42,000
Speaker 1: was just it was crazy. Why did you want to

796
00:40:42,080 --> 00:40:44,359
Speaker 1: leave in that moment? I mean, I don't know, man.

797
00:40:44,440 --> 00:40:46,880
Speaker 1: We had, you know what we had for us, and

798
00:40:47,280 --> 00:40:50,640
Speaker 1: you know what, we had an incident that happened a

799
00:40:50,760 --> 00:40:53,240
Speaker 1: sign from what he just came from the straight, goshful

800
00:40:53,320 --> 00:40:56,080
Speaker 1: background like his mother and them did like the church

801
00:40:56,160 --> 00:40:59,000
Speaker 1: conventions where you know, you out there with one hundred

802
00:40:59,040 --> 00:41:01,600
Speaker 1: choirs and everything, and we had a we had an

803
00:41:01,640 --> 00:41:04,120
Speaker 1: incident where that was the first time that I knew

804
00:41:04,280 --> 00:41:07,480
Speaker 1: that it was real, like this dude is ready to go.

805
00:41:08,080 --> 00:41:10,480
Speaker 1: And we were overseas doing the show and we got

806
00:41:10,600 --> 00:41:14,520
Speaker 1: like in the fight, and guys that were in the

807
00:41:14,600 --> 00:41:17,160
Speaker 1: fight were with the people who were doing security. When

808
00:41:17,239 --> 00:41:21,960
Speaker 1: the guys running security booth locked the gate and get

809
00:41:22,040 --> 00:41:24,239
Speaker 1: the gun out and start shooting at our vans. So

810
00:41:24,360 --> 00:41:27,000
Speaker 1: they like shoot the back window out the you know,

811
00:41:27,160 --> 00:41:29,359
Speaker 1: Merchi lady we had with us goal opened up the gate,

812
00:41:29,400 --> 00:41:31,160
Speaker 1: we got out of there, dude come to the hotel.

813
00:41:31,239 --> 00:41:33,560
Speaker 1: He chasing our band around it, you know, Libbary the

814
00:41:33,640 --> 00:41:36,840
Speaker 1: hotel with the gun, security dudes hitting dudes in the Facebook,

815
00:41:37,080 --> 00:41:39,400
Speaker 1: Lwaukee Talkies and all this stuff. And it was like

816
00:41:39,600 --> 00:41:41,399
Speaker 1: right and there was like everybody go to that room

817
00:41:41,440 --> 00:41:42,880
Speaker 1: and you know, we left it and it was like

818
00:41:43,040 --> 00:41:45,520
Speaker 1: right in that moment, Like that next day it was like,

819
00:41:45,640 --> 00:41:48,200
Speaker 1: oh nah, the ain't put that gun to the window.

820
00:41:55,320 --> 00:41:57,920
Speaker 1: Right through the window. He pulled the trick like it

821
00:41:58,040 --> 00:42:00,400
Speaker 1: was like in slow motion. I can here go it

822
00:42:00,520 --> 00:42:04,000
Speaker 1: was the window explodes. First of all, what happened for

823
00:42:04,080 --> 00:42:06,200
Speaker 1: y'all to get into this kind of so here go

824
00:42:06,280 --> 00:42:08,040
Speaker 1: the funny part that that party in front, So here

825
00:42:08,200 --> 00:42:12,040
Speaker 1: funny that was funny about that point that point bank bullet,

826
00:42:12,239 --> 00:42:15,160
Speaker 1: this window blew out, the window on that side blew

827
00:42:15,200 --> 00:42:18,399
Speaker 1: out one of the bullet and nobody The reason why

828
00:42:18,440 --> 00:42:22,800
Speaker 1: it all started was because I dud wanted a picture

829
00:42:23,520 --> 00:42:27,719
Speaker 1: for his girlfriend with the group. Yall. No, no, it

830
00:42:27,880 --> 00:42:30,360
Speaker 1: wasn't like that, no, no, no. What happened was everybody

831
00:42:30,440 --> 00:42:33,520
Speaker 1: had like their families and like girlfriends. Damn for yance,

832
00:42:33,680 --> 00:42:35,560
Speaker 1: you know, whatever was going on at the time. So

833
00:42:35,920 --> 00:42:38,000
Speaker 1: all boy was like look, give him a minute. They

834
00:42:38,040 --> 00:42:40,200
Speaker 1: just came on stage. They change in, you know, so

835
00:42:40,400 --> 00:42:42,239
Speaker 1: like five minutes go past, it's like, man, you know

836
00:42:42,320 --> 00:42:44,319
Speaker 1: I needed this picture man from like cool. So then

837
00:42:44,360 --> 00:42:46,239
Speaker 1: ten minutes go past, he's like, man, give me them

838
00:42:46,320 --> 00:42:49,040
Speaker 1: up and that. And this dude was like one of

839
00:42:49,120 --> 00:42:51,160
Speaker 1: them duds that like he don't he ain't gonna think

840
00:42:51,160 --> 00:42:54,239
Speaker 1: about nothing. He like already just ready go off. Next thing,

841
00:42:54,280 --> 00:42:56,640
Speaker 1: you know, Kevin fighting. Next thing. You know, they like

842
00:42:56,719 --> 00:42:59,200
Speaker 1: get up out of here. They try to get out,

843
00:43:00,000 --> 00:43:06,480
Speaker 1: to buy out for the rest of mans, trying bust

844
00:43:06,520 --> 00:43:08,719
Speaker 1: off the word and go fight. They won't let us,

845
00:43:09,160 --> 00:43:11,920
Speaker 1: you know, security guard rich you know, hitting dudes with

846
00:43:12,520 --> 00:43:16,320
Speaker 1: security guard. It was mean, it was crazy. We appreciate

847
00:43:16,400 --> 00:43:19,960
Speaker 1: you guys for stopping through. Thank you bringing that Christmas

848
00:43:20,000 --> 00:43:22,440
Speaker 1: out definitely, yes, yes, y'all got to check that out.

849
00:43:22,480 --> 00:43:25,479
Speaker 1: Beautiful for the holidays. It's pretty nice. I mean, Charlie

850
00:43:25,480 --> 00:43:31,879
Speaker 1: Wayne fight man, you know right, ye know what I'm

851
00:43:31,920 --> 00:43:34,160
Speaker 1: saying next time, yeah, catch just right when we're starting

852
00:43:34,239 --> 00:43:44,040
Speaker 1: something next houm yeah never never. I'm sorry, y'ad fight

853
00:43:44,320 --> 00:43:47,440
Speaker 1: heaven man. Shout out the jagged in and shout out

854
00:43:47,480 --> 00:43:49,680
Speaker 1: to us man, and we love you. All love you

855
00:43:50,000 --> 00:43:52,480
Speaker 1: once what I mean I was speaking on you know,

856
00:43:53,120 --> 00:43:56,360
Speaker 1: but yeah, man, it's all well who so who the

857
00:43:56,480 --> 00:44:02,800
Speaker 1: best man? Look like your productive didn't contribute to some

858
00:44:02,920 --> 00:44:10,080
Speaker 1: of that. Look, that's just where it comes, just where

859
00:44:10,080 --> 00:44:12,719
Speaker 1: they come down to you, because we could. We could

860
00:44:12,760 --> 00:44:15,480
Speaker 1: go through that all day long and everybody can say

861
00:44:15,520 --> 00:44:17,560
Speaker 1: what they wanted saying this ain't no shot then nobody.

862
00:44:17,640 --> 00:44:19,560
Speaker 1: This just how we do. Like we used to battle

863
00:44:19,960 --> 00:44:22,800
Speaker 1: sing at home, like battle wrap you battle sing. It's like,

864
00:44:23,120 --> 00:44:25,560
Speaker 1: so I treat people. Man. We could do everything on

865
00:44:25,760 --> 00:44:28,160
Speaker 1: stage with the music and the lights and you know

866
00:44:28,280 --> 00:44:30,440
Speaker 1: whatever else, But where they come down to us where

867
00:44:30,440 --> 00:44:32,480
Speaker 1: it happened when the mics ain't working and you guys

868
00:44:32,560 --> 00:44:35,719
Speaker 1: still keep going like like, we show love everywhere we go.

869
00:44:36,160 --> 00:44:38,640
Speaker 1: So once we don't feel that, then you're gonna know

870
00:44:38,719 --> 00:44:41,080
Speaker 1: why don't feel that because we ain't high fiving and

871
00:44:41,200 --> 00:44:43,960
Speaker 1: walking around you or whatever. It's like we're gonna walk

872
00:44:44,040 --> 00:44:45,960
Speaker 1: right past you being the room and that's gonna be

873
00:44:45,960 --> 00:44:47,600
Speaker 1: a good beginning and the end of it. So we

874
00:44:47,680 --> 00:44:49,920
Speaker 1: show love to the people who show love to us.

875
00:44:49,960 --> 00:44:51,640
Speaker 1: If you don't show us no love, then we don't

876
00:44:51,680 --> 00:44:54,200
Speaker 1: feel no reason walking around acting like we're fourteen years

877
00:44:54,239 --> 00:45:16,319
Speaker 1: old when wearing telling to your knees gad we oh no, great. Look.

878
00:45:16,400 --> 00:45:17,800
Speaker 1: But that's the thing though, man, that's the way I

879
00:45:17,880 --> 00:45:20,200
Speaker 1: like when people like people ask us all the time.

880
00:45:20,239 --> 00:45:23,719
Speaker 1: It's like, so y'all just still sing? What I mean? Like,

881
00:45:23,760 --> 00:45:25,720
Speaker 1: what like I've been doing this is I was fourteen

882
00:45:25,800 --> 00:45:28,000
Speaker 1: years old. You know, some people gifted and some people aren't.

883
00:45:28,000 --> 00:45:29,239
Speaker 1: I think that's what people don't know. But that's why

884
00:45:29,239 --> 00:45:31,960
Speaker 1: I was saying, like we got they taught us. They said,

885
00:45:32,160 --> 00:45:34,840
Speaker 1: we're gonna teach you how to be here forever. And

886
00:45:34,960 --> 00:45:36,520
Speaker 1: that's what they did. That's why they made us to

887
00:45:36,680 --> 00:45:38,359
Speaker 1: push ups and sit up. So why we were singing

888
00:45:38,400 --> 00:45:40,839
Speaker 1: the songs and running around and wouldn't let us eat

889
00:45:40,880 --> 00:45:43,600
Speaker 1: and rehearsing for eight hours because this is what we

890
00:45:43,680 --> 00:45:45,600
Speaker 1: were supposed to do. So we're just gonna keep doing

891
00:45:45,600 --> 00:45:47,279
Speaker 1: it as long as we got the opportunity. It's also

892
00:45:47,360 --> 00:45:50,440
Speaker 1: good to have hits. Yeah, we have several. Well they

893
00:45:50,520 --> 00:45:55,360
Speaker 1: you having It's the Breakfast Club. Good morning, the Breakfast Club.

894
00:45:58,080 --> 00:46:00,880
Speaker 1: All right, listen, man, Charlottagne the guy. I'm on vacation

895
00:46:01,000 --> 00:46:03,239
Speaker 1: until twenty eighteen. I don't give a damn what y'all

896
00:46:03,239 --> 00:46:05,840
Speaker 1: think about that because I deserve it. Now. The Breakfast

897
00:46:05,840 --> 00:46:07,600
Speaker 1: Club is in eighty plus markets in one hundred and

898
00:46:07,640 --> 00:46:09,240
Speaker 1: fifty countries, so we have a lot of new listeners

899
00:46:09,280 --> 00:46:11,360
Speaker 1: who probably don't even know who Charlomagne the God is.

900
00:46:11,480 --> 00:46:14,200
Speaker 1: So use my time off to catch up on some

901
00:46:14,320 --> 00:46:17,239
Speaker 1: of my past work. Okay, okay, if you knew here,

902
00:46:17,440 --> 00:46:19,440
Speaker 1: I do a segment every day called Donkey to Day

903
00:46:19,520 --> 00:46:21,680
Speaker 1: donkey as in jackass, and that's when I give someone

904
00:46:21,760 --> 00:46:24,080
Speaker 1: the credit they deserve for being stupid. So if you've

905
00:46:24,120 --> 00:46:25,759
Speaker 1: never heard of it, this is new to you. But

906
00:46:25,800 --> 00:46:27,640
Speaker 1: if you are a regular listener, then this is an oldie,

907
00:46:27,719 --> 00:46:30,320
Speaker 1: but goody because it's the best of the Donkey of

908
00:46:30,360 --> 00:46:32,279
Speaker 1: the day Donkey or the day goes to the young

909
00:46:32,360 --> 00:46:35,439
Speaker 1: Kodak Black left the record show. I enjoy Kodak Black music.

910
00:46:35,880 --> 00:46:38,160
Speaker 1: People like to say young Kodak is a mumble rapper.

911
00:46:38,239 --> 00:46:40,440
Speaker 1: I don't agree. I think you actually be snapping, but

912
00:46:40,520 --> 00:46:43,000
Speaker 1: that's just my opinion. But the reason Kodak Black is

913
00:46:43,040 --> 00:46:46,280
Speaker 1: getting donkey today is because Kodak Black told social media

914
00:46:46,680 --> 00:46:52,160
Speaker 1: what kind of woman he prefers. Let's hit gay, I valible,

915
00:46:52,239 --> 00:46:59,520
Speaker 1: you know my sone really light really like no batalkone. Now,

916
00:46:59,560 --> 00:47:01,919
Speaker 1: when I heard that, I knew it wouldn't go over well,

917
00:47:02,000 --> 00:47:04,279
Speaker 1: but I did understand what he meant. He was trying

918
00:47:04,320 --> 00:47:06,120
Speaker 1: to say he don't like dark skinned girls, but instead

919
00:47:06,120 --> 00:47:09,040
Speaker 1: he said black girls. See, when you say dark skin girls,

920
00:47:09,040 --> 00:47:12,200
Speaker 1: you're talking complexion. That's a preference. When you're talking black girls,

921
00:47:12,520 --> 00:47:15,160
Speaker 1: you're talking a whole race. That's also a preference. But

922
00:47:15,280 --> 00:47:17,520
Speaker 1: if it's one entity you don't want no drama with

923
00:47:17,719 --> 00:47:20,360
Speaker 1: in this era, it's black women. You don't want those problems.

924
00:47:20,520 --> 00:47:22,719
Speaker 1: You don't know what true slander is on social media

925
00:47:22,840 --> 00:47:24,640
Speaker 1: until you piss off a group of black women and

926
00:47:24,680 --> 00:47:26,600
Speaker 1: then they swarm like the wood tank killer bees on

927
00:47:26,680 --> 00:47:29,960
Speaker 1: your black ass. Now, when Kodak Black got attacked, he

928
00:47:30,000 --> 00:47:32,520
Speaker 1: didn't apologize. In fact, he doubled down on the comments,

929
00:47:32,719 --> 00:47:34,400
Speaker 1: which I don't mind, by the way, because if you

930
00:47:34,480 --> 00:47:37,160
Speaker 1: said that, you said it. Okay, If it needs to clarification, cool,

931
00:47:37,400 --> 00:47:39,600
Speaker 1: If you feel like you need to explain it, more cool.

932
00:47:39,920 --> 00:47:41,759
Speaker 1: But if that's what you said, didn't own it. And

933
00:47:41,880 --> 00:47:44,239
Speaker 1: that's exactly what Kodak Black did when he went back

934
00:47:44,320 --> 00:47:47,240
Speaker 1: on social media to address all the backlash year was receiving.

935
00:47:47,320 --> 00:47:49,440
Speaker 1: Let's hear it. You ain't gonna be dissing me under

936
00:47:49,520 --> 00:48:03,240
Speaker 1: my comment, Amy, You know I'm sounding like red bones.

937
00:48:03,400 --> 00:48:08,000
Speaker 1: I love Black African emergence, but I don't like black beaches.

938
00:48:08,239 --> 00:48:13,239
Speaker 1: I like yellow hole, so that's my preference. So motherfu thing.

939
00:48:13,840 --> 00:48:16,920
Speaker 1: It's crazy, man. Why could that black stile like lawn equipment.

940
00:48:17,200 --> 00:48:19,000
Speaker 1: You ever been in the you know you being in

941
00:48:19,000 --> 00:48:20,759
Speaker 1: the holler, you can tell people working on the lawn.

942
00:48:20,800 --> 00:48:27,000
Speaker 1: I ain't now. First and foremost, all the Black women

943
00:48:27,040 --> 00:48:28,879
Speaker 1: I know and talk to on a daily basis don't

944
00:48:28,920 --> 00:48:30,880
Speaker 1: give a damn if Kodak Black is checking for them

945
00:48:31,000 --> 00:48:33,560
Speaker 1: or not. Black women will be okay without Kodak Black

946
00:48:33,600 --> 00:48:36,319
Speaker 1: desiring their love. But just because black women don't want

947
00:48:36,320 --> 00:48:39,000
Speaker 1: you doesn't mean they won't get on social media and

948
00:48:39,080 --> 00:48:41,719
Speaker 1: slander the hell out of you, okay, and you don't

949
00:48:41,760 --> 00:48:43,440
Speaker 1: want that. The only way to escape the slander of

950
00:48:43,520 --> 00:48:47,640
Speaker 1: black women is the mute the words ashy, problematic, and trash.

951
00:48:48,080 --> 00:48:49,759
Speaker 1: If that don't work, then the only other options to

952
00:48:49,840 --> 00:48:51,880
Speaker 1: delete all your social media accounts. But that would be

953
00:48:51,960 --> 00:48:54,680
Speaker 1: lame right Well, that's exactly what Kodak Black did yesterday,

954
00:48:54,680 --> 00:48:56,680
Speaker 1: and that's why he's getting dunky today because like I've

955
00:48:56,719 --> 00:48:59,719
Speaker 1: been saying all morning in reference to various topics, stand

956
00:48:59,760 --> 00:49:02,239
Speaker 1: on your words. I'm so sick of people not having

957
00:49:02,320 --> 00:49:04,320
Speaker 1: the same energy at all times. How you gonna go,

958
00:49:04,600 --> 00:49:06,040
Speaker 1: for one, you have to see me when you come

959
00:49:06,040 --> 00:49:07,920
Speaker 1: to the windows. You better have the same You better

960
00:49:08,000 --> 00:49:10,239
Speaker 1: have that same energy. How you going from sounding like

961
00:49:10,320 --> 00:49:12,960
Speaker 1: this right political? You ain't gonna be dissing me under

962
00:49:13,000 --> 00:49:28,160
Speaker 1: my comment flat one? All right? Like, man, I love black,

963
00:49:29,640 --> 00:49:34,319
Speaker 1: but I don't like black. I like yellow, so that's

964
00:49:34,360 --> 00:49:41,520
Speaker 1: my preference. You're not a lord laws the just Kodak

965
00:49:41,600 --> 00:49:45,239
Speaker 1: black now Kodak black guy on Twitter and said, I'm

966
00:49:45,280 --> 00:49:47,480
Speaker 1: just on some whole other right now. I ain't got

967
00:49:47,600 --> 00:49:49,640
Speaker 1: nothing to do with y'all. Then he tweeted I could

968
00:49:49,680 --> 00:49:52,239
Speaker 1: take criticism. I honestly don't give an f about the

969
00:49:52,320 --> 00:49:55,440
Speaker 1: whole black, red Chinese thing and word just in the

970
00:49:55,520 --> 00:49:58,320
Speaker 1: situation hashtag SG. I don't know what that means, so

971
00:49:58,480 --> 00:50:00,879
Speaker 1: I'm deactivating. Look, I have a problem with a person

972
00:50:00,960 --> 00:50:04,080
Speaker 1: apologizing if they offend, as long as it's sincere, which

973
00:50:04,160 --> 00:50:05,719
Speaker 1: most of the time they aren't. They just trying to

974
00:50:05,760 --> 00:50:07,440
Speaker 1: stop the backlash. I don't have a problem with a

975
00:50:07,520 --> 00:50:10,080
Speaker 1: person doubling down on their rhetoric either, because I love

976
00:50:10,120 --> 00:50:12,520
Speaker 1: when people have the same energy. You can be honest

977
00:50:12,560 --> 00:50:15,200
Speaker 1: and wrong. But what I don't respect is when people

978
00:50:15,400 --> 00:50:18,719
Speaker 1: run Kodak Uran. Okay, get on social media and take

979
00:50:18,800 --> 00:50:21,160
Speaker 1: this l from black women. All right. I didn't delete

980
00:50:21,200 --> 00:50:24,040
Speaker 1: my account when I pissed black women off. French Montana

981
00:50:24,080 --> 00:50:26,200
Speaker 1: didn't delete his account when he pissed black women off,

982
00:50:26,320 --> 00:50:29,080
Speaker 1: so you can't delete y'alls either, all right, please give

983
00:50:29,160 --> 00:50:36,799
Speaker 1: young Kodak Black the biggest hea hull okay update update, Damn.

984
00:50:36,800 --> 00:50:38,200
Speaker 1: I hate when I got to give out donkeys and

985
00:50:38,239 --> 00:50:40,920
Speaker 1: didn't have to do updates. But the update is Kodak

986
00:50:40,960 --> 00:50:43,799
Speaker 1: Black has reactivated his social media accounts. I don't think

987
00:50:43,840 --> 00:50:45,719
Speaker 1: that makes the donkey null and void though, because he

988
00:50:45,840 --> 00:50:49,160
Speaker 1: did deleted, so it still stands. And Kodak Black still

989
00:50:49,239 --> 00:50:51,239
Speaker 1: sounds like lawn equipment when he talks. I keep trying

990
00:50:51,239 --> 00:50:53,080
Speaker 1: to tell y'all, I don't tell jokes. I tell the truth.

991
00:50:53,239 --> 00:50:55,279
Speaker 1: I'm not joking when I say Kodak Black sounds like

992
00:50:55,360 --> 00:50:57,440
Speaker 1: a weed whacker. Have you ever been in the neighborhood

993
00:50:57,560 --> 00:50:59,680
Speaker 1: and heard the lawn equipment going somewhere? You know the

994
00:50:59,719 --> 00:51:08,319
Speaker 1: sound It sounds like this. Now, this is actually cold.

995
00:51:08,360 --> 00:51:14,399
Speaker 1: That black o. Hello, you black one. Now let's see

996
00:51:14,400 --> 00:51:25,120
Speaker 1: how they's time together? No one, we'd whack a black moor.

997
00:51:25,280 --> 00:51:28,400
Speaker 1: Everybody is DJ N de Angela, Ye, Charlomagne the guy.

998
00:51:28,480 --> 00:51:31,080
Speaker 1: We are the breakfast club. Is time to ask? Ye? Hello,

999
00:51:31,120 --> 00:51:35,040
Speaker 1: who's this DJ? Let let it V? What's up? Dude? Hey?

1000
00:51:35,160 --> 00:51:39,239
Speaker 1: So I'm I'm steing from from from Brockton, Massachusetts. Hey,

1001
00:51:39,320 --> 00:51:42,600
Speaker 1: Steve from Massachusetts. Now what's your question? Look you up? Ye,

1002
00:51:42,800 --> 00:51:45,920
Speaker 1: my beautiful goddess. So listen, my I've been in the

1003
00:51:46,000 --> 00:51:48,239
Speaker 1: relationship from like two years of this dude and he's white,

1004
00:51:48,280 --> 00:51:50,880
Speaker 1: I'm black. And now we started watching this. We started

1005
00:51:50,920 --> 00:51:55,520
Speaker 1: watching this Netflix documentary War White People. Yes, Lord, I'm

1006
00:51:55,520 --> 00:51:59,880
Speaker 1: a shalla um and uh freaking So one of the episodes,

1007
00:52:00,040 --> 00:52:02,080
Speaker 1: he's like telling her white boyfriend too, you can't say

1008
00:52:02,120 --> 00:52:04,160
Speaker 1: the N word. And I'm trying to tell my dude, like,

1009
00:52:04,640 --> 00:52:07,000
Speaker 1: you cannot say the N word, and he's like, I'm

1010
00:52:07,040 --> 00:52:09,640
Speaker 1: obviously not racist. Good and together for a long time.

1011
00:52:09,880 --> 00:52:12,279
Speaker 1: This is good. And I'm like, I'm like, okay, well,

1012
00:52:12,360 --> 00:52:14,040
Speaker 1: let me bring you to Jesus real quick. Come to

1013
00:52:14,080 --> 00:52:16,319
Speaker 1: the front of the conjugation because we got some word.

1014
00:52:18,680 --> 00:52:20,680
Speaker 1: So wait, so he's trying to where it to you

1015
00:52:21,160 --> 00:52:23,120
Speaker 1: in bed? He can say it though, right did he

1016
00:52:23,160 --> 00:52:26,680
Speaker 1: say it to bed? No? No, we don't play that. Nope.

1017
00:52:27,160 --> 00:52:28,800
Speaker 1: Why does he want to say to where it so badly?

1018
00:52:29,080 --> 00:52:31,120
Speaker 1: He wants to be able to say it in conversation

1019
00:52:31,280 --> 00:52:33,080
Speaker 1: and like in music, and I'm like, no, you can't.

1020
00:52:33,160 --> 00:52:34,640
Speaker 1: You can't say it if the song you just need

1021
00:52:34,680 --> 00:52:37,040
Speaker 1: to hum quietly to yourself. Now, if he's a bottom

1022
00:52:37,120 --> 00:52:42,400
Speaker 1: and when you put it in he got that, Let

1023
00:52:43,440 --> 00:52:47,160
Speaker 1: you don't, am I ruined the whole mood and any

1024
00:52:47,239 --> 00:52:49,560
Speaker 1: real relationship. You know that both men are taking it

1025
00:52:49,680 --> 00:52:53,400
Speaker 1: just as much has been giving it um exactly all right,

1026
00:52:53,480 --> 00:52:55,719
Speaker 1: But I'm gonna say this, he's would he say that

1027
00:52:55,800 --> 00:52:58,560
Speaker 1: in front of other people beside you? He's I'm seem

1028
00:52:58,600 --> 00:53:01,360
Speaker 1: gonna say it to his friends and conversation and I'm like, like,

1029
00:53:01,520 --> 00:53:04,200
Speaker 1: he'll say like these little like n words and I'm like,

1030
00:53:04,280 --> 00:53:08,080
Speaker 1: you can't. No. First of all, that's not a good

1031
00:53:08,120 --> 00:53:10,920
Speaker 1: friend because he doesn't understand the context. And don't use

1032
00:53:11,000 --> 00:53:13,439
Speaker 1: that word because you do understand the context, and that's

1033
00:53:13,560 --> 00:53:15,680
Speaker 1: very offensive and he should understand that if he loves

1034
00:53:15,719 --> 00:53:17,600
Speaker 1: you and cares about you and something offends you, and

1035
00:53:17,680 --> 00:53:20,160
Speaker 1: it's something as small as not saying a word that

1036
00:53:20,400 --> 00:53:24,520
Speaker 1: is offensive throughout history and gives you an awful feeling.

1037
00:53:24,600 --> 00:53:27,640
Speaker 1: He should respect that. What's so difficult? Yeah, I mean,

1038
00:53:27,800 --> 00:53:29,560
Speaker 1: I think it's just growing up in a small white town.

1039
00:53:29,640 --> 00:53:32,279
Speaker 1: You have to educate people. And like I had to,

1040
00:53:32,360 --> 00:53:33,839
Speaker 1: I had to put on set it off for him

1041
00:53:33,840 --> 00:53:36,320
Speaker 1: and like teach him slowly, like about the culture and

1042
00:53:37,239 --> 00:53:46,759
Speaker 1: watching movies exactly. You got to keep the culture and

1043
00:53:47,239 --> 00:53:49,480
Speaker 1: is it being respectable that and not using the word,

1044
00:53:49,600 --> 00:53:51,880
Speaker 1: Oh yeah, one hundred percent. But he just doesn't understand

1045
00:53:52,000 --> 00:53:53,719
Speaker 1: It's he'll do it because he loves me, but he

1046
00:53:53,760 --> 00:53:55,879
Speaker 1: won't do it because he knows it's wrong. Well listen,

1047
00:53:56,160 --> 00:53:58,160
Speaker 1: tell him. He don't even got to understand it. It's

1048
00:53:58,160 --> 00:54:00,279
Speaker 1: offensive to you, it's offensive to a lot of people.

1049
00:54:00,280 --> 00:54:03,200
Speaker 1: And you are saving him an as weapon, right, praise Lord.

1050
00:54:05,080 --> 00:54:10,719
Speaker 1: All right, Well that's understand it. Now it's gonna say

1051
00:54:10,719 --> 00:54:12,680
Speaker 1: you should have him west some documentary so he can

1052
00:54:12,840 --> 00:54:18,080
Speaker 1: understand the power. Yeah, we want them, Yeah, we want

1053
00:54:19,160 --> 00:54:22,000
Speaker 1: like we I mean, our stuff. But then he still

1054
00:54:22,000 --> 00:54:24,880
Speaker 1: doesn't understand it. He understands the historical concept of it,

1055
00:54:24,960 --> 00:54:26,879
Speaker 1: but he feels like in a modern society, like how

1056
00:54:27,080 --> 00:54:28,960
Speaker 1: we want the equality of people not saying the F

1057
00:54:29,080 --> 00:54:32,400
Speaker 1: word relation to homosexuals, then um, you have to use

1058
00:54:32,480 --> 00:54:34,840
Speaker 1: the word and also to the insensitize people to it,

1059
00:54:34,920 --> 00:54:37,720
Speaker 1: which I respect. But at the same time, there's certain words,

1060
00:54:38,040 --> 00:54:41,160
Speaker 1: um that kerry and a Semitic context or racial contact.

1061
00:54:41,640 --> 00:54:43,840
Speaker 1: And guess what if somebody that wasn't gay used the

1062
00:54:43,920 --> 00:54:46,960
Speaker 1: F word. That's offensive, right, And it's the same kind

1063
00:54:46,960 --> 00:54:49,279
Speaker 1: of asshole when you gonna get play like I'm in

1064
00:54:49,400 --> 00:54:53,080
Speaker 1: the gym or day, don't play, but let's go. Yeah,

1065
00:54:54,080 --> 00:54:56,200
Speaker 1: thank you so much, like I love you so much,

1066
00:54:56,280 --> 00:54:58,200
Speaker 1: love you on the real love you guys every morning

1067
00:54:58,719 --> 00:55:01,920
Speaker 1: got through like, praise the Lord, thank you for calling man. Yes,

1068
00:55:02,080 --> 00:55:04,600
Speaker 1: having a good day, and you should definitely go buy

1069
00:55:04,680 --> 00:55:07,360
Speaker 1: him my book Black privilege. Opportunity comes to those who creative.

1070
00:55:07,800 --> 00:55:10,360
Speaker 1: I write your book. It's amazing, Like you're a exceptional

1071
00:55:10,440 --> 00:55:13,080
Speaker 1: job as a culture if they should instead of hiring

1072
00:55:13,320 --> 00:55:16,880
Speaker 1: Ryan Krest freaking high whatever, So they need to have

1073
00:55:17,000 --> 00:55:19,320
Speaker 1: you up there were Kelly after the morning after the

1074
00:55:19,360 --> 00:55:24,000
Speaker 1: breakfast club bringing people to Jesus. I'll be fine, salty

1075
00:55:24,800 --> 00:55:28,040
Speaker 1: fine for call him man and good luck with your problem. Bro. Oh,

1076
00:55:28,160 --> 00:55:29,919
Speaker 1: thank you. Make sure he doesn't use that in word.

1077
00:55:30,120 --> 00:55:32,640
Speaker 1: Oh every day all right, brother, all day, every day,

1078
00:55:32,719 --> 00:55:34,839
Speaker 1: all day every day? All right, all day every day?

1079
00:55:35,000 --> 00:55:37,160
Speaker 1: Well that was ask Ye. I mean we help everybody

1080
00:55:37,200 --> 00:55:39,120
Speaker 1: eat a good job. Yeah, you know, we do our best,

1081
00:55:39,360 --> 00:55:42,000
Speaker 1: all right, ask Ye eight hundred five eight five one

1082
00:55:42,080 --> 00:55:43,560
Speaker 1: o five one. If you got a question for you,

1083
00:55:43,680 --> 00:55:45,600
Speaker 1: you could call her right now. The numbers eight hundred

1084
00:55:45,719 --> 00:55:48,080
Speaker 1: five eight five one on five one. It's the Breakfast

1085
00:55:48,080 --> 00:55:52,680
Speaker 1: Local morning everybody. It's DJ Envy Angela yee scharlamin the guy.

1086
00:55:52,760 --> 00:55:55,160
Speaker 1: We are the breakfast club in the middle of ask

1087
00:55:55,400 --> 00:55:57,839
Speaker 1: Ye eight hundred five eight five one on five one. Hello,

1088
00:55:57,880 --> 00:56:01,239
Speaker 1: who's this? How are you? Hey, Tiffany? What's your question

1089
00:56:01,320 --> 00:56:04,200
Speaker 1: for ye? I love you, guys, Charlemagne, you're the best.

1090
00:56:04,280 --> 00:56:07,480
Speaker 1: You're awesome. Thank you, baby, I appreciate that. Okay. My

1091
00:56:07,640 --> 00:56:10,200
Speaker 1: question is I've been married to my husband for eight

1092
00:56:10,280 --> 00:56:14,480
Speaker 1: years now. We have five beautiful kids together, but I

1093
00:56:14,800 --> 00:56:17,879
Speaker 1: am in love with my ex who I'm actually still seeing,

1094
00:56:18,400 --> 00:56:22,200
Speaker 1: and actually two of my kids are but my husband

1095
00:56:22,239 --> 00:56:27,719
Speaker 1: does not know my child. If you're in love with

1096
00:56:27,800 --> 00:56:29,560
Speaker 1: your X, why are you still married to your husband?

1097
00:56:30,040 --> 00:56:32,120
Speaker 1: I feel like I'm kind of obligated to stay with

1098
00:56:32,280 --> 00:56:35,040
Speaker 1: him because I've put him through a lot. You don't

1099
00:56:35,080 --> 00:56:36,640
Speaker 1: that you're putting him through a lot right now if

1100
00:56:36,680 --> 00:56:40,359
Speaker 1: he ever finds this out. When he does find this out, yeah,

1101
00:56:40,360 --> 00:56:42,560
Speaker 1: I know him. So you feel like you're obligated to

1102
00:56:42,600 --> 00:56:44,239
Speaker 1: stay with him and hurt him even more and put

1103
00:56:44,320 --> 00:56:46,920
Speaker 1: him through more. Let that man go, Let him live

1104
00:56:47,040 --> 00:56:49,440
Speaker 1: his life and potentially find love and somebody who wants

1105
00:56:49,480 --> 00:56:51,279
Speaker 1: to be with him and be faithful to him. Why

1106
00:56:51,320 --> 00:56:55,080
Speaker 1: are you keeping him hostage while you do your thing? Well,

1107
00:56:55,120 --> 00:56:58,000
Speaker 1: he's kind of told that I that I am seeing

1108
00:56:58,120 --> 00:57:02,440
Speaker 1: the insidial, Okay, said he kind of knows, does he know? Okay,

1109
00:57:02,600 --> 00:57:05,000
Speaker 1: But like I said, he knows that I am still

1110
00:57:05,080 --> 00:57:07,960
Speaker 1: kind of deal with this person. But this whole thing

1111
00:57:08,120 --> 00:57:11,719
Speaker 1: he doesn't know about the kids. That's a huge deal.

1112
00:57:11,840 --> 00:57:14,839
Speaker 1: That's affecting your family. That's kind of affect your children. Also.

1113
00:57:15,239 --> 00:57:17,440
Speaker 1: They need to know who their real father is. He

1114
00:57:17,600 --> 00:57:19,800
Speaker 1: needs to know how he's raising another man's kids. Just

1115
00:57:19,960 --> 00:57:22,000
Speaker 1: imagine the effect that it's going to have on your

1116
00:57:22,080 --> 00:57:27,440
Speaker 1: whole entire family, the other children. Everyone listen. It's a

1117
00:57:27,480 --> 00:57:29,960
Speaker 1: foul situation. I think the best thing that you can

1118
00:57:30,040 --> 00:57:32,160
Speaker 1: do is you have to get out of your relationship.

1119
00:57:32,280 --> 00:57:35,240
Speaker 1: Let your husband. It's not fair to him for you

1120
00:57:35,360 --> 00:57:36,920
Speaker 1: to be doing the things that you're doing to him.

1121
00:57:36,960 --> 00:57:40,720
Speaker 1: You are destroying him. He need rather stay together until

1122
00:57:40,840 --> 00:57:43,520
Speaker 1: just get older. Do you think that he would rather

1123
00:57:43,600 --> 00:57:48,040
Speaker 1: that when he finds out those two kids aren't histo

1124
00:57:48,200 --> 00:57:50,880
Speaker 1: being stop being selfish. I'd love to call him and

1125
00:57:50,920 --> 00:57:53,600
Speaker 1: tell him how how selfish you are. Let him find

1126
00:57:53,680 --> 00:57:56,120
Speaker 1: somebody that will be with him and not be hiding things,

1127
00:57:56,160 --> 00:57:58,480
Speaker 1: and not be secretive, and not run around behind his back,

1128
00:57:58,520 --> 00:58:00,360
Speaker 1: and somebody who's not in love with some one else.

1129
00:58:00,640 --> 00:58:02,560
Speaker 1: Tell them you why you want to be so deceitful.

1130
00:58:05,080 --> 00:58:07,120
Speaker 1: Let him listen. If you do anything for him because

1131
00:58:07,160 --> 00:58:08,920
Speaker 1: you feel bad about what how you did him wrong

1132
00:58:09,000 --> 00:58:10,920
Speaker 1: in the past. If you do anything for him, let

1133
00:58:11,000 --> 00:58:15,960
Speaker 1: him go right about right, You're gonna tell the truth

1134
00:58:17,600 --> 00:58:22,160
Speaker 1: because very and you're gonna have to for the sake

1135
00:58:22,200 --> 00:58:24,320
Speaker 1: of your kids too. Their kids need to know who

1136
00:58:24,400 --> 00:58:26,000
Speaker 1: the father is. You need to know the history of

1137
00:58:26,080 --> 00:58:29,360
Speaker 1: the family and everything just in cases anything potentially that

1138
00:58:29,480 --> 00:58:31,919
Speaker 1: could go wrong. You need to know all of those things.

1139
00:58:31,960 --> 00:58:35,560
Speaker 1: As your ex gonna step up and he very all

1140
00:58:35,840 --> 00:58:39,160
Speaker 1: the situation, and he wants to be a major part

1141
00:58:39,200 --> 00:58:42,080
Speaker 1: of their life. Okay, tell the truth so messy. The

1142
00:58:42,120 --> 00:58:44,520
Speaker 1: only thing you can do is do that MANI favor

1143
00:58:44,680 --> 00:58:46,760
Speaker 1: and let him go. Let him find real love with

1144
00:58:46,840 --> 00:58:49,240
Speaker 1: somebody who loves him back and somebody that's not gonna

1145
00:58:49,280 --> 00:58:52,120
Speaker 1: lie to him and make things so complicated, acting like

1146
00:58:52,200 --> 00:58:55,080
Speaker 1: if somebody else gets some frustrated. Okay, listen, it's very

1147
00:58:55,720 --> 00:58:59,360
Speaker 1: It's one thing. It's one thing. I had two kids. Yes,

1148
00:58:59,480 --> 00:59:02,320
Speaker 1: you got somebody ask that's on it. That's something that

1149
00:59:02,440 --> 00:59:04,760
Speaker 1: for their kids. Imagine how they'll be affected by this

1150
00:59:04,920 --> 00:59:07,480
Speaker 1: later on. Yeah, I know, do it for your kids.

1151
00:59:07,760 --> 00:59:10,200
Speaker 1: You ain't gonna do it, I am, I am all right.

1152
00:59:11,160 --> 00:59:12,960
Speaker 1: You gotta check back in with us. Now was a

1153
00:59:13,000 --> 00:59:14,280
Speaker 1: good time to do it because you need to know

1154
00:59:14,360 --> 00:59:16,920
Speaker 1: who's gonna be buying your kids Christmas presents. Now. It

1155
00:59:16,960 --> 00:59:18,680
Speaker 1: was a good time to get this out the way. Okay.

1156
00:59:19,120 --> 00:59:21,720
Speaker 1: Oh gosh, all right, thank you, all right, right, mama,

1157
00:59:21,920 --> 00:59:24,720
Speaker 1: good luck boy. People will be going through some crazy

1158
00:59:24,800 --> 00:59:27,480
Speaker 1: things in this world, all right, Ask ye eight hundred

1159
00:59:27,600 --> 00:59:29,320
Speaker 1: five eighty five, one oh five one. If you got

1160
00:59:29,400 --> 00:59:31,080
Speaker 1: a question for Ye, you could call her right now.

1161
00:59:31,120 --> 00:59:33,439
Speaker 1: The numbers eight hundred five eight five one o five

1162
00:59:33,520 --> 00:59:37,400
Speaker 1: one calling. Now it's the Breakfast Local Morning Morning. Everybody

1163
00:59:37,520 --> 00:59:40,360
Speaker 1: is DJ Envy, Angela, Yee, Charlomagne and God. We are

1164
00:59:40,440 --> 00:59:43,720
Speaker 1: to Breakfast Club. Is time to ask ye Hello? Who's this? Hey?

1165
00:59:43,920 --> 00:59:47,640
Speaker 1: This is Vine from Detroit. What up up to the

1166
00:59:47,800 --> 00:59:51,680
Speaker 1: d what's good? What's your question for? Easy? Okay? Well,

1167
00:59:52,080 --> 00:59:56,000
Speaker 1: I'm from Detroit. My baby daddy, he's from that stops

1168
00:59:56,040 --> 00:59:58,880
Speaker 1: where that's where I live. Okay, but I don't like

1169
00:59:59,320 --> 01:00:02,400
Speaker 1: right now he could. I was tricking fund them an

1170
01:00:02,440 --> 01:00:05,600
Speaker 1: alatic fitty or whatever. We're making the money or whatever,

1171
01:00:06,040 --> 01:00:10,800
Speaker 1: and then then when my money can take off and

1172
01:00:11,640 --> 01:00:15,400
Speaker 1: take another trip, my mom money way, slowdown, slowdown, slow down.

1173
01:00:15,800 --> 01:00:18,400
Speaker 1: So you guys were in Atlantic City, you're always making

1174
01:00:18,440 --> 01:00:20,240
Speaker 1: money to get it? What were you guys doing? I

1175
01:00:20,440 --> 01:00:24,560
Speaker 1: was tricking from Okay, so you're a square to Yeah,

1176
01:00:24,680 --> 01:00:26,560
Speaker 1: what I'm talking like that? I was just getting money.

1177
01:00:26,600 --> 01:00:29,520
Speaker 1: We was doing everybody get safe, and I liked the

1178
01:00:29,720 --> 01:00:32,640
Speaker 1: money or whatever, so he didn't have to end it basically,

1179
01:00:33,040 --> 01:00:35,360
Speaker 1: and as the evening, well, he doing a little bit

1180
01:00:35,360 --> 01:00:37,880
Speaker 1: of everything. I was just saying, like, who's making money

1181
01:00:37,960 --> 01:00:40,080
Speaker 1: getting I was taking money? Fall you went a certain

1182
01:00:40,120 --> 01:00:42,800
Speaker 1: takeofun with and told me I was in a way.

1183
01:00:43,240 --> 01:00:45,560
Speaker 1: I'm in a play, so I did, and I robbed

1184
01:00:45,640 --> 01:00:48,760
Speaker 1: his ad and so way, how do you rob your pants?

1185
01:00:48,880 --> 01:00:51,640
Speaker 1: I robbed my baby daddy. Now he's my baby daddy.

1186
01:00:51,760 --> 01:00:54,800
Speaker 1: What you drink? What you drink? I'm took two rowlets watching.

1187
01:00:55,240 --> 01:00:58,200
Speaker 1: I took it to nail bag. I took whatever I

1188
01:00:58,280 --> 01:01:00,440
Speaker 1: took his other baby mama took the say what's the

1189
01:01:00,520 --> 01:01:04,240
Speaker 1: playing damn of tondo? And the neighbor's been saying nothing

1190
01:01:04,240 --> 01:01:06,439
Speaker 1: because they's on me always in and out. What side

1191
01:01:06,440 --> 01:01:10,240
Speaker 1: of those little lex are you? So? You? So you

1192
01:01:10,360 --> 01:01:13,720
Speaker 1: arrived your baby daddy along with his other baby mom. Yeah,

1193
01:01:14,120 --> 01:01:16,160
Speaker 1: and she don't like me because I caught a watch

1194
01:01:16,240 --> 01:01:18,160
Speaker 1: him to give her half up. It's just the point

1195
01:01:18,200 --> 01:01:20,120
Speaker 1: that he wanted me to my fault there. How can

1196
01:01:20,240 --> 01:01:22,040
Speaker 1: I like together? You know what I'm saying, I work

1197
01:01:22,080 --> 01:01:27,320
Speaker 1: with playing world and I'm going to school whatever. And

1198
01:01:27,480 --> 01:01:29,840
Speaker 1: now he's talking to me, and he ain't taking care

1199
01:01:29,880 --> 01:01:35,440
Speaker 1: of my son unless I him. So he's not gonna

1200
01:01:35,480 --> 01:01:38,200
Speaker 1: take care of the child you guys have together unless

1201
01:01:38,200 --> 01:01:41,280
Speaker 1: you pay him. Yep. Isn't that his job to kind

1202
01:01:41,320 --> 01:01:43,840
Speaker 1: of pay to take care of his own child. He's saying,

1203
01:01:44,280 --> 01:01:46,480
Speaker 1: he can't take care of my son unless I take

1204
01:01:46,520 --> 01:01:48,920
Speaker 1: care of the family. And I told him, I said, no,

1205
01:01:49,440 --> 01:01:51,320
Speaker 1: I'm not about to do that. And then and I

1206
01:01:51,360 --> 01:01:54,760
Speaker 1: always tax season. He's so, I don't know the man's money,

1207
01:01:54,960 --> 01:01:57,120
Speaker 1: and he's trying to get my money. No, I'm not

1208
01:01:57,160 --> 01:02:00,320
Speaker 1: about to give your mom money. But okay, bro's a

1209
01:02:00,400 --> 01:02:07,760
Speaker 1: lot going on here. Yeah he's broke. Okay, I think

1210
01:02:07,800 --> 01:02:10,040
Speaker 1: you got to sort these things out, number one first

1211
01:02:10,080 --> 01:02:13,200
Speaker 1: and foremost, for the sake of your child. Right you're

1212
01:02:13,240 --> 01:02:15,240
Speaker 1: not trying to be with him, are you. I don't know.

1213
01:02:15,680 --> 01:02:17,680
Speaker 1: You don't know, so in the way you are you

1214
01:02:17,720 --> 01:02:20,240
Speaker 1: want to get back together with him. I just want

1215
01:02:20,240 --> 01:02:22,400
Speaker 1: to get some money. Hey, but all money ain't good

1216
01:02:22,440 --> 01:02:27,240
Speaker 1: money though. Right here, I money. But I'm just saying,

1217
01:02:27,680 --> 01:02:29,520
Speaker 1: don't you want to be there for your child and

1218
01:02:29,640 --> 01:02:31,520
Speaker 1: be a good example in a role model and make

1219
01:02:31,520 --> 01:02:33,080
Speaker 1: sure nothing happens to you and you don't go to

1220
01:02:33,160 --> 01:02:36,280
Speaker 1: jail or something worse happens. Yeah, that's the only thing.

1221
01:02:36,520 --> 01:02:40,920
Speaker 1: That's the way. You know. I can't be doing all

1222
01:02:40,960 --> 01:02:43,480
Speaker 1: that because I can't get a boss up. You know

1223
01:02:43,520 --> 01:02:45,040
Speaker 1: what I'm saying. I've never been to jail, and you

1224
01:02:45,120 --> 01:02:47,200
Speaker 1: will get locked up at some point. And I don't

1225
01:02:47,240 --> 01:02:51,240
Speaker 1: think jail for me. I'm I don't think it's for

1226
01:02:51,400 --> 01:02:54,760
Speaker 1: you either, listen, But it was in my own opinion,

1227
01:02:55,200 --> 01:02:57,200
Speaker 1: I think that you should be happy that you managed

1228
01:02:57,240 --> 01:03:00,280
Speaker 1: to get away from this man that was a been

1229
01:03:00,320 --> 01:03:02,080
Speaker 1: doing everything else because that was just gonna go down

1230
01:03:02,120 --> 01:03:04,640
Speaker 1: the wrong path for you. And listen, we all want

1231
01:03:04,640 --> 01:03:07,560
Speaker 1: to get money right, but sometimes you got to sacrifice

1232
01:03:07,760 --> 01:03:09,760
Speaker 1: and go through periods of time that we're not making

1233
01:03:09,800 --> 01:03:12,400
Speaker 1: that much money so that later on in the future,

1234
01:03:12,520 --> 01:03:14,560
Speaker 1: in a couple of years from now, you can't legitimately

1235
01:03:14,680 --> 01:03:17,040
Speaker 1: make good money. But you go, I'll tell to law school.

1236
01:03:17,400 --> 01:03:19,360
Speaker 1: I'll go to law school. I'm entering to law school.

1237
01:03:19,520 --> 01:03:21,840
Speaker 1: Pick you're after next. But he talking about that, to

1238
01:03:21,960 --> 01:03:23,760
Speaker 1: know what, why are you even listening to what he

1239
01:03:23,840 --> 01:03:25,120
Speaker 1: has to say about what you want to do with

1240
01:03:25,240 --> 01:03:28,280
Speaker 1: your life because he's telling me I'll need direction. It

1241
01:03:28,440 --> 01:03:30,640
Speaker 1: sounds like somebody that's advising you to not go to

1242
01:03:30,760 --> 01:03:32,520
Speaker 1: school and not go to law school and saying that

1243
01:03:32,560 --> 01:03:35,240
Speaker 1: that's getting in the way is actually in the way himself.

1244
01:03:35,520 --> 01:03:37,400
Speaker 1: It sounds like in order for him to control you,

1245
01:03:37,520 --> 01:03:39,200
Speaker 1: he wants to make sure that you never make something

1246
01:03:39,240 --> 01:03:42,200
Speaker 1: more out of your life. Yeah, you're worried. You're worried,

1247
01:03:42,320 --> 01:03:45,960
Speaker 1: so I ain't going back out there. Yeah, you'd telling

1248
01:03:46,040 --> 01:03:48,560
Speaker 1: me don't go back out there, all right, Well I'm

1249
01:03:48,600 --> 01:03:50,720
Speaker 1: telling you don't go back out there. He's trying to

1250
01:03:50,760 --> 01:03:52,800
Speaker 1: persuade me and talking about we gonna get this night

1251
01:03:52,920 --> 01:03:56,840
Speaker 1: last playing and all this stuff. But he ly and

1252
01:03:56,960 --> 01:03:58,920
Speaker 1: you know, he missed with a mad other chicks too,

1253
01:03:59,560 --> 01:04:02,640
Speaker 1: oh core, and he telling them the same thing he

1254
01:04:02,840 --> 01:04:05,960
Speaker 1: brought me to this other ship. He ain't no wire.

1255
01:04:06,160 --> 01:04:10,880
Speaker 1: He gonna let me know what it is, okay, And

1256
01:04:12,280 --> 01:04:14,919
Speaker 1: and you're okay with that? Yeah, I mean, I'm I'm

1257
01:04:15,960 --> 01:04:17,720
Speaker 1: I don't like, I'm gonna tell you something right now.

1258
01:04:18,000 --> 01:04:19,800
Speaker 1: We always say, well, at leasie ain't lie with at

1259
01:04:19,840 --> 01:04:21,560
Speaker 1: least he kept it rail. At least he's up front

1260
01:04:21,560 --> 01:04:23,600
Speaker 1: about it. These other dudes out here and be lying, No,

1261
01:04:23,920 --> 01:04:25,960
Speaker 1: it's not at least that it's not okay for somebody

1262
01:04:26,000 --> 01:04:28,000
Speaker 1: to do stuff like that to you just because they're

1263
01:04:28,000 --> 01:04:31,160
Speaker 1: being honest about it. Yeah, you're right, But I mean

1264
01:04:31,280 --> 01:04:35,240
Speaker 1: I prefer somebody to tell me how about you, and

1265
01:04:35,440 --> 01:04:38,120
Speaker 1: rather somebody not do that. You gotta expect better for

1266
01:04:38,200 --> 01:04:41,160
Speaker 1: yourself and have better expectations for yourself. How about be

1267
01:04:41,280 --> 01:04:44,080
Speaker 1: with somebody that doesn't do those things, that's not bringing

1268
01:04:44,120 --> 01:04:46,160
Speaker 1: you to other women's houses, that's not cheating on you,

1269
01:04:46,520 --> 01:04:48,560
Speaker 1: that helps you take care of your family, that supports

1270
01:04:48,560 --> 01:04:49,760
Speaker 1: you and wants you to go to school and do

1271
01:04:49,840 --> 01:04:52,840
Speaker 1: better for your life. Why can't you find somebody like that? Man?

1272
01:04:53,240 --> 01:04:56,360
Speaker 1: That's the square stuff? Though, like you got your name,

1273
01:04:56,480 --> 01:04:59,560
Speaker 1: you want you to give them money. Ain't doing nothing

1274
01:04:59,640 --> 01:05:03,400
Speaker 1: for you at least? I mean you listen forget about

1275
01:05:03,440 --> 01:05:05,560
Speaker 1: them doing something for you. What about you doing something

1276
01:05:05,600 --> 01:05:07,640
Speaker 1: for yourself? I mean I can do something for much.

1277
01:05:07,880 --> 01:05:10,120
Speaker 1: I got my own all right, Good, well, you keep

1278
01:05:10,200 --> 01:05:13,560
Speaker 1: your own and take care of your child and handle that.

1279
01:05:13,960 --> 01:05:16,479
Speaker 1: Instead of thinking about getting this fast money, think about

1280
01:05:16,600 --> 01:05:20,000
Speaker 1: securing a bag for later on in the future, having

1281
01:05:20,040 --> 01:05:22,760
Speaker 1: a foundation, having your education together so you can do

1282
01:05:22,840 --> 01:05:24,840
Speaker 1: and be anything you want to be in life. Here

1283
01:05:25,120 --> 01:05:27,520
Speaker 1: you right, I'm gonna take that advice. Y'all have a

1284
01:05:27,600 --> 01:05:29,960
Speaker 1: good day, all right, you too? I hope you don't

1285
01:05:29,960 --> 01:05:32,080
Speaker 1: call him right now. I don't ask key. I don't

1286
01:05:32,080 --> 01:05:34,040
Speaker 1: even know what went on in that call, but if

1287
01:05:34,080 --> 01:05:36,920
Speaker 1: you decipher didn't figure it out, I'm happy. It was

1288
01:05:37,000 --> 01:05:37,640
Speaker 1: just madness,