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Speaker 1: All right, let's begin. Hey everybody, we are ten degrees

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Speaker 1: away from freezing in California. I don't know why it's

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Speaker 1: so cold in the sun is out and it's beautiful,

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Speaker 1: but but I've got like mittens on. Yeah, Like my

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Speaker 1: house is called because for the first time, the first time, right,

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Speaker 1: and it smells a little bit like because it's probably

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Speaker 1: killing all the flies in there something. That's what's happening

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Speaker 1: in my house. The heat is on. The heat is on.

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Speaker 1: It says it's fifty nine degrees, but that's bullshit. It's

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Speaker 1: really forty something. No, it's not forties, bro, but it's

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Speaker 1: it's this morning, it was forty seven degree. It's cold

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Speaker 1: for La man. This is not normal. But at least

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Speaker 1: the sun is out. It's beautiful out. It's warmer in

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Speaker 1: New York City right now it looks like a yeah,

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Speaker 1: it feels like a beautiful New York City fall day

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Speaker 1: in La La Land. I have something to show you,

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Speaker 1: Oh gods in the canyons that will never fade away.

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Speaker 1: Ballads in the barrooms that played by those who came before.

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Speaker 1: They say you've got a Vaughan and more so I

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Speaker 1: beg at every door. No one wants to hear that.

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Speaker 1: I mean, I do, but the audience doesn't. The audience

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Speaker 1: was a little upset about the ship we talked about that.

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Speaker 1: They were like enough with the Star Wars, someone like, um,

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Speaker 1: I saw one comment that was like, oh my god,

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Speaker 1: it's now an Andor and Scrubs podcast. I'm in, well,

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Speaker 1: I love that person. But to the people that were like,

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Speaker 1: can you just tell us when we had to fast

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Speaker 1: forward too so we can get to the Scrubs talking,

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Speaker 1: you can't eat a day. You know, I was thinking

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Speaker 1: about the subject of haters and and I was thinking

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Speaker 1: a lot about Taylor Swift because you know, when I

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Speaker 1: loved about Taylor Swift for the being the first human

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Speaker 1: being to take over every slot of the Top ten billboard.

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Speaker 1: That's crazy is that because she has the level of

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Speaker 1: fame she has, she also probably had the most haters

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Speaker 1: because just you know, per capita, that many people, and

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Speaker 1: I just I just love that with someone with that

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Speaker 1: many detractors said, I don't it doesn't matter. Look at

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Speaker 1: look at the numbers, look at look at I'm she

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Speaker 1: didn't say that. What she said was that hate hate, hate, hate, hate, right,

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Speaker 1: I'm just saying I love for someone I love for

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Speaker 1: someone who has um probably the most haters that she

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Speaker 1: has told you she gave you the formula. She gave

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Speaker 1: you the formula. Shake that shit off, Zach, Yeah, shake

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Speaker 1: it off. Well, listen, Joel, was it you who pointed

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Speaker 1: out someone pointed out to me there has never not

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Speaker 1: been a male artist in the top ten. Oh it

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Speaker 1: wasn't me. But that's a fascinating piece of absormation. Mon

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Speaker 1: Taylor for the women. Um, I'm just impressed with her.

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Speaker 1: And I liked the album a lot. Um you know,

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Speaker 1: I I do, I do. I gotta say, you know,

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Speaker 1: I like I like Taylor Swift and I love Taylor Swift.

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Speaker 1: And I'm not a huge fan of the album. Okay,

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Speaker 1: not every song is a bop, but there's like there's

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Speaker 1: two great singles and then there's some that are very moving,

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Speaker 1: I think, but you know, maybe that's the It's not

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Speaker 1: my favorite record of hers. And I'm not alone, Jam,

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Speaker 1: you know, I'm not alone in saying this, But I

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Speaker 1: do appreciate what she's done. I think this is I think,

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Speaker 1: just for music in general and for the you know,

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Speaker 1: her path is one of you know, she's a right

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Speaker 1: she came from being a writer and a little kid

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Speaker 1: who liked to write songs, and now she's captured all

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Speaker 1: ten spots on the top one, top ten spots on

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Speaker 1: the Side's amazing. I'm so impressed with her. And and

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Speaker 1: you know, it's like even Jack Antonoff, who produces her stuff,

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Speaker 1: I've made him a couple times, couldn't be a nicer person.

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Speaker 1: I saw that he was. He was getting a lot

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Speaker 1: of hate people like, oh my god, he's he's making

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Speaker 1: all these albums from all these women of sound the same,

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Speaker 1: which I don't know enough about to even comment on.

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Speaker 1: But I thought the production was really cool and unique.

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Speaker 1: And I don't know, I'm just like, I'm happy for

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Speaker 1: them because like they got, they got they got a

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Speaker 1: lot of like mixed reviews, I guess, I surmise mixed.

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Speaker 1: I think mixed mixed reviews with success is kind of

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Speaker 1: what you want, isn't it right. I'm just this is

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Speaker 1: this is coming off of your comment about like, oh,

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Speaker 1: some people were hating on us talking so much about

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Speaker 1: and yeah, and I know you're kidding, and it's like

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Speaker 1: a micro thing compared to what I'm talking about, but

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Speaker 1: in the larger scoop of things, I just kept I

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Speaker 1: just kept smiling for Taylor Swift this week because I

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Speaker 1: was just like, this girl, this woman has so many

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Speaker 1: detractors and obviously nine zillion fans. She's going on a

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Speaker 1: full stadium tour. But um but I was just I

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Speaker 1: was just impressed, Like, we're at her go. She's got everything.

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Speaker 1: No one has ever had every song in the top

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Speaker 1: ten before. That's incredible, that's amazing. And you know what

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Speaker 1: I say to Taylor, do or do not? There is

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Speaker 1: no try. You know that does sound like Frank Oz,

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Speaker 1: but it's actually Can I show you guys something that

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Speaker 1: I'm very proud of. Yes, please, I have a visual display.

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Speaker 1: Um um, so, my trailer and poster for my film

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Speaker 1: with Morgan Freeman and Florence pew Is are getting ready

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Speaker 1: to drop in December, and I'm going to give you

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Speaker 1: guys the first. Uh, this is the first. This is

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Speaker 1: the final print of the poster. Hung it on the

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Speaker 1: stand to show you it's big. Love it. I love it. Wow. Yeah,

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Speaker 1: this is eye catching. Is that cool? That's really cool.

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Speaker 1: That's really great. I'm so excited about it. You guys, Wow,

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Speaker 1: you should be cool. I can't wait. And uh, it's

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Speaker 1: only in theaters. Only in theaters. UM audience, please mark

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Speaker 1: your calendars. It will be in UM UM I believe,

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Speaker 1: unless something changes, it will be in UM New York, La,

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Speaker 1: Texas UM the twenty fourth of March, and then it

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Speaker 1: will be everywhere the following weekend three thirty one March

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Speaker 1: thirty first, So UM, please put in your calendar, les Go.

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Speaker 1: This is like one of the things I'm most proud

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Speaker 1: of that I've ever made, and and I'm just you know,

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Speaker 1: we had to pause because, you know, we waited to

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Speaker 1: come out of the spring because Florence had two big

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Speaker 1: movies come out, so we wanted to wait and not

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Speaker 1: have the marketplace be two crowded. And so now it's fine.

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Speaker 1: You know, which was which was a bomber? Is solely

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Speaker 1: because I wanted to share this with everyone. I'm so

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Speaker 1: proud of it. But now that like it's November, like

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Speaker 1: shit starting to gear up for like promoting March, and

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Speaker 1: it's exciting and like I literally had to sign off

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Speaker 1: like on the final this the final poster they sent

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Speaker 1: me to print, and they're like speak now or never,

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Speaker 1: and uh and it's it's done. I couldn't find I'm

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Speaker 1: like looking at looking for typos. I'm like looking at everything.

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Speaker 1: I love it. Anyway, that's the that's the poster and audience.

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Speaker 1: You're gonna see it very soon. I believe December is

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Speaker 1: when the trailer and uh and this poster will be

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Speaker 1: placed underous applause. Daniel, Daniel's not here, so I'll hit

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Speaker 1: the button for myself. But Daniel Edipos also, I love it.

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Speaker 1: I love it. I'm very proud of it, very exciting.

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Speaker 1: I love that you're putting yourself out there like that. Again, man,

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Speaker 1: that's always, that's always. It's always an adventurous feeling, you know,

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Speaker 1: to be I guess trepidacious right when you're out to discus,

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Speaker 1: you know what I mean. So like when you have

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Speaker 1: that in your when you have that in you and

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Speaker 1: you and you're not afraid to say, well, here I

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Speaker 1: am and this is me. Yeah, you know what I mean,

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Speaker 1: take it, take it or leave it. This is what

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Speaker 1: came out of me. This is me. And I really

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Speaker 1: feel very very proud of it. I know, I can't.

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Speaker 1: I don't know if I've ever told you that story.

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Speaker 1: Did I tell you that story about bonne Vera saying

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Speaker 1: to me, um justin Vernon saying to me, Um, that's

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Speaker 1: the song that came out of me for which I

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Speaker 1: was here. Did I tell that story? No? I don't

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Speaker 1: think so, audience. I'm sorry if I'm repeating it, so

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Speaker 1: I'll tell it quickly. But you know, he wrote a

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Speaker 1: song for which I was here, and and it was

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Speaker 1: incredible and I was so honored and um, and he

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Speaker 1: as genius as the song was, and I love the song,

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Speaker 1: it wasn't quite right for the for the moment that

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Speaker 1: I had placed the attempt song. And so I had

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Speaker 1: the audacity slash balls to be like, hey man, I

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Speaker 1: love it, it's incredible, Um, could you tweak it here? Here?

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Speaker 1: Here's why, because you know it doesn't work quite in

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Speaker 1: that moment. And here's why. And he was like, Zach,

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Speaker 1: I sat down and I watched your movie and I

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Speaker 1: was really moved by it. And I got up and like,

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Speaker 1: that's what came out of me, and like that's that's

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Speaker 1: what I That's what I have to offer because that's

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Speaker 1: that's what came out of me. So I think about

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Speaker 1: that a lot when I'm putting my own stuff out there.

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Speaker 1: I'm sure this is you know, something you can relate

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Speaker 1: to for putting your animation out there. It's like, hopefully

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Speaker 1: people love it. Maybe some people won't. But it's me,

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Speaker 1: it's it's it's it's what I have to say. It's

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Speaker 1: what came out of me and and uh and and

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Speaker 1: it's so pure in that it's me and um and

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Speaker 1: of course the genius work of of Florence Pugh and

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Speaker 1: Morgan Freeman and Molly Shannon and so many others. Um.

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Speaker 1: So I'm really I'm really proud of it. I think

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Speaker 1: it's something special. I hope it. Doll Phason, Yeah, we're

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Speaker 1: upset about that. Well, we're gonna we have big plans.

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Speaker 1: Speaking of which, I think our ads are already running,

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Speaker 1: because my agents sent me a picture and I said, oh,

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Speaker 1: is that an early uh cut you saw? And he goes, no,

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Speaker 1: that's on TV. What They're already out there, bro, No

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Speaker 1: are new T Mobile spots certainly by the time I, yeah,

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Speaker 1: we got some. Um, we had some new T Mobile

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Speaker 1: spots you guys that I think we are pretty funny.

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Speaker 1: And there's three new ones and um, I'm very excited.

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Speaker 1: I didn't think they'd be airing this quickly. I thought

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Speaker 1: it was const for the holidays, just in time for

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Speaker 1: the holidays. Had a lot of fun making these. We

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Speaker 1: cracked up like the old days. We laughed hard. And

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Speaker 1: a shout out to Brian Klugman, who's um, who's who's

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Speaker 1: been on the podcast. Remember he wrote that children's book

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Speaker 1: and he's sort of the don draper of this for

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Speaker 1: T Mobile, and he's just such a fan of ours

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Speaker 1: and such a supporter. Him and Eric Piney, Him and

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Speaker 1: Eric Piney and um and they and so and so

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Speaker 1: it was just kind of like Brian was kind of

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Speaker 1: like the Bill Lawrence character in the situation. And Donald

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Speaker 1: and I are just doing these ads and riffing and

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Speaker 1: he's adding more jokes and it's just like so fun.

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Speaker 1: I love I'll just reminded me the old days, dude.

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Speaker 1: I love laughing with you and being silly with you,

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Speaker 1: and and we get to do that. But hopefully we

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Speaker 1: get to do this again. And I'm not just talking

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Speaker 1: about the T mobile ads. Like you know, Joel said

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Speaker 1: that the emails came in or the was it emails

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Speaker 1: or was it a voicemails? We had asked for voicemails. Yeah,

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Speaker 1: the voicemails came in like gangbusters. I truthfully, I want

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Speaker 1: to hear each and every pitch. But I guess there's

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Speaker 1: way too many for that time. Will Jilbell will narrow

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Speaker 1: it down. But I just want to say, it's so

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Speaker 1: fun laughing with you, dude, and and making those spots.

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Speaker 1: And I hope the audience when you see them, there's

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Speaker 1: three new ones, they'll be they'll be rolling out and uh,

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Speaker 1: I don't know. Um, I guess they're already on the air,

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Speaker 1: which is surprising because we just shot them. But they're funny.

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Speaker 1: We just shot by girls stories about show. We made

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Speaker 1: about a bunch of dots, and nurses said stories. So

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Speaker 1: get around here, yatoo around here? All right? So this

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Speaker 1: was a this was a great episode. Really you liked it? No,

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Speaker 1: you didn't like it. I mean I giggled, But it's

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Speaker 1: not I think it's a beast side. I loved that

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Speaker 1: it was a B side. I love that there was

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Speaker 1: nothing really it was just nothing really that meaningful. Yeah,

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Speaker 1: you know it just you know, it's it's the content.

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Speaker 1: I love that. I love the theme of it. You know,

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Speaker 1: everybody's a hypocrite. The hypocrisy in a hospital is ridiculous,

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Speaker 1: you know what I mean, Like, how are you going

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Speaker 1: to tell me to take care of myself and you're

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Speaker 1: not taking care of yourself. And that's what we always do.

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Speaker 1: That's what the I do it with my kids all

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Speaker 1: the time, you know what I mean. So some you know,

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Speaker 1: I tell my kids you can't play video games, and

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Speaker 1: then I'm on the video game for fucking five hours

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Speaker 1: in a day when they're in school and shit like that,

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Speaker 1: you know, and I'm upset that they're playing for over

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Speaker 1: a half an hour. You know. It's it's you're trying

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Speaker 1: to save them from there they're in young minds. I fail.

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Speaker 1: It's but I fail it so you fail. It's so

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Speaker 1: much at so many things that sometimes just having a win,

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Speaker 1: even if you're not abiding by your own rules, just

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Speaker 1: that win is enough, you know. Um. And and that

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Speaker 1: really is what it that seems like what it's what's

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Speaker 1: going on in this episode is about that. Yeah, it's

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Speaker 1: of course it's about hypocrisy and um it's also about

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Speaker 1: growing up. Um. JD finally gets told by a lot

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Speaker 1: of people that he needs to grow up, which is true.

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Speaker 1: I mean, he does the most ludicrous thing that just

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Speaker 1: trying to bash the car windscreen windshield of the brand

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Speaker 1: new car that his brothers bought him. I didn't understand

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Speaker 1: that at all. It was so it was so disrespectful

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Speaker 1: to Dan. I mean, even if he thought Dan, you know,

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Speaker 1: my first instinct was Dan is shady, like to Dan

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Speaker 1: steal this car now, like Dan doesn't tell the truth,

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Speaker 1: you know, And I remembered this episode and then but okay,

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Speaker 1: so then we eventually learned that no, Dan really has

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Speaker 1: turned his life around, and he's got some money and

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Speaker 1: he's buying JD a car because j D. JD can't

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Speaker 1: go visit his son forty miles away, forty minutes away

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Speaker 1: to go m that's not going to be convenient. He

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Speaker 1: can't do that on a scooter, which he mentions is

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Speaker 1: the only thing he has. And Dan gets mum, what

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Speaker 1: appears to be a prious I think, and JD's first

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Speaker 1: instinct is to smash or attempt to smash the windshield.

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Speaker 1: I thought that was so I mean, just from an

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Speaker 1: outside perspective of I know it's a comedy, but like

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Speaker 1: what a dick. Yeah, he can't take it jealousy, it's

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Speaker 1: a bit. And then he says he literally says, I'm

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Speaker 1: supposed to be You're supposed to be the loser, not me.

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Speaker 1: I mean that is so fucking obnoxious. All right, we're

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Speaker 1: jumping so far. So I no, no, I'm sorry, I'm sorry.

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Speaker 1: I won't come to it. I just I'm just saying

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Speaker 1: in the overall tone of the episode, I don't know.

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Speaker 1: I just thought this. This episode, They're all great, by

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Speaker 1: the way, was written by the very funny Debb before

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Speaker 1: him and directed by the man himself, Bill Lawrence and

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Speaker 1: a little trivia. This was a green episode during NBC's

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Speaker 1: Go Green Week, so I guess NBC at the time

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Speaker 1: had had an initiative to push people to go green,

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Speaker 1: and they I imagine they said to Bill, can you

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Speaker 1: please work something into the episode related to going green

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Speaker 1: for the environment. And that's why the whole Jender storyline

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Speaker 1: is about recycling and stuff like that. Well, we start

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Speaker 1: off the show. Jad's having a moment, you know, about

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Speaker 1: being about being your dad, and he's kind of geeked

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Speaker 1: about it, kind of nervous about it and takes the

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Speaker 1: wind out of his sales. And then we go into

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Speaker 1: the hospital and now for me, a scale is triggering.

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Speaker 1: I have issues with scales because you know, it's not

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Speaker 1: supposed to be how much you weigh. It's supposed to

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Speaker 1: be how you look and feel. That's how you determine

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Speaker 1: your happiness. Not a number right right, But in the

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Speaker 1: scheme of things for the for the episode, they put

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Speaker 1: a scale in the hospital for some reason. In hospital

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Speaker 1: they got some new fancy scale. Yeah, but they put

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Speaker 1: it right in the middle of the of the of

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Speaker 1: the fucking er. I see it and all the women

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Speaker 1: are freaking out because the scales in town. They're all

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Speaker 1: staring at it. Carl it right away is like I

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Speaker 1: could I could use five or six pounds, like right away,

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Speaker 1: That's the first thing she goes to because the scale

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Speaker 1: is in the room, and that's always what it is

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Speaker 1: like for me. I could have a six pack and

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Speaker 1: look great, but if the scale doesn't match the number

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Speaker 1: that I want to be, then there's something wrong. But

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Speaker 1: if you're training, though, it's funny because you know, the

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Speaker 1: weight doesn't really change that much. So if you're losing

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Speaker 1: body fat and gaining muscle, you know your weight is

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Speaker 1: gonna but you're also going to drop. You're also dropping

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Speaker 1: water weight too, so the more water you drink, the

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Speaker 1: more water It depends what your goal is. If you're

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Speaker 1: just trying to lose, if you're if you if you're

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Speaker 1: trying to lose fat, then you're gonna obviously your number

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Speaker 1: is gonna go down if you're doing it right. But

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Speaker 1: I find that when I'm trying to cut fat but

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Speaker 1: gain muscle, my weight doesn't. It doesn't go down at all.

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Speaker 1: All that happens is your waist gets smaller and the

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Speaker 1: muscles look bigger and the fat starts. By the way,

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Speaker 1: I had a really great moment that happened to me.

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Speaker 1: I have to do a humble brag. I saw the

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Speaker 1: directors from my new movie with Vanessa Hudgins, and I

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Speaker 1: really got in good shape for it because even even

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Speaker 1: though my character necessarily wasn't like supposed to be ripped

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Speaker 1: by any stretched imagination, Um, I was gonna be shirtless

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Speaker 1: a few times. And I'm like, I'm not gonna not

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Speaker 1: look good. Yeah, you don't want you didn't want the bagel,

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Speaker 1: and and the directors were like, dude, it makes we

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Speaker 1: finally got to the first shirtless. They're cutting it like

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Speaker 1: we get to the first shirt liste. It makes no

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Speaker 1: sense that your characters that ripped like he's he's a

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Speaker 1: middle school teacher in Brooklyn, like with you know, I'm like, well,

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Speaker 1: he could be a guy who trains, why not, Like yeah,

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Speaker 1: but he's sort of you know, he's a little bit dorky.

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Speaker 1: He's a little bit like there's even a joke about

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Speaker 1: you to come back and do reshoots. No, no, no,

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Speaker 1: they're just saying, they're just saying. I was like, I

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Speaker 1: was like, well, don't cut around it, bro I put

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Speaker 1: a lot of work in. No, there's no way to

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Speaker 1: cut around it. You're ripped. And I was like, I

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Speaker 1: can't tell if you're upset or but I don't really care,

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Speaker 1: thank you. Um, but I'm not you know, you know,

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Speaker 1: I'm not going to be in a movie with Vanessa

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Speaker 1: Hudgins and this and this woman, Evelyn Brochhoe's a beautiful

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Speaker 1: French actress, French kitty actress, Like I'm gonna look my best.

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Speaker 1: I'm sorry, guys, I'm not like, I'm not like Colin

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Speaker 1: Farrell and I'm gonna gain you know, these guys, you

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Speaker 1: gain fifty pounds to be more in character. And that's

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Speaker 1: not what's his name, Batman, Christian Christian Belle. He's the

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Speaker 1: ultimate guy who does that. That dude gets skinny fat

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Speaker 1: and Jason Siegel never cares. He's like, shirt off okay, great.

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Speaker 1: Jason Segel's like, you want to see my dick here?

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Speaker 1: Oh God him and Adam Adam divine both of them, Like,

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Speaker 1: here's my car. I don't want to show my car

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Speaker 1: in anything. I mean, would I guess I would if

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Speaker 1: it was the right thing. Would you? Yeah, I mean

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Speaker 1: I would, But I wouldn't, like, just let it standle there.

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Speaker 1: I'd get it going on all right. When I was

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Speaker 1: younger and came out, when OZ came out, and as

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Speaker 1: an actor powerful or TV show, would you be on OZ?

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Speaker 1: And the whole thing was all always as long as

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Speaker 1: I don't have to show my dick, Because there were

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Speaker 1: some people who had no business show and dick on

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Speaker 1: that show even though it's even though it's from work.

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Speaker 1: It became a novelty if you want to see some

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Speaker 1: dick turn on OZ, right, you know what I'm saying.

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Speaker 1: And some people would show their dick and would have

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Speaker 1: like tiny dick. Well, and it would be like, you

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Speaker 1: shouldn't have showed your dick because now everybody's gonna talk

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Speaker 1: about how tiny look. You can act like it's not

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Speaker 1: a big deal. Let's I don't care who you are

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Speaker 1: out there. You can act like it's not a big deal.

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Speaker 1: But when you look at yourself and you look down

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Speaker 1: at yourself, everybody's always like I wish I could be

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Speaker 1: bigger everybody, even the biggest person on the planet. All right,

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Speaker 1: am I going too far? Yeah? I went to see

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Speaker 1: the play I wanted to say, play in Broadway called

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Speaker 1: on Broadway called Take Me Out Where, which has lots

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Speaker 1: of You have to be okay with penises. Um seeing

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Speaker 1: this because there's just PENI there's seats. I got a

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Speaker 1: good seat, a great angle on all the penises. And

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Speaker 1: you know, it takes place the most part in the

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Speaker 1: locker room and in a shower room, and there's just

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Speaker 1: penises everywhere. It's the most penises I remember seeing penis. Yeah,

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Speaker 1: you see Jesse Williams. In fact, what happened was someone

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Speaker 1: snuck a camera and now they now they do the

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Speaker 1: pouch thing where you have to lock it in the

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Speaker 1: pouch and like like the stand up comedians do these days,

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Speaker 1: and you can't take your phone out until you leave

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Speaker 1: the theater, which is smart because what some fucking asshole

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Speaker 1: is taking pictures. But what's funny is they have two

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Speaker 1: security guards. I haven't told this story, right, No, we

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Speaker 1: be two episodes, but no, I know, but I don't remember.

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Speaker 1: I'm sorry, I don't remember what I sold. So there's

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Speaker 1: two security guards, right, and they're sitting at the front um,

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Speaker 1: you know, stage right and stage left of the of

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Speaker 1: the theater. And they're there to obviously make sure no

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Speaker 1: crazy people jump on stage and just grab Jesse Williams

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Speaker 1: penis or anybody's penis. Just hold on to it. But

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Speaker 1: I'm not letting go. Yeah, some crazy person just jumps

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Speaker 1: up and holds on for dear great would you feel

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Speaker 1: if somebody could just jump up and grab your penis

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00:21:00,600 --> 00:21:04,520
Speaker 1: with I don't think anyone. I'd be like, holy shit,

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00:21:04,600 --> 00:21:10,760
Speaker 1: that's a lot of penis. What happens. What happens is

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Speaker 1: a funny thing though, right, because you're in the audience

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Speaker 1: and these two guards. When you start to realize, if

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Speaker 1: you're an intelligent person, that when the guards stand up,

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00:21:21,240 --> 00:21:24,120
Speaker 1: because at a certain point they they're they're all they're seated, right,

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00:21:24,240 --> 00:21:28,760
Speaker 1: But when they stand up and start scanning, comes, oh,

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00:21:28,800 --> 00:21:31,760
Speaker 1: there's about the penises they're about to come out because

404
00:21:32,760 --> 00:21:35,600
Speaker 1: because their job when the penises are out is to

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Speaker 1: scan the audience for anywhere, right, And it kind of

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00:21:39,680 --> 00:21:41,920
Speaker 1: It kind of tips the show because you're like, oh,

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00:21:41,960 --> 00:21:48,600
Speaker 1: this cock's coming out. They're standing and then the second

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00:21:48,600 --> 00:21:51,240
Speaker 1: that the cocks go away, these big you know, bodyguards,

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Speaker 1: they slowly sit down, like all right, all right, everybody,

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Speaker 1: I got thirty minutes to like, I'll look for people

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Speaker 1: trying to photograph cocks again. It's actually an amazingly acted drama.

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Speaker 1: And there's of course humor in it. Um. Jesse Tyler

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Speaker 1: Ferguson and he's sort of the comic relief. And but

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Speaker 1: it's not a musical. It's not a musical. It's a drama.

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Speaker 1: It takes place. Um, it's about an openly gay baseball

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Speaker 1: player and how um and how other teammates react and um,

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Speaker 1: incredible acting and Jesse Williams is an incredible actor, Um,

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Speaker 1: I have to say. And it's seen among Gray's anatomy.

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Speaker 1: I had never really seen him because I never seen it.

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Speaker 1: He couldn't be a nicer guy. We hung out at

421
00:22:33,840 --> 00:22:36,720
Speaker 1: the Tony's and he's the sweetheart of a person. Any

422
00:22:36,760 --> 00:22:41,160
Speaker 1: basketball pretty well too. And he's got the most amazing eyes. Yeah,

423
00:22:42,359 --> 00:22:44,720
Speaker 1: anytime any time my brother got green eyes, all of

424
00:22:44,760 --> 00:22:48,440
Speaker 1: a sudden, everybody started acting crazy. Terrence Howard. God, look

425
00:22:48,440 --> 00:22:55,439
Speaker 1: at him. Eye. Man Jesse is very very handsome, and

426
00:22:55,520 --> 00:23:01,280
Speaker 1: I have seen his penis. So but anyway, it's actually playing.

427
00:23:01,320 --> 00:23:03,760
Speaker 1: So go suit, kick me out if you don't be

428
00:23:03,800 --> 00:23:05,920
Speaker 1: afraid of the penises. Okay, but I'm gonna give you

429
00:23:06,000 --> 00:23:09,480
Speaker 1: a little spoiler. Um. When those guards stand up, cocks

430
00:23:09,480 --> 00:23:14,240
Speaker 1: are about to fly, so get fly. They don't fly,

431
00:23:14,359 --> 00:23:18,399
Speaker 1: They jiggle. They bounced. They walk. If you if you're

432
00:23:18,440 --> 00:23:21,199
Speaker 1: cocks out and you're walking, okay, So it's it's not

433
00:23:21,240 --> 00:23:24,080
Speaker 1: they're not bouncing it. It's not performance. No, they're not

434
00:23:24,160 --> 00:23:27,800
Speaker 1: taking it and bouncing it. I was hoping, I was.

435
00:23:27,920 --> 00:23:30,679
Speaker 1: I'm not gonna lie. I understand this is a serious

436
00:23:30,720 --> 00:23:32,359
Speaker 1: subject matter, but I was hoping that it was a

437
00:23:32,440 --> 00:23:36,359
Speaker 1: musical naked man dancing, which is do you remember in

438
00:23:36,400 --> 00:23:40,000
Speaker 1: Top Secret when they go to the ballet and the

439
00:23:39,440 --> 00:23:44,680
Speaker 1: and the female dancers are jumping from cock to cock. Yes,

440
00:23:47,240 --> 00:23:49,320
Speaker 1: that was the stupid No, it's not like that. It's

441
00:23:49,359 --> 00:23:52,280
Speaker 1: not like that. All right, anyway, go see Take Me Out.

442
00:23:52,480 --> 00:23:54,200
Speaker 1: Go see Take Me Out, because by all but in

443
00:23:54,240 --> 00:23:58,200
Speaker 1: all seriousness, um, get over the penises and watch some

444
00:23:58,200 --> 00:24:06,080
Speaker 1: some great acting. Um, let's break back the legendary Donald

445
00:24:08,160 --> 00:24:21,920
Speaker 1: don't even act like you know. Ted is all of

446
00:24:21,960 --> 00:24:24,760
Speaker 1: a sudden about climate change. He saw him Convenient Truth. Yes,

447
00:24:24,960 --> 00:24:28,680
Speaker 1: Inconvenient Truth has fucked Ted up, and he is really

448
00:24:28,800 --> 00:24:32,960
Speaker 1: upset and he and he confronts the janitor about why

449
00:24:33,000 --> 00:24:35,480
Speaker 1: his van is on. Now this is what got me.

450
00:24:36,080 --> 00:24:38,760
Speaker 1: That was years ago. This is over ten years ago

451
00:24:39,119 --> 00:24:42,720
Speaker 1: that we were talking about climate change and everything like

452
00:24:42,760 --> 00:24:48,040
Speaker 1: that in al Gore. Yeah, we are now witnessing some

453
00:24:48,080 --> 00:24:49,840
Speaker 1: of the things he was talking about, of course, and

454
00:24:49,960 --> 00:24:52,680
Speaker 1: it's all happening way sooner than even al Gore's movie

455
00:24:52,680 --> 00:24:55,880
Speaker 1: he said it was happening. Yeah, it's a great time

456
00:24:55,920 --> 00:24:59,560
Speaker 1: to buy a house at sea level. No, it isn't

457
00:24:59,680 --> 00:25:02,240
Speaker 1: like if you live in an apartment building in New

458
00:25:02,280 --> 00:25:04,520
Speaker 1: York City. Just know that you might be looking out

459
00:25:04,640 --> 00:25:09,720
Speaker 1: into the ocean one day. Um, I'm trying to put

460
00:25:09,760 --> 00:25:14,040
Speaker 1: solar on my house. Um, I just I'm we have solar.

461
00:25:14,359 --> 00:25:16,440
Speaker 1: You do have solar. I'm trying to get it. There's

462
00:25:16,440 --> 00:25:18,679
Speaker 1: only one there's only one spot where I think it

463
00:25:18,680 --> 00:25:20,720
Speaker 1: could work. The guy's coming out to assess if I

464
00:25:20,760 --> 00:25:24,280
Speaker 1: get enough sunlight. Because it's expensive. Man, you save money

465
00:25:24,320 --> 00:25:27,760
Speaker 1: when you get a rebate because run. But yeah, it's

466
00:25:27,800 --> 00:25:30,879
Speaker 1: a lease or you can buy it. Like discourage people.

467
00:25:31,160 --> 00:25:34,400
Speaker 1: I'm not discouraging anyone. I'm just saying to transfer over

468
00:25:34,520 --> 00:25:38,960
Speaker 1: into electrical and solar energy. It's going to be expensive

469
00:25:39,000 --> 00:25:42,080
Speaker 1: for the state of California, but there are California incentives.

470
00:25:42,119 --> 00:25:44,359
Speaker 1: And by the way, if you have the right amount

471
00:25:44,359 --> 00:25:47,600
Speaker 1: of sun on your land, you can be making so

472
00:25:47,680 --> 00:25:50,840
Speaker 1: much electricity that you're actually selling it back to the city.

473
00:25:51,760 --> 00:25:54,880
Speaker 1: So look into it if you're if you're if you

474
00:25:55,000 --> 00:25:58,000
Speaker 1: can afford it, because yeah, you might have to put

475
00:25:58,000 --> 00:26:01,639
Speaker 1: out some upfront cost, but then over x amount of

476
00:26:01,720 --> 00:26:03,720
Speaker 1: years you actually could be making money if you have

477
00:26:03,840 --> 00:26:06,920
Speaker 1: the enough sunlight on your property. Yeah, it's yeah. The

478
00:26:07,240 --> 00:26:10,280
Speaker 1: transfer is the transfers where where they get you. But

479
00:26:10,320 --> 00:26:12,080
Speaker 1: in the in the long run, you're actually I saw

480
00:26:12,119 --> 00:26:15,000
Speaker 1: this thing. It's so cool, dude. It's super expensive, so

481
00:26:15,119 --> 00:26:18,600
Speaker 1: it's not really makes sense for most people. But it's

482
00:26:18,600 --> 00:26:23,800
Speaker 1: this giant sunflower looking solar thing. Right. It's the size

483
00:26:23,800 --> 00:26:27,520
Speaker 1: of a small tree, but it in the morning, it

484
00:26:27,680 --> 00:26:32,080
Speaker 1: unfurls like a sunflower and it spins as the sun moves,

485
00:26:32,280 --> 00:26:35,160
Speaker 1: and just the solar panels are like an open flower

486
00:26:35,280 --> 00:26:38,040
Speaker 1: and it turns to just go all day long wherever

487
00:26:38,080 --> 00:26:42,639
Speaker 1: the sun is. Wow, isn't that cool? It's way cool. Yeah,

488
00:26:42,680 --> 00:26:46,520
Speaker 1: I geeked out on it. And you could power all

489
00:26:46,520 --> 00:26:49,760
Speaker 1: of your equipment with solar and get batteries. You can

490
00:26:49,760 --> 00:26:54,080
Speaker 1: get batteries and save it anyway. Tom Cavanaugh is bad

491
00:26:54,720 --> 00:26:58,240
Speaker 1: his back and he does. He doesn't crazy, He's very elaborate.

492
00:26:59,440 --> 00:27:02,280
Speaker 1: Before I realized that Tom Kavanaugh was gonna surprise me,

493
00:27:02,320 --> 00:27:05,040
Speaker 1: because I don't remember this episode much, I was like, Wow,

494
00:27:05,080 --> 00:27:08,920
Speaker 1: they don't normally just stroll into rooms with dead, bloody

495
00:27:08,960 --> 00:27:11,240
Speaker 1: bodies on them on Scrubs, like first of all, the

496
00:27:11,280 --> 00:27:14,639
Speaker 1: doors just open. There's no like, there's no like respect

497
00:27:14,720 --> 00:27:17,320
Speaker 1: for the deceased, Like you know, this feels like at

498
00:27:17,320 --> 00:27:20,960
Speaker 1: a character for Scrubs. And Turk's being so cavalier about it,

499
00:27:21,040 --> 00:27:24,760
Speaker 1: like yeah, yeah, the guy dad yeah, And and I

500
00:27:24,880 --> 00:27:27,080
Speaker 1: just as I before I realized what was happening, I

501
00:27:27,119 --> 00:27:29,240
Speaker 1: was like, wow, that's a little out of character for

502
00:27:29,280 --> 00:27:33,919
Speaker 1: these for the show. Of course, someone has done amazing prosthetic.

503
00:27:33,960 --> 00:27:37,920
Speaker 1: I didn't know they hired a prosthetic artist to do

504
00:27:38,200 --> 00:27:41,119
Speaker 1: Dan's back to look so real, like it again split

505
00:27:41,280 --> 00:27:43,960
Speaker 1: down the middle, like they hired someone for like ten

506
00:27:44,040 --> 00:27:48,879
Speaker 1: grand to do a very elaborate split open prosthetics on

507
00:27:49,000 --> 00:27:52,560
Speaker 1: Dan speaking a very elaborate prosthetics. Did you see Heidi kloonefer,

508
00:27:54,240 --> 00:27:58,280
Speaker 1: Oh my god, an amazing worm, Like, how do you

509
00:27:58,400 --> 00:28:00,639
Speaker 1: party in that thing? She didn't party, and that she

510
00:28:00,680 --> 00:28:03,280
Speaker 1: wore that for the red carpet and then took that off.

511
00:28:04,160 --> 00:28:07,800
Speaker 1: She gets love in the outfit, and she posted a

512
00:28:07,840 --> 00:28:11,560
Speaker 1: hole behind scenes video of her, like when the costume

513
00:28:11,600 --> 00:28:14,080
Speaker 1: was just like foam, and so she practiced, like the

514
00:28:14,160 --> 00:28:16,560
Speaker 1: laying down part was practiced, and how to get up

515
00:28:16,600 --> 00:28:19,479
Speaker 1: and how to move and then eventually, like halfway through

516
00:28:19,480 --> 00:28:21,600
Speaker 1: the party, there was a reveal where she takes the

517
00:28:21,640 --> 00:28:23,520
Speaker 1: worm part off and she has like a sparkly like

518
00:28:23,960 --> 00:28:27,399
Speaker 1: naked looking suit you know I'm talking about, but it

519
00:28:27,400 --> 00:28:30,320
Speaker 1: looks like skin but with diamonds all over it. Basically, Well,

520
00:28:30,359 --> 00:28:32,280
Speaker 1: she had a lot of pressure too. She always has

521
00:28:32,280 --> 00:28:34,920
Speaker 1: a lot of pressure, that woman to bring the best costume.

522
00:28:35,080 --> 00:28:37,480
Speaker 1: That's her fault. She shouldn't have killed it so hard

523
00:28:37,520 --> 00:28:40,520
Speaker 1: the first time. The first time I forgot. I don't

524
00:28:40,560 --> 00:28:42,719
Speaker 1: know her and Cel used to go nuts when they

525
00:28:42,760 --> 00:28:45,760
Speaker 1: were married. I remember that. I remember, like their Halloween

526
00:28:45,800 --> 00:28:48,400
Speaker 1: party used to be the jam and then they got divorced,

527
00:28:48,400 --> 00:28:50,560
Speaker 1: and I thought, oh, well, there goes a Halloween party.

528
00:28:51,240 --> 00:28:53,400
Speaker 1: Heidi's like, no, this ship is still going. I don't

529
00:28:53,400 --> 00:28:57,480
Speaker 1: need to to keep this thing going. That costume was amazing.

530
00:28:58,600 --> 00:29:01,560
Speaker 1: It was out of this world, all right, this world? Alright?

531
00:29:01,560 --> 00:29:06,400
Speaker 1: So wait, wait, wait, So Dan does a big zombie

532
00:29:06,480 --> 00:29:09,560
Speaker 1: hug that scares the shit out of me. There's people watching,

533
00:29:09,680 --> 00:29:14,320
Speaker 1: people gathered. You've you've helped him do this scary prank

534
00:29:14,320 --> 00:29:17,240
Speaker 1: on me. And then you're walking in the hallway and

535
00:29:17,400 --> 00:29:22,920
Speaker 1: I jump out and go, I'm a monster because I'm

536
00:29:22,920 --> 00:29:26,000
Speaker 1: trying to scare him. Right, you know what I had

537
00:29:26,000 --> 00:29:28,360
Speaker 1: an idea for when watching I remember riffing that we

538
00:29:28,400 --> 00:29:30,800
Speaker 1: did like ten versions of what I would say and

539
00:29:31,120 --> 00:29:33,200
Speaker 1: and I'm a monster one. I think I came up

540
00:29:33,200 --> 00:29:37,000
Speaker 1: because I'm a monster. I had a great idea. And

541
00:29:37,040 --> 00:29:40,400
Speaker 1: you guys, since we're in we have a pitching point

542
00:29:40,520 --> 00:29:43,239
Speaker 1: at the end of this. But the Young Dan and

543
00:29:43,400 --> 00:29:45,560
Speaker 1: j D show would be a lot of fun instead

544
00:29:45,560 --> 00:29:47,600
Speaker 1: of like, you know, like Young Sheldon. What if it

545
00:29:47,720 --> 00:29:51,480
Speaker 1: was young Dan and j D and their dad, you

546
00:29:51,520 --> 00:29:55,520
Speaker 1: know what I mean? Like, but you know, that would

547
00:29:55,520 --> 00:29:57,960
Speaker 1: be a pretty interesting show. In what about No No

548
00:29:58,000 --> 00:30:00,040
Speaker 1: one wants to see anything without young Turk and we

549
00:30:00,080 --> 00:30:03,560
Speaker 1: didn't meet till college. Yeah, but that's that's about Turkey JD.

550
00:30:03,720 --> 00:30:07,960
Speaker 1: The college years, Oh my god, they made I don't

551
00:30:07,960 --> 00:30:10,840
Speaker 1: know if that works. I don't know if that works. Yeah,

552
00:30:11,360 --> 00:30:13,720
Speaker 1: you did have a high top fade, that's that's for sure.

553
00:30:14,280 --> 00:30:17,360
Speaker 1: Every day. And there were no water balloons. There were

554
00:30:17,000 --> 00:30:20,520
Speaker 1: no you're gonna be funny if we got like those

555
00:30:20,600 --> 00:30:27,160
Speaker 1: daging dots on us and we played us and then

556
00:30:27,200 --> 00:30:29,400
Speaker 1: I do then I didn't really like our idea like

557
00:30:29,480 --> 00:30:32,880
Speaker 1: South Park, Kenny, where we just the audience we're gonna

558
00:30:32,920 --> 00:30:37,280
Speaker 1: diet Wars every episode. You think like they're gonna get

559
00:30:37,280 --> 00:30:40,280
Speaker 1: out of it. Now they're dead. No, they're dead. Do

560
00:30:40,280 --> 00:30:43,400
Speaker 1: you like and Or this week? Yeah? Yeah, Joe Allen

561
00:30:43,400 --> 00:30:45,160
Speaker 1: and I were talking about that when you were trying

562
00:30:45,160 --> 00:30:48,360
Speaker 1: Were you talking about it when when I wasn't here yet. Listen,

563
00:30:48,400 --> 00:30:50,840
Speaker 1: I'm gonna tell you something right now. You're it's weird

564
00:30:50,880 --> 00:30:53,640
Speaker 1: to have you as a Star Wars fan all of

565
00:30:53,680 --> 00:30:55,640
Speaker 1: a sudden. So we were trying to get the shit

566
00:30:55,680 --> 00:30:57,920
Speaker 1: out of the way so you weren't wouldn't be bored. No,

567
00:30:57,960 --> 00:30:59,920
Speaker 1: you know, the non and Or shit out of the way.

568
00:31:00,000 --> 00:31:02,600
Speaker 1: I don't care about that cartoon Jedi show. You didn't

569
00:31:02,640 --> 00:31:08,440
Speaker 1: watch sales in Jedi Let's fire. You know what I'm

570
00:31:08,480 --> 00:31:10,280
Speaker 1: gonna say. I'm gonna say this. I'm gonna say this.

571
00:31:10,800 --> 00:31:13,479
Speaker 1: The tale that the Jedi show is perfect for what

572
00:31:13,560 --> 00:31:15,840
Speaker 1: it was for you know what I mean. It tells

573
00:31:15,840 --> 00:31:18,040
Speaker 1: a great It tells a beautiful story of cow Cow

574
00:31:18,160 --> 00:31:21,160
Speaker 1: Duku becomes a Sith Lord, and it tells a beautiful

575
00:31:21,160 --> 00:31:24,680
Speaker 1: story of how Aska you know, what happens after Asoka's

576
00:31:24,720 --> 00:31:27,440
Speaker 1: left the Order, and how she was capable of doing it.

577
00:31:27,520 --> 00:31:31,600
Speaker 1: For what it is, it's perfect, perfect, It's not Andor.

578
00:31:32,000 --> 00:31:35,000
Speaker 1: Andor's a different thing, it's a different beast all together.

579
00:31:35,240 --> 00:31:37,120
Speaker 1: But so sales of the Jedi, Zach, I'm telling you

580
00:31:37,280 --> 00:31:41,240
Speaker 1: right now. And Or just takes its time and it's

581
00:31:41,280 --> 00:31:48,200
Speaker 1: just like that was like dialogue episode in animation. In animation,

582
00:31:48,320 --> 00:31:50,239
Speaker 1: one of the best things that you can do as

583
00:31:50,240 --> 00:31:53,080
Speaker 1: an animator is to take your time with the with

584
00:31:53,280 --> 00:31:55,760
Speaker 1: the with your storytelling, with your movements. You know what

585
00:31:55,800 --> 00:31:59,000
Speaker 1: I mean, let everybody experience it. And that's what's happening

586
00:31:59,040 --> 00:32:01,200
Speaker 1: with Andor. I'm not gonna lie to at the end

587
00:32:01,240 --> 00:32:03,000
Speaker 1: of it. I want to I did want the prison

588
00:32:03,040 --> 00:32:05,880
Speaker 1: break to happen, but well, no, that's gonna happen, I'm

589
00:32:05,920 --> 00:32:08,160
Speaker 1: sure in the next episode. But they're gearing up. They're

590
00:32:08,200 --> 00:32:10,520
Speaker 1: gearing up. They're gearing up for something. But is it

591
00:32:10,600 --> 00:32:13,160
Speaker 1: gonna be big? Have you watched Rogue one yet? No?

592
00:32:13,320 --> 00:32:16,320
Speaker 1: I don't want any spoilers. There are no spoilers in

593
00:32:16,440 --> 00:32:24,200
Speaker 1: Rogue one. Rogue one, No, no, maybe not. Maybe he died, maybe,

594
00:32:27,080 --> 00:32:32,239
Speaker 1: but everybody dies in that ship. All right, all right,

595
00:32:32,280 --> 00:32:34,360
Speaker 1: back to the television show Scrubs. I wanted to just

596
00:32:34,440 --> 00:32:37,240
Speaker 1: point out a little something special though. At four forty four,

597
00:32:38,000 --> 00:32:40,720
Speaker 1: four minutes and forty four seconds and where you usually

598
00:32:40,760 --> 00:32:44,560
Speaker 1: see Beard Fasse in the pharmacy, uh, you see Deonte

599
00:32:44,720 --> 00:32:50,240
Speaker 1: and Snoop Dogg conversing and it's just a rare little sighting.

600
00:32:50,280 --> 00:32:52,640
Speaker 1: I wonder what they were chatting about, But normally you

601
00:32:52,680 --> 00:32:56,720
Speaker 1: see Beard Fasse there speaking to other random folks. Probably

602
00:32:56,760 --> 00:33:00,040
Speaker 1: that would have appeared at four twenty even better, but

603
00:33:00,680 --> 00:33:02,600
Speaker 1: I listen, I've never in all the episodes we've been

604
00:33:02,640 --> 00:33:06,680
Speaker 1: rewatching seeing Deonte on the inside of the pharmacy m

605
00:33:07,400 --> 00:33:11,880
Speaker 1: conversing with Snoop Doong resident. So I saw some fish

606
00:33:11,960 --> 00:33:13,840
Speaker 1: he was going on back. Yeah, there was. There was

607
00:33:13,880 --> 00:33:17,960
Speaker 1: definitely something curious happening with those two some different Cox

608
00:33:18,160 --> 00:33:23,120
Speaker 1: is hard on his patience, you know, but then he

609
00:33:23,280 --> 00:33:25,280
Speaker 1: goes and he does the exact same thing. He you know,

610
00:33:25,400 --> 00:33:28,520
Speaker 1: he stresses, just like he told his patient not too.

611
00:33:28,920 --> 00:33:32,320
Speaker 1: But when he's pointing out I want to point out

612
00:33:32,400 --> 00:33:35,960
Speaker 1: when he's pointing out hypocrisy in the hospital. The first

613
00:33:37,560 --> 00:33:41,040
Speaker 1: example is a very tanned doctor telling a woman with

614
00:33:41,160 --> 00:33:43,280
Speaker 1: skin carencer you can't go in the sun. And that

615
00:33:43,520 --> 00:33:47,760
Speaker 1: was Anna from Sound. Yes, she was on our sound department.

616
00:33:48,200 --> 00:33:51,640
Speaker 1: And then when he tells when Kelso is smoking a

617
00:33:51,720 --> 00:33:55,760
Speaker 1: pipe telling a guy not to smoke, that was Patrick Bolton,

618
00:33:55,920 --> 00:33:58,920
Speaker 1: our set trusher that we always talked about. Yes, so

619
00:33:59,440 --> 00:34:01,760
Speaker 1: two little cameos there. Although I feel like Patrick is

620
00:34:01,800 --> 00:34:06,200
Speaker 1: a nurse in the show, Yeah he is. Patrick's why now, well,

621
00:34:06,200 --> 00:34:08,560
Speaker 1: I mean, I guess that nurse could also have some

622
00:34:08,920 --> 00:34:14,120
Speaker 1: some some some smoking lung issues, but he's already been

623
00:34:14,239 --> 00:34:16,560
Speaker 1: established as as a as a nurse on the show.

624
00:34:17,880 --> 00:34:21,239
Speaker 1: Just FYI if you're going deep with trivia, okay, And

625
00:34:21,360 --> 00:34:23,800
Speaker 1: so Elliott hates the hypocrisy in the hospital and she

626
00:34:23,920 --> 00:34:27,000
Speaker 1: feels like, look, man, this is some bs, how are

627
00:34:27,040 --> 00:34:29,080
Speaker 1: we going to tell our patients to do one thing

628
00:34:29,400 --> 00:34:31,719
Speaker 1: and then we're going to behave this way that we're

629
00:34:31,800 --> 00:34:36,080
Speaker 1: behaving just like them? Um, And that comes to bite

630
00:34:36,120 --> 00:34:38,719
Speaker 1: her and the ass later on, and that storyline goes

631
00:34:38,840 --> 00:34:42,120
Speaker 1: on to be something even bigger than it. Then what

632
00:34:44,160 --> 00:34:48,520
Speaker 1: Elliott thinks it is, Uh, turns out I don't want

633
00:34:48,520 --> 00:34:50,120
Speaker 1: to spoil it, but in a couple of episodes, this

634
00:34:50,719 --> 00:34:53,279
Speaker 1: character comes back and she hasn't gained any weight, and

635
00:34:53,680 --> 00:34:56,719
Speaker 1: then we dig deeper, right, so Elliott, but you know,

636
00:34:56,840 --> 00:35:01,000
Speaker 1: the Elliot's giving her shit about this woman about being

637
00:35:01,120 --> 00:35:05,360
Speaker 1: too thin, and then Cox calls about and says, you know,

638
00:35:05,520 --> 00:35:07,920
Speaker 1: Cox carries her to the scale and says, you're a

639
00:35:08,000 --> 00:35:10,960
Speaker 1: pound over her and pound less than her. Actually, you're

640
00:35:10,960 --> 00:35:13,360
Speaker 1: a pound less than her and you're five nine. You

641
00:35:13,440 --> 00:35:16,160
Speaker 1: know you're being a hypocrite, but you know there's but

642
00:35:16,400 --> 00:35:19,279
Speaker 1: you know, there's ways to be five nine in thin

643
00:35:19,400 --> 00:35:22,640
Speaker 1: in a healthy way in five nine, and be health

644
00:35:22,760 --> 00:35:24,600
Speaker 1: and thin in an unhealthy way. I mean, just to

645
00:35:24,680 --> 00:35:28,600
Speaker 1: play Devil's advocate, right, But but Cox was trying to

646
00:35:28,680 --> 00:35:32,480
Speaker 1: make his point that that he believes Elliot's underweight and

647
00:35:32,640 --> 00:35:35,840
Speaker 1: unhealthy as well. The Janitor and Ted are now on

648
00:35:35,960 --> 00:35:39,759
Speaker 1: an environmental crusade. They're going to save the planet. Yes,

649
00:35:39,880 --> 00:35:43,040
Speaker 1: the day Janitor has been forced by Ted to watch

650
00:35:43,239 --> 00:35:46,759
Speaker 1: an Inconvenient Truth, and now he's decided that he's an

651
00:35:46,840 --> 00:35:51,360
Speaker 1: environmental officer. But but he has a freaking what you

652
00:35:51,520 --> 00:35:56,560
Speaker 1: call a girl scout sash covered with with a bunch

653
00:35:56,600 --> 00:36:00,600
Speaker 1: of patches, buns, buttons and putman patches. I wonder if

654
00:36:00,719 --> 00:36:04,000
Speaker 1: if he made overnight. Yeah, what did scrubs Wicky say

655
00:36:04,040 --> 00:36:06,759
Speaker 1: about the patches? I wonder what they've would? You know,

656
00:36:07,719 --> 00:36:09,600
Speaker 1: that's a good Easter egg right there. What did the

657
00:36:09,680 --> 00:36:12,400
Speaker 1: patches say? I looked, you know, they I took a

658
00:36:12,560 --> 00:36:14,880
Speaker 1: gander and they were mostly just you know, standard like

659
00:36:15,080 --> 00:36:18,040
Speaker 1: recycle and that kind of let's see what I'll look

660
00:36:18,160 --> 00:36:20,800
Speaker 1: right now? What if scrubs Wicky had anything in particular

661
00:36:20,880 --> 00:36:23,560
Speaker 1: to say about it? Don't let me down, Trevor, Well,

662
00:36:23,800 --> 00:36:26,000
Speaker 1: I I he's the one I checked this earlier. That's

663
00:36:26,000 --> 00:36:29,120
Speaker 1: why I got the Green Week thing. Um he's the

664
00:36:29,160 --> 00:36:32,520
Speaker 1: one who said that. Um. Trevor and his posse members

665
00:36:32,560 --> 00:36:35,280
Speaker 1: of the one he told me about that. But anyway,

666
00:36:35,800 --> 00:36:38,200
Speaker 1: we just we found out that Ted has head sweat

667
00:36:39,200 --> 00:36:42,560
Speaker 1: and that he sometimes sleeps. Yeah, yeah, he's sometimes No,

668
00:36:42,680 --> 00:36:46,520
Speaker 1: he has head sweat. He sometimes sleeps in uh and

669
00:36:46,840 --> 00:36:51,680
Speaker 1: uh Kelso's office on his bed and uh. The way

670
00:36:51,760 --> 00:36:53,800
Speaker 1: he got caught was he didn't take his head in

671
00:36:53,880 --> 00:36:57,960
Speaker 1: print out of the pillow. And so you know, Kelso's

672
00:36:58,000 --> 00:37:00,040
Speaker 1: now telling him, you better, you know, I bet to

673
00:37:00,160 --> 00:37:02,040
Speaker 1: not catch you in there again. I better not catch it,

674
00:37:02,200 --> 00:37:05,000
Speaker 1: and dent like that again. Ted runs off and when

675
00:37:05,040 --> 00:37:08,080
Speaker 1: he comes back, he goes, he literally has the pillow

676
00:37:08,160 --> 00:37:12,200
Speaker 1: behind his back and he's hiding it and Kelso doesn't notice.

677
00:37:12,200 --> 00:37:14,640
Speaker 1: But then when he brings the pillow out, it's got

678
00:37:14,719 --> 00:37:20,480
Speaker 1: a big, like a microphone shaped sweat spot, and he goes,

679
00:37:20,520 --> 00:37:23,000
Speaker 1: I had to take it because of my head sweat. Yeah,

680
00:37:24,080 --> 00:37:26,520
Speaker 1: sweats like that from his head. Yeah, he's a very

681
00:37:26,600 --> 00:37:28,640
Speaker 1: nervous man. All right. The only thing I'm getting here

682
00:37:28,719 --> 00:37:32,279
Speaker 1: that's new is Dan's entrance mirrors that of Jigsaws in

683
00:37:32,400 --> 00:37:35,040
Speaker 1: the first Saw movie. I've never seen a Saw movie.

684
00:37:35,080 --> 00:37:39,200
Speaker 1: Oh sure, I see that. And Elliot's patient Robin later

685
00:37:39,280 --> 00:37:42,000
Speaker 1: appears in My Full Moon. Okay, we need to talk

686
00:37:42,040 --> 00:37:45,560
Speaker 1: about that. Okay, that's when we get to that. All right,

687
00:37:45,600 --> 00:37:48,600
Speaker 1: I'm just telling you what's in the trivia section here, Um,

688
00:37:49,200 --> 00:37:51,920
Speaker 1: we skipped the part where there's a fantasy and they

689
00:37:52,160 --> 00:37:55,719
Speaker 1: force us to get on the scale and and you're you're,

690
00:37:56,040 --> 00:38:00,200
Speaker 1: you're it says they. She stamps tubo on your forehead. Yeah,

691
00:38:00,200 --> 00:38:02,400
Speaker 1: because I'm two hundred and ten pounds. Yeah, and she

692
00:38:02,520 --> 00:38:06,640
Speaker 1: stamps muscles what is it? Muscles? Muscles, muscles wanted on

693
00:38:06,800 --> 00:38:10,120
Speaker 1: my looks like it's added in post. Right, It didn't

694
00:38:10,160 --> 00:38:13,399
Speaker 1: look it was definitely added, not look very well done.

695
00:38:13,560 --> 00:38:15,800
Speaker 1: If they did stamp us, it wasn't clear enough, so

696
00:38:15,880 --> 00:38:21,560
Speaker 1: they added in post. Yeah. Yes. So the janitor UH

697
00:38:21,920 --> 00:38:26,520
Speaker 1: is trying to put up parking car pool parking spots

698
00:38:27,320 --> 00:38:30,920
Speaker 1: reserved for people who carpool to the hospital, and if

699
00:38:31,000 --> 00:38:33,799
Speaker 1: you don't do it, you get punished in some way.

700
00:38:33,880 --> 00:38:36,799
Speaker 1: So the janitor is like, look, I'm gonna put these

701
00:38:36,920 --> 00:38:39,839
Speaker 1: rules in the place in the hospital, and for those

702
00:38:39,880 --> 00:38:43,760
Speaker 1: of y'all who can't follow these rules, you will be punishment.

703
00:38:44,160 --> 00:38:49,120
Speaker 1: There'll be punishment that I see fit. He's can't withsess

704
00:38:49,239 --> 00:38:53,120
Speaker 1: what the correct punishments will be, right. And for Turk,

705
00:38:54,040 --> 00:38:57,880
Speaker 1: because Turk parked in a spot that should have been

706
00:38:58,200 --> 00:39:02,600
Speaker 1: used for carpooling, he put a hornet's nest in Turk's car.

707
00:39:05,000 --> 00:39:06,960
Speaker 1: So on Turk's break, when he gets into its car

708
00:39:07,040 --> 00:39:09,160
Speaker 1: to go drive to get lunch, he gets beat up

709
00:39:09,160 --> 00:39:11,760
Speaker 1: by a bunch of hornets. You screaming against the window.

710
00:39:11,880 --> 00:39:13,399
Speaker 1: Was I think one of the one of the only

711
00:39:13,480 --> 00:39:17,040
Speaker 1: times I laughed out loud. That was pretty funny. And

712
00:39:17,120 --> 00:39:19,080
Speaker 1: then there's another moment later on where it's not even

713
00:39:19,160 --> 00:39:25,320
Speaker 1: reference but you're just walking by spot and wasps okay,

714
00:39:25,400 --> 00:39:28,520
Speaker 1: So Dan, we learned he flips houses now and he's

715
00:39:28,560 --> 00:39:31,360
Speaker 1: really you know. Of course, the audience is skeptical because

716
00:39:31,440 --> 00:39:36,840
Speaker 1: Dan has lied to us before, but apparently he's flipping houses.

717
00:39:36,880 --> 00:39:39,600
Speaker 1: He's doing well. He's got enough money to buy JD

718
00:39:39,960 --> 00:39:43,839
Speaker 1: a car. He's doing really well, which means really well,

719
00:39:44,280 --> 00:39:47,399
Speaker 1: you know, because when you make money, the first thing

720
00:39:47,480 --> 00:39:50,239
Speaker 1: you think of isn't usually I'm gonna go buy my

721
00:39:50,320 --> 00:39:52,600
Speaker 1: brother a car, Like the first thing you think of

722
00:39:52,680 --> 00:39:55,200
Speaker 1: when you make money is I'm gonna buy me some shit.

723
00:39:55,760 --> 00:39:57,600
Speaker 1: You know? But why did JD? Are you now? And

724
00:39:57,680 --> 00:39:59,200
Speaker 1: what we started talking about we can finally talk about

725
00:39:59,200 --> 00:40:01,720
Speaker 1: because we're there in the episode. Why it just felt

726
00:40:01,960 --> 00:40:05,200
Speaker 1: I just didn't get JD trying to smash the window

727
00:40:05,280 --> 00:40:11,840
Speaker 1: with the with the biggest he's jealous, he's why but

728
00:40:13,400 --> 00:40:17,160
Speaker 1: neurotic mess. But he's his brothers. But his brothers also

729
00:40:17,360 --> 00:40:20,279
Speaker 1: single and now making a shit ton of money in

730
00:40:20,400 --> 00:40:22,640
Speaker 1: a job that he doesn't have to work that hard at,

731
00:40:23,040 --> 00:40:25,479
Speaker 1: you know what I mean. And he's succeeding. And that's

732
00:40:25,960 --> 00:40:29,920
Speaker 1: I mean, that's to anyone. Imagine if you, you know,

733
00:40:30,080 --> 00:40:33,440
Speaker 1: imagine if you worked your whole life to become an architect, right,

734
00:40:34,200 --> 00:40:37,040
Speaker 1: and you finally get there and you're making decent money,

735
00:40:37,480 --> 00:40:41,320
Speaker 1: and your buddy who or your your family member, who's

736
00:40:41,320 --> 00:40:44,880
Speaker 1: been a fuck up their whole life, uh, and who

737
00:40:45,040 --> 00:40:48,080
Speaker 1: you've had to carry your whole life their whole life,

738
00:40:48,120 --> 00:40:52,880
Speaker 1: also all of a sudden lucks out and becomes filthy

739
00:40:53,040 --> 00:40:56,120
Speaker 1: rich on some job that they don't really have to

740
00:40:56,200 --> 00:40:59,919
Speaker 1: pay attention to the jealousy of I work my whole

741
00:41:00,120 --> 00:41:02,600
Speaker 1: life to get here and you fucking just took a

742
00:41:03,000 --> 00:41:05,239
Speaker 1: you know, you just farted and the ship worked out

743
00:41:05,360 --> 00:41:07,480
Speaker 1: for you. You shot gold and it worked out for you.

744
00:41:08,080 --> 00:41:11,080
Speaker 1: The thought of that, why thinking? But why does j

745
00:41:11,400 --> 00:41:13,720
Speaker 1: he says the line that really threw me. You're supposed

746
00:41:13,719 --> 00:41:15,960
Speaker 1: to be the loser, not me. Why does JD think

747
00:41:16,000 --> 00:41:18,240
Speaker 1: that he's loser. He's got agree because he can't afford

748
00:41:18,320 --> 00:41:20,640
Speaker 1: to get a car. He can't afford to drive, and

749
00:41:20,840 --> 00:41:23,080
Speaker 1: he has a fucking scooter and he's like, this is

750
00:41:23,080 --> 00:41:25,840
Speaker 1: gonna work. This. I feel like I can do this.

751
00:41:26,040 --> 00:41:27,319
Speaker 1: I might not be able to take the kid out.

752
00:41:27,320 --> 00:41:30,240
Speaker 1: He said he couldn't. He said he couldn't. He couldn't.

753
00:41:30,719 --> 00:41:33,480
Speaker 1: I can't take Sam on the scooter because his his

754
00:41:34,120 --> 00:41:37,080
Speaker 1: his head is not drawing, his neck isn't isn't appropriate

755
00:41:37,200 --> 00:41:43,040
Speaker 1: for a helmet. The helmet, but you know what I mean, Like, Okay, yeah,

756
00:41:43,280 --> 00:41:45,920
Speaker 1: I see what you're saying. I didn't. I didn't track that, like, oh,

757
00:41:46,200 --> 00:41:49,640
Speaker 1: JD can't afford a car because he's technically, you know,

758
00:41:49,840 --> 00:41:51,640
Speaker 1: not making a lot of money yet as a doctor,

759
00:41:51,840 --> 00:41:54,239
Speaker 1: and he works ten times harder than his brother does.

760
00:41:54,320 --> 00:41:58,080
Speaker 1: He stays up hours that are fucking outrageously like he

761
00:41:58,239 --> 00:42:01,600
Speaker 1: probably gets in the last seven years, he probably gets

762
00:42:01,640 --> 00:42:04,640
Speaker 1: to the average is like maybe three to four hours

763
00:42:04,719 --> 00:42:07,320
Speaker 1: of sleep a night. That shit'll kill you, dude, you

764
00:42:07,400 --> 00:42:09,880
Speaker 1: know what I mean? Like the stress level point, I mean,

765
00:42:09,960 --> 00:42:12,520
Speaker 1: I don't know, but I think at this point in there,

766
00:42:13,400 --> 00:42:16,040
Speaker 1: in there, if you're not listening, if you're not working.

767
00:42:16,200 --> 00:42:19,480
Speaker 1: If you're not working, if you're not working private practice

768
00:42:20,120 --> 00:42:23,440
Speaker 1: and you're working in the hospital, your hours are still

769
00:42:23,760 --> 00:42:27,080
Speaker 1: out of control, dude, no matter what. Okay, I'm a

770
00:42:27,120 --> 00:42:32,880
Speaker 1: perfect example of it. Okay, all right, um, Now what

771
00:42:32,960 --> 00:42:34,880
Speaker 1: do you think about this thing about the game that

772
00:42:35,120 --> 00:42:40,719
Speaker 1: the Dan plays the constant questioner that's where he where

773
00:42:40,760 --> 00:42:44,000
Speaker 1: he just asks questions. Yeah? I didn't get that either.

774
00:42:44,840 --> 00:42:47,640
Speaker 1: No offense to Tom. He's hilarious. I just didn't get

775
00:42:47,680 --> 00:42:51,120
Speaker 1: the joke really, the good question part. I think it's

776
00:42:51,120 --> 00:42:54,279
Speaker 1: just like an annoying big brother thing. It felt just

777
00:42:54,440 --> 00:42:57,600
Speaker 1: from a sibling angle of very like this is the

778
00:42:57,680 --> 00:42:59,360
Speaker 1: thing he falls back on when I give him a

779
00:42:59,400 --> 00:43:04,520
Speaker 1: cold shoulder, right. I was just like, how well it worked?

780
00:43:04,600 --> 00:43:07,279
Speaker 1: Is a bit side? It's a B side episode, don't

781
00:43:07,880 --> 00:43:09,360
Speaker 1: I don't know? Man, I kind of like, what do

782
00:43:09,400 --> 00:43:12,560
Speaker 1: you mean you're trying to say that this this is like,

783
00:43:12,840 --> 00:43:14,840
Speaker 1: come on, when we love them, we love them? This

784
00:43:14,960 --> 00:43:18,160
Speaker 1: one is Joel? What do you think I did like

785
00:43:18,400 --> 00:43:23,880
Speaker 1: this episode just from like, I don't know. It's a

786
00:43:23,920 --> 00:43:26,200
Speaker 1: little bit darker than we can pack. And I would

787
00:43:26,239 --> 00:43:28,400
Speaker 1: say the comedy isn't if we're rating this is like

788
00:43:28,440 --> 00:43:31,879
Speaker 1: a comedy show I'd be like, these are some interesting choices, right,

789
00:43:32,440 --> 00:43:35,200
Speaker 1: you know, way more I agree with you, Joe, Well,

790
00:43:35,280 --> 00:43:38,919
Speaker 1: this is way more of a if you say B side,

791
00:43:39,040 --> 00:43:41,560
Speaker 1: maybe a deep cut on the track, But I don't

792
00:43:41,600 --> 00:43:43,799
Speaker 1: know about a B side, you know what I mean? Well,

793
00:43:43,840 --> 00:43:47,160
Speaker 1: doesn't a B side mean like it's on the album,

794
00:43:47,320 --> 00:43:50,200
Speaker 1: but it's like not one of the best tracks. Sometimes

795
00:43:50,719 --> 00:43:52,920
Speaker 1: sometimes a B side just means lucky, we're gonna throw

796
00:43:52,960 --> 00:43:55,479
Speaker 1: some shit out there. Usually sometimes it's not even something

797
00:43:55,520 --> 00:43:57,120
Speaker 1: that's on album. We just had a song, we're gonna

798
00:43:57,160 --> 00:43:59,200
Speaker 1: put it on there. Wait two, well do you know this?

799
00:43:59,320 --> 00:44:01,440
Speaker 1: Or Daniel would have on this? But can you google it?

800
00:44:01,680 --> 00:44:04,040
Speaker 1: I think it was from the originally when there were records,

801
00:44:04,280 --> 00:44:07,440
Speaker 1: you'd put your you'd put your your your badass singles

802
00:44:07,600 --> 00:44:09,960
Speaker 1: on side A, and then you'd put ones that were

803
00:44:09,960 --> 00:44:11,680
Speaker 1: a little less. Do you know, do you want to

804
00:44:11,719 --> 00:44:14,960
Speaker 1: know where it's backfired? For real? For real? Now you

805
00:44:15,040 --> 00:44:19,080
Speaker 1: know Wu Tang is forever, right, It's fat Tang forever? Yeah, right?

806
00:44:20,239 --> 00:44:22,880
Speaker 1: But Wu Tang when they first dropped, they put protection

807
00:44:22,960 --> 00:44:25,560
Speaker 1: neck out and on the B side they put method. Man,

808
00:44:27,520 --> 00:44:29,359
Speaker 1: I don't know what I don't really know what that means.

809
00:44:29,400 --> 00:44:32,279
Speaker 1: So Protection Neck is the first single with the whole

810
00:44:32,400 --> 00:44:35,800
Speaker 1: wool rapping, I smoke on the mic like smoking Joe Frazier,

811
00:44:35,880 --> 00:44:39,680
Speaker 1: the Hell raizor raising Hell with the flavor, terrorizing jams,

812
00:44:39,760 --> 00:44:43,040
Speaker 1: like troops in Pakistan, swim swinging through your town, like

813
00:44:43,160 --> 00:44:46,960
Speaker 1: your neighborhood. Spot a man, right, and but it's all different,

814
00:44:47,040 --> 00:44:50,399
Speaker 1: It's all of them. It's ghost Face, Ray Kwan, Method Man,

815
00:44:50,680 --> 00:44:56,560
Speaker 1: you God Uh, the Rizzar, the Jisa ODB like the whole,

816
00:44:56,680 --> 00:45:01,080
Speaker 1: the genius, the genius. Everybody's on it, right, U inspect

817
00:45:01,160 --> 00:45:04,560
Speaker 1: the deck like everybody's on it. And then on the

818
00:45:04,640 --> 00:45:07,960
Speaker 1: B side they put method Man, which was just Method

819
00:45:08,040 --> 00:45:11,640
Speaker 1: Man doing m E t h O d Man, which

820
00:45:11,640 --> 00:45:14,480
Speaker 1: you think was the biggest single. I'm guessing because of

821
00:45:14,560 --> 00:45:16,960
Speaker 1: the tone of your story the M E T h

822
00:45:17,040 --> 00:45:19,920
Speaker 1: O D. Yeah, Method Man became a star because they

823
00:45:19,960 --> 00:45:28,640
Speaker 1: put him on the B side of that. All right,

824
00:45:28,680 --> 00:45:31,759
Speaker 1: chel Was, I write about my interpretation pretty much. B

825
00:45:31,880 --> 00:45:35,040
Speaker 1: sides our tracks, which are unusual, rare or secondary deemed

826
00:45:35,120 --> 00:45:38,000
Speaker 1: less important than the A side songs, which are intended

827
00:45:38,040 --> 00:45:40,080
Speaker 1: to be hits. Yeah, so they're not released. So they

828
00:45:40,160 --> 00:45:42,880
Speaker 1: did that with method Man and Method Man song Blew Up.

829
00:45:42,960 --> 00:45:45,320
Speaker 1: So much that the B side got a remix like

830
00:45:45,480 --> 00:45:49,400
Speaker 1: all types of ship. Oh, I'm sure there's some B sides.

831
00:45:49,440 --> 00:45:52,040
Speaker 1: When in this latest Taylor Swift album where she she

832
00:45:52,160 --> 00:45:56,200
Speaker 1: did like in a B side on the record, No,

833
00:45:56,800 --> 00:45:59,800
Speaker 1: she did. She did one version, it was like the

834
00:46:00,560 --> 00:46:03,160
Speaker 1: Midnight version, and then she released a three AM version

835
00:46:03,200 --> 00:46:05,880
Speaker 1: which had like nineteen tracks on it. All right, now,

836
00:46:05,920 --> 00:46:09,719
Speaker 1: if you're if you're track track nineteen, Taylor is not

837
00:46:09,880 --> 00:46:11,719
Speaker 1: going to release you as a single. It's gonna be

838
00:46:11,920 --> 00:46:15,800
Speaker 1: a B side. How about this rapper from Amigos getting

839
00:46:15,880 --> 00:46:21,400
Speaker 1: shot over a dice game? It's crazy take off. Did

840
00:46:21,480 --> 00:46:25,239
Speaker 1: you know their music at all? Um? Yeah? Man? Like yeah, man,

841
00:46:25,320 --> 00:46:29,080
Speaker 1: they were there. They're a big group out of the South,

842
00:46:29,120 --> 00:46:31,920
Speaker 1: out of it. I know they're popular, and they feature

843
00:46:31,920 --> 00:46:33,680
Speaker 1: them on Atlanta a Lot, which is a show I

844
00:46:33,840 --> 00:46:37,319
Speaker 1: just love so much. And uh but I just don't

845
00:46:37,600 --> 00:46:40,080
Speaker 1: uh apparently was I mean I just saw the headline,

846
00:46:40,080 --> 00:46:41,759
Speaker 1: but it was over a dice game or something at

847
00:46:41,760 --> 00:46:45,200
Speaker 1: a bowling alley. They think now that it was someone

848
00:46:45,440 --> 00:46:48,800
Speaker 1: from they went with a record label, Buddy basically to

849
00:46:48,840 --> 00:46:53,440
Speaker 1: celebrate his birthday on Halloween night, and we think that, um,

850
00:46:53,960 --> 00:46:55,680
Speaker 1: it might have been someone on their side, like just

851
00:46:55,840 --> 00:46:59,239
Speaker 1: firing wild crazy and accidentally hit him. It doesn't seem

852
00:46:59,320 --> 00:47:00,840
Speaker 1: like the police came out May Steam and they're like,

853
00:47:01,000 --> 00:47:03,799
Speaker 1: we don't think any illegal activity was happening at all.

854
00:47:04,000 --> 00:47:06,880
Speaker 1: We don't think Takeoff was involved in anything illegal. We

855
00:47:06,960 --> 00:47:10,239
Speaker 1: think it's just an accident, which is much more devastating.

856
00:47:10,480 --> 00:47:17,440
Speaker 1: I think, yeah, it's horrible. Yeah, um all right, back

857
00:47:17,480 --> 00:47:21,479
Speaker 1: to the show. Yeah, I really very clever. Sorry, go ahead.

858
00:47:21,800 --> 00:47:26,040
Speaker 1: The janitor is still afraid of Carla. Everybody's afraid. Everybody's

859
00:47:26,040 --> 00:47:28,439
Speaker 1: afraid of Carla. Carl will fuck your shit up. Yeah.

860
00:47:29,239 --> 00:47:31,040
Speaker 1: I thought the opera thing was very clever. Is that

861
00:47:31,040 --> 00:47:33,239
Speaker 1: what you were about to say? Yeah, very clever. So

862
00:47:33,360 --> 00:47:37,000
Speaker 1: we called it the Hedging Noise Symphony where JD asks

863
00:47:37,080 --> 00:47:39,239
Speaker 1: everyone if they think he needs to grow up and

864
00:47:39,360 --> 00:48:00,360
Speaker 1: everyone's like, uh, well he that was clever. B bum

865
00:48:00,800 --> 00:48:09,480
Speaker 1: bam bam ba bam bam bam bam. No you don't

866
00:48:09,480 --> 00:48:15,640
Speaker 1: remember that far anyway. So I thought that was very clever. Yes,

867
00:48:15,920 --> 00:48:19,479
Speaker 1: very clever, very well done, very well directed. Lawrence going

868
00:48:19,600 --> 00:48:25,120
Speaker 1: home and walking. I laughed out louded my scarf from Harry,

869
00:48:25,560 --> 00:48:27,759
Speaker 1: So you're wearing a Harry Potter thing, which I didn't

870
00:48:27,760 --> 00:48:29,719
Speaker 1: get because I've never seen a Harry Potter thing. What

871
00:48:30,840 --> 00:48:33,680
Speaker 1: never seen anything related to Harry Potter never. You might

872
00:48:33,800 --> 00:48:36,600
Speaker 1: like that that's a lot of storytelling. It has special effects,

873
00:48:36,640 --> 00:48:40,560
Speaker 1: but it's a lot of storytelling, exactly said, No, are

874
00:48:40,560 --> 00:48:43,640
Speaker 1: there lightning bolts coming out of fingertips? No? Oh, because

875
00:48:43,640 --> 00:48:45,800
Speaker 1: that's where I draw my line if there's lightning bolts

876
00:48:47,040 --> 00:48:49,960
Speaker 1: star Wars at all. There's no lightning. There's no lightning

877
00:48:50,000 --> 00:48:52,400
Speaker 1: bolts coming out of fingers. My nephew's always trying to

878
00:48:52,560 --> 00:48:55,520
Speaker 1: fucking turn me onto sci fi shit. I'm like, is

879
00:48:55,560 --> 00:48:57,719
Speaker 1: there are lightning bolts coming out of fingertips? Because I'm

880
00:48:57,719 --> 00:49:00,239
Speaker 1: not watching that ship. There are no lightning bolts coming

881
00:49:00,280 --> 00:49:03,840
Speaker 1: out of fingertips and Harry Potter. It's literally but you

882
00:49:04,040 --> 00:49:06,120
Speaker 1: to start with the Chris Columbus first one and like

883
00:49:06,480 --> 00:49:08,640
Speaker 1: that's like a that's like does that still hold up?

884
00:49:09,440 --> 00:49:12,000
Speaker 1: It all holds up, buddy, it all holds up. My

885
00:49:12,160 --> 00:49:14,759
Speaker 1: kids watch Harry Potter now and they're scared to watch.

886
00:49:14,840 --> 00:49:17,320
Speaker 1: They're scared to watch six, seven and eight. It starts.

887
00:49:17,320 --> 00:49:20,000
Speaker 1: It gets look as they get older, the stories get

888
00:49:20,120 --> 00:49:24,040
Speaker 1: way more. Okay, feel something something, please, Joe, I do

889
00:49:24,200 --> 00:49:28,520
Speaker 1: feel like, man, don't leave me on his Islandbama say something.

890
00:49:29,280 --> 00:49:32,000
Speaker 1: I do feel like I missed out on this giant

891
00:49:32,160 --> 00:49:34,840
Speaker 1: cultural thing. I mean I really do, because there's always

892
00:49:34,880 --> 00:49:37,719
Speaker 1: people like I'm a stingingdoor and I'm like, no ideal

893
00:49:39,200 --> 00:49:44,120
Speaker 1: is great. It's all great, I would say. I would

894
00:49:44,120 --> 00:49:47,920
Speaker 1: say Zach might most be interested in the Alfonso Korean version,

895
00:49:48,320 --> 00:49:52,960
Speaker 1: which really embraces practical effects that are very beautiful, uh

896
00:49:53,120 --> 00:49:55,759
Speaker 1: and fun to watch. And it's mostly a Christmas movie,

897
00:49:55,840 --> 00:49:58,200
Speaker 1: so it's got like a lot of whimsy and charm

898
00:49:58,280 --> 00:50:01,680
Speaker 1: and holiday a. You know which. One of my favorite

899
00:50:01,800 --> 00:50:04,160
Speaker 1: is the Goblet of Fire. That's the best one, the

900
00:50:04,880 --> 00:50:08,000
Speaker 1: best book. Okay, Goblet of Fire is the best one.

901
00:50:08,200 --> 00:50:15,960
Speaker 1: That's the one from from us and Batman Vampire Batman. Yeah, yeah, him,

902
00:50:16,239 --> 00:50:19,640
Speaker 1: he's up in that one. Robert Pattinson, Robert Pattinson, that's

903
00:50:19,640 --> 00:50:23,759
Speaker 1: a good one. When I do, it's the Goblet of Fire. Dude.

904
00:50:23,760 --> 00:50:29,560
Speaker 1: It's like, you can't watch nine movies in freaking nine days.

905
00:50:29,760 --> 00:50:32,200
Speaker 1: That's even you watching it with your children, which is

906
00:50:32,320 --> 00:50:35,640
Speaker 1: I'm not watching with my children, watching them by myself. Well,

907
00:50:35,680 --> 00:50:39,719
Speaker 1: you're you're a bad example, because you're you you know what,

908
00:50:40,000 --> 00:50:42,239
Speaker 1: here's a crazy thing. I watched Tales of the Jedi

909
00:50:42,280 --> 00:50:44,520
Speaker 1: because I thought my kids wouldn't watch that shit, right,

910
00:50:44,719 --> 00:50:47,279
Speaker 1: I was like, there's no way, I know Rocko hate

911
00:50:47,320 --> 00:50:50,440
Speaker 1: Star Wars. Now Rocco comes down in the morning and

912
00:50:50,600 --> 00:50:54,840
Speaker 1: he's watching the ship secretly watching Star Wars again, secretly,

913
00:50:55,080 --> 00:50:57,160
Speaker 1: come on, because he doesn't want me to know that

914
00:50:58,120 --> 00:51:00,319
Speaker 1: because you like it and it's cool, so he's gotta

915
00:51:01,880 --> 00:51:05,040
Speaker 1: probably right, Yeah, he doesn't. He's like, look, man, that's

916
00:51:05,120 --> 00:51:07,839
Speaker 1: your thing. And he doesn't like Harry Potter. He thinks

917
00:51:07,880 --> 00:51:10,799
Speaker 1: it's cool, but it's like, you know, it's not enough.

918
00:51:10,840 --> 00:51:14,520
Speaker 1: What does he like? He likes basketball? Besides that, Like,

919
00:51:14,600 --> 00:51:17,440
Speaker 1: what what does he think to watch? He likes watching

920
00:51:17,520 --> 00:51:19,759
Speaker 1: things like all right, there was a show called Amphibia

921
00:51:20,280 --> 00:51:24,560
Speaker 1: about these three girls that get trapped in this amphibious world.

922
00:51:26,480 --> 00:51:32,439
Speaker 1: You like that? He liked? Uh? He liked. Uh what's

923
00:51:32,520 --> 00:51:37,200
Speaker 1: the show called with the Freaking Kids? It's from PBS, though, Uh,

924
00:51:40,880 --> 00:51:45,440
Speaker 1: what's it called Odd Squad? Sure is that? Uh? He

925
00:51:45,600 --> 00:51:48,160
Speaker 1: likes a lot of educational stuff because he's a smart kid.

926
00:51:48,400 --> 00:51:52,719
Speaker 1: Are you gonna take him to see Wakanda Forever? I mean, yeah,

927
00:51:52,960 --> 00:51:55,800
Speaker 1: why not? Dude? I mean we tried. I tried to

928
00:51:55,840 --> 00:51:57,719
Speaker 1: take him with see Thor. He was like, it's all right,

929
00:51:58,239 --> 00:52:00,920
Speaker 1: are you gonna go opening weekend? What's the title of

930
00:52:01,000 --> 00:52:03,920
Speaker 1: the movie, dwell, all right, are you gonna go? Are

931
00:52:03,920 --> 00:52:06,160
Speaker 1: you gonna go opening weekend? Oh yeah, I'm gonna take

932
00:52:06,200 --> 00:52:08,000
Speaker 1: him to see where you might want to get your tickets. Now,

933
00:52:08,040 --> 00:52:11,680
Speaker 1: I would guess, I don't know what weeks ago. I

934
00:52:11,719 --> 00:52:16,400
Speaker 1: don't know, dude. I can listen, man, I'm down on

935
00:52:16,520 --> 00:52:18,520
Speaker 1: my fucking phase on. I can get into a movie.

936
00:52:18,920 --> 00:52:22,080
Speaker 1: You're gonna call Ryan Coogler, Hey, Ryan out of here being.

937
00:52:22,840 --> 00:52:24,759
Speaker 1: Somebody said some dumb shit like that to me, like

938
00:52:24,800 --> 00:52:26,799
Speaker 1: how did you get tickets to that? And I looked

939
00:52:26,800 --> 00:52:30,600
Speaker 1: at them and for the moment it was like I

940
00:52:30,680 --> 00:52:36,600
Speaker 1: could be like I paid the money for it, but motherfucker, like,

941
00:52:36,680 --> 00:52:38,640
Speaker 1: it's Puffy you. So I would Puffed into that dude

942
00:52:38,680 --> 00:52:41,040
Speaker 1: from the Power movie when he ran into him in

943
00:52:41,080 --> 00:52:43,239
Speaker 1: the street like nigga, you know who I am being,

944
00:52:43,360 --> 00:52:47,640
Speaker 1: what the fuck is you doing? That shit had me rolling.

945
00:52:47,680 --> 00:52:49,279
Speaker 1: I'm not gonna lie. We can cut all this stuff.

946
00:52:49,680 --> 00:52:51,680
Speaker 1: So Puff was out in the street dressed up as

947
00:52:51,719 --> 00:52:55,480
Speaker 1: the Joker and he was running into people on the boulevard, right,

948
00:52:56,120 --> 00:52:58,839
Speaker 1: and he ran into somebody and the person didn't recognize him,

949
00:52:58,880 --> 00:53:01,400
Speaker 1: and Puff's trying to be you know, cool about it

950
00:53:01,520 --> 00:53:05,239
Speaker 1: and if he's if he's stressed as the joker, it

951
00:53:05,320 --> 00:53:08,480
Speaker 1: doesn't matter. This dude's being a little extra about it though,

952
00:53:08,560 --> 00:53:10,200
Speaker 1: like get the fuck off me, get away from me,

953
00:53:10,360 --> 00:53:13,160
Speaker 1: or you know, you're a clown man, you're a joke.

954
00:53:14,400 --> 00:53:18,080
Speaker 1: And finally Puffy drops the act. He goes from being

955
00:53:18,520 --> 00:53:22,719
Speaker 1: he goes from being ditty in a fucking outfit, in

956
00:53:22,840 --> 00:53:26,400
Speaker 1: a in a joke outfit, to being Puff and fucking

957
00:53:27,360 --> 00:53:30,560
Speaker 1: you know, I'm not gonna say nothing, but you know,

958
00:53:31,640 --> 00:53:34,600
Speaker 1: Puff ain't no bitch. You know, let's just let's just start.

959
00:53:34,719 --> 00:53:36,759
Speaker 1: Let's just go with that. Right. Was a video of

960
00:53:36,920 --> 00:53:39,880
Speaker 1: him like yelling at the guy. He all of a

961
00:53:39,960 --> 00:53:43,160
Speaker 1: sudden turns into Puff and it's like, yo, don't you

962
00:53:43,360 --> 00:53:46,520
Speaker 1: And and then he realizes, oh shit, I went too

963
00:53:46,600 --> 00:53:48,920
Speaker 1: far and he's like, hey, budd, you should come to

964
00:53:49,040 --> 00:53:51,480
Speaker 1: my party, and he jumps back in the character. But

965
00:53:51,560 --> 00:53:55,520
Speaker 1: when you come, you change your vibration all to your vibration. Baby.

966
00:53:56,800 --> 00:53:59,800
Speaker 1: Oh wait, here's my question. Did the actor not truly

967
00:53:59,880 --> 00:54:03,360
Speaker 1: not recognize he didn't recognize that it was puff and

968
00:54:03,440 --> 00:54:05,400
Speaker 1: he thought it was something. He thought it was a

969
00:54:05,440 --> 00:54:08,080
Speaker 1: guy fucking with him, So maybe right, But he was

970
00:54:08,160 --> 00:54:11,120
Speaker 1: being like, I'm a fucking star, dude, don't fucking grabble me. Yo,

971
00:54:11,200 --> 00:54:12,560
Speaker 1: Who the fuck you think? You know what I mean?

972
00:54:13,000 --> 00:54:16,040
Speaker 1: He was being one of those cats when you know,

973
00:54:16,280 --> 00:54:19,080
Speaker 1: he was feeling himself and didn't realize he was being

974
00:54:19,200 --> 00:54:21,600
Speaker 1: he was getting love. I don't know what the lesson

975
00:54:21,640 --> 00:54:23,759
Speaker 1: I should learn from this story is, but I feel

976
00:54:23,800 --> 00:54:27,800
Speaker 1: like there's a lesson to learn. And this town is

977
00:54:27,840 --> 00:54:31,160
Speaker 1: too The thing is, the town is too small. This

978
00:54:31,280 --> 00:54:33,160
Speaker 1: town is too small to be an asshole to anybody.

979
00:54:33,600 --> 00:54:36,960
Speaker 1: It's way too small. The world is too small to

980
00:54:37,000 --> 00:54:41,920
Speaker 1: be an asshole to anyone. Listen, we're getting close to

981
00:54:42,000 --> 00:54:46,399
Speaker 1: the end. JD is wearing his infamous soccer What about

982
00:54:46,480 --> 00:54:49,560
Speaker 1: him bouncing? Hold on? What about him bouncing Turk's head

983
00:54:49,680 --> 00:54:53,359
Speaker 1: like a basketball? Yes, that's funny. Um, I bounce your head.

984
00:54:53,719 --> 00:54:56,120
Speaker 1: You paint your head like a basketball, and then I

985
00:54:56,239 --> 00:54:59,440
Speaker 1: bounced you. It even has the words that go across

986
00:54:59,560 --> 00:55:05,320
Speaker 1: the and then I'm like between the legs and because

987
00:55:05,400 --> 00:55:07,359
Speaker 1: one one, how are we going to do that? Yeah?

988
00:55:07,520 --> 00:55:09,840
Speaker 1: Let me think we figured it out. You put me

989
00:55:09,880 --> 00:55:13,000
Speaker 1: into it so that you could freaking grab my head

990
00:55:13,040 --> 00:55:15,920
Speaker 1: and my head and you put me into a knapsack

991
00:55:16,000 --> 00:55:19,720
Speaker 1: ones if you recall um, And that was not a fantasy,

992
00:55:19,920 --> 00:55:23,040
Speaker 1: not a fantasy. So but I'm wearing that. I still

993
00:55:23,080 --> 00:55:25,200
Speaker 1: own that shirt. By the way, it's a classic, a

994
00:55:25,280 --> 00:55:28,160
Speaker 1: picture with a that says soccer and has a football

995
00:55:28,200 --> 00:55:30,800
Speaker 1: on it. You know what I found sad was that

996
00:55:30,920 --> 00:55:34,520
Speaker 1: Ted by everyone he's ever cared about, has been told

997
00:55:34,600 --> 00:55:40,160
Speaker 1: he's a disappointment. Yeah. Yeah, Ted doesn't have anyone that

998
00:55:40,239 --> 00:55:46,000
Speaker 1: really loves him until he meets a ladies in future

999
00:55:46,320 --> 00:55:49,160
Speaker 1: not to be confused with lady, but he meets a gal.

1000
00:55:49,440 --> 00:55:54,240
Speaker 1: He meets a gal. Um that means a lot coming

1001
00:55:54,280 --> 00:55:56,960
Speaker 1: from a guy who painted his head like some kind

1002
00:55:57,040 --> 00:56:04,200
Speaker 1: of sports ball. Now JD plays basketball, maybe not well,

1003
00:56:04,280 --> 00:56:08,560
Speaker 1: but he plays basketball. Freaking basketballs what basketball is? So

1004
00:56:10,280 --> 00:56:13,200
Speaker 1: Turk convinces JD that he needs to go see his son.

1005
00:56:13,800 --> 00:56:15,560
Speaker 1: He now has the means to go see his son,

1006
00:56:15,960 --> 00:56:18,120
Speaker 1: He needs to go do it. JD's like, you know what,

1007
00:56:18,160 --> 00:56:20,000
Speaker 1: I'm gonna take my brother with me, And he takes

1008
00:56:20,040 --> 00:56:23,000
Speaker 1: his brother and they and they both get to hang

1009
00:56:23,080 --> 00:56:25,640
Speaker 1: out with Sam. This line at the end of this move.

1010
00:56:25,800 --> 00:56:28,000
Speaker 1: At the end of this show is the reason is

1011
00:56:28,040 --> 00:56:30,680
Speaker 1: one of the reasons why this show was so good

1012
00:56:30,760 --> 00:56:38,600
Speaker 1: for me, because it's two things. One, Dan is reminiscing

1013
00:56:38,640 --> 00:56:42,680
Speaker 1: about the fact that he misses his dad, and when

1014
00:56:42,760 --> 00:56:46,799
Speaker 1: he sees his brother's son, it reminds him of his dad.

1015
00:56:48,640 --> 00:56:53,560
Speaker 1: That's one part. The other part is JD realizes now

1016
00:56:53,960 --> 00:56:57,600
Speaker 1: that he has something on Dan, something that Dan wants.

1017
00:56:58,080 --> 00:57:01,040
Speaker 1: And so when he says, I know there's it's not

1018
00:57:01,239 --> 00:57:05,399
Speaker 1: just I know, like, yeah, you're right, but it's also, yeah,

1019
00:57:05,520 --> 00:57:08,880
Speaker 1: how about that my kid looks like dad? And and

1020
00:57:09,560 --> 00:57:14,319
Speaker 1: my success isn't doesn't that he realizes my success isn't

1021
00:57:14,400 --> 00:57:18,600
Speaker 1: necessarily my job. My success is what I'm is this

1022
00:57:18,760 --> 00:57:22,440
Speaker 1: journey that I'm going through in life, and you know,

1023
00:57:23,320 --> 00:57:25,800
Speaker 1: and that's him and that's him right, and that's him

1024
00:57:25,880 --> 00:57:28,520
Speaker 1: growing up, you know what I mean? Uh? And Dan

1025
00:57:28,600 --> 00:57:32,240
Speaker 1: has already realized that my success isn't how many you

1026
00:57:32,320 --> 00:57:35,080
Speaker 1: know what job I have or what you know, that's

1027
00:57:35,160 --> 00:57:38,280
Speaker 1: not my success. My success is where I end up

1028
00:57:38,400 --> 00:57:40,560
Speaker 1: in the end, you know what I mean. Yeah, And

1029
00:57:41,080 --> 00:57:42,640
Speaker 1: a lot of people have a hard time. A lot

1030
00:57:42,680 --> 00:57:44,120
Speaker 1: of people are like, I want that ship now, I

1031
00:57:44,200 --> 00:57:47,760
Speaker 1: need it now so I can be successful. The journey

1032
00:57:47,880 --> 00:57:51,160
Speaker 1: is the most important part. Yeah, and you can. And

1033
00:57:51,400 --> 00:57:54,120
Speaker 1: showing up in your kid's life and he's he's about

1034
00:57:54,120 --> 00:57:57,760
Speaker 1: to start this new chapter as a father, right. But

1035
00:57:57,920 --> 00:58:01,680
Speaker 1: that's but that's what makes successful, that's what makes him,

1036
00:58:02,200 --> 00:58:04,160
Speaker 1: that's what makes him a great person. So all of

1037
00:58:04,200 --> 00:58:06,720
Speaker 1: that stuff that he was, you know, Dan, I'm supposed

1038
00:58:06,760 --> 00:58:09,640
Speaker 1: to be the fucking I'm supposed to be the I'm

1039
00:58:09,680 --> 00:58:12,960
Speaker 1: not supposed to be the loser you are. He's not

1040
00:58:13,080 --> 00:58:16,160
Speaker 1: a loser. He's done something that Dan hasn't been able

1041
00:58:16,240 --> 00:58:18,320
Speaker 1: to do, and he has that over him at the

1042
00:58:18,400 --> 00:58:20,560
Speaker 1: end of the show. So that's something I took out

1043
00:58:20,600 --> 00:58:23,640
Speaker 1: of He looks like dad. I know. That's well said.

1044
00:58:23,640 --> 00:58:25,240
Speaker 1: And of course it made me think of John Ritter.

1045
00:58:25,640 --> 00:58:29,000
Speaker 1: Although it's ill advised to drive a car with a

1046
00:58:29,200 --> 00:58:32,800
Speaker 1: half broken out, all I could think about scene. I

1047
00:58:32,920 --> 00:58:35,440
Speaker 1: was like, it's exactly likely to get some glass in

1048
00:58:35,520 --> 00:58:39,000
Speaker 1: your eyes or bugs. I would be more worried about

1049
00:58:39,000 --> 00:58:42,160
Speaker 1: the glass, right, Well, yeah, all right, we're gonna take

1050
00:58:42,160 --> 00:58:43,800
Speaker 1: a break and when we come back, Joelle has a

1051
00:58:43,880 --> 00:58:47,120
Speaker 1: very exciting surprise for us that we don't know much about.

1052
00:58:47,200 --> 00:58:57,080
Speaker 1: But we're very excited. We'll be right back and we're back,

1053
00:58:57,680 --> 00:59:02,760
Speaker 1: are back, Zach. I love. By the way, I have

1054
00:59:02,920 --> 00:59:07,920
Speaker 1: to say that you and Wilder it for Halloween. We

1055
00:59:07,960 --> 00:59:11,160
Speaker 1: didn't talk about this. Yeah, so viral. Oh my god,

1056
00:59:11,480 --> 00:59:15,800
Speaker 1: you were everywhere with that, with that Wilder and you costume. Yep.

1057
00:59:16,880 --> 00:59:20,720
Speaker 1: I'm just gonna say. My wife called Cobb, Casey Cobb

1058
00:59:20,800 --> 00:59:23,800
Speaker 1: came through. She knew. She was like, Yo, we're gonna

1059
00:59:23,840 --> 00:59:26,400
Speaker 1: put her in this outfit. And I was like, oh,

1060
00:59:26,440 --> 00:59:28,320
Speaker 1: that's cool. She's like, No, that's not where that's not

1061
00:59:28,400 --> 00:59:33,280
Speaker 1: where it ends. That's just how it starts. You are

1062
00:59:33,360 --> 00:59:36,439
Speaker 1: then going to put on your you know, the only

1063
00:59:36,520 --> 00:59:40,440
Speaker 1: thing that I have from the braces don't fit in

1064
00:59:40,520 --> 00:59:43,400
Speaker 1: my mouth anymore because your teeth adjust and stuff like that.

1065
00:59:44,400 --> 00:59:46,880
Speaker 1: But that chain is the only thing that I have.

1066
00:59:47,000 --> 00:59:50,440
Speaker 1: And that's something that I brought into this situation. It

1067
00:59:50,600 --> 00:59:53,280
Speaker 1: was a chain given to me by this girl, Melissa Boner,

1068
00:59:53,480 --> 00:59:56,440
Speaker 1: when I was growing up. She wasn't teased at all, no,

1069
00:59:56,720 --> 01:00:01,080
Speaker 1: not even a little bit, but she gave me a

1070
01:00:01,200 --> 01:00:03,840
Speaker 1: chain with the Superman. Her parents were in jewelry or

1071
01:00:03,920 --> 01:00:06,000
Speaker 1: something like that, and she gave me that, and I

1072
01:00:06,160 --> 01:00:09,240
Speaker 1: just remember thinking, holy cow, and I wore it everywhere

1073
01:00:09,920 --> 01:00:14,360
Speaker 1: and uh and uh when I did Clueless, I wore

1074
01:00:14,400 --> 01:00:16,920
Speaker 1: it in the movie. And that's the really the only

1075
01:00:16,960 --> 01:00:18,280
Speaker 1: thing that I still I gave it to my brother

1076
01:00:18,360 --> 01:00:19,680
Speaker 1: for a little bit when he was in his band,

1077
01:00:19,760 --> 01:00:21,920
Speaker 1: so he, you know, had a little bit of that magic,

1078
01:00:22,240 --> 01:00:23,600
Speaker 1: and then he gave it back to me. He was like,

1079
01:00:23,600 --> 01:00:26,240
Speaker 1: I don't need this anymore. And it's been sitting in

1080
01:00:26,320 --> 01:00:28,640
Speaker 1: like a jewelry box forever. What about the the were

1081
01:00:28,680 --> 01:00:32,240
Speaker 1: those the colors of the costume that Murray wore? No,

1082
01:00:33,200 --> 01:00:37,240
Speaker 1: but you wore a can go backwards? Yes, okay, Well, anyway,

1083
01:00:37,920 --> 01:00:40,280
Speaker 1: the real the real star of the picture is my daughter,

1084
01:00:40,440 --> 01:00:43,760
Speaker 1: of course, of course, but that stands. But it did

1085
01:00:43,880 --> 01:00:46,440
Speaker 1: hard By the way, she's going to be a little performer.

1086
01:00:46,520 --> 01:00:52,400
Speaker 1: You know it. They're calling listen. I gotta tell you.

1087
01:00:52,560 --> 01:00:55,480
Speaker 1: She's so adorable and just the sass she had in

1088
01:00:55,560 --> 01:00:58,840
Speaker 1: her face. She is captain of the SS sassy Um.

1089
01:00:59,040 --> 01:01:02,560
Speaker 1: What happened? Now? Did Casey ever get into the yellow

1090
01:01:02,680 --> 01:01:06,720
Speaker 1: plaid outfit? No, she never did. She never even tried to.

1091
01:01:07,360 --> 01:01:10,600
Speaker 1: Did she Did she have one in the house? No,

1092
01:01:10,800 --> 01:01:13,120
Speaker 1: she does. Because our listeners were told that there might

1093
01:01:13,160 --> 01:01:15,160
Speaker 1: be some role playing, and I just wondered if anyone

1094
01:01:15,600 --> 01:01:18,440
Speaker 1: if you wanted to follow up. Oh, there were some

1095
01:01:18,800 --> 01:01:27,080
Speaker 1: roles we played some roles. Oh, oh, we played some roles. Oh,

1096
01:01:27,200 --> 01:01:32,400
Speaker 1: don't get me wrong, roles were played. Yeah, but all right, Joel,

1097
01:01:32,520 --> 01:01:35,880
Speaker 1: what tell us what's happening now? Yeah? So, okay, you

1098
01:01:35,960 --> 01:01:37,560
Speaker 1: have two options, you guys, let me know what you

1099
01:01:37,640 --> 01:01:40,240
Speaker 1: want to do. We can either listen to people's pitches

1100
01:01:40,320 --> 01:01:44,240
Speaker 1: for what we do after season nine of Scrubs yea,

1101
01:01:44,600 --> 01:01:46,840
Speaker 1: Or we can listen to their pitches for things. You

1102
01:01:46,960 --> 01:01:50,440
Speaker 1: guys should create TV shows, movies, whatever. We have plenty

1103
01:01:50,480 --> 01:01:53,800
Speaker 1: of both. Oh, let's listen to let's list one of each,

1104
01:01:53,960 --> 01:01:56,680
Speaker 1: one of each one? Okay, all right, so pick us

1105
01:01:56,720 --> 01:01:59,000
Speaker 1: your best on what we should do after we run

1106
01:01:59,040 --> 01:02:03,080
Speaker 1: out of episodes. This is how there's so many I'll

1107
01:02:03,120 --> 01:02:06,600
Speaker 1: pay I'll play that long? How long? None of them

1108
01:02:06,640 --> 01:02:11,440
Speaker 1: are longer than two minutes? Okay, all right, could work? Everybody,

1109
01:02:11,520 --> 01:02:14,080
Speaker 1: Thank you for some minute. Let's hear an example of

1110
01:02:14,280 --> 01:02:16,480
Speaker 1: what you think we should do after we run out

1111
01:02:16,520 --> 01:02:20,920
Speaker 1: of Scrubs episodes. All right, here we go. Why is

1112
01:02:21,000 --> 01:02:23,400
Speaker 1: this not up here? You know what? I'm just going

1113
01:02:23,480 --> 01:02:29,720
Speaker 1: to share my whole desktop. Hi, Joel and Gang and

1114
01:02:30,440 --> 01:02:33,400
Speaker 1: I did email for my idea for after season nine.

1115
01:02:33,520 --> 01:02:36,360
Speaker 1: By no you get I'm sure you haven't seen it.

1116
01:02:36,480 --> 01:02:38,800
Speaker 1: So I have listened to the latest episode and I'm

1117
01:02:38,800 --> 01:02:45,160
Speaker 1: sending your voice notes, and particularly with having the break,

1118
01:02:45,520 --> 01:02:50,360
Speaker 1: we'll be coming back with this most recent episode. I think, Well,

1119
01:02:50,840 --> 01:02:53,160
Speaker 1: for me personally, what I've enjoyed most about the podcast

1120
01:02:53,280 --> 01:02:56,520
Speaker 1: is just catching up with Zach and Donald and Joe Allen, Danel.

1121
01:02:57,120 --> 01:02:58,760
Speaker 1: You know, it was great during COVID that they would

1122
01:02:58,800 --> 01:03:01,959
Speaker 1: mentioned big things happening at the time and it felt

1123
01:03:02,000 --> 01:03:04,880
Speaker 1: relevant to everyone and it would connect everyone, you know,

1124
01:03:05,240 --> 01:03:07,160
Speaker 1: mentioning what's going on in the world, things like that,

1125
01:03:07,880 --> 01:03:11,240
Speaker 1: and just catching up and I love hearing their recommendations

1126
01:03:11,320 --> 01:03:13,800
Speaker 1: for what they're watching, what they're listening to, what they're

1127
01:03:13,840 --> 01:03:18,680
Speaker 1: working on. So maybe just like a fortnightly sorry that's

1128
01:03:18,680 --> 01:03:23,120
Speaker 1: a very English term. Bi monthly, would you say, or

1129
01:03:23,200 --> 01:03:25,919
Speaker 1: a monthly episode even because obviously I know those guys

1130
01:03:25,960 --> 01:03:29,040
Speaker 1: are busy, so that might be bought more feasible to

1131
01:03:29,080 --> 01:03:31,479
Speaker 1: fit with their schedules, so the fans can just listen

1132
01:03:31,560 --> 01:03:33,760
Speaker 1: in and catch up with them and you know, feel

1133
01:03:33,800 --> 01:03:36,120
Speaker 1: a part of that friendship. Because I think that's what

1134
01:03:36,280 --> 01:03:40,440
Speaker 1: a lot of people listening to you every week, we

1135
01:03:40,520 --> 01:03:42,320
Speaker 1: felt like we got to know you and be part

1136
01:03:42,360 --> 01:03:45,840
Speaker 1: of the gang. So yeah, I think it's amazing. And

1137
01:03:46,040 --> 01:03:48,440
Speaker 1: you know, you could still have people on guests on

1138
01:03:48,520 --> 01:03:50,320
Speaker 1: every now and then, maybe people you've worked with on

1139
01:03:50,920 --> 01:03:54,000
Speaker 1: other projects, or you know, just still have the Scrubs

1140
01:03:54,040 --> 01:03:55,720
Speaker 1: co stars on just to sort of catch up and

1141
01:03:55,760 --> 01:03:58,680
Speaker 1: hear about projects they're working on. I mean, Sarah Chalk

1142
01:03:58,920 --> 01:04:03,200
Speaker 1: is just always gold um and or maybe and then

1143
01:04:03,480 --> 01:04:05,440
Speaker 1: maybe you can revisit like some of the episodes where

1144
01:04:05,440 --> 01:04:08,280
Speaker 1: you couldn't get the you know, the the guest stars,

1145
01:04:08,720 --> 01:04:16,600
Speaker 1: Ryan Reynolds, I'm looking at you, Ryan Reynolds. And it's

1146
01:04:16,640 --> 01:04:20,520
Speaker 1: difficult to pick another show as it will always alienate

1147
01:04:20,640 --> 01:04:23,520
Speaker 1: some people that didn't watch it weren't interested in it,

1148
01:04:24,160 --> 01:04:26,720
Speaker 1: and I don't think it will have the same impact

1149
01:04:27,000 --> 01:04:29,320
Speaker 1: without hearing like the backstage stuff and the kind of

1150
01:04:29,360 --> 01:04:33,640
Speaker 1: inside gossip. So they are my thoughts. I'm glad you back.

1151
01:04:36,880 --> 01:04:39,760
Speaker 1: That was great. I agree with Laura Turnball. First of all,

1152
01:04:39,840 --> 01:04:42,920
Speaker 1: how wonderful is that accent? I mean, I know, I

1153
01:04:43,040 --> 01:04:45,560
Speaker 1: know I'm I'm biased, but that is just I just

1154
01:04:45,720 --> 01:04:50,160
Speaker 1: love when I hear someone speak with that accent. Laura Turnball,

1155
01:04:50,200 --> 01:04:53,280
Speaker 1: that was very well said Donald your thoughts. I agree

1156
01:04:53,360 --> 01:04:55,680
Speaker 1: with her. Maybe that's what we do where we do

1157
01:04:55,800 --> 01:04:58,320
Speaker 1: it twice a month and we just catch up and

1158
01:04:58,320 --> 01:05:01,840
Speaker 1: shoot the ship. Yeah, because I like that, because the

1159
01:05:01,920 --> 01:05:04,080
Speaker 1: thing is, we always are we want, we love doing

1160
01:05:04,160 --> 01:05:08,080
Speaker 1: the show, and the show is a nice sort of spine,

1161
01:05:08,320 --> 01:05:11,200
Speaker 1: if you will, for us to sort of have a

1162
01:05:11,280 --> 01:05:14,360
Speaker 1: story to tell throughout the hour. But the truth is,

1163
01:05:14,400 --> 01:05:16,040
Speaker 1: let's be honest, the four of us could shoot the

1164
01:05:16,080 --> 01:05:19,160
Speaker 1: ship for for an hour, and we could also invite

1165
01:05:19,360 --> 01:05:22,400
Speaker 1: guests on and shoot the ship with them. I think

1166
01:05:22,480 --> 01:05:27,360
Speaker 1: what with Laura Turnbull is very eloquently saying, these people, Yeah,

1167
01:05:27,400 --> 01:05:29,440
Speaker 1: they like scrubs, but they also just like hearing us

1168
01:05:29,680 --> 01:05:31,960
Speaker 1: shoot the ship and catch up. And maybe that's not

1169
01:05:32,080 --> 01:05:36,040
Speaker 1: every week, maybe it's every two weeks. But we talked

1170
01:05:36,040 --> 01:05:40,000
Speaker 1: about what we're watching, what we're recommending, we surprise each

1171
01:05:40,040 --> 01:05:44,640
Speaker 1: other with a guest or I don't know. That's definitely

1172
01:05:44,720 --> 01:05:47,480
Speaker 1: an interesting idea that because I think Laura's right and

1173
01:05:47,560 --> 01:05:49,640
Speaker 1: that no matter what show we pick, ay, we're not

1174
01:05:49,680 --> 01:05:54,280
Speaker 1: going to have any behind the scenes anecdotes. We're not

1175
01:05:54,640 --> 01:05:57,040
Speaker 1: gonna We're not I mean, we're not going to be

1176
01:05:57,120 --> 01:06:00,440
Speaker 1: as invested in it because we don't. We don't have

1177
01:06:00,560 --> 01:06:02,840
Speaker 1: the insider memories. We don't have. I can't tell it

1178
01:06:02,960 --> 01:06:05,480
Speaker 1: and I can't say, oh my god, that's funny Diante

1179
01:06:05,560 --> 01:06:08,280
Speaker 1: and Snoop Dogg at the at the pharmacy window, because

1180
01:06:08,320 --> 01:06:10,800
Speaker 1: I don't. We don't know any thing like that. And

1181
01:06:11,160 --> 01:06:13,640
Speaker 1: she's right that you're guaranteed to alienate a certain amount

1182
01:06:13,640 --> 01:06:15,280
Speaker 1: of a percentage of the audience because they're like, I

1183
01:06:15,280 --> 01:06:20,200
Speaker 1: don't give a fuck about X y Z show. I agree.

1184
01:06:20,760 --> 01:06:23,560
Speaker 1: I feel like I feel like that's a that's right.

1185
01:06:23,840 --> 01:06:28,560
Speaker 1: But you know what, Laura, that's your opinion. We got

1186
01:06:28,720 --> 01:06:31,160
Speaker 1: so many more to listens. But let's put Laura. Let's

1187
01:06:31,160 --> 01:06:33,400
Speaker 1: put Laura Turnbull. Jowell, you have a whiteboard? Can we

1188
01:06:33,480 --> 01:06:38,080
Speaker 1: put Laura Turnbull on the whiteboard as a potential? Now, Donald,

1189
01:06:38,120 --> 01:06:40,760
Speaker 1: do you want to hear one more just to contrast yea,

1190
01:06:41,080 --> 01:06:42,640
Speaker 1: or do you want to move on to the ideas

1191
01:06:42,720 --> 01:06:45,320
Speaker 1: for our future collaboration? You know, I think we should

1192
01:06:45,320 --> 01:06:48,280
Speaker 1: do future collaborations. Okay, Okay, so now we're going to

1193
01:06:48,360 --> 01:06:51,320
Speaker 1: hear an idea. But Laura, that was excellent, and thank

1194
01:06:51,360 --> 01:06:55,320
Speaker 1: you for submitting that. And um and for saying things

1195
01:06:55,400 --> 01:07:01,120
Speaker 1: like fortnite. This all comes from Matt and Vic. Okay,

1196
01:07:01,200 --> 01:07:06,600
Speaker 1: Matt and Vic reading us, Zack Donald, Joel Daniel, and

1197
01:07:06,800 --> 01:07:10,520
Speaker 1: Daniel's brother in law in the background. My name is

1198
01:07:10,560 --> 01:07:12,840
Speaker 1: Matt Johnson. I live up near Seattle. I was listening

1199
01:07:12,920 --> 01:07:16,640
Speaker 1: to the November first podcast today where you all were

1200
01:07:16,760 --> 01:07:21,200
Speaker 1: asking for ideas for movie pitches for Zack and Donald,

1201
01:07:21,960 --> 01:07:24,640
Speaker 1: and as I was driving listening to you guys, I thought,

1202
01:07:25,440 --> 01:07:28,440
Speaker 1: I can't get an idea of a Christmas film out

1203
01:07:28,480 --> 01:07:30,920
Speaker 1: of my head. And then later on the show, you

1204
01:07:31,000 --> 01:07:33,000
Speaker 1: guys came up with it yourselves, and I was like, oh, no,

1205
01:07:33,240 --> 01:07:35,960
Speaker 1: maybe I shouldn't do this, but what the hell here

1206
01:07:35,960 --> 01:07:37,680
Speaker 1: I am. I'm doing it. And I think Zack and

1207
01:07:37,760 --> 01:07:41,560
Speaker 1: Donald should play colleagues in a public school where they

1208
01:07:41,640 --> 01:07:47,600
Speaker 1: are tasked with putting on a Christmas slash holiday performance

1209
01:07:47,720 --> 01:07:50,280
Speaker 1: for your students. It probably works best with high school students,

1210
01:07:50,320 --> 01:07:53,200
Speaker 1: but it would be hilarious with elementary school kids. And

1211
01:07:53,600 --> 01:07:57,520
Speaker 1: you both have such different music tastes that that would

1212
01:07:57,720 --> 01:08:00,760
Speaker 1: make for a super cool soundtrack, and you guys really

1213
01:08:00,840 --> 01:08:07,880
Speaker 1: pick cool sound songs anyway, like Zach's soundtracks for films,

1214
01:08:08,360 --> 01:08:13,800
Speaker 1: Donald's experiences and talent with his own musical abilities, and

1215
01:08:14,280 --> 01:08:16,280
Speaker 1: I think that would be a really really cool idea,

1216
01:08:16,920 --> 01:08:23,040
Speaker 1: and there's just so much possibility. I'm I'm a middle

1217
01:08:23,080 --> 01:08:25,360
Speaker 1: school English teacher. I'm not saying that I should write

1218
01:08:25,400 --> 01:08:28,080
Speaker 1: the script. I should ask me to write the script,

1219
01:08:29,640 --> 01:08:34,840
Speaker 1: but I would do it. I have no experience with screenwriting,

1220
01:08:35,240 --> 01:08:36,800
Speaker 1: but it would be really fun and plus it would

1221
01:08:36,800 --> 01:08:38,519
Speaker 1: be really cool to work with you guys. But anyway,

1222
01:08:38,840 --> 01:08:43,880
Speaker 1: that's my idea. UM, school school Christmas Holiday concert. Zach

1223
01:08:43,920 --> 01:08:47,680
Speaker 1: and Donald are the teachers and it's thrust upon them

1224
01:08:47,760 --> 01:08:50,240
Speaker 1: and that's their task, and they make it work and

1225
01:08:50,280 --> 01:08:53,960
Speaker 1: it's a fantastic performance. That's all right. UM, really love

1226
01:08:54,000 --> 01:08:56,599
Speaker 1: listening to the show as always. Glad you're back. Glad

1227
01:08:56,640 --> 01:09:01,240
Speaker 1: you all enjoyed your hiatus and continue to continued success

1228
01:09:01,520 --> 01:09:04,240
Speaker 1: to you all. Cheers. What a nice guy. What's his name,

1229
01:09:04,320 --> 01:09:08,559
Speaker 1: Jewel mat Mad? Thank you so much. That was That's

1230
01:09:08,600 --> 01:09:11,439
Speaker 1: just funny as the idea, Yeah, I like the idea

1231
01:09:11,479 --> 01:09:14,920
Speaker 1: of us working in a middle school together or elementary school, well,

1232
01:09:15,080 --> 01:09:17,120
Speaker 1: a middle school, a high school or a high school.

1233
01:09:17,160 --> 01:09:19,559
Speaker 1: I'm putting on a high school musical were we are

1234
01:09:19,600 --> 01:09:22,479
Speaker 1: the two teachers who have been assigned to throw the

1235
01:09:22,640 --> 01:09:27,920
Speaker 1: Holiday Spectacular, and we're gonna go both to the wall. Yeah,

1236
01:09:28,040 --> 01:09:31,320
Speaker 1: and we're not We're both were both out. Maybe we

1237
01:09:31,400 --> 01:09:33,960
Speaker 1: were both maybe we were both failed actors. So this

1238
01:09:34,040 --> 01:09:35,639
Speaker 1: is like it's kind of like Guffman, like, we're gonna

1239
01:09:35,680 --> 01:09:42,439
Speaker 1: go all out. That's hilarious. That's good, all right, Joel

1240
01:09:42,520 --> 01:09:45,639
Speaker 1: put that on the board. Mad Thank you very very

1241
01:09:45,760 --> 01:09:49,240
Speaker 1: funny idea. This is fun like our new segment. But

1242
01:09:49,360 --> 01:09:51,559
Speaker 1: how does this work though? And and how does this work?

1243
01:09:51,680 --> 01:09:54,800
Speaker 1: So so I thought perhaps we could keep doing these

1244
01:09:54,920 --> 01:09:57,000
Speaker 1: each week and then we could have our own March

1245
01:09:57,120 --> 01:10:01,600
Speaker 1: Madness bracket. Yeah, at the end of people vote hilarious,

1246
01:10:01,680 --> 01:10:04,000
Speaker 1: and we could do a March Madness bracket where you know,

1247
01:10:04,320 --> 01:10:06,960
Speaker 1: you guys let us know which. But we're still gonna

1248
01:10:07,200 --> 01:10:09,160
Speaker 1: that's not good. We're gonna pick what we respond to

1249
01:10:09,280 --> 01:10:14,360
Speaker 1: the most. No, I mean, don't tell them that. Then

1250
01:10:14,400 --> 01:10:16,680
Speaker 1: they're not going to vote. Bro Listen, it will it

1251
01:10:16,760 --> 01:10:21,559
Speaker 1: will influence us, right, it will influence us, But we're

1252
01:10:21,600 --> 01:10:23,479
Speaker 1: not going to dedicate a year of our life to

1253
01:10:23,600 --> 01:10:27,960
Speaker 1: something we find mildly interesting or something that they or

1254
01:10:28,200 --> 01:10:31,560
Speaker 1: something that they put us in just to put us in. Like, no,

1255
01:10:31,960 --> 01:10:34,360
Speaker 1: I'm talking about In that instance, I was talking about

1256
01:10:34,360 --> 01:10:37,200
Speaker 1: what what the podcast would be in terms of creating

1257
01:10:37,479 --> 01:10:40,880
Speaker 1: a show. We're certainly not gonna go out and pitch

1258
01:10:41,000 --> 01:10:44,360
Speaker 1: something to networks that isn't something we find hilarious, even

1259
01:10:44,400 --> 01:10:46,160
Speaker 1: if the audience is like, that's the one. You have

1260
01:10:46,320 --> 01:10:51,000
Speaker 1: to do this, right, I love, this must be done.

1261
01:10:51,120 --> 01:10:53,160
Speaker 1: I really do love. Thank you, guys. And that's a

1262
01:10:53,240 --> 01:10:56,439
Speaker 1: good length. If you submit, Joel, tell people how they

1263
01:10:56,479 --> 01:10:59,000
Speaker 1: submit again, so you can just send us a voice No,

1264
01:10:59,120 --> 01:11:01,320
Speaker 1: if you have an iPhone or you know, if you

1265
01:11:01,439 --> 01:11:04,599
Speaker 1: have a Android or something, there's all kinds of recording apps.

1266
01:11:04,760 --> 01:11:07,400
Speaker 1: Just record yourself. Please keep it under three minutes. We're

1267
01:11:07,439 --> 01:11:09,000
Speaker 1: not going to play it if it's let's say too.

1268
01:11:09,120 --> 01:11:11,400
Speaker 1: Let's say too because those were two, right, yes, yeah,

1269
01:11:11,439 --> 01:11:13,040
Speaker 1: those were two. I think two is a good length.

1270
01:11:13,320 --> 01:11:15,919
Speaker 1: All right, two minutes. You can send it to scrubs

1271
01:11:15,960 --> 01:11:19,320
Speaker 1: iHeart at gmail dot com, and you know, if you like,

1272
01:11:19,400 --> 01:11:21,679
Speaker 1: I will play it here, and you know, eventually maybe

1273
01:11:21,720 --> 01:11:23,559
Speaker 1: the audience will We'll get to vote or at least

1274
01:11:23,560 --> 01:11:25,280
Speaker 1: share their thoughts on you or I liked it, and

1275
01:11:25,320 --> 01:11:27,160
Speaker 1: then I think when we narrow it down, eventually we

1276
01:11:27,240 --> 01:11:30,680
Speaker 1: can have these uh, the the people on and and

1277
01:11:30,840 --> 01:11:35,200
Speaker 1: have them elaborate further. Love it. I love this idea.

1278
01:11:35,920 --> 01:11:38,160
Speaker 1: Why I love this is because we get to get

1279
01:11:38,200 --> 01:11:40,439
Speaker 1: back in touch with our fans. I love it. And

1280
01:11:40,720 --> 01:11:43,759
Speaker 1: I love how those two fans were very well spoken

1281
01:11:43,800 --> 01:11:48,400
Speaker 1: and funny and UM and I I'm I'm Joel. Um

1282
01:11:48,720 --> 01:11:52,599
Speaker 1: this is a hit. I love it. UM, I love

1283
01:11:52,680 --> 01:11:55,599
Speaker 1: you both. UM, that's our show. Everybody, thank you. UM,

1284
01:11:55,760 --> 01:11:59,080
Speaker 1: I hope that. Hey guys, it's uh. Lastly, I just

1285
01:11:59,120 --> 01:12:01,160
Speaker 1: want to say, this comes out on Tuesday. It's it's

1286
01:12:01,200 --> 01:12:04,479
Speaker 1: election day. Please vote, yeah, and do it. I already

1287
01:12:04,520 --> 01:12:08,000
Speaker 1: voted early because um, because you can, um where I'm

1288
01:12:08,040 --> 01:12:10,800
Speaker 1: pretty sure almost Listen, anybody can vote early if you

1289
01:12:10,920 --> 01:12:12,680
Speaker 1: get the if you get the ballot and the mail

1290
01:12:13,200 --> 01:12:15,479
Speaker 1: comes on on Tuesday, that conversation is useless because this

1291
01:12:15,560 --> 01:12:17,840
Speaker 1: is Tuesday. If they get that stamped today, if they

1292
01:12:17,920 --> 01:12:20,519
Speaker 1: get that stamp today, if it's out in the mail today,

1293
01:12:20,560 --> 01:12:23,360
Speaker 1: it's still considered early voting. That's not true. Even if

1294
01:12:23,400 --> 01:12:25,479
Speaker 1: it's Tuesday and you're listening to it right now. Oh

1295
01:12:25,560 --> 01:12:30,800
Speaker 1: you get it stamped today, it's still considered early voting. Okay,

1296
01:12:31,000 --> 01:12:34,400
Speaker 1: but I would suggest yeah, sure, Donald Dry but if

1297
01:12:34,400 --> 01:12:37,000
Speaker 1: it is, if if you're listening to this on Tuesday, UM,

1298
01:12:37,160 --> 01:12:39,400
Speaker 1: and you're in the United States of America, UM, just

1299
01:12:39,479 --> 01:12:42,200
Speaker 1: go vote at your polling place. You can just you know,

1300
01:12:42,640 --> 01:12:45,240
Speaker 1: any website you put into Google, where's my polling place,

1301
01:12:45,280 --> 01:12:47,960
Speaker 1: it's gonna tell you where to go. And um, and

1302
01:12:48,120 --> 01:12:50,479
Speaker 1: that's it. We love you very much. Donald, count us out.

1303
01:12:54,240 --> 01:13:04,000
Speaker 1: We made I said, here's the stories net all should know.

1304
01:13:05,640 --> 01:13:06,360
Speaker 1: So Gatto