1 00:00:00,120 --> 00:00:01,520 Speaker 1: Oh my god, look what's going on here? 2 00:00:01,639 --> 00:00:04,840 Speaker 2: Oh yes, I'll do this because I don't want Josh, 3 00:00:05,040 --> 00:00:06,560 Speaker 2: but s enough, Actually, Josh, go ahead. 4 00:00:06,720 --> 00:00:11,680 Speaker 1: Okay, Roomy's road call, road damn, Jesus, Roomy's road call. 5 00:00:11,960 --> 00:00:18,560 Speaker 2: How would substitute teacher Garvey pronounce these nicknames, these nicks names? 6 00:00:18,840 --> 00:00:21,160 Speaker 1: Nicknames? Okay, so okay? Nick names? 7 00:00:21,200 --> 00:00:27,760 Speaker 3: The first one, uh would be Tom because if it 8 00:00:27,800 --> 00:00:30,639 Speaker 3: was if it's if it said Thomas, it would be 9 00:00:30,720 --> 00:00:31,440 Speaker 3: thom ass. 10 00:00:31,840 --> 00:00:32,519 Speaker 1: But it doesn't. 11 00:00:32,560 --> 00:00:36,360 Speaker 3: It says Tom, so it could be if if I'm 12 00:00:36,400 --> 00:00:38,600 Speaker 3: trying to squeeze every ounce out of it, it would 13 00:00:38,600 --> 00:00:43,320 Speaker 3: be Tom all right, So I would say Tom thibby 14 00:00:43,400 --> 00:00:47,559 Speaker 3: dio or thibbi da Thippi day is. I would say 15 00:00:47,640 --> 00:00:54,280 Speaker 3: that one a new uh o g a noon to beat. Okay, 16 00:00:54,960 --> 00:00:57,640 Speaker 3: precious was your personal, perfectly ordinary name. That's what people's 17 00:00:57,680 --> 00:01:06,080 Speaker 3: name should be. Precious at you, uber, But look at 18 00:01:06,120 --> 00:01:06,679 Speaker 3: this name right here? 19 00:01:06,800 --> 00:01:06,880 Speaker 4: Now? 20 00:01:06,959 --> 00:01:08,000 Speaker 1: This that who? Who? 21 00:01:08,280 --> 00:01:08,320 Speaker 2: What? 22 00:01:09,240 --> 00:01:11,640 Speaker 1: Ariel? Who? COPORTI what that's his name? 23 00:01:11,720 --> 00:01:11,800 Speaker 4: Right? 24 00:01:14,920 --> 00:01:16,640 Speaker 3: I would probably put an extra syllable in and I 25 00:01:16,680 --> 00:01:24,840 Speaker 3: would be arial hohoka PORTI? Where is at the arid past? 26 00:01:24,880 --> 00:01:29,920 Speaker 1: Kame? Uh? Daddy? Yet where's Pascan? And daddy, yet, at 27 00:01:30,440 --> 00:01:33,480 Speaker 1: are you up in here? And laundry? Where is laundry? 28 00:01:33,560 --> 00:01:37,640 Speaker 1: Sham What the hell is laundry? Shammit? At here? 29 00:01:37,720 --> 00:01:41,000 Speaker 3: You better not be in the soap and SuDS laundry shammit, 30 00:01:43,240 --> 00:01:44,039 Speaker 3: laundry Salmon? 31 00:01:44,440 --> 00:01:47,960 Speaker 1: Is it? Is it? Landry? Shamett landry? It is shammo shaman? 32 00:01:48,000 --> 00:01:50,960 Speaker 1: All right? Funny you actually got you get that? Pecom's 33 00:01:51,040 --> 00:01:55,640 Speaker 1: last name, right, is it daddie Dad? Not yet? He 34 00:01:55,640 --> 00:01:56,880 Speaker 1: said that yet. 35 00:01:57,440 --> 00:02:01,240 Speaker 3: I tried to put the tut but his it's not 36 00:02:01,280 --> 00:02:03,240 Speaker 3: pretty there is? You don't pronounce it in his name? 37 00:02:03,320 --> 00:02:08,799 Speaker 1: Right? Na? I think he said that's comment. Yeah, that's 38 00:02:08,919 --> 00:02:11,560 Speaker 1: just because I don't have my glasses like smushed a 39 00:02:11,600 --> 00:02:15,080 Speaker 1: little s in there. But that's comic. Where's past comment? Daddy? Yet? 40 00:02:16,120 --> 00:02:19,800 Speaker 1: Where's he from? He's friends? 41 00:02:19,880 --> 00:02:20,679 Speaker 2: O G. 42 00:02:20,800 --> 00:02:27,679 Speaker 1: I thought you were gonna say, watches, Oh, where is 43 00:02:30,800 --> 00:02:32,160 Speaker 1: is up here? 44 00:02:32,880 --> 00:02:34,800 Speaker 3: I think one of the something else that I find 45 00:02:34,960 --> 00:02:39,919 Speaker 3: very very fascinating is this fact that that are our 46 00:02:41,080 --> 00:02:46,960 Speaker 3: our vocations are very similar because they're they're both performance based, 47 00:02:47,400 --> 00:02:48,799 Speaker 3: do you know what I mean? And I just love 48 00:02:48,919 --> 00:02:51,560 Speaker 3: I love hearing about people's processes and how they go 49 00:02:51,680 --> 00:02:53,600 Speaker 3: about doing what they do because it's very time. We 50 00:02:53,680 --> 00:02:56,680 Speaker 3: have to prep actors prep. You gotta prep, you gotta 51 00:02:56,720 --> 00:02:58,359 Speaker 3: It's it's repetition, repetition, repetition. 52 00:02:58,440 --> 00:03:01,359 Speaker 1: It's the same thing. It's very they're very similar jobs 53 00:03:02,120 --> 00:03:03,120 Speaker 1: from a mental standpoint. 54 00:03:03,160 --> 00:03:05,359 Speaker 4: You know, who's the most intense actor you've worked with 55 00:03:05,440 --> 00:03:07,720 Speaker 4: in terms of their prep? Because I think you hear 56 00:03:07,880 --> 00:03:10,720 Speaker 4: all the time about actors just losing themselves in roles, 57 00:03:10,800 --> 00:03:12,400 Speaker 4: right and even when the camera stops, they go back 58 00:03:12,400 --> 00:03:14,440 Speaker 4: to their trailer, they're still the character for those couple 59 00:03:14,480 --> 00:03:14,800 Speaker 4: of months. 60 00:03:14,880 --> 00:03:20,040 Speaker 1: You know, it's interesting, I've not. I've not had that. 61 00:03:20,960 --> 00:03:25,400 Speaker 3: Honestly, I can't think of really else thinking too. I 62 00:03:26,200 --> 00:03:30,519 Speaker 3: have because the majority of my the majority of my 63 00:03:30,680 --> 00:03:37,520 Speaker 3: work on camera is comedic. You try the tone you're 64 00:03:37,600 --> 00:03:41,360 Speaker 3: trying to set on a set comedically, especially if you've 65 00:03:41,400 --> 00:03:43,440 Speaker 3: a lot of people in the show are improvisers. Is 66 00:03:43,520 --> 00:03:46,200 Speaker 3: you want it to be lucy, goosey and free and 67 00:03:46,280 --> 00:03:49,200 Speaker 3: you don't get a lot of You don't get a 68 00:03:49,240 --> 00:03:51,640 Speaker 3: lot of people just like you don't get a lot 69 00:03:51,720 --> 00:03:51,840 Speaker 3: of that. 70 00:03:52,360 --> 00:03:55,160 Speaker 1: So I've not. I don't. That's a hard question for 71 00:03:55,240 --> 00:03:57,880 Speaker 1: me to answer. I don't know. And even someone. 72 00:03:57,680 --> 00:04:00,880 Speaker 3: Who's done who's so good and so versaal Timothy Schallomey. 73 00:04:01,080 --> 00:04:03,120 Speaker 3: I was in Wonka, this movie Wonka with Timothy Shallo, 74 00:04:03,200 --> 00:04:07,080 Speaker 3: may even Timmy. He changes his process based on the 75 00:04:07,200 --> 00:04:11,560 Speaker 3: kind of movie he's making. So there's a buoyancy, there's 76 00:04:11,600 --> 00:04:15,280 Speaker 3: a lightness to Wonka. He brought that to that role. 77 00:04:16,160 --> 00:04:19,640 Speaker 3: Call Me by your Name a different process, I'm sure 78 00:04:19,720 --> 00:04:22,400 Speaker 3: I know. Bob Dylan was a completely different process where 79 00:04:22,400 --> 00:04:24,560 Speaker 3: he's playing a you know, oh my god, we did 80 00:04:24,600 --> 00:04:27,280 Speaker 3: a sketch because you guys know who Lando Kellarisian is 81 00:04:27,360 --> 00:04:28,760 Speaker 3: from the original Star Wars. 82 00:04:28,640 --> 00:04:35,040 Speaker 1: Movies, Yes, Empire. Unfortunately, y'all, I know you don't it. 83 00:04:35,520 --> 00:04:37,120 Speaker 1: If you saw him, you recognize him. His name is 84 00:04:37,120 --> 00:04:39,480 Speaker 1: Billy D. Williams is his name. He's he's he's an 85 00:04:39,520 --> 00:04:41,640 Speaker 1: old man now, but he was. I'm sorry. It's so 86 00:04:41,800 --> 00:04:46,440 Speaker 1: sad they're not educated son. But there was a character 87 00:04:46,960 --> 00:04:49,719 Speaker 1: an actor in the seventies, in the late sixties and seventies. 88 00:04:49,800 --> 00:04:51,920 Speaker 1: He was a badass. His name is Billy D. 89 00:04:51,960 --> 00:04:55,120 Speaker 3: Williams, and he was. He was the coolest man that 90 00:04:55,320 --> 00:04:57,680 Speaker 3: ever lived. And he used to he used to do 91 00:04:57,839 --> 00:05:04,040 Speaker 3: these commercials for Bolt Liquor. Then he'd go smooth, cool, Schlitz. 92 00:05:04,160 --> 00:05:06,320 Speaker 3: What was it on Cold Cold Foot Cold forty five? 93 00:05:07,040 --> 00:05:09,599 Speaker 3: It goes down smooth, and he was like the coolest 94 00:05:09,680 --> 00:05:11,760 Speaker 3: dude ever. And he's in these in the original Star 95 00:05:11,800 --> 00:05:15,480 Speaker 3: Wars movies and he uh, he came to set one day. 96 00:05:15,839 --> 00:05:18,960 Speaker 3: He's in character all the time because he's a personality. 97 00:05:20,000 --> 00:05:20,320 Speaker 1: Billy D. 98 00:05:20,320 --> 00:05:22,400 Speaker 3: Williams ever played a character in the movies he was in. 99 00:05:22,480 --> 00:05:24,720 Speaker 3: He always plays Billy Wiams. You went to buy your 100 00:05:24,760 --> 00:05:26,800 Speaker 3: ticket to the movie because you want to see Billy D. 101 00:05:26,880 --> 00:05:29,120 Speaker 1: Williams. You don't want to see him get lost like 102 00:05:29,240 --> 00:05:31,839 Speaker 1: Robert de Niro. No, Robertino gets lost in a character. 103 00:05:31,880 --> 00:05:34,680 Speaker 1: And he's different in the voice. It's not that he was. 104 00:05:34,839 --> 00:05:37,320 Speaker 1: He was a movie sar. Not not he's an actor. 105 00:05:37,400 --> 00:05:37,839 Speaker 1: But you know what I mean. 106 00:05:37,920 --> 00:05:41,120 Speaker 3: The difference between someone who has a personality and somebody 107 00:05:41,160 --> 00:05:43,840 Speaker 3: who gets lost in their characters like a chameleon. 108 00:05:44,520 --> 00:05:46,799 Speaker 1: And Billy D. Williams came to set to do this sketch. 109 00:05:46,839 --> 00:05:49,640 Speaker 1: He did sketch for us, and he showed up. He 110 00:05:49,880 --> 00:05:51,800 Speaker 1: drives up in his Mercedes and he comes up to 111 00:05:51,880 --> 00:05:53,400 Speaker 1: the trailer and he. 112 00:05:53,400 --> 00:05:56,400 Speaker 3: Gets out and he's got on these like flowy silk 113 00:05:56,480 --> 00:05:58,680 Speaker 3: black pants and this silk black shirt and he has 114 00:05:58,760 --> 00:06:01,400 Speaker 3: like a colorful scarf and he and he gets out 115 00:06:01,400 --> 00:06:04,360 Speaker 3: of his car and our the guy who runs our 116 00:06:05,080 --> 00:06:05,599 Speaker 3: base camp. 117 00:06:05,640 --> 00:06:06,080 Speaker 1: He walks up. 118 00:06:06,080 --> 00:06:07,880 Speaker 3: He goes, mister Williams, it's a pleasure to meet you, 119 00:06:07,960 --> 00:06:11,200 Speaker 3: and names Elliott Uh. I want to welcome you to 120 00:06:11,279 --> 00:06:13,000 Speaker 3: the set. Also wanted to ask you if you if 121 00:06:13,000 --> 00:06:15,480 Speaker 3: you brought any wardrobe with you today. 122 00:06:15,920 --> 00:06:16,280 Speaker 1: Billy D. 123 00:06:16,279 --> 00:06:18,440 Speaker 3: Williams looked at him, and he looked at himself and 124 00:06:18,480 --> 00:06:21,960 Speaker 3: he went, you're looking at him. And then he just 125 00:06:22,279 --> 00:06:24,560 Speaker 3: went over and got into his trailer and then and 126 00:06:25,080 --> 00:06:27,800 Speaker 3: and he's like, this is what I'm wearing. This is okay, 127 00:06:27,880 --> 00:06:29,920 Speaker 3: you know, this is what I'm wearing to do the sketch. 128 00:06:30,360 --> 00:06:32,840 Speaker 3: And he had to be someplace the whole day. It 129 00:06:32,960 --> 00:06:35,720 Speaker 3: was hilarious. So every time, like we do the scene 130 00:06:35,760 --> 00:06:38,120 Speaker 3: and then Billy's doing the thing and everything's happening and 131 00:06:38,160 --> 00:06:40,120 Speaker 3: then they say cut. He was like, goes, guys, what 132 00:06:40,279 --> 00:06:43,280 Speaker 3: time is it, Billy, bro, It's like four minutes after 133 00:06:43,320 --> 00:06:46,039 Speaker 3: the last time last time you asked. He's like, because 134 00:06:46,040 --> 00:06:48,000 Speaker 3: I gotta go, I gotta GLEI in san Amna good 135 00:06:48,080 --> 00:06:48,599 Speaker 3: one pm. 136 00:06:48,920 --> 00:06:50,200 Speaker 1: So what's that right? 137 00:06:50,200 --> 00:06:52,560 Speaker 3: What's that freeway right there, that's the ten, Billy, I 138 00:06:52,600 --> 00:06:54,200 Speaker 3: could take the ten to the one ten. I'll be 139 00:06:54,279 --> 00:06:56,320 Speaker 3: there in thirty minutes. How much long are we gonna 140 00:06:56,320 --> 00:06:59,440 Speaker 3: be here? Like maybe another hour? Oh, guys, I gotta go. 141 00:07:01,520 --> 00:07:04,280 Speaker 1: He was just like, he's just like, so maybe he 142 00:07:04,520 --> 00:07:06,880 Speaker 1: Billy d Williams is the guy because he was like 143 00:07:07,080 --> 00:07:10,240 Speaker 1: in character, because that is his character, do you know 144 00:07:10,280 --> 00:07:11,040 Speaker 1: what I mean? Sure? 145 00:07:11,120 --> 00:07:14,680 Speaker 3: But otherwise it's this kind of situation. Those guys were 146 00:07:14,760 --> 00:07:19,440 Speaker 3: screwing around all the time because that's because it's film. 147 00:07:19,880 --> 00:07:21,520 Speaker 3: You just get as much footage. 148 00:07:21,120 --> 00:07:21,520 Speaker 2: As you can. 149 00:07:21,640 --> 00:07:24,960 Speaker 3: And then Adam McKay, who's a genius who directed Step Brothers, 150 00:07:25,760 --> 00:07:27,680 Speaker 3: just put you put together the best part and they 151 00:07:27,840 --> 00:07:28,920 Speaker 3: found their chemistry. 152 00:07:29,920 --> 00:07:31,160 Speaker 1: It's some some actors. 153 00:07:32,400 --> 00:07:34,640 Speaker 3: I prepared my thing, you prepared my your thing, and 154 00:07:34,720 --> 00:07:37,520 Speaker 3: then they clash, and that clash is the chemistry. But 155 00:07:37,680 --> 00:07:41,040 Speaker 3: these guys, and mostly in the comedic world, you want 156 00:07:41,120 --> 00:07:43,680 Speaker 3: that flow. You want that pop pop, you know what 157 00:07:43,720 --> 00:07:45,240 Speaker 3: I mean. Like when you guys are flowing, like when 158 00:07:45,240 --> 00:07:47,680 Speaker 3: you're in transition and it just the ball just comes 159 00:07:47,720 --> 00:07:49,760 Speaker 3: out of your hands. You don't even know, you just 160 00:07:49,880 --> 00:07:52,680 Speaker 3: you just know it's gonna be there. And then whatever 161 00:07:52,760 --> 00:07:55,640 Speaker 3: fucking cattarog They it's an alley you it just happens. 162 00:07:55,680 --> 00:07:58,080 Speaker 3: It just it just flows, It just flows. 163 00:07:58,200 --> 00:08:00,720 Speaker 4: Yeah, this is a segment we do every episode where 164 00:08:00,760 --> 00:08:03,880 Speaker 4: we'll react to things that happened recently, not always recently 165 00:08:03,960 --> 00:08:06,440 Speaker 4: social media, just so feel free to react as you would. 166 00:08:06,640 --> 00:08:08,960 Speaker 1: Okay, so this what you're seeing me do right here. 167 00:08:09,160 --> 00:08:11,960 Speaker 3: This is me kicking a field goal at the coliseum 168 00:08:12,000 --> 00:08:14,840 Speaker 3: in LA for a television show that I did, Ellen 169 00:08:14,880 --> 00:08:18,200 Speaker 3: and I did, and you could see me like if 170 00:08:18,240 --> 00:08:19,480 Speaker 3: you can, if you can back it up, he's a 171 00:08:19,520 --> 00:08:23,240 Speaker 3: ready to back it up. Okay, right right here at 172 00:08:23,240 --> 00:08:26,520 Speaker 3: the beginning. First of all, my heart beating out of 173 00:08:26,560 --> 00:08:28,640 Speaker 3: my chest. But this thing here where I'm shaking my 174 00:08:28,720 --> 00:08:30,400 Speaker 3: head and I'm doing this thing with my arms when 175 00:08:30,440 --> 00:08:32,640 Speaker 3: the guys taught me to kick the field goal. First 176 00:08:32,640 --> 00:08:34,000 Speaker 3: of all, the three guys who taught me to kick 177 00:08:34,000 --> 00:08:35,240 Speaker 3: a field goal have never kicked a field goal. And 178 00:08:35,240 --> 00:08:37,920 Speaker 3: they're like an offensive lineman and two wide receiver and 179 00:08:38,000 --> 00:08:40,880 Speaker 3: running back I have ever gone on special teams. And 180 00:08:40,960 --> 00:08:42,520 Speaker 3: they're like, you got to have a ritual, and I'm like, 181 00:08:42,600 --> 00:08:44,200 Speaker 3: I don't know about an the ritual. I just need 182 00:08:44,320 --> 00:08:47,839 Speaker 3: to keep my eye on the ball, and so they said, no, 183 00:08:47,880 --> 00:08:49,240 Speaker 3: you gotta have a ritual. So I went out there 184 00:08:49,240 --> 00:08:50,360 Speaker 3: and I just did this little I just went I 185 00:08:50,400 --> 00:08:52,959 Speaker 3: just went, well, I don't know what the fuck I 186 00:08:53,080 --> 00:08:55,679 Speaker 3: was doing. And then so I backed up and I 187 00:08:55,760 --> 00:08:58,079 Speaker 3: just did whatever I've seen field goal kickers do my 188 00:08:58,160 --> 00:08:59,760 Speaker 3: whole life, which is back up, and they go to 189 00:09:00,080 --> 00:09:03,520 Speaker 3: up to the right, and then I could oh, and 190 00:09:03,600 --> 00:09:04,000 Speaker 3: I got it. 191 00:09:04,120 --> 00:09:04,520 Speaker 1: I got it. 192 00:09:04,640 --> 00:09:05,000 Speaker 2: I got it. 193 00:09:05,400 --> 00:09:08,880 Speaker 1: I think I think it was and I, oh my god, 194 00:09:08,920 --> 00:09:11,079 Speaker 1: I was so happy. I think that. 195 00:09:11,440 --> 00:09:11,520 Speaker 2: Uh. 196 00:09:11,559 --> 00:09:13,360 Speaker 1: And I mean, like the Colosseum. 197 00:09:13,360 --> 00:09:14,959 Speaker 3: I don't know how many people the Colosseum holds, but 198 00:09:15,040 --> 00:09:18,320 Speaker 3: they were probably at that point in time, probably forty 199 00:09:18,400 --> 00:09:22,199 Speaker 3: thousand people. Wow, it's pat And so I went to 200 00:09:22,320 --> 00:09:23,760 Speaker 3: kick the and I'm like, I don't know how to 201 00:09:23,840 --> 00:09:26,080 Speaker 3: do chips. I don't know how to put the English, 202 00:09:26,120 --> 00:09:27,320 Speaker 3: I don't know to do all that. I'm just gonna 203 00:09:27,400 --> 00:09:28,959 Speaker 3: kick it straight up like they should do back in 204 00:09:28,960 --> 00:09:30,400 Speaker 3: the open, like in the day, like in the sixties, 205 00:09:31,440 --> 00:09:33,520 Speaker 3: Charlie Barnes. I'm just gonna kick it straight up. And 206 00:09:33,640 --> 00:09:35,800 Speaker 3: you see it hooked a little bit, but because I 207 00:09:35,960 --> 00:09:39,640 Speaker 3: was so close, it hooks it hooked. It hooks a 208 00:09:39,640 --> 00:09:41,559 Speaker 3: little bit, it pulls to the left, but it gets. 209 00:09:41,360 --> 00:09:44,120 Speaker 1: Through before anything else happens. Oh my god, it's like 210 00:09:44,320 --> 00:09:46,320 Speaker 1: one of I was. I have not been. I don't 211 00:09:46,320 --> 00:09:49,640 Speaker 1: think I have been that nervous. I was more nervous 212 00:09:50,160 --> 00:09:53,680 Speaker 1: doing that than I was at my debut on Broadway, 213 00:09:54,480 --> 00:09:57,920 Speaker 1: like twenty times more nervous. I can see that, you 214 00:09:57,960 --> 00:09:59,800 Speaker 1: know what I mean, I can see that's hilarious. If 215 00:09:59,840 --> 00:10:01,120 Speaker 1: you were doing that, if you were going to be 216 00:10:01,160 --> 00:10:04,079 Speaker 1: in a movie, wouldn't you be twice as wouldn't that 217 00:10:04,120 --> 00:10:06,520 Speaker 1: be more nerve racking? Sure than if you were in 218 00:10:06,640 --> 00:10:09,160 Speaker 1: the finals? That would you'd be more nerve it was. 219 00:10:09,440 --> 00:10:11,719 Speaker 1: It was so nerve wracking. Oh my god. I was 220 00:10:11,760 --> 00:10:14,040 Speaker 1: so happy I made it. It's like being on the 221 00:10:14,080 --> 00:10:16,920 Speaker 1: court like during the playoffs, like you like, I am comfortable. Yeah. 222 00:10:17,040 --> 00:10:20,199 Speaker 2: When I went out there for w W Man, my 223 00:10:20,440 --> 00:10:29,439 Speaker 2: heart was just yea racing. I was just like, yeah, 224 00:10:29,800 --> 00:10:30,080 Speaker 2: oh my. 225 00:10:30,120 --> 00:10:35,000 Speaker 1: God, look at that. Oh there you go. 226 00:10:35,400 --> 00:10:38,240 Speaker 3: That's the first that's the first starring role I ever had. 227 00:10:38,520 --> 00:10:40,480 Speaker 3: So if you see the picture of the tie, the 228 00:10:40,520 --> 00:10:43,240 Speaker 3: skinny tie, so look at the on the next page. 229 00:10:43,280 --> 00:10:44,200 Speaker 1: On the other side of. 230 00:10:44,200 --> 00:10:47,360 Speaker 3: The page, there is my yearbook, and that top picture 231 00:10:47,480 --> 00:10:50,600 Speaker 3: is me playing Jesus and god Spell, and right there, 232 00:10:51,120 --> 00:10:53,839 Speaker 3: that was it that cemented it for me. When I 233 00:10:53,960 --> 00:10:56,199 Speaker 3: was a sophomore in high school, I was in a 234 00:10:56,320 --> 00:11:00,320 Speaker 3: musical called Joseph in the Amazing Tucknicolor dream Coat, written 235 00:11:00,360 --> 00:11:02,720 Speaker 3: by Andrew Lloyd Webber, and I had a little small 236 00:11:02,760 --> 00:11:05,599 Speaker 3: part in it, but I loved the community, and I 237 00:11:05,679 --> 00:11:08,040 Speaker 3: loved the fun of it, and I loved the singing. 238 00:11:08,600 --> 00:11:09,960 Speaker 3: And then the next year, when I was a junior, 239 00:11:10,000 --> 00:11:12,360 Speaker 3: I got the lead and Godspel. I played Jesus and Godspel. 240 00:11:12,720 --> 00:11:13,079 Speaker 1: That was it. 241 00:11:13,520 --> 00:11:15,360 Speaker 3: When I was a kid, I wanted to be a veterinarian. 242 00:11:15,760 --> 00:11:16,880 Speaker 3: I was gonna go to school. I was gonna be 243 00:11:16,920 --> 00:11:19,960 Speaker 3: a veterinarian, live my life, have a practice or whatever, 244 00:11:20,120 --> 00:11:22,360 Speaker 3: you know. And then I did this and I met 245 00:11:22,400 --> 00:11:24,920 Speaker 3: my drama teacher and she got me into theater and 246 00:11:25,040 --> 00:11:26,040 Speaker 3: I and I played. 247 00:11:25,880 --> 00:11:30,079 Speaker 1: Jesus and Godspel. Done. I was done. That was it. 248 00:11:30,480 --> 00:11:32,680 Speaker 3: I knew, I'm gonna go to college, I'm gonna study acting, 249 00:11:32,880 --> 00:11:35,400 Speaker 3: I'm gonna I'm gonna go start a theater. I didn't 250 00:11:35,400 --> 00:11:36,599 Speaker 3: I don't know what I was gonna do, but it 251 00:11:36,679 --> 00:11:37,440 Speaker 3: was gonna be theater. 252 00:11:37,640 --> 00:11:38,160 Speaker 1: I was done. 253 00:11:39,760 --> 00:11:41,680 Speaker 3: Never had another thought in my mind to do anything 254 00:11:41,720 --> 00:11:43,680 Speaker 3: else the rest of my life. Look at me looking 255 00:11:43,679 --> 00:11:44,800 Speaker 3: like straight Will Smith up in here? 256 00:11:44,840 --> 00:11:49,400 Speaker 1: Look at it? Who goes? The fan questions, Oh, okay, 257 00:11:49,600 --> 00:11:53,559 Speaker 1: Ben Stiller? What why do is have the coolest holiday 258 00:11:53,640 --> 00:11:56,160 Speaker 1: parties in New York? And why? I know Nick's about? Wow? 259 00:11:56,280 --> 00:11:57,480 Speaker 1: I didn't know you had a holiday party. 260 00:11:57,520 --> 00:12:00,839 Speaker 3: Wait a minute, so it says at Ben Stiller. This 261 00:12:01,000 --> 00:12:03,520 Speaker 3: is a tweet from Ben Stiller. He says, why does 262 00:12:03,600 --> 00:12:05,280 Speaker 3: Keegan have the coolest holiday parties in New York? 263 00:12:05,280 --> 00:12:05,480 Speaker 1: And why? 264 00:12:05,559 --> 00:12:05,599 Speaker 2: No? 265 00:12:05,679 --> 00:12:07,400 Speaker 1: Nixt invited? Next were invited? 266 00:12:07,880 --> 00:12:10,679 Speaker 3: Both of these next were invited in You weren't in 267 00:12:10,720 --> 00:12:14,200 Speaker 3: town and you wait, you were both out of town. 268 00:12:14,679 --> 00:12:16,920 Speaker 3: You guys were both out of town. And then to 269 00:12:17,000 --> 00:12:20,839 Speaker 3: have it, you had a game before in that party, 270 00:12:20,920 --> 00:12:22,480 Speaker 3: didn't they had a game the night before? You had 271 00:12:22,480 --> 00:12:23,760 Speaker 3: a game the night before and you had to travel 272 00:12:23,840 --> 00:12:26,280 Speaker 3: the next day or something, or you were going. 273 00:12:26,520 --> 00:12:30,360 Speaker 1: No, no, you were going. You were invited. I can't 274 00:12:30,360 --> 00:12:31,559 Speaker 1: remember when you were, but I think you would go 275 00:12:31,640 --> 00:12:33,760 Speaker 1: out of town for the holidays. Holidays, No, no, it 276 00:12:33,840 --> 00:12:36,040 Speaker 1: was it was It was like. 277 00:12:36,120 --> 00:12:41,440 Speaker 3: Our Hanakkah slash Christmas brunch and Matt, you'll be invited next. 278 00:12:44,400 --> 00:12:47,679 Speaker 1: Last month we were. We came home for like two 279 00:12:47,760 --> 00:12:50,240 Speaker 1: days for Christmas. I was game, but we were on 280 00:12:50,280 --> 00:12:53,680 Speaker 1: the road before and on the road right after. That's 281 00:12:53,720 --> 00:12:55,520 Speaker 1: what it was. But you guys were both invited. See, 282 00:12:55,679 --> 00:12:57,400 Speaker 1: I didn't know that. 283 00:12:57,720 --> 00:12:59,679 Speaker 3: I didn't know Ben. I know if Ben's watching the 284 00:12:59,720 --> 00:13:02,319 Speaker 3: b I didn't know been that we I would have 285 00:13:02,559 --> 00:13:04,760 Speaker 3: offered that information to you. I would have told you that. 286 00:13:06,080 --> 00:13:08,440 Speaker 1: I mean, well, we'll fte the whole team next time. 287 00:13:10,000 --> 00:13:14,560 Speaker 2: Is that Timmy again tend to hype up our favorite underwear. Josh, well, 288 00:13:15,120 --> 00:13:16,679 Speaker 2: we'll underwear if you had one over there? 289 00:13:17,120 --> 00:13:19,240 Speaker 1: Do you think I'm going to show you? That's why 290 00:13:19,320 --> 00:13:22,760 Speaker 1: Tommy John second stand. My postgame ritual always starts with 291 00:13:22,800 --> 00:13:25,600 Speaker 1: Tommy John the most comfortable underwear I've ever worn. 292 00:13:26,040 --> 00:13:29,560 Speaker 4: They are comfortable, breatheable, and lightweight and don't write up 293 00:13:29,800 --> 00:13:30,360 Speaker 4: me personally. 294 00:13:30,480 --> 00:13:31,800 Speaker 1: I like zero distractions. 295 00:13:31,880 --> 00:13:34,360 Speaker 2: So if it's lightweight, comfortable, that's what I need. 296 00:13:34,559 --> 00:13:36,000 Speaker 1: We know I am going to play well when I 297 00:13:36,040 --> 00:13:36,920 Speaker 1: got my Tommy John's on. 298 00:13:37,320 --> 00:13:39,800 Speaker 4: Once you get yours, just see why Tommy John sold 299 00:13:39,880 --> 00:13:42,720 Speaker 4: over twenty million pairs of their high quality underwear. 300 00:13:42,679 --> 00:13:46,240 Speaker 2: With thousands of five sort reviews. Tommy John doesn't have customers, 301 00:13:46,360 --> 00:13:49,160 Speaker 2: they have fanatics like me. Get twenty five percent off 302 00:13:49,280 --> 00:13:51,839 Speaker 2: site wide at Tommy john dot com slash. 303 00:13:51,600 --> 00:13:54,720 Speaker 4: Roomlease breaking news from bet three six five new customers. 304 00:13:54,800 --> 00:13:57,079 Speaker 4: Bet five dollars and get one hundred and fifty dollars 305 00:13:57,120 --> 00:13:58,600 Speaker 4: in bonus bets, win or lose. 306 00:13:59,040 --> 00:14:00,640 Speaker 1: Sign up the posit ten dollars. 307 00:14:00,880 --> 00:14:02,959 Speaker 4: Place a bet for five dollars and get one hundred 308 00:14:02,960 --> 00:14:06,200 Speaker 4: and fifty dollars in bonus bets, win or lose. Bonus 309 00:14:06,240 --> 00:14:09,760 Speaker 4: bets can be used on the spread, totals, player props, futures, 310 00:14:09,880 --> 00:14:10,679 Speaker 4: and so much more. 311 00:14:11,120 --> 00:14:13,520 Speaker 1: Whenever the moment is never ordinary, A bet three six 312 00:14:13,559 --> 00:14:13,839 Speaker 1: y five