1 00:00:14,520 --> 00:00:16,920 Speaker 1: Hello, Welcome to the Naughty but Nice I'm your host, 2 00:00:16,960 --> 00:00:18,920 Speaker 1: drum Shooter, and it's Monday, which means my dear friend 3 00:00:19,239 --> 00:00:21,720 Speaker 1: Garrett Vogel joins us. Hey, Garrett, are you there. 4 00:00:21,920 --> 00:00:24,600 Speaker 2: Oh yes, I am, Bobby. Good to see you. You're 5 00:00:24,640 --> 00:00:26,040 Speaker 2: looking fabulous as always. 6 00:00:26,440 --> 00:00:28,680 Speaker 1: Thank you, my friend. I feel fabulous, even though I've 7 00:00:28,680 --> 00:00:31,280 Speaker 1: still got this damn cold. Can you hear it in 8 00:00:31,320 --> 00:00:31,760 Speaker 1: my throat? 9 00:00:32,280 --> 00:00:32,680 Speaker 3: You are? 10 00:00:33,280 --> 00:00:36,279 Speaker 2: I would love you, know God willing in about one 11 00:00:36,320 --> 00:00:38,280 Speaker 2: hundred years from now, when you do pass, I would 12 00:00:38,320 --> 00:00:40,960 Speaker 2: love for you to donate your body to science. 13 00:00:41,080 --> 00:00:43,320 Speaker 1: I will have to do this either always sick and 14 00:00:43,800 --> 00:00:47,519 Speaker 1: I want. It's gonna be science or the Smithsonium. I 15 00:00:47,520 --> 00:00:50,680 Speaker 1: have not decided quite a science and I shall be 16 00:00:50,760 --> 00:00:54,400 Speaker 1: stuffed in the Smithsonian. Okay, let's jump into the show. 17 00:00:54,440 --> 00:00:57,319 Speaker 1: What time is it, my friends? It is tea time 18 00:00:57,400 --> 00:01:00,240 Speaker 1: big story. At the top of the show, so Heller 19 00:01:00,240 --> 00:01:04,039 Speaker 1: Swift is telling her boyfriend Travis Kelsey to not respond 20 00:01:04,440 --> 00:01:08,720 Speaker 1: to some really ugly, ugly statements put out, unfortunately by 21 00:01:08,760 --> 00:01:10,840 Speaker 1: the President of the United States. So we're not a 22 00:01:10,840 --> 00:01:13,600 Speaker 1: political show, so we're not gonna get into that on 23 00:01:13,760 --> 00:01:16,039 Speaker 1: this show, although I'm sure we all have thoughts, well, 24 00:01:16,040 --> 00:01:18,800 Speaker 1: I want to focus on their Garrett. Is your boyfriend, 25 00:01:18,880 --> 00:01:22,640 Speaker 1: your girlfriend, your partner. If somebody comes after your partner, 26 00:01:23,000 --> 00:01:26,039 Speaker 1: you want to fight back. Now. Travis, i'm told, is 27 00:01:26,280 --> 00:01:29,680 Speaker 1: furious about this. He loves Taylor. This is his person. 28 00:01:30,080 --> 00:01:33,039 Speaker 1: They're gonna get engaged, they are gonna get married. And 29 00:01:33,080 --> 00:01:38,160 Speaker 1: then somebody, somebody very powerful with hundreds of millions of 30 00:01:38,280 --> 00:01:43,560 Speaker 1: followers on social media tweets, puts out something really nasty, 31 00:01:43,880 --> 00:01:47,760 Speaker 1: really sexist, saying that she's not hot and taking credit 32 00:01:48,000 --> 00:01:51,840 Speaker 1: for making her not hot, and so Travis, forget how 33 00:01:51,840 --> 00:01:53,960 Speaker 1: you feel about that. I know how I feel. But 34 00:01:54,120 --> 00:01:59,440 Speaker 1: Travis is livid right now. He would love to respond 35 00:02:00,160 --> 00:02:03,720 Speaker 1: a big following himself. So does Taylor Swift. She has 36 00:02:03,760 --> 00:02:08,120 Speaker 1: decided to say nothing, and I think that's probably the 37 00:02:08,200 --> 00:02:11,840 Speaker 1: right move. Inside as are saying, the President is now 38 00:02:11,880 --> 00:02:15,200 Speaker 1: her new Kanye West. He's somebody that's going to constantly 39 00:02:15,280 --> 00:02:18,960 Speaker 1: be niggling her. It's going to constantly be poking her. 40 00:02:19,360 --> 00:02:22,239 Speaker 1: She didn't support him. We know that he can be very, 41 00:02:22,360 --> 00:02:25,520 Speaker 1: very vengeful. We know he can carry a grudge, and 42 00:02:25,560 --> 00:02:27,840 Speaker 1: so let's not make it a bad him on this show. 43 00:02:28,080 --> 00:02:32,240 Speaker 1: Let's talk about Travis and Taylor. If somebody came after you, Garrett, 44 00:02:32,280 --> 00:02:35,080 Speaker 1: and we're not love us, we're dear friends. I would 45 00:02:35,120 --> 00:02:39,000 Speaker 1: fight back. If somebody tweeted something really nasty about you, 46 00:02:39,120 --> 00:02:43,600 Speaker 1: particularly your looks, I would go mad. But I don't 47 00:02:43,600 --> 00:02:45,760 Speaker 1: think that actually helps what's going on. I think it 48 00:02:45,800 --> 00:02:46,760 Speaker 1: makes it bigger. 49 00:02:47,080 --> 00:02:50,040 Speaker 2: It adds fuel to the fire, and I think as 50 00:02:50,200 --> 00:02:52,280 Speaker 2: hard as it is, it is probably one of the 51 00:02:52,320 --> 00:02:54,799 Speaker 2: hardest things you'll ever have to do in your life. 52 00:02:55,240 --> 00:02:57,520 Speaker 2: But as long as you could bite your tongue as 53 00:02:57,520 --> 00:03:00,200 Speaker 2: hard as you can without it falling off, I think 54 00:03:00,240 --> 00:03:03,639 Speaker 2: it just infuriates the other side that much more because 55 00:03:03,960 --> 00:03:08,000 Speaker 2: what what said person is trying to do is just 56 00:03:08,360 --> 00:03:11,560 Speaker 2: stir the pot, you know, and poking the bear like yes, 57 00:03:11,960 --> 00:03:15,480 Speaker 2: and so as long as you don't poke back, the 58 00:03:15,520 --> 00:03:18,960 Speaker 2: bear will just continue to try to say the most 59 00:03:19,160 --> 00:03:21,639 Speaker 2: outlandish things possible, you know what I mean. Give it 60 00:03:21,680 --> 00:03:24,679 Speaker 2: a few weeks, watch and you know, with no one 61 00:03:24,720 --> 00:03:27,680 Speaker 2: responding back, a few weeks will go by and be like, hey, 62 00:03:27,680 --> 00:03:29,880 Speaker 2: whatever happened to that, Let me let me bring it 63 00:03:29,960 --> 00:03:33,360 Speaker 2: up again. And then and then it'll well, the circle 64 00:03:33,440 --> 00:03:35,880 Speaker 2: of life will go around and around again, and we'll 65 00:03:35,880 --> 00:03:39,480 Speaker 2: be back to the same point. Because Taylor has not commented. 66 00:03:39,160 --> 00:03:41,480 Speaker 1: It loses its power. It's the hardest thing in the 67 00:03:41,520 --> 00:03:45,440 Speaker 1: world to do, to have restraint. We're not Taylor Swift. 68 00:03:45,520 --> 00:03:49,440 Speaker 1: We are not We're normal politicians living in the White House. 69 00:03:49,960 --> 00:03:53,360 Speaker 1: And yet when somebody comes at me on Twitter, on 70 00:03:53,400 --> 00:03:57,480 Speaker 1: Facebook and social media, I've actually got a remarkable amount 71 00:03:57,480 --> 00:04:00,760 Speaker 1: of restraint when it comes to myself. Now, if you 72 00:04:00,840 --> 00:04:03,160 Speaker 1: come at Bruce, my husband. 73 00:04:03,440 --> 00:04:05,560 Speaker 3: I am ab a bear vicious. 74 00:04:05,920 --> 00:04:10,080 Speaker 1: I am so protective over Bruce. What is it like 75 00:04:10,120 --> 00:04:11,920 Speaker 1: with you and your wife. Your wife is not a 76 00:04:11,960 --> 00:04:14,840 Speaker 1: public figure, Garret, She's very private, so I doubt she 77 00:04:15,040 --> 00:04:18,200 Speaker 1: has that that sort of response by anonymous people. But 78 00:04:18,320 --> 00:04:20,760 Speaker 1: you all know, if you have a Facebook account, you 79 00:04:20,839 --> 00:04:22,279 Speaker 1: all know people can disagree. 80 00:04:22,560 --> 00:04:26,400 Speaker 2: Oh they can, and I call them keyboard tough guys. 81 00:04:26,800 --> 00:04:29,320 Speaker 2: But but no matter what, like you come, you come 82 00:04:29,360 --> 00:04:32,680 Speaker 2: after me. I'm a I'm a I'm a I'm a writer. 83 00:04:32,880 --> 00:04:33,719 Speaker 3: Die as they say. 84 00:04:33,800 --> 00:04:36,720 Speaker 2: You come after my family, you come after my friends, 85 00:04:36,720 --> 00:04:37,200 Speaker 2: you come. 86 00:04:37,080 --> 00:04:37,920 Speaker 3: After Rob Struder. 87 00:04:38,000 --> 00:04:40,520 Speaker 2: For God's sake, I will run through the wall like 88 00:04:40,600 --> 00:04:44,040 Speaker 2: cool laid man and and and and make make your 89 00:04:44,080 --> 00:04:45,760 Speaker 2: life a living head. 90 00:04:45,800 --> 00:04:47,760 Speaker 1: Thank you. What would happen though, if I asked you 91 00:04:47,880 --> 00:04:50,480 Speaker 1: not to do that, because that's what's happening. Keev Taylor. 92 00:04:50,800 --> 00:04:53,039 Speaker 1: You want to do it, your instincts are to do it, 93 00:04:53,200 --> 00:04:55,560 Speaker 1: but you can't be saying please, don't. 94 00:04:56,040 --> 00:04:56,440 Speaker 3: You know what? 95 00:04:56,600 --> 00:04:59,720 Speaker 2: Then, you know, out of respect for you or a 96 00:04:59,760 --> 00:05:02,360 Speaker 2: friend or a family member that does say and it 97 00:05:02,400 --> 00:05:06,880 Speaker 2: has happened, it has happened. I will restrain because that 98 00:05:07,040 --> 00:05:09,440 Speaker 2: is not my fight to fight, you know what I mean? 99 00:05:10,279 --> 00:05:13,560 Speaker 2: But if you say, hey, you know, I am letting 100 00:05:13,760 --> 00:05:18,560 Speaker 2: the the the animal out of the cage gain that 101 00:05:18,640 --> 00:05:20,719 Speaker 2: happened to my sister. My sister had to go through 102 00:05:20,720 --> 00:05:24,719 Speaker 2: some stuff too, and I easily was ready to just 103 00:05:25,320 --> 00:05:30,760 Speaker 2: pounce on my platform and impossibly go visit, said said 104 00:05:30,800 --> 00:05:33,600 Speaker 2: person at their at their low paying job. 105 00:05:35,080 --> 00:05:37,160 Speaker 3: But I see I'm getting into it, But I. 106 00:05:37,120 --> 00:05:39,680 Speaker 1: Get it into it. It trickis you? It triggers you, 107 00:05:39,720 --> 00:05:42,400 Speaker 1: doesn't it. I think I've fi got really really good 108 00:05:42,400 --> 00:05:43,719 Speaker 1: at this and it's a lesson I want us all 109 00:05:43,800 --> 00:05:46,039 Speaker 1: to learn not to because I promise you it actually 110 00:05:46,120 --> 00:05:49,120 Speaker 1: does does work. If somebody comes at you, they want 111 00:05:49,160 --> 00:05:51,760 Speaker 1: to fight, they want you to fight back, and you're 112 00:05:51,800 --> 00:05:54,600 Speaker 1: not going to ever change their mind. Know that. So 113 00:05:54,640 --> 00:05:57,440 Speaker 1: if you come at somebody. If you respond with reasons, well, 114 00:05:57,640 --> 00:06:00,480 Speaker 1: you know, actually, I'm still pretty hot. I've got twenty 115 00:06:00,640 --> 00:06:03,480 Speaker 1: million dollars in the bank, and I've got a billion 116 00:06:03,600 --> 00:06:06,200 Speaker 1: dollars of acids, and I've got the number one album 117 00:06:06,240 --> 00:06:07,960 Speaker 1: of all time, and I've got the biggest to it 118 00:06:08,040 --> 00:06:08,680 Speaker 1: like you hear. 119 00:06:08,640 --> 00:06:13,160 Speaker 3: Talk about you. For a second, I did not know this. 120 00:06:14,400 --> 00:06:17,520 Speaker 1: Taylor's said. If Taylor wanted to respond, it'd be very 121 00:06:17,560 --> 00:06:21,800 Speaker 1: hard to actually logically argue that she's not hot. She's 122 00:06:21,880 --> 00:06:26,080 Speaker 1: arguably the hottest pop star of all time. I really 123 00:06:26,320 --> 00:06:29,320 Speaker 1: she's got the biggest to her of all time. And 124 00:06:29,400 --> 00:06:34,080 Speaker 1: so if I came back with a logical, really smart, 125 00:06:34,240 --> 00:06:39,400 Speaker 1: well thought out, documented, factual response, it doesn't matter because 126 00:06:39,400 --> 00:06:43,480 Speaker 1: they're not looking for the truth. They're looking for a fight. Now, 127 00:06:43,520 --> 00:06:46,120 Speaker 1: if you think of it like that, it's easier to 128 00:06:46,240 --> 00:06:51,039 Speaker 1: restrain yourself because if you do respond, you're giving them 129 00:06:51,080 --> 00:06:54,520 Speaker 1: what they want. If you don't respond, you've won. 130 00:06:54,920 --> 00:06:57,320 Speaker 2: Here's what I think is gonna happen down the road, 131 00:06:57,360 --> 00:07:00,279 Speaker 2: And we know what Taylor is a brilliant writer and 132 00:07:00,600 --> 00:07:04,120 Speaker 2: almost a magical writer, where there will be a line 133 00:07:04,160 --> 00:07:07,000 Speaker 2: and a song that we're not made aware of, but 134 00:07:07,080 --> 00:07:11,360 Speaker 2: because of the Swifties are such intuitive detectives. They will 135 00:07:11,400 --> 00:07:13,960 Speaker 2: find a way to link it to the situation we're 136 00:07:13,960 --> 00:07:17,360 Speaker 2: in right now, and that will be the head response. 137 00:07:17,440 --> 00:07:20,600 Speaker 2: But you won't respond. She'll respond in lyric without saying 138 00:07:20,640 --> 00:07:23,640 Speaker 2: that it's the lyric. But if you know Taylor Swift 139 00:07:23,680 --> 00:07:26,320 Speaker 2: and you know her writing abilities, she will find a 140 00:07:26,360 --> 00:07:29,320 Speaker 2: way to weave it in there without without us really knowing, 141 00:07:29,600 --> 00:07:31,840 Speaker 2: and someone will uncover it and then we will be 142 00:07:31,920 --> 00:07:34,880 Speaker 2: back to square one. Oh, look at this line about me. 143 00:07:35,000 --> 00:07:36,280 Speaker 2: But she won't say that though. 144 00:07:36,480 --> 00:07:37,800 Speaker 3: We'll just have to assume it. 145 00:07:37,960 --> 00:07:40,800 Speaker 1: She's so great, Poor Taylor, My godness, she's just trying 146 00:07:40,840 --> 00:07:42,720 Speaker 1: to take some time off. My did her business and 147 00:07:42,760 --> 00:07:45,760 Speaker 1: she said, Blake Lively disaster and I'll visit. 148 00:07:45,800 --> 00:07:48,400 Speaker 3: I'm just like your body showing up at her house. 149 00:07:48,440 --> 00:07:52,320 Speaker 1: I mean, just leave Taylor alone, which brings us about 150 00:07:52,320 --> 00:07:56,520 Speaker 1: Paul questioned of the day, So Travis wants to defend 151 00:07:56,840 --> 00:08:00,880 Speaker 1: Taylor as an ugly political Really, this sort of attack 152 00:08:01,040 --> 00:08:06,560 Speaker 1: is escalating. Would you defend your partner? Would you? Would 153 00:08:06,640 --> 00:08:09,440 Speaker 1: you defend your partner if they asked you not to? 154 00:08:09,560 --> 00:08:12,360 Speaker 1: So the easy answer is yes, I would defend my partner. 155 00:08:12,560 --> 00:08:15,160 Speaker 1: What would you do if they said, please, don't, you're 156 00:08:15,200 --> 00:08:18,160 Speaker 1: gonna make it worse. Please do nothing? Could you do that? 157 00:08:18,520 --> 00:08:21,000 Speaker 1: Let me know? Hey, go votes, Garrett, I'm not sure 158 00:08:21,040 --> 00:08:23,320 Speaker 1: about you. Go vote on our Twitter page. I'd naughty, nice, 159 00:08:23,400 --> 00:08:27,360 Speaker 1: rob our Facebook pages naughty and Michell. Let's check back 160 00:08:27,480 --> 00:08:30,360 Speaker 1: up a rival to hear your results. Hey, Garrett, what 161 00:08:30,440 --> 00:08:31,120 Speaker 1: are you looking on? 162 00:08:31,360 --> 00:08:31,640 Speaker 3: You know what? 163 00:08:31,720 --> 00:08:33,640 Speaker 2: I think this show should be all about life lessons. 164 00:08:33,640 --> 00:08:35,760 Speaker 2: What can we take from these celebrities and make them 165 00:08:35,760 --> 00:08:39,280 Speaker 2: into our own. So let's talk about Sondra Morgan Real 166 00:08:39,280 --> 00:08:41,920 Speaker 2: Housewives of New York. As you know, you know, she 167 00:08:42,360 --> 00:08:45,320 Speaker 2: had this idea that Real Housewives of New York would 168 00:08:45,360 --> 00:08:48,520 Speaker 2: last forever, but as we know, it's not. So she's 169 00:08:48,600 --> 00:08:50,400 Speaker 2: kind of in bad shape. She doesn't know how to 170 00:08:50,440 --> 00:08:54,640 Speaker 2: transition back into I guess normalcy or what's next. And 171 00:08:54,960 --> 00:08:57,520 Speaker 2: friends are saying from sources that we know that she 172 00:08:57,679 --> 00:09:00,839 Speaker 2: loved being on TV more than anyone else and it 173 00:09:00,880 --> 00:09:04,200 Speaker 2: was her it was her identity, and now that it's over, 174 00:09:04,320 --> 00:09:08,400 Speaker 2: she's she's struggling. And someone saw a few people saw 175 00:09:08,440 --> 00:09:12,920 Speaker 2: her down in Florida Palm Beach restaurant and in an 176 00:09:12,960 --> 00:09:17,520 Speaker 2: ambulance after after this crazy, chaotic scene outside of Echo, 177 00:09:17,920 --> 00:09:21,040 Speaker 2: and there was yelling involved, and people said that it 178 00:09:21,120 --> 00:09:22,920 Speaker 2: was kind of like they felt like she was trying 179 00:09:22,960 --> 00:09:27,840 Speaker 2: to recreate like some type of Housewives moment and drama. 180 00:09:27,960 --> 00:09:32,280 Speaker 2: And but what I I'm taking from this and the 181 00:09:32,320 --> 00:09:34,360 Speaker 2: reason why I said, what life lessons you can take 182 00:09:34,840 --> 00:09:37,840 Speaker 2: do not let what you're doing now, whatever job it 183 00:09:37,880 --> 00:09:41,559 Speaker 2: may be, become your full identity of who you are, 184 00:09:41,640 --> 00:09:43,720 Speaker 2: because you are a person at the end of the day, 185 00:09:43,800 --> 00:09:47,600 Speaker 2: whether you're on TV or you're a teacher or you're 186 00:09:47,920 --> 00:09:52,520 Speaker 2: the electrician. You know, that doesn't identify you. It identifies 187 00:09:52,559 --> 00:09:55,240 Speaker 2: you right now. But when that comes to an end, 188 00:09:55,600 --> 00:09:56,400 Speaker 2: what would. 189 00:09:56,120 --> 00:09:56,720 Speaker 3: You do next? 190 00:09:56,840 --> 00:09:59,920 Speaker 1: It's really smart. A certain very famous pop star who's 191 00:10:00,080 --> 00:10:04,240 Speaker 1: ends with my husband once told me what I do 192 00:10:04,880 --> 00:10:07,520 Speaker 1: is not who I am, really big, and what he 193 00:10:07,559 --> 00:10:10,520 Speaker 1: does is pretty damn big. But he said what I 194 00:10:10,720 --> 00:10:12,960 Speaker 1: do is not who I am, and I feel the same. 195 00:10:13,080 --> 00:10:15,120 Speaker 1: I love my life, I love my job, I love 196 00:10:15,160 --> 00:10:17,000 Speaker 1: the gossip, I love you Naughties, I love you Caro. 197 00:10:17,200 --> 00:10:19,880 Speaker 1: I have a great life, but it's not who I am. 198 00:10:19,920 --> 00:10:22,960 Speaker 1: And if all of this went away, I'd still have Bruce, 199 00:10:23,080 --> 00:10:26,000 Speaker 1: I'd still have my friends, I'd still have Derby Sonya 200 00:10:26,040 --> 00:10:28,280 Speaker 1: has got nothing else. I used to be really close 201 00:10:28,360 --> 00:10:31,000 Speaker 1: with Sonya full disclosure. I would go to her town 202 00:10:31,040 --> 00:10:33,360 Speaker 1: house at least once a week, would have drinks, would 203 00:10:33,360 --> 00:10:35,600 Speaker 1: have dinner, would go out to a local bar, would 204 00:10:35,600 --> 00:10:38,079 Speaker 1: send karaoke together. She helped me too. I've got to 205 00:10:38,120 --> 00:10:40,679 Speaker 1: be honest here. She was a really kind friend. When 206 00:10:40,679 --> 00:10:42,360 Speaker 1: I did a pilot, I got a morning show on 207 00:10:42,440 --> 00:10:44,720 Speaker 1: v H one and we needed a celebrity to do 208 00:10:44,800 --> 00:10:47,080 Speaker 1: a pilot, and Sonya did it. We didn't pay her. 209 00:10:47,120 --> 00:10:48,679 Speaker 1: She turned up, she did her own hair and makeup, 210 00:10:48,720 --> 00:10:50,640 Speaker 1: she did the pilot. It never aired. She gave me 211 00:10:50,679 --> 00:10:52,840 Speaker 1: an afternoon of her time to do it, so I 212 00:10:52,840 --> 00:10:55,640 Speaker 1: was very grateful for that. I had to stop hanging 213 00:10:55,679 --> 00:10:57,480 Speaker 1: out with Sonya, and I told her this, this is 214 00:10:57,520 --> 00:11:00,840 Speaker 1: not a secret. I just couldn't keep up with that life. 215 00:11:00,960 --> 00:11:03,240 Speaker 1: I couldn't keep up with that amount of party and 216 00:11:03,600 --> 00:11:07,280 Speaker 1: that amount of drama, that amount of screaming and shouting. 217 00:11:07,520 --> 00:11:11,679 Speaker 1: And they do try to recreate the Housewives in their 218 00:11:11,720 --> 00:11:17,560 Speaker 1: personal life. The boundary, the line between reality and TV show, 219 00:11:17,559 --> 00:11:20,840 Speaker 1: which Iran ironically they call reality, it's not it gets 220 00:11:20,960 --> 00:11:23,520 Speaker 1: very united. They forget, they forget what that line is. 221 00:11:23,920 --> 00:11:25,480 Speaker 3: You know what. I had two ideas. 222 00:11:25,480 --> 00:11:27,960 Speaker 2: First, is the pop star that you speak of, the 223 00:11:28,000 --> 00:11:32,520 Speaker 2: one that sings the themes keep moving along. I'm just 224 00:11:32,559 --> 00:11:35,040 Speaker 2: saying if there was any association, no names, I'm just 225 00:11:35,080 --> 00:11:40,480 Speaker 2: saying pop star might be. But so you're just saying 226 00:11:40,679 --> 00:11:42,800 Speaker 2: how they go out and recreate moments, and I know 227 00:11:42,840 --> 00:11:45,840 Speaker 2: they do the Bravo cons And what if you know 228 00:11:46,000 --> 00:11:48,360 Speaker 2: everybody loves the photos and you get a photo with 229 00:11:48,400 --> 00:11:50,040 Speaker 2: your your favorite you know, housewives. 230 00:11:50,080 --> 00:11:50,800 Speaker 3: This is what we need to do. 231 00:11:50,920 --> 00:11:53,719 Speaker 2: And here's our million dollar idea, rob Shooter. After this 232 00:11:53,800 --> 00:11:56,679 Speaker 2: is our this is our after podcast life we take 233 00:11:56,960 --> 00:12:00,240 Speaker 2: we create these photo moments. Imagine being able to look 234 00:12:00,320 --> 00:12:02,800 Speaker 2: like you're flipping a table while you're hanging out with 235 00:12:02,840 --> 00:12:06,240 Speaker 2: your housewife, a favorite housewife in a photo so it 236 00:12:06,240 --> 00:12:08,520 Speaker 2: looks like you and the housewives are flipping tables, even 237 00:12:08,520 --> 00:12:09,600 Speaker 2: though it's like a prop. 238 00:12:09,640 --> 00:12:10,199 Speaker 3: You know what I mean? 239 00:12:10,520 --> 00:12:12,200 Speaker 1: They would do it. If you pay those housewives, they 240 00:12:12,240 --> 00:12:13,600 Speaker 1: will recreate any funny thing. 241 00:12:13,640 --> 00:12:16,480 Speaker 2: How much people would pay it easily pay two hundred 242 00:12:16,480 --> 00:12:17,560 Speaker 2: and fifty dollars every great? 243 00:12:17,720 --> 00:12:20,160 Speaker 1: Are they ever ever gonna move on? We see so 244 00:12:20,280 --> 00:12:23,679 Speaker 1: many enough housewives and they're still just grasping at it, 245 00:12:23,720 --> 00:12:26,760 Speaker 1: and you just want to say it's over. It was great. 246 00:12:27,120 --> 00:12:31,240 Speaker 1: Be grateful that you had a decade of really successful television. 247 00:12:31,240 --> 00:12:33,280 Speaker 1: You made a lot of money, you became the famous person. 248 00:12:33,320 --> 00:12:35,400 Speaker 2: You all have money too, you know what I mean, 249 00:12:35,520 --> 00:12:37,400 Speaker 2: most of them have a lot, a lot of money. 250 00:12:37,880 --> 00:12:40,280 Speaker 3: Why not use it? Why not go enjoy yourself? 251 00:12:40,679 --> 00:12:42,600 Speaker 1: I don't get it. Oh Son, you were sending you 252 00:12:42,600 --> 00:12:45,440 Speaker 1: our best. It's sloppy, It's messy, messy, messy, Okay, Gail 253 00:12:45,520 --> 00:12:49,439 Speaker 1: King is distancing herself from this rocket disaster member. Gail 254 00:12:49,480 --> 00:12:51,000 Speaker 1: went to space? What's going on there? 255 00:12:51,760 --> 00:12:55,719 Speaker 2: So, so here's what our sources are saying that what 256 00:12:55,800 --> 00:12:58,720 Speaker 2: I thought, what I think Gail King thought this was 257 00:12:58,720 --> 00:12:59,480 Speaker 2: going to be was a. 258 00:12:59,559 --> 00:13:00,880 Speaker 3: Very instant firing. 259 00:13:02,080 --> 00:13:05,840 Speaker 2: Experience to turn into positivity, and it kind of fell 260 00:13:05,840 --> 00:13:07,960 Speaker 2: flat on its face once everyone just took it as 261 00:13:08,000 --> 00:13:11,079 Speaker 2: a as a big joke of a bunch of people 262 00:13:11,080 --> 00:13:16,920 Speaker 2: going into space and rich people calling themselves astronauts. So 263 00:13:17,800 --> 00:13:20,440 Speaker 2: what Gail is doing is probably the smartest out of 264 00:13:20,720 --> 00:13:23,199 Speaker 2: everyone in that one into space. She's kind of doing 265 00:13:23,280 --> 00:13:28,360 Speaker 2: damage controls. So she's kind of distanc herself from Laurence Sanchez, 266 00:13:28,400 --> 00:13:30,640 Speaker 2: which makes me think, will she show up at the 267 00:13:30,679 --> 00:13:32,400 Speaker 2: wedding for. 268 00:13:32,000 --> 00:13:33,840 Speaker 1: For Jeff Bezos. 269 00:13:34,200 --> 00:13:36,240 Speaker 2: I know it soon, but will she show up or 270 00:13:36,240 --> 00:13:37,920 Speaker 2: if she does, will she show up undercover? 271 00:13:38,640 --> 00:13:39,880 Speaker 3: So so the. 272 00:13:39,840 --> 00:13:43,840 Speaker 2: Whole Blue Origin backlash, Neil like just not. I don't 273 00:13:43,880 --> 00:13:47,720 Speaker 2: think it's like ruined Gail's brand, but it kind of 274 00:13:47,720 --> 00:13:50,240 Speaker 2: gave a little black and blue, you know, as a 275 00:13:50,800 --> 00:13:55,560 Speaker 2: as a journalist. But she's definitely going nowhere near the 276 00:13:55,679 --> 00:13:59,240 Speaker 2: rocket crowd ever. Again, I could tell you that, but 277 00:13:59,240 --> 00:14:01,360 Speaker 2: but so, I mean, you got Lauren Sanchez, you got 278 00:14:01,440 --> 00:14:07,520 Speaker 2: Katy Perry Kimgardashian. They were all photographed together toasting in Paris, 279 00:14:07,559 --> 00:14:11,560 Speaker 2: in Paris, but you know, Gail wasn't there. 280 00:14:11,960 --> 00:14:14,320 Speaker 1: You know. It's also two, Gale does have a real job. 281 00:14:14,360 --> 00:14:21,200 Speaker 1: I'm not saying she has a real job too. I 282 00:14:21,200 --> 00:14:22,720 Speaker 1: shouldn't say she doesn't never a real job, but she 283 00:14:22,720 --> 00:14:25,040 Speaker 1: doesn't have to be at a certain place five days 284 00:14:25,080 --> 00:14:29,120 Speaker 1: a week for three hours, does she? Lauren sant Katie 285 00:14:29,160 --> 00:14:31,600 Speaker 1: Katy is sort of busy. But so this is a 286 00:14:31,520 --> 00:14:33,880 Speaker 1: a I think, a really smart thing that that Gail's doing. 287 00:14:33,960 --> 00:14:37,280 Speaker 1: And let's remember too, they worked together for I think 288 00:14:37,360 --> 00:14:42,520 Speaker 1: eleven minutes. One That is not relationship building. Think people 289 00:14:42,560 --> 00:14:48,160 Speaker 1: together for maybe they were together once for eleven minutes. 290 00:14:48,160 --> 00:14:51,200 Speaker 1: So let's not overestimate this friendship. Okay, quickly before we 291 00:14:51,200 --> 00:14:52,920 Speaker 1: get a break, A little bit of sad news here, 292 00:14:52,960 --> 00:14:54,960 Speaker 1: but I don't think we should get too crazy about 293 00:14:54,960 --> 00:14:57,320 Speaker 1: this year. George and maul clooney are living pretty much 294 00:14:57,320 --> 00:14:59,200 Speaker 1: separate life. So he's in New York, is here for 295 00:14:59,200 --> 00:15:03,400 Speaker 1: at least months doing his Tony nominated play It is 296 00:15:03,520 --> 00:15:06,040 Speaker 1: Fantastic on Broadway. I was looking enough to see him. 297 00:15:06,080 --> 00:15:09,280 Speaker 1: She didn't turn up for the opening strange. She's not 298 00:15:09,440 --> 00:15:12,280 Speaker 1: here now during the Tony season. Strange. And we just 299 00:15:12,320 --> 00:15:14,960 Speaker 1: spotted her at the cam Film Festival. So what I'm 300 00:15:14,960 --> 00:15:17,880 Speaker 1: told is she's in France with the children. The children 301 00:15:18,120 --> 00:15:20,320 Speaker 1: argue they get to school in. 302 00:15:20,200 --> 00:15:23,720 Speaker 3: France stability I called stability. 303 00:15:23,280 --> 00:15:25,640 Speaker 1: And so yes, so she's with the kids. Some people 304 00:15:25,680 --> 00:15:28,320 Speaker 1: are pointing out, with all their money, she could jump 305 00:15:28,320 --> 00:15:30,240 Speaker 1: on a private plane and shoot over to New York 306 00:15:30,240 --> 00:15:32,200 Speaker 1: for the opening night. I sort of get that. My 307 00:15:32,280 --> 00:15:34,880 Speaker 1: husband had an opening night on Broadway and I wouldn't 308 00:15:34,880 --> 00:15:37,160 Speaker 1: have missed it for the world. It was really important 309 00:15:37,200 --> 00:15:39,800 Speaker 1: to him, And so I think here, Garrett, I don't 310 00:15:39,840 --> 00:15:41,720 Speaker 1: want to get ahead of ourselves here, but This is 311 00:15:41,760 --> 00:15:44,120 Speaker 1: how we start to see these little cracks emerge, not 312 00:15:44,200 --> 00:15:46,760 Speaker 1: just in celebrity marriages, but also in your own. If 313 00:15:46,800 --> 00:15:49,160 Speaker 1: your wife, if Bruce stopped turning up to things that 314 00:15:49,200 --> 00:15:51,520 Speaker 1: were really important to me, I'd be like, m. 315 00:15:53,120 --> 00:15:55,560 Speaker 3: Yeah, no, I definitely would question it. 316 00:15:55,960 --> 00:16:00,600 Speaker 2: But it's such a weird dynamic because and I think 317 00:16:00,720 --> 00:16:03,480 Speaker 2: you and I know this too, that George and themal 318 00:16:03,640 --> 00:16:06,920 Speaker 2: have tried to lead a normal life for their children. 319 00:16:07,240 --> 00:16:10,440 Speaker 2: You know, they are the exception because they're they're they're 320 00:16:10,440 --> 00:16:13,560 Speaker 2: big megastars, but I think they've tried to for their 321 00:16:13,640 --> 00:16:17,760 Speaker 2: children's sake, tried to keep them as normal possible. So, uh, 322 00:16:18,120 --> 00:16:20,760 Speaker 2: you know, they're not gonna take them out of school, yes, 323 00:16:20,800 --> 00:16:23,160 Speaker 2: given maybe a day or two, but you know, I 324 00:16:23,160 --> 00:16:25,480 Speaker 2: think at the end of the day that they're most 325 00:16:25,520 --> 00:16:28,200 Speaker 2: importantly looking out for their kids. So however they got 326 00:16:28,240 --> 00:16:30,000 Speaker 2: to do to keep their kids on a normal nine 327 00:16:30,000 --> 00:16:32,040 Speaker 2: to five schedule, which, once you get your kids off 328 00:16:32,080 --> 00:16:33,160 Speaker 2: of a schedule, is so. 329 00:16:33,200 --> 00:16:34,760 Speaker 3: Hard to That's why you hate summer. 330 00:16:34,800 --> 00:16:37,000 Speaker 2: That's why I hate summer because once summer is right 331 00:16:37,040 --> 00:16:41,440 Speaker 2: around the corner and it's like, like structure. 332 00:16:41,480 --> 00:16:42,240 Speaker 3: I'm a structure guy. 333 00:16:42,480 --> 00:16:45,840 Speaker 1: Structure that's structure too, maybe a babysitter saying no more, 334 00:16:45,880 --> 00:16:47,600 Speaker 1: don't to this. We're going to take a quick break. 335 00:16:47,640 --> 00:16:51,160 Speaker 1: Can we be right back? Welcome back to the naughty 336 00:16:51,200 --> 00:16:53,000 Speaker 1: but Nice Share in your House film. Shoot, Hey, Garret, 337 00:16:53,040 --> 00:16:55,960 Speaker 1: let's get to the polls. Yeah, last year we took 338 00:16:56,000 --> 00:16:58,720 Speaker 1: to Anna to add saying that and tom Cruise are 339 00:16:58,720 --> 00:17:01,400 Speaker 1: one hundred percent dating. So do you like these two 340 00:17:01,520 --> 00:17:04,359 Speaker 1: as a new couple. Let's someone look. Seventy two percent 341 00:17:04,400 --> 00:17:07,399 Speaker 1: said yes, you do like Tommy again? Mission impossible. You 342 00:17:07,440 --> 00:17:10,760 Speaker 1: saw him last night, Garrett. Yes, he's a superstar. He's 343 00:17:10,800 --> 00:17:11,480 Speaker 1: a superstar. 344 00:17:12,160 --> 00:17:15,400 Speaker 2: I mean, however you want to say it. He can 345 00:17:15,520 --> 00:17:18,800 Speaker 2: charm the pants off of literally anyone. Even if you're 346 00:17:18,800 --> 00:17:21,639 Speaker 2: not wearing pants, your pants will be charmed off. He 347 00:17:22,280 --> 00:17:24,200 Speaker 2: has this way, and maybe this is something you all 348 00:17:24,240 --> 00:17:26,480 Speaker 2: could take as you go throughout your day. 349 00:17:26,480 --> 00:17:28,520 Speaker 3: Listening to us. Right now, when you're. 350 00:17:28,320 --> 00:17:30,879 Speaker 2: Having a conversation with someone, even if it could be 351 00:17:30,920 --> 00:17:35,800 Speaker 2: the most boringest, dullest conversations, look that person straight in 352 00:17:35,840 --> 00:17:38,080 Speaker 2: the eye, because what that person who was listening to 353 00:17:38,160 --> 00:17:41,960 Speaker 2: you will take away from it is, Wow, they are engaging. 354 00:17:42,400 --> 00:17:44,840 Speaker 2: They they they are they are hanging on to every 355 00:17:44,880 --> 00:17:46,879 Speaker 2: word that I have, even if it's a sentence or 356 00:17:46,920 --> 00:17:49,040 Speaker 2: two that they're saying, look them straight in the eye, 357 00:17:49,119 --> 00:17:51,680 Speaker 2: even if you're not listening, fully look them straight eye, 358 00:17:51,720 --> 00:17:55,119 Speaker 2: because that connection alone will go as far as anything 359 00:17:55,160 --> 00:17:55,600 Speaker 2: else with that. 360 00:17:55,600 --> 00:17:57,880 Speaker 3: That's right, And that's what Cruise does with everyone. 361 00:17:58,000 --> 00:18:00,040 Speaker 1: Nobody does it better than Tommy. When you go to 362 00:18:00,080 --> 00:18:02,520 Speaker 1: do these red carpets, these big premieeres that Garrett was 363 00:18:02,560 --> 00:18:04,440 Speaker 1: at last night, I've done a lot of them too. 364 00:18:04,440 --> 00:18:05,959 Speaker 1: The celebrities don't really want to be there, and they 365 00:18:05,960 --> 00:18:07,760 Speaker 1: look at the floor, they look at the toes, so 366 00:18:07,840 --> 00:18:09,800 Speaker 1: they look at the hands, or they look at their publicists. 367 00:18:10,080 --> 00:18:13,480 Speaker 1: They don't look at the person talking to them. Look 368 00:18:13,560 --> 00:18:15,600 Speaker 1: people in the eye and don't forget to know. On 369 00:18:15,640 --> 00:18:18,600 Speaker 1: today's Paul going to Twitter page, ad Ordianized Rama Facebook 370 00:18:18,600 --> 00:18:20,880 Speaker 1: pages and audi your zip and be sure to check 371 00:18:20,920 --> 00:18:23,640 Speaker 1: back to my road to results. 372 00:18:24,040 --> 00:18:25,160 Speaker 3: Let me tell you something real quick. 373 00:18:25,200 --> 00:18:27,160 Speaker 2: So last night at the premiere, so they were talking, 374 00:18:27,280 --> 00:18:29,959 Speaker 2: tom Cruise was talking about big movies outside of his 375 00:18:30,440 --> 00:18:33,640 Speaker 2: and the first movie that he shouted out was Ballerina, 376 00:18:33,680 --> 00:18:34,359 Speaker 2: the one that is. 377 00:18:36,720 --> 00:18:39,960 Speaker 3: And like it's going to be a big action film. 378 00:18:39,960 --> 00:18:42,080 Speaker 2: Like for for him to take time out He also 379 00:18:42,119 --> 00:18:43,880 Speaker 2: gave a shout out to Brad Pitt for F one, 380 00:18:44,520 --> 00:18:47,280 Speaker 2: but that was the first movie he mentioned when they 381 00:18:47,280 --> 00:18:48,320 Speaker 2: were generous. 382 00:18:48,440 --> 00:18:50,560 Speaker 1: It's so generous. Celebrities don't do this, not at their 383 00:18:50,600 --> 00:18:52,920 Speaker 1: own premiers. It's all about my project. That premiere is 384 00:18:52,920 --> 00:18:56,200 Speaker 1: about selling your project. It's like with QBC for five minutes, 385 00:18:56,240 --> 00:19:00,400 Speaker 1: you just sell, sell, sell. Tommy took a moment. It's okay, 386 00:19:00,440 --> 00:19:02,479 Speaker 1: now that should be a Nicest the day now our 387 00:19:02,520 --> 00:19:04,840 Speaker 1: official nicest of the day. Yeah. 388 00:19:04,880 --> 00:19:08,160 Speaker 3: Wow, Well payback is a bee as they say. Right. 389 00:19:08,240 --> 00:19:11,960 Speaker 2: So over the weekend we can SNL closed up their season, 390 00:19:12,000 --> 00:19:16,560 Speaker 2: their fiftieth season. Scarlett Johansson was the host and Weekend Update. 391 00:19:16,880 --> 00:19:20,399 Speaker 2: Her husband Colin Joe's hosts that segment every every week 392 00:19:20,440 --> 00:19:24,960 Speaker 2: with Michael Jay. And during Christmas and the last episode 393 00:19:24,960 --> 00:19:27,479 Speaker 2: of the season, Michael Jay and Colin Jos do this 394 00:19:27,560 --> 00:19:31,040 Speaker 2: thing where they swap jokes. They write jokes for each other, 395 00:19:31,080 --> 00:19:33,320 Speaker 2: but they cannot read them until they're live on the air. 396 00:19:33,680 --> 00:19:39,240 Speaker 2: So over Christmas, Michael Chay wrote some jokes about about 397 00:19:39,240 --> 00:19:41,440 Speaker 2: Scarlet for Colin Jos to read live on the air, 398 00:19:41,720 --> 00:19:43,879 Speaker 2: and it was about Scarlet's private areas. 399 00:19:43,960 --> 00:19:46,159 Speaker 3: Yes, very very racy. 400 00:19:45,480 --> 00:19:50,080 Speaker 2: So Colin got his payback by having his wife Scarlett, 401 00:19:50,160 --> 00:19:53,479 Speaker 2: sit right next to Michael as he read a formal 402 00:19:53,560 --> 00:19:59,520 Speaker 2: apology pretty much about Scarlet, about Scarlett and college and 403 00:19:59,600 --> 00:20:02,600 Speaker 2: how he came up from using crack in the bronx. 404 00:20:04,600 --> 00:20:07,639 Speaker 1: I love I love it, I love it, I love 405 00:20:08,400 --> 00:20:10,639 Speaker 1: they can laugh at together really great and nice of 406 00:20:10,640 --> 00:20:14,080 Speaker 1: the day. Now, and she's the Duchess of York, Sarah 407 00:20:14,080 --> 00:20:16,479 Speaker 1: Ferguson is claiming the Queen's dogs are talking to her. 408 00:20:16,560 --> 00:20:19,399 Speaker 1: So when the Queen died, Sarah and her husband Andrew 409 00:20:19,440 --> 00:20:21,159 Speaker 1: got the corky smart idea, because they're not going to 410 00:20:21,240 --> 00:20:22,800 Speaker 1: kick the corgies out of that house. As long as 411 00:20:22,800 --> 00:20:25,480 Speaker 1: the Queen's dogs are still alive, they'll keep that palace. 412 00:20:26,680 --> 00:20:31,240 Speaker 1: Now Sarah's claiming the dogs are talking to her. Let's 413 00:20:31,320 --> 00:20:35,200 Speaker 1: end with a moment of r there's no secret formula, 414 00:20:35,240 --> 00:20:37,159 Speaker 1: there's not You just got to show up. There's no 415 00:20:37,280 --> 00:20:40,399 Speaker 1: magic hack, there's no overnight trick, and there is no 416 00:20:40,520 --> 00:20:43,960 Speaker 1: shortcut to success. When you show up. You've got to 417 00:20:44,040 --> 00:20:45,959 Speaker 1: do it when you're tired, you've got to show up 418 00:20:45,960 --> 00:20:48,560 Speaker 1: when you're unsure, and you're got to show up with nobody. 419 00:20:48,640 --> 00:20:52,919 Speaker 1: Nobody is clapping for you, because that is how you 420 00:20:53,040 --> 00:20:56,680 Speaker 1: find success. That's all it is. There's no formula. You're 421 00:20:56,680 --> 00:20:59,520 Speaker 1: not going to be an overnight success. Just keep showing 422 00:21:00,359 --> 00:21:02,159 Speaker 1: and I promise it will happen. Hey, that is it 423 00:21:02,200 --> 00:21:04,480 Speaker 1: for today. Thank you so much for listening to They're Notody. 424 00:21:04,480 --> 00:21:07,160 Speaker 1: Been nice with Robin garrett Shire, production of iHeartRadio. Don't 425 00:21:07,160 --> 00:21:09,680 Speaker 1: forget to subscribe on the iHeartRadio app, Apple podcast. Wherever 426 00:21:09,680 --> 00:21:11,560 Speaker 1: you listen, leave us a leave us a review if 427 00:21:11,600 --> 00:21:13,920 Speaker 1: you can. They really do help and remember altogether now 428 00:21:14,160 --> 00:21:16,119 Speaker 1: if you're going eat to be new to you that 429 00:21:16,240 --> 00:21:18,520 Speaker 1: a bit take care of his body. 430 00:21:18,640 --> 00:21:21,200 Speaker 3: Not but nice with rom