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Speaker 1: Hey, I'm Norah Jones and today I'm playing along with

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Speaker 1: Mark Rebier in his apartment.

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Speaker 2: Just play in alone with you, Just play in alone with.

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Speaker 3: Hi.

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Speaker 4: I'm Norah and with me as always is Oda. Welcome

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Speaker 4: to our show.

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Speaker 5: Hello.

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Speaker 6: I'm so excited today because our guest is a wizard person.

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Speaker 1: That doesn't necessarily sound compliment.

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Speaker 6: I mean it as the highest compliment.

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Speaker 1: He's a genius. He really is, he really is.

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Speaker 6: You might know him from his many viral videos that

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Speaker 6: he's done of him doing improvised music with a loop pedal.

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Speaker 4: And bathroom boards and to keep in his underwear. Yes,

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Speaker 4: we did not do this podcast in his underwear, but

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Speaker 4: but you would not.

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Speaker 1: You wouldn't know, we wouldn't tell you.

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Speaker 7: No.

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Speaker 4: But he does a lot of his streaming on YouTube

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Speaker 4: in his underwear and a bathrow, which is kind of

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Speaker 4: his signature.

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Speaker 6: And his lyrics that will make you feel kind of funny,

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Speaker 6: but like in a good way.

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Speaker 4: Yeah, he's brilliant and we love him. We're in love

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Speaker 4: with him, I think.

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Speaker 7: I think so.

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Speaker 6: Yeah, we proposed to him, actually we did, both of us. Well,

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Speaker 6: he has lots of guests come on his live streams,

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Speaker 6: so we decided to have him on ours.

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Speaker 4: Yeah, except we decided to invite ourselves to his place

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Speaker 4: to do it. This show is basically we went to

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Speaker 4: his apartment and to just be in his world that

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Speaker 4: he does his streams from. And I was just got

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Speaker 4: to sit there and be part of it. And we

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Speaker 4: made all these songs on the spot, and I had

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Speaker 4: no idea what we're going to do till we got there,

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Speaker 4: and it was a blast.

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Speaker 6: What culminated was kind of magical.

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Speaker 4: Yeah, it's so fun to hang with him. He's a

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Speaker 4: beautiful person.

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Speaker 6: So down to earth for such a talented person. He

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Speaker 6: is very, very down to earth.

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Speaker 1: He's the most charming sweetheart I've ever met.

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Speaker 6: And he has an incredible array of like meticulously curated furniture.

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Speaker 4: Yes, he's got some sick his pat is some nice pieces.

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Speaker 1: Anyway, I hope you enjoy Mark Rebia.

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Speaker 7: I'm now recording Chut chutcha. Hi, Hey, how are you?

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Speaker 8: Hey?

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Speaker 7: What's uh? I'm good, I'm good. At that's it. We're done.

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Speaker 9: Oh yeah, that's nice.

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Speaker 8: All right.

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Speaker 7: I think it sounds I mean it sounds it's working right. Yeah, Okay.

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Speaker 4: I haven't played a synthesizer in about twenty five years.

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Speaker 7: It's been twenty five years.

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Speaker 4: I mean I was in the Booker t Washington High

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Speaker 4: School for the Performing and Visual Arts.

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Speaker 7: You know what, nor that fast? Booker t WA Washing

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Speaker 7: High School for the Performing.

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Speaker 10: Visual Arts bt WSPVA, bt WHSPVA, bt WHSPVA, bt whsvyea.

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Speaker 7: Dallas, Texas floor street. Bang.

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Speaker 1: Yes, I was in a synthesis ensemble.

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Speaker 7: Were you really? Yeah? I didn't know that existed, did you.

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Speaker 7: That's pretty cool.

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Speaker 1: So you went to the same high school we went. Yeah,

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Speaker 1: much later than me.

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Speaker 7: I don't know about that.

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Speaker 10: But I'm when we talked about this, I'm getting up

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Speaker 10: in age. I'm sixty five years old, feeling good. No,

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Speaker 10: but yeah I was.

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Speaker 7: I was in theater. Actually I wasn't in music.

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Speaker 3: Are you serious?

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Speaker 5: Yeah?

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Speaker 1: Okay, I did not know that. Yeah that makes a

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Speaker 1: lot of sense.

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Speaker 7: Yeah, yeah, wow, I just a theater boy.

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Speaker 10: I mean, I played piano, but I'm not not in school,

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Speaker 10: not for school.

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Speaker 1: Yeah, I didn't know that.

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Speaker 7: Okay.

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Speaker 4: Well I played a piano in school and oh cool synthesizer.

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Speaker 7: That's so cool.

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Speaker 1: It was so cool.

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Speaker 10: Actually, they would never have a synthesizer crew in school.

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Speaker 7: Now, I feel like, you.

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Speaker 4: Know, I wonder it was still a little bit left

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Speaker 4: over from the teachers being like synth geeks from.

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Speaker 7: The eighties, all right, yeah, yeah, a good way. Yeah.

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Speaker 4: And they had all these synthesizers and everybody would we

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Speaker 4: would write songs and we actually they would record them

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Speaker 4: in the band room.

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Speaker 1: Oh wow, put out a tape. There's a tape somewhere.

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Speaker 7: Really.

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Speaker 3: Yeah.

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Speaker 4: It was like the last song I wrote, yeah for

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Speaker 4: a while, because the teacher said it sounded like Yanni,

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Speaker 4: which I just kind.

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Speaker 1: Of went right.

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Speaker 7: Vibes it's true dreamy sort of since escape.

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Speaker 1: I guess I couldn't help myself.

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Speaker 11: Well.

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Speaker 1: Thanks, welcome to my podcast.

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Speaker 7: Thank you so much for having me in your apartment.

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Speaker 10: That's right, Nora Jones's podcast from Mark Rebier's apartment.

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Speaker 1: Yeah, live from your apartment.

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Speaker 7: That's right. Live from downtown Manhattan.

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Speaker 1: Baby, Yeah, I love it. New York forever, New York forever,

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Speaker 1: and Texas.

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Speaker 7: Also also Texas forever.

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Speaker 1: We lived in New York.

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Speaker 7: Five years on and off.

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Speaker 12: Now.

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Speaker 10: I came here for two years and sort of worked,

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Speaker 10: you know, jobs, trying to make the music thing work

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Speaker 10: very unsuccessfully, and then went back to Dallas to help

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Speaker 10: take care of my dad. He was sick, and that's

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Speaker 10: when I started. I lost a job there and started

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Speaker 10: playing at bars and restaurants in Dallas at Twilight Lounge

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Speaker 10: and Deep Elum and uh some other places. And then

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Speaker 10: I moved back here once I you know, garnered like

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Speaker 10: a local following there, moved back here to try and

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Speaker 10: take it to a bigger place.

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Speaker 7: Wow and uh yeah yeah wow. I always loved being here.

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Speaker 1: It's just it's it's the dream.

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Speaker 7: It is the best place. It's just the best place, the.

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Speaker 8: Dream, that is.

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Speaker 4: But you spent adult time in Dallas, big and stuff.

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Speaker 4: That's what I missed.

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Speaker 1: I didn't.

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Speaker 7: Oh wow, you didn't spend any time digging in Dallas.

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Speaker 1: Well, I mean I did.

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Speaker 4: I went to North Texas for two years, so I

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Speaker 4: would come down to do the occasional.

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Speaker 1: Yeah, some gigs here and there, but yeah, not really.

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Speaker 7: Where did you go from there? From Dallas?

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Speaker 1: I came to New York.

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Speaker 7: Oh you did?

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Speaker 6: Yeah?

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Speaker 7: Okay, So it's been New York ever.

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Speaker 1: Since since, I since nineteen ninety nine.

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Speaker 12: Wow.

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Speaker 10: Yeah, that's awesome. Yeah, that's awesome. But it's the ship,

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Speaker 10: it's the it's the best. Can I say shit.

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Speaker 7: Here on here?

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Speaker 1: You can say whatever you want.

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Speaker 7: Hey viewers out there.

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Speaker 1: Ship okay, ship, you've got like my seven year old.

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Speaker 7: Really it's a good joint personally, he's really good at it.

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Speaker 10: Discovering the joy for it. Yeah, it's fun. It's fun

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Speaker 10: to do.

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Speaker 4: So I brought this mini core agan, but I'm gonna

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Speaker 4: I was wondering if we could play some songs.

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Speaker 7: Oh yeah, absolutely.

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Speaker 4: This is your setup that you usually Yeah, this is it, right,

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Speaker 4: this is my little setup.

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Speaker 7: It's uh yeah.

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Speaker 10: It's just a simple desk with a MIDI controller, a

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Speaker 10: forty nine key MIDI controller, some drum pads, and a

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Speaker 10: vocal processor and then the Boss RC five oh five

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Speaker 10: almighty loop station.

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Speaker 1: That's so cool.

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Speaker 10: It's just a great little toy and it lets you

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Speaker 10: basically create stuff very quickly.

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Speaker 7: You know.

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Speaker 1: I love that.

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Speaker 7: It's pretty great. Yeah, it's pretty great. I love it

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Speaker 7: a lot.

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Speaker 1: Yeah, you wanna try something.

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Speaker 7: Make something? Yeah, all right, sounds good.

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Speaker 1: I'll let you start and I'll get off the string pad.

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Speaker 10: Okay, maybe you can even you can even come here

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Speaker 10: and play some Ship on the piano if you are

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Speaker 10: all right, let me start.

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Speaker 7: We'll do the rhythm first.

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Speaker 1: Let's see what I have on something a little more.

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Speaker 7: Whoa all right.

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Speaker 12: H mm hmmm.

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Speaker 1: That means nervous.

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Speaker 7: You're nervous. Get out of here.

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Speaker 12: Them.

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Speaker 6: So I'm so.

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Speaker 1: Perfect you can't stop snack.

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Speaker 13: Okay, so gonna be all okayse in the air.

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Speaker 3: Change, I didn't wat sh.

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Speaker 14: Ss go wispa the west bow.

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Speaker 15: To nice nice.

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Speaker 7: That's seth orchestra, got it that?

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Speaker 16: Yeah, yeah, sh.

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Speaker 17: Shine in his shirts in his house, the sat in

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Speaker 17: his shirts in his house, in his shirts in his house,

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Speaker 17: the house.

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Speaker 11: In his house, everything goes and you shoe whatever you

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Speaker 11: want in mile, So take your shoes off.

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Speaker 7: Do whatever, play the wan.

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Speaker 3: In his house, in my stupid in.

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Speaker 14: Shots in his house.

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Speaker 18: Anything goes in this house.

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Speaker 19: I'm drinking well wine in the well last class in sir,

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Speaker 19: you're drinking.

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Speaker 11: That white wine and the red wine in the glass

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Speaker 11: of my house.

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Speaker 20: To the red wine and the white wine that.

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Speaker 3: His house.

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Speaker 14: Shots house, sho.

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Speaker 21: From the step from the step from the step figure step.

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Speaker 22: In the shoot, step in the shoot from the shoot.

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Speaker 3: Stop in your house you have there.

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Speaker 19: In your house, Come down down now down downtown your

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Speaker 19: house in your house, my.

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Speaker 3: Local, in my in.

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Speaker 8: My as in.

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Speaker 12: Yeah, yeah, yeah.

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Speaker 7: Oh my god, how about that.

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Speaker 1: I'll get better at it.

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Speaker 7: Yeah, you're great natural natural isn't that fun?

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Speaker 12: Though?

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Speaker 7: This is so fun, Like it just happens immediately.

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Speaker 3: How do you?

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Speaker 7: I have so many questions, That's what I'm here for.

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Speaker 7: Ask away.

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Speaker 4: Yeah, so when did you start looping in Dallas when

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Speaker 4: you moved back or did you already been into.

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Speaker 1: That kind of thing?

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Speaker 23: No?

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Speaker 10: I started right when I went back to Dallas. I

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Speaker 10: I Reggie Watts.

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Speaker 7: Is what kicked it off for me.

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Speaker 1: Get that.

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Speaker 7: Yeah, he's just the dude.

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Speaker 10: He's the legend, the og improvised Lupert And yeah, I

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Speaker 10: saw him while I was living here.

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Speaker 1: Oh you saw him live?

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Speaker 7: Yeah, okay, and he blew.

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Speaker 10: He completely blew my mind, you know, just and then

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Speaker 10: I sort of watched more of him and discovered that

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Speaker 10: all that he just makes it all up, And that

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Speaker 10: was just so intensely beautiful to me. And I sort

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Speaker 10: of just hoped that if, you know, if I ever

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Speaker 10: did anything musical, that maybe I could sort of do

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Speaker 10: something in that way you know that was all made up.

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Speaker 10: That just seemed really appealing. I had been trying to

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Speaker 10: make music just as sort of a bedroom producer for years,

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Speaker 10: you know, trying to make beats for people and stuff

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Speaker 10: and oh yeah, that didn't work out at all. Never

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Speaker 10: made a sent doing that. So yeah, anyway, when I'm

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Speaker 10: back to Dallas, I got one of these. I got

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Speaker 10: one of these RC five O five's. It's the only

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Speaker 10: hardware Looper that is made for fingers and not feet.

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Speaker 7: Oh you know every other.

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Speaker 1: Loopero playing guitar.

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Speaker 7: Yeah, they're exactly.

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Speaker 10: So I think they made this originally for like beat boxers.

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Speaker 10: I think, I want to say something like that. A

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Speaker 10: lot of beat boxers use it, but I got one

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Speaker 10: just because it was not because you use it with

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Speaker 10: your hands and it's more designed for the hands, which

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Speaker 10: I don't know why that appealed to me, but it did.

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Speaker 10: And I just sort of figured it out in Dallas,

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Speaker 10: played around with it, and then slowly started making little

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Speaker 10: videos using it, and.

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Speaker 7: Yeah, that was it.

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Speaker 4: It's pretty cool because you make everything up on the spot.

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Speaker 4: And it reminded me of how people talk about improv comedy.

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Speaker 7: Oh yeah, yes and yes, yes.

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Speaker 1: Yes exactly.

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Speaker 4: So that makes sense now that you were in theater,

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Speaker 4: are you into improv?

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Speaker 7: I haven't even actually thought about that. Were you right?

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Speaker 1: Were you deep in Shakespeare or were you doing any improv?

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Speaker 7: I was pretty into improv.

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Speaker 10: Yeah, I mean I was mostly doing uh, just sort

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Speaker 10: of standard stage stuff, you know, I would do you know,

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Speaker 10: I did like The Crucible and Inherit the Wind and

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Speaker 10: these kinds of like right of passage, you know, school

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Speaker 10: theater stuff. But it was always I mean, I was

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Speaker 10: always much more interested in like comedy leaning things, I suppose,

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Speaker 10: and maybe better at it arguably, you know, I think

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Speaker 10: I just was more inclined and better suited for that

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Speaker 10: sort of stuff. And so, yeah, like you say, it's

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Speaker 10: really no surprise that this is kind of where it

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Speaker 10: ended up.

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Speaker 4: I guess it's making more sense to me.

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Speaker 10: Yeah, I never thought about that, but you're absolutely right. Yeah, yeah,

283
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Speaker 10: that's bizarre. It's weird how things just sort of wind

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Speaker 10: around and work themselves out in that way, isn't it.

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Speaker 10: I mean, I guess if it takes work, of course,

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Speaker 10: but like somehow things just always end up like figuring

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Speaker 10: themselves out in a way that makes sense in relation

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Speaker 10: to who you.

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Speaker 7: Are, you know, in a way you find yourself. Yeah right,

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Speaker 7: I guess, yeah, yeah, hopefully, Yeah that's the hope. I guess.

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Speaker 1: Are you Are you the only musician in your family?

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Speaker 7: I am, really yeah, only one.

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Speaker 10: Yeah, which is a disadvantage, you know, it just is

294
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Speaker 10: it's Yeah, I feel like I'm.

295
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Speaker 7: Not you know, I I've.

296
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Speaker 10: Always felt as soon as I got into this, I

297
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Speaker 10: felt that I am a little bit of imposter syndrome

298
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Speaker 10: because so many people who I look up to in

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Speaker 10: music and people who I've been lucky enough to play with,

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Speaker 10: you know, a lot of them come from this deep

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Speaker 10: musical family. And what I would have given. I mean,

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Speaker 10: I loved my childhood. I love my parents, but you know,

303
00:22:04,320 --> 00:22:07,040
Speaker 10: and they were always playing records around me.

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Speaker 4: So they had good musical taste. Musical taste that's all

305
00:22:11,080 --> 00:22:11,480
Speaker 4: you need.

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Speaker 10: Yeah, I guess so to develop a beer you know, totally. Yeah,

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00:22:14,640 --> 00:22:16,720
Speaker 10: that's probably true, I think so. You know, it would

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00:22:16,720 --> 00:22:18,359
Speaker 10: have been nice to spend time in studios as a

309
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Speaker 10: kid and stuff.

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Speaker 7: But I just it just wasn't my childhood.

311
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Speaker 4: I feel like it's not most people's child That's probably true.

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Speaker 1: It wasn't my child Yeah, no, oh that's nice.

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Speaker 7: Well how did you What was your childhood like musically?

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Speaker 4: Well, I was always enrolled in piano. I started a

315
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Speaker 4: piano when I was seven, and but mostly I sing

316
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Speaker 4: in church choirs. That was my reeling because I had

317
00:22:39,320 --> 00:22:41,920
Speaker 4: a natural singing voice. Yeah, and so I was in

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Speaker 4: church choir since I was five.

319
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Speaker 7: Oh wow, that's like the Aretha Franklin thing.

320
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Speaker 1: Except very different kind of church. But it was it

321
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Speaker 1: was still good. It was great.

322
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Speaker 4: And yeah, but and then school choirs and then band.

323
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Speaker 4: Right then I grew up in Grapevine.

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Speaker 10: Oh, no way, yeah, Gravevie. I know that's out there.

325
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Speaker 4: Yeah, I mean it was. It was all I knew.

326
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Speaker 4: It was fine, and yeah it was a marching band.

327
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Speaker 4: And then in tenth grade I wanted to go to

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Speaker 4: Booker t Yeah, for high school, so we moved to Dallas.

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Speaker 8: Then.

330
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Speaker 7: Oh so you had freshman year in another high school.

331
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Speaker 1: Yeah, in marching band, right.

332
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Speaker 7: Right.

333
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Speaker 1: So so what part of Dallas did you grow up in.

334
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Speaker 10: I grew up sort of all over. I was born

335
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Speaker 10: in Greenway. Park's sort of a little fancy little collection

336
00:23:31,440 --> 00:23:36,040
Speaker 10: of houses that are built on these greenways. They're all

337
00:23:36,080 --> 00:23:37,760
Speaker 10: all the houses in this neighborhood are built on like

338
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Speaker 10: these public sort of greenway parks. Nice, and there's kind

339
00:23:43,000 --> 00:23:46,800
Speaker 10: of nice, bucolic, little family, you know area in Dallas. Yeah,

340
00:23:46,800 --> 00:23:50,360
Speaker 10: it's like sort of nestled. I can't remember if it's

341
00:23:50,400 --> 00:23:52,520
Speaker 10: I think it's like just a little north of Highland Park.

342
00:23:52,840 --> 00:23:56,600
Speaker 10: It's right off the toll way. So I grew up there.

343
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Speaker 10: But then I lived, I mean all over the place.

344
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Speaker 10: We lived in Uptown, we lived in East Dallas, I

345
00:24:00,320 --> 00:24:05,440
Speaker 10: lived in North Dallas, all over the place.

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Speaker 7: Yeah, I love that city, you do, Yeah, yeah, I do.

347
00:24:09,040 --> 00:24:12,560
Speaker 10: I have a lot of just I mean, my whole

348
00:24:12,680 --> 00:24:15,160
Speaker 10: childhood is there, you know, I have all the every

349
00:24:15,200 --> 00:24:15,800
Speaker 10: time I go back.

350
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Speaker 7: I just went back to play a New Year's.

351
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Speaker 10: Eve show at the Bomb Factory, at this amazing venue

352
00:24:20,800 --> 00:24:24,320
Speaker 10: in deep Ellum. And that's not called the Bomb Factory anymore.

353
00:24:24,400 --> 00:24:28,240
Speaker 10: That's just called the Factory now. But terrible name change.

354
00:24:28,760 --> 00:24:29,160
Speaker 5: Terrible.

355
00:24:29,680 --> 00:24:31,480
Speaker 7: It used to be a Bomb Factory.

356
00:24:31,560 --> 00:24:36,840
Speaker 10: Yeah, great branding, great name, very recognizable, and now is

357
00:24:36,880 --> 00:24:39,280
Speaker 10: just the Factory because I think the owners had a

358
00:24:39,280 --> 00:24:42,919
Speaker 10: falling out or something so they had to rebrand. But anyway,

359
00:24:42,960 --> 00:24:48,040
Speaker 10: every time I go back, I just know every like

360
00:24:48,480 --> 00:24:50,040
Speaker 10: square inch of that place.

361
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Speaker 12: You know.

362
00:24:50,960 --> 00:24:53,080
Speaker 10: I can just take my I take my mom's car

363
00:24:53,560 --> 00:24:56,280
Speaker 10: and I just drive. I go around, just drive for hours,

364
00:24:56,400 --> 00:25:00,200
Speaker 10: and it fills me with some sort of really yeah,

365
00:25:01,200 --> 00:25:06,160
Speaker 10: some sort of joy that cannot be duplicated any other

366
00:25:06,240 --> 00:25:08,200
Speaker 10: way this nostalgia joy.

367
00:25:08,119 --> 00:25:11,240
Speaker 4: Totally, that's the childhood nostalgia of home.

368
00:25:11,440 --> 00:25:11,760
Speaker 8: Yeah.

369
00:25:12,119 --> 00:25:14,040
Speaker 7: Yeah, it's a beautiful thing. It is.

370
00:25:14,160 --> 00:25:16,080
Speaker 10: It's really what about Do you feel like I would?

371
00:25:16,200 --> 00:25:18,800
Speaker 10: I would imagine you feel like New York is very much.

372
00:25:18,760 --> 00:25:19,320
Speaker 7: Home for you.

373
00:25:19,760 --> 00:25:20,080
Speaker 10: I do.

374
00:25:20,200 --> 00:25:22,080
Speaker 1: My childhood was a little fragmented.

375
00:25:23,240 --> 00:25:26,640
Speaker 4: I I I grew up in Grapevine, but I went

376
00:25:26,680 --> 00:25:30,160
Speaker 4: to like somehow, I went to four different schools. Oh wow,

377
00:25:30,359 --> 00:25:32,520
Speaker 4: because I don't know, it's not worth getting into.

378
00:25:32,560 --> 00:25:34,080
Speaker 1: But they were all great.

379
00:25:34,480 --> 00:25:34,680
Speaker 7: Yeah.

380
00:25:34,760 --> 00:25:37,880
Speaker 4: It wasn't like I was in one specific group of

381
00:25:38,160 --> 00:25:40,560
Speaker 4: one school for so long, right right. We moved to

382
00:25:40,600 --> 00:25:43,639
Speaker 4: Alaska in sixth grade or seventh grade for a few months,

383
00:25:43,640 --> 00:25:45,400
Speaker 4: and then when it came back, I was in Colleyville.

384
00:25:45,720 --> 00:25:47,040
Speaker 7: You went to Alaska?

385
00:25:46,880 --> 00:25:47,720
Speaker 3: Yea, what did you do?

386
00:25:47,800 --> 00:25:50,080
Speaker 7: Worries it? What was going on in Alaska?

387
00:25:49,880 --> 00:25:58,399
Speaker 1: Got to ask my mom.

388
00:25:58,480 --> 00:26:00,240
Speaker 11: Bam boom bam.

389
00:26:00,280 --> 00:26:02,160
Speaker 7: All right, we're back in it. Oh shit, I wonder

390
00:26:02,200 --> 00:26:02,840
Speaker 7: when to cut off.

391
00:26:03,040 --> 00:26:03,840
Speaker 1: We'll figure it out.

392
00:26:03,960 --> 00:26:05,200
Speaker 7: Yeah, I'll be all right.

393
00:26:05,840 --> 00:26:08,160
Speaker 1: In the meantime, we have this sweet jam going.

394
00:26:08,359 --> 00:26:12,359
Speaker 10: Yeah, we got this little jam making something about whatever

395
00:26:12,400 --> 00:26:12,760
Speaker 10: you want.

396
00:26:14,320 --> 00:26:22,240
Speaker 7: M mm hmm, yeah, baby, oh ahead.

397
00:26:23,760 --> 00:26:32,800
Speaker 24: Ah, say about it.

398
00:26:48,680 --> 00:26:49,520
Speaker 3: You can say.

399
00:26:51,680 --> 00:27:09,080
Speaker 25: About oh about anything, hmm.

400
00:27:09,920 --> 00:27:11,720
Speaker 26: Single bout whatever you want be.

401
00:27:18,520 --> 00:27:19,320
Speaker 15: Yeah.

402
00:27:20,640 --> 00:27:32,720
Speaker 26: Oh, you can singabout when you're happ m h.

403
00:27:36,240 --> 00:27:38,080
Speaker 8: You can singapore.

404
00:27:42,080 --> 00:27:43,920
Speaker 3: Where you say.

405
00:27:52,760 --> 00:27:54,200
Speaker 7: Singaparea joy.

406
00:27:58,160 --> 00:27:59,359
Speaker 15: Sygapatic tripulation.

407
00:28:01,480 --> 00:28:03,119
Speaker 3: Oh you want makes.

408
00:28:17,000 --> 00:28:19,720
Speaker 26: There's something the same every one.

409
00:28:25,119 --> 00:28:30,720
Speaker 11: There's a song to sing for when you lost h

410
00:28:32,440 --> 00:28:34,560
Speaker 11: The song is sing when you want.

411
00:28:37,800 --> 00:28:38,200
Speaker 12: Mm hmm.

412
00:28:42,880 --> 00:28:44,400
Speaker 8: Song for everyone.

413
00:28:45,840 --> 00:28:46,280
Speaker 9: M hm.

414
00:28:47,680 --> 00:28:52,040
Speaker 10: Give you some sort of harmony, like that song for everyone,

415
00:28:52,680 --> 00:28:54,000
Speaker 10: something like that.

416
00:28:54,720 --> 00:28:55,200
Speaker 3: I'll find that.

417
00:28:58,000 --> 00:29:01,720
Speaker 26: Song everyone.

418
00:29:02,640 --> 00:29:42,680
Speaker 27: Nice, show for everyone, show for everyone.

419
00:29:18,600 --> 00:29:50,040
Speaker 12: M hm.

420
00:29:57,800 --> 00:29:58,680
Speaker 7: Soothing can soothing?

421
00:29:58,680 --> 00:30:01,840
Speaker 12: Can sweet?

422
00:30:03,240 --> 00:30:10,440
Speaker 20: Yeah, take a bath in my chees, bathing my cheese.

423
00:30:12,960 --> 00:30:18,000
Speaker 3: Oh thank you, don't.

424
00:30:27,760 --> 00:30:39,080
Speaker 8: Take bathing my cheese, take a bath.

425
00:30:38,880 --> 00:30:40,800
Speaker 11: And cheers of my soul.

426
00:30:43,280 --> 00:31:33,440
Speaker 12: Oh jees mm hmmm.

427
00:31:37,800 --> 00:31:50,520
Speaker 28: Says that.

428
00:31:50,000 --> 00:31:51,160
Speaker 12: What was that?

429
00:31:53,840 --> 00:31:57,400
Speaker 3: You say, the prettiest melody before it started that? Oh yeah,

430
00:31:57,440 --> 00:31:59,640
Speaker 3: it was yeah, we forgot to do it.

431
00:32:00,040 --> 00:32:01,920
Speaker 7: Yeah, it was sing a song.

432
00:32:03,760 --> 00:32:04,560
Speaker 9: Oh yeah, that's right.

433
00:32:05,080 --> 00:32:09,680
Speaker 11: It was like sing a song about uh, that's right.

434
00:32:10,640 --> 00:32:13,960
Speaker 20: Sing sing a song about tears for fear, whoever your

435
00:32:13,960 --> 00:32:19,440
Speaker 20: favorite band is, sing a song about love, sing a

436
00:32:19,480 --> 00:32:20,560
Speaker 20: song about.

437
00:32:24,000 --> 00:32:25,560
Speaker 12: Song why?

438
00:32:27,240 --> 00:32:27,680
Speaker 8: Yeah?

439
00:32:28,320 --> 00:32:28,760
Speaker 18: Like that.

440
00:32:30,040 --> 00:32:33,360
Speaker 10: It was like you can sing about anything. Yeah, you

441
00:32:33,400 --> 00:32:35,080
Speaker 10: can sing about anything.

442
00:32:36,800 --> 00:32:42,200
Speaker 25: Sing about love, you can sing about you can sing.

443
00:32:42,000 --> 00:32:49,000
Speaker 11: About loss, you can sing about fear, you can sing yeah,

444
00:32:49,040 --> 00:32:50,280
Speaker 11: you can sing about teas.

445
00:32:50,400 --> 00:32:50,840
Speaker 12: What was it?

446
00:32:50,880 --> 00:32:51,840
Speaker 7: You can sing about.

447
00:32:51,720 --> 00:32:57,400
Speaker 11: Love, sing about fear, you can sing about loss, sing

448
00:32:57,480 --> 00:32:58,920
Speaker 11: about tease.

449
00:33:00,160 --> 00:33:04,360
Speaker 3: Anything, Well, it somewhere.

450
00:33:04,280 --> 00:33:05,160
Speaker 7: It's somewhere in there.

451
00:33:05,800 --> 00:33:07,640
Speaker 8: Ye sing about love.

452
00:33:09,560 --> 00:33:19,200
Speaker 29: Sing about sing a ball love, singaboll tease, anything would.

453
00:33:19,360 --> 00:33:19,760
Speaker 12: Go to that.

454
00:33:19,840 --> 00:33:28,959
Speaker 20: Yes, yeah, you can singapore love, sing about singabore loves,

455
00:33:29,800 --> 00:33:33,640
Speaker 20: singleboll cheers, anything.

456
00:33:36,120 --> 00:33:38,080
Speaker 30: Oh anything.

457
00:33:40,400 --> 00:33:51,080
Speaker 20: Yeah, you can sing aboe love, singleboufy, singlebore, loss, single ball.

458
00:33:51,320 --> 00:33:53,880
Speaker 11: Cheers, anything.

459
00:33:56,400 --> 00:33:59,520
Speaker 8: Oh anything.

460
00:34:01,360 --> 00:34:01,520
Speaker 12: Mm.

461
00:34:02,720 --> 00:34:05,840
Speaker 5: And that's.

462
00:34:08,000 --> 00:34:11,040
Speaker 7: Definitely something you can sing about.

463
00:34:11,520 --> 00:34:12,600
Speaker 10: Yeah, it's a little big.

464
00:34:13,520 --> 00:34:15,680
Speaker 7: It's definitely I like that.

465
00:34:16,120 --> 00:34:19,040
Speaker 10: Yeah, I'm down. Yeah, we could definitely make a song

466
00:34:19,040 --> 00:34:21,520
Speaker 10: out of that. There's something there. Then you just take

467
00:34:21,520 --> 00:34:24,240
Speaker 10: it to some other little set of chords for another section,

468
00:34:24,360 --> 00:34:26,799
Speaker 10: you know. But that's just a sweet little you can

469
00:34:26,880 --> 00:34:35,080
Speaker 10: sing about, sing about fee, can sing about las, sing

470
00:34:35,160 --> 00:34:38,120
Speaker 10: about tea anything.

471
00:34:39,640 --> 00:34:39,839
Speaker 6: Yeah.

472
00:34:41,800 --> 00:34:44,840
Speaker 7: And if yeah, something it's nice.

473
00:34:44,800 --> 00:34:47,640
Speaker 4: Need a minute, you should finish.

474
00:34:47,680 --> 00:34:50,480
Speaker 7: That's all I got, you know, I got little slices.

475
00:34:50,520 --> 00:34:52,640
Speaker 10: That's what I do. I do little slices. But that

476
00:34:52,800 --> 00:34:57,319
Speaker 10: is something that I'm working on that I need help with.

477
00:34:57,560 --> 00:34:59,640
Speaker 1: Well, that's what I was wondering is because you've put

478
00:34:59,640 --> 00:35:00,480
Speaker 1: out albums.

479
00:35:01,040 --> 00:35:04,640
Speaker 7: Yeah, well those they're not real albums.

480
00:35:04,680 --> 00:35:07,920
Speaker 10: They're they're I mean, they're like album length things that

481
00:35:08,000 --> 00:35:12,080
Speaker 10: I put out, but they are rips from the videos

482
00:35:12,080 --> 00:35:12,320
Speaker 10: that I do.

483
00:35:13,520 --> 00:35:17,239
Speaker 7: They're all yeah, they're all just audio rips. Yeah.

484
00:35:17,280 --> 00:35:20,760
Speaker 10: So that's that's actually something that I'm trying to do now,

485
00:35:21,200 --> 00:35:24,160
Speaker 10: is you know I have for a couple of years now,

486
00:35:24,200 --> 00:35:26,120
Speaker 10: I've been wanting to do like a full length, like

487
00:35:26,160 --> 00:35:29,200
Speaker 10: a really a produced composed.

488
00:35:31,400 --> 00:35:31,960
Speaker 7: Exactly.

489
00:35:32,239 --> 00:35:32,439
Speaker 3: Yeah.

490
00:35:32,600 --> 00:35:34,560
Speaker 10: Yeah, and I'm trying to figure out you know, because

491
00:35:35,640 --> 00:35:37,279
Speaker 10: I hope I would like it to be.

492
00:35:37,440 --> 00:35:39,800
Speaker 7: You know, I have a lot of.

493
00:35:42,480 --> 00:35:46,640
Speaker 10: Sort of melodic ideas and chord structure ideas that I

494
00:35:46,680 --> 00:35:52,319
Speaker 10: think have value. But the thing is, okay, this is

495
00:35:52,320 --> 00:35:53,960
Speaker 10: my little train of thought with this, is that like

496
00:35:54,600 --> 00:35:58,120
Speaker 10: I have a very hard time with like the regular

497
00:35:58,640 --> 00:36:02,400
Speaker 10: sort of studio process. I'm not very good with it

498
00:36:02,480 --> 00:36:03,319
Speaker 10: or patient with it.

499
00:36:03,400 --> 00:36:05,520
Speaker 1: You know, well you're so quick.

500
00:36:06,760 --> 00:36:09,399
Speaker 7: It's like a blessing and a curse, you know.

501
00:36:10,200 --> 00:36:12,960
Speaker 10: Frustrating it is it's just boor it's maybe more boring

502
00:36:12,960 --> 00:36:14,720
Speaker 10: more than anything or that I don't have the patience

503
00:36:14,760 --> 00:36:19,000
Speaker 10: for it, and so I I when I get around

504
00:36:19,040 --> 00:36:21,120
Speaker 10: to trying to and I've tried a few times. I've

505
00:36:21,200 --> 00:36:23,400
Speaker 10: like gone to la for a couple of months and

506
00:36:23,440 --> 00:36:26,160
Speaker 10: tried to link with some of my people over there

507
00:36:26,160 --> 00:36:29,279
Speaker 10: and start making songs. I never can lay a note down.

508
00:36:29,320 --> 00:36:33,080
Speaker 10: It's very difficult for me to get there, which is

509
00:36:34,400 --> 00:36:36,759
Speaker 10: upsetting for me because I want to, you know, I

510
00:36:36,800 --> 00:36:38,439
Speaker 10: want to create a piece of work like that.

511
00:36:39,680 --> 00:36:41,840
Speaker 7: And so I have this idea.

512
00:36:44,040 --> 00:36:47,480
Speaker 10: And it sort of has to do with this this

513
00:36:47,600 --> 00:36:50,480
Speaker 10: studio that I just got, but it could also be

514
00:36:50,520 --> 00:36:54,640
Speaker 10: separate from that. But the idea is that in order

515
00:36:54,680 --> 00:37:00,279
Speaker 10: to force myself to make a record, basically, what I

516
00:37:00,280 --> 00:37:05,160
Speaker 10: would like to do is, like my original idea was

517
00:37:05,160 --> 00:37:08,239
Speaker 10: to do it as a performance, so in other words,

518
00:37:08,320 --> 00:37:12,560
Speaker 10: to schedule a series of dates where you buy tickets

519
00:37:12,560 --> 00:37:16,400
Speaker 10: to this very intimate sort of like black box ish venue,

520
00:37:17,160 --> 00:37:19,839
Speaker 10: and I imagine it being in the round, but the

521
00:37:19,960 --> 00:37:25,320
Speaker 10: stage is set up like a music studio, so it's

522
00:37:25,600 --> 00:37:31,439
Speaker 10: there's there's a board for an engineer and a producer. Yeah,

523
00:37:31,480 --> 00:37:35,680
Speaker 10: the stage is a studio. There's a vocal booth, there's keyboards,

524
00:37:35,719 --> 00:37:37,719
Speaker 10: there's a drum kit, there's a but whatever everything you

525
00:37:37,800 --> 00:37:41,520
Speaker 10: need for like an actual studio setup, and people come

526
00:37:41,560 --> 00:37:46,759
Speaker 10: in and you the the experiences you are in. It's

527
00:37:46,800 --> 00:37:51,480
Speaker 10: not seats, it's couches, it's bean bags, it's carpets. So

528
00:37:51,560 --> 00:37:54,080
Speaker 10: you're buying a ticket for a full day and essentially

529
00:37:54,080 --> 00:37:58,480
Speaker 10: you're coming in to sit in on a studio session.

530
00:37:58,960 --> 00:38:01,400
Speaker 7: But it's a show, so you won't get bored.

531
00:38:01,400 --> 00:38:01,799
Speaker 1: That way.

532
00:38:02,160 --> 00:38:04,279
Speaker 7: It's a way to force myself, you know.

533
00:38:04,360 --> 00:38:07,239
Speaker 10: It's like, let me put these dates out so that

534
00:38:07,360 --> 00:38:12,440
Speaker 10: I can get this ship done and force myself to

535
00:38:12,480 --> 00:38:15,160
Speaker 10: do that. The other version of it is, instead of

536
00:38:15,200 --> 00:38:18,399
Speaker 10: having to do it with an audience, which is its

537
00:38:18,440 --> 00:38:22,880
Speaker 10: own sort of logistical thing, would be to do it

538
00:38:22,920 --> 00:38:25,400
Speaker 10: as a series of live streams in this new studio

539
00:38:25,440 --> 00:38:27,719
Speaker 10: space that I have, so, in other words, to live

540
00:38:27,760 --> 00:38:32,080
Speaker 10: stream the writing and recording of this thing over the

541
00:38:32,080 --> 00:38:33,280
Speaker 10: course of a series of dates.

542
00:38:33,480 --> 00:38:34,640
Speaker 1: That's very fun.

543
00:38:34,719 --> 00:38:35,239
Speaker 7: You like it?

544
00:38:35,320 --> 00:38:35,800
Speaker 1: I do.

545
00:38:35,960 --> 00:38:39,400
Speaker 10: I think it could be fun. Come through you know

546
00:38:39,440 --> 00:38:42,279
Speaker 10: what I mean, like come you just oh watch it?

547
00:38:42,320 --> 00:38:43,120
Speaker 7: Oh yeah, no.

548
00:38:43,160 --> 00:38:45,680
Speaker 10: But also I mean I would love it. It would

549
00:38:45,680 --> 00:38:47,759
Speaker 10: be fun to have, yeah, to watch it too, be

550
00:38:48,000 --> 00:38:50,320
Speaker 10: you know. But yeah, it's a way to get myself

551
00:38:50,520 --> 00:38:53,560
Speaker 10: back on the internet in a different context. You know,

552
00:38:53,560 --> 00:38:56,920
Speaker 10: I've sort of grown bored of these the live streams

553
00:38:56,640 --> 00:38:59,560
Speaker 10: in the way that I've done them, just been doing

554
00:38:59,560 --> 00:39:01,239
Speaker 10: them for a long long time, and I'm sort of

555
00:39:01,280 --> 00:39:05,359
Speaker 10: tired of the format and to be able to get

556
00:39:05,640 --> 00:39:10,680
Speaker 10: to do something that's formatted differently in the service of

557
00:39:10,719 --> 00:39:14,200
Speaker 10: like a real LP. And then it's also a way

558
00:39:14,239 --> 00:39:16,040
Speaker 10: for me to I can bring my friends in you

559
00:39:16,040 --> 00:39:17,680
Speaker 10: you know, anyone who wants to come in and help

560
00:39:17,680 --> 00:39:20,080
Speaker 10: with the writing process can just come and fuck around.

561
00:39:20,120 --> 00:39:21,959
Speaker 10: It's like a playground, you know. I'll have this whole

562
00:39:22,000 --> 00:39:26,680
Speaker 10: place that's just set up to play, but it's being

563
00:39:26,680 --> 00:39:28,600
Speaker 10: recorded and broadcasts.

564
00:39:29,040 --> 00:39:30,000
Speaker 1: That's a great idea.

565
00:39:30,160 --> 00:39:32,640
Speaker 7: You like it, I do, Okay, cool if you're.

566
00:39:32,560 --> 00:39:34,920
Speaker 4: If you want to change it up online and that's

567
00:39:35,000 --> 00:39:36,520
Speaker 4: that's like a great also.

568
00:39:36,640 --> 00:39:38,919
Speaker 1: People love to be.

569
00:39:38,640 --> 00:39:41,000
Speaker 7: A part of They love that ship.

570
00:39:41,920 --> 00:39:45,239
Speaker 10: The reason I thought about it was because I was

571
00:39:45,280 --> 00:39:47,680
Speaker 10: watching Get Back the Beatles documentary.

572
00:39:47,719 --> 00:39:49,120
Speaker 7: Oh yeah, you see it, not.

573
00:39:49,040 --> 00:39:51,839
Speaker 1: All of it yet. It's incredible.

574
00:39:51,920 --> 00:39:53,520
Speaker 7: It's really incredible.

575
00:39:53,080 --> 00:39:55,160
Speaker 1: Watching just watching the process.

576
00:39:55,360 --> 00:39:58,400
Speaker 7: That's it. That's it. I was super stoned. I was

577
00:39:58,440 --> 00:39:59,440
Speaker 7: watching it and I was like.

578
00:40:00,400 --> 00:40:01,480
Speaker 15: Wait a second.

579
00:40:02,000 --> 00:40:05,080
Speaker 7: I was like wait just a fucking second. I could

580
00:40:05,320 --> 00:40:08,360
Speaker 7: just do this for me.

581
00:40:09,320 --> 00:40:11,520
Speaker 10: I don't know if people would be as interested in it,

582
00:40:11,560 --> 00:40:15,719
Speaker 10: but people like to watch me, yeah, bumble around online.

583
00:40:15,960 --> 00:40:18,040
Speaker 7: People like it, you know, I think they do. I

584
00:40:18,080 --> 00:40:19,520
Speaker 7: think they like watching that happen.

585
00:40:20,800 --> 00:40:22,760
Speaker 1: Yeah, and especially if you change it up.

586
00:40:22,760 --> 00:40:27,040
Speaker 10: And yeah, yeah, it's a different way to serve it.

587
00:40:27,040 --> 00:40:30,320
Speaker 10: It's a different way to serve this experience. And it

588
00:40:30,480 --> 00:40:33,560
Speaker 10: also hopefully at the end, you know, it's like, even

589
00:40:33,600 --> 00:40:36,359
Speaker 10: if I don't write the songs fully and completely during

590
00:40:36,400 --> 00:40:39,480
Speaker 10: those sessions, it's like, don't have to be done.

591
00:40:39,600 --> 00:40:41,160
Speaker 1: You don't have to say it's going to be this

592
00:40:41,320 --> 00:40:42,279
Speaker 1: exactly right.

593
00:40:44,560 --> 00:40:45,200
Speaker 7: I think so too.

594
00:40:45,280 --> 00:40:47,480
Speaker 4: Also, it's a good way to push yourself into a

595
00:40:47,520 --> 00:40:51,400
Speaker 4: new territory, which is how you grow, you know, and

596
00:40:51,440 --> 00:41:00,479
Speaker 4: how you keep it fresh, trying to do oh no.

597
00:41:00,400 --> 00:41:02,760
Speaker 1: For your fresh, for yourself.

598
00:41:02,840 --> 00:41:04,440
Speaker 7: Yeah, no, no, no, it's true. It's true.

599
00:41:04,560 --> 00:41:05,879
Speaker 1: Yeah, that's that's the thing.

600
00:41:05,920 --> 00:41:08,680
Speaker 4: You can't just keep doing the same thing over and over, no,

601
00:41:09,000 --> 00:41:10,640
Speaker 4: getting kind of tired of it.

602
00:41:10,640 --> 00:41:14,520
Speaker 10: It's yeah, you feel like that sort of thing. It

603
00:41:14,520 --> 00:41:19,280
Speaker 10: feels like to me, like it's like creative death. It's

604
00:41:19,320 --> 00:41:22,440
Speaker 10: just like you feel like, what the fuck am I doing,

605
00:41:22,640 --> 00:41:25,279
Speaker 10: you know what I mean, just like Jesus. Yeah, it's

606
00:41:25,400 --> 00:41:28,240
Speaker 10: really it can screw with your head.

607
00:41:28,560 --> 00:41:30,880
Speaker 7: I think have you ever had you had that feeling?

608
00:41:32,120 --> 00:41:33,520
Speaker 1: Not too bad?

609
00:41:33,640 --> 00:41:34,359
Speaker 7: Oh that's good.

610
00:41:34,480 --> 00:41:37,360
Speaker 4: But I I think I got really hung up in

611
00:41:37,480 --> 00:41:41,839
Speaker 4: my after my first second record because I didn't really

612
00:41:41,840 --> 00:41:44,040
Speaker 4: write a lot of songs on either of those records.

613
00:41:44,040 --> 00:41:45,879
Speaker 4: I wrote a few of the songs, yeah, I didn't

614
00:41:45,880 --> 00:41:47,080
Speaker 4: write the bulk of the material.

615
00:41:47,239 --> 00:41:47,839
Speaker 7: Oh wow. Yeah.

616
00:41:47,880 --> 00:41:49,800
Speaker 4: I got a little hung up on being a songwriter

617
00:41:50,040 --> 00:41:53,319
Speaker 4: and not knowing how to be a songwriter, or not

618
00:41:53,400 --> 00:41:56,960
Speaker 4: liking what I was writing interesting, feeling uninspired. But then

619
00:41:57,000 --> 00:41:59,759
Speaker 4: I realized that I'm always inspired. I just have to

620
00:41:59,760 --> 00:42:01,120
Speaker 4: catch it every once in a while.

621
00:42:01,239 --> 00:42:02,360
Speaker 7: And it's so true.

622
00:42:02,480 --> 00:42:04,640
Speaker 1: I haven't really had a bad period since then. But

623
00:42:04,680 --> 00:42:06,520
Speaker 1: I think it's I think it's because I've.

624
00:42:06,400 --> 00:42:10,280
Speaker 4: Been open to I've been yes ding my whole career

625
00:42:10,440 --> 00:42:13,319
Speaker 4: pretty much. Like people asked me to do stuff, I'm like, sure,

626
00:42:13,760 --> 00:42:16,280
Speaker 4: you know, try and it always leads down a different

627
00:42:16,320 --> 00:42:18,200
Speaker 4: path that kind of like leads to something.

628
00:42:18,280 --> 00:42:20,799
Speaker 7: I mean, wow, it's great, that's really cool.

629
00:42:21,239 --> 00:42:21,560
Speaker 1: Yeah.

630
00:42:22,160 --> 00:42:24,000
Speaker 7: Yeah, it's a good way to be. It's a lucky

631
00:42:24,320 --> 00:42:26,560
Speaker 7: just follow the thing. The thing whatever.

632
00:42:26,920 --> 00:42:30,839
Speaker 4: Also because my first record was a really big success. Yeah,

633
00:42:30,880 --> 00:42:32,799
Speaker 4: I think I just never felt like I was ever

634
00:42:32,840 --> 00:42:33,520
Speaker 4: going to match that.

635
00:42:33,800 --> 00:42:37,120
Speaker 10: Oh yeah, that's a classic feeling chasing that.

636
00:42:37,280 --> 00:42:40,920
Speaker 4: Yeah, but instead of trying to chase it, right.

637
00:42:40,760 --> 00:42:41,240
Speaker 1: I didn't.

638
00:42:41,640 --> 00:42:44,360
Speaker 7: That's that's very smart.

639
00:42:45,160 --> 00:42:48,200
Speaker 4: Well, I mean, I don't know if it's smart. It

640
00:42:48,320 --> 00:42:49,920
Speaker 4: depends on like, I don't know it worked.

641
00:42:50,120 --> 00:42:52,520
Speaker 1: The label thought it was smart, but yeah, I think

642
00:42:53,160 --> 00:42:54,520
Speaker 1: for me it was it was the only way I

643
00:42:54,520 --> 00:42:55,520
Speaker 1: could keep making music.

644
00:42:56,239 --> 00:42:57,920
Speaker 10: It was not to try to like you would have

645
00:42:58,000 --> 00:42:59,720
Speaker 10: driven yourself fucking crazy.

646
00:42:59,360 --> 00:43:02,520
Speaker 4: Not to try to create that. Yeah, I've just been

647
00:43:02,600 --> 00:43:03,200
Speaker 4: pretty open.

648
00:43:03,480 --> 00:43:05,160
Speaker 7: That's nice. That's really nice.

649
00:43:05,200 --> 00:43:07,879
Speaker 4: But did you grow up singing because you have such

650
00:43:07,880 --> 00:43:08,600
Speaker 4: a great voice?

651
00:43:08,640 --> 00:43:09,399
Speaker 7: Oh, thank you.

652
00:43:09,600 --> 00:43:11,040
Speaker 1: And did you grow up singing R and B?

653
00:43:11,800 --> 00:43:16,520
Speaker 10: No, not really, No, I mean I grew up loving

654
00:43:16,840 --> 00:43:21,440
Speaker 10: R and B and motown, particularly my mom always listened

655
00:43:21,440 --> 00:43:22,960
Speaker 10: to a lot of motown. Listen to a lot of

656
00:43:23,719 --> 00:43:28,680
Speaker 10: Ray Charles James Brown, Temptations for Tops, Smokey Robinson, a

657
00:43:28,760 --> 00:43:34,640
Speaker 10: lot of you know, Thelma Houston and Aretha, a lot

658
00:43:34,640 --> 00:43:38,480
Speaker 10: of Aretha. Yeah, so a lot of that stuff. You know,

659
00:43:38,480 --> 00:43:40,560
Speaker 10: we're playing a lot of that. So I guess it's

660
00:43:40,600 --> 00:43:42,560
Speaker 10: just sort of burrowed in my brain and I and

661
00:43:42,920 --> 00:43:48,879
Speaker 10: I always felt very guided by inspired by that tonality,

662
00:43:49,160 --> 00:43:52,319
Speaker 10: like that sort of feeling that attitude in music. It

663
00:43:52,400 --> 00:43:56,920
Speaker 10: was always that sort of soul attitude. Always spoke to

664
00:43:56,960 --> 00:44:03,239
Speaker 10: me that the most strongly, I suppose and and but no,

665
00:44:03,360 --> 00:44:04,920
Speaker 10: I mean, well, actually yeah, I mean I went to

666
00:44:04,960 --> 00:44:07,080
Speaker 10: the Manhattan School of Music. I spent a little part

667
00:44:07,080 --> 00:44:10,000
Speaker 10: of my childhood in New Jersey, in Inglewood, New Jersey,

668
00:44:10,040 --> 00:44:12,600
Speaker 10: about seven years, I think, from when I was like

669
00:44:12,880 --> 00:44:18,000
Speaker 10: five to eleven or twelve in Inglewood, just right across

670
00:44:18,040 --> 00:44:22,480
Speaker 10: the George Washington Bridge, Bergen County was up. And so

671
00:44:22,520 --> 00:44:24,360
Speaker 10: we would come come into town and go to the

672
00:44:24,360 --> 00:44:26,920
Speaker 10: Manhattan School of Music. And I took piano lessons there

673
00:44:26,960 --> 00:44:27,719
Speaker 10: and choir there.

674
00:44:27,960 --> 00:44:30,040
Speaker 1: Oh so you did grow up doing.

675
00:44:30,000 --> 00:44:33,320
Speaker 7: A little bit yeah, yeah, which I loved.

676
00:44:33,400 --> 00:44:33,640
Speaker 2: Yeah.

677
00:44:33,640 --> 00:44:35,680
Speaker 7: I missed choir, man, that's fun.

678
00:44:35,960 --> 00:44:38,800
Speaker 1: What did you sing in choir? What kind of choir

679
00:44:38,960 --> 00:44:39,520
Speaker 1: was it?

680
00:44:39,520 --> 00:44:42,000
Speaker 10: It was sort of a modern choir. I think we

681
00:44:42,040 --> 00:44:44,360
Speaker 10: did most like like jazz stuff. I remember we would

682
00:44:44,360 --> 00:44:50,239
Speaker 10: do blue skies, you know that sort of stuff that.

683
00:44:50,239 --> 00:44:52,760
Speaker 1: Was like dense harmonies, Yeah.

684
00:44:52,719 --> 00:44:55,560
Speaker 10: Dense multi part sort of sliding harmonies like that that

685
00:44:55,640 --> 00:44:59,000
Speaker 10: were really fun. I have never really done it since,

686
00:44:59,040 --> 00:45:01,960
Speaker 10: but I remember having such a blast doing that choir

687
00:45:02,000 --> 00:45:02,840
Speaker 10: work learning.

688
00:45:02,880 --> 00:45:05,640
Speaker 1: I did those kind of choir things in high school

689
00:45:05,640 --> 00:45:06,000
Speaker 1: and college.

690
00:45:06,040 --> 00:45:08,600
Speaker 7: Yeah, man, isn't that just the most fun thing? Fun?

691
00:45:08,840 --> 00:45:09,960
Speaker 1: Any kind of choir is fun.

692
00:45:10,239 --> 00:45:10,439
Speaker 4: Yeah.

693
00:45:11,080 --> 00:45:14,120
Speaker 7: Yeah, I've never done it since. I love it.

694
00:45:14,320 --> 00:45:16,640
Speaker 1: Yeah, well that's why you're good at harmonies too, and.

695
00:45:16,760 --> 00:45:20,000
Speaker 10: Maybe, yeah, maybe it's fun to figure those out, you know,

696
00:45:20,239 --> 00:45:23,040
Speaker 10: as you just figure them out like that, how does

697
00:45:23,080 --> 00:45:27,200
Speaker 10: one thing slide in relation to another? But yeah, so anyway,

698
00:45:27,280 --> 00:45:29,040
Speaker 10: now that was but that was about the bulk of

699
00:45:29,120 --> 00:45:33,080
Speaker 10: the singing experience that I had. And then I would

700
00:45:33,120 --> 00:45:36,239
Speaker 10: just just for the joy of it, would sing all

701
00:45:36,280 --> 00:45:37,040
Speaker 10: the time and.

702
00:45:37,480 --> 00:45:41,080
Speaker 4: Nobody else would your house, your brothers and sisters or

703
00:45:41,360 --> 00:45:41,879
Speaker 4: only child?

704
00:45:42,040 --> 00:45:44,799
Speaker 1: Oh wow, kind of No, not really.

705
00:45:44,800 --> 00:45:47,239
Speaker 4: Well no, I have a half sister, very close with her,

706
00:45:47,239 --> 00:45:49,600
Speaker 4: but we didn't meet until we were sixteen and eighteen.

707
00:45:49,719 --> 00:45:49,959
Speaker 11: Holy.

708
00:45:50,160 --> 00:45:52,480
Speaker 4: So we both have this thing where we tell each

709
00:45:52,520 --> 00:45:55,200
Speaker 4: other yeah, I always I grew up an only child,

710
00:45:55,239 --> 00:45:58,959
Speaker 4: and then we laugh at each other. Yeah, but yeah,

711
00:45:59,080 --> 00:46:03,000
Speaker 4: so you did your parents sing with you?

712
00:46:03,040 --> 00:46:04,720
Speaker 7: My dad enjoyed singing.

713
00:46:04,840 --> 00:46:08,120
Speaker 10: He was you know he listened to is like my

714
00:46:08,160 --> 00:46:09,960
Speaker 10: mom would listen to a lot of motown and soul,

715
00:46:10,880 --> 00:46:13,560
Speaker 10: and then my dad. My dad enjoyed the Beatles a lot.

716
00:46:13,760 --> 00:46:16,719
Speaker 10: He was big into the Beatles, and he enjoyed like

717
00:46:16,800 --> 00:46:24,439
Speaker 10: opera and Gypsy Kings and like Arabic music. Really ah, yes,

718
00:46:24,480 --> 00:46:27,560
Speaker 10: So he was always walking around the you know, he

719
00:46:27,680 --> 00:46:30,879
Speaker 10: just walk around the house doing that sort of shit. Fine,

720
00:46:31,040 --> 00:46:34,319
Speaker 10: was singing and stuff like that, but no, I mean

721
00:46:34,360 --> 00:46:37,600
Speaker 10: really it wasn't like it wasn't really like a singing

722
00:46:37,760 --> 00:46:40,839
Speaker 10: family as you would expect, you know, it was he

723
00:46:40,880 --> 00:46:42,719
Speaker 10: would just sort of sing passively.

724
00:46:43,320 --> 00:46:45,319
Speaker 7: And then I.

725
00:46:45,320 --> 00:46:47,160
Speaker 10: Enjoyed it too, you know, just because I grew up

726
00:46:47,200 --> 00:46:49,920
Speaker 10: you know, playing piano and being sort of musical, I suppose,

727
00:46:50,000 --> 00:46:54,799
Speaker 10: but yeah, not not in any regimented way, you know,

728
00:46:54,880 --> 00:46:57,080
Speaker 10: outside of those little lessons at the midhat school music.

729
00:46:57,120 --> 00:46:58,720
Speaker 1: You're just always musical.

730
00:46:58,520 --> 00:47:01,120
Speaker 7: I guess. Yeah, yeah, very musical.

731
00:47:01,600 --> 00:47:01,799
Speaker 11: Yeah.

732
00:47:01,840 --> 00:47:05,000
Speaker 10: I was enjoyed making noise. I was making ship and

733
00:47:05,160 --> 00:47:09,160
Speaker 10: was making noise I think, banging on desks and stuff,

734
00:47:09,200 --> 00:47:10,359
Speaker 10: little rhythm stuff on.

735
00:47:10,400 --> 00:47:12,800
Speaker 4: Desks, you know, always making it out, yeah, always like

736
00:47:12,840 --> 00:47:13,840
Speaker 4: doing little drum beats.

737
00:47:13,920 --> 00:47:16,480
Speaker 7: Yeah, oh yeah, all the time, all the time.

738
00:47:16,719 --> 00:47:18,760
Speaker 1: Yeah, do you play drums?

739
00:47:18,960 --> 00:47:19,400
Speaker 5: Drums?

740
00:47:20,400 --> 00:47:22,279
Speaker 7: But I would like to learn.

741
00:47:22,920 --> 00:47:26,520
Speaker 10: Definitely buying a sick drum kit for the studio.

742
00:47:26,719 --> 00:47:29,320
Speaker 4: You're going to get really good at it.

743
00:47:30,040 --> 00:47:30,800
Speaker 7: Do you play?

744
00:47:31,320 --> 00:47:33,359
Speaker 4: I started playing a few years ago in this band

745
00:47:33,360 --> 00:47:34,520
Speaker 4: I'm in called Boots.

746
00:47:34,600 --> 00:47:35,200
Speaker 7: Oh cool.

747
00:47:35,280 --> 00:47:38,160
Speaker 4: We all trade around and I finally got the drum seat.

748
00:47:38,760 --> 00:47:39,040
Speaker 5: Nice.

749
00:47:39,800 --> 00:47:42,040
Speaker 4: I'm okay at like a pretty straight beat. But yeah,

750
00:47:42,280 --> 00:47:43,319
Speaker 4: it is the funnest thing.

751
00:47:43,480 --> 00:47:43,760
Speaker 15: Really.

752
00:47:44,040 --> 00:47:49,760
Speaker 10: Yes, I I learned just a tiny bit in terms

753
00:47:49,800 --> 00:47:55,120
Speaker 10: of like how to do like the brush, you know,

754
00:47:55,200 --> 00:47:57,640
Speaker 10: the brush and sort of. It was a guy that's

755
00:47:57,680 --> 00:47:59,840
Speaker 10: a drummer that was teaching me about it, how like

756
00:48:00,680 --> 00:48:02,520
Speaker 10: how like you can use it to keep time, how

757
00:48:02,560 --> 00:48:06,040
Speaker 10: like the like one rotation around the snare with the

758
00:48:06,080 --> 00:48:08,960
Speaker 10: brush is like back to one sort of thing, which

759
00:48:09,000 --> 00:48:09,480
Speaker 10: was interesting.

760
00:48:09,520 --> 00:48:16,279
Speaker 7: I didn't about that. Yeah, yeah, exactly. Yeah, Yeah, that's

761
00:48:16,320 --> 00:48:16,759
Speaker 7: better than me.

762
00:48:16,840 --> 00:48:18,080
Speaker 3: I don't know how to do I.

763
00:48:18,040 --> 00:48:20,480
Speaker 10: Don't really either, but I'm excited I should learn. I'd

764
00:48:20,520 --> 00:48:22,520
Speaker 10: love to learn the bass as well as another instrument

765
00:48:22,520 --> 00:48:23,640
Speaker 10: that I would really love to learn.

766
00:48:23,480 --> 00:48:24,040
Speaker 7: How to play.

767
00:48:24,600 --> 00:48:25,520
Speaker 1: It's gonna be fun.

768
00:48:25,800 --> 00:48:28,560
Speaker 7: Yeah, we'll see. Gonna suck at first.

769
00:48:28,760 --> 00:48:30,760
Speaker 1: And did you hang out with musicians in high school

770
00:48:30,800 --> 00:48:34,160
Speaker 1: or were you kind of very much a theater It

771
00:48:34,239 --> 00:48:35,080
Speaker 1: was kind of like that.

772
00:48:35,200 --> 00:48:37,799
Speaker 4: I remember all the groups sort of hung out with

773
00:48:38,840 --> 00:48:40,680
Speaker 4: the music kids, hung out with the music kids, all

774
00:48:40,719 --> 00:48:41,399
Speaker 4: the theater kids.

775
00:48:41,440 --> 00:48:42,719
Speaker 7: It was like that when you were there too, it

776
00:48:42,800 --> 00:48:43,160
Speaker 7: kind of was.

777
00:48:43,200 --> 00:48:45,480
Speaker 1: I mean I definitely had friends.

778
00:48:45,760 --> 00:48:47,200
Speaker 7: Yeah, I did too. I did too.

779
00:48:47,239 --> 00:48:52,000
Speaker 10: I had, you know, a handful, Yeah, but by and large, Yeah,

780
00:48:52,040 --> 00:48:58,279
Speaker 10: it was like the clusters clusters such a bizarre it

781
00:48:58,520 --> 00:49:02,640
Speaker 10: was like a medical term, the cluster, the eastern cluster

782
00:49:03,680 --> 00:49:05,319
Speaker 10: moving into the appendix.

783
00:49:05,600 --> 00:49:06,080
Speaker 7: Yeah it was.

784
00:49:06,320 --> 00:49:07,879
Speaker 10: But yeah, I mean they were all it was all

785
00:49:07,880 --> 00:49:10,320
Speaker 10: fairly separate, you know, because we all have separate classes,

786
00:49:10,360 --> 00:49:10,719
Speaker 10: and like.

787
00:49:10,719 --> 00:49:12,600
Speaker 1: We did, we had a lot of classes with each other.

788
00:49:12,719 --> 00:49:13,839
Speaker 7: If that's the other thing.

789
00:49:13,920 --> 00:49:18,320
Speaker 4: Samelus Cluster, cluster plus cluster.

790
00:49:20,560 --> 00:49:26,440
Speaker 31: Was renovated when you went, no, I spent, I spent

791
00:49:26,800 --> 00:49:30,960
Speaker 31: Let's see, Uh, it would have been two years in

792
00:49:31,040 --> 00:49:36,080
Speaker 31: the original building and then two years in this interim

793
00:49:36,120 --> 00:49:41,920
Speaker 31: building Nolan Est in Oak Cliff, which was really fun.

794
00:49:41,960 --> 00:49:44,240
Speaker 10: We were it was our building and only our building

795
00:49:44,280 --> 00:49:46,400
Speaker 10: for two years. We got it in the day.

796
00:49:47,000 --> 00:49:47,440
Speaker 7: And that was it.

797
00:49:47,440 --> 00:49:49,320
Speaker 10: We graduated out of that and then they moved everyone

798
00:49:49,320 --> 00:49:50,359
Speaker 10: into the new building.

799
00:49:51,920 --> 00:49:53,200
Speaker 7: Building. Yeah, me too.

800
00:49:53,239 --> 00:49:55,239
Speaker 1: That was such a cool vibe.

801
00:49:55,080 --> 00:49:56,240
Speaker 7: Right, amazing space.

802
00:49:56,400 --> 00:49:57,320
Speaker 1: It's so different.

803
00:49:57,600 --> 00:50:00,520
Speaker 31: Yeah, oh my god, now it's like it looks crazy.

804
00:50:00,640 --> 00:50:09,520
Speaker 10: It's like the CIA. Oh, well, live and learn. I'm

805
00:50:09,520 --> 00:50:12,000
Speaker 10: not a producer. As you can see, i don't know

806
00:50:12,000 --> 00:50:13,399
Speaker 10: what the hell I'm doing.

807
00:50:13,520 --> 00:50:14,359
Speaker 1: You're about to be.

808
00:50:14,640 --> 00:50:15,799
Speaker 7: Yeah, gotta learn.

809
00:50:16,080 --> 00:50:17,560
Speaker 10: I mean, I think i'd like to have a producer

810
00:50:17,640 --> 00:50:20,200
Speaker 10: sort of with me through that process. Someone who did

811
00:50:20,239 --> 00:50:22,759
Speaker 10: you yeah, exactly, you know who I can I can

812
00:50:22,840 --> 00:50:26,680
Speaker 10: just play and they can get it down, you know,

813
00:50:26,960 --> 00:50:27,920
Speaker 10: and help me structure it.

814
00:50:28,000 --> 00:50:29,880
Speaker 4: You don't have to think as much about the technical

815
00:50:29,920 --> 00:50:30,760
Speaker 4: stuff exactly.

816
00:50:32,560 --> 00:50:34,600
Speaker 7: Pro'all be a good way to go, right if you

817
00:50:34,640 --> 00:50:37,000
Speaker 7: have the right person. Got to be the right producer.

818
00:50:38,000 --> 00:50:42,080
Speaker 10: Yeah, someone who like understands your sound, your aesthetic, the

819
00:50:42,120 --> 00:50:43,040
Speaker 10: way you kind of.

820
00:50:46,320 --> 00:50:46,720
Speaker 7: Amazing.

821
00:50:46,800 --> 00:50:50,480
Speaker 4: Yeah, I saw your thing with her, that wasn't She's awesome.

822
00:50:50,680 --> 00:50:52,640
Speaker 1: She she was our queen, you know.

823
00:50:53,160 --> 00:50:53,399
Speaker 12: Yeah.

824
00:50:53,560 --> 00:50:54,560
Speaker 1: She went to our high school.

825
00:50:54,680 --> 00:50:55,200
Speaker 7: That's right.

826
00:50:55,320 --> 00:50:57,880
Speaker 4: And she's you know, a few years older than me.

827
00:50:58,000 --> 00:51:01,319
Speaker 4: So when I was a junior she that was when

828
00:51:01,320 --> 00:51:02,279
Speaker 4: her first album came out.

829
00:51:02,360 --> 00:51:08,120
Speaker 10: Oh really yeah, we were just like, yeah, she's royalty,

830
00:51:08,320 --> 00:51:09,200
Speaker 10: she's Royalty.

831
00:51:12,000 --> 00:51:12,760
Speaker 7: Oh my god.

832
00:51:12,840 --> 00:51:15,680
Speaker 10: It was terrifying because it was like it was this big,

833
00:51:15,719 --> 00:51:17,799
Speaker 10: mad rush. It was a lot of fun, but it

834
00:51:17,880 --> 00:51:20,360
Speaker 10: was like, you know, she just called me out of

835
00:51:20,400 --> 00:51:22,760
Speaker 10: nowhere while I was in Dallas.

836
00:51:22,880 --> 00:51:24,799
Speaker 7: There was no warning, she just like called me.

837
00:51:25,239 --> 00:51:25,960
Speaker 15: I was like what.

838
00:51:27,080 --> 00:51:28,719
Speaker 10: She was like, Yeah, I've been watching you like what

839
00:51:28,760 --> 00:51:30,840
Speaker 10: you're doing. You know, I'd like to maybe come, like

840
00:51:30,920 --> 00:51:32,520
Speaker 10: be a background singer at your show or so I

841
00:51:32,520 --> 00:51:36,440
Speaker 10: was like, yeah, oh great, you don't have to be background,

842
00:51:36,600 --> 00:51:38,879
Speaker 10: just come and sing with me, you know. And so

843
00:51:38,960 --> 00:51:41,440
Speaker 10: we were rushing to sort of set it up. And

844
00:51:41,520 --> 00:51:45,480
Speaker 10: the first day she was supposed to come and do

845
00:51:45,600 --> 00:51:48,960
Speaker 10: like a sound check. Of course she didn't come. Sarahaby

846
00:51:49,120 --> 00:51:51,520
Speaker 10: she does whatever the fuck she wants. She's very much

847
00:51:51,680 --> 00:51:54,080
Speaker 10: like that, you know. She just come when she pleases,

848
00:51:54,560 --> 00:51:57,040
Speaker 10: and she is she's a queen. She could do that

849
00:51:57,520 --> 00:52:01,319
Speaker 10: totally fine. But anyway, the second day was the day

850
00:52:01,480 --> 00:52:04,080
Speaker 10: that she was supposed to come play, and she was

851
00:52:04,080 --> 00:52:08,560
Speaker 10: supposed to come early for that day, didn't come. Getting

852
00:52:08,560 --> 00:52:13,360
Speaker 10: closer to showtime. What's going on? Probably not going to happen.

853
00:52:13,800 --> 00:52:16,799
Speaker 10: So I was like, Okay, look, this whole thing is

854
00:52:16,800 --> 00:52:20,520
Speaker 10: fucking ridiculous. This is not happening. Who am I kidding?

855
00:52:20,719 --> 00:52:24,799
Speaker 10: It's Eric Abadu, It's probably not. This is just you know,

856
00:52:25,040 --> 00:52:27,520
Speaker 10: it's like it was fun to think that maybe it

857
00:52:27,600 --> 00:52:30,120
Speaker 10: was going to happen, but it's not happening, and so

858
00:52:30,239 --> 00:52:31,839
Speaker 10: I resigned myself to that.

859
00:52:32,360 --> 00:52:33,440
Speaker 7: I went on stage.

860
00:52:33,880 --> 00:52:36,200
Speaker 10: As I'm walking up to the stage, my tour manager's like,

861
00:52:36,880 --> 00:52:37,680
Speaker 10: they're on their way.

862
00:52:37,920 --> 00:52:41,319
Speaker 7: So I knew. I knew she was coming when I

863
00:52:41,360 --> 00:52:43,680
Speaker 7: got on stage, but I didn't know when. I didn't

864
00:52:43,680 --> 00:52:44,279
Speaker 7: know what to do.

865
00:52:44,360 --> 00:52:46,880
Speaker 10: We had never met, so it's like when she walked

866
00:52:46,880 --> 00:52:48,840
Speaker 10: in as the first time we met, and we just

867
00:52:48,840 --> 00:52:49,640
Speaker 10: just went from there.

868
00:52:49,880 --> 00:52:53,480
Speaker 7: That's it was. It was fun. It was fun. It

869
00:52:53,520 --> 00:52:55,320
Speaker 7: was really fun. I was kind of in a panic

870
00:52:55,360 --> 00:52:57,719
Speaker 7: the whole time, you know, but yeah, it was fun.

871
00:52:57,840 --> 00:52:58,560
Speaker 7: It was a good time.

872
00:52:59,200 --> 00:53:04,400
Speaker 1: Your underwear, Oh yeah, but you're definitely way.

873
00:53:04,760 --> 00:53:09,920
Speaker 7: Yeah, yep, I definitely was amazing underwear.

874
00:53:10,080 --> 00:53:11,719
Speaker 1: I could perform in my underwear that.

875
00:53:11,719 --> 00:53:12,719
Speaker 3: Would be very free.

876
00:53:13,480 --> 00:53:15,200
Speaker 1: I mean you could, yeah, but I won't.

877
00:53:15,360 --> 00:53:19,240
Speaker 10: Yeah, it's uh, it's a nice way to perform.

878
00:53:19,400 --> 00:53:20,120
Speaker 7: I'll tell you that.

879
00:53:20,200 --> 00:53:22,279
Speaker 1: I guess it keeps the sweatskis.

880
00:53:22,520 --> 00:53:26,160
Speaker 10: Yeah. And also it's like it's just very comfortable. Yeah,

881
00:53:26,239 --> 00:53:29,480
Speaker 10: you know, you put the robe on, little underwear, imagine.

882
00:53:29,320 --> 00:53:32,839
Speaker 7: Super comfy, super comfy. I recommend it.

883
00:53:33,239 --> 00:53:34,359
Speaker 1: Can we try another one?

884
00:53:34,840 --> 00:53:36,799
Speaker 7: Yeah for sure, Yeah, let's do it.

885
00:53:37,280 --> 00:53:40,960
Speaker 1: Do you know how to octivate a vocal? Can you

886
00:53:41,000 --> 00:53:43,160
Speaker 1: pitch it? Can you pitch my vocal?

887
00:53:43,920 --> 00:53:44,879
Speaker 7: Can you make me low?

888
00:53:46,160 --> 00:54:00,600
Speaker 5: Had its paw cosh?

889
00:55:02,040 --> 00:55:04,919
Speaker 7: The piano touched down a little boz.

890
00:55:27,400 --> 00:55:27,440
Speaker 12: M.

891
00:56:15,840 --> 00:56:30,719
Speaker 32: Tell me how you fee and not tell you? Tell

892
00:56:30,840 --> 00:56:42,400
Speaker 32: me how you fee? Not tell you?

893
00:56:45,000 --> 00:56:53,040
Speaker 33: Do you feel good when you're with me? Do you

894
00:56:53,160 --> 00:57:03,680
Speaker 33: feel it slow? So you feel plan youways?

895
00:57:13,440 --> 00:57:14,000
Speaker 7: That could be a.

896
00:58:06,720 --> 00:58:10,960
Speaker 30: Kick kick it picky.

897
00:58:10,840 --> 00:58:19,480
Speaker 12: Kick kick pick kick, kicky picky kick so.

898
00:58:23,680 --> 00:58:44,160
Speaker 30: Kicky chicken, picky kick pick pick cack kicking king king.

899
00:58:44,120 --> 00:58:46,200
Speaker 9: Boom bum boom boom boom.

900
00:58:46,280 --> 00:58:48,160
Speaker 7: I say like you're going.

901
00:58:53,840 --> 01:00:30,440
Speaker 12: Yeah, like a like, but I what's what's.

902
01:00:33,680 --> 01:00:34,320
Speaker 15: What's out?

903
01:01:01,320 --> 01:01:02,200
Speaker 7: Spring south?

904
01:01:12,600 --> 01:01:12,880
Speaker 5: That's it?

905
01:01:13,000 --> 01:01:15,200
Speaker 7: That's it going out?

906
01:01:57,720 --> 01:02:03,960
Speaker 12: Yes, way of a pro We have.

907
01:02:08,200 --> 01:02:12,000
Speaker 3: You say you gotta.

908
01:02:14,440 --> 01:02:26,680
Speaker 14: We have little.

909
01:02:29,000 --> 01:02:34,320
Speaker 33: We got a little prob, we got a little problem,

910
01:02:36,280 --> 01:02:37,720
Speaker 33: we got a new come.

911
01:02:39,960 --> 01:02:41,240
Speaker 7: We are a little.

912
01:02:59,240 --> 01:02:59,680
Speaker 5: My god.

913
01:03:00,280 --> 01:03:11,640
Speaker 7: It is a little spacey track. Yeah something like that.

914
01:03:13,320 --> 01:03:16,880
Speaker 7: That was pretty cool. Yeah, it's fun right, Yeah, I.

915
01:03:16,880 --> 01:03:20,680
Speaker 1: Wish I smoked weed. It's a lot more fun with

916
01:03:21,480 --> 01:03:22,120
Speaker 1: another level.

917
01:03:22,240 --> 01:03:24,480
Speaker 10: I mean, it's like it's a different kind of fun.

918
01:03:24,680 --> 01:03:25,600
Speaker 10: It's still fun without it.

919
01:03:25,680 --> 01:03:27,280
Speaker 1: Can I come back and smoke weed when it.

920
01:03:27,320 --> 01:03:31,280
Speaker 7: All absolutely okay? Yeah, I smoke. We just play around,

921
01:03:31,400 --> 01:03:34,640
Speaker 7: you know. It's like a little playground, so fun. Yeah,

922
01:03:36,120 --> 01:03:38,720
Speaker 7: this was really fun. It was really fun. Thanks for

923
01:03:38,760 --> 01:03:40,080
Speaker 7: having me on your podcast.

924
01:03:39,760 --> 01:03:41,760
Speaker 1: More, thanks for doing it. I'm trying to think if

925
01:03:41,800 --> 01:03:44,960
Speaker 1: I have any more questions for you, but I don't

926
01:03:45,000 --> 01:03:45,320
Speaker 1: think so.

927
01:03:45,640 --> 01:03:46,560
Speaker 7: Yeah, that's about it.

928
01:03:46,800 --> 01:03:48,720
Speaker 1: Yeah, can we just try one more to take us out?

929
01:03:48,880 --> 01:03:49,040
Speaker 4: Yeah?

930
01:03:49,120 --> 01:03:49,280
Speaker 7: Fuck?

931
01:03:49,400 --> 01:03:49,560
Speaker 4: Yeah?

932
01:03:49,600 --> 01:03:51,360
Speaker 1: Why not something funky?

933
01:03:51,720 --> 01:04:02,240
Speaker 34: Yeah, I'm down with funky whatever. Yeah, Y'll do whatever.

934
01:04:02,600 --> 01:04:05,040
Speaker 34: Now it's the outro here what goodbye? Everybody?

935
01:04:05,080 --> 01:04:08,160
Speaker 7: Here we go. I'm talking about goodbye your farewell finals.

936
01:04:08,240 --> 01:04:08,720
Speaker 26: Can yo?

937
01:04:08,920 --> 01:04:10,360
Speaker 7: Everybody say goodbye? Hey?

938
01:04:10,560 --> 01:04:16,720
Speaker 34: Everybody figure it out, everybody say good bye whatever, everybody

939
01:04:16,760 --> 01:04:20,439
Speaker 34: says something. Everybody's sake bye had them, everybody's sake bye

940
01:04:20,520 --> 01:04:23,240
Speaker 34: had them. Everybody's sake bye had them. And that everybody's

941
01:04:23,240 --> 01:04:26,440
Speaker 34: sake bye had them. Everybody's sake bye had them, everybody's

942
01:04:26,440 --> 01:04:30,080
Speaker 34: sake by goddamn. Everybody say bye, godm everybody say bye.

943
01:04:30,200 --> 01:04:33,320
Speaker 34: That dem everybody to say bye that, everybody to say bye,

944
01:04:34,080 --> 01:04:38,160
Speaker 34: everybody to say by, Everybody say bae, Everybody say bab.

945
01:04:38,880 --> 01:04:44,600
Speaker 35: Everybody's say bae. Everybody to say club, everybody say club,

946
01:04:45,320 --> 01:04:55,320
Speaker 35: Everybody say club. Every everybody's say blue. Everybody say everybody,

947
01:04:56,600 --> 01:05:04,760
Speaker 35: everybody say club, every every classic, then the classic, then.

948
01:05:05,640 --> 01:05:39,200
Speaker 23: THET, THET, THET contok, then consent, the contact, then the extant.

949
01:05:41,040 --> 01:05:42,720
Speaker 8: Yeah except true, what.

950
01:05:45,040 --> 01:05:45,800
Speaker 23: Const the true?

951
01:05:48,280 --> 01:05:49,000
Speaker 4: Ext the true?

952
01:05:49,080 --> 01:05:52,200
Speaker 22: What we except the true?

953
01:05:52,640 --> 01:05:58,600
Speaker 7: Where do where roll through? Where do brot roll through?

954
01:05:59,080 --> 01:06:04,040
Speaker 12: Where? Rote? Rap? Rap? Rap?

955
01:06:05,560 --> 01:06:10,400
Speaker 7: Rapping? Traps, traps, little touching watch.

956
01:06:10,320 --> 01:06:12,080
Speaker 8: Trap, that's trap.

957
01:06:12,360 --> 01:06:13,920
Speaker 27: Tell us that is trappo.

958
01:06:13,960 --> 01:06:17,120
Speaker 7: Tell us all us trapoo. Tell us that is shapoo.

959
01:06:17,160 --> 01:06:19,160
Speaker 30: Tell us to us trapper.

960
01:06:30,800 --> 01:06:34,880
Speaker 7: Abode a circle bar Now bye, I'd say good.

961
01:06:34,760 --> 01:06:40,640
Speaker 18: Bye bye bye Now, Oh, Sady.

962
01:06:44,480 --> 01:06:49,440
Speaker 12: Read by about food.

963
01:06:49,560 --> 01:06:59,160
Speaker 18: They lay bout it, rare about it, said, tell ray

964
01:06:59,160 --> 01:07:00,040
Speaker 18: about it, said.

965
01:07:02,160 --> 01:07:04,120
Speaker 8: Everybody saying, Oh.

966
01:07:10,920 --> 01:07:16,560
Speaker 34: Everybody ever, everybody, everybody, everybody, everybody, everybody.

967
01:07:17,320 --> 01:07:22,560
Speaker 27: Everyone, everyone about everybody, anyone.

968
01:07:38,440 --> 01:07:46,600
Speaker 7: Yeah, gotta say good bye. Every pop say every every bats.

969
01:07:46,960 --> 01:07:54,240
Speaker 20: Every pups, every bats, every pups, every pos every.

970
01:07:53,960 --> 01:07:59,440
Speaker 7: Pups, every puts, every posy, every puts.

971
01:08:50,680 --> 01:08:50,800
Speaker 6: Yo.

972
01:08:51,920 --> 01:08:54,000
Speaker 7: That was fun that's fun.

973
01:08:54,520 --> 01:08:58,200
Speaker 10: That's the whole idea. Just jump in fuck it. You know,

974
01:08:58,400 --> 01:09:00,639
Speaker 10: if it's good, If it's good, it's If it's good,

975
01:09:00,680 --> 01:09:01,000
Speaker 10: it's good.

976
01:09:01,040 --> 01:09:02,320
Speaker 7: If it's not, it's not whatever.

977
01:09:02,439 --> 01:09:05,120
Speaker 10: You'll just yeah, it doesn't really matter either at the

978
01:09:05,200 --> 01:09:06,840
Speaker 10: end of the day, and I just make some ship.

979
01:09:07,640 --> 01:09:08,439
Speaker 7: That's my whole thing.

980
01:09:08,800 --> 01:09:10,200
Speaker 1: That's the REB wisdom right there.

981
01:09:11,280 --> 01:09:14,240
Speaker 7: Yeah, REB something wisdom something like that.

982
01:09:14,680 --> 01:09:18,400
Speaker 4: I love your positive attitude. Thanks, thanks for your everything.

983
01:09:18,960 --> 01:09:21,800
Speaker 7: Thanks for your everything. You're a goddamn I car.

984
01:09:21,920 --> 01:09:22,519
Speaker 3: You're amazing.

985
01:09:22,680 --> 01:09:24,320
Speaker 7: Thanks for coming over and making sure with me.

986
01:09:24,479 --> 01:09:25,120
Speaker 1: We're friends now.

987
01:09:25,240 --> 01:09:31,280
Speaker 7: Oh yeah, I mean if you want to be yes, yes, friends.

988
01:09:31,720 --> 01:09:32,840
Speaker 1: I would love to do more.

989
01:09:32,800 --> 01:09:36,720
Speaker 7: Sometimes absolutely anytime, being so open. Hell yeah, thanks for

990
01:09:36,800 --> 01:09:37,080
Speaker 7: having me.

991
01:09:48,240 --> 01:09:48,960
Speaker 1: I'm so pumped.

992
01:09:49,960 --> 01:09:50,880
Speaker 3: It was so fun.

993
01:09:51,479 --> 01:09:55,080
Speaker 6: I was like panting listening to that song, just like

994
01:09:55,160 --> 01:09:57,120
Speaker 6: what entered my Oh my gosh, I was sweating.

995
01:09:57,280 --> 01:09:59,800
Speaker 1: Well, the funny part about this episode is that you

996
01:10:00,000 --> 01:10:03,720
Speaker 1: you were there, but you didn't have headphones. No, I

997
01:10:03,760 --> 01:10:05,920
Speaker 1: couldn't have any headphones for you, so all you can

998
01:10:05,960 --> 01:10:06,639
Speaker 1: hear was our voice.

999
01:10:06,720 --> 01:10:08,200
Speaker 3: I could just hear you be like yep, yep.

1000
01:10:09,240 --> 01:10:11,240
Speaker 6: And I was like, oh man, we just need to

1001
01:10:11,479 --> 01:10:13,000
Speaker 6: release these isolated vocal tracks.

1002
01:10:13,040 --> 01:10:13,559
Speaker 7: It's a month that.

1003
01:10:13,640 --> 01:10:15,479
Speaker 1: Must have been so weird. You had no idea what

1004
01:10:16,200 --> 01:10:18,280
Speaker 1: was going on in there, but then you heard it

1005
01:10:18,439 --> 01:10:21,200
Speaker 1: and I could tell amazing. Yeah, it was so fun

1006
01:10:21,280 --> 01:10:22,719
Speaker 1: to have Mark on the show.

1007
01:10:23,280 --> 01:10:24,479
Speaker 6: What an awesome person.

1008
01:10:25,000 --> 01:10:26,720
Speaker 1: Yeah, I want to go back. Can we go do

1009
01:10:26,840 --> 01:10:27,639
Speaker 1: the Mark ride again?

1010
01:10:28,080 --> 01:10:28,280
Speaker 12: Yes?

1011
01:10:28,640 --> 01:10:30,800
Speaker 1: Okay, thanks for listening to the show.

1012
01:10:36,400 --> 01:10:40,280
Speaker 4: Today's show was recorded by Mark Rebier, Additional recording by

1013
01:10:40,400 --> 01:10:45,160
Speaker 4: Nathan Chino, edited by Greg Tobler and Sarah Oda.

1014
01:10:45,840 --> 01:10:48,200
Speaker 1: Mixed by Mark Rebbie and Greg Tobler.

1015
01:10:49,000 --> 01:10:53,400
Speaker 4: Photography by Shervin Linez, artwork by Eliza Fry.

1016
01:10:54,200 --> 01:10:57,480
Speaker 1: Produced by Me and my Oda.