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Speaker 1: We'll go come.

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Speaker 2: Transmitting America.

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Speaker 3: Yes, is a show, Alisa, and what's up? Guys? Welcome

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Speaker 3: to Friday show. More in studio.

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Speaker 4: More all right, christ Apleton coming in later. That'll be fun.

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Speaker 4: I want to play a voicemail Brion from Denver.

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Speaker 2: Good morning Studio.

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Speaker 1: I just watched Holiday Harmony over the break and really

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Speaker 1: loved it, and I thought Amy.

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Speaker 2: Did an amazing job.

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Speaker 5: And so I'm curious what acting.

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Speaker 4: Gigs does Amy plan on doing for twenty twenty four.

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Speaker 5: Love this show.

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Speaker 6: Thank you guys for all you do.

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Speaker 3: Where are you going to classroom?

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Speaker 7: I was taking acting lessons and doing improv and all

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Speaker 7: that was fun.

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Speaker 8: I just I don't know.

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Speaker 7: I started to get in my head of like what

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Speaker 7: am I doing?

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Speaker 8: This is stupid? So I think I was.

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Speaker 7: I entered that stuff sort of on a high of

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Speaker 7: like that was so fun. I really enjoyed it, and

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Speaker 7: then the more time I had away from it, the

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Speaker 7: more I felt like this is not my lane?

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Speaker 8: Who do I think I am?

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Speaker 3: You get to have whatever I know you create.

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Speaker 7: I know I'm not saying my thoughts are healthy and

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Speaker 7: write and I should think that way. That's just the

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Speaker 7: honest truth of like I just started to have doubts.

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Speaker 3: About I think it's okay to have doubts.

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Speaker 7: And my challenge to myself actually was just an audition.

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Speaker 7: Even if I get rejected on that, No, because I

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Speaker 7: think that's so, I would I could, I suppose put

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Speaker 7: that back on the table.

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Speaker 4: And why would you not let fear of it not

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Speaker 4: working out keep you from knowing it.

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Speaker 8: I don't know what crept up.

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Speaker 3: I don't know. I natural human insecurities. We all have them.

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Speaker 8: I'm gonna go do some more improv again.

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Speaker 4: I think what we best be just find something. Audition

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Speaker 4: for period, even if you're not perfect for it. Just audition.

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Speaker 4: The more you do that, the better you get at it.

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Speaker 4: If you do a play, we'll all go and support

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Speaker 4: make sure.

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Speaker 8: Well that would be fun.

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Speaker 7: Yeah yeah, but I think yeah, we'll just see what

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Speaker 7: what is available.

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Speaker 8: Finding enough finding an ad.

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Speaker 3: Phantom of the opera. But thank you. Here's Jessica from Witchitalk.

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Speaker 1: I've been listening for fifteen years, a longtime listener. I

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Speaker 1: just wanted to ask, what would you recommend the saying

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Speaker 1: for any kind of termination on a job resume when

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Speaker 1: a new employer is asking why you left your previous job.

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Speaker 1: It was a politically bad environment, and it was nothing

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Speaker 1: to do with my work ethic. Just like them to

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Speaker 1: some tips.

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Speaker 5: Thanks.

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Speaker 4: Really, what I would say is I just needed a

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Speaker 4: new challenge. They're probably not gonna call and go were

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Speaker 4: they fired? Maybe, but mostly no. I can tell you

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Speaker 4: I've not called many folks. I can always tell, and

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Speaker 4: if they're on, I'm like, I like them, let's go

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Speaker 4: on a little deeper. I almost don't even care. I

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Speaker 4: would ask, how about this job? About this job? What'd

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Speaker 4: you learn here? If I am like what, I don't

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Speaker 4: even know? People got fired for the most part, you

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Speaker 4: don't put it. But if they do, I would just

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Speaker 4: say I started to feel burnt out there and I

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Speaker 4: felt like I needed a new challenge. That's what I

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Speaker 4: would say. And I feel like, so were you fired?

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Speaker 4: I'd be like, uh what, uh?

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Speaker 3: Who? I just don't feel it's gonna be a thing.

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Speaker 4: And then you could say if they're like no, no,

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Speaker 4: if he pushes it, I says here that you've been.

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Speaker 3: We called to said you were terminated.

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Speaker 4: Be like, that's so weird they say that because I

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Speaker 4: felt like I left on my own accord.

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Speaker 3: Hmmm, yeah, so.

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Speaker 4: I do, okay, But I wouldn't. I wouldn't volunteer that information.

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Speaker 4: And then if they say no, that's not true, then.

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Speaker 3: Just go liar, liar. That's it.

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Speaker 4: Eventually it's gonna stop, or they're gonna stop challenging you.

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Speaker 3: You know that's not good.

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Speaker 4: All right, let's go around the room here to do

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Speaker 4: our big news story of the day, your most interesting story.

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Speaker 3: Let's go to Lunchbox's first luck quy.

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Speaker 9: Listen, guys, I was all excited. I thought I cracked

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Speaker 9: the lottery. They reveal the most drawn numbers when you

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Speaker 9: do the power ball and the mega millions number seventeen, seven, eleven, two, three,

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Speaker 9: and nine are the balls that pop up the most,

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Speaker 9: the least drawn or thirty three, fifteen, thirty four, thirty.

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Speaker 3: One down start over.

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Speaker 4: Yeah right, I got right all those numbers. It's like

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Speaker 4: when you read a phone number and a commercial. I

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Speaker 4: hate reading phone numbers commercials because nobody's gonna remember it,

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Speaker 4: like a website works or hey google this, but like

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Speaker 4: the story of Lunchbox.

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Speaker 3: Four two two six.

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Speaker 9: Yeah, So I thought I cracked the lottery, and I

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Speaker 9: was all excited to share it with you guys.

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Speaker 3: But you cracked. It's a new story. I guess they

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Speaker 3: would have cried, well, these are the Australian numbers. They

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Speaker 3: didn't reveal the Americans the other side of the world.

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Speaker 4: But even then, if they revealed the numbers, there has

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Speaker 4: to be numbers that win more than others. But it

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Speaker 4: doesn't mean it's frequent.

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Speaker 3: Yeah, but why wouldn't they tell me the American numbers?

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Speaker 2: Right?

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Speaker 3: Because it's the Australian site New York Post.

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Speaker 6: Is there a difference, Yeah, Australian balls and American balls.

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Speaker 4: Australian balls shoot down through the hole and balls come up.

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Speaker 4: Because I started reading it, I let's go opposite directions.

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Speaker 9: I started getting excited, like, oh my gosh, Oh my gosh,

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Speaker 9: and then I just disappointed.

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Speaker 3: All right, anybody have.

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Speaker 7: Well, there's this whole article about whether or not we

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Speaker 7: should be tipping baristas when we get no coffee. The

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Speaker 7: answer is no, and they shared in the article. A

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Speaker 7: rule of thumb is that you should tip a dollar

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Speaker 7: for every drink that is ordered.

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Speaker 8: So if you get one cup, one dollar.

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Speaker 7: If you're getting to two dollars, and if your drink

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Speaker 7: is complicated, like I want a non fat Mocha whip

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Speaker 7: with half sprinkles on.

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Speaker 8: The sidon, uh you tip more?

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Speaker 3: Are they saying you should put cash in a cup

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Speaker 3: or even.

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Speaker 7: If it's just on the digital like if you're adding

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Speaker 7: a tip.

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Speaker 4: But so generally, that's the general that's what etiquette says.

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Speaker 4: If you're ordering coffee, is a dollar a coffee?

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Speaker 8: A dollar a coffee?

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Speaker 7: And if just pay attention, if you have to explain

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Speaker 7: things and your orders a little more complicated, you can

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Speaker 7: add extra.

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Speaker 3: You don't like that, No, absolutely not, it's not. It's

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Speaker 3: not a role though every drink you order.

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Speaker 9: So every time I go to McDonald's, say I want

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Speaker 9: two cokes, that's two dollars tip.

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Speaker 4: She's talking about coffee, Barista coffee.

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Speaker 3: She's literally talking about Brista's. I'm asking you, what's the difference?

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Speaker 4: Calls the story she has a story about they're going

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Speaker 4: over to is a coffee?

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Speaker 3: What are they doing? Okay? Cool? You gotta steam the

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Speaker 3: milk and stuff.

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Speaker 4: Almost never go get coffee anymore. So I don't like

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Speaker 4: coffee anyway. But my wife got a got us a

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Speaker 4: coffee machine maker.

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Speaker 8: Type thing, a coffee maker.

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Speaker 3: It's not a coffee make coffee? Do you tipper a

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Speaker 3: dollar every time she makes one?

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Speaker 8: Does it make a shot.

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Speaker 3: I make them, Oh, then she better tip you dollar

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Speaker 3: to drink.

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Speaker 4: Well regardless, what I'll do sometimes is I'll drink espresso

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Speaker 4: shot that can just I hate it. I hate to taste

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Speaker 4: of it, but I'll do it whatever. But it saved

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Speaker 4: us so much money. I think now because we've used

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Speaker 4: it for a long time. But I think instead of

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Speaker 4: going to like Starbucks, we just use this at home.

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Speaker 4: I think, now we've caught up and we're even making money.

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Speaker 1: Wow.

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Speaker 4: But so I'll do a think of espresso and then

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Speaker 4: I'll just put a bunch of like I'll put cereal

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Speaker 4: in it.

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Speaker 3: Sometimes espresso hold on.

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Speaker 4: Son, so I can make like a cappuccino thing because

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Speaker 4: it takes milk goes and then puts espresso in it. Yeah,

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Speaker 4: and it's so it's like three inches tall, right, but

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Speaker 4: it's got a little milk in it. And so I like,

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Speaker 4: I'm like a child, So I'll dump like froot loops

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Speaker 4: or something in it at home.

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Speaker 7: Or you're being efficient with time. You're gonna child and your.

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Speaker 3: Child because I've already in cereal that morning.

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Speaker 8: Okay, does that taste good?

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Speaker 3: Yeah?

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Speaker 4: It gets it a little sweetness and then at the

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Speaker 4: end I eat all the fruit loops.

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Speaker 3: You're a child. Let's go all right, Eddie.

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Speaker 6: Okay, you remember when Ray came a couple of years

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Speaker 6: ago and told us that the cicadas are coming, They're

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Speaker 6: gonna invade whatever.

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Speaker 3: Well, I'm scrolling through the news and what do I see. Guys,

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Speaker 3: he's right the cicado He's not right. He said this

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Speaker 3: three years ago.

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Speaker 6: Well, apparently they show up in different regions, and this

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Speaker 6: year is our region.

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Speaker 3: There's a whole map that came out. They said, these

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Speaker 3: cicadas whore like Chesney. Yeah, these cicadas.

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Speaker 6: Have been in the ground for seventeen years, and this

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Speaker 6: is the year they're gonna all crawl out and come

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Speaker 6: out onto Tennessee. It says here Illinois, Tennessee, Arkansas, and

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Speaker 6: most of the southeast is gonna get these cicadas.

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Speaker 4: And they says in this article, you know, we started

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Speaker 4: watching Monarch, Monarch, Godzilla, The Legacy of Monsters. We had

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Speaker 4: finished Boy Swallows Universe, and we like to have a

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Speaker 4: show at all times that we go to as just

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Speaker 4: the show we're in the middle of. And she says,

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Speaker 4: Kurt Russell and his son are both in this show.

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Speaker 4: And I was like, yeah, what does that mean.

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Speaker 3: She goes, I don't know.

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Speaker 4: I heard on the podcast she's supposed to be good,

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Speaker 4: and so we put it on and she goes, oh,

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Speaker 4: it's Godzilla. I was like, is it? So we watch it.

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Speaker 4: It's got like ninety percent rotten tomatoes. So we watch

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Speaker 4: it and it starts at John Goodman, Mike, if you

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Speaker 4: watch it, and we've only been through one and a

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Speaker 4: half episodes, and there's a little bizarreness to it, but

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Speaker 4: it's good, like it's it's it's.

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Speaker 3: Got but it's still good. That's okay. Yeah, so, but

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Speaker 3: but God's all like there's other creatures too, like cicadas.

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Speaker 3: That's what made me think about it, because it's a

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Speaker 3: huge spider.

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Speaker 4: At the beginning of it, they're called like titans or something. Yes,

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Speaker 4: it's oddly like not goofy. And it's called Monarch. It's

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Speaker 4: called Monarch Legacy of Monsters. And we're watching it on

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Speaker 4: Apple TV. Yeah, okay, so and then Boys Swallows Universe.

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Speaker 4: Like I said, it was really good. All right, thank

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Speaker 4: you for that. Finally, a school removed its bathroom mirrors

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Speaker 4: to sell kids for making tiktoks.

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Speaker 3: Huh yeah, not cool man.

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Speaker 4: A middle school in North Carolina moved all the bathroom

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Speaker 4: mirrors because kids were asking to go to the bathroom

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Speaker 4: and useing the mirrors to film tiktoks.

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Speaker 3: Some were asking to use the bathroom up to nine

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Speaker 3: times a day.

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Speaker 8: Wow.

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Speaker 4: Yeah, but I mean will that actually get kids to

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Speaker 4: stop or they just turn the phone around?

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Speaker 8: Right?

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Speaker 4: And also we're moving the mirrors. That kind of sucks. Yeah,

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Speaker 4: how do you do your hair exactly?

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Speaker 3: Yes? What if that your school took out the mirrors,

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Speaker 3: I would.

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Speaker 7: Be super bummed, like if I was in high school

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Speaker 7: and the mirrors were gone.

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Speaker 8: But I think they do like to look at themselves.

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Speaker 7: But you're right, if you turn the phone around, they

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Speaker 7: can see themselves doing it.

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Speaker 4: What if you just ban phones at school, that's how

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Speaker 4: they do the tiktoks?

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Speaker 3: Yeah, that would make more sense. I don't know.

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Speaker 4: I feel bad for these kids they got there, but well,

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Speaker 4: of course kids are going to try to do that.

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Speaker 4: We used to go to the bathroom and out for TikTok.

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Speaker 4: We just to go to the bathroom to kill time,

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Speaker 4: hang out. Yeah, smoke, Well that's what I didn't smoking

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Speaker 4: in the boy's room.

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Speaker 3: Okay, Molly crew, let's open up the mail bag.

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Speaker 1: You friend the game mail and breathe it all the air.

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Speaker 3: It's something we call Bobby's mail bag. Yet Hello, who who?

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Speaker 4: Bobby Bones? I'm upset and I want to know if

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Speaker 4: I'm being unfair. I'm a Lions fan and my wife's

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Speaker 4: friend scheduled a baby shower this Sunday on NFL Championship weekend.

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Speaker 4: I don't even know this lady. She's a coworker of

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Speaker 4: my wife's. She says, we're all good friends, but a

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Speaker 4: good friend wouldn't schedule a baby shower during a game.

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Speaker 4: It could have been at noon, been done by two,

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Speaker 4: but nope, four to seven. I told my wife I

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Speaker 4: don't and won't go because I need to be home

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Speaker 4: to watch the game. Now, my wife isn't talking to

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Speaker 4: me because she says I was acting like a child

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Speaker 4: all because I don't want to miss a dumb game?

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Speaker 3: Am I out of line? Here?

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Speaker 4: Signed lifeflong Lions fan. If it were just a regular

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Speaker 4: season game, there are just so many levels to this.

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Speaker 4: If it was just a regular season game, I would say,

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Speaker 4: just watch a little bit, watch on your phone, sneak it.

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Speaker 3: Watching on your phone.

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Speaker 4: If it's very important to your wife, if it's a

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Speaker 4: playoff game and it's your favorite team.

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Speaker 3: I would say, man, your wife's got to know.

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Speaker 4: But if you're a Lions fan, this is historicis Yeah,

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Speaker 4: this is really such a big deal for Lions fans

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Speaker 4: because this doesn't happen.

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Speaker 7: Yeah, I'm not even the biggest football person, and I

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Speaker 7: can understand this and the desire to be able to

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Speaker 7: watch the game.

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Speaker 8: And also it's a baby shower.

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Speaker 3: Yeah, somebody you don't even know. Yeah, And I guess

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Speaker 3: your wife just want you to be with her. It's

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Speaker 3: more about her.

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Speaker 9: You have a baby showers or usually for chicks, right,

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Speaker 9: dudes don't go to baby showers. But those are the

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Speaker 9: lame ones.

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Speaker 3: Those are people that.

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Speaker 9: Are still expected to go. Tell her that he can

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Speaker 9: act like a child. She's acting like a child, And

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Speaker 9: I'll see you on Sunday when you get back.

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Speaker 4: I definitely understand, especially being a Lions fan. The first

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Speaker 4: time I was ever invited to be on the CMA

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Speaker 4: Awards as in like a presenter, the Cubs were playing

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Speaker 4: Game seven of the World Series. I skip being a

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Speaker 4: presenter to stay home and watch the game.

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Speaker 3: Wow. I didn't know that.

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Speaker 4: Yeah, And so I was like, this is more important

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Speaker 4: to me and if you have a team that you're

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Speaker 4: die hard for and they never that. That's thing about

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Speaker 4: the Cubs. They don't won a World Series. Is nineteen

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Speaker 4: o eight historical? Right, Man, maybe divorce. They're not gonna

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Speaker 4: get divorced. But man, he needs to hold it.

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Speaker 3: You can't.

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Speaker 4: Yeah, you can't let this with you. Yeah, he needs

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Speaker 4: to do it. It's gonna be a big fight, but

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Speaker 4: it's worth it. This is one explain to her calmly.

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Speaker 4: Hopefully she understands. And I don't always say there's no

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Speaker 4: room for negotiations. There's not a room, real room for negotiation,

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Speaker 4: and less than negotiation, she is, I'm gonna say I'm

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Speaker 4: gona do this and I'll give you something on the backside.

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Speaker 3: It's not the baby shower. I'm not going to the

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Speaker 3: baby shower.

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Speaker 6: It's weird too that his wife doesn't understand how important

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Speaker 6: this is to him. Yeah, because like my wife understands,

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Speaker 6: like even if it's a real other Cowboys games, she's

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Speaker 6: just like, hey, I did this, and it's okay if

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Speaker 6: you say no, but I can you miss the game

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Speaker 6: because she knows it is important. It's just shocking to

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Speaker 6: me that she didn't know that.

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Speaker 4: Well, my wife will know the difference to an Arkansas

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Speaker 4: basketball conference games and non conference. She'll go, Hey, I

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Speaker 4: know it's not a conference game, so if there's any

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Speaker 4: way you could do this for the first half of

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Speaker 4: the game, and I'd be like, it's not a com

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Speaker 4: I looked, it's not a conference game, and they're favored

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Speaker 4: by eleven, so I think they'll be okay for the

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Speaker 4: first half. Like she definitely gets in that recently understands. Yeah,

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Speaker 4: that's if you're If you were a Chiefs fan, I

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Speaker 4: would say, watch it on your phone and go to

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Speaker 4: the baby shower. Chiefs are there all the time. They're

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Speaker 4: sixty year in a row. You know whatever it is

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Speaker 4: in this in the AFC Championship. So I would say,

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Speaker 4: but the Lions never get.

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Speaker 3: To do this.

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Speaker 7: I mean, are other men that are invited to this

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Speaker 7: going to be Lions fans.

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Speaker 3: Who probably not unless they're Michigan JU Just.

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Speaker 8: Thinking like maybe y'all can all get came out together.

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Speaker 3: People still get COVID. I don't know, get well get COVID.

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Speaker 3: Good luck with that.

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Speaker 4: I stand firm on this one. All right, thank you.

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Speaker 4: That is the male that we got.

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Speaker 3: Your bean mail and we laid on the air. Now,

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Speaker 3: let's find the clothes Bobbymail dig.

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Speaker 4: Yeah, we'll go around the room in just a second

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Speaker 4: and do fun Fat Friday. But I found one that's interesting.

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Speaker 4: I don't know that it's fun because it's a little

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00:14:15,440 --> 00:14:17,679
Speaker 4: bit like oof. So I'll share that before we get

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Speaker 4: to the fun part. Gilligan's Island.

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Speaker 3: You got familiar? Yeah, okay.

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00:14:22,080 --> 00:14:24,560
Speaker 4: There's an American flag flying at half mast in the

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Speaker 4: background of one of the shots and the opening credits

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Speaker 4: for that first season. And people have always wondered why

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Speaker 4: there was an American flag flying at half mast. It's

355
00:14:31,920 --> 00:14:34,160
Speaker 4: because they filmed it right after JFK was shot in

356
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Speaker 4: nineteen sixty three. Wow, and they didn't notice and it

357
00:14:38,440 --> 00:14:39,960
Speaker 4: was still in when they made the cut.

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Speaker 3: You see that.

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Speaker 4: See that's not that fun. But that's really cool.

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Speaker 3: That's great. Yeah, I don't see.

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Speaker 4: The next time I watch the show, I'm going to

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Speaker 4: look for the only season one though, okay, wi as

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00:14:48,080 --> 00:14:50,920
Speaker 4: of the seasons they realized we shall probably not have the

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Speaker 4: flag at half mass during the opening.

365
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Speaker 3: All right, let's go fun Fat Friday, Fun Fat Fight.

366
00:14:55,640 --> 00:14:58,200
Speaker 3: Then all right, I'll start us and end us.

367
00:14:59,160 --> 00:15:02,920
Speaker 4: The most popular song in the history of Norway is

368
00:15:03,360 --> 00:15:04,680
Speaker 4: a song that you'll probably know.

369
00:15:04,720 --> 00:15:09,040
Speaker 3: It's by Nazareth. It's called Love Hurts. You ever heard this?

370
00:15:09,480 --> 00:15:13,480
Speaker 4: Yeah, it was number one for sixty one straight weeks.

371
00:15:13,680 --> 00:15:16,440
Speaker 3: Wow, which is over a year. The number one song

372
00:15:16,920 --> 00:15:18,000
Speaker 3: for sixty one.

373
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Speaker 4: Straight weeks here in America is never a number one,

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00:15:20,480 --> 00:15:23,920
Speaker 4: I guess top ten, but for over a year is

375
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Speaker 4: number one.

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00:15:24,520 --> 00:15:30,520
Speaker 3: But they love that song over there. Huh huh. Anyway

377
00:15:31,320 --> 00:15:33,760
Speaker 3: you get paid for that, I mean yeah, but not

378
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Speaker 3: like here small country. Yeah.

379
00:15:36,400 --> 00:15:39,720
Speaker 7: Amy So BMW Dealership in New Zealand ran an ad

380
00:15:39,760 --> 00:15:43,160
Speaker 7: on April Fool's Day. The offered to give the first

381
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Speaker 7: person to walk in a free car.

382
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Speaker 8: Okay, first time that walked in. It was April Fols.

383
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Speaker 7: So a lot of people just dismissed it as a joke.

384
00:15:51,240 --> 00:15:53,720
Speaker 7: So this one woman, Tiana Marsh, she figured well why not,

385
00:15:54,160 --> 00:15:55,760
Speaker 7: and she walked in and she walked away with a

386
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Speaker 7: brand new BMW car. It wasn't like a so wann't

387
00:16:00,440 --> 00:16:04,000
Speaker 7: a joke toy, No, like an actual car. Yeah, a

388
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Speaker 7: BMW one series.

389
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Speaker 4: So they literally I'm surprised even people weren't even lined

390
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Speaker 4: up outside just in case.

391
00:16:09,960 --> 00:16:10,640
Speaker 3: But because it was.

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Speaker 4: Anil fols ain't nobody believed it. Yeah, they reversed dample foles.

393
00:16:14,280 --> 00:16:17,040
Speaker 3: That's kind of mean. I don't know if means the word.

394
00:16:17,080 --> 00:16:17,880
Speaker 3: It's a free car.

395
00:16:18,640 --> 00:16:21,560
Speaker 7: All of us on the thing here is like, why

396
00:16:21,600 --> 00:16:23,800
Speaker 7: not if you see something, go ahead and try to.

397
00:16:23,760 --> 00:16:24,680
Speaker 8: Go for it, just in case.

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Speaker 4: There was a woman who did a contest. She worked

399
00:16:27,120 --> 00:16:30,440
Speaker 4: at the Hooters and she won a free Toyota. And

400
00:16:30,480 --> 00:16:32,520
Speaker 4: so once she did the contest, freak of what it

401
00:16:32,560 --> 00:16:34,360
Speaker 4: was that he gave her the free toyota. But it's

402
00:16:34,400 --> 00:16:38,080
Speaker 4: a toyota at all, toyota from yeah, yeah, I was

403
00:16:38,080 --> 00:16:41,640
Speaker 4: thinking to the Toyota Toyota stuffy yeah, I lunchbox twenty half.

404
00:16:41,840 --> 00:16:44,880
Speaker 9: One of my favorite artists of all time, Piero Manzoni,

405
00:16:45,320 --> 00:16:46,840
Speaker 9: back in nineteen sixty one.

406
00:16:46,760 --> 00:16:48,800
Speaker 3: Is from Italy. You're a big piero guy. Yeah, big

407
00:16:48,840 --> 00:16:49,440
Speaker 3: piero guy.

408
00:16:50,120 --> 00:16:53,400
Speaker 9: He decided to sell ninety ten cans field with his

409
00:16:53,440 --> 00:16:59,720
Speaker 9: poop oh and he called it artist stuff. And since

410
00:16:59,760 --> 00:17:04,320
Speaker 9: then and a lot of them have exploded because of decomposition.

411
00:17:04,920 --> 00:17:06,760
Speaker 9: So now the ones that are remaining are worth about

412
00:17:06,760 --> 00:17:07,840
Speaker 9: one hundred thousand dollars each.

413
00:17:08,480 --> 00:17:12,640
Speaker 3: Whoa, oh, well that explodes you put in a can.

414
00:17:12,920 --> 00:17:14,679
Speaker 3: How do you get in a can? Uh, you got

415
00:17:14,720 --> 00:17:16,199
Speaker 3: to actually do it in the can. But I mean

416
00:17:16,240 --> 00:17:16,960
Speaker 3: it's a pop top.

417
00:17:17,480 --> 00:17:19,399
Speaker 9: I don't know, I don't know, He says, ninety ten

418
00:17:19,760 --> 00:17:21,119
Speaker 9: is filled with his poop.

419
00:17:21,240 --> 00:17:22,840
Speaker 3: That's disgusting, and people bought it.

420
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Speaker 6: Eddie, don't let anyone tell you that you're not rich,

421
00:17:26,760 --> 00:17:30,520
Speaker 6: because we all have gold in our bodies. We have

422
00:17:31,240 --> 00:17:34,679
Speaker 6: like around zero point two milligrams of gold living in

423
00:17:34,680 --> 00:17:35,119
Speaker 6: our bodies.

424
00:17:35,200 --> 00:17:37,879
Speaker 3: A lot of killing to get that one gram zero

425
00:17:37,920 --> 00:17:38,400
Speaker 3: point two.

426
00:17:38,680 --> 00:17:40,600
Speaker 6: I think it's like really really tiny, the size like

427
00:17:40,640 --> 00:17:42,919
Speaker 6: of a little tiny beaby. But it mostly it's in

428
00:17:42,960 --> 00:17:46,080
Speaker 6: our blood. That's pretty cool, man, got it more?

429
00:17:46,119 --> 00:17:46,720
Speaker 3: All golden?

430
00:17:47,400 --> 00:17:52,040
Speaker 5: Well, people started wearing pajamas originally spelled high jamas instead

431
00:17:52,040 --> 00:17:54,679
Speaker 5: of nightgowns, so they'd be prepared to run outside in

432
00:17:54,680 --> 00:17:57,680
Speaker 5: public during World War One air raids in London.

433
00:17:58,000 --> 00:18:00,280
Speaker 3: Really so pants so you could run.

434
00:18:00,400 --> 00:18:02,000
Speaker 8: Yeah, so like you weren't in a nightgown.

435
00:18:02,240 --> 00:18:02,520
Speaker 3: That's well.

436
00:18:02,680 --> 00:18:04,119
Speaker 4: The issue I have in my nightgown now is I

437
00:18:04,160 --> 00:18:05,640
Speaker 4: can't really I'm not that mobile in it.

438
00:18:06,119 --> 00:18:10,280
Speaker 5: Because men, yeah, yeah, for men and women all you're inns.

439
00:18:10,400 --> 00:18:10,960
Speaker 8: Yeah, what do you mean?

440
00:18:12,760 --> 00:18:13,719
Speaker 3: And I'll wrap it up with this.

441
00:18:14,000 --> 00:18:17,400
Speaker 4: If you wanted to climb Mount Everest, which I don't,

442
00:18:17,440 --> 00:18:19,480
Speaker 4: but a lot of people do. It's the biggest peak

443
00:18:19,520 --> 00:18:24,600
Speaker 4: in the world. Travel permits, insurance, supplies, gear, and guides.

444
00:18:25,240 --> 00:18:27,080
Speaker 4: If you do it as cheap cheap, cheap as possible,

445
00:18:27,119 --> 00:18:29,840
Speaker 4: it's over thirty thousand dollars. What Yeah, And if you

446
00:18:29,880 --> 00:18:32,199
Speaker 4: do it with good guides and insurance, it's like two

447
00:18:32,240 --> 00:18:34,159
Speaker 4: hundred and twenty thousand dollars. You know, you're not just

448
00:18:34,200 --> 00:18:36,120
Speaker 4: able to go up and just climb it, and there's

449
00:18:36,160 --> 00:18:38,480
Speaker 4: a chance you might die. There's a chance you might

450
00:18:38,520 --> 00:18:42,080
Speaker 4: die driving home today. Okay, but this is like Mount Everest.

451
00:18:42,359 --> 00:18:42,560
Speaker 1: You know.

452
00:18:42,920 --> 00:18:44,360
Speaker 3: I read this story too, and I think we need

453
00:18:44,359 --> 00:18:46,919
Speaker 3: a fact check. This most looking to the most.

454
00:18:47,119 --> 00:18:50,960
Speaker 4: Yeah, Southwest Girl, Apparently they only play music inside of

455
00:18:51,000 --> 00:18:52,359
Speaker 4: their stores about people that are dead.

456
00:18:52,520 --> 00:18:56,320
Speaker 3: Have you guys ever heard that? No, and I didn't

457
00:18:56,359 --> 00:18:57,520
Speaker 3: use it because I didn't know if it was true

458
00:18:57,600 --> 00:18:57,760
Speaker 3: or not.

459
00:18:58,280 --> 00:19:00,560
Speaker 4: But I saw that because I used to go to

460
00:19:00,560 --> 00:19:02,400
Speaker 4: mos all the time, especially when I first moved here,

461
00:19:02,880 --> 00:19:04,760
Speaker 4: and they had the coke machines with all the drinks

462
00:19:04,760 --> 00:19:05,000
Speaker 4: on it.

463
00:19:05,320 --> 00:19:07,440
Speaker 6: Should we test this out, like go to Mo's and

464
00:19:07,480 --> 00:19:09,720
Speaker 6: sit there for like twenty minutes to see what they play.

465
00:19:10,800 --> 00:19:12,879
Speaker 4: Only plays music inside of their stories about people who

466
00:19:12,920 --> 00:19:14,719
Speaker 4: are weird. Anybody goes by and mos just talk.

467
00:19:18,240 --> 00:19:19,000
Speaker 3: It's time for.

468
00:19:19,000 --> 00:19:22,840
Speaker 2: The good news.

469
00:19:24,520 --> 00:19:27,479
Speaker 7: So this girl is really inspiring because she's a second grader.

470
00:19:27,680 --> 00:19:30,719
Speaker 7: She gets her allowance and instead of spending it on herself,

471
00:19:31,080 --> 00:19:33,560
Speaker 7: she is helping the homeless inner community.

472
00:19:33,640 --> 00:19:37,280
Speaker 8: Her name is Davini, and she made one hundred.

473
00:19:37,240 --> 00:19:40,000
Speaker 7: Bags to pass out to homeless people, goodie bags, And

474
00:19:40,000 --> 00:19:41,960
Speaker 7: she went to the store with her allowance store money.

475
00:19:42,600 --> 00:19:45,160
Speaker 3: Second grader, yeah, so her own money. Yeah.

476
00:19:45,440 --> 00:19:49,200
Speaker 7: She also realized like, hey, I need a lot of supplies.

477
00:19:49,240 --> 00:19:51,520
Speaker 7: I'd like to do one hundred and as a secredator,

478
00:19:51,520 --> 00:19:53,720
Speaker 7: it's not like she has unlimited funds. So she also

479
00:19:53,760 --> 00:19:57,800
Speaker 7: made a video asking family and friends to donate stuff

480
00:19:57,960 --> 00:19:59,399
Speaker 7: to her goodie bags, and so she was.

481
00:19:59,400 --> 00:20:01,119
Speaker 8: Able to collect so many things.

482
00:20:01,200 --> 00:20:03,120
Speaker 3: Does this make you, guys jealous that your kids don't

483
00:20:03,160 --> 00:20:04,000
Speaker 3: do stuff like this, That.

484
00:20:04,000 --> 00:20:06,520
Speaker 6: They don't think about stuff like that, Like that's not

485
00:20:06,560 --> 00:20:08,880
Speaker 6: even close to what they're thinking about. Like I tell

486
00:20:08,920 --> 00:20:10,040
Speaker 6: one of them, I'm like, hey, do you want to

487
00:20:10,040 --> 00:20:11,520
Speaker 6: buy like your brothers you're at the store, Like do

488
00:20:11,520 --> 00:20:12,200
Speaker 6: you want to buy them?

489
00:20:12,240 --> 00:20:16,360
Speaker 3: Like something like their own money. What about you?

490
00:20:16,920 --> 00:20:17,120
Speaker 1: Yeah.

491
00:20:17,200 --> 00:20:19,239
Speaker 7: My daughter actually said the other day when we were

492
00:20:19,320 --> 00:20:21,760
Speaker 7: driving by, we saw a homeless man and she was like,

493
00:20:21,880 --> 00:20:24,040
Speaker 7: I'm gonna start keeping things in my car because she

494
00:20:24,040 --> 00:20:26,280
Speaker 7: can drive now, and she's like, I'm gonna start keeping

495
00:20:26,320 --> 00:20:28,160
Speaker 7: things in my car to hand out.

496
00:20:28,320 --> 00:20:30,000
Speaker 4: You say, do one better. That's telling them to get in,

497
00:20:30,080 --> 00:20:32,520
Speaker 4: bring them home, no home, give.

498
00:20:32,400 --> 00:20:34,080
Speaker 3: Me your car. That's a risky man. Oh it is.

499
00:20:35,000 --> 00:20:36,159
Speaker 8: I'll leave that to me.

500
00:20:36,480 --> 00:20:38,600
Speaker 3: Yeah, yeah, you definitely for you. All right, there you go.

501
00:20:38,840 --> 00:20:41,440
Speaker 3: Great story, that's what it's all about. That was telling

502
00:20:41,440 --> 00:20:44,480
Speaker 3: me something good. Oh yeah.

503
00:20:44,600 --> 00:20:48,240
Speaker 4: Easy Trivia the easiest trivia game and all the land

504
00:20:48,720 --> 00:20:50,040
Speaker 4: lunchbox is the reigning champ.

505
00:20:50,080 --> 00:20:53,240
Speaker 3: He's got the Tiara lunchbox. Are you ready? Yeah, I'm

506
00:20:53,240 --> 00:20:56,160
Speaker 3: ready man. The first category nobody can go home.

507
00:20:56,480 --> 00:20:59,320
Speaker 4: It's a category's famous duos Easy Trivia?

508
00:20:59,560 --> 00:21:02,800
Speaker 3: Yeah. What two members make up the Raging Idiots? Bobby

509
00:21:02,840 --> 00:21:03,680
Speaker 3: and Eddie Correct?

510
00:21:04,640 --> 00:21:07,920
Speaker 4: Eddie, Timone and Poomba are from what movie The Lion King?

511
00:21:08,040 --> 00:21:08,480
Speaker 3: Correct?

512
00:21:08,920 --> 00:21:14,520
Speaker 4: Morgan, Bert and Ernie are from what children Show? You

513
00:21:14,560 --> 00:21:17,840
Speaker 4: can't miss it so it doesn't matter, no, sesame.

514
00:21:20,000 --> 00:21:21,600
Speaker 3: Amy? What country duo released?

515
00:21:21,680 --> 00:21:24,120
Speaker 8: Cruise Florida, Georgia, Lyne.

516
00:21:23,960 --> 00:21:26,199
Speaker 3: Correct, okay, now, Morgan. If you missed the next one,

517
00:21:26,240 --> 00:21:28,200
Speaker 3: you hear yeah. Yeah, if you miss it, you hear

518
00:21:28,200 --> 00:21:28,639
Speaker 3: this sound.

519
00:21:29,240 --> 00:21:33,320
Speaker 4: You've been boned Eddie three, Morgan two, Lunchbox two, Amy

520
00:21:33,359 --> 00:21:37,680
Speaker 4: two planet A five X marks the spot lunchbox you're

521
00:21:37,680 --> 00:21:40,280
Speaker 4: aut first. What is the name of a picture that

522
00:21:40,400 --> 00:21:46,359
Speaker 4: shows your bones? An X ray correct Eddie easy trivia.

523
00:21:46,400 --> 00:21:49,280
Speaker 4: The social media platform Twitter now goes by is called

524
00:21:50,080 --> 00:21:54,560
Speaker 4: X correct Morgan, what is the shortened form of the

525
00:21:54,560 --> 00:21:55,560
Speaker 4: word Christmas?

526
00:21:57,040 --> 00:22:01,080
Speaker 3: X mess correct? Amy? Who is the most have MTVS?

527
00:22:01,400 --> 00:22:02,280
Speaker 3: Pit my ride?

528
00:22:03,600 --> 00:22:11,200
Speaker 2: What? What? X?

529
00:22:11,560 --> 00:22:11,879
Speaker 8: Okay?

530
00:22:12,280 --> 00:22:15,400
Speaker 3: Did you ever watch from right? That was a great show?

531
00:22:16,880 --> 00:22:17,520
Speaker 8: Apparently not?

532
00:22:18,560 --> 00:22:25,000
Speaker 7: Uh uh x exstasy.

533
00:22:26,960 --> 00:22:30,480
Speaker 8: Somebody's name is x ex galliber.

534
00:22:30,480 --> 00:22:33,159
Speaker 7: X exit what I'm not going out.

535
00:22:33,040 --> 00:22:36,400
Speaker 8: On this right x x right you've been.

536
00:22:40,359 --> 00:22:44,680
Speaker 9: Exhibit exhibit Yeah you didn't watch that show.

537
00:22:44,800 --> 00:22:49,320
Speaker 8: Nobody did, honest question. As the deliverer.

538
00:22:48,800 --> 00:22:51,280
Speaker 7: Of those, I feel like that's a little bit out

539
00:22:51,280 --> 00:22:55,240
Speaker 7: of the category. Like what's Twitter called now? X okay?

540
00:22:55,800 --> 00:22:58,840
Speaker 7: That's right, that's right? Yeah, I agree. Sometimes it falls

541
00:22:58,840 --> 00:23:01,440
Speaker 7: in a weird way. Sometimes you get the easy ones,

542
00:23:01,440 --> 00:23:03,120
Speaker 7: they get the hard I pit.

543
00:23:03,119 --> 00:23:05,200
Speaker 6: My ride, like the house one to pit my house

544
00:23:05,520 --> 00:23:07,119
Speaker 6: that one? Fribs got it?

545
00:23:07,320 --> 00:23:10,080
Speaker 8: Exhibit exhibit Yes forgot?

546
00:23:10,080 --> 00:23:10,639
Speaker 3: Did you boner?

547
00:23:11,119 --> 00:23:12,159
Speaker 8: Yes? I got boned?

548
00:23:12,480 --> 00:23:13,159
Speaker 3: Double boner?

549
00:23:13,480 --> 00:23:14,719
Speaker 2: You've been booed.

550
00:23:15,240 --> 00:23:19,080
Speaker 3: I'm sorry? All right? Three people remaining. Cartoon catchphrase there

551
00:23:19,160 --> 00:23:25,040
Speaker 3: was like a yellow card? Oh no, okay? What is bugs?

552
00:23:25,040 --> 00:23:33,120
Speaker 4: Bunny's famous catchphrase? Lunchbox his catchphrase cartoon catchphrases.

553
00:23:34,320 --> 00:23:38,200
Speaker 3: He has a catchphrase, do you know what amy bugs?

554
00:23:38,240 --> 00:23:38,520
Speaker 8: Bunny?

555
00:23:38,600 --> 00:23:42,000
Speaker 3: Yeah, don't say the answer. He has a catchphrase, you

556
00:23:42,040 --> 00:23:48,560
Speaker 3: know what I mean? It's not yet okay. He has

557
00:23:48,600 --> 00:23:53,439
Speaker 3: a catchphrase. What is bugs? Bunny's famous catchphrase? Oh I

558
00:23:53,480 --> 00:23:54,280
Speaker 3: know what's up?

559
00:23:54,359 --> 00:23:54,560
Speaker 1: Doc?

560
00:23:54,680 --> 00:23:55,080
Speaker 3: That's it?

561
00:23:55,240 --> 00:23:55,560
Speaker 8: Wow?

562
00:23:56,920 --> 00:23:58,960
Speaker 3: I was thinking. I'm not gonna say what I was thinking,

563
00:23:59,000 --> 00:24:01,560
Speaker 3: but wow, what are you thinking? That was so hard?

564
00:24:01,560 --> 00:24:09,160
Speaker 4: Which cartoon character says, that's all folks, it's porky pig, correct, Morgan.

565
00:24:09,800 --> 00:24:16,040
Speaker 4: Which character is known for all the flintstones?

566
00:24:16,119 --> 00:24:17,560
Speaker 8: Do you mean to be more specific?

567
00:24:18,520 --> 00:24:19,600
Speaker 3: Do you know which flintstone?

568
00:24:19,960 --> 00:24:21,760
Speaker 8: It's the father, it's the dad.

569
00:24:21,840 --> 00:24:28,760
Speaker 4: I'll take the flundstone, Fred, Yeah, okay. Next up, languages lunchbox,

570
00:24:29,000 --> 00:24:33,920
Speaker 4: love language, what a buenos ds is good morning? And

571
00:24:34,000 --> 00:24:36,159
Speaker 4: what language Spanish correct.

572
00:24:37,680 --> 00:24:40,119
Speaker 3: Is goodbye? And what language Eddie? French?

573
00:24:40,600 --> 00:24:44,280
Speaker 4: Correct Chao can mean both hello and goodbye? And what language?

574
00:24:44,320 --> 00:24:45,680
Speaker 3: Morgan Chao?

575
00:24:46,400 --> 00:24:54,120
Speaker 8: I thought that was French. We're not gonna say, answered twice.

576
00:24:54,560 --> 00:24:59,800
Speaker 8: Cha is it? Oh?

577
00:24:58,720 --> 00:24:58,880
Speaker 2: Oh?

578
00:25:00,119 --> 00:25:00,600
Speaker 3: Is it Greek?

579
00:25:06,359 --> 00:25:08,399
Speaker 8: I think it's can't be French.

580
00:25:11,920 --> 00:25:14,719
Speaker 3: Italian because well she said it. I was like, oh,

581
00:25:14,720 --> 00:25:15,119
Speaker 3: she got it.

582
00:25:15,240 --> 00:25:19,119
Speaker 8: Yeah, Olive Garden then saw Greek to me.

583
00:25:19,200 --> 00:25:22,800
Speaker 4: Okay, two people remain lunchbox versus Eddie.

584
00:25:25,000 --> 00:25:25,720
Speaker 3: Focus focus.

585
00:25:25,760 --> 00:25:29,080
Speaker 4: The category is American history lunchbox. That you feel about

586
00:25:29,080 --> 00:25:29,880
Speaker 4: that category.

587
00:25:29,640 --> 00:25:30,080
Speaker 10: A man?

588
00:25:30,080 --> 00:25:32,920
Speaker 9: I didn't really pay any terms of that in school. Yeah,

589
00:25:32,960 --> 00:25:34,240
Speaker 9: I guess it was interesting.

590
00:25:34,280 --> 00:25:36,760
Speaker 4: I have no idea the Union and the Confederacy fought

591
00:25:36,800 --> 00:25:37,880
Speaker 4: each other in what war?

592
00:25:38,240 --> 00:25:39,280
Speaker 3: Civil War? Correct?

593
00:25:39,680 --> 00:25:42,919
Speaker 4: Did pay attention Eddie? What president was said to not

594
00:25:42,960 --> 00:25:44,800
Speaker 4: be able to tell a lie? I will not tell

595
00:25:44,800 --> 00:25:47,200
Speaker 4: a lie. I cannot tell a lie. Oh that's honest, Abe,

596
00:25:47,560 --> 00:25:49,080
Speaker 4: that's incorrect. You're done out.

597
00:25:49,720 --> 00:25:50,200
Speaker 2: I'm good.

598
00:25:51,800 --> 00:25:54,080
Speaker 3: I didn't shot down the cherry tree.

599
00:25:54,119 --> 00:26:04,960
Speaker 11: George Washington, that was his catchphrase, My good much, nice job, buddy,

600
00:26:06,119 --> 00:26:06,280
Speaker 11: you just.

601
00:26:06,400 --> 00:26:07,000
Speaker 2: Pop in there.

602
00:26:07,080 --> 00:26:14,199
Speaker 3: Man.

603
00:26:15,600 --> 00:26:18,159
Speaker 4: You know it wasn't the only one to be honest ever, right,

604
00:26:20,040 --> 00:26:21,240
Speaker 4: because he also was honest.

605
00:26:21,440 --> 00:26:24,640
Speaker 3: But George Washington, they what I mean?

606
00:26:24,640 --> 00:26:26,600
Speaker 7: Do we really trust people that can proclaim to be

607
00:26:26,640 --> 00:26:27,399
Speaker 7: so honest.

608
00:26:27,160 --> 00:26:27,560
Speaker 8: All the time?

609
00:26:27,560 --> 00:26:28,600
Speaker 3: No, he didn't need himself.

610
00:26:28,960 --> 00:26:31,000
Speaker 9: Well, George Washington said he could never tell why.

611
00:26:31,080 --> 00:26:32,640
Speaker 4: Well, they asked him who chopped down the cherry trees?

612
00:26:32,640 --> 00:26:33,760
Speaker 4: That I cannot tell why I did?

613
00:26:33,760 --> 00:26:33,800
Speaker 7: Not?

614
00:26:33,880 --> 00:26:36,400
Speaker 3: I did chop So he did chop it down?

615
00:26:36,480 --> 00:26:37,600
Speaker 8: Yeah somewhere.

616
00:26:37,680 --> 00:26:40,360
Speaker 3: Yeah, so it was a cherry tree I did. That's ald.

617
00:26:41,080 --> 00:26:43,119
Speaker 3: It's a long time ago. That wasn't around.

618
00:26:43,520 --> 00:26:47,439
Speaker 4: Congratulations, let's flush shot out lunchbox exhibit. George Washington on

619
00:26:47,520 --> 00:26:53,080
Speaker 4: to day. But you guys are really Chabella Lunchbox are

620
00:26:53,080 --> 00:26:55,600
Speaker 4: three points now in the lead with Eddie no till

621
00:26:55,680 --> 00:26:56,080
Speaker 4: next week.

622
00:26:56,080 --> 00:26:57,600
Speaker 3: All right, there you go. He's a trivia. Nice show,

623
00:26:57,640 --> 00:27:00,000
Speaker 3: you guys on the phone.

624
00:27:00,160 --> 00:27:03,159
Speaker 4: Now we have Joel in Virginia. Joel, what's up, buddy.

625
00:27:03,760 --> 00:27:05,200
Speaker 3: You were talking about a bunch of clutters you had

626
00:27:05,200 --> 00:27:06,840
Speaker 3: on your death and you were trying to get rid

627
00:27:06,880 --> 00:27:11,119
Speaker 3: of some of it. Yeah, oh do you want it?

628
00:27:12,400 --> 00:27:15,080
Speaker 3: He stopped talking. Oh yeah, you said you were just

629
00:27:15,080 --> 00:27:15,960
Speaker 3: gonna give it away.

630
00:27:16,240 --> 00:27:21,360
Speaker 4: Yeah, so would you like a backpack full of University

631
00:27:21,359 --> 00:27:23,280
Speaker 4: of Cincinnati. You're like really cool gear, but it's all

632
00:27:23,359 --> 00:27:29,879
Speaker 4: medium sized. Or who signed the white helmet Blaney or

633
00:27:29,920 --> 00:27:32,880
Speaker 4: a Ryan Blaney signed NASCAR small plastic helmet.

634
00:27:32,920 --> 00:27:34,119
Speaker 8: He's twenty twenty three champion.

635
00:27:34,720 --> 00:27:34,960
Speaker 10: Yep.

636
00:27:35,160 --> 00:27:37,320
Speaker 8: He wrote that I would definitely do the NASCAR helmet.

637
00:27:37,600 --> 00:27:39,680
Speaker 3: Okay, I'll send it to you.

638
00:27:40,119 --> 00:27:43,000
Speaker 4: But in exchange, you have to do one nice thing

639
00:27:43,040 --> 00:27:45,360
Speaker 4: for somebody else that they don't expect. It doesn't matter

640
00:27:45,359 --> 00:27:47,040
Speaker 4: what it is that they don't expect, and you just

641
00:27:47,440 --> 00:27:48,560
Speaker 4: show up and you're like an angel.

642
00:27:50,160 --> 00:27:50,639
Speaker 7: I can do that.

643
00:27:50,680 --> 00:27:53,360
Speaker 4: Okay, cool? All right, well, Ray put him on. We'll

644
00:27:53,359 --> 00:27:55,919
Speaker 4: get his address and we'll send him this Ryan Blaney helmet.

645
00:27:55,960 --> 00:27:58,920
Speaker 4: Then we're trusting that he does that, right, I guess.

646
00:27:58,920 --> 00:28:00,919
Speaker 3: So I love it. I mean just say yeah, I'm

647
00:28:00,920 --> 00:28:01,880
Speaker 3: gonna do it, Okay. Cool.

648
00:28:01,920 --> 00:28:03,480
Speaker 4: And if he ever does something that's cool and calls

649
00:28:03,480 --> 00:28:05,560
Speaker 4: back and tell us cool, but maybe we can. This

650
00:28:05,600 --> 00:28:08,080
Speaker 4: will be seeds that we plant to grow for somebody

651
00:28:08,080 --> 00:28:11,280
Speaker 4: else that eventually that force comes back and repays everyone.

652
00:28:11,359 --> 00:28:14,159
Speaker 3: Wow, that's nice. Let's just made all that up. It

653
00:28:14,240 --> 00:28:15,960
Speaker 3: sounds cool, man, Thank you.

654
00:28:19,080 --> 00:28:20,040
Speaker 2: Pile of stories.

655
00:28:20,160 --> 00:28:22,440
Speaker 8: Have you heard of scruffy hospitality?

656
00:28:23,680 --> 00:28:23,720
Speaker 2: No?

657
00:28:24,359 --> 00:28:26,879
Speaker 7: Okay, it's when you're having people over, but you don't

658
00:28:27,400 --> 00:28:28,760
Speaker 7: free clean or do anything.

659
00:28:28,840 --> 00:28:31,439
Speaker 8: You just invite them into your lived in home.

660
00:28:31,880 --> 00:28:35,440
Speaker 3: So I like that that's what lunchbox does. Yeah, that's

661
00:28:35,440 --> 00:28:37,200
Speaker 3: what we should all be doing. Really.

662
00:28:37,480 --> 00:28:40,560
Speaker 4: Sometimes it's ill feel like we gotta clean, like extra

663
00:28:40,600 --> 00:28:42,360
Speaker 4: clean because we have a company, and I'm like the

664
00:28:42,360 --> 00:28:43,320
Speaker 4: company's Eddie.

665
00:28:44,280 --> 00:28:45,200
Speaker 3: Oh you guys clean for me.

666
00:28:45,240 --> 00:28:46,760
Speaker 6: I feel like we should dirty it more because it's

667
00:28:46,840 --> 00:28:48,280
Speaker 6: Eddie coming over, because I'm gonna dirty.

668
00:28:48,320 --> 00:28:49,760
Speaker 4: But it's like people that come over all the time,

669
00:28:49,880 --> 00:28:51,400
Speaker 4: it's like they know how we live.

670
00:28:51,560 --> 00:28:55,920
Speaker 7: Yeah, yeah, scruffy hospitality is this next time companies coming over,

671
00:28:56,120 --> 00:28:58,160
Speaker 7: just leave the dishes in the sink, don't pick up

672
00:28:58,200 --> 00:29:00,920
Speaker 7: and hide things that are lying around, show that you're home.

673
00:29:01,840 --> 00:29:03,760
Speaker 3: Do the dishes, pick up a little bit.

674
00:29:03,800 --> 00:29:05,840
Speaker 4: But it's not like go the extra extra mile cleaner

675
00:29:05,840 --> 00:29:07,680
Speaker 4: than it ever is that it's best?

676
00:29:07,960 --> 00:29:10,360
Speaker 7: Okay, Well, they say invite them into your life, not

677
00:29:10,440 --> 00:29:10,800
Speaker 7: your house.

678
00:29:10,840 --> 00:29:12,360
Speaker 3: Difference who it is. But I hear you.

679
00:29:12,400 --> 00:29:15,000
Speaker 4: But that's a funny name, and it's much easier than

680
00:29:15,040 --> 00:29:17,360
Speaker 4: just being than saying and we're just gonna be dirty today.

681
00:29:17,880 --> 00:29:19,360
Speaker 3: Scruffy hospitality. All right? What else?

682
00:29:19,520 --> 00:29:22,520
Speaker 7: So women's tears can reduce male aggression.

683
00:29:22,680 --> 00:29:24,480
Speaker 8: So next time you're feeling i.

684
00:29:24,440 --> 00:29:27,840
Speaker 7: Don't know, all worked up, maybe if you're angry because

685
00:29:28,040 --> 00:29:32,000
Speaker 7: Arkansas loses was really bad. Women's tears, Yeah, yeah, go

686
00:29:32,040 --> 00:29:34,320
Speaker 7: to your wife and have her tears and.

687
00:29:34,280 --> 00:29:40,480
Speaker 4: Then stiff make her cry. I'm feeling bad, hurt her

688
00:29:40,560 --> 00:29:41,360
Speaker 4: so I feel better.

689
00:29:41,760 --> 00:29:42,040
Speaker 8: Okay.

690
00:29:42,120 --> 00:29:45,200
Speaker 7: So for the study, researchers collected tears as they rolled

691
00:29:45,160 --> 00:29:47,959
Speaker 7: down women's faces. They were produced by watching a sad movie,

692
00:29:48,000 --> 00:29:50,000
Speaker 7: so you could have cal munch a sad movie.

693
00:29:49,800 --> 00:29:50,960
Speaker 8: And then collect her tears.

694
00:29:51,320 --> 00:29:54,440
Speaker 7: And then they had men play a really infuriating video

695
00:29:54,600 --> 00:29:57,480
Speaker 7: game and it got them all worked up. And then

696
00:29:57,560 --> 00:30:00,520
Speaker 7: they had two groups, one that was sniffing safe and

697
00:30:00,560 --> 00:30:02,280
Speaker 7: another that was sniffing women's tears.

698
00:30:02,280 --> 00:30:03,880
Speaker 3: This is a bizarre experience, I know.

699
00:30:04,440 --> 00:30:06,720
Speaker 7: But the ones that sniffed the tears, somebody.

700
00:30:06,520 --> 00:30:08,000
Speaker 3: Made this experiment just so they could get their jolly,

701
00:30:08,000 --> 00:30:09,640
Speaker 3: you know what I mean. That's what I was like.

702
00:30:10,320 --> 00:30:13,640
Speaker 7: Hey, I'm just saying our tears are powerful, okay, and

703
00:30:13,680 --> 00:30:16,480
Speaker 7: maybe you just get a little with next time you're.

704
00:30:16,520 --> 00:30:18,520
Speaker 4: D I know guys, I'm not friends with them, but

705
00:30:18,560 --> 00:30:20,440
Speaker 4: I know guys who are creepy and they like to

706
00:30:20,480 --> 00:30:21,280
Speaker 4: sniff girl's hair.

707
00:30:21,880 --> 00:30:23,880
Speaker 3: I know someone works on the show that used to

708
00:30:23,880 --> 00:30:25,280
Speaker 3: do the but like they would do it as a thing.

709
00:30:25,320 --> 00:30:28,200
Speaker 7: Oh yeah wait, who was that right? Oh yeah, but

710
00:30:28,760 --> 00:30:29,560
Speaker 7: I forgot.

711
00:30:29,880 --> 00:30:31,600
Speaker 3: That was like their thing before he was married.

712
00:30:31,600 --> 00:30:34,800
Speaker 4: They'd be like, oh, you gave that up sniff girl's hair, right,

713
00:30:35,440 --> 00:30:36,880
Speaker 4: Yeah that was ten years ago, guys.

714
00:30:37,160 --> 00:30:39,440
Speaker 3: Yeah, the change you gave that up. Yeah, I don't

715
00:30:39,480 --> 00:30:40,520
Speaker 3: do that anymore. Yeah, all right.

716
00:30:41,040 --> 00:30:43,880
Speaker 7: So if you're having trouble falling asleep at night, try

717
00:30:44,000 --> 00:30:47,760
Speaker 7: brushing your teeth earlier, because any activity right before bed

718
00:30:47,800 --> 00:30:49,240
Speaker 7: can kind of wake you up and tell your body

719
00:30:49,280 --> 00:30:51,680
Speaker 7: that it's not time to sleep yet. So they're saying,

720
00:30:51,720 --> 00:30:54,840
Speaker 7: brush your teeth a thirty minutes to an hour before bed.

721
00:30:55,080 --> 00:30:56,840
Speaker 3: I like the clean mouthfield, though when I go.

722
00:30:56,800 --> 00:30:59,160
Speaker 7: To bed, well, the is thirty minutes to an hour

723
00:30:59,240 --> 00:31:01,800
Speaker 7: going to make a difference, Yeah, for your clean mouthfeel.

724
00:31:01,960 --> 00:31:04,400
Speaker 4: For clean mouthfeel, yes, oh okay, thirty minutes if you

725
00:31:04,400 --> 00:31:05,840
Speaker 4: brush your teach you back to a normal mouthfeel.

726
00:31:06,560 --> 00:31:07,640
Speaker 3: I like clean mouthfeel.

727
00:31:08,000 --> 00:31:10,640
Speaker 4: My toothbrush now has a timer on it, and if

728
00:31:10,640 --> 00:31:12,280
Speaker 4: you don't go for two minutes, it gives you a

729
00:31:12,320 --> 00:31:12,840
Speaker 4: sad face.

730
00:31:13,200 --> 00:31:15,560
Speaker 3: It makes I'm such a loser. When I hit sad face,

731
00:31:16,080 --> 00:31:16,480
Speaker 3: why are you.

732
00:31:17,160 --> 00:31:17,840
Speaker 8: Go the whole time?

733
00:31:18,320 --> 00:31:21,320
Speaker 3: Then sometimes I'm just like hurry. Sometimes I like over

734
00:31:21,360 --> 00:31:22,760
Speaker 3: it two minutes it sucks.

735
00:31:23,000 --> 00:31:24,480
Speaker 4: And then I'm like it, surely it's been two minutes

736
00:31:24,520 --> 00:31:25,960
Speaker 4: by now, And I turn it off and I look

737
00:31:25,960 --> 00:31:28,040
Speaker 4: at it, got sad face, and I feel judged as crap.

738
00:31:28,120 --> 00:31:30,560
Speaker 6: I've had two minutes feels like a long time forever.

739
00:31:30,680 --> 00:31:32,400
Speaker 6: It's like when they say wash your hands so singing

740
00:31:32,440 --> 00:31:34,240
Speaker 6: the happy birthdays long, I'm like, I'm not.

741
00:31:34,360 --> 00:31:34,840
Speaker 3: Tip of the all.

742
00:31:35,600 --> 00:31:38,600
Speaker 7: I saw this other article about like the top gross

743
00:31:38,640 --> 00:31:40,400
Speaker 7: things we do as humans that are way more common

744
00:31:40,440 --> 00:31:42,920
Speaker 7: than you think. And there's lots of people that say

745
00:31:42,960 --> 00:31:45,760
Speaker 7: they just wash their hands in the bathroom with water.

746
00:31:45,800 --> 00:31:46,880
Speaker 3: Only no one does that.

747
00:31:49,240 --> 00:31:51,080
Speaker 7: If you watch time to get your hands wet and

748
00:31:51,080 --> 00:31:51,760
Speaker 7: put them under there.

749
00:31:51,760 --> 00:31:53,520
Speaker 8: Why are you not? Why aren't you adding soap?

750
00:31:54,120 --> 00:31:54,720
Speaker 3: That's a good point.

751
00:31:54,760 --> 00:31:57,960
Speaker 4: Maybe there isn't soap, or like there's We were in

752
00:31:57,960 --> 00:31:59,520
Speaker 4: the bathroom the other day Eddie and I weren't. Is

753
00:31:59,560 --> 00:32:00,920
Speaker 4: washing his hand and he goes, you can have some

754
00:32:01,080 --> 00:32:03,240
Speaker 4: room next to me. It's a small sink, and I'm

755
00:32:03,280 --> 00:32:05,480
Speaker 4: like no, because that sink doesn't have hot water. So

756
00:32:05,520 --> 00:32:08,120
Speaker 4: I went to the sink in the kitchen. So, but

757
00:32:08,320 --> 00:32:10,000
Speaker 4: Eddie was washing his hands. It was a cold water.

758
00:32:10,080 --> 00:32:10,800
Speaker 3: Yeah, is that not the.

759
00:32:10,720 --> 00:32:12,760
Speaker 7: Same I thought you were about to say Eddie was

760
00:32:12,800 --> 00:32:14,480
Speaker 7: all lathered up washing sands in your.

761
00:32:15,880 --> 00:32:19,400
Speaker 3: And you were like, we've done worse. Yeah, that's wrong

762
00:32:19,440 --> 00:32:19,680
Speaker 3: with that.

763
00:32:20,080 --> 00:32:21,160
Speaker 8: I'm Amy. That's my pile.

764
00:32:22,000 --> 00:32:24,040
Speaker 3: That was Amy's pile of stores.

765
00:32:24,520 --> 00:32:29,200
Speaker 4: It's time for the good news, Bobby.

766
00:32:30,600 --> 00:32:31,680
Speaker 3: Her name is Gloria White.

767
00:32:31,720 --> 00:32:33,640
Speaker 4: She's lived in the same place in Kansas City, same

768
00:32:33,640 --> 00:32:36,640
Speaker 4: house for fifty six years, and she getting older. Her

769
00:32:36,680 --> 00:32:38,960
Speaker 4: husband passed away. She's in a wheelchair, and she needs

770
00:32:38,960 --> 00:32:40,680
Speaker 4: some work done around her house. Thing is, she can't

771
00:32:40,680 --> 00:32:42,240
Speaker 4: do it, and it's not like she's got a bunch

772
00:32:42,240 --> 00:32:46,360
Speaker 4: of money. So she called Rebuilding Together Kansas City, a

773
00:32:46,440 --> 00:32:49,520
Speaker 4: nonprofit known for fixing up spaces for people that they're

774
00:32:49,600 --> 00:32:52,920
Speaker 4: unsafe so they can age in place an age in

775
00:32:52,960 --> 00:32:55,760
Speaker 4: a comfortable house that they've been living in. And so,

776
00:32:56,440 --> 00:32:58,760
Speaker 4: you know, they made some of the modifications, but it

777
00:32:58,800 --> 00:33:02,760
Speaker 4: was an extensive project, sewage leaking, and so they were like,

778
00:33:03,160 --> 00:33:05,680
Speaker 4: I wonder what's up. And so they get Travis Kelce

779
00:33:06,040 --> 00:33:08,920
Speaker 4: in his foundation eighty seven and running foundation and they

780
00:33:08,920 --> 00:33:10,440
Speaker 4: came and paid for all the home repairs.

781
00:33:10,520 --> 00:33:12,400
Speaker 3: Wow. Pretty cool.

782
00:33:12,440 --> 00:33:13,960
Speaker 4: So she's eighty seven years old and her house is

783
00:33:14,000 --> 00:33:17,000
Speaker 4: all good. Eighty seven eighty seven, Well, maybe she's not

784
00:33:17,040 --> 00:33:19,040
Speaker 4: eighty seven. Maybe I know that's his number, but maybe

785
00:33:19,040 --> 00:33:19,720
Speaker 4: I just made that up.

786
00:33:19,880 --> 00:33:21,680
Speaker 3: Maybe, but that would be cool. Just keep it's good

787
00:33:21,680 --> 00:33:23,200
Speaker 3: part of me. So she's eighty seven. His number is

788
00:33:23,240 --> 00:33:24,239
Speaker 3: eighty seven out.

789
00:33:24,400 --> 00:33:28,960
Speaker 7: But it's also great that there's organizations like that because

790
00:33:28,960 --> 00:33:31,720
Speaker 7: I didn't think about how elderly people. Yeah, if they've

791
00:33:31,760 --> 00:33:33,800
Speaker 7: been in their home and for a very long time,

792
00:33:34,280 --> 00:33:37,640
Speaker 7: they're giving them the repair so they can stay there

793
00:33:37,800 --> 00:33:40,320
Speaker 7: right and age comfortably, like you were saying, instead of

794
00:33:40,360 --> 00:33:42,680
Speaker 7: having to like up and go somewhere else because that's expensive.

795
00:33:42,840 --> 00:33:46,280
Speaker 3: A nice job, Travis Kelce. Seems like everything's coming up

796
00:33:46,280 --> 00:33:48,320
Speaker 3: grand for you working out. That's right, nice, all right,

797
00:33:48,360 --> 00:33:51,240
Speaker 3: that's what it's all about. That was telling me something good.

798
00:33:52,640 --> 00:33:54,680
Speaker 4: We're talking about the movies nominated for the Oscar for

799
00:33:54,760 --> 00:33:58,120
Speaker 4: Best Pictures and once called The Holdovers. And when I

800
00:33:58,160 --> 00:33:59,720
Speaker 4: read it, I was like, it's a comedy, and I

801
00:33:59,760 --> 00:34:01,240
Speaker 4: started to watch it. I kept waiting for the last

802
00:34:01,280 --> 00:34:03,400
Speaker 4: There aren't a lot of laughs. We were talking about

803
00:34:03,400 --> 00:34:05,720
Speaker 4: I said that, but Mike said it's a comedy. So

804
00:34:05,760 --> 00:34:08,200
Speaker 4: I don't think. Letchbox heard me say it's doesn't feel

805
00:34:08,239 --> 00:34:10,600
Speaker 4: like a comedy, but heard Mike say it.

806
00:34:10,520 --> 00:34:13,520
Speaker 3: Was a comedy. Mike. No, No, Mike said that movie's funny.

807
00:34:13,680 --> 00:34:14,560
Speaker 3: There are some funny parts.

808
00:34:14,680 --> 00:34:17,439
Speaker 9: Okay, So I'm thinking this is a comedy, like hilarious,

809
00:34:17,560 --> 00:34:20,440
Speaker 9: and I'm thinking movie Mike is a movie reviewer, say

810
00:34:20,520 --> 00:34:23,000
Speaker 9: it's like a no no. But when he says that

811
00:34:23,080 --> 00:34:26,640
Speaker 9: movie's funny, like that is him saying, when you watch

812
00:34:26,680 --> 00:34:28,600
Speaker 9: this movie, guys, you're gonna be sitting there laughing out

813
00:34:28,640 --> 00:34:29,880
Speaker 9: loud the whole time. It's funny.

814
00:34:29,880 --> 00:34:32,160
Speaker 4: We literally said that's not what it's no you, but

815
00:34:32,239 --> 00:34:34,000
Speaker 4: as a movie so you said this.

816
00:34:34,520 --> 00:34:37,680
Speaker 9: So as a movie reviewer, I think Mike d might

817
00:34:37,719 --> 00:34:40,440
Speaker 9: be the most worst movie reviewer you were ever because

818
00:34:40,440 --> 00:34:41,440
Speaker 9: he can't get the words right.

819
00:34:41,480 --> 00:34:43,360
Speaker 3: Okay, go ahead, Why what happened? You watched it? I

820
00:34:43,440 --> 00:34:45,400
Speaker 3: watched it the Holdovers, and it was I just think

821
00:34:45,400 --> 00:34:47,400
Speaker 3: of the movie at the very beginning.

822
00:34:47,440 --> 00:34:49,560
Speaker 9: It was super slow, yeah, and I was like, oh,

823
00:34:50,120 --> 00:34:51,600
Speaker 9: this guy nominated for Best Picture.

824
00:34:51,680 --> 00:34:52,640
Speaker 3: Also, there's no laughing.

825
00:34:53,200 --> 00:34:56,320
Speaker 9: There's nothing to laugh about, right, nothing to laugh about

826
00:34:56,719 --> 00:34:59,120
Speaker 9: it was sad, it was depressing.

827
00:34:59,480 --> 00:35:02,440
Speaker 3: It was only it was dark the whole movie, or

828
00:35:02,440 --> 00:35:03,920
Speaker 3: just the beginning the whole movie.

829
00:35:05,800 --> 00:35:06,960
Speaker 8: One laugh.

830
00:35:06,960 --> 00:35:09,359
Speaker 9: There was a couple of laughs, but it wasn't like

831
00:35:09,640 --> 00:35:12,359
Speaker 9: I would say, hey, you guys have seen this movie.

832
00:35:12,400 --> 00:35:13,719
Speaker 3: It's funny.

833
00:35:13,880 --> 00:35:15,880
Speaker 4: I wouldn't say that either. But it did list it

834
00:35:15,920 --> 00:35:17,560
Speaker 4: as a comedy. I looked, what do you have audio here?

835
00:35:17,640 --> 00:35:19,520
Speaker 3: Yeah, this is Mike d saying it's funny. Oh, okay,

836
00:35:19,560 --> 00:35:24,240
Speaker 3: go ahead, I've seen it fun It's really good. Really yeah,

837
00:35:24,360 --> 00:35:24,920
Speaker 3: Mike said.

838
00:35:24,840 --> 00:35:26,480
Speaker 4: Under his breath. He said it's funny, and he took it.

839
00:35:27,400 --> 00:35:29,200
Speaker 4: But no, well, okay, what do you think of the movie?

840
00:35:29,200 --> 00:35:32,960
Speaker 4: Though fantastic? It's great, right, it was great. But Mike,

841
00:35:33,040 --> 00:35:33,399
Speaker 4: if you're.

842
00:35:33,320 --> 00:35:35,000
Speaker 9: Gonna be the movie reviewer, you can't say the movie

843
00:35:35,040 --> 00:35:35,440
Speaker 9: is funny.

844
00:35:35,440 --> 00:35:37,719
Speaker 3: But there are funny parts and funniest subjectives. And he

845
00:35:37,840 --> 00:35:38,879
Speaker 3: wasn't reviewing the movie.

846
00:35:38,880 --> 00:35:41,919
Speaker 8: He was just commenting on should be somewhat funny. It's

847
00:35:41,920 --> 00:35:42,440
Speaker 8: listed as a.

848
00:35:42,440 --> 00:35:49,320
Speaker 6: Comedy weird humorous premise, so the concept is funny.

849
00:35:49,480 --> 00:35:52,239
Speaker 4: Old crotchety instructor at a private school has to stay

850
00:35:52,280 --> 00:35:56,040
Speaker 4: during Christmas to watch over kids that can't go Home.

851
00:35:56,200 --> 00:35:59,160
Speaker 3: That's kind of funny, right, No, no, it sounds funny.

852
00:35:59,280 --> 00:36:01,960
Speaker 3: It's really good, but it's really holdovers. What do you

853
00:36:01,960 --> 00:36:02,279
Speaker 3: give it?

854
00:36:02,680 --> 00:36:07,879
Speaker 9: I'll give it ooh four and a half good out

855
00:36:07,960 --> 00:36:08,680
Speaker 9: of five.

856
00:36:09,960 --> 00:36:13,719
Speaker 3: Bottles of Jim Beam. Okay, there you good? All right,

857
00:36:14,040 --> 00:36:15,359
Speaker 3: it's good that you guys are watching this weekend.

858
00:36:15,360 --> 00:36:16,879
Speaker 4: If you have a few minutes, Okay, all right, let's

859
00:36:16,880 --> 00:36:18,960
Speaker 4: go over now and get in amy with the Morning Corny.

860
00:36:22,040 --> 00:36:23,480
Speaker 3: The Morning Corny.

861
00:36:23,800 --> 00:36:27,359
Speaker 7: Why was the rabbit always telling jokes because he thought

862
00:36:27,360 --> 00:36:35,920
Speaker 7: he was so bunny? That was the morning not funny

863
00:36:35,920 --> 00:36:38,240
Speaker 7: like the movies, Just like toddler jokes.

864
00:36:38,239 --> 00:36:41,480
Speaker 6: For toddlers, you almost have to say, like he's so boy, buddy.

865
00:36:44,480 --> 00:36:48,160
Speaker 3: So Bobby Bones show interviews in case you didn't know.

866
00:36:48,360 --> 00:36:50,279
Speaker 4: All right, coming in from the Hondai green room right

867
00:36:50,280 --> 00:36:55,040
Speaker 4: now is our buddy Chris Stapleton, I mean his broken

868
00:36:55,040 --> 00:36:59,760
Speaker 4: Halo's Monster. He's up for three awards at the sixty

869
00:36:59,800 --> 00:37:03,840
Speaker 4: six Annual Grammy Awards, coming up doing those shows with

870
00:37:03,880 --> 00:37:06,040
Speaker 4: George Straant Little Big Town. He is the voice of

871
00:37:06,040 --> 00:37:09,880
Speaker 4: Monday night football from Kentucky. What else is there to

872
00:37:09,880 --> 00:37:11,560
Speaker 4: say about this guy? Uh?

873
00:37:12,440 --> 00:37:13,960
Speaker 3: No can sing that we.

874
00:37:13,880 --> 00:37:15,960
Speaker 4: Don't that we don't know, and a door and love

875
00:37:16,719 --> 00:37:18,839
Speaker 4: coming into the studio. Now here he is, Oh there

876
00:37:18,840 --> 00:37:20,320
Speaker 4: he is, Come on here, Chris, Chris Stables.

877
00:37:20,440 --> 00:37:25,719
Speaker 3: Yeah, Friday morning conversation with see buddy. What's your hat?

878
00:37:25,719 --> 00:37:25,919
Speaker 4: There?

879
00:37:26,440 --> 00:37:27,280
Speaker 3: That's Nashville.

880
00:37:28,080 --> 00:37:34,880
Speaker 4: Oh yeah, okay, right there on it boom, Nashville sounds.

881
00:37:35,040 --> 00:37:39,160
Speaker 3: I think. So you a big baseball guy. I like baseball.

882
00:37:39,520 --> 00:37:41,560
Speaker 4: I used to be a big baseball guy, and that's

883
00:37:41,560 --> 00:37:43,880
Speaker 4: still a kind of a baseball guy. But baseball is

884
00:37:43,960 --> 00:37:46,320
Speaker 4: kind of too slow now. They played too many games,

885
00:37:46,520 --> 00:37:48,480
Speaker 4: one hundred and sixty two games. I can't keep up

886
00:37:48,480 --> 00:37:50,239
Speaker 4: with enough to be a big change the rule, the

887
00:37:50,280 --> 00:37:51,200
Speaker 4: pitch clock.

888
00:37:51,360 --> 00:37:52,520
Speaker 10: Yeah, and that speeds it up, but.

889
00:37:52,480 --> 00:37:54,399
Speaker 3: It's till one hundred and sixty two games. You don't

890
00:37:54,400 --> 00:37:56,359
Speaker 3: have to watch all of them. I do because I'm

891
00:37:56,360 --> 00:37:56,960
Speaker 3: gonna bet them.

892
00:37:57,400 --> 00:37:59,280
Speaker 10: No, no, no, no, no, so I gotta I gotta.

893
00:37:59,040 --> 00:38:00,520
Speaker 3: Watch them all. What about football?

894
00:38:00,520 --> 00:38:02,880
Speaker 10: You watched on a football No? No, I mean I

895
00:38:02,880 --> 00:38:04,719
Speaker 10: don't watch a lot of sports period. I like to

896
00:38:04,800 --> 00:38:06,000
Speaker 10: go to games.

897
00:38:06,400 --> 00:38:07,880
Speaker 3: What's your favorite kind of game to go to?

898
00:38:08,600 --> 00:38:12,080
Speaker 10: A good one? Yeah, doesn't know, any sport, it doesn't matter,

899
00:38:12,560 --> 00:38:13,960
Speaker 10: you know, if it's a good game. I don't you

900
00:38:13,960 --> 00:38:16,800
Speaker 10: know a slow game that's you know, kind of sloppy played.

901
00:38:16,840 --> 00:38:18,000
Speaker 10: I don't want to see that. But I want to

902
00:38:18,000 --> 00:38:19,520
Speaker 10: see guys, you know, getting effort.

903
00:38:19,719 --> 00:38:23,160
Speaker 4: What about coaching? Would you ever coach your kids? You

904
00:38:23,160 --> 00:38:24,040
Speaker 4: want to coach anything?

905
00:38:25,000 --> 00:38:28,000
Speaker 10: Teacher, I'm a terrible coach. I don't think I could

906
00:38:28,000 --> 00:38:28,520
Speaker 10: do any of that.

907
00:38:28,640 --> 00:38:31,280
Speaker 4: Why you're a warm I feel like you're a warm person.

908
00:38:31,600 --> 00:38:33,840
Speaker 4: You know, you write lyrics, you know what to say.

909
00:38:34,200 --> 00:38:36,000
Speaker 4: Why don't feel like you never assistant coached?

910
00:38:36,200 --> 00:38:37,600
Speaker 10: No? No, I couldn't do it.

911
00:38:38,120 --> 00:38:38,800
Speaker 3: No patience.

912
00:38:39,520 --> 00:38:42,839
Speaker 10: I have patience. I just don't have the skill to teach.

913
00:38:42,880 --> 00:38:44,480
Speaker 10: It's a real skill. It's like a talent.

914
00:38:44,520 --> 00:38:46,960
Speaker 3: It's not Eddie coaches kids. Yeah, nine year old basketball?

915
00:38:47,000 --> 00:38:49,759
Speaker 3: Yeah dude, never played a game? Is like I do it?

916
00:38:49,840 --> 00:38:52,239
Speaker 3: He thinks about a square get better?

917
00:38:52,520 --> 00:38:52,719
Speaker 1: Yeah?

918
00:38:52,840 --> 00:38:55,440
Speaker 6: Yeah, we wont a few games, just a.

919
00:38:55,400 --> 00:38:59,200
Speaker 10: Few Okay, Well you know, I don't know. I mean

920
00:38:59,200 --> 00:39:00,560
Speaker 10: a lot of it has all to do with our

921
00:39:00,600 --> 00:39:03,279
Speaker 10: work on the weekends a lot, so yeah, you know,

922
00:39:03,400 --> 00:39:04,759
Speaker 10: and then a lot of a lot of those things

923
00:39:04,840 --> 00:39:05,920
Speaker 10: happen on the weekends.

924
00:39:06,239 --> 00:39:08,520
Speaker 4: The great thing about working on the weekends is you like,

925
00:39:08,560 --> 00:39:11,719
Speaker 4: if you want to like drop drop your kids off

926
00:39:11,760 --> 00:39:12,040
Speaker 4: of school.

927
00:39:12,040 --> 00:39:12,680
Speaker 3: You can probably do that.

928
00:39:12,760 --> 00:39:14,200
Speaker 4: I think about that for artists like you, guys are

929
00:39:14,239 --> 00:39:17,480
Speaker 4: able to have like a somewhat normal in an abnormal life,

930
00:39:17,840 --> 00:39:20,360
Speaker 4: like that would be pretty nice because you're gone every weekend.

931
00:39:20,800 --> 00:39:23,279
Speaker 10: Not every weekend. I mean you try to adjust that. Yeah,

932
00:39:23,320 --> 00:39:23,640
Speaker 10: you're not.

933
00:39:24,320 --> 00:39:25,680
Speaker 3: But like, like my life, I gotta wake up at

934
00:39:25,680 --> 00:39:28,799
Speaker 3: three o'clock in the morning. It sucks. I don't know, no,

935
00:39:28,880 --> 00:39:30,919
Speaker 3: I do. It sucks. I think you didn't hear what.

936
00:39:30,840 --> 00:39:31,439
Speaker 10: Time are you done?

937
00:39:32,600 --> 00:39:33,120
Speaker 3: Ten pm?

938
00:39:33,239 --> 00:39:33,720
Speaker 10: Ten pm?

939
00:39:33,840 --> 00:39:34,200
Speaker 3: Okay?

940
00:39:34,280 --> 00:39:35,879
Speaker 10: And you have to go to bed at like what time?

941
00:39:36,719 --> 00:39:37,200
Speaker 3: Ten pm?

942
00:39:37,400 --> 00:39:37,880
Speaker 10: Ten pm?

943
00:39:37,960 --> 00:39:39,359
Speaker 3: Yeah? I'm at work all day all night.

944
00:39:39,440 --> 00:39:42,200
Speaker 10: Yeah. I don't have any kids yet though, right, So

945
00:39:42,520 --> 00:39:44,279
Speaker 10: I have five. So you and I have nothing to

946
00:39:44,320 --> 00:39:45,719
Speaker 10: talk about you, So let.

947
00:39:45,640 --> 00:39:47,000
Speaker 4: Me ask you a couple of questions about me then,

948
00:39:47,000 --> 00:39:49,480
Speaker 4: because we're eventually we're gonna have kids, right, what's fun

949
00:39:49,480 --> 00:39:53,799
Speaker 4: about them? There's lots of stuff because I feel like

950
00:39:53,880 --> 00:39:56,359
Speaker 4: it's like it's they're just taking up time, Like.

951
00:39:56,320 --> 00:39:58,520
Speaker 3: What's what's fulfilling about?

952
00:39:58,719 --> 00:39:58,879
Speaker 2: Man?

953
00:40:00,000 --> 00:40:01,800
Speaker 4: I don't have any kids, right, I'm literally asking you

954
00:40:01,840 --> 00:40:04,200
Speaker 4: a question. You have five kids, but what's what can

955
00:40:05,400 --> 00:40:05,799
Speaker 4: what do I?

956
00:40:06,040 --> 00:40:06,680
Speaker 3: What do I do?

957
00:40:06,560 --> 00:40:08,399
Speaker 4: You just always got to take care of them. I've

958
00:40:08,400 --> 00:40:10,319
Speaker 4: been very selfish my whole life. I've lived on myself,

959
00:40:10,320 --> 00:40:12,480
Speaker 4: and I get married till forty and I have any kids.

960
00:40:12,719 --> 00:40:14,800
Speaker 4: But it just feels like, holy crap, once you have

961
00:40:14,840 --> 00:40:16,360
Speaker 4: a kid, you don't even have a life anymore.

962
00:40:16,360 --> 00:40:16,920
Speaker 3: True or false.

963
00:40:17,960 --> 00:40:20,000
Speaker 10: I think that's false. You have a different life, Okay,

964
00:40:20,120 --> 00:40:22,400
Speaker 10: you know it's a different life. Your life is is

965
00:40:23,080 --> 00:40:25,879
Speaker 10: you know, it's in a lot of ways dedicated to

966
00:40:25,880 --> 00:40:28,120
Speaker 10: to you know, helping them become.

967
00:40:28,239 --> 00:40:29,759
Speaker 3: I just feel like I'm selfish for that.

968
00:40:30,040 --> 00:40:32,120
Speaker 10: I don't think you are. I think you can probably

969
00:40:32,120 --> 00:40:34,080
Speaker 10: have it like you do a lot of charity work

970
00:40:34,280 --> 00:40:34,560
Speaker 10: I do.

971
00:40:34,640 --> 00:40:36,200
Speaker 4: I think a fear too, is I didn't have a

972
00:40:36,280 --> 00:40:38,520
Speaker 4: dad growing up, right, and I didn't have parents that

973
00:40:38,520 --> 00:40:41,560
Speaker 4: were together. Okay, my mom was out. I never saw models,

974
00:40:41,600 --> 00:40:44,600
Speaker 4: I never saw parents. Okay, so maybe I feel like

975
00:40:44,680 --> 00:40:46,640
Speaker 4: maybe I'm just scared I'm gonna be a terrible parent

976
00:40:46,960 --> 00:40:50,120
Speaker 4: and I'm using all of this as as a cover

977
00:40:50,239 --> 00:40:50,520
Speaker 4: for that.

978
00:40:50,719 --> 00:40:52,560
Speaker 10: Okay, well I mean that could that could be true.

979
00:40:52,600 --> 00:40:54,719
Speaker 10: That sounds like a I'm not a therapist here, but

980
00:40:56,480 --> 00:40:59,640
Speaker 10: well this got real hard play therap. You got five kids,

981
00:40:59,840 --> 00:41:02,440
Speaker 10: I'm scared to death. I'm gonna be like my biological

982
00:41:02,440 --> 00:41:05,360
Speaker 10: father and but jump out. Well, I mean I think

983
00:41:06,080 --> 00:41:09,000
Speaker 10: there's a wanting to be better than the parents that

984
00:41:09,040 --> 00:41:12,440
Speaker 10: you had. Yeah, even if you had good parents, is

985
00:41:13,000 --> 00:41:15,720
Speaker 10: if you start there, you're in a good spot.

986
00:41:15,880 --> 00:41:16,040
Speaker 3: Yeah.

987
00:41:16,080 --> 00:41:17,759
Speaker 4: I think it just scares me when somebody says they

988
00:41:17,800 --> 00:41:20,279
Speaker 4: have two kids, I'm like, what, Like, why, what.

989
00:41:20,320 --> 00:41:21,200
Speaker 10: Other thing's scare you?

990
00:41:21,719 --> 00:41:22,080
Speaker 3: Heights?

991
00:41:22,400 --> 00:41:24,000
Speaker 10: Hides? I'm scared of heights. I got that one.

992
00:41:24,680 --> 00:41:25,680
Speaker 3: You ever jumped out of a plane?

993
00:41:25,880 --> 00:41:27,600
Speaker 10: No, I didn't want it to I did.

994
00:41:27,480 --> 00:41:29,480
Speaker 4: Jump on a plane. See you're scared of huts, you

995
00:41:29,600 --> 00:41:31,000
Speaker 4: jump out of it. I didn't by myself. I drove

996
00:41:31,040 --> 00:41:32,600
Speaker 4: up to the place by myself because I was scared

997
00:41:32,640 --> 00:41:34,360
Speaker 4: to death and said I want to I want to

998
00:41:34,400 --> 00:41:35,560
Speaker 4: jump out of a plane. And they thought I was

999
00:41:35,600 --> 00:41:37,399
Speaker 4: like a suicide bomb or something, because by myself going

1000
00:41:37,400 --> 00:41:38,759
Speaker 4: I want to jump out of a plane. And so

1001
00:41:38,840 --> 00:41:41,799
Speaker 4: I went up with a family I didn't know and

1002
00:41:42,239 --> 00:41:43,080
Speaker 4: jumped out of a plane.

1003
00:41:43,120 --> 00:41:45,000
Speaker 3: Did you do it because you were afraid of it? Yes?

1004
00:41:45,880 --> 00:41:48,440
Speaker 10: So by that logic, are you gonna have kids just

1005
00:41:48,480 --> 00:41:49,400
Speaker 10: because you're afraid of it?

1006
00:41:49,560 --> 00:41:51,960
Speaker 4: Not just because I will have kids because I love

1007
00:41:52,000 --> 00:41:53,640
Speaker 4: my wife and she and I think I do want

1008
00:41:53,640 --> 00:41:55,800
Speaker 4: to have kids. But if I jump out of the

1009
00:41:55,800 --> 00:41:58,200
Speaker 4: plane and I die, that's on me. I bring a

1010
00:41:58,280 --> 00:41:59,920
Speaker 4: kid into the world and I suck, that's on this.

1011
00:42:01,760 --> 00:42:04,040
Speaker 10: You know this, and you know, listen, you're going to fail.

1012
00:42:05,840 --> 00:42:10,400
Speaker 10: We're all going to fail as parents. You can't be

1013
00:42:10,480 --> 00:42:15,120
Speaker 10: a perfected parent, and I think you have to allow

1014
00:42:15,160 --> 00:42:18,239
Speaker 10: yourself that and then you know, discuss it with your

1015
00:42:18,280 --> 00:42:21,319
Speaker 10: children too, Like, you know, it's okay to apologize. You say, hey, man, sorry,

1016
00:42:21,360 --> 00:42:23,360
Speaker 10: I was out of line there, and that's not something

1017
00:42:23,360 --> 00:42:25,719
Speaker 10: that we had as a generation. I don't think before us,

1018
00:42:25,840 --> 00:42:30,279
Speaker 10: or even particularly before our parents' generation. Like, but I

1019
00:42:30,280 --> 00:42:34,240
Speaker 10: think that's probably the healthiest way to handle it, is

1020
00:42:34,640 --> 00:42:37,000
Speaker 10: allow yourself to be human in it, and your kids

1021
00:42:37,000 --> 00:42:40,040
Speaker 10: will see that and hopefully, you know, forgive you for

1022
00:42:40,480 --> 00:42:45,440
Speaker 10: your shortcomings and then really kind of adopt your your strengths.

1023
00:42:45,719 --> 00:42:47,200
Speaker 3: I'll have a kid, you jump out of a plane,

1024
00:42:47,239 --> 00:42:48,359
Speaker 3: We'll make the deal. Right here.

1025
00:42:49,360 --> 00:42:50,719
Speaker 10: I don't think I'm allowed to jump. I don't think

1026
00:42:50,760 --> 00:42:54,719
Speaker 10: my life insurance jump out. Listen, I wanted to jump

1027
00:42:54,719 --> 00:42:55,759
Speaker 10: out of a plane at one point time.

1028
00:42:55,840 --> 00:42:57,839
Speaker 3: Why what happened that that made you not jump out.

1029
00:42:58,239 --> 00:43:00,759
Speaker 10: Well, I was young and single. You know, I just

1030
00:43:00,800 --> 00:43:03,399
Speaker 10: never did it. A bunch of jumping. If you've done

1031
00:43:03,400 --> 00:43:04,680
Speaker 10: that one, no, no.

1032
00:43:04,640 --> 00:43:06,719
Speaker 3: I feel like that's less safe than airplane.

1033
00:43:06,719 --> 00:43:07,960
Speaker 10: And yeah, see I got in line to do that

1034
00:43:08,000 --> 00:43:10,600
Speaker 10: one one time, or one of those things like a tower.

1035
00:43:11,160 --> 00:43:14,000
Speaker 10: And while I was in the line, it's snapped on

1036
00:43:14,040 --> 00:43:17,399
Speaker 10: a guy. No way, I'm not kidding you.

1037
00:43:17,520 --> 00:43:19,440
Speaker 8: Are how many people in front of you?

1038
00:43:19,920 --> 00:43:20,280
Speaker 1: Oh?

1039
00:43:20,400 --> 00:43:20,760
Speaker 3: Maybe?

1040
00:43:20,880 --> 00:43:23,080
Speaker 10: I mean it's a long line, it's maybe twenty five

1041
00:43:23,160 --> 00:43:25,799
Speaker 10: thirty people while you were there. Oh, I was in line,

1042
00:43:25,880 --> 00:43:29,080
Speaker 10: snapped on a guy and and now they had the

1043
00:43:29,120 --> 00:43:32,279
Speaker 10: big cushion below. Because maybe this happens all the time.

1044
00:43:32,360 --> 00:43:34,640
Speaker 10: I don't know, but you know, the guy landed in

1045
00:43:34,680 --> 00:43:36,480
Speaker 10: the thing and he was fine. But that was the

1046
00:43:36,520 --> 00:43:37,680
Speaker 10: moment that I got out of line.

1047
00:43:38,040 --> 00:43:40,880
Speaker 3: A bunch of jump, there's no way. What's amazing is

1048
00:43:40,960 --> 00:43:41,880
Speaker 3: other people stayed.

1049
00:43:41,680 --> 00:43:46,160
Speaker 8: In the line because the odds is going to break, right, Yeah.

1050
00:43:46,000 --> 00:43:47,000
Speaker 10: Well they're gonna fix that.

1051
00:43:47,960 --> 00:43:50,920
Speaker 3: I'm out. I'm out when it does that. So where

1052
00:43:50,920 --> 00:43:52,000
Speaker 3: do you find your joy? Not work?

1053
00:43:52,040 --> 00:43:53,960
Speaker 4: Because we talk about work a lot, and your music

1054
00:43:54,000 --> 00:43:56,040
Speaker 4: and your grade A. You're the best A plus king

1055
00:43:56,040 --> 00:43:57,879
Speaker 4: of the world. But like, what do you like that's

1056
00:43:57,880 --> 00:44:02,160
Speaker 4: not music related at all? Yeah, well, I love my

1057
00:44:02,239 --> 00:44:03,680
Speaker 4: job and I love what you know, I love it.

1058
00:44:03,760 --> 00:44:07,280
Speaker 10: You know, I would sit and play a guitar for enjoyment,

1059
00:44:07,360 --> 00:44:10,920
Speaker 10: and technically that's probably work, but it's also something I

1060
00:44:10,920 --> 00:44:12,120
Speaker 10: would just sit and do.

1061
00:44:12,160 --> 00:44:13,960
Speaker 4: And it's probably something that since you love it, you've

1062
00:44:14,000 --> 00:44:16,120
Speaker 4: gotten really good at. That's what I tell people when

1063
00:44:16,120 --> 00:44:17,319
Speaker 4: I speak to them. It's like, if you find something

1064
00:44:17,360 --> 00:44:19,040
Speaker 4: that you love to do, you'll you'll naturally get better

1065
00:44:19,040 --> 00:44:20,480
Speaker 4: at it because you love to do it, so you

1066
00:44:20,480 --> 00:44:21,200
Speaker 4: can be doing it so.

1067
00:44:21,239 --> 00:44:23,799
Speaker 10: Much right, you know, but just make you make your

1068
00:44:23,880 --> 00:44:26,799
Speaker 10: vacation your vocation kind of thing, you know. And but

1069
00:44:28,560 --> 00:44:30,600
Speaker 10: definitely guitar, but you know, just spending time with a

1070
00:44:30,640 --> 00:44:34,880
Speaker 10: family and you know, being around my kids and watching them,

1071
00:44:35,440 --> 00:44:36,799
Speaker 10: you know, doing whatever they want to do, you know,

1072
00:44:36,800 --> 00:44:40,160
Speaker 10: if it's playing video games or you know, building legos

1073
00:44:40,160 --> 00:44:42,880
Speaker 10: with them, or drawing pictures or whatever that is. You

1074
00:44:42,920 --> 00:44:44,520
Speaker 10: know that those things I enjoy.

1075
00:44:45,280 --> 00:44:46,680
Speaker 3: Can you draw? Are you pretty good artists?

1076
00:44:46,760 --> 00:44:46,800
Speaker 7: No?

1077
00:44:47,239 --> 00:44:49,640
Speaker 10: I mean I'm okay, I'm not. You know, I draw

1078
00:44:49,680 --> 00:44:51,279
Speaker 10: a mean cartoonish tegasaurus.

1079
00:44:51,280 --> 00:44:53,919
Speaker 4: I would, I'll tell you that is that from having

1080
00:44:53,920 --> 00:44:54,839
Speaker 4: to draw a stegosaurus.

1081
00:44:54,880 --> 00:44:56,680
Speaker 3: Yes, yeah, it's not natural ability.

1082
00:44:57,080 --> 00:44:59,640
Speaker 10: Yeah, my my. You know my oldest children when they

1083
00:44:59,640 --> 00:45:01,000
Speaker 10: were younger, they you used to want to draw a

1084
00:45:01,000 --> 00:45:04,840
Speaker 10: dinosaurs like oh yeah, so I'm looking up pictures of

1085
00:45:04,840 --> 00:45:06,800
Speaker 10: dinosaurs trying to figure out how to draw a dinosaurs.

1086
00:45:06,880 --> 00:45:08,879
Speaker 3: Did you know Eddie thought that dinosaurs were not real

1087
00:45:09,120 --> 00:45:09,840
Speaker 3: until recently.

1088
00:45:10,800 --> 00:45:12,719
Speaker 6: I thought it was just like a like Greek mythology,

1089
00:45:12,719 --> 00:45:14,239
Speaker 6: you know, like, oh, yeah, they roamed the earth.

1090
00:45:14,280 --> 00:45:14,520
Speaker 3: Cool.

1091
00:45:14,560 --> 00:45:17,000
Speaker 4: He's got four kids, by the way, But but now

1092
00:45:17,000 --> 00:45:18,439
Speaker 4: I do believe, Chris, they are real.

1093
00:45:20,040 --> 00:45:21,360
Speaker 10: Hold on, I'm gonna have to process.

1094
00:45:21,440 --> 00:45:22,960
Speaker 3: Yes, exactly the same thing.

1095
00:45:23,280 --> 00:45:26,319
Speaker 4: College degree educated, four kids to college.

1096
00:45:26,840 --> 00:45:29,719
Speaker 3: Samu's state. Okay, did not believe in dinas.

1097
00:45:29,800 --> 00:45:30,720
Speaker 10: Do they believe in dinosaurs?

1098
00:45:30,760 --> 00:45:32,680
Speaker 6: Theyre uh, well, we never talked to I mean, you

1099
00:45:32,719 --> 00:45:34,360
Speaker 6: don't go to college and talk about dinosaurs.

1100
00:45:35,120 --> 00:45:37,160
Speaker 10: You didn't take like a geology class, Nope, you know

1101
00:45:37,200 --> 00:45:37,759
Speaker 10: something like that.

1102
00:45:37,800 --> 00:45:37,960
Speaker 3: Nope.

1103
00:45:38,000 --> 00:45:41,040
Speaker 6: And I remember going Chris to the museum and seeing

1104
00:45:41,080 --> 00:45:43,439
Speaker 6: like prints or whatever, like, oh that's cute, like they're

1105
00:45:43,480 --> 00:45:44,040
Speaker 6: making that up.

1106
00:45:44,080 --> 00:45:46,640
Speaker 3: I don't know, it's like Zeus to him. Yeah, he

1107
00:45:46,719 --> 00:45:48,759
Speaker 3: thought that he thought the t rex was like Zeus.

1108
00:45:49,040 --> 00:45:50,719
Speaker 10: I mean, well, Zeus is not in the Museum of

1109
00:45:50,880 --> 00:45:53,480
Speaker 10: Natural History. I mean, maybe he is. I don't know.

1110
00:45:53,560 --> 00:45:57,080
Speaker 3: You know, I've changed my mind, Chris, I believe in something.

1111
00:45:57,960 --> 00:45:58,560
Speaker 10: Having a hard time.

1112
00:45:58,840 --> 00:46:00,239
Speaker 3: No, we didn't do it. We didn't do for a

1113
00:46:00,280 --> 00:46:00,640
Speaker 3: long time.

1114
00:46:00,680 --> 00:46:02,240
Speaker 4: We thought it was a kidding, but he really didn't

1115
00:46:02,400 --> 00:46:04,239
Speaker 4: know enough about him to think that they were real.

1116
00:46:04,440 --> 00:46:06,120
Speaker 10: Sure, it is not like a Andy Coffin thing, where

1117
00:46:06,160 --> 00:46:08,640
Speaker 10: it is not perpetuating the myth that he didn't believe it.

1118
00:46:09,440 --> 00:46:11,080
Speaker 3: It is not. I thought so too for a while.

1119
00:46:11,280 --> 00:46:12,880
Speaker 4: Is it true that you have a specific car that

1120
00:46:12,920 --> 00:46:15,600
Speaker 4: you've had with you forever and that you play guitar

1121
00:46:15,800 --> 00:46:17,560
Speaker 4: and same old guitar, same car, and that's what you

1122
00:46:17,600 --> 00:46:19,920
Speaker 4: go to the studio with every time you go, Not

1123
00:46:20,000 --> 00:46:20,319
Speaker 4: the car.

1124
00:46:20,480 --> 00:46:21,120
Speaker 3: No, I was hearing.

1125
00:46:21,320 --> 00:46:22,680
Speaker 4: I was reading urban legends about you, and that was

1126
00:46:22,719 --> 00:46:26,040
Speaker 4: the thing that good luck, there's a lot of weird ones,

1127
00:46:26,080 --> 00:46:27,160
Speaker 4: so that that's not true at all.

1128
00:46:27,760 --> 00:46:30,120
Speaker 10: No, I mean, I've got I've got an old I've

1129
00:46:30,160 --> 00:46:32,520
Speaker 10: got the jeep. It's on the interior of the the

1130
00:46:32,560 --> 00:46:33,320
Speaker 10: Traveler cover.

1131
00:46:33,200 --> 00:46:34,040
Speaker 3: And I drive that.

1132
00:46:34,400 --> 00:46:38,400
Speaker 10: You know that jeep, and you know it's not necessarily

1133
00:46:38,480 --> 00:46:41,280
Speaker 10: for It's not like a ritual.

1134
00:46:41,400 --> 00:46:43,680
Speaker 4: And it's not one from your age seventeen that you've

1135
00:46:43,719 --> 00:46:45,000
Speaker 4: had the whole time you refuse to get out of.

1136
00:46:45,120 --> 00:46:48,480
Speaker 3: That's that's not that's the legend. No, no, dang, I

1137
00:46:48,600 --> 00:46:51,359
Speaker 3: need to start legends about me. You have you were?

1138
00:46:51,560 --> 00:46:53,520
Speaker 3: Oh I don't as well, let's hear it.

1139
00:46:53,640 --> 00:46:54,680
Speaker 10: Come on, I want some legends.

1140
00:46:55,440 --> 00:46:58,080
Speaker 8: I want to start untrue legends.

1141
00:46:57,760 --> 00:47:01,879
Speaker 4: Had like largest scrot them ever and and it would

1142
00:47:01,880 --> 00:47:05,520
Speaker 4: be like, how is that a legend? Well it's not true,

1143
00:47:05,800 --> 00:47:06,840
Speaker 4: but it was like I was known for.

1144
00:47:06,880 --> 00:47:08,759
Speaker 10: That Is that the first thing we popped in your

1145
00:47:08,760 --> 00:47:10,640
Speaker 10: mind to make it that you wanted to be an

1146
00:47:10,719 --> 00:47:12,160
Speaker 10: untrue legend about yourself?

1147
00:47:12,360 --> 00:47:15,040
Speaker 3: I think so, Chris, you're not boy band? Oh I

1148
00:47:15,040 --> 00:47:17,320
Speaker 3: do have one. I was in Otown. Yeah, okay, you

1149
00:47:17,480 --> 00:47:20,920
Speaker 3: remember that. I want it all, nothing at all, not really,

1150
00:47:20,960 --> 00:47:23,719
Speaker 3: but I was in a boy band Otown. Okay, how'd

1151
00:47:23,719 --> 00:47:25,680
Speaker 3: you do? They kicked me out? They kicked you out,

1152
00:47:26,239 --> 00:47:27,799
Speaker 3: and that is a nerve and legend about me.

1153
00:47:28,400 --> 00:47:29,800
Speaker 10: I think you should keep that one rolling.

1154
00:47:29,880 --> 00:47:32,319
Speaker 3: Yeah I do too. I've never lost paper rock scisitors in.

1155
00:47:32,280 --> 00:47:35,920
Speaker 4: My life, never once. That's that's pretty good. I learned

1156
00:47:36,000 --> 00:47:37,560
Speaker 4: to look in people's eyes and I can beat them.

1157
00:47:37,560 --> 00:47:38,640
Speaker 4: I know where they're going to go with it.

1158
00:47:38,719 --> 00:47:41,880
Speaker 10: You're like, you know, World Series of Poker, but with.

1159
00:47:42,120 --> 00:47:43,719
Speaker 3: I've never lost. I've never lost two out of three.

1160
00:47:43,719 --> 00:47:45,359
Speaker 4: I've lost one out of three, but I've never lost

1161
00:47:45,400 --> 00:47:47,160
Speaker 4: two out of three, not in the last ten years,

1162
00:47:47,280 --> 00:47:49,520
Speaker 4: which is crazy. And so people will come up playing

1163
00:47:49,640 --> 00:47:50,959
Speaker 4: all the time and I played, I never lost.

1164
00:47:51,000 --> 00:47:51,480
Speaker 3: It's crazy.

1165
00:47:51,560 --> 00:47:54,320
Speaker 4: So that's another one that's not true. Okay, I'm just

1166
00:47:54,640 --> 00:47:55,959
Speaker 4: I've made so you were selling it right.

1167
00:47:55,880 --> 00:47:58,759
Speaker 7: Then, but you went from never lost to just lost

1168
00:47:58,800 --> 00:47:59,560
Speaker 7: every once in a while.

1169
00:47:59,640 --> 00:48:01,360
Speaker 4: Time know, one out of three is not It's like

1170
00:48:01,400 --> 00:48:04,040
Speaker 4: the World Series, you can lose three games.

1171
00:48:04,320 --> 00:48:05,600
Speaker 10: He's calling a match two out of three.

1172
00:48:05,840 --> 00:48:07,960
Speaker 3: Yeah, yeah, yeah, It's like when Wimbledon. Do you refer

1173
00:48:08,040 --> 00:48:09,920
Speaker 3: to out of three or three out of five? Two

1174
00:48:09,920 --> 00:48:12,080
Speaker 3: out of three, two out of three. I kind of

1175
00:48:12,080 --> 00:48:12,839
Speaker 3: like three out of five.

1176
00:48:13,160 --> 00:48:14,680
Speaker 4: Let me ask you about music, because we're gonna just

1177
00:48:14,920 --> 00:48:16,680
Speaker 4: just talk like this forever. I gotta get some music.

1178
00:48:16,920 --> 00:48:17,680
Speaker 10: That's what the people want.

1179
00:48:17,760 --> 00:48:18,880
Speaker 3: I know, I know some do.

1180
00:48:18,960 --> 00:48:20,320
Speaker 4: But someone will be like, you had one of the

1181
00:48:20,320 --> 00:48:22,080
Speaker 4: greatest artists of our lifetime in and you don't even

1182
00:48:22,080 --> 00:48:22,800
Speaker 4: talk about music.

1183
00:48:23,160 --> 00:48:24,799
Speaker 3: So I'm gonna let do a little bit of this.

1184
00:48:25,520 --> 00:48:27,919
Speaker 4: Whenever someone asked you to be on a song, would

1185
00:48:27,920 --> 00:48:29,279
Speaker 4: you rather than ask you to play guitar on a

1186
00:48:29,280 --> 00:48:32,040
Speaker 4: song or to sing on a song, I would rather ask.

1187
00:48:31,880 --> 00:48:34,040
Speaker 10: Them to or they would ask you. I would rather

1188
00:48:34,080 --> 00:48:37,120
Speaker 10: them ask me to be in on it from the beginning.

1189
00:48:37,880 --> 00:48:41,680
Speaker 3: As in the creation, production wise or the right way. Yeah,

1190
00:48:42,440 --> 00:48:43,520
Speaker 3: that's what I would prefer.

1191
00:48:44,239 --> 00:48:49,239
Speaker 10: But you know, I depending on who they are and

1192
00:48:49,560 --> 00:48:52,200
Speaker 10: what the song is, and those are different scenarios, you know,

1193
00:48:52,320 --> 00:48:57,040
Speaker 10: Like I do like to play guitar, but also I

1194
00:48:57,120 --> 00:49:00,000
Speaker 10: find out the older I get, the more I really

1195
00:49:00,080 --> 00:49:05,280
Speaker 10: they want to be in on the the creation of things.

1196
00:49:05,560 --> 00:49:06,520
Speaker 10: I'm gonna let that's what I want.

1197
00:49:06,520 --> 00:49:07,799
Speaker 4: I'm gonna let you in on a song that I'm

1198
00:49:07,800 --> 00:49:09,279
Speaker 4: working on. I haven't even started yet, but it's the

1199
00:49:09,320 --> 00:49:12,880
Speaker 4: hardest sing along ever, Okay. And it's called plural rural murals,

1200
00:49:13,320 --> 00:49:15,239
Speaker 4: and it's you're driving through the one no want to

1201
00:49:15,239 --> 00:49:17,239
Speaker 4: write this with me. You're driving through the country and

1202
00:49:17,280 --> 00:49:19,400
Speaker 4: there's a lot You're looking everywhere and it's there everywhere,

1203
00:49:19,520 --> 00:49:21,920
Speaker 4: So plural more than one rural because it's the country.

1204
00:49:21,960 --> 00:49:23,360
Speaker 10: Thanks for explaining murals.

1205
00:49:23,400 --> 00:49:26,200
Speaker 4: Yes, So we're driving and it's like all everybody sing

1206
00:49:26,200 --> 00:49:28,319
Speaker 4: along and it's about plural rural murals. And the thing

1207
00:49:28,360 --> 00:49:31,279
Speaker 4: is you can't. It's hard to sing it. So if

1208
00:49:31,320 --> 00:49:33,120
Speaker 4: you're man of your word, you just got in early

1209
00:49:33,160 --> 00:49:33,600
Speaker 4: on that one.

1210
00:49:33,680 --> 00:49:35,000
Speaker 3: Okay, we'll do it.

1211
00:49:35,040 --> 00:49:39,759
Speaker 7: Okay, did you just come up with that?

1212
00:49:39,840 --> 00:49:41,040
Speaker 3: I know I'm been thinking about it for a long time.

1213
00:49:41,200 --> 00:49:43,120
Speaker 8: You've been thinking about plural rural murals.

1214
00:49:43,120 --> 00:49:44,480
Speaker 3: The hardest thing along ever. I want to write the

1215
00:49:44,480 --> 00:49:47,080
Speaker 3: hardest thing along ever. It's funny and catchy, but it's

1216
00:49:47,080 --> 00:49:48,080
Speaker 3: like that the course, well.

1217
00:49:48,120 --> 00:49:52,080
Speaker 10: Would the verses be just as uh tongue tongue tied?

1218
00:49:52,200 --> 00:49:54,640
Speaker 4: They don't have to be, but the first verse should

1219
00:49:54,640 --> 00:49:57,120
Speaker 4: probably setting it up. What the and then you do

1220
00:49:57,200 --> 00:49:58,920
Speaker 4: the chorus, and then the tongue ties in the second

1221
00:49:58,960 --> 00:49:59,600
Speaker 4: verse because now you.

1222
00:49:59,600 --> 00:50:02,480
Speaker 3: Know the Joe and then that then the bridge.

1223
00:50:02,160 --> 00:50:06,120
Speaker 10: Just Billy Joela, just just just do like a a

1224
00:50:06,120 --> 00:50:08,319
Speaker 10: bunch of things that that rhyme and ways that are

1225
00:50:08,360 --> 00:50:10,880
Speaker 10: hard to say, and then that's the chorus. You know,

1226
00:50:10,920 --> 00:50:11,919
Speaker 10: it doesn't have to make sense.

1227
00:50:12,719 --> 00:50:14,319
Speaker 4: I don't feel like that's enough to be considered a writer.

1228
00:50:14,440 --> 00:50:15,759
Speaker 4: So you don't give no percentage on that one.

1229
00:50:15,840 --> 00:50:17,120
Speaker 10: You call him Billy Joean not a writer.

1230
00:50:17,320 --> 00:50:23,080
Speaker 4: No, so I did not call him off that. I

1231
00:50:23,120 --> 00:50:26,000
Speaker 4: did not say, uh so, white Horse is interesting because

1232
00:50:26,000 --> 00:50:27,279
Speaker 4: you wrote that song originally for.

1233
00:50:27,360 --> 00:50:32,080
Speaker 3: The it was a Lone Ranger film. Yeah, yeah, Lone

1234
00:50:32,120 --> 00:50:34,120
Speaker 3: Ranger I mean loosely.

1235
00:50:34,320 --> 00:50:37,480
Speaker 10: But I walked in to rite with Dan Dan Wilson,

1236
00:50:38,040 --> 00:50:40,560
Speaker 10: He's like, hey, they're looking for songs for neither one

1237
00:50:40,600 --> 00:50:42,480
Speaker 10: of us necessarily, I don't. I don't think had like

1238
00:50:42,520 --> 00:50:46,960
Speaker 10: an end to do the Lone Ranger film. He had

1239
00:50:47,000 --> 00:50:48,640
Speaker 10: just heard that they were looking for songs for it,

1240
00:50:48,680 --> 00:50:50,880
Speaker 10: and it sounded like a good idea. And sometimes you

1241
00:50:50,960 --> 00:50:53,680
Speaker 10: just need a catalyst, you know, in a session like

1242
00:50:53,719 --> 00:50:55,760
Speaker 10: that to write something, and so that was our catalyst

1243
00:50:55,840 --> 00:50:56,120
Speaker 10: that day.

1244
00:50:56,120 --> 00:50:58,040
Speaker 3: It was like, hey, well, let's right, what would.

1245
00:50:57,880 --> 00:51:00,759
Speaker 10: A Lone Ranger movie song be? And that's what this was.

1246
00:51:01,000 --> 00:51:04,040
Speaker 4: When you write a song, do you send it off

1247
00:51:04,200 --> 00:51:06,800
Speaker 4: and let it be free and you know the people

1248
00:51:06,800 --> 00:51:09,359
Speaker 4: that pick the songs pick the songs, or do you go,

1249
00:51:09,440 --> 00:51:11,040
Speaker 4: this is one I think is a really as a single,

1250
00:51:11,040 --> 00:51:12,600
Speaker 4: we should run with this one. Or do you feel

1251
00:51:12,640 --> 00:51:14,440
Speaker 4: like they're all singles and you let those people do that.

1252
00:51:16,239 --> 00:51:17,319
Speaker 3: It's probably a little bit of both.

1253
00:51:17,360 --> 00:51:21,040
Speaker 10: I think I think Damon and the folks over Universal

1254
00:51:21,080 --> 00:51:24,279
Speaker 10: would say, we have discussions about it, and sometimes I

1255
00:51:24,480 --> 00:51:27,960
Speaker 10: make them uncomfortable and sometimes they make me uncomfortable, and

1256
00:51:28,440 --> 00:51:30,879
Speaker 10: somewhere in the middle of that we we arrive on

1257
00:51:30,920 --> 00:51:33,360
Speaker 10: what the path is. And I think this was not

1258
00:51:33,440 --> 00:51:35,200
Speaker 10: an obvious thing to go with.

1259
00:51:35,960 --> 00:51:38,839
Speaker 4: Probably that's why I ask about that question about this song,

1260
00:51:38,920 --> 00:51:43,200
Speaker 4: because again there's no context of Lone Ranger. It's says

1261
00:51:43,200 --> 00:51:45,720
Speaker 4: this is a Christi's new song on the whit White Horse, right, So.

1262
00:51:45,680 --> 00:51:48,400
Speaker 10: Well, then there shouldn't be you know that that movie.

1263
00:51:48,680 --> 00:51:51,719
Speaker 10: You know, it shouldn't be Really that has nothing to

1264
00:51:51,760 --> 00:51:54,040
Speaker 10: do with it that movie really, other than that's the

1265
00:51:54,040 --> 00:51:58,200
Speaker 10: story of how the song came to be. Yeah, you know,

1266
00:51:58,239 --> 00:52:00,400
Speaker 10: as far as picking it for a single, yeah, I

1267
00:52:00,440 --> 00:52:06,160
Speaker 10: do like to be, for lack of a better word, disruptive,

1268
00:52:07,000 --> 00:52:09,600
Speaker 10: you know, like and do things that are maybe a

1269
00:52:09,600 --> 00:52:12,719
Speaker 10: little harder to sell or maybe different enough.

1270
00:52:12,800 --> 00:52:13,719
Speaker 3: Yeah, why would you do that?

1271
00:52:13,960 --> 00:52:15,319
Speaker 10: Why would I do that? Or why do I want

1272
00:52:15,320 --> 00:52:15,560
Speaker 10: to do that?

1273
00:52:15,680 --> 00:52:16,799
Speaker 3: Now? Why would you do that?

1274
00:52:17,280 --> 00:52:19,080
Speaker 4: Do you ever pick one that you think will be Yeah,

1275
00:52:19,120 --> 00:52:21,520
Speaker 4: this one sounds like a traditional radio single because you

1276
00:52:21,560 --> 00:52:24,279
Speaker 4: do constantly put out songs that go number one that

1277
00:52:24,360 --> 00:52:26,120
Speaker 4: don't sound like other songs that have gone number one.

1278
00:52:27,040 --> 00:52:27,839
Speaker 3: Well, I think that's the.

1279
00:52:27,800 --> 00:52:32,360
Speaker 10: Only thing that you can have to differentiate yourself from

1280
00:52:33,520 --> 00:52:34,600
Speaker 10: something that sounds like everything.

1281
00:52:34,640 --> 00:52:37,600
Speaker 4: Yeah, you have songs on your albums. I'm a big fan,

1282
00:52:37,640 --> 00:52:39,160
Speaker 4: by the way, Bobby here, a big fan thing. Okay,

1283
00:52:39,840 --> 00:52:43,480
Speaker 4: thank you, Bobby Washington Post. You have songs that are

1284
00:52:43,520 --> 00:52:47,800
Speaker 4: definitely more radio we'll call it radio friendly, that don't

1285
00:52:48,280 --> 00:52:50,240
Speaker 4: hit the radio as singles. And some of your songs,

1286
00:52:50,280 --> 00:52:52,000
Speaker 4: they don't feel like they would be radio singles, hit

1287
00:52:52,080 --> 00:52:54,239
Speaker 4: radio and then become a single. Like it's almost like

1288
00:52:54,239 --> 00:52:56,200
Speaker 4: you're picking harder songs just so you can do it

1289
00:52:56,239 --> 00:52:58,040
Speaker 4: for the sake of it, because that's who you are.

1290
00:52:59,480 --> 00:53:01,680
Speaker 10: Well, I'm you may be giving me too much credit

1291
00:53:01,880 --> 00:53:03,040
Speaker 10: that I'm picking them.

1292
00:53:03,080 --> 00:53:03,400
Speaker 3: Holy.

1293
00:53:03,960 --> 00:53:06,480
Speaker 10: There's a definitely discussion around it, and I have opinions

1294
00:53:06,480 --> 00:53:09,160
Speaker 10: in it. But you know, sometimes like all right, well,

1295
00:53:09,200 --> 00:53:10,640
Speaker 10: if you guys think that's what we should do, let's

1296
00:53:10,640 --> 00:53:13,319
Speaker 10: do that. Or sometimes like, well I think we should

1297
00:53:13,360 --> 00:53:14,920
Speaker 10: do this. I know that's going to be difficult for

1298
00:53:14,960 --> 00:53:17,239
Speaker 10: you and may only make it to number sixteen, but

1299
00:53:17,320 --> 00:53:20,480
Speaker 10: let's let's do that. Because I think that I'm always

1300
00:53:20,520 --> 00:53:23,520
Speaker 10: trying to look for things that represent the album, and

1301
00:53:23,600 --> 00:53:25,960
Speaker 10: if you can represent out the album over the course

1302
00:53:26,000 --> 00:53:27,759
Speaker 10: of putting singles out on the album. I think that

1303
00:53:27,760 --> 00:53:33,319
Speaker 10: that is for what I like, you know, the things

1304
00:53:33,320 --> 00:53:34,600
Speaker 10: that would draw people to the album and go, oh,

1305
00:53:34,640 --> 00:53:36,279
Speaker 10: well that's different. Maybe I'll go check out what else

1306
00:53:36,360 --> 00:53:39,799
Speaker 10: is on the album. And that's always my goal, and

1307
00:53:39,960 --> 00:53:44,960
Speaker 10: I think that is probably different, a different mentality than

1308
00:53:45,000 --> 00:53:48,240
Speaker 10: other people have than when they just want the biggest

1309
00:53:48,320 --> 00:53:48,840
Speaker 10: hit they can have.

1310
00:53:49,400 --> 00:53:53,840
Speaker 4: When you're writing songs as your day job and you're going,

1311
00:53:54,239 --> 00:53:56,879
Speaker 4: you know, five days a week and you're Monday, Tuesday, Onnesdays, Friday,

1312
00:53:56,920 --> 00:53:58,760
Speaker 4: sometimes two times a day. I don't do that anymore,

1313
00:53:58,760 --> 00:54:00,480
Speaker 4: but anymore, but you did, cause you have like one

1314
00:54:00,520 --> 00:54:02,439
Speaker 4: hundred and seventy cuts, right so there for years you're writing,

1315
00:54:02,600 --> 00:54:04,040
Speaker 4: You're writing a bunch, Yeah, I know.

1316
00:54:04,160 --> 00:54:05,560
Speaker 10: I mean when I first I got I got to town,

1317
00:54:05,600 --> 00:54:07,000
Speaker 10: I would write two and three times a day.

1318
00:54:07,040 --> 00:54:09,799
Speaker 4: But how do you keep coming up with new ideas?

1319
00:54:10,239 --> 00:54:12,359
Speaker 4: Because almost it's almost like a new way to say

1320
00:54:12,360 --> 00:54:14,759
Speaker 4: the same thing, like how how do or do you

1321
00:54:14,800 --> 00:54:16,600
Speaker 4: sometimes if it didn't work before, do you try that

1322
00:54:16,640 --> 00:54:18,040
Speaker 4: same idea again in a different way.

1323
00:54:20,760 --> 00:54:24,040
Speaker 10: I don't like to recycle myself necessarily, but there's certainly,

1324
00:54:24,760 --> 00:54:29,040
Speaker 10: you know, things that you can lean into technique wise

1325
00:54:29,120 --> 00:54:33,640
Speaker 10: that that make that makes sense, you know, I know

1326
00:54:33,719 --> 00:54:35,600
Speaker 10: how the song goes, you know, like.

1327
00:54:35,800 --> 00:54:38,240
Speaker 3: You get writer's block coming up with ideas.

1328
00:54:39,880 --> 00:54:42,719
Speaker 10: I'm sure I probably do. I don't necessarily think of

1329
00:54:42,760 --> 00:54:46,200
Speaker 10: it as that the common when they come or they don't.

1330
00:54:46,520 --> 00:54:48,560
Speaker 10: And you know, when you're doing the thing where you

1331
00:54:48,600 --> 00:54:52,040
Speaker 10: go in and you're working, you know, as a like

1332
00:54:52,080 --> 00:54:56,839
Speaker 10: a blue collar working in like a songwriter. Would you

1333
00:54:56,880 --> 00:54:58,640
Speaker 10: go in and you work like a job and and

1334
00:54:58,800 --> 00:55:02,200
Speaker 10: you and you go in and even if you don't

1335
00:55:02,200 --> 00:55:05,239
Speaker 10: have anything that day, nine times out of ten year

1336
00:55:05,280 --> 00:55:06,160
Speaker 10: co writer has something.

1337
00:55:07,600 --> 00:55:09,000
Speaker 3: Or you sit there.

1338
00:55:09,280 --> 00:55:11,880
Speaker 10: If you go someplace with a purpose to do something,

1339
00:55:13,400 --> 00:55:16,600
Speaker 10: I think you get really good at turning that thing on,

1340
00:55:17,320 --> 00:55:20,359
Speaker 10: you know. Like so I have no problem walking into

1341
00:55:20,400 --> 00:55:23,240
Speaker 10: a room and going, let's write a song. And I'm

1342
00:55:23,280 --> 00:55:25,520
Speaker 10: a big strumming hum guy too, So I start from

1343
00:55:25,560 --> 00:55:28,239
Speaker 10: a melody. I start from the musical side of things

1344
00:55:28,239 --> 00:55:29,759
Speaker 10: a lot more than I would start from a lyrical

1345
00:55:29,840 --> 00:55:32,160
Speaker 10: side of things anyway. And then I would find words

1346
00:55:32,160 --> 00:55:36,040
Speaker 10: in a melody, you know, I'd start humming nonsense until

1347
00:55:36,360 --> 00:55:39,120
Speaker 10: a word popped out, and I will what does that

1348
00:55:39,160 --> 00:55:41,160
Speaker 10: mean in the context of what this song is? And

1349
00:55:41,200 --> 00:55:44,640
Speaker 10: then you try to form an idea around that. But

1350
00:55:45,000 --> 00:55:47,560
Speaker 10: you know, and I've also walked in in a co

1351
00:55:47,680 --> 00:55:49,440
Speaker 10: writer's handed me an entire lyric and said, hey, I

1352
00:55:49,480 --> 00:55:52,000
Speaker 10: can't I don't have a melody for this. You know,

1353
00:55:52,120 --> 00:55:55,200
Speaker 10: it can be that or the other. The converse can

1354
00:55:55,239 --> 00:55:58,640
Speaker 10: be true. People someone would walk in with this wholly

1355
00:55:58,719 --> 00:56:02,040
Speaker 10: formed melody and go I need I need lyrics over

1356
00:56:02,080 --> 00:56:04,479
Speaker 10: top of this. You know, it can go any number

1357
00:56:04,520 --> 00:56:07,279
Speaker 10: of ways, and you have to be open to doing

1358
00:56:07,320 --> 00:56:10,080
Speaker 10: it any way that presents itself that day. And so

1359
00:56:10,160 --> 00:56:12,359
Speaker 10: I don't want to worry about ideas. I don't worry

1360
00:56:12,400 --> 00:56:18,040
Speaker 10: about running out of ideas because chances are if you

1361
00:56:18,120 --> 00:56:21,920
Speaker 10: have an idea, it's already been done some way anyway.

1362
00:56:22,480 --> 00:56:27,239
Speaker 10: So I don't have any notions that we're reinventing or

1363
00:56:27,520 --> 00:56:30,120
Speaker 10: coming up with wholly original things all the time, because

1364
00:56:30,160 --> 00:56:31,000
Speaker 10: you just can't do that.

1365
00:56:31,960 --> 00:56:34,840
Speaker 4: I don't have a melody for plural rural murals. Okay,

1366
00:56:35,320 --> 00:56:37,560
Speaker 4: we think, just think I'm not. I have a shuffle,

1367
00:56:37,600 --> 00:56:40,000
Speaker 4: I have the lyric. No, it's more of like a

1368
00:56:40,120 --> 00:56:42,440
Speaker 4: it's more like soul, like something that Stapleton would do.

1369
00:56:42,600 --> 00:56:45,680
Speaker 4: But its like a shuffle to me. Yeah, I don't

1370
00:56:45,680 --> 00:56:48,040
Speaker 4: even know what that means. A shuffle, But I don't know.

1371
00:56:48,239 --> 00:56:49,920
Speaker 4: Just sometimes I just nod and say stuff.

1372
00:56:50,880 --> 00:56:52,000
Speaker 3: How'd you get involved in the mom?

1373
00:56:52,040 --> 00:56:53,640
Speaker 10: Man? This is a Country of Music show. You can

1374
00:56:53,640 --> 00:56:54,440
Speaker 10: know what a shuffle is?

1375
00:56:54,640 --> 00:56:56,920
Speaker 4: Well, I know, like the timing of a show. That's

1376
00:56:56,920 --> 00:56:58,839
Speaker 4: all you're talking about, like a waltz and a show.

1377
00:56:59,080 --> 00:57:01,800
Speaker 3: Yeah, yeah, yah, yeah, I know that it's a shuffle. Okay,

1378
00:57:02,239 --> 00:57:03,800
Speaker 3: I know. I shovel cards.

1379
00:57:04,239 --> 00:57:05,000
Speaker 10: Are you good at it?

1380
00:57:05,640 --> 00:57:06,120
Speaker 3: Oh? Yeah?

1381
00:57:06,160 --> 00:57:07,640
Speaker 4: My grandma taught me how to gamble when I was

1382
00:57:07,680 --> 00:57:10,879
Speaker 4: six years old. I used to cheat a lot. Yeah,

1383
00:57:11,000 --> 00:57:15,439
Speaker 4: my grandma, I can go. I can go under from

1384
00:57:15,480 --> 00:57:17,680
Speaker 4: under pretty quick without anybody noticing. But I han't a

1385
00:57:17,680 --> 00:57:19,280
Speaker 4: long time. Yeah, but I used to do in college.

1386
00:57:19,280 --> 00:57:20,439
Speaker 4: I would cheat and make That's how.

1387
00:57:20,320 --> 00:57:22,680
Speaker 3: I made a lot of money was cheating at cards.

1388
00:57:22,920 --> 00:57:24,560
Speaker 4: And then I played poker for a long time. Would

1389
00:57:24,560 --> 00:57:28,040
Speaker 4: try and I would go to Vegas every weekend. Want

1390
00:57:28,040 --> 00:57:29,480
Speaker 4: a big tournament once was pretty cool?

1391
00:57:29,520 --> 00:57:30,480
Speaker 10: Yeah, you know how to do it?

1392
00:57:30,640 --> 00:57:32,840
Speaker 4: And then I had to stop cold turkey because I

1393
00:57:32,840 --> 00:57:35,800
Speaker 4: have all I was doing, was consumed in cards, doule

1394
00:57:35,800 --> 00:57:40,520
Speaker 4: brunts and books odds. I was just everything I did

1395
00:57:40,600 --> 00:57:42,400
Speaker 4: was doing this show and reading about cards.

1396
00:57:42,440 --> 00:57:46,480
Speaker 3: So I stopped. What are you obsessed with knives?

1397
00:57:46,720 --> 00:57:48,080
Speaker 10: I wouldn't say mused for them.

1398
00:57:48,160 --> 00:57:51,600
Speaker 3: Guitars probably, yeah, more guitars are knives.

1399
00:57:51,880 --> 00:57:53,120
Speaker 10: Oh guitars? Yeah?

1400
00:57:53,160 --> 00:57:53,520
Speaker 3: Really?

1401
00:57:54,600 --> 00:58:01,080
Speaker 10: Oh yeah, well, amplifiers, gear, you know, anything that can

1402
00:58:01,240 --> 00:58:05,040
Speaker 10: be made useful in creating music, even if it's in

1403
00:58:05,080 --> 00:58:09,280
Speaker 10: the most wild weird way.

1404
00:58:09,440 --> 00:58:11,040
Speaker 3: You know, what do you mean wild weird?

1405
00:58:11,160 --> 00:58:11,200
Speaker 2: Like?

1406
00:58:11,280 --> 00:58:12,280
Speaker 3: Oh, just like buying a.

1407
00:58:13,760 --> 00:58:17,200
Speaker 10: Nineteen seventies drum machine or so, you know, something weird

1408
00:58:17,480 --> 00:58:19,760
Speaker 10: or not. Probably the instruments. I can't even play drums,

1409
00:58:19,800 --> 00:58:23,000
Speaker 10: you know. I'll buy things I can't even play just

1410
00:58:23,040 --> 00:58:25,560
Speaker 10: to see if I can make them lead to something

1411
00:58:26,720 --> 00:58:27,560
Speaker 10: like creatively.

1412
00:58:27,680 --> 00:58:30,400
Speaker 4: Sometimes you'll you'll find something that will it'll give you

1413
00:58:30,440 --> 00:58:32,280
Speaker 4: a sound or a texture and that can take you

1414
00:58:32,320 --> 00:58:32,919
Speaker 4: somewhere else.

1415
00:58:33,880 --> 00:58:36,360
Speaker 3: Yeah, that's pretty cool. What instrument you think would help

1416
00:58:36,400 --> 00:58:40,080
Speaker 3: you do ploy a row murals? Exactly?

1417
00:58:40,080 --> 00:58:41,880
Speaker 4: I don't know yet, too much stilver you think about it. Yeah,

1418
00:58:41,920 --> 00:58:44,479
Speaker 4: it's over your head. Okay, Look, I got two final

1419
00:58:44,520 --> 00:58:45,800
Speaker 4: questions for you. You know I love you so I

1420
00:58:45,880 --> 00:58:47,440
Speaker 4: got two final questions for it. I would keep you,

1421
00:58:47,480 --> 00:58:51,280
Speaker 4: I keep you all day. You are known as a

1422
00:58:51,320 --> 00:58:55,080
Speaker 4: prolific songwriter now and guitar player. But I'm going to

1423
00:58:55,120 --> 00:58:56,720
Speaker 4: ask you to put that back on somebody else. Have

1424
00:58:56,800 --> 00:58:57,960
Speaker 4: you ever been in the room, and it could be

1425
00:58:58,000 --> 00:58:59,800
Speaker 4: one of your buddies, It could be somebody who wrote

1426
00:58:59,800 --> 00:59:02,640
Speaker 4: with the first time that had a concept or a

1427
00:59:02,680 --> 00:59:05,320
Speaker 4: lyric that you're just like, oh my god, that is awesome.

1428
00:59:06,360 --> 00:59:09,840
Speaker 10: Yes, pretty much every time I ride with somebody, what.

1429
00:59:09,840 --> 00:59:11,640
Speaker 4: Comes to mind is one of the last times that happened.

1430
00:59:13,240 --> 00:59:16,200
Speaker 10: I mean, once again, I've co written with somebody maybe

1431
00:59:16,280 --> 00:59:20,440
Speaker 10: once in the last two years, so I don't do

1432
00:59:20,520 --> 00:59:21,440
Speaker 10: a lot of that anymore.

1433
00:59:21,560 --> 00:59:24,440
Speaker 4: But what about one of your hits from five years ago?

1434
00:59:24,600 --> 00:59:26,960
Speaker 4: Somebody gives you like a great lyric inside of it.

1435
00:59:27,000 --> 00:59:28,720
Speaker 10: Well, I mean most of the time when that happens,

1436
00:59:29,480 --> 00:59:31,840
Speaker 10: it would have been with Mike Henderson, who's no longer

1437
00:59:31,840 --> 00:59:34,960
Speaker 10: with us, but he was a poet, you know, and

1438
00:59:37,040 --> 00:59:38,880
Speaker 10: I would walk into that a lot in that room.

1439
00:59:38,920 --> 00:59:40,400
Speaker 3: It needs to be blown away.

1440
00:59:40,280 --> 00:59:43,720
Speaker 10: Yeah, just like well, okay, yeah, I'm My function in

1441
00:59:43,720 --> 00:59:47,360
Speaker 10: that room most of the time was to make up

1442
00:59:47,400 --> 00:59:47,920
Speaker 10: a melody.

1443
00:59:49,320 --> 00:59:51,480
Speaker 4: Do you get tagged, or people want to always show

1444
00:59:51,520 --> 00:59:56,000
Speaker 4: you people singing Tennessee whiskey. I would assume everywhere you go,

1445
00:59:56,200 --> 00:59:57,000
Speaker 4: not a lot.

1446
00:59:57,040 --> 00:59:59,680
Speaker 10: I mean people will send it to me when they're

1447
00:59:59,760 --> 01:00:02,320
Speaker 10: in on place that they don't think that they're gonna

1448
01:00:02,360 --> 01:00:06,360
Speaker 10: hear it, like somebody to be in Mexico and send

1449
01:00:06,360 --> 01:00:10,480
Speaker 10: a mariachi band playing, which is awesome, you know.

1450
01:00:10,600 --> 01:00:11,959
Speaker 3: Yeah, that's like that song.

1451
01:00:12,040 --> 01:00:13,720
Speaker 4: When I was on Idol too, everybody would try to

1452
01:00:13,720 --> 01:00:18,520
Speaker 4: sing that you have made that song just ubiquitous in

1453
01:00:18,600 --> 01:00:21,640
Speaker 4: all the music. And I don't know if that gets

1454
01:00:21,640 --> 01:00:24,000
Speaker 4: to you because you're in it, but man, it's even

1455
01:00:24,400 --> 01:00:26,720
Speaker 4: from all this shows and musical and this, everybody wants

1456
01:00:26,720 --> 01:00:27,520
Speaker 4: to sing that song all the time.

1457
01:00:27,520 --> 01:00:32,280
Speaker 3: Where it's like cool, that's good, but let's up, like.

1458
01:00:32,600 --> 01:00:34,560
Speaker 10: Yeah, I mean it's kind of the point. I mean,

1459
01:00:34,560 --> 01:00:37,040
Speaker 10: I'm sure there's there's It's become.

1460
01:00:38,320 --> 01:00:39,960
Speaker 3: Eda James at Last. They do that too a lot.

1461
01:00:40,520 --> 01:00:45,560
Speaker 4: Like great song, but when so many people sing it.

1462
01:00:44,560 --> 01:00:47,840
Speaker 10: Yeah, well it's hard, you know, Like wille Else is

1463
01:00:47,840 --> 01:00:50,560
Speaker 10: Crazy is another song like that that. I'm not saying.

1464
01:00:51,160 --> 01:00:52,960
Speaker 4: It's not Willier this song, but it's the people that

1465
01:00:53,040 --> 01:00:54,560
Speaker 4: keeps in every version of it and.

1466
01:00:54,480 --> 01:00:58,160
Speaker 10: There's so many versions of songs like sometimes you know

1467
01:00:58,200 --> 01:01:01,560
Speaker 10: and sometimes they're they're done to you, like you don't

1468
01:01:02,440 --> 01:01:04,800
Speaker 10: need to do them, and but there's always somebody that can,

1469
01:01:04,920 --> 01:01:07,880
Speaker 10: you know, bring something to it, so that that's always

1470
01:01:07,920 --> 01:01:10,640
Speaker 10: I mean, and I think the real challenge when you

1471
01:01:10,680 --> 01:01:16,240
Speaker 10: have a song that becomes that recognizable or or fun

1472
01:01:16,280 --> 01:01:20,880
Speaker 10: for people to sing, the challenge becomes what can you

1473
01:01:20,880 --> 01:01:24,440
Speaker 10: bring to it? And it's almost like some kind of

1474
01:01:26,640 --> 01:01:29,760
Speaker 10: game for people, for singers almost, you know, like I'm

1475
01:01:29,760 --> 01:01:30,880
Speaker 10: gonna put this on it, and.

1476
01:01:32,880 --> 01:01:34,400
Speaker 3: I don't know, do you ever not want to sing

1477
01:01:34,440 --> 01:01:35,160
Speaker 3: that song anymore?

1478
01:01:35,240 --> 01:01:36,800
Speaker 10: No? Why would I not want to sing that song?

1479
01:01:36,840 --> 01:01:38,360
Speaker 3: I don't know if you're sing it so many times.

1480
01:01:38,680 --> 01:01:40,320
Speaker 10: I mean, I'm a lot of songs, but a lot

1481
01:01:40,320 --> 01:01:43,200
Speaker 10: of times that that song is the reason that you're

1482
01:01:43,240 --> 01:01:44,600
Speaker 10: sitting here talking to me right now.

1483
01:01:44,720 --> 01:01:44,880
Speaker 11: Now.

1484
01:01:45,240 --> 01:01:47,480
Speaker 3: You're on before that we had you on before.

1485
01:01:47,520 --> 01:01:49,920
Speaker 10: That's true, that's true, you did, but but that's the

1486
01:01:49,960 --> 01:01:51,440
Speaker 10: reason that you continue to talk to me.

1487
01:01:52,840 --> 01:01:54,720
Speaker 3: I'm in love with you. That's why I talk to you.

1488
01:01:55,240 --> 01:01:56,880
Speaker 10: I have a lot of people on on this show

1489
01:01:56,960 --> 01:01:59,360
Speaker 10: that sometimes and I probably was in this category at

1490
01:01:59,400 --> 01:02:03,920
Speaker 10: one point where and forgive me, for not know how

1491
01:02:03,920 --> 01:02:06,720
Speaker 10: it works, but I think you probably have to have

1492
01:02:06,720 --> 01:02:08,600
Speaker 10: them on because they have a current single out.

1493
01:02:08,560 --> 01:02:09,920
Speaker 3: Or I used to have to do that.

1494
01:02:09,960 --> 01:02:11,880
Speaker 4: Not anymore, you do anything, really I have don't think

1495
01:02:11,880 --> 01:02:14,200
Speaker 4: I don't want to do anymore. Everyone's lost client thing.

1496
01:02:14,240 --> 01:02:16,760
Speaker 10: But mostly it's like yeah, well, but also sometimes it's

1497
01:02:16,760 --> 01:02:19,480
Speaker 10: a relationship thing. I'm sure, where it's like, hey, I

1498
01:02:19,520 --> 01:02:23,000
Speaker 10: got my guy here, bring them on for sure, this

1499
01:02:23,040 --> 01:02:25,200
Speaker 10: is this is the new act. She she's really good.

1500
01:02:25,240 --> 01:02:27,120
Speaker 10: I think you should check it out, and you and

1501
01:02:27,200 --> 01:02:28,640
Speaker 10: you and you have to roll the dice on those

1502
01:02:28,680 --> 01:02:32,280
Speaker 10: things sometimes, I think, And that's one of the strengths

1503
01:02:32,280 --> 01:02:34,040
Speaker 10: of this show. I think because you bring people along

1504
01:02:34,040 --> 01:02:36,000
Speaker 10: that nobody's ever heard of it, which I was one

1505
01:02:36,000 --> 01:02:36,560
Speaker 10: of those people.

1506
01:02:37,320 --> 01:02:40,440
Speaker 4: At some point, Megan Maroney covered what Are You listening To?

1507
01:02:40,480 --> 01:02:42,880
Speaker 4: You played that on the show before. Have you heard

1508
01:02:42,920 --> 01:02:43,360
Speaker 4: a version?

1509
01:02:43,520 --> 01:02:44,120
Speaker 10: I don't think I have.

1510
01:02:44,240 --> 01:02:47,040
Speaker 3: Oh my god, it's it's awesome. It's like that song

1511
01:02:47,160 --> 01:02:47,560
Speaker 3: was so good.

1512
01:02:47,600 --> 01:02:49,880
Speaker 4: I was always so disappointed that wasn't that first song

1513
01:02:49,960 --> 01:02:52,680
Speaker 4: because when you was that song, I loved it.

1514
01:02:52,840 --> 01:02:54,600
Speaker 10: I think everything worked out like it was opposed to

1515
01:02:54,640 --> 01:02:55,120
Speaker 10: It's all good.

1516
01:02:55,160 --> 01:02:56,400
Speaker 3: You believe in that, do you believe in everything working

1517
01:02:56,400 --> 01:02:57,000
Speaker 3: out like I.

1518
01:02:56,880 --> 01:02:59,720
Speaker 10: Do, even you, but particularly in the times that you're

1519
01:02:59,760 --> 01:03:05,600
Speaker 10: from straighted thinking that something's supposed to be. I don't

1520
01:03:05,680 --> 01:03:08,720
Speaker 10: understand this is this is a good whatever, And I

1521
01:03:08,720 --> 01:03:10,600
Speaker 10: mean it applies to any part of life. I think

1522
01:03:13,680 --> 01:03:16,439
Speaker 10: you know when things aren't working out like you think

1523
01:03:16,440 --> 01:03:18,240
Speaker 10: they should, and you've done all the things that you

1524
01:03:18,240 --> 01:03:21,000
Speaker 10: think you're supposed to do to get the result that

1525
01:03:21,760 --> 01:03:24,600
Speaker 10: you think you're supposed to get and it's just not

1526
01:03:24,760 --> 01:03:29,440
Speaker 10: lining up. I think if you can take a deep

1527
01:03:29,440 --> 01:03:31,840
Speaker 10: breath in those moments and go all right, well, there's

1528
01:03:31,880 --> 01:03:34,400
Speaker 10: a reason none of this is lining up. I don't

1529
01:03:34,400 --> 01:03:37,680
Speaker 10: know what it is at this moment. I can't see it.

1530
01:03:38,120 --> 01:03:42,640
Speaker 10: I'm not happy about it. But but move on with

1531
01:03:42,760 --> 01:03:47,760
Speaker 10: time and keep on pushing, and eventually you get to

1532
01:03:47,760 --> 01:03:49,920
Speaker 10: the to a place where you're like, oh, the reason

1533
01:03:49,960 --> 01:03:52,720
Speaker 10: that this didn't happen is because this other thing needed

1534
01:03:52,720 --> 01:03:53,160
Speaker 10: to happen.

1535
01:03:53,600 --> 01:03:56,080
Speaker 3: And that's like Marcus really is like meditation is the book.

1536
01:03:56,080 --> 01:03:57,959
Speaker 3: You just give the whole book right there. And also

1537
01:03:58,080 --> 01:04:00,120
Speaker 3: it's like I said, that's why he hasn't taken or

1538
01:04:00,200 --> 01:04:02,240
Speaker 3: royal murals. There's gotta be a real that must be

1539
01:04:02,240 --> 01:04:02,760
Speaker 3: a really good I.

1540
01:04:02,680 --> 01:04:03,960
Speaker 10: Mean, I've been thinking about it the whole time. I

1541
01:04:03,960 --> 01:04:04,880
Speaker 10: do think it's a shuffle.

1542
01:04:05,000 --> 01:04:10,600
Speaker 4: Okay, well let me know that. Just want the melody, okay, Chris. Last, last, last,

1543
01:04:10,680 --> 01:04:11,960
Speaker 4: last question, last last question.

1544
01:04:12,160 --> 01:04:13,920
Speaker 3: When are you? When are you doing new more music?

1545
01:04:14,640 --> 01:04:15,720
Speaker 10: When am I doing more music?

1546
01:04:16,920 --> 01:04:17,240
Speaker 3: November?

1547
01:04:17,280 --> 01:04:19,200
Speaker 4: I know, but less like I've listened to it a lot.

1548
01:04:19,240 --> 01:04:21,680
Speaker 4: I still like it, but I'm saying, you know, there's

1549
01:04:21,760 --> 01:04:22,720
Speaker 4: higher you gonna do lower.

1550
01:04:23,080 --> 01:04:25,600
Speaker 10: I hadn't thought about it until now. But you know, no,

1551
01:04:26,040 --> 01:04:30,040
Speaker 10: that's not a real thought currently. There wasn't any thought

1552
01:04:30,120 --> 01:04:32,320
Speaker 10: and carrying that on through into something.

1553
01:04:33,240 --> 01:04:36,200
Speaker 3: But is anything recorded right now? Oh?

1554
01:04:36,280 --> 01:04:40,000
Speaker 10: No, okay, I mean there listen, all records have things

1555
01:04:40,040 --> 01:04:43,200
Speaker 10: that are recorded that don't exist.

1556
01:04:43,040 --> 01:04:46,840
Speaker 4: In the wod that have happened since for a new

1557
01:04:46,920 --> 01:04:48,080
Speaker 4: something nothing exists.

1558
01:04:48,400 --> 01:04:50,320
Speaker 3: No, okay, all right, that's good.

1559
01:04:50,600 --> 01:04:55,760
Speaker 4: We're done then I'm done with them. Good, all right, Chris, congratulations.

1560
01:04:55,800 --> 01:04:57,480
Speaker 3: I love when you come around, man, Thank you. Yeah,

1561
01:04:57,480 --> 01:04:59,520
Speaker 3: it's awesome. You guys heard of this guy, Chris able to

1562
01:05:00,160 --> 01:05:01,400
Speaker 3: all right, well, Chris, good.

1563
01:05:01,280 --> 01:05:03,280
Speaker 4: To see there is Christappers and everybody all American Roads

1564
01:05:03,320 --> 01:05:06,240
Speaker 4: show back out, so go check it out. He's got

1565
01:05:06,240 --> 01:05:08,800
Speaker 4: a bunch of great acts, the Warren Treaty, freaking love

1566
01:05:08,840 --> 01:05:11,080
Speaker 4: them awesome, Alan Stone, love them.

1567
01:05:11,120 --> 01:05:12,080
Speaker 3: I can go to the whole list.

1568
01:05:12,080 --> 01:05:14,560
Speaker 10: You have great taste, Well, my wife has great taste.

1569
01:05:14,720 --> 01:05:19,400
Speaker 10: And because she is always the front, you know, she's

1570
01:05:19,440 --> 01:05:22,280
Speaker 10: the tip of the spear on on steering some of

1571
01:05:22,320 --> 01:05:27,000
Speaker 10: the opener stuff. So she's the discovery person in our house.

1572
01:05:27,320 --> 01:05:28,720
Speaker 10: I listen to the music that I listened to when

1573
01:05:28,720 --> 01:05:31,959
Speaker 10: I'm seventeen, a lot, you know, or guys that are dead.

1574
01:05:32,120 --> 01:05:32,320
Speaker 3: You know.

1575
01:05:33,600 --> 01:05:34,480
Speaker 10: Well, that's a good combo.

1576
01:05:34,600 --> 01:05:36,760
Speaker 4: He sounds dark man, Yeah, don't. I'm not ready to

1577
01:05:36,800 --> 01:05:38,640
Speaker 4: go there. All right, there he is, Chris Staples and everybody.

1578
01:05:38,680 --> 01:05:39,040
Speaker 3: Nice job.

1579
01:05:41,160 --> 01:05:43,760
Speaker 4: Don't say these phrases to your partner, no matter how

1580
01:05:43,920 --> 01:05:49,360
Speaker 4: angry you get. That's the head this article by bold Boldie.

1581
01:05:49,400 --> 01:05:51,640
Speaker 4: So they less ten things you should not say to

1582
01:05:51,680 --> 01:05:55,280
Speaker 4: your partner, regardless of how mad you get. And it's

1583
01:05:55,280 --> 01:05:58,280
Speaker 4: a tough situation to be feeling emotional and you're reacting

1584
01:05:58,320 --> 01:06:00,760
Speaker 4: and not responding and have to be your partner. You

1585
01:06:00,760 --> 01:06:03,880
Speaker 4: fight with anybody, it's tense. You say things sometimes you

1586
01:06:03,920 --> 01:06:06,600
Speaker 4: don't mean. Just a weapon. But let's go through the

1587
01:06:06,640 --> 01:06:08,640
Speaker 4: list and be honest. If you ever say it, Okay,

1588
01:06:09,680 --> 01:06:12,840
Speaker 4: you're just like your parent. If I said that to

1589
01:06:12,880 --> 01:06:14,800
Speaker 4: my wife, she'd be like, she say thank you. And

1590
01:06:14,840 --> 01:06:16,440
Speaker 4: now if I said that to her, that'd be a compliment.

1591
01:06:16,760 --> 01:06:19,439
Speaker 4: So I would never use that one because her parents

1592
01:06:19,480 --> 01:06:23,400
Speaker 4: are awesome, because like your parents awesome. Yeah, then we

1593
01:06:23,440 --> 01:06:27,400
Speaker 4: make out, i'd be a compliment. But you do you

1594
01:06:27,400 --> 01:06:28,760
Speaker 4: ever say that? And have you ever said that in

1595
01:06:28,760 --> 01:06:29,960
Speaker 4: a way that wasn't positive?

1596
01:06:30,400 --> 01:06:32,840
Speaker 3: Yes? And what are you referring to?

1597
01:06:33,280 --> 01:06:35,440
Speaker 6: Just what do you mean specifically? I'm not gonna say that.

1598
01:06:35,480 --> 01:06:39,520
Speaker 6: Well know, like what trait just something that her parent does.

1599
01:06:39,600 --> 01:06:40,800
Speaker 3: And I'm like, you're acting like yours.

1600
01:06:41,440 --> 01:06:45,400
Speaker 4: I say, you're just like your mom, because her mom is.

1601
01:06:48,360 --> 01:06:51,320
Speaker 9: Correcting, like like she'll be visiting and I'll do something like, oh,

1602
01:06:51,320 --> 01:06:53,560
Speaker 9: you shouldn't do it that way, and I'm like, got it,

1603
01:06:54,120 --> 01:06:56,800
Speaker 9: and then my wife, oh, he you know, we're okay,

1604
01:06:56,840 --> 01:06:59,320
Speaker 9: and then they leave and my wife, you shouldn't do

1605
01:06:59,360 --> 01:06:59,640
Speaker 9: it that way.

1606
01:06:59,680 --> 01:07:01,360
Speaker 3: I say, you are exactly like your mom right now.

1607
01:07:01,400 --> 01:07:04,800
Speaker 3: And how does she react to that? She's like, I'll

1608
01:07:04,840 --> 01:07:07,120
Speaker 3: work on that. Oh, she says that that's good.

1609
01:07:08,240 --> 01:07:11,320
Speaker 8: Yeah, I've had that said to me, you're just like

1610
01:07:11,320 --> 01:07:12,800
Speaker 8: your parents. Yeah, and it was.

1611
01:07:13,080 --> 01:07:16,400
Speaker 7: It was frustrating because I could say that about my mom,

1612
01:07:16,640 --> 01:07:18,400
Speaker 7: but then when somebody else says it about my mom,

1613
01:07:18,440 --> 01:07:21,320
Speaker 7: like comparing me to her, I'm like suddenly like, what

1614
01:07:21,080 --> 01:07:22,200
Speaker 7: what are you saying about my mom?

1615
01:07:22,240 --> 01:07:23,560
Speaker 8: And then what are you saying about me?

1616
01:07:23,680 --> 01:07:26,680
Speaker 4: But the next one is so harsh. I would never

1617
01:07:26,680 --> 01:07:28,760
Speaker 4: even think to say it, Oh, I wish I never

1618
01:07:28,880 --> 01:07:29,520
Speaker 4: met you?

1619
01:07:29,560 --> 01:07:29,800
Speaker 1: No?

1620
01:07:29,880 --> 01:07:33,520
Speaker 4: What? No, Like when I'm arguing, I'll say stuff in

1621
01:07:33,600 --> 01:07:36,120
Speaker 4: the it's you know, it's a game, it's a strategy,

1622
01:07:36,120 --> 01:07:38,960
Speaker 4: it's a battle. But I would never say I wish

1623
01:07:39,000 --> 01:07:39,680
Speaker 4: I never met you.

1624
01:07:39,800 --> 01:07:43,440
Speaker 6: I said that to my parents, but not my wife.

1625
01:07:42,240 --> 01:07:44,880
Speaker 3: You have no choice to meet them.

1626
01:07:44,760 --> 01:07:44,960
Speaker 1: I know.

1627
01:07:45,040 --> 01:07:46,240
Speaker 3: But it was like so frustrating.

1628
01:07:46,280 --> 01:07:48,240
Speaker 6: You know, You're like, I wish you didn't know you

1629
01:07:48,400 --> 01:07:49,640
Speaker 6: really were you an adult?

1630
01:07:50,000 --> 01:07:52,400
Speaker 3: Nah, that's when I was a kid. That doesn't feel

1631
01:07:52,440 --> 01:07:54,160
Speaker 3: like an adult. That was yesterday.

1632
01:07:54,160 --> 01:07:54,440
Speaker 10: Guys.

1633
01:07:55,480 --> 01:07:58,040
Speaker 3: All right, the next one, you always are? You never?

1634
01:07:58,320 --> 01:08:00,800
Speaker 4: And I do that, I don't always always. I mean

1635
01:08:00,840 --> 01:08:02,600
Speaker 4: you're doing it right now, you two? Yes, always, I

1636
01:08:02,640 --> 01:08:03,240
Speaker 4: always do it.

1637
01:08:03,320 --> 01:08:06,120
Speaker 7: Yes, Yeah, I'm guilty of that, but also know that

1638
01:08:06,160 --> 01:08:09,320
Speaker 7: you shouldn't do it both because I go, yeah, you

1639
01:08:09,360 --> 01:08:09,920
Speaker 7: always do it.

1640
01:08:09,960 --> 01:08:11,600
Speaker 3: She's like, don't say always, because you know I don't

1641
01:08:11,600 --> 01:08:13,400
Speaker 3: always do anything, but she always.

1642
01:08:13,400 --> 01:08:14,920
Speaker 4: But then but you always do this too, where you

1643
01:08:14,920 --> 01:08:17,920
Speaker 4: told me not to do always. And then she's like, what, yeah,

1644
01:08:18,040 --> 01:08:23,040
Speaker 4: I throw off yeah number the next one. You're overreacting,

1645
01:08:23,080 --> 01:08:27,719
Speaker 4: Oh yeah, yes, constantly. And I'm probably the way that Yeah. Yeah,

1646
01:08:27,840 --> 01:08:31,080
Speaker 4: and I'm probably the one overreacting. But I'm like, you're overreacting,

1647
01:08:31,360 --> 01:08:33,200
Speaker 4: don't worry. It's not a big deal. She's like, well,

1648
01:08:33,240 --> 01:08:33,840
Speaker 4: to me, it is.

1649
01:08:33,800 --> 01:08:35,840
Speaker 8: That you're not validating their feelings when you say that.

1650
01:08:36,520 --> 01:08:40,080
Speaker 4: I know I'm wrong, we're all wrong, we're right. But

1651
01:08:40,160 --> 01:08:44,160
Speaker 4: I always tell her you're always overreacting. Oh you're always.

1652
01:08:45,000 --> 01:08:47,480
Speaker 3: The worst. Is that here we go, you're reacting.

1653
01:08:47,120 --> 01:08:52,040
Speaker 4: Again exactly if I would have never met you, you'd

1654
01:08:52,040 --> 01:08:56,559
Speaker 4: never overreacted. Always with all of them. Yeah I did

1655
01:08:56,560 --> 01:09:01,240
Speaker 4: that one, this one, oh never for I wouldn't even

1656
01:09:01,240 --> 01:09:03,080
Speaker 4: think again. This one's popping into my head to say,

1657
01:09:03,479 --> 01:09:09,080
Speaker 4: you're so hard to love. No, that's weird, right, that's quirky. No,

1658
01:09:09,320 --> 01:09:10,800
Speaker 4: you're hard to love hard?

1659
01:09:11,439 --> 01:09:13,120
Speaker 7: Do you think it could be said kind of rays

1660
01:09:13,160 --> 01:09:16,000
Speaker 7: like like oh you're hard to love, like negative, or

1661
01:09:16,080 --> 01:09:18,599
Speaker 7: like you're you're hard to love because you don't.

1662
01:09:18,600 --> 01:09:20,400
Speaker 4: Like I think she could say that to me and

1663
01:09:20,479 --> 01:09:22,360
Speaker 4: I would not be mad, and I would understand.

1664
01:09:22,360 --> 01:09:23,840
Speaker 3: But my wife is not hard to love.

1665
01:09:23,880 --> 01:09:25,479
Speaker 4: I think I could be hard to love sometimes because

1666
01:09:25,520 --> 01:09:28,400
Speaker 4: I do not understand how to accept it or at

1667
01:09:28,400 --> 01:09:32,360
Speaker 4: times reciprocate it healthily. Right, But I think I wouldn't

1668
01:09:32,439 --> 01:09:34,559
Speaker 4: get that upset at that because I am.

1669
01:09:35,120 --> 01:09:37,559
Speaker 8: I think it's just been how it's said numbers.

1670
01:09:37,800 --> 01:09:39,760
Speaker 4: I would never say that. I would never say you're

1671
01:09:39,760 --> 01:09:42,879
Speaker 4: heard of love weird. The next one, I don't care anymore?

1672
01:09:43,120 --> 01:09:45,640
Speaker 4: Oh yeah, oh all the time, and only say that

1673
01:09:45,640 --> 01:09:47,960
Speaker 4: about things I care anymore about. If I say I

1674
01:09:48,000 --> 01:09:52,280
Speaker 4: don't care anymore, you know I really care? Next one,

1675
01:09:52,439 --> 01:09:54,240
Speaker 4: why can't you be more like dot dot dot?

1676
01:09:54,360 --> 01:09:54,519
Speaker 1: Oh?

1677
01:09:54,680 --> 01:09:57,599
Speaker 3: My wife does that to me, be like who's compared

1678
01:09:57,600 --> 01:09:57,800
Speaker 3: to me?

1679
01:09:58,640 --> 01:10:02,040
Speaker 6: Yeah, she confers me to the other dads like She'll

1680
01:10:02,080 --> 01:10:03,160
Speaker 6: be like, well, other dads do this.

1681
01:10:03,240 --> 01:10:06,360
Speaker 3: I'm like, no, I'm not other dads.

1682
01:10:06,479 --> 01:10:09,599
Speaker 8: Go marry marry those other Can't you be more like?

1683
01:10:09,760 --> 01:10:12,599
Speaker 3: Never? No, I wouldn't. I know better than to compare

1684
01:10:12,600 --> 01:10:16,120
Speaker 3: her to someone else. But she compares you to other dads? Yes, Well,

1685
01:10:16,160 --> 01:10:17,720
Speaker 3: she just says like other dads do that, and I'm like,

1686
01:10:17,720 --> 01:10:19,920
Speaker 3: well marry that. I'm thinking, oh you say go marry then,

1687
01:10:19,960 --> 01:10:22,200
Speaker 3: well go marry those dads. Then what in the world?

1688
01:10:23,080 --> 01:10:26,519
Speaker 4: How about this is all your fault? Yeah no, no,

1689
01:10:26,600 --> 01:10:30,240
Speaker 4: I don't say that. I might, but in a way

1690
01:10:30,280 --> 01:10:35,400
Speaker 4: that isn't so on the nose you rephrase it, But like,

1691
01:10:35,439 --> 01:10:38,040
Speaker 4: how about, well, we're only here because of you.

1692
01:10:39,880 --> 01:10:42,200
Speaker 8: That's the same thing, like we're only in this situation

1693
01:10:42,200 --> 01:10:42,640
Speaker 8: because you.

1694
01:10:42,840 --> 01:10:44,479
Speaker 3: I think I'm just trying to be honest here.

1695
01:10:44,520 --> 01:10:46,880
Speaker 4: I'd feel like I unfairly could say that kind of thing,

1696
01:10:46,920 --> 01:10:48,440
Speaker 4: like okay, but we're.

1697
01:10:48,040 --> 01:10:49,080
Speaker 3: Fighting right now because of you.

1698
01:10:49,479 --> 01:10:52,439
Speaker 8: Oh yeah, I could see saying that you need.

1699
01:10:52,280 --> 01:10:54,320
Speaker 4: To shut your hole because I feel like you're sitting

1700
01:10:54,320 --> 01:10:56,640
Speaker 4: over there just shooting your little at me.

1701
01:10:57,520 --> 01:11:01,599
Speaker 8: You don't that's true?

1702
01:11:01,640 --> 01:11:03,280
Speaker 3: Do you ever do? This is all your fault? Oh yeah?

1703
01:11:03,360 --> 01:11:05,639
Speaker 9: Like if we're late somewhere and then she's like why

1704
01:11:05,640 --> 01:11:08,120
Speaker 9: are we always late? And I'm like, this is your fault.

1705
01:11:08,479 --> 01:11:11,040
Speaker 9: I can hear you saying that got her, like you're

1706
01:11:11,080 --> 01:11:12,760
Speaker 9: the one that was doing this this or this not

1707
01:11:12,800 --> 01:11:14,759
Speaker 9: getting ready, like this is your fault.

1708
01:11:15,080 --> 01:11:18,080
Speaker 4: The phrases you should never say these next ones are hardcore.

1709
01:11:18,120 --> 01:11:22,400
Speaker 4: There's two more. No one's going to admit to saying this,

1710
01:11:22,520 --> 01:11:24,559
Speaker 4: and you probably haven't said this. I haven't said this.

1711
01:11:25,400 --> 01:11:28,040
Speaker 4: I hate you.

1712
01:11:27,600 --> 01:11:30,599
Speaker 3: I hate you. No, what about to your parents when

1713
01:11:30,600 --> 01:11:33,679
Speaker 3: you were a kid? Oh yeah, I had a parents

1714
01:11:33,680 --> 01:11:34,080
Speaker 3: to say that to.

1715
01:11:34,200 --> 01:11:36,120
Speaker 7: My daughter told me the other day, talking to me

1716
01:11:36,240 --> 01:11:37,480
Speaker 7: is pointless.

1717
01:11:37,760 --> 01:11:40,240
Speaker 3: Oh okay, Well that's different though that though. Yeah, she's

1718
01:11:40,240 --> 01:11:40,599
Speaker 3: got a point.

1719
01:11:40,600 --> 01:11:45,280
Speaker 9: You like that, you and maybe she more like Bobby

1720
01:11:45,280 --> 01:11:45,920
Speaker 9: and listen to her.

1721
01:11:46,320 --> 01:11:47,559
Speaker 8: No, I wasn't saying.

1722
01:11:47,760 --> 01:11:49,719
Speaker 7: It was over text, and we were trying to set

1723
01:11:49,800 --> 01:11:52,200
Speaker 7: up a time to have a conversation about what she

1724
01:11:52,240 --> 01:11:53,960
Speaker 7: wanted to talk about. But I didn't want to set

1725
01:11:54,000 --> 01:11:56,120
Speaker 7: her expectations, like I already know the answer, but I

1726
01:11:56,120 --> 01:11:58,719
Speaker 7: would like to hear her out. And then she said,

1727
01:11:59,320 --> 01:12:01,479
Speaker 7: did you say you already the answer? Though, just because

1728
01:12:01,560 --> 01:12:04,320
Speaker 7: the answer you want to hear her out. I do

1729
01:12:04,400 --> 01:12:06,400
Speaker 7: want to hear her out. I do want to hear out,

1730
01:12:06,400 --> 01:12:08,679
Speaker 7: but I didn't want her going into it. I kind

1731
01:12:08,680 --> 01:12:11,360
Speaker 7: of laid out some reasons why I was saying what

1732
01:12:11,400 --> 01:12:14,040
Speaker 7: I was saying. I want to give her reasons, and

1733
01:12:14,080 --> 01:12:16,599
Speaker 7: then I guess she read the reasons as even though

1734
01:12:16,600 --> 01:12:18,439
Speaker 7: I said we're still going to have a talk. I

1735
01:12:18,479 --> 01:12:21,160
Speaker 7: want to hear where you're coming from. Her response was

1736
01:12:21,400 --> 01:12:27,240
Speaker 7: not to be rude, but this like, we just don't

1737
01:12:27,240 --> 01:12:29,040
Speaker 7: even need to have the talk because talking to you

1738
01:12:29,120 --> 01:12:29,760
Speaker 7: is pointless.

1739
01:12:30,120 --> 01:12:31,320
Speaker 4: I think what she meant to say was talking to

1740
01:12:31,360 --> 01:12:33,439
Speaker 4: you about this and trying to convince you to change

1741
01:12:33,479 --> 01:12:34,519
Speaker 4: your mind pointless.

1742
01:12:34,560 --> 01:12:35,280
Speaker 8: Yeah, I know it was.

1743
01:12:36,120 --> 01:12:38,200
Speaker 7: I remember saying stuff like that to my mom, so

1744
01:12:38,320 --> 01:12:38,800
Speaker 7: I get it.

1745
01:12:38,840 --> 01:12:41,360
Speaker 4: I I just she wasn't wrong though what she just said,

1746
01:12:41,360 --> 01:12:42,360
Speaker 4: you weren't going to change your mind.

1747
01:12:43,960 --> 01:12:46,040
Speaker 3: Well, so the conversation was pointless, So.

1748
01:12:46,240 --> 01:12:47,920
Speaker 7: It's not pointless for me to hear where she's coming

1749
01:12:47,920 --> 01:12:51,479
Speaker 7: out digestic versus Shira. Shoot, it's not pointless for me

1750
01:12:51,520 --> 01:12:52,559
Speaker 7: to hear what she's coming here.

1751
01:12:53,200 --> 01:12:57,719
Speaker 4: Number ten, the final one, you're useless. Oh no, wow,

1752
01:12:57,800 --> 01:13:01,680
Speaker 4: I'd only say that once I've ever did. That's that's

1753
01:13:01,680 --> 01:13:05,760
Speaker 4: a hardcore no not talking. That's like you don't even

1754
01:13:05,760 --> 01:13:07,920
Speaker 4: respect it that I never get to a point and

1755
01:13:07,920 --> 01:13:11,320
Speaker 4: an argument where I just lose respect for the person completely, right.

1756
01:13:12,200 --> 01:13:16,400
Speaker 3: I mean, she is she has I say she does,

1757
01:13:16,400 --> 01:13:18,799
Speaker 3: she has you, so I can't really say that she's useless.

1758
01:13:18,840 --> 01:13:20,040
Speaker 3: I mean, there's just she cooks.

1759
01:13:20,760 --> 01:13:26,120
Speaker 9: She does cook dinner, Gosh's laundry and stuff laundry.

1760
01:13:26,040 --> 01:13:29,880
Speaker 7: Well, I mean you're yeah, that is like you are

1761
01:13:30,120 --> 01:13:35,280
Speaker 7: fighting to the extreme and you have just level And yeah.

1762
01:13:34,920 --> 01:13:36,559
Speaker 4: I do say you always are you? Never I do

1763
01:13:36,600 --> 01:13:39,000
Speaker 4: say you're overreacting. I do say I don't care anymore.

1764
01:13:40,600 --> 01:13:41,519
Speaker 4: I think those are the three.

1765
01:13:41,640 --> 01:13:43,360
Speaker 9: But on there it's it doesn't say you're not allowed

1766
01:13:43,360 --> 01:13:45,880
Speaker 9: to say you're irrational, So I say that I do that.

1767
01:13:46,240 --> 01:13:46,439
Speaker 3: Yeah.

1768
01:13:46,479 --> 01:13:49,479
Speaker 4: So I mean they're acting rational right now, and it's

1769
01:13:49,479 --> 01:13:52,480
Speaker 4: hard for me to be rational with someone who's being irrational.

1770
01:13:52,840 --> 01:13:54,560
Speaker 4: And she's like, but what if you're being irrational and

1771
01:13:54,560 --> 01:13:57,000
Speaker 4: you just can't tell him being irrational because your irrationality.

1772
01:13:57,000 --> 01:14:00,920
Speaker 3: And I'm like, oh, dang it, you good point. You

1773
01:14:01,000 --> 01:14:02,519
Speaker 3: want to say something made? Go ahead, take shi.

1774
01:14:03,920 --> 01:14:04,040
Speaker 12: No.

1775
01:14:04,120 --> 01:14:06,840
Speaker 7: I was just curious in you know, hearing all those

1776
01:14:06,880 --> 01:14:08,680
Speaker 7: You shouldn't say them to partners or friends or at

1777
01:14:08,680 --> 01:14:10,479
Speaker 7: work or whatever. But do you ever say any of

1778
01:14:10,479 --> 01:14:11,360
Speaker 7: those things to yourself?

1779
01:14:11,600 --> 01:14:11,800
Speaker 10: Yeah?

1780
01:14:11,800 --> 01:14:13,320
Speaker 4: Everyone, I say all those to myself every day, all

1781
01:14:13,360 --> 01:14:14,599
Speaker 4: of them in the mirror. It's how you're ready for work.

1782
01:14:14,920 --> 01:14:18,439
Speaker 7: You're right, It's like, well, we shouldn't say him the

1783
01:14:18,439 --> 01:14:20,400
Speaker 7: others so we shouldn't say him to ourselves either.

1784
01:14:20,960 --> 01:14:23,280
Speaker 3: Motivation. I try to prove me wrong every day. Okay,

1785
01:14:23,520 --> 01:14:26,439
Speaker 3: you're ugly, that's why your parents left.

1786
01:14:26,960 --> 01:14:32,200
Speaker 12: Oh no, sorry, sorry anyway, there was a story about

1787
01:14:32,200 --> 01:14:35,240
Speaker 12: Snoop Dogg and that only fans offered him one hundred

1788
01:14:35,320 --> 01:14:37,920
Speaker 12: million dollars if you were to get on and do

1789
01:14:38,000 --> 01:14:41,720
Speaker 12: what people do on OnlyFans, which is show theirs.

1790
01:14:41,080 --> 01:14:43,240
Speaker 3: There's one hundred million. I thought it was only ten million.

1791
01:14:43,240 --> 01:14:45,400
Speaker 4: Now it was one hundred for Snoop a hundred whoa,

1792
01:14:45,840 --> 01:14:47,960
Speaker 4: And he said it dollars. He didn't mind it, but

1793
01:14:48,040 --> 01:14:50,759
Speaker 4: his wife was like no. So we had a discussion

1794
01:14:50,800 --> 01:14:52,920
Speaker 4: on this show. We lowered the price to ten million.

1795
01:14:53,120 --> 01:14:53,519
Speaker 3: Oh.

1796
01:14:53,640 --> 01:14:56,280
Speaker 4: We were like, would our partners, our spouses, would they

1797
01:14:56,320 --> 01:14:58,800
Speaker 4: be cool if we did only fans for ten But

1798
01:14:58,840 --> 01:15:00,559
Speaker 4: that means you have to like send videos yourself doing

1799
01:15:00,640 --> 01:15:03,519
Speaker 4: naked stuff all the time. So Luchbatch is the only

1800
01:15:03,520 --> 01:15:04,920
Speaker 4: one who said his wife would be cool with it.

1801
01:15:05,160 --> 01:15:06,120
Speaker 4: So you went home with her?

1802
01:15:06,320 --> 01:15:08,479
Speaker 9: Yeah, And I was like, there's no doubt my wife,

1803
01:15:08,640 --> 01:15:10,599
Speaker 9: she sees that much money, There's no doubt.

1804
01:15:10,640 --> 01:15:11,960
Speaker 3: She's like, go for it. Here we go.

1805
01:15:12,320 --> 01:15:15,240
Speaker 2: Let's say that we're gonna pay me ten million dollars. WHOA, okay,

1806
01:15:15,280 --> 01:15:18,120
Speaker 2: that's fine, so I could do full news, yes for

1807
01:15:18,240 --> 01:15:21,639
Speaker 2: ten million and not a pity less okay, let's say.

1808
01:15:21,880 --> 01:15:24,439
Speaker 9: I mean, this hadn't happened yet, but could the adult

1809
01:15:24,439 --> 01:15:27,800
Speaker 9: film industry calls and they say, hey, we want you

1810
01:15:27,880 --> 01:15:30,360
Speaker 9: to be you know, forst ump.

1811
01:15:31,840 --> 01:15:32,400
Speaker 3: You know what I mean?

1812
01:15:33,800 --> 01:15:36,280
Speaker 2: Okay, and they want to pay me ten million, and

1813
01:15:36,400 --> 01:15:38,080
Speaker 2: you're gonna be doing by yourself.

1814
01:15:38,280 --> 01:15:39,280
Speaker 3: No, not with a chair.

1815
01:15:39,600 --> 01:15:41,280
Speaker 2: No for ten million though, but it's it.

1816
01:15:41,320 --> 01:15:46,240
Speaker 9: I'm acting, I said, only fans I know, but that

1817
01:15:46,320 --> 01:15:47,639
Speaker 9: was the only fans is gone.

1818
01:15:48,160 --> 01:15:50,120
Speaker 2: So you said no, like like I'm the pool boy.

1819
01:15:50,680 --> 01:15:53,799
Speaker 1: If you're the pool boy and someone's just spying on you, fine,

1820
01:15:53,880 --> 01:15:57,120
Speaker 1: but if there's any other action, then no.

1821
01:15:57,560 --> 01:15:59,519
Speaker 2: What if it's a dude and you're still doing it

1822
01:15:59,560 --> 01:15:59,880
Speaker 2: with somebody?

1823
01:16:01,760 --> 01:16:03,519
Speaker 4: I thought maybe the dude though she wouldn't think you

1824
01:16:03,560 --> 01:16:06,040
Speaker 4: were doing it and it was that wasn't pleasurable, listen.

1825
01:16:06,439 --> 01:16:08,760
Speaker 9: I mean her last two answers shocked me really, like

1826
01:16:08,840 --> 01:16:11,120
Speaker 9: she developed some kind of feelings that I never knew

1827
01:16:11,240 --> 01:16:11,519
Speaker 9: she had.

1828
01:16:11,680 --> 01:16:14,360
Speaker 4: She'd let you do stuff by yourself. She just doesn't

1829
01:16:14,360 --> 01:16:15,479
Speaker 4: want anybody else in the mix.

1830
01:16:15,560 --> 01:16:17,439
Speaker 9: Yeah, I just thought, no matter what, she'd be like

1831
01:16:17,439 --> 01:16:19,400
Speaker 9: ten million, like that's sets this up for life.

1832
01:16:19,560 --> 01:16:21,800
Speaker 4: So if they offered you ten million to do let's

1833
01:16:21,800 --> 01:16:23,960
Speaker 4: say an adult film, oh we would have your wife

1834
01:16:24,040 --> 01:16:26,400
Speaker 4: said no, would you go do it anyway? Yeah, and

1835
01:16:26,439 --> 01:16:28,639
Speaker 4: get the money and then just be like that showbiz baby. Yeah,

1836
01:16:28,680 --> 01:16:29,320
Speaker 4: I did it for your ice.

1837
01:16:29,840 --> 01:16:32,439
Speaker 3: That's right. What that funnel like two million to her

1838
01:16:32,479 --> 01:16:34,320
Speaker 3: account and be like funnel it? No, you just give

1839
01:16:34,360 --> 01:16:36,240
Speaker 3: it to her. You don't have to funnel and be like,

1840
01:16:36,280 --> 01:16:38,800
Speaker 3: oh I just I inherited. Someone left me in their will.

1841
01:16:38,920 --> 01:16:41,680
Speaker 4: Oh wait, but no, no, no, she'd find out. Oh

1842
01:16:41,720 --> 01:16:43,559
Speaker 4: then I'd still do it, Yeah, because she would get

1843
01:16:43,560 --> 01:16:46,240
Speaker 4: over it because somebody would see it and go, oh

1844
01:16:46,240 --> 01:16:49,680
Speaker 4: that's for hump, that looks like lunchbox that it'd be like,

1845
01:16:49,720 --> 01:16:51,960
Speaker 4: that's that that hair of all, that's lunchbox.

1846
01:16:52,040 --> 01:16:52,680
Speaker 8: I don't know that.

1847
01:16:52,720 --> 01:16:54,439
Speaker 7: It's as simple as she'll get over it.

1848
01:16:54,600 --> 01:16:56,280
Speaker 3: Oh yeah she would.

1849
01:16:56,080 --> 01:16:56,760
Speaker 8: No, don't.

1850
01:16:56,760 --> 01:16:58,679
Speaker 9: I mean it may take a month or two, that's fine,

1851
01:16:58,760 --> 01:17:01,479
Speaker 9: but ten million dollar exactly right?

1852
01:17:02,120 --> 01:17:03,320
Speaker 3: Would you would you leave her?

1853
01:17:03,360 --> 01:17:03,599
Speaker 4: Though?

1854
01:17:03,760 --> 01:17:05,719
Speaker 3: And I mean that would be a serious discussion.

1855
01:17:05,840 --> 01:17:06,839
Speaker 8: What about your children?

1856
01:17:07,120 --> 01:17:12,080
Speaker 9: I'd still see my kids and I could write buy custody.

1857
01:17:13,640 --> 01:17:16,559
Speaker 3: I don't think that's how it works. A million dollars

1858
01:17:16,560 --> 01:17:17,040
Speaker 3: says it does.

1859
01:17:17,920 --> 01:17:20,320
Speaker 4: Whould you buy it from her? Oh, you would just

1860
01:17:20,360 --> 01:17:21,599
Speaker 4: pay her more to give it.

1861
01:17:21,560 --> 01:17:23,479
Speaker 3: To you, but she would she would still get to

1862
01:17:23,520 --> 01:17:24,400
Speaker 3: see them. Hold on.

1863
01:17:24,479 --> 01:17:27,599
Speaker 4: But if you got married and made that money, that's

1864
01:17:27,840 --> 01:17:28,760
Speaker 4: her half her money too.

1865
01:17:28,920 --> 01:17:30,640
Speaker 9: I don't know if you have separate accounts. I think

1866
01:17:30,640 --> 01:17:32,040
Speaker 9: the judge looks at it differently.

1867
01:17:32,240 --> 01:17:34,280
Speaker 4: Really, I think the judge probably doesn't.

1868
01:17:34,400 --> 01:17:36,599
Speaker 8: But no, that actually is an interesting question.

1869
01:17:37,240 --> 01:17:37,840
Speaker 3: I hear you.

1870
01:17:37,880 --> 01:17:40,040
Speaker 4: But I'm just saying, if he makes it while they're married,

1871
01:17:40,680 --> 01:17:42,559
Speaker 4: she has the rights to that too.

1872
01:17:43,360 --> 01:17:44,240
Speaker 3: I was getting complicated.

1873
01:17:44,280 --> 01:17:46,080
Speaker 4: It's like she he only gets to go work because

1874
01:17:46,120 --> 01:17:47,400
Speaker 4: she's taking care of the kids at home.

1875
01:17:47,920 --> 01:17:50,559
Speaker 3: Yeah, but I'll tell the judge she did not want

1876
01:17:50,560 --> 01:17:51,320
Speaker 3: me to do this.

1877
01:17:51,760 --> 01:17:54,000
Speaker 4: So she guess this. Wh that's a good one, so

1878
01:17:54,080 --> 01:17:56,800
Speaker 4: then I'll give her all of it. That's just a

1879
01:17:56,880 --> 01:17:57,599
Speaker 4: lesson in life.

1880
01:17:57,720 --> 01:18:00,439
Speaker 9: But I am she's all good for only fans. But

1881
01:18:00,479 --> 01:18:02,920
Speaker 9: I was shocked she said no to the other two.

1882
01:18:03,040 --> 01:18:04,439
Speaker 4: You think she was just saying no because she knew

1883
01:18:04,439 --> 01:18:06,240
Speaker 4: she's being recorded, and secretly she might let you for

1884
01:18:06,280 --> 01:18:08,920
Speaker 4: ten million probably, Okay.

1885
01:18:08,720 --> 01:18:10,639
Speaker 8: Okay, would you let her do something like that.

1886
01:18:10,760 --> 01:18:11,320
Speaker 10: For ten million?

1887
01:18:11,400 --> 01:18:12,559
Speaker 3: Yeah, go ahead.

1888
01:18:12,560 --> 01:18:15,280
Speaker 9: I know she's coming home to Daddy for one million.

1889
01:18:16,960 --> 01:18:20,080
Speaker 9: One million, No, because they taxed that. They tax ten

1890
01:18:20,120 --> 01:18:22,599
Speaker 9: million too. Yeah, but that's still millions. You're not a millionaire.

1891
01:18:22,600 --> 01:18:23,519
Speaker 9: If tax a million?

1892
01:18:23,560 --> 01:18:26,720
Speaker 3: Okay, one million in cash, no tax, I'm down. You'd

1893
01:18:26,760 --> 01:18:27,760
Speaker 3: let her do it? I'm down.

1894
01:18:28,280 --> 01:18:30,400
Speaker 8: He just wants so badly to be a million That's right.

1895
01:18:30,439 --> 01:18:31,479
Speaker 3: That's wants.

1896
01:18:31,600 --> 01:18:34,240
Speaker 9: Whatever I got to do to get there, whatever, whatever

1897
01:18:34,240 --> 01:18:36,040
Speaker 9: I gotta do, whatever you gotta do to get right,

1898
01:18:36,080 --> 01:18:36,559
Speaker 9: All right.

1899
01:18:37,120 --> 01:18:40,000
Speaker 3: Bobby Bone Show Today.

1900
01:18:40,520 --> 01:18:44,400
Speaker 9: This story comes us from Soulfur Springs, Texas. Hey man

1901
01:18:44,520 --> 01:18:47,360
Speaker 9: saw a nice yellow Lamborghini. He's like, man, I want

1902
01:18:47,400 --> 01:18:51,559
Speaker 9: that car. And he stole that car, drove it away,

1903
01:18:51,960 --> 01:18:54,040
Speaker 9: drove it to his house, parked in his garage.

1904
01:18:54,400 --> 01:18:57,640
Speaker 3: No problem, I only problems that has GPS on it.

1905
01:18:57,720 --> 01:18:58,320
Speaker 3: Of course it has.

1906
01:18:58,640 --> 01:19:00,519
Speaker 9: And so they knocked on his door couple hours They

1907
01:19:00,560 --> 01:19:02,080
Speaker 9: are like, hey, can we look in your garage.

1908
01:19:02,720 --> 01:19:05,519
Speaker 3: There's a Lambo sitting there, to say you need a warrant.

1909
01:19:06,720 --> 01:19:08,080
Speaker 9: I don't know if he said he needed a warrant,

1910
01:19:08,080 --> 01:19:09,600
Speaker 9: but he also had some tools to take off the

1911
01:19:09,680 --> 01:19:11,040
Speaker 9: ven numbers, so they think he was in.

1912
01:19:11,040 --> 01:19:14,360
Speaker 3: A course, a ring worn thing, just a random one time.

1913
01:19:14,400 --> 01:19:16,960
Speaker 4: He's never stolen anything this And also you think you're

1914
01:19:16,960 --> 01:19:19,960
Speaker 4: gonna get away with stealing a yellow Lamborghini, stealing an

1915
01:19:20,000 --> 01:19:22,439
Speaker 4: ambulance or the Wiener Mobile.

1916
01:19:22,680 --> 01:19:23,800
Speaker 3: You know they're gonna get you.

1917
01:19:24,280 --> 01:19:27,000
Speaker 4: Yeah, and if it's a really expensive car, probably has

1918
01:19:27,040 --> 01:19:28,160
Speaker 4: some sort of GPS on it.

1919
01:19:28,479 --> 01:19:31,000
Speaker 3: Yeah, but man and Lambeau looks good in his garage, so.

1920
01:19:30,920 --> 01:19:32,160
Speaker 4: You think it was worth it for the I don't know,

1921
01:19:32,160 --> 01:19:32,920
Speaker 4: twenty minutes he had it.

1922
01:19:33,000 --> 01:19:35,400
Speaker 3: Yeah, he got to drive a Lambeau. Yeah, Okay, I'm lunchbox.

1923
01:19:35,439 --> 01:19:38,800
Speaker 3: That's your bonehead story of the day. The guys on

1924
01:19:38,840 --> 01:19:41,120
Speaker 3: the show will bet on anything in everything. They look

1925
01:19:41,160 --> 01:19:41,680
Speaker 3: for reasons to.

1926
01:19:41,680 --> 01:19:45,000
Speaker 8: Bet money, the guys on the show, including you am I.

1927
01:19:44,960 --> 01:19:46,880
Speaker 3: A guy on the show. Yeah, exactly, there we go.

1928
01:19:46,960 --> 01:19:49,720
Speaker 3: But the guys there's it's Mike d and Eddie. They're

1929
01:19:49,760 --> 01:19:51,360
Speaker 3: betting on the oscars, but within each other.

1930
01:19:51,880 --> 01:19:52,559
Speaker 10: It's awesome.

1931
01:19:52,840 --> 01:19:56,320
Speaker 3: So let's talk about the bet. Because Eddie hated Oppenheimer

1932
01:19:56,600 --> 01:19:59,559
Speaker 3: hated it. I can't believe it's even up for Best Picture, but.

1933
01:19:59,560 --> 01:20:01,559
Speaker 4: It's up more than any other movie at the oscars,

1934
01:20:01,640 --> 01:20:03,599
Speaker 4: and we're not a big Oscar Show movie my kids.

1935
01:20:03,640 --> 01:20:06,960
Speaker 3: Obviously, he's a man of movies. So you guys made

1936
01:20:06,960 --> 01:20:10,360
Speaker 3: a bet, you bet twenty bucks at twenty dollars. What

1937
01:20:10,479 --> 01:20:11,000
Speaker 3: is your bet?

1938
01:20:11,320 --> 01:20:16,040
Speaker 6: My bet is that any other movie other than Oppenheimer.

1939
01:20:15,479 --> 01:20:19,960
Speaker 3: Wins wins Best Picture Best Picture? Okay? Okay? And did

1940
01:20:20,000 --> 01:20:23,599
Speaker 3: you guys do like a This is where parlay. This

1941
01:20:23,640 --> 01:20:26,280
Speaker 3: is where cocky mic came in. Okay, go ahead, cocky mic,

1942
01:20:26,439 --> 01:20:27,200
Speaker 3: cocky movie.

1943
01:20:27,240 --> 01:20:29,200
Speaker 6: Mike comes in and says, you know what, I even

1944
01:20:29,240 --> 01:20:32,360
Speaker 6: think that Oppenheimer will win Best Best Picture. He thinks

1945
01:20:32,400 --> 01:20:35,480
Speaker 6: that Cilly and Murphy will win Best Actor from Oppenheimer?

1946
01:20:35,720 --> 01:20:36,960
Speaker 3: Is that him? Okay?

1947
01:20:36,960 --> 01:20:38,720
Speaker 6: And he also thinks that the best director is going

1948
01:20:38,760 --> 01:20:42,040
Speaker 6: to be Christopher Nolan of Oppenheimheimer. So he says, if

1949
01:20:42,080 --> 01:20:44,160
Speaker 6: he hits all three of those, I have to pay

1950
01:20:44,200 --> 01:20:45,000
Speaker 6: hi one hundred dollars.

1951
01:20:45,240 --> 01:20:48,160
Speaker 3: And I said I'll take it. But if he misses

1952
01:20:48,200 --> 01:20:50,519
Speaker 3: any of those three page you twenty correct. See, Amy,

1953
01:20:50,520 --> 01:20:52,000
Speaker 3: this is what they do with their time off. What

1954
01:20:52,040 --> 01:20:53,520
Speaker 3: do you think, Amy? Good bet?

1955
01:20:54,920 --> 01:20:57,559
Speaker 7: That's is it Sillian or Killingan or whatever that Murphy

1956
01:20:57,560 --> 01:21:00,840
Speaker 7: guy's name is. I feel like he's getting a lot

1957
01:21:00,840 --> 01:21:01,280
Speaker 7: of raise.

1958
01:21:01,560 --> 01:21:03,080
Speaker 3: Is Oppenheimer the darling of the movie?

1959
01:21:03,120 --> 01:21:05,559
Speaker 4: Oh yeah, compared to all the other competition, it's just

1960
01:21:05,560 --> 01:21:06,080
Speaker 4: gonna crush.

1961
01:21:06,160 --> 01:21:10,880
Speaker 3: There's no way these can't win. There's no last.

1962
01:21:10,600 --> 01:21:12,280
Speaker 4: Words are because Eddie you say, there's no way the

1963
01:21:12,280 --> 01:21:14,360
Speaker 4: Cowboys will lose in the playoffs except that a lot.

1964
01:21:14,520 --> 01:21:14,720
Speaker 3: Yeah.

1965
01:21:15,000 --> 01:21:17,400
Speaker 4: I watched the Oscars every single year and there's never

1966
01:21:17,439 --> 01:21:19,400
Speaker 4: been a clear cut winner as this year. So do

1967
01:21:19,439 --> 01:21:21,120
Speaker 4: you have how many bets? You guys have two bets

1968
01:21:21,200 --> 01:21:24,759
Speaker 4: or just one? It's bucks versus the one hundred correct.

1969
01:21:25,360 --> 01:21:27,200
Speaker 4: So if it hits all three, fay Mike.

1970
01:21:27,160 --> 01:21:29,840
Speaker 3: One hundred dollars. But if any of them miss yes

1971
01:21:29,880 --> 01:21:34,880
Speaker 3: to be Eddie twenty, what do you think, Buds? Would

1972
01:21:34,920 --> 01:21:35,400
Speaker 3: you take the field?

1973
01:21:35,439 --> 01:21:38,040
Speaker 4: I wouldn't bet against the movie, Mike. Yeah, that's a specialty.

1974
01:21:38,080 --> 01:21:40,240
Speaker 4: Oh no, but I don't know, but I wouldn't bet again.

1975
01:21:40,720 --> 01:21:42,040
Speaker 4: I like to Oppenheimer. I didn't love it, but I

1976
01:21:42,080 --> 01:21:42,720
Speaker 4: like Oppenheimer.

1977
01:21:42,760 --> 01:21:45,160
Speaker 6: Hey, Mike, when you watch the Oscars, do you usually

1978
01:21:45,200 --> 01:21:47,160
Speaker 6: like predict the winner and then does that happen?

1979
01:21:47,240 --> 01:21:49,000
Speaker 3: Yeah? I do a whole episode where I predict them

1980
01:21:49,040 --> 01:21:51,360
Speaker 3: and then compare it. So what's your movie? Mike's movie

1981
01:21:51,360 --> 01:21:56,439
Speaker 3: Podcast Eddie Wow overall, that's what he does. Eddie A

1982
01:21:56,439 --> 01:21:58,920
Speaker 3: break all right, We're done by everybody. Come on Bobby

1983
01:21:58,960 --> 01:21:59,599
Speaker 3: Boone Show.