1 00:00:01,360 --> 00:00:04,600 Speaker 1: Hi, I'm Kristin Davis, and I want to know, are 2 00:00:04,640 --> 00:00:05,480 Speaker 1: you a Charlotte? 3 00:00:07,400 --> 00:00:07,560 Speaker 2: Hi? 4 00:00:07,640 --> 00:00:12,799 Speaker 1: Everybody, we are back Camille Levington and I recapping the 5 00:00:12,800 --> 00:00:16,320 Speaker 1: finale of season one. Oh come all, ye faithful, let's 6 00:00:16,400 --> 00:00:20,919 Speaker 1: jump back it. Dare I say it a new man? Yeah? 7 00:00:21,000 --> 00:00:25,720 Speaker 1: I'm excited for this though, Yes, me too, But I 8 00:00:25,760 --> 00:00:28,440 Speaker 1: don't know what happens. I can't say. I can't Okay, okay, 9 00:00:28,800 --> 00:00:31,319 Speaker 1: I'm excited. There's a new man that is in the 10 00:00:31,360 --> 00:00:35,319 Speaker 1: trailer saying something to her that. Miranda also comments to her, 11 00:00:35,880 --> 00:00:40,000 Speaker 1: I saw your spark. Okay, you support this, right? 12 00:00:40,240 --> 00:00:40,440 Speaker 2: Yes? 13 00:00:40,479 --> 00:00:42,839 Speaker 1: I do? I know right? Yes, because life is an 14 00:00:42,880 --> 00:00:44,640 Speaker 1: over you never know what might happen. 15 00:00:44,760 --> 00:00:47,199 Speaker 2: No, no, no, fully support the new love hopefully. 16 00:00:47,320 --> 00:00:48,639 Speaker 1: I mean, I don't know if it's a new love. 17 00:00:48,680 --> 00:00:50,720 Speaker 1: I didn't say that. I know, but I'm a new man. 18 00:00:50,960 --> 00:00:54,480 Speaker 2: I'm manifesting around. Okay, okay, I like that. 19 00:00:54,600 --> 00:00:56,520 Speaker 1: I like that. This is when the shocking thing in 20 00:00:56,520 --> 00:00:59,160 Speaker 1: the episode happens. Samantha shows up and she tells us 21 00:00:59,200 --> 00:01:01,000 Speaker 1: all that she's and love and. 22 00:01:01,080 --> 00:01:04,600 Speaker 2: Literally, are my jass open? I literally gasped because I 23 00:01:04,640 --> 00:01:06,160 Speaker 2: was like, I don't know how many times in the 24 00:01:06,200 --> 00:01:07,600 Speaker 2: show she says these words. 25 00:01:07,640 --> 00:01:10,720 Speaker 1: I don't think ever that I remember. I gasped as well. 26 00:01:10,760 --> 00:01:13,320 Speaker 1: I do not remember this except I remember that scene 27 00:01:13,360 --> 00:01:17,880 Speaker 1: in the bathroom that's coming up. Oh tone in the episode, 28 00:01:17,880 --> 00:01:19,039 Speaker 1: by the way, I like that lie. 29 00:01:19,120 --> 00:01:21,000 Speaker 2: It's really funny, really funny. We'll get there. 30 00:01:21,040 --> 00:01:23,319 Speaker 1: We'll get there, you guys. Okay, So we're all shocked. 31 00:01:23,520 --> 00:01:25,840 Speaker 1: Then we see a flashback of her meeting this man 32 00:01:25,959 --> 00:01:28,240 Speaker 1: James at a jazz club. And I don't want to 33 00:01:28,280 --> 00:01:30,399 Speaker 1: go into detail because this is about someone else's life, 34 00:01:30,400 --> 00:01:32,679 Speaker 1: but if you were, if you were following along, this 35 00:01:32,720 --> 00:01:35,560 Speaker 1: is based on something that happened in life. Okay. So 36 00:01:35,640 --> 00:01:38,479 Speaker 1: she meets this man in a jazz club and he's 37 00:01:38,680 --> 00:01:41,280 Speaker 1: very charming, and they spark it up, you know, like 38 00:01:41,319 --> 00:01:42,800 Speaker 1: you're saying in the jazz club. 39 00:01:43,319 --> 00:01:46,600 Speaker 2: And then Samantha says that she. 40 00:01:46,720 --> 00:01:49,760 Speaker 1: Owes it all to Charlotte and like so shocked. I'm like, 41 00:01:50,080 --> 00:01:53,520 Speaker 1: oh what, And she says, because of all my bullshit 42 00:01:54,120 --> 00:01:57,400 Speaker 1: did I say about not having sex right away, that 43 00:01:57,560 --> 00:02:01,840 Speaker 1: she's actually having feelings and that she could actually marry him, 44 00:02:01,880 --> 00:02:02,440 Speaker 1: which all of. 45 00:02:02,520 --> 00:02:04,240 Speaker 2: Us are just like, I know, I was like, what 46 00:02:04,320 --> 00:02:06,560 Speaker 2: episode am I watching? I know what is happening. 47 00:02:06,600 --> 00:02:08,919 Speaker 1: Who is she? What is going on? I know, it's 48 00:02:09,160 --> 00:02:13,320 Speaker 1: very interesting. So then Charlotte trots her little self right 49 00:02:13,360 --> 00:02:16,239 Speaker 1: off to a psychic, which is very funny. I have 50 00:02:16,720 --> 00:02:20,239 Speaker 1: zero memories. Okay, I've got straight hair parted in the middle. 51 00:02:20,240 --> 00:02:23,800 Speaker 1: It's very nineties. I've got some silvery blue eyeshadow on. 52 00:02:25,120 --> 00:02:27,400 Speaker 1: It's a mess as far as I'm concerned. But I 53 00:02:27,639 --> 00:02:33,240 Speaker 1: try myself to this psychic who basically says that I 54 00:02:33,360 --> 00:02:35,919 Speaker 1: will not get married, that I'm a strong independent woman, 55 00:02:36,040 --> 00:02:38,600 Speaker 1: which is not anything that Charlotte even wants to hear. 56 00:02:38,800 --> 00:02:41,560 Speaker 1: Charlie's just like, what you know, it's so funny, Like 57 00:02:42,680 --> 00:02:44,440 Speaker 1: I would think she'd be like, oh, oh, at least 58 00:02:44,440 --> 00:02:45,680 Speaker 1: I'm a strong independent woman. 59 00:02:45,840 --> 00:02:47,679 Speaker 2: No, but she not only heard the marriage. Yeah. 60 00:02:47,760 --> 00:02:50,120 Speaker 1: Yeah, it's so sad. It's so sad, and so I'm upset. 61 00:02:50,200 --> 00:02:53,440 Speaker 1: Charlotte's upset. So then we go to Biggs. Oh, and 62 00:02:53,480 --> 00:02:55,760 Speaker 1: this is when she literally says to him, I want 63 00:02:55,840 --> 00:02:57,840 Speaker 1: to go to church with you and your mom. And 64 00:02:57,880 --> 00:03:03,519 Speaker 1: he is surprised and doesn't see her as the church kind. 65 00:03:03,600 --> 00:03:06,200 Speaker 1: He says to her, which is like so weird. 66 00:03:06,600 --> 00:03:07,880 Speaker 2: I know when she says. 67 00:03:07,560 --> 00:03:09,720 Speaker 1: Like, like you act like I'm the devil or something. 68 00:03:09,760 --> 00:03:12,520 Speaker 1: She said, like, it's all so much to get your 69 00:03:12,560 --> 00:03:13,639 Speaker 1: head around, do you know what I mean. 70 00:03:14,240 --> 00:03:17,440 Speaker 2: So then she says, which also really kills me, I 71 00:03:17,480 --> 00:03:22,720 Speaker 2: want to go to church with you and your mommy. 72 00:03:23,280 --> 00:03:25,480 Speaker 1: That's her giving it to him a little bit, you 73 00:03:25,480 --> 00:03:26,519 Speaker 1: know what I'm saying. 74 00:03:26,800 --> 00:03:30,400 Speaker 3: That's her, Like, no, she's very playful, yeah, playful and 75 00:03:30,560 --> 00:03:33,240 Speaker 3: just a little bit of you know. So he rejects 76 00:03:33,240 --> 00:03:36,160 Speaker 3: her off her, and then he says it's private for 77 00:03:36,280 --> 00:03:37,640 Speaker 3: just the two him and his mom. 78 00:03:37,760 --> 00:03:40,040 Speaker 1: And then he says, let's go to the Caribbean. Which 79 00:03:40,040 --> 00:03:43,680 Speaker 1: I'm just like, this is the mess you. I mean, 80 00:03:44,080 --> 00:03:46,800 Speaker 1: I don't remember any of this. Like, it's not good. 81 00:03:47,720 --> 00:03:52,240 Speaker 1: It's not good. It feels chaotic to me, right, yes, unpredictable, 82 00:03:52,640 --> 00:03:57,240 Speaker 1: elusive and chaotic, and I feel very passionately mad about it. Yep, 83 00:03:57,920 --> 00:03:59,720 Speaker 1: I agree. Sure that has a lot to do with me. 84 00:04:00,240 --> 00:04:04,600 Speaker 2: So then we're back with Miranda and hikkey. 85 00:04:05,000 --> 00:04:07,600 Speaker 1: Oh it's just fun to watch this too, I gotta say, 86 00:04:07,640 --> 00:04:10,600 Speaker 1: I really want to watch it again. So basically they're 87 00:04:10,640 --> 00:04:14,120 Speaker 1: having the exact same position sex. He's grunting in the 88 00:04:14,120 --> 00:04:16,839 Speaker 1: exact same way and calling out to God and then 89 00:04:16,920 --> 00:04:19,440 Speaker 1: she tries to get him to stay in bed, and 90 00:04:19,480 --> 00:04:22,240 Speaker 1: she says this is the wrong thing to do. 91 00:04:22,600 --> 00:04:23,680 Speaker 2: She walks right into it. 92 00:04:23,720 --> 00:04:27,560 Speaker 1: She says there's nothing sinful about sex, and he goes off. 93 00:04:27,720 --> 00:04:28,880 Speaker 1: Oh my god, I was shocked. 94 00:04:29,120 --> 00:04:31,960 Speaker 2: I mean, he goes over horrified. I know. It was 95 00:04:32,040 --> 00:04:35,320 Speaker 2: really good, naked, like just he's naked. 96 00:04:35,400 --> 00:04:38,039 Speaker 1: He's got a towel wrapped around him, and he she 97 00:04:38,160 --> 00:04:41,000 Speaker 1: has like a monologue about how it. 98 00:04:41,120 --> 00:04:44,000 Speaker 2: Is so spendiful, clearing it up for me. 99 00:04:44,360 --> 00:04:47,200 Speaker 1: I'm healed. Like, he goes off, it's really beautifully written. 100 00:04:47,240 --> 00:04:52,080 Speaker 1: It's so Michael Patrick. No, he's so incredibly good. And 101 00:04:52,120 --> 00:04:56,360 Speaker 1: he goes, what is that the gospel? According to Miranda? 102 00:04:56,400 --> 00:04:59,760 Speaker 1: I know. I was like, God, alright, I know, and 103 00:04:59,839 --> 00:05:01,600 Speaker 1: she she does look, she does look a little scared. 104 00:05:01,600 --> 00:05:03,640 Speaker 1: She kind of sits up. She kind of holds the 105 00:05:03,640 --> 00:05:06,640 Speaker 1: sheets up like terrifle. What didn't expect. 106 00:05:06,240 --> 00:05:07,240 Speaker 2: This, you know. 107 00:05:08,680 --> 00:05:11,080 Speaker 1: So that's the end of that, and then they tell 108 00:05:11,160 --> 00:05:13,599 Speaker 1: us that it's going to become a hit off Broadway play. 109 00:05:13,720 --> 00:05:18,040 Speaker 1: So yeah, you know, it's fund the Shower of Shame. 110 00:05:18,839 --> 00:05:20,880 Speaker 1: I love it. It's really really good. It's really good. 111 00:05:21,360 --> 00:05:24,760 Speaker 1: Then oh gosh, we cut to Samantha with this guy James. 112 00:05:24,880 --> 00:05:28,280 Speaker 1: I feel really bad for him. They say they they 113 00:05:28,320 --> 00:05:31,120 Speaker 1: love each other, which you're also just like, what Samantha 114 00:05:31,320 --> 00:05:35,279 Speaker 1: is this and she's just so like its soft and 115 00:05:35,400 --> 00:05:38,000 Speaker 1: kind of girly, like her her sexual self, but kind 116 00:05:38,000 --> 00:05:42,520 Speaker 1: of gurly. So it's terrible. It's so painful to watch. 117 00:05:42,839 --> 00:05:45,360 Speaker 1: So they're they're on her four poster bed, which is 118 00:05:45,360 --> 00:05:49,640 Speaker 1: a very traditional choice, but whatever, and you know, she says, like, 119 00:05:49,760 --> 00:05:51,960 Speaker 1: unzip it and come over here, and he does, and 120 00:05:52,000 --> 00:05:53,520 Speaker 1: then she goes put it in me and he goes 121 00:05:53,600 --> 00:05:57,760 Speaker 1: it isn't It's just terrible. Oh, it's just so painful. 122 00:05:57,839 --> 00:05:58,640 Speaker 1: It's so painful. 123 00:05:59,400 --> 00:06:02,039 Speaker 2: I told you this is when the blanket was like 124 00:06:02,160 --> 00:06:04,520 Speaker 2: up to here on me. 125 00:06:03,279 --> 00:06:07,599 Speaker 1: I know, look, I'm I play Charlotte, and yet I 126 00:06:07,680 --> 00:06:09,440 Speaker 1: have to discuss it, all right, So I'm just trying 127 00:06:09,440 --> 00:06:10,880 Speaker 1: to be brave about it because I don't know if 128 00:06:10,920 --> 00:06:12,680 Speaker 1: you saw the episode where Oliver. 129 00:06:12,480 --> 00:06:16,119 Speaker 2: Hudson came on. Have you ever met Oliver Hudson? Yes, hold, 130 00:06:16,880 --> 00:06:18,880 Speaker 2: but I know who he is. Yes, Oh my god. 131 00:06:18,920 --> 00:06:20,280 Speaker 2: We talked about some stuff. 132 00:06:20,480 --> 00:06:24,520 Speaker 1: Okay, I was dying dying, But I mean, this is 133 00:06:24,560 --> 00:06:27,599 Speaker 1: a very famous storyline that people sometimes bring up to me, 134 00:06:27,720 --> 00:06:29,840 Speaker 1: and I so did not remember that it was first 135 00:06:29,839 --> 00:06:33,160 Speaker 1: season because then we end up she comes and tells 136 00:06:33,240 --> 00:06:36,280 Speaker 1: us all about it in a bathroom scene at a club, 137 00:06:36,320 --> 00:06:38,560 Speaker 1: and I remember filming this. We we built a set 138 00:06:38,600 --> 00:06:40,960 Speaker 1: for it. We were not at the Limelight or wherever 139 00:06:40,960 --> 00:06:43,040 Speaker 1: they are. I don't know if that's where it is. 140 00:06:43,120 --> 00:06:45,560 Speaker 1: It might be at the club inside of the church. Yeah, 141 00:06:45,680 --> 00:06:49,080 Speaker 1: Charlotte with another side back at the club at Samantha's 142 00:06:49,440 --> 00:06:51,440 Speaker 1: hold on, hold on, when do we go to the bathroom. 143 00:06:52,080 --> 00:06:53,880 Speaker 1: It's very long. It's when we call it a gurkin? 144 00:06:54,440 --> 00:06:55,000 Speaker 2: Do you call it? 145 00:06:55,560 --> 00:06:55,720 Speaker 1: Oh? 146 00:06:55,800 --> 00:06:57,360 Speaker 2: She does? 147 00:06:56,960 --> 00:06:57,080 Speaker 3: Ye? 148 00:06:57,440 --> 00:06:59,680 Speaker 1: Yes. I remember a lot of discussion about what is 149 00:06:59,720 --> 00:07:03,679 Speaker 1: a girl? Someone had to find the one, so before 150 00:07:03,720 --> 00:07:06,080 Speaker 1: we all had our smartphones, did to find one and 151 00:07:06,080 --> 00:07:06,839 Speaker 1: show it to us? 152 00:07:07,160 --> 00:07:09,640 Speaker 2: It was yeah, and that scene was very hard to film. 153 00:07:09,640 --> 00:07:12,760 Speaker 1: Me when I watch it, first of all, I definitely 154 00:07:12,800 --> 00:07:15,760 Speaker 1: remember it because it was very long and also a. 155 00:07:15,760 --> 00:07:17,440 Speaker 2: Very She's excellent in that scene. 156 00:07:17,480 --> 00:07:21,200 Speaker 1: By that excellent, so good. She's so so good because 157 00:07:21,200 --> 00:07:25,280 Speaker 1: she's so mortified that she cares, but she also cares. 158 00:07:25,640 --> 00:07:29,360 Speaker 2: And also it's just the monologue itself is so hysterical, 159 00:07:29,480 --> 00:07:33,560 Speaker 2: and she really grounds it as Samantha yes, I mean 160 00:07:33,680 --> 00:07:39,360 Speaker 2: as I yes, and I was just admiring her. 161 00:07:39,600 --> 00:07:40,160 Speaker 1: It was really good. 162 00:07:40,200 --> 00:07:41,400 Speaker 2: I was like, I don't know how I would have 163 00:07:41,400 --> 00:07:42,360 Speaker 2: played this, and she's. 164 00:07:42,280 --> 00:07:45,120 Speaker 1: Just I agree, I agree, And then the rest of 165 00:07:45,200 --> 00:07:48,400 Speaker 1: us are just you're in particular, I'm trying to get 166 00:07:48,400 --> 00:07:50,360 Speaker 1: on my mark because like to get three people in 167 00:07:50,400 --> 00:07:50,760 Speaker 1: a ship. 168 00:07:51,160 --> 00:07:53,560 Speaker 2: I mean, so like sometimes I'm looking down, but. 169 00:07:53,440 --> 00:07:56,240 Speaker 1: Like I don't want you to know that at am 170 00:07:56,280 --> 00:07:58,120 Speaker 1: I in the spot I'm supposed to be in, because whenever, 171 00:07:58,280 --> 00:08:00,800 Speaker 1: this is the beginning of a lot of very complex 172 00:08:00,840 --> 00:08:04,040 Speaker 1: scenes that we all four do together. Sometimes we're walking 173 00:08:04,080 --> 00:08:06,400 Speaker 1: and you had to find the lens or something real hard, 174 00:08:06,720 --> 00:08:09,480 Speaker 1: you know, really fun also because it's like it's just 175 00:08:09,480 --> 00:08:12,080 Speaker 1: a challenge, but also it's not easy. It's not easy, 176 00:08:12,160 --> 00:08:15,520 Speaker 1: and I can see myself like, oh yeah, I'm yeah. 177 00:08:25,760 --> 00:08:26,840 Speaker 2: So then they're at the church. 178 00:08:26,920 --> 00:08:30,119 Speaker 1: Oh and then we see Skipper, adorable Skipper comes back, 179 00:08:30,600 --> 00:08:32,120 Speaker 1: and because we're in this has been through this thing 180 00:08:32,160 --> 00:08:35,360 Speaker 1: with the Catholic guy, Skipper somehow looks better. And to me, 181 00:08:35,600 --> 00:08:39,520 Speaker 1: I think Skipper looks better because he is so dependibly 182 00:08:39,720 --> 00:08:43,320 Speaker 1: just gonna look at her with awe love me. 183 00:08:43,760 --> 00:08:44,679 Speaker 2: So when she needs it. 184 00:08:44,720 --> 00:08:47,560 Speaker 1: She's like, yeah, that looks good, you know, but she kind. 185 00:08:47,440 --> 00:08:48,200 Speaker 2: Of feel bad for him. 186 00:08:48,200 --> 00:08:50,000 Speaker 1: But then on the other hand, I'm happy for her 187 00:08:50,040 --> 00:08:53,080 Speaker 1: that she has that yes, you know, kind of adorable 188 00:08:53,400 --> 00:08:56,040 Speaker 1: and I'm like, oh, cute. Skipper's back, and then Willie's there, 189 00:08:56,320 --> 00:09:01,040 Speaker 1: Oh my god, just like so young and so beautiful, 190 00:09:01,080 --> 00:09:03,880 Speaker 1: and there's the Limelight and instead of Fragrance Launch and 191 00:09:03,880 --> 00:09:06,640 Speaker 1: I feel like there literally is a fragrance called Fallen 192 00:09:06,760 --> 00:09:08,200 Speaker 1: Angel now. And I don't know if. 193 00:09:08,120 --> 00:09:12,160 Speaker 2: There was that that's true, I know, if not, I know, 194 00:09:12,520 --> 00:09:16,480 Speaker 2: so interesting it I know, I'm confused. 195 00:09:16,520 --> 00:09:18,080 Speaker 1: I need to look it up. I didn't have time today, 196 00:09:18,080 --> 00:09:20,160 Speaker 1: but I was like, wait, wait, fall it Angel. But anyway, 197 00:09:20,559 --> 00:09:22,679 Speaker 1: really interesting and I love that they're at the Limelight 198 00:09:22,720 --> 00:09:24,679 Speaker 1: because obviously it was a real place. It's no longer 199 00:09:24,720 --> 00:09:25,160 Speaker 1: a club. 200 00:09:25,760 --> 00:09:26,959 Speaker 2: Why we reopened for a bit. 201 00:09:27,040 --> 00:09:29,120 Speaker 1: And now it's like I feel like it might be 202 00:09:29,760 --> 00:09:32,720 Speaker 1: like they have I feel like they might have AA meetings. 203 00:09:32,720 --> 00:09:33,520 Speaker 1: They're no jokes. 204 00:09:33,600 --> 00:09:34,199 Speaker 2: Oh wow. 205 00:09:34,440 --> 00:09:36,559 Speaker 1: I know. I'm not totally sure though. I feel like 206 00:09:36,600 --> 00:09:38,560 Speaker 1: it was something else for a while. Anyway, it's still there, 207 00:09:38,600 --> 00:09:41,000 Speaker 1: but it's not what it was. But that's okay because 208 00:09:41,000 --> 00:09:46,280 Speaker 1: it's not the nineties anywhere. So basically we then cut 209 00:09:46,320 --> 00:09:50,520 Speaker 1: to Miranda and Carrie going to the church in their hats. 210 00:09:51,080 --> 00:09:54,520 Speaker 1: Really bad spy, really really bad spy, and also like, 211 00:09:55,080 --> 00:09:57,240 Speaker 1: should not have made this decision. I don't know why 212 00:09:57,280 --> 00:09:59,160 Speaker 1: Miranda's with her. I guess Miranda's with her to be 213 00:09:59,240 --> 00:10:01,760 Speaker 1: like moral so ord or whatever. But yeah, definitely not 214 00:10:01,800 --> 00:10:04,160 Speaker 1: a good idea to go spy in a big hat 215 00:10:04,280 --> 00:10:07,400 Speaker 1: at a church. And this is when they're up in 216 00:10:07,400 --> 00:10:11,080 Speaker 1: the balcony and then the Bible balls, which is like 217 00:10:11,400 --> 00:10:14,600 Speaker 1: so mortifying. I can't even imagine. I can't even imagine. 218 00:10:14,640 --> 00:10:16,080 Speaker 1: And of course they look at her and he looks 219 00:10:16,080 --> 00:10:19,280 Speaker 1: at her like what are you doing here? And then afterwards, 220 00:10:19,280 --> 00:10:22,520 Speaker 1: O god, She's like I'm just gonna stay here. She's 221 00:10:22,559 --> 00:10:25,600 Speaker 1: like so kind of Charlotte, like in a way, you're 222 00:10:25,760 --> 00:10:26,720 Speaker 1: vulnerable and. 223 00:10:27,040 --> 00:10:29,200 Speaker 2: It's all going to work out. And Miranda's like, okay, 224 00:10:29,200 --> 00:10:29,600 Speaker 2: I'll leave. 225 00:10:29,600 --> 00:10:32,959 Speaker 1: But then I was like, just go, I know, just leave. 226 00:10:33,800 --> 00:10:35,720 Speaker 1: I know they should have left after the Bible filed, 227 00:10:37,080 --> 00:10:40,800 Speaker 1: do a doc and you wrong, right, get down, you 228 00:10:40,840 --> 00:10:46,520 Speaker 1: get down, don't do it, I know, because she's like, 229 00:10:46,600 --> 00:10:50,160 Speaker 1: gonna make it work. You've got a lover, right, I mean, 230 00:10:50,240 --> 00:10:53,120 Speaker 1: that's how I felt. So anyway, they're down there. She 231 00:10:53,280 --> 00:10:56,160 Speaker 1: meets his mom. His mom doesn't know who she is, 232 00:10:57,240 --> 00:11:03,040 Speaker 1: and she says, she's like Carrie, Oh the pain I'm 233 00:11:03,080 --> 00:11:05,840 Speaker 1: talking about with big I know, I'm with you. I 234 00:11:05,920 --> 00:11:07,840 Speaker 1: get it now. I didn't get it then, but I 235 00:11:07,880 --> 00:11:11,640 Speaker 1: get it now. So the mom leaves and she's, you know, 236 00:11:12,200 --> 00:11:17,520 Speaker 1: like heard, but still he's still withholding basically and basically says, 237 00:11:17,800 --> 00:11:22,000 Speaker 1: you know, I asked you not to go to church, 238 00:11:22,120 --> 00:11:26,680 Speaker 1: and then he says, wait, yeah, he says. Then he says, 239 00:11:26,720 --> 00:11:30,360 Speaker 1: my mother doesn't need to meet another girlfriend. She should 240 00:11:30,440 --> 00:11:33,320 Speaker 1: leave right then and never speak to him again. But 241 00:11:33,520 --> 00:11:37,160 Speaker 1: we would have had a show. But still, this that's 242 00:11:37,160 --> 00:11:38,160 Speaker 1: why we were sucked. 243 00:11:37,880 --> 00:11:41,320 Speaker 2: In though every episode because if she had left, you know, 244 00:11:41,720 --> 00:11:43,720 Speaker 2: we were bought into the back and forth of it. 245 00:11:43,800 --> 00:11:48,520 Speaker 1: But yeah, I know that was really bad, really bad. 246 00:11:49,520 --> 00:11:52,760 Speaker 1: She does not deserve that. She deserves so much better. 247 00:11:52,920 --> 00:11:56,000 Speaker 1: Carry all the way, team, Carry all the way. And 248 00:11:56,200 --> 00:11:57,720 Speaker 1: at the end, I'm just gonna jump to the end 249 00:11:57,720 --> 00:11:59,240 Speaker 1: because I have a bunch of questions. But I'm just 250 00:11:59,280 --> 00:12:01,439 Speaker 1: oh wait, Charlotte goes to another psychic. 251 00:12:01,520 --> 00:12:04,240 Speaker 2: Oh yeah, this make me laugh. When they cracked the 252 00:12:04,280 --> 00:12:05,559 Speaker 2: egg and there was nothing in there. 253 00:12:05,679 --> 00:12:07,640 Speaker 1: I was like no, And also like, where do you 254 00:12:07,720 --> 00:12:08,840 Speaker 1: find an egg with no yoke? 255 00:12:08,960 --> 00:12:11,840 Speaker 2: Like I thought that that was like very creepy. Actually 256 00:12:11,880 --> 00:12:14,440 Speaker 2: it was creepy. Were sure and you might be cursed? 257 00:12:15,120 --> 00:12:17,560 Speaker 2: Oh I think I think they said that that you 258 00:12:17,679 --> 00:12:20,960 Speaker 2: had some sort of like this is when Charlotte is 259 00:12:21,000 --> 00:12:23,920 Speaker 2: really better than you think she is journeyman because she 260 00:12:24,040 --> 00:12:26,800 Speaker 2: knows she sees yeah, because they want one hundred dollars. 261 00:12:27,080 --> 00:12:29,840 Speaker 1: She's like, oh, yeah, no, this is a thing. This 262 00:12:29,960 --> 00:12:32,679 Speaker 1: is yeah, because the chickens behind her like it's it's 263 00:12:32,679 --> 00:12:36,319 Speaker 1: a situation made. Yeah. I don't remember filming that at 264 00:12:36,320 --> 00:12:39,559 Speaker 1: all either. I do remember filming when I walk out 265 00:12:40,000 --> 00:12:41,439 Speaker 1: in my coat because I think it was like four 266 00:12:41,520 --> 00:12:44,160 Speaker 1: or five am, and the handsome man bumps in yes, 267 00:12:44,360 --> 00:12:45,400 Speaker 1: and then I have hope again. 268 00:12:45,520 --> 00:12:47,480 Speaker 2: Yes, And I remember it because we had our. 269 00:12:47,320 --> 00:12:50,080 Speaker 1: Incredible We used to have this incredible camera operator Joe 270 00:12:50,080 --> 00:12:52,640 Speaker 1: Collins who's now a big deal DP and whenever he 271 00:12:52,720 --> 00:12:54,480 Speaker 1: was there, you just felt so taken care of. And 272 00:12:54,720 --> 00:12:58,000 Speaker 1: you know when you're in the relationship with the cameraman 273 00:12:58,320 --> 00:13:01,440 Speaker 1: because you're doing a complicated thing together and that's really 274 00:13:01,559 --> 00:13:04,079 Speaker 1: your scene partner. Yea. She always like that, like he 275 00:13:04,200 --> 00:13:06,360 Speaker 1: loved him so so much, and he always did the 276 00:13:06,400 --> 00:13:08,400 Speaker 1: steady cam and that's what we're doing there in the street, 277 00:13:08,640 --> 00:13:10,640 Speaker 1: the cobble students. I think I still have that coat 278 00:13:10,640 --> 00:13:11,240 Speaker 1: that I'm wearing. 279 00:13:11,400 --> 00:13:11,640 Speaker 2: Wow. 280 00:13:11,760 --> 00:13:13,880 Speaker 1: And I'm walking along with my straight part in the 281 00:13:13,920 --> 00:13:17,000 Speaker 1: middle hair which is very questionable but that's okay. And 282 00:13:17,200 --> 00:13:19,920 Speaker 1: I walk along and a very handsome man where I'm like, 283 00:13:20,120 --> 00:13:21,000 Speaker 1: why didn't we get this? 284 00:13:21,080 --> 00:13:24,040 Speaker 2: But I know I was like where he's I know, 285 00:13:24,120 --> 00:13:27,839 Speaker 2: get him back, like Charlotte after him, but. 286 00:13:28,000 --> 00:13:29,760 Speaker 1: You know, I don't for whatever reason. But I have 287 00:13:29,840 --> 00:13:32,800 Speaker 1: my hope again. And I love that so much because that. 288 00:13:32,880 --> 00:13:35,120 Speaker 2: Is like you carry a lot of the hope in 289 00:13:35,200 --> 00:13:35,679 Speaker 2: this area. 290 00:13:35,920 --> 00:13:39,000 Speaker 1: I do, and I'm glad because I also we needed it, Yes, 291 00:13:39,160 --> 00:13:41,720 Speaker 1: we needed it, and I needed it. I still needed 292 00:13:41,920 --> 00:13:45,080 Speaker 1: It's great. I'm happy for Charlotte. I love Charlotte. So 293 00:13:45,120 --> 00:13:49,320 Speaker 1: then we're back at the club skipper Miranda Oh. Then 294 00:13:49,400 --> 00:13:54,600 Speaker 1: we're back at Samantha's Oh, and we know she's crying 295 00:13:55,040 --> 00:13:57,480 Speaker 1: and he asks her why because when we have this 296 00:13:57,559 --> 00:14:02,000 Speaker 1: bathroom scene, we literally ask her can you talk to 297 00:14:02,120 --> 00:14:02,880 Speaker 1: him about it? 298 00:14:03,160 --> 00:14:06,080 Speaker 2: Which I'm just like you no, We skipped over my 299 00:14:06,160 --> 00:14:07,160 Speaker 2: favorite line of yours. 300 00:14:07,200 --> 00:14:09,040 Speaker 1: We did. Let's go back to the bathroom scene. So 301 00:14:09,120 --> 00:14:11,040 Speaker 1: it is inside the church. I don't know how I 302 00:14:11,080 --> 00:14:13,520 Speaker 1: magically get there, but I do, and we go inside 303 00:14:13,520 --> 00:14:16,560 Speaker 1: the set, this set, which was not actually at the Limelife. 304 00:14:17,200 --> 00:14:19,600 Speaker 1: I'm luckily there with them for this very momentous scene 305 00:14:19,800 --> 00:14:23,040 Speaker 1: where we discuss whether size matters, which people still ask 306 00:14:23,080 --> 00:14:25,960 Speaker 1: me about, which I find really annoying that people want 307 00:14:25,960 --> 00:14:29,640 Speaker 1: to ask me, Kristen, can I represent for all women 308 00:14:29,720 --> 00:14:33,520 Speaker 1: if size matters? Like it's the most pressured question. Let's 309 00:14:33,640 --> 00:14:35,560 Speaker 1: get let's not do that. But like on talk shows 310 00:14:35,600 --> 00:14:38,880 Speaker 1: people would ask me this like for years of course, like, 311 00:14:39,360 --> 00:14:41,360 Speaker 1: don't put this pressure on me people. 312 00:14:41,440 --> 00:14:43,360 Speaker 2: I think that your response should be your response on 313 00:14:43,400 --> 00:14:44,359 Speaker 2: the show, which. 314 00:14:44,120 --> 00:14:48,240 Speaker 1: Is how is he with this timeue? But the thing 315 00:14:48,560 --> 00:14:50,880 Speaker 1: I like that Charlotte says that because you really don't 316 00:14:50,880 --> 00:14:52,000 Speaker 1: see that coming from. 317 00:14:51,800 --> 00:14:53,840 Speaker 2: Her, right, And it's great because it's like the back 318 00:14:53,840 --> 00:14:55,800 Speaker 2: and forth you haven't been included in and it's like 319 00:14:55,880 --> 00:14:58,040 Speaker 2: you just have that line at the end and maybe, 320 00:14:58,120 --> 00:14:59,160 Speaker 2: which is great, which is great. 321 00:14:59,160 --> 00:15:00,680 Speaker 1: But the one thing I do I want to say 322 00:15:01,240 --> 00:15:03,440 Speaker 1: is that I also think that we should make some 323 00:15:03,480 --> 00:15:06,320 Speaker 1: space for the fact that that's not every woman's thing. 324 00:15:07,680 --> 00:15:10,200 Speaker 2: The tongue. Yep, sure, no, it's definitely not. 325 00:15:10,360 --> 00:15:12,480 Speaker 1: Because I do think that men think that that's what 326 00:15:12,480 --> 00:15:14,600 Speaker 1: every woman wants. You think, so I do think that, 327 00:15:14,760 --> 00:15:18,640 Speaker 1: Oh interesting, I could be I've never asked that question 328 00:15:18,760 --> 00:15:19,720 Speaker 1: of all the men in the world. 329 00:15:21,200 --> 00:15:23,360 Speaker 2: Maybe we needed, maybe we need to do that. That 330 00:15:23,480 --> 00:15:24,520 Speaker 2: might be difficult to do. 331 00:15:25,400 --> 00:15:26,400 Speaker 1: It would be interesting. 332 00:15:26,760 --> 00:15:29,080 Speaker 2: Anyone man out there who's watching you let me. 333 00:15:29,040 --> 00:15:31,840 Speaker 1: Know what you think. Yeah, because I feel like they think, like, 334 00:15:32,000 --> 00:15:34,120 Speaker 1: this is what that woman wants. And once I give 335 00:15:34,160 --> 00:15:36,160 Speaker 1: her that, then I've given her what she wants and 336 00:15:36,160 --> 00:15:37,120 Speaker 1: I can do whatever I want. 337 00:15:37,400 --> 00:15:38,480 Speaker 2: We're gonna hear it in the comments. 338 00:15:38,520 --> 00:15:42,400 Speaker 1: I hope we do. I hope I have mostly female feedback. 339 00:15:42,400 --> 00:15:45,360 Speaker 1: But you women, let me know if you think that 340 00:15:45,360 --> 00:15:59,400 Speaker 1: that's true. Yes, interesting, Okay, okay, great. So we all 341 00:15:59,560 --> 00:16:02,520 Speaker 1: in that very a long scene in the bathroom where 342 00:16:02,760 --> 00:16:06,520 Speaker 1: Samantha's fantastic Kim does a fantastic job where she because 343 00:16:06,560 --> 00:16:09,480 Speaker 1: she just has so many mixed feelings and she wishes 344 00:16:09,520 --> 00:16:11,840 Speaker 1: it didn't matter to her, but it does matter to her. 345 00:16:12,040 --> 00:16:15,080 Speaker 1: She's crying, crying, but it's funny, and then she's crying 346 00:16:15,080 --> 00:16:17,480 Speaker 1: having sex, but also like the fact that we literally 347 00:16:17,520 --> 00:16:19,480 Speaker 1: say to her, can you talk to him about it? 348 00:16:20,080 --> 00:16:20,920 Speaker 1: What would she? 349 00:16:21,000 --> 00:16:23,160 Speaker 2: I know, I was thinking, like, what do you know? 350 00:16:24,080 --> 00:16:27,480 Speaker 1: That would be mortifying? Don't talk about it? Definitely no, 351 00:16:28,080 --> 00:16:31,320 Speaker 1: but you know, we're just trying to figure something out, right, Yeah, 352 00:16:31,400 --> 00:16:34,720 Speaker 1: if you could talk to him about it, yeah, like yeah, no, no, yeah. Anyway, 353 00:16:34,760 --> 00:16:37,600 Speaker 1: she goes back, she's crying, and then she's like no, 354 00:16:41,520 --> 00:16:42,840 Speaker 1: and then he's like, what are you crying about. 355 00:16:42,880 --> 00:16:43,840 Speaker 2: She's like, I'm just so happy. 356 00:16:43,960 --> 00:16:44,160 Speaker 1: I know. 357 00:16:44,240 --> 00:16:46,320 Speaker 2: It's so heartbreaking. It's so heartbreaking. 358 00:16:46,320 --> 00:16:48,840 Speaker 1: Then, also in another heartbreaking way, we go back to 359 00:16:48,880 --> 00:16:52,760 Speaker 1: the club with Skipper and he literally tells Miranda that 360 00:16:52,840 --> 00:16:55,320 Speaker 1: he knew they would get back together because ever since 361 00:16:55,320 --> 00:16:57,520 Speaker 1: they've been apart, he lights a candle every night. 362 00:16:57,600 --> 00:16:59,000 Speaker 2: So then when we get back together, I. 363 00:16:58,960 --> 00:17:04,040 Speaker 1: Know, I I'm like, Skipper, Skipper, oh my god, you 364 00:17:04,200 --> 00:17:05,840 Speaker 1: don't have any idea who you're with. 365 00:17:07,080 --> 00:17:08,679 Speaker 2: And she says something like you're a freak. 366 00:17:09,040 --> 00:17:11,639 Speaker 1: I believe she says, which is adorable. I know, but 367 00:17:11,680 --> 00:17:14,920 Speaker 1: it's really cute. So then yes, poor Samantha crying, very 368 00:17:15,000 --> 00:17:19,480 Speaker 1: very sad. And then this is such a good scene. 369 00:17:19,560 --> 00:17:21,840 Speaker 1: We see Carrie waiting for Big to pick her up, 370 00:17:22,119 --> 00:17:26,040 Speaker 1: and she seems anxious, and she talks about how there's 371 00:17:26,040 --> 00:17:28,600 Speaker 1: a voice over and she it's not clear. It's not 372 00:17:28,640 --> 00:17:34,040 Speaker 1: clear how she's feeling, you know what I mean, Like, 373 00:17:34,280 --> 00:17:36,760 Speaker 1: it's not clear what she's gonna do. And she's so good, 374 00:17:36,800 --> 00:17:39,399 Speaker 1: you know, because she's anxious, but she's still already for 375 00:17:39,480 --> 00:17:41,040 Speaker 1: him to pick her up to go on a trip. 376 00:17:41,280 --> 00:17:43,320 Speaker 1: Then she goes down the street and he's like, get 377 00:17:43,359 --> 00:17:44,760 Speaker 1: in the car. We're gonna be late. She's like, no, 378 00:17:44,880 --> 00:17:47,200 Speaker 1: just put my things down. And you're like, oh God, 379 00:17:47,240 --> 00:17:49,320 Speaker 1: Like I was just feeling so nervous for her, and 380 00:17:49,359 --> 00:17:51,840 Speaker 1: she basically says she tries to get him to talk. 381 00:17:51,920 --> 00:17:53,719 Speaker 1: Of course he doesn't, and he's looking at her like 382 00:17:53,760 --> 00:17:55,359 Speaker 1: what is wrong with you, which is like what he 383 00:17:55,400 --> 00:17:58,640 Speaker 1: does the whole first season, And she says, just tell 384 00:17:58,680 --> 00:18:01,399 Speaker 1: me I'm the one. She kills me. 385 00:18:02,080 --> 00:18:07,840 Speaker 2: I did wonder because she's she references them having dated 386 00:18:07,880 --> 00:18:13,439 Speaker 2: for some months. Yeah, it's a loaded question, like I 387 00:18:13,520 --> 00:18:17,560 Speaker 2: don't know, And so I almost felt like it was Listen, 388 00:18:17,560 --> 00:18:19,879 Speaker 2: did I make for a great finale ending? Yeah, it 389 00:18:19,920 --> 00:18:22,080 Speaker 2: made for a fantastic ending, But when I put it 390 00:18:22,080 --> 00:18:26,359 Speaker 2: in terms of like real life. The question that popped 391 00:18:26,440 --> 00:18:29,359 Speaker 2: up in my mind is when is it appropriate to 392 00:18:29,520 --> 00:18:31,080 Speaker 2: ask like timing wise? 393 00:18:31,840 --> 00:18:35,200 Speaker 1: But it was totally appropriate. I'll tell you why, Okay, Tom, 394 00:18:35,240 --> 00:18:39,080 Speaker 1: There was this episode couple before where she It starts 395 00:18:39,119 --> 00:18:41,119 Speaker 1: with them walking down a crowded in New York street 396 00:18:41,119 --> 00:18:43,080 Speaker 1: and then like holding each other and laughing and then 397 00:18:43,080 --> 00:18:43,560 Speaker 1: they kiss. 398 00:18:43,680 --> 00:18:43,920 Speaker 2: Okay. 399 00:18:44,040 --> 00:18:46,000 Speaker 1: She talks about how in a city of seven million 400 00:18:46,040 --> 00:18:48,520 Speaker 1: people that it sometimes feels good to stand still with 401 00:18:48,560 --> 00:18:53,119 Speaker 1: one person. Oh yeah, she's there then emotionally, and she 402 00:18:53,160 --> 00:18:55,520 Speaker 1: hasn't seen us in like a week, like eight days. 403 00:18:55,520 --> 00:18:57,760 Speaker 1: She's just been hold up with him for eight days. 404 00:18:57,960 --> 00:18:59,720 Speaker 1: And as I said to Oliver Hudson, if I was 405 00:18:59,760 --> 00:19:02,399 Speaker 1: hold up with a guy for eight days, which I 406 00:19:02,440 --> 00:19:04,600 Speaker 1: can't even imagine because I have two children, right, Like, 407 00:19:04,640 --> 00:19:08,440 Speaker 1: how would that work? They would be without food, you 408 00:19:08,520 --> 00:19:10,919 Speaker 1: know what I mean. So probably wouldn't happened now. But 409 00:19:10,960 --> 00:19:12,639 Speaker 1: in my youth, if I've been hold up with the 410 00:19:12,680 --> 00:19:16,600 Speaker 1: guy for eight solid days, I would be thinking we 411 00:19:16,600 --> 00:19:17,840 Speaker 1: were in a thing for real. 412 00:19:18,400 --> 00:19:20,360 Speaker 2: Yeah, but she's not asking are we in a thing? 413 00:19:20,760 --> 00:19:21,960 Speaker 2: She's asking him by the one. 414 00:19:22,040 --> 00:19:24,600 Speaker 1: It's true, but I'm saying that was a couple months ago, right, 415 00:19:24,640 --> 00:19:26,680 Speaker 1: because if you think of like episodes. 416 00:19:26,240 --> 00:19:30,560 Speaker 2: Or no, no, no, I don't have an answer to it. It 417 00:19:30,560 --> 00:19:33,240 Speaker 2: just was something that like I started thinking about right when, 418 00:19:33,920 --> 00:19:36,440 Speaker 2: I'd be interested to hear from your listeners, like when 419 00:19:36,720 --> 00:19:41,000 Speaker 2: is when do you think that you can appropriately ask 420 00:19:41,119 --> 00:19:41,760 Speaker 2: that question? 421 00:19:41,920 --> 00:19:44,760 Speaker 1: I mean listen. I would argue that it's probably never 422 00:19:44,840 --> 00:19:48,200 Speaker 1: an inappropriate question to ask and inappropriate. Yeah, I think 423 00:19:48,240 --> 00:19:51,280 Speaker 1: it's an inappropriate question. Oh you do. Yes, I would 424 00:19:51,320 --> 00:19:54,760 Speaker 1: never ask a person that question in a million hundred years. One. 425 00:19:54,960 --> 00:19:57,880 Speaker 1: I don't totally believe in the one meaning only one, 426 00:19:58,040 --> 00:20:01,719 Speaker 1: the one, Okay, I wouldn't ask somebody that question. 427 00:20:02,040 --> 00:20:02,840 Speaker 2: You would not know. 428 00:20:03,240 --> 00:20:06,199 Speaker 1: I would be waiting for them to show me, show me. 429 00:20:06,359 --> 00:20:08,159 Speaker 1: I don't even care about words. I always feel like 430 00:20:08,200 --> 00:20:09,119 Speaker 1: words are manipulent. 431 00:20:09,280 --> 00:20:12,439 Speaker 2: So true, you know. I like that answer. I want 432 00:20:12,480 --> 00:20:13,280 Speaker 2: to say you're the one. 433 00:20:13,400 --> 00:20:16,760 Speaker 1: Yeah, yes, you do agree. I mean, I do get that. 434 00:20:16,840 --> 00:20:20,200 Speaker 1: There are times in relationships I wouldn't say that this 435 00:20:20,280 --> 00:20:22,720 Speaker 1: is the time and the Carrie Big because you feel 436 00:20:22,720 --> 00:20:25,280 Speaker 1: like it's it's more about how you feel right, And 437 00:20:25,320 --> 00:20:27,520 Speaker 1: I feel like for her, what she was saying is 438 00:20:27,920 --> 00:20:31,199 Speaker 1: I'm here now, I'm this is true for me, so 439 00:20:31,280 --> 00:20:33,600 Speaker 1: I need to know if it's defense. 440 00:20:33,640 --> 00:20:35,600 Speaker 2: And I can't even believe I just said that. I 441 00:20:35,640 --> 00:20:37,679 Speaker 2: think it gave me like a little bit of indigestion 442 00:20:37,840 --> 00:20:40,600 Speaker 2: to be honest to say that in Bigg's defense, not 443 00:20:40,760 --> 00:20:45,840 Speaker 2: everyone's on the same time. Sure, so even though she's there, Yeah, 444 00:20:46,000 --> 00:20:48,280 Speaker 2: is it fair to be like I'm the one? However, 445 00:20:48,800 --> 00:20:51,720 Speaker 2: it is fair if she's okay to lose him on it. 446 00:20:52,119 --> 00:20:55,720 Speaker 1: I think, in my mind, this is Carrie getting to 447 00:20:55,720 --> 00:20:57,800 Speaker 1: the end of her rope of having to work so 448 00:20:58,080 --> 00:21:00,720 Speaker 1: fucking hard, because all I see when I look at 449 00:21:00,720 --> 00:21:02,960 Speaker 1: the episodes of the first season is that she's just like, 450 00:21:03,520 --> 00:21:04,720 Speaker 1: what do I do? 451 00:21:04,200 --> 00:21:05,560 Speaker 2: What I do? The whole series? 452 00:21:05,640 --> 00:21:08,640 Speaker 1: I know, well, let's hope, not oh my god. 453 00:21:08,560 --> 00:21:11,600 Speaker 2: All of sex this No, not well, don't don't you? 454 00:21:12,000 --> 00:21:14,240 Speaker 2: I mean when I know, I don't know. Okay, listen, 455 00:21:14,320 --> 00:21:18,159 Speaker 2: I haven't gone back and watched the episodes, but my 456 00:21:18,920 --> 00:21:22,880 Speaker 2: general opinion is that she I mean, listen, I'm thinking 457 00:21:22,920 --> 00:21:25,480 Speaker 2: of the wedding day when you're hitting it like it 458 00:21:25,520 --> 00:21:26,240 Speaker 2: was her. 459 00:21:26,680 --> 00:21:31,440 Speaker 1: He was a good point to get the get down 460 00:21:31,480 --> 00:21:35,119 Speaker 1: the aisle. That's true, and Kim, Okay, let's just say that, 461 00:21:35,600 --> 00:21:40,000 Speaker 1: but let's also say in the end because people listening, 462 00:21:40,040 --> 00:21:42,680 Speaker 1: it's not like we're giving something away. It does work out, right, 463 00:21:43,119 --> 00:21:45,640 Speaker 1: but it's a very difficult road to get there. But 464 00:21:45,720 --> 00:21:48,160 Speaker 1: maybe that was what those people needed to go through. 465 00:21:48,280 --> 00:21:50,000 Speaker 1: I don't know, you know what I'm saying. 466 00:21:50,040 --> 00:21:50,439 Speaker 2: I don't know. 467 00:21:50,520 --> 00:21:53,800 Speaker 1: I mean, I don't know. Wat oh, let me tell 468 00:21:53,800 --> 00:21:56,639 Speaker 1: you of it. You can come back and join me 469 00:21:56,920 --> 00:21:59,479 Speaker 1: you want. But it's a lot, and obviously there's other 470 00:21:59,480 --> 00:22:01,160 Speaker 1: people that come in the mix for both of them, 471 00:22:01,320 --> 00:22:02,520 Speaker 1: which you know makes sense. 472 00:22:02,800 --> 00:22:03,919 Speaker 2: But I also feel. 473 00:22:03,640 --> 00:22:07,640 Speaker 1: Like, in some ways, I unfortunately do feel like that's 474 00:22:07,680 --> 00:22:11,760 Speaker 1: true to life. Like there might be that person where 475 00:22:11,960 --> 00:22:14,720 Speaker 1: you feel like they're the one and maybe they tell 476 00:22:14,720 --> 00:22:18,119 Speaker 1: you that you're the one, and then maybe circumstances intervene 477 00:22:18,240 --> 00:22:20,359 Speaker 1: and it doesn't work out, and it's really sad. 478 00:22:20,840 --> 00:22:22,000 Speaker 2: I'm gonna say a bold thing. 479 00:22:22,080 --> 00:22:22,480 Speaker 1: Okay. 480 00:22:23,800 --> 00:22:28,240 Speaker 2: I don't think Carrie Bradshaw has found the great love 481 00:22:28,240 --> 00:22:30,040 Speaker 2: of her life yet. Hallelujah. 482 00:22:30,359 --> 00:22:33,080 Speaker 1: Let's hope she does, right. 483 00:22:33,520 --> 00:22:34,600 Speaker 2: I don't think she's. 484 00:22:34,400 --> 00:22:35,080 Speaker 1: Not him yet. 485 00:22:35,280 --> 00:22:38,640 Speaker 2: Good, let's it done. That's a good thing. 486 00:22:39,000 --> 00:22:40,840 Speaker 1: I think that's a good thing because she had But 487 00:22:40,880 --> 00:22:41,520 Speaker 1: I'm sure. 488 00:22:41,400 --> 00:22:43,359 Speaker 2: Some people think that it's aiden or big and but 489 00:22:43,640 --> 00:22:43,879 Speaker 2: for me. 490 00:22:44,080 --> 00:22:47,360 Speaker 1: Different people have their their feelings, and definitely I think 491 00:22:47,400 --> 00:22:51,639 Speaker 1: that Carrie would tell you that Big is and was 492 00:22:51,680 --> 00:22:53,560 Speaker 1: the big love of her life and that she's happy 493 00:22:53,600 --> 00:22:55,120 Speaker 1: that she had it. Do you know what I'm saying? 494 00:22:55,160 --> 00:22:58,720 Speaker 1: Because in the end of their story, which obviously people 495 00:22:58,720 --> 00:23:02,880 Speaker 1: who watch the show still know this, she loses him 496 00:23:03,040 --> 00:23:07,600 Speaker 1: from circumstances in life, not from her. Yeah, yea, not 497 00:23:07,960 --> 00:23:11,159 Speaker 1: for a relationship reason. And she does feel like at 498 00:23:11,240 --> 00:23:14,040 Speaker 1: least I had it the great love. I think she 499 00:23:14,080 --> 00:23:17,439 Speaker 1: doesn't know how good it could be. Oh God, have 500 00:23:17,560 --> 00:23:18,560 Speaker 1: you watched him just like that? 501 00:23:19,560 --> 00:23:20,680 Speaker 2: No, I haven't watched it yet. 502 00:23:20,760 --> 00:23:22,640 Speaker 1: Got It, got It, got It, got It, got It. 503 00:23:23,560 --> 00:23:26,560 Speaker 2: Why Why would would this change what I'm saying? I 504 00:23:26,600 --> 00:23:29,320 Speaker 2: think so in what way? Because I do. 505 00:23:29,160 --> 00:23:31,000 Speaker 1: Feel like she knows how good it could be by 506 00:23:31,040 --> 00:23:32,920 Speaker 1: the time they get to where they're going. It just 507 00:23:32,960 --> 00:23:34,560 Speaker 1: takes a very long time to get there. 508 00:23:35,280 --> 00:23:36,560 Speaker 2: Like in the end with him. 509 00:23:36,760 --> 00:23:37,080 Speaker 1: Uh huh. 510 00:23:37,080 --> 00:23:39,800 Speaker 2: Oh, I watched her first season. I did watch your 511 00:23:39,800 --> 00:23:40,760 Speaker 2: first season of the show. 512 00:23:40,880 --> 00:23:43,679 Speaker 1: Uh huh. You didn't feel you didn't feel that she 513 00:23:43,960 --> 00:23:45,080 Speaker 1: knew how good it could be. 514 00:23:45,280 --> 00:23:47,000 Speaker 2: No, I don't think that she knows. I think it 515 00:23:47,000 --> 00:23:47,639 Speaker 2: can be better. 516 00:23:48,000 --> 00:23:50,119 Speaker 1: Well, that's really good for you in your life that 517 00:23:50,200 --> 00:23:51,080 Speaker 1: you feel this way. 518 00:23:51,840 --> 00:23:54,080 Speaker 2: I do because I just I feel like I feel 519 00:23:54,160 --> 00:23:56,560 Speaker 2: like she always loved him a little bit more. 520 00:23:57,800 --> 00:24:00,679 Speaker 1: Oh my god, my god, gonna have to think about 521 00:24:00,720 --> 00:24:02,280 Speaker 1: this now, I'm gonna have to think about this. 522 00:24:02,359 --> 00:24:04,679 Speaker 2: Do you guys agree? Can we ask the Peanut Gallery? 523 00:24:04,720 --> 00:24:07,639 Speaker 2: Do you think that Carrie Bradshaw loves. 524 00:24:07,359 --> 00:24:10,960 Speaker 1: Big more than Big love Kerry Bradshaw. Oh my god, 525 00:24:11,040 --> 00:24:12,560 Speaker 1: it's a consensus. 526 00:24:14,080 --> 00:24:15,600 Speaker 2: In Peanut Gallery. 527 00:24:15,800 --> 00:24:17,760 Speaker 1: I would never cut the Peanut Gallery out. I love them. 528 00:24:17,880 --> 00:24:21,040 Speaker 2: But let me ask you this though, Is that so horrible? 529 00:24:21,240 --> 00:24:23,760 Speaker 1: Like? Isn't it true that in relationships somebody might love 530 00:24:23,840 --> 00:24:25,800 Speaker 1: the other person more than the other person loves them. 531 00:24:26,200 --> 00:24:29,560 Speaker 2: Oh my god, I hate that idea. Okay, I really 532 00:24:29,600 --> 00:24:29,879 Speaker 2: hate that. 533 00:24:29,960 --> 00:24:32,280 Speaker 1: I'm not married, so you know, give me some good marriage. 534 00:24:33,000 --> 00:24:34,240 Speaker 2: So pissed? If I love my. 535 00:24:36,880 --> 00:24:39,199 Speaker 1: I would already know, wouldn't you already know? You've been 536 00:24:39,240 --> 00:24:40,440 Speaker 1: married for quite a while? Right? 537 00:24:40,760 --> 00:24:42,440 Speaker 2: How long? How long? Tell us? 538 00:24:42,800 --> 00:24:42,960 Speaker 1: Well? 539 00:24:43,000 --> 00:24:47,000 Speaker 2: Even together for thirteen years A long time, A long time? 540 00:24:47,400 --> 00:24:50,080 Speaker 2: So you have two kids? Is it nice? Even evenly? 541 00:24:50,600 --> 00:24:53,320 Speaker 2: It feels even to me. I'm gonna listen, I'm heading home, 542 00:24:53,320 --> 00:24:54,800 Speaker 2: and I'm gonna ask him. That's gonna be the first 543 00:24:54,840 --> 00:24:57,080 Speaker 2: question I walk through the door. Yeah, yeah, we're back. 544 00:24:57,200 --> 00:24:58,479 Speaker 1: I need to know. I need to know. 545 00:24:58,920 --> 00:25:01,240 Speaker 2: Well, I mean, if he says, no, you definitely love 546 00:25:01,320 --> 00:25:04,800 Speaker 2: me more, that's gonna be an issue. What if he 547 00:25:04,920 --> 00:25:07,800 Speaker 2: says I love you more than you love me, then 548 00:25:07,840 --> 00:25:10,399 Speaker 2: I would be so much like, no, I love you know. 549 00:25:11,200 --> 00:25:15,879 Speaker 2: I think it's it feels very it feels very equal, 550 00:25:15,920 --> 00:25:18,879 Speaker 2: and I think actually that's what feels very peaceful about. 551 00:25:18,920 --> 00:25:20,000 Speaker 1: Oh that's so nice. 552 00:25:21,640 --> 00:25:24,080 Speaker 2: And I don't feel like she's had that yet. No, 553 00:25:24,119 --> 00:25:26,920 Speaker 2: it might be like Aiden has always had a thing 554 00:25:26,960 --> 00:25:28,520 Speaker 2: for Carrie more than Carrie has for Aiden. 555 00:25:28,880 --> 00:25:32,479 Speaker 1: We need to find that the equal footing. Well, manally, 556 00:25:32,680 --> 00:25:35,520 Speaker 1: there's gonna be there's gonna be some interesting developments. There's 557 00:25:35,520 --> 00:25:38,359 Speaker 1: gonna be some interesting developments. But anyway, what I really 558 00:25:38,400 --> 00:25:41,359 Speaker 1: love when she's on the sidewalk because they're going to 559 00:25:41,400 --> 00:25:42,760 Speaker 1: go on this trip, and of course he thinks that 560 00:25:42,800 --> 00:25:46,359 Speaker 1: everything's hunky dory, right, and then she says, I love you, 561 00:25:46,440 --> 00:25:51,000 Speaker 1: but I can't, which just killed me. And then he says, 562 00:25:51,400 --> 00:25:53,560 Speaker 1: so that's it, like in his kind of jerky way, 563 00:25:53,600 --> 00:25:56,199 Speaker 1: and I'm like, get out, okay, get out. Then she 564 00:25:56,280 --> 00:25:58,640 Speaker 1: says in her voice over, she cried for a week, 565 00:25:59,240 --> 00:26:05,040 Speaker 1: and then she's as she does have faith faith in herself, yeah, 566 00:26:05,080 --> 00:26:07,880 Speaker 1: and that one day she would meet someone who would 567 00:26:07,920 --> 00:26:12,440 Speaker 1: be sure I was the one yeah, Which is interesting 568 00:26:12,520 --> 00:26:15,919 Speaker 1: because I would have loved it to just say I 569 00:26:16,000 --> 00:26:19,199 Speaker 1: do have faith faith in myself. I would have just 570 00:26:19,359 --> 00:26:22,359 Speaker 1: ended it there, do you know what I mean? But 571 00:26:22,560 --> 00:26:24,760 Speaker 1: she's still on, She's still on the search, She's still 572 00:26:24,920 --> 00:26:25,360 Speaker 1: I think the. 573 00:26:25,280 --> 00:26:27,640 Speaker 2: Truth is though that, like probably you know a lot 574 00:26:27,640 --> 00:26:31,360 Speaker 2: of people, you can be both things can be true, 575 00:26:31,359 --> 00:26:33,560 Speaker 2: you can be the independent person at the same time, 576 00:26:33,840 --> 00:26:36,680 Speaker 2: I think it's just human beings. We're looking for a love. 577 00:26:37,200 --> 00:26:39,320 Speaker 1: I agree with you. I mean, people had a lot 578 00:26:39,359 --> 00:26:41,760 Speaker 1: to say when we were talking about Big at the 579 00:26:41,760 --> 00:26:43,920 Speaker 1: beginning of the show, because it has been this kind 580 00:26:43,960 --> 00:26:46,040 Speaker 1: of shock for me to relok at Big, right, and 581 00:26:46,080 --> 00:26:47,800 Speaker 1: I was like, oh, he's so awful, blah blah blah 582 00:26:47,800 --> 00:26:50,760 Speaker 1: blah blah. And people on the social media were like, 583 00:26:52,000 --> 00:26:54,480 Speaker 1: they don't want love man like that, And I'm like, 584 00:26:54,680 --> 00:26:58,160 Speaker 1: everyone wants love, don't they every I think. 585 00:26:58,080 --> 00:27:02,520 Speaker 2: Big wants love in the on the terms that he 586 00:27:02,640 --> 00:27:03,320 Speaker 2: wants it. 587 00:27:03,320 --> 00:27:07,320 Speaker 1: Right, but we know that he marries what he considers 588 00:27:07,400 --> 00:27:11,199 Speaker 1: to be an easier, picture perfect version of love, and 589 00:27:11,240 --> 00:27:13,119 Speaker 1: then he it doesn't work out. 590 00:27:13,600 --> 00:27:15,800 Speaker 2: Yes, but I still feel like it's all on like this. 591 00:27:15,920 --> 00:27:18,520 Speaker 2: I feel like this romance is so much on his terms, 592 00:27:18,520 --> 00:27:21,240 Speaker 2: but I need to go right. I'm just saying. 593 00:27:21,240 --> 00:27:24,000 Speaker 1: He also has his journey of trying out this other 594 00:27:24,080 --> 00:27:25,800 Speaker 1: thing that he thinks is going to be great, and 595 00:27:25,800 --> 00:27:28,080 Speaker 1: then it doesn't work out, and then he comes back 596 00:27:28,080 --> 00:27:32,800 Speaker 1: to complicated kerry relationship, which is interesting. It's just interesting, I. 597 00:27:32,720 --> 00:27:37,320 Speaker 2: Mean, relateships interesting, sucked in what we ever have. 598 00:27:37,560 --> 00:27:39,919 Speaker 1: To to write about or anything. 599 00:27:40,359 --> 00:27:43,760 Speaker 2: So I think I'm done with the rewatching part general. 600 00:27:44,160 --> 00:27:46,680 Speaker 1: Oh my god, you're amazing. 601 00:27:47,960 --> 00:27:52,200 Speaker 2: I love it so easy, no joy, I loved it, 602 00:27:52,240 --> 00:27:54,720 Speaker 2: and I love like it was. It was honestly like 603 00:27:54,760 --> 00:27:56,720 Speaker 2: going back in time for me too, And I've gotten 604 00:27:56,800 --> 00:27:59,480 Speaker 2: so nostalgic and like I said, the excuse to not 605 00:27:59,520 --> 00:28:01,679 Speaker 2: have to bathe my kids last night cours my housband 606 00:28:01,680 --> 00:28:02,360 Speaker 2: to do both of them. 607 00:28:02,440 --> 00:28:04,480 Speaker 1: Listen, let me be of help in any way, you 608 00:28:04,600 --> 00:28:05,160 Speaker 1: know what I mean. 609 00:28:05,560 --> 00:28:07,400 Speaker 2: Yeah, No, I listened on the night before podcasts. 610 00:28:07,400 --> 00:28:09,120 Speaker 1: I'm like, you, guys, you got to get in bed 611 00:28:09,280 --> 00:28:11,199 Speaker 1: because there's no one else to bathe them right, So 612 00:28:11,240 --> 00:28:12,399 Speaker 1: I have to do the things where I'm like, you 613 00:28:12,440 --> 00:28:13,120 Speaker 1: got to hurry. 614 00:28:12,920 --> 00:28:14,480 Speaker 2: It up because I got to rewatch the show. 615 00:28:14,640 --> 00:28:15,960 Speaker 1: Yeah, got to rewatch the show. 616 00:28:16,040 --> 00:28:16,920 Speaker 2: It's good homework. 617 00:28:17,080 --> 00:28:19,639 Speaker 1: It is. It's nice homework. I always feel guilty asking 618 00:28:19,640 --> 00:28:21,479 Speaker 1: people to rewatch, and everyone tells me that I need 619 00:28:21,520 --> 00:28:22,639 Speaker 1: to stop feeling guilty. 620 00:28:22,880 --> 00:28:23,840 Speaker 2: No, it was so fun. 621 00:28:23,920 --> 00:28:25,560 Speaker 1: Thank you, good, good, good. 622 00:28:25,320 --> 00:28:26,440 Speaker 2: Thankanks for trying me. 623 00:28:26,600 --> 00:28:29,600 Speaker 1: It's a joy on our couch. You guys should move 624 00:28:29,600 --> 00:28:32,040 Speaker 1: in here too, I think so. I like Capshaw. 625 00:28:32,160 --> 00:28:34,920 Speaker 2: No, she can come. 626 00:28:34,840 --> 00:28:38,120 Speaker 1: Rewatch also, okay, she would together. She was so much fun. 627 00:28:38,160 --> 00:28:40,360 Speaker 2: Oh my god, it would be so much fun. 628 00:28:40,440 --> 00:28:40,640 Speaker 1: I know. 629 00:28:40,680 --> 00:28:42,000 Speaker 2: I want to have multiple I want to have like 630 00:28:42,040 --> 00:28:45,200 Speaker 2: a group rewatched. We should have Jessica on when she's 631 00:28:45,200 --> 00:28:46,080 Speaker 2: in town and come back. 632 00:28:46,160 --> 00:28:48,440 Speaker 1: That'd be great. Okay, got to be great. Thanks Camilla, 633 00:28:48,520 --> 00:28:53,040 Speaker 1: thank you. Have a great day.