1 00:00:03,000 --> 00:00:07,680 Speaker 1: Make some noise. Yeah, here for Russ. Look all these 2 00:00:07,680 --> 00:00:10,920 Speaker 1: beautiful people came out on the school night. You know 3 00:00:10,920 --> 00:00:13,800 Speaker 1: what I mean? You know Ellie and Wilson. I'm beat? 4 00:00:13,840 --> 00:00:16,240 Speaker 1: I what's up? Beat? I are you feeling, Elliott? I'm 5 00:00:16,239 --> 00:00:19,480 Speaker 1: feeling great. Man, rapperate up podcasts. Yes, thank you guys 6 00:00:19,480 --> 00:00:22,040 Speaker 1: for coming out, man, appreciate it live here at the 7 00:00:22,079 --> 00:00:24,560 Speaker 1: Highline Ballroom. Shout out to pet Oasis and all the 8 00:00:24,560 --> 00:00:27,280 Speaker 1: good folks over here, and most importantly, thank you guys 9 00:00:27,280 --> 00:00:30,880 Speaker 1: for coming out. Absolutely. How are you guys feeling from 10 00:00:30,880 --> 00:00:33,920 Speaker 1: the good I heard? We got some real rust fans 11 00:00:34,000 --> 00:00:37,600 Speaker 1: up in this place, oh man. And not take once, 12 00:00:38,000 --> 00:00:40,519 Speaker 1: not day once. We got some day one day? Wont 13 00:00:41,560 --> 00:00:43,800 Speaker 1: I don't go to front? I was like a day two. Yeah, 14 00:00:43,800 --> 00:00:46,280 Speaker 1: we were a little late. Can we talk about that 15 00:00:46,360 --> 00:00:48,400 Speaker 1: so we betterf you we together, we've been if you 16 00:00:48,520 --> 00:00:50,879 Speaker 1: rust before and wrapperate up podcasts. I think that was 17 00:00:50,960 --> 00:00:53,400 Speaker 1: right when uh what they want was starting to really 18 00:00:53,440 --> 00:00:58,080 Speaker 1: take off, bubbling, just bubbling. It wasn't platinum yet. It 19 00:00:58,200 --> 00:01:01,320 Speaker 1: wasn't platinum. It was about bron It was copper, but 20 00:01:01,360 --> 00:01:03,360 Speaker 1: he was. But you know, Russ is such a hustle 21 00:01:03,480 --> 00:01:05,480 Speaker 1: like he I found like old emails when I was 22 00:01:05,520 --> 00:01:07,480 Speaker 1: like it first started rap right out what he would 23 00:01:07,480 --> 00:01:12,040 Speaker 1: email me like check out his video and the fronting 24 00:01:12,040 --> 00:01:14,800 Speaker 1: on him and stuff, and we had to kiss his 25 00:01:14,880 --> 00:01:17,920 Speaker 1: ass and he had to come on even it was like, Hi, 26 00:01:18,080 --> 00:01:19,960 Speaker 1: my name is Russ from a twenty yod rapper. Listen 27 00:01:20,000 --> 00:01:25,200 Speaker 1: to my album. It's fire like right, So I know 28 00:01:25,240 --> 00:01:26,720 Speaker 1: we're gonna get into that because I know a lot 29 00:01:26,720 --> 00:01:28,400 Speaker 1: of you guys look at the business and you know 30 00:01:28,520 --> 00:01:30,400 Speaker 1: he's heat to me. He just said to himself, he's 31 00:01:30,400 --> 00:01:33,000 Speaker 1: a d I Y pioneers. You know, he's done it 32 00:01:33,080 --> 00:01:35,800 Speaker 1: his way and it's inspiring to you guys, the audience 33 00:01:36,400 --> 00:01:39,480 Speaker 1: inspiring tests you know, as the other young artists that 34 00:01:39,520 --> 00:01:41,360 Speaker 1: want to make in a game. But like I was saying, 35 00:01:41,400 --> 00:01:45,000 Speaker 1: so what they want went platinum. Losing Control went platinum. 36 00:01:45,040 --> 00:01:47,000 Speaker 1: So he got two platinum singles. Then he puts out 37 00:01:47,000 --> 00:01:49,480 Speaker 1: this album, Man, it was a Wolf. There's really a wolf. 38 00:01:49,520 --> 00:01:52,600 Speaker 1: It's really a wolf Fire one of the best of 39 00:01:52,640 --> 00:01:54,600 Speaker 1: the year, I'm saying, and like a lot of the 40 00:01:54,640 --> 00:01:56,160 Speaker 1: best songs you got. And it's funny because all of 41 00:01:56,160 --> 00:01:58,040 Speaker 1: those things that he said. He was solds records for free, 42 00:01:58,360 --> 00:02:00,440 Speaker 1: but people ended up still copping him and selling and 43 00:02:00,600 --> 00:02:03,400 Speaker 1: like the album with Gold you got that album. There's 44 00:02:03,440 --> 00:02:06,960 Speaker 1: really a Wolf album going down on title. And then 45 00:02:07,000 --> 00:02:09,720 Speaker 1: now this maniacs like with Scott Storch, and he's making 46 00:02:09,760 --> 00:02:14,080 Speaker 1: fucking records and he wants some stones. He's everywhere, man, 47 00:02:14,120 --> 00:02:17,040 Speaker 1: He's always walking into that man. But but I appreciate 48 00:02:17,120 --> 00:02:19,160 Speaker 1: him taking the time. Man. We haven't spoke to him 49 00:02:19,200 --> 00:02:22,120 Speaker 1: since he got all successful and ship. He still remembers 50 00:02:22,120 --> 00:02:24,760 Speaker 1: the little people. Thanks for us. He was somewhat nice 51 00:02:24,760 --> 00:02:27,440 Speaker 1: to us backstage, so and he said he got a 52 00:02:27,440 --> 00:02:28,760 Speaker 1: lot of ship to get off his chest. You know, 53 00:02:28,840 --> 00:02:32,839 Speaker 1: Russ doesn't hold his tongue. Man, you're into some controversial ship, 54 00:02:34,600 --> 00:02:38,000 Speaker 1: into some real talk. That's what they want. Elliott, I'm 55 00:02:38,040 --> 00:02:39,960 Speaker 1: gonna give it to the Beetle makes some noise, man 56 00:02:40,120 --> 00:02:51,560 Speaker 1: to rapp right up podcast for us? Who pioneer makes 57 00:02:51,600 --> 00:02:54,320 Speaker 1: some noise? Stand out for us, Stand up for baby, 58 00:02:54,480 --> 00:03:01,440 Speaker 1: Shut out up, baby. Yeah, you ain't gonna be shy, man, 59 00:03:01,440 --> 00:03:03,480 Speaker 1: you ain't gonna be We're in the library. We want 60 00:03:03,520 --> 00:03:07,960 Speaker 1: your energy. I want you to you know over here, 61 00:03:08,400 --> 00:03:13,359 Speaker 1: you want you rust us. I'm sitting over here, over here. Good. 62 00:03:14,240 --> 00:03:18,080 Speaker 1: Whatever you want to do, though, yeah, says that's not water. 63 00:03:19,440 --> 00:03:26,520 Speaker 1: Is that water? Russ? Yes? Water? Are you jumping in 64 00:03:26,560 --> 00:03:31,360 Speaker 1: with the questions? I can't do so, rust man, how 65 00:03:31,360 --> 00:03:36,480 Speaker 1: are you feeling? Yeah? You know a lot of rappers 66 00:03:36,480 --> 00:03:39,680 Speaker 1: can't sell out this venue for the shows. The man, 67 00:03:40,040 --> 00:03:43,360 Speaker 1: I'm just up here talking. See Rust speak. It's my 68 00:03:43,400 --> 00:03:48,600 Speaker 1: intro to the Tony Robbins lifestyle. Russ. The last year, 69 00:03:48,840 --> 00:03:50,720 Speaker 1: I don't even say last year. The last six months 70 00:03:50,720 --> 00:03:53,880 Speaker 1: has been crazy, man, Like yeah, wild. The album's gold, 71 00:03:54,400 --> 00:03:57,480 Speaker 1: the singles are platinum, talk about tours are packed, talk 72 00:03:57,560 --> 00:04:01,000 Speaker 1: about it. What's life been like man since we last spoke. 73 00:04:01,480 --> 00:04:04,640 Speaker 1: It's super surreal, bro, But like you know, I can't. 74 00:04:04,760 --> 00:04:06,720 Speaker 1: I can't lie and say, yo, I didn't see this coming. 75 00:04:07,960 --> 00:04:10,680 Speaker 1: Feel me like I saw this coming. But it's just dope. 76 00:04:11,160 --> 00:04:13,280 Speaker 1: All these people just funk with me for being me 77 00:04:16,800 --> 00:04:21,960 Speaker 1: absolutely one point two billion streams like billions say that 78 00:04:22,040 --> 00:04:28,560 Speaker 1: motherfucker with a strong ass be Yeah, you say something 79 00:04:28,560 --> 00:04:30,200 Speaker 1: to like with the album because a lot of times now, 80 00:04:30,320 --> 00:04:33,160 Speaker 1: even with the album consumption, people like have the moment 81 00:04:33,160 --> 00:04:34,640 Speaker 1: with the album. But like you know, back in the day, 82 00:04:34,920 --> 00:04:37,640 Speaker 1: albums would have very long shelf lives. But even with 83 00:04:37,920 --> 00:04:40,080 Speaker 1: this really Wolf I saw the other day you were saying, like, yo, 84 00:04:40,640 --> 00:04:43,000 Speaker 1: I'm listening to my album, like I'm appreciating my album 85 00:04:43,040 --> 00:04:46,200 Speaker 1: even more now is going on. That's the thing. You 86 00:04:46,240 --> 00:04:49,080 Speaker 1: don't know how good music is until you listen to 87 00:04:49,120 --> 00:04:53,080 Speaker 1: it later on and then it's still good. Then you're like, oh, 88 00:04:53,120 --> 00:04:57,000 Speaker 1: ships it's super good. You feel me. That's how I 89 00:04:57,000 --> 00:05:00,200 Speaker 1: feel bad. I feel like it's aging really nicely. Yeah. 90 00:05:01,680 --> 00:05:04,280 Speaker 1: And wait, so when you I think you're saying when 91 00:05:04,279 --> 00:05:08,800 Speaker 1: you found out the record went goal, you know, to 92 00:05:08,960 --> 00:05:11,159 Speaker 1: read it right back to that point. How you know 93 00:05:11,200 --> 00:05:14,680 Speaker 1: the music is timeless, right, losing control and what they 94 00:05:14,680 --> 00:05:19,159 Speaker 1: want when platinum right, like fair to say that that's 95 00:05:19,160 --> 00:05:23,160 Speaker 1: when they like blue and went crazy they came out. 96 00:05:25,040 --> 00:05:28,200 Speaker 1: I'm saying, come on, like, that's that's just how you know. 97 00:05:28,240 --> 00:05:30,000 Speaker 1: It's about making good music. And at the end of 98 00:05:30,040 --> 00:05:32,159 Speaker 1: the day, when you make good music, whether it be 99 00:05:32,200 --> 00:05:34,040 Speaker 1: two years from now, three years from now, four years 100 00:05:34,040 --> 00:05:35,919 Speaker 1: from now, they're gonna come around. Do you think the 101 00:05:35,920 --> 00:05:44,680 Speaker 1: industry still rewards talent? No, I mean the industry awards talent. 102 00:05:44,800 --> 00:05:46,599 Speaker 1: I mean, because you're living proof. I mean the music 103 00:05:46,680 --> 00:05:51,960 Speaker 1: is speaking for itself. M hmm, made it. Oh, I 104 00:05:52,000 --> 00:05:56,640 Speaker 1: can already tell it's gonna be let it's gonna be lit. 105 00:05:56,839 --> 00:05:58,440 Speaker 1: We'll speaking about it. Let me tell you what the 106 00:05:58,440 --> 00:06:05,200 Speaker 1: industry reward was. Industry awards, connections and function. That's what 107 00:06:05,279 --> 00:06:08,000 Speaker 1: the rewards. I mean, if it rewards talent, you feel 108 00:06:08,040 --> 00:06:10,560 Speaker 1: me like, I would be the biggest artist in the 109 00:06:10,640 --> 00:06:21,239 Speaker 1: entire world. But yet, but yet, but yeah, and still Russ, 110 00:06:21,640 --> 00:06:27,000 Speaker 1: you know you did tell into the industry pool. There's 111 00:06:27,000 --> 00:06:29,640 Speaker 1: a lot of fine folks here from Columbia Records, your 112 00:06:29,640 --> 00:06:32,799 Speaker 1: your partners in business. Why has it worked for you? 113 00:06:33,240 --> 00:06:35,880 Speaker 1: And you've been able to still maintain your authenticity to 114 00:06:35,960 --> 00:06:38,400 Speaker 1: your audience. But you've still been able to power up 115 00:06:38,400 --> 00:06:40,640 Speaker 1: and play this major label game in a certain sense. 116 00:06:43,360 --> 00:06:48,320 Speaker 1: I mean, yes, but not it was leverage, you feel me, like, 117 00:06:48,320 --> 00:06:51,279 Speaker 1: why I was able to link with Colombians still do 118 00:06:51,320 --> 00:06:54,240 Speaker 1: what I'm doing, It's because I came into it with 119 00:06:54,320 --> 00:06:56,359 Speaker 1: a fan base that already loved me for me what 120 00:06:56,440 --> 00:06:59,360 Speaker 1: I was doing, So it's nothing that they could tell me, like, yo, 121 00:06:59,440 --> 00:07:02,400 Speaker 1: you should actually probably switched it, you know, switching shipped up, 122 00:07:02,480 --> 00:07:05,200 Speaker 1: you feel me because look how far I took it 123 00:07:05,240 --> 00:07:07,320 Speaker 1: off of just me being me. But that's why they 124 00:07:07,360 --> 00:07:09,359 Speaker 1: got with you. That's why y'all connected. But why do 125 00:07:09,360 --> 00:07:11,880 Speaker 1: you think it seems like it's working well for both parties. 126 00:07:12,280 --> 00:07:15,320 Speaker 1: We're happy, they're happy, Like, why is the relationship working? 127 00:07:15,360 --> 00:07:17,040 Speaker 1: I mean, it comes down to the music, you feel me, 128 00:07:17,320 --> 00:07:18,760 Speaker 1: It comes down to the music. There's a lot of 129 00:07:18,800 --> 00:07:20,960 Speaker 1: theatrics and hip hop. There's a lot of antics and 130 00:07:21,040 --> 00:07:23,720 Speaker 1: hip hop where you have a lot of like fucking entertainers, 131 00:07:24,160 --> 00:07:25,440 Speaker 1: you know what I'm saying. Like there's a lot of 132 00:07:25,480 --> 00:07:29,680 Speaker 1: people who have like a strong social media following this ship, 133 00:07:29,680 --> 00:07:32,760 Speaker 1: but when they drop albums, no one's copying. It's because, bro, 134 00:07:33,040 --> 00:07:35,800 Speaker 1: the music is not fired period. So like for me, 135 00:07:36,600 --> 00:07:39,640 Speaker 1: the music is good and like I said, the songs 136 00:07:39,680 --> 00:07:41,600 Speaker 1: that were out two years ago before anyone knew who 137 00:07:41,640 --> 00:07:43,840 Speaker 1: the funk I was in the industry, it's all we're 138 00:07:43,840 --> 00:07:46,360 Speaker 1: fucking that's all that people are listening to, Like Cherry 139 00:07:46,400 --> 00:07:49,640 Speaker 1: Hill I recorded in losing control of what they want 140 00:07:49,680 --> 00:07:53,000 Speaker 1: doing myself pulling sugar this ship. So the fact that 141 00:07:53,040 --> 00:07:56,880 Speaker 1: it's working in it's just a testament to real fans 142 00:07:56,880 --> 00:07:59,040 Speaker 1: and good music period. But how do you not stay 143 00:07:59,080 --> 00:08:01,960 Speaker 1: complacent because you said the album's god the singles of 144 00:08:02,040 --> 00:08:05,000 Speaker 1: platinum and you're like not content with that you're still 145 00:08:05,040 --> 00:08:09,520 Speaker 1: releasing these. I'm a psychopath. I mean honestly, I'm obsessed 146 00:08:09,560 --> 00:08:13,440 Speaker 1: with Like people think it's like it's about being competitive 147 00:08:13,480 --> 00:08:16,160 Speaker 1: with other people. It's really not like there's that element 148 00:08:16,240 --> 00:08:18,920 Speaker 1: to it. But it's more like, yo, I gotta one 149 00:08:18,960 --> 00:08:21,920 Speaker 1: up myself every time. And it's like, you know, it's 150 00:08:22,040 --> 00:08:26,320 Speaker 1: it's really not healthy because it's an insatiable desire to 151 00:08:26,400 --> 00:08:29,480 Speaker 1: like quench because I'm always like, nah, but I can 152 00:08:29,480 --> 00:08:31,080 Speaker 1: be better. But I can be better, you know what 153 00:08:31,080 --> 00:08:33,120 Speaker 1: I'm saying. There's a really fine line like I haven't 154 00:08:33,160 --> 00:08:34,960 Speaker 1: figured I'm twenty five, I haven't figured out how to 155 00:08:35,040 --> 00:08:39,480 Speaker 1: be uh content without feeling like I'm sleeping right next 156 00:08:39,480 --> 00:08:42,800 Speaker 1: to complacency. You feel me? So I'd rather not even 157 00:08:42,800 --> 00:08:44,680 Speaker 1: be content. I'd rather just be like, you know what, Yeah, 158 00:08:44,720 --> 00:08:47,760 Speaker 1: the albums go singles are platinum. Fuck that, you know 159 00:08:47,800 --> 00:08:50,520 Speaker 1: what I'm saying? I want more? So, how do we 160 00:08:50,559 --> 00:08:54,760 Speaker 1: get to funk that Scott Storch? What we do with 161 00:08:54,800 --> 00:09:00,400 Speaker 1: Scott Storch? You don't you know? We know that Russ produced, rights, 162 00:09:00,480 --> 00:09:05,040 Speaker 1: arranged mixes, masters, and engineer on the t shirts all 163 00:09:05,120 --> 00:09:08,000 Speaker 1: his music. But but you obviously had great mistair for 164 00:09:08,000 --> 00:09:10,360 Speaker 1: Scott to talk us to how did that happen that 165 00:09:10,440 --> 00:09:13,319 Speaker 1: you really connect with Scott Storch and go into the 166 00:09:13,360 --> 00:09:15,480 Speaker 1: lab and knock on all these records or you knocked 167 00:09:15,480 --> 00:09:19,160 Speaker 1: out five records, right, Yeah, I mean the like the 168 00:09:19,200 --> 00:09:24,360 Speaker 1: misconceptions like Russa isn't funk with anyone, which is like, nah, 169 00:09:24,720 --> 00:09:27,160 Speaker 1: Number one, I didn't know anyone, so I had to 170 00:09:27,240 --> 00:09:30,440 Speaker 1: learn how to do it myself. Number two, A lot 171 00:09:30,520 --> 00:09:32,559 Speaker 1: of people are whacked. So yeah, I don't funk with 172 00:09:32,600 --> 00:09:35,320 Speaker 1: a lot of people. I'm not falling for the hype 173 00:09:35,320 --> 00:09:37,600 Speaker 1: that oh nah, but you don't work with him. Nah, 174 00:09:37,720 --> 00:09:39,560 Speaker 1: neither do you after six months from now, so shut 175 00:09:39,640 --> 00:09:43,000 Speaker 1: up stop asking me. You feel me like period. But 176 00:09:43,240 --> 00:09:45,360 Speaker 1: Scott Stitch is a legend, and it was like one 177 00:09:45,400 --> 00:09:47,480 Speaker 1: of the reasons why I started making beats. So I 178 00:09:47,640 --> 00:09:49,680 Speaker 1: was like, wait what it came in a fucking email 179 00:09:49,720 --> 00:09:52,200 Speaker 1: to the management email and we're thinking, like this is 180 00:09:52,200 --> 00:09:55,480 Speaker 1: fucking fake because it was like, Yo, Scott wants to 181 00:09:55,480 --> 00:09:58,559 Speaker 1: get into the studio or us. We're like, what is it? 182 00:09:58,640 --> 00:10:02,480 Speaker 1: Like an email? Nah, there's no chance, but you know, 183 00:10:02,520 --> 00:10:04,160 Speaker 1: it turned out to be true. We go to Scott's 184 00:10:04,200 --> 00:10:07,079 Speaker 1: house and like the chemistry was just crazy. So the 185 00:10:07,120 --> 00:10:10,000 Speaker 1: wife wife, Yeah, he did wife you Up? And how 186 00:10:10,040 --> 00:10:13,200 Speaker 1: did you get John Maya? You got John Mayor? Doing 187 00:10:13,840 --> 00:10:19,520 Speaker 1: John Mayor is a fucking legend period. Also, the way 188 00:10:19,600 --> 00:10:25,240 Speaker 1: John Mayor's brain works is crazy genius. Now I've never 189 00:10:25,240 --> 00:10:28,000 Speaker 1: met him, the thing is right, how it all happened 190 00:10:28,040 --> 00:10:31,360 Speaker 1: was like it's like some real hilarious not hilarious, but 191 00:10:31,360 --> 00:10:35,400 Speaker 1: it's very like modern day link up scenario. He liked 192 00:10:35,400 --> 00:10:39,560 Speaker 1: to tweet on Twitter, right, I was like, done, deal, 193 00:10:41,200 --> 00:10:44,400 Speaker 1: it's a wrap. But so then he follows whatever so 194 00:10:44,400 --> 00:10:46,400 Speaker 1: that I'm like, I'm like, yo, I'm obviously about to 195 00:10:46,440 --> 00:10:47,960 Speaker 1: send a d M to John Mayor to be like 196 00:10:48,120 --> 00:10:51,480 Speaker 1: continue as the greatest album ever you feel me? Um, 197 00:10:51,520 --> 00:10:53,680 Speaker 1: So like we connected Dan and you know whatever whatever 198 00:10:53,720 --> 00:10:56,000 Speaker 1: we're texting, but he's actually been like a really you know, 199 00:10:56,160 --> 00:10:58,080 Speaker 1: not that he took on that role and whatever, but 200 00:10:58,280 --> 00:11:00,480 Speaker 1: to me like a mentor, like a had a really 201 00:11:00,480 --> 00:11:03,560 Speaker 1: great advice. Um, but yeah, we had to wife you 202 00:11:03,640 --> 00:11:05,160 Speaker 1: Up song. And I'm sitting there and I'm like, yo, 203 00:11:06,080 --> 00:11:07,920 Speaker 1: now once again I didn't produce it. And how I 204 00:11:07,960 --> 00:11:10,200 Speaker 1: feel when like I produce shit. I would be so 205 00:11:10,320 --> 00:11:12,160 Speaker 1: pissed if someone like takes a song and produced to 206 00:11:12,240 --> 00:11:14,559 Speaker 1: them and just like get someone to do something on 207 00:11:14,640 --> 00:11:17,200 Speaker 1: it without asking, right, But I'm so used to like 208 00:11:18,320 --> 00:11:20,200 Speaker 1: it's my ship whatever. Like I didn't really think twice. 209 00:11:20,200 --> 00:11:21,640 Speaker 1: But I'm sitting there listening to wife you up back, 210 00:11:21,640 --> 00:11:24,200 Speaker 1: and I'm like, Yo, I needs some guitar. And I'm like, 211 00:11:24,200 --> 00:11:26,040 Speaker 1: I mean I played guitar or whatever. I did the 212 00:11:26,040 --> 00:11:31,800 Speaker 1: guitar and Cherry Hill loky no. But I'm sitting I'm like, YO, 213 00:11:31,880 --> 00:11:34,120 Speaker 1: needs a guitar. Feel me. I'm like, who do I 214 00:11:34,160 --> 00:11:36,679 Speaker 1: know that plays guitar. I'm like, Yo, you know what 215 00:11:36,800 --> 00:11:40,360 Speaker 1: fuck it? Let me ask John Mayor, because I was like, 216 00:11:40,400 --> 00:11:41,880 Speaker 1: you don't get what the funk. You don't ask for 217 00:11:41,920 --> 00:11:43,760 Speaker 1: a period. That's how it works in life. So I 218 00:11:43,840 --> 00:11:45,439 Speaker 1: was like, yo, you know what fuck it? The worst 219 00:11:45,480 --> 00:11:47,880 Speaker 1: is gonna say is no, So I test him. I 220 00:11:47,920 --> 00:11:54,160 Speaker 1: was like, Yo, you want to play guitar on this song? Instantly, 221 00:11:54,240 --> 00:11:56,840 Speaker 1: like within thirty minutes, Bro sends me the fucking ship. 222 00:11:57,559 --> 00:12:01,760 Speaker 1: Within thirty minutes, Seriously, I was like, I mean, I 223 00:12:01,800 --> 00:12:03,360 Speaker 1: was like, we were sitting in the studio on the basement, 224 00:12:03,480 --> 00:12:05,959 Speaker 1: like me and my homies were like, Yo, the fuck 225 00:12:06,600 --> 00:12:09,480 Speaker 1: we're listening back to John Mayer's guitar right now. That's crazy. 226 00:12:09,559 --> 00:12:12,600 Speaker 1: So this is the version that Dr dre heard. Yes, Wow, 227 00:12:13,160 --> 00:12:16,880 Speaker 1: what a sentence. What a sentence. That's about you said, 228 00:12:16,920 --> 00:12:22,320 Speaker 1: dave it the coat. So life has been really really wild, 229 00:12:22,800 --> 00:12:25,280 Speaker 1: really wild. So I'm sitting at home, this is probably 230 00:12:26,160 --> 00:12:29,440 Speaker 1: five days ago something like that, and I'm sitting there, like, 231 00:12:29,480 --> 00:12:31,720 Speaker 1: I'm talking to my mom. I think I was talking 232 00:12:31,720 --> 00:12:34,800 Speaker 1: to her about uh, you know, we just always be 233 00:12:34,840 --> 00:12:38,080 Speaker 1: reflecting on everything that's happening whatever. And then like like 234 00:12:38,120 --> 00:12:40,079 Speaker 1: I see my phone ringing in Scott's stories and I 235 00:12:40,080 --> 00:12:42,120 Speaker 1: don't care how many times I keep the sky stories 236 00:12:42,200 --> 00:12:44,560 Speaker 1: or whatever. Like, you can never get jaded to seeing 237 00:12:44,600 --> 00:12:46,400 Speaker 1: that ship pop up, and if you do, you need 238 00:12:46,440 --> 00:12:48,640 Speaker 1: to check yourself. You know what I'm saying. That's a 239 00:12:48,640 --> 00:12:50,920 Speaker 1: lot of people's problem though. They get super super jaded 240 00:12:51,280 --> 00:12:53,880 Speaker 1: with their own success. People forget how bad they wanted 241 00:12:53,920 --> 00:12:56,640 Speaker 1: to live the life that they're currently living. You feel me, 242 00:12:56,679 --> 00:12:58,960 Speaker 1: It's like, wake the funk up, bro, this is what 243 00:12:59,000 --> 00:13:02,160 Speaker 1: the funk you ask for it. So I see him calling, 244 00:13:02,960 --> 00:13:07,679 Speaker 1: I'm like, Yo, this is fucking crazy. Okay, No, No, 245 00:13:07,920 --> 00:13:12,079 Speaker 1: I do want sauce for dinner. Just hold on anyway. 246 00:13:12,160 --> 00:13:14,640 Speaker 1: So I picked up the phone. He's like, yo, it's good, 247 00:13:14,760 --> 00:13:17,520 Speaker 1: that's everything going. I was like great, he's like yo. 248 00:13:17,679 --> 00:13:23,920 Speaker 1: So I played Dr Dre the music now to like 249 00:13:23,960 --> 00:13:27,240 Speaker 1: Tarantino it. I saw a picture of like sky Stories 250 00:13:27,240 --> 00:13:30,200 Speaker 1: Steve Lobel and draining the studio on Instagram, so nastally 251 00:13:30,200 --> 00:13:32,600 Speaker 1: in my head, I'm thinking, like a right, he had 252 00:13:32,640 --> 00:13:34,439 Speaker 1: to play him the ship, but I wasn't about to 253 00:13:34,480 --> 00:13:37,079 Speaker 1: hit him up and be like yo, So like, how'd 254 00:13:37,120 --> 00:13:40,120 Speaker 1: that go? You know what I'm saying. So I was like, 255 00:13:40,120 --> 00:13:41,920 Speaker 1: you know what, whatever, I'm gonna weight. So he calls me, 256 00:13:41,920 --> 00:13:44,120 Speaker 1: he's like, yo, I played him the music. He was like, 257 00:13:44,160 --> 00:13:47,800 Speaker 1: he went fucking ballistic for wipe you up. He stood up, 258 00:13:48,120 --> 00:13:49,800 Speaker 1: he went fucking crazy, and he was like this is 259 00:13:49,840 --> 00:13:55,280 Speaker 1: the best it up? Now? How I said earlier, sky 260 00:13:55,280 --> 00:13:57,160 Speaker 1: Stories one of the reason why I started making Beast 261 00:13:57,600 --> 00:13:59,080 Speaker 1: dr J is the other one. So those two are 262 00:13:59,240 --> 00:14:01,880 Speaker 1: I started making be So you know, it was a 263 00:14:01,920 --> 00:14:04,520 Speaker 1: fucking it's a crazy thing because I started realizing, right 264 00:14:06,120 --> 00:14:09,360 Speaker 1: there might be new rappers or new people or whatever 265 00:14:09,440 --> 00:14:11,800 Speaker 1: that don't fuck with me, don't expect me. But it's 266 00:14:11,840 --> 00:14:15,240 Speaker 1: like it's cool because eleven times that attended feelings are 267 00:14:15,240 --> 00:14:20,960 Speaker 1: probably mutual. You know what I'm saying, Like, I don't 268 00:14:21,040 --> 00:14:24,080 Speaker 1: funk with y'all. Know what I'm saying, So like I 269 00:14:24,120 --> 00:14:26,680 Speaker 1: didn't listen to you growing up, I don't respect your music. 270 00:14:26,680 --> 00:14:28,280 Speaker 1: I don't work with you at all, So I don't 271 00:14:28,280 --> 00:14:32,239 Speaker 1: really give a funk. But all the legends who I respected, 272 00:14:32,640 --> 00:14:35,720 Speaker 1: John Mayer, Scott Storge, Dr Dre. I'm out in New 273 00:14:35,800 --> 00:14:37,600 Speaker 1: York right now because Swiss Beat said, let's get in 274 00:14:37,640 --> 00:14:41,000 Speaker 1: the studio. You feel me showtime? Why are you so 275 00:14:41,200 --> 00:14:43,560 Speaker 1: open now? You make your own beats? Man? What are 276 00:14:43,560 --> 00:14:46,080 Speaker 1: you doing? You just get into rapper mode? Like? What 277 00:14:46,160 --> 00:14:48,200 Speaker 1: is it like? No, I'm just saw something like because 278 00:14:48,240 --> 00:14:51,200 Speaker 1: it came from a point of survival. It came from 279 00:14:51,240 --> 00:14:53,520 Speaker 1: a point of I know no one, so I have 280 00:14:53,720 --> 00:14:55,840 Speaker 1: to fuck it. What is it like? Making that adjustment 281 00:14:55,840 --> 00:14:57,640 Speaker 1: where you're so used to being the board and doing 282 00:14:57,680 --> 00:15:01,560 Speaker 1: Everything's super fun, bro, It's super fun. It's like, I 283 00:15:01,640 --> 00:15:05,760 Speaker 1: just show up. You feel me and because I have faith. 284 00:15:06,000 --> 00:15:09,800 Speaker 1: The whole thing is about being able to trust people's taste. 285 00:15:10,360 --> 00:15:12,160 Speaker 1: I'm saying, when you can trust someone's tage, you don't 286 00:15:12,160 --> 00:15:14,640 Speaker 1: have to micromanage like man, I hope he plays a 287 00:15:14,680 --> 00:15:16,960 Speaker 1: fire beat. It's like, bro Scott Store, It's gonna be fire, 288 00:15:17,600 --> 00:15:18,840 Speaker 1: you know what I'm saying. So it is though, I 289 00:15:18,920 --> 00:15:20,880 Speaker 1: just go in and like let legends do them and 290 00:15:20,880 --> 00:15:23,240 Speaker 1: then you know I played my role. I want to 291 00:15:23,240 --> 00:15:25,760 Speaker 1: speak about another legend though. You got went to Quincy 292 00:15:25,840 --> 00:15:29,800 Speaker 1: Jones's house, the guy to make thriller that also came 293 00:15:29,800 --> 00:15:33,560 Speaker 1: to the email that was super weird. What's your email, Russ? 294 00:15:34,560 --> 00:15:37,560 Speaker 1: I mean the same management emails on the you know 295 00:15:37,760 --> 00:15:40,840 Speaker 1: it's public, you feel me, But that was crazy. Bro. 296 00:15:40,920 --> 00:15:43,800 Speaker 1: We go to Quincy Jones's house and like we walk 297 00:15:43,880 --> 00:15:47,400 Speaker 1: into like a fucking museum. I was like, Brot like, 298 00:15:47,440 --> 00:15:49,520 Speaker 1: I'm pretty sure you had like a I don't want 299 00:15:49,520 --> 00:15:52,480 Speaker 1: to like inaccurately depicted, but I'm pretty sure there was 300 00:15:52,520 --> 00:15:56,120 Speaker 1: like a secretary working like real lobby of the house. 301 00:15:56,200 --> 00:16:01,560 Speaker 1: Right there was like dess Like I was like, where 302 00:16:01,600 --> 00:16:03,960 Speaker 1: are we? Bro? But you walk in, like the first 303 00:16:04,000 --> 00:16:07,680 Speaker 1: thing you see is just like awards upon just like 304 00:16:08,080 --> 00:16:09,920 Speaker 1: just so that in case you didn't know where the 305 00:16:09,920 --> 00:16:13,560 Speaker 1: funk you're at, like this is where you're at, You're 306 00:16:13,600 --> 00:16:16,200 Speaker 1: in this energy, you feel me. So it was crazy. 307 00:16:16,240 --> 00:16:18,600 Speaker 1: They were like sitting in his I'm sure one of 308 00:16:18,640 --> 00:16:20,920 Speaker 1: his nine million living rooms and just like waiting for 309 00:16:20,960 --> 00:16:23,720 Speaker 1: him to pull up, pulls up in this crazy like 310 00:16:23,840 --> 00:16:27,560 Speaker 1: silk robe just like I'm like, yo, he's got on 311 00:16:27,640 --> 00:16:32,280 Speaker 1: like burgundy sway like sliding. So I'm like, that's me 312 00:16:32,320 --> 00:16:36,560 Speaker 1: in like forty years for sure. So what you'll talk about? 313 00:16:36,640 --> 00:16:40,320 Speaker 1: Just like Michael Jackson's just like, Bro, he's super honest, 314 00:16:40,480 --> 00:16:42,800 Speaker 1: because I feel like if you're lucky enough and fortunate 315 00:16:42,880 --> 00:16:45,800 Speaker 1: enough to reach that age of life, you don't even 316 00:16:45,840 --> 00:16:49,000 Speaker 1: have time to sugarcoat ship. Bro. You're like, I don't 317 00:16:49,440 --> 00:16:52,400 Speaker 1: literally have time to be bullshitted with y'all. This is 318 00:16:52,440 --> 00:16:54,480 Speaker 1: what the funk it is. I really don't give a 319 00:16:54,480 --> 00:16:56,680 Speaker 1: funk if y'all funk with it. Look at my funking, 320 00:16:56,760 --> 00:16:58,200 Speaker 1: you know what I'm saying, Like, here's where you're at 321 00:16:58,200 --> 00:17:00,360 Speaker 1: in my house, so you can funk with it or not, 322 00:17:00,880 --> 00:17:02,560 Speaker 1: you know what I'm saying. Like you know, like your 323 00:17:02,560 --> 00:17:06,280 Speaker 1: grandparents are just like so blunt because it's like, yo, 324 00:17:06,760 --> 00:17:08,320 Speaker 1: like eight five, you think we got time to be 325 00:17:08,400 --> 00:17:11,879 Speaker 1: lying to you? Know what I'm saying? You know what, 326 00:17:11,920 --> 00:17:13,520 Speaker 1: we got time to be lying you at eight five 327 00:17:13,560 --> 00:17:15,600 Speaker 1: type of ship. So it was fire it was a 328 00:17:15,600 --> 00:17:17,480 Speaker 1: lot of like it was so honest that it was 329 00:17:17,480 --> 00:17:19,240 Speaker 1: a bunch of ships. Like I can't repeat because it's 330 00:17:19,240 --> 00:17:22,200 Speaker 1: like there's no way people know that. It's like it's 331 00:17:22,200 --> 00:17:23,919 Speaker 1: crazy he like about you? What did he say? Well, 332 00:17:23,920 --> 00:17:26,480 Speaker 1: why did he reach out? I guess he just funk 333 00:17:26,520 --> 00:17:29,399 Speaker 1: with it. He's like a really like he's a legend. 334 00:17:29,480 --> 00:17:32,360 Speaker 1: He's like has that aura too. It's like, oh, that's 335 00:17:32,359 --> 00:17:34,280 Speaker 1: some ship. The speaking allegends. On the back front, you 336 00:17:34,280 --> 00:17:37,200 Speaker 1: were saying Storch was your favorite producer growing up. Eminem 337 00:17:37,240 --> 00:17:39,080 Speaker 1: was obviously one of your favorite rappers. So you're in 338 00:17:39,160 --> 00:17:44,240 Speaker 1: like lead if you're hanging out with Marshall Mask and 339 00:17:44,320 --> 00:17:46,280 Speaker 1: here's the thing, like he did you did a show 340 00:17:46,280 --> 00:17:47,960 Speaker 1: with him, Like you could do a show with somebody. 341 00:17:48,160 --> 00:17:50,000 Speaker 1: That don't mean you really get to beat them and 342 00:17:50,119 --> 00:17:52,639 Speaker 1: hang out with them or well the crazy thing with that, right, 343 00:17:53,160 --> 00:17:56,399 Speaker 1: because the Glasgow show that we did it was like 344 00:17:56,440 --> 00:17:59,159 Speaker 1: an Eminem show, So it wasn't like it was a festival. 345 00:17:59,680 --> 00:18:02,439 Speaker 1: It was an Eminem show. So I was already like 346 00:18:02,480 --> 00:18:03,840 Speaker 1: amped off of that. And then we have the same 347 00:18:03,880 --> 00:18:06,520 Speaker 1: international agent. So I'm sitting there, I'm like, yo, you 348 00:18:06,560 --> 00:18:09,879 Speaker 1: gotta make this connect happening, you know what I'm saying. 349 00:18:09,920 --> 00:18:13,480 Speaker 1: So we get to Glasgow whatever, we're kicking it and 350 00:18:13,480 --> 00:18:16,199 Speaker 1: I'm like telling the age. I'm like, yo, gotta like 351 00:18:16,240 --> 00:18:18,000 Speaker 1: make this that we were telling him like weeks before, 352 00:18:18,080 --> 00:18:20,639 Speaker 1: like I gotta meet him. And then this is literally 353 00:18:20,680 --> 00:18:22,959 Speaker 1: why the funk I started rapping. This was like the 354 00:18:23,000 --> 00:18:25,520 Speaker 1: bug that bat me as far as hipop. So I'm like, yo, 355 00:18:25,560 --> 00:18:27,520 Speaker 1: you gotta like make this happen. He's like, Yo, we're 356 00:18:27,520 --> 00:18:31,480 Speaker 1: working on working on whatever whatever. So Paul Rosenberg comes 357 00:18:31,840 --> 00:18:36,120 Speaker 1: and says, what's up. I'm like, all right, we're getting closer. 358 00:18:36,200 --> 00:18:39,280 Speaker 1: You feel me like we're getting closer. So I'm like 359 00:18:39,520 --> 00:18:42,120 Speaker 1: chopping up with him whatever whatever. He's super cool, fuss 360 00:18:42,160 --> 00:18:43,960 Speaker 1: with the movement, and I'm like, yo, i gotta ask 361 00:18:44,000 --> 00:18:45,879 Speaker 1: once again the John Mayorship. Like you don't get what 362 00:18:45,920 --> 00:18:48,280 Speaker 1: you don't ask for something like I gotta meet him 363 00:18:48,320 --> 00:18:50,480 Speaker 1: and there you feel me like I got to meet 364 00:18:50,520 --> 00:18:52,760 Speaker 1: them and there he's like I'm gonna I'm gonna talk 365 00:18:52,760 --> 00:18:55,160 Speaker 1: to him and he was up. So it didn't happen 366 00:18:55,200 --> 00:18:58,560 Speaker 1: that night. Right the next night, we have a festival 367 00:18:58,680 --> 00:19:03,200 Speaker 1: like in uh red UK want the same bill once again. 368 00:19:03,200 --> 00:19:05,040 Speaker 1: It's a fucking like wow, Goose, It's like, Yo, we 369 00:19:05,040 --> 00:19:06,320 Speaker 1: gotta meet never and then we gotta meet them, and 370 00:19:06,359 --> 00:19:09,399 Speaker 1: that doesn't happen, and they were like trying to make it. 371 00:19:09,560 --> 00:19:11,440 Speaker 1: We're like on the golf carts and the festival like 372 00:19:11,760 --> 00:19:13,720 Speaker 1: because the agent calls and she's like, Yo, you gotta 373 00:19:13,760 --> 00:19:15,560 Speaker 1: get over here right now if you want to meet him, 374 00:19:16,160 --> 00:19:18,399 Speaker 1: because he's my fucker's be on compounds and the festival 375 00:19:18,680 --> 00:19:22,879 Speaker 1: lockdown in the compound, it's like yo, like getting the 376 00:19:22,880 --> 00:19:25,359 Speaker 1: fucking golf cart right, like everyone in the fucking golf cart, 377 00:19:26,640 --> 00:19:30,440 Speaker 1: but like like fucking like you know, going three miles 378 00:19:30,440 --> 00:19:38,360 Speaker 1: per hour, Like we get to call like mid fucking 379 00:19:38,560 --> 00:19:41,000 Speaker 1: golf cart, like high speed chase and three miles perur, 380 00:19:41,080 --> 00:19:46,280 Speaker 1: Like yo, I'm not gonna happen. Like it's like your fuck. 381 00:19:47,400 --> 00:19:50,960 Speaker 1: So the next day we have another festival with it 382 00:19:51,760 --> 00:19:55,680 Speaker 1: in leads. I'm like, YO, all right, funk all this ship. 383 00:19:56,200 --> 00:19:59,200 Speaker 1: I'm telling Milam a manager. I'm like, yo, I don't 384 00:19:59,240 --> 00:20:02,679 Speaker 1: know how the fund is happening. I'm meeting Eminem tonight, 385 00:20:03,640 --> 00:20:06,480 Speaker 1: you know what I'm saying. So I was like, all right, cool, 386 00:20:06,840 --> 00:20:09,240 Speaker 1: here's what we're gonna do. We're gonna just have to 387 00:20:09,280 --> 00:20:12,119 Speaker 1: finesse it. You know what I'm saying. We can't wait 388 00:20:12,480 --> 00:20:15,119 Speaker 1: on other people to like yo, to go ahead whatever. 389 00:20:15,480 --> 00:20:20,040 Speaker 1: So we finesse our way into his compound, shout out 390 00:20:20,119 --> 00:20:25,400 Speaker 1: to the like lack of security and leads Serminem's bodyguard 391 00:20:25,440 --> 00:20:27,880 Speaker 1: has a bodyguard now. But like see, it wasn't Eminem's 392 00:20:27,920 --> 00:20:30,800 Speaker 1: people that let us in. It was the festivals, the 393 00:20:30,800 --> 00:20:32,320 Speaker 1: most fus that they just be hiring. And just you 394 00:20:32,359 --> 00:20:34,600 Speaker 1: know what I'm saying, whatever, you just like flash something 395 00:20:34,640 --> 00:20:37,119 Speaker 1: like you know, you flash like a receiver from like 396 00:20:37,200 --> 00:20:41,480 Speaker 1: Burger King. It's like, yeah, we're in now. That's ship 397 00:20:41,680 --> 00:20:47,399 Speaker 1: on them. That's how people got here today. Now. But 398 00:20:47,440 --> 00:20:50,600 Speaker 1: like so we finesse our way in right. So Milan 399 00:20:50,720 --> 00:20:53,840 Speaker 1: hops out and it's like we were in communication with 400 00:20:53,880 --> 00:20:56,360 Speaker 1: one of his like his tour manager. He's not hitting 401 00:20:56,359 --> 00:20:59,680 Speaker 1: his basketball like yo, okay. Malon hops out. We see 402 00:20:59,680 --> 00:21:02,640 Speaker 1: the guy. Milan like walks up to him. Whatever they talk, 403 00:21:02,720 --> 00:21:05,760 Speaker 1: they talk and what he told you like come back later, 404 00:21:05,840 --> 00:21:08,199 Speaker 1: come back after your set. I was like, man, this 405 00:21:08,280 --> 00:21:12,080 Speaker 1: is that fucking runaround ship. Like here we go again. Whatever, 406 00:21:12,200 --> 00:21:15,400 Speaker 1: So we did right after this set, we just go 407 00:21:15,480 --> 00:21:18,199 Speaker 1: back and we pull up again Finessea way back in 408 00:21:18,200 --> 00:21:19,639 Speaker 1: again because they still don't know who the funk we 409 00:21:19,680 --> 00:21:22,400 Speaker 1: were finesse Our way back in and we just hop 410 00:21:22,440 --> 00:21:25,040 Speaker 1: out with just like standing there and then they're like, yo, 411 00:21:25,440 --> 00:21:28,080 Speaker 1: come on, come with us. So then like we walked 412 00:21:28,080 --> 00:21:31,520 Speaker 1: back and Eminem and it was like, Yo, that's persistent 413 00:21:31,960 --> 00:21:34,520 Speaker 1: in an ushell, you feel me. But he was like, Yo, 414 00:21:34,640 --> 00:21:37,160 Speaker 1: this is how I came up. This is the whole ship. 415 00:21:37,480 --> 00:21:39,160 Speaker 1: Was he familiar with the music and all that? Yeah, 416 00:21:39,320 --> 00:21:42,560 Speaker 1: So craziest ship, right. I don't even know, like what 417 00:21:42,800 --> 00:21:45,639 Speaker 1: better of a first impression you could have of Eminem 418 00:21:45,640 --> 00:21:49,240 Speaker 1: other than this we walked back. You know, it's like 419 00:21:49,240 --> 00:21:52,879 Speaker 1: a compound, right, So it's like imagine like trailer trailer 420 00:21:52,960 --> 00:21:56,199 Speaker 1: trailer type of ship and there's a tent like in 421 00:21:56,240 --> 00:21:59,359 Speaker 1: the middle of it, right, and you just see Eminem 422 00:21:59,400 --> 00:22:05,800 Speaker 1: and Royce the have nine sparring. I was like this 423 00:22:05,880 --> 00:22:10,520 Speaker 1: spawt I was like, I was like, Yo, this is crazy. 424 00:22:11,880 --> 00:22:14,720 Speaker 1: I was like, this is the fliest way to meet Eminem. 425 00:22:15,520 --> 00:22:18,240 Speaker 1: And then I'm thinking, like did they plan this? Because 426 00:22:18,240 --> 00:22:20,080 Speaker 1: I would do I would do something like like, yo, 427 00:22:20,119 --> 00:22:21,560 Speaker 1: if he's gonna meet this, we've gotta be doing the 428 00:22:21,600 --> 00:22:26,920 Speaker 1: most like like crazy, you just come back and I'm 429 00:22:26,960 --> 00:22:29,600 Speaker 1: sucking like whatever, like skiing. I don't know whatever the 430 00:22:29,600 --> 00:22:32,720 Speaker 1: funk it is. But anyway, so he spawned and he 431 00:22:32,720 --> 00:22:34,399 Speaker 1: takes the gloves off. This was right after the Conomic 432 00:22:34,440 --> 00:22:36,879 Speaker 1: Gregor ship. He literally had gloves on gloves, That's what 433 00:22:36,960 --> 00:22:39,080 Speaker 1: I'm saying. Like, I was like, yeah, this is crazy, 434 00:22:39,200 --> 00:22:42,000 Speaker 1: like this is really wild. It's like, all right, cool, 435 00:22:42,280 --> 00:22:43,960 Speaker 1: it takes the gloves off. But they were like super 436 00:22:43,960 --> 00:22:47,159 Speaker 1: super cool, super cool, really humble guy. Yeah, he was 437 00:22:47,200 --> 00:22:49,880 Speaker 1: saying also, Jo not to not to cut you off, 438 00:22:49,920 --> 00:22:53,680 Speaker 1: but the craziest ship was that before that, right, it 439 00:22:53,760 --> 00:22:56,000 Speaker 1: was the sky Store ship or with sky Stories after 440 00:22:56,080 --> 00:22:59,320 Speaker 1: that after okay, but eminem like I'm saying that, I 441 00:22:59,320 --> 00:23:01,480 Speaker 1: don't know if he really knows this ship. I'm just 442 00:23:01,520 --> 00:23:03,400 Speaker 1: like whatever, But he's like, yo, we saw your funk 443 00:23:03,400 --> 00:23:10,720 Speaker 1: flegship was crazy. I was like buttle and like, like 444 00:23:10,760 --> 00:23:13,280 Speaker 1: I said about the J Cole ship and the other interview, 445 00:23:14,000 --> 00:23:17,320 Speaker 1: I fan the fuck out period. I was like, bro, 446 00:23:17,320 --> 00:23:18,960 Speaker 1: I don't give a funk about any of this ship. 447 00:23:19,560 --> 00:23:22,159 Speaker 1: You're the reason why I started rapping, like you're a 448 00:23:22,320 --> 00:23:24,960 Speaker 1: fucking legend. My fucker's don't be telling people that they're 449 00:23:24,960 --> 00:23:26,640 Speaker 1: a legend until their dad. I was like, funk, all 450 00:23:26,640 --> 00:23:30,080 Speaker 1: that ship, You're fucking epic fuck everything, you know what 451 00:23:30,080 --> 00:23:33,879 Speaker 1: I'm saying. Yeah, Like I'm like, yo, like your a legend. 452 00:23:33,920 --> 00:23:36,439 Speaker 1: He's like, bo, you're on your way. Funk fleship was crazy. 453 00:23:36,480 --> 00:23:40,760 Speaker 1: I was like, I was like, said that too, No, No, 454 00:23:40,840 --> 00:23:45,679 Speaker 1: this is Jacole was super cool too. Jaco's a legend. 455 00:23:45,840 --> 00:23:47,960 Speaker 1: But you definitely give people their props man, Like, I 456 00:23:48,000 --> 00:23:49,800 Speaker 1: think you get this thing. A lot of people are 457 00:23:49,840 --> 00:23:53,240 Speaker 1: scared to do that though it's anti like it's anti 458 00:23:53,359 --> 00:23:56,760 Speaker 1: macho pride. It's like, yeah, he's nice, but like only 459 00:23:56,800 --> 00:23:59,760 Speaker 1: in private. Think that bugs people out because I think 460 00:24:00,000 --> 00:24:02,560 Speaker 1: reputation is this guy's so super confidence over staying how 461 00:24:02,560 --> 00:24:04,840 Speaker 1: good he's got a chip on his should or whatever. 462 00:24:05,080 --> 00:24:07,080 Speaker 1: But at the same time, you you give it up 463 00:24:07,119 --> 00:24:10,840 Speaker 1: to other grades. You hate when people don't give legends 464 00:24:10,840 --> 00:24:14,000 Speaker 1: to respect right facts, bro facts. I mean the thing 465 00:24:14,080 --> 00:24:17,080 Speaker 1: is like I'm a psycho fan of people. So like 466 00:24:17,160 --> 00:24:19,560 Speaker 1: you see, uh, have y'all seen that video of DMX 467 00:24:19,600 --> 00:24:23,520 Speaker 1: and rock Him When DMX met rock Kid, DMS is 468 00:24:23,520 --> 00:24:26,640 Speaker 1: going crazy, Like no, like he starts wrapping his lines 469 00:24:26,640 --> 00:24:29,640 Speaker 1: and ship. It's like Yo, if DMX is not too 470 00:24:29,680 --> 00:24:32,680 Speaker 1: cool to fan out, no one is? You feel me? 471 00:24:32,920 --> 00:24:36,400 Speaker 1: Because dm is a fucking cool's legend ever. But yeah, 472 00:24:36,440 --> 00:24:38,520 Speaker 1: I mean a lot of people they wait for people 473 00:24:38,560 --> 00:24:41,040 Speaker 1: to die, you know what I'm saying, And they wait 474 00:24:41,080 --> 00:24:43,240 Speaker 1: to do the r I P ship. But it's like, 475 00:24:43,280 --> 00:24:46,200 Speaker 1: why why don't you let people smell their fucking flowers 476 00:24:46,240 --> 00:24:49,399 Speaker 1: when they're here? You know what I'm saying, Like Michael Jackson. 477 00:24:49,440 --> 00:24:52,400 Speaker 1: But if everyone's joke, you know what I'm saying, Everyone's joke, 478 00:24:52,480 --> 00:24:54,720 Speaker 1: And now it's don't you dare say anything bad about 479 00:24:54,760 --> 00:24:57,680 Speaker 1: Michael Jackson. Shut up. You were saying something bad about 480 00:24:57,760 --> 00:25:00,879 Speaker 1: him before he died. Every one was you feel me? 481 00:25:00,960 --> 00:25:04,760 Speaker 1: So my whole thing is Wayne doesn't get the respect. 482 00:25:04,840 --> 00:25:07,359 Speaker 1: Little Wayne is no fucking problems. You know who else is? Like? 483 00:25:07,640 --> 00:25:09,399 Speaker 1: You know what else people need to really start putting 484 00:25:09,480 --> 00:25:14,679 Speaker 1: respect on the period is Nicki Minaj. Period. I've been like, 485 00:25:14,720 --> 00:25:18,520 Speaker 1: I've been like noticing. I'm like, do people not know that? 486 00:25:18,560 --> 00:25:24,280 Speaker 1: Like Nicki Minaj has birthed like so many females, not 487 00:25:24,359 --> 00:25:26,960 Speaker 1: even just in rap, but like the look the whole 488 00:25:27,000 --> 00:25:30,480 Speaker 1: everything just in women, like and you've got to really 489 00:25:30,520 --> 00:25:33,639 Speaker 1: do your research, like she's been like that ship for 490 00:25:33,880 --> 00:25:36,640 Speaker 1: mad long now, Like, let's not act like she wasn't 491 00:25:36,680 --> 00:25:39,600 Speaker 1: on a jay Z and Kanye song and didn't arguably 492 00:25:39,600 --> 00:25:44,320 Speaker 1: have the better verse. Come on, but it's like, what 493 00:25:44,359 --> 00:25:45,919 Speaker 1: are we talking about with that? But you know what 494 00:25:45,960 --> 00:25:48,280 Speaker 1: it is, if you live long enough for people to 495 00:25:48,359 --> 00:25:50,919 Speaker 1: not funk with you, guess what they won't sunk with you. 496 00:25:51,480 --> 00:25:53,560 Speaker 1: It's that simple. Why do you think everyone in the 497 00:25:53,560 --> 00:25:58,239 Speaker 1: twenty seven club is so cherished because they live till seven? Bro? 498 00:25:58,840 --> 00:26:00,760 Speaker 1: How old was Eminem and Jezy when they put out 499 00:26:00,760 --> 00:26:03,520 Speaker 1: the debut twenty six? It's like, come on, you talk 500 00:26:03,560 --> 00:26:06,159 Speaker 1: about respect a lot man and getting your props. Like 501 00:26:06,240 --> 00:26:08,760 Speaker 1: I was listening to your record The Game and you said, 502 00:26:08,760 --> 00:26:11,840 Speaker 1: like fucking MTV for study. Yeah, MTV doesn't know ship 503 00:26:11,920 --> 00:26:17,000 Speaker 1: about ship and they can suck my dick. But who 504 00:26:17,000 --> 00:26:21,120 Speaker 1: do you think that it's snubbed for? Like MTV or yeah, 505 00:26:21,160 --> 00:26:24,520 Speaker 1: the VMAs, which what do you think you have to go? Am? 506 00:26:24,520 --> 00:26:30,840 Speaker 1: I not in the best New Artist shout out? College 507 00:26:30,880 --> 00:26:36,520 Speaker 1: should definitely be up there Scissor for sure, Like that's 508 00:26:36,560 --> 00:26:40,080 Speaker 1: not a knock to everyone in the ship. But but then, 509 00:26:40,400 --> 00:26:43,600 Speaker 1: how like and this is no disrespect, like that's the thing, right, 510 00:26:43,840 --> 00:26:45,760 Speaker 1: people want to take my wards and get so offended 511 00:26:45,800 --> 00:26:48,360 Speaker 1: and think that I hate this person and I don't 512 00:26:48,359 --> 00:26:50,399 Speaker 1: respect what you've done with your life a career, like 513 00:26:50,440 --> 00:26:53,040 Speaker 1: shout out young and May and like she's like she's 514 00:26:53,040 --> 00:26:55,040 Speaker 1: getting it, you know what I'm saying. But let's be real, 515 00:26:55,359 --> 00:26:58,080 Speaker 1: how on earth are you a seen best new artists 516 00:26:58,080 --> 00:27:00,240 Speaker 1: and not me? That doesn't make any sense. That just 517 00:27:00,320 --> 00:27:02,520 Speaker 1: like like this is like from the bird's eye view 518 00:27:02,600 --> 00:27:04,880 Speaker 1: speaking on this ship, have you even dropped a song 519 00:27:04,880 --> 00:27:07,679 Speaker 1: in you feel me? That doesn't even make any sense? 520 00:27:08,080 --> 00:27:10,280 Speaker 1: So that's how you know it's just some like it's 521 00:27:10,280 --> 00:27:12,400 Speaker 1: just some function, you know what I'm saying. And that's 522 00:27:12,400 --> 00:27:14,840 Speaker 1: not a disrespect. I know, motherfucker's gonna cut this clip 523 00:27:15,160 --> 00:27:18,200 Speaker 1: and only show that part and be like there is beef. 524 00:27:21,080 --> 00:27:25,080 Speaker 1: It's rusting. It's really not that she can rap. She's dope. 525 00:27:25,240 --> 00:27:27,120 Speaker 1: But I'm just saying, like, when you look at it 526 00:27:28,000 --> 00:27:30,080 Speaker 1: from a fair standpoint, it's like, yo, that just doesn't 527 00:27:30,080 --> 00:27:31,680 Speaker 1: even make any It seems like these new songs you're 528 00:27:31,680 --> 00:27:33,119 Speaker 1: putting out a sound class, like a lot of it 529 00:27:33,119 --> 00:27:35,919 Speaker 1: you're getting off your chest, like because this is this 530 00:27:35,960 --> 00:27:38,320 Speaker 1: is a new phase I feel like music is about 531 00:27:38,359 --> 00:27:41,480 Speaker 1: catching catching time and a bottle type of ship. That's 532 00:27:41,480 --> 00:27:43,239 Speaker 1: what it is for me at least where it's like 533 00:27:43,280 --> 00:27:45,119 Speaker 1: all my ship is kind of a time machine and 534 00:27:45,119 --> 00:27:47,720 Speaker 1: it's like, yo, I want to listen to like I 535 00:27:47,760 --> 00:27:50,000 Speaker 1: make it for therapeutic reasons. I make it so that 536 00:27:50,000 --> 00:27:51,960 Speaker 1: I can listen to it and be like, damn, I 537 00:27:52,000 --> 00:27:54,399 Speaker 1: remember exactly where I was back then. This is the 538 00:27:54,440 --> 00:27:56,840 Speaker 1: phase that I was at, So you know, this is 539 00:27:57,000 --> 00:28:00,080 Speaker 1: this new phase is like it's it's being on on, 540 00:28:00,200 --> 00:28:02,600 Speaker 1: it's it's having a bunch of fans, it's it's doing 541 00:28:02,600 --> 00:28:05,080 Speaker 1: all this, but it's also like it's also this kind 542 00:28:05,080 --> 00:28:07,320 Speaker 1: of like thing that you recognize getting snubbed, and it's 543 00:28:07,359 --> 00:28:10,320 Speaker 1: like it can only happen so many blatant times before 544 00:28:10,359 --> 00:28:13,880 Speaker 1: you naturally are like yo, somethings a little like fishy 545 00:28:14,000 --> 00:28:15,840 Speaker 1: with this ship, you know what I'm saying. Like on 546 00:28:15,880 --> 00:28:18,199 Speaker 1: the record fall Into You said that you miss like 547 00:28:18,280 --> 00:28:20,920 Speaker 1: being back in the basement at times, Like yeah, but 548 00:28:20,960 --> 00:28:27,120 Speaker 1: that's you know, that's a that's just that's an honest emotion. 549 00:28:27,359 --> 00:28:30,679 Speaker 1: That's an honest emotion for sure, But you know, you 550 00:28:30,720 --> 00:28:32,680 Speaker 1: do you miss kind of what it is you don't 551 00:28:32,720 --> 00:28:36,080 Speaker 1: necessarily miss being in the basement, being broke, not being on. 552 00:28:36,520 --> 00:28:39,080 Speaker 1: I think what I kind of miss if I like 553 00:28:39,160 --> 00:28:43,000 Speaker 1: really dive into that line, what I probably miss is 554 00:28:43,920 --> 00:28:47,880 Speaker 1: the feeling of being in your own corner of the 555 00:28:47,880 --> 00:28:51,400 Speaker 1: world and like just going fucking hard and no one 556 00:28:51,480 --> 00:28:54,000 Speaker 1: bothering you about ship and you're doing your ship and 557 00:28:54,080 --> 00:28:58,320 Speaker 1: before anyone could cast their own ignorant, dumbass perceptions on you, 558 00:28:58,320 --> 00:28:59,880 Speaker 1: you know what I'm saying. Where it was just the 559 00:29:00,000 --> 00:29:02,320 Speaker 1: out the music, Like people didn't know enough about me 560 00:29:02,360 --> 00:29:04,560 Speaker 1: to judge me off of anything but the music. Back then, 561 00:29:05,240 --> 00:29:07,600 Speaker 1: it was just yo, it's your song. Fire. Now once 562 00:29:07,640 --> 00:29:10,200 Speaker 1: you get more visible, they start judging you off for 563 00:29:10,280 --> 00:29:15,240 Speaker 1: like yeah, but I don't like his curly hair and ship. Yeah, 564 00:29:15,400 --> 00:29:17,239 Speaker 1: like they like they be they be coming at you 565 00:29:17,320 --> 00:29:19,600 Speaker 1: for everything but the music. But like, you know, it 566 00:29:19,680 --> 00:29:21,080 Speaker 1: is what it is that comes with the territory. It 567 00:29:21,160 --> 00:29:22,719 Speaker 1: is what it is. But that was just being honest 568 00:29:22,720 --> 00:29:25,920 Speaker 1: and reflecting. But uh, you know, we're living a beautiful life, 569 00:29:25,920 --> 00:29:31,480 Speaker 1: bro I would I wouldn't change anything at all. Controversy Russ, Yes, 570 00:29:32,200 --> 00:29:37,720 Speaker 1: And the controversy creates cash everything every day struggle, appearance, Yeah, yeah, yeah, 571 00:29:37,800 --> 00:29:40,040 Speaker 1: touched on one of the records too, like what's your 572 00:29:40,040 --> 00:29:41,719 Speaker 1: take on that, Like why did that become such a 573 00:29:41,840 --> 00:29:43,640 Speaker 1: such a big deal and why did you address it 574 00:29:43,680 --> 00:29:46,800 Speaker 1: in the song? What was that song? Again? I think twice. 575 00:29:46,840 --> 00:29:49,120 Speaker 1: It wasn't really addressing anyone. It was addressing and Joe Budden. 576 00:29:49,200 --> 00:29:51,800 Speaker 1: It wasn't addressing every day struggle. The thing with every 577 00:29:51,880 --> 00:29:54,240 Speaker 1: day struggle, right, the thing where yeah, we'll get to 578 00:29:54,320 --> 00:29:58,360 Speaker 1: him in a second. The thing with the thing with 579 00:29:58,400 --> 00:30:01,520 Speaker 1: every days struggle was that you know, when they called 580 00:30:01,520 --> 00:30:03,640 Speaker 1: and their people can attest to it or not whatever. 581 00:30:04,040 --> 00:30:06,440 Speaker 1: But before we were going up there, I was like, yo, 582 00:30:06,480 --> 00:30:09,000 Speaker 1: I want Joe to be there because that's the like, 583 00:30:09,320 --> 00:30:13,120 Speaker 1: that's the Charlotte magine, that's the the like you know, 584 00:30:13,200 --> 00:30:14,680 Speaker 1: the ship and the ship. So I was like, yeah, 585 00:30:14,720 --> 00:30:15,840 Speaker 1: I want to have a conversation with him that it 586 00:30:15,920 --> 00:30:17,800 Speaker 1: would be hilarious, like I fought with Joe whatever whatever. 587 00:30:18,520 --> 00:30:20,080 Speaker 1: So we go up there. Like keep in mind, I 588 00:30:20,160 --> 00:30:23,880 Speaker 1: was up the whole like the internet lacks context, right, 589 00:30:24,120 --> 00:30:25,520 Speaker 1: I was up the whole night. I was at some 590 00:30:25,640 --> 00:30:29,920 Speaker 1: fashion show, kids fashion show. Shout out to Ronnie Um performed, 591 00:30:29,960 --> 00:30:31,560 Speaker 1: so like you know, I got like thirty minutes of 592 00:30:31,600 --> 00:30:35,040 Speaker 1: sleep type ship six saying whatever whatever, but we're doing 593 00:30:35,080 --> 00:30:39,480 Speaker 1: this ship. It's a fucking super informative interview mad gems. 594 00:30:40,000 --> 00:30:42,760 Speaker 1: But because they want to like take only a minute 595 00:30:42,840 --> 00:30:46,880 Speaker 1: of an email question, people are gonna like not watch 596 00:30:46,920 --> 00:30:48,680 Speaker 1: the rest of the interview. A lot of people are 597 00:30:48,720 --> 00:30:50,240 Speaker 1: just gonna see the one minute clip but the email 598 00:30:50,280 --> 00:30:52,160 Speaker 1: ship on Twitter and be like, man, you went up 599 00:30:52,200 --> 00:30:54,280 Speaker 1: to every Day Struggle just to talk about an email. 600 00:30:54,800 --> 00:30:57,520 Speaker 1: It's like, no, you went on Twitter just to watch 601 00:30:57,520 --> 00:30:59,040 Speaker 1: one minute of an hour long interview to try and 602 00:30:59,120 --> 00:31:02,120 Speaker 1: just the whole ship, you know what I'm saying. Or 603 00:31:02,160 --> 00:31:04,640 Speaker 1: really it was like I was laughing when I was 604 00:31:04,640 --> 00:31:06,680 Speaker 1: saying I was like, that's I still love y'all. You 605 00:31:06,720 --> 00:31:08,400 Speaker 1: know what I'm saying. I wasn't really tripping like that. 606 00:31:08,440 --> 00:31:11,840 Speaker 1: I was honestly sitting there like during the interview, we 607 00:31:11,840 --> 00:31:14,400 Speaker 1: were getting into conversation, and when I get into conversation, 608 00:31:14,400 --> 00:31:17,880 Speaker 1: i'd be speaking passionately, like sometimes I lose like where 609 00:31:18,040 --> 00:31:19,800 Speaker 1: when I was really trying to talk about because I'd 610 00:31:19,840 --> 00:31:23,280 Speaker 1: be like in the conversation in the moment. So then 611 00:31:23,320 --> 00:31:26,160 Speaker 1: like she like kind of let a notion go that 612 00:31:26,200 --> 00:31:27,800 Speaker 1: like time was running out, So I was like, oh wait, 613 00:31:29,200 --> 00:31:30,960 Speaker 1: I got something I want to say though, But it 614 00:31:31,040 --> 00:31:33,120 Speaker 1: wasn't like I'm sitting there the whole time like yo, 615 00:31:33,800 --> 00:31:36,520 Speaker 1: I'm waiting for her to slip for you know what 616 00:31:36,560 --> 00:31:40,040 Speaker 1: I'm saying Like that was just crazy. That was crazy 617 00:31:40,080 --> 00:31:42,520 Speaker 1: to me how that ship how actually went. But even 618 00:31:42,560 --> 00:31:44,440 Speaker 1: after the interview, we were all cool with it. But 619 00:31:44,480 --> 00:31:48,160 Speaker 1: then after the cameras went off back, like you know, backstage, 620 00:31:48,720 --> 00:31:51,400 Speaker 1: I was like, yolys. I was like, I was like, good, 621 00:31:51,440 --> 00:31:53,680 Speaker 1: like everything schools to give me how She's like no, 622 00:31:54,120 --> 00:31:55,880 Speaker 1: and it's like you know, and like I get it. 623 00:31:55,880 --> 00:31:59,120 Speaker 1: You're like you gotta do your thing whatever. Um. But 624 00:31:59,560 --> 00:32:01,560 Speaker 1: even after to that, you know, I told my public says, 625 00:32:01,600 --> 00:32:03,440 Speaker 1: I was like, yo, calling it like telling a desk. 626 00:32:03,640 --> 00:32:06,360 Speaker 1: Want to call her and just like apologize if you 627 00:32:06,400 --> 00:32:08,520 Speaker 1: felt I was coming at you and whatever, like I 628 00:32:08,560 --> 00:32:10,360 Speaker 1: was trying to. I was trying to have a conversation because, 629 00:32:10,680 --> 00:32:12,080 Speaker 1: like I said, this ship I'm not too big for 630 00:32:12,080 --> 00:32:14,920 Speaker 1: a conversation. Like I'll have the conversation be like yo, sorry, 631 00:32:14,880 --> 00:32:17,000 Speaker 1: if if any like whatever the funk it was, we 632 00:32:17,040 --> 00:32:18,680 Speaker 1: could talk about it. She didn't want to talk to 633 00:32:18,720 --> 00:32:20,400 Speaker 1: me after that, so it is what it is. But like, 634 00:32:20,440 --> 00:32:23,600 Speaker 1: I'm not tripping that she was like Joe Button's comments 635 00:32:23,680 --> 00:32:27,640 Speaker 1: after I guess that's why why was he addressed? Then? Yeah, 636 00:32:28,280 --> 00:32:30,960 Speaker 1: we're talking about um. I mean the thing with him, right, 637 00:32:33,000 --> 00:32:38,400 Speaker 1: the thing with him, the thing, the thing with the 638 00:32:38,440 --> 00:32:40,600 Speaker 1: thing with Joe Buddy is that at the end of 639 00:32:40,600 --> 00:32:42,760 Speaker 1: the day, I funked with Joe Buddy. I wanted to 640 00:32:42,760 --> 00:32:44,800 Speaker 1: go up there and have the conversation with Joe Buddy. 641 00:32:45,200 --> 00:32:48,320 Speaker 1: But you're obviously gonna go up there and defend your 642 00:32:48,360 --> 00:32:52,560 Speaker 1: co host. You know what I'm saying. You crossed the 643 00:32:52,640 --> 00:32:56,320 Speaker 1: line when you did the whole get this fucking wolf 644 00:32:56,320 --> 00:32:58,640 Speaker 1: out the funk out of here. You're doing like too 645 00:32:58,680 --> 00:33:01,320 Speaker 1: much talking now about the music and so unlike you. 646 00:33:01,360 --> 00:33:04,720 Speaker 1: I'm not gonna sit on the fucking YouTube show and gossip. 647 00:33:05,240 --> 00:33:06,760 Speaker 1: I'm gonna just go to the booth. I'm not gonna 648 00:33:06,760 --> 00:33:08,680 Speaker 1: get at you on Twitter. I'm not gonna get at 649 00:33:08,720 --> 00:33:10,960 Speaker 1: you on the fucking whatever. I'm going to the fucking 650 00:33:11,000 --> 00:33:16,000 Speaker 1: boost You feel me? Period? You got on another note, 651 00:33:16,040 --> 00:33:18,480 Speaker 1: you got your message out on a T shirt that 652 00:33:18,880 --> 00:33:25,800 Speaker 1: hold on, get to that on the crazy thing with 653 00:33:25,880 --> 00:33:30,480 Speaker 1: Joe Budden right now, the crazy thing with Joe Budden 654 00:33:31,680 --> 00:33:35,800 Speaker 1: Joe Budden wants to play this whole I'm retired like 655 00:33:35,880 --> 00:33:45,000 Speaker 1: that was his choice, and that's that's that cop out ship. Nah, 656 00:33:45,520 --> 00:33:49,160 Speaker 1: I'm retired. I can't give him bars. I'm retired, man. No, 657 00:33:49,160 --> 00:33:52,240 Speaker 1: no, no no, no, we retired you from our speakers and headphones. Bro, 658 00:33:52,320 --> 00:33:58,400 Speaker 1: what are you talking about it? How do you gonna 659 00:33:58,400 --> 00:34:00,440 Speaker 1: say you retire when you were at if no one 660 00:34:00,440 --> 00:34:02,040 Speaker 1: gave a funk, You did like five K in your 661 00:34:02,120 --> 00:34:04,720 Speaker 1: last album in the first week. You know what. Listen, 662 00:34:04,960 --> 00:34:07,840 Speaker 1: nobody's checking for Joe Budden's music. He knows that, which 663 00:34:07,920 --> 00:34:10,719 Speaker 1: is why he has to checking for Joe to be 664 00:34:10,800 --> 00:34:13,279 Speaker 1: fair though, No, come on, okay, no, I was just saying, 665 00:34:13,320 --> 00:34:17,879 Speaker 1: I just I get a drink. But if we run 666 00:34:17,920 --> 00:34:19,759 Speaker 1: into the scene with him, a chance the rapper right 667 00:34:19,760 --> 00:34:22,279 Speaker 1: like that show has become a big outlet. We're now 668 00:34:22,280 --> 00:34:24,560 Speaker 1: in a situation where, you know, way Charles Barkley is 669 00:34:24,600 --> 00:34:26,359 Speaker 1: on this side of the NBA, somebody that played the game, 670 00:34:26,600 --> 00:34:28,600 Speaker 1: taking the game. Do you think there was a place 671 00:34:28,640 --> 00:34:31,279 Speaker 1: for it? Do you think there's a really go's a 672 00:34:31,320 --> 00:34:34,520 Speaker 1: really great place for it. But Joe Button is not 673 00:34:34,600 --> 00:34:38,879 Speaker 1: Charles Barkley. Joe Button is Eric Dampierre like you want 674 00:34:38,880 --> 00:34:42,480 Speaker 1: to compare Joe, but the shirt the T shirt now. 675 00:34:42,520 --> 00:34:44,720 Speaker 1: But also I'll tell you why even why that's the problem. 676 00:34:44,920 --> 00:34:46,600 Speaker 1: It was cool you kept it on the you talked 677 00:34:46,600 --> 00:34:49,239 Speaker 1: about the music, you defended the deska. But then you 678 00:34:49,280 --> 00:34:51,440 Speaker 1: brought my family into it. You brought my dad into it. 679 00:34:51,719 --> 00:34:53,440 Speaker 1: You know, it's a grown ass man. You crossed the 680 00:34:53,440 --> 00:34:57,720 Speaker 1: fucking line about here. You crossed the all your industry plant. 681 00:34:58,200 --> 00:35:01,920 Speaker 1: Someone helps set you. I'm so glad a ship so 682 00:35:01,960 --> 00:35:03,400 Speaker 1: we can clear it up. What is it? It's like, 683 00:35:03,960 --> 00:35:05,880 Speaker 1: it's like in the bout, It's like in the bows 684 00:35:05,920 --> 00:35:10,480 Speaker 1: of Boxton, in the bottom of the community industry. If 685 00:35:10,520 --> 00:35:13,719 Speaker 1: you're a planet like a fern, let me tell you something. Right, 686 00:35:16,120 --> 00:35:19,440 Speaker 1: the idea that I'm an industry plan for people who 687 00:35:19,440 --> 00:35:22,200 Speaker 1: don't know what the industry plant is. My definition is 688 00:35:22,200 --> 00:35:24,120 Speaker 1: someone who goes to the industry to get the people 689 00:35:24,480 --> 00:35:27,200 Speaker 1: instead of going through the people to get the industry. Right. 690 00:35:27,760 --> 00:35:32,879 Speaker 1: Are you placed in this position? So there's people who's like, yo, 691 00:35:33,000 --> 00:35:35,839 Speaker 1: you're an industry plan. Your dad worked for, your dad's 692 00:35:35,840 --> 00:35:38,000 Speaker 1: got a business with Columbia and your mom's and music 693 00:35:38,360 --> 00:35:41,720 Speaker 1: like this crazy ship, I'm like, okay, if that was true, 694 00:35:42,280 --> 00:35:44,960 Speaker 1: why did I drop eleven mixtage badger of bloggers on 695 00:35:44,960 --> 00:35:47,520 Speaker 1: the internet for years and drop nineties six songs for free? 696 00:35:47,880 --> 00:35:50,680 Speaker 1: If I had connections, why wouldn't have I just gone 697 00:35:50,760 --> 00:35:53,319 Speaker 1: straight to the ship? You know what I'm saying, and 698 00:35:53,440 --> 00:35:56,479 Speaker 1: all that is that's like real hater energy. A hater 699 00:35:56,600 --> 00:36:00,040 Speaker 1: isn't just someone saying like your music sucks. Hater is 700 00:36:00,080 --> 00:36:03,200 Speaker 1: someone who really does not want to see you in 701 00:36:03,239 --> 00:36:05,680 Speaker 1: that position, and they'll do anything to bring you down. 702 00:36:06,080 --> 00:36:09,000 Speaker 1: And at the end of the day, those people didn't 703 00:36:09,040 --> 00:36:12,240 Speaker 1: like me anyway for no reason, And so what losers 704 00:36:12,239 --> 00:36:15,240 Speaker 1: and hater ass energy does They create a fake reason 705 00:36:15,480 --> 00:36:18,000 Speaker 1: to confirm their own fear and insecurity, Like, you know what, 706 00:36:18,560 --> 00:36:20,799 Speaker 1: I didn't like him. I didn't have a reason to 707 00:36:20,840 --> 00:36:23,680 Speaker 1: like him, So let me create this thing and yeah, 708 00:36:23,760 --> 00:36:27,560 Speaker 1: that's why to justify your own dumbass ship. But the 709 00:36:27,600 --> 00:36:30,319 Speaker 1: reality is that there's no truth to its Someone's like 710 00:36:30,920 --> 00:36:36,719 Speaker 1: look at his dad's LinkedIn. Okay, Now what where does 711 00:36:36,760 --> 00:36:39,640 Speaker 1: it say anything? You feel me? Like? What does your 712 00:36:39,680 --> 00:36:42,640 Speaker 1: dad do? And then how does he feel like you? Career? 713 00:36:42,760 --> 00:36:44,560 Speaker 1: This is why I have a massive problem with everything 714 00:36:44,680 --> 00:36:47,080 Speaker 1: right because to put me in a position where I 715 00:36:47,080 --> 00:36:49,520 Speaker 1: have to make my dad look any less of an 716 00:36:49,520 --> 00:36:52,680 Speaker 1: amazing person. Is That's why I have a problem with 717 00:36:52,719 --> 00:36:55,120 Speaker 1: Joe Budd because you're a clown, You're a job is 718 00:36:55,120 --> 00:36:56,799 Speaker 1: a clown for trying to bring my dad into some 719 00:36:56,880 --> 00:36:59,799 Speaker 1: ship that's an innocent bystander, and you're a rapper. And 720 00:36:59,800 --> 00:37:03,040 Speaker 1: so you should know that there's function on the Internet 721 00:37:03,200 --> 00:37:05,400 Speaker 1: which is just rumors. So you've been sitting in that 722 00:37:05,480 --> 00:37:07,920 Speaker 1: chair for too long. You forgot that. So for you 723 00:37:07,960 --> 00:37:09,560 Speaker 1: to go up there and be talking about rumors and 724 00:37:09,560 --> 00:37:13,280 Speaker 1: ship like you're fucking deputy fucking do on E News 725 00:37:13,320 --> 00:37:17,719 Speaker 1: talking about just dumbass rumors is crazy, bro. But the 726 00:37:17,800 --> 00:37:20,040 Speaker 1: ship with my dad, he worked at an advertising agency 727 00:37:20,040 --> 00:37:22,360 Speaker 1: when I was in high school. Right. My mom was 728 00:37:22,400 --> 00:37:24,880 Speaker 1: a teacher for like a year she uh, then she 729 00:37:24,960 --> 00:37:27,840 Speaker 1: was a substitute, and then my dad split. There was differences, 730 00:37:27,880 --> 00:37:30,520 Speaker 1: so he dipped. He tried to start his own business 731 00:37:31,440 --> 00:37:35,120 Speaker 1: and it wasn't It didn't like, it didn't go well, 732 00:37:35,360 --> 00:37:37,399 Speaker 1: you feel me. It wasn't going as he planned. Because 733 00:37:37,400 --> 00:37:39,000 Speaker 1: anyone knows if you're trying to start your own business, 734 00:37:39,040 --> 00:37:41,359 Speaker 1: it's not as easy as sounds, you know what I'm saying, 735 00:37:41,440 --> 00:37:44,680 Speaker 1: Especially in advertising ship it's like advertising is. If you 736 00:37:44,719 --> 00:37:47,239 Speaker 1: don't have clients, you don't make money. You feel me. 737 00:37:47,280 --> 00:37:49,200 Speaker 1: Some one he was at the advertising agency when I 738 00:37:49,239 --> 00:37:52,360 Speaker 1: was like sixteen. That company, you know, they did business 739 00:37:52,360 --> 00:37:55,239 Speaker 1: with Texas pe the Great Clips or whatever, and so 740 00:37:55,320 --> 00:37:57,960 Speaker 1: he worked on those projects. But afterwards he tried to 741 00:37:57,960 --> 00:38:01,480 Speaker 1: start his own company. Did really go that well? Luckily 742 00:38:01,560 --> 00:38:03,760 Speaker 1: this is where the song Titanic came from. If everyone 743 00:38:03,800 --> 00:38:08,759 Speaker 1: knows that ship, but absolutely, but this is where the 744 00:38:08,800 --> 00:38:11,560 Speaker 1: song Titanic came from, which is as soon as the 745 00:38:11,560 --> 00:38:13,840 Speaker 1: ship was sinking. Where it's like, my dad's trying to 746 00:38:13,840 --> 00:38:15,919 Speaker 1: start his own company and it's just not working. Like 747 00:38:16,280 --> 00:38:17,919 Speaker 1: the money's fucked up, you know what I'm saying, there's 748 00:38:17,960 --> 00:38:21,319 Speaker 1: no clients. It's like, Yo, Luckily the rap ship took 749 00:38:21,360 --> 00:38:24,000 Speaker 1: off and kind of came in and swooped in. But 750 00:38:24,120 --> 00:38:26,920 Speaker 1: me even half to me even having to fucking tell 751 00:38:27,000 --> 00:38:29,759 Speaker 1: people that my dad is trying hard to start a 752 00:38:29,800 --> 00:38:32,040 Speaker 1: business but it's not going well and it's not successful. 753 00:38:32,320 --> 00:38:34,080 Speaker 1: Me even having to say that because someone wants to 754 00:38:34,080 --> 00:38:36,560 Speaker 1: say some fucking fake as ship about my family. Now 755 00:38:36,600 --> 00:38:38,399 Speaker 1: you have a real problem with me. And people don't 756 00:38:38,400 --> 00:38:41,040 Speaker 1: need to like, oh wells who are you, like, what 757 00:38:41,040 --> 00:38:42,680 Speaker 1: are you gonna do? Like, look at you, You're gonna 758 00:38:42,680 --> 00:38:45,879 Speaker 1: sunk somebody up. Y'all should know by now, like this 759 00:38:45,960 --> 00:38:48,560 Speaker 1: is not where it ends. You feel me like, you 760 00:38:48,560 --> 00:38:50,600 Speaker 1: don't have to worry about me. There's other people who 761 00:38:50,600 --> 00:38:52,680 Speaker 1: want to fuck you up. You know what I'm saying. 762 00:38:53,040 --> 00:38:55,080 Speaker 1: Why are you so concerned about me? As if like 763 00:38:55,360 --> 00:38:58,200 Speaker 1: I'm the only person in my contact list? You know 764 00:38:58,200 --> 00:38:59,880 Speaker 1: what I'm saying, And that's not a threat. That's just 765 00:39:00,000 --> 00:39:03,480 Speaker 1: like anybody who with any sense you know that ship so. 766 00:39:03,920 --> 00:39:07,280 Speaker 1: But people making me have to defend my dad's maybe 767 00:39:07,320 --> 00:39:10,480 Speaker 1: like rough go at starting a business because you don't 768 00:39:10,480 --> 00:39:12,520 Speaker 1: want to say face sh it is fucking ridiculous. Bro. 769 00:39:13,480 --> 00:39:15,200 Speaker 1: To put me in a position to fucking make my 770 00:39:15,280 --> 00:39:18,320 Speaker 1: dad look like less than what he is is crazy. 771 00:39:18,800 --> 00:39:25,759 Speaker 1: The other controversy, Yeah on you on your shirt? Say 772 00:39:25,800 --> 00:39:29,040 Speaker 1: again about how many leaves you have to take before 773 00:39:29,040 --> 00:39:32,520 Speaker 1: you realize you're a fucking loser? Sorry, one more, one 774 00:39:32,520 --> 00:39:38,160 Speaker 1: more time, one more time? Or how much and leans 775 00:39:38,200 --> 00:39:40,040 Speaker 1: you have to take before you realize you're a loser? 776 00:39:42,120 --> 00:39:48,880 Speaker 1: What inspired that? Russ? The thing with that right, I 777 00:39:48,920 --> 00:39:52,640 Speaker 1: wasn't talking to anyone other than my audience and that's reality. 778 00:39:52,680 --> 00:39:55,480 Speaker 1: I was talking to my fans because I lost a 779 00:39:55,560 --> 00:39:58,960 Speaker 1: really great friendship best friend in high school to heroin. 780 00:39:59,320 --> 00:40:01,360 Speaker 1: You feel me so and I don't talk about that 781 00:40:01,360 --> 00:40:03,920 Speaker 1: ship ever, but that's what I'm saying. Everything lacks context, 782 00:40:04,120 --> 00:40:06,960 Speaker 1: you know what I mean. But like I was around 783 00:40:07,000 --> 00:40:09,680 Speaker 1: when he was we I went to college for like 784 00:40:09,680 --> 00:40:12,120 Speaker 1: a semester before I went to college for like two weeks. 785 00:40:12,320 --> 00:40:14,799 Speaker 1: But I went to college for like because I did 786 00:40:14,840 --> 00:40:17,160 Speaker 1: like a semester here and then I was like fun 787 00:40:17,280 --> 00:40:18,839 Speaker 1: that ship. Then I did like two weeks somewhere else, 788 00:40:19,000 --> 00:40:22,200 Speaker 1: and then I was done forever. But I was with him. 789 00:40:22,239 --> 00:40:26,120 Speaker 1: I was with him at like parties and ship where 790 00:40:27,000 --> 00:40:29,320 Speaker 1: like people were offering him ship, and he was the 791 00:40:29,400 --> 00:40:31,040 Speaker 1: kind of kid who was like, man, I just kind 792 00:40:31,040 --> 00:40:32,920 Speaker 1: of like I want to be accepted and I want 793 00:40:32,960 --> 00:40:34,719 Speaker 1: to be the only kid in the room not doing ship. 794 00:40:35,120 --> 00:40:36,400 Speaker 1: And I had to kind of be there to be 795 00:40:36,440 --> 00:40:38,759 Speaker 1: the voice of reason and be like, bro, like no, 796 00:40:39,000 --> 00:40:40,920 Speaker 1: what are you talking about? Like don't because what the 797 00:40:40,960 --> 00:40:43,600 Speaker 1: funk is wrong with you? Right? And he wouldn't do it. 798 00:40:44,280 --> 00:40:47,279 Speaker 1: So then I left, I did whatever whatever, and he 799 00:40:47,400 --> 00:40:49,840 Speaker 1: got on the ship. And so I was talking to 800 00:40:49,880 --> 00:40:53,840 Speaker 1: the kids who look at me and value my opinion 801 00:40:54,440 --> 00:40:58,160 Speaker 1: and and and you know, are influenced by my you know, 802 00:40:58,280 --> 00:41:00,600 Speaker 1: choices or whatever the funk it is, who are looking 803 00:41:00,640 --> 00:41:02,319 Speaker 1: at me Like, Yo, if he says that this ship 804 00:41:02,400 --> 00:41:04,480 Speaker 1: is whack, I'm gonna listen to it differently, be like, 805 00:41:04,480 --> 00:41:06,520 Speaker 1: you know what, maybe it is whack. That's what I'm 806 00:41:06,520 --> 00:41:08,719 Speaker 1: talking to. I'm talking to the sixteen seventeen y kids 807 00:41:08,719 --> 00:41:11,040 Speaker 1: and high school, the kids in college who maybe think 808 00:41:11,120 --> 00:41:13,560 Speaker 1: that doing zanex and lean is how you get the girl, 809 00:41:13,719 --> 00:41:15,840 Speaker 1: or like I'm in college, I'm new, I'm experimenting in 810 00:41:15,840 --> 00:41:17,799 Speaker 1: my experimental phase and I don't want to be the 811 00:41:17,800 --> 00:41:19,480 Speaker 1: loser at the party. I'm trying to join this fright 812 00:41:19,560 --> 00:41:22,080 Speaker 1: or whatever funk it is, Like you're thinking that that 813 00:41:22,080 --> 00:41:24,880 Speaker 1: ship is cool. I'm talking to y'all because when y'all 814 00:41:24,960 --> 00:41:26,839 Speaker 1: go to do that ship or you attempted to do it, 815 00:41:27,200 --> 00:41:29,160 Speaker 1: maybe in the back of your head you're like, man, 816 00:41:29,200 --> 00:41:31,680 Speaker 1: that's some losership though, And that's why I was doing 817 00:41:31,680 --> 00:41:34,080 Speaker 1: it for, you know what I'm saying. And I don't 818 00:41:34,080 --> 00:41:36,880 Speaker 1: need I don't need hip hop to co sign I 819 00:41:36,880 --> 00:41:38,640 Speaker 1: don't need anyone to co sign it. The thousands of 820 00:41:38,719 --> 00:41:41,120 Speaker 1: d ms I got from kids who are literally like, man, 821 00:41:41,160 --> 00:41:42,400 Speaker 1: I was about to go do that ship, but then 822 00:41:42,440 --> 00:41:44,279 Speaker 1: I was like, man, funk that ship, because you're right, 823 00:41:44,360 --> 00:41:47,360 Speaker 1: it's some losership. Even if I change one person's idea 824 00:41:47,360 --> 00:41:49,879 Speaker 1: about doing it mission fucking a combat. So everyone who 825 00:41:49,920 --> 00:41:52,880 Speaker 1: got offended, that's your fucking issue. Take that ship over yourself. 826 00:41:54,239 --> 00:41:56,640 Speaker 1: I mean, that's that's very true. But then I feel 827 00:41:56,640 --> 00:41:59,400 Speaker 1: like though it did shifted once that reaction came in 828 00:41:59,520 --> 00:42:02,640 Speaker 1: on social media turned into you also saying that you 829 00:42:02,719 --> 00:42:04,799 Speaker 1: may not like that a lot of music represents that 830 00:42:04,880 --> 00:42:07,600 Speaker 1: kind of reckless Yeah. Well then yeah, so then I 831 00:42:07,640 --> 00:42:10,360 Speaker 1: took it a step deeper. It was like, you know, 832 00:42:10,560 --> 00:42:12,680 Speaker 1: we got to really look at the landscape of the 833 00:42:12,680 --> 00:42:17,040 Speaker 1: content of hip hop, and there's a lot of there's 834 00:42:17,080 --> 00:42:20,399 Speaker 1: a there's a lot of I love this guy, there's 835 00:42:20,400 --> 00:42:25,239 Speaker 1: a lot of there's a lot of glorification of xan 836 00:42:25,520 --> 00:42:27,799 Speaker 1: X and of Lean and of all this ship. And 837 00:42:27,800 --> 00:42:29,880 Speaker 1: it's like, I get it, you didn't sign up to 838 00:42:29,920 --> 00:42:32,680 Speaker 1: be a role model whatever whatever, but you gotta be 839 00:42:32,760 --> 00:42:35,920 Speaker 1: responsible enough to realize that whether or not that's what 840 00:42:35,960 --> 00:42:37,919 Speaker 1: you sign up for. I'm not a role model. That's 841 00:42:37,920 --> 00:42:40,960 Speaker 1: everyone's cop I'm not a role model. You're a role model, bro, 842 00:42:41,160 --> 00:42:43,960 Speaker 1: That's what comes with the dinner. You feel me, you 843 00:42:44,000 --> 00:42:45,920 Speaker 1: know what I'm saying, Like, I don't care if you 844 00:42:45,960 --> 00:42:48,560 Speaker 1: want a cup of water and you ask for wine, 845 00:42:48,600 --> 00:42:50,120 Speaker 1: like I'm gonna just give you a cup of water. 846 00:42:50,600 --> 00:42:52,840 Speaker 1: That's what comes with it. I'm saying, you are a 847 00:42:52,880 --> 00:42:54,680 Speaker 1: role model. People look up to you and are influenced 848 00:42:54,719 --> 00:42:57,759 Speaker 1: by your decisions, content, everything. And I'm not sitting up 849 00:42:57,760 --> 00:43:00,040 Speaker 1: here like a preacher, like I don't drink that's in 850 00:43:00,280 --> 00:43:02,160 Speaker 1: my cup, Like I don't sit and drink, and I 851 00:43:02,120 --> 00:43:04,760 Speaker 1: don't fucking smoke weed sometimes, you know what I'm saying. 852 00:43:05,600 --> 00:43:09,400 Speaker 1: But it's like, at the same time, that's the truth. 853 00:43:09,440 --> 00:43:12,360 Speaker 1: But the thing that this society does, right, if you 854 00:43:12,440 --> 00:43:15,920 Speaker 1: don't like the messenger and respect the messenger, they vilify 855 00:43:16,080 --> 00:43:18,759 Speaker 1: the truth. You know what I'm saying. If you don't 856 00:43:18,800 --> 00:43:21,400 Speaker 1: like or respect the messenger, they're gonna vilify the message. 857 00:43:21,680 --> 00:43:26,560 Speaker 1: Meaning that and everything that I said is obvious. Obviously, 858 00:43:26,840 --> 00:43:29,520 Speaker 1: zan X and Lean is not the ship you should 859 00:43:29,560 --> 00:43:33,840 Speaker 1: be doing, period. That's an obvious thing. But if you 860 00:43:33,920 --> 00:43:37,080 Speaker 1: don't respect me or fucking like me or whatever, and 861 00:43:37,080 --> 00:43:39,520 Speaker 1: you're just like fuck him anyway, you're gonna try and 862 00:43:39,600 --> 00:43:42,360 Speaker 1: vilify that truth, but you know, it is what it is. 863 00:43:42,400 --> 00:43:43,759 Speaker 1: At the end of the day, I'm out here trying 864 00:43:43,800 --> 00:43:47,120 Speaker 1: to see eighty feel me, So you know that's definitely 865 00:43:47,200 --> 00:43:49,839 Speaker 1: that it needs to be discussing on hip hop. You know, 866 00:43:50,000 --> 00:43:52,319 Speaker 1: you feel about you know, the narratives and media and 867 00:43:52,600 --> 00:43:54,799 Speaker 1: culture things like that. What do you think right now 868 00:43:55,120 --> 00:43:59,000 Speaker 1: the narratives should be in media? Right now? What the 869 00:43:59,120 --> 00:44:03,880 Speaker 1: narrative should be in media? I mean people need to 870 00:44:03,960 --> 00:44:08,759 Speaker 1: understand but na, But like honestly, the people need to 871 00:44:08,840 --> 00:44:12,279 Speaker 1: understand that the media is money, you feel me, So 872 00:44:12,320 --> 00:44:15,120 Speaker 1: they have to do ship to generate money. Everything is 873 00:44:15,160 --> 00:44:18,959 Speaker 1: about money. So do you get more money in advertising 874 00:44:19,239 --> 00:44:23,680 Speaker 1: via clicks by covering your local lyricists with two thousand followers? No? 875 00:44:24,400 --> 00:44:26,840 Speaker 1: So why do you think that they follow fucking you know, 876 00:44:27,040 --> 00:44:30,279 Speaker 1: a little retard? Or where the funk it is? You 877 00:44:30,320 --> 00:44:34,040 Speaker 1: know what I'm saying. No, but seriously, that's not it 878 00:44:34,120 --> 00:44:35,600 Speaker 1: this to anyone. It's just like it is, what the 879 00:44:35,600 --> 00:44:43,040 Speaker 1: funk it is? You feel me? But it's like I 880 00:44:43,120 --> 00:44:45,760 Speaker 1: guarantee you the next twenty years is someone named little Retard. 881 00:44:47,000 --> 00:44:53,520 Speaker 1: All I did was given the inspiration right, No, but not, 882 00:44:53,640 --> 00:44:56,960 Speaker 1: but seriously, like it's about money. So you know, I 883 00:44:57,040 --> 00:44:59,480 Speaker 1: used to get frustrated, Yo, why don't they fucking why 884 00:44:59,480 --> 00:45:00,960 Speaker 1: don't the blow it was covering me? And it is 885 00:45:00,960 --> 00:45:04,880 Speaker 1: because the blogs are not covering who is dope or 886 00:45:04,880 --> 00:45:07,080 Speaker 1: who is this? The blogs are only going to cover people. 887 00:45:07,160 --> 00:45:10,120 Speaker 1: It's a symbiotic relationship. It's a what can I get 888 00:45:10,120 --> 00:45:12,399 Speaker 1: from you? And what can you get from me? When 889 00:45:12,400 --> 00:45:14,399 Speaker 1: I had two thousand followers, what I can get from 890 00:45:14,440 --> 00:45:16,279 Speaker 1: you is way more than what you're gonna get from me, 891 00:45:16,800 --> 00:45:18,720 Speaker 1: you know what I'm saying. So that's what it runs 892 00:45:18,719 --> 00:45:20,520 Speaker 1: off of. You feel me. People don't start working with 893 00:45:20,560 --> 00:45:23,120 Speaker 1: you until there's something to gain from it. And that's 894 00:45:23,160 --> 00:45:25,680 Speaker 1: the real I mean, but that's business, that's capitalism. That like, 895 00:45:25,760 --> 00:45:28,160 Speaker 1: that's what the funk it is. Welcome to Speaking of business, 896 00:45:28,200 --> 00:45:30,279 Speaker 1: there was another thing you had did online where I 897 00:45:30,320 --> 00:45:33,440 Speaker 1: think you had saw an article about streaming and artists 898 00:45:33,480 --> 00:45:35,799 Speaker 1: saying that there was a bad like artists was saying 899 00:45:35,800 --> 00:45:39,719 Speaker 1: that streaming wasn't that great shoutow title, but he was 900 00:45:39,760 --> 00:45:42,120 Speaker 1: basically breaking down how streaming is good. You're sort of 901 00:45:42,160 --> 00:45:45,520 Speaker 1: basically breaking down what tune core is in your journey? 902 00:45:45,520 --> 00:45:47,200 Speaker 1: Can you expect because there's a lot of inspiring guards 903 00:45:47,239 --> 00:45:49,440 Speaker 1: are gonna watch this. Yeah, yeah, yeah, Like what was 904 00:45:49,520 --> 00:45:52,880 Speaker 1: that the thing? When you read these articles about streaming 905 00:45:53,000 --> 00:45:56,480 Speaker 1: nightmares like so and so had a billion streams and 906 00:45:56,480 --> 00:46:00,399 Speaker 1: only made like crazy ship like that, it's like, once 907 00:46:00,440 --> 00:46:04,399 Speaker 1: again it lacks context. Why don't you talk about why 908 00:46:04,480 --> 00:46:08,000 Speaker 1: they're only getting or whatever the funk they're getting. It's 909 00:46:08,040 --> 00:46:10,920 Speaker 1: not because streaming there's no money in it. It's because 910 00:46:10,960 --> 00:46:14,719 Speaker 1: the deal that they're in. You can't just ignore that, 911 00:46:15,200 --> 00:46:17,280 Speaker 1: you know what I'm saying. Because I read those articles 912 00:46:17,280 --> 00:46:21,560 Speaker 1: and I look at my numbers on tune Corn, I'm like, hmm, no, 913 00:46:22,040 --> 00:46:28,120 Speaker 1: that's not right. I feel great, you know what I'm saying. 914 00:46:28,520 --> 00:46:31,319 Speaker 1: But that's because there's no middleman there. You feel me. 915 00:46:31,640 --> 00:46:34,000 Speaker 1: And it's like, you know, you gotta just look at 916 00:46:34,040 --> 00:46:36,600 Speaker 1: the deals that people are doing, and people like, yo, well, 917 00:46:36,640 --> 00:46:38,200 Speaker 1: how did you know about too and cool? How did 918 00:46:38,239 --> 00:46:41,680 Speaker 1: it well? When we were seventeen making songs, we typed 919 00:46:41,719 --> 00:46:43,600 Speaker 1: it on Google. How to put your song on iTunes 920 00:46:45,840 --> 00:46:48,120 Speaker 1: was to me. If you're dead asked for real about 921 00:46:48,160 --> 00:46:51,439 Speaker 1: getting into any craft and you don't do any sort 922 00:46:51,480 --> 00:46:55,040 Speaker 1: of three and a half minute research on Google, you 923 00:46:55,200 --> 00:46:58,440 Speaker 1: really don't want it that bad. You know what I'm saying. 924 00:46:58,719 --> 00:47:01,520 Speaker 1: You really don't. It took us five minutes to figure 925 00:47:01,560 --> 00:47:04,000 Speaker 1: that ship out and then like we've had a tune course, 926 00:47:05,239 --> 00:47:07,360 Speaker 1: you know what I'm saying. So my whole ship is 927 00:47:07,400 --> 00:47:09,959 Speaker 1: on tune core minus the album. You know what I'm saying. 928 00:47:09,960 --> 00:47:11,719 Speaker 1: But so I look at it and I have a 929 00:47:11,760 --> 00:47:14,440 Speaker 1: frame of reference of like, yo, these streaming like nightmares 930 00:47:14,480 --> 00:47:17,399 Speaker 1: are just lies. It's people who are in shitty as 931 00:47:17,400 --> 00:47:20,520 Speaker 1: deals with no ownership. It costs nine dollars ninety nine 932 00:47:20,560 --> 00:47:23,359 Speaker 1: cents to oapload to upload a song on tune court 933 00:47:23,400 --> 00:47:26,680 Speaker 1: for a year. That nine dollars and nine that ten 934 00:47:26,719 --> 00:47:29,920 Speaker 1: dollar investment can make you millions. Go find me a 935 00:47:29,960 --> 00:47:33,360 Speaker 1: better investment than ten to a million? You feel me? Now? 936 00:47:33,520 --> 00:47:36,239 Speaker 1: The thing is shout out to like districate or whatever 937 00:47:36,239 --> 00:47:38,160 Speaker 1: people like, yo, But what about I don't really know 938 00:47:38,200 --> 00:47:41,399 Speaker 1: about them. I just speak on what the funk I know? So, yeah, 939 00:47:41,400 --> 00:47:45,239 Speaker 1: another distribution thing, but tune course a digital distribution platform 940 00:47:45,239 --> 00:47:49,360 Speaker 1: where you can you go, you upload a song for 941 00:47:50,200 --> 00:47:54,400 Speaker 1: You're on Spotify, Beats, Title, Apple Music, everything, everything for 942 00:47:54,520 --> 00:47:57,200 Speaker 1: ten dollars, you feel me? So that whole like I 943 00:47:57,200 --> 00:48:00,320 Speaker 1: would always get fucking like super con use. When I 944 00:48:00,360 --> 00:48:02,120 Speaker 1: would see these artists, those ones that would like blow 945 00:48:02,200 --> 00:48:04,600 Speaker 1: up with one viral song, and then you see it 946 00:48:04,600 --> 00:48:07,920 Speaker 1: on iTunes with a label, I'm like, why didn't you 947 00:48:07,960 --> 00:48:10,759 Speaker 1: just have it on tune Core? You'd be caking. You 948 00:48:10,800 --> 00:48:13,399 Speaker 1: feel me like, it's just like you know, but it's 949 00:48:13,480 --> 00:48:15,279 Speaker 1: lack of education on the field that you're trying to 950 00:48:15,280 --> 00:48:17,279 Speaker 1: get into, which is no one else's fault but your own, 951 00:48:17,640 --> 00:48:18,879 Speaker 1: you know what I'm saying. So I don't have any 952 00:48:18,920 --> 00:48:21,880 Speaker 1: sympathy for artists getting taken advantage of. You have the Internet, 953 00:48:21,880 --> 00:48:25,120 Speaker 1: you post on Instagram, Use Google, you feel me like, 954 00:48:25,400 --> 00:48:27,600 Speaker 1: use Google. I don't have any sympathy for like, man, no, 955 00:48:27,640 --> 00:48:31,160 Speaker 1: it's in a really bad deal and like you had Google, 956 00:48:31,239 --> 00:48:34,839 Speaker 1: right what I'm saying, And you still look at your 957 00:48:34,880 --> 00:48:36,799 Speaker 1: number you said, it's a weekly things every day. I 958 00:48:36,800 --> 00:48:40,239 Speaker 1: look at my numbers on tune cores every day every day. 959 00:48:40,239 --> 00:48:42,439 Speaker 1: Tune Core is an online bank account for your own 960 00:48:42,480 --> 00:48:47,400 Speaker 1: fucking operation, you feel me. Friday's a pay days. So 961 00:48:47,440 --> 00:48:49,239 Speaker 1: what was it like? You know at that time when 962 00:48:49,280 --> 00:48:51,640 Speaker 1: you had that song, you know, talk Talk Talk Up. 963 00:48:51,680 --> 00:48:55,440 Speaker 1: You're talking about like how you got booked for shock Up, 964 00:48:56,000 --> 00:48:59,239 Speaker 1: So you were this is before Sound before Columbia, before 965 00:48:59,800 --> 00:49:01,480 Speaker 1: was no, it was on sound Clap. I know what 966 00:49:01,480 --> 00:49:02,920 Speaker 1: you're saying, yeah, but what what I'm saying is that you 967 00:49:02,960 --> 00:49:07,200 Speaker 1: got booked for a show overseason Europe. Like Facebook, so 968 00:49:07,840 --> 00:49:11,040 Speaker 1: listen from the get go, I've been fucking hustling right period. 969 00:49:11,840 --> 00:49:14,480 Speaker 1: So when I had a personal Facebook, which I don't 970 00:49:14,520 --> 00:49:16,560 Speaker 1: have any more, I haven't had for years. But when 971 00:49:16,560 --> 00:49:19,000 Speaker 1: I had a personal Facebook, I was that person like 972 00:49:20,600 --> 00:49:23,279 Speaker 1: messaging everyone, check this out, check this out, check this out. 973 00:49:23,360 --> 00:49:25,480 Speaker 1: Check because I was like, yo, wait a second. All 974 00:49:25,520 --> 00:49:28,800 Speaker 1: this whole Facebook is about is having mad like friends 975 00:49:29,320 --> 00:49:30,840 Speaker 1: and getting them to funk with. It's like, none of 976 00:49:30,880 --> 00:49:32,399 Speaker 1: us are actually friends. I don't really give a funk 977 00:49:32,400 --> 00:49:34,840 Speaker 1: about that. I was like, I'm gonna just add everyone 978 00:49:34,880 --> 00:49:37,959 Speaker 1: I can, and I'm gonna add everyone who has other 979 00:49:38,080 --> 00:49:40,960 Speaker 1: mad friends. You feel me? Now you gotta go. You 980 00:49:41,000 --> 00:49:45,200 Speaker 1: gotta keep in mind this is twenty ten eleven. Ship 981 00:49:45,440 --> 00:49:49,000 Speaker 1: Instagram came out, so like people need once again context. 982 00:49:49,040 --> 00:49:51,480 Speaker 1: You gotta understand the world of social media was way different. 983 00:49:51,960 --> 00:49:54,640 Speaker 1: But I would be on my personal Facebook like sending 984 00:49:54,719 --> 00:49:57,960 Speaker 1: everyone this ship whatever whatever. Belgium. This kid in Belgium 985 00:49:57,960 --> 00:50:00,520 Speaker 1: sent me his ship. This artist for me to listen to. 986 00:50:01,680 --> 00:50:03,400 Speaker 1: I listened to him like, Yo, it's just fire, just 987 00:50:03,440 --> 00:50:05,160 Speaker 1: rapping in Flemish. I know what day what is saying? 988 00:50:05,160 --> 00:50:07,600 Speaker 1: It was fired though I had no idea, but like 989 00:50:07,680 --> 00:50:10,200 Speaker 1: I moved, I moved off the sonics though. I was like, yo, 990 00:50:10,280 --> 00:50:12,160 Speaker 1: this just sounds good. So I was like, funk it, 991 00:50:12,280 --> 00:50:14,680 Speaker 1: this is fresh. He's like, yo, let's do songs like cool. 992 00:50:15,480 --> 00:50:18,200 Speaker 1: So we do a song. It goes crazy in Belgium. Now, 993 00:50:18,200 --> 00:50:20,879 Speaker 1: when I say crazy in Belgium, it's probably like two 994 00:50:20,920 --> 00:50:24,600 Speaker 1: thousand kids are like, yeah, it's crazy. But back then 995 00:50:24,680 --> 00:50:27,560 Speaker 1: it's like I'm on Facebook and I'm getting like, you 996 00:50:27,600 --> 00:50:30,239 Speaker 1: know whatever the fucking likes were on posts or someone 997 00:50:30,280 --> 00:50:33,080 Speaker 1: like yo, I'm letting a hundred likes on like posts 998 00:50:33,120 --> 00:50:37,360 Speaker 1: like ship whatever. But so that happened, and then naturally 999 00:50:37,680 --> 00:50:40,279 Speaker 1: more and more Belgium kids started hitting me up. So 1000 00:50:41,080 --> 00:50:43,240 Speaker 1: they set up a show for me. The kids managers 1001 00:50:43,280 --> 00:50:45,520 Speaker 1: set up a show for me and Budgie is my 1002 00:50:45,560 --> 00:50:48,840 Speaker 1: homie was starting uh in case y'all don't know, me 1003 00:50:48,880 --> 00:50:51,799 Speaker 1: and Boogie started this diamond Ship at seventeen, masterminding full 1004 00:50:51,840 --> 00:50:59,400 Speaker 1: of absolutely right here, what's up? You feel me? This 1005 00:50:59,520 --> 00:51:02,000 Speaker 1: bovie is right here, and let me tell you something. 1006 00:51:02,040 --> 00:51:03,879 Speaker 1: Buggist is next to y'all thought you had a problem 1007 00:51:03,920 --> 00:51:07,400 Speaker 1: with me, wait till both of us are anyway. So 1008 00:51:08,040 --> 00:51:10,920 Speaker 1: Buggist Buggist was talking with fans in Paris right once 1009 00:51:10,960 --> 00:51:13,880 Speaker 1: again via Facebook. This person on Facebook, Like, you're spamming 1010 00:51:13,920 --> 00:51:16,439 Speaker 1: people on Facebook, like people just you know, two kids 1011 00:51:16,440 --> 00:51:17,960 Speaker 1: being like, yeah, I like your ship, you know what 1012 00:51:18,000 --> 00:51:21,120 Speaker 1: I'm saying. But then you know it spreads the thirty kids. 1013 00:51:21,160 --> 00:51:23,239 Speaker 1: So we go out there and like, you know, it 1014 00:51:23,280 --> 00:51:25,280 Speaker 1: was crazy, but I never even left the country before, 1015 00:51:25,800 --> 00:51:27,440 Speaker 1: you know what I'm saying. And we get to Belgium 1016 00:51:28,200 --> 00:51:30,080 Speaker 1: and you know, we go to the venue. I'm not 1017 00:51:30,160 --> 00:51:32,520 Speaker 1: fucking thinking ship, bro, I'm thinking like ten kids are 1018 00:51:32,520 --> 00:51:35,400 Speaker 1: showing up, like and then the promoter, we show up 1019 00:51:35,440 --> 00:51:37,400 Speaker 1: the promoters, like I still have it on my Instagram. 1020 00:51:37,400 --> 00:51:39,960 Speaker 1: That's what I'm saying. Like the industry plan shit is crazy. 1021 00:51:40,040 --> 00:51:44,120 Speaker 1: Like the come up is documented step by step. You 1022 00:51:44,160 --> 00:51:47,440 Speaker 1: feel me, Like you can go back to old tweets 1023 00:51:47,719 --> 00:51:50,680 Speaker 1: and watch me get no retweets on mixtapes and then 1024 00:51:50,760 --> 00:51:53,320 Speaker 1: two and then three and then five and then a 1025 00:51:53,400 --> 00:51:55,480 Speaker 1: song it's ten and the next one like to come 1026 00:51:55,560 --> 00:51:58,080 Speaker 1: up is documents anyone saying that industry plan ship is 1027 00:51:58,080 --> 00:52:00,520 Speaker 1: an ignorant hater in their clown and the losers, and 1028 00:52:00,520 --> 00:52:04,799 Speaker 1: they vibrate at a very low level of frequency. What 1029 00:52:07,120 --> 00:52:10,520 Speaker 1: it's pathetic, it's pathetic. It's pathetic. Those people aren't gonna win, 1030 00:52:10,920 --> 00:52:14,600 Speaker 1: not because they're broken pockets. Their mind is so poor. 1031 00:52:15,200 --> 00:52:18,719 Speaker 1: It's so poor, bro, their mind is disgusting. It can't win. 1032 00:52:19,120 --> 00:52:22,319 Speaker 1: But anyway, so I'm in Belgium. The promoters like, yo, 1033 00:52:22,360 --> 00:52:25,319 Speaker 1: it's sold out. I was like, yeah, I was like, 1034 00:52:25,360 --> 00:52:28,960 Speaker 1: what sold out? Now? It's only three kids, but three bro, 1035 00:52:29,280 --> 00:52:32,320 Speaker 1: I had a thousand followers, So a thousand followers and 1036 00:52:32,640 --> 00:52:36,160 Speaker 1: three kids in Belgium. I'm like, y'all gotta be fucking kidding. 1037 00:52:36,239 --> 00:52:40,480 Speaker 1: Like I'm thinking I'm the fucking man, Like where's the 1038 00:52:40,520 --> 00:52:45,399 Speaker 1: girl with the fucking flowers? And I need the graves now, 1039 00:52:45,440 --> 00:52:47,480 Speaker 1: but like I'm thinking, I'm sucking lit. It was just 1040 00:52:47,560 --> 00:52:50,040 Speaker 1: kind of like I'm like, it's surreal to me, but 1041 00:52:50,160 --> 00:52:51,879 Speaker 1: so we do the show. It was fucking crazy once again. 1042 00:52:51,880 --> 00:52:53,200 Speaker 1: All this year is on my Instagram. You've got to 1043 00:52:53,200 --> 00:52:57,480 Speaker 1: scroll down further, but um, it was crazy. That's what 1044 00:52:57,719 --> 00:53:00,239 Speaker 1: Carol Lewis, who was like a big time Carol. I 1045 00:53:00,239 --> 00:53:03,720 Speaker 1: didn't link with carro Lewis though September one. I remember 1046 00:53:03,760 --> 00:53:05,080 Speaker 1: all the days because I run him down on my 1047 00:53:05,120 --> 00:53:10,680 Speaker 1: nose like a psychopath. Yeah, that's another one of those 1048 00:53:10,719 --> 00:53:13,719 Speaker 1: like Eminem Scotch Storch figures. While I was kind of like, 1049 00:53:14,040 --> 00:53:16,360 Speaker 1: I was like, yo, before I even knew what the 1050 00:53:16,400 --> 00:53:19,719 Speaker 1: funk you look like I need carre Lewis just from 1051 00:53:19,760 --> 00:53:24,160 Speaker 1: like two packs and yeah, come on, anyone that's that 1052 00:53:24,239 --> 00:53:26,480 Speaker 1: goes back to the research ship. You feel me like, 1053 00:53:26,719 --> 00:53:28,279 Speaker 1: if you're trying to get into the music business and 1054 00:53:28,280 --> 00:53:30,480 Speaker 1: you don't know who the fun Carrol Louis is a 1055 00:53:30,600 --> 00:53:32,560 Speaker 1: question if you're really trying to get into the music business. 1056 00:53:33,920 --> 00:53:35,560 Speaker 1: So I'm like, all right, I need carro Lewis. Cool. 1057 00:53:36,360 --> 00:53:39,359 Speaker 1: So my manager, my current manager, Mylne hit me up 1058 00:53:39,360 --> 00:53:45,200 Speaker 1: in an email. This is probably February, right, I'm alright, cool. 1059 00:53:45,280 --> 00:53:47,600 Speaker 1: This is when you're like, you know, it's not really happening, 1060 00:53:47,640 --> 00:53:50,520 Speaker 1: but you're like you're fielding little things coming into your email. 1061 00:53:51,320 --> 00:53:52,880 Speaker 1: All right, cool, Like what's up? He's like, yeah, I 1062 00:53:52,920 --> 00:53:54,480 Speaker 1: want to like you don't want to work with you, 1063 00:53:54,520 --> 00:53:57,680 Speaker 1: I want to like bring you to keep from candidates. 1064 00:53:57,719 --> 00:53:59,279 Speaker 1: I want to bring your candon. I was all right, cool, 1065 00:53:59,600 --> 00:54:02,840 Speaker 1: So flies made to Canada. We kick it and that 1066 00:54:03,000 --> 00:54:06,760 Speaker 1: first time we met, actually, where's Milan? He's out gaffling someone, Okay? 1067 00:54:06,920 --> 00:54:10,640 Speaker 1: That that that first time we met is when I made. 1068 00:54:10,680 --> 00:54:12,399 Speaker 1: He took me to the studio in Toronto. I've never 1069 00:54:12,480 --> 00:54:15,160 Speaker 1: even been to Toronto before. I don't think, Yeah, I 1070 00:54:15,160 --> 00:54:17,279 Speaker 1: had it first time I ever met I made I 1071 00:54:17,320 --> 00:54:19,719 Speaker 1: want to go down with you on the album. So 1072 00:54:19,880 --> 00:54:21,400 Speaker 1: like I kind of took that as like a sign, 1073 00:54:21,480 --> 00:54:24,480 Speaker 1: like I'll just make music around people. Usually it's just 1074 00:54:24,560 --> 00:54:27,359 Speaker 1: me and myself or me and Bugis that's it. So 1075 00:54:27,400 --> 00:54:30,440 Speaker 1: if I can meet a stranger and just like still 1076 00:54:30,480 --> 00:54:32,520 Speaker 1: be kind of in that space of energy where it's 1077 00:54:32,520 --> 00:54:35,200 Speaker 1: just like you don't feel you just feel great still, 1078 00:54:35,440 --> 00:54:36,680 Speaker 1: you know what I'm saying, I was like, oh, it's 1079 00:54:36,680 --> 00:54:38,839 Speaker 1: gotta be a sign. But anyway, so I didn't want 1080 00:54:38,880 --> 00:54:40,080 Speaker 1: to go down with you the first time I met 1081 00:54:40,160 --> 00:54:43,879 Speaker 1: him in I come back and all I'm telling him is, bro, 1082 00:54:44,600 --> 00:54:46,400 Speaker 1: I'm not speaking to you too. Give me Carroll Lewis. 1083 00:54:47,440 --> 00:54:50,880 Speaker 1: That's That's all I kept telling. I was like, bro, 1084 00:54:51,080 --> 00:54:54,720 Speaker 1: you want to me? Give me Carroll Lewis. Period period, 1085 00:54:55,040 --> 00:54:58,440 Speaker 1: now here's how the universe is fucking crazy. Me and 1086 00:54:58,560 --> 00:55:01,239 Speaker 1: him had like a falling out, and it wasn't really 1087 00:55:01,320 --> 00:55:03,200 Speaker 1: me and him. It was like me and his partner 1088 00:55:03,520 --> 00:55:05,879 Speaker 1: kind of had like a you know, like a disagreement, 1089 00:55:06,000 --> 00:55:08,160 Speaker 1: like all right, we weren't really fucking with each other 1090 00:55:08,200 --> 00:55:10,320 Speaker 1: like that anyway, hasn't been that long. It wasn't official, 1091 00:55:10,360 --> 00:55:12,000 Speaker 1: so it wasn't really a thing. It was like, all right, well, 1092 00:55:12,120 --> 00:55:16,839 Speaker 1: by what I'm saying. So it's and it's September. It's 1093 00:55:16,840 --> 00:55:21,680 Speaker 1: sucking September. One another this independent label at the time, 1094 00:55:21,760 --> 00:55:25,719 Speaker 1: Cinematic Johnny Ships. Um, I was trying to funk with me. 1095 00:55:25,840 --> 00:55:30,840 Speaker 1: So they're flying me up to New York, right, and 1096 00:55:30,880 --> 00:55:32,560 Speaker 1: now the Johnny Ship because people are gonna be like, 1097 00:55:32,640 --> 00:55:35,279 Speaker 1: how do you just know Johnny Ships kids super Who? 1098 00:55:35,320 --> 00:55:38,120 Speaker 1: I recorded a bunch of ship at who y'all know kids, 1099 00:55:38,160 --> 00:55:40,720 Speaker 1: super Be in the mix of New York. He knew 1100 00:55:40,760 --> 00:55:45,440 Speaker 1: someone who Fox with someone Dominoes fall whatever. So he's 1101 00:55:45,480 --> 00:55:47,040 Speaker 1: flying me up to New York. I gotta lay over 1102 00:55:47,040 --> 00:55:50,680 Speaker 1: in Charlotte, right. So I'm sitting there in Charlotte and 1103 00:55:50,760 --> 00:55:53,480 Speaker 1: Milan calls me. Now I haven't talked to Milan and months, 1104 00:55:54,120 --> 00:55:56,440 Speaker 1: Blon calls me and he has no idea my movements 1105 00:55:56,520 --> 00:55:58,520 Speaker 1: or whatever that I'm on the way to go. And 1106 00:55:58,560 --> 00:56:02,000 Speaker 1: he's like, it's like, oh, I got you carro Lewis. 1107 00:56:03,480 --> 00:56:05,080 Speaker 1: And I was like, yeah, but we got to talk 1108 00:56:05,120 --> 00:56:08,640 Speaker 1: about like the disagreement, and she said. He's like, yeah, 1109 00:56:09,239 --> 00:56:12,400 Speaker 1: like I get it, I got your carre Lewis. I 1110 00:56:12,560 --> 00:56:15,839 Speaker 1: was like when, And he has no idea that I'm 1111 00:56:15,840 --> 00:56:18,800 Speaker 1: flying and he's like today for thirty I'm on the 1112 00:56:18,880 --> 00:56:20,960 Speaker 1: layover in Charlotte about to get on the flight, the 1113 00:56:21,000 --> 00:56:23,440 Speaker 1: connecting flight to New York, and I landed sucking four. 1114 00:56:24,480 --> 00:56:27,000 Speaker 1: So I'm like, yo, you guys, ask Kara. You feel 1115 00:56:27,040 --> 00:56:29,799 Speaker 1: me Like, I go to Kara's office with bags in hand. 1116 00:56:29,840 --> 00:56:31,560 Speaker 1: That's the first time I met Kara. I had the 1117 00:56:31,640 --> 00:56:35,359 Speaker 1: luge in hand. I was like, I was going there, 1118 00:56:35,360 --> 00:56:36,680 Speaker 1: but not for Caro Lou. But then all of a 1119 00:56:36,719 --> 00:56:39,000 Speaker 1: sudden it turned into that. So then I fucking go 1120 00:56:39,080 --> 00:56:40,759 Speaker 1: to meet Carre with bags in hand. I'm like, yo, 1121 00:56:40,800 --> 00:56:42,880 Speaker 1: you're a unicorn. And that's the first thing I told her, 1122 00:56:43,320 --> 00:56:45,680 Speaker 1: you're a unicorn. I think I still call her unicorn. 1123 00:56:46,040 --> 00:56:48,719 Speaker 1: How did he do it? He? Because I mean, he 1124 00:56:48,800 --> 00:56:51,080 Speaker 1: just knows and he knew her. Apparently, he kept telling me, 1125 00:56:51,120 --> 00:56:53,279 Speaker 1: but when you don't know someone, you don't trust it. 1126 00:56:53,640 --> 00:56:55,759 Speaker 1: But the only way you trust somebody's by trusting them, 1127 00:56:55,800 --> 00:56:58,160 Speaker 1: which is a very fun thing. But yeah, I mean 1128 00:56:58,160 --> 00:56:59,880 Speaker 1: we get I get to the office and she was 1129 00:56:59,880 --> 00:57:02,719 Speaker 1: just like she was her and she was like, yeah, 1130 00:57:02,800 --> 00:57:06,040 Speaker 1: let's you know, let's start working on ship. But you know, 1131 00:57:06,080 --> 00:57:08,399 Speaker 1: when you don't have fans like that, when you can't 1132 00:57:08,400 --> 00:57:11,200 Speaker 1: sell tickets, you can have the greatest book and agent 1133 00:57:11,200 --> 00:57:14,080 Speaker 1: in the world, you're gonna do no shows. Why because 1134 00:57:14,080 --> 00:57:16,320 Speaker 1: there's no money with you. There's no tickets. You can't 1135 00:57:16,320 --> 00:57:22,440 Speaker 1: sell tickets. So from September until fucking May, I was 1136 00:57:22,480 --> 00:57:24,479 Speaker 1: just saying that, like please like send me on the tour, 1137 00:57:25,480 --> 00:57:27,840 Speaker 1: like open for her, open for this whatever. Whatever. She 1138 00:57:27,920 --> 00:57:30,600 Speaker 1: was like, just not time yet. But you said he's 1139 00:57:30,600 --> 00:57:32,280 Speaker 1: talking about like on this record of the journey. He 1140 00:57:32,360 --> 00:57:35,440 Speaker 1: said like, yeah, your bucket list is ever changing, right facts, 1141 00:57:35,640 --> 00:57:38,640 Speaker 1: So what's so where's it that now it feels like 1142 00:57:38,640 --> 00:57:43,000 Speaker 1: you're doing My bucket list is still like the number 1143 00:57:43,040 --> 00:57:44,640 Speaker 1: one ship is get my mom and beach house, which 1144 00:57:44,640 --> 00:57:49,320 Speaker 1: were in the process she's shopping. Yeah, shout out to moms. Yeah, 1145 00:57:49,400 --> 00:57:52,400 Speaker 1: I mean you know. That's That's the beautiful thing about 1146 00:57:52,480 --> 00:57:54,880 Speaker 1: keeping like family close and friends close and ship is 1147 00:57:54,880 --> 00:57:58,640 Speaker 1: that you know everyone around me. I've just known like 1148 00:57:59,120 --> 00:58:01,520 Speaker 1: for mad long, Like me and Buggies, like I said 1149 00:58:01,560 --> 00:58:05,000 Speaker 1: the Masterminds in seventeen, Like I moved to Georgia when 1150 00:58:05,080 --> 00:58:08,920 Speaker 1: I was twelve. Buggas was my first friend in Georgia. 1151 00:58:09,120 --> 00:58:13,200 Speaker 1: Feel me Like me and Boogies have been fucking bussing 1152 00:58:13,240 --> 00:58:15,160 Speaker 1: people off for years, for a decade,