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Speaker 1: From Hollywood to you. Thank you for listening to us.

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Speaker 1: Ryan Air on Air with a Ryan Seacrest this morning.

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Speaker 1: Good to have everybody here. Is Ryan Seacrest with you,

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Speaker 1: Sistey and Tanya. I think something I think that the

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Speaker 1: news anchors do this morning. I put on this button

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Speaker 1: down the shirt for you and uh, sweatpants, so yeah,

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Speaker 1: take a look, counter that's a look.

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Speaker 2: Yeah, yeah.

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Speaker 1: I think that when I watched the news every once

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Speaker 1: in a while, the like cutaway and I think the anchor

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Speaker 1: thinks they're finished and they've gone on jeans with their tie

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Speaker 1: and their blazer, which uh, you know, I think I

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Speaker 1: think they're they're not meaning for us to see that.

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Speaker 3: I mean those were that. That was like our COVID uniforms.

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Speaker 3: That's all we wore. I don't think I wore pants

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Speaker 3: half the time. We did the shows during COVID.

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Speaker 1: Top with the thought and bottoms with none exactly. All right,

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Speaker 1: good morning everybody. We get the back room here, Hello,

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Speaker 1: and Sofia the intern and lonely MICHAELA or is Ruby

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Speaker 1: out printing something for us?

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Speaker 2: Ruby is out? But we have Jordan here.

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Speaker 1: Hi, Jordan, Good morning, Jordan Ruby. Still Oh she's stuck

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Speaker 1: in Mexico. That's right. Uh, Jordan, good to see you.

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Speaker 1: Sofia the intern. He's still in the classes, still taking classes.

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Speaker 2: Sofia going strong.

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Speaker 1: Yeah nice? Any classes today? What's your load for Tuesday?

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Speaker 2: For Tuesday?

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Speaker 4: I have Native American women and France and Asia and

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Speaker 4: literature and arts.

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Speaker 1: That sounds fun, actually, I mean it's like so super interesting. Yeah,

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Speaker 1: h so super interesting. But it sounds like a lot

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Speaker 1: on a Tuesday. I mean I just want to kind

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Speaker 1: of get over, like to through pay your bills and

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Speaker 1: to ten o'clock and then see what happens after that. Yeah,

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Speaker 1: speaking of which, we are paying to bill. So here's

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Speaker 1: the thing. This is something we've been doing for a

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Speaker 1: long time. But don't let it be white noise. We

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Speaker 1: will contribute one thousand dollars to any bill you. I

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Speaker 1: just need to get your name. And this is something

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Speaker 1: that we have been doing since I started here, probably

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Speaker 1: before I started here, fight think back, but we love

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Speaker 1: doing it. We want to do it. It's the time

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Speaker 1: of year where we probably needed the most. So to

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Speaker 1: hear this and try and spend just two seconds going

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Speaker 1: to KISSFM dot com and getting me your name. Charlie

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Speaker 1: Pooth is coming on today, he's coming over. He's a

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Speaker 1: Red Rover. Also, Bruno Mars tickets every single hour. So

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Speaker 1: let's get to all this stuff right now. Justin Bieber

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Speaker 1: and Yukon on one of two point seven Kiss FM.

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Speaker 1: Good morning, So Sysney, you have a second date update

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Speaker 1: on the way the trials and tribulations of trying to

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Speaker 1: find somebody in this town, do we? I mean, is

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Speaker 1: it right to say, Mikaela, you're you're out there in

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Speaker 1: the world. Is it right to say that that la

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Speaker 1: is harder than like where you grew up? Where'd you

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Speaker 1: grew up in that little where'd you grow up? Yeah?

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Speaker 3: I grew up in Rhode Island.

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Speaker 1: Rhode Island, Yes, in the state of Rhode Island? Is

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Speaker 1: it is it harder or is it harder to find

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Speaker 1: somebody there because there are a fewer people and there's

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Speaker 1: more opportunity here.

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Speaker 5: You know what, A lot of people from my hometown

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Speaker 5: married or dated people we went to high school with

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Speaker 5: and that they're still married today. So I feel like

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Speaker 5: they just were comfortable and met people. But here it's

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Speaker 5: definitely harder.

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Speaker 1: I heard a lower Rhode Island they're married. They're still married. Now,

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Speaker 1: what is like what is the dating scene like in

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Speaker 1: Rhode Island.

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Speaker 5: You know, I spent most of the dating years in

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Speaker 5: Boston at school. But you know, I feel like it's

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Speaker 5: saying I feel like people back home are struggling too

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Speaker 5: if they weren't with their high school sweethearts.

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Speaker 1: Yeah, a lot of that happened in my town too,

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Speaker 1: just outside of Atlanta. So anyway, if you're trying to

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Speaker 1: date here in LA and you need some peace of

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Speaker 1: mind because it went wrong, we'll get into that. And

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Speaker 1: if you are about to break up with somebody or

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Speaker 1: maybe just went through a breakup. I I'm trying to

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Speaker 1: think of all of us here who's been through the

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Speaker 1: most breakups, what would you think, Tanya Sicini or me?

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Speaker 1: Think me possible? Possible? And when you do break up,

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Speaker 1: like I find myself wanting to snack or eat or

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Speaker 1: you know, sort of ease the pain.

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Speaker 3: Oh, mine was ice cream.

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Speaker 1: Food was ice cream. So there are like very popular

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Speaker 1: breakup foods that somehow came into my algorithm, so I

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Speaker 1: just wanted to share this with you. The most popular

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Speaker 1: are milkshakes, cupcakes, grilled cheese, and tacos. I think I

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Speaker 1: could probably go down any one of those paths and

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Speaker 1: find myself feeling a little bit better until I'm not.

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Speaker 1: It's like during the process, it really, it really helps

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Speaker 1: with the wound of a breakup. But then afterwards I

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Speaker 1: find myself kind of doubly deep depressed. So is it

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Speaker 1: worth it getting into cookie dough or getting into French fries.

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Speaker 1: It's not.

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Speaker 3: It's not because of the pain afterwards. I don't know

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Speaker 3: about you guys, but like I, it's an instant stomach pain.

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Speaker 1: When you when you eat that kind of cry exactly.

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Speaker 3: It hits me like a ton of bricks, and then

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Speaker 3: I feel even more.

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Speaker 1: The one thing that I will put up pain for

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Speaker 1: is cookie dough. I cannot stop myself at cooking. If

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Speaker 1: I go into the store and I go down that

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Speaker 1: protein bar aisle that has one thousand protein bars these days, yeah,

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Speaker 1: I will try every cookie dough protein bar that is

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Speaker 1: there because it is so good with my coffee in

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Speaker 1: the morning.

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Speaker 6: Uh.

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Speaker 1: And you know what I also notice, like, oh, when

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Speaker 1: I'm home over the weekend, if I've got stuff in

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Speaker 1: the fridge, like I try meal prep for the week,

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Speaker 1: if I've got stuff in the fridge, I will stop.

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Speaker 1: I will I will drive by and graze all day

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Speaker 1: if I'm home, Like, do you find yourself doing that?

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Speaker 1: Just grazing all day? Now?

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Speaker 3: My husband Michael does.

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Speaker 1: He does like we pop in. I pop in and

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Speaker 1: I open it up, I eat it cold, I put

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Speaker 1: it back, I go back an hour later, I do

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Speaker 1: the same thing. It's and I can't, and I tell

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Speaker 1: myself stop doing that. It just can't. The number one

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Speaker 1: breakup food in case you're going to Nebraska is popcorn.

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Speaker 1: That seems like not enough guilt. I want more guilt

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Speaker 1: out of it. I agree it's one a two point

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Speaker 1: seven because I f M. I don't know what it's

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Speaker 1: like at your office or where you work, but there's

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Speaker 1: always a risk in going into the bathroom here. You

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Speaker 1: never know who you might run into and have to

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Speaker 1: now I say have to, but end up like talking

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Speaker 1: to or if there's somebody in there and you need

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Speaker 1: to make some noise. The whole charade of like trying

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Speaker 1: to be quiet and waiting till their feet crossed that

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Speaker 1: little partition on the bottom between the partition and the

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Speaker 1: floor they exit. I mean, I have to admit I've

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Speaker 1: faked an exit before with the door and just stayed

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Speaker 1: and hung around to see if people were waiting for

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Speaker 1: me to leave, Like I faked the door closed. God,

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Speaker 1: so weird. It's weird, but I faked the door. I've

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Speaker 1: seen in movies before, not for bathroom things, but like

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Speaker 1: people who are in bad scenes. To me, But what

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Speaker 1: happened to use gross? What happened to you is bad?

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Speaker 3: Well, this is the thing. It's not as bad in

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Speaker 3: the female restroom. I feel like we ladies kind of

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Speaker 3: just get in, get out or not like hanging out.

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Speaker 3: And I don't know what y'all do in there, but

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Speaker 3: I feel like the men's restroom there's a lot of lingering.

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Speaker 3: All I hear is horror stories from like Mark and

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Speaker 3: other people. They're just like what noises like you're saying

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Speaker 3: going on in there? Well, I was coming to the

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Speaker 3: bathroom and the sales guy. I'm not going to out

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Speaker 3: him or say his name, but he comes out of

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Speaker 3: the bathroom all chipper, holding his laptop full open laptop,

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Speaker 3: just like Henry, Like, Hi, now how long were you

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Speaker 3: in there that you need it?

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Speaker 1: I have to say in defense of this unknown salesperson

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Speaker 1: and those of us that use that side of the bathroom,

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Speaker 1: I can't figure out if it's an efficiency model, like

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Speaker 1: we want to get stuff done. We're being very efficient.

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Speaker 1: Or if it's also childhood, I remember childhood. My father

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Speaker 1: would take the newspaper into the bathroom on a Sunday

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Speaker 1: and there he went, there he went, and he would

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Speaker 1: leave different sections, not just one section, not just like

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Speaker 1: the main section, like he would take different sections and

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Speaker 1: ins of the newspaper into the bathroom. And so part

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Speaker 1: of me, even at home, when I go in there,

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Speaker 1: I'm carrying my to do list, I'm carrying a notepad,

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Speaker 1: I'm carrying a pan, I'm carrying things to get done.

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Speaker 1: And I find it a bit of an escape. Now,

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Speaker 1: not at work, but at home it does become a

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Speaker 1: bit of an escape.

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Speaker 3: I can't find that to be pleasant or healthy at.

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Speaker 1: Work, it's I mean, we're like at this men's bathroom

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Speaker 1: here in Burbank. We are a step away from a

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Speaker 1: curing sort of coffee machine being in there, and we

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Speaker 1: can just do it all. No, And to this salesperson,

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Speaker 1: I guess you might be listening. If you are brave

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Speaker 1: enough to come confront us to Sney on this issue,

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Speaker 1: please you know where we are. That would be major,

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Speaker 1: And thank you for your dedication to iHeart. All right,

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Speaker 1: unplugging these electronic devices. They're gonna cut your electric pil dramatically.

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Speaker 1: I had no idea some of this stuff about that

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Speaker 1: and a quote today next kiss Lines this morning. Kiss

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Speaker 1: FM headlines with siciny.

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Speaker 3: Well two businesses in a strip mall in Baldwin parkwerd

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Speaker 3: damage and a fast moving fire. Early this morning at

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Speaker 3: the corner of Ramona Boulevard and Syracuse Avenue, copper thieves

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Speaker 3: shut down and shut off lights on Miracle Mile along

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Speaker 3: Wiltshire Boulevard between Highland and Crenshaw. The trial for former

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Speaker 3: Dodger Yaciel Pleague begins today in downtown LA. He's facing

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Speaker 3: charges for allegedly line to investigators about possible times to

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Speaker 3: illegal sports betting and open AI confirmed plans to begin

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Speaker 3: testing ads in CHATCHYBT for US users on the Free

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Speaker 3: and Go tiers On two point seven.

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Speaker 1: It's Kiss FM. Good morning. These Bruno Mars tickets, I mean,

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Speaker 1: big deal, right, Bruno Mar's tickets went on sale. Everybody

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Speaker 1: wants to get these. He's so great live. I've never

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Speaker 1: seen Bruno Mars in a Bruno Mars concert, but I've

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Speaker 1: seen him do our iHeart concerts, our iHeart shows and

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Speaker 1: it's remarkable, like you get it and then you really

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Speaker 1: get it.

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Speaker 3: Yeah, and that's only thirty minutes, so I'll imagine it's.

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Speaker 1: Full show exactly. So that's why they're so popular. Everybody

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Speaker 1: wants this. We'll get a pair of those coming out

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Speaker 1: a few minutes now, Tanya, I want to go back

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Speaker 1: because I'm seeing the headlines myself and when I see

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Speaker 1: it then and people, I guess are I mean, you

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Speaker 1: see all this stuff, But sometimes it strikes me.

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Speaker 7: This is the story that never ends.

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Speaker 1: But this one strikes me because I feel a closeness

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Speaker 1: to Megan Trainer and I know she was part of

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Speaker 1: the headlines at one point. Then she said, I'm not

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Speaker 1: part of this. They take me out of all of this.

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Speaker 1: So there's that toxic celebrity mom group. Now did they

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Speaker 1: call them? Who called them that? Like how they get

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Speaker 1: that name?

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Speaker 7: Okay, well yeah, like you said, but could we be

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Speaker 7: seeing the Toxic mom Group? The movie is really the topic.

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Speaker 1: Of discussion in it, so who's in it?

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Speaker 7: The Toxic Mom Group started with Ashley Dale writing a

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Speaker 7: piece for The Cut called Breaking Up with My Toxic

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Speaker 7: Mom Group. She detailed a mom group being very much

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Speaker 7: like high school talking about being left out at events

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Speaker 7: seated further down at table like these gatherings that they had.

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Speaker 7: This essay went viral with speculation that the mom group

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Speaker 7: that she was referencing was the Hillary Duff, Meghan trainer,

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Speaker 7: Mandy Moore, among others mom group.

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Speaker 1: Okay.

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Speaker 7: Every single day for the last two weeks, different people

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Speaker 7: have been coming out and commenting on this story, taking sides.

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Speaker 7: But now there are rumors that there's a ton of

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Speaker 7: interest in a film version, and studios as well as

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Speaker 7: big stars and production companies have been approaching Ashley Tisdale's

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Speaker 7: camp about bringing the viral essay to the screen. So,

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Speaker 7: if you were at if you were Ashley Ti, would

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Speaker 7: you say yes so you have creative control over the

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Speaker 7: whole thing? Or do you say I didn't mean for

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Speaker 7: this drama to blow up.

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Speaker 3: I want out.

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Speaker 7: No, I'm not gonna be part of it.

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Speaker 1: No, I think you're in on the joke. I think

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Speaker 1: it diffuses the whole thing. I don't know what's real

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Speaker 1: and what's not, but just based on what you're telling me,

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Speaker 1: I think it diffuses the whole thing. I think if

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Speaker 1: you lean into it and you do the movie, then

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Speaker 1: it makes it just it just settles it all in

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Speaker 1: a way.

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Speaker 5: Right.

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Speaker 1: But I will say to this, I know mothers who

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Speaker 1: are not celebrity mothers who have told me this thing

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Speaker 1: happens all the time totally with moms at school, with

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Speaker 1: the group texts in the neighborhood. There's like a competition.

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Speaker 1: It feels uncomfortable, and so it might be more relatable

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Speaker 1: that I knew about.

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Speaker 2: Totally.

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Speaker 3: You hit the nail on the head.

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Speaker 7: I think it's a very common thing that people experience

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Speaker 7: in real life, and so I think that this movie

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Speaker 7: would be I mean, I would watch it, Tom.

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Speaker 1: It's not a bad idea. And if you are leaning

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Speaker 1: into it, if you're one of those actors or people,

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Speaker 1: I think it makes you seem like you get it

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Speaker 1: and have a sense of humor. All right, kiss FM

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Speaker 1: Seacrest with you, and it's time for a second date

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Speaker 1: update now. Now, Jared is on the phone. He met

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Speaker 1: this girl on New Year's Eve. He was trying to

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Speaker 1: go to a This is so interesting. She's blowing him off.

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Speaker 1: He wants us to find out why, and we're going

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Speaker 1: to put her on the air and get to the

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Speaker 1: bottom of it. But he says, I was going to

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Speaker 1: a party in her building and I have the wrong apartment.

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Speaker 1: I banged on her door like nine pm, she answered.

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Speaker 1: I couldn't stop thinking about her, so I went back

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Speaker 1: a few minutes later to ask for her phone number.

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Speaker 1: We had a great first day. Now she won't respond.

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Speaker 1: I lived this, Sophia. You don't know this because you're

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Speaker 1: new in an intern But I lived at an apartment

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Speaker 1: complex not far from the iHeart offices. And I needed

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Speaker 1: to borrow a salad bowl to make a Caesar salad.

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Speaker 1: And I knocked on the door of my neighbor and

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Speaker 1: it was Tiffany. And Tiffany I had the same thing

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Speaker 1: happened to me. So I went back and I got

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Speaker 1: her number, and somehow, somehow we ended up moving in together.

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Speaker 2: Hopefully this turns out good.

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Speaker 1: Then.

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Speaker 2: I don't know if they're going to move in together.

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Speaker 1: But Jared, we're pulling for you here. I mean, is

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Speaker 1: it fate that you ever across the street from this?

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Speaker 1: Why couldn't you get her out of your mind? What

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Speaker 1: was it?

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Speaker 8: I think, you know, she was just kind of flirty,

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Speaker 8: she was looking hot. It was this crazy circumstance, you know,

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Speaker 8: I was like, this meal live here. We were kind

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Speaker 8: of vibing, you know, Okay, she was like, wow, this

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Speaker 8: is the worst pickup line ever. We laughed, but I left,

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Speaker 8: you know.

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Speaker 1: And you ended up going out And now she won't

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Speaker 1: respond to you. Can you just zero in. I don't

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Speaker 1: need to know all about the date, but zero in

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Speaker 1: for me on the end of the date, any any dialogue,

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Speaker 1: any body language, give me a snapshot.

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Speaker 8: Well, I mean it was good, it was nice. You know,

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Speaker 8: we held hands, we had a nice kiss, good night.

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Speaker 8: You know, we were laughing at the date. It seemed

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Speaker 8: great to me. But I texted her a few nights later,

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Speaker 8: got no response. I tried again the next day, you

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Speaker 8: know nothing.

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Speaker 1: So this could be by the way, holding hands is

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Speaker 1: more intimate than kissing.

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Speaker 3: Some would argue, No, no.

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Speaker 1: No, that's fact. It's actually fact, more nerve endings in

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Speaker 1: your hand than they're on your lips.

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Speaker 3: What about your tongues touching?

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Speaker 1: No, I'm just telling you his facts. So, Jared, I

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Speaker 1: think we're gonna put you on hold and call her

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Speaker 1: and put her on the air and ask her while

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Speaker 1: you listen in. But I think this could be not you,

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Speaker 1: but just proximity, like the fact that you live across

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Speaker 1: from each other, or the same proximity might be the

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Speaker 1: issue for her hitting the brakes, So it might not

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Speaker 1: be you. It might be that, all right, So think

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Speaker 1: about that. We're gonna come back, get her on the

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Speaker 1: line and find out why she's blowing you off. Man,

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Speaker 1: I get it when I hear it, Bruno Mars, it

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Speaker 1: just pops, It just stands out. It's just got every

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Speaker 1: different layer to it to give you what you want

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Speaker 1: and expect, but even more from Bruno Mars. And that's

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Speaker 1: why we got your tickets to go see Bruno Mars

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Speaker 1: in concert. It's Kiss FM now second date update. We're

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Speaker 1: in the middle of it. Jared is on the line.

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Speaker 1: So Jared was trying to go to a party on

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Speaker 1: New Year's Eve. He knocked on the wrong door at

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Speaker 1: his complex and he ended up meeting Christina, and there's

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Speaker 1: like serendipitus. He couldn't get her out of her mind.

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Speaker 1: He got her number, they went out, they went out

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Speaker 1: on a date, and then afterwards everything he thinks went fine,

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Speaker 1: but she will not respond to him. So he's trying

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Speaker 1: to figure out, like what I do wrong? And this

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Speaker 1: could be a lesson for anybody that's not getting a

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Speaker 1: response right now, Like what was it what did you

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Speaker 1: do wrong or not? Or I think it's because and Jared,

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Speaker 1: I've kind of lived this before. I think it's because

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Speaker 1: she lives too close to you. Like with me, we

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Speaker 1: ended up hanging out and then when I say lived together,

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Speaker 1: we were roommates. We ended up becoming roommates. The neighbor

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Speaker 1: that this happened to me with but a long time ago.

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Speaker 1: But after a while it fizzled out. But she might

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Speaker 1: be thinking you just you lived too close to her

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Speaker 1: and wanting a little bit of space, you know, so

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Speaker 1: let's see and you get you You held her hand

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Speaker 1: and you kissed her. So that's that's quite a bit.

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Speaker 1: It's quite a bit. Okay, be quiet now, Jared, we're

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Speaker 1: gonna put her on ready. Okay, Hey, Christina, it's Ryan Seacrest,

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Speaker 1: sis Any Tanya Sophia, our intern. Good morning. How are

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Speaker 1: you're on the air with us? Oh? Hi, So we're

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Speaker 1: calling about a guy named Jared who is your neighbor.

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Speaker 1: Oh yeah, him, him, and you went out with him

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Speaker 1: and right, you did on a date.

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Speaker 9: I mean it was fine, but why.

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Speaker 1: Well, let's suspend any sort of disbelief in why we

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Speaker 1: might be calling and just if you can answer a

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Speaker 1: couple of questions. We did you like him? Did you

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Speaker 1: feel like, oh this is sort of meant to be

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Speaker 1: that he lives so close to me?

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Speaker 9: I mean, he seems really cool and everything at and

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Speaker 9: maybe there could have been something, but I'm trying to

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Speaker 9: remember why it is that I just decided not to

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Speaker 9: go for it.

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Speaker 1: Okay, you can't remember why, Well.

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Speaker 10: We technically met on New Year's Eve and I am

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Speaker 10: active on the dating scene and everything, so I'm just

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Speaker 10: trying to remember why.

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Speaker 1: Would you like to go out? Like? I mean, if

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Speaker 1: it's if you can't remember why, it can't be that bad.

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Speaker 1: It could be good. So would you like to go

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Speaker 1: out with this Jared? Again?

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Speaker 10: Oh wait, I do remember?

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Speaker 9: Why?

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Speaker 1: Please?

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Speaker 9: He So he reached out to me with what are

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Speaker 9: you doing at eleven pm?

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Speaker 1: What night?

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Speaker 10: And on a random night, just on a random night,

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Speaker 10: and I don't do well?

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Speaker 1: Uh huh? All right? And so you felt like that

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Speaker 1: was he didn't make you a priority, he was making

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Speaker 1: you convenient and that turned you off. Totally get it,

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Speaker 1: that's clear, Jared. Did you hear that?

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Speaker 8: Yeah?

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Speaker 1: Okay, what was your intent at eleven pm? Texting Christina?

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Speaker 8: Okay, that was not a booty call or whatever.

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Speaker 1: I was just bored.

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Speaker 8: I was bored in my apartment. I thought maybe we

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Speaker 8: could have a conversation.

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Speaker 1: Yeah, but bored is not what she wants to hear,

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Speaker 1: bro Like, you don't having conversations great because you were

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Speaker 1: thinking about her, not because you were bored, like is

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Speaker 1: not flattering.

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Speaker 3: Yeah, I was bored, so I just had to text you, right.

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Speaker 8: I can see now that.

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Speaker 1: Yeah, okay, you can see. So we've helped you out.

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Speaker 1: And Christina, would you like to go out with him again?

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Speaker 1: Under consideration? Or should we move on?

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Speaker 9: I mean, I mean sure, why not?

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Speaker 6: Are you?

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Speaker 1: Wow? Jared so unexpected? Oh my god, A lot of

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Speaker 1: takeaway there. It's a second d all right, Charlie, this

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Speaker 1: is coming on. He's doing the national anthem at the

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Speaker 1: Super Bowl. I can't think of anything more nerve wracking. Wow,

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Speaker 1: that is nerve Like I'm gonna be nervous watching Charlie

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Speaker 1: do it. Now, he'll do it. But I just get

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Speaker 1: nervous for stuff.

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Speaker 3: Well, don't say that to him.

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Speaker 1: Why. I don't know.

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Speaker 3: I feel like, oh my gosh, are you so nervous?

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Speaker 3: Like you're encouraging exciting big moment.

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Speaker 1: Okay, no, but I'm not. I mean I am encouraging,

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Speaker 1: but I'm nervous as well. I would be nervous, all right,

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Speaker 1: I mean I threw the first pitch. I feel like that.

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Speaker 3: The conversation after he's already done it like were you nervous?

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Speaker 3: Those type of things I don't like. You don't pump

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Speaker 3: him up by being like he's going to be nerve racking,

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Speaker 3: this is exciting, and then have him say I'm nervous

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Speaker 3: that you can let.

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Speaker 1: Me let me write that down. This is exciting, you say. Okay.

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Speaker 1: On air with Ryan Seacrest, where is my husband? Kiss FM?

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Speaker 1: All right, we're bringing this guy is a scholar in

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Speaker 1: the world of music. Listen to some of these tracks

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Speaker 1: over the years. It's a sound check to our life.

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Speaker 1: When you think about Charlie Booth, right, where were you,

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Speaker 1: what were you wearing? Who is in your life? Then

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Speaker 1: he's got new stuff coming our way. Charlie Booth is

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Speaker 1: with us this morning. Hello everybody, Charlie. It's nice to

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Speaker 1: see you. It's nice to see you. Wow, I got it.

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Speaker 11: I got such a blast nostalgia when you played see

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Speaker 11: You Again, because I don't know if you remember, I

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Speaker 11: was the that was the first bit of a promo

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00:21:55,040 --> 00:21:56,080
Speaker 11: I did was your show.

439
00:21:56,680 --> 00:21:58,960
Speaker 1: Yes, I do remember. We actually have the video which

440
00:21:58,960 --> 00:22:00,840
Speaker 1: we can inter cut into this to go back and

441
00:22:00,880 --> 00:22:03,920
Speaker 1: see all of our looks. Well, so when I when

442
00:22:03,960 --> 00:22:06,200
Speaker 1: I like, it's a soundtrack to people's lives, to yours

443
00:22:06,240 --> 00:22:09,159
Speaker 1: as well. When I play this, for example, what are

444
00:22:09,160 --> 00:22:13,720
Speaker 1: you doing about? I remember like seeing you at the gym.

445
00:22:14,720 --> 00:22:17,560
Speaker 11: Yeah, yeah, yeah, I remember we were working out at

446
00:22:17,600 --> 00:22:22,560
Speaker 11: this wonderful gym on Beverly and you came in with

447
00:22:22,640 --> 00:22:25,760
Speaker 11: a hat that set attention and I had just played

448
00:22:25,760 --> 00:22:27,639
Speaker 11: you the record. It was like a week before it

449
00:22:27,680 --> 00:22:31,240
Speaker 11: was it's probably like a huge like my record labels

450
00:22:31,240 --> 00:22:32,720
Speaker 11: like make sure you don't play anybody this And of

451
00:22:32,720 --> 00:22:36,159
Speaker 11: course I played it Baran Seacrest and you came in

452
00:22:36,200 --> 00:22:39,080
Speaker 11: with an attention hat. The next day. I'm like, I

453
00:22:39,119 --> 00:22:40,720
Speaker 11: was like, this guy is my number one fan.

454
00:22:40,800 --> 00:22:43,520
Speaker 1: This makes me I have all of your merch. I

455
00:22:43,600 --> 00:22:46,200
Speaker 1: have it all. I have the what's clever hat coming

456
00:22:46,440 --> 00:22:48,119
Speaker 1: into a Jymney.

457
00:22:47,600 --> 00:22:51,040
Speaker 11: Well, we're going to send you every color, every album

458
00:22:51,160 --> 00:22:52,760
Speaker 11: variant to everybody.

459
00:22:53,119 --> 00:22:55,919
Speaker 1: Let's exist just run it. Charlie Puthie's here, Let's just

460
00:22:56,000 --> 00:22:59,159
Speaker 1: run through. Congratulations on What's happening in your life. I

461
00:22:59,240 --> 00:23:01,640
Speaker 1: know you're you're soon to be a dad. I think

462
00:23:01,640 --> 00:23:03,720
Speaker 1: I texted you not knowing if you were or not yet.

463
00:23:04,800 --> 00:23:05,639
Speaker 12: I did you know?

464
00:23:06,760 --> 00:23:10,800
Speaker 11: I you know everything, you know everything before or anybody.

465
00:23:10,840 --> 00:23:14,840
Speaker 11: But the big thing that we're waiting on now and

466
00:23:15,200 --> 00:23:17,720
Speaker 11: this is a this is kind of crazy. I don't

467
00:23:17,720 --> 00:23:22,040
Speaker 11: know how you time this, but the baby may very

468
00:23:22,080 --> 00:23:29,960
Speaker 11: well come the day the album comes out. An in areas,

469
00:23:30,160 --> 00:23:33,360
Speaker 11: it's it's just how do you do you time that?

470
00:23:33,600 --> 00:23:34,360
Speaker 11: So it's very.

471
00:23:34,160 --> 00:23:37,800
Speaker 1: Serensifico in only you who know you know all the

472
00:23:37,880 --> 00:23:41,399
Speaker 1: architecture of music and album release strategy could pull that off.

473
00:23:41,640 --> 00:23:45,320
Speaker 1: But I do think that in a in the world,

474
00:23:45,720 --> 00:23:49,840
Speaker 1: the universe sends us signals and signs about really pivotal

475
00:23:49,880 --> 00:23:51,840
Speaker 1: and seminal moments in our life. And the fact that

476
00:23:51,880 --> 00:23:54,080
Speaker 1: it's a possibility that is a sign. I mean, that's

477
00:23:54,119 --> 00:23:57,120
Speaker 1: just a sign. And one of the big things you're

478
00:23:57,160 --> 00:24:01,400
Speaker 1: about to do is the national anthem at the Super Bowl.

479
00:24:02,280 --> 00:24:04,760
Speaker 11: Oh yeah, I'm working on the arrangement in my head.

480
00:24:05,440 --> 00:24:11,360
Speaker 1: How do you balance the overwhelming emotion that you might

481
00:24:11,400 --> 00:24:14,680
Speaker 1: be feeling just before you start during the performance and

482
00:24:14,760 --> 00:24:22,240
Speaker 1: knowing the scale of that moment in the audience watching for.

483
00:24:22,680 --> 00:24:29,040
Speaker 11: Me specifically, and maybe true for other singers and musicians alike,

484
00:24:29,720 --> 00:24:34,440
Speaker 11: time is frozen. Whenever I'm performing whatever the subject manner

485
00:24:34,520 --> 00:24:36,280
Speaker 11: of the song is, whether I wrote the song or not,

486
00:24:36,880 --> 00:24:43,040
Speaker 11: time stands still, and in that moment, it is just

487
00:24:43,119 --> 00:24:48,280
Speaker 11: about delivering the song in the way that it's supposed

488
00:24:48,320 --> 00:24:52,879
Speaker 11: to be delivered. And we have a choir and a

489
00:24:53,000 --> 00:24:56,480
Speaker 11: whole orchestra behind us. I'm really, I'm really proud of

490
00:24:56,520 --> 00:24:58,080
Speaker 11: this arrangement that we're putting together.

491
00:24:58,520 --> 00:25:01,720
Speaker 1: Charlie Pooth will be performing national Anthem, make sure you

492
00:25:01,840 --> 00:25:04,560
Speaker 1: check that out now. March also shaping up to be

493
00:25:04,560 --> 00:25:06,320
Speaker 1: a big month for you in so many ways, including

494
00:25:06,320 --> 00:25:09,160
Speaker 1: this new album, Whatever's Clever the World tour. The tickets

495
00:25:09,160 --> 00:25:11,160
Speaker 1: are on sale ticketmaster dot com. The new album's coming

496
00:25:11,160 --> 00:25:15,080
Speaker 1: out March twenty seventh. Congratulations on the baby to b

497
00:25:15,560 --> 00:25:18,800
Speaker 1: and stay close, my friend. It's great to see you smiling.

498
00:25:19,640 --> 00:25:21,840
Speaker 11: Yeah, I'm sorry about the birds chirping too.

499
00:25:21,920 --> 00:25:24,760
Speaker 1: Oh, we love it. It's a sign. It's the universe

500
00:25:24,800 --> 00:25:28,400
Speaker 1: talking to you exactly. I'm gonna make a song out

501
00:25:28,440 --> 00:25:30,679
Speaker 1: of it, see it, buddy, Thanks for coming on.

502
00:25:30,960 --> 00:25:31,480
Speaker 13: I love you.

503
00:25:31,600 --> 00:25:34,560
Speaker 1: Yea so great to see him, and he was just

504
00:25:34,640 --> 00:25:37,320
Speaker 1: beaming with excitement. Right, you could tell in his personal

505
00:25:37,320 --> 00:25:40,000
Speaker 1: life his professional life. That's Charlie Pooth. Why don't two

506
00:25:40,000 --> 00:25:45,159
Speaker 1: point seven kiss FM? So when you talk to your

507
00:25:45,440 --> 00:25:47,800
Speaker 1: your your classmates there on the campus, do you guys

508
00:25:47,880 --> 00:25:50,240
Speaker 1: use a lot of you and eskeletor this guy you're dating?

509
00:25:51,240 --> 00:25:53,960
Speaker 1: You're still dating this guy? Yes, it's going good, it's

510
00:25:54,000 --> 00:25:56,640
Speaker 1: going great. Now, do you guys use a lot of emojis.

511
00:25:56,640 --> 00:25:57,120
Speaker 2: Here and there?

512
00:25:57,160 --> 00:26:00,159
Speaker 4: We use a lot, like the laughing emoji, but we

513
00:26:00,200 --> 00:26:03,159
Speaker 4: do a lot of like the text message reactions like

514
00:26:03,240 --> 00:26:04,560
Speaker 4: the heart or the thoughts.

515
00:26:04,640 --> 00:26:08,720
Speaker 1: Such a cop out style. I'm so lazy. No, it's not.

516
00:26:08,840 --> 00:26:11,520
Speaker 3: It's like you're acknowledging move on if we.

517
00:26:11,600 --> 00:26:13,280
Speaker 1: Just not really not Like I have to tell you

518
00:26:13,280 --> 00:26:17,239
Speaker 1: that there's some emojis where I'm not quite sure what

519
00:26:17,280 --> 00:26:19,960
Speaker 1: the face means, but i think it means something like

520
00:26:20,680 --> 00:26:22,960
Speaker 1: good and I haven't read the message totally, but I'll

521
00:26:22,960 --> 00:26:24,880
Speaker 1: just throw it out there to keep the conversation going.

522
00:26:25,280 --> 00:26:28,520
Speaker 1: So do they do these new emojis annually or they

523
00:26:28,560 --> 00:26:31,760
Speaker 1: just sort of sporadically because there's more that are potentially

524
00:26:31,800 --> 00:26:32,560
Speaker 1: coming to the scene.

525
00:26:33,560 --> 00:26:34,359
Speaker 3: It's sporadic.

526
00:26:34,680 --> 00:26:39,399
Speaker 1: All right, let's just hone in on a couple of these, Like,

527
00:26:39,480 --> 00:26:42,080
Speaker 1: what's the before I get to the produce that they're adding, Like,

528
00:26:42,119 --> 00:26:44,320
Speaker 1: we don't need more produce. We've got enough produce for

529
00:26:44,359 --> 00:26:47,240
Speaker 1: the emojis, we get it. But before we get to

530
00:26:47,280 --> 00:26:49,639
Speaker 1: the farmer's market produce emoji. What's the net for?

531
00:26:51,440 --> 00:26:57,160
Speaker 3: That could be for catching butterflies, or there's a net

532
00:26:57,280 --> 00:26:59,960
Speaker 3: like a dog catcher. I don't know what's the net

533
00:27:00,119 --> 00:27:01,320
Speaker 3: machine of some sort?

534
00:27:01,800 --> 00:27:04,359
Speaker 1: Okay, what's the fire with the mushroom in the middle

535
00:27:04,400 --> 00:27:04,640
Speaker 1: of it?

536
00:27:04,800 --> 00:27:06,800
Speaker 3: That is I think a meteor. I don't think that's

537
00:27:07,320 --> 00:27:11,560
Speaker 3: the fire mushroom. These are new moojis, commet or a

538
00:27:11,600 --> 00:27:12,760
Speaker 3: meteor coming to earth.

539
00:27:13,280 --> 00:27:17,760
Speaker 1: All right, then let's get to the one that is

540
00:27:17,800 --> 00:27:19,359
Speaker 1: it a cucumber or is it a pickle?

541
00:27:20,400 --> 00:27:22,320
Speaker 3: It is a It is a pickle, because we have

542
00:27:22,440 --> 00:27:24,879
Speaker 3: we already know we already have a cucumber that's like

543
00:27:25,000 --> 00:27:28,000
Speaker 3: sliced sliced cucumbers. And you can see, but this is.

544
00:27:27,960 --> 00:27:33,479
Speaker 1: The color of a cucumber, not a pickle. FYI, what well,

545
00:27:33,520 --> 00:27:34,520
Speaker 1: what would you use this for?

546
00:27:35,119 --> 00:27:37,720
Speaker 3: I would consider a pickle green, a green pickle.

547
00:27:37,760 --> 00:27:39,960
Speaker 1: It's dark green. This is bright anyway, Why would you

548
00:27:40,000 --> 00:27:41,080
Speaker 1: need to use pickle.

549
00:27:40,840 --> 00:27:43,240
Speaker 3: In am same reasons you need to use an eggplant?

550
00:27:43,560 --> 00:27:47,960
Speaker 1: No, it's not, you don't need I'm uncomfortable.

551
00:27:48,040 --> 00:27:50,280
Speaker 3: I believe that is the will be the number one

552
00:27:50,359 --> 00:27:51,080
Speaker 3: use for that pickle.

553
00:27:51,240 --> 00:27:54,080
Speaker 1: I'm uncomfortable when any of y'all use that, Like why

554
00:27:54,160 --> 00:27:57,080
Speaker 1: I never use that with you? No, not with me,

555
00:27:57,640 --> 00:27:59,920
Speaker 1: but even the fact that you use it in your life.

556
00:28:00,000 --> 00:28:01,240
Speaker 2: I've been worried about why I use.

557
00:28:01,240 --> 00:28:04,240
Speaker 3: The peach emoji and the eggplant in my life. Okay,

558
00:28:04,359 --> 00:28:05,360
Speaker 3: we're good over here.

559
00:28:05,400 --> 00:28:06,080
Speaker 1: What's the peach?

560
00:28:06,240 --> 00:28:06,720
Speaker 12: The beach?

561
00:28:06,840 --> 00:28:07,200
Speaker 1: Come on?

562
00:28:07,359 --> 00:28:08,439
Speaker 3: So obvious?

563
00:28:09,560 --> 00:28:09,800
Speaker 8: Need it?

564
00:28:10,320 --> 00:28:11,360
Speaker 1: I need training wheels.

565
00:28:11,400 --> 00:28:13,040
Speaker 3: But I do love this. I don't know what this

566
00:28:13,119 --> 00:28:15,720
Speaker 3: face is, but it's like squinty eyes and like a

567
00:28:15,760 --> 00:28:18,679
Speaker 3: sad face, almost like you're annoyed in Madison. That's a

568
00:28:18,720 --> 00:28:20,160
Speaker 3: good one. I'm here for that one.

569
00:28:20,280 --> 00:28:23,080
Speaker 1: Need more faces. We have enough faces to choose from

570
00:28:23,080 --> 00:28:24,439
Speaker 1: with the emojis. And by the way, when I get

571
00:28:24,480 --> 00:28:28,399
Speaker 1: a peach or send a peach because I'm from Georgia, like, hey, hometown.

572
00:28:28,000 --> 00:28:29,840
Speaker 3: No not when there's an eggplan next to.

573
00:28:29,800 --> 00:28:32,480
Speaker 1: It, Well, I haven't had that combination of goods.

574
00:28:32,800 --> 00:28:35,960
Speaker 3: Well, we're in the approval phase, so these won't be

575
00:28:36,000 --> 00:28:39,080
Speaker 3: coming to our phones until probably later this year, maybe

576
00:28:39,080 --> 00:28:40,720
Speaker 3: even as early as twenty twenty seven. I guess it

577
00:28:40,720 --> 00:28:42,400
Speaker 3: has to go through this whole approval process and then

578
00:28:42,440 --> 00:28:44,600
Speaker 3: Apple and Android have to approve him as well.

579
00:28:44,680 --> 00:28:49,120
Speaker 1: Let's see this cucumber gets approved Bruno or food truck.

580
00:28:49,320 --> 00:28:51,080
Speaker 1: That's what we're gonna play right now on KISSFM for

581
00:28:51,160 --> 00:28:56,760
Speaker 1: Brune Mars tickets. Hit it Bruno or food truck. They

582
00:28:56,800 --> 00:29:00,360
Speaker 1: get Noah in Sun Valley to play this game. I know,

583
00:29:00,520 --> 00:29:02,800
Speaker 1: good morning, and thank you for calling for Bruno Mar's tickets.

584
00:29:02,840 --> 00:29:04,480
Speaker 1: Are you ready yet?

585
00:29:05,080 --> 00:29:05,360
Speaker 6: Ready?

586
00:29:05,920 --> 00:29:07,720
Speaker 1: So I'm going to give you a title. You tell

587
00:29:07,760 --> 00:29:10,880
Speaker 1: me if it's a Bruno Mars song or a local

588
00:29:11,200 --> 00:29:13,600
Speaker 1: La food truck. All right, This game, I don't know

589
00:29:13,600 --> 00:29:17,560
Speaker 1: if you've seen it on social media's very popular. Okay,

590
00:29:17,920 --> 00:29:22,640
Speaker 1: all right, it's not on social media's so here we go, Sugar,

591
00:29:23,400 --> 00:29:28,520
Speaker 1: Coco and Honey. Now, is that Bruno Mars song or

592
00:29:28,560 --> 00:29:29,760
Speaker 1: a local La food truck?

593
00:29:30,920 --> 00:29:31,480
Speaker 14: Food truck?

594
00:29:32,240 --> 00:29:36,040
Speaker 1: No, it's a Bruno Mars song from way back twenty fourteen.

595
00:29:36,160 --> 00:29:38,640
Speaker 1: Next one gotta get three right, three right before we

596
00:29:38,640 --> 00:29:43,160
Speaker 1: get three wrong. Quicksand quicksand Bruno song or LA food

597
00:29:43,200 --> 00:29:46,800
Speaker 1: truck food truck? Yeah, gourmet sandwich is this is a

598
00:29:46,800 --> 00:29:52,520
Speaker 1: good one? Sandwich is dormant quicksand I right, all right,

599
00:29:52,560 --> 00:29:54,320
Speaker 1: here we go now on you got one in one,

600
00:29:54,440 --> 00:29:57,960
Speaker 1: now get shaved, get shaved. Is that a song from

601
00:29:57,960 --> 00:30:03,280
Speaker 1: Bruno Mars or is that an LA food truck? Truck?

602
00:30:04,440 --> 00:30:07,840
Speaker 1: It is a food truck. You got that one shaved ice? Now?

603
00:30:08,200 --> 00:30:09,200
Speaker 10: Yeah?

604
00:30:09,240 --> 00:30:15,040
Speaker 1: One more for the wind? Bang bang bang bang. Is

605
00:30:15,120 --> 00:30:19,360
Speaker 1: that a Bruno Mars song or is that a LA

606
00:30:19,400 --> 00:30:19,920
Speaker 1: food truck.

607
00:30:21,720 --> 00:30:24,000
Speaker 8: I'm gonna say food truck.

608
00:30:24,800 --> 00:30:28,360
Speaker 1: It is a Bruno Mars song. It comes down to

609
00:30:28,440 --> 00:30:30,800
Speaker 1: this one for you for the wind, No for Bruno

610
00:30:30,840 --> 00:30:36,160
Speaker 1: Mars tickets. A beautiful life, A beautiful life. Is that

611
00:30:36,280 --> 00:30:39,200
Speaker 1: a Bruno Mars song? Or is it an LA food truck.

612
00:30:40,640 --> 00:30:44,760
Speaker 1: I'm gonna say food truck. Man, I was nervous on

613
00:30:44,800 --> 00:30:47,000
Speaker 1: that one. You got it right. It's a Jamaican food

614
00:30:47,000 --> 00:30:50,600
Speaker 1: truck the restaurants in little Tokyo downtown and you nailed it. Congratulations,

615
00:30:50,960 --> 00:30:55,800
Speaker 1: You're going to see Bruno Mars. Oh my goodness, no

616
00:30:55,920 --> 00:30:57,560
Speaker 1: way for sure, bro.

617
00:30:58,600 --> 00:31:00,080
Speaker 2: Wow, Thank you so much.

618
00:31:00,240 --> 00:31:02,680
Speaker 1: Thank you for listening to us. Well done on the

619
00:31:02,720 --> 00:31:07,680
Speaker 1: game under pressure too. It's a kiss him on air

620
00:31:08,480 --> 00:31:14,880
Speaker 1: with Ryan Seacrest. Now you're a kissing guy. Know I

621
00:31:14,920 --> 00:31:17,000
Speaker 1: am we incorinated.

622
00:31:17,160 --> 00:31:20,800
Speaker 15: I'm gonna start getting life goes on, honey and my babies.

623
00:31:20,720 --> 00:31:22,840
Speaker 1: Cant woke up looking for the barcley.

624
00:31:23,520 --> 00:31:25,280
Speaker 15: Keep a horn on me thatck of my seat. I

625
00:31:25,480 --> 00:31:28,480
Speaker 15: pete holy ship. The blueprint is by me, mister get off.

626
00:31:28,520 --> 00:31:39,040
Speaker 12: I get off at my feet, but.

627
00:31:39,200 --> 00:31:41,680
Speaker 15: He couldn't try me in a tri state money passed,

628
00:31:41,680 --> 00:31:42,800
Speaker 15: but I get him splashed to me.

629
00:31:42,880 --> 00:31:46,080
Speaker 1: Hydrated down South Nuney Spoke town. I dilated. I got

630
00:31:46,080 --> 00:31:47,920
Speaker 1: the money in the power both gyrated.

631
00:31:48,080 --> 00:31:49,320
Speaker 12: I feel good, getting.

632
00:31:49,280 --> 00:31:52,360
Speaker 1: Got my thighs look good. But she don't got no ties.

633
00:31:52,640 --> 00:31:55,240
Speaker 15: I walked in and walked out with us eyes. Man,

634
00:31:55,320 --> 00:31:56,840
Speaker 15: don't let me know what the pie?

635
00:31:58,280 --> 00:32:00,640
Speaker 1: What the got hits? I got because I got.

636
00:32:00,480 --> 00:32:01,880
Speaker 12: New paper cuts, I got friends.

637
00:32:01,880 --> 00:32:04,040
Speaker 15: I got fos, but they hosted and ducks hitted turch

638
00:32:04,080 --> 00:32:07,000
Speaker 15: finger cracking double back like a deluxe shitty deep, but

639
00:32:07,120 --> 00:32:08,120
Speaker 15: it ain't deep enough.

640
00:32:08,960 --> 00:32:10,040
Speaker 1: Great. They gonna beat you.

641
00:32:10,120 --> 00:32:12,280
Speaker 15: Mother falling from a money tree. Hang it grow throughout

642
00:32:12,320 --> 00:32:14,800
Speaker 15: the monkspital little He had the camera speed off. Yes, sir,

643
00:32:15,360 --> 00:32:18,280
Speaker 15: I feel good. Get the got my thighs look good.

644
00:32:18,360 --> 00:32:20,960
Speaker 15: But she don't got no ties. I walked in, walked

645
00:32:20,960 --> 00:32:23,480
Speaker 15: out with her side. Man, don't let me know what

646
00:32:23,640 --> 00:32:24,160
Speaker 15: the pie.

647
00:32:24,520 --> 00:32:29,680
Speaker 13: Squabble up, squabble up, squabble lock, squabble lock, squabble up,

648
00:32:30,160 --> 00:32:33,120
Speaker 13: squabble up, squabble lock, squabble up.

649
00:32:33,520 --> 00:32:40,200
Speaker 15: Oh lot, where are you from?

650
00:32:40,080 --> 00:32:41,280
Speaker 14: I better go down.

651
00:32:42,600 --> 00:32:43,400
Speaker 12: Sideways?

652
00:32:44,840 --> 00:32:53,560
Speaker 1: What stock beeB don't dunk dunk dunk dunk. Baby rocking

653
00:32:53,640 --> 00:32:55,960
Speaker 1: it quick? Pro crole what you want because I'm watching it.

654
00:32:56,240 --> 00:32:58,240
Speaker 1: Roke on the floor. Let me know if you cracking it.

655
00:32:58,400 --> 00:33:00,760
Speaker 1: Brody won't go but I know that popped me. It

656
00:33:00,880 --> 00:33:02,040
Speaker 1: was woof tickets on sales.

657
00:33:02,120 --> 00:33:04,360
Speaker 15: Tell a silence there, type down, young fee some hole

658
00:33:04,400 --> 00:33:06,560
Speaker 15: with the politics with the miss spook town.

659
00:33:06,680 --> 00:33:08,320
Speaker 1: That's a lot of big don't hit them. You got

660
00:33:08,400 --> 00:33:10,280
Speaker 1: kids with them. My pologies, ghettle child.

661
00:33:10,360 --> 00:33:12,479
Speaker 15: Here was blacky mouse with the smear enough he Hi,

662
00:33:12,600 --> 00:33:14,280
Speaker 15: we outside lorrided about to kill him off?

663
00:33:14,360 --> 00:33:16,520
Speaker 1: Black song bas kiss a fact. This's a brick of rock.

664
00:33:16,640 --> 00:33:17,920
Speaker 12: Tell me what a breath?

665
00:33:18,040 --> 00:33:20,160
Speaker 1: If it's picture you off? Tell me what a fit?

666
00:33:20,320 --> 00:33:22,440
Speaker 1: If you coming off? Hey, doc, can I get that drop?

667
00:33:22,640 --> 00:33:26,440
Speaker 1: I'm from the West Side the sinnagu it's a full moon.

668
00:33:26,560 --> 00:33:28,720
Speaker 1: Let the hoofs out. I've been a dark I feel good.

669
00:33:28,800 --> 00:33:29,160
Speaker 12: Get them.

670
00:33:29,520 --> 00:33:32,360
Speaker 1: My thighs look good. But she don't got no ties.

671
00:33:32,680 --> 00:33:35,600
Speaker 1: I walked in, walk out with us sides. Man, don't

672
00:33:35,680 --> 00:33:36,840
Speaker 1: let me know what the path.

673
00:33:37,280 --> 00:33:42,440
Speaker 13: Squabble up, squabble up, squabble up, squabble up, squabble up,

674
00:33:42,880 --> 00:33:45,840
Speaker 13: squabble up, squabble up, squabble up.

675
00:33:45,960 --> 00:33:48,880
Speaker 1: Kendrick kiss FM. Cynthia is on the line, So we're

676
00:33:48,880 --> 00:33:51,680
Speaker 1: gonna talk to her now about your mother in law

677
00:33:52,040 --> 00:33:54,480
Speaker 1: giving you a family secret. Why did she tell you

678
00:33:54,600 --> 00:33:55,400
Speaker 1: this secret?

679
00:33:57,040 --> 00:34:01,080
Speaker 6: Well, at the time, she was really quite drunk, honestly,

680
00:34:01,840 --> 00:34:05,120
Speaker 6: and she is always confiding in me and we are close.

681
00:34:06,840 --> 00:34:09,360
Speaker 14: But I've just been really struggling with what she told me.

682
00:34:09,640 --> 00:34:12,319
Speaker 1: Well, look, it's a blessing that she feels so close

683
00:34:12,360 --> 00:34:14,880
Speaker 1: to you to confide in you. What was the secret?

684
00:34:16,719 --> 00:34:20,480
Speaker 6: So she told me that her husband cheated on her

685
00:34:20,640 --> 00:34:24,080
Speaker 6: when the kids were younger, and that they almost divorced

686
00:34:24,320 --> 00:34:31,439
Speaker 6: but ended up staying in the relationship. Your husband, Yes,

687
00:34:31,560 --> 00:34:35,160
Speaker 6: so my father in law, my husband's dad cheated on

688
00:34:35,360 --> 00:34:38,240
Speaker 6: his mom when the kids were really young. They almost

689
00:34:38,280 --> 00:34:41,520
Speaker 6: got divorced. Obviously they've stayed in the relationship though, because.

690
00:34:41,280 --> 00:34:42,080
Speaker 14: They're still together.

691
00:34:42,960 --> 00:34:46,360
Speaker 6: But I don't know if I tell my husband that

692
00:34:46,520 --> 00:34:47,440
Speaker 6: is dad cheated.

693
00:34:47,200 --> 00:34:51,000
Speaker 14: On his mom, Like I just would you say something

694
00:34:51,320 --> 00:34:53,560
Speaker 14: or would you just keep this to yourself?

695
00:34:53,800 --> 00:34:56,439
Speaker 1: You keep it to yourself. Why in the world would

696
00:34:56,480 --> 00:34:58,759
Speaker 1: you get involved in something like that? Plus the fact

697
00:34:58,840 --> 00:35:03,800
Speaker 1: that she confide you is a strong situation that you

698
00:35:03,920 --> 00:35:04,799
Speaker 1: don't want to mark up.

699
00:35:05,400 --> 00:35:07,160
Speaker 3: Are you sure he doesn't know already?

700
00:35:07,920 --> 00:35:10,319
Speaker 1: But that's not her place and get out.

701
00:35:12,320 --> 00:35:14,839
Speaker 14: But it's like, now I have the secret and it's

702
00:35:14,880 --> 00:35:16,560
Speaker 14: eating away of meat, Like I just want.

703
00:35:17,239 --> 00:35:21,600
Speaker 1: Everything, Cynthia. Since Cynthia, it is much better off for

704
00:35:21,719 --> 00:35:23,879
Speaker 1: you to have a great relationship with your mother in law.

705
00:35:24,480 --> 00:35:26,160
Speaker 1: Let this secret eat you up. Get over it.

706
00:35:27,080 --> 00:35:30,520
Speaker 3: No, that's going to take years off your life, which gonna.

707
00:35:30,320 --> 00:35:31,960
Speaker 1: Take years off her life if she violates the trust

708
00:35:32,000 --> 00:35:32,960
Speaker 1: of her mother in law as well.

709
00:35:33,440 --> 00:35:35,520
Speaker 3: Maybe talk to the mother in law again, remind her

710
00:35:35,560 --> 00:35:38,160
Speaker 3: that she told you this, and be like, I need

711
00:35:38,239 --> 00:35:40,240
Speaker 3: to tell my husband.

712
00:35:41,320 --> 00:35:43,800
Speaker 1: I would ask for more secrets. Tell me more. What

713
00:35:43,920 --> 00:35:45,719
Speaker 1: else will you confide in me? I want to know more.

714
00:35:46,080 --> 00:35:48,319
Speaker 1: Tell me about this family, anything you know about your son.

715
00:35:51,560 --> 00:35:53,759
Speaker 14: I means you to be friends with my mother in law.

716
00:35:53,880 --> 00:35:57,160
Speaker 1: It's too I don't have any experience with in laws.

717
00:35:58,120 --> 00:36:03,120
Speaker 1: It's not my Bailey Wick. Thank you for listening, Bye

718
00:36:03,239 --> 00:36:03,759
Speaker 1: and good luck.

719
00:36:04,280 --> 00:36:04,640
Speaker 12: You got this.

720
00:36:05,120 --> 00:36:07,560
Speaker 1: We got this. Yeah, don't say a thing. Don't say

721
00:36:07,560 --> 00:36:09,359
Speaker 1: a thing. All right, coming up, we'll pay a bill.

722
00:36:09,560 --> 00:36:12,279
Speaker 1: Next at kiss, don't she and I play with Cardi'

723
00:36:12,360 --> 00:36:15,480
Speaker 1: kiss a fam our intern Sophia here is mid Nate

724
00:36:15,520 --> 00:36:16,920
Speaker 1: in this guy she met on Halloween. That's why we

725
00:36:16,960 --> 00:36:18,560
Speaker 1: call him Skeletor. It's not his real name, but he

726
00:36:18,600 --> 00:36:21,839
Speaker 1: was dressed up as Skeletor and they go to see Primate. Huh, yes,

727
00:36:22,600 --> 00:36:24,680
Speaker 1: now what happened? Why was there a scene made? Why

728
00:36:24,719 --> 00:36:27,239
Speaker 1: are you worried that Skeletor maybe pushing back after he

729
00:36:27,320 --> 00:36:29,439
Speaker 1: suggested you go see Primate as a dates movie.

730
00:36:29,840 --> 00:36:32,000
Speaker 4: Well, we went on like a date night after a while,

731
00:36:32,280 --> 00:36:35,000
Speaker 4: and we went to go see this scary chimpanzee movie.

732
00:36:35,840 --> 00:36:38,759
Speaker 4: And it's like so tense and like everybody's on edge

733
00:36:38,760 --> 00:36:41,200
Speaker 4: in their movie in the seats in the movie theater,

734
00:36:42,200 --> 00:36:45,120
Speaker 4: and next to us, a couple seats down there's this

735
00:36:45,200 --> 00:36:48,839
Speaker 4: couple who's just talking so loud, and it's like they

736
00:36:48,880 --> 00:36:51,000
Speaker 4: made a comment every five seconds, and they were just

737
00:36:51,760 --> 00:36:54,080
Speaker 4: like crinkling their chip bags and like chewing on the

738
00:36:54,120 --> 00:36:57,440
Speaker 4: popcorn and laughing so loud, and it's like on the

739
00:36:57,520 --> 00:36:58,480
Speaker 4: verge of a jump scare.

740
00:36:59,000 --> 00:37:00,719
Speaker 2: And this was going on the whole movie. So I

741
00:37:00,880 --> 00:37:02,440
Speaker 2: decided to get out of my.

742
00:37:02,520 --> 00:37:06,480
Speaker 4: Seat and go over there and just very politely, very

743
00:37:06,600 --> 00:37:09,120
Speaker 4: very politely, ask them if they could maybe keep it down,

744
00:37:09,560 --> 00:37:13,680
Speaker 4: oh and stop talking during like the scary scenes.

745
00:37:14,280 --> 00:37:17,319
Speaker 2: And so I go back and Skeletor He's like, oh

746
00:37:17,400 --> 00:37:19,879
Speaker 2: my god, like he has this mortified look on his face.

747
00:37:19,960 --> 00:37:20,400
Speaker 1: How could you?

748
00:37:21,000 --> 00:37:22,759
Speaker 2: But I don't know, Like they were being so loud,

749
00:37:22,760 --> 00:37:24,760
Speaker 2: like I couldn't even like the movie wasn't even scary

750
00:37:24,840 --> 00:37:25,319
Speaker 2: at that point.

751
00:37:25,719 --> 00:37:29,680
Speaker 1: So here's the thing. I guess this is again here

752
00:37:29,840 --> 00:37:35,279
Speaker 1: comes the wisdom. Here it comes sisin Tanya. People who

753
00:37:35,719 --> 00:37:39,480
Speaker 1: cause scenes, they know they're causing a scene. You gotta

754
00:37:39,560 --> 00:37:41,920
Speaker 1: let them do it. You cannot confront people causing scenes.

755
00:37:42,120 --> 00:37:44,560
Speaker 1: It's like when someone says, I don't know so much

756
00:37:44,600 --> 00:37:47,560
Speaker 1: at a restaurant, like the food's not great, and they'll say,

757
00:37:47,600 --> 00:37:49,840
Speaker 1: how's your meal, and I'll say it's perfect, Like it

758
00:37:50,040 --> 00:37:52,200
Speaker 1: just you just sort of roll with the punches in

759
00:37:52,280 --> 00:37:57,200
Speaker 1: situations like that, because you don't want to create and

760
00:37:57,320 --> 00:38:00,880
Speaker 1: in like a confrontation. And also it's it's not Marty Supreme.

761
00:38:01,200 --> 00:38:05,399
Speaker 1: You know, it's not Marty Supreme. Yeah, Susney, you're shaking

762
00:38:05,480 --> 00:38:07,439
Speaker 1: your head. You would confront someone in a movie theater?

763
00:38:07,680 --> 00:38:10,479
Speaker 2: No, never, I never would.

764
00:38:10,520 --> 00:38:13,279
Speaker 1: But I mean the most I probably would do is

765
00:38:13,360 --> 00:38:20,760
Speaker 1: like a you know, I just know I'm against creating

766
00:38:20,800 --> 00:38:23,520
Speaker 1: a scene. I don't think skeletal would push back on them.

767
00:38:23,560 --> 00:38:26,320
Speaker 1: In fact, I mean it's it is brave of you

768
00:38:26,480 --> 00:38:27,440
Speaker 1: to go and do that.

769
00:38:27,920 --> 00:38:30,000
Speaker 3: You don't know these people like I get scared of,

770
00:38:30,120 --> 00:38:33,480
Speaker 3: like exactly exactly, like we don't know.

771
00:38:33,640 --> 00:38:36,680
Speaker 1: I'm just like, just great, the chip bags, they're gonna

772
00:38:36,680 --> 00:38:39,839
Speaker 1: follow me home, let them let them. Have you heard

773
00:38:39,880 --> 00:38:40,279
Speaker 1: from him.

774
00:38:40,239 --> 00:38:43,799
Speaker 2: Since, thankfully I have. We got ice cream after the movie.

775
00:38:45,080 --> 00:38:48,440
Speaker 1: Ice cream solves everything, all right, except for your indigestion.

776
00:38:49,200 --> 00:38:51,279
Speaker 1: That's for Tanya and I. We have dairy issues now

777
00:38:51,360 --> 00:38:53,960
Speaker 1: coming up. We would not have ice cream after a

778
00:38:54,600 --> 00:38:56,880
Speaker 1: scary movie, for sure. That would not be good for

779
00:38:56,960 --> 00:38:59,480
Speaker 1: our inners. Come out with your Bruno Marsin gets a

780
00:38:59,560 --> 00:39:02,160
Speaker 1: kiss Brenda maars that's the dude. We got your hookup

781
00:39:02,200 --> 00:39:04,839
Speaker 1: to to go see all the time, every single hour,

782
00:39:04,920 --> 00:39:08,000
Speaker 1: all week, this morning on Kiss FM. Thanks for being

783
00:39:08,040 --> 00:39:10,680
Speaker 1: here tomorrow, we're back, we're early, we're paying your bills.

784
00:39:11,280 --> 00:39:13,399
Speaker 1: We got those tickets to go see Bruno mars as

785
00:39:13,440 --> 00:39:16,719
Speaker 1: I said. If you missed anything on this show, we

786
00:39:16,840 --> 00:39:21,040
Speaker 1: put that up on our podcast, Midday, Second Date Update.

787
00:39:21,640 --> 00:39:23,600
Speaker 1: All kinds of stuff there one to two point seven.

788
00:39:23,760 --> 00:39:27,560
Speaker 1: It is Kiss FM. Grab it, listen to it on demand. Siciny,

789
00:39:27,640 --> 00:39:32,160
Speaker 1: you got us right, taking a NonStop until eleven o'clock

790
00:39:32,239 --> 00:39:34,280
Speaker 1: and we're back with you first thing in the morning

791
00:39:34,400 --> 00:39:36,239
Speaker 1: to the back room. Have a great day, enjoy the

792
00:39:36,280 --> 00:39:40,080
Speaker 1: post show meeting. We'll talk first thing. Yep, yep, yep, yep, yep, yep.

793
00:39:40,120 --> 00:39:42,680
Speaker 1: All right, sounds like a plan. It's a kiss. Thanks

794
00:39:42,719 --> 00:39:45,480
Speaker 1: for listening to on air with Ryan Seacrest. Make sure

795
00:39:45,520 --> 00:39:47,480
Speaker 1: to subscribe and we'll talk to you again tomorrow