WEBVTT - Joyelle Nicole Johnson

0:00:00.480 --> 0:00:03.240
<v Speaker 1>Hello, Happy birthday. I'm gonna did you do that to me?

0:00:03.680 --> 0:00:07.080
<v Speaker 1>I don't know. I didn't do that to you. I'm old,

0:00:07.120 --> 0:00:08.240
<v Speaker 1>I don't know how to work technology.

0:00:08.320 --> 0:00:11.000
<v Speaker 2>Oh you just said wait, hold on, you just said

0:00:11.400 --> 0:00:12.200
<v Speaker 2>happy birthday.

0:00:12.680 --> 0:00:16.520
<v Speaker 3>Did I say happy birthday? Someone said happy birthday? I

0:00:16.560 --> 0:00:18.160
<v Speaker 3>think you had to have sent happy birthday.

0:00:18.160 --> 0:00:21.720
<v Speaker 2>And if you're listening, literally we're looking at each other,

0:00:21.760 --> 0:00:25.360
<v Speaker 2>and balloons just started streaming on my face. That is

0:00:25.440 --> 0:00:30.240
<v Speaker 2>so bizarre. That is literally never happened. It's not interesting

0:00:30.280 --> 0:00:33.440
<v Speaker 2>to anybody else, but that was so weird.

0:00:39.400 --> 0:00:42.040
<v Speaker 1>Hi. My name is joy il Noo Cole Johnson, and

0:00:42.240 --> 0:00:44.600
<v Speaker 1>I love therapy and I think you should get a

0:00:44.640 --> 0:00:45.400
<v Speaker 1>therapist too.

0:00:52.840 --> 0:00:56.920
<v Speaker 2>Hi, everybody, what's up? Thanks for joining me here for

0:00:57.200 --> 0:01:01.880
<v Speaker 2>another episode of Off the Beat. I am your joyous

0:01:02.480 --> 0:01:06.880
<v Speaker 2>and ready to laugh host Brian Baumgartner. My guest today

0:01:07.319 --> 0:01:13.720
<v Speaker 2>well is not only joy full, she is Joyelle Nicole Johnson.

0:01:14.160 --> 0:01:18.280
<v Speaker 2>Joyelle is a hilarious stand up comedian. You may have

0:01:18.319 --> 0:01:21.800
<v Speaker 2>seen her on Late Night with Seth Myers, The Tonight

0:01:21.840 --> 0:01:24.920
<v Speaker 2>Show starring Jimmy Fallon, or maybe even lucky enough to

0:01:24.959 --> 0:01:28.840
<v Speaker 2>catch her live at a festival like Bona Rou San Francisco.

0:01:28.920 --> 0:01:34.400
<v Speaker 2>Sketch Fest, New York Comedy Festival, Bumber Shoot. She's amazing

0:01:35.000 --> 0:01:39.399
<v Speaker 2>and she's also a talented comedy writer who's worked on

0:01:39.480 --> 0:01:44.720
<v Speaker 2>shows like Broad City and Pause with Sam Jay. Recently, however,

0:01:45.040 --> 0:01:49.400
<v Speaker 2>she has begun a new venture. She started an Only

0:01:49.480 --> 0:01:53.680
<v Speaker 2>Fans and believe me, Yeah, she's gonna let it all

0:01:54.240 --> 0:01:58.680
<v Speaker 2>out her jokes. Of course, she's gonna let you hear

0:01:58.760 --> 0:02:01.920
<v Speaker 2>all of her jokes. That's what I was saying. She

0:02:02.160 --> 0:02:06.800
<v Speaker 2>just aired her new episode on l M aof the

0:02:06.840 --> 0:02:12.520
<v Speaker 2>comedy showcase on OnlyFans TV. It is absolutely hilarious. Yep,

0:02:13.240 --> 0:02:16.280
<v Speaker 2>Joy is in the air today and she is here

0:02:16.919 --> 0:02:22.080
<v Speaker 2>in your ears as well. Here she is Joyel Nicole Johnson.

0:02:25.440 --> 0:02:32.960
<v Speaker 4>Bubble and Squeak, I love it, Bubble and Squeak, Bubble

0:02:33.040 --> 0:02:33.639
<v Speaker 4>and Squeaker.

0:02:33.760 --> 0:02:38.000
<v Speaker 1>Cook get every more over from the night before.

0:02:48.520 --> 0:02:49.480
<v Speaker 2>What's up, Joyelle?

0:02:50.520 --> 0:02:52.120
<v Speaker 1>Hello? Brian? How are you?

0:02:52.680 --> 0:02:53.840
<v Speaker 2>I'm good? How are you?

0:02:54.720 --> 0:02:57.440
<v Speaker 1>I'm fantastic. I like being joined with another person that

0:02:57.600 --> 0:02:59.320
<v Speaker 1>has an alliterative name.

0:03:02.000 --> 0:03:05.799
<v Speaker 2>Yes, just just mumble a bunch of bees. You'll figure

0:03:05.800 --> 0:03:09.640
<v Speaker 2>it out. It'll be It'll be good. Uh are you

0:03:09.720 --> 0:03:11.960
<v Speaker 2>down in the at L I.

0:03:11.880 --> 0:03:15.840
<v Speaker 1>Am up in the buk Baby, I moved. I left Georgia,

0:03:16.160 --> 0:03:21.280
<v Speaker 1>so hopefully they will still handle it this election. So

0:03:21.320 --> 0:03:23.000
<v Speaker 1>now I'm voting in New York again.

0:03:23.800 --> 0:03:27.919
<v Speaker 2>Oh so you're out. So you grew up in Jersey,

0:03:28.400 --> 0:03:30.640
<v Speaker 2>you're now in New York. You're in the Brooklyn? Is

0:03:30.639 --> 0:03:31.200
<v Speaker 2>that the b K?

0:03:31.840 --> 0:03:32.560
<v Speaker 1>Absolutely?

0:03:33.280 --> 0:03:37.280
<v Speaker 2>Okay? Fancy pants? Then that's all I know about Brooklyn. Now.

0:03:37.320 --> 0:03:41.680
<v Speaker 1>It's just and the fanciest building I've ever lived in.

0:03:42.120 --> 0:03:45.280
<v Speaker 1>I love it so much. I guess I'm the problem.

0:03:45.440 --> 0:03:51.360
<v Speaker 1>I'm probably a gentrifier. I'm living with them, but I

0:03:51.400 --> 0:03:51.720
<v Speaker 1>love it.

0:03:51.800 --> 0:03:55.960
<v Speaker 2>Sorry you so you were in it? How long were

0:03:56.000 --> 0:03:59.200
<v Speaker 2>you in Atlanta? I'm from there, by the way, that's why.

0:03:59.440 --> 0:04:02.720
<v Speaker 2>That's why of a special interest to me.

0:04:03.240 --> 0:04:04.960
<v Speaker 1>Amazing, which part.

0:04:06.720 --> 0:04:12.000
<v Speaker 2>Kind of Sandy Springs. Yeah, speaking of fancy I don't

0:04:12.040 --> 0:04:16.320
<v Speaker 2>know about that. It's probably fancier not well now, I

0:04:16.400 --> 0:04:19.680
<v Speaker 2>don't know. I think the city extends out to where

0:04:20.000 --> 0:04:24.520
<v Speaker 2>we didn't even It was like cows and farms when

0:04:24.560 --> 0:04:25.240
<v Speaker 2>I was a kid.

0:04:25.560 --> 0:04:25.760
<v Speaker 1>Yeah.

0:04:25.920 --> 0:04:26.600
<v Speaker 2>Absolutely.

0:04:26.800 --> 0:04:29.200
<v Speaker 1>My parents live in Stone Mountains, so that that's where

0:04:29.240 --> 0:04:32.040
<v Speaker 1>I was born. Were you born at Stone Mountains?

0:04:32.240 --> 0:04:35.600
<v Speaker 2>I mean not literally on the mountain, but yes, that's

0:04:35.640 --> 0:04:39.719
<v Speaker 2>where I That's where I was that's where I deliver from.

0:04:39.920 --> 0:04:42.159
<v Speaker 1>They deliver babies on top of the mountains.

0:04:43.440 --> 0:04:48.840
<v Speaker 2>Yeah, they do a light show they do, right, the

0:04:49.680 --> 0:04:54.440
<v Speaker 2>con themed light show on the face of Stone Mountains. Yes,

0:04:54.520 --> 0:04:57.840
<v Speaker 2>good old do they they do? They still do it.

0:04:57.880 --> 0:04:59.599
<v Speaker 2>They don't still do it, do they? They do?

0:04:59.760 --> 0:05:04.159
<v Speaker 1>So still do it. They still have Confederate flags flying

0:05:04.360 --> 0:05:08.320
<v Speaker 1>on Stone Mountain. And it's so funny because Stone Mountain

0:05:08.400 --> 0:05:12.480
<v Speaker 1>is one of the richest black communities in America, the

0:05:12.680 --> 0:05:17.200
<v Speaker 1>top ten most affluent African American communities, and just the

0:05:17.320 --> 0:05:20.560
<v Speaker 1>Confederate flags flying on top of the mountain and the

0:05:20.560 --> 0:05:22.520
<v Speaker 1>soldiers etched in the side, you know.

0:05:22.600 --> 0:05:26.040
<v Speaker 2>All, well, yeah, so I was gonna you know, I've

0:05:26.080 --> 0:05:29.440
<v Speaker 2>been gone a long time. But remind me and tell

0:05:29.640 --> 0:05:35.080
<v Speaker 2>so Stone Mountain is the largest piece of granite, right, Yeah,

0:05:35.200 --> 0:05:38.760
<v Speaker 2>the largest piece of granite, which is therefore a mountain.

0:05:39.600 --> 0:05:42.320
<v Speaker 2>It's not like the Rockies, but it's a mountain.

0:05:42.720 --> 0:05:45.680
<v Speaker 1>It is a mountain. I climbed it many times.

0:05:45.320 --> 0:05:47.800
<v Speaker 2>Me me as well when I was a kid and

0:05:48.000 --> 0:05:53.200
<v Speaker 2>etched into the mountain instead of the presidents in the

0:05:53.240 --> 0:05:57.160
<v Speaker 2>Dakota what's that called again? The thing Everest? No, not

0:05:57.240 --> 0:06:00.440
<v Speaker 2>mount Everest. No, where the where the President, they're in

0:06:00.520 --> 0:06:04.479
<v Speaker 2>the Mount Rushmore. I was like, it's not Everest, No,

0:06:04.560 --> 0:06:08.159
<v Speaker 2>it's Mount Rushmore. So similar to that. Into the granite

0:06:08.240 --> 0:06:11.120
<v Speaker 2>there is a carving. Is it Confederate? Is that what

0:06:11.160 --> 0:06:12.680
<v Speaker 2>it is? Is it Confederate?

0:06:14.000 --> 0:06:16.400
<v Speaker 1>Don't get me to lie, but I was always under

0:06:16.440 --> 0:06:19.719
<v Speaker 1>the impression it was Confederate soldiers. Let's get a fact

0:06:19.800 --> 0:06:21.120
<v Speaker 1>check or diego what you're doing.

0:06:21.279 --> 0:06:25.839
<v Speaker 2>All right, Well, we we're gonna fact check this and

0:06:25.880 --> 0:06:29.160
<v Speaker 2>if I'm not. But but the point is this, there's

0:06:29.200 --> 0:06:32.240
<v Speaker 2>a light show like every night in the summer, and

0:06:32.279 --> 0:06:34.880
<v Speaker 2>there's like laser show at least is what they ca

0:06:35.240 --> 0:06:37.839
<v Speaker 2>They still do this, right, they still do the laser

0:06:37.880 --> 0:06:41.560
<v Speaker 2>show and you sit outside and then the etching on

0:06:41.600 --> 0:06:45.720
<v Speaker 2>the mountain comes to life. Yes, and they guiding. They

0:06:46.000 --> 0:06:50.880
<v Speaker 2>the horses start galloping away. Wow, they haven't thought about

0:06:50.880 --> 0:06:54.039
<v Speaker 2>that in a long time. Yes I have, nor have

0:06:54.120 --> 0:06:55.560
<v Speaker 2>I been there in a long time. But yes, I

0:06:55.600 --> 0:06:57.960
<v Speaker 2>grew I was. I didn't grow up there, but I

0:06:58.040 --> 0:07:01.560
<v Speaker 2>was born there. Okay, Stone Mountain area. All right, So

0:07:02.760 --> 0:07:04.279
<v Speaker 2>enough about the Confederacy.

0:07:04.560 --> 0:07:05.159
<v Speaker 1>I love it.

0:07:06.000 --> 0:07:10.040
<v Speaker 2>It's nothing like starting off a conversation and with the Confederacy,

0:07:11.960 --> 0:07:13.680
<v Speaker 2>what part of Jersey are you from.

0:07:14.240 --> 0:07:16.920
<v Speaker 1>I'm a Union, New Jersey girl. I went to Union

0:07:17.000 --> 0:07:17.640
<v Speaker 1>High School.

0:07:18.120 --> 0:07:21.760
<v Speaker 2>Okay, so not far from New York City, not at all.

0:07:21.840 --> 0:07:24.040
<v Speaker 1>Yeah, twenty minutes, baby. That's why I was always looking

0:07:24.520 --> 0:07:26.280
<v Speaker 1>to the city. I was like, I'm moving there.

0:07:26.520 --> 0:07:29.600
<v Speaker 2>I can't really was that a dream for you? Early on?

0:07:30.000 --> 0:07:33.000
<v Speaker 1>Absolutely? I was going to New York. My mother would

0:07:33.040 --> 0:07:36.160
<v Speaker 1>let me go take acting classes by myself on the

0:07:36.200 --> 0:07:40.160
<v Speaker 1>bus when I was like thirteen years old. Really yeah,

0:07:40.240 --> 0:07:42.280
<v Speaker 1>and it was that was what Hell's Kitchen was, not

0:07:43.600 --> 0:07:47.680
<v Speaker 1>the fabulous gay bastion of wealth it is now. That's

0:07:47.720 --> 0:07:50.480
<v Speaker 1>when it was like before Rudy Giuliati, it just all

0:07:50.560 --> 0:07:52.720
<v Speaker 1>drugged out. And she showed me how to get to

0:07:52.760 --> 0:07:54.840
<v Speaker 1>the acting class. I had to walk from port authority,

0:07:55.000 --> 0:07:56.600
<v Speaker 1>and she was like, if you want to do this,

0:07:56.960 --> 0:07:58.800
<v Speaker 1>you got to do it on your own. And I did.

0:07:59.000 --> 0:08:00.440
<v Speaker 2>And you wanted to do it that bad.

0:08:00.760 --> 0:08:02.240
<v Speaker 1>Absolutely. Yeah.

0:08:02.280 --> 0:08:05.040
<v Speaker 2>So this is thirteen. So when did you kind of

0:08:05.120 --> 0:08:09.240
<v Speaker 2>decide that this was what you wanted to do around then?

0:08:09.800 --> 0:08:12.400
<v Speaker 1>I think before then I was always looking to My

0:08:12.440 --> 0:08:15.080
<v Speaker 1>mother would take me to place. She'd take me to

0:08:15.240 --> 0:08:18.040
<v Speaker 1>all the cultural things, and I was like, whatever this is,

0:08:18.200 --> 0:08:18.960
<v Speaker 1>I want to do it.

0:08:20.200 --> 0:08:23.480
<v Speaker 2>She was a nurse, right, did she have a creative side.

0:08:24.160 --> 0:08:26.680
<v Speaker 1>Yes, she was always obsessed with like the piano. She

0:08:26.760 --> 0:08:29.120
<v Speaker 1>was one of those people that just like wishes she

0:08:29.200 --> 0:08:31.760
<v Speaker 1>could be like a concert pianist. I think that was

0:08:31.800 --> 0:08:35.040
<v Speaker 1>like my mother's in her head heart dreams. So she

0:08:35.120 --> 0:08:37.360
<v Speaker 1>put me in piano lessons. My mother used to be

0:08:37.360 --> 0:08:39.680
<v Speaker 1>a dancer. She put me in dance lessons and all

0:08:39.760 --> 0:08:41.640
<v Speaker 1>that stuff. And I was like, I want to get

0:08:41.679 --> 0:08:43.439
<v Speaker 1>on the stage. She was like, all right, let's put

0:08:43.480 --> 0:08:44.280
<v Speaker 1>you in classes.

0:08:44.960 --> 0:08:48.839
<v Speaker 2>So New York and your proximity to the city and

0:08:49.240 --> 0:08:52.360
<v Speaker 2>all it had to offer and classes. Do you feel

0:08:52.360 --> 0:08:55.080
<v Speaker 2>like that that influence? I mean, you had an idea,

0:08:55.160 --> 0:08:57.440
<v Speaker 2>you wanted to do it, But what talk to me

0:08:57.640 --> 0:09:01.040
<v Speaker 2>about what the city itself like that gave you at

0:09:01.080 --> 0:09:05.280
<v Speaker 2>a young age and your exposure to these plays and

0:09:05.360 --> 0:09:06.600
<v Speaker 2>experiences that you had.

0:09:07.480 --> 0:09:09.520
<v Speaker 1>I just love. I mean, a lot of people are

0:09:09.600 --> 0:09:13.360
<v Speaker 1>averse to the congestion of New York City and I

0:09:13.440 --> 0:09:16.280
<v Speaker 1>love it. It feels like a blanket to me, like

0:09:16.320 --> 0:09:20.040
<v Speaker 1>I'm temple granding and all of the human beings that

0:09:20.080 --> 0:09:23.439
<v Speaker 1>are walking by, and I just loved it. And I

0:09:23.520 --> 0:09:26.079
<v Speaker 1>knew I wanted to be places where it's like everybody

0:09:26.160 --> 0:09:31.160
<v Speaker 1>is different diverse wise. You know. She moved us to Union,

0:09:31.200 --> 0:09:33.840
<v Speaker 1>New Jersey, which was the suburbs, and it was a

0:09:33.960 --> 0:09:37.040
<v Speaker 1>very white suburb in New Jersey. So I was like,

0:09:37.080 --> 0:09:38.840
<v Speaker 1>I go to the city. I see all people that

0:09:38.880 --> 0:09:40.480
<v Speaker 1>look like me and people who don't look like me,

0:09:41.240 --> 0:09:43.199
<v Speaker 1>and they all look like they're having a good time.

0:09:43.320 --> 0:09:47.120
<v Speaker 1>That was my kid brain, right. I didn't think about

0:09:47.120 --> 0:09:47.960
<v Speaker 1>paying rent, you know.

0:09:48.480 --> 0:09:51.360
<v Speaker 2>Well, yeah, I mean that's a whole other thing. I

0:09:51.400 --> 0:09:54.439
<v Speaker 2>was just there last week and I will say this

0:09:54.520 --> 0:09:57.800
<v Speaker 2>though here here's I love the city as well, and

0:09:57.840 --> 0:10:01.480
<v Speaker 2>the energy and the people again, just like everybody being out.

0:10:01.679 --> 0:10:05.280
<v Speaker 2>Here's the thing when it it was like the first

0:10:05.400 --> 0:10:10.359
<v Speaker 2>nice day of the spring and everybody came out. Everybody

0:10:10.640 --> 0:10:14.080
<v Speaker 2>that's too much, Come on, everybody go back.

0:10:14.600 --> 0:10:17.760
<v Speaker 1>It's like going to Coney Island on Memorial Day.

0:10:17.840 --> 0:10:21.600
<v Speaker 2>Yeah. I just don't do this. Yeah no, But it's

0:10:21.760 --> 0:10:26.040
<v Speaker 2>just the streets. It's just like third and twenty seventh.

0:10:26.120 --> 0:10:30.480
<v Speaker 2>There's one thousand people outside. It's like like because people

0:10:30.520 --> 0:10:33.320
<v Speaker 2>talk about la like nobody works, Like where why are

0:10:33.360 --> 0:10:35.520
<v Speaker 2>all these people in a coffee shop? You walk around

0:10:35.559 --> 0:10:37.920
<v Speaker 2>New York on a on a nice spring day, it's

0:10:37.960 --> 0:10:40.679
<v Speaker 2>like where, Why don't you have to be somewhere?

0:10:41.280 --> 0:10:44.160
<v Speaker 1>That's every time I see a kid out and I

0:10:44.160 --> 0:10:46.160
<v Speaker 1>think it could be like Saturday at noon, I'm like,

0:10:46.160 --> 0:10:49.800
<v Speaker 1>why aren't you in school? Why aren't you outside?

0:10:49.920 --> 0:10:51.640
<v Speaker 2>And if you're not, as you should be in camp

0:10:52.000 --> 0:10:53.000
<v Speaker 2>to be somewhere.

0:10:53.200 --> 0:10:56.000
<v Speaker 1>We should be somewhere. Why do you walk in the streets.

0:10:57.000 --> 0:11:00.959
<v Speaker 2>I read that you moved to LA with your sister.

0:11:01.559 --> 0:11:04.320
<v Speaker 2>She was in a writing program at USC. Is that right?

0:11:04.520 --> 0:11:07.520
<v Speaker 1>Yes? Okay, to the writing program there?

0:11:07.640 --> 0:11:11.040
<v Speaker 2>Yeah, So how old were you then when you when

0:11:11.040 --> 0:11:11.840
<v Speaker 2>you moved to LA.

0:11:12.400 --> 0:11:16.120
<v Speaker 1>I graduated from Boston College. Okay, and it was the

0:11:16.200 --> 0:11:18.840
<v Speaker 1>summer I graduated. I was like, let's go.

0:11:19.040 --> 0:11:21.040
<v Speaker 2>So you just wanted to be in LA or was

0:11:21.080 --> 0:11:22.079
<v Speaker 2>it because she was there?

0:11:22.840 --> 0:11:24.680
<v Speaker 1>I think it's because she was there. It was also

0:11:24.920 --> 0:11:28.360
<v Speaker 1>because of acting, like having the bug and wanting to

0:11:28.440 --> 0:11:31.480
<v Speaker 1>just go see what could happen out there?

0:11:32.000 --> 0:11:32.360
<v Speaker 2>Okay?

0:11:32.840 --> 0:11:33.480
<v Speaker 1>Yeah?

0:11:33.559 --> 0:11:34.960
<v Speaker 2>When did you start doing stand up?

0:11:36.200 --> 0:11:38.080
<v Speaker 1>I started in two thousand and seven?

0:11:38.679 --> 0:11:41.800
<v Speaker 2>Okay, but you know I'm not good at math, So

0:11:41.840 --> 0:11:44.920
<v Speaker 2>how so when is this like? In? Is this after?

0:11:45.200 --> 0:11:46.520
<v Speaker 2>This is after college?

0:11:46.920 --> 0:11:49.880
<v Speaker 1>Yes? Yeah? I graduated two thousand and three and moved

0:11:49.920 --> 0:11:50.600
<v Speaker 1>out to LA.

0:11:51.000 --> 0:11:54.560
<v Speaker 2>So you were just trying to be an actor, absolutely.

0:11:53.960 --> 0:11:55.640
<v Speaker 1>And you know, back then it was just like a

0:11:55.640 --> 0:11:56.840
<v Speaker 1>lot of background work.

0:11:57.200 --> 0:11:58.000
<v Speaker 2>Yeah.

0:11:57.440 --> 0:12:00.400
<v Speaker 1>And I also would do PA work too, So I

0:12:00.760 --> 0:12:02.680
<v Speaker 1>was like, I just want to be involved in any way,

0:12:02.679 --> 0:12:05.600
<v Speaker 1>shape or form. Uh, So I would do PA jobs.

0:12:06.040 --> 0:12:09.320
<v Speaker 1>I worked on a lot of reality shows and I

0:12:09.360 --> 0:12:12.439
<v Speaker 1>did transcribing, where I'm like typing what the actors are

0:12:12.480 --> 0:12:16.040
<v Speaker 1>saying for the reality show. So I just did like

0:12:16.120 --> 0:12:17.720
<v Speaker 1>every little job I can do out there.

0:12:18.120 --> 0:12:20.960
<v Speaker 2>Did you did you PA for for scripted shows too?

0:12:21.720 --> 0:12:24.440
<v Speaker 1>I paid No, I didn't pay for any scripted shows,

0:12:24.720 --> 0:12:27.920
<v Speaker 1>music videos and reality shows, because it's like, once you

0:12:28.000 --> 0:12:30.480
<v Speaker 1>get in a niche, you just keep getting hired by

0:12:30.480 --> 0:12:33.040
<v Speaker 1>the same people exactly, which is why I was like, Okay,

0:12:33.160 --> 0:12:35.920
<v Speaker 1>I can't. It's like I don't want to be in

0:12:36.000 --> 0:12:38.640
<v Speaker 1>this this particular rat race.

0:12:39.440 --> 0:12:43.559
<v Speaker 2>So are you aud So you're auditioning, You're you're you're auditioning,

0:12:43.920 --> 0:12:49.520
<v Speaker 2>You're finding odd jobs and and and doing background work

0:12:49.720 --> 0:12:55.880
<v Speaker 2>and uh and and PA, what made you start to

0:12:56.640 --> 0:12:59.360
<v Speaker 2>want to or what made what made you get on

0:12:59.400 --> 0:13:01.360
<v Speaker 2>the stage and try stand up for the first time?

0:13:02.040 --> 0:13:04.120
<v Speaker 1>I think I had smoked a joint and I was

0:13:07.320 --> 0:13:09.200
<v Speaker 1>but no, I was. I had been going. So my

0:13:09.240 --> 0:13:11.960
<v Speaker 1>sister and I would go to the Laugh Factory and

0:13:12.120 --> 0:13:14.240
<v Speaker 1>Sunday nights was the black night, so it was called

0:13:14.360 --> 0:13:19.320
<v Speaker 1>Chocolate Sundays. It's still there. And we'd go like once

0:13:19.840 --> 0:13:23.200
<v Speaker 1>a quarter, you know, right, and then we were like

0:13:23.400 --> 0:13:26.680
<v Speaker 1>once a month, and then I started going by myself

0:13:26.960 --> 0:13:29.800
<v Speaker 1>like once a week. And I had always loved George

0:13:29.800 --> 0:13:32.320
<v Speaker 1>Carlin and loved stand up and stuff, but I was

0:13:32.360 --> 0:13:34.720
<v Speaker 1>just like, I'm scared. That seems scary. But I looked

0:13:34.760 --> 0:13:35.920
<v Speaker 1>at it. I was like, it looks like I can

0:13:35.920 --> 0:13:39.680
<v Speaker 1>do it, but I'm just scared. So I just kept going.

0:13:39.720 --> 0:13:42.720
<v Speaker 1>And then I joined a group that was doing a

0:13:42.720 --> 0:13:45.840
<v Speaker 1>Wednesday night show at the Laugh Factory.

0:13:46.320 --> 0:13:49.959
<v Speaker 2>Okay, So was it like this was improv or.

0:13:50.600 --> 0:13:53.040
<v Speaker 1>Yeah, they were doing improv but also stand up in

0:13:53.080 --> 0:13:59.000
<v Speaker 1>between the improv, and it was it was called Kevin Hart.

0:13:58.679 --> 0:14:00.760
<v Speaker 2>Was okay, So that's.

0:14:00.640 --> 0:14:01.760
<v Speaker 1>The Comedy Playground.

0:14:01.800 --> 0:14:06.480
<v Speaker 2>Yeah, comedy Playground. It disbanded fairly quickly.

0:14:06.800 --> 0:14:07.640
<v Speaker 1>Absolutely, yeah.

0:14:07.640 --> 0:14:11.360
<v Speaker 2>It was why did disband.

0:14:11.480 --> 0:14:13.840
<v Speaker 1>Because Kevin was too busy. He was like, I gotta

0:14:13.920 --> 0:14:17.640
<v Speaker 1>go do every other thing. I don't have time for this.

0:14:18.679 --> 0:14:21.760
<v Speaker 1>So everybody was like okay, and everyone's prolific.

0:14:21.800 --> 0:14:24.120
<v Speaker 2>I heard. I heard he does a lot of projects.

0:14:24.280 --> 0:14:25.800
<v Speaker 1>I've heard too.

0:14:25.760 --> 0:14:28.960
<v Speaker 2>I've heard that that man okay.

0:14:28.800 --> 0:14:32.360
<v Speaker 1>That man will work okay, and so yeah, So he

0:14:32.520 --> 0:14:34.960
<v Speaker 1>left and everybody in the group was a stand up comic.

0:14:35.160 --> 0:14:38.240
<v Speaker 1>So my one friend, Candice Thompson, was like, do you

0:14:38.280 --> 0:14:41.040
<v Speaker 1>want to do open mics? And I was like okay,

0:14:41.120 --> 0:14:42.880
<v Speaker 1>and we just started doing open mics together.

0:14:43.520 --> 0:14:46.240
<v Speaker 2>Was she helping you? Were there people helping you write material?

0:14:46.360 --> 0:14:47.920
<v Speaker 2>Or were you just writing your own material?

0:14:48.280 --> 0:14:51.320
<v Speaker 1>Just writing your own material that start of stand up

0:14:51.320 --> 0:14:59.200
<v Speaker 1>where you know, you're like roaches. Let's talk about roaches airplane.

0:14:59.240 --> 0:15:01.320
<v Speaker 1>We all on airplane's.

0:15:03.360 --> 0:15:04.960
<v Speaker 2>Is that what you're doing though? Are you trying to

0:15:05.000 --> 0:15:08.600
<v Speaker 2>find a universal idea or an idea that everyone has

0:15:08.640 --> 0:15:09.640
<v Speaker 2>an experience with?

0:15:10.160 --> 0:15:13.200
<v Speaker 1>Absolutely, because you think about what has been funny your

0:15:13.240 --> 0:15:16.480
<v Speaker 1>whole life, you know, and I think it's like, you know,

0:15:16.640 --> 0:15:18.400
<v Speaker 1>I didn't have money at the time, I had an

0:15:18.400 --> 0:15:21.760
<v Speaker 1>okay apartment, but you know it's like roaches. Everyone has roaches.

0:15:21.800 --> 0:15:24.800
<v Speaker 1>So just trying to be as relatable as possible.

0:15:25.600 --> 0:15:30.720
<v Speaker 2>Right, So you start doing open mics, how is it going?

0:15:30.880 --> 0:15:32.840
<v Speaker 2>Are you finding success right away?

0:15:33.400 --> 0:15:34.560
<v Speaker 1>No? Absolutely?

0:15:34.640 --> 0:15:34.720
<v Speaker 3>Not?

0:15:35.280 --> 0:15:36.800
<v Speaker 2>Okay, this is what I want to hear about.

0:15:37.040 --> 0:15:41.200
<v Speaker 1>Oh yeah, it's the grind of first of all, paying

0:15:41.280 --> 0:15:43.280
<v Speaker 1>to do an open mic. We would sometimes have to

0:15:43.360 --> 0:15:46.400
<v Speaker 1>pay shout out to the Bliss Cafe. That was the

0:15:46.400 --> 0:15:50.160
<v Speaker 1>one where it would be like five dollars to perform.

0:15:50.480 --> 0:15:52.000
<v Speaker 2>You had pay five dollars.

0:15:52.320 --> 0:15:55.440
<v Speaker 1>Yeah, you had to buy something, so oh you.

0:15:55.400 --> 0:15:58.040
<v Speaker 2>Had to buy You didn't have to pay literally five dollars,

0:15:58.040 --> 0:15:59.680
<v Speaker 2>but you had to buy something.

0:16:00.200 --> 0:16:02.000
<v Speaker 1>Something at least five dollars worse.

0:16:07.200 --> 0:16:10.600
<v Speaker 2>That's just rude. I mean, look, if you if you

0:16:11.160 --> 0:16:14.480
<v Speaker 2>if you're gonna charge I mean, these are hypothetical numbers.

0:16:14.480 --> 0:16:17.440
<v Speaker 2>But if you're gonna be like, Okay, we're gonna charge

0:16:17.440 --> 0:16:19.720
<v Speaker 2>you one hundred dollars or we're going to charge you

0:16:20.440 --> 0:16:25.400
<v Speaker 2>a thousand dollars to perform this, I understand. Five dollars

0:16:25.600 --> 0:16:28.760
<v Speaker 2>it's just insult. That's just like we're just doing this

0:16:28.840 --> 0:16:32.000
<v Speaker 2>to make you feel like a warm bag of shit.

0:16:32.480 --> 0:16:37.040
<v Speaker 1>Yeah, I have to break your twenty so it's like

0:16:37.880 --> 0:16:40.280
<v Speaker 1>and then you're getting up there and it's too absolute

0:16:40.360 --> 0:16:44.960
<v Speaker 1>dead silence. I mean, every comedian knows the slog of

0:16:45.080 --> 0:16:48.120
<v Speaker 1>open bicing. You're performing in front of other comedians who

0:16:48.160 --> 0:16:50.760
<v Speaker 1>are just worried about their own jokes, so they're not

0:16:50.800 --> 0:16:54.480
<v Speaker 1>paying attention, and I honestly think it's a step you

0:16:54.560 --> 0:16:59.200
<v Speaker 1>cannot skip. You know, it really gets you used to silence,

0:17:00.360 --> 0:17:02.360
<v Speaker 1>and that's a huge thing you got to get used

0:17:02.400 --> 0:17:03.600
<v Speaker 1>to doing stand up.

0:17:03.880 --> 0:17:05.640
<v Speaker 2>So what do you what do you? What do you do?

0:17:05.640 --> 0:17:08.680
<v Speaker 2>Do you acknowledge it? Like, do you acknowledge the silence?

0:17:08.720 --> 0:17:11.280
<v Speaker 1>I mean, I mean when you like back then, for sure,

0:17:11.320 --> 0:17:13.119
<v Speaker 1>you'd be like, oh, none of you are listening to me,

0:17:13.200 --> 0:17:17.399
<v Speaker 1>like because you're nervous. So but now I'm like, I

0:17:17.480 --> 0:17:20.080
<v Speaker 1>know you're listening, but you know, but this is I'm

0:17:20.080 --> 0:17:23.720
<v Speaker 1>doing professional shows now, So when people are quiet, that

0:17:23.800 --> 0:17:26.840
<v Speaker 1>means they're listening. Back then, no one was listening. So

0:17:27.400 --> 0:17:30.440
<v Speaker 1>it's just like you're quiet and not listening.

0:17:31.160 --> 0:17:53.439
<v Speaker 2>Right. Well, things have certainly changed for you now the

0:17:53.480 --> 0:17:57.480
<v Speaker 2>past few years. You've done a number of your own projects,

0:17:57.680 --> 0:18:03.160
<v Speaker 2>recorded a comedy album Yell Joy, an hour long special

0:18:04.000 --> 0:18:08.960
<v Speaker 2>love Joy. I get it. We're playing with the joy Joe, trying.

0:18:08.720 --> 0:18:10.600
<v Speaker 1>To put some joy in the world.

0:18:10.960 --> 0:18:15.200
<v Speaker 2>Uh. You've also been writing and producing these projects yourself.

0:18:15.240 --> 0:18:20.520
<v Speaker 2>Now do you consider yourself now? And I know you've

0:18:20.560 --> 0:18:22.240
<v Speaker 2>done some acting stuff and we can talk about that,

0:18:22.280 --> 0:18:26.320
<v Speaker 2>but do you consider yourself now a writer, an actor,

0:18:27.240 --> 0:18:30.440
<v Speaker 2>or a performer or in that order, I guess because

0:18:30.440 --> 0:18:32.359
<v Speaker 2>you are all three. So that was a dumb question.

0:18:32.400 --> 0:18:33.800
<v Speaker 2>But do you know what I'm saying, Like, where is it?

0:18:33.920 --> 0:18:34.120
<v Speaker 1>Yeah?

0:18:34.240 --> 0:18:36.720
<v Speaker 2>Where do you feel like your focus is? Now?

0:18:37.520 --> 0:18:40.080
<v Speaker 1>Okay? So it's funny because it's like, how do I

0:18:40.160 --> 0:18:44.400
<v Speaker 1>answer that question when people in certain situations, So like recently,

0:18:44.560 --> 0:18:47.040
<v Speaker 1>I was filling out a form and I forget what

0:18:47.080 --> 0:18:49.960
<v Speaker 1>the forum was for, but ask profession and I just

0:18:50.000 --> 0:18:54.320
<v Speaker 1>put a writer because sometimes that's what's easier, because it's like,

0:18:54.400 --> 0:18:57.000
<v Speaker 1>once you say you a comedian, it's like, yeah, a comedian,

0:18:57.480 --> 0:19:02.000
<v Speaker 1>my favorite person is? It starts somebody I hate. Now

0:19:02.000 --> 0:19:04.080
<v Speaker 1>I have to like have a conversation with you. So

0:19:04.720 --> 0:19:07.480
<v Speaker 1>like if I'm being asked in a kind of situation

0:19:07.600 --> 0:19:10.240
<v Speaker 1>where I don't really have to talk to somebody, I'm like, writer,

0:19:10.720 --> 0:19:14.800
<v Speaker 1>I'm just a writer. But I consider myself a stand

0:19:14.840 --> 0:19:18.680
<v Speaker 1>up just because stand up is so specific, right, and

0:19:19.200 --> 0:19:23.040
<v Speaker 1>it was the first thing I really started to get

0:19:23.080 --> 0:19:26.240
<v Speaker 1>good at, you know, And so I would say I'm

0:19:26.240 --> 0:19:29.199
<v Speaker 1>a stand up and a writer because I write my

0:19:29.200 --> 0:19:33.320
<v Speaker 1>own stand up who acts okay and wants to be

0:19:33.359 --> 0:19:35.800
<v Speaker 1>a better actor. And wants to like, really, you know,

0:19:36.040 --> 0:19:36.919
<v Speaker 1>study the craft.

0:19:37.520 --> 0:19:39.400
<v Speaker 2>Yeah, it's an interesting and I don't know if it's

0:19:39.440 --> 0:19:41.920
<v Speaker 2>only interesting to me. I feel like people don't get

0:19:41.920 --> 0:19:50.120
<v Speaker 2>what I'm saying. But I am often referred to or

0:19:50.280 --> 0:19:56.919
<v Speaker 2>introduced as a comedian, and I am not that. Like

0:19:57.080 --> 0:20:02.119
<v Speaker 2>I can be a comedic actor, but I don't. I

0:20:02.160 --> 0:20:05.800
<v Speaker 2>don't consider myself a comedian in any way. And I

0:20:05.840 --> 0:20:08.639
<v Speaker 2>don't know why it Like it makes me feel like

0:20:08.640 --> 0:20:11.000
<v Speaker 2>an impost or something, or like I'm trying to be

0:20:11.119 --> 0:20:13.800
<v Speaker 2>something that I'm not. I don't know. It's it's a

0:20:13.920 --> 0:20:16.439
<v Speaker 2>very complicated thing for me. But I love that you

0:20:16.560 --> 0:20:19.439
<v Speaker 2>or say like that's what I like, that's what I am.

0:20:19.480 --> 0:20:22.480
<v Speaker 2>I mean to me, stand up is a comedian, right,

0:20:22.560 --> 0:20:23.840
<v Speaker 2>like that's yeah.

0:20:23.880 --> 0:20:27.479
<v Speaker 1>I just fell in love with you, Brian, because I

0:20:27.520 --> 0:20:31.320
<v Speaker 1>loved you before this. But this happens with comics where

0:20:31.440 --> 0:20:34.680
<v Speaker 1>people like I don't know if you knew who Patresea

0:20:34.680 --> 0:20:35.200
<v Speaker 1>and Neil.

0:20:35.560 --> 0:20:42.160
<v Speaker 2>Of course, oh my god, no, I worked with him, yeah, no, no, no, no,

0:20:42.200 --> 0:20:45.400
<v Speaker 2>but no no no, yeah, and in fact I saw

0:20:45.480 --> 0:20:51.520
<v Speaker 2>Patrese do some open uh open mic nights uh before

0:20:51.960 --> 0:20:52.840
<v Speaker 2>that we work together.

0:20:52.880 --> 0:20:55.960
<v Speaker 1>But yeah, so he he was like one of my

0:20:56.520 --> 0:20:59.080
<v Speaker 1>you know, just I followed him around like the last

0:20:59.119 --> 0:21:00.920
<v Speaker 1>year of his life, and I moved to New York

0:21:00.960 --> 0:21:03.080
<v Speaker 1>and I was just like, he'd let me open for him.

0:21:03.119 --> 0:21:05.639
<v Speaker 1>A couple of times he would bully me and also

0:21:06.160 --> 0:21:09.160
<v Speaker 1>just like give me advice that I would just sit

0:21:09.200 --> 0:21:11.720
<v Speaker 1>there and take. And the first time I met him

0:21:12.160 --> 0:21:14.280
<v Speaker 1>was back in two thousand and eight, and I was like, Hi,

0:21:14.320 --> 0:21:16.320
<v Speaker 1>I'm a comedian and he was like, no, you're not.

0:21:17.200 --> 0:21:19.040
<v Speaker 1>And I was like what And he goes, I'm a

0:21:19.040 --> 0:21:21.600
<v Speaker 1>comedian and you and I are not the same thing.

0:21:22.400 --> 0:21:26.320
<v Speaker 1>And I remember like getting my little feelings hurt. But now,

0:21:26.600 --> 0:21:29.240
<v Speaker 1>you know, almost twenty years later, I'm like, I get

0:21:29.280 --> 0:21:31.359
<v Speaker 1>it now. When somebody will be like, I'm a comedian,

0:21:31.440 --> 0:21:34.879
<v Speaker 1>I'm like, you're not. I don't see you anywhere. You

0:21:34.920 --> 0:21:37.080
<v Speaker 1>don't hang out where I hang out. Like how many

0:21:37.080 --> 0:21:39.000
<v Speaker 1>shows have you done? How much have you gotten paid

0:21:39.000 --> 0:21:41.800
<v Speaker 1>to do these shows? How many times have you bombed

0:21:41.800 --> 0:21:44.960
<v Speaker 1>your ass off in front of your family? Like tell

0:21:45.000 --> 0:21:48.920
<v Speaker 1>me what you have done to say you are a comedian, right,

0:21:49.040 --> 0:21:52.159
<v Speaker 1>And when certain comedic actors they'll say comedian, I'm like,

0:21:52.440 --> 0:21:56.080
<v Speaker 1>they're comedic actors. So I really appreciate that you said that,

0:21:56.119 --> 0:21:58.119
<v Speaker 1>and a lot of comedians would also appreciate that you

0:21:58.119 --> 0:21:58.720
<v Speaker 1>feel that way.

0:21:58.920 --> 0:22:02.119
<v Speaker 2>Well, yeah, and it's a weird thing like because then

0:22:02.160 --> 0:22:04.919
<v Speaker 2>it sounds I don't know which way it's pretentious, but

0:22:05.680 --> 0:22:08.119
<v Speaker 2>like I never correct people because then it just seems

0:22:08.160 --> 0:22:10.600
<v Speaker 2>like what what you know, They're not going to understand

0:22:10.600 --> 0:22:16.040
<v Speaker 2>what I'm saying any Anyway, when people ask if I

0:22:16.080 --> 0:22:21.280
<v Speaker 2>do stand up, my response is kinda but I know

0:22:21.520 --> 0:22:25.600
<v Speaker 2>that for me now, and I'm saying that this sounds

0:22:25.600 --> 0:22:27.360
<v Speaker 2>like a weird humble brag, but I'm trying to. I'm

0:22:27.359 --> 0:22:29.639
<v Speaker 2>trying to get to the root of it. I know

0:22:29.840 --> 0:22:34.040
<v Speaker 2>for me now it's cheating, right, Like I know now

0:22:34.680 --> 0:22:37.840
<v Speaker 2>all I need to do are a few things and

0:22:38.040 --> 0:22:41.800
<v Speaker 2>they're they're absolutely going to laugh. But they're not going

0:22:41.840 --> 0:22:44.439
<v Speaker 2>to laugh because what I'm saying necessarily is funny or

0:22:44.440 --> 0:22:47.840
<v Speaker 2>well crafted, or that I have I have I have

0:22:48.280 --> 0:22:51.280
<v Speaker 2>framed a point or an argument in a certain way

0:22:51.280 --> 0:22:55.200
<v Speaker 2>that is is good. They're going to laugh because they

0:22:55.240 --> 0:22:59.040
<v Speaker 2>know who I am, which is very, very different from

0:22:59.080 --> 0:23:02.360
<v Speaker 2>what you do from being a comedian and being out there,

0:23:02.359 --> 0:23:04.600
<v Speaker 2>because they may show up if they know you, if

0:23:04.600 --> 0:23:07.919
<v Speaker 2>they've heard you, if they've heard your album and expect

0:23:07.960 --> 0:23:11.560
<v Speaker 2>to laugh. But I still think if you, if you,

0:23:12.000 --> 0:23:14.600
<v Speaker 2>if you don't have it that night, they're gonna give

0:23:14.600 --> 0:23:16.159
<v Speaker 2>it to you. Right, Oh?

0:23:16.240 --> 0:23:16.960
<v Speaker 1>Absolutely?

0:23:17.160 --> 0:23:17.879
<v Speaker 2>And yeah.

0:23:17.880 --> 0:23:21.240
<v Speaker 1>Also, the funny thing about fame is kind of like

0:23:21.280 --> 0:23:23.480
<v Speaker 1>I've heard this before. I want to say, It's like

0:23:23.720 --> 0:23:26.040
<v Speaker 1>Chris Rock might have said it where he's like, the

0:23:26.080 --> 0:23:29.800
<v Speaker 1>fame will lash you are good maybe five maybe ten minutes,

0:23:30.760 --> 0:23:33.119
<v Speaker 1>but after that, people really do want to hear jokes

0:23:33.880 --> 0:23:35.840
<v Speaker 1>if you're at a comedy club, Like if we're sitting

0:23:35.880 --> 0:23:39.679
<v Speaker 1>here right too, drink minimal, I'm gonna use some jokes, Bryan.

0:23:43.040 --> 0:23:47.520
<v Speaker 2>Yeah, yeah, no, but I get what you're saying. Yeah,

0:23:47.600 --> 0:23:50.240
<v Speaker 2>I don't ever go over the alloted time. I guess

0:23:50.400 --> 0:23:55.440
<v Speaker 2>I just keep to what I know. Yeah, that's very

0:23:55.560 --> 0:23:57.879
<v Speaker 2>very interesting to me. I want to tell you this story.

0:23:57.920 --> 0:23:59.679
<v Speaker 2>I can't. I don't know that I've ever shared this

0:23:59.720 --> 0:24:04.199
<v Speaker 2>on you, but I went very early on. Did you

0:24:04.200 --> 0:24:05.880
<v Speaker 2>ever know? I don't even know if it's still open

0:24:06.160 --> 0:24:10.760
<v Speaker 2>the m bar is that are they still doing? Yeah?

0:24:10.800 --> 0:24:12.640
<v Speaker 2>Are they still doing stand up stuff there?

0:24:12.920 --> 0:24:15.719
<v Speaker 1>I mean, I haven't been in comedy in LA for

0:24:15.760 --> 0:24:16.200
<v Speaker 1>so long.

0:24:16.400 --> 0:24:20.680
<v Speaker 2>Okay, so this this was not It's not a comedy club.

0:24:20.720 --> 0:24:22.560
<v Speaker 2>It's a it's a bar, and they used to do

0:24:22.720 --> 0:24:26.560
<v Speaker 2>like an open mic situation, and I went and these

0:24:26.720 --> 0:24:29.360
<v Speaker 2>this was this was sort of it. This was an

0:24:29.359 --> 0:24:31.920
<v Speaker 2>open mic, not like you had to pay five dollars

0:24:32.480 --> 0:24:37.119
<v Speaker 2>to get in. This was an open mic. Like in general,

0:24:38.119 --> 0:24:43.399
<v Speaker 2>established comedians would be trying out new material, right, So

0:24:43.680 --> 0:24:47.720
<v Speaker 2>like I went one night and Sarah Silverman was and

0:24:47.760 --> 0:24:50.399
<v Speaker 2>this is a long time ago, so they weren't like

0:24:50.840 --> 0:24:53.560
<v Speaker 2>who they are now. But David Cross there were a

0:24:53.640 --> 0:24:57.560
<v Speaker 2>number of people showing up and I saw this young

0:24:57.720 --> 0:25:03.040
<v Speaker 2>comedian behind a piano, Robinson, get up on stage move

0:25:03.160 --> 0:25:07.440
<v Speaker 2>you know, there's a whatever seven to twelve minute break

0:25:07.480 --> 0:25:10.119
<v Speaker 2>while he puts his piano, sets all this stuff. I'm like,

0:25:10.119 --> 0:25:12.600
<v Speaker 2>what the what the hell is this guy doing? And

0:25:12.640 --> 0:25:15.760
<v Speaker 2>I'm telling you, it was the funniest twelve minutes I've

0:25:16.080 --> 0:25:22.040
<v Speaker 2>I had ever seen, and like blew everybody like beyond

0:25:22.240 --> 0:25:24.679
<v Speaker 2>out of the water. And that was my That was

0:25:24.720 --> 0:25:29.560
<v Speaker 2>my sort of my first experience with seeing you know,

0:25:29.640 --> 0:25:32.320
<v Speaker 2>seeing a bunch of like established people and they were

0:25:32.320 --> 0:25:36.000
<v Speaker 2>trying stuff so that let's be fair, and this young

0:25:36.040 --> 0:25:39.640
<v Speaker 2>guy comes up and just crushes it. Do you have

0:25:40.280 --> 0:25:43.240
<v Speaker 2>an experience or a memory from your own life where

0:25:43.680 --> 0:25:46.439
<v Speaker 2>there was a night that everything hit for you and

0:25:46.480 --> 0:25:49.479
<v Speaker 2>it just like Boom went went nuts.

0:25:50.720 --> 0:25:56.160
<v Speaker 1>Oh yes, so many. But also Craig. I absolutely love

0:25:56.240 --> 0:25:59.880
<v Speaker 1>Craig And have you met his brother Chris? Yes, as well,

0:26:00.160 --> 0:26:03.040
<v Speaker 1>you know the Nasty Delicious and Chris, Chris and I

0:26:03.080 --> 0:26:06.040
<v Speaker 1>hang out a bunch like that's one of my that's

0:26:06.080 --> 0:26:08.400
<v Speaker 1>one of my best ties. And it's funny because it's

0:26:08.440 --> 0:26:12.399
<v Speaker 1>like Chris is like I would say seventy percent music

0:26:12.440 --> 0:26:15.480
<v Speaker 1>and thirty percent comedy, right, and Craig, I feel like,

0:26:15.640 --> 0:26:18.520
<v Speaker 1>is the seventy percent comedy? You know? Thirty percent maybe

0:26:18.560 --> 0:26:22.359
<v Speaker 1>forty five fifty percent music? By the way, I mean

0:26:22.640 --> 0:26:24.200
<v Speaker 1>absolute geniuses.

0:26:23.720 --> 0:26:24.600
<v Speaker 2>Both of them.

0:26:24.600 --> 0:26:26.679
<v Speaker 1>I'm like, what was going on in your mother's UTERUSM?

0:26:27.040 --> 0:26:30.640
<v Speaker 2>But that's a question you're not supposed to ask.

0:26:30.680 --> 0:26:32.959
<v Speaker 1>But anyway, so I think you're supposed to ask that.

0:26:33.040 --> 0:26:35.760
<v Speaker 1>But I think the first time I really felt it

0:26:35.800 --> 0:26:41.600
<v Speaker 1>because Chocolate Sundays would have an amateur night right before

0:26:41.640 --> 0:26:45.760
<v Speaker 1>the main show started and I would watch this. They

0:26:45.760 --> 0:26:48.680
<v Speaker 1>gave us three minutes and so that was the show.

0:26:48.720 --> 0:26:50.520
<v Speaker 1>I kept going to this see because I was like,

0:26:50.560 --> 0:26:51.960
<v Speaker 1>I want to do the sandmatetur Knight. I want to

0:26:52.000 --> 0:26:54.280
<v Speaker 1>do the Samature Knight. First time I ever got on stage,

0:26:54.280 --> 0:26:57.080
<v Speaker 1>I bombed my ass off. But I was working up

0:26:57.119 --> 0:26:59.760
<v Speaker 1>to do this amateur night and the first time I

0:26:59.800 --> 0:27:04.320
<v Speaker 1>did it, I crushed, and I was so freaking proud

0:27:04.359 --> 0:27:08.760
<v Speaker 1>of myself because I was so scared, right, but finally

0:27:08.880 --> 0:27:12.240
<v Speaker 1>getting the last in that room. And also, to make

0:27:12.320 --> 0:27:15.000
<v Speaker 1>you know, black people laugh is you know, a feat

0:27:15.080 --> 0:27:22.080
<v Speaker 1>in itself. So to get that, especially also in Hollywood, Hollywood.

0:27:21.680 --> 0:27:24.679
<v Speaker 2>Shows not funny, not funny, Nope.

0:27:25.200 --> 0:27:26.920
<v Speaker 1>No, because they're all like I could be on the

0:27:26.960 --> 0:27:31.760
<v Speaker 1>stage too, bitch. So so to make like a Hollywood

0:27:31.800 --> 0:27:36.000
<v Speaker 1>black crowd laugh just felt so freaking good. And that

0:27:36.119 --> 0:27:39.280
<v Speaker 1>was probably my first year. So I had been doing

0:27:39.320 --> 0:27:42.320
<v Speaker 1>all those open mics and working up to doing that

0:27:42.600 --> 0:27:45.639
<v Speaker 1>amateur night and did a good job. So I was like, Okay,

0:27:45.760 --> 0:27:47.480
<v Speaker 1>I can't quit. I have to keep going.

0:27:48.119 --> 0:27:51.520
<v Speaker 2>What's your what's your process for writing a joke? Like

0:27:52.720 --> 0:27:55.280
<v Speaker 2>how do you how do you get it from roaches

0:27:56.000 --> 0:28:00.400
<v Speaker 2>to like a fully fleshed out idea.

0:28:00.520 --> 0:28:04.000
<v Speaker 1>Well, now I'm more confident in myself after doing it

0:28:04.040 --> 0:28:06.040
<v Speaker 1>for so long that I know it's going to be funny.

0:28:06.440 --> 0:28:08.720
<v Speaker 1>So one of the best pieces of advice I got

0:28:08.720 --> 0:28:10.679
<v Speaker 1>when I first started was that if I'm having a

0:28:10.720 --> 0:28:14.720
<v Speaker 1>conversation with somebody and they laugh, that's a potential for

0:28:14.800 --> 0:28:18.159
<v Speaker 1>a joke. So I can tell now if I'm like,

0:28:18.400 --> 0:28:21.680
<v Speaker 1>you're not gonna believe what happened to me yesterday and

0:28:21.840 --> 0:28:24.520
<v Speaker 1>the person starts laughing, I can also bring that on stage.

0:28:24.520 --> 0:28:26.159
<v Speaker 1>So that's what I've done with Like a lot of

0:28:26.160 --> 0:28:29.560
<v Speaker 1>the stories I tell really happened to me, you know,

0:28:29.960 --> 0:28:33.840
<v Speaker 1>true things that actually happened. But now I can just

0:28:34.000 --> 0:28:37.119
<v Speaker 1>know how to make it funny. And my joke writing

0:28:37.119 --> 0:28:39.720
<v Speaker 1>process now is very much like talking to myself. I

0:28:39.760 --> 0:28:42.520
<v Speaker 1>love talking to myself in the shower. I'll be talking

0:28:42.560 --> 0:28:45.360
<v Speaker 1>to myself, you know, walking down the street New York.

0:28:45.680 --> 0:28:48.920
<v Speaker 1>Best place to talk to yourself openly in the streets

0:28:48.960 --> 0:28:52.640
<v Speaker 1>and nobody will blak it. And you know, so that

0:28:52.720 --> 0:28:54.680
<v Speaker 1>way because I can feel like the rhythm of what

0:28:54.720 --> 0:28:56.720
<v Speaker 1>it's going to be like on stage. And so I'll

0:28:56.720 --> 0:29:00.320
<v Speaker 1>talk into my voice recorder or I'll talk in so

0:29:00.360 --> 0:29:03.959
<v Speaker 1>it's like now I know where to tell the story

0:29:04.000 --> 0:29:07.880
<v Speaker 1>because I'm a storyteller. Now I've picked that up. I'm

0:29:07.880 --> 0:29:11.040
<v Speaker 1>not I'm not what's the thing about roaches that's not

0:29:11.240 --> 0:29:13.120
<v Speaker 1>my my vibe.

0:29:13.040 --> 0:29:18.400
<v Speaker 2>Right, right, Yeah, when you have a story that's happened

0:29:18.400 --> 0:29:20.720
<v Speaker 2>to you and I don't know, I mean, I'm I'm

0:29:20.760 --> 0:29:23.840
<v Speaker 2>thinking about like I don't know, for me, maybe the

0:29:23.840 --> 0:29:26.680
<v Speaker 2>best in the business right now. Oh, I'm about to

0:29:26.720 --> 0:29:29.160
<v Speaker 2>say a name, and you're gonna be like, I hate them.

0:29:29.640 --> 0:29:35.920
<v Speaker 2>But Chappelle, I think about his stories, right, and then

0:29:36.040 --> 0:29:38.680
<v Speaker 2>you there gets to a point when you you know

0:29:39.520 --> 0:29:42.160
<v Speaker 2>that what he's saying is didn't actually happen, right, So

0:29:42.280 --> 0:29:45.000
<v Speaker 2>for you, how do you take a story that happened

0:29:45.000 --> 0:29:50.120
<v Speaker 2>to you and decide or figure out like, because obviously

0:29:50.320 --> 0:29:55.360
<v Speaker 2>things will be exaggerated, things will be manufactured for comedic effect,

0:29:55.480 --> 0:29:58.280
<v Speaker 2>Like for you, how do you figure out, like, I

0:29:58.320 --> 0:30:01.400
<v Speaker 2>don't know, like what percentage that's That's a dumb that's

0:30:01.560 --> 0:30:05.040
<v Speaker 2>like such a dumb question. But I mean, like, for you,

0:30:05.080 --> 0:30:06.760
<v Speaker 2>how much of it is real and how much of

0:30:06.760 --> 0:30:09.960
<v Speaker 2>it is it is invented on top of something funny

0:30:10.000 --> 0:30:10.560
<v Speaker 2>that happened.

0:30:11.080 --> 0:30:16.600
<v Speaker 1>I am a proponent for truth in comedy. So it's

0:30:16.640 --> 0:30:21.560
<v Speaker 1>like I was told, comedy is truth plus exaggeration. So

0:30:22.480 --> 0:30:27.160
<v Speaker 1>for me, seventy seventy five percent true, okay, twenty five

0:30:27.160 --> 0:30:29.840
<v Speaker 1>percent exaggeration and the exaggeration is going to be on

0:30:30.000 --> 0:30:32.920
<v Speaker 1>like the third beat. So you know, it's like comedy

0:30:32.920 --> 0:30:35.719
<v Speaker 1>has the rule of three, and I'll say the truth

0:30:36.040 --> 0:30:38.880
<v Speaker 1>is the one funny thing, second truth, and then the

0:30:38.920 --> 0:30:41.880
<v Speaker 1>third truth is an exaggeration that is like, Okay, that's

0:30:41.960 --> 0:30:44.880
<v Speaker 1>just silly, but you can take it there at the end.

0:30:44.920 --> 0:30:47.600
<v Speaker 1>But I want everything to be as truthful as possible.

0:30:47.640 --> 0:30:50.360
<v Speaker 1>So everything that I do say on stage did happen

0:30:50.400 --> 0:30:54.120
<v Speaker 1>to me. But there might be one little beat at

0:30:54.160 --> 0:30:57.040
<v Speaker 1>the end that you're like, Okay, that was silly. But

0:30:57.120 --> 0:31:00.480
<v Speaker 1>I also I'm just not a silly I'm not a

0:31:00.560 --> 0:31:06.959
<v Speaker 1>silly billy. Yeah, I can't be silly billies. But I'm

0:31:07.040 --> 0:31:09.760
<v Speaker 1>too realistic. My mother grew up in the projects of Brooklyn.

0:31:10.280 --> 0:31:12.920
<v Speaker 1>I really I'm way too realistic.

0:31:13.200 --> 0:31:15.960
<v Speaker 2>Right do you do you believe in the rule of three?

0:31:16.680 --> 0:31:20.960
<v Speaker 1>Yeah? Absolutely, in life just in general. You know it ego,

0:31:21.000 --> 0:31:24.600
<v Speaker 1>super ego. We're also you know, the Trinity, Holy Trinity,

0:31:25.000 --> 0:31:27.440
<v Speaker 1>it's all of life is the rule of three.

0:31:27.800 --> 0:31:34.320
<v Speaker 2>Wow, that's very No, that's very interesting. I don't I

0:31:34.920 --> 0:31:38.160
<v Speaker 2>believe in the rule of three as well. I also

0:31:38.280 --> 0:31:41.720
<v Speaker 2>think you know, this podcast is called off the Beat

0:31:42.120 --> 0:31:44.920
<v Speaker 2>because someone taught me at a very young age that

0:31:45.600 --> 0:31:50.880
<v Speaker 2>comedy that occurs off of the expected beat is often

0:31:52.040 --> 0:31:57.400
<v Speaker 2>way more satisfying longer term than giving people exactly what

0:31:57.440 --> 0:32:04.320
<v Speaker 2>they expect. So it doesn't necessarily change the rule of three.

0:32:05.320 --> 0:32:09.560
<v Speaker 2>But finding ways to alter what people's expectations are I

0:32:09.600 --> 0:32:15.480
<v Speaker 2>think is really important and ultimately brings greater comedy. What

0:32:15.760 --> 0:32:16.520
<v Speaker 2>do you think about that?

0:32:17.520 --> 0:32:20.480
<v Speaker 1>I completely agree with you. I do think there's something

0:32:20.560 --> 0:32:24.520
<v Speaker 1>musical about comedy. I did have this conversation once with Chappelle.

0:32:24.520 --> 0:32:28.840
<v Speaker 1>There's a comedian named T. K. Kirkland. He's an awesome

0:32:29.160 --> 0:32:33.080
<v Speaker 1>he's awesome, but like if you watch him, he is

0:32:33.200 --> 0:32:37.200
<v Speaker 1>almost he's like a conductor conducting. And so Dave was

0:32:37.200 --> 0:32:40.560
<v Speaker 1>talking to me about the cadence that he uses. And

0:32:40.760 --> 0:32:42.840
<v Speaker 1>you know, I have my musical background. I was in

0:32:42.880 --> 0:32:43.680
<v Speaker 1>the marching band.

0:32:43.480 --> 0:32:44.160
<v Speaker 2>All that stuff.

0:32:44.520 --> 0:32:48.240
<v Speaker 1>So when you have a certain cadence on stage, people

0:32:48.240 --> 0:32:51.840
<v Speaker 1>are going to laugh at a point, maybe when you

0:32:51.880 --> 0:32:55.200
<v Speaker 1>didn't even say something funny, but they're used to like

0:32:55.280 --> 0:32:57.160
<v Speaker 1>da da da da da da da da da laugh

0:32:57.320 --> 0:32:59.240
<v Speaker 1>da da da da da da da da da laugh.

0:33:00.360 --> 0:33:02.360
<v Speaker 1>That can be broken up into different times sing, which

0:33:02.440 --> 0:33:04.480
<v Speaker 1>is just like music. So it's like three four four

0:33:04.560 --> 0:33:08.640
<v Speaker 1>four whatever you're doing. So, yes, it's not always gonna

0:33:08.680 --> 0:33:12.040
<v Speaker 1>be on three, But yes, I agree with you that

0:33:12.080 --> 0:33:14.360
<v Speaker 1>it's not necessarily always gonna be on the third beat.

0:33:14.400 --> 0:33:16.520
<v Speaker 1>It might be on the second beat. That's the funniest

0:33:16.520 --> 0:33:19.160
<v Speaker 1>thing because I like to say something after a joke

0:33:19.480 --> 0:33:39.080
<v Speaker 1>that'll be like for the comics.

0:33:22.280 --> 0:33:42.720
<v Speaker 2>Right, is there anything you don't that's off limits for you?

0:33:45.440 --> 0:33:49.080
<v Speaker 1>Not for me, because I like for me, I just

0:33:49.800 --> 0:33:55.040
<v Speaker 1>certain things. If somebody tells tells somebody that something is

0:33:55.120 --> 0:33:59.160
<v Speaker 1>hurting them, hurting a community, you know. I do think

0:33:59.520 --> 0:34:01.440
<v Speaker 1>Dave is an example of this right now with the

0:34:01.480 --> 0:34:05.000
<v Speaker 1>trans community. Like, if somebody's saying they're being hurt, I

0:34:05.040 --> 0:34:07.960
<v Speaker 1>would stop, right, you know, I would just be like,

0:34:08.360 --> 0:34:10.200
<v Speaker 1>I don't. I don't need to go into that. You know.

0:34:10.280 --> 0:34:12.880
<v Speaker 1>I have a bit. I talk about abortion on stage

0:34:12.880 --> 0:34:16.879
<v Speaker 1>a lot, and my abortion joke is that I got

0:34:16.920 --> 0:34:19.040
<v Speaker 1>pregnant on the floor of an Amtrak train in the

0:34:19.040 --> 0:34:22.800
<v Speaker 1>handicap restroom, which is a true story, like fully true.

0:34:23.360 --> 0:34:26.600
<v Speaker 1>But somebody from the disabled community came up to me

0:34:26.640 --> 0:34:28.279
<v Speaker 1>and she was like, can you please not say that?

0:34:28.360 --> 0:34:30.880
<v Speaker 1>Can you say something else? Can you say accessible restroom?

0:34:30.880 --> 0:34:33.720
<v Speaker 1>Can you not say handicap? And I was like, huh,

0:34:33.760 --> 0:34:39.440
<v Speaker 1>I never thought about it in that way, And sure

0:34:39.880 --> 0:34:42.160
<v Speaker 1>I can do that. I can change it. I mean

0:34:42.239 --> 0:34:46.120
<v Speaker 1>accessible is a lot of syllables and weird syllables that

0:34:46.160 --> 0:34:51.000
<v Speaker 1>I need to practice accessible. But you know, if somebody

0:34:51.080 --> 0:34:52.479
<v Speaker 1>just came up to me, it was just like, look,

0:34:52.560 --> 0:34:55.080
<v Speaker 1>that's not that that made me feel a certain type

0:34:55.080 --> 0:34:56.920
<v Speaker 1>of way. I want to I want to change it.

0:34:57.280 --> 0:35:01.440
<v Speaker 2>So, yeah, I heard it was a conversation. We don't

0:35:01.480 --> 0:35:03.920
<v Speaker 2>have to debate whether you're a fan of his or not,

0:35:04.000 --> 0:35:07.200
<v Speaker 2>but I thought that the conversation was very interesting. It

0:35:07.280 --> 0:35:13.640
<v Speaker 2>was with Bill Burr, and the conversation was about Blue

0:35:14.520 --> 0:35:18.000
<v Speaker 2>Comics and the question and it was actually Dan Patrick.

0:35:18.000 --> 0:35:19.520
<v Speaker 2>I don't know if you know who Dan Patrick is.

0:35:19.680 --> 0:35:22.840
<v Speaker 2>He deals a lot in sports. But the question for

0:35:22.920 --> 0:35:26.040
<v Speaker 2>Bill was, you know, how do you figure out or

0:35:26.080 --> 0:35:30.400
<v Speaker 2>where do you sort of you know, stand on Blue

0:35:30.840 --> 0:35:35.319
<v Speaker 2>And Bill's response was people used to think like that

0:35:35.480 --> 0:35:38.600
<v Speaker 2>was bad words, Like I say bad words a lot.

0:35:38.680 --> 0:35:40.799
<v Speaker 2>That makes me a Blue comic, and some people think

0:35:40.840 --> 0:35:44.279
<v Speaker 2>that's cheating. Some people think you have to keep it

0:35:44.400 --> 0:35:47.960
<v Speaker 2>very clean. But he said the problem with that is

0:35:48.360 --> 0:35:53.239
<v Speaker 2>now there are topics that you can get into that

0:35:53.360 --> 0:35:56.560
<v Speaker 2>are also considered blue, whether or not you're saying bad

0:35:56.680 --> 0:36:02.960
<v Speaker 2>words or not. So like the idea of like controversy

0:36:03.960 --> 0:36:09.120
<v Speaker 2>equalling like blue equalling like you you can't say that,

0:36:09.200 --> 0:36:13.480
<v Speaker 2>you shouldn't say that. I guess that's my question to you,

0:36:14.360 --> 0:36:18.160
<v Speaker 2>just because just because I'm interested, like for you, where

0:36:18.239 --> 0:36:21.719
<v Speaker 2>do you stand on that or how do you who

0:36:21.800 --> 0:36:26.120
<v Speaker 2>are you creating your act for? And how willing are

0:36:26.160 --> 0:36:29.279
<v Speaker 2>you to go blue whatever that means to you.

0:36:30.640 --> 0:36:34.520
<v Speaker 1>I've never even thought about it that way. So there's

0:36:34.520 --> 0:36:37.440
<v Speaker 1>a city in this country right now that is a

0:36:37.480 --> 0:36:41.799
<v Speaker 1>bastion for like white boys that want to say the

0:36:41.880 --> 0:36:47.640
<v Speaker 1>end word and kind of like a level of I mean,

0:36:47.680 --> 0:36:49.960
<v Speaker 1>I would definitely say misogyny. I heard a lot of

0:36:50.239 --> 0:36:52.840
<v Speaker 1>gentlemen on stage talking about punching women in the face.

0:36:53.160 --> 0:36:55.200
<v Speaker 2>These are stand ups you're talking about, Yes.

0:36:56.400 --> 0:37:02.160
<v Speaker 1>Yes, And it's it's a weird situation where I never

0:37:02.200 --> 0:37:04.640
<v Speaker 1>thought about that as blue, and that is blue to me,

0:37:05.000 --> 0:37:08.080
<v Speaker 1>Like I I have heard white boys do funny in

0:37:08.200 --> 0:37:11.359
<v Speaker 1>word jokes. Neil Brennett actually has a pretty good one,

0:37:12.120 --> 0:37:17.799
<v Speaker 1>but to pursue it, to me, it just it's just

0:37:17.840 --> 0:37:21.839
<v Speaker 1>like why why do you have to pursue that? So

0:37:21.960 --> 0:37:24.000
<v Speaker 1>for me, and that's why I talk about stuff that

0:37:24.040 --> 0:37:26.600
<v Speaker 1>actually has happened to me. So if you're telling a

0:37:26.640 --> 0:37:30.319
<v Speaker 1>story about something that happened to you, sure, But if

0:37:30.360 --> 0:37:32.200
<v Speaker 1>you're just trying to find a way to make the

0:37:32.239 --> 0:37:34.120
<v Speaker 1>in word funny and to be able to say it

0:37:34.160 --> 0:37:37.720
<v Speaker 1>on stage, I don't really I don't really have respect

0:37:37.800 --> 0:37:40.359
<v Speaker 1>for it personally. So that's why I try to stay

0:37:40.360 --> 0:37:44.000
<v Speaker 1>as true to myself as possible, because you know, I

0:37:44.040 --> 0:37:47.640
<v Speaker 1>did get pregnant on the floor in the handicap restroom,

0:37:47.840 --> 0:37:51.640
<v Speaker 1>so it's like that actually happened to me. But if

0:37:51.640 --> 0:37:55.439
<v Speaker 1>you want me to rephrase my words, I'll do that,

0:37:55.760 --> 0:37:57.920
<v Speaker 1>you know, But I'm not going to stop telling the bit.

0:37:58.200 --> 0:38:01.200
<v Speaker 2>Because that's truth and being as.

0:38:01.520 --> 0:38:03.480
<v Speaker 1>Absolutely it's about being. It's about being.

0:38:03.719 --> 0:38:05.120
<v Speaker 2>That makes a ton of sense to me.

0:38:05.320 --> 0:38:08.440
<v Speaker 1>Yeah, for me, Like those are the people that I

0:38:08.520 --> 0:38:11.200
<v Speaker 1>look up to and love their comedy, where there's an

0:38:11.200 --> 0:38:14.680
<v Speaker 1>authenticity that bleeds off of the stage. You know, I

0:38:14.680 --> 0:38:16.719
<v Speaker 1>can tell when people are lying on stage. I can

0:38:16.719 --> 0:38:19.080
<v Speaker 1>tell when a comic is lying, like I you know,

0:38:19.120 --> 0:38:22.080
<v Speaker 1>sometimes people will lie about having kids and tell bits

0:38:22.080 --> 0:38:24.920
<v Speaker 1>about being a father, and I'm like, what do you

0:38:24.920 --> 0:38:26.279
<v Speaker 1>You don't have enough kids? And they're like it was

0:38:26.320 --> 0:38:30.520
<v Speaker 1>just for the joke. I'm like, just for the joke, say.

0:38:30.360 --> 0:38:39.000
<v Speaker 2>The head word. Oh that's amazing. Well, so you've said

0:38:39.040 --> 0:38:42.760
<v Speaker 2>you're a stand up, you're a comedian, but you don't

0:38:42.800 --> 0:38:45.600
<v Speaker 2>just write jokes for yourself. You're a you're a TV

0:38:45.719 --> 0:38:49.640
<v Speaker 2>writer also an actor. You wrote for a season of

0:38:50.760 --> 0:38:54.400
<v Speaker 2>Broad City. You were in the writer's room there, Now, one,

0:38:55.400 --> 0:38:58.960
<v Speaker 2>why did you do that? And two? Did that help

0:38:59.080 --> 0:39:03.160
<v Speaker 2>you in your stand up? That experience of working on

0:39:03.200 --> 0:39:03.839
<v Speaker 2>the writer's run?

0:39:04.680 --> 0:39:08.319
<v Speaker 1>Absolutely, we did. We did the punch up room. So

0:39:09.040 --> 0:39:11.719
<v Speaker 1>the punch up room was after they had written all

0:39:11.760 --> 0:39:14.000
<v Speaker 1>the scripts and they gave the scripts to a bunch

0:39:14.040 --> 0:39:18.800
<v Speaker 1>of comedians and then we did a room of punching.

0:39:18.480 --> 0:39:19.440
<v Speaker 2>Up the scripture.

0:39:20.160 --> 0:39:23.400
<v Speaker 1>And I think I got spoiled in that situation because

0:39:23.400 --> 0:39:27.280
<v Speaker 1>that room was led by two women who let everybody talk.

0:39:28.560 --> 0:39:34.239
<v Speaker 1>It was. It was a very beautiful situation. And I

0:39:34.360 --> 0:39:36.719
<v Speaker 1>just think keeping your brain going, it's kind of like

0:39:36.800 --> 0:39:43.920
<v Speaker 1>doing sudoko. How you say that word sudoku sudo, It's

0:39:43.960 --> 0:39:47.280
<v Speaker 1>like doing those puzzles to offset dementia, Like you gotta

0:39:47.440 --> 0:39:51.640
<v Speaker 1>keep your brain move in different directions. So, yeah, looking

0:39:51.719 --> 0:39:54.160
<v Speaker 1>on the paper and figuring out how you would make

0:39:54.200 --> 0:39:56.560
<v Speaker 1>that joke funnier, which is why I can't watch TV

0:39:56.600 --> 0:39:59.440
<v Speaker 1>anymore because it's ruined now where I'll be like, oh,

0:40:00.080 --> 0:40:01.960
<v Speaker 1>that would have been funny if they said this, like

0:40:02.960 --> 0:40:07.960
<v Speaker 1>I'm an asshole. So I absolutely it totally helped me

0:40:08.640 --> 0:40:11.160
<v Speaker 1>also be more confident in myself and what I think

0:40:11.239 --> 0:40:13.200
<v Speaker 1>is funny when you have to pitch it out to

0:40:13.280 --> 0:40:15.200
<v Speaker 1>a room that's scary.

0:40:15.040 --> 0:40:17.800
<v Speaker 2>That's yeah, that's kind of that's kind of the genesis

0:40:17.840 --> 0:40:20.640
<v Speaker 2>of my of my question. Like, so, now you're in

0:40:20.680 --> 0:40:23.640
<v Speaker 2>a room with a bunch of other writers slash comedians,

0:40:24.239 --> 0:40:26.880
<v Speaker 2>and this is not you, you know, talking to yourself

0:40:26.880 --> 0:40:28.799
<v Speaker 2>on the street or in the shower or in your

0:40:29.000 --> 0:40:31.799
<v Speaker 2>apartment or whatever. You're now like, hey, guys, what do

0:40:31.840 --> 0:40:32.560
<v Speaker 2>you think of this?

0:40:33.200 --> 0:40:35.320
<v Speaker 1>Oh? Terrifying, terrified.

0:40:35.360 --> 0:40:37.080
<v Speaker 2>It's got that silence. It's got to be worse.

0:40:37.440 --> 0:40:42.080
<v Speaker 1>Oh yeah, and it's crazy because like every situation, there's

0:40:42.120 --> 0:40:44.880
<v Speaker 1>always got to be something that's gonna make you more nervous.

0:40:45.200 --> 0:40:46.920
<v Speaker 1>That's what I realized. It is never going to stop.

0:40:47.239 --> 0:40:50.360
<v Speaker 1>I was with the fantastic George Wallace, that's my uncle.

0:40:51.000 --> 0:40:52.799
<v Speaker 1>He takes me out with him. He took me to

0:40:52.800 --> 0:40:55.160
<v Speaker 1>mask the Square Garden, with him, and right before he

0:40:55.200 --> 0:40:57.400
<v Speaker 1>got on stage, he was like, I'm nervous and I

0:40:57.480 --> 0:41:00.680
<v Speaker 1>was like, you're nervous and he's like, yeah, I have

0:41:00.680 --> 0:41:02.000
<v Speaker 1>you been on stage like a week and a half.

0:41:02.040 --> 0:41:04.080
<v Speaker 1>And I was like, so it never ends, and he

0:41:04.200 --> 0:41:08.239
<v Speaker 1>was like, no, it never ends. It's never going to end.

0:41:08.239 --> 0:41:10.120
<v Speaker 1>I was like, thank you Purgatory for the rest of

0:41:10.120 --> 0:41:13.080
<v Speaker 1>my life. So that's a different type of scary of

0:41:13.200 --> 0:41:15.520
<v Speaker 1>saying a joke in front of a room full of

0:41:15.560 --> 0:41:19.200
<v Speaker 1>comedians who are just staring at you and giving honest

0:41:19.200 --> 0:41:23.360
<v Speaker 1>reactions because if nobody last, they're like, next do you?

0:41:24.520 --> 0:41:25.480
<v Speaker 2>So you get nervous.

0:41:25.960 --> 0:41:30.200
<v Speaker 1>Oh absolutely, Oh my gosh, absolutely every time. Well it

0:41:30.239 --> 0:41:34.000
<v Speaker 1>depends now, so it'll be bigger. Like when I first

0:41:34.200 --> 0:41:37.279
<v Speaker 1>did seth Myers was my first late night set that

0:41:37.560 --> 0:41:40.200
<v Speaker 1>I felt like I was jumping out of an airplane really,

0:41:40.520 --> 0:41:42.919
<v Speaker 1>But by the time I did my second tonight show,

0:41:42.920 --> 0:41:45.640
<v Speaker 1>which was my third late night set, I was much

0:41:45.640 --> 0:41:48.680
<v Speaker 1>more calm because you know, I had done it twice before,

0:41:48.800 --> 0:41:52.600
<v Speaker 1>so it's like I've done the Beacon theater. My second

0:41:52.640 --> 0:41:54.719
<v Speaker 1>time doing the Beacon was not as nerve racking as

0:41:54.719 --> 0:41:57.360
<v Speaker 1>my first time, So it'll just be you know, things

0:41:57.400 --> 0:41:59.680
<v Speaker 1>just keep getting bigger and grazier.

0:42:00.200 --> 0:42:03.480
<v Speaker 2>Right, I don't even know if for me it's nerves

0:42:03.800 --> 0:42:09.520
<v Speaker 2>I get, I get amped. There's like another switch. I

0:42:09.560 --> 0:42:10.920
<v Speaker 2>don't it's hard to describe.

0:42:11.320 --> 0:42:13.160
<v Speaker 1>That's what I'm trying to change it to. I'm trying

0:42:13.160 --> 0:42:15.040
<v Speaker 1>to be like I'm excited instead of I'm nerving.

0:42:15.160 --> 0:42:19.879
<v Speaker 2>Yeah, I get very externally still and calm and then

0:42:20.160 --> 0:42:23.920
<v Speaker 2>but like like inside it's like ooh, there's the switch,

0:42:24.000 --> 0:42:26.640
<v Speaker 2>Like I can feel that. It's weird.

0:42:26.640 --> 0:42:29.719
<v Speaker 1>It's an example of that for you now, Like what's something.

0:42:29.480 --> 0:42:32.120
<v Speaker 2>That well, I do shows. I mean I don't do

0:42:32.360 --> 0:42:34.600
<v Speaker 2>I wouldn't call it stand up, but I do shows

0:42:34.600 --> 0:42:39.440
<v Speaker 2>at colleges and I appear on stage. It's it's weird

0:42:39.440 --> 0:42:41.879
<v Speaker 2>because I I came from the theater, right, So that's

0:42:41.960 --> 0:42:44.200
<v Speaker 2>what I used to do, and that like yeah, of

0:42:44.239 --> 0:42:47.319
<v Speaker 2>course there was like nerves and you know that like

0:42:47.400 --> 0:42:50.839
<v Speaker 2>oh I have to pee. Thing that goes mysteriously goes

0:42:50.880 --> 0:42:54.279
<v Speaker 2>away the second like you enter the curtain, it just

0:42:54.320 --> 0:42:57.319
<v Speaker 2>goes away. And it's weird. Now like I don't have

0:42:57.320 --> 0:42:59.319
<v Speaker 2>any nerves, Like I don't get nerves. I'm not, like

0:42:59.719 --> 0:43:02.160
<v Speaker 2>but I I do have that like kind of have

0:43:02.200 --> 0:43:06.680
<v Speaker 2>to pee like like I like that happens. So there's

0:43:06.760 --> 0:43:09.560
<v Speaker 2>something in there. That's why I say it's a switch, like,

0:43:09.640 --> 0:43:12.680
<v Speaker 2>it's not nothing. It's not like I'm playing part cheesy

0:43:12.960 --> 0:43:16.480
<v Speaker 2>like you know, I don't know why why. I don't

0:43:16.480 --> 0:43:20.080
<v Speaker 2>even know what parcheesy is, but that was what I know.

0:43:20.200 --> 0:43:20.720
<v Speaker 1>That word.

0:43:20.840 --> 0:43:24.239
<v Speaker 2>I don't know how the game, right, it's a game. Yeah,

0:43:24.280 --> 0:43:27.560
<v Speaker 2>I'm not playing parcheesy. I don't know. That must have

0:43:27.640 --> 0:43:30.840
<v Speaker 2>been like in my dream last night or something.

0:43:30.960 --> 0:43:32.200
<v Speaker 1>Sitting there waiting to come out.

0:43:32.719 --> 0:43:38.360
<v Speaker 2>More recently, you wrote you appeared on Pause with Sam Jay.

0:43:38.640 --> 0:43:39.719
<v Speaker 2>How'd you get involved there?

0:43:40.840 --> 0:43:45.640
<v Speaker 1>Yeah, they hired me for that show. I've known Sam

0:43:45.719 --> 0:43:48.160
<v Speaker 1>Jay for a very long time, like over a decade

0:43:48.760 --> 0:43:50.880
<v Speaker 1>of pursuing this stand up comics. So there were a

0:43:50.880 --> 0:43:54.719
<v Speaker 1>lot of friends in that room that thought I would

0:43:54.760 --> 0:43:56.400
<v Speaker 1>have some fabulous things to contribute.

0:43:59.719 --> 0:44:05.359
<v Speaker 2>Do you prefer I mean, you prefer to be yourself? Right?

0:44:05.480 --> 0:44:08.080
<v Speaker 2>Is there anything that you still meaning as opposed to

0:44:08.120 --> 0:44:14.640
<v Speaker 2>playing a character? Like what does that give you? I mean,

0:44:14.640 --> 0:44:16.040
<v Speaker 2>I guess they just put words in your mouth. But

0:44:16.080 --> 0:44:18.160
<v Speaker 2>I'm going back to what you said, like that you're

0:44:18.200 --> 0:44:21.160
<v Speaker 2>a stand up you're a comedian, right, and so you

0:44:21.200 --> 0:44:24.760
<v Speaker 2>are playing a version of yourself when you're on stage.

0:44:25.680 --> 0:44:26.319
<v Speaker 1>Yeah.

0:44:27.160 --> 0:44:29.520
<v Speaker 2>Yeah, I mean even if you're authentic and real, you're

0:44:29.560 --> 0:44:30.600
<v Speaker 2>still playing a version.

0:44:31.400 --> 0:44:34.640
<v Speaker 1>Now I have a question for you. So, I think

0:44:35.200 --> 0:44:38.480
<v Speaker 1>most actors are playing versions of themselves.

0:44:38.560 --> 0:44:39.520
<v Speaker 2>Have you seen my work?

0:44:40.440 --> 0:44:44.080
<v Speaker 1>But listen, I think there's like ten actors. I think

0:44:44.120 --> 0:44:47.040
<v Speaker 1>there's like ten actors, and everybody else is playing a

0:44:47.160 --> 0:44:51.120
<v Speaker 1>version of themselves that is fitting into a situation. So

0:44:51.800 --> 0:44:56.400
<v Speaker 1>I think, no matter what character I am going to play,

0:44:56.520 --> 0:44:59.200
<v Speaker 1>it's going to be a version of myself until I

0:44:59.320 --> 0:45:03.359
<v Speaker 1>study enough of the craft to actually do some mal

0:45:03.400 --> 0:45:07.920
<v Speaker 1>streep shit, god to do some you know, William H.

0:45:07.960 --> 0:45:08.600
<v Speaker 1>Macy shit.

0:45:08.880 --> 0:45:11.520
<v Speaker 2>I get what you're saying, So you consider it a

0:45:11.600 --> 0:45:15.280
<v Speaker 2>version of yourself, regardless even if someone else has written

0:45:15.280 --> 0:45:19.080
<v Speaker 2>the words, even if it's a different name. I got it.

0:45:19.600 --> 0:45:23.200
<v Speaker 1>Yes, Yes, just being honestly authentic. And how would I

0:45:23.239 --> 0:45:26.840
<v Speaker 1>respond in this situation and it's like, hello, happy birthday.

0:45:27.040 --> 0:45:29.480
<v Speaker 1>I'm gonna did you do that to me? I don't know.

0:45:29.560 --> 0:45:32.640
<v Speaker 1>I didn't do that to you. I'm old, I don't

0:45:32.640 --> 0:45:33.560
<v Speaker 1>know how to work technology.

0:45:33.640 --> 0:45:36.320
<v Speaker 2>Oh you just said wait, hold on, you just said

0:45:36.719 --> 0:45:37.520
<v Speaker 2>happy birthday?

0:45:37.960 --> 0:45:41.840
<v Speaker 3>Did I say happy birthday? Someone said happy Birthday. I

0:45:41.880 --> 0:45:43.960
<v Speaker 3>think you had to have sat happy birthday and balloon.

0:45:44.480 --> 0:45:47.200
<v Speaker 3>If you're listening, literally we're looking at each other and

0:45:47.239 --> 0:45:49.880
<v Speaker 3>balloons just started streaming on my face.

0:45:50.360 --> 0:45:54.319
<v Speaker 2>That is so bizarre. That is literally never happening the tape.

0:45:54.560 --> 0:45:58.760
<v Speaker 2>It's not interesting to anybody else, but that was so weird.

0:46:00.080 --> 0:46:02.360
<v Speaker 2>I get what you're saying. Do you like acting?

0:46:03.200 --> 0:46:05.560
<v Speaker 1>Love? Love? That was my first love? No?

0:46:05.640 --> 0:46:08.239
<v Speaker 2>I know that, yeah, but I was just like, Oh,

0:46:08.239 --> 0:46:09.839
<v Speaker 2>are you just over it now?

0:46:10.520 --> 0:46:12.920
<v Speaker 1>Oh? No, I haven't done enough of it yet. I mean,

0:46:12.960 --> 0:46:16.000
<v Speaker 1>I've done stage. I did an off Broadway play last year,

0:46:16.200 --> 0:46:20.960
<v Speaker 1>you know, but I mean television acting. I just I

0:46:20.960 --> 0:46:22.600
<v Speaker 1>want to be one of those lucky people like you

0:46:22.640 --> 0:46:27.719
<v Speaker 1>who got a dove ass character and was able you know,

0:46:27.880 --> 0:46:28.640
<v Speaker 1>to ride that beat.

0:46:29.520 --> 0:46:32.479
<v Speaker 2>Well, thank you. No, it is a lot of fun,

0:46:32.520 --> 0:46:35.800
<v Speaker 2>and for me, that's yeah. For me, it is about

0:46:35.840 --> 0:46:41.799
<v Speaker 2>creating that other character. That's the thing that I love about. Yeah.

0:46:42.040 --> 0:46:46.759
<v Speaker 2>I saw that you're on Only Fans ew uh, not

0:46:46.840 --> 0:46:50.759
<v Speaker 2>exactly like you might think. You're doing stand up on

0:46:50.800 --> 0:46:56.640
<v Speaker 2>their comedy show l m aof How did it go?

0:46:57.640 --> 0:46:59.799
<v Speaker 1>I think it went great. I was at home, I

0:46:59.840 --> 0:47:02.640
<v Speaker 1>was at the gutter Bar in Brooklyn, which is a

0:47:02.680 --> 0:47:05.759
<v Speaker 1>place that I perform at often, and I just had

0:47:05.760 --> 0:47:08.160
<v Speaker 1>a fun time. And that was one of those things

0:47:08.560 --> 0:47:12.319
<v Speaker 1>I wasn't nervous, I was excited for because they were

0:47:12.360 --> 0:47:15.080
<v Speaker 1>just like, we're trying to open up the platform, two

0:47:15.320 --> 0:47:17.799
<v Speaker 1>different things. So I was like, sure, I'll join.

0:47:17.960 --> 0:47:20.000
<v Speaker 2>So this is a new this is a new experiment

0:47:20.280 --> 0:47:24.720
<v Speaker 2>for them, going going in, going in and doing comedy.

0:47:24.760 --> 0:47:28.040
<v Speaker 2>And so how long is it my set? Yeah?

0:47:28.080 --> 0:47:28.720
<v Speaker 1>Ten minutes?

0:47:28.880 --> 0:47:32.520
<v Speaker 2>Okay, and you crushed? And do you think this is

0:47:32.520 --> 0:47:35.719
<v Speaker 2>something that they're going to continue to explore and do.

0:47:36.560 --> 0:47:38.960
<v Speaker 1>It's looking like they are. I mean, they're trying to

0:47:38.960 --> 0:47:41.680
<v Speaker 1>get people to have like a you know, the content

0:47:41.880 --> 0:47:44.759
<v Speaker 1>where you come there for that, you know. And of

0:47:44.800 --> 0:47:48.200
<v Speaker 1>course sure do I have people in my dms saying

0:47:48.239 --> 0:47:52.840
<v Speaker 1>some things, Yes, I do, Oh you do do, but

0:47:53.000 --> 0:47:58.839
<v Speaker 1>they tip as long as your tipping, baby, let's do this.

0:47:59.760 --> 0:48:03.960
<v Speaker 1>But yeah, they it's it's been funny. It's been fun

0:48:04.000 --> 0:48:06.680
<v Speaker 1>for me to try to get on this new platform

0:48:06.800 --> 0:48:08.839
<v Speaker 1>and start making money. I mean.

0:48:10.480 --> 0:48:14.240
<v Speaker 2>Money, that's no, that's awesome. You know what I have found.

0:48:14.840 --> 0:48:17.359
<v Speaker 2>I'm going off the rails here slightly, but I want

0:48:17.360 --> 0:48:18.880
<v Speaker 2>to hear your opinion. Are you on all Are you

0:48:18.960 --> 0:48:20.120
<v Speaker 2>on all social media's?

0:48:21.320 --> 0:48:25.920
<v Speaker 1>I'm on Instagram and Facebook and I guess formerly x.

0:48:25.920 --> 0:48:29.200
<v Speaker 2>Which Okay, it's going to be over soon. Yeah, that's

0:48:29.280 --> 0:48:31.319
<v Speaker 2>kind of done. Okay, that's it. Well, let me tell

0:48:31.320 --> 0:48:35.800
<v Speaker 2>you this. I just, and I mean just, I'm always

0:48:35.920 --> 0:48:40.680
<v Speaker 2>very late to the game. I just joined TikTok Now,

0:48:41.200 --> 0:48:43.719
<v Speaker 2>let me just say this, so you so you just

0:48:43.840 --> 0:48:46.280
<v Speaker 2>are now having a new experience. They're on the only fans,

0:48:47.880 --> 0:48:50.960
<v Speaker 2>do you know what? It's crazy? Someone someone I worked with.

0:48:51.000 --> 0:48:52.360
<v Speaker 2>I'm going to give a shout out to someone I

0:48:52.400 --> 0:48:55.640
<v Speaker 2>worked with without saying their name. They told me like

0:48:56.280 --> 0:48:59.840
<v Speaker 2>five years ago to go on OnlyFans and I was like,

0:49:00.080 --> 0:49:03.319
<v Speaker 2>I can't. There's no chance. There's no chance. Like they

0:49:03.480 --> 0:49:08.840
<v Speaker 2>I think that they saw the potential here in terms

0:49:08.840 --> 0:49:11.320
<v Speaker 2>of what you're doing way early. So that's just I

0:49:11.360 --> 0:49:13.880
<v Speaker 2>don't know, that's just fascinating to me. Here's what I

0:49:13.920 --> 0:49:15.840
<v Speaker 2>was going to say, because you talked about the comments.

0:49:17.320 --> 0:49:22.520
<v Speaker 2>Comments on social media are so dramatically different from platform

0:49:22.560 --> 0:49:27.919
<v Speaker 2>to platform, And what's weird is you know that it's

0:49:28.000 --> 0:49:32.279
<v Speaker 2>the same people that are on those platforms, but you

0:49:32.400 --> 0:49:37.400
<v Speaker 2>talk about playing a character. The tenor and tone and

0:49:37.640 --> 0:49:44.240
<v Speaker 2>content of their comments are so different on the different platforms.

0:49:44.960 --> 0:49:48.719
<v Speaker 2>I you know, like I'll roll my eyes at comments

0:49:48.760 --> 0:49:50.880
<v Speaker 2>on something I got on TikTok and I was like,

0:49:51.880 --> 0:49:54.440
<v Speaker 2>I got I can't read I can't read these.

0:49:54.400 --> 0:49:57.000
<v Speaker 1>Like what, like, we shouldn't you shouldn't read them.

0:49:57.120 --> 0:50:00.719
<v Speaker 2>No, it's hard not to.

0:50:00.920 --> 0:50:06.640
<v Speaker 1>It's like it's like the sadomascism scratching it it. I

0:50:06.760 --> 0:50:09.360
<v Speaker 1>try not to, but it's almost impossible not to.

0:50:09.880 --> 0:50:12.960
<v Speaker 2>Uh, what what do you have coming up next?

0:50:13.280 --> 0:50:15.760
<v Speaker 1>What do I have coming up next? Oh? So this summer,

0:50:16.000 --> 0:50:19.719
<v Speaker 1>I am literally I'm taking an acting class. Okay, I'm

0:50:19.719 --> 0:50:24.880
<v Speaker 1>taking dance classes. Yes, yes, I have a dance class tonight.

0:50:25.920 --> 0:50:28.840
<v Speaker 1>So I am really going to be studying this summer

0:50:28.880 --> 0:50:31.640
<v Speaker 1>because I had a crazy first half of the year

0:50:31.680 --> 0:50:34.239
<v Speaker 1>where I was traveling all over the country and I'm like,

0:50:34.360 --> 0:50:37.920
<v Speaker 1>let me stay put for a couple of months and

0:50:38.120 --> 0:50:40.799
<v Speaker 1>just be in the city. But yeah, I'm also doing

0:50:40.840 --> 0:50:43.000
<v Speaker 1>stand up. I'll be doing stand up all summer at

0:50:43.080 --> 0:50:43.920
<v Speaker 1>the Comedy Seller.

0:50:44.600 --> 0:50:51.840
<v Speaker 2>At the Comedy Seller, Sellar. Congratulations, you're very, very funny.

0:50:52.080 --> 0:50:55.080
<v Speaker 2>I look forward to your next appearance on Only Fans,

0:50:55.640 --> 0:51:01.160
<v Speaker 2>And I mean that in the purest way possible. I'm

0:51:01.160 --> 0:51:03.919
<v Speaker 2>glad that you're exploring that platform because I think there's

0:51:03.960 --> 0:51:06.960
<v Speaker 2>a lot of potential for people and a way to

0:51:07.320 --> 0:51:11.360
<v Speaker 2>one connect with fans and two to be able to

0:51:11.719 --> 0:51:16.040
<v Speaker 2>I mean, for you try out new material and be

0:51:16.120 --> 0:51:18.680
<v Speaker 2>able to control that in a way. I think that's

0:51:18.719 --> 0:51:19.840
<v Speaker 2>really super awesome.

0:51:20.520 --> 0:51:24.040
<v Speaker 1>Yes, thank you. I appreciate that. It's lovely to meet you.

0:51:24.200 --> 0:51:27.040
<v Speaker 2>Very nice to meet you. Thank you so much, Joyelle.

0:51:27.200 --> 0:51:29.879
<v Speaker 2>I uh yeah, I'll be watching all right.

0:51:30.440 --> 0:51:31.879
<v Speaker 1>Awesome, Thank you so much.

0:51:31.960 --> 0:51:47.200
<v Speaker 2>Thank you, Joyelle, Thank you so much. You know what,

0:51:47.520 --> 0:51:51.440
<v Speaker 2>it was a joy to have you. Thank you for

0:51:51.880 --> 0:51:56.400
<v Speaker 2>making me laugh. I needed that today, folks. If you

0:51:56.600 --> 0:51:59.320
<v Speaker 2>need a dose of laughter, watch her set on the

0:51:59.360 --> 0:52:06.240
<v Speaker 2>latest episod out of l M aof on oftv dot com,

0:52:06.280 --> 0:52:11.359
<v Speaker 2>find her hilarious special Lovejoy on Peacock, or stream her

0:52:11.520 --> 0:52:16.080
<v Speaker 2>album Yell Joy well wherever you get your albums. As

0:52:16.120 --> 0:52:19.040
<v Speaker 2>for me, I'm going to be back here soon with

0:52:19.440 --> 0:52:24.560
<v Speaker 2>more joy and another episode of this fine podcast. Until then, everybody,

0:52:24.920 --> 0:52:34.279
<v Speaker 2>have a great week off. The Beat is hosted and

0:52:34.360 --> 0:52:39.120
<v Speaker 2>executive produced by me Brian Baumgartner, alongside our executive producer

0:52:39.320 --> 0:52:43.360
<v Speaker 2>Ling Lee. Our senior producer is Diego Tapia. Our producers

0:52:43.360 --> 0:52:47.080
<v Speaker 2>are Liz Hayes, Hannah Harris and Emily Carr. Our talent

0:52:47.120 --> 0:52:51.160
<v Speaker 2>producer is Ryan Papa Zachary, and our intern is Ali

0:52:51.320 --> 0:52:55.839
<v Speaker 2>Amir Sahed. Our theme song Bubble and Squeak, performed by

0:52:56.120 --> 0:53:08.880
<v Speaker 2>the one and only Creed Bratton in