1 00:00:00,600 --> 00:00:04,720 Speaker 1: Hello the Internet, and welcome to this episode of Fast 2 00:00:04,880 --> 00:00:12,080 Speaker 1: Trend Furious ten. Fastics, I believe is what it's called officially. 3 00:00:13,240 --> 00:00:18,919 Speaker 1: It sounds like a headache medici. I think fast fastic. Okay, Oh, 4 00:00:18,960 --> 00:00:21,880 Speaker 1: it's not all one work. I'm Jack. That is super 5 00:00:21,880 --> 00:00:26,640 Speaker 1: producer Becca. Hello. Sorry if I sound bad, I am 6 00:00:26,680 --> 00:00:32,760 Speaker 1: down bad sick. Oh so you're just really re falling 7 00:00:32,800 --> 00:00:38,480 Speaker 1: in love with your partner Bacca. It's a big it's 8 00:00:38,520 --> 00:00:44,839 Speaker 1: the last recording before Super Bowl, and oh boy, we 9 00:00:44,920 --> 00:00:50,080 Speaker 1: have some exes and os breakdowns of the Kansas City 10 00:00:50,159 --> 00:00:55,840 Speaker 1: Chiefs versus the Philadelphia Eagles. Psych J k um It's 11 00:00:55,920 --> 00:00:58,720 Speaker 1: like J K Rowling. We are going to talk about 12 00:00:58,760 --> 00:01:02,360 Speaker 1: the halftime show because the only thing I care about 13 00:01:02,640 --> 00:01:06,119 Speaker 1: to be it's also the last, to be honest, Like 14 00:01:06,240 --> 00:01:12,040 Speaker 1: I mean, I guess there's been some iconic moments in game. 15 00:01:12,240 --> 00:01:16,280 Speaker 1: But like I have, like up to before this season, 16 00:01:17,080 --> 00:01:23,520 Speaker 1: been like a football fan ish like I play fantasy football, 17 00:01:23,680 --> 00:01:27,559 Speaker 1: I follow the games. I listened to a sports podcaster 18 00:01:27,680 --> 00:01:32,920 Speaker 1: or two, and even with that, the moments that really 19 00:01:33,000 --> 00:01:38,080 Speaker 1: stand out are the ads and the halftime show. That's 20 00:01:38,160 --> 00:01:41,440 Speaker 1: that's what I remember from from the broadcast. We're visual people. 21 00:01:42,040 --> 00:01:45,560 Speaker 1: We're visual. People were I'm really pop culture bitch at heart, 22 00:01:46,240 --> 00:01:50,240 Speaker 1: and Rihanna is performing for the first time in seven years. 23 00:01:50,280 --> 00:01:52,720 Speaker 1: I didn't realize that. Yes, that's why people were going 24 00:01:53,040 --> 00:01:55,560 Speaker 1: crazy when they announced that she was going to be 25 00:01:55,600 --> 00:01:58,760 Speaker 1: the performer, because they were like, oh really, I gotta 26 00:01:58,800 --> 00:02:01,559 Speaker 1: go to the fucking super Old to see Rihanna live. 27 00:02:01,840 --> 00:02:07,760 Speaker 1: That is insane. Yeah, yeah, so I don't know. Another 28 00:02:07,760 --> 00:02:13,320 Speaker 1: headline around her performance is she she will not be 29 00:02:13,440 --> 00:02:19,080 Speaker 1: paid um, which is never like performers are never paid. Okay. 30 00:02:19,120 --> 00:02:21,680 Speaker 1: I was like, was that by choice or two? I 31 00:02:21,760 --> 00:02:27,040 Speaker 1: not know something that Justin Timberlake is paid, Tom Petty 32 00:02:27,160 --> 00:02:33,360 Speaker 1: was paid, Partney was just ing just joking, but that 33 00:02:33,360 --> 00:02:36,680 Speaker 1: would make sense. Uh no, it's I think the trend 34 00:02:36,760 --> 00:02:40,040 Speaker 1: is a list performers including Beyonce, Bruno, Mars, Justin Timberlake, 35 00:02:40,040 --> 00:02:45,200 Speaker 1: and Lady Gaga didn't get paid. However, the effect of 36 00:02:45,280 --> 00:02:50,320 Speaker 1: being the Super Bowl halftime show is pretty noticeable, like 37 00:02:50,360 --> 00:02:53,639 Speaker 1: people track it. So this year the number of viewers 38 00:02:53,680 --> 00:02:58,720 Speaker 1: is expected to top million. That doesn't shock me. I'm 39 00:02:58,760 --> 00:03:02,680 Speaker 1: always skeptical about like the thing where people are like 40 00:03:02,760 --> 00:03:06,720 Speaker 1: everybody is watching it around the world because when I 41 00:03:06,760 --> 00:03:09,919 Speaker 1: talk to friends of mine who grew up in other 42 00:03:10,000 --> 00:03:13,760 Speaker 1: countries or you know, still live in other countries. They 43 00:03:13,800 --> 00:03:17,079 Speaker 1: are generally like what, I don't I don't care at all, 44 00:03:17,200 --> 00:03:20,200 Speaker 1: Like I don't I don't even know the rules of 45 00:03:20,240 --> 00:03:22,360 Speaker 1: American football, And I feel like it's a thing we 46 00:03:22,440 --> 00:03:26,880 Speaker 1: like to tell ourselves to just kind of it's an 47 00:03:26,919 --> 00:03:34,720 Speaker 1: important part of the neolib myth of like means to 48 00:03:34,720 --> 00:03:37,720 Speaker 1: be us baby. Yeah, it's like it's like that's how 49 00:03:37,720 --> 00:03:40,600 Speaker 1: I view when I think of the NFL and football 50 00:03:40,720 --> 00:03:42,880 Speaker 1: and things like that. It's like that is like peak 51 00:03:42,960 --> 00:03:46,880 Speaker 1: American marketing, capitalism culture. It's like it's like we like 52 00:03:47,040 --> 00:03:50,480 Speaker 1: when you think of traditional America. Even though we're such 53 00:03:50,480 --> 00:03:53,360 Speaker 1: a diverse country, there's so many different aspects of us. 54 00:03:53,360 --> 00:03:56,920 Speaker 1: Like people are like football, NFL, like that is like 55 00:03:56,960 --> 00:03:59,040 Speaker 1: textbook when I think they put in books, like they're like, 56 00:03:59,080 --> 00:04:01,840 Speaker 1: this is America. You got football at the chaft time, 57 00:04:01,880 --> 00:04:09,760 Speaker 1: you got ads, you got Madman Madman. Yeah. So when 58 00:04:09,840 --> 00:04:15,480 Speaker 1: Lady Gaga took stage in seventeen, her song sales increased one. 59 00:04:18,120 --> 00:04:20,800 Speaker 1: That is a lot of I'm not great with math, 60 00:04:20,880 --> 00:04:23,080 Speaker 1: but I think that's pretty good. Jennifer Lopez gained two 61 00:04:23,120 --> 00:04:27,400 Speaker 1: point three million new followers across social media. Like during 62 00:04:27,440 --> 00:04:31,560 Speaker 1: the course of her performance, Um, so, I mean it 63 00:04:31,680 --> 00:04:34,960 Speaker 1: taught people that Jlo is a really incredible performer and 64 00:04:35,000 --> 00:04:39,640 Speaker 1: can really fake singing. Yeah, really good, I'm faking it. Yeah, 65 00:04:40,200 --> 00:04:44,080 Speaker 1: she's a I don't know. Her performance and out of 66 00:04:44,120 --> 00:04:48,560 Speaker 1: Sight is still one of my favorite film performances that 67 00:04:48,640 --> 00:04:53,200 Speaker 1: ship down as someone who is Puerto Rican, I will say, 68 00:04:53,400 --> 00:04:57,039 Speaker 1: you know, Jlo, she's a very controtable character in our community. 69 00:04:57,560 --> 00:05:00,400 Speaker 1: But things people can't take away from her is that 70 00:05:01,000 --> 00:05:04,560 Speaker 1: she can perform like she is a performer at heart. 71 00:05:04,600 --> 00:05:07,280 Speaker 1: She may not she may steal people's music, you know, 72 00:05:07,720 --> 00:05:10,760 Speaker 1: she may not be a nice person, but that bit 73 00:05:11,080 --> 00:05:13,800 Speaker 1: she can get on a stage and give you a 74 00:05:13,839 --> 00:05:16,560 Speaker 1: performance for her life. She is lip singing for her 75 00:05:16,680 --> 00:05:20,320 Speaker 1: life out there. Okay. So I will not have you 76 00:05:20,400 --> 00:05:23,159 Speaker 1: call her a bitch because I've never heard anything but 77 00:05:23,320 --> 00:05:26,839 Speaker 1: kind to everyone. And also I think the documentary about 78 00:05:26,880 --> 00:05:29,200 Speaker 1: the Super Bowl really humanized her. Like I think a 79 00:05:29,240 --> 00:05:31,680 Speaker 1: lot of people were like, wow, she's so difficult to 80 00:05:31,720 --> 00:05:34,320 Speaker 1: work with, Like you know, she like doesn't let people 81 00:05:34,360 --> 00:05:37,320 Speaker 1: look at her, and she really used the documentary. I 82 00:05:37,360 --> 00:05:39,760 Speaker 1: was like almost like curved over was like, am I 83 00:05:39,839 --> 00:05:42,360 Speaker 1: a jailo stand out. Am I like out here being 84 00:05:42,400 --> 00:05:43,880 Speaker 1: like no one will talk about Jo and then I 85 00:05:43,920 --> 00:05:45,919 Speaker 1: remember she stole lots of black women's music, and then 86 00:05:45,960 --> 00:05:48,120 Speaker 1: I knew so that I have to to get back 87 00:05:48,640 --> 00:05:52,000 Speaker 1: and be like not one of our best. The inner 88 00:05:52,120 --> 00:05:57,000 Speaker 1: struggle around j fandom. So just going back to like 89 00:05:57,040 --> 00:06:01,640 Speaker 1: the truly timeless moments of the past super Bowls of 90 00:06:01,680 --> 00:06:05,920 Speaker 1: our lifetime being halftime shows. The A V Club helpfully 91 00:06:05,960 --> 00:06:11,039 Speaker 1: as they do. I believe every year IS has has 92 00:06:11,120 --> 00:06:16,479 Speaker 1: ranked the performances, and you know, I think there's some 93 00:06:16,839 --> 00:06:23,560 Speaker 1: They put the last year's dre Snoop Kendrick, Mary J. Blige, 94 00:06:23,640 --> 00:06:30,520 Speaker 1: Eminem halftime show at number four overall, which is pretty high. 95 00:06:30,560 --> 00:06:33,279 Speaker 1: But I do think it was pretty good. I continue 96 00:06:33,320 --> 00:06:38,160 Speaker 1: to think that they are underrating Katie Perry's performance. Think 97 00:06:38,200 --> 00:06:45,280 Speaker 1: when she came out on that mechanical lion that that 98 00:06:45,400 --> 00:06:48,640 Speaker 1: was a moment. Also Katy Perry and underrated performer. She's 99 00:06:48,640 --> 00:06:53,719 Speaker 1: an incredible performer. Her stage presence is amazing. That was yeah, 100 00:06:53,920 --> 00:06:55,880 Speaker 1: But they have like you two and number so it 101 00:06:55,960 --> 00:07:02,080 Speaker 1: goes Beyonce one Prince to team performance right, not her? 102 00:07:02,240 --> 00:07:08,960 Speaker 1: What like cameo where cold Play was wisely, Like, I mean, 103 00:07:09,080 --> 00:07:14,040 Speaker 1: we can't just do a cold play like we should do. 104 00:07:14,720 --> 00:07:18,480 Speaker 1: Who else has done halftime shows that were good? Beyonce, Bruno, 105 00:07:18,520 --> 00:07:22,040 Speaker 1: Mars did I think last year let's just bring out Yeah, 106 00:07:22,080 --> 00:07:24,640 Speaker 1: they just brought back the people who had done it 107 00:07:24,760 --> 00:07:30,040 Speaker 1: very well. Uh recently so Beyonce and Prince one and two. 108 00:07:30,160 --> 00:07:32,360 Speaker 1: I think those are the correct top two. Those are 109 00:07:32,560 --> 00:07:36,760 Speaker 1: iconic moments. You two in two thousand two don't really 110 00:07:36,800 --> 00:07:39,200 Speaker 1: remember it. I'm also not a YouTube fan, so I 111 00:07:39,280 --> 00:07:43,200 Speaker 1: definitely didn't watch it. So I'm gonna say no, should 112 00:07:43,200 --> 00:07:47,239 Speaker 1: not be number three. I't u drand Snoop at number 113 00:07:47,240 --> 00:07:50,120 Speaker 1: four Michael Jackson, which I do remember. That was a 114 00:07:50,160 --> 00:07:53,640 Speaker 1: moment He's like doing magic tricks and appearing all over 115 00:07:53,680 --> 00:07:57,720 Speaker 1: the place. Lady gagat number six, I love that performance. 116 00:07:58,000 --> 00:08:00,520 Speaker 1: I woant have moved that one ahead. I would swap 117 00:08:00,920 --> 00:08:06,160 Speaker 1: the Dre and Lady Gaga in my opinion. Interesting, Um, 118 00:08:06,560 --> 00:08:08,840 Speaker 1: the Dre and Snoop one really seemed to have like 119 00:08:08,880 --> 00:08:11,080 Speaker 1: people were just like man. That made me so happy. 120 00:08:11,360 --> 00:08:13,360 Speaker 1: I haven't heard. I think it was a time in 121 00:08:13,480 --> 00:08:15,680 Speaker 1: history where we were like we needed this, you know, 122 00:08:15,720 --> 00:08:20,560 Speaker 1: I need this ship. Yeah, they like pretended to be outside, 123 00:08:20,800 --> 00:08:22,840 Speaker 1: like the whole thing was happening on like porches and stuff. 124 00:08:22,840 --> 00:08:25,080 Speaker 1: I was like, man, remember when we were like outside 125 00:08:25,120 --> 00:08:28,680 Speaker 1: and together in groups. Tom Petty and the Heartbreakers was 126 00:08:28,880 --> 00:08:33,040 Speaker 1: the ultimate man. They have some hits and I totally 127 00:08:33,080 --> 00:08:36,760 Speaker 1: forgot that those were songs by them type performance. They 128 00:08:36,760 --> 00:08:39,640 Speaker 1: got Bruno Mars at eight. I don't remember the Madonna. 129 00:08:39,720 --> 00:08:42,400 Speaker 1: They have Bruce Bringsteen, which I don't know your mileage, 130 00:08:42,440 --> 00:08:47,040 Speaker 1: maybe area Madonna and number ten, ahead of Katie Perry 131 00:08:47,040 --> 00:08:52,400 Speaker 1: at number eleven. I don't remember Madonna at all. I'm 132 00:08:52,400 --> 00:08:56,640 Speaker 1: shocked based on all of the hoopla after the Shakira 133 00:08:56,760 --> 00:08:59,280 Speaker 1: Jlo performance that it's number twelve on this list to 134 00:08:59,320 --> 00:09:02,880 Speaker 1: be completed this a little higher. It was in top ten, 135 00:09:03,559 --> 00:09:08,120 Speaker 1: and I really did love the performance like I thought 136 00:09:08,120 --> 00:09:11,840 Speaker 1: it was. I really did believe that Jlo deserved it 137 00:09:11,920 --> 00:09:14,559 Speaker 1: by herself, to be completely honest, not that's no hat 138 00:09:14,640 --> 00:09:17,840 Speaker 1: to Shakira, like I just thought it would have been. 139 00:09:17,880 --> 00:09:20,000 Speaker 1: Maybe it didn't. I felt like it was a snub 140 00:09:20,040 --> 00:09:22,600 Speaker 1: to like Latino artists in general, to be like, well, 141 00:09:22,600 --> 00:09:24,640 Speaker 1: we can't just have one, you know. It's like though 142 00:09:24,679 --> 00:09:26,959 Speaker 1: they have to share the stage. It's just I don't know. 143 00:09:28,160 --> 00:09:30,760 Speaker 1: Towards the bottom of the list, we have things that 144 00:09:30,800 --> 00:09:34,760 Speaker 1: you may have forgotten, like in Indiana Jones and the 145 00:09:34,800 --> 00:09:40,160 Speaker 1: Temple of the Forbidden Eye. Like, what, yeah, I don't. 146 00:09:40,280 --> 00:09:42,840 Speaker 1: I didn't know that happened. I think everybody just tuned out. 147 00:09:43,120 --> 00:09:45,880 Speaker 1: It's like the UM, if you've been I don't. It's 148 00:09:45,880 --> 00:09:48,240 Speaker 1: a Disney right, maybe it's a universal they have like 149 00:09:48,280 --> 00:09:52,160 Speaker 1: a little performance stunt show, a little stunt show. They're like, 150 00:09:52,160 --> 00:09:54,839 Speaker 1: what if we did the Miami Advice Boat stunt show 151 00:09:55,000 --> 00:09:59,480 Speaker 1: for the halftime show. Um, anytime you go away from 152 00:10:00,000 --> 00:10:05,440 Speaker 1: Tonic performer as your halftime show, it's a it's a 153 00:10:05,480 --> 00:10:09,439 Speaker 1: bad idea. Um. The Black Eyed Peas were one that 154 00:10:09,600 --> 00:10:13,120 Speaker 1: got ranked very lowly. Some there there are some that 155 00:10:13,200 --> 00:10:17,720 Speaker 1: were like celebration of soul, salsa and swing, and this 156 00:10:17,800 --> 00:10:19,880 Speaker 1: is another one of those things where it's like they 157 00:10:19,880 --> 00:10:22,600 Speaker 1: couldn't have just celebrated one Like it's like all of 158 00:10:22,600 --> 00:10:25,120 Speaker 1: the poc types of music, We're going to give them 159 00:10:25,160 --> 00:10:29,000 Speaker 1: one show. They didn't think Stevie Wonder could hold down 160 00:10:29,400 --> 00:10:32,120 Speaker 1: a halftime show, so they had to bury him between 161 00:10:32,120 --> 00:10:39,280 Speaker 1: Gloria Stephen and Big Bad Voodoo Daddy. Literally like Maroon five, 162 00:10:39,360 --> 00:10:46,920 Speaker 1: also a low ranker on this yucks. So that's that's 163 00:10:46,960 --> 00:10:49,000 Speaker 1: that's what I'm here for. Though. In terms of the 164 00:10:49,040 --> 00:10:53,880 Speaker 1: Super Bowl the halftime show, people's reaction at the halftime show, UM, 165 00:10:54,160 --> 00:10:56,199 Speaker 1: feed it to me, daddy, nom nom nom nom. No. 166 00:10:57,679 --> 00:11:01,520 Speaker 1: All I can say, literally, all I can say, all right, 167 00:11:01,880 --> 00:11:04,439 Speaker 1: let's take a quick break and we'll come back. We'll 168 00:11:04,440 --> 00:11:07,560 Speaker 1: talk about some news, we'll talk Syria, and then we've 169 00:11:07,600 --> 00:11:24,640 Speaker 1: got some trailers to watch and we're back. And UM, 170 00:11:24,679 --> 00:11:29,200 Speaker 1: so we did you know the rescue effort has been 171 00:11:29,440 --> 00:11:34,040 Speaker 1: stalled in Turkey and Syria or just you know, frustratingly, 172 00:11:34,080 --> 00:11:40,240 Speaker 1: infuriatingly slow after the massive earthquake earlier this week. Um, 173 00:11:40,240 --> 00:11:45,199 Speaker 1: and a lot of people are pointing out that US sanctions, 174 00:11:45,440 --> 00:11:49,679 Speaker 1: which they say they've like temporarily lifted, they're doing like 175 00:11:49,720 --> 00:11:53,880 Speaker 1: a six month sanctions exemption for all transactions related to 176 00:11:53,960 --> 00:11:57,360 Speaker 1: providing disaster relief to Syria. But going against like US 177 00:11:57,400 --> 00:12:01,440 Speaker 1: sanctions can really fuck a bank, like a financial actor, 178 00:12:01,760 --> 00:12:04,240 Speaker 1: and so people are just going to be like, I'm 179 00:12:04,240 --> 00:12:08,319 Speaker 1: not going to risk it. That's because capitalism is the 180 00:12:09,400 --> 00:12:14,120 Speaker 1: rules over humanity and that sucks. Yeah, So people are 181 00:12:14,160 --> 00:12:17,640 Speaker 1: just pointing out like it's it's not good enough to 182 00:12:17,679 --> 00:12:21,840 Speaker 1: do just a six month break because that's going to 183 00:12:22,000 --> 00:12:25,400 Speaker 1: still cause people to die, and that is generally the 184 00:12:25,440 --> 00:12:28,559 Speaker 1: case with U S sanctions in general. It's like a 185 00:12:28,600 --> 00:12:32,920 Speaker 1: polite way to kill people, UM, and the the US 186 00:12:32,960 --> 00:12:35,800 Speaker 1: has been doing it for a long time. Another thing 187 00:12:35,840 --> 00:12:40,560 Speaker 1: that is causing, you know, rescue efforts to stall or 188 00:12:40,920 --> 00:12:45,319 Speaker 1: be inefficient is that the US controls the vast majority 189 00:12:45,360 --> 00:12:48,560 Speaker 1: of oil in Syria and there's not enough fuel available 190 00:12:48,600 --> 00:12:53,080 Speaker 1: to send aid and rescue convoys, which is fucking awful. 191 00:12:53,440 --> 00:12:56,320 Speaker 1: And the death toll is increasing so much every day. 192 00:12:56,400 --> 00:12:59,720 Speaker 1: I mean, we just recorded it'll be out in a 193 00:13:00,000 --> 00:13:02,040 Speaker 1: well weeks I think, but we did just record a 194 00:13:02,040 --> 00:13:05,320 Speaker 1: deep dive on what's going on in Syria on ethnically 195 00:13:05,320 --> 00:13:11,080 Speaker 1: Ambiguous UM because Shrine is Syrian, and she did an 196 00:13:11,080 --> 00:13:14,200 Speaker 1: episode behind the Bastards like when it happened like the 197 00:13:14,280 --> 00:13:18,520 Speaker 1: day of and the death hole had increased like tenfold 198 00:13:18,840 --> 00:13:20,520 Speaker 1: just in that day that they had to like send 199 00:13:20,559 --> 00:13:23,600 Speaker 1: an update, and then even from yesterday we were at 200 00:13:23,600 --> 00:13:25,920 Speaker 1: twenty thousand and today we're at two. So it's just 201 00:13:26,480 --> 00:13:30,160 Speaker 1: it's really sad. Definitely fine ways to donate if you 202 00:13:30,240 --> 00:13:33,000 Speaker 1: can and spread the awareness of what's going on, because 203 00:13:33,040 --> 00:13:38,480 Speaker 1: it's just it's an absolutely horrible humanitarian situation and sanctions 204 00:13:38,679 --> 00:13:42,800 Speaker 1: can be really awful and evil. Really all right, So 205 00:13:43,040 --> 00:13:47,720 Speaker 1: two trailers dropped in the past couple of days, dropped 206 00:13:47,720 --> 00:13:51,400 Speaker 1: into my sphere of attention. I don't know. These could 207 00:13:51,440 --> 00:13:55,960 Speaker 1: have been out for months, but I found out about them. No, 208 00:13:56,040 --> 00:13:59,640 Speaker 1: I'm pretty sure they both came out today. Okay, one 209 00:13:59,720 --> 00:14:05,480 Speaker 1: is little there, Becca. This is the latest directorial effort 210 00:14:05,600 --> 00:14:11,320 Speaker 1: from one Mr Ben Affleck one Mr j lo One, 211 00:14:11,440 --> 00:14:17,439 Speaker 1: Mr Mr Mr Lopez, Mr ben Affleck Lopez, and it 212 00:14:17,600 --> 00:14:21,680 Speaker 1: is the story of the invention of the air Jordan's 213 00:14:22,160 --> 00:14:24,400 Speaker 1: put the needles into my arm right now, put it 214 00:14:24,440 --> 00:14:27,040 Speaker 1: into my baby. It looks really good. I'm actually very 215 00:14:27,080 --> 00:14:29,400 Speaker 1: intrigued to watch it has been Affleck has mac Damon 216 00:14:29,800 --> 00:14:33,160 Speaker 1: Viola Davis. As someone who used to live in Portland's. 217 00:14:33,360 --> 00:14:35,760 Speaker 1: It has like a very like, you know, romantic sized, 218 00:14:35,840 --> 00:14:38,920 Speaker 1: old timey view of Portland's, which I love. But also 219 00:14:39,040 --> 00:14:43,040 Speaker 1: as a former w K employee, which to them the 220 00:14:43,200 --> 00:14:46,160 Speaker 1: regular listener as you should know or shouldn't know because 221 00:14:46,160 --> 00:14:49,080 Speaker 1: it's silly. Uh. They are the place that created the 222 00:14:49,160 --> 00:14:53,680 Speaker 1: Joe Dua slogan. W K being one in Kennedy the 223 00:14:53,680 --> 00:14:56,160 Speaker 1: ad agency, which is based out of Portland's it's very 224 00:14:56,200 --> 00:14:58,720 Speaker 1: insider baseball. I'm gonna get here for a second. But 225 00:14:59,400 --> 00:15:01,960 Speaker 1: as someone who to work there, when you on board, 226 00:15:02,160 --> 00:15:04,840 Speaker 1: it's like big legacy that they give you a big 227 00:15:04,840 --> 00:15:07,520 Speaker 1: deep dive in their history with Nike and like you know, 228 00:15:07,560 --> 00:15:10,600 Speaker 1: they've been Nike's official agency of record for like over 229 00:15:10,720 --> 00:15:13,800 Speaker 1: thirty years. Um. So it was funny to watch the 230 00:15:13,800 --> 00:15:16,520 Speaker 1: trailer as someone want to use to work there because 231 00:15:17,000 --> 00:15:20,400 Speaker 1: it very much cuts out the agency part of the storytelling, 232 00:15:20,400 --> 00:15:22,480 Speaker 1: which I wouldn't expect it to include it. But it 233 00:15:22,560 --> 00:15:25,640 Speaker 1: was just so funny, this like romanticized view of like 234 00:15:25,920 --> 00:15:30,080 Speaker 1: Phil Knight like coming up with uh, you know Air 235 00:15:30,200 --> 00:15:35,360 Speaker 1: Jordan's with his like Nike salesperson that is recruiting Michael Jordan, 236 00:15:35,440 --> 00:15:38,240 Speaker 1: which is like not at all, Like I mean, part 237 00:15:38,240 --> 00:15:40,880 Speaker 1: of that is true, but as someone who had to 238 00:15:40,920 --> 00:15:43,680 Speaker 1: watch like documentaries and documentaries on like how Nick stuff 239 00:15:43,680 --> 00:15:46,880 Speaker 1: got made, it's like cutting out a huge part of 240 00:15:46,880 --> 00:15:49,800 Speaker 1: like Dan Widen and David Kennedy like working with Phil 241 00:15:49,880 --> 00:15:53,400 Speaker 1: Knight to build the Nick Air Jordan brand. So I 242 00:15:53,400 --> 00:15:54,880 Speaker 1: find it funny, but I think it's gonna be a a 243 00:15:54,920 --> 00:15:59,760 Speaker 1: really incredible movie. Yeah, they like collapse twenty different people 244 00:16:00,000 --> 00:16:05,480 Speaker 1: and departments into the person. Yeah, Phil Knight and Sonny Vacaro, 245 00:16:05,760 --> 00:16:11,920 Speaker 1: who is like a legendary basketball mover and shaker. Uh yeah, 246 00:16:12,160 --> 00:16:17,320 Speaker 1: somebody that. Yeah, uh so Sonny Bacaro played by Matt Damon, 247 00:16:17,680 --> 00:16:22,800 Speaker 1: which is interesting. They don't really resemble one another at all. 248 00:16:24,000 --> 00:16:28,320 Speaker 1: Ben Affleck though, looks exactly like Phil Knight, like, yes, 249 00:16:28,520 --> 00:16:32,080 Speaker 1: they did do a good job, I mean nailed it 250 00:16:32,720 --> 00:16:35,280 Speaker 1: and yeah, and there there's just a lot of So 251 00:16:35,480 --> 00:16:39,920 Speaker 1: my big question was, Okay, this is going to be 252 00:16:40,120 --> 00:16:46,160 Speaker 1: ruined the second they cut to Michael Jordan's played by 253 00:16:46,240 --> 00:16:50,200 Speaker 1: someone who's not Michael Jordan's the most iconic human being 254 00:16:51,480 --> 00:16:55,840 Speaker 1: of my lifetime, you know, like the most iconic, Like 255 00:16:55,920 --> 00:16:58,240 Speaker 1: you can't and so immediately looked at who they got 256 00:16:58,240 --> 00:17:00,520 Speaker 1: played Michael Jordan because there is like a one moment 257 00:17:01,080 --> 00:17:04,640 Speaker 1: shot in the trailer where you see him from behind, 258 00:17:05,160 --> 00:17:09,119 Speaker 1: and they apparently anticipated, my, oh, this is going to 259 00:17:09,160 --> 00:17:11,080 Speaker 1: be ruined when they when you have somebody who's not 260 00:17:11,119 --> 00:17:14,000 Speaker 1: Michael Jordan's being like and here he is Michael Jordan 261 00:17:14,080 --> 00:17:17,920 Speaker 1: and he's like not Michael Jordan. Um, they don't have 262 00:17:17,960 --> 00:17:21,080 Speaker 1: anyone playing Michael Jordan. It's just like the whole thing 263 00:17:21,119 --> 00:17:29,000 Speaker 1: takes place around the magnetic persona of this person that 264 00:17:29,040 --> 00:17:31,600 Speaker 1: they're just like, oh you it's like we we don't 265 00:17:31,640 --> 00:17:35,679 Speaker 1: like take a take time to like focus the camera 266 00:17:35,760 --> 00:17:38,520 Speaker 1: on the sun when we're doing you know, like you 267 00:17:38,600 --> 00:17:40,760 Speaker 1: just know it's there, you know he's there, which I 268 00:17:40,760 --> 00:17:44,640 Speaker 1: mean's smart. I'm excited for that reason because it's really 269 00:17:44,640 --> 00:17:47,280 Speaker 1: going to be about the story of building out to 270 00:17:47,720 --> 00:17:52,000 Speaker 1: you know, the air Jordan's versus like Michael Jordan's by 271 00:17:52,240 --> 00:17:57,159 Speaker 1: biopic almost you know, yes, um anyways, and then the 272 00:17:57,160 --> 00:18:00,280 Speaker 1: big movie we're all talking about we're all thinking of yes, 273 00:18:01,440 --> 00:18:02,840 Speaker 1: Like I don't know if I'm ready to talk about 274 00:18:02,840 --> 00:18:06,280 Speaker 1: it yet. It's in my heart. My heart is digesting 275 00:18:06,280 --> 00:18:12,359 Speaker 1: it but fast ix um. So. At one point during 276 00:18:12,359 --> 00:18:18,480 Speaker 1: this trailer, Vin Diesel opens his eyes wide like he's 277 00:18:18,560 --> 00:18:22,240 Speaker 1: scared of what he's seeing, and it is like Olivier 278 00:18:22,320 --> 00:18:26,800 Speaker 1: has stepped into the screen because Vin Diesel has expertly 279 00:18:26,880 --> 00:18:31,000 Speaker 1: been underplaying every emotion for the last twenty years of 280 00:18:31,040 --> 00:18:38,160 Speaker 1: this Yeah, like that you reveal that he has a kid, 281 00:18:38,200 --> 00:18:41,680 Speaker 1: and he like just like doesn't even do like a 282 00:18:41,720 --> 00:18:45,160 Speaker 1: single tear rolls down his stone face and this time 283 00:18:45,160 --> 00:18:47,360 Speaker 1: he opens his eyes and I'm like, it's all been 284 00:18:47,480 --> 00:18:50,879 Speaker 1: leading up to this, or they taught him how to 285 00:18:50,920 --> 00:18:55,200 Speaker 1: move his face finally, but it really is affecting. It's 286 00:18:55,240 --> 00:19:00,399 Speaker 1: just it's everything we expect from from a Best and 287 00:19:00,520 --> 00:19:06,960 Speaker 1: Furious movie. It was. The trailer is approximately two and 288 00:19:07,000 --> 00:19:09,880 Speaker 1: a half hours long, which is long for a trailer. 289 00:19:10,280 --> 00:19:13,160 Speaker 1: It rhet cons I think. I don't think Jason Momo 290 00:19:13,440 --> 00:19:17,959 Speaker 1: was in the Fast five, which for me is really 291 00:19:18,160 --> 00:19:22,359 Speaker 1: the first Fast and Furious movie. Um, I saw Too Fast, 292 00:19:22,359 --> 00:19:24,639 Speaker 1: Too Furious in theaters. I did not see the first, 293 00:19:24,760 --> 00:19:28,159 Speaker 1: or the third or the fourth. Um. And then Fast 294 00:19:28,200 --> 00:19:30,520 Speaker 1: five came out and I was like, well, this is 295 00:19:30,560 --> 00:19:33,119 Speaker 1: a this is a new alchemy that they've created. They 296 00:19:33,200 --> 00:19:37,320 Speaker 1: they've they've done something here, and this kind of returns 297 00:19:37,440 --> 00:19:40,440 Speaker 1: to that as the orr text of the film, where 298 00:19:40,760 --> 00:19:43,280 Speaker 1: like the origin of the bad guy is that he 299 00:19:43,520 --> 00:19:46,679 Speaker 1: is you know, he was there in the background of 300 00:19:46,800 --> 00:19:50,160 Speaker 1: Fast five, and like, is the brother of the bad 301 00:19:50,200 --> 00:19:53,080 Speaker 1: guy from Fast five? And I think that's smart. I 302 00:19:53,119 --> 00:19:57,040 Speaker 1: think that that is truly the heart of your franchise 303 00:19:57,040 --> 00:19:58,880 Speaker 1: at this point. Is Fast five or you think they 304 00:19:58,880 --> 00:20:02,280 Speaker 1: brought him in because as Dwayne the Rock Johnson refuses 305 00:20:02,320 --> 00:20:06,240 Speaker 1: to do any more Fast movies. Yeah, it's like dating 306 00:20:07,119 --> 00:20:11,280 Speaker 1: dating someone who is like, you know, will make your 307 00:20:11,440 --> 00:20:14,080 Speaker 1: ex jealous by being like he's which I don't think 308 00:20:14,080 --> 00:20:17,119 Speaker 1: he's a bad edition. I do think Bree Larson is 309 00:20:17,160 --> 00:20:23,399 Speaker 1: a weird ad to the franchise. She's just she just 310 00:20:23,440 --> 00:20:25,720 Speaker 1: shows up and they're treating her in this like she's 311 00:20:25,880 --> 00:20:29,160 Speaker 1: part of the Yeah, one of the old family members. 312 00:20:29,680 --> 00:20:33,200 Speaker 1: But I don't. She's not in any of the other movie. 313 00:20:33,240 --> 00:20:36,120 Speaker 1: She wasn't even a Fast name. And they bring her 314 00:20:36,160 --> 00:20:40,639 Speaker 1: in and she's a good guy right away, which I 315 00:20:41,800 --> 00:20:46,880 Speaker 1: that's not how this works. Unfortunately, Tom is always very 316 00:20:46,960 --> 00:20:49,200 Speaker 1: like hesitant to let anybody in, like you have to fight, 317 00:20:49,960 --> 00:20:52,200 Speaker 1: you have to be the bad guy. And then he's 318 00:20:52,200 --> 00:20:54,840 Speaker 1: a when you over and flip you to this one 319 00:20:55,240 --> 00:21:00,000 Speaker 1: Dom's brother. What's the John Cena is the good guy 320 00:21:00,240 --> 00:21:04,240 Speaker 1: now like but after being the bad guy? Yes, formerly 321 00:21:04,280 --> 00:21:07,920 Speaker 1: bad guy, now good guy? Uh that that is the 322 00:21:08,320 --> 00:21:13,000 Speaker 1: gestation cycle of a Fast family member. And Charlie Sarone 323 00:21:13,160 --> 00:21:18,159 Speaker 1: still bad guy. Charlie Stone is the fight at the 324 00:21:18,280 --> 00:21:21,960 Speaker 1: end right yes, yes, yes, yeah so that she she's 325 00:21:22,000 --> 00:21:24,960 Speaker 1: still bad. I feel like she switched over for like 326 00:21:25,000 --> 00:21:27,240 Speaker 1: fifteen minutes of one of the movies and helped them 327 00:21:27,359 --> 00:21:31,160 Speaker 1: and then trying to kill them. So I have watched, 328 00:21:31,280 --> 00:21:34,240 Speaker 1: growing up sporadically some of these movies. My dad is 329 00:21:34,280 --> 00:21:36,399 Speaker 1: a really big car guy, and I feel like growing 330 00:21:36,480 --> 00:21:38,600 Speaker 1: up he took me to a few of them, but 331 00:21:38,760 --> 00:21:40,680 Speaker 1: as a child, I was like, I can't do this, 332 00:21:41,080 --> 00:21:44,040 Speaker 1: and I stopped going. And then I started dating my partner, 333 00:21:44,080 --> 00:21:47,040 Speaker 1: and my partner is obsessed with Fastly Furious is his 334 00:21:47,119 --> 00:21:54,080 Speaker 1: favorite movie franchise ever. So then you guys were for Halloween. Yeah, 335 00:21:54,280 --> 00:21:58,640 Speaker 1: and so we decided, Okay, we'll have a fast franchise, 336 00:21:58,800 --> 00:22:01,200 Speaker 1: you know, rewatch, and we're going to really deep dive 337 00:22:01,200 --> 00:22:03,679 Speaker 1: because I had already done the Newcover's podcast where they 338 00:22:03,680 --> 00:22:06,159 Speaker 1: deep dive the Fast and Furious franchise, and I was like, 339 00:22:06,200 --> 00:22:09,520 Speaker 1: this was really funny. I should just start over. And 340 00:22:09,600 --> 00:22:12,040 Speaker 1: I will say the first one I loved because it 341 00:22:12,080 --> 00:22:13,880 Speaker 1: was like gritty and all the wrong ways and you're 342 00:22:13,920 --> 00:22:16,040 Speaker 1: just like, it takes itself so seriously. It's like trying 343 00:22:16,040 --> 00:22:21,240 Speaker 1: to establish itself and it's goofy, but they weren't intending 344 00:22:21,280 --> 00:22:22,720 Speaker 1: to be goofy, which is what I like about it. 345 00:22:22,760 --> 00:22:25,080 Speaker 1: And I like that it's the shortest one because they 346 00:22:25,119 --> 00:22:28,440 Speaker 1: just keep getting longer as you go. It adds two 347 00:22:28,480 --> 00:22:32,600 Speaker 1: hours to your life every time you watch. But the 348 00:22:32,640 --> 00:22:36,160 Speaker 1: second one is my favorite. I hated Tokyo Drift. Hated 349 00:22:36,200 --> 00:22:39,920 Speaker 1: Tokyo Drifts the worst one, and we're talking about because 350 00:22:39,960 --> 00:22:44,920 Speaker 1: Tokyo Drift leads White guy from that one comes back 351 00:22:45,000 --> 00:22:47,280 Speaker 1: and I think he first comes back and went one 352 00:22:47,320 --> 00:22:50,439 Speaker 1: of the last two, and they've just given him a 353 00:22:50,480 --> 00:22:54,159 Speaker 1: new character, like he's now like so much in that 354 00:22:54,240 --> 00:22:57,119 Speaker 1: they're like, remember this guy, he's like kind of a 355 00:22:57,200 --> 00:23:01,840 Speaker 1: Matthew mcgiver junkyard scientists and people are like, no, that's 356 00:23:01,840 --> 00:23:04,520 Speaker 1: not what he was, and I'm like, sure he was. Anyways, 357 00:23:04,560 --> 00:23:06,880 Speaker 1: that's we needed one of those, and so we're bringing 358 00:23:06,920 --> 00:23:09,239 Speaker 1: him back. Like Han outshined him so hard that they 359 00:23:09,240 --> 00:23:11,159 Speaker 1: were like, we're just going to start building the plot 360 00:23:11,240 --> 00:23:13,280 Speaker 1: around Han, Like he was only in this movie for 361 00:23:13,320 --> 00:23:17,080 Speaker 1: like fifteen minutes, but we're gonna now create four other 362 00:23:17,160 --> 00:23:19,399 Speaker 1: movies around his plot before we let him die and 363 00:23:19,400 --> 00:23:24,320 Speaker 1: then come back. Here's a um a skill of driving 364 00:23:25,080 --> 00:23:27,879 Speaker 1: that happens in these movies, Like what driving means in 365 00:23:27,920 --> 00:23:30,920 Speaker 1: these movies that you see it in the one where 366 00:23:30,920 --> 00:23:34,760 Speaker 1: they go to space and they're like somehow being able 367 00:23:34,800 --> 00:23:40,080 Speaker 1: to drive into space. It's like a control. It's being 368 00:23:40,119 --> 00:23:44,159 Speaker 1: able to control with sheer like force of will a 369 00:23:44,359 --> 00:23:49,240 Speaker 1: car's movement through space and time. Like in in this trailer, 370 00:23:49,920 --> 00:23:54,600 Speaker 1: there is a moment where Vin Diesel is like wills 371 00:23:54,760 --> 00:23:58,240 Speaker 1: his car to not be lifted off the ground by 372 00:23:58,440 --> 00:24:04,439 Speaker 1: a helicopter, like just he defies, just defied, just like 373 00:24:04,640 --> 00:24:08,840 Speaker 1: somehow he just like makes gravity like hold him to 374 00:24:08,960 --> 00:24:12,919 Speaker 1: the ground and he like pulls the helicopters together and 375 00:24:12,960 --> 00:24:16,440 Speaker 1: they explode, and it's it doesn't make sense, but like 376 00:24:16,680 --> 00:24:20,639 Speaker 1: it's a thing he's been doing throughout like there in 377 00:24:20,640 --> 00:24:23,280 Speaker 1: in Fast five or six, I forget like he's able 378 00:24:23,320 --> 00:24:26,560 Speaker 1: to just like I don't know, it's like drive so 379 00:24:26,680 --> 00:24:30,560 Speaker 1: hard that he doesn't get killed when a building collapses 380 00:24:30,600 --> 00:24:35,480 Speaker 1: on him. It's just Yeah, I stopped at the seventh one. 381 00:24:35,560 --> 00:24:38,040 Speaker 1: That's the last one I watched, and I haven't been 382 00:24:38,080 --> 00:24:40,679 Speaker 1: able to catch up. And now I feel reinvigorated to 383 00:24:40,760 --> 00:24:43,840 Speaker 1: start my journey back again. At eight. Maybe I'll watch 384 00:24:43,880 --> 00:24:49,480 Speaker 1: tonight and in it I think it was bad, maybe 385 00:24:49,680 --> 00:24:53,240 Speaker 1: more fun. Five was great, Five is transcendent. Six I 386 00:24:53,280 --> 00:24:56,520 Speaker 1: think was very good seven, and I really liked not 387 00:24:56,680 --> 00:24:59,400 Speaker 1: I thought nine was pretty fun that I think nine 388 00:24:59,440 --> 00:25:02,520 Speaker 1: was the one with the Yeah. It had a sequence 389 00:25:02,560 --> 00:25:06,320 Speaker 1: that like fun with magnets and John Cena created. There's 390 00:25:06,359 --> 00:25:09,000 Speaker 1: this character Michael Swain always pitched it correct that we 391 00:25:09,040 --> 00:25:14,360 Speaker 1: never had the budget to do, but it was perpetual zipliner. Uh, 392 00:25:14,480 --> 00:25:19,320 Speaker 1: like a guy who's just always ziplining everywhere he goes. Um. 393 00:25:19,440 --> 00:25:22,760 Speaker 1: And that happens in this where John Cena is just 394 00:25:22,840 --> 00:25:27,199 Speaker 1: ziplining like across the city, like NonStop, like in a 395 00:25:27,240 --> 00:25:32,480 Speaker 1: way that doesn't make any sense. Um. And my favorite thing, 396 00:25:32,720 --> 00:25:36,360 Speaker 1: my last thing about Past franchise is that when Donald 397 00:25:36,440 --> 00:25:41,320 Speaker 1: goes anywhere, the people of that country or area love him. 398 00:25:41,480 --> 00:25:44,959 Speaker 1: He may not speak that language, but the people of 399 00:25:44,960 --> 00:25:47,960 Speaker 1: that country, they said, he's our robin Hood, he that 400 00:25:48,080 --> 00:25:50,200 Speaker 1: is our man. Don Torretto. I love when they go 401 00:25:50,240 --> 00:25:52,280 Speaker 1: to the Dominican Republic and all the people are just 402 00:25:52,320 --> 00:25:55,560 Speaker 1: like dancing salsa and they're just like dumb, and it's 403 00:25:55,560 --> 00:25:58,200 Speaker 1: like he doesn't speak a liquor Spanish, like no Spanish. 404 00:25:58,240 --> 00:26:00,840 Speaker 1: Letty doesn't even speak Spanish in the movie, and they 405 00:26:00,960 --> 00:26:03,560 Speaker 1: love him. They love him. In Brazil, they loved him 406 00:26:03,560 --> 00:26:05,520 Speaker 1: at the end of Tokyo, they were like, let's get 407 00:26:05,640 --> 00:26:09,760 Speaker 1: this race, Like it's just so fun that everywhere he 408 00:26:09,800 --> 00:26:12,919 Speaker 1: goes he's just beloved by all. I think there's a 409 00:26:12,960 --> 00:26:18,960 Speaker 1: moment in the trailer where he says, let's race for 410 00:26:19,000 --> 00:26:21,480 Speaker 1: some reason, like I was expecting a different word there, 411 00:26:21,480 --> 00:26:24,080 Speaker 1: and it feels weird. Well because as the movies progress, 412 00:26:24,400 --> 00:26:30,240 Speaker 1: it's less about racing and it's more about high crime. Well, 413 00:26:30,280 --> 00:26:33,959 Speaker 1: it's really about family and it's it's your family, and 414 00:26:34,000 --> 00:26:37,600 Speaker 1: it's really about family and that the family is who 415 00:26:37,640 --> 00:26:42,480 Speaker 1: you make it found family, families, your friends. That's what 416 00:26:42,640 --> 00:26:48,280 Speaker 1: every TV writer says their show is about. At Rita Marito, 417 00:26:49,080 --> 00:26:52,439 Speaker 1: what why is she in this movie? She's like the 418 00:26:52,480 --> 00:26:58,119 Speaker 1: matrioch r Yeah, but like was not in anything. Well, Becca, 419 00:26:58,359 --> 00:27:01,800 Speaker 1: we could talk about this three more hours. But the 420 00:27:01,880 --> 00:27:05,840 Speaker 1: daily is like, guys, really in the end is about family, 421 00:27:06,440 --> 00:27:09,480 Speaker 1: the family that you find along the way. You know, 422 00:27:09,560 --> 00:27:13,560 Speaker 1: you choose your family sometimes that's true. So thank you 423 00:27:13,600 --> 00:27:16,240 Speaker 1: for being a small part of mine. Where can people 424 00:27:16,280 --> 00:27:18,399 Speaker 1: find you? Follow you? You can find me and follow 425 00:27:18,400 --> 00:27:21,080 Speaker 1: me at Beck's B E, C C S Robos on 426 00:27:21,119 --> 00:27:23,239 Speaker 1: all platforms and if you go to Instagram you can 427 00:27:23,280 --> 00:27:26,800 Speaker 1: see my Dom torto Letty costume. Yeah, one of the greats. 428 00:27:27,680 --> 00:27:31,159 Speaker 1: You can find me on Twitter, Jack Underscore O'Brien. That 429 00:27:31,320 --> 00:27:34,359 Speaker 1: is going to do it for us this afternoon. We 430 00:27:34,440 --> 00:27:36,520 Speaker 1: are back on Monday with the whole last episode of 431 00:27:36,560 --> 00:27:40,919 Speaker 1: the show, The Greatest Hits that drops tomorrow from this 432 00:27:40,960 --> 00:27:44,639 Speaker 1: week's shows, And yeah, we'll talk to you all then. 433 00:27:44,720 --> 00:27:46,840 Speaker 1: Until then, be kind to each other, be kind to yourselves, 434 00:27:46,880 --> 00:27:50,000 Speaker 1: get the vaccine, don't do nothing about white supremacy, and 435 00:27:50,040 --> 00:28:01,520 Speaker 1: we will talk to you all on Monday three