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Speaker 1: The story time legendary Jerry. I am Jerry Clark a

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Speaker 1: k A. Legendary j This is my brother new face.

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Speaker 1: Of course, he was all He's always.

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Speaker 2: There, he's here and the guests we got today.

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Speaker 1: Man, let's this brother. So his energy is so infectious.

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Speaker 1: His energy has always been effectious every time. And not

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Speaker 1: just that. When you talk about the most talented producers

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Speaker 1: in the history of his music business, you have to

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Speaker 1: talk about from the nine on one to the four

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Speaker 1: O four mister Jazzy Faith Finnzel.

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Speaker 3: Gentlemen, you're not turning to the Julie Jazz Finze, Bergney Obama,

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Speaker 3: Luther King, Julian Jackson five the first and I approved

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Speaker 3: these messages.

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Speaker 1: That's what That's what I was waiting on. You gotta

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Speaker 1: do before we start. You gotta do, oh boy, one

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Speaker 1: time there you go, hey man, that's what I'm talking y'all.

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Speaker 4: See that, this is that, this is that that little ground,

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Speaker 4: this this is that this, this is that original nine

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Speaker 4: o one Memphis And you know why I know.

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Speaker 3: Well, so it's nine O one two to uh two

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Speaker 3: one three a k A three one oh then back

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Speaker 3: to Atlanta. Oh damn okay, you I was I was

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Speaker 3: raised in California.

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Speaker 1: Boy, you didn't know that. I know that four years

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Speaker 1: the story time of legendary yere Yes.

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Speaker 3: You said, if you're going you know what I mean,

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Speaker 3: you know, if you go back a little bit, you

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Speaker 3: you'll see thus you have and that was thus you

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Speaker 3: have the uh the old boy. The old boy was like.

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Speaker 1: You know that relation forty and old boy.

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Speaker 3: Okay, and and uh and uh thistle and all of

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Speaker 3: them up.

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Speaker 1: So that's what. So was that because of with your

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Speaker 1: dad been in the industry or was that just what?

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Speaker 1: How did the how did the whole la being raised

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Speaker 1: out there coming by its because your father was in

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Speaker 1: the industry.

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Speaker 3: No, it's mom my mom. My mom U separated from

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Speaker 3: my dad was four so well maybe when I was three,

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Speaker 3: But but we went to l A. We went to California.

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Speaker 3: My mom had a lot of opportunity out there. She

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Speaker 3: was working with DJ Rogers.

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Speaker 1: So your mom is in the industry too, mm hmm,

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Speaker 1: so you get it double yes, Oh damn.

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Speaker 3: Yeah, work with Yeah, we're Earth winning fire everybody. Yeah,

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Speaker 3: Billy Preston, that's them. Man.

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Speaker 2: If you listen to Faith Evans, you could hear her vocals. Yeah,

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Speaker 2: Faith Evans so correct which one faith fun?

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Speaker 3: Oh yes, yeah, that's my mom is singing on that

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Speaker 3: bro and Common Common did that as well. So you

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Speaker 3: know they say DNA don't lie.

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Speaker 1: So that's that's that's that's that motherfucker.

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Speaker 3: Yes, sir.

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Speaker 1: Look, the other day we saw you, me and new Face,

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Speaker 1: and I told you something. Them gonna tell my audience

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Speaker 1: that the first time I met Jazzy Fay. Wow, this

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Speaker 1: is gonna be a surprise for me. No, you heard

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Speaker 1: it already. I'm gonna say it again. First time I

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Speaker 1: heard met Jazzy Fai, I was in the Gentleman's Club,

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Speaker 1: the Strip Club and it's no longer around, and I

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Speaker 1: was working a record Taylor show enough and they said

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Speaker 1: the dude that produced the record is in here. But

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Speaker 1: they were saying that they was like here a producer,

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Speaker 1: he did the record, but here an artist too, And

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Speaker 1: you had like it was like honey and look and the.

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Speaker 3: Same then nowadays, I mean, and.

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Speaker 1: The same look, Jazz. I can say the same energy

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Speaker 1: you had that night when I met you at the

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Speaker 1: Gentleman's Club for the first time, it's the same energy

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Speaker 1: you have Now' not saying a lot man, do it

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Speaker 1: when I tell you excuse me, man, God is incredible man,

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Speaker 1: But Jazz, you are you are here.

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Speaker 3: We're excited to hear you on the show.

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Speaker 1: Hey man, it's somebody with so much and you know

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Speaker 1: we got a lot to talk about. Yeah, Jesse, one

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Speaker 1: hundred and seventy million records.

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Speaker 3: It's a few. Like I said, maybe it's it's a fruit.

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Speaker 1: It's a fruit that mixed up with the West Coast.

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Speaker 3: It's it's a fur room, my doubt. You know, the

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Speaker 3: West Coast just comes and goes it. You know, it happens.

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Speaker 3: So it happened all right. Back back back to you.

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Speaker 3: You you go to l A, come to the A.

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Speaker 3: But still that when you start coming in with the

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Speaker 3: Suave House and the TEMs and a ball m j G.

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Speaker 3: We got some Houston in there too. Yeah, that's what

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Speaker 3: I'm saying to include Houston because I lived there for

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Speaker 3: a while. So how did how did it all come?

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Speaker 3: How did that all come about? With you coming back

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Speaker 3: and clicking up with the Suave House crew with Tony Draping,

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Speaker 3: Balling gen so before Tony and Tony Draper. Of course

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Speaker 3: I knew Ball and G just indirectly, but never personally.

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Speaker 3: I'd always see them, you know what I'm saying. They

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Speaker 3: were like they I would literally see then walking down

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Speaker 3: the street and to the studio. Maybe I don't know

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Speaker 3: where they were going, like because I would drive by

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Speaker 3: over there, and these guys they were young. I don't

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Speaker 3: need to think they had cars yet. They weren't Orange Mound,

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Speaker 3: you know what I mean. And I would be coming

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Speaker 3: down maybe Airways and something like that or I'm not

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Speaker 3: not sure what street it was, but I would see Ball.

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Speaker 3: I remember seeing Ball one time and I said, man,

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Speaker 3: that was eight Ball and his record was like I

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Speaker 3: think they had like mister Big, the first version of

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Speaker 3: you know what I'm saying it, And I was like,

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Speaker 3: I was like such a fan, you know what I'm saying.

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Speaker 3: And I've seen it. Look looking back like this Ball man,

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Speaker 3: you know what I'm saying, that's him. Yeah. Yeah, I

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Speaker 3: think he had his rhymes in his hand too. Yeah.

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Speaker 3: I was like, man, that man for the go drop

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Speaker 3: one boy.

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Speaker 1: So you so from knowing Ball and g that's how

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Speaker 1: the hole you coming in with?

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Speaker 3: Well, no, actually it came from Tila. Tela was my friend.

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Speaker 3: Tela Tela was in a group calling Danger Species. It was.

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Speaker 3: It was two of them it was Tela and Cody

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Speaker 3: and they had performed at it and I think it

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Speaker 3: might have been a something on Bell Street, some on

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Speaker 3: Bell Street and they performed and they met. I was

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Speaker 3: always a fan of both of them, but Teyla he

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Speaker 3: was he was the one like you know, like the

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Speaker 3: Ice Community group. You know, he was just he just

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Speaker 3: he was just so unorthodox even now, like if you

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Speaker 3: hear Tila rhyme, it's like he don't. He can't just

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Speaker 3: directly say nothing, you know, say it then it's deep,

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Speaker 3: you know what I'm saying. So uh, he you know,

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Speaker 3: knew about me locally, and he had been in a

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Speaker 3: few studio sessions and and kind of walked in and

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Speaker 3: we kicked it a little bit and he heard my music,

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Speaker 3: you know what I mean it, I mean, it's impossible

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Speaker 3: kind of not to hear your music when you're in Memphis.

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Speaker 3: We were like, you know, uh, really stirring the pot

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Speaker 3: down there a long time ago, even around the Triple six,

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Speaker 3: you know what I'm saying, Even around play a Fly,

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Speaker 3: even Spanish Fly DJ Spanish Fly, you know what I'm saying.

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Speaker 3: And Rady Jay and.

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Speaker 1: No Tommy right the third he he even was buzzing here.

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Speaker 3: Hey, yeah, we go back, man, disc go hound Damn

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Speaker 3: remember this man, hey man, Howard Q. Howard Q used

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Speaker 3: to always let me wrap on the mic. Also R J.

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Speaker 3: Greow and the Memphis J Grew. I think R J.

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Speaker 3: Grew worked with iHeart on the praise side.

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Speaker 1: In the station and j R J.

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Speaker 3: Groove.

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Speaker 4: No.

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Speaker 3: I think he's just you know, universally. I think he

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Speaker 3: was here in Atlanta though over there on over there

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Speaker 3: about off P Street. Yeah, yep.

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Speaker 1: So you got that with with with Ball and g Teyla,

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Speaker 1: the whole wave house.

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Speaker 3: Yep. Teila was always like yo, you know when when

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Speaker 3: I get my situation, I'm a high. This was a

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Speaker 3: Memphis But then I moved. When I think around that time,

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Speaker 3: I still I think it was ninety three, like ninety four.

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Speaker 3: I ended up going to Atlanta. I went to Atlanta

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Speaker 3: to you.

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Speaker 1: That's when I met you around ninety four or ninety five.

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Speaker 3: That was in the beginning there, Yeah, the beginning you

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Speaker 3: have blond hand, yeah man, yeah, man, So so you

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Speaker 3: know when when that happened, you know, Teyla was like yo,

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Speaker 3: he called me one day. I was just like, hey,

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Speaker 3: it's time we're going back to Memphis. So I'm thinking

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Speaker 3: were going to Texas, but we went to Memphis, yeah,

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Speaker 3: to record, And I had been back to Memphis to

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Speaker 3: recording years well, like like about probably like two years.

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Speaker 3: But so we went back to Memphis to record, and

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Speaker 3: then that's what we record with Slice Tea. I had

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Speaker 3: the Funkaholics at the time, you know what I mean.

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Speaker 3: And uh, I went back to record and we just

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Speaker 3: did show enough and tied the ball. Boy. Let me

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Speaker 3: tell you something.

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Speaker 1: Them two records right there, Man boy, I'm talking about

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Speaker 1: I still ride around to this day bumping that shit.

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Speaker 3: Man. Shout out to insane, insane Wayne Weston pieces around

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Speaker 3: that time. You know what I'm saying That he was

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Speaker 3: rocking with us heavy and he showed me a lot,

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Speaker 3: you know what I'm saying. Yeah, shout as a drummer, boy, before.

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Speaker 1: We jump off into some of this stuff in this

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Speaker 1: one hundred and seventy million records that you have, the Memphis,

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Speaker 1: that the whole Memphis movement. Now, what's give me your

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Speaker 1: thoughts on on how you feel about it. I know

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Speaker 1: you're being firmly entrenched in at Lina for a long time, yeah,

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Speaker 1: but Memphis is still your roots.

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Speaker 3: And you still know it.

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Speaker 1: You're still cool and I know you still know a

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Speaker 1: lot of those cats. What do you think about this

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Speaker 1: myths coming out of Memphis?

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Speaker 3: Now? Man, I think Memphis is jamming. I think, uh,

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Speaker 3: they they hot, they on fire. I mean, you know, uh,

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Speaker 3: you can always expect. I know there's there's more. You

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Speaker 3: know that. I know there's more, but like on the

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Speaker 3: street side, you know they going crazy, but I know

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Speaker 3: there's still more on the on the R and B side,

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Speaker 3: Like Jay Howell. You know what I'm saying. That boy

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Speaker 3: can that boy? Yeah, yeah, real dope. Uh, you know,

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Speaker 3: like the big thirties, all of them, the uh what's

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Speaker 3: the boy name? Uh? He locked up right now? All man.

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Speaker 1: I love Dolph. I love them all man. Yeah, you

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Speaker 1: know what I'm saying. R P dogh Yeah, Man, rest

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Speaker 1: in peace, young Dolph. What artists out of there right now?

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Speaker 1: If you had to pick one you want to work

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Speaker 1: with that I want to work with the Memphisphis become

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Speaker 1: blessed right now, the blessed Jesse can blessed with that,

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Speaker 1: with with that heat, one of these one of the

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Speaker 1: artists right now that you can choose to come into

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Speaker 1: go in the studio with who you're working with?

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Speaker 3: Mm hmm. One artist I want to work with out

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Speaker 3: of Memphis right now, out of Memphis. Let me think.

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Speaker 3: I think you can do. That's why, that's why I

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Speaker 3: want to see you work with. Oh yeah, Gliala definitely.

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Speaker 3: Glow really, Yeah, she's one of them because I like that.

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Speaker 3: I want to work with her.

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Speaker 1: Let's put it together, man, Glow really man and.

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Speaker 3: And Gloss Gloss uh Slimeroni. I mean me and Slime.

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Speaker 3: Me and Slime already work, but me and Gloss we're

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Speaker 3: supposed to be working too. So now it's you know,

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Speaker 3: Glow is.

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Speaker 1: Just I want to see that it's got to happen,

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Speaker 1: you know. I want to see that we're gonna turn.

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Speaker 3: We're gonna turn. I really like her. I like her

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Speaker 3: flowing every I like her a lot. Actually she's a

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Speaker 3: pretty girl too. She is yeah my bad new face,

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Speaker 3: go ahead, you know, I was saying.

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Speaker 2: And it all should be mentioned that the first rap

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Speaker 2: artist to sign to Electra, Yeah was the first rap No?

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Speaker 4: Was he?

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Speaker 1: The first rap art?

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Speaker 3: Wasn't the first one? I don't think the first no?

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Speaker 1: Because they had leaders in the new school, Yeah, bust

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Speaker 1: the rhymes and now bust the rhymes. But you was

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Speaker 1: signed over there as a solo artist.

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Speaker 3: Yes, I was, but I wasn't a rap artist though.

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Speaker 3: How did they label?

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Speaker 1: I was just I don't know, but I was rapping,

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Speaker 1: a saying whatever you want to call.

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Speaker 3: Yeah, I was rapping a singer. You said my first single,

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Speaker 3: I didn't even I think I might have had a

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Speaker 3: rap verse on it, because that's when you was singing at.

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Speaker 1: Her, got jazz that shoulder, Come on jazz?

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Speaker 3: Is that one on them to jack the rapper days?

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Speaker 4: Right there? Man?

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Speaker 3: And he did that's even jazzy, that failing. See that

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Speaker 3: dude right there. He ain't around no.

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Speaker 5: More you.

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Speaker 1: He originally Oh boy before old Boy?

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Speaker 4: What was that?

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Speaker 3: Then? That's just boy, young boy to grow up?

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Speaker 5: Man, was the first time that actually said that on

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Speaker 5: the record. First time I said old boy on the record,

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Speaker 5: that show signature that man, I don't know, it just

250
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Speaker 5: came bro.

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Speaker 3: I don't know, honestly, he was the first. That's that's

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Speaker 3: a that's a that's a snapper fact. If somebody can

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Speaker 3: find it.

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Speaker 6: The first time that he said, oh boy on record.

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Speaker 3: You don't know, No, I don't.

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Speaker 2: Yeah, that's what you said it like you was gonna

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Speaker 2: stir it up or something because Jack, because David Banner

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Speaker 2: says that he's the first to physically tag music at

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Speaker 2: a time with.

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Speaker 6: The David, I can maybe with a sample, No, he

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Speaker 6: put beat just tag in my head.

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Speaker 1: Was the Yeah, but I knew you was early. I mean,

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Speaker 1: you know Teddy Roley is to tag his music, but

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Speaker 1: he didn't say how. Yeah, because I was just listening

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Speaker 1: to guys.

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Speaker 3: That was him.

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Speaker 1: Yes, because he said it on every song technically, yeah, yep, yep,

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Speaker 1: that's how you knew that was Teddy.

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Speaker 3: Yeah, that was it was just without saying his name

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Speaker 3: weekend spend and not he Jazie said, I just proved

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Speaker 3: my point. It's a reflex yep, yep. Man, come on,

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Speaker 3: man likes. It's hard for us to really say we

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Speaker 3: was first to do anything. You know what I'm saying

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Speaker 3: it is because I'm sure James Brown was taking his

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Speaker 3: records too. Yeah, I mean you know what I'm saying.

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Speaker 1: Can we could go all day long?

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Speaker 3: Oh yeah, as far as tag yeah, yeah, you know,

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Speaker 3: because because you had to identified, you have to be

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Speaker 3: able to identify it.

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Speaker 1: So let's you know, during this time, we got jazz

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Speaker 1: for out this time with legend j we gonna jump

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Speaker 1: around the whole lot of different stuff. And why is

283
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Speaker 1: on my mind because I just I was reading something

284
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Speaker 1: the other day and I remember the first time I

285
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Speaker 1: met Sierra. It was with you all with you know

286
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Speaker 1: and the noon time crew. Okay, give me the story

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Speaker 1: on how when you first saw Sierra Okay, and you said,

288
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Speaker 1: oh she is star. What you said, I'm sorry this

289
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Speaker 1: girl I sawry darkest girl with t A t A

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Speaker 1: brought me the dark shout out.

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Speaker 3: The t A. Yeah. Well, actually I was working at

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Speaker 3: Dark and in the little cubby hole in the little

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Speaker 3: wait hold on, that gave me a closet.

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Speaker 1: Just kidding, I'm just kid, the one that allay in

295
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Speaker 1: the back.

296
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Speaker 3: No, I like that little room. And I was right

297
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Speaker 3: there as soon as you come to the left to

298
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Speaker 3: the door the hard right over there over there, the

299
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Speaker 3: little room right there by the restaurant. I know exactly

300
00:14:48,000 --> 00:14:49,560
Speaker 3: that little that little room you got through that door

301
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Speaker 3: that Yeah, I was in there. Now I was not.

302
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Speaker 3: Actually I love that room. Actually it was comfortable, you

303
00:14:58,360 --> 00:15:16,320
Speaker 3: know what I'm saying. But I was working in there,

304
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Speaker 3: and uh, one day he was like, man, you need

305
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Speaker 3: to have your own artists you need to have your

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Speaker 3: own artists.

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Speaker 2: Man.

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Speaker 3: I think, take a look at this girl that t

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Speaker 3: A got, you know, And I said, I bet And

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Speaker 3: it was three girls, you know what I'm saying. He

311
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Speaker 3: was like, check out the one, that one right there,

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Speaker 3: and uh, she was doing her thing. I don't think

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Speaker 3: all the rest of the girls knew that he was.

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Speaker 3: You know, it was really separated, you know what I'm saying.

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Speaker 3: But you know, she did that thing. And I was like, oh,

316
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Speaker 3: she a start. I couldn't, like, I couldn't even the

317
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Speaker 3: other girls weren't they just you know, you just you

318
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Speaker 3: know what I mean, You're honing in on that one.

319
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Speaker 3: And and she was just the one, yall, she was

320
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Speaker 3: the one man. How many records? How many records? Soul?

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Speaker 3: Later on the Goodies album, I think it's like because

322
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Speaker 3: I got to accounts, I got to play at home

323
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Speaker 3: for that how many many? I just got a plaque?

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Speaker 1: You got one for six and ain't for six. It's

325
00:16:07,600 --> 00:16:08,840
Speaker 1: it's a it's a platinum plat.

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Speaker 3: It might be five or three. When I go home,

327
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Speaker 3: I'm gonna look at Yeah, I gotta get mine. I

328
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Speaker 3: got to get my I'm gonna call a jewelry box.

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Speaker 3: And connect give me some love on want of them?

330
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Speaker 1: Yeah, man, because I lost a couple of more places.

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Speaker 1: Get the replaced.

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Speaker 3: Man. Yeah, some folks you gotta go. I'm like, man.

333
00:16:26,680 --> 00:16:28,880
Speaker 1: Lay yeah, yeah, they don't believe taking pics of my

334
00:16:28,920 --> 00:16:30,720
Speaker 1: other plaque center Like, man, the lady.

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Speaker 3: Down there, she like like, if you need me to,

336
00:16:32,640 --> 00:16:34,720
Speaker 3: I'll jump on. I think she knows me now, so

337
00:16:34,960 --> 00:16:37,480
Speaker 3: so we jump on the through and I need you.

338
00:16:38,240 --> 00:16:41,440
Speaker 1: We were getting all so you and c C to

339
00:16:41,520 --> 00:16:43,960
Speaker 1: the you and see her right now, what's your relationship?

340
00:16:44,080 --> 00:16:46,640
Speaker 3: Like? It's great, it's great, it's great. I mean it

341
00:16:46,760 --> 00:16:48,760
Speaker 3: was a little you know, distant you know what I'm

342
00:16:48,760 --> 00:16:52,240
Speaker 3: saying for a while. Why I get like that? Uh,

343
00:16:52,480 --> 00:16:54,560
Speaker 3: just legal things, I mean I think, you know, and

344
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Speaker 3: just just growing pains. I believe because at one point,

345
00:16:58,400 --> 00:17:01,200
Speaker 3: artists just get to that point where where they want

346
00:17:01,240 --> 00:17:03,360
Speaker 3: to find, you know, something else.

347
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Speaker 1: When she at one point kind of huge y'all of

348
00:17:05,640 --> 00:17:10,560
Speaker 1: like doing well like most areists say, taking money or

349
00:17:10,560 --> 00:17:11,680
Speaker 1: something unscrupulous.

350
00:17:12,320 --> 00:17:16,160
Speaker 3: Uh, at some point probably that was probably something somebody else.

351
00:17:16,160 --> 00:17:17,920
Speaker 3: I ain't gonna say who. You know what I'm saying

352
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Speaker 3: say who?

353
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Speaker 1: Yeah, but no with I ain't read nobody out with CC.

354
00:17:24,240 --> 00:17:27,000
Speaker 1: It was so it was some legal stuff that made

355
00:17:27,080 --> 00:17:29,159
Speaker 1: y'all yeah, yeah, because I mean, my hands is not

356
00:17:29,280 --> 00:17:31,840
Speaker 1: on all the money. I'm I'm the producer, the executive producer,

357
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Speaker 1: and you know what I mean. So so I don't

358
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Speaker 1: have my hands on I didn't have my hand back then.

359
00:17:36,160 --> 00:17:38,600
Speaker 1: I didn't have my hands on the artists like I

360
00:17:38,640 --> 00:17:41,280
Speaker 1: should have. You know what I'm saying, and I and

361
00:17:41,359 --> 00:17:43,360
Speaker 1: I can, I can honestly say that, and then people.

362
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Speaker 3: Be like, man, us not wrong. I was like, man,

363
00:17:45,560 --> 00:17:47,480
Speaker 3: she she was young, and so was I. That was

364
00:17:47,520 --> 00:17:50,320
Speaker 3: my first artist. She was eighteen years old, you know

365
00:17:50,359 --> 00:17:54,439
Speaker 3: what I'm saying, and growing into nineteen probably would you know, uh,

366
00:17:54,800 --> 00:17:57,200
Speaker 3: at the run the end of the project. But I

367
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Speaker 3: mean I'm saying, I'm like a kid. You know, how

368
00:18:00,600 --> 00:18:03,080
Speaker 3: do you expect her to make, you know, a decision?

369
00:18:03,640 --> 00:18:06,080
Speaker 3: You know, like you know what I mean that futuristic

370
00:18:06,520 --> 00:18:09,560
Speaker 3: what you know, being the first time and having so

371
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Speaker 3: many people in her ear, you know what I mean.

372
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Speaker 6: I remember pim C was kind of talking to like

373
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Speaker 6: like you should get what happened.

374
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Speaker 3: To the girl.

375
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Speaker 1: Man, get in there with that girl.

376
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Speaker 6: Man what she's doing she's doing?

377
00:18:20,520 --> 00:18:22,399
Speaker 3: Yeah, it was I mean you know, man, Pimp we

378
00:18:22,520 --> 00:18:26,160
Speaker 3: talked about everything, and Pimp was just like the most.

379
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Speaker 1: Peace chat everybody, everybody that comes on the show. Jazzy,

380
00:18:29,640 --> 00:18:32,120
Speaker 1: you have great things to say about Chad Man. Yeah, man,

381
00:18:32,320 --> 00:18:34,040
Speaker 1: and what you said. What I liked about Chat is

382
00:18:34,080 --> 00:18:37,000
Speaker 1: every time I was around them, what you see is

383
00:18:37,040 --> 00:18:40,439
Speaker 1: what you get. Oh yeah, they want no want, no fluff,

384
00:18:41,160 --> 00:18:41,960
Speaker 1: fake phony ship.

385
00:18:42,040 --> 00:18:44,199
Speaker 3: If you don't like you, you're getting out. You're going

386
00:18:44,280 --> 00:18:45,760
Speaker 3: to know you're gonna want to leave.

387
00:18:45,880 --> 00:18:50,080
Speaker 2: Yeah, yeah, because my favorite photos is Jazzy and Pim

388
00:18:50,400 --> 00:18:50,920
Speaker 2: and Patchwork.

389
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Speaker 3: Look how slim I was Geez got dog on my

390
00:18:53,640 --> 00:18:54,120
Speaker 3: way back?

391
00:18:56,440 --> 00:18:59,040
Speaker 1: What you want? Well, that was your that was your

392
00:18:59,040 --> 00:19:01,680
Speaker 1: player with about one seventy one sixty.

393
00:19:03,720 --> 00:19:06,480
Speaker 3: There were no one nothing that was some one. There

394
00:19:06,520 --> 00:19:09,760
Speaker 3: were no one that was too jazzy. Come on, that

395
00:19:09,840 --> 00:19:13,160
Speaker 3: was about two songs. I'm telling you now, Okay, one nothing,

396
00:19:14,200 --> 00:19:16,639
Speaker 3: There was no one. I'm looking at that man, you

397
00:19:17,119 --> 00:19:19,159
Speaker 3: that was that was that was a young too, but

398
00:19:19,280 --> 00:19:19,520
Speaker 3: it was.

399
00:19:22,240 --> 00:19:24,560
Speaker 1: We might have been apparently too.

400
00:19:24,640 --> 00:19:25,640
Speaker 3: I'm tipping in the too.

401
00:19:26,440 --> 00:19:28,960
Speaker 1: So with y'all with you on c C being cool, Yeah,

402
00:19:29,480 --> 00:19:31,120
Speaker 1: any y'all go, y'all go work again.

403
00:19:31,560 --> 00:19:36,359
Speaker 3: Of course when tomorrow there we go.

404
00:19:36,720 --> 00:19:39,600
Speaker 1: There is on the floor we hey, you know what

405
00:19:39,680 --> 00:19:39,879
Speaker 1: I like?

406
00:19:39,960 --> 00:19:40,680
Speaker 3: How you that?

407
00:19:41,480 --> 00:19:41,640
Speaker 4: Hey?

408
00:19:41,680 --> 00:19:45,040
Speaker 6: But that's why I with you bare power and tongue.

409
00:19:45,119 --> 00:19:49,199
Speaker 2: Man, they we did warm my heart with at L tomorrow,

410
00:19:49,720 --> 00:19:54,520
Speaker 2: damn right yesterday, Amen, there was a video man, a

411
00:19:54,640 --> 00:19:57,120
Speaker 2: TL loves hip hop that gave you your own day.

412
00:19:57,200 --> 00:20:00,320
Speaker 2: But there was a video and see uh said some

413
00:20:00,600 --> 00:20:02,720
Speaker 2: kind words about you, man. That made my day to

414
00:20:02,720 --> 00:20:05,280
Speaker 2: see this sister bring you up and shure love for

415
00:20:05,359 --> 00:20:08,119
Speaker 2: you publicly man, you know, and I appreciated that war

416
00:20:08,160 --> 00:20:08,600
Speaker 2: in my heart.

417
00:20:09,880 --> 00:20:11,080
Speaker 1: Congratulations on that jet.

418
00:20:11,119 --> 00:20:12,960
Speaker 3: Thank you brother. And you know it's crazy because a

419
00:20:12,960 --> 00:20:14,720
Speaker 3: lot of people send me videos, but I was like,

420
00:20:15,720 --> 00:20:17,960
Speaker 3: this one right here just resonates, and I'm not from

421
00:20:18,000 --> 00:20:21,280
Speaker 3: the post and have nobody just just try to gravitate

422
00:20:21,320 --> 00:20:24,239
Speaker 3: to nothing else in particular. I'll save him for next year,

423
00:20:24,960 --> 00:20:26,960
Speaker 3: you know what I'm saying. I'll save them all for

424
00:20:27,040 --> 00:20:29,280
Speaker 3: next year, archived him and save them off for next year.

425
00:20:30,080 --> 00:20:32,680
Speaker 3: She's the only one that really need to say something

426
00:20:32,800 --> 00:20:35,560
Speaker 3: right now, you know what I'm saying, Because people always

427
00:20:35,600 --> 00:20:38,200
Speaker 3: got something to say, you know what I'm saying, So

428
00:20:38,280 --> 00:20:40,560
Speaker 3: they have to know what she got to say, you know,

429
00:20:40,600 --> 00:20:43,879
Speaker 3: what I'm saying. So let me you walking around with

430
00:20:43,960 --> 00:20:47,280
Speaker 3: somebody they don't think of That day was long overdue, man.

431
00:20:47,760 --> 00:20:48,120
Speaker 3: Oh yeah.

432
00:20:48,240 --> 00:20:50,400
Speaker 1: And when they went, when it happened and I was dead,

433
00:20:50,720 --> 00:20:53,800
Speaker 1: I was thinking, like, damn, Jesse fake should you know not?

434
00:20:53,920 --> 00:20:58,200
Speaker 3: That got his own time? Amen of that bro, God

435
00:20:58,280 --> 00:21:00,159
Speaker 3: got his own time. And then we can speed it up.

436
00:21:00,160 --> 00:21:02,600
Speaker 3: We can try to slow it down. We can. Yeah.

437
00:21:02,640 --> 00:21:04,600
Speaker 1: Yeah, but what I've learned to do jazz and look,

438
00:21:04,600 --> 00:21:07,560
Speaker 1: we're gonna get very Look I've learned the trust this time. Yeah,

439
00:21:07,960 --> 00:21:10,159
Speaker 1: because we go through life sometimes, like you said, we

440
00:21:10,359 --> 00:21:12,240
Speaker 1: we want to do things on our own and with

441
00:21:12,880 --> 00:21:14,400
Speaker 1: we know, got to understand.

442
00:21:14,080 --> 00:21:16,680
Speaker 3: I flesh it, man, trust God. Amen.

443
00:21:17,920 --> 00:21:19,560
Speaker 1: At the end of the day with girlless man, you

444
00:21:19,680 --> 00:21:20,240
Speaker 1: got your day.

445
00:21:20,280 --> 00:21:23,240
Speaker 3: Man, it is well deserved. Congratulations, thank you, thank you,

446
00:21:23,480 --> 00:21:27,280
Speaker 3: gratulation sir. And and you know, we've been talking. I've

447
00:21:27,320 --> 00:21:30,240
Speaker 3: been talking with the city councilmen and all of those guys,

448
00:21:30,280 --> 00:21:31,679
Speaker 3: and it was like, man, you know, you're the one

449
00:21:31,720 --> 00:21:34,200
Speaker 3: of the first ones that came through and got everybody's numbers.

450
00:21:34,480 --> 00:21:36,200
Speaker 3: You know what I'm saying. It was like, man, I

451
00:21:36,240 --> 00:21:38,280
Speaker 3: see I said, yeah, because I'm you know, I don't

452
00:21:38,280 --> 00:21:40,760
Speaker 3: want to be proactive. I want to be proactive because

453
00:21:40,760 --> 00:21:43,760
Speaker 3: I really haven't done my job in the city as

454
00:21:43,760 --> 00:21:46,119
Speaker 3: a citizen to myself, to me, you know what I mean.

455
00:21:46,400 --> 00:21:49,960
Speaker 3: Think so I have as far as you know, for

456
00:21:50,119 --> 00:21:52,520
Speaker 3: my family and all of that. But that's like self,

457
00:21:52,800 --> 00:21:56,280
Speaker 3: that's self preservation. That ain't really that that wasn't really

458
00:21:56,280 --> 00:21:58,720
Speaker 3: for everybody. In in turnity does bless a lot of

459
00:21:58,720 --> 00:22:00,960
Speaker 3: people because you end up employing people, You get people

460
00:22:01,080 --> 00:22:03,720
Speaker 3: jobs and stuff like that, and you you judge families

461
00:22:03,800 --> 00:22:06,879
Speaker 3: all the time, and and you just never know some

462
00:22:07,000 --> 00:22:09,240
Speaker 3: of the people you you you don't give game too,

463
00:22:09,680 --> 00:22:10,720
Speaker 3: and it elevates them.

464
00:22:10,800 --> 00:22:12,560
Speaker 2: And you know what I mean, So many people gonna

465
00:22:12,560 --> 00:22:14,399
Speaker 2: say because a lot of events that I go to

466
00:22:14,520 --> 00:22:17,920
Speaker 2: where it's a new artist or listening or album release party,

467
00:22:18,560 --> 00:22:21,760
Speaker 2: Jazzy Faye being there and I'm and this is after

468
00:22:21,840 --> 00:22:24,080
Speaker 2: you leave and I'm talking with this artist and they're saying,

469
00:22:24,359 --> 00:22:25,560
Speaker 2: Jazzy Fay was here, and.

470
00:22:25,600 --> 00:22:26,960
Speaker 3: He was he liked my ship.

471
00:22:27,000 --> 00:22:30,120
Speaker 6: He told me keep going like that is the flowers.

472
00:22:30,160 --> 00:22:33,359
Speaker 2: That's everything sees that you're planning, you're inspiring because that

473
00:22:33,560 --> 00:22:38,240
Speaker 2: your presence alone changed the lives of somebody and they made.

474
00:22:38,080 --> 00:22:40,320
Speaker 3: Them because some of these kids, man be on the

475
00:22:40,359 --> 00:22:43,639
Speaker 3: brink of suicide. Man, they be, they be, you know,

476
00:22:44,320 --> 00:22:46,280
Speaker 3: ready to go backwards, you know what I mean. They're

477
00:22:46,320 --> 00:22:50,119
Speaker 3: ready to go like like crash out, they whatever, and

478
00:22:50,600 --> 00:22:54,720
Speaker 3: one kind word sometimes will take somebody so far, you know,

479
00:22:54,720 --> 00:22:57,560
Speaker 3: because sometimes when I see kids there and getting frustrated

480
00:22:58,080 --> 00:23:01,000
Speaker 3: doing in the music, you know I'm doing creating, I'm like,

481
00:23:01,040 --> 00:23:03,520
Speaker 3: come on, man, let's go somewhere and just get some information.

482
00:23:04,200 --> 00:23:06,120
Speaker 3: Because he's like, what do you mean, get some information?

483
00:23:06,800 --> 00:23:10,760
Speaker 3: Just come with me, and when we come back, we

484
00:23:10,880 --> 00:23:13,520
Speaker 3: might go touch, We might go to emergency, you.

485
00:23:13,520 --> 00:23:14,000
Speaker 1: Know what I'm saying.

486
00:23:14,200 --> 00:23:16,040
Speaker 3: We might go anywhere, go to a club, go to

487
00:23:16,080 --> 00:23:18,119
Speaker 3: a couple of spots, go to the restaurant, go and

488
00:23:18,200 --> 00:23:20,320
Speaker 3: kick it at another studio, go somewhere else to see

489
00:23:20,320 --> 00:23:23,560
Speaker 3: what everybody else doing. Creating somebody inspire you and take

490
00:23:23,600 --> 00:23:25,720
Speaker 3: you to pull up on Neo or something, somebody that

491
00:23:25,760 --> 00:23:27,280
Speaker 3: you always want to be around, and see how they

492
00:23:28,000 --> 00:23:30,000
Speaker 3: how they were. It's like, man, we ain't gonna work tonight,

493
00:23:30,000 --> 00:23:33,040
Speaker 3: it's too late tomorrow. The next day, I'm so expired.

494
00:23:33,640 --> 00:23:36,440
Speaker 3: They're not saying that, but the music is saying that.

495
00:23:37,560 --> 00:23:39,960
Speaker 3: You know what I'm saying, because of the information you

496
00:23:40,080 --> 00:23:41,879
Speaker 3: have to you have to reload, you have to re

497
00:23:42,359 --> 00:23:44,600
Speaker 3: you have to record. You know, you have to what

498
00:23:44,680 --> 00:23:48,720
Speaker 3: do you call it repackage? You know what I'm saying. Recalibrate. Yeah,

499
00:23:48,760 --> 00:23:50,800
Speaker 3: recalibration is the word I was looking for. And then

500
00:23:50,960 --> 00:23:56,120
Speaker 3: repackage and resale, repackaging, reselling is something that everybody does.

501
00:23:56,240 --> 00:23:59,800
Speaker 3: Duncan Donuts don't even promote donuts no more. They promote coffee.

502
00:24:01,240 --> 00:24:03,320
Speaker 3: If you know, the logo is a coffee cup. What

503
00:24:03,480 --> 00:24:04,240
Speaker 3: do you do?

504
00:24:05,000 --> 00:24:06,639
Speaker 1: And I want you to talk to the Oidens and

505
00:24:06,760 --> 00:24:09,560
Speaker 1: to me and new face about this because you are

506
00:24:09,720 --> 00:24:12,560
Speaker 1: consistently always and I said this at the beginning of

507
00:24:12,640 --> 00:24:15,440
Speaker 1: the show, you always got good energy. You always you know,

508
00:24:16,280 --> 00:24:18,680
Speaker 1: what do you do? What are some things that you do?

509
00:24:18,800 --> 00:24:21,240
Speaker 1: I mean, do you meditate, yoga? What are some things

510
00:24:21,280 --> 00:24:23,560
Speaker 1: you do? Because you always I mean, I know you

511
00:24:23,640 --> 00:24:26,600
Speaker 1: have your bad days. I see you every day, right,

512
00:24:26,720 --> 00:24:30,040
Speaker 1: but I'm just saying when I see you and you

513
00:24:30,400 --> 00:24:33,240
Speaker 1: always you seem to have some very positive energy.

514
00:24:33,320 --> 00:24:39,399
Speaker 3: Mind. You know one thing that that that you're not

515
00:24:39,520 --> 00:24:43,280
Speaker 3: so famous dude in my town. He really he told me,

516
00:24:43,320 --> 00:24:45,359
Speaker 3: he was like, man, you know what you gotta do.

517
00:24:45,720 --> 00:24:46,959
Speaker 3: He said, Man, when you go out there, you got

518
00:24:47,040 --> 00:24:48,399
Speaker 3: to put your face on. You got to put your

519
00:24:48,440 --> 00:24:51,520
Speaker 3: game face on. You got to put your your the

520
00:24:51,680 --> 00:24:54,080
Speaker 3: thing that you want people to most know about you.

521
00:24:54,720 --> 00:24:57,360
Speaker 3: You put that on, and whatever you put on, that's

522
00:24:57,400 --> 00:25:00,240
Speaker 3: what's gonna come back to you. And I always remember

523
00:25:00,320 --> 00:25:02,719
Speaker 3: that whenever I you're ready to go outside, and then

524
00:25:02,760 --> 00:25:04,280
Speaker 3: people always ask me, I do you ever get tired

525
00:25:04,320 --> 00:25:05,600
Speaker 3: of that people coming up to you, talk to you.

526
00:25:05,920 --> 00:25:09,040
Speaker 3: I say, yeah, it could be nothing, it could be

527
00:25:09,160 --> 00:25:11,720
Speaker 3: absolutely nothing. You get tired of people taking pictures of you?

528
00:25:11,840 --> 00:25:14,200
Speaker 3: I say, yeah, but it could be nothing. It could

529
00:25:14,240 --> 00:25:17,560
Speaker 3: be nothing. But would I give it out? I always

530
00:25:17,600 --> 00:25:19,560
Speaker 3: get it back. And I notice if I lay back

531
00:25:19,600 --> 00:25:23,720
Speaker 3: and then people don't. It's like the sun. People react

532
00:25:23,760 --> 00:25:27,920
Speaker 3: to the sun. When the sun come out eighty five

533
00:25:27,960 --> 00:25:31,240
Speaker 3: degrees tomorrow, what's gonna happen. People go just to they

534
00:25:31,320 --> 00:25:35,320
Speaker 3: gonna know they're gonna be everywhere. Yeah, like roaches. Yeah

535
00:25:35,600 --> 00:25:38,720
Speaker 3: in Atlanta. Everybody gonna be outside, and everybody gonna be

536
00:25:38,800 --> 00:25:41,960
Speaker 3: half dressed. They do that anyway, Yeah.

537
00:25:47,160 --> 00:25:49,119
Speaker 1: Right now, cold outside.

538
00:25:49,600 --> 00:25:51,960
Speaker 3: Yeah. But but but you know, you give what you get.

539
00:25:52,280 --> 00:25:54,000
Speaker 1: Yeah, you know what I'm saying. And I and I

540
00:25:54,440 --> 00:25:58,040
Speaker 1: choose to give joy and love and we appreciate you

541
00:25:58,200 --> 00:26:00,560
Speaker 1: and excitement will appreciate that.

542
00:26:00,680 --> 00:26:00,920
Speaker 3: Mind.

543
00:26:01,240 --> 00:26:01,439
Speaker 5: You know.

544
00:26:05,600 --> 00:26:11,320
Speaker 3: One thing about coming in and introducing myself, right, I

545
00:26:11,480 --> 00:26:15,480
Speaker 3: never knew that I was branding myself. I never knew

546
00:26:15,480 --> 00:26:17,680
Speaker 3: all the time that I was branding myself. I went

547
00:26:17,760 --> 00:26:22,959
Speaker 3: to a boys club, boys and girls club, and somebody

548
00:26:23,000 --> 00:26:24,920
Speaker 3: took I can't remember who took me some years back,

549
00:26:25,400 --> 00:26:28,000
Speaker 3: but they were asking me. They were asking all the kids,

550
00:26:28,320 --> 00:26:30,399
Speaker 3: what do you think Jazzy Fay does what he and

551
00:26:30,720 --> 00:26:32,760
Speaker 3: and there's like five or six of them had all

552
00:26:32,880 --> 00:26:37,760
Speaker 3: different answers, but they were all right, WHOA? They were

553
00:26:37,840 --> 00:26:41,160
Speaker 3: all right, WHOA. It's like Jazzy is a brand ambassador.

554
00:26:41,440 --> 00:26:44,800
Speaker 3: He jumps in videos, he does that. Jazzy makes music.

555
00:26:45,040 --> 00:26:47,840
Speaker 3: Then he comes from a musical family. They'd be like

556
00:26:47,920 --> 00:26:51,479
Speaker 3: doing their little homework, is it? Jazzy just he as artists,

557
00:26:51,560 --> 00:26:54,359
Speaker 3: He produces artists. He got artists, and he writes for artists.

558
00:26:54,400 --> 00:26:57,159
Speaker 3: Da da. Jazzy is like a personality. He goes out,

559
00:26:57,640 --> 00:27:02,239
Speaker 3: promotes parties and all true. I need to write all

560
00:27:02,240 --> 00:27:02,960
Speaker 3: this stuff down.

561
00:27:03,200 --> 00:27:05,080
Speaker 1: So what happened when the one kids still and say, man,

562
00:27:05,160 --> 00:27:07,480
Speaker 1: Jase be pivot holes and slimmon caw like those. What

563
00:27:07,560 --> 00:27:11,960
Speaker 1: did you say then, he said, he he says, that's

564
00:27:12,000 --> 00:27:16,520
Speaker 1: oh boy, that's the old he said, oh boy.

565
00:27:17,920 --> 00:27:18,720
Speaker 3: Heard and.

566
00:27:21,200 --> 00:27:24,320
Speaker 4: Here he said, he said this sleep. You know he

567
00:27:24,440 --> 00:27:28,240
Speaker 4: got thirty two cream to seal a one shu shut shot.

568
00:27:30,760 --> 00:27:30,960
Speaker 5: Yeah.

569
00:27:31,280 --> 00:27:33,639
Speaker 3: And about wanting about forty eight gated.

570
00:27:33,400 --> 00:27:36,960
Speaker 1: Shoes, I'm coming about, not forty eight forty eight years

571
00:27:36,960 --> 00:27:37,760
Speaker 1: because it's tools.

572
00:27:37,800 --> 00:27:38,800
Speaker 3: I'm coming about the tools.

573
00:27:38,800 --> 00:27:41,159
Speaker 1: Hey, man, I tell you, man, Hey, but let me

574
00:27:41,280 --> 00:27:45,119
Speaker 1: let me say this. Man, you've done a bunch of

575
00:27:45,480 --> 00:27:49,520
Speaker 1: let me not say a bunch now you Yeah, I was,

576
00:27:49,600 --> 00:27:50,800
Speaker 1: I was going. I was trying to think of a

577
00:27:50,840 --> 00:27:53,720
Speaker 1: word bigger than a bunch, which is Okay, You've done

578
00:27:54,000 --> 00:27:59,879
Speaker 1: a lot of hit records, a lot who what artists? Hey,

579
00:27:59,920 --> 00:28:06,280
Speaker 1: you truly just enjoy like going in, whether it's doing

580
00:28:06,359 --> 00:28:09,040
Speaker 1: one record, whether it's doing the whole album. Who like

581
00:28:09,359 --> 00:28:10,960
Speaker 1: I know you work with a lot of great artists,

582
00:28:11,600 --> 00:28:13,639
Speaker 1: but who is that one artist you just truly you

583
00:28:13,840 --> 00:28:15,720
Speaker 1: just look forward to going in the studio with.

584
00:28:18,040 --> 00:28:20,560
Speaker 3: Rest. And so it was Allia that was That was

585
00:28:20,600 --> 00:28:22,480
Speaker 3: a lot of fun, you know what I mean? That

586
00:28:22,600 --> 00:28:24,280
Speaker 3: was a lot of fun because she just made it

587
00:28:24,400 --> 00:28:28,119
Speaker 3: so light. You know, you go in there and you

588
00:28:28,240 --> 00:28:31,520
Speaker 3: work with somebody and it ain't like work. It ain't

589
00:28:31,560 --> 00:28:34,240
Speaker 3: like work. It's just like pet names and just acting,

590
00:28:34,840 --> 00:28:37,879
Speaker 3: just acting crazy, and everything got something else attached to it.

591
00:28:38,520 --> 00:28:41,640
Speaker 3: So she left. She she just gives. She just lives

592
00:28:42,360 --> 00:28:45,200
Speaker 3: and and like you could tell she's been raised by

593
00:28:45,240 --> 00:28:47,880
Speaker 3: old folks, you know what I mean. You could tellt

594
00:28:47,920 --> 00:28:50,280
Speaker 3: you've been around Barry. You can teest you've been around

595
00:28:50,720 --> 00:28:53,280
Speaker 3: her mom and her uncles and all of them, because

596
00:28:53,320 --> 00:28:55,680
Speaker 3: she had an old soul. And she is such a

597
00:28:55,760 --> 00:29:01,520
Speaker 3: good spirit, beautiful spirit, beautiful spirit. Man. So so this,

598
00:29:01,760 --> 00:29:04,000
Speaker 3: this is this is good. That goes into the next question.

599
00:29:04,080 --> 00:29:07,040
Speaker 3: I was gonna ask. And I know she's a member

600
00:29:07,040 --> 00:29:10,840
Speaker 3: of that put together your four person.

601
00:29:11,560 --> 00:29:15,800
Speaker 1: Super group, four person supergroup. We know a Liah's one,

602
00:29:15,920 --> 00:29:18,760
Speaker 1: so add three to her your supergroup. I don't know

603
00:29:18,800 --> 00:29:21,520
Speaker 1: if she be in my supergroup. Damn, I like her solo.

604
00:29:21,680 --> 00:29:24,960
Speaker 1: I don't really put your super group together, my supergroup.

605
00:29:26,320 --> 00:29:26,960
Speaker 1: Put them together?

606
00:29:27,360 --> 00:29:30,240
Speaker 3: Oh wow, put me in a super group together. M

607
00:29:30,320 --> 00:29:39,360
Speaker 3: J Okay jb Okay, the artist formerly known ass Okay

608
00:29:39,680 --> 00:29:40,320
Speaker 3: the Purple One.

609
00:29:40,640 --> 00:29:41,040
Speaker 2: Uh huh.

610
00:29:41,520 --> 00:29:43,720
Speaker 3: And I'm gonna I'm gonna go all the way to

611
00:29:43,800 --> 00:29:49,240
Speaker 3: the to the other side on y'all. Al Green, m okay,

612
00:29:49,360 --> 00:29:55,880
Speaker 3: so that he just named four thinking about super legend.

613
00:29:56,120 --> 00:30:01,560
Speaker 1: Now hold on, parent, no of who you work with,

614
00:30:02,560 --> 00:30:05,800
Speaker 1: who I work with, give me your supergroup, my super.

615
00:30:05,800 --> 00:30:09,280
Speaker 3: Who I was that you work with? That's what?

616
00:30:09,440 --> 00:30:12,600
Speaker 1: Yeah? Okay, Yeah, I should have been more specific of

617
00:30:12,720 --> 00:30:15,920
Speaker 1: who you motherfucker worked with. Yeah, that's why I said

618
00:30:15,920 --> 00:30:16,800
Speaker 1: the lead gonna be one.

619
00:30:17,880 --> 00:30:18,280
Speaker 3: I don't know.

620
00:30:19,040 --> 00:30:27,400
Speaker 4: Okay, let me do my thing, Okay, go ahead, physicszzle.

621
00:30:25,600 --> 00:30:32,600
Speaker 3: Okay, R Kelly Okay, Tang mm okay, you're.

622
00:30:32,720 --> 00:30:35,280
Speaker 1: That Now that one's shocked and I like Tank, you don't,

623
00:30:35,320 --> 00:30:37,520
Speaker 1: but that shocked me. But go ahead, why is shock

624
00:30:37,560 --> 00:30:40,520
Speaker 1: you thinking of all the people you work with? And

625
00:30:40,760 --> 00:30:42,800
Speaker 1: Tank man, he got an incredible voice. Well, go ahead,

626
00:30:43,520 --> 00:30:45,920
Speaker 1: that's what we need. Incredible voice like Man. But sometimes

627
00:30:45,960 --> 00:30:47,920
Speaker 1: I mean, just like you need to incredible voices in

628
00:30:47,960 --> 00:30:48,240
Speaker 1: the group.

629
00:30:48,480 --> 00:30:56,320
Speaker 3: Go ahead, okay, Tank, Robert Kelly, R Kelly, Tank, look

630
00:30:56,400 --> 00:30:57,920
Speaker 3: like is a guy's group on it?

631
00:30:58,200 --> 00:30:59,800
Speaker 1: Well, yeah, I was gonna say, well, you're gonna make

632
00:30:59,800 --> 00:31:00,400
Speaker 1: it a co ed.

633
00:31:03,240 --> 00:31:09,920
Speaker 3: Mm hmmm, I don't know. I mightn't got stuck around here.

634
00:31:11,280 --> 00:31:13,680
Speaker 3: Dave Hollister. Okay, that's one more.

635
00:31:15,280 --> 00:31:19,040
Speaker 1: No females, Jersey got doll I mean, go ahead, this

636
00:31:20,920 --> 00:31:26,080
Speaker 1: show that both. I don't know.

637
00:31:28,240 --> 00:31:29,160
Speaker 3: It's this ain't easy.

638
00:31:29,920 --> 00:31:33,440
Speaker 1: If you want Storytime with legend j Man, listen, got Dog.

639
00:31:35,800 --> 00:31:37,640
Speaker 3: Have you worked with Monica before? Of course?

640
00:31:38,400 --> 00:31:42,360
Speaker 1: Oh he didn't work Jad worked with of course. No Monica,

641
00:31:42,480 --> 00:31:43,960
Speaker 1: Noah leah mm hmmm.

642
00:31:45,720 --> 00:31:48,720
Speaker 3: Not in this group. Okay, not in this group, Bobby

643
00:31:49,640 --> 00:31:59,040
Speaker 3: oh ship nobody. Okay. It's like that whole cliche.

644
00:32:00,320 --> 00:32:03,000
Speaker 1: Damn oh, that's a good one. And that just goes

645
00:32:03,080 --> 00:32:07,560
Speaker 1: to show you his his his look at the artist

646
00:32:07,640 --> 00:32:09,320
Speaker 1: he just named it and being able to work with

647
00:32:11,640 --> 00:32:14,160
Speaker 1: You've had a man meet me and Selo had a

648
00:32:14,200 --> 00:32:22,280
Speaker 1: record with Bobby Woman. Story Time with the Legendary Jerry

649
00:32:22,360 --> 00:32:26,600
Speaker 1: is hosted by me, the One and Only Jerry Clark.

650
00:32:27,480 --> 00:32:31,960
Speaker 1: Music has been provided by July the Producer. If you

651
00:32:32,160 --> 00:32:36,360
Speaker 1: haven't already, please please make sure you subscribe to Storytime

652
00:32:36,400 --> 00:32:39,880
Speaker 1: with the Legendary Jerry on YouTube and wherever you listen

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Speaker 1: to podcasts, and make sure you follow us on all

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Speaker 1: social media platforms at the Legendary Jerry Podcast. For more

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Speaker 1: podcasts from my Heart Media, visit the iHeartRadio, app, Apple podcasts,

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Speaker 1: or wherever you listen to your favorite shows.