WEBVTT - Marcus King

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

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<v Speaker 1>My guest today is singer, songwriter guitarist Marcus King. Marcus

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<v Speaker 1>good to be doing the podcast with you. Good to

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<v Speaker 1>be here, brother. Okay, you're going on the road like tomorrow.

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<v Speaker 1>How much do you work in a year? We play

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<v Speaker 1>about a hundred two in between as a year. Then

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<v Speaker 1>how do you decide how many? Uh, well, the agents

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<v Speaker 1>kind of pitch us a couple of tours and you know,

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<v Speaker 1>they all look good to me, and I like to

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<v Speaker 1>keep pretty busy. I think keeps the band really fresh,

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<v Speaker 1>really tight. But you know, going on the road, you

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<v Speaker 1>you know, you play for an hour or two and

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<v Speaker 1>you get all this adulation, then you go back with

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<v Speaker 1>the same old guys. You can't calm down for hours

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<v Speaker 1>after giving on all that energy. How do you cope

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<v Speaker 1>with the cycle? It gets kind of tough, you know.

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<v Speaker 1>Um can be hard, like you said, to calm down

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<v Speaker 1>after a show like that, So you really gotta I

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<v Speaker 1>don't know, you gotta be mindful of that because you

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<v Speaker 1>could wear your body out, you know, pretty quickly. And

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<v Speaker 1>we do like six weeks at a time like this

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<v Speaker 1>run is two months straight. So you gotta kind of

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<v Speaker 1>pick and choose when you want a party and try

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<v Speaker 1>to get to bed. You know a reasonable hour. Rock

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<v Speaker 1>and roll starts at nine I am now days, well

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<v Speaker 1>tell me about it starting at nine am. Try to

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<v Speaker 1>get up early, get to work out in, get some

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<v Speaker 1>some daylight, get some fresh air. Um, you know, like today,

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<v Speaker 1>it's a poor example of that is, Uh, we're at

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<v Speaker 1>a hotel and somewhere in Virginia just for our drivers

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<v Speaker 1>to sleep, and then we'll leave tonight at midnight and

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<v Speaker 1>go to Philly. So we've kind of been turning our

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<v Speaker 1>our Bara metric like system around because we left last

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<v Speaker 1>night at midnight. So that's kind of like where everything starts.

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<v Speaker 1>And today we're all sleeping in all day in a hotel.

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<v Speaker 1>But you gotta kind of force yourself to get into

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<v Speaker 1>this cycle of getting some fresh air, getting exercise, and

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<v Speaker 1>you know, drinking two or three times a week a

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<v Speaker 1>week rather than every day. Um. But that's tough to

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<v Speaker 1>do because it's a lot easier to do it either way. Okay,

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<v Speaker 1>you say you left it midnight last night from where

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<v Speaker 1>from Nashville? And why at midnight? Uh, everything's kind of

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<v Speaker 1>based around the bus drivers sleep schedules, you know, so

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<v Speaker 1>we drive I think eight to ten hours at a time. Uh.

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<v Speaker 1>The buses took us here to Christianburg, Virginia, which I'm

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<v Speaker 1>not really sure where that he is. And then well

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<v Speaker 1>we're at least within eight to ten hours from Philadelphia.

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<v Speaker 1>I know that one because then it will take us there.

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<v Speaker 1>And we leave at midnight again tonight, so we're there

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<v Speaker 1>on lowdown tomorrow. And you know you're in a hotel room. Now,

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<v Speaker 1>hal walten? Are you in the hotel room? Was supposed

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<v Speaker 1>to sleeping on the bus? Uh? I'd say probably sixty.

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<v Speaker 1>We we end up spending a lot of nights on

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<v Speaker 1>the bus um, which is fine. You know that you

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<v Speaker 1>kind of get in a little more routine that way.

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<v Speaker 1>You know. Okay, you talk about drinking and which leads

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<v Speaker 1>to drugging. You know, how do you only keep it

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<v Speaker 1>to a couple of nights a week? Well, um, my

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<v Speaker 1>wife to be keeps my keeps me in line. Uh huh,

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<v Speaker 1>that's the short answer. Well, can make it make it

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<v Speaker 1>a little longer, how I'm happy to. I mean, you know,

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<v Speaker 1>I'm at the point now where I can I can

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<v Speaker 1>have a couple of glasses of wine and enjoy myself.

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<v Speaker 1>But that wasn't really the case for a while. Um,

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<v Speaker 1>and I think it was really just accompanied with depression

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<v Speaker 1>and alcohol and drugs stimulants to be exact, uh a

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<v Speaker 1>kind of short term solutions to h depression. In the

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<v Speaker 1>long run there really just making it much worse. But

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<v Speaker 1>you know, I'm not really as depressed now. I mean,

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<v Speaker 1>depression something you always struggle with even when you're at

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<v Speaker 1>your happiest, which is a sad truth. But you know

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<v Speaker 1>I'm in a much better place now. Being in love

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<v Speaker 1>is helpful of that. Okay, So are you treating your

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<v Speaker 1>depression with any medication? Yeah? I am takes in Balton

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<v Speaker 1>ninety million grans and Balta that day. And you know

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<v Speaker 1>that's another reason why you don't really want to mix

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<v Speaker 1>alcohol with that stuff. I mean, that can be pretty

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<v Speaker 1>detrimental to your physical health and your mental health on

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<v Speaker 1>the same. But my goal, my hope is the next

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<v Speaker 1>time we get a little bit of time off, I

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<v Speaker 1>think I'm gonna try to go completely holistic, maybe try

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<v Speaker 1>my hand in microdescence and psilocybin or something from the earth.

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<v Speaker 1>Try to get off these pharmaceuticals. Okay, so you're on

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<v Speaker 1>some ball to you on anything else. Yeah, I take

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<v Speaker 1>medication for anxiety as well, which one, Um, okay, how

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<v Speaker 1>often do you take an up? Uh? Just really as needed.

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<v Speaker 1>Chronic anxiety years old and music is the most helping

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<v Speaker 1>thing for it, but sometimes it doesn't quite get it.

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<v Speaker 1>What do you have panic attacks? You? Oh? Yeah, really bad?

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<v Speaker 1>Since I was a kid. Yeah, you know, I used

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<v Speaker 1>to do the problem with killin up. And if you're

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<v Speaker 1>not taking it every night, it's great, but I used

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<v Speaker 1>to take it every well, it was actually out of them.

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<v Speaker 1>And then I used klonip In to get off the

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<v Speaker 1>auta van, but it was really hard. And you know,

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<v Speaker 1>there's uh do types of therapy. I used to have

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<v Speaker 1>panic attacks, so I used to run around with a

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<v Speaker 1>little bit of out of van And then I read

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<v Speaker 1>this book by this you know, big psychiatrist, and it

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<v Speaker 1>cured me of the panic decks. I don't have panic

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<v Speaker 1>attacks anymore. It was very interesting. You read the book

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<v Speaker 1>and they say, well, okay, you're here with the doctor.

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<v Speaker 1>Have a panic, I'm here right with you. And then

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<v Speaker 1>they talked about a guy who was hit by a

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<v Speaker 1>train and survived. So the key is, once you realize

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<v Speaker 1>you'll hold on the panic will pass. That was a

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<v Speaker 1>great liberator for me. But uh, is the symbalta and

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<v Speaker 1>the klonopin a recent thing. The SYMBALTI more recent than

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<v Speaker 1>the convent I got. Uh. Yeah, I've been either misdiagnosed

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<v Speaker 1>or diagnosed, you know, on multiple occasions. Uh. I've been

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<v Speaker 1>diagnosed by polar um and also with depression. So I

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<v Speaker 1>mean when you're bouncing around from psychiatrists, psychiatrist um, and

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<v Speaker 1>from therapist and therapist, I mean, everybody has a different

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<v Speaker 1>opinion of view about what you're going through. So um um.

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<v Speaker 1>The symbalta I think started because I don't remember what

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<v Speaker 1>I was on before that, but I was on something

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<v Speaker 1>that just made everything kind of numb, which I didn't like.

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<v Speaker 1>I remember being at my grandmother's funeral. Um, I didn't

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<v Speaker 1>feel anything. And when I got off of that stuff,

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<v Speaker 1>it was like a week after that. There was this, uh,

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<v Speaker 1>this tune that Wayne Shorter did called at Day Area

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<v Speaker 1>another one Actually I don't it's just like Brazilian tune.

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<v Speaker 1>It's really beautiful. And then I just wept for days.

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<v Speaker 1>So I finally got something that it seems to work

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<v Speaker 1>for me, keeps me kind of balanced, Okay, and when

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<v Speaker 1>were you first treated for anxiety and depressions A recent

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<v Speaker 1>thing or you had it all growing up? Uh, Well,

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<v Speaker 1>something I struggled with all the time since I was

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<v Speaker 1>a kid. But it wasn't until I kind of went

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<v Speaker 1>out and I was on my own healthcare that I

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<v Speaker 1>started really delving into it. So I could say like

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<v Speaker 1>the least three to five years, I started kind of

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<v Speaker 1>taking it into my own hands, and um, therapy was

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<v Speaker 1>over huge help. Um it didn't say the last relationship,

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<v Speaker 1>but I think that was on track for you know,

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<v Speaker 1>the rocks anyway. But I'd recommend therapy and anybody that's

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<v Speaker 1>thinking about well, in today's world, many psychiatrists actually don't

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<v Speaker 1>do therapy. They just provide mids and you see somebody

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<v Speaker 1>else with the therapy. Is that the way it was

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<v Speaker 1>is in your case? Or you seeing the same? YEA,

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<v Speaker 1>That's how it is. For me. My psychiatrist checks in,

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<v Speaker 1>you know, every six months or so, and the therapies

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<v Speaker 1>more of a weekly thing. And for me, therapies more

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<v Speaker 1>of an opportunity for me to uh speak out loud

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<v Speaker 1>things that I maybe was harboring because I'm not very

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<v Speaker 1>good at keeping a journalf tried to keep a journal,

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<v Speaker 1>and I just can't keep up with it. So between

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<v Speaker 1>music and actual talk therapy, it's really helpful because you

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<v Speaker 1>you end up saying a lot of things and you

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<v Speaker 1>realize that some of the things you're saying it is

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<v Speaker 1>just um, to use a phrase, kind of crazy. You know. Well,

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<v Speaker 1>you know many musicians speak through their music and are

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<v Speaker 1>not that verbal. Do you find other than the therapist,

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<v Speaker 1>anybody who understands you, you can talk to other than

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<v Speaker 1>your wife to be wells? My dad and I have

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<v Speaker 1>always really connected, just like he and his dad before. UM.

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<v Speaker 1>We've always had a really tight relationship, and I think

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<v Speaker 1>it was in part due to the fact that we're

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<v Speaker 1>both musicians, so we had that um, that medium to

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<v Speaker 1>become really was and we've always been more like the

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<v Speaker 1>best pals. He's gonna be the best man at my

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<v Speaker 1>wedding actually, and everything you say to him he accepts

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<v Speaker 1>or does he pushed back? My father was pretty accepting,

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<v Speaker 1>uh with everything I say. I mean, uh, because he's

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<v Speaker 1>a he's a real uh. I mean he's obviously always

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<v Speaker 1>supported my career, but he's really supportive as a friend too.

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<v Speaker 1>It's just in his nature, which is uh, that's a

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<v Speaker 1>good friend to have around, but he'll call you and

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<v Speaker 1>your bullshit too, which is also another good trait and

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<v Speaker 1>a friend. Okay, your parents still together? Now. My mom

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<v Speaker 1>scaped out when I was about four, and that was

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<v Speaker 1>actually point of contention. Recently. I did an interview with

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<v Speaker 1>the magazine, and uh, some some of the family on

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<v Speaker 1>my mother's side were pretty upset with what I had

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<v Speaker 1>to say. I was really just telling the truth. And

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<v Speaker 1>my mother and I have kind of passed the relationship

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<v Speaker 1>back together in the last you know, five or six years,

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<v Speaker 1>and she felt really ill and she's on hospice and

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<v Speaker 1>all this, so it's not it's not good to leave

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<v Speaker 1>things unsaid. And uh yeah, in a long, long way

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<v Speaker 1>answering your questions, now they're not together that they happened

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<v Speaker 1>since I was Okay, so you were four when she left.

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<v Speaker 1>How many kids were in the family. Uh so it

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<v Speaker 1>was me and my sister, my older sister about two

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<v Speaker 1>years Holly. And so what were the circumstances. You just

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<v Speaker 1>came home one day, she wasn't there your face, sat

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<v Speaker 1>you down and said she's going or you don't even

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<v Speaker 1>remember parts a little fuzzy, I mean, you know, um,

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<v Speaker 1>she just kind of blip, and I remember that like

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<v Speaker 1>early on, there wasn't a lot of uh, the reason

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<v Speaker 1>I didn't really know, you know, the half of it,

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<v Speaker 1>because you know a lot of it, you don't. You

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<v Speaker 1>wouldn't have even understood at four years old to try

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<v Speaker 1>to explain why the relationship fell apart. But you know,

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<v Speaker 1>I think a four year old just I was wondering

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<v Speaker 1>where his mother is, you know, And that was my situation.

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<v Speaker 1>My earliest memories of life are crying so hard in

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<v Speaker 1>kindergarten that I would throw up like every day and

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<v Speaker 1>get sent home because you cry so hard because you

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<v Speaker 1>don't know where your mother is. And my father couldn't

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<v Speaker 1>know how to tell me where she was, you know.

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<v Speaker 1>And then later on she just really never showed her

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<v Speaker 1>any more sports. So we've always had kind of a ah,

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<v Speaker 1>a rough relationship. And you know, she's always made really

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<v Speaker 1>interesting decisions with the partners she chose to keep. So

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<v Speaker 1>did she ever get married again? Do you have any kids?

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<v Speaker 1>She never, She never had any more kids, but she

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<v Speaker 1>did remarry to my stepdad. And my stepdad was abusive

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<v Speaker 1>and um, you know, to her and physically, but he

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<v Speaker 1>was kind of verbally abusive to me, and particularly to

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<v Speaker 1>particularly to my sister. So that was that was a

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<v Speaker 1>hard environment. You know, once we met, we my sister

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<v Speaker 1>and I and my mother, oh kind of Uh she

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<v Speaker 1>tried to you know, start fresh, you know what I mean,

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<v Speaker 1>when we were like eight or nine, and then we

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<v Speaker 1>started going down to my stepdad's house, and um, not

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<v Speaker 1>a great environment for kids. And you don't really know

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<v Speaker 1>how to relay that to your your other parents. Like

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<v Speaker 1>my dad, it wasn't really it's how It's difficult to explain,

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<v Speaker 1>but he just he liked to drink a little too

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<v Speaker 1>much Jim Beam. You have a really big bottle of

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<v Speaker 1>Jim Beam every night drink. I know, I've seen those bottles.

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<v Speaker 1>He'd have one right out of the kitchen sink every

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<v Speaker 1>night and he drink about half of it. And then

0:15:23.960 --> 0:15:28.440
<v Speaker 1>he'd sit there and just be verbally abusive and um,

0:15:28.480 --> 0:15:32.000
<v Speaker 1>just not a good guy, will put it that way.

0:15:32.280 --> 0:15:36.080
<v Speaker 1>And he uh, he passed away not too long ago,

0:15:36.200 --> 0:15:38.760
<v Speaker 1>but before that he actually sobered up and then he

0:15:38.960 --> 0:15:42.440
<v Speaker 1>uh he started coming around again. And you know, he

0:15:42.480 --> 0:15:45.640
<v Speaker 1>was actually a good guy when he was sober. And

0:15:45.680 --> 0:15:47.240
<v Speaker 1>you can say that about a lot of folks, but

0:15:47.280 --> 0:15:50.480
<v Speaker 1>he was a good decent man, and I think my

0:15:50.600 --> 0:15:53.400
<v Speaker 1>mother drove him to the break of insanity the way

0:15:53.440 --> 0:15:57.760
<v Speaker 1>she's done a lot of others. And my mother's sweeping

0:15:57.800 --> 0:16:01.280
<v Speaker 1>her own way too. I have to say that. But uh,

0:16:03.080 --> 0:16:06.760
<v Speaker 1>you know left me with some abandonment issues, that's for sure.

0:16:08.480 --> 0:16:14.160
<v Speaker 1>Do you know why she split? You know, there's a

0:16:16.840 --> 0:16:21.160
<v Speaker 1>I think maybe she just wasn't ready to be completely

0:16:21.160 --> 0:16:26.600
<v Speaker 1>settled down. My father at that time had become religious

0:16:27.120 --> 0:16:30.640
<v Speaker 1>and she wasn't religious. Or she would dabble. My mother

0:16:30.800 --> 0:16:35.120
<v Speaker 1>was raised Catholic and she would dabbled into like the

0:16:35.120 --> 0:16:41.480
<v Speaker 1>occult or whatever. Um, she just was curious about you know,

0:16:41.560 --> 0:16:44.920
<v Speaker 1>she had a real thirst for knowledge. She still does.

0:16:45.000 --> 0:16:47.520
<v Speaker 1>You know, she's a reader. So I think maybe I

0:16:47.560 --> 0:16:51.920
<v Speaker 1>get that inquisitive side of me from my mother. Um

0:16:52.080 --> 0:16:56.120
<v Speaker 1>my looks I get from my mother. Uh not my

0:16:56.200 --> 0:16:59.320
<v Speaker 1>good looks. I just mean that we look like each other.

0:17:00.200 --> 0:17:04.040
<v Speaker 1>Um yeah, but I think I get there from her.

0:17:04.119 --> 0:17:06.040
<v Speaker 1>Maybe she just wasn't ready to settle down. And there's

0:17:06.680 --> 0:17:09.359
<v Speaker 1>you know, I can spend I can speculate on some

0:17:09.440 --> 0:17:12.960
<v Speaker 1>other reasons why she may have left, but um, you know,

0:17:13.040 --> 0:17:15.200
<v Speaker 1>in the in the interest of her and I kind

0:17:15.200 --> 0:17:18.080
<v Speaker 1>of rekindling our relationship. I don't want to, you know,

0:17:19.280 --> 0:17:23.119
<v Speaker 1>to fame anyone's character or mismadge anyone's name or anything

0:17:23.160 --> 0:17:27.280
<v Speaker 1>like that, uh, because we are in kind of a

0:17:27.280 --> 0:17:34.200
<v Speaker 1>reconciling reconciling uh, part of our relationship. Again. So if

0:17:34.240 --> 0:17:36.879
<v Speaker 1>you were four when she left, and you leave home

0:17:37.480 --> 0:17:41.040
<v Speaker 1>in the neighborhood of eighteen, how much contact did you

0:17:41.119 --> 0:17:46.080
<v Speaker 1>have with her in that period? Well, it was always

0:17:46.119 --> 0:17:49.800
<v Speaker 1>kind of off and on, you know, like I think

0:17:49.800 --> 0:17:53.840
<v Speaker 1>when she tried to she set up camp with Chuck,

0:17:53.960 --> 0:17:57.439
<v Speaker 1>my stepdad. When that happened, Um, she was kind of

0:17:57.480 --> 0:18:00.159
<v Speaker 1>playing house there for a while, and she had she

0:18:00.240 --> 0:18:04.000
<v Speaker 1>went and she got her nursing degree, and I just

0:18:04.000 --> 0:18:06.919
<v Speaker 1>thought she'd really kind of turned around. And then and

0:18:06.920 --> 0:18:12.800
<v Speaker 1>then that relationship fell apart and they got separated, and

0:18:12.840 --> 0:18:17.639
<v Speaker 1>then she kinda went out on her own with my sister,

0:18:18.400 --> 0:18:24.280
<v Speaker 1>and that around that was around the time that I

0:18:24.320 --> 0:18:26.720
<v Speaker 1>started digging. You know, I started digging quite a bit,

0:18:27.760 --> 0:18:29.680
<v Speaker 1>and I try to bring her money to help with

0:18:29.720 --> 0:18:35.400
<v Speaker 1>bills and stuff, but uh, she wouldn't use the money

0:18:35.400 --> 0:18:38.280
<v Speaker 1>for the bills. And then that's when I was like,

0:18:38.320 --> 0:18:40.760
<v Speaker 1>all right, I'm just gonna hit the road and not

0:18:40.880 --> 0:18:45.159
<v Speaker 1>really play on turning back around. But I would come

0:18:45.160 --> 0:18:48.440
<v Speaker 1>home to see my grandmother because my grandmother, it was

0:18:48.480 --> 0:18:50.800
<v Speaker 1>really more of a mother figure in my life when

0:18:50.800 --> 0:18:53.400
<v Speaker 1>I was coming up. Was that your father's mother, Yeah,

0:18:53.480 --> 0:18:58.040
<v Speaker 1>my father's Okay. So you mentioned that your father became religious.

0:18:58.040 --> 0:19:02.440
<v Speaker 1>How religious for you if at all? You know? Man,

0:19:02.520 --> 0:19:06.400
<v Speaker 1>I was raised in a Pentecostal church, So I think

0:19:06.400 --> 0:19:10.120
<v Speaker 1>it's important to have something bigger than you and remember

0:19:10.119 --> 0:19:13.720
<v Speaker 1>how small we really are and how insignificant we can be,

0:19:14.119 --> 0:19:17.679
<v Speaker 1>you know, at a moment's notice. So uh, for me,

0:19:17.800 --> 0:19:21.239
<v Speaker 1>I'm really thankful for my religious upbringing and and just

0:19:21.720 --> 0:19:25.280
<v Speaker 1>if anything, the lessons and morality that it gave me

0:19:25.840 --> 0:19:27.680
<v Speaker 1>on how to be a good person, which I think

0:19:28.280 --> 0:19:31.680
<v Speaker 1>deep down you figure those out anyway, but I kind

0:19:31.680 --> 0:19:36.040
<v Speaker 1>of had a a rush course on this morality, I

0:19:36.040 --> 0:19:40.239
<v Speaker 1>think with the stories of the Bible, and I had

0:19:40.280 --> 0:19:43.400
<v Speaker 1>a very good preacher. Someone with that amount of conviction

0:19:43.520 --> 0:19:48.639
<v Speaker 1>can really I don't know it, just having that presence

0:19:48.680 --> 0:19:52.240
<v Speaker 1>in your life is very important. I think. Um, I'm

0:19:52.280 --> 0:19:57.040
<v Speaker 1>not very religious now, um as Cli said, it sounds

0:19:57.240 --> 0:20:02.200
<v Speaker 1>a little more spiritual than I am. Religiou, but um,

0:20:02.200 --> 0:20:14.080
<v Speaker 1>when I had in my heart is good Okay. So

0:20:14.160 --> 0:20:17.840
<v Speaker 1>before you leave the house gigging. Does your father ever

0:20:17.960 --> 0:20:21.120
<v Speaker 1>get remarried? Is there another female presence in the house

0:20:21.119 --> 0:20:26.000
<v Speaker 1>other than your sister. Yeah, So my father remarried when

0:20:26.000 --> 0:20:32.119
<v Speaker 1>I was eleven, and we moved to UM, one of

0:20:32.119 --> 0:20:37.560
<v Speaker 1>the outside uh areas around Greenville, South Carolina. It was

0:20:37.640 --> 0:20:41.280
<v Speaker 1>Piedmont's Ath Carolina Powdersville to be exact, And I called

0:20:41.320 --> 0:20:43.159
<v Speaker 1>it Powdersville because they used to store a lot of

0:20:43.160 --> 0:20:47.359
<v Speaker 1>gunpowder there during the Civil War. On fact, and I

0:20:47.400 --> 0:20:53.040
<v Speaker 1>went to Pattersville Middle School. Didn't fit in with anybody UM.

0:20:53.080 --> 0:20:56.119
<v Speaker 1>And he remarried to a woman named Leander. It was

0:20:56.160 --> 0:21:01.080
<v Speaker 1>still my stepmother, and she had two older boys at

0:21:01.080 --> 0:21:04.080
<v Speaker 1>the time, who were I think at the time seventeen.

0:21:04.600 --> 0:21:07.520
<v Speaker 1>Cliff was and Hunter was probably like twenty three or something.

0:21:08.359 --> 0:21:12.320
<v Speaker 1>And one had a, you know, a really nasty addiction

0:21:12.400 --> 0:21:15.879
<v Speaker 1>to heroin and the other one had a really nasty

0:21:15.920 --> 0:21:20.120
<v Speaker 1>addiction to math and fetamines. So she had her hands full. Man,

0:21:20.760 --> 0:21:23.400
<v Speaker 1>and my sister comes My sister and I come down

0:21:23.440 --> 0:21:28.919
<v Speaker 1>as eleven year old and a thirteen year old, and uh,

0:21:29.240 --> 0:21:31.879
<v Speaker 1>she I think I really wanted to be a MoMA,

0:21:31.920 --> 0:21:36.520
<v Speaker 1>a good mom to us, but she just was overwhelmed

0:21:36.720 --> 0:21:39.520
<v Speaker 1>with her own boys. And I don't falter for that.

0:21:39.600 --> 0:21:44.280
<v Speaker 1>And you know, later we became much closer, but at

0:21:44.320 --> 0:21:49.400
<v Speaker 1>the time, it was really difficult to try to establish

0:21:49.480 --> 0:21:52.440
<v Speaker 1>a you know, a motherly relationship with new kids when

0:21:52.440 --> 0:21:56.040
<v Speaker 1>your own kids are off the rails. And Mapody said

0:21:56.040 --> 0:21:58.520
<v Speaker 1>that they're both you know, recovered now and they're good,

0:21:59.160 --> 0:22:05.320
<v Speaker 1>and uh, there I see him at family unions and

0:22:05.320 --> 0:22:08.720
<v Speaker 1>all that. But um, and my stepmother and I have

0:22:08.800 --> 0:22:15.200
<v Speaker 1>become really close in recent years. Okay, prior to moving. Uh,

0:22:15.359 --> 0:22:23.439
<v Speaker 1>you're a good student, bad student, have friends, don't have friends. Um,

0:22:23.480 --> 0:22:26.280
<v Speaker 1>it wasn't a very good student. Uh. And I don't

0:22:26.320 --> 0:22:28.400
<v Speaker 1>think it was because I lacked the ability to learn.

0:22:28.840 --> 0:22:32.280
<v Speaker 1>I think it's just I lacked the interest. The interest

0:22:32.359 --> 0:22:36.879
<v Speaker 1>level wasn't there. Whenever whenever something becomes I have to

0:22:36.920 --> 0:22:39.399
<v Speaker 1>do it because you told me to do it, or

0:22:39.440 --> 0:22:43.520
<v Speaker 1>if I just see something it's just asinine, or just like,

0:22:45.000 --> 0:22:48.080
<v Speaker 1>you know, why are you making us do this because

0:22:48.080 --> 0:22:55.679
<v Speaker 1>it it doesn't like remember we'd have to like copy

0:22:55.760 --> 0:23:00.280
<v Speaker 1>down like information, you know, Um, like when I was

0:23:00.280 --> 0:23:04.160
<v Speaker 1>in school, suspension like this isn't this is just giving

0:23:04.200 --> 0:23:06.760
<v Speaker 1>us writers cramp. We're not retaining any knowledge after the

0:23:06.800 --> 0:23:10.000
<v Speaker 1>first two times we write it down. You know, I

0:23:10.040 --> 0:23:11.960
<v Speaker 1>don't know. I just didn't like ass and and things

0:23:12.000 --> 0:23:14.439
<v Speaker 1>like that, and uh, the authority really got to me

0:23:14.480 --> 0:23:17.240
<v Speaker 1>when I was in school. So I was not a

0:23:17.240 --> 0:23:19.600
<v Speaker 1>good student. To answer your question, I didn't have very

0:23:19.600 --> 0:23:23.400
<v Speaker 1>many friends. I was always a little bit out there.

0:23:24.200 --> 0:23:27.439
<v Speaker 1>But the friends that I did have, we're all in

0:23:27.520 --> 0:23:32.040
<v Speaker 1>different circles of school. You know. I hang out with jock's,

0:23:32.119 --> 0:23:34.879
<v Speaker 1>I hang out with the geeks, hang out with the freaks.

0:23:35.760 --> 0:23:38.919
<v Speaker 1>I was more of a freak than anything. I reckon, right,

0:23:39.480 --> 0:23:43.359
<v Speaker 1>what's your sister up to today? My sister is busy

0:23:43.440 --> 0:23:47.880
<v Speaker 1>raising two young UN's, my nephews, just I and Malachi.

0:23:48.680 --> 0:23:52.879
<v Speaker 1>I love those boys. Were just good redneck boys, you know.

0:23:53.600 --> 0:23:55.680
<v Speaker 1>Uh you show up and they're fighting in the front

0:23:55.760 --> 0:24:00.000
<v Speaker 1>yard with their shirts off. Um they're good kids, man.

0:24:00.040 --> 0:24:04.600
<v Speaker 1>And uh, after my grandmother passed, I was able to

0:24:05.440 --> 0:24:09.920
<v Speaker 1>buy her house, and my sister wrenched that place from me,

0:24:10.520 --> 0:24:16.240
<v Speaker 1>and uh, her two little boys there and her man Richard.

0:24:17.640 --> 0:24:22.439
<v Speaker 1>And you know, my sister works. She's a beautiful young woman,

0:24:22.480 --> 0:24:27.520
<v Speaker 1>but she she's got a CDL CDL and she's working

0:24:27.560 --> 0:24:32.040
<v Speaker 1>for like the South Carolina Department of Transportation. So pretty

0:24:32.080 --> 0:24:35.959
<v Speaker 1>funny to think about my sister out there replacing manhole

0:24:36.040 --> 0:24:40.320
<v Speaker 1>covers and whatnot street signs. Okay, so you're talking about

0:24:40.359 --> 0:24:45.359
<v Speaker 1>middle school not fit again. What happened in high school? Well,

0:24:45.720 --> 0:24:51.639
<v Speaker 1>middle school, you know, I think I I was kind

0:24:51.640 --> 0:24:53.479
<v Speaker 1>of flirting with the idea of being a good student,

0:24:54.680 --> 0:24:56.879
<v Speaker 1>but I always just wanted to play music, and I

0:24:56.960 --> 0:25:00.600
<v Speaker 1>just always had no other doubt in my mind of

0:25:00.600 --> 0:25:02.240
<v Speaker 1>what I wanted to do. So it was hard for

0:25:02.280 --> 0:25:05.480
<v Speaker 1>me to pay attention. And it's spent all my time

0:25:05.560 --> 0:25:10.640
<v Speaker 1>really trying to, uh just make this one girl laugh.

0:25:10.720 --> 0:25:13.000
<v Speaker 1>This girl named Halle and sat next to me in

0:25:13.080 --> 0:25:16.760
<v Speaker 1>home room, and I was just over the moon, man

0:25:17.320 --> 0:25:20.879
<v Speaker 1>about the squirrel, really smitten. And she was neighbors with

0:25:20.960 --> 0:25:25.520
<v Speaker 1>my middle school band drummer Caleb, So they were neighbors.

0:25:25.520 --> 0:25:27.200
<v Speaker 1>So I spent a lot of time at Caleb's house,

0:25:27.920 --> 0:25:33.520
<v Speaker 1>no doubt, and uh, hang out with her, and you know,

0:25:33.600 --> 0:25:37.120
<v Speaker 1>I was a church going boys, so I even did

0:25:37.200 --> 0:25:41.520
<v Speaker 1>like a funeral for her dog at one point, and

0:25:41.520 --> 0:25:46.000
<v Speaker 1>we'd run around the woods barefoot. Just really great memories.

0:25:46.000 --> 0:25:50.160
<v Speaker 1>But you know, Halloween, when we were thirteen, she got

0:25:50.160 --> 0:25:54.320
<v Speaker 1>in the car with some crazy woman and they wrecked

0:25:54.359 --> 0:25:58.560
<v Speaker 1>and she died. So that really fucked me up. It's

0:25:58.640 --> 0:26:04.240
<v Speaker 1>like the first real heartbreak I experienced. UM, So that

0:26:04.400 --> 0:26:07.879
<v Speaker 1>really really got me in. I went into high school

0:26:07.880 --> 0:26:11.600
<v Speaker 1>with that that weight, and that's when I really started

0:26:11.840 --> 0:26:18.800
<v Speaker 1>putting my full effort into music and realizing the therapy,

0:26:19.160 --> 0:26:23.480
<v Speaker 1>the therapeutic side to music. Okay, you talk about your

0:26:23.480 --> 0:26:26.760
<v Speaker 1>mother leaving closing a bandoment issue, So how has that

0:26:26.800 --> 0:26:35.199
<v Speaker 1>affected you in relationships love relationships? UM, it makes me

0:26:35.240 --> 0:26:43.760
<v Speaker 1>struggle really badly with possessiveness or you know, being controlling. Um.

0:26:43.800 --> 0:26:47.359
<v Speaker 1>You know, I in no way ever want to feel

0:26:47.400 --> 0:26:52.560
<v Speaker 1>like I'm an overbearing partner or or anything like that.

0:26:52.680 --> 0:26:57.840
<v Speaker 1>But I just always so damn afraid of people leaving.

0:26:58.119 --> 0:27:01.880
<v Speaker 1>And you know, it's either at or I'm having nightmares

0:27:01.920 --> 0:27:06.239
<v Speaker 1>about going to the Map in Philadelphia and nobody's showing up.

0:27:06.880 --> 0:27:12.199
<v Speaker 1>You know, I'm I'm constantly afraid that, um, something that

0:27:12.200 --> 0:27:14.639
<v Speaker 1>will come out in my audience will will abandon me.

0:27:14.760 --> 0:27:18.320
<v Speaker 1>You know. It's such a deep fear of mine for

0:27:18.359 --> 0:27:21.880
<v Speaker 1>people to leave. You know. Even if I go out

0:27:21.920 --> 0:27:24.840
<v Speaker 1>to dinner with my boys here, you know, and everybody

0:27:24.840 --> 0:27:27.560
<v Speaker 1>finishes eating a little before me and they stand up.

0:27:27.960 --> 0:27:29.679
<v Speaker 1>You know, my heart starts to race. I get a

0:27:29.680 --> 0:27:33.639
<v Speaker 1>little aunty or if for all walking somewhere and I

0:27:33.720 --> 0:27:35.439
<v Speaker 1>got tie my shoes and people don't wait on me.

0:27:35.480 --> 0:27:42.480
<v Speaker 1>I'll get physically just I rate, you know. Uh. But

0:27:45.520 --> 0:27:47.360
<v Speaker 1>so what happened with the woman and where you went

0:27:47.400 --> 0:27:52.080
<v Speaker 1>to therapy whatever and it didn't work out. I mean

0:27:52.119 --> 0:27:56.159
<v Speaker 1>I was really fucked up at the time, you know,

0:27:56.280 --> 0:28:06.840
<v Speaker 1>I was. I just um at that time. One of

0:28:06.880 --> 0:28:10.520
<v Speaker 1>the first things that really started to pull that relationship apart.

0:28:10.560 --> 0:28:15.360
<v Speaker 1>I mean, aside from the fact that uh, and this

0:28:15.400 --> 0:28:17.919
<v Speaker 1>is my last relationship on my front too, designed from

0:28:17.960 --> 0:28:20.760
<v Speaker 1>the fact that I needed to move to Nashville for

0:28:20.840 --> 0:28:25.200
<v Speaker 1>my career and I needed to um. You know, I

0:28:25.840 --> 0:28:27.760
<v Speaker 1>got sober at that time. That's the first time I

0:28:27.800 --> 0:28:30.640
<v Speaker 1>got sober, got sober, lost a lot of weight, and

0:28:31.080 --> 0:28:33.359
<v Speaker 1>you know, I was trying to do right by me,

0:28:34.200 --> 0:28:40.360
<v Speaker 1>and uh, she just she tried to be supportive partner,

0:28:40.880 --> 0:28:44.600
<v Speaker 1>and you know, believe in my dreams as much as

0:28:44.600 --> 0:28:49.400
<v Speaker 1>I did, but her dream was just too surf in

0:28:49.400 --> 0:28:55.120
<v Speaker 1>places like Australia and Hawaii and Indonesia, and she was

0:28:55.120 --> 0:28:58.920
<v Speaker 1>always really frustrated that I wouldn't support her dreams. I

0:28:59.000 --> 0:29:01.640
<v Speaker 1>was like, well, I can't. You know, I'm financially supporting

0:29:01.720 --> 0:29:04.680
<v Speaker 1>us in every other way. I can't support your dreams.

0:29:05.240 --> 0:29:09.040
<v Speaker 1>I don't have time because in order to continue to

0:29:09.160 --> 0:29:12.040
<v Speaker 1>financially support us, I have to focus on my dream

0:29:12.080 --> 0:29:14.880
<v Speaker 1>which also happens to be our income and are in

0:29:15.120 --> 0:29:18.080
<v Speaker 1>my job. You know. It's it's what I love, it's

0:29:18.120 --> 0:29:20.320
<v Speaker 1>my passion, and I'm really thankful I get to do it.

0:29:20.800 --> 0:29:24.360
<v Speaker 1>But I can't just support your dreams because a lot

0:29:24.400 --> 0:29:26.600
<v Speaker 1>of people will just call that a fucking vacation, you

0:29:26.600 --> 0:29:28.840
<v Speaker 1>know what I mean. So it was really frustrating back

0:29:28.880 --> 0:29:32.160
<v Speaker 1>and forth. Um, and obviously, you know, if you're passion

0:29:32.280 --> 0:29:35.040
<v Speaker 1>is to live by the beach and surf, it's great.

0:29:35.640 --> 0:29:39.800
<v Speaker 1>I'm not knocking that. But within the you know, within

0:29:39.840 --> 0:29:42.640
<v Speaker 1>the confines of our relationship, it was really frustrating and

0:29:43.080 --> 0:29:45.320
<v Speaker 1>I could never really catch a break. So aside from that,

0:29:45.400 --> 0:29:49.200
<v Speaker 1>I was also struggling with, for the first time, women

0:29:49.280 --> 0:29:54.560
<v Speaker 1>actually taking an interest in me without me, uh initiating.

0:29:55.240 --> 0:30:01.120
<v Speaker 1>So I wasn't I wasn't being unfaithful physically, but like

0:30:01.560 --> 0:30:06.520
<v Speaker 1>I would certainly entertain you know, uh, flirty texts or

0:30:06.640 --> 0:30:10.800
<v Speaker 1>flirty messages or whatever, and that's so just not okay

0:30:11.280 --> 0:30:15.600
<v Speaker 1>in a relationship. And you know, I feel really bad

0:30:15.720 --> 0:30:20.120
<v Speaker 1>for how I behaved in that relationship, but you know,

0:30:20.520 --> 0:30:21.880
<v Speaker 1>she was the one that told me, like, you need

0:30:21.880 --> 0:30:23.800
<v Speaker 1>to get into the happy or I'm sucking leaving it.

0:30:23.920 --> 0:30:27.440
<v Speaker 1>I was like, all right, So that's I'm really thankful

0:30:27.480 --> 0:30:30.560
<v Speaker 1>for that aspect of the relationship because I did get

0:30:30.560 --> 0:30:34.720
<v Speaker 1>in therapy and now I don't. I don't crave or

0:30:34.760 --> 0:30:40.240
<v Speaker 1>seek the attention of just random females. I mean, in therapy,

0:30:40.280 --> 0:30:42.280
<v Speaker 1>I realized a lot of that had to do with

0:30:42.480 --> 0:30:45.280
<v Speaker 1>the abandonment from my mother and you know, losing my

0:30:45.360 --> 0:30:48.920
<v Speaker 1>first love and all that, and um, craving and seeking

0:30:48.920 --> 0:30:53.320
<v Speaker 1>that attention was just uh, just another cry for help

0:30:53.400 --> 0:30:56.920
<v Speaker 1>like everything else. But that relationship just kind of ended

0:30:57.000 --> 0:31:06.800
<v Speaker 1>up implode. And I say, my substance abuse contributed to it,

0:31:06.880 --> 0:31:12.640
<v Speaker 1>for sure, but then the end of that relationship also

0:31:12.720 --> 0:31:16.800
<v Speaker 1>in turn contributed to my substance abuse getting much worse. Now,

0:31:16.960 --> 0:31:20.440
<v Speaker 1>someone with an abandonment issues end of a relationship must

0:31:20.480 --> 0:31:24.680
<v Speaker 1>be very tough. Yeah, I mean it was tough. I

0:31:24.680 --> 0:31:28.240
<v Speaker 1>mean we we broke up, like anywhere in the neighborhood

0:31:28.240 --> 0:31:32.120
<v Speaker 1>of Baker's doesn't you know, we break up all the time.

0:31:32.160 --> 0:31:36.840
<v Speaker 1>And then I beg her to come back. Ah, I

0:31:36.880 --> 0:31:40.920
<v Speaker 1>would give her. You know, an engagement ring is an

0:31:40.960 --> 0:31:44.000
<v Speaker 1>empty gesture because we both you know, it was such

0:31:44.200 --> 0:31:48.480
<v Speaker 1>just a toxic relationship. Passion was very high, the passion

0:31:48.520 --> 0:31:52.560
<v Speaker 1>was very heavy. But um, you know that's all we

0:31:52.600 --> 0:31:58.320
<v Speaker 1>had was passion. Um, there was no real roots to

0:31:58.360 --> 0:32:01.080
<v Speaker 1>the relationship with still if wind would blow it over.

0:32:01.800 --> 0:32:04.880
<v Speaker 1>So I beg her to come back from Hawaii, should

0:32:04.880 --> 0:32:07.920
<v Speaker 1>come back, and then you know, the passion would be

0:32:07.960 --> 0:32:09.520
<v Speaker 1>great for two or three days and then we'd be

0:32:09.600 --> 0:32:13.800
<v Speaker 1>right out of each other's throats again. Um. But the

0:32:13.880 --> 0:32:16.800
<v Speaker 1>last time she left, she went to Indonesia to start

0:32:16.840 --> 0:32:21.360
<v Speaker 1>a bathing suit company. Yeah, I don't think it worked out,

0:32:22.680 --> 0:32:27.680
<v Speaker 1>but she left and I just it really hurt. I

0:32:27.760 --> 0:32:32.200
<v Speaker 1>was like, I just don't come back, you know, I don't.

0:32:32.680 --> 0:32:38.280
<v Speaker 1>I can't do this anymore. And she stayed, and you know,

0:32:38.360 --> 0:32:40.640
<v Speaker 1>like I always did, a few days later, I beg

0:32:40.680 --> 0:32:43.320
<v Speaker 1>you to come back, and she said, nah, now we're

0:32:43.320 --> 0:32:48.239
<v Speaker 1>really through. So then you go through after you live

0:32:48.320 --> 0:32:50.160
<v Speaker 1>with somebody for four years, you know, it's not like

0:32:50.680 --> 0:32:52.840
<v Speaker 1>in the movies. It's not just like I'll see you later,

0:32:54.360 --> 0:32:56.640
<v Speaker 1>you know, then you go through the process of trying

0:32:56.640 --> 0:32:58.360
<v Speaker 1>to get all of their ship out of your house,

0:32:59.040 --> 0:33:01.000
<v Speaker 1>and then you put it on the storage unit. And

0:33:01.000 --> 0:33:03.920
<v Speaker 1>then after a while you're like, hey, and I don't

0:33:03.960 --> 0:33:05.880
<v Speaker 1>want to pay for your storage unit anymore. It's only

0:33:05.920 --> 0:33:10.840
<v Speaker 1>your stuff in there, and uh just gets really break

0:33:10.920 --> 0:33:13.560
<v Speaker 1>ups are ugly and bring out the worst in people,

0:33:14.520 --> 0:33:22.680
<v Speaker 1>certainly her. So since that relationship ended, did you take

0:33:22.720 --> 0:33:28.280
<v Speaker 1>advantage of any of the perks on the road? H

0:33:28.440 --> 0:33:35.720
<v Speaker 1>I think I was, you know, just just the fact

0:33:35.760 --> 0:33:40.960
<v Speaker 1>that it's suicide prevention month or awareness month rather. Um,

0:33:41.000 --> 0:33:44.240
<v Speaker 1>I think it's important to say that I was. That

0:33:44.320 --> 0:33:47.920
<v Speaker 1>was a heartbroken and just so lonely and just so devastated.

0:33:48.760 --> 0:33:51.440
<v Speaker 1>My grandmother had died at that point. She was gone,

0:33:51.480 --> 0:33:56.160
<v Speaker 1>And UM, I wrote a tune. It's actually gonna be

0:33:56.160 --> 0:33:59.280
<v Speaker 1>on my next rack. It's called Cadillac and all about

0:33:59.680 --> 0:34:03.200
<v Speaker 1>you know, my old Cadillac. And you know I bought

0:34:03.240 --> 0:34:06.520
<v Speaker 1>a house with a garage for the reason of, you know,

0:34:06.880 --> 0:34:10.279
<v Speaker 1>killing myself that way. That was my whole plan, if

0:34:10.280 --> 0:34:14.520
<v Speaker 1>you want to call it a plan. Um. But then

0:34:14.560 --> 0:34:16.080
<v Speaker 1>I had a tour I had to go do, so

0:34:17.520 --> 0:34:21.279
<v Speaker 1>I figured why not go out doing what I love.

0:34:21.360 --> 0:34:23.600
<v Speaker 1>I can just I can drink and drug myself to

0:34:23.680 --> 0:34:28.160
<v Speaker 1>death out here while I'm playing music. It's a win win,

0:34:28.640 --> 0:34:31.880
<v Speaker 1>you know, I achieve what I'm setting out to do.

0:34:32.560 --> 0:34:36.400
<v Speaker 1>So I was too fucked up really to take advantage

0:34:36.440 --> 0:34:38.759
<v Speaker 1>of any of the parks on the road. Really, I

0:34:38.840 --> 0:34:42.440
<v Speaker 1>mean there was probably a a couple of drunk you know,

0:34:43.480 --> 0:34:47.799
<v Speaker 1>uh escapades, but nothing really ever failed a void and

0:34:47.840 --> 0:34:51.719
<v Speaker 1>I was just really oh, I mean put light on

0:34:51.760 --> 0:34:55.520
<v Speaker 1>the subject. There's this movie that John c Riley did

0:34:55.600 --> 0:35:00.799
<v Speaker 1>called Dewey Cox Walk Hard. It's just like, this is

0:35:00.840 --> 0:35:05.799
<v Speaker 1>such a dark fucking period. It's like that was mine. Um,

0:35:05.840 --> 0:35:09.399
<v Speaker 1>but in that dark period, I met uh Briley while

0:35:09.400 --> 0:35:12.239
<v Speaker 1>I was in Raleigh, North Carolina. I met Briley and uh,

0:35:13.440 --> 0:35:16.600
<v Speaker 1>you know, she just seemed like this light at the

0:35:16.640 --> 0:35:20.920
<v Speaker 1>end of the tunnel and she's really sassy and she

0:35:21.000 --> 0:35:25.200
<v Speaker 1>calls me on all my bullshit and she was you

0:35:25.239 --> 0:35:31.400
<v Speaker 1>know that night too, just like yeah, because I invite

0:35:31.400 --> 0:35:34.560
<v Speaker 1>her backstage, and she's like, what do you expect is

0:35:34.560 --> 0:35:37.400
<v Speaker 1>gonna happen? You know, I'll bet you invite everybody backstage.

0:35:37.520 --> 0:35:41.759
<v Speaker 1>It's no, you're special, You're special. And she is so

0:35:43.120 --> 0:35:51.319
<v Speaker 1>uh I'm glad she came along right, right, And but

0:35:51.480 --> 0:35:53.480
<v Speaker 1>you're she doesn't come on the road with you, right,

0:35:54.840 --> 0:35:57.839
<v Speaker 1>she does. Yeah, she comes on the road, so she's

0:35:57.880 --> 0:36:01.680
<v Speaker 1>there with you. Now. Well she's actually she went home

0:36:01.719 --> 0:36:07.759
<v Speaker 1>to see uh, her mama and her parents and bring

0:36:07.800 --> 0:36:10.680
<v Speaker 1>our little dog so they can watch her because this

0:36:10.719 --> 0:36:12.959
<v Speaker 1>is kind of a long run. So she's went home

0:36:13.360 --> 0:36:15.880
<v Speaker 1>and she's gonna meet us in Philadelphia tomorrow for the

0:36:15.920 --> 0:36:21.279
<v Speaker 1>first stop. Wow, that's cool. Okay, So when do you

0:36:21.360 --> 0:36:24.840
<v Speaker 1>first pick up the guitar? Man? I think that's about

0:36:24.840 --> 0:36:28.520
<v Speaker 1>three three or four, as soon as I could hold one.

0:36:28.920 --> 0:36:33.560
<v Speaker 1>And what was the inspiration? My dad, my grandpa, my

0:36:33.680 --> 0:36:39.920
<v Speaker 1>uncle's just seeing how elated everyone was after you know,

0:36:40.400 --> 0:36:44.319
<v Speaker 1>the family reunion or maybe thanksgivings. We'd go up to

0:36:44.400 --> 0:36:50.160
<v Speaker 1>my great grandfather, Morris King's house and he had an

0:36:50.160 --> 0:36:52.480
<v Speaker 1>old moonshine and still he'd show us the moonshine and

0:36:52.520 --> 0:36:55.760
<v Speaker 1>still at the back of the cornfield, and then everybody

0:36:55.800 --> 0:37:00.080
<v Speaker 1>would pick on the front porch. And the joy that

0:37:00.280 --> 0:37:04.000
<v Speaker 1>you could see on everybody's faces, the spectators and the

0:37:04.000 --> 0:37:07.919
<v Speaker 1>performers are all alike. Uh. I was like, I gotta

0:37:07.960 --> 0:37:12.040
<v Speaker 1>get in on that, you know, because even at a

0:37:12.080 --> 0:37:14.360
<v Speaker 1>young age, you you don't really understand a lot of

0:37:14.360 --> 0:37:17.600
<v Speaker 1>the pain, but you understand how to not feel it.

0:37:18.120 --> 0:37:21.239
<v Speaker 1>So music was something I really I really wanted to

0:37:22.000 --> 0:37:24.080
<v Speaker 1>grasp ahold of and then it grasped ahold of me.

0:37:25.239 --> 0:37:29.560
<v Speaker 1>And never take any lessons just from my dad. I

0:37:29.560 --> 0:37:34.399
<v Speaker 1>didn't take any formal lessons that along at a young age. Um,

0:37:34.440 --> 0:37:37.560
<v Speaker 1>a lot of my lessons. You know, my whole family

0:37:37.560 --> 0:37:40.239
<v Speaker 1>all learned how to play music, you know, by ear

0:37:41.440 --> 0:37:44.680
<v Speaker 1>no formal training of any kind. My grandfather was a

0:37:44.719 --> 0:37:51.120
<v Speaker 1>really really uh you know, worldly educated man. You know,

0:37:51.160 --> 0:37:54.040
<v Speaker 1>I think he probably only had up to an eighth

0:37:54.040 --> 0:37:57.200
<v Speaker 1>grade education if that. But he's a really smart guy.

0:37:57.239 --> 0:38:00.560
<v Speaker 1>So he would he would write out you know, now

0:38:00.600 --> 0:38:03.000
<v Speaker 1>I think you'd call it tablisher, but he was. He

0:38:03.120 --> 0:38:06.000
<v Speaker 1>was pretty much he would draw like a He would

0:38:06.000 --> 0:38:09.399
<v Speaker 1>trace my hand and then he'd draw the neck out,

0:38:09.880 --> 0:38:12.200
<v Speaker 1>and then he would draw circles where my fingers were

0:38:12.239 --> 0:38:16.080
<v Speaker 1>supposed to go. So it is tablisher actually. But he

0:38:16.120 --> 0:38:17.800
<v Speaker 1>was doing this in like the fifties when he was

0:38:17.840 --> 0:38:23.000
<v Speaker 1>teaching my my dad to play. So, um, seeing them

0:38:23.040 --> 0:38:27.440
<v Speaker 1>play really made me want to get into it. Okay,

0:38:27.480 --> 0:38:30.960
<v Speaker 1>it's a kid, what music we're listening to other than

0:38:31.000 --> 0:38:35.120
<v Speaker 1>the music you were playing with your family. So yeah,

0:38:35.200 --> 0:38:38.400
<v Speaker 1>I keep mentioning gospel music. And I was in a

0:38:38.400 --> 0:38:45.080
<v Speaker 1>Pentecostal church, so, uh, the Mark what Mark Ward the

0:38:45.520 --> 0:38:49.520
<v Speaker 1>musical director there. They they would always do a lot

0:38:49.600 --> 0:38:51.480
<v Speaker 1>of Kirk Franklin and that kind of stuff, a lot

0:38:51.480 --> 0:38:56.840
<v Speaker 1>of contemporary gospel that was on the radio then. Um,

0:38:56.960 --> 0:39:02.560
<v Speaker 1>and you know, whatever my sister was banging around on

0:39:02.600 --> 0:39:05.560
<v Speaker 1>the radio wasn't really doing it for me. So that's

0:39:05.560 --> 0:39:08.200
<v Speaker 1>when my my dad's music collection came to play, and

0:39:09.320 --> 0:39:12.680
<v Speaker 1>he had just had all of his tapes and records

0:39:12.840 --> 0:39:18.120
<v Speaker 1>all digitally transferred to CDs. CDs were a big thing,

0:39:18.239 --> 0:39:21.880
<v Speaker 1>so I was able to really rifle through those, a

0:39:21.880 --> 0:39:25.720
<v Speaker 1>lot of a lot of Muddy Waters, Allman Brothers, Elmore,

0:39:25.840 --> 0:39:33.600
<v Speaker 1>James um Early, Leonard skinnerd H. Marshall, Tucker Band, God,

0:39:34.280 --> 0:39:36.279
<v Speaker 1>that was a big one. And I just sit and

0:39:36.320 --> 0:39:39.160
<v Speaker 1>listen to these records and try to learn everything I could,

0:39:39.200 --> 0:39:43.760
<v Speaker 1>absorb everything I could from And when did you decide

0:39:43.880 --> 0:39:46.840
<v Speaker 1>music was something you wanted to do for a career.

0:39:49.560 --> 0:39:54.040
<v Speaker 1>So I've answered this question before and I've always just

0:39:54.120 --> 0:39:57.279
<v Speaker 1>kind of said that I never thought otherwise, which is

0:39:58.000 --> 0:40:02.040
<v Speaker 1>really the truth. And you know, just to expand on that,

0:40:02.400 --> 0:40:06.719
<v Speaker 1>when I was in sixth grade, I, um, we did

0:40:06.760 --> 0:40:09.800
<v Speaker 1>this test that was kind of like what are you

0:40:09.800 --> 0:40:12.040
<v Speaker 1>gonna be when you grow up kind of thing, and

0:40:13.080 --> 0:40:15.239
<v Speaker 1>my test results came back and said I was going

0:40:15.280 --> 0:40:19.080
<v Speaker 1>to be a small set director, which is the guy

0:40:19.120 --> 0:40:24.680
<v Speaker 1>that you know organizes the mannequins in the mall, And uh,

0:40:26.320 --> 0:40:27.920
<v Speaker 1>miss Austin, I don't think I want to do that.

0:40:28.320 --> 0:40:31.239
<v Speaker 1>I actually really like playing music. Well, you gotta be

0:40:31.280 --> 0:40:35.040
<v Speaker 1>good if you want to play music professionally, right, all right?

0:40:35.640 --> 0:40:40.640
<v Speaker 1>And I also got denied being in the school choir

0:40:40.920 --> 0:40:44.000
<v Speaker 1>that same year, so I had a you know, a

0:40:44.000 --> 0:40:47.760
<v Speaker 1>lot of proof. I guess miss Adams and Miss Alston

0:40:48.840 --> 0:40:53.919
<v Speaker 1>if you're listening, but um, yeah, I just never thought

0:40:54.000 --> 0:40:57.480
<v Speaker 1>really otherwise after that point in my life. Sixth grade,

0:40:58.360 --> 0:41:01.279
<v Speaker 1>I was like, music is it? And when did you

0:41:01.320 --> 0:41:03.600
<v Speaker 1>start playing in Ben's And when did you started playing

0:41:03.640 --> 0:41:08.160
<v Speaker 1>for money out? By the time I was eleven. First

0:41:08.160 --> 0:41:10.000
<v Speaker 1>time I played on stage, I was eight years old,

0:41:10.520 --> 0:41:13.239
<v Speaker 1>played on stage with my dad and my grandfather. I

0:41:13.280 --> 0:41:15.040
<v Speaker 1>think that was the only time I got to really

0:41:15.160 --> 0:41:18.640
<v Speaker 1>play with my grandfather because he got really sick after

0:41:18.680 --> 0:41:25.240
<v Speaker 1>that and he passed when I was about fourteen, and

0:41:25.280 --> 0:41:26.360
<v Speaker 1>it was one of a few times I got to

0:41:26.360 --> 0:41:28.399
<v Speaker 1>play with my uncle on bass because he passed when

0:41:28.440 --> 0:41:35.799
<v Speaker 1>I was about fifteen. So, uh, that is a really

0:41:35.800 --> 0:41:38.520
<v Speaker 1>good memory for me to have played with like all

0:41:38.640 --> 0:41:43.040
<v Speaker 1>the family. You know, those a couple of occasions. But

0:41:43.200 --> 0:41:46.920
<v Speaker 1>when I was about thirteen, or rather when I was eleven,

0:41:47.200 --> 0:41:50.279
<v Speaker 1>that's when I did my first record on my on

0:41:50.360 --> 0:41:55.040
<v Speaker 1>my dad's record. That's when I did my first studio session. Uh.

0:41:55.120 --> 0:41:57.680
<v Speaker 1>And he did a record called Huge in Europe, which

0:41:57.719 --> 0:42:00.000
<v Speaker 1>is just meant to be a joke, like nobody knows

0:42:00.000 --> 0:42:03.359
<v Speaker 1>is here, but we're huge and Europe kind of um,

0:42:03.480 --> 0:42:06.840
<v Speaker 1>which now it actually does get it does sell some

0:42:06.920 --> 0:42:11.960
<v Speaker 1>copies in Europe, which is ironic. Um. So that's the

0:42:11.960 --> 0:42:13.799
<v Speaker 1>first time I was in the studio, and then I

0:42:13.840 --> 0:42:17.840
<v Speaker 1>started playing with his band for a few years, and

0:42:17.880 --> 0:42:20.680
<v Speaker 1>when I was fourteen and a half, I was able

0:42:20.719 --> 0:42:24.880
<v Speaker 1>to get my license and or my learners permit. So

0:42:26.280 --> 0:42:29.640
<v Speaker 1>then my goal was, you know, with this learners permit,

0:42:29.680 --> 0:42:32.040
<v Speaker 1>I can drive with a license driver in the car,

0:42:33.239 --> 0:42:36.839
<v Speaker 1>and you know who's gonna turn down a gig where

0:42:37.320 --> 0:42:39.719
<v Speaker 1>you can drink as much as you want. I'll drive

0:42:39.760 --> 0:42:42.719
<v Speaker 1>you home. I've got the p a, your rig, my

0:42:42.840 --> 0:42:45.359
<v Speaker 1>rig all in the back of the car. Let's go.

0:42:46.239 --> 0:42:50.800
<v Speaker 1>So I started working with a student of my dad's actually,

0:42:50.920 --> 0:42:53.880
<v Speaker 1>who was taking bass lessons from my dad because my

0:42:53.960 --> 0:42:59.920
<v Speaker 1>dad gave basin like guitar lessons and Anthony house John

0:43:00.000 --> 0:43:03.080
<v Speaker 1>a band. So he was like eighteen and I was

0:43:03.120 --> 0:43:09.480
<v Speaker 1>about fourteen and a half fifteen, and my drummer. We

0:43:09.560 --> 0:43:12.080
<v Speaker 1>went through a handful of drummers at the time that

0:43:12.160 --> 0:43:15.799
<v Speaker 1>we're all like grown men with families. So I'd keep

0:43:15.880 --> 0:43:18.279
<v Speaker 1>us working like four or five nights a week, and

0:43:18.360 --> 0:43:20.040
<v Speaker 1>over the phone, you don't know you were talking to

0:43:20.080 --> 0:43:23.200
<v Speaker 1>a fourteen year old. So I'd call and and book

0:43:23.280 --> 0:43:27.000
<v Speaker 1>us in all the surrounding areas, or I'd send emails

0:43:27.040 --> 0:43:30.640
<v Speaker 1>under a fake name to make it seem like we

0:43:30.680 --> 0:43:33.680
<v Speaker 1>had representation and we didn't. And then we just tore

0:43:33.719 --> 0:43:38.279
<v Speaker 1>around him a minivan. We'd go no more than four

0:43:38.680 --> 0:43:42.040
<v Speaker 1>for four or five hours outside of Greenville so I

0:43:42.040 --> 0:43:44.640
<v Speaker 1>could get back in time to go to school next morning.

0:43:46.120 --> 0:43:48.120
<v Speaker 1>And what kind of music were you playing? And what

0:43:48.200 --> 0:43:52.600
<v Speaker 1>kind of joints were these? They weren't particularly the kind

0:43:52.600 --> 0:43:54.640
<v Speaker 1>of joints you wanted. Fourteen or fifteen year old of

0:43:54.719 --> 0:43:58.840
<v Speaker 1>your own go to Uh. My dad just had a

0:43:58.840 --> 0:44:01.040
<v Speaker 1>lot of confidence in me. And you know, I got

0:44:01.080 --> 0:44:03.160
<v Speaker 1>it in a little bit of trouble while I was

0:44:03.200 --> 0:44:06.680
<v Speaker 1>doing that, and but nothing really crazy. It was all

0:44:06.680 --> 0:44:10.880
<v Speaker 1>pretty harmless fun. But my dad trusted me. And you know,

0:44:10.880 --> 0:44:12.920
<v Speaker 1>I'd always bring a drummer along, like I said, to

0:44:12.920 --> 0:44:17.480
<v Speaker 1>be kind of a chaperone. Um. Tracy little John was

0:44:18.480 --> 0:44:22.880
<v Speaker 1>my last working drummer actually, uh before Jack joined a group.

0:44:23.120 --> 0:44:27.960
<v Speaker 1>And Tracy was from Spartanburg or actually Tracy from Gaffney.

0:44:28.200 --> 0:44:32.919
<v Speaker 1>So Tracy little John was not the type of dude

0:44:32.960 --> 0:44:35.000
<v Speaker 1>you would want to suk with. And he's passed away

0:44:35.040 --> 0:44:38.120
<v Speaker 1>now and got rested soul. But he'd have a gun

0:44:38.120 --> 0:44:41.560
<v Speaker 1>and his stick bag at all times. And I give

0:44:41.600 --> 0:44:43.400
<v Speaker 1>the cous for behind us. He tell us all to

0:44:44.000 --> 0:44:46.799
<v Speaker 1>put our put our little stash and his drum bag

0:44:46.840 --> 0:44:49.920
<v Speaker 1>because he's like I could take a pinch and um,

0:44:50.000 --> 0:44:52.000
<v Speaker 1>you know, he wouldn't let anybody mess with men on

0:44:52.040 --> 0:44:55.879
<v Speaker 1>the road. Uh. I missed that guy a lot, think

0:44:55.920 --> 0:45:01.120
<v Speaker 1>about him often. But um, the top of music we

0:45:01.120 --> 0:45:05.000
<v Speaker 1>were playing, you know, we we try to. We had

0:45:05.040 --> 0:45:07.400
<v Speaker 1>a throwback sound and when you're in the Carolinas. You

0:45:07.400 --> 0:45:10.200
<v Speaker 1>can get away with playing you know, like uh like

0:45:10.280 --> 0:45:13.000
<v Speaker 1>Willie t anything that had a shuffle to it, because

0:45:13.000 --> 0:45:16.240
<v Speaker 1>people can shag anything that's kind of like beach music.

0:45:17.280 --> 0:45:19.280
<v Speaker 1>And we get away with playing like some old country,

0:45:19.920 --> 0:45:23.359
<v Speaker 1>some Little Feet, Almond Brothers, that kind of stuff. So

0:45:23.719 --> 0:45:29.440
<v Speaker 1>people just ate it up and we slipped original material

0:45:30.400 --> 0:45:33.200
<v Speaker 1>into the set, and then it just started to grow

0:45:33.239 --> 0:45:37.840
<v Speaker 1>and it started to expand. And when I was seventeen,

0:45:38.400 --> 0:45:40.239
<v Speaker 1>I said, I've had them bet enough of this town.

0:45:40.280 --> 0:45:50.040
<v Speaker 1>I'm I'm leaving. So that's what we did. Okay, so

0:45:50.160 --> 0:45:52.440
<v Speaker 1>you're playing these gigs, how many people were there? How

0:45:52.520 --> 0:45:56.520
<v Speaker 1>much money you did? You get paid? So you know,

0:45:56.800 --> 0:46:01.960
<v Speaker 1>I remember when I was sixteen years old, UM, one

0:46:01.960 --> 0:46:04.400
<v Speaker 1>of the many runnings I had with a club owner.

0:46:04.960 --> 0:46:11.560
<v Speaker 1>He's a friend of mine now, Ben Dixon owned Chakora Alley. Um,

0:46:11.719 --> 0:46:16.200
<v Speaker 1>they said three dollars, you got a four piece group,

0:46:16.400 --> 0:46:19.880
<v Speaker 1>play three hundred dollars. Don't play this Saturday, And they'd

0:46:19.920 --> 0:46:22.719
<v Speaker 1>be like two hundred people there because people would turn

0:46:22.719 --> 0:46:26.960
<v Speaker 1>out to watch the football game or to watch anything

0:46:26.960 --> 0:46:30.279
<v Speaker 1>else that was on. So I at a young age

0:46:30.320 --> 0:46:34.560
<v Speaker 1>realized people are coming to drink, and they're coming to

0:46:34.600 --> 0:46:37.520
<v Speaker 1>watch the game, and they're coming to hang out with

0:46:37.560 --> 0:46:40.680
<v Speaker 1>their friends and you are a lot of noise in

0:46:40.680 --> 0:46:44.759
<v Speaker 1>the background. So how do we engage them and make

0:46:44.800 --> 0:46:47.120
<v Speaker 1>them want to hear us and make them come back

0:46:47.520 --> 0:46:49.920
<v Speaker 1>to where we're at the top of that priority list? Right?

0:46:50.920 --> 0:46:56.200
<v Speaker 1>So having house gigs agreeable at that young age. It

0:46:56.360 --> 0:46:58.680
<v Speaker 1>was in Asheville. I'd have like three or four house

0:46:58.719 --> 0:47:03.120
<v Speaker 1>gigs a week where I got to really you know,

0:47:03.320 --> 0:47:07.439
<v Speaker 1>I had a firsthand lesson and like how to read

0:47:07.480 --> 0:47:10.080
<v Speaker 1>an audience and how to really engage them and how

0:47:10.120 --> 0:47:14.240
<v Speaker 1>to keep them engaged, you know. So I'm really thankful

0:47:14.280 --> 0:47:17.000
<v Speaker 1>for those early years. But will you get paid like

0:47:17.040 --> 0:47:21.560
<v Speaker 1>three dollars? And one week I remember a keyboard player

0:47:21.560 --> 0:47:24.840
<v Speaker 1>couldn't make it. He was like, I'm not giving you

0:47:24.880 --> 0:47:27.680
<v Speaker 1>the full three because I only pay seventy a man.

0:47:28.080 --> 0:47:30.399
<v Speaker 1>I was like, no, it works out at seventy a man,

0:47:30.400 --> 0:47:34.319
<v Speaker 1>but the deal was three d you know. Uh. So

0:47:34.400 --> 0:47:37.080
<v Speaker 1>they always try to get one over on me, And

0:47:38.000 --> 0:47:41.640
<v Speaker 1>one time they tried to do that in Spartanburg at

0:47:41.680 --> 0:47:45.719
<v Speaker 1>this place called Decades, kind of bar that you only

0:47:45.760 --> 0:47:47.200
<v Speaker 1>know it was there. If you knew it was there,

0:47:47.800 --> 0:47:53.240
<v Speaker 1>it's like behind like you know, uh, like a place

0:47:53.239 --> 0:47:55.520
<v Speaker 1>where you give blood, like a lab corps or some ship.

0:47:56.560 --> 0:48:02.240
<v Speaker 1>And on the other side of it was a police

0:48:02.680 --> 0:48:08.320
<v Speaker 1>uh uh, not a police station, but like the people

0:48:08.320 --> 0:48:11.680
<v Speaker 1>that answered the phone, so like a dispatch station. So

0:48:12.360 --> 0:48:14.720
<v Speaker 1>they are all the people at the despatch station outside

0:48:14.760 --> 0:48:17.640
<v Speaker 1>smoking cigarettes and stuff. And I had this drummer we

0:48:17.640 --> 0:48:20.960
<v Speaker 1>meant at the time, who I later found out was

0:48:21.800 --> 0:48:26.880
<v Speaker 1>uh selling large amounts of weed, so his van was

0:48:26.920 --> 0:48:31.520
<v Speaker 1>weighed down. And I said all that to say, in

0:48:31.600 --> 0:48:35.920
<v Speaker 1>this particular evening, we were playing too maybe two people,

0:48:36.600 --> 0:48:39.400
<v Speaker 1>and they happened to be dating the members of the band,

0:48:40.040 --> 0:48:43.640
<v Speaker 1>so there was nobody in the club, and the sign

0:48:43.719 --> 0:48:47.000
<v Speaker 1>said we played till one, but our agreement was we

0:48:47.000 --> 0:48:49.680
<v Speaker 1>played until twelve, so we got done at twelve, and

0:48:49.719 --> 0:48:52.120
<v Speaker 1>they said, well, we're not You know, we're not paying

0:48:52.160 --> 0:48:56.879
<v Speaker 1>you because sign says you played to one, So get

0:48:56.920 --> 0:48:58.960
<v Speaker 1>your aspect up there and finish your set er. We're

0:48:58.960 --> 0:49:02.000
<v Speaker 1>not paying you. So I took my grandfather's advice. On

0:49:02.040 --> 0:49:07.080
<v Speaker 1>this particular night, I had enough. Um, we gotta get paid.

0:49:07.200 --> 0:49:09.960
<v Speaker 1>So what we're gonna do is take your p a

0:49:10.560 --> 0:49:14.040
<v Speaker 1>and we'll pawn it and we'll get paid close to

0:49:14.280 --> 0:49:16.520
<v Speaker 1>what you're gonna pay us, and that's fair, and that's fine.

0:49:16.840 --> 0:49:18.520
<v Speaker 1>We don't mind loading it out, so we'll just take

0:49:18.520 --> 0:49:22.800
<v Speaker 1>it out this store. And uh, you know that's what

0:49:22.880 --> 0:49:24.640
<v Speaker 1>my grandfather told me to do. I was like, I

0:49:24.640 --> 0:49:27.560
<v Speaker 1>gotta pay my boys, so we're gonna sell your ship

0:49:28.280 --> 0:49:30.759
<v Speaker 1>because you were supposed to pay us. And then out

0:49:30.760 --> 0:49:33.440
<v Speaker 1>of nowhere, all these big dudes just started coming out

0:49:33.440 --> 0:49:36.920
<v Speaker 1>of the walls. It seemed like this barb brawl ensued

0:49:37.800 --> 0:49:42.359
<v Speaker 1>that was instigated by fifteen year old meat and just

0:49:42.440 --> 0:49:44.680
<v Speaker 1>this fight started happening, and they jumped on the back

0:49:44.719 --> 0:49:48.400
<v Speaker 1>of Leo, and the people that were watching is the

0:49:48.400 --> 0:49:54.160
<v Speaker 1>audience is the dispatch unit smoke break, so they're all

0:49:54.160 --> 0:49:56.560
<v Speaker 1>out there smoking. So all they gotta do is go

0:49:56.640 --> 0:49:59.840
<v Speaker 1>in and let somebody know what's happening. So all of

0:50:00.040 --> 0:50:03.560
<v Speaker 1>sudden there was six police cars all around us, and uh,

0:50:03.920 --> 0:50:08.560
<v Speaker 1>my drummer at the time, they jumped in and rolled

0:50:08.600 --> 0:50:11.239
<v Speaker 1>his ankle and he's like, I don't want to press

0:50:11.239 --> 0:50:12.480
<v Speaker 1>in each others. I'm good, I just want to get

0:50:12.480 --> 0:50:15.120
<v Speaker 1>out of here. And I never really really understood that

0:50:15.200 --> 0:50:17.840
<v Speaker 1>until later I found out he was, you know, moving

0:50:17.840 --> 0:50:22.880
<v Speaker 1>around a lot of weight. But that's the kind of shenanigans.

0:50:22.920 --> 0:50:27.000
<v Speaker 1>We'd get into just trying to make a few dollars,

0:50:27.440 --> 0:50:31.120
<v Speaker 1>not get not get fucked with. Okay, you drop out

0:50:31.120 --> 0:50:35.080
<v Speaker 1>of high school, music is your career? In retrospect, say

0:50:35.239 --> 0:50:38.799
<v Speaker 1>I paid my dues ten thousand hours? What was going

0:50:38.840 --> 0:50:41.600
<v Speaker 1>through your head? You say, this is it where my

0:50:41.719 --> 0:50:46.480
<v Speaker 1>dream is X? Or what's gonna happen? Um? Man? I

0:50:46.560 --> 0:50:53.440
<v Speaker 1>just I just had like I've always kind of looked

0:50:53.440 --> 0:50:55.640
<v Speaker 1>at it like a like a pit bull mentality. You

0:50:55.640 --> 0:50:58.960
<v Speaker 1>know when the pit bull gets his jahas lot doing

0:50:59.040 --> 0:51:02.319
<v Speaker 1>something that's like it's not letting go, it's a death grip.

0:51:02.640 --> 0:51:07.800
<v Speaker 1>And that's where I was just you know, I would

0:51:07.800 --> 0:51:13.400
<v Speaker 1>be so just astonished at the people that didn't believe

0:51:13.440 --> 0:51:17.560
<v Speaker 1>that this was gonna do something. Like my bass player's dad,

0:51:17.600 --> 0:51:21.640
<v Speaker 1>for instance, back in those days, it was like, you know, Anthony,

0:51:21.680 --> 0:51:25.320
<v Speaker 1>you need to go finish college and you know, become

0:51:25.360 --> 0:51:28.680
<v Speaker 1>a peuter computer programmer, and you need to you know,

0:51:28.760 --> 0:51:32.360
<v Speaker 1>get married and settled down. And just like when he

0:51:32.440 --> 0:51:34.160
<v Speaker 1>told me he couldn't do it anymore, he's going back

0:51:34.160 --> 0:51:38.319
<v Speaker 1>to school, I was just like, what, like, just I

0:51:38.480 --> 0:51:41.000
<v Speaker 1>was taking it back because there's no part of me

0:51:41.080 --> 0:51:44.000
<v Speaker 1>that thought this was gonna fail. And for me, that's

0:51:44.040 --> 0:51:47.000
<v Speaker 1>that's how you make it is one no safety now,

0:51:47.800 --> 0:51:50.239
<v Speaker 1>you know, because I knew guys that would be on

0:51:50.280 --> 0:51:52.879
<v Speaker 1>the scene playing three nights a week and then they'd

0:51:52.880 --> 0:51:55.920
<v Speaker 1>go to school to be a doctor or whatever the hell.

0:51:56.640 --> 0:51:59.040
<v Speaker 1>I'm like, it's not gonna work. Is at a certain

0:51:59.080 --> 0:52:02.479
<v Speaker 1>point that's gonna pay a lot more in the short

0:52:02.560 --> 0:52:06.000
<v Speaker 1>run and the long run, I guess. But you gotta

0:52:06.000 --> 0:52:08.400
<v Speaker 1>have faith in yourself. So we just went after it

0:52:08.440 --> 0:52:14.480
<v Speaker 1>and never turned back around. Yeah, okay, so you're doing it,

0:52:15.120 --> 0:52:19.200
<v Speaker 1>you know, and especially in today's era, everything moves very slowly.

0:52:20.160 --> 0:52:23.240
<v Speaker 1>What were you doing to move further down the board.

0:52:23.600 --> 0:52:25.799
<v Speaker 1>Did you feel like, oh, you just had to play

0:52:25.840 --> 0:52:28.040
<v Speaker 1>the right gig or you had to play more gigs.

0:52:28.080 --> 0:52:30.040
<v Speaker 1>You're right, you had to write a right song, you

0:52:30.080 --> 0:52:31.560
<v Speaker 1>had to record a song, You have to meet the

0:52:31.640 --> 0:52:36.799
<v Speaker 1>right people. I realized very early on that I wasn't

0:52:36.800 --> 0:52:40.200
<v Speaker 1>going to get a song on the radio more than likely, um,

0:52:40.520 --> 0:52:43.920
<v Speaker 1>because everything sounded to throwback what I was doing. And

0:52:44.880 --> 0:52:47.640
<v Speaker 1>you know, it's come around a little bit, you know,

0:52:48.480 --> 0:52:51.880
<v Speaker 1>like people are putting out not these country songs and

0:52:51.920 --> 0:52:56.840
<v Speaker 1>gett a hit with it. Um. But at the time,

0:52:56.960 --> 0:53:01.560
<v Speaker 1>throwback just wasn't really it. So we get a lot

0:53:01.600 --> 0:53:07.520
<v Speaker 1>of love from fraternities, um, and those were the money gigs,

0:53:07.960 --> 0:53:12.799
<v Speaker 1>so roar, are excuse me a fraternity gigs? Those would

0:53:13.000 --> 0:53:15.120
<v Speaker 1>cover the bills for a little while, and then we

0:53:15.160 --> 0:53:17.200
<v Speaker 1>can get on down the road and we can play

0:53:17.239 --> 0:53:20.719
<v Speaker 1>more of our music and we can start to accumulate

0:53:20.719 --> 0:53:23.000
<v Speaker 1>a following on the road. Because I do two things

0:53:23.000 --> 0:53:25.080
<v Speaker 1>that weren't gonna get a song on the radio, and

0:53:25.560 --> 0:53:28.600
<v Speaker 1>my looks weren't gonna do it for me. So I said,

0:53:28.600 --> 0:53:31.520
<v Speaker 1>the only way to do this is to build a following.

0:53:32.040 --> 0:53:34.200
<v Speaker 1>And if we just started circling this country and we

0:53:34.320 --> 0:53:36.520
<v Speaker 1>just started hitting him from every angle, and I ain't

0:53:36.520 --> 0:53:39.239
<v Speaker 1>gonna be able to say no, you know. I mean

0:53:39.640 --> 0:53:42.520
<v Speaker 1>they can say no, but we're here. So when you

0:53:42.560 --> 0:53:46.600
<v Speaker 1>plead a fraternity at that time, what songs did you play?

0:53:46.640 --> 0:53:50.319
<v Speaker 1>And how much money was that gig worth? I don't

0:53:50.320 --> 0:53:53.560
<v Speaker 1>remember the exact amount of money. I mean they passed

0:53:53.640 --> 0:53:56.799
<v Speaker 1>like two grand and we'd be like, we're rich. You know,

0:53:57.560 --> 0:53:59.640
<v Speaker 1>we're finally going to get the van fixed, so we

0:53:59.680 --> 0:54:04.080
<v Speaker 1>don't have a worry it's gonna break down every few miles. Um,

0:54:04.120 --> 0:54:09.080
<v Speaker 1>And everything back in those days was very much so um,

0:54:09.480 --> 0:54:13.880
<v Speaker 1>everybody all for one, one for all, that kind of feeling.

0:54:14.400 --> 0:54:17.600
<v Speaker 1>And it's still very much that way on the road. Um.

0:54:17.680 --> 0:54:21.200
<v Speaker 1>The dynamics shifted a little sometimes, the one that kind

0:54:21.200 --> 0:54:22.800
<v Speaker 1>of put a lot of the weight on my shoulders.

0:54:23.400 --> 0:54:26.520
<v Speaker 1>But in those days, we go playing fraternity and we'd

0:54:26.560 --> 0:54:29.920
<v Speaker 1>play I mean, we would play obscure Ship, we played

0:54:30.080 --> 0:54:32.240
<v Speaker 1>really whatever we wanted as long as we were jamming.

0:54:32.960 --> 0:54:36.160
<v Speaker 1>You know, they didn't care because they just they all

0:54:36.239 --> 0:54:39.799
<v Speaker 1>loved widespread panics. So we get away with playing like

0:54:40.040 --> 0:54:43.240
<v Speaker 1>compared to what by less McCann and we jam jammed

0:54:43.280 --> 0:54:48.440
<v Speaker 1>out for thirty minutes and cool. Okay. At that time,

0:54:48.480 --> 0:54:51.320
<v Speaker 1>who was booking the band? And how far away from

0:54:51.360 --> 0:54:55.560
<v Speaker 1>your home base would you go? So I was booking

0:54:55.560 --> 0:55:00.120
<v Speaker 1>the ban up until the time I was eighteen, and

0:55:02.040 --> 0:55:05.759
<v Speaker 1>we at that time, we're only going as far as

0:55:05.840 --> 0:55:10.720
<v Speaker 1>you know, we'd go to Georgia. We're touring the Southeast predominantly.

0:55:10.960 --> 0:55:16.960
<v Speaker 1>That's about it. Uh. And when I was eighteen, a

0:55:17.000 --> 0:55:19.960
<v Speaker 1>buddy of ours, Bill Hahn, said he wanted to put

0:55:19.960 --> 0:55:22.720
<v Speaker 1>a little money into us. So he said, he flies

0:55:22.760 --> 0:55:28.399
<v Speaker 1>out to California to maca record, and that's what we did,

0:55:28.800 --> 0:55:31.640
<v Speaker 1>and when we got back, Uh, he had set up

0:55:31.640 --> 0:55:34.520
<v Speaker 1>a meeting for us, because Bill went to the citadel

0:55:35.000 --> 0:55:38.120
<v Speaker 1>and those boys all look out for each other. And

0:55:38.120 --> 0:55:40.560
<v Speaker 1>as it would turn out, one of his Citadelle brothers

0:55:40.640 --> 0:55:44.319
<v Speaker 1>was a writer by the name of Jamison Clark. And

0:55:44.960 --> 0:55:47.400
<v Speaker 1>Jameson Clark used to be a big writer in Nashville

0:55:48.080 --> 0:55:52.160
<v Speaker 1>and had since retired and moved back to Greenville. And

0:55:52.280 --> 0:55:54.759
<v Speaker 1>he said, Marcus is gonna need an agent. I know

0:55:54.880 --> 0:55:56.719
<v Speaker 1>just the guy. So he put me in touch with

0:55:56.800 --> 0:56:00.839
<v Speaker 1>Brandon round Tree at William Morris Entertainment in Dever. Excuse me,

0:56:01.520 --> 0:56:06.319
<v Speaker 1>he used to just be wearing us. And my grandfather's

0:56:06.360 --> 0:56:09.759
<v Speaker 1>name is William Morris King. So I said, hot hot dog,

0:56:10.320 --> 0:56:12.520
<v Speaker 1>that's what I'm supposed to be. And that's still my

0:56:12.600 --> 0:56:17.360
<v Speaker 1>agent now. So uh we went there very fresh faced,

0:56:17.400 --> 0:56:20.000
<v Speaker 1>and he gave us a meeting. I mean he met

0:56:20.040 --> 0:56:23.080
<v Speaker 1>with us in the the lobby where they sell coffee.

0:56:23.280 --> 0:56:25.880
<v Speaker 1>He didn't take us up stairs, but he gave us

0:56:25.920 --> 0:56:27.799
<v Speaker 1>the chance. And the first gig he booked for us

0:56:28.280 --> 0:56:31.839
<v Speaker 1>was Sea World, and uh, we had a gig at

0:56:31.840 --> 0:56:35.680
<v Speaker 1>sea World all day and then drove twelve hours back

0:56:35.840 --> 0:56:38.719
<v Speaker 1>to make it to a late night gig in Simpsonville,

0:56:38.760 --> 0:56:45.360
<v Speaker 1>South Carolina. So um, from there, he just started booking

0:56:45.440 --> 0:56:49.800
<v Speaker 1>us and continuing on that pattern of just hitting every

0:56:49.840 --> 0:56:52.279
<v Speaker 1>market as hard as we could, I mean as far

0:56:52.360 --> 0:56:55.360
<v Speaker 1>as we could go in a van anyway, you know.

0:56:56.640 --> 0:56:59.640
<v Speaker 1>And then a little more after that. So what were

0:56:59.719 --> 0:57:02.359
<v Speaker 1>you doing with the record? And was that a significant thing?

0:57:04.520 --> 0:57:09.000
<v Speaker 1>So I self released that record. Um, but you was

0:57:09.040 --> 0:57:13.399
<v Speaker 1>at we put it out. Um. But for me as

0:57:13.560 --> 0:57:18.400
<v Speaker 1>I was never really interested in, you know, putting out

0:57:18.400 --> 0:57:20.000
<v Speaker 1>a record. I mean I knew it was important. I

0:57:20.000 --> 0:57:23.640
<v Speaker 1>know it's an important thing, but I was like, where

0:57:24.360 --> 0:57:26.400
<v Speaker 1>our money is coming from and where our following is

0:57:26.400 --> 0:57:28.960
<v Speaker 1>gonna come from is from the live shows. You know,

0:57:29.040 --> 0:57:32.320
<v Speaker 1>we need something to sell. We need a record to sell. Um.

0:57:32.360 --> 0:57:35.960
<v Speaker 1>And later the studio became more of my my friend

0:57:36.440 --> 0:57:38.320
<v Speaker 1>and more of a place where I could express myself

0:57:38.360 --> 0:57:41.400
<v Speaker 1>differently than I could on the stage. So I have

0:57:41.560 --> 0:57:44.520
<v Speaker 1>much more, I put much more stock, much more value,

0:57:44.560 --> 0:57:48.000
<v Speaker 1>appreciate it more now than I did then. So we

0:57:48.080 --> 0:57:53.200
<v Speaker 1>self released it. It's called Soul Insight, Uh, my clever

0:57:53.280 --> 0:58:01.439
<v Speaker 1>little name that I came out with. And then you know, well,

0:58:02.240 --> 0:58:03.960
<v Speaker 1>to say what I'm about to say, I'll go back

0:58:03.960 --> 0:58:06.400
<v Speaker 1>a few years when I just had a demo in

0:58:06.480 --> 0:58:10.280
<v Speaker 1>hand that just said Marcus King and Sharpie on the

0:58:10.320 --> 0:58:13.480
<v Speaker 1>front of it. And uh, I was trying to sneak

0:58:13.480 --> 0:58:16.720
<v Speaker 1>into the Orange pill in Asheville, North Carolina to get

0:58:16.720 --> 0:58:18.520
<v Speaker 1>a copy of this to Warren Haynes from the Olman

0:58:18.560 --> 0:58:22.720
<v Speaker 1>Brothers Man and uh, I made it in. I snuck

0:58:22.760 --> 0:58:26.480
<v Speaker 1>in with the caterers and they you know, I made

0:58:26.480 --> 0:58:28.360
<v Speaker 1>it in. I have my CD. I was ready, but

0:58:28.400 --> 0:58:30.080
<v Speaker 1>I didn't. I didn't know the layout of the building.

0:58:30.080 --> 0:58:32.240
<v Speaker 1>That was the only problem with my plans. So they

0:58:32.240 --> 0:58:34.760
<v Speaker 1>found me out, kicked me out. They tried to put

0:58:34.760 --> 0:58:40.120
<v Speaker 1>me in jail. Um, thank god they didn't. They just

0:58:40.160 --> 0:58:43.480
<v Speaker 1>called my dad and my dad said, don't lock him up.

0:58:43.560 --> 0:58:46.440
<v Speaker 1>He's just trying to get his music with somebody. And

0:58:46.440 --> 0:58:51.480
<v Speaker 1>as fate would have. My buddy, Rocky Rocky Linsley, um

0:58:51.720 --> 0:58:56.240
<v Speaker 1>songwriter from Asheville. He just passed away not too long ago, unfortunately.

0:58:56.960 --> 0:59:00.400
<v Speaker 1>But he sat waring down and his wife Stephanie and

0:59:00.480 --> 0:59:06.000
<v Speaker 1>his manager uh and said listen, sit down and listen.

0:59:06.640 --> 0:59:08.520
<v Speaker 1>They kept telling him like, oh, we're gonna check it out.

0:59:08.560 --> 0:59:11.320
<v Speaker 1>We're gona check it out. And this was so inside

0:59:11.400 --> 0:59:16.520
<v Speaker 1>that they played him, so, um, they listened and they

0:59:16.560 --> 0:59:21.080
<v Speaker 1>heard me. So then we rereleased it on Evil Team

0:59:21.160 --> 0:59:26.760
<v Speaker 1>Records and I started working with hard Head Management right then.

0:59:27.240 --> 0:59:31.080
<v Speaker 1>And that was such a huge leap for me to

0:59:31.160 --> 0:59:35.720
<v Speaker 1>be able to have Warren Haynes's stamp of approval because

0:59:35.760 --> 0:59:40.080
<v Speaker 1>that you know, kind of grandfathered us in to that

0:59:40.120 --> 0:59:44.200
<v Speaker 1>Allman Brothers family, that community, and that's a real thick community.

0:59:44.280 --> 0:59:48.320
<v Speaker 1>So they really welcomed us with open arms. And you know,

0:59:49.200 --> 0:59:55.760
<v Speaker 1>that relationship didn't last unfortunately, and that wasn't my you know,

0:59:57.520 --> 1:00:01.200
<v Speaker 1>my choice, but I am really ain'tful to them. Why

1:00:01.200 --> 1:00:05.560
<v Speaker 1>did it not last? Well? Came in time to make

1:00:05.640 --> 1:00:13.000
<v Speaker 1>change in management, and uh, you know Warren's management manager

1:00:14.320 --> 1:00:17.040
<v Speaker 1>was my manager as well, but it also happened to

1:00:17.040 --> 1:00:21.080
<v Speaker 1>be his wife. So you know, when you mix business

1:00:21.080 --> 1:00:26.240
<v Speaker 1>and family, and I had to cut ties. Um, that

1:00:26.400 --> 1:00:29.120
<v Speaker 1>friendship that was there and I looked at stuff like

1:00:29.200 --> 1:00:32.520
<v Speaker 1>a mother figure. She looked out for me. But when

1:00:32.520 --> 1:00:36.200
<v Speaker 1>I cut that tie, they really really turned on me.

1:00:36.680 --> 1:00:40.440
<v Speaker 1>And that really broke my heart into a million pieces.

1:00:41.240 --> 1:00:46.320
<v Speaker 1>Um destroyed me. But uh, it was time. I had

1:00:46.360 --> 1:00:49.160
<v Speaker 1>to make a change. And you gotta do what's right

1:00:49.200 --> 1:00:53.640
<v Speaker 1>for you business wise. But you know, I haven't talked

1:00:53.680 --> 1:00:56.800
<v Speaker 1>to one since then. And what were you looking for

1:00:56.840 --> 1:01:00.680
<v Speaker 1>from new management that you weren't getting? It? Needed somebody

1:01:00.720 --> 1:01:04.560
<v Speaker 1>to focus on me. I needed somebody that was you

1:01:04.600 --> 1:01:08.720
<v Speaker 1>gonna help me get out from under the heel of

1:01:08.760 --> 1:01:13.040
<v Speaker 1>the southern rock thing, you know, because we're very much typecasted.

1:01:13.680 --> 1:01:16.360
<v Speaker 1>I wor a cowboy hat everywhere I go, for God's sakes,

1:01:16.440 --> 1:01:19.280
<v Speaker 1>I mean, you know, I am a I'm like a

1:01:19.320 --> 1:01:23.880
<v Speaker 1>cartoon depiction of like what a loud American is for

1:01:23.920 --> 1:01:28.200
<v Speaker 1>the most part. And I wanted to be more than that.

1:01:28.280 --> 1:01:31.640
<v Speaker 1>I wanted to be able to do whatever kind of record.

1:01:32.280 --> 1:01:34.000
<v Speaker 1>And I didn't want to just be stuck in that

1:01:34.080 --> 1:01:39.040
<v Speaker 1>jam community because there's a ceiling there and you're never

1:01:39.040 --> 1:01:42.000
<v Speaker 1>gonna be bigger than fish or a grateful death, So

1:01:42.280 --> 1:01:46.040
<v Speaker 1>what's the point in trying. And I'm more concerned about

1:01:46.040 --> 1:01:48.920
<v Speaker 1>the songs and the lyrical content. And I love a

1:01:48.960 --> 1:01:51.120
<v Speaker 1>jam band as much as the next guy, you know,

1:01:52.120 --> 1:01:55.480
<v Speaker 1>but I want to be me and I wasn't getting

1:01:55.480 --> 1:01:59.640
<v Speaker 1>the attention that I needed um and when I was,

1:01:59.720 --> 1:02:03.880
<v Speaker 1>it was is placed. So I had to go and

1:02:04.000 --> 1:02:08.640
<v Speaker 1>I found a new manager that you know, heard me,

1:02:09.080 --> 1:02:12.600
<v Speaker 1>and it's been going pretty well, how did you how

1:02:12.640 --> 1:02:16.960
<v Speaker 1>did you find the new manager? Well, that word spread

1:02:16.960 --> 1:02:19.800
<v Speaker 1>pretty quick, uh that I was making a move, and

1:02:19.840 --> 1:02:22.440
<v Speaker 1>we had we kind of lit a fire for ourselves

1:02:23.160 --> 1:02:26.400
<v Speaker 1>at that point. So that word spread and I had

1:02:26.400 --> 1:02:29.640
<v Speaker 1>about five meetings. I did them all in person, and

1:02:29.680 --> 1:02:33.960
<v Speaker 1>those meetings varied from like taughting one guy who's actually

1:02:33.960 --> 1:02:37.600
<v Speaker 1>a good buddy of mine Nashville Fella spoke to him

1:02:37.600 --> 1:02:42.960
<v Speaker 1>next to our van in Albuquerque, New Mexico. And you know,

1:02:43.000 --> 1:02:47.600
<v Speaker 1>another meeting was held in a King's suite in Las Vegas, Nevada,

1:02:47.760 --> 1:02:51.880
<v Speaker 1>at the Flamingo Hotel and they had an easel and uh,

1:02:52.200 --> 1:02:56.400
<v Speaker 1>you know, power point presentation and all this. Uh. But

1:02:57.120 --> 1:02:59.400
<v Speaker 1>my manager, Aaron, and I sat down and had coffee

1:02:59.400 --> 1:03:02.800
<v Speaker 1>in l A and I was like, I like your style, man,

1:03:02.920 --> 1:03:05.640
<v Speaker 1>like the cut of your jib. Let's do this. And

1:03:06.880 --> 1:03:12.920
<v Speaker 1>you know we're still working together. Then what did he change? Well,

1:03:16.400 --> 1:03:19.960
<v Speaker 1>that's a hard question to answer, really because there wasn't

1:03:20.080 --> 1:03:22.480
<v Speaker 1>much broke that needed to be fixed. It was more

1:03:23.040 --> 1:03:27.840
<v Speaker 1>a matter of expanding us into new markets and allowing

1:03:27.960 --> 1:03:32.880
<v Speaker 1>us to be you know, available to you know, a

1:03:32.920 --> 1:03:40.000
<v Speaker 1>younger crowd, more diverse crowd. Um, what's been really helpful

1:03:40.000 --> 1:03:43.400
<v Speaker 1>to me as an artist has been. If I do

1:03:43.800 --> 1:03:47.160
<v Speaker 1>what's completely me and what's true in my heart, I

1:03:47.240 --> 1:03:51.240
<v Speaker 1>just need somebody to push it because I'm not good

1:03:51.240 --> 1:03:55.600
<v Speaker 1>at telling myself. You know what I mean. The only

1:03:55.600 --> 1:03:58.720
<v Speaker 1>thing I could say about myself and it still comes

1:03:58.760 --> 1:04:02.320
<v Speaker 1>across to me is eager to to go as that. Um,

1:04:02.400 --> 1:04:04.320
<v Speaker 1>whatever I'm gonna tell you or whatever I might perform

1:04:04.400 --> 1:04:07.200
<v Speaker 1>is gonna be honest. If you don't like it, it's fine,

1:04:07.200 --> 1:04:11.440
<v Speaker 1>but it's honest. It's true. Um, whether it's good or not,

1:04:11.520 --> 1:04:14.920
<v Speaker 1>I don't know. But I can only assure you of

1:04:15.000 --> 1:04:17.440
<v Speaker 1>what one thing is that I'm not gonna bullshit you.

1:04:18.880 --> 1:04:21.320
<v Speaker 1>So how does it go from the Marcus King bend

1:04:21.400 --> 1:04:25.480
<v Speaker 1>to just Marcus King? So that was really just a

1:04:25.480 --> 1:04:31.800
<v Speaker 1>decision of marketing because Marcus King band is who's on

1:04:31.800 --> 1:04:36.000
<v Speaker 1>the road with us right now. That's my boys, Um,

1:04:36.080 --> 1:04:39.320
<v Speaker 1>but work with the producer like our back. He's got

1:04:39.360 --> 1:04:44.240
<v Speaker 1>this well oiled machine where he's just he's just got

1:04:44.240 --> 1:04:48.160
<v Speaker 1>a couple of guys from the Memphis Boys, Bubby Would

1:04:48.160 --> 1:04:54.360
<v Speaker 1>and h h Gene, Bubba Christman, and he's got um

1:04:54.360 --> 1:04:58.160
<v Speaker 1>Billy Sandford on guitar who wrote riff for pretty Woman

1:04:58.960 --> 1:05:01.680
<v Speaker 1>his second day in Nashville. So he's got a thing

1:05:02.160 --> 1:05:04.880
<v Speaker 1>and I was like, well, I guess it's just a

1:05:04.920 --> 1:05:07.480
<v Speaker 1>market King record because my band wasn't on it. It

1:05:07.560 --> 1:05:10.440
<v Speaker 1>was really that honest of a decision. And then the

1:05:10.480 --> 1:05:13.280
<v Speaker 1>next one was the same situation, just with different guys.

1:05:14.280 --> 1:05:16.680
<v Speaker 1>So I was like, well, when we're touring with a

1:05:16.720 --> 1:05:19.360
<v Speaker 1>Marcus King band, but it's just Marcus King. But then

1:05:19.440 --> 1:05:22.080
<v Speaker 1>all the press start to say Marcus King's first solo record,

1:05:22.120 --> 1:05:24.680
<v Speaker 1>and I was like, oh, no, well, I guess that's true,

1:05:24.680 --> 1:05:27.680
<v Speaker 1>but it wasn't because of that or this, and you know,

1:05:28.360 --> 1:05:31.960
<v Speaker 1>it was just a misunderstanding. Really. Uh, we still sell

1:05:32.040 --> 1:05:36.600
<v Speaker 1>Marcus King band t shirts at this at the shows. Um,

1:05:36.640 --> 1:05:39.840
<v Speaker 1>a lot of people ask big questions on Instagram and stuff.

1:05:40.200 --> 1:05:43.200
<v Speaker 1>I'm like, just come to this show man. All your answers.

1:05:43.240 --> 1:05:46.520
<v Speaker 1>All your answers you'll find at the show. So the

1:05:46.560 --> 1:05:48.760
<v Speaker 1>people you're working with, now, how long you've been working

1:05:48.800 --> 1:05:53.680
<v Speaker 1>with them? Uh? Shoot, when was that? I think since

1:05:53.800 --> 1:05:59.120
<v Speaker 1>twenty nineteen, so few years. Okay, there's a video of

1:05:59.160 --> 1:06:05.120
<v Speaker 1>you with the Capital Theater earlier this year and you're

1:06:05.120 --> 1:06:07.880
<v Speaker 1>doing the Marshall Tucker band Ken You can't you see,

1:06:08.280 --> 1:06:12.080
<v Speaker 1>and there's you know, just like old school uh double

1:06:12.160 --> 1:06:15.480
<v Speaker 1>drummer things. There's a percussionist, there's a drummer, there's a floutist,

1:06:15.520 --> 1:06:18.880
<v Speaker 1>there's a woman who's playing guitar. Was that just a

1:06:18.960 --> 1:06:20.680
<v Speaker 1>one night or I mean, how many people do you

1:06:20.720 --> 1:06:27.120
<v Speaker 1>normally go out with? Mm? Hmm. So our man usually

1:06:27.160 --> 1:06:33.560
<v Speaker 1>we have uh so that yeah, that particular night, that

1:06:33.680 --> 1:06:36.080
<v Speaker 1>was our friend Hannah Wickland sitting in with us, who

1:06:36.200 --> 1:06:39.760
<v Speaker 1>was opening for us at the time. Uh, And usually

1:06:39.800 --> 1:06:43.680
<v Speaker 1>we have it's a seven piece band, including myself, So

1:06:44.040 --> 1:06:49.360
<v Speaker 1>that's every night. Okay, needless to say, the Allman Brothers

1:06:49.400 --> 1:06:53.240
<v Speaker 1>were six. Let me put it in a different way,

1:06:54.160 --> 1:06:58.920
<v Speaker 1>how do you split the money? Well, it's a fine question.

1:06:58.960 --> 1:07:04.720
<v Speaker 1>I put my boys uh salary because that's what they

1:07:04.760 --> 1:07:07.760
<v Speaker 1>wanted to do early on. Not to get too uh

1:07:08.360 --> 1:07:11.480
<v Speaker 1>too far into the business side of it, but um,

1:07:11.480 --> 1:07:15.760
<v Speaker 1>around the time we were doing Carolina Confessions, UM, it

1:07:15.840 --> 1:07:17.600
<v Speaker 1>kind of came a time to put up or shut

1:07:17.680 --> 1:07:22.680
<v Speaker 1>up or get out. And you know, it was kind

1:07:22.680 --> 1:07:24.880
<v Speaker 1>of a decision of who's going to take the financial

1:07:24.960 --> 1:07:28.960
<v Speaker 1>risk here, who's gonna sign on the dotted line? When

1:07:28.960 --> 1:07:32.160
<v Speaker 1>the label came to sign a deal, they asked me

1:07:32.200 --> 1:07:34.320
<v Speaker 1>for a signature. They didn't ask for six signatures, they

1:07:34.320 --> 1:07:38.920
<v Speaker 1>asked for one. So that record deal came to me. Um,

1:07:38.960 --> 1:07:41.400
<v Speaker 1>I'm the one that put all the financial risk into

1:07:41.440 --> 1:07:45.000
<v Speaker 1>the band, and I gave everybody the opportunity to do so.

1:07:45.680 --> 1:07:50.240
<v Speaker 1>And they decided that they wanted two play it safer

1:07:50.280 --> 1:07:54.080
<v Speaker 1>and and do more of a salaried employee more of

1:07:54.080 --> 1:07:57.120
<v Speaker 1>a hired gun kind of situation. So we have an

1:07:57.160 --> 1:08:01.240
<v Speaker 1>employment agreement with each other as their employer. I pay

1:08:01.320 --> 1:08:04.440
<v Speaker 1>them fair wages and I take good care of my

1:08:04.520 --> 1:08:07.440
<v Speaker 1>boys because they are my boys. But what do you

1:08:07.480 --> 1:08:11.800
<v Speaker 1>do over COVID wouldn't goodn't work? Well? Luckily enough, we

1:08:11.880 --> 1:08:14.320
<v Speaker 1>had enough in that Randy Day fund to keep everybody

1:08:14.360 --> 1:08:20.760
<v Speaker 1>on salary for about six months. And once that ran out, Uh,

1:08:20.960 --> 1:08:23.280
<v Speaker 1>we got a little bit of government cheese that let

1:08:23.360 --> 1:08:26.760
<v Speaker 1>us go a little bit further. And you know, once

1:08:26.760 --> 1:08:29.640
<v Speaker 1>the money went away, as like, I don't know what

1:08:29.640 --> 1:08:34.479
<v Speaker 1>we're gonna do. So we started, you know, trying to

1:08:34.479 --> 1:08:39.520
<v Speaker 1>work anyway. We could, started doing drive in shows, um,

1:08:40.120 --> 1:08:46.280
<v Speaker 1>socially distanced concerts, uh. And we'd even do like live

1:08:46.320 --> 1:08:49.439
<v Speaker 1>stream shows, just anyway to try to create some revenue

1:08:49.479 --> 1:08:54.800
<v Speaker 1>and get the boys paid. Uh. And I always make

1:08:54.800 --> 1:08:56.719
<v Speaker 1>a real effort to take care of my guys because

1:08:57.800 --> 1:09:02.120
<v Speaker 1>you know how loyal is a hungry really you know,

1:09:03.920 --> 1:09:05.680
<v Speaker 1>your dog will eat you if you're stuck in the

1:09:05.680 --> 1:09:10.040
<v Speaker 1>house for over many days. Well for those who for

1:09:10.080 --> 1:09:12.080
<v Speaker 1>those have been in the business, you know for a

1:09:12.120 --> 1:09:16.160
<v Speaker 1>long time, the more musicians you take, you know, the

1:09:16.640 --> 1:09:20.520
<v Speaker 1>costs starts to spiral. There's not only salary, there's equipment,

1:09:20.560 --> 1:09:25.920
<v Speaker 1>there's hotel rooms, there's busses, there's uh trucks. Are you

1:09:25.960 --> 1:09:29.200
<v Speaker 1>just saying you're investing in your career. Are you making

1:09:29.240 --> 1:09:33.400
<v Speaker 1>any money on the road? Yeah, man, I mean there's

1:09:33.400 --> 1:09:36.439
<v Speaker 1>a lot of overhead. So that was you know, kind

1:09:36.439 --> 1:09:40.439
<v Speaker 1>of that decision. Was that the financial risk that I

1:09:40.520 --> 1:09:44.920
<v Speaker 1>referred to as, like you said, there's seven office, there's

1:09:45.280 --> 1:09:47.880
<v Speaker 1>two buses out here. You know, we go and do

1:09:48.040 --> 1:09:53.840
<v Speaker 1>tours um in Europe where when in the red, we're

1:09:53.880 --> 1:09:58.599
<v Speaker 1>pretty deep in the red. And you know, the band

1:09:58.880 --> 1:10:01.519
<v Speaker 1>they don't see any of that hit. They get paid

1:10:01.560 --> 1:10:04.160
<v Speaker 1>no matter what. I don't get paid, no matter what,

1:10:04.960 --> 1:10:09.080
<v Speaker 1>you know, I find it to be the best. When

1:10:09.080 --> 1:10:11.479
<v Speaker 1>the leader eats last. I want to make sure that

1:10:11.520 --> 1:10:15.000
<v Speaker 1>my boys are fed first. So take care of the

1:10:15.000 --> 1:10:18.200
<v Speaker 1>crew and I take care of the band, and you know,

1:10:18.400 --> 1:10:21.200
<v Speaker 1>we make decisions like just like back in the day

1:10:21.640 --> 1:10:24.559
<v Speaker 1>when we would do a fraternity party, you know now,

1:10:25.840 --> 1:10:28.439
<v Speaker 1>I mean how I still do fraternity parties. I don't care.

1:10:28.960 --> 1:10:31.760
<v Speaker 1>They're fun. Those are fun gigs. Those boys always take

1:10:31.760 --> 1:10:37.720
<v Speaker 1>carrying me down Tuscaloosa and uh wherever else. But now

1:10:37.760 --> 1:10:39.680
<v Speaker 1>we'll go and do a corporate function or something that

1:10:39.720 --> 1:10:45.439
<v Speaker 1>pays pretty well. And that money will, you know, make

1:10:45.520 --> 1:10:48.080
<v Speaker 1>up for the loss that we had on a West

1:10:48.120 --> 1:10:51.479
<v Speaker 1>coast tour that didn't you know. And it's not that

1:10:51.479 --> 1:10:53.799
<v Speaker 1>people aren't coming to these shows, it's that the travel

1:10:53.880 --> 1:10:56.559
<v Speaker 1>and all the other overhead is so much, you know,

1:10:56.720 --> 1:11:01.080
<v Speaker 1>especially after COVID, ma'am, and cost of fuel. Everything is

1:11:01.120 --> 1:11:06.479
<v Speaker 1>such a such a pitch right now, and um, traveling

1:11:06.479 --> 1:11:15.920
<v Speaker 1>with seven people is not cheap. Okay. Now you will

1:11:15.960 --> 1:11:19.479
<v Speaker 1>talk about being pigeonholed in the gam bend circuit. How

1:11:19.479 --> 1:11:22.040
<v Speaker 1>did you get out of that? And to what to grieve?

1:11:22.080 --> 1:11:25.880
<v Speaker 1>You decided to only play headline dates. Well, I remember

1:11:25.920 --> 1:11:31.240
<v Speaker 1>seeing uh Crongben. They were playing on jam Cruise And

1:11:32.560 --> 1:11:36.960
<v Speaker 1>first time I saw Crongben was four or five years

1:11:36.960 --> 1:11:41.839
<v Speaker 1>ago at the Williamsburg Music Hall. Me and Chris Robinson

1:11:41.840 --> 1:11:44.880
<v Speaker 1>went to see him, and I was a fan of

1:11:44.920 --> 1:11:49.760
<v Speaker 1>theirs before that, and they have blown all the way up,

1:11:49.840 --> 1:11:53.160
<v Speaker 1>which I love. But you know, they would only play

1:11:53.240 --> 1:11:57.519
<v Speaker 1>like one quote unquote jammy event a year because they

1:11:57.520 --> 1:12:00.040
<v Speaker 1>didn't want to get in that same position that we

1:12:00.080 --> 1:12:03.599
<v Speaker 1>were trying to crawl out of. So I said, well,

1:12:05.040 --> 1:12:07.720
<v Speaker 1>work for them, maybe that's what we'll do. And I

1:12:07.760 --> 1:12:11.320
<v Speaker 1>saw Jason is what kind of doing the same thing, uh,

1:12:11.560 --> 1:12:14.360
<v Speaker 1>because he wanted to be considered more of a writer

1:12:15.360 --> 1:12:17.960
<v Speaker 1>m less of a jam band because he can from

1:12:17.960 --> 1:12:21.519
<v Speaker 1>the drive by truckers. So I'd only see him at

1:12:21.760 --> 1:12:24.599
<v Speaker 1>you know, Locking every year or something like that festival

1:12:25.000 --> 1:12:29.880
<v Speaker 1>that's more jam in nature. Um. So that was kind

1:12:29.880 --> 1:12:33.160
<v Speaker 1>of the attempt. And I also I felt a lot

1:12:33.200 --> 1:12:36.760
<v Speaker 1>of pressure as a jam band because sometimes I don't

1:12:36.760 --> 1:12:39.920
<v Speaker 1>feel like playing this song for thirty minutes, you know

1:12:39.920 --> 1:12:44.559
<v Speaker 1>what I mean. The energy comes from the crowd, it's

1:12:44.560 --> 1:12:47.439
<v Speaker 1>a it's a back and forth for me. So I'm

1:12:47.479 --> 1:12:50.840
<v Speaker 1>not that song is three minutes because that's what's written,

1:12:50.840 --> 1:12:53.280
<v Speaker 1>that's how it is on the record. And I'm not

1:12:53.280 --> 1:12:59.360
<v Speaker 1>getting any reciprocation. I'm not feeling any love um, sometimes

1:12:59.439 --> 1:13:01.400
<v Speaker 1>just gonna be at a minute song. And I started

1:13:01.400 --> 1:13:04.960
<v Speaker 1>feeling pressured to have to extend and jam everything out,

1:13:05.800 --> 1:13:10.400
<v Speaker 1>and also pressure to not repeat songs on a run,

1:13:10.720 --> 1:13:12.840
<v Speaker 1>you know. I was like, this is a great opener.

1:13:12.880 --> 1:13:15.479
<v Speaker 1>Why wouldn't we open with it again tomorrow? I'm trying

1:13:15.520 --> 1:13:17.920
<v Speaker 1>to put on a show. I'm trying to put on

1:13:17.960 --> 1:13:21.720
<v Speaker 1>a show, and this is really tight, um. And I'd

1:13:21.760 --> 1:13:24.680
<v Speaker 1>catch a lot of flat from tapers or from you know,

1:13:24.960 --> 1:13:27.519
<v Speaker 1>people that weren't even there. They're like, soe Ler's starting

1:13:27.520 --> 1:13:30.400
<v Speaker 1>to look kind of similar. I'm like, yeah, because it's tight.

1:13:30.720 --> 1:13:33.160
<v Speaker 1>It's a tight set. So we're running the songs that

1:13:33.200 --> 1:13:35.479
<v Speaker 1>are on the record that we're promoting. I don't know

1:13:35.920 --> 1:13:40.599
<v Speaker 1>that part of it just always didn't make sense to me.

1:13:40.680 --> 1:13:48.559
<v Speaker 1>So uh, a lovely jam community. However, so to what

1:13:48.720 --> 1:13:52.080
<v Speaker 1>degree will you open other than festivals? Or you would

1:13:52.120 --> 1:13:57.600
<v Speaker 1>just want to headline? Um? I mean I'd just like

1:13:57.720 --> 1:14:02.080
<v Speaker 1>to play. I'll play to anybody that will listen. You know,

1:14:03.040 --> 1:14:08.400
<v Speaker 1>I've I've drunkenly sang in many hotel lobbies. Anybody that

1:14:08.439 --> 1:14:11.360
<v Speaker 1>will listen, I'm happy to do it. So I love

1:14:11.400 --> 1:14:14.599
<v Speaker 1>opening for people, especially a crew like Chris Stepton's crew,

1:14:14.600 --> 1:14:18.519
<v Speaker 1>who took such good care of us. Uh, Festival dates

1:14:18.520 --> 1:14:23.479
<v Speaker 1>are always fun. I mean headline shows, that's that's my

1:14:23.520 --> 1:14:28.080
<v Speaker 1>bread and butter, because there's complete freedom to do what

1:14:28.120 --> 1:14:30.880
<v Speaker 1>we want, you know. For example, I mean, we have

1:14:30.920 --> 1:14:33.639
<v Speaker 1>a comedian with us on this run, and that's something

1:14:33.680 --> 1:14:37.600
<v Speaker 1>I've I've always wanted to do because I watch reruns

1:14:37.640 --> 1:14:41.679
<v Speaker 1>of you know, Midnight Special with my grandfather and you'd

1:14:41.680 --> 1:14:47.000
<v Speaker 1>see Cosby or Prior or Carlin or Robert Klein going

1:14:47.080 --> 1:14:50.280
<v Speaker 1>on before Steely Dan or uh you know Red Bone

1:14:50.360 --> 1:14:54.719
<v Speaker 1>or somebody like that. Uh. I just you know, James

1:14:54.720 --> 1:14:56.479
<v Speaker 1>Brown had a comedian that would travel with him and

1:14:56.640 --> 1:14:59.360
<v Speaker 1>MC that would kind of open the show. So we

1:14:59.439 --> 1:15:02.880
<v Speaker 1>have a comedian in on the road, we have uh

1:15:03.160 --> 1:15:06.320
<v Speaker 1>first of three, Ashland Craft, who's an incredible up and

1:15:06.360 --> 1:15:09.400
<v Speaker 1>coming artist in Nashville. When we have Neil Francis opening

1:15:09.520 --> 1:15:12.120
<v Speaker 1>for us, So it's kind of like a variety show

1:15:12.120 --> 1:15:14.920
<v Speaker 1>in a way that we're taken around and you really

1:15:14.920 --> 1:15:17.679
<v Speaker 1>only get that kind of freedom when it's your your

1:15:17.880 --> 1:15:21.960
<v Speaker 1>headlines show. Okay, how did you end up working with

1:15:22.040 --> 1:15:31.760
<v Speaker 1>DNA our back man? Um, I'm just I've been I say, yes,

1:15:32.640 --> 1:15:34.760
<v Speaker 1>you know, I've always made a habit just to say yes.

1:15:35.920 --> 1:15:41.320
<v Speaker 1>And uh, you know, in this industry, you're gonna you're

1:15:41.360 --> 1:15:46.240
<v Speaker 1>gonna get fucked, And I think it's an inevitability. You're

1:15:46.240 --> 1:15:50.320
<v Speaker 1>gonna get fucked, you're gonna get your heart broken sometimes

1:15:50.360 --> 1:15:54.880
<v Speaker 1>at the same time, So just say yes. If somebody

1:15:54.880 --> 1:15:59.080
<v Speaker 1>wants to steal your publishing, um, well, let me rephrase that.

1:15:59.160 --> 1:16:01.880
<v Speaker 1>You know, nobody's trying to steal your publish it. If

1:16:01.920 --> 1:16:05.160
<v Speaker 1>it's in their hands and they know what they're doing

1:16:05.200 --> 1:16:06.960
<v Speaker 1>with it and they have the incentive to use it

1:16:07.080 --> 1:16:09.840
<v Speaker 1>or do something with it, it's probably better than me

1:16:10.560 --> 1:16:12.639
<v Speaker 1>according it. And I don't know what the hell I'm

1:16:12.680 --> 1:16:15.080
<v Speaker 1>doing with it. I don't know. I don't know. That's

1:16:15.080 --> 1:16:19.720
<v Speaker 1>a tangent for for another day maybe, But um, what

1:16:19.800 --> 1:16:22.160
<v Speaker 1>was I saying? Oh? Yeah, So I was playing a

1:16:22.200 --> 1:16:25.080
<v Speaker 1>gig and we were in Phoenix, Arizona, playing a festival,

1:16:25.400 --> 1:16:28.360
<v Speaker 1>and we had to go on right after White Denham,

1:16:28.560 --> 1:16:33.880
<v Speaker 1>which is always and a pretty big undertaking. Um, because

1:16:33.920 --> 1:16:35.840
<v Speaker 1>we actually talked about taking White Denham on the road

1:16:35.920 --> 1:16:38.200
<v Speaker 1>with us once. I was like, they scared the ship

1:16:38.280 --> 1:16:41.920
<v Speaker 1>out of me, let's do it. That would be sense

1:16:41.960 --> 1:16:47.920
<v Speaker 1>of intimidating shell every night, but um, I digress. I

1:16:47.960 --> 1:16:50.640
<v Speaker 1>got a call that next day from my management at

1:16:50.640 --> 1:16:53.599
<v Speaker 1>the time that said Dan Albert wants to get together

1:16:53.640 --> 1:16:56.040
<v Speaker 1>and right, so I said, well, you know what to do?

1:16:56.240 --> 1:16:58.519
<v Speaker 1>Change my flight, So I'm going to Nashville. I lived

1:16:58.520 --> 1:17:01.080
<v Speaker 1>in South Carolina at the time, and I was meant

1:17:01.080 --> 1:17:04.679
<v Speaker 1>to go home to Greenville for three days and then

1:17:05.520 --> 1:17:10.479
<v Speaker 1>fly to France. So I, uh, I said, I'm going

1:17:10.479 --> 1:17:13.679
<v Speaker 1>to Nashville. And I went there and wrote with Dan

1:17:13.800 --> 1:17:16.439
<v Speaker 1>for three days and we just instantly hit it off

1:17:16.479 --> 1:17:24.599
<v Speaker 1>and became friends. Um. Then what happened I think the

1:17:24.720 --> 1:17:29.360
<v Speaker 1>end of I ended up moving to Nashville and uh,

1:17:29.880 --> 1:17:34.160
<v Speaker 1>the start of twenty nineteen, we recorded El Dorado. Okay,

1:17:34.200 --> 1:17:37.679
<v Speaker 1>you mentioned Chris Robinson earlier. You know, you talked about

1:17:37.680 --> 1:17:41.880
<v Speaker 1>a relatively lonely upbringing. You know you've obviously met all

1:17:41.920 --> 1:17:45.559
<v Speaker 1>these people. Are you friends with these people or they're

1:17:45.560 --> 1:17:49.439
<v Speaker 1>just part of the scene, like you're part of the scene. Yeah.

1:17:49.479 --> 1:17:57.040
<v Speaker 1>I mean Chris and I we we've always remained in touch. Um.

1:17:57.160 --> 1:17:59.479
<v Speaker 1>Being on the road with him was all was a

1:17:59.520 --> 1:18:03.040
<v Speaker 1>real roller coaster. Man. It was really cool because I

1:18:03.080 --> 1:18:07.720
<v Speaker 1>think he's one of the most charismatic front men. Um.

1:18:07.760 --> 1:18:11.080
<v Speaker 1>You know in the last thirty years for sure. So

1:18:11.360 --> 1:18:15.720
<v Speaker 1>I had just uh a boot camp of rock and

1:18:15.840 --> 1:18:18.760
<v Speaker 1>roll Royalty on stage with me oddly freed, you know,

1:18:18.840 --> 1:18:26.439
<v Speaker 1>Andy Hess and uh, I'm really thankful for those moments

1:18:26.439 --> 1:18:28.439
<v Speaker 1>that we had. But I saw him at in front

1:18:28.439 --> 1:18:32.880
<v Speaker 1>of ours wedding not too long ago, and he seems

1:18:32.920 --> 1:18:37.599
<v Speaker 1>to be doing good. Right, Okay, So how long did

1:18:37.640 --> 1:18:42.920
<v Speaker 1>it take to do El Toronto? Three days? Were the

1:18:43.000 --> 1:18:49.439
<v Speaker 1>songs already written? Yeah, So the writing process um was

1:18:50.040 --> 1:18:52.880
<v Speaker 1>collectively like two weeks over like a three month period.

1:18:53.760 --> 1:18:56.720
<v Speaker 1>UM would kind of be touch and go because Dan

1:18:56.840 --> 1:19:01.479
<v Speaker 1>and I were both pretty busy, um and we wead

1:19:01.560 --> 1:19:06.320
<v Speaker 1>a tune. You know. I think that Dan was attracted

1:19:06.360 --> 1:19:08.320
<v Speaker 1>to Nashville for the same reason I was, which was,

1:19:09.000 --> 1:19:12.240
<v Speaker 1>you know, you don't feel rushed, but everything gets done

1:19:12.280 --> 1:19:15.720
<v Speaker 1>quickly because everybody's so good at what they do, and

1:19:15.760 --> 1:19:17.759
<v Speaker 1>writers come in and you know, what are we talking about?

1:19:18.160 --> 1:19:21.719
<v Speaker 1>You know, and then you got verse, verse, chorus, lunch verse,

1:19:22.240 --> 1:19:27.360
<v Speaker 1>you know, and then you go on. So the songs

1:19:27.400 --> 1:19:30.920
<v Speaker 1>just talking about me leaving home when I was seventeen,

1:19:30.960 --> 1:19:33.040
<v Speaker 1>and we had a theme for the record and we

1:19:33.120 --> 1:19:37.519
<v Speaker 1>just chased it. And the band that I mentioned earlier.

1:19:37.520 --> 1:19:41.360
<v Speaker 1>I mean they listened to the demo tape. Dave Row

1:19:41.960 --> 1:19:44.360
<v Speaker 1>who was Jerry Reid's based player and son in law.

1:19:45.160 --> 1:19:49.320
<v Speaker 1>Uh would write out a chart. They'd make eight copies

1:19:49.360 --> 1:19:51.760
<v Speaker 1>or how many people are in the band had him

1:19:51.760 --> 1:19:57.320
<v Speaker 1>around and you know that was that would do one

1:19:57.439 --> 1:20:01.880
<v Speaker 1>maybe two takes something. Well, it's your record. They're getting

1:20:01.920 --> 1:20:05.960
<v Speaker 1>paid for doing the session. Were you just letting Dan steer?

1:20:06.080 --> 1:20:09.719
<v Speaker 1>Would you ever see? Man? I want to do that again. Man,

1:20:10.600 --> 1:20:12.679
<v Speaker 1>whenever I'm in a studio with Dan, I've I've got

1:20:12.680 --> 1:20:17.840
<v Speaker 1>such confidence in him as a producer, and I always did,

1:20:18.400 --> 1:20:26.320
<v Speaker 1>but um, it wasn't I really excuse me. I started

1:20:26.320 --> 1:20:29.160
<v Speaker 1>feeling even more that way when I realized that he

1:20:29.240 --> 1:20:34.160
<v Speaker 1>produced Luckdown by Dr John. When I realized that, I

1:20:34.240 --> 1:20:37.320
<v Speaker 1>was like, I'll never have to ask him another question, man,

1:20:37.320 --> 1:20:40.439
<v Speaker 1>that record is perfect from talking about him. So we're

1:20:40.479 --> 1:20:43.519
<v Speaker 1>in the studio, there's a mutual respect for one another

1:20:44.920 --> 1:20:48.639
<v Speaker 1>that kind of allows for him to be in full

1:20:48.680 --> 1:20:51.040
<v Speaker 1>production mode and for me to be in full artist

1:20:51.120 --> 1:20:54.680
<v Speaker 1>mode at all times, and there's very little that we

1:20:54.720 --> 1:20:57.920
<v Speaker 1>have to tell one another or critique in one another

1:20:58.040 --> 1:21:03.360
<v Speaker 1>as artist or producer. And you know, he's such a

1:21:03.400 --> 1:21:07.719
<v Speaker 1>calm energy too. He's got a very nautical like Captain

1:21:07.760 --> 1:21:12.240
<v Speaker 1>Ahab kind of presence behind that that console, and you

1:21:12.280 --> 1:21:14.800
<v Speaker 1>see him and you just know everything's going the way

1:21:14.840 --> 1:21:19.639
<v Speaker 1>it should be going. Okay, you talk about Dan tracked

1:21:19.640 --> 1:21:25.320
<v Speaker 1>you down, does anybody else tracked you down to work? Yeah? So,

1:21:25.560 --> 1:21:33.240
<v Speaker 1>um Rick Rubin actually uh towards the end of but

1:21:33.360 --> 1:21:35.200
<v Speaker 1>let's let's hold that for a second, because that couldn't

1:21:35.240 --> 1:21:40.160
<v Speaker 1>down later. From an external viewpoint, the breakthrough is El Dorado.

1:21:40.800 --> 1:21:45.479
<v Speaker 1>Would that be accurate from the inside? I think so, man.

1:21:45.880 --> 1:21:51.440
<v Speaker 1>I mean, that's the most I ever pushed myself musically stylistically.

1:21:52.320 --> 1:21:58.799
<v Speaker 1>So I just I want to because I love my band.

1:21:59.040 --> 1:22:02.240
<v Speaker 1>They pushed me every night musically. But we know each other.

1:22:02.240 --> 1:22:07.320
<v Speaker 1>We're almost two in each other's heads, you know, musically,

1:22:08.000 --> 1:22:12.760
<v Speaker 1>so obviously like really great ideas or birth from that.

1:22:13.160 --> 1:22:16.560
<v Speaker 1>But I wanted something different. I wanted something completely fresh.

1:22:16.800 --> 1:22:20.120
<v Speaker 1>It wasn't gonna have any you know, it wasn't gonna

1:22:20.120 --> 1:22:23.599
<v Speaker 1>be derivative of anything I've ever done. So when Dan

1:22:23.720 --> 1:22:26.200
<v Speaker 1>and I first first collaborated, I was like, I think

1:22:26.240 --> 1:22:29.160
<v Speaker 1>this is it. So it was a breakthrough from me

1:22:29.280 --> 1:22:34.559
<v Speaker 1>personally as an artist, and you know, I mean, like

1:22:34.680 --> 1:22:37.840
<v Speaker 1>you said, it was the breakthrough record, you know externally

1:22:37.840 --> 1:22:40.519
<v Speaker 1>as well. Did you know it was going to have

1:22:40.600 --> 1:22:47.719
<v Speaker 1>the impact it did? Um? I was, you know, hopeful.

1:22:48.479 --> 1:22:53.640
<v Speaker 1>I think any artist would be. Um, there wasn't much

1:22:53.680 --> 1:22:57.200
<v Speaker 1>about it that I felt like cringe e about, you know.

1:22:57.240 --> 1:22:59.799
<v Speaker 1>And like I mentioned earlier, I was. I was completely

1:23:00.040 --> 1:23:04.559
<v Speaker 1>ruthful on the whole record, so um, and on anything

1:23:04.600 --> 1:23:07.040
<v Speaker 1>I do, I won't I won't say something that I

1:23:07.040 --> 1:23:09.720
<v Speaker 1>think it's bullshit on record or sounds cheesy to me.

1:23:10.800 --> 1:23:13.680
<v Speaker 1>And thankfully Dan didn't asked me to do anything like that.

1:23:13.760 --> 1:23:19.160
<v Speaker 1>And UM, I just felt confident in the record. You know, Okay,

1:23:19.200 --> 1:23:22.760
<v Speaker 1>that record comes out on Concord. Now you're with Rick

1:23:22.840 --> 1:23:27.040
<v Speaker 1>and Republic what went on there? So that was kind

1:23:27.040 --> 1:23:31.960
<v Speaker 1>of like a timing thing. So I was with Concorde

1:23:33.280 --> 1:23:38.519
<v Speaker 1>Fantasy Records actually and Margie Fantasy such a swell human being,

1:23:38.600 --> 1:23:43.280
<v Speaker 1>just fantastic. And my good friend Joe McEwen, who was

1:23:43.360 --> 1:23:46.280
<v Speaker 1>my first day and r guy I ever had. He uh,

1:23:46.560 --> 1:23:49.800
<v Speaker 1>he was there and he was the only reason I

1:23:49.840 --> 1:23:54.320
<v Speaker 1>was gonna stay at Fantasy. And Rick came up because

1:23:54.520 --> 1:23:59.439
<v Speaker 1>at the time I was on Bicycle Publishing and that

1:23:59.560 --> 1:24:04.040
<v Speaker 1>contract ran out and American Songs. You know, was interested

1:24:04.040 --> 1:24:06.639
<v Speaker 1>in my publishing to do a co publishing deal. So

1:24:07.360 --> 1:24:09.639
<v Speaker 1>Rick Rubin called me after he saw the Grand Old

1:24:09.640 --> 1:24:14.040
<v Speaker 1>Opera performance and we just talked. You know, I gotta

1:24:14.080 --> 1:24:17.960
<v Speaker 1>feel for one another, um, which I which I really

1:24:18.000 --> 1:24:22.439
<v Speaker 1>admire because he owns American Publishing and American Records American Songs,

1:24:22.520 --> 1:24:27.240
<v Speaker 1>excuse me, um. So I saw him publishing with him.

1:24:27.360 --> 1:24:31.439
<v Speaker 1>And then I was thinking about maybe making a move

1:24:31.680 --> 1:24:34.559
<v Speaker 1>from my current label to something a little bigger, and

1:24:34.560 --> 1:24:37.599
<v Speaker 1>there were a lot of names on the table, and uh,

1:24:38.160 --> 1:24:40.400
<v Speaker 1>I decided I was gonna stay just because Joe McEwen

1:24:40.479 --> 1:24:42.960
<v Speaker 1>was such a close friend of mine. And then I

1:24:43.000 --> 1:24:45.360
<v Speaker 1>found out through the grapevine that he was actually retiring.

1:24:46.000 --> 1:24:48.080
<v Speaker 1>So I was like, all right, I think it's time

1:24:48.080 --> 1:24:51.599
<v Speaker 1>for a change. And Rick offered me the best deal

1:24:51.720 --> 1:24:56.160
<v Speaker 1>that anybody did. So I signed on paper in Malibu

1:24:56.720 --> 1:25:00.439
<v Speaker 1>and here we are. Okay, so you're dealing is done

1:25:00.479 --> 1:25:04.080
<v Speaker 1>with Fantasy Concord. Yeah, there was no you know, I

1:25:04.479 --> 1:25:08.080
<v Speaker 1>called Margie directly, I spoke to Tom Wally directly. I mean,

1:25:08.479 --> 1:25:11.240
<v Speaker 1>there was no hard feelings on my on my part.

1:25:11.520 --> 1:25:13.320
<v Speaker 1>I'm sure they were sad to see me go and

1:25:13.640 --> 1:25:17.040
<v Speaker 1>everyone I worked with there are still friends and no

1:25:17.200 --> 1:25:19.960
<v Speaker 1>hard feelings. It was just a timing thing. And she

1:25:20.080 --> 1:25:22.080
<v Speaker 1>was like, I get it. It's a step in the

1:25:22.160 --> 1:25:24.360
<v Speaker 1>right direction for your career, so we're happy for you.

1:25:24.800 --> 1:25:28.880
<v Speaker 1>So I thought that's great. So did Rick have any

1:25:28.960 --> 1:25:33.839
<v Speaker 1>input into the new record, which certainly is hard ridged?

1:25:34.200 --> 1:25:41.880
<v Speaker 1>And how did that come about? Um? So Dan, you know,

1:25:42.240 --> 1:25:47.240
<v Speaker 1>and I really had the idea for this record. Um.

1:25:47.320 --> 1:25:52.360
<v Speaker 1>And you know, again, I've been really lucky, really blessed

1:25:52.439 --> 1:25:59.880
<v Speaker 1>us too, have the confidence um, and everyone that I

1:26:00.040 --> 1:26:02.479
<v Speaker 1>work with, like for Rick for example, he's like, we

1:26:02.560 --> 1:26:05.160
<v Speaker 1>have confidence in you to do what you do and

1:26:05.200 --> 1:26:07.280
<v Speaker 1>we know it's gonna good. It's gonna sound good. So

1:26:07.400 --> 1:26:10.960
<v Speaker 1>thank God for that. And me and Dan decided we

1:26:11.000 --> 1:26:13.599
<v Speaker 1>wanted to do this great, big, arena rock sounding record.

1:26:13.960 --> 1:26:15.759
<v Speaker 1>But when I say arena rock, a lot of people

1:26:15.800 --> 1:26:21.240
<v Speaker 1>think Rat Poison, Molly Crewe. But I go to you know,

1:26:22.720 --> 1:26:27.519
<v Speaker 1>Cream at Royal Albert Hall or Jethrowsull, you know that

1:26:27.600 --> 1:26:31.320
<v Speaker 1>kind of sound at late sixties arena style, like huge

1:26:31.360 --> 1:26:35.479
<v Speaker 1>custom cabinets, huge orange cabinets, you know, across the stage.

1:26:36.320 --> 1:26:39.680
<v Speaker 1>That's what I want. A grand funk railroad. So me

1:26:39.720 --> 1:26:43.320
<v Speaker 1>and Dan were on the same page there, and the

1:26:43.360 --> 1:26:46.920
<v Speaker 1>breakup just happened to be just before we started writing,

1:26:46.920 --> 1:26:49.920
<v Speaker 1>so I was able to say a lot. I had

1:26:49.920 --> 1:26:53.519
<v Speaker 1>a lot of lyrical content. Okay, this record is done,

1:26:53.640 --> 1:26:58.200
<v Speaker 1>it's relatively new, and it's released cycle next time around.

1:26:58.840 --> 1:27:02.840
<v Speaker 1>Would you just stick Dane or would you entertain other options?

1:27:04.160 --> 1:27:06.920
<v Speaker 1>So it's funny you mentioned that, because you know, I've

1:27:06.960 --> 1:27:09.720
<v Speaker 1>I've actually got like eleven tims in the can that

1:27:09.760 --> 1:27:15.799
<v Speaker 1>I've been working with, uh, someone else on UM for

1:27:16.040 --> 1:27:19.439
<v Speaker 1>about a year, just because it's kind of like my

1:27:19.479 --> 1:27:23.439
<v Speaker 1>pet project. I go back to it and uh, it's

1:27:23.640 --> 1:27:26.320
<v Speaker 1>it's more or less like a prequel to Young Blood.

1:27:27.120 --> 1:27:30.679
<v Speaker 1>It's Uh, it's a collection of songs about mental health

1:27:30.720 --> 1:27:34.800
<v Speaker 1>primarily and you know, the suffers of a relationship with

1:27:34.960 --> 1:27:41.800
<v Speaker 1>someone in that state of mind. So, uh, I think

1:27:41.840 --> 1:27:45.680
<v Speaker 1>that might be my next work that comes out. UM.

1:27:45.720 --> 1:27:48.240
<v Speaker 1>There's also another record I'm working on, and I'm really excited.

1:27:48.800 --> 1:27:51.160
<v Speaker 1>This is actually gonna be the first place that I

1:27:51.200 --> 1:27:55.360
<v Speaker 1>announce it publicly UM, which I hope is not pretty

1:27:55.400 --> 1:27:59.880
<v Speaker 1>mature because everything is not you know, confirmed yet. But

1:28:00.360 --> 1:28:03.080
<v Speaker 1>Paul Riddle and I Paul Riddle, the original drummer from

1:28:03.120 --> 1:28:08.600
<v Speaker 1>the Marshall Tucker Band UM one and only original drummer. UM.

1:28:08.800 --> 1:28:15.320
<v Speaker 1>We started working together, uh with Hotel Burbridge as well,

1:28:16.120 --> 1:28:21.960
<v Speaker 1>and UH then Skills involved. It's a project that's pretty much,

1:28:22.320 --> 1:28:27.240
<v Speaker 1>you know, our Southern response to Deaden Company. It's it's

1:28:27.240 --> 1:28:30.160
<v Speaker 1>our opportunity for us to get Marshall Tucker's music out

1:28:30.200 --> 1:28:33.800
<v Speaker 1>where it needs to be and appreciated once again. So

1:28:34.880 --> 1:28:37.200
<v Speaker 1>I think the name we're going to potentially go for

1:28:37.280 --> 1:28:41.439
<v Speaker 1>his Tucker and Company if we can make it happen. Okay,

1:28:41.439 --> 1:28:45.680
<v Speaker 1>how'd you end up working with Zach Brown? He called me?

1:28:46.080 --> 1:28:47.760
<v Speaker 1>He called me one day. It seems to be this

1:28:48.520 --> 1:28:50.920
<v Speaker 1>pattern in my life. I remember I was in Santa

1:28:50.960 --> 1:28:56.440
<v Speaker 1>Cruz on a day off. I was horrifically hungover, potentially

1:28:56.439 --> 1:29:00.080
<v Speaker 1>the most hungover ever been in my life. UM, I

1:29:00.439 --> 1:29:03.040
<v Speaker 1>got a call from a Georgia number. I this is,

1:29:03.080 --> 1:29:06.680
<v Speaker 1>but I'm not answering. I got a text message and

1:29:06.720 --> 1:29:09.040
<v Speaker 1>he sa, hey, man is Zach Brown called me back?

1:29:09.840 --> 1:29:11.479
<v Speaker 1>So I called him. I called him back and we

1:29:11.560 --> 1:29:14.439
<v Speaker 1>just shout the ship for a couple of hours, and UH,

1:29:14.520 --> 1:29:16.479
<v Speaker 1>come to find out, I guess he was just feeling

1:29:16.479 --> 1:29:18.960
<v Speaker 1>me out because he was getting ready to write for

1:29:19.600 --> 1:29:26.439
<v Speaker 1>uh uh come back. So um he asked me to

1:29:26.439 --> 1:29:29.760
<v Speaker 1>come right with him and uh Ben Simon Eddie in

1:29:29.880 --> 1:29:34.519
<v Speaker 1>Southern Ground in Nashville, and uh then we just we

1:29:34.600 --> 1:29:37.960
<v Speaker 1>just quickly became really good buddies. You know. Zack's just

1:29:38.040 --> 1:29:41.759
<v Speaker 1>the kind of guy. I was out in downtown Nashville

1:29:41.840 --> 1:29:46.040
<v Speaker 1>or midtown at the uh the Red Door saloon. I

1:29:46.120 --> 1:29:49.320
<v Speaker 1>met a bunch of college kids. Uh they recognized me,

1:29:49.360 --> 1:29:52.439
<v Speaker 1>so we just started partying together and the bar closed.

1:29:52.439 --> 1:29:54.920
<v Speaker 1>So I was like, man Zack, Stude, I only meant

1:29:55.000 --> 1:29:57.760
<v Speaker 1>Zack one time prior to this. I was like, man

1:29:58.000 --> 1:30:00.000
<v Speaker 1>Zack studios around the corner. Let's just go over there.

1:30:00.040 --> 1:30:02.280
<v Speaker 1>I know they're working. So we just went over there,

1:30:02.280 --> 1:30:03.800
<v Speaker 1>and I told him. I was like, I got like

1:30:03.840 --> 1:30:06.559
<v Speaker 1>six college kids with me and from how to Study's

1:30:06.600 --> 1:30:09.320
<v Speaker 1>all right? He said, yeah, man, bring them all. So

1:30:09.920 --> 1:30:12.080
<v Speaker 1>we just went over there. That's just the kind of

1:30:12.080 --> 1:30:15.280
<v Speaker 1>guy he is. Man. He loves family, and he is

1:30:15.760 --> 1:30:19.760
<v Speaker 1>a sweet fella. And uh me and my wife to

1:30:19.800 --> 1:30:23.639
<v Speaker 1>be actually spent Easter with him and uh his wife

1:30:23.640 --> 1:30:27.760
<v Speaker 1>to be this year. UH really blessed to have that

1:30:27.800 --> 1:30:37.360
<v Speaker 1>man in my life. He's a good, good boy. Needless

1:30:37.400 --> 1:30:39.840
<v Speaker 1>to say, things were different in the hey day of

1:30:39.880 --> 1:30:44.160
<v Speaker 1>the Almond Brothers, skinnerd and Tucker, where you know, you

1:30:44.240 --> 1:30:46.680
<v Speaker 1>had an album every year or two years, where now

1:30:46.720 --> 1:30:50.000
<v Speaker 1>you can do whatever you want now. You said earlier

1:30:50.720 --> 1:30:53.800
<v Speaker 1>that originally you were less into the records. How into

1:30:53.840 --> 1:30:57.240
<v Speaker 1>the records are you now and to what degree do

1:30:57.280 --> 1:31:00.280
<v Speaker 1>you have to space out the records or you know, hey,

1:31:00.479 --> 1:31:02.599
<v Speaker 1>one of these records that don't come out four months

1:31:02.640 --> 1:31:07.280
<v Speaker 1>from now. I think I like that question a lot, man.

1:31:07.320 --> 1:31:12.760
<v Speaker 1>You know, for me, I'm I have a lot more

1:31:12.760 --> 1:31:15.160
<v Speaker 1>freedom in studio. You know, I'm allowed, I'm allowed to

1:31:15.160 --> 1:31:19.800
<v Speaker 1>play with more ideas. Um. And that's certainly the case

1:31:19.840 --> 1:31:24.680
<v Speaker 1>with a lot of stuff I've been doing very recently. Um,

1:31:24.720 --> 1:31:28.519
<v Speaker 1>because I was actually putting some you know, final touches

1:31:29.080 --> 1:31:32.400
<v Speaker 1>on the next record on the day that Young Blood

1:31:32.439 --> 1:31:35.719
<v Speaker 1>came out. So I like that. I like to always

1:31:35.760 --> 1:31:40.240
<v Speaker 1>have something ready to go, ready to be released. Um.

1:31:40.280 --> 1:31:42.559
<v Speaker 1>But this next record after young Blood, I think it's

1:31:42.600 --> 1:31:45.760
<v Speaker 1>gonna be a little different than what people are used

1:31:45.800 --> 1:31:48.519
<v Speaker 1>to hearing me do. So for that reason, I want

1:31:48.560 --> 1:31:50.880
<v Speaker 1>to have a live record in the chamber, ready to

1:31:51.439 --> 1:31:54.960
<v Speaker 1>ready to pop, or like the Marshall Tucker tribute record.

1:31:54.960 --> 1:31:57.840
<v Speaker 1>I want to have that ready to go, because I

1:31:57.960 --> 1:32:01.439
<v Speaker 1>never want people to only have something new from me

1:32:02.200 --> 1:32:04.240
<v Speaker 1>and they don't like it. I want there to be

1:32:04.320 --> 1:32:07.040
<v Speaker 1>like I don't like this, but there's also another new

1:32:07.120 --> 1:32:09.880
<v Speaker 1>thing from him that I do like. I understand that.

1:32:10.040 --> 1:32:14.439
<v Speaker 1>Believe me, there's options. Who did you work with on

1:32:14.479 --> 1:32:18.720
<v Speaker 1>this new record? Uh? That's something Rick and I did, um,

1:32:18.760 --> 1:32:21.559
<v Speaker 1>just the two of us. And I haven't told anybody

1:32:21.600 --> 1:32:25.680
<v Speaker 1>about that, so I don't I don't know. Uh, my,

1:32:25.680 --> 1:32:29.040
<v Speaker 1>my publicists and all that are gonna you know, get

1:32:29.040 --> 1:32:31.360
<v Speaker 1>on to listen. In today's world where it's hard to

1:32:31.360 --> 1:32:33.960
<v Speaker 1>get any message out, it's like if you say it,

1:32:34.000 --> 1:32:37.760
<v Speaker 1>the more people, it's hard to reach anybody. Yeah, okay,

1:32:38.400 --> 1:32:44.680
<v Speaker 1>why do you use an orange amplifier? UM? I just

1:32:44.840 --> 1:32:48.639
<v Speaker 1>always thought they looked cool, man. I mean, that's that's

1:32:48.680 --> 1:32:52.960
<v Speaker 1>the shallow answer. But also they came to me, um,

1:32:54.040 --> 1:33:00.160
<v Speaker 1>they they approached me about making an app. UM. Well up,

1:33:00.240 --> 1:33:03.240
<v Speaker 1>here's some backstory. I used to use this bootique amplifier

1:33:04.400 --> 1:33:07.840
<v Speaker 1>UM by this fellow who made him in Hershey, Pennsylvania,

1:33:08.439 --> 1:33:10.360
<v Speaker 1>and he would put wax in them and stuff so

1:33:10.439 --> 1:33:13.599
<v Speaker 1>you couldn't dissect the schematics in the amp. And they

1:33:13.600 --> 1:33:15.560
<v Speaker 1>would break all the time because they'd ride around in

1:33:15.600 --> 1:33:19.800
<v Speaker 1>a trailer and they're beautiful, just amazing sounding tube amplifiers.

1:33:20.400 --> 1:33:23.200
<v Speaker 1>And I won't say any names just because the story

1:33:23.560 --> 1:33:28.400
<v Speaker 1>takes a dark turn, right. So he it was very

1:33:28.479 --> 1:33:32.080
<v Speaker 1>particular about who could work on his amps, and he

1:33:32.120 --> 1:33:35.080
<v Speaker 1>didn't want anybody to be able to open him up. Yeah,

1:33:35.080 --> 1:33:37.280
<v Speaker 1>I'd be on the West coast. He'd be like, ship

1:33:37.280 --> 1:33:39.680
<v Speaker 1>it to me in Hershey, Pennsylvania, I'll fix it. And

1:33:39.720 --> 1:33:43.160
<v Speaker 1>they just always be broken. And I had no you know,

1:33:43.400 --> 1:33:46.679
<v Speaker 1>no spare and no you know, no options really. So

1:33:47.560 --> 1:33:50.080
<v Speaker 1>when we'd go overseas, Orange gave us a deal where

1:33:50.080 --> 1:33:53.040
<v Speaker 1>they'd let us take out base cabs and guitar caves

1:33:53.080 --> 1:33:55.200
<v Speaker 1>and all that on the house, just because they wanted

1:33:55.240 --> 1:33:58.160
<v Speaker 1>us to look like Orange investadors. So when I came

1:33:58.200 --> 1:34:01.160
<v Speaker 1>back to the States, I was like, that's the move.

1:34:01.720 --> 1:34:05.160
<v Speaker 1>Orange is really giving us a lot of free amplifiers.

1:34:05.160 --> 1:34:07.439
<v Speaker 1>They've helped us out, let's scratch their backs. So I

1:34:07.439 --> 1:34:10.320
<v Speaker 1>switched to Orange Amps, and I'll never forget. We're playing

1:34:10.320 --> 1:34:14.760
<v Speaker 1>a crawfish festival in New Jersey, which sounds like a

1:34:14.840 --> 1:34:18.840
<v Speaker 1>weird fever dream that doesn't make any sense. A Crawfish

1:34:18.880 --> 1:34:23.680
<v Speaker 1>Festival in New Jersey. But I remember the guy came

1:34:23.720 --> 1:34:25.760
<v Speaker 1>out and he just saw my Orange jamps up there

1:34:25.800 --> 1:34:27.920
<v Speaker 1>and was like, what the fund is that we had

1:34:27.920 --> 1:34:31.479
<v Speaker 1>a we had a handshack agreement. I was like, don't

1:34:31.520 --> 1:34:34.120
<v Speaker 1>ever approach me like that on my way to the

1:34:34.120 --> 1:34:38.000
<v Speaker 1>stage again. I'll knock you on your ass because that

1:34:38.120 --> 1:34:40.559
<v Speaker 1>is a meditative state when you're walking onto the stage.

1:34:41.400 --> 1:34:44.320
<v Speaker 1>For a little ship to come up to me and

1:34:44.360 --> 1:34:47.920
<v Speaker 1>start trying to get violent with me in that moment,

1:34:48.000 --> 1:34:53.600
<v Speaker 1>that's you know, you know, not not good. So it

1:34:53.720 --> 1:34:56.519
<v Speaker 1>was at that time that I've been using Orange amps,

1:34:56.560 --> 1:34:59.200
<v Speaker 1>and then they wanted to make a custom amplifier and

1:34:59.240 --> 1:35:01.960
<v Speaker 1>I said yes, and I was really honest with him

1:35:01.960 --> 1:35:04.840
<v Speaker 1>about what I didn't like, what I did like, and

1:35:05.760 --> 1:35:10.760
<v Speaker 1>MK Ultra is what was born from that. Okay, you

1:35:10.800 --> 1:35:15.640
<v Speaker 1>know all these cm sound different. Why you know, a

1:35:15.800 --> 1:35:20.320
<v Speaker 1>marshal of Fender, etcetera. You know, Orange has a sound,

1:35:20.920 --> 1:35:23.000
<v Speaker 1>and they're making a special one with you or you

1:35:23.120 --> 1:35:25.120
<v Speaker 1>just not that particular. As long as it's got any

1:35:25.120 --> 1:35:29.479
<v Speaker 1>EmpId speakers, You're cool that. There's a lot of truth

1:35:29.479 --> 1:35:32.320
<v Speaker 1>in what you just said. Really, but I mean, I've

1:35:32.360 --> 1:35:36.519
<v Speaker 1>always been of the sound mind that if you play

1:35:36.520 --> 1:35:40.200
<v Speaker 1>it right, it's gonna sound right. You know, orange amp

1:35:40.280 --> 1:35:43.559
<v Speaker 1>looks cool, and I was like, just don't overthink it, boys.

1:35:43.840 --> 1:35:47.479
<v Speaker 1>You know, for my money, the best to amplifier that

1:35:47.600 --> 1:35:52.160
<v Speaker 1>you can get is mid sixties black face Fender Amp.

1:35:52.760 --> 1:35:56.160
<v Speaker 1>That's because it's simple, man, It's meat and potatoes. You

1:35:56.200 --> 1:35:57.639
<v Speaker 1>open up the back of that thing and I can

1:35:57.680 --> 1:36:00.160
<v Speaker 1>figure out how to fix it. And if I know

1:36:00.160 --> 1:36:01.920
<v Speaker 1>how to fix it, there's not a lot of thought

1:36:01.920 --> 1:36:04.799
<v Speaker 1>put into it. It's just it's simple. They didn't overthink

1:36:04.840 --> 1:36:08.519
<v Speaker 1>the process. It just sounds great. Um. So I was like,

1:36:08.760 --> 1:36:11.200
<v Speaker 1>that's the approach we're gonna take. But I wanted to

1:36:11.240 --> 1:36:16.360
<v Speaker 1>have the power of a British amplifier. So we made

1:36:16.400 --> 1:36:22.960
<v Speaker 1>kind of hybrid of sorts of my favorite simple builds.

1:36:23.000 --> 1:36:28.800
<v Speaker 1>And it's just got volume base trouble. And I'd have

1:36:28.880 --> 1:36:31.600
<v Speaker 1>even less on it if if if I could just

1:36:31.720 --> 1:36:35.240
<v Speaker 1>a volume now like an old Fender Champ. And what

1:36:35.320 --> 1:36:41.599
<v Speaker 1>about effects pedals? I love fuzz pedals man. And uh,

1:36:41.760 --> 1:36:46.360
<v Speaker 1>this old boy in in Maine Teddy with truth I pedals.

1:36:47.479 --> 1:36:51.080
<v Speaker 1>Um he I saw his pedals and I thought they

1:36:51.080 --> 1:36:54.479
<v Speaker 1>looked cool. They look like the old soapbox poss pedals.

1:36:55.200 --> 1:36:57.200
<v Speaker 1>You'll notice a pattern with me and something looks cool,

1:36:57.240 --> 1:37:01.760
<v Speaker 1>I'm gonna try it and and wait for the results. So,

1:37:02.320 --> 1:37:04.320
<v Speaker 1>because I've never been a gear head, I like I

1:37:04.439 --> 1:37:08.519
<v Speaker 1>like the aesthetic of some gear. He had, uh, these

1:37:08.520 --> 1:37:12.160
<v Speaker 1>big orange soapbox fuzz pedals, so he sent me one

1:37:12.800 --> 1:37:15.000
<v Speaker 1>and then I started talking about him in all these magazines.

1:37:15.600 --> 1:37:18.040
<v Speaker 1>And because I don't know anything about gear, I didn't

1:37:18.040 --> 1:37:21.920
<v Speaker 1>realize he was relatively new company, and I kind of

1:37:21.920 --> 1:37:25.120
<v Speaker 1>blew him up to the to the gear scene and

1:37:25.160 --> 1:37:29.519
<v Speaker 1>everybody started ordering. So now he sends me all of

1:37:29.560 --> 1:37:32.120
<v Speaker 1>his new products. I didn't realize that I did that,

1:37:32.160 --> 1:37:34.840
<v Speaker 1>but I'm glad I did. Um. So I used the

1:37:34.880 --> 1:37:38.720
<v Speaker 1>fuzz pedals and I have like a like a Univibe

1:37:38.760 --> 1:37:41.680
<v Speaker 1>style pedal, so you can get that Robin Trauer kind

1:37:41.680 --> 1:37:49.400
<v Speaker 1>of Hendrix. Just I like space and I like fuzz um,

1:37:49.439 --> 1:37:52.960
<v Speaker 1>but not much beyond that. Really, I like the amplifier

1:37:53.040 --> 1:37:56.280
<v Speaker 1>to really do the talking. And how did you end

1:37:56.360 --> 1:38:00.800
<v Speaker 1>up with your own gibbs in e yes? So that

1:38:00.920 --> 1:38:05.719
<v Speaker 1>was kind of a journey. Um Jim Lillard and Mike

1:38:05.800 --> 1:38:08.960
<v Speaker 1>Volts at the Gibson Memphis factory when it was still

1:38:09.040 --> 1:38:11.240
<v Speaker 1>up and running and they had all the big green

1:38:11.320 --> 1:38:16.080
<v Speaker 1>machines from back in the day in Michigan. Kalamazoo Um.

1:38:16.160 --> 1:38:19.720
<v Speaker 1>They took me on a tour there, and that's those

1:38:19.760 --> 1:38:23.880
<v Speaker 1>are the first guys that gave me a guitar to

1:38:24.080 --> 1:38:26.400
<v Speaker 1>use on the road because the way I was traveling,

1:38:26.400 --> 1:38:30.800
<v Speaker 1>I had my grandfather's guitar with me. The three I

1:38:30.800 --> 1:38:33.400
<v Speaker 1>remember being on the subway with that massive road case,

1:38:33.439 --> 1:38:36.719
<v Speaker 1>and you know, being in New York City with that guitar.

1:38:36.840 --> 1:38:38.880
<v Speaker 1>And this was my first time up there, so I

1:38:38.880 --> 1:38:44.000
<v Speaker 1>didn't have much confidence in in the and in human kinds,

1:38:44.280 --> 1:38:46.840
<v Speaker 1>especially with that guitar. So I take that guitar into

1:38:46.880 --> 1:38:49.479
<v Speaker 1>these little bathrooms with me, and you know, I just

1:38:49.600 --> 1:38:53.280
<v Speaker 1>never left my side. So that was the first thing

1:38:53.320 --> 1:38:55.560
<v Speaker 1>I asked Gipson about, was something I attack on the

1:38:55.640 --> 1:38:58.880
<v Speaker 1>road that didn't have the sentimental value. And then after

1:38:58.920 --> 1:39:04.200
<v Speaker 1>a couple of years, Uh Jim Lillard uh took my

1:39:04.240 --> 1:39:09.400
<v Speaker 1>original sixty two that belonged to my grandpa and he

1:39:09.600 --> 1:39:14.360
<v Speaker 1>just completely went through every nook and cranny on that guitar.

1:39:14.400 --> 1:39:16.920
<v Speaker 1>I'm I'm convinced that he slept next to it now

1:39:17.000 --> 1:39:22.880
<v Speaker 1>because he presented to me the first prototype and it's

1:39:22.920 --> 1:39:25.960
<v Speaker 1>not very often that you're like, he did it in

1:39:26.040 --> 1:39:29.920
<v Speaker 1>one shot, that's it, you know, And there were some

1:39:30.040 --> 1:39:33.880
<v Speaker 1>little changes that had to be made, But the first

1:39:33.920 --> 1:39:35.960
<v Speaker 1>prototype he gave me is the one I play every night.

1:39:36.880 --> 1:39:43.360
<v Speaker 1>You know, so Big Red lives again. And what about

1:39:43.439 --> 1:39:47.640
<v Speaker 1>you know you're oftentimes scene with less Paul. I like

1:39:47.800 --> 1:39:52.920
<v Speaker 1>heavy guitars. I guess I'm just really I want to

1:39:53.000 --> 1:39:55.240
<v Speaker 1>have bad problems when I get older, because that's what's

1:39:55.240 --> 1:39:57.960
<v Speaker 1>gonna happen. I like, I like to fill a chunk

1:39:58.000 --> 1:40:01.200
<v Speaker 1>of wood man like a tree limb as well. I

1:40:01.280 --> 1:40:04.680
<v Speaker 1>had to carry around on on stage because gifts and

1:40:04.760 --> 1:40:08.920
<v Speaker 1>has been on this pilgrimage for for years to make

1:40:08.960 --> 1:40:12.320
<v Speaker 1>a light less Paul. And I'm like, why would you

1:40:12.320 --> 1:40:15.559
<v Speaker 1>do such a foolish thing. I want to feel the guitar,

1:40:15.720 --> 1:40:18.639
<v Speaker 1>you know. It's like, uh, it's like when you're trying

1:40:18.680 --> 1:40:22.240
<v Speaker 1>to replicate the sound of a Leslie right, it's physically

1:40:22.280 --> 1:40:25.360
<v Speaker 1>moving air. You're not gonna be able to replicate that

1:40:25.640 --> 1:40:28.599
<v Speaker 1>because it's moving air around the move around the room phial.

1:40:30.360 --> 1:40:34.880
<v Speaker 1>So how many guitars do you have? Too many? As

1:40:34.920 --> 1:40:38.040
<v Speaker 1>my wife to be says, But that's in the neighborhood

1:40:38.080 --> 1:40:41.639
<v Speaker 1>of about forty or fifty and what how many less

1:40:41.680 --> 1:40:44.240
<v Speaker 1>palls do you have? And do you have any good ones?

1:40:44.360 --> 1:40:47.760
<v Speaker 1>Really old fifty nine or whatever. Man, I don't have

1:40:47.800 --> 1:40:52.040
<v Speaker 1>a fifty nine. I'll tell you a funny story though. Um,

1:40:52.080 --> 1:40:54.320
<v Speaker 1>I've got a sixty nine, which is the same wood

1:40:54.360 --> 1:40:57.200
<v Speaker 1>and the same pickups. Basically, when they did all those

1:40:57.240 --> 1:40:59.840
<v Speaker 1>Black Beauties in the late sixties, it was kind of

1:41:00.040 --> 1:41:04.479
<v Speaker 1>leftover parts from all those uh bursts that are so

1:41:04.479 --> 1:41:08.559
<v Speaker 1>sought after. Uh kind of a trick of the trade there.

1:41:09.040 --> 1:41:12.200
<v Speaker 1>And I love that guitar. His name, her name is Gizmo.

1:41:12.960 --> 1:41:18.400
<v Speaker 1>So I was gonna buy nineteen fifty nine Gibson Last

1:41:18.439 --> 1:41:24.320
<v Speaker 1>Paul um from Carter because they had what is actually

1:41:24.360 --> 1:41:30.600
<v Speaker 1>a pretty reasonable deal for that guitar um And I

1:41:30.680 --> 1:41:32.920
<v Speaker 1>was thinking about it, thinking about it, and then I

1:41:32.960 --> 1:41:36.160
<v Speaker 1>get a message on my phone from one Dawn our back.

1:41:36.640 --> 1:41:40.280
<v Speaker 1>It's just a photo of the guitar, and I was like, no, please, no.

1:41:41.040 --> 1:41:43.400
<v Speaker 1>And then the next photo he was in his car,

1:41:43.800 --> 1:41:45.519
<v Speaker 1>and then the next photo it was on the couch

1:41:45.560 --> 1:41:49.640
<v Speaker 1>in his studio. So I was like, all right, I

1:41:49.640 --> 1:41:56.920
<v Speaker 1>guess I'm gonna buy my first house instead. And who's

1:41:56.920 --> 1:42:01.479
<v Speaker 1>the best rock guitarist according to you, Oh, best rock

1:42:01.520 --> 1:42:07.479
<v Speaker 1>guitarist according to me, Man I go Clapton. I think

1:42:07.520 --> 1:42:12.160
<v Speaker 1>I'm pretty pretty Clapton all the way. Just he created

1:42:12.200 --> 1:42:21.479
<v Speaker 1>a sound, you know. But but then again, oh, that

1:42:21.840 --> 1:42:24.200
<v Speaker 1>comes from the amount of influence that they had on

1:42:24.280 --> 1:42:28.160
<v Speaker 1>all the players after them. You know. Jimi Hendrix is

1:42:28.920 --> 1:42:32.880
<v Speaker 1>gonna be one that everyone looked too because he changed

1:42:32.920 --> 1:42:35.360
<v Speaker 1>the whole game. But Clapton was kind of doing the

1:42:35.400 --> 1:42:38.840
<v Speaker 1>same thing as far as changing the game. I mean,

1:42:39.840 --> 1:42:43.640
<v Speaker 1>between those two guys, you'll find everything you need the

1:42:43.800 --> 1:42:48.400
<v Speaker 1>rock guitar, that's for sure. And you said you were

1:42:48.479 --> 1:42:52.320
<v Speaker 1>like your mother, you were a reader. What do you read? So?

1:42:52.360 --> 1:42:54.160
<v Speaker 1>I like to listen to books when I'm out here

1:42:54.160 --> 1:42:57.839
<v Speaker 1>on the road. Right now, I'm reading this book called Chaos.

1:42:58.080 --> 1:43:02.120
<v Speaker 1>It's about um, It's about the Manson murders and m

1:43:02.200 --> 1:43:04.719
<v Speaker 1>k Ultra and how it's all kind of tied together.

1:43:05.680 --> 1:43:09.879
<v Speaker 1>Really interesting read to get up on my conspiracy theories.

1:43:11.680 --> 1:43:14.400
<v Speaker 1>I'm a novice. I mean, you know, I'm not you know,

1:43:14.439 --> 1:43:17.000
<v Speaker 1>I'm not on Info Wars every day or anything like that.

1:43:17.400 --> 1:43:19.280
<v Speaker 1>I look at it kind of like Greek mythology. It's

1:43:19.320 --> 1:43:23.720
<v Speaker 1>interesting to me. So, uh, I read that, and I'll

1:43:23.720 --> 1:43:31.320
<v Speaker 1>read like, you know, the secrets of you know, uh wow,

1:43:32.040 --> 1:43:35.920
<v Speaker 1>like relationship values. You know, I listen to relationship podcasts

1:43:36.040 --> 1:43:44.080
<v Speaker 1>or sometimes just something funny, something you know, lighthearted. Okay,

1:43:44.120 --> 1:43:48.280
<v Speaker 1>you're from the South. You know, the South is, as

1:43:48.280 --> 1:43:52.240
<v Speaker 1>we say, politically read. So where do you fit in

1:43:52.400 --> 1:43:55.000
<v Speaker 1>on the political spectrum and what do you think about

1:43:55.000 --> 1:43:58.559
<v Speaker 1>the future of our country? Man? I love this country

1:43:58.600 --> 1:44:03.080
<v Speaker 1>so much. It's so beautiful. I just spent a couple

1:44:03.080 --> 1:44:08.639
<v Speaker 1>of weeks in Italy and on the Tuscan countryside and

1:44:08.680 --> 1:44:11.439
<v Speaker 1>it's so gorgeous. But then I came back home and

1:44:11.479 --> 1:44:13.920
<v Speaker 1>I went fishing with a good buddy of mine on

1:44:14.000 --> 1:44:16.280
<v Speaker 1>a lake by my house and the sun was setting

1:44:16.680 --> 1:44:21.720
<v Speaker 1>and you know, that's the view that's five minutes down

1:44:21.720 --> 1:44:25.479
<v Speaker 1>the road from my house. And just the views that

1:44:25.520 --> 1:44:29.760
<v Speaker 1>I've seen, you know, the Roaring Waters in Montana, you

1:44:29.800 --> 1:44:32.240
<v Speaker 1>know the Redwoods in California. I mean, it's all just

1:44:32.360 --> 1:44:38.639
<v Speaker 1>so overwhelming and astounding to me. And you know, whichever

1:44:38.680 --> 1:44:41.360
<v Speaker 1>way you lean, just take care of this beautiful country,

1:44:41.400 --> 1:44:44.800
<v Speaker 1>because it really is beautiful and I would take it

1:44:45.280 --> 1:44:48.280
<v Speaker 1>over any other view in a heartbeat, you know, But

1:44:48.600 --> 1:44:52.439
<v Speaker 1>politically I ain't worried about all that mess. Man. I

1:44:52.560 --> 1:44:55.000
<v Speaker 1>just I just like to play music for anybody that

1:44:55.040 --> 1:44:58.240
<v Speaker 1>will listen. And if you if you love your fellow

1:44:58.240 --> 1:45:01.519
<v Speaker 1>man and you think peace is school and you can

1:45:01.560 --> 1:45:05.799
<v Speaker 1>come behind the show. We just don't like violence. Okay,

1:45:06.000 --> 1:45:09.799
<v Speaker 1>we were talking earlier, like when you're remember you're bend

1:45:09.920 --> 1:45:12.920
<v Speaker 1>went back to school, putting your head down because you

1:45:12.960 --> 1:45:14.920
<v Speaker 1>knew we were gonna make it. Needless to say, you've

1:45:14.960 --> 1:45:23.080
<v Speaker 1>made headway. What's the dream now? Man? You know I

1:45:23.160 --> 1:45:27.840
<v Speaker 1>came from a broken family, So my dream is I

1:45:28.200 --> 1:45:30.320
<v Speaker 1>just want to have a great, big family, and I

1:45:30.400 --> 1:45:33.320
<v Speaker 1>just I'm really excited to be a husband and a

1:45:33.439 --> 1:45:40.960
<v Speaker 1>dad and have some kids running around. But comfortability is

1:45:41.000 --> 1:45:46.880
<v Speaker 1>really the primary goal for me, because you know, I've

1:45:46.920 --> 1:45:49.880
<v Speaker 1>been working and working to get to two buses so

1:45:49.920 --> 1:45:52.599
<v Speaker 1>we're not all crammed into one. And before that, we

1:45:52.600 --> 1:45:55.040
<v Speaker 1>were working and working to get onto a bus and

1:45:55.080 --> 1:45:58.160
<v Speaker 1>out of a van. So now the next step is

1:45:58.200 --> 1:46:00.240
<v Speaker 1>to have a bus just for me and my I'm like,

1:46:01.439 --> 1:46:05.000
<v Speaker 1>and you know, in a plane or whatever. We just

1:46:06.200 --> 1:46:09.439
<v Speaker 1>I don't want all this glitz and glamour or whatever.

1:46:09.520 --> 1:46:12.200
<v Speaker 1>I just want comfortability to be able to do what

1:46:12.280 --> 1:46:17.440
<v Speaker 1>I love and do it well without having to overthink logistics,

1:46:17.479 --> 1:46:20.280
<v Speaker 1>you know what I mean, and being able to have

1:46:20.439 --> 1:46:23.439
<v Speaker 1>the best crew because we have the money to pay

1:46:23.479 --> 1:46:26.880
<v Speaker 1>for the best crew, and having the best security because

1:46:26.960 --> 1:46:28.800
<v Speaker 1>we have the finances to be able to do it.

1:46:28.880 --> 1:46:31.559
<v Speaker 1>So it's not about making a lot of money, but

1:46:31.760 --> 1:46:35.759
<v Speaker 1>you need money to have the quality that you you know, deserve.

1:46:36.600 --> 1:46:38.920
<v Speaker 1>And if I'm gonna have my family out here, I'm

1:46:38.920 --> 1:46:41.920
<v Speaker 1>gonna have the best crew. So right now I do

1:46:42.320 --> 1:46:45.360
<v Speaker 1>have really good crew, but I just want to expand

1:46:45.400 --> 1:46:47.840
<v Speaker 1>on them. Okay, So what do you think of the

1:46:47.920 --> 1:46:51.960
<v Speaker 1>musical landscape today? You said earlier you said, well, you know,

1:46:52.040 --> 1:46:54.960
<v Speaker 1>I wasn't gonna get on the radio, and you know,

1:46:54.960 --> 1:46:58.240
<v Speaker 1>if you look at Spotify, it's mainly hip hop, some pop.

1:46:58.800 --> 1:47:00.920
<v Speaker 1>There is the gym being in world, which is not

1:47:01.040 --> 1:47:04.200
<v Speaker 1>based on recordings. What do you think is going on

1:47:04.280 --> 1:47:06.680
<v Speaker 1>in the recording world and where you are in it?

1:47:07.840 --> 1:47:11.800
<v Speaker 1>Mm hmm. I think, uh, I think there's some really

1:47:11.800 --> 1:47:16.479
<v Speaker 1>great stuff, you know, and it's really Broadley that puts

1:47:16.479 --> 1:47:21.840
<v Speaker 1>me on newer music a lot of the times, because um,

1:47:21.880 --> 1:47:26.280
<v Speaker 1>I forced myself to listen to new music. I mean, um,

1:47:26.280 --> 1:47:28.360
<v Speaker 1>because I find a lot of things that I really

1:47:28.400 --> 1:47:32.000
<v Speaker 1>love and that I get inspiration from. I've been really

1:47:32.040 --> 1:47:37.920
<v Speaker 1>into Phoebe Bridgers recently and for me, like you listen

1:47:38.000 --> 1:47:41.439
<v Speaker 1>to Phoebe bridgers first record, Stranger in the Alps. There's

1:47:41.439 --> 1:47:44.280
<v Speaker 1>a lot on that record that just why is she

1:47:44.400 --> 1:47:48.040
<v Speaker 1>not Americana? Why is she not country? Because she says fuck?

1:47:48.240 --> 1:47:51.320
<v Speaker 1>Is that why? I mean, where are these lines? And

1:47:51.360 --> 1:47:54.120
<v Speaker 1>who creates these lines at the recording Academy or what?

1:47:54.920 --> 1:47:58.519
<v Speaker 1>Because I'm like, Phoebe Bridgers is uh like pop folk.

1:47:59.320 --> 1:48:01.840
<v Speaker 1>But you know there's tunes on that record that also

1:48:01.920 --> 1:48:04.640
<v Speaker 1>sound you know, just the country as a man of

1:48:04.720 --> 1:48:07.240
<v Speaker 1>Shires and a man of Shires is in you know,

1:48:07.520 --> 1:48:11.799
<v Speaker 1>the Americana category with me and Phoebe Bridges on the

1:48:11.840 --> 1:48:17.680
<v Speaker 1>pop charts. So these just these lines are so fine. Uh.

1:48:18.479 --> 1:48:21.320
<v Speaker 1>It's just you just gotta make your own sound and

1:48:21.439 --> 1:48:23.200
<v Speaker 1>let people call you whatever the hell you want they

1:48:23.200 --> 1:48:25.320
<v Speaker 1>want to call you as long as you're being you.

1:48:26.240 --> 1:48:29.080
<v Speaker 1>But I've got a lot of hope for music because

1:48:29.400 --> 1:48:32.240
<v Speaker 1>there's new voices that come out all the time, and

1:48:33.320 --> 1:48:36.719
<v Speaker 1>you know, people like Megan the Stallion and Doja Cat.

1:48:37.160 --> 1:48:40.519
<v Speaker 1>It was a really unique voices in hip hop and

1:48:40.600 --> 1:48:44.920
<v Speaker 1>really uh really big champions for you know, women's empowerment.

1:48:45.240 --> 1:48:47.400
<v Speaker 1>So we've got a lot of hope for the music industry.

1:48:47.800 --> 1:48:49.519
<v Speaker 1>I'm glad to be a part of it now. You

1:48:49.640 --> 1:48:53.479
<v Speaker 1>talked about growing up on your dad's records. When you

1:48:53.640 --> 1:48:56.200
<v Speaker 1>have kids. What are the two albums you're gonna give them?

1:48:56.840 --> 1:49:02.599
<v Speaker 1>Is it influence? Man? That's a great should. Uh let's

1:49:02.640 --> 1:49:11.400
<v Speaker 1>see uh Robin Trower's Bridgish Size. Wow. Yeah, that was

1:49:11.479 --> 1:49:14.360
<v Speaker 1>my first record I bought with my own money when

1:49:14.400 --> 1:49:16.599
<v Speaker 1>I was eleven, So it's the first one I put

1:49:16.600 --> 1:49:21.360
<v Speaker 1>on my turntable and I bought at the flea market

1:49:22.040 --> 1:49:24.559
<v Speaker 1>because I like the cover. It looks cool. I didn't

1:49:24.560 --> 1:49:27.559
<v Speaker 1>know Robin Trout was really because you know, I was

1:49:27.800 --> 1:49:31.920
<v Speaker 1>big fan of twice Removed from Yesterday. When Procol Harum

1:49:32.360 --> 1:49:34.720
<v Speaker 1>you know, went in his direction with Home and the

1:49:34.800 --> 1:49:38.360
<v Speaker 1>album after that Broken Barricade, I was into those much

1:49:38.360 --> 1:49:40.800
<v Speaker 1>more than the earlier sound. And you know then I

1:49:40.800 --> 1:49:43.560
<v Speaker 1>went into it, you know, even he went in seventies

1:49:43.600 --> 1:49:48.360
<v Speaker 1>six almost kind of uh disco in City Dreams. But

1:49:48.479 --> 1:49:54.360
<v Speaker 1>that's a great record, Yeah, that that one. And I'm

1:49:54.360 --> 1:49:57.840
<v Speaker 1>gonna have to throw pet sounds their way really just

1:49:57.880 --> 1:49:59.760
<v Speaker 1>so I can grow on them. Yeah, man, I mean,

1:50:01.479 --> 1:50:06.280
<v Speaker 1>that is the musical mind of Brian Wilson at work.

1:50:06.640 --> 1:50:10.439
<v Speaker 1>It's just so overwhelming. I mean, every time you listen

1:50:10.479 --> 1:50:13.160
<v Speaker 1>to it, ors something new that pops out at you,

1:50:13.160 --> 1:50:15.760
<v Speaker 1>you know. I mean, there's the hits on it wouldn't

1:50:15.800 --> 1:50:19.360
<v Speaker 1>it be nice? But I think God only knows. It's

1:50:19.439 --> 1:50:23.320
<v Speaker 1>probably just about as perfect as a song could be.

1:50:24.280 --> 1:50:27.360
<v Speaker 1>Or I mean, hell, I could go on for hours

1:50:27.360 --> 1:50:32.479
<v Speaker 1>about that record. Its just any emotion I'm feeling, it

1:50:32.560 --> 1:50:35.720
<v Speaker 1>can amplify that emotion to where I needed to be.

1:50:35.760 --> 1:50:39.679
<v Speaker 1>If I'm feeling sad, cheer me up or vice versa.

1:50:39.720 --> 1:50:44.760
<v Speaker 1>I mean, it's just it's damn near perfect album. And

1:50:44.920 --> 1:50:49.400
<v Speaker 1>why the cowboy hatted every gig? So when I was

1:50:49.479 --> 1:50:53.840
<v Speaker 1>a kid, I said, people might not remember me, but

1:50:54.439 --> 1:50:58.679
<v Speaker 1>they will remember these pneumatic devices that I'm putting out there.

1:50:59.360 --> 1:51:02.320
<v Speaker 1>I used to wear red shoes, a big cowboy hat,

1:51:03.000 --> 1:51:07.720
<v Speaker 1>I played big red guitar, and you know, to the

1:51:08.000 --> 1:51:11.280
<v Speaker 1>two of those still remain, the big hat and the

1:51:11.360 --> 1:51:14.639
<v Speaker 1>big red guitar, and people can take those things home

1:51:15.800 --> 1:51:20.840
<v Speaker 1>with him up here. Okay, Marcus, I've loved talking to you.

1:51:20.840 --> 1:51:26.160
<v Speaker 1>You're very intelligent, very insightful, probably too smart for the game,

1:51:26.240 --> 1:51:29.920
<v Speaker 1>which is leading to whatever psychological issues you might have

1:51:29.960 --> 1:51:32.360
<v Speaker 1>wrestled with. But I want to thank you for taking

1:51:32.360 --> 1:51:34.800
<v Speaker 1>the time to talk to me. Hey man, thank you

1:51:34.880 --> 1:51:38.200
<v Speaker 1>so much. It's been a real tree. Until next time.

1:51:38.560 --> 1:52:00.679
<v Speaker 1>This is Bob left Sex six