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Speaker 1: So I'm ready to introduce my new breathing style. Sure,

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Speaker 1: all this time, I've been trying to fit into other

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Speaker 1: people's frame. I've been breathing for them from now and

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Speaker 1: I will be breathing for myself. I've been sort of

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Speaker 1: trying to hide my power instead of uh fully displaying it,

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Speaker 1: fully unfolding it for for all to see and hear.

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Speaker 2: I want to put a pin in that. I want

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Speaker 2: you to keep going. But I want to put a

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Speaker 2: pin in that. I want you to keep.

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Speaker 3: Going, so.

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Speaker 4: Keep saying the thing that.

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Speaker 3: I I want you to keep keep saying.

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Speaker 4: What's what's what's the pin doing?

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Speaker 3: In this case, I'm putting a pin in it.

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Speaker 2: The pin is holding down what you just said so

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Speaker 2: that we can return to it.

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Speaker 3: But I want you to keep going.

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Speaker 1: I actually, well, Shawn is here now. I would love

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Speaker 1: for Sean to wait in on this.

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Speaker 4: What sorry, what's going on? So I'm getting here.

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Speaker 1: I was getting ready to introduce my new breathing style.

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Speaker 5: Oh hey, Io, sorry, Hayes was just catching me up.

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Speaker 5: I'm like, what I missed?

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Speaker 2: No for absolutely absolutely, and Io said she wants me

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Speaker 2: to keep talking about it?

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Speaker 1: Goes like nice, dude, niceness yeah, but she also said

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Speaker 1: she wants to put a pin in it. Hold on,

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Speaker 1: she does want me to keep talking about it, she

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Speaker 1: said again, hold on. So wow, those two things they do,

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Speaker 1: they not fight each other.

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Speaker 3: I found them to be in union with each other.

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Speaker 2: So I'm just confused at the push back on my pin.

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Speaker 3: I'm sorry, what is that?

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Speaker 4: What is the pin doing?

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Speaker 3: Well?

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Speaker 2: I didn't want to interject. I wanted to save my

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Speaker 2: I didn't want to interject.

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Speaker 5: So are you putting a pin in just your input

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Speaker 5: on his breathing or or are you saying and I

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Speaker 5: hate to bring logic to this.

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Speaker 3: No, I'm listening.

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Speaker 5: I'm listening, especially on this show. I hate to bring

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Speaker 5: logic to this. But you know that's not.

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Speaker 4: That's not what we don't know traffic in.

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Speaker 5: We don't typically traffic in logic on this.

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Speaker 4: But we.

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Speaker 5: But we sorry, I'm living.

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Speaker 6: We sorry.

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Speaker 4: That got me good for some reason.

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Speaker 6: But we we don't typically.

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Speaker 7: Traffic get logic on this show. But is what you

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Speaker 7: meant one second? Is what you meant that you wanted

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Speaker 7: to put a pin in it?

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Speaker 5: Meaning the current conversation about the topic would stop, but

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Speaker 5: we would absolutely return to it at a later point

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Speaker 5: in the recording.

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Speaker 1: Yes, oh, but she said, so you didn't want me

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Speaker 1: to keep talking about it.

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Speaker 5: I do want to keep talking.

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Speaker 2: About it, Yes, yeah, later, well we would return to

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Speaker 2: that specific point later. But I wanted you to continue

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Speaker 2: your train of thought as it stood at that time.

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Speaker 2: I didn't want to interject. I didn't want to derail.

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Speaker 5: So you were putting a pin only in your involvement.

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Speaker 3: I thought it could be.

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Speaker 2: I thought it could become something mutual at the end

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Speaker 2: of the day.

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Speaker 4: But when.

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Speaker 3: When the pin came out, I what was I gonna do?

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Speaker 5: Gosh, I laugh today, God, I needed that laugh.

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Speaker 4: I think you know, this is why, this is why.

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Speaker 5: Like people go, yep, I he on the show every

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Speaker 5: damn week these days, and I go, frankly, I have to.

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Speaker 5: It's the only way for me to survival strategy.

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Speaker 7: Laugh.

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Speaker 5: I'm so fucking stressed. Yeah, I'm so fucking goddamn fucking stressed.

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Speaker 3: Can I say something please? I'm tired.

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Speaker 5: You're a tired, exhausted to exhausted.

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Speaker 3: I can't you know. I can get a full night's sleep.

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Speaker 3: I can get eight, nine, ten.

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Speaker 5: Ten and a half, thirteen hours, thirteen hours.

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Speaker 3: I'm tired.

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Speaker 1: I'm walking I'm going to work in my nightgown, in

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Speaker 1: my loose cap, I'm holding my candle.

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Speaker 2: I hope, so tell me. Tell me your slippers got

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Speaker 2: the little fuzzies on them.

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Speaker 1: I'm walking through the office in my slippies with the

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Speaker 1: fuzzies on them, with my eyes closed.

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Speaker 4: I'm saying, honk, me, me, me, me, me, me, me, yes, yes.

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Speaker 1: In all my meetings, I am so tired. My little

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Speaker 1: the little palm on the end of my loose cap

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Speaker 1: is fluttering in the air each time I do my

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Speaker 1: me me me.

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Speaker 5: Quick story, quick story about a work meeting I had yesterday, huge,

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Speaker 5: huge cap. I walk in open robe, boxer shorts with

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Speaker 5: the little kisses on them, the big red lip kisses. Yeah,

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Speaker 5: you know, I've got the sort of like mocks and

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Speaker 5: style slippers with the sheep fur lining.

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Speaker 3: Yeah.

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Speaker 5: I sit down, I start my presentation. It's all on me.

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Speaker 5: This whole enterprise is on me. I get two words

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Speaker 5: into my presentation, ezy's easy's eas easy.

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Speaker 1: Honks you honks you honks you no?

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Speaker 5: And and by the way, when I woke up, the

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Speaker 5: company was closed.

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Speaker 2: Can I just say a quick just a quick quick

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Speaker 2: meeting that I had last time?

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Speaker 5: Give me your meeting story. We've all done one so far.

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Speaker 3: I'm exhausted, obviously.

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Speaker 2: I'm wearing my husband's enormous Oxford shirt as a dress,

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Speaker 2: sleeping mask over the top my head. I'm in the

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Speaker 2: left bed, he's in the right. Across the room. I'm

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Speaker 2: going damn it, I'm late. I'm late for the zoom.

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Speaker 2: I log into the zoom.

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Speaker 3: Oh wow, yeah, yeah.

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Speaker 4: Zooms news.

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Speaker 2: Yeah, let's just say I'm back in the mail room.

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Speaker 2: Oh no, yeah, yeah, let's just say that.

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Speaker 5: And by the way, entirely time to Oxford. Is it

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Speaker 5: time for this to be the female room?

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Speaker 4: M hm?

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Speaker 3: Oh my god, oh my.

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Speaker 5: We talked about the mail room. The mailroom, the mailroom.

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Speaker 5: Are you you're in my calendar? I just checked my calendar.

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Speaker 1: Yeah.

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Speaker 2: I genuinely didn't get it. And I feel nauseous because

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Speaker 2: I think I was so asleep. And you can take

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Speaker 2: the layers, you know, you can read into that as

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Speaker 2: much or as.

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Speaker 3: Little as you need to. But I was so asleep.

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Speaker 2: I didn't get it, and then I got it, and

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Speaker 2: so now I'm sort of nauseous on two levels. I'm

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Speaker 2: nauseous that I didn't get it, and I'm nauseous that

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Speaker 2: it's not.

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Speaker 3: Why isn't it time.

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Speaker 5: I checked my calendar. I just checked my calendar.

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Speaker 3: Okay, what's it saying.

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Speaker 5: It's fucking twenty twenty one already it's an old calendar.

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Speaker 4: But still.

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Speaker 3: Yeah, it's high.

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Speaker 5: Time we talked about the mail room. The mail room,

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Speaker 5: the mail room, how about the fucking female room?

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Speaker 7: Yeah?

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Speaker 1: I oh yeah, the Beast, Yeah Fax, yeahs.

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Speaker 4: Fx X on Hulu's.

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Speaker 3: Uh huh on whose Netflix?

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Speaker 5: Saying you should play a beast the beast right?

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Speaker 2: Uh? No, sorry, I've been saying the beast.

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Speaker 4: I've been saying I should play a beast.

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Speaker 3: Well, I I hope I do one day.

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Speaker 5: I got Beast level of chops.

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Speaker 2: Oh say Papa, but no, yeah, the show has a

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Speaker 2: different name though, but thanks. Sorry, sorry sorry I interrupted show.

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Speaker 2: Oh sorry, I just wanted to circle back.

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Speaker 4: You don't have enough? Do you not have enough range?

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Speaker 4: Do you really do you think you don't have enough

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Speaker 4: range to play?

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Speaker 2: I was just gonna say, I Bee that you know

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Speaker 2: you're worried about displaying, but I just thought it was

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Speaker 2: interesting as you were talking about breath that it could

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Speaker 2: also be not just something that you.

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Speaker 5: Now.

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Speaker 1: I want to put a pin in this. Oh yeah,

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Speaker 1: now I want to put a little pin in this, sorry,

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Speaker 1: because I'm so concerned that you're out here, yeah, telling

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Speaker 1: the world that, like you don't have the range to

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Speaker 1: play a beast? How will you play the cruel Thanos?

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Speaker 2: Oh?

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Speaker 4: Guys, no, how will you play Odie?

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Speaker 2: Well?

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Speaker 3: I mean I'd love to obviously, how.

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Speaker 5: Will you ever achieve Odie level?

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Speaker 4: How will you?

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Speaker 3: No?

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Speaker 2: Sure I get that? I mean I think you guys know,

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Speaker 2: I was like Eisenberg.

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Speaker 5: How can you ply embody that?

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Speaker 3: For the BFG?

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Speaker 2: And obviously they went towards something a little more naturalistic

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Speaker 2: than what I was offering, which is fair?

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Speaker 5: Can you play the doomed Titanic?

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Speaker 3: The whole Titanic? Sorry?

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Speaker 5: But the way you reacted to that lets me know

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Speaker 5: you don't know you can do it?

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Speaker 3: Oh?

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Speaker 4: Why can't I see Titanic?

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Speaker 5: Whyever make yourself? I know me, I couldn't possibly stop

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Speaker 5: you stop stop?

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Speaker 2: No, I just you know, maybe it's yet. It's not

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Speaker 2: time yet. It's not time yet. It's not time yet.

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Speaker 2: It's not time yet.

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Speaker 5: To planet Jupiter.

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Speaker 2: No, that's too bid, that's too those moons, that's too big, Sean.

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Speaker 5: The script is called most moons and no one else

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Speaker 5: can do it but you.

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Speaker 1: What we're doing today is Medio Adebris, the breakout star

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Speaker 1: of xx's intense new show, The Bear.

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Speaker 4: Honnie, she's breaking out again, Annie.

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Speaker 5: I think it's actually called the Beer.

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Speaker 4: She chewed through the screen.

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Speaker 2: I'll have raised my glass to that hold my Effects

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Speaker 2: Presents on Hulu, that thing that I'm in.

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Speaker 5: Cheers a toast to the breakout from FX's new show

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Speaker 5: The Bear.

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Speaker 1: They made it h so they made it the Bear

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Speaker 1: instead of the Beast, and now it's now it's the Beer.

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Speaker 8: M honey, can you come in here? She's breaking out again?

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Speaker 8: How like, how do you keep breaking out? Anonymity is

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Speaker 8: a jail.

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Speaker 4: We know that, So let's just establish what we're talking about. Sure,

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Speaker 4: it's a.

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Speaker 5: Prison, it's hell.

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Speaker 3: Privacy is a joke.

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Speaker 4: And how why can't they keep you in there?

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Speaker 2: I think there's a lot of different reasons, some definitely physical,

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Speaker 2: as we've alluded to, just in terms of what I

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Speaker 2: can you're and portray definitely sorry, you're greased.

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Speaker 5: Christ Oh, you slide right through those bars, and by

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Speaker 5: the way, you may not even need to, because somebody

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Speaker 5: gave you the damn keys.

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Speaker 3: On the bars.

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Speaker 5: You know what the keys are in this case, Titanic

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Speaker 5: level talent.

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Speaker 4: Right ability.

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Speaker 3: After every rule you know, land Graf.

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Speaker 1: Swung by the cell block at night, jingle jangling those keys.

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Speaker 4: Oops, oops, I dropped one. Mm hmmm.

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Speaker 2: The little mouse, my only friend, which you know, whispering

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Speaker 2: in my ear at night, helping me.

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Speaker 3: Chomp away at the cinderblocks.

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Speaker 4: I seen, I see little mouse, Eric Schreyer.

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Speaker 5: I've seen you lash a bunch of pencils together and

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Speaker 5: make this big long stick.

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Speaker 3: That's what you see.

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Speaker 5: And then and then, while the old sleepy sheriff Chris

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Speaker 5: Storer is snoozing in his chair, you reach the pencils

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Speaker 5: out and just lift that key ring right off the belt.

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Speaker 3: Well, I'm outside the damn jail at this point.

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Speaker 2: I'm flat Stanley against the wall, you know, jumping and ducking,

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Speaker 2: jumping and ducking.

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Speaker 3: Over spotlights as need be. I'm seeing Mama Warden in

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Speaker 3: the damn clock tower.

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Speaker 4: No one necessary.

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Speaker 2: Jumper, Yeah yeah, jumps yeah.

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Speaker 3: Yeah, makeup yeah, stay after the show.

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Speaker 5: And who's left standing on top of the mountain with

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Speaker 5: the mouse ears on data? That's right, just a fucking

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Speaker 5: field of bodies in her wake behind her, burning and

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Speaker 5: she holds up the victory chalice and SIPs mightily from

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Speaker 5: it as well. I'll something people might not.

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Speaker 3: Want to hear. Yes, parent companies are real.

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Speaker 5: Mm hmmmmmm.

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Speaker 3: Parent companies are real.

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Speaker 5: I know nobody wants to listen to their parents. Yeah,

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Speaker 5: can you please tell it actually like it is, like

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Speaker 5: it is, and like it should be, which it is

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Speaker 5: how it should be. Parent companies are real as hell,

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Speaker 5: and we don't want to listen to our parents. But

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Speaker 5: a lot of times they know what's best for us.

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Speaker 5: They actually do know what's best.

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Speaker 4: That's why they're so strict.

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Speaker 3: That's why there's rules.

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Speaker 5: Mm hmmm. Because they're adults and they've been through this.

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Speaker 5: They also were petulant teens, you know, going, oh, I

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Speaker 5: want to say a thousand f words on my show.

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Speaker 5: Stop hang on a second.

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Speaker 4: Whoa you can have six mm hmm.

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Speaker 3: Yep, you can have six yep, and that's it.

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Speaker 5: Six f words. And if I hear seventh one, got

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Speaker 5: your room.

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Speaker 2: But a lot of times, and you know, I'm speaking

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Speaker 2: for myself, but I think I think you speak for me.

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Speaker 2: Great you say that seventh one. You're sid for your stomach,

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Speaker 2: You're racked with guilt, your ariss your head mm hmmm.

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Speaker 5: Because I was raised right. Because I was raised right,

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Speaker 5: I did have a parent company in my life who

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Speaker 5: let me know why. And so as much as it

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Speaker 5: feels good to be punk rock and say seven F words,

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Speaker 5: you know in your bones you know.

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Speaker 3: That you don't you don't want it.

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Speaker 1: That's how mommy really does a punishment and says, Okay,

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Speaker 1: you like saying F words so much?

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Speaker 4: Yeah, say it.

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Speaker 1: Again, say seven of them, say it, yeah, say it

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Speaker 1: seven times. By the time you get to that seventh effort,

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Speaker 1: yeah yeah.

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Speaker 5: And then sit with it. Mm hm and then sit

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Speaker 5: with it. Did you have fun.

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Speaker 6: You want?

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Speaker 3: It's like you have to wash with the whole bar

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Speaker 3: of soap.

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Speaker 4: Mm hmmm.

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00:17:58,440 --> 00:18:01,359
Speaker 5: Yeah, you have to use a full wash. You go

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Speaker 5: into the shower with a bar so and you don't

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Speaker 5: come out until that.

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Speaker 2: Not a not a not not not not a not

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Speaker 2: a not a not a not a not a single.

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Speaker 6: I pay.

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Speaker 4: What's a dating rule you think is BS?

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Speaker 2: I think a dating rule that's b S is that

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Speaker 2: that you shouldn't be that that dowries are done. I

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Speaker 2: think dowries are popping.

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Speaker 1: Okay, that's you lied to Glamour magazine when They asked you,

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Speaker 1: what is a dating rule that you think is b s?

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Speaker 1: You said, first of all, you began your answer, I

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Speaker 1: don't know.

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Speaker 8: Okay, okay, the strunk start, wait, start.

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Speaker 3: Which one are you reading? Are you reading Glamour with it? Oh?

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Speaker 3: Or oh?

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Speaker 2: You?

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00:19:00,720 --> 00:19:03,920
Speaker 1: Because I know this is this is the British Okay.

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00:19:03,880 --> 00:19:09,479
Speaker 2: That's the UK one. So they condensed our conversation.

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Speaker 5: For the translated it to British.

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Speaker 2: To British, and so I think some things are getting

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Speaker 2: lost in translation.

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Speaker 5: Maybe maybe that's actually them saying I don't know, Like

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00:19:18,280 --> 00:19:20,679
Speaker 5: she was speaking all American at me, and it's like,

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00:19:21,119 --> 00:19:23,040
Speaker 5: what did I say to this question? First of all,

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Speaker 5: I don't know.

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Speaker 2: Yeah, that started continuing in the answer, Yeah, that's weird.

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Speaker 3: Hayes. Have you never read a magazine before?

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Speaker 1: Well this is like transcribed very fatally before you ever

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Speaker 1: read an online magazine before?

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Speaker 5: He No, Well, Hayes doesn't know about other countries.

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Speaker 4: So you lied about you? So they so.

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Speaker 2: So, okay, yeah, do you want to move on to

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Speaker 2: the next one?

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Speaker 5: I I ile, I know we've been teamed up on yeah,

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Speaker 5: but I'm but I'm actually wrong. I'm not done because

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Speaker 5: while I do think I do think Hayes, this feels good.

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Speaker 5: I do think Hayes misunderstood the ENTI I do have

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Speaker 5: a tip for when you encounter when do you encounter this?

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00:20:13,600 --> 00:20:20,359
Speaker 5: Sure as much? That feels pretty good. Yeah, hey, Kevin,

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00:20:20,400 --> 00:20:23,320
Speaker 5: can you get these clean? Just Io's audio? I just

335
00:20:23,320 --> 00:20:26,960
Speaker 5: want to have this. So I do think when you

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00:20:27,000 --> 00:20:29,640
Speaker 5: get asked, when you get asked this question, just pump

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00:20:29,680 --> 00:20:32,800
Speaker 5: myself up. I have to go for a pitch or something. Yeah,

338
00:20:34,760 --> 00:20:38,680
Speaker 5: none on the horizon, but someday, Uh, when they ask

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00:20:38,760 --> 00:20:40,879
Speaker 5: you a question like this, what are some dating rules?

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Speaker 6: You know?

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00:20:42,520 --> 00:20:44,359
Speaker 5: I know it's not easy in the moment, but I

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00:20:44,400 --> 00:20:47,680
Speaker 5: want to have something prepared for you. You go, hey, Pal,

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00:20:48,040 --> 00:20:52,800
Speaker 5: I only got one rule? Okay, but please please yeah,

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00:20:52,840 --> 00:20:54,800
Speaker 5: write it down. Okay, So they go, what are some

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Speaker 5: dating rules? You go, hey Pal, I only got one role?

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Speaker 3: Yeah.

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00:20:58,840 --> 00:21:02,000
Speaker 5: I never have to pay for it. Unfortunately, I can't

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00:21:02,000 --> 00:21:05,679
Speaker 5: say the same for you, Rul.

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00:21:06,119 --> 00:21:10,800
Speaker 3: I never have to pay for it.

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00:21:10,880 --> 00:21:13,800
Speaker 5: Sorry, I never I get it anywhere anyway.

351
00:21:13,920 --> 00:21:17,600
Speaker 3: I wanta unforced fuck okay?

352
00:21:17,640 --> 00:21:17,920
Speaker 4: Sorry?

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00:21:17,920 --> 00:21:22,159
Speaker 5: Oh shoot, Disney, too bad, you can't say the same.

354
00:21:22,040 --> 00:21:24,520
Speaker 3: Pal, Okay, too bad.

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00:21:25,040 --> 00:21:26,920
Speaker 5: If it's a lady, you say like, lady.

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00:21:26,880 --> 00:21:32,480
Speaker 2: Can't say the same pal slash lady lady.

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00:21:32,720 --> 00:21:34,800
Speaker 3: Yeah okay, so and.

358
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Speaker 5: I yeah, pay for it and lick your.

359
00:21:37,400 --> 00:21:42,280
Speaker 2: Lips okay, yeah, okay, So then can we just go

360
00:21:42,359 --> 00:21:44,760
Speaker 2: over it really quickly because I do just okay.

361
00:21:44,840 --> 00:21:49,840
Speaker 3: So if somebody asks me, do you have any dating rules?

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00:21:50,480 --> 00:21:51,880
Speaker 5: Well, what's the question exactly?

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00:21:51,960 --> 00:21:54,560
Speaker 1: Is this question is what is a dating rule that

364
00:21:54,640 --> 00:21:57,399
Speaker 1: you think is BS which is, of course this is

365
00:21:57,440 --> 00:21:59,640
Speaker 1: British glamour, So that's bob shaite.

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00:22:00,119 --> 00:22:02,680
Speaker 5: You change you change it, yeah, and you just say

367
00:22:02,920 --> 00:22:05,360
Speaker 5: you just say like you say, hey, I only got

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00:22:05,359 --> 00:22:08,840
Speaker 5: one role when it comes to dating. Yeah, so you

369
00:22:08,840 --> 00:22:10,000
Speaker 5: can apply it anywhere.

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00:22:10,600 --> 00:22:10,959
Speaker 3: Okay.

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00:22:11,040 --> 00:22:13,439
Speaker 2: So even if the question is asking me for a

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Speaker 2: rule that is bob shite.

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Speaker 5: Mm hmm. I think you say you say, hey, I

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00:22:21,600 --> 00:22:24,800
Speaker 5: think your question is bob shite. There's only one dating

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Speaker 5: role in my home.

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00:22:26,440 --> 00:22:28,960
Speaker 3: Yeah that helps me. Yeah, okay, yeah.

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00:22:28,760 --> 00:22:30,960
Speaker 5: You have so you have that in your pocket as well.

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00:22:31,359 --> 00:22:34,359
Speaker 3: Okay, because that was my I guess concern as I

379
00:22:34,400 --> 00:22:35,120
Speaker 3: was writing.

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Speaker 5: You know what, when you by the time you hit

381
00:22:37,480 --> 00:22:39,800
Speaker 5: them with too bad, I can't say the same for you.

382
00:22:40,480 --> 00:22:43,040
Speaker 5: They're scrambling. They don't know if you answered their question

383
00:22:43,200 --> 00:22:46,080
Speaker 5: or not. They're wobbling, you know what I mean, you.

384
00:22:46,080 --> 00:22:46,440
Speaker 4: Got them on.

385
00:22:46,680 --> 00:22:46,800
Speaker 5: Well.

386
00:22:46,840 --> 00:22:50,639
Speaker 2: I think I've always been told by people who have

387
00:22:50,760 --> 00:22:54,040
Speaker 2: considered mentors in my life that it's always good to

388
00:22:54,080 --> 00:22:58,640
Speaker 2: antagonize a journalist, and so I guess that just only

389
00:22:58,680 --> 00:23:01,280
Speaker 2: cements why you're one of the main mentors of my life.

390
00:23:02,640 --> 00:23:04,840
Speaker 3: Sorry, next year, but.

391
00:23:06,359 --> 00:23:09,280
Speaker 5: Yeah, this is Yeah, most of these journalists got a

392
00:23:09,280 --> 00:23:10,000
Speaker 5: glass jaw.

393
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Speaker 4: You know what I mean.

394
00:23:12,560 --> 00:23:15,240
Speaker 5: You hit it once with one of these, too bad.

395
00:23:15,280 --> 00:23:17,200
Speaker 5: I can't say the same for you and the rest

396
00:23:17,240 --> 00:23:20,440
Speaker 5: of the interview. They're just basically begging you to approve

397
00:23:20,480 --> 00:23:22,000
Speaker 5: of them.

398
00:23:22,240 --> 00:23:24,320
Speaker 3: I actually do know somebody with the glass jaw.

399
00:23:26,520 --> 00:23:29,639
Speaker 4: It's good. I think it's good. It's great.

400
00:23:30,960 --> 00:23:31,480
Speaker 5: I've got one.

401
00:23:31,480 --> 00:23:32,280
Speaker 3: No, it's gorgeous.

402
00:23:33,600 --> 00:23:36,480
Speaker 1: You get to see all the little like yeah, the

403
00:23:36,760 --> 00:23:38,840
Speaker 1: all the strings in there.

404
00:23:39,400 --> 00:23:39,720
Speaker 4: M h.

405
00:23:42,000 --> 00:23:44,320
Speaker 5: Easier to clean your teeth, yeah.

406
00:23:44,440 --> 00:23:46,720
Speaker 3: Yeah, when you can see you.

407
00:23:46,600 --> 00:23:49,480
Speaker 5: Know, when you can actually see up.

408
00:23:49,440 --> 00:23:50,400
Speaker 3: In there for real.

409
00:23:50,640 --> 00:23:53,199
Speaker 5: Dark in the mouth, yeah, no, it can be.

410
00:23:53,400 --> 00:23:53,640
Speaker 4: Yeah.

411
00:23:54,480 --> 00:23:57,560
Speaker 5: I wish that my mouth was like my my refrigerator were.

412
00:23:57,560 --> 00:23:59,360
Speaker 5: When I opened it, a little light in the top

413
00:23:59,480 --> 00:24:02,399
Speaker 5: came on. I could see everything in there, you know

414
00:24:02,440 --> 00:24:04,320
Speaker 5: what I mean, when's that coming?

415
00:24:07,119 --> 00:24:13,520
Speaker 1: I Oh, kimberly asked you what's the sexiest thing about you?

416
00:24:15,600 --> 00:24:21,280
Speaker 1: And you said, I think I have like and I

417
00:24:21,480 --> 00:24:30,080
Speaker 1: work hard. I think I have like and I work hard.

418
00:24:30,720 --> 00:24:33,080
Speaker 5: This has got to be another language barrier thing.

419
00:24:33,160 --> 00:24:34,679
Speaker 3: No, that's definitely.

420
00:24:35,000 --> 00:24:39,640
Speaker 2: Yeah, there's now and then how British people are always.

421
00:24:39,400 --> 00:24:45,159
Speaker 3: Talking Oh bumble. Oh I'm hugong. So I think that

422
00:24:45,720 --> 00:24:48,840
Speaker 3: probably I think there's like a lag probably in the article.

423
00:24:49,480 --> 00:24:50,640
Speaker 4: Do you think the article is.

424
00:24:52,200 --> 00:24:52,280
Speaker 3: So?

425
00:24:52,320 --> 00:24:54,800
Speaker 2: I think there's parts where she's still talking, and then

426
00:24:54,840 --> 00:24:55,840
Speaker 2: I think.

427
00:24:57,160 --> 00:24:59,680
Speaker 5: It's so the article is still loading.

428
00:25:00,080 --> 00:25:02,800
Speaker 4: I think I have like an I work hard.

429
00:25:03,280 --> 00:25:07,160
Speaker 2: That definitely have to contact you can't glamour about this.

430
00:25:07,240 --> 00:25:10,040
Speaker 2: Thank you guys for that's good reaching out to me

431
00:25:10,080 --> 00:25:11,440
Speaker 2: and letting me know about this.

432
00:25:11,560 --> 00:25:15,200
Speaker 3: That's crazy. I haven't even seen an article.

433
00:25:15,680 --> 00:25:19,159
Speaker 5: Okay, I have advice how to answer this type of

434
00:25:19,240 --> 00:25:21,040
Speaker 5: question if you want to get your pen back out.

435
00:25:21,520 --> 00:25:24,480
Speaker 2: Oh yeah, I think I'm good on this one because

436
00:25:24,600 --> 00:25:27,160
Speaker 2: I just because of the lag, like realizing the lag.

437
00:25:27,359 --> 00:25:30,120
Speaker 5: Okay, you're well, your pen is already out, so we've

438
00:25:30,160 --> 00:25:33,480
Speaker 5: got it. I mean, just yeah, if it comes up again,

439
00:25:33,560 --> 00:25:35,520
Speaker 5: so you don't answer the exact same way, and maybe

440
00:25:35,520 --> 00:25:38,480
Speaker 5: this will avoid the lag. I got another way.

441
00:25:38,320 --> 00:25:40,560
Speaker 2: To turn, just a more precise answer might help avoid

442
00:25:40,560 --> 00:25:41,760
Speaker 2: thee I think it's a little cool.

443
00:25:41,840 --> 00:25:44,800
Speaker 5: Yeah. Yeah, So they go, they say, like, what's the

444
00:25:44,840 --> 00:25:48,640
Speaker 5: sexiest thing about you? You go, yeah, there's no such

445
00:25:48,680 --> 00:25:59,040
Speaker 5: thing as sex. There's only power, sex power. You say,

446
00:26:00,040 --> 00:26:02,280
Speaker 5: why do you think Marvel movies are the most popular

447
00:26:02,320 --> 00:26:05,200
Speaker 5: thing in the world Because these fucking powers these guys have.

448
00:26:06,440 --> 00:26:10,000
Speaker 5: There's all these crazy powers like Hawkeye's arrow power is

449
00:26:10,040 --> 00:26:14,440
Speaker 5: basically porno shit, right, And then and then you go

450
00:26:15,400 --> 00:26:19,280
Speaker 5: and I've got the power to read minds, And what

451
00:26:19,320 --> 00:26:22,399
Speaker 5: you're thinking right now is Jesus Christ, how do I

452
00:26:22,440 --> 00:26:24,760
Speaker 5: get this girl to agree to a second interview when

453
00:26:24,800 --> 00:26:28,119
Speaker 5: the first one's still going? Because all I know is

454
00:26:28,119 --> 00:26:29,240
Speaker 5: I got to see her again.

455
00:26:32,400 --> 00:26:34,280
Speaker 3: I didn't write any of that down.

456
00:26:34,880 --> 00:26:40,280
Speaker 4: No, it's okay being released nationally.

457
00:26:40,359 --> 00:26:45,200
Speaker 3: So okay, what do you think is the sexiest thing

458
00:26:45,240 --> 00:26:45,680
Speaker 3: about you?

459
00:26:46,800 --> 00:26:49,400
Speaker 5: There's no such thing as sex, there's only power.

460
00:26:49,720 --> 00:26:52,439
Speaker 3: Yeah, okay, that's fairy. What do you think is the

461
00:26:52,480 --> 00:26:53,520
Speaker 3: sexiest thing about you?

462
00:26:55,000 --> 00:26:58,200
Speaker 4: There's no such thing as sex, there's.

463
00:26:58,119 --> 00:27:03,680
Speaker 2: Only no I know, Sorry, somebody already gave that answer.

464
00:27:04,400 --> 00:27:05,000
Speaker 4: I'm not done.

465
00:27:07,400 --> 00:27:08,679
Speaker 3: Your lip switching a lot.

466
00:27:09,320 --> 00:27:11,720
Speaker 4: There's no such thing as sex, you know.

467
00:27:11,760 --> 00:27:20,360
Speaker 2: I feel like that's maybe like I think I'm okay

468
00:27:20,440 --> 00:27:21,560
Speaker 2: with my answer.

469
00:27:21,920 --> 00:27:25,000
Speaker 1: Maybe you think your answer, I think I have, like

470
00:27:25,040 --> 00:27:25,920
Speaker 1: an eye work hard.

471
00:27:26,160 --> 00:27:28,720
Speaker 2: You have to start it from where it actually starts.

472
00:27:28,800 --> 00:27:29,600
Speaker 3: I just told you.

473
00:27:29,600 --> 00:27:30,959
Speaker 4: Where does it actually start?

474
00:27:31,200 --> 00:27:34,600
Speaker 3: Strange, I don't have it in front of me, but

475
00:27:34,680 --> 00:27:35,600
Speaker 3: I'm assuming.

476
00:27:35,600 --> 00:27:40,280
Speaker 1: Yet we're trying to do press here, not deepress.

477
00:27:43,480 --> 00:27:45,000
Speaker 3: Are you trying to do or are you trying to

478
00:27:45,040 --> 00:27:49,520
Speaker 3: do opress? Yeah, got your ass.

479
00:27:49,560 --> 00:27:50,919
Speaker 4: I would never do opress.

480
00:27:52,840 --> 00:27:54,840
Speaker 5: I oh, I have a quick answer to another one

481
00:27:54,840 --> 00:27:55,439
Speaker 5: of the questions.

482
00:27:55,440 --> 00:27:56,040
Speaker 4: They asked you.

483
00:27:56,720 --> 00:28:00,199
Speaker 5: Sure, they wanted to know what's the most romantic thing

484
00:28:00,200 --> 00:28:06,320
Speaker 5: you've ever done? You go, you go like this this

485
00:28:06,480 --> 00:28:15,480
Speaker 5: interview and it's just getting started because what you did

486
00:28:15,520 --> 00:28:18,200
Speaker 5: say was like that you got your parents a massage.

487
00:28:20,280 --> 00:28:24,240
Speaker 5: Like I just think, like, especially because like sexiness was

488
00:28:24,280 --> 00:28:26,520
Speaker 5: also part of the interview, it's just gonna make a

489
00:28:26,560 --> 00:28:28,200
Speaker 5: lot of readers really uncomfortable.

490
00:28:28,680 --> 00:28:31,960
Speaker 3: I think that's good. I think that's good.

491
00:28:32,400 --> 00:28:36,200
Speaker 1: That one, of course begins kimberly asks you what's the

492
00:28:36,240 --> 00:28:41,960
Speaker 1: most romantic thing you've ever done? The response begins, I mean, well, okay, that's.

493
00:28:41,840 --> 00:28:45,520
Speaker 2: A that's another that's a lie.

494
00:28:45,920 --> 00:28:49,160
Speaker 1: I think it was romantic. That must be That must

495
00:28:49,160 --> 00:28:50,760
Speaker 1: be a lie, because what are you? You haven't even

496
00:28:50,800 --> 00:28:54,920
Speaker 1: said what it is yet, But it wasn't romantic for me.

497
00:28:56,280 --> 00:28:56,680
Speaker 5: Mm hmm.

498
00:28:58,200 --> 00:29:00,760
Speaker 4: I got my parents a couple's massage for Christmas.

499
00:29:01,240 --> 00:29:03,520
Speaker 3: I did get them a couple's massage for Christmas.

500
00:29:03,680 --> 00:29:04,719
Speaker 4: I think that counts.

501
00:29:04,800 --> 00:29:09,680
Speaker 1: But now that I said that, that's romantic, little Christmas.

502
00:29:09,760 --> 00:29:12,560
Speaker 1: So you knew, so you knew you were being weird.

503
00:29:13,800 --> 00:29:15,080
Speaker 5: Santa brought romance.

504
00:29:15,880 --> 00:29:18,920
Speaker 2: Just because I'm an actress now doesn't mean I still

505
00:29:19,040 --> 00:29:19,920
Speaker 2: don't have my care.

506
00:29:20,400 --> 00:29:21,360
Speaker 4: This is so sad.

507
00:29:21,480 --> 00:29:23,600
Speaker 3: This is I was born to be random.

508
00:29:24,080 --> 00:29:27,840
Speaker 2: I was born to be awkward, sauce, I was born

509
00:29:28,560 --> 00:29:29,520
Speaker 2: to be weird.

510
00:29:30,760 --> 00:29:32,920
Speaker 1: Do you want to hear the saddest thing he was born?

511
00:29:34,240 --> 00:29:38,680
Speaker 1: Who was your first collabor clebrity crush? Kim says, sorry,

512
00:29:38,720 --> 00:29:43,840
Speaker 1: who's my first clas celebrity calebrity crush? Oh man, I

513
00:29:43,880 --> 00:29:47,920
Speaker 1: had a bunch of period. Leonardo DiCaprio was a big one.

514
00:29:48,040 --> 00:29:49,880
Speaker 1: And Kimberly says, what was the first thing you saw

515
00:29:49,960 --> 00:29:52,520
Speaker 1: him then? And I says, I think Titanic.

516
00:29:52,080 --> 00:29:54,160
Speaker 5: Maybe, Oh my gosh.

517
00:29:54,400 --> 00:29:58,720
Speaker 1: She had a dream of being the Titanic, and Leonardo

518
00:29:58,720 --> 00:30:00,760
Speaker 1: DiCaprio is running around other.

519
00:30:02,400 --> 00:30:11,360
Speaker 5: Uther path or whatever Gaprio is like grabbing her foot

520
00:30:11,440 --> 00:30:13,560
Speaker 5: or whatever it's saying he's the king of the world.

521
00:30:17,800 --> 00:30:24,000
Speaker 5: Oh my god. It's sort of beautiful, but it's heartbreaking

522
00:30:24,080 --> 00:30:24,520
Speaker 5: as well.

523
00:30:26,160 --> 00:30:29,080
Speaker 2: I'm sorry that I sort of lashed out earlier when

524
00:30:29,120 --> 00:30:31,160
Speaker 2: you guys were saying I should be the Titanic.

525
00:30:31,320 --> 00:30:34,120
Speaker 3: But I think now you can understand where I'm.

526
00:30:33,960 --> 00:30:37,360
Speaker 5: Coming from, a wound fresh woman.

527
00:30:37,120 --> 00:30:40,120
Speaker 3: Emotionally, and I think I'm you know, I definitely I've

528
00:30:40,120 --> 00:30:41,920
Speaker 3: been working on myself. I've been going to therapy.

529
00:30:41,960 --> 00:30:45,000
Speaker 2: I'm more prone to avoidance, I think, than direct confrontation,

530
00:30:45,200 --> 00:30:47,240
Speaker 2: and so I think that was like a real moment

531
00:30:47,280 --> 00:30:49,120
Speaker 2: for me where I wanted to step away instead of

532
00:30:49,160 --> 00:30:52,840
Speaker 2: saying my first dream, potentially my only dream, was to

533
00:30:52,960 --> 00:30:54,680
Speaker 2: actually be the Titanic and to.

534
00:30:54,680 --> 00:30:55,080
Speaker 3: Have a.

535
00:30:57,600 --> 00:31:04,920
Speaker 5: Yeah, okay, we're getting some lag here. This is like

536
00:31:05,000 --> 00:31:07,040
Speaker 5: the top of all your answers where it's wait, what

537
00:31:07,160 --> 00:31:11,000
Speaker 5: happens I can't quite hear no, wait, oh shoot? Did

538
00:31:11,040 --> 00:31:12,959
Speaker 5: you started to sort of fall apart at the end.

539
00:31:13,120 --> 00:31:15,080
Speaker 3: So it's good that you told me about the lag

540
00:31:15,200 --> 00:31:18,160
Speaker 3: though it's good. Where did what was the last thing

541
00:31:18,360 --> 00:31:19,160
Speaker 3: you heard?

542
00:31:21,160 --> 00:31:21,840
Speaker 5: I don't even know.

543
00:31:22,680 --> 00:31:24,920
Speaker 3: That's okay, that's awesome.

544
00:31:25,080 --> 00:31:27,120
Speaker 5: I don't even know the thing about this show with me,

545
00:31:28,640 --> 00:31:30,160
Speaker 5: it's it's ephemeral.

546
00:31:31,000 --> 00:31:33,520
Speaker 3: I do want to just and Hayes, will you follow

547
00:31:33,600 --> 00:31:36,080
Speaker 3: up and say what the thing about this show is

548
00:31:36,280 --> 00:31:37,080
Speaker 3: with you after?

549
00:31:37,280 --> 00:31:41,320
Speaker 2: I would love to know after what after? Sean Wax

550
00:31:41,440 --> 00:31:48,200
Speaker 2: is on about the femeral nature of this show for him, Oh,

551
00:31:48,360 --> 00:31:49,760
Speaker 2: unless there's no waxing.

552
00:31:50,960 --> 00:31:55,920
Speaker 5: Hang on, let me get some wax. Yeah, it's like ephemeral.

553
00:31:56,120 --> 00:31:56,440
Speaker 4: It's like.

554
00:31:58,440 --> 00:32:06,400
Speaker 5: The dust from a Butterfli's like sides and back, you know,

555
00:32:07,600 --> 00:32:11,240
Speaker 5: where it just sort of like goes like it's there,

556
00:32:11,440 --> 00:32:16,000
Speaker 5: but you can't like have it because it goes away.

557
00:32:16,160 --> 00:32:18,520
Speaker 5: It's and it's small, and the show is very small

558
00:32:18,600 --> 00:32:21,080
Speaker 5: as well, too small to see in fact.

559
00:32:23,040 --> 00:32:25,320
Speaker 3: But not too small. Not here.

560
00:32:29,280 --> 00:32:30,640
Speaker 5: Hayes's turn.

561
00:32:32,240 --> 00:32:38,280
Speaker 4: Yeah, I guess the show to me is a female aurule,

562
00:32:42,560 --> 00:32:43,240
Speaker 4: so sort of.

563
00:32:43,600 --> 00:32:45,080
Speaker 5: And let me get a look at my calendar.

564
00:32:45,280 --> 00:32:47,720
Speaker 4: Got sort of similar but not quite the same.

565
00:32:50,040 --> 00:32:52,680
Speaker 5: Let me get a look at the calendar. Yeah, I

566
00:32:52,760 --> 00:32:54,840
Speaker 5: think it's time for it to be a female aurule.

567
00:32:57,720 --> 00:33:01,880
Speaker 1: Kimberly asks, are you an estralla person, and you respond,

568
00:33:02,120 --> 00:33:04,000
Speaker 1: I'm a libra, so.

569
00:33:05,800 --> 00:33:11,720
Speaker 4: That's not what there aren't.

570
00:33:11,840 --> 00:33:15,640
Speaker 1: Just like some people that are that are like astrology people,

571
00:33:15,800 --> 00:33:21,320
Speaker 1: and like some who are I understand having us for sure,

572
00:33:22,120 --> 00:33:25,560
Speaker 1: but like everyone has one of these. It's not like

573
00:33:26,080 --> 00:33:32,200
Speaker 1: some people have them and are astrology people and others

574
00:33:32,360 --> 00:33:32,640
Speaker 1: do not.

575
00:33:34,520 --> 00:33:39,840
Speaker 3: If that's the way that that you believe things, then

576
00:33:39,920 --> 00:33:40,960
Speaker 3: I wouldn't Then I would not.

577
00:33:41,000 --> 00:33:44,600
Speaker 1: Say you think that some people are not some people

578
00:33:44,680 --> 00:33:46,280
Speaker 1: are astrology people.

579
00:33:46,760 --> 00:33:51,200
Speaker 5: There's astrology people, there's people with no astrological sign whatsoever.

580
00:33:54,360 --> 00:33:58,880
Speaker 2: Once again, if that is the way that you believe things,

581
00:33:58,920 --> 00:33:59,880
Speaker 2: then I would never deny it.

582
00:34:01,640 --> 00:34:02,680
Speaker 4: Wow, that's really nice.

583
00:34:04,080 --> 00:34:08,319
Speaker 5: That's very polite. Okay, Well I don't want to argue

584
00:34:08,360 --> 00:34:11,440
Speaker 5: with that. Then I think, I mean, you've given me

585
00:34:11,600 --> 00:34:14,759
Speaker 5: so much, so much room here to just kind of

586
00:34:14,880 --> 00:34:17,760
Speaker 5: have any idea I want about astrology people.

587
00:34:19,600 --> 00:34:28,280
Speaker 3: Well, there's no such thing. Yeah, as astrology. There's only

588
00:34:30,000 --> 00:34:30,880
Speaker 3: horny power.

589
00:34:34,560 --> 00:34:37,200
Speaker 9: This week on the Patreon, the Boys have robots help

590
00:34:37,280 --> 00:34:40,200
Speaker 9: them make a pro version. Carling us On discuss Jim

591
00:34:40,320 --> 00:34:43,560
Speaker 9: Scams and the Flagrant Ones discuss the movie Hustle with

592
00:34:43,719 --> 00:34:46,960
Speaker 9: guests David Simms. Check out all these shows and the

593
00:34:47,080 --> 00:34:50,400
Speaker 9: video for today's episode with Io at patreon dot com

594
00:34:50,560 --> 00:34:52,520
Speaker 9: slash the Flagrant ones, Oh.

595
00:34:57,440 --> 00:35:00,239
Speaker 1: I want to go back to this. So he asked

596
00:35:00,280 --> 00:35:03,000
Speaker 1: you about your clebrity crush, and you said, Leonardo.

597
00:35:02,600 --> 00:35:05,840
Speaker 2: Dicaprick's a celebrity scrush, your colebrity's crush.

598
00:35:06,560 --> 00:35:11,440
Speaker 4: And then there's like five more questions.

599
00:35:12,080 --> 00:35:16,960
Speaker 3: Yeah, and then fine, Kimberly, I was Paulie as a baby.

600
00:35:17,239 --> 00:35:19,360
Speaker 4: You're lying in bed about to follow with.

601
00:35:19,400 --> 00:35:21,719
Speaker 3: Paulie as a baby. Is that what you wanted to hear?

602
00:35:23,040 --> 00:35:27,279
Speaker 1: Okay, that explains it a little bit. Okay, But she asked,

603
00:35:27,320 --> 00:35:29,239
Speaker 1: you're lying in the bed about to fall asleep, what's

604
00:35:29,320 --> 00:35:33,439
Speaker 1: on your mind? And you say, what am I going

605
00:35:33,520 --> 00:35:36,640
Speaker 1: to do the next day? Tony Shaloub was another one

606
00:35:36,719 --> 00:35:42,760
Speaker 1: of my crushes, so sometimes Tony Shalub sometimes tap dancing

607
00:35:42,840 --> 00:35:45,160
Speaker 1: and Deu lat Hill that was another big crush. But

608
00:35:45,280 --> 00:35:48,000
Speaker 1: we already talked about that. Did you did you feel

609
00:35:48,040 --> 00:35:52,560
Speaker 1: like you did? You didn't like your first answer. Why

610
00:35:52,600 --> 00:35:58,040
Speaker 1: are we going back to the calebrity scrush topic like

611
00:35:58,120 --> 00:36:01,480
Speaker 1: it was so long ago? All the astrology stuff is

612
00:36:01,520 --> 00:36:02,000
Speaker 1: in between.

613
00:36:03,719 --> 00:36:08,560
Speaker 3: Yep, thank you for bringing that to my attention. I'll definitely.

614
00:36:08,920 --> 00:36:11,399
Speaker 1: I mean, this is like a real lag. We really

615
00:36:11,480 --> 00:36:15,319
Speaker 1: gotta get we really got to get into the server room.

616
00:36:16,400 --> 00:36:18,080
Speaker 5: Can I tell you guys what Kevin.

617
00:36:17,920 --> 00:36:20,959
Speaker 3: Just texted me y'all texting on the side.

618
00:36:21,680 --> 00:36:24,399
Speaker 5: Yeah, I usually we don't, but he just I guess

619
00:36:24,480 --> 00:36:26,280
Speaker 5: this was just meant for me, But he just texted

620
00:36:26,320 --> 00:36:29,400
Speaker 5: me directly after Hayes read that answer more like Tony,

621
00:36:29,640 --> 00:36:30,760
Speaker 5: she looped.

622
00:36:32,080 --> 00:36:38,000
Speaker 4: You get it so nasty loose? Yes, No, I don't.

623
00:36:38,160 --> 00:36:40,360
Speaker 5: That's why. That's why I brought it to the group.

624
00:36:41,160 --> 00:36:53,759
Speaker 4: Not kay, Yeah, that's really inappropriate. Hmm. Okay, sorry, Let's let's.

625
00:36:53,600 --> 00:36:56,600
Speaker 5: Just talk about another one of these questions that you answered.

626
00:36:58,160 --> 00:37:03,400
Speaker 3: Well about this hers dad import, she clements.

627
00:37:03,040 --> 00:37:08,000
Speaker 4: Sheen clements mm hmm. Gene femts.

628
00:37:09,560 --> 00:37:09,960
Speaker 5: Mm hmm.

629
00:37:10,200 --> 00:37:17,799
Speaker 4: That's better. He's yeah her yeah, hers, HER's deaf, hers.

630
00:37:19,120 --> 00:37:20,680
Speaker 5: Heer mm hmm.

631
00:37:21,680 --> 00:37:22,160
Speaker 3: She she.

632
00:37:24,160 --> 00:37:31,160
Speaker 2: Clements, feminists, femine her telt iodebris.

633
00:37:32,440 --> 00:37:33,680
Speaker 5: That just about says it all.

634
00:37:33,840 --> 00:37:35,120
Speaker 4: Huh hm hmm.

635
00:37:35,600 --> 00:37:37,480
Speaker 3: I hope somebody's thinking, with big.

636
00:37:37,440 --> 00:37:41,040
Speaker 1: Mouth and Dickinson under your belt, you've been a part

637
00:37:41,120 --> 00:37:43,840
Speaker 1: of so many people's binge wash sessions at this point,

638
00:37:45,000 --> 00:37:48,359
Speaker 1: and does that like that's what kimberly asks. She moves

639
00:37:48,400 --> 00:37:49,879
Speaker 1: on to a different qud like what do you binge

640
00:37:49,880 --> 00:37:51,719
Speaker 1: watch or something? But I actually want to settle on that,

641
00:37:51,880 --> 00:37:56,279
Speaker 1: like do you like does that responsibility of like having

642
00:37:56,320 --> 00:37:58,640
Speaker 1: been a part of so many people's binge wash sessions

643
00:37:58,680 --> 00:37:59,280
Speaker 1: at this point?

644
00:38:00,360 --> 00:38:02,279
Speaker 4: Do you feel that it's heavy?

645
00:38:02,800 --> 00:38:05,200
Speaker 3: Do you carry that it's heavy?

646
00:38:07,400 --> 00:38:07,840
Speaker 4: Are just like.

647
00:38:09,480 --> 00:38:13,560
Speaker 2: You all like, yeah, I feel in my body, I'm

648
00:38:13,680 --> 00:38:16,839
Speaker 2: completely I'm the most unaligned I've ever been mm hmm.

649
00:38:17,560 --> 00:38:21,959
Speaker 2: And I know that that's not without reason. It calls

650
00:38:22,000 --> 00:38:26,040
Speaker 2: to mind for me. I know the physical pains that

651
00:38:26,480 --> 00:38:27,520
Speaker 2: Martin Luther King Jr.

652
00:38:28,080 --> 00:38:36,400
Speaker 3: Had and just yeah, just life, physical and emotional pains.

653
00:38:38,040 --> 00:38:39,520
Speaker 4: Focus on the physical.

654
00:38:40,520 --> 00:38:44,200
Speaker 2: And he would call u Mahalia Jackson on the phone

655
00:38:44,320 --> 00:38:45,799
Speaker 2: and have her sing to him.

656
00:38:46,440 --> 00:38:51,080
Speaker 3: And sometimes I'll call Kevin on the phone and I'll say, oh,

657
00:38:51,200 --> 00:38:54,279
Speaker 3: can you just play me some of their podcasts or

658
00:38:54,360 --> 00:38:58,080
Speaker 3: just say something, just say some say some words and stuff.

659
00:38:58,120 --> 00:38:59,120
Speaker 3: And can't do that for me?

660
00:38:59,440 --> 00:39:01,160
Speaker 4: What was with him? Physically?

661
00:39:02,640 --> 00:39:04,760
Speaker 3: He just kind of was busted.

662
00:39:07,640 --> 00:39:11,319
Speaker 4: Wait, he was so busted that he was bade.

663
00:39:12,600 --> 00:39:12,880
Speaker 5: Damn.

664
00:39:13,280 --> 00:39:15,439
Speaker 3: Yeah, you have to read his bike.

665
00:39:17,680 --> 00:39:22,280
Speaker 5: I should One thing I like people take for granted,

666
00:39:22,400 --> 00:39:25,520
Speaker 5: like you still have to work. So like sometimes I'm

667
00:39:25,560 --> 00:39:27,960
Speaker 5: watching the beer and you're in the middle of like

668
00:39:28,040 --> 00:39:31,880
Speaker 5: a heavy, intense scene and then I'll just see you

669
00:39:32,200 --> 00:39:34,480
Speaker 5: feel it, like it's on your face, like, uh oh,

670
00:39:34,640 --> 00:39:38,640
Speaker 5: Grandma just started another binge. Graham's binging me right now,

671
00:39:39,239 --> 00:39:42,520
Speaker 5: and it's like, you know this binge is gonna be

672
00:39:42,800 --> 00:39:45,040
Speaker 5: all day because you've been a part of so many

673
00:39:45,120 --> 00:39:49,560
Speaker 5: binges at this point. Yeah, and it's like to then

674
00:39:49,760 --> 00:39:53,319
Speaker 5: also pull yourself together and finish the scene, which guess

675
00:39:53,360 --> 00:39:58,800
Speaker 5: what is gonna get binged by Grandma later? Yeah, I

676
00:39:58,920 --> 00:40:03,200
Speaker 5: mean I can't. I wouldn't. I wouldn't want to switch places.

677
00:40:03,360 --> 00:40:05,640
Speaker 5: That's why, that's actually why I got out of the

678
00:40:05,719 --> 00:40:08,960
Speaker 5: business and have remained out.

679
00:40:09,840 --> 00:40:12,120
Speaker 3: I respect that first of all, because.

680
00:40:11,920 --> 00:40:16,279
Speaker 4: Grandma too much. Yeah, I can't binge, but you can't

681
00:40:16,360 --> 00:40:18,840
Speaker 4: see on any platform.

682
00:40:19,719 --> 00:40:20,799
Speaker 5: It's not available.

683
00:40:21,920 --> 00:40:29,080
Speaker 3: Heavy is the is the head you know that that

684
00:40:29,239 --> 00:40:32,879
Speaker 3: binges tell me about the most, the hand that holds

685
00:40:32,880 --> 00:40:34,200
Speaker 3: the dangrou remote.

686
00:40:37,920 --> 00:40:39,719
Speaker 5: Use the short cut buttons on that you go to

687
00:40:39,800 --> 00:40:41,960
Speaker 5: the home screen and actually click through the different apps.

688
00:40:43,400 --> 00:40:46,920
Speaker 3: I go home, I like to see what's some too,

689
00:40:47,520 --> 00:40:48,560
Speaker 3: And it's.

690
00:40:48,480 --> 00:40:51,560
Speaker 5: Funny they got those short cut buttons, but I don't

691
00:40:51,719 --> 00:40:52,120
Speaker 5: use them.

692
00:40:52,760 --> 00:40:55,600
Speaker 3: I'm not watching ok. Sorry, can I say I'm not

693
00:40:55,680 --> 00:40:56,959
Speaker 3: watching sling TV?

694
00:40:57,719 --> 00:41:00,160
Speaker 5: Sorry we can lose shortcut? Uh?

695
00:41:00,719 --> 00:41:01,440
Speaker 3: Has anything there?

696
00:41:01,520 --> 00:41:04,200
Speaker 5: Of course if listeners here love sing or want me

697
00:41:04,280 --> 00:41:05,560
Speaker 5: to work on sling, I'll do that.

698
00:41:05,719 --> 00:41:10,560
Speaker 3: Yeah, absolutely, my god? Yeah, be an honor and again

699
00:41:14,239 --> 00:41:17,120
Speaker 3: right yeah, yeah, yeah.

700
00:41:18,760 --> 00:41:20,680
Speaker 5: We always talk about him when you're here. Huh.

701
00:41:21,560 --> 00:41:23,320
Speaker 3: I guess I bring that up for you.

702
00:41:24,440 --> 00:41:24,920
Speaker 5: Mm hmmm.

703
00:41:25,920 --> 00:41:28,400
Speaker 1: Tell me the most interesting person to slide into your

704
00:41:28,520 --> 00:41:33,400
Speaker 1: d MS. Kimberly asks which British?

705
00:41:33,920 --> 00:41:37,200
Speaker 4: I guess is she asked?

706
00:41:37,520 --> 00:41:40,080
Speaker 1: That's right, she arked, and d MS I think is

707
00:41:40,480 --> 00:41:47,759
Speaker 1: dairy Mates And you say, I don't really get. I mean,

708
00:41:47,840 --> 00:41:51,239
Speaker 1: I don't really get the slides. My mom will message me.

709
00:41:52,600 --> 00:41:54,520
Speaker 1: Is that is she messaging you on d MS?

710
00:41:54,640 --> 00:41:55,560
Speaker 4: Or like is she?

711
00:41:56,120 --> 00:41:57,399
Speaker 3: Yeah? No, she DMS me stuff.

712
00:41:57,440 --> 00:41:59,720
Speaker 5: She responds to things just about the message.

713
00:41:59,760 --> 00:42:04,359
Speaker 1: Okay, so I'll help you out here. You you laugh,

714
00:42:04,440 --> 00:42:06,040
Speaker 1: and you say, I think this isn't what you're looking for.

715
00:42:06,160 --> 00:42:09,160
Speaker 1: But my mom does send crazy responses to things. She's

716
00:42:09,239 --> 00:42:12,440
Speaker 1: an active responder. And then I think you wanted Kimberly

717
00:42:12,520 --> 00:42:15,120
Speaker 1: to say, like, what is something that she has ever

718
00:42:15,280 --> 00:42:18,960
Speaker 1: sent Kimberly some of those Kimberly's.

719
00:42:18,440 --> 00:42:22,560
Speaker 5: Not comics, like she doesn't know how to like It's like,

720
00:42:23,160 --> 00:42:26,960
Speaker 5: this is this segue into my material, Kimberly, I have

721
00:42:27,239 --> 00:42:30,920
Speaker 5: prepared some funny stuff for you, like give me the

722
00:42:31,080 --> 00:42:32,000
Speaker 5: one follow up?

723
00:42:34,719 --> 00:42:39,920
Speaker 4: Did she cut that? Respond She's basically like, yeah, it

724
00:42:40,040 --> 00:42:41,640
Speaker 4: isn't what I was looking for at all.

725
00:42:42,440 --> 00:42:45,360
Speaker 3: Yeah, I failed her, and so she moved on.

726
00:42:46,760 --> 00:42:50,080
Speaker 1: But do you want to like get you you know, yeah,

727
00:42:50,360 --> 00:42:52,960
Speaker 1: do you wanna just like get into like some of

728
00:42:53,080 --> 00:42:56,520
Speaker 1: the crazy responses these responses?

729
00:42:56,680 --> 00:43:01,920
Speaker 2: Yeah, oh well I do appreciate that, but I I

730
00:43:02,120 --> 00:43:03,800
Speaker 2: just want to respect my mom's privacy.

731
00:43:05,400 --> 00:43:07,800
Speaker 1: So you just wanted in this interview to say that

732
00:43:08,000 --> 00:43:10,160
Speaker 1: your Bob sends crazy responses?

733
00:43:10,920 --> 00:43:12,719
Speaker 2: No, no, no, no, in the interview, I would have

734
00:43:12,760 --> 00:43:16,040
Speaker 2: absolutely violated my mother's privacy if give me the chance.

735
00:43:16,160 --> 00:43:18,960
Speaker 2: But I do think that just because this is like

736
00:43:19,000 --> 00:43:22,960
Speaker 2: an audio medium and not written one. I just want

737
00:43:23,000 --> 00:43:25,399
Speaker 2: to make sure you know what I mean. I don't

738
00:43:25,400 --> 00:43:27,439
Speaker 2: want people coming up to my mom and the damn

739
00:43:28,560 --> 00:43:33,320
Speaker 2: Hannaford Market saying, oh oh I heard you've been sending

740
00:43:33,640 --> 00:43:36,120
Speaker 2: crazy things to your daughter and she goes, oh yeah,

741
00:43:36,320 --> 00:43:38,800
Speaker 2: like what and they go, you know, give an example,

742
00:43:39,920 --> 00:43:41,759
Speaker 2: because with podcasts, I think a lot of people can.

743
00:43:41,719 --> 00:43:44,120
Speaker 5: Like playing the podcast here people's.

744
00:43:43,840 --> 00:43:46,840
Speaker 3: Voices, and and so I just start playing it.

745
00:43:47,160 --> 00:43:49,399
Speaker 2: And then you know, by the end of the day,

746
00:43:49,680 --> 00:43:53,560
Speaker 2: my mother and I are We're not daughter and mother anymore,

747
00:43:53,560 --> 00:43:55,000
Speaker 2: you know what I mean, We're not parent a child.

748
00:43:56,320 --> 00:43:59,480
Speaker 3: We've turned into something much nastier.

749
00:43:59,640 --> 00:44:01,560
Speaker 5: Wow, and I've seen.

750
00:44:02,400 --> 00:44:03,880
Speaker 2: Company that I don't want to see it in my

751
00:44:04,040 --> 00:44:06,080
Speaker 2: damn the parents family home.

752
00:44:06,360 --> 00:44:11,040
Speaker 1: This is what I'm hearing. This femme breaks out and

753
00:44:11,120 --> 00:44:14,280
Speaker 1: then she gets out the frickin' She starts mixing this cement.

754
00:44:14,640 --> 00:44:18,680
Speaker 1: She starts cutting it into bricks. She gets the grout,

755
00:44:20,560 --> 00:44:24,080
Speaker 1: and she lays bricks back over that hole that she

756
00:44:24,239 --> 00:44:27,920
Speaker 1: used to break out. And no, Mom, no, any what

757
00:44:28,120 --> 00:44:31,839
Speaker 1: else is getting the getting the same shine. Mom will

758
00:44:32,520 --> 00:44:37,600
Speaker 1: stay anonymous with her crazy responses. Her crazy responses will

759
00:44:37,680 --> 00:44:42,399
Speaker 1: not be shared well because the response has become about Mom.

760
00:44:42,520 --> 00:44:47,120
Speaker 1: Then when it's I'm getting crazy responses, that's me, that's me,

761
00:44:47,920 --> 00:44:50,560
Speaker 1: that's me. I get look at what I got.

762
00:44:50,960 --> 00:44:52,680
Speaker 5: And then it's like, well, what are the crazy responses.

763
00:44:52,680 --> 00:44:55,239
Speaker 5: It's like, Oh, don't worry about that, because that's mom.

764
00:44:55,440 --> 00:44:56,399
Speaker 5: Mom did the work there?

765
00:44:58,560 --> 00:45:04,160
Speaker 3: That's my interview, right.

766
00:45:05,120 --> 00:45:06,680
Speaker 5: Do you get to hang out with the old man

767
00:45:06,760 --> 00:45:08,920
Speaker 5: at all when you're doing the beer? Because it's because

768
00:45:10,320 --> 00:45:13,040
Speaker 5: I know they're both effects. So, like, is the old

769
00:45:13,120 --> 00:45:13,799
Speaker 5: man over there?

770
00:45:14,000 --> 00:45:15,280
Speaker 4: And are you nervous?

771
00:45:16,960 --> 00:45:21,560
Speaker 3: No, he's really The old Man's so sweet and nice. Yeah,

772
00:45:21,800 --> 00:45:24,360
Speaker 3: he's so nice, but he's like funny. He's like funnier

773
00:45:24,400 --> 00:45:25,000
Speaker 3: than you think.

774
00:45:25,320 --> 00:45:27,759
Speaker 2: And oh wait, so I don't know if this is

775
00:45:27,840 --> 00:45:30,680
Speaker 2: like a spoiler if anybody's watching the Old Man, Like,

776
00:45:30,680 --> 00:45:32,520
Speaker 2: I don't know if FX would want me to say this,

777
00:45:32,680 --> 00:45:33,240
Speaker 2: but he's.

778
00:45:33,320 --> 00:45:39,279
Speaker 5: Actually okay, don't yes, don't Kevin cut that because I

779
00:45:39,360 --> 00:45:41,640
Speaker 5: could kind of tell the way they're treating him in

780
00:45:41,719 --> 00:45:44,960
Speaker 5: parts of it as he's being young. Yeah, but I

781
00:45:45,040 --> 00:45:47,279
Speaker 5: don't I think, like I want people to find that

782
00:45:47,400 --> 00:45:47,920
Speaker 5: on their own.

783
00:45:48,360 --> 00:45:51,760
Speaker 3: Yeah. Yeah, sorry, that's kind of the unprofessional of me. Sorry.

784
00:45:51,920 --> 00:45:54,400
Speaker 5: No, you're excited, you're excited by content.

785
00:45:54,480 --> 00:45:54,760
Speaker 4: Still.

786
00:45:54,840 --> 00:45:56,880
Speaker 5: I love that you still have that little kid in

787
00:45:57,000 --> 00:46:00,560
Speaker 5: you who loves shows and show biz and know knowing

788
00:46:00,640 --> 00:46:03,839
Speaker 5: a secret and seeing figuring it out the old man

789
00:46:04,080 --> 00:46:07,120
Speaker 5: is not old at all and wanting.

790
00:46:06,960 --> 00:46:07,719
Speaker 4: To share that.

791
00:46:08,719 --> 00:46:11,399
Speaker 5: That's so beautiful. I mean to still have that even

792
00:46:11,480 --> 00:46:15,200
Speaker 5: after you know, one hundred, one hundred and fifty breakouts

793
00:46:15,239 --> 00:46:18,440
Speaker 5: already in this business, after being a part of so

794
00:46:18,600 --> 00:46:23,840
Speaker 5: many of Grandma's favorite binges, Like, that's really beautiful. Actually,

795
00:46:23,960 --> 00:46:27,640
Speaker 5: that gives that inspires me to keep that sort of wonder.

796
00:46:28,480 --> 00:46:30,839
Speaker 2: Yeah, I mean I think you know it's it's it's

797
00:46:31,000 --> 00:46:36,680
Speaker 2: hard again, not just emotionally but physically to be what's up?

798
00:46:38,080 --> 00:46:44,560
Speaker 5: I just don't see that heart. Oh okay, no, go ahead,

799
00:46:45,400 --> 00:46:46,239
Speaker 5: I'm gonna do.

800
00:46:46,960 --> 00:46:49,080
Speaker 3: Where are you going? Where are you going?

801
00:46:49,239 --> 00:46:49,800
Speaker 8: You gotta go?

802
00:46:50,640 --> 00:46:55,799
Speaker 3: Where are you going? Sean? Uh huh, Sean, where are

803
00:46:55,800 --> 00:46:56,200
Speaker 3: you going?

804
00:46:57,640 --> 00:47:00,920
Speaker 5: Just into the closet for a little while, just sleep,

805
00:47:01,120 --> 00:47:03,160
Speaker 5: Like I like to curl up really small and sleep

806
00:47:04,320 --> 00:47:07,000
Speaker 5: in like the smallest place in my house, smallest darkest

807
00:47:07,040 --> 00:47:10,080
Speaker 5: room in my house, and I just get as small

808
00:47:10,080 --> 00:47:12,160
Speaker 5: as I can and I sleep there sometimes when I'm

809
00:47:12,680 --> 00:47:13,520
Speaker 5: feeling scared.

810
00:47:15,120 --> 00:47:20,279
Speaker 1: What about this, Jeff Bridges, is that you're doing that?

811
00:47:21,320 --> 00:47:25,239
Speaker 1: Jeff Bridges is the busted man?

812
00:47:27,840 --> 00:47:28,719
Speaker 3: What about that?

813
00:47:29,080 --> 00:47:36,879
Speaker 4: Can you imagine? Okay, one thing, it's one thing.

814
00:47:36,800 --> 00:47:47,160
Speaker 3: For John Liscout is the cold man, cold man. Can

815
00:47:47,239 --> 00:47:49,080
Speaker 3: we talk now that Sean is gone? Do you think

816
00:47:49,120 --> 00:47:50,200
Speaker 3: I like pissed him off.

817
00:47:51,360 --> 00:47:53,600
Speaker 1: I wasn't really paying attention. I was trying to think of,

818
00:47:55,239 --> 00:47:57,759
Speaker 1: Oh yeah, what I said about the busted man.

819
00:47:58,320 --> 00:48:00,279
Speaker 4: Oh, he came back. He just went to He just

820
00:48:00,320 --> 00:48:02,360
Speaker 4: wanted to take a little nap. He's so tired.

821
00:48:02,520 --> 00:48:04,400
Speaker 3: He's so tired. He looks tired.

822
00:48:04,880 --> 00:48:06,480
Speaker 4: Have we talked about Hi?

823
00:48:06,760 --> 00:48:06,840
Speaker 3: Hi?

824
00:48:06,960 --> 00:48:07,720
Speaker 5: How are you guys?

825
00:48:08,040 --> 00:48:09,920
Speaker 3: Good? You look so cute?

826
00:48:10,440 --> 00:48:10,600
Speaker 1: Uh?

827
00:48:11,640 --> 00:48:13,600
Speaker 5: Did we talk about how you and the old man

828
00:48:13,680 --> 00:48:14,920
Speaker 5: are both former CIA?

829
00:48:18,320 --> 00:48:20,879
Speaker 4: No, we didn't get wrong. Okay, we we could be doade,

830
00:48:20,880 --> 00:48:21,480
Speaker 4: We could be done