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Speaker 1: So it's me and I'm in the.

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Speaker 2: Factory and it's late at night, and then with Salvator.

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Speaker 1: Ferra Coamo and Eric Wareheim and we are, i know,

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Speaker 1: and we're trying to come up with a new shape

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Speaker 1: of sunglasses. Wow, and we're going crazy and it's like,

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Speaker 1: could it be a square? And then Eric's again, buddy,

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Speaker 1: He's like, they already did a square, you know, And

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Speaker 1: and then it's like, wow, what if we went like round?

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Speaker 2: But that actually is one of the main ones they do.

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Speaker 1: And it's starting to get tense, and I'm getting pissed

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Speaker 1: and I'm getting very animated, and I'm flipping over different

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Speaker 1: tables with different the like leg things go over the

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Speaker 1: ears and lenses and I'm smashing it.

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Speaker 2: And Eric's trying to calm me down, and I'm going,

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Speaker 2: don't calm me down, and I go, there's no new shapes.

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Speaker 1: They've done everything under the sun. Salvator goes, that's it.

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Speaker 1: You freaking make it shape like a freaking sun, because

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Speaker 1: that's what it's his glasses for.

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Speaker 3: Sure.

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Speaker 2: Are you nervous that what's the what? How are you

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Speaker 2: not fucking flipping out right now?

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Speaker 3: Dude?

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Speaker 2: I'm just a little concerned. Think about what I just said.

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Speaker 1: The sun glasses, right, yeah, our shaped like the sun.

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Speaker 1: You're a little concerned, what well, if they're going to

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Speaker 1: sell too many.

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Speaker 2: That I have two ideas. It could be shaped. It

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Speaker 2: could be like the moon shape like the moon.

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Speaker 4: What yeah, like like a waning crebis crevis.

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Speaker 1: Waning crevice. Holy shit, you fucked up? Oh bray, a

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Speaker 1: waning crebis. The son idea was fine, actually, yeah right,

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Speaker 1: the song was good. My other idea waiting cress it.

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Speaker 1: It was in the shape of a video game controller.

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Speaker 1: That was the second one.

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Speaker 2: That's rectangle.

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Speaker 4: No, it's kind of like the bottom part of the

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Speaker 4: controllers where the eyes go, and then the design of

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Speaker 4: the video game controllers where.

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Speaker 1: The four That's a decent idea. But you led with

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Speaker 1: the crebis and you're paying the price. No mic for

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Speaker 1: you now. And by the way, when I tell you

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Speaker 1: a story that I cracked something with a fucking amazing

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Speaker 1: slam dunk idea, don't go.

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Speaker 2: I too is I have two ideas. One is the crevice.

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Speaker 2: That's what you sound like. I don't sound like you do.

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Speaker 4: My voice is getting deep, too, My voice is My

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Speaker 4: voice is getting deeper.

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Speaker 1: Shut up, we're in trouble timing wise. Now Hayes isn't here.

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Speaker 1: He's dealing with a lot of stuff. He is sort

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Speaker 1: of our boots on the ground trying to get the

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Speaker 1: tasting just right for let me back up.

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Speaker 2: Andy Daly's here.

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Speaker 1: Hi, Andy, Oh hi hi wow?

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Speaker 2: Yeah, thank you. What a treat? Thank you? Yes, yeah,

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Speaker 2: real treat to get introduced. Yeah.

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Speaker 1: Of course you must love to speaking to him. Yes,

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Speaker 1: of course you must love happy speaking. And that actually

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Speaker 1: is fact the only bait that works on you. Apparently

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Speaker 1: you didn't answer any emails, he didn't answer any phone calls.

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Speaker 1: But when suddenly it was come to a podcast, it's

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Speaker 1: freaking mouse to a cheese.

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Speaker 2: I didn't know that I uh had come here to

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Speaker 2: be lambasted about my communications. Yeah, that's true. I have

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Speaker 2: a difficult time oftentimes getting back to people, but I

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Speaker 2: will if you tell me there's a microphone and you

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Speaker 2: are rolling digital tape.

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Speaker 1: I am there, yes, And so that is what digital

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Speaker 1: Bells we had to do, because of course you're on

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Speaker 1: deadline and Hayes and I have to deliver the Earwolf

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Speaker 1: cookbook tomorrow with every Earwolf hosts signature recipe, and we

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Speaker 1: got a lot of them we got Mullagatani Newsome.

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Speaker 2: Wow, we got I can't believe people did this. People

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Speaker 2: did it? Yes, wow, every almost everyone.

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Speaker 1: We got butterscott squash, anchorment soup, Hayes manhatt and clamchowder.

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Speaker 2: Davinport, Well, I understand, I'm not surprised he did it.

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Speaker 2: That's a is it anybody else? Michael Ian black bean soup, Well,

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Speaker 2: that one just writes itself and eats itself hot and

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Speaker 2: Howard Kramer sour soup, summer soup. What an Howard Cramer? Okay?

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Speaker 2: And others.

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Speaker 1: Yeah, I don't need to list them all. Yeah, yeah,

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Speaker 1: obviously there's more. But your Joki jumbalaya, Joki jumble joke

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Speaker 1: jump lia Yeah, probably the funniest recipe we have lined up. Really,

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Speaker 1: what sold the book? Are you serious?

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Speaker 4: Yes?

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Speaker 2: What did you say? What did you say about this recipe?

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Speaker 2: Because now I to be honest with you, Yes, I

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Speaker 2: did receive an email with something in the subject's lying

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Speaker 2: about a cookbook recipe and all that. You gotta understand.

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Speaker 2: I have, like I have, I believe, like forty three

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Speaker 2: emails in my inbox and email accounts. Yes, I have

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Speaker 2: forty three email accounts, all of which are very close

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Speaker 2: to my name, just various different spellings and whatnot, and

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Speaker 2: different kinds of places where emails happened.

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Speaker 1: Do you do you want to talk a little bit

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Speaker 1: about your philosophy where every time you subscribe to a

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Speaker 1: new online newspaper you created a new email account.

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Speaker 2: That's what I do. And it's not just newspapers, but

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Speaker 2: like you know, if I'm going to sign up for

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Speaker 2: Jay Crewe and whatnot, I want that to be a

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Speaker 2: different account. Talk about Jay Crew for sure. Yeah, yeah, oh,

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Speaker 2: I mean the I'm in it's the elite circle. I'm

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Speaker 2: just ending a j cru elat circle. Like I find

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Speaker 2: out a different cut of pant before anybody else even

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Speaker 2: thinking that they're working on pants. You communicate directly with Jay. Yeah, yeah, yeah,

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Speaker 2: while I saw and this goes along back way before

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Speaker 2: he even was a clothes guy, or before I was

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Speaker 2: even necessarily wearing clothes. This was we used to summer

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Speaker 2: together Jay Crew and I Nantucket of course, no surprise there. Yeah,

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Speaker 2: we were on the wedding circuit down there.

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Speaker 1: I love their next sure, yes, and uh but anyway, yeah, yeah.

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Speaker 2: When I sign anytime I signed up for anything new,

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Speaker 2: it's going to be an email or if they are

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Speaker 2: asking for an email, I don't like to double up.

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Speaker 2: I'm not one of these guys that's just like a

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Speaker 2: one trick pony on my emails. I like to give

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Speaker 2: them something different.

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Speaker 1: Yeah, I know that, I respect it, but then it

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Speaker 1: can be frustrating, obviously from my perspective, where I don't

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Speaker 1: know which one you're checking or how to get in

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Speaker 1: touch with you when Yeah, we made a big deal

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Speaker 1: for the book. Oh I didn't know that with Random

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Speaker 1: House Publishing.

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Speaker 2: Oh yeah, they.

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Speaker 1: And they loved our random humor that we pitched with

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Speaker 1: they Is that a division of Random House or is it?

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Speaker 2: I don't know.

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Speaker 1: Sorry, I'm familiar necessarily, but Random House has been dream partnership,

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Speaker 1: so great to work with.

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Speaker 2: But what we do have a lot of times on

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Speaker 2: the calls is and where.

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Speaker 1: Exactly any Joki Jumbalaya recipe they all agreed was going

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Speaker 1: to be sort of the centerpiece of this cookbook that people.

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Speaker 2: Are clamoring for.

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Speaker 1: I mean, the idea that you could sit down and

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Speaker 1: listen to your podcast with a big pot of soup.

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Speaker 2: That is designed by the host.

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Speaker 1: Oh yeah, and you're listening while you're eating, and you're

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Speaker 1: sort of sharing a meal.

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Speaker 2: Right with your friends who host the pot. Well, now

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Speaker 2: that you're saying it, this sounds great, And I do

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Speaker 2: wish I had read the email. But that makes two

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Speaker 2: of us.

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Speaker 1: Yeah, it makes three or four of us, really maybe,

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Speaker 1: But I don't mind leaving the house and coming down

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Speaker 1: to a place and having somebody convey to me verbally

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Speaker 1: what they had written to me in an email which

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Speaker 1: I did not read.

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Speaker 2: Yeah, kind of works for me. Yeah.

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Speaker 1: Yeah, And of course I'm not you're know what, allowed

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Speaker 1: to go to your house, not allowed to go to

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Speaker 1: my house apparently, Uh, definitely not.

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Speaker 2: Absolutely sure. I'm not allowed to go to your house.

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Speaker 1: And I'm not pissed. You know that's just fair. That's hey,

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Speaker 1: that's your house, at your property, right. Yeah, you could say.

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Speaker 2: That I'm allowed, that I'm not allowed. You could change

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Speaker 2: your mind. Maybe I am allowed. You could physically not

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Speaker 2: get into my house. You could fit No, but serious,

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Speaker 2: even if I invited, even if I said this guy's cool, whatever,

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Speaker 2: it's fine you you would physically not be able to

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Speaker 2: get in there because there's an ocular scan, right, and

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Speaker 2: it cannot learn more people. Yes, it's full. Yes, we've

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Speaker 2: talked about this.

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Speaker 1: Yeah, and you're hoping to update obviously the software, and.

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Speaker 2: We've talked about it. I don't know that we're going

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Speaker 2: to get to it this year or I don't know when,

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Speaker 2: but it's got I mean, this thing is so full

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Speaker 2: of eyes it couldn't it cannot learn anymore loaded with eyes.

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Speaker 1: So so we really do have to get into the

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Speaker 1: book recipe. So just to start with, and Hayes, are

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Speaker 1: you there?

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Speaker 5: Yeah, I just that's so crazy. I just called it.

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Speaker 5: Are you guys? Are you doing the recipe.

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Speaker 1: Thing we're trying to Yeah, Andy's not making it easy

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Speaker 1: on me.

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Speaker 5: Well and wait, wait, and Andy Daly is here.

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Speaker 2: I heard you guys were doing a podcast and there

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Speaker 2: was gonna be microphones and I just said.

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Speaker 3: Mouse to it.

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Speaker 2: That's what Yeah, yeah, that's what he said.

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Speaker 3: Mouse.

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Speaker 2: That's funny. Yeah, yeah, just call it and same. Yeah, yeah,

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Speaker 2: that's funny.

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Speaker 5: I'm definitely not going to complain at this point. I

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Speaker 5: you know, this is a huge opportunity for us. Yes, yeah,

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Speaker 5: I mean that it's kind of the keystone recipe.

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Speaker 3: It's the centerfold. It's the centerfold.

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Speaker 2: Everybody wants to be the centerfold in the cookbook.

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Speaker 5: Oh yeah, uh, And then I'm just so happy that

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Speaker 5: we're getting this off the ground. So I met the store,

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Speaker 5: I meant the the new store, Andy. So I don't

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Speaker 5: know if you know about this, but you see, is

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Speaker 5: kind of a weird financial position right now.

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Speaker 2: I did hear about that, and I was told I

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Speaker 2: was told that it was my fault. Okay, well that's interesting.

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Speaker 1: I mean, we try to be pretty transparent about financial

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Speaker 1: stuff on the show, and if you buried them in there,

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Speaker 1: obviously this podcast is a UTA package. We do like

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Speaker 1: to we do like to be upfront about that.

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Speaker 2: Sweet, I don't just make commissions on it. This podcast

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Speaker 2: is package.

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Speaker 1: Yes, I didn't even know that. Yes, we want to

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Speaker 1: be honest about that. And we're not taking sides in particular.

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Speaker 1: We're just saying, hey, this one's packaging, and I think

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Speaker 1: it's we're.

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Speaker 2: Going out pretty good. So sure you take no position

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Speaker 2: on the whole at A versus versus w g A.

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Speaker 5: If all if all the other writers want great projects

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Speaker 5: like this to just go away, you know, we don't,

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Speaker 5: we don't.

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Speaker 3: We don't take a position on that.

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Speaker 1: If you think you can make a good podcast, sure

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Speaker 1: with without packaging, without the services that yeah, UTA provided

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Speaker 1: and putting this together, you know, this whole.

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Speaker 2: Thing that we're enjoying.

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Speaker 1: Please be my guest. Goodness, luck, good luck, good luck

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Speaker 1: to you.

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Speaker 2: Yeah.

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Speaker 5: Andy, did they give you any details about how it

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Speaker 5: was that you that.

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Speaker 2: You caused the financial collapse organization?

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Speaker 3: Yeah?

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Speaker 2: But I thought, I mean, I didn't want to argue.

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Speaker 2: I don't know if you've ever tried to argue with

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Speaker 2: Matt Besser, you know, you know it's circular and you

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Speaker 2: don't get far.

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Speaker 1: But what was presented to me Matt and Minnestrone, Yeah,

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Speaker 1: oh was he in the book? He's maybe, yeah, but

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Speaker 1: he I was.

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Speaker 2: It was made very clear to me at the outset

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Speaker 2: of the uc B. You come and you do a show,

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Speaker 2: and you're welcome to have as many diet cokes as

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Speaker 2: you want. They're there, and they're in the many fridge

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Speaker 2: or in the cooler or whatever. Sure, and that was

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Speaker 2: something from the get go that was communicated to me.

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Speaker 2: And now to hear you know, ten years after that

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Speaker 2: was told to me or more even that was two

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Speaker 2: thousand and five when the theater first opened in La

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Speaker 2: oh Andy. We're having to close down a space, and

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Speaker 2: we're having to contract our staff, and we're having to

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Speaker 2: do all because of you and the extraordinary volume of

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Speaker 2: diet coke. So you're drinking every goddamn time you come

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Speaker 2: here and do a show.

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Speaker 1: Was to me like number one, I don't that's a

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Speaker 1: bullshit like you would drink enough.

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Speaker 2: To that, No, I think. Uh, I'm not quibbling about

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Speaker 2: the amount of die coke. It was a lot of

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Speaker 2: diet coke. Yeah, but you're a thirsty boy. Yeah, I'm thirsty.

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Speaker 1: And that's so refreshing. It's so refreshing when they're cold,

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Speaker 1: or even when they're not even when.

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Speaker 2: They're not cold, you know what's even when they're not cold,

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Speaker 2: they taste cold. That's amazing. Yes, that's amazing. Yeah.

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Speaker 5: So I'm over at the UCB sidset what used to

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Speaker 5: be the uc Sunset location.

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Speaker 1: Uh huh.

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Speaker 5: And they apparently they are like underwater on like palettes

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Speaker 5: and palettes of diet coke that they got for you.

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Speaker 5: And you said you wor't thirsty anymore? Yeah, so they

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Speaker 5: so they have become a grocery store.

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Speaker 1: Uh so, Hayes is at the illegal grocery store operating

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Speaker 1: out of the UCB Sunset space.

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Speaker 5: But it's technically like it still has to technically be

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Speaker 5: I guess for tax reasons.

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Speaker 3: And improv space or like a comedy theater.

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Speaker 2: Well, because it's still a package. It's still a package. Yeah, exactly.

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Speaker 3: Yes, this grocery store was packaged by.

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Speaker 2: Uta doesn't have Yeah, Uta has a grocery store guy,

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Speaker 2: but it's just one office. Yeah. Yeah, it's not great.

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Speaker 2: That's not great.

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Speaker 5: And so they're saying that whatever we're gonna make with

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Speaker 5: the food has to be funny.

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Speaker 2: Yeah, that's right.

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Speaker 1: Oh, that part of the book, I mean is so funny.

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Speaker 1: This is Yes, that's so funny. And he does the

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Speaker 1: voices for all the liquors. Yeah, that sounds good.

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Speaker 3: Every other recipe in the book is soup. But he

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Speaker 3: clarified for us that a long guy with iced tea

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Speaker 3: is technically alcohol soup.

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Speaker 2: And then he said that's my kind of suit.

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Speaker 3: Wow.

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Speaker 1: Yeah, I mean that's funny. Yeah, well we thought so too.

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Speaker 1: And he did a whole thing. He basically did the

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Speaker 1: old I don't know if you remember the old Jim

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Speaker 1: Brewer bit.

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Speaker 2: It was like your date dust bit where.

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Speaker 1: He would do all the different alcohols in your stomach

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Speaker 1: together having to party and he do you know the voice,

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Speaker 1: you'd go like it's uh you know, Jegermeister's in there

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Speaker 1: like started and they go, you're crazy man, and then

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Speaker 1: Tequila sneaks his buddies in the back and they get

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Speaker 1: a voice.

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Speaker 2: Would be about to do anymore?

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Speaker 1: Yeah, but BUTVFT was able to do it.

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Speaker 2: But he did that as goat Boy too, right, that

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Speaker 2: was a subset of the go Boy.

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Speaker 1: It was all it's all one, it's goat Boy. He

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Speaker 1: fights himself. Yeah, finding himself with all those liquors in there.

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Speaker 2: Man, that was a golden age of that show. Dude,

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Speaker 2: that's my cent. Yeah. Really.

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Speaker 1: Then it didn't find its feet again until Collin jokes,

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Speaker 1: So to what what'd you say?

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Speaker 2: Collin jokes, Oh yeah, so I haven't seen it.

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Speaker 3: I'm sorry. Can we get is giving me the stink?

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Speaker 2: I here? Okay?

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Speaker 3: The store? Unless I First of all, he does not

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Speaker 3: know who I am?

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Speaker 5: All right, given though we did the Sports a Leisure podcast,

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Speaker 5: I guess because we were so in.

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Speaker 3: Character, he doesn't recognize me.

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Speaker 4: Here.

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Speaker 3: He's gonna need to start hearing some funny food.

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Speaker 1: Okay, so Jumble, The recipes are pretty simple, Andy, do

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Speaker 1: you have a funny maybe protein? We could start out with, uh,

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Speaker 1: a funny protein to put into a jumble lion.

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Speaker 2: Yeah, what would like an and dewey so ostage sound.

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Speaker 1: Are why I have to be confused about the press.

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Speaker 1: I'm very confused about the press overall. Yeah, that's pretty clear.

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Speaker 1: So I'm reading the book. You're reading the book as

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Speaker 1: I'm saying. I've bought the Earwolf Cookbook. I'm a consumer. Okay,

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Speaker 1: I open it up. I turned to the page where

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Speaker 1: Andy's joking jumble eyes the centerfold.

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Speaker 2: I'm following it. Photo shoot to come and I don't

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Speaker 2: have time for that.

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Speaker 1: And lo and behold the ingredients start reading themselves to

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Speaker 1: me and dog a little bit of an improv showing

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Speaker 1: this is.

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Speaker 2: An interactive book.

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Speaker 1: Yes, have you ever gotten a funny birthday card that

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Speaker 1: sings a song to you?

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Speaker 2: I've never gotten a funny birthday card that sings a

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Speaker 2: song to me. I've had I've had moros morose birthday Yeah,

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Speaker 2: birthday cards, and this show too, making.

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Speaker 3: The rest of the world laugh. But so, who's Andy

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Speaker 3: Daly's Andy Daily? You know what I mean?

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Speaker 2: I hear you, and the answer is no.

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Speaker 5: About the mirror the mirrors I guess not getting the

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Speaker 5: job done anymore sometimes.

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Speaker 1: But all right, So the book is reading itself to you,

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Speaker 1: and now you want to hear well, just at least

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Speaker 1: what the Andwy sausage might say, sort of how do

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Speaker 1: you do?

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Speaker 2: I mean, you know, we can't do all the work,

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Speaker 2: that's to say. So you know that Andy's sausage. He

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00:18:35,640 --> 00:18:37,760
Speaker 2: just siddles on up to you off the page.

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Speaker 1: He's just like, I'm a rental manch spice.

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Speaker 2: You can handle it. I guess he's a cowboy, never

346
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Speaker 2: know when, oh gosh, it's going to be a cowboy.

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Speaker 2: And what and what would like the rice say to him?

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Speaker 5: The right, it's dirty rice, Keven by the rice is

349
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Speaker 5: pretty dirty.

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Speaker 1: We're chopping up shopping it broad.

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Speaker 2: And so you don't have to Hey, is what's Mount

352
00:19:09,720 --> 00:19:12,600
Speaker 2: Waalash doing?

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Speaker 5: Wash is loving this. His biggest note right now is

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Speaker 5: it's not.

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Speaker 3: Really a jambalayah at this point the character.

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Speaker 5: I agree, but it's just it's just a pile of

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Speaker 5: sausage and rice.

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Speaker 3: So the food has to be funny, but it also.

359
00:19:26,840 --> 00:19:30,520
Speaker 5: Has to be like a like a cohesive recipe if

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Speaker 5: I'm gonna get in here.

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Speaker 2: That's so that takes me right back to one oh one.

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Speaker 2: It's solo arts. That's such a Walsh.

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Speaker 6: Note, and now exactly he's thrown a dollar on the

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Speaker 6: floor on the ground, I guess rather, And he says

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Speaker 6: that if I could make him laugh, I get the dollar.

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Speaker 1: Okay, Hey, so they are paying performers.

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Speaker 2: I thought that was like a taxi.

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Speaker 1: Hey up, So let's so I got paid and die

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Speaker 1: of cox and never wants complaining.

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00:20:04,920 --> 00:20:09,800
Speaker 2: Yeah, no, please work for me. So so what.

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Speaker 1: So so basically, all right, you gotta make him laugh. Hey,

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00:20:15,240 --> 00:20:17,960
Speaker 1: is there a particular ingredient, perhaps a cup of dice

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Speaker 1: celery or something that you think is gonna get eat

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Speaker 1: that dollar in your pocket so that you can buy

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Speaker 1: some of these ingredients and hopefully get to the test

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Speaker 1: kitchen and start tasting them live on air.

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Speaker 5: Yeah, okay, let's uh, let's try a cup of dice celery.

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00:20:31,440 --> 00:20:33,600
Speaker 3: He seems to be curious what that would so was.

379
00:20:35,280 --> 00:20:38,520
Speaker 1: Walsh wants to know what the dice celery sounds like?

380
00:20:39,080 --> 00:20:40,240
Speaker 2: Andrew, dice celery.

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00:20:40,359 --> 00:20:44,720
Speaker 5: Yeah, maybe in the process of being braised.

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00:20:45,920 --> 00:20:48,359
Speaker 2: Yeah, it's hot in this pin.

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00:20:50,640 --> 00:20:53,360
Speaker 1: Okay, So this seems like something that has a lot

384
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Speaker 1: of legs. And I gotta tell you, I got a

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00:20:55,119 --> 00:20:58,200
Speaker 1: bunch of ingredients here and it only is gonna get

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Speaker 1: more fun from here.

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00:20:59,840 --> 00:21:01,320
Speaker 2: I mean, you picture, and I.

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Speaker 1: Feel like that's all that's in Jumbalaya. Really, you're forgetting

389
00:21:07,240 --> 00:21:10,400
Speaker 1: four garlic clothes minced, one bay leaf, one large red

390
00:21:10,400 --> 00:21:14,840
Speaker 1: bell pepper dice, two tablespoons and canola oil, diced sweet onion,

391
00:21:15,320 --> 00:21:18,800
Speaker 1: dried oregano, dried thyme, two cans dice tomatoes and green

392
00:21:18,880 --> 00:21:19,480
Speaker 1: chili's drained.

393
00:21:19,560 --> 00:21:20,800
Speaker 2: Three cups chicken broth.

394
00:21:21,240 --> 00:21:27,080
Speaker 1: You're forgetting all that stuff, one medium sized cow cup.

395
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Speaker 2: I'm fresh. Yeah, it's not dissimilar from sausage party. Well,

396
00:21:35,440 --> 00:21:39,080
Speaker 2: you know I have voices for all those ingredients. Do

397
00:21:39,080 --> 00:21:39,920
Speaker 2: you want to hear the murder?

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00:21:40,240 --> 00:21:40,480
Speaker 3: Yes?

399
00:21:40,600 --> 00:21:45,600
Speaker 2: All right. I didn't think you're gonna say yes.

400
00:21:45,359 --> 00:21:48,119
Speaker 1: Well no, but you know it's yes. And so I

401
00:21:48,400 --> 00:21:51,920
Speaker 1: would say, let's hear them, okay, and then we'll workshop

402
00:21:52,000 --> 00:21:53,600
Speaker 1: them a little bit to see if we can make

403
00:21:53,640 --> 00:21:55,399
Speaker 1: them a little joke here, Because of course it's a

404
00:21:55,400 --> 00:21:57,879
Speaker 1: comedy book, it's a cookbook. It's gotta be delicious, but

405
00:21:57,920 --> 00:22:00,560
Speaker 1: it's gotta be entertaining, and it's.

406
00:22:00,520 --> 00:22:03,000
Speaker 2: What do you want to hear him? Yeah? And your

407
00:22:03,080 --> 00:22:05,159
Speaker 2: yes and is yes, and let's hear it.

408
00:22:05,200 --> 00:22:12,280
Speaker 1: And let's hear him man all right, do you need

409
00:22:12,320 --> 00:22:14,040
Speaker 1: to hear the entire list again?

410
00:22:14,200 --> 00:22:15,959
Speaker 2: And you think you should be paid for that, just

411
00:22:15,960 --> 00:22:22,440
Speaker 2: to be clear as a performer, to hear the entire

412
00:22:22,480 --> 00:22:26,680
Speaker 2: list again? Uh yeah, okay, yeah.

413
00:22:26,560 --> 00:22:27,000
Speaker 3: Yeah yeah.

414
00:22:27,640 --> 00:22:28,680
Speaker 2: And this is a good context.

415
00:22:28,800 --> 00:22:30,400
Speaker 1: You know, a lot of this show, and you've done

416
00:22:30,400 --> 00:22:32,280
Speaker 1: a podcast, A lot of it is just filling time.

417
00:22:32,440 --> 00:22:35,080
Speaker 2: Of course. It is four garnlet clubs bits, what cup

418
00:22:35,160 --> 00:22:39,160
Speaker 2: di you one at a time? Okay, yeah, yeah.

419
00:22:39,359 --> 00:22:41,600
Speaker 1: Here we go and doing sausage dice, cellar, we got

420
00:22:42,720 --> 00:22:45,160
Speaker 1: the words have their long gray and rice the dirty rice.

421
00:22:45,600 --> 00:22:46,720
Speaker 2: Four garlic clubs.

422
00:22:46,520 --> 00:22:52,600
Speaker 1: Mins, garlic step Okay, yeah, that's what he likes.

423
00:22:52,880 --> 00:22:53,240
Speaker 2: Okay.

424
00:22:53,280 --> 00:22:59,359
Speaker 1: Two cups of dice, sweet onions, sweet cups.

425
00:23:00,000 --> 00:23:04,760
Speaker 2: It's a little colics kill. When you listen to the fact,

426
00:23:04,800 --> 00:23:07,800
Speaker 2: you realize how wrong you were, Felix. Yeah, two tables with.

427
00:23:12,840 --> 00:23:16,960
Speaker 1: Okay, one large red belt pepper dice.

428
00:23:18,359 --> 00:23:20,959
Speaker 2: Okay, what a lot of diceing going on in this recipe?

429
00:23:21,160 --> 00:23:25,879
Speaker 2: One Bailey, Oh well, I've been hanging out of this

430
00:23:26,160 --> 00:23:27,840
Speaker 2: class bottle all this time.

431
00:23:28,400 --> 00:23:31,320
Speaker 1: Might as well get them the soup to.

432
00:23:33,040 --> 00:23:34,160
Speaker 2: Creel seasoning.

433
00:23:36,080 --> 00:23:38,280
Speaker 1: Oh yeah, wait a minute. Speaking of the golden age

434
00:23:38,280 --> 00:23:51,359
Speaker 1: of S n L. Yeah, creole lazy role.

435
00:23:52,760 --> 00:23:54,280
Speaker 2: I'm trying to think of any words that inn and T,

436
00:23:54,400 --> 00:23:58,920
Speaker 2: I O N frustrate. Yeah, I remember that.

437
00:23:59,000 --> 00:24:02,520
Speaker 1: What the one of the punchlines of what creole Man, inspired,

438
00:24:02,560 --> 00:24:05,600
Speaker 1: of course by cage Man would say, yeah, is that

439
00:24:05,760 --> 00:24:09,240
Speaker 1: for a while he's picking the winners of different sporting

440
00:24:09,280 --> 00:24:13,800
Speaker 1: events and saying premise, he's going like pisto and like

441
00:24:13,960 --> 00:24:15,879
Speaker 1: different stuff like that stock and then the end he

442
00:24:15,920 --> 00:24:18,159
Speaker 1: goes us C and they go us C and he

443
00:24:18,160 --> 00:24:19,320
Speaker 1: goes trochunk.

444
00:24:20,560 --> 00:24:23,760
Speaker 2: So you could do that if you want, and do

445
00:24:23,840 --> 00:24:27,000
Speaker 2: two teaspoons of it to che spoons con trolls.

446
00:24:27,960 --> 00:24:28,200
Speaker 3: Great.

447
00:24:28,320 --> 00:24:34,040
Speaker 2: One teaspoon dried time. Yeah, cool, so it's a desired time.

448
00:24:35,160 --> 00:24:38,000
Speaker 2: That's all you need. Teaspoon dried oregano.

449
00:24:38,800 --> 00:24:41,879
Speaker 1: Oh that's sent Italian A guy, I'm gonna try it agano.

450
00:24:43,280 --> 00:24:48,520
Speaker 2: Two cans of dice tomatoes and green chili's drained. Thank

451
00:24:48,600 --> 00:24:51,280
Speaker 2: you for draining. That really tells me where to go.

452
00:24:53,080 --> 00:24:57,080
Speaker 2: So I don't think I have what it takes to

453
00:24:57,320 --> 00:25:01,400
Speaker 2: be in this recipe. This is gold. This is really good.

454
00:25:01,840 --> 00:25:06,920
Speaker 2: Three cups of chicken broth right like a coward. Yeah,

455
00:25:08,119 --> 00:25:10,879
Speaker 2: it's amazing. You're not gonna leg this one. Two cups

456
00:25:10,880 --> 00:25:19,000
Speaker 2: of shredded cooked chicken. But it's yeah, I don't like

457
00:25:19,080 --> 00:25:24,080
Speaker 2: that one. Yeah, the words shredded. That suggests a cool guy.

458
00:25:24,920 --> 00:25:29,080
Speaker 2: Yeah so to me, yeah, yeah, all right, let's pass

459
00:25:29,160 --> 00:25:32,359
Speaker 2: come back, okay. Yeah, he could be talking and just

460
00:25:32,720 --> 00:25:34,760
Speaker 2: to do. He could be talking sort of about his

461
00:25:34,880 --> 00:25:37,320
Speaker 2: Jim routine, like the sick Oh god, you just got it.

462
00:25:37,720 --> 00:25:44,760
Speaker 1: Yeah, fucking lats. That's it to me. One bound peeled,

463
00:25:44,840 --> 00:25:50,800
Speaker 1: medium sized raw shrimp de vein. That's how you have

464
00:25:51,000 --> 00:25:51,720
Speaker 1: to wait for the whole.

465
00:25:51,840 --> 00:25:54,760
Speaker 2: I want to go high status with the shrimp, surprising you.

466
00:25:54,920 --> 00:25:57,879
Speaker 1: You didn't think shrimp de vein shrimp was gonna be

467
00:25:57,960 --> 00:25:58,520
Speaker 1: a tough guy.

468
00:26:00,160 --> 00:26:04,240
Speaker 2: Us half cup chop, fresh flat leaf parsley. This is

469
00:26:04,320 --> 00:26:07,160
Speaker 2: a lot of ingredients. Yeah, but this is the last one.

470
00:26:09,040 --> 00:26:19,920
Speaker 1: Was what is it again? Cup chop, fresh flat leaf parsley. Yeah,

471
00:26:20,119 --> 00:26:25,080
Speaker 1: not a lot to do with it, I know, chopped fresh,

472
00:26:25,400 --> 00:26:27,199
Speaker 1: flat fresh fresh.

473
00:26:27,400 --> 00:26:31,480
Speaker 2: Oh so he's maybe a bit of a stinker. He's

474
00:26:31,600 --> 00:26:35,359
Speaker 2: a bad boy. Yeah yeah, uh uh, I don't know.

475
00:26:35,520 --> 00:26:37,520
Speaker 2: Still yeah, maybe just I'll say this.

476
00:26:37,960 --> 00:26:40,800
Speaker 1: What I saw Andy do was put a thumbtack on

477
00:26:40,960 --> 00:26:45,760
Speaker 1: teacher's chair just now. And that was very fresh, and

478
00:26:45,880 --> 00:26:48,640
Speaker 1: there's just a garnish left, and that's chopped green onions,

479
00:26:48,680 --> 00:26:50,960
Speaker 1: and of course it's probably we already did onions and

480
00:26:51,000 --> 00:26:52,040
Speaker 1: the garnish is optional.

481
00:26:52,240 --> 00:26:54,440
Speaker 2: Yeah, and look, I mean, there's time to work on this.

482
00:26:54,680 --> 00:26:57,000
Speaker 2: Not that I have an answer, there's not. There's not

483
00:26:57,960 --> 00:27:04,800
Speaker 2: hate with you. This book is due yesterday. Are you saying?

484
00:27:04,880 --> 00:27:07,080
Speaker 2: Are you telling me that when people open up this

485
00:27:07,200 --> 00:27:10,240
Speaker 2: book they're going to hear what I just said into

486
00:27:10,320 --> 00:27:16,359
Speaker 2: this microphone? That's right, But I but that's not good Andy.

487
00:27:18,240 --> 00:27:21,479
Speaker 1: I mean, I'm not even the conversation we're having, Okay,

488
00:27:21,520 --> 00:27:24,400
Speaker 1: you know what I mean. I'm not agreeing or disagree.

489
00:27:26,400 --> 00:27:29,040
Speaker 3: There's no bad there's only there's only.

490
00:27:29,240 --> 00:27:30,440
Speaker 2: Done or not done.

491
00:27:30,520 --> 00:27:30,960
Speaker 1: I got it.

492
00:27:31,119 --> 00:27:33,520
Speaker 2: Quality doesn't come into it. It's just about a deadline

493
00:27:33,560 --> 00:27:34,000
Speaker 2: at this point.

494
00:27:34,080 --> 00:27:37,399
Speaker 1: Now, of course this is everyone did come up with

495
00:27:38,080 --> 00:27:41,560
Speaker 1: sort of a funny, whimsical story about their recipe, where

496
00:27:41,600 --> 00:27:43,960
Speaker 1: it came from the first time they ate it. Sure,

497
00:27:44,119 --> 00:27:45,760
Speaker 1: that's gonna be a big part of the book, is like,

498
00:27:45,840 --> 00:27:48,119
Speaker 1: you can't just give a recipe and that's it, and

499
00:27:48,200 --> 00:27:48,720
Speaker 1: you can't.

500
00:27:49,640 --> 00:27:51,120
Speaker 2: That is not a cookbook.

501
00:27:51,240 --> 00:27:55,160
Speaker 1: It's got to be the story of you know, that'saling

502
00:27:55,359 --> 00:27:57,680
Speaker 1: I feel like I have some club steaks off the grill.

503
00:28:00,400 --> 00:28:02,200
Speaker 3: Have some you have?

504
00:28:02,520 --> 00:28:05,280
Speaker 2: Yes, where there isn't a story. Not only that I've seen,

505
00:28:05,320 --> 00:28:07,640
Speaker 2: I've definitely saying cookbooks where the book does not read

506
00:28:07,680 --> 00:28:10,280
Speaker 2: to you at all. So you know what I'm saying. Okay,

507
00:28:10,440 --> 00:28:12,760
Speaker 2: Now I'm trying to picture what you're saying. I'm talking about,

508
00:28:12,920 --> 00:28:15,480
Speaker 2: Like you open it up and all and you see

509
00:28:15,560 --> 00:28:19,160
Speaker 2: words on a page, but you don't hear anything unless

510
00:28:19,240 --> 00:28:21,439
Speaker 2: you're listening to music or whatever. You can you know.

511
00:28:22,960 --> 00:28:28,200
Speaker 1: Who and this is for who who heads? Yeah, I

512
00:28:28,280 --> 00:28:31,920
Speaker 1: guess that's not podcast cooks. Okay, I see what you're saying.

513
00:28:31,920 --> 00:28:36,480
Speaker 1: You know what I mean. It's an interest audio market. Okay,

514
00:28:36,800 --> 00:28:37,640
Speaker 1: what what did you want?

515
00:28:38,840 --> 00:28:41,320
Speaker 5: Some of what's some of what's going on over here?

516
00:28:42,480 --> 00:28:44,160
Speaker 5: Loving these characters?

517
00:28:44,440 --> 00:28:44,680
Speaker 1: Really?

518
00:28:45,600 --> 00:28:47,760
Speaker 5: He has a couple of pitches, so, okay, you know

519
00:28:47,880 --> 00:28:49,880
Speaker 5: UCB has like a podcast network.

520
00:28:51,360 --> 00:28:53,520
Speaker 2: Yeah this sports Leaders yea.

521
00:28:54,560 --> 00:28:58,320
Speaker 5: He is hoping to sort of convert some of these

522
00:28:58,520 --> 00:29:03,040
Speaker 5: guys into into a podcast. He has a couple of

523
00:29:03,360 --> 00:29:08,000
Speaker 5: pitches on sort of a device. He's thinking maybe the

524
00:29:08,120 --> 00:29:12,160
Speaker 5: shredded chicken could be teaching could be teaching the shrimp

525
00:29:13,440 --> 00:29:16,600
Speaker 5: about fitness who how.

526
00:29:16,480 --> 00:29:20,200
Speaker 3: To get it? How to get veins like muscle veins,

527
00:29:20,240 --> 00:29:20,840
Speaker 3: and that's.

528
00:29:20,680 --> 00:29:23,680
Speaker 1: A and that's a series of podcasts or that's the

529
00:29:24,120 --> 00:29:26,720
Speaker 1: Stone podcast how to get its vain coming on.

530
00:29:26,840 --> 00:29:29,880
Speaker 5: So it's a little like the Dumbbells where like people

531
00:29:29,960 --> 00:29:32,800
Speaker 5: are coming on and like they're learning about physical fitness

532
00:29:32,880 --> 00:29:33,240
Speaker 5: and stuff.

533
00:29:33,280 --> 00:29:38,200
Speaker 3: But it's hosted by Andy doing treaded Chicken. Chicken.

534
00:29:41,880 --> 00:29:44,080
Speaker 2: Yeah, I mean who owns the I P on all

535
00:29:44,160 --> 00:29:46,880
Speaker 2: the characters that we just invented here, Who's who's got

536
00:29:46,920 --> 00:29:49,120
Speaker 2: the I P? I mean technically random.

537
00:29:50,800 --> 00:29:57,600
Speaker 3: That Yeah, random House owns those And since I I

538
00:29:57,840 --> 00:30:02,040
Speaker 3: was allowed in to the the grocery space after the.

539
00:30:02,160 --> 00:30:04,920
Speaker 5: Celery, uh, we didn't need to hear all those other

540
00:30:05,040 --> 00:30:07,480
Speaker 5: characters or Matt he was loving the celery and being

541
00:30:07,560 --> 00:30:08,640
Speaker 5: so hot at the pan.

542
00:30:10,040 --> 00:30:13,040
Speaker 2: And he was in the process of getting braised. If

543
00:30:13,040 --> 00:30:17,480
Speaker 2: I read yeah that was a while ago. Takes me

544
00:30:17,600 --> 00:30:18,960
Speaker 2: that I had.

545
00:30:19,280 --> 00:30:23,040
Speaker 3: I had crossed the threshold of the grocery store.

546
00:30:23,160 --> 00:30:27,920
Speaker 5: And so he does now own those characters, and I

547
00:30:28,000 --> 00:30:31,680
Speaker 5: think maybe potentially Andy, your your voice like kind of

548
00:30:31,720 --> 00:30:32,720
Speaker 5: an Ursula.

549
00:30:33,960 --> 00:30:35,600
Speaker 3: Legal maneuver.

550
00:30:36,520 --> 00:30:39,320
Speaker 2: Yeah, well I did get these legs out of the deal.

551
00:30:39,800 --> 00:30:46,680
Speaker 2: M legs, Yeah I do, I did. Well, all right,

552
00:30:46,920 --> 00:30:50,720
Speaker 2: that's all confusing, but uh, well, but you wanted the

553
00:30:50,800 --> 00:30:53,640
Speaker 2: story of the jumb line as well. Yeah, well that

554
00:30:54,000 --> 00:30:54,880
Speaker 2: is always part of it.

555
00:30:55,040 --> 00:30:58,200
Speaker 1: Is just a little bit of a whimsical story that's

556
00:30:58,240 --> 00:31:02,680
Speaker 1: hopefully very funny about sort of tasting the jumble ayah

557
00:31:02,720 --> 00:31:04,720
Speaker 1: for the first time. What it means to you, you know,

558
00:31:04,800 --> 00:31:07,680
Speaker 1: why is Andy's jokey jumble aya Because I know, of

559
00:31:07,840 --> 00:31:11,360
Speaker 1: course why some of these other recipes are what they are. Really,

560
00:31:11,720 --> 00:31:18,240
Speaker 1: Oh yeah, think about it. Just even the frigging map pistols,

561
00:31:18,240 --> 00:31:26,760
Speaker 1: strimps and grits curly like, think about that, Jason mansukis.

562
00:31:27,280 --> 00:31:32,440
Speaker 2: And and that's what that's a soup. Yeah, just it's

563
00:31:32,480 --> 00:31:36,760
Speaker 2: just it's really hot water. Really yeah. Yeah, that one's

564
00:31:36,800 --> 00:31:39,320
Speaker 2: hot water because he's allergic to a bunch of stuff. Yeah,

565
00:31:39,320 --> 00:31:41,480
Speaker 2: he can't have much more than just hot water. Yeah yeah,

566
00:31:41,560 --> 00:31:43,560
Speaker 2: so that's sort of one of his things.

567
00:31:43,600 --> 00:31:47,720
Speaker 3: He's allergic to room temperature water, so.

568
00:31:47,840 --> 00:31:52,920
Speaker 2: He goes and heats it up to make it safe. Yeah. Yeah, yeah, Well,

569
00:31:53,880 --> 00:31:56,480
Speaker 2: the story of the first time that I had jumbleya.

570
00:31:58,760 --> 00:32:01,280
Speaker 2: I was a tug boat cat up for a time

571
00:32:02,640 --> 00:32:08,280
Speaker 2: and uh and uh it's your tugboat or your tugboat

572
00:32:08,320 --> 00:32:11,160
Speaker 2: captain for hire. Oh well I was. I was saving

573
00:32:11,280 --> 00:32:14,240
Speaker 2: up to buy the tugboat. But at that time I

574
00:32:14,400 --> 00:32:16,040
Speaker 2: was only just a tugboat captain for hire. And the

575
00:32:16,120 --> 00:32:19,840
Speaker 2: fella that owned the tugboat, uh, we just kept raising

576
00:32:19,920 --> 00:32:22,240
Speaker 2: the price, you know. So I would come to it,

577
00:32:22,960 --> 00:32:26,280
Speaker 2: I've saved up enough money to buy the tugboat, and

578
00:32:26,480 --> 00:32:29,240
Speaker 2: he would say, well, no, yeah, actually yeah, the price

579
00:32:29,280 --> 00:32:29,760
Speaker 2: has gone up.

580
00:32:29,800 --> 00:32:32,320
Speaker 1: That old gag that did you ever think about buying

581
00:32:32,400 --> 00:32:33,360
Speaker 1: a different tugboat?

582
00:32:34,040 --> 00:32:34,160
Speaker 3: Uh?

583
00:32:35,040 --> 00:32:37,080
Speaker 1: Well that funny.

584
00:32:37,400 --> 00:32:39,320
Speaker 2: That's a Monday morning quarterback in though, because it was

585
00:32:39,400 --> 00:32:42,040
Speaker 2: this goes back already twenty five years. Yeah, and no,

586
00:32:42,200 --> 00:32:43,840
Speaker 2: I mean answer is no, I never did think about

587
00:32:43,840 --> 00:32:45,880
Speaker 2: buying another. And I would see other tugboats from time

588
00:32:45,920 --> 00:32:47,920
Speaker 2: to time on the up, up and down the river.

589
00:32:48,040 --> 00:32:50,400
Speaker 2: This was mostly never a thought to hover they cost

590
00:32:50,560 --> 00:32:52,600
Speaker 2: or yeah, no, because I really had my heart set

591
00:32:52,640 --> 00:32:54,880
Speaker 2: on this particular tugboat. Well you knew it, I mean

592
00:32:54,920 --> 00:32:59,000
Speaker 2: that was yeah, that was yeah, yeah, yeah, the tugboat

593
00:32:59,040 --> 00:33:01,960
Speaker 2: you know. Yeah, and uh but I don't know, No,

594
00:33:02,120 --> 00:33:04,760
Speaker 2: that's just a case of not thinking, not thinking it through.

595
00:33:05,560 --> 00:33:08,800
Speaker 2: But uh, and you know when you're up going up

596
00:33:08,800 --> 00:33:11,480
Speaker 2: and down the Hudson in the tougueboat. You just throw

597
00:33:11,640 --> 00:33:14,320
Speaker 2: whatever you can into a pot. Sure, No, that's what

598
00:33:14,400 --> 00:33:15,480
Speaker 2: you're gonna eat, of course.

599
00:33:15,640 --> 00:33:21,880
Speaker 3: Yeah, And so Hudson that's what that's what it was. Yeah.

600
00:33:22,320 --> 00:33:22,800
Speaker 3: And then.

601
00:33:24,440 --> 00:33:28,280
Speaker 1: My mouth is water and thinking about that Hudson River jambalaya,

602
00:33:28,520 --> 00:33:31,360
Speaker 1: Yeah yeah, and it was, uh it was the water

603
00:33:31,480 --> 00:33:33,560
Speaker 1: of the Hudson in there and just whatever else we

604
00:33:33,640 --> 00:33:36,400
Speaker 1: could reach out with our hands and grab from from

605
00:33:36,440 --> 00:33:40,440
Speaker 1: the shoreline upper New York and New Jersey.

606
00:33:40,280 --> 00:33:43,000
Speaker 2: And and it would just go in there. New York

607
00:33:43,160 --> 00:33:47,360
Speaker 2: the best water, that's what they say. Yeah, I know, yep.

608
00:33:47,560 --> 00:33:50,080
Speaker 2: And uh I brought that recipe down to New Orleans

609
00:33:50,560 --> 00:33:54,400
Speaker 2: and and uh I had called it joky Jumbala.

610
00:33:55,240 --> 00:33:58,320
Speaker 1: So sorry, so you've got the recipe. Yeah, and you're

611
00:33:58,440 --> 00:34:00,760
Speaker 1: just like, I gotta go to New Orleans. Was there

612
00:34:00,800 --> 00:34:02,280
Speaker 1: a particular business that brought.

613
00:34:02,040 --> 00:34:04,800
Speaker 2: You to New Orleans? You have family there or no?

614
00:34:05,200 --> 00:34:07,120
Speaker 2: It was just I got sick and tired of hearing

615
00:34:07,120 --> 00:34:09,480
Speaker 2: about goddamn Sean Penn down there saving people in that

616
00:34:09,840 --> 00:34:12,360
Speaker 2: hurricane country. And I said, fuck that, I'm gonna do

617
00:34:12,440 --> 00:34:14,480
Speaker 2: it too, because at that time, yeah, you know I

618
00:34:14,560 --> 00:34:16,800
Speaker 2: had done some stuff, but I needed to.

619
00:34:17,120 --> 00:34:20,880
Speaker 1: You certainly are familiar with water your tub. Yeah, figure,

620
00:34:21,320 --> 00:34:23,120
Speaker 1: who better to tug some of these people out of

621
00:34:23,200 --> 00:34:24,000
Speaker 1: the deep water.

622
00:34:24,200 --> 00:34:25,120
Speaker 2: That's precisely right.

623
00:34:25,200 --> 00:34:25,359
Speaker 3: Put.

624
00:34:25,680 --> 00:34:27,200
Speaker 2: Yeah, I'll go up there, up into one of them

625
00:34:27,280 --> 00:34:31,120
Speaker 2: wards and just tug people. And uh, that's what brought

626
00:34:31,160 --> 00:34:32,839
Speaker 2: me down to New Orleans and I and I brought

627
00:34:32,880 --> 00:34:36,400
Speaker 2: my jokey jumbalaya and it just I mean, people were

628
00:34:36,440 --> 00:34:39,719
Speaker 2: amazed by it. So and ever since then, it's just

629
00:34:39,800 --> 00:34:41,640
Speaker 2: been something that they served down there in New Orleans.

630
00:34:41,680 --> 00:34:43,960
Speaker 2: And yes, and they're known for that and that's why

631
00:34:44,040 --> 00:34:45,439
Speaker 2: it's so good for the book.

632
00:34:46,000 --> 00:34:46,280
Speaker 3: Great.

633
00:34:46,520 --> 00:34:49,360
Speaker 1: Yeah, and you and you and Sean Penn have a

634
00:34:49,520 --> 00:34:52,640
Speaker 1: storied history together. You of course are always kind of

635
00:34:52,680 --> 00:34:53,359
Speaker 1: pissed at him.

636
00:34:53,560 --> 00:34:56,520
Speaker 2: Yeah yeah, yeah, I mean he and I are like

637
00:34:56,600 --> 00:34:58,359
Speaker 2: oil and water, and we've been going at it for years.

638
00:34:58,560 --> 00:35:03,520
Speaker 2: H Yeah, well it started because he's a long time ago. Yeah,

639
00:35:03,600 --> 00:35:05,840
Speaker 2: but go into it. I was I threw a birthday

640
00:35:05,920 --> 00:35:09,760
Speaker 2: party and he wasn't even like he was not invited,

641
00:35:09,840 --> 00:35:11,719
Speaker 2: but he has the same birthday and he found out

642
00:35:11,760 --> 00:35:12,680
Speaker 2: this party was going on.

643
00:35:13,280 --> 00:35:15,080
Speaker 1: So that's a dick move right to show up and

644
00:35:15,160 --> 00:35:17,120
Speaker 1: kind of said, well, now it's a co party. Yeah,

645
00:35:17,160 --> 00:35:18,760
Speaker 1: it's my birthday party too.

646
00:35:19,120 --> 00:35:25,000
Speaker 2: Well, let's do to Sean and yeah yeah, and even

647
00:35:25,040 --> 00:35:26,800
Speaker 2: talked to the point where he's I caught him in

648
00:35:26,840 --> 00:35:29,200
Speaker 2: the kitchen trying to take the cake and trying to

649
00:35:29,320 --> 00:35:32,120
Speaker 2: like redirect some of the letters on the cake to

650
00:35:32,719 --> 00:35:37,040
Speaker 2: figure out yea, all he ended up doing was making

651
00:35:37,080 --> 00:35:40,239
Speaker 2: a mess. But I so that was that was the

652
00:35:40,320 --> 00:35:42,839
Speaker 2: beginning of the two of us just not entirely getting

653
00:35:42,840 --> 00:35:44,680
Speaker 2: along at that night. I think, to be honest, I

654
00:35:44,800 --> 00:35:48,000
Speaker 2: was just trying to, uh be a dick because but

655
00:35:48,120 --> 00:35:51,040
Speaker 2: it's true, I've never seen Fast Times Bridgemond High and

656
00:35:51,840 --> 00:35:56,000
Speaker 2: that just it made him crazy because he's a woman director. Yes,

657
00:35:56,760 --> 00:36:00,560
Speaker 2: and so he's he's been for years now just trying

658
00:36:00,600 --> 00:36:02,760
Speaker 2: to come up and it's almost it's it's a prank,

659
00:36:02,880 --> 00:36:05,799
Speaker 2: but not funny because it's very hostile where he's been

660
00:36:05,920 --> 00:36:10,000
Speaker 2: trying to connive finagle different ways of getting me to

661
00:36:10,040 --> 00:36:12,719
Speaker 2: watch that movie. Sure, so he'll find out, like I'll

662
00:36:12,760 --> 00:36:15,359
Speaker 2: get tickets to go see this just happened a few

663
00:36:15,360 --> 00:36:17,719
Speaker 2: weeks ago to go see Into the Spider Verse. And

664
00:36:17,960 --> 00:36:20,319
Speaker 2: I brought my kids and I'm there at the Americana

665
00:36:20,800 --> 00:36:23,600
Speaker 2: and Glendale, and all of a sudden, this green flickers

666
00:36:23,640 --> 00:36:26,239
Speaker 2: and it's Fast Times Ritten High because he's gone in

667
00:36:26,360 --> 00:36:28,560
Speaker 2: there to the projection booth and he's cut some deal

668
00:36:28,600 --> 00:36:30,279
Speaker 2: with the guy in there, and he's walking around with

669
00:36:30,360 --> 00:36:34,920
Speaker 2: the cans, the canisters of the film infinite resources. Well

670
00:36:34,960 --> 00:36:37,120
Speaker 2: that's the problem. Don't get into a fucking prank war

671
00:36:37,120 --> 00:36:39,080
Speaker 2: where a guy like that has got more money than so.

672
00:36:39,480 --> 00:36:41,440
Speaker 3: I mean, it's so obvious he should have told you that.

673
00:36:41,560 --> 00:36:44,320
Speaker 5: You guys were recording a podcast where every episode you

674
00:36:44,520 --> 00:36:47,239
Speaker 5: talk about one minute of Fast Time the Rich by High.

675
00:36:48,000 --> 00:36:50,799
Speaker 3: But he's a movie guy. Yeah, so he doesn't know.

676
00:36:53,320 --> 00:36:54,520
Speaker 2: That is a good point.

677
00:36:54,680 --> 00:36:56,000
Speaker 3: Are about movies.

678
00:36:56,200 --> 00:36:59,120
Speaker 2: That's a good point. One of the issues. Yeah, you're

679
00:36:59,280 --> 00:37:02,359
Speaker 2: lucky if he ever does catch on the podcast. Does

680
00:37:02,400 --> 00:37:05,239
Speaker 2: he I mean you don't know whether he lives or not.

681
00:37:05,360 --> 00:37:07,960
Speaker 2: Does not listen to this John? Does he listen to

682
00:37:08,040 --> 00:37:12,480
Speaker 2: this one? I couldn't say with certainty. Okay, we've had

683
00:37:13,160 --> 00:37:15,120
Speaker 2: l chop a lot. Obviously he's friends with those top

684
00:37:15,320 --> 00:37:16,760
Speaker 2: sure Handy.

685
00:37:16,880 --> 00:37:19,359
Speaker 3: Sorry, this is I don't I don't think I thought

686
00:37:19,360 --> 00:37:20,920
Speaker 3: you would know this. We don't see the names of

687
00:37:20,960 --> 00:37:22,279
Speaker 3: everyone who listens to the show.

688
00:37:22,680 --> 00:37:26,319
Speaker 2: You don't, Oh, I do on that podcast? I get that, Yeah,

689
00:37:26,320 --> 00:37:29,520
Speaker 2: because yeah, I asked to say all the analytics, but

690
00:37:29,640 --> 00:37:31,640
Speaker 2: their full name and when they listened to it, and

691
00:37:31,680 --> 00:37:34,839
Speaker 2: how long did they pause it, and where they were

692
00:37:34,960 --> 00:37:36,839
Speaker 2: what where in their house they were when they listened

693
00:37:36,840 --> 00:37:38,279
Speaker 2: to it, because I just want to get a sense

694
00:37:38,320 --> 00:37:40,960
Speaker 2: of it helps me to know what to do on

695
00:37:41,080 --> 00:37:42,320
Speaker 2: my podcast. I'm surprised you guys.

696
00:37:42,160 --> 00:37:45,080
Speaker 5: Don't where do people mostly listen?

697
00:37:45,200 --> 00:37:49,040
Speaker 2: In the house? Almost always in the garage, in in

698
00:37:49,239 --> 00:37:54,799
Speaker 2: the car running? Yeah, with the car running, Yeah, that's like.

699
00:37:54,880 --> 00:37:56,520
Speaker 1: A way to go.

700
00:37:58,480 --> 00:38:01,520
Speaker 5: Okay, you get any information on whether there's a hose

701
00:38:01,600 --> 00:38:03,680
Speaker 5: coming out of the tailpipe while they're listening.

702
00:38:04,800 --> 00:38:09,440
Speaker 2: Don't be ridiculous. These analytics are not that specific. Is

703
00:38:09,480 --> 00:38:10,279
Speaker 2: at a third point?

704
00:38:10,360 --> 00:38:13,239
Speaker 1: I think you're being facetious obviously, but people are gonna

705
00:38:13,239 --> 00:38:15,960
Speaker 1: think we have those sort of analytics. We only know

706
00:38:16,080 --> 00:38:18,319
Speaker 1: the people's full name, what section of the house they

707
00:38:18,400 --> 00:38:20,840
Speaker 1: listened to the podcast, and whether the car was running

708
00:38:20,880 --> 00:38:22,040
Speaker 1: or no, when they stopped.

709
00:38:21,719 --> 00:38:23,920
Speaker 2: It, whether the car was running, whether the garage door

710
00:38:24,040 --> 00:38:24,560
Speaker 2: was closed.

711
00:38:24,640 --> 00:38:26,480
Speaker 1: Yeah, I don't know if there's a hose that's a

712
00:38:26,560 --> 00:38:28,280
Speaker 1: third party device.

713
00:38:28,400 --> 00:38:31,680
Speaker 2: We don't. Yeah, but I'd love to know that, and

714
00:38:32,000 --> 00:38:33,480
Speaker 2: I wouldn't be surprised to be in the future. They

715
00:38:33,520 --> 00:38:35,920
Speaker 2: can tell you. No, I think that's coming. I think

716
00:38:35,960 --> 00:38:41,960
Speaker 2: that's only I think a couple of months away. Yeah, sure, yeah,

717
00:38:42,000 --> 00:38:50,719
Speaker 2: I got to rewatch that AI. Oh yeah, so so

718
00:38:50,960 --> 00:38:55,799
Speaker 2: the book, obviously is the main idea for the episode

719
00:38:56,640 --> 00:39:01,680
Speaker 2: of what oh well We're doing? Is talking about the book.

720
00:39:04,239 --> 00:39:07,160
Speaker 2: You know, I'm not gonna sit here and bullshit.

721
00:39:07,320 --> 00:39:07,480
Speaker 3: Yeah.

722
00:39:07,760 --> 00:39:10,000
Speaker 2: I thought the ingredients would take up more time. Oh

723
00:39:10,120 --> 00:39:11,319
Speaker 2: really yeah, so.

724
00:39:12,120 --> 00:39:16,480
Speaker 5: So now do you know, I mean what he's being polite,

725
00:39:16,719 --> 00:39:18,800
Speaker 5: some of the other comedians really prepared.

726
00:39:19,600 --> 00:39:20,600
Speaker 2: Oh, I see what you're saying.

727
00:39:20,680 --> 00:39:23,120
Speaker 1: So everybody had like three minutes well the Michaelee and

728
00:39:23,160 --> 00:39:27,160
Speaker 1: black bean soup, as you could imagine, he brought it.

729
00:39:28,800 --> 00:39:30,960
Speaker 2: Yeah. Yeah, there's a lot of stuff about guns.

730
00:39:34,040 --> 00:39:39,600
Speaker 1: Yeah, yeah, yeah, guns everything. I mean, he really went

731
00:39:39,680 --> 00:39:43,080
Speaker 1: into it. And so if you could take, okay, some

732
00:39:43,239 --> 00:39:47,239
Speaker 1: hardline political stances. I don't know if you're willing to

733
00:39:47,320 --> 00:39:50,080
Speaker 1: co author your recipe with Megan mcade, I don't you know,

734
00:39:50,440 --> 00:39:52,640
Speaker 1: that's not for me to say whether that is a

735
00:39:52,680 --> 00:39:54,480
Speaker 1: good idea for the Jumble Eye or not.

736
00:39:55,560 --> 00:40:01,400
Speaker 2: That'd be fine. She and I have been certainly want

737
00:40:01,440 --> 00:40:06,239
Speaker 2: another for a while. Oh very projects. Uh yeah, but

738
00:40:06,320 --> 00:40:07,880
Speaker 2: I gotta tell you, I see both sides of just

739
00:40:07,920 --> 00:40:09,719
Speaker 2: about every issue, so it's hard for me to come

740
00:40:09,760 --> 00:40:10,080
Speaker 2: down and.

741
00:40:10,160 --> 00:40:12,640
Speaker 1: That as and we hate taking sides on this night

742
00:40:12,840 --> 00:40:15,239
Speaker 1: as you know, Hey, this show's uta package is good,

743
00:40:15,280 --> 00:40:16,799
Speaker 1: it's bad, you know, you know what I mean?

744
00:40:17,120 --> 00:40:18,400
Speaker 2: Yeah, it's it's whatever.

745
00:40:18,680 --> 00:40:19,520
Speaker 1: Yeah. Yeah.

746
00:40:21,440 --> 00:40:24,600
Speaker 2: Do you want me to go away and write five

747
00:40:24,719 --> 00:40:31,800
Speaker 2: minutes per ingredients? And because I'd be more than happy

748
00:40:31,840 --> 00:40:33,960
Speaker 2: to do that, then would maybe me too much?

749
00:40:34,320 --> 00:40:34,480
Speaker 5: Oh?

750
00:40:36,680 --> 00:40:39,360
Speaker 1: I guess what we could get into is maybe some

751
00:40:39,520 --> 00:40:42,440
Speaker 1: of the just outside of the ingredients, some of the

752
00:40:42,520 --> 00:40:45,879
Speaker 1: preparation steps. Do we have a funny twist on any

753
00:40:45,960 --> 00:40:48,080
Speaker 1: of this stuff? Like I'll just hit you with one

754
00:40:48,160 --> 00:40:53,400
Speaker 1: of them. Shit, add diced onion in next seven ingredients

755
00:40:53,480 --> 00:40:57,280
Speaker 1: to the hot drippings, stir and shrimp.

756
00:40:58,920 --> 00:40:59,080
Speaker 4: You know?

757
00:40:59,320 --> 00:41:01,440
Speaker 1: Does that give you an idea for a riff of

758
00:41:01,600 --> 00:41:04,279
Speaker 1: some kind, because I of course want to set you

759
00:41:04,440 --> 00:41:05,120
Speaker 1: up to succeed.

760
00:41:05,880 --> 00:41:10,120
Speaker 2: If you win, we win, So like hot drippings? Okay?

761
00:41:10,680 --> 00:41:12,360
Speaker 2: Is that the opposite of cool runnings?

762
00:41:12,480 --> 00:41:12,680
Speaker 1: You know?

763
00:41:15,960 --> 00:41:18,279
Speaker 2: So that would be a movie where it's like a

764
00:41:18,360 --> 00:41:20,840
Speaker 2: bob sledding team from a cold part of the world.

765
00:41:21,200 --> 00:41:22,319
Speaker 2: That's right, that's right.

766
00:41:22,600 --> 00:41:28,160
Speaker 3: Uh sorry, sorry, I can't help it. It's just.

767
00:41:29,680 --> 00:41:33,080
Speaker 2: Don't help it. Is it a surfing team from yeah

768
00:41:33,239 --> 00:41:40,080
Speaker 2: or Greenland? Where is it cold? And they're surfing right, yeah,

769
00:41:40,600 --> 00:41:45,040
Speaker 2: and they're what really good at it as.

770
00:41:46,600 --> 00:41:46,799
Speaker 3: Yeah?

771
00:41:46,880 --> 00:41:49,920
Speaker 1: Well not it's yeah, they take they're a bit of

772
00:41:49,960 --> 00:41:53,359
Speaker 1: a bad news bears. Uh huh yeah, well I mean

773
00:41:54,120 --> 00:42:00,439
Speaker 1: almost a bit of a cool running that's a little

774
00:42:00,480 --> 00:42:01,040
Speaker 1: on the nose.

775
00:42:02,239 --> 00:42:10,040
Speaker 2: Yeah, to take a shorter walk and okay, I like

776
00:42:10,120 --> 00:42:12,760
Speaker 2: to get too cool runnings by way of bad newspapers. Okay,

777
00:42:12,880 --> 00:42:15,239
Speaker 2: all right, I'm not going to tell you how to

778
00:42:15,280 --> 00:42:18,919
Speaker 2: do your job. This is not my job. Let's be clear. Yes,

779
00:42:19,360 --> 00:42:22,240
Speaker 2: part of this is my job. So speaking of books being.

780
00:42:22,160 --> 00:42:26,759
Speaker 5: My job now, I and Andy, by the way, I

781
00:42:26,880 --> 00:42:28,759
Speaker 5: just want to if you need any pointers on making

782
00:42:28,840 --> 00:42:30,920
Speaker 5: podcasts your job sort of fight default.

783
00:42:31,600 --> 00:42:36,440
Speaker 3: We can really help you out with uh with that you.

784
00:42:36,719 --> 00:42:40,120
Speaker 2: Starting something as a as a hobby, as a sideline,

785
00:42:40,120 --> 00:42:41,960
Speaker 2: and then waking up one day and going, oh, ship,

786
00:42:42,080 --> 00:42:42,839
Speaker 2: that's my job.

787
00:42:44,680 --> 00:42:49,080
Speaker 5: Yeah yeah, and like and years five years have gone by, Andy, yeah,

788
00:42:49,320 --> 00:42:52,279
Speaker 5: like and you didn't even like see him go by?

789
00:42:52,640 --> 00:42:54,960
Speaker 5: Oh yeah, and they're and they're just way off of

790
00:42:55,040 --> 00:42:57,040
Speaker 5: the distance and you're reaching to get it back, but

791
00:42:57,120 --> 00:42:57,640
Speaker 5: they're gone.

792
00:42:57,680 --> 00:43:00,440
Speaker 2: Many That sounds good to me because I am very

793
00:43:00,480 --> 00:43:01,800
Speaker 2: aware of the passage of each.

794
00:43:01,680 --> 00:43:04,600
Speaker 3: And every day, and you're a little too President.

795
00:43:04,880 --> 00:43:07,200
Speaker 2: I'm to present. Thank you. I'd like to wake up

796
00:43:07,239 --> 00:43:10,160
Speaker 2: one day a go what happened? Yeah, so I could

797
00:43:10,239 --> 00:43:10,960
Speaker 2: use pointers on that.

798
00:43:11,400 --> 00:43:13,040
Speaker 3: Sure, yeah we could, we could.

799
00:43:13,160 --> 00:43:16,719
Speaker 5: It's not for the show necessarily, but yeah, I'll stay

800
00:43:16,719 --> 00:43:17,960
Speaker 5: on the line and we're done here.

801
00:43:18,280 --> 00:43:20,120
Speaker 1: Yeah, that could be a good thing to go through.

802
00:43:20,280 --> 00:43:23,440
Speaker 1: But it is the sort of the experience of not

803
00:43:23,640 --> 00:43:26,440
Speaker 1: recognizing the face in the mirror. Yeah, knowing that that

804
00:43:26,680 --> 00:43:32,279
Speaker 1: is the face of a podcaster. You can tell, you

805
00:43:32,320 --> 00:43:35,279
Speaker 1: can just tell by the eyes, Yes, see that and go,

806
00:43:35,480 --> 00:43:38,319
Speaker 1: and the chilling realization that it is your own.

807
00:43:38,600 --> 00:43:41,600
Speaker 2: Yeah, that's what I want, because I look in the

808
00:43:41,640 --> 00:43:45,719
Speaker 2: mirror every day and go, that's the guy I saw yesterday. Yeah, yeah, yeah, yeah,

809
00:43:45,800 --> 00:43:49,600
Speaker 2: that feels pretty good. But for a change of pace,

810
00:43:49,600 --> 00:43:51,400
Speaker 2: I wouldn't mind waking up one day, let's mix it

811
00:43:51,520 --> 00:43:53,560
Speaker 2: up and just going I don't know, yeah, I don't

812
00:43:53,640 --> 00:43:56,640
Speaker 2: know who that guy is, but he wants to sell

813
00:43:56,680 --> 00:43:59,279
Speaker 2: me a mattress, you know what I mean?

814
00:43:59,600 --> 00:44:04,080
Speaker 1: Yeah, oh yeah, And there's so many out there franches.

815
00:44:04,200 --> 00:44:07,440
Speaker 1: And again we tried to take sides on many things,

816
00:44:08,000 --> 00:44:11,759
Speaker 1: uh huh, but on this issue, the cutting out the

817
00:44:11,880 --> 00:44:16,960
Speaker 1: middle man and get it a mattress delivered directly to

818
00:44:17,040 --> 00:44:19,359
Speaker 1: your home and how can they fit it in their

819
00:44:19,520 --> 00:44:20,280
Speaker 1: size box?

820
00:44:22,280 --> 00:44:24,359
Speaker 2: I mean that against right?

821
00:44:25,000 --> 00:44:26,600
Speaker 3: Are you know that?

822
00:44:26,960 --> 00:44:31,440
Speaker 5: I am fourtatically that's a note Andy, tell me, tell

823
00:44:31,480 --> 00:44:32,279
Speaker 5: me what you think about this.

824
00:44:32,400 --> 00:44:34,279
Speaker 3: We're pitching a new verse. So it used to be

825
00:44:34,880 --> 00:44:36,839
Speaker 3: the cashper copy said of how do they do how

826
00:44:36,960 --> 00:44:38,160
Speaker 3: they do that size pox?

827
00:44:38,320 --> 00:44:40,040
Speaker 2: Yes, how did they do that size box?

828
00:44:40,160 --> 00:44:40,359
Speaker 5: Yeah?

829
00:44:40,440 --> 00:44:42,400
Speaker 3: And we always as we always asked to do what?

830
00:44:42,880 --> 00:44:48,600
Speaker 2: Yeah, that was my thing, like do what we.

831
00:44:48,880 --> 00:44:51,400
Speaker 3: So we asked them how did you do what? They

832
00:44:51,480 --> 00:44:56,719
Speaker 3: responded and they responded fitted in there, like.

833
00:44:56,920 --> 00:44:59,800
Speaker 2: Okay, so just how there?

834
00:45:00,600 --> 00:45:02,920
Speaker 1: Yeah, they fit it in their size box. And I

835
00:45:04,000 --> 00:45:06,759
Speaker 1: my preference, my initial pitch was it should come in

836
00:45:06,880 --> 00:45:09,520
Speaker 1: a box that's so small that you're like, hey, wait,

837
00:45:09,560 --> 00:45:11,880
Speaker 1: how can it entire mattress fit it side boxes?

838
00:45:12,000 --> 00:45:14,319
Speaker 2: How small it is? That's great?

839
00:45:15,840 --> 00:45:18,440
Speaker 1: Yeah, And they thought that was too much detail. So

840
00:45:18,560 --> 00:45:21,560
Speaker 1: we're sort of negotiating. But I think we're going to

841
00:45:21,640 --> 00:45:23,440
Speaker 1: land somewhere in the middle on how they fit it

842
00:45:23,480 --> 00:45:25,320
Speaker 1: in there. The mattress size box.

843
00:45:25,280 --> 00:45:30,719
Speaker 2: A box, a box, a box of a size that

844
00:45:30,800 --> 00:45:35,080
Speaker 2: you don't associate with a mattress, and it inspires you

845
00:45:35,239 --> 00:45:39,719
Speaker 2: to to want to see the process of getting a

846
00:45:39,840 --> 00:45:41,760
Speaker 2: mattress in that box.

847
00:45:43,120 --> 00:45:46,880
Speaker 1: Right, that's my Yeah, that's why I'm selling the box, right,

848
00:45:47,360 --> 00:45:48,719
Speaker 1: the box you get to keep.

849
00:45:49,480 --> 00:45:53,560
Speaker 2: Wait a minute, Oh, the product is the mattress and

850
00:45:53,719 --> 00:46:01,360
Speaker 2: the but yes, the box, the box appeal yeah, not

851
00:46:01,520 --> 00:46:07,320
Speaker 2: the stick. Yeah, yeah, yeah, but the box is the

852
00:46:07,520 --> 00:46:10,239
Speaker 2: thing that you're excited to receive once you've ordered this.

853
00:46:10,400 --> 00:46:13,279
Speaker 2: Sell the swizzle, not the stick. Sell the swizzle not

854
00:46:13,440 --> 00:46:14,879
Speaker 2: the stick. When will they learn?

855
00:46:15,120 --> 00:46:17,880
Speaker 1: Yeah, that is the secret to it. And that is

856
00:46:17,960 --> 00:46:19,640
Speaker 1: what we've been trying to teach them, is like, just

857
00:46:19,719 --> 00:46:22,120
Speaker 1: focus on the box. Make the whole out about the box. Yeah,

858
00:46:22,360 --> 00:46:23,799
Speaker 1: because the box sounds insane to me.

859
00:46:24,440 --> 00:46:26,880
Speaker 2: Because I'll tell you honestly, they sent me one and

860
00:46:27,280 --> 00:46:32,759
Speaker 2: uh and the box blew my mind unreal. Yeah, and

861
00:46:32,920 --> 00:46:36,239
Speaker 2: then I opened totally. I opened it up and I

862
00:46:36,320 --> 00:46:39,360
Speaker 2: brought it inside and I opened up the box and

863
00:46:39,400 --> 00:46:40,840
Speaker 2: I Okay, you know, you do the thing. You got

864
00:46:40,960 --> 00:46:42,800
Speaker 2: to cut the thing open, and the next thing, you know,

865
00:46:42,840 --> 00:46:44,120
Speaker 2: you got a mattress? And then what do you have

866
00:46:45,080 --> 00:46:45,680
Speaker 2: a mattress?

867
00:46:46,000 --> 00:46:46,239
Speaker 3: Sure?

868
00:46:46,480 --> 00:46:50,080
Speaker 2: Yeah, but you missed the box, don't you. Yes, I

869
00:46:50,200 --> 00:46:52,440
Speaker 2: just kept looking back at that box, going back when

870
00:46:52,520 --> 00:46:55,840
Speaker 2: that box was a mystery to me. I was happier,

871
00:46:56,719 --> 00:46:57,840
Speaker 2: you know. And now what am I going to do?

872
00:46:58,120 --> 00:47:04,120
Speaker 2: Go to sleep? Yeah? Youth is wasted on the here here?

873
00:47:05,800 --> 00:47:10,000
Speaker 1: But in terms of books, you family man, Andy?

874
00:47:10,600 --> 00:47:10,839
Speaker 3: Sure?

875
00:47:11,280 --> 00:47:15,560
Speaker 2: Yeah, I'm a big proponent of family. I have a

876
00:47:15,680 --> 00:47:18,879
Speaker 2: famous dog that often comes to these shows. Uh huh

877
00:47:19,840 --> 00:47:22,239
Speaker 2: he cartoon dog or real dog? Real dog?

878
00:47:23,000 --> 00:47:25,080
Speaker 1: Uh? Here to picture of him with his best friend

879
00:47:25,160 --> 00:47:27,960
Speaker 1: Tony and uh is that a real wood Decker?

880
00:47:28,040 --> 00:47:29,080
Speaker 2: Tricks? M?

881
00:47:31,160 --> 00:47:31,520
Speaker 3: I don't know.

882
00:47:31,680 --> 00:47:33,960
Speaker 2: Okay, you what do you want it to be? I

883
00:47:34,080 --> 00:47:35,160
Speaker 2: want it to be real wood.

884
00:47:35,280 --> 00:47:40,920
Speaker 5: Hey man, it's really I'm that answer that he does know,

885
00:47:44,000 --> 00:47:46,120
Speaker 5: doesn't necessarily want to say.

886
00:47:46,320 --> 00:47:51,040
Speaker 2: It's would baby? All right? Sweet? Yeah? It's rule. Termites

887
00:47:51,120 --> 00:47:53,719
Speaker 2: love it, sure they do. They can't help it love it.

888
00:47:53,840 --> 00:47:58,640
Speaker 1: Oh yeah, it's their main food. So the dog as

889
00:47:58,800 --> 00:48:01,799
Speaker 1: frequent collab rader of Bars on the show. His name

890
00:48:01,880 --> 00:48:06,880
Speaker 1: is Bosh and recently, i'd say two weeks ago I

891
00:48:06,960 --> 00:48:10,120
Speaker 1: have had a child, a young boy.

892
00:48:10,600 --> 00:48:11,439
Speaker 2: Come into the world.

893
00:48:11,760 --> 00:48:14,839
Speaker 1: He's born, Oh, to be born from a person, from

894
00:48:14,880 --> 00:48:20,120
Speaker 1: the body of a woman, from a woman passed through her. Yes,

895
00:48:20,640 --> 00:48:27,440
Speaker 1: just sayd mmm mmmm bust free. Yes now, yes, and

896
00:48:27,560 --> 00:48:31,399
Speaker 1: come upon the world. Uh huh yes, and doing his thing?

897
00:48:31,640 --> 00:48:33,200
Speaker 2: How long ago? Two weeks?

898
00:48:33,280 --> 00:48:33,920
Speaker 1: How small?

899
00:48:34,239 --> 00:48:34,439
Speaker 3: Ah?

900
00:48:34,680 --> 00:48:38,239
Speaker 2: Yes, yes, but he does not like to hear that.

901
00:48:38,640 --> 00:48:39,520
Speaker 3: Oh, really do.

902
00:48:41,880 --> 00:48:43,800
Speaker 1: A lot of times you will go oh, he's so small,

903
00:48:43,800 --> 00:48:47,200
Speaker 1: and he did not want to hear. That's not what

904
00:48:47,360 --> 00:48:51,160
Speaker 1: he wants to be told. So it's fine, that's not here.

905
00:48:51,320 --> 00:48:56,840
Speaker 1: But he does listen to the show. So Bosh the

906
00:48:57,040 --> 00:49:00,839
Speaker 1: dog now has this baby in the house and has

907
00:49:00,920 --> 00:49:04,200
Speaker 1: been noticing that a lot of these children's books I

908
00:49:04,440 --> 00:49:09,399
Speaker 1: just sort of just nonsense. Oh, and he's thinking there's

909
00:49:09,480 --> 00:49:13,280
Speaker 1: money to be made. He wants to start writing books,

910
00:49:13,960 --> 00:49:14,760
Speaker 1: children's books.

911
00:49:15,400 --> 00:49:18,040
Speaker 2: This is look. I tried to do this, Okay. I

912
00:49:18,080 --> 00:49:22,279
Speaker 2: fell into this exact same trap with two things. One

913
00:49:22,520 --> 00:49:25,000
Speaker 2: one was Harry Potter and the other one was Pokemon.

914
00:49:25,280 --> 00:49:27,000
Speaker 2: Did I did the exact same thing where I said

915
00:49:27,000 --> 00:49:31,600
Speaker 2: to myself, this is ridiculous, therefore I can do it. Aha,

916
00:49:31,800 --> 00:49:34,520
Speaker 2: And there's a logical fallacy in there. Because if you

917
00:49:34,640 --> 00:49:38,920
Speaker 2: don't understand why it's successful, you can't do it. So

918
00:49:39,080 --> 00:49:40,640
Speaker 2: that's what this is what I would love to explain

919
00:49:40,680 --> 00:49:44,640
Speaker 2: to Bosh. I don't know why people like Pokemon, and

920
00:49:44,800 --> 00:49:47,960
Speaker 2: so that I know you got to catch them all.

921
00:49:48,520 --> 00:49:50,640
Speaker 2: But so you do, I know that you got to

922
00:49:50,680 --> 00:49:54,840
Speaker 2: catch them all. Yeah, that's all I do. Oh, I

923
00:49:54,880 --> 00:49:57,800
Speaker 2: didn't know I was dealing with the real do but

924
00:49:57,920 --> 00:49:59,400
Speaker 2: it made me think I could, I could design, I

925
00:49:59,440 --> 00:50:02,200
Speaker 2: could go come up with a whole bunk puggymn yeah

926
00:50:02,239 --> 00:50:06,520
Speaker 2: it's squeezy face m yeah right, walk around guy, make

927
00:50:06,560 --> 00:50:11,680
Speaker 2: a trot, yeah, fan dangle, fan dangle, DoD's movie ticket

928
00:50:11,760 --> 00:50:17,560
Speaker 2: for Marbles, reminant, put him in guy and all of

929
00:50:17,640 --> 00:50:20,160
Speaker 2: them make draw little pictures of a guy and all

930
00:50:20,200 --> 00:50:20,720
Speaker 2: that stuff.

931
00:50:20,840 --> 00:50:21,000
Speaker 3: Right.

932
00:50:21,440 --> 00:50:24,800
Speaker 2: Well, cut to me wasting almost three years of my

933
00:50:24,920 --> 00:50:28,759
Speaker 2: life making up homemade cards with names on them and

934
00:50:28,840 --> 00:50:32,240
Speaker 2: little drawings and my own drawings and all various stats

935
00:50:32,280 --> 00:50:34,760
Speaker 2: and stuff like that. Sure I can't sell this idea

936
00:50:34,880 --> 00:50:37,640
Speaker 2: of fucking anybody. Well, what were some of the stats.

937
00:50:37,719 --> 00:50:41,840
Speaker 2: What were these guys doing? They were like, what you know,

938
00:50:42,040 --> 00:50:46,120
Speaker 2: pole vaults, they're blasting good yeah, yeah, Sky will clean

939
00:50:46,200 --> 00:50:49,759
Speaker 2: your chimney and two point three seconds, you know, because

940
00:50:49,800 --> 00:50:52,280
Speaker 2: I don't know what the fuss going on with these guys.

941
00:50:52,680 --> 00:50:53,680
Speaker 1: What they give a ship?

942
00:50:53,880 --> 00:50:55,520
Speaker 2: Yeah, blast face and.

943
00:50:57,080 --> 00:51:00,320
Speaker 1: Fire hammer, fire ham even some of these f amous

944
00:51:00,360 --> 00:51:02,080
Speaker 1: books that you remember, Uh huh.

945
00:51:02,160 --> 00:51:04,279
Speaker 2: Yeah, you read Where the Wild Things Are?

946
00:51:04,520 --> 00:51:06,760
Speaker 3: Yeah? What the fuck is that book?

947
00:51:08,120 --> 00:51:10,040
Speaker 2: What do you just just nothing?

948
00:51:10,160 --> 00:51:10,399
Speaker 3: Shiit?

949
00:51:11,040 --> 00:51:11,960
Speaker 2: What's the message?

950
00:51:12,160 --> 00:51:12,359
Speaker 1: Well?

951
00:51:12,520 --> 00:51:16,160
Speaker 2: Should we should say spoiler first about to ruin the ending?

952
00:51:16,680 --> 00:51:18,840
Speaker 2: It's a it's a And then I woke up story.

953
00:51:19,320 --> 00:51:23,799
Speaker 1: Yeah right, that's a bull it's bullshit. Yeah, I would say,

954
00:51:23,960 --> 00:51:27,680
Speaker 1: Maury Sendak, he just goes rethink the ending good drawings.

955
00:51:28,000 --> 00:51:32,879
Speaker 1: M hm. He goes there and he's like, hangs out,

956
00:51:33,000 --> 00:51:34,960
Speaker 1: and they're like, we like you, and he goes all right,

957
00:51:35,160 --> 00:51:36,680
Speaker 1: peace deuces, kick rocks.

958
00:51:36,760 --> 00:51:41,920
Speaker 2: I'm out. He goes home, eats dinner. Uh huh, what

959
00:51:42,120 --> 00:51:45,480
Speaker 2: the fuck? That is not a great story?

960
00:51:46,040 --> 00:51:46,800
Speaker 3: Uh No.

961
00:51:47,520 --> 00:51:49,359
Speaker 2: But really, the worst thing about it is I got

962
00:51:49,400 --> 00:51:53,640
Speaker 2: pretty invested in those monsters and pretty invested in that world,

963
00:51:53,840 --> 00:51:55,400
Speaker 2: and I started to think, well, would it be like

964
00:51:55,400 --> 00:51:56,680
Speaker 2: to be the king of that world? And then to

965
00:51:56,719 --> 00:51:58,319
Speaker 2: be told at the end of the book, after I've

966
00:51:58,360 --> 00:52:01,120
Speaker 2: spent an hour and a half reading it that it

967
00:52:01,280 --> 00:52:03,440
Speaker 2: was all a dream. No, thank you.

968
00:52:03,840 --> 00:52:06,520
Speaker 1: And my understanding is you spent an additional two to

969
00:52:06,640 --> 00:52:10,400
Speaker 1: three years designing some of these other monsters that they

970
00:52:10,480 --> 00:52:13,560
Speaker 1: maybe hang out with. Wild wild Things are Chester. Yeah,

971
00:52:13,560 --> 00:52:15,719
Speaker 1: and so before somebody did explain the end of that

972
00:52:15,880 --> 00:52:18,400
Speaker 1: book to you, yeah, yeah, yeah, they're just never were

973
00:52:18,440 --> 00:52:18,839
Speaker 1: really well.

974
00:52:18,920 --> 00:52:20,480
Speaker 2: I had read it and I didn't get I'm not

975
00:52:20,560 --> 00:52:23,840
Speaker 2: a fast reader, and I get frustrated. Yeah, so I

976
00:52:23,960 --> 00:52:26,040
Speaker 2: had read most of that book and didn't get to

977
00:52:26,120 --> 00:52:28,360
Speaker 2: the end. But because I was so inspired to just

978
00:52:28,480 --> 00:52:31,400
Speaker 2: kind of build out the world. And yeah, that was

979
00:52:31,480 --> 00:52:33,200
Speaker 2: about two and a half years of just kind of

980
00:52:33,280 --> 00:52:35,400
Speaker 2: what else is in the wild Thing world? And what

981
00:52:35,520 --> 00:52:38,120
Speaker 2: about that sea monster we never hear from him, and

982
00:52:38,480 --> 00:52:40,279
Speaker 2: just kind of digging deep into it and then yeah,

983
00:52:40,440 --> 00:52:42,880
Speaker 2: to then later learn it was a dream. None of

984
00:52:42,920 --> 00:52:45,399
Speaker 2: it's real. You wasted your time.

985
00:52:46,000 --> 00:52:50,040
Speaker 1: Yeah, piss me of shit, piss me the fuck off,

986
00:52:50,160 --> 00:52:53,240
Speaker 1: fucking pissed new heart all over again.

987
00:52:53,719 --> 00:52:56,600
Speaker 2: And I'll tell you what else. And I'll tell you

988
00:52:56,719 --> 00:52:57,200
Speaker 2: what else.

989
00:52:57,400 --> 00:53:00,359
Speaker 1: Yeah that has given bosh And Okay, yeah, so now

990
00:53:00,800 --> 00:53:03,680
Speaker 1: is random He's going to just write a book, okay,

991
00:53:03,800 --> 00:53:04,640
Speaker 1: a children's book.

992
00:53:05,360 --> 00:53:08,800
Speaker 2: I mean, I'd be interested to read a dog's attempt

993
00:53:08,800 --> 00:53:11,120
Speaker 2: at writing a children's book. What does a dog think

994
00:53:11,239 --> 00:53:14,600
Speaker 2: that children are interested in? He's well, he'd like to

995
00:53:14,640 --> 00:53:15,400
Speaker 2: be the star of it.

996
00:53:15,640 --> 00:53:20,200
Speaker 1: Okay, he actually has an idea for his own cookbook

997
00:53:21,320 --> 00:53:24,880
Speaker 1: for kids, but it's really just an instruction manual on

998
00:53:24,960 --> 00:53:28,640
Speaker 1: how to drop food on the floor. Guy, And that

999
00:53:28,960 --> 00:53:33,000
Speaker 1: is sort of his concept. And to me, it feels sneaky. Sure,

1000
00:53:33,200 --> 00:53:34,839
Speaker 1: it feels duplicitous.

1001
00:53:34,960 --> 00:53:41,600
Speaker 2: And it feels like there could be some money in it. Yeah,

1002
00:53:42,880 --> 00:53:46,360
Speaker 2: a recipe book by a dog, that is, and it

1003
00:53:46,480 --> 00:53:49,160
Speaker 2: deals not at all with the food itself or what's

1004
00:53:49,200 --> 00:53:51,200
Speaker 2: in the food or how the food is made. Well,

1005
00:53:51,440 --> 00:53:53,879
Speaker 2: I entirely a book about how to drive.

1006
00:53:53,960 --> 00:53:56,880
Speaker 1: I guess page would be a new food like it

1007
00:53:56,920 --> 00:53:59,400
Speaker 1: would be like you know, for example, and I'm you know,

1008
00:53:59,560 --> 00:54:02,920
Speaker 1: I'm not an impressionist. I don't necessarily do Bosh's voice.

1009
00:54:02,960 --> 00:54:05,400
Speaker 1: He has his own voice, but I'll I'll make an attempt,

1010
00:54:05,600 --> 00:54:09,200
Speaker 1: but it would be like chapter two The corn Dog.

1011
00:54:11,560 --> 00:54:14,440
Speaker 2: Perhaps you enjoys an attempt is that at doing the

1012
00:54:14,520 --> 00:54:15,759
Speaker 2: dog's voice. I'm just curious to know.

1013
00:54:16,080 --> 00:54:19,960
Speaker 1: Um. For me, I don't like to put myself out

1014
00:54:20,000 --> 00:54:22,520
Speaker 1: there or ever risk being embarrassed I'm not somebody who

1015
00:54:22,880 --> 00:54:27,399
Speaker 1: you know my yeah, my uh soup for the book

1016
00:54:27,520 --> 00:54:30,520
Speaker 1: was rather simple, okay. Uh and it was for this

1017
00:54:30,760 --> 00:54:35,239
Speaker 1: very reason, because it was Sean's rather simple suit. And

1018
00:54:35,239 --> 00:54:37,000
Speaker 1: it was because I didn't want to have to put

1019
00:54:37,040 --> 00:54:39,200
Speaker 1: myself out there doing all kinds of ingredients.

1020
00:54:39,280 --> 00:54:39,879
Speaker 2: Yeah yeah, yeah.

1021
00:54:41,520 --> 00:54:43,279
Speaker 1: Well and you lived through it, oh I did, yes,

1022
00:54:43,480 --> 00:54:45,680
Speaker 1: And I got to see it firsthand. And you broke

1023
00:54:45,719 --> 00:54:49,520
Speaker 1: into a sweat and you left sick to your stomach. Yeah,

1024
00:54:50,120 --> 00:54:54,200
Speaker 1: and you humiliated yourself. Yes, it's recorded, yes now forever.

1025
00:54:54,920 --> 00:54:57,040
Speaker 1: Uh yeah, that will be out there for all time.

1026
00:54:57,360 --> 00:55:00,320
Speaker 2: Uh, there's gonna be a lot of discussion about it

1027
00:55:00,400 --> 00:55:03,520
Speaker 2: on the Reddit, and it's gonna be the end.

1028
00:55:04,760 --> 00:55:08,160
Speaker 1: Yeah, that'll be a rap on any daily And it

1029
00:55:08,320 --> 00:55:10,320
Speaker 1: was a fucking hell of a run, sure it was.

1030
00:55:10,400 --> 00:55:13,200
Speaker 1: I got no regrets, no none whatsoever.

1031
00:55:13,719 --> 00:55:18,560
Speaker 2: Yeah, No, I hate regrets. Yeah yeah, yeah, they suck.

1032
00:55:19,520 --> 00:55:22,560
Speaker 2: They suck a hairy fat one regrets. I mean we

1033
00:55:22,640 --> 00:55:23,520
Speaker 2: can all agree on that.

1034
00:55:24,400 --> 00:55:27,719
Speaker 1: Speaking of a hairy fat one, Bosh, his voice is

1035
00:55:28,000 --> 00:55:30,480
Speaker 1: similar to that, but I'm not gonna go nuts with it.

1036
00:55:30,640 --> 00:55:35,640
Speaker 2: But it is like, uh, he's like ha the dog.

1037
00:55:36,000 --> 00:55:39,680
Speaker 2: So here's a little cookbucking there you go voice, Yeah,

1038
00:55:39,800 --> 00:55:42,839
Speaker 2: that is the voice. Yeah. And he might say, like, well,

1039
00:55:44,719 --> 00:55:46,440
Speaker 2: how to make the perfect cord dog?

1040
00:55:47,080 --> 00:55:49,960
Speaker 1: Maybe knock some of it on a stick and falls

1041
00:55:50,040 --> 00:55:54,960
Speaker 1: on the floor, and he gives himself away a bit,

1042
00:55:55,000 --> 00:55:56,560
Speaker 1: I think by laughing at each suggestion.

1043
00:55:57,000 --> 00:56:00,200
Speaker 2: Do you think this is a good children's book? Uh,

1044
00:56:00,800 --> 00:56:05,640
Speaker 2: as long as it. At no time are we told

1045
00:56:05,719 --> 00:56:09,080
Speaker 2: that this was all a dream. I'm fine with it.

1046
00:56:09,239 --> 00:56:11,520
Speaker 2: That is my That's the only way to fuck up

1047
00:56:11,520 --> 00:56:13,359
Speaker 2: a children's I'm going to take that back to him.

1048
00:56:13,640 --> 00:56:13,839
Speaker 3: Good.

1049
00:56:14,000 --> 00:56:15,319
Speaker 2: I'm going to take that back to him.

1050
00:56:15,760 --> 00:56:17,719
Speaker 1: Are there other children's books that have seemed like just

1051
00:56:17,800 --> 00:56:20,080
Speaker 1: a dream to you that you want to get off

1052
00:56:20,120 --> 00:56:23,320
Speaker 1: your chest and we can put them on notice today

1053
00:56:23,440 --> 00:56:25,840
Speaker 1: on Hollywood Handbook and we fucking light them up.

1054
00:56:27,400 --> 00:56:32,280
Speaker 2: The Grinch Stealing Christmas, that's all a dream that didn't

1055
00:56:32,320 --> 00:56:37,000
Speaker 2: happen at all. Winnie the Pooh all a child's dream,

1056
00:56:37,280 --> 00:56:41,040
Speaker 2: No way. Yes, animals didn't talk or do anything. Animals

1057
00:56:41,239 --> 00:56:47,600
Speaker 2: curious George in that period, only in a dream. Flat Stanley,

1058
00:56:48,040 --> 00:56:50,120
Speaker 2: full ship, full fucking ship.

1059
00:56:50,120 --> 00:56:52,160
Speaker 1: If you were that flat, you would be Dad, you

1060
00:56:52,400 --> 00:56:57,160
Speaker 1: would yeah, dream, sure, sure, I'll tell you what crayons

1061
00:56:57,200 --> 00:56:57,560
Speaker 1: don't do.

1062
00:56:58,000 --> 00:56:59,720
Speaker 2: What is it with the freaking Harald of the Purple

1063
00:56:59,760 --> 00:57:00,480
Speaker 2: cray On crayon?

1064
00:57:01,080 --> 00:57:04,359
Speaker 1: Unless you're dreaming? Yes, lest you're almost one hundred percent

1065
00:57:04,400 --> 00:57:05,920
Speaker 1: of these books taking dream.

1066
00:57:05,800 --> 00:57:06,400
Speaker 3: Yes they do.

1067
00:57:06,880 --> 00:57:09,400
Speaker 2: I don't all specifically say at the end this was

1068
00:57:09,480 --> 00:57:10,719
Speaker 2: a dream, and then I woke up and now I

1069
00:57:10,760 --> 00:57:13,840
Speaker 2: wasn't dreaming. It's in there. Surely these are all in

1070
00:57:13,920 --> 00:57:14,560
Speaker 2: a dream state.

1071
00:57:15,040 --> 00:57:15,640
Speaker 1: M M. Yeah.

1072
00:57:16,640 --> 00:57:19,240
Speaker 2: Uh oh, they're drawings. Huh, they're drawings.

1073
00:57:19,480 --> 00:57:24,160
Speaker 1: They're drawing snow photographic proof of basically any of the

1074
00:57:24,240 --> 00:57:24,919
Speaker 1: children's books.

1075
00:57:25,240 --> 00:57:28,800
Speaker 2: Uh events, yeah, think about that. Yeah. No. I wrote

1076
00:57:28,800 --> 00:57:33,160
Speaker 2: a letter to uh uh the doctor, Sue said, and

1077
00:57:33,400 --> 00:57:37,160
Speaker 2: just saying, can you provide me with one photograph of

1078
00:57:37,240 --> 00:57:37,960
Speaker 2: the cat in the hat?

1079
00:57:38,560 --> 00:57:38,600
Speaker 1: Like?

1080
00:57:38,760 --> 00:57:39,080
Speaker 2: Please?

1081
00:57:39,440 --> 00:57:39,640
Speaker 4: One?

1082
00:57:39,960 --> 00:57:43,800
Speaker 1: Very generous one photograph, very generous. Yes, to just say

1083
00:57:43,920 --> 00:57:45,360
Speaker 1: to limit it to just give me one.

1084
00:57:45,560 --> 00:57:48,240
Speaker 2: Just give me one photograph of the cat in the hat.

1085
00:57:48,720 --> 00:57:51,880
Speaker 2: And you know Thing one or Thing two. I don't

1086
00:57:51,880 --> 00:57:52,760
Speaker 2: even I don't need to see both.

1087
00:57:53,840 --> 00:57:56,560
Speaker 1: They don't have to be together, although I'm I'm led

1088
00:57:56,600 --> 00:57:58,320
Speaker 1: to believe they're frequently together.

1089
00:57:58,720 --> 00:58:00,360
Speaker 2: But I'm not going to hold your feet to the fire.

1090
00:58:00,480 --> 00:58:02,520
Speaker 2: If you only had a photograph of Thing one or

1091
00:58:02,640 --> 00:58:06,920
Speaker 2: Thing two, I would be curious excepted, but fine, yeah uh.

1092
00:58:07,240 --> 00:58:11,240
Speaker 2: And I received back, literally, I received back like a

1093
00:58:11,480 --> 00:58:15,280
Speaker 2: form letter and and not even a personalized, not even

1094
00:58:15,280 --> 00:58:16,960
Speaker 2: a person letter. And it did not address it just

1095
00:58:17,040 --> 00:58:20,280
Speaker 2: thanked me for you know, being like liking the book. Yes, exactly,

1096
00:58:21,240 --> 00:58:24,440
Speaker 2: just like, well, somebody's afraid of something, you know what

1097
00:58:24,480 --> 00:58:26,919
Speaker 2: I mean. Yeah, somebody doesn't want to, you know, get

1098
00:58:27,000 --> 00:58:28,200
Speaker 2: into this. I wrote.

1099
00:58:28,280 --> 00:58:32,880
Speaker 1: I asked for full nudes of the Laura acts you did.

1100
00:58:33,200 --> 00:58:35,600
Speaker 1: I wanted to see the Laura his axe, you know

1101
00:58:35,640 --> 00:58:36,080
Speaker 1: what I'm.

1102
00:58:35,960 --> 00:58:38,920
Speaker 2: Talking about, what you're talking about, because it drawing that thing.

1103
00:58:39,120 --> 00:58:43,080
Speaker 2: He's not wearing anything. Yeah, but obviously that's not.

1104
00:58:43,880 --> 00:58:46,200
Speaker 1: Obviously I know he's not the one chopping the trees down.

1105
00:58:46,280 --> 00:58:48,560
Speaker 1: He likes the trees, but he's but he's also got

1106
00:58:48,640 --> 00:58:51,880
Speaker 1: an axe of his own, you know. And I go, hey, no,

1107
00:58:52,080 --> 00:58:55,720
Speaker 1: I'm not pissed. Hey, hey, fellow ivy leaguer, you're a

1108
00:58:55,840 --> 00:58:59,480
Speaker 1: dartmouth man. Of course, it's almost a dark cronies. Yeah,

1109
00:58:59,840 --> 00:59:01,880
Speaker 1: I have to give it up for that. Although we

1110
00:59:02,000 --> 00:59:05,840
Speaker 1: do peer down our bifocals a bit at him, and

1111
00:59:06,040 --> 00:59:09,200
Speaker 1: I say, uh, there's one full now lit the lorax

1112
00:59:10,080 --> 00:59:14,160
Speaker 1: tasteful you don't have to be fully roused me.

1113
00:59:15,320 --> 00:59:17,320
Speaker 2: I don't care if you Yeah, I don't care if

1114
00:59:17,360 --> 00:59:18,520
Speaker 2: you just shove it up.

1115
00:59:19,920 --> 00:59:23,360
Speaker 1: That's not I'm not pissed. I say, hey, just give

1116
00:59:23,400 --> 00:59:25,320
Speaker 1: me one, you know. And it could be from a

1117
00:59:25,400 --> 00:59:28,800
Speaker 1: behind angle. It's just sort of in shadow. Yeah, where

1118
00:59:28,880 --> 00:59:31,400
Speaker 1: it's it's implied, but you can't necessarily make out all

1119
00:59:31,440 --> 00:59:34,800
Speaker 1: the lines. And what do you think I got back.

1120
00:59:36,800 --> 00:59:42,920
Speaker 2: Jail? I went to that. Yes, whoa, they really got scared?

1121
00:59:43,160 --> 00:59:47,280
Speaker 2: Oh yeah, they know that. We know it's all a dreams.

1122
00:59:48,160 --> 00:59:51,200
Speaker 2: Every fucking one of them is a dream. So, Kevin,

1123
00:59:51,760 --> 00:59:53,560
Speaker 2: are we basically done with the show?

1124
00:59:53,800 --> 00:59:54,080
Speaker 3: We are?

1125
00:59:54,160 --> 00:59:54,800
Speaker 2: Hayes hung up?

1126
00:59:55,040 --> 00:59:59,680
Speaker 1: Okay, Well, he has been quiet. I noticed that he

1127
00:59:59,840 --> 01:00:01,360
Speaker 1: was being very cagey.

1128
01:00:01,680 --> 01:00:05,959
Speaker 2: Yeah. Yes, And that's one of the things that lets

1129
01:00:06,000 --> 01:00:07,840
Speaker 2: me know this guy's not here.

1130
01:00:08,560 --> 01:00:12,920
Speaker 1: When I haven't heard him for thirty minutes, that's when

1131
01:00:12,960 --> 01:00:14,840
Speaker 1: I start to go, I think this guy's not here.

1132
01:00:15,120 --> 01:00:16,160
Speaker 2: You're very perceptive.

1133
01:00:16,400 --> 01:00:19,680
Speaker 1: Well, that's the greatest compliment I've ever received, to be

1134
01:00:19,800 --> 01:00:23,200
Speaker 1: called perceptive by Andy Daly. Andy, he's here to promote

1135
01:00:23,480 --> 01:00:27,240
Speaker 1: multiple podcasts. Go ahead, rattle him off before we go. Oh, well,

1136
01:00:27,280 --> 01:00:31,800
Speaker 1: the Andy Daily, it's all we have time for. Bye.