1 00:00:01,560 --> 00:00:04,760 Speaker 1: Welcome to Stuff from the Science Lab from how stuff 2 00:00:04,760 --> 00:00:16,239 Speaker 1: works dot com. Hey, this is Alison Madam like the 3 00:00:16,280 --> 00:00:18,439 Speaker 1: science editor at how stuff works dot com. And this 4 00:00:18,560 --> 00:00:21,440 Speaker 1: is Robert Lamb, science rider how stuff works dot com. 5 00:00:21,440 --> 00:00:26,000 Speaker 1: Thanks for joining us today. We're talking about late pollution, yes, 6 00:00:26,079 --> 00:00:30,600 Speaker 1: which is not that does not mean mild pollution, diet 7 00:00:30,600 --> 00:00:35,240 Speaker 1: pollution if we're talking in terms of illumination right physically, 8 00:00:35,280 --> 00:00:39,080 Speaker 1: we're talking about artificial light shining at night. Essentially, we're 9 00:00:39,120 --> 00:00:41,000 Speaker 1: shining at the wrong time of day, and night is 10 00:00:41,040 --> 00:00:46,080 Speaker 1: the wrong time of day. Correct, chew on that one. Listeners. Basically, 11 00:00:46,280 --> 00:00:48,440 Speaker 1: we live in a world divided into night and day. 12 00:00:48,800 --> 00:00:51,440 Speaker 1: Sometimes it's not exactly a fifty fifty split, depending on 13 00:00:51,479 --> 00:00:54,320 Speaker 1: where you happen to live, but still it's a natural 14 00:00:54,440 --> 00:00:57,240 Speaker 1: order of things. And when you start filling the uh 15 00:00:57,520 --> 00:01:02,880 Speaker 1: the nighttime with lights, electric lights and and Christmas lights 16 00:01:02,920 --> 00:01:06,520 Speaker 1: and and and all this, you're screwing it up. And 17 00:01:06,640 --> 00:01:08,280 Speaker 1: that's what we're talking about. The day is all the 18 00:01:08,280 --> 00:01:11,839 Speaker 1: ways you can can basically screw up the world around 19 00:01:11,840 --> 00:01:15,200 Speaker 1: you by lighting it up. Who knew? So what do 20 00:01:15,240 --> 00:01:16,960 Speaker 1: you see when you look at the night sky? I 21 00:01:17,000 --> 00:01:20,160 Speaker 1: guess it kind of depends on where you live. Yeah, 22 00:01:20,280 --> 00:01:22,679 Speaker 1: we both live in the Atlanta area. Of course, the 23 00:01:22,720 --> 00:01:26,800 Speaker 1: Atlanta area is not renowned for being an excellent stargazing place. Right, 24 00:01:26,840 --> 00:01:30,760 Speaker 1: there's no Midtown Observatory because when I look into the sky, 25 00:01:30,840 --> 00:01:33,600 Speaker 1: I tend to see either, um, like a seven forty 26 00:01:33,640 --> 00:01:36,320 Speaker 1: seven going over. I see a lot of those too, Yeah, 27 00:01:36,480 --> 00:01:40,000 Speaker 1: quite a few. Yeah, I think that's about all we see. Yeah, 28 00:01:40,040 --> 00:01:42,360 Speaker 1: So light pollution is it gets pretty bad, as you 29 00:01:42,400 --> 00:01:46,000 Speaker 1: can imagine in urban areas. Actually, one thing I found 30 00:01:46,080 --> 00:01:48,600 Speaker 1: was that you can tell how light pollution affects your 31 00:01:48,640 --> 00:01:51,920 Speaker 1: area by counting the stars and Orion and alright is 32 00:01:51,920 --> 00:01:54,360 Speaker 1: my favorite constellation anyway, because it's so easy to pick out, 33 00:01:54,360 --> 00:01:56,600 Speaker 1: which what what is it shaped light? Well, it's got 34 00:01:56,640 --> 00:01:59,160 Speaker 1: the four corners and then it has the diagonal belt. 35 00:01:59,320 --> 00:02:00,840 Speaker 1: When you see it in the the book, like what 36 00:02:00,880 --> 00:02:03,400 Speaker 1: does it look like a man like strangling a goat 37 00:02:03,480 --> 00:02:06,600 Speaker 1: or something like? They all would look like something tremendously elaborate. 38 00:02:06,680 --> 00:02:09,200 Speaker 1: And it's always like a square. Yeah, I mean it 39 00:02:09,320 --> 00:02:11,560 Speaker 1: is pretty much a square, but I picture it is 40 00:02:11,600 --> 00:02:13,640 Speaker 1: being a man with a like a toga and a 41 00:02:13,760 --> 00:02:17,880 Speaker 1: belt kind of on the diagonal anyway. Um, so if 42 00:02:17,880 --> 00:02:19,520 Speaker 1: you count the stores in our eye and you can 43 00:02:19,560 --> 00:02:21,560 Speaker 1: see about eleven if you live in a place with 44 00:02:21,600 --> 00:02:24,800 Speaker 1: a lot of light pollution, but wander on out into 45 00:02:24,880 --> 00:02:28,959 Speaker 1: some sort of cleary night paradise for looking at stars, 46 00:02:28,960 --> 00:02:31,679 Speaker 1: and you can see as many as fifty. So that's 47 00:02:31,720 --> 00:02:33,240 Speaker 1: just one hand you measure that we're going to give 48 00:02:33,280 --> 00:02:36,360 Speaker 1: to you for compared to just all the stars in 49 00:02:36,400 --> 00:02:39,679 Speaker 1: the sky on top of that. Because I don't know 50 00:02:39,680 --> 00:02:41,560 Speaker 1: about you, but I um, I grew up in a 51 00:02:41,600 --> 00:02:44,600 Speaker 1: really rural area part of Tennessee. There's just out in 52 00:02:44,600 --> 00:02:47,079 Speaker 1: the middle of nowhere, and I remember just walking out 53 00:02:47,120 --> 00:02:50,000 Speaker 1: at night and just seeing just this pit of stars 54 00:02:50,040 --> 00:02:52,680 Speaker 1: above me. You know, it was just like the universe 55 00:02:52,720 --> 00:02:54,520 Speaker 1: just seemed to go on forever, and you felt like 56 00:02:54,560 --> 00:02:56,240 Speaker 1: you could just be sucked up into it in any 57 00:02:56,280 --> 00:02:58,360 Speaker 1: given moment, right Like you felt like you're almost in 58 00:02:58,360 --> 00:03:00,960 Speaker 1: a planetarium, right those are was here. Grew up in 59 00:03:01,000 --> 00:03:03,799 Speaker 1: places with a lot of light pollution, it's like that 60 00:03:04,080 --> 00:03:08,240 Speaker 1: like that, yeah, except with like coyotes in the woods 61 00:03:08,400 --> 00:03:10,920 Speaker 1: around you. And yeah, I used to actually kind of 62 00:03:10,919 --> 00:03:14,280 Speaker 1: frighten me because I also watched unsolved mysteries and was 63 00:03:14,320 --> 00:03:16,280 Speaker 1: just convinced I was going to be abducted by aliens. 64 00:03:16,320 --> 00:03:19,920 Speaker 1: At any given moment, if I saw them speeding, you know, 65 00:03:19,960 --> 00:03:21,840 Speaker 1: through the stars in a little UFO or something, they 66 00:03:21,880 --> 00:03:23,360 Speaker 1: would see me and they'd have to come get me. 67 00:03:23,960 --> 00:03:26,200 Speaker 1: And now I'm not afraid of all that stuff anymore, 68 00:03:26,240 --> 00:03:28,600 Speaker 1: and i find myself missing, you know, that kind of 69 00:03:28,720 --> 00:03:33,880 Speaker 1: night sky. Serious astronomers obviously hate light pollution that, huh, right, 70 00:03:33,960 --> 00:03:37,280 Speaker 1: because yeah, they're looking for things up there, not so 71 00:03:37,360 --> 00:03:40,920 Speaker 1: much UFOs or Orion's belt, which they're you know, that's 72 00:03:40,920 --> 00:03:43,040 Speaker 1: just bush league stuff to them. They're more into things 73 00:03:43,040 --> 00:03:46,640 Speaker 1: like messing clouds and titans atmosphere, you know, and and 74 00:03:46,720 --> 00:03:49,760 Speaker 1: what's going on with Saturn's rings and the hunt for exoplanets, 75 00:03:49,800 --> 00:03:53,280 Speaker 1: and the atmosphere itself, like even on like a clear day, 76 00:03:53,520 --> 00:03:56,960 Speaker 1: you know, the the atmosphere itself can throw instrumentation out 77 00:03:57,000 --> 00:03:59,320 Speaker 1: of whack. That's when we send up satellites with telescopes 78 00:03:59,440 --> 00:04:01,480 Speaker 1: to get get out of all that. But throwing light 79 00:04:01,520 --> 00:04:05,320 Speaker 1: pollution that just cuts down visibility even more. You're trying 80 00:04:05,360 --> 00:04:08,440 Speaker 1: to operate an observatory and there's like a stuckies like 81 00:04:08,600 --> 00:04:10,880 Speaker 1: down the block with all its lights on. I mean, 82 00:04:10,960 --> 00:04:14,280 Speaker 1: that can interfere with the instrumentation as well. I mean, 83 00:04:14,600 --> 00:04:17,880 Speaker 1: you need your darkness to see the stars. In case 84 00:04:17,920 --> 00:04:21,920 Speaker 1: you haven't gathered already. We advocate darkness this podcast Darkness 85 00:04:22,040 --> 00:04:25,720 Speaker 1: is Your Friend people. And another group that advocates darkness 86 00:04:25,800 --> 00:04:29,360 Speaker 1: is the International Dark Skies Association dark Skies dot Org. 87 00:04:29,800 --> 00:04:34,280 Speaker 1: On a more localized level, there's say Flagstaff Dark Skies Coalition. 88 00:04:35,040 --> 00:04:39,320 Speaker 1: Flagstaff Arizona is important because there's a really notable observatory there. 89 00:04:39,440 --> 00:04:41,839 Speaker 1: So the flag Staff Dark Sky's Coalition is made of 90 00:04:42,680 --> 00:04:45,000 Speaker 1: um a lot of efforts to just cut down on 91 00:04:45,040 --> 00:04:47,640 Speaker 1: how much light is going on in the surrounding area, 92 00:04:47,960 --> 00:04:51,840 Speaker 1: because the more lightning surrounding area, the more obscured view 93 00:04:52,080 --> 00:04:54,440 Speaker 1: of the stars you have. So you have people like 94 00:04:54,520 --> 00:04:56,920 Speaker 1: knocking on doors and saying, please sir, turn off that 95 00:04:58,160 --> 00:05:01,480 Speaker 1: really annoying light. Yeah. That, and like you know, knocking 96 00:05:01,520 --> 00:05:05,080 Speaker 1: on the doors of like you know, local business associations 97 00:05:05,200 --> 00:05:08,279 Speaker 1: and you know city government, county ordinances and all. And 98 00:05:08,320 --> 00:05:10,920 Speaker 1: you get it to where people are using lights more 99 00:05:10,920 --> 00:05:14,080 Speaker 1: responsibly at night, or they're using them in the right way. 100 00:05:14,920 --> 00:05:16,920 Speaker 1: For instance, you know you want to light a parking lot, 101 00:05:17,560 --> 00:05:19,520 Speaker 1: why not just direct the light at the parking lot. 102 00:05:19,560 --> 00:05:21,680 Speaker 1: No need to have it going off in every direction. 103 00:05:22,240 --> 00:05:26,080 Speaker 1: You know, it's simple things like that, Simple things, Robert. So, 104 00:05:26,320 --> 00:05:28,279 Speaker 1: there are a few different kinds of light pollution that 105 00:05:29,040 --> 00:05:31,640 Speaker 1: mess up the darkness for us, all um. And one 106 00:05:31,640 --> 00:05:34,880 Speaker 1: of those sky glow, and skyglow is just just imagine 107 00:05:34,920 --> 00:05:38,080 Speaker 1: looking down upon a city at night, major metropolitan area 108 00:05:38,080 --> 00:05:41,040 Speaker 1: of your choice, like I don't know, Los Angeles, maybe Atlanta, 109 00:05:41,960 --> 00:05:43,640 Speaker 1: and what you're gonna see is just kind of this 110 00:05:43,760 --> 00:05:47,120 Speaker 1: brilliant blanket of skyglow and you're not going to see 111 00:05:47,200 --> 00:05:49,520 Speaker 1: the darkness. Yeah, it's like any of those, uh for 112 00:05:49,600 --> 00:05:52,080 Speaker 1: me films where you see people going up to like 113 00:05:52,120 --> 00:05:53,880 Speaker 1: the Hollywood Sign and they're looking out at l A 114 00:05:54,400 --> 00:05:58,479 Speaker 1: and it just looks like this glowing golden world. You know, 115 00:05:59,200 --> 00:06:03,159 Speaker 1: that's just light pollution that it's And then this is 116 00:06:03,200 --> 00:06:06,320 Speaker 1: my favorite kind of light pollution. You have light trespass. 117 00:06:06,400 --> 00:06:09,360 Speaker 1: And I love Chevy Chase, and this makes me think 118 00:06:09,400 --> 00:06:13,719 Speaker 1: of a Chevy Chase movie Christmas Vacation when he painstakingly 119 00:06:15,120 --> 00:06:18,479 Speaker 1: puts up all of his Christmas lights and finally, oh yeah, Chevy, 120 00:06:18,520 --> 00:06:21,640 Speaker 1: you finally get it right, or Clark, I should say, 121 00:06:21,880 --> 00:06:24,960 Speaker 1: and he pretty much blinds the whole neighborhood so this 122 00:06:25,040 --> 00:06:28,240 Speaker 1: is like Chevy's light is trespassing on all of the 123 00:06:28,279 --> 00:06:31,640 Speaker 1: other neighbors and their their nice darkness. And I have 124 00:06:31,720 --> 00:06:35,479 Speaker 1: to say, I'm a fan of Christmas lights, so I 125 00:06:35,600 --> 00:06:37,560 Speaker 1: was a little conflicted by this type of light pollution. 126 00:06:38,120 --> 00:06:40,760 Speaker 1: Or it's something like if you live next to a 127 00:06:40,760 --> 00:06:44,000 Speaker 1: football stadium and every night is Friday nightlights for you, Yeah, 128 00:06:44,040 --> 00:06:46,120 Speaker 1: why can't they play football in the daytime or in 129 00:06:46,160 --> 00:06:48,200 Speaker 1: the dark. Why can't they play football in the dark? 130 00:06:48,400 --> 00:06:50,840 Speaker 1: Excellent glow in the dark materials out there. They're used 131 00:06:50,839 --> 00:06:53,200 Speaker 1: to getting her what's a couple of more stub toos, right, 132 00:06:54,520 --> 00:06:57,080 Speaker 1: and then used to like glare. And this is just 133 00:06:57,120 --> 00:06:59,760 Speaker 1: when lights are aiming directly into your eyes, like those 134 00:07:00,120 --> 00:07:04,960 Speaker 1: really fancy xenon high intensity discharged lights that tend to 135 00:07:05,000 --> 00:07:06,919 Speaker 1: blind me when I'm driving. Although I did find a 136 00:07:06,960 --> 00:07:12,720 Speaker 1: study that says said lights um may annoy oncoming drivers 137 00:07:12,760 --> 00:07:15,200 Speaker 1: like myself, but they don't disable them. I think the 138 00:07:15,280 --> 00:07:18,080 Speaker 1: University of Michigan to study on it. Yeah, that's always 139 00:07:18,080 --> 00:07:20,640 Speaker 1: a bad sell with you know, these headlights will disable 140 00:07:20,760 --> 00:07:24,400 Speaker 1: other drivers, but um, and then you have stuffite like clutter, 141 00:07:24,800 --> 00:07:26,760 Speaker 1: And this is this is a kind of late pollution 142 00:07:26,760 --> 00:07:28,720 Speaker 1: where somebody just got a little bit too happy and 143 00:07:28,760 --> 00:07:31,280 Speaker 1: putting up street lights and there's an overabundance of them, 144 00:07:31,400 --> 00:07:34,600 Speaker 1: or maybe there's a building that's lit up like daytime 145 00:07:34,720 --> 00:07:41,160 Speaker 1: at midnight. So besides being wasteful and making astronomers mad, 146 00:07:41,240 --> 00:07:43,960 Speaker 1: it has some serious effects on our health and our 147 00:07:44,000 --> 00:07:47,840 Speaker 1: circadian rhythms. That's right. A lot of the creatures on 148 00:07:47,840 --> 00:07:51,679 Speaker 1: this planet have evolved to live in um in periods 149 00:07:51,680 --> 00:07:54,200 Speaker 1: of night, in periods of day where they spend most 150 00:07:54,200 --> 00:07:56,760 Speaker 1: of their time. It depends, but still they're they're dealing 151 00:07:56,760 --> 00:08:01,880 Speaker 1: with that system. And again, when you you know, illuminate 152 00:08:02,200 --> 00:08:05,400 Speaker 1: a BP station with the light of a thousand suns, 153 00:08:05,440 --> 00:08:09,920 Speaker 1: you're messing up that system. Right, So circadian rhythms depend 154 00:08:09,920 --> 00:08:14,239 Speaker 1: on light in darkness, and then circadian rhythms impact behavior 155 00:08:14,320 --> 00:08:19,520 Speaker 1: down the line, like sleeping, like mating, like migration, feeding, 156 00:08:19,640 --> 00:08:22,880 Speaker 1: I mean, just basic activity levels. Even if you have 157 00:08:22,920 --> 00:08:25,000 Speaker 1: an animal living in a national park or somewhere out 158 00:08:25,040 --> 00:08:27,360 Speaker 1: in the wild, you still have residual effects from you know, 159 00:08:27,440 --> 00:08:32,600 Speaker 1: nearby urban development. So light is everywhere? Is this a surprise? 160 00:08:32,800 --> 00:08:35,760 Speaker 1: Not so much so. It seems like artificial light is everywhere. 161 00:08:35,760 --> 00:08:38,400 Speaker 1: You just can't get away from it. So let's talk 162 00:08:38,400 --> 00:08:40,480 Speaker 1: about some of these poor animals and how they're affected. 163 00:08:40,920 --> 00:08:42,760 Speaker 1: One of the ones that stuck with me about light 164 00:08:42,760 --> 00:08:46,400 Speaker 1: pollution how animals are affected was on baby sea turtles. 165 00:08:46,880 --> 00:08:49,600 Speaker 1: Did you read that and Jessica Chiefman's fine fine article? 166 00:08:49,800 --> 00:08:52,559 Speaker 1: I did, and I'm familiar with that one from family 167 00:08:52,679 --> 00:08:57,559 Speaker 1: beach visits in the past. Sad stuff. Yeah, So when 168 00:08:57,600 --> 00:08:59,760 Speaker 1: these baby sea turtles hatch on a beach, they're supposed 169 00:08:59,760 --> 00:09:03,000 Speaker 1: to hit to the water right nice, you know, some 170 00:09:03,080 --> 00:09:06,160 Speaker 1: moonlight playing over the waves, that's how they know where 171 00:09:06,200 --> 00:09:08,720 Speaker 1: the ocean is right. But then you have things like 172 00:09:08,760 --> 00:09:11,440 Speaker 1: bright beach lights illuminating the fine white sand, and the 173 00:09:11,480 --> 00:09:15,080 Speaker 1: port turtle gets confused and sometimes will even head off 174 00:09:15,080 --> 00:09:17,560 Speaker 1: in the wrong direction, and what do you know, he 175 00:09:17,600 --> 00:09:20,880 Speaker 1: gets hit by a passing car. He ensconces himself in 176 00:09:20,920 --> 00:09:26,560 Speaker 1: a seaside resort. It's bad news for Yeah, light pollution 177 00:09:26,640 --> 00:09:28,600 Speaker 1: not good for the baby turtles. And you have things 178 00:09:28,679 --> 00:09:33,000 Speaker 1: like owls, and owls like you guys know, are nocturnals. 179 00:09:33,040 --> 00:09:35,760 Speaker 1: So they take advantage of night to hunt more and 180 00:09:35,800 --> 00:09:38,839 Speaker 1: it increasingly drives the prey into hiding. They're out there 181 00:09:38,840 --> 00:09:40,679 Speaker 1: to catch animals that live at night, and if you 182 00:09:40,679 --> 00:09:43,559 Speaker 1: have it lit up like day, those uh that those 183 00:09:44,000 --> 00:09:46,040 Speaker 1: those animals are going to be gone. And then you 184 00:09:46,120 --> 00:09:50,720 Speaker 1: stuff like bioluminescent species, and these are just the organisms 185 00:09:50,760 --> 00:09:54,520 Speaker 1: that light up per a chemical reaction to um. On land, 186 00:09:54,559 --> 00:09:57,880 Speaker 1: this might be fireflies and fungus, and then in the 187 00:09:57,920 --> 00:10:00,559 Speaker 1: water you have fish and alerga that light up. And 188 00:10:01,160 --> 00:10:05,040 Speaker 1: the problem for these tireless bioluminescent species is that all 189 00:10:05,040 --> 00:10:08,720 Speaker 1: of a sudden they have competitors, which is the artificial lighting, 190 00:10:09,240 --> 00:10:13,319 Speaker 1: and it poses a problem. There's another animal of a 191 00:10:13,679 --> 00:10:17,960 Speaker 1: special note. Humans, Humans of course have to deal with 192 00:10:17,960 --> 00:10:21,000 Speaker 1: periods of light and darkness like everything else. Most of 193 00:10:21,080 --> 00:10:24,480 Speaker 1: us tend to spend that time working during the day 194 00:10:24,520 --> 00:10:27,280 Speaker 1: and sleeping at night. Right, It's interesting. It looked at 195 00:10:27,280 --> 00:10:29,280 Speaker 1: a number of different studies and some of this is 196 00:10:29,320 --> 00:10:32,600 Speaker 1: mentioned in our House Stuff Works article by Jessica Toothman 197 00:10:32,640 --> 00:10:35,240 Speaker 1: as well. It's it seems like it's a careful balance. 198 00:10:35,320 --> 00:10:37,080 Speaker 1: You know, It's like we need a certain amount of 199 00:10:37,160 --> 00:10:39,840 Speaker 1: light and and that's that's pretty obvious because you know, 200 00:10:39,880 --> 00:10:42,640 Speaker 1: you have a lot of people really have to have 201 00:10:42,679 --> 00:10:44,840 Speaker 1: their light or they grow depressed. It's you know, seasonal 202 00:10:44,880 --> 00:10:48,800 Speaker 1: effective disorder, etcetera. People to live in the far North. Um, 203 00:10:48,880 --> 00:10:52,120 Speaker 1: you know, places like you know in Alaska or you know, 204 00:10:52,160 --> 00:10:54,800 Speaker 1: parts of Scandinavia, they actually you know, have to have 205 00:10:54,880 --> 00:10:56,760 Speaker 1: to have light treatment. You know, they like wake up 206 00:10:56,760 --> 00:10:59,079 Speaker 1: in the morning, um, you know, turn on a certain 207 00:10:59,160 --> 00:11:02,199 Speaker 1: kind of lights to help raise their you know, their 208 00:11:02,240 --> 00:11:04,600 Speaker 1: their levels, you know, stop them drinking all the time. 209 00:11:04,800 --> 00:11:06,839 Speaker 1: So yeah, we take that for granted that humans need 210 00:11:06,920 --> 00:11:09,319 Speaker 1: light to survive because you know, we've all seen movies 211 00:11:09,360 --> 00:11:11,840 Speaker 1: where people live underground and turn into some sort of 212 00:11:11,840 --> 00:11:15,600 Speaker 1: grotesque monster. Right, but you know there's a lot of 213 00:11:16,200 --> 00:11:19,400 Speaker 1: ill effects as well to not getting enough darkness. We 214 00:11:19,760 --> 00:11:24,400 Speaker 1: really need those periods of darkness to remain healthy. Um. 215 00:11:24,559 --> 00:11:26,600 Speaker 1: This is how it works, all right. We perceive light 216 00:11:26,600 --> 00:11:30,720 Speaker 1: through our retiness, right, and this then suppresses the penneal gland, 217 00:11:30,840 --> 00:11:35,760 Speaker 1: which pumps out melotonin, right, a hormone that regulates estrogen 218 00:11:35,800 --> 00:11:40,160 Speaker 1: and testosterone. Okay, so if you're not getting enough darkness, 219 00:11:40,800 --> 00:11:44,079 Speaker 1: you're not going to produce enough melatonin alright, Your melotonin 220 00:11:44,160 --> 00:11:45,679 Speaker 1: or at least your melotonin levels are going to be 221 00:11:45,720 --> 00:11:48,880 Speaker 1: significantly lower. To break that down, like they say that 222 00:11:49,000 --> 00:11:51,760 Speaker 1: less than forty minutes of basking under an incandescent light 223 00:11:51,760 --> 00:11:55,360 Speaker 1: bulb can reduce some melotonal levels of up right, and 224 00:11:55,400 --> 00:11:58,600 Speaker 1: you want more melotonin because this is what regulates your 225 00:11:58,600 --> 00:12:02,240 Speaker 1: circadian right right, it helps right late your sleep cycle exactly. Um, 226 00:12:02,280 --> 00:12:04,360 Speaker 1: A number of you may take and may even take 227 00:12:04,400 --> 00:12:06,400 Speaker 1: it as a supplement. I take it at the supplement 228 00:12:06,600 --> 00:12:10,000 Speaker 1: to sleep at night. See. And additional studies have linked 229 00:12:10,080 --> 00:12:15,920 Speaker 1: artificial lighting to breast, colorectal prostate cancer. And there was 230 00:12:16,000 --> 00:12:20,520 Speaker 1: even an interesting interesting study from the Journal of Pennial Research. 231 00:12:20,840 --> 00:12:22,920 Speaker 1: Who knew there was a turnal with that now that's 232 00:12:22,960 --> 00:12:26,360 Speaker 1: it's pretty specific. Indicate that women in developed nations are 233 00:12:26,400 --> 00:12:28,760 Speaker 1: five times more likely to get breast cancer that women 234 00:12:28,800 --> 00:12:31,920 Speaker 1: in underdeveloped countries. And they're thinking there's a link somewhere 235 00:12:31,960 --> 00:12:34,040 Speaker 1: in there that's related to the amount of light. Yeah, 236 00:12:34,040 --> 00:12:36,600 Speaker 1: they're just saying that people in these more developed countries 237 00:12:36,600 --> 00:12:38,760 Speaker 1: are like a lot of us, are living in environments 238 00:12:38,760 --> 00:12:40,680 Speaker 1: where you look out the window, you know there's a 239 00:12:40,720 --> 00:12:43,320 Speaker 1: gas station gleaming in the night. You know, you look 240 00:12:43,320 --> 00:12:46,199 Speaker 1: overhead and you just see the glow of the city 241 00:12:46,800 --> 00:12:48,360 Speaker 1: lights everywhere. You know, you get up in the night, 242 00:12:48,400 --> 00:12:50,360 Speaker 1: you turn on six or seven lights just to go 243 00:12:50,720 --> 00:12:52,800 Speaker 1: use the restroom. Right, But if you live in a 244 00:12:52,880 --> 00:12:55,040 Speaker 1: less developed nation, you're more likely to say, get up 245 00:12:55,040 --> 00:12:57,640 Speaker 1: in the night and go, you know, relieve yourself in 246 00:12:57,679 --> 00:13:00,000 Speaker 1: the darkness. I use the restroom in the darkness. Anyway. 247 00:13:00,040 --> 00:13:01,680 Speaker 1: Who turns on the light to go to the bathroom 248 00:13:01,720 --> 00:13:04,440 Speaker 1: at night? I mean, that is so stupid. I always 249 00:13:04,440 --> 00:13:06,760 Speaker 1: make it a game to see if I can do 250 00:13:06,800 --> 00:13:08,960 Speaker 1: as much as possible in the darkness. Well, I like 251 00:13:09,040 --> 00:13:11,439 Speaker 1: to turn on the lights when I use the restroom. Well, 252 00:13:11,520 --> 00:13:13,720 Speaker 1: then you're gonna have to pay the consequences with your 253 00:13:13,720 --> 00:13:16,840 Speaker 1: melitone in there, buddy, that's true. But this brings us 254 00:13:16,840 --> 00:13:18,520 Speaker 1: to the point. What can we do to cut down 255 00:13:18,520 --> 00:13:21,760 Speaker 1: on light pollution? Right? You can do a lot of stuff, alright, 256 00:13:21,840 --> 00:13:24,800 Speaker 1: name one, give me give me something, Uh, turn off 257 00:13:24,800 --> 00:13:27,840 Speaker 1: the light? Yeah, that's that's a big one, just if 258 00:13:27,840 --> 00:13:29,360 Speaker 1: you're not using it. I mean it's kind of like, 259 00:13:29,640 --> 00:13:31,720 Speaker 1: you know, when you're a kid and your dad's tone, 260 00:13:31,760 --> 00:13:33,560 Speaker 1: you turn off the light when you leave the room. 261 00:13:33,640 --> 00:13:36,439 Speaker 1: Another one is, do you you don't really need a 262 00:13:36,559 --> 00:13:40,200 Speaker 1: high watt bulb every outlet, you know, even if they 263 00:13:40,240 --> 00:13:42,880 Speaker 1: are energy savor bulbs. Cut down the wattage of you're 264 00:13:42,920 --> 00:13:46,120 Speaker 1: not going to be performing, you know, minor surgery by it. Dimmers. 265 00:13:46,160 --> 00:13:49,720 Speaker 1: Dimmers are your friend, I understand. They're also fixtures can 266 00:13:49,760 --> 00:13:52,959 Speaker 1: be really important. Um, like I mentioned earlier, make sure 267 00:13:53,000 --> 00:13:55,040 Speaker 1: that you have a fixture that covers enough of the 268 00:13:55,120 --> 00:13:57,880 Speaker 1: light and where it's focused on what you need it for. 269 00:13:58,040 --> 00:14:00,400 Speaker 1: You know, if you have a floodlight pointed at what 270 00:14:00,520 --> 00:14:02,720 Speaker 1: you're flooding the light on, it doesn't need to just 271 00:14:02,760 --> 00:14:06,120 Speaker 1: go everywhere. Yeah. And incidentally, didn't you find something about 272 00:14:06,160 --> 00:14:10,120 Speaker 1: floodlights creating pockets of darkness anyway? That was something brought 273 00:14:10,200 --> 00:14:13,520 Speaker 1: up by the International Dark Skies Association, because you know, 274 00:14:13,559 --> 00:14:17,079 Speaker 1: one argument against the whole, you know, controlling light pollution 275 00:14:17,080 --> 00:14:19,560 Speaker 1: thing is people say, hey, I live in a terrifying 276 00:14:19,560 --> 00:14:22,960 Speaker 1: neighborhood and I am going to keep these floodlights on 277 00:14:23,280 --> 00:14:26,760 Speaker 1: to help protect my home and lights make people feel safe. Yeah, 278 00:14:26,800 --> 00:14:28,760 Speaker 1: and and it's you know, you look at any safety 279 00:14:28,760 --> 00:14:30,680 Speaker 1: list and that's one of the big ones. Illuminate your house. 280 00:14:30,920 --> 00:14:33,640 Speaker 1: I mean, I stand by that. But they also point 281 00:14:33,640 --> 00:14:35,880 Speaker 1: out that if you have like a lot of artificial 282 00:14:35,920 --> 00:14:37,840 Speaker 1: lighting going on in the area, you also end up 283 00:14:37,840 --> 00:14:40,800 Speaker 1: creating these pockets of darkness, which are really kind of 284 00:14:40,920 --> 00:14:44,440 Speaker 1: excellent hiding places because because anybody driving by your lights 285 00:14:44,440 --> 00:14:46,920 Speaker 1: gonna adjust to the really bright lights and those and 286 00:14:47,000 --> 00:14:50,520 Speaker 1: wherever there's darkness, it's just gonna be deep, impenetrable darkness. 287 00:14:50,840 --> 00:14:52,880 Speaker 1: So maybe something like motion sensor lights would be a 288 00:14:52,920 --> 00:14:55,040 Speaker 1: better call. Yeah, that would be That would be a 289 00:14:55,040 --> 00:14:57,680 Speaker 1: perfect call. And you know the advantage of all this too, 290 00:14:57,720 --> 00:15:00,040 Speaker 1: is it also cuts down on your your electrac to 291 00:15:00,120 --> 00:15:02,840 Speaker 1: build at the end of the month. What about Christmas lights? 292 00:15:04,320 --> 00:15:07,280 Speaker 1: They're necessary? Yeah? I don't know that they're necessary, but 293 00:15:07,280 --> 00:15:09,880 Speaker 1: they do make me feel festive. Yeah, where did your 294 00:15:09,960 --> 00:15:12,920 Speaker 1: Christmas lights? On a scale of like one being like 295 00:15:13,240 --> 00:15:17,720 Speaker 1: total natural darkness, intending like Griswold family Christmas, where do 296 00:15:17,720 --> 00:15:20,560 Speaker 1: you where do you fall? Um? I would give them, 297 00:15:20,640 --> 00:15:22,240 Speaker 1: I'm and I think they fall right in the middle 298 00:15:22,320 --> 00:15:25,680 Speaker 1: like a five. They're very tasteful too. I only use 299 00:15:25,680 --> 00:15:29,000 Speaker 1: white lights. Well, that's that's not as extreme an example 300 00:15:29,080 --> 00:15:34,080 Speaker 1: of light pollution as as one of my favorite examples 301 00:15:33,360 --> 00:15:36,320 Speaker 1: something they apparently had an eight in the nineteen eighties 302 00:15:36,320 --> 00:15:39,240 Speaker 1: here in Atlanta called Light Up Atlanta. Have you heard 303 00:15:39,240 --> 00:15:43,120 Speaker 1: of this? Um? David Cross references that you know comedy 304 00:15:43,120 --> 00:15:47,640 Speaker 1: Batty did, And basically it seems like what what this 305 00:15:47,760 --> 00:15:50,000 Speaker 1: consisted of is they would turn on all the lights 306 00:15:50,040 --> 00:15:53,040 Speaker 1: in downtown Atlanta, just like all in these you know, 307 00:15:53,120 --> 00:15:56,080 Speaker 1: high rise buildings just lighted up, and then they would 308 00:15:56,200 --> 00:15:58,640 Speaker 1: block off the streets and people would just flow in 309 00:15:58,760 --> 00:16:01,760 Speaker 1: from all you know this around areas and to look 310 00:16:01,800 --> 00:16:03,520 Speaker 1: at the lights, to look at the lights and drink 311 00:16:03,560 --> 00:16:07,720 Speaker 1: in the streets and listen to two bands play and whatnot. Really, 312 00:16:07,760 --> 00:16:10,200 Speaker 1: so it's just a little up building that people hold, 313 00:16:10,240 --> 00:16:12,800 Speaker 1: bunch of lit up buildings like the city they're lighting 314 00:16:12,880 --> 00:16:16,640 Speaker 1: up Atlanta, And and I guess, you know, sea turtles 315 00:16:16,640 --> 00:16:19,560 Speaker 1: are just wandering in, you know, from as far as 316 00:16:19,600 --> 00:16:22,080 Speaker 1: close the Pacific Ocean to you know, die in the streets. 317 00:16:22,320 --> 00:16:24,760 Speaker 1: So what I'm getting from this podcast is are we 318 00:16:24,840 --> 00:16:28,120 Speaker 1: better off in the dark? Well, maybe not totally dark, 319 00:16:28,160 --> 00:16:30,600 Speaker 1: but a lot more dark. Yeah, I'm thinking a lot 320 00:16:30,640 --> 00:16:33,240 Speaker 1: of us could probably use a little more darkness in 321 00:16:33,280 --> 00:16:36,400 Speaker 1: their life. And I mean that in a illumination way 322 00:16:36,400 --> 00:16:39,480 Speaker 1: and not enough. So if you want to read more 323 00:16:39,520 --> 00:16:42,880 Speaker 1: about lightness, darkness, and anything in between, check out how 324 00:16:42,920 --> 00:16:46,080 Speaker 1: stuff works dot com or visit the blogs that blogs 325 00:16:46,120 --> 00:16:47,840 Speaker 1: dot how stuff works dot com and you can read 326 00:16:47,880 --> 00:16:51,400 Speaker 1: about everything from flu ridden Mall Santas to robotic book Sniffing. 327 00:16:51,800 --> 00:16:55,640 Speaker 1: Thanks for listening. Guys podcast is over. Turn Out the 328 00:16:55,720 --> 00:17:05,880 Speaker 1: Lights m for more on this and thousands of other topics. 329 00:17:06,119 --> 00:17:08,959 Speaker 1: Is it how stuff works dot Com. Want more how 330 00:17:09,080 --> 00:17:11,720 Speaker 1: stuff works, check out our blogs on the house stuff 331 00:17:11,720 --> 00:17:12,920 Speaker 1: works dot com home page