1 00:00:00,880 --> 00:00:05,440 Speaker 1: Boom. If you thought more hours a day, minutes a 2 00:00:05,440 --> 00:00:09,120 Speaker 1: week was enough, I think again. He's the last remnants 3 00:00:09,119 --> 00:00:12,400 Speaker 1: of the old republic, a sole fashion of fairness. He 4 00:00:12,520 --> 00:00:15,440 Speaker 1: treats crackheads in the ghetto cutter the same as the 5 00:00:15,560 --> 00:00:20,160 Speaker 1: rich pill poppers in the penthouse, to clearinghouse of hot takes, 6 00:00:20,239 --> 00:00:24,959 Speaker 1: break free for something special, Fit with Ben Maller starts 7 00:00:25,160 --> 00:00:28,880 Speaker 1: right now. It takes a village. That village is the 8 00:00:28,920 --> 00:00:34,520 Speaker 1: Mallard Militia. And we are in the air everywhere, back 9 00:00:34,560 --> 00:00:37,800 Speaker 1: at it on a Sunday podcast, and we hope all 10 00:00:37,920 --> 00:00:39,640 Speaker 1: is well in your world, and we do think it 11 00:00:39,680 --> 00:00:41,519 Speaker 1: can't be that bad. You listen to a podcast, and 12 00:00:41,680 --> 00:00:44,440 Speaker 1: most people hear these podcasts on the day they are 13 00:00:44,800 --> 00:00:47,320 Speaker 1: put up. Now some people go back into the archives 14 00:00:47,360 --> 00:00:50,400 Speaker 1: and a new home moving man mad out of Boston 15 00:00:50,479 --> 00:00:53,000 Speaker 1: when he's driving around the highways and byways in his 16 00:00:53,520 --> 00:00:55,880 Speaker 1: big rig, there will be listening to old podcast. But 17 00:00:56,000 --> 00:00:58,920 Speaker 1: most people listen to day of the podcast is made available, 18 00:00:59,440 --> 00:01:01,600 Speaker 1: and we do thank you. This a spinoff of the 19 00:01:01,680 --> 00:01:03,880 Speaker 1: Overnight Show. If you like this podcast, but you don't 20 00:01:03,880 --> 00:01:06,160 Speaker 1: listen to the radio, you should try to Ben Mallor 21 00:01:06,280 --> 00:01:13,360 Speaker 1: Show available five days a week in commercial radio regular 22 00:01:13,520 --> 00:01:16,399 Speaker 1: radio and then also available on the podcast format there. 23 00:01:16,440 --> 00:01:19,720 Speaker 1: But we are back at it again on a Sunday 24 00:01:19,760 --> 00:01:22,840 Speaker 1: and joined from west of the four oh five A 25 00:01:22,880 --> 00:01:34,160 Speaker 1: man that brings sand to the beach, David gas that 26 00:01:34,280 --> 00:01:37,640 Speaker 1: the whoa who. For the record, I would never bring 27 00:01:37,959 --> 00:01:42,600 Speaker 1: a out of state masseuse to the beach. You would not, Noah, 28 00:01:43,160 --> 00:01:45,160 Speaker 1: care how hot she is and how good she is 29 00:01:45,200 --> 00:01:47,680 Speaker 1: with her hands. I'll keep it all in house in 30 00:01:47,760 --> 00:01:51,680 Speaker 1: the beautiful state. So you're California. You're not like a 31 00:01:51,720 --> 00:01:54,920 Speaker 1: certain quarterback has been accused of in You're like a 32 00:01:55,240 --> 00:01:59,720 Speaker 1: pig in slop with that. Well listen, I mean, I'm 33 00:01:59,760 --> 00:02:02,800 Speaker 1: glad he blocked me. He couldn't could be perverted with me. 34 00:02:03,280 --> 00:02:06,360 Speaker 1: He blocked me. You know, I stood up for women, Gascoon, 35 00:02:06,480 --> 00:02:09,400 Speaker 1: these women, these masseusas, because I was ahead of the 36 00:02:09,440 --> 00:02:11,760 Speaker 1: game on that. I was onto that quarterback that this 37 00:02:11,800 --> 00:02:14,040 Speaker 1: guy is a little creepy. You are probably about a 38 00:02:14,080 --> 00:02:17,200 Speaker 1: hundred miles away from me and nowhere near me in 39 00:02:17,280 --> 00:02:21,760 Speaker 1: terms of phones and connectivity online. But I could see 40 00:02:21,880 --> 00:02:25,400 Speaker 1: and feel the smile on your face from ear to ear. 41 00:02:25,680 --> 00:02:30,280 Speaker 1: It was just magical for you. Well, you know, you 42 00:02:30,400 --> 00:02:33,239 Speaker 1: hate to see when certain things happened to people that 43 00:02:33,800 --> 00:02:39,080 Speaker 1: you know, just the downfall boy, perfect people. Well, everyone 44 00:02:39,080 --> 00:02:41,160 Speaker 1: loves a good comeback story. Now to Shaun Watson can 45 00:02:41,200 --> 00:02:45,680 Speaker 1: have a good comeback story, right, it might be all 46 00:02:45,919 --> 00:02:48,480 Speaker 1: maybe it's all made up, Gastcount. I've heard people. People 47 00:02:48,480 --> 00:02:50,120 Speaker 1: have emailed me, so it's all made up, And maybe 48 00:02:50,120 --> 00:02:51,560 Speaker 1: it is. You know that I do believe in due 49 00:02:51,600 --> 00:02:54,040 Speaker 1: process and that you are have a chance to defend yourself. 50 00:02:54,120 --> 00:02:56,000 Speaker 1: And these are not criminal matters at this point to 51 00:02:56,040 --> 00:02:58,919 Speaker 1: my knowledge. These are all civil matters. And it does 52 00:02:58,960 --> 00:03:02,400 Speaker 1: put the NFL and an interesting pickle because generally when 53 00:03:02,440 --> 00:03:06,840 Speaker 1: it comes to civil cases, they do not do not 54 00:03:07,000 --> 00:03:10,840 Speaker 1: suspend people. Well, and this will be a fascinating case 55 00:03:10,919 --> 00:03:14,359 Speaker 1: because you know exactly where this is heading because a 56 00:03:14,440 --> 00:03:19,160 Speaker 1: white owner in Robert Craft was accused of some misdoings 57 00:03:19,360 --> 00:03:24,000 Speaker 1: in Florida, and now a black quarterback in Houston is 58 00:03:24,040 --> 00:03:28,440 Speaker 1: accused of some things that are similar. Yeah, so you're 59 00:03:28,440 --> 00:03:31,480 Speaker 1: saying they have to not punish Deshaun Watson because he 60 00:03:32,080 --> 00:03:34,760 Speaker 1: did the Bob Kraft thing, and that's yeah. Yeah, I'll 61 00:03:34,760 --> 00:03:36,200 Speaker 1: be curious to see how this thing all plays. But 62 00:03:36,240 --> 00:03:38,360 Speaker 1: the NFL did send I mean they did set a precedent. 63 00:03:38,360 --> 00:03:41,600 Speaker 1: The NFL did set the president and that was actually 64 00:03:41,600 --> 00:03:43,800 Speaker 1: a criminal matter, though that was not a civil matter. 65 00:03:43,880 --> 00:03:46,680 Speaker 1: That was a criminal matter, right right, And this and 66 00:03:46,720 --> 00:03:50,680 Speaker 1: this isn't just some tailback or some strong safety that's 67 00:03:50,680 --> 00:03:53,200 Speaker 1: had a couple of good seasons. This is a This 68 00:03:53,280 --> 00:03:56,480 Speaker 1: is one of their their prominent figureheads as a quarterback 69 00:03:56,560 --> 00:03:58,600 Speaker 1: in the league. It's a quarterback driven league, and this 70 00:03:58,640 --> 00:04:01,600 Speaker 1: guy is one of their shot caller. So you know 71 00:04:01,760 --> 00:04:07,360 Speaker 1: he's he's under the spotlight for for bad reasons. It's unfortunate. Oh, 72 00:04:07,360 --> 00:04:10,240 Speaker 1: it's unfortunate. If he didn't do it. If he did it, 73 00:04:10,240 --> 00:04:12,880 Speaker 1: it's not unfortunate at all. No, no, but this just 74 00:04:13,440 --> 00:04:16,520 Speaker 1: this proves why the National Football League is a three 75 00:04:16,920 --> 00:04:20,520 Speaker 1: sixty five day a year conversation. This story just right 76 00:04:20,600 --> 00:04:22,880 Speaker 1: up the yin yang. This story will not stop. I mean, 77 00:04:22,960 --> 00:04:26,200 Speaker 1: every day. It's a broken faucet. Drip drip, drip, drip, 78 00:04:26,320 --> 00:04:28,640 Speaker 1: rip rip rip rip rip rip rip rip rip. I 79 00:04:28,680 --> 00:04:30,680 Speaker 1: love a good scandal, and I love a good But 80 00:04:30,680 --> 00:04:33,880 Speaker 1: if you're DeShawn Watson and you're in his position, are 81 00:04:33,920 --> 00:04:36,159 Speaker 1: you heading right to the bank and saying, let me 82 00:04:36,160 --> 00:04:39,560 Speaker 1: scratch a check and get this thing over with yeah 83 00:04:39,839 --> 00:04:42,200 Speaker 1: it hasn't. That horse left the barn at this point 84 00:04:42,200 --> 00:04:45,600 Speaker 1: he had the opportunity. And that's that initial post by 85 00:04:45,600 --> 00:04:48,440 Speaker 1: Deshaun Watson. If this goes the way it's it's headed 86 00:04:48,480 --> 00:04:50,480 Speaker 1: this right now. If this doesn't make it, you turn 87 00:04:50,560 --> 00:04:55,640 Speaker 1: this story. Yeah, that quote will haunt DeShawn Watson. Yeah, right, 88 00:04:55,720 --> 00:04:58,159 Speaker 1: he came out and you know, it seemed like the 89 00:04:58,200 --> 00:05:02,080 Speaker 1: proper thing to say it was one lawsuit, you know, massage, 90 00:05:02,160 --> 00:05:05,800 Speaker 1: and it didn't seem that bad, you know, not great, 91 00:05:05,880 --> 00:05:08,000 Speaker 1: but there are worse things that he has since been 92 00:05:08,040 --> 00:05:13,000 Speaker 1: accused of, Deshaun Watson. And and you know, it goes 93 00:05:13,080 --> 00:05:15,640 Speaker 1: back to we've talked about this a lot with apologies, 94 00:05:15,760 --> 00:05:21,080 Speaker 1: right they say you should never apologize as a public figure. 95 00:05:21,720 --> 00:05:25,000 Speaker 1: Right now, Why should you never apologize as a public figure, 96 00:05:25,960 --> 00:05:30,279 Speaker 1: because once you apologize, then other people say, well, wait 97 00:05:30,320 --> 00:05:33,080 Speaker 1: a minute, you should apologize for this. It opens up 98 00:05:33,880 --> 00:05:38,360 Speaker 1: Pandora's box. Right. It's it's odd too because you know 99 00:05:38,680 --> 00:05:43,039 Speaker 1: interpersonal relationship like you know friends, or you know, you 100 00:05:43,040 --> 00:05:48,600 Speaker 1: know your your wife or your if your woman, your husband, whatever. Um, yeah, 101 00:05:48,640 --> 00:05:52,440 Speaker 1: it's great to apologize, but as a public figure, when 102 00:05:52,440 --> 00:05:58,880 Speaker 1: you apologize, it they creates more stories, and then you 103 00:05:58,920 --> 00:06:02,160 Speaker 1: need to issue more apologies. And it's like Deshaun Watson 104 00:06:02,200 --> 00:06:04,680 Speaker 1: coming out saying, you know, I've always treated women properly. 105 00:06:05,160 --> 00:06:09,240 Speaker 1: Now there's a whole you know, a whole line of 106 00:06:09,240 --> 00:06:12,000 Speaker 1: women around the building that are like, no, you didn't, Yeah, 107 00:06:12,640 --> 00:06:15,440 Speaker 1: you know, and all you and all you needs one 108 00:06:15,800 --> 00:06:18,640 Speaker 1: for him to say I've never all he needs one 109 00:06:20,480 --> 00:06:23,279 Speaker 1: yeah and eighty And then when you apologize, also, eighty 110 00:06:23,320 --> 00:06:25,839 Speaker 1: percent of the people don't believe the apology, right, they 111 00:06:25,880 --> 00:06:27,800 Speaker 1: don't think you're being sincere, or they think you're doing 112 00:06:27,800 --> 00:06:30,400 Speaker 1: it because you got caught. And then like the other 113 00:06:31,120 --> 00:06:33,880 Speaker 1: don't give a crap. So what are you really accomplishing? 114 00:06:34,880 --> 00:06:38,400 Speaker 1: Not much? And but that now that wasn't really an 115 00:06:38,440 --> 00:06:41,080 Speaker 1: apology by Deshaun Watson, but it was more of a 116 00:06:42,680 --> 00:06:44,960 Speaker 1: like he was a defense. He was defending, but that 117 00:06:45,080 --> 00:06:47,440 Speaker 1: it is not, you know, true, it was a shakedown 118 00:06:47,600 --> 00:06:49,320 Speaker 1: and all that, well, it was a shakedown. It's a 119 00:06:49,320 --> 00:06:51,200 Speaker 1: hell of a shakedown. Is one of the great shakedowns 120 00:06:51,240 --> 00:06:54,400 Speaker 1: of our time. Yeah, I mean, just think too. When 121 00:06:54,400 --> 00:06:57,880 Speaker 1: the season ended and the contract talks were happening with 122 00:06:58,080 --> 00:07:00,440 Speaker 1: with ownership, with the general manager ear and with a 123 00:07:00,480 --> 00:07:04,440 Speaker 1: head coach, wasn't he tweeting or posting Instagram photos with 124 00:07:04,560 --> 00:07:11,600 Speaker 1: his his significant other on a boat. Yeah, this will 125 00:07:11,600 --> 00:07:15,320 Speaker 1: take you. This will take us until until kickoff in 126 00:07:15,400 --> 00:07:23,200 Speaker 1: week one. Well it will unless the Shawn plays ball 127 00:07:23,360 --> 00:07:26,200 Speaker 1: ponies up the money. Yeah right. I mean, these are 128 00:07:26,240 --> 00:07:28,800 Speaker 1: civil matters. You can make a civil case go away 129 00:07:29,240 --> 00:07:33,760 Speaker 1: out of court, hush hush settlement. That's it. I scratch 130 00:07:33,840 --> 00:07:37,119 Speaker 1: your back, you scratch my back, the mortification dies down, 131 00:07:37,240 --> 00:07:40,760 Speaker 1: that's it. Uh. And uh, of course it's got to 132 00:07:40,800 --> 00:07:44,320 Speaker 1: be a secret financial agreement, which stays secret unless you're 133 00:07:44,320 --> 00:07:46,920 Speaker 1: Donald Trump, and then it's no longer secret. Uh. And 134 00:07:46,960 --> 00:07:49,600 Speaker 1: then then that becomes public public record. And now do 135 00:07:49,600 --> 00:07:55,080 Speaker 1: you think he wants out of Houston? Now? Yeah, he'd 136 00:07:55,080 --> 00:07:57,280 Speaker 1: like to be traded to the orchids of Asia day Spot. 137 00:07:59,720 --> 00:08:03,640 Speaker 1: There's nowhere to hide, man, there's nowhere to hide. Yeah. 138 00:08:03,680 --> 00:08:06,960 Speaker 1: It's it is wild though, man, you know, I don't 139 00:08:06,960 --> 00:08:08,760 Speaker 1: know what's true or not. Even he will have a 140 00:08:08,840 --> 00:08:12,480 Speaker 1: chance to defend himself if these things actually go through 141 00:08:12,560 --> 00:08:15,640 Speaker 1: the legal channels. But it is just the preponderance of 142 00:08:15,680 --> 00:08:18,800 Speaker 1: the evidence for Deshaun Watson's in a civil suit. It's 143 00:08:18,840 --> 00:08:24,840 Speaker 1: only it's only it's not beyond a reasonable doubt. And 144 00:08:24,880 --> 00:08:28,280 Speaker 1: that's the problem because he was contacting these ladies, according 145 00:08:28,320 --> 00:08:30,960 Speaker 1: to the lawsuits on Instagram, was sliding into d M s. 146 00:08:31,760 --> 00:08:36,199 Speaker 1: You know, just normal random women who are massage therapists 147 00:08:36,240 --> 00:08:40,800 Speaker 1: and hey like a massage. And that's that's that was code. 148 00:08:40,840 --> 00:08:42,320 Speaker 1: That was we said the other night. It was code 149 00:08:42,400 --> 00:08:45,319 Speaker 1: language for I'd like to screw, But he didn't say that. 150 00:08:45,600 --> 00:08:48,800 Speaker 1: And when you when you open yourself up to discovery, 151 00:08:49,080 --> 00:08:55,200 Speaker 1: everything's on the table, text messages, cell phone conversations, Instagram, post, Twitter, 152 00:08:55,320 --> 00:08:58,080 Speaker 1: d M, like, everything's out there. So yeah, he's he's 153 00:08:58,080 --> 00:09:00,559 Speaker 1: as sensible to all of us. Now if Discovery comes 154 00:09:00,559 --> 00:09:04,360 Speaker 1: into play for a civil suit, yeah, he's he's got 155 00:09:04,440 --> 00:09:08,160 Speaker 1: some explaining to do. He's in. He's in the pickle jar. 156 00:09:08,320 --> 00:09:10,200 Speaker 1: He's in the pickle jar. Is what he's in because 157 00:09:10,240 --> 00:09:14,000 Speaker 1: of his pickle He's in the pickle jar. What happened? Well, 158 00:09:14,640 --> 00:09:17,679 Speaker 1: I'll be here all day, all right? We have mail back? 159 00:09:18,280 --> 00:09:21,280 Speaker 1: Do you want mail back? I love the mail back again, 160 00:09:21,360 --> 00:09:25,200 Speaker 1: the whole key, gascon, rapid fire, machine gun, Kelly style. 161 00:09:25,280 --> 00:09:27,680 Speaker 1: I get through as many of these questions that we can. Now, 162 00:09:27,720 --> 00:09:31,280 Speaker 1: if you want to contribute content to this show the podcast. 163 00:09:31,280 --> 00:09:32,800 Speaker 1: There's a couple of ways you can do it. Write 164 00:09:32,840 --> 00:09:38,720 Speaker 1: a mail bag or write a song. Really, you're so jealous, 165 00:09:38,880 --> 00:09:42,720 Speaker 1: all right. The mail bag, though, we submit on Wednesday, 166 00:09:43,480 --> 00:09:45,840 Speaker 1: usually in the morning on the West coast, but early 167 00:09:45,880 --> 00:09:49,679 Speaker 1: afternoon on the East coast, and we ask for submissions. 168 00:09:50,559 --> 00:09:52,920 Speaker 1: Ben Mallers show facebook page and you can submit a 169 00:09:53,040 --> 00:09:54,680 Speaker 1: question there. But if you want to keep your question 170 00:09:54,760 --> 00:09:58,120 Speaker 1: private because you're very important, you can go to the 171 00:09:58,200 --> 00:10:01,440 Speaker 1: Real Fifth Hour at gmail com. Real fifth Hour at 172 00:10:01,520 --> 00:10:05,040 Speaker 1: gmail dot com. Send a question in via email and 173 00:10:05,120 --> 00:10:08,840 Speaker 1: we may use your question on the air. So that's 174 00:10:08,840 --> 00:10:10,920 Speaker 1: how we do this. We'll start out with our our 175 00:10:10,960 --> 00:10:14,160 Speaker 1: guy Pierre from Springfield, mass the home of the Pro 176 00:10:14,360 --> 00:10:19,319 Speaker 1: Basketball Hall of Fame where Muffett McGraw is enshrined. Ben, 177 00:10:19,600 --> 00:10:22,679 Speaker 1: seeing that your co workers barely listen to your show, 178 00:10:22,840 --> 00:10:25,720 Speaker 1: it's safe to say that they don't listen to this podcast. 179 00:10:26,160 --> 00:10:29,960 Speaker 1: That being set, Pierre writes in who are some of 180 00:10:30,040 --> 00:10:34,480 Speaker 1: your fellow co workers that you enjoyed working with the most? 181 00:10:34,559 --> 00:10:44,199 Speaker 1: K K, Marcel, Julio Looney, Danny g People like, uh, well, yeah, 182 00:10:44,280 --> 00:10:45,960 Speaker 1: there's a lot of people that have enjoyed working with 183 00:10:46,000 --> 00:10:48,400 Speaker 1: it are no longer with Fox Sports Radio. I had 184 00:10:48,440 --> 00:10:50,640 Speaker 1: a really good relationship with Looney. We've had him on 185 00:10:50,679 --> 00:10:53,600 Speaker 1: the podcast. The was that the lowest rated podcast we've 186 00:10:53,600 --> 00:10:58,240 Speaker 1: had guest one that the whole woke that woke stuff 187 00:10:58,280 --> 00:11:00,760 Speaker 1: didn't really work from Looney Tunes. But I love Luny's 188 00:11:00,840 --> 00:11:04,360 Speaker 1: my favorite liberal friend. And we get along. We we 189 00:11:04,559 --> 00:11:07,080 Speaker 1: go back and forth fighting about the news of the day. 190 00:11:07,120 --> 00:11:10,920 Speaker 1: There even now, you know, Luoni will randomly send me 191 00:11:10,960 --> 00:11:14,199 Speaker 1: a zillion text message, isn't an all CounterPunch, And we'll 192 00:11:14,240 --> 00:11:16,480 Speaker 1: go back and forth. And I love KK and Greg 193 00:11:16,520 --> 00:11:20,200 Speaker 1: Bergman and so many people. Turk Stevens, who I worked with, 194 00:11:20,320 --> 00:11:23,480 Speaker 1: the old update guy from back in the days now 195 00:11:23,520 --> 00:11:27,800 Speaker 1: a gym teacher for many many years and had a 196 00:11:27,800 --> 00:11:30,240 Speaker 1: fond memory, fond memories with him. But yeah, there's a 197 00:11:30,280 --> 00:11:32,319 Speaker 1: lot of good people. Julio. I spent many a night 198 00:11:32,360 --> 00:11:35,080 Speaker 1: when when you know, single days with Julio Flores as 199 00:11:35,120 --> 00:11:38,640 Speaker 1: my producer, and we would get off the show and 200 00:11:38,679 --> 00:11:42,800 Speaker 1: we'd go over to Denny's in Sherman Oaks there and 201 00:11:43,200 --> 00:11:46,480 Speaker 1: watch the people come in that we're up all night, 202 00:11:46,640 --> 00:11:50,120 Speaker 1: the some of them working ladies of the night, the 203 00:11:50,160 --> 00:11:53,079 Speaker 1: pimps that would come in there, and it was wild, 204 00:11:53,960 --> 00:11:57,080 Speaker 1: wild and crazy, so fond memories of all those people. 205 00:11:57,160 --> 00:12:00,240 Speaker 1: God Greg in Iowa. Right, So he says, I work 206 00:12:00,280 --> 00:12:05,840 Speaker 1: in a place that coats and fabricates coded and raw rebar. 207 00:12:06,679 --> 00:12:10,320 Speaker 1: How well do either of you think you could shake 208 00:12:10,360 --> 00:12:14,320 Speaker 1: out a bundle of rebar? Now? Have you seen this? 209 00:12:14,360 --> 00:12:16,720 Speaker 1: He sent a video, but I didn't send this to you, 210 00:12:16,840 --> 00:12:20,640 Speaker 1: guess gun. But the the rebar? You know what rebar is, right, 211 00:12:20,640 --> 00:12:23,480 Speaker 1: you're familiar with Could you could you? Could you do 212 00:12:23,559 --> 00:12:27,320 Speaker 1: this with rebar? There's there's no chance, right, there's that's 213 00:12:27,320 --> 00:12:32,880 Speaker 1: a skill that that I I do not possess. And 214 00:12:32,920 --> 00:12:35,360 Speaker 1: I'm pretty sure you growing up west of the four 215 00:12:35,360 --> 00:12:39,840 Speaker 1: oh five, do not have that skill. I need video 216 00:12:40,160 --> 00:12:41,880 Speaker 1: and I need to see all right, hold on a second, 217 00:12:41,880 --> 00:12:44,920 Speaker 1: I'll get you the video. My god, hear me. Let 218 00:12:44,920 --> 00:12:46,959 Speaker 1: me copy this and see if it'll I'll send it 219 00:12:47,000 --> 00:12:48,360 Speaker 1: to you right now. We're doing this live on the 220 00:12:48,360 --> 00:12:52,040 Speaker 1: podcast you listen to our live live coverage, live coverage. 221 00:12:52,040 --> 00:12:54,240 Speaker 1: We'd like to alert all the affiliates down the line 222 00:12:54,320 --> 00:12:57,040 Speaker 1: here that we are doing this. We can we can 223 00:12:57,080 --> 00:12:59,680 Speaker 1: do this like a certain media or news outlet were 224 00:13:00,080 --> 00:13:03,360 Speaker 1: I'm I'm working on the rebar and it's just a 225 00:13:03,400 --> 00:13:06,240 Speaker 1: tight shot of me doing that, and then behind scenes 226 00:13:06,280 --> 00:13:09,120 Speaker 1: footage is like there's other guys that are obviously working 227 00:13:09,120 --> 00:13:11,480 Speaker 1: on it to help me, help me along the way, right, 228 00:13:11,880 --> 00:13:14,480 Speaker 1: Like that that weather reporter that said that he was 229 00:13:15,520 --> 00:13:17,000 Speaker 1: he was on a boat or he was like knee 230 00:13:17,000 --> 00:13:19,560 Speaker 1: deep in weather or in a in a flood and 231 00:13:19,600 --> 00:13:21,360 Speaker 1: there's someone walking by and he was it was only 232 00:13:21,400 --> 00:13:24,480 Speaker 1: up to his ankles. Really yeah, yeah, yeah, it's all 233 00:13:24,520 --> 00:13:28,760 Speaker 1: about the presentation, not reality. It's it's illusion. All of 234 00:13:28,800 --> 00:13:31,120 Speaker 1: it is illusion. All right, So I sent it to you. 235 00:13:31,880 --> 00:13:35,280 Speaker 1: Yeah there's no chance. Oh yeah, you can't do that. 236 00:13:35,440 --> 00:13:37,920 Speaker 1: Oh yeah, I could definitely. You know what this is 237 00:13:38,280 --> 00:13:40,000 Speaker 1: that you could not do. You know what this is, 238 00:13:40,040 --> 00:13:43,439 Speaker 1: Ben Mallory, This is this is heavy ropes. These are 239 00:13:43,440 --> 00:13:46,160 Speaker 1: heavy ropes that are used in the gym. Absolutely I 240 00:13:46,200 --> 00:13:50,480 Speaker 1: can do this. Oh yeah, put me out there hard 241 00:13:50,520 --> 00:13:54,240 Speaker 1: talk talk you can't walk the walk in the chance guarantee. 242 00:13:54,280 --> 00:13:57,319 Speaker 1: I can definitely do that. Put money on it. Um, 243 00:13:57,840 --> 00:14:00,080 Speaker 1: how are we gonna get rebar? Who who do we know? 244 00:14:00,120 --> 00:14:06,240 Speaker 1: Anybody around you? B bar? That we can citical crap side. Yeah, 245 00:14:07,160 --> 00:14:10,000 Speaker 1: it's every ten feet in Wilm Carson. I mean my God, 246 00:14:11,440 --> 00:14:15,360 Speaker 1: anywhere anywhere you go there boom done. Problem solved all right. 247 00:14:20,000 --> 00:14:23,920 Speaker 1: Russell Russell in Kansas says, can you find anyone else 248 00:14:23,960 --> 00:14:27,000 Speaker 1: to do the podcast with? I'm over Gagon and his 249 00:14:27,120 --> 00:14:32,280 Speaker 1: pompous ways. I almost think locally docally do might be better. Wow. 250 00:14:33,640 --> 00:14:38,360 Speaker 1: As a shocker who wrote that Russell and Kansas, I've 251 00:14:38,400 --> 00:14:43,440 Speaker 1: never heard of her? Wow? Really? Yeah? This is he 252 00:14:43,480 --> 00:14:47,200 Speaker 1: thinks that Brian Finley, it was a stage five clinger, 253 00:14:47,360 --> 00:14:50,720 Speaker 1: would be better than you. Russell Russell's an idiot. Be 254 00:14:50,800 --> 00:14:53,240 Speaker 1: sure to catch live editions of The Ben Maller Show 255 00:14:53,280 --> 00:14:56,560 Speaker 1: week days at two am Eastern eleven pm Pacific on 256 00:14:56,640 --> 00:14:59,640 Speaker 1: Fox Sports Radio and the I Heart Radio app. Be 257 00:14:59,720 --> 00:15:02,160 Speaker 1: short to catch live editions of The Ben Maller Show 258 00:15:02,200 --> 00:15:06,480 Speaker 1: weekdays at two am Eastern Pacific. The answer is, I 259 00:15:06,520 --> 00:15:08,760 Speaker 1: can find people who do the podcast when Gascon takes 260 00:15:08,760 --> 00:15:10,320 Speaker 1: off every of the week, then they can find people 261 00:15:10,320 --> 00:15:17,560 Speaker 1: into the podcast. Stay tuned. R J in Sane and Tonio. 262 00:15:18,600 --> 00:15:22,400 Speaker 1: He says, do y'all believe in the paranormal? And if 263 00:15:22,440 --> 00:15:25,400 Speaker 1: you do, have you had any experience? I feel like 264 00:15:25,440 --> 00:15:28,440 Speaker 1: we've been asked this question before r J on this podcast, 265 00:15:28,680 --> 00:15:31,680 Speaker 1: or at least maybe on the radio. But yeah, we 266 00:15:31,720 --> 00:15:35,160 Speaker 1: both we both think there's something out there the paranormal. Yeah, 267 00:15:36,520 --> 00:15:41,760 Speaker 1: advanced civilizations absolutely, because everything on this planet came from 268 00:15:41,800 --> 00:15:44,520 Speaker 1: somebody somewhere else, right, Everything kind of bounces around and 269 00:15:44,560 --> 00:15:46,880 Speaker 1: all that, So it would be logical to think somewhere 270 00:15:46,880 --> 00:15:50,480 Speaker 1: out in the cosmos there are I don't know if 271 00:15:50,480 --> 00:15:53,760 Speaker 1: it's a parallel universe or different dimensions, but ever you 272 00:15:53,800 --> 00:15:56,920 Speaker 1: want to describe it. But yeah, and I have seen 273 00:15:57,160 --> 00:15:59,800 Speaker 1: There's one thing I saw that that in the days 274 00:15:59,840 --> 00:16:04,080 Speaker 1: with were drones, I saw these like five uh orbs, 275 00:16:04,360 --> 00:16:06,240 Speaker 1: They were orbs. I was on a hike in l 276 00:16:06,280 --> 00:16:08,960 Speaker 1: A and I saw some orbs that I I've never 277 00:16:08,960 --> 00:16:12,080 Speaker 1: seen before or since that I'm convinced for something from 278 00:16:12,120 --> 00:16:15,840 Speaker 1: another world. But I don't know. You always try to 279 00:16:15,880 --> 00:16:18,000 Speaker 1: take pictures and video and they never come out right. 280 00:16:19,160 --> 00:16:21,760 Speaker 1: Chris and Iowa writes, and he says, what have you 281 00:16:21,840 --> 00:16:25,120 Speaker 1: set up a pre order waiting list for the book 282 00:16:25,800 --> 00:16:28,040 Speaker 1: you want to write and you charge people five to 283 00:16:28,120 --> 00:16:31,280 Speaker 1: ten dollars to be on it. Would that motivate you 284 00:16:31,320 --> 00:16:34,360 Speaker 1: to start writing it? Then you take the book and 285 00:16:34,440 --> 00:16:37,960 Speaker 1: all the Mallard Militia pre orders to the publishers and bam, 286 00:16:38,200 --> 00:16:41,480 Speaker 1: done deal. Chris says, or the money could help you 287 00:16:41,600 --> 00:16:44,880 Speaker 1: self published the book and you can add a bit 288 00:16:44,960 --> 00:16:47,400 Speaker 1: to the show once a month. How's the damn book 289 00:16:47,440 --> 00:16:51,240 Speaker 1: coming along? Accountability and he says he will put his 290 00:16:51,400 --> 00:16:55,200 Speaker 1: the first ten dollars in. Chris, that's a great idea, Um, 291 00:16:55,240 --> 00:16:59,800 Speaker 1: and that's obviously something I will consider. I am in talks. Um. 292 00:16:59,800 --> 00:17:03,200 Speaker 1: This a very slow process, very long process. But I 293 00:17:03,320 --> 00:17:05,800 Speaker 1: have been in talks with someone who is interested in 294 00:17:06,640 --> 00:17:11,840 Speaker 1: helping with that project and is in negotiations with a 295 00:17:11,880 --> 00:17:15,919 Speaker 1: couple of the publishing houses. So UM, it's really a 296 00:17:15,960 --> 00:17:18,560 Speaker 1: case of once that is green lighted. If that gets 297 00:17:18,560 --> 00:17:21,480 Speaker 1: green lighted, then it will go. If not, the self 298 00:17:21,520 --> 00:17:25,720 Speaker 1: publishing thing is an option that's on the table. But 299 00:17:25,880 --> 00:17:28,439 Speaker 1: my experience with the Mallamstia and I love the Mallem Militia, 300 00:17:28,480 --> 00:17:30,639 Speaker 1: but in the past tried to hawk T shirts and 301 00:17:30,680 --> 00:17:34,800 Speaker 1: things like that. Um, when money is involved, the Mallem 302 00:17:34,840 --> 00:17:39,080 Speaker 1: Militia generally kind of clams up a little bit. But 303 00:17:39,080 --> 00:17:41,400 Speaker 1: but I'm glad Chris, you're willing to spend spend the money, 304 00:17:41,440 --> 00:17:45,479 Speaker 1: so I appreciate that. Let's see, uh, let's see page 305 00:17:45,520 --> 00:17:50,800 Speaker 1: down here, page down this is from I'm a pilot. 306 00:17:51,680 --> 00:17:54,119 Speaker 1: I'm a I believe this is from I'm a part Yes, 307 00:17:54,160 --> 00:17:57,240 Speaker 1: it is all right. Uh, he says, Uh, what is 308 00:17:57,280 --> 00:18:03,320 Speaker 1: your take on NBA top shot crypto collectibles, this fad? 309 00:18:04,200 --> 00:18:07,200 Speaker 1: And why would anyone pay for something that anyone can 310 00:18:07,240 --> 00:18:12,040 Speaker 1: easily view on YouTube and other media? Do you either, 311 00:18:12,840 --> 00:18:16,399 Speaker 1: either of you guys? Uh? Seeing that this being trying 312 00:18:16,400 --> 00:18:18,480 Speaker 1: to to duplicate this rather as the NBA. Do you 313 00:18:18,520 --> 00:18:22,200 Speaker 1: think we're gonna gonna duplicate this like crypto? He's saying, 314 00:18:22,480 --> 00:18:25,480 Speaker 1: And will this die on the line in a few 315 00:18:25,600 --> 00:18:28,840 Speaker 1: years or boom? I need your hot take. Well, he's 316 00:18:28,880 --> 00:18:31,800 Speaker 1: talking about non fungible tokens. Is what these things are 317 00:18:31,800 --> 00:18:34,639 Speaker 1: called n f t s. We have discussed this. I 318 00:18:34,680 --> 00:18:36,919 Speaker 1: did a monologue about it. Thanks for listening. I'm a 319 00:18:36,960 --> 00:18:41,679 Speaker 1: pilot through the monologue at him pointing it out. I 320 00:18:41,720 --> 00:18:43,119 Speaker 1: love I'm a pie. I wear that hat. That's a 321 00:18:43,119 --> 00:18:47,040 Speaker 1: good looking hattie, got me that m hat solid. But no, 322 00:18:47,200 --> 00:18:50,280 Speaker 1: I I am. I guess I'm a pilot kind of 323 00:18:50,320 --> 00:18:52,360 Speaker 1: around our age, I believe so. I think we're all 324 00:18:52,400 --> 00:18:54,120 Speaker 1: of the same age, we all grew up the same way. 325 00:18:54,119 --> 00:18:58,399 Speaker 1: You think this is bullshit? Um, and I do. I 326 00:18:58,480 --> 00:19:01,320 Speaker 1: keep in mind, I thought bitcoin is bullshit. It's not. 327 00:19:02,200 --> 00:19:05,399 Speaker 1: I'll take the l on that, but it just doesn't 328 00:19:05,400 --> 00:19:10,400 Speaker 1: make any sense. It's why own something that you don't 329 00:19:10,440 --> 00:19:14,280 Speaker 1: really own? You? To me, it would make sense if 330 00:19:14,359 --> 00:19:19,880 Speaker 1: you bought a highlight and every time ESPN, Fox, NBC, 331 00:19:20,000 --> 00:19:23,320 Speaker 1: or CBS played the highlight you got paid five cents. 332 00:19:24,400 --> 00:19:27,960 Speaker 1: That would make sense to me. Just pictures right when 333 00:19:28,000 --> 00:19:30,480 Speaker 1: you have to. When you use pictures that are copyrighted, 334 00:19:30,920 --> 00:19:33,600 Speaker 1: those are protected. So yeah, yeah, I used to. When 335 00:19:33,640 --> 00:19:37,200 Speaker 1: I worked with Yahoo, I had access and also Fox 336 00:19:37,200 --> 00:19:40,440 Speaker 1: Sports dot Com I had access to the Getty Images 337 00:19:41,080 --> 00:19:45,439 Speaker 1: amazing greatest. The Getty Images are just outstanding. But the 338 00:19:45,480 --> 00:19:50,720 Speaker 1: subscription prices large, very very expensive, and there's tears to it, 339 00:19:50,800 --> 00:19:53,159 Speaker 1: like I only had access to a small part of it. 340 00:19:54,040 --> 00:19:56,920 Speaker 1: But their work is amazing. And yeah, so to answer 341 00:19:56,960 --> 00:19:59,840 Speaker 1: your question, I'm a pilot. Yeah, if it was like that, 342 00:20:00,000 --> 00:20:03,840 Speaker 1: I mean it, but it just doesn't make sense to me. 343 00:20:03,840 --> 00:20:06,320 Speaker 1: And I think there's I don't understand. I know it's 344 00:20:06,320 --> 00:20:10,720 Speaker 1: a to me, it's a fad, But if a fat 345 00:20:10,840 --> 00:20:15,160 Speaker 1: sticks around long enough, uh, it becomes a trend and 346 00:20:15,200 --> 00:20:18,120 Speaker 1: then we're we're good to go. But it's not It's 347 00:20:18,119 --> 00:20:21,040 Speaker 1: not for me, so all right, I'm a pilot. Also 348 00:20:21,080 --> 00:20:23,920 Speaker 1: says that's a Dallas guy. It is tough seeing Jerry 349 00:20:24,000 --> 00:20:28,680 Speaker 1: Jones willing to die on his Dak Prescott terrible contract mountains. 350 00:20:29,240 --> 00:20:33,800 Speaker 1: Have we reached the pinnacle of contract money, especially after 351 00:20:33,880 --> 00:20:36,800 Speaker 1: such a downturn in revenue over the last year in 352 00:20:36,840 --> 00:20:39,959 Speaker 1: every sport? And he says, it's not about Patrick Maholmes, 353 00:20:40,359 --> 00:20:45,680 Speaker 1: Dak Prescott, Mike Trout, Garrett cole, A Mookie Bets, Janice 354 00:20:46,000 --> 00:20:49,760 Speaker 1: Adent to Coombo and all that. And he says, are 355 00:20:49,760 --> 00:20:52,800 Speaker 1: we really in a society now where someone is worth 356 00:20:52,880 --> 00:20:59,280 Speaker 1: more than the gross domestic product of a country? And 357 00:20:59,280 --> 00:21:03,159 Speaker 1: then he needs He says, there's a to vollu? Is 358 00:21:03,200 --> 00:21:05,480 Speaker 1: that the name of it? A small I put a 359 00:21:05,560 --> 00:21:07,400 Speaker 1: question mark at the end of it. A small country 360 00:21:07,440 --> 00:21:11,119 Speaker 1: in the in the Pacific, about halfway between Hawaii and 361 00:21:11,160 --> 00:21:16,360 Speaker 1: Australia and has a gross domestic product of forty seven million. 362 00:21:17,440 --> 00:21:20,400 Speaker 1: Where do you see the endpoint? Or will we ever 363 00:21:20,520 --> 00:21:26,000 Speaker 1: see a hundred million a year athlete? Haven't salaries gotten 364 00:21:26,040 --> 00:21:28,960 Speaker 1: a bit out of hand? Well, inflation comes into play. 365 00:21:29,240 --> 00:21:33,520 Speaker 1: Everything constable the way I look at it, I'm a pilot. 366 00:21:33,560 --> 00:21:36,840 Speaker 1: I don't I don't have a I don't like it, 367 00:21:36,880 --> 00:21:38,359 Speaker 1: but I don't have a problem with it because I 368 00:21:38,400 --> 00:21:40,280 Speaker 1: don't want someone putting a cap on how much I 369 00:21:40,320 --> 00:21:44,600 Speaker 1: can make. And the sports leagues are making money so 370 00:21:44,800 --> 00:21:47,919 Speaker 1: they can afford to pay Mahomes and Dak Prescott. And 371 00:21:48,000 --> 00:21:49,479 Speaker 1: you know, the argument can be made, as much as 372 00:21:49,480 --> 00:21:52,760 Speaker 1: I despise Lebron James, to the value of that business, 373 00:21:52,880 --> 00:21:55,359 Speaker 1: Lebron James should be paid a hundred million dollars a 374 00:21:55,440 --> 00:22:00,600 Speaker 1: year in terms of value added to that professional operation. 375 00:22:01,480 --> 00:22:05,760 Speaker 1: So there there at some point you would assume there's 376 00:22:05,800 --> 00:22:11,719 Speaker 1: going to be a waterloo moment. It clearly is not 377 00:22:11,800 --> 00:22:15,000 Speaker 1: the pandemic. It's not the pandemic. These these are just 378 00:22:15,280 --> 00:22:17,760 Speaker 1: television shows. You've got to look at professional sports as 379 00:22:17,760 --> 00:22:21,200 Speaker 1: television shows. Fans are not important. We're not We love 380 00:22:21,280 --> 00:22:23,680 Speaker 1: sports and all that, and I'll watch it till the 381 00:22:23,760 --> 00:22:27,280 Speaker 1: day I die. But we learned during the apocalypse of 382 00:22:29,119 --> 00:22:32,320 Speaker 1: the show goes on without any fans in the stadiums 383 00:22:32,320 --> 00:22:36,320 Speaker 1: and the arenas and the ballparks. It's all about TV revenue. 384 00:22:36,320 --> 00:22:38,399 Speaker 1: They could afford to pay everyone. They lost money, they 385 00:22:38,400 --> 00:22:41,879 Speaker 1: didn't make as much money because that's that's extra gravy. 386 00:22:42,040 --> 00:22:45,320 Speaker 1: That's extra frosting on the cake, the the hot dogs, 387 00:22:45,359 --> 00:22:48,680 Speaker 1: the peanuts, the nachos, the tickets and and all that. 388 00:22:48,720 --> 00:22:51,600 Speaker 1: But everything else, the TV money, the merchandise, they all 389 00:22:51,640 --> 00:22:57,520 Speaker 1: got that. So anyway, I bet I'm a pilot flying 390 00:22:57,520 --> 00:22:59,280 Speaker 1: all over the place. He must see some amazing like 391 00:22:59,680 --> 00:23:03,439 Speaker 1: i've there's other islands out between us, the US and Hawaii, right, 392 00:23:03,520 --> 00:23:06,199 Speaker 1: aren't there some places out there in the middle. I 393 00:23:06,200 --> 00:23:12,400 Speaker 1: wonder if he's been a Guam's been to Guama. No, never, 394 00:23:12,520 --> 00:23:14,760 Speaker 1: but I'd be I'd be fastened to see if there 395 00:23:14,840 --> 00:23:17,720 Speaker 1: was a chance to jump on ourn extra seat, that 396 00:23:17,720 --> 00:23:19,800 Speaker 1: he might have a one. Here we go, he jump 397 00:23:19,880 --> 00:23:22,760 Speaker 1: on seven, seven and seven on the weed man. You 398 00:23:22,840 --> 00:23:26,800 Speaker 1: can get your hand out. Your hand out. Now, every 399 00:23:26,800 --> 00:23:30,320 Speaker 1: piloting is a copilot. You know that's fine. My guy, 400 00:23:30,400 --> 00:23:33,439 Speaker 1: Victor Brick, the Great Victor Brick Jacob's l a radio legend, 401 00:23:33,440 --> 00:23:36,320 Speaker 1: got his start in Guamp, did he really? Yeah? He 402 00:23:36,359 --> 00:23:38,199 Speaker 1: was working, he was he was traveling. He's like a 403 00:23:38,240 --> 00:23:40,560 Speaker 1: bohemian after you grew up in New York, and he 404 00:23:40,600 --> 00:23:43,199 Speaker 1: was traveling around and he ended up in Guam and 405 00:23:43,240 --> 00:23:46,160 Speaker 1: he was working at a restaurant, we should get Vic. 406 00:23:46,400 --> 00:23:50,920 Speaker 1: Promise that when we record these podcasts, Vic is usually working, 407 00:23:52,200 --> 00:23:54,560 Speaker 1: so we can't get him on. Unfortunately, he'd be fun 408 00:23:54,560 --> 00:23:56,879 Speaker 1: to have on. Yeah, but Vic has some amazing street 409 00:23:56,880 --> 00:23:58,240 Speaker 1: but he lived in Guam. He was working at a 410 00:23:58,320 --> 00:24:00,639 Speaker 1: restaurant and some guy came in from the deo station 411 00:24:00,760 --> 00:24:04,080 Speaker 1: and they struck up a conversation on paraphrase. I'm probably 412 00:24:04,080 --> 00:24:06,560 Speaker 1: getting this all wrong, but as I remember Vick telling 413 00:24:06,600 --> 00:24:08,919 Speaker 1: me the story, he was working at a restaurant in 414 00:24:08,960 --> 00:24:11,440 Speaker 1: Guam and this guy that ran the radio station came 415 00:24:11,440 --> 00:24:14,919 Speaker 1: in and like Vic, and you know, give him an 416 00:24:14,920 --> 00:24:17,600 Speaker 1: opportunity to work, and that led to a career that 417 00:24:17,640 --> 00:24:22,360 Speaker 1: has had thirty forty years probably forty years now in sports, 418 00:24:22,400 --> 00:24:25,520 Speaker 1: television and radio for Vic, the Brick Jacobs, good dude 419 00:24:25,520 --> 00:24:33,679 Speaker 1: for love. I believe this is from Michael. He recommended 420 00:24:33,720 --> 00:24:36,120 Speaker 1: a couple of guests ideas for future podcasts. He wants 421 00:24:36,119 --> 00:24:40,439 Speaker 1: to have us have Clay Travis on r J Bell 422 00:24:40,480 --> 00:24:46,360 Speaker 1: as well, he says, and it's this main cabin master crew. Well, 423 00:24:46,520 --> 00:24:49,160 Speaker 1: r J would be impossible, I think because the time 424 00:24:49,160 --> 00:24:54,800 Speaker 1: that would record this. Uh maybe I think maybe early 425 00:24:54,840 --> 00:24:58,480 Speaker 1: on we could do it. Clay I don't know as 426 00:24:58,520 --> 00:25:00,280 Speaker 1: Clay do these kind of things. I don't know Clay 427 00:25:00,320 --> 00:25:02,240 Speaker 1: does these kind of thing. Clay's got his own operation 428 00:25:02,280 --> 00:25:04,840 Speaker 1: without kick. I don't know if he would sully himself 429 00:25:04,880 --> 00:25:06,600 Speaker 1: to come down to hang out with guys like us, 430 00:25:06,640 --> 00:25:08,719 Speaker 1: but we I'd love to put Clay on. Clay's uh 431 00:25:09,200 --> 00:25:13,040 Speaker 1: play has done a great job with his his product, 432 00:25:13,119 --> 00:25:15,920 Speaker 1: and people love Clay. He's got a huge following and 433 00:25:16,760 --> 00:25:18,480 Speaker 1: he's actually stood up A lot of people have tried 434 00:25:18,480 --> 00:25:21,720 Speaker 1: to get Clay taken off the radio, and he's been 435 00:25:21,760 --> 00:25:24,320 Speaker 1: able to fight back. And I credit that to him 436 00:25:24,359 --> 00:25:26,679 Speaker 1: because it's not easy when you're in the eye of 437 00:25:26,680 --> 00:25:29,359 Speaker 1: the storm, and he's been in the eye of the 438 00:25:29,400 --> 00:25:33,480 Speaker 1: storm over the last you know, last but four or 439 00:25:33,520 --> 00:25:38,479 Speaker 1: five years or so. But yeah, we can effort that. 440 00:25:38,600 --> 00:25:41,960 Speaker 1: Guess would you what about what about Dave Portnoy? What 441 00:25:42,000 --> 00:25:44,679 Speaker 1: if we had him on? I'd love to put Portnoy on. 442 00:25:45,480 --> 00:25:46,919 Speaker 1: I don't think he would do it, but I'd love 443 00:25:46,960 --> 00:25:49,720 Speaker 1: to put him on. You don't think you were doing yeah, 444 00:25:49,720 --> 00:25:51,760 Speaker 1: because again he's got his own thing at barstool and 445 00:25:51,800 --> 00:25:53,919 Speaker 1: all that. But if he would, I mean, but you know, 446 00:25:53,920 --> 00:25:56,879 Speaker 1: put a request in. Yeah, well put him I'd love 447 00:25:56,960 --> 00:26:01,160 Speaker 1: to talk to Portnoy. Yeah, I of the another guy 448 00:26:01,200 --> 00:26:06,040 Speaker 1: that's pushed back against the the localati that are out 449 00:26:06,080 --> 00:26:10,000 Speaker 1: there and stood up to him. And absolutely, yeah, there's 450 00:26:10,000 --> 00:26:12,960 Speaker 1: a guy that took it to the next levels. Talk 451 00:26:13,000 --> 00:26:18,359 Speaker 1: about monetizing your product. Holy crap. Dave from Mill Valley, 452 00:26:18,440 --> 00:26:21,040 Speaker 1: California rights and he says Eddie Garcia used to say 453 00:26:21,119 --> 00:26:24,360 Speaker 1: downloading the podcast and noise management. More recently, he says 454 00:26:24,400 --> 00:26:27,560 Speaker 1: downloading the podcast upsets the corporate guys. So my question 455 00:26:27,600 --> 00:26:31,080 Speaker 1: to you, Ben is how does downloading the podcast upset 456 00:26:31,119 --> 00:26:34,880 Speaker 1: the corporate guys and why do we want to upset them? 457 00:26:34,920 --> 00:26:36,560 Speaker 1: All right, well, day, that's a great question. That the 458 00:26:36,600 --> 00:26:40,639 Speaker 1: reason it upsets the corporate guys is because there is 459 00:26:40,720 --> 00:26:46,240 Speaker 1: a pecking order in radio. In any job, there's a 460 00:26:46,280 --> 00:26:50,160 Speaker 1: pecking order, right, and and it upsets the apple cart, 461 00:26:50,240 --> 00:26:53,560 Speaker 1: if you will. There's a hierarchy. And when our little 462 00:26:53,600 --> 00:26:57,119 Speaker 1: dopey overnight show gets more downloads than some of the 463 00:26:57,160 --> 00:27:02,960 Speaker 1: big powerful daytime shows, it messes up the food chain. Okay, 464 00:27:03,119 --> 00:27:04,719 Speaker 1: it messes up It's not that's not the way it's 465 00:27:04,720 --> 00:27:09,000 Speaker 1: supposed to work. There's there's a social pyramid, and we 466 00:27:09,080 --> 00:27:12,160 Speaker 1: know where we are on that social pyramid, and management 467 00:27:12,160 --> 00:27:13,800 Speaker 1: knows where we are in that social pyramid. So it 468 00:27:14,080 --> 00:27:16,000 Speaker 1: does upset that. But I would say it upsets them 469 00:27:16,000 --> 00:27:19,320 Speaker 1: in a good way. Right. They're like, oh, why are 470 00:27:19,400 --> 00:27:22,159 Speaker 1: people I've heard this from, not from the bosses we 471 00:27:22,200 --> 00:27:25,080 Speaker 1: have now but in the past. Why are people downloading this? 472 00:27:25,160 --> 00:27:27,720 Speaker 1: You know, I don't understand. You know. I was like, 473 00:27:28,800 --> 00:27:31,120 Speaker 1: we've got our former athlete who's on during the day. 474 00:27:31,160 --> 00:27:33,880 Speaker 1: Why are people not downloading that guy? So it does 475 00:27:34,000 --> 00:27:39,880 Speaker 1: upset but that's the answer, not that. Steve oh from 476 00:27:39,880 --> 00:27:42,960 Speaker 1: Florida Rights, and he says, Ben and anybody but Gagon, 477 00:27:43,400 --> 00:27:46,359 Speaker 1: I've noticed a lot of foul language being picked up 478 00:27:46,359 --> 00:27:48,919 Speaker 1: on the microphones during NBA games. Do you think the 479 00:27:49,080 --> 00:27:52,080 Speaker 1: broadcast partners are going to press teams to allow fans 480 00:27:52,160 --> 00:27:55,359 Speaker 1: into the stadiums simply to drown out all of the 481 00:27:55,520 --> 00:28:01,800 Speaker 1: candid conversations. He says, uh, No, they're gonna want fans 482 00:28:01,800 --> 00:28:07,080 Speaker 1: in the arenas because it's money, straight cash, homie. It's 483 00:28:07,119 --> 00:28:09,720 Speaker 1: all about that money, boss. And then he says, also, 484 00:28:09,760 --> 00:28:14,159 Speaker 1: if you could master one musical instrument, what would it be? 485 00:28:15,600 --> 00:28:19,359 Speaker 1: What would it be? Well, back in my younger days, 486 00:28:19,400 --> 00:28:22,200 Speaker 1: when I was a swinging bachelor. If you had the 487 00:28:22,240 --> 00:28:24,360 Speaker 1: ability to play a guitar, you were a made man 488 00:28:24,480 --> 00:28:27,119 Speaker 1: with the ladies, right, if you had the skill with 489 00:28:27,160 --> 00:28:32,320 Speaker 1: the guitar. Man, Now, I don't know, I give you 490 00:28:32,359 --> 00:28:34,880 Speaker 1: a play the I have, you know, inherited a piano 491 00:28:35,000 --> 00:28:38,280 Speaker 1: guest gun. I don't know how I I My mom 492 00:28:38,400 --> 00:28:39,960 Speaker 1: tried to teach me how to play, and I knew 493 00:28:40,000 --> 00:28:41,720 Speaker 1: a few songs when I was a kid. But I 494 00:28:41,760 --> 00:28:44,880 Speaker 1: have no idea A nice skill to have play the piano. 495 00:28:45,120 --> 00:28:51,040 Speaker 1: That's the that's the one instrument I'd love to master. Piano. Piano. Well, 496 00:28:51,960 --> 00:28:55,760 Speaker 1: I now own a piano guestcon. It's classy and it 497 00:28:55,840 --> 00:29:00,360 Speaker 1: goes with any kind of music, any kind of music. Yes, yeah, 498 00:29:00,560 --> 00:29:03,760 Speaker 1: you can listen to the greats of Mozart and all 499 00:29:03,800 --> 00:29:07,960 Speaker 1: that from back in the day up until now. And yeah, alright. 500 00:29:08,600 --> 00:29:12,000 Speaker 1: Kevin from Rockford, Illinois rights and he says Mr Mallard 501 00:29:12,000 --> 00:29:16,560 Speaker 1: and Mr Gascon. I'm a huge Duke apologist, and I 502 00:29:16,560 --> 00:29:19,640 Speaker 1: am always excited for March Madness. Even though Duke won't 503 00:29:19,640 --> 00:29:22,120 Speaker 1: be in the tournament this year, I still would normally 504 00:29:22,160 --> 00:29:25,760 Speaker 1: watch just because I love college basketball. This year, however, 505 00:29:26,640 --> 00:29:29,600 Speaker 1: I just can't get into it. I'm not sure if 506 00:29:29,640 --> 00:29:33,200 Speaker 1: it's the political climate of our country or because of COVID. 507 00:29:33,760 --> 00:29:38,680 Speaker 1: Who knows. It's just weird, Kevin writes. He says that 508 00:29:39,120 --> 00:29:42,200 Speaker 1: I would all of a sudden not be into something 509 00:29:42,240 --> 00:29:46,000 Speaker 1: after watching it for twenty years. Same goes for the NBA. 510 00:29:46,960 --> 00:29:48,680 Speaker 1: Do you guys feel the same way or is it 511 00:29:48,760 --> 00:29:51,560 Speaker 1: just me? No, He's he's got a point. I mean, 512 00:29:51,600 --> 00:29:53,840 Speaker 1: not us obviously, because we work in the industry. We 513 00:29:53,880 --> 00:29:56,200 Speaker 1: can't afford to do that. But I've had a lot 514 00:29:56,240 --> 00:29:57,920 Speaker 1: of friends and a lot of family members that have 515 00:29:57,920 --> 00:30:00,200 Speaker 1: said the exact same thing, just the way that things 516 00:30:00,200 --> 00:30:03,000 Speaker 1: have been forced on them or presented. I don't have 517 00:30:03,040 --> 00:30:05,080 Speaker 1: a problem. I know you dealt with the pregame bullshit 518 00:30:05,160 --> 00:30:08,480 Speaker 1: that's happened certain leagues. But for them to force things 519 00:30:08,600 --> 00:30:11,400 Speaker 1: or or make it a big spectacle about some of 520 00:30:11,400 --> 00:30:15,480 Speaker 1: the politicalization of of of games and events and everything 521 00:30:15,600 --> 00:30:18,000 Speaker 1: surrounding it. Yeah, people are turned off by it. They 522 00:30:18,000 --> 00:30:20,400 Speaker 1: want to see that for what it is, as opposed 523 00:30:20,440 --> 00:30:23,440 Speaker 1: to anything else that they could find on on news 524 00:30:23,520 --> 00:30:27,400 Speaker 1: networks and and other mainstream outlets. Well. And also remember 525 00:30:27,480 --> 00:30:31,440 Speaker 1: that your taste change right when you get older. Um, 526 00:30:31,600 --> 00:30:36,320 Speaker 1: your I know your taste, budge change, they they shrink, right, 527 00:30:36,360 --> 00:30:38,640 Speaker 1: isn't that what they say that they they they're less 528 00:30:38,640 --> 00:30:45,920 Speaker 1: sensitive and you know, so that things you're less sensitive 529 00:30:45,960 --> 00:30:50,040 Speaker 1: to to, uh, salty and sweet and the bitter and 530 00:30:50,240 --> 00:30:53,160 Speaker 1: sour and all that you're probably tolerant to. Right, you're 531 00:30:53,160 --> 00:30:57,480 Speaker 1: probably less tolerant to put up with ship. Oh yeah 532 00:30:57,480 --> 00:30:59,440 Speaker 1: you're talking about not yeah, yeah, you just like I'm 533 00:30:59,440 --> 00:31:01,200 Speaker 1: tired of the bull ship. Yeah. That's one of the 534 00:31:01,200 --> 00:31:02,719 Speaker 1: great things about you know, if we're if we're all 535 00:31:02,760 --> 00:31:05,360 Speaker 1: blessed enough to live be the old guy, then we 536 00:31:05,400 --> 00:31:07,560 Speaker 1: can be the bitter old guy. And when you're young, 537 00:31:07,960 --> 00:31:10,960 Speaker 1: you don't know, like my grandfather was, my mom's dad 538 00:31:11,000 --> 00:31:13,280 Speaker 1: was that way, just like you know, I just wouldn't 539 00:31:13,280 --> 00:31:14,760 Speaker 1: put up with any of the bullshit, you know. The 540 00:31:14,800 --> 00:31:17,960 Speaker 1: only well why do people get like that? Well, life 541 00:31:18,080 --> 00:31:20,280 Speaker 1: turns you into that, right, you live long enough, you 542 00:31:20,360 --> 00:31:26,000 Speaker 1: turned into that. That's just what happens. So anyway, Uh, yeah, 543 00:31:26,040 --> 00:31:29,400 Speaker 1: but I I I love my job, and I like 544 00:31:29,480 --> 00:31:31,040 Speaker 1: the NBA, and I talked about the NBA. I don't 545 00:31:31,080 --> 00:31:33,120 Speaker 1: talk about as much I watched games. I don't watch 546 00:31:33,120 --> 00:31:36,120 Speaker 1: as many games. College basketball has been very difficult for 547 00:31:36,160 --> 00:31:39,040 Speaker 1: me to get into I've I've had to force myself 548 00:31:39,080 --> 00:31:42,360 Speaker 1: as a John R. Woodn't Award voter to get into it, 549 00:31:42,440 --> 00:31:45,080 Speaker 1: to watch the players on the watch list. In fact, 550 00:31:45,160 --> 00:31:48,880 Speaker 1: I have to fill out my ballot today on Sunday. 551 00:31:48,920 --> 00:31:51,600 Speaker 1: The deadline is on Monday to vote for the John R. 552 00:31:51,640 --> 00:31:55,920 Speaker 1: Wooden Awards. So I have spent the weekend watching. By 553 00:31:55,960 --> 00:31:59,960 Speaker 1: the time you hear this, watching one last time player 554 00:32:00,280 --> 00:32:03,320 Speaker 1: to see if they can sway my vote for the 555 00:32:03,320 --> 00:32:07,640 Speaker 1: Wooden Award. Uh. Also Kevin writes, and he says, have 556 00:32:07,800 --> 00:32:11,120 Speaker 1: you guys ever heard of radio legend Man Cow Mueller? 557 00:32:12,560 --> 00:32:15,160 Speaker 1: Have you ever heard of Man Cow? No? You have 558 00:32:15,200 --> 00:32:18,320 Speaker 1: not know who is he? Oh, he's a He's a 559 00:32:18,440 --> 00:32:23,400 Speaker 1: radio legend from He's been around for a million million years. 560 00:32:24,160 --> 00:32:27,000 Speaker 1: We not a million years. But he Remember Stern got 561 00:32:27,000 --> 00:32:30,600 Speaker 1: into some battles with him, as I remember, I'm gonna 562 00:32:30,640 --> 00:32:33,600 Speaker 1: lick at this, shut up now. Yeah, they were Howard 563 00:32:33,640 --> 00:32:36,760 Speaker 1: Stern got into a bunch of radio battles. But he 564 00:32:37,200 --> 00:32:40,480 Speaker 1: in the nineties. You were around in the nineties, it 565 00:32:40,640 --> 00:32:45,280 Speaker 1: was Howard Stern versus Man Cow. That was like that 566 00:32:45,360 --> 00:32:48,680 Speaker 1: was like a tenure battle. I think between those two. 567 00:32:51,040 --> 00:32:52,920 Speaker 1: That's the only I've never heard Man cow Sure, that's 568 00:32:52,920 --> 00:32:55,680 Speaker 1: how I know. I've heard clips that Stern would play. Yeah, 569 00:32:55,720 --> 00:32:58,240 Speaker 1: I'm not. I'm looking at his picture. Yeah, now I 570 00:32:58,280 --> 00:33:01,040 Speaker 1: know who he is. I didn't know his name. It's 571 00:33:01,040 --> 00:33:03,400 Speaker 1: one of the great radio wars of our time. You 572 00:33:03,440 --> 00:33:08,320 Speaker 1: think about great radio battles Man cal versus Stern legend. 573 00:33:08,440 --> 00:33:10,360 Speaker 1: We don't really have that in the sports world, do 574 00:33:10,480 --> 00:33:16,000 Speaker 1: we radio battles? Yeah? Are you doing in certain citizent 575 00:33:16,080 --> 00:33:19,360 Speaker 1: on Boston? You've got w e I versus the Sports Hub. 576 00:33:19,560 --> 00:33:23,360 Speaker 1: Is w e I still around. That's a great station, 577 00:33:23,400 --> 00:33:25,160 Speaker 1: not as great as when I worked there, but it's 578 00:33:25,440 --> 00:33:28,200 Speaker 1: it's an I iconic station. W e I. It used 579 00:33:28,240 --> 00:33:31,200 Speaker 1: to be, it used to be. Well, I agree, you 580 00:33:31,240 --> 00:33:35,000 Speaker 1: are officially a w e I historian. You have become 581 00:33:35,080 --> 00:33:37,000 Speaker 1: what you love, that's right. I'm part of the w 582 00:33:37,120 --> 00:33:41,200 Speaker 1: e I Alumni Association. I am. I admit that very much. So. 583 00:33:41,280 --> 00:33:44,200 Speaker 1: I'm also part of the NBC Sports Network Alumni Association. 584 00:33:44,600 --> 00:33:47,800 Speaker 1: But that whole networks going off the air, So turning 585 00:33:47,840 --> 00:33:50,360 Speaker 1: that whole thing completely off the air. But no, you 586 00:33:50,400 --> 00:33:55,040 Speaker 1: have a lot of in passionate sports cities with multiple 587 00:33:55,200 --> 00:33:59,040 Speaker 1: sports radio stations. You have sports radio awards, New York. 588 00:33:59,120 --> 00:34:01,120 Speaker 1: You have the e s P in affiliate Michael Cabe 589 00:34:01,200 --> 00:34:04,080 Speaker 1: versus Craig Carton on w f A N. That's a 590 00:34:04,160 --> 00:34:08,640 Speaker 1: radio war. Philadelphia has got several all sports stations. Dallas 591 00:34:08,680 --> 00:34:11,759 Speaker 1: the same thing in Dallas, the ticket. You don't have that. 592 00:34:11,960 --> 00:34:14,800 Speaker 1: mL A. You definitely don't have that here. Yeah, I 593 00:34:14,800 --> 00:34:17,320 Speaker 1: mean there's two sports stations, but there's no real sports 594 00:34:17,400 --> 00:34:19,680 Speaker 1: battle that goes on, not a lot of sports talk 595 00:34:19,760 --> 00:34:23,400 Speaker 1: in fact, on one of these stations. So yeah, but 596 00:34:23,600 --> 00:34:26,399 Speaker 1: I would argue that that would be better. I had 597 00:34:26,400 --> 00:34:31,760 Speaker 1: a boss, um, the great Mike Thompson, who loved radio battles, 598 00:34:32,200 --> 00:34:35,360 Speaker 1: and and he was right. I mean, it makes everyone. 599 00:34:35,880 --> 00:34:38,239 Speaker 1: Everyone enjoys a good radio battle, even if you're not 600 00:34:38,280 --> 00:34:42,280 Speaker 1: in the business, because you've got good guys versus bad guys. 601 00:34:42,320 --> 00:34:46,280 Speaker 1: You picked your team and they're harmless fund radio battles. 602 00:34:47,320 --> 00:34:54,200 Speaker 1: So but yeah, alright, Caleb from Meadville, Pennsylvania's is penning Gascon. 603 00:34:54,960 --> 00:34:59,840 Speaker 1: What are your first experiences speaking alive over the ra 604 00:35:00,000 --> 00:35:01,799 Speaker 1: you what were they like? He says, So, were you 605 00:35:01,920 --> 00:35:07,960 Speaker 1: nervous or have you always been comfortable being behind the microphone? Well, 606 00:35:07,960 --> 00:35:10,640 Speaker 1: I'll go first. No, I was very, very nervous, had 607 00:35:10,680 --> 00:35:15,920 Speaker 1: Mike fright stage fright flop, sweat all of that, and 608 00:35:15,960 --> 00:35:18,640 Speaker 1: it took a fair amount of time for me to 609 00:35:18,800 --> 00:35:22,719 Speaker 1: completely get over that. I'm pretty much over it now, 610 00:35:23,280 --> 00:35:25,879 Speaker 1: but uh, you know, so, I I do TV every 611 00:35:25,880 --> 00:35:27,480 Speaker 1: once so while I'm still not used to like the 612 00:35:27,520 --> 00:35:29,680 Speaker 1: TV experience, even I've done all this, radio, like TV 613 00:35:29,800 --> 00:35:32,560 Speaker 1: is different, so I still still have the the heb 614 00:35:32,680 --> 00:35:34,480 Speaker 1: gbs a little bit when I do TV every once 615 00:35:34,480 --> 00:35:37,239 Speaker 1: in a while. But radio, I don't like hearing the 616 00:35:37,239 --> 00:35:40,440 Speaker 1: sound of my voice. And I've told the story about 617 00:35:40,440 --> 00:35:43,480 Speaker 1: my first show and my first experiences. It was very uncomfortable, 618 00:35:43,560 --> 00:35:47,239 Speaker 1: very awkward. But I started as a reporter, so I 619 00:35:47,239 --> 00:35:48,919 Speaker 1: did a lot of stuff on the phone where I'd 620 00:35:48,960 --> 00:35:52,840 Speaker 1: call in from Dodger Stadium or the Forum or somewhere 621 00:35:52,880 --> 00:35:55,040 Speaker 1: like that. So what about you guess, yeah, I was. 622 00:35:55,120 --> 00:35:57,879 Speaker 1: I was super nervous to start. It's easier for me 623 00:35:58,040 --> 00:36:02,200 Speaker 1: to to do radio or TV if I'm conversing with somebody, 624 00:36:02,280 --> 00:36:04,480 Speaker 1: like if I'm talking to you in a booth or 625 00:36:04,600 --> 00:36:08,400 Speaker 1: or on the radio, It's way easier than doing it solo. 626 00:36:08,880 --> 00:36:10,719 Speaker 1: And the one part that freak me out was when 627 00:36:10,760 --> 00:36:13,120 Speaker 1: I came to the network from San Diego was that 628 00:36:13,200 --> 00:36:17,680 Speaker 1: you go from market seventeen to market too. And sometimes 629 00:36:17,719 --> 00:36:19,439 Speaker 1: I don't know if you ever did this, but i'd 630 00:36:19,440 --> 00:36:21,879 Speaker 1: mind funk myself where I thought, like, wow, I'm going 631 00:36:21,960 --> 00:36:25,760 Speaker 1: to a national platform. There's now thousands of people listening 632 00:36:25,760 --> 00:36:29,560 Speaker 1: to me exactly this time, as opposed to hundreds in 633 00:36:29,640 --> 00:36:31,800 Speaker 1: little old San Diego, so that that funked with me 634 00:36:31,840 --> 00:36:34,480 Speaker 1: a little bit. Side Oddly enough, I turn off all 635 00:36:34,480 --> 00:36:37,600 Speaker 1: the music and I turn off my radio. I dropped 636 00:36:37,600 --> 00:36:42,120 Speaker 1: my microphone, uh earbuds when I'm giving updates because I 637 00:36:42,160 --> 00:36:43,919 Speaker 1: want to. I don't want to think about anything else. 638 00:36:43,960 --> 00:36:46,040 Speaker 1: I just look at the clock and I go with 639 00:36:46,040 --> 00:36:48,839 Speaker 1: what I need to report. You turn your headphones down, Yeah, 640 00:36:48,920 --> 00:36:53,560 Speaker 1: turn everything off because the music bed. The music bed 641 00:36:53,600 --> 00:36:55,919 Speaker 1: would funk with me because when the music bed would 642 00:36:55,920 --> 00:36:59,720 Speaker 1: go from slow to fast, that means time's winding down, 643 00:36:59,760 --> 00:37:02,280 Speaker 1: so and it would cause me to hurry my words, 644 00:37:03,000 --> 00:37:05,719 Speaker 1: and then at times I'd either trip or mumble, and 645 00:37:05,760 --> 00:37:08,440 Speaker 1: then it would sound like shit. So I turned the 646 00:37:08,440 --> 00:37:13,160 Speaker 1: microphone earbuds off. Yeah that's interesting. No, No, I turned 647 00:37:13,160 --> 00:37:17,560 Speaker 1: my headphones all the way up every syllable and I 648 00:37:17,560 --> 00:37:21,920 Speaker 1: could get another studio and I could hear your headphones. Yeah, 649 00:37:22,080 --> 00:37:24,920 Speaker 1: I didn't start out like that. I know it happens 650 00:37:24,960 --> 00:37:28,600 Speaker 1: to almost everyone, and I guess not you, but so 651 00:37:28,680 --> 00:37:32,719 Speaker 1: many people on radio limball like hearing problems. You and 652 00:37:32,800 --> 00:37:36,040 Speaker 1: Tom have the Tom Looney. Yeah, I'm gonna need a 653 00:37:36,080 --> 00:37:38,960 Speaker 1: hearing it. I fully admit it's it's a workplace injury 654 00:37:39,040 --> 00:37:42,600 Speaker 1: caused by radio and headphones. Yeah. Steve Mason had some 655 00:37:42,600 --> 00:37:45,759 Speaker 1: some issues with the hearing to our old colleague at 656 00:37:45,760 --> 00:37:47,960 Speaker 1: Fox Sports Radio is at ESPN, but he had some 657 00:37:47,960 --> 00:37:51,520 Speaker 1: issues with the the hearing back in the day. Uh, 658 00:37:52,040 --> 00:37:54,520 Speaker 1: it does it does happen? All right? Who else do we? 659 00:37:54,640 --> 00:37:58,839 Speaker 1: Let's see page down here. Emmett, the blind Seahawk fan 660 00:37:59,040 --> 00:38:04,520 Speaker 1: in Olympia Washin says, so your staff as corporate, who 661 00:38:04,600 --> 00:38:07,239 Speaker 1: is your favorite fill in guy to work with both 662 00:38:07,280 --> 00:38:12,360 Speaker 1: the show keep trying Ryan, Chris Perfect or the buff 663 00:38:12,480 --> 00:38:16,120 Speaker 1: buck a U? So you want me to pick favorites? Emmett? 664 00:38:16,120 --> 00:38:18,880 Speaker 1: How dare you? How dare you? I get along with 665 00:38:18,920 --> 00:38:23,640 Speaker 1: all those guys. I have a good conversations about the 666 00:38:23,680 --> 00:38:28,759 Speaker 1: Detroit Lions with Chris Perfect. Uh. I also enjoy keep 667 00:38:28,840 --> 00:38:32,480 Speaker 1: trying Ryan of the fact that he got the company 668 00:38:32,520 --> 00:38:35,840 Speaker 1: locked out of the Twitter account. I think that's a 669 00:38:35,840 --> 00:38:39,480 Speaker 1: tremendous story. That's right up there with Bob Gara turning 670 00:38:39,520 --> 00:38:43,040 Speaker 1: off the entire network. Uh keep trying run because he 671 00:38:43,080 --> 00:38:45,440 Speaker 1: kept trying the password, the wrong password. That was a 672 00:38:45,480 --> 00:38:49,520 Speaker 1: great nickname and uh and both the show bow when 673 00:38:49,520 --> 00:38:53,400 Speaker 1: he attempted to sing and put no energy into it. 674 00:38:53,520 --> 00:38:55,719 Speaker 1: I still am amazed that someone could do that on 675 00:38:55,760 --> 00:38:59,080 Speaker 1: a radio show and not even try. But he did. 676 00:38:59,200 --> 00:39:01,279 Speaker 1: I give him credit for that. Most people would be like, 677 00:39:01,320 --> 00:39:04,040 Speaker 1: I gotta try, got it sound good? Both do to 678 00:39:04,120 --> 00:39:07,040 Speaker 1: Do to Do not trying at all. And buckaroo I 679 00:39:07,200 --> 00:39:12,600 Speaker 1: please come on, we know Buckaroosa. Yeah he's trouble. He's trouble. 680 00:39:14,040 --> 00:39:16,080 Speaker 1: I just want to point that out, all right. Uh 681 00:39:16,360 --> 00:39:18,759 Speaker 1: M At the blind Stack, fan also says Uh says, 682 00:39:18,800 --> 00:39:21,200 Speaker 1: this is for both of you. What is your favorite 683 00:39:21,200 --> 00:39:28,960 Speaker 1: breakfast food? Man, I'm gonna go French toast, although toast, 684 00:39:29,080 --> 00:39:32,200 Speaker 1: although with with the with the way that Arnie Spanier 685 00:39:32,239 --> 00:39:35,239 Speaker 1: has treated us over the last couple of years, pancakes 686 00:39:35,239 --> 00:39:39,719 Speaker 1: and for yourself, waffles man are what he sends from 687 00:39:39,800 --> 00:39:45,480 Speaker 1: Vermont is just it's so fucking good, it's so amazing. 688 00:39:45,560 --> 00:39:47,520 Speaker 1: But yeah, French toast for me because you can just 689 00:39:47,600 --> 00:39:53,200 Speaker 1: put decks of butter all over the French toast. Well, 690 00:39:53,239 --> 00:39:55,200 Speaker 1: you can put butter on pancakes too, so it doesn't 691 00:39:55,200 --> 00:39:59,160 Speaker 1: really at work. But properly made a stack of pancakes 692 00:39:59,719 --> 00:40:03,320 Speaker 1: with proper It's all about ratio, proper ratio of syrup 693 00:40:03,840 --> 00:40:07,120 Speaker 1: and butter. What more do you need? All right, so 694 00:40:07,120 --> 00:40:09,799 Speaker 1: you don't drown your Your pancakes are waffles. That's that's 695 00:40:09,800 --> 00:40:13,360 Speaker 1: good to here. That was a great My My wife 696 00:40:13,400 --> 00:40:15,520 Speaker 1: does her. She loves breakfast food. I don't really like 697 00:40:15,560 --> 00:40:17,440 Speaker 1: breakfast food. I didn't grow up in a house that 698 00:40:17,640 --> 00:40:20,600 Speaker 1: ate breakfast. We were we were nocturnal people, so we 699 00:40:20,960 --> 00:40:24,000 Speaker 1: went skipped to lunch mostly and the dinner and all that. 700 00:40:24,080 --> 00:40:28,439 Speaker 1: So would you ever eat breakfast for dinner? Uh? Well, 701 00:40:28,480 --> 00:40:31,600 Speaker 1: I've been to like Roscoe's chicken and waffles, so I've 702 00:40:31,640 --> 00:40:33,880 Speaker 1: done that. It's good. It's good, man, I have been 703 00:40:33,880 --> 00:40:37,080 Speaker 1: there in a while. You've been to Roscoe's staple in 704 00:40:37,120 --> 00:40:40,840 Speaker 1: southern California? Now soul food, because there's the one in 705 00:40:40,920 --> 00:40:43,040 Speaker 1: North Hollywood, right, and then the one in Long Beach 706 00:40:43,160 --> 00:40:48,759 Speaker 1: just closest to me, the one in Pasadena. Yeah, there's 707 00:40:48,800 --> 00:40:51,880 Speaker 1: one in Hollywood, that's right. Yeah, I went to the 708 00:40:51,880 --> 00:40:56,759 Speaker 1: one I used to live over near where the is 709 00:40:56,760 --> 00:40:59,279 Speaker 1: that shoppingston right across from Park Labre. What is that 710 00:40:59,320 --> 00:41:02,960 Speaker 1: called their um the grove? Is that what it's called 711 00:41:02,960 --> 00:41:04,800 Speaker 1: the grove? The growth? That's right. Yeah, I used to 712 00:41:04,840 --> 00:41:07,440 Speaker 1: live over there in that area, and there was a 713 00:41:07,440 --> 00:41:10,400 Speaker 1: little south of there there was a Roscoe's And I 714 00:41:10,400 --> 00:41:14,480 Speaker 1: actually went with Jason Smith and Jake Warner and we 715 00:41:14,480 --> 00:41:17,120 Speaker 1: were there and Lamar Odom, who at the time was 716 00:41:17,160 --> 00:41:22,320 Speaker 1: suspended from the Clippers for weed. Uh. He was enjoying 717 00:41:22,320 --> 00:41:25,080 Speaker 1: a nice meal and I knew Lamar and it was 718 00:41:25,160 --> 00:41:28,080 Speaker 1: very awkward because Lamar was like he kind of like 719 00:41:28,440 --> 00:41:30,000 Speaker 1: you know some It was like a weird It was 720 00:41:30,000 --> 00:41:36,640 Speaker 1: a weird situation. Yeah, all right, Uh, who is next here? 721 00:41:37,120 --> 00:41:40,320 Speaker 1: This is from Kent in Colorado doing the mail bag. 722 00:41:40,520 --> 00:41:44,800 Speaker 1: He says, a few possible Friday guests you might consider 723 00:41:45,239 --> 00:41:49,240 Speaker 1: would be your former colleague Chris Myers. I could because 724 00:41:50,440 --> 00:41:57,600 Speaker 1: they now retired, Verne Lundquiz, Brent Musburger and as well. Well, yeah, 725 00:41:57,640 --> 00:41:59,480 Speaker 1: I'd love to have any of those guys on. We're 726 00:41:59,480 --> 00:42:03,160 Speaker 1: gonna get as Meyers on at some point. Verne Lundquist, 727 00:42:03,160 --> 00:42:04,520 Speaker 1: I don't know how to track him down. You have 728 00:42:04,560 --> 00:42:06,719 Speaker 1: a number for Verne Lundquist. He would be great to 729 00:42:06,760 --> 00:42:09,400 Speaker 1: have on. Yeah, that'll take that'll take some work. I 730 00:42:09,480 --> 00:42:11,640 Speaker 1: have to figure that out. Are you willing to put 731 00:42:11,680 --> 00:42:13,880 Speaker 1: the effort in. Yeah? Vern would be a great guests. 732 00:42:14,200 --> 00:42:17,600 Speaker 1: He's the he's the star of Happy Gilmore too. It 733 00:42:17,680 --> 00:42:20,600 Speaker 1: was it was also in that if you guys remember that. Yeah, 734 00:42:20,680 --> 00:42:24,480 Speaker 1: Vern's awesome. And I've heard Verne, you know, in interviews 735 00:42:24,480 --> 00:42:27,800 Speaker 1: in the past, and he's pretty good guest, good storyteller always. 736 00:42:27,800 --> 00:42:30,799 Speaker 1: You would imagine being a broadcaster all those years, and 737 00:42:30,880 --> 00:42:33,520 Speaker 1: I think of Verne. When I think of Verne, I really, 738 00:42:33,640 --> 00:42:36,640 Speaker 1: to me think of SEC football. Yeah, that's what I 739 00:42:36,680 --> 00:42:39,640 Speaker 1: think of. And also the n c A tournament called 740 00:42:39,680 --> 00:42:42,319 Speaker 1: some big games in the tournament as well. All Right, 741 00:42:42,400 --> 00:42:46,560 Speaker 1: A couple of my local favorites, Kent says, are Mark Johnson, 742 00:42:46,600 --> 00:42:50,239 Speaker 1: he's the voice of the Colorado Buffaloes. We haven't had 743 00:42:50,280 --> 00:42:51,800 Speaker 1: good luck with play by play guests. We try to 744 00:42:51,800 --> 00:42:53,279 Speaker 1: get the Viking guy on. We tried to get the 745 00:42:53,280 --> 00:42:56,480 Speaker 1: Broncos guy on. Hadn't worked out for us, right, Yeah, 746 00:42:57,840 --> 00:42:59,680 Speaker 1: these guys don't do it, And also says the stadium 747 00:42:59,680 --> 00:43:01,520 Speaker 1: anounce or he wouldn't would you want to have on 748 00:43:01,560 --> 00:43:05,239 Speaker 1: the stadium announcer from Colorado? Oh? He I think he 749 00:43:05,320 --> 00:43:10,520 Speaker 1: does the p A for international airport too, right, really? 750 00:43:10,600 --> 00:43:13,480 Speaker 1: I think so? That would be interesting. Yeah, I think 751 00:43:13,480 --> 00:43:16,080 Speaker 1: he's the voice guy for The white zone is for 752 00:43:16,200 --> 00:43:23,120 Speaker 1: loading and unloading only, the blue zone is for handicap parking, 753 00:43:23,600 --> 00:43:27,000 Speaker 1: the red zone is for emergency vehicles. That would be 754 00:43:27,040 --> 00:43:31,480 Speaker 1: a great job doing the voiceover stuff for an airport. Yeah, 755 00:43:31,480 --> 00:43:36,000 Speaker 1: that'd be great. That doesn't really change though, right, I 756 00:43:36,000 --> 00:43:39,960 Speaker 1: mean the voiceover stuff and just that's it. Yeah, alright, 757 00:43:41,200 --> 00:43:45,319 Speaker 1: let's see here. Uh, he says, I assume Kent says, 758 00:43:45,440 --> 00:43:47,680 Speaker 1: you've heard this is an email He's said, I assume 759 00:43:47,719 --> 00:43:50,000 Speaker 1: you've heard the story of Joseph Kennedy getting stock tips 760 00:43:50,000 --> 00:43:54,640 Speaker 1: from the shoeshine boy and immediately divesting all of his stocks. 761 00:43:55,000 --> 00:43:58,520 Speaker 1: Do you think the same thing applies when you get 762 00:43:58,560 --> 00:44:02,360 Speaker 1: stock tips from an overnight sports talk radio or a sidekick. 763 00:44:02,400 --> 00:44:07,640 Speaker 1: I'm just wondering, Yes, you wanna address this issue here? 764 00:44:07,640 --> 00:44:11,319 Speaker 1: You guess. I ride the hell out of the coattails 765 00:44:11,440 --> 00:44:16,480 Speaker 1: of these these famous investors because there's no reason not to. 766 00:44:18,239 --> 00:44:21,080 Speaker 1: I I don't think there's any drawback to to ride 767 00:44:21,080 --> 00:44:23,120 Speaker 1: in the coattails of some of the prominent figures that 768 00:44:23,120 --> 00:44:24,719 Speaker 1: they're out there. I don't know if you agree with 769 00:44:24,719 --> 00:44:28,800 Speaker 1: me on that, But like Cathy would who owns that, 770 00:44:28,880 --> 00:44:31,560 Speaker 1: she's the CEO of ARCA Investment Management. I look at 771 00:44:31,560 --> 00:44:34,040 Speaker 1: her portfolio every day, at least the stuff that's that's 772 00:44:34,080 --> 00:44:38,120 Speaker 1: popping up there on MSNBC and CNBC. There's no reason 773 00:44:38,160 --> 00:44:40,960 Speaker 1: not to. Because she's in it for the money and 774 00:44:41,000 --> 00:44:43,480 Speaker 1: they're the experts. Then it's so follow the experts every 775 00:44:43,520 --> 00:44:45,759 Speaker 1: given time. Why would you go down to different Yeah, 776 00:44:45,760 --> 00:44:49,719 Speaker 1: I just I disagree with that. I think you're you 777 00:44:49,760 --> 00:44:51,640 Speaker 1: know you can, you can do that to a point. 778 00:44:51,640 --> 00:44:53,040 Speaker 1: But I think you got to decide for yourself and 779 00:44:53,040 --> 00:44:56,200 Speaker 1: I think you gotta do your own research. Why though, 780 00:44:56,320 --> 00:44:58,000 Speaker 1: like you have, you don't want to go with the herd, 781 00:44:58,080 --> 00:44:59,520 Speaker 1: You don't want to go with the crowd. What do 782 00:44:59,560 --> 00:45:01,640 Speaker 1: you when the other direction? Like it's like that thing 783 00:45:01,880 --> 00:45:04,000 Speaker 1: Mike Row always says, you know, when everyone's going here, 784 00:45:04,040 --> 00:45:06,719 Speaker 1: go the other way. Yeah, but when you but when 785 00:45:06,760 --> 00:45:09,480 Speaker 1: you invest in a mutual fund, that's exactly what you're doing. 786 00:45:09,520 --> 00:45:13,279 Speaker 1: You're not buying just one stock, You're buying the entire portfolio. 787 00:45:13,400 --> 00:45:16,360 Speaker 1: You're looking at like your ten top stocks are usually 788 00:45:16,440 --> 00:45:21,280 Speaker 1: something that these guys are all invested into. Anyway, You're well, listen, 789 00:45:21,440 --> 00:45:25,600 Speaker 1: that's that's it. You're a follower, I'm a leader. You're 790 00:45:25,640 --> 00:45:28,399 Speaker 1: a beta. All right, that's just the way you are. 791 00:45:28,960 --> 00:45:31,920 Speaker 1: All right, you're admitting your a beta right now. Admit it. 792 00:45:32,160 --> 00:45:34,879 Speaker 1: Admit it. Beta beta beta beta beta beta beta beta. 793 00:45:35,160 --> 00:45:40,280 Speaker 1: You're what doctors call a fool. I am a self 794 00:45:40,360 --> 00:45:46,400 Speaker 1: made many Omega. Guess how about this then, since we 795 00:45:46,520 --> 00:45:49,719 Speaker 1: can make you can talk about followers and leaders. How 796 00:45:49,680 --> 00:45:52,479 Speaker 1: about this At the end of one we will look 797 00:45:52,520 --> 00:45:55,319 Speaker 1: at the We'll look at two things. We'll look at 798 00:45:55,400 --> 00:45:58,920 Speaker 1: Ben Maller and David Gascon's FICO scores, and we will 799 00:45:59,000 --> 00:46:02,719 Speaker 1: also look at at the percentage increase or decrease in 800 00:46:02,719 --> 00:46:06,120 Speaker 1: our investments for the entire year. We'll see who's got what. Okay, 801 00:46:06,120 --> 00:46:07,640 Speaker 1: how about this, how about we choose the name of 802 00:46:07,680 --> 00:46:10,560 Speaker 1: the podcast who instead of the fifth hour with Ben 803 00:46:10,560 --> 00:46:14,200 Speaker 1: Mallie will have Alpha to Omega. Ben in David right 804 00:46:14,239 --> 00:46:16,560 Speaker 1: there right there? How about that? Does that work? Come on? 805 00:46:17,520 --> 00:46:20,000 Speaker 1: That could be our mission statement, Alpha to Omega. We're 806 00:46:20,040 --> 00:46:27,440 Speaker 1: gonna somebody will be canceled in thirty days uh Travis 807 00:46:27,440 --> 00:46:30,040 Speaker 1: and Roseberg, Oregon rights and says it allowed to work 808 00:46:30,040 --> 00:46:32,000 Speaker 1: from the Mallard mansion for the rest of your career. 809 00:46:32,080 --> 00:46:35,120 Speaker 1: Could you ever envisioned doing it Art Bell style, just 810 00:46:35,160 --> 00:46:38,520 Speaker 1: cruising the world in an RV. Oh, that'd be great 811 00:46:39,480 --> 00:46:42,440 Speaker 1: arts one of my radio heroes, Art Bell. So I 812 00:46:42,440 --> 00:46:45,799 Speaker 1: would love it. Eating from perrumpt, Nevada, the Kingdom of Naie. 813 00:46:47,239 --> 00:46:48,480 Speaker 1: I need to come up with it. I need to 814 00:46:48,560 --> 00:46:51,640 Speaker 1: change the name of the studio. And that sounded great 815 00:46:51,880 --> 00:46:55,400 Speaker 1: from the Kingdom of nai He turns out that was 816 00:46:55,480 --> 00:46:58,400 Speaker 1: just the county that he was in. Well, John Madden hadn't. 817 00:46:58,560 --> 00:47:01,960 Speaker 1: Why don't you have a Mallard cruiser? Be fun? I'd 818 00:47:01,960 --> 00:47:04,279 Speaker 1: love I really want to go across. I'm jealous of 819 00:47:04,320 --> 00:47:06,400 Speaker 1: these truck drivers. They get the driver across the country 820 00:47:06,440 --> 00:47:08,600 Speaker 1: all the time. I'd love to do that. I don't 821 00:47:08,600 --> 00:47:13,040 Speaker 1: have the time to do it. Kevin in Kansas has 822 00:47:13,080 --> 00:47:16,320 Speaker 1: been with the Summer Olympics happening. We hope that means 823 00:47:16,440 --> 00:47:19,160 Speaker 1: we will get to watch sporting events we don't usually see. 824 00:47:19,360 --> 00:47:22,640 Speaker 1: What Olympic events summer, winter or both do you enjoy 825 00:47:22,719 --> 00:47:25,920 Speaker 1: watching the most? Since they only happen on a major 826 00:47:26,000 --> 00:47:31,440 Speaker 1: stage every two to four years. Like some of the 827 00:47:31,440 --> 00:47:37,080 Speaker 1: Winter Olympic stuff, the luge, that kind of stuff. Some 828 00:47:37,200 --> 00:47:42,880 Speaker 1: of the the the downhill skiing stuff is pretty crazy 829 00:47:42,960 --> 00:47:49,680 Speaker 1: that don't watch. Yeah, um, But mostly my experience with 830 00:47:49,719 --> 00:47:52,040 Speaker 1: the Olympics is just trying to find an angle because 831 00:47:52,040 --> 00:47:56,160 Speaker 1: it doesn't really translate to sports radio, and so you 832 00:47:56,360 --> 00:47:59,239 Speaker 1: need a controversy. It's the condom stories are always good, 833 00:47:59,360 --> 00:48:01,279 Speaker 1: like when they when they give condoms out to the 834 00:48:01,320 --> 00:48:04,719 Speaker 1: athletes prior to arriving at the Olympic village, Like they 835 00:48:04,760 --> 00:48:07,240 Speaker 1: always disclosed how mooping that goes on. Yeah, the always 836 00:48:07,239 --> 00:48:09,560 Speaker 1: disclosed how many condoms were given to all the Olympic 837 00:48:09,600 --> 00:48:14,280 Speaker 1: athletes once they entered the village. Yeah, yeah, yeah, there's 838 00:48:14,840 --> 00:48:17,760 Speaker 1: are they are they gonna be doing that still with 839 00:48:17,760 --> 00:48:20,160 Speaker 1: with the COVID and all that sex is undefeated. Man 840 00:48:21,560 --> 00:48:24,640 Speaker 1: can't stop, can't stop, won't stop round the clock. John 841 00:48:24,640 --> 00:48:26,919 Speaker 1: the Jailer rights in from Allan Town, p A. Says 842 00:48:26,960 --> 00:48:30,720 Speaker 1: Ben and guestcon this past weekend was daylight savings times. 843 00:48:30,760 --> 00:48:34,200 Speaker 1: Are you in favor of this archaic practice or should 844 00:48:34,239 --> 00:48:38,360 Speaker 1: it be abolished? I believe in abolishing it. State of 845 00:48:38,400 --> 00:48:42,839 Speaker 1: California voted a couple of years back to get rid 846 00:48:43,280 --> 00:48:48,080 Speaker 1: of the daylight savings time and uh you know changing 847 00:48:48,080 --> 00:48:50,920 Speaker 1: you'll keep the clock one clock year round. I'm good 848 00:48:50,920 --> 00:48:54,480 Speaker 1: with it's still having light out at seven thirty closer 849 00:48:54,480 --> 00:48:59,680 Speaker 1: to eight o'clock. Well, yeah, just keep it. Pick the 850 00:48:59,719 --> 00:49:01,560 Speaker 1: time you want to whatever. I don't care which one is. 851 00:49:01,800 --> 00:49:05,040 Speaker 1: Just keep it. And the funny thing is about they 852 00:49:05,120 --> 00:49:08,040 Speaker 1: said the urban legend is this was for farming, but 853 00:49:08,080 --> 00:49:10,279 Speaker 1: it's not the I've heard the farming community says, we 854 00:49:10,320 --> 00:49:13,239 Speaker 1: don't care, you know, make the time whatever you want. 855 00:49:14,000 --> 00:49:18,719 Speaker 1: It's bullcrap. And people people have health problems when they 856 00:49:18,800 --> 00:49:22,080 Speaker 1: change the time, and they get an accidents more after 857 00:49:22,200 --> 00:49:24,520 Speaker 1: time change. I guess I could just move to Arizona 858 00:49:24,520 --> 00:49:26,480 Speaker 1: where they do it right, or one of the other 859 00:49:26,520 --> 00:49:32,640 Speaker 1: places in America where they they don't have the time change. Florida. Uh, 860 00:49:32,680 --> 00:49:37,600 Speaker 1: well they have the time changing Florida. They Eastern Standard 861 00:49:37,680 --> 00:49:41,200 Speaker 1: time switch. All right, I'll teach you about how this 862 00:49:41,320 --> 00:49:43,239 Speaker 1: the birds and the beast think thinking about the other 863 00:49:43,280 --> 00:49:45,799 Speaker 1: benefits of being in Florida right now, I know, I 864 00:49:45,880 --> 00:49:48,279 Speaker 1: hear you. Uh valls fan will do a few more. 865 00:49:48,360 --> 00:49:51,520 Speaker 1: Valls Fan Jimmy says, when you were a kid and 866 00:49:51,560 --> 00:49:53,640 Speaker 1: went to an amusement park band. Was it difficult for 867 00:49:53,640 --> 00:49:56,000 Speaker 1: you to ride rides being as tall and round as 868 00:49:56,040 --> 00:50:03,960 Speaker 1: you were? Absolutely, Jimmy, Yeah, the the round thing, you know, 869 00:50:04,000 --> 00:50:08,560 Speaker 1: you you'd wait online for like Space Mountain, and then 870 00:50:08,680 --> 00:50:11,359 Speaker 1: you would have to you'd have to squeeze like you're 871 00:50:11,360 --> 00:50:15,279 Speaker 1: squeeze and sardines into a can there to get into 872 00:50:15,320 --> 00:50:19,280 Speaker 1: the the seed on Space Mountain. It was a problem, 873 00:50:19,440 --> 00:50:22,279 Speaker 1: it was, And now I can't go on I've lost weight, 874 00:50:22,320 --> 00:50:24,080 Speaker 1: but I can't go on Space Mountain, for example now 875 00:50:24,120 --> 00:50:27,919 Speaker 1: because my my legs are too long and that won't work. 876 00:50:28,840 --> 00:50:31,560 Speaker 1: Carlos in Bang Bang Houston writes, since this, did you 877 00:50:31,600 --> 00:50:34,200 Speaker 1: have a fallback plan if you didn't make it in radio? 878 00:50:34,280 --> 00:50:39,000 Speaker 1: What happened to Real Biatch? Did he die? Real Bitch 879 00:50:39,160 --> 00:50:43,040 Speaker 1: has been banned from the show for I believe six months, 880 00:50:44,000 --> 00:50:45,680 Speaker 1: so we will not be hearing from him and maybe 881 00:50:45,719 --> 00:50:48,360 Speaker 1: ever again. He might be banned forever, but the actual 882 00:50:48,400 --> 00:50:52,719 Speaker 1: band will be about six months for conduct detrimental to 883 00:50:52,760 --> 00:50:56,560 Speaker 1: the Ben Maller show. Uh, And so he's he's been 884 00:50:56,600 --> 00:51:00,640 Speaker 1: banned and my fallback, I didn't really have a fallback, 885 00:51:01,080 --> 00:51:04,320 Speaker 1: you know, I thought if the radio thing didn't work out, 886 00:51:05,800 --> 00:51:09,000 Speaker 1: I'd have to get a real job, but you know, 887 00:51:09,600 --> 00:51:12,840 Speaker 1: kid around about Costco and all that. Joe and Richmond, 888 00:51:12,880 --> 00:51:15,319 Speaker 1: Virginia says, so many questions a little time. He says, 889 00:51:15,360 --> 00:51:20,640 Speaker 1: I recently conducted a yippie dot com browser search on you, 890 00:51:21,600 --> 00:51:23,600 Speaker 1: just to test what is hippie dot com? What does that? 891 00:51:23,760 --> 00:51:27,840 Speaker 1: I have no clue? Uh. He wanted to test the results, 892 00:51:28,400 --> 00:51:31,279 Speaker 1: and he says, I discovered that filexis might not be 893 00:51:31,400 --> 00:51:35,719 Speaker 1: the only six toed drag queen in your midst Uh 894 00:51:36,719 --> 00:51:39,600 Speaker 1: said you were described it, says Ben Maller, and she 895 00:51:39,840 --> 00:51:43,239 Speaker 1: is currently forty five years old. So I accorded it 896 00:51:43,280 --> 00:51:46,960 Speaker 1: to yippie dot Com. I'm I'm a woman, uh, and 897 00:51:47,200 --> 00:51:51,320 Speaker 1: says online rumors of Ben Maller's dating may vary, may vary. 898 00:51:51,800 --> 00:51:54,760 Speaker 1: While it's relatively simple to find out who's dating Ben Maller, 899 00:51:55,080 --> 00:51:57,440 Speaker 1: it's harder to keep track of all the flings, hookups 900 00:51:57,440 --> 00:52:00,600 Speaker 1: and breakups. Wow, I have no I do what Yippi 901 00:52:00,680 --> 00:52:02,400 Speaker 1: dot com is and don't believe anything you read on 902 00:52:02,440 --> 00:52:04,279 Speaker 1: the internet. And that's it. We're out of time. We 903 00:52:04,320 --> 00:52:09,799 Speaker 1: gotta go Gascon. Good weekend in the books, Yeah, it's uh, 904 00:52:09,840 --> 00:52:12,080 Speaker 1: it's a good weekend. It's gonna be an even better 905 00:52:12,239 --> 00:52:14,760 Speaker 1: fucking week. How about that, It's gonna be an even 906 00:52:14,920 --> 00:52:19,080 Speaker 1: better fucking week. I will disagree with you on that, 907 00:52:20,000 --> 00:52:24,720 Speaker 1: but listen, have a wonderful, glorious, glorious rest of your Sunday. 908 00:52:24,719 --> 00:52:27,680 Speaker 1: We'll be back in the Magic Radio Box Sunday night 909 00:52:28,040 --> 00:52:31,240 Speaker 1: into Monday, eleven p m. Sunday night in the West, 910 00:52:31,800 --> 00:52:34,480 Speaker 1: and that's two am in the East, all night long, 911 00:52:34,600 --> 00:52:36,719 Speaker 1: side by side, We'll talk to you. Then, have a 912 00:52:36,760 --> 00:52:39,600 Speaker 1: great rest of your day. Be sure to catch live 913 00:52:39,760 --> 00:52:42,320 Speaker 1: editions of The Ben Maller Show weekdays at two am 914 00:52:42,360 --> 00:52:46,160 Speaker 1: Eastern eleven pm Pacific on Fox Sports Radio and the 915 00:52:46,280 --> 00:52:49,040 Speaker 1: I Heart Radio app. Be sure to catch live editions 916 00:52:49,040 --> 00:52:51,640 Speaker 1: of The Ben Maller Show weekdays at two am Eastern 917 00:52:51,719 --> 00:52:53,000 Speaker 1: eleven pm Pacific