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Speaker 1: Hey, everybody, it's another bonus episode of I Saw What

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Speaker 1: You Did.

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Speaker 2: My name is Millie to Jericho Danielle Henderson.

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Speaker 1: And oh my gosh, this is gonna be a good one.

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Speaker 1: You know, we got into this habit of the past

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Speaker 1: couple bonus epps where we were taking turns, kind of

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Speaker 1: going into like one film that we really like or

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Speaker 1: just really want to talk about. And it's back over

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Speaker 1: to Danielle's side of the court now, and I'm excited

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Speaker 1: about this.

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Speaker 3: I am sorry first and foremost, but it's always good

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Speaker 3: to start out with I'm sorry, I have.

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Speaker 2: To talk about this.

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Speaker 3: I think this is going to be kind of a

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Speaker 3: therapy session for me, like a theatrical theatrical therapy session,

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Speaker 3: because I don't know what's wrong with me that I

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Speaker 3: love this movie so much.

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Speaker 2: Well, this was the first time watched for me.

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Speaker 1: Oh I uh, it didn't scar me as much as

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Speaker 1: Hereditary did. Okay, but there was I know something in

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Speaker 1: particular that we definitely need to unpack a little bit

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Speaker 1: that did leave me with a lot of questions.

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Speaker 2: Oh, I know, I already know what you're talking about.

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Speaker 2: I'm not gonna I'm not gonna ruin it. Obviously, but

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Speaker 2: I uh I.

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Speaker 1: But first of all, I will say it was completely

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Speaker 1: entertaining my mom.

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Speaker 2: My mom.

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Speaker 1: I think I mentioned this on either another Bonus episode

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Speaker 1: or I mentioned it.

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Speaker 2: On a regular episode.

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Speaker 1: I can't remember, but I call my mom watching this

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Speaker 1: movie and because it comes on HBO a lot, and

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Speaker 1: so I was like, what is my mom watching? And

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Speaker 1: then it was the thing where I was like, oh,

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Speaker 1: it's the guy that played Elton John and he's like,

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Speaker 1: you know, in an action movie. And then I realized

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Speaker 1: Colin Firth was in it and step so I was like, oh,

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Speaker 1: I was a little aware of it already, but then

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Speaker 1: when I sat down and I watched it, I was like, oh,

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Speaker 1: this is like totally enjoyable and totally in line with

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Speaker 1: you know, cause you mentioned it in the Action Movies

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Speaker 1: episode and we did mcgruber last Botus episode. Totally fits

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Speaker 1: in with all of this, right, So you know, makes

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Speaker 1: sense that you'd want.

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Speaker 2: To talk about it.

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Speaker 3: So the movie we're going to talk about today was

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Speaker 3: released in twenty fourteen. It was directed by Matthew Vaughn

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Speaker 3: and it was written by Matthew Vaughn and Jane Goldman,

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Speaker 3: and the movie is Kingsman The Secret Service.

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Speaker 2: Kingsman is an international intelligence agency operating at the highest

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Speaker 2: level of discretion. If you're prepared to adapt, you can

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Speaker 2: transform into a spy interested. Oh yes, So we need

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Speaker 2: to get in here and talk about this.

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Speaker 3: First and foremost, I gotta say that this is a

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Speaker 3: movie that was based on a graphic novel called The

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Speaker 3: Secret Service by Mark Malar and Dave Gibbons, which translates

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Speaker 3: pretty well because it's an entertaining kind of spy comedy flick,

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Speaker 3: and it does have very graphic novel sort of comic

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Speaker 3: bookie beats to it, for sure. But the synopsis is that,

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Speaker 3: and I don't even know if I can do this

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Speaker 3: in one sentence. I don't even know if I can try,

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Speaker 3: because we're going to talk about so much in this movie.

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Speaker 3: But the synopsis is that after his father dies in

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Speaker 3: a kind of secret military event in nineteen ninety seven

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Speaker 3: in the Middle East, our main character, Eggsy is recruited

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Speaker 3: into the spy circle that his dad belonged to, and

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Speaker 3: they are trying to save the world from the machinations

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Speaker 3: of an Internet billionaire played by Samuel L.

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Speaker 2: Jackson.

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Speaker 3: So that's where we're starting, and there are so many

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Speaker 3: reasons I want to talk about this movie. One is

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Speaker 3: that it took me so long to see it because

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Speaker 3: I didn't know Like when I first when it first

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Speaker 3: came out, I was I don't know where my head was,

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Speaker 3: but I was kind of like, oh, this seems like

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Speaker 3: it came out when I was in grad school. First

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Speaker 3: of all, I wasn't watching a lot of movies, but

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Speaker 3: it seemed like kind of a little kid movie mm hm.

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Speaker 3: And so I was like, oh, I'll save that for

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Speaker 3: another time. And I don't know why I first watched

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Speaker 3: it years later, but once I started watching it, I

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Speaker 3: never stopped. I bought it, I own it, I watch

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Speaker 3: it a couple times a year. I love it, and

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Speaker 3: I'm so confused by it and the ending still I

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Speaker 3: don't understand at all. But there's so much to talk about.

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Speaker 3: So first of all, let's get into this cast.

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Speaker 2: The cast is.

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Speaker 3: We've got Colin Firth who plays one of the Kingsman

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Speaker 3: spies named Harry Hart, Mark Strong, Jack Davenport, Taron Egerton,

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Speaker 3: and then you also have Michael Caine, Samuel L. Jackson,

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Speaker 3: and there's even a little not even a cameo. It's

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Speaker 3: kind of like a small supporting role for Mark Hamill.

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Speaker 1: Yes, that threw me completely, Like it kind of was

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Speaker 1: that thing where I was like, that looks like Mark Hamill,

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Speaker 1: but he has a British accent.

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Speaker 2: And I was like, am I tripping right now? Is

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Speaker 2: that who I think it is? Because this is this is.

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Speaker 1: Like a British movie, right, because I was like thinking, oh, well,

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Speaker 1: here are all these like classic British actors, and then

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Speaker 1: there's like Taron Egerton and then I was like, well, then,

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Speaker 1: you know, Samuel L. Jackson is obviously American. But I

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Speaker 1: was like, you know, maybe it's that kind of thing

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Speaker 1: where it's like the one American in the British movie.

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Speaker 1: And then I was like, wait a minute, I actually

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Speaker 1: think that's Mark Hamill, but I can't tell it is. Yeah,

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Speaker 1: And then when you just said that, I was like,

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Speaker 1: oh my god, yes, totally him, right, it.

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Speaker 2: Is totally Mark Hamill.

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Speaker 3: And he plays this guy named Professor Arnold, who at

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Speaker 3: the beginning of the film has been kid and in

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Speaker 3: the course of being saved, we immediately like first three

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Speaker 3: minutes of the movie see someone get sliced in half

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Speaker 3: with some scissor legs. Ah yeah, pretty cool, Like it

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Speaker 3: is incredible. The character Gazelle, played by Sophia Boutella, has

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Speaker 3: these legs that just turn into swords and scissors and

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Speaker 3: she just cuts people up. Yeah.

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Speaker 2: Man, it's such a great character.

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Speaker 3: That's like where some of the comic booky stuff comes

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Speaker 3: into play for me, where it's like, oh, scissor legs,

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Speaker 3: that is comic bookie.

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Speaker 2: Yeah, I can see too.

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Speaker 1: You said earlier about how you initially thought that this

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Speaker 1: movie was for kids, and I could totally see that.

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Speaker 1: Now that you've mentioned it comes from a comic book,

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Speaker 1: I'm like, oh yeah. And there's definitely like things in

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Speaker 1: the film that make it seem like it's for kids,

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Speaker 1: because it's just sort of action y and like it's

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Speaker 1: like there's very big kind of action sequences, and it's

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Speaker 1: also kind of like there is like a Harry Potter

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Speaker 1: sort of vibe to it in certain parts. But yeah,

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Speaker 1: but then it's actually for kids at all.

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Speaker 3: It's not, And I should I should have known that

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Speaker 3: simply by knowing that the comic book was was that

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Speaker 3: the graphic novel was written by Mark Millar because he

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Speaker 3: also did Kick Ass, Okay, so it's like he doesn't

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Speaker 3: really do little kid things.

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Speaker 1: Yeah, And it's like and within the first like five

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Speaker 1: or ten minutes of a movie, a person gets literally

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Speaker 1: sliced in half.

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Speaker 2: I'm like, okay, definitely not for like my six year

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Speaker 2: old nephew at all, Like, should not be watching this.

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Speaker 3: No, no, he gets sliced in half. And then we

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Speaker 3: get to see so Valentine, who's the villain of the film,

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Speaker 3: played by Samuel L.

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Speaker 2: Jackson.

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Speaker 3: We get a lot about his character right away because

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Speaker 3: he walks into this scene where this person's been sliced

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Speaker 3: in half and Gazelle has covered everything, Like you know,

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Speaker 3: prior to that, there are a bunch of agents that

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Speaker 3: had been killed, but prior to that, Gazelle comes in

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Speaker 3: and basically covers everything with sheets so that Valentine can

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Speaker 3: come in and talk to Professor Arnold. And that's where

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Speaker 3: you realize and learn that Valentine cannot stand the sight

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Speaker 3: of blood, like it makes him actually puke. There are

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Speaker 3: scenes in the movie where Samuel L. Jackson looks at

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Speaker 3: blood and pukes. It is just so weird and funny

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Speaker 3: that this villain is like gentle. He kind of has

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Speaker 3: like a spike lee vibe in his style, and he

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Speaker 3: has a little lisp and like it's just such so

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Speaker 3: many strengths, not the way that you're used to seeing

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Speaker 3: a villain behave, and he's an Internet billionaire, so his

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Speaker 3: villainy kind of comes from that, which, as we realize

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Speaker 3: over the course of the film, the reason that he

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Speaker 3: is even interested in Professor Arnold is that Professor Arnold

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Speaker 3: has created something that he wants to use to nefarious purposes.

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Speaker 3: So this is kind of the setup for the movies

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Speaker 3: that we've got our villain, we've got our situation, and

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Speaker 3: we've seen some of our spies, even though they've been

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Speaker 3: cut in half. But the death of Lancelot, the spy

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Speaker 3: that was sliced in half with the legs, leaves an

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Speaker 3: opening in this British gentleman's spy group called the Kingsman,

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Speaker 3: now the Kingsmen.

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Speaker 2: They all take their code names from the Knights of

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Speaker 2: the Round Table.

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Speaker 3: So Harry Hart goes by Galahad, Mark Strong goes by Merlin,

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Speaker 3: and so Lancelot's death leaves this opening, which is where

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Speaker 3: we catch up with Taron Egerton's character. So, when he

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Speaker 3: was little and his dad died, Galahad visited and gave

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Speaker 3: him this medal of honor from his dad that he

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Speaker 3: now wears as a necklace and it has a number

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Speaker 3: on the back, and he's like, have you ever get

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Speaker 3: into trouble? You can just call this number and say

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Speaker 3: Oxford's not Brogues. And you're like, what Eggsy has grown

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Speaker 3: up to be? He's just kind of grown up in

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Speaker 3: a way where you can tell there's been a little

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Speaker 3: bit of a fall from grace. You know, his mom

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Speaker 3: has remarried this horrible and abusive man. She has another

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Speaker 3: little kid, and he's just kind of a kid who

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Speaker 3: who's very smart but didn't take a lot of chances,

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Speaker 3: or he wasn't really given a lot of chances. So

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Speaker 3: we learned very early on that Eggsy has a high IQ.

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Speaker 2: He has a lot of natural skills.

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Speaker 3: He quit the Marines, so when we catch up with him,

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Speaker 3: he's just hanging out with his friends, getting in fights,

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Speaker 3: stealing cars, which he drives like a maniac, so cool,

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Speaker 3: and he uses he has to use the necklace because

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Speaker 3: he gets arrested. So he's like, he gets his one

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Speaker 3: phone call and he calls this number and says Oxford's

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Speaker 3: not Brogues, and then Colin Firth shows up and basically

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Speaker 3: downloads him on who his dad really was. And then

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Speaker 3: kind of invites, you know, everyone of the Night of

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Speaker 3: the round Table, everyone of the Kingsmen has to choose

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Speaker 3: a candidate to replace Lancelot, so Colin Firth picks Eggsy

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Speaker 3: and this is where we get our first real Kingsman

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Speaker 3: style fight scene, and it is incredible. On this fight

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Speaker 3: scene in this bar, where Colin Firth locks the door

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Speaker 3: and just says manners maketh Men uses his umbrella to

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Speaker 3: astonishing degrees to inflict mass violence on this group of

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Speaker 3: thugs who are trying to get Eggsy back for stealing

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Speaker 3: their car, and it blows his kid's mind and it's

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Speaker 3: like he's And the thing that's hilarious about Kingsman to

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Speaker 3: me is that they're such like upscale British gentleman types.

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Speaker 3: So he's wearing like a very tailored suit the whole

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Speaker 3: time and it's hit not a hair out of place

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Speaker 3: and like these cute little glasses. I've never found Colin

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Speaker 3: Firth attractive, and there are two times when I have.

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Speaker 3: One is during the pandemic where he posted that picture

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Speaker 3: of himself on Twitter holding up the garlic that he

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Speaker 3: grew himself.

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Speaker 2: And I was like, yep, cute.

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Speaker 3: And this movie, and this is going to come back

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Speaker 3: again as a theme in our podcast, where there are

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Speaker 3: certain actors that I only find attractive when they're like violent. Yeah,

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Speaker 3: so this is also where the therapy begins. Well, like

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Speaker 3: what is.

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Speaker 2: No I actually I thought I'm not gonna lie.

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Speaker 1: I thought Colin Firth is attractive in freaking even in

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Speaker 1: Bridge Jones's Diary, but also the most attractive that I'd

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Speaker 1: ever seen him was.

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Speaker 2: In that movie A Single Man.

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Speaker 1: Was that that the movie that was in a Julian

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Speaker 1: Moore where he kind of looks very similar where he

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Speaker 1: looks kind of like a sixties I mean, it's obviously

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Speaker 1: funny that Michael Kaine is in this movie because that

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Speaker 1: was Michael Kane in the sixties.

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Speaker 2: Was how Colin Firth looks in.

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Speaker 1: This movie today, with the kind of you know, suits

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Speaker 1: and the and the big glasses and so yeah, when

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Speaker 1: I saw him, I was like, oh, yes, it's the

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Speaker 1: suit and glasses look that I love.

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Speaker 2: But also, so this movie is so.

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Speaker 1: I already mentioned Harry Potter, but it also kind of

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Speaker 1: reminds me of John Wick in the same way where

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Speaker 1: it's kind.

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Speaker 2: Of this like it's this kind of like I don't

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Speaker 2: know what it is.

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Speaker 1: It's like a fetishism about men's clothes thing and like

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Speaker 1: men's gear, like gentleman's gear. Because when he opens the umbrella,

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Speaker 1: because first of all, I was like, okay, what's the

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Speaker 1: umbrella about? It has to be some kind of like weapon, right,

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Speaker 1: I thought.

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Speaker 2: Like a knife would come out and like that.

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Speaker 1: I thought he was gonna just literally be John Wick

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Speaker 1: and just start he pulls out a gun and just

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Speaker 1: starts blowing people's heads off.

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Speaker 2: But it like comes out and is a.

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Speaker 1: Part of his like martial arts or how he fights people.

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Speaker 1: And so I was like, oh, this has some kind

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Speaker 1: of like special powers with some fucking shit that we

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Speaker 1: don't know about yet.

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Speaker 2: But it is fucking awesome to.

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Speaker 1: See that kind of guy, like a fucking like a

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Speaker 1: little fuddy that hey looking guy beat up all these

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Speaker 1: like British thug dudes who are like, Okay, this this

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Speaker 1: part of the movie cracks me up because it's like

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Speaker 1: I know that they're like like the stepdad. Tarret Egerton's

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Speaker 1: stepdad is a piece of shit. We know that, yeah,

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Speaker 1: And he sort of is like the gang leader of

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Speaker 1: these like street thug guys.

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Speaker 2: The's like stupid idiots that.

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Speaker 1: Just hang out in pubs and like call each other

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Speaker 1: bruv or whatever.

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Speaker 2: And there they are scary. They are they are scary, Like, oh, I.

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Speaker 4: Just thought this episode should be titled call Me by

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Speaker 4: my Bruv, going.

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Speaker 2: By your bruv.

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Speaker 1: They're saying bruv like crazy, and I was like, and

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Speaker 1: I was like sitting here, like going, man, that's such

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Speaker 1: a fucking look like bruh. And and you know, and

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Speaker 1: they're all just like terrorizing everybody in the you know,

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Speaker 1: in this pub. But also it seems like they kind

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Speaker 1: of terrorize the town or whatever a little bit. And

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Speaker 1: so when fucking Calm Firth kicks their ass in this pub,

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Speaker 1: it's so awesome. You're like, yes, and this umbrella, this

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Speaker 1: magical umbrella. I'm sure we're going to fight out about

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Speaker 1: it in just a moment.

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Speaker 2: Right, yes.

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Speaker 3: And it's like instant gratification because it usually you go

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Speaker 3: through so many points of a film where you're like, oh,

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Speaker 3: this is the origin story of this character, like this

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Speaker 3: is Eggsy's origin story technically, and they usually don't get justice,

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Speaker 3: and there's instant relief and justice and seeing these guys

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Speaker 3: get what's coming to them.

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Speaker 1: Yeah, and like the the the pub owner. Like after

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Speaker 1: the fight's over, he picks up the phone to call

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Speaker 1: the cops and then like calling for.

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Speaker 2: Just shoots a little like amnesia.

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Speaker 1: Dartin is fucking neck or whatever, and then he's just

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Speaker 1: like okay, and I'm like, yo, darts.

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Speaker 3: If I had tiny Anesia darts, I would take. I

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Speaker 3: would pop myself every night before I went to bed.

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Speaker 3: I'd be like, let's forget that the whole day.

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Speaker 1: You know, I would o d on Asia darts. Let's

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Speaker 1: just be serious. I'd be like, yo, I just had

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Speaker 1: a bad lunch.

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Speaker 3: It never happened, Like, oh, you only need to forget

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Speaker 3: the last five minutes. Great, I won't be doing this

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Speaker 3: all day. I'd have an implant. I'd have like one

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Speaker 3: of those little drips, like like like a those what

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Speaker 3: was that that birth control with they like implant in

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Speaker 3: your arm.

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Speaker 2: I would do that for amnesia darts, for.

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Speaker 1: Sure, what a constant flow of amnesia juice?

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Speaker 2: Just press on my shoulder. There we go, relief. But

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Speaker 2: it is these kinds of.

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Speaker 3: Things are I love this kind of stuff in movies.

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Speaker 3: I love spy shit. I love it, so I love

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Speaker 3: the whole and it's like the spy makeover is so

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Speaker 3: different from any other makeover, which is what we get

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Speaker 3: to see very shortly. So we get Eggsy gets to

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Speaker 3: go with Galahad with Harry Hart to their headquarters. The

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Speaker 3: Kingsman headquarters are on Savile Row, which is so hilarious

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Speaker 3: to me because Savile Row is like the posh part

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Speaker 3: of London where you can get spoke suits and kind

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Speaker 3: of hand me upscale shit.

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Speaker 2: So that's their headquarters.

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Speaker 3: And when he takes him through the headquarters and kind

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Speaker 3: of shows him all of the tools, all of the

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Speaker 3: cool spy stuff, like a pair of shoes that if

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Speaker 3: you click the heels together, a little knife comes out

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Speaker 3: of the toe, and I'm like, this is dope, Like

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Speaker 3: this is the kind of shit that we need in

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Speaker 3: our everyday life. It would be way too dangerous for

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Speaker 3: the public to have granted, but it gives me hope

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Speaker 3: that one day we'll evolve a little bit into the

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Speaker 3: sci fi future I've always wanted, Like, forget flying cards,

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Speaker 3: I want knife shoes, I want amnesia darts. It's like

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Speaker 3: I want the stuff that is possible now I know.

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Speaker 1: I want a Zippo grenades so bad they'd be so

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Speaker 1: sweet and just yeah, And then it talks about the

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Speaker 1: idea that all these little accoutrements, these like gentlemanly accoutrements

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Speaker 1: that they have are like have like neural toxins and

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Speaker 1: like they're grenades and they're poisons. And the umbrella is

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Speaker 1: like bulletproof. The suits are bulletproof, and in the moment,

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Speaker 1: I swear to God, I love it. This is what

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Speaker 1: I love about John Wick two.

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Speaker 2: You're absolutely right.

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Speaker 1: Is like when they open the door, and the door

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Speaker 1: or it's almost like a false door, and then it

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Speaker 1: goes into this like layer where everything is laid out

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Speaker 1: in this like perfect way, and then it's like here's

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Speaker 1: the guns, here's the umbrellas, here's the zippos, here's the shoes,

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Speaker 1: and you're just like it's almost like walking into a

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Speaker 1: rich person's closet and with the lighting behind it, and

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Speaker 1: you're like, all.

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Speaker 2: Of this shit will kill people. This is so sweet,

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Speaker 2: Like a wealthy closet that kills that.

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00:18:42,840 --> 00:18:45,680
Speaker 1: Yeah, exactly, just the fantasy of it, because that's what

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Speaker 1: we love about these movies, right, is this idea that

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Speaker 1: it's like, oh, look at all this spy shit that

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Speaker 1: will like these like tiny little things that can like

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Speaker 1: blow up an entire building or whatever.

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Speaker 2: It's so rad.

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Speaker 3: Yes, it's and it's like kind of a heightened revenge

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Speaker 3: fantasy because it's like the fantasy of wealth that gives

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Speaker 3: you access to better tools to get more revenge.

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00:19:06,359 --> 00:19:10,520
Speaker 2: Yeah, and gentile revenge is so a gentleman's revenge.

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Speaker 3: I just look a pair of cuff links that like

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Speaker 3: has a spider Man net in it, Like I love

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Speaker 3: shit like that. We're just tiny things. And then I

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Speaker 3: also wonder, because this is just where my brain goes.

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Speaker 3: I'm like, how do they get those back in? Like

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Speaker 3: if you have a cuff link that shoots out a net,

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Speaker 3: do you have to like repack the net? Like whose

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Speaker 3: job is that? That's the movie I would write, It's

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Speaker 3: like whose job is it to clean up after the

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00:19:31,440 --> 00:19:34,520
Speaker 3: spies and like make sure all their shit's back together

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00:19:34,600 --> 00:19:36,360
Speaker 3: so the next time they use it, it's ready to go.

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Speaker 1: I know, somebody's got to repair all those umbrellas. I mean, yeah,

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Speaker 1: they got bullet holes in them. I mean the zippos

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Speaker 1: seem like a one time use type of thing, so

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Speaker 1: maybe they just order more grenade zippos.

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Speaker 2: But then, yeah, it does beg the question.

385
00:19:52,040 --> 00:19:54,840
Speaker 1: It's like, Okay, well that knife's coming out about Oxford,

386
00:19:55,359 --> 00:19:57,720
Speaker 1: like and you just shove it back in. Somebody's got

387
00:19:57,720 --> 00:20:01,080
Speaker 1: to go back in and calibrate those like come on, yeah, you.

388
00:20:01,040 --> 00:20:01,840
Speaker 2: Got to clean it off.

389
00:20:01,880 --> 00:20:03,640
Speaker 3: You can't just be letting blood sit on a knife,

390
00:20:03,960 --> 00:20:06,200
Speaker 3: shoe knife, because then the next time you use it,

391
00:20:06,280 --> 00:20:08,320
Speaker 3: Like I know, the point is to kill, but like

392
00:20:08,320 --> 00:20:10,159
Speaker 3: what if you use it and you don't kill someone

393
00:20:10,480 --> 00:20:15,960
Speaker 3: and you just give them tetanus, like you can't bloodborne diseases.

394
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Speaker 3: You better clean those Somebody's gotta clean those knives. Like

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Speaker 3: that is the movie I'm going to write, that's the

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00:20:19,680 --> 00:20:21,400
Speaker 3: spy movie al right. Who cleans up.

397
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Speaker 2: Spy Gear is so so great?

398
00:20:23,480 --> 00:20:25,399
Speaker 3: I love it, and I love it in this movie because,

399
00:20:25,440 --> 00:20:27,480
Speaker 3: like you said, the way it's presented is in such

400
00:20:27,480 --> 00:20:31,159
Speaker 3: a posh and kind of fashionable way. And then you

401
00:20:31,200 --> 00:20:34,359
Speaker 3: get to go into the secret layer because the whole

402
00:20:34,440 --> 00:20:37,640
Speaker 3: thing now is that Eggsy is just one of several

403
00:20:38,280 --> 00:20:41,880
Speaker 3: people who have been chosen to potentially replace Lancelot.

404
00:20:41,960 --> 00:20:44,040
Speaker 2: So you basically get to go to like the Harry

405
00:20:44,080 --> 00:20:45,439
Speaker 2: Potter spy school.

406
00:20:45,720 --> 00:20:49,480
Speaker 3: Yes, and like you're traveling in this little bullet train underground,

407
00:20:50,200 --> 00:20:51,480
Speaker 3: like a private bullet train.

408
00:20:51,840 --> 00:20:56,000
Speaker 1: Okay, I want to talk about this bullet train, okay,

409
00:20:56,280 --> 00:21:00,159
Speaker 1: because from what I saw, it almost look like like

410
00:21:00,800 --> 00:21:04,440
Speaker 1: a bank tube, you know, like, yes, when you the

411
00:21:04,480 --> 00:21:06,840
Speaker 1: pneumatic tube, Yeah, yes, so when you go to the

412
00:21:06,880 --> 00:21:08,280
Speaker 1: bank and you put your money through the tube and

413
00:21:08,320 --> 00:21:10,680
Speaker 1: it shoots, you know, and the thing it almost looked

414
00:21:10,800 --> 00:21:12,960
Speaker 1: like it looks like they were sitting in a giant

415
00:21:13,240 --> 00:21:16,400
Speaker 1: human sized bank teller tube.

416
00:21:16,760 --> 00:21:19,359
Speaker 2: And which is the dream? That is fucking sweet.

417
00:21:19,480 --> 00:21:26,040
Speaker 1: And I'm like, yes, like somebody has thoughtfully designed this,

418
00:21:26,400 --> 00:21:28,400
Speaker 1: so why not do it in real.

419
00:21:28,200 --> 00:21:30,159
Speaker 2: Life so we don't ever have to sit in traffic ever.

420
00:21:30,200 --> 00:21:33,840
Speaker 1: Again, let's just get like giant human sized bank teller

421
00:21:33,880 --> 00:21:36,760
Speaker 1: tubes just fucking shoot us to like Easter.

422
00:21:36,600 --> 00:21:38,840
Speaker 2: Island if we want to go, Like, come on, this

423
00:21:38,920 --> 00:21:41,359
Speaker 2: is yes. I could not agree more.

424
00:21:41,520 --> 00:21:44,960
Speaker 3: I feel like the technology exists, we don't need to

425
00:21:45,000 --> 00:21:49,040
Speaker 3: be looking to. We need to do better things with

426
00:21:49,280 --> 00:21:53,280
Speaker 3: the tech we have. And I know that the pneumatic tube,

427
00:21:53,359 --> 00:21:56,800
Speaker 3: bank teller bullet train might not be the most earth

428
00:21:56,880 --> 00:21:59,560
Speaker 3: friendly way to get around, but that's why you develop

429
00:21:59,640 --> 00:22:02,280
Speaker 3: them to be high speed and you only need a

430
00:22:02,320 --> 00:22:05,760
Speaker 3: few lines, so like a subway, but it's hyper fucking

431
00:22:05,840 --> 00:22:08,119
Speaker 3: speed and you can only go to two places. Yeah,

432
00:22:08,119 --> 00:22:09,720
Speaker 3: like you can use your car and your feet and

433
00:22:09,760 --> 00:22:11,960
Speaker 3: your bike for the rest of the stuff in between. Yes,

434
00:22:12,040 --> 00:22:14,680
Speaker 3: but like we need this tech to get us around

435
00:22:14,720 --> 00:22:15,160
Speaker 3: the Earth.

436
00:22:15,600 --> 00:22:17,399
Speaker 1: I know I want to get I want to go

437
00:22:17,440 --> 00:22:20,359
Speaker 1: on the other side of the Earth in like fifteen seconds.

438
00:22:20,480 --> 00:22:24,520
Speaker 1: Let's go, And it doesn't disrupt any the molecules of

439
00:22:24,560 --> 00:22:27,080
Speaker 1: my body. It's just like we're we get out. We

440
00:22:27,160 --> 00:22:29,840
Speaker 1: have like just enough of like a spot of tea,

441
00:22:30,200 --> 00:22:31,840
Speaker 1: and then I'm like, I'm in Malaysia.

442
00:22:31,960 --> 00:22:32,880
Speaker 2: This is fucking tight.

443
00:22:34,280 --> 00:22:36,560
Speaker 3: And that was gonna be my next question, Like would

444
00:22:36,600 --> 00:22:38,840
Speaker 3: you like to arrive like a melted bag of bones?

445
00:22:39,040 --> 00:22:41,199
Speaker 2: Or I feel like you can get to.

446
00:22:41,240 --> 00:22:44,160
Speaker 3: Canada in fifteen seconds when Malaysia might take an hour.

447
00:22:44,480 --> 00:22:46,960
Speaker 1: Maybe I told one in my head to explode, I'd

448
00:22:46,960 --> 00:22:47,680
Speaker 1: still be down.

449
00:22:47,800 --> 00:22:49,520
Speaker 2: I'd still be down. If I could go to Malaysia

450
00:22:49,560 --> 00:22:51,120
Speaker 2: in an hour, Yeah even an hour.

451
00:22:51,200 --> 00:22:53,159
Speaker 3: Yeah, I've sat traffick it Alay, It's longer than that

452
00:22:53,240 --> 00:22:54,080
Speaker 3: just to get across town.

453
00:22:54,119 --> 00:22:55,400
Speaker 2: Like, I would definitely do it.

454
00:22:57,040 --> 00:22:59,480
Speaker 3: We can make it solar powered, we can be like

455
00:22:59,680 --> 00:23:03,080
Speaker 3: we can really do this. I want to be a scientist.

456
00:23:03,200 --> 00:23:04,840
Speaker 3: Every time I watch movies like this, I'm like I

457
00:23:04,840 --> 00:23:07,720
Speaker 3: should have gotten into the sciences. Nothing about my education

458
00:23:07,800 --> 00:23:10,320
Speaker 3: says that, but everything about my brain says that.

459
00:23:11,200 --> 00:23:12,080
Speaker 2: But yeah, I love this.

460
00:23:12,000 --> 00:23:13,720
Speaker 3: Shit because then you get to go to this school

461
00:23:13,800 --> 00:23:16,760
Speaker 3: and it's basically they're only going to pick one replacement,

462
00:23:17,720 --> 00:23:20,960
Speaker 3: and so they put all of these kids through a

463
00:23:21,760 --> 00:23:26,160
Speaker 3: series of tasks and it's basically like, you know, you're

464
00:23:26,200 --> 00:23:28,240
Speaker 3: never gonna know when it's coming, You're not going to

465
00:23:28,359 --> 00:23:31,040
Speaker 3: know what the directive is. We're just going to show

466
00:23:31,119 --> 00:23:34,840
Speaker 3: up and give you a directive and you're gonna do

467
00:23:34,920 --> 00:23:36,040
Speaker 3: it and pass or fail.

468
00:23:36,400 --> 00:23:38,600
Speaker 2: And Mark Strong is in charge of this.

469
00:23:38,680 --> 00:23:40,680
Speaker 3: He plays Merlin, and he's kind of like the tech guy,

470
00:23:40,720 --> 00:23:43,280
Speaker 3: Like he's kind of like the kind of nerdy I

471
00:23:43,320 --> 00:23:44,880
Speaker 3: love Mark Strong in a nerdy role.

472
00:23:45,040 --> 00:23:46,359
Speaker 2: I love this for him.

473
00:23:46,520 --> 00:23:49,480
Speaker 1: I don't really know him very well, but I loved him.

474
00:23:49,520 --> 00:23:51,440
Speaker 1: I thought he was such a great like the guy

475
00:23:51,480 --> 00:23:53,720
Speaker 1: that ran the sort of school that they all had

476
00:23:53,760 --> 00:23:59,040
Speaker 1: to graduate from. And I gotta tell you too, Invariably,

477
00:23:59,080 --> 00:24:02,000
Speaker 1: in all these types of scenarios in every movie, you've

478
00:24:02,040 --> 00:24:06,000
Speaker 1: got the prep school shits that are like picking on

479
00:24:06,280 --> 00:24:11,960
Speaker 1: poor Eggsy because he's from a poor neighborhood and they're

480
00:24:12,040 --> 00:24:15,840
Speaker 1: obviously a bunch of fucking like preppy dicks, and they make.

481
00:24:15,680 --> 00:24:18,960
Speaker 2: Fun of him, and they you know, pull pranks.

482
00:24:18,600 --> 00:24:20,840
Speaker 1: On him, And I was like, I hope they all

483
00:24:21,200 --> 00:24:23,640
Speaker 1: get blowed up by a zippo grenade at some.

484
00:24:23,640 --> 00:24:28,280
Speaker 3: Point, like intentionally. Yeah, that is part of what I

485
00:24:28,280 --> 00:24:30,120
Speaker 3: want to talk about too. It's just this how they

486
00:24:30,160 --> 00:24:33,840
Speaker 3: take this construct of the prep school asshole and kind

487
00:24:33,880 --> 00:24:36,920
Speaker 3: of turn it on its head here, because there are

488
00:24:37,040 --> 00:24:40,040
Speaker 3: so many situations that they put these kids in where

489
00:24:40,160 --> 00:24:43,159
Speaker 3: your money won't save you, your breeding won't save you. You

490
00:24:43,240 --> 00:24:44,960
Speaker 3: have to be able to think outside of the box.

491
00:24:45,000 --> 00:24:46,720
Speaker 3: You have to be intelligent, you have to be able

492
00:24:46,800 --> 00:24:50,480
Speaker 3: to kind of use all parts of the brain and

493
00:24:50,520 --> 00:24:53,679
Speaker 3: the world and life. And so Eggsy's got kind of

494
00:24:53,680 --> 00:24:55,760
Speaker 3: a leg up in a lot of ways. He doesn't

495
00:24:55,760 --> 00:24:58,280
Speaker 3: exhibit it in the best way. Like I'm thinking particularly

496
00:24:58,280 --> 00:25:00,960
Speaker 3: of the first scene where they're sleep and then all

497
00:25:01,000 --> 00:25:03,000
Speaker 3: of a sudden, the whole entire room starts to fill

498
00:25:03,080 --> 00:25:03,639
Speaker 3: up with water.

499
00:25:03,760 --> 00:25:05,880
Speaker 2: Oh my god, I was giving me such a and.

500
00:25:05,800 --> 00:25:10,520
Speaker 3: They have to figure out, right, that's gonna say, you're

501
00:25:10,560 --> 00:25:11,920
Speaker 3: flashing back to your river trip.

502
00:25:12,280 --> 00:25:14,520
Speaker 2: I was like, oh my god, this whole shit's gonna

503
00:25:14,520 --> 00:25:16,560
Speaker 2: fill up with water and.

504
00:25:17,000 --> 00:25:20,159
Speaker 3: They're dead asleep, like talk about nightmare of nightmares. You

505
00:25:20,200 --> 00:25:22,720
Speaker 3: wake up in a room full of water. And so

506
00:25:22,800 --> 00:25:24,720
Speaker 3: they're all, you know, kind of figuring, trying to figure

507
00:25:24,760 --> 00:25:27,800
Speaker 3: out how to survive or whatever. And they take these

508
00:25:28,720 --> 00:25:32,400
Speaker 3: they rip these shower tubes out or the shower nozzles

509
00:25:32,440 --> 00:25:35,080
Speaker 3: out and push them into the toilet to get to

510
00:25:35,119 --> 00:25:36,719
Speaker 3: the air out of the pipe or whatever so they

511
00:25:36,720 --> 00:25:37,280
Speaker 3: can breathe.

512
00:25:37,720 --> 00:25:39,439
Speaker 2: And Eggsy's like, uh, huh, fuck that.

513
00:25:39,680 --> 00:25:42,240
Speaker 3: I'm going to the window and I'm punching it open

514
00:25:42,359 --> 00:25:43,080
Speaker 3: and I'm gonna.

515
00:25:42,880 --> 00:25:44,160
Speaker 2: Let the water out of this room.

516
00:25:44,520 --> 00:25:47,880
Speaker 3: So his kind of lateral thinking is beneficial to him,

517
00:25:47,880 --> 00:25:49,720
Speaker 3: even though he's kind of a brute, you know, his

518
00:25:49,840 --> 00:25:53,640
Speaker 3: lateral thinking is actually helpful to him in situations where

519
00:25:53,640 --> 00:25:55,200
Speaker 3: these rich kids could never compete.

520
00:25:55,280 --> 00:25:57,080
Speaker 2: And I love seeing that. I love it.

521
00:25:57,320 --> 00:26:01,800
Speaker 1: Also, is it actually true that you can breathe if

522
00:26:01,800 --> 00:26:03,399
Speaker 1: you put a if you put a tube and of

523
00:26:03,440 --> 00:26:05,520
Speaker 1: toilet far enough, you can breathe fresh air?

524
00:26:05,720 --> 00:26:07,080
Speaker 2: Is that true? This is the thing.

525
00:26:07,160 --> 00:26:09,680
Speaker 3: I can't imagine that's true, because think of the sewage,

526
00:26:09,720 --> 00:26:12,760
Speaker 3: think of the ship, think of like you might be

527
00:26:12,760 --> 00:26:14,760
Speaker 3: able to breathe, but you're definitely getting cholera.

528
00:26:15,440 --> 00:26:18,440
Speaker 2: Yeah, yeah, Like what's the trade off. I'm not trying

529
00:26:18,440 --> 00:26:20,640
Speaker 2: to huff no shits, you know what I'm saying.

530
00:26:20,640 --> 00:26:20,720
Speaker 5: No.

531
00:26:23,600 --> 00:26:26,040
Speaker 1: I honestly thought about that all night, Like after I

532
00:26:26,080 --> 00:26:28,000
Speaker 1: watched the movie, I went back to my bedroom and

533
00:26:28,040 --> 00:26:31,439
Speaker 1: I was like, can you actually breathe out of a

534
00:26:31,480 --> 00:26:32,560
Speaker 1: toilet if you had to?

535
00:26:32,760 --> 00:26:36,560
Speaker 2: I'm like, too much money passes through there, No way.

536
00:26:36,640 --> 00:26:36,800
Speaker 3: Yeah.

537
00:26:36,960 --> 00:26:39,639
Speaker 2: I couldn't get past the visual of it. I couldn't.

538
00:26:39,960 --> 00:26:40,560
Speaker 2: I would die.

539
00:26:40,760 --> 00:26:42,960
Speaker 3: I mean there's so many situations in this movie where

540
00:26:42,960 --> 00:26:46,280
Speaker 3: I'm like, oh, yeah, I would just drown that dude.

541
00:26:46,320 --> 00:26:49,480
Speaker 1: I was like, yo, I am a woos. I would

542
00:26:49,560 --> 00:26:53,439
Speaker 1: never make it. I would never make it even five seconds.

543
00:26:53,480 --> 00:26:56,439
Speaker 1: In this fucking school, they do.

544
00:26:56,359 --> 00:26:59,960
Speaker 3: These like such wild stunts like I'm afraid of heights,

545
00:27:00,040 --> 00:27:01,800
Speaker 3: And there's like a scene where they're jumping out of

546
00:27:01,840 --> 00:27:04,840
Speaker 3: planes and have to like work together to hit a

547
00:27:04,920 --> 00:27:06,960
Speaker 3: target on the ground, Like I just I can't. I

548
00:27:07,000 --> 00:27:10,080
Speaker 3: can't with that shit. But they do it. And at

549
00:27:10,119 --> 00:27:13,120
Speaker 3: first Eggsy does not get I love that he doesn't

550
00:27:13,160 --> 00:27:16,320
Speaker 3: get the posting because he won't shoot the dog they

551
00:27:16,359 --> 00:27:22,880
Speaker 3: gave him. Okay, this shit, they want a dog, and

552
00:27:22,920 --> 00:27:25,320
Speaker 3: he picks a bug, and let me.

553
00:27:25,359 --> 00:27:29,000
Speaker 1: Just tell you, like, I don't know much about Taron

554
00:27:29,080 --> 00:27:32,080
Speaker 1: Egerton's career. The only thing I know about him is

555
00:27:32,119 --> 00:27:35,040
Speaker 1: that he played Elton John in the Elton John biopic,

556
00:27:35,040 --> 00:27:36,680
Speaker 1: and I thought he did a fantastic job.

557
00:27:36,960 --> 00:27:38,160
Speaker 2: So seeing him in this.

558
00:27:38,119 --> 00:27:42,200
Speaker 1: Role where you know, he was like, oh, a hunky

559
00:27:42,280 --> 00:27:46,080
Speaker 1: fucking dude who has like action chops, but he's also

560
00:27:46,200 --> 00:27:50,520
Speaker 1: very funny. There was this moment where he goes so

561
00:27:51,320 --> 00:27:54,199
Speaker 1: the whole premise is like their final what is it?

562
00:27:54,240 --> 00:27:58,840
Speaker 1: The final task is that they were forced to pick

563
00:27:58,880 --> 00:28:02,200
Speaker 1: a dog and hang out with a dog during this school,

564
00:28:02,320 --> 00:28:05,760
Speaker 1: which already felt ominous, but I was also like, this

565
00:28:05,880 --> 00:28:06,600
Speaker 1: is pretty tight.

566
00:28:06,760 --> 00:28:08,960
Speaker 2: I would fucking love to get a dog if I went.

567
00:28:08,840 --> 00:28:11,160
Speaker 3: To school, especially because like there are no dogs running

568
00:28:11,200 --> 00:28:13,439
Speaker 3: around the Kingsman round table.

569
00:28:13,880 --> 00:28:17,119
Speaker 2: Yes, so you know some shit's coming up. Something's happening

570
00:28:17,240 --> 00:28:18,000
Speaker 2: with these dogs.

571
00:28:18,600 --> 00:28:22,439
Speaker 1: And as you can't imagine, the final task to like

572
00:28:23,000 --> 00:28:25,840
Speaker 1: make it or whatever is that they have to shoot

573
00:28:25,840 --> 00:28:29,840
Speaker 1: the dog. And I was like, of course they made

574
00:28:29,880 --> 00:28:32,720
Speaker 1: it so harrowing because they kept focusing on the little

575
00:28:32,760 --> 00:28:37,400
Speaker 1: pugs face and he's like he's like Tong's out.

576
00:28:37,200 --> 00:28:40,880
Speaker 2: Fucking He's just like I'm just in love with you.

577
00:28:40,960 --> 00:28:43,480
Speaker 2: And then you're just like, he's gonna fucking shoot that dog.

578
00:28:45,440 --> 00:28:50,280
Speaker 1: The best thing is that he goes, I'm not shooting.

579
00:28:49,880 --> 00:28:59,440
Speaker 2: A fucking dog to get a job. I'm just like, exactly, dude, exactly.

580
00:29:00,160 --> 00:29:05,680
Speaker 3: Break it down like that. This is where I feel

581
00:29:05,720 --> 00:29:10,080
Speaker 3: like his background is key, because he's so practical. None

582
00:29:10,120 --> 00:29:12,200
Speaker 3: of us would shoot a fucking dog to get a job.

583
00:29:13,040 --> 00:29:15,360
Speaker 3: I don't care if you give me the amnesia darts.

584
00:29:15,360 --> 00:29:17,880
Speaker 3: I'm not shooting a dog. I'll find another way to

585
00:29:17,960 --> 00:29:22,920
Speaker 3: get the knife shoes. Okay, I'll make my own knife

586
00:29:22,920 --> 00:29:25,320
Speaker 3: shoes if I have the duct tape a fucking steak

587
00:29:25,400 --> 00:29:26,480
Speaker 3: knife to my heel.

588
00:29:26,680 --> 00:29:30,280
Speaker 2: I'm not shooting a fucking pet. I just love how

589
00:29:30,320 --> 00:29:33,240
Speaker 2: he reduces it down to that whole sentence like I

590
00:29:33,280 --> 00:29:35,200
Speaker 2: am not shooting a fucking.

591
00:29:34,960 --> 00:29:38,600
Speaker 1: Dog to get a job, which I feel was like

592
00:29:39,400 --> 00:29:43,840
Speaker 1: a rule of life, right, Like that should be something

593
00:29:43,880 --> 00:29:46,760
Speaker 1: that we just all take with us in any endeavor

594
00:29:46,960 --> 00:29:50,120
Speaker 1: that we under you know that we take on. It's

595
00:29:50,120 --> 00:29:53,200
Speaker 1: that whole concept, and it's so funny, Like when he

596
00:29:53,280 --> 00:29:56,680
Speaker 1: says that, it's so fucking funny.

597
00:29:57,240 --> 00:30:00,600
Speaker 3: I'm so glad you up because that is the funny lines,

598
00:30:01,160 --> 00:30:04,120
Speaker 3: especially after everything he's been through. He's like, I'm not

599
00:30:04,240 --> 00:30:06,560
Speaker 3: sucking on a shit pipe and I'm not shooting a

600
00:30:06,600 --> 00:30:08,920
Speaker 3: fucking There's no way around this, Like I can punch

601
00:30:08,960 --> 00:30:11,640
Speaker 3: through a window to get around sucking on the ship pipe,

602
00:30:11,760 --> 00:30:15,479
Speaker 3: there's no way around shooting a dog. Like, I'm not

603
00:30:15,640 --> 00:30:18,520
Speaker 3: doing your fuck I'm not playing your goddamn games.

604
00:30:18,600 --> 00:30:21,120
Speaker 2: I'm done with the ships. I'll go back to stealing

605
00:30:21,200 --> 00:30:23,760
Speaker 2: cars like fuck off exactly.

606
00:30:24,200 --> 00:30:26,600
Speaker 1: And that's kind of what happens, is that he doesn't

607
00:30:26,720 --> 00:30:30,760
Speaker 1: fucking shoot the dog. But then his like the other

608
00:30:30,840 --> 00:30:32,760
Speaker 1: person that he was in the running with, who was

609
00:30:32,800 --> 00:30:34,080
Speaker 1: that that woman? Right?

610
00:30:34,360 --> 00:30:37,320
Speaker 2: Yeah, I think it's Samantha. It's not saman that will Mac.

611
00:30:37,560 --> 00:30:39,880
Speaker 2: That's his mom. I'll find your name, no, yeah, But

612
00:30:40,120 --> 00:30:43,680
Speaker 2: so it's like her and him and Roxy is that

613
00:30:43,760 --> 00:30:47,840
Speaker 2: her name, yes, Sophie Cookson, yes, right, So it's.

614
00:30:47,680 --> 00:30:50,280
Speaker 1: Down to the two of them, and they're both in

615
00:30:50,320 --> 00:30:54,040
Speaker 1: separate rooms with this moral dilemma of shooting a dog.

616
00:30:54,600 --> 00:30:56,880
Speaker 2: So he's like, I'm not shooting a fucking dog.

617
00:30:56,960 --> 00:31:00,479
Speaker 1: We get a job, and he refuses, and then what

618
00:31:00,520 --> 00:31:09,920
Speaker 1: do you hear from the other room.

619
00:31:05,920 --> 00:31:10,959
Speaker 2: A fucking gunshot. So Roxy shot her fucking dog. You

620
00:31:11,040 --> 00:31:12,400
Speaker 2: hear a fucking gunshot.

621
00:31:12,680 --> 00:31:15,560
Speaker 3: It is so hilarious because you're like, oh, you would

622
00:31:15,600 --> 00:31:17,360
Speaker 3: think it would be the other way around. But I

623
00:31:17,400 --> 00:31:19,240
Speaker 3: love how they turn it on their head where they're like, no,

624
00:31:19,320 --> 00:31:21,360
Speaker 3: she is a savage. She would shoot a dog to

625
00:31:21,360 --> 00:31:23,200
Speaker 3: get a job in a heartbeat.

626
00:31:23,120 --> 00:31:25,600
Speaker 1: Yeah, And then basically he's like, I guess I'm going

627
00:31:25,680 --> 00:31:29,760
Speaker 1: back to my my apartment, like I didn't make it

628
00:31:29,880 --> 00:31:32,400
Speaker 1: because I just didn't want to shoot a dog, And

629
00:31:32,480 --> 00:31:33,320
Speaker 1: so that's what happens.

630
00:31:33,320 --> 00:31:35,400
Speaker 2: He goes back, right, he goes back.

631
00:31:35,280 --> 00:31:38,680
Speaker 3: And then the reveal later a little bit later, which

632
00:31:38,720 --> 00:31:41,280
Speaker 3: is great, especially for those of us who are pet lovers.

633
00:31:42,040 --> 00:31:44,480
Speaker 3: It was a blank, so they were kind of testing

634
00:31:44,520 --> 00:31:48,680
Speaker 3: the will of their perspectives to see if they would

635
00:31:48,720 --> 00:31:49,640
Speaker 3: do the most.

636
00:31:49,360 --> 00:31:51,560
Speaker 2: Horrible thing in order to get the job done.

637
00:31:51,960 --> 00:31:55,160
Speaker 3: But as you see later when Eggsy goes to Colin

638
00:31:55,200 --> 00:31:59,680
Speaker 3: Firth's house, he's like, you shot your fucking dog because

639
00:31:59,680 --> 00:32:01,880
Speaker 3: he has a dog like stuffed in his house and

640
00:32:01,920 --> 00:32:04,479
Speaker 3: he's like, no, he died of pancreatic cancer after like

641
00:32:04,520 --> 00:32:07,000
Speaker 3: twelve years. Like they were blanks, you think you'd make

642
00:32:07,040 --> 00:32:11,320
Speaker 3: you kill a fucking dog, which is the worst, Like

643
00:32:11,680 --> 00:32:13,600
Speaker 3: This is again one of these things that this movie

644
00:32:13,640 --> 00:32:15,160
Speaker 3: makes me think about, which is like, what are the

645
00:32:15,160 --> 00:32:19,680
Speaker 3: worst psychological Like psychological terror is so much more scary

646
00:32:19,720 --> 00:32:22,320
Speaker 3: to me than like physical terror sometimes.

647
00:32:22,360 --> 00:32:23,120
Speaker 2: Oh my god.

648
00:32:23,400 --> 00:32:27,520
Speaker 1: And I get another fucking hilarious line where Tara Erkinsin's

649
00:32:27,560 --> 00:32:33,400
Speaker 1: like looks at the fucking mounted dog in Colin Firth's

650
00:32:33,440 --> 00:32:36,400
Speaker 1: house and goes, you shot your fucking dog and had

651
00:32:36,440 --> 00:32:40,440
Speaker 1: it stuffed bru or whatever he said, and it was like, yes,

652
00:32:41,800 --> 00:32:46,600
Speaker 1: like the idea of that all these stupid kingsmen shot

653
00:32:46,640 --> 00:32:48,760
Speaker 1: their dogs, just the.

654
00:32:48,840 --> 00:32:53,000
Speaker 3: Wave of dog terrorists out there, and then they mount

655
00:32:53,040 --> 00:32:55,120
Speaker 3: them like trophies in their house, Like this is how

656
00:32:55,160 --> 00:32:57,280
Speaker 3: I got all this cool spy shit. I gotta kill

657
00:32:57,320 --> 00:32:58,240
Speaker 3: a fucking dog.

658
00:32:58,720 --> 00:32:58,960
Speaker 5: It was.

659
00:32:59,080 --> 00:33:00,800
Speaker 1: It was one of the funniest jokes in the movie,

660
00:33:00,880 --> 00:33:03,040
Speaker 1: honestly for my mone, truly.

661
00:33:02,960 --> 00:33:05,720
Speaker 3: Truly fantastic, and I love And this is again like

662
00:33:05,800 --> 00:33:08,920
Speaker 3: these moments of this film that I love and it

663
00:33:08,920 --> 00:33:11,720
Speaker 3: makes me laugh because they kind of turn, they turn,

664
00:33:11,760 --> 00:33:14,160
Speaker 3: then they turn things on their head like they're very

665
00:33:14,200 --> 00:33:17,720
Speaker 3: unexpected moments and they're very funny jokes, Like there are

666
00:33:17,840 --> 00:33:19,240
Speaker 3: very funny jokes in this movie.

667
00:33:19,720 --> 00:33:22,360
Speaker 2: Then we kind of get to like the crux of

668
00:33:22,360 --> 00:33:23,160
Speaker 2: the film, Like.

669
00:33:23,120 --> 00:33:28,360
Speaker 3: The main conflict is that Valentine, this Samuel Jackson character,

670
00:33:29,120 --> 00:33:35,080
Speaker 3: has decided to give free cell phone SIM cards to

671
00:33:35,520 --> 00:33:37,120
Speaker 3: every person on the planet.

672
00:33:37,560 --> 00:33:40,800
Speaker 2: Which if you're not, if you're not like you want.

673
00:33:40,600 --> 00:33:44,080
Speaker 3: To talk about nefarious shit, someone just comes up to

674
00:33:44,120 --> 00:33:46,080
Speaker 3: you and is like, here's a free cell phone forever.

675
00:33:46,520 --> 00:33:48,280
Speaker 2: I'm like, who did you kill? Or who do I

676
00:33:48,320 --> 00:33:50,760
Speaker 2: have to kill? Yeah? They happen.

677
00:33:51,240 --> 00:33:54,440
Speaker 1: No, I was immediately when that got There's like a

678
00:33:54,480 --> 00:33:57,760
Speaker 1: commercial where it's say hey, or it was on the

679
00:33:57,840 --> 00:33:58,520
Speaker 1: news or something.

680
00:33:58,560 --> 00:33:58,960
Speaker 2: They show this.

681
00:33:59,080 --> 00:34:02,640
Speaker 1: News where it's like he's given away a free SIM

682
00:34:02,680 --> 00:34:04,800
Speaker 1: card to put in your phones and laptops and all

683
00:34:04,840 --> 00:34:06,880
Speaker 1: this stuff. And I was like, uh uh, don't fall

684
00:34:06,920 --> 00:34:07,760
Speaker 1: for it, folks.

685
00:34:08,080 --> 00:34:11,480
Speaker 2: This is how they get minimum. At minimum, you're being tracked.

686
00:34:11,800 --> 00:34:15,719
Speaker 3: Yes, at maximum, your head's gonna explode, because that's really

687
00:34:15,719 --> 00:34:19,000
Speaker 3: what they're trying to. Come back here, when you get

688
00:34:19,080 --> 00:34:22,000
Speaker 3: down to the crux of this film, the reason that

689
00:34:22,080 --> 00:34:26,320
Speaker 3: Professor Arnold was kidnapped is because he developed this tech

690
00:34:26,840 --> 00:34:30,840
Speaker 3: that now Valentine is using in these SIM cards, which

691
00:34:30,880 --> 00:34:35,160
Speaker 3: basically connects to his own network. Like Valentine has his

692
00:34:35,200 --> 00:34:38,200
Speaker 3: own satellite and his own network, and he can control

693
00:34:38,280 --> 00:34:40,279
Speaker 3: people with it. He can blow up your head, he

694
00:34:40,320 --> 00:34:43,840
Speaker 3: can control your violence. He can like turn a switch

695
00:34:44,400 --> 00:34:47,920
Speaker 3: and flip, like just turn a little knob, flip a switch,

696
00:34:48,160 --> 00:34:50,000
Speaker 3: and all of a sudden, you're super violent.

697
00:34:50,360 --> 00:34:50,640
Speaker 2: Yep.

698
00:34:50,760 --> 00:34:54,279
Speaker 3: And his so as he's going around the film, As

699
00:34:54,280 --> 00:34:56,239
Speaker 3: he goes through the movie, you're seeing him kind of

700
00:34:56,280 --> 00:35:01,040
Speaker 3: meet with and collect all of these rich, wealthy, political

701
00:35:01,680 --> 00:35:04,200
Speaker 3: known people in the world. And he's collecting all of

702
00:35:04,239 --> 00:35:07,160
Speaker 3: them for reasons. We don't know why. You get this princess,

703
00:35:07,200 --> 00:35:10,319
Speaker 3: this one Scandinavian princess who's like, no, I'm not doing this.

704
00:35:10,400 --> 00:35:12,880
Speaker 3: Whatever this is, we haven't found out yet. Yeah, So

705
00:35:12,920 --> 00:35:14,960
Speaker 3: they kidnap her and kind of like, now that she

706
00:35:15,080 --> 00:35:17,520
Speaker 3: knows the story and the secret of what's going to happen,

707
00:35:18,000 --> 00:35:20,160
Speaker 3: they have to kidnap her because she says no, So

708
00:35:20,200 --> 00:35:23,480
Speaker 3: they put her away in this underground bunker. So the

709
00:35:24,000 --> 00:35:26,680
Speaker 3: crux of the movie then becomes one, figure out what

710
00:35:26,760 --> 00:35:30,520
Speaker 3: Valentine is doing and two save this princess. Yes right,

711
00:35:30,560 --> 00:35:33,000
Speaker 3: which again I love these comic book nods that are

712
00:35:33,040 --> 00:35:38,600
Speaker 3: just thrown on their head. So as they're investigating Galahad,

713
00:35:38,800 --> 00:35:41,440
Speaker 3: Harry Hart has to go to Kentucky. He's trying to

714
00:35:41,440 --> 00:35:44,359
Speaker 3: figure out what Valentine's up to. Valentine and Gazelle are

715
00:35:44,360 --> 00:35:47,880
Speaker 3: outside of this little church in Kentucky with this device

716
00:35:48,120 --> 00:35:50,319
Speaker 3: and they're like, let's test it out, and then you

717
00:35:50,440 --> 00:35:55,080
Speaker 3: get what, in my opinion, is the greatest.

718
00:35:54,440 --> 00:35:56,680
Speaker 2: Fight scene of the decade.

719
00:35:57,239 --> 00:36:01,040
Speaker 3: Yes, Colin Firth in this church and it's one of

720
00:36:01,080 --> 00:36:04,160
Speaker 3: these like hate filled preacher kind of churches, like the

721
00:36:04,200 --> 00:36:07,040
Speaker 3: Western Baptist Church. Like it's that kind of place where

722
00:36:07,040 --> 00:36:09,920
Speaker 3: they're just preaching hate about everyone on the planet. So

723
00:36:10,239 --> 00:36:13,960
Speaker 3: when they turn this knob and everyone starts getting super violent,

724
00:36:14,000 --> 00:36:18,120
Speaker 3: whether they have the simcard or not, it is Mayhem.

725
00:36:18,440 --> 00:36:21,960
Speaker 3: And this scene is what cemented Colin Firth in my

726
00:36:22,120 --> 00:36:27,040
Speaker 3: mind as the number one fucking stunner. Yeah, Like he

727
00:36:27,120 --> 00:36:30,600
Speaker 3: went from off the radar to the whole radar for me.

728
00:36:31,280 --> 00:36:33,200
Speaker 3: He is incredible in this scene.

729
00:36:33,280 --> 00:36:36,239
Speaker 2: Well, and I actually, I mean listen, I don't really know.

730
00:36:37,080 --> 00:36:39,520
Speaker 1: I didn't I should have done the research to figure out,

731
00:36:39,600 --> 00:36:42,400
Speaker 1: like was this actually him doing some of these fucking.

732
00:36:42,200 --> 00:36:43,640
Speaker 2: Moves some of them?

733
00:36:43,719 --> 00:36:46,360
Speaker 1: Yeah, Yeah, I was like, I don't know if this

734
00:36:46,520 --> 00:36:50,280
Speaker 1: is CGI or if this is like stunt work or whatever,

735
00:36:50,680 --> 00:36:54,200
Speaker 1: But it looked to me that he was doing a

736
00:36:54,239 --> 00:36:56,200
Speaker 1: lot of it, kind of the way that we talked

737
00:36:56,239 --> 00:36:58,399
Speaker 1: about in john Wick, where like, you know, you can

738
00:36:58,400 --> 00:37:01,120
Speaker 1: see it's Keanto pulling some of this stuff, right, which

739
00:37:01,160 --> 00:37:05,320
Speaker 1: is like, as a fucking old man, like it doesn't

740
00:37:05,320 --> 00:37:08,759
Speaker 1: even matter if you're fifty sixty forty, even doing some

741
00:37:08,880 --> 00:37:11,879
Speaker 1: of that shit is really tough. And I was like, Yo,

742
00:37:12,080 --> 00:37:16,400
Speaker 1: Colin Firth is doing the most and I'm like, I appreciate.

743
00:37:16,440 --> 00:37:21,239
Speaker 1: I love seeing old people fight in scenes like I

744
00:37:21,360 --> 00:37:23,839
Speaker 1: just love it. I'm like, yo, don't get that guy

745
00:37:23,920 --> 00:37:26,600
Speaker 1: like a stun double. Get him in there, Get him

746
00:37:26,600 --> 00:37:28,399
Speaker 1: in there and fucking pull some shit.

747
00:37:28,520 --> 00:37:30,800
Speaker 2: It was so cool. People fight club.

748
00:37:31,200 --> 00:37:34,120
Speaker 3: They got the skills, they've got the wisdom, they have

749
00:37:34,320 --> 00:37:37,280
Speaker 3: the years of experience, they know how to kick ass.

750
00:37:37,400 --> 00:37:38,280
Speaker 2: Get him in there.

751
00:37:39,000 --> 00:37:41,279
Speaker 1: I mean, I don't care if they get if the

752
00:37:41,320 --> 00:37:44,000
Speaker 1: director calls cut and they go, they go. They have

753
00:37:44,040 --> 00:37:46,279
Speaker 1: to go puff on their asthmund hailer and fucking take

754
00:37:46,719 --> 00:37:49,759
Speaker 1: like fifty SIPs of water after they do that shit.

755
00:37:49,880 --> 00:37:52,040
Speaker 1: I was like, yo, if that is Colin Firth, he

756
00:37:52,280 --> 00:37:54,000
Speaker 1: is my hero. This is awesome.

757
00:37:54,200 --> 00:37:56,440
Speaker 2: And he did. He did a lot of the moves.

758
00:37:56,680 --> 00:37:57,959
Speaker 2: He did a lot of those moves.

759
00:37:58,000 --> 00:38:01,439
Speaker 3: I think there are a couple stunt doubles, but he

760
00:38:01,560 --> 00:38:04,440
Speaker 3: even the most the things that look like they're not

761
00:38:04,520 --> 00:38:06,880
Speaker 3: even the most absurd things that happen in this scene.

762
00:38:06,880 --> 00:38:10,879
Speaker 3: There's this one part where he does he's like kind

763
00:38:10,880 --> 00:38:14,400
Speaker 3: of bent forward and then he stands up and bends

764
00:38:14,480 --> 00:38:17,920
Speaker 3: all the way back and kind of rotates his body

765
00:38:17,960 --> 00:38:20,880
Speaker 3: in like a half circle so he can like stab

766
00:38:21,000 --> 00:38:24,560
Speaker 3: one guy while he's shooting another guy. Just that move

767
00:38:24,719 --> 00:38:28,160
Speaker 3: of going from bending forward to going to bending back,

768
00:38:28,280 --> 00:38:28,920
Speaker 3: I'd be done.

769
00:38:29,000 --> 00:38:31,799
Speaker 2: I couldn't do that. Oh and then you want made

770
00:38:31,840 --> 00:38:33,239
Speaker 2: her move around while I'm up there.

771
00:38:33,400 --> 00:38:36,279
Speaker 3: No, I've already done the most with my day just

772
00:38:36,320 --> 00:38:38,120
Speaker 3: by going from sitting to standing.

773
00:38:38,480 --> 00:38:42,160
Speaker 1: I also love in action movies this I feel like,

774
00:38:42,200 --> 00:38:43,920
Speaker 1: I mean, I could be wrong, don't fucking get in

775
00:38:43,960 --> 00:38:48,200
Speaker 1: my DM's action movie aficionaudos, but like it feels like

776
00:38:48,400 --> 00:38:51,240
Speaker 1: almost more of a modern and it feels like modern

777
00:38:51,280 --> 00:38:53,480
Speaker 1: stut work when it comes to action movies, does a

778
00:38:53,520 --> 00:38:57,040
Speaker 1: lot of this, like I'm going to use one person

779
00:38:57,120 --> 00:39:01,040
Speaker 1: I've killed to shield me from another person, or like

780
00:39:01,280 --> 00:39:04,600
Speaker 1: use I'm gonna stab this guy that's coming at me.

781
00:39:04,640 --> 00:39:06,520
Speaker 1: With a knife and then I'm gonna use that guy's

782
00:39:06,600 --> 00:39:08,280
Speaker 1: knife to slice somebody else.

783
00:39:08,680 --> 00:39:10,120
Speaker 2: And I love that.

784
00:39:10,160 --> 00:39:14,120
Speaker 1: It's like using dead people or injured people to fight

785
00:39:14,280 --> 00:39:17,560
Speaker 1: other people. And I'm like that it happens to John

786
00:39:17,600 --> 00:39:19,880
Speaker 1: Wick two. But I'm just saying I loved it because

787
00:39:19,880 --> 00:39:22,440
Speaker 1: that was that was the scene that one was happening,

788
00:39:22,560 --> 00:39:25,480
Speaker 1: was they was using other people's weapons that they were

789
00:39:25,480 --> 00:39:28,200
Speaker 1: holding to fight other people.

790
00:39:28,000 --> 00:39:30,399
Speaker 2: Exactly, which I goddamn love.

791
00:39:30,480 --> 00:39:33,040
Speaker 3: I love even seeing somebody like, oh, you think they're

792
00:39:33,040 --> 00:39:35,160
Speaker 3: dead on the ground, or maybe they are dead, I'm

793
00:39:35,200 --> 00:39:38,359
Speaker 3: gonna step on their back, yes, and bend their arm

794
00:39:38,480 --> 00:39:40,880
Speaker 3: up so I can use their weapon to kill someone.

795
00:39:40,960 --> 00:39:43,719
Speaker 2: Like there is a total disregard.

796
00:39:43,160 --> 00:39:46,040
Speaker 3: For humanity in these fight scenes where you're using bodies,

797
00:39:46,640 --> 00:39:48,480
Speaker 3: and again this is part of the therapy.

798
00:39:48,960 --> 00:39:53,279
Speaker 2: Why is this so intriguing to me? Well, apparently I

799
00:39:53,280 --> 00:39:54,719
Speaker 2: need to go with you because I was.

800
00:39:54,640 --> 00:40:00,000
Speaker 1: Like, yeah, yes, use that dead guy's face with an

801
00:40:00,080 --> 00:40:02,360
Speaker 1: knife through it to smash another guy's face.

802
00:40:02,719 --> 00:40:04,240
Speaker 2: It is so intense.

803
00:40:04,280 --> 00:40:07,719
Speaker 3: It is truly one of the greatest fight scenes of

804
00:40:07,800 --> 00:40:11,160
Speaker 3: the past fifty years, and I would say the greatest

805
00:40:11,160 --> 00:40:14,480
Speaker 3: fight scene of the last decade. And I'm even including

806
00:40:14,520 --> 00:40:16,719
Speaker 3: the Raid in that The Raid has some incredible fight

807
00:40:16,760 --> 00:40:19,000
Speaker 3: scenes in it, and it's one of my favorite action

808
00:40:19,120 --> 00:40:22,799
Speaker 3: movies for sure. But this scene is three minutes of

809
00:40:23,040 --> 00:40:27,440
Speaker 3: compressed brilliance and I cannot even understand the brain that.

810
00:40:27,400 --> 00:40:30,120
Speaker 2: Came up with this. It's so good. So movie moves

811
00:40:30,120 --> 00:40:30,680
Speaker 2: on from there.

812
00:40:31,120 --> 00:40:33,520
Speaker 3: Harry Hart doesn't have the SIM card, but he's still

813
00:40:33,520 --> 00:40:37,680
Speaker 3: affected by this machine, which gives Valentine, you know, all

814
00:40:37,760 --> 00:40:40,520
Speaker 3: kinds of ideas. But the main thing that happens in

815
00:40:40,560 --> 00:40:44,160
Speaker 3: this scene is that he survived the Church kills pretty

816
00:40:44,200 --> 00:40:47,719
Speaker 3: much everyone survives the church and gets shot in the

817
00:40:47,760 --> 00:40:51,560
Speaker 3: head on the when he leaves, So Harry's out of

818
00:40:51,600 --> 00:40:53,000
Speaker 3: the rest of the movie. As far as we know,

819
00:40:53,120 --> 00:40:58,799
Speaker 3: he is dead. Spoiler alert, he's not, but we think

820
00:40:58,840 --> 00:41:02,400
Speaker 3: he is. I thought that might be the case. I

821
00:41:02,440 --> 00:41:07,120
Speaker 3: was like, he's too dapper to he's too dapper, he's

822
00:41:07,160 --> 00:41:10,319
Speaker 3: way too in control of his shit to get just

823
00:41:10,440 --> 00:41:13,680
Speaker 3: shot in the head after all that. But Eggsy thinking

824
00:41:13,719 --> 00:41:17,200
Speaker 3: that he's dead is what kind of fuels him to

825
00:41:17,360 --> 00:41:19,360
Speaker 3: He takes his place, and then he kind of becomes

826
00:41:19,800 --> 00:41:20,680
Speaker 3: part of.

827
00:41:20,440 --> 00:41:22,080
Speaker 2: The Kingsman in a real way.

828
00:41:22,320 --> 00:41:26,120
Speaker 3: It is This film is so good and it's so

829
00:41:26,280 --> 00:41:28,759
Speaker 3: action packed, and you get all the spy stuff and

830
00:41:28,800 --> 00:41:32,040
Speaker 3: you get everything going on, and then you get to

831
00:41:32,080 --> 00:41:32,480
Speaker 3: the end.

832
00:41:32,680 --> 00:41:34,040
Speaker 2: Oh lord, and that.

833
00:41:34,040 --> 00:41:35,960
Speaker 3: I'm leaving a lot of room and I'm skipping a

834
00:41:36,000 --> 00:41:38,000
Speaker 3: lot of shit because that's how much I have to

835
00:41:38,000 --> 00:41:39,240
Speaker 3: talk about the end of this movie.

836
00:41:39,920 --> 00:41:41,640
Speaker 1: Set it up, then, just set it up so we

837
00:41:41,680 --> 00:41:43,839
Speaker 1: can really get into this, because all right.

838
00:41:43,800 --> 00:41:45,839
Speaker 3: Let me unzip my hoodie here, I'm getting hot. I'm

839
00:41:45,840 --> 00:41:51,200
Speaker 3: getting hot. I've never had a chance to talk about

840
00:41:51,200 --> 00:41:53,320
Speaker 3: this before, and I've needed it for years.

841
00:41:53,480 --> 00:41:55,480
Speaker 2: This is what this podcast is for.

842
00:41:55,920 --> 00:42:00,080
Speaker 3: The setup is this princess has been kidnapped. Eggsy go

843
00:42:00,719 --> 00:42:04,080
Speaker 3: to get his revenge on Valentine for killing Harry and

844
00:42:04,120 --> 00:42:06,640
Speaker 3: doing you know, they figure out what's going on with

845
00:42:06,960 --> 00:42:09,439
Speaker 3: the machine and with the control he has over people

846
00:42:09,440 --> 00:42:11,680
Speaker 3: through the sim cards. So Eggsy and Merlin go to

847
00:42:11,760 --> 00:42:14,000
Speaker 3: kick ass. Merlin stays on the plane and kind of

848
00:42:14,120 --> 00:42:16,080
Speaker 3: is going to try to take down the satellite Eggs

849
00:42:16,080 --> 00:42:17,759
Speaker 3: He's going to go inside and try to take out

850
00:42:17,760 --> 00:42:24,239
Speaker 3: the people. After a stunning display of acrobatics and fighting,

851
00:42:24,840 --> 00:42:27,960
Speaker 3: and it culminates in a fight with old Scissor Legs,

852
00:42:28,040 --> 00:42:32,839
Speaker 3: Old Girl Scissor Legs, he goes on his way through

853
00:42:32,840 --> 00:42:36,520
Speaker 3: the fight, he's checking all the little jails, all the cells,

854
00:42:36,560 --> 00:42:39,719
Speaker 3: and he sees the princess and he slides open her

855
00:42:39,760 --> 00:42:42,160
Speaker 3: window and he's like, hey, I'm here to save you,

856
00:42:42,840 --> 00:42:46,920
Speaker 3: and she says, if you save me, I'll let you

857
00:42:47,000 --> 00:42:47,920
Speaker 3: fuck me in the ass.

858
00:42:50,000 --> 00:42:50,960
Speaker 2: Then he does.

859
00:42:51,400 --> 00:42:54,080
Speaker 3: He goes in again, does the fight scene, does everything,

860
00:42:54,160 --> 00:42:58,080
Speaker 3: and then comes back to her cell and the end

861
00:42:58,160 --> 00:43:01,720
Speaker 3: of the movie is her laying down on her stomach,

862
00:43:02,320 --> 00:43:04,560
Speaker 3: face down, ass up, and then they close the door,

863
00:43:05,160 --> 00:43:09,480
Speaker 3: and this is the end of this stunning action movie.

864
00:43:09,719 --> 00:43:15,080
Speaker 3: The whole thing was a joke about butt sex. Is

865
00:43:15,120 --> 00:43:17,439
Speaker 3: that what happens at the end of this movie, because

866
00:43:17,520 --> 00:43:20,600
Speaker 3: let me tell you, when I rewatch it now, I

867
00:43:20,719 --> 00:43:21,680
Speaker 3: skip that part.

868
00:43:21,760 --> 00:43:23,839
Speaker 2: That's how upsetting it is to me. Though.

869
00:43:23,880 --> 00:43:28,120
Speaker 3: I'm like, I cannot believe that this whole movie is

870
00:43:28,200 --> 00:43:29,680
Speaker 3: just a joke about anal sex.

871
00:43:30,640 --> 00:43:39,120
Speaker 1: Okay, so what I Okay, I don't even know how

872
00:43:39,120 --> 00:43:44,120
Speaker 1: to start this. So when when he discovers that she's

873
00:43:44,160 --> 00:43:48,480
Speaker 1: in this underground bunker, she's like, please rescue me, right,

874
00:43:48,800 --> 00:43:50,799
Speaker 1: and he's just sort of like, well, I have all

875
00:43:50,800 --> 00:43:52,880
Speaker 1: this shit I gotta do, so let me just go

876
00:43:53,000 --> 00:43:55,839
Speaker 1: do that first. I gotta go fucking turn off the

877
00:43:55,880 --> 00:44:00,640
Speaker 1: machine and kill all these people, right, And she's just like, okay,

878
00:44:00,880 --> 00:44:01,560
Speaker 1: that's chill.

879
00:44:02,040 --> 00:44:03,600
Speaker 2: But as a.

880
00:44:03,600 --> 00:44:06,920
Speaker 1: Sort of, you know, a little a little enticement for

881
00:44:06,960 --> 00:44:09,759
Speaker 1: you to actually come back and get me, right, she

882
00:44:09,920 --> 00:44:15,160
Speaker 1: says like, we can do it, right, which I was like, okay, random,

883
00:44:15,320 --> 00:44:18,880
Speaker 1: because I was literally while this was happening, I was

884
00:44:18,920 --> 00:44:23,000
Speaker 1: literally like going through my mental rolodex of the last

885
00:44:23,320 --> 00:44:25,719
Speaker 1: two hours that I had just seen in the movie.

886
00:44:25,760 --> 00:44:26,359
Speaker 2: Go ahead, right?

887
00:44:26,680 --> 00:44:29,600
Speaker 1: Was there a reference to this? Like had anybody mentioned

888
00:44:30,160 --> 00:44:33,560
Speaker 1: sex and or butt sex at all? And maybe this

889
00:44:33,719 --> 00:44:36,600
Speaker 1: is like a thing that they're returning to, Like is

890
00:44:36,760 --> 00:44:39,919
Speaker 1: eggsy a joke for butt sex? I don't know what.

891
00:44:40,120 --> 00:44:42,719
Speaker 1: How are we at this point? Like somebody tell me

892
00:44:42,760 --> 00:44:46,040
Speaker 1: why we're here with the princess being like, yo, let's fuck.

893
00:44:46,239 --> 00:44:48,120
Speaker 2: Remember who I am? Rescue me?

894
00:44:48,160 --> 00:44:50,719
Speaker 1: We can fuck? And so I was like that is

895
00:44:50,760 --> 00:44:55,160
Speaker 1: so strange. But then the whole thing after, immediately after

896
00:44:55,200 --> 00:44:57,799
Speaker 1: she says that, she's like, yeah, and we can do

897
00:44:57,840 --> 00:44:58,560
Speaker 1: it in the butt.

898
00:44:59,000 --> 00:45:02,120
Speaker 2: And it looks like literally this scene is like there's

899
00:45:02,160 --> 00:45:03,759
Speaker 2: a light bulb that goes off in his head.

900
00:45:03,800 --> 00:45:07,200
Speaker 1: He's like, oh word, oh cool, Okay, Well, let me

901
00:45:07,200 --> 00:45:10,040
Speaker 1: go kill these people real quick and I'll be right

902
00:45:10,080 --> 00:45:11,120
Speaker 1: back to have butt sex.

903
00:45:11,440 --> 00:45:14,120
Speaker 2: I was like, what the fuck, what's going on?

904
00:45:15,239 --> 00:45:17,800
Speaker 3: First of all, I am only referring to antal sex

905
00:45:17,800 --> 00:45:23,520
Speaker 3: as eggsy from now on in the in the three

906
00:45:23,640 --> 00:45:26,160
Speaker 3: times per decade that I will refer to it, That's

907
00:45:26,200 --> 00:45:26,880
Speaker 3: what I'm calling it.

908
00:45:26,960 --> 00:45:27,759
Speaker 2: That's what I'm calling it.

909
00:45:28,520 --> 00:45:31,120
Speaker 1: I was like, Yo, I don't know much about British slang,

910
00:45:31,280 --> 00:45:34,799
Speaker 1: but like this exea is that what I was.

911
00:45:35,040 --> 00:45:39,160
Speaker 2: Literally going, What could it be? What's the secret? Why

912
00:45:39,200 --> 00:45:41,279
Speaker 2: are we here? Why are we at this point of

913
00:45:41,320 --> 00:45:41,840
Speaker 2: the story?

914
00:45:41,920 --> 00:45:44,680
Speaker 3: That is the question, and that is the problem. Why

915
00:45:44,680 --> 00:45:47,239
Speaker 3: are we here? Why are we here?

916
00:45:47,280 --> 00:45:50,480
Speaker 2: We're here because what like this is just the.

917
00:45:50,280 --> 00:45:57,719
Speaker 3: Most heterosexual, juvenile in cell fucking shit happening here in

918
00:45:57,760 --> 00:46:04,120
Speaker 3: this scene. It is like, why did you do this

919
00:46:04,280 --> 00:46:07,040
Speaker 3: to us? After all of this, they could have ended

920
00:46:07,040 --> 00:46:11,560
Speaker 3: that movie in so many ways. They have already to

921
00:46:11,640 --> 00:46:16,680
Speaker 3: this point blown up the heads in a spectacular technicolor display.

922
00:46:17,000 --> 00:46:22,640
Speaker 3: They have exploded the heads of every rich, wealthy political person,

923
00:46:22,760 --> 00:46:26,160
Speaker 3: every powerful person on the planet has now been reduced

924
00:46:26,200 --> 00:46:29,640
Speaker 3: to like just a mess of guts.

925
00:46:29,800 --> 00:46:33,960
Speaker 1: And they play the song like the fucking it wasn't

926
00:46:34,040 --> 00:46:35,880
Speaker 1: the Doctor Strangelove song where it's.

927
00:46:35,719 --> 00:46:42,400
Speaker 6: Like bitn spit and it's like people's fucking hands exploding

928
00:46:42,920 --> 00:46:46,239
Speaker 6: like literally that is like they're like fireworks.

929
00:46:46,239 --> 00:46:48,120
Speaker 2: They're exploding like fireworks, and it's.

930
00:46:48,000 --> 00:46:50,560
Speaker 1: Like they make such an obvious joke about it, and

931
00:46:50,600 --> 00:46:52,560
Speaker 1: I was like, oh my god, that is cracking me

932
00:46:52,600 --> 00:46:55,120
Speaker 1: the fuck up. I mean, I know it's like violent

933
00:46:55,160 --> 00:46:58,320
Speaker 1: as shit, but I was like, that's funny, right.

934
00:46:58,360 --> 00:47:00,680
Speaker 2: And they could have ended it there, yeah, because it's

935
00:47:00,760 --> 00:47:01,279
Speaker 2: ended it there.

936
00:47:01,280 --> 00:47:03,759
Speaker 3: They could have ended it back in Harry's flat with

937
00:47:03,840 --> 00:47:07,000
Speaker 3: his newspaper wall and we could have seen them because

938
00:47:07,120 --> 00:47:10,279
Speaker 3: there's a scene when he's talking to Eggsy where you

939
00:47:10,360 --> 00:47:13,640
Speaker 3: see a row of newspapers kind of pasted up on

940
00:47:13,719 --> 00:47:15,839
Speaker 3: his wall and he's like, oh, yeah, these are all

941
00:47:15,880 --> 00:47:18,040
Speaker 3: of our missions. But it's kind of like in that

942
00:47:18,080 --> 00:47:20,440
Speaker 3: New York Post style headline where you're like, this is

943
00:47:20,480 --> 00:47:21,399
Speaker 3: fucking weird, like.

944
00:47:21,360 --> 00:47:22,240
Speaker 2: Why did this happen?

945
00:47:22,480 --> 00:47:25,200
Speaker 3: So it's basically like his cover has been these weird

946
00:47:25,239 --> 00:47:27,720
Speaker 3: headlines for all the weird shit they've done over the years.

947
00:47:28,200 --> 00:47:30,319
Speaker 3: It could have ended there and we could have seen, like,

948
00:47:30,400 --> 00:47:34,000
Speaker 3: what is the newspaper explanation for now? The fact that

949
00:47:34,120 --> 00:47:38,399
Speaker 3: every powerful person on the planet has exploded, but no,

950
00:47:38,600 --> 00:47:41,160
Speaker 3: they went with fucking anal sex.

951
00:47:43,080 --> 00:47:47,560
Speaker 1: I mean, as a writer, how absurd is this, Because

952
00:47:47,640 --> 00:47:53,280
Speaker 1: how absurd is it to have just randomly put in

953
00:47:53,800 --> 00:47:59,000
Speaker 1: this butt sex scenario into this entire story without having

954
00:47:59,000 --> 00:48:03,200
Speaker 1: it mentioned, were shown or thought about once before.

955
00:48:03,800 --> 00:48:06,520
Speaker 3: The effect works because it's shocking, and it's one of

956
00:48:06,560 --> 00:48:08,839
Speaker 3: those jokes meant to shock and you're like, oh, like

957
00:48:09,040 --> 00:48:09,440
Speaker 3: it is.

958
00:48:09,600 --> 00:48:10,080
Speaker 2: It works.

959
00:48:10,120 --> 00:48:14,960
Speaker 3: It's shocking. However, it is also feels so tacked on

960
00:48:15,200 --> 00:48:18,400
Speaker 3: to me. Yes, as like a joke that two guys

961
00:48:18,400 --> 00:48:21,000
Speaker 3: were having in a car on the way to a

962
00:48:21,080 --> 00:48:23,560
Speaker 3: meeting about the movie, and then they just kind of

963
00:48:23,600 --> 00:48:25,279
Speaker 3: said like, oh yeah, also at the end, we're going

964
00:48:25,320 --> 00:48:27,359
Speaker 3: to have it be this, and people, all the other

965
00:48:27,480 --> 00:48:29,440
Speaker 3: men in the fucking room were probably like, yeah, this

966
00:48:29,520 --> 00:48:31,480
Speaker 3: is great, let's do it. Like it's just such a

967
00:48:31,560 --> 00:48:33,440
Speaker 3: juvenile thing that I don't get.

968
00:48:33,800 --> 00:48:37,560
Speaker 2: I was like, did they not show enough like nakedness

969
00:48:37,760 --> 00:48:38,040
Speaker 2: at all?

970
00:48:38,080 --> 00:48:40,680
Speaker 1: And they were like, well, we do have a mandate

971
00:48:40,800 --> 00:48:44,040
Speaker 1: to show a bare ass at one point in this movie,

972
00:48:44,320 --> 00:48:46,520
Speaker 1: and we forgot to do it, So let's just do

973
00:48:46,600 --> 00:48:49,520
Speaker 1: it real quick. We'll just do a pickup and we'll

974
00:48:49,560 --> 00:48:52,120
Speaker 1: just tack it on at the end. It's like, I

975
00:48:52,120 --> 00:48:52,600
Speaker 1: don't know if.

976
00:48:52,480 --> 00:48:55,759
Speaker 3: You've ever seen that movie A Scotland Pa No No,

977
00:48:56,040 --> 00:48:58,360
Speaker 3: which I saw years and years and years ago, but

978
00:48:58,400 --> 00:49:00,400
Speaker 3: there's something like that in the movie where it's like

979
00:49:00,400 --> 00:49:02,319
Speaker 3: a very chaste movie and then at the end they

980
00:49:02,360 --> 00:49:04,400
Speaker 3: just have someone streak by the screen and I think

981
00:49:04,400 --> 00:49:05,680
Speaker 3: it's so they could get their rating.

982
00:49:06,160 --> 00:49:09,680
Speaker 1: Oh wow, way, maybe that's it. Then I don't know,

983
00:49:10,200 --> 00:49:10,800
Speaker 1: that's crazy.

984
00:49:10,800 --> 00:49:13,360
Speaker 3: There's so much murder in this movie that it's definitely

985
00:49:13,400 --> 00:49:16,840
Speaker 3: gonna be wait at all, it was rated but sex.

986
00:49:16,880 --> 00:49:19,239
Speaker 2: For this to make that rating Land.

987
00:49:19,640 --> 00:49:22,120
Speaker 1: They did slice a person in half, so they probably

988
00:49:22,160 --> 00:49:22,759
Speaker 1: already got.

989
00:49:22,640 --> 00:49:26,279
Speaker 2: Their rate in half in the first five minutes. And

990
00:49:26,320 --> 00:49:29,080
Speaker 2: he doesn't just like he's not just slice in half.

991
00:49:29,080 --> 00:49:30,640
Speaker 2: It's like he's cut.

992
00:49:30,840 --> 00:49:34,120
Speaker 3: You think he's fine, and then they pan the camera

993
00:49:34,200 --> 00:49:37,680
Speaker 3: around and you watch his body slip apart.

994
00:49:38,840 --> 00:49:40,520
Speaker 2: The first five minutes.

995
00:49:40,960 --> 00:49:45,520
Speaker 1: The worst part for me, honestly was so Tara Egerton

996
00:49:45,960 --> 00:49:49,160
Speaker 1: shows up at the Valentine Layer and where they were

997
00:49:49,160 --> 00:49:51,560
Speaker 1: having a party with all these like stupid you know,

998
00:49:51,880 --> 00:49:55,080
Speaker 1: foreign dignitaries and everybody they had planted with this chip

999
00:49:55,160 --> 00:49:58,480
Speaker 1: right that blew the fuck up, you know, in that

1000
00:49:58,840 --> 00:50:03,120
Speaker 1: Fourth of July explosion where everyone's heads blew up. Okay,

1001
00:50:03,600 --> 00:50:07,839
Speaker 1: So then after he fucking defeats every motherfucker in the room,

1002
00:50:08,239 --> 00:50:11,520
Speaker 1: he pulls up a bottle of champagne and a couple

1003
00:50:11,520 --> 00:50:14,279
Speaker 1: of glasses, and then he's like he shows up to

1004
00:50:14,400 --> 00:50:17,000
Speaker 1: the fucking bunker or like a rigadang.

1005
00:50:16,680 --> 00:50:22,400
Speaker 7: Dang, like like he's a big gentleman dude, but like,

1006
00:50:22,640 --> 00:50:26,360
Speaker 7: part of being a gentleman is bringing champagne to somebody

1007
00:50:26,440 --> 00:50:28,360
Speaker 7: right before you penetrate them anally.

1008
00:50:29,200 --> 00:50:31,720
Speaker 2: I guess the only thing.

1009
00:50:31,600 --> 00:50:33,759
Speaker 3: That could have made this worse is if he had

1010
00:50:33,880 --> 00:50:37,719
Speaker 3: when he was closing the door, said Manners maketh men. Yes,

1011
00:50:39,000 --> 00:50:41,040
Speaker 3: it's the only thing that could have made this worse.

1012
00:50:41,080 --> 00:50:41,960
Speaker 3: It's so bad.

1013
00:50:44,160 --> 00:50:46,759
Speaker 1: Or if they had played Marvin Gays Let's get it on,

1014
00:50:47,080 --> 00:50:49,520
Speaker 1: which I feel like they might not have been able

1015
00:50:49,560 --> 00:50:51,880
Speaker 1: to get the rights to. So they just picked another

1016
00:50:52,040 --> 00:50:54,760
Speaker 1: like Sexy Beast song, and I'm.

1017
00:50:54,520 --> 00:50:57,880
Speaker 2: Like, what the fuck is going on? It is the

1018
00:50:58,000 --> 00:50:59,080
Speaker 2: ultimate confuser.

1019
00:50:59,200 --> 00:51:02,440
Speaker 3: It is such a tacked on, weird, juvenile joke and

1020
00:51:02,480 --> 00:51:04,120
Speaker 3: what is otherwise a very.

1021
00:51:03,880 --> 00:51:05,480
Speaker 2: Smart and funny movie.

1022
00:51:05,840 --> 00:51:09,040
Speaker 3: Oh god, and this is why I wanted to talk

1023
00:51:09,080 --> 00:51:12,239
Speaker 3: about it because I feel insane when I watch it,

1024
00:51:13,200 --> 00:51:16,200
Speaker 3: and when I recommend it to people, I kind of can't. Like,

1025
00:51:16,239 --> 00:51:18,600
Speaker 3: it's almost it's difficult for me to recommend this to

1026
00:51:18,640 --> 00:51:21,319
Speaker 3: people without saying there's a part in the end that

1027
00:51:21,400 --> 00:51:22,600
Speaker 3: almost ruins the movie.

1028
00:51:22,640 --> 00:51:25,560
Speaker 2: You can stop at this particular part if you want. Yeah,

1029
00:51:25,600 --> 00:51:28,560
Speaker 2: and just the idea that they showed her ass.

1030
00:51:28,800 --> 00:51:31,359
Speaker 1: Like basically she was like, I'm laying on this bed

1031
00:51:31,400 --> 00:51:34,400
Speaker 1: with no pants on, so you know what's about to happen.

1032
00:51:34,440 --> 00:51:38,319
Speaker 2: And I'm like, damn. And then it's like credits.

1033
00:51:38,440 --> 00:51:42,000
Speaker 1: I was, yo, I can see why you've been haunted

1034
00:51:42,000 --> 00:51:43,680
Speaker 1: by this movie four years.

1035
00:51:44,440 --> 00:51:47,880
Speaker 3: Yes, and it's otherwise, like, this is what also bothers me.

1036
00:51:47,920 --> 00:51:49,560
Speaker 3: I think it's something I want to talk about, which

1037
00:51:49,600 --> 00:51:53,520
Speaker 3: is that this is otherwise a film that empowers women

1038
00:51:53,960 --> 00:51:56,960
Speaker 3: through so many different ways in so many different scenes. Yeah,

1039
00:51:57,160 --> 00:51:59,799
Speaker 3: So even with his mother, Like watching Eggsy's mother be

1040
00:51:59,840 --> 00:52:03,040
Speaker 3: in this abusive relationship, she's protective of her kids. She's

1041
00:52:03,040 --> 00:52:04,640
Speaker 3: doing what she can to to get by. She's not

1042
00:52:04,800 --> 00:52:07,440
Speaker 3: just laying down and taking it. Like she's talks to

1043
00:52:07,480 --> 00:52:10,440
Speaker 3: Eggsy about their situation. You kind of can see the

1044
00:52:10,520 --> 00:52:13,400
Speaker 3: humanity in her. Then you've got Scissor Legs who's like,

1045
00:52:13,560 --> 00:52:16,879
Speaker 3: I exist purely to fuck shit up, and I am

1046
00:52:17,280 --> 00:52:21,400
Speaker 3: the right hand motherfucker to this evil billionaire genius.

1047
00:52:21,719 --> 00:52:23,000
Speaker 2: Yeah, exactly.

1048
00:52:23,200 --> 00:52:27,160
Speaker 1: It's like, Yo, that end scene, it's like justice for

1049
00:52:27,239 --> 00:52:28,080
Speaker 1: Scissor Legs.

1050
00:52:28,120 --> 00:52:28,319
Speaker 3: Man.

1051
00:52:28,440 --> 00:52:32,520
Speaker 1: She was so cool and so like, you know, she

1052
00:52:32,719 --> 00:52:35,440
Speaker 1: wasn't like where the Loca top and like doing some

1053
00:52:35,520 --> 00:52:38,760
Speaker 1: sexy work. Like she was like, I'm a legit player,

1054
00:52:38,880 --> 00:52:41,640
Speaker 1: Like I go in there, I kill people, I slice

1055
00:52:41,680 --> 00:52:44,120
Speaker 1: them in half. I poke people's eyeballs out with my

1056
00:52:44,239 --> 00:52:49,880
Speaker 1: fucking razor razor blade finger thing like Determinator two cops.

1057
00:52:49,920 --> 00:52:56,200
Speaker 5: She had one of those pointies pointy things. She has

1058
00:52:56,280 --> 00:52:59,799
Speaker 5: so much metal and she is so metal. Yes, she's

1059
00:52:59,840 --> 00:53:01,440
Speaker 5: a fucking metal badass.

1060
00:53:01,680 --> 00:53:05,840
Speaker 3: And then even Roxy, it's like they demolish all of

1061
00:53:05,840 --> 00:53:08,399
Speaker 3: the agency they give women in this film with that

1062
00:53:08,560 --> 00:53:12,319
Speaker 3: one goddamn scene, and they reduced this princess character to

1063
00:53:12,360 --> 00:53:17,520
Speaker 3: someone who was previously empowered enough to resist an evil

1064
00:53:17,640 --> 00:53:21,440
Speaker 3: terrorist plot. Yeah, and her way out of that is

1065
00:53:21,480 --> 00:53:22,600
Speaker 3: by using her body.

1066
00:53:22,960 --> 00:53:26,640
Speaker 1: I mean, justice for Scissor Legs, justice for Roxy shooting

1067
00:53:26,680 --> 00:53:27,759
Speaker 1: a damn dog to.

1068
00:53:27,719 --> 00:53:30,560
Speaker 2: Get for job. She shot on dogs.

1069
00:53:30,320 --> 00:53:34,160
Speaker 1: Get for job, and then it was completely ruined by

1070
00:53:34,200 --> 00:53:36,960
Speaker 1: the princess want butt sex.

1071
00:53:37,000 --> 00:53:39,200
Speaker 2: And there's another thing I asked. I was like, do

1072
00:53:39,480 --> 00:53:41,720
Speaker 2: Swedish people like anal sex?

1073
00:53:41,840 --> 00:53:45,400
Speaker 3: Is this a joke? Why is this happening? Help me understand.

1074
00:53:45,880 --> 00:53:47,719
Speaker 3: You were stuck on the butts. You were stuck on

1075
00:53:47,760 --> 00:53:49,640
Speaker 3: the butts, and I get it because it comes out

1076
00:53:49,640 --> 00:53:52,440
Speaker 3: of nowhere. You're like, why butts? Why am I now

1077
00:53:52,480 --> 00:53:55,160
Speaker 3: thinking about butts? There hasn't been a butt in this movie.

1078
00:53:55,320 --> 00:53:58,320
Speaker 3: The butts are covered up by jackets, like the savile

1079
00:53:58,480 --> 00:54:01,120
Speaker 3: row tailor is like, okay, let me tailor this jacket

1080
00:54:01,120 --> 00:54:03,399
Speaker 3: and make sure it goes below your butt like they

1081
00:54:03,480 --> 00:54:07,200
Speaker 3: are not. There are no butts mentioned. Everyone's always sitting down,

1082
00:54:07,520 --> 00:54:10,600
Speaker 3: even when they're fighting. There's no focus on butts. It's

1083
00:54:10,640 --> 00:54:12,719
Speaker 3: like out of nowhere.

1084
00:54:13,520 --> 00:54:17,239
Speaker 1: There was no joke that even suggested that any of

1085
00:54:17,280 --> 00:54:21,560
Speaker 1: the kingsmen were fucking Did I miss you?

1086
00:54:22,000 --> 00:54:23,040
Speaker 2: I didn't say that.

1087
00:54:23,080 --> 00:54:26,400
Speaker 3: There's not a single partner in the picture. Nobody has

1088
00:54:26,440 --> 00:54:31,440
Speaker 3: a partner, nobody has like a family. Yeah, there is

1089
00:54:31,520 --> 00:54:34,400
Speaker 3: no indicator. For all we know, they could have been neutered,

1090
00:54:34,600 --> 00:54:38,080
Speaker 3: like there's probably some caunterorizing machine that slices off their

1091
00:54:38,120 --> 00:54:40,600
Speaker 3: dicks and like closes up their fucking vaginas.

1092
00:54:41,080 --> 00:54:43,120
Speaker 2: There's nothing that indicates they fuck.

1093
00:54:43,360 --> 00:54:47,920
Speaker 1: Like this whole situation has got me fucking flubbed right now.

1094
00:54:48,120 --> 00:54:50,200
Speaker 2: Well, also, let's put it this way too.

1095
00:54:50,600 --> 00:54:53,480
Speaker 3: They give the anal sex scene to the young man,

1096
00:54:53,560 --> 00:54:55,239
Speaker 3: which is why I feel like it's an in cell

1097
00:54:55,400 --> 00:54:58,160
Speaker 3: territory because it's like, you know, young guys get out

1098
00:54:58,200 --> 00:55:01,560
Speaker 3: there and do your thing and take or whatever. Yes,

1099
00:55:01,640 --> 00:55:03,440
Speaker 3: why are we not given the antal sex scene in

1100
00:55:03,480 --> 00:55:04,440
Speaker 3: one of our olds?

1101
00:55:06,320 --> 00:55:07,320
Speaker 2: Give it to an old?

1102
00:55:10,239 --> 00:55:14,120
Speaker 1: Maybe Michael Kaye's like yell, bruv I used to have, Like,

1103
00:55:15,160 --> 00:55:16,839
Speaker 1: I don't know, I'm not even gonna I'm not doing

1104
00:55:16,880 --> 00:55:17,400
Speaker 1: that accent.

1105
00:55:17,840 --> 00:55:19,880
Speaker 2: I'm not doing that Michael Kane accent.

1106
00:55:21,040 --> 00:55:25,000
Speaker 3: We need to Steve Coogan, Michael Caine impression. That's just

1107
00:55:25,040 --> 00:55:25,680
Speaker 3: about anal.

1108
00:55:26,280 --> 00:55:27,200
Speaker 2: But this is what I mean.

1109
00:55:27,280 --> 00:55:29,560
Speaker 3: It's like they put it in such a the whole

1110
00:55:29,600 --> 00:55:32,399
Speaker 3: film goes into a different category because of the whole

1111
00:55:32,440 --> 00:55:35,560
Speaker 3: situation and because of who they have in the situation.

1112
00:55:36,120 --> 00:55:39,600
Speaker 3: And it's like then it's also just about like youth like,

1113
00:55:39,920 --> 00:55:41,560
Speaker 3: but sex is a young man's game.

1114
00:55:41,680 --> 00:55:43,640
Speaker 2: Do not come in my DMS. I don't want to

1115
00:55:43,719 --> 00:55:44,440
Speaker 2: fucking hear it.

1116
00:55:44,760 --> 00:55:49,279
Speaker 3: Yeah, I'm very sex positive, but come on, man, give

1117
00:55:49,280 --> 00:55:51,120
Speaker 3: it to an old give me something different.

1118
00:55:51,160 --> 00:55:53,960
Speaker 2: If you're going with this joke, yes we are.

1119
00:55:53,960 --> 00:55:59,759
Speaker 1: We are obviously not condemning the act of sex at all.

1120
00:56:00,160 --> 00:56:03,160
Speaker 1: We're just talking about in the setup for this film,

1121
00:56:03,440 --> 00:56:06,200
Speaker 1: the way that it's used comes out of fucking left

1122
00:56:06,640 --> 00:56:10,080
Speaker 1: fucking field, and that's what we're talking about, right, So yeah,

1123
00:56:10,239 --> 00:56:13,759
Speaker 1: I totally agree with you. Like, in the course of

1124
00:56:13,800 --> 00:56:17,040
Speaker 1: the film, did I expect anything like that to have

1125
00:56:17,160 --> 00:56:18,520
Speaker 1: happened at.

1126
00:56:18,320 --> 00:56:22,080
Speaker 2: The fucking last scene of the movie. Hell no.

1127
00:56:22,600 --> 00:56:24,719
Speaker 1: And that's why I was like thinking about this shit

1128
00:56:24,760 --> 00:56:26,920
Speaker 1: all night. I was like, what did I just watch?

1129
00:56:27,280 --> 00:56:29,920
Speaker 1: What are the big questions? I was literally like, I

1130
00:56:30,000 --> 00:56:34,359
Speaker 1: need to google interviews of Taron Egerton, maybe he can

1131
00:56:34,400 --> 00:56:40,680
Speaker 1: shed some light on this crazy ending. But now, after

1132
00:56:40,719 --> 00:56:45,520
Speaker 1: having seen it, I can totally understand why you've thought

1133
00:56:45,560 --> 00:56:49,440
Speaker 1: about this for even one day after it came out.

1134
00:56:49,320 --> 00:56:53,000
Speaker 3: Right years, Yeah, I am so glad we got to

1135
00:56:53,000 --> 00:56:55,440
Speaker 3: break this down. I have never said but sex so

1136
00:56:55,520 --> 00:56:59,319
Speaker 3: much of my entire forty four years of existence.

1137
00:57:00,160 --> 00:57:03,399
Speaker 1: This podcast is never This is new territory for us,

1138
00:57:03,480 --> 00:57:04,120
Speaker 1: I must say.

1139
00:57:05,200 --> 00:57:07,319
Speaker 2: I just I just got had to talk about it.

1140
00:57:07,880 --> 00:57:10,799
Speaker 3: This film is so impressive to me, and then it

1141
00:57:10,880 --> 00:57:15,440
Speaker 3: is almost ruined. And again not because I'm not sex positive.

1142
00:57:16,400 --> 00:57:19,960
Speaker 3: It just comes out of nowhere and I no pun intended,

1143
00:57:20,240 --> 00:57:23,200
Speaker 3: but I will be calling it eggsy for fucking ever.

1144
00:57:23,320 --> 00:57:28,760
Speaker 1: Now listen, We're we will promote eggsy until the end

1145
00:57:28,760 --> 00:57:32,680
Speaker 1: of time. But in the context of this film kings

1146
00:57:32,840 --> 00:57:35,680
Speaker 1: in the Secret Service a little a little bizarre. To

1147
00:57:35,760 --> 00:57:39,320
Speaker 1: leave it on that note, however, now I want to

1148
00:57:39,360 --> 00:57:43,480
Speaker 1: watch the sequel because not only because of Channy Tates,

1149
00:57:43,520 --> 00:57:46,040
Speaker 1: but now I'm like, well, then where does that end?

1150
00:57:46,120 --> 00:57:50,360
Speaker 1: Do we start the next film with like some more

1151
00:57:50,600 --> 00:57:51,880
Speaker 1: some more butt sex jokes?

1152
00:57:51,920 --> 00:57:52,680
Speaker 2: How does this go?

1153
00:57:52,960 --> 00:57:56,120
Speaker 3: So let me just tell you that your boy Channy

1154
00:57:56,160 --> 00:58:00,520
Speaker 3: Tates keeps his pride in this film. He does some

1155
00:58:00,600 --> 00:58:04,920
Speaker 3: wild shit, but he holds on his gentlemanly status if

1156
00:58:04,960 --> 00:58:07,440
Speaker 3: I remember correctly, well.

1157
00:58:07,280 --> 00:58:11,640
Speaker 1: Listen, I'll be excited to watch it. I will say,

1158
00:58:11,880 --> 00:58:14,040
Speaker 1: I am so glad that you picked this movie, and

1159
00:58:14,600 --> 00:58:18,280
Speaker 1: I'm also just so glad that we have this platform

1160
00:58:18,600 --> 00:58:21,840
Speaker 1: which to dissect shit.

1161
00:58:21,760 --> 00:58:25,280
Speaker 3: Like this same I'm so grateful, and I'm also grateful

1162
00:58:25,360 --> 00:58:28,360
Speaker 3: to our engineer and our producer who have had this

1163
00:58:28,640 --> 00:58:31,400
Speaker 3: spend the last hour listening to us a butt sex

1164
00:58:31,480 --> 00:58:32,520
Speaker 3: like nine ninety times.

1165
00:58:32,360 --> 00:58:35,880
Speaker 2: In a row. Grateful for our whole crew right now.

1166
00:58:37,200 --> 00:58:39,800
Speaker 1: Thanks for going on this journey with us, and to

1167
00:58:39,880 --> 00:58:42,800
Speaker 1: you the listener for also going on this journey with us.

1168
00:58:43,600 --> 00:58:46,480
Speaker 3: And please, by all means, if you're listening here, then

1169
00:58:46,520 --> 00:58:48,439
Speaker 3: you've got stitch your premium, which is great.

1170
00:58:48,760 --> 00:58:48,960
Speaker 2: Yep.

1171
00:58:49,080 --> 00:58:51,840
Speaker 3: You either use promo code SAW to get here or

1172
00:58:51,960 --> 00:58:55,320
Speaker 3: you subscribed and are just paying the five dollars a month,

1173
00:58:55,320 --> 00:58:58,479
Speaker 3: which we just greatly appreciate. Yes, and you can listen

1174
00:58:58,480 --> 00:59:01,760
Speaker 3: to us on our regular feed. On our main feed,

1175
00:59:01,800 --> 00:59:05,520
Speaker 3: we got episodes every Tuesday. And what else you want

1176
00:59:05,560 --> 00:59:06,400
Speaker 3: to tell them about us?

1177
00:59:06,440 --> 00:59:09,120
Speaker 1: Meil, Well, if you have any theories about this and

1178
00:59:09,240 --> 00:59:11,080
Speaker 1: want to talk about him, you can reach us out.

1179
00:59:11,080 --> 00:59:13,960
Speaker 1: I saw what you did pod at gmail dot com

1180
00:59:14,160 --> 00:59:17,680
Speaker 1: and yeah, follow our socials. I saw pod on Twitter

1181
00:59:17,960 --> 00:59:21,080
Speaker 1: and Instagram. We do have a Facebook, by the way,

1182
00:59:21,120 --> 00:59:23,600
Speaker 1: I've noticed that people have been kind of like engaging

1183
00:59:23,640 --> 00:59:27,560
Speaker 1: with that more so if you are on Facebook, we're

1184
00:59:27,560 --> 00:59:32,840
Speaker 1: there too. But yeah, I absolutely the bonus episodes are

1185
00:59:32,880 --> 00:59:34,720
Speaker 1: my favorite because we get to do this kind of

1186
00:59:34,720 --> 00:59:39,240
Speaker 1: shit and so completely. Yeah, thanks for listening.

1187
00:59:39,000 --> 00:59:43,000
Speaker 3: And I'm just also super grateful to give you one

1188
00:59:43,080 --> 00:59:46,720
Speaker 3: more movie that is uncomfortable to watch with your mother

1189
00:59:46,960 --> 00:59:47,760
Speaker 3: before you move.

1190
00:59:48,960 --> 00:59:52,240
Speaker 2: You went out with a damn bang. I certainly did.

1191
00:59:52,320 --> 00:59:56,480
Speaker 1: I mean, honestly, my mom is such She's so game

1192
00:59:56,560 --> 00:59:59,800
Speaker 1: for this kind of stuff, and I'm so happy that

1193
00:59:59,840 --> 01:00:02,000
Speaker 1: we been able to watch stuff together. But I will

1194
01:00:02,040 --> 01:00:05,800
Speaker 1: say when that part happened in the movie, she laughed,

1195
01:00:06,800 --> 01:00:09,880
Speaker 1: she left the room. I'm really tired, and I'm like,

1196
01:00:10,280 --> 01:00:11,160
Speaker 1: thank god.

1197
01:00:11,200 --> 01:00:15,240
Speaker 2: She's like, I've already seen this. She knew when to leave.

1198
01:00:15,440 --> 01:00:17,800
Speaker 2: I love it, she knew what was coming. I like it.

1199
01:00:17,840 --> 01:00:18,560
Speaker 2: I like it a lot.

1200
01:00:19,200 --> 01:00:22,160
Speaker 3: Oh, I'm so so grateful to be doing this with

1201
01:00:22,240 --> 01:00:23,560
Speaker 3: you as always.

1202
01:00:23,280 --> 01:00:26,240
Speaker 2: Yes, and we'll see you next time. Until next time,

1203
01:00:26,320 --> 01:00:33,200
Speaker 2: Yeah bye, oh bye.

1204
01:00:35,040 --> 01:00:38,560
Speaker 3: This has been an exactly right production. Our producers Alexis Amrossi,

1205
01:00:38,720 --> 01:00:42,320
Speaker 3: our engineers Analise Nelson. Our theme songs by Tom bry Foegel,

1206
01:00:42,640 --> 01:00:46,000
Speaker 3: artwork by Garrett Ross. Our executive producers are Georgia Hart,

1207
01:00:46,040 --> 01:00:49,000
Speaker 3: Start Caring Till Gareth and Danielle Kramer. Follow us on

1208
01:00:49,040 --> 01:00:52,240
Speaker 3: Instagram and Twitter at I saw pod email us at

1209
01:00:52,280 --> 01:00:54,680
Speaker 3: I saw you did pod at Gmail and please don't

1210
01:00:54,680 --> 01:00:58,640
Speaker 3: forget to listen, subscribe, leave us a review on Apple Podcast, Stitcher,

1211
01:00:58,760 --> 01:01:00,080
Speaker 3: or wherever you listen a