1 00:00:08,000 --> 00:00:15,520 Speaker 1: Scrible advice. Shore's hello and welcome to the Naughty but 2 00:00:15,720 --> 00:00:18,919 Speaker 1: Night Show. It's Friday. Hello Fridays, I really do. I 3 00:00:18,960 --> 00:00:21,320 Speaker 1: try to scramble and get all my work done by 4 00:00:21,360 --> 00:00:22,840 Speaker 1: about noon so I can have a little bit of 5 00:00:22,880 --> 00:00:25,880 Speaker 1: a long weekend. My bosses are listening. I'm going to 6 00:00:25,960 --> 00:00:28,400 Speaker 1: get in trouble, so don't tell anybody. Hey. Joining us 7 00:00:28,400 --> 00:00:33,120 Speaker 1: today is my mate Corey Andrew from Instinct magazine dot com. 8 00:00:33,159 --> 00:00:36,479 Speaker 1: He's actually all amate now, Corey, are you there? I 9 00:00:36,520 --> 00:00:38,000 Speaker 1: am here. I'm so happy to be here. You know. 10 00:00:38,040 --> 00:00:41,960 Speaker 1: I love my fridays with Rob. Feels like I didn't 11 00:00:42,040 --> 00:00:45,000 Speaker 1: know with the quarantine and the lockdown. It feels like 12 00:00:45,159 --> 00:00:48,559 Speaker 1: my little lifeline now. Every we take the shows in 13 00:00:48,600 --> 00:00:50,159 Speaker 1: the morning, so I don't know when you listen to them, 14 00:00:50,320 --> 00:00:52,920 Speaker 1: but talking with everybody each day for twenty minutes or 15 00:00:52,960 --> 00:00:55,680 Speaker 1: so it gives me so much joy. Corey, particularly you 16 00:00:55,800 --> 00:00:57,640 Speaker 1: on a Friday. What are your plans for the weekend? 17 00:00:58,240 --> 00:00:59,720 Speaker 1: Oh gosh, you know what. I'm going to catch up 18 00:00:59,760 --> 00:01:03,240 Speaker 1: on some creative work, you know, nice things for my future, 19 00:01:03,360 --> 00:01:05,760 Speaker 1: just sit down and finally finished them. I love that. 20 00:01:05,800 --> 00:01:07,440 Speaker 1: I love on the weekends. Your core is a writer 21 00:01:07,480 --> 00:01:09,800 Speaker 1: as well. As a performer, and so on the weekends, 22 00:01:09,800 --> 00:01:11,920 Speaker 1: you've got all those projects, all those writing projects. Do 23 00:01:11,920 --> 00:01:13,640 Speaker 1: you get up on it early on Saturday morning and 24 00:01:14,000 --> 00:01:16,880 Speaker 1: jump on your computer and start writing? Yes, I really do. 25 00:01:16,959 --> 00:01:19,759 Speaker 1: I think I'm writing in my sleep actually like the 26 00:01:19,760 --> 00:01:22,880 Speaker 1: eyes but I'm still tapping away that my eyes closed. Yeah, 27 00:01:22,959 --> 00:01:24,720 Speaker 1: I love it. I love it. Hey, do you know 28 00:01:24,760 --> 00:01:29,039 Speaker 1: what time it is? It is tea? I love a 29 00:01:29,080 --> 00:01:32,640 Speaker 1: singer on a Friday. So Colin Joast who's from Saturday 30 00:01:32,720 --> 00:01:35,039 Speaker 1: Night Live, very good looking guy. He is about to 31 00:01:35,040 --> 00:01:39,480 Speaker 1: get married to Scarlett Joe Hanson. He didn't interview with Elena, 32 00:01:39,760 --> 00:01:42,720 Speaker 1: and he speculated about his future on s n L 33 00:01:42,840 --> 00:01:46,200 Speaker 1: and also his upcoming wedding. He said he doesn't really 34 00:01:46,200 --> 00:01:49,160 Speaker 1: have a timeline to leave s n L, but he 35 00:01:49,200 --> 00:01:52,800 Speaker 1: has to be psychologically braced for it. After you've worked 36 00:01:53,440 --> 00:01:54,960 Speaker 1: at a job for a long time, I've even been 37 00:01:55,000 --> 00:01:57,160 Speaker 1: in a relationship for a long time. Do you have 38 00:01:57,200 --> 00:01:59,160 Speaker 1: to get your head in the right position before you 39 00:01:59,160 --> 00:02:02,680 Speaker 1: can leave mine? Yes? Yeah, I'd really have to think 40 00:02:02,720 --> 00:02:05,520 Speaker 1: it through, get ready for it. He also talks about 41 00:02:05,520 --> 00:02:08,760 Speaker 1: his wedding, So Scarlett Johanssen and him very happy. They 42 00:02:08,800 --> 00:02:12,000 Speaker 1: don't have a date, but he did reveal that his 43 00:02:12,240 --> 00:02:15,959 Speaker 1: co star and friend from Saturday Night Live, Michael Cha 44 00:02:16,520 --> 00:02:20,280 Speaker 1: he would like Michael to interrupt the wedding. Let me explain, 45 00:02:20,320 --> 00:02:23,760 Speaker 1: and so the comedians, they are funny, he said. Not 46 00:02:23,840 --> 00:02:27,760 Speaker 1: many people utilize the moment of the wedding when people 47 00:02:27,840 --> 00:02:31,480 Speaker 1: give speeches. He would like Michael Chay to use that 48 00:02:31,560 --> 00:02:37,000 Speaker 1: moment to object to the wedding. I think this at 49 00:02:37,080 --> 00:02:41,320 Speaker 1: first was horrifying, but now that I've thought about it, 50 00:02:41,440 --> 00:02:44,480 Speaker 1: I actually think it's quite funny. Where do you land 51 00:02:44,520 --> 00:02:47,800 Speaker 1: on this, Cory? I've always wanted to be that guy 52 00:02:47,960 --> 00:02:51,000 Speaker 1: that stands up at that wedding and goal No, I 53 00:02:51,080 --> 00:02:53,880 Speaker 1: love you, Sally. You know I want to be that guy. 54 00:02:53,960 --> 00:02:56,040 Speaker 1: So I totally love this idea. Let's do it. We 55 00:02:56,080 --> 00:02:59,120 Speaker 1: should do it. I think too, because of what they 56 00:02:59,160 --> 00:03:00,960 Speaker 1: do for a live then we know they can pull 57 00:03:01,000 --> 00:03:03,400 Speaker 1: off a joke. They can land a joke, so they 58 00:03:03,440 --> 00:03:05,919 Speaker 1: can be funny. But it is a solemn day, It's 59 00:03:05,960 --> 00:03:09,880 Speaker 1: it's a very very important day. Should weddings have humor 60 00:03:10,480 --> 00:03:13,200 Speaker 1: in them? My best man was Yer Bets. He listens 61 00:03:13,200 --> 00:03:15,880 Speaker 1: in London. I went to university with Yer and he 62 00:03:15,919 --> 00:03:18,880 Speaker 1: really is my best friend. Hello you Darling. He listens 63 00:03:18,880 --> 00:03:21,600 Speaker 1: for the show every day. I know Yer was my 64 00:03:21,639 --> 00:03:24,760 Speaker 1: best man, and I was a bit nervous about yer 65 00:03:25,200 --> 00:03:28,720 Speaker 1: speech because it could have gone either way. He's it's 66 00:03:28,760 --> 00:03:32,240 Speaker 1: quite an unusual character. But you know what, in the end, 67 00:03:32,360 --> 00:03:35,360 Speaker 1: I didn't care because I knew it was coming from love. 68 00:03:35,760 --> 00:03:37,840 Speaker 1: He loves me and so even if he was a 69 00:03:37,840 --> 00:03:41,320 Speaker 1: little bit cheeky, which he was, everybody would laugh, or 70 00:03:41,320 --> 00:03:44,080 Speaker 1: at least I would laugh. So I'm actually okay with this. 71 00:03:44,120 --> 00:03:46,800 Speaker 1: Where where where do you land? Corey? I think that 72 00:03:46,840 --> 00:03:49,800 Speaker 1: you know what, the both parties have to agree, Like 73 00:03:49,960 --> 00:03:52,440 Speaker 1: my best friend can't give a speech and Joe not 74 00:03:52,600 --> 00:03:56,839 Speaker 1: know He's like remember that time? Will you don't tell 75 00:03:56,880 --> 00:03:59,600 Speaker 1: that story? My mom is here, so you know, all 76 00:03:59,680 --> 00:04:02,040 Speaker 1: poor do youse have to be on deck with those 77 00:04:03,400 --> 00:04:05,880 Speaker 1: It's Jared life, isn't it. There's a line to be 78 00:04:06,760 --> 00:04:09,280 Speaker 1: draw and you can cross over it. Even nights when 79 00:04:09,280 --> 00:04:11,760 Speaker 1: we go out for drinks, Corey, we have so much 80 00:04:11,760 --> 00:04:14,800 Speaker 1: funny we did giggle, but I hopefully you can cross 81 00:04:14,800 --> 00:04:17,400 Speaker 1: a line where it's no longer funny and it's actually offensive. 82 00:04:17,440 --> 00:04:20,120 Speaker 1: So this is just a whole question of the day. 83 00:04:20,279 --> 00:04:22,640 Speaker 1: Colin Joe's Oh, he's so good looking. I met him 84 00:04:23,560 --> 00:04:26,800 Speaker 1: dreaming So Colin Joe's from Saturday Night Live once his 85 00:04:26,880 --> 00:04:31,000 Speaker 1: co star Michael Shayer to interrupt his wedding with Scarlet. 86 00:04:31,400 --> 00:04:35,320 Speaker 1: Would you be livid or would you be laughing? Down? 87 00:04:35,440 --> 00:04:38,479 Speaker 1: Vote on our Twitter page at Naughty Nice Rob or 88 00:04:38,520 --> 00:04:41,000 Speaker 1: a Facebook page Naughty Gossip, and be sure to check 89 00:04:41,040 --> 00:04:44,359 Speaker 1: back Monday to hear your results. Corey Love, what are 90 00:04:44,400 --> 00:04:47,680 Speaker 1: you working on that? Oh the fabulous Miss Whoopi Goldberg? 91 00:04:48,200 --> 00:04:51,760 Speaker 1: She yes, we love Miss Whoopee. Now she is telling 92 00:04:51,960 --> 00:04:54,479 Speaker 1: the story of how she almost didn't get cast in 93 00:04:54,480 --> 00:04:57,240 Speaker 1: the film Ghost, which is a crazy thing to think 94 00:04:57,240 --> 00:04:59,120 Speaker 1: about because that's like the film she wanted to ask 95 00:04:59,120 --> 00:05:01,240 Speaker 1: her for. So it's like, how could that happen? But 96 00:05:01,279 --> 00:05:05,320 Speaker 1: she told Naomi Campbell, that's a weird like are they 97 00:05:05,440 --> 00:05:09,240 Speaker 1: I think friends I used to work? She actually, it's 98 00:05:09,320 --> 00:05:11,479 Speaker 1: really really fun. So she has I think a YouTube 99 00:05:11,480 --> 00:05:15,600 Speaker 1: show or something that yeah, because I was like, wait, 100 00:05:15,640 --> 00:05:18,360 Speaker 1: why would they even be talking about Yeah? But yeah, 101 00:05:18,400 --> 00:05:21,200 Speaker 1: So she told Naomi Campbell that originally she was told 102 00:05:21,240 --> 00:05:24,599 Speaker 1: that she was her persona was too big to play 103 00:05:24,600 --> 00:05:26,160 Speaker 1: in the film Ghost, and they didn't really want her 104 00:05:26,160 --> 00:05:28,000 Speaker 1: in the film because they thought that she would sort 105 00:05:28,000 --> 00:05:30,560 Speaker 1: of take the viewers out of the moment because they'd 106 00:05:30,560 --> 00:05:33,839 Speaker 1: be looking at Whoopee as opposed to that great character 107 00:05:37,520 --> 00:05:43,000 Speaker 1: Molly you and danger girl. But you know, so she 108 00:05:43,080 --> 00:05:45,120 Speaker 1: did the audition or she or she wanted to audition, 109 00:05:45,200 --> 00:05:46,800 Speaker 1: but she didn't get the chance. So she just said, 110 00:05:46,800 --> 00:05:49,239 Speaker 1: you know what, She just moved on and left it alone. 111 00:05:49,279 --> 00:05:52,240 Speaker 1: But then her Night and Shining Armor. Patrick Swayze got 112 00:05:52,279 --> 00:05:55,400 Speaker 1: cast in the film, and as it turns out, he 113 00:05:55,480 --> 00:05:57,760 Speaker 1: was a little like upset that no one had gone 114 00:05:57,760 --> 00:06:00,520 Speaker 1: to Whoopi Goldberg to ask her to all edition because 115 00:06:00,520 --> 00:06:02,480 Speaker 1: he saw her in this role. So she got the 116 00:06:02,520 --> 00:06:04,240 Speaker 1: call from her agent. You know, she was like, hey, 117 00:06:04,279 --> 00:06:08,120 Speaker 1: Patrick swayzey wants you in this film now. And so anyway, 118 00:06:08,160 --> 00:06:10,119 Speaker 1: long story short, you know, he was a fan of hers, 119 00:06:10,480 --> 00:06:13,360 Speaker 1: and look what happened. She went on to become Alaska 120 00:06:13,720 --> 00:06:16,640 Speaker 1: because of that raw. All it takes is one person, 121 00:06:16,720 --> 00:06:19,440 Speaker 1: Lady Gaga said, can say no and one can say 122 00:06:19,520 --> 00:06:21,800 Speaker 1: yes in the room. All it takes is one person 123 00:06:21,880 --> 00:06:24,800 Speaker 1: to be advocate. It does go to show you though, 124 00:06:25,160 --> 00:06:28,760 Speaker 1: people do notice what you do. So even if it's 125 00:06:28,800 --> 00:06:31,960 Speaker 1: not on the radio or TV, in life, people notice 126 00:06:31,960 --> 00:06:35,599 Speaker 1: what you do. So those moments when you think nobody's looking, 127 00:06:35,960 --> 00:06:40,919 Speaker 1: be nice, be cool, may be a good person. Most 128 00:06:41,000 --> 00:06:44,239 Speaker 1: of my breaks, if not all of them, have come 129 00:06:44,920 --> 00:06:47,960 Speaker 1: not because of what I did on the radio or 130 00:06:47,960 --> 00:06:50,240 Speaker 1: on a podcaster on TV, but because I was a 131 00:06:50,240 --> 00:06:53,920 Speaker 1: decent human being behind the scenes. So I always pride 132 00:06:53,960 --> 00:06:57,480 Speaker 1: myself in being nice because you never know, you never 133 00:06:57,600 --> 00:06:59,960 Speaker 1: know where that opportunity is going to come from. Likewise, 134 00:07:00,080 --> 00:07:03,240 Speaker 1: is now that I'm quite a big deal. Hello, Not 135 00:07:03,320 --> 00:07:08,240 Speaker 1: at all, But I'm in meetings where people's names come 136 00:07:08,320 --> 00:07:10,960 Speaker 1: up for jobs. It's shocking that I've got a seat 137 00:07:10,960 --> 00:07:14,040 Speaker 1: at that table. But I do admit when people's names 138 00:07:14,080 --> 00:07:17,320 Speaker 1: come up, if they've been a little nasty or not 139 00:07:17,480 --> 00:07:20,760 Speaker 1: so nice, I do say, I'm sure they're very talented, 140 00:07:21,040 --> 00:07:23,760 Speaker 1: but I don't know if they're the nicest person. Recently, 141 00:07:23,800 --> 00:07:26,480 Speaker 1: there's a big job that came up, editor in chief 142 00:07:26,520 --> 00:07:29,800 Speaker 1: of this brand new, fabulous magazine that's launching, And this 143 00:07:29,920 --> 00:07:32,920 Speaker 1: gentleman's name came up. I'd had dinner with him and 144 00:07:32,960 --> 00:07:35,880 Speaker 1: he was really nasty, I know, and so I didn't 145 00:07:36,000 --> 00:07:39,120 Speaker 1: didn't say no, and I didn't like I don't want 146 00:07:39,120 --> 00:07:42,360 Speaker 1: to burn anybody's opportunities, but I did point out I 147 00:07:42,400 --> 00:07:45,120 Speaker 1: think he's credibly talented, but I'm a little worried I 148 00:07:45,160 --> 00:07:49,320 Speaker 1: would saying about the fit will fit, meaning he's a monster. Okay, 149 00:07:50,880 --> 00:07:55,200 Speaker 1: be nice. There's never going to be a female James Bond, 150 00:07:55,240 --> 00:07:59,560 Speaker 1: I know, after all that speculation. So producer Barbara Broccoli. 151 00:07:59,640 --> 00:08:04,240 Speaker 1: I love name Barbara Broccoli. She runs the James Bond 152 00:08:04,360 --> 00:08:07,680 Speaker 1: franchise with an iron fist. She's the boss. And she 153 00:08:07,800 --> 00:08:11,560 Speaker 1: was asked about the future of Bond after Daniel Craig leaves. 154 00:08:11,800 --> 00:08:14,040 Speaker 1: He's got one more movie that keeps getting pushed back, 155 00:08:14,080 --> 00:08:15,960 Speaker 1: but then he's out, so they've got to find a 156 00:08:15,960 --> 00:08:17,440 Speaker 1: new Bond. And she said something that I thought was 157 00:08:17,480 --> 00:08:19,760 Speaker 1: so interesting, saying, you can only be in love with 158 00:08:19,800 --> 00:08:22,640 Speaker 1: one person at a time. So after the film comes 159 00:08:22,640 --> 00:08:25,800 Speaker 1: out and a little time passes, then they'll think about 160 00:08:25,800 --> 00:08:27,840 Speaker 1: the future. But at the moment, all she can think 161 00:08:27,880 --> 00:08:31,440 Speaker 1: about is Daniel Craig. Adorable. She said, often an actor, 162 00:08:31,520 --> 00:08:34,520 Speaker 1: a new actor reimagines the role and that's very exciting 163 00:08:34,559 --> 00:08:37,680 Speaker 1: for her and the audience. And she also said she's 164 00:08:37,800 --> 00:08:42,240 Speaker 1: not limiting herself to traditional actors, saying she doesn't necessarily 165 00:08:42,480 --> 00:08:45,240 Speaker 1: think it needs to be a white man as far 166 00:08:45,280 --> 00:08:48,560 Speaker 1: as she's concerned, but she does think it should not 167 00:08:48,640 --> 00:08:51,240 Speaker 1: be a woman. And she said the following quote, we 168 00:08:51,320 --> 00:08:55,480 Speaker 1: should create roles for women, not just turn a man 169 00:08:55,840 --> 00:08:59,959 Speaker 1: into a woman. Now, that's very interesting to me. Recently, 170 00:09:00,000 --> 00:09:02,280 Speaker 1: a lot of my friends on Broadway had this debate 171 00:09:02,640 --> 00:09:06,320 Speaker 1: about casting black actors, and August Wilson, who's probably the 172 00:09:06,320 --> 00:09:09,520 Speaker 1: greatest playwright of the last you know, fifty years, a 173 00:09:09,600 --> 00:09:12,599 Speaker 1: black player, right, he said, you shouldn't do this. We 174 00:09:12,640 --> 00:09:15,840 Speaker 1: shouldn't just put black actors into white roles because they're 175 00:09:15,840 --> 00:09:18,680 Speaker 1: not telling black stories. So the Music Man's coming to 176 00:09:18,720 --> 00:09:21,680 Speaker 1: Broadway with Hugh Jackman. It's a very white show. I 177 00:09:21,679 --> 00:09:25,000 Speaker 1: mean it's very white. I love it. I love it, 178 00:09:25,040 --> 00:09:27,560 Speaker 1: but it's a very white show. And so to put 179 00:09:27,559 --> 00:09:29,720 Speaker 1: a black man in that leading role, which they didn't do, 180 00:09:29,800 --> 00:09:32,320 Speaker 1: but if they tried to, it wouldn't work because it's 181 00:09:32,360 --> 00:09:34,880 Speaker 1: not his story as a black guy. Cory, you've got 182 00:09:34,920 --> 00:09:37,120 Speaker 1: much more authority to talk about this than I do. 183 00:09:37,240 --> 00:09:39,959 Speaker 1: What do you think about this? See? I believe it 184 00:09:40,320 --> 00:09:43,000 Speaker 1: depends on the narrative. I think you can be either 185 00:09:43,040 --> 00:09:44,960 Speaker 1: an actor who's white or black in a role, but 186 00:09:45,000 --> 00:09:47,960 Speaker 1: it's the narrative of the story. Like if it's a 187 00:09:47,960 --> 00:09:49,800 Speaker 1: better if it's about a guy like in the corn 188 00:09:49,840 --> 00:09:52,240 Speaker 1: Fields of Nebraska with blond hair and blue eyes, and 189 00:09:52,280 --> 00:09:55,000 Speaker 1: that's part of the narrative. You know, Arrol Jackson is 190 00:09:55,040 --> 00:09:57,559 Speaker 1: not going to be the guy. So it's about the story. So, 191 00:09:57,600 --> 00:09:59,720 Speaker 1: for instance, you can't have a black lead in Schindler's 192 00:09:59,760 --> 00:10:04,040 Speaker 1: List because it's a historically wouldn't work. It wouldn't work 193 00:10:04,720 --> 00:10:06,559 Speaker 1: if you could put a black girl in The Little 194 00:10:06,600 --> 00:10:10,040 Speaker 1: Mermaid because she's an animated fish like it can be. 195 00:10:09,240 --> 00:10:13,440 Speaker 1: Color is not going to change. That's so interesting, exactly. Yeah, 196 00:10:13,440 --> 00:10:15,319 Speaker 1: it's about the story, like Cinderella, right, she could be 197 00:10:15,400 --> 00:10:19,640 Speaker 1: any absolutely right. What's going on with the Trump's. Now, 198 00:10:19,640 --> 00:10:21,480 Speaker 1: we don't do political stories on the show, so don't 199 00:10:21,520 --> 00:10:26,719 Speaker 1: get worried, but this is so fun. Yeah, so this 200 00:10:26,800 --> 00:10:28,680 Speaker 1: is like, yeah, more than political, This is more like 201 00:10:28,720 --> 00:10:33,240 Speaker 1: a shade. This is a shady story. Yes. So if 202 00:10:33,240 --> 00:10:36,440 Speaker 1: Anca Trump wished the wrong Tiffany Trump happy birthday, I 203 00:10:36,440 --> 00:10:39,000 Speaker 1: mean it's not like it's her sister or anything like that. 204 00:10:39,400 --> 00:10:41,640 Speaker 1: I mean, it's the craziest thing. So so, Tiffany Trump 205 00:10:41,679 --> 00:10:44,720 Speaker 1: just turned twenties seven, and if Anca shared a tweet 206 00:10:44,960 --> 00:10:47,960 Speaker 1: to wish her half sister the best on her special day, 207 00:10:48,160 --> 00:10:50,959 Speaker 1: and she put like a childhood photo of the two 208 00:10:50,960 --> 00:10:55,880 Speaker 1: of them together, except honey, she tagged the wrong Tiffany. Now, 209 00:10:56,200 --> 00:10:58,079 Speaker 1: what that tells me is that they're not really as 210 00:10:58,080 --> 00:11:00,560 Speaker 1: close as they pretend to be, because how do you 211 00:11:00,559 --> 00:11:02,760 Speaker 1: you know, like tag the wrong person. But she had 212 00:11:02,760 --> 00:11:04,800 Speaker 1: the photo though. That was so weird because in the 213 00:11:04,840 --> 00:11:07,920 Speaker 1: photo Tiffany looked like they were babies, like our children. 214 00:11:08,080 --> 00:11:11,439 Speaker 1: Tiffany was a baby. They looked like uncomfortable, like Tiffany 215 00:11:11,480 --> 00:11:15,960 Speaker 1: looked mortified in this photo with Ivanka, like she was distraught, 216 00:11:16,000 --> 00:11:18,280 Speaker 1: like Ivanka could care less, you're smiling for the camera, 217 00:11:18,720 --> 00:11:22,720 Speaker 1: and Tiffany is like someone saved me immediately. But anyway, 218 00:11:22,760 --> 00:11:25,480 Speaker 1: it's about account for Tiffany that exists. It's got like 219 00:11:25,480 --> 00:11:29,520 Speaker 1: seven hundred flowers. How did Ivanka not see that? Like 220 00:11:29,600 --> 00:11:31,920 Speaker 1: what is going on with that relationship to things? And 221 00:11:32,000 --> 00:11:35,000 Speaker 1: this is two strikes. Hey, you gotta know your sister's 222 00:11:35,160 --> 00:11:37,840 Speaker 1: Twitter hand on me if you're listening the Vonka it 223 00:11:37,960 --> 00:11:41,200 Speaker 1: is actually at Tiffany a Trump, thank you very much. 224 00:11:41,280 --> 00:11:44,520 Speaker 1: We help out here like a public service show. Also too, 225 00:11:45,000 --> 00:11:46,480 Speaker 1: I have the habit of doing this too, when you 226 00:11:46,520 --> 00:11:49,480 Speaker 1: post a picture of you and somebody else. I always 227 00:11:49,480 --> 00:11:51,520 Speaker 1: look fabulous and I'm not quite sure I look at 228 00:11:51,559 --> 00:11:57,400 Speaker 1: the other person. Thanks for the warning your birthday, Corey. 229 00:11:57,760 --> 00:12:00,280 Speaker 1: I'd at least make it sure you were not in 230 00:12:00,360 --> 00:12:04,520 Speaker 1: the picture, which I think is crying in this picture. 231 00:12:05,200 --> 00:12:08,440 Speaker 1: Factist families, families. It doesn't matter if you're your family, 232 00:12:08,480 --> 00:12:12,600 Speaker 1: my family, our family, or the President's family. There's always drama, 233 00:12:12,760 --> 00:12:15,760 Speaker 1: isn't there. Talking of families, Prince Harry is telling friends 234 00:12:15,800 --> 00:12:19,240 Speaker 1: that he wants little Archie to have a childhood that 235 00:12:19,320 --> 00:12:24,679 Speaker 1: he always wanted. This makes me so so decided, tells 236 00:12:24,720 --> 00:12:29,760 Speaker 1: People magazine that both parents are extremely attentive. Harry wants 237 00:12:29,800 --> 00:12:32,680 Speaker 1: to give Archie a childhood that he always wanted himself. 238 00:12:33,000 --> 00:12:36,600 Speaker 1: They're spending tons of time together outside. Both Harry and 239 00:12:36,720 --> 00:12:39,400 Speaker 1: Megan love to play, and they love all the private 240 00:12:39,480 --> 00:12:42,520 Speaker 1: space that they have on this new house. He's opened 241 00:12:42,600 --> 00:12:45,680 Speaker 1: up in the past about and wanting a different life 242 00:12:45,679 --> 00:12:48,120 Speaker 1: for him and his family. In February, he got really 243 00:12:48,120 --> 00:12:51,480 Speaker 1: emotional at a private speech, revealing that he did not 244 00:12:51,600 --> 00:12:54,640 Speaker 1: regret for one second that the couple decided to step 245 00:12:54,640 --> 00:12:57,800 Speaker 1: down as senior royals, and he wants to make sure 246 00:12:57,960 --> 00:13:00,880 Speaker 1: that Megan and Archie don't go through. He goes through 247 00:13:00,960 --> 00:13:04,680 Speaker 1: as a child. I don't think we can overestimate the 248 00:13:04,720 --> 00:13:08,679 Speaker 1: impact of his mother's death when he was a young boy, 249 00:13:09,080 --> 00:13:13,040 Speaker 1: and then really, by all accounts, being forced being convinced 250 00:13:13,080 --> 00:13:16,880 Speaker 1: to walk a mile through the streets of London behind 251 00:13:16,960 --> 00:13:20,959 Speaker 1: his mother's offen, which initially they were not going to do. 252 00:13:21,040 --> 00:13:25,000 Speaker 1: These were young boys, teenagers at the time. Just I 253 00:13:25,040 --> 00:13:28,440 Speaker 1: can't imagine the impact that has had on his life. Corey, 254 00:13:28,480 --> 00:13:32,240 Speaker 1: what do you think, Oh, yeah, it's an indelible memory 255 00:13:32,240 --> 00:13:34,080 Speaker 1: that he can never get rid of. And I don't 256 00:13:34,080 --> 00:13:36,960 Speaker 1: blame him for wanting to remove his his child from 257 00:13:37,000 --> 00:13:39,960 Speaker 1: that circus that killed his mother. So I totally, I 258 00:13:40,040 --> 00:13:43,120 Speaker 1: totally relate to that. I do too. They've got to say, 259 00:13:43,160 --> 00:13:46,439 Speaker 1: on the other hand, if I was aren't she and 260 00:13:46,520 --> 00:13:48,960 Speaker 1: I woke up one day and realized I was a 261 00:13:49,040 --> 00:13:54,559 Speaker 1: prince of England and I'm living in California, California, but 262 00:13:54,800 --> 00:13:57,680 Speaker 1: I could be living in Windsor Castle. I mean, very nice. 263 00:13:58,679 --> 00:14:01,679 Speaker 1: It's seventeen million dollars is a palace, but he ain't 264 00:14:01,760 --> 00:14:05,000 Speaker 1: quite booking a palace. YEA. If I woke up, what 265 00:14:05,120 --> 00:14:07,200 Speaker 1: age do you think, like you're six or seven. You're five, 266 00:14:07,920 --> 00:14:09,640 Speaker 1: and you look at your mom and daddy like you 267 00:14:09,720 --> 00:14:12,160 Speaker 1: decided that I wasn't going to be driven around in 268 00:14:12,160 --> 00:14:14,960 Speaker 1: a gold carriage right like, I'm cleaning my own room. 269 00:14:15,040 --> 00:14:17,320 Speaker 1: Are you kidding me? Right now? Where was my decision? 270 00:14:18,440 --> 00:14:19,920 Speaker 1: I put a crowd on my head. I'll go to 271 00:14:19,920 --> 00:14:26,200 Speaker 1: the burger king and get absolutely just think. I think 272 00:14:26,200 --> 00:14:28,120 Speaker 1: that they're probably doing the right thing. Hey, we're going 273 00:14:28,160 --> 00:14:30,040 Speaker 1: to do the right thing and take a quick break 274 00:14:30,480 --> 00:14:36,280 Speaker 1: and we will be all right back. I'll come back 275 00:14:36,280 --> 00:14:38,400 Speaker 1: to the naughty but nice. I'm rob sure with my 276 00:14:38,480 --> 00:14:42,560 Speaker 1: friend Cory Andrew coy Darling. How are you? I'm fine. 277 00:14:42,600 --> 00:14:45,200 Speaker 1: I'm happy on Fridays, sunny, I'm always happy on breaking. 278 00:14:45,680 --> 00:14:47,600 Speaker 1: Is it Friday because you do our little show or 279 00:14:47,600 --> 00:14:49,040 Speaker 1: is it because it's the end of the week or 280 00:14:49,080 --> 00:14:51,360 Speaker 1: a combination of both. I will say it's a combination 281 00:14:51,360 --> 00:14:53,160 Speaker 1: of both. But I do look forward to our time 282 00:14:53,200 --> 00:14:56,120 Speaker 1: together on Friday mornings. You know that morning person We 283 00:14:56,680 --> 00:14:59,000 Speaker 1: shouldn't really give away. They say that the Big Boss 284 00:14:59,080 --> 00:15:00,720 Speaker 1: is the time that we hate the show, but we 285 00:15:00,760 --> 00:15:04,360 Speaker 1: always do it in the morning early. Are you a 286 00:15:04,440 --> 00:15:06,480 Speaker 1: morning person or to get up especially early for us? 287 00:15:07,320 --> 00:15:10,240 Speaker 1: I'm actually not a morning person. But this is normally 288 00:15:10,320 --> 00:15:13,120 Speaker 1: around the house. But this is what I would get 289 00:15:13,200 --> 00:15:19,360 Speaker 1: up anyway, but singing aldn Okay, let's get to the polls. 290 00:15:21,960 --> 00:15:25,520 Speaker 1: So yesterday here we talked about care Claire Cruelly, who's 291 00:15:25,560 --> 00:15:28,960 Speaker 1: the batte Responding to critics who don't believe you can 292 00:15:29,000 --> 00:15:31,920 Speaker 1: fall in love at first sight, she said, how dare you? 293 00:15:32,240 --> 00:15:34,440 Speaker 1: No one's got a timeline on love. You can fall 294 00:15:34,480 --> 00:15:38,240 Speaker 1: in love whenever you want. Do you believe in love 295 00:15:38,280 --> 00:15:43,560 Speaker 1: at first sight? Yes, said no. Let's have a little 296 00:15:43,600 --> 00:15:45,440 Speaker 1: look at some of the comments. Brethe Hello Brethe we 297 00:15:45,480 --> 00:15:48,960 Speaker 1: don't spoke forever, Brethe one thousand percent believes in love 298 00:15:49,000 --> 00:15:51,760 Speaker 1: at first sight? Bride Old Tray, Hello Tray, I love 299 00:15:51,800 --> 00:15:54,720 Speaker 1: Tray Bridge Hodge Tray that I loved him on the 300 00:15:54,840 --> 00:15:57,600 Speaker 1: third date because I already knew and I couldn't hold 301 00:15:57,640 --> 00:16:02,480 Speaker 1: it in any longer. En Hello Lauren, Dads, it will 302 00:16:02,560 --> 00:16:07,840 Speaker 1: be seventeen years with mine tomorrow. Muzzles of congrats when 303 00:16:07,880 --> 00:16:12,840 Speaker 1: you know you know Jordan, Hello, Jordan's love that first 304 00:16:12,840 --> 00:16:16,720 Speaker 1: sight I believe in, But in capitals of Jordan's I 305 00:16:16,760 --> 00:16:22,640 Speaker 1: believe you also love the emotional connection too. That's very, 306 00:16:22,840 --> 00:16:27,840 Speaker 1: very wise. You your wise owl Jordan's Jade, Hello Jade. 307 00:16:28,280 --> 00:16:30,800 Speaker 1: I believe in love at first sight, but I also 308 00:16:30,880 --> 00:16:35,360 Speaker 1: think that time can grow love to absolutely right. I 309 00:16:35,400 --> 00:16:38,160 Speaker 1: think the longer you're together, the more that can grow 310 00:16:38,160 --> 00:16:42,840 Speaker 1: into it's sort of amazing ways. Nat Bailey, I love that, Hi, Nad, 311 00:16:43,280 --> 00:16:50,440 Speaker 1: I believe in lusted first Here here I do too. Yeah, 312 00:16:50,600 --> 00:16:53,160 Speaker 1: that's the thing. After you've got that out of your system, 313 00:16:53,200 --> 00:16:56,640 Speaker 1: which can take me the very short period of time. 314 00:16:57,160 --> 00:16:59,600 Speaker 1: So after you've done that, you know what we're talking about. 315 00:17:00,080 --> 00:17:01,360 Speaker 1: You look at them and you're like, who are you? 316 00:17:01,600 --> 00:17:06,800 Speaker 1: I ever like him? And then Stephania, Hello, STEPHANIEA. The 317 00:17:06,840 --> 00:17:10,320 Speaker 1: first night I met my husband of now twenty six years, 318 00:17:10,320 --> 00:17:12,679 Speaker 1: I was Stephanie. I love this. I told a friend 319 00:17:13,000 --> 00:17:15,480 Speaker 1: that we were going to get married and spend our 320 00:17:15,600 --> 00:17:19,600 Speaker 1: lives together. Oh, Cory, do you believe in love at 321 00:17:19,640 --> 00:17:22,520 Speaker 1: first sight? What about you and Joe? Was that first 322 00:17:22,520 --> 00:17:25,120 Speaker 1: sight or did you take a little while? Well it's 323 00:17:25,119 --> 00:17:28,200 Speaker 1: a that's a story that is for another day. We met, 324 00:17:28,600 --> 00:17:31,080 Speaker 1: but but I will say we are together twenty years, 325 00:17:31,240 --> 00:17:34,479 Speaker 1: and I believe that when I saw him the first 326 00:17:34,520 --> 00:17:38,240 Speaker 1: time that I felt something special and were I felt 327 00:17:38,240 --> 00:17:40,159 Speaker 1: the same with Bruce the minute I saw him. Hey, 328 00:17:40,200 --> 00:17:42,240 Speaker 1: don't forget to vote on today's pool. Would you be 329 00:17:42,320 --> 00:17:44,480 Speaker 1: upset if somebody makes a joke at your wedding? Go 330 00:17:44,520 --> 00:17:47,199 Speaker 1: to our Twitter page at Naughty Nights Wrong by Facebook 331 00:17:47,200 --> 00:17:49,439 Speaker 1: page Naughty Gossip, and be sure to check back Monday 332 00:17:49,960 --> 00:17:52,359 Speaker 1: to hear your results are. Now it's time for a nice, 333 00:17:52,440 --> 00:18:01,439 Speaker 1: nice today. Yeah, well you know what I've got the 334 00:18:02,000 --> 00:18:06,359 Speaker 1: always yummy, handsome John Senna, who is Yeah, he's not 335 00:18:06,400 --> 00:18:09,480 Speaker 1: too hard on the eyes. He's marrying his girlfriend. Or 336 00:18:09,520 --> 00:18:12,320 Speaker 1: he married his girlfriend in a secret ceremony. It's uh 337 00:18:12,400 --> 00:18:15,320 Speaker 1: something that's you know, kind of speculated that happened. Now. 338 00:18:15,480 --> 00:18:20,160 Speaker 1: He basically is with I can't I never say her name. Correct, 339 00:18:18,840 --> 00:18:25,000 Speaker 1: I'm gonna say name. That last name has like eighteen 340 00:18:25,119 --> 00:18:35,080 Speaker 1: letters that I can't. I can't do it exactly. Well, 341 00:18:35,440 --> 00:18:37,960 Speaker 1: yeah we could, but they are not really admitting that 342 00:18:38,000 --> 00:18:39,960 Speaker 1: they got married, so at this time they're just a 343 00:18:39,960 --> 00:18:42,439 Speaker 1: few details about the secret ceremony and fans of the 344 00:18:42,560 --> 00:18:45,520 Speaker 1: w W e uh. They learned of the relationship with 345 00:18:45,720 --> 00:18:48,199 Speaker 1: Shay back in March of two thousand nineteen, when they 346 00:18:48,200 --> 00:18:51,280 Speaker 1: were spotted out on a little date night in her 347 00:18:51,280 --> 00:18:54,480 Speaker 1: hometown of Vancouver, so you know, they kept things low key, 348 00:18:54,520 --> 00:18:57,399 Speaker 1: but basically, you know they have now been seen together 349 00:18:57,400 --> 00:19:01,560 Speaker 1: a lot and now apparently this wedding hat yees, so 350 00:19:01,600 --> 00:19:05,440 Speaker 1: I think that's a good thing too, so famous. It's 351 00:19:05,440 --> 00:19:08,120 Speaker 1: lovely having a secret, or it's lovely having a moment 352 00:19:08,119 --> 00:19:10,600 Speaker 1: for yourself. My sources tell me they are absolutely married. 353 00:19:10,920 --> 00:19:12,879 Speaker 1: It is done deal. They have not confirmed it, but 354 00:19:12,920 --> 00:19:20,840 Speaker 1: they are together. Congratulations and that and naughtiest. So Grandma 355 00:19:20,920 --> 00:19:23,280 Speaker 1: is getting a lot of shame on Twitter because she 356 00:19:23,320 --> 00:19:26,800 Speaker 1: posted a video of her and a baby and there 357 00:19:26,840 --> 00:19:28,800 Speaker 1: was a glass of champagne on the table. The baby 358 00:19:28,800 --> 00:19:33,000 Speaker 1: falls over and she saves the champagne. So a short 359 00:19:33,080 --> 00:19:36,200 Speaker 1: video of this lady, it's gone viral and she couldn't 360 00:19:36,200 --> 00:19:38,600 Speaker 1: really decide. You know that moment when it's in slow 361 00:19:38,640 --> 00:19:40,800 Speaker 1: motion and you see your glass falling, but you also 362 00:19:40,880 --> 00:19:43,120 Speaker 1: see something else falling and you have to make a decision. 363 00:19:43,400 --> 00:19:44,639 Speaker 1: What are you going to say if you're going to 364 00:19:44,920 --> 00:19:47,080 Speaker 1: baby and then together? The baby was on the floor, 365 00:19:47,080 --> 00:19:49,360 Speaker 1: so they just fell on their bottom. Nobody was hurt here. 366 00:19:49,800 --> 00:19:53,959 Speaker 1: She decided to get her priorities quote right, I don't know, 367 00:19:54,280 --> 00:19:57,280 Speaker 1: and she grabbed her champagne. But they still posted the video, 368 00:19:57,359 --> 00:19:59,879 Speaker 1: so she obviously thought it was funny. Now she's getting 369 00:19:59,880 --> 00:20:04,760 Speaker 1: the lot of backlash on Twitter. Naughty, I love it, 370 00:20:04,800 --> 00:20:09,640 Speaker 1: and now it's time for a moment of rumor. Value 371 00:20:09,760 --> 00:20:14,360 Speaker 1: your opinion above everybody else's so you can. You can 372 00:20:14,520 --> 00:20:16,680 Speaker 1: never get away from other people. They're always going to 373 00:20:16,760 --> 00:20:20,160 Speaker 1: be around you, but you can stop letting them influence 374 00:20:20,320 --> 00:20:24,840 Speaker 1: your life. An opinion is not a fact. And as 375 00:20:24,880 --> 00:20:31,000 Speaker 1: Beyonce said, don't depend on someone else telling you who 376 00:20:31,160 --> 00:20:35,119 Speaker 1: you are. I love that quote. Don't depend on someone 377 00:20:35,200 --> 00:20:40,040 Speaker 1: else telling you who you are, no yourself. Hey, that's 378 00:20:40,040 --> 00:20:44,200 Speaker 1: it for this week. We ran out of time it 379 00:20:44,280 --> 00:20:47,199 Speaker 1: so quickly. Thank you so much for listening to the 380 00:20:47,320 --> 00:20:49,639 Speaker 1: Naughty but Nice with Rob Show, a production of I 381 00:20:49,760 --> 00:20:52,320 Speaker 1: Heart Radio. Thank you Corey, and don't forget to subscribe 382 00:20:52,560 --> 00:20:55,920 Speaker 1: on the I Heart Radio app, Apple podcast or wherever 383 00:20:56,080 --> 00:20:59,720 Speaker 1: you listen and leave us a review. And altogether, I remember, 384 00:21:00,080 --> 00:21:03,119 Speaker 1: if you're going to be naughty naughty, you got to 385 00:21:03,160 --> 00:21:08,960 Speaker 1: be nay naughty nice with Ro