1 00:00:01,120 --> 00:00:14,400 Speaker 1: Welcome to Thursday Show Morning Studio Morning. I'm in the 2 00:00:14,440 --> 00:00:17,560 Speaker 1: middle now of well, it's been like three months, but 3 00:00:17,600 --> 00:00:19,200 Speaker 1: I'm in the middle of trying to figure out who's 4 00:00:19,239 --> 00:00:21,240 Speaker 1: been texting me, and not in a creepy way, because 5 00:00:21,400 --> 00:00:23,080 Speaker 1: I guess I know them, but I won't ask who 6 00:00:23,160 --> 00:00:24,880 Speaker 1: they are. Just comes from a number I don't have 7 00:00:24,920 --> 00:00:27,160 Speaker 1: a name assigned to. And they're like, hey, how you been. 8 00:00:27,600 --> 00:00:29,000 Speaker 1: You don't ask that to somebody if you don't know 9 00:00:29,000 --> 00:00:31,640 Speaker 1: how they were before. And I'm like, good, yeah, what's 10 00:00:31,720 --> 00:00:33,440 Speaker 1: up man, just checking in on you? And then I 11 00:00:33,440 --> 00:00:35,000 Speaker 1: got real sick and they were like, how's that going? 12 00:00:35,680 --> 00:00:37,519 Speaker 1: And I'm like, whoa who is this person? So I've 13 00:00:37,520 --> 00:00:41,040 Speaker 1: been doing context clues and like, I have the area code, 14 00:00:41,120 --> 00:00:43,640 Speaker 1: so I searched it, but that doesn't matter as much anymore. No, 15 00:00:43,760 --> 00:00:48,000 Speaker 1: they could be from there. So it has been so 16 00:00:48,320 --> 00:00:50,600 Speaker 1: July twenty eighth, So it has been since May thirteenth 17 00:00:50,640 --> 00:00:54,520 Speaker 1: that I've been having this conversation. Wait, like, what do 18 00:00:54,600 --> 00:00:57,840 Speaker 1: y'all talk about other than just sounds pretty vague? Yeah, like, 19 00:00:57,840 --> 00:01:00,800 Speaker 1: how are you getting clues? Well, I'm getting closed by going, 20 00:01:00,920 --> 00:01:03,440 Speaker 1: well how about that? Can you tell me more? Okay, 21 00:01:03,800 --> 00:01:06,360 Speaker 1: it's stuff like that. I didn't. I can't figure out 22 00:01:06,360 --> 00:01:08,320 Speaker 1: who it is, and I don't want to give up, 23 00:01:08,360 --> 00:01:11,080 Speaker 1: and mostly I would just who cares? But I'm so 24 00:01:11,160 --> 00:01:13,480 Speaker 1: invested in figuring out who this is. The other day 25 00:01:13,480 --> 00:01:15,760 Speaker 1: I got one from an unknown number and it was 26 00:01:15,800 --> 00:01:18,640 Speaker 1: a kid going hey, by Bones, I'm a big fan, 27 00:01:19,280 --> 00:01:21,839 Speaker 1: and I thought, how I did this kid get my number? 28 00:01:22,080 --> 00:01:23,720 Speaker 1: And then I got a mess like fifteen minutes later. 29 00:01:23,720 --> 00:01:24,920 Speaker 1: He goes, hey, I saw this kid at the game 30 00:01:24,959 --> 00:01:26,440 Speaker 1: and he came up to me and said he was 31 00:01:26,440 --> 00:01:27,960 Speaker 1: a huge fan of yours. And I'm like, all right, 32 00:01:27,959 --> 00:01:30,360 Speaker 1: we who's this? Well? Who are you? And so I 33 00:01:30,400 --> 00:01:33,480 Speaker 1: started tracking it back and I think at this point 34 00:01:33,640 --> 00:01:38,680 Speaker 1: it's Big D from our afternoon show. Locally. Oh yeah, 35 00:01:38,680 --> 00:01:42,000 Speaker 1: he's a new name. Sorry Wayne Day. Yeah, I think, 36 00:01:42,520 --> 00:01:45,280 Speaker 1: but it's like a Wisconsin or Minnesota area code. He's 37 00:01:45,280 --> 00:01:47,880 Speaker 1: not from there. That is who that is. Yeah, he's 38 00:01:47,880 --> 00:01:51,680 Speaker 1: originally from Minnesota. That's okay, that's the new one. Yeah, okay, 39 00:01:51,760 --> 00:01:53,360 Speaker 1: that's the new one. But there's one for three months 40 00:01:53,400 --> 00:01:55,440 Speaker 1: that I cannot figure out who it is. It's either 41 00:01:55,600 --> 00:01:57,720 Speaker 1: Garth or like a second cousin I haven't see in 42 00:01:57,760 --> 00:01:59,560 Speaker 1: the long time. One of the two, but I'm like 43 00:01:59,600 --> 00:02:01,280 Speaker 1: three months invested in. But I Am not going to 44 00:02:01,360 --> 00:02:03,840 Speaker 1: give up on this one. I hope everybody's good. I 45 00:02:03,920 --> 00:02:06,080 Speaker 1: want to go over and talk to Jenna, who is 46 00:02:06,120 --> 00:02:08,799 Speaker 1: on the phone right now. Hey, Bobby, how are you? 47 00:02:09,040 --> 00:02:10,640 Speaker 1: We're doing pretty good? What can we do for you? 48 00:02:10,800 --> 00:02:13,520 Speaker 1: So I am here with my little brother Derek and 49 00:02:13,639 --> 00:02:17,640 Speaker 1: the rest of my family. We are actually pulling into 50 00:02:17,880 --> 00:02:21,400 Speaker 1: the Saint Louis Airport right now. We are headed to 51 00:02:21,520 --> 00:02:25,480 Speaker 1: Nashville for Summer Slam this weekend, which is the big 52 00:02:25,639 --> 00:02:29,600 Speaker 1: WWE events that in Nashville this weekend. We are TikTokers 53 00:02:30,080 --> 00:02:33,839 Speaker 1: and Derek is a big WWE fan and I am 54 00:02:33,840 --> 00:02:38,560 Speaker 1: a big Bobby Bone show fan. And we are actually 55 00:02:38,600 --> 00:02:42,799 Speaker 1: coming to Summer Slam in Nashville with Cricket Wireless through 56 00:02:42,880 --> 00:02:46,720 Speaker 1: TikTok We're gonna be making content, having fun. And I 57 00:02:46,760 --> 00:02:49,240 Speaker 1: love the show. And I know you're you watched wrestling 58 00:02:49,240 --> 00:02:50,600 Speaker 1: when you were younger, and I just kind of wanted 59 00:02:50,639 --> 00:02:52,640 Speaker 1: to call and say hi and say for you. Soon, 60 00:02:52,840 --> 00:02:55,239 Speaker 1: I feel like I recognize you, Hey, can ask you? 61 00:02:56,040 --> 00:02:57,720 Speaker 1: I feel like I'll know her. Do you have millions 62 00:02:57,720 --> 00:02:59,960 Speaker 1: of followers? It's called Baker Bands. Her we have two 63 00:03:00,080 --> 00:03:03,119 Speaker 1: point nine million followers. I know this is wow. Yeah, 64 00:03:03,160 --> 00:03:05,360 Speaker 1: I watched their videos a lot. I'm gonna get on 65 00:03:05,360 --> 00:03:09,640 Speaker 1: TikTok real quick. Hold on Baker banter right, yes, okay, 66 00:03:09,639 --> 00:03:13,200 Speaker 1: hold on a second. B A K E R. Yeah, 67 00:03:13,240 --> 00:03:15,680 Speaker 1: you guys are You're very funny. You guys do really 68 00:03:15,720 --> 00:03:20,200 Speaker 1: good on TikTok. And so, if I'm correct here, you 69 00:03:20,440 --> 00:03:25,600 Speaker 1: follow a lot of your brother's hygienks. Right, yes, so 70 00:03:25,760 --> 00:03:29,440 Speaker 1: our TikTok account, Derek is twenty five, he has Down syndrome, 71 00:03:29,919 --> 00:03:35,800 Speaker 1: and basically our TikTok candle, it's just a positive, family friendly, funny, 72 00:03:36,080 --> 00:03:41,680 Speaker 1: stassy depiction of what adult with Down syndrome's life and 73 00:03:41,920 --> 00:03:45,240 Speaker 1: his family life looks like. Yes, it's awesome. It's an 74 00:03:45,240 --> 00:03:47,360 Speaker 1: awesome account. So cool. Yeah, when you said that, I 75 00:03:47,400 --> 00:03:48,760 Speaker 1: was like, I feel like I know you. So I 76 00:03:48,760 --> 00:03:51,440 Speaker 1: started to think, did I like hang out with her 77 00:03:51,480 --> 00:03:53,760 Speaker 1: in high school? But no, I follow on TikTok. So 78 00:03:53,960 --> 00:03:56,280 Speaker 1: you feel like you know these people, these people she's 79 00:03:56,280 --> 00:03:57,680 Speaker 1: on the phone. You feel like you know these people 80 00:03:57,720 --> 00:03:59,320 Speaker 1: even though you've really never really met them or spent 81 00:03:59,400 --> 00:04:01,000 Speaker 1: time with them. Well, hey, I hope you guys have 82 00:04:01,040 --> 00:04:03,520 Speaker 1: an awesome time in town and keep doing the good 83 00:04:03,520 --> 00:04:06,200 Speaker 1: work and keep it super positive on TikTok. And tell 84 00:04:06,280 --> 00:04:08,880 Speaker 1: your little brother I said, hello, I'm run here, Bob. 85 00:04:09,120 --> 00:04:12,600 Speaker 1: All right, buddy, Hey, who's your favorite wrestler live Morges? 86 00:04:13,160 --> 00:04:18,800 Speaker 1: Dad shappiest, Derek, Tell Bobby who you saw at WrestleMania. Yeah, 87 00:04:18,800 --> 00:04:21,040 Speaker 1: that's awesome. Okay, yeah that now we're talking. Now we're 88 00:04:21,040 --> 00:04:23,720 Speaker 1: getting back into my where I got out. Well, listen, 89 00:04:23,720 --> 00:04:25,359 Speaker 1: Hope you guys have an awesome time Jenna, thank you 90 00:04:25,400 --> 00:04:27,560 Speaker 1: for calling, and keep up the good work on TikTok. 91 00:04:27,600 --> 00:04:30,440 Speaker 1: Hope you guys have just the greatest time at at 92 00:04:30,560 --> 00:04:34,360 Speaker 1: at Summer Slam, right SummerSlam. Yeah, yeah, Summer Slam. It's 93 00:04:34,360 --> 00:04:37,039 Speaker 1: that great stone all right, goodness, good to talk to 94 00:04:37,080 --> 00:04:40,559 Speaker 1: you guys. Be safe, okay, Chobby, all right, see you later. 95 00:04:41,200 --> 00:04:43,640 Speaker 1: I knew I recognized her from somewhere. Yes, you think 96 00:04:43,680 --> 00:04:46,400 Speaker 1: they're rich, like I'm saying, like if they're flying to this, 97 00:04:46,480 --> 00:04:50,000 Speaker 1: like it's just a ticket from the airport. Oh and 98 00:04:50,040 --> 00:04:52,360 Speaker 1: they threw out a sponsor there, so they're sponsored by 99 00:04:52,400 --> 00:04:54,760 Speaker 1: paying for it? Yeah rich? No, but are they making 100 00:04:54,800 --> 00:04:57,680 Speaker 1: a little money off TikTok? Probably? But I mean, how great? 101 00:04:57,720 --> 00:05:00,880 Speaker 1: Why don't sponsors like fly us to places like oh here, 102 00:05:00,960 --> 00:05:03,760 Speaker 1: come go cover this, go cover that. I mean, she's 103 00:05:04,040 --> 00:05:10,200 Speaker 1: are you sad? Yeah, I'm sorry, buddy. It's time to 104 00:05:10,240 --> 00:05:18,960 Speaker 1: open up the mail bag to get something. Ye hello, 105 00:05:20,800 --> 00:05:23,279 Speaker 1: Bobby Bones. So I went on a first date recently. 106 00:05:23,320 --> 00:05:25,560 Speaker 1: It was a short coffee date that went really well, 107 00:05:25,920 --> 00:05:28,360 Speaker 1: so we set up a real date for the following night. 108 00:05:28,839 --> 00:05:30,600 Speaker 1: I offered to pick her up, but she said she'd 109 00:05:30,600 --> 00:05:32,960 Speaker 1: meet me at the restaurant. Well, I sat there for 110 00:05:33,040 --> 00:05:35,080 Speaker 1: an hour, I waited for her to show up. I 111 00:05:35,240 --> 00:05:39,000 Speaker 1: texted her several times. She never answered, so I left 112 00:05:39,000 --> 00:05:40,960 Speaker 1: and I went home. I got a call from her 113 00:05:40,960 --> 00:05:43,919 Speaker 1: the next morning, and she said she passed out after 114 00:05:44,000 --> 00:05:47,960 Speaker 1: work and slept right through to the morning. She apologized 115 00:05:47,960 --> 00:05:50,800 Speaker 1: several times, but I still feel weird about it. She's 116 00:05:50,839 --> 00:05:53,360 Speaker 1: insisting I give her another chance. What do you think 117 00:05:53,400 --> 00:05:56,400 Speaker 1: I should do? Is she a total flake? Or was 118 00:05:56,480 --> 00:06:00,640 Speaker 1: this just an oversight? Signed t J. Yeah, that stinks. 119 00:06:00,640 --> 00:06:03,080 Speaker 1: I've been in similar situations, but mostly I never heard 120 00:06:03,080 --> 00:06:05,000 Speaker 1: from them again. Period gives you stand up, and I 121 00:06:05,040 --> 00:06:08,680 Speaker 1: wouldn't even get that story. You know, I always believe 122 00:06:08,720 --> 00:06:11,320 Speaker 1: in giving people a second chance. Yes, so I do 123 00:06:11,480 --> 00:06:13,960 Speaker 1: think you should give her a shot, however, or you 124 00:06:14,000 --> 00:06:16,159 Speaker 1: don't just pass out if you're really excited about a date. 125 00:06:16,640 --> 00:06:19,760 Speaker 1: But what if you're really teddy, or when you're really tired, 126 00:06:19,760 --> 00:06:21,160 Speaker 1: you text and go, hey, I'm not gonna be able 127 00:06:21,160 --> 00:06:23,240 Speaker 1: to make it. You don't just pass out. If you're 128 00:06:23,240 --> 00:06:27,760 Speaker 1: super excited about a date. And she did and that happened, 129 00:06:28,320 --> 00:06:30,159 Speaker 1: I would give her another shot. But I give her 130 00:06:30,200 --> 00:06:32,440 Speaker 1: a shot with one eye open watching everything she did 131 00:06:32,440 --> 00:06:34,760 Speaker 1: to see if she's suspicious at all. Do you think 132 00:06:34,800 --> 00:06:36,760 Speaker 1: she lied or she told the truth about passing out. 133 00:06:37,040 --> 00:06:40,680 Speaker 1: She probably told the truth. But again, if you're super 134 00:06:40,720 --> 00:06:44,000 Speaker 1: excited and you're focused on this date, you at least 135 00:06:44,080 --> 00:06:46,960 Speaker 1: let them know or you just don't pass out. That's 136 00:06:46,960 --> 00:06:49,200 Speaker 1: a thing. Morgan, you're in the dating world. What do 137 00:06:49,200 --> 00:06:51,520 Speaker 1: you think about this? Yeah, I mean definitely, if I 138 00:06:51,600 --> 00:06:53,640 Speaker 1: was excited about a date, I would not have had 139 00:06:53,680 --> 00:06:56,600 Speaker 1: that excuse. I would make it work. Or I would say, hey, 140 00:06:56,640 --> 00:06:59,480 Speaker 1: I'm really tired, like I can't do this today, let's 141 00:06:59,480 --> 00:07:02,760 Speaker 1: do it tomorrow, and I would take the initiative to reschedule. So, 142 00:07:02,920 --> 00:07:04,240 Speaker 1: I mean, and if you said that to me, I'd 143 00:07:04,240 --> 00:07:07,719 Speaker 1: still be like, screw her. But at least, I wouldn't 144 00:07:07,720 --> 00:07:10,720 Speaker 1: sat sit at a restaurant for hours waiting. Yeah, I 145 00:07:10,720 --> 00:07:13,200 Speaker 1: mean that definitely starts it off on a really bad foot. 146 00:07:13,280 --> 00:07:15,880 Speaker 1: You ever been stood up, Morgan? Straight up, not stood up? 147 00:07:15,880 --> 00:07:18,480 Speaker 1: I've been ghosted. Never like stood up on a date though, 148 00:07:18,520 --> 00:07:20,840 Speaker 1: where you go somewhere and they just don't come. Yeah, No, 149 00:07:20,920 --> 00:07:22,560 Speaker 1: that's not happened. Do you ever talked to somebody who 150 00:07:22,600 --> 00:07:23,800 Speaker 1: thought was a girl and then ends up being a 151 00:07:23,880 --> 00:07:25,560 Speaker 1: dude in a hotel and then it turns out in 152 00:07:25,600 --> 00:07:33,160 Speaker 1: the news and you're embarrassed? No, Ye, just a hypothetical situation. TJ. 153 00:07:33,320 --> 00:07:37,480 Speaker 1: Go out with her again, but just know that she 154 00:07:37,840 --> 00:07:42,640 Speaker 1: probably is not totally into you yet, and if she was, 155 00:07:42,680 --> 00:07:44,160 Speaker 1: she'd have made a priority to be there or let 156 00:07:44,200 --> 00:07:46,880 Speaker 1: you know. All Right, good luck, and that's the mailbag 157 00:07:47,240 --> 00:07:55,600 Speaker 1: we've got your That was about the cloth. I've been 158 00:07:55,600 --> 00:07:57,360 Speaker 1: doing a lot of interviews where people are asking me, Hey, 159 00:07:57,400 --> 00:08:02,160 Speaker 1: what songs are good? Now? Tough question unless you expect it, 160 00:08:02,320 --> 00:08:04,400 Speaker 1: and so they're like, hey, what's so? I just started 161 00:08:04,440 --> 00:08:06,560 Speaker 1: throwing off stuff that I listened to and I'm gonna 162 00:08:06,600 --> 00:08:07,760 Speaker 1: play a few of these that if you go to 163 00:08:07,800 --> 00:08:10,720 Speaker 1: my playlist, these are up here. Now the first one 164 00:08:10,960 --> 00:08:13,840 Speaker 1: is going to be this song from David Morris, and 165 00:08:13,920 --> 00:08:16,560 Speaker 1: it blew up on TikTok and it's the George Straight 166 00:08:16,640 --> 00:08:18,960 Speaker 1: song Karen Your Love with Me, but it's sang by 167 00:08:19,240 --> 00:08:22,000 Speaker 1: a woman and it's used as a sample and then 168 00:08:22,000 --> 00:08:24,600 Speaker 1: he kind of country wraps over it, and some people 169 00:08:24,720 --> 00:08:27,280 Speaker 1: hate it and some people love it. I actually think 170 00:08:27,280 --> 00:08:30,040 Speaker 1: it's pretty good if you get past the whole sampling 171 00:08:30,040 --> 00:08:32,320 Speaker 1: a George Straight song. But here you go. His name 172 00:08:32,360 --> 00:08:36,040 Speaker 1: is David Morris, and here is carrying Your Love. Yeah, 173 00:08:36,040 --> 00:08:39,480 Speaker 1: well we god, so I meeting every day's a dream 174 00:08:39,600 --> 00:08:55,760 Speaker 1: when I'm carrying women. I'm gonna play this a little bit. 175 00:08:55,800 --> 00:08:57,959 Speaker 1: But do you think that's George Straight? Sped up? It 176 00:08:58,080 --> 00:08:59,640 Speaker 1: can't be right. Oh, I think that's a woman. I 177 00:09:00,200 --> 00:09:01,800 Speaker 1: thought so too, But when I heard it, all right, 178 00:09:01,800 --> 00:09:03,840 Speaker 1: here's some more of it. Have you ever been Green? 179 00:09:04,040 --> 00:09:07,840 Speaker 1: Can You? Chasing Rules? Sixty six, Riding Desert Town, Gray 180 00:09:07,960 --> 00:09:12,440 Speaker 1: Laking Mount rush More, Chilling Time ten Destinations, Girl, we 181 00:09:12,520 --> 00:09:15,200 Speaker 1: can go to places you ain't never dreamed. The Bath 182 00:09:15,360 --> 00:09:19,080 Speaker 1: from Up North and Down South, foc Satelline Half, when 183 00:09:19,120 --> 00:09:22,680 Speaker 1: the Tide Dies Down, Getting Married on a beach, White 184 00:09:22,720 --> 00:09:27,000 Speaker 1: Standing White, gown, blue skies and white clouds. Tomorrow ain't 185 00:09:27,080 --> 00:09:31,840 Speaker 1: promised star with Goddess right now. Yeah, you know I'm 186 00:09:31,880 --> 00:09:35,760 Speaker 1: down on ride girl. Yeah for the rest of my 187 00:09:35,840 --> 00:09:39,680 Speaker 1: life girl. Yeah, well we got some all I need 188 00:09:39,760 --> 00:09:43,080 Speaker 1: and every day's a dream when I'm carrying your love 189 00:09:43,200 --> 00:09:51,280 Speaker 1: with me. I was watching some people and they were like, ah, 190 00:09:51,320 --> 00:09:53,080 Speaker 1: this is a new song, new what is this carry 191 00:09:53,080 --> 00:09:54,640 Speaker 1: in your Love? And I'm like, well, let me explain 192 00:09:54,679 --> 00:09:57,520 Speaker 1: to tell you so. But yeah, he's a cowboy, David 193 00:09:57,520 --> 00:09:59,120 Speaker 1: Morris says, so you can check it out. That's just 194 00:09:59,160 --> 00:10:02,280 Speaker 1: called carrying your love. Because if you're listening, you either 195 00:10:02,440 --> 00:10:04,480 Speaker 1: love that or you hate that. There's really no middle 196 00:10:04,520 --> 00:10:06,840 Speaker 1: ground for that. I started not liking it, and then 197 00:10:06,880 --> 00:10:09,040 Speaker 1: after I heard more, I'm like, this is pretty good. 198 00:10:09,200 --> 00:10:11,680 Speaker 1: I thought it was weird at first, because again, most 199 00:10:11,720 --> 00:10:14,160 Speaker 1: of my new music now it comes from my wife, 200 00:10:14,160 --> 00:10:17,040 Speaker 1: who gets her music from TikTok for the most part. 201 00:10:17,240 --> 00:10:18,520 Speaker 1: And she was like, have you heard the song? And 202 00:10:18,559 --> 00:10:20,080 Speaker 1: I brought it up and I was like, oh hey, 203 00:10:20,320 --> 00:10:24,120 Speaker 1: I like yeah, I just yeah, same thing, David Morris, 204 00:10:24,240 --> 00:10:26,960 Speaker 1: carrying your Love. Here's the guy that we had on 205 00:10:26,960 --> 00:10:28,520 Speaker 1: our show, and this song is so good. I just 206 00:10:28,520 --> 00:10:30,640 Speaker 1: wish radio would gi him a shot. Here. This is 207 00:10:30,679 --> 00:10:34,280 Speaker 1: from George Burge. It's called mind on You. I got 208 00:10:34,320 --> 00:10:39,000 Speaker 1: my mind on my mind you got these bullys on 209 00:10:39,040 --> 00:10:41,760 Speaker 1: a Polane and we good through the night. Get you 210 00:10:42,360 --> 00:10:46,400 Speaker 1: in my head on my list. I'm looking on these 211 00:10:46,480 --> 00:10:51,120 Speaker 1: cuts back then, jeans on your hands down. I've been 212 00:10:52,080 --> 00:10:55,040 Speaker 1: like you do, I got my hands in my eyes, 213 00:10:55,240 --> 00:10:58,000 Speaker 1: in my mind on you, I got my mind on, 214 00:10:58,760 --> 00:11:02,319 Speaker 1: I got my mind on. So he told us a 215 00:11:02,360 --> 00:11:04,199 Speaker 1: story where he wrote that, and Jason Aldian said, I'd 216 00:11:04,200 --> 00:11:05,480 Speaker 1: like to cut that. I'd like to make that a song. 217 00:11:05,800 --> 00:11:08,400 Speaker 1: And so when George was convinced to be an artist 218 00:11:08,440 --> 00:11:10,840 Speaker 1: again by Clay Walker, he called Jason was like, can 219 00:11:10,920 --> 00:11:13,040 Speaker 1: have the song back, and Jason was nice enough to 220 00:11:13,080 --> 00:11:14,319 Speaker 1: give it back to him. But Aldane thought it was 221 00:11:14,320 --> 00:11:16,240 Speaker 1: a good enough song that he would also record it. 222 00:11:16,360 --> 00:11:19,320 Speaker 1: But that is called mind on You from George Burge 223 00:11:19,640 --> 00:11:21,520 Speaker 1: and I give you number one. And this song started 224 00:11:21,520 --> 00:11:25,480 Speaker 1: off as this guy Noah Can just playing the chorus 225 00:11:25,559 --> 00:11:27,760 Speaker 1: on TikTok and didn't have the whole song written. He 226 00:11:27,920 --> 00:11:30,200 Speaker 1: just played the hook what they called the hook the chorus, 227 00:11:30,679 --> 00:11:33,160 Speaker 1: and everybody kept going like finish the song finish the song, 228 00:11:33,240 --> 00:11:35,200 Speaker 1: and he didn't forever. He did it during the pandemic, 229 00:11:35,480 --> 00:11:37,520 Speaker 1: and then finally he finished a song. And it's so 230 00:11:37,640 --> 00:11:41,200 Speaker 1: massive that other artists are now one due editing him, 231 00:11:41,240 --> 00:11:43,080 Speaker 1: like big artists are going, wow, this is such a 232 00:11:43,080 --> 00:11:45,000 Speaker 1: great song. And if you've been in the car with 233 00:11:45,080 --> 00:11:47,160 Speaker 1: my wife and I, which Eddie has, we sing the 234 00:11:47,160 --> 00:11:50,240 Speaker 1: song at the top of our lungs. It's called stick Season. 235 00:11:50,320 --> 00:11:54,000 Speaker 1: And here is the chorus. Burma bitis deceived and of 236 00:11:54,080 --> 00:11:58,560 Speaker 1: the sticks and now socker mom, she forgot the exis 237 00:12:00,080 --> 00:12:02,800 Speaker 1: half my fault. But I just start to play the victim. 238 00:12:02,840 --> 00:12:07,280 Speaker 1: I'll drink alcohol till my friends come home for Christmas, 239 00:12:07,280 --> 00:12:14,480 Speaker 1: sit out, dreamy, schnido, sod they not have but did 240 00:12:14,640 --> 00:12:19,599 Speaker 1: not lose. Now you're tired attraction, money, the shoes and 241 00:12:19,679 --> 00:12:27,640 Speaker 1: them spit in half that don't have to do so 242 00:12:27,880 --> 00:12:30,040 Speaker 1: I thought, did it fat? So that's no okay? Hand 243 00:12:30,040 --> 00:12:35,040 Speaker 1: It kind of sounds like Mumford and Sons. Yeah meets 244 00:12:35,200 --> 00:12:38,120 Speaker 1: meets the Grand Ole Opry. Yeah, I hear that eats. 245 00:12:38,240 --> 00:12:40,720 Speaker 1: You know what you said, But it's no okay hands 246 00:12:40,760 --> 00:12:42,520 Speaker 1: stick Season. If you want to check that out, let 247 00:12:42,559 --> 00:12:44,440 Speaker 1: me tell you something. Lunch Boss was bobbing his head 248 00:12:44,480 --> 00:12:46,280 Speaker 1: to that song. That was interesting, and he does not 249 00:12:46,440 --> 00:12:49,480 Speaker 1: bob his head. You never bought you, bob? Did you 250 00:12:49,600 --> 00:12:52,360 Speaker 1: bust me bobbing? We busted you, bob, and you never 251 00:12:52,480 --> 00:12:57,199 Speaker 1: bought But it was pretty good. Wow, hit that course again, right, 252 00:12:58,800 --> 00:13:02,000 Speaker 1: But it's to see if another sticks and I sock 253 00:13:02,120 --> 00:13:06,120 Speaker 1: your mom. She forgot that I exist, d It's half 254 00:13:06,280 --> 00:13:08,600 Speaker 1: my fault, but I just start to play the victim. 255 00:13:08,679 --> 00:13:13,040 Speaker 1: I drank alcohol till my friends come home for Christmas, 256 00:13:13,120 --> 00:13:18,839 Speaker 1: sent out dreamy schnight of some day they not have, 257 00:13:20,080 --> 00:13:25,400 Speaker 1: didn't not lose. Now you're tired attraction money shoes and 258 00:13:25,520 --> 00:13:31,760 Speaker 1: I'm spiting half that don't have to do. We got 259 00:13:31,840 --> 00:13:33,920 Speaker 1: a second bomb over there, I got a second we 260 00:13:34,000 --> 00:13:36,200 Speaker 1: got just played the song. Then we got two bombs 261 00:13:36,200 --> 00:13:40,360 Speaker 1: out of him. This never happens. Okay, Noah Kahana is 262 00:13:40,400 --> 00:13:45,600 Speaker 1: his name. It's time for the good news. Unbox something good. 263 00:13:47,880 --> 00:13:51,040 Speaker 1: Brian Walters is a ups driver in Washington. When he 264 00:13:51,120 --> 00:13:53,360 Speaker 1: was making a delivery and there was a commotion at 265 00:13:53,400 --> 00:13:55,839 Speaker 1: this resort he's making a delivery. A seven year old 266 00:13:55,880 --> 00:13:59,280 Speaker 1: girl had been pulled from the pool, was unresponsive. But 267 00:13:59,440 --> 00:14:01,520 Speaker 1: what you don't know about Brian. Not only does he 268 00:14:01,600 --> 00:14:05,600 Speaker 1: deliver packages, he's a volunteer firefighter. So boam, he comes 269 00:14:05,640 --> 00:14:10,320 Speaker 1: over there, starts CPR, brings the girl back to life. 270 00:14:10,400 --> 00:14:13,120 Speaker 1: Oh pretty cool. Yeah, what can Brown do for you? 271 00:14:13,679 --> 00:14:16,959 Speaker 1: Bring your package and save your life? Was it ups specifically? 272 00:14:17,040 --> 00:14:19,560 Speaker 1: Did you say that or just ups? That's what I'm 273 00:14:19,600 --> 00:14:21,280 Speaker 1: talking about. He was in his what you know his 274 00:14:21,480 --> 00:14:24,680 Speaker 1: uniform can do for you? Yeah. Now they're just back 275 00:14:24,720 --> 00:14:26,920 Speaker 1: in the day kids. Back in the day, kids, there 276 00:14:27,040 --> 00:14:30,400 Speaker 1: was basically one delivery service other than the mail. Now 277 00:14:30,640 --> 00:14:36,920 Speaker 1: there's DHL, ups X Amazon. It's just so many people 278 00:14:37,000 --> 00:14:38,520 Speaker 1: coming to the door. You don't you don't know, fucking 279 00:14:38,560 --> 00:14:42,560 Speaker 1: rob your you don't know. It could be anybody, good story, lunchbox. 280 00:14:42,640 --> 00:14:45,160 Speaker 1: What's his name again? His name is Brian Walters. Brian 281 00:14:45,200 --> 00:14:47,560 Speaker 1: Walters Driver of the Year. I mean it has to 282 00:14:47,600 --> 00:14:48,800 Speaker 1: be driver of the year. You made that up. You 283 00:14:48,840 --> 00:14:51,440 Speaker 1: gave him that, okay, and he's got to get a 284 00:14:51,520 --> 00:14:54,440 Speaker 1: reward right of what like? I mean, I don't know, 285 00:14:54,480 --> 00:14:55,920 Speaker 1: a couple of nights stay at the hotel, or he 286 00:14:55,920 --> 00:14:57,880 Speaker 1: should be bumped up to manager. I mean, I don't 287 00:14:57,880 --> 00:15:01,000 Speaker 1: think you get managerial positions because you saved the life. 288 00:15:01,480 --> 00:15:04,480 Speaker 1: May not be a good manager. All right, Well, good John, Brian, 289 00:15:04,560 --> 00:15:06,440 Speaker 1: Good John, Brian. All right, that's what it's all about. 290 00:15:07,080 --> 00:15:11,320 Speaker 1: That was tell me something good. Elder versus a millennial, 291 00:15:11,400 --> 00:15:14,120 Speaker 1: A trivia game for the generations. Eddie, you're the donkey, 292 00:15:14,280 --> 00:15:18,840 Speaker 1: that's right, So that's his buzzer. If you hear the donkey, 293 00:15:19,000 --> 00:15:23,680 Speaker 1: that's Eddie. If you hear the clown horn, that's Morgan. 294 00:15:23,760 --> 00:15:27,240 Speaker 1: We just got buzzers. Pay four dollars for these. You 295 00:15:27,280 --> 00:15:30,560 Speaker 1: would think a show that was all over the country, 296 00:15:30,600 --> 00:15:32,720 Speaker 1: even all over the world, would have some sort of system, 297 00:15:32,800 --> 00:15:35,840 Speaker 1: cool game show graphic. We bought buzzers for four dollars 298 00:15:35,920 --> 00:15:38,080 Speaker 1: that we have to put up to the mic with 299 00:15:38,320 --> 00:15:41,000 Speaker 1: our own money too. By the way, Okay, so elder 300 00:15:41,080 --> 00:15:43,920 Speaker 1: versus millennial? Questions that Eddie should know, and then questions 301 00:15:43,960 --> 00:15:45,640 Speaker 1: that Morgan should know based on when they were born. 302 00:15:46,480 --> 00:15:50,640 Speaker 1: Your first question is an elder question. I'm gonna play 303 00:15:51,120 --> 00:15:58,440 Speaker 1: this television clip. What you talking about, willis is a 304 00:15:58,600 --> 00:16:02,720 Speaker 1: quote from what eighties TV show that would be Morgan 305 00:16:03,320 --> 00:16:09,600 Speaker 1: Family Matters incorrect. Oh my gosh, the donkey is Eddie. Eddie, 306 00:16:11,120 --> 00:16:16,600 Speaker 1: that's correct, donkey one, clown two zero. Your next question 307 00:16:17,680 --> 00:16:23,600 Speaker 1: a millennial question. What Disney Channel show did the character 308 00:16:24,320 --> 00:16:30,960 Speaker 1: beans Morgan? Even Stevens is correct, means appeared on the show, 309 00:16:31,000 --> 00:16:35,080 Speaker 1: Even Stevens. I'm gonna play a song hook for you. 310 00:16:35,840 --> 00:16:46,760 Speaker 1: Here is the song you're spending thirteen weeks at number 311 00:16:46,800 --> 00:16:51,480 Speaker 1: one on the Billboard Rock chart. That song right there, 312 00:16:52,160 --> 00:16:56,480 Speaker 1: called start Me Up? Is by what band? Eddie? That 313 00:16:56,640 --> 00:17:02,440 Speaker 1: is the Rolling Stone? That is correct. Over to the 314 00:17:02,520 --> 00:17:05,720 Speaker 1: millennial questions, I'm gonna play you a hook of this 315 00:17:05,920 --> 00:17:20,600 Speaker 1: two thousand's song, the debut single in the two thousands 316 00:17:21,560 --> 00:17:28,160 Speaker 1: for this pop singer, Wow, Eddie. That's actually Simpson. That's correct. 317 00:17:30,119 --> 00:17:34,280 Speaker 1: I was a big fan. That's good. That's good stuff. Man, 318 00:17:34,400 --> 00:17:39,879 Speaker 1: that's correct. Elder question. This movie was the number one 319 00:17:39,960 --> 00:17:42,960 Speaker 1: movie at the box office on this date today in 320 00:17:43,080 --> 00:17:48,960 Speaker 1: nineteen eighty eight. It's about a tune hating detective who 321 00:17:49,080 --> 00:17:52,440 Speaker 1: is a cartoon Rabbit's only hope to prove his innocence 322 00:17:52,480 --> 00:17:56,760 Speaker 1: when he's accused of a murderer Eddie Ken in the 323 00:17:56,840 --> 00:18:04,520 Speaker 1: movie Who Framed Roger Rabbit? That correct? Let's go Morgan. 324 00:18:05,119 --> 00:18:08,800 Speaker 1: What two thousands movie? It is a millennial question, not Morgan, 325 00:18:08,840 --> 00:18:12,800 Speaker 1: just hardball Park. What two thousands movies? Starring Reese Weatherspoon, 326 00:18:13,600 --> 00:18:16,200 Speaker 1: is about a young woman who must return back to 327 00:18:16,320 --> 00:18:20,080 Speaker 1: her home state to obtain a divorce. Oh, that's tough. 328 00:18:20,240 --> 00:18:22,640 Speaker 1: That it was tough. The clown gotta buy a bit? 329 00:18:23,920 --> 00:18:27,479 Speaker 1: That is correct? Anyone? I don't have a score up. Yes, 330 00:18:29,080 --> 00:18:37,320 Speaker 1: let's go, let's go. The donkey prevails and he's three zero. 331 00:18:37,680 --> 00:18:39,720 Speaker 1: Do we like the buzzers? I love the buzzers. I 332 00:18:39,760 --> 00:18:42,080 Speaker 1: don't know if you guys like it. I love hitting 333 00:18:42,080 --> 00:18:48,560 Speaker 1: the buzzards. Okay, making sure it TBD and donkeys funny? 334 00:18:48,720 --> 00:18:50,439 Speaker 1: Do we only have those two micros? There are? There 335 00:18:50,440 --> 00:18:52,760 Speaker 1: are a holest of sounds. Oh, we can change that. 336 00:18:52,920 --> 00:18:54,480 Speaker 1: Let me see why didn't you pick donkey from me? 337 00:18:54,600 --> 00:18:55,920 Speaker 1: From years? I want to see what they are over? 338 00:18:56,520 --> 00:19:00,480 Speaker 1: Hey me a controller? Oh no, you're never gonna it's 339 00:19:00,520 --> 00:19:05,000 Speaker 1: fire dollars don't Okay, good job, So I can change it. 340 00:19:06,240 --> 00:19:09,800 Speaker 1: Oh you were a donk peepee poop poo, peep pe 341 00:19:09,880 --> 00:19:12,399 Speaker 1: poo poo, pee pee poopoo. Then if I hit it, 342 00:19:14,400 --> 00:19:17,080 Speaker 1: that's not bad. I like that. That sounds. Someone has 343 00:19:17,119 --> 00:19:18,960 Speaker 1: to ring in. That's funny. So we can do whatever 344 00:19:19,040 --> 00:19:21,520 Speaker 1: we want and everybody can have their own sound. Oh 345 00:19:21,680 --> 00:19:24,760 Speaker 1: I'll do a different one. I'm more mature one. Poopoo 346 00:19:24,760 --> 00:19:33,760 Speaker 1: peepe poopoo Pepe's great. All right, well, nice job, thank you. Okay, 347 00:19:34,200 --> 00:19:37,680 Speaker 1: I'm feeling a little bit now. That's good. Today is 348 00:19:37,680 --> 00:19:40,680 Speaker 1: your day, Lunchbox. My day to day is your day? 349 00:19:40,960 --> 00:19:44,800 Speaker 1: What did I do? Breaking news hit that clout? Lunchbox 350 00:19:44,880 --> 00:19:46,560 Speaker 1: has his hands in the airs, ready for Amy. It's 351 00:19:46,600 --> 00:19:50,440 Speaker 1: your story to tell. Okay, Well, first, I guess I'll 352 00:19:50,480 --> 00:19:53,040 Speaker 1: just start off by saying, Lunchbox mentioned the other day 353 00:19:53,160 --> 00:19:55,720 Speaker 1: had this whole pitch called my sister about being on 354 00:19:56,600 --> 00:20:01,639 Speaker 1: her HGTV show called Building Roots. Yeah me more so, well, 355 00:20:01,640 --> 00:20:05,000 Speaker 1: which said it that first, because Lunchbox told your sister 356 00:20:05,600 --> 00:20:07,800 Speaker 1: that he had some news about you. He DMed her 357 00:20:07,920 --> 00:20:09,959 Speaker 1: and said, hey, I have a surprise for Amy. Can 358 00:20:10,000 --> 00:20:12,600 Speaker 1: we talk? Send me your number. He tricked her and 359 00:20:12,640 --> 00:20:14,879 Speaker 1: then called her and said, hey, my house has problems. 360 00:20:14,920 --> 00:20:16,240 Speaker 1: Can you fix it? Yeah? I got the holes in 361 00:20:16,320 --> 00:20:17,919 Speaker 1: my roof. And then while you're here, I can read 362 00:20:18,000 --> 00:20:20,680 Speaker 1: into a new kitchen. You know, redo the master lied 363 00:20:20,720 --> 00:20:22,719 Speaker 1: to her, and then you I lied to her when 364 00:20:22,760 --> 00:20:24,600 Speaker 1: I slid into the DMS to get her number. But 365 00:20:25,160 --> 00:20:27,879 Speaker 1: it was all in a good positive way. Yeah, And 366 00:20:28,000 --> 00:20:32,600 Speaker 1: so wasn't anyway. My sister revealed to him, like, hey, Lunchbox, 367 00:20:32,720 --> 00:20:34,560 Speaker 1: we don't even know if we're getting a season two, 368 00:20:34,760 --> 00:20:37,320 Speaker 1: and honestly, I don't know either. But what I do 369 00:20:37,520 --> 00:20:39,639 Speaker 1: know is I got an email from a producer that 370 00:20:39,760 --> 00:20:46,119 Speaker 1: hurt the segment. You got to make your own breaks 371 00:20:46,119 --> 00:20:48,639 Speaker 1: in Hollywood people, this is what we do. This is 372 00:20:48,680 --> 00:20:51,520 Speaker 1: not Hollywood, but I get it. It's Colorado and Nationale. 373 00:20:51,560 --> 00:20:54,400 Speaker 1: But yes, you guys were saying it was bad to lie. 374 00:20:54,840 --> 00:20:57,720 Speaker 1: It is bad to look where the go ahead flucks. 375 00:20:57,720 --> 00:21:00,560 Speaker 1: Don't get ahead of yourself here because I don't know nobody. 376 00:21:01,960 --> 00:21:05,719 Speaker 1: So I just opened up my email and an executive 377 00:21:05,760 --> 00:21:10,960 Speaker 1: producer named Michelle emailed me and executive producer. That's huge 378 00:21:11,080 --> 00:21:14,919 Speaker 1: and a little bit not just measly producer, executive producer 379 00:21:15,119 --> 00:21:17,159 Speaker 1: measly producers all the time. That money executive hits in 380 00:21:17,840 --> 00:21:20,800 Speaker 1: is real. Some backstory is, you know, similar to Lunchbox. 381 00:21:20,880 --> 00:21:22,280 Speaker 1: Like when I found out my sister and her husband 382 00:21:22,320 --> 00:21:24,399 Speaker 1: has shown HGTV, I'm like, well, I know stuff at 383 00:21:24,400 --> 00:21:26,360 Speaker 1: my house I'd like to have done. So months ago, 384 00:21:26,640 --> 00:21:29,120 Speaker 1: we my sister was visiting and we were talking about 385 00:21:29,160 --> 00:21:30,960 Speaker 1: different things, like how cool would it be if like, 386 00:21:31,440 --> 00:21:33,600 Speaker 1: you know, you'll did a project at my house in Nashville, 387 00:21:33,680 --> 00:21:36,520 Speaker 1: but I hadn't heard a pete nothing. Well, then Lunchbox 388 00:21:36,640 --> 00:21:39,720 Speaker 1: talks about it, and I guess the producer heard it, 389 00:21:39,760 --> 00:21:41,840 Speaker 1: and this is the email that she sent. Oh yeah, 390 00:21:42,480 --> 00:21:46,320 Speaker 1: oh yeah, Hi Amy, I was cracking up laughing over 391 00:21:46,520 --> 00:21:49,360 Speaker 1: lunchboxes comments on the show. Needing Ben and Christie's help 392 00:21:49,400 --> 00:21:52,440 Speaker 1: on his own home, I would like to pitch a 393 00:21:52,560 --> 00:21:59,680 Speaker 1: traveling Nashville episode of Building Roots, come on the trailers 394 00:21:59,720 --> 00:22:04,400 Speaker 1: and out of he featuring your home renovation and possibly 395 00:22:04,600 --> 00:22:08,720 Speaker 1: Lunchboxes home repair, if you think he might truly be interested. 396 00:22:09,000 --> 00:22:12,080 Speaker 1: I wasn't sure if it was just quote radio talk. 397 00:22:12,400 --> 00:22:16,880 Speaker 1: Are you truly interested? Let's go, let's start knocking down 398 00:22:17,000 --> 00:22:21,520 Speaker 1: some walls. Move that. Hell yeah? And so I guess 399 00:22:21,600 --> 00:22:23,359 Speaker 1: with this, I mean, I have no idea because I 400 00:22:23,400 --> 00:22:25,280 Speaker 1: haven't replied, and I don't know if with this pitch 401 00:22:25,720 --> 00:22:28,240 Speaker 1: it would mean yeah, I would just be like some weird, 402 00:22:28,440 --> 00:22:30,480 Speaker 1: you know, one off episode if they don't get season 403 00:22:30,520 --> 00:22:33,360 Speaker 1: two or is this only if they get season two? 404 00:22:33,480 --> 00:22:35,359 Speaker 1: So we I don't know, and I don't even know 405 00:22:35,400 --> 00:22:37,320 Speaker 1: what to reply. At my sister's out of the country, 406 00:22:37,920 --> 00:22:41,119 Speaker 1: what do you wanted to reply, let's go. We're all in. Reply, 407 00:22:41,320 --> 00:22:44,679 Speaker 1: let's go, We're all in. Yeah, let's get some Remolin 408 00:22:45,119 --> 00:22:47,040 Speaker 1: said that I could connect you with her directly, so 409 00:22:47,160 --> 00:22:51,320 Speaker 1: she could gage you want to be connected to tell 410 00:22:51,400 --> 00:22:53,240 Speaker 1: Let's go. Yeah, I got. I got to her surprise 411 00:22:53,320 --> 00:22:55,760 Speaker 1: for Amy, and you guys thought I was crazy when 412 00:22:55,800 --> 00:22:57,880 Speaker 1: I said a special episode. You're like, oh my gosh, 413 00:22:57,920 --> 00:23:01,600 Speaker 1: that's so stupid. Lunchbox guys. I I know how producers think. 414 00:23:01,760 --> 00:23:04,520 Speaker 1: Listen this. They think this is great TV. What would 415 00:23:04,520 --> 00:23:07,800 Speaker 1: you give your house? Oh, I mean, fix the holes 416 00:23:07,800 --> 00:23:11,160 Speaker 1: in the roof, redo the kitchen, put a nice screamed 417 00:23:11,240 --> 00:23:15,560 Speaker 1: in back porch, redo the master bath. Maybe add like 418 00:23:15,840 --> 00:23:18,600 Speaker 1: a man cave. I mean, we got all sorts of name. 419 00:23:19,680 --> 00:23:21,120 Speaker 1: I don't know. Add onto the back of the house, 420 00:23:21,160 --> 00:23:23,920 Speaker 1: I don't know. On top of it, build a tree 421 00:23:23,960 --> 00:23:26,639 Speaker 1: house for the kids. Go we're like eight shows in 422 00:23:26,720 --> 00:23:29,119 Speaker 1: one here. Come on. Because I saw one of their 423 00:23:29,119 --> 00:23:32,320 Speaker 1: episodes they put a slide from the back deck to 424 00:23:32,440 --> 00:23:35,280 Speaker 1: the ground for some kids. So build my kids something. 425 00:23:35,400 --> 00:23:38,120 Speaker 1: Let's go. How excited are you? One to ten? Ten? 426 00:23:39,080 --> 00:23:41,880 Speaker 1: I mean this is great. This is how you make 427 00:23:41,960 --> 00:23:45,520 Speaker 1: things happen. I've been dreaming about this, about being on TV, 428 00:23:45,720 --> 00:23:48,320 Speaker 1: being in Hollywood, and it is starting to come true slowly. 429 00:23:48,400 --> 00:23:51,200 Speaker 1: And Shirley, didn't they do a remodeling show right next 430 00:23:51,200 --> 00:23:53,080 Speaker 1: to your house? One? Yeah, they did Property Brothers right 431 00:23:53,160 --> 00:23:55,480 Speaker 1: next door? And what do you think about that? Awesome? 432 00:23:56,000 --> 00:23:58,199 Speaker 1: So jealous? Like I was so mad at my neighbors. 433 00:23:58,560 --> 00:24:00,040 Speaker 1: But they were new neighbors. I didn't know him. And 434 00:24:00,119 --> 00:24:01,760 Speaker 1: they when they bought the house, they got on the 435 00:24:01,760 --> 00:24:04,639 Speaker 1: property brother they get on it. They applied and then 436 00:24:04,680 --> 00:24:06,440 Speaker 1: that's it. They just come and they do all their house. Yeah, 437 00:24:06,840 --> 00:24:08,719 Speaker 1: and then that's just it, that's it. And then they 438 00:24:08,760 --> 00:24:10,440 Speaker 1: have a new house and they didn't get they weren't 439 00:24:10,440 --> 00:24:12,399 Speaker 1: able to live there. Why they did it? But I 440 00:24:12,480 --> 00:24:15,359 Speaker 1: can move somewhere while they do my house. Day. Uh, 441 00:24:15,720 --> 00:24:17,720 Speaker 1: this is great. You know on these are are you? 442 00:24:17,960 --> 00:24:21,080 Speaker 1: Are you? Are you? Now? Will you say hey, good 443 00:24:21,160 --> 00:24:24,080 Speaker 1: job on the lie? Like I'll never say a good 444 00:24:24,160 --> 00:24:28,119 Speaker 1: job on the lie. But here s something you may 445 00:24:28,200 --> 00:24:30,239 Speaker 1: not know. You know, you have to pay for it, right, 446 00:24:31,040 --> 00:24:33,760 Speaker 1: pay for what they don't pay for everything. You have 447 00:24:33,840 --> 00:24:35,960 Speaker 1: to pay for your own. They just do it on 448 00:24:36,080 --> 00:24:37,720 Speaker 1: TV and give you like the labor for free. You 449 00:24:37,760 --> 00:24:41,040 Speaker 1: have to pay for everything. Huh, well, we can work 450 00:24:41,080 --> 00:24:44,119 Speaker 1: something out. No, there's no working it out if a 451 00:24:44,440 --> 00:24:48,119 Speaker 1: right is like trying to get endorsements, like, I mean, 452 00:24:48,480 --> 00:24:50,240 Speaker 1: you could try to work something out, but I don't 453 00:24:50,280 --> 00:24:54,600 Speaker 1: know how. I know exactly how, Like hey, look, oh 454 00:24:54,760 --> 00:24:56,280 Speaker 1: you know they did his kitchen and they got their 455 00:24:56,280 --> 00:24:58,080 Speaker 1: supplies at the R and B post. No, that's not 456 00:24:58,119 --> 00:25:01,119 Speaker 1: how it works on the show. It's like, I can 457 00:25:02,200 --> 00:25:04,200 Speaker 1: show and you can't make deals for this show because 458 00:25:04,240 --> 00:25:07,639 Speaker 1: we have all those sponsors, right, I mean, and you 459 00:25:07,680 --> 00:25:08,840 Speaker 1: have to pay on the show. You have to pay 460 00:25:08,840 --> 00:25:11,080 Speaker 1: for it yourself. The propulos a recommend to pay for it, 461 00:25:11,080 --> 00:25:14,880 Speaker 1: all right, that's fun. Yeah, oh so you're gonna pay 462 00:25:14,880 --> 00:25:17,040 Speaker 1: for the slide The man came to the roof to 463 00:25:17,119 --> 00:25:20,040 Speaker 1: be done. Yeah, I think you probably scale back on 464 00:25:20,119 --> 00:25:24,880 Speaker 1: what you have to do. He's like, I'll take some shingles, yeah, yeah, 465 00:25:25,520 --> 00:25:28,560 Speaker 1: a little paint. Do you still want them to come? Absolutely? Okay, 466 00:25:29,000 --> 00:25:32,040 Speaker 1: Come on your desperation to be on TV, will you 467 00:25:32,280 --> 00:25:34,200 Speaker 1: past you a lot of money? Yeah? You know, I'll 468 00:25:34,240 --> 00:25:36,879 Speaker 1: make it up on the back end of what tours 469 00:25:37,640 --> 00:25:39,879 Speaker 1: tours or people will see me and be like, oh man, 470 00:25:39,920 --> 00:25:42,440 Speaker 1: we need him for our show. You know what I'm saying, Like, 471 00:25:42,880 --> 00:25:44,840 Speaker 1: so it's an investment. It's an investment. You get on 472 00:25:45,359 --> 00:25:49,000 Speaker 1: like three hundred thousand dollars the investment. But but does 473 00:25:49,080 --> 00:25:51,960 Speaker 1: some of his insurance cover it? Because it's three damaged yourself? 474 00:25:52,000 --> 00:25:54,120 Speaker 1: I'll hit the bank. You go take out a loan 475 00:25:54,200 --> 00:25:56,280 Speaker 1: to be on the show. Absolutely how you're saying, Now, 476 00:25:56,280 --> 00:25:58,920 Speaker 1: you're gonna take out a loan to be on the show. Okay, okay. 477 00:25:59,480 --> 00:26:02,720 Speaker 1: Another thought that I had is that Lunchbox hasn't been 478 00:26:03,200 --> 00:26:07,400 Speaker 1: incredibly kind towards the show. It's not good and they're 479 00:26:07,480 --> 00:26:09,159 Speaker 1: not good at what they do, so why would he 480 00:26:09,240 --> 00:26:11,960 Speaker 1: want them to do his renovation? No, I said, they're 481 00:26:12,040 --> 00:26:14,680 Speaker 1: not gonna Their renovations are cool, like they have a 482 00:26:14,760 --> 00:26:17,440 Speaker 1: great minds, but they're not very fun on TV that 483 00:26:17,520 --> 00:26:20,000 Speaker 1: they come off. It's kind of boring. And you fine, yeah, 484 00:26:20,040 --> 00:26:21,720 Speaker 1: and that's what I'm saying. Get me on there and 485 00:26:21,800 --> 00:26:24,760 Speaker 1: I will liven it up. Let's go, so reply to them, 486 00:26:24,920 --> 00:26:27,920 Speaker 1: let's go. Yeah, I'm all in. I'll hack up the 487 00:26:27,960 --> 00:26:30,200 Speaker 1: trailers and head Outie Eddie still okay, Yeah, he's in. 488 00:26:30,280 --> 00:26:31,520 Speaker 1: He's gonna take a loan out to do it if 489 00:26:31,560 --> 00:26:32,960 Speaker 1: they want to do it. But I guess let him know, 490 00:26:33,840 --> 00:26:37,480 Speaker 1: take out a loan. That's smart business. Is it to 491 00:26:37,640 --> 00:26:40,600 Speaker 1: be on? You know what? I agree for you, buddy, 492 00:26:40,720 --> 00:26:43,080 Speaker 1: there is lunchbox to be getting on one way. Another 493 00:26:43,160 --> 00:26:46,359 Speaker 1: is getting on TV. We like it. Before I go 494 00:26:46,440 --> 00:26:48,480 Speaker 1: to bed at night, I will lay out my clothes 495 00:26:48,640 --> 00:26:50,879 Speaker 1: much like I did as a kid, because I want 496 00:26:50,920 --> 00:26:52,119 Speaker 1: to be able to get up and have it all 497 00:26:52,200 --> 00:26:54,680 Speaker 1: lined grab boom. But now it's just to make sure 498 00:26:54,800 --> 00:26:56,440 Speaker 1: that I don't wake my wife up. So I have 499 00:26:56,480 --> 00:26:58,600 Speaker 1: it all laid out, and the less time I'm in 500 00:26:58,680 --> 00:27:02,199 Speaker 1: the room diddling around, less chance that I wake her up, 501 00:27:02,960 --> 00:27:06,800 Speaker 1: digging for clothes, opening drawers, all that. So that's how 502 00:27:06,840 --> 00:27:09,040 Speaker 1: I save time. Amy's son has a time saving method 503 00:27:09,119 --> 00:27:10,920 Speaker 1: that's pretty funny, and I don't think I'm ready to 504 00:27:10,960 --> 00:27:13,080 Speaker 1: adopt this yet, but I do think for what is 505 00:27:13,119 --> 00:27:17,280 Speaker 1: he nine? He's sturning twelve? Goodness, where are we going? 506 00:27:17,760 --> 00:27:20,000 Speaker 1: Do we get an old quick? Yeah? So what is 507 00:27:20,040 --> 00:27:22,639 Speaker 1: his method? Um? He's starting to sleep in his clothes 508 00:27:22,720 --> 00:27:26,280 Speaker 1: the night before and I'm like, oh, why are you 509 00:27:26,359 --> 00:27:28,720 Speaker 1: already dressed and ready to go? And He's like, I'm 510 00:27:28,800 --> 00:27:32,400 Speaker 1: looking to save any minutes that I can in the morning. Hilary. 511 00:27:32,520 --> 00:27:35,960 Speaker 1: I can't believe he's twelve. He will be Yeah, he's eleven. Okay, 512 00:27:36,000 --> 00:27:39,200 Speaker 1: so still I can't believe he's eleven. August tenth, twelve 513 00:27:39,440 --> 00:27:42,520 Speaker 1: crazy all right, So that's next for me. Sleep in 514 00:27:42,560 --> 00:27:47,960 Speaker 1: my clothes. So I don't like it. You's Amy's pile 515 00:27:48,040 --> 00:27:51,080 Speaker 1: of stories. Three things that we believe about drinking, and 516 00:27:51,440 --> 00:27:55,639 Speaker 1: they're not true at all. We've always heard beer before liquor, 517 00:27:56,320 --> 00:27:58,680 Speaker 1: never been sicker liquor before beer. You're in the clear. 518 00:27:58,840 --> 00:28:00,719 Speaker 1: You know that one we rhyme? So I think it's true. Oh, 519 00:28:00,760 --> 00:28:03,040 Speaker 1: it is true if it rhymes, gotta be true. Yes, 520 00:28:03,119 --> 00:28:05,480 Speaker 1: of course. Well it turns out that's not true. It 521 00:28:05,560 --> 00:28:08,000 Speaker 1: doesn't matter what order you drink it in, it's just 522 00:28:08,280 --> 00:28:11,280 Speaker 1: how much of each thing that you drink. And I'm like, what, 523 00:28:11,520 --> 00:28:14,520 Speaker 1: I've lived by this my whole life, box eyes get 524 00:28:14,520 --> 00:28:18,640 Speaker 1: real big. Whoever wrote this is lying to us this article. Yes, 525 00:28:19,200 --> 00:28:22,320 Speaker 1: the rhyme is true. We've I've lived by it since 526 00:28:22,359 --> 00:28:25,159 Speaker 1: I started drinking, and it is one percent accurate. So 527 00:28:25,440 --> 00:28:29,439 Speaker 1: because of your life identifically, hey, one hundred percent true. Bones. 528 00:28:29,600 --> 00:28:32,520 Speaker 1: If I drink beer like twelve beers and then I 529 00:28:32,600 --> 00:28:36,119 Speaker 1: take a shot, just say, crazy night, crazy night, and 530 00:28:36,200 --> 00:28:38,960 Speaker 1: then shot much and then you take your shot bones 531 00:28:39,600 --> 00:28:42,000 Speaker 1: you're done, Like, go here, you're throwing up. No, but 532 00:28:42,040 --> 00:28:43,920 Speaker 1: you're going home. You're throwing up because you have twelve beers. 533 00:28:44,000 --> 00:28:46,960 Speaker 1: But if I had five shots and then had beer, 534 00:28:47,120 --> 00:28:50,240 Speaker 1: I'm in the clear. That's okay, telling you it's worked 535 00:28:50,280 --> 00:28:52,720 Speaker 1: my whole number two. Then again it boils down to 536 00:28:52,800 --> 00:28:55,760 Speaker 1: how much. Okay, so there's no much. There's no such 537 00:28:55,840 --> 00:28:59,800 Speaker 1: thing as breaking the seal. Like and I believe this too, Like, 538 00:29:00,200 --> 00:29:02,360 Speaker 1: if I've been having any drinks and I've got to 539 00:29:02,360 --> 00:29:03,680 Speaker 1: go to the bathroom, I try to hold it as 540 00:29:03,680 --> 00:29:05,120 Speaker 1: long as I can because I felt like, once you 541 00:29:05,240 --> 00:29:06,640 Speaker 1: go to the bathroom, then you're going to have to 542 00:29:06,800 --> 00:29:12,200 Speaker 1: keep going. It's called breaking the seal. Is not crazy. 543 00:29:12,360 --> 00:29:14,360 Speaker 1: If you go, like you hold it for three hours 544 00:29:14,600 --> 00:29:16,760 Speaker 1: the first time you go, you go ten minutes later 545 00:29:16,840 --> 00:29:18,840 Speaker 1: than twenty minutes, I mean, you go like five times 546 00:29:18,880 --> 00:29:20,720 Speaker 1: the next time. Breaking the seals a thing you all know. 547 00:29:20,920 --> 00:29:23,840 Speaker 1: Absolute Is it called that? Yes, never heard it before, okay, 548 00:29:24,080 --> 00:29:26,200 Speaker 1: but they say that. Listen, you're always going to have 549 00:29:26,280 --> 00:29:28,160 Speaker 1: to use the bathroom when your bladder is full, And 550 00:29:28,240 --> 00:29:30,960 Speaker 1: that is what's happening. Drinking, so just go No, So 551 00:29:31,120 --> 00:29:34,800 Speaker 1: you guys are arguing with science, and then that third thing, 552 00:29:35,120 --> 00:29:38,360 Speaker 1: hair of the dog won't help a hangover, so you 553 00:29:38,480 --> 00:29:40,960 Speaker 1: cannot drink it away. In fact, drinking the next morning 554 00:29:41,040 --> 00:29:44,800 Speaker 1: can make your hangover lasts longer. So you have a hangover, 555 00:29:44,960 --> 00:29:47,080 Speaker 1: you've been really drunk the night before, you decide to 556 00:29:47,120 --> 00:29:48,600 Speaker 1: hit it again the next morning. But aren't you just 557 00:29:48,680 --> 00:29:51,840 Speaker 1: getting redrunk to make the hangover go away, not just 558 00:29:52,160 --> 00:29:54,840 Speaker 1: adding to it like you're just getting drunk again, of course, 559 00:29:54,960 --> 00:29:57,600 Speaker 1: which makes the hangover go Yes, because you're getting drunk again. No, 560 00:29:57,640 --> 00:29:59,240 Speaker 1: but it's not actually making the hangover away, it's just 561 00:29:59,280 --> 00:30:01,320 Speaker 1: making you get drunk. It's an interesting angle. So how 562 00:30:01,360 --> 00:30:03,280 Speaker 1: do y'all fill that? That one? You agree or not agree? No, 563 00:30:03,400 --> 00:30:05,520 Speaker 1: I disagree with that one. So drink the hangar goes 564 00:30:05,560 --> 00:30:08,400 Speaker 1: away immediately. No, but the drunk comes that you get 565 00:30:08,440 --> 00:30:10,479 Speaker 1: to hang over the next day. It never ends. It's 566 00:30:10,480 --> 00:30:13,840 Speaker 1: a cycle that never ends. Yeah. So do you struggle 567 00:30:13,920 --> 00:30:17,160 Speaker 1: opening up like a pickle jar or jelly jar? Mostly No, 568 00:30:18,000 --> 00:30:22,960 Speaker 1: Sometimes if it's small, yes, Bigger jars I do better with. 569 00:30:23,360 --> 00:30:25,600 Speaker 1: But I don't only have the leverage on small jars. 570 00:30:26,200 --> 00:30:27,720 Speaker 1: I don't know. They have the strongest hands of a 571 00:30:27,800 --> 00:30:29,680 Speaker 1: medium hands. But if I can't get that small one open, 572 00:30:29,680 --> 00:30:31,320 Speaker 1: I'll give it to kay Lynch. She'll just rip it 573 00:30:31,440 --> 00:30:34,480 Speaker 1: right off. Well, new research out found that weak hand 574 00:30:34,520 --> 00:30:37,720 Speaker 1: grip strength is a signal that there's more serious health 575 00:30:37,800 --> 00:30:41,160 Speaker 1: issues like heart problems, long issues, and then even lower 576 00:30:41,280 --> 00:30:45,360 Speaker 1: life expectancy. Well, how about Blake is most old people 577 00:30:45,400 --> 00:30:47,720 Speaker 1: have weak hands. Yeah. Yeah, it has to do with 578 00:30:47,800 --> 00:30:50,680 Speaker 1: like muscle mass, and then the muscle strength is proven 579 00:30:50,720 --> 00:30:52,840 Speaker 1: to be fairly accurate as an indicator of how long 580 00:30:52,880 --> 00:30:54,680 Speaker 1: you're going to live. But you know what I do. 581 00:30:55,000 --> 00:30:57,240 Speaker 1: I bang it with the end of a knife and 582 00:30:57,360 --> 00:30:59,560 Speaker 1: then it helps loosen it up, and I you can 583 00:30:59,640 --> 00:31:02,680 Speaker 1: hit them sometimes boom boom, and you'll you'll hear that. 584 00:31:02,760 --> 00:31:05,360 Speaker 1: You can also put under hot water and so the 585 00:31:05,480 --> 00:31:08,920 Speaker 1: heat will actually cause it to be a little easier. 586 00:31:09,640 --> 00:31:11,080 Speaker 1: But you have to open it with like a paper 587 00:31:11,120 --> 00:31:13,240 Speaker 1: towel because your hands wet. You can't so slippery. This 588 00:31:13,360 --> 00:31:15,920 Speaker 1: is slippery. Yeah, those are two things. And then you 589 00:31:15,960 --> 00:31:18,760 Speaker 1: can also do the knife thing, but I've cut myself 590 00:31:18,760 --> 00:31:20,840 Speaker 1: doing that. Zon't do that one, all right? What else? 591 00:31:21,240 --> 00:31:24,840 Speaker 1: Kane Brown shared that he has serious aspirations to become 592 00:31:24,960 --> 00:31:28,200 Speaker 1: an actor, and he's actively working with a Los Angeles 593 00:31:28,360 --> 00:31:31,640 Speaker 1: agent to make this goal a reality. He even auditioned 594 00:31:31,680 --> 00:31:35,000 Speaker 1: for a new Grease movie. The film has since stopped production, 595 00:31:35,080 --> 00:31:37,320 Speaker 1: but he did get a callback from his audition, and 596 00:31:37,440 --> 00:31:39,880 Speaker 1: he says, no matter what, even if he gets rejected 597 00:31:40,000 --> 00:31:42,880 Speaker 1: or anything, he's gonna not give up. All the country 598 00:31:42,920 --> 00:31:44,720 Speaker 1: stars are acting, or at least trying to act. You know, 599 00:31:44,760 --> 00:31:46,920 Speaker 1: we had Randy Howser on. He's been in a few movies, 600 00:31:47,440 --> 00:31:50,200 Speaker 1: you know, Cowboy movies mostly John Party talked about he 601 00:31:50,360 --> 00:31:53,520 Speaker 1: took acting classes. I think, you know, you get into 602 00:31:53,560 --> 00:31:56,120 Speaker 1: a creative space and you have other creative friends and 603 00:31:56,160 --> 00:31:57,720 Speaker 1: they do other creative things. You're like, oh, that would 604 00:31:57,760 --> 00:31:59,640 Speaker 1: also be fun. So it's like, oh, if they can 605 00:31:59,680 --> 00:32:01,160 Speaker 1: do it, I do it. So good luck to him. 606 00:32:01,160 --> 00:32:02,480 Speaker 1: I think it's pretty cool as you know, as a 607 00:32:02,480 --> 00:32:06,120 Speaker 1: fellow actor myself, you know, Major Motion Picture with Vanessa 608 00:32:06,200 --> 00:32:09,960 Speaker 1: Hudgins know Nashville, not only playing myself on Nashville, playing 609 00:32:10,000 --> 00:32:13,080 Speaker 1: other people too. You know, you put put your work 610 00:32:13,120 --> 00:32:17,360 Speaker 1: in and watch you payoff lunchboxes acting. Yeah, I feel them. Well, No, no, 611 00:32:17,400 --> 00:32:19,600 Speaker 1: I was gonna tell you're you're your stuff's coming. So yeah, 612 00:32:20,120 --> 00:32:24,080 Speaker 1: more details about you coming. Have you ever even paid act? Yeah? 613 00:32:24,760 --> 00:32:27,800 Speaker 1: Friday night Lights? That was an extra but I got paid. 614 00:32:27,920 --> 00:32:29,440 Speaker 1: But but you weren't like I mean, you didn't say 615 00:32:29,440 --> 00:32:31,680 Speaker 1: anything like camera. Yeah, I said, no, you didn't say anything. 616 00:32:31,680 --> 00:32:34,960 Speaker 1: I can't put your voice on camera. No, somebody's voice 617 00:32:35,000 --> 00:32:37,960 Speaker 1: was put over. But you did say the line. Yeah, 618 00:32:38,040 --> 00:32:41,360 Speaker 1: and they take it out, they take it out. Yeah, 619 00:32:41,600 --> 00:32:45,080 Speaker 1: all right, thank you, Amy, Amy. That's my pile. That 620 00:32:45,520 --> 00:32:49,000 Speaker 1: was Amy's pile of stories. It's time for the good news. 621 00:32:53,920 --> 00:32:56,880 Speaker 1: Are you two guys are beer drinkers? I mean, you 622 00:32:57,120 --> 00:33:04,280 Speaker 1: pride yourself on it's not a manly Do local breweries 623 00:33:04,360 --> 00:33:08,880 Speaker 1: actually taste better sometimes than real and it makes you 624 00:33:08,960 --> 00:33:10,960 Speaker 1: feel good that it's local, So you think you in 625 00:33:11,080 --> 00:33:13,320 Speaker 1: your mind it tastes better because like, man, this was 626 00:33:13,400 --> 00:33:15,800 Speaker 1: made right here. But does it actually taste better if 627 00:33:15,800 --> 00:33:18,480 Speaker 1: you go to a local brewery? Does it taste better? 628 00:33:18,560 --> 00:33:21,200 Speaker 1: Let's go with yes, yeah, yes. What about craft beer 629 00:33:22,440 --> 00:33:26,200 Speaker 1: because I think that's like specialized beer. Does it taste better? Yes? Yes? 630 00:33:26,600 --> 00:33:29,440 Speaker 1: Why it's different, man, it's different than what everyone else. 631 00:33:29,600 --> 00:33:32,840 Speaker 1: It's more expensive and it's more expensive. Okay, Well, there's 632 00:33:32,840 --> 00:33:34,960 Speaker 1: a new campaign just launch allows people to support local 633 00:33:35,000 --> 00:33:38,520 Speaker 1: breweries and animals at the same time. Sidewalk Dog is 634 00:33:38,520 --> 00:33:40,840 Speaker 1: a company based out of the Twin Cities. It serves 635 00:33:40,840 --> 00:33:43,200 Speaker 1: as a guy to help people find dog friendly events 636 00:33:43,240 --> 00:33:45,280 Speaker 1: and businesses. They can take their dogs with them as well. 637 00:33:45,640 --> 00:33:47,960 Speaker 1: They launched and for thirty bucks, people can visit thirty 638 00:33:48,040 --> 00:33:50,880 Speaker 1: three breweries and sample forty seven free beers all over 639 00:33:50,960 --> 00:33:53,680 Speaker 1: the place. If that was one town, you'd be drunk 640 00:33:53,680 --> 00:33:55,920 Speaker 1: and you would be walking your home for sure. But 641 00:33:56,320 --> 00:33:59,120 Speaker 1: the past benefits American Humane Society. So I would encourage 642 00:33:59,160 --> 00:34:01,360 Speaker 1: you go to a sidewalk dogg dot com and maybe 643 00:34:01,440 --> 00:34:03,640 Speaker 1: there is a local brewery near you that's involved in 644 00:34:03,720 --> 00:34:06,320 Speaker 1: this and you can't help dogs. And you can also 645 00:34:06,800 --> 00:34:08,799 Speaker 1: get you some free beer if you go to one 646 00:34:08,840 --> 00:34:10,680 Speaker 1: of these places. Though, do you just get to drink 647 00:34:10,680 --> 00:34:14,000 Speaker 1: as much as you want. Yeah, it's like a bar. 648 00:34:14,120 --> 00:34:15,960 Speaker 1: They're just like a bar. You just buy whatever you want. 649 00:34:16,360 --> 00:34:18,920 Speaker 1: You can buy a flight, you can buy just beer. Yeah, 650 00:34:19,000 --> 00:34:21,040 Speaker 1: Like they have different it's a flight. Like it's like 651 00:34:21,120 --> 00:34:24,120 Speaker 1: a board with four different beers on it, and you 652 00:34:24,200 --> 00:34:26,759 Speaker 1: can just have four of those boards. Yeah, so you 653 00:34:26,800 --> 00:34:30,000 Speaker 1: can have sixteen beers and they won't stop you iver 654 00:34:30,120 --> 00:34:31,920 Speaker 1: tried that. I mean usually on the flights. They're not 655 00:34:32,360 --> 00:34:34,920 Speaker 1: full beers, some of them, unless you get I mean, 656 00:34:36,000 --> 00:34:38,040 Speaker 1: so they won't stop you. What about wine tape? If 657 00:34:38,040 --> 00:34:40,799 Speaker 1: you got a wine place, like where they do wine, 658 00:34:40,840 --> 00:34:45,319 Speaker 1: what do they call that winery? Bineard? Okay? Ever been 659 00:34:45,480 --> 00:34:49,600 Speaker 1: cut off there? Like, well, they cut you off. I 660 00:34:49,680 --> 00:34:51,160 Speaker 1: think if you can start a fight, you'll get cut 661 00:34:51,200 --> 00:34:55,200 Speaker 1: off anywhere. That's the marker. But like starting a fight, yeah, 662 00:34:55,239 --> 00:34:57,279 Speaker 1: but like at a brewery, there are no security guards. 663 00:34:57,280 --> 00:34:59,000 Speaker 1: There's no bouncers. It's just like the three or four 664 00:34:59,040 --> 00:35:01,360 Speaker 1: people behind the bar and that see it. So they 665 00:35:01,440 --> 00:35:03,440 Speaker 1: can't really keep an eye on people. I mean you 666 00:35:03,520 --> 00:35:07,560 Speaker 1: could what what what have you ever? Yeah? Yeah, all right, 667 00:35:07,920 --> 00:35:10,279 Speaker 1: all right, good story, good job sidewalk dog dot com. 668 00:35:10,600 --> 00:35:13,759 Speaker 1: We love animals, we love the American Humane Society, and 669 00:35:14,000 --> 00:35:15,839 Speaker 1: well these two guys love beer. And that's what it's 670 00:35:15,880 --> 00:35:18,399 Speaker 1: all about. That was tell me something good.