1 00:00:00,520 --> 00:00:03,560 Speaker 1: On the dol Cast. The questions asked if movies have 2 00:00:03,640 --> 00:00:07,120 Speaker 1: women in um, are all their discussions just boyfriends and 3 00:00:07,160 --> 00:00:11,960 Speaker 1: husbands or do they have individualism? The patriarchy ze invest 4 00:00:12,360 --> 00:00:18,360 Speaker 1: start changing it with the Betel Cast. Oh that smells 5 00:00:18,400 --> 00:00:21,200 Speaker 1: so bad, I will go to the Vectel Cast. My 6 00:00:21,320 --> 00:00:23,840 Speaker 1: name is Jamie, my name is Caitlin. I just opened 7 00:00:23,840 --> 00:00:26,119 Speaker 1: a MIC's hard lemonade, and boy does it smell like 8 00:00:26,239 --> 00:00:28,840 Speaker 1: cough syruph? What did I get that? You got the 9 00:00:28,920 --> 00:00:31,600 Speaker 1: right flavor the strawberry lemonade. You got the right flavor 10 00:00:31,680 --> 00:00:35,720 Speaker 1: is that it's like sugar. It's like juice, um, juice 11 00:00:35,720 --> 00:00:38,520 Speaker 1: that makes you do bad things. This is the Vectel Cast. 12 00:00:38,560 --> 00:00:40,960 Speaker 1: Should we tell them what it is? We can. It's 13 00:00:41,000 --> 00:00:46,080 Speaker 1: a podcast about the representation and portrayal of women characters 14 00:00:46,120 --> 00:00:51,000 Speaker 1: in movies. It's inspired by the Bechtel Test. Wow, if 15 00:00:51,040 --> 00:00:53,040 Speaker 1: you don't know what it is, I'm about to tell you, 16 00:00:53,159 --> 00:00:58,040 Speaker 1: grow up. The It's a test that requires that two 17 00:00:58,040 --> 00:01:01,440 Speaker 1: women in a movie or show or something like that 18 00:01:01,560 --> 00:01:03,920 Speaker 1: speak to each other, and it has to be about 19 00:01:03,960 --> 00:01:07,279 Speaker 1: something other than a man. Preferably these people have names. 20 00:01:07,480 --> 00:01:10,560 Speaker 1: But sometimes that is asking too much. Sometimes it is 21 00:01:11,640 --> 00:01:13,680 Speaker 1: and that. That really is it? How are you? Are 22 00:01:13,680 --> 00:01:16,840 Speaker 1: you good? I'm good? Good? How are you? I'm great, 23 00:01:17,319 --> 00:01:20,679 Speaker 1: I'm glad we do this little check. It's never been better. Yeah, 24 00:01:20,880 --> 00:01:22,800 Speaker 1: all right, let's get to it. Yeah, let's do it. 25 00:01:22,880 --> 00:01:26,520 Speaker 1: Our guest is a very funny comedian. She had a 26 00:01:26,560 --> 00:01:31,560 Speaker 1: show on Comedy Central called not Safe Nicky Glazer. Hey, 27 00:01:31,600 --> 00:01:36,000 Speaker 1: guys here, thanks for having me. I'm a big fan 28 00:01:36,040 --> 00:01:40,000 Speaker 1: of this test. A good tests, and there's not many 29 00:01:40,040 --> 00:01:42,080 Speaker 1: tests that one can claim to be a fan of. No. 30 00:01:42,400 --> 00:01:46,160 Speaker 1: I think this is UM pregnancy tests, AIDS tests, and 31 00:01:46,200 --> 00:01:49,280 Speaker 1: then this one. Yeah that's all. You know what? One 32 00:01:49,320 --> 00:01:52,520 Speaker 1: time I took like an ap CALC test and I 33 00:01:52,560 --> 00:01:55,520 Speaker 1: aced it and I felt great about that test. Good. 34 00:01:55,920 --> 00:01:58,400 Speaker 1: How did you actually do on the AP exam? Though? Oh, 35 00:01:58,440 --> 00:02:00,560 Speaker 1: I never took any of the APE exam. I got 36 00:02:00,600 --> 00:02:03,280 Speaker 1: a five on the English and a two on the French. 37 00:02:05,400 --> 00:02:08,400 Speaker 1: It's literally like my only thing that I can brag 38 00:02:08,440 --> 00:02:11,880 Speaker 1: about scholastically. That's great, though otherwise I was pretty average. 39 00:02:11,960 --> 00:02:13,800 Speaker 1: I think I would have gotten like a two if 40 00:02:13,840 --> 00:02:17,359 Speaker 1: I took the API English test. Yeah, I just something 41 00:02:17,480 --> 00:02:19,280 Speaker 1: was right that day. It was I think it was 42 00:02:19,320 --> 00:02:23,600 Speaker 1: the day George Harrison died I remember driving to the test. 43 00:02:24,000 --> 00:02:26,680 Speaker 1: Maybe I don't know. Yeah, I just remember I took 44 00:02:26,720 --> 00:02:28,360 Speaker 1: a test on the day George Harrison died and I 45 00:02:28,400 --> 00:02:31,600 Speaker 1: was just like, my sweet lord, my s A t 46 00:02:32,120 --> 00:02:34,680 Speaker 1: UM I took as the SA T is at a 47 00:02:34,720 --> 00:02:36,959 Speaker 1: different school with like all these really cool girls that 48 00:02:37,000 --> 00:02:39,760 Speaker 1: I was afraid to talk to, and um, I got 49 00:02:39,800 --> 00:02:41,400 Speaker 1: my period and I didn't have a pat and I 50 00:02:41,440 --> 00:02:43,600 Speaker 1: was afraid to talk to them. So I free bled 51 00:02:43,639 --> 00:02:45,800 Speaker 1: during my s A t S and got the second 52 00:02:45,840 --> 00:02:50,360 Speaker 1: highest score in the entire high school. Yeah it was 53 00:02:50,400 --> 00:02:55,400 Speaker 1: not amazing. Yeah, I really drew from within that. Well 54 00:02:55,440 --> 00:02:59,840 Speaker 1: there's a tip for you. Para white jeans, Oh my god, 55 00:03:00,280 --> 00:03:04,320 Speaker 1: the worst. Why are we so embarrassed to ask for 56 00:03:05,400 --> 00:03:08,800 Speaker 1: That's another thing, Like they're making tampons just smaller and 57 00:03:08,840 --> 00:03:10,799 Speaker 1: smaller so we can just like palm them to each 58 00:03:10,800 --> 00:03:14,440 Speaker 1: other like drugs. Yeah, yeah, it's I always like parade 59 00:03:14,480 --> 00:03:17,560 Speaker 1: myne like I've got a tampon, Like it's so it's funny. 60 00:03:17,639 --> 00:03:19,800 Speaker 1: I I don't understand adult women who are still like 61 00:03:20,680 --> 00:03:23,799 Speaker 1: it's like like they'll disguise the packaging two so that 62 00:03:24,040 --> 00:03:26,079 Speaker 1: you think it could be something else. It's like, why 63 00:03:26,080 --> 00:03:29,960 Speaker 1: does that? Yeah, I'm like a big proponent of the maxipad. 64 00:03:30,040 --> 00:03:34,200 Speaker 1: That is like the thickness of war and peace, three 65 00:03:34,280 --> 00:03:36,280 Speaker 1: of them around at all times. I want there to 66 00:03:36,360 --> 00:03:39,480 Speaker 1: be a movie character that, like, instead of Edwards scissor Hands, 67 00:03:39,520 --> 00:03:42,600 Speaker 1: it's like Sally tampon hands, and then for each of 68 00:03:42,600 --> 00:03:46,880 Speaker 1: our five fingers, it's just a tampon, and I'm just like, hey, 69 00:03:47,120 --> 00:03:50,400 Speaker 1: she's very proud to display your Tampon's a friend to all. Yeah, 70 00:03:50,440 --> 00:03:53,080 Speaker 1: I know. On inside, Amy Schumer, Uh, they had a 71 00:03:53,200 --> 00:03:55,880 Speaker 1: commercial that was like a tampon saxophone, and it was 72 00:03:55,920 --> 00:03:59,200 Speaker 1: a saxophone that hid your tampon so it wouldn't be embarrassed, 73 00:03:59,480 --> 00:04:01,680 Speaker 1: but you could go to the bathroom with a huge 74 00:04:01,720 --> 00:04:09,280 Speaker 1: sex me too. It's great there. We haven't mentioned your 75 00:04:09,280 --> 00:04:11,440 Speaker 1: obo in a while. We haven't mentioned my obow in 76 00:04:11,480 --> 00:04:13,960 Speaker 1: a while. I mean, just an update on it. It's 77 00:04:13,960 --> 00:04:15,560 Speaker 1: still in the back seat of my car. I'm still 78 00:04:15,600 --> 00:04:18,560 Speaker 1: waiting for an oboe emergency. One day there will be 79 00:04:18,640 --> 00:04:22,720 Speaker 1: one and I will be there. It is amazing how 80 00:04:22,720 --> 00:04:26,080 Speaker 1: many Like when I'm hanging out with someone and I'll 81 00:04:26,160 --> 00:04:29,320 Speaker 1: try to bring it into conversation and be like, oh, yeah, 82 00:04:29,320 --> 00:04:30,960 Speaker 1: I've got an Obo in the back of my car. 83 00:04:30,960 --> 00:04:34,120 Speaker 1: If you ever need and obo, do you play the obo? 84 00:04:34,640 --> 00:04:37,159 Speaker 1: I used to, yeah in high school, and I remember 85 00:04:37,320 --> 00:04:41,120 Speaker 1: I forced my friend uh to listen to me play 86 00:04:41,160 --> 00:04:44,480 Speaker 1: a scale a couple of weeks ago. So still got it, 87 00:04:44,800 --> 00:04:49,040 Speaker 1: still resents all of that. I will I will honestly 88 00:04:49,160 --> 00:04:50,840 Speaker 1: call me at any hour of the day. That's friendship. 89 00:04:50,839 --> 00:04:53,359 Speaker 1: I'll come over. Is there any scale popular song that 90 00:04:53,360 --> 00:04:54,960 Speaker 1: has an oboe in it that you can just tell 91 00:04:55,040 --> 00:04:58,599 Speaker 1: me right now? Uh? There? I can think of a 92 00:04:58,760 --> 00:05:02,599 Speaker 1: bride eye song? Okay, which one make a plan to 93 00:05:02,640 --> 00:05:05,520 Speaker 1: Love Me from Cassaday Grafter? Okay? I don't know that one, 94 00:05:05,600 --> 00:05:09,680 Speaker 1: but not okay, I do know. Yeah, there's and it's 95 00:05:09,720 --> 00:05:13,560 Speaker 1: in Peter and the Wolf like it's the Duck, which 96 00:05:13,640 --> 00:05:17,799 Speaker 1: is pretty awful, and that's what they would call it. Okay. 97 00:05:17,800 --> 00:05:21,680 Speaker 1: So the answer my question was no, it's not a 98 00:05:21,720 --> 00:05:24,960 Speaker 1: popular instrument and people don't seem to ever want it around. 99 00:05:26,080 --> 00:05:29,120 Speaker 1: But in case they do, Sunday, you're prepared. There'll be 100 00:05:29,160 --> 00:05:33,600 Speaker 1: a day someday there'll be an orchestra in Trouble to 101 00:05:33,800 --> 00:05:37,760 Speaker 1: play a scale. Yeah. Hey, shall we talk about the movie? Fine? 102 00:05:37,880 --> 00:05:42,800 Speaker 1: The movie we're talking about today is Clueless, NICKI went, 103 00:05:42,880 --> 00:05:45,000 Speaker 1: had you first seen it? I saw it when I 104 00:05:45,040 --> 00:05:48,919 Speaker 1: was when it first came out, So what was that? Yeah, 105 00:05:48,920 --> 00:05:52,840 Speaker 1: so I was in sixth grade, like early sixth grade. Yeah, 106 00:05:53,040 --> 00:05:55,480 Speaker 1: I remember my dad took me and my friends and 107 00:05:55,520 --> 00:05:58,719 Speaker 1: I just loved it. And I didn't get all the 108 00:05:58,720 --> 00:06:01,760 Speaker 1: satire and actual humor until way later. It was just 109 00:06:01,800 --> 00:06:06,480 Speaker 1: like a fun you know ROMP totally. Yeah, what about you, Jamie? 110 00:06:06,680 --> 00:06:08,680 Speaker 1: I think I saw it. I saw it in middle 111 00:06:08,720 --> 00:06:14,560 Speaker 1: school originally. Again, I most likely watched the TBS cut 112 00:06:14,760 --> 00:06:18,640 Speaker 1: version of it, so who knows how much I actually saw. Um, 113 00:06:18,720 --> 00:06:21,200 Speaker 1: But there isn't that much like there's no it's just 114 00:06:21,279 --> 00:06:25,200 Speaker 1: where there's any like suggestion of sexuality is like, it's 115 00:06:25,200 --> 00:06:26,920 Speaker 1: not something I think would have to be censored on 116 00:06:26,960 --> 00:06:31,080 Speaker 1: the TBS just cuts it down for commercials and they 117 00:06:31,120 --> 00:06:34,599 Speaker 1: take out Like I would love to interview the person 118 00:06:34,680 --> 00:06:37,560 Speaker 1: who does the TBS cuts because like what an innovator 119 00:06:37,680 --> 00:06:42,039 Speaker 1: of the form. So many interesting corners got Uh yeah, 120 00:06:42,080 --> 00:06:44,400 Speaker 1: I mean there's I was like fine tuned to it 121 00:06:44,400 --> 00:06:47,400 Speaker 1: because I'm like, oh what did I miss? They say 122 00:06:47,400 --> 00:06:49,240 Speaker 1: ship quite a bit and I was like, oh, that 123 00:06:49,240 --> 00:06:53,360 Speaker 1: would have given me such a such a kick. But 124 00:06:53,720 --> 00:06:56,360 Speaker 1: now you gotta go to the mike's harder. That's why 125 00:06:56,360 --> 00:07:00,920 Speaker 1: I'm hitting the mics harder, so harder. It's bad. Um. 126 00:07:01,000 --> 00:07:03,000 Speaker 1: But yeah, I saw in middle school and I loved it, 127 00:07:03,040 --> 00:07:05,279 Speaker 1: and I haven't seen it in years. Yeah, I don't 128 00:07:05,279 --> 00:07:08,000 Speaker 1: think I saw it until I was maybe early college. 129 00:07:08,480 --> 00:07:11,520 Speaker 1: I watched it again, you know, to prep for this episode, 130 00:07:11,680 --> 00:07:15,000 Speaker 1: and I forgot that I liked this movie. It's good. 131 00:07:15,880 --> 00:07:18,640 Speaker 1: It's probably the movie I've seen more than any other movie, really, 132 00:07:18,720 --> 00:07:22,880 Speaker 1: and so I could recite it nice like. So that's 133 00:07:22,960 --> 00:07:27,720 Speaker 1: kind of aged really well to the fashion is still 134 00:07:27,880 --> 00:07:34,320 Speaker 1: good and Paul Rudd hasn't aged at all a day. God, 135 00:07:34,560 --> 00:07:40,920 Speaker 1: he's a mummy. You let's start that rumor. I'm always 136 00:07:40,920 --> 00:07:44,320 Speaker 1: like to start a good mummy rumor. Yeah, Paul, and 137 00:07:44,360 --> 00:07:46,920 Speaker 1: it's a complimentary rumor, but yeah, he's a mummy. I 138 00:07:47,040 --> 00:07:50,760 Speaker 1: like that you picked mummy and not vampire. Mummies are 139 00:07:50,800 --> 00:07:53,960 Speaker 1: like he wrapped himself. Definitely not a mummy because of 140 00:07:54,000 --> 00:07:58,480 Speaker 1: how he looks. Vampire. We could maybe because vampires are 141 00:07:58,480 --> 00:08:01,360 Speaker 1: young and mummies live forever. Oh, I guess they're like 142 00:08:01,440 --> 00:08:04,960 Speaker 1: dad and they just keep living. But there are they're 143 00:08:05,160 --> 00:08:08,040 Speaker 1: very stitched upping. I got a lot of bandages. They're 144 00:08:08,080 --> 00:08:16,640 Speaker 1: not known for looking young. I'm sticking with it cool. 145 00:08:18,080 --> 00:08:22,080 Speaker 1: I want Paul Rod to be my mommy. It's like 146 00:08:22,160 --> 00:08:25,320 Speaker 1: hey daddy, but hey mommy. I barely thought it was 147 00:08:25,400 --> 00:08:28,760 Speaker 1: gay in that movie. Like he comes off like I 148 00:08:28,800 --> 00:08:31,080 Speaker 1: thought he not in the movie because he's straight in 149 00:08:31,080 --> 00:08:33,840 Speaker 1: the movie. But like when he's like, we got Markie 150 00:08:33,920 --> 00:08:38,040 Speaker 1: marked to plant a celebrity tree. I always can play 151 00:08:38,080 --> 00:08:42,880 Speaker 1: that over and over. We got Marky Marked, I thought 152 00:08:43,280 --> 00:08:47,000 Speaker 1: was a reference to Boogie Nights. Turns out Clueless came 153 00:08:47,000 --> 00:08:50,600 Speaker 1: out two years before Marky Mark was nothing then, like 154 00:08:50,679 --> 00:08:54,040 Speaker 1: he was a joke. Then oh you got Marky Marked 155 00:08:54,040 --> 00:08:56,320 Speaker 1: and he was in Beetball Diaries a time from his 156 00:08:56,520 --> 00:08:59,199 Speaker 1: pants dropping schedule. But now it would be a huge 157 00:08:59,200 --> 00:09:01,520 Speaker 1: deal to get more Wahlberg to plan a celebrity trail. 158 00:09:01,559 --> 00:09:02,840 Speaker 1: That's why I thought it was a Bookie Nights thing. 159 00:09:02,880 --> 00:09:04,560 Speaker 1: I thought they were like, oh, he dropped his pants 160 00:09:04,600 --> 00:09:06,800 Speaker 1: and shows his big dick and Boogie Nights. I just 161 00:09:06,880 --> 00:09:11,040 Speaker 1: did that movie That's so funny a couple episodes ago. Yeah, 162 00:09:11,040 --> 00:09:14,080 Speaker 1: but no, it turns out they were foreshadowing Boogie Nights 163 00:09:14,240 --> 00:09:18,760 Speaker 1: and Clueless. Yes, so wow, what a what an innovative 164 00:09:18,800 --> 00:09:22,800 Speaker 1: movie Clueless it is. It's so good. Yeah, Paula Red 165 00:09:22,880 --> 00:09:26,120 Speaker 1: looks exactly the same as he probably did this morning, 166 00:09:26,679 --> 00:09:30,880 Speaker 1: given that he's a mummy. That's how mummies operate. Um, 167 00:09:30,920 --> 00:09:36,480 Speaker 1: Alicia Silverstone is so great, so good. I forgot that 168 00:09:36,520 --> 00:09:42,200 Speaker 1: there's a character in this movie with braces, Murray and 169 00:09:42,360 --> 00:09:45,400 Speaker 1: that really I'm keeping it real. I'm keeping it real. 170 00:09:46,360 --> 00:09:49,160 Speaker 1: I'm gonna just keep quoting it. I'm sorry, but like, 171 00:09:49,240 --> 00:09:52,440 Speaker 1: his gooey braces are so funny. Yeah, and I think 172 00:09:52,600 --> 00:09:55,320 Speaker 1: you never see that in high school movies. I'm assuming 173 00:09:55,360 --> 00:09:59,400 Speaker 1: that they were real or I don't know, maybe yeah, 174 00:09:59,520 --> 00:10:03,199 Speaker 1: good old I'm not sure. From Scrubs. Yeah, I kept 175 00:10:03,240 --> 00:10:06,840 Speaker 1: calling him Scrubs in my head. I had brunch next 176 00:10:06,840 --> 00:10:09,400 Speaker 1: to him one day in the Deep Deep Valley. I 177 00:10:09,440 --> 00:10:11,360 Speaker 1: was just going to say, I just had brunch next 178 00:10:11,360 --> 00:10:16,040 Speaker 1: to Breck and Meyer, who plays Travis we are brunching 179 00:10:16,080 --> 00:10:20,160 Speaker 1: with I had when I was deciding whether to move 180 00:10:20,200 --> 00:10:22,240 Speaker 1: here or not. I got two brunches in a row, 181 00:10:22,240 --> 00:10:26,760 Speaker 1: which kill me. That's not good. But both times Zach 182 00:10:26,800 --> 00:10:31,720 Speaker 1: Braff was there alone. Wow, he seemed like he was 183 00:10:32,160 --> 00:10:35,080 Speaker 1: like but he was projecting the confidence that like it 184 00:10:35,120 --> 00:10:40,480 Speaker 1: was on purpose. Gotcha. So did it pass the test? 185 00:10:40,520 --> 00:10:44,120 Speaker 1: I don't know it definitely, yeah it does. Wait, hold on, 186 00:10:44,200 --> 00:10:47,240 Speaker 1: let me try to think of who. So two women, 187 00:10:47,640 --> 00:10:50,960 Speaker 1: her and d Dion talk about getting the driver's license. 188 00:10:51,640 --> 00:10:55,480 Speaker 1: They I mean there's a test every few scenes, I 189 00:10:55,480 --> 00:10:58,480 Speaker 1: would say, really, yeah, I mean the three main characters, 190 00:10:58,800 --> 00:11:01,920 Speaker 1: it's Share played by at Leasta silver Stone, and they 191 00:11:01,960 --> 00:11:04,400 Speaker 1: do talk a lot about men, a lot, a lot. 192 00:11:04,440 --> 00:11:06,679 Speaker 1: I was thinking of all the conversations. I'm like, oh, yeah, 193 00:11:06,760 --> 00:11:08,520 Speaker 1: it's a lot about men. The first I don't know 194 00:11:08,520 --> 00:11:10,000 Speaker 1: what the first scene you picked up on, but my 195 00:11:10,120 --> 00:11:13,560 Speaker 1: mind was when d first gets into SHARE's car and 196 00:11:13,600 --> 00:11:17,400 Speaker 1: they have a talk about what they're wearing, which is, 197 00:11:17,520 --> 00:11:21,120 Speaker 1: you know, not the best, you know version of that, 198 00:11:21,160 --> 00:11:23,920 Speaker 1: but it does pass pretty quickly. Yeah. I forgot to 199 00:11:23,960 --> 00:11:26,200 Speaker 1: actually write down the scenes. I think I was like, oh, 200 00:11:26,200 --> 00:11:29,040 Speaker 1: I'm just gonna lose track, like why bother? But I 201 00:11:29,040 --> 00:11:32,079 Speaker 1: mean there's scenes where, yeah, they're talking about their clothes 202 00:11:32,160 --> 00:11:36,320 Speaker 1: and their grades driving, how to drive properly, neither none 203 00:11:36,320 --> 00:11:38,079 Speaker 1: of them can do very well. I love that the 204 00:11:38,240 --> 00:11:40,440 Speaker 1: scariest thing that could happen to any of these people 205 00:11:40,480 --> 00:11:43,600 Speaker 1: in this movie is getting on the freeway. So funny 206 00:11:43,600 --> 00:11:45,840 Speaker 1: and they and that brings them that that's such a 207 00:11:45,880 --> 00:11:49,320 Speaker 1: horrifying experience that her D and her boyfriend have sex 208 00:11:49,440 --> 00:11:54,679 Speaker 1: after that because they're so bonded from their trauma. So funny, 209 00:11:54,880 --> 00:11:58,040 Speaker 1: so good. Yeah, but yeah, I mean they're like and 210 00:11:58,080 --> 00:12:02,200 Speaker 1: then um, Share and Tie, like Bernie Murphy, talk an 211 00:12:02,240 --> 00:12:06,120 Speaker 1: awful lot about things that aren't men. So it passes 212 00:12:06,160 --> 00:12:10,200 Speaker 1: the test. Like I said, every few scenes, right, there's 213 00:12:10,240 --> 00:12:12,280 Speaker 1: I think that there is at least one scene even 214 00:12:12,320 --> 00:12:15,240 Speaker 1: though there's at least one scene with the teacher I 215 00:12:15,240 --> 00:12:17,719 Speaker 1: can't remember her name. Yeah, miss guys, miss guys. Yeah, 216 00:12:17,760 --> 00:12:21,000 Speaker 1: there's a few scenes with D and Share and talking 217 00:12:21,040 --> 00:12:25,960 Speaker 1: about the hurricane and um god, where was it? Something 218 00:12:26,040 --> 00:12:31,520 Speaker 1: beach beach disaster and she's like, Daddy, they lost everything 219 00:12:31,600 --> 00:12:34,760 Speaker 1: they need skis too, don't you think that includes sporting equipment? 220 00:12:37,800 --> 00:12:42,599 Speaker 1: Very good, Share, I love Shares, Dad love Dad. What 221 00:12:42,679 --> 00:12:45,760 Speaker 1: a great like. I mean, every the casting in that 222 00:12:46,040 --> 00:12:49,920 Speaker 1: movie is fantastic. It's wonderful. Yeah. Um and and just 223 00:12:50,040 --> 00:12:54,839 Speaker 1: like a good male parents like that doesn't happen a lot. Yes, 224 00:12:55,120 --> 00:12:58,959 Speaker 1: and she does have dead mommy syndrome. She does a 225 00:12:59,000 --> 00:13:03,280 Speaker 1: little Disney princess with no mommy. But but her mom 226 00:13:03,320 --> 00:13:07,640 Speaker 1: died in a lipos action accident, so I forgot about that. 227 00:13:07,720 --> 00:13:10,360 Speaker 1: That's so, and they have an oil painting of her 228 00:13:10,400 --> 00:13:14,800 Speaker 1: in their home. That's my dream, not a good oil painting. 229 00:13:14,840 --> 00:13:16,560 Speaker 1: I don't want my child to know me, and I 230 00:13:16,600 --> 00:13:18,840 Speaker 1: want there to be an oil painting in my home. 231 00:13:19,520 --> 00:13:21,400 Speaker 1: So real quick, I'll do a recap of this story. 232 00:13:22,200 --> 00:13:26,679 Speaker 1: There's no necessarily like cohesive narrative in terms of like 233 00:13:26,800 --> 00:13:28,880 Speaker 1: this character wants something and they're gonna go out and 234 00:13:28,920 --> 00:13:31,319 Speaker 1: get I mean, like they're in high school. They want 235 00:13:31,800 --> 00:13:34,920 Speaker 1: like a boyfriend, they want love, they want friendship. I 236 00:13:34,960 --> 00:13:37,640 Speaker 1: feel like Sharon wants to help. That's like her vague 237 00:13:37,920 --> 00:13:40,880 Speaker 1: and she wants a boyfriend right, and she wants to 238 00:13:40,880 --> 00:13:42,920 Speaker 1: have sex. That pretty much she wants to grow up. 239 00:13:43,360 --> 00:13:46,000 Speaker 1: She has a close friend named Dion, played by the 240 00:13:46,840 --> 00:13:50,200 Speaker 1: just wonderful Stay. I saw that coming. I used to 241 00:13:50,280 --> 00:13:54,199 Speaker 1: love her so much. That's upsetting. She pulled a Dennis Miller. 242 00:13:55,400 --> 00:13:58,200 Speaker 1: They go to high school together in Beverly Hills. Um 243 00:13:58,200 --> 00:14:01,840 Speaker 1: Shares dad is a litigator. He's like, you know, overprotective, 244 00:14:01,880 --> 00:14:04,520 Speaker 1: and he always wants her to argue her way out 245 00:14:04,559 --> 00:14:07,319 Speaker 1: of any problem she has and you know, they go 246 00:14:07,440 --> 00:14:10,040 Speaker 1: to high school. They have friends. Some of them are 247 00:14:10,120 --> 00:14:13,640 Speaker 1: like loser, stoner guys, some of them are popular boys. 248 00:14:13,679 --> 00:14:16,720 Speaker 1: They go to parties. I don't know, this is a 249 00:14:16,720 --> 00:14:20,640 Speaker 1: bad recap. There's a character with braces. The character and 250 00:14:20,720 --> 00:14:24,840 Speaker 1: she has a stepbrother who lives with her, who is 251 00:14:24,960 --> 00:14:29,080 Speaker 1: very annoying and then becomes kind of a player in 252 00:14:29,120 --> 00:14:35,200 Speaker 1: her group of friends. Right, So her like former stepbrother's right, 253 00:14:36,520 --> 00:14:40,240 Speaker 1: which is what makes this chart. Okay, who was like 254 00:14:40,560 --> 00:14:45,320 Speaker 1: the most freshman in college person of all time? And 255 00:14:45,360 --> 00:14:47,480 Speaker 1: this is the first time I watched this movie that 256 00:14:47,560 --> 00:14:49,960 Speaker 1: I was old enough to be able to appreciate that, 257 00:14:50,000 --> 00:14:52,160 Speaker 1: because I don't think I've seen it in a long time. 258 00:14:52,200 --> 00:14:55,880 Speaker 1: But I was like, all those vague like sociology quotes 259 00:14:55,920 --> 00:14:58,600 Speaker 1: are like the little good reading nic at the beginning, 260 00:14:58,800 --> 00:15:04,640 Speaker 1: right right, I was like, oh, you're nineteen. Yeah. So 261 00:15:05,360 --> 00:15:10,000 Speaker 1: Josh played by Paul rod um Is shares former step brother, 262 00:15:10,320 --> 00:15:13,800 Speaker 1: but his mom and her dad got married and then divorced, 263 00:15:13,880 --> 00:15:18,920 Speaker 1: so they're not related in any way anymore, which is 264 00:15:19,040 --> 00:15:21,280 Speaker 1: good because when they end up together she finds out 265 00:15:21,360 --> 00:15:22,960 Speaker 1: at the like towards the end of the movie, she's like, 266 00:15:22,960 --> 00:15:26,800 Speaker 1: oh my god, this whole time I've loved Josh. What 267 00:15:26,920 --> 00:15:35,760 Speaker 1: a great sequence I love like heads like, oh my god, 268 00:15:35,920 --> 00:15:40,760 Speaker 1: I love Josh. I'm madly crazy, but love in love 269 00:15:40,800 --> 00:15:43,160 Speaker 1: with something that in love with Josh and I don't 270 00:15:43,200 --> 00:15:45,320 Speaker 1: know how to tell him. And then she goes home 271 00:15:45,320 --> 00:15:48,320 Speaker 1: and she's so awkward around him, which is so great 272 00:15:48,360 --> 00:15:51,600 Speaker 1: because the second you start liking someone, you can't keep 273 00:15:51,600 --> 00:15:53,880 Speaker 1: it cool. No, not at all. And she's like, I 274 00:15:53,960 --> 00:15:57,240 Speaker 1: care about the news. I thought they declared peace in 275 00:15:57,240 --> 00:16:00,840 Speaker 1: the Middle East. But yeah, they have a great little 276 00:16:00,920 --> 00:16:03,960 Speaker 1: kiss at the end and they're like goes to like 277 00:16:04,000 --> 00:16:06,200 Speaker 1: playfully hit him and he's like, no, we're kissing. Oh 278 00:16:06,280 --> 00:16:07,880 Speaker 1: that's a good that's a good one. That was one 279 00:16:07,880 --> 00:16:10,960 Speaker 1: of the kisses I studied as a teen to be like, 280 00:16:11,000 --> 00:16:14,840 Speaker 1: how do you yes that? And can't hardly wait? Those 281 00:16:14,880 --> 00:16:17,440 Speaker 1: were my two kisses that I studied. And I was like, oh, 282 00:16:17,600 --> 00:16:21,000 Speaker 1: you have to like blink and like Jennifer of Hewitt 283 00:16:21,000 --> 00:16:25,600 Speaker 1: and that kissing study at kids learned from the Master. 284 00:16:25,800 --> 00:16:29,600 Speaker 1: Her body is a Wonderland? What movie is it? Where 285 00:16:29,600 --> 00:16:31,480 Speaker 1: like the boys are like you gotta make her look 286 00:16:31,560 --> 00:16:35,920 Speaker 1: up at the stars and then kisser is that that movie? Okay? 287 00:16:36,360 --> 00:16:40,600 Speaker 1: That comment, No, people somewhere out there's like knows that 288 00:16:40,640 --> 00:16:43,440 Speaker 1: movie and is happy said that tweet at us. Yeah, 289 00:16:43,840 --> 00:16:48,440 Speaker 1: I love share in Christians relations with you had my 290 00:16:48,480 --> 00:16:51,280 Speaker 1: best friend in high school. We ended up nicknaming each 291 00:16:51,280 --> 00:16:54,800 Speaker 1: other's sharing Christian because the syndrome of like I was 292 00:16:54,840 --> 00:16:57,240 Speaker 1: the last girl he asked out before he was like 293 00:16:57,360 --> 00:17:01,520 Speaker 1: okay all the time, and I'm like, oh good, I 294 00:17:01,880 --> 00:17:06,439 Speaker 1: broke you um and I love I love how you 295 00:17:06,480 --> 00:17:09,600 Speaker 1: know he we learned he's a gay character, and it's 296 00:17:09,680 --> 00:17:12,600 Speaker 1: and then they're just immediately friends for the rest of 297 00:17:12,640 --> 00:17:15,399 Speaker 1: the movie, and it's there's not a confrontation, there's like 298 00:17:15,920 --> 00:17:19,080 Speaker 1: nothing like that. Like Shaff for all of her weirdness, 299 00:17:19,160 --> 00:17:23,320 Speaker 1: is such an accepting, cool person and like doesn't I 300 00:17:23,320 --> 00:17:26,600 Speaker 1: don't know, like even when people funk up, she either 301 00:17:26,680 --> 00:17:29,359 Speaker 1: finds a way to help or cut them out of 302 00:17:29,400 --> 00:17:32,280 Speaker 1: her life in a kind of like I was like, man, 303 00:17:32,359 --> 00:17:35,200 Speaker 1: she manages her life more healthily than I do. She 304 00:17:35,240 --> 00:17:38,439 Speaker 1: does and she's uh for a popular girl, she's not 305 00:17:38,520 --> 00:17:41,200 Speaker 1: a bit And I think Dione has some of those 306 00:17:41,320 --> 00:17:45,200 Speaker 1: qualities of like judgmental, and especially with Britney Murphy's character 307 00:17:45,280 --> 00:17:47,280 Speaker 1: in the Beginning and Amber of Course, it is like 308 00:17:47,280 --> 00:17:50,800 Speaker 1: the villain character and she's a bit too and um, 309 00:17:50,840 --> 00:17:53,840 Speaker 1: but Share was always like so lovely and she's nice 310 00:17:53,840 --> 00:17:57,840 Speaker 1: to Travis after he gets sober, and like, you know, 311 00:17:58,000 --> 00:18:00,639 Speaker 1: I love and then I love the sequence where she 312 00:18:00,880 --> 00:18:04,439 Speaker 1: doesn't make over on Britney Marphine. Yeah god yeah. So 313 00:18:04,480 --> 00:18:06,800 Speaker 1: I have some conflicting thoughts about this movie because on 314 00:18:06,800 --> 00:18:14,760 Speaker 1: one hand, it's about and then someone else. We can 315 00:18:14,840 --> 00:18:17,399 Speaker 1: mostly do that, but um, on one hand, it's like 316 00:18:17,480 --> 00:18:21,520 Speaker 1: about this she's good, but she's also like kind of vapid, 317 00:18:22,080 --> 00:18:27,359 Speaker 1: slightly airheaded, but also kind of smart, materialistic, Beverly Hills 318 00:18:27,440 --> 00:18:31,240 Speaker 1: rich girl, and the movie does like satirize that, but 319 00:18:31,320 --> 00:18:35,919 Speaker 1: it also kind of glamorizes it. So part of me 320 00:18:36,000 --> 00:18:38,120 Speaker 1: is like, well, which is like probably why it's confusing 321 00:18:38,160 --> 00:18:41,000 Speaker 1: for like young people seeing it, being like I just 322 00:18:41,040 --> 00:18:43,080 Speaker 1: love it when they say as if and they like 323 00:18:43,200 --> 00:18:46,600 Speaker 1: don't get all the satire and the joke's sort of 324 00:18:46,640 --> 00:18:50,840 Speaker 1: poking fun at this lifestyle. It's not super over the satire, 325 00:18:51,240 --> 00:18:54,280 Speaker 1: but um, I don't know, Like it's also a movie 326 00:18:54,320 --> 00:18:59,640 Speaker 1: that celebrates female friendship and shows mostly them supporting each other. Um, 327 00:18:59,680 --> 00:19:02,320 Speaker 1: there is like kind of a rivalry between Share and Amber, 328 00:19:02,640 --> 00:19:05,960 Speaker 1: and then at one point Share and Tie get into 329 00:19:06,000 --> 00:19:07,840 Speaker 1: an argument and they say some kind of nasty things 330 00:19:07,880 --> 00:19:13,639 Speaker 1: to each other, but the tears up, but they make 331 00:19:13,720 --> 00:19:17,040 Speaker 1: up pretty quickly and they apologize and things go back 332 00:19:17,080 --> 00:19:20,520 Speaker 1: to being good again. So um, mostly it's yeah, it's 333 00:19:20,520 --> 00:19:24,920 Speaker 1: about Share just like supporting those around her, especially the 334 00:19:25,440 --> 00:19:27,960 Speaker 1: women in her life. So that's a refreshing thing to see, 335 00:19:28,040 --> 00:19:30,359 Speaker 1: especially for like a high school We talked about like 336 00:19:30,440 --> 00:19:33,760 Speaker 1: Heathers on an earlier episode, and that's a movie just 337 00:19:33,840 --> 00:19:37,760 Speaker 1: about how teenage girls are friends but they also hate 338 00:19:37,800 --> 00:19:41,240 Speaker 1: each other, right, So it's it was nice to see 339 00:19:41,640 --> 00:19:45,760 Speaker 1: a different version of high school relationships between women. And 340 00:19:45,800 --> 00:19:49,359 Speaker 1: I mean, I mean, if if we're getting into it, 341 00:19:49,440 --> 00:19:51,280 Speaker 1: I guess, I mean we can look at the whole 342 00:19:51,359 --> 00:19:54,760 Speaker 1: Brittany Murphy makeover seen is why are they trying to 343 00:19:54,840 --> 00:19:58,680 Speaker 1: change or totally why and and she's so and and 344 00:19:59,119 --> 00:20:03,800 Speaker 1: when they're actively pulling her away from Yeah, even though 345 00:20:03,840 --> 00:20:07,879 Speaker 1: it's like man connection that scene in the lunch line 346 00:20:07,880 --> 00:20:09,840 Speaker 1: where she was like I drew Marvin the Martian, I 347 00:20:09,880 --> 00:20:13,399 Speaker 1: was like, you little cute Stoner's so cute. That scene 348 00:20:13,440 --> 00:20:17,240 Speaker 1: is so cute. Didn't tra it and I just some 349 00:20:17,359 --> 00:20:20,639 Speaker 1: little guys over here are Yeah, got her a little. 350 00:20:21,560 --> 00:20:25,600 Speaker 1: Her accent is so funny, she's so good, she's amazing. Um, 351 00:20:25,640 --> 00:20:29,480 Speaker 1: this is amazing. Yeah. God, it just got sad me too. 352 00:20:29,600 --> 00:20:33,640 Speaker 1: I've heard that's really affected me. I was like, really bombed. 353 00:20:33,920 --> 00:20:36,679 Speaker 1: I mean not that other people don't, but it was 354 00:20:36,760 --> 00:20:39,560 Speaker 1: just like she was she would be like still working 355 00:20:39,600 --> 00:20:44,840 Speaker 1: a lot right now, she wouldn't be Stacy dashing Stacy. Also, 356 00:20:44,880 --> 00:20:48,840 Speaker 1: I looked at Stacy Dash was like twenty six when 357 00:20:48,880 --> 00:20:52,280 Speaker 1: she was in this movie, just and and she had 358 00:20:52,320 --> 00:20:55,480 Speaker 1: me full incredible. I mean, almost everyone else in this 359 00:20:55,520 --> 00:20:58,240 Speaker 1: movie is pretty age appropriate within a few years, with 360 00:20:58,280 --> 00:21:02,280 Speaker 1: the exception of Stacy Dash. It's crazy. Yeah, it's wild. Um. 361 00:21:02,400 --> 00:21:07,399 Speaker 1: And then she turned into a Republican, transphobe, racist. Maybe 362 00:21:07,440 --> 00:21:13,040 Speaker 1: she's a mummy, Maybe she's a mom. Always she's not 363 00:21:13,119 --> 00:21:15,560 Speaker 1: a good person, And that was so disappointing to learn. 364 00:21:16,320 --> 00:21:17,879 Speaker 1: You know what I was thinking about when you were 365 00:21:17,920 --> 00:21:20,399 Speaker 1: saying like some people maybe couldn't see the satire, and 366 00:21:20,640 --> 00:21:22,720 Speaker 1: I don't know that I saw it all. And I 367 00:21:22,760 --> 00:21:25,400 Speaker 1: did think some stuff was cool, like her closet was cool, 368 00:21:25,480 --> 00:21:26,919 Speaker 1: And I don't think they were even trying to make 369 00:21:26,960 --> 00:21:30,080 Speaker 1: that seem like the computer. I mean, like, oh my god, 370 00:21:30,119 --> 00:21:34,080 Speaker 1: that fact doesn't exist. Now makes me That scene where 371 00:21:34,080 --> 00:21:35,760 Speaker 1: she's like on the computer and there's a program that 372 00:21:35,800 --> 00:21:38,840 Speaker 1: like matches her outfits. I was like, that's what Ali 373 00:21:39,040 --> 00:21:48,840 Speaker 1: from Single White Female invented because we mentioned it computer. Yeah, 374 00:21:49,119 --> 00:21:51,360 Speaker 1: that's so funny, that's why. And that movie came out 375 00:21:51,400 --> 00:21:54,959 Speaker 1: before this, right, it was like one or nine. This 376 00:21:55,000 --> 00:21:59,560 Speaker 1: is our Pixar theory. Everything was connected. I really enjoyed 377 00:21:59,600 --> 00:22:02,760 Speaker 1: all the culture references in this movie. There's a two 378 00:22:02,800 --> 00:22:06,159 Speaker 1: thousand one the Space Honesty illusion where she's like waiting 379 00:22:06,200 --> 00:22:08,560 Speaker 1: for Christian to call her and it's her like it's 380 00:22:08,600 --> 00:22:10,840 Speaker 1: just like this on the list of the phone, and 381 00:22:10,840 --> 00:22:14,040 Speaker 1: then I always wondered what that was until obviously later, 382 00:22:14,080 --> 00:22:17,480 Speaker 1: but I was like, that was such a weird cinematic choice. 383 00:22:17,560 --> 00:22:21,320 Speaker 1: And then I was like, Okay, it is good she 384 00:22:21,480 --> 00:22:26,679 Speaker 1: finally calls. I liked when Murray was explaining to share 385 00:22:26,840 --> 00:22:31,119 Speaker 1: that Christian was gay and used like oh my like 386 00:22:31,320 --> 00:22:36,879 Speaker 1: friend of Dorothy that like the strikes and chicken holding. Yeah, 387 00:22:37,040 --> 00:22:39,320 Speaker 1: I just want to live in the world. Yeah, yeah, 388 00:22:39,320 --> 00:22:40,560 Speaker 1: I would just want to live in a world where 389 00:22:40,680 --> 00:22:44,040 Speaker 1: high school boy would have the vocabulary to be able 390 00:22:44,080 --> 00:22:46,640 Speaker 1: to say that to me. He gives about every boy 391 00:22:46,640 --> 00:22:48,960 Speaker 1: I had a crush on in high school. He gives 392 00:22:49,000 --> 00:22:52,439 Speaker 1: another funny speech where he keeps calling Dion he's like 393 00:22:52,480 --> 00:22:55,480 Speaker 1: a woman, and she's like, don't call me woman. Yeah, 394 00:22:55,640 --> 00:22:57,680 Speaker 1: and then he's just he says this whole thing like 395 00:22:57,720 --> 00:22:59,879 Speaker 1: blah blah blah, and it's it's there's something and then 396 00:23:00,160 --> 00:23:03,760 Speaker 1: but it doesn't have to have like misogynistic undertones or 397 00:23:03,880 --> 00:23:08,280 Speaker 1: something like that. I wish she's like speaking of vehicular sex. 398 00:23:08,320 --> 00:23:10,440 Speaker 1: I always thought I was like, what is vehicular sex? Like? 399 00:23:10,480 --> 00:23:12,400 Speaker 1: I thought that was I didn't understand what she was saying. 400 00:23:12,440 --> 00:23:14,720 Speaker 1: She's like, I found this in the back of your car, 401 00:23:15,560 --> 00:23:17,320 Speaker 1: and she's like it's one of your stringy things. She's like, 402 00:23:17,359 --> 00:23:20,720 Speaker 1: I don't where synthetic care. Oh man, there's so many 403 00:23:20,760 --> 00:23:23,119 Speaker 1: good lines. One of my favorites is they're like the 404 00:23:23,119 --> 00:23:28,920 Speaker 1: PC term for virgin is challenge. Oh. I was gonna 405 00:23:28,960 --> 00:23:31,520 Speaker 1: say one of my favorite trivia pieces of this whole 406 00:23:31,600 --> 00:23:34,280 Speaker 1: movie is when she's giving the R s v P. 407 00:23:34,720 --> 00:23:36,520 Speaker 1: It does not say R s v P on the 408 00:23:36,600 --> 00:23:39,359 Speaker 1: Statue of Liberty and she's calling them and she calls 409 00:23:39,440 --> 00:23:43,960 Speaker 1: the Haitians Haitians that actually she actually made that mistake 410 00:23:44,600 --> 00:23:47,119 Speaker 1: in like rehearsal, and they were like, don't tell her, 411 00:23:47,200 --> 00:23:48,920 Speaker 1: just let her do it. And then it was like, 412 00:23:50,400 --> 00:23:53,760 Speaker 1: it's a it's a nice little uh Easter egg. There's 413 00:23:53,840 --> 00:23:57,240 Speaker 1: some there's some fun. I love when Share her calls 414 00:23:57,280 --> 00:24:01,320 Speaker 1: Amber Amne, she's praying form for her, but when you 415 00:24:01,359 --> 00:24:06,159 Speaker 1: get closed, she's a total mess. Like, but that is 416 00:24:06,200 --> 00:24:08,679 Speaker 1: like one of the satirical things that you could argue 417 00:24:08,880 --> 00:24:11,240 Speaker 1: is like, oh, that would be so fun for a 418 00:24:11,320 --> 00:24:13,600 Speaker 1: young girl to hear. And it totally was and and 419 00:24:13,680 --> 00:24:16,480 Speaker 1: still is. But if you fail to see the irony 420 00:24:16,520 --> 00:24:19,520 Speaker 1: in it could maybe plant some seeds of meanness in 421 00:24:19,560 --> 00:24:21,639 Speaker 1: your tiny little brain. Yeah. I mean, I feel like 422 00:24:21,680 --> 00:24:23,879 Speaker 1: I was at a very impressionable age when I saw it, 423 00:24:23,920 --> 00:24:27,800 Speaker 1: when like I started becoming obsessed with celebrity stuff and 424 00:24:27,920 --> 00:24:30,960 Speaker 1: it became like I'm not good enough. And when I 425 00:24:31,000 --> 00:24:33,160 Speaker 1: saw that movie, there's wasn't anything in it that really 426 00:24:33,240 --> 00:24:35,080 Speaker 1: made me feel like I need to be like these people. 427 00:24:35,119 --> 00:24:38,200 Speaker 1: They were so outlandish and so far removed from what 428 00:24:38,320 --> 00:24:41,080 Speaker 1: I know. And I think as much as I admired 429 00:24:41,119 --> 00:24:44,520 Speaker 1: Share and thought she was pretty and had cool clothes, there, 430 00:24:44,800 --> 00:24:47,919 Speaker 1: I recognize I thought she was nice. I think in 431 00:24:47,960 --> 00:24:51,320 Speaker 1: the end, she was a nice person, and I didn't 432 00:24:51,400 --> 00:24:53,359 Speaker 1: like any of the meanness from the other girls. It 433 00:24:53,359 --> 00:24:55,560 Speaker 1: didn't make me want to be mean. But I'm a 434 00:24:55,680 --> 00:24:57,399 Speaker 1: nice I was a nice person, So who knows. And 435 00:24:57,440 --> 00:24:59,440 Speaker 1: there isn't as much of the meanness as you might 436 00:24:59,520 --> 00:25:03,920 Speaker 1: expect in this movie, like, for example, in Mean Girls, 437 00:25:05,119 --> 00:25:09,359 Speaker 1: there's a lot more as you might imagine. And I 438 00:25:09,359 --> 00:25:11,959 Speaker 1: feel like in a lot of movies about high school 439 00:25:12,200 --> 00:25:15,480 Speaker 1: high school students, high school women especially, there's just so 440 00:25:15,600 --> 00:25:18,760 Speaker 1: much pettiness and cattiness, and even if their friends are 441 00:25:18,760 --> 00:25:20,960 Speaker 1: still just nasty to each other. And it's also I 442 00:25:21,040 --> 00:25:23,760 Speaker 1: thinking towards the end, it's not the worst, even if 443 00:25:23,800 --> 00:25:26,760 Speaker 1: it's most likely inaccurate in every way, it's not the 444 00:25:26,800 --> 00:25:31,200 Speaker 1: worst thing to tell young audiences that being very nice, 445 00:25:31,480 --> 00:25:33,760 Speaker 1: you can be very nice and also be very popular. 446 00:25:34,160 --> 00:25:37,600 Speaker 1: Like I don't think that that's super normalized idea, especially 447 00:25:37,640 --> 00:25:39,600 Speaker 1: in you know, the nineties. So it was nice to 448 00:25:39,600 --> 00:25:41,640 Speaker 1: be like, Oh, she's a decent person, she cares about 449 00:25:41,640 --> 00:25:44,440 Speaker 1: the people around her, and she's the most popular girl 450 00:25:44,480 --> 00:25:48,359 Speaker 1: in school, which is kind of like the ending. I 451 00:25:48,400 --> 00:25:51,639 Speaker 1: do like when she's like she catches the bouquet and 452 00:25:51,720 --> 00:25:54,600 Speaker 1: she ends up with her ex step brother, which is 453 00:25:54,600 --> 00:25:57,520 Speaker 1: fine because there's total chemistry and they're not connected anymore. 454 00:25:57,880 --> 00:26:01,920 Speaker 1: But I love when you're like she kind of does 455 00:26:01,960 --> 00:26:04,120 Speaker 1: a switch rooney where you think, like, oh my god, 456 00:26:04,119 --> 00:26:06,280 Speaker 1: she's gonna get married. She's like, you gross, we're not 457 00:26:06,320 --> 00:26:11,119 Speaker 1: doing if we're not from Kentucky. Like because it is 458 00:26:11,160 --> 00:26:14,320 Speaker 1: funny because in my mind they're still together, but that 459 00:26:14,359 --> 00:26:17,199 Speaker 1: was they were in high school, like and he was 460 00:26:17,560 --> 00:26:19,920 Speaker 1: there's no way they're still together. But I'm like, they 461 00:26:19,960 --> 00:26:24,320 Speaker 1: found lasting love that will last forever, and it's so didn't. 462 00:26:24,640 --> 00:26:26,679 Speaker 1: But that's the sort of thing where like three years 463 00:26:26,760 --> 00:26:30,200 Speaker 1: from then, absolutely, that's like SHARE's party story of like, yeah, 464 00:26:30,200 --> 00:26:32,760 Speaker 1: I used to date my step brother, Like it's a 465 00:26:32,800 --> 00:26:36,399 Speaker 1: great party story from She might have gotten into stand 466 00:26:36,440 --> 00:26:40,480 Speaker 1: up because of that. Oh I wanted to talk about Um, 467 00:26:40,720 --> 00:26:44,920 Speaker 1: I forget what the name of that asshole character is. 468 00:26:46,560 --> 00:26:49,960 Speaker 1: He's obviously a piece of ship and oh there's a 469 00:26:50,040 --> 00:26:53,680 Speaker 1: definite rape. Yeah. I wanted to talk about that scene 470 00:26:53,680 --> 00:26:58,760 Speaker 1: because Share does the best she possibly can in that 471 00:26:58,840 --> 00:27:01,800 Speaker 1: situation in the moment, but it was like that was 472 00:27:01,840 --> 00:27:04,560 Speaker 1: like a scene that didn't register with me the first time. 473 00:27:04,560 --> 00:27:06,440 Speaker 1: I watched it in this time, we're like, oh my god, 474 00:27:06,640 --> 00:27:10,000 Speaker 1: like he's trying to rape her, and then she's like, no, 475 00:27:10,160 --> 00:27:13,439 Speaker 1: leave me alone, and he abandons her in the parking 476 00:27:13,480 --> 00:27:15,400 Speaker 1: lot of this liquor store. I passed all the time 477 00:27:15,480 --> 00:27:18,679 Speaker 1: all the time. I loved what I used to pass that. 478 00:27:18,760 --> 00:27:22,280 Speaker 1: I would be like, but it's a liah and a whata. 479 00:27:22,480 --> 00:27:25,200 Speaker 1: She's like, that's really expensive designer and he's like, I'm 480 00:27:25,200 --> 00:27:30,000 Speaker 1: gonna really blow your fucking head off. That's a great part. 481 00:27:30,080 --> 00:27:32,520 Speaker 1: But but I totally agree with you that that did 482 00:27:32,520 --> 00:27:35,880 Speaker 1: not stand out to me, is like really that horrible. 483 00:27:35,920 --> 00:27:37,560 Speaker 1: I was just like, he's a jerk or whatever. But 484 00:27:37,960 --> 00:27:40,240 Speaker 1: looking back, and I don't even think they intended it 485 00:27:40,280 --> 00:27:43,760 Speaker 1: for because I think back then in that was not 486 00:27:43,920 --> 00:27:51,359 Speaker 1: qualified as scenes like the boys were kiss a girl 487 00:27:51,400 --> 00:27:53,800 Speaker 1: and she didn't feel like kissing him, and but him 488 00:27:53,880 --> 00:27:56,679 Speaker 1: leaving her, like, yeah, it was that was traumatic. She 489 00:27:56,720 --> 00:27:59,320 Speaker 1: does say she's like, oh what a night this has become. 490 00:27:59,359 --> 00:28:03,120 Speaker 1: I was sat really harassed. Oh so she does call 491 00:28:03,160 --> 00:28:05,560 Speaker 1: it out. But because it seems like that, especially at 492 00:28:05,600 --> 00:28:08,720 Speaker 1: the time, they were just so normalized, we like see 493 00:28:09,040 --> 00:28:11,560 Speaker 1: seems like that from that era and even yeah, I 494 00:28:11,600 --> 00:28:13,560 Speaker 1: mean like I can't cite another one off the top 495 00:28:13,560 --> 00:28:15,840 Speaker 1: of my head, but for sure we've all seen that 496 00:28:16,040 --> 00:28:18,920 Speaker 1: exact scene a number of times and it's just like 497 00:28:19,720 --> 00:28:23,399 Speaker 1: the takeaways supposed to be like she rejected him, not 498 00:28:23,400 --> 00:28:27,680 Speaker 1: not that like he did anything. Extremely My first kiss 499 00:28:27,720 --> 00:28:30,760 Speaker 1: was actually very similar to that, and it scared me 500 00:28:30,800 --> 00:28:33,159 Speaker 1: off from boys for so long. I mean it was 501 00:28:33,200 --> 00:28:35,159 Speaker 1: already late. I was like sixteen when I had my 502 00:28:35,200 --> 00:28:37,800 Speaker 1: first kiss. But he just and I was like I 503 00:28:37,840 --> 00:28:39,640 Speaker 1: liked him, and we both were kind of like we 504 00:28:39,760 --> 00:28:41,120 Speaker 1: like each other, and we were like in his living 505 00:28:41,160 --> 00:28:42,840 Speaker 1: room just kind of like you know what, and he 506 00:28:42,920 --> 00:28:45,240 Speaker 1: just left across the room and like attacked my face 507 00:28:45,280 --> 00:28:47,520 Speaker 1: and I was like, get off, Like I was just 508 00:28:47,560 --> 00:28:51,360 Speaker 1: like and he got really upset and like went into 509 00:28:51,400 --> 00:28:54,440 Speaker 1: his kitchen, was like slamming cabinets and was drinking. I 510 00:28:54,480 --> 00:28:57,040 Speaker 1: found out. Then he drove me home. He drove me 511 00:28:57,120 --> 00:29:00,120 Speaker 1: home and was so pissed. We were like good friends, 512 00:29:00,160 --> 00:29:02,800 Speaker 1: just speeding like through suburbs, and he dropped me off 513 00:29:02,800 --> 00:29:04,400 Speaker 1: and I got one ft out of the car and 514 00:29:04,400 --> 00:29:06,880 Speaker 1: he starts speeding off and like I almost like ran 515 00:29:06,960 --> 00:29:11,720 Speaker 1: me over, which I wouldn't have done had it not 516 00:29:11,840 --> 00:29:16,400 Speaker 1: been so aggressive. Yes, he literally sprung across the room 517 00:29:16,440 --> 00:29:18,800 Speaker 1: and then I didn't and then I didn't kiss another 518 00:29:18,840 --> 00:29:24,160 Speaker 1: boy for like years. That would have been very traumatic. 519 00:29:24,240 --> 00:29:28,400 Speaker 1: I understand why first kisses are traumatic enough in nature, 520 00:29:28,480 --> 00:29:32,719 Speaker 1: and the thing is, until talking about it right now, 521 00:29:32,720 --> 00:29:35,560 Speaker 1: I didn't realize how traumatic it was and how like 522 00:29:35,600 --> 00:29:38,080 Speaker 1: it totally makes sense that I was like scared of 523 00:29:38,160 --> 00:29:40,959 Speaker 1: him and boys after that, because it was very similar 524 00:29:41,000 --> 00:29:44,040 Speaker 1: to the Elton situation. Was like get off and he's 525 00:29:44,080 --> 00:29:46,400 Speaker 1: like still trying. You're like, you know, I mean tell 526 00:29:46,520 --> 00:29:51,480 Speaker 1: him like three, It's called sucking blow Elton. It's a game. 527 00:29:51,960 --> 00:29:54,880 Speaker 1: It's like I know you wanted it, Oh god, Yeah. 528 00:29:54,920 --> 00:29:57,000 Speaker 1: And the fact that he does that in the first place, 529 00:29:57,040 --> 00:29:59,840 Speaker 1: back of the party is just like she's clearly grossed 530 00:29:59,840 --> 00:30:03,320 Speaker 1: out by it. And prior to that, there's a number 531 00:30:03,320 --> 00:30:06,080 Speaker 1: of scenes where something happens in class, like she gets 532 00:30:06,080 --> 00:30:11,000 Speaker 1: a good grade or like they and kisses her like 533 00:30:11,120 --> 00:30:13,960 Speaker 1: keeps just like it's usually on the cheek, but it's 534 00:30:13,960 --> 00:30:17,320 Speaker 1: a mushy kiss. It's always like for a while, because 535 00:30:17,320 --> 00:30:19,560 Speaker 1: I didn't remember what their relationship was when I was 536 00:30:19,640 --> 00:30:21,680 Speaker 1: rewatching the movie and didn't remember that well, I thought 537 00:30:21,760 --> 00:30:24,400 Speaker 1: he was her boyfriend because he just keeps hugging her 538 00:30:24,400 --> 00:30:27,000 Speaker 1: and using her. And then you're like, oh wait, he's 539 00:30:27,000 --> 00:30:30,600 Speaker 1: just a creepy dude who raises his hand in the 540 00:30:30,640 --> 00:30:34,200 Speaker 1: middle class and says the stupidest things right, and it's 541 00:30:34,240 --> 00:30:37,840 Speaker 1: not even funny, like when the stoner guy does it right. Yeah, 542 00:30:37,960 --> 00:30:40,080 Speaker 1: I love when the stoner guy gives a speech about 543 00:30:40,160 --> 00:30:44,720 Speaker 1: my luffins. And I'd like to thank the staff of 544 00:30:44,760 --> 00:30:50,520 Speaker 1: the McDonald's, without which I might never be like anyways, 545 00:30:50,520 --> 00:30:53,360 Speaker 1: shout out to him, Shout out to Travis. Fuck Elton 546 00:30:53,840 --> 00:30:58,000 Speaker 1: and fuck Elton man. I hated his character. I hated 547 00:30:58,040 --> 00:31:00,000 Speaker 1: as dumb, like when he's singing to the Cranberries when 548 00:31:00,000 --> 00:31:02,560 Speaker 1: they're driving before he assaults her, He's like done where 549 00:31:04,000 --> 00:31:08,160 Speaker 1: where It's just like what, He's such a creep. And then, 550 00:31:08,480 --> 00:31:11,880 Speaker 1: first of all, so the story goes that he she's 551 00:31:11,880 --> 00:31:14,000 Speaker 1: trying to hook him up with Tie, and she thinks 552 00:31:14,000 --> 00:31:16,440 Speaker 1: he's into Tie because she took a picture of Tie 553 00:31:16,480 --> 00:31:19,840 Speaker 1: and he put the picture in his locker and then 554 00:31:19,840 --> 00:31:22,800 Speaker 1: he goes, I put a picture you took in my locker, 555 00:31:22,920 --> 00:31:25,360 Speaker 1: Like that's not it doesn't make any make any sense. 556 00:31:25,360 --> 00:31:27,920 Speaker 1: It's a picture of another girl that doesn't doesn't make sense. 557 00:31:27,960 --> 00:31:29,720 Speaker 1: Maybe she took a picture of a tree and he 558 00:31:29,800 --> 00:31:31,440 Speaker 1: put that in his locker, but if you take a 559 00:31:31,440 --> 00:31:34,120 Speaker 1: picture like that was a bad excuse. And also he 560 00:31:34,280 --> 00:31:38,440 Speaker 1: brings class into that conversation too by basically saying, like 561 00:31:38,480 --> 00:31:42,080 Speaker 1: why would I be with Tie? She's yeah, you know 562 00:31:42,240 --> 00:31:45,640 Speaker 1: who is? And it's like the first we don't know? 563 00:31:45,840 --> 00:31:50,120 Speaker 1: You know? But I bet that's a scene that got 564 00:31:50,160 --> 00:31:52,920 Speaker 1: cut that was Yeah, maybe I want to see I mean, 565 00:31:52,920 --> 00:31:54,680 Speaker 1: we don't see a lot of parents in this movie. 566 00:31:54,800 --> 00:31:57,560 Speaker 1: The closest we get to seeing parents is a guy 567 00:31:57,640 --> 00:32:03,280 Speaker 1: from Princess Bride and his teacher girlfriend gets his name again, 568 00:32:04,520 --> 00:32:08,040 Speaker 1: Oh that actor's name he existed in a very specific 569 00:32:08,120 --> 00:32:14,000 Speaker 1: ten year period is yeah, and miss Geist I would 570 00:32:14,000 --> 00:32:15,800 Speaker 1: have loved to see her again. And she was great 571 00:32:15,840 --> 00:32:19,160 Speaker 1: with her stockings falling down, and and then I didn't 572 00:32:19,200 --> 00:32:21,960 Speaker 1: ever get any of the jokes where like Share makes 573 00:32:21,960 --> 00:32:25,040 Speaker 1: the fake love letter and she's like she does Shakespeare 574 00:32:25,080 --> 00:32:27,920 Speaker 1: quote and he's like, what is that? She goes? Did 575 00:32:27,920 --> 00:32:32,640 Speaker 1: you write that? She goes? No, Cliff's nuts. That's a book, 576 00:32:32,920 --> 00:32:36,240 Speaker 1: And I I forgot like when I started watching it, like, 577 00:32:36,280 --> 00:32:39,280 Speaker 1: oh yeah, clue, this is based on something it's based 578 00:32:39,280 --> 00:32:44,320 Speaker 1: on Emma is that you know, girl who hooks everyone up, 579 00:32:44,360 --> 00:32:46,960 Speaker 1: which makes sense for share, But there's also a ton 580 00:32:47,040 --> 00:32:49,400 Speaker 1: of Shakespeare references and I was like reading about it, 581 00:32:49,440 --> 00:32:52,360 Speaker 1: and I guess it's because there's parts of the movie 582 00:32:52,400 --> 00:32:55,720 Speaker 1: that are also taken from Titus Andronicus. But I don't 583 00:32:55,720 --> 00:33:01,520 Speaker 1: know what happens in that play. Father fact, I didn't 584 00:33:01,600 --> 00:33:05,480 Speaker 1: get that Christian was gay, like as a kid, and ever, 585 00:33:05,720 --> 00:33:07,240 Speaker 1: I don't think I just all of a sudden they 586 00:33:07,240 --> 00:33:10,960 Speaker 1: were friends because to me, he says he's gay, he is, 587 00:33:11,040 --> 00:33:13,240 Speaker 1: like he says it in a kind of there's a 588 00:33:13,280 --> 00:33:14,840 Speaker 1: lot of noise going over it, so you can't hear. 589 00:33:14,880 --> 00:33:17,800 Speaker 1: And if you don't know what Dorothy lover ticket holding whatever, 590 00:33:18,080 --> 00:33:22,240 Speaker 1: I wouldn't never references even I know, five or six 591 00:33:22,320 --> 00:33:25,720 Speaker 1: years ago, no idea. And then when he's watching he 592 00:33:25,760 --> 00:33:27,920 Speaker 1: wants to watch all those Tony Curtis movies. Like that's 593 00:33:27,920 --> 00:33:30,000 Speaker 1: a reference no one would get. I'm like, oh, he 594 00:33:30,080 --> 00:33:32,760 Speaker 1: just likes boring movies, right, like he wants to watch 595 00:33:32,800 --> 00:33:36,800 Speaker 1: Spartacus cool whatever. I kind of wish that Christian had 596 00:33:36,880 --> 00:33:41,280 Speaker 1: like come out to her, yes, Like I mean, it's 597 00:33:41,280 --> 00:33:43,680 Speaker 1: coming from a straight person who doesn't know anything about 598 00:33:43,760 --> 00:33:47,200 Speaker 1: the experience of coming out. But I think that would 599 00:33:47,200 --> 00:33:49,400 Speaker 1: have been a nice thing to see in because we 600 00:33:49,440 --> 00:33:52,600 Speaker 1: have to assume it happens, because it seems like by 601 00:33:52,640 --> 00:33:55,840 Speaker 1: the next time that character shows up after Chair fails 602 00:33:55,840 --> 00:33:58,520 Speaker 1: to have sex with him, there's like an understanding between 603 00:33:58,560 --> 00:33:59,920 Speaker 1: them and it's not going to be an issue again. 604 00:34:00,440 --> 00:34:02,720 Speaker 1: But yeah, I would have liked to see that. And 605 00:34:03,600 --> 00:34:05,760 Speaker 1: I don't know, like we're registered for me. I remember 606 00:34:05,760 --> 00:34:07,920 Speaker 1: when I heard Murray saying that stuff as a kid, 607 00:34:08,000 --> 00:34:11,440 Speaker 1: like Barbara streisand Judy Garland and all that stuff, like 608 00:34:11,480 --> 00:34:17,040 Speaker 1: this sounds like me. I love you know, though I'm 609 00:34:17,080 --> 00:34:22,200 Speaker 1: surprised that, um there wasn't more of a homophobia in 610 00:34:22,200 --> 00:34:24,960 Speaker 1: in his description of him. I mean there were like 611 00:34:25,040 --> 00:34:27,960 Speaker 1: funny you know, without saying gay. He made a bunch 612 00:34:28,000 --> 00:34:32,760 Speaker 1: of like did resort to like pretty stereotypical but not 613 00:34:33,280 --> 00:34:36,839 Speaker 1: harsh necessarily harsh. Yeah, And I don't and we never 614 00:34:37,040 --> 00:34:40,879 Speaker 1: saw him get any like they seem to accepting of him, 615 00:34:40,920 --> 00:34:43,720 Speaker 1: and like, you know, and then when he saves Tie 616 00:34:43,880 --> 00:34:46,680 Speaker 1: when they're at the mall, he like steps up as 617 00:34:46,719 --> 00:34:49,040 Speaker 1: like a fucking macho man in that scene, which I 618 00:34:49,120 --> 00:34:52,880 Speaker 1: really like. Yeah, and there's no yeah. Like Murray's description 619 00:34:52,920 --> 00:34:55,960 Speaker 1: definitely isn't perfect, but for I feel like just the 620 00:34:55,960 --> 00:34:59,920 Speaker 1: fact that his implication isn't like there was no just 621 00:35:00,040 --> 00:35:03,279 Speaker 1: sky yeah, which which is what you would kind of 622 00:35:03,320 --> 00:35:08,120 Speaker 1: expect out of like a straight male high school boy 623 00:35:08,360 --> 00:35:11,520 Speaker 1: like that. I did also appreciate that even though the 624 00:35:11,560 --> 00:35:14,000 Speaker 1: actress who plays this character turned out to be horrible, 625 00:35:14,239 --> 00:35:16,080 Speaker 1: but that they're one of the main characters was a 626 00:35:16,080 --> 00:35:19,919 Speaker 1: woman of color. That was nice. Yeah, that was great. 627 00:35:20,280 --> 00:35:22,960 Speaker 1: It's a good point. Speaking of Christian one of the 628 00:35:23,000 --> 00:35:26,239 Speaker 1: things I wanted to talk about was she before she 629 00:35:26,280 --> 00:35:29,000 Speaker 1: knows that he is gay and they're going on on 630 00:35:29,040 --> 00:35:31,759 Speaker 1: when she thinks it's a date. She comes down and 631 00:35:31,800 --> 00:35:34,360 Speaker 1: she's dressed in this little white dress, and then Josh 632 00:35:34,560 --> 00:35:36,120 Speaker 1: is like, you couldn't let her go out on that 633 00:35:36,400 --> 00:35:40,360 Speaker 1: talking to her dad because apparently she's dressed too scantily, 634 00:35:41,560 --> 00:35:46,560 Speaker 1: And it was just upsetting that to see Josh be like, oh, 635 00:35:46,600 --> 00:35:49,960 Speaker 1: she's like, the implication is, oh, she looks like a slut. 636 00:35:50,680 --> 00:35:55,440 Speaker 1: She's not, so her dad's like, cover that up. I 637 00:35:55,480 --> 00:35:57,560 Speaker 1: don't know. I guess that that didn't register with me 638 00:35:57,600 --> 00:36:00,960 Speaker 1: because I for sure heard that from my dad at 639 00:36:01,080 --> 00:36:04,600 Speaker 1: least once your dad is a pig, I mean, but 640 00:36:05,120 --> 00:36:09,200 Speaker 1: like not to give into the patriarchy, but like sometimes 641 00:36:09,280 --> 00:36:12,520 Speaker 1: like you can see my ass, you know, and I 642 00:36:12,520 --> 00:36:17,759 Speaker 1: wouldn't want my child. Yeah, I I get what you're saying, 643 00:36:17,760 --> 00:36:19,239 Speaker 1: and I also give what I think of what you 644 00:36:19,360 --> 00:36:23,840 Speaker 1: both are saying, and I agree with them because sometimes 645 00:36:23,880 --> 00:36:25,400 Speaker 1: I feel like women dressed in a certain way that 646 00:36:25,480 --> 00:36:28,960 Speaker 1: is uncomfortable for them out on the town and they're asked, 647 00:36:28,960 --> 00:36:30,560 Speaker 1: we'll be hanging out and it's like, you don't need 648 00:36:30,640 --> 00:36:34,040 Speaker 1: to do that to, you know, to impress this person. 649 00:36:34,239 --> 00:36:36,920 Speaker 1: But I also feel like where whatever you want, it 650 00:36:37,120 --> 00:36:39,600 Speaker 1: never it never struck me until you said that though, 651 00:36:39,960 --> 00:36:42,120 Speaker 1: and until you brought it up that it was a 652 00:36:42,120 --> 00:36:45,600 Speaker 1: little bit like stop dressing like a slut, because there 653 00:36:45,600 --> 00:36:48,000 Speaker 1: are a lot of indications of there's a lot of 654 00:36:48,000 --> 00:36:50,839 Speaker 1: that talk in the movie. I think that, like, um, 655 00:36:51,200 --> 00:36:54,560 Speaker 1: do they talk about Amber dressing like a slut? They 656 00:36:54,600 --> 00:36:56,640 Speaker 1: mentioned like she's like, oh I have enough from my 657 00:36:56,760 --> 00:36:59,799 Speaker 1: plastic surgeon that no balls should be thrown in my 658 00:36:59,800 --> 00:37:03,800 Speaker 1: face or something and really goes your social life. So 659 00:37:04,040 --> 00:37:06,120 Speaker 1: it's weird because a lot of it. The thing that 660 00:37:06,160 --> 00:37:08,520 Speaker 1: I would find weird about the scene is that, Like 661 00:37:08,800 --> 00:37:10,759 Speaker 1: Josh is the one who says, are you going to 662 00:37:10,880 --> 00:37:13,200 Speaker 1: let her go out like that? Like, basically her peer 663 00:37:13,440 --> 00:37:17,120 Speaker 1: is saying that, which felt weird. Well, we can assume 664 00:37:17,280 --> 00:37:21,759 Speaker 1: that because he likes her. They don't really, they might 665 00:37:21,800 --> 00:37:23,719 Speaker 1: not know they like each other yet, but they do. 666 00:37:24,600 --> 00:37:26,680 Speaker 1: He's just like, oh, I don't want her to be 667 00:37:26,719 --> 00:37:28,560 Speaker 1: sexual with anyone else. I want to be to be 668 00:37:28,600 --> 00:37:31,960 Speaker 1: sexual with me, So like, cover up your sexiness so 669 00:37:31,960 --> 00:37:34,120 Speaker 1: that I can have it later. I think it's a 670 00:37:34,320 --> 00:37:38,120 Speaker 1: very approach. Yeah, so he should just be okay with 671 00:37:38,160 --> 00:37:40,440 Speaker 1: whatever she wants to wear. Also, what she was wearing 672 00:37:40,440 --> 00:37:43,920 Speaker 1: in that scene is wasn't any cute. It was a 673 00:37:44,040 --> 00:37:46,279 Speaker 1: great outfit and it was I mean it was the 674 00:37:46,320 --> 00:37:48,799 Speaker 1: same thing that she's been wearing all along, Like the 675 00:37:48,840 --> 00:37:52,600 Speaker 1: same length of skirt dress. I mean, you know another 676 00:37:52,719 --> 00:37:56,040 Speaker 1: way that that kind of same. I keep getting these 677 00:37:56,160 --> 00:37:58,160 Speaker 1: scenes mixed up. His father of the Bride, do you 678 00:37:58,200 --> 00:38:02,000 Speaker 1: remember are you familiar with that movie? Well, her her 679 00:38:02,080 --> 00:38:04,719 Speaker 1: dad is she comes back home from college and she's 680 00:38:04,719 --> 00:38:08,280 Speaker 1: engaged to this guy, and her dad's like they're leaving 681 00:38:08,280 --> 00:38:12,960 Speaker 1: to go out after dinner her fiance and her dad's like, 682 00:38:13,080 --> 00:38:14,440 Speaker 1: it's a little cold, out there, you want to put 683 00:38:14,480 --> 00:38:16,799 Speaker 1: something on, like she's not like exposed, but he's like 684 00:38:16,840 --> 00:38:18,920 Speaker 1: She's like, no, dad, I'll be fine. And then her 685 00:38:18,960 --> 00:38:20,799 Speaker 1: boyfriend goes, it is a little cold. She goes, oh yeah, 686 00:38:20,800 --> 00:38:22,960 Speaker 1: I'll get my jacket, like she just instantly does it 687 00:38:23,080 --> 00:38:25,120 Speaker 1: for him, and that was like another kind of way 688 00:38:25,160 --> 00:38:28,319 Speaker 1: without making it about her being showing too much skin, 689 00:38:29,480 --> 00:38:31,840 Speaker 1: which reminds me of one of my favorite lines in 690 00:38:31,840 --> 00:38:34,480 Speaker 1: the movie when she's like explaining how you can get 691 00:38:34,480 --> 00:38:36,800 Speaker 1: a boy to like you. She's like, show a little 692 00:38:36,880 --> 00:38:39,480 Speaker 1: skin and that will make a boy picture you naked, 693 00:38:39,520 --> 00:38:44,680 Speaker 1: which reminds them of six. That is really fun. That 694 00:38:44,800 --> 00:38:48,080 Speaker 1: is totally a line that I took as actual advice, 695 00:38:49,280 --> 00:38:53,120 Speaker 1: like very obviously and exactly that that. So there's the 696 00:38:53,200 --> 00:38:57,399 Speaker 1: dangerous territory in that. That was stuff that though like, yeah, 697 00:38:57,480 --> 00:39:00,640 Speaker 1: in high school, I remember my my first school boyfriend, 698 00:39:00,680 --> 00:39:03,000 Speaker 1: who I feel like I site constantly on this podcast 699 00:39:03,920 --> 00:39:07,279 Speaker 1: so much. But there was like one time where we 700 00:39:07,400 --> 00:39:12,080 Speaker 1: both like saved up money from our part time jobs 701 00:39:12,120 --> 00:39:15,080 Speaker 1: to go to a seafood restaurant together because we had 702 00:39:15,200 --> 00:39:20,080 Speaker 1: both heard that oysters were an as We're like saved 703 00:39:20,120 --> 00:39:21,960 Speaker 1: up for weeks and we're like and we literally went 704 00:39:22,000 --> 00:39:26,000 Speaker 1: to the cheesecake factory, but they have oysters, and then 705 00:39:26,000 --> 00:39:28,680 Speaker 1: we're just like, oh, like maybe we're gonna kiss with 706 00:39:28,800 --> 00:39:33,720 Speaker 1: tongue tonight because we had all this fish. But stuff 707 00:39:33,760 --> 00:39:35,480 Speaker 1: like that, like I don't know where I would have 708 00:39:35,560 --> 00:39:38,759 Speaker 1: gotten that from, if not from a movie or a 709 00:39:38,760 --> 00:39:42,279 Speaker 1: book or something like that. Um, And that's like a 710 00:39:42,320 --> 00:39:45,680 Speaker 1: more innocent incarnation of taking stuff like that and trying 711 00:39:45,719 --> 00:39:48,680 Speaker 1: to like desperately trying to apply it to your real life. 712 00:39:48,760 --> 00:39:50,759 Speaker 1: But it does stick with you. It's weird. And like 713 00:39:50,800 --> 00:39:54,120 Speaker 1: how parents after they have sex, like on sitcoms, they're 714 00:39:54,120 --> 00:39:56,879 Speaker 1: always really happy the next morning. So you're like, oh, 715 00:39:56,920 --> 00:39:59,799 Speaker 1: if mom's ever happy she got laid last night, because 716 00:39:59,800 --> 00:40:03,320 Speaker 1: that's only way that a housewife can be prancing around 717 00:40:03,360 --> 00:40:05,279 Speaker 1: the house with a smile on her face as if 718 00:40:05,280 --> 00:40:08,920 Speaker 1: she got laid. That was always a thing like, So 719 00:40:09,000 --> 00:40:11,040 Speaker 1: I guess sex makes people happy, which I mean, it 720 00:40:11,360 --> 00:40:15,520 Speaker 1: doesn't not have to smoke a cigarette afterwards. So much 721 00:40:15,560 --> 00:40:17,759 Speaker 1: of that, but a great line from that also that 722 00:40:17,880 --> 00:40:20,800 Speaker 1: date scene was when she gets in the car with Christian, 723 00:40:20,840 --> 00:40:23,640 Speaker 1: who I think most people would have already figured out 724 00:40:23,640 --> 00:40:26,960 Speaker 1: as gay, and he's listening to Billy Holliday. Who is this? 725 00:40:27,120 --> 00:40:33,360 Speaker 1: She's like Billy Holiday, She's like I love him. Oh God, 726 00:40:33,680 --> 00:40:36,560 Speaker 1: so good. It's a great comedy. It's it's packed with 727 00:40:36,640 --> 00:40:40,040 Speaker 1: funny lines like joke, joke, joke, it's it's I love 728 00:40:40,120 --> 00:40:44,959 Speaker 1: that about it. And it's written and directed by a woman, Amyling. 729 00:40:45,320 --> 00:40:49,960 Speaker 1: And here's a fun reference to your least favorite episode ever, Caitlin. 730 00:40:50,400 --> 00:40:55,640 Speaker 1: Is that Amy Heckerling used to date Martin Breast, who 731 00:40:56,200 --> 00:41:06,960 Speaker 1: directed sag Connection Indoors. Oh my god? What else is 732 00:41:07,040 --> 00:41:11,520 Speaker 1: Amory Heroling Dunne. She also like helmed the TV spinoff 733 00:41:13,040 --> 00:41:15,640 Speaker 1: Let's See she was involved so she directed Fast Times 734 00:41:15,640 --> 00:41:21,319 Speaker 1: at Ridgemont High. She directed National Lampoon's European Vacation. She 735 00:41:21,440 --> 00:41:26,640 Speaker 1: directed Look Who's Talking? I loved it? And then she 736 00:41:26,760 --> 00:41:31,200 Speaker 1: later worked on A Night the Roxbury Loved It, directed 737 00:41:31,239 --> 00:41:34,600 Speaker 1: an episode of the first season of the Office, and 738 00:41:34,920 --> 00:41:38,160 Speaker 1: directed a little bit of Gossip Girl. All right. She 739 00:41:38,160 --> 00:41:40,640 Speaker 1: she had a good career to write something again, come on, 740 00:41:40,880 --> 00:41:46,280 Speaker 1: come back baby? Well hi are you Amy? Yeah? We're wealthy. 741 00:41:46,680 --> 00:41:49,480 Speaker 1: The other thing I wanted to mention is that the 742 00:41:49,840 --> 00:41:53,160 Speaker 1: like flirtatious banter that happens throughout the movie between Share 743 00:41:53,280 --> 00:41:57,919 Speaker 1: and Josh is a lot of nagging about her appearance, 744 00:41:58,400 --> 00:42:03,040 Speaker 1: which bothered me. You're really filling out that job that's 745 00:42:03,040 --> 00:42:08,720 Speaker 1: like his first and you know, I understand, like negging 746 00:42:08,800 --> 00:42:12,319 Speaker 1: is a concept of like flirting, especially if it's like 747 00:42:12,800 --> 00:42:16,919 Speaker 1: because it can't you know, it's not the best way 748 00:42:16,960 --> 00:42:19,799 Speaker 1: to flirt. I've for sure done it. It's for sure 749 00:42:19,920 --> 00:42:22,520 Speaker 1: been done to me, like it happens, and sometimes it 750 00:42:22,600 --> 00:42:26,000 Speaker 1: for sure works, and sometimes it does. Um. I love 751 00:42:26,040 --> 00:42:31,799 Speaker 1: being a bully. That's how I've gotten every person's heart. 752 00:42:32,040 --> 00:42:36,200 Speaker 1: And then I fixed that. But it's often at the 753 00:42:36,200 --> 00:42:40,160 Speaker 1: expense of her appearance or her just like, you know, 754 00:42:40,200 --> 00:42:42,919 Speaker 1: he's making fun of you go to the mall a lot. 755 00:42:43,000 --> 00:42:46,160 Speaker 1: You're just a stupid girl who shops and I don't know. 756 00:42:46,280 --> 00:42:49,479 Speaker 1: I mean, that is kind of her character. But then 757 00:42:49,640 --> 00:42:53,400 Speaker 1: she gets really affected by that kind of um insult 758 00:42:53,640 --> 00:42:55,319 Speaker 1: when she starts to like him, and she's like, I 759 00:42:55,360 --> 00:42:57,759 Speaker 1: want to seem more than that, and I am more 760 00:42:57,800 --> 00:43:01,040 Speaker 1: than that, and I think that that, Um, I like her. 761 00:43:01,080 --> 00:43:04,880 Speaker 1: Her rebellion of that concept that she's just like a 762 00:43:04,920 --> 00:43:08,160 Speaker 1: mall rat, I think is going in the right direction. 763 00:43:08,680 --> 00:43:10,799 Speaker 1: He was there at the dinner table and she's like, 764 00:43:10,920 --> 00:43:13,000 Speaker 1: I have direction. He's like, yeah, they're the mall, and 765 00:43:13,040 --> 00:43:16,239 Speaker 1: she's just like yeah. And then there's one point where 766 00:43:16,280 --> 00:43:20,480 Speaker 1: he's criticizing how like her effect on tie uh and 767 00:43:20,520 --> 00:43:22,600 Speaker 1: he says something like oh, yeah, there's been a lot 768 00:43:22,640 --> 00:43:26,239 Speaker 1: more bare midriff or like whatever, um, and she does 769 00:43:26,320 --> 00:43:29,640 Speaker 1: give it back to him. There's that time when they 770 00:43:29,680 --> 00:43:32,719 Speaker 1: get all the take out for shares dad, which, first 771 00:43:32,719 --> 00:43:36,880 Speaker 1: of all, I loved that she's such a good person 772 00:43:37,280 --> 00:43:40,320 Speaker 1: and has a great relationship with her dad. Um, but 773 00:43:40,480 --> 00:43:43,600 Speaker 1: where um he's he says like how many hours a 774 00:43:43,680 --> 00:43:46,000 Speaker 1: day he's been grooming and she sort of throws it 775 00:43:46,040 --> 00:43:48,959 Speaker 1: back to him. It's like, oh, you can't look as 776 00:43:49,000 --> 00:43:51,600 Speaker 1: perfect as you. So it's like there is a but 777 00:43:51,680 --> 00:43:56,680 Speaker 1: I feel like he makes more personal hits towards her 778 00:43:56,920 --> 00:43:59,560 Speaker 1: that almost always have to do with her appearance, where 779 00:44:00,080 --> 00:44:02,880 Speaker 1: like when she insults him, it's almost like, oh, yeah, 780 00:44:03,120 --> 00:44:07,680 Speaker 1: you read a lot of books or like it vague yeah, 781 00:44:07,760 --> 00:44:09,799 Speaker 1: and it could just be you know, the time, it 782 00:44:09,920 --> 00:44:12,719 Speaker 1: was the nineties, we were all terrible. But the other 783 00:44:12,719 --> 00:44:16,680 Speaker 1: thing I wanted to mention was on first glance, she 784 00:44:16,840 --> 00:44:20,640 Speaker 1: seems like a kind of a ditzy airhead, but she 785 00:44:20,680 --> 00:44:24,839 Speaker 1: gets good grades she gets like A in geometry. In fact, 786 00:44:24,880 --> 00:44:26,879 Speaker 1: I paused the part where you see her credit card 787 00:44:26,920 --> 00:44:30,919 Speaker 1: and like there's little comments on it. And under her 788 00:44:31,080 --> 00:44:33,719 Speaker 1: biology classes report card, Oh yeah, what did I say 789 00:44:33,760 --> 00:44:41,800 Speaker 1: in a credit card? Stop her report card? Yeah? And 790 00:44:42,120 --> 00:44:46,279 Speaker 1: under biology it says, uh, won't dissect anything, and then 791 00:44:46,400 --> 00:44:57,160 Speaker 1: under geometry geometry it says good shapes. Yeah, she's she's 792 00:44:57,239 --> 00:45:00,160 Speaker 1: not an airhead. She you know, her speech is she 793 00:45:00,200 --> 00:45:03,600 Speaker 1: gives in her debate class or whatever are seemed quite vapid. 794 00:45:03,719 --> 00:45:07,600 Speaker 1: But she's smart and like takes an active interest. I 795 00:45:07,680 --> 00:45:12,120 Speaker 1: do love that she negotiates her grades and all that 796 00:45:12,200 --> 00:45:14,520 Speaker 1: you're telling me you argued you away from a C 797 00:45:14,719 --> 00:45:18,360 Speaker 1: minus to a B plus. And then he's like, based 798 00:45:18,360 --> 00:45:20,640 Speaker 1: on the powers of persuasion. He's like, I couldn't be 799 00:45:20,680 --> 00:45:25,560 Speaker 1: prouder if they were based on an actual um. The 800 00:45:25,560 --> 00:45:29,080 Speaker 1: fact that she does take an active interest in her 801 00:45:29,120 --> 00:45:33,200 Speaker 1: grade and she's never I was impressed, because, like when 802 00:45:33,239 --> 00:45:35,319 Speaker 1: I was rewatching it, I'm like, oh, does her dad 803 00:45:35,360 --> 00:45:38,600 Speaker 1: ever try to force her into any sort of stereotypical world? 804 00:45:38,600 --> 00:45:41,400 Speaker 1: But he really doesn't like when he has that discussion 805 00:45:41,440 --> 00:45:44,680 Speaker 1: with Josh and share Um and shares like whatever, he's 806 00:45:44,719 --> 00:45:47,600 Speaker 1: a big geek and he's and but her dad just 807 00:45:47,719 --> 00:45:50,000 Speaker 1: as badly wants her to find what she wants to 808 00:45:50,040 --> 00:45:53,120 Speaker 1: do and have like a successful career, and you know, 809 00:45:53,200 --> 00:45:57,600 Speaker 1: she helps him with his health health and his lawyer 810 00:45:57,719 --> 00:46:00,839 Speaker 1: stuff at times, and it's like it does seem like 811 00:46:01,160 --> 00:46:04,359 Speaker 1: he's not for the most part or no more than 812 00:46:04,400 --> 00:46:07,680 Speaker 1: a normal good dad would be like an oppressive force 813 00:46:07,719 --> 00:46:10,239 Speaker 1: in her wife, which is kind of cool, right, Yeah. 814 00:46:10,719 --> 00:46:12,920 Speaker 1: I remember getting so anxious when she's doing all the 815 00:46:13,000 --> 00:46:15,319 Speaker 1: highlighting for her dad and then she fox it up 816 00:46:16,000 --> 00:46:18,680 Speaker 1: and that guy yells at her and leaves, and it 817 00:46:18,880 --> 00:46:20,719 Speaker 1: like if you guys were flirting the whole time, and 818 00:46:20,760 --> 00:46:23,000 Speaker 1: she's just like she feels really stupid. That gave me 819 00:46:23,040 --> 00:46:27,000 Speaker 1: so much anxiety, like as a as someone who's tempted 820 00:46:27,000 --> 00:46:31,120 Speaker 1: a lot and like fucked things up, like and like 821 00:46:31,320 --> 00:46:33,360 Speaker 1: having that feeling like, oh, I'm just a girl that 822 00:46:33,680 --> 00:46:36,240 Speaker 1: is so confused and like doesn't get it, Like there's 823 00:46:36,280 --> 00:46:40,560 Speaker 1: something there that makes me a little feel insecure totally. 824 00:46:40,680 --> 00:46:43,560 Speaker 1: And then um, Josh defends her. I kind of I 825 00:46:43,600 --> 00:46:46,080 Speaker 1: wish like she had defended herself, but you know, I 826 00:46:46,200 --> 00:46:51,440 Speaker 1: can't have everything. Um, he defends her, like arguing against 827 00:46:51,520 --> 00:46:53,560 Speaker 1: a lot of the things, a lot of like the 828 00:46:53,600 --> 00:46:57,720 Speaker 1: ammunition he used when he was like flirtatiously nagging her before, 829 00:46:57,880 --> 00:47:01,960 Speaker 1: like she's not just a dumb mom. Yeah, but yeah, 830 00:47:02,040 --> 00:47:04,080 Speaker 1: and then they go and they have that nice little kiss, 831 00:47:04,600 --> 00:47:08,840 Speaker 1: like you really like that. I just want Paul Rod 832 00:47:08,840 --> 00:47:15,759 Speaker 1: to kiss me. He's so, he's still sixteen a couple 833 00:47:15,800 --> 00:47:23,759 Speaker 1: of years gonna live for Breckon Meyer is still very 834 00:47:23,760 --> 00:47:26,239 Speaker 1: handsome too, but he like looks his age, which is 835 00:47:26,320 --> 00:47:30,560 Speaker 1: not that's not an assault. This is a little gossip, 836 00:47:30,600 --> 00:47:33,080 Speaker 1: But I saw him with a much younger lady when 837 00:47:33,160 --> 00:47:35,640 Speaker 1: I saw him at bruncheon. It looked like he was 838 00:47:35,680 --> 00:47:39,840 Speaker 1: taking his niece out o Brecon that's ft. I know, 839 00:47:40,520 --> 00:47:43,560 Speaker 1: maybe she's an old soul. Who's that? That's what they 840 00:47:43,600 --> 00:47:47,560 Speaker 1: all say. Who's that? Like superhero actor right now that's 841 00:47:47,600 --> 00:47:49,920 Speaker 1: standing like a nineteen year old. I was really enjoying 842 00:47:49,960 --> 00:47:53,400 Speaker 1: some recent coverage of that on like Pearance Hilton and 843 00:47:53,480 --> 00:47:57,719 Speaker 1: Jess Jared. Really yeah, there's like a major Oh, I 844 00:47:57,800 --> 00:48:01,040 Speaker 1: think it might be Henry Cavill, Superman who is dating 845 00:48:01,080 --> 00:48:04,719 Speaker 1: a teenager and like he's like doing his best to 846 00:48:04,880 --> 00:48:09,040 Speaker 1: explain it away and like my favorite Henry Cavil excuse 847 00:48:09,080 --> 00:48:11,000 Speaker 1: for dating a teenager was he was like, well, when 848 00:48:11,040 --> 00:48:15,320 Speaker 1: I was seventeen, I dated a thirty five year old 849 00:48:15,440 --> 00:48:18,399 Speaker 1: and it's like, oh, and Henry Cavitt, that's probably why 850 00:48:18,520 --> 00:48:22,600 Speaker 1: you're like this now like break the cycle, Superman, he 851 00:48:22,640 --> 00:48:25,640 Speaker 1: won't do it. Yeah, I'll tell you. Oh. He split 852 00:48:25,680 --> 00:48:28,520 Speaker 1: from his nineteen year old girlfriend in May of two 853 00:48:28,560 --> 00:48:31,479 Speaker 1: thou sixteen. Good for her. Does anyone have any thought 854 00:48:31,560 --> 00:48:35,719 Speaker 1: final thoughts about the movie before we rate it? We 855 00:48:35,840 --> 00:48:38,920 Speaker 1: rate it, we ate it. I think we talked about 856 00:48:38,960 --> 00:48:46,960 Speaker 1: every every scene, every single scene. Um great soundtrack Killers. 857 00:48:47,040 --> 00:48:48,600 Speaker 1: I was listening to it on the way over, just 858 00:48:48,640 --> 00:48:52,560 Speaker 1: like getting myself, am gonna be super Model? What a 859 00:48:52,680 --> 00:48:56,040 Speaker 1: great song that? And then later on the Lizzie McGuire 860 00:48:56,320 --> 00:49:00,279 Speaker 1: movie soundtrack really just guided me. Was it good? It's 861 00:49:00,760 --> 00:49:03,680 Speaker 1: real good. It's more early two thousands, but it's like 862 00:49:03,960 --> 00:49:08,359 Speaker 1: clueless for two thousand and three styles. I was just 863 00:49:08,400 --> 00:49:13,160 Speaker 1: recalling even Stevens, did you want to see Carls and Romana? 864 00:49:13,320 --> 00:49:15,960 Speaker 1: I know what happened to her. She's like a scientist now, 865 00:49:16,000 --> 00:49:20,160 Speaker 1: probably woman and stable. She was definitely a woman and 866 00:49:20,200 --> 00:49:23,200 Speaker 1: step by the way Christian calls shares legs, stems and 867 00:49:23,200 --> 00:49:27,040 Speaker 1: I was like, good, A stem mentioned we got it 868 00:49:27,080 --> 00:49:32,280 Speaker 1: in no steampunk in this movie. I was happy, um, 869 00:49:32,320 --> 00:49:36,799 Speaker 1: because usually the someone's the steampunk culture permeates all my 870 00:49:36,840 --> 00:49:39,719 Speaker 1: favorite films, and I'm triggeringly. I have to go on 871 00:49:39,760 --> 00:49:43,719 Speaker 1: a Walk is one of your favorite films? I do 872 00:49:43,840 --> 00:49:48,080 Speaker 1: know all the words to the themes, me too too. 873 00:49:48,440 --> 00:49:52,640 Speaker 1: I remember I specifically remember bragging about that at lunch once, 874 00:49:53,120 --> 00:49:56,600 Speaker 1: like my sophomore year, like, um, do you want me 875 00:49:56,640 --> 00:50:01,680 Speaker 1: to recite all the uto d No, you don't, none, 876 00:50:02,080 --> 00:50:06,879 Speaker 1: none of this soldiers. Look, it's like I told you, 877 00:50:08,960 --> 00:50:14,040 Speaker 1: I'm triggered in distress. Ye out of that dress when 878 00:50:14,040 --> 00:50:16,320 Speaker 1: they meet Jim West. Oh that's good. I had to 879 00:50:16,360 --> 00:50:19,359 Speaker 1: listen that song again. It's so terrible. Oh god, it's bad. 880 00:50:19,440 --> 00:50:21,799 Speaker 1: It's like tattooed into my brain. Maybe you self joke 881 00:50:21,880 --> 00:50:24,520 Speaker 1: about that song about how like that. I used to 882 00:50:25,000 --> 00:50:27,600 Speaker 1: do a joke about how whenever you break up, never 883 00:50:27,640 --> 00:50:30,600 Speaker 1: have whenever you pick a song with someone like your song, 884 00:50:30,920 --> 00:50:33,239 Speaker 1: just pick a terrible song so that like when you 885 00:50:33,280 --> 00:50:35,759 Speaker 1: hear it, you'll never yeah, you don't hear it, and 886 00:50:35,800 --> 00:50:39,800 Speaker 1: so just always pick uh Will Smith's Wild Wildlass because 887 00:50:39,840 --> 00:50:42,160 Speaker 1: no one feels I was like Jada Pickett. Smith could 888 00:50:42,160 --> 00:50:43,560 Speaker 1: break up with Will Smith and hear that song and 889 00:50:43,600 --> 00:50:46,799 Speaker 1: feel nothing, but it's so bad, So I like that. 890 00:50:47,040 --> 00:50:51,600 Speaker 1: I like that the Cisco's involved though, he goes goes Cisco. Yeah, 891 00:50:52,360 --> 00:50:58,080 Speaker 1: it's good too, the wow wow, and that's where he 892 00:50:58,120 --> 00:51:02,520 Speaker 1: went and disappeared because I haven't heard Cisco since. Dude, Cisco. 893 00:51:02,840 --> 00:51:05,080 Speaker 1: Maybe this gets back to my nine eleven anecdote. I 894 00:51:05,080 --> 00:51:06,719 Speaker 1: don't know if I've ever talked about it on the 895 00:51:06,760 --> 00:51:10,040 Speaker 1: cast before. When I saw the Backstreet Boys perform live 896 00:51:10,080 --> 00:51:15,040 Speaker 1: in Boston the night before nine eleven September, I was 897 00:51:15,120 --> 00:51:19,120 Speaker 1: at the show and Cisco opened Whoa. My mom made 898 00:51:19,200 --> 00:51:21,680 Speaker 1: me miss the first twenty minutes of the Backstreet Boys 899 00:51:21,719 --> 00:51:23,520 Speaker 1: because she had a crush on Cisco, and she's like, 900 00:51:23,560 --> 00:51:26,400 Speaker 1: we've got to get in mine to meet Cisco. I 901 00:51:26,400 --> 00:51:28,799 Speaker 1: remember being so mad. I was like, I don't want 902 00:51:28,800 --> 00:51:30,800 Speaker 1: to meet Cisco. I want to look at Nick Carter, 903 00:51:30,920 --> 00:51:33,200 Speaker 1: and my mom was like, we've got an Oh my god. 904 00:51:33,280 --> 00:51:36,280 Speaker 1: Your mom was definitely wearing a thong. She was horny 905 00:51:36,360 --> 00:51:41,400 Speaker 1: for Cisco, probably wearing like a tree or fours. Got 906 00:51:41,520 --> 00:51:46,000 Speaker 1: to get that coverage. Yeah, oh god, yeah, that's really cute. 907 00:51:46,320 --> 00:51:51,239 Speaker 1: It's wild. It was a simpler time. That literally was 908 00:51:52,160 --> 00:51:56,719 Speaker 1: the last the weaning hours of the simpler time. I 909 00:51:56,760 --> 00:51:58,800 Speaker 1: remember exactly what I was doing that night too. The 910 00:51:58,920 --> 00:52:02,840 Speaker 1: night before I was doing a French essay about terrorism. 911 00:52:02,960 --> 00:52:06,840 Speaker 1: Oddly enough, I had to look up Terroisma or whatever 912 00:52:06,840 --> 00:52:14,120 Speaker 1: heard it was. I don't remember what I was doing Patriot. Sorry, 913 00:52:15,040 --> 00:52:17,280 Speaker 1: shout out to Cisco wherever you are, if you're alive. 914 00:52:17,600 --> 00:52:20,000 Speaker 1: He's such a fan of podcast. We'd love to hear 915 00:52:20,040 --> 00:52:23,239 Speaker 1: from you. Hopefully you're into very specific podcast. Yeah, we 916 00:52:23,280 --> 00:52:25,759 Speaker 1: should get him as a guest. Uh. He seems like 917 00:52:25,800 --> 00:52:29,239 Speaker 1: a feminist totally Cisco, are you an ally? He wants 918 00:52:29,320 --> 00:52:31,360 Speaker 1: women to wear whatever they want. It's almost like a 919 00:52:31,400 --> 00:52:37,640 Speaker 1: drug stru drugs, like what what? What? God? Yeah, dumps 920 00:52:37,680 --> 00:52:41,959 Speaker 1: like a drug. Is a disgusting Oh my god, it's 921 00:52:42,080 --> 00:52:45,880 Speaker 1: so awful. And that's what me leads with. Yeah, is 922 00:52:45,920 --> 00:52:48,879 Speaker 1: it is that butt lay? Is that but cheeks? I'm 923 00:52:48,920 --> 00:52:51,920 Speaker 1: just I'm just picture. No, it's like a ship pooping. 924 00:52:52,040 --> 00:52:55,240 Speaker 1: That's what I as, a struck load of ship because 925 00:52:55,239 --> 00:52:58,160 Speaker 1: her asset that's so gross. I've never even put this together. 926 00:52:58,400 --> 00:52:59,920 Speaker 1: I thought like it was a part of my body. 927 00:53:00,880 --> 00:53:05,000 Speaker 1: Why mean, we're speculating that might not be what he meant, 928 00:53:05,120 --> 00:53:07,359 Speaker 1: but that is definitely what its like from it. That's 929 00:53:07,360 --> 00:53:11,560 Speaker 1: like the bridge. Yeah, he's like, now let me lead 930 00:53:11,640 --> 00:53:16,600 Speaker 1: up to this incredible like move that thing that and 931 00:53:16,640 --> 00:53:18,960 Speaker 1: then later Hot in Here, where I was like I 932 00:53:19,000 --> 00:53:21,560 Speaker 1: should that's Nellie, But I was like, I should date 933 00:53:21,600 --> 00:53:24,120 Speaker 1: a guy who is perpetually wearing a band aid on 934 00:53:24,160 --> 00:53:26,520 Speaker 1: his face. Oh? I love Nellie so much? He still do. 935 00:53:26,680 --> 00:53:31,239 Speaker 1: And good evolution we were that was my senior song 936 00:53:31,480 --> 00:53:35,560 Speaker 1: he got sensitive later on he did over and over again. Yeah, 937 00:53:35,800 --> 00:53:39,640 Speaker 1: that's what I was like, what's the sensitive my head? 938 00:53:39,800 --> 00:53:43,680 Speaker 1: With Tim McGraw, it's like, man, maybe the girl from 939 00:53:43,719 --> 00:53:46,800 Speaker 1: Hot in Here really broke his heart? Yeah, who knows. 940 00:53:47,440 --> 00:53:52,600 Speaker 1: Oh the guy took to prom was like, does fish 941 00:53:52,680 --> 00:53:56,279 Speaker 1: tanks in St. Louis? And he did Nellie's fish tanks? Yeah, 942 00:53:56,320 --> 00:53:58,920 Speaker 1: I gotta connection you guys. When there's a crack in 943 00:53:58,960 --> 00:54:00,719 Speaker 1: the fish tank? What they pull? What do they put 944 00:54:00,760 --> 00:54:09,920 Speaker 1: on it? Abandoned? Love it really straight? We're saying almost 945 00:54:09,960 --> 00:54:15,919 Speaker 1: all of let's write the movie. Okay, we write each 946 00:54:15,960 --> 00:54:20,319 Speaker 1: movie based on its portrayal of the women characters on 947 00:54:20,360 --> 00:54:24,120 Speaker 1: a scale of zero to five nipples, and if you 948 00:54:24,160 --> 00:54:28,880 Speaker 1: want to describe those nipples. So for me, I would 949 00:54:28,920 --> 00:54:32,799 Speaker 1: say because it does have like a nice portrayal of 950 00:54:32,880 --> 00:54:39,040 Speaker 1: female friendships, and the main character is a very nurturing 951 00:54:39,120 --> 00:54:43,160 Speaker 1: and supportive and nice person, which you might not expect 952 00:54:43,200 --> 00:54:45,279 Speaker 1: from a movie like this or a movie that takes 953 00:54:45,280 --> 00:54:48,359 Speaker 1: place in this setting. There's some things about it that like, 954 00:54:48,520 --> 00:54:53,520 Speaker 1: we're dated and could have been portrayed better. Um. Also, 955 00:54:53,640 --> 00:54:55,800 Speaker 1: the use of the R E T a R D 956 00:54:56,000 --> 00:54:59,800 Speaker 1: word happens. I've got to send you an episode of 957 00:55:00,160 --> 00:55:03,240 Speaker 1: Coast Coast to Coast I watched yesterday that really uses 958 00:55:03,280 --> 00:55:07,200 Speaker 1: that word with insane liberalism. But I think it was 959 00:55:07,239 --> 00:55:09,759 Speaker 1: when space Gast was about to be canceled, since they 960 00:55:09,800 --> 00:55:13,080 Speaker 1: were like, let's do it. I don't endorse it. But 961 00:55:14,400 --> 00:55:17,479 Speaker 1: other than that, though it, I think it does a 962 00:55:17,560 --> 00:55:23,160 Speaker 1: pretty good job portraying rich Beverly Hills High school women. 963 00:55:23,920 --> 00:55:26,720 Speaker 1: They need to be lifted up because they really do. 964 00:55:27,000 --> 00:55:29,360 Speaker 1: I would give it. I don't know. This is a 965 00:55:29,400 --> 00:55:31,600 Speaker 1: hard one for me. I'm going to be generous to this, 966 00:55:33,000 --> 00:55:35,160 Speaker 1: like it. I'm going to give it like a three 967 00:55:35,200 --> 00:55:37,960 Speaker 1: and a half. I think three and a half nipples 968 00:55:38,440 --> 00:55:42,040 Speaker 1: they belong to Paul Rudd, two of them are Paul 969 00:55:42,120 --> 00:55:47,000 Speaker 1: Rudd's angels mummy, yeah exactly. Then one and a half 970 00:55:47,000 --> 00:55:52,400 Speaker 1: of them are vampire Paul Rudd, which are like cold 971 00:55:52,719 --> 00:55:57,480 Speaker 1: but still nice. Yeah, I'm going to give it four uh, 972 00:55:57,760 --> 00:56:01,800 Speaker 1: and I'm going to give those four or nips to share. 973 00:56:01,840 --> 00:56:05,960 Speaker 1: His mom passed away and the nips that she was 974 00:56:06,000 --> 00:56:09,359 Speaker 1: having transplanted onto her body she was at the time 975 00:56:09,400 --> 00:56:12,080 Speaker 1: of her That's some risky surgery. Yeah, yeah, yeah, I 976 00:56:12,120 --> 00:56:16,240 Speaker 1: mean it might kill you, but the results are undeniable. Yeah, 977 00:56:16,920 --> 00:56:19,560 Speaker 1: I'm definitely gonna give it for just because of the 978 00:56:19,640 --> 00:56:22,280 Speaker 1: personal meaning it had to me as like a woman 979 00:56:22,360 --> 00:56:25,040 Speaker 1: in a in comedy and how funny that movie was 980 00:56:25,040 --> 00:56:27,120 Speaker 1: and how influential it was on my sense of humor, 981 00:56:27,160 --> 00:56:30,520 Speaker 1: and that a woman wrote it and that Share was 982 00:56:30,520 --> 00:56:33,319 Speaker 1: a popular girl who was actually nice and it it 983 00:56:33,360 --> 00:56:36,839 Speaker 1: didn't because of the female friendships and stuff. So and 984 00:56:36,960 --> 00:56:40,640 Speaker 1: all the nipples are everyone's nipples the world all around. 985 00:56:40,680 --> 00:56:42,840 Speaker 1: I just want to share them with the Francisco. Okay, 986 00:56:42,960 --> 00:56:48,080 Speaker 1: I dedicated my nipples to Cisco. I really hope he 987 00:56:48,200 --> 00:56:51,239 Speaker 1: has become a cult later or something like. Who knows 988 00:56:51,560 --> 00:56:54,479 Speaker 1: he's doing something good. Feel free to talk about anything 989 00:56:54,480 --> 00:56:58,000 Speaker 1: while I figure out what Cisco is currently? Uh, well, Nikki, 990 00:56:58,040 --> 00:57:02,120 Speaker 1: where can people find you online? Oh? Nicky Glazer on 991 00:57:02,160 --> 00:57:05,520 Speaker 1: Instagram and Twitter? And what did you find? In two 992 00:57:05,520 --> 00:57:08,920 Speaker 1: thousand and sixteen, Cisco provided his talent on an unusual 993 00:57:09,040 --> 00:57:14,840 Speaker 1: duet with country music singer Marie Osmond. Weird. Marie Osmond 994 00:57:14,880 --> 00:57:19,680 Speaker 1: is his Tim McGraw. Wow, what a career he's had. 995 00:57:19,840 --> 00:57:25,000 Speaker 1: He lives in Minnesota and he has appeared on What Swamp? Okay, Okay, 996 00:57:26,120 --> 00:57:29,880 Speaker 1: he's doing fine, Jamie. Anything you want to plug? Um, sure, 997 00:57:30,120 --> 00:57:33,479 Speaker 1: you can watch the cartoons that I always plug every week, 998 00:57:34,080 --> 00:57:37,320 Speaker 1: Boston pds Amboi Crimes Division. And then there's a new 999 00:57:37,400 --> 00:57:45,080 Speaker 1: one starting about popular Siamese twins who live underground, and 1000 00:57:45,160 --> 00:57:47,000 Speaker 1: that'll be starting a couple of weeks and I think 1001 00:57:47,000 --> 00:57:49,120 Speaker 1: probably by the time this episode comes out, So check 1002 00:57:49,160 --> 00:57:53,400 Speaker 1: it out on Cafe Awesome. That's exciting. You can follow 1003 00:57:53,440 --> 00:57:56,520 Speaker 1: me on Twitter at Caitlin Toronte, follow us on a 1004 00:57:56,720 --> 00:58:00,040 Speaker 1: Bechdel cast as well. Can email us and then the 1005 00:58:00,320 --> 00:58:04,040 Speaker 1: rate and review and subscribe. Nikki, thank you so much, 1006 00:58:04,120 --> 00:58:09,480 Speaker 1: you guys, See you guys round Bye bye bye,