1 00:00:00,160 --> 00:00:03,880 Speaker 1: Hello the Internet, and welcome to season one, thirty four, 2 00:00:03,960 --> 00:00:08,600 Speaker 1: episode one of Jo Daly's guest introduction of My Heart Radio. 3 00:00:08,680 --> 00:00:10,800 Speaker 1: This is a podcast where we take a deep dive 4 00:00:11,400 --> 00:00:15,360 Speaker 1: into America's share consciousness and say, officially off the top, 5 00:00:15,480 --> 00:00:20,880 Speaker 1: fuck the Cooke Brothers and funk Fox News. Monday, May teen. 6 00:00:21,960 --> 00:00:24,799 Speaker 1: My name is Jack O'Brien, a K. I keep a 7 00:00:25,040 --> 00:00:29,200 Speaker 1: close watch on this heart of mine. I keep my 8 00:00:29,360 --> 00:00:34,160 Speaker 1: eyes wide open all the time. I keep the ends 9 00:00:34,280 --> 00:00:39,520 Speaker 1: out for the tie that fun, because you're mine. I'm 10 00:00:39,640 --> 00:00:43,520 Speaker 1: Jack O'Brien as courtesy of Hannah Sults, and I'm thrilled 11 00:00:43,560 --> 00:00:46,319 Speaker 1: to be joined as always buy my co host, Mr 12 00:00:46,560 --> 00:00:52,320 Speaker 1: Miles Crag. I don't like to eat ess more into 13 00:00:52,600 --> 00:01:01,080 Speaker 1: Captain Crunch. Put my mouth on the ceiling, the shutter ceiling. Okay, 14 00:01:01,200 --> 00:01:04,240 Speaker 1: thank you to Hannah Soltis. It's been a while, AKA 15 00:01:04,440 --> 00:01:08,400 Speaker 1: Godess since your inspirations, your genius works have grace in 16 00:01:08,480 --> 00:01:12,720 Speaker 1: my timeline. But thank you Hannah for that wonderful Papa 17 00:01:12,880 --> 00:01:17,560 Speaker 1: Roach inspired a K. Great to have her back, and 18 00:01:18,560 --> 00:01:21,040 Speaker 1: we're thrilled to be joined in our third seat by 19 00:01:21,240 --> 00:01:25,960 Speaker 1: our co host, Jamie Laptos. I'd like to make easy 20 00:01:26,240 --> 00:01:34,040 Speaker 1: believe that Jamie is the them queen. It's hard to say. 21 00:01:34,200 --> 00:01:38,240 Speaker 1: She'd rather have an egg with some good cheese. If 22 00:01:38,360 --> 00:01:42,840 Speaker 1: Snyda Nive could just voto please, it'd be for Joe 23 00:01:42,880 --> 00:01:50,000 Speaker 1: b Thank you so much too at Holly BIV really 24 00:01:50,120 --> 00:01:52,400 Speaker 1: made my morning. I don't I don't know if I've 25 00:01:52,440 --> 00:01:54,760 Speaker 1: ever done a firefly's a k A. I feel like 26 00:01:54,840 --> 00:01:58,280 Speaker 1: I'm in eleventh grade again? What? What is that? What 27 00:01:58,560 --> 00:02:03,880 Speaker 1: was that? Who are we? Bro Owl's City? Miles Miles 28 00:02:04,800 --> 00:02:08,200 Speaker 1: man the heck fucking thirty five year old black and 29 00:02:08,280 --> 00:02:10,560 Speaker 1: eese guy from the valley? What the fun is al 30 00:02:10,639 --> 00:02:17,440 Speaker 1: sit Owl Cities? For everybody? What was happening? I just 31 00:02:17,600 --> 00:02:21,360 Speaker 1: had it? You would I think if you heard the song, 32 00:02:21,480 --> 00:02:24,280 Speaker 1: you would know it. It's on me, It's on me. No, No, 33 00:02:24,840 --> 00:02:26,720 Speaker 1: we're not starting that. We're not starting. We're not going 34 00:02:26,760 --> 00:02:30,440 Speaker 1: back to the national anthem. Now you didn't, you didn't 35 00:02:30,480 --> 00:02:42,160 Speaker 1: great Twilight there of course they don't. Classic vanilla Twilight. 36 00:02:42,280 --> 00:02:48,359 Speaker 1: That's like basically the genre of music that the right. Yeah. Hey, 37 00:02:48,560 --> 00:02:50,919 Speaker 1: we're thrilled to be joined in our fourth seat by 38 00:02:51,000 --> 00:02:56,480 Speaker 1: the hilarious, the talented Jackie Johnson. I wish I had 39 00:02:56,520 --> 00:02:58,799 Speaker 1: a song but you know what, you can't top Owl 40 00:02:58,880 --> 00:03:01,720 Speaker 1: City and Jamie don't sell yourself short. That was an 41 00:03:01,800 --> 00:03:06,600 Speaker 1: excellent rendition. Thank you. We gotta get not believe your 42 00:03:06,840 --> 00:03:12,280 Speaker 1: as Yeah, you're like one of my favorite singers. Oh 43 00:03:12,400 --> 00:03:16,600 Speaker 1: thank you. Okay, next time, when it's my fourth appearance 44 00:03:16,960 --> 00:03:20,400 Speaker 1: on d Z, I will breaking stop the yard like 45 00:03:20,480 --> 00:03:24,080 Speaker 1: y'all won't even know what's coming with my cover song. Okay, 46 00:03:24,720 --> 00:03:27,079 Speaker 1: because I opened every match viewer with a cover song 47 00:03:27,240 --> 00:03:29,519 Speaker 1: and like they are so dear to my heart. But 48 00:03:29,639 --> 00:03:31,560 Speaker 1: I didn't want to, like I didn't know if like 49 00:03:31,680 --> 00:03:35,080 Speaker 1: the fourth seat was allowed. Oh no, I remember. I 50 00:03:35,160 --> 00:03:37,920 Speaker 1: think last time when the first time you graced us 51 00:03:37,960 --> 00:03:40,200 Speaker 1: with your pipes, I was singing, somebody was singing Britney 52 00:03:40,280 --> 00:03:42,480 Speaker 1: Spears and then you hopped in and then I was like, okay, 53 00:03:42,560 --> 00:03:47,160 Speaker 1: well just take the microphone. You know what I always say, 54 00:03:47,200 --> 00:03:49,680 Speaker 1: everyone in l A can sing. It. Go to karaoke 55 00:03:49,840 --> 00:03:52,240 Speaker 1: and you'll go, oh yeah, everyone can sing. I mean, 56 00:03:52,520 --> 00:03:54,760 Speaker 1: you know, I always say move home, or if you're 57 00:03:54,760 --> 00:03:56,680 Speaker 1: thinking about moving to l A, don't. We're full. We 58 00:03:56,760 --> 00:04:00,480 Speaker 1: have enough talent. Everyone can sing here every it's funny, 59 00:04:00,720 --> 00:04:04,920 Speaker 1: we're all attractive. It's hard, it's hard. Don't step onto 60 00:04:04,960 --> 00:04:08,720 Speaker 1: my singing block, you guys, because I've got this cupboard. Okay, 61 00:04:09,040 --> 00:04:11,920 Speaker 1: I think we all know that. My patch Jackie, how 62 00:04:12,200 --> 00:04:15,640 Speaker 1: are you quarantining? How's it going for you? You know, 63 00:04:16,920 --> 00:04:19,400 Speaker 1: it's it's not easy having an open floor plan in 64 00:04:19,480 --> 00:04:23,400 Speaker 1: one bathroom. Yeah, it's it's a lot. I um. You 65 00:04:23,480 --> 00:04:25,880 Speaker 1: know my boyfriend, he was actually just on this show 66 00:04:25,960 --> 00:04:29,840 Speaker 1: a couple of weeks ago, last week. M last week 67 00:04:30,760 --> 00:04:34,480 Speaker 1: was it? Who know what is time? What? Days? Like 68 00:04:34,640 --> 00:04:39,520 Speaker 1: weeks and days like he was, you know back over there, right, 69 00:04:39,720 --> 00:04:41,720 Speaker 1: he was here, and you know he's always he's he 70 00:04:41,800 --> 00:04:43,440 Speaker 1: just has a book out. He's promoting it. I mean 71 00:04:43,640 --> 00:04:46,120 Speaker 1: literally sometimes he's like on the phone with Congressman and 72 00:04:46,200 --> 00:04:48,560 Speaker 1: I'm like, hey, I need to drop a deuce, can 73 00:04:48,600 --> 00:04:53,280 Speaker 1: you Like, it's just there's no there's no space, and 74 00:04:53,400 --> 00:04:55,800 Speaker 1: I'm trying to not embarrass him, you know, like eating 75 00:04:55,800 --> 00:04:58,600 Speaker 1: my peanut butter puffins while he's talking to like somebody 76 00:04:58,720 --> 00:05:00,600 Speaker 1: running like a voter writes and issuet him in the 77 00:05:00,640 --> 00:05:03,120 Speaker 1: other world like it's it's been hard, but we're doing 78 00:05:03,160 --> 00:05:06,800 Speaker 1: our best. Well, it's great to have you back, thank you. Yeah. 79 00:05:06,839 --> 00:05:10,360 Speaker 1: The one bathroom can be an absolute battle. I know 80 00:05:10,720 --> 00:05:16,000 Speaker 1: they're one bathroom, especially like it's hard now in Core 81 00:05:16,160 --> 00:05:18,680 Speaker 1: because it used to be like people have routines getting 82 00:05:18,720 --> 00:05:20,440 Speaker 1: out the house in the morning, so I'm like, yep, 83 00:05:20,560 --> 00:05:23,080 Speaker 1: and then that's we had ways to, you know, sort 84 00:05:23,120 --> 00:05:27,240 Speaker 1: of diplomatically share the bathroom. And now it's like like 85 00:05:27,520 --> 00:05:30,520 Speaker 1: me pounding on the door and like a man, come on, man, 86 00:05:30,600 --> 00:05:32,880 Speaker 1: I need to get in there. Man, come on, I'm 87 00:05:32,920 --> 00:05:35,240 Speaker 1: telling you. And if you're eating all the same food 88 00:05:35,360 --> 00:05:38,480 Speaker 1: at the same time, you know you're on the same schedules, 89 00:05:38,560 --> 00:05:41,760 Speaker 1: it can get a little dicey. It is very stressed. 90 00:05:41,800 --> 00:05:43,960 Speaker 1: I've never had to poop at the same time as 91 00:05:44,120 --> 00:05:50,400 Speaker 1: someone so frequently where you're just like, oh, whoa, it 92 00:05:50,600 --> 00:05:52,640 Speaker 1: just hit and then but he like beat me by 93 00:05:52,720 --> 00:05:55,279 Speaker 1: two minutes. And then he's like, it's gonna be ten minutes. 94 00:05:55,360 --> 00:05:58,240 Speaker 1: Do you have access to this room? The cycles? Lock up, 95 00:05:58,600 --> 00:06:01,400 Speaker 1: the cycles, wake up. I'm telling you. Sometimes I'm like, 96 00:06:01,640 --> 00:06:03,960 Speaker 1: should one of us just kitchen sink it? How bad 97 00:06:04,120 --> 00:06:09,680 Speaker 1: is it? I've had I've had. Uh when I lived 98 00:06:09,680 --> 00:06:12,920 Speaker 1: in Santa Monica, we have one bathroom and we would 99 00:06:13,160 --> 00:06:17,840 Speaker 1: frequently have toilet troubles and we would uh yeah that 100 00:06:18,040 --> 00:06:20,000 Speaker 1: there was some kitchen sinking going on. There was some 101 00:06:20,080 --> 00:06:24,440 Speaker 1: bathroom sinking going on. There was some reliance on the 102 00:06:24,520 --> 00:06:28,080 Speaker 1: Starbucks up the street going on, and sometimes they were 103 00:06:28,160 --> 00:06:34,760 Speaker 1: like they got tired. I mean we don't even have 104 00:06:34,880 --> 00:06:36,800 Speaker 1: a star Wars. I mean we both have therapy, and 105 00:06:36,880 --> 00:06:38,920 Speaker 1: like I'll make Ben go sit in his car for 106 00:06:39,080 --> 00:06:41,000 Speaker 1: my therapy and vice versa. And one time I was 107 00:06:41,040 --> 00:06:42,680 Speaker 1: the middle of my therapy, boy and he runs in 108 00:06:42,800 --> 00:06:46,000 Speaker 1: like I gotta ship I gotta ship man, And I'm like, oh, 109 00:06:46,560 --> 00:06:49,920 Speaker 1: you know what, we're doing our best? Yeah, all right, 110 00:06:50,120 --> 00:06:52,080 Speaker 1: let's we're gonna get to know you a little bit 111 00:06:52,120 --> 00:06:54,440 Speaker 1: better in a moment. First, we're gonna tell our listeners 112 00:06:54,520 --> 00:06:57,560 Speaker 1: what we're talking about. It is a Monday episode, so 113 00:06:57,680 --> 00:07:00,600 Speaker 1: that means we're gonna be going over some culture that 114 00:07:00,720 --> 00:07:06,480 Speaker 1: we consumed over the weekend. I watched Sleepless, the two 115 00:07:06,560 --> 00:07:11,000 Speaker 1: thousand seventeen Jamie Fox movie that I thought was a 116 00:07:11,240 --> 00:07:16,760 Speaker 1: new Netflix movie, uh, and figured out that it was 117 00:07:16,840 --> 00:07:20,840 Speaker 1: an old movie halfway through. Uh, it was yeah, we'll 118 00:07:20,880 --> 00:07:25,120 Speaker 1: talk about that. Miles and j M I writer watched 119 00:07:25,320 --> 00:07:32,600 Speaker 1: Shrek the Musical. Jamie and Jackie watched The Wrong Missy, 120 00:07:33,000 --> 00:07:35,320 Speaker 1: which is that right is that what it's called with 121 00:07:35,560 --> 00:07:38,760 Speaker 1: Lauren Lapkiss and David I kept calling it the other missy, 122 00:07:38,880 --> 00:07:41,000 Speaker 1: but it's in fact called the wrong missy. And then 123 00:07:41,040 --> 00:07:43,400 Speaker 1: at one point David Spade says the wrong missy and 124 00:07:43,480 --> 00:07:47,520 Speaker 1: You're like, oh right, the titular line he reminds. He 125 00:07:47,640 --> 00:07:49,720 Speaker 1: reminds you. I kept thinking was the other missy, but 126 00:07:49,800 --> 00:07:52,880 Speaker 1: then David Spade kept saying the correct name. It was helpful. 127 00:07:53,880 --> 00:07:57,960 Speaker 1: That script really is there for you. I I get 128 00:07:58,040 --> 00:08:01,840 Speaker 1: the feeling that at some point he's going to learn that, uh, 129 00:08:02,200 --> 00:08:05,320 Speaker 1: maybe she's the right missy, but I don't know. Well, 130 00:08:05,440 --> 00:08:07,480 Speaker 1: we'll we'll fit. We'll talk about it when we get 131 00:08:07,560 --> 00:08:10,920 Speaker 1: to it. Um no, s I know. I'm sorry. The 132 00:08:11,040 --> 00:08:16,400 Speaker 1: NBA maybe coming back. Joe Biden is m I except 133 00:08:16,480 --> 00:08:20,000 Speaker 1: for like he makes a fifteen minute appearance to just 134 00:08:20,200 --> 00:08:23,400 Speaker 1: like funk up for a little bit. So we might 135 00:08:23,440 --> 00:08:27,880 Speaker 1: talk about that stuff if we have time. But first, Jackie, 136 00:08:27,960 --> 00:08:29,760 Speaker 1: we like to ask our guests, what is something from 137 00:08:29,840 --> 00:08:34,040 Speaker 1: your search history that's revealing about who you are? Apple Martin, 138 00:08:34,920 --> 00:08:43,280 Speaker 1: Apple Martin, like familiar with Apple Martin? Yes, but Martini, Chris, 139 00:08:44,240 --> 00:08:46,800 Speaker 1: I'm telling you, I did not know what this person 140 00:08:46,920 --> 00:08:51,480 Speaker 1: looked like. I saw Papa Rost photo. She's fifteen, and honey, 141 00:08:52,120 --> 00:08:54,959 Speaker 1: there has never been a human being that has put 142 00:08:55,000 --> 00:08:57,480 Speaker 1: a blender two people in a blender and mix together 143 00:08:58,559 --> 00:09:01,920 Speaker 1: perfect and being of the two of her parents. I mean, 144 00:09:02,440 --> 00:09:05,280 Speaker 1: it is wild. She is literally the two of them 145 00:09:05,320 --> 00:09:12,400 Speaker 1: mixed together. Oh wow. I was like, what I mean, 146 00:09:12,600 --> 00:09:14,679 Speaker 1: I remember when she was born, but like she's a 147 00:09:14,800 --> 00:09:20,360 Speaker 1: full fledged human now. Yeah. Yeah, You're like, you're like, wait, 148 00:09:20,480 --> 00:09:22,559 Speaker 1: you were a baby, but now you're an adult. It 149 00:09:22,720 --> 00:09:25,240 Speaker 1: what is she have? Like dreams and ship? Is she 150 00:09:25,360 --> 00:09:29,319 Speaker 1: trying to do something or I don't know her and 151 00:09:29,400 --> 00:09:32,760 Speaker 1: Dakota Johnson or like bff. And at first I thought 152 00:09:32,800 --> 00:09:36,160 Speaker 1: that was weird, but I was like, they're different, friend, 153 00:09:36,760 --> 00:09:39,960 Speaker 1: they're fifteen years different, but you know, Dakota's fifteen years 154 00:09:40,080 --> 00:09:42,480 Speaker 1: different from her dad, So like she's dead in the 155 00:09:42,600 --> 00:09:46,079 Speaker 1: center of the two of them. But I'm just like, 156 00:09:46,200 --> 00:09:48,480 Speaker 1: and then I started looking up all these other damn kids, 157 00:09:49,080 --> 00:09:58,240 Speaker 1: look up um Ava Philippi, Ryan Philippi, and she is them, 158 00:09:58,640 --> 00:10:02,280 Speaker 1: I guessed. Together. Those jeans are so strong that just 159 00:10:02,400 --> 00:10:06,160 Speaker 1: looks like a picture of Reese Witherspoon photoshop next to herself. 160 00:10:06,440 --> 00:10:09,960 Speaker 1: Looks like Apple Martin and Apple Martin and Dakota Johnson 161 00:10:10,000 --> 00:10:12,760 Speaker 1: are also the exact same kind of nepotism, so it 162 00:10:12,840 --> 00:10:16,840 Speaker 1: does sort of makes sense. They're like two very famous 163 00:10:17,000 --> 00:10:21,360 Speaker 1: yet different people having a kid. Like it's that's that's 164 00:10:21,400 --> 00:10:24,199 Speaker 1: a similar nepotism. Flame. But I bet they discussed like 165 00:10:24,280 --> 00:10:30,880 Speaker 1: their famous parents all the time. Yeah, conversation they're like, wait, 166 00:10:30,960 --> 00:10:34,400 Speaker 1: what's your grandma? And meet the parents? That's so funny. 167 00:10:34,520 --> 00:10:39,319 Speaker 1: Like I love Live Danner though her jeans are strong 168 00:10:39,480 --> 00:10:43,440 Speaker 1: because Gwyneth Hills, she's got the full on Live Danner vibes. 169 00:10:43,600 --> 00:10:47,240 Speaker 1: And that has only continued. What that Danner genealogy that 170 00:10:47,280 --> 00:10:49,439 Speaker 1: we need to look into those genetics because that that 171 00:10:49,559 --> 00:10:53,640 Speaker 1: in the Witherspoon's because typically you'll see like I think, Jack, 172 00:10:53,720 --> 00:10:55,720 Speaker 1: your kids are a blend of you and your wife. 173 00:10:55,880 --> 00:10:58,719 Speaker 1: That's very clear. Then sometimes you see people who just 174 00:10:58,840 --> 00:11:02,439 Speaker 1: somehow like forced another person to just cleave off a 175 00:11:02,559 --> 00:11:05,240 Speaker 1: copy of themselves, and you're like, oh my god, I 176 00:11:05,360 --> 00:11:07,920 Speaker 1: don't see any of you in this child. It looks 177 00:11:07,960 --> 00:11:10,880 Speaker 1: like all the other person. So it's interesting. Actually, a 178 00:11:10,960 --> 00:11:14,080 Speaker 1: direct quote from my dad about my kids, he said, 179 00:11:14,240 --> 00:11:17,760 Speaker 1: I don't see any of you in him. Okay, that's 180 00:11:17,760 --> 00:11:21,040 Speaker 1: a weird thing to say, Oh really, it's like the 181 00:11:21,160 --> 00:11:24,840 Speaker 1: first time. Oh yeah, I'm so hard to look at 182 00:11:24,880 --> 00:11:27,240 Speaker 1: a baby and be like, I know people who say 183 00:11:28,800 --> 00:11:32,480 Speaker 1: I'm one of those liars. That's like, looks just like you. 184 00:11:32,679 --> 00:11:35,760 Speaker 1: Oh my god, oh my god, my chin. It's in 185 00:11:35,840 --> 00:11:40,040 Speaker 1: the chin, the ch Unless you're talking to Reese Witherspoon, 186 00:11:40,200 --> 00:11:43,080 Speaker 1: that is a lie. You will never get a parent 187 00:11:43,240 --> 00:11:45,400 Speaker 1: to be like, really, I don't see it. That will 188 00:11:45,400 --> 00:11:49,040 Speaker 1: always be like, I know right, I do look like them. 189 00:11:49,920 --> 00:11:54,000 Speaker 1: My niece was born two months ago and she's beautiful. 190 00:11:54,040 --> 00:11:57,600 Speaker 1: It looks nothing like my cousin at all at all. 191 00:11:57,679 --> 00:12:00,439 Speaker 1: But I'm just like, wow, I see it in the knows, 192 00:12:00,920 --> 00:12:07,960 Speaker 1: like just guessing. Everything's a question you she looks like you, Jackie. 193 00:12:08,000 --> 00:12:12,320 Speaker 1: What is something you think is underrated? Okay, we're all 194 00:12:12,400 --> 00:12:18,280 Speaker 1: cooking at home right now, right underrated? Adding fresh herbs 195 00:12:18,760 --> 00:12:23,000 Speaker 1: to your ship. Okay, I'm telling you. You can get 196 00:12:23,040 --> 00:12:26,760 Speaker 1: a microwave pizza or a you know, a box pizza 197 00:12:26,800 --> 00:12:30,640 Speaker 1: in the freezer. Put some damn herbs, honey, get that 198 00:12:30,800 --> 00:12:33,600 Speaker 1: basil going, pop that basil in there. You're like, where 199 00:12:33,679 --> 00:12:39,080 Speaker 1: am i Italy? Am I in Tuscany? Get those herbs, sweetie? 200 00:12:39,240 --> 00:12:41,679 Speaker 1: I know they're intimidating if you've never bought herbs, but like, 201 00:12:41,800 --> 00:12:45,000 Speaker 1: get those herbs going. I'm telling you, get that celatro going, 202 00:12:45,320 --> 00:12:48,079 Speaker 1: get those chives going. If you're feeling freaky, get that 203 00:12:48,280 --> 00:12:51,040 Speaker 1: deal going. You aren't even gonna know what's happening. You're 204 00:12:51,080 --> 00:12:52,959 Speaker 1: gonna be like where am I right now? Am I 205 00:12:53,160 --> 00:12:56,360 Speaker 1: olive garden? Like? This is delicious? Can I say that 206 00:12:56,559 --> 00:13:00,280 Speaker 1: just just based on the energy you're you're bringing right now, 207 00:13:00,400 --> 00:13:03,480 Speaker 1: I would say you're probably top five people in the 208 00:13:03,640 --> 00:13:06,320 Speaker 1: universe to be quarantined with. Well, last time we had 209 00:13:06,360 --> 00:13:08,600 Speaker 1: to bring up the fact that Jackie, you you were 210 00:13:08,600 --> 00:13:11,280 Speaker 1: ahead of us on our hand washing game, because last 211 00:13:11,520 --> 00:13:15,720 Speaker 1: time you were like, you'll wash your hands for too 212 00:13:15,800 --> 00:13:18,719 Speaker 1: happy birthdays or whatever or whatever this thing is. I 213 00:13:18,760 --> 00:13:23,240 Speaker 1: am a washing influencer. Yes, I want to credit you 214 00:13:23,440 --> 00:13:25,959 Speaker 1: because I almost I think I will credit you with 215 00:13:26,080 --> 00:13:29,400 Speaker 1: my own safety because after that I actually did consider 216 00:13:29,559 --> 00:13:32,000 Speaker 1: like what you were saying and became better with my 217 00:13:32,120 --> 00:13:36,360 Speaker 1: hand washing. Cut to Core, I'm I'm alive. Thank you, Jackie. 218 00:13:37,960 --> 00:13:44,880 Speaker 1: Before jack it was people thought I was wearing gloves. Yeah, 219 00:13:45,000 --> 00:13:47,880 Speaker 1: it was just dirt, just dirt. I would always watch 220 00:13:47,960 --> 00:13:52,480 Speaker 1: from the wrist up I've always made a really neurotic handwasher, 221 00:13:52,559 --> 00:13:54,440 Speaker 1: even like when I take my dog out at night, 222 00:13:54,559 --> 00:13:56,520 Speaker 1: Like I come inside and I washed because I'm like 223 00:13:56,640 --> 00:13:59,000 Speaker 1: I touched, I touched the door knob, you know, like 224 00:13:59,120 --> 00:14:01,360 Speaker 1: I've always been like that, and I guess it's saving 225 00:14:01,480 --> 00:14:05,000 Speaker 1: my life now. So yeah, certainly I noticed that you 226 00:14:05,160 --> 00:14:08,440 Speaker 1: have a bespoke mic cover. It's a different mic cover 227 00:14:08,600 --> 00:14:13,120 Speaker 1: than your boyfriend head. That's another she has a brand, Jack, 228 00:14:13,280 --> 00:14:16,400 Speaker 1: she has a brand right, Oh yeah. And and and 229 00:14:16,520 --> 00:14:19,000 Speaker 1: I sanitize everything. You think I let him touch me. 230 00:14:19,560 --> 00:14:25,120 Speaker 1: No way has has met suit intercourse. I mean we're 231 00:14:25,360 --> 00:14:29,240 Speaker 1: how he's getting near me? How does how's chooches coat 232 00:14:29,280 --> 00:14:31,600 Speaker 1: looking right now? She she just had a fresh cut. 233 00:14:31,760 --> 00:14:37,360 Speaker 1: She's looking crash. She's got the pom pom ears. The 234 00:14:37,400 --> 00:14:40,400 Speaker 1: other thing about herbs, though, for everybody you have plenty 235 00:14:40,440 --> 00:14:43,520 Speaker 1: of time, they're they're cheap. Like sometimes grocery stores have 236 00:14:43,720 --> 00:14:46,720 Speaker 1: living basil or living herbs that you can just take 237 00:14:46,800 --> 00:14:48,080 Speaker 1: home from the grow. You don't have to go to 238 00:14:48,120 --> 00:14:51,520 Speaker 1: a yeah, and then just give that, give that little, 239 00:14:51,600 --> 00:14:54,040 Speaker 1: give that some life. And you got herbs going. Baby, 240 00:14:54,680 --> 00:14:57,200 Speaker 1: I'm telling you got yourself a damn herb garden. Yeah, 241 00:14:57,560 --> 00:15:01,760 Speaker 1: those herbs out. What is something you think is overrated? Okay, 242 00:15:01,960 --> 00:15:06,120 Speaker 1: this one I'm excited about motion. I'm done with lotion. 243 00:15:06,280 --> 00:15:11,840 Speaker 1: We're oiling only only oil. Wait, wait, unpacked, because I 244 00:15:11,960 --> 00:15:14,440 Speaker 1: take I I think of all the people in the world, 245 00:15:14,480 --> 00:15:17,120 Speaker 1: I take your skin care advice the most seriously. So 246 00:15:17,680 --> 00:15:21,000 Speaker 1: please unpack this. Okay. So, I don't know if y'all 247 00:15:21,000 --> 00:15:26,080 Speaker 1: have been noticing, but there is now body oils, face oils. Honey, 248 00:15:26,400 --> 00:15:30,640 Speaker 1: I'm all about those oils. Oil up every day. There 249 00:15:30,720 --> 00:15:33,520 Speaker 1: you go, So you could rub that and then just 250 00:15:33,680 --> 00:15:36,600 Speaker 1: keep the neck with it, expel it from your pores 251 00:15:36,800 --> 00:15:41,640 Speaker 1: and then just rub it back in. Honey. Yes, real oil. 252 00:15:41,760 --> 00:15:44,120 Speaker 1: But no, I don't know why. Like I just feel 253 00:15:44,160 --> 00:15:46,840 Speaker 1: like a cream isn't as satisfying. But now that there's 254 00:15:46,880 --> 00:15:50,160 Speaker 1: body oils, honey, you look like j Lo. Like you 255 00:15:50,280 --> 00:15:52,920 Speaker 1: really do look like j Lo from like the Jenny 256 00:15:52,960 --> 00:15:54,920 Speaker 1: from the Block video. Like I'm just like, damn, I'm 257 00:15:54,960 --> 00:15:57,160 Speaker 1: looking like j Lo. I'm eating like I'm in Tuscany. 258 00:15:57,240 --> 00:15:59,760 Speaker 1: I live in my best damn core live, so I 259 00:16:00,120 --> 00:16:03,840 Speaker 1: come in on her worst day. I would. I would 260 00:16:03,960 --> 00:16:07,520 Speaker 1: take that, right, I think we all would. I started 261 00:16:07,560 --> 00:16:10,000 Speaker 1: using coconut oil because I have to cut my hair 262 00:16:10,160 --> 00:16:12,480 Speaker 1: so low on my head, my scalp gets really dry. 263 00:16:12,520 --> 00:16:14,920 Speaker 1: So I started using I got into the oils through 264 00:16:15,000 --> 00:16:17,720 Speaker 1: coconut oil, and I started that would help keep my 265 00:16:17,800 --> 00:16:20,200 Speaker 1: scalp moisturized. And then I was like, fuck it, Like 266 00:16:20,560 --> 00:16:25,240 Speaker 1: my my I'm always quite ashy living in this dry climate. 267 00:16:25,600 --> 00:16:28,320 Speaker 1: And I started using coconut oil here and there. But 268 00:16:28,400 --> 00:16:30,480 Speaker 1: I don't is that is that good? Is that fine? 269 00:16:31,080 --> 00:16:33,160 Speaker 1: Coconut oil isn't oil? That's what I'm talking about. You 270 00:16:33,240 --> 00:16:36,200 Speaker 1: could bring that oil miles head to toe. You could 271 00:16:36,240 --> 00:16:38,680 Speaker 1: oil up the arms, oil the feet, oil the legs. 272 00:16:38,920 --> 00:16:42,240 Speaker 1: Secondary concern, how do I how much time doing before 273 00:16:42,280 --> 00:16:43,960 Speaker 1: I put on clothes so it doesn't look like I 274 00:16:44,040 --> 00:16:46,200 Speaker 1: had a bag of French fries spilled all over my clothes. 275 00:16:47,400 --> 00:16:49,920 Speaker 1: You know, that's your own personal preference, because that is 276 00:16:49,960 --> 00:16:58,840 Speaker 1: a mood transparent. We call that nude minutes. When Cameron 277 00:16:58,960 --> 00:17:02,920 Speaker 1: Esposito came on Matchbute, she was like, I do nude minutes. 278 00:17:02,960 --> 00:17:04,440 Speaker 1: So I come out of the shower, I do my 279 00:17:04,680 --> 00:17:07,040 Speaker 1: body oil routine or what, and then I have my 280 00:17:07,200 --> 00:17:10,320 Speaker 1: nude minutes and then I put on my clothes. Ah, 281 00:17:10,560 --> 00:17:13,000 Speaker 1: And that helps any kind of staining or damage from 282 00:17:13,000 --> 00:17:14,879 Speaker 1: the oils. Yes, that's all I need to know, because 283 00:17:14,920 --> 00:17:17,639 Speaker 1: all the time I'm like, I just feel like it's 284 00:17:17,680 --> 00:17:19,680 Speaker 1: easy to put on my legs or whatever because I'm like, 285 00:17:19,840 --> 00:17:22,160 Speaker 1: my jeans would never know. But there are other times. 286 00:17:22,920 --> 00:17:26,800 Speaker 1: My regular moisturizer has been making me break out lately too. 287 00:17:26,880 --> 00:17:29,320 Speaker 1: I don't even know why. But well, you know what, 288 00:17:29,800 --> 00:17:34,200 Speaker 1: my myth might help that. Okay, what's the myth? Seamless? Okay, 289 00:17:34,720 --> 00:17:38,280 Speaker 1: so yeah, I didn't even plan that. So the myth 290 00:17:38,480 --> 00:17:41,160 Speaker 1: is you don't need sunscreen if you don't go outside, 291 00:17:41,320 --> 00:17:43,720 Speaker 1: so during quarantine, you don't need to be doing sunscreen. 292 00:17:43,800 --> 00:17:46,640 Speaker 1: That is wrong, honey. The sun is getting us through 293 00:17:46,720 --> 00:17:50,199 Speaker 1: the windows and it is making it's making all our 294 00:17:50,280 --> 00:17:52,200 Speaker 1: skin look like shit. I mean, I was like, why 295 00:17:52,240 --> 00:17:54,600 Speaker 1: do I look like shit? I'm not going outside, I'm 296 00:17:54,600 --> 00:17:57,080 Speaker 1: not wearing makeup, and it's because I wasn't doing sunscreen 297 00:17:57,119 --> 00:18:00,040 Speaker 1: and all these damn windows in this sunny con know, 298 00:18:01,119 --> 00:18:03,639 Speaker 1: we're fucking up my skin, and so none of you 299 00:18:03,760 --> 00:18:07,520 Speaker 1: are safe. None of you are safe. Okay, sunscreen every day, 300 00:18:07,600 --> 00:18:09,679 Speaker 1: even if you're in quarantine and you're staying in your 301 00:18:09,720 --> 00:18:12,159 Speaker 1: damn house, you got a sunscreen up because the sun 302 00:18:12,320 --> 00:18:14,480 Speaker 1: is getting us. What's the wait? So what do you 303 00:18:14,520 --> 00:18:17,040 Speaker 1: mean just from not having protection when you say I 304 00:18:17,160 --> 00:18:19,960 Speaker 1: can't imagine how your skin would ever look like quote 305 00:18:20,040 --> 00:18:23,159 Speaker 1: unquote shit, But what do you mean by that? Like? 306 00:18:23,320 --> 00:18:25,399 Speaker 1: What were you noticing that you're like something? Okay? I 307 00:18:25,560 --> 00:18:29,879 Speaker 1: was starting to get discoloration, meaning like dark spots, and 308 00:18:29,960 --> 00:18:32,800 Speaker 1: then Ben was like, hey, you look tan, and I'm like, 309 00:18:32,840 --> 00:18:35,480 Speaker 1: it's not tan, it's just like darkness. Like my face 310 00:18:35,600 --> 00:18:38,680 Speaker 1: was starting to get sort of discoloration and my skin 311 00:18:38,760 --> 00:18:41,200 Speaker 1: tone was getting on even. And then I noticed, you know, 312 00:18:41,280 --> 00:18:45,600 Speaker 1: bless his little Jewish heart, he started getting red neck. 313 00:18:50,440 --> 00:18:53,760 Speaker 1: He started getting sun from just being in the house. 314 00:18:55,160 --> 00:18:57,399 Speaker 1: So we all need to be wearing sunscreen, is what 315 00:18:57,480 --> 00:19:00,360 Speaker 1: I'm saying. Just because you're not going outside, you need 316 00:19:00,480 --> 00:19:03,800 Speaker 1: sunscreen everybody. You hear me and Jamie. If you're having 317 00:19:03,920 --> 00:19:06,920 Speaker 1: some issues, it might be because of the sun. The 318 00:19:07,040 --> 00:19:10,560 Speaker 1: sun's hurting you. The sun is still public enemy number one, 319 00:19:11,560 --> 00:19:16,200 Speaker 1: still public radiation that it giveth and it taketh. I 320 00:19:16,359 --> 00:19:19,280 Speaker 1: was wondering telling you, like, my skin has been on 321 00:19:19,440 --> 00:19:22,440 Speaker 1: a wild journey since quarantine started. There have been weeks 322 00:19:22,520 --> 00:19:25,359 Speaker 1: that I'm like, it's never looked this good. I've never 323 00:19:25,440 --> 00:19:28,880 Speaker 1: been drinking this much water before, and then this week 324 00:19:29,040 --> 00:19:32,320 Speaker 1: was just a plummet for reasons unclear to me. Maybe 325 00:19:32,359 --> 00:19:35,480 Speaker 1: it's then. I'm telling you, if you spend any time 326 00:19:35,560 --> 00:19:40,199 Speaker 1: near any windows, he is, he's out to get us. 327 00:19:40,400 --> 00:19:47,160 Speaker 1: He's out to get us. Helios. I'm telling you, all right, guys, 328 00:19:47,240 --> 00:19:49,240 Speaker 1: let's take a quick break and we'll come back and 329 00:19:49,920 --> 00:20:04,640 Speaker 1: talk about stuff. And we're back, and just a couple 330 00:20:04,680 --> 00:20:07,800 Speaker 1: of things to cover off. I'm real quick. So Biden 331 00:20:07,960 --> 00:20:14,480 Speaker 1: continues to be hidden mostly from sight. I've seen various 332 00:20:14,960 --> 00:20:18,040 Speaker 1: ways that people are covering it. Some people are like, man, 333 00:20:18,160 --> 00:20:22,080 Speaker 1: he's really bad at this, which we knew heading into 334 00:20:22,680 --> 00:20:28,000 Speaker 1: the primary. He's like Mr gaff guy. He's running for 335 00:20:28,080 --> 00:20:31,840 Speaker 1: president like dozens of times and fox it up every time. 336 00:20:32,600 --> 00:20:36,720 Speaker 1: So now like in fifteen minute increments while he's at 337 00:20:36,800 --> 00:20:41,000 Speaker 1: home and there's no crowd there cheering them on, just 338 00:20:41,960 --> 00:20:44,200 Speaker 1: it's just a bad look. He's like swapping the number 339 00:20:44,240 --> 00:20:47,399 Speaker 1: of deaths with the number of jobs lost. He's just 340 00:20:47,960 --> 00:20:50,800 Speaker 1: gaff ful. I mean, the one benefit is he doesn't 341 00:20:50,840 --> 00:20:54,320 Speaker 1: necessarily have to get out there because because of the pandemic, 342 00:20:54,480 --> 00:20:57,520 Speaker 1: Like he can just comparatively not say anything, while Trump 343 00:20:57,600 --> 00:21:02,040 Speaker 1: has like Kaylee mcinaney like waving binders around wildly, being 344 00:21:02,080 --> 00:21:05,080 Speaker 1: like Obama just gave us paper as a plan, you see, 345 00:21:05,240 --> 00:21:07,359 Speaker 1: Like I think that's why a lot of people like 346 00:21:07,920 --> 00:21:10,600 Speaker 1: you know honestly, Like That's the thing with Biden is 347 00:21:10,720 --> 00:21:13,920 Speaker 1: like sometimes not hearing from him, like often not hearing 348 00:21:14,000 --> 00:21:16,399 Speaker 1: from him is better than hearing from him. His his 349 00:21:16,840 --> 00:21:22,640 Speaker 1: like already assorted reputation stays intact the less he speaks. Yeah, 350 00:21:23,160 --> 00:21:27,240 Speaker 1: if he's like addicted to making himself look like a dumbass. 351 00:21:28,080 --> 00:21:30,040 Speaker 1: It was it was interesting quote he had where he 352 00:21:30,160 --> 00:21:32,840 Speaker 1: was like, hey, if anybody in their heart believes the 353 00:21:33,160 --> 00:21:35,800 Speaker 1: terror reads allegations, then don't vote for me. Was sort 354 00:21:35,840 --> 00:21:39,440 Speaker 1: of like his which was like hold on pushed his 355 00:21:39,600 --> 00:21:43,120 Speaker 1: finger into people's chest. Rape culture is mainly in the heart. 356 00:21:44,440 --> 00:21:47,120 Speaker 1: That's where, that's where it lived well. And then also 357 00:21:47,280 --> 00:21:50,240 Speaker 1: just like the idea of like that's not don't even 358 00:21:50,359 --> 00:21:51,800 Speaker 1: use that, like, well, if you're voting for me, it's 359 00:21:51,800 --> 00:21:53,879 Speaker 1: because you believe that I'm innocent. It's like no, no, no, 360 00:21:54,040 --> 00:21:55,840 Speaker 1: that's that's really not the case. Here. There's just a 361 00:21:55,960 --> 00:21:57,960 Speaker 1: bin area I have to choose between at the moment 362 00:21:58,240 --> 00:22:00,159 Speaker 1: and that's what it is. Because if I was any 363 00:22:00,200 --> 00:22:02,280 Speaker 1: with my heart, that's the reason I wasn't supporting you 364 00:22:02,640 --> 00:22:05,200 Speaker 1: in the primary because I was with my heart, Then 365 00:22:05,760 --> 00:22:08,680 Speaker 1: leave my heart out of it, because yeah, leave my 366 00:22:08,800 --> 00:22:13,199 Speaker 1: funet there. My heart. Especially watching this damn Shrek musical 367 00:22:13,520 --> 00:22:18,520 Speaker 1: the thing, Okay, I'm so excited. Yeah. With Biden, it's 368 00:22:18,520 --> 00:22:20,720 Speaker 1: like I also I'm like, yeah, he should be saying 369 00:22:20,800 --> 00:22:23,120 Speaker 1: and doing more, but like I also have zero faith 370 00:22:23,160 --> 00:22:25,880 Speaker 1: though what he says or does would be useful or productive, 371 00:22:26,000 --> 00:22:28,880 Speaker 1: So I ultimately I'm like, just stay in the room. Whatever. 372 00:22:29,600 --> 00:22:32,639 Speaker 1: And then there's a couple back to work things the NBA, 373 00:22:32,840 --> 00:22:35,960 Speaker 1: maybe going back to work they may be doing, like 374 00:22:36,119 --> 00:22:40,080 Speaker 1: there's rumblings that they're coming back in the middle of 375 00:22:40,200 --> 00:22:44,280 Speaker 1: July to do just the playoffs. Um, but there's like 376 00:22:44,440 --> 00:22:47,439 Speaker 1: the I don't know, the all the best players had 377 00:22:47,480 --> 00:22:49,159 Speaker 1: a call and they were like, yeah, let's do it. 378 00:22:49,800 --> 00:22:52,439 Speaker 1: And I still feel like there's gonna be a lot 379 00:22:52,480 --> 00:22:55,359 Speaker 1: of players who are like not super down for that, 380 00:22:55,680 --> 00:22:58,840 Speaker 1: and it could be really messy. And it wasn't the 381 00:22:58,960 --> 00:23:02,280 Speaker 1: idea to have them playing some like bubble like enclosed 382 00:23:02,359 --> 00:23:05,600 Speaker 1: like controlled facilities, so it's like they're really in control 383 00:23:05,640 --> 00:23:07,679 Speaker 1: of who's in and out and stuff. Yeah, the thing 384 00:23:07,720 --> 00:23:10,840 Speaker 1: I'm hearing is Orlando. And again this I never talked to. 385 00:23:11,640 --> 00:23:14,080 Speaker 1: My dad works for the NBA, and I never talked 386 00:23:14,080 --> 00:23:15,840 Speaker 1: to him about stuff like this, So I'm not hearing 387 00:23:15,920 --> 00:23:18,920 Speaker 1: this from him. I'm hearing it. I never talked I 388 00:23:19,000 --> 00:23:21,000 Speaker 1: never talked to my dad. I never talk never talked 389 00:23:21,000 --> 00:23:24,080 Speaker 1: to my dad. I haven't heard from him since he 390 00:23:24,160 --> 00:23:32,480 Speaker 1: said my kids don't look like but I. I have 391 00:23:32,560 --> 00:23:34,600 Speaker 1: a friend who like hangs around with a lot of 392 00:23:34,640 --> 00:23:37,359 Speaker 1: people in l A who are like NBA connected, and 393 00:23:38,000 --> 00:23:42,359 Speaker 1: he says that he's hearing July fifteen and it's going 394 00:23:42,400 --> 00:23:46,200 Speaker 1: to be Orlando and they're gonna do the playoffs. Basically, 395 00:23:47,040 --> 00:23:51,480 Speaker 1: that makes sense that Florida would be exactly of the 396 00:23:51,600 --> 00:23:55,280 Speaker 1: most likely states to lift Koar for for some some 397 00:23:55,440 --> 00:23:59,560 Speaker 1: ship is right how or just you know, reward the 398 00:23:59,640 --> 00:24:02,760 Speaker 1: people of New Zealand with NBA playoff basketball. I was 399 00:24:02,800 --> 00:24:05,720 Speaker 1: gonna say, why not go back to New Zealand where 400 00:24:06,119 --> 00:24:10,760 Speaker 1: like you can actually have crowds, because but that would 401 00:24:10,760 --> 00:24:13,960 Speaker 1: be like the smallpox circus coming to town where they're like, dude, 402 00:24:13,960 --> 00:24:16,920 Speaker 1: a plane full of fucking no no, no, no, no, Well, yeah, 403 00:24:17,000 --> 00:24:19,120 Speaker 1: you would have to. I mean, whatever they do, they're 404 00:24:19,160 --> 00:24:22,280 Speaker 1: gonna have to quarantine them for fifteen days and then 405 00:24:22,440 --> 00:24:26,560 Speaker 1: test them to make sure that everybody is virus free 406 00:24:26,800 --> 00:24:30,000 Speaker 1: and then they'll play. But you know, it's just too 407 00:24:31,200 --> 00:24:34,840 Speaker 1: as as Jeff Goldblum taught us all in Jurassic Park, 408 00:24:35,400 --> 00:24:38,520 Speaker 1: nature finds a way. So I just feel like it's 409 00:24:38,560 --> 00:24:42,400 Speaker 1: gonna be too hard to to figure it out. That said, 410 00:24:42,400 --> 00:24:46,200 Speaker 1: I would love to watch it, um Man, this is 411 00:24:46,280 --> 00:24:48,840 Speaker 1: just such shitty timing because I've been watching the Last 412 00:24:48,960 --> 00:24:51,600 Speaker 1: Dance and now I'm like the biggest freaking MB you 413 00:24:51,640 --> 00:24:55,240 Speaker 1: know fan ever, I'm like ready to go now. I'm like, 414 00:24:55,320 --> 00:24:58,920 Speaker 1: I mean, honey, I mean, but there's no games super 415 00:24:58,920 --> 00:25:02,719 Speaker 1: producer around a Hosnie A forward a story to us 416 00:25:02,800 --> 00:25:06,399 Speaker 1: that I had missed that uh Michael Jordan approved the 417 00:25:06,560 --> 00:25:11,200 Speaker 1: Last Dance when Lebron like won the championship in sen 418 00:25:11,280 --> 00:25:15,200 Speaker 1: and like kind of started legitimizing the argument that he 419 00:25:15,320 --> 00:25:17,520 Speaker 1: might be the greatest of all time because he like 420 00:25:18,240 --> 00:25:21,879 Speaker 1: beat the team that won seventy three games with like 421 00:25:21,960 --> 00:25:26,600 Speaker 1: a much worse team, and Jordan was like, nah, people 422 00:25:26,680 --> 00:25:30,439 Speaker 1: need to know. I just I mean, you know, there 423 00:25:30,520 --> 00:25:33,680 Speaker 1: was a moment probably where someone on ESPN like it 424 00:25:33,800 --> 00:25:36,840 Speaker 1: was a Stephen A Smith. He heard someone articulate and 425 00:25:36,920 --> 00:25:38,440 Speaker 1: I mean, now Lebron has got to be in the 426 00:25:38,520 --> 00:25:42,600 Speaker 1: gold conversation and like join and that was all I needed. Yeah, 427 00:25:42,640 --> 00:25:45,200 Speaker 1: and that was all I needed. Every and that was 428 00:25:45,280 --> 00:25:47,640 Speaker 1: all I needed. Joke is the funniest thing I've ever heard. 429 00:25:49,760 --> 00:25:53,600 Speaker 1: Kroger is also uh. I mean their their employees have 430 00:25:53,840 --> 00:25:59,120 Speaker 1: been essential employees, but they were paying an extra two 431 00:25:59,200 --> 00:26:03,240 Speaker 1: dollars an hour and that was called the hero bonus, 432 00:26:03,960 --> 00:26:07,800 Speaker 1: which was great. And now because their executives and need 433 00:26:07,840 --> 00:26:11,600 Speaker 1: more money, they're going to stop doing that as of 434 00:26:11,760 --> 00:26:16,000 Speaker 1: the last week. Uh. I mean, wow, they're giving them 435 00:26:16,080 --> 00:26:18,280 Speaker 1: two dollars, like in a way to say, hey, we 436 00:26:18,400 --> 00:26:22,520 Speaker 1: acknowledge the risk you are taking by continuing to help 437 00:26:22,600 --> 00:26:27,480 Speaker 1: generate revenue for our business. Although yes, providing groceries is essential, 438 00:26:27,840 --> 00:26:30,560 Speaker 1: let's not get it twisted. The people who work at 439 00:26:30,640 --> 00:26:32,600 Speaker 1: the grocery store aren't going there because they're like, brother, 440 00:26:32,680 --> 00:26:35,680 Speaker 1: checks are so fat, I'd be foolished not to go 441 00:26:35,800 --> 00:26:38,560 Speaker 1: into work. Um, this is just this is just part 442 00:26:38,880 --> 00:26:41,600 Speaker 1: of like being a what the hardship of being a 443 00:26:41,680 --> 00:26:44,920 Speaker 1: wage worker in this country because wages are not living wages. 444 00:26:45,240 --> 00:26:49,240 Speaker 1: So already Kroger was in some ship because after this, 445 00:26:49,480 --> 00:26:52,080 Speaker 1: like you know, it's also fred Meyer, I think and Kroger. 446 00:26:52,240 --> 00:26:54,960 Speaker 1: If you're in l A, it's Ralph's. It's the same people. 447 00:26:55,080 --> 00:26:57,360 Speaker 1: But basically they're saying, yeah, we don't want to give 448 00:26:57,440 --> 00:26:59,720 Speaker 1: any more money. Prior to that, they were getting in 449 00:26:59,800 --> 00:27:02,919 Speaker 1: real deep ship because they were essentially telling workers like, hey, 450 00:27:02,960 --> 00:27:04,760 Speaker 1: even if you feel ill, like why don't you try 451 00:27:04,880 --> 00:27:07,960 Speaker 1: coming on in and people like whoa, whoa, what is excut? No, 452 00:27:08,400 --> 00:27:10,120 Speaker 1: And they're like, oh no, no, we were joking. We're joking, 453 00:27:10,240 --> 00:27:13,480 Speaker 1: and then eventually had to be shamed into like yeah, 454 00:27:13,560 --> 00:27:16,879 Speaker 1: no seriously. Then they like essentially had to relent, and 455 00:27:17,000 --> 00:27:20,359 Speaker 1: then they're like, fine, any employee that's too pussy to 456 00:27:20,480 --> 00:27:22,800 Speaker 1: come into work because they're ill, you'll get two weeks 457 00:27:22,880 --> 00:27:28,720 Speaker 1: paid vacation for now. Um. So then all that's been 458 00:27:28,760 --> 00:27:30,879 Speaker 1: going on, they've already been in a bad light. And 459 00:27:30,920 --> 00:27:33,119 Speaker 1: then Judd Legum, who you know, he was sort of 460 00:27:33,200 --> 00:27:36,000 Speaker 1: looking into some of these sec filings from the company, 461 00:27:36,080 --> 00:27:40,480 Speaker 1: found that the CEO basically their total compensation for twenty 462 00:27:40,520 --> 00:27:43,640 Speaker 1: one million dollars, and a lot of that money came 463 00:27:43,720 --> 00:27:45,760 Speaker 1: in the form of a bonus in March of this year. 464 00:27:45,840 --> 00:27:48,240 Speaker 1: Not to say that this is tied directly to COVID, 465 00:27:48,320 --> 00:27:51,040 Speaker 1: but let's just say as the world was coming apart, 466 00:27:51,359 --> 00:27:53,680 Speaker 1: he came into a lot of money, and not not 467 00:27:53,800 --> 00:27:55,680 Speaker 1: necessarily because of how he was treating the workers. But 468 00:27:55,800 --> 00:27:57,600 Speaker 1: this is the situation again, if you want to just 469 00:27:58,160 --> 00:28:02,800 Speaker 1: do some juxtaposition, the average annual salary or annual income 470 00:28:02,920 --> 00:28:07,040 Speaker 1: for an essential worker essential at Kroger is about twenty 471 00:28:07,080 --> 00:28:10,040 Speaker 1: seven thousand. This man makes twenty one million dollars. That's 472 00:28:10,040 --> 00:28:13,480 Speaker 1: a ratio of seven eight nine to one. So you're 473 00:28:13,520 --> 00:28:17,800 Speaker 1: telling me a wage. It's just yeah. What's more is 474 00:28:17,840 --> 00:28:21,920 Speaker 1: in that ratio was only four hundred eighty three to one, 475 00:28:22,119 --> 00:28:24,280 Speaker 1: So they went from four eight three to one to 476 00:28:24,440 --> 00:28:27,760 Speaker 1: seven eight nine to one. As people who are putting 477 00:28:27,800 --> 00:28:30,920 Speaker 1: their lives on the line to generate that money that 478 00:28:31,040 --> 00:28:34,040 Speaker 1: they take in their salary are losing their lives, and 479 00:28:34,160 --> 00:28:37,560 Speaker 1: many people who work at Kroger's have been losing their lives. 480 00:28:37,800 --> 00:28:40,040 Speaker 1: Not to mention there's many places where this is happening, 481 00:28:40,280 --> 00:28:43,120 Speaker 1: but there's been an uproar saying like, hey, there's people 482 00:28:43,320 --> 00:28:45,680 Speaker 1: in there's someone who lost your life in Murphysboro, Tennessee 483 00:28:45,960 --> 00:28:49,280 Speaker 1: in Michigan, they're raising this concern that like we still 484 00:28:49,360 --> 00:28:52,560 Speaker 1: don't feel safe now. The one last thing I just 485 00:28:52,680 --> 00:28:55,760 Speaker 1: want to say is that the Judd legan when he 486 00:28:55,840 --> 00:28:58,120 Speaker 1: was looking at how the bonuses are given out, that 487 00:28:58,320 --> 00:29:00,840 Speaker 1: bonus it's tied to the c EO creating as much 488 00:29:00,920 --> 00:29:03,880 Speaker 1: free cash flow as possible within the company. Like that's 489 00:29:03,920 --> 00:29:07,200 Speaker 1: an actual um it's he's incentivized to create as much 490 00:29:07,280 --> 00:29:09,400 Speaker 1: free cash flow. And when you're giving people a two 491 00:29:09,480 --> 00:29:12,240 Speaker 1: dollar hero bonus, that is not going to create free 492 00:29:12,320 --> 00:29:15,080 Speaker 1: cash flow. So we're also seeing like it's set up 493 00:29:15,120 --> 00:29:19,280 Speaker 1: to incentivize them being cruel to their to their customers 494 00:29:19,840 --> 00:29:22,520 Speaker 1: or to their employees. Rather, it doubles down on the 495 00:29:22,760 --> 00:29:26,080 Speaker 1: frustrating nature of a lot of these commercials that are 496 00:29:26,120 --> 00:29:30,640 Speaker 1: coming out right now that are like praising essential workers heroes, 497 00:29:30,720 --> 00:29:33,160 Speaker 1: and but there's also like big companies that are I 498 00:29:33,200 --> 00:29:36,000 Speaker 1: mean Amazon has been doing it. They have like every 499 00:29:36,080 --> 00:29:38,640 Speaker 1: YouTube add I've been getting is takes place in an 500 00:29:38,640 --> 00:29:41,520 Speaker 1: Amazon workhouse talking about how much they value and they're 501 00:29:41,560 --> 00:29:43,960 Speaker 1: like our essential workers are blah blah blah, and it's 502 00:29:43,960 --> 00:29:46,040 Speaker 1: like it's the most fucking condescending thing in the world. 503 00:29:46,240 --> 00:29:49,560 Speaker 1: Are essential workers are getting fired for raising concerns about 504 00:29:49,600 --> 00:29:52,920 Speaker 1: the conditions in our warehouse, for attempting to unionize, Like 505 00:29:53,040 --> 00:29:56,480 Speaker 1: it's it's it's the most condescending thing in the world 506 00:29:56,560 --> 00:29:59,120 Speaker 1: to make a p s a about how you consider 507 00:29:59,240 --> 00:30:01,680 Speaker 1: your essential worker is to be heroes. But you are 508 00:30:01,840 --> 00:30:04,600 Speaker 1: firing them for standing up for themselves and have never 509 00:30:05,200 --> 00:30:07,720 Speaker 1: in the history of your company paid them a living wage. 510 00:30:07,760 --> 00:30:09,840 Speaker 1: And the gust on your way to being the first 511 00:30:09,920 --> 00:30:13,600 Speaker 1: trillionaire on earth. It's just the most it's it's evil. 512 00:30:13,720 --> 00:30:17,080 Speaker 1: It's someone put it things like he could he could 513 00:30:17,120 --> 00:30:20,080 Speaker 1: afford to, like solve world hunger twice a year, and 514 00:30:20,120 --> 00:30:22,880 Speaker 1: still keep money in his pocket. Like when you actually 515 00:30:22,920 --> 00:30:25,440 Speaker 1: are sitting on that amount of money, like something has 516 00:30:25,480 --> 00:30:27,320 Speaker 1: to give and I don't know at what point that's 517 00:30:27,320 --> 00:30:29,640 Speaker 1: going to happen, But what the funk are you going 518 00:30:29,680 --> 00:30:31,120 Speaker 1: to do with all that money? Is don't just sit 519 00:30:31,200 --> 00:30:32,360 Speaker 1: on to you die and be like I just want 520 00:30:32,400 --> 00:30:34,840 Speaker 1: a bunch of libraries erected with my name on. No, no, no, no, 521 00:30:34,960 --> 00:30:36,760 Speaker 1: we have people starving right now and you can do 522 00:30:36,920 --> 00:30:41,440 Speaker 1: something exactly. And just so everyone's clear, this is this 523 00:30:41,640 --> 00:30:46,240 Speaker 1: doesn't have to be the case, like the disparity. CEO 524 00:30:46,360 --> 00:30:52,200 Speaker 1: compensation has grown nine and forty percent since typical worker 525 00:30:52,320 --> 00:30:56,640 Speaker 1: compensation has risen twelve percent. So it's you know there, 526 00:30:56,880 --> 00:31:01,320 Speaker 1: it's just by design, yeah, scamp. Yeah, and again it's 527 00:31:01,760 --> 00:31:04,360 Speaker 1: this is why they use the term wage slaves wage 528 00:31:04,400 --> 00:31:08,040 Speaker 1: slavery because you you if if you had a choice, right, 529 00:31:08,440 --> 00:31:10,680 Speaker 1: you could say, well, I'm paid enough that I could 530 00:31:10,680 --> 00:31:14,360 Speaker 1: take any job I want. But because of certain financial 531 00:31:14,400 --> 00:31:16,760 Speaker 1: situations for people in the way we compensate people, you're 532 00:31:16,800 --> 00:31:19,080 Speaker 1: locked in a cycle where you can only take a 533 00:31:19,160 --> 00:31:22,400 Speaker 1: certain job. It's hard to move up upwardly because you 534 00:31:22,440 --> 00:31:26,200 Speaker 1: don't have the necessary opportunities there for education or training 535 00:31:26,280 --> 00:31:28,840 Speaker 1: or whatever, and then you get stuck in this cycle. Meanwhile, 536 00:31:29,520 --> 00:31:32,240 Speaker 1: let's not forget the people that are protesting are the 537 00:31:32,560 --> 00:31:35,320 Speaker 1: like older white people who just want their servers to 538 00:31:35,440 --> 00:31:39,480 Speaker 1: come back and be served. Uh, and also the billionaire class. 539 00:31:39,520 --> 00:31:41,840 Speaker 1: It's like, I need my wage slaves to go back 540 00:31:41,920 --> 00:31:45,680 Speaker 1: to work because I'm seeing my my revenues go whip 541 00:31:46,040 --> 00:31:48,000 Speaker 1: and i have a lot of and I'm used to 542 00:31:48,080 --> 00:31:50,520 Speaker 1: getting billions of dollars every year, and this is that's 543 00:31:50,560 --> 00:31:53,000 Speaker 1: what we're Yeah, whatever, this is what this is constant. 544 00:31:53,040 --> 00:31:54,400 Speaker 1: This is what it's always going to be until we 545 00:31:54,480 --> 00:31:57,520 Speaker 1: actually begin solving this kind of issue. Alright, because let's talk. 546 00:31:57,640 --> 00:32:01,400 Speaker 1: Let's talk about the culture that we can woomed before 547 00:32:01,640 --> 00:32:06,120 Speaker 1: our second break. I can just run through Sleepless real quick. 548 00:32:06,440 --> 00:32:10,040 Speaker 1: A movie that I went into thinking was a Netflix original. 549 00:32:10,640 --> 00:32:14,480 Speaker 1: It was a movie that came out in ten directed 550 00:32:14,600 --> 00:32:18,920 Speaker 1: by the person who directed and created that German show 551 00:32:19,080 --> 00:32:22,400 Speaker 1: dark that's on Netflix that I've talked about before. That's 552 00:32:22,880 --> 00:32:28,360 Speaker 1: pretty cool and it's like Donnie Darko but uh series 553 00:32:28,600 --> 00:32:32,000 Speaker 1: and like somewhat smart. But anyways, this movie will make 554 00:32:32,120 --> 00:32:34,800 Speaker 1: you like that show less because it's just kind of 555 00:32:34,840 --> 00:32:38,880 Speaker 1: a dumb action movie. It's like Taken if Liam Neeson 556 00:32:39,360 --> 00:32:44,000 Speaker 1: didn't have a particular set of skills and was below 557 00:32:44,120 --> 00:32:47,480 Speaker 1: average height. Uh, they keep like they are multiple times 558 00:32:47,600 --> 00:32:51,280 Speaker 1: when like it's clear that he's shorter than the people 559 00:32:51,360 --> 00:32:56,800 Speaker 1: around him, which makes me like Jamie Fox because uh, yeah, 560 00:32:56,840 --> 00:33:00,240 Speaker 1: he's not doing the Tom Cruise. But also if Liam 561 00:33:00,320 --> 00:33:03,800 Speaker 1: Neeson would lose his daughter in a crowded bar like that, 562 00:33:04,160 --> 00:33:07,920 Speaker 1: that is something that happens in this is that Jamie 563 00:33:07,960 --> 00:33:10,959 Speaker 1: Fox like rescues his son from the people holding him 564 00:33:10,960 --> 00:33:13,680 Speaker 1: a hostage and then they're like walking through a crowded 565 00:33:13,800 --> 00:33:17,200 Speaker 1: bar and he gets separated from his son just because 566 00:33:17,280 --> 00:33:21,640 Speaker 1: it's crowded, and then his son gets kidnapped. It's it's 567 00:33:21,680 --> 00:33:28,960 Speaker 1: amazing infuriate there, did he? I would love a reversely 568 00:33:29,040 --> 00:33:32,320 Speaker 1: of Niesen's speech from Jamie Fox, like, Hi, I don't 569 00:33:32,400 --> 00:33:36,480 Speaker 1: have a particular I have like a generalized set of 570 00:33:36,600 --> 00:33:40,760 Speaker 1: skills that most people have. But yeah, it's interesting because 571 00:33:40,840 --> 00:33:43,960 Speaker 1: it's like he's a badass cop type movie, but like 572 00:33:44,120 --> 00:33:47,240 Speaker 1: people keep sneaking up on him at like when his 573 00:33:47,360 --> 00:33:50,960 Speaker 1: car is like stopped at a traffic light, or he 574 00:33:51,120 --> 00:33:55,520 Speaker 1: like doesn't notice when he's being like conspicuously tailed by someone. 575 00:33:55,680 --> 00:33:58,120 Speaker 1: Like it's all the stuff that you expect from an 576 00:33:58,160 --> 00:34:01,080 Speaker 1: action hero cop, Like he just doesn't it do. And 577 00:34:01,200 --> 00:34:04,920 Speaker 1: then it ends with him in a hospital saying I'm 578 00:34:04,960 --> 00:34:08,960 Speaker 1: a good cop to this other like woman who is 579 00:34:09,400 --> 00:34:12,360 Speaker 1: like a good cop, and she's like, I know, but 580 00:34:12,520 --> 00:34:18,520 Speaker 1: it's like not convincing um and credits Jamie Fox. I 581 00:34:18,600 --> 00:34:21,280 Speaker 1: do love like he He has some very charming moments. 582 00:34:21,800 --> 00:34:24,759 Speaker 1: There's a part where he stabs a bad guy in 583 00:34:24,800 --> 00:34:27,360 Speaker 1: the neck with one of those champagne bottles with the 584 00:34:27,400 --> 00:34:31,560 Speaker 1: sparkler in it. Uh, the people at the nightclub. Yeah, 585 00:34:31,600 --> 00:34:35,680 Speaker 1: at the nightclub, which is pretty dope. Does that how 586 00:34:35,719 --> 00:34:38,560 Speaker 1: does that mechanically work? He breaks the bottom of the thing, 587 00:34:38,760 --> 00:34:41,560 Speaker 1: he broke the bottle off. Yeah, but like doesn't bother 588 00:34:42,360 --> 00:34:45,000 Speaker 1: putting the sparkler out. I thought he just snagged the 589 00:34:45,080 --> 00:34:51,600 Speaker 1: bottle from the bottle. It's just as the sparkler goes out, 590 00:34:52,480 --> 00:34:54,799 Speaker 1: you see the life draining from the bad guy's face. 591 00:34:54,960 --> 00:34:57,600 Speaker 1: So like that's kind of dope. Yeah, it's a good 592 00:34:57,880 --> 00:35:03,360 Speaker 1: it's a good visual. And also Scoot McNairy is in 593 00:35:03,520 --> 00:35:07,120 Speaker 1: it as like a real bad bad guy and he 594 00:35:07,280 --> 00:35:10,239 Speaker 1: has he gives a good performance. I like Jamie Fox. 595 00:35:10,400 --> 00:35:14,360 Speaker 1: I give it two thumbs up. Also, a very confusing 596 00:35:14,440 --> 00:35:21,520 Speaker 1: prequel to Sleepless in Seattle. I was I think it's 597 00:35:21,560 --> 00:35:23,640 Speaker 1: like one of those movies that it takes place in 598 00:35:23,719 --> 00:35:25,839 Speaker 1: the same universe, but it's just more of like an 599 00:35:25,880 --> 00:35:30,480 Speaker 1: anthology series. Yeah, just to believe. Yeah, they don't explain 600 00:35:30,520 --> 00:35:33,640 Speaker 1: why it's called sleepless. Like the movie takes place during 601 00:35:33,680 --> 00:35:36,080 Speaker 1: the course of one night, but it doesn't like go 602 00:35:37,360 --> 00:35:40,880 Speaker 1: deep into the night. It's like a couple hours. But 603 00:35:40,960 --> 00:35:44,480 Speaker 1: it's not a particularly late night by Vegas standards. It's 604 00:35:44,600 --> 00:35:49,920 Speaker 1: just like anyways, five stars, great movie. Maybe there was 605 00:35:50,000 --> 00:35:52,520 Speaker 1: like a whole storyline about how he's having like sleep 606 00:35:52,600 --> 00:35:54,719 Speaker 1: issues and they just had to cut it for time. 607 00:35:54,840 --> 00:35:57,799 Speaker 1: You know, maybe it's like having like stress sleep problems 608 00:35:58,000 --> 00:36:00,439 Speaker 1: or like hormone problems. We can't get him I can't 609 00:36:00,480 --> 00:36:02,880 Speaker 1: sleep before my period, you know, like they might have 610 00:36:03,000 --> 00:36:06,840 Speaker 1: just cut that. Yeah. Yeah, I mean he does like 611 00:36:07,000 --> 00:36:11,080 Speaker 1: put himself under unnecessary stress. It turns out so at 612 00:36:11,120 --> 00:36:13,280 Speaker 1: first you think he's a crooked cop that it turns 613 00:36:13,280 --> 00:36:16,239 Speaker 1: out he's been undercover as a crooked cop. But he 614 00:36:16,440 --> 00:36:19,120 Speaker 1: had to pretend to be a crooked cop, even to 615 00:36:19,440 --> 00:36:23,240 Speaker 1: his wife and son, to the point that their marriage 616 00:36:23,280 --> 00:36:27,160 Speaker 1: is falling apart. But like it's not clear why, like 617 00:36:27,400 --> 00:36:32,440 Speaker 1: for who was he doing right? Yeah, like shitty Cerpco 618 00:36:32,560 --> 00:36:38,160 Speaker 1: or Donnie Brasco. Except he like his wife is not 619 00:36:38,360 --> 00:36:41,720 Speaker 1: going to rap him out, like and like she's like, meanwhile, 620 00:36:41,800 --> 00:36:44,400 Speaker 1: like moved on to another guy, And he's like, no, 621 00:36:44,719 --> 00:36:47,560 Speaker 1: funk that you can't move on to another guy because 622 00:36:47,600 --> 00:36:51,760 Speaker 1: I'm still your husband. I'm just undercover as somebody who's 623 00:36:51,800 --> 00:36:57,680 Speaker 1: a shitty, toxic husband. Uh. Anyways, glad I wasn't fourteen 624 00:36:57,719 --> 00:37:03,120 Speaker 1: when this movie came up. I'm undercover as a shitty boyfriend. 625 00:37:04,160 --> 00:37:09,640 Speaker 1: That's right, all right, all right, let's take a break 626 00:37:09,680 --> 00:37:13,360 Speaker 1: and then when we come back, the Shrek Musical and 627 00:37:14,360 --> 00:37:29,320 Speaker 1: the Wrong Missy and we're back, and Miles, you watched 628 00:37:29,400 --> 00:37:32,239 Speaker 1: the Shrek Musical. This is not just like some fan 629 00:37:33,120 --> 00:37:36,120 Speaker 1: video that they took from the crowd. This is the 630 00:37:36,239 --> 00:37:41,960 Speaker 1: Netflix full It's a whole as Broadway fucking production. It's impressive, 631 00:37:42,040 --> 00:37:46,480 Speaker 1: isn't it. Now? Mind you remember what I said last week. 632 00:37:46,520 --> 00:37:49,680 Speaker 1: I said I hate musicals. I don't like them. I mean, 633 00:37:49,760 --> 00:37:55,320 Speaker 1: like fine, like a musicals musical. But but then I 634 00:37:55,400 --> 00:38:03,000 Speaker 1: saw her face. Now, uh do no, famously, they do 635 00:38:03,080 --> 00:38:04,919 Speaker 1: not have all star will get to that my first 636 00:38:05,000 --> 00:38:07,919 Speaker 1: I just want to say, up top actually of quite 637 00:38:08,000 --> 00:38:12,160 Speaker 1: pleasurable experience. It's not like in terms of like, it's 638 00:38:12,200 --> 00:38:17,759 Speaker 1: not like I was. I wasn't. I wasn't moved, you know, emotionally. 639 00:38:17,920 --> 00:38:20,040 Speaker 1: But I also wasn't hating what I saw because I 640 00:38:20,160 --> 00:38:22,239 Speaker 1: think I realized what the sweet spot is for me 641 00:38:22,320 --> 00:38:25,920 Speaker 1: with musicals when they're too like like actual legitimate like 642 00:38:26,080 --> 00:38:28,960 Speaker 1: Chicago or some ship or rent. I'm like, I don't know, 643 00:38:29,120 --> 00:38:31,880 Speaker 1: like this, there's like some real ship going on here Shrek. 644 00:38:31,960 --> 00:38:35,080 Speaker 1: I'm like, great, full this little Shrek aass ogre got 645 00:38:35,160 --> 00:38:36,719 Speaker 1: kicked out by his parents and has to figure it 646 00:38:36,719 --> 00:38:38,960 Speaker 1: out on his own, ends up in the swamp, meets 647 00:38:39,000 --> 00:38:44,600 Speaker 1: some homies. Great, there's fart jokes, there's there's yeah the 648 00:38:44,719 --> 00:38:48,800 Speaker 1: far there's like fart solos. I was like, I was like, 649 00:38:48,880 --> 00:38:51,759 Speaker 1: kind of Lavin's great, why is he kicked out by 650 00:38:51,800 --> 00:38:54,799 Speaker 1: his parents? It was I think, like a remnant from 651 00:38:54,880 --> 00:38:56,840 Speaker 1: the original story where the guy was pitching at your 652 00:38:56,960 --> 00:38:59,640 Speaker 1: dream works. He had a few different like origin stories 653 00:38:59,719 --> 00:39:01,640 Speaker 1: that they could kick off Shrek with, like whether his 654 00:39:01,800 --> 00:39:03,759 Speaker 1: parents were fighting about kicking him out or whatever. But 655 00:39:03,920 --> 00:39:05,239 Speaker 1: I think it's just sort of meant to say, like 656 00:39:05,560 --> 00:39:08,239 Speaker 1: this is a person who already feels ostracized, because that's 657 00:39:08,239 --> 00:39:10,320 Speaker 1: sort of like thematically the through line, because by the 658 00:39:10,440 --> 00:39:14,719 Speaker 1: end it's completely about self acceptance. His parents, No, they're 659 00:39:15,600 --> 00:39:18,399 Speaker 1: now his parents are very shreks. Yeah. Now, I will 660 00:39:18,480 --> 00:39:22,000 Speaker 1: say I was disappointed, like most people with the absence 661 00:39:22,080 --> 00:39:23,880 Speaker 1: of All Star, but they do make up for it 662 00:39:23,960 --> 00:39:26,400 Speaker 1: with I'm a Believer arousing number at the very end 663 00:39:26,480 --> 00:39:28,440 Speaker 1: where they even change the audio so it sounds like 664 00:39:28,520 --> 00:39:31,080 Speaker 1: you're hearing like like a real show, like they switched 665 00:39:31,080 --> 00:39:33,320 Speaker 1: from the production mics to like some p A stuff. 666 00:39:33,719 --> 00:39:37,440 Speaker 1: Enjoyed that. Uh, but the smash mouth thing, everyone's like, 667 00:39:37,520 --> 00:39:39,960 Speaker 1: what's going on now? Most people maybe suspect that it 668 00:39:40,080 --> 00:39:43,160 Speaker 1: was because like a rights issue, but JM did a 669 00:39:43,200 --> 00:39:45,880 Speaker 1: little research and found that you can get a smash 670 00:39:45,960 --> 00:39:49,920 Speaker 1: mouth to perform at your private event for Oh, so 671 00:39:50,120 --> 00:39:53,080 Speaker 1: they I wonder what it was. Then that's very weird 672 00:39:53,719 --> 00:39:55,600 Speaker 1: I've heard. I mean because we've heard like the lead 673 00:39:55,640 --> 00:39:57,759 Speaker 1: singers kind of a dick. So I wonder if like 674 00:39:57,840 --> 00:40:00,799 Speaker 1: maybe something's happened in like them wanting way more money 675 00:40:00,840 --> 00:40:04,239 Speaker 1: than they're like. Uh, because this musical was also yeah, 676 00:40:04,280 --> 00:40:06,480 Speaker 1: it was made during the it was like during a recession. 677 00:40:06,560 --> 00:40:09,920 Speaker 1: It came out, so this production lost a million dollars 678 00:40:10,480 --> 00:40:14,520 Speaker 1: even doing it. Now, I want to tell you, people 679 00:40:14,560 --> 00:40:17,279 Speaker 1: who like musicals, I'm assuming I was really I'm really 680 00:40:17,320 --> 00:40:20,640 Speaker 1: sleeping on production. Okay, I didn't realize how good it 681 00:40:20,719 --> 00:40:23,239 Speaker 1: can be. Now, if you have some musicals with amazing 682 00:40:23,400 --> 00:40:25,680 Speaker 1: set changes, please tell me, because that was of the 683 00:40:25,760 --> 00:40:28,239 Speaker 1: moments I found myself being like, yeah, I'm stupid for 684 00:40:28,360 --> 00:40:31,520 Speaker 1: like just blanket hating on musicals because it is a 685 00:40:31,680 --> 00:40:34,799 Speaker 1: production and there is a moment where the mask goes 686 00:40:34,880 --> 00:40:38,120 Speaker 1: into like DVD features and seamlessly turns into Princess Fiona 687 00:40:38,160 --> 00:40:41,800 Speaker 1: as a teenager on stage with some screen. I was 688 00:40:41,880 --> 00:40:45,080 Speaker 1: like yes, and I was high being like no, I 689 00:40:45,200 --> 00:40:47,160 Speaker 1: rewound that ship to try and figure out what the 690 00:40:47,239 --> 00:40:50,440 Speaker 1: funk happened. Renumber where she's like singing in the tower 691 00:40:51,440 --> 00:40:53,719 Speaker 1: and then she goes around and like the age progression 692 00:40:53,800 --> 00:40:56,239 Speaker 1: happens with new actresses and the person who plays far 693 00:40:56,320 --> 00:40:59,000 Speaker 1: quad Um, I'm pretty sure he did that whole show 694 00:40:59,120 --> 00:41:03,080 Speaker 1: on his knees legend legend, yes, on his knees to 695 00:41:03,200 --> 00:41:06,160 Speaker 1: be the they have a very tall man get on 696 00:41:06,280 --> 00:41:10,120 Speaker 1: his knees instead of a nice fun prosthetic costume that 697 00:41:10,239 --> 00:41:12,120 Speaker 1: like goes from his hip to like his knee. That 698 00:41:12,200 --> 00:41:15,880 Speaker 1: looks like the whole leg his cape. Like obscure is 699 00:41:15,880 --> 00:41:17,600 Speaker 1: the fact that he's actually on his knees. So this 700 00:41:17,760 --> 00:41:20,200 Speaker 1: dude was doing full choreography. He's going to fall out 701 00:41:20,320 --> 00:41:24,040 Speaker 1: on his knees. Isn't that problematic to have a small 702 00:41:24,120 --> 00:41:26,840 Speaker 1: person played by somebody on their knees? Well, No, I 703 00:41:26,880 --> 00:41:29,160 Speaker 1: think they're just meaning to say, like far quad his 704 00:41:29,320 --> 00:41:31,680 Speaker 1: character was just shortened stature rather than saying like he 705 00:41:31,760 --> 00:41:34,160 Speaker 1: may have been like have any sort of like medically 706 00:41:34,560 --> 00:41:36,840 Speaker 1: was short just because you know his characters like this, 707 00:41:36,960 --> 00:41:38,520 Speaker 1: like short dude with a big head. He was just 708 00:41:38,600 --> 00:41:42,240 Speaker 1: like just where cocky and secure. Um he was nominated 709 00:41:42,320 --> 00:41:47,320 Speaker 1: for a Tony for that too. I mean, yeah, he 710 00:41:47,360 --> 00:41:50,239 Speaker 1: did a very good job. I can see I can 711 00:41:50,320 --> 00:41:53,320 Speaker 1: see people being like, oh, that's not I don't know. 712 00:41:53,480 --> 00:41:57,480 Speaker 1: I'm not the authority, but I thought I wouldn't. If 713 00:41:57,520 --> 00:41:59,399 Speaker 1: it is tasteless, please tell me, because I didn't think 714 00:41:59,400 --> 00:42:01,839 Speaker 1: it was meant to look like to say, oh, we're 715 00:42:01,880 --> 00:42:04,080 Speaker 1: making fun of somebody, rather than like far Quad is 716 00:42:04,120 --> 00:42:06,320 Speaker 1: meant to be smaller than everyone else, this person. This 717 00:42:06,440 --> 00:42:08,680 Speaker 1: is how we're achieving that through the magic of Broadway. 718 00:42:08,920 --> 00:42:17,160 Speaker 1: But the context moment thinking of is the comic character Dwarf. Yeah, 719 00:42:17,360 --> 00:42:21,439 Speaker 1: d o r f. So it wasn't probably yeah, probably cool, 720 00:42:21,600 --> 00:42:24,239 Speaker 1: But like so Fiona, right, she's a human and then 721 00:42:24,280 --> 00:42:27,000 Speaker 1: at night she turns to ogre How does she get 722 00:42:27,080 --> 00:42:29,560 Speaker 1: in and out of that makeup? So fun quick. There's 723 00:42:29,640 --> 00:42:33,399 Speaker 1: really good behind the scenes video, like all the behind 724 00:42:33,440 --> 00:42:36,399 Speaker 1: the scenes videos for I don't remember exactly how it's done, 725 00:42:36,480 --> 00:42:39,319 Speaker 1: but there is like a process video shown it's it's 726 00:42:39,400 --> 00:42:43,919 Speaker 1: and it's sucking. Sutton Foster. She rocks. She's so good. Yeah, 727 00:42:44,000 --> 00:42:46,080 Speaker 1: I'll just say I light a candle with her face 728 00:42:46,160 --> 00:42:49,000 Speaker 1: on it every night. I mean she is, Oh how 729 00:42:49,080 --> 00:42:51,680 Speaker 1: will be thy name? Sutton Foster? She could do no wrong? 730 00:42:52,120 --> 00:42:55,080 Speaker 1: What is she from? Like, I'm ignorant to the majesty 731 00:42:55,120 --> 00:42:58,920 Speaker 1: of Sutton Foster. Well she So she was Milly in 732 00:42:59,040 --> 00:43:02,480 Speaker 1: Thoroughly Modern Milk. I believe the original Millie. So she 733 00:43:02,680 --> 00:43:05,680 Speaker 1: originated the role. Um, and then she was in Anything 734 00:43:05,760 --> 00:43:08,920 Speaker 1: Goes and wanted Tony for that revival. Um. And then 735 00:43:09,120 --> 00:43:12,680 Speaker 1: on television she is on a show called Younger Is 736 00:43:12,719 --> 00:43:17,400 Speaker 1: on TV Land, which seventh season or something. Um. But 737 00:43:17,600 --> 00:43:20,520 Speaker 1: she's just a Broadway queen and she's just iconic. And 738 00:43:20,800 --> 00:43:22,480 Speaker 1: I saw her an into the woods at the Hollywood 739 00:43:22,480 --> 00:43:24,880 Speaker 1: Bowl last time or r I p Hollywood Bowl. Um. 740 00:43:24,960 --> 00:43:28,000 Speaker 1: But she's just an incredible Broadway performer. She's just makes 741 00:43:28,040 --> 00:43:30,759 Speaker 1: sense because yeah, yeah, I realized how ignorant was too, 742 00:43:30,800 --> 00:43:32,840 Speaker 1: because like some person would just come on stage the 743 00:43:32,920 --> 00:43:35,520 Speaker 1: first time, they're like, yes, yes, I'm like, who the 744 00:43:35,560 --> 00:43:38,560 Speaker 1: fuck is Brian Darcy and Sutton Foster are like to 745 00:43:38,840 --> 00:43:41,840 Speaker 1: Broadway legends and It's so wild to me that they 746 00:43:41,920 --> 00:43:44,399 Speaker 1: agreed to be shreks. They must have made so much 747 00:43:44,480 --> 00:43:47,480 Speaker 1: money doing this show, because it must I can't imagine 748 00:43:47,520 --> 00:43:50,400 Speaker 1: that's an easy sell to be, Like, Okay, Queen of Broadway, 749 00:43:50,400 --> 00:43:52,400 Speaker 1: we're gonna put you in five hundred pounds of makeup 750 00:43:52,480 --> 00:43:56,200 Speaker 1: every night for a year. But she kills it. It's interesting. 751 00:43:56,280 --> 00:43:58,799 Speaker 1: Jam put together some reviews that people were talking about 752 00:43:58,840 --> 00:44:01,080 Speaker 1: early on and there's like, you know, some people were 753 00:44:01,239 --> 00:44:04,960 Speaker 1: saying like that it had this like clear gay pride subtext. 754 00:44:05,080 --> 00:44:07,440 Speaker 1: I'm like, fam, you're at a musical, you know what 755 00:44:07,480 --> 00:44:10,200 Speaker 1: I mean, Like you're you're in the community already, Like 756 00:44:10,400 --> 00:44:13,319 Speaker 1: don't like people are singing and dancing and getting free 757 00:44:13,360 --> 00:44:15,399 Speaker 1: if that bothers you because they're trying to have them 758 00:44:15,719 --> 00:44:17,680 Speaker 1: I think in the context because I said at the 759 00:44:17,760 --> 00:44:20,600 Speaker 1: end it's like let your freak flag fly. Well, I'm sorry, 760 00:44:20,680 --> 00:44:22,880 Speaker 1: Pinocchio has got a wooden nose. Bro he's trying to 761 00:44:22,920 --> 00:44:27,080 Speaker 1: embrace that. Yeah. Although the there was like a weird 762 00:44:27,200 --> 00:44:30,920 Speaker 1: trans transphobic joke in the opening number where the big 763 00:44:31,000 --> 00:44:33,279 Speaker 1: bad wolf in the granny costumes like they tore my 764 00:44:33,400 --> 00:44:35,480 Speaker 1: granny dress. Now I'm a tranny mess. I was like, 765 00:44:36,080 --> 00:44:38,719 Speaker 1: which I was, which I'm happy to report has been 766 00:44:38,920 --> 00:44:46,480 Speaker 1: removed from all subsequent productions. Look and yeah, that that's 767 00:44:46,520 --> 00:44:49,920 Speaker 1: an upsetting joke to have made. And that was like 768 00:44:50,040 --> 00:44:52,279 Speaker 1: a low key in the movie as well, if I 769 00:44:52,400 --> 00:44:56,319 Speaker 1: if I'm remembering correctly, there was like a transphobic joke 770 00:44:56,360 --> 00:44:58,680 Speaker 1: in the original Truck movie. But then audiences didn't like 771 00:44:58,760 --> 00:45:01,600 Speaker 1: it and in all their regional because I've seen this 772 00:45:01,760 --> 00:45:05,640 Speaker 1: show live, I think like seven times, I've never seen this. 773 00:45:05,960 --> 00:45:09,640 Speaker 1: I've never seen this line perform live, so they wow. 774 00:45:10,640 --> 00:45:13,080 Speaker 1: And again I think what may have been pleasurable for me, 775 00:45:13,120 --> 00:45:15,480 Speaker 1: even though I'm not I'm not really convinced by musicals 776 00:45:15,560 --> 00:45:17,279 Speaker 1: or whatever, but I think what was nice about this 777 00:45:17,440 --> 00:45:19,360 Speaker 1: is like there was there were technical things that I 778 00:45:19,440 --> 00:45:23,240 Speaker 1: really appreciated. I like the humor in like the lightheartedness, 779 00:45:23,480 --> 00:45:25,480 Speaker 1: and it's like it's not it's not gonna bend your 780 00:45:25,520 --> 00:45:27,360 Speaker 1: mind too much as you watch it. And also I 781 00:45:27,440 --> 00:45:31,480 Speaker 1: think the feeling of like hearing an audience and stuff 782 00:45:31,480 --> 00:45:34,359 Speaker 1: and seeing a stage performance like felt a little bit 783 00:45:34,440 --> 00:45:37,959 Speaker 1: more additive than watching like a straight up film on TV. 784 00:45:38,520 --> 00:45:41,040 Speaker 1: Was that a concern you had going in was was 785 00:45:41,160 --> 00:45:42,680 Speaker 1: that it was going to bend your mind too much 786 00:45:42,800 --> 00:45:47,359 Speaker 1: because because it's just weird. No, because I check out 787 00:45:47,400 --> 00:45:50,120 Speaker 1: the music musicals and people like, oh my god, the 788 00:45:50,239 --> 00:45:54,759 Speaker 1: police officers shot my son. Why why did my son 789 00:45:55,080 --> 00:45:57,880 Speaker 1: get in the street, And I'm like, no, bro, I 790 00:45:58,000 --> 00:46:00,840 Speaker 1: can't pivot like that. I can't pivot a song. So 791 00:46:01,000 --> 00:46:03,400 Speaker 1: when you keep it light and light and fronty for me, 792 00:46:03,760 --> 00:46:09,520 Speaker 1: easier for me to invest What was your favorite song? 793 00:46:10,400 --> 00:46:13,960 Speaker 1: Because I made my list? Really okay, I made my 794 00:46:14,040 --> 00:46:16,480 Speaker 1: list of my top ten favorite song. I like ranks 795 00:46:16,520 --> 00:46:19,400 Speaker 1: them all. But I'm not a fan like you, so 796 00:46:19,520 --> 00:46:21,800 Speaker 1: I can't calm out. I love the fart sequence because 797 00:46:21,840 --> 00:46:24,319 Speaker 1: it was fun for young and old alike. But then 798 00:46:24,760 --> 00:46:27,920 Speaker 1: when they both are doing their ogre song, when he 799 00:46:28,000 --> 00:46:30,640 Speaker 1: doesn't realize Fiona's an ogre and they're both just kind 800 00:46:30,640 --> 00:46:35,640 Speaker 1: of like lamenting their ogreness, I like, yeah, yeah, yeah, yeah, yes, 801 00:46:35,800 --> 00:46:38,200 Speaker 1: yes the actor who I thank you, Jamie for being 802 00:46:38,200 --> 00:46:42,319 Speaker 1: able to articulate me. You're like a musical stand who knew. Yeah, 803 00:46:42,480 --> 00:46:44,239 Speaker 1: I used to write, I wrote. I wrote about it 804 00:46:44,360 --> 00:46:45,840 Speaker 1: quite a bit back in the day when I was 805 00:46:46,040 --> 00:46:49,040 Speaker 1: working at the Globe, like five years ago. I saw 806 00:46:49,160 --> 00:46:51,320 Speaker 1: a production of it like five different times. And it 807 00:46:51,480 --> 00:46:55,040 Speaker 1: was genuinely very good. You wrote about the fact that 808 00:46:55,120 --> 00:46:57,320 Speaker 1: you had seen Shrek the Musical five times for the 809 00:46:57,400 --> 00:47:01,120 Speaker 1: Boston Globe. It was for their Way. Shockingly, it was 810 00:47:01,200 --> 00:47:06,280 Speaker 1: web only, but yes, I did. You are a legend, 811 00:47:07,520 --> 00:47:10,680 Speaker 1: but there it's good. My favorite one is build a 812 00:47:10,760 --> 00:47:13,560 Speaker 1: Wall that you know, the one that kind of sounds 813 00:47:13,560 --> 00:47:16,400 Speaker 1: like a bon Jovi song but Shrek singing about how 814 00:47:16,440 --> 00:47:18,920 Speaker 1: he's never going to leave his swamp again. I love 815 00:47:19,040 --> 00:47:21,400 Speaker 1: that ship. I mean, my favorite thing is when I 816 00:47:21,520 --> 00:47:23,239 Speaker 1: just try to pull up your article, Jamie and I 817 00:47:23,320 --> 00:47:26,919 Speaker 1: go Jamie loft a Shrek and the results are so yeah, 818 00:47:27,360 --> 00:47:30,600 Speaker 1: why this comedian is selling Shrek nudes? Shrek the Musical 819 00:47:30,760 --> 00:47:34,080 Speaker 1: is an assault on privilege? Is that is that you? Yeah? 820 00:47:38,360 --> 00:47:41,879 Speaker 1: I just love what comes up when I searched later 821 00:47:43,239 --> 00:47:47,800 Speaker 1: that the Shrek humor wave is fully over. But it 822 00:47:47,960 --> 00:47:52,279 Speaker 1: was fun and I was there. I think you'll be 823 00:47:52,360 --> 00:47:57,239 Speaker 1: able to tell your kids. And all right, guys, let's 824 00:47:57,280 --> 00:48:03,000 Speaker 1: talk about the wrong Missy Jamie Jackie, you guys both 825 00:48:03,040 --> 00:48:05,560 Speaker 1: watched it. It is the It has been like at 826 00:48:05,640 --> 00:48:11,480 Speaker 1: various points the number one movie in American Netflix. Uh, 827 00:48:11,760 --> 00:48:16,520 Speaker 1: the the the uh, the Adam Sandler Netflix deal is 828 00:48:17,200 --> 00:48:23,120 Speaker 1: truly unkillable, Like it's like always, always, always number one. Well, Jackie, 829 00:48:23,160 --> 00:48:24,600 Speaker 1: I want you to go first because you have like 830 00:48:25,200 --> 00:48:27,960 Speaker 1: behind the scenes knowledge of this film that I'm not 831 00:48:28,239 --> 00:48:32,839 Speaker 1: privy too. Yeah, sort of. I mean basically last year 832 00:48:33,080 --> 00:48:36,440 Speaker 1: was a really wild year for me. Um. At the 833 00:48:36,520 --> 00:48:38,919 Speaker 1: beginning of the year, I was married and my whole 834 00:48:39,000 --> 00:48:40,960 Speaker 1: marriage like fell apart, and so I was like, I'm 835 00:48:41,000 --> 00:48:43,279 Speaker 1: getting a divorce. I was like, really sad, and this 836 00:48:43,480 --> 00:48:46,800 Speaker 1: is why. Why While Lauren lap Kiss was shooting this 837 00:48:46,920 --> 00:48:49,920 Speaker 1: movie in Hawaii and she was like, why don't you 838 00:48:50,000 --> 00:48:52,359 Speaker 1: come visit me? You know, I have this nice hotel room. 839 00:48:52,800 --> 00:48:55,759 Speaker 1: You know, Um, you've seen the movie. That movie very 840 00:48:55,800 --> 00:48:57,920 Speaker 1: well could have been shot in Santa Monica. But because 841 00:48:58,040 --> 00:49:00,360 Speaker 1: it's Netflix and Adam Sandler, they were like, let's go 842 00:49:00,440 --> 00:49:03,719 Speaker 1: to the fourth season, sony. So you know, so I 843 00:49:03,920 --> 00:49:06,480 Speaker 1: So I went. So I was just I wasn't on set, 844 00:49:06,640 --> 00:49:10,399 Speaker 1: but I was there visiting while Lauren was shooting UM 845 00:49:10,560 --> 00:49:12,520 Speaker 1: and like, so I did like hang out with the 846 00:49:12,760 --> 00:49:16,040 Speaker 1: cast and like I went to Nobu with David Spade 847 00:49:16,800 --> 00:49:23,480 Speaker 1: and yeah, we had we we had a lovely dinner. 848 00:49:23,520 --> 00:49:25,200 Speaker 1: A few nights in a row, I had dinner with 849 00:49:25,280 --> 00:49:27,520 Speaker 1: him a few nights in a row, and like, you know, 850 00:49:27,800 --> 00:49:30,319 Speaker 1: me and Deuce Bigelow were at Nobuo. We were talking 851 00:49:30,440 --> 00:49:32,920 Speaker 1: climate change over at a mom May, Like I had 852 00:49:33,000 --> 00:49:36,719 Speaker 1: some really fun experiences and basically I just saw, like 853 00:49:36,880 --> 00:49:39,600 Speaker 1: you know, if y'all have followed Lauren Labkas's career as 854 00:49:39,680 --> 00:49:42,840 Speaker 1: a comedian, like she's always been like low key killing it, 855 00:49:43,280 --> 00:49:46,560 Speaker 1: like guest starring and doing cartoons and whatever. But it 856 00:49:46,719 --> 00:49:49,759 Speaker 1: was just really great as a friend to see my 857 00:49:49,960 --> 00:49:53,080 Speaker 1: friend be number two on the call sheet and like 858 00:49:53,640 --> 00:49:56,080 Speaker 1: kill it and just be the like the the titular 859 00:49:56,239 --> 00:49:59,439 Speaker 1: star of this big movie. And she worked her butt 860 00:49:59,520 --> 00:50:01,600 Speaker 1: off as you can see if you've seen the movie, 861 00:50:01,680 --> 00:50:05,160 Speaker 1: like stunt wise, they put her in everybody of water 862 00:50:05,320 --> 00:50:08,840 Speaker 1: there and they threw off a cliff she had to 863 00:50:08,960 --> 00:50:12,520 Speaker 1: dive into you know, sharks and sand and dirt, and 864 00:50:12,680 --> 00:50:15,840 Speaker 1: just so many scenes of her emerging from bodies of 865 00:50:15,920 --> 00:50:18,640 Speaker 1: water with her makeup s Like she really worked her 866 00:50:18,719 --> 00:50:21,880 Speaker 1: butt off over this movie, and um, it was just 867 00:50:22,080 --> 00:50:26,040 Speaker 1: really awesome to see like a woman and also just 868 00:50:26,120 --> 00:50:31,200 Speaker 1: a very deserving talented person kill it and just come 869 00:50:31,239 --> 00:50:33,920 Speaker 1: in guns blazing in terms of a performance and just 870 00:50:34,040 --> 00:50:36,520 Speaker 1: how hard she worked. Um, I think all of that 871 00:50:36,719 --> 00:50:39,560 Speaker 1: really showed in the movie. So that was awesome. But yeah, 872 00:50:39,600 --> 00:50:44,399 Speaker 1: I was there any Yes, I got to be there 873 00:50:44,480 --> 00:50:46,759 Speaker 1: sort of. I wasn't on set, but I was there 874 00:50:46,920 --> 00:50:49,160 Speaker 1: the day they shot um the scene where she's on 875 00:50:49,239 --> 00:50:52,279 Speaker 1: the boat and she's covered in chum and has to 876 00:50:52,400 --> 00:50:55,640 Speaker 1: throw up, and they really covered her. They covered her 877 00:50:55,680 --> 00:51:00,680 Speaker 1: in real fish cuts. That was not a problem. Yeah, 878 00:51:00,840 --> 00:51:02,920 Speaker 1: So and she had to run up and down screaming 879 00:51:03,000 --> 00:51:07,480 Speaker 1: on a deck literally like five times. Lauren Lapkis is 880 00:51:07,640 --> 00:51:11,680 Speaker 1: the reason to watch this movie. Like she is firing 881 00:51:11,719 --> 00:51:14,520 Speaker 1: on all cylinders. It's cool to see her in a 882 00:51:14,680 --> 00:51:18,680 Speaker 1: starring role, Like, yeah, she Like everything I loved about 883 00:51:18,719 --> 00:51:22,080 Speaker 1: this movie was things that she was doing. And I 884 00:51:22,800 --> 00:51:27,520 Speaker 1: saw Lauren Lapkis at her Fresh Faces Characters workshop at 885 00:51:27,920 --> 00:51:31,480 Speaker 1: Just for Laughs like twelve years ago. She and she's 886 00:51:32,239 --> 00:51:35,240 Speaker 1: just been crushing it ever since. She's so so funny. 887 00:51:36,440 --> 00:51:39,239 Speaker 1: I wanted that she finally has a movie. Yeah, I 888 00:51:39,320 --> 00:51:44,320 Speaker 1: want her to have more movies written by different people. 889 00:51:44,920 --> 00:51:51,840 Speaker 1: You know, it sounds like so she does. She do 890 00:51:51,920 --> 00:51:53,759 Speaker 1: a lot of physical humor, where like a lot of 891 00:51:53,800 --> 00:51:56,000 Speaker 1: the comedian load is put on her to be like 892 00:51:56,400 --> 00:51:58,880 Speaker 1: you look stupid, You'll do this, you have to provide 893 00:51:58,960 --> 00:52:03,040 Speaker 1: physical and then man and then David Fade is standing there. 894 00:52:03,120 --> 00:52:06,120 Speaker 1: But it's like she does it so well. It's I 895 00:52:06,239 --> 00:52:10,560 Speaker 1: think that like she's doing everything that like she's really 896 00:52:10,640 --> 00:52:14,760 Speaker 1: good at. She's like a great like character actor, she's 897 00:52:15,040 --> 00:52:17,719 Speaker 1: great at like everything she sets up they set up 898 00:52:17,719 --> 00:52:19,680 Speaker 1: for her, she knocks out of the park. It's just 899 00:52:19,840 --> 00:52:22,200 Speaker 1: like the writing of the movie isn't done with the 900 00:52:22,320 --> 00:52:24,800 Speaker 1: kind of like self awareness that her comedy is. And 901 00:52:25,000 --> 00:52:29,000 Speaker 1: so like there's where you're I'm like, I so you 902 00:52:29,080 --> 00:52:30,880 Speaker 1: can try all you want, but you're not going to 903 00:52:31,000 --> 00:52:34,520 Speaker 1: get me to think that Laura Lambkis is dumb like im. 904 00:52:36,040 --> 00:52:38,000 Speaker 1: But what is the story? Because I just know what 905 00:52:38,239 --> 00:52:41,600 Speaker 1: he just someone is invited the wrong person, she's the 906 00:52:41,640 --> 00:52:45,560 Speaker 1: wrong missy. Well, I'm even having trouble like even putting 907 00:52:45,600 --> 00:52:47,799 Speaker 1: this into a formula film. And so we start from 908 00:52:47,840 --> 00:52:51,840 Speaker 1: a very believable place. Spad is hooking up with Molly Sims. 909 00:52:54,239 --> 00:52:56,560 Speaker 1: That's funny, all of them, well, all the love interests 910 00:52:56,600 --> 00:53:00,680 Speaker 1: in the movie are like five ten blonde the four women. 911 00:53:00,960 --> 00:53:05,080 Speaker 1: Yet I do appreciate the short king visibility in this 912 00:53:05,680 --> 00:53:08,960 Speaker 1: where it would be very easy for David Spade to 913 00:53:09,080 --> 00:53:11,799 Speaker 1: pull a Tom Cruise and not cast a tall woman 914 00:53:11,880 --> 00:53:15,759 Speaker 1: opposite him. But he does so confidently, and I appreciate that. 915 00:53:16,000 --> 00:53:18,720 Speaker 1: I agree, And they also were consistent across the board, 916 00:53:18,840 --> 00:53:21,720 Speaker 1: like I said, like Sarah Shock is five nine, Lauren 917 00:53:21,840 --> 00:53:24,240 Speaker 1: is five nine. They were like, let's go for it. Okay, 918 00:53:24,360 --> 00:53:28,239 Speaker 1: he has a type, right, and it's not really like 919 00:53:28,440 --> 00:53:30,919 Speaker 1: drawn attention to either. It just kind of is, which 920 00:53:30,960 --> 00:53:33,840 Speaker 1: is kind of true, like height dispairy, I don't know, 921 00:53:34,000 --> 00:53:36,239 Speaker 1: I'm five eleven, and like we need we need it, 922 00:53:36,560 --> 00:53:39,680 Speaker 1: we need it. Just help me understand. So he thinks 923 00:53:39,719 --> 00:53:44,359 Speaker 1: he's inviting Molly Sims somewhere. I actually, Jamie, I don't 924 00:53:44,400 --> 00:53:46,960 Speaker 1: know if you agree. I think they set that up well, 925 00:53:47,080 --> 00:53:50,239 Speaker 1: like believably that this could have happened the Yeah, the 926 00:53:50,360 --> 00:53:53,719 Speaker 1: texting part is like the actual setup for the movie does. 927 00:53:54,440 --> 00:53:56,759 Speaker 1: I wasn't expecting it to make sense, but it does 928 00:53:56,840 --> 00:54:00,320 Speaker 1: make sense, which I have like third in my phone 929 00:54:00,400 --> 00:54:03,919 Speaker 1: and I've like texted the wrong John multiple times. Yeah. 930 00:54:04,080 --> 00:54:07,680 Speaker 1: Like it's two women named Melissa Missy. Yeah. He goes 931 00:54:07,760 --> 00:54:10,120 Speaker 1: on a first date, like a blind date with the 932 00:54:10,400 --> 00:54:12,839 Speaker 1: Lauren character, and her name is Melissa, but she goes 933 00:54:12,880 --> 00:54:15,080 Speaker 1: by Missy. The date was a mess. And then he 934 00:54:15,200 --> 00:54:18,080 Speaker 1: meets another woman named Melissa at the airport. They have 935 00:54:18,160 --> 00:54:21,160 Speaker 1: a little exchange and then she sends him the contact, 936 00:54:21,239 --> 00:54:23,640 Speaker 1: and I guess he saves the contact and then he 937 00:54:23,800 --> 00:54:26,200 Speaker 1: just sends her a text, thinking it's the woman he 938 00:54:26,360 --> 00:54:28,200 Speaker 1: just met the airport, but it turns out to be 939 00:54:28,680 --> 00:54:30,640 Speaker 1: the girl he went on the bad one date with 940 00:54:31,080 --> 00:54:34,719 Speaker 1: and they have any change. Yes, and Melissa, So they 941 00:54:34,800 --> 00:54:37,959 Speaker 1: have an exchange and it gets pretty rapidly like wow, 942 00:54:38,040 --> 00:54:39,800 Speaker 1: this girl is pretty hot and heavy, you know, and 943 00:54:40,239 --> 00:54:42,920 Speaker 1: so he invites her on this retreat kind of um. 944 00:54:43,080 --> 00:54:46,040 Speaker 1: The Nick Schwartzen character encourages him to do so. I 945 00:54:46,080 --> 00:54:49,160 Speaker 1: thought that was really funny. Yeah, yeah, I thought he 946 00:54:49,239 --> 00:54:51,759 Speaker 1: was really good. Real Rob is in it. The guy 947 00:54:51,920 --> 00:54:57,799 Speaker 1: from Lost is in it. Who else is it? The Hurly? Yeah, 948 00:54:58,000 --> 00:55:01,720 Speaker 1: Urly has a moment um you need to and Romans 949 00:55:01,920 --> 00:55:05,320 Speaker 1: in any Hawaii movie for Roman Reigns is in it. 950 00:55:06,200 --> 00:55:10,400 Speaker 1: Oh um. Adam Sandler's wife, Jackie Sandler, who's a babe 951 00:55:10,520 --> 00:55:13,760 Speaker 1: and a half. Oh my gosh, she is hot to trot. 952 00:55:14,080 --> 00:55:16,439 Speaker 1: I never I had never seen her work, but she's 953 00:55:16,480 --> 00:55:19,239 Speaker 1: in it and she's really hot. Oh yeah, Oh she 954 00:55:19,400 --> 00:55:23,439 Speaker 1: plays the barricudo. Yeah, isn't that interest? Yeah? I was like, Damn, 955 00:55:23,480 --> 00:55:25,400 Speaker 1: who's that hot lady I've never seen before? So she 956 00:55:25,480 --> 00:55:30,719 Speaker 1: has Adam Sandler in it. No, he's with the furbies, 957 00:55:30,880 --> 00:55:34,120 Speaker 1: he's with the Yeah, he was with his furbies when 958 00:55:34,160 --> 00:55:38,480 Speaker 1: this happened. But he you know, he loves to invite 959 00:55:38,600 --> 00:55:40,920 Speaker 1: his friends to his party. So there's a lot of 960 00:55:41,360 --> 00:55:45,280 Speaker 1: Adam Sandler movie, you know, character staples like Rob Schneider, 961 00:55:45,360 --> 00:55:47,360 Speaker 1: like I said, is in it? Um. You know, he 962 00:55:47,480 --> 00:55:49,319 Speaker 1: likes to keep it in the fam. He keeps it close. 963 00:55:49,360 --> 00:55:52,520 Speaker 1: I love that they are, you know, because his movies 964 00:55:52,560 --> 00:55:55,839 Speaker 1: are generally, like the movies he's making for Netflix, are 965 00:55:55,880 --> 00:55:58,479 Speaker 1: not ones that I would like stop everything to watch. 966 00:55:58,680 --> 00:56:01,839 Speaker 1: But the fact that they're using that type of movie 967 00:56:01,880 --> 00:56:07,480 Speaker 1: to like spotlight a huge woman comedic talent who hasn't 968 00:56:07,560 --> 00:56:11,920 Speaker 1: gotten a spotlight to this point is cool. I'm is 969 00:56:12,040 --> 00:56:16,280 Speaker 1: Peter Dante in it? No, he's in every Adam Sandler 970 00:56:16,360 --> 00:56:21,320 Speaker 1: film like he's always like it In many ways, this 971 00:56:21,440 --> 00:56:26,200 Speaker 1: movie takes place twenty years ago, but yes, Vanilla Ice 972 00:56:26,320 --> 00:56:30,239 Speaker 1: is in it. At the at the end, Dante and 973 00:56:30,320 --> 00:56:33,800 Speaker 1: he should have been there. I want Adam Sandler to 974 00:56:34,040 --> 00:56:37,319 Speaker 1: meet some other writers, perhaps some female writers, because there's 975 00:56:37,400 --> 00:56:41,480 Speaker 1: just like, yeah, this this movie doesn't super understand consent, 976 00:56:41,640 --> 00:56:44,040 Speaker 1: the the way this movie falls on consent and multiple 977 00:56:44,080 --> 00:56:47,480 Speaker 1: points you're like, who are who wrote this? And then 978 00:56:47,520 --> 00:56:49,520 Speaker 1: you look it up you're like, oh, I see, I see, 979 00:56:49,560 --> 00:56:52,520 Speaker 1: I see. But it's never it's never the fault of 980 00:56:52,600 --> 00:56:55,680 Speaker 1: the performers. There's just certain story stuff that you're just 981 00:56:55,800 --> 00:56:59,879 Speaker 1: like that that could have used asking someone, but it's 982 00:57:00,080 --> 00:57:03,400 Speaker 1: fun movie. Well we exalt the queen Lauren Laptus on 983 00:57:03,480 --> 00:57:06,160 Speaker 1: this that would be worth that's definitely worth checking out 984 00:57:06,200 --> 00:57:09,200 Speaker 1: because everything I watched her in I'm like, I'm loving 985 00:57:09,640 --> 00:57:11,439 Speaker 1: because I think the last thing I saw was maybe 986 00:57:11,480 --> 00:57:16,560 Speaker 1: the between two ferns thing. And then if you haven't 987 00:57:16,600 --> 00:57:21,160 Speaker 1: seen her thing on Characters on Netflix, it's great boy, 988 00:57:21,240 --> 00:57:23,000 Speaker 1: if you want to be a if you're not, I mean, 989 00:57:23,200 --> 00:57:25,400 Speaker 1: I think if you're listening to podcasts, it's almost hard 990 00:57:25,480 --> 00:57:28,080 Speaker 1: to not know who Lauren Latkus is. But I need 991 00:57:28,160 --> 00:57:30,080 Speaker 1: if you need proof, check that out on Netflix. I 992 00:57:30,200 --> 00:57:33,000 Speaker 1: wish that show had continued because that, like first season 993 00:57:33,120 --> 00:57:37,640 Speaker 1: was all hitters. Like each episode. Paul Downs is a 994 00:57:37,720 --> 00:57:45,440 Speaker 1: comedic genius o. The Dr Brown episode of the Characters 995 00:57:45,600 --> 00:57:48,960 Speaker 1: is also super underrated, like it's all it's it was, 996 00:57:49,360 --> 00:57:54,440 Speaker 1: I don't it's so stupid, ar so hardcore. Doc Brown 997 00:57:54,680 --> 00:57:57,720 Speaker 1: has an episode of Characters. No, no, it is Dr 998 00:57:58,240 --> 00:58:02,680 Speaker 1: is Dr Brown. He runs the lyric i Perion, so 999 00:58:02,800 --> 00:58:06,400 Speaker 1: in some ways he helps pay our rent. I have 1000 00:58:06,560 --> 00:58:08,919 Speaker 1: to personally just because while I was watching this movie, 1001 00:58:09,000 --> 00:58:11,200 Speaker 1: I went to David Spades Wikipedia page, and I just 1002 00:58:11,320 --> 00:58:14,280 Speaker 1: have to recommend to everyone the personal life section of 1003 00:58:14,440 --> 00:58:18,800 Speaker 1: David Spades Wikipedia page. It is a fucking ride. It's 1004 00:58:18,800 --> 00:58:21,600 Speaker 1: an it's a roller coaster. There's his assistant tried to 1005 00:58:21,680 --> 00:58:23,680 Speaker 1: kill him, right, his assistant tried to kill him in 1006 00:58:23,720 --> 00:58:27,040 Speaker 1: two thousand. Didn't realize that that's a wild paragraph, then 1007 00:58:27,080 --> 00:58:29,880 Speaker 1: immediately told that story Noward Stern a few times it's wild. 1008 00:58:30,320 --> 00:58:32,960 Speaker 1: So then immediately after the story about how his assistant 1009 00:58:32,960 --> 00:58:34,960 Speaker 1: tried to kill him, there's just a sentence that says 1010 00:58:35,200 --> 00:58:38,040 Speaker 1: in December two thou five, Spade donated a hundred thousand 1011 00:58:38,080 --> 00:58:41,280 Speaker 1: dollars to the Police Department of Phoenix, which provided firearms 1012 00:58:41,360 --> 00:58:44,120 Speaker 1: for the officers. So he also just like bought guns 1013 00:58:44,200 --> 00:58:46,160 Speaker 1: for cops. Once you're just like, this is what a 1014 00:58:46,240 --> 00:58:50,760 Speaker 1: wild ride? Truly, what a time to be alive. Hey, 1015 00:58:51,360 --> 00:58:56,680 Speaker 1: militarize those local police departments. Spades on, Jackie, it has 1016 00:58:56,720 --> 00:59:00,560 Speaker 1: been a pleasure having you on the dailies, Like guys, 1017 00:59:01,160 --> 00:59:05,240 Speaker 1: where can people find you and follow you? Um? So, 1018 00:59:05,520 --> 00:59:07,960 Speaker 1: because my name is Jackie Johnson, which I share with 1019 00:59:08,040 --> 00:59:10,919 Speaker 1: a lot of people, some are which unfortunate. I don't 1020 00:59:10,920 --> 00:59:13,200 Speaker 1: know if you've been seeing Jackie Johnson in the news lately, 1021 00:59:13,240 --> 00:59:15,960 Speaker 1: because my Google alerts go crazy every day and it's 1022 00:59:16,000 --> 00:59:21,160 Speaker 1: not me what happened. The defense attorney that let the 1023 00:59:21,280 --> 00:59:24,920 Speaker 1: two men who shot a Moud are very off. Her 1024 00:59:25,000 --> 00:59:29,600 Speaker 1: name is Jackie Johnson. She so I get a lot 1025 00:59:29,840 --> 00:59:32,920 Speaker 1: of a lot of Google alerts, and I just want 1026 00:59:32,960 --> 00:59:35,840 Speaker 1: to say I have no affiliation with that woman. Um 1027 00:59:36,160 --> 00:59:41,200 Speaker 1: we just share a name. But anyway, that's yes. Suffice 1028 00:59:41,280 --> 00:59:44,040 Speaker 1: to say my my social media's are all different, so 1029 00:59:44,400 --> 00:59:48,240 Speaker 1: buckle up. But my Instagram is at Jackie Michelle Johnson 1030 00:59:48,520 --> 00:59:51,760 Speaker 1: and my Twitter is at Jackie Underscore Michelle and that's 1031 00:59:51,800 --> 00:59:55,800 Speaker 1: with one L sweetie. Um. And then my podcast, nash 1032 00:59:55,840 --> 00:59:58,160 Speaker 1: Debut is a beauty podcast Jamie has been on. We 1033 00:59:58,240 --> 01:00:01,120 Speaker 1: did a really fun episode where we Bechtel tested or 1034 01:00:01,160 --> 01:00:05,920 Speaker 1: we we talked about movie montages. Um, makeovers in movies. 1035 01:00:06,160 --> 01:00:08,240 Speaker 1: Some are problematic, some are not. And it was really fun. 1036 01:00:08,560 --> 01:00:11,840 Speaker 1: Umntribute comes out every Thursday. It's like a beauty comedy podcast. 1037 01:00:12,000 --> 01:00:14,640 Speaker 1: And that's it, all right? And is there a tweet 1038 01:00:14,760 --> 01:00:18,840 Speaker 1: or some other work of social media you've been enjoying. Yes, 1039 01:00:19,040 --> 01:00:22,000 Speaker 1: I have a tweet from Jen Statski, who is Queen 1040 01:00:22,800 --> 01:00:26,200 Speaker 1: UM and her tweet is the meals I cook at home, 1041 01:00:26,560 --> 01:00:29,560 Speaker 1: where I'm like, huh, pretty good. If I were served 1042 01:00:29,600 --> 01:00:32,040 Speaker 1: that exact meal in a restaurant, I'd throw a brick 1043 01:00:32,080 --> 01:00:38,080 Speaker 1: through the window. Jamie, where can people find you? What's 1044 01:00:38,080 --> 01:00:41,560 Speaker 1: a tweet you've been enjoying? You can find me on 1045 01:00:42,040 --> 01:00:46,200 Speaker 1: Twitter at Jamie Loftus, help Instagram at Jamie christ Superstar. 1046 01:00:47,760 --> 01:00:50,920 Speaker 1: I don't know what to recommend. Well, this day, this 1047 01:00:51,400 --> 01:00:54,000 Speaker 1: um this episode is going to come out the day 1048 01:00:54,080 --> 01:01:00,600 Speaker 1: after Caitlin Toronto's birthday, so I would just you generally 1049 01:01:00,840 --> 01:01:05,840 Speaker 1: recommend following my life partner, Caitlin Toronte at Caitlin. But 1050 01:01:05,960 --> 01:01:08,000 Speaker 1: let's just find it. Let's find a tweet at first 1051 01:01:08,200 --> 01:01:10,880 Speaker 1: to go along with it. Okay, here's a tweet of 1052 01:01:10,920 --> 01:01:13,600 Speaker 1: Caitlin Toronto. Is that you can like in faith? Please 1053 01:01:13,680 --> 01:01:17,320 Speaker 1: comment with a picture of your cat. That's Twitter at 1054 01:01:17,440 --> 01:01:20,760 Speaker 1: Caitlin Durante. That's a real tweet she did miles Where 1055 01:01:20,800 --> 01:01:23,440 Speaker 1: can people find you? And what's a tweet you've been enjoying? 1056 01:01:24,240 --> 01:01:27,720 Speaker 1: Find me? Follow me, Twitter, Instagram, PlayStation Network, Miles of 1057 01:01:27,800 --> 01:01:31,080 Speaker 1: Gray uh, and also on four twenty Day Fiance talking 1058 01:01:31,080 --> 01:01:34,800 Speaker 1: about ninety Day Fiance the other podcast. Some tweets that 1059 01:01:34,960 --> 01:01:37,760 Speaker 1: I like. One is from at mom with a and 1060 01:01:37,920 --> 01:01:39,880 Speaker 1: s It says, why is it safe for my kid 1061 01:01:40,000 --> 01:01:42,600 Speaker 1: to be in school but too scary for Paul Manafort 1062 01:01:42,640 --> 01:01:47,360 Speaker 1: to be in prison? Interesting question? Um. And then another 1063 01:01:47,480 --> 01:01:51,880 Speaker 1: one is from at h XC underscore clam uh display 1064 01:01:52,000 --> 01:01:55,840 Speaker 1: name I am Korean um and it's it's a picture, 1065 01:01:55,880 --> 01:01:57,600 Speaker 1: so I'm gonna show everybody on the zoom what the 1066 01:01:57,640 --> 01:02:01,320 Speaker 1: picture looks like, but basically eat. The tweet says I 1067 01:02:01,400 --> 01:02:03,960 Speaker 1: missed doing this for two and a half uninterrupted hours 1068 01:02:04,040 --> 01:02:08,640 Speaker 1: at parties and just this dude with mouth clothes, looking 1069 01:02:08,680 --> 01:02:11,000 Speaker 1: forward and not speaking to anybody. So I think a 1070 01:02:11,080 --> 01:02:13,160 Speaker 1: lot of people are now even like looking back at 1071 01:02:13,680 --> 01:02:15,800 Speaker 1: the times they used to go out and being even 1072 01:02:15,920 --> 01:02:18,640 Speaker 1: like sort of clear about it, being like, yeah, I 1073 01:02:18,680 --> 01:02:21,760 Speaker 1: went out, but I didn't really go out. I just 1074 01:02:21,960 --> 01:02:24,920 Speaker 1: physically went out a lot of introverts realizing who they 1075 01:02:24,960 --> 01:02:27,960 Speaker 1: are right now. Social anxiety makes you feel alive, you know, 1076 01:02:29,000 --> 01:02:33,600 Speaker 1: I don't know any kind of anxiety. Brooks otter Like tweeted, 1077 01:02:34,200 --> 01:02:37,360 Speaker 1: Bob oden Kirk has been forty five since his twenties, 1078 01:02:37,440 --> 01:02:39,880 Speaker 1: and he will continue to be forty five well into 1079 01:02:39,960 --> 01:02:44,720 Speaker 1: his seventies. That's why we love them. True, accurate, accurate. 1080 01:02:44,800 --> 01:02:48,640 Speaker 1: Paul Rust tweeted, all SKA and no work makes Jack 1081 01:02:48,720 --> 01:02:54,600 Speaker 1: a rude boy. Um and Uzma tweeted personally, I think 1082 01:02:54,800 --> 01:03:01,880 Speaker 1: Romeo and Juliet could have handled their situation better. Michael 1083 01:03:01,920 --> 01:03:08,040 Speaker 1: Schob tweeted, remember precedented times those ruled. I don't even 1084 01:03:08,120 --> 01:03:18,480 Speaker 1: remember a precedented. I don't know what that means. You 1085 01:03:18,520 --> 01:03:20,920 Speaker 1: can find me on Twitter at Jack Underscore O'Brien. You 1086 01:03:20,960 --> 01:03:23,480 Speaker 1: can find us on Twitter at daily zeite Guys for 1087 01:03:23,560 --> 01:03:26,160 Speaker 1: at the Daily Zeit Guys on Instagram. We have a 1088 01:03:26,320 --> 01:03:29,600 Speaker 1: Facebook fan page and a website Daily zite guys dot com, 1089 01:03:29,640 --> 01:03:33,680 Speaker 1: where we post our episodes and our footnotes where we 1090 01:03:33,760 --> 01:03:36,680 Speaker 1: link off to the information that we talked about in 1091 01:03:36,760 --> 01:03:40,360 Speaker 1: today's episode, as well as the song we've ride out 1092 01:03:40,520 --> 01:03:43,480 Speaker 1: on mild What is it gonna be today? What is it? 1093 01:03:44,640 --> 01:03:48,400 Speaker 1: I mean tomorrow inevitably will be uh. The Last Dance review. 1094 01:03:49,120 --> 01:03:53,120 Speaker 1: Michael's name was evoked during this episode by Jackie the 1095 01:03:53,240 --> 01:03:55,400 Speaker 1: Last Yeah, we had the penultimate Dance and now we're 1096 01:03:55,440 --> 01:03:58,280 Speaker 1: here for the actual last Dance. So I think, why 1097 01:03:58,360 --> 01:04:01,840 Speaker 1: not do this track called twenty three by fortet Um. 1098 01:04:02,000 --> 01:04:05,000 Speaker 1: It's from his I think first album, but it's just 1099 01:04:05,120 --> 01:04:08,560 Speaker 1: like just a track. I was like, we grew up 1100 01:04:08,640 --> 01:04:10,760 Speaker 1: loving I don't know it from nineteen years old, and 1101 01:04:10,840 --> 01:04:13,160 Speaker 1: that makes me feel old. But this is distracts of 1102 01:04:13,280 --> 01:04:15,800 Speaker 1: twenty three from the album pause. It's got some cool 1103 01:04:16,600 --> 01:04:19,800 Speaker 1: breaks in there, It's got some nice little guitar picking. 1104 01:04:20,440 --> 01:04:23,280 Speaker 1: You know, it's just some nice ambient stuff. Like is 1105 01:04:23,320 --> 01:04:27,480 Speaker 1: it dedicated to Michael Jordan? I don't know. I'm inspired 1106 01:04:27,520 --> 01:04:30,200 Speaker 1: by you never know. I mean the song has no lyrics, 1107 01:04:30,240 --> 01:04:32,000 Speaker 1: so I mean, in your mind, if you wanted to 1108 01:04:32,240 --> 01:04:35,960 Speaker 1: listen to it and imagine that Kieran also known as Quartet, 1109 01:04:36,200 --> 01:04:38,960 Speaker 1: believed was envisioning Michael, then why not? But throwing a 1110 01:04:39,000 --> 01:04:41,800 Speaker 1: Michael That's what I'm gonna do. That's what I'm gonna do. 1111 01:04:42,520 --> 01:04:49,800 Speaker 1: Fantastic vision Mike, anyone Tyson yourdam Jack Jackson Jackson action. 1112 01:04:50,720 --> 01:04:53,480 Speaker 1: All right, Well, The Daily Zeitgeist is a production of 1113 01:04:53,560 --> 01:04:56,160 Speaker 1: My Heart Radio. From more podcasts from my heart Radio 1114 01:04:56,480 --> 01:04:59,919 Speaker 1: visit the heart Radio app, Apple podcast or where every 1115 01:05:00,000 --> 01:05:02,640 Speaker 1: you listen to your favorite shows. That's going to do 1116 01:05:02,720 --> 01:05:05,640 Speaker 1: it for this Monday morning. We'll be back this afternoon 1117 01:05:05,760 --> 01:05:08,480 Speaker 1: to tell you what's trending and we'll talk to you 1118 01:05:08,600 --> 01:05:09,600 Speaker 1: then my b