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Speaker 1: So you know, another all night or for me, and

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Speaker 1: it was me myself. I was not alone. I was

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Speaker 1: in there with in the mixing studio with Nick Alodion,

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Speaker 1: and we were planning secret messages for children in the cartoons.

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Speaker 1: Do you know about this, Hayes, I've heard about this.

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Speaker 2: Yeah, things about having kids like buy oil, like having

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Speaker 2: them go buy gas.

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Speaker 1: Positive but all positive stuff, all positive stuff for the economy,

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Speaker 1: like go buy gas, you know, like use more gas.

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Speaker 1: I mean it was mostly gas based.

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Speaker 2: It is what I was saying, the same thing as that.

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Speaker 2: It's exactly what you're saying. What the gasoline?

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Speaker 1: Yeah, okay, did I you're saying it like it's the

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Speaker 1: same like as if I disagreed with you. I'm just

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Speaker 1: wondering why you did that.

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Speaker 2: No, you would just said butt and then you sort

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Speaker 2: of repeated back the same.

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Speaker 1: But did you notice that you did that, that you acted.

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Speaker 2: I didn't agreed with you, No, Yeah, the way you were,

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Speaker 2: the way you were saying choice. Yeah, because of the

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Speaker 2: way you were saying it. No, it's interesting. It's an

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Speaker 2: interesting story.

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Speaker 1: I thought it was too, But you know, it doesn't

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Speaker 1: even matter. We'll we'll talk about it later. We have

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Speaker 1: obviously to do the show.

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Speaker 2: For the Hollywood Handbook and the guy to kicking button

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Speaker 2: dropping names in the red carpet lineback hallways of this industry.

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Speaker 2: We call show Biz h special guest important guests today

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Speaker 2: to us professionally having been on this show before and

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Speaker 2: personally because of the role that he has played in

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Speaker 2: our in our family's lives. In one case, Uh, Tim

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Speaker 2: Heideker is back on the show. Tim, Hello, thank you

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Speaker 2: so much for being here. Welcome and how's it? What's up?

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Speaker 3: Thank you for having me? What's up? I don't know?

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Speaker 1: And Tim? And and what up? What up?

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Speaker 2: To you?

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Speaker 1: From me and from my family and of course from

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Speaker 1: my son.

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Speaker 3: Yeah, that we were just speaking. The last time I

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Speaker 3: was on, the only time the other time I was on,

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Speaker 3: the first time I was on.

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Speaker 1: You were dreadfully the only time.

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Speaker 3: In the delivery room. You were in the.

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Speaker 1: Delivery room and my wife was there and we were

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Speaker 1: having the baby. And you are in many ways the

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Speaker 1: first man in my baby's life. You're the sort of

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Speaker 1: the first person that he met, and the influence has

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Speaker 1: been tremendous. And so you know, I've been showing him

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Speaker 1: your stuff. He's what he's doing all the you know,

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Speaker 1: the whole cycle. We started Tom goes to the Mayor,

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Speaker 1: and then we went through, you know, the entire catalog

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Speaker 1: to the Mayor, you know, and and we did we

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Speaker 1: recently we were doing Beep House and we're getting all

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Speaker 1: of it in there. And he is he doesn't always

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Speaker 1: he doesn't always connect to it, but when he does,

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Speaker 1: it's like the light goes on in his eyes. You know,

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Speaker 1: you have kids, I mean, you know how that feels.

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Speaker 3: It's very colorful, and there's a lot of music and

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Speaker 3: there's a lot of uh yeah, it's quick moving and

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Speaker 3: so for for infants, it can be pretty effective mm hmm.

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Speaker 1: And it's sort of messed up some of it as well.

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Speaker 3: Just totally messed up. That's what we shoot for. I

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Speaker 3: love messed up comedy.

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Speaker 2: Sick in that. Yeah, But I was talking uh to Crawford,

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Speaker 2: uh this baby about mister America.

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Speaker 3: You were talking to the baby about the baby's name

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Speaker 3: is Crawford, Yes, yeah, that is is he named after

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Speaker 3: Keith Crawford. He's the one of.

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Speaker 2: The different from from William Street from Adult Swim.

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Speaker 1: Yes, okay, yeah, no, it's it just picked a name

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Speaker 1: out of the credits from one of your projects and.

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Speaker 3: At the end, usually at the end executive in charge

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Speaker 3: of production or something like that.

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Speaker 1: Mm hmm, yeah cool.

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Speaker 2: Crawford was saying he didn't know if the lady in

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Speaker 2: it was real, like that she's real, but if she

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Speaker 2: was like faking it or what.

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Speaker 3: You're the one year old was wondering that.

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Speaker 1: Yeah, well one and a half.

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Speaker 2: But yeah, regardless and not that like, uh, it's not

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Speaker 2: a criticism necessarily, but to him it was, No, that

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Speaker 2: wasn't one of his criticisms.

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Speaker 3: Yeah, that wasn't one of that wasn't that.

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Speaker 1: Was That wasn't one of the issues that he had.

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Speaker 3: He had issues with mister America.

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Speaker 1: Yeah, look, nothing's perfect everybody, you know, the end of

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Speaker 1: their own experience to it, and so like, yeah, I

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Speaker 1: mean you have he had.

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Speaker 3: Well, for Crawford, she was an actor. Yeah, she was

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Speaker 3: cast to person and she was yeah she was.

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Speaker 1: Okay, that's what he knew what was going on. That's

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Speaker 1: what he said.

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Speaker 2: We have. So there's this there's like the personal stuff,

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Speaker 2: but there's also like really really big like business stuff happening. Yes,

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Speaker 2: you didn't have big move dand up. You have the

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Speaker 2: special A special is out.

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Speaker 3: It's it's out, it's on YouTube.

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Speaker 2: What is that like releasing something like that? It's out

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Speaker 2: there now, is it?

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Speaker 1: Like?

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Speaker 2: And now it's like kind of not yours anymore? And

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Speaker 2: you're watching other people have their experiences with it, like

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Speaker 2: what is that?

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Speaker 3: And uh, I mean the honest truth is we did

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Speaker 3: that special like a few years ago, a fule years ago, okay,

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Speaker 3: and it is a meta comedy special, you know it

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Speaker 3: is not It is a character who is bombing the

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Speaker 3: whole night, and it's.

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Speaker 1: The material doesn't feel dated, not, you know what I mean?

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Speaker 3: Yeah, it it kind of got stronger as it's set.

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Speaker 3: It kind of fermented, which is a good comedy as

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Speaker 3: good you know, Hollywood. Lesson is you know, pick your

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Speaker 3: moments if you can. But it feels like when I

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Speaker 3: did it, we might the insiders like you and I,

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Speaker 3: we might have a sense, sort of a Spidey sense,

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Speaker 3: if you will, about there being an over oversaturation of

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Speaker 3: comedy in the world right now. Yeah, especially in the

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Speaker 3: stand up format. Yeah, but that's that feels like your

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Speaker 3: average Joe can relate to that.

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Speaker 1: Well, Crawford was saying something interesting about it when I

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Speaker 1: did discuss the special with him, which is actually one

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Speaker 1: of his favorite things that you've done.

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Speaker 3: Wow.

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Speaker 1: He was talking about how stand ups are sort of

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Speaker 1: the last true warriors and they're just up there with

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Speaker 1: their mic which is their sword, and that uh in

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Speaker 1: a country that has become overrun with kind of soy boy,

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Speaker 1: you know, yes, yes, that you are something of in

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Speaker 1: a Chili's.

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Speaker 3: Uh truth to I like considered consider him a truth teller.

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Speaker 3: Thank you your son and me my character, my many characters.

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Speaker 3: I get, I'm con I'm I forget who I am

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Speaker 3: half the time.

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Speaker 2: Anyways, the smartness of this. We we do a similar

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Speaker 2: thing where we do a show and like it bombs

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Speaker 2: and we're like, oh, first of all, that was a

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Speaker 2: long time ago. We always say when it comes out,

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Speaker 2: we're like, oh, that was like forever, I forgot about that.

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Speaker 1: We go, oh, we're way better since then, even.

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Speaker 2: If it was actually very recent. Because I noticed a

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Speaker 2: lot of people in the audience are wearing masks. Not

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Speaker 2: many of them.

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Speaker 3: Nobody's wearing masks in two thousand.

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Speaker 2: Well not many, but definitely like not as many as

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Speaker 2: you would hope, but definitely some. And then we say like, oh,

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Speaker 2: first of all, it was a character, it was on purpose,

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Speaker 2: and it was so long ago. I don't even remember.

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Speaker 3: Yeah, I don't have a lot to do with it. Frankly,

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Speaker 3: like I kind of showed up they were filming it

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Speaker 3: for whatever reason, and then it came out. So it

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Speaker 3: was just one of many things I do.

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Speaker 2: Is y.

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Speaker 3: You know, people love it whatever.

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Speaker 1: It's almost by accident. Yeah, people freaking out for it,

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Speaker 1: that's great. If they don't, it's like you didn't see

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Speaker 1: it either. So no, but we do want to talk

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Speaker 1: about these of these projects. Space Force, space Force coming

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Speaker 1: out soon, space Force on the Horizon.

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Speaker 3: Well, yeah, I mean, let's just be clear here. It's

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Speaker 3: a it's a full rebrand of Space Force.

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Speaker 1: We read Mark Mark Naird is still the general in charge.

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Speaker 3: No, No, we've really we kind of like, uh, it's

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Speaker 3: really complicated. But we me and Greg Daniels and Steve

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Speaker 3: Carell like flipped at the reaction when it came out

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Speaker 3: on Netflix. We flipped really upset because we were psyched

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Speaker 3: about it. Yeah, and you know, if you saw the

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Speaker 3: original Space Force, I'm not really there, I'm not really

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Speaker 3: in it, and that, yeah, I was gonna ask was

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Speaker 3: an issue. And so one of the strategies we had

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Speaker 3: after it kind of came and bombed. Frankly, it was

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Speaker 3: like a really disappointing thing.

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Speaker 1: We made a long time ago.

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Speaker 3: Let's do a Let's let's call Netflix. We got Netflix

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Speaker 3: on the phone and said, can we get the full Mulligan.

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Speaker 3: We want to just wipe it start fresh. Let's do

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Speaker 3: get everybody in.

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Speaker 2: Everybody do it again, please.

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Speaker 3: Everybody came in to write on this the second pass everybody.

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Speaker 2: So that so that was the difference most of the

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Speaker 2: people were not there before.

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Speaker 1: Was that Colin jo.

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Speaker 3: Just came in and write wrote like Colin and Michael,

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Speaker 3: like the two co head writers on SNL, both came

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Speaker 3: in and did a full page one rewrite of basically

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Speaker 3: the whole show no bs.

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Speaker 1: So Colin Jokes is in there actually pitching some of

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Speaker 1: his famous Colin jokes.

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Speaker 3: That Yeah, they did such a great clean up job

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Speaker 3: on it. So it ended up when it ended up happening,

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Speaker 3: was it got so radically changed. We changed the title

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Speaker 3: and we got John in, we got fred In and

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Speaker 3: a couple other people, and it's just so much cleaner,

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Speaker 3: which I love about that.

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Speaker 1: Is John RALPHIEO is still going to be a part

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Speaker 1: of it, though, I mean I remember being concerned.

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Speaker 3: I really had to rethink the We had to rethink

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Speaker 3: the entire thing, like ground from the ground up like

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Speaker 3: it was.

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Speaker 2: It was like a face should have been called from

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Speaker 2: the ground up.

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Speaker 3: From the ground up. Pretty smart what they did. It's

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Speaker 3: now Moon Moon Base And what's funny is Netflix now

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Speaker 3: you know there They didn't they couldn't actually air the

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Speaker 3: redo the mulligan, so Showtime came in and now they're

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Speaker 3: doing it. But it was it's really get stuff gets

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Speaker 3: that gets all Like in the original deal, I know,

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Speaker 3: there was sort of built in the potential for this

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Speaker 3: to happen. So there was this understanding like, if we're

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Speaker 3: going to get all these people together, let's make sure

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Speaker 3: that we'll have that out that opportunity to do to

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Speaker 3: do a mulligan if we're not, if the audience isn't

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Speaker 3: really thrilled with it. So luckily, I think a lot

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Speaker 3: of projects are doing that now. They're building in from

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Speaker 3: the ground that they're saying like if this comes out,

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Speaker 3: like if the new James Bond movie comes out or

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Speaker 3: something and it's not a success, that there is that

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Speaker 3: built in you know, is budgeted now it's budgeted yea

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Speaker 3: for you to go, for you to go like strip

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Speaker 3: this to the to the dound, down to the copper wire,

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Speaker 3: you know, and redo.

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Speaker 1: Sell some of it, sell some of the parts down

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Speaker 1: to the and down to the studs in the case

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Speaker 1: of you and Fred and John.

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Speaker 3: Because you know, Space Force will like the original version

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Speaker 3: that that's still playing like internationally, that's still going to

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Speaker 3: be yes and so fine internationally, you know, like it's fine, but.

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Speaker 1: These reboots are in the black before they roll camera

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Speaker 1: the way the way they the way they.

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Speaker 3: Yeah, it's all pre sold. It's all pre sold, so

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Speaker 3: we're happy with it. It's still like very you know,

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Speaker 3: it's tough. It's it's still like there's an original sin

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Speaker 3: I guess in there in the original Space Force that

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Speaker 3: you just are not going to be able to cleanse

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Speaker 3: for this new launch. Again great pun, but it's it's

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Speaker 3: gonna come and go, like everything, like the stand up special,

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Speaker 3: like my music, like Mister America. You know it will

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Speaker 3: come and go.

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Speaker 2: So Mister America is going to come back like keep

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Speaker 2: coming back.

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Speaker 3: And no, it was just it's gone.

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Speaker 1: It's see I'm in Oh what you're saying, yes, is

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Speaker 1: that it's gone.

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Speaker 2: So we got bought since you were.

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Speaker 3: Last Yeah, yeah, by who.

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Speaker 1: By the radio. The radio actually came in the car.

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Speaker 2: The radio in the car.

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Speaker 1: Mm hmmm.

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Speaker 3: W M A R O N.

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Speaker 2: So that is so interesting. W M A R O

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Speaker 2: N is I guess now a subsidiary that's that's so,

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Speaker 2: that's the M now in serious XM cool their own

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Speaker 2: extra extra marin m uh. But Serious XM of course

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Speaker 2: is like our big parent company, and they are constantly

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Speaker 2: looking for new programming to put on this car radio and.

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Speaker 1: Even the numbers tim IF numbers.

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Speaker 2: They're finding these new numbers and they're like, oh, what

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Speaker 2: do we do with this one? They just found forty

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Speaker 2: is on there in the car radio, right, yeah, and

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Speaker 2: they've got it.

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Speaker 1: The keyboard has these emoji symbols too that they're thinking

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Speaker 1: maybe they're channels with these.

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Speaker 3: What's the channel? What channel? Is it just the Hollywood

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Speaker 3: Handbook on channel forty?

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Speaker 2: No, this is a network.

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Speaker 3: What's the network? W W M A R O N.

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Speaker 3: Is that what the network is?

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Speaker 4: No?

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Speaker 2: This is actually this is one that we are. And

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Speaker 2: they actually came to us and they said, here's the idea.

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Speaker 2: You do whatever you like, you do it with this

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Speaker 2: Tim x.

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Speaker 3: M nicem m M tim XIM.

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Speaker 1: How's that grab you.

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Speaker 3: Uh, that is that Tim related to me?

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Speaker 1: Could be?

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Speaker 2: Could be, could be.

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Speaker 1: Obviously the big fish that we're after here is Tim Gunn,

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Speaker 1: who has expressed some interest. Uh huh can we get

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Speaker 1: to Tim's? And he said he won't do it unless

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Speaker 1: we have another Tim Great.

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Speaker 2: And so we did an episode with Tim Simon's pretty

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Speaker 2: recently that was sort of an audition for this went horribly.

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Speaker 3: Who's this?

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Speaker 1: He's very Tim Simons. Yeah, he's like a tall guy.

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Speaker 1: He's like a golf guy. He he was on uh

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Speaker 1: on beep. The HBO president jokes, Oh yeah, okay.

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Speaker 2: They're they're saying fox stick there, I know what.

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Speaker 3: You're talking about.

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Speaker 1: They get you armadillo fuck and you're like, what the

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Speaker 1: That's not a curse I've heard.

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Speaker 3: I know. They are very creative.

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Speaker 2: He lied constantly through the entire show. Was not dressed

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Speaker 2: appropriately at all. Uh, not a good fit for this project.

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Speaker 2: We might use him.

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Speaker 1: Still, but the guy doesn't know is goddamn dick from

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Speaker 1: a breadstick?

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Speaker 3: Tam, What about Tim Daly?

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Speaker 1: And now we're talking wings and now we're a little

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Speaker 1: bit more in my area. So yes, Tim Daily is interesting.

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Speaker 1: So he it's weird. He's interested in doing it, but

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Speaker 1: only as his character from The Sopranos who got the

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Speaker 1: shit beat out of him. Uh huh, which I think

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Speaker 1: is like, it's a strong choice, but to me, it

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Speaker 1: doesn't have a lot of legs. And Tim Gun's not

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Speaker 1: gonna like it.

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Speaker 2: He abhors violence.

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Speaker 1: And that that's not gonna make it work, right.

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Speaker 3: No, it's it's maybe a weird Uh, it's a weird

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Speaker 3: place for him to be and to be in insistent

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Speaker 3: on that. I mean, he wouldn't have the rights to

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Speaker 3: that anyways. He's he'd have to go to Chase.

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Speaker 1: Well that's what I think legally, where yeah, we're gonna

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Speaker 1: end up in a pretty big buy.

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Speaker 3: When did I mean, I know, I get I can

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Speaker 3: only imagine that David Chase made a lot of money

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Speaker 3: on The Sopranos, but enough to start a bank.

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Speaker 1: Isn't that crazy? And it just goes to show that

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Speaker 1: investments and wealth are unrelated to actually just earning power, right,

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Speaker 1: And he must have put it, he must have immediately

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Speaker 1: put every check in the bank, and that it eventually

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Speaker 1: got so big that it became a.

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Speaker 3: He's like, listen, I can lend you money. I'll lend

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Speaker 3: you money and I'll take a little piece, like just

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Speaker 3: to kind of like maybe a lesson he learned from

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Speaker 3: the mob. You know, money loan sharking essentially is what

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Speaker 3: a bank is. Yeah, they're basically just legal loan sharking.

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Speaker 3: There's the mob right there. But I'll keep your money too.

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Speaker 3: That's one of the aspects of bank banks is you know,

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Speaker 3: I'll hold on your money. It's safe with me. And

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Speaker 3: that's what David Chase has shown. He's very adept at

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Speaker 3: That's why he really has not a lot of success

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Speaker 3: after the Sopranos, because all that energy, time and creativity

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Speaker 3: and enterprise went into Chase Bank.

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Speaker 2: The here's the recipe. This is the Chase investment recipe.

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Speaker 2: I did a little seminar in this. It goes is

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Speaker 2: ten percent luck right, twenty percent skill, fifteen percent concentrated

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00:17:14,920 --> 00:17:23,479
Speaker 2: power of will, five percent pleasure wow, fifty percent pain wow,

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Speaker 2: and one hundred percent reason to remember the name and

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Speaker 2: the name in this case is Toby Soprano.

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Speaker 3: Toby Soprano, that's what do you? You sound like Yogi

341
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Speaker 3: Barrow with the with the percentages, they were all over

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Speaker 3: the place. But I love it. It's creative and it's

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Speaker 3: fun with numbers.

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Speaker 2: It does actually add up. I'm pretty sure it adds

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Speaker 2: up exactly. That's why, and that's why we and you

346
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Speaker 2: have to admit that we do remember this name, this

347
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Speaker 2: guy who was such a like this character, Come on.

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Speaker 3: He's like, you're the ultimate hero in TV. Or you

349
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Speaker 3: could even call anti hero.

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Speaker 1: You could say, yeah, because it's because for somebody who

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Speaker 1: is the hero. Not all of his actions are that heroic.

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Speaker 3: No, he's complicated, and he almost like paves the way

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Speaker 3: for other characters like.

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Speaker 2: Well edwood edwood Edwood and.

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Speaker 3: Brian Kramlin's show. What's the Brian Kramlin Show?

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Speaker 1: Uh, it's Bronchi bad, It's a it's actually yeah, it's

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Speaker 1: actually a really cool show. And if people haven't checked this,

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Speaker 1: I love turning people onto this stuff. There used to

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Speaker 1: be a show called get up on This.

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Speaker 3: I don't know, better call Paul, Better call Paul the

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Speaker 3: show with David Cross. Mm hmm.

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Speaker 1: That one's cool. It's a little like it doesn't have

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Speaker 1: as much like shooting as the other one. So I

364
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Speaker 1: don't know if the people want to watch it.

365
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Speaker 3: I tried.

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Speaker 1: I fell asleep, but that one could be sick as hell.

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Speaker 1: I'm trying to remember because there is other shows. Oh well,

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Speaker 1: I mean, would you even say it's an inspiration a

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Speaker 1: little bit for some of your stuff?

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Speaker 4: What clicker?

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Speaker 1: Uh huh, I mean I watched this stuff. I mean

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Speaker 1: I'm a I you know, I SIMP for tim I'm

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Speaker 1: a timp.

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Speaker 3: Okay, I'm a timp.

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Speaker 1: Tim simp.

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Speaker 4: You know.

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Speaker 1: I mean, I'll say it. I'll name your damn show,

378
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Speaker 1: you know, when you're right in front of you.

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Speaker 3: Sims for temps, sim simps for timp simp, SIMP for timms.

380
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Speaker 3: I draw a lot of inspiration from all kinds of shows.

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Speaker 3: We love the format of you know, the sitcom format,

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Speaker 3: the uh, the time, the time, and sort of the

383
00:19:36,000 --> 00:19:38,960
Speaker 3: production schedule for them. You know, we just studied more

384
00:19:39,240 --> 00:19:41,360
Speaker 3: not necessarily the content, the writing, just sort of how

385
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Speaker 3: you build a schedule, how you develop the prep period

386
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Speaker 3: and the calendar, right, yeah, and how you like how

387
00:19:48,680 --> 00:19:53,679
Speaker 3: you can overlap post with production. Well you're shooting excuse me,

388
00:19:53,720 --> 00:19:58,080
Speaker 3: if you're shooting day one, get start getting that footage

389
00:19:58,080 --> 00:20:01,520
Speaker 3: over to your post soup and at orging, you know,

390
00:20:01,680 --> 00:20:04,280
Speaker 3: let him get sort of like a timeline going or

391
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Speaker 3: the footage.

392
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Speaker 1: We're touching on. Something I do like to remind everyone

393
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Speaker 1: of because you talk about like there's post and there's

394
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Speaker 1: this side of it, and there's the calendar, and there's

395
00:20:12,160 --> 00:20:13,879
Speaker 1: the line producer, and people go, oh, where does it?

396
00:20:13,960 --> 00:20:16,800
Speaker 1: What's the hierarchy of this? An easy way to remember,

397
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Speaker 1: nobody out ranks health and.

398
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Speaker 3: Safety, not these days.

399
00:20:21,280 --> 00:20:23,520
Speaker 1: No, I mean nobody out ranks health and safety. So

400
00:20:23,600 --> 00:20:26,000
Speaker 1: my people might go, oh, it's Tim's show, he's the boss. No,

401
00:20:26,119 --> 00:20:27,600
Speaker 1: actually he works for health and safety.

402
00:20:28,119 --> 00:20:31,399
Speaker 3: Now in this new COVID age that will you know,

403
00:20:31,480 --> 00:20:34,240
Speaker 3: hopefully be living with for a long time to come,

404
00:20:34,320 --> 00:20:38,520
Speaker 3: because it sets a standard and well, listen, I hope

405
00:20:38,560 --> 00:20:41,480
Speaker 3: COVID is clear. Yeah, yeah, I hope covids. You know,

406
00:20:42,800 --> 00:20:45,680
Speaker 3: we have the vaccine and people get back to you know,

407
00:20:45,760 --> 00:20:48,600
Speaker 3: that people don't get infected with the COVID. But I

408
00:20:48,640 --> 00:20:52,119
Speaker 3: hope that the protocols and the policies that that this

409
00:20:52,400 --> 00:20:57,119
Speaker 3: pandemic have ingrained in us remain a part of the process.

410
00:20:57,200 --> 00:20:59,400
Speaker 1: Nice to have it as a mighty cudgel, the wheeld

411
00:20:59,640 --> 00:21:02,080
Speaker 1: that you could infect someone with it if you want.

412
00:21:02,119 --> 00:21:06,040
Speaker 3: Well that, but also just the regiment to the regiment

413
00:21:06,119 --> 00:21:10,280
Speaker 3: of you know, separating the different departments so that you

414
00:21:10,359 --> 00:21:12,879
Speaker 3: can't like I can't be spoken to in the in

415
00:21:12,920 --> 00:21:16,719
Speaker 3: the makeup chair, the grips or pa like nobody can

416
00:21:16,760 --> 00:21:18,119
Speaker 3: really communicate or be around.

417
00:21:18,119 --> 00:21:19,919
Speaker 1: It can be anywhere near you, they can't even come

418
00:21:19,920 --> 00:21:21,680
Speaker 1: into and if they try, you can be like what

419
00:21:21,960 --> 00:21:22,400
Speaker 1: the thing?

420
00:21:22,880 --> 00:21:23,120
Speaker 4: Yeah?

421
00:21:23,440 --> 00:21:26,639
Speaker 3: Yeah, So I think going forward, let's just hope that

422
00:21:26,640 --> 00:21:30,000
Speaker 3: that just becomes industry standard, that all the below the line,

423
00:21:30,640 --> 00:21:33,120
Speaker 3: whatever they are you want to call them, sound guys

424
00:21:33,400 --> 00:21:39,879
Speaker 3: or just the grunts, are heavily masked and wear you know,

425
00:21:39,960 --> 00:21:43,720
Speaker 3: incredible coverage so that they can't infect anybody and you.

426
00:21:43,680 --> 00:21:46,320
Speaker 1: Don't have to buy the talent, never see them, and

427
00:21:46,359 --> 00:21:48,880
Speaker 1: if they approach you, it's forbidden and they actually are

428
00:21:48,880 --> 00:21:49,720
Speaker 1: in trouble, and.

429
00:21:49,680 --> 00:21:53,520
Speaker 3: Then you won't see any more of these outbreaks or pandemics.

430
00:21:53,560 --> 00:21:55,280
Speaker 3: It will be sort of nip it in the butt.

431
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Speaker 2: I do hope it continues forever. I appreciate that it's

432
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Speaker 2: a barrier to entry for new talent. For me, is huge.

433
00:22:02,280 --> 00:22:05,760
Speaker 1: Yes, I felt those I felt some of these guys

434
00:22:05,800 --> 00:22:08,000
Speaker 1: sort of nipping at my heels because I'm not gonna

435
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Speaker 1: do something.

436
00:22:08,560 --> 00:22:11,840
Speaker 2: New, No, but now we need the experience here. You

437
00:22:11,880 --> 00:22:14,680
Speaker 2: can't just have someone be like wandering. It's very dangerous

438
00:22:14,760 --> 00:22:16,720
Speaker 2: and right now, Yeah, the gate is closed.

439
00:22:16,920 --> 00:22:19,880
Speaker 3: It's like the gate is closed and we're not there's

440
00:22:19,920 --> 00:22:22,360
Speaker 3: no real reason to open it up. I mean, obviously

441
00:22:22,400 --> 00:22:26,200
Speaker 3: we're going to have to kind of draft in younger talent,

442
00:22:26,520 --> 00:22:29,439
Speaker 3: like you know, for if we're looking into casting a

443
00:22:29,440 --> 00:22:31,480
Speaker 3: family sitcom, you're gonna want like an eight year old,

444
00:22:31,520 --> 00:22:35,720
Speaker 3: a ten year old. And yeah, I mean it would

445
00:22:35,720 --> 00:22:37,639
Speaker 3: be great if they come from the system. So if

446
00:22:37,680 --> 00:22:42,440
Speaker 3: you have somebody that's already in development at Paramount or wherever, keep.

447
00:22:42,280 --> 00:22:44,040
Speaker 1: The money where it is a little bit, you know,

448
00:22:44,200 --> 00:22:46,119
Speaker 1: a little bit like it's already coming to your house.

449
00:22:46,640 --> 00:22:49,199
Speaker 3: Yeah, it's nepotism in a good way, in in a

450
00:22:49,240 --> 00:22:53,240
Speaker 3: positive way. That sort of creates a closed a closed

451
00:22:53,280 --> 00:22:56,359
Speaker 3: loop that frankly, you know, we're gonna need to have

452
00:22:56,440 --> 00:22:58,359
Speaker 3: in place for a long time to come. Hopefully.

453
00:22:58,640 --> 00:23:01,159
Speaker 2: Well we need it all, Tim, for this this is

454
00:23:01,200 --> 00:23:02,479
Speaker 2: twenty four hour Tim.

455
00:23:03,320 --> 00:23:05,920
Speaker 3: Well, we have the content. I mean, if you don't

456
00:23:05,920 --> 00:23:08,040
Speaker 3: mind just having the audio from some of this stuff,

457
00:23:08,080 --> 00:23:09,439
Speaker 3: I think the content is all we can do.

458
00:23:09,480 --> 00:23:13,360
Speaker 2: So it's a car radio and so we there is.

459
00:23:13,520 --> 00:23:18,000
Speaker 2: It is all sound. There is no visual component at all.

460
00:23:18,040 --> 00:23:20,919
Speaker 2: Of course, you've got the little like digital screen, and

461
00:23:20,960 --> 00:23:23,960
Speaker 2: so you've got like pixels that are being rearranged to

462
00:23:24,040 --> 00:23:28,960
Speaker 2: like suggest one thing or sure another.

463
00:23:30,440 --> 00:23:33,240
Speaker 1: But you know, like could simulate sex with that.

464
00:23:33,440 --> 00:23:36,040
Speaker 3: H what would like what would a programming like a

465
00:23:36,040 --> 00:23:38,160
Speaker 3: block of programming look like in your in your head?

466
00:23:39,520 --> 00:23:43,560
Speaker 2: Well, I think we would do one hour of just jokes,

467
00:23:44,200 --> 00:23:48,199
Speaker 2: just cut up from different projects, so you would say

468
00:23:48,200 --> 00:23:48,920
Speaker 2: we can get this now.

469
00:23:48,920 --> 00:23:50,520
Speaker 1: Honestly, we probably just the punchlines.

470
00:23:50,600 --> 00:23:57,159
Speaker 2: Yeah, yeah, just like, Hey everybody, it's Tim XM. And

471
00:23:57,480 --> 00:24:00,880
Speaker 2: these are some of my favorite ass jokes. And then

472
00:24:01,000 --> 00:24:04,880
Speaker 2: you like just set it off that way.

473
00:24:05,840 --> 00:24:08,159
Speaker 3: Hey everybody, it's sim Heideker here, and these are some

474
00:24:08,200 --> 00:24:12,040
Speaker 3: of my favorite ass jokes. Take it away, Tim.

475
00:24:12,080 --> 00:24:14,639
Speaker 2: You are Tim xcent. So this is like part of

476
00:24:14,640 --> 00:24:20,040
Speaker 2: it too, is that you are the station itself as well,

477
00:24:21,680 --> 00:24:24,000
Speaker 2: but you're in a car, you're in the console.

478
00:24:24,560 --> 00:24:30,120
Speaker 3: I am Tim. This is Tim XM. All Tim, all night,

479
00:24:30,720 --> 00:24:34,159
Speaker 3: all day. Take it away, Tim, something like that.

480
00:24:34,359 --> 00:24:36,040
Speaker 1: Great, and we can put in the favorite ass jokes

481
00:24:36,080 --> 00:24:38,399
Speaker 1: part into that. We'll drop that in because we have

482
00:24:38,480 --> 00:24:39,480
Speaker 1: that clean from earlier.

483
00:24:39,600 --> 00:24:44,160
Speaker 3: Coming up a couple of tracks from my twenty fifteen

484
00:24:44,200 --> 00:24:48,719
Speaker 3: album 'urin Old Street Station by the Yellow River Boys.

485
00:24:48,960 --> 00:24:51,119
Speaker 3: Take it away, Tim, that's great.

486
00:24:51,160 --> 00:24:56,359
Speaker 2: And then just one that's for stuff that like didn't

487
00:24:57,240 --> 00:25:01,439
Speaker 2: work as well. Likes to that, like you are just

488
00:25:01,480 --> 00:25:04,360
Speaker 2: like less proud of potentially because we are using all

489
00:25:04,400 --> 00:25:08,040
Speaker 2: of it and so just like so much time right.

490
00:25:09,840 --> 00:25:13,040
Speaker 3: For the next hour. Here are some tweets from twenty fourteen.

491
00:25:15,640 --> 00:25:18,919
Speaker 3: Hey everybody, it's Tim, Tim xam. S right. Take two.

492
00:25:19,200 --> 00:25:22,199
Speaker 3: Hey everybody, it's Tim xam coming up at the eight

493
00:25:22,240 --> 00:25:25,760
Speaker 3: o'clock hour. Some tweets from twenty fourteen. Take it away, Tim,

494
00:25:26,400 --> 00:25:27,040
Speaker 3: that's great.

495
00:25:26,840 --> 00:25:28,760
Speaker 2: Because we will we are going to be reading all

496
00:25:28,800 --> 00:25:29,560
Speaker 2: the posts.

497
00:25:30,000 --> 00:25:32,400
Speaker 1: Yeah, and we have so much of you throwing to yourself.

498
00:25:32,440 --> 00:25:35,760
Speaker 1: Can we have some of you accepting the throw from yourself, Like, Hey,

499
00:25:35,800 --> 00:25:37,280
Speaker 1: thanks Tim.

500
00:25:37,920 --> 00:25:43,239
Speaker 3: Hey, thanks Tim? Coming up? Hey, thanks Tim. Here is

501
00:25:43,280 --> 00:25:48,639
Speaker 3: some audio from my small role in the read I'll

502
00:25:48,720 --> 00:25:52,800
Speaker 3: let me take that again, Thanks Tim. All right, coming up,

503
00:25:52,840 --> 00:25:55,800
Speaker 3: we got some of the audio from my classic scene

504
00:25:55,840 --> 00:26:00,600
Speaker 3: with Nick Kroll in the National Lampoons Vacation re bootstarring

505
00:26:00,760 --> 00:26:01,280
Speaker 3: Ed Helms.

506
00:26:02,040 --> 00:26:06,800
Speaker 2: That's really good. We are gonna do big, big blocks

507
00:26:06,840 --> 00:26:13,159
Speaker 2: of SNL monologues. Okay, if you could just like rattle

508
00:26:13,200 --> 00:26:16,280
Speaker 2: off a few favorites any that like stick.

509
00:26:16,040 --> 00:26:19,080
Speaker 3: Out of my I've never done SNL. You're saying of

510
00:26:19,200 --> 00:26:19,760
Speaker 3: other people's.

511
00:26:20,640 --> 00:26:23,399
Speaker 1: Yeah, in a perfect world, you would be doing some

512
00:26:23,400 --> 00:26:25,800
Speaker 1: some classic SNL monologues by some other people.

513
00:26:26,080 --> 00:26:29,199
Speaker 3: I don't have any of those memorized. I don't know

514
00:26:29,520 --> 00:26:32,960
Speaker 3: why you would think I did. I don't. I don't

515
00:26:33,000 --> 00:26:40,280
Speaker 3: memorize monologues from SNL. Okay, you can shoot me over one.

516
00:26:40,160 --> 00:26:42,800
Speaker 1: Yeah, I mean Christopher Walking did a Christmas episode where

517
00:26:42,840 --> 00:26:45,000
Speaker 1: he's saying walking in a winter Wonderland. It's kind of

518
00:26:45,000 --> 00:26:48,920
Speaker 1: funny his last name's Walking. He could really hit that, all.

519
00:26:48,920 --> 00:26:51,480
Speaker 2: Right, Kevin, can you just like maybe pull what we

520
00:26:51,520 --> 00:26:53,200
Speaker 2: can do that later and maybe pull one of those

521
00:26:53,280 --> 00:26:53,719
Speaker 2: up you have.

522
00:26:54,040 --> 00:26:56,360
Speaker 1: If you get a Joseph Gordon Levitt one, that would

523
00:26:56,400 --> 00:26:56,720
Speaker 1: be great.

524
00:26:56,840 --> 00:26:59,480
Speaker 3: Joseph Gordon Levitt hosting SNL.

525
00:26:59,320 --> 00:27:03,120
Speaker 2: Monologue approaching the Five Timers Club, I think, and honestly,

526
00:27:03,160 --> 00:27:05,200
Speaker 2: if he, if he did get in there, that could

527
00:27:05,200 --> 00:27:06,240
Speaker 2: be a really funny one.

528
00:27:06,560 --> 00:27:10,280
Speaker 3: Real you're talking about Joseph Gordon Levitt has done SML

529
00:27:10,359 --> 00:27:11,120
Speaker 3: five times.

530
00:27:11,520 --> 00:27:13,320
Speaker 2: I think he's approaching the Five Timers Club.

531
00:27:13,560 --> 00:27:16,000
Speaker 1: He's he's zeroed in on the Five Timers Club and

532
00:27:16,040 --> 00:27:18,320
Speaker 1: he's headed there do you.

533
00:27:18,320 --> 00:27:20,720
Speaker 3: Think he'll he'll he'll hit there, he'll hit it soon.

534
00:27:20,840 --> 00:27:22,920
Speaker 3: What what do you think it's in his sights?

535
00:27:23,160 --> 00:27:25,080
Speaker 1: If Don John's any indication this guy?

536
00:27:25,160 --> 00:27:25,800
Speaker 2: See Don John?

537
00:27:26,560 --> 00:27:27,359
Speaker 1: You see John?

538
00:27:28,280 --> 00:27:34,080
Speaker 3: Don john directorial debut, first one he directed. I miss

539
00:27:34,200 --> 00:27:36,160
Speaker 3: I didn't get the porn, the porn one, the where

540
00:27:36,160 --> 00:27:37,080
Speaker 3: he's addicted to porn.

541
00:27:37,200 --> 00:27:37,840
Speaker 1: You jagging off?

542
00:27:37,920 --> 00:27:39,400
Speaker 2: Yes, that is jacking off.

543
00:27:39,440 --> 00:27:41,560
Speaker 3: I skipped that one. I didn't watch that.

544
00:27:41,480 --> 00:27:42,480
Speaker 1: One, haven't seen it yet.

545
00:27:43,560 --> 00:27:46,639
Speaker 3: No, I wasn't. I wasn't nuts about his that movie.

546
00:27:46,640 --> 00:27:49,040
Speaker 3: He did Garden State. So I just I felt like

547
00:27:49,880 --> 00:27:52,720
Speaker 3: nothing about you know, as a director made me want

548
00:27:52,720 --> 00:27:53,359
Speaker 3: to go see another.

549
00:27:53,440 --> 00:27:57,359
Speaker 1: The music, Tim, I mean okay, the movie, sure, the movie,

550
00:27:57,400 --> 00:27:59,240
Speaker 1: but Tim, the music, the.

551
00:27:59,280 --> 00:27:59,960
Speaker 3: Music was great.

552
00:28:00,280 --> 00:28:00,800
Speaker 1: Thank you.

553
00:28:01,480 --> 00:28:03,800
Speaker 3: Yeah, I'd be happy to do one. I can record it,

554
00:28:04,200 --> 00:28:06,720
Speaker 3: send it over to some other point. But it's so

555
00:28:06,880 --> 00:28:08,120
Speaker 3: I don't know. Why would Why do you think people

556
00:28:08,119 --> 00:28:10,520
Speaker 3: woul want to hear me doing SNL monologues on my

557
00:28:10,640 --> 00:28:12,480
Speaker 3: radio station? That seems a little weird.

558
00:28:13,040 --> 00:28:19,320
Speaker 1: Well, the monologue is the best part. It's comedy. You're

559
00:28:19,440 --> 00:28:21,640
Speaker 1: gonna run out of stuff.

560
00:28:21,960 --> 00:28:25,040
Speaker 2: And then it's you. Then, like who else would do it?

561
00:28:25,119 --> 00:28:25,199
Speaker 1: Is?

562
00:28:25,240 --> 00:28:30,080
Speaker 2: What's confusing to me. And network is named after your network?

563
00:28:31,000 --> 00:28:33,520
Speaker 2: You want someone else doing SNL monologues. I don't.

564
00:28:33,880 --> 00:28:36,040
Speaker 1: I'm like taking stuff off your plate and you're like

565
00:28:36,119 --> 00:28:36,880
Speaker 1: put it back on.

566
00:28:37,359 --> 00:28:39,720
Speaker 3: I don't want to do Yeah, I'll try it. You know, well,

567
00:28:39,880 --> 00:28:42,720
Speaker 3: what about doing like William Shatner from the Like he

568
00:28:42,800 --> 00:28:44,320
Speaker 3: did a he was on there a couple of times,

569
00:28:44,360 --> 00:28:47,040
Speaker 3: did a funny couple of funny appearances from him. I

570
00:28:47,040 --> 00:28:47,640
Speaker 3: could try that.

571
00:28:47,720 --> 00:28:48,280
Speaker 2: It's going back.

572
00:28:48,840 --> 00:28:53,480
Speaker 1: Is that Denny Crane William Shatner Boston Legals Denny Crane.

573
00:28:53,360 --> 00:28:59,720
Speaker 3: Right, yeah, that's right. And Kirk Kirk d Dana Carvey

574
00:28:59,760 --> 00:29:03,480
Speaker 3: doing a con in on on on SNL. He goes

575
00:29:03,760 --> 00:29:10,920
Speaker 3: cock he loves it. Phil, Phil excuse me, Phil Hartman.

576
00:29:11,680 --> 00:29:16,239
Speaker 3: Phil Hartman doing bones, Kevin Neel and doing Spock. They

577
00:29:16,280 --> 00:29:17,440
Speaker 3: had it all figured out.

578
00:29:18,480 --> 00:29:21,880
Speaker 1: That was my era, you know, Kevin Neel and his Spock.

579
00:29:22,080 --> 00:29:23,560
Speaker 1: That's sort of the touchstone for me.

580
00:29:23,720 --> 00:29:28,120
Speaker 3: So funny, He go captain, this is highly illogical. And

581
00:29:28,160 --> 00:29:31,560
Speaker 3: then Hartman comes in with, damn it, Jim, I'm a

582
00:29:31,680 --> 00:29:35,040
Speaker 3: doctor Nada. Oh, actually it was a guy choking on

583
00:29:36,080 --> 00:29:40,400
Speaker 3: he was The premise was that Star Trek was now

584
00:29:40,440 --> 00:29:42,760
Speaker 3: a restaurant. It was a seafood restaurant in space, a

585
00:29:42,840 --> 00:29:48,400
Speaker 3: revolving restaurant, and and there was a guy who was

586
00:29:48,840 --> 00:29:55,600
Speaker 3: eating some food and he started choking, and and Shatner

587
00:29:55,680 --> 00:29:59,479
Speaker 3: is playing Kirk, and he says, bones help this man.

588
00:29:59,520 --> 00:30:01,640
Speaker 3: He goes n gem, I'm a doctor, not a oh.

589
00:30:01,800 --> 00:30:06,440
Speaker 3: And then he realizes, oh, we're actually asking for and

590
00:30:06,480 --> 00:30:09,080
Speaker 3: he's trying to do the heimlick. Heimli's not working. Heimlis

591
00:30:09,080 --> 00:30:13,520
Speaker 3: not working. Neelan comes in as Spock gives him the

592
00:30:13,720 --> 00:30:16,600
Speaker 3: thing on the back of the neck, the vulcan death grip.

593
00:30:16,960 --> 00:30:20,520
Speaker 3: That's what gets the food out. Now, who played the

594
00:30:20,600 --> 00:30:23,680
Speaker 3: choking guy? Who played the choking guy in the sketch?

595
00:30:24,000 --> 00:30:25,960
Speaker 3: Anybody know? Kevin Meaney?

596
00:30:26,800 --> 00:30:28,920
Speaker 1: Come on, that's a surprise to me.

597
00:30:29,320 --> 00:30:30,760
Speaker 3: Kevin Meani Look it up.

598
00:30:30,880 --> 00:30:32,960
Speaker 1: Joseph Gordon Levitt I thought that was his No.

599
00:30:32,960 --> 00:30:33,160
Speaker 2: No.

600
00:30:33,800 --> 00:30:36,280
Speaker 3: Eighty nine. It could have you know, who would have

601
00:30:36,600 --> 00:30:44,080
Speaker 3: loved comes in with Carvy. Carvy's playing uh Con from

602
00:30:44,080 --> 00:30:47,360
Speaker 3: Star Trek two with the big blonde hair and the chest.

603
00:30:48,320 --> 00:30:53,840
Speaker 3: But John Lovett is the health inspector, so Con has

604
00:30:53,960 --> 00:30:57,800
Speaker 3: gotten a health inspector to try to close down Kirk's restaurant.

605
00:30:58,280 --> 00:31:01,000
Speaker 2: It's a classic sketch and we see we hear this

606
00:31:01,120 --> 00:31:03,400
Speaker 2: now in like twenty twenty, and we're like, okay, Star

607
00:31:03,440 --> 00:31:06,320
Speaker 2: Trek has a seafood restaurant. I've I've seen that one

608
00:31:06,400 --> 00:31:11,000
Speaker 2: hundred million times. You judge it by when it was

609
00:31:11,680 --> 00:31:13,440
Speaker 2: what people saw it at the time. It's like, yeah,

610
00:31:13,440 --> 00:31:15,560
Speaker 2: it's not scary now when a freaking train is on

611
00:31:15,720 --> 00:31:18,600
Speaker 2: screen coming toward you. At the time, people had not

612
00:31:18,800 --> 00:31:19,800
Speaker 2: seen that before.

613
00:31:20,280 --> 00:31:22,720
Speaker 1: No, it's right, it's like, yes it it's a cliche

614
00:31:22,760 --> 00:31:24,280
Speaker 1: because someone did it so well.

615
00:31:24,360 --> 00:31:27,800
Speaker 3: You here's how innovative to sketch was. You've got Carvy

616
00:31:27,880 --> 00:31:29,800
Speaker 3: because this is live, right SNL is live.

617
00:31:30,240 --> 00:31:33,080
Speaker 2: You've got no net So and of course it's edited

618
00:31:33,120 --> 00:31:33,640
Speaker 2: for rerun.

619
00:31:33,720 --> 00:31:39,840
Speaker 3: Probably you've got Carvy backstage doing Scottie on just the audio,

620
00:31:40,040 --> 00:31:43,080
Speaker 3: just through the you know, it's a Scotty I need more,

621
00:31:43,160 --> 00:31:45,440
Speaker 3: we need more tartar sauce. I've given it all. I

622
00:31:45,520 --> 00:31:49,280
Speaker 3: cut and cup. Then I well he's off camera, and

623
00:31:49,320 --> 00:31:51,960
Speaker 3: you're thinking, oh, too bad, we don't get to see Scotty.

624
00:31:52,040 --> 00:31:54,400
Speaker 3: But why don't we get to see Scotty Because Carvey

625
00:31:54,440 --> 00:31:55,680
Speaker 3: comes in as Cohn.

626
00:31:56,080 --> 00:31:57,960
Speaker 1: Boom and he's doing double duty.

627
00:31:58,240 --> 00:31:59,400
Speaker 3: Doing double duty?

628
00:31:59,520 --> 00:32:03,040
Speaker 1: Who pulled asider before? Do you think we could get

629
00:32:03,080 --> 00:32:05,280
Speaker 1: you to do two characters in this one?

630
00:32:05,720 --> 00:32:08,040
Speaker 3: Whatever you need, Lauren, whatever you need.

631
00:32:08,120 --> 00:32:10,760
Speaker 1: Dana, You're the only cat that's got the juice to

632
00:32:10,800 --> 00:32:13,640
Speaker 1: pull off double duty on this damn thing. It was

633
00:32:13,680 --> 00:32:15,480
Speaker 1: a different time. This was how Lauren. He was.

634
00:32:17,160 --> 00:32:20,560
Speaker 3: Of course, no African Americans anywhere near that cast. So

635
00:32:20,920 --> 00:32:28,080
Speaker 3: they have Victoria Jackson doing the female hohoru part, not

636
00:32:28,200 --> 00:32:32,440
Speaker 3: in black face, thank god, but you know particular that

637
00:32:33,160 --> 00:32:34,680
Speaker 3: is a white ass cast.

638
00:32:35,800 --> 00:32:40,760
Speaker 1: Nora Dunn, Is I think who.

639
00:32:42,120 --> 00:32:42,360
Speaker 2: This is?

640
00:32:42,400 --> 00:32:46,000
Speaker 3: Pre Cael? This is pre Cleghorn. She wasn't even a

641
00:32:46,040 --> 00:32:53,959
Speaker 3: featured guest featuring Ellen cleig Horn.

642
00:32:54,360 --> 00:32:56,240
Speaker 2: John, Is there anything else we wanted to get?

643
00:32:56,640 --> 00:32:58,520
Speaker 1: Yeah, we did just want to get. I mean there's

644
00:32:58,520 --> 00:33:01,000
Speaker 1: a segment we're gonna do that we can maybe this

645
00:33:01,000 --> 00:33:02,920
Speaker 1: could be sort of a pilot for it where it's

646
00:33:02,960 --> 00:33:04,880
Speaker 1: just it'll be a year round segment that we'll do

647
00:33:04,920 --> 00:33:07,960
Speaker 1: basically every day, where we just we talk edgy Halloween

648
00:33:08,040 --> 00:33:11,200
Speaker 1: costume ideas. Oh god, yeah, and we just get in

649
00:33:11,240 --> 00:33:13,240
Speaker 1: there and Tim, you get in there and you get

650
00:33:13,400 --> 00:33:16,720
Speaker 1: raw as hell, and you could go like, hey, kids,

651
00:33:17,240 --> 00:33:19,960
Speaker 1: why don't you beat the fly on Mike Pence's head.

652
00:33:20,480 --> 00:33:22,240
Speaker 3: That's hilarious and then pause.

653
00:33:22,000 --> 00:33:23,680
Speaker 1: Because in the car it's gonna be laughs.

654
00:33:23,760 --> 00:33:26,040
Speaker 3: Are people doing that really with the fly in the head,

655
00:33:26,040 --> 00:33:28,280
Speaker 3: that is hilarious?

656
00:33:28,920 --> 00:33:34,200
Speaker 1: Yeah, Ghost of RBG okay, big rest in power chain on? Okay,

657
00:33:34,480 --> 00:33:37,200
Speaker 1: is this a Halloween costume right right?

658
00:33:38,560 --> 00:33:42,240
Speaker 2: Combining her with like stuff from black culture, you know,

659
00:33:43,120 --> 00:33:47,480
Speaker 2: like the big chain and like she's doing throwing gang

660
00:33:47,560 --> 00:33:48,680
Speaker 2: signs and stuff like that.

661
00:33:48,840 --> 00:33:52,880
Speaker 1: You know what I mean? The notorious you're the notorious rbgtly, yes,

662
00:33:53,000 --> 00:33:53,800
Speaker 1: the ghost of.

663
00:33:53,880 --> 00:33:59,680
Speaker 3: The Notorious RBG. What about like one of the who

664
00:33:59,680 --> 00:34:03,200
Speaker 3: are some famous set of ghoules from from the Hube

665
00:34:03,240 --> 00:34:07,200
Speaker 3: Halloween movie, the Sandler film, You remember those like scary

666
00:34:07,680 --> 00:34:09,680
Speaker 3: scary shit. Man, it's fucked up.

667
00:34:09,760 --> 00:34:11,279
Speaker 1: Yeah, some of that shit was fucked up.

668
00:34:11,360 --> 00:34:11,600
Speaker 2: Yeah.

669
00:34:11,640 --> 00:34:13,359
Speaker 1: I actually got sick watching it.

670
00:34:13,480 --> 00:34:15,319
Speaker 3: The last thirty minutes of the movie are fuck it's

671
00:34:15,320 --> 00:34:20,839
Speaker 3: like hereditary. It's awful, scary, scary shit, like fucked up.

672
00:34:21,360 --> 00:34:22,800
Speaker 2: I had like covered up.

673
00:34:23,080 --> 00:34:24,480
Speaker 3: I don't know if I don't know how many people

674
00:34:24,560 --> 00:34:26,839
Speaker 3: watched past the first half hour, but if you get

675
00:34:26,880 --> 00:34:28,719
Speaker 3: past the first half hour's fucked up.

676
00:34:28,840 --> 00:34:30,520
Speaker 1: Well, first half hour draws you in it goes, hey,

677
00:34:30,640 --> 00:34:31,399
Speaker 1: let's have some fun.

678
00:34:31,480 --> 00:34:31,640
Speaker 2: You know.

679
00:34:31,680 --> 00:34:33,120
Speaker 3: I know a lot of people that like, watch the

680
00:34:33,160 --> 00:34:35,399
Speaker 3: first half hour, they're like, get it, it's it's it's

681
00:34:35,440 --> 00:34:38,279
Speaker 3: going long. I'm a little I'm a little like, uh,

682
00:34:38,840 --> 00:34:42,000
Speaker 3: you know, it's it's a little troubling the character, Like

683
00:34:42,040 --> 00:34:43,880
Speaker 3: I'm not sure if I'm supposed to laugh at this character.

684
00:34:44,000 --> 00:34:47,799
Speaker 3: I feel bad, you know, it feels exploitive. But so

685
00:34:48,040 --> 00:34:49,239
Speaker 3: I know a lot of people that turn it off

686
00:34:49,280 --> 00:34:51,879
Speaker 3: because they just felt uncomfortable about the portrayal of somebody

687
00:34:51,920 --> 00:34:53,480
Speaker 3: that was developmentally disabled.

688
00:34:53,800 --> 00:34:54,719
Speaker 1: Just go watch water Boy.

689
00:34:55,040 --> 00:34:57,839
Speaker 3: But if you stick with it, the last twenty thirty

690
00:34:57,840 --> 00:34:59,800
Speaker 3: minutes of that movie are seriously some of the scaries

691
00:34:59,800 --> 00:35:00,800
Speaker 3: sh I've ever seen.

692
00:35:01,120 --> 00:35:03,400
Speaker 2: This was I I I don't know a lot of

693
00:35:03,440 --> 00:35:07,480
Speaker 2: people talked to Alan Covert about this, uh, and he

694
00:35:07,560 --> 00:35:09,399
Speaker 2: was the one saying, it's not scary. It's not it's

695
00:35:09,440 --> 00:35:10,760
Speaker 2: like for kids, it's not a good.

696
00:35:10,840 --> 00:35:15,760
Speaker 3: Some like real They used real corpse, real like cadavers.

697
00:35:15,719 --> 00:35:17,400
Speaker 1: In the last like old bones and blood.

698
00:35:17,719 --> 00:35:21,920
Speaker 3: Yeah, yeah, real dead bodies, like real cadavers were fucking

699
00:35:22,040 --> 00:35:23,479
Speaker 3: what I don't want to give it away, but they're

700
00:35:23,520 --> 00:35:24,960
Speaker 3: like fucking torn apart.

701
00:35:25,360 --> 00:35:28,080
Speaker 1: No, they know someone, I mean, well not just the cadavers,

702
00:35:28,120 --> 00:35:30,000
Speaker 1: because there was a person who was murdered on screen.

703
00:35:30,040 --> 00:35:32,840
Speaker 1: I mean they were I know, they were actually like

704
00:35:33,719 --> 00:35:35,680
Speaker 1: terminally ill. So was somebody.

705
00:35:35,719 --> 00:35:35,920
Speaker 4: It was.

706
00:35:35,960 --> 00:35:39,080
Speaker 3: They were some kind of contest, like it was.

707
00:35:39,080 --> 00:35:41,319
Speaker 1: Akian type that where it was like they want it

708
00:35:41,360 --> 00:35:44,960
Speaker 1: was assistant suicide. But in the movie, their portrayal is

709
00:35:45,000 --> 00:35:46,880
Speaker 1: they're acting like, no, I don't want this to happen.

710
00:35:46,920 --> 00:35:50,120
Speaker 1: I don't want to put those growth. It was so gross.

711
00:35:50,400 --> 00:35:53,040
Speaker 2: Peter Dante gets sliced in half vertically.

712
00:35:53,400 --> 00:35:57,399
Speaker 3: Yeah, it was like all the entrails coming out, and

713
00:35:57,520 --> 00:36:00,719
Speaker 3: like the characters like Steve Bushmi like, I can't believe.

714
00:36:00,760 --> 00:36:02,480
Speaker 3: I mean, they must have done some kind of they

715
00:36:02,520 --> 00:36:04,840
Speaker 3: must have swapped out because he's like eating the fucking

716
00:36:05,160 --> 00:36:06,719
Speaker 3: intestines and they didn't.

717
00:36:06,480 --> 00:36:09,080
Speaker 2: Swap the spearing. They did not swap him out.

718
00:36:09,360 --> 00:36:11,760
Speaker 1: No, it's really no. They didn't swap him in its.

719
00:36:11,760 --> 00:36:14,160
Speaker 3: No that's not no no, no, no, no, no, no

720
00:36:14,160 --> 00:36:18,160
Speaker 3: that Steve. There's no way Steve buscemi ate the fucking

721
00:36:18,520 --> 00:36:19,960
Speaker 3: entrails from that corpse.

722
00:36:20,120 --> 00:36:22,799
Speaker 2: I saw the inside look. I actually I actually did

723
00:36:22,800 --> 00:36:25,120
Speaker 2: watch the inside look, and they were like, let's show

724
00:36:25,239 --> 00:36:28,920
Speaker 2: let's show how we got this shot, but all it

725
00:36:29,000 --> 00:36:31,520
Speaker 2: is like he is just in front of a green screen.

726
00:36:32,000 --> 00:36:33,720
Speaker 3: Yeah, but with the actual cadaver.

727
00:36:34,440 --> 00:36:37,200
Speaker 2: But yeah, everything else the cadaver is real and all

728
00:36:37,360 --> 00:36:40,799
Speaker 2: like that. But they did kind of like a day

729
00:36:40,840 --> 00:36:41,560
Speaker 2: for Night thing.

730
00:36:42,239 --> 00:36:46,280
Speaker 1: I had a general and Happy Madison where they yeah,

731
00:36:46,400 --> 00:36:48,840
Speaker 1: they actually ate a human kidney in front of me.

732
00:36:49,320 --> 00:36:52,960
Speaker 3: I can't believe that that's just okay, Like why aren't

733
00:36:52,960 --> 00:36:57,560
Speaker 3: the QAnon people protesting about that? Because that's truly sick.

734
00:36:58,400 --> 00:37:01,240
Speaker 3: But it's our you know, Yeah, I mean I agree,

735
00:37:01,320 --> 00:37:02,280
Speaker 3: I agree.

736
00:37:02,600 --> 00:37:03,799
Speaker 1: But Renegate it film.

737
00:37:03,880 --> 00:37:05,759
Speaker 3: It's not my kind, Like I don't like horror movies.

738
00:37:05,800 --> 00:37:09,840
Speaker 3: But to see Steve Bushmi, who I like as an actor, Like,

739
00:37:10,360 --> 00:37:12,560
Speaker 3: I'm really shocked, and there was it looked like there was.

740
00:37:12,600 --> 00:37:14,879
Speaker 3: I mean, because I guess there's when people die, they

741
00:37:14,880 --> 00:37:18,319
Speaker 3: still have shit inside their body, you know.

742
00:37:18,400 --> 00:37:19,200
Speaker 1: Yeah, no you don't.

743
00:37:19,280 --> 00:37:22,000
Speaker 3: Yeah, he's like wherever mirroring because it's like there's a

744
00:37:22,040 --> 00:37:25,280
Speaker 3: lot of blood obviously, but there's also like fucking more clearly.

745
00:37:25,400 --> 00:37:27,319
Speaker 1: No, it's SUPs to talk about, but it's it. But

746
00:37:27,520 --> 00:37:30,320
Speaker 1: it's what you see on screen, and we should discuss, like, yeah.

747
00:37:30,200 --> 00:37:33,239
Speaker 3: It's like undigested and it's like it's so long, like

748
00:37:33,280 --> 00:37:36,200
Speaker 3: everybody that's in the June Squib is doing it too.

749
00:37:36,680 --> 00:37:40,839
Speaker 3: She's stuffing fucking like body parts up her vagina.

750
00:37:40,840 --> 00:37:43,440
Speaker 1: And her name is not June Squib in the film,

751
00:37:43,440 --> 00:37:46,319
Speaker 1: but she does say, hand me my June Bib, I'm

752
00:37:46,320 --> 00:37:50,719
Speaker 1: about to chow down some of this human feces. And

753
00:37:50,760 --> 00:37:53,400
Speaker 1: you're going, wait a minute, this was a kid's movie

754
00:37:53,719 --> 00:37:54,680
Speaker 1: forty minutes ago.

755
00:37:54,840 --> 00:37:57,240
Speaker 3: I know. It's like it's like a gg Allen situation

756
00:37:57,360 --> 00:37:59,400
Speaker 3: going on at the end of that movie, and it's awful.

757
00:38:00,120 --> 00:38:05,080
Speaker 2: Squib crawled inside Swartzon's stomach and ate her way north

758
00:38:05,280 --> 00:38:08,520
Speaker 2: out the top of his head, and they didn't use that.

759
00:38:08,520 --> 00:38:10,239
Speaker 1: That's only in the inside look.

760
00:38:10,400 --> 00:38:12,840
Speaker 3: And nobody in the comedy, which is really sick. And

761
00:38:12,880 --> 00:38:14,520
Speaker 3: I know it's been a hard year. It's like it's

762
00:38:14,560 --> 00:38:17,640
Speaker 3: a pandemic and the election, and but nobody in the

763
00:38:17,640 --> 00:38:20,879
Speaker 3: comedy community is coming out to say anything about Nick

764
00:38:20,920 --> 00:38:24,120
Speaker 3: Swartzon and the fact that he's dead and yeah, he's

765
00:38:24,440 --> 00:38:26,640
Speaker 3: his body was used as like a prop to be

766
00:38:26,800 --> 00:38:29,279
Speaker 3: killed in this movie. But I mean, I know he

767
00:38:29,320 --> 00:38:31,879
Speaker 3: gets sort of like used by the Happy Madison Gang

768
00:38:31,920 --> 00:38:35,239
Speaker 3: in various ways and it's sort of whatever, that's that's

769
00:38:35,800 --> 00:38:38,000
Speaker 3: I was happy for him, But you'd think the comedy

770
00:38:38,040 --> 00:38:41,040
Speaker 3: community would have come out and said something anything about

771
00:38:41,120 --> 00:38:42,120
Speaker 3: Nick Wortson and like.

772
00:38:42,080 --> 00:38:44,399
Speaker 1: But it's for like a blooper reel, right, Like it's yeah,

773
00:38:44,800 --> 00:38:46,279
Speaker 1: you know, basically in the.

774
00:38:46,239 --> 00:38:48,600
Speaker 3: Post credit in the fucking movie.

775
00:38:48,200 --> 00:38:50,760
Speaker 1: There's a quick thing where Nick Wortson opens his mouth

776
00:38:51,120 --> 00:38:52,640
Speaker 1: and it looks like he has a second set of

777
00:38:52,680 --> 00:38:54,440
Speaker 1: teeth behind his teeth, and then you realize, oh no,

778
00:38:54,640 --> 00:38:57,440
Speaker 1: that's June Squibs teeth, and then she bursts out of

779
00:38:57,520 --> 00:38:58,120
Speaker 1: his head.

780
00:38:58,440 --> 00:39:01,480
Speaker 3: Yeah she won't. I mean, it's a testament like I

781
00:39:01,480 --> 00:39:03,600
Speaker 3: would love to hear from Netflix when people turn that

782
00:39:03,680 --> 00:39:06,440
Speaker 3: movie off, because it has to be like a high

783
00:39:06,560 --> 00:39:08,719
Speaker 3: percentage of people that turn it off after thirty minutes,

784
00:39:08,719 --> 00:39:10,960
Speaker 3: because yeah, I know numbers, I know what this is.

785
00:39:11,080 --> 00:39:13,440
Speaker 3: This is just is another Adam Standler thing. I get it.

786
00:39:13,440 --> 00:39:14,840
Speaker 3: I don't really I'm not really in the mood for

787
00:39:14,880 --> 00:39:19,640
Speaker 3: this kind of humor anymore. But shit, like, if people

788
00:39:19,680 --> 00:39:21,319
Speaker 3: knew what's at the end of that movie, they would

789
00:39:21,320 --> 00:39:23,239
Speaker 3: be out of it would be over. And that I mean,

790
00:39:23,440 --> 00:39:25,279
Speaker 3: I would think that the FBI would be interested in

791
00:39:25,320 --> 00:39:28,160
Speaker 3: that too, because there's got to be some laws, but.

792
00:39:28,120 --> 00:39:29,759
Speaker 1: They're you know, they're busy with other shit.

793
00:39:29,840 --> 00:39:32,760
Speaker 3: I guess sure, Russia, Russia hoax and whatever.

794
00:39:33,080 --> 00:39:37,640
Speaker 1: Yeah, yeah, fucking yeah, Biden, Joe Biden's force shit right,

795
00:39:37,840 --> 00:39:38,480
Speaker 1: no offense.

796
00:39:38,880 --> 00:39:42,120
Speaker 2: No, he's got that six movie dealer or whatever, and

797
00:39:42,160 --> 00:39:43,479
Speaker 2: so like guy is sitting like.

798
00:39:43,920 --> 00:39:45,480
Speaker 1: They have to let him keep making them and it's

799
00:39:45,520 --> 00:39:48,520
Speaker 1: gonna get sicker and sicker because now they've gotten away

800
00:39:48,520 --> 00:39:50,400
Speaker 1: with it, and now it's like, well, what you know,

801
00:39:50,480 --> 00:39:52,520
Speaker 1: what can we do next? In terms of like eating

802
00:39:52,600 --> 00:39:53,480
Speaker 1: humans on camera?

803
00:39:53,920 --> 00:39:56,280
Speaker 3: It's such a trojan horse. He does that first thirty

804
00:39:56,320 --> 00:40:00,520
Speaker 3: minutes and then sneaks in that six stuff. So, I,

805
00:40:00,520 --> 00:40:02,040
Speaker 3: I don't know. I don't want to. I don't wanna.

806
00:40:02,120 --> 00:40:04,080
Speaker 3: I'm I'd love to work with him, I want to,

807
00:40:04,160 --> 00:40:06,000
Speaker 3: I don't want to, like burn bridges with him.

808
00:40:06,000 --> 00:40:07,560
Speaker 1: So I killed the work. I killed the beaten on

809
00:40:07,600 --> 00:40:08,600
Speaker 1: camera by Adam Sandler.

810
00:40:09,320 --> 00:40:10,040
Speaker 3: It would be an honor.

811
00:40:10,520 --> 00:40:12,880
Speaker 1: I would. If it's if it's Bouchemi eating me, I

812
00:40:12,920 --> 00:40:15,000
Speaker 1: better I get I need my own trailer at least.

813
00:40:15,480 --> 00:40:17,719
Speaker 1: But if it's Sandler, I'll give me a day rate.

814
00:40:18,320 --> 00:40:20,680
Speaker 2: Kevin, do you want to just did you find a monologue.

815
00:40:21,239 --> 00:40:24,080
Speaker 1: Yes, NBC removed it from their website, but I found

816
00:40:24,120 --> 00:40:26,279
Speaker 1: someone I believe filming their television.

817
00:40:26,680 --> 00:40:30,319
Speaker 2: Okay, so that you know this must be hey, this

818
00:40:30,400 --> 00:40:31,399
Speaker 2: must be a hot one.

819
00:40:31,520 --> 00:40:34,520
Speaker 1: This is third rail stuff, man, because if they're.

820
00:40:34,080 --> 00:40:37,040
Speaker 2: Talking about like the war and stuff that they don't want.

821
00:40:37,239 --> 00:40:44,200
Speaker 1: They usually yeah, so let's see.

822
00:40:44,760 --> 00:40:49,480
Speaker 2: Yeah, it's great to be better talk like that and

823
00:40:49,680 --> 00:40:51,319
Speaker 2: use your real the way he is.

824
00:40:51,400 --> 00:40:54,080
Speaker 3: Yeah, yes, all right, I'll just do it, and let

825
00:40:54,120 --> 00:40:55,760
Speaker 3: me just do it in pieces. You play it and

826
00:40:55,480 --> 00:41:02,400
Speaker 3: I'll just get it back to you, ready, right, Saturday

827
00:41:02,480 --> 00:41:06,880
Speaker 3: Night Live. It is so cry please, it is so

828
00:41:07,080 --> 00:41:11,160
Speaker 3: great to be back here hosting Saturday Night Live. Okay,

829
00:41:13,760 --> 00:41:14,800
Speaker 3: you know, this year.

830
00:41:14,680 --> 00:41:16,960
Speaker 4: Has been so amazing. I've been lucky you to be

831
00:41:17,000 --> 00:41:18,200
Speaker 4: in some great movies.

832
00:41:18,680 --> 00:41:22,759
Speaker 3: Hold up, thank you, yo, this year has been so amazing.

833
00:41:22,920 --> 00:41:25,960
Speaker 3: I'm so lucky to have been in some great movies.

834
00:41:26,560 --> 00:41:29,160
Speaker 2: That this is great because you are You're Dusk gren Levitt.

835
00:41:29,239 --> 00:41:31,440
Speaker 2: You were born in Los Angeles, you've lived there for

836
00:41:31,520 --> 00:41:33,400
Speaker 2: your entire life. But you have this.

837
00:41:35,320 --> 00:41:39,719
Speaker 1: Kind of Don John there's no other term for it.

838
00:41:39,719 --> 00:41:42,759
Speaker 1: That's just become the term. It's this Don John accent

839
00:41:43,719 --> 00:41:44,200
Speaker 1: that you've.

840
00:41:44,040 --> 00:41:45,680
Speaker 2: Gotten into the guys he.

841
00:41:45,680 --> 00:41:47,480
Speaker 3: Got into the park and never got out.

842
00:41:48,000 --> 00:41:49,319
Speaker 4: Movie Looper come out.

843
00:41:50,320 --> 00:41:55,480
Speaker 3: Oh yeah, my film, yo, my film Loopers come out. Yo.

844
00:41:56,600 --> 00:41:57,160
Speaker 3: Go ahead.

845
00:41:57,600 --> 00:42:00,520
Speaker 4: I play a young version of Bruce Willis, So I

846
00:42:00,520 --> 00:42:01,560
Speaker 4: guess I'm playing Ashton.

847
00:42:02,640 --> 00:42:06,680
Speaker 3: Okay, I play a young version of Take it again.

848
00:42:07,400 --> 00:42:10,239
Speaker 3: I play a young version of Bruce Willis, So I

849
00:42:10,239 --> 00:42:11,800
Speaker 3: guess I'm Ashton Kusher.

850
00:42:12,320 --> 00:42:14,440
Speaker 2: So that's why. And now we know why that was pulled.

851
00:42:14,960 --> 00:42:15,839
Speaker 2: Mm hmm. Yeah.

852
00:42:15,840 --> 00:42:18,080
Speaker 3: You don't fuck with Bruce like that, got it?

853
00:42:18,280 --> 00:42:21,160
Speaker 2: Yeah, because he's talking about cock stuff.

854
00:42:21,560 --> 00:42:24,720
Speaker 3: He's only got Bruce has only got so much patience

855
00:42:24,719 --> 00:42:27,839
Speaker 3: for that ship. I wouldn't be surprised if Bruce came

856
00:42:27,920 --> 00:42:29,839
Speaker 3: and beat the ship out of Joseph Gordon Levin. At

857
00:42:29,840 --> 00:42:32,080
Speaker 3: some point shortly after this live appearance.

858
00:42:35,000 --> 00:42:40,160
Speaker 4: I was also in The Dark Knight Rise. You know what,

859
00:42:40,280 --> 00:42:44,399
Speaker 4: my favorite superhero movie of the summer was Magic Mike

860
00:42:44,880 --> 00:42:46,720
Speaker 4: boom Bag.

861
00:42:47,360 --> 00:42:49,960
Speaker 3: I was also in the Dark. I was also in

862
00:42:50,000 --> 00:42:55,360
Speaker 3: the Dark Knight Rises. Yes, but you know what my

863
00:42:55,400 --> 00:42:59,080
Speaker 3: favorite superhero movie of the summer was Magic Mike.

864
00:42:59,520 --> 00:43:02,400
Speaker 2: Okay, I'm serious.

865
00:43:02,480 --> 00:43:05,399
Speaker 4: My friend Shanning Tane was so great in that. And

866
00:43:05,680 --> 00:43:08,480
Speaker 4: you know what my favorite part of magic. Mike was

867
00:43:09,360 --> 00:43:09,839
Speaker 4: this part.

868
00:43:12,320 --> 00:43:17,000
Speaker 3: Sh Okay, I'm not doing that.

869
00:43:17,920 --> 00:43:22,160
Speaker 1: He took off and it's just a rated for Yeah,

870
00:43:22,160 --> 00:43:23,200
Speaker 1: we could do it big.

871
00:43:23,239 --> 00:43:27,000
Speaker 3: All right, fine, fine, fine, uh and no, my friend

872
00:43:27,560 --> 00:43:31,200
Speaker 3: Taylor what's his name, Taylor Higgs. What's his name?

873
00:43:31,280 --> 00:43:32,920
Speaker 1: Taylor Higgs, Taylor Higgs.

874
00:43:33,960 --> 00:43:35,759
Speaker 3: He did such a great job. And you know what

875
00:43:35,840 --> 00:43:37,719
Speaker 3: my favorite part of that movie was.

876
00:43:38,800 --> 00:43:41,279
Speaker 2: I don't take it down, elm And then we can

877
00:43:41,360 --> 00:43:45,120
Speaker 2: just have the pixels move around, and I suggested, but

878
00:43:45,200 --> 00:43:49,120
Speaker 2: you can do like a nipple really easily with just

879
00:43:49,120 --> 00:43:52,239
Speaker 2: the pixels on that screen, and just like a couple

880
00:43:52,320 --> 00:43:55,359
Speaker 2: of nipples and they're just like kind of bouncing around on.

881
00:43:56,000 --> 00:43:58,280
Speaker 3: Boun that kind of thing going on there.

882
00:43:58,520 --> 00:44:02,600
Speaker 1: Perfect, that's right, I have shat nerves ready if you

883
00:44:02,640 --> 00:44:06,920
Speaker 1: want to hear that. Uh okay, okay. Tim was kind

884
00:44:06,920 --> 00:44:10,279
Speaker 1: of over it, but oh yeah we could stop too.

885
00:44:10,480 --> 00:44:11,600
Speaker 3: I remember that jacket.

886
00:44:12,320 --> 00:44:12,959
Speaker 2: No, it just Tim.

887
00:44:13,000 --> 00:44:15,160
Speaker 1: Tim was over it. He pretty clearly indicated he was

888
00:44:15,200 --> 00:44:17,120
Speaker 1: over it, and actually I agreed with him.

889
00:44:17,120 --> 00:44:18,680
Speaker 3: But is it like a hunting Is it like a

890
00:44:18,760 --> 00:44:23,400
Speaker 3: hunting jacket that he's wearing. It's like a camouflage the jacket.

891
00:44:25,440 --> 00:44:27,920
Speaker 3: He looks good man? How old is he at this

892
00:44:28,040 --> 00:44:30,400
Speaker 3: point right now? Can you tell this is where you're in?

893
00:44:30,440 --> 00:44:31,040
Speaker 1: Eighty six?

894
00:44:31,600 --> 00:44:33,960
Speaker 3: Okay, nineteen eighty six? When what year was he? Born?

895
00:44:34,080 --> 00:44:37,480
Speaker 3: Nineteen forty probably nineteen forty something.

896
00:44:37,680 --> 00:44:40,600
Speaker 1: Mm hmm. So what's it looking at a man news?

897
00:44:40,680 --> 00:44:44,439
Speaker 3: I'm gonna guess he's about forty eight here, born in

898
00:44:44,560 --> 00:44:50,160
Speaker 3: thirty one? Oh shit, fifty five, he's fifty five here? Hey, Okay,

899
00:44:50,239 --> 00:44:53,640
Speaker 3: we've got some uh well, I've got some like good

900
00:44:53,640 --> 00:44:55,640
Speaker 3: living to do for looking.

901
00:44:55,160 --> 00:44:57,880
Speaker 2: At Larry Good except his hands look awful.

902
00:44:57,760 --> 00:45:01,640
Speaker 3: Right and the wig doesn't look like obviously as a wig, but.

903
00:45:02,400 --> 00:45:04,080
Speaker 1: The skin's falling off his face as well.

904
00:45:04,239 --> 00:45:07,239
Speaker 3: There's G. Smith back there. That's a good band. I mean,

905
00:45:07,719 --> 00:45:09,640
Speaker 3: we talk about bands for a sec, like when you're

906
00:45:09,640 --> 00:45:14,640
Speaker 3: talking about bands, you know eas Street Band, fucking Beatles, uh,

907
00:45:14,760 --> 00:45:19,719
Speaker 3: the band Dead Grateful Dead people love Jefferson era, not

908
00:45:20,120 --> 00:45:23,040
Speaker 3: like you know the Stones, the who I'm going SNL G. E.

909
00:45:23,120 --> 00:45:28,319
Speaker 3: Smith Man. That is such a good band. I wish

910
00:45:28,360 --> 00:45:31,360
Speaker 3: I could have seen them live, like out of that studio,

911
00:45:31,440 --> 00:45:35,319
Speaker 3: like on the road. They're killing it, dude, killing it.

912
00:45:36,600 --> 00:45:40,120
Speaker 1: This was the time, man, when music was still damn music.

913
00:45:40,160 --> 00:45:42,640
Speaker 1: It was none of this auto tune crap.

914
00:45:43,000 --> 00:45:44,520
Speaker 3: You know what what what? I don't know if you

915
00:45:44,560 --> 00:45:46,680
Speaker 3: know about this, like in the eighties, like probably this year,

916
00:45:46,840 --> 00:45:50,319
Speaker 3: this this era, the car carv years. The Eastreet Band,

917
00:45:50,360 --> 00:45:54,560
Speaker 3: I mean the G. E. Smith Band, sorry, would jam

918
00:45:55,080 --> 00:45:57,319
Speaker 3: from like on a Saturday, on a show day. They

919
00:45:57,360 --> 00:46:00,239
Speaker 3: would they'd get in there, they would jam and that

920
00:46:00,400 --> 00:46:03,960
Speaker 3: like big time Ge Smith freaks would know this, and

921
00:46:04,000 --> 00:46:07,480
Speaker 3: they'd show up super early and the band would start

922
00:46:07,480 --> 00:46:11,440
Speaker 3: warming up and they would play from like noon till

923
00:46:11,480 --> 00:46:13,560
Speaker 3: eight and then there would be the dress rehearsal and

924
00:46:13,560 --> 00:46:16,840
Speaker 3: blah blah blah. But then after the show they played

925
00:46:17,000 --> 00:46:19,879
Speaker 3: until sunrise. They would play all the way in through

926
00:46:19,960 --> 00:46:23,720
Speaker 3: like breakfast after the show, and people would stick around

927
00:46:23,800 --> 00:46:28,520
Speaker 3: and party and it would turn into this fucking unbelievable session.

928
00:46:28,560 --> 00:46:30,759
Speaker 3: And those guys none of that. I mean, there's been

929
00:46:30,800 --> 00:46:32,880
Speaker 3: a few, like bootleg recordings of it, but some of

930
00:46:32,880 --> 00:46:36,759
Speaker 3: that stuff, like that post show G. Smith and the

931
00:46:36,760 --> 00:46:39,319
Speaker 3: band jamming is some of the greatest music I've ever heard.

932
00:46:39,440 --> 00:46:43,080
Speaker 1: And Blood would be shooting out of his saxophone, would play.

933
00:46:42,880 --> 00:46:46,600
Speaker 3: For so long, they played so hard, like explode, they

934
00:46:46,600 --> 00:46:48,600
Speaker 3: would they played in that crescendo like you hear it

935
00:46:48,600 --> 00:46:49,839
Speaker 3: here in the shot and the shot in a bit

936
00:46:49,880 --> 00:46:53,399
Speaker 3: that the whole like like that was kind of the

937
00:46:54,400 --> 00:46:56,880
Speaker 3: that was kind of like where they were. That was

938
00:46:56,920 --> 00:46:59,440
Speaker 3: like the level they were at the whole time, held

939
00:46:59,600 --> 00:47:03,160
Speaker 3: out hold it just like made this wall of sound

940
00:47:03,320 --> 00:47:04,800
Speaker 3: was really it's really unbelievable.

941
00:47:04,840 --> 00:47:06,520
Speaker 1: Yeah, he would hold that note for four or five hours.

942
00:47:06,920 --> 00:47:08,840
Speaker 1: It was when Lenny Pickett showed up that it was

943
00:47:09,440 --> 00:47:11,600
Speaker 1: over for me. It's like, Okay, now this show is

944
00:47:11,719 --> 00:47:17,520
Speaker 1: more about like yeah, it's like about these like hot

945
00:47:17,680 --> 00:47:18,680
Speaker 1: guys on stage.

946
00:47:18,880 --> 00:47:21,760
Speaker 3: It got really really stiff really quick.

947
00:47:22,200 --> 00:47:25,279
Speaker 2: This guy who is more famous for like so now,

948
00:47:25,360 --> 00:47:26,960
Speaker 2: oh now who's he dating this week?

949
00:47:27,000 --> 00:47:27,080
Speaker 1: Oh?

950
00:47:27,120 --> 00:47:30,279
Speaker 2: Now he's dating Demi Vado? Right, And it's like, what

951
00:47:30,440 --> 00:47:34,120
Speaker 2: are you actually what about what happens on the show.

952
00:47:34,160 --> 00:47:37,160
Speaker 2: Why is it suddenly more about this guy's like private life?

953
00:47:38,280 --> 00:47:38,600
Speaker 2: Who's he?

954
00:47:38,800 --> 00:47:42,160
Speaker 1: Who's he dicking? Down? Right? It's like, I'm sorry, I

955
00:47:42,320 --> 00:47:43,160
Speaker 1: hate that stuff.

956
00:47:43,600 --> 00:47:46,560
Speaker 3: Ge, which, by the way, you know, is like the

957
00:47:46,680 --> 00:47:49,279
Speaker 3: guy you know you're talking about Ge general electrics, Like

958
00:47:49,360 --> 00:47:51,040
Speaker 3: that's what we're talking about when we talked about Ge.

959
00:47:51,520 --> 00:47:55,080
Speaker 1: You know, GA light balls G honestly, yeah, came from money,

960
00:47:55,120 --> 00:47:57,040
Speaker 1: didn't have to work a day in his life. No, actually,

961
00:47:58,239 --> 00:47:59,080
Speaker 1: and was the life.

962
00:47:58,920 --> 00:48:03,080
Speaker 3: For ye kicked ass some and then yeah, it was

963
00:48:03,160 --> 00:48:05,960
Speaker 3: the It was like the greatest most artistic flow of music.

964
00:48:06,280 --> 00:48:10,320
Speaker 3: And then it just became really stiff, really lame, really fast.

965
00:48:10,440 --> 00:48:11,040
Speaker 2: When he left.

966
00:48:11,200 --> 00:48:13,080
Speaker 1: And it's commercial teeny boppers.

967
00:48:13,239 --> 00:48:15,600
Speaker 3: Like when you get Michael McKean coming into that cast,

968
00:48:15,680 --> 00:48:18,560
Speaker 3: you get Chris Elliott, you get Sarah Silverman. That that era,

969
00:48:18,840 --> 00:48:22,360
Speaker 3: that's when things got Mark, you know, Mark McKinney. You

970
00:48:22,440 --> 00:48:27,960
Speaker 3: notice that the music gets it gets really lame, really boring, really.

971
00:48:27,960 --> 00:48:34,600
Speaker 1: Extremely air the balloon you know, Oh so, uh Rudy

972
00:48:34,640 --> 00:48:38,719
Speaker 1: Giuliani's pants tucking in technique, his shirt tucking style. That

973
00:48:38,960 --> 00:48:40,600
Speaker 1: could be a Halloween costume.

974
00:48:41,200 --> 00:48:46,080
Speaker 3: Great? What about uh Borat? That would be funny to address.

975
00:48:47,800 --> 00:48:51,160
Speaker 1: At tot to Borat's old So woor At two could

976
00:48:51,200 --> 00:48:52,799
Speaker 1: be a funny one if you do boor At two.

977
00:48:52,880 --> 00:48:56,040
Speaker 1: I like it masks of underwears.

978
00:48:56,560 --> 00:49:00,080
Speaker 3: How about the how about Jeffrey Tuban's penis? Now that

979
00:49:00,520 --> 00:49:05,720
Speaker 3: be funny to see Jeffrey Jeffrey Tuban's penis, Jeffrey Tubin's

980
00:49:06,400 --> 00:49:09,120
Speaker 3: tube sock that he's masturbating into. That would be something.

981
00:49:09,760 --> 00:49:11,920
Speaker 1: Okay, Yeah, to o ob.

982
00:49:12,080 --> 00:49:15,279
Speaker 2: One thing I never hear. And then we're talking about this, right,

983
00:49:15,320 --> 00:49:18,640
Speaker 2: it's in all these stories. Did he finish? Do we

984
00:49:18,760 --> 00:49:19,440
Speaker 2: ever hear this?

985
00:49:20,239 --> 00:49:23,000
Speaker 1: No, people are so uncomfortable around sex in this country.

986
00:49:23,120 --> 00:49:26,359
Speaker 2: You're telling me that that no one even asked. None

987
00:49:26,400 --> 00:49:28,040
Speaker 2: of these journalists even asked.

988
00:49:28,239 --> 00:49:31,040
Speaker 1: A European journalist, it would be the first question they asked.

989
00:49:31,120 --> 00:49:34,319
Speaker 3: But in this country, so so you uh you uh

990
00:49:34,440 --> 00:49:37,840
Speaker 3: were spanking the monkey? Have you finished? Did you finish?

991
00:49:38,120 --> 00:49:40,520
Speaker 3: Is this a is it a good d wank? M?

992
00:49:41,480 --> 00:49:44,480
Speaker 3: That's how they'd handle it. That's exactly how they'd handle it.

993
00:49:45,120 --> 00:49:47,480
Speaker 1: Cheeseburger choice, go, cheeseburger choice.

994
00:49:47,440 --> 00:49:51,480
Speaker 3: Cheezburger, cheeseburger, Uh, cheeseburger, I gotta go.

995
00:49:51,840 --> 00:49:56,800
Speaker 1: Shack shake, shack shake, one of the classic the long line.

996
00:49:57,480 --> 00:50:01,279
Speaker 3: Almost so good s burgers are the only way to go.

997
00:50:01,360 --> 00:50:03,799
Speaker 3: I hate these people that are sort of like, oh,

998
00:50:03,960 --> 00:50:07,719
Speaker 3: I want a big thick burger. No you don't get No,

999
00:50:08,440 --> 00:50:12,680
Speaker 3: you want to smack on it? Fuck you you go

1000
00:50:13,040 --> 00:50:16,719
Speaker 3: fuck yourself ship Yeah, big fat thick burger. What are

1001
00:50:16,719 --> 00:50:19,160
Speaker 3: you going to? Fat burger? Fuck you fucking you?

1002
00:50:19,520 --> 00:50:22,160
Speaker 1: Hope you fucking die killing.

1003
00:50:22,200 --> 00:50:24,279
Speaker 3: I mean, I like it all though, I like burger killing.

1004
00:50:24,360 --> 00:50:26,400
Speaker 3: I like this, I like all the food.

1005
00:50:28,320 --> 00:50:30,000
Speaker 1: Yeah, I like yeah, I like it too.

1006
00:50:30,160 --> 00:50:31,560
Speaker 3: Yeah, Whopper Junior.

1007
00:50:32,280 --> 00:50:32,800
Speaker 1: Mm hmmm.

1008
00:50:33,719 --> 00:50:36,160
Speaker 3: Kind of a kind of a great oxymoron. Is that

1009
00:50:36,280 --> 00:50:40,120
Speaker 3: one of a It was the great great comic George Carlin.

1010
00:50:39,960 --> 00:50:43,399
Speaker 1: Go ahead, yes, yes, okay, so I'm modern man.

1011
00:50:43,640 --> 00:50:45,880
Speaker 3: Yeah, I love that. He goes, uh walk into a

1012
00:50:45,920 --> 00:50:48,800
Speaker 3: Burger King and they go, uh uh, we got a

1013
00:50:48,840 --> 00:50:50,920
Speaker 3: new item here called the Whopper Junior.

1014
00:50:51,080 --> 00:50:53,960
Speaker 2: I go he oh, yes, no, he's the best. And

1015
00:50:54,040 --> 00:50:57,480
Speaker 2: they're like, it's just a smaller version of the original whopper.

1016
00:50:57,520 --> 00:50:58,719
Speaker 2: So that's why they call it a junior.

1017
00:50:58,760 --> 00:51:01,560
Speaker 3: I'm like, what, then, maybe don't call it then, maybe

1018
00:51:01,640 --> 00:51:04,839
Speaker 3: don't call it a whopper? Yeah, I mean, what the hell?

1019
00:51:05,480 --> 00:51:08,400
Speaker 3: And then they got jumbo shrimp, jumbo shrimp.

1020
00:51:09,280 --> 00:51:14,160
Speaker 1: What? He goes, what I seen the inside of an outhouse.

1021
00:51:14,239 --> 00:51:15,920
Speaker 1: I see the outside of a day's in.

1022
00:51:16,760 --> 00:51:20,120
Speaker 3: Nobody parks a in a parking lot and they drive

1023
00:51:20,280 --> 00:51:23,080
Speaker 3: on a parkway. It's like, it is nuts when you

1024
00:51:23,160 --> 00:51:24,600
Speaker 3: think about it. He makes such a good point.

1025
00:51:24,680 --> 00:51:25,480
Speaker 1: It's fucked up.

1026
00:51:25,960 --> 00:51:30,640
Speaker 3: There's no difference between Democrats and Republicans. That's a great

1027
00:51:30,680 --> 00:51:32,960
Speaker 3: bit the whole There's no difference between a Republican and

1028
00:51:33,000 --> 00:51:35,759
Speaker 3: a Democrat. It's all about the money.

1029
00:51:35,560 --> 00:51:39,000
Speaker 2: He would say, it's all about the money, and like commercials,

1030
00:51:39,080 --> 00:51:42,279
Speaker 2: talking about like so many commercials.

1031
00:51:42,680 --> 00:51:46,000
Speaker 3: Oh my god, we don't I love his bit. He goes, Uh,

1032
00:51:46,320 --> 00:51:48,400
Speaker 3: I used to memorize all this stuff. He goes, haven't

1033
00:51:48,400 --> 00:51:49,960
Speaker 3: we seen enough commercials?

1034
00:51:50,600 --> 00:51:54,560
Speaker 2: And they killed him. They killed him, They killed Bill Hicks.

1035
00:51:55,080 --> 00:51:56,160
Speaker 3: Yeah, one by one.

1036
00:51:56,520 --> 00:51:59,120
Speaker 2: They killed all of them for thought crime.

1037
00:51:59,480 --> 00:52:02,960
Speaker 1: If I'm miss Larry, I'm looking over my fucking shoulder.

1038
00:52:03,160 --> 00:52:07,520
Speaker 2: Brother. Oh, he is a marked man because because he's

1039
00:52:07,560 --> 00:52:11,080
Speaker 2: being honest. Don't close that's all. Don't stand too close

1040
00:52:11,160 --> 00:52:12,360
Speaker 2: to Dennis Larry.

1041
00:52:12,480 --> 00:52:14,719
Speaker 3: Right, right, because they have a They might not make

1042
00:52:15,040 --> 00:52:18,839
Speaker 3: make that perfect kill, but they did with Lenny Bruce. Yeah,

1043
00:52:19,160 --> 00:52:22,960
Speaker 3: that was some tainted, tainted junk. They say that he's

1044
00:52:22,960 --> 00:52:26,760
Speaker 3: stuck up his arm, And same with Jimmy Hensrox. Jimmy

1045
00:52:26,760 --> 00:52:28,640
Speaker 3: Hendrix was on his way to I don't know if

1046
00:52:28,640 --> 00:52:30,920
Speaker 3: you guys know this. Jimmy Hendrix was transitioning out of

1047
00:52:31,880 --> 00:52:33,520
Speaker 3: music and into stand up comedy.

1048
00:52:35,719 --> 00:52:38,040
Speaker 1: You can hear it in his lyrics in the later songs,

1049
00:52:38,080 --> 00:52:40,480
Speaker 1: as he started to sort of make these little observations

1050
00:52:40,480 --> 00:52:41,200
Speaker 1: about language.

1051
00:52:41,280 --> 00:52:43,239
Speaker 3: Yeah, well there's a great routine he does and what

1052
00:52:43,360 --> 00:52:47,560
Speaker 3: if six was nine? Uh, you know whatever. The rest

1053
00:52:47,600 --> 00:52:51,560
Speaker 3: of the rest is the castle's made of sand, float

1054
00:52:51,640 --> 00:52:53,840
Speaker 3: to the sea eventually. You know, it's all kind of

1055
00:52:54,239 --> 00:52:55,680
Speaker 3: observational interesting stuff.

1056
00:52:55,719 --> 00:52:57,640
Speaker 1: But Jim Marty took it and ran with it because

1057
00:52:57,640 --> 00:53:01,239
Speaker 1: Hey Joe became hey vern right. You know, it's like

1058
00:53:01,320 --> 00:53:02,840
Speaker 1: people don't talk about that, and.

1059
00:53:02,920 --> 00:53:06,640
Speaker 2: It's coming for mazel To. I mean, like you can

1060
00:53:06,719 --> 00:53:10,520
Speaker 2: see just kind of in the background, missus mazel you'd

1061
00:53:10,560 --> 00:53:11,440
Speaker 2: be missus Bullseye.

1062
00:53:11,560 --> 00:53:14,160
Speaker 1: She's got a fucking giant target on her ass. Cary

1063
00:53:14,280 --> 00:53:17,799
Speaker 1: are going to hate car, going to eliminate her.

1064
00:53:17,920 --> 00:53:19,160
Speaker 3: What are they going to do with that show though,

1065
00:53:19,160 --> 00:53:21,200
Speaker 3: because at some point, the actual the show is going

1066
00:53:21,239 --> 00:53:22,960
Speaker 3: to catch up with the actual person, like in the

1067
00:53:23,040 --> 00:53:26,120
Speaker 3: narrative right right, So at some point they're gonna have

1068
00:53:26,160 --> 00:53:28,319
Speaker 3: to like figure out how to do that, Like are

1069
00:53:28,360 --> 00:53:30,640
Speaker 3: they going to actually tell the story beyond what's happening

1070
00:53:30,680 --> 00:53:32,880
Speaker 3: in real life? Like I don't, I really even don't know.

1071
00:53:33,000 --> 00:53:35,360
Speaker 1: Tim, I couldn't be less concerned. I trust them implicitly,

1072
00:53:35,600 --> 00:53:39,120
Speaker 1: I get it. Yeah, I understand you have a question. Literally,

1073
00:53:39,200 --> 00:53:41,800
Speaker 1: I tuest that dream. I trust that team with my life. No,

1074
00:53:42,040 --> 00:53:43,719
Speaker 1: and if there's anyone who can handle it, it's them.

1075
00:53:43,800 --> 00:53:47,480
Speaker 1: So I honestly I'm excited for when that challenge arises because.

1076
00:53:47,440 --> 00:53:51,160
Speaker 3: It's coming because like literally I don't know what year

1077
00:53:51,160 --> 00:53:53,360
Speaker 3: it was, but like their next season is going to

1078
00:53:53,400 --> 00:53:56,680
Speaker 3: after I think start overlapping with the real character's real life.

1079
00:53:56,760 --> 00:53:59,960
Speaker 1: So I don't know, Yes, and they absolutely will tackle

1080
00:54:00,080 --> 00:54:03,600
Speaker 1: it with their trademark charm, grace, humor.

1081
00:54:04,600 --> 00:54:06,160
Speaker 3: And I would like to know what I would like.

1082
00:54:06,239 --> 00:54:07,680
Speaker 3: I guess My point is I'd like to know what

1083
00:54:07,840 --> 00:54:10,520
Speaker 3: Mazel thinks about the whole thing, you know, miss Mazel,

1084
00:54:10,600 --> 00:54:13,279
Speaker 3: like what she thinks and is is that changing the

1085
00:54:13,320 --> 00:54:15,879
Speaker 3: way she behaves because it's going to affect the show.

1086
00:54:16,760 --> 00:54:18,480
Speaker 3: I don't know. I really don't know.

1087
00:54:19,440 --> 00:54:24,160
Speaker 1: Yeah, And for the thousandth time I actually hear your question,

1088
00:54:24,360 --> 00:54:27,320
Speaker 1: I understand it. Uh, It's not an issue of me

1089
00:54:27,400 --> 00:54:30,239
Speaker 1: being confused by it. What I'm telling you is, if

1090
00:54:30,280 --> 00:54:31,680
Speaker 1: you ask it again, I will end the show.

1091
00:54:32,200 --> 00:54:33,720
Speaker 3: Okay, Well maybe that's a good idea.

1092
00:54:34,320 --> 00:54:37,040
Speaker 2: Yeah, we have to, we have to do it anyway. Yeah,

1093
00:54:37,560 --> 00:54:40,000
Speaker 2: we got what we need honestly with the bumpers and stuff.

1094
00:54:40,080 --> 00:54:42,080
Speaker 2: So yeah, I think we can.

1095
00:54:42,000 --> 00:54:44,480
Speaker 3: Well clue me in when this deal comes together, i'd

1096
00:54:44,480 --> 00:54:46,080
Speaker 3: be you know, it sounds like something I'm gonna have

1097
00:54:46,080 --> 00:54:46,640
Speaker 3: to be pretty.

1098
00:54:46,800 --> 00:54:49,080
Speaker 1: We're not gonna we're not even gonna know. They're just

1099
00:54:49,120 --> 00:54:51,640
Speaker 1: giving the material. They'll stitch it up.

1100
00:54:52,840 --> 00:54:54,839
Speaker 2: So I just listened to in the car. I guess

1101
00:54:55,160 --> 00:54:56,920
Speaker 2: it'll be on ya. Yeah, is it.

1102
00:54:56,960 --> 00:54:59,560
Speaker 3: Gonna be anywhere near Raw Dog Comedy When I turn

1103
00:54:59,640 --> 00:55:01,800
Speaker 3: on my dial, turn my dial and it'll be that

1104
00:55:02,160 --> 00:55:05,160
Speaker 3: that like area of the serious spectrum.

1105
00:55:05,719 --> 00:55:09,000
Speaker 1: It'll be quite a bit higher, actually, Tim in the dial. Yeah,

1106
00:55:09,120 --> 00:55:11,480
Speaker 1: it'll be a much larger number than Raw Dog Comedy.

1107
00:55:11,560 --> 00:55:13,000
Speaker 1: That's actually a really big channel for them.

1108
00:55:13,480 --> 00:55:16,480
Speaker 2: Ride Dog is moving to one. Channel one.

1109
00:55:18,520 --> 00:55:20,440
Speaker 1: You start on Rod Dog and if for some reason

1110
00:55:20,480 --> 00:55:24,840
Speaker 1: you ever need to switch it, you might. Then you

1111
00:55:24,920 --> 00:55:25,560
Speaker 1: might find Tim.

1112
00:55:25,640 --> 00:55:28,080
Speaker 2: Except channel one is like half raw Dog and half

1113
00:55:28,200 --> 00:55:30,359
Speaker 2: like here's how to use your radio.

1114
00:55:32,840 --> 00:55:34,360
Speaker 3: Set up, set up instructions.

1115
00:55:34,440 --> 00:55:37,560
Speaker 2: Yeah, and the album. There's an album as well, Tim.

1116
00:55:37,800 --> 00:55:40,680
Speaker 3: Yes, uh oh, there's always an album. Fear of Death

1117
00:55:41,040 --> 00:55:45,839
Speaker 3: available everywhere now good at Sam Goodie or Hollywood Video

1118
00:55:45,920 --> 00:55:46,520
Speaker 3: or wherever you use.

1119
00:55:47,239 --> 00:55:47,760
Speaker 2: Sun Coast.

1120
00:55:48,640 --> 00:55:51,400
Speaker 3: Sun Coast has been great, Sun Drawberries, sun Coast has

1121
00:55:51,440 --> 00:55:54,280
Speaker 3: been Great Strawberries is not not handling it this cycle,

1122
00:55:54,360 --> 00:55:59,719
Speaker 3: but Coconuts has it. Coconuts has tape CDs and uh

1123
00:56:00,080 --> 00:56:02,360
Speaker 3: they now are selling USB drives to with with the

1124
00:56:02,440 --> 00:56:02,880
Speaker 3: record on it.

1125
00:56:03,480 --> 00:56:07,040
Speaker 1: Okay, you put it in there, Bye bye bye, I'm.

1126
00:56:06,920 --> 00:56:10,320
Speaker 3: Out, Hollywood, Hamburg

1127
00:56:20,160 --> 00:56:20,279
Speaker 1: Hm.