1 00:00:00,120 --> 00:00:01,960 Speaker 1: This Day in History Class is a production of I 2 00:00:02,040 --> 00:00:07,080 Speaker 1: Heart Radio. Hello everyone, I'm Eves and welcome to This 3 00:00:07,160 --> 00:00:10,160 Speaker 1: Day History Class, a podcast that brings you a new 4 00:00:10,200 --> 00:00:22,759 Speaker 1: slice of history every day. Today is May eleven. The 5 00:00:22,840 --> 00:00:28,639 Speaker 1: day was May eleventh. Composer William Grant Still was born 6 00:00:28,640 --> 00:00:33,800 Speaker 1: in Woodville, Mississippi. He wrote more than one and fifty compositions, 7 00:00:34,159 --> 00:00:36,720 Speaker 1: and he was the first Black American conductor of a 8 00:00:36,720 --> 00:00:40,800 Speaker 1: major orchestra. Still it's often referred to as the Dean 9 00:00:40,920 --> 00:00:45,080 Speaker 1: of African American composers. When Still was a teenager, he 10 00:00:45,159 --> 00:00:49,920 Speaker 1: began studying the violin. His stepfather, Charles Shepherdson, encouraged his 11 00:00:50,040 --> 00:00:53,640 Speaker 1: love of music by taking him to recitals and introducing 12 00:00:53,680 --> 00:00:57,639 Speaker 1: him to opera on Red Seal records. After graduating from 13 00:00:57,680 --> 00:01:01,120 Speaker 1: high school in nineteen eleven, Still in rolled at Wilberforce 14 00:01:01,240 --> 00:01:05,680 Speaker 1: University in Ohio. He learned to play multiple instruments, including 15 00:01:05,720 --> 00:01:10,480 Speaker 1: the cello and obo. His musical talent flourished in college, 16 00:01:10,520 --> 00:01:14,959 Speaker 1: where he conducted the university band, composed music, and formed 17 00:01:14,959 --> 00:01:19,080 Speaker 1: a string quartet. But Still left the school before graduating. 18 00:01:19,440 --> 00:01:23,039 Speaker 1: He was interested in pursuing a career as a classical composer. 19 00:01:23,560 --> 00:01:27,480 Speaker 1: He studied composition at Oberlin Conservatory of Music and at 20 00:01:27,480 --> 00:01:30,920 Speaker 1: the New England Conservatory of Music in Boston under George 21 00:01:30,920 --> 00:01:35,040 Speaker 1: Whitefield Chadwick and He began working as a freelance performer 22 00:01:35,080 --> 00:01:40,280 Speaker 1: and arranger in nineteen fifteen. Still married Grace Bundy, and 23 00:01:40,319 --> 00:01:44,160 Speaker 1: they eventually had four children together, though they divorced in 24 00:01:44,240 --> 00:01:48,280 Speaker 1: nineteen thirty nine. Still served in the Navy during World 25 00:01:48,360 --> 00:01:52,200 Speaker 1: War One, but beyond that he dove head first into music. 26 00:01:53,320 --> 00:01:57,560 Speaker 1: He worked as an arranger for composer and musician W. C. Handy. 27 00:01:57,680 --> 00:02:00,720 Speaker 1: He played oboe in the musical Shuffle Along, which had 28 00:02:00,760 --> 00:02:04,640 Speaker 1: a successful run on Broadway and featured people like Josephine Baker, 29 00:02:04,920 --> 00:02:08,200 Speaker 1: Florence Mills, and Paul Robeson. He took a job with 30 00:02:08,280 --> 00:02:12,720 Speaker 1: Harry Pace's past Phonograph Company, doing arrangements for artists who 31 00:02:12,760 --> 00:02:18,239 Speaker 1: recorded on the Black Swan label. In the Rochester Philharmonic 32 00:02:18,400 --> 00:02:22,640 Speaker 1: Orchestra performed Stills Afro American Symphony. It was the first 33 00:02:22,639 --> 00:02:25,440 Speaker 1: time a major orchestra performed a symphony composed by a 34 00:02:25,440 --> 00:02:30,080 Speaker 1: Black American, and it's still's best known composition. He said 35 00:02:30,160 --> 00:02:33,720 Speaker 1: the following about the symphony, I knew I wanted to 36 00:02:33,760 --> 00:02:36,240 Speaker 1: write a Symphony. I knew that it had to be 37 00:02:36,320 --> 00:02:40,000 Speaker 1: an American work, and I wanted to demonstrate how the blues, 38 00:02:40,400 --> 00:02:44,000 Speaker 1: so often considered a lowly expression, could be elevated to 39 00:02:44,040 --> 00:02:50,000 Speaker 1: the highest musical level. The symphony featured elements of spirituals, blues, jazz, 40 00:02:50,040 --> 00:02:53,320 Speaker 1: and call and response. It was also the first symphony 41 00:02:53,400 --> 00:02:57,480 Speaker 1: to use a banjo. Many of Still's works incorporated Black 42 00:02:57,480 --> 00:03:02,120 Speaker 1: American forms like the blues, spiritual in jazz. By the 43 00:03:02,160 --> 00:03:05,679 Speaker 1: time Afro American Symphony premiered, Still had been to Los 44 00:03:05,720 --> 00:03:08,760 Speaker 1: Angeles and composed more than one hundred songs for the 45 00:03:08,760 --> 00:03:12,680 Speaker 1: band leader in orchestral director Paul Whiteman. He moved to 46 00:03:12,720 --> 00:03:17,360 Speaker 1: Los Angeles permanently in nineteen thirty four. Throughout the nineteen thirties, 47 00:03:17,400 --> 00:03:20,480 Speaker 1: he arranged music for films like Pennies from Heaven and 48 00:03:20,639 --> 00:03:23,880 Speaker 1: Lost Horizon, and he continued to collect first in his 49 00:03:24,000 --> 00:03:27,600 Speaker 1: musical career. He became the first Black American to conduct 50 00:03:27,639 --> 00:03:30,760 Speaker 1: a major symphony orchestra in the United States when he 51 00:03:30,840 --> 00:03:33,880 Speaker 1: led the Los Angeles for Harmonic in nineteen thirty six, 52 00:03:34,360 --> 00:03:36,720 Speaker 1: and he was the first to have an opera performed 53 00:03:36,760 --> 00:03:40,440 Speaker 1: on national television when his opera A Bayou Legend, finished 54 00:03:40,440 --> 00:03:44,240 Speaker 1: in nineteen forty one, premiered on PBS in nineteen one. 55 00:03:45,480 --> 00:03:49,160 Speaker 1: Right after still divorced Grace Bundy, he married Verna Rvy 56 00:03:49,240 --> 00:03:53,520 Speaker 1: in Mexico, where interracial marriage was legal. Rvy was a 57 00:03:53,520 --> 00:03:56,040 Speaker 1: pianist and writer who wrote the libretti for many of 58 00:03:56,080 --> 00:04:00,280 Speaker 1: his operas over the course of his career, still host 59 00:04:00,440 --> 00:04:05,320 Speaker 1: nearly two symphonies, ballets, operas, chamber music pieces, and works 60 00:04:05,320 --> 00:04:09,840 Speaker 1: for solo instruments. He collaborated with Zorah Neil Hirston, Katherine 61 00:04:09,920 --> 00:04:15,080 Speaker 1: Garrison Chapin, and Linkston Hughes, and his compositions were influenced 62 00:04:15,080 --> 00:04:18,480 Speaker 1: by people like Paul Lawrence Dunbar and W. E. B. 63 00:04:18,680 --> 00:04:24,720 Speaker 1: Du Bois. Still died in Los Angeles. I'm Eve Jeff 64 00:04:24,760 --> 00:04:27,760 Speaker 1: Coote and hopefully you know a little more about history 65 00:04:27,800 --> 00:04:31,320 Speaker 1: today than you did yesterday. And if you have any 66 00:04:31,320 --> 00:04:34,040 Speaker 1: comments are suggestions, you can send them to us via 67 00:04:34,160 --> 00:04:37,839 Speaker 1: email at this day at I heeart Media dot com. 68 00:04:37,880 --> 00:04:40,240 Speaker 1: You can also follow us on social media at t 69 00:04:40,560 --> 00:04:44,520 Speaker 1: D i h C podcast. Thanks again for listening to 70 00:04:44,560 --> 00:04:54,240 Speaker 1: the show and we'll see you tomorrow. For more podcasts 71 00:04:54,279 --> 00:04:57,240 Speaker 1: from iHeart Radio, visit the iHeart Radio app Apple Podcasts 72 00:04:57,279 --> 00:04:58,960 Speaker 1: or wherever you listen to your favorite shows.