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Speaker 1: Look, who's back in the building. Kid, Glock is here?

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Speaker 1: I heard your in town for Saint Patrick's Day. No, okay, no,

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Speaker 1: but there's the Saint Patrick's Day parade going on outside.

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Speaker 1: I didn't even realize it was going to be so crazy,

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Speaker 1: you know, outside of New York. Did you feel like

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Speaker 1: jumping out and joining the festivities.

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Speaker 2: I didn't even feel like jumping out the bed, but

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Speaker 2: I had to. You got work to do, and you

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Speaker 2: was first out, like, yeah, I rock with Angel.

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Speaker 3: I appreciate that you got a new album on the way.

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Speaker 1: I know it was pushed back because originally it was

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Speaker 1: supposed to be out, so but you said, there's a

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Speaker 1: reason why. So what's the reason why the album was

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Speaker 1: pushed back?

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Speaker 2: Because I can't stay at the studio. I keep recording

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Speaker 2: new songs and replace them. And then again, it's certain

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Speaker 2: songs that take long to get cleared, you know. It

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Speaker 2: was like for examples, Yeah.

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Speaker 1: All right, Blackavelli and I see the cover is reminiscent

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Speaker 1: of the Tupac.

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Speaker 4: Yeah.

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Speaker 2: Anyway, I just didn't want to put myself on the cross,

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Speaker 2: so I just put a crown, a throw on the

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Speaker 2: crown on my head, all right?

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Speaker 1: And what made you come up with that, like as

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Speaker 1: far as the title and channeling the Machavelli which was

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Speaker 1: that was my favorite Tupac album. I know people always

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Speaker 1: debate about what's their favorite one, but hell Mary was.

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Speaker 2: Really I just I've been studying Park since like I

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Speaker 2: was a young boy, since I was like real small.

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Speaker 2: But like when when you think of part like how

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Speaker 2: they how they display him, it's like it's just just

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Speaker 2: straight thug life all the time. But when you read

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Speaker 2: more about him, when you look more into him, like

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Speaker 2: he was actually smart and he stood for you know

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Speaker 2: what I'm saying, certain things that you wouldn't even you

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Speaker 2: wouldn't even know about because they don't they don't.

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Speaker 1: Talk about and his family too, I think she even

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Speaker 1: with his mom still keeping his legacy. If you wanted

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Speaker 1: people to know what what does key clock stand for?

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Speaker 1: Because clearly that's something that you felt connected to, And

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Speaker 1: so it feels like maybe there's things about you that

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Speaker 1: you feel like people don't know you stand for.

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Speaker 2: Oh I think everybody they kind of know what's something

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Speaker 2: to me because I don't. I don't just don't play around.

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Speaker 2: I don't just do stuff to do it. But like

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Speaker 2: my biggest thing is loyalty, Like I take that over.

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Speaker 1: Love, okay, but you know I feel like those go

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Speaker 1: hand in hand though, because you're not going to be

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Speaker 1: loyal to somebody if you don't well maybe right, you

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Speaker 1: think you could be loyal.

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Speaker 3: To somebody and not love them prove love okay through loyalty.

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Speaker 4: All right, So loyalty is with where is it then? Right?

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Speaker 3: But do you think you could love somebody and not

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Speaker 3: be loyal that's.

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Speaker 4: A question you do.

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Speaker 3: So even in a relationship, if.

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Speaker 4: You're not love, you can't love.

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Speaker 2: Them, Okay, No way you love them, if you know

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Speaker 2: what I'm saying, If you're not just.

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Speaker 4: Always stuck on them.

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Speaker 1: I love all right, So you feel like you like, look,

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Speaker 1: I don't want to get you in no trouble with nothing.

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Speaker 1: But so because you know men she all the time,

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Speaker 1: but they'll be like, well I did love her, right

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Speaker 1: and so but for some reason, men don't equate when

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Speaker 1: it comes maybe with friendships and family.

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Speaker 2: Different levels of love, like phases of love, like some

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Speaker 2: some women might get more love than the next one,

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Speaker 2: Like it's just it's just like that, it's not on purpose,

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Speaker 2: like it's all it's all it's on a woman with

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Speaker 2: me like it's all on you.

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Speaker 1: Because I feel like you have not been a person

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Speaker 1: that's really like, you know, put your business out there

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Speaker 1: like that when it comes to relationship. That's why when

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Speaker 1: you was online, I was like a kid, like what

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Speaker 1: is going on right here? But to me that made

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Speaker 1: me feel like you was really like emotional, you know

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Speaker 1: what I'm saying. And I think sometimes men be like

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Speaker 1: not wanting to show that type of emotion.

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Speaker 3: Well, I don't know what do you learn.

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Speaker 1: From that too, Like as far as you know, publicly

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Speaker 1: saying anything or a public relationship, is that something that

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Speaker 1: you wouldn't want to do.

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Speaker 4: I really didn't even I was just I was just talking.

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Speaker 3: Out loud, even just because you don't normally do that.

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Speaker 4: I was just I was just a chance.

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Speaker 3: Well, I want to talk about this three am in Tokyo.

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Speaker 3: I love that song.

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Speaker 1: So DJ Paul had a hand in producing that. So

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Speaker 1: talk to me about how this even because I see

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Speaker 1: him posting about it a lot too, So talk to

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Speaker 1: me about how that.

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Speaker 3: Obviously you guys have you know, a.

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Speaker 1: History, a shared history together, but tell me about how

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Speaker 1: this all came about.

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Speaker 2: It Really it really came out of nowhere. I was

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Speaker 2: leaving l A and we were just having a conversation,

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Speaker 2: like we always have conversations, but we never like get

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Speaker 2: any work done. Like I'm cool with it, like I'm

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Speaker 2: cool with having a relationship and you know what I'm saying,

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Speaker 2: and they don't have to have like no music involved.

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Speaker 4: It's even it's better sometime like that.

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Speaker 2: So this particular days, he just just sent the pack

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Speaker 2: out of nowhere like probably fifteen twenty beats. And that

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Speaker 2: one just stuck out to me the most that day

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Speaker 2: because I was actually in Tokyo and I recorded it

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Speaker 2: in my hotel, and when I got done recording it,

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Speaker 2: I just went to the city and just shot at

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Speaker 2: the video.

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Speaker 3: Who was that guy at the end?

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Speaker 4: The guy.

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Speaker 3: So he just was talking like what was that?

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Speaker 4: It was round?

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Speaker 2: It was like I would shooting my last scene, and

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Speaker 2: he didn't want to like walk in front of the

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Speaker 2: camera like being away or whatever, so he kind of

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Speaker 2: like just just stayed just just stayed back and just

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Speaker 2: watched the whole thing. So yeah, my camera had to

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Speaker 2: had it still rolling. So he was like, I'm glad

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Speaker 2: I stopped to wait for the thing. He was being

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Speaker 2: starcastic or whatever, but I took it as like. I

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Speaker 2: was like, shit, the thing is glackavilly, Like, little do

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Speaker 2: we know this is really what he comes about? And

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Speaker 2: little do he know this what he coming about? So

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Speaker 2: that just kept it in the video.

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Speaker 3: Yeah, that was pretty funny.

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Speaker 1: And I was like, and three am. Who knows what

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Speaker 1: people are doing at three am in Tokyo. I've never

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Speaker 1: been to Tokyo. What was that experience like for you?

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Speaker 2: It's it's like Miami No Beach in New York.

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Speaker 1: So think about that, Okay, Miami No Best so very active. Yeah,

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Speaker 1: and everything's open, a lot going on. I know you

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Speaker 1: got some shopping done the whole time.

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Speaker 4: I probably spent.

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Speaker 2: Like like thirty almost thirty thousand a day I was

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Speaker 2: out there.

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Speaker 4: Oh my god, I'm not just holler myself though.

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Speaker 1: It was just oh on who I love like you said,

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Speaker 1: not just on myself.

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Speaker 4: You know, I have a moment out there with me. Okay,

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Speaker 4: I have my boys with me.

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Speaker 2: You know.

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Speaker 3: That's nice.

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Speaker 1: I didn't read that you were generous when it comes

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Speaker 1: to well, that's good, you know, And I think clearly

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Speaker 1: fashion is your thing too. The first thing I have

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Speaker 1: to always look at when you when I see you

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Speaker 1: as the fing like what he got on today Chilli.

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Speaker 2: Right now though, I got this hoodie my homeboy Memphis

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Speaker 2: made this I like that chance called don't let my

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Speaker 2: mom find out You're going crazy.

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Speaker 3: That's funny.

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Speaker 4: I like that he spreading everywhere for sure.

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Speaker 1: And you know what was funny to me because I

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Speaker 1: always look at you as like people look at Keith

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Speaker 1: Glack is like he's very you know, protective over himself.

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Speaker 3: You don't really get.

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Speaker 1: When you did the podcast A Safe Place and Bill

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Speaker 1: Yachty and Mitch and you was just kind of like,

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Speaker 1: I'm not in it.

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Speaker 2: Because it's how be anyway go right in here?

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Speaker 4: Who might not even here?

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Speaker 3: Yeah? Who would have known something like that would have

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Speaker 3: been so vi and there you were.

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Speaker 4: They not like still to this day, I don't know

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Speaker 4: if they was playing or no.

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Speaker 1: I think they were serious because they kind of ended

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Speaker 1: the podcast after that they yeah, like for real, like.

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Speaker 3: Yeah, I think it right, doesn't know.

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Speaker 1: I think it turned into like a whole thing with

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Speaker 1: the two of them, you know, but those conversations are real,

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Speaker 1: and I think in real friendships and people have known

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Speaker 1: each other for a long time.

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Speaker 2: If it was real, like it just it shouldn't have

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Speaker 2: been in front of me, right, yeah, because I wouldn't.

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Speaker 2: I wouldn't do that too. You know what I'm saying,

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Speaker 2: one of my boys in front of it. You know

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Speaker 2: what I'm saying, somebody that is not my boy.

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Speaker 3: You know what I'm saying, right, yeah, No, you're right

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Speaker 3: about that.

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Speaker 1: I was like, this is the perfect person because I

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Speaker 1: know you wasn't gonna you was minding your business like

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Speaker 1: I'm just here.

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Speaker 4: Flow no flow. It just landed to.

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Speaker 1: Yeah, and you got a new deal and you talk

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Speaker 1: about that signing bonus.

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Speaker 3: All right, Republic Records.

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Speaker 1: Congratulations, you know, because you have been so successful even

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Speaker 1: without a maze your label, without a major label deal,

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Speaker 1: and people always say, well why why? But you know,

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Speaker 1: tell me what was the thinking behind that? Was that

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Speaker 1: something you were pursuing or I know labels have for

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Speaker 1: sure been wanting to sign you, but Republic, how did

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Speaker 1: that happen?

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Speaker 2: It really, really, the whole major situation just came from

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Speaker 2: something I've been wanting to do anyway.

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Speaker 4: I just didn't never want to rush it.

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Speaker 2: It was all about the time, and I wanted to

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Speaker 2: make sure I set milestones independently first, and once I

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Speaker 2: accomplished them, then I was like Okay, I did enough

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Speaker 2: my way. Now I can you know what I'm saying,

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Speaker 2: go team up with somebody that can make me even bigger,

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Speaker 2: you know what I'm saying.

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Speaker 4: So it's like.

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Speaker 2: I couldn't just signed to any major, you know what

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Speaker 2: I'm saying.

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Speaker 4: So it was like like Republic.

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Speaker 2: They they they understood me the most, and it made

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Speaker 2: me break the pin.

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Speaker 1: I know a lot of times artists end up signing,

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Speaker 1: but they don't announce it until later. So how long

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Speaker 1: ago did you actually sign this because they'd be like, Okay,

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Speaker 1: we gotta wait till we put this song out or

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Speaker 1: wait till.

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Speaker 2: We announce it. I've been going through this shit for

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Speaker 2: I say nine months. Oh wow, Yeah, Like I I

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Speaker 2: thoroughly like went through paywork, had talks with my team,

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Speaker 2: talks with lawyers, talks with my mom.

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Speaker 4: Was like, just I didn't I didn't rush the ship

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Speaker 4: at all.

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Speaker 3: What did your mom say? Because that's the most important thing.

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Speaker 4: She went.

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Speaker 2: Whatever I'm with, she whatever I'm with, she knows she

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Speaker 2: know I ain't gonna do nothing wrong to put myself

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Speaker 2: in jeopardy or you know what I'm saying, or harmona,

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Speaker 2: like she knows, she knows her baby smart, like you know,

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Speaker 2: for sure, I.

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Speaker 1: Know she got to be proud to see like where

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Speaker 1: you started and where you are right now, you know,

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Speaker 1: just to see all of the plaques that you have.

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Speaker 3: That's the first person you got to hipy Like I

233
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Speaker 3: got another plaque.

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Speaker 2: To ask I give her all of them, like they

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Speaker 2: go straight to her.

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Speaker 3: Yeah, and she probably got a pictures. She like, my baby,

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Speaker 3: gave me another plaque.

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Speaker 1: And then one thing that's interesting is I feel like,

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Speaker 1: you know, for you being from Memphis is a lot.

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Speaker 3: Of people that actually add to that.

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Speaker 1: Like it's like this person introduced me to this person,

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Speaker 1: and then I met that person you went to high

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Speaker 1: school with.

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Speaker 4: Take Keith yep, me take Keith pool Shasty.

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Speaker 3: Wow, y'all all went to high school together.

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Speaker 4: Yeah, like we all know each other, like we all

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Speaker 4: we know each other person.

248
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Speaker 3: Like y'all was real cool back then, even.

249
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Speaker 4: Yeah, we all know each other.

250
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Speaker 1: Like, yeah, I saw somewhere they were saying that pool

251
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Speaker 1: Shasty might be coming home soon.

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Speaker 3: Or yea in headway he's in a halfway house. Yeah

253
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Speaker 3: he spoke to him.

254
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Speaker 4: No, I ain't spoke to him. I don't. I don't

255
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Speaker 4: like speaking to nobody.

256
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Speaker 2: That's being you know what I'm saying, because like this evening,

257
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Speaker 2: if they in State Fits Headway House, I'd rather just

258
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Speaker 2: talk to you when you get out.

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Speaker 4: I don't like the feeling of it.

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Speaker 1: Okay, Yeah, now the new album, we know that you

261
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Speaker 1: have been known to not do a ton of features,

262
00:12:08,040 --> 00:12:10,920
Speaker 1: so you're on a major label. Now is it still

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Speaker 1: a fucking feature or what are we doing it still?

264
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Speaker 4: Is? I made sure we got that understood, Like, yeah,

265
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Speaker 4: for sure.

266
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Speaker 1: Is there anybody that like, oh we could link you

267
00:12:20,880 --> 00:12:23,440
Speaker 1: because sometimes the link up is not a bad thing

268
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Speaker 1: if it makes sense.

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Speaker 2: Sure, I'm like, I don't mind collabing at all, Like

270
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Speaker 2: I'm down to collab. But like when they hear CLOCK

271
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Speaker 2: don't do features, they think I don't do them at all,

272
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Speaker 2: Like I won't even get on they song. So it

273
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Speaker 2: kind of it kind of have people like a, I

274
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Speaker 2: don't know it's feeling about me, so they just they

275
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Speaker 2: some people like they still come ask for the feature

276
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Speaker 2: as they should.

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Speaker 1: That's tell Tia current talking about you and how amazing

278
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Speaker 1: it was being in the studio with you doing the

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Speaker 1: song Blake that you guys did together.

280
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Speaker 4: You're real homie for sure.

281
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Speaker 3: That's good.

282
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Speaker 1: Always helping out the next person. So, so the album

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Speaker 1: is coming out when in May or May second. That's

284
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Speaker 1: a firm date. Now you're not going to go in

285
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Speaker 1: the studio.

286
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Speaker 4: And change things official.

287
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Speaker 1: It'sufficient And I do like the song also, no Sweat.

288
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Speaker 1: It starts off with that key sweat sample that So

289
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Speaker 1: is that a song that you loved when you was.

290
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Speaker 4: I didn't love. I just like that.

291
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Speaker 3: It sounds like.

292
00:13:23,040 --> 00:13:25,360
Speaker 4: When we was in elementary and middle school they.

293
00:13:25,360 --> 00:13:29,960
Speaker 2: Used to like like kids, it was real like playful

294
00:13:30,040 --> 00:13:33,760
Speaker 2: on were real big on parodies back then. So I

295
00:13:33,800 --> 00:13:36,760
Speaker 2: forgot what who who did some to this song? But

296
00:13:37,960 --> 00:13:40,360
Speaker 2: nobody just always was you know what I'm saying something

297
00:13:40,400 --> 00:13:42,000
Speaker 2: that just stuck, stuck in my head.

298
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Speaker 1: And keeps better is still the man to this day?

299
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Speaker 4: You know that's hard.

300
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Speaker 1: What other things did you listen to like that we

301
00:13:50,160 --> 00:13:52,559
Speaker 1: would not expect for you growing up?

302
00:13:54,760 --> 00:14:02,880
Speaker 2: Johnny Taylor Tyne days reading Curtis and Mayfield?

303
00:14:03,480 --> 00:14:07,200
Speaker 3: Wow? Uh? Her is the one of that documentary about

304
00:14:07,240 --> 00:14:08,040
Speaker 3: Curtis Mayfield?

305
00:14:08,200 --> 00:14:08,400
Speaker 4: Real?

306
00:14:08,640 --> 00:14:11,959
Speaker 1: Yeah, she just talked about it and how Curtis Mayfield

307
00:14:11,960 --> 00:14:15,200
Speaker 1: doesn't get like the recognition that he should get for.

308
00:14:15,360 --> 00:14:17,760
Speaker 4: Being He's definitely one of them.

309
00:14:17,960 --> 00:14:20,360
Speaker 1: For sure, what does kid like watch at home? Like

310
00:14:20,400 --> 00:14:22,320
Speaker 1: when you're at home? Are there any things that you

311
00:14:22,400 --> 00:14:24,680
Speaker 1: binge watch on TV? Like what do you do when.

312
00:14:24,560 --> 00:14:29,400
Speaker 4: You're Like when I'm at home, I'm probably read listening

313
00:14:29,400 --> 00:14:32,280
Speaker 4: to music or or on the phone.

314
00:14:32,480 --> 00:14:35,240
Speaker 3: M Oh, you're one of those that's always on the phone,

315
00:14:35,760 --> 00:14:37,640
Speaker 3: not like a person.

316
00:14:37,960 --> 00:14:40,440
Speaker 2: Yeah, yeah, I don't like Tison. You gotta call him?

317
00:14:41,240 --> 00:14:42,000
Speaker 2: I hate Tison?

318
00:14:42,480 --> 00:14:44,240
Speaker 1: And are you good at answering the phone? Because you

319
00:14:44,280 --> 00:14:45,480
Speaker 1: know how some people are, Like, I need a heads

320
00:14:45,520 --> 00:14:46,600
Speaker 1: up before you FaceTime me.

321
00:14:47,880 --> 00:14:53,520
Speaker 2: It's so crazy, Like my phone been on fibreak silent

322
00:14:53,640 --> 00:14:57,760
Speaker 2: ever since I bought it, like get out. It's like

323
00:14:58,200 --> 00:15:00,240
Speaker 2: if I don't see you call her right then there

324
00:15:00,440 --> 00:15:02,080
Speaker 2: like my phone and in my hand, I don't see

325
00:15:02,080 --> 00:15:05,080
Speaker 2: you call it. I'm just gonna miss it. It won't

326
00:15:05,120 --> 00:15:07,480
Speaker 2: be on purpose or nothing. It's just how I am.

327
00:15:07,800 --> 00:15:10,680
Speaker 1: So you feel good about the project? Is it pretty

328
00:15:10,760 --> 00:15:12,520
Speaker 1: much done you're just waiting for clearances?

329
00:15:12,640 --> 00:15:17,560
Speaker 4: Or it's done, it's overdone, it's well done.

330
00:15:19,080 --> 00:15:21,160
Speaker 3: Was that signing bonus check? Like a huge?

331
00:15:22,440 --> 00:15:25,560
Speaker 4: Was that the threes don't even know?

332
00:15:28,120 --> 00:15:29,520
Speaker 3: He was like, it was so good. I put it

333
00:15:29,520 --> 00:15:29,960
Speaker 3: in the song.

334
00:15:30,960 --> 00:15:32,880
Speaker 4: I can't give me nothing. I already sing it before.

335
00:15:33,240 --> 00:15:34,960
Speaker 1: That's what I'm saying because I feel like you made

336
00:15:34,960 --> 00:15:37,640
Speaker 1: so much money just from doing shows, from being independent,

337
00:15:38,240 --> 00:15:39,920
Speaker 1: and you were able to come to the table and

338
00:15:39,960 --> 00:15:42,080
Speaker 1: kind of dictate what it is that you wanted in

339
00:15:42,160 --> 00:15:44,160
Speaker 1: order to be able to do no more worth, Yeah.

340
00:15:44,040 --> 00:15:44,440
Speaker 4: It's all.

341
00:15:44,680 --> 00:15:47,240
Speaker 2: You gotta be your own worth, create your own worth.

342
00:15:47,560 --> 00:15:49,000
Speaker 2: Can let nobody tell you your worth?

343
00:15:49,440 --> 00:15:51,840
Speaker 1: Yeah, because I feel like people always are there's this

344
00:15:52,000 --> 00:15:54,800
Speaker 1: narrative of like, oh why sign and I said, you

345
00:15:54,800 --> 00:15:57,200
Speaker 1: may't do pre talking about it the other day, you

346
00:15:57,200 --> 00:16:00,200
Speaker 1: saw that conversation where he was like, everybody's chasing what

347
00:16:00,240 --> 00:16:03,040
Speaker 1: these major labels have to offer, but they're trying to

348
00:16:03,120 --> 00:16:05,160
Speaker 1: like talk about staying independent.

349
00:16:05,800 --> 00:16:08,160
Speaker 4: You know, he was right in the way, but he

350
00:16:08,400 --> 00:16:12,040
Speaker 4: just had to deliver it better. It's all. He just

351
00:16:12,200 --> 00:16:13,840
Speaker 4: should have probably worded it better.

352
00:16:14,240 --> 00:16:16,479
Speaker 3: Yeah, because sometimes things get lost.

353
00:16:16,760 --> 00:16:16,920
Speaker 4: Yeah.

354
00:16:17,040 --> 00:16:19,880
Speaker 2: People don't know how to dis sick things or take things.

355
00:16:19,960 --> 00:16:21,120
Speaker 2: They just take it and run with it.

356
00:16:21,560 --> 00:16:23,440
Speaker 3: So are their features on this project?

357
00:16:24,640 --> 00:16:25,320
Speaker 4: Not this one?

358
00:16:25,600 --> 00:16:26,800
Speaker 3: Okay, not this one.

359
00:16:27,320 --> 00:16:32,600
Speaker 2: I'm probably I'm probably start doing futures in twenty twenty seven.

360
00:16:33,480 --> 00:16:36,920
Speaker 2: That'll be ten years put out my first tape that

361
00:16:36,960 --> 00:16:37,440
Speaker 2: makes sense.

362
00:16:37,560 --> 00:16:39,600
Speaker 4: I have ten year run no features.

363
00:16:39,840 --> 00:16:42,280
Speaker 1: I think that's good though, because most artists like they

364
00:16:42,320 --> 00:16:43,520
Speaker 1: rely on features.

365
00:16:43,920 --> 00:16:44,800
Speaker 3: Yeah, they'll be like.

366
00:16:44,800 --> 00:16:48,160
Speaker 2: Who that's how they make that way? That's on them.

367
00:16:48,680 --> 00:16:53,560
Speaker 2: But me, I'm the way the way I like. I

368
00:16:53,720 --> 00:16:56,200
Speaker 2: plan how I wanted to be in this industry, Like

369
00:16:56,240 --> 00:16:59,800
Speaker 2: my rollout's going exactly how I wanted to go, Like

370
00:17:00,280 --> 00:17:03,280
Speaker 2: exactly how I wanted it to go. Like everybody gets

371
00:17:03,280 --> 00:17:06,640
Speaker 2: stay time like you just you just don't know when,

372
00:17:06,760 --> 00:17:09,440
Speaker 2: and it's up to you to take advantage of it.

373
00:17:10,440 --> 00:17:14,760
Speaker 2: So everybody had their time. Everybody's shining like everybody. So

374
00:17:14,880 --> 00:17:17,920
Speaker 2: I'm still shining. But this tape right here, if it

375
00:17:18,040 --> 00:17:19,800
Speaker 2: make niggas go back in their studio.

376
00:17:20,040 --> 00:17:25,640
Speaker 1: Oh okay, facts, your your ex is still jealous?

377
00:17:25,920 --> 00:17:28,640
Speaker 2: An not all of them, but yeah, couple of them.

378
00:17:29,160 --> 00:17:32,240
Speaker 2: It ain't no bad blood though, It just some good glock,

379
00:17:32,359 --> 00:17:33,399
Speaker 2: Like who don't own glock?

380
00:17:35,560 --> 00:17:37,159
Speaker 1: Are you cool with any of your exes? Are you

381
00:17:37,200 --> 00:17:39,120
Speaker 1: that guy? Or you just like it's over? It's over?

382
00:17:40,359 --> 00:17:45,320
Speaker 4: You know, I ain't like that, Like nah, I ain't pity.

383
00:17:45,359 --> 00:17:47,760
Speaker 4: It's really petty if you ain't.

384
00:17:47,880 --> 00:17:50,160
Speaker 2: If it ain't no blood been been spilt, I can

385
00:17:50,320 --> 00:17:53,000
Speaker 2: I can forgive anybody, Okay, yeah, if it ain't, if

386
00:17:53,000 --> 00:17:55,080
Speaker 2: it ain't, no, ain't no death for londing bar, I

387
00:17:55,080 --> 00:17:55,760
Speaker 2: can forgive you.

388
00:17:55,960 --> 00:17:58,240
Speaker 1: What would you say is a woman's biggest complain about you?

389
00:17:58,760 --> 00:18:01,399
Speaker 1: If they have to say this is the problem. I

390
00:18:01,400 --> 00:18:04,080
Speaker 1: have a key block is that he da da da

391
00:18:04,160 --> 00:18:04,560
Speaker 1: da da.

392
00:18:05,920 --> 00:18:11,600
Speaker 4: Oh, I mean different, So I don't hear different things.

393
00:18:12,200 --> 00:18:14,000
Speaker 3: But sometimes there's some things that's well.

394
00:18:14,040 --> 00:18:18,960
Speaker 2: One might not like the other, one might love love

395
00:18:19,000 --> 00:18:20,399
Speaker 2: the most about me because of it.

396
00:18:21,840 --> 00:18:24,320
Speaker 1: What was somebody one person I like that someone else

397
00:18:24,320 --> 00:18:26,560
Speaker 1: would like because I would think it's time, like he

398
00:18:26,600 --> 00:18:30,240
Speaker 1: don't spend enough time with me, you know I personally

399
00:18:30,359 --> 00:18:33,960
Speaker 1: that's all right, And I don't think anyone would love that.

400
00:18:38,200 --> 00:18:41,000
Speaker 4: I was. I was, Girl, tell me it's a red

401
00:18:41,080 --> 00:18:44,760
Speaker 4: flat because I don't.

402
00:18:44,880 --> 00:18:48,280
Speaker 2: I don't. I don't go out like other rappers. Okay,

403
00:18:48,800 --> 00:18:49,800
Speaker 2: Like what the fuck they mean?

404
00:18:49,920 --> 00:18:51,879
Speaker 1: I could see that because I'd rather my man be

405
00:18:51,960 --> 00:18:53,080
Speaker 1: inside and not want to go out.

406
00:18:53,119 --> 00:18:55,040
Speaker 2: Like it ain't about being inside. I just ain't in

407
00:18:55,080 --> 00:18:57,960
Speaker 2: the club right basically, Yeah, but I ain't in the

408
00:18:58,000 --> 00:19:00,239
Speaker 2: house all day either, thom like I ain't fron just

409
00:19:00,280 --> 00:19:02,080
Speaker 2: be in the house cooped ough with you out I

410
00:19:02,119 --> 00:19:03,280
Speaker 2: got you could be coop.

411
00:19:03,400 --> 00:19:04,960
Speaker 4: I gotta go get the bread. You take care of

412
00:19:04,960 --> 00:19:05,359
Speaker 4: the crib.

413
00:19:05,600 --> 00:19:07,880
Speaker 3: Okay, you like the shop though, that's it.

414
00:19:08,040 --> 00:19:09,840
Speaker 4: Yeah, that's the real thing.

415
00:19:09,960 --> 00:19:11,800
Speaker 3: Do women ever buy you things that are nice?

416
00:19:11,840 --> 00:19:15,720
Speaker 2: Because I know you're yeah yeah yeah, but it's like

417
00:19:15,800 --> 00:19:17,600
Speaker 2: it's hard to buy me shit because I got everything.

418
00:19:17,760 --> 00:19:18,919
Speaker 4: I don't even anybody.

419
00:19:18,960 --> 00:19:19,840
Speaker 3: Auntie brought you.

420
00:19:19,880 --> 00:19:29,320
Speaker 2: Something about that boss?

421
00:19:30,160 --> 00:19:31,920
Speaker 4: Yeah?

422
00:19:31,119 --> 00:19:34,919
Speaker 3: Yeah, yeah, Oh my god, I don't even want to know.

423
00:19:35,760 --> 00:19:39,920
Speaker 1: Yeah, you don't say it too much. I feel like

424
00:19:39,960 --> 00:19:41,440
Speaker 1: you got to call in for tell us a secret

425
00:19:41,480 --> 00:19:45,320
Speaker 1: one day. I feel like maybe this album is it

426
00:19:45,480 --> 00:19:48,160
Speaker 1: you think it's you're gonna give, like because in your music,

427
00:19:48,200 --> 00:19:49,959
Speaker 1: we learn a lot about you from your music, not

428
00:19:50,000 --> 00:19:51,560
Speaker 1: necessarily from you telling us.

429
00:19:51,880 --> 00:19:54,280
Speaker 3: Is that a place where you feel more comfortable being able.

430
00:19:54,040 --> 00:19:56,960
Speaker 4: To Yeah, studio like a little.

431
00:19:58,840 --> 00:20:02,440
Speaker 2: Like an audio journal, Like even if all the songs

432
00:20:02,480 --> 00:20:06,520
Speaker 2: don't come out, I just vent in the studio, like just.

433
00:20:06,520 --> 00:20:07,280
Speaker 4: Good or bad.

434
00:20:07,600 --> 00:20:09,040
Speaker 1: Have you ever done songs that you're like, oh, I

435
00:20:09,080 --> 00:20:10,480
Speaker 1: can't put this out there's too personal?

436
00:20:10,920 --> 00:20:15,919
Speaker 4: What what? Man? Yeah? Yeah?

437
00:20:16,080 --> 00:20:19,119
Speaker 2: But sometimes I make songs just fu for you, for

438
00:20:19,320 --> 00:20:21,960
Speaker 2: me to play in the car, you know, just for

439
00:20:22,080 --> 00:20:24,520
Speaker 2: like me and my bullets, like it'll never come out.

440
00:20:24,600 --> 00:20:39,000
Speaker 4: Never ever, like too raw, like back in theday, like bruggish, ruthless. Yeah,

441
00:20:39,000 --> 00:20:41,640
Speaker 4: I get canceled. Yeah, I don't need to hear none

442
00:20:41,640 --> 00:20:41,880
Speaker 4: of that.

443
00:20:42,000 --> 00:20:44,240
Speaker 3: You don't be nervous that what if somebody leak it or.

444
00:20:44,680 --> 00:20:47,280
Speaker 4: It can't leak it. It can't leak it. I can't

445
00:20:47,359 --> 00:20:47,679
Speaker 4: leak it.

446
00:20:48,320 --> 00:20:52,520
Speaker 2: I'm like, I'm so organized and be on point in

447
00:20:52,600 --> 00:20:55,680
Speaker 2: control of like what I'm a part of or what's man,

448
00:20:56,680 --> 00:20:58,440
Speaker 2: I'm over overprotective.

449
00:20:58,560 --> 00:20:59,399
Speaker 3: You're not on the cloud.

450
00:20:59,480 --> 00:21:02,320
Speaker 4: You don't got I got cloud. I got a hard drive,

451
00:21:02,359 --> 00:21:05,679
Speaker 4: I got a backup, I got everything that is needed.

452
00:21:06,080 --> 00:21:07,680
Speaker 3: That's so funny because I really don't.

453
00:21:08,400 --> 00:21:10,320
Speaker 1: I don't like to use I cloud because I feel

454
00:21:10,359 --> 00:21:12,359
Speaker 1: like people hack those all the time.

455
00:21:13,520 --> 00:21:14,640
Speaker 4: You can, you just.

456
00:21:14,600 --> 00:21:18,080
Speaker 2: Can't have everything in that one eye cloud, Like you

457
00:21:18,119 --> 00:21:19,840
Speaker 2: can't have your personal and your business.

458
00:21:20,000 --> 00:21:21,679
Speaker 1: I don't like I'm saying you up and let me

459
00:21:21,720 --> 00:21:23,320
Speaker 1: not even do this right now, because I feel like

460
00:21:23,320 --> 00:21:24,480
Speaker 1: I'm talking about eye cloud.

461
00:21:25,280 --> 00:21:28,480
Speaker 2: I only got one eye cloud. I don't I don't

462
00:21:28,520 --> 00:21:28,800
Speaker 2: do shit.

463
00:21:29,080 --> 00:21:31,480
Speaker 3: Okay, that's how people be getting.

464
00:21:33,880 --> 00:21:35,000
Speaker 4: I don't even like the phone.

465
00:21:35,320 --> 00:21:37,159
Speaker 1: You said you don't like the phone, but you just

466
00:21:37,160 --> 00:21:38,320
Speaker 1: said you'd be on the phone all.

467
00:21:38,240 --> 00:21:42,920
Speaker 2: The time on FaceTime, Like I ain't texting, Like don't

468
00:21:42,920 --> 00:21:45,520
Speaker 2: nothing have my attention on the phone, but the person

469
00:21:45,560 --> 00:21:46,120
Speaker 2: I'm talking to.

470
00:21:46,240 --> 00:21:47,840
Speaker 3: Like who do you be talking to on the phone?

471
00:21:48,000 --> 00:21:52,639
Speaker 2: Or mom my, daddy, homeboys, And it's like everybody, I

472
00:21:52,760 --> 00:21:55,840
Speaker 2: just I gotta know what's going on, Like even if

473
00:21:55,880 --> 00:21:58,520
Speaker 2: I'm finna go somewhere, I gotta know what's going on around,

474
00:21:58,720 --> 00:22:00,000
Speaker 2: Like I gotta know what I'm around.

475
00:22:00,480 --> 00:22:04,000
Speaker 4: I just always think in the heat basically, all.

476
00:22:03,960 --> 00:22:06,240
Speaker 1: Right, Well, I'm looking forward to this new project because

477
00:22:06,240 --> 00:22:08,399
Speaker 1: I know every time Keeglock come out, it's a vibe.

478
00:22:08,640 --> 00:22:11,520
Speaker 1: It's like the good fun workout music, but also like

479
00:22:11,560 --> 00:22:15,680
Speaker 1: it gets you hype. So I'm excited and congratulations are everything?

480
00:22:15,840 --> 00:22:16,200
Speaker 4: For sure?

481
00:22:16,320 --> 00:22:18,359
Speaker 1: Sure I want to hear some of these never gonna

482
00:22:18,359 --> 00:22:22,400
Speaker 1: hear them songs, so I know you all right, it's

483
00:22:22,440 --> 00:22:27,040
Speaker 1: just between us, all right, Keylock may second. That's the date, right,

484
00:22:27,480 --> 00:22:29,960
Speaker 1: It's firm, It's firm, alright, It's way

485
00:22:30,040 --> 00:22:33,119
Speaker 4: Up, way up.