1 00:00:01,080 --> 00:00:03,280 Speaker 1: Welcome to the I Heart Radio and Coast to Coast 2 00:00:03,279 --> 00:00:07,400 Speaker 1: AM Paranormal podcast network. Now get ready for Strange Things 3 00:00:07,440 --> 00:00:14,000 Speaker 1: with Joshua P. Warren. The thoughts and opinions expressed by 4 00:00:14,000 --> 00:00:17,080 Speaker 1: the host our thoughts and opinions only, and do not 5 00:00:17,160 --> 00:00:21,239 Speaker 1: necessarily reflect those of iHeartMedia, I Heart Radio, Coast to 6 00:00:21,320 --> 00:00:25,040 Speaker 1: Coast a out, employees of premier networks or their sponsors 7 00:00:25,200 --> 00:00:28,720 Speaker 1: and associates. You are encouraged to do the proper amount 8 00:00:28,720 --> 00:00:32,360 Speaker 1: of research yourself, depending on the subject matter and your needs. 9 00:00:54,640 --> 00:00:57,080 Speaker 1: You get ready to be amazed to find the wizard 10 00:00:57,320 --> 00:01:11,199 Speaker 1: of Weird. This is Strange. I am Joshua pe Warren, 11 00:01:11,520 --> 00:01:14,120 Speaker 1: and each week on this show, I'll be bringing you 12 00:01:14,240 --> 00:01:19,520 Speaker 1: brand new mind blowing content, news, exercises, and weird experiments 13 00:01:20,000 --> 00:01:24,080 Speaker 1: you can do at home, and a lot more. On 14 00:01:24,240 --> 00:01:30,440 Speaker 1: this especially weird edition of the show, the most frequently 15 00:01:30,600 --> 00:01:39,880 Speaker 1: spoken word on Earth and paranormal gravity maps. These two 16 00:01:39,920 --> 00:01:44,679 Speaker 1: topics will somehow tie in together. Okay, this is one 17 00:01:44,720 --> 00:01:47,520 Speaker 1: of those shows when I'm going to take you down 18 00:01:47,560 --> 00:01:53,000 Speaker 1: a long and very bizarre winding path, culminating in some 19 00:01:53,120 --> 00:01:58,640 Speaker 1: audio that I have never played anywhere before anywhere. Okay, 20 00:01:58,680 --> 00:02:02,200 Speaker 1: You're going to be the first to hear this. So 21 00:02:02,400 --> 00:02:04,480 Speaker 1: let's see if you can keep up with how my 22 00:02:04,560 --> 00:02:09,720 Speaker 1: mind works. Okay, are you ready? Here we go. So 23 00:02:10,240 --> 00:02:15,880 Speaker 1: I have always been interested in the magic of words. Okay. 24 00:02:16,080 --> 00:02:18,880 Speaker 1: I literally believe that when you when you say something, 25 00:02:19,880 --> 00:02:23,200 Speaker 1: it creates a magical reaction in the world. In fact, 26 00:02:23,320 --> 00:02:26,720 Speaker 1: I did a whole show about this. It was episode 27 00:02:26,800 --> 00:02:30,120 Speaker 1: seventy of this podcast, and it was called say these 28 00:02:30,160 --> 00:02:36,280 Speaker 1: words and mantras and see what happens. And of course 29 00:02:36,600 --> 00:02:41,760 Speaker 1: you know, there are some words that um we have devised, 30 00:02:42,440 --> 00:02:45,440 Speaker 1: that we have have created based upon how things simply 31 00:02:45,520 --> 00:02:52,400 Speaker 1: sound in nature. That phenomenon is called anna montepilla, and 32 00:02:52,520 --> 00:02:55,640 Speaker 1: it's and actually even though in English that means the 33 00:02:55,680 --> 00:02:58,440 Speaker 1: imitation of a sound, it comes from a Greek word 34 00:02:59,240 --> 00:03:03,399 Speaker 1: which means namemaking, and that comes from another like more 35 00:03:03,440 --> 00:03:08,480 Speaker 1: ancient Greek word that means echo or sound or mimic um. 36 00:03:08,520 --> 00:03:12,919 Speaker 1: And anatopeia is stuff like, well, a bird goes chirp, 37 00:03:13,320 --> 00:03:16,800 Speaker 1: or a lion goes roar, or a clock goes TikTok, 38 00:03:17,120 --> 00:03:19,440 Speaker 1: or a cannon goes boom, where it's almost like the 39 00:03:19,720 --> 00:03:22,799 Speaker 1: sound that you're making with your mouth mimics what's in nature. 40 00:03:23,720 --> 00:03:27,760 Speaker 1: But then of course you have these, uh, these other words, 41 00:03:28,000 --> 00:03:30,200 Speaker 1: which are most of the words that we use, which 42 00:03:30,240 --> 00:03:34,120 Speaker 1: are not from you know, not based on on a matopeia. 43 00:03:34,520 --> 00:03:36,640 Speaker 1: And and that's one of the weirdest things is trying 44 00:03:36,680 --> 00:03:39,440 Speaker 1: to figure out like the origin of those But my 45 00:03:39,560 --> 00:03:42,360 Speaker 1: point here is that I'm always studying words because that 46 00:03:42,440 --> 00:03:49,840 Speaker 1: when you speak, a word transmits vibrations, and those vibrations 47 00:03:49,960 --> 00:03:53,400 Speaker 1: create change in the physical world. And this is a 48 00:03:53,520 --> 00:03:56,360 Speaker 1: very basic form of magic. That's where magical words come from. 49 00:03:56,400 --> 00:03:59,640 Speaker 1: And so I'm always studying words. Okay, that's what That's 50 00:03:59,640 --> 00:04:05,880 Speaker 1: what we're we're all experiencing right now. Words vibrations. Uh. 51 00:04:06,000 --> 00:04:08,800 Speaker 1: So I started getting curious the other day and I thought, 52 00:04:08,840 --> 00:04:14,400 Speaker 1: I wonder what the most commonly spoken word on planet 53 00:04:14,440 --> 00:04:19,039 Speaker 1: Earth is. Uh, take a guess. I'm just gonna pause 54 00:04:19,080 --> 00:04:21,040 Speaker 1: for a second, think about that. What do you think 55 00:04:22,080 --> 00:04:29,479 Speaker 1: is the most frequently spoken word on the planet here? 56 00:04:29,480 --> 00:04:33,520 Speaker 1: It is? It is the well it's they say that 57 00:04:33,560 --> 00:04:41,760 Speaker 1: they believe it's an American English word, and it is okay, okay, 58 00:04:42,160 --> 00:04:44,120 Speaker 1: that sound you can spell it with an O or 59 00:04:44,160 --> 00:04:46,719 Speaker 1: o K, or you can spell it okay a y. 60 00:04:46,760 --> 00:04:51,280 Speaker 1: But this is the most frequently spoken thing on planet 61 00:04:51,320 --> 00:05:00,600 Speaker 1: Earth that vibration okay, denoting approval, acceptance, agreement, assent, knowledgement, 62 00:05:01,760 --> 00:05:05,440 Speaker 1: or even a sign of indifference. It's used a lot 63 00:05:05,440 --> 00:05:09,200 Speaker 1: of different ways, and then according to Wikipedia here it 64 00:05:09,240 --> 00:05:14,039 Speaker 1: says it principally means adequate or acceptable as a contrast 65 00:05:14,080 --> 00:05:18,000 Speaker 1: to bad. So okay doesn't necessarily mean good. Okay. I 66 00:05:18,040 --> 00:05:20,840 Speaker 1: mean it's like I understand what's happening right now, or 67 00:05:21,440 --> 00:05:26,839 Speaker 1: I accept what is happening right now. And it's pretty 68 00:05:26,880 --> 00:05:31,360 Speaker 1: interesting when you start thinking about this, because what they 69 00:05:31,360 --> 00:05:34,839 Speaker 1: are claiming here, linguists say is that you could travel 70 00:05:35,000 --> 00:05:39,520 Speaker 1: almost anywhere in the world and it doesn't matter if 71 00:05:39,560 --> 00:05:42,880 Speaker 1: you speak none none of the language, and vice versa. 72 00:05:43,520 --> 00:05:50,440 Speaker 1: Everybody understands what that sound means okay. And when it 73 00:05:50,480 --> 00:05:54,040 Speaker 1: comes to the origin of this, there is debate over 74 00:05:54,080 --> 00:06:00,839 Speaker 1: the origin. The most common um explanation is that back 75 00:06:00,880 --> 00:06:03,080 Speaker 1: and this is this is pretty strange. They say that, 76 00:06:03,120 --> 00:06:07,400 Speaker 1: like there was a period in American history when abbreviations 77 00:06:07,440 --> 00:06:12,080 Speaker 1: became kind of a fad. Uh. It especially started in 78 00:06:12,200 --> 00:06:15,479 Speaker 1: Boston in the summer of eighteen thirty eight, where people 79 00:06:15,480 --> 00:06:19,080 Speaker 1: would use expressions like O F M, which meant our 80 00:06:19,160 --> 00:06:24,080 Speaker 1: first men or n G which meant no go, or 81 00:06:24,160 --> 00:06:29,880 Speaker 1: g T which meant gone to Texas or sp small potatoes. See, kids, 82 00:06:30,680 --> 00:06:35,960 Speaker 1: you didn't invent this. Uh. This texting leak speak or 83 00:06:35,960 --> 00:06:40,720 Speaker 1: whatever they call it is late leite speak. Yeah, they 84 00:06:40,720 --> 00:06:45,080 Speaker 1: were doing it in eighteen thirty eight. And one of 85 00:06:45,120 --> 00:06:49,520 Speaker 1: the terms that people would apparently say back then was 86 00:06:50,080 --> 00:06:54,440 Speaker 1: all right, and it was literally spelled for whatever reason 87 00:06:54,520 --> 00:06:59,960 Speaker 1: O L L W R I g h T all right, 88 00:07:00,400 --> 00:07:04,920 Speaker 1: which was abbreviated as ow uh. And they and they're 89 00:07:04,960 --> 00:07:08,720 Speaker 1: saying that turned into okay all right. Now, look, there 90 00:07:08,800 --> 00:07:11,360 Speaker 1: is some debate. There are people who say, actually this 91 00:07:11,440 --> 00:07:15,480 Speaker 1: type of word was used by the Choctall Native Americans, 92 00:07:15,520 --> 00:07:18,920 Speaker 1: and some people even say that there were Africans that 93 00:07:19,240 --> 00:07:21,200 Speaker 1: were slaves that were brought over and they used a 94 00:07:21,240 --> 00:07:25,000 Speaker 1: similar word like k or whatever. But I'm just telling 95 00:07:25,040 --> 00:07:27,200 Speaker 1: you this is what they they said is the most 96 00:07:27,240 --> 00:07:29,560 Speaker 1: common word here. That's what they're believing, and this is 97 00:07:29,560 --> 00:07:34,360 Speaker 1: where they think it came from, this American abbreviation so 98 00:07:35,600 --> 00:07:37,600 Speaker 1: to me, you know. And then of course they say 99 00:07:37,680 --> 00:07:42,080 Speaker 1: later on, maybe all right was turned into like all correct, 100 00:07:42,240 --> 00:07:44,640 Speaker 1: but correct was spelled K O R R E C T. 101 00:07:45,000 --> 00:07:47,760 Speaker 1: This is some weird stuff, but it's kind of interesting. 102 00:07:47,800 --> 00:07:49,280 Speaker 1: Like I said, you can go anywhere in the world 103 00:07:49,320 --> 00:07:51,960 Speaker 1: and you say okay, and that may be the one 104 00:07:52,040 --> 00:07:57,080 Speaker 1: word that allows you to somehow exist in a completely 105 00:07:57,160 --> 00:08:02,520 Speaker 1: unfamiliar society. And so I go, well, you know this, 106 00:08:02,680 --> 00:08:06,880 Speaker 1: that's interesting. An American English word has that status. And 107 00:08:06,920 --> 00:08:09,840 Speaker 1: then I started thinking about other kind of extreme words. 108 00:08:10,240 --> 00:08:12,320 Speaker 1: Now here's an easier one. I was like, okay, well, 109 00:08:12,320 --> 00:08:15,000 Speaker 1: what's the first word of the alphabet. I bet you 110 00:08:15,040 --> 00:08:16,640 Speaker 1: can come up with this one if you think about 111 00:08:16,680 --> 00:08:20,120 Speaker 1: it for a second. What is generally considered the first 112 00:08:20,200 --> 00:08:26,120 Speaker 1: word in the English alphabet. Well, usually it is considered 113 00:08:27,000 --> 00:08:31,560 Speaker 1: ard vark. Okay, that's spelled a A R D V 114 00:08:31,920 --> 00:08:39,240 Speaker 1: A R k ard vark. And an ard vark is uh. 115 00:08:39,320 --> 00:08:43,800 Speaker 1: Let's see, it's a a burrowing nocturnal mammal native to 116 00:08:44,120 --> 00:08:49,000 Speaker 1: Africa with a long, pig pig like snout used to 117 00:08:49,000 --> 00:08:52,040 Speaker 1: sniff out food. Surely you know what an ard vark is. 118 00:08:52,840 --> 00:08:56,359 Speaker 1: And they say that in the native African language there, 119 00:08:56,360 --> 00:09:05,319 Speaker 1: aard vark means earth pig, earth pig, or sometimes ground pig. Okay, 120 00:09:05,360 --> 00:09:08,679 Speaker 1: that makes that makes sense. I guess art is like 121 00:09:09,200 --> 00:09:12,280 Speaker 1: earth in that language, and vark is some kind of pigs, 122 00:09:12,280 --> 00:09:16,840 Speaker 1: so it's a ground pig, right. So then I was like, well, 123 00:09:16,920 --> 00:09:22,360 Speaker 1: what's the last word in the English language? Now this one? 124 00:09:22,840 --> 00:09:27,960 Speaker 1: Surely you don't know this. Uh. Usually in most dictionaries 125 00:09:28,000 --> 00:09:34,400 Speaker 1: the last word in the English language is ziz zyevya. Okay, 126 00:09:34,480 --> 00:09:38,400 Speaker 1: let me spell that for you, z y z z 127 00:09:39,200 --> 00:09:46,040 Speaker 1: y v a zizieva. And that is a tropical beetle. 128 00:09:48,000 --> 00:09:50,080 Speaker 1: And I was like, okay, well, what's up with this beetle? 129 00:09:51,000 --> 00:09:53,400 Speaker 1: And it says that it's a genus of South American 130 00:09:53,480 --> 00:09:58,120 Speaker 1: weevils found on our near palm trees. And I was like, well, 131 00:09:58,240 --> 00:10:00,200 Speaker 1: what who named it that? You know? And they say 132 00:10:00,200 --> 00:10:02,600 Speaker 1: it was first described in ninety two by this guy 133 00:10:02,679 --> 00:10:07,800 Speaker 1: named Thomas Lincoln Casey, Jr. And uh, they're not sure 134 00:10:07,800 --> 00:10:12,120 Speaker 1: exactly why he called it that. Um. It says here 135 00:10:12,200 --> 00:10:17,880 Speaker 1: that some people think that he did it because well, 136 00:10:17,920 --> 00:10:21,760 Speaker 1: there was some kind of like, uh other thing called ziza, 137 00:10:21,920 --> 00:10:23,920 Speaker 1: which is some kind of leafhopper, and he might have 138 00:10:23,960 --> 00:10:26,720 Speaker 1: based it on that. But some entomologists at the New 139 00:10:26,800 --> 00:10:29,079 Speaker 1: York Museum of Natural History said that he thought that 140 00:10:29,160 --> 00:10:32,000 Speaker 1: Casey made up the word as a joke to quote. 141 00:10:32,000 --> 00:10:35,320 Speaker 1: Have the last word in quote. Okay, so that's how 142 00:10:35,400 --> 00:10:37,839 Speaker 1: I guess anybody can do that. But I'm just gonna 143 00:10:37,880 --> 00:10:41,800 Speaker 1: make up a new word. Okay, there you go. I 144 00:10:41,880 --> 00:10:43,839 Speaker 1: just made it up. Put it in the book. It's 145 00:10:43,840 --> 00:10:48,640 Speaker 1: the last word the dictionary. It means uh extreme. Yeah, 146 00:10:48,679 --> 00:10:52,839 Speaker 1: I just came up with that. It's it's tendenzs it 147 00:10:52,880 --> 00:10:59,680 Speaker 1: means extreme alright. So anyway, look, I'm studying this stuff 148 00:11:00,280 --> 00:11:04,240 Speaker 1: and I start thinking about the fact that I I 149 00:11:04,320 --> 00:11:07,719 Speaker 1: live close to this road that you may or may 150 00:11:07,720 --> 00:11:13,640 Speaker 1: not have heard of before, and it's called Zizis Road. Okay. Now, 151 00:11:13,679 --> 00:11:17,719 Speaker 1: this is a really weird place and it has attracted 152 00:11:18,440 --> 00:11:24,240 Speaker 1: um a lot of bizarre activity. And this ties in 153 00:11:24,280 --> 00:11:27,520 Speaker 1: to a spot in the desert that is considered mystical, 154 00:11:27,960 --> 00:11:31,360 Speaker 1: which connects to another spot at the desert that's considered mystical, 155 00:11:31,640 --> 00:11:36,000 Speaker 1: which connects to another spot, and then it connects to 156 00:11:36,080 --> 00:11:40,000 Speaker 1: something geologic. Okay, stay with me here, folks. When we 157 00:11:40,000 --> 00:11:43,120 Speaker 1: come back, I will explain more and you'll see where 158 00:11:43,120 --> 00:11:45,560 Speaker 1: this is going. Hey. By the way, you know, I 159 00:11:45,600 --> 00:11:48,120 Speaker 1: have a new workshop here in Las Vegas, and I 160 00:11:48,120 --> 00:11:51,400 Speaker 1: am producing some really cool products the rest of this year. 161 00:11:51,400 --> 00:11:53,920 Speaker 1: I have one coming out I'm only gonna I'm gonna 162 00:11:54,000 --> 00:11:57,160 Speaker 1: make twenty of this new product. I'm gonna keep one 163 00:11:57,240 --> 00:12:00,920 Speaker 1: for myself, and I'm gonna make nineteen just to sell 164 00:12:01,120 --> 00:12:04,679 Speaker 1: and put out there and see if anybody else finds 165 00:12:04,679 --> 00:12:07,440 Speaker 1: it as exciting as I do. The way you find 166 00:12:07,440 --> 00:12:10,680 Speaker 1: out about stuff like that is to go to Joshua 167 00:12:10,800 --> 00:12:13,720 Speaker 1: pee Warren dot com and sign up for my free 168 00:12:13,720 --> 00:12:16,360 Speaker 1: E newsletter. It takes you two seconds. Right there on 169 00:12:16,400 --> 00:12:18,160 Speaker 1: the home page, you'll see where you put your email 170 00:12:18,160 --> 00:12:20,679 Speaker 1: address in you hit submit. When you do that, you 171 00:12:20,720 --> 00:12:24,080 Speaker 1: will instantly receive an automated email from me with some 172 00:12:24,240 --> 00:12:28,520 Speaker 1: links to some free digital online goodies that you can 173 00:12:28,559 --> 00:12:32,760 Speaker 1: immediately tap into to start manifesting stuff and make your 174 00:12:32,800 --> 00:12:36,760 Speaker 1: life a much better life. Go to Joshua pee Warren 175 00:12:36,840 --> 00:12:39,480 Speaker 1: dot com. There's no period after the p and sign 176 00:12:39,559 --> 00:12:42,760 Speaker 1: up for the free E newsletter. Okay, I am Joshua 177 00:12:42,840 --> 00:12:46,840 Speaker 1: pe Warren. And you're listening to Strange Things on the 178 00:12:46,880 --> 00:12:49,480 Speaker 1: I Heart Radio and Coast to Coast stay in para 179 00:12:49,600 --> 00:12:53,920 Speaker 1: normal podcast network. Alright, I will be all right back. 180 00:13:25,600 --> 00:13:29,600 Speaker 1: Welcome back to Strange Things of the I Heart Radio 181 00:13:29,720 --> 00:13:33,440 Speaker 1: and Coach to Coacht. They am paranormal podcast network. I 182 00:13:33,440 --> 00:13:36,600 Speaker 1: am your host, the Wizard of Weird, Joshua P. Warren, 183 00:13:37,040 --> 00:13:41,320 Speaker 1: beaming into your wormhole brain from my studio and Sin City, 184 00:13:41,760 --> 00:13:45,440 Speaker 1: Las Vegas, Nevada, where every day is golden and every 185 00:13:45,520 --> 00:13:49,200 Speaker 1: night is silver. It's amazing how often I will meet 186 00:13:49,280 --> 00:13:54,760 Speaker 1: a person, and I'm sure it's an uncommon question that 187 00:13:54,880 --> 00:13:58,160 Speaker 1: I will say, so, why did your parents name you that? 188 00:13:59,720 --> 00:14:02,839 Speaker 1: And and often I get a blank look and say, 189 00:14:02,880 --> 00:14:04,880 Speaker 1: I don't know. I don't know why I have the 190 00:14:04,960 --> 00:14:07,200 Speaker 1: name that I have. And I've always thought that was 191 00:14:07,240 --> 00:14:11,160 Speaker 1: intriguing that so many people don't even know why this 192 00:14:11,400 --> 00:14:15,120 Speaker 1: name that they're stuck with for the most part, has 193 00:14:15,160 --> 00:14:18,480 Speaker 1: been has been given to them by another person because 194 00:14:18,520 --> 00:14:23,960 Speaker 1: it's important. And when it comes to the letter Z, 195 00:14:25,920 --> 00:14:29,360 Speaker 1: why do I feel like I'm on Sesame Street right now? Cookie? 196 00:14:29,400 --> 00:14:36,640 Speaker 1: Cookie cookies? The letter Z is a very u bizarre 197 00:14:37,000 --> 00:14:41,840 Speaker 1: and outstanding letter. You know, my friend Darren Evans, he 198 00:14:42,080 --> 00:14:44,400 Speaker 1: is an expert on the history of the letter Z, 199 00:14:45,560 --> 00:14:48,680 Speaker 1: and he said that it's always been associated with some 200 00:14:48,800 --> 00:14:56,600 Speaker 1: kind of um ethereal and often uh frightful kind of mentality. 201 00:14:56,640 --> 00:14:59,840 Speaker 1: He said that apparently, and I'm trying to remember what 202 00:14:59,880 --> 00:15:01,240 Speaker 1: he said. I think he said, like in the Middle 203 00:15:01,280 --> 00:15:06,240 Speaker 1: Ages that UH as a when a person died and 204 00:15:06,360 --> 00:15:10,120 Speaker 1: the uh, the lips of the corpse would draw back. 205 00:15:11,000 --> 00:15:14,640 Speaker 1: It looked like the person was pronouncing the letter Z 206 00:15:15,680 --> 00:15:19,840 Speaker 1: and so Z became associated with death. And so he 207 00:15:19,920 --> 00:15:24,480 Speaker 1: was always talking about this demon named zoe zo um 208 00:15:24,760 --> 00:15:27,680 Speaker 1: and a lot of what he has said has been 209 00:15:27,920 --> 00:15:33,320 Speaker 1: eerily uh connected to what has been happening in the world. 210 00:15:33,560 --> 00:15:37,600 Speaker 1: For example, he said, if you write zo zo zozo 211 00:15:38,640 --> 00:15:42,000 Speaker 1: that it looks a lot like and so he predicted 212 00:15:42,040 --> 00:15:44,160 Speaker 1: that the year would be a really bad year, and 213 00:15:44,280 --> 00:15:47,960 Speaker 1: guess what it turned out to be one of the 214 00:15:48,800 --> 00:15:54,600 Speaker 1: worst years in modern history. Uh. And so there is 215 00:15:54,680 --> 00:15:57,760 Speaker 1: something you know, interesting about z and yet Darren named 216 00:15:57,800 --> 00:16:01,040 Speaker 1: his son Zach, so you know, it's not necessarily a 217 00:16:01,080 --> 00:16:03,880 Speaker 1: bad thing. There's just you know, I think there's a 218 00:16:03,920 --> 00:16:05,960 Speaker 1: power there that you have to be careful with when 219 00:16:06,000 --> 00:16:09,160 Speaker 1: when you're playing around. And so living in Las Vegas, 220 00:16:09,720 --> 00:16:12,920 Speaker 1: you know, I can drive south of here and uh, 221 00:16:13,120 --> 00:16:17,520 Speaker 1: in four hours, I'm in Los Angeles and so uh 222 00:16:17,800 --> 00:16:20,440 Speaker 1: it's pretty cool because you know, I love the ocean 223 00:16:20,640 --> 00:16:22,120 Speaker 1: and I'm in the middle of the desert. So I 224 00:16:22,200 --> 00:16:25,160 Speaker 1: can drive and in four hours I can be you know, 225 00:16:25,560 --> 00:16:28,800 Speaker 1: practically like Laguna Beach and and get my ocean fixed 226 00:16:28,920 --> 00:16:32,880 Speaker 1: once in a while. And when you make that drive, 227 00:16:33,560 --> 00:16:37,680 Speaker 1: there comes a point where you you pass this road. 228 00:16:37,880 --> 00:16:40,560 Speaker 1: I think anybody who's made that drive has has noticed it. 229 00:16:41,440 --> 00:16:45,600 Speaker 1: You see this exit as you're going south on Interstate fifteen, 230 00:16:46,240 --> 00:16:49,600 Speaker 1: once you get into California for a little ways, you 231 00:16:49,680 --> 00:16:53,520 Speaker 1: see this weird sign for this exit called Zizix Road 232 00:16:54,160 --> 00:16:57,640 Speaker 1: z z y z x z z y z X. 233 00:16:58,520 --> 00:17:01,720 Speaker 1: And I, as as curious as I have been, I 234 00:17:01,800 --> 00:17:04,800 Speaker 1: have never actually gone down that road because whenever I've 235 00:17:04,840 --> 00:17:07,200 Speaker 1: been going to Los Angeles, I've been in a hurry 236 00:17:07,240 --> 00:17:09,680 Speaker 1: because I need to get there for some reason, and 237 00:17:09,800 --> 00:17:11,920 Speaker 1: then whenever I've been coming back, I'm in a hurry. 238 00:17:12,400 --> 00:17:15,119 Speaker 1: So I've just never taken the time to specifically go 239 00:17:15,240 --> 00:17:17,240 Speaker 1: there because there's nothing else at that spot. You'd have 240 00:17:17,320 --> 00:17:20,480 Speaker 1: to almost make that like a soul the sole purpose 241 00:17:20,520 --> 00:17:24,000 Speaker 1: of your trip. Well, apparently, if you take that exit 242 00:17:24,280 --> 00:17:27,240 Speaker 1: in the middle of the Mojave Desert basically, and you 243 00:17:27,400 --> 00:17:30,040 Speaker 1: drive like four and a half miles, there is this 244 00:17:30,760 --> 00:17:35,720 Speaker 1: beautiful little natural oasis there. There is a spring with 245 00:17:35,960 --> 00:17:39,320 Speaker 1: palm trees around it, and there are these kind of old, 246 00:17:39,440 --> 00:17:43,200 Speaker 1: decrepit but still kind of cool looking concrete structures that 247 00:17:43,280 --> 00:17:46,520 Speaker 1: are dilapidated and and you can look this up and 248 00:17:46,880 --> 00:17:49,320 Speaker 1: see for yourself. Well, here's the story behind this place. 249 00:17:50,640 --> 00:17:55,200 Speaker 1: So there was this guy named Curtis hal Springer who 250 00:17:55,359 --> 00:18:01,080 Speaker 1: was born in Alabama in eight and he came uh 251 00:18:01,240 --> 00:18:04,520 Speaker 1: sort of a first a radio evangelist and then like 252 00:18:04,640 --> 00:18:07,080 Speaker 1: a self proclaimed doctor and all this kind of stuff. 253 00:18:07,320 --> 00:18:09,600 Speaker 1: I think if you actually look up how he described 254 00:18:09,720 --> 00:18:14,040 Speaker 1: himself and says that he said he was a Methodist preacher, 255 00:18:15,440 --> 00:18:20,679 Speaker 1: a vitamin salesman, and now he became a resort owner 256 00:18:20,800 --> 00:18:23,840 Speaker 1: because he found this little oasis out there in the 257 00:18:23,920 --> 00:18:28,720 Speaker 1: desert and he decided that he was going to open 258 00:18:28,840 --> 00:18:33,240 Speaker 1: up this little health resort. I think it was originally 259 00:18:33,480 --> 00:18:36,600 Speaker 1: referred to as like Soda Springs. So he went out 260 00:18:36,640 --> 00:18:40,119 Speaker 1: there and he just kind of like claimed this land. Uh, 261 00:18:40,280 --> 00:18:43,720 Speaker 1: this was in let me see here. He did this 262 00:18:44,760 --> 00:18:51,200 Speaker 1: in nineteen Uh, hang on a second, I have too 263 00:18:51,359 --> 00:18:53,199 Speaker 1: way too many notes in front of me right now. 264 00:18:54,480 --> 00:18:59,880 Speaker 1: He did this in nineteen Okay, So in the middle 265 00:18:59,920 --> 00:19:02,560 Speaker 1: of of World War two ninety four he went out 266 00:19:02,560 --> 00:19:05,600 Speaker 1: there and he claimed this place and he created this 267 00:19:05,840 --> 00:19:09,680 Speaker 1: like spa he's he said, it's twelve thousand acres. He 268 00:19:09,720 --> 00:19:11,160 Speaker 1: had a big sign on the side of the road 269 00:19:11,720 --> 00:19:14,440 Speaker 1: and he said, hey, just come on out here, park 270 00:19:14,520 --> 00:19:17,680 Speaker 1: your car. You're invited to have dinner with us for free. 271 00:19:17,880 --> 00:19:20,600 Speaker 1: Just come on out and have dinner with us. And 272 00:19:20,880 --> 00:19:24,680 Speaker 1: people would go there, and he had some kind of 273 00:19:24,760 --> 00:19:27,280 Speaker 1: like a little little farm where he had goats and 274 00:19:27,440 --> 00:19:31,520 Speaker 1: rabbits and stuff, and uh, he would put people up 275 00:19:31,960 --> 00:19:34,639 Speaker 1: and helped him detox. He wouldn't allow you know, alcohol 276 00:19:34,960 --> 00:19:38,000 Speaker 1: or smoking or any of that kind of stuff, and 277 00:19:38,080 --> 00:19:43,920 Speaker 1: he would sell them his vitamins. And the thing is, 278 00:19:44,040 --> 00:19:47,000 Speaker 1: it's like this seemed like a really cool idea, but 279 00:19:47,080 --> 00:19:50,199 Speaker 1: it also became kind of creepy because it all there 280 00:19:50,240 --> 00:19:52,840 Speaker 1: was almost like a cultish thing about being trapped out 281 00:19:52,840 --> 00:19:55,360 Speaker 1: in the desert with this guy and that whole world 282 00:19:55,480 --> 00:19:58,199 Speaker 1: where xhisiks and everybody's like where this come from. Well, 283 00:19:58,240 --> 00:20:00,879 Speaker 1: apparently he was a marketing guy. And what they claim 284 00:20:01,320 --> 00:20:03,520 Speaker 1: is that he just wanted to make up a word 285 00:20:04,440 --> 00:20:07,000 Speaker 1: that people would pay attention to, and that would he 286 00:20:07,160 --> 00:20:11,400 Speaker 1: thought be the last word in the English dictionary physics, 287 00:20:11,560 --> 00:20:13,560 Speaker 1: And so you know that he was playing. He was 288 00:20:13,640 --> 00:20:18,520 Speaker 1: toying with this concept and see the thing is he 289 00:20:18,640 --> 00:20:21,960 Speaker 1: had this oddball life. I bet you somebody like Vance 290 00:20:22,040 --> 00:20:25,639 Speaker 1: Pollock would really enjoy looking up this guy and reading 291 00:20:25,680 --> 00:20:28,200 Speaker 1: about the stuff he did. This is Vance's kind of dude, 292 00:20:28,280 --> 00:20:32,879 Speaker 1: Curtis house Springer. But eventually the government said that he 293 00:20:33,400 --> 00:20:36,560 Speaker 1: had no right to that land, that he'd been squatting there, 294 00:20:36,920 --> 00:20:40,680 Speaker 1: and so in the nineteen seventies they evicted him, and 295 00:20:40,800 --> 00:20:43,639 Speaker 1: then they really went after him and he ended up 296 00:20:43,680 --> 00:20:47,960 Speaker 1: going to prison for false advertising. But he lived a 297 00:20:48,000 --> 00:20:50,960 Speaker 1: long time. He died in Las Vegas in Night five 298 00:20:51,160 --> 00:20:57,800 Speaker 1: at age eight. And but that site now it's it's 299 00:20:57,840 --> 00:21:01,560 Speaker 1: a part of the uh, the National Forest Service, I guess. 300 00:21:02,040 --> 00:21:04,160 Speaker 1: And I can't believe I haven't been there. I'm gonna 301 00:21:04,200 --> 00:21:05,600 Speaker 1: have to make a trip and just I'll tell you 302 00:21:05,680 --> 00:21:09,679 Speaker 1: about it. Um. But there's something so eerie about if 303 00:21:09,680 --> 00:21:11,600 Speaker 1: there was even like a kind of a horror and 304 00:21:11,680 --> 00:21:14,679 Speaker 1: more and more of like a thriller, like a crime 305 00:21:14,840 --> 00:21:18,000 Speaker 1: thriller movie called Zizi's Road that came out in two 306 00:21:18,080 --> 00:21:21,680 Speaker 1: thousand and six, and it started, uh Katherine Heigel before 307 00:21:21,720 --> 00:21:24,520 Speaker 1: she really hit it big and acting and so but anyway, 308 00:21:24,760 --> 00:21:27,119 Speaker 1: so this guy was like he was attracted to go 309 00:21:27,200 --> 00:21:30,520 Speaker 1: out there to the desert and create this this place 310 00:21:30,720 --> 00:21:35,480 Speaker 1: you know called you know, Zizi Springs at a Zizik Road. No, 311 00:21:35,600 --> 00:21:38,280 Speaker 1: that's okay. And what I thought was kind of interesting 312 00:21:38,440 --> 00:21:40,560 Speaker 1: is I started thinking about this dude who did this 313 00:21:40,640 --> 00:21:43,520 Speaker 1: in nineteen forty four and then you know, not too 314 00:21:43,640 --> 00:21:48,000 Speaker 1: far away, kind of down the road in nineteen fifty 315 00:21:48,160 --> 00:21:53,320 Speaker 1: three is where another man, George van Tassel, he went 316 00:21:53,400 --> 00:21:55,640 Speaker 1: out in the middle of the desert and he decided 317 00:21:55,720 --> 00:21:59,800 Speaker 1: to create some kind of weird uh place to commune 318 00:22:00,080 --> 00:22:05,120 Speaker 1: with extraterrestrial forces and the Cosmos. Now you've probably heard 319 00:22:05,119 --> 00:22:08,680 Speaker 1: of George van Tassel. Um he created what is called 320 00:22:08,720 --> 00:22:14,200 Speaker 1: the Integratron. Now, George van Tassel was born in nineteen 321 00:22:14,280 --> 00:22:19,000 Speaker 1: ten in Jefferson, Ohio. And he uh, well, he was 322 00:22:19,040 --> 00:22:22,440 Speaker 1: a very smart guy. Um apparently you know. He he 323 00:22:22,520 --> 00:22:27,119 Speaker 1: worked as an aircraft mechanic. He worked for Hughes Aircraft 324 00:22:27,240 --> 00:22:32,159 Speaker 1: and Lockheed and um, he was very well respected in 325 00:22:32,480 --> 00:22:37,440 Speaker 1: in his field. And he said that at some point, um, 326 00:22:37,520 --> 00:22:39,840 Speaker 1: I guess this was like in the early nineteen fifties, 327 00:22:40,200 --> 00:22:43,080 Speaker 1: that he woke up one morning and there was a 328 00:22:43,240 --> 00:22:46,119 Speaker 1: man standing at the foot of his bed and this 329 00:22:46,359 --> 00:22:49,919 Speaker 1: was apparently an alien, and outside of his house there 330 00:22:50,040 --> 00:22:53,600 Speaker 1: was this flying saucer kind of shimmering and glittering out 331 00:22:53,640 --> 00:22:58,399 Speaker 1: of hovering, and the man told Van Tassel that he 332 00:22:58,800 --> 00:23:02,840 Speaker 1: was from Venus, and this began this relationship where he's 333 00:23:02,880 --> 00:23:06,320 Speaker 1: trying to give all this advice to Van Tassel about 334 00:23:06,359 --> 00:23:11,119 Speaker 1: how to improve humanity, and eventually, uh, he he tells 335 00:23:11,240 --> 00:23:13,399 Speaker 1: Van Tassel to go out to this big rock in 336 00:23:13,440 --> 00:23:16,440 Speaker 1: the middle of the desert called well called fittingly enough, 337 00:23:16,560 --> 00:23:21,879 Speaker 1: Giant Rock. And this is a seven story boulder near Landers, California, 338 00:23:21,960 --> 00:23:25,680 Speaker 1: there in the Mojave Um. And there was also this 339 00:23:25,840 --> 00:23:28,240 Speaker 1: bit of a side note, like a weird history already, 340 00:23:28,359 --> 00:23:32,280 Speaker 1: because there was this other guy, uh named Frank Chritzer 341 00:23:32,520 --> 00:23:36,400 Speaker 1: who was like some German immigrant who kind of hung 342 00:23:36,480 --> 00:23:39,399 Speaker 1: out around Giant Rock and made that his house. And 343 00:23:39,520 --> 00:23:42,399 Speaker 1: then eventually the government started thinking he was a spy, 344 00:23:42,640 --> 00:23:46,320 Speaker 1: and so uh he killed himself. He blew himself up 345 00:23:46,359 --> 00:23:49,439 Speaker 1: with dynamite. Uh, there was some kind of a police 346 00:23:49,560 --> 00:23:52,320 Speaker 1: raid there in nineteen forty two and he, yeah, he 347 00:23:52,359 --> 00:23:54,639 Speaker 1: set off some dynamite and blew himself up. So anyway, 348 00:23:55,280 --> 00:23:58,960 Speaker 1: George Fantassel, he liked this place and he went there 349 00:23:59,119 --> 00:24:01,560 Speaker 1: and he started medic hating in nineteen fifty three, and 350 00:24:01,640 --> 00:24:04,800 Speaker 1: these Venusians kept talking to him, and they told him 351 00:24:04,840 --> 00:24:08,680 Speaker 1: that he needed to create this gigantic building there, which 352 00:24:08,680 --> 00:24:14,800 Speaker 1: he called the Integratron, and it was basically um going 353 00:24:15,000 --> 00:24:20,719 Speaker 1: to be a place to create rejuvenation. Like if if 354 00:24:20,760 --> 00:24:22,760 Speaker 1: you would go in there and he the building was 355 00:24:22,840 --> 00:24:24,760 Speaker 1: like kind of like a big machine. You'd go in 356 00:24:24,880 --> 00:24:27,160 Speaker 1: there and he turn on this thing and it would 357 00:24:27,200 --> 00:24:30,520 Speaker 1: rejuvenate you, and then you would also experience some anti 358 00:24:30,600 --> 00:24:35,560 Speaker 1: gravity and some time travel. Okay, when we come back, 359 00:24:35,600 --> 00:24:38,280 Speaker 1: I'm gonna tell you what happened to Van Tassel and 360 00:24:38,480 --> 00:24:42,760 Speaker 1: his Integratron and where I'm going with all this, because 361 00:24:42,800 --> 00:24:46,680 Speaker 1: I'm looking at these weird connections and I go, you 362 00:24:46,760 --> 00:24:50,960 Speaker 1: know what they these guys may have been tapping into 363 00:24:51,119 --> 00:24:55,080 Speaker 1: something that's even deeper than most of us think about. 364 00:24:55,359 --> 00:24:59,240 Speaker 1: I'm Joshua P. Warren. You're listening to Strange Things on 365 00:24:59,400 --> 00:25:02,439 Speaker 1: the I Heart Radio and Coast to Coast, a paranormal 366 00:25:02,480 --> 00:25:42,679 Speaker 1: podcast network. I'll be back after these important messages. Welcome 367 00:25:42,720 --> 00:25:45,840 Speaker 1: back to Strange Things on the I Heart Radio and 368 00:25:46,119 --> 00:25:51,360 Speaker 1: Coast to Coast, a paradormal podcast network. I am your host, 369 00:25:51,520 --> 00:25:53,960 Speaker 1: Joshua Pete Warren, and this is the show where the 370 00:25:54,119 --> 00:26:03,080 Speaker 1: unusual becomes usual. George and Tassel was a former aircraft 371 00:26:03,200 --> 00:26:09,440 Speaker 1: mechanic and a flight inspector who moved out there into 372 00:26:09,480 --> 00:26:14,280 Speaker 1: the desert, started meditating, moved his family out there, and 373 00:26:14,760 --> 00:26:18,120 Speaker 1: you know, he was he was a part of that. UM, 374 00:26:19,760 --> 00:26:23,080 Speaker 1: I don't know, kind of like that that generation of 375 00:26:23,680 --> 00:26:32,800 Speaker 1: contact ease that uh was sort of exemplified by people like, um, 376 00:26:34,200 --> 00:26:40,080 Speaker 1: George Adamski and let's see, uh Truman, Bethroom, Daniel Fry. 377 00:26:40,800 --> 00:26:43,320 Speaker 1: These were people who at that time in the fifties 378 00:26:43,400 --> 00:26:46,840 Speaker 1: were saying, like, we're having all these contacts with these aliens. 379 00:26:48,080 --> 00:26:51,520 Speaker 1: Oftentimes it was happening out west. But the thing is 380 00:26:51,600 --> 00:26:55,720 Speaker 1: they would describe them as being being human like more 381 00:26:55,800 --> 00:26:59,080 Speaker 1: often than not. You didn't, you know, like nowadays you 382 00:26:59,160 --> 00:27:02,280 Speaker 1: hear about the little grays all the time. Uh. And 383 00:27:02,440 --> 00:27:05,399 Speaker 1: that may just be because that it was so popularized 384 00:27:05,440 --> 00:27:08,080 Speaker 1: by people like Whitley Strieber. You know that this this Fisher, 385 00:27:08,160 --> 00:27:09,879 Speaker 1: But back then it was like, no, these are they 386 00:27:10,040 --> 00:27:14,000 Speaker 1: these are these aliens kind of look like people like humans, 387 00:27:14,119 --> 00:27:17,800 Speaker 1: you know. So that's very interesting on a number of levels. 388 00:27:17,840 --> 00:27:20,280 Speaker 1: I guess, but he was given instructions to build this 389 00:27:20,440 --> 00:27:25,639 Speaker 1: thing called the integratron. I don't even know what integratron means. 390 00:27:25,800 --> 00:27:28,680 Speaker 1: I've tried to look into it, and I can't find 391 00:27:28,720 --> 00:27:31,119 Speaker 1: a good explanation for what that word is supposed to mean. 392 00:27:31,200 --> 00:27:35,399 Speaker 1: I know tron is like some kind of technology, and 393 00:27:35,880 --> 00:27:43,199 Speaker 1: the integratron is a a wooden building that is uh 394 00:27:43,520 --> 00:27:46,560 Speaker 1: they call it a cupola, which is kind of like 395 00:27:46,640 --> 00:27:53,879 Speaker 1: a small dome of some sort, and it is, um, 396 00:27:54,080 --> 00:27:56,720 Speaker 1: it's pretty big. It's like, you know, this wooden dome 397 00:27:57,840 --> 00:28:03,959 Speaker 1: is uh. Oh gosh, I'm trying to find the actual 398 00:28:04,080 --> 00:28:06,240 Speaker 1: stats on this. I have way too many screens open 399 00:28:06,240 --> 00:28:08,560 Speaker 1: in front of you. It's thirty eight feet tall. That's 400 00:28:08,560 --> 00:28:13,360 Speaker 1: twelve meters tall, and fifty five ft in diameter. That's 401 00:28:13,400 --> 00:28:19,080 Speaker 1: seventeen meters in diameter. Okay, And so again, the idea 402 00:28:19,200 --> 00:28:22,840 Speaker 1: here is that when when you turn this thing on, uh, 403 00:28:22,960 --> 00:28:25,399 Speaker 1: it's there's like an out and it's unfinished, you know. 404 00:28:25,480 --> 00:28:27,919 Speaker 1: But but there's this outer ring that's supposed to kind 405 00:28:27,920 --> 00:28:34,760 Speaker 1: of spin and uh, it creates some kind of um 406 00:28:35,440 --> 00:28:44,000 Speaker 1: an electro magnetic and electrostatic rejuvenation force, and it it 407 00:28:44,400 --> 00:28:49,880 Speaker 1: intersects with Earth's you know, geomagnetic fields, and uh, look 408 00:28:50,120 --> 00:28:51,960 Speaker 1: when I look at how this thing was supposed to 409 00:28:52,160 --> 00:28:55,960 Speaker 1: end up and it was, it's largely constructive. It reminds 410 00:28:56,040 --> 00:28:58,240 Speaker 1: me of some kind of like a hybrid between like 411 00:28:58,360 --> 00:29:03,200 Speaker 1: a whimshirts electrostatic generator and then some kind of uh 412 00:29:03,960 --> 00:29:07,760 Speaker 1: like Tesla coil sort of thing, and so like if 413 00:29:07,800 --> 00:29:10,560 Speaker 1: you if you actually read what was supposedly written about it, 414 00:29:10,840 --> 00:29:15,040 Speaker 1: it's supposed to generate strong intermittent magnetic fields resulting in 415 00:29:15,080 --> 00:29:18,120 Speaker 1: the generation of plasma in the form of coronal discharge 416 00:29:18,680 --> 00:29:23,000 Speaker 1: and negative air ionization inside the building. Uh. It is 417 00:29:23,040 --> 00:29:26,200 Speaker 1: a combination of a high voltage Tesla coil split ring 418 00:29:26,320 --> 00:29:31,200 Speaker 1: resonator that generates ultra a wide band electromagnetic frequencies. And 419 00:29:31,360 --> 00:29:35,000 Speaker 1: Van Tassel speculated that electro magnetism affects biological cells. But 420 00:29:35,200 --> 00:29:39,600 Speaker 1: did you get all that? But it looks cool, it 421 00:29:39,680 --> 00:29:43,600 Speaker 1: looks really cool. Um they think Howard Hughes donated a 422 00:29:43,680 --> 00:29:45,440 Speaker 1: lot of the money to help make this thing. The 423 00:29:45,520 --> 00:29:51,160 Speaker 1: problem is this ambitious construction project was never completed, and 424 00:29:51,520 --> 00:29:56,360 Speaker 1: that is because George van Tassel Um He died unexpectedly 425 00:29:56,400 --> 00:30:00,200 Speaker 1: at the age of sixty seven in nineteen sevent eight, 426 00:30:01,200 --> 00:30:03,880 Speaker 1: and he was a lot a lot of people, not 427 00:30:04,000 --> 00:30:07,600 Speaker 1: surprisingly think that his death was suspicious. He died in 428 00:30:07,640 --> 00:30:11,320 Speaker 1: a hotel room in California just before going on a 429 00:30:11,400 --> 00:30:13,440 Speaker 1: big TV program where he was going to talk more 430 00:30:13,440 --> 00:30:16,800 Speaker 1: about his word. So he died of the of a 431 00:30:16,880 --> 00:30:22,280 Speaker 1: heart attack. UM. And today though still certain times of 432 00:30:22,320 --> 00:30:26,200 Speaker 1: the year, you can go visit the Integratron and they 433 00:30:26,280 --> 00:30:30,320 Speaker 1: have what they call sonic healing sessions. Uh. In fact, 434 00:30:30,840 --> 00:30:34,080 Speaker 1: if you go to integratron dot com I N T 435 00:30:34,200 --> 00:30:38,040 Speaker 1: E g R A t R O N integratron dot com. Uh, 436 00:30:38,080 --> 00:30:42,240 Speaker 1: they're advertising um again, like certain months of the year, 437 00:30:42,880 --> 00:30:44,520 Speaker 1: certain days of certain months of the year, you can 438 00:30:44,560 --> 00:30:47,320 Speaker 1: go and get like a sound bath they call it. 439 00:30:48,280 --> 00:30:51,160 Speaker 1: And let's see what they say about that. It says, uh, 440 00:30:51,440 --> 00:30:54,520 Speaker 1: this is an unforgettable sound experience for those who seek 441 00:30:54,600 --> 00:30:59,560 Speaker 1: deep relaxation, rejuvenation and introspection. Sixty minutes. Sonic healing consists 442 00:30:59,640 --> 00:31:03,280 Speaker 1: of a brief introduction to the Integratron and its history 443 00:31:03,320 --> 00:31:07,880 Speaker 1: of sound qualities, thirty five minutes of twenty quartz crystal 444 00:31:08,000 --> 00:31:11,920 Speaker 1: singing bowls played live, and the balance of the hour 445 00:31:12,040 --> 00:31:15,120 Speaker 1: to integrate sound and relax in the sound chamber to 446 00:31:15,240 --> 00:31:18,600 Speaker 1: ambient music. Okay, sounds cool. I guess one day I'll 447 00:31:18,640 --> 00:31:22,920 Speaker 1: probably go do that. Um, But look, here's my point, 448 00:31:23,000 --> 00:31:26,760 Speaker 1: all right. I started thinking about, like all these guys 449 00:31:27,120 --> 00:31:31,479 Speaker 1: who were attracted to these weird vibrations and they were 450 00:31:31,560 --> 00:31:34,480 Speaker 1: moving out there into the desert to build something that 451 00:31:34,600 --> 00:31:39,720 Speaker 1: they fought would help us to commune with the spirits, 452 00:31:40,280 --> 00:31:43,560 Speaker 1: whether we're talking about you know, Zizi's spring and that 453 00:31:43,840 --> 00:31:46,760 Speaker 1: whole weird vibe or the integrat Fron and now here 454 00:31:46,840 --> 00:31:51,400 Speaker 1: I am, and I'm kind of doing the same sort 455 00:31:51,440 --> 00:31:55,000 Speaker 1: of thing because I, as you know, I bought this 456 00:31:55,200 --> 00:31:58,400 Speaker 1: property in Rachel, Nevada, right outside of area fifty one, 457 00:31:59,040 --> 00:32:01,200 Speaker 1: and that is where I am going to be building 458 00:32:01,320 --> 00:32:07,040 Speaker 1: a machine that I believe will possibly open a portal 459 00:32:07,120 --> 00:32:10,800 Speaker 1: in the desert. And I started thinking about, like, why 460 00:32:10,840 --> 00:32:13,960 Speaker 1: am I attracted to this idea like kind of like 461 00:32:14,080 --> 00:32:15,880 Speaker 1: these other guys have been. And I don't want to 462 00:32:15,920 --> 00:32:18,120 Speaker 1: compare myself to them because I don't really know what 463 00:32:18,400 --> 00:32:20,920 Speaker 1: what they were all about, but still you can see 464 00:32:21,160 --> 00:32:25,400 Speaker 1: the connection there. And I started thinking about the fact that, 465 00:32:25,480 --> 00:32:29,920 Speaker 1: you know, for years I have talked about the NASA 466 00:32:30,320 --> 00:32:36,000 Speaker 1: gravity map because Earth has an inconsistent gravitational field, and 467 00:32:36,080 --> 00:32:39,640 Speaker 1: it's always slightly shifting, but it has certain consistencies. There 468 00:32:39,680 --> 00:32:41,960 Speaker 1: are places where the gravitational field of Earth is a 469 00:32:42,000 --> 00:32:46,520 Speaker 1: little bit stronger or a little bit weaker. And uh, 470 00:32:47,120 --> 00:32:51,200 Speaker 1: gravity is still one of the most mysterious things. And 471 00:32:52,120 --> 00:32:54,360 Speaker 1: in science we don't even know if we should call 472 00:32:54,400 --> 00:32:58,640 Speaker 1: it a force. Time and gravity. I mean, yeah, these 473 00:32:58,680 --> 00:33:04,240 Speaker 1: are the deep deepest, easier. And I found years ago 474 00:33:04,480 --> 00:33:07,200 Speaker 1: that if you take a list of some of the 475 00:33:07,280 --> 00:33:12,320 Speaker 1: most paranormally active places on planet Earth and you plot 476 00:33:12,400 --> 00:33:16,080 Speaker 1: them on a map, and then you overlay gravity maps 477 00:33:16,160 --> 00:33:19,960 Speaker 1: from NASA that show the strengths and weaknesses of the 478 00:33:20,000 --> 00:33:23,600 Speaker 1: Earth's gravitational field, many of the places that we consider 479 00:33:23,680 --> 00:33:29,000 Speaker 1: paranormally active are places where you have weaker gravity. And 480 00:33:29,120 --> 00:33:33,640 Speaker 1: in fact, if you want to see for yourself, here's 481 00:33:33,640 --> 00:33:36,840 Speaker 1: what you do. Okay, Uh, you go to just go 482 00:33:37,000 --> 00:33:41,480 Speaker 1: to go get online and do a search for NASA 483 00:33:42,200 --> 00:33:46,840 Speaker 1: Eyes on the Earth NASA Eyes on the Earth, and 484 00:33:46,960 --> 00:33:52,880 Speaker 1: it brings up this fantastic free interactive website where you 485 00:33:53,000 --> 00:33:55,920 Speaker 1: can look at all these different kind of like um 486 00:33:56,880 --> 00:34:00,800 Speaker 1: forces around the Earth provided by NASA, and one of 487 00:34:00,840 --> 00:34:03,840 Speaker 1: them you can click on is the gravity field provided 488 00:34:04,080 --> 00:34:08,400 Speaker 1: by the grace FO Gravity Field Map Project, and you 489 00:34:08,480 --> 00:34:12,600 Speaker 1: can see at certain points in time what the gravitational 490 00:34:13,080 --> 00:34:17,960 Speaker 1: field of different spots on the Earth uh looked like. Unfortunately, 491 00:34:18,040 --> 00:34:20,320 Speaker 1: it's not in real time because they're they're kind of 492 00:34:20,400 --> 00:34:22,560 Speaker 1: scanning the Earth and then they update it once in 493 00:34:22,600 --> 00:34:25,879 Speaker 1: a while. But what you find is that, uh, look, 494 00:34:26,080 --> 00:34:28,880 Speaker 1: even though the gravitational field around the Earth is kind 495 00:34:28,920 --> 00:34:32,920 Speaker 1: of flexible and and and unpredictable, uh, there are certain 496 00:34:32,960 --> 00:34:36,360 Speaker 1: areas that are more consistent. So like, for example, it 497 00:34:36,520 --> 00:34:40,840 Speaker 1: is it's possible it can rain anywhere on the Earth. 498 00:34:41,880 --> 00:34:45,440 Speaker 1: Like look at Death Valley, California. It's the the hottest 499 00:34:45,560 --> 00:34:49,000 Speaker 1: driest place on planet Earth, and they got a flood 500 00:34:49,320 --> 00:34:54,520 Speaker 1: the other day, big flood, but that was unusual. Okay, 501 00:34:54,640 --> 00:34:57,520 Speaker 1: it can rain anywhere on Earth, but it's unusual to 502 00:34:57,560 --> 00:35:01,920 Speaker 1: get a flood. Paranormal activity hand appear anywhere on Earth, 503 00:35:03,000 --> 00:35:08,880 Speaker 1: but it's more common in places that have weaker gravitational fields. 504 00:35:09,760 --> 00:35:12,480 Speaker 1: And I know this because I sat down with my 505 00:35:12,600 --> 00:35:14,960 Speaker 1: wife Lauren years ago and we came up with a 506 00:35:15,080 --> 00:35:19,040 Speaker 1: list of about a hundred places that are famous places 507 00:35:19,080 --> 00:35:21,799 Speaker 1: around the world for paranormal activity. We did we had 508 00:35:22,080 --> 00:35:25,320 Speaker 1: divided it into ghosts and hauntings, and then UFOs and 509 00:35:25,480 --> 00:35:29,640 Speaker 1: aliens and encryptids, and then like ancient sacred sites and 510 00:35:29,840 --> 00:35:33,560 Speaker 1: unexplained lights and triangles, and we had stuff like, Okay, 511 00:35:33,560 --> 00:35:36,400 Speaker 1: I'm just looking at it right now. You've got Myrtles 512 00:35:36,440 --> 00:35:42,840 Speaker 1: Plantation in Louisiana. Uh, Dracula's Castle there in Romania, the 513 00:35:42,920 --> 00:35:47,040 Speaker 1: hell Fire Club in Ireland. Uh gosh one. You know 514 00:35:47,120 --> 00:35:51,120 Speaker 1: the Stanley Hotel at Estes Park. You've got the Overton Bridge. 515 00:35:51,160 --> 00:35:55,600 Speaker 1: And in Scotland we have UFOs in Aguadya, Puerto Rico, 516 00:35:55,960 --> 00:36:03,040 Speaker 1: Roswell Stephenville, the Phoenix Lights near Um. You got uh 517 00:36:04,080 --> 00:36:07,760 Speaker 1: Og Pogo. There in Canada, you got big Foot around 518 00:36:07,840 --> 00:36:11,000 Speaker 1: Bluff Creek, got the Lizard Man. I mean this is 519 00:36:11,200 --> 00:36:14,480 Speaker 1: this is a heck of a list of paranormal hotspots. 520 00:36:14,840 --> 00:36:18,280 Speaker 1: You know, the Temple Mountains Jerusalem, I mean again, spiritual stuff, 521 00:36:18,320 --> 00:36:23,120 Speaker 1: Mount Sinai and Egypt, the Great Pyramid Stonehenge, Machu Picchu, 522 00:36:23,360 --> 00:36:28,600 Speaker 1: the Nasca Lines, Go Beckley, Teppi, Brown Mountain, North Carolina, Hesslin, Norway, 523 00:36:29,160 --> 00:36:32,000 Speaker 1: Bermuda Triangle. We we took this list and we plotted 524 00:36:32,760 --> 00:36:35,480 Speaker 1: all of these places, and we saw that there is 525 00:36:35,520 --> 00:36:40,919 Speaker 1: a connection between this lower amount of gravity and these 526 00:36:40,960 --> 00:36:45,080 Speaker 1: paranormal phenomena. And this inspired me to think that maybe 527 00:36:46,000 --> 00:36:51,280 Speaker 1: if you have easier access to paranormal activity at places 528 00:36:51,400 --> 00:36:54,960 Speaker 1: with with lower gravitational fields, you can do an experiment 529 00:36:55,080 --> 00:36:59,359 Speaker 1: there that will help you get paranormal data. And I'm 530 00:36:59,400 --> 00:37:02,560 Speaker 1: looking at the whole southwest of the the u S 531 00:37:02,640 --> 00:37:06,560 Speaker 1: were all of these these guys like myself have been 532 00:37:06,600 --> 00:37:10,000 Speaker 1: attracted to build these kind of like portal type places, 533 00:37:10,440 --> 00:37:13,560 Speaker 1: and the gravity there is very low. So I attempted 534 00:37:13,560 --> 00:37:16,560 Speaker 1: an experiment and I'm kind of embarrassed to tell you 535 00:37:16,760 --> 00:37:19,000 Speaker 1: what happened, but I'm going to play some audio for 536 00:37:19,120 --> 00:37:22,600 Speaker 1: you when I get back. I'm Joshua Pete Warren. You're 537 00:37:22,680 --> 00:37:26,440 Speaker 1: listening to Strange Things on the I Heart Radio and 538 00:37:26,600 --> 00:37:31,120 Speaker 1: Coast to Coast, a paranormal podcast network. I'll be right 539 00:37:31,200 --> 00:38:07,000 Speaker 1: back and welcome back to the final segment of this 540 00:38:07,360 --> 00:38:10,719 Speaker 1: edition of Strange Things on the I Heart Radio and 541 00:38:10,920 --> 00:38:14,759 Speaker 1: Coast to Coast, a am paranormal podcast network. I am 542 00:38:14,840 --> 00:38:18,799 Speaker 1: your host, Joshua Pee Warren, and this segment is kind 543 00:38:18,880 --> 00:38:22,160 Speaker 1: of a call to action because I know a lot 544 00:38:22,239 --> 00:38:27,200 Speaker 1: of you who listen to this show are experimenters. You 545 00:38:27,280 --> 00:38:29,640 Speaker 1: may be a nerd at geek like me, and I 546 00:38:29,800 --> 00:38:32,600 Speaker 1: need your help. I want you to go out and 547 00:38:32,680 --> 00:38:35,360 Speaker 1: I want you to do an experiment. Let me explain. Okay, 548 00:38:35,480 --> 00:38:38,719 Speaker 1: So as I have told you, I think you can 549 00:38:38,760 --> 00:38:44,839 Speaker 1: see for yourself. If you overlay the most consistent aspects 550 00:38:45,000 --> 00:38:50,399 Speaker 1: of the earth gravitational anomalies with paranormal hotspots, you'll find 551 00:38:50,480 --> 00:38:52,880 Speaker 1: that a lot of the places where paranormal activity occurs, 552 00:38:53,920 --> 00:38:59,520 Speaker 1: those places have usually a weaker gravitational field. Places that 553 00:38:59,600 --> 00:39:03,680 Speaker 1: have a wronger field tend to be more like protective places, 554 00:39:03,920 --> 00:39:09,080 Speaker 1: sacred areas, churches, monasteries. And that's interesting because there may 555 00:39:09,160 --> 00:39:12,560 Speaker 1: be a connection because that people, you know, they get 556 00:39:12,640 --> 00:39:15,920 Speaker 1: afraid of paranormal activity, and so they go to a 557 00:39:16,000 --> 00:39:18,440 Speaker 1: place where it's not as prevalent, and that's where they 558 00:39:18,680 --> 00:39:22,319 Speaker 1: consider it a protective spot and they build their their 559 00:39:22,680 --> 00:39:26,480 Speaker 1: their sacred areas. So I wanted to study this effect, 560 00:39:26,760 --> 00:39:28,400 Speaker 1: and I thought, well, look, okay, I'm not gonna be 561 00:39:28,440 --> 00:39:33,240 Speaker 1: able to send instruments into outer space, but maybe something 562 00:39:33,360 --> 00:39:37,640 Speaker 1: kind of close to that is to take instrument readings 563 00:39:37,880 --> 00:39:42,120 Speaker 1: from an object from an instrument that is in free fall. 564 00:39:42,800 --> 00:39:45,560 Speaker 1: Because when an object is in a state of free fall. 565 00:39:46,080 --> 00:39:50,520 Speaker 1: It's basically witless in terms of what we think of 566 00:39:50,719 --> 00:39:53,279 Speaker 1: as as weightlessness. And look, I'm not a physicist, but 567 00:39:54,000 --> 00:39:56,360 Speaker 1: free fall is a very special state where things are 568 00:39:56,440 --> 00:39:59,600 Speaker 1: kind of, you know, floating in at an almost anti 569 00:39:59,719 --> 00:40:04,160 Speaker 1: grad any kind of uh position. I guess I don't 570 00:40:04,200 --> 00:40:05,759 Speaker 1: know if I'm worrying that right, but I think you 571 00:40:05,840 --> 00:40:07,600 Speaker 1: know what I'm talking about. It's like you take the 572 00:40:07,680 --> 00:40:11,480 Speaker 1: vomit uh commet or whatever they call the airplane where 573 00:40:11,560 --> 00:40:13,720 Speaker 1: you know, it just goes in a freefall and everybody 574 00:40:13,760 --> 00:40:16,319 Speaker 1: starts floating around just like they're in outer space. I mean, 575 00:40:16,400 --> 00:40:20,320 Speaker 1: you've seen that. The problem is when you drop an instrument, 576 00:40:21,040 --> 00:40:23,440 Speaker 1: it drops so fast, so quickly, you don't have much 577 00:40:23,560 --> 00:40:28,719 Speaker 1: time to get data. So I figured, I'm gonna take 578 00:40:28,719 --> 00:40:31,680 Speaker 1: an audio recorder and I'm gonna find a really high spot, 579 00:40:31,800 --> 00:40:33,759 Speaker 1: and i'm gonna hit the record button and I'm gonna 580 00:40:33,880 --> 00:40:36,920 Speaker 1: drop it and see what happens, you know. And I 581 00:40:37,080 --> 00:40:39,880 Speaker 1: so I got this little recorder and I shielded it, 582 00:40:39,920 --> 00:40:42,200 Speaker 1: and I put all this phone and bubble wrap and 583 00:40:42,239 --> 00:40:45,560 Speaker 1: everything around it. And I quickly found out that it's 584 00:40:45,640 --> 00:40:48,479 Speaker 1: not so easy to find a good spot to drop 585 00:40:48,600 --> 00:40:52,800 Speaker 1: something from a high location, uh, It's kind of taboo actually, 586 00:40:52,920 --> 00:40:55,239 Speaker 1: because when you go to a spot and you start, 587 00:40:55,320 --> 00:40:58,799 Speaker 1: you know, dropping something, uh from really high up, well, 588 00:40:58,920 --> 00:41:00,360 Speaker 1: there are people who are like, well, what if you 589 00:41:00,520 --> 00:41:03,920 Speaker 1: hit somebody and kill them or you hit something and 590 00:41:04,000 --> 00:41:08,239 Speaker 1: destroy it, and they're all these like liability issues. So 591 00:41:08,560 --> 00:41:12,080 Speaker 1: I finally finagled my way into an opportunity. And I'm 592 00:41:12,080 --> 00:41:14,759 Speaker 1: not gonna tell you how I did this, but I 593 00:41:14,840 --> 00:41:17,520 Speaker 1: got a friend who said, you got this one shot 594 00:41:17,680 --> 00:41:20,680 Speaker 1: to go up on top of this seventy ft structure 595 00:41:21,360 --> 00:41:24,600 Speaker 1: and drop your recorder. And I said, great. So I 596 00:41:24,680 --> 00:41:28,719 Speaker 1: got this recorder all prepared and this I don't want 597 00:41:28,719 --> 00:41:30,279 Speaker 1: to say even where this was, but it was here 598 00:41:30,320 --> 00:41:33,960 Speaker 1: in the in the country. I went up about seventy 599 00:41:34,000 --> 00:41:37,000 Speaker 1: ft and I had a straight drop and I hit 600 00:41:37,040 --> 00:41:42,200 Speaker 1: the record button and I dropped this thing. Now, from 601 00:41:42,320 --> 00:41:46,160 Speaker 1: dropping it at at at about seventy uh to hit 602 00:41:46,200 --> 00:41:48,960 Speaker 1: the ground, I think it was maybe around two seconds 603 00:41:49,040 --> 00:41:52,719 Speaker 1: or something like that. So then I went down and 604 00:41:52,840 --> 00:41:55,360 Speaker 1: I had one shot at this okay, So I retrieved 605 00:41:55,400 --> 00:42:01,920 Speaker 1: the recorder and I played it, and holy moley, uh, 606 00:42:02,360 --> 00:42:07,480 Speaker 1: for those two seconds, I heard what sounded to me 607 00:42:07,760 --> 00:42:15,040 Speaker 1: like a jumble of strange voices and I was so excited. 608 00:42:15,880 --> 00:42:19,120 Speaker 1: I said, there may be something to this. I don't know, like, 609 00:42:19,200 --> 00:42:21,440 Speaker 1: if this is just some kind of like radio interference, 610 00:42:21,480 --> 00:42:23,400 Speaker 1: then why would Why did I not pick it up 611 00:42:23,440 --> 00:42:25,759 Speaker 1: before I dropped it when I was up high or 612 00:42:25,800 --> 00:42:28,120 Speaker 1: after at landed. It was only during that period of 613 00:42:28,160 --> 00:42:32,320 Speaker 1: free fall? Why was that? So? I took this recorder 614 00:42:32,440 --> 00:42:36,400 Speaker 1: back to my office and then it wouldn't work anymore. 615 00:42:38,200 --> 00:42:41,239 Speaker 1: And I realized that, I guess even though it it 616 00:42:41,400 --> 00:42:43,759 Speaker 1: worked right after I had dropped it, I don't know 617 00:42:43,880 --> 00:42:46,720 Speaker 1: what happened to it. I guess something got jog loose. 618 00:42:47,560 --> 00:42:49,440 Speaker 1: And I wanted to tell the world about this, but 619 00:42:49,640 --> 00:42:52,680 Speaker 1: I I was like, I it embarrasses me to make 620 00:42:52,760 --> 00:42:55,960 Speaker 1: some kind of like profound claim that I've discovered something, 621 00:42:56,160 --> 00:42:58,840 Speaker 1: but I can't actually demonstrate it and prove it, Okay, 622 00:42:59,840 --> 00:43:02,839 Speaker 1: And right around that time, I was about to um 623 00:43:03,320 --> 00:43:05,880 Speaker 1: I can. I was making trips to the desert, and 624 00:43:05,960 --> 00:43:08,840 Speaker 1: I figured when I moved to Las Vegas, I'll have 625 00:43:08,960 --> 00:43:11,560 Speaker 1: a better opportunity to do this experiment. I'm gonna buy 626 00:43:11,640 --> 00:43:14,239 Speaker 1: a drone and I'm gonna fly this thing way up 627 00:43:14,239 --> 00:43:16,520 Speaker 1: in the sky and I'm gonna start dropping recorders, and 628 00:43:16,680 --> 00:43:19,560 Speaker 1: you know, so Anyway, I moved to Vegas, I bought 629 00:43:19,600 --> 00:43:24,000 Speaker 1: a drone and then it turns out it is almost 630 00:43:24,080 --> 00:43:28,320 Speaker 1: impossible to fly a drone around here because everything's restricted. 631 00:43:28,520 --> 00:43:31,600 Speaker 1: I mean it's super This is probably the most restrictive 632 00:43:32,280 --> 00:43:36,239 Speaker 1: drone place on the planet. So anyway, because you know, 633 00:43:36,280 --> 00:43:38,400 Speaker 1: we got area fifty one in elis Air four space. 634 00:43:38,480 --> 00:43:43,080 Speaker 1: But I did get a drone anyway, and took it 635 00:43:43,120 --> 00:43:45,120 Speaker 1: out into the desert and then I was like, well, 636 00:43:45,200 --> 00:43:47,000 Speaker 1: now I gotta figure out how I'm gonna get that. 637 00:43:47,080 --> 00:43:50,680 Speaker 1: I bought this little mechanism that would drop things, like 638 00:43:50,840 --> 00:43:53,439 Speaker 1: you could take it to a party and drop water 639 00:43:53,520 --> 00:43:56,640 Speaker 1: balloons on people, and I hooked the recorder up to that, 640 00:43:56,880 --> 00:43:58,880 Speaker 1: and then the drone wouldn't work right, and it's just 641 00:43:59,000 --> 00:44:03,640 Speaker 1: like this was doomed. I was never able to reproduce this. 642 00:44:04,520 --> 00:44:07,840 Speaker 1: And finally I was like, you know what, I'm not 643 00:44:07,960 --> 00:44:11,280 Speaker 1: a drone guy, and this is getting frustrating. I contacted 644 00:44:11,360 --> 00:44:13,880 Speaker 1: helicopter companies and asked them if they would work with 645 00:44:14,000 --> 00:44:17,200 Speaker 1: me and let me drop something from the helicopter. Nobody 646 00:44:17,280 --> 00:44:19,160 Speaker 1: wanted to work with me. I mean, it's it's just 647 00:44:19,280 --> 00:44:23,640 Speaker 1: it's been really frustrating. So here's what I did. I 648 00:44:23,840 --> 00:44:30,080 Speaker 1: sat down and I made a recording that sounds like 649 00:44:30,440 --> 00:44:34,880 Speaker 1: what I heard during those two or three seconds or 650 00:44:34,880 --> 00:44:37,960 Speaker 1: however long it was that I that I originally got 651 00:44:38,040 --> 00:44:40,960 Speaker 1: that I've never been able to reproduce, and I want 652 00:44:41,040 --> 00:44:43,839 Speaker 1: to play for you this. Now, this is not an 653 00:44:43,880 --> 00:44:47,040 Speaker 1: actual recording. This is me trying to give you something 654 00:44:47,120 --> 00:44:51,160 Speaker 1: that sounds similar to what I heard. And then after 655 00:44:51,239 --> 00:44:54,080 Speaker 1: you hear this, I'm going to tell you what I want. 656 00:44:54,680 --> 00:44:59,239 Speaker 1: I want us to do here as as an audience experiment. Okay, 657 00:44:59,400 --> 00:45:02,680 Speaker 1: so let me to stop here. Even though the recording 658 00:45:02,760 --> 00:45:05,920 Speaker 1: that I got was only two or three seconds, um I, 659 00:45:06,440 --> 00:45:09,239 Speaker 1: because we're on a podcast here, I extended this out, 660 00:45:09,320 --> 00:45:12,440 Speaker 1: so this is like seventeen seconds, but it gives you 661 00:45:12,560 --> 00:45:15,040 Speaker 1: more of an idea of what it sounded like. Okay, 662 00:45:15,120 --> 00:45:18,960 Speaker 1: are you ready? Here is my recreation and again it's 663 00:45:19,040 --> 00:45:42,080 Speaker 1: not at all perfect, but it's close. Here you go, yeah, yeah, 664 00:45:42,160 --> 00:45:46,759 Speaker 1: I know, I know. But here's the thing. Um I, 665 00:45:48,520 --> 00:45:52,719 Speaker 1: I feel like that if what I got there was 666 00:45:52,880 --> 00:45:56,560 Speaker 1: something that taps into the ability for us to pick 667 00:45:56,680 --> 00:46:02,680 Speaker 1: up paranormal sounds than um I. I was gonna kind 668 00:46:02,680 --> 00:46:04,799 Speaker 1: of keep this to myself, but now I'm like, look, 669 00:46:05,200 --> 00:46:07,759 Speaker 1: I should I shouldn't do that. I want to tell 670 00:46:07,800 --> 00:46:09,480 Speaker 1: all of you about this and let you go out 671 00:46:09,520 --> 00:46:11,319 Speaker 1: there and you try it. Let's see if you could 672 00:46:11,480 --> 00:46:13,640 Speaker 1: you can actually capture this. I just want to know, 673 00:46:14,920 --> 00:46:17,839 Speaker 1: and if this is not something paranormal, maybe there's another 674 00:46:17,960 --> 00:46:20,680 Speaker 1: explanation for why that when an object is in free 675 00:46:20,719 --> 00:46:25,200 Speaker 1: fall like this recorder, that would pick up more strange 676 00:46:25,440 --> 00:46:28,160 Speaker 1: kind of voices and weird little interference than it would 677 00:46:28,239 --> 00:46:30,879 Speaker 1: before it's in free fall, regardless of it being high 678 00:46:30,960 --> 00:46:33,280 Speaker 1: up or low down. This is just a normal recorder. 679 00:46:33,320 --> 00:46:35,319 Speaker 1: I don't think it matters what kind of recorder you use. 680 00:46:35,880 --> 00:46:38,279 Speaker 1: So if you were in a position where you have 681 00:46:38,440 --> 00:46:41,880 Speaker 1: access to a high location and drop it off of 682 00:46:41,960 --> 00:46:44,359 Speaker 1: a I don't know, a fire rescue tower or something 683 00:46:44,480 --> 00:46:46,879 Speaker 1: like that, if you're a fireman, or or if you're 684 00:46:46,920 --> 00:46:49,080 Speaker 1: a pilot, you know, maybe you could like drop it 685 00:46:49,160 --> 00:46:52,680 Speaker 1: off of your airplane or your helicopter, or maybe you 686 00:46:52,719 --> 00:46:54,719 Speaker 1: can do it Ben Franklin and just get a kite 687 00:46:54,840 --> 00:46:56,680 Speaker 1: up there and release. I don't know how you do 688 00:46:56,840 --> 00:47:00,799 Speaker 1: this best, but if any of you listening can do that, Uh, 689 00:47:01,040 --> 00:47:05,200 Speaker 1: if you capture nothing, fine, but if you capture a 690 00:47:05,320 --> 00:47:08,440 Speaker 1: similar phenomenon, I want to hear all about it, and 691 00:47:08,520 --> 00:47:10,200 Speaker 1: I want to hear that recording, and I want to 692 00:47:10,239 --> 00:47:12,440 Speaker 1: play it on the show because I think that this 693 00:47:12,680 --> 00:47:15,359 Speaker 1: is just another example of how we can look at 694 00:47:15,400 --> 00:47:20,800 Speaker 1: the relationship between the mysteries of Earth, the mystery of gravity, 695 00:47:21,440 --> 00:47:27,640 Speaker 1: between these paranormal hotspots interdimensional weather, and we can see 696 00:47:27,760 --> 00:47:30,680 Speaker 1: if we can look at areas that will give us 697 00:47:30,760 --> 00:47:36,000 Speaker 1: the highest likelihood of finally capturing something paranormal using our 698 00:47:36,120 --> 00:47:40,719 Speaker 1: instrumentation in a new way. And you can see why 699 00:47:40,800 --> 00:47:43,800 Speaker 1: this might yield some results, because who the heck is 700 00:47:43,920 --> 00:47:47,160 Speaker 1: doing this stuff right? And if they are, they're not 701 00:47:47,320 --> 00:47:50,719 Speaker 1: paranormal investigators there with NASA or the government or something, 702 00:47:50,800 --> 00:47:53,239 Speaker 1: and they're not talking about ghosts. When when when they 703 00:47:53,280 --> 00:47:57,560 Speaker 1: get their result? So okay, I told you it was 704 00:47:57,560 --> 00:48:01,200 Speaker 1: gonna be a weird mind bending journal or journey, and 705 00:48:01,440 --> 00:48:06,239 Speaker 1: I guess it's a journal of a journey. But I 706 00:48:06,360 --> 00:48:09,719 Speaker 1: hope you've enjoyed taking the ride and jumping into the 707 00:48:09,800 --> 00:48:12,520 Speaker 1: rabbit hole. So now I think it's time for us 708 00:48:12,600 --> 00:48:14,680 Speaker 1: to listen to another tone. You know where I'm going 709 00:48:14,760 --> 00:48:18,320 Speaker 1: with this, don't you. I get so much positive feedback 710 00:48:18,560 --> 00:48:21,520 Speaker 1: from this tone, I gotta play it almost every week 711 00:48:21,600 --> 00:48:23,360 Speaker 1: all right. I want you to take a deep breath, 712 00:48:23,880 --> 00:48:26,960 Speaker 1: if you can close your eyes, I want you to relax. 713 00:48:27,440 --> 00:48:29,759 Speaker 1: I don't know why this seems to work so well, 714 00:48:30,000 --> 00:48:32,480 Speaker 1: but it does. I want your next week to be 715 00:48:32,560 --> 00:48:36,680 Speaker 1: the best one ever, So enjoy, meditate on the good 716 00:48:36,760 --> 00:49:02,960 Speaker 1: fortune tongue. That's it for this edition of the show. 717 00:49:03,200 --> 00:49:07,319 Speaker 1: Follow me on Twitter at Joshua pe Warren, Plus visit 718 00:49:07,480 --> 00:49:09,960 Speaker 1: Joshua pe Warren dot com to sign up for my 719 00:49:10,280 --> 00:49:14,560 Speaker 1: free e newsletter to receive a free instant gift, and 720 00:49:15,000 --> 00:49:17,919 Speaker 1: check out the cool Stuff and the Curiosity Shop all 721 00:49:18,160 --> 00:49:21,399 Speaker 1: at Joshua P Warren dot com. I have a fun 722 00:49:21,520 --> 00:49:24,640 Speaker 1: one lined up for you next time, I promise. So 723 00:49:24,880 --> 00:49:27,960 Speaker 1: please tell all your friends to subscribe to this show 724 00:49:28,760 --> 00:49:33,360 Speaker 1: and to always remember the Golden Rule. Thank you for listening, 725 00:49:34,320 --> 00:49:37,239 Speaker 1: thank you for your interest in support, thank you for 726 00:49:37,400 --> 00:49:42,160 Speaker 1: staying curious, and I we'll talk to you again soon. 727 00:49:43,320 --> 00:49:46,640 Speaker 1: You've been listening to Strange Things on the I Heart 728 00:49:46,760 --> 00:49:51,520 Speaker 1: Radio and Coast to Coast st a UM Paranormal podcast network. 729 00:50:00,040 --> 00:50:07,840 Speaker 1: M M well, if you like this episode of Strange Things, 730 00:50:08,120 --> 00:50:10,719 Speaker 1: wait till you hear the next one. Thank you for 731 00:50:10,840 --> 00:50:13,680 Speaker 1: listening to the I Heart Radio and Coast to coast, 732 00:50:13,760 --> 00:50:16,200 Speaker 1: a m paranormal podcast network.