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Speaker 1: R and B money, Honey, we are.

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Speaker 2: Thanks.

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Speaker 1: Take Valotie, we are the authority on.

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Speaker 2: All things R and B.

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Speaker 1: Ladies and gentlemen money and miss Tank Valentine and this

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Speaker 1: is the money the authority.

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Speaker 3: Come on talking about all.

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Speaker 2: Things R and B.

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Speaker 1: Yeah, yeah, yeah, don't make dollars, don't It don't make.

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Speaker 3: Sense you feel me?

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Speaker 4: You know, sometimes you need to make sure that as

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Speaker 4: we are throwing our gifts sometimes and extending our services

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Speaker 4: all over the world in the universe, that there is

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Speaker 4: a reciprocation that something comes back to let us know

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Speaker 4: we are doing a good job. What I'm trying to

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Speaker 4: say is this man has many dollars. Aha, so many dollars.

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Speaker 4: Then he had to put the dollar in his Cockta him,

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Speaker 4: Ladies and gentlemen, our brother be very own.

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Speaker 2: Yeah, yeah, appreciate y'all. Man absolutely sitting next to some

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Speaker 2: legends right now.

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Speaker 1: Listen, brother, I'm starting it off like this, nigga, you.

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Speaker 2: Cold appreciate you, bro.

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Speaker 1: Man, I'm listening to free TC all I hear is

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Speaker 1: Ella I said.

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Speaker 2: Man. Shout out to everybody involved on that one Chords

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Speaker 2: Battle Cash, James Fauntleroy, Brandy, the Homies, D n D.

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Speaker 5: Yeah, Benjamin right with the strings.

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Speaker 2: It was a movie.

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Speaker 1: Because I'm a right on the strings, disrespectful.

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Speaker 3: Do your google, do your Googles.

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Speaker 1: And I'm just sitting there listening to it, like because

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Speaker 1: I'm an intro guy. I'm an I'm an intro interlude

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Speaker 1: song like when you do those kinds of things. I'm

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Speaker 1: listening to see what you're doing because I come from

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Speaker 1: the jo to see you understand what I'm saying. I

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Speaker 1: come from DeVante swang with inter losing intros are everything

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Speaker 1: that right there, My brother, I.

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Speaker 3: Appreciate you now you aren't fucking around. You were sucking around,

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Speaker 3: and that we're gonna're gonna start off here right because

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Speaker 3: we're gon We're gonna just we're gonna say it. I

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Speaker 3: know y'all be talking about here rapper. This man is

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Speaker 3: an R and B singer. I don't fuck what nobody

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Speaker 3: I know. I know he was on the Freshman double

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Speaker 3: Lex hel cover, which are you the only singer that

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Speaker 3: might have ever got that?

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Speaker 5: That same year it was me in August. I was

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Speaker 5: seen that.

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Speaker 2: Wow.

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Speaker 5: Okay, yeah man, Okay, so they didn't have some R

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Speaker 5: and B shit on there.

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Speaker 3: But they throw you in this category of being a rapper.

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Speaker 3: It's just it's just because I look like this. I

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Speaker 3: woke up like this, You feel me? Do you think

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Speaker 3: do you think that's what it is though? Do you

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Speaker 3: think it's because of the content.

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Speaker 5: It's the content. It's because I look like this.

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Speaker 2: But it's always melody and everything I've ever dropped, and

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Speaker 2: there's never been like a mono tone type. You know,

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Speaker 2: there's many people I can name, but it's it's I've

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Speaker 2: never rapped. If you really like pay attention, you can't

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Speaker 2: find one verse where it's rapped.

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Speaker 1: It's all saying yeah, is it because they don't know

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Speaker 1: where to put you?

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Speaker 2: Yeah, Because it's like when I came in the game,

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Speaker 2: R and B was like, it never was like what

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Speaker 2: I was doing, you know what I mean. There's other

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Speaker 2: people that kind of tapped in, but never just as

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Speaker 2: far as I was at with it with the lyrics

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Speaker 2: and the content and shit.

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Speaker 5: So they had to kind of make a new thing

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Speaker 5: for me. But people kept it in hip hop, and

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Speaker 5: then there.

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Speaker 2: Was more after me, like absolutely absolutely, you know the

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Speaker 2: same kind of thing talking crazy but with melody.

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Speaker 1: You know, because I just don't think people truly understand

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Speaker 1: how gifted you are. You know what I mean, just

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Speaker 1: as they may try to, because I think putting you

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Speaker 1: in a rap category really diminishes all of the gifts

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Speaker 1: that you have, like you are, you are all things.

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Speaker 1: You can walk in that lab by yourself and get

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Speaker 1: it completely done, and that's not what's talked about enough.

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Speaker 2: Yeah, I appreciate you for saying that, bro, real deal. Lately,

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Speaker 2: I've been getting into this streaming world and ship. I

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Speaker 2: got a twitch and it's a twitch last Ti Dollar Sign. Yeah, yeah,

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Speaker 2: I got a fitch as well with you know how

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Speaker 2: they say fenced to. I got just like the studio

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Speaker 2: one too, if you know, you know. But I'm glad

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Speaker 2: for that platform because people now get to see It's

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Speaker 2: like like you said, people try to be like, oh,

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Speaker 2: I didn't know you could play keys. I didn't know

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Speaker 2: you played guitar, you play bass, I didn't know you

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Speaker 2: make beats.

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Speaker 5: I didn't know you do this.

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Speaker 3: I didn't know.

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Speaker 5: I didn't even know you sing.

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Speaker 2: Like that, which is crazy to me because it's like,

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Speaker 2: if you've ever been to a Tie Dollar Sign show,

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Speaker 2: you would know, and so many people have been, and

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Speaker 2: so many people have put it online, but somehow there's

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Speaker 2: this confusion or this narrative that I'm the rap guy.

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Speaker 5: But thank you for saying that, bro, because I'm so

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Speaker 5: far from that.

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Speaker 1: And and so I think we can even we can

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Speaker 1: even start there, like we can even go go back

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Speaker 1: to where it was. It was you the musician, Yeah,

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Speaker 1: playing Forreure.

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Speaker 3: Yeah, yeah, yeah, it's one of the guys. He was

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Speaker 3: one of the guys. He was you know, I mean,

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Speaker 3: he was one of the cats.

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Speaker 2: Man, you're playing like this is not so you just

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Speaker 2: I just seen Tank at the Brandy Monica show. So

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Speaker 2: I was telling whoever I was with that day, like

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Speaker 2: nah Me and Brandy go back back back. I'm talking

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Speaker 2: about tour. I was nine years old, Brandy and y

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Speaker 2: J was singing backgrounds. I was playing keys. Uh premature,

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Speaker 2: you feel me. Shout out to all the guys, Shout

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Speaker 2: out to Chris and them. It was a lesson, you

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Speaker 2: know what I'm saying. From early it was. It was

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Speaker 2: it was like smoking weed for the first time.

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Speaker 3: They were nine.

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Speaker 5: I was nine years old blood playing keys.

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Speaker 3: Nine year old keyboard player is insane.

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Speaker 5: But then people don't know I'll play keys.

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Speaker 1: But you gotta understand something, right, You got understand something

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Speaker 1: like I saw I saw Immature in concert in the

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Speaker 1: kid band I saw. I was there Baltimore Arena, right,

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Speaker 1: and I'm like, I'm not saying to watch No Kids before.

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Speaker 3: I'm like, yeah, tripping.

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Speaker 1: I mean, I like their music and everything, but I'm

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Speaker 1: not gonna stay and watch No Kids Before them Like

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Speaker 1: my my little girl group reformed, I'm gonna get on

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Speaker 1: out of here. My cars blocked in, I can't leave.

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Speaker 1: I'm say I'm staying checking out. Niggas went crazy. It's

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Speaker 1: like I had never seen. I was like from real superstarshit,

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Speaker 1: from the band, to the dancers, to them, the performance.

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Speaker 3: Everything.

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Speaker 1: I was like, Oh, this is another It's another level.

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Speaker 1: Like at the time, I had a singing group, gospel group.

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Speaker 1: We used to we used to go around DC, Maryland,

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Speaker 1: Virginia go crazy. I said, I I was watching that

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Speaker 1: show to.

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Speaker 5: Hear some of that he was going.

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Speaker 1: I was going dumb. I was running every note, every

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Speaker 1: every word, every word. I couldn't get it together. But

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Speaker 1: as I'm watching, as I'm watching this this Immature show,

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Speaker 1: I'm like, man, we were in our twenties. No, we're

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Speaker 1: nineteen twenty. We're dope. We're fired. We can't follow them.

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Speaker 1: We can't follow nothing they're doing. Our band ain't like THEIRS,

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Speaker 1: our sound ain't like THEIRS, Our our show isn't like THEIRS.

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Speaker 1: I'm talking like, I don't think people understand the level

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Speaker 1: that immature was on. From top to bottom.

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Speaker 2: It was pro shit.

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Speaker 1: At nine years old, it was pro shit.

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Speaker 5: That was that dude, Chris Stokes man, he had he

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Speaker 5: had his ship together, he had the vision.

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Speaker 1: So how do you even get that call at not

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Speaker 1: My dad was.

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Speaker 5: Homies with him. Basically.

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Speaker 2: My dad had this store right here on Santa Monica

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Speaker 2: and Vine Nadine's right.

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Speaker 5: Next to Paramount.

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Speaker 3: Yeah, and.

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Speaker 2: Everybody used to come through there from the Easy Ease

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Speaker 2: or Gee, anybody from that time, and Chris Stokes was

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Speaker 2: one of them, and uh, you know, some producing ship

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Speaker 2: and they was producing together. And one day my pops

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Speaker 2: was like, yo, you should try out for this band

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Speaker 2: that they got going on. So I tried out playing keys.

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Speaker 2: Next thing you know, I'm on fucking solo training at

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Speaker 2: the time.

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Speaker 3: I'm on our.

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Speaker 2: Senio Hall show, Nigga all the you know, the ship

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Speaker 2: at the time. So it was a crazy experience. It definitely,

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Speaker 2: like I said, it was like for me smoking weed

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Speaker 2: for the first time and just loving it, you know.

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Speaker 2: And now I'm just just been chasing that that ship.

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Speaker 1: But you but you start you started in church.

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Speaker 2: Nah, just started right there because your dad, My dad

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Speaker 2: was in the lakeside and.

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Speaker 5: He was another boy.

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Speaker 1: When did you start playing keys?

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Speaker 3: Though?

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Speaker 2: Right then? Like really from when I was fourt you

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Speaker 2: my pops is like he said, when I was four

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Speaker 2: years old, he was putting together Jermaine Jackson show like

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Speaker 2: on some m D.

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Speaker 5: Ship Wow, and like that for real and it's crazy.

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Speaker 2: He said. He went to the bathroom one time after

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Speaker 2: trying to learn this part, and all of a sudden

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Speaker 2: he just hears the melody play he walks out his

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Speaker 2: knee just by ear at four years old.

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Speaker 5: So I've been on it.

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Speaker 1: Wow, you know.

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Speaker 3: I'm coming back like I don't know.

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Speaker 2: Side man.

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Speaker 1: We did a show and in Cincinnati together we almost

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Speaker 1: got arrested, almost got arrested.

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Speaker 3: I incited a riot.

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Speaker 5: That's crazy.

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Speaker 1: So they had you know how they have like in

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Speaker 1: the park when you do the big shows in the park,

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Speaker 1: they'll have like this v P set with the little

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Speaker 1: lawn chairs out and that's like twenty yards and then

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Speaker 1: they have the fence with the general population did. The

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Speaker 1: VIP wasn't giving me then, and I'm out there and

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Speaker 1: they screaming, going crazy. But they too far. I said, listen,

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Speaker 1: if you're my real fans, I need y'all to jump

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Speaker 1: them fences and get up.

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Speaker 4: No, they jumped the fences, baby, they came to see

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Speaker 4: up player the fire marshals.

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Speaker 5: But I know a lot of us artists have took

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Speaker 5: that same opportunity.

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Speaker 2: They too far.

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Speaker 1: I got a fill of people and you know the

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Speaker 1: fire martial trouble. Yeah, I did many shows side.

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Speaker 5: You ever stage dive before?

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Speaker 2: Have these stage before?

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Speaker 1: I've never stage dived because I was on tour with

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Speaker 1: the King of stage DIVINGE Wow, genuine. So my stage

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Speaker 1: diving was part of security going to get him with

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Speaker 1: stage dive every show.

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Speaker 3: Imagine stage diving at the fast. He's the only nigga

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Speaker 3: I know who's ever done that.

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Speaker 2: He's we're talk of black people at the House of

225
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Speaker 2: Blues because I learned it's like certain things you could

226
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Speaker 2: do with white crowds and certain things you can't.

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Speaker 1: You know, black people going like like going out throwing

228
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Speaker 1: water and.

229
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Speaker 2: Hot No. Man, we must have did that ship in

230
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Speaker 2: New Orleans one time. Brother, Then they have to fight

231
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Speaker 2: the whole club and ship. It was crazy.

232
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Speaker 1: You gotta understand, at this time, Genuine is he's you know,

233
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Speaker 1: he's he's Jesus. Yeah, at this time, this is ninety

234
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Speaker 1: seven Jesus and he's jumping out into that crowd and

235
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Speaker 1: they are tearing him to pieces. He's trying to sing

236
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Speaker 1: Pony in the crowd.

237
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Speaker 2: Floor.

238
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Speaker 1: It's all you hear, all you hear. And the security

239
00:13:10,120 --> 00:13:14,959
Speaker 1: guys are too big to get in to move the

240
00:13:15,080 --> 00:13:18,720
Speaker 1: ladies around to so here comes Little on me. At

241
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Speaker 1: this time, I'm like one fifty five, one sixty and

242
00:13:21,480 --> 00:13:25,760
Speaker 1: I'm just you know. So you see me with Genuine

243
00:13:25,880 --> 00:13:30,800
Speaker 1: on my shoulder walking back to the stage. No, I

244
00:13:31,320 --> 00:13:35,640
Speaker 1: never wanted to stage dive ever. Again, I watched him

245
00:13:35,720 --> 00:13:37,439
Speaker 1: do it. I watched him get sued.

246
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Speaker 3: A lot of shit to come along with a lot

247
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Speaker 3: of ship.

248
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Speaker 1: I watched them Terra's closed, I washed them, scratches back

249
00:13:45,040 --> 00:13:50,400
Speaker 1: in his face, everything Jewelry. I said, no, sir, Yeah,

250
00:13:50,679 --> 00:13:51,559
Speaker 1: so you staged though.

251
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Speaker 2: I used to stage dive, and then I've seen one

252
00:13:55,120 --> 00:13:57,280
Speaker 2: of the homies get sued for stage diving, and I

253
00:13:57,360 --> 00:13:59,520
Speaker 2: never did it again because I noticed it's just like

254
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Speaker 2: that one point where the artistry goes to another level.

255
00:14:04,240 --> 00:14:05,319
Speaker 5: Niggas be looking at.

256
00:14:06,840 --> 00:14:11,880
Speaker 3: See where said dive. I'm sewing where the up? But

257
00:14:12,040 --> 00:14:12,719
Speaker 3: you know what you have?

258
00:14:13,080 --> 00:14:15,440
Speaker 1: You also like you got that type of music. As

259
00:14:15,480 --> 00:14:18,240
Speaker 1: we talk about how talented you are in this musical space,

260
00:14:18,280 --> 00:14:21,040
Speaker 1: you also have those those pockets and zones that you

261
00:14:21,160 --> 00:14:25,360
Speaker 1: go into that lend to that mosh pit. You know

262
00:14:25,360 --> 00:14:27,600
Speaker 1: what I'm saying, Like, sometimes I get beside myself. So

263
00:14:27,600 --> 00:14:29,320
Speaker 1: I'm just telling you. If I was on stage with

264
00:14:29,440 --> 00:14:31,600
Speaker 1: you and you went into one of those records and

265
00:14:31,720 --> 00:14:33,800
Speaker 1: it and it looked it looked good out there.

266
00:14:35,560 --> 00:14:39,280
Speaker 3: If it looked caucas nigga, is that what that was?

267
00:14:39,360 --> 00:14:39,400
Speaker 2: That?

268
00:14:39,440 --> 00:14:41,560
Speaker 1: Where you go with this kind of if it looks

269
00:14:41,800 --> 00:14:47,080
Speaker 1: white niggas, I'm actual permission, first, sure you mind if

270
00:14:47,080 --> 00:14:50,440
Speaker 1: I get a little bit of that you go into

271
00:14:50,480 --> 00:14:52,360
Speaker 1: one of them bonds and I just can't help myself.

272
00:14:53,000 --> 00:14:57,480
Speaker 2: I definitely gotta ask. Now see this on camera? Yeah, actual,

273
00:14:58,680 --> 00:14:59,520
Speaker 2: So I can't sue me.

274
00:15:08,760 --> 00:15:12,240
Speaker 1: So give me the journey in so many words, from

275
00:15:12,320 --> 00:15:15,000
Speaker 1: we already went from fort nine, from for to nine.

276
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Speaker 1: You're okay, So you're you're already You're already gifted, You're

277
00:15:20,360 --> 00:15:24,040
Speaker 1: already gifted from God. We got that, Like, you're a

278
00:15:24,200 --> 00:15:29,600
Speaker 1: child prodigy. How do you get from nine to you know,

279
00:15:30,000 --> 00:15:33,400
Speaker 1: being a pure musician and learning all these things from

280
00:15:33,520 --> 00:15:36,880
Speaker 1: tour and performance and all of these things to tie

281
00:15:37,000 --> 00:15:37,600
Speaker 1: dollar sign?

282
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Speaker 2: There we go.

283
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Speaker 5: So from nine.

284
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Speaker 3: There was like.

285
00:15:45,680 --> 00:15:47,640
Speaker 2: This one point where my dad was like, oh, you

286
00:15:47,720 --> 00:15:51,440
Speaker 2: got to back off of this immature shit. It was

287
00:15:51,480 --> 00:15:56,520
Speaker 2: some shit going on. Mm So I started my own groups.

288
00:15:57,760 --> 00:15:59,640
Speaker 2: I got a group with my brother and just a

289
00:15:59,720 --> 00:16:02,440
Speaker 2: home and then we ended up not doing that. And

290
00:16:02,480 --> 00:16:06,680
Speaker 2: then one of my my dad and them find this

291
00:16:06,840 --> 00:16:09,320
Speaker 2: girl and then it's me, my brother and this girl

292
00:16:09,400 --> 00:16:11,720
Speaker 2: in the group. Her name was in a helica shout

293
00:16:11,720 --> 00:16:14,560
Speaker 2: out to her and her family. We did that group

294
00:16:14,600 --> 00:16:18,240
Speaker 2: for a while, never ended up getting a deal. And

295
00:16:18,320 --> 00:16:19,960
Speaker 2: then I'm just back in school. I got to finish

296
00:16:20,040 --> 00:16:23,960
Speaker 2: middle school, I gotta finish high school, and uh, just

297
00:16:24,000 --> 00:16:26,800
Speaker 2: growing up in LA. It's like all right, yeah, you're

298
00:16:26,800 --> 00:16:28,560
Speaker 2: coming from that, but then it's La, you know what

299
00:16:28,600 --> 00:16:34,120
Speaker 2: I'm saying. And uh at my high school, my first

300
00:16:34,200 --> 00:16:36,760
Speaker 2: high school I went to was Hamilton. So at this

301
00:16:36,840 --> 00:16:42,400
Speaker 2: school that's school music academy. By the time I'm in

302
00:16:42,600 --> 00:16:47,000
Speaker 2: like what eleventh grade, I meet this little nigga name

303
00:16:47,360 --> 00:16:52,960
Speaker 2: O Marion, Right, Oh, is uh going to my school?

304
00:16:53,000 --> 00:16:57,200
Speaker 2: He just like a homie that always comes up dancing

305
00:16:57,280 --> 00:16:59,640
Speaker 2: and shit and rapping. He used to like freestyle, but

306
00:16:59,680 --> 00:17:02,000
Speaker 2: niggas never knew he sung. All of a sudden, I

307
00:17:02,040 --> 00:17:03,480
Speaker 2: don't see this nigga no more. He used to come

308
00:17:03,520 --> 00:17:05,680
Speaker 2: to the house we record. Everybody knew I made beats

309
00:17:05,720 --> 00:17:08,480
Speaker 2: and shit like that, but I wasn't like on the

310
00:17:08,600 --> 00:17:09,680
Speaker 2: singing shit so much.

311
00:17:09,760 --> 00:17:10,080
Speaker 1: No more.

312
00:17:10,160 --> 00:17:12,960
Speaker 2: After these groups, I was more so all right becoming

313
00:17:13,000 --> 00:17:15,280
Speaker 2: an la, you know, high schooler.

314
00:17:15,440 --> 00:17:16,480
Speaker 5: But I'm making beasts.

315
00:17:16,520 --> 00:17:17,040
Speaker 3: That's what I do.

316
00:17:17,320 --> 00:17:23,800
Speaker 5: I'm pulling the bitches. Oh, disappear me Nipsey. Nipsey's at

317
00:17:23,840 --> 00:17:26,040
Speaker 5: the school too, a couple other hommies. Blah blah blah blah.

318
00:17:26,960 --> 00:17:30,119
Speaker 2: Next thing, you know, this group come out of nowhere,

319
00:17:30,240 --> 00:17:33,639
Speaker 2: be two k with the same crew that I was

320
00:17:34,720 --> 00:17:36,919
Speaker 2: immature in them, right, but oh.

321
00:17:36,920 --> 00:17:39,000
Speaker 5: Never we never had these commerce. I never even knew

322
00:17:39,000 --> 00:17:39,360
Speaker 5: he sung.

323
00:17:39,440 --> 00:17:42,320
Speaker 2: None of that shit. Right, they should just blow out

324
00:17:42,320 --> 00:17:44,720
Speaker 2: the water. But I still got that bug. And me like,

325
00:17:44,960 --> 00:17:47,800
Speaker 2: I'm like, I can't wait, you know, to my ship.

326
00:17:49,720 --> 00:17:53,440
Speaker 2: So fast forward, fast forward when I'm like eighteen, and

327
00:17:53,560 --> 00:17:59,520
Speaker 2: I get out of high school somehow, Oh, through my

328
00:17:59,600 --> 00:18:00,280
Speaker 2: pops again.

329
00:18:01,200 --> 00:18:02,359
Speaker 5: I get home to my apartment.

330
00:18:02,400 --> 00:18:04,560
Speaker 2: I have my own apartment at this time, and when

331
00:18:04,640 --> 00:18:08,080
Speaker 2: I get there, it's this dude in my apartment named

332
00:18:08,160 --> 00:18:12,000
Speaker 2: John Lampkin, who's this drummer, and my dad let him.

333
00:18:12,160 --> 00:18:13,640
Speaker 2: I don't know he must let him in. My shit,

334
00:18:13,640 --> 00:18:15,159
Speaker 2: I don't even know how that nigga got into my

335
00:18:15,200 --> 00:18:17,520
Speaker 2: apartment to this day. Oh why, I didn't do nothing

336
00:18:17,560 --> 00:18:22,680
Speaker 2: to him, but we end up chopping it up. He

337
00:18:22,880 --> 00:18:24,600
Speaker 2: was listening to my music. He was like, oh, that

338
00:18:24,680 --> 00:18:27,000
Speaker 2: shit your dad played. If your shit is crazy, da

339
00:18:27,080 --> 00:18:28,520
Speaker 2: da da, I want to introduce you to one of

340
00:18:28,600 --> 00:18:31,240
Speaker 2: my peoples. So he introduces me to this guy named

341
00:18:31,280 --> 00:18:37,119
Speaker 2: Kamara Campbell. Kamara was working at Virgin Records. He was

342
00:18:37,200 --> 00:18:40,239
Speaker 2: also the guy that was producing with Doctor Dre at

343
00:18:40,280 --> 00:18:44,320
Speaker 2: the time. Eminem my name is Mary J. Blige, So

344
00:18:44,600 --> 00:18:47,159
Speaker 2: he started introducing me to all those people signed me.

345
00:18:48,720 --> 00:18:51,199
Speaker 2: I guess the deal fell through over there at Virgin,

346
00:18:51,880 --> 00:18:55,880
Speaker 2: but he's still putting me into scoring movies and shit.

347
00:18:56,000 --> 00:18:58,280
Speaker 2: So he's scoring movies at the time and like including me.

348
00:18:58,960 --> 00:19:01,520
Speaker 2: Some shit called Havana Nights, some shit called Biker Boys,

349
00:19:01,600 --> 00:19:04,919
Speaker 2: some ship called the cookout clean Latifa, and you can

350
00:19:05,000 --> 00:19:07,879
Speaker 2: hear my old music in there, like before I was

351
00:19:07,920 --> 00:19:08,920
Speaker 2: tied out signed.

352
00:19:08,760 --> 00:19:10,320
Speaker 3: Right, are you singing on those songs?

353
00:19:10,359 --> 00:19:12,320
Speaker 2: So yeah, it's just my songs at the time, like

354
00:19:12,440 --> 00:19:15,919
Speaker 2: the songs I had. After that, we end up stopped

355
00:19:15,960 --> 00:19:19,400
Speaker 2: working and ship whatever the deal fell through. He wasn't

356
00:19:19,440 --> 00:19:21,320
Speaker 2: getting paid no more, so he didn't have no more

357
00:19:21,359 --> 00:19:24,480
Speaker 2: money for me. So uh, I go back to the

358
00:19:24,600 --> 00:19:28,080
Speaker 2: drawing board. I'm just working, working, working, working, working all

359
00:19:28,119 --> 00:19:31,040
Speaker 2: the time to where I met this guitar center right

360
00:19:31,040 --> 00:19:35,320
Speaker 2: here on Sunset. I meet this dude name et Cetera.

361
00:19:36,680 --> 00:19:38,639
Speaker 2: I'm like just making beats on the keyboards. Me and

362
00:19:38,680 --> 00:19:41,480
Speaker 2: the homies used to just going there and just start

363
00:19:41,720 --> 00:19:43,520
Speaker 2: sequencing on the keyboards and ship.

364
00:19:44,560 --> 00:19:46,080
Speaker 5: Hopefully somebody hear me, nigga.

365
00:19:47,640 --> 00:19:51,000
Speaker 3: The guitar center is like La Fitness for hoopers exactly. Yes, yeah,

366
00:19:51,160 --> 00:19:56,399
Speaker 3: for the musicians, you can always and you can always

367
00:19:56,480 --> 00:19:58,840
Speaker 3: find a cold young nigga in a guitar center.

368
00:19:58,960 --> 00:20:04,680
Speaker 2: And it's probably right now. But meet this dude name

369
00:20:04,680 --> 00:20:08,120
Speaker 2: Etcetera who's hearing the beats. He started rapping and ship.

370
00:20:08,160 --> 00:20:09,560
Speaker 2: I'm like, yo, come out to the car. I'm gonna

371
00:20:09,560 --> 00:20:11,840
Speaker 2: play some more. Shit he played me. I mean, I

372
00:20:11,920 --> 00:20:13,720
Speaker 2: play him some ship he rapp and he's like, oh,

373
00:20:13,880 --> 00:20:17,560
Speaker 2: whenever you come to New York, hit me up. At

374
00:20:17,600 --> 00:20:21,640
Speaker 2: the same time with I meet some other dudes out

375
00:20:21,680 --> 00:20:24,800
Speaker 2: there named Randy and all them who bring me out

376
00:20:24,800 --> 00:20:28,359
Speaker 2: to New York. While I'm in New York, somehow I

377
00:20:28,480 --> 00:20:31,680
Speaker 2: meet the g Unit dudes. I'm going over there playing

378
00:20:31,720 --> 00:20:35,720
Speaker 2: them beats, just like, uh, you know, just meet motherfuckers

379
00:20:35,720 --> 00:20:40,160
Speaker 2: are I was moving as a producer for real. When

380
00:20:40,720 --> 00:20:43,560
Speaker 2: I get to Etcetera's crib, he got this dude over

381
00:20:43,560 --> 00:20:47,399
Speaker 2: there named Corey. Corey's like this dude from Brooklyn with

382
00:20:47,520 --> 00:20:51,879
Speaker 2: a tone damn near exactly like Raphael Sadik, right. So

383
00:20:52,040 --> 00:20:55,159
Speaker 2: me and him just like start making songs. Next thing

384
00:20:55,240 --> 00:20:58,280
Speaker 2: you know, we made a whole tape together. Somehow we

385
00:20:58,359 --> 00:21:03,760
Speaker 2: got to Utah Salt Lake City Sundance Film Festival. Et

386
00:21:03,840 --> 00:21:07,160
Speaker 2: Cetera convinced us to go out there because you can

387
00:21:07,240 --> 00:21:10,280
Speaker 2: meet some producers or directors and maybe get the shit

388
00:21:10,359 --> 00:21:15,680
Speaker 2: in some films. Yeah, so we go out there. We

389
00:21:15,840 --> 00:21:19,000
Speaker 2: meet this other dude named pasy Peasy do we Man,

390
00:21:19,760 --> 00:21:23,840
Speaker 2: But he got a studio in his crib. So we

391
00:21:23,920 --> 00:21:25,919
Speaker 2: started hanging out with this guy all the time. Next thing,

392
00:21:25,960 --> 00:21:28,760
Speaker 2: you know, we end up in Utah for months, nigga Like,

393
00:21:30,960 --> 00:21:33,800
Speaker 2: I'm just out there, bro, So back and forth from

394
00:21:33,960 --> 00:21:39,280
Speaker 2: Utah to New York and shit five, my daughter is born.

395
00:21:39,760 --> 00:21:45,040
Speaker 2: I'm still doing you know projects with Corey. Next thing,

396
00:21:45,119 --> 00:21:47,320
Speaker 2: you know, me and Corey somehow meet this guy named

397
00:21:47,400 --> 00:21:51,639
Speaker 2: Venus Brown. Venus Brown is connected to Justin Timberlake and

398
00:21:51,720 --> 00:21:53,760
Speaker 2: where I Am. They end up signing us to a

399
00:21:53,840 --> 00:21:56,520
Speaker 2: situation with the Time Corey thing. We end up making

400
00:21:56,600 --> 00:22:01,200
Speaker 2: volume two of the mixtapes that we were making. One day,

401
00:22:01,280 --> 00:22:03,640
Speaker 2: Corey came to me, he was like, Man, this shit

402
00:22:03,680 --> 00:22:05,560
Speaker 2: don't work this time, Bro, I got to move back

403
00:22:05,600 --> 00:22:09,280
Speaker 2: to New York. I'm like, damn bro for real. Like yeah,

404
00:22:09,359 --> 00:22:11,240
Speaker 2: I'm like all right, bro, well we're gonna try to

405
00:22:11,440 --> 00:22:17,200
Speaker 2: push through, you feel me. Because of Justin and and

406
00:22:17,520 --> 00:22:20,400
Speaker 2: will I Am, We're meeting all these different people, We're

407
00:22:20,400 --> 00:22:23,960
Speaker 2: getting features from everybody doing all this different shit. Same time,

408
00:22:24,560 --> 00:22:28,480
Speaker 2: I met the homies from Saurai Creative partners, Tazarnod, shafiqu

409
00:22:29,040 --> 00:22:33,440
Speaker 2: O Mas and I'm playing for them same time, like

410
00:22:33,680 --> 00:22:36,680
Speaker 2: making beats. They're the first people to ever give me

411
00:22:36,720 --> 00:22:39,760
Speaker 2: a feature. Time Corey feature on them. Their project came

412
00:22:39,800 --> 00:22:41,840
Speaker 2: out on a vinyl. I'm like, oh, we're on a vinyl. Now,

413
00:22:41,960 --> 00:22:46,480
Speaker 2: digget like all type of shit. So it's that time

414
00:22:46,520 --> 00:22:48,960
Speaker 2: where Corey's like, you know what I gotta go. You

415
00:22:49,040 --> 00:22:52,320
Speaker 2: know it's not working. Next thing, you know, my big

416
00:22:52,400 --> 00:22:55,280
Speaker 2: homie from my hood, Big b He's like, Yo, I

417
00:22:55,400 --> 00:22:58,320
Speaker 2: got this kid that you need to meet. He from Bompton.

418
00:22:58,880 --> 00:23:01,480
Speaker 2: He running the streets right now. Like, I'm telling you

419
00:23:01,560 --> 00:23:03,480
Speaker 2: you need to work with them. This is what my

420
00:23:03,600 --> 00:23:07,680
Speaker 2: space is popping. I listened to the music and I'm

421
00:23:07,720 --> 00:23:11,040
Speaker 2: not fucking with it. It's like the song called Shia Model,

422
00:23:11,440 --> 00:23:14,000
Speaker 2: this song called I forgot the rest of the song names,

423
00:23:14,040 --> 00:23:17,960
Speaker 2: but the artist's name was YG right and it was

424
00:23:18,119 --> 00:23:20,280
Speaker 2: jerk music because that's what was popping in LA at

425
00:23:20,320 --> 00:23:25,879
Speaker 2: the time. So they come through and Mustard was like

426
00:23:26,000 --> 00:23:29,159
Speaker 2: the DJ. YG had a whole crew called Pushing, a

427
00:23:29,200 --> 00:23:32,840
Speaker 2: whole bunch of people from LA from all different hoods,

428
00:23:33,000 --> 00:23:37,680
Speaker 2: like all across the city, and we end up throwing

429
00:23:37,760 --> 00:23:40,639
Speaker 2: like a party at my ball in Hills House. And

430
00:23:40,720 --> 00:23:43,160
Speaker 2: when we throw the party, Mustard put on this song

431
00:23:43,240 --> 00:23:47,080
Speaker 2: called Geeked Up by dfo L. And when I'm hearing it.

432
00:23:47,359 --> 00:23:49,840
Speaker 2: Everybody get up, all the girls go crazy, everybody start

433
00:23:49,880 --> 00:23:51,480
Speaker 2: working on you know what I'm saying all the shit,

434
00:23:51,920 --> 00:23:56,240
Speaker 2: and I'm just like, why is this? Why is this

435
00:23:56,320 --> 00:23:58,520
Speaker 2: connecting like that? And I'm studying the beat and it's

436
00:23:58,600 --> 00:24:01,719
Speaker 2: just like drums only and vocals, and I'm like, all right,

437
00:24:02,240 --> 00:24:04,760
Speaker 2: jerk music, down South music? What all?

438
00:24:05,040 --> 00:24:05,320
Speaker 5: Okay?

439
00:24:05,400 --> 00:24:07,760
Speaker 2: The snap, the eight of waight, the high hat, that

440
00:24:07,960 --> 00:24:10,200
Speaker 2: all right, let me make something like this. Next morning,

441
00:24:11,040 --> 00:24:12,840
Speaker 2: we going through records and shipped me and my homie

442
00:24:12,880 --> 00:24:17,960
Speaker 2: chords and we come across this sample and we sample it.

443
00:24:18,080 --> 00:24:20,240
Speaker 2: We do a whole bunch of sampling the next morning

444
00:24:20,280 --> 00:24:23,080
Speaker 2: after that, I threw the drums and the beat ends

445
00:24:23,160 --> 00:24:26,640
Speaker 2: up being tutored in Bud. It's me on the song

446
00:24:27,200 --> 00:24:30,000
Speaker 2: doing the hook. My cousin TC forty eight hundred with

447
00:24:30,040 --> 00:24:33,280
Speaker 2: a verse y G comes through. Fucking this is the

448
00:24:33,359 --> 00:24:36,400
Speaker 2: second song we ever made. It wasn't my favorite song

449
00:24:36,440 --> 00:24:37,920
Speaker 2: that I ever made, because, like I said, I just

450
00:24:38,000 --> 00:24:41,200
Speaker 2: came from working with fucking Timberlake, will O Amos R

451
00:24:41,280 --> 00:24:45,840
Speaker 2: and b Shit, meeting niggas like fucking Benjamin Wright and

452
00:24:45,920 --> 00:24:47,960
Speaker 2: all the best of the best of the best, right,

453
00:24:48,720 --> 00:24:51,359
Speaker 2: and then this song right here is a song that

454
00:24:51,560 --> 00:24:54,280
Speaker 2: just gets us on fire, and we start having shows and.

455
00:24:55,200 --> 00:24:57,399
Speaker 1: We get our first doing with the song, like you

456
00:24:57,480 --> 00:24:58,400
Speaker 1: got the song.

457
00:24:58,400 --> 00:24:59,960
Speaker 5: I got the song in that stuff first.

458
00:25:00,960 --> 00:25:03,120
Speaker 2: This is the first time because like I said, I'm

459
00:25:03,160 --> 00:25:06,919
Speaker 2: doing songs all these people in Hollywood and the big artists,

460
00:25:07,280 --> 00:25:08,280
Speaker 2: but this is the first time.

461
00:25:08,320 --> 00:25:10,440
Speaker 5: It's like, Oh, let's go do this party. Let's go,

462
00:25:10,640 --> 00:25:11,080
Speaker 5: let's go to.

463
00:25:11,160 --> 00:25:12,080
Speaker 2: This little party right here.

464
00:25:12,320 --> 00:25:13,640
Speaker 3: It's like twenty ten to right.

465
00:25:14,840 --> 00:25:19,119
Speaker 2: Two thousand and nine, twenty ten, and we're going and

466
00:25:19,200 --> 00:25:22,120
Speaker 2: doing the motorcycle clubs, we're doing hood days, We're doing

467
00:25:22,240 --> 00:25:25,639
Speaker 2: like all the little shit in the main LA, not Hollywood.

468
00:25:26,480 --> 00:25:29,040
Speaker 2: Then and then we might go out to fucking Orange

469
00:25:29,080 --> 00:25:31,120
Speaker 2: County and we might go out to wherever just wants

470
00:25:31,160 --> 00:25:33,119
Speaker 2: to book the shit. Because the jerk shit was booming

471
00:25:33,160 --> 00:25:36,879
Speaker 2: and there was parties and it was connecting, and I

472
00:25:36,960 --> 00:25:38,800
Speaker 2: started to do more beats, and I started to do

473
00:25:38,880 --> 00:25:41,679
Speaker 2: beats for the whole push in and like yg end

474
00:25:41,760 --> 00:25:44,479
Speaker 2: up going to jail. And then me and Joe Moses

475
00:25:45,160 --> 00:25:47,240
Speaker 2: was connecting like tough, and I did this song for

476
00:25:47,320 --> 00:25:50,800
Speaker 2: him called go Bitch, and that was just like piggybacking

477
00:25:50,800 --> 00:25:52,280
Speaker 2: off of the two of them Buddha, and we were

478
00:25:52,400 --> 00:25:54,879
Speaker 2: just doing all these little shows toil next thing, you know,

479
00:25:55,600 --> 00:25:58,600
Speaker 2: Hollywood called I think it was called Club Kiss or

480
00:25:58,680 --> 00:26:02,199
Speaker 2: some shit, and they was gonna give YG ten thousand

481
00:26:02,280 --> 00:26:04,359
Speaker 2: to come perform, and he gave me four hundred to

482
00:26:04,400 --> 00:26:06,760
Speaker 2: come do the Hook and gave Mustard four hundred to DJ.

483
00:26:06,920 --> 00:26:09,080
Speaker 2: And once I seen him walk away with that stack,

484
00:26:09,160 --> 00:26:10,760
Speaker 2: I'm like, oh shit, nigga, I'm about to take this

485
00:26:10,920 --> 00:26:14,719
Speaker 2: artistic serious nigga and make my own shit. I make

486
00:26:14,800 --> 00:26:18,520
Speaker 2: this project called House on the Hill. I'll bring it

487
00:26:18,560 --> 00:26:22,680
Speaker 2: to his same person that signed him, Max Goose. Shout

488
00:26:22,720 --> 00:26:25,320
Speaker 2: out to Max. But they end up letting Max Goose

489
00:26:25,400 --> 00:26:29,440
Speaker 2: go from dev Jam and they hired Karen Quack. So

490
00:26:29,520 --> 00:26:32,120
Speaker 2: I'll bring it to Karen Quack. Shout out to Karen Quack.

491
00:26:32,800 --> 00:26:35,720
Speaker 2: And I played the House on the Hill and she says, Man,

492
00:26:35,920 --> 00:26:39,280
Speaker 2: you're really fucking good, bro like, but let me be

493
00:26:39,359 --> 00:26:39,879
Speaker 2: honest with you.

494
00:26:40,119 --> 00:26:41,200
Speaker 5: You're all over the place.

495
00:26:41,280 --> 00:26:43,320
Speaker 2: You got a fucking R and B record, you got

496
00:26:43,400 --> 00:26:45,640
Speaker 2: some like turned up shit, you got some house music

497
00:26:45,720 --> 00:26:47,879
Speaker 2: on here. You got this because like you said in

498
00:26:47,920 --> 00:26:50,560
Speaker 2: the beginning, bro, I can tap into all the different things.

499
00:26:51,200 --> 00:26:55,040
Speaker 2: But she was like, yo, just just make me one

500
00:26:55,160 --> 00:26:59,840
Speaker 2: project is fully cohesive, right, and I swear to God

501
00:26:59,880 --> 00:27:01,479
Speaker 2: that would changed my life. I went and I made

502
00:27:01,520 --> 00:27:04,959
Speaker 2: Beach House one, and it was more just like all

503
00:27:05,080 --> 00:27:06,520
Speaker 2: me on the bees, me and my homie in a

504
00:27:06,640 --> 00:27:11,440
Speaker 2: three D and uh more slow R and B shit,

505
00:27:11,520 --> 00:27:13,680
Speaker 2: but still talking that shit. And then that's the first

506
00:27:13,720 --> 00:27:16,320
Speaker 2: thing that finally caught on. That's when I had my cabana.

507
00:27:17,119 --> 00:27:20,760
Speaker 2: Fast forward twenty twelve. I won't even talk about the

508
00:27:20,840 --> 00:27:23,120
Speaker 2: other one. There was some other song that I put

509
00:27:23,160 --> 00:27:29,399
Speaker 2: out where I sampled Swedish House Mafia and the fucking

510
00:27:29,560 --> 00:27:32,440
Speaker 2: radio station started to play it, and I'm even getting

511
00:27:32,480 --> 00:27:35,879
Speaker 2: booked in Phoenix and Texas and all this shit off

512
00:27:35,920 --> 00:27:36,360
Speaker 2: of this song.

513
00:27:36,760 --> 00:27:39,399
Speaker 5: It was called All Star. And then I ended up

514
00:27:39,440 --> 00:27:40,800
Speaker 5: getting a ceased disease.

515
00:27:40,560 --> 00:27:43,199
Speaker 3: And this is I knew that was coming. I think

516
00:27:43,280 --> 00:27:44,639
Speaker 3: said sweet House Mafia, like.

517
00:27:45,119 --> 00:27:49,000
Speaker 2: Yeah yeah, So they gave me this season desist and

518
00:27:50,400 --> 00:27:52,840
Speaker 2: I had to take that down, but the Beach House

519
00:27:52,840 --> 00:27:56,159
Speaker 2: started working. I had that song my cabana. Then I

520
00:27:56,240 --> 00:27:58,359
Speaker 2: ended up getting a season desist from that because I

521
00:27:58,440 --> 00:28:01,159
Speaker 2: had a screwl likes and z tample in there, and

522
00:28:01,280 --> 00:28:04,800
Speaker 2: I just remade the beat on fruity loops and myself

523
00:28:04,880 --> 00:28:07,719
Speaker 2: and replayed everything and Young Jeezy featured on it. Then

524
00:28:07,760 --> 00:28:10,119
Speaker 2: I got my first deal, but it wasn't because of

525
00:28:10,200 --> 00:28:14,040
Speaker 2: that song. I got my deal with Atlantic because I

526
00:28:14,200 --> 00:28:17,920
Speaker 2: made this song called Fumble, and Fumble was supposed to

527
00:28:17,960 --> 00:28:21,280
Speaker 2: be on Beach House one, but somehow it got in

528
00:28:21,400 --> 00:28:24,159
Speaker 2: the hands of Trey's Songs, and Trey's Songs cut it,

529
00:28:24,240 --> 00:28:26,040
Speaker 2: put it out, ended up being one of the best

530
00:28:26,080 --> 00:28:29,280
Speaker 2: songs on his album at the time. And then from there,

531
00:28:29,480 --> 00:28:31,920
Speaker 2: wait but you didn't even know. I didn't even know

532
00:28:32,080 --> 00:28:33,800
Speaker 2: it was going to him at first, but then they

533
00:28:33,880 --> 00:28:35,600
Speaker 2: called me last minute, like, oh, he's going to put

534
00:28:35,640 --> 00:28:35,920
Speaker 2: it out.

535
00:28:36,000 --> 00:28:38,040
Speaker 5: Da da da dah. What you want to do with

536
00:28:38,240 --> 00:28:40,200
Speaker 5: this flit? Who's all on it? D D I'm like,

537
00:28:40,320 --> 00:28:41,320
Speaker 5: fuck it, let him get it.

538
00:28:42,040 --> 00:28:48,000
Speaker 2: And that's what gave Sean Baron the power with Aaron

539
00:28:48,080 --> 00:28:51,440
Speaker 2: Bayshuk to be like, Yo, sign this kid, because we

540
00:28:51,520 --> 00:28:54,280
Speaker 2: were already going to Mike Karen, and Mike Karen was

541
00:28:54,320 --> 00:28:56,840
Speaker 2: trying to like sign it to his side. Shit, he

542
00:28:56,920 --> 00:28:59,680
Speaker 2: wasn't trying to sign me to Atlantic. And when he

543
00:28:59,760 --> 00:29:02,040
Speaker 2: brought me in the office, he told me, man, you're

544
00:29:02,080 --> 00:29:04,600
Speaker 2: really good Ty. You just like the way your position

545
00:29:04,760 --> 00:29:07,200
Speaker 2: right now. It's like you're like the West Coast baby

546
00:29:07,280 --> 00:29:09,080
Speaker 2: bash and I didn't know what you meant by that,

547
00:29:09,200 --> 00:29:13,440
Speaker 2: But then he met like local, and I was like,

548
00:29:13,680 --> 00:29:15,560
Speaker 2: I took offense to that because I'm like Nigga, I

549
00:29:15,680 --> 00:29:18,240
Speaker 2: make everything, Bro, My shit ain't no like local West

550
00:29:18,280 --> 00:29:20,880
Speaker 2: Coast shit. I'm not a rapper like what Nigga. So

551
00:29:21,280 --> 00:29:24,800
Speaker 2: luckily shout out to Mike Kronol because like a lot

552
00:29:24,880 --> 00:29:27,239
Speaker 2: of the things he said, maybe me who I am

553
00:29:27,320 --> 00:29:30,160
Speaker 2: today too, Like one of his quotes was, I don't

554
00:29:30,640 --> 00:29:32,680
Speaker 2: I don't want to be or I don't have to

555
00:29:32,720 --> 00:29:34,080
Speaker 2: be the first one to do it. I just want

556
00:29:34,080 --> 00:29:35,480
Speaker 2: to be the best one to do it. Like keep

557
00:29:35,480 --> 00:29:37,480
Speaker 2: me saying shit like that like that just fully like

558
00:29:37,680 --> 00:29:43,600
Speaker 2: changes my whole outlook. But fucking yeah, Aaron Bayshuck and

559
00:29:43,640 --> 00:29:46,960
Speaker 2: Sean barn made that shit happen twenty twelve, and I've

560
00:29:46,960 --> 00:29:49,760
Speaker 2: been on Atlantic ever since, and that's how we got

561
00:29:49,840 --> 00:29:53,440
Speaker 2: here today. Man, It's just been like those hurdles though,

562
00:29:53,640 --> 00:29:55,600
Speaker 2: you know what I mean, like immature all the way.

563
00:29:55,960 --> 00:29:58,120
Speaker 3: So when they finally clicks right and you get your

564
00:29:58,240 --> 00:30:02,120
Speaker 3: deal and you start to start seeing some bread, do

565
00:30:02,200 --> 00:30:04,680
Speaker 3: you do the musician ship and do you buy more

566
00:30:04,880 --> 00:30:08,160
Speaker 3: equipment and buy a studio? Do you do the nigga shit.

567
00:30:10,800 --> 00:30:11,360
Speaker 2: Like for you?

568
00:30:11,560 --> 00:30:16,640
Speaker 3: What was like? What was your I'm successful now purchase

569
00:30:17,320 --> 00:30:17,640
Speaker 3: all right.

570
00:30:17,760 --> 00:30:26,800
Speaker 2: So when I was eighteen and I had the Kamara situation,

571
00:30:27,680 --> 00:30:30,720
Speaker 2: I had already bought a car. Okay, I got shit

572
00:30:30,920 --> 00:30:34,160
Speaker 2: like that and then lost shit, fucking had car accidents,

573
00:30:34,720 --> 00:30:38,000
Speaker 2: had apartments, lost shit. Then I had to live with

574
00:30:38,120 --> 00:30:40,960
Speaker 2: girls do all that shit. Then fucking when I got

575
00:30:41,000 --> 00:30:46,080
Speaker 2: with Venus in them and will and uh justin, I

576
00:30:46,200 --> 00:30:49,040
Speaker 2: ended up getting another car. I ended up getting the crib,

577
00:30:49,400 --> 00:30:52,960
Speaker 2: still living with girls, off and on. But I got

578
00:30:53,040 --> 00:30:55,960
Speaker 2: the Boodha brown chain nigga. A fat ass chained me

579
00:30:56,040 --> 00:30:58,840
Speaker 2: and Corey got the chain. So I'm having a house nigga,

580
00:30:58,840 --> 00:31:02,400
Speaker 2: I'm having BMW, I'm having as chains and when YG

581
00:31:02,560 --> 00:31:05,000
Speaker 2: and them see me, I'm the nigga. They got the

582
00:31:05,120 --> 00:31:08,240
Speaker 2: big ass got the chain like, oh this nigga is

583
00:31:08,440 --> 00:31:11,360
Speaker 2: so everybody looking up to me type ship and then uh,

584
00:31:12,880 --> 00:31:16,600
Speaker 2: nigga money was going down to where I had the

585
00:31:16,680 --> 00:31:20,560
Speaker 2: house nigga, but my mother fucking water cut off you know,

586
00:31:20,760 --> 00:31:25,040
Speaker 2: my home cossole recipes at the time ended up giving

587
00:31:25,080 --> 00:31:26,800
Speaker 2: me a couple couple of dollars. You what I'm saying

588
00:31:26,840 --> 00:31:28,320
Speaker 2: to turn the lights back on type ship.

589
00:31:28,360 --> 00:31:31,240
Speaker 6: I went through all that, you know, and uh it's

590
00:31:31,280 --> 00:31:35,280
Speaker 6: the music business kids, you know, absolutely you have all

591
00:31:35,320 --> 00:31:39,880
Speaker 6: that ship like you know, but uh I was able to,

592
00:31:40,120 --> 00:31:44,280
Speaker 6: you know, push to and get to hear bro I

593
00:31:44,800 --> 00:31:47,440
Speaker 6: did not realize that it was.

594
00:31:48,080 --> 00:31:52,760
Speaker 1: It feels like you've been around forever. Nah, for sure,

595
00:31:53,320 --> 00:31:55,680
Speaker 1: it really feels like that, because I mean I start

596
00:31:55,720 --> 00:32:01,680
Speaker 1: two thousand, but I guess the the way you've impacted things,

597
00:32:03,160 --> 00:32:05,600
Speaker 1: it just it just it just feels massive.

598
00:32:05,960 --> 00:32:08,920
Speaker 3: As the forty would call it. You have been a fixture. Yeah,

599
00:32:09,320 --> 00:32:11,239
Speaker 3: for sure, you know what I'm saying, especially me being

600
00:32:11,280 --> 00:32:13,280
Speaker 3: from the bar Areer, right, so I got to I

601
00:32:13,360 --> 00:32:15,000
Speaker 3: got to see it. Yeah, you know what I mean.

602
00:32:15,080 --> 00:32:16,640
Speaker 3: And being in l A at the time, but like

603
00:32:16,760 --> 00:32:20,200
Speaker 3: being from the Bay and understanding, like you said, you

604
00:32:20,320 --> 00:32:22,840
Speaker 3: get that record cracking and you're doing the motorcycle clubs,

605
00:32:23,200 --> 00:32:25,320
Speaker 3: you're doing four or five clubs in one night in

606
00:32:25,360 --> 00:32:27,800
Speaker 3: the hood and different places like we have a different

607
00:32:27,840 --> 00:32:30,440
Speaker 3: type of independence within California when we you know, we

608
00:32:30,560 --> 00:32:33,120
Speaker 3: do that Saint Louis Obispo, we do that. Baker's field,

609
00:32:33,120 --> 00:32:34,960
Speaker 3: we do the you know what I mean, our rest

610
00:32:35,040 --> 00:32:36,880
Speaker 3: nose and in between then get up to the bear

611
00:32:36,920 --> 00:32:39,240
Speaker 3: or get back to LA. So I got to see it,

612
00:32:39,360 --> 00:32:44,600
Speaker 3: especially when the booty cracked off for y'all because they

613
00:32:44,800 --> 00:32:48,480
Speaker 3: loved YG in the Bay. Yeah, I want to say

614
00:32:49,200 --> 00:32:52,920
Speaker 3: we probably fucked with Ygi heavier than anybody else in

615
00:32:53,040 --> 00:32:55,880
Speaker 3: the beginning for sure, Like the Bay was like, oh yeah.

616
00:32:56,360 --> 00:32:59,320
Speaker 5: That was our biggest, our first arena.

617
00:33:00,080 --> 00:33:04,640
Speaker 3: Because for us, you guys in our mind, whereas an

618
00:33:04,680 --> 00:33:09,240
Speaker 3: extension of Hiphi, yeah nah, to us, it was the

619
00:33:09,280 --> 00:33:11,479
Speaker 3: same shit, you know what I'm saying, because we had

620
00:33:11,520 --> 00:33:14,240
Speaker 3: had the Hiphee movement four oh five and you know

621
00:33:14,240 --> 00:33:15,960
Speaker 3: what I mean, all those records that were coming out,

622
00:33:16,520 --> 00:33:19,440
Speaker 3: and then what you guys did with it, to me

623
00:33:21,040 --> 00:33:25,480
Speaker 3: was smarter because y'all chose to go do deals. Yeah.

624
00:33:26,440 --> 00:33:28,560
Speaker 3: I literally like listen, Me and Keith the Sneak had

625
00:33:28,600 --> 00:33:31,480
Speaker 3: this conversation where Kick was like, Jay, they came to

626
00:33:31,560 --> 00:33:33,360
Speaker 3: the Bay looking for me, and I jumped out the car.

627
00:33:34,280 --> 00:33:35,520
Speaker 3: I was like, what do you mean you jumped out

628
00:33:35,520 --> 00:33:39,560
Speaker 3: the car? He said, I was so scared of the

629
00:33:39,680 --> 00:33:44,080
Speaker 3: next level that we're riding stretch of tel you know,

630
00:33:44,160 --> 00:33:47,600
Speaker 3: stretch Stretcher tell you this, jay I jumped out the car.

631
00:33:48,160 --> 00:33:51,080
Speaker 3: I did not want to meet with him. I wanted

632
00:33:51,120 --> 00:33:53,680
Speaker 3: to stay independent in my mind. I had this independent

633
00:33:53,760 --> 00:33:56,360
Speaker 3: mindset that we've always built in the Bay Area, right,

634
00:33:56,440 --> 00:33:58,800
Speaker 3: this whole thing. And I always preach to people because

635
00:33:58,800 --> 00:34:00,680
Speaker 3: I'd be talking about, you know, the p is major.

636
00:34:01,920 --> 00:34:06,520
Speaker 3: You're not making superstars independently. It's just it's just the reality.

637
00:34:07,200 --> 00:34:09,840
Speaker 3: And people have to start realizing that. And if they

638
00:34:09,880 --> 00:34:12,800
Speaker 3: can start naming me independent superstars, I'll agree.

639
00:34:13,440 --> 00:34:15,319
Speaker 5: It's just the way that ships set up, set up

640
00:34:15,360 --> 00:34:16,120
Speaker 5: before you started.

641
00:34:16,600 --> 00:34:18,160
Speaker 3: It's way too many things that are already in place.

642
00:34:18,200 --> 00:34:20,800
Speaker 2: You live in a fucking tax paying society, My nigga,

643
00:34:20,880 --> 00:34:24,160
Speaker 2: you feel me. You gotta you gotta check in somebody.

644
00:34:24,160 --> 00:34:29,239
Speaker 2: You gotta check in somebody every type of business, you

645
00:34:29,280 --> 00:34:30,839
Speaker 2: know what I'm saying, Whether you want to tap into

646
00:34:30,840 --> 00:34:32,839
Speaker 2: the alcohol, you want to tap into music, you want

647
00:34:32,880 --> 00:34:36,440
Speaker 2: to type in the fucking food industry, clothing industry, it's

648
00:34:36,480 --> 00:34:37,439
Speaker 2: already fucking set.

649
00:34:37,560 --> 00:34:40,880
Speaker 3: It's already set. And that's something that to me, So

650
00:34:41,000 --> 00:34:44,200
Speaker 3: you can have a big percentage understood that y'all understand

651
00:34:44,520 --> 00:34:48,600
Speaker 3: page something, y'all win. Did these major label deals and

652
00:34:48,840 --> 00:34:52,400
Speaker 3: got super popping, you know what I'm saying. So I

653
00:34:52,560 --> 00:34:56,840
Speaker 3: watched it happen, bro, But they also maintained their hustle too, absolutely.

654
00:34:58,080 --> 00:34:59,920
Speaker 1: With that major that.

655
00:35:00,080 --> 00:35:02,000
Speaker 3: Machine, with that machine behind it.

656
00:35:02,160 --> 00:35:02,399
Speaker 7: Yeah.

657
00:35:02,800 --> 00:35:07,400
Speaker 2: So to answer the question, like, I did some nigga

658
00:35:07,440 --> 00:35:11,600
Speaker 2: shit before, but you know, luckily I had a different

659
00:35:12,200 --> 00:35:15,160
Speaker 2: mistakes to get to a point where, all right, once

660
00:35:15,239 --> 00:35:17,800
Speaker 2: I got this house that I've been having for the

661
00:35:17,920 --> 00:35:20,440
Speaker 2: last ten years, Bro, I was never losing that motherfucker,

662
00:35:20,480 --> 00:35:22,480
Speaker 2: you feel me. I never went over my means and

663
00:35:22,520 --> 00:35:23,759
Speaker 2: started like doing dumb shit.

664
00:35:24,000 --> 00:35:25,560
Speaker 3: So you didn't have the Ferrari that you left at

665
00:35:25,600 --> 00:35:30,160
Speaker 3: the airport and forgot that the Ferrari was the Hey,

666
00:35:30,320 --> 00:35:32,000
Speaker 3: niggas be telling those stories. I'm like, come on, bro,

667
00:35:32,000 --> 00:35:34,600
Speaker 3: you're floss and it's just too crazy, bro. But but

668
00:35:35,239 --> 00:35:37,640
Speaker 3: it's par for the core.

669
00:35:37,960 --> 00:35:42,680
Speaker 1: If you really do this ship in your ledger back,

670
00:35:42,760 --> 00:35:49,280
Speaker 1: there are repossessions, there are full closure water bills, water

671
00:35:50,840 --> 00:35:55,360
Speaker 1: all of that ship. Yeah, like that's just what this is.

672
00:35:55,760 --> 00:36:00,279
Speaker 1: And I tell people, you gotta really love this ship

673
00:36:00,760 --> 00:36:04,200
Speaker 1: because the ups and downs that come with it. If

674
00:36:04,280 --> 00:36:06,839
Speaker 1: it ain't love, if it ain't rooted in that, if

675
00:36:06,880 --> 00:36:10,120
Speaker 1: it ain't rooted in I can't do nothing else. This

676
00:36:10,200 --> 00:36:13,719
Speaker 1: should break you. For sure, you'll be you'll be doing

677
00:36:13,800 --> 00:36:17,160
Speaker 1: something regular because this ain't. This is not regular. This

678
00:36:17,360 --> 00:36:20,000
Speaker 1: is not for the regular minded individual. You gotta be

679
00:36:20,239 --> 00:36:21,400
Speaker 1: out of your fucking.

680
00:36:21,200 --> 00:36:25,480
Speaker 3: Mind to do what we do. What do y'all signed?

681
00:36:26,200 --> 00:36:28,320
Speaker 3: I always this is a random thing. I think for

682
00:36:28,440 --> 00:36:30,400
Speaker 3: myself and I get to ask y'all, what do you?

683
00:36:30,440 --> 00:36:34,879
Speaker 3: What do you when you have to sign occupation? Does

684
00:36:34,920 --> 00:36:37,120
Speaker 3: that ever fuck with you? When you sign? And like,

685
00:36:37,200 --> 00:36:39,719
Speaker 3: you know, just different ship, your tax is different thing.

686
00:36:39,760 --> 00:36:42,560
Speaker 3: That's like, what's your occupation? I never really know what

687
00:36:42,680 --> 00:36:44,920
Speaker 3: the fuck to put entertaining?

688
00:36:46,040 --> 00:36:54,160
Speaker 2: But is that a job? I'll be putting boxer anywhere

689
00:36:54,160 --> 00:36:56,200
Speaker 2: I go when people be like coming up to me

690
00:36:56,239 --> 00:36:59,120
Speaker 2: and ship, so I know, are you what do you do?

691
00:36:59,239 --> 00:36:59,920
Speaker 5: I'm a boxer?

692
00:37:00,440 --> 00:37:07,080
Speaker 3: Yeah right here with don't brought that? That moment always

693
00:37:07,120 --> 00:37:14,120
Speaker 3: feels funny. I always feel like what happened? Question? It's like,

694
00:37:15,120 --> 00:37:16,000
Speaker 3: I love we are.

695
00:37:16,280 --> 00:37:19,840
Speaker 1: We are completely in a very very unique space because

696
00:37:19,840 --> 00:37:23,799
Speaker 1: we are independent contractors and none of this is guaranteed,

697
00:37:24,880 --> 00:37:31,759
Speaker 1: and even with contracts, even with contracts, I got my

698
00:37:31,800 --> 00:37:35,640
Speaker 1: first apartment with my contract. But listen, that's what I

699
00:37:35,719 --> 00:37:40,440
Speaker 1: showed them. Even with contracts, you may get that front end,

700
00:37:42,120 --> 00:37:44,800
Speaker 1: but the rest of that money in that contract, no

701
00:37:44,960 --> 00:37:46,319
Speaker 1: matter who signed.

702
00:37:46,040 --> 00:37:50,279
Speaker 7: It, it's not guaranteed to you. Where's the rest of

703
00:37:50,360 --> 00:37:58,080
Speaker 7: my fucking money. We all sign this, the president signed it. Well,

704
00:37:58,239 --> 00:38:01,520
Speaker 7: you know things aren't going That's not what the contract says.

705
00:38:02,520 --> 00:38:05,279
Speaker 7: Wow says, I give you these songs and you give

706
00:38:05,360 --> 00:38:10,080
Speaker 7: me my money. He's had this moment, he's re living it.

707
00:38:10,719 --> 00:38:14,160
Speaker 1: I'm losing my losing my apartment through that.

708
00:38:15,680 --> 00:38:17,280
Speaker 3: Hey this ship, bro, gim me something.

709
00:38:18,040 --> 00:38:22,640
Speaker 1: I'm underslapping my car all that, bro under showered the gems.

710
00:38:24,760 --> 00:38:28,360
Speaker 1: But there was nothing else I was designed or built

711
00:38:28,440 --> 00:38:31,319
Speaker 1: to do. This was all or nothing that.

712
00:38:31,480 --> 00:38:33,600
Speaker 5: He fucked me up with the shower at gym's part.

713
00:38:33,480 --> 00:38:37,440
Speaker 1: Bro, Nigga, I know that twenty four hour fitness, I

714
00:38:37,600 --> 00:38:40,839
Speaker 1: know that life. You gotta keep it clean.

715
00:38:41,600 --> 00:38:44,759
Speaker 3: You gotta put that towel on. They get tricky once

716
00:38:44,800 --> 00:38:47,120
Speaker 3: you get out and it's kind of wet, and it's like, okay,

717
00:38:47,200 --> 00:38:49,279
Speaker 3: now niggas be walking with their shoes on right here.

718
00:38:49,400 --> 00:38:51,200
Speaker 1: So I got to put the towel on the floor

719
00:38:51,400 --> 00:38:52,040
Speaker 1: in the shower.

720
00:38:54,160 --> 00:38:57,600
Speaker 3: Nigga. Hey, bro, this life is not for the week,

721
00:38:58,080 --> 00:38:58,560
Speaker 3: you got it?

722
00:38:58,680 --> 00:38:59,239
Speaker 2: Not for the week.

723
00:39:08,400 --> 00:39:11,040
Speaker 1: Okay, get me to free TC.

724
00:39:11,960 --> 00:39:17,240
Speaker 2: Get me to that free Tcuh? Was that thirteen or fourteen?

725
00:39:17,400 --> 00:39:18,760
Speaker 2: I think it was thirteen.

726
00:39:20,200 --> 00:39:23,839
Speaker 3: Fourteen. I think it came out in fifteen. Really yeah,

727
00:39:24,200 --> 00:39:24,960
Speaker 3: dropping fifteen?

728
00:39:25,160 --> 00:39:31,160
Speaker 2: Damn well shit. Uh, so Beach House one came out.

729
00:39:31,400 --> 00:39:33,520
Speaker 2: I don't know if Beach House two came out before Freeze.

730
00:39:33,640 --> 00:39:34,239
Speaker 5: I think he did.

731
00:39:35,600 --> 00:39:39,360
Speaker 2: I'm just pushing, pushing, pushing, pushing, pushing, and then finally

732
00:39:39,440 --> 00:39:44,560
Speaker 2: it was that time. Why because I had songs that

733
00:39:44,680 --> 00:39:48,360
Speaker 2: blew up so paranoid. I felt like it was the

734
00:39:48,520 --> 00:39:52,239
Speaker 2: first So low, that's my ship out of here, tie

735
00:39:52,320 --> 00:39:53,160
Speaker 2: dollars on record?

736
00:39:53,960 --> 00:39:59,360
Speaker 1: Hit who of my bitch man? And they know about it,

737
00:40:00,120 --> 00:40:01,040
Speaker 1: know about each other?

738
00:40:01,280 --> 00:40:05,080
Speaker 5: That is a cold I say, inspiration supper club.

739
00:40:05,239 --> 00:40:05,400
Speaker 1: I know.

740
00:40:07,080 --> 00:40:10,320
Speaker 3: I had my thirty fifth birthday there man with a

741
00:40:10,480 --> 00:40:14,560
Speaker 3: with a Magnum bottle. My brother got it was this

742
00:40:14,800 --> 00:40:22,480
Speaker 3: tall ship he was cooking.

743
00:40:22,840 --> 00:40:24,600
Speaker 5: I was really a superate club. Really had two of

744
00:40:24,640 --> 00:40:25,479
Speaker 5: my business and club.

745
00:40:26,080 --> 00:40:30,560
Speaker 2: So uh. The next day I went and I had

746
00:40:30,640 --> 00:40:33,640
Speaker 2: this apartment right here in East Hollywood, Edgemont was the

747
00:40:33,680 --> 00:40:36,200
Speaker 2: street nigga right next to the Kaiser on top of

748
00:40:36,239 --> 00:40:38,239
Speaker 2: the hill. Overlooking the whole city. I thought I was on,

749
00:40:39,120 --> 00:40:45,200
Speaker 2: but uh, this is after. This is after having my

750
00:40:47,280 --> 00:40:49,520
Speaker 2: little studio right here off of Cosmo. I don't know

751
00:40:49,560 --> 00:40:52,040
Speaker 2: if y'all know Cosmo. That's like right by Vine in

752
00:40:52,160 --> 00:40:57,839
Speaker 2: between Kuwenga's the street right after Kowenga so Got where

753
00:40:57,840 --> 00:41:01,080
Speaker 2: Atlantic used to be was on Kowanga. But before that,

754
00:41:02,080 --> 00:41:04,160
Speaker 2: back in the day, my dad was signed to so Large,

755
00:41:04,160 --> 00:41:07,560
Speaker 2: which was right the exact spot.

756
00:41:07,920 --> 00:41:10,160
Speaker 5: And then after that death Ro was there, and uh

757
00:41:10,280 --> 00:41:12,440
Speaker 5: my dad used to play on all the Deathro ship.

758
00:41:12,520 --> 00:41:14,719
Speaker 2: So I was in the building there too, and after

759
00:41:14,880 --> 00:41:20,640
Speaker 2: that was the Underdogs we exactly we were there before. Yeah,

760
00:41:20,920 --> 00:41:25,520
Speaker 2: the history that next they bought that motherfucker too, maybe

761
00:41:25,640 --> 00:41:26,960
Speaker 2: bought that at that time too.

762
00:41:27,040 --> 00:41:28,920
Speaker 5: I remember the face was right there.

763
00:41:29,400 --> 00:41:32,720
Speaker 2: So on the next street was this this street called Cosmo,

764
00:41:33,200 --> 00:41:35,160
Speaker 2: and they had these little studios in there where you

765
00:41:35,160 --> 00:41:37,640
Speaker 2: could get one for like two hundred a month type ship.

766
00:41:38,960 --> 00:41:41,759
Speaker 2: It's like one little small glass room and everybody got

767
00:41:41,840 --> 00:41:44,760
Speaker 2: small rooms. And then it's the shared bathroom in the hallway.

768
00:41:44,760 --> 00:41:47,040
Speaker 2: You've ever been in one of them type of spots. Absolutely,

769
00:41:47,640 --> 00:41:49,680
Speaker 2: motherfuckers used to shower in there to niggas take a

770
00:41:49,719 --> 00:41:51,560
Speaker 2: little hole baths nigga with the little rag with the

771
00:41:51,640 --> 00:41:54,440
Speaker 2: sink and you just get you some deodorant from the

772
00:41:54,520 --> 00:41:59,120
Speaker 2: right eight anyway. Uh, I was sleeping in that motherfucker

773
00:41:59,320 --> 00:42:01,280
Speaker 2: you feel me before where I was able to stack

774
00:42:01,360 --> 00:42:04,640
Speaker 2: up some bread and go half with Parker, the same peasy,

775
00:42:04,719 --> 00:42:06,160
Speaker 2: the same one that was in Utah.

776
00:42:06,840 --> 00:42:09,800
Speaker 5: So is this after Tudor Boody, this attitude and bro

777
00:42:10,040 --> 00:42:10,440
Speaker 5: you like me?

778
00:42:10,920 --> 00:42:11,120
Speaker 8: Yeah?

779
00:42:11,120 --> 00:42:18,040
Speaker 2: I said, like yeah, like really like Tudor Booty was

780
00:42:18,120 --> 00:42:20,160
Speaker 2: my song, but I gave it to yg because depth

781
00:42:20,239 --> 00:42:22,680
Speaker 2: Jam wanted to give him the deal. I wasn't really

782
00:42:22,800 --> 00:42:24,719
Speaker 2: having like that. I just produced the song. What they

783
00:42:24,760 --> 00:42:26,800
Speaker 2: give us for that song probably about three thousand dollars

784
00:42:27,320 --> 00:42:31,600
Speaker 2: and I split it with the homie like yeah, anyway, Uh,

785
00:42:33,600 --> 00:42:36,160
Speaker 2: fucking I was able to get this apartment East Hollywood

786
00:42:36,960 --> 00:42:38,960
Speaker 2: and I had the little set up in the living room.

787
00:42:40,360 --> 00:42:42,719
Speaker 2: Paranoid was the third song I made on that beat

788
00:42:43,080 --> 00:42:45,600
Speaker 2: from fucking with niggas like Mike Karen, he would have

789
00:42:45,680 --> 00:42:48,759
Speaker 2: you make seventeen songs to one beat, So I was

790
00:42:48,880 --> 00:42:53,520
Speaker 2: like keeping that same energy and uh. The third song

791
00:42:53,600 --> 00:42:57,239
Speaker 2: I made to this to that beat was Paranoid and

792
00:42:57,560 --> 00:42:59,480
Speaker 2: shout out to Mustard Man from there, I feel like

793
00:42:59,520 --> 00:43:02,360
Speaker 2: we like he's the whole game and absolutely, and he

794
00:43:02,480 --> 00:43:05,479
Speaker 2: became the biggest producer in the world and our sound

795
00:43:05,600 --> 00:43:10,800
Speaker 2: just took over. And uh after that, you know, I

796
00:43:10,960 --> 00:43:13,320
Speaker 2: just kept on making songs. People want to features all this.

797
00:43:13,680 --> 00:43:17,000
Speaker 2: Uh me and Wiz we end up teaming up. I

798
00:43:17,160 --> 00:43:21,600
Speaker 2: signed a Taylor game management Wiz and Will and they've

799
00:43:21,640 --> 00:43:24,560
Speaker 2: moved me around you on that tour. Yeah, I'm opening

800
00:43:24,760 --> 00:43:27,400
Speaker 2: opening up for Wiz. You know, they taking me everywhere.

801
00:43:27,480 --> 00:43:30,000
Speaker 2: They really like open the touring game for me for sure.

802
00:43:30,640 --> 00:43:31,160
Speaker 3: And uh.

803
00:43:33,560 --> 00:43:37,040
Speaker 2: Fucking one night we go to record Plant rest in Peace,

804
00:43:37,160 --> 00:43:39,759
Speaker 2: which is one of the best studios in LA. We

805
00:43:39,840 --> 00:43:41,880
Speaker 2: said rest in Peace because it's not there no more

806
00:43:41,960 --> 00:43:42,440
Speaker 2: Record Plan.

807
00:43:43,200 --> 00:43:45,920
Speaker 1: Record Plan is gone since when that.

808
00:43:45,960 --> 00:43:46,759
Speaker 5: Ship been gone.

809
00:43:47,760 --> 00:43:49,720
Speaker 3: Yeah yeah record Black, Yeah.

810
00:43:49,719 --> 00:43:50,400
Speaker 5: Super terrible.

811
00:43:50,640 --> 00:43:52,359
Speaker 2: But you know the studio right on the left when

812
00:43:52,360 --> 00:43:54,399
Speaker 2: you go in, you know, the first one on the left.

813
00:43:55,200 --> 00:43:58,040
Speaker 2: Were in there for a Whiz session and I'm in

814
00:43:58,080 --> 00:43:59,839
Speaker 2: there with all the homies. We make a song called

815
00:44:00,080 --> 00:44:03,759
Speaker 2: or Nah and this is for wizard Ship. But since

816
00:44:03,840 --> 00:44:06,120
Speaker 2: Paranoid blows up Atlantic, it's like, yo, you need to

817
00:44:06,160 --> 00:44:08,840
Speaker 2: drop like a little project. Let's do an EP so

818
00:44:09,560 --> 00:44:12,120
Speaker 2: I'm putting together the project and I'm like, yo, is,

819
00:44:12,200 --> 00:44:14,480
Speaker 2: let me just put this one on my ship. Bro.

820
00:44:14,800 --> 00:44:16,520
Speaker 2: I put that ship on my shoes and that was

821
00:44:16,560 --> 00:44:20,160
Speaker 2: the next one to blow up. Now, haven't announced it everywhere,

822
00:44:20,239 --> 00:44:22,000
Speaker 2: but we're just gonna announce it right here on R

823
00:44:22,040 --> 00:44:24,080
Speaker 2: and B Money. There's not a lot of niggas that

824
00:44:24,160 --> 00:44:26,440
Speaker 2: can say they got one of these, but now I

825
00:44:26,520 --> 00:44:29,680
Speaker 2: got one, motherfuckers. And that's called a diamond record. Because

826
00:44:34,640 --> 00:44:39,960
Speaker 2: Dimond Nigga shout out to Mustard, shout out to the Weekend.

827
00:44:40,239 --> 00:44:44,120
Speaker 3: We did that. Niggas don't know what diamond that's Crean. Yeah,

828
00:44:44,680 --> 00:44:45,799
Speaker 3: that plaq's gonna look crazy.

829
00:44:45,840 --> 00:44:46,000
Speaker 2: Ten.

830
00:44:46,440 --> 00:44:48,759
Speaker 3: I can't wait till the only nig I knew growing

831
00:44:48,840 --> 00:44:51,279
Speaker 3: up who had that, obviously Michael Jackson. I'm playing like

832
00:44:51,600 --> 00:44:55,600
Speaker 3: that a human right was MC hammer?

833
00:44:56,200 --> 00:44:58,200
Speaker 2: Wow? Yep, mc Hammer.

834
00:44:58,640 --> 00:45:01,040
Speaker 3: When you would walk into Capitol Building, they used to

835
00:45:01,239 --> 00:45:05,319
Speaker 3: have hammers diamond plaques in there back in the day.

836
00:45:05,360 --> 00:45:09,080
Speaker 3: Like when he kept the lights on it, that motherfucker diamond.

837
00:45:09,360 --> 00:45:13,960
Speaker 3: He did diamond twice, Wow, and it just it looked unreal.

838
00:45:14,960 --> 00:45:18,239
Speaker 2: Well, this is my second one too. You got to now, Yeah,

839
00:45:18,280 --> 00:45:23,439
Speaker 2: because me and post Malona is diamond of course, of course, yeah, yeah, yeah, yeah,

840
00:45:23,840 --> 00:45:28,080
Speaker 2: well that happened. So shout out to wiz Man, Like

841
00:45:28,200 --> 00:45:31,200
Speaker 2: I always got to say, whiz the goat of all goats.

842
00:45:32,120 --> 00:45:33,080
Speaker 3: Just the coolest nigga.

843
00:45:33,560 --> 00:45:36,759
Speaker 2: That's what I want to say. I feel like a

844
00:45:36,840 --> 00:45:39,239
Speaker 2: lot of people think you gotta be this asshole to

845
00:45:39,320 --> 00:45:42,239
Speaker 2: be an artist, and he is not. He's not, and

846
00:45:42,400 --> 00:45:45,560
Speaker 2: it is number one in the world or whatever the

847
00:45:45,640 --> 00:45:47,759
Speaker 2: fuck is going on at the time. He's the same guy,

848
00:45:48,160 --> 00:45:49,680
Speaker 2: always nice to everyone.

849
00:45:50,120 --> 00:45:52,120
Speaker 3: And he's gonna try to give you be like them.

850
00:45:52,400 --> 00:45:54,320
Speaker 3: Is it Bombay? Yeah, that nigga tried to get I

851
00:45:54,360 --> 00:45:55,600
Speaker 3: was like, I'm not drinking that.

852
00:45:57,400 --> 00:45:59,719
Speaker 5: They glad you didn't, Bro. I resonly went to the

853
00:45:59,760 --> 00:46:01,439
Speaker 5: doctor and they told me I had a fucking tumor

854
00:46:01,480 --> 00:46:01,960
Speaker 5: on my liver.

855
00:46:02,080 --> 00:46:02,960
Speaker 3: Bro what what?

856
00:46:03,320 --> 00:46:03,560
Speaker 2: Yeah?

857
00:46:04,680 --> 00:46:06,160
Speaker 5: I went through a lot of Bombay bottles.

858
00:46:06,440 --> 00:46:06,720
Speaker 2: Kids.

859
00:46:07,200 --> 00:46:12,399
Speaker 5: Fuck alcohol, I know, I got my my Uh lebon Jean.

860
00:46:12,640 --> 00:46:17,160
Speaker 5: If you're going to celebrate, celebrate with us, fuck alcohol?

861
00:46:20,160 --> 00:46:20,799
Speaker 2: Who edit that.

862
00:46:22,480 --> 00:46:25,759
Speaker 1: You love alcohol? Right? What is it called again?

863
00:46:25,880 --> 00:46:30,719
Speaker 2: It's called lebana Jean? Uh good money? Yeah, champagne is

864
00:46:30,760 --> 00:46:32,719
Speaker 2: the best taste in champagne in the world. Make sure

865
00:46:32,760 --> 00:46:35,759
Speaker 2: you celebrate with us at your next celebration. We also

866
00:46:35,840 --> 00:46:39,080
Speaker 2: got the whiskey lebon A Jean And if you're in

867
00:46:39,160 --> 00:46:41,520
Speaker 2: a whiskey or scotch, I'm sure you would love that.

868
00:46:41,760 --> 00:46:44,759
Speaker 2: We're doing tastings all around the world, so you know,

869
00:46:44,920 --> 00:46:48,399
Speaker 2: make sure you pull up. But if you just want

870
00:46:48,440 --> 00:46:49,840
Speaker 2: to pull up and you're one of those people that

871
00:46:49,920 --> 00:46:51,680
Speaker 2: don't want to drink and your friends just drink, then

872
00:46:51,760 --> 00:46:54,799
Speaker 2: you like me, nigga, come on, so you don't drink

873
00:46:54,840 --> 00:46:59,320
Speaker 2: the more very rare, very rare celebrations celebration, Yeah, but

874
00:46:59,440 --> 00:47:01,000
Speaker 2: you know they are aways. Want to make a celebration

875
00:47:01,120 --> 00:47:05,080
Speaker 2: for us. Celebration, lunch, celebration, dinner, celebration, club.

876
00:47:07,800 --> 00:47:15,800
Speaker 3: Records every day. That it amazing. That is amazing.

877
00:47:16,880 --> 00:47:22,560
Speaker 1: You touched on something that that I identified early. You

878
00:47:22,640 --> 00:47:27,359
Speaker 1: know you you and Mustard mm hmm, very very very

879
00:47:27,560 --> 00:47:29,400
Speaker 1: special connection.

880
00:47:29,719 --> 00:47:29,919
Speaker 3: Yeah.

881
00:47:30,440 --> 00:47:35,360
Speaker 1: I to me, you guys don't miss together. Yeah, you

882
00:47:35,480 --> 00:47:39,279
Speaker 1: don't miss was that when you when you guys established that.

883
00:47:41,400 --> 00:47:46,800
Speaker 2: How like So the craziest, craziest, craziest thing about Mustard,

884
00:47:46,880 --> 00:47:51,880
Speaker 2: right is when he came to the table, he was

885
00:47:52,000 --> 00:47:55,360
Speaker 2: a dope ass DJ that just like the little the

886
00:47:55,440 --> 00:47:58,239
Speaker 2: little nigga that DJ is better than the grown men, right,

887
00:47:59,080 --> 00:48:01,000
Speaker 2: And that was him. He he wasn't doing beats, he

888
00:48:01,080 --> 00:48:02,000
Speaker 2: wasn't doing shit, bro.

889
00:48:02,560 --> 00:48:03,040
Speaker 3: We would just.

890
00:48:03,080 --> 00:48:05,919
Speaker 2: Bagging each other clown like, oh, nigga, look at your shirt?

891
00:48:05,960 --> 00:48:09,560
Speaker 2: Are you fat ass nigga? Fucking old ass niggas. Him

892
00:48:09,600 --> 00:48:12,200
Speaker 2: and YG were the first people that started that O

893
00:48:12,440 --> 00:48:15,040
Speaker 2: n conversation. Niggas like way back in two thousand and nine,

894
00:48:15,120 --> 00:48:17,920
Speaker 2: like calling me, you old ass nigga. You washed you this,

895
00:48:18,160 --> 00:48:19,640
Speaker 2: you that da da da da, And it's like we

896
00:48:19,840 --> 00:48:21,880
Speaker 2: never used to do that to our big homies. It

897
00:48:22,000 --> 00:48:23,600
Speaker 2: was like we always used to listen to it. But

898
00:48:23,680 --> 00:48:25,800
Speaker 2: then now it's even worse with the younger niggas, like

899
00:48:25,920 --> 00:48:33,600
Speaker 2: to YG. Now, I see, but fucking I remember it

900
00:48:33,680 --> 00:48:37,120
Speaker 2: was Mustard and Riches and they would just be talking

901
00:48:37,200 --> 00:48:40,560
Speaker 2: ship every day and then one day Mustard was like yo, bro,

902
00:48:42,280 --> 00:48:44,160
Speaker 2: because he would stay over time and just watch and

903
00:48:44,239 --> 00:48:47,360
Speaker 2: I'm like, damn, he's I wasn't never thinking he was

904
00:48:47,360 --> 00:48:49,200
Speaker 2: gonna say this. I was just thinking he was gonna

905
00:48:49,200 --> 00:48:51,440
Speaker 2: be like every other young nigga, just smoke weed and

906
00:48:51,600 --> 00:48:55,080
Speaker 2: drink and funck with the bitches. But you know, they

907
00:48:55,640 --> 00:48:58,000
Speaker 2: and then blame you nigga for not you know what

908
00:48:58,000 --> 00:49:02,080
Speaker 2: I mean, putting them on right, Yeah, But instead he was.

909
00:49:02,160 --> 00:49:05,040
Speaker 5: Like, uh, let me get some sounds, bro.

910
00:49:05,520 --> 00:49:07,160
Speaker 2: I'm like for what he was like, I'm a fuck

911
00:49:07,200 --> 00:49:10,080
Speaker 2: with this program this reason right, I'm like, all right,

912
00:49:10,160 --> 00:49:12,320
Speaker 2: So I gave him some sounds, all my drum sounds.

913
00:49:12,440 --> 00:49:16,000
Speaker 2: Next thing, you know, bro, he's starting to come back

914
00:49:16,040 --> 00:49:19,560
Speaker 2: with beats and them shit's just slapping like crazy shit

915
00:49:19,960 --> 00:49:23,400
Speaker 2: and fucking YG did a whole project with him. The

916
00:49:23,480 --> 00:49:25,360
Speaker 2: ship was working. I did some shit with him, and

917
00:49:25,840 --> 00:49:30,200
Speaker 2: the ship was working, and it's no better than that, bro, Like,

918
00:49:30,840 --> 00:49:33,319
Speaker 2: and everything was just organic organic like.

919
00:49:33,480 --> 00:49:34,000
Speaker 5: Wow, like.

920
00:49:35,520 --> 00:49:37,560
Speaker 3: DJ's no, yeah, they know.

921
00:49:38,560 --> 00:49:41,160
Speaker 2: And he started he just learned, Bro, he was watching

922
00:49:41,280 --> 00:49:43,399
Speaker 2: and he did his own team. He was at first

923
00:49:43,480 --> 00:49:45,879
Speaker 2: it was like just him making beats and he got

924
00:49:45,960 --> 00:49:48,920
Speaker 2: with the guy Mike Free at the time, and whoever else. Like,

925
00:49:49,040 --> 00:49:52,239
Speaker 2: he just kept on putting together his different situations like

926
00:49:52,280 --> 00:49:55,600
Speaker 2: a real producer. And now he's mustard up today. He

927
00:49:56,239 --> 00:49:58,560
Speaker 2: one of the greatest to ever fucking do it like

928
00:49:58,719 --> 00:49:59,360
Speaker 2: a DJ.

929
00:49:59,760 --> 00:50:03,320
Speaker 1: No, he knows. Like when you talk about DJ and

930
00:50:03,440 --> 00:50:07,320
Speaker 1: clubs and you're talking about holding people's attention and moving

931
00:50:07,360 --> 00:50:09,880
Speaker 1: them around and then taking them to this level and

932
00:50:09,960 --> 00:50:11,880
Speaker 1: then bringing them right back here just so you can

933
00:50:12,000 --> 00:50:16,080
Speaker 1: shoot them up even Like yeah, like that's a science

934
00:50:16,160 --> 00:50:19,400
Speaker 1: within within itself. But then to know how to create

935
00:50:19,520 --> 00:50:23,719
Speaker 1: the thing that does it, Yeah, that's mastery on a

936
00:50:23,880 --> 00:50:26,560
Speaker 1: whole another level. Like I give him credit on a

937
00:50:26,920 --> 00:50:31,000
Speaker 1: whole nother level too, because it's not just song. It's

938
00:50:31,040 --> 00:50:34,560
Speaker 1: not just knowing how to manage songs. Now you're managing

939
00:50:34,640 --> 00:50:37,919
Speaker 1: the creation of the thing that you're gonna plug into

940
00:50:38,080 --> 00:50:41,719
Speaker 1: that matrix along with these other songs. Yeah, like is

941
00:50:41,760 --> 00:50:44,560
Speaker 1: a maths scientist, he's a monster. And everything I hear

942
00:50:44,640 --> 00:50:48,480
Speaker 1: you two do together, I'm like, yeah, touchdown.

943
00:50:48,719 --> 00:50:53,040
Speaker 2: I always remember this one moment where I was coming

944
00:50:53,080 --> 00:50:56,400
Speaker 2: off for twenty first Street about to make that right

945
00:50:56,480 --> 00:50:58,960
Speaker 2: on the bread to go towards Hollywood. This is like

946
00:50:59,080 --> 00:51:03,480
Speaker 2: my grandmother's owdaighborhood, and he was coming in like he

947
00:51:03,640 --> 00:51:06,480
Speaker 2: was coming from South Little Bret going north to turn

948
00:51:06,600 --> 00:51:08,879
Speaker 2: right on twenty first to go to my grandmother's house

949
00:51:08,880 --> 00:51:10,759
Speaker 2: because TC and everybody was over there. We had the

950
00:51:10,800 --> 00:51:13,439
Speaker 2: studio and he was like, hey, bro, I'm finna pass

951
00:51:13,520 --> 00:51:16,200
Speaker 2: you up on these beats. I'm like, what do you mean, nigga?

952
00:51:16,200 --> 00:51:18,640
Speaker 2: He was like, watch Nigga watch because I was always

953
00:51:18,680 --> 00:51:20,800
Speaker 2: making the beats and he said, this ship to me

954
00:51:20,920 --> 00:51:24,160
Speaker 2: and in the next week, Nigga Rack City dropped with him.

955
00:51:27,560 --> 00:51:29,600
Speaker 3: From there, Nigga, it was over.

956
00:51:32,840 --> 00:51:36,800
Speaker 2: A week and then from there, Nigga not like us, Nigga,

957
00:51:37,760 --> 00:51:38,399
Speaker 2: you know what I'm saying.

958
00:51:38,600 --> 00:51:43,000
Speaker 3: Like now, y'all, y'all crew all together, man, and everybody

959
00:51:43,040 --> 00:51:46,680
Speaker 3: that's come up out of it has just been really successful.

960
00:51:47,440 --> 00:51:50,040
Speaker 3: And it's dope to see, you know, and everybody have

961
00:51:50,239 --> 00:51:53,560
Speaker 3: you know, they have their moments where people go different ways,

962
00:51:53,600 --> 00:51:57,759
Speaker 3: but the fact that y'all you know, have maintained, yeah,

963
00:51:58,239 --> 00:52:01,799
Speaker 3: that that that connection with each other. Yeah, it's dope

964
00:52:01,840 --> 00:52:03,719
Speaker 3: to see. It's really really dope to see a.

965
00:52:03,760 --> 00:52:06,200
Speaker 2: Lot of people when got successful in their own ways.

966
00:52:06,239 --> 00:52:09,279
Speaker 2: But like I just got to always like point out

967
00:52:09,760 --> 00:52:14,000
Speaker 2: Yg Mustard, but especially Mustard because it's like like I said,

968
00:52:15,120 --> 00:52:17,839
Speaker 2: they gave Yg the first deal out of all of us,

969
00:52:18,560 --> 00:52:20,480
Speaker 2: and there was a lot of us that quit. There

970
00:52:20,520 --> 00:52:23,040
Speaker 2: was a lot of us that fell off, but there's

971
00:52:23,080 --> 00:52:26,440
Speaker 2: some of us that figured out how to you know,

972
00:52:27,160 --> 00:52:28,799
Speaker 2: get in where you fit in, you know, and.

973
00:52:29,120 --> 00:52:33,880
Speaker 5: Mustard push a rod. There's a couple of us that.

974
00:52:35,040 --> 00:52:37,880
Speaker 2: That figured it out, you know, and you just got

975
00:52:37,960 --> 00:52:39,640
Speaker 2: to shout out to people like that because they don't

976
00:52:39,680 --> 00:52:41,839
Speaker 2: make they don't make people like that every day.

977
00:52:41,920 --> 00:52:42,040
Speaker 7: You know.

978
00:52:42,160 --> 00:52:43,880
Speaker 2: They make a lot of people with excuses and a

979
00:52:43,960 --> 00:52:46,720
Speaker 2: lot of people that point fingers and shit. But niggas

980
00:52:46,760 --> 00:52:49,319
Speaker 2: that just like find their space and go all the way.

981
00:52:49,920 --> 00:52:51,400
Speaker 2: It's like that don't happen every day.

982
00:52:51,560 --> 00:52:54,719
Speaker 1: Yeah, you called first of all, La. We talked about

983
00:52:54,840 --> 00:52:55,319
Speaker 1: La La.

984
00:52:55,560 --> 00:52:57,120
Speaker 3: Yeah. La is incredible.

985
00:52:57,160 --> 00:52:57,600
Speaker 2: Thank you, Bo.

986
00:52:58,480 --> 00:52:59,720
Speaker 1: That's an incredible record.

987
00:53:00,040 --> 00:53:00,600
Speaker 5: Appreciate that.

988
00:53:00,719 --> 00:53:00,879
Speaker 1: Man.

989
00:53:01,000 --> 00:53:02,799
Speaker 3: I love that record like wholeheartedly.

990
00:53:02,880 --> 00:53:05,000
Speaker 2: Shout out to D and D. They started that one

991
00:53:05,680 --> 00:53:11,799
Speaker 2: you called Babyface for solid Yeah, yeah, yeah. They told

992
00:53:11,840 --> 00:53:15,640
Speaker 2: me when I come in here to this podcast that

993
00:53:15,880 --> 00:53:17,600
Speaker 2: probably one of the things that you would ask me

994
00:53:17,760 --> 00:53:21,840
Speaker 2: is like top five favorite R and B. Right, And

995
00:53:21,960 --> 00:53:24,880
Speaker 2: I couldn't like name like my favorite five songs, but

996
00:53:25,520 --> 00:53:27,960
Speaker 2: or the singer. I'll probably just go to the producers

997
00:53:28,000 --> 00:53:32,080
Speaker 2: of the times, like how you name fucking Davonte nigga

998
00:53:33,280 --> 00:53:39,040
Speaker 2: or Teddy or Babyface nigga like I went to the

999
00:53:39,160 --> 00:53:41,680
Speaker 2: other day. Shout out to Charlie Wilson, one of my

1000
00:53:41,719 --> 00:53:45,480
Speaker 2: favorites ever, invited me to his show at the Hollywood

1001
00:53:45,520 --> 00:53:46,040
Speaker 2: Bowl with.

1002
00:53:46,160 --> 00:53:47,880
Speaker 5: Him and Babyface nigga.

1003
00:53:47,960 --> 00:53:51,600
Speaker 2: When baby Face got on, it just takes you through

1004
00:53:51,840 --> 00:53:54,279
Speaker 2: all of the journey, baby Face.

1005
00:53:54,600 --> 00:53:56,200
Speaker 1: It's crazy journey.

1006
00:53:56,320 --> 00:53:56,880
Speaker 3: It's crazy.

1007
00:53:57,320 --> 00:53:57,440
Speaker 2: Bro.

1008
00:53:58,000 --> 00:53:59,879
Speaker 3: You called baby Face, I called baby Face.

1009
00:54:00,040 --> 00:54:01,680
Speaker 2: I had to. I call all my favorite niggas that

1010
00:54:01,680 --> 00:54:05,120
Speaker 2: I ever wanted to work with that I met from.

1011
00:54:05,800 --> 00:54:08,000
Speaker 2: Like I said, the year two thousand when I first

1012
00:54:08,040 --> 00:54:10,719
Speaker 2: started working with Kamara all the way until it was

1013
00:54:10,760 --> 00:54:14,239
Speaker 2: time for Free TC and Babyface. One of them, Man

1014
00:54:14,800 --> 00:54:17,120
Speaker 2: Jagged Edge was on my ship. All the niggas, man

1015
00:54:17,960 --> 00:54:19,080
Speaker 2: R Kelly was on my ship.

1016
00:54:19,239 --> 00:54:21,680
Speaker 5: Nigga, Yeah, I said, another one of my favorites.

1017
00:54:21,800 --> 00:54:32,239
Speaker 2: Mind too, uhr shout out to man real player ship man.

1018
00:54:32,440 --> 00:54:36,600
Speaker 1: Yeah, you nice with it.

1019
00:54:36,719 --> 00:54:40,000
Speaker 2: Bro. You know, I almost got fucking canceled before cancel

1020
00:54:40,160 --> 00:54:44,000
Speaker 2: was a thing because of that song, because horses in

1021
00:54:44,040 --> 00:54:45,480
Speaker 2: the stable, because all this guy is.

1022
00:54:45,520 --> 00:54:49,400
Speaker 5: Fucking referring to women as horses, this and that, And

1023
00:54:49,480 --> 00:54:50,600
Speaker 5: it wasn't even like that more.

1024
00:54:50,640 --> 00:54:52,359
Speaker 2: It was more of a poetic thing if you really

1025
00:54:52,480 --> 00:54:55,680
Speaker 2: like that attention and fucking Tis wrote that song A

1026
00:54:55,800 --> 00:54:59,640
Speaker 2: fucking woman, so suck by dick. Start there.

1027
00:55:00,320 --> 00:55:01,439
Speaker 1: It starts there.

1028
00:55:05,000 --> 00:55:11,719
Speaker 3: What made you go on the feature and collaborate or

1029
00:55:12,040 --> 00:55:14,520
Speaker 3: was that ever an intention? Was that intentional for you?

1030
00:55:14,640 --> 00:55:18,200
Speaker 3: Especially coming from Cali and obviously Nate Dog and you

1031
00:55:18,280 --> 00:55:21,719
Speaker 3: know the run he had. Yeah, what he's meant to

1032
00:55:21,760 --> 00:55:24,759
Speaker 3: the culture, like that intentional on some.

1033
00:55:24,920 --> 00:55:27,719
Speaker 2: Nate Doug ship. And when it started to happen, I

1034
00:55:27,840 --> 00:55:30,879
Speaker 2: started to feel like Lil Wayne mm hmmm, because Little

1035
00:55:30,920 --> 00:55:34,960
Speaker 2: Wayne is who I saw do that, like just be

1036
00:55:35,120 --> 00:55:37,800
Speaker 2: the greatest and then just bless other people's songs and

1037
00:55:37,880 --> 00:55:39,680
Speaker 2: saw some of them bring them to the next level

1038
00:55:40,480 --> 00:55:43,319
Speaker 2: and then sign the biggest artists.

1039
00:55:43,360 --> 00:55:47,879
Speaker 5: And then you know, Leon Drake, I feel like, right now.

1040
00:55:51,360 --> 00:55:57,880
Speaker 3: We gonna get to We're gonna get to because our

1041
00:55:57,920 --> 00:56:10,120
Speaker 3: favorite you know telling it you literally did a project

1042
00:56:10,400 --> 00:56:12,759
Speaker 3: called featuring you know what I'm saying, Like you really

1043
00:56:13,160 --> 00:56:14,920
Speaker 3: that race. It was like.

1044
00:56:16,560 --> 00:56:19,279
Speaker 2: Everybody was like, Oh, he's the future guy, he's the

1045
00:56:19,400 --> 00:56:22,279
Speaker 2: hook guy, he's this guy. But like Tan pointed out,

1046
00:56:22,320 --> 00:56:24,400
Speaker 2: we all know what I do if you really pay attention,

1047
00:56:24,960 --> 00:56:27,080
Speaker 2: but the narratives.

1048
00:56:26,560 --> 00:56:30,399
Speaker 3: And you know, I mean listen in this game too, though,

1049
00:56:30,920 --> 00:56:33,960
Speaker 3: the intention is to be a guy. Yeah, So whatever

1050
00:56:34,040 --> 00:56:36,160
Speaker 3: the fuck they want to say, you know what I mean,

1051
00:56:36,200 --> 00:56:39,760
Speaker 3: the niggas all the ship we've done in music, niggas

1052
00:56:39,760 --> 00:56:41,400
Speaker 3: we run up to me like you the podcast Nigga,

1053
00:56:41,480 --> 00:56:45,160
Speaker 3: I am, yeah, I am actually like we've done some

1054
00:56:45,280 --> 00:56:47,719
Speaker 3: cool ship. I'll take that, you know what I'm saying.

1055
00:56:47,760 --> 00:56:51,040
Speaker 3: So I always look at those type of things as

1056
00:56:52,040 --> 00:56:55,400
Speaker 3: that's just sometimes it can be a backhanded compliment in

1057
00:56:55,520 --> 00:56:57,800
Speaker 3: some form of fashion, but for me, it's just like, no,

1058
00:56:57,920 --> 00:56:59,719
Speaker 3: it's still a recognition for you know.

1059
00:57:00,400 --> 00:57:02,800
Speaker 1: Good work, because the only way it even becomes a

1060
00:57:02,880 --> 00:57:04,080
Speaker 1: name is if it's successful.

1061
00:57:04,120 --> 00:57:05,520
Speaker 3: If it's successful, right, the only.

1062
00:57:05,440 --> 00:57:08,960
Speaker 1: Way they even can and and trying to trying to

1063
00:57:09,080 --> 00:57:13,360
Speaker 1: diminish it, it never works, right, it never works.

1064
00:57:13,960 --> 00:57:16,240
Speaker 3: It's it's a huge especially when you got the type

1065
00:57:16,240 --> 00:57:18,080
Speaker 3: of gift that you get, you know what I mean,

1066
00:57:19,240 --> 00:57:22,840
Speaker 3: you you just continued the success is just it hasn't

1067
00:57:22,880 --> 00:57:26,560
Speaker 3: stopped for you, bro, Like and even you know, like

1068
00:57:26,640 --> 00:57:29,240
Speaker 3: you said bringing up a leon like now you're a

1069
00:57:29,400 --> 00:57:33,120
Speaker 3: successful label head. Bro, Yeah that does not happen.

1070
00:57:34,000 --> 00:57:37,600
Speaker 2: Now, I know, bro, And just like with the music

1071
00:57:38,120 --> 00:57:42,120
Speaker 2: or you know, the artistry part how it started this

1072
00:57:42,320 --> 00:57:44,600
Speaker 2: way and then I thought it was about the boom,

1073
00:57:44,640 --> 00:57:46,280
Speaker 2: and it was like back to square one, and then

1074
00:57:46,360 --> 00:57:48,160
Speaker 2: again you thought it was about to boom.

1075
00:57:48,240 --> 00:57:48,920
Speaker 5: You were with even a.

1076
00:57:48,920 --> 00:57:51,920
Speaker 2: Bigger situation than back to square one, and then that

1077
00:57:52,440 --> 00:57:55,800
Speaker 2: little situation where you never even think you know is

1078
00:57:55,840 --> 00:57:59,000
Speaker 2: the one that ends up going and uh, same shit

1079
00:57:59,040 --> 00:58:01,560
Speaker 2: bro out and started many record companies along the way

1080
00:58:01,600 --> 00:58:04,000
Speaker 2: and signed many artists, but it was with this one,

1081
00:58:04,200 --> 00:58:06,640
Speaker 2: like during the pandemic, when you don't even know what

1082
00:58:06,760 --> 00:58:09,560
Speaker 2: the fuck is going to happen, and my keyboard player

1083
00:58:10,160 --> 00:58:12,720
Speaker 2: Ali is like, Yo, you should check out this shit.

1084
00:58:12,840 --> 00:58:15,520
Speaker 5: Man, I got this artist you might want to hear.

1085
00:58:15,600 --> 00:58:16,800
Speaker 5: I know you're gonna love this shit.

1086
00:58:16,800 --> 00:58:19,560
Speaker 2: I'm telling you this is that shit, and he plays

1087
00:58:19,640 --> 00:58:21,920
Speaker 2: me a song called California Cation, which we end up

1088
00:58:22,000 --> 00:58:24,880
Speaker 2: changing the name love Jones, which I ended up doing

1089
00:58:24,920 --> 00:58:26,640
Speaker 2: the feature for the kid and it was going to

1090
00:58:26,680 --> 00:58:29,360
Speaker 2: go on my album, and then it didn't go on

1091
00:58:29,440 --> 00:58:32,200
Speaker 2: my album because I didn't end up dropping, and we

1092
00:58:32,320 --> 00:58:35,040
Speaker 2: ended up signing them because the ship was just so good,

1093
00:58:35,120 --> 00:58:38,360
Speaker 2: and the same guy that signed me to Atlantic, we

1094
00:58:38,480 --> 00:58:41,320
Speaker 2: ended up making a label together. Sean Barrens my guy,

1095
00:58:42,640 --> 00:58:47,440
Speaker 2: fucking Leon came across you know the table, and fucking

1096
00:58:47,520 --> 00:58:49,240
Speaker 2: that was my favorite shit I had ever heard at

1097
00:58:49,280 --> 00:58:51,160
Speaker 2: the time, and it still is to this day, and

1098
00:58:52,040 --> 00:58:55,880
Speaker 2: I believed in it. It fucking had some type of

1099
00:58:55,920 --> 00:58:58,320
Speaker 2: success in the beginning, but the type of success that

1100
00:58:58,840 --> 00:59:02,320
Speaker 2: had the higher upset the label, like, Yo, maybe you

1101
00:59:02,360 --> 00:59:03,920
Speaker 2: want to give him one of them club joints, and

1102
00:59:04,000 --> 00:59:05,520
Speaker 2: maybe you want to put him with this guy and

1103
00:59:05,560 --> 00:59:07,120
Speaker 2: put him with that guy, and da da da da.

1104
00:59:07,160 --> 00:59:09,600
Speaker 2: And I actually called him and told him this information

1105
00:59:09,800 --> 00:59:13,640
Speaker 2: and and then I called him back like minutes later,

1106
00:59:13,760 --> 00:59:15,520
Speaker 2: like I feel like a fucking dickhead. I feel like

1107
00:59:15,560 --> 00:59:18,000
Speaker 2: one of those record company guys. Don't ever let me

1108
00:59:18,200 --> 00:59:20,080
Speaker 2: do that to you, or nobody do that to you. Nigga,

1109
00:59:20,160 --> 00:59:24,400
Speaker 2: I love the shit and there was you love it,

1110
00:59:24,520 --> 00:59:26,280
Speaker 2: and there's gonna be other people that love it. And

1111
00:59:26,360 --> 00:59:29,920
Speaker 2: then the second album, he came back with Mutt, but

1112
00:59:30,120 --> 00:59:34,040
Speaker 2: she stuck to his shit and didn't do no sequences,

1113
00:59:34,360 --> 00:59:36,600
Speaker 2: didn't do no fucking eight a weights, didn't do the

1114
00:59:36,640 --> 00:59:38,800
Speaker 2: shit that everybody else is doing, but stuck to his

1115
00:59:38,880 --> 00:59:41,280
Speaker 2: shit and it fucking worked and it's the best shit.

1116
00:59:41,600 --> 00:59:43,840
Speaker 2: So that's all I would like say to a new

1117
00:59:43,920 --> 00:59:46,720
Speaker 2: artist out there, if y'all ask me, like, Nigga, do

1118
00:59:46,840 --> 00:59:49,560
Speaker 2: you bro and believe in it, because if someone likes it,

1119
00:59:49,960 --> 00:59:51,800
Speaker 2: there's you know what I mean, there's gonna be other

1120
00:59:51,800 --> 00:59:52,280
Speaker 2: people that like.

1121
00:59:52,360 --> 00:59:53,880
Speaker 5: If you like it, there's gonna be other people that

1122
00:59:54,040 --> 00:59:54,160
Speaker 5: like it.

1123
00:59:54,760 --> 00:59:58,960
Speaker 1: And I gotta tell everybody you know outside of music

1124
00:59:59,080 --> 01:00:06,040
Speaker 1: world that it is something to be a successful artist.

1125
01:00:06,840 --> 01:00:07,080
Speaker 3: It is.

1126
01:00:07,400 --> 01:00:10,600
Speaker 1: It is something too that there's no joy, no other

1127
01:00:10,640 --> 01:00:12,600
Speaker 1: feeling in the world. And you're going to do well,

1128
01:00:12,640 --> 01:00:14,680
Speaker 1: You're going to make great money, like you're going to

1129
01:00:14,760 --> 01:00:18,240
Speaker 1: do a tour, all these cool things. But it gets

1130
01:00:18,320 --> 01:00:22,320
Speaker 1: different when you break an artist on your label.

1131
01:00:24,000 --> 01:00:27,040
Speaker 3: Ship gets different.

1132
01:00:28,240 --> 01:00:31,960
Speaker 1: Because you know, we as owners for a very long

1133
01:00:32,040 --> 01:00:34,600
Speaker 1: time understand.

1134
01:00:35,720 --> 01:00:36,600
Speaker 3: Being in the black.

1135
01:00:38,120 --> 01:00:41,080
Speaker 1: When then back in checks start coming in on the

1136
01:00:41,200 --> 01:00:47,000
Speaker 1: other side of success, I can only imagine what's getting

1137
01:00:47,040 --> 01:00:49,000
Speaker 1: ready to come through the pipeline.

1138
01:00:50,360 --> 01:00:54,880
Speaker 3: And you become a destination now because it's something that

1139
01:00:55,040 --> 01:00:57,440
Speaker 3: someone said to me some years ago about if you

1140
01:00:57,560 --> 01:01:02,200
Speaker 3: can figure out a way to make a living and

1141
01:01:02,720 --> 01:01:08,600
Speaker 3: be philanthropic, right because ultimately, like the love and the

1142
01:01:08,680 --> 01:01:11,479
Speaker 3: things that we put into it is to ultimately help

1143
01:01:12,040 --> 01:01:14,240
Speaker 3: someone else, right, especially when you sign artists or you

1144
01:01:14,320 --> 01:01:16,280
Speaker 3: sign a writer, or you know, you get a writer

1145
01:01:16,360 --> 01:01:18,680
Speaker 3: who cracks off for our producer, are now an artist,

1146
01:01:19,280 --> 01:01:23,479
Speaker 3: Like that's giving back because not only have you helped

1147
01:01:23,480 --> 01:01:26,240
Speaker 3: that artist, you've helped everyone connected to that artist, their

1148
01:01:26,280 --> 01:01:29,360
Speaker 3: family members, the women and whatever their lives. And you

1149
01:01:29,440 --> 01:01:33,080
Speaker 3: know what I mean, And you've you've brought someone else up.

1150
01:01:33,160 --> 01:01:36,360
Speaker 3: So now you become that destination when people are like, yeah, man,

1151
01:01:36,640 --> 01:01:39,680
Speaker 3: I'm a singer who could a man? I could go

1152
01:01:39,760 --> 01:01:42,720
Speaker 3: to easy money, I could go to R and B money.

1153
01:01:42,760 --> 01:01:44,080
Speaker 3: I can go to that. You know what I'm saying, Like,

1154
01:01:44,160 --> 01:01:49,000
Speaker 3: you become that for the next generations that's coming up right,

1155
01:01:49,040 --> 01:01:52,840
Speaker 3: because I guarantee if anybody thinks they have anything close

1156
01:01:52,880 --> 01:01:55,520
Speaker 3: to what Leone is, they're gonna be like, I gotta

1157
01:01:55,520 --> 01:01:58,560
Speaker 3: get the TI dollar sign. I gotta talk to Sean Barn.

1158
01:01:59,080 --> 01:02:03,400
Speaker 3: You know what I'm saying. I remember when y'all did

1159
01:02:03,440 --> 01:02:08,480
Speaker 3: that deal with Ethiopia. I remember, and she was like, Yo, Sean,

1160
01:02:09,240 --> 01:02:11,160
Speaker 3: he partnered you know what I mean, He's partnered with

1161
01:02:11,480 --> 01:02:12,959
Speaker 3: with time.

1162
01:02:13,720 --> 01:02:17,880
Speaker 2: You remember Matt who works with a Dreamville Now he's

1163
01:02:18,000 --> 01:02:21,200
Speaker 2: working whatever with him.

1164
01:02:21,240 --> 01:02:22,120
Speaker 5: Boy, he used to be with them.

1165
01:02:23,400 --> 01:02:25,560
Speaker 2: I think that Matt brought me to Ethiopia a long

1166
01:02:25,640 --> 01:02:27,720
Speaker 2: time ago to try to get my first publishing deal

1167
01:02:28,760 --> 01:02:29,800
Speaker 2: and she turned me down.

1168
01:02:29,960 --> 01:02:30,080
Speaker 3: Bro.

1169
01:02:30,640 --> 01:02:34,600
Speaker 2: Wow, it's hurt because all the homies isopia. Yeah, I

1170
01:02:34,680 --> 01:02:38,160
Speaker 2: thought that was gonna be my next thing. She believed

1171
01:02:38,160 --> 01:02:39,920
Speaker 2: in Leon Bro, and I just want to like Big

1172
01:02:40,000 --> 01:02:44,600
Speaker 2: Ethiopia for just being such a fucking boss bro, like yeah, yeah,

1173
01:02:44,920 --> 01:02:46,320
Speaker 2: you know, shout out to her.

1174
01:02:46,920 --> 01:02:49,160
Speaker 3: Absolutely don't kill the Party.

1175
01:02:51,000 --> 01:02:52,640
Speaker 5: The bop on that.

1176
01:02:54,360 --> 01:02:57,160
Speaker 2: Man. Like, I just realized how that song went again

1177
01:02:57,240 --> 01:02:59,040
Speaker 2: yesterday because I was just going through my phone and

1178
01:02:59,120 --> 01:03:01,680
Speaker 2: going through all my old files. I had started that

1179
01:03:01,880 --> 01:03:05,080
Speaker 2: song for a project I was working on called Sign

1180
01:03:05,160 --> 01:03:07,040
Speaker 2: Language two, because I already put out The Sign Language

1181
01:03:07,080 --> 01:03:09,360
Speaker 2: a long time ago. I was making two and two

1182
01:03:09,600 --> 01:03:12,120
Speaker 2: was with me and Juicy J producing the whole project

1183
01:03:12,200 --> 01:03:14,960
Speaker 2: and shit, and I did that song Don't Kill the

1184
01:03:15,000 --> 01:03:18,160
Speaker 2: Party with Baby Kobe and Juicy J hopped on it,

1185
01:03:19,440 --> 01:03:22,760
Speaker 2: and this is for that. But then fast forward twenty

1186
01:03:22,840 --> 01:03:25,840
Speaker 2: twenty three is when I link with Ya up in

1187
01:03:25,920 --> 01:03:29,400
Speaker 2: Japan and we were just gonna we were gonna do

1188
01:03:29,480 --> 01:03:32,160
Speaker 2: another project and I was going to have him executive

1189
01:03:32,200 --> 01:03:35,400
Speaker 2: produce my solo album. But then we started making songs

1190
01:03:35,640 --> 01:03:37,400
Speaker 2: and then we ended up coming up with the whole

1191
01:03:37,480 --> 01:03:41,240
Speaker 2: Vultures I did and did that, and then with that,

1192
01:03:41,680 --> 01:03:44,000
Speaker 2: it's like going through my hard drive picking all my

1193
01:03:44,040 --> 01:03:45,960
Speaker 2: best shit, going through his hard drive, picking all his

1194
01:03:46,040 --> 01:03:48,240
Speaker 2: best shit to just speed up the processed type shit right,

1195
01:03:48,240 --> 01:03:48,920
Speaker 2: and then we get.

1196
01:03:48,800 --> 01:03:49,640
Speaker 5: On each other songs.

1197
01:03:50,400 --> 01:03:53,880
Speaker 2: And a lot of people first heard Don't Kill the

1198
01:03:53,960 --> 01:04:00,640
Speaker 2: Party as a potential song for Vultures three, but I

1199
01:04:00,800 --> 01:04:03,960
Speaker 2: ended up being able to use it for Tycoon. So

1200
01:04:04,080 --> 01:04:08,480
Speaker 2: it's just crazy also to see how songs you know

1201
01:04:08,720 --> 01:04:13,120
Speaker 2: you could like. For instance, Grammy nominations just popped out,

1202
01:04:13,720 --> 01:04:17,080
Speaker 2: and I got nominated for a Grammy alongside my brother

1203
01:04:17,200 --> 01:04:23,600
Speaker 2: Jid and been Black. Thank you guys man that song

1204
01:04:23,680 --> 01:04:26,280
Speaker 2: with Jed Nigga, this is before the pandemic. He came

1205
01:04:26,360 --> 01:04:29,800
Speaker 2: to my crib and we did that song. I was

1206
01:04:30,200 --> 01:04:34,280
Speaker 2: produced on it and sung and he did his part.

1207
01:04:34,360 --> 01:04:36,960
Speaker 2: I'm talking about Nigga. This is before twenty twenty, but

1208
01:04:37,120 --> 01:04:39,840
Speaker 2: now it just happened right now. Mutt was done in

1209
01:04:40,240 --> 01:04:42,120
Speaker 2: twenty twenty two or twenty twenty three.

1210
01:04:42,600 --> 01:04:43,880
Speaker 5: So it's just crazy, like how.

1211
01:04:43,960 --> 01:04:47,280
Speaker 3: It works to what's your what's your favorite? I'm gonna

1212
01:04:47,280 --> 01:04:49,280
Speaker 3: tell you what mine after you if you have one, Yeah,

1213
01:04:49,480 --> 01:04:51,200
Speaker 3: what's your favorite feature you had?

1214
01:04:52,160 --> 01:04:55,960
Speaker 2: It's a very hard one because I'm gonna just say

1215
01:04:56,040 --> 01:04:57,560
Speaker 2: Psycho though it's diamond.

1216
01:04:58,040 --> 01:04:58,560
Speaker 3: You know what I'm saying.

1217
01:04:58,600 --> 01:05:01,680
Speaker 2: It was very successful just the way that ship happened.

1218
01:05:02,400 --> 01:05:04,640
Speaker 2: Post told me to come to the studio over here.

1219
01:05:04,760 --> 01:05:06,800
Speaker 2: That was the first day I met that nigga m

1220
01:05:07,200 --> 01:05:11,560
Speaker 2: Chopper like way back. I don't remember what year that was, but.

1221
01:05:13,280 --> 01:05:17,920
Speaker 3: Yeah, that's my favorite feature from you. It's back Seat.

1222
01:05:19,240 --> 01:05:25,200
Speaker 2: By Roddy rich Man, favorite feature and you're the in line.

1223
01:05:26,240 --> 01:05:27,160
Speaker 5: I'm a fucking sex.

1224
01:05:32,120 --> 01:05:35,160
Speaker 3: This niggas crazy because I don't had nothing to do.

1225
01:05:35,440 --> 01:05:36,240
Speaker 2: Nothing that's going on.

1226
01:05:37,120 --> 01:05:38,680
Speaker 3: Finished this ship. I'm a fucking sex.

1227
01:05:40,520 --> 01:05:43,680
Speaker 2: That's me and Mustard going back and forth on Instagram,

1228
01:05:44,280 --> 01:05:47,240
Speaker 2: just talking ship to each other. Same way we met,

1229
01:05:48,120 --> 01:05:50,360
Speaker 2: the same thing and we were just going back and

1230
01:05:50,480 --> 01:05:52,400
Speaker 2: forth and I ended up putting it in the song.

1231
01:05:52,960 --> 01:05:56,080
Speaker 1: Mine, What's What's What's the idiom song?

1232
01:05:56,160 --> 01:05:58,640
Speaker 2: You got? Uh?

1233
01:06:00,320 --> 01:06:01,960
Speaker 5: I got a gang of idiom songs.

1234
01:06:02,520 --> 01:06:04,720
Speaker 3: It's it's recent though.

1235
01:06:07,520 --> 01:06:10,640
Speaker 2: With is it like some Brazilian like AFROBT type ship

1236
01:06:10,760 --> 01:06:12,920
Speaker 2: or is it like like Relex.

1237
01:06:13,080 --> 01:06:13,600
Speaker 3: What's the one?

1238
01:06:13,720 --> 01:06:13,760
Speaker 2: What?

1239
01:06:14,040 --> 01:06:14,400
Speaker 1: What is it?

1240
01:06:15,480 --> 01:06:18,360
Speaker 3: Give me? I can't do this, O my god.

1241
01:06:19,160 --> 01:06:21,480
Speaker 1: First of all, back back taking real quick, and then

1242
01:06:21,480 --> 01:06:22,720
Speaker 1: I'm gonna look up my favorite song.

1243
01:06:22,720 --> 01:06:24,160
Speaker 2: All right, Well what I want?

1244
01:06:24,440 --> 01:06:25,880
Speaker 3: Like I said, you're a.

1245
01:06:27,040 --> 01:06:29,120
Speaker 5: Man, what I want? That was supposed to be on

1246
01:06:29,240 --> 01:06:32,000
Speaker 5: Me and Mustards collab album, so.

1247
01:06:32,080 --> 01:06:34,160
Speaker 3: Y'all yeah, because y'all never done a collab album together.

1248
01:06:34,760 --> 01:06:40,120
Speaker 2: One right before Vultures, and uh, the label at the

1249
01:06:40,160 --> 01:06:45,000
Speaker 2: time was like, let's let uh you know, the Mustard

1250
01:06:45,000 --> 01:06:48,960
Speaker 2: ship hasn't been hot lately, get back hot, and and

1251
01:06:49,040 --> 01:06:51,440
Speaker 2: I'm like, what the fuck, nigga, Like we got nothing

1252
01:06:51,520 --> 01:06:54,040
Speaker 2: but smashes on this ship And it was just like

1253
01:06:54,280 --> 01:06:56,680
Speaker 2: my team at the time, everything, it just didn't happen, bro,

1254
01:06:57,720 --> 01:07:02,080
Speaker 2: And maybe he's still yeah, like I was able to

1255
01:07:02,120 --> 01:07:04,720
Speaker 2: put that song on on this album. One of the

1256
01:07:04,760 --> 01:07:07,360
Speaker 2: other songs we were working on do It Stay Wet

1257
01:07:07,800 --> 01:07:10,480
Speaker 2: that with me and Nipsey and it was me, Nipsey

1258
01:07:10,560 --> 01:07:12,960
Speaker 2: and Cardi B at the time. Then it ended up

1259
01:07:13,000 --> 01:07:16,560
Speaker 2: being me and Yay and Nipsey on Vulture.

1260
01:07:16,720 --> 01:07:19,760
Speaker 3: So you know, how many records do you think you've

1261
01:07:19,760 --> 01:07:22,520
Speaker 3: written in life? If you just think, if you just

1262
01:07:22,600 --> 01:07:24,480
Speaker 3: think what you think over.

1263
01:07:24,360 --> 01:07:27,760
Speaker 5: One hundred dollars, God, thank you, fort hundred thousand records.

1264
01:07:27,840 --> 01:07:31,840
Speaker 2: Yeah, Like I try to like do at least three

1265
01:07:31,920 --> 01:07:34,360
Speaker 2: songs a day. Bro, You're still on that type of

1266
01:07:34,400 --> 01:07:36,560
Speaker 2: still on that type of time even when the album

1267
01:07:36,640 --> 01:07:39,000
Speaker 2: is dropped. That day, I'm still in the studio, like

1268
01:07:39,120 --> 01:07:41,440
Speaker 2: making more songs. So do you still go in every day?

1269
01:07:41,800 --> 01:07:42,000
Speaker 5: Yes?

1270
01:07:43,680 --> 01:07:47,960
Speaker 2: To fast forward Kowanga, that building right there that we

1271
01:07:48,080 --> 01:07:50,720
Speaker 2: talked about, Nigga bought a building on Kowanga, right down

1272
01:07:50,760 --> 01:07:56,400
Speaker 2: the street. Nigga right down the street, remodeled the whole ship.

1273
01:07:56,640 --> 01:07:59,280
Speaker 2: Fucking you got your studios, you got your label, you

1274
01:07:59,280 --> 01:07:59,920
Speaker 2: got everything.

1275
01:07:59,760 --> 01:08:00,280
Speaker 3: The whole thing.

1276
01:08:00,760 --> 01:08:01,320
Speaker 2: So we're good.

1277
01:08:01,880 --> 01:08:04,720
Speaker 3: So so for you guys label, are you guys fully

1278
01:08:04,760 --> 01:08:07,720
Speaker 3: staffed out or is it still you guys running it

1279
01:08:07,880 --> 01:08:09,760
Speaker 3: like a small boutique.

1280
01:08:11,480 --> 01:08:13,160
Speaker 5: But I'm hiring all the people.

1281
01:08:13,160 --> 01:08:16,920
Speaker 2: We got everybody, We got publicists, we got you know, accounting,

1282
01:08:17,080 --> 01:08:20,880
Speaker 2: we got attorneys, we got every an ours full shit.

1283
01:08:21,040 --> 01:08:27,240
Speaker 3: So that's hard, Bro. And it's just to see that

1284
01:08:27,479 --> 01:08:31,519
Speaker 3: happen for an artist because it just doesn't happen that way,

1285
01:08:32,000 --> 01:08:34,840
Speaker 3: right Like you just don't. Especially as an active artist.

1286
01:08:35,160 --> 01:08:36,760
Speaker 3: You know, you'll see people that have you know, that

1287
01:08:37,520 --> 01:08:40,800
Speaker 3: step to the side, they start focusing on other things.

1288
01:08:40,840 --> 01:08:43,519
Speaker 3: But for you to have it as you're still climbing,

1289
01:08:44,520 --> 01:08:46,360
Speaker 3: it's amazing to watch, Bro, especially in R and B,

1290
01:08:46,479 --> 01:08:48,519
Speaker 3: because we don't we don't have a lot of reach

1291
01:08:48,600 --> 01:08:51,439
Speaker 3: back in R and B, yeah, unfortunately, you.

1292
01:08:51,479 --> 01:08:53,599
Speaker 2: Know what I mean, That's true. I feel like it's

1293
01:08:53,640 --> 01:08:54,360
Speaker 2: gonna come back, though.

1294
01:08:54,360 --> 01:08:55,559
Speaker 5: I feel like it's turning around.

1295
01:08:55,760 --> 01:08:59,080
Speaker 2: No. Absolutely, It's like as we saw what happened with

1296
01:08:59,200 --> 01:09:01,519
Speaker 2: Wrap on the Top forty this last week.

1297
01:09:01,680 --> 01:09:05,760
Speaker 5: But then we see that that best R and B category,

1298
01:09:06,400 --> 01:09:11,599
Speaker 5: which leon is heavy. It is crazy, it was major hits.

1299
01:09:11,920 --> 01:09:12,519
Speaker 2: Yes it is.

1300
01:09:13,240 --> 01:09:14,240
Speaker 5: So I'm happy about that.

1301
01:09:15,320 --> 01:09:17,000
Speaker 3: Have you been nominated for R and B Awards?

1302
01:09:18,960 --> 01:09:19,280
Speaker 2: Maybe?

1303
01:09:19,680 --> 01:09:21,200
Speaker 3: Do you get most of your stuff in hip hop?

1304
01:09:21,439 --> 01:09:23,320
Speaker 2: I get most of my stuff in hip hop for sure,

1305
01:09:23,400 --> 01:09:25,599
Speaker 2: and I'll still be mad that, Like, for instance, that's

1306
01:09:25,640 --> 01:09:28,479
Speaker 2: why they put Tycoon in the hip hop category because

1307
01:09:28,479 --> 01:09:30,000
Speaker 2: I don't feel like it's a hip hop album.

1308
01:09:30,520 --> 01:09:32,600
Speaker 3: Crazy, but that's why I asked you that.

1309
01:09:33,200 --> 01:09:35,760
Speaker 2: Yeah, I hate that ship. I'm not a rapper, like

1310
01:09:35,840 --> 01:09:37,720
Speaker 2: I said, I ain't never rap. If you put my

1311
01:09:37,920 --> 01:09:41,599
Speaker 2: records against jay Z, like, it's never, it's not even

1312
01:09:41,640 --> 01:09:42,880
Speaker 2: the same type of fucking music.

1313
01:09:42,960 --> 01:09:45,160
Speaker 5: Bro. My shit is like more adds up with a

1314
01:09:45,240 --> 01:09:46,920
Speaker 5: Chris Brown or adds up with you know.

1315
01:09:47,160 --> 01:09:50,120
Speaker 1: But that's when where they have to do more. They

1316
01:09:50,200 --> 01:09:53,840
Speaker 1: have to have more consideration in the thought process of

1317
01:09:54,680 --> 01:09:57,760
Speaker 1: of just music period. When they're creating these categories and

1318
01:09:57,880 --> 01:10:01,360
Speaker 1: things like that, because since these things have evolved, you

1319
01:10:01,439 --> 01:10:05,000
Speaker 1: can't just throw them somewhere like this is something completely different.

1320
01:10:05,600 --> 01:10:09,320
Speaker 1: And like you said, you haven't wrapped one? How did

1321
01:10:09,360 --> 01:10:11,280
Speaker 1: you get that? How did you throw me over there?

1322
01:10:12,000 --> 01:10:12,960
Speaker 1: Like you ask me?

1323
01:10:13,439 --> 01:10:16,879
Speaker 2: Let's talk about it. They didn't fucking they didn't nominate

1324
01:10:17,040 --> 01:10:19,639
Speaker 2: Playboy Cardi this year, which is like, how the fuck

1325
01:10:19,640 --> 01:10:22,920
Speaker 2: you didn't nominated play Boy Cardi? Fucking Eye of Music

1326
01:10:23,040 --> 01:10:25,680
Speaker 2: was one of the biggest fucking albums this whole year.

1327
01:10:25,880 --> 01:10:28,800
Speaker 3: And then you wonder why the youth exactly support it

1328
01:10:28,840 --> 01:10:32,000
Speaker 3: because I guarantee you if they would have nominated my son.

1329
01:10:32,880 --> 01:10:35,640
Speaker 2: Yeah, but like that that was the best ship in

1330
01:10:35,760 --> 01:10:36,120
Speaker 2: hip hop.

1331
01:10:36,200 --> 01:10:39,880
Speaker 1: But it's like it's it's almost like is it not

1332
01:10:40,040 --> 01:10:40,439
Speaker 1: hip hop?

1333
01:10:41,040 --> 01:10:41,400
Speaker 5: I don't know.

1334
01:10:41,600 --> 01:10:44,800
Speaker 1: Sometimes it just feels like it's anti impact, And I'm like,

1335
01:10:45,200 --> 01:10:48,280
Speaker 1: how do you how do you do that? And I'm

1336
01:10:48,280 --> 01:10:51,800
Speaker 1: talking to the and I'm talking to the voters, how

1337
01:10:51,880 --> 01:10:57,120
Speaker 1: do you how do you fight against impact? Like you shouldn't.

1338
01:10:57,160 --> 01:11:00,639
Speaker 1: You shouldn't, you shouldn't want to. Even if you don't

1339
01:11:00,680 --> 01:11:05,080
Speaker 1: understand it, right, that should lead you to go get

1340
01:11:05,120 --> 01:11:07,479
Speaker 1: into it and trying to figure it out like there's

1341
01:11:07,520 --> 01:11:08,040
Speaker 1: no reason.

1342
01:11:09,000 --> 01:11:10,880
Speaker 2: This is the lessons in my whole career, bro, Because

1343
01:11:10,880 --> 01:11:14,479
Speaker 2: it's like like if you if you rewind back to

1344
01:11:14,560 --> 01:11:16,880
Speaker 2: oh nine, when I said my space ship was popping,

1345
01:11:16,920 --> 01:11:19,000
Speaker 2: the jerk music shit was popping. I came from what

1346
01:11:19,120 --> 01:11:20,640
Speaker 2: I came from, and then they tried to throw me

1347
01:11:20,720 --> 01:11:24,080
Speaker 2: in this world, which I fucking hated that jerk shit.

1348
01:11:24,360 --> 01:11:26,120
Speaker 2: Just be just to be honest, right, because it just

1349
01:11:26,160 --> 01:11:29,080
Speaker 2: felt like lazy. It felt like no talent. It felt

1350
01:11:29,120 --> 01:11:31,920
Speaker 2: like y'all used five sounds and y'all got a song

1351
01:11:32,000 --> 01:11:34,479
Speaker 2: that's going, So how can I hate that the song's going?

1352
01:11:34,560 --> 01:11:36,680
Speaker 2: And that's when I had to learn to never call

1353
01:11:36,760 --> 01:11:39,120
Speaker 2: anything whack again anymore. You know what I'm saying, Like

1354
01:11:39,600 --> 01:11:41,880
Speaker 2: to open my fucking ear ups right, to add your

1355
01:11:41,920 --> 01:11:44,519
Speaker 2: sauce to it, Yeah, because this is what changed my ship.

1356
01:11:44,640 --> 01:11:44,760
Speaker 4: Right.

1357
01:11:45,040 --> 01:11:49,240
Speaker 2: So I think with the Grammys, it's like evolution, right,

1358
01:11:49,360 --> 01:11:52,080
Speaker 2: what used to be cool sometimes it's not cool no more.

1359
01:11:52,120 --> 01:11:55,840
Speaker 2: And there's certain new new ship right, and uh, I

1360
01:11:56,000 --> 01:12:00,240
Speaker 2: just think they need to be more ahead for what's

1361
01:12:00,320 --> 01:12:03,280
Speaker 2: coming because she be changing like every so many years.

1362
01:12:03,720 --> 01:12:06,640
Speaker 2: And when it comes to Cardi, I feel like his

1363
01:12:06,760 --> 01:12:09,840
Speaker 2: ship is a new thing. And then it's not only him,

1364
01:12:09,880 --> 01:12:12,720
Speaker 2: you got like fucking fifteen other artists that tried to

1365
01:12:12,760 --> 01:12:13,680
Speaker 2: sound exactly like that.

1366
01:12:13,960 --> 01:12:15,280
Speaker 1: You know what I mean, you know what has to

1367
01:12:15,400 --> 01:12:22,479
Speaker 1: happen though from here's here's what what what? What doesn't happen? Yeah,

1368
01:12:22,960 --> 01:12:30,639
Speaker 1: a guy like like Playboy Cardi. Sometimes there's a thing

1369
01:12:30,720 --> 01:12:35,000
Speaker 1: that we call campaign campaigning, Yeah.

1370
01:12:35,479 --> 01:12:38,800
Speaker 3: Because easy money is on the campaign, hey, Leon right now,

1371
01:12:40,479 --> 01:12:42,720
Speaker 3: like a motherfucker, it's campaign Yeah.

1372
01:12:42,840 --> 01:12:43,040
Speaker 2: Yeah.

1373
01:12:43,280 --> 01:12:46,479
Speaker 1: Grammy is one of those things where's running for something.

1374
01:12:46,520 --> 01:12:49,360
Speaker 1: There's there's a lot of older voters. It's there's a

1375
01:12:49,439 --> 01:12:54,240
Speaker 1: lot of older systems in place. But that campaigning and

1376
01:12:54,640 --> 01:12:58,439
Speaker 1: you you you up a Playboy Cardi having that Grammy

1377
01:12:58,520 --> 01:13:02,439
Speaker 1: conversation with your fans, are with the people who are

1378
01:13:02,479 --> 01:13:06,320
Speaker 1: helping you produce and write these albums. That makes the

1379
01:13:06,400 --> 01:13:10,599
Speaker 1: conversation different for sure. But if you never, but if

1380
01:13:10,640 --> 01:13:15,519
Speaker 1: you never interject yourself into that conversation, because what's missing

1381
01:13:15,640 --> 01:13:16,679
Speaker 1: is the youth in this place.

1382
01:13:17,280 --> 01:13:17,719
Speaker 3: Right.

1383
01:13:17,920 --> 01:13:21,920
Speaker 1: We need young voters, right, that's what we need to

1384
01:13:22,160 --> 01:13:27,120
Speaker 1: understand all of this new landscape and all of these

1385
01:13:27,200 --> 01:13:29,240
Speaker 1: new art I remember when Uzzivert was killing I was like,

1386
01:13:29,439 --> 01:13:30,240
Speaker 1: UZI verning.

1387
01:13:30,080 --> 01:13:34,200
Speaker 3: Got nothing, and we need teams submitting right, and you

1388
01:13:34,280 --> 01:13:37,880
Speaker 3: need team submitting right, like I Listen, it's a couple

1389
01:13:37,960 --> 01:13:40,120
Speaker 3: of things that didn't happen for some people that I

1390
01:13:40,240 --> 01:13:42,519
Speaker 3: had the conversation with them. I'm like, listen, you got

1391
01:13:42,600 --> 01:13:46,120
Speaker 3: to cut some motherfuckers out because you got nominated for

1392
01:13:46,200 --> 01:13:48,960
Speaker 3: this that, but you should have been nominated also exactly

1393
01:13:49,160 --> 01:13:50,519
Speaker 3: for this, that and the other exactly.

1394
01:13:50,680 --> 01:13:51,200
Speaker 2: You know what I mean.

1395
01:13:51,320 --> 01:13:54,479
Speaker 3: So you know it's and it's also a learning process

1396
01:13:55,160 --> 01:13:58,840
Speaker 3: for us because it hasn't always been inclusive, but it's

1397
01:13:58,880 --> 01:14:01,320
Speaker 3: becoming more inclusive. I'm a voter. I've been a voter

1398
01:14:01,439 --> 01:14:04,360
Speaker 3: for years now, and I'm promoting it to other people

1399
01:14:04,400 --> 01:14:05,920
Speaker 3: in the music business that don't even know that they

1400
01:14:05,960 --> 01:14:08,920
Speaker 3: could be voters, and I'm nominating them to be voters.

1401
01:14:08,960 --> 01:14:10,840
Speaker 2: I'm a voter as well, but it'll just be like,

1402
01:14:12,880 --> 01:14:13,760
Speaker 2: what are we voting on?

1403
01:14:14,680 --> 01:14:17,240
Speaker 5: You know what I mean? Like they don't sometimes they

1404
01:14:17,240 --> 01:14:18,360
Speaker 5: don't have the right category.

1405
01:14:19,040 --> 01:14:21,320
Speaker 3: Now, listen, there's definitely flaws.

1406
01:14:21,960 --> 01:14:25,880
Speaker 2: Absolutely when you speak about Leon, it's like he's making

1407
01:14:25,960 --> 01:14:29,760
Speaker 2: a classic sound that's already been you know, at the

1408
01:14:29,800 --> 01:14:32,320
Speaker 2: Grammars before in different kinds of ways, you know what

1409
01:14:32,320 --> 01:14:35,880
Speaker 2: I mean. But when it comes to Cardi's music. I

1410
01:14:35,960 --> 01:14:38,280
Speaker 2: feel like it's a newer type of music. It still

1411
01:14:38,360 --> 01:14:42,160
Speaker 2: reminds you of like a black rock or a black

1412
01:14:42,200 --> 01:14:45,320
Speaker 2: heavy metal like Da Da Da Da, And it's been

1413
01:14:45,360 --> 01:14:46,080
Speaker 2: done before too.

1414
01:14:46,400 --> 01:14:51,160
Speaker 1: If we but begin, we have to figure out what

1415
01:14:51,360 --> 01:14:53,080
Speaker 1: do we call it and where do we put it?

1416
01:14:54,160 --> 01:14:59,840
Speaker 1: Because Playboy Carti can't be in the same category as

1417
01:15:00,280 --> 01:15:05,280
Speaker 1: Chris Brown, but Playboy Cardi shouldn't be in the same

1418
01:15:05,439 --> 01:15:07,639
Speaker 1: category as Nicki Minaj.

1419
01:15:09,040 --> 01:15:11,960
Speaker 3: So what what is it?

1420
01:15:13,800 --> 01:15:16,800
Speaker 1: I'm just thinking outright, what do like?

1421
01:15:18,000 --> 01:15:20,680
Speaker 3: We're they figured it out, but they figured it out

1422
01:15:20,760 --> 01:15:25,240
Speaker 3: with it with the country Grammy now because they're doing

1423
01:15:25,320 --> 01:15:28,360
Speaker 3: progressive and then they're doing That's what I'm saying. But

1424
01:15:29,160 --> 01:15:33,519
Speaker 3: but also it's also somebody speaking up all because best

1425
01:15:33,560 --> 01:15:35,960
Speaker 3: believe and listen. I'll say this right here, right now.

1426
01:15:36,320 --> 01:15:40,120
Speaker 3: When we sat in there, before we walked out, I said, hey, board,

1427
01:15:40,439 --> 01:15:43,559
Speaker 3: nice to meet you guys. Why don't you have a podcast, Grammy,

1428
01:15:44,360 --> 01:15:46,360
Speaker 3: I would like to know that because there are a

1429
01:15:46,439 --> 01:15:50,880
Speaker 3: lot of music like we're part of what we obviously

1430
01:15:50,960 --> 01:15:54,479
Speaker 3: we do music too, but we're a part of music

1431
01:15:55,000 --> 01:15:58,560
Speaker 3: from a podcast standpoint, and there are multiple podcasts that

1432
01:15:58,680 --> 01:15:59,519
Speaker 3: are music based.

1433
01:15:59,600 --> 01:16:03,160
Speaker 2: Podcast It just happens a year late, because it's like

1434
01:16:03,720 --> 01:16:06,760
Speaker 2: when you go back to the Maclamore Kendrick here, you

1435
01:16:06,840 --> 01:16:07,479
Speaker 2: know what I mean, Like.

1436
01:16:07,960 --> 01:16:11,360
Speaker 3: Tricky, how did that happen? Tricky?

1437
01:16:11,840 --> 01:16:13,880
Speaker 2: And then you guys said podcast, which I feel like

1438
01:16:14,000 --> 01:16:16,240
Speaker 2: podcast should have been in last year, and then now

1439
01:16:16,320 --> 01:16:18,600
Speaker 2: you should have had the stream run, you know what

1440
01:16:18,600 --> 01:16:18,840
Speaker 2: I mean?

1441
01:16:20,080 --> 01:16:21,280
Speaker 3: The next time I go up there and I'll be

1442
01:16:21,320 --> 01:16:25,280
Speaker 3: like so TI said, because.

1443
01:16:25,400 --> 01:16:28,000
Speaker 5: Because it's all these little things, they don't really speak.

1444
01:16:27,800 --> 01:16:30,240
Speaker 3: On it, and we don't speak to the white people. Right.

1445
01:16:30,320 --> 01:16:34,280
Speaker 3: It's one thing to yell from from outside, and it's

1446
01:16:34,320 --> 01:16:36,920
Speaker 3: another thing to be in the club and be like hey.

1447
01:16:36,760 --> 01:16:40,439
Speaker 1: Hey, yeah, yeah, what about Yeah.

1448
01:16:40,640 --> 01:16:42,920
Speaker 2: It just sucks because it's like, this is the I

1449
01:16:43,080 --> 01:16:45,519
Speaker 2: M Music year, so that ship should be happening this year.

1450
01:16:46,800 --> 01:16:49,160
Speaker 2: Figure that ship out next year. Okay, now we have

1451
01:16:49,920 --> 01:16:53,160
Speaker 2: a fucking rage hip hop fucking category.

1452
01:16:53,560 --> 01:16:53,720
Speaker 6: You know.

1453
01:16:54,960 --> 01:17:00,840
Speaker 1: I feel like as music evolves so quickly that these

1454
01:17:01,160 --> 01:17:04,680
Speaker 1: these these institutions they have to they have to be

1455
01:17:04,800 --> 01:17:09,040
Speaker 1: able to pivot as well. I mean, it's it's it's

1456
01:17:09,120 --> 01:17:12,559
Speaker 1: buildings of people or smart people who should be able

1457
01:17:12,600 --> 01:17:15,280
Speaker 1: to say, hey, this is happening now and we need

1458
01:17:15,360 --> 01:17:17,479
Speaker 1: to get in front in front of it in some way,

1459
01:17:17,560 --> 01:17:21,120
Speaker 1: shape or form, even if it's just acknowledging it, like

1460
01:17:21,240 --> 01:17:23,599
Speaker 1: we need to we need to be in the game.

1461
01:17:23,720 --> 01:17:27,960
Speaker 1: We can't be behind the game because for a lot

1462
01:17:28,040 --> 01:17:32,000
Speaker 1: of us, that platform is just so important, right and

1463
01:17:32,400 --> 01:17:35,560
Speaker 1: they should be leading us as opposed to play is

1464
01:17:35,600 --> 01:17:36,960
Speaker 1: supposed to be playing ketchup.

1465
01:17:37,520 --> 01:17:39,640
Speaker 3: You know, we the voices now though, you know what

1466
01:17:39,680 --> 01:17:42,519
Speaker 3: I mean, your your voice is strong, brothers, you know

1467
01:17:42,520 --> 01:17:43,960
Speaker 3: what I mean. They got it. They got to know

1468
01:17:44,000 --> 01:17:45,680
Speaker 3: how you feel, and they want to meet with you.

1469
01:17:46,320 --> 01:17:48,439
Speaker 3: They would love to take a tie dollar sign meeting

1470
01:17:48,520 --> 01:17:51,000
Speaker 3: and they'll all show up. So go tell them how

1471
01:17:51,040 --> 01:17:51,400
Speaker 3: you feel.

1472
01:17:51,479 --> 01:17:51,880
Speaker 5: For sure.

1473
01:17:53,000 --> 01:18:02,080
Speaker 8: Midnight hour, midnight programming for that joint midnight hour is

1474
01:18:02,520 --> 01:18:03,519
Speaker 8: special to me.

1475
01:18:03,880 --> 01:18:07,600
Speaker 2: I appreciate you, man. I always say, Uh. Skrill X

1476
01:18:07,680 --> 01:18:14,000
Speaker 2: to me was like, uh, the doctor Dre of dance music.

1477
01:18:14,960 --> 01:18:20,439
Speaker 2: He's like the greatest. Why it's actually him that Nigga's

1478
01:18:20,479 --> 01:18:24,200
Speaker 2: hands on on the laptop, mixing the ship, like producing

1479
01:18:24,240 --> 01:18:25,960
Speaker 2: this ship, doing everything like he's.

1480
01:18:25,880 --> 01:18:26,479
Speaker 5: Him for real.

1481
01:18:27,120 --> 01:18:28,960
Speaker 2: And any genre you want to go, he can go

1482
01:18:29,120 --> 01:18:31,080
Speaker 2: R and B. He could go rocky go, hip hopy

1483
01:18:31,160 --> 01:18:31,599
Speaker 2: go whatever.

1484
01:18:31,680 --> 01:18:32,960
Speaker 3: He's just like his music.

1485
01:18:33,080 --> 01:18:36,320
Speaker 2: One of us so shout out to scrill X. Hit

1486
01:18:36,400 --> 01:18:39,080
Speaker 2: Maker was also involved on that record, and he got

1487
01:18:39,120 --> 01:18:40,439
Speaker 2: the chords played on that. You know.

1488
01:18:43,439 --> 01:18:47,920
Speaker 5: That, Yeah, shout out to him Maker, you still got

1489
01:18:48,000 --> 01:18:48,400
Speaker 5: a nigga.

1490
01:18:51,000 --> 01:18:51,439
Speaker 2: He liked that.

1491
01:18:52,240 --> 01:18:55,360
Speaker 1: You still hot nigga. I was in the mall. I

1492
01:18:55,439 --> 01:18:58,519
Speaker 1: cannot remember what story I was in and and music

1493
01:18:58,600 --> 01:18:59,120
Speaker 1: freezes me.

1494
01:18:59,360 --> 01:19:00,479
Speaker 3: Yeah know what I mean.

1495
01:19:01,600 --> 01:19:04,439
Speaker 1: Just it's been like that since Charlie Brown Christmas. It'll

1496
01:19:04,560 --> 01:19:06,920
Speaker 1: it'll freeze me. And I can't remember what story I

1497
01:19:07,040 --> 01:19:08,960
Speaker 1: was saying. And I heard that's just I was like,

1498
01:19:12,200 --> 01:19:22,800
Speaker 1: that's crazy. And what started it was muffled bo babe, babe,

1499
01:19:22,840 --> 01:19:24,360
Speaker 1: let's go, let's go.

1500
01:19:26,560 --> 01:19:30,880
Speaker 5: I'm sorry, I tell you about to start singing this

1501
01:19:30,960 --> 01:19:31,320
Speaker 5: song and that.

1502
01:19:35,160 --> 01:19:39,000
Speaker 1: I was stuck. I was like, I said, nigga's tied

1503
01:19:39,040 --> 01:19:39,519
Speaker 1: dollars sign.

1504
01:19:40,360 --> 01:19:44,000
Speaker 3: It's crazy, So where the fuck is what is this?

1505
01:19:45,360 --> 01:19:45,479
Speaker 2: Bro?

1506
01:19:46,320 --> 01:19:49,840
Speaker 1: Incredible? That's my world anyway, that's secretly my world. Like

1507
01:19:50,280 --> 01:19:51,960
Speaker 1: like I've been making Jay to go to the house

1508
01:19:52,000 --> 01:19:54,760
Speaker 1: clubs and medio clubs. We's in there one January first

1509
01:19:56,160 --> 01:19:59,080
Speaker 1: and I was like this and this nigga was sitting

1510
01:19:59,120 --> 01:20:08,400
Speaker 1: like that, fuck this nigga. I was feeling, Hey, I'm

1511
01:20:08,439 --> 01:20:12,800
Speaker 1: over in the pizza with M. K. Harris getting it

1512
01:20:13,360 --> 01:20:14,960
Speaker 1: and it was like, so put your shirt back on.

1513
01:20:15,040 --> 01:20:18,840
Speaker 3: I will not put your shirt back on his crate.

1514
01:20:18,960 --> 01:20:19,800
Speaker 3: Here's the crazy thing.

1515
01:20:19,920 --> 01:20:23,000
Speaker 1: I'm in vi P. And they're like, so put your

1516
01:20:23,040 --> 01:20:23,320
Speaker 1: shirt on.

1517
01:20:23,400 --> 01:20:24,880
Speaker 3: I was like, what you mean, I'm in VI I P.

1518
01:20:25,200 --> 01:20:26,640
Speaker 1: That is why you must put your shirt on.

1519
01:20:26,760 --> 01:20:26,880
Speaker 5: Now.

1520
01:20:26,880 --> 01:20:28,240
Speaker 1: If you want to have your shirt off, you have

1521
01:20:28,320 --> 01:20:31,280
Speaker 1: to go with the regular people. I said, that's wow.

1522
01:20:32,439 --> 01:20:34,040
Speaker 1: But he was a built due too. He's like, I

1523
01:20:34,200 --> 01:20:38,519
Speaker 1: understand because I want to show myself too, but you

1524
01:20:38,600 --> 01:20:40,080
Speaker 1: can't in vi P. I was like, all right, I

1525
01:20:40,200 --> 01:20:43,559
Speaker 1: respected you, you, fellow buff man, Like put my shirt

1526
01:20:43,640 --> 01:20:49,760
Speaker 1: back on? What we are we getting a tour?

1527
01:20:49,920 --> 01:20:50,560
Speaker 2: Like what are we?

1528
01:20:50,640 --> 01:20:51,280
Speaker 3: What are we getting with?

1529
01:20:51,439 --> 01:20:56,800
Speaker 2: We're putting the tour together right now and I've just

1530
01:20:56,840 --> 01:20:59,200
Speaker 2: been getting the team all the way right. But you

1531
01:20:59,280 --> 01:21:02,599
Speaker 2: have a lot happened too. Yeah, there's been a lot

1532
01:21:02,640 --> 01:21:05,800
Speaker 2: of moving parts going on to get to this next

1533
01:21:05,880 --> 01:21:06,760
Speaker 2: level that we're going to.

1534
01:21:07,880 --> 01:21:10,360
Speaker 5: But the next level is happening for you. What is that?

1535
01:21:10,520 --> 01:21:14,400
Speaker 2: The next level is just up? Everything up bro. That's

1536
01:21:14,439 --> 01:21:17,439
Speaker 2: the motto, everything up bro, everything next level. You know

1537
01:21:17,439 --> 01:21:22,400
Speaker 2: what I'm saying, Everything level up and there's still shit

1538
01:21:22,479 --> 01:21:26,320
Speaker 2: I haven't done. I haven't performed at the Super Bowl.

1539
01:21:26,439 --> 01:21:28,800
Speaker 2: I'm so glad to see my little bro Mustard and

1540
01:21:29,400 --> 01:21:31,680
Speaker 2: Kendrick up there. You know what I'm saying. Kendrick was

1541
01:21:31,760 --> 01:21:35,360
Speaker 2: on LA, Mustard's been on all my ship. I'm always

1542
01:21:35,400 --> 01:21:37,479
Speaker 2: happy for my brothers, you know what I mean to

1543
01:21:38,200 --> 01:21:41,479
Speaker 2: get to that level. There's still the World Cup, you

1544
01:21:41,560 --> 01:21:44,800
Speaker 2: know what I'm saying. One thing people don't do that.

1545
01:21:44,920 --> 01:21:47,360
Speaker 2: I noticed that I had to call my brother and

1546
01:21:47,520 --> 01:21:50,680
Speaker 2: really give him as full flowers on and speak on.

1547
01:21:51,240 --> 01:21:54,760
Speaker 2: When they talk about the West Coast, they don't bring

1548
01:21:54,880 --> 01:21:57,679
Speaker 2: up my nigga, Will I Am enough? And I feel

1549
01:21:57,760 --> 01:22:00,560
Speaker 2: like I feel like when it really talks about when

1550
01:22:00,600 --> 01:22:03,120
Speaker 2: we really want to talk about the king of Kings

1551
01:22:03,160 --> 01:22:05,439
Speaker 2: of l A, who else did the fucking Super Bowl

1552
01:22:05,520 --> 01:22:06,160
Speaker 2: three times?

1553
01:22:06,280 --> 01:22:08,800
Speaker 5: Nigga? Or it might before? And who else did the

1554
01:22:08,840 --> 01:22:09,360
Speaker 5: World Cup?

1555
01:22:10,360 --> 01:22:11,720
Speaker 3: You tell me all things LA, the.

1556
01:22:14,160 --> 01:22:15,920
Speaker 2: Exactly everything l A.

1557
01:22:16,040 --> 01:22:18,240
Speaker 3: You feel you don't get more LA than Will I Am.

1558
01:22:18,760 --> 01:22:20,479
Speaker 2: I'm just trying to, you know, do the things that

1559
01:22:20,600 --> 01:22:23,040
Speaker 2: Will did and go past that, you know what I'm saying.

1560
01:22:23,920 --> 01:22:24,759
Speaker 2: That's my motherfucker.

1561
01:22:24,880 --> 01:22:26,479
Speaker 1: You guys, have you the bar done? Music?

1562
01:22:26,520 --> 01:22:30,360
Speaker 2: Together, Like I said, Bro, two thousand whatever that year

1563
01:22:30,439 --> 01:22:33,719
Speaker 2: is right before the YG ship is me Venus Brown

1564
01:22:34,000 --> 01:22:37,479
Speaker 2: Corey justin Timberlake and Will I am right and still

1565
01:22:37,560 --> 01:22:40,519
Speaker 2: to this day, Will I am pulls up. He did

1566
01:22:40,560 --> 01:22:43,000
Speaker 2: a whole version of the Vultures album that didn't come

1567
01:22:43,280 --> 01:22:45,720
Speaker 2: you know out and the Will is always with me, Bro,

1568
01:22:46,000 --> 01:22:47,200
Speaker 2: so shout out to Will.

1569
01:22:48,120 --> 01:22:51,559
Speaker 3: Were just we were talking about Will earlier with Big

1570
01:22:51,840 --> 01:22:52,599
Speaker 3: with beat by Dre.

1571
01:22:53,040 --> 01:22:55,880
Speaker 1: Yeah, he came to my U. He came to my

1572
01:22:56,080 --> 01:22:56,879
Speaker 1: play in Broadway.

1573
01:22:57,040 --> 01:22:58,439
Speaker 2: Yeah, I will pull up.

1574
01:22:58,600 --> 01:22:59,280
Speaker 3: We'll pull up.

1575
01:22:59,520 --> 01:23:04,880
Speaker 1: And I was like, Will, Man, I need a song.

1576
01:23:06,360 --> 01:23:08,640
Speaker 1: That's the first thing, that first thing that came to.

1577
01:23:12,600 --> 01:23:12,640
Speaker 2: You.

1578
01:23:12,800 --> 01:23:15,599
Speaker 1: I said, Hey man, I need a rocket I said,

1579
01:23:15,600 --> 01:23:18,519
Speaker 1: I need a smash. He said, hm hmm. What kind

1580
01:23:18,560 --> 01:23:22,800
Speaker 1: of smash I said. I said, like like take me

1581
01:23:22,880 --> 01:23:25,360
Speaker 1: somewhere and I've never been. He said, like a rocket ship.

1582
01:23:26,000 --> 01:23:31,719
Speaker 1: I said yes. He said, h okay, come out the studio.

1583
01:23:32,960 --> 01:23:35,560
Speaker 1: I said, okay, we'll call you.

1584
01:23:35,960 --> 01:23:36,600
Speaker 2: I have a call you.

1585
01:23:36,880 --> 01:23:40,479
Speaker 1: I don't got his number, advertise here now he right

1586
01:23:40,520 --> 01:23:42,559
Speaker 1: down the street. Yes, yeah.

1587
01:23:42,920 --> 01:23:44,519
Speaker 3: Will was one of those type of people to like

1588
01:23:44,600 --> 01:23:47,360
Speaker 3: you said that, you know he's just over He will

1589
01:23:47,439 --> 01:23:47,960
Speaker 3: right a corner.

1590
01:23:48,040 --> 01:23:53,679
Speaker 1: No, he's always, always solid, always waiting.

1591
01:23:53,520 --> 01:23:56,120
Speaker 3: To buy one of these cars, even made the car

1592
01:23:56,240 --> 01:23:57,960
Speaker 3: and make the music and ship wait to that car.

1593
01:23:58,240 --> 01:23:59,760
Speaker 2: He was the first rapper I knew there was, like

1594
01:24:00,120 --> 01:24:03,920
Speaker 2: in his own cars. And he's having like studio buildings

1595
01:24:03,960 --> 01:24:06,439
Speaker 2: with fucking fingerprint to get to the next door and

1596
01:24:07,560 --> 01:24:09,320
Speaker 2: a big inspiration in my life.

1597
01:24:09,439 --> 01:24:14,160
Speaker 1: We were having like one of those conversations one night

1598
01:24:14,200 --> 01:24:18,560
Speaker 1: at the studio and I said, I said, if you

1599
01:24:18,600 --> 01:24:23,759
Speaker 1: weren't doing music, what would you be doing? And he said,

1600
01:24:24,200 --> 01:24:26,479
Speaker 1: I won't say. The computer company he said, he said,

1601
01:24:26,920 --> 01:24:31,960
Speaker 1: I'd be working there. I said what? And then he

1602
01:24:32,000 --> 01:24:33,960
Speaker 1: started telling me all the think tank things that he

1603
01:24:34,120 --> 01:24:40,120
Speaker 1: does with the computer companies. Yeah, literally picking his brain

1604
01:24:40,240 --> 01:24:42,639
Speaker 1: and he's evaluating things and telling them.

1605
01:24:43,920 --> 01:24:44,439
Speaker 3: He different.

1606
01:24:44,800 --> 01:24:46,400
Speaker 2: Yeah, he different.

1607
01:24:47,600 --> 01:24:49,280
Speaker 5: And like you said, he came from East l A.

1608
01:24:49,320 --> 01:24:52,280
Speaker 3: And well he got the song right now too, he

1609
01:24:52,400 --> 01:24:54,480
Speaker 3: got the he sampled.

1610
01:24:54,120 --> 01:24:56,439
Speaker 2: The Maria Maria exactly.

1611
01:24:56,760 --> 01:24:59,160
Speaker 3: Yeah, yeah, no, he he sampled that.

1612
01:25:00,280 --> 01:25:01,639
Speaker 2: And that's how I'm motion on the charts.

1613
01:25:02,160 --> 01:25:06,760
Speaker 1: Yeah, yeah, East La Zion. The other day we ride

1614
01:25:06,800 --> 01:25:10,200
Speaker 1: the car, Daddy turned that up. What's that song? I

1615
01:25:10,240 --> 01:25:12,960
Speaker 1: didn't I know? That was what I am tell him.

1616
01:25:12,960 --> 01:25:15,120
Speaker 1: The kids still love him, the kids.

1617
01:25:16,320 --> 01:25:18,439
Speaker 2: The reason why I called him to give him that

1618
01:25:18,560 --> 01:25:22,080
Speaker 2: love is I was in London and like it was

1619
01:25:22,120 --> 01:25:24,679
Speaker 2: this group that pulled up on me, like four white girls,

1620
01:25:24,880 --> 01:25:27,439
Speaker 2: like young. They had to be like twenty something, and

1621
01:25:27,520 --> 01:25:30,040
Speaker 2: they were screaming to the top of their lungs where's

1622
01:25:30,080 --> 01:25:32,960
Speaker 2: the love? And this is twenty twenty five, like two

1623
01:25:33,040 --> 01:25:36,280
Speaker 2: months ago, and that song came out whenever the fucker

1624
01:25:36,360 --> 01:25:39,800
Speaker 2: came out and they're just like, will nigga, this is crazy, Bro?

1625
01:25:39,960 --> 01:25:40,840
Speaker 3: You really like him?

1626
01:25:40,920 --> 01:25:43,280
Speaker 2: Bro. I don't know when's the last time you heard that,

1627
01:25:43,680 --> 01:25:45,479
Speaker 2: but just in case, I don't know what kind of

1628
01:25:45,560 --> 01:25:48,479
Speaker 2: day you haven't because you know how it be like yeah, nigga,

1629
01:25:48,520 --> 01:25:49,200
Speaker 2: you just gotta.

1630
01:25:49,040 --> 01:25:52,920
Speaker 5: Know, bro, keep going if you still care about this

1631
01:25:52,960 --> 01:25:54,000
Speaker 5: ship and you still love it.

1632
01:25:54,120 --> 01:25:56,080
Speaker 3: Like where right now?

1633
01:25:57,520 --> 01:26:08,160
Speaker 1: Brother, brother dollar Sign. That's one of those special moments.

1634
01:26:11,800 --> 01:26:17,400
Speaker 1: You start to talk about music mm hmm. Music that

1635
01:26:17,560 --> 01:26:18,040
Speaker 1: is made of.

1636
01:26:20,280 --> 01:26:23,320
Speaker 5: It is a lot of money, a lot of money.

1637
01:26:27,600 --> 01:26:30,080
Speaker 1: We want to get into the mind of the Dollar Sign.

1638
01:26:30,200 --> 01:26:32,040
Speaker 2: I want to get into the mind.

1639
01:26:33,720 --> 01:26:40,680
Speaker 1: And understand the music that has been so inclined to

1640
01:26:40,880 --> 01:26:46,920
Speaker 1: inspire your journey as by your journey, as we sit

1641
01:26:47,040 --> 01:26:57,280
Speaker 1: here at this time the paper to know mister tie

1642
01:26:57,439 --> 01:26:58,840
Speaker 1: Dollar signs.

1643
01:27:05,000 --> 01:27:14,840
Speaker 3: Top your top F, top F.

1644
01:27:18,320 --> 01:27:23,920
Speaker 2: You top the single? What a tip?

1645
01:27:24,760 --> 01:27:25,200
Speaker 3: And this.

1646
01:27:28,360 --> 01:27:59,800
Speaker 2: Were going to do? There? All this fingers. Come on now,

1647
01:28:01,600 --> 01:28:02,360
Speaker 2: ladies and gentlemen.

1648
01:28:02,400 --> 01:28:03,280
Speaker 3: One of the greatest ever.

1649
01:28:07,840 --> 01:28:11,120
Speaker 2: So how we doing? We're doing Top five female singers,

1650
01:28:11,400 --> 01:28:12,799
Speaker 2: Top five male singers?

1651
01:28:12,960 --> 01:28:13,519
Speaker 5: Are we doing?

1652
01:28:13,840 --> 01:28:14,880
Speaker 2: Top five R and B.

1653
01:28:15,000 --> 01:28:21,320
Speaker 1: Producers of twenty your top eighty five listen.

1654
01:28:22,600 --> 01:28:22,880
Speaker 3: Women?

1655
01:28:22,960 --> 01:28:23,320
Speaker 1: Are men?

1656
01:28:24,120 --> 01:28:24,559
Speaker 3: Just five?

1657
01:28:24,800 --> 01:28:28,479
Speaker 2: No order? Best singers?

1658
01:28:29,200 --> 01:28:37,880
Speaker 9: Tip five, Nigga the tip five, the top five, Top five,

1659
01:28:38,880 --> 01:28:40,719
Speaker 9: Stevie Wonder Wonder.

1660
01:28:41,320 --> 01:28:45,639
Speaker 2: Yeah, like anybody who's doing runs of Man, that's Stevie Wonder.

1661
01:28:46,439 --> 01:28:49,439
Speaker 2: We all got it from him. Kim Barell best female

1662
01:28:49,520 --> 01:28:50,200
Speaker 2: ever to me.

1663
01:28:51,280 --> 01:28:55,640
Speaker 3: Fault God damn she sang a tanks with.

1664
01:28:59,240 --> 01:29:02,839
Speaker 2: That's like, yeah, you deserve that though, because you definitely

1665
01:29:03,680 --> 01:29:09,120
Speaker 2: one of those Steve Wonder tank Brian McKnight, fucking uh

1666
01:29:09,880 --> 01:29:10,639
Speaker 2: that nigga? Mario?

1667
01:29:10,760 --> 01:29:15,679
Speaker 5: I love Mario, h I love that nigga. Avery Wilson,

1668
01:29:17,720 --> 01:29:22,160
Speaker 5: I love Leon. I know I just went over the.

1669
01:29:25,439 --> 01:29:30,280
Speaker 1: Twelve, but you know, what did you say that? I

1670
01:29:30,360 --> 01:29:33,760
Speaker 1: don't think people are really listening to Leon.

1671
01:29:34,080 --> 01:29:35,720
Speaker 5: Man on the run?

1672
01:29:36,040 --> 01:29:37,439
Speaker 3: What that ship?

1673
01:29:37,560 --> 01:29:45,439
Speaker 1: So I don't, don't people are listening and understanding what

1674
01:29:45,720 --> 01:29:51,240
Speaker 1: he's doing vocalocally because he slips it in pockets them

1675
01:29:51,360 --> 01:29:54,439
Speaker 1: pocke so quick you can miss it. You think it's normal.

1676
01:29:54,520 --> 01:29:55,240
Speaker 1: It's not normal.

1677
01:29:55,720 --> 01:29:56,559
Speaker 5: It's definitely not normal.

1678
01:29:56,600 --> 01:29:59,839
Speaker 1: But he just did in that small space is not normal.

1679
01:30:00,040 --> 01:30:02,040
Speaker 2: Then when it even gets more trickies when you go

1680
01:30:02,160 --> 01:30:04,680
Speaker 2: to the show and you see it live and he's

1681
01:30:04,760 --> 01:30:08,400
Speaker 2: fucking signing damn near better than the record because a

1682
01:30:08,439 --> 01:30:10,320
Speaker 2: lot of people have trouble sounding like the record for

1683
01:30:10,439 --> 01:30:13,200
Speaker 2: history is like clean clean. And I even got on

1684
01:30:13,280 --> 01:30:15,000
Speaker 2: his head the other day, like, Yo, who you got

1685
01:30:15,120 --> 01:30:16,040
Speaker 2: mixing your ship?

1686
01:30:16,120 --> 01:30:16,240
Speaker 3: Bro?

1687
01:30:16,920 --> 01:30:19,240
Speaker 2: He's like, Yo, I got the older homie who was

1688
01:30:19,320 --> 01:30:21,840
Speaker 2: just you know, damn near beat cancer nigga and he's

1689
01:30:21,880 --> 01:30:24,639
Speaker 2: up here with his cane nigga and he's fucking killing ship. Yeah.

1690
01:30:25,120 --> 01:30:28,000
Speaker 5: I'm like, bro, shout out to your whole squad, real

1691
01:30:28,200 --> 01:30:28,560
Speaker 5: killing it.

1692
01:30:29,240 --> 01:30:31,000
Speaker 3: I can't wait to go to that tour too. That's

1693
01:30:31,120 --> 01:30:32,000
Speaker 3: that's that's outright now.

1694
01:30:32,040 --> 01:30:40,240
Speaker 2: Females though, Kimbarell, fucking Brandy Nigga, Beyonce, Beyonce again, Beyonce Nigga,

1695
01:30:40,400 --> 01:30:43,479
Speaker 2: playing with me Clark's sisters, ah.

1696
01:30:45,040 --> 01:30:47,479
Speaker 5: Nuts, I think that was five and the females.

1697
01:30:47,600 --> 01:30:48,040
Speaker 3: That's fine.

1698
01:30:49,439 --> 01:30:51,400
Speaker 2: There's so many more, though you want to leave out

1699
01:30:51,439 --> 01:30:58,240
Speaker 2: nobody fucking I love Jasmine Sullivan. We can start getting

1700
01:30:58,240 --> 01:30:59,920
Speaker 2: into the young ship. There's a lot of young ship.

1701
01:31:00,520 --> 01:31:02,519
Speaker 1: It's a lot of let's move on because I know

1702
01:31:02,560 --> 01:31:05,000
Speaker 1: you got them for days. Yeah, top five R and

1703
01:31:05,080 --> 01:31:08,320
Speaker 1: B songs ship, Yeah, that's gonna get tricky.

1704
01:31:10,040 --> 01:31:13,680
Speaker 3: Damn Nigga, we want it, bro.

1705
01:31:15,200 --> 01:31:15,960
Speaker 5: I can't even do that.

1706
01:31:16,080 --> 01:31:17,840
Speaker 1: Bro, you can't start just.

1707
01:31:19,600 --> 01:31:21,400
Speaker 3: Nigga. Just start naming jaf You listen to right.

1708
01:31:21,360 --> 01:31:22,400
Speaker 1: Now, you're just jams.

1709
01:31:22,800 --> 01:31:23,599
Speaker 3: Go down and playlist.

1710
01:31:24,840 --> 01:31:28,240
Speaker 2: Oh man, I can't do it like that, bro. Like

1711
01:31:28,320 --> 01:31:31,080
Speaker 2: I said, I could just name people that just brand

1712
01:31:31,200 --> 01:31:35,200
Speaker 2: periods of R and B, like Teddy Riley, like Babyface,

1713
01:31:35,360 --> 01:31:40,840
Speaker 2: like motherfucking Tank Nigga, like r Kelly, like who am

1714
01:31:40,880 --> 01:31:46,439
Speaker 2: I missing? Bro Stevie Nigga, Smokey Robinson.

1715
01:31:46,320 --> 01:31:49,719
Speaker 1: Smoky You just pick a song from each of those artists.

1716
01:31:49,800 --> 01:31:51,720
Speaker 2: I can't pick the song because it's just so many.

1717
01:31:52,000 --> 01:31:54,560
Speaker 2: I can't do that because I'm gonna blame it on

1718
01:31:54,640 --> 01:31:56,320
Speaker 2: the weed. You'll be smoking too much to just go

1719
01:31:56,439 --> 01:31:57,559
Speaker 2: to a song at my head right now.

1720
01:31:57,600 --> 01:32:00,240
Speaker 1: You would be the first one to not I don't

1721
01:32:00,240 --> 01:32:01,880
Speaker 1: know if you want to be the first to not

1722
01:32:02,320 --> 01:32:02,519
Speaker 1: do it?

1723
01:32:02,720 --> 01:32:04,759
Speaker 2: Well, did they pick all those producers? Did these niggas

1724
01:32:04,760 --> 01:32:06,400
Speaker 2: get you know, the information about the songs?

1725
01:32:08,160 --> 01:32:08,400
Speaker 1: Come on?

1726
01:32:09,479 --> 01:32:13,080
Speaker 3: He technically gave he gave us the category two, gave

1727
01:32:13,160 --> 01:32:15,840
Speaker 3: us another category. I respect. That's why I'm saying ship.

1728
01:32:16,760 --> 01:32:20,000
Speaker 3: She was I be saying ship. Yeah, I like that category.

1729
01:32:20,120 --> 01:32:20,360
Speaker 2: Ship.

1730
01:32:21,080 --> 01:32:22,720
Speaker 3: Niggas who ran this ship, Niggas.

1731
01:32:22,439 --> 01:32:25,120
Speaker 2: Who ran Yeah, niggas who ran this ship for pairs at.

1732
01:32:25,080 --> 01:32:26,160
Speaker 3: The time, I like it.

1733
01:32:26,760 --> 01:32:35,599
Speaker 2: Uh, Jamine Lewis, Jam and Lewis, Nigga, the Underdogs, Nigga,

1734
01:32:36,439 --> 01:32:39,520
Speaker 2: Rodney Jerkins, bro How did you leave out Rodney Jerkins.

1735
01:32:41,160 --> 01:32:46,400
Speaker 1: Tim and Bob Dallas, Austin, Brian, Michael Cox.

1736
01:32:47,920 --> 01:32:52,840
Speaker 3: There's some niggas dry and they die.

1737
01:32:53,520 --> 01:32:56,360
Speaker 2: But let me let me I don't know if this

1738
01:32:56,479 --> 01:32:58,320
Speaker 2: ever happened on the show, But what's your top five

1739
01:32:58,439 --> 01:32:58,920
Speaker 2: arm B song?

1740
01:32:59,040 --> 01:33:00,400
Speaker 3: Can can't do that?

1741
01:33:00,880 --> 01:33:01,439
Speaker 2: You can't do that?

1742
01:33:01,520 --> 01:33:02,920
Speaker 5: Can you even think of them right now?

1743
01:33:03,200 --> 01:33:03,400
Speaker 3: Yeah?

1744
01:33:03,479 --> 01:33:05,960
Speaker 1: But you can't do that. That's let's just hear it.

1745
01:33:06,520 --> 01:33:09,080
Speaker 1: If you can, what you're doing is you're stalling.

1746
01:33:09,600 --> 01:33:10,280
Speaker 2: I'm not sing.

1747
01:33:10,320 --> 01:33:11,960
Speaker 5: I'm trying to see if you could pick five songs,

1748
01:33:11,960 --> 01:33:12,720
Speaker 5: I don't even be like.

1749
01:33:13,320 --> 01:33:16,960
Speaker 1: You have pick five song right now right now, I couldn't.

1750
01:33:17,280 --> 01:33:21,200
Speaker 1: They wouldn't necessarily be My top is A tier has

1751
01:33:21,240 --> 01:33:25,120
Speaker 1: two right now. Ever, right now you say, can you

1752
01:33:25,200 --> 01:33:27,800
Speaker 1: think of right now, right now too? Of my right

1753
01:33:27,840 --> 01:33:28,320
Speaker 1: now is right now?

1754
01:33:28,520 --> 01:33:31,560
Speaker 2: Yes, right now, yes it is. But then I go,

1755
01:33:31,720 --> 01:33:37,960
Speaker 2: ka folded, Okay, Chris Brown, I'm.

1756
01:33:37,800 --> 01:33:41,560
Speaker 3: Gonna take residuals. I'm gonna take residuals like residuous.

1757
01:33:41,080 --> 01:33:47,919
Speaker 1: Too, I'm going residuals. I'm going still going herd damage.

1758
01:33:48,640 --> 01:33:51,760
Speaker 2: Her damage is crazy crazy, that's going one of the

1759
01:33:51,800 --> 01:33:53,160
Speaker 2: best singers too cold.

1760
01:33:53,560 --> 01:33:56,439
Speaker 3: Yeah, hours and hours for like the last couple of years,

1761
01:33:56,520 --> 01:33:57,040
Speaker 3: hours and hours.

1762
01:33:57,080 --> 01:34:00,760
Speaker 1: I'm going, I'm going, I'm going brand when you touch

1763
01:34:00,840 --> 01:34:10,559
Speaker 1: me shh, Yeah, I'm going. I'm going Joe to see

1764
01:34:11,560 --> 01:34:12,720
Speaker 1: my heart belongs to you?

1765
01:34:12,920 --> 01:34:15,200
Speaker 3: Are you're mixing it up? You're mixing it up.

1766
01:34:16,080 --> 01:34:18,920
Speaker 1: I'm just you know, I go places, man, this is

1767
01:34:19,040 --> 01:34:21,400
Speaker 1: these are all top tier, they all live, they all

1768
01:34:21,439 --> 01:34:25,000
Speaker 1: live on that top level. And I'm going Marvin gay

1769
01:34:25,080 --> 01:34:29,240
Speaker 1: Distant Lover Live, I'm just I'm everywhere.

1770
01:34:30,280 --> 01:34:36,559
Speaker 2: Yeah, Marvin Gaye, what's going on for me? Not only

1771
01:34:36,680 --> 01:34:38,640
Speaker 2: was he singing his ass off in the backgrounds with

1772
01:34:38,720 --> 01:34:43,720
Speaker 2: the message anything Bob Marley bro that if you want

1773
01:34:43,760 --> 01:34:48,120
Speaker 2: to consider that. R and B singing has so many

1774
01:34:48,200 --> 01:34:51,600
Speaker 2: STEVIEE songs, I can't even name one. I'm like, but

1775
01:34:51,680 --> 01:34:53,120
Speaker 2: I don't want to pick the wrong one because I

1776
01:34:53,120 --> 01:35:00,880
Speaker 2: want to pick one. Who is a favorite, That whole

1777
01:35:00,960 --> 01:35:07,639
Speaker 2: TP two R. Kelly albums, like that whole Voodoo D'Angelo albums.

1778
01:35:07,680 --> 01:35:12,400
Speaker 2: What made me the whole Lauren Hill fucking her album

1779
01:35:12,840 --> 01:35:17,080
Speaker 2: is what made me. I could go two albums on

1780
01:35:17,200 --> 01:35:21,000
Speaker 2: Brandy two or three. You actually could, you could because

1781
01:35:21,040 --> 01:35:22,880
Speaker 2: that's like what made my backgrounds?

1782
01:35:24,840 --> 01:35:25,280
Speaker 5: Who else?

1783
01:35:25,400 --> 01:35:30,960
Speaker 2: Man? And then, like I said, Kim, I'm trying to

1784
01:35:31,000 --> 01:35:33,000
Speaker 2: pick what song that was, but it was like the

1785
01:35:33,400 --> 01:35:39,680
Speaker 2: that that black and white cover from Kim Brell. I

1786
01:35:39,720 --> 01:35:42,160
Speaker 2: don't know, man, I don't know the names of the song. Sorry, guys.

1787
01:35:42,320 --> 01:35:44,800
Speaker 1: All right, guys, okay, okay, if you did good, I like,

1788
01:35:44,880 --> 01:35:47,280
Speaker 1: I like what you did, then let's move on. Let's

1789
01:35:47,320 --> 01:35:49,880
Speaker 1: make your super R and B artists like this artist

1790
01:35:50,120 --> 01:35:53,880
Speaker 1: is is everything you would want in an artist, right,

1791
01:35:54,000 --> 01:35:56,280
Speaker 1: So we're gonna pick it in pieces. We're gonna pick

1792
01:35:56,560 --> 01:35:59,960
Speaker 1: who's vocal. You're gonna use for that artist, the perform

1793
01:36:00,040 --> 01:36:03,320
Speaker 1: rmant style, the styling of the artists, the passion of

1794
01:36:03,400 --> 01:36:06,200
Speaker 1: that artist, and who's going to produce for that artist.

1795
01:36:06,600 --> 01:36:09,280
Speaker 1: Let's start here. What one vocal are you getting to

1796
01:36:09,400 --> 01:36:11,000
Speaker 1: make your super R and B artist?

1797
01:36:11,280 --> 01:36:11,880
Speaker 3: One vocal?

1798
01:36:13,720 --> 01:36:19,320
Speaker 5: Ah, Super R and B artist vocal. I'm gonna go

1799
01:36:19,360 --> 01:36:20,240
Speaker 5: with odd dollars.

1800
01:36:20,000 --> 01:36:22,200
Speaker 3: On dollar sign.

1801
01:36:25,520 --> 01:36:27,559
Speaker 2: That's going, nigga, that's going.

1802
01:36:27,920 --> 01:36:31,360
Speaker 3: Yeah, everything up.

1803
01:36:31,360 --> 01:36:33,479
Speaker 2: I'm hitting any run they throw every whatever.

1804
01:36:33,520 --> 01:36:34,439
Speaker 3: You better believe it.

1805
01:36:34,960 --> 01:36:40,400
Speaker 2: You better. I heard you do it. Performance style, performance style,

1806
01:36:42,120 --> 01:36:42,719
Speaker 2: Chris Brown.

1807
01:36:43,880 --> 01:36:49,120
Speaker 1: Yes, hmmm, we're flying around the whole stadium at thirty

1808
01:36:49,160 --> 01:36:49,880
Speaker 1: miles per hour.

1809
01:36:50,360 --> 01:36:50,519
Speaker 2: Yeh.

1810
01:36:50,600 --> 01:36:53,800
Speaker 1: Niggas trip, the styling of the artists, they look like

1811
01:36:53,880 --> 01:36:55,360
Speaker 1: on stage, the drip of the artists.

1812
01:36:55,720 --> 01:37:01,760
Speaker 5: Did drip in twenty twenty six, Uh ship.

1813
01:37:02,000 --> 01:37:03,559
Speaker 3: Yeah, man, we talked about you know what I mean,

1814
01:37:03,600 --> 01:37:06,479
Speaker 3: the niggas, I mean the French niggas back in the days.

1815
01:37:06,520 --> 01:37:08,760
Speaker 3: You'll be listened. How have you want?

1816
01:37:09,080 --> 01:37:11,439
Speaker 1: I think my grip is like, I think I'm not

1817
01:37:11,520 --> 01:37:12,360
Speaker 1: scared if you go there.

1818
01:37:12,400 --> 01:37:16,599
Speaker 2: I'm MYO. We don't talk about that enough, but I've

1819
01:37:16,600 --> 01:37:17,000
Speaker 2: been doing it.

1820
01:37:17,040 --> 01:37:17,160
Speaker 6: Bro.

1821
01:37:17,240 --> 01:37:19,360
Speaker 1: I was I was hoping. I was hoping you were

1822
01:37:19,400 --> 01:37:21,800
Speaker 1: going to say that I appreciate how mad at you?

1823
01:37:22,320 --> 01:37:24,679
Speaker 1: The passion of the artist, the heart of the artists

1824
01:37:24,680 --> 01:37:25,200
Speaker 1: who mean it.

1825
01:37:25,840 --> 01:37:28,880
Speaker 2: Yeah, the passion and heart. I got a crazy passion.

1826
01:37:28,920 --> 01:37:32,880
Speaker 2: I'm still here. I'll take you know, hm, I'll take fail,

1827
01:37:32,960 --> 01:37:34,880
Speaker 2: I'll take win, and I'll never stop and im and

1828
01:37:34,960 --> 01:37:35,559
Speaker 2: I'm still here.

1829
01:37:35,680 --> 01:37:36,280
Speaker 3: You know what I'm saying.

1830
01:37:37,200 --> 01:37:38,639
Speaker 5: Why not with the same energy.

1831
01:37:38,760 --> 01:37:43,000
Speaker 3: Why now? What you're telling me is you're you with

1832
01:37:43,240 --> 01:37:44,120
Speaker 3: Chris Brown moves.

1833
01:37:44,640 --> 01:37:48,320
Speaker 2: Yeah, that's the one thing. That's the one thing I

1834
01:37:48,360 --> 01:37:51,760
Speaker 2: didn't like that much time on what I wish I

1835
01:37:51,760 --> 01:37:52,040
Speaker 2: would have.

1836
01:37:53,120 --> 01:37:57,400
Speaker 1: Your feet feat and who's producing for this artist?

1837
01:37:57,960 --> 01:38:03,920
Speaker 5: Who's producing for that particular artist? Ship?

1838
01:38:04,160 --> 01:38:06,519
Speaker 2: Can I get a combo? Can I get Mustard and Camper?

1839
01:38:09,880 --> 01:38:14,040
Speaker 2: Mustard and Camper because Mustard stands the people, the vibe

1840
01:38:14,080 --> 01:38:15,479
Speaker 2: and Camper got them chords.

1841
01:38:15,600 --> 01:38:17,880
Speaker 3: Man, he's gonna give us Mustard and Camper is great.

1842
01:38:18,040 --> 01:38:22,080
Speaker 5: Yeah, those two together would be like, oh my god, razy.

1843
01:38:22,400 --> 01:38:26,920
Speaker 1: Yeah, Mustard in Camper. Who's writing for this artist?

1844
01:38:28,360 --> 01:38:36,600
Speaker 5: Shit me James fond Deloya and Krishan hit Maker.

1845
01:38:39,160 --> 01:38:41,960
Speaker 2: And let me just throw some female perspective in there.

1846
01:38:42,000 --> 01:38:44,360
Speaker 2: I ain't never worked with her, but I love her words,

1847
01:38:44,439 --> 01:38:46,599
Speaker 2: and like everything she's been doing is his chick named

1848
01:38:46,640 --> 01:38:47,280
Speaker 2: Amy Allen.

1849
01:38:48,200 --> 01:38:48,760
Speaker 3: Amy Allen.

1850
01:38:48,880 --> 01:38:49,760
Speaker 5: Yeah, you ever heard of her?

1851
01:38:49,880 --> 01:38:52,519
Speaker 2: No, you ever heard of Sabrina Carpenter of course, like

1852
01:38:52,640 --> 01:38:53,200
Speaker 2: she's writing on.

1853
01:38:53,200 --> 01:38:54,320
Speaker 3: Her writing on the record.

1854
01:38:54,360 --> 01:38:56,080
Speaker 2: I don't want to take anything for Sabrina because I

1855
01:38:56,120 --> 01:38:57,960
Speaker 2: wasn't in the room. But from when I read the credits,

1856
01:38:58,000 --> 01:39:00,160
Speaker 2: I see Amy's name on all the ship, so and

1857
01:39:00,280 --> 01:39:03,720
Speaker 2: like she might be the inspiration. And then I heard

1858
01:39:03,760 --> 01:39:07,280
Speaker 2: Amy solo records and I like her a lot.

1859
01:39:07,560 --> 01:39:11,920
Speaker 1: Okay, you're taking all this a whole nother place, Bro.

1860
01:39:14,760 --> 01:39:17,439
Speaker 5: It's not like the classic R and B ship, but

1861
01:39:17,520 --> 01:39:18,640
Speaker 5: it's like her words is.

1862
01:39:18,680 --> 01:39:21,880
Speaker 3: Just music, you know. I mean, you know what I

1863
01:39:21,960 --> 01:39:23,280
Speaker 3: want to before you before you go into that.

1864
01:39:23,400 --> 01:39:25,600
Speaker 5: And Tish, I'm gonna bring Tish to the table.

1865
01:39:26,600 --> 01:39:29,400
Speaker 3: Before you, before you, before we get to this last segment.

1866
01:39:30,479 --> 01:39:33,599
Speaker 3: I want to tell you, bro, thank you for something.

1867
01:39:34,960 --> 01:39:37,120
Speaker 3: And I'm saying this from the other side of the business.

1868
01:39:38,080 --> 01:39:42,320
Speaker 3: So I have these bright ideas all the time, right,

1869
01:39:43,400 --> 01:39:45,519
Speaker 3: and sometimes people be like, yeah, you're crazy, and it

1870
01:39:45,640 --> 01:39:48,759
Speaker 3: sometimes like I'm rolling. So I had this bright idea.

1871
01:39:49,280 --> 01:39:52,000
Speaker 3: I'm like, Tank, you know what I'm going to direct

1872
01:39:52,040 --> 01:39:56,439
Speaker 3: your next video for the when we remix right, I

1873
01:39:56,520 --> 01:39:58,400
Speaker 3: was like, I have a call, Ben Mark. I got

1874
01:39:58,439 --> 01:40:00,479
Speaker 3: the I got the I got the whole concept in

1875
01:40:00,560 --> 01:40:02,920
Speaker 3: my head and write this ship out. I've never done

1876
01:40:02,920 --> 01:40:06,760
Speaker 3: it before, but I was like, I got something, and

1877
01:40:07,040 --> 01:40:09,000
Speaker 3: I'm saying thank you from the other side of that

1878
01:40:09,240 --> 01:40:14,080
Speaker 3: from just being a gracious artist. You Trey songs obviously

1879
01:40:14,160 --> 01:40:17,000
Speaker 3: my brother Tank, but this is my first time directing

1880
01:40:17,040 --> 01:40:20,479
Speaker 3: the video. You probably had no idea. He's just like, okay,

1881
01:40:21,280 --> 01:40:23,040
Speaker 3: all right, all right, Jay, what's the next thing. You

1882
01:40:23,120 --> 01:40:25,320
Speaker 3: know what I'm saying. But I wanted to personally say

1883
01:40:25,400 --> 01:40:27,920
Speaker 3: thank you. You know what I mean, because that can

1884
01:40:28,120 --> 01:40:30,439
Speaker 3: and understanding that from their side, the directors who do

1885
01:40:30,520 --> 01:40:34,240
Speaker 3: that every day, that ship can be taxing, especially when

1886
01:40:34,280 --> 01:40:37,400
Speaker 3: you're dealing with artists who ain't cool. You know what

1887
01:40:37,400 --> 01:40:39,040
Speaker 3: I'm saying. So I just want to tell you I

1888
01:40:39,040 --> 01:40:39,840
Speaker 3: appreciate it that bro.

1889
01:40:40,200 --> 01:40:42,240
Speaker 5: Man, appreciate y'all. Thank you for having me on the

1890
01:40:42,400 --> 01:40:43,400
Speaker 5: mom and you kill me.

1891
01:40:44,600 --> 01:40:46,680
Speaker 3: Your verse is crazy on it. Have you seen the

1892
01:40:46,760 --> 01:40:50,439
Speaker 3: choreography online to your verse? All the girls to do

1893
01:40:50,520 --> 01:40:52,160
Speaker 3: the chur hard.

1894
01:40:57,640 --> 01:40:57,840
Speaker 2: Yeah.

1895
01:40:57,880 --> 01:40:59,840
Speaker 3: Man, appreciated brother, Thank you, brother.

1896
01:41:00,040 --> 01:41:01,400
Speaker 1: I can, I can Piggy back on that thing.

1897
01:41:01,560 --> 01:41:04,680
Speaker 5: Let's thank you, sir, Let's do another Yeah, all those

1898
01:41:04,760 --> 01:41:05,280
Speaker 5: kse Swiss?

1899
01:41:06,280 --> 01:41:08,320
Speaker 3: Hey, yeah, right, that's hard.

1900
01:41:08,600 --> 01:41:09,800
Speaker 5: I ain't seen nothing in a while.

1901
01:41:10,880 --> 01:41:11,720
Speaker 3: What did I just say?

1902
01:41:11,920 --> 01:41:15,160
Speaker 1: He just literally yeah, I said, nigga, youre gonna make

1903
01:41:15,200 --> 01:41:16,679
Speaker 1: me go a pair case Swiss.

1904
01:41:16,760 --> 01:41:17,400
Speaker 5: That's fine.

1905
01:41:22,680 --> 01:41:25,559
Speaker 1: I ain't saying no nigga. I ain't saying no names.

1906
01:41:25,960 --> 01:41:28,280
Speaker 1: I ain't saying no names. I ain't saying no.

1907
01:41:28,439 --> 01:41:32,599
Speaker 2: Names are what you need?

1908
01:41:33,280 --> 01:41:38,240
Speaker 1: Don't see ship, and I ain't.

1909
01:41:38,000 --> 01:41:49,759
Speaker 3: Saying no name. So we had a very very important

1910
01:41:49,760 --> 01:41:52,360
Speaker 3: part of the show. Yeah, will you tell us a story?

1911
01:41:52,880 --> 01:41:56,280
Speaker 3: Funny er fucked up? Are funny and fucked up? Which

1912
01:41:56,320 --> 01:41:58,920
Speaker 3: I know you probably got some of both the only

1913
01:41:59,000 --> 01:42:01,400
Speaker 3: route to this game. And you can't say no names?

1914
01:42:01,479 --> 01:42:03,880
Speaker 5: Okay, funny and fucked up?

1915
01:42:04,960 --> 01:42:06,400
Speaker 3: What funny? What just fucked up?

1916
01:42:06,880 --> 01:42:09,920
Speaker 5: Mhm, funny and fucked up? Funny and fucked up? Funny

1917
01:42:09,960 --> 01:42:10,599
Speaker 5: and fucked up.

1918
01:42:11,640 --> 01:42:11,760
Speaker 4: Uh.

1919
01:42:18,439 --> 01:42:21,240
Speaker 1: I'm trying to like, somebody got a somebody got a bad.

1920
01:42:21,320 --> 01:42:27,519
Speaker 5: Right before canceled, I'm like, can I say this?

1921
01:42:28,840 --> 01:42:30,280
Speaker 3: We got good added in too? So whatever?

1922
01:42:30,680 --> 01:42:32,400
Speaker 5: Right? Funny and fucked up?

1923
01:42:33,880 --> 01:42:39,920
Speaker 2: Damn. I'm just trying to think of what time period.

1924
01:42:39,960 --> 01:42:42,639
Speaker 2: I should go what time period helped me? What time periods?

1925
01:42:42,680 --> 01:42:43,080
Speaker 2: Should I go?

1926
01:42:43,479 --> 01:42:45,880
Speaker 1: Go go tutor them? Booted time period?

1927
01:42:46,680 --> 01:42:53,760
Speaker 2: Funny and fucked up to them? Booted time period? Oh,

1928
01:42:53,880 --> 01:42:57,479
Speaker 2: ship nigga? When we uh just that whole time man?

1929
01:42:57,800 --> 01:43:01,160
Speaker 2: Like all right, cool, I do this song, get YG

1930
01:43:01,320 --> 01:43:05,320
Speaker 2: on it? Oh, sorry, no names. The record companies called

1931
01:43:05,560 --> 01:43:07,360
Speaker 2: they want to sign Bro. They don't want to sign

1932
01:43:07,479 --> 01:43:10,320
Speaker 2: MEW or Tcuh. Next thing, you know, it's time to

1933
01:43:10,360 --> 01:43:13,439
Speaker 2: put the record out. The record comes out. We gotta

1934
01:43:13,479 --> 01:43:17,000
Speaker 2: tell TC they don't want him on the record. Sorry

1935
01:43:17,000 --> 01:43:21,960
Speaker 2: I said another name, So uh that comes out? Ship.

1936
01:43:22,200 --> 01:43:25,280
Speaker 5: I'm trying to think how this is funny? That's not

1937
01:43:25,400 --> 01:43:25,840
Speaker 5: that funny?

1938
01:43:26,479 --> 01:43:32,000
Speaker 3: Sound? Yeah, they don't got to be both.

1939
01:43:32,280 --> 01:43:36,320
Speaker 2: I mean the video shoot, I just had my homeboy

1940
01:43:37,160 --> 01:43:39,360
Speaker 2: do the video and we went to Darck Wilder Beach

1941
01:43:39,479 --> 01:43:42,439
Speaker 2: and like I said, push in was a whole bunch

1942
01:43:42,479 --> 01:43:44,640
Speaker 2: of us from all over the city, different hoods. And

1943
01:43:45,439 --> 01:43:49,400
Speaker 2: we get to the beach, nigga guns are drawn, niggas

1944
01:43:49,439 --> 01:43:52,519
Speaker 2: a big standoff on the parking lot.

1945
01:43:52,400 --> 01:43:54,200
Speaker 3: And you know what I'm saying, niggas that supposed to

1946
01:43:54,200 --> 01:43:54,599
Speaker 3: be there together.

1947
01:43:55,320 --> 01:43:57,479
Speaker 2: Yeah, but it's like different hoods because like I said,

1948
01:43:57,520 --> 01:43:59,559
Speaker 2: we all come all over, so it's all different hoods.

1949
01:43:59,600 --> 01:44:01,720
Speaker 2: You got you got blood, you got power us, you

1950
01:44:01,800 --> 01:44:07,800
Speaker 2: got grapes, you got everything, and uh and then end

1951
01:44:07,920 --> 01:44:11,160
Speaker 2: up getting you know, being a successful video nobody got

1952
01:44:11,240 --> 01:44:14,320
Speaker 2: shot and we got a million views in one week

1953
01:44:14,320 --> 01:44:16,400
Speaker 2: and end up getting the record deals and we're here today.

1954
01:44:17,360 --> 01:44:18,320
Speaker 5: It's not that funny though.

1955
01:44:18,400 --> 01:44:20,720
Speaker 1: That's no, that's a good one. Stand off at the

1956
01:44:20,840 --> 01:44:21,559
Speaker 1: video show.

1957
01:44:21,400 --> 01:44:23,680
Speaker 2: Stand off at the video shoot. Bro, I'm trying to

1958
01:44:23,720 --> 01:44:27,599
Speaker 2: think what else is like funny funny though? I want

1959
01:44:27,640 --> 01:44:33,160
Speaker 2: to have the funniest one on this show. Ever, I

1960
01:44:33,280 --> 01:44:35,120
Speaker 2: can't think, Bro, I should have came more prepared.

1961
01:44:36,600 --> 01:44:37,479
Speaker 3: I'll call it in on the.

1962
01:44:37,520 --> 01:44:46,479
Speaker 1: Next brother Tie dollar sign. We are extremely grateful, extremely

1963
01:44:46,520 --> 01:44:48,720
Speaker 1: grateful for your time, man, grateful for y'all. Thank you

1964
01:44:48,800 --> 01:44:50,559
Speaker 1: for having me on the show. I'm actually a fan

1965
01:44:50,640 --> 01:44:51,040
Speaker 1: of the show.

1966
01:44:51,040 --> 01:44:54,080
Speaker 2: I've caught a couple of them, and uh, you know,

1967
01:44:54,160 --> 01:44:58,360
Speaker 2: it's just I honored to be in the room, you know,

1968
01:44:58,479 --> 01:45:00,519
Speaker 2: alongside some legends that I respecting.

1969
01:45:00,560 --> 01:45:03,840
Speaker 3: The game and ship. Keep expanding, man, keep making room.

1970
01:45:04,120 --> 01:45:06,200
Speaker 5: Now we all funny, funny, funny, funny.

1971
01:45:07,000 --> 01:45:07,800
Speaker 3: He got a funny way.

1972
01:45:08,640 --> 01:45:12,360
Speaker 2: So this building right down the street it's across the street,

1973
01:45:12,439 --> 01:45:15,560
Speaker 2: right down the street right now. It's called Keys. I

1974
01:45:15,600 --> 01:45:17,840
Speaker 2: remember back in the day coming to some show at

1975
01:45:17,880 --> 01:45:20,000
Speaker 2: that motherfucker. It was called Billboard Live, and I've seen

1976
01:45:20,040 --> 01:45:22,880
Speaker 2: yo ass in there, nigga going crazy on the mic.

1977
01:45:22,920 --> 01:45:24,040
Speaker 5: I don't know if it was one of them R

1978
01:45:24,040 --> 01:45:24,280
Speaker 5: and B.

1979
01:45:24,320 --> 01:45:27,040
Speaker 2: Wednesdays and Sundays and one of them ships, but I

1980
01:45:27,080 --> 01:45:28,960
Speaker 2: remember you killed that shit, and I'm like, I just

1981
01:45:29,000 --> 01:45:31,040
Speaker 2: can't wait to be at this motherfucker. And then one

1982
01:45:31,120 --> 01:45:35,280
Speaker 2: day this is after Tutored and Booted, like after House

1983
01:45:35,360 --> 01:45:38,160
Speaker 2: on the Hill, and we get our first show. This

1984
01:45:38,320 --> 01:45:40,639
Speaker 2: is like the last week of it being Billboard Live

1985
01:45:41,080 --> 01:45:43,280
Speaker 2: before they changed it to one oh to one, right,

1986
01:45:44,160 --> 01:45:48,559
Speaker 2: and we get in there to do the show. About

1987
01:45:48,680 --> 01:45:50,960
Speaker 2: seven people came to that motherfucker. Bro Me and Joe

1988
01:45:50,960 --> 01:45:53,519
Speaker 2: Moses on stage all around homies I'm talking about. The

1989
01:45:53,560 --> 01:45:57,719
Speaker 2: stage is filled up with homies. He came in the crowd, nigga,

1990
01:45:58,120 --> 01:45:59,679
Speaker 2: and then we just have the homies go out.

1991
01:46:03,200 --> 01:46:04,880
Speaker 3: Understand the house Keys.

1992
01:46:05,000 --> 01:46:06,840
Speaker 2: And I haven't been there so many times performing it

1993
01:46:06,920 --> 01:46:09,560
Speaker 2: that motherfucker see changes in the ship. But it'd be

1994
01:46:09,720 --> 01:46:12,760
Speaker 2: like that sometimes, man, you know, sometimes you'll think it'll

1995
01:46:12,800 --> 01:46:14,559
Speaker 2: be the biggest ship because you got this one thing

1996
01:46:14,680 --> 01:46:17,600
Speaker 2: going and then you'll come and nobody shows up, and

1997
01:46:17,680 --> 01:46:19,960
Speaker 2: then you'll go to another city and the ships the

1998
01:46:20,040 --> 01:46:22,200
Speaker 2: fucking most packed shit in the world thase people can't

1999
01:46:22,200 --> 01:46:26,240
Speaker 2: even get in. So you know, if you believe in yourself, bro,

2000
01:46:27,040 --> 01:46:28,680
Speaker 2: just keep going. Like you said, it's got to be

2001
01:46:28,760 --> 01:46:31,280
Speaker 2: that passion. You got to actually like have fun with

2002
01:46:31,400 --> 01:46:34,960
Speaker 2: the ship and uh or else it'll eat you up.

2003
01:46:35,120 --> 01:46:36,599
Speaker 1: Those are the moments to tell you who you are

2004
01:46:36,680 --> 01:46:39,280
Speaker 1: and if you want it. Yeah, it's it's the seven

2005
01:46:39,320 --> 01:46:42,920
Speaker 1: people in the crowd that when you decide what what

2006
01:46:43,040 --> 01:46:45,519
Speaker 1: it's really gonna be for you because with them seven people,

2007
01:46:45,560 --> 01:46:47,639
Speaker 1: I'm still gonna take my shirt off exactly.

2008
01:46:48,040 --> 01:46:48,880
Speaker 2: Yeah, you feel me.

2009
01:46:49,120 --> 01:46:49,680
Speaker 3: I've seen it.

2010
01:46:49,960 --> 01:46:52,200
Speaker 1: I'm still gonna cook light out there.

2011
01:46:52,240 --> 01:46:55,880
Speaker 3: Tank cool, Cool, Let's get it. Let's see what we do.

2012
01:46:56,280 --> 01:46:56,880
Speaker 3: That's what we do.

2013
01:46:57,360 --> 01:47:01,639
Speaker 1: Appreciate you, bro, We appreciate you. My name is Tank

2014
01:47:02,640 --> 01:47:04,600
Speaker 1: and this is the R and B Money Podcast, the

2015
01:47:04,720 --> 01:47:07,560
Speaker 1: authority on all things R and B.

2016
01:47:08,240 --> 01:47:10,920
Speaker 3: He's not a rapper, R and B singing not a rapper.

2017
01:47:11,520 --> 01:47:15,840
Speaker 3: He is and a lot more is. He is all

2018
01:47:16,000 --> 01:47:21,080
Speaker 3: things is all things, sing it, play it, write it,

2019
01:47:21,400 --> 01:47:22,080
Speaker 3: get to know that.

2020
01:47:23,160 --> 01:47:26,360
Speaker 2: I appreciate y'all for saying that, Appreciate the platform, Appreciate

2021
01:47:26,439 --> 01:47:29,639
Speaker 2: everybody that's out there tuning in, Appreciate everybody that's clipping

2022
01:47:29,720 --> 01:47:33,920
Speaker 2: and ship and we'll be back for more man clipping.

2023
01:47:35,000 --> 01:47:35,760
Speaker 2: Let's see what you do.

2024
01:47:36,200 --> 01:47:43,080
Speaker 3: Watermarks there Live from the sun roll wasn't the sun

2025
01:47:43,280 --> 01:47:43,639
Speaker 3: Rolls