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Speaker 1: Like you was like, I mean, that's recently a six

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Speaker 1: oh club man, oh bless very recently boor man?

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Speaker 2: The fuck they talking about we can't get money. There

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Speaker 2: ain't no aging out.

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Speaker 3: And by the way, man, I may blow the whistle

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Speaker 3: when I was forty years old.

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Speaker 2: That's some more noise. Motherfucker forty young whipper snaps.

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Speaker 3: Yeah, year, what up y'all? Is your boy Joe cracked

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Speaker 3: the dawn.

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Speaker 4: Leg fixing? Yes, so it is your boy. Jada Golly

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Speaker 4: Frocks Show and Jayden Show. Every show legendary, every show iconic.

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Speaker 3: That's an understatement.

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Speaker 2: That's an understatement with today's guests. When you think of

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Speaker 2: today's guests, gotta think about real well coach foundation, you

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Speaker 2: know what I mean. You gotta think about independence before

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Speaker 2: independence was a wave, trunk music, real hustle, set in

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Speaker 2: a blueprint, and talking about a man with six platinum albums,

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Speaker 2: classics like the Ghetto Getting It, Shake That Monkey, and

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Speaker 2: one of the biggest records in hip hop history, Blow

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Speaker 2: the Whistle, the only artist to drop albums across five

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Speaker 2: different decades, the only artists to work with Tupac, Biggie

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Speaker 2: and Jay Z, co founder of Mount West, Small entrepreneur,

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Speaker 2: film producer, sports team owner, got his own street in Oakland,

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Speaker 2: his own day in the city. Yeah, run it down,

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Speaker 2: still outside, still active? Are you're still dropping? Bay Area legend? Yes,

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Speaker 2: Oakland's finest. Right, ladies and gentlemen. Don't even clap yet.

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Speaker 3: Two shortest in the building. Bitch, make some norm whoa short?

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Speaker 5: We just said, Now you made Carmela Harris say bitch.

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Speaker 5: Behind the scenes, we interviewed the Yes, you know, she

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Speaker 5: front like she's from the Bay Area, and he said,

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Speaker 5: what's your favorite word? She said, bitch while she was

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Speaker 5: running for president. That ship is legend.

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Speaker 3: I got it. I got it.

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Speaker 5: Well, I was there for that, like I'm like me

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Speaker 5: and him interviewed there for bet Behind the scenes. I

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Speaker 5: was like, yo, you you're as of that ship. Yo,

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Speaker 5: what's your favorite word? She said, that's going for president.

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Speaker 5: My nigga Like this, that's for sure.

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Speaker 3: What kind of impact is?

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Speaker 2: Then when I said this to Jimmy Jim and Terry Lewis,

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Speaker 2: then they should be the music when they when you

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Speaker 2: google they names, the music symbols should come up when

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Speaker 2: you google your name. Long Jetty should come up. Pussele

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Speaker 2: come what she.

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Speaker 3: Did in the game is it's probably never be done again. No,

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Speaker 3: I won't ever, it can't be done.

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Speaker 2: It's like four people I would love to have their

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Speaker 2: career short l l Ice team in Boston and Schnoop

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Speaker 2: if I could, if I could have a gumbo of

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Speaker 2: Boyak and Riz, I'd be like, fucking they got the

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Speaker 2: most years.

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Speaker 3: We're getting the most money for the most amounted.

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Speaker 2: You on it too, I'm talk, don't fuck me, gonna

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Speaker 2: let somebody talk.

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Speaker 3: Go ahead?

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Speaker 1: Is this son happened a lot? Three words? Man, don't

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Speaker 1: stop rapping, fine, don't stop.

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Speaker 3: Don't stop rapping.

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Speaker 1: When they when I came up in the game, when

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Speaker 1: they gave a mic, that was like a prize, and

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Speaker 1: like in my mind, I'm like, I'm never giving it back.

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Speaker 1: Like I'm not spitting sixteen bars, I'm spitting like sixty bars,

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Speaker 1: one hundred bars. I'm just gonna keep going until somebody

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Speaker 1: remember that shit. Somebody gonna come up and pry to

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Speaker 1: mic out your hand. Everybodys sitting around there turn to

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Speaker 1: take a time like you're not getting it from me.

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Speaker 1: So that's how I lived my career. Man, It's just

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Speaker 1: I'm never gonna stop. When I when I got some

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Speaker 1: street money just selling tapes, didn't have to go get

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Speaker 1: no job at McDonald's, none.

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Speaker 3: Of that shit. I'm like, we keep selling these tapes.

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Speaker 1: When I got some independent money doing it myself, I'm like, shit,

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Speaker 1: this shit is kind of nice.

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Speaker 3: I'm gonna keep doing this. It was just the rap music.

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Speaker 6: Man.

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Speaker 1: When I got signed to a major label and they

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Speaker 1: fucking check came six months later, I was like, like,

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Speaker 1: I just wrapped to get this.

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Speaker 3: Just don't stop rapping.

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Speaker 1: So that was my theory, man, just keep fucking game.

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Speaker 3: You know what happens in life. Everybody got this.

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Speaker 5: Uh not everybody, but a lot of people got this,

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Speaker 5: keeping up with the Joneses yep right, or keeping up

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Speaker 5: whatever they call a status quo. I believe in hip hop. Sure,

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Speaker 5: I want you to sell one hundred million records, But

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Speaker 5: I believe in hip hop as an art form where

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Speaker 5: the guy that's rapping in the fucking lounge right now

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Speaker 5: somewhere or doing karaoki doing they doing what they love

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Speaker 5: to do. So I respected India I read as much

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Speaker 5: as I respected fucking the biggest Beyonce because Indi Iri

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Speaker 5: has something to say with the art, right. I always

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Speaker 5: took that perspective because I grew up with the underground

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Speaker 5: and I do the same. You know, when I was thirty,

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Speaker 5: I was like, why these niggas rapping that forty? Then

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Speaker 5: I got forty instead of y'all. They still paying me

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Speaker 5: to do this shit. So I believe in we gotta

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Speaker 5: keep putting out music, keep putting out art, and uh

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Speaker 5: and don't stop. I agree with what you said. You know,

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Speaker 5: one of my favorite records in the world. I know

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Speaker 5: I'm skipping a whole lot from one of my favorite

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Speaker 5: records ever is But you you want to get Fat

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Speaker 5: Joe to dance like embarrassing with Remy and be like, yo,

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Speaker 5: shit the fuck dow Remy don't want me to dance.

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Speaker 5: Think I'm Fat Joe the gangstay He's supposed to dance

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Speaker 5: that blow the whist? Who come on, I don't give

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Speaker 5: a fuck. I could be in the moon with Marsies

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Speaker 5: blow the Whistle from Bad and Bad.

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Speaker 3: When that blow the whish? Who gotta moved?

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Speaker 5: Did you definitely know when y'all did that ship in

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Speaker 5: the studio? Did you know before you put a verse

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Speaker 5: on there?

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Speaker 1: But first of all, that's a little John beat, so

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Speaker 1: little jobs, said Little Joe John's a DJ first and

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Speaker 1: then a producer, then an artist, and he knows he

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Speaker 1: just knows, he knows how to grab that thing that

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Speaker 1: makes the people. What I'm asking is when you heard

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Speaker 1: the instrumental, you knew this is a smash hit or

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Speaker 1: was it after? So first he plays a beat and

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Speaker 1: I hit a little whistle, and my first intention was,

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Speaker 1: you know, of course it's got a party vibe, It's

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Speaker 1: got that good energy. But I was like, let me

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Speaker 1: play on the whistle and just talk about I got

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Speaker 1: into like the sports references about throwing the flag and

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Speaker 1: blowing the whistle and ship, and just like like the

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Speaker 1: whole concept is like you're trying to do too much.

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Speaker 1: You're trying to be like us. That's just too much

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Speaker 1: for you. So we're gonna just call it, call the penalty,

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Speaker 1: throw the flag.

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Speaker 3: You know, you out of.

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Speaker 5: Pocket and you never knew what this record? Man, I

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Speaker 5: just love this ship. It's like a warning. I'm sitting

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Speaker 5: there telling you the song. I'm talking about drugs and

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Speaker 5: all this ship. That's what I name I dropped. I

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Speaker 5: name drop us Snoop DOGG, T, I, m j G,

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Speaker 5: A ball U GK. I'm like you saw all my

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Speaker 5: fellow rappers who rap about that player ship, and I'm like,

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Speaker 5: don't try to be like us, like if you can,

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Speaker 5: but if you do, we might have to throw the

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Speaker 5: flag on you.

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Speaker 1: And I was just playing on the words. And then

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Speaker 1: after it's done and we're in the studio, we're like,

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Speaker 1: you know, sometimes the hair start tickling a little bit.

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Speaker 1: You're like, I think this one of the ones, man.

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Speaker 1: And I think one of the best things about that

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Speaker 1: song was I was on Drive Records when I dropped that,

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Speaker 1: and Verry Wise and the whole staff. They promoted that

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Speaker 1: record for like a week, maybe two weeks at the most.

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Speaker 3: And then they backed off. And I feel like if.

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Speaker 1: They would have believed in it, it would have went

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Speaker 1: big and it would have went away. But the fact

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Speaker 1: that it had to like creep this way, creep along

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Speaker 1: on his own. You know, the record was all said

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Speaker 1: and done, and one day jay Z got mad as

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Speaker 1: the motherfuckers about Lebron and then a remix. That shit

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Speaker 1: just went yump on the East Coast and it would

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Speaker 1: just pick up in different cities after it was old.

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Speaker 3: And I mean, songs don't do that on their own.

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Speaker 1: That shit got legs. No songs don't do that on

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Speaker 1: their own. Yeah, so they got some ingredients in it.

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Speaker 7: Man.

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Speaker 5: So you brought up a name, Barry Wise, man, shout

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Speaker 5: out the Barry Wise. Because I seen him keep it

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Speaker 5: real with his artists in other ways that I was

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Speaker 5: really impressed, because you know, I really don't trust these

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Speaker 5: kind of people, but I seen them hold his artists down,

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Speaker 5: like behind the scenes, and.

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Speaker 3: I was like, oh, this guy is a real one

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Speaker 3: for what. I never did business with Barry Wise.

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Speaker 5: I'm just saying I seen them hole niggas down when

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Speaker 5: you know, in the darkest hour, I seen them come

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Speaker 5: through like a shining night.

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Speaker 3: And he started off. He started off small, man, he

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Speaker 3: knows you know how to you know, you know, the

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Speaker 3: the other.

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Speaker 5: Side of it. But he's a record guy. I don't

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Speaker 5: get it twisted. He's a record He's a record exactly.

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Speaker 1: But yeah, man, I think that was a blessing of

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Speaker 1: the fact that they didn't just blow it out the

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Speaker 1: water from the start.

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Speaker 3: It helped the songs.

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Speaker 5: You know, I don't want to say your age because

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Speaker 5: I don't know your age, but I'm pretty old myself.

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Speaker 5: I mean I remember watching you before me, and that's

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Speaker 5: hard to do.

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Speaker 3: I was never coming over with school watching.

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Speaker 5: Me too, man like, and you sitting on a are

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Speaker 5: you all listen? I'm like, yo, this nigga to me

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Speaker 5: started talking that shit like you was like.

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Speaker 1: I mean recently the six o club man, a god

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Speaker 1: bless very recently. Poor man, the fuck they talking about

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Speaker 1: we can't get money. Ain't no aging now, nigga.

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Speaker 3: And by the way, man, I may blow the whistle

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Speaker 3: when I was forty years old.

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Speaker 2: There's some more noise, motherfucker. Forty young whipper snaps not

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Speaker 2: hit one out the park at forty Yeah, exactly.

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Speaker 5: Sean Becky down in Florida looking at the fifty five

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Speaker 5: and know the place to live, He.

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Speaker 3: Said, Yo, man, these niggas is playing golf.

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Speaker 5: They got a softball league for seventy and no, I said, Yo,

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Speaker 5: beck I get the.

201
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Speaker 3: Fuck off my phone with them. Bullshit.

202
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Speaker 5: You talking over there to fifty five and old the village, Yo.

203
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Speaker 5: The people got golf carts and shiit pharmacies. Yoa shit,

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Speaker 5: these man, listen, we gonna play this shit all the

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Speaker 5: way out.

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Speaker 3: You already know when it's a real moment, you need

207
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Speaker 3: a real bottle.

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Speaker 5: That's why we rock with eighteen hundred tequila.

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Speaker 3: Y'all heard me.

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Speaker 5: These people are making tequila for eleven generations.

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Speaker 3: That's right, eleven.

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Speaker 2: That's a legacy, that's ogs status.

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Speaker 3: Oh j.

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Speaker 5: They were the first to introduce in Naho, set the

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Speaker 5: standard before most of these brands even existed, and.

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Speaker 2: You could taste the difference for real. The eighteen hundred

217
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Speaker 2: crystallino in Reposodo is what we've been on. Lady, move clean, elevy,

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Speaker 2: no burn, no rough edges, just a premium pour that

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Speaker 2: speaks for itself. You know when it's something that is

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Speaker 2: just built right, that's what this is.

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Speaker 3: Real talk, That's just what it is.

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Speaker 5: It's always around for the best nights, the wins, the celebrations,

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Speaker 5: to remember that night's story.

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Speaker 2: Whether you're keeping it low key with the crew or

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Speaker 2: you're pulling up to a big event. Eighteen hundred fits

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Speaker 2: every seven. It ain't ain't too hard. It's just that

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Speaker 2: eighteen hundred tequila, real legacy, real smooth.

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Speaker 5: That's the move, true, true, true, and everywhere I see

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Speaker 5: too short. He looked very comfortable, like he's having that

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Speaker 5: time that's sixties, like one twenty. Because I never see

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Speaker 5: you not part.

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Speaker 1: I'm just saying, man, it's a lifestyle man, it's a

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Speaker 1: way of life, this hip hop shit. We're not supposed

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Speaker 1: to sit on the on the end of the bench

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Speaker 1: and be the player coach who never gets in the game.

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Speaker 1: We're not supposed to be on the porch in the

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Speaker 1: rock and chair telling stories about when you was on

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Speaker 1: tour and when you was out of the trenches and

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Speaker 1: all that shit. We're supposed to stay active, bron stay active.

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Speaker 1: This is that's the whole hip hop culture to me.

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Speaker 5: Like, I watched record labels play niggas out before they

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Speaker 5: were played out. Yeah, guys were twenty five and they

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Speaker 5: were playing them at the old school at noon and

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Speaker 5: shit like they're like, so the major labels controlled the

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Speaker 5: whole industry at the time, and what they would do

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Speaker 5: is like, all right, I'm up with him. I did

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Speaker 5: two three hours with them, say Jagged Edge, say one

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Speaker 5: twelve whatever like that, and they'd be like, all right,

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Speaker 5: were dropping them, so let's feed them to the old

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Speaker 5: schooling new I never understood these shit. These dudes was

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Speaker 5: twenty something, I think hip hop. But guys like a

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Speaker 5: jay Z, guys like Doctor Dre, guys that just said

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Speaker 5: the Masterpiece and and the Babies, and they just say Yo,

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Speaker 5: ain't nobody aging us out. We just gonna keep going

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Speaker 5: and getting to the bag. I think that's a hip

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Speaker 5: hop thing us you being sixty. I can't tell you sixty.

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Speaker 5: By the way you dressing, why heven fly like you

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Speaker 5: know that's some hip hop.

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Speaker 3: Just the old, the old yn subject, the old young niggas.

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Speaker 1: No, we old young niggas actually trying to clown that

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Speaker 1: genre now like you old niggas need to sit down

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Speaker 1: trying to be flying shit.

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Speaker 3: Fuck that man, Fuck all of that.

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Speaker 1: I said, every day you wish you wish you could

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Speaker 1: be an old young nigga. One day you wish you

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Speaker 1: could be a fifty year old rapper and get money.

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Speaker 1: You wish, man, don't clown that shit like.

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Speaker 3: But.

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Speaker 5: A system is not getting no. Let me tell you

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Speaker 5: something I said something recently. I think it was d

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Speaker 5: I was in the Harlem talking about ship on the

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Speaker 5: block and I said dead and I and I maintain it.

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Speaker 5: There's something that I really really understood when I was thirty.

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Speaker 3: Unfortunately, they don't respect an old nigga without the bag.

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Speaker 5: You got a bunch of broke niggas in the comments

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Speaker 5: like yo, if I if it was about that to

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Speaker 5: me like, yo, bro, let me explain something. Everybody at

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Speaker 5: the same twenty four hours. Everybody had the same life. Fortunately,

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Speaker 5: God shine the light on us. But what I'm saying

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Speaker 5: is I realized the young niggas don't respect the nigga.

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Speaker 3: If he don't dress good, if he ain't got a bag,

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Speaker 3: he ain't get into it.

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Speaker 5: So I always knew, Yo, the only way these young

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Speaker 5: niggas is ever gonna really listen to us or follow

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Speaker 5: us is if they like you get I give you somebody.

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Speaker 3: No, it's another way you can make them listen to.

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Speaker 3: I don't know what you listen.

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Speaker 5: So you know, when I see young artists Lotto or

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Speaker 5: this one or that, when these young arts they come

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Speaker 5: up to me, they'll be like, yo, gee, you get

291
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Speaker 5: to the back.

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Speaker 3: They're not confused with the bag chaser. You know what

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Speaker 3: I'm saying.

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Speaker 5: And I've always felt like, you know, because you got

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Speaker 5: an old broke nigga talking about what he used to

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Speaker 5: have or how he used to this.

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Speaker 3: I just personally never wanted to be that guy.

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Speaker 5: Even when they took all my money, I knew y'all

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Speaker 5: put your head down to day. I always said, when

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Speaker 5: they took all my money, I said, listen right now,

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Speaker 5: I mean in the ocean, and I'm swimming for the

302
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Speaker 5: first sight of land, and I'm gonna just keep swimming.

303
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Speaker 3: I ain't gonna stop till I touch some land. Manwimming

304
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Speaker 3: huh you drive?

305
00:16:12,640 --> 00:16:15,760
Speaker 5: No, you're swimming. I don't even know how to swim

306
00:16:15,800 --> 00:16:17,000
Speaker 5: like that Dad with your ship.

307
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Speaker 3: Bro. The point I'm making is I'm not going to

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Speaker 3: be that. I made it.

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Speaker 5: I made a conscious effort my whole life to never

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Speaker 5: be the guy that had to run and he used

311
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Speaker 5: to have and your remember one fact, Joe used to

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Speaker 5: drive the bends. Remember when I'm the desk right, that's

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Speaker 5: the rock and chair on the porch. All you got

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Speaker 5: his stories left. We ain't doing that.

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Speaker 1: But I think the young homies, man, they do respect

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Speaker 1: when you got the bag.

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Speaker 3: I know that all my life.

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Speaker 1: As a youngster, people would give me really good advice

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Speaker 1: and that ship would be received differently. Like if you

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Speaker 1: got to if you're my high school counselor and you

321
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Speaker 1: drive a pinto every day and you're trying to tell

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Speaker 1: me stay on the right path, do this stuff like

323
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Speaker 1: you a panto nigga or a fat nigga, a fat

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Speaker 1: doctor telling you even though they don't.

325
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Speaker 3: Fuck the truth is a fat nigga.

326
00:17:09,520 --> 00:17:13,199
Speaker 5: He telling you, yo, you really gotta lose weight, your cholesterol,

327
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Speaker 5: your my meg.

328
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Speaker 3: Get the fuck out of here with that ship.

329
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Speaker 1: But now we got we gotta left these youngster know though, Man,

330
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Speaker 1: I'm telling you, I'm telling you, stay on your grind,

331
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Speaker 1: keep busy if you if you fall off, find a

332
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Speaker 1: way to fall back on. But at the same time,

333
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Speaker 1: this ship gets better, man, it gets better to survive

334
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Speaker 1: the game.

335
00:17:32,880 --> 00:17:33,600
Speaker 3: It gets better.

336
00:17:33,680 --> 00:17:36,879
Speaker 1: Like like young and having money is so fun, but

337
00:17:37,160 --> 00:17:39,120
Speaker 1: og having money is way more fun.

338
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Speaker 3: Fact.

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Speaker 1: And then when the nigga was young, because you learn,

340
00:17:42,320 --> 00:17:43,960
Speaker 1: you learn more, You learn how to do it better.

341
00:17:44,200 --> 00:17:45,840
Speaker 3: You learn how to travel better, you learn how to

342
00:17:45,880 --> 00:17:48,439
Speaker 3: eat better. You learn them with ogi get money. Is

343
00:17:48,520 --> 00:17:50,800
Speaker 3: your family waiting at the raptors?

344
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Speaker 5: They weren't so legend, Man, I cry every day that

345
00:17:55,760 --> 00:17:59,960
Speaker 5: she goes bing do and if FedEx come with boxes

346
00:18:00,119 --> 00:18:02,800
Speaker 5: that standing up, you know that ship is like a

347
00:18:02,800 --> 00:18:06,120
Speaker 5: fur or something. I'm looking at that ship. I don't

348
00:18:06,160 --> 00:18:08,320
Speaker 5: even want them to open that ship up in my face.

349
00:18:08,400 --> 00:18:11,520
Speaker 5: I'm like, dang, we done did some other ship. Huh,

350
00:18:11,600 --> 00:18:14,560
Speaker 5: we don't went on another shop, this street, this that

351
00:18:14,560 --> 00:18:15,679
Speaker 5: that's the difference, you.

352
00:18:15,680 --> 00:18:16,320
Speaker 3: Know what I'm saying.

353
00:18:16,400 --> 00:18:20,760
Speaker 5: But you're right, you know, being the oge, you gotta

354
00:18:20,800 --> 00:18:23,960
Speaker 5: have your aaar P machine by here this ship, keep

355
00:18:24,000 --> 00:18:27,080
Speaker 5: the bones, keep your fluidity going.

356
00:18:27,560 --> 00:18:30,240
Speaker 1: Yeah, I mean show him by example, man when it

357
00:18:30,359 --> 00:18:33,200
Speaker 1: see a big og pull up in a big whip like, man,

358
00:18:33,200 --> 00:18:35,040
Speaker 1: I want to be like that motherfucker right there, like

359
00:18:35,080 --> 00:18:35,600
Speaker 1: show him it.

360
00:18:36,160 --> 00:18:38,680
Speaker 3: I don't like the ageism in hip hop. I don't

361
00:18:38,720 --> 00:18:39,960
Speaker 3: like fuck that ship.

362
00:18:40,160 --> 00:18:42,719
Speaker 5: I don't like it no cause, and you know they

363
00:18:42,760 --> 00:18:46,800
Speaker 5: don't happen in any other you like I'm going to uh.

364
00:18:48,240 --> 00:18:50,959
Speaker 5: You know. Keith Squeat got Fat Joe a lot, one

365
00:18:51,000 --> 00:18:52,520
Speaker 5: of my favorite artists.

366
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Speaker 3: Whenever he called, he got him like.

367
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Speaker 5: He don't even I think he tell him, I come

368
00:18:58,440 --> 00:18:59,800
Speaker 5: like with a silent package.

369
00:19:00,480 --> 00:19:01,400
Speaker 3: We're doing New York.

370
00:19:01,440 --> 00:19:04,280
Speaker 5: Don't worry. Fat Joe's doing the greatest of hits. He

371
00:19:04,359 --> 00:19:06,840
Speaker 5: don't even ask me. He called me up. I say, yo,

372
00:19:06,960 --> 00:19:09,639
Speaker 5: kif he said, if you coming right, nigga, you're gonna perform,

373
00:19:10,040 --> 00:19:13,080
Speaker 5: I said, K, who love you more than me? He

374
00:19:13,160 --> 00:19:18,440
Speaker 5: goes nobody. I said, motherfucker, ben catching me with that

375
00:19:18,560 --> 00:19:20,960
Speaker 5: shit for the last thirty years.

376
00:19:21,280 --> 00:19:25,240
Speaker 3: But Keith Sweat get money.

377
00:19:25,280 --> 00:19:28,080
Speaker 5: Every other gnre, the R and B, the ladies, the

378
00:19:28,160 --> 00:19:31,760
Speaker 5: disc they get big fucking basket. People come up to

379
00:19:31,800 --> 00:19:34,000
Speaker 5: me and be like, yo Joe. Promoters, I know, be like,

380
00:19:34,480 --> 00:19:37,040
Speaker 5: yo Joe, I want to book Keith Sweat for a cruise.

381
00:19:37,119 --> 00:19:38,000
Speaker 3: I know that's your man.

382
00:19:38,960 --> 00:19:41,680
Speaker 5: And I hear the number for a nigga who came

383
00:19:41,720 --> 00:19:44,320
Speaker 5: out in the early eighties, nigga, I'll be like, damn

384
00:19:44,440 --> 00:19:47,200
Speaker 5: this nigga. And then you look at they schedule. They

385
00:19:47,240 --> 00:19:51,600
Speaker 5: booked five days a week. They caked up and so

386
00:19:51,800 --> 00:19:56,000
Speaker 5: hip hop one thing. You know, we gotta learn different

387
00:19:56,040 --> 00:19:59,280
Speaker 5: ways of getting to the bag. But in hip hop,

388
00:20:00,160 --> 00:20:03,640
Speaker 5: I learned that promoters play with hip hop artists more

389
00:20:03,680 --> 00:20:06,480
Speaker 5: than they doing any other Johnny and you know, that

390
00:20:06,600 --> 00:20:08,320
Speaker 5: was this shit that got me, Like when I went

391
00:20:08,359 --> 00:20:11,639
Speaker 5: through the taxes, niggas who knew they couldn't touch Fat

392
00:20:11,720 --> 00:20:14,480
Speaker 5: Joe for less than fifty thousands, like yo, I mean

393
00:20:14,600 --> 00:20:17,960
Speaker 5: literally had promoter tell me how many people want to

394
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Speaker 5: hear lean back man.

395
00:20:19,000 --> 00:20:22,080
Speaker 3: They tired of hearing that shit. We got twelve thousand

396
00:20:22,200 --> 00:20:24,320
Speaker 3: for you. So here I'm here.

397
00:20:24,359 --> 00:20:27,920
Speaker 2: I'm doing four shows that I would have got on

398
00:20:27,960 --> 00:20:30,680
Speaker 2: the low end of a normal.

399
00:20:30,400 --> 00:20:32,560
Speaker 5: Show where they know you fucked up, they play with

400
00:20:32,600 --> 00:20:35,560
Speaker 5: you and me. I don't make excuses. My family ain't

401
00:20:35,560 --> 00:20:38,120
Speaker 5: stopped getting burdens, they ain't stop eating lobster.

402
00:20:38,720 --> 00:20:40,320
Speaker 3: My moms ain't move out of the house.

403
00:20:40,600 --> 00:20:43,359
Speaker 5: So I got to go and do the four shows

404
00:20:43,640 --> 00:20:45,920
Speaker 5: to come back with the fifty, like, yo.

405
00:20:45,920 --> 00:20:49,280
Speaker 3: Were good, Let's go eat some shit. You know. I'm

406
00:20:49,320 --> 00:20:53,000
Speaker 3: back fucking Timbucto, China.

407
00:20:53,160 --> 00:20:56,480
Speaker 5: Wherever I got a no stone, yo, I done, did

408
00:20:56,640 --> 00:20:59,280
Speaker 5: a no stone unturned on this earth.

409
00:21:00,000 --> 00:21:03,800
Speaker 1: I do them performing places you care I bout. I

410
00:21:03,800 --> 00:21:09,520
Speaker 1: guess what, as rappers, we've never had jobs. I never

411
00:21:09,560 --> 00:21:11,320
Speaker 1: had a day job. I had a job maybe when

412
00:21:11,320 --> 00:21:16,399
Speaker 1: I was fifteen. It's been it's been hip hop food

413
00:21:16,440 --> 00:21:20,440
Speaker 1: ever since. And yeah, we had the moments. We had

414
00:21:20,440 --> 00:21:22,919
Speaker 1: the moments. Man, I went through a phase. I was like,

415
00:21:23,960 --> 00:21:28,359
Speaker 1: it's the Monday night price, Tuesday price, the Friday price Saturday,

416
00:21:28,880 --> 00:21:30,040
Speaker 1: and you can get a nigga.

417
00:21:29,840 --> 00:21:33,000
Speaker 5: Good on them on a Tuesday Wednesday. I'm a cross

418
00:21:33,000 --> 00:21:35,760
Speaker 5: believe in that. I never seen a guy who does

419
00:21:35,800 --> 00:21:38,600
Speaker 5: a two hundred and fifty thousand dollars show in Dubai

420
00:21:38,720 --> 00:21:43,680
Speaker 5: and the next day he's performing in the barn in cannaanouka. Well,

421
00:21:43,760 --> 00:21:46,320
Speaker 5: he don't give a fuck. He'll take the two point fifty.

422
00:21:46,400 --> 00:21:49,680
Speaker 5: The next day he'll take the ten thousand. Rick Ross

423
00:21:49,720 --> 00:21:52,560
Speaker 5: got a different philosophy than me, and it looks like

424
00:21:52,640 --> 00:21:57,400
Speaker 5: it's working out better his way because his nigga got yards, planes,

425
00:21:58,640 --> 00:22:01,720
Speaker 5: houses on the water. I can't do it, you know,

426
00:22:02,000 --> 00:22:05,880
Speaker 5: Like I said, promoters play with rappers more than any

427
00:22:05,960 --> 00:22:08,119
Speaker 5: and I just felt like, yo, I'm at a certain

428
00:22:08,200 --> 00:22:11,280
Speaker 5: price range where you can't get me for the low.

429
00:22:11,960 --> 00:22:14,359
Speaker 5: But Rick Ross don't give a fuck. He'll go on

430
00:22:14,400 --> 00:22:17,840
Speaker 5: a Tuesday to Memphis go pick up fifteen grand.

431
00:22:18,480 --> 00:22:20,000
Speaker 3: I think his way is smarter.

432
00:22:20,440 --> 00:22:22,119
Speaker 5: I think at the end of the month he just

433
00:22:22,760 --> 00:22:25,560
Speaker 5: goes like you know how the dealer does, and take

434
00:22:25,680 --> 00:22:27,600
Speaker 5: all the money. When the city is over, he'd be like,

435
00:22:27,600 --> 00:22:33,600
Speaker 5: all right, I'm taking everything. I understood that. I just

436
00:22:33,680 --> 00:22:35,440
Speaker 5: can't do that, Like you know.

437
00:22:35,480 --> 00:22:39,639
Speaker 3: I don't know. I don't. I just my ego was

438
00:22:39,760 --> 00:22:42,600
Speaker 3: something is never a hustling back up against the wall.

439
00:22:42,640 --> 00:22:44,640
Speaker 3: You'll do it. I did it.

440
00:22:44,800 --> 00:22:51,720
Speaker 5: I was I but it ain't for twelve right nowas

441
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442
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443
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470
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471
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Speaker 5: I remember one birthday performing somewhere like the Philippings, not

472
00:24:33,119 --> 00:24:36,520
Speaker 5: even a regular, not China, not Japan. That shit was

473
00:24:36,640 --> 00:24:40,920
Speaker 5: like philipping Korea, Singapore or some shit.

474
00:24:41,040 --> 00:24:45,399
Speaker 3: And it was my birthday. And I remember performing on

475
00:24:45,440 --> 00:24:51,320
Speaker 3: my birthday like Yo, my house mighty have falled, and you.

476
00:24:51,320 --> 00:24:54,240
Speaker 5: Gotta just be like yo, and you out there for

477
00:24:54,280 --> 00:24:57,560
Speaker 5: the twelve thousand, you took that twenty some mile flight

478
00:24:58,280 --> 00:25:00,720
Speaker 5: and you just like, YO, how to do. But I

479
00:25:01,000 --> 00:25:04,919
Speaker 5: never I never came to my family on my knees.

480
00:25:05,000 --> 00:25:08,600
Speaker 5: I never came and said you can't get that chanel,

481
00:25:09,119 --> 00:25:10,840
Speaker 5: you can't live on the water.

482
00:25:10,960 --> 00:25:11,320
Speaker 3: You care.

483
00:25:11,400 --> 00:25:13,440
Speaker 5: I just said, yo, Joe, we got to go out

484
00:25:13,480 --> 00:25:17,399
Speaker 5: there and get that bitch, you know. And so everybody,

485
00:25:17,600 --> 00:25:21,240
Speaker 5: you know, careers are like the stock market. Sometimes it's great.

486
00:25:21,320 --> 00:25:24,760
Speaker 5: Sometimes you know, this guy shows no emotion and he's

487
00:25:24,840 --> 00:25:29,560
Speaker 5: had a pretty traumatic career financially with whatever he dealt with,

488
00:25:30,000 --> 00:25:31,280
Speaker 5: and he's never happy.

489
00:25:32,080 --> 00:25:36,320
Speaker 3: And so the other day, don't know, guy's never.

490
00:25:38,160 --> 00:25:44,400
Speaker 5: Okay, that's your man, all right, you you can throw

491
00:25:44,520 --> 00:25:46,920
Speaker 5: one too.

492
00:25:47,800 --> 00:25:51,600
Speaker 3: A man. Never let me tell you something. It's crazy.

493
00:25:51,720 --> 00:25:56,199
Speaker 5: Let me tell you. Can I say something? You have

494
00:25:56,359 --> 00:26:00,640
Speaker 5: built in happiness? You got a bilp her face. Motherfucker

495
00:26:00,720 --> 00:26:04,440
Speaker 5: never happy? Right, So the other day, I don't know

496
00:26:04,480 --> 00:26:06,800
Speaker 5: if you know, it was a moment. The other day

497
00:26:06,840 --> 00:26:09,000
Speaker 5: we get off the stage with jay Z, which was

498
00:26:09,080 --> 00:26:12,080
Speaker 5: a history which I had to convince this guy to

499
00:26:12,119 --> 00:26:16,160
Speaker 5: not go to Summer League, to do the fucking biggest

500
00:26:16,200 --> 00:26:18,840
Speaker 5: concert ever created in the history of mankind.

501
00:26:19,400 --> 00:26:19,800
Speaker 3: The man.

502
00:26:19,840 --> 00:26:25,840
Speaker 5: We performed, and Beyonce just went on beyonda just walked by.

503
00:26:26,000 --> 00:26:29,119
Speaker 5: We closed the show, most legendary show in New York history.

504
00:26:29,160 --> 00:26:31,600
Speaker 5: I had to actually grab his shoulder. I don't know

505
00:26:31,640 --> 00:26:34,080
Speaker 5: if he thinks I was blow dig he thinks I

506
00:26:34,119 --> 00:26:36,480
Speaker 5: was drunk. I was dead. So I grabbed the show

507
00:26:36,520 --> 00:26:41,399
Speaker 5: that well, that moment was dead. Ain't not telling you

508
00:26:41,440 --> 00:26:42,119
Speaker 5: about the moment.

509
00:26:42,480 --> 00:26:45,320
Speaker 3: Let me wait for playing me. I grab the show

510
00:26:45,359 --> 00:26:48,159
Speaker 3: that I said, Yo, kiss, are you happy?

511
00:26:48,840 --> 00:26:48,879
Speaker 2: No?

512
00:26:49,040 --> 00:26:50,520
Speaker 3: I have to.

513
00:26:51,920 --> 00:26:56,080
Speaker 1: No no, because I'm confused.

514
00:26:56,920 --> 00:26:59,080
Speaker 5: I have to grab him on the shoulder. He don't

515
00:26:59,119 --> 00:27:01,280
Speaker 5: tell me. I'm cap throw the flag.

516
00:27:01,800 --> 00:27:04,119
Speaker 3: I said, you thought. I ain't even remember that. That

517
00:27:04,200 --> 00:27:06,600
Speaker 3: was a good one. I said, your kiss? Are you happy?

518
00:27:06,960 --> 00:27:10,040
Speaker 3: And see it in the space. I was tired, and

519
00:27:10,080 --> 00:27:14,280
Speaker 3: I'm like, I'm like, he said, I should ask ye're

520
00:27:14,320 --> 00:27:15,720
Speaker 3: you're a special guy. Man.

521
00:27:15,800 --> 00:27:18,760
Speaker 5: Let me tell you. Hey, he says, you want me

522
00:27:18,800 --> 00:27:22,520
Speaker 5: to say what you say? He said, Yo, I'm going

523
00:27:22,600 --> 00:27:25,320
Speaker 5: happier than I ever been in my life. But it's scary.

524
00:27:25,400 --> 00:27:28,919
Speaker 5: I'm so happy, so I'm just like, I gotta be

525
00:27:29,040 --> 00:27:32,000
Speaker 5: careful whatever. That's how you responded, And I was like, Wow,

526
00:27:32,080 --> 00:27:35,200
Speaker 5: he's happy because me. I don't give a fuck. I'm

527
00:27:35,200 --> 00:27:37,800
Speaker 5: skipping to my loop. They coming up to me everywhere

528
00:27:38,359 --> 00:27:39,680
Speaker 5: I go shopping.

529
00:27:39,240 --> 00:27:39,680
Speaker 3: In the store.

530
00:27:39,760 --> 00:27:44,320
Speaker 5: Let Joe day the fucking right, naja fucking right, number one, right,

531
00:27:45,080 --> 00:27:46,640
Speaker 5: number one, y'all.

532
00:27:47,119 --> 00:27:52,320
Speaker 2: Na, I'm skipping to my loop, Like you know, I

533
00:27:52,320 --> 00:27:53,840
Speaker 2: don't understand my partner is.

534
00:27:54,640 --> 00:27:56,440
Speaker 1: I would playing that ship in Nur Sallet too. I

535
00:27:56,480 --> 00:27:58,040
Speaker 1: would do the biggest shit in the world. Act like

536
00:27:58,200 --> 00:28:00,320
Speaker 1: nothing just happened. I do it?

537
00:28:00,359 --> 00:28:02,920
Speaker 3: Is that like a like a like a style like that?

538
00:28:03,080 --> 00:28:05,440
Speaker 3: Is that that's like one of the swag or something.

539
00:28:05,640 --> 00:28:06,960
Speaker 3: I think it's kind of hip hop. Man.

540
00:28:07,000 --> 00:28:10,639
Speaker 1: You can't you can't really show your true emotions. It's

541
00:28:10,640 --> 00:28:14,560
Speaker 1: definitely pipping, can't. You gotta you gotta wear the mask, man,

542
00:28:14,600 --> 00:28:15,800
Speaker 1: your game face all times.

543
00:28:16,080 --> 00:28:19,439
Speaker 5: Yeah, we have we have holes and pimps and hunts

544
00:28:19,440 --> 00:28:22,719
Speaker 5: point and right here right outside this building. I had

545
00:28:22,760 --> 00:28:24,840
Speaker 5: a little documentary about that ship hook Us at the

546
00:28:24,840 --> 00:28:29,680
Speaker 5: point Hookers, you know, I was in there, said the

547
00:28:29,960 --> 00:28:32,600
Speaker 5: area that was the last place with real pimps with

548
00:28:32,760 --> 00:28:34,840
Speaker 5: feathers in their hats. And I used to go to

549
00:28:34,920 --> 00:28:37,720
Speaker 5: twenty four hour Dyna was number but pimps and holes

550
00:28:37,760 --> 00:28:41,760
Speaker 5: in that motherfucker. That was the last remaining true pimps

551
00:28:41,800 --> 00:28:43,960
Speaker 5: with the fucking wheel in the back of the car

552
00:28:44,120 --> 00:28:44,640
Speaker 5: in the cap.

553
00:28:45,000 --> 00:28:47,360
Speaker 1: That was an era. The new era of pimps look

554
00:28:47,400 --> 00:28:50,360
Speaker 1: like rappers. They pipping right now. They would never know.

555
00:28:50,360 --> 00:28:53,000
Speaker 1: You probably think that's an upcoming rapper, Like, how does

556
00:28:53,040 --> 00:28:57,560
Speaker 1: this nigga have so many chains? It's alive and well,

557
00:28:58,320 --> 00:29:01,360
Speaker 1: it's alive and well, well, live and well flourishing.

558
00:29:02,160 --> 00:29:04,560
Speaker 5: You know, it's a different off. They call that ship

559
00:29:04,680 --> 00:29:09,920
Speaker 5: human trafficking now and all, I'm being rare. It carries

560
00:29:09,960 --> 00:29:13,040
Speaker 5: a lot of weight like it's very right, it's very risky.

561
00:29:13,120 --> 00:29:15,720
Speaker 5: That's ship like a rico. That's worse than a You

562
00:29:15,800 --> 00:29:18,320
Speaker 5: might as well rob this seven eleven. This used to

563
00:29:18,400 --> 00:29:19,840
Speaker 5: be two years lockdown.

564
00:29:19,840 --> 00:29:23,160
Speaker 1: It's now twenty sexual.

565
00:29:22,800 --> 00:29:26,440
Speaker 3: Trafficking, human trafficking. Just one little human, one little slipper.

566
00:29:26,760 --> 00:29:28,760
Speaker 1: Yes, it's a fine line with that ship, but I'm

567
00:29:28,760 --> 00:29:30,520
Speaker 1: telling you they're out there.

568
00:29:30,840 --> 00:29:32,600
Speaker 3: Yeah, anyway, you're gonna get a dollar.

569
00:29:33,600 --> 00:29:39,000
Speaker 5: Anyway, somebody can get a dollar, good or bad, evil, nice,

570
00:29:39,160 --> 00:29:40,120
Speaker 5: they're gonna do it.

571
00:29:40,200 --> 00:29:44,440
Speaker 1: It ain't about human trafficking. It's about it's about teamwork, teamwork.

572
00:29:44,520 --> 00:29:46,960
Speaker 1: You've got great minds together to figure out how to

573
00:29:46,960 --> 00:29:48,400
Speaker 1: get all this money in and what we're gonna do

574
00:29:48,480 --> 00:29:51,360
Speaker 1: with it. It's it's a pimp, a hole, and a trick.

575
00:29:51,400 --> 00:29:56,560
Speaker 1: In every situation, there's a pimp and a trick and

576
00:29:56,600 --> 00:29:59,640
Speaker 1: every Sorry right about now, how you doing successful?

577
00:29:59,640 --> 00:30:03,240
Speaker 5: We better start down playing your success because now you

578
00:30:03,320 --> 00:30:04,920
Speaker 5: meet a mama, See didn't do y'all.

579
00:30:05,040 --> 00:30:08,840
Speaker 3: She's like puppy Mike playing you ain't even touch that ship.

580
00:30:09,160 --> 00:30:13,800
Speaker 5: Puppy my hand, six months, my baby father, no pay

581
00:30:14,000 --> 00:30:15,440
Speaker 5: you gotta see money.

582
00:30:15,880 --> 00:30:17,160
Speaker 3: Like now, this shit.

583
00:30:17,200 --> 00:30:23,240
Speaker 5: Crazy out here, Like it's like huh man, my head, Bobby.

584
00:30:23,560 --> 00:30:26,040
Speaker 5: They not even killed, they're not wasting no time. It

585
00:30:26,120 --> 00:30:27,760
Speaker 5: used to be like all right, do you like me?

586
00:30:27,880 --> 00:30:32,160
Speaker 5: Or right, buy me something. Now it's like hello on

587
00:30:32,240 --> 00:30:34,720
Speaker 5: the intro. Now you want the ship that stole that

588
00:30:34,880 --> 00:30:37,280
Speaker 5: ship and your man miss the perfect, the nigga with

589
00:30:37,360 --> 00:30:40,440
Speaker 5: the good teeth over there, just the perfect.

590
00:30:41,360 --> 00:30:44,320
Speaker 3: That's crazy. It's the perfect. What's your man's names?

591
00:30:45,240 --> 00:30:54,440
Speaker 5: No, honey, perfect honey, honey, what honey? Hundred perfect hundred summers. Yeah,

592
00:30:54,440 --> 00:30:56,240
Speaker 5: I'm getting my teeth done on Tuesday.

593
00:30:56,520 --> 00:30:58,720
Speaker 3: You know. Let me tell you, ship the perfect? What

594
00:30:58,800 --> 00:31:03,800
Speaker 3: else you're gonna do to nah? I need that. I

595
00:31:03,920 --> 00:31:05,080
Speaker 3: need smile.

596
00:31:06,640 --> 00:31:09,880
Speaker 5: I need that three D where any angle you catch

597
00:31:09,920 --> 00:31:13,239
Speaker 5: the ship, this ship just smiling, that ship you just

598
00:31:13,320 --> 00:31:17,840
Speaker 5: like that, niggah. I gotta show you my happy man.

599
00:31:18,160 --> 00:31:20,800
Speaker 5: I be like y'all, nigga, you see that smile three

600
00:31:20,920 --> 00:31:24,400
Speaker 5: sixty for the periffew That shit gotta come through. And

601
00:31:24,520 --> 00:31:26,640
Speaker 5: so they faked me out. I'm scared of flying. I'm

602
00:31:26,680 --> 00:31:30,280
Speaker 5: scared of dentists. Although I love my dentist, doctor doctor fat.

603
00:31:30,400 --> 00:31:31,800
Speaker 5: Do you want to hear my Fat Joe story?

604
00:31:32,280 --> 00:31:33,320
Speaker 3: Have we got one?

605
00:31:34,480 --> 00:31:37,560
Speaker 1: Let's get it. Let's get to it. So we were

606
00:31:37,640 --> 00:31:40,240
Speaker 1: young rappers out here. I'm coming to New York. I'm ana,

607
00:31:40,520 --> 00:31:42,280
Speaker 1: you know, do my promo shit out here, fucking with

608
00:31:42,360 --> 00:31:45,520
Speaker 1: Jive records whatever. And I see Joe somewhere and he

609
00:31:45,560 --> 00:31:47,240
Speaker 1: showed me a lot of love. He's like, yo, short,

610
00:31:47,440 --> 00:31:49,480
Speaker 1: what up? We chopping it up? We always chopped it up.

611
00:31:49,920 --> 00:31:51,880
Speaker 1: And he said to me, he said, whenever you in

612
00:31:51,960 --> 00:31:54,440
Speaker 1: New York, fuck with me. Hit me up, let's hang,

613
00:31:54,560 --> 00:31:56,800
Speaker 1: Let's do some shit. So I went back to some

614
00:31:56,920 --> 00:31:59,280
Speaker 1: New York people I knew, and I said, fact, Joe

615
00:31:59,320 --> 00:32:01,600
Speaker 1: told me when I get out here, you know, hook

616
00:32:01,640 --> 00:32:04,400
Speaker 1: up with him, hang out. They said, do not hang

617
00:32:04,480 --> 00:32:07,320
Speaker 1: with Fat Joe in his crew. Don't funk with them

618
00:32:07,640 --> 00:32:10,360
Speaker 1: crazy Puerto Ricans. Do not do it them.

619
00:32:10,440 --> 00:32:14,320
Speaker 3: Niggas is trouble. We never hung out a lot.

620
00:32:14,360 --> 00:32:16,240
Speaker 1: And that's why somebody said, if I hung out with you,

621
00:32:16,680 --> 00:32:18,200
Speaker 1: he was gonna have me out there wild in the

622
00:32:18,200 --> 00:32:21,240
Speaker 1: fucking the Bronx doing ship bad influence.

623
00:32:21,320 --> 00:32:21,520
Speaker 3: Man.

624
00:32:21,960 --> 00:32:24,240
Speaker 5: Let me tell you they gave me the wrong, Young Joe,

625
00:32:24,320 --> 00:32:27,840
Speaker 5: Young Joe, we come through, We come.

626
00:32:29,560 --> 00:32:31,240
Speaker 1: Joe was gonna have me up in the Bronx man

627
00:32:31,360 --> 00:32:34,960
Speaker 1: doing doing wild ship. I probably gonna be one with

628
00:32:35,320 --> 00:32:36,960
Speaker 1: eighteen Puerto Rican babies.

629
00:32:37,320 --> 00:32:39,160
Speaker 5: If you would have, you would have make a million

630
00:32:39,400 --> 00:32:41,720
Speaker 5: j los niggas you.

631
00:32:41,800 --> 00:32:44,960
Speaker 3: Talking about pimping. You'd have came off, You'd just came

632
00:32:45,000 --> 00:32:48,760
Speaker 3: on top. You would have been like ship, you fucking

633
00:32:48,960 --> 00:32:51,719
Speaker 3: boy that want Jesus.

634
00:32:51,320 --> 00:32:53,840
Speaker 5: Would have been up in that Jimmy's cafe, like yo,

635
00:32:54,280 --> 00:32:56,080
Speaker 5: this ship crazy out here.

636
00:32:56,920 --> 00:32:59,680
Speaker 3: Nah, he definitely would have been in Jimmy's.

637
00:32:59,800 --> 00:33:03,280
Speaker 5: Why well, they gave you the wrong advice. But you

638
00:33:03,320 --> 00:33:06,760
Speaker 5: know it was more of a of a damn who

639
00:33:06,760 --> 00:33:08,680
Speaker 5: said it the other day. It was more of like

640
00:33:09,200 --> 00:33:12,240
Speaker 5: when we came up, you know, everybody had an ice

641
00:33:12,320 --> 00:33:16,680
Speaker 5: creab and you're looking at your man across the club

642
00:33:16,840 --> 00:33:19,840
Speaker 5: and he looking at you, and you go, you know,

643
00:33:21,080 --> 00:33:24,320
Speaker 5: nigga can't even tell a joke story because out here

644
00:33:24,920 --> 00:33:27,920
Speaker 5: they take kindness to weakness over here. So all this

645
00:33:28,080 --> 00:33:31,200
Speaker 5: fat Joe, you seeing now that I tell stories, I'm joking,

646
00:33:31,280 --> 00:33:34,160
Speaker 5: I'm this back. You couldn't do it. You just couldn't

647
00:33:34,160 --> 00:33:37,200
Speaker 5: do it. Because even niggas you was with would take kind.

648
00:33:37,120 --> 00:33:39,760
Speaker 3: This for weakness. Fat Joe at the tunnel.

649
00:33:41,080 --> 00:33:44,480
Speaker 5: I got a better one fee. Everybody keep ragging about

650
00:33:44,480 --> 00:33:47,800
Speaker 5: how dangerous the tunnel was. Big pun used to go

651
00:33:47,880 --> 00:33:51,120
Speaker 5: in a bath robe with a million dollars of jewelry

652
00:33:51,600 --> 00:33:54,560
Speaker 5: in his boxes and a bath row. I don't know

653
00:33:54,600 --> 00:33:57,160
Speaker 5: what they talk about how dangerous it was. One was

654
00:33:57,200 --> 00:34:00,560
Speaker 5: in there in the bath robe every Sunday would million

655
00:34:00,640 --> 00:34:04,840
Speaker 5: in jury and no problems. They just went the other way.

656
00:34:05,240 --> 00:34:09,480
Speaker 5: But I seen some shit in there, legendary y'all rap

657
00:34:09,520 --> 00:34:14,799
Speaker 5: on rap crime. No, I seen some shit I will

658
00:34:14,840 --> 00:34:19,600
Speaker 5: not discuss because I respect everybody. Na, I respect everything.

659
00:34:19,920 --> 00:34:23,040
Speaker 5: The one thing that happened to me there the one

660
00:34:23,080 --> 00:34:28,520
Speaker 5: thing that made me. Look, I'm a lawyer guy. I

661
00:34:28,560 --> 00:34:29,719
Speaker 5: won't double cross you.

662
00:34:30,280 --> 00:34:30,400
Speaker 2: Uh.

663
00:34:30,520 --> 00:34:34,200
Speaker 5: That's why I love Mac telling them out there, because

664
00:34:34,760 --> 00:34:37,759
Speaker 5: you know, I was real hot in LA. I had

665
00:34:37,800 --> 00:34:42,680
Speaker 5: like mega mega mega beef out there, and then you know,

666
00:34:42,719 --> 00:34:44,919
Speaker 5: I'm the only rapper from New York that ever gave

667
00:34:44,960 --> 00:34:47,880
Speaker 5: it like but I'm just sayin't physical. So when I

668
00:34:47,960 --> 00:34:49,799
Speaker 5: was out there, it was like they were like, oh,

669
00:34:49,840 --> 00:34:52,120
Speaker 5: we're gonna tear him up. And I've been in some

670
00:34:52,160 --> 00:34:55,080
Speaker 5: situations where Mac stepped up front line.

671
00:34:55,120 --> 00:34:57,680
Speaker 3: It was like, Nigga, he would it. It is what

672
00:34:57,840 --> 00:34:58,200
Speaker 3: it is.

673
00:34:58,400 --> 00:35:02,440
Speaker 5: Yeah, I gotta respect that. And then he weathered. So

674
00:35:02,760 --> 00:35:08,000
Speaker 5: I'm in the studio with Mace and bad Boy telling

675
00:35:08,080 --> 00:35:10,799
Speaker 5: a million jokes. You probably was there. We always did.

676
00:35:10,840 --> 00:35:12,720
Speaker 5: We had the best time in my life. I always

677
00:35:12,760 --> 00:35:15,440
Speaker 5: love Mace. The next day, I'm in the tunnel on

678
00:35:15,520 --> 00:35:17,759
Speaker 5: a Sunday, this nigga, Big L come up to me,

679
00:35:17,880 --> 00:35:21,799
Speaker 5: and Big L digging in the crate, Crack, you got

680
00:35:21,800 --> 00:35:25,160
Speaker 5: your niggas with you. You I gotta see somebody, come on,

681
00:35:26,239 --> 00:35:32,080
Speaker 5: nigga walk up to Mace and start talking crazy and

682
00:35:32,120 --> 00:35:35,120
Speaker 5: I'm and Mace looking at me. You know this is crazy,

683
00:35:35,160 --> 00:35:37,800
Speaker 5: what I'm telling you, because I hate that, because Mace

684
00:35:37,920 --> 00:35:40,120
Speaker 5: looking at me the whole time like he see the

685
00:35:40,200 --> 00:35:42,719
Speaker 5: twenty Puerto Rican niggas and the life. He looking at

686
00:35:42,760 --> 00:35:45,840
Speaker 5: me like, yo, Crack, I was with you to six

687
00:35:45,960 --> 00:35:50,080
Speaker 5: in the morning, nigga telling jokes and how I had

688
00:35:50,440 --> 00:35:54,600
Speaker 5: no fucking clue that Big L was gonna step the Mace,

689
00:35:55,200 --> 00:35:57,160
Speaker 5: but I looked like a found nigga. I don't think

690
00:35:57,200 --> 00:36:02,160
Speaker 5: Mace ever trusted me after that time. No, No, because

691
00:36:02,640 --> 00:36:08,919
Speaker 5: because it's a look. It's a look where that shit

692
00:36:09,040 --> 00:36:13,560
Speaker 5: recently happened to me. But it wasn't no violence, but no, no, no,

693
00:36:15,360 --> 00:36:20,640
Speaker 5: you know, I'm gonna just say, Kalid, the most peaceful

694
00:36:20,640 --> 00:36:23,839
Speaker 5: man in the world, seeing somebody who's been talking about

695
00:36:23,880 --> 00:36:27,719
Speaker 5: him or whatever, who's beyond the biggest ever created in

696
00:36:27,760 --> 00:36:29,719
Speaker 5: the history of the world. This might have been the

697
00:36:29,840 --> 00:36:34,560
Speaker 5: richest argument I ever seen. And the guy Calen is

698
00:36:34,600 --> 00:36:39,240
Speaker 5: talking very aggressive. You don't want to know, very very like, yo, nigga,

699
00:36:39,600 --> 00:36:41,279
Speaker 5: like you think it's just because you see me with

700
00:36:42,400 --> 00:36:44,560
Speaker 5: and the guy the whole time is looking at me.

701
00:36:44,600 --> 00:36:47,560
Speaker 5: It's my friend like you, my friend for thirty forty years.

702
00:36:47,600 --> 00:36:50,880
Speaker 5: He looking at me the whole time like you letting

703
00:36:50,960 --> 00:36:54,160
Speaker 5: this nigga talk like this. He's looking at me like

704
00:36:55,040 --> 00:36:56,920
Speaker 5: your crack for real, you're letting it.

705
00:36:57,040 --> 00:36:57,640
Speaker 3: I see, yo.

706
00:36:57,760 --> 00:37:02,560
Speaker 5: I keep grabbing Kellor like your callen, like come on, man, stopped.

707
00:37:03,040 --> 00:37:05,720
Speaker 5: But the guy you all getting with ain't even looking

708
00:37:05,800 --> 00:37:07,799
Speaker 5: at him. He looking at me like this.

709
00:37:10,200 --> 00:37:10,960
Speaker 3: That's what we're saying.

710
00:37:10,960 --> 00:37:15,520
Speaker 1: Many Joda enforcer the whole world of the story.

711
00:37:15,640 --> 00:37:17,799
Speaker 3: And he was smart. Your people were smart. They kept

712
00:37:17,800 --> 00:37:21,400
Speaker 3: you out of that ship. His life for me. He

713
00:37:21,480 --> 00:37:22,000
Speaker 3: was gonna have me.

714
00:37:22,200 --> 00:37:24,719
Speaker 5: I was gonna be a Bronx gangster. No, you was

715
00:37:24,760 --> 00:37:27,759
Speaker 5: gonna be good. They always love you. You made of

716
00:37:27,800 --> 00:37:30,080
Speaker 5: your music box. I don't know if he was eighty fourth.

717
00:37:30,120 --> 00:37:31,640
Speaker 5: I used to buy a week from the Dominicans one

718
00:37:31,680 --> 00:37:34,400
Speaker 5: hundred and eighty fourth. That was about far as I got.

719
00:37:34,440 --> 00:37:37,560
Speaker 5: That's just stopping, that's just stopping.

720
00:37:40,440 --> 00:37:41,759
Speaker 3: I know.

721
00:37:41,840 --> 00:37:45,720
Speaker 5: Every week spot Jady Kiss went to, they'd be like, yo, yeah, man, Jada,

722
00:37:45,920 --> 00:37:48,200
Speaker 5: just you. I was like, oh really?

723
00:37:48,360 --> 00:37:51,520
Speaker 1: And then I had them jars in Harlem said every

724
00:37:51,560 --> 00:37:53,520
Speaker 1: weed jars at the candy store.

725
00:37:53,640 --> 00:37:54,239
Speaker 3: I was up in that.

726
00:37:54,280 --> 00:37:58,080
Speaker 5: Mother, my whole staff, and you all every week about

727
00:37:58,080 --> 00:38:00,719
Speaker 5: I have a pass because man, that was there. I

728
00:38:00,760 --> 00:38:03,080
Speaker 5: didn't smoke, but I knew them my passed by.

729
00:38:03,200 --> 00:38:03,360
Speaker 3: You know.

730
00:38:03,440 --> 00:38:06,760
Speaker 5: I love doing this still to this day. I love

731
00:38:07,520 --> 00:38:10,120
Speaker 5: driving a new Fresh week. You know when you know

732
00:38:10,160 --> 00:38:15,000
Speaker 5: what why Lyric kissed me incredible. Every time the nigga

733
00:38:15,040 --> 00:38:19,560
Speaker 5: hole said done, ain't lie, I would have came through

734
00:38:19,600 --> 00:38:23,680
Speaker 5: the block and everything that's flock. I'm like, that's my life.

735
00:38:23,680 --> 00:38:25,560
Speaker 5: To this day. I almost brought out the new whip.

736
00:38:25,640 --> 00:38:30,839
Speaker 5: My wife said, no, that's our truck. Now I'm like, oh,

737
00:38:31,640 --> 00:38:34,000
Speaker 5: I ain't drying that shit. But one time she's like,

738
00:38:34,120 --> 00:38:37,360
Speaker 5: you know it's step fam sign. Damn they muscling me

739
00:38:37,440 --> 00:38:41,120
Speaker 5: out of my ship right now. But I love going

740
00:38:41,160 --> 00:38:45,680
Speaker 5: through the hood, y'all. Was shot pulling up in that ship,

741
00:38:46,320 --> 00:38:48,919
Speaker 5: jumping our hall and the roof is down, y'all.

742
00:38:48,920 --> 00:38:50,200
Speaker 3: What's good? Niggas? What says?

743
00:38:50,880 --> 00:38:54,160
Speaker 5: I love that my whole life. So I've been doing

744
00:38:54,160 --> 00:38:57,880
Speaker 5: that and they always come, yeah it kiss. You know

745
00:38:58,120 --> 00:39:01,480
Speaker 5: it's most likely a Dominican. You ain't a gets your man.

746
00:39:01,600 --> 00:39:04,799
Speaker 3: You just leave it. The truck over here, he got

747
00:39:04,880 --> 00:39:06,160
Speaker 3: some jaws, judge.

748
00:39:07,200 --> 00:39:12,040
Speaker 5: Yeah, I don't smoke, but I know every wee spot you.

749
00:39:12,160 --> 00:39:15,000
Speaker 3: Was that because they was telling me, yo, he just

750
00:39:15,200 --> 00:39:15,640
Speaker 3: left you.

751
00:39:17,120 --> 00:39:20,080
Speaker 2: Ain't it gets just left with the food a poppy.

752
00:39:20,239 --> 00:39:22,560
Speaker 2: You got some new music, let's keep we got some

753
00:39:22,600 --> 00:39:25,399
Speaker 2: new music. Gotta keep on the eighteen hundred new track.

754
00:39:25,480 --> 00:39:28,000
Speaker 3: Wouldn't one be him?

755
00:39:28,040 --> 00:39:31,120
Speaker 2: Come on now, let's keep it eighteen hundred.

756
00:39:31,480 --> 00:39:33,920
Speaker 3: Keep it eighteen hundreds, keep it eighteen hundred.

757
00:39:34,280 --> 00:39:36,359
Speaker 1: Every now and then, we got you gotta make songs

758
00:39:37,000 --> 00:39:38,880
Speaker 1: dedicated to bitch niggas, no doubt.

759
00:39:39,560 --> 00:39:42,200
Speaker 2: We gotta make songs dedicated to bitch niggas a lot

760
00:39:42,520 --> 00:39:46,080
Speaker 2: a lot of bitch niggas. Frank, hold on, hold on,

761
00:39:46,080 --> 00:39:47,919
Speaker 2: hold on, you know you gotta put that loud, bring

762
00:39:47,920 --> 00:39:48,879
Speaker 2: that back, bring their back.

763
00:39:48,920 --> 00:39:52,560
Speaker 3: Don't do that first. He can't beat joke.

764
00:39:52,719 --> 00:39:58,439
Speaker 5: Hold up, hold up, you cannot stop any any hip

765
00:39:58,440 --> 00:39:59,879
Speaker 5: hop low like that ship.

766
00:40:00,040 --> 00:40:05,960
Speaker 3: Gotta blow the speakers off, Red dog Man.

767
00:40:06,040 --> 00:40:08,560
Speaker 2: Let's shake this new single out one won't be him,

768
00:40:09,320 --> 00:40:11,840
Speaker 2: you bitch, Yes, nigga, let's get it bitches.

769
00:40:12,880 --> 00:40:19,040
Speaker 1: Hey Finna boy Lord John Maye, my dog too short.

770
00:40:20,200 --> 00:40:22,640
Speaker 3: I'm gonna talk to the bitch ass niggas out here.

771
00:40:23,080 --> 00:40:28,640
Speaker 3: Blottle bitch. Hey, you a bitch. You a bitch.

772
00:40:28,840 --> 00:40:31,640
Speaker 1: I just call it like I see it. You're a hope,

773
00:40:31,840 --> 00:40:34,640
Speaker 1: You're a hope. I just call it like I see it.

774
00:40:35,080 --> 00:40:37,960
Speaker 1: You fake, then you fake. I just call it like

775
00:40:38,080 --> 00:40:40,680
Speaker 1: I see it. You a snake, You a snake. I

776
00:40:40,719 --> 00:40:44,400
Speaker 1: got call it like I see it. Keep watching me,

777
00:40:44,600 --> 00:40:48,200
Speaker 1: he watched everything you saw. Let these holes ride my

778
00:40:48,320 --> 00:40:52,040
Speaker 1: big ride, my la fall off. If you grind all

779
00:40:52,239 --> 00:40:56,480
Speaker 1: winter and you shine all summer whenever we grind all year,

780
00:40:56,480 --> 00:40:59,760
Speaker 1: and then all that money just keep coming. They focused

781
00:40:59,800 --> 00:41:02,560
Speaker 1: on the back. They can't knock you off the track.

782
00:41:02,800 --> 00:41:06,080
Speaker 1: Getting paper on his head. They gonna knock him off

783
00:41:06,120 --> 00:41:09,120
Speaker 1: the map fucking front and like you love me, you

784
00:41:09,280 --> 00:41:12,360
Speaker 1: talk behind my back. I left the game talk for me.

785
00:41:12,520 --> 00:41:14,480
Speaker 1: Your pimping ain't saying.

786
00:41:14,239 --> 00:41:17,680
Speaker 3: Shit because you're a hater. You're a bitching. You a bitching,

787
00:41:17,880 --> 00:41:19,839
Speaker 3: You a hater. Yeah, I wish you.

788
00:41:19,760 --> 00:41:22,760
Speaker 1: Would have made it, but success ain't even your favorite.

789
00:41:22,800 --> 00:41:23,760
Speaker 3: You're jealous.

790
00:41:24,080 --> 00:41:27,640
Speaker 1: You burried by the next man. He got a clean

791
00:41:27,800 --> 00:41:30,440
Speaker 1: ass car. You a pedestrian.

792
00:41:30,560 --> 00:41:34,640
Speaker 3: You a bitch. I call it like I see it.

793
00:41:34,840 --> 00:41:37,759
Speaker 1: You're a hope, you're a hop. I just call it

794
00:41:37,840 --> 00:41:38,640
Speaker 1: like I see it.

795
00:41:39,280 --> 00:41:42,200
Speaker 3: Fake. Then you fake, I just call it like I

796
00:41:42,280 --> 00:41:42,680
Speaker 3: see it.

797
00:41:42,800 --> 00:41:45,520
Speaker 1: You can say you real, all great, That don't mean

798
00:41:45,600 --> 00:41:46,640
Speaker 1: I'm gonna believe it.

799
00:41:46,800 --> 00:41:47,480
Speaker 3: You a bit.

800
00:41:47,800 --> 00:41:48,439
Speaker 1: You're a bit.

801
00:41:48,800 --> 00:41:51,960
Speaker 3: You ain't real. We can see it, we can see it.

802
00:41:52,080 --> 00:41:54,600
Speaker 1: And when it's time to slide you in the lease

803
00:41:54,920 --> 00:41:55,480
Speaker 1: like you leave.

804
00:41:55,800 --> 00:41:58,520
Speaker 3: If you fake, I just call it like I said,

805
00:41:58,560 --> 00:42:00,640
Speaker 3: what type of man? Like a bitch?

806
00:42:00,840 --> 00:42:01,040
Speaker 6: Man?

807
00:42:01,160 --> 00:42:04,920
Speaker 1: I wouldn't want to be little slip sink ships. So

808
00:42:05,040 --> 00:42:07,640
Speaker 1: you can't get on my boat. If you got some

809
00:42:07,920 --> 00:42:11,000
Speaker 1: like a bitch, you ain't nothing but a coat? Say

810
00:42:11,080 --> 00:42:13,239
Speaker 1: you cool with every click for you.

811
00:42:13,320 --> 00:42:14,720
Speaker 3: Wor so doan a hope.

812
00:42:14,840 --> 00:42:17,400
Speaker 1: You can't even finish on my to stink on me

813
00:42:17,600 --> 00:42:20,800
Speaker 1: because you broke running around playing games.

814
00:42:20,840 --> 00:42:23,799
Speaker 3: And that's the little kids. You need to cut.

815
00:42:23,560 --> 00:42:26,640
Speaker 1: The small chalk. But all that we do a big,

816
00:42:26,960 --> 00:42:30,520
Speaker 1: big face on the rolling, big rims on the coup.

817
00:42:30,800 --> 00:42:33,400
Speaker 1: They staking big facts when they.

818
00:42:33,320 --> 00:42:34,560
Speaker 3: Tell you I'm the truth.

819
00:42:34,840 --> 00:42:37,680
Speaker 1: I'm the pimp with all the games and the number

820
00:42:37,760 --> 00:42:41,040
Speaker 1: one supplier. If they try to tell you different, there's

821
00:42:41,080 --> 00:42:45,719
Speaker 1: some motherfucking liars. I come from East Oakland and just struggle.

822
00:42:45,880 --> 00:42:49,520
Speaker 1: I survived it. My music is the GP, that's the game.

823
00:42:49,600 --> 00:42:53,960
Speaker 1: The unique guy a big I just call it like

824
00:42:54,080 --> 00:42:54,680
Speaker 1: I see it.

825
00:42:54,840 --> 00:42:57,759
Speaker 3: You a hope, you a hope. I just call it

826
00:42:57,840 --> 00:42:58,640
Speaker 3: like I see it.

827
00:42:58,840 --> 00:43:00,760
Speaker 2: If you fake, then you think.

828
00:43:00,840 --> 00:43:03,240
Speaker 1: I just call it like I see it? You ain't

829
00:43:03,239 --> 00:43:06,040
Speaker 1: say you real? All great, That don't mean I'm gonna

830
00:43:06,120 --> 00:43:06,719
Speaker 1: believe it.

831
00:43:06,840 --> 00:43:10,680
Speaker 3: You a bit, You ain't real. We just see it.

832
00:43:10,800 --> 00:43:13,560
Speaker 3: We just see it, and when it's time to slide,

833
00:43:13,640 --> 00:43:15,640
Speaker 3: you end up believing. What do you call it?

834
00:43:15,840 --> 00:43:18,479
Speaker 1: If you think I just call it like I said?

835
00:43:18,600 --> 00:43:21,120
Speaker 1: What type of manic? Like a bitch man?

836
00:43:21,160 --> 00:43:26,719
Speaker 3: I wouldn't want to be the town in this mother

837
00:43:26,800 --> 00:43:34,040
Speaker 3: fucker at yelling this motherfucker, motherfucking Little John fucking balls

838
00:43:34,080 --> 00:43:35,839
Speaker 3: niggas in this motherfucker.

839
00:43:36,880 --> 00:43:45,560
Speaker 2: Hey you a bit, it ain't broke them fixing. I

840
00:43:45,560 --> 00:43:48,680
Speaker 2: seen went back to little Johnny got another new cliff

841
00:43:49,000 --> 00:43:51,960
Speaker 2: and my whole new album is all little johnpardy.

842
00:43:51,480 --> 00:43:54,680
Speaker 1: Oh by all right, hunts back to oh hell man,

843
00:43:54,960 --> 00:43:55,840
Speaker 1: that's about to do it?

844
00:43:56,200 --> 00:43:56,520
Speaker 3: Do it?

845
00:43:56,800 --> 00:43:59,759
Speaker 5: You know Little John my brother man Ah salute to

846
00:43:59,800 --> 00:44:02,360
Speaker 5: him in this family with what happened recently.

847
00:44:02,560 --> 00:44:07,040
Speaker 3: That in a family. But you know little John. You

848
00:44:07,080 --> 00:44:07,920
Speaker 3: know when New.

849
00:44:07,800 --> 00:44:12,359
Speaker 5: York fronted on me, he roll high ninety seven front

850
00:44:12,400 --> 00:44:14,640
Speaker 5: of it on me and lean back. First came out.

851
00:44:14,719 --> 00:44:17,719
Speaker 5: Little John called me and said come to Summer Jam.

852
00:44:17,760 --> 00:44:19,879
Speaker 5: I want you to perform that new joint you got

853
00:44:20,520 --> 00:44:22,600
Speaker 5: and trust me, I was trying to get on that

854
00:44:22,719 --> 00:44:26,000
Speaker 5: stage and they was fronting on me and Little John

855
00:44:26,040 --> 00:44:29,680
Speaker 5: brought me out of fucking eighty thousand motherfuckers, was leaning back.

856
00:44:29,760 --> 00:44:32,279
Speaker 5: That's when the world knew, like, y'o this shit great,

857
00:44:32,360 --> 00:44:35,160
Speaker 5: But it was Little John. That's why in the remixer said.

858
00:44:35,200 --> 00:44:37,960
Speaker 3: Took a down south, brother to bringing your boy out.

859
00:44:41,239 --> 00:44:44,920
Speaker 2: Joe and Jada show dot time. We got new Merchant

860
00:44:45,280 --> 00:44:49,080
Speaker 2: fresh off the Presents. Go get it big out of

861
00:44:49,239 --> 00:44:51,319
Speaker 2: Big Bow Joe and.

862
00:44:51,440 --> 00:44:52,960
Speaker 3: Jadensshow dot com.

863
00:44:53,080 --> 00:44:56,000
Speaker 2: You can get the little Cold for a T shirt

864
00:44:56,040 --> 00:44:57,520
Speaker 2: with the hoodies at It's.

865
00:44:57,360 --> 00:44:58,200
Speaker 3: My favorite right there.

866
00:44:58,239 --> 00:45:01,279
Speaker 5: I need an extra large show jadishow dot com.

867
00:45:01,480 --> 00:45:02,359
Speaker 3: Go there and get it.

868
00:45:10,800 --> 00:45:13,440
Speaker 5: But I wanted to ask you something that slipped my

869
00:45:13,520 --> 00:45:18,839
Speaker 5: mind because we talked were shooting the ship ATL. You're

870
00:45:18,840 --> 00:45:21,600
Speaker 5: one of the first guys I ever met in the ATL.

871
00:45:21,800 --> 00:45:25,160
Speaker 5: I don't know if you know, and you was out

872
00:45:25,200 --> 00:45:29,360
Speaker 5: there early. Some of the stories that you've seen people

873
00:45:29,440 --> 00:45:32,120
Speaker 5: come up. I know you was out there when Park

874
00:45:32,320 --> 00:45:35,840
Speaker 5: was out there, and like, what was that? Like, you

875
00:45:35,960 --> 00:45:39,359
Speaker 5: was an early guy in the ATL. What said I'm

876
00:45:39,400 --> 00:45:42,960
Speaker 5: moving at ATL. I'm setting them shop from the Bay Area?

877
00:45:43,600 --> 00:45:46,440
Speaker 5: Like what made you move that ATL? What's some of

878
00:45:46,480 --> 00:45:49,000
Speaker 5: the things you saw that was amazing that you out there.

879
00:45:49,040 --> 00:45:51,520
Speaker 5: I already had connections out there. Some of our people

880
00:45:51,560 --> 00:45:52,960
Speaker 5: had moved from Oakland out there.

881
00:45:53,560 --> 00:45:56,360
Speaker 1: I had already had a connection to Atlanta when I

882
00:45:56,400 --> 00:45:59,200
Speaker 1: was a kid, I stayed out there briefly, so I

883
00:45:59,239 --> 00:46:01,080
Speaker 1: had a couple of people that I knew.

884
00:46:01,239 --> 00:46:03,759
Speaker 3: I had been going to Atlanta since my music took off.

885
00:46:04,320 --> 00:46:06,560
Speaker 1: And you know, when I could take hl back in

886
00:46:06,640 --> 00:46:09,440
Speaker 1: like late eighties, early nineties. They treating a nigga like

887
00:46:09,480 --> 00:46:13,839
Speaker 1: Michael Jackson like it was, you know, they like superstar status.

888
00:46:14,000 --> 00:46:17,319
Speaker 1: So I go to Freak Nick ninety three and have

889
00:46:17,480 --> 00:46:19,200
Speaker 1: like the time of my life. I'm like, this shit

890
00:46:19,320 --> 00:46:22,080
Speaker 1: is just too much motherfucking fun. And I went back

891
00:46:22,080 --> 00:46:24,160
Speaker 1: for remember Jactor, Jack the rapper Kron there, I was

892
00:46:24,200 --> 00:46:25,960
Speaker 1: on there, So I go back to Jack the Rappers.

893
00:46:26,960 --> 00:46:29,880
Speaker 1: I just slid on to see the neighborhood. Bobby a

894
00:46:29,880 --> 00:46:33,879
Speaker 1: little crib posted up in Atlanta. I'm coming out there

895
00:46:33,880 --> 00:46:36,319
Speaker 1: with the you know, with the California whips and ship.

896
00:46:36,360 --> 00:46:40,000
Speaker 1: We already got big rams and ship touching down. They

897
00:46:40,160 --> 00:46:43,480
Speaker 1: like you got that black on black Benz. I had

898
00:46:43,480 --> 00:46:47,000
Speaker 1: a new car in ninety days. It was a new

899
00:46:47,000 --> 00:46:48,799
Speaker 1: whip every night days. If I get out there, right,

900
00:46:49,160 --> 00:46:51,080
Speaker 1: Eric Sermon is out there because remember him and Eric

901
00:46:51,400 --> 00:46:53,480
Speaker 1: him in Paris split up, so he went to.

902
00:46:54,239 --> 00:46:56,560
Speaker 3: He went to Atlanta. Rim shop out there. Yeah, he

903
00:46:56,640 --> 00:46:57,000
Speaker 3: out there.

904
00:46:57,200 --> 00:46:59,640
Speaker 5: The New York niggas felt like you go there and

905
00:46:59,760 --> 00:47:01,600
Speaker 5: Lanta that you got a home base.

906
00:47:01,760 --> 00:47:08,840
Speaker 1: You went withever. That's everybody. When he was neighbors, my neighbor.

907
00:47:09,040 --> 00:47:12,600
Speaker 1: But we did a lot of shit together. Bobby Brown

908
00:47:12,680 --> 00:47:15,880
Speaker 1: was out there. Wow, Bobby Brown. Tupac was out there.

909
00:47:15,920 --> 00:47:18,279
Speaker 1: All these niggas was like they having it.

910
00:47:18,360 --> 00:47:18,839
Speaker 3: They way out.

911
00:47:18,880 --> 00:47:21,920
Speaker 1: I pulled up Breed. Breed was out there and Breeze

912
00:47:21,920 --> 00:47:24,080
Speaker 1: my homie, Hemmy, that's my guy. Rest of p SIMPC

913
00:47:24,239 --> 00:47:28,680
Speaker 1: bree and I get out there. Now, I'm not wounded

914
00:47:28,680 --> 00:47:32,640
Speaker 1: than Bobby Brown, but I'm as wild as and everybody

915
00:47:32,680 --> 00:47:35,000
Speaker 1: else is kind of like in their little space. Tupac

916
00:47:35,080 --> 00:47:37,080
Speaker 1: a wild motherfucker when he want to be Yah, but

917
00:47:37,160 --> 00:47:38,520
Speaker 1: Bobby Brown is the wildest.

918
00:47:38,719 --> 00:47:39,319
Speaker 3: And I seen that.

919
00:47:39,360 --> 00:47:41,920
Speaker 1: Nigga at Magic City one night. I was like, I

920
00:47:41,920 --> 00:47:43,719
Speaker 1: know what I need to do out here. I need

921
00:47:43,719 --> 00:47:46,000
Speaker 1: to be like Bobby Brown. I fun to be out

922
00:47:46,000 --> 00:47:47,799
Speaker 1: here halfing the time of my life. And it was

923
00:47:47,840 --> 00:47:49,600
Speaker 1: just it was at the point in my career I'm

924
00:47:49,600 --> 00:47:54,200
Speaker 1: probably on platinum album number four, and I'm like, I'm

925
00:47:54,200 --> 00:47:56,600
Speaker 1: about the fucking set up shop out here and have

926
00:47:57,000 --> 00:47:58,000
Speaker 1: time of my life.

927
00:47:58,200 --> 00:47:59,919
Speaker 3: Boy, you at the time of your life.

928
00:48:00,000 --> 00:48:04,279
Speaker 1: And it just happened to be so timely that the

929
00:48:04,360 --> 00:48:06,440
Speaker 1: next year after I moved out there, here comes.

930
00:48:06,239 --> 00:48:08,000
Speaker 3: Out cast Goody Mob.

931
00:48:08,480 --> 00:48:11,560
Speaker 1: You know, the Atlanta music scene just start blowing up,

932
00:48:11,800 --> 00:48:14,120
Speaker 1: and I'm like right there at the birth of it.

933
00:48:14,200 --> 00:48:17,040
Speaker 1: When I got there, it was TLC was singing it

934
00:48:17,040 --> 00:48:20,279
Speaker 1: Ain't too proud to beg and uh, you know Ja

935
00:48:20,920 --> 00:48:24,600
Speaker 1: was out there early. Jermaine was just doing Chris Crows,

936
00:48:24,719 --> 00:48:28,080
Speaker 1: Chris Cross. That was just happening. Keith was out there.

937
00:48:28,120 --> 00:48:30,960
Speaker 1: But Keith is a player, and Keith is like he

938
00:48:31,080 --> 00:48:33,239
Speaker 1: grabbed his little community.

939
00:48:34,360 --> 00:48:36,880
Speaker 3: He'd be out of his house Alphabrider somewhere.

940
00:48:37,080 --> 00:48:40,440
Speaker 1: So I mean like he's a little above the Oh.

941
00:48:40,360 --> 00:48:44,160
Speaker 3: He wasn't in the saw you like that. He was quick.

942
00:48:44,640 --> 00:48:47,279
Speaker 3: Keith is a nigga. Nigga he was, but he had

943
00:48:47,320 --> 00:48:49,880
Speaker 3: to come to here. You know he wasn't. He wasn't.

944
00:48:51,080 --> 00:48:53,200
Speaker 3: I wait, see Tupac shoot the cops.

945
00:48:53,320 --> 00:48:55,479
Speaker 1: Yeah, like that you was out there, I wouldn't seen

946
00:48:55,560 --> 00:48:57,960
Speaker 1: Keith of the little Grimmy strip club in Decatur somewhere

947
00:48:58,000 --> 00:49:00,799
Speaker 1: like like we was doing, you know, smoky ass room,

948
00:49:00,920 --> 00:49:02,160
Speaker 1: gambling on the pool table.

949
00:49:02,360 --> 00:49:04,280
Speaker 3: I went to Atlanta and went in the trenches.

950
00:49:04,800 --> 00:49:09,600
Speaker 1: My man a big ex with the coalis and DJ's spearheads.

951
00:49:09,680 --> 00:49:11,080
Speaker 3: He used to work for Dallas Austin.

952
00:49:11,719 --> 00:49:13,759
Speaker 1: Like, I'm like, well till you get off work, like

953
00:49:13,840 --> 00:49:16,440
Speaker 1: six o'cl nigg let's got and we just that nigga

954
00:49:16,480 --> 00:49:16,840
Speaker 1: just had me.

955
00:49:16,920 --> 00:49:19,239
Speaker 5: I used to remember, I was scared to fly. I

956
00:49:19,239 --> 00:49:21,560
Speaker 5: ain't give a fuck if I was in Texas, I

957
00:49:21,680 --> 00:49:23,360
Speaker 5: was in Miami, I was anywhere.

958
00:49:23,440 --> 00:49:25,560
Speaker 3: That toy bus would pull up to the at.

959
00:49:25,600 --> 00:49:27,759
Speaker 1: When I got that Atlanta, you can get at You

960
00:49:27,800 --> 00:49:31,440
Speaker 1: get a lap dance for five dollars. Oh yeah, Strippers

961
00:49:31,480 --> 00:49:33,640
Speaker 1: was a fed dollars like Magic City White cost your

962
00:49:33,680 --> 00:49:36,839
Speaker 1: ten some other club, gold Club or something. Every all

963
00:49:36,880 --> 00:49:39,399
Speaker 1: over the city fed out, get one hundred dollars bill

964
00:49:41,160 --> 00:49:42,160
Speaker 1: bitch dance for you all night.

965
00:49:43,360 --> 00:49:43,800
Speaker 3: Gamble.

966
00:49:44,280 --> 00:49:46,680
Speaker 5: I don't, I don't. I don't gamble. But one night

967
00:49:48,040 --> 00:49:50,640
Speaker 5: Paul Daddy's at the end of Continental. You got this

968
00:49:50,719 --> 00:49:53,799
Speaker 5: big ass suite and they shoot the dice. Don't ask

969
00:49:53,840 --> 00:49:56,839
Speaker 5: me how, because I really don't gamble. I take him

970
00:49:57,160 --> 00:50:00,840
Speaker 5: all his money forty thousand. That nigga, wait, he kept

971
00:50:01,080 --> 00:50:03,399
Speaker 5: it's so hard to beat Puff Daddy because you got

972
00:50:03,440 --> 00:50:06,200
Speaker 5: so much money. He kept going back, pulling out an

973
00:50:06,239 --> 00:50:09,320
Speaker 5: envelope with another ten thousand coming back. And the rules

974
00:50:09,440 --> 00:50:12,200
Speaker 5: is in New York, you just can't leave with the money.

975
00:50:12,280 --> 00:50:15,480
Speaker 5: You gotta you got, you gotta out now. Give me

976
00:50:15,520 --> 00:50:18,279
Speaker 5: a chance to win my money back. I took that

977
00:50:18,400 --> 00:50:22,680
Speaker 5: nigga for like forty thousands. Right I leave, I think

978
00:50:22,719 --> 00:50:25,439
Speaker 5: I'm doing some shopping. I get a phone call, Yo, son,

979
00:50:25,600 --> 00:50:29,960
Speaker 5: you you took my money. Playboy, we gotta go out tonight.

980
00:50:30,400 --> 00:50:32,880
Speaker 5: You just can't this this this So we end up

981
00:50:32,920 --> 00:50:35,960
Speaker 5: in like Magic City. The man made me spend my

982
00:50:36,040 --> 00:50:41,680
Speaker 5: whole forty thousands fun with him, forty thousands throwing.

983
00:50:41,760 --> 00:50:44,560
Speaker 3: He was like yeah, and we throwing the money and

984
00:50:44,600 --> 00:50:45,960
Speaker 3: he's like, yeah, crack at this.

985
00:50:46,080 --> 00:50:47,960
Speaker 5: And I'm like, damn, this nigga ain't want me to

986
00:50:47,960 --> 00:50:52,040
Speaker 5: get away with one puff daddy dollar. Man, we wind

987
00:50:52,160 --> 00:50:54,240
Speaker 5: up throwing that shit in that Magic City.

988
00:50:54,760 --> 00:50:57,240
Speaker 3: That Atlanta is just different, man, It was different.

989
00:50:57,320 --> 00:51:01,120
Speaker 5: And me my experience with Tupac is never seen Tupac

990
00:51:01,880 --> 00:51:04,880
Speaker 5: not beefing or beating somebody up or pulling out a

991
00:51:04,960 --> 00:51:09,480
Speaker 5: gun like every timec Now I'm ten too, Tupac twenty

992
00:51:09,520 --> 00:51:12,480
Speaker 5: times or twenty times he was giving niggas hell.

993
00:51:13,200 --> 00:51:16,000
Speaker 3: One time I could say it was PG. Thirteen. We

994
00:51:16,120 --> 00:51:16,720
Speaker 3: in the movie.

995
00:51:16,920 --> 00:51:19,880
Speaker 5: The movie didter some You know how they do the

996
00:51:20,640 --> 00:51:22,680
Speaker 5: screenings of a movie, and everybody in.

997
00:51:22,640 --> 00:51:25,400
Speaker 3: There, like a celebrity or something his phone ringing, like nigga,

998
00:51:25,440 --> 00:51:28,120
Speaker 3: what I tell you? Fuck you somebody yo, hold up?

999
00:51:28,160 --> 00:51:30,879
Speaker 3: He gets up. Tupacs go out to the whole way.

1000
00:51:30,920 --> 00:51:34,160
Speaker 3: He just I mean that was the nicest I ever seen.

1001
00:51:34,200 --> 00:51:36,799
Speaker 3: Too much. Every time I see he was beating niggas up,

1002
00:51:36,800 --> 00:51:39,279
Speaker 3: pulling out. He had. He had a fun side. They

1003
00:51:39,400 --> 00:51:39,920
Speaker 3: like that.

1004
00:51:40,000 --> 00:51:44,120
Speaker 1: I've seen an never got that one Tupac with ya

1005
00:51:45,080 --> 00:51:49,399
Speaker 1: tell me a funny a nice guy's Tupac story, because

1006
00:51:49,880 --> 00:51:52,120
Speaker 1: my experience, I've never seen it.

1007
00:51:52,880 --> 00:51:54,920
Speaker 5: The nicest I see. We in the movie theater. He

1008
00:51:55,000 --> 00:51:57,400
Speaker 5: cursed the nigga out on the phone like he was

1009
00:51:57,440 --> 00:51:58,080
Speaker 5: on some ship.

1010
00:51:58,160 --> 00:51:58,840
Speaker 3: When I when I.

1011
00:51:58,800 --> 00:52:02,800
Speaker 1: Would seeing, all I know is don't bring your bitch around, Tupac.

1012
00:52:05,640 --> 00:52:08,279
Speaker 1: Don't bring your bitch around. Move it down, huh. I

1013
00:52:08,440 --> 00:52:10,080
Speaker 1: was just leave her when you get there, just like

1014
00:52:10,560 --> 00:52:11,280
Speaker 1: coming tomorrow.

1015
00:52:14,239 --> 00:52:14,479
Speaker 3: Yeah.

1016
00:52:14,480 --> 00:52:16,560
Speaker 5: All the hose he had, all these he had all

1017
00:52:16,640 --> 00:52:19,839
Speaker 5: all right. Yeah the ship right now, I think Drake,

1018
00:52:19,960 --> 00:52:22,480
Speaker 5: the new Tupac. I've just seen some party he had.

1019
00:52:22,520 --> 00:52:26,399
Speaker 5: It was about twenty thousand chicks and three dudes. You've

1020
00:52:26,400 --> 00:52:30,840
Speaker 5: seen that footy shooting ho ship. This guy the sketchy

1021
00:52:30,960 --> 00:52:33,680
Speaker 5: doing together. I mean he in New York doing ship

1022
00:52:33,880 --> 00:52:35,200
Speaker 5: New York. He never did.

1023
00:52:35,239 --> 00:52:37,960
Speaker 1: Be it's all good as long as as long as

1024
00:52:38,000 --> 00:52:40,839
Speaker 1: he ain't cash happing them, and it's like a transaction

1025
00:52:40,920 --> 00:52:42,640
Speaker 1: if it's if it's just I'm.

1026
00:52:42,480 --> 00:52:45,160
Speaker 5: Here because I want to hear risky cash shopping. I'm

1027
00:52:45,160 --> 00:52:49,279
Speaker 5: not saying I'm not nah, we'll make it all bad.

1028
00:52:49,800 --> 00:52:51,759
Speaker 1: The cash app Like if you fucking if you got

1029
00:52:51,760 --> 00:52:53,719
Speaker 1: but that soul, you got to pay the play.

1030
00:52:54,719 --> 00:52:56,440
Speaker 3: I sat down one day, I don't think. I don't

1031
00:52:56,480 --> 00:52:57,479
Speaker 3: think Drake gotta pay the play.

1032
00:52:57,480 --> 00:53:00,160
Speaker 5: He might do it for sport, the sport, but but

1033
00:53:00,160 --> 00:53:02,560
Speaker 5: at the same time he's too rich.

1034
00:53:02,880 --> 00:53:06,320
Speaker 2: New album shirt, too short, Volume two when it's coming

1035
00:53:06,360 --> 00:53:10,279
Speaker 2: out July thirty first album out July thirty first, Love

1036
00:53:10,360 --> 00:53:11,080
Speaker 2: thirty first.

1037
00:53:11,200 --> 00:53:12,680
Speaker 3: That's right around the corner, man.

1038
00:53:12,840 --> 00:53:16,880
Speaker 5: I'm getting that ship with Little John Teller Life of

1039
00:53:16,960 --> 00:53:17,520
Speaker 5: this World.

1040
00:53:19,120 --> 00:53:23,239
Speaker 1: My whole month of August's gonna be listening to make

1041
00:53:23,280 --> 00:53:24,400
Speaker 1: sure you got wolf when.

1042
00:53:24,280 --> 00:53:28,839
Speaker 3: You drop little Cold Augustus, make sure you got Wolfers. Man,

1043
00:53:28,880 --> 00:53:30,000
Speaker 3: gotta have Wolfers.

1044
00:53:30,360 --> 00:53:32,279
Speaker 5: I heard all that base and that ship, your mean

1045
00:53:32,400 --> 00:53:36,280
Speaker 5: flu the fucking speakers off the big careful what you wish?

1046
00:53:37,080 --> 00:53:37,400
Speaker 3: That's just.

1047
00:53:39,360 --> 00:53:41,560
Speaker 1: Hey, that's that's the history of a part of what

1048
00:53:41,600 --> 00:53:43,319
Speaker 1: I do, though, because I'm literally in the.

1049
00:53:43,320 --> 00:53:45,279
Speaker 3: Studio going, I'm gonna make these niggas blow they want

1050
00:53:45,320 --> 00:53:47,240
Speaker 3: to speak. It's really what I'll be saying.

1051
00:53:47,400 --> 00:53:50,200
Speaker 1: Wolf is so when I was extra tweaking, when you

1052
00:53:50,320 --> 00:53:52,799
Speaker 1: mixed and mastering, I had a song in the young days,

1053
00:53:52,840 --> 00:53:56,719
Speaker 1: Freaky Tails. Freaky Tail's one of my old school classics.

1054
00:53:56,840 --> 00:53:59,960
Speaker 1: And I remember being in the studio with the engineer

1055
00:54:00,719 --> 00:54:04,160
Speaker 1: and I remember the base the eight o eight was

1056
00:54:04,200 --> 00:54:08,880
Speaker 1: on track one. I keep hitting track one, and the

1057
00:54:08,960 --> 00:54:11,560
Speaker 1: engineer keep pulling down. He ain't say nothing to me.

1058
00:54:12,080 --> 00:54:14,439
Speaker 1: Push hat up, niggas man, and he pull it down.

1059
00:54:14,520 --> 00:54:16,480
Speaker 1: I'm like me a baseball on. He said, if you

1060
00:54:16,520 --> 00:54:20,000
Speaker 1: push the base up this far, the needle is not

1061
00:54:20,040 --> 00:54:22,560
Speaker 1: gonna stay in the groove of the record. I remember

1062
00:54:22,600 --> 00:54:24,680
Speaker 1: him saying that stupid that ship. I said, nigga ain't

1063
00:54:24,680 --> 00:54:25,920
Speaker 1: selling no records, he's cassettes.

1064
00:54:26,040 --> 00:54:26,680
Speaker 3: Turn this shit up.

1065
00:54:27,200 --> 00:54:30,759
Speaker 1: Fuck the record shit and push it up. That basis legendary.

1066
00:54:31,000 --> 00:54:35,880
Speaker 2: Listen to this day when you play all promoters, all.

1067
00:54:34,960 --> 00:54:40,840
Speaker 5: Promoters or concerts, all studio guys, if you got a

1068
00:54:40,960 --> 00:54:45,080
Speaker 5: wall with seventy two speakers, don't put the ship on

1069
00:54:45,080 --> 00:54:47,520
Speaker 5: one or two and don't be scared to crank it up.

1070
00:54:47,600 --> 00:54:49,840
Speaker 3: Face. I do concerts with the niggas.

1071
00:54:49,880 --> 00:54:53,400
Speaker 5: Got a wall of mile long the speakers, and I'm like,

1072
00:54:53,520 --> 00:54:56,920
Speaker 5: turn the mic up, turn the music up, Like what

1073
00:54:56,960 --> 00:54:58,279
Speaker 5: the fuck are you trying to do?

1074
00:54:58,440 --> 00:54:59,680
Speaker 3: Preserve the speaker.

1075
00:55:00,280 --> 00:55:03,040
Speaker 5: Fuck, it's all these speakers doing here for like they

1076
00:55:03,080 --> 00:55:04,560
Speaker 5: do the ship toss all the time.

1077
00:55:04,640 --> 00:55:06,279
Speaker 1: It's that new year old hip hop. They used to

1078
00:55:06,280 --> 00:55:10,680
Speaker 1: beat the stawn man up. Yeah, old hip hop. You

1079
00:55:10,760 --> 00:55:13,399
Speaker 1: beat your DJ up on stage, all type of ship

1080
00:55:13,920 --> 00:55:18,560
Speaker 1: the money I was, I was bad big pun with engineers.

1081
00:55:19,520 --> 00:55:20,880
Speaker 1: The niggas just terrified.

1082
00:55:21,000 --> 00:55:23,479
Speaker 5: Big punt always had guns on them, so big want

1083
00:55:23,520 --> 00:55:25,719
Speaker 5: to start the session to pull out like a Mac

1084
00:55:25,800 --> 00:55:28,920
Speaker 5: eleven on the ship when he's starting to hind and

1085
00:55:28,960 --> 00:55:33,360
Speaker 5: the engineer, probably some young white kid, and he's punch started,

1086
00:55:33,400 --> 00:55:36,720
Speaker 5: like yo, Papa, like y'all be I want.

1087
00:55:36,560 --> 00:55:38,239
Speaker 3: To hear the paste a little bit more.

1088
00:55:38,360 --> 00:55:41,880
Speaker 5: This niggas. It's to be terrified of this nigga like

1089
00:55:42,320 --> 00:55:46,319
Speaker 5: he was. I've seen some how are.

1090
00:55:46,239 --> 00:55:49,359
Speaker 3: You with the engineers? Kiss? Are you a good guy

1091
00:55:49,400 --> 00:55:54,319
Speaker 3: with the engineers? Maybe nothing make you that? They make

1092
00:55:54,360 --> 00:55:56,440
Speaker 3: you mad? Do you curse out there?

1093
00:55:58,840 --> 00:56:02,560
Speaker 2: But I seen to ship us, seen puff tail engineers.

1094
00:56:03,440 --> 00:56:07,719
Speaker 2: It made me have a whole different heart for engineers.

1095
00:56:09,080 --> 00:56:11,440
Speaker 2: I seen all type. I seen niggas, tel engine it

1096
00:56:11,640 --> 00:56:14,719
Speaker 2: not even just buff more pitch man X. Don't kind

1097
00:56:14,719 --> 00:56:19,040
Speaker 2: of engineers to get get under your skin though, oh

1098
00:56:19,080 --> 00:56:21,839
Speaker 2: they could. They got their own opinion. You just like, yo,

1099
00:56:21,960 --> 00:56:24,840
Speaker 2: do what I said. Like that time we talked about Tupac.

1100
00:56:25,280 --> 00:56:27,879
Speaker 2: I heard Tupac was like, Yo, just record what I do.

1101
00:56:28,000 --> 00:56:31,759
Speaker 2: Nigga like, like, ain't nobody asked you? Like yeah, He's like,

1102
00:56:32,760 --> 00:56:34,040
Speaker 2: don't just recorded.

1103
00:56:34,160 --> 00:56:38,160
Speaker 3: Don't get me none of your fucking business. Nigga, just recorded.

1104
00:56:38,320 --> 00:56:40,840
Speaker 5: I watched rappers street engineers, like when you go to

1105
00:56:40,960 --> 00:56:43,680
Speaker 5: Chinese restaurant, I want more fucking hot sauce on my

1106
00:56:43,800 --> 00:56:46,359
Speaker 5: chicken wing. More catch up, nigga, Like.

1107
00:56:46,520 --> 00:56:50,680
Speaker 3: I remember a Tupac session, but I don't know what happened.

1108
00:56:50,719 --> 00:56:52,919
Speaker 3: I don't know. As the engineer had a black eye.

1109
00:56:53,600 --> 00:56:57,080
Speaker 1: Man, he was very nervous and they was fucking like

1110
00:56:57,520 --> 00:57:01,160
Speaker 1: somebody said it glass of hennessy under the fucking SSL,

1111
00:57:02,000 --> 00:57:05,360
Speaker 1: the SSL million dollar board. Yeah yeah, and the engineer

1112
00:57:07,360 --> 00:57:10,520
Speaker 1: he wanted him to get the hennessy off the thing.

1113
00:57:11,239 --> 00:57:14,200
Speaker 1: You already got a black guy, bro like, just leave

1114
00:57:14,320 --> 00:57:14,759
Speaker 1: leading ahead.

1115
00:57:14,920 --> 00:57:15,520
Speaker 3: I don't learn.

1116
00:57:15,719 --> 00:57:18,680
Speaker 1: Leave it alone, man. Some guys don't learn man, leave alone.

1117
00:57:18,680 --> 00:57:20,160
Speaker 1: Don't know how I got the black eye. I do

1118
00:57:20,280 --> 00:57:24,120
Speaker 1: know in Oakland, don't. I don't know the whole story.

1119
00:57:24,160 --> 00:57:25,720
Speaker 1: I just know what happened to night. I was there.

1120
00:57:26,200 --> 00:57:31,360
Speaker 1: It was a session, and the engineer was making the

1121
00:57:31,520 --> 00:57:34,560
Speaker 1: artists and whoever was in the room upset, and the

1122
00:57:34,640 --> 00:57:38,240
Speaker 1: niggas just said think in the back room said all right,

1123
00:57:38,280 --> 00:57:42,000
Speaker 1: you remember what happened to Trevor. Then motherfucker starts shaking.

1124
00:57:42,200 --> 00:57:45,960
Speaker 1: I don't know what the Trevor. I think list like

1125
00:57:46,000 --> 00:57:50,000
Speaker 1: one of them bet after this ship, sound like one

1126
00:57:50,040 --> 00:57:53,800
Speaker 1: of these bat after dark Man. The secession ended, the

1127
00:57:53,840 --> 00:57:55,240
Speaker 1: owner of the studio came in and said, I don't

1128
00:57:55,240 --> 00:57:56,600
Speaker 1: know you guys, just some of my engineer. We have

1129
00:57:56,680 --> 00:57:57,400
Speaker 1: to get closing.

1130
00:57:57,440 --> 00:57:57,720
Speaker 3: It's over.

1131
00:57:57,760 --> 00:58:00,080
Speaker 1: I don't have another engineer. Something happened to Trevor. We

1132
00:58:00,120 --> 00:58:02,480
Speaker 1: gotta close, we gotta close out. But let me tell

1133
00:58:02,520 --> 00:58:06,080
Speaker 1: you whatever, Jimmy, I got a funny one for you.

1134
00:58:06,880 --> 00:58:13,320
Speaker 1: Scott Storch is doing Hulk Hogan's Daughters whole album Homie Spot.

1135
00:58:14,360 --> 00:58:20,120
Speaker 1: Brooke Norch produced the whole album. And one day this

1136
00:58:20,320 --> 00:58:23,640
Speaker 1: engineer is up in the head factory and he talking about.

1137
00:58:25,720 --> 00:58:29,200
Speaker 5: Wrestling is fake this and that he give me, and

1138
00:58:29,320 --> 00:58:32,560
Speaker 5: Hulk Hogan was in there. He took that nigga and

1139
00:58:32,680 --> 00:58:36,760
Speaker 5: body slammed that nigga on the has to sell. Thank

1140
00:58:36,800 --> 00:58:38,720
Speaker 5: god the guy ain't swing. We ain't see it on

1141
00:58:38,760 --> 00:58:41,880
Speaker 5: the news, but Hulk Hogan see you fucking JR. BRONI

1142
00:58:42,400 --> 00:58:46,200
Speaker 5: body slammed that nigga on it cause you know it's disrespect,

1143
00:58:47,000 --> 00:58:49,240
Speaker 5: you know, hu Cogan here and the thing you want

1144
00:58:49,280 --> 00:58:51,480
Speaker 5: to talk about is resting his steak.

1145
00:58:51,560 --> 00:58:52,040
Speaker 3: That nigga.

1146
00:58:52,160 --> 00:58:55,040
Speaker 5: Body slammed that nigga broke his back on the board

1147
00:58:55,120 --> 00:58:57,040
Speaker 5: like boom, Nigga, I ain't gonna lie.

1148
00:58:57,080 --> 00:59:00,320
Speaker 3: He ain't call the cops. He ain't, so he took it.

1149
00:59:00,400 --> 00:59:02,880
Speaker 3: But you know, yo, you your engineers, man, We love

1150
00:59:02,920 --> 00:59:03,440
Speaker 3: you guys.

1151
00:59:03,480 --> 00:59:03,680
Speaker 7: Man.

1152
00:59:03,720 --> 00:59:06,320
Speaker 3: They winning out though they winning now though.

1153
00:59:06,240 --> 00:59:10,040
Speaker 2: Keep mixing this ain't that, that, ain't this, it's cracking.

1154
00:59:10,200 --> 00:59:11,240
Speaker 3: This ain't so noise.

1155
00:59:11,280 --> 00:59:18,760
Speaker 2: It's too short. Yeah, legend ary ship, legendary shit.