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Speaker 1: Watch the video for this unpaid walld pro version at

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Speaker 1: patreon dot com Slash the Flagrant Ones. The following episode

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Speaker 1: was recorded Sunday, September tenth.

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Speaker 2: I do I want to say Happy birthday Kevin? We

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Speaker 2: didn't do a big.

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Speaker 3: Yes yes yes, yes yes yes yes yes yes yes

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Speaker 3: yes yes yes yes.

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Speaker 2: It was it was a little bit ago.

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Speaker 4: I I want.

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Speaker 3: I want to say happy birthday to Kevin as well

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Speaker 3: shot but not here and not today.

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Speaker 2: Oh no, that's what I'm saying too. I want to know.

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Speaker 2: I want to do it. You know, I don't want

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Speaker 2: to do it now.

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Speaker 4: I don't think he's the kind of guy who.

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Speaker 3: Enjoys public displays like that and putting it on the

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Speaker 3: wa And I don't think he likes private displays either.

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Speaker 2: No. And so what's.

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Speaker 4: What's interesting about Kevin is he's such an introvert. He's

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Speaker 4: so shy.

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Speaker 2: And so when I say I want to do I

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Speaker 2: want to celebrate.

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Speaker 4: For me, I want to celebrate them for me.

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Speaker 2: I will not be doing it now. I won't be

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Speaker 2: doing it privately.

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Speaker 4: Yeah, I could hardly wait, but I still could wait.

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Speaker 2: And I did wait.

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Speaker 4: Uh huh, And I'm still waiting.

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Speaker 2: So Kevin is is thirty one Savage. As we've established,

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Speaker 2: he is pursuing Agenda thirty one this year, thirty one savage.

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Speaker 3: Can we deport him again? Fucking guy off of American soil?

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Speaker 2: We will not just getting him off here American. So

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Speaker 2: it's like that he is like rolling around in American soil.

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Speaker 4: Well, yeah, you know what it's.

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Speaker 5: It's a sort of pig pen to get the American

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Speaker 5: soil off him. Yeah as well.

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Speaker 3: No, it would be good for everyone to just separate

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Speaker 3: these two for a minute, just like you know, Ding

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Speaker 3: ding Ding, go to your respective.

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Speaker 2: Nurse and like and the sponge you use the same sponge.

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Speaker 3: Get us those guys, bucket, the razor blade slices eye

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Speaker 3: lid open.

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Speaker 6: The construction is starting for the garage today. Very exciting, and.

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Speaker 4: Yeah, I wanted to.

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Speaker 6: Skip pasta they're digging big trenches in the yard.

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Speaker 2: Mat what we are, walco man.

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Speaker 6: I was thinking about hiding in the trenches and surprise

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Speaker 6: them tomorrow.

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Speaker 3: Makina go get your head. That's right, Kevin, that's a machine.

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Speaker 3: Makina boo.

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Speaker 4: That's that's a machine.

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Speaker 2: That's you poking your head out of the trench. Single bullets,

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Speaker 2: shovel to a head. Okay, let's let's do this back

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Speaker 2: to business. It's a pro version, it's not a guest episode,

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Speaker 2: and so we have, you know, something that we want

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Speaker 2: to take care of.

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Speaker 4: What check this out?

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Speaker 3: Okay, the first five letters pro version, prove prove it.

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Speaker 3: This is where we prove that we still got it,

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Speaker 3: that it's not the guest making the show whatever the

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Speaker 3: show is.

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Speaker 2: Yes, that it is in fact the boys. That's what

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Speaker 2: I want. Paint we are still here for when I

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Speaker 2: walk in. No, not here like along the wall.

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Speaker 3: Maybe we could just have the letters atific color just

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Speaker 3: like black letters here and then the or whatever.

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Speaker 2: But something we can like slap on the way down

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Speaker 2: the hallway, you know what I mean? You know, as

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Speaker 2: we like jog. Yes, I also want a camera on us,

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Speaker 2: Like entering the studio.

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Speaker 3: You don't want to moving camera from the ceiling it

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Speaker 3: swings around. And then I want a camera when I

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Speaker 3: enter the building, when I first walk in, I want

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Speaker 3: a camera that's rolling back to like capture my because

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Speaker 3: I'm entering the tunnel.

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Speaker 2: It's game exactly and so and no one is seeing

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Speaker 2: my the fit that I wear into the studio exactly.

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Speaker 4: Yeah, because I do get pretty drippy.

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Speaker 3: Before I actually walk into the building, and then of

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Speaker 3: course I stopping.

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Speaker 4: I'm saturated.

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Speaker 6: Darius is on a dolly. I push him too fast,

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Speaker 6: slowed out.

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Speaker 2: So weighted down with sandbags. It's so much momentum it

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Speaker 2: goes through the wall.

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Speaker 4: Darius is standing on a cabbage patch. Kid, what you

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Speaker 4: wanted a dolly? Tarius? It's not time for trademark months.

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Speaker 6: Get married next weekend.

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Speaker 2: I'm gonna be there.

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Speaker 6: Oh dude, it can be crazy.

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Speaker 4: I can't wait.

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Speaker 2: Let's go. Okay, who could we schedule? Let's see if

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Speaker 2: we can book somebody so Kevin can't go to this wedding.

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Speaker 4: Oh yeah, that would be powerful.

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Speaker 6: Robert's going to be in town the day of the wedding.

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Speaker 6: Twenty third Robert Associate producer, Robert.

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Speaker 2: Ap Rob okay a p Rob.

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Speaker 3: Mm, yeah, it'd be cool if we got like a

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Speaker 3: big guess what what fucking card can we play?

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Speaker 6: I've been circling one confirmed follow up, follow up, follow up.

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Speaker 6: We're doing the follow up dance fourth in inches check

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Speaker 6: out foosballs.

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Speaker 2: Okay, so we have a little bit of business to do,

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Speaker 2: and we take a request people listen listening to this

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Speaker 2: or in the industry. If you have an issue that

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Speaker 2: you need taken care of, the pro version is the

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Speaker 2: time to do it.

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Speaker 3: And let me say, actually, as Kevin brings up fourth

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Speaker 3: in Inches, uh huh, there's a little subtitles on crossover.

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Speaker 2: I wrote a.

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Speaker 3: Workaholics episode called fourth in Inches and a big set

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Speaker 3: piece in the script that the guys were pretty dead

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Speaker 3: set on because I wrote it.

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Speaker 4: But let's face it, I was channeling their voice.

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Speaker 3: Was that they wanted a full bathtub full of a

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Speaker 3: specific alcoholic beverage so that they could say tub of.

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Speaker 2: Sparks, tub of Sparks.

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Speaker 3: And they could not get the rights to Sparks. But

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Speaker 3: it was like way too late when we found so,

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Speaker 3: like the set piece exists, but I can't remember what

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Speaker 3: I think they like just bleeped it, like they.

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Speaker 2: Just full bleeped it, like it was a.

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Speaker 7: Swear so much so much wait was it on the

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Speaker 7: Thomas Sparks being like the central part of this.

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Speaker 2: Party, so everyone else to wonder where they say like

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Speaker 2: a racial slur?

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Speaker 3: Oh man, the the Sparks juice was not worth the squeeze.

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Speaker 2: They don't have that anymore.

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Speaker 4: Yeah, well that wasn't as well. I think you'd think

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Speaker 4: something discontinue you to have a write to it.

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Speaker 2: But we were reached out to by a friend, so

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Speaker 2: little context. There's been ongoing work stoppage for the Writers'

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Speaker 2: Guild and the Actors Guild, and they are there's kind

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Speaker 2: of two sides of this issue.

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Speaker 8: Absolute well, two sides at least yes, where one side

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Speaker 8: is finding.

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Speaker 2: For more workers writs some with their money, yes, yes,

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Speaker 2: and the other is saying.

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Speaker 3: So clean it's like you ask people what's going on

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Speaker 3: with this and no one can explain it, and you

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Speaker 3: just read these long breeds online. It's like what does

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Speaker 3: anyone talk about? And then it's like hayes Man walks

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Speaker 3: and just goes. One side is workers right through their.

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Speaker 2: Mind, probably what I want, like, it's probably just what

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Speaker 2: I do. So the other side of this issue is

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Speaker 2: people who want to be on TV and want their

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Speaker 2: showed to be on TV. And the yeah argument for

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Speaker 2: that from my perspective is that's that is where TV

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Speaker 2: shows belong.

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Speaker 4: First of all.

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Speaker 3: First of all, yes, yes, being on TV for one

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Speaker 3: thing should happen on the television.

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Speaker 2: Yes, And that's where the shows go, period, point blank,

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Speaker 2: and they need to be there. And it can be

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Speaker 2: very dangerous.

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Speaker 3: Think about if the TV show is off the TV. Yes, now,

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Speaker 3: where could it go? And I'll save you the shorter list, right.

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Speaker 4: Is where it couldn't go? Is it basically only couldn't

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Speaker 4: be on TV at that point, which is where it belongs.

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Speaker 4: And then that means it.

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Speaker 2: Could be.

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Speaker 4: In your shower, it could be on your dog, right.

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Speaker 2: It could so many other parts of the TV can

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Speaker 2: make it sick.

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Speaker 4: I'm sorry to say it.

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Speaker 2: It could, and it can actually go to the Nintendo.

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Speaker 3: Your flower bed, kiss it goodbye because a TV show

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Speaker 3: can be on it. And by the way, do you

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Speaker 3: think that everyone's going to be so respectful of your

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Speaker 3: flower bed when they're doing the TV show?

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Speaker 2: Yes?

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Speaker 3: No, no, your begonias are going to be bye by

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Speaker 3: Gonya because they're they're gonna get fucked up by the

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Speaker 3: TV show. So you actually want for safety, you want

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Speaker 3: the show in the team.

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Speaker 2: And I did see a TV show on the Nintendo before.

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Speaker 3: When it's on the Nintendo, well, I help you don't

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Speaker 3: like your games? I help you don't like your games

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Speaker 3: because you're super Techmobile is gonna be uh super.

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Speaker 4: Tatah be.

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Speaker 2: Bowel movement.

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Speaker 3: You know it's gonna be it's fucking as they don't

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Speaker 3: give a ship.

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Speaker 4: And so a friend that's true.

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Speaker 2: Who has a TV show and is sort of the

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Speaker 2: mindset of being wanting to do the TV show again, and.

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Speaker 3: It's and it's and it's an understandable thing. And as

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Speaker 3: someone who's that, being on TV, yeah, it's better, Like

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Speaker 3: it's better than when I'm not on TV, which is

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Speaker 3: almost all of the time my entire life. Yes, compared

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Speaker 3: to the maybe eighty five seconds that I have been

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Speaker 3: on TV, Yes, there's no comparison.

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Speaker 2: No, it's better to be on there and you want

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Speaker 2: to be doing that.

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Speaker 3: And if you've been on there more, imagine what a

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Speaker 3: taste you have for it.

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Speaker 4: Yes, like a vampire for blood, Like a vampire for

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Speaker 4: for blood.

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Speaker 3: Honestly, because it's because it's you, you end up relying

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Speaker 3: on it in many ways. And so for someone's to say, hey,

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Speaker 3: I want to protect my mental health and uh be

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Speaker 3: able to be there for my loved ones by sustaining myself.

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Speaker 4: It's being on a little bit of TV and deny

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Speaker 4: them that.

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Speaker 2: But the question, then, the question is how do you

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Speaker 2: message this? How do you explain this to people and

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Speaker 2: explain to people that it is chill, you know what

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Speaker 2: I mean, Like this is like this is like this

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Speaker 2: is this is honestly chill to do.

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Speaker 3: Most of these dunderheads out there are not going to be.

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Speaker 4: Able to comprehend us.

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Speaker 3: So clean, yes, so clean, and and we're not going

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Speaker 3: to get it perfectly exactly right the first time. Probably no,

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Speaker 3: I mean, but like, but we can get a lot

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Speaker 3: of it, yes, and then we can kind of fill

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Speaker 3: in the blanks.

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Speaker 2: Yes. And so she asked us to say, like, hey,

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Speaker 2: we're going or.

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Speaker 4: He or or whoever. Yeah, but let's say she because

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Speaker 4: it is a woman.

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Speaker 2: Right. She said to us like, we're going up tomorrow,

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Speaker 2: but we just need like we need the language we need.

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Speaker 2: I'm gonna post it. I'm gonna center, align it and screenshot.

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Speaker 3: It, center justified and and then organized into a social

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Speaker 3: media post.

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Speaker 2: Yes, and it's going up and the caption and the

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Speaker 2: image are going to be accessibility. So we're we're already

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Speaker 2: at a good place.

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Speaker 3: Yes that It's like, okay, well my first suggestion, I

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Speaker 3: guess I'll just put it back in my pocket because

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Speaker 3: it was going to be in case people don't see

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Speaker 3: the image or they read the caption first, or in

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Speaker 3: case they read the image and they didn't really get it,

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Speaker 3: but they can read it again in the caption, like

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Speaker 3: let's make sure they're both exactly the same. Yeah, and

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Speaker 3: for a caption it'll be long, but for an image

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Speaker 3: it'll be just right.

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Speaker 2: Yes, And she sent us a little brain fueled food.

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Speaker 2: Look at that. Wow, big skit freak go along the edge,

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Speaker 2: bi skit fix cheese. You know we have two freakos

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Speaker 2: in here, plus Kevin.

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Speaker 4: Geez bick skin.

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Speaker 2: Powl.

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Speaker 3: Please, can somebody get this man a towel, big bath towel.

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Speaker 3: I'll get paper towel, all right, not what I asked for,

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Speaker 3: but okay, paper towel for now, and then big bath

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Speaker 3: towel when we got out to change back into our.

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Speaker 2: Okay, I'll read the note thank you so much to

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Speaker 2: my nights in and shining.

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Speaker 9: Are more.

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Speaker 4: That so so.

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Speaker 2: And and ironically she actually doesn't need writers at all.

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Speaker 4: Yeah, I'm like, oh, I'm helping you with this.

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Speaker 3: I would never be able to come up with to

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Speaker 3: combine France, yes, m to combine.

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Speaker 4: France with American words. It's had such an element of class.

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Speaker 2: So okay, where are we starting with this? Like, just

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Speaker 2: like contextually, I feel like really giving people a sense

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Speaker 2: of the history here is important. You ate your your

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Speaker 2: your towel well because you're fast, Okay, Okay, I just

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Speaker 2: wish you rip little pieces off it said, eat the

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Speaker 2: whole thing. You know what, you don't need it because

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Speaker 2: you're not having a biscuits, So you're gonna eat your

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Speaker 2: paper towel. Okay, it is working, Yes, I think yeah.

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Speaker 2: And it's the exercise too. It's not just.

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Speaker 10: You're going I'm wrong, but yeah, long, so that's front

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Speaker 10: all the angle. I'm the chairs, aren't it's the chairs? Yeah?

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Speaker 2: Okay. I want to take people back because like there

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Speaker 2: is some really important stuff to acknowledge about how we

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Speaker 2: got to this place with this specific show, which in

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Speaker 2: many ways is different, Like you just have to understand

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Speaker 2: the context. Not every show or performer is the same,

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Speaker 2: has the same relationship to this moment. No, people don't

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Speaker 2: understand what you Yes, so let's I feel like we

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Speaker 2: have to start at the MTV Film and Television Awards.

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Speaker 2: Is that crazy? It just feels like like that's kind

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Speaker 2: of where this It's.

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Speaker 4: Crazier to leave out.

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Speaker 2: Okay, say hey, okay, we like you leave it out.

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Speaker 4: People go, You'll left something out.

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Speaker 2: Yes. Okay, so let's Kevin, are you ready to like

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Speaker 2: start taking this down? Okay, I'm going to.

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Speaker 4: Need more water than I have. I have some water, but.

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Speaker 2: Not that really Yeah, okay, I want to start like

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Speaker 2: simple short declarative. I'm I made a choice. I made

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Speaker 2: a choice to walk a.

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Speaker 3: Talk about ownership, yes, talk about ownership, accountability.

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Speaker 4: Just hey, nobody made a choice for me.

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Speaker 8: Yes, I'm me. Yes, And here's what I did. And

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Speaker 8: it's and it's me talking. Yeah, it's my name next

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Speaker 8: to it. My face is there here, it is me talking.

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Speaker 8: I made a choice.

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Speaker 2: I made a choice.

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Speaker 4: Should we we made a choice? No, keep it eye

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Speaker 4: because of what you just said.

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Speaker 2: I made a choice.

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Speaker 4: To walk away, run away, No, that sounds scared.

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Speaker 2: Walk away, tough and strong. I made a choice to

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Speaker 2: walk away from the MTV Comma Film and Television Awards.

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Speaker 3: Well, it gives people a minute to breathe and take

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Speaker 3: in like, okay, because you're giving them a.

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Speaker 4: Lot right off the bat.

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Speaker 2: Yes, and even just like yes and just like intonation rhythm.

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Speaker 2: We wanted to sound like I made a choice to

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Speaker 2: walk away from the MTV.

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Speaker 4: From the TV Film Television Awards. You know, like you

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Speaker 4: know I should like.

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Speaker 2: MTV.

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Speaker 4: What do they do? I made a choice to walk

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Speaker 4: away from the MTV. Yes, from Television Awards.

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Speaker 3: And so now because I was you know, because because

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Speaker 3: and now it's kind of you to the to the awards.

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Speaker 2: It's the why right, people say, why.

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Speaker 4: Did you from the MTV?

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Speaker 2: So because I was the host?

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Speaker 4: I made a choice to walk away from the MTV

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Speaker 4: Awards because I was the host.

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Speaker 7: I was the host, and I was the host, and

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Speaker 7: and it had it had a condirect direct conflict, direct

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Speaker 7: direct conflict with what with what?

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Speaker 4: Direct conflict with what with?

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Speaker 2: What with the strike was dealing Yes, okay, thanks, direct

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Speaker 2: conflict with that's better with what if the strike was

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Speaker 2: dealing with?

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Speaker 4: Dealing with?

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Speaker 2: And now you say, what is there?

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Speaker 4: I'm almost there.

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Speaker 3: I was the host, and it had direct conflict with

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Speaker 3: what the strike we're dealing with?

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Speaker 2: And people strike. But I'm trying to put myself in

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Speaker 2: the mind of just like whatever, someone who follows me

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Speaker 2: on Instagram likes like looking at pictures, you know what

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Speaker 2: I mean? And so they weren't prepared to read at

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00:21:29,960 --> 00:21:32,919
Speaker 2: all exactly. Yes, so let's help them through this and say, like,

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Speaker 2: so what you have a bucket for me, Kevin, Yes,

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00:21:36,600 --> 00:21:41,480
Speaker 2: so what is it? What is that? People like here

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Speaker 2: with what the strike was dealing with? What is that? So?

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Speaker 2: Which was okay, get the but you know you have

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Speaker 2: to be back here, Kevin, because.

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Speaker 3: Give me another paper towelayer out there with what the

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Speaker 3: strike was dealing with, which was what does that mean?

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Speaker 2: Yeah, which was what studios.

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Speaker 3: Streams, streamers, film, by the way, you know, televisions.

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Speaker 4: So it's like, because you go, which was studios, Okay,

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Speaker 4: what the fuck?

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Speaker 3: Like, what is it?

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Speaker 4: It's like, it's not just studios.

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Speaker 3: It's studios, it's streamers. And of course what the strike

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Speaker 3: was dealing with was film. Once we mentioned film, you

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Speaker 3: remember when we said the MTV Yes, Film, Film and

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Speaker 3: Television Awards.

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Speaker 2: So direct, which I was the host, direct conflict. So great,

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Speaker 2: we have the first sentence. I made a choice to

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Speaker 2: walk away from the MTV Film and Television Awards because

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Speaker 2: I was the host and it had a direct conflict

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Speaker 2: with what the strike was dealing with, which was studios, streamers, film,

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Speaker 2: and television. Undeniable. So what's next. People are now thinking like,

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Speaker 2: when when did this happen? When exactly did this take place?

359
00:22:57,160 --> 00:23:02,960
Speaker 2: So let's act, Yes, it happened. It was also in

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Speaker 2: the first week of the.

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Speaker 9: Strike where we were when we were really.

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Speaker 3: Doing it, when we were like real first week, the

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Speaker 3: first week of course, we were like that's the.

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Speaker 2: One where everyone was like really like most and like

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00:23:18,040 --> 00:23:19,240
Speaker 2: it was very intense.

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Speaker 3: We were maybe overdoing it a little bit to make

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Speaker 3: a point of like, hey, if you make us, if

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Speaker 3: you if you really make us do this strike, this

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Speaker 3: is the kind of thing that might happen.

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Speaker 2: Yes, it's like.

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Speaker 3: I the host, the literal host of the MTV television words,

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Speaker 3: will will have to walk away as a result of

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Speaker 3: the direct conflict with what the strike is dealing with,

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Speaker 3: which was studio streamers, film and television.

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Speaker 2: And so yeah, I did what I thought was the

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Speaker 2: appropriate thing at the time.

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00:24:01,560 --> 00:24:06,439
Speaker 3: And the time at the time, at that time, I

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Speaker 3: did what I thought was the appropriate thing.

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Speaker 4: In week one of the strikes.

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00:24:11,680 --> 00:24:14,680
Speaker 2: Yeah, because it was in the first week of the strike,

381
00:24:14,720 --> 00:24:16,240
Speaker 2: I did what I thought was an appropriate thing at

382
00:24:16,240 --> 00:24:19,800
Speaker 2: that time to staying in solidarity with the writers. Okay,

383
00:24:19,840 --> 00:24:22,439
Speaker 2: because we remember that first week, So now we're like

384
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Speaker 2: like remembering.

385
00:24:23,880 --> 00:24:28,080
Speaker 3: Putting you on this is this is a time machine, right,

386
00:24:28,119 --> 00:24:30,320
Speaker 3: it's transporting you to the first week where we were

387
00:24:30,359 --> 00:24:35,960
Speaker 3: actually at that time, we were actually dealing with solidarity.

388
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Speaker 2: Yes, I feel like there's more more important, there's more

389
00:24:41,240 --> 00:24:47,240
Speaker 2: context that we can add here. M hm. So let's

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Speaker 2: get Let's start this next sentence with and.

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Speaker 3: And to be clear, this is so important to me,

392
00:24:56,680 --> 00:24:59,520
Speaker 3: like we have to make this next part clear.

393
00:25:00,359 --> 00:25:06,199
Speaker 2: Yes, and to be clear because this is actually true

394
00:25:08,119 --> 00:25:10,480
Speaker 2: in her voice. And to be clear, our talk show,

395
00:25:11,800 --> 00:25:17,439
Speaker 2: actual talk show host actually wrapped on April twentieth.

396
00:25:19,680 --> 00:25:23,760
Speaker 8: That was on April twentieth, Okay, and I I people

397
00:25:23,840 --> 00:25:24,360
Speaker 8: forget this.

398
00:25:24,440 --> 00:25:27,640
Speaker 4: The April twentieth episode of the show was probably.

399
00:25:27,640 --> 00:25:31,040
Speaker 2: Bad, a little out there after that's a rap.

400
00:25:31,119 --> 00:25:33,480
Speaker 4: Yeah, that's a wrap for a minute. We're gonna need

401
00:25:33,520 --> 00:25:34,480
Speaker 4: to recover from that one.

402
00:25:34,480 --> 00:25:40,480
Speaker 3: I bet it got kind of funky, so bang right.

403
00:25:40,640 --> 00:25:46,000
Speaker 2: I mean it's you know that Drew Barry Moana.

404
00:25:46,119 --> 00:26:00,639
Speaker 5: That's yeah, no, Barry Wana very Barry Mowana.

405
00:26:00,840 --> 00:26:04,639
Speaker 2: So we never had to shut down the show.

406
00:26:05,840 --> 00:26:09,840
Speaker 3: This that's so crucial to me because I do think

407
00:26:09,920 --> 00:26:13,879
Speaker 3: that this has to be pointed out. I just I

408
00:26:14,200 --> 00:26:17,120
Speaker 3: need people to understand because there's going to be people

409
00:26:17,160 --> 00:26:25,040
Speaker 3: who say that at this moment as I and we'll

410
00:26:25,080 --> 00:26:27,919
Speaker 3: get to this as I decide to step forward and

411
00:26:28,040 --> 00:26:31,399
Speaker 3: like start up the show, which is you know, crossing

412
00:26:31,440 --> 00:26:32,960
Speaker 3: a pick a line, breaking the strick whatever.

413
00:26:32,920 --> 00:26:36,639
Speaker 2: You know. But why did you change your mind?

414
00:26:36,840 --> 00:26:39,680
Speaker 4: Why did you stop doing the right thing?

415
00:26:39,800 --> 00:26:40,000
Speaker 2: Yes?

416
00:26:40,320 --> 00:26:44,800
Speaker 4: Why did you stop doing the good and noble thing

417
00:26:44,880 --> 00:26:45,760
Speaker 4: for the workers?

418
00:26:46,080 --> 00:26:51,080
Speaker 3: And actually this is basically my first opportunity to do it.

419
00:26:51,280 --> 00:26:52,719
Speaker 4: And it is a hard pass.

420
00:26:52,960 --> 00:26:57,320
Speaker 2: Yes, because our talk show actually wrapped on April twenty. Yes,

421
00:26:57,400 --> 00:26:59,440
Speaker 2: because and so we didn't have to shut down.

422
00:26:59,600 --> 00:27:02,440
Speaker 4: Now, now I've given you an example of.

423
00:27:04,440 --> 00:27:08,280
Speaker 3: The MTV in Television Awards, I was in solidarity at

424
00:27:08,320 --> 00:27:11,000
Speaker 3: that didn't have my name on. It wasn't going to

425
00:27:11,040 --> 00:27:13,119
Speaker 3: happen anyway because no one else would partesip be.

426
00:27:14,680 --> 00:27:15,440
Speaker 2: Was not my call.

427
00:27:15,480 --> 00:27:16,880
Speaker 4: I wasn't like an executive.

428
00:27:17,600 --> 00:27:20,560
Speaker 2: I walked away like I sort of walked.

429
00:27:20,359 --> 00:27:23,040
Speaker 3: Away, just kind of walking away, being like you're you're

430
00:27:23,119 --> 00:27:26,200
Speaker 3: it's not it's not okay, So I'm gonna go over here.

431
00:27:26,359 --> 00:27:28,879
Speaker 2: Because I was the host and the show wasn't happening.

432
00:27:29,160 --> 00:27:32,160
Speaker 4: Yeah, So it wasn't really it wasn't really my decision.

433
00:27:32,760 --> 00:27:35,359
Speaker 4: But this, in contrast is.

434
00:27:35,480 --> 00:27:39,240
Speaker 3: Week whenever eleventy hundred of this thing. Yes, and it's

435
00:27:39,280 --> 00:27:41,280
Speaker 3: the first chance I've really had where it is my

436
00:27:41,400 --> 00:27:45,520
Speaker 3: decision whether or not to do the like solidarity and

437
00:27:45,600 --> 00:27:48,320
Speaker 3: out of the strike, and I gotta say, I'm not

438
00:27:48,600 --> 00:27:49,400
Speaker 3: feeling it.

439
00:27:49,600 --> 00:27:51,560
Speaker 4: Yes, that doesn't feel good to me.

440
00:27:51,720 --> 00:27:54,760
Speaker 3: Yes, not being on TV and the TV shows we

441
00:27:54,760 --> 00:27:56,160
Speaker 3: said could go anywhere at that.

442
00:27:56,119 --> 00:28:02,119
Speaker 2: Point, we've established we wrapped on April twenty, so we

443
00:28:02,240 --> 00:28:08,240
Speaker 2: never had to shut down the show. However, I am

444
00:28:08,560 --> 00:28:16,440
Speaker 2: also making the choice to come back for the first time. Yeah,

445
00:28:17,080 --> 00:28:21,800
Speaker 2: in this strike. In the strike, I actually never our show.

446
00:28:21,880 --> 00:28:25,120
Speaker 2: I've never come back and wrapped on April twenty, Yes,

447
00:28:25,280 --> 00:28:29,960
Speaker 2: Like what are you getting? And people might say that

448
00:28:30,040 --> 00:28:35,760
Speaker 2: the however, could be there for or that there is no.

449
00:28:35,920 --> 00:28:39,200
Speaker 3: Let them say let them say yes because they're not

450
00:28:39,240 --> 00:28:41,320
Speaker 3: being asked to write this letter for their friend and

451
00:28:41,800 --> 00:28:42,200
Speaker 3: I am.

452
00:28:42,400 --> 00:28:46,080
Speaker 2: We never shut down the show. However, we are not

453
00:28:46,160 --> 00:28:49,840
Speaker 2: shutting down the show now, Yeah, and we are making

454
00:28:49,880 --> 00:28:53,840
Speaker 2: the I am also making also making the choice to

455
00:28:54,000 --> 00:28:56,160
Speaker 2: come back for the first time in this strike for

456
00:28:56,320 --> 00:28:56,800
Speaker 2: our show.

457
00:28:56,960 --> 00:28:58,959
Speaker 3: Need I remind you I walked away from the MTV

458
00:28:59,160 --> 00:29:03,360
Speaker 3: film and television when it wasn't my choice.

459
00:29:03,440 --> 00:29:07,880
Speaker 2: Yes, now this is my and that also wasn't my choice.

460
00:29:08,120 --> 00:29:11,600
Speaker 2: To never show I made a show, however, I am also, is.

461
00:29:11,520 --> 00:29:12,960
Speaker 3: It weird that I opened up with I made a

462
00:29:13,040 --> 00:29:15,240
Speaker 3: choice to walk away? It doesn't matter, it doesn't it's good.

463
00:29:15,280 --> 00:29:15,680
Speaker 4: It's good.

464
00:29:15,800 --> 00:29:18,760
Speaker 2: Yes, I'm all. And it's also making the choice to

465
00:29:18,800 --> 00:29:20,320
Speaker 2: come back for the first time in the strike for

466
00:29:20,400 --> 00:29:27,120
Speaker 2: our show Comma. That may have my name, that may

467
00:29:27,160 --> 00:29:28,040
Speaker 2: have my name on.

468
00:29:28,040 --> 00:29:29,960
Speaker 4: It, It may have my name on it.

469
00:29:31,040 --> 00:29:35,520
Speaker 2: That's that's humble. Hey, what's this shows?

470
00:29:35,640 --> 00:29:36,480
Speaker 4: Which show is it?

471
00:29:37,640 --> 00:29:37,720
Speaker 3: Ye?

472
00:29:39,160 --> 00:29:40,360
Speaker 4: That may have my name on.

473
00:29:40,360 --> 00:29:44,040
Speaker 2: It, that may have my name on it. But this

474
00:29:44,200 --> 00:29:45,400
Speaker 2: is bigger than just me.

475
00:29:45,560 --> 00:29:47,240
Speaker 3: This is bigger than just me. I mean, there's a

476
00:29:47,240 --> 00:29:49,360
Speaker 3: lot bigger issues than just my name on a show.

477
00:29:49,480 --> 00:29:53,120
Speaker 3: There's a fucking strike going on two of them. Yes, Like,

478
00:29:54,160 --> 00:30:00,160
Speaker 3: this is bigger than just me. Paragraph break and it's

479
00:30:00,200 --> 00:30:01,360
Speaker 3: so class Let's.

480
00:30:01,480 --> 00:30:02,360
Speaker 2: Sit for a minute.

481
00:30:02,400 --> 00:30:05,720
Speaker 3: It's so classy to me and I just love like

482
00:30:06,320 --> 00:30:09,840
Speaker 3: because people are gonna go bigger than just me, like

483
00:30:10,000 --> 00:30:15,760
Speaker 3: to not go into there's a crew, you know, which

484
00:30:16,280 --> 00:30:20,160
Speaker 3: is you do want them to be paid. There's a

485
00:30:20,160 --> 00:30:21,880
Speaker 3: bunch of other talk show hosts I guess who are

486
00:30:21,880 --> 00:30:23,600
Speaker 3: paying the crew.

487
00:30:23,920 --> 00:30:26,440
Speaker 2: Yeah, but there's no more.

488
00:30:26,360 --> 00:30:31,440
Speaker 4: Room in that screen. No, no, no, square might open.

489
00:30:34,440 --> 00:30:37,240
Speaker 4: But it's yeah.

490
00:30:37,680 --> 00:30:41,200
Speaker 2: He didn't do any of that stuff on the podcast though, No, no, no,

491
00:30:41,280 --> 00:30:43,920
Speaker 2: so what he has to leave the podcast now. He's

492
00:30:44,080 --> 00:30:45,320
Speaker 2: very nice on the podcast.

493
00:30:45,400 --> 00:30:49,000
Speaker 4: On the podcast, he's really nice. He's not Jimmy falling.

494
00:30:48,800 --> 00:31:01,080
Speaker 2: Down paragraph break. I own this choice. We let's break.

495
00:31:04,560 --> 00:31:05,920
Speaker 4: Look, I've owned the choice.

496
00:31:06,280 --> 00:31:09,360
Speaker 3: It's got a little bit of coverage, just so it's

497
00:31:09,440 --> 00:31:13,280
Speaker 3: not like all me me, I you know.

498
00:31:13,400 --> 00:31:18,960
Speaker 2: I own this choice. We are in compliance with not

499
00:31:19,120 --> 00:31:23,480
Speaker 2: discussing or promoting what what?

500
00:31:23,480 --> 00:31:24,400
Speaker 4: What was the MTV?

501
00:31:24,560 --> 00:31:24,880
Speaker 9: Again?

502
00:31:25,080 --> 00:31:25,280
Speaker 6: Yes?

503
00:31:25,920 --> 00:31:29,040
Speaker 4: What was the what was the strike? Dealing with studio streamers?

504
00:31:29,080 --> 00:31:29,520
Speaker 9: And what?

505
00:31:29,760 --> 00:31:33,040
Speaker 8: Film and television? Film and tele compliance with not discussing

506
00:31:33,600 --> 00:31:37,520
Speaker 8: or promoting the twain must not be severed film and television.

507
00:31:37,560 --> 00:31:40,320
Speaker 4: Every time one appears, the other appears as well.

508
00:31:41,280 --> 00:31:45,720
Speaker 2: That film and television that is struck of any kind.

509
00:31:45,480 --> 00:31:51,120
Speaker 3: It's struck of any kind. That not okay, not discussing

510
00:31:51,240 --> 00:31:53,680
Speaker 3: or promoting film and television that is struck of any kind.

511
00:31:54,920 --> 00:31:58,600
Speaker 3: I don't care if it struck one kind or the other.

512
00:31:59,720 --> 00:32:03,080
Speaker 3: If it's struck of any kind, we're in compliance.

513
00:32:03,440 --> 00:32:04,520
Speaker 4: It's not discussing.

514
00:32:05,760 --> 00:32:08,160
Speaker 2: I feel like it would be helped and you're mad

515
00:32:08,200 --> 00:32:08,400
Speaker 2: at me.

516
00:32:09,680 --> 00:32:12,080
Speaker 4: I think I just told you I follow the rules.

517
00:32:13,960 --> 00:32:19,440
Speaker 2: Let's circle back. We need a little more content. Let's

518
00:32:19,480 --> 00:32:20,080
Speaker 2: go back to the.

519
00:32:20,680 --> 00:32:21,280
Speaker 9: I just hate.

520
00:32:21,400 --> 00:32:23,360
Speaker 3: I just hate, Like I just know there's gonna be

521
00:32:23,400 --> 00:32:28,960
Speaker 3: some gotcha keyboard warrior out there who goes, isn't your

522
00:32:29,040 --> 00:32:35,240
Speaker 3: television show, television that's struck of any kind? And isn't

523
00:32:35,280 --> 00:32:38,520
Speaker 3: even this post discussing or promoting film or television that's

524
00:32:38,520 --> 00:32:39,440
Speaker 3: struck of any kind?

525
00:32:39,840 --> 00:32:46,800
Speaker 2: And I just ken I see Kevin not at that one. Wow,

526
00:32:47,080 --> 00:32:47,880
Speaker 2: yeah that hit.

527
00:32:49,520 --> 00:32:49,840
Speaker 9: Damn.

528
00:32:50,320 --> 00:32:53,920
Speaker 4: Yeah, I just hate that. I'm gonna have to hear

529
00:32:54,000 --> 00:32:56,840
Speaker 4: that when it's like, yeah, no, not this show.

530
00:32:56,680 --> 00:33:01,360
Speaker 2: But on it. But they're not doing their not discussing that.

531
00:33:01,520 --> 00:33:04,720
Speaker 3: No, this show is there to be an example of hey,

532
00:33:04,760 --> 00:33:05,960
Speaker 3: you can do this kind of thing.

533
00:33:06,040 --> 00:33:07,320
Speaker 9: Learnt the rules.

534
00:33:07,960 --> 00:33:10,880
Speaker 2: I understand what the rules are. Before you talk, actually

535
00:33:10,920 --> 00:33:11,440
Speaker 2: look at the.

536
00:33:11,440 --> 00:33:15,600
Speaker 3: Rules about being struck of any kind? And and to

537
00:33:15,640 --> 00:33:17,720
Speaker 3: get you in another time machine because, by the way,

538
00:33:17,760 --> 00:33:20,640
Speaker 3: the whole other shit that happened to the MTV, the MTV, Yes,

539
00:33:20,800 --> 00:33:22,800
Speaker 3: that was the first week of the strike and then

540
00:33:22,880 --> 00:33:26,000
Speaker 3: we shut down on April twentieth, So think about all

541
00:33:26,040 --> 00:33:29,560
Speaker 3: this timelines that you're trying to conflate into one thing.

542
00:33:29,920 --> 00:33:31,960
Speaker 4: And remember that when we launched the.

543
00:33:31,920 --> 00:33:35,840
Speaker 8: Show, yes live, even yes live, This show is different.

544
00:33:36,000 --> 00:33:36,760
Speaker 2: Let's talk about it.

545
00:33:36,800 --> 00:33:41,360
Speaker 4: Would we launched this show live, we were in a.

546
00:33:41,280 --> 00:33:44,680
Speaker 2: Global it was a global pandemic, Yes, a global bank.

547
00:33:44,800 --> 00:33:48,520
Speaker 2: I have a feeling that some people forgot that it

548
00:33:48,880 --> 00:33:50,880
Speaker 2: was we launched live and a globe. Get that, Get

549
00:33:50,920 --> 00:33:54,120
Speaker 2: that we launched live, Get that global, because it's built different.

550
00:33:54,240 --> 00:33:57,160
Speaker 3: We launched live in a global pandemic. Our show was

551
00:33:57,440 --> 00:34:01,560
Speaker 3: built Get that for sensitive or sensitive?

552
00:34:02,440 --> 00:34:02,560
Speaker 9: Oh?

553
00:34:02,680 --> 00:34:07,280
Speaker 2: Is this not sensitive times? Okay, okay, you're pissed off,

554
00:34:07,320 --> 00:34:09,279
Speaker 2: but now you're saying this isn't sensitive times?

555
00:34:09,400 --> 00:34:12,000
Speaker 3: All these shows for hail and hardy times that shut

556
00:34:12,040 --> 00:34:14,920
Speaker 3: down and you want us to follow the same rules

557
00:34:15,640 --> 00:34:17,600
Speaker 3: because things are going pretty good when a lot of

558
00:34:17,640 --> 00:34:18,640
Speaker 3: these other shows.

559
00:34:18,360 --> 00:34:20,160
Speaker 2: Start believable selfishness.

560
00:34:20,200 --> 00:34:23,239
Speaker 3: We started in a global pandemic and built the show

561
00:34:23,280 --> 00:34:25,800
Speaker 3: for sensitive times, and now we're in sensitive times and

562
00:34:25,840 --> 00:34:27,640
Speaker 3: you're going, don't do the show.

563
00:34:28,360 --> 00:34:29,160
Speaker 4: Exqueeze me.

564
00:34:30,400 --> 00:34:33,920
Speaker 2: Our show was figure says what our show was built

565
00:34:33,920 --> 00:34:38,400
Speaker 2: for sensitive times? And I just want to be honest

566
00:34:38,440 --> 00:34:42,880
Speaker 2: about what this show like, This show has only functioned

567
00:34:42,880 --> 00:34:45,080
Speaker 2: through what the real world is going through in real time.

568
00:34:46,560 --> 00:34:48,520
Speaker 2: So the show, it's the only way it function has

569
00:34:48,680 --> 00:34:51,160
Speaker 2: only functioned through what the real world is going through

570
00:34:51,200 --> 00:34:51,879
Speaker 2: in real time.

571
00:34:52,000 --> 00:34:58,879
Speaker 3: The show's built for sensitive times. And can I say this, it.

572
00:34:59,080 --> 00:35:00,960
Speaker 4: Only function.

573
00:35:05,719 --> 00:35:09,560
Speaker 3: Through what the world was going through, what the real

574
00:35:09,640 --> 00:35:13,920
Speaker 3: world was going through in real time as it happens. Yes,

575
00:35:15,239 --> 00:35:20,279
Speaker 3: this ship isn't fucking ship. This is real time. Get

576
00:35:20,400 --> 00:35:26,160
Speaker 3: that real world real time. Yes, this is real.

577
00:35:27,640 --> 00:35:30,319
Speaker 2: I want to be there, you know what I mean.

578
00:35:30,560 --> 00:35:32,440
Speaker 2: I want to be there too. I want to be

579
00:35:32,480 --> 00:35:36,560
Speaker 2: there to provide what writers writer. So this is what

580
00:35:36,600 --> 00:35:39,520
Speaker 2: people are not understanding. The writers are not working. Someone

581
00:35:39,600 --> 00:35:42,880
Speaker 2: has to be there to do the work no writers

582
00:35:42,960 --> 00:35:44,280
Speaker 2: would otherwise be doing.

583
00:35:44,400 --> 00:35:50,360
Speaker 3: They're accusing me right of like undercutting or like diminishing

584
00:35:50,520 --> 00:35:54,960
Speaker 3: the value of writing. The writers have started so important

585
00:35:55,120 --> 00:35:57,560
Speaker 3: that I think the fact that they're not providing what

586
00:35:57,600 --> 00:35:58,600
Speaker 3: they do so well.

587
00:35:59,040 --> 00:36:01,520
Speaker 4: Has created a back that must be filled.

588
00:36:01,200 --> 00:36:04,759
Speaker 2: By me to remind people to remind everything, go in

589
00:36:04,800 --> 00:36:06,520
Speaker 2: and do that work instead.

590
00:36:07,000 --> 00:36:10,680
Speaker 3: Yes, I'm not trying to take jobs from writers or

591
00:36:10,719 --> 00:36:14,920
Speaker 3: to like to make it that their strike is less

592
00:36:14,920 --> 00:36:15,799
Speaker 3: effective and.

593
00:36:16,000 --> 00:36:17,160
Speaker 2: Do what they do.

594
00:36:17,280 --> 00:36:19,760
Speaker 3: I'm going to go in and while they're not doing

595
00:36:19,760 --> 00:36:23,359
Speaker 3: what they do. Yes, I'm going to provide what they do, yes,

596
00:36:23,880 --> 00:36:26,360
Speaker 3: as a service to instead of them, this is what

597
00:36:26,480 --> 00:36:27,359
Speaker 3: they can't do it.

598
00:36:27,400 --> 00:36:29,279
Speaker 2: They can't do it, instead of them doing it.

599
00:36:29,640 --> 00:36:31,640
Speaker 4: Say, what is so obvious?

600
00:36:31,960 --> 00:36:34,920
Speaker 2: It's like people don't realize they they aren't going to work.

601
00:36:35,080 --> 00:36:37,880
Speaker 4: It's them.

602
00:36:38,160 --> 00:36:40,560
Speaker 3: It's instead of them working, I'm not going to make

603
00:36:40,640 --> 00:36:41,200
Speaker 3: them work.

604
00:36:41,400 --> 00:36:42,600
Speaker 4: They said they don't want to work.

605
00:36:42,719 --> 00:36:43,640
Speaker 9: Yes, they hate it.

606
00:36:43,719 --> 00:36:45,479
Speaker 2: Yes, so I have to do it.

607
00:36:45,840 --> 00:36:51,240
Speaker 3: So it's like global pandemic, Like it's so frustrating.

608
00:36:50,680 --> 00:36:53,160
Speaker 2: To provide what writers do? So what they Yeah, what

609
00:36:53,200 --> 00:36:53,600
Speaker 2: do they do?

610
00:36:54,360 --> 00:36:56,240
Speaker 3: This is something that by the way, as a favorite writers,

611
00:36:56,280 --> 00:36:57,480
Speaker 3: let's clarify what do they do?

612
00:36:57,560 --> 00:37:03,880
Speaker 2: Writers do well? Away? Writers do well? A way to

613
00:37:04,040 --> 00:37:10,879
Speaker 2: bring us together? Or or or writers only do one thing.

614
00:37:10,960 --> 00:37:12,680
Speaker 2: Here's you writers only do one thing?

615
00:37:12,800 --> 00:37:14,359
Speaker 4: You know, there's two things they do.

616
00:37:14,440 --> 00:37:17,640
Speaker 2: Writers also way to bring us together. Writers also do

617
00:37:17,760 --> 00:37:25,480
Speaker 2: so well, help us, help us make sense of human experience.

618
00:37:26,200 --> 00:37:29,760
Speaker 2: And that's what I want to be there to provide.

619
00:37:29,800 --> 00:37:31,480
Speaker 3: I want to be there to provide what writers do

620
00:37:31,560 --> 00:37:33,840
Speaker 3: so well and the WI and what they do so

621
00:37:33,880 --> 00:37:35,520
Speaker 3: well has two things. A way to bring us together,

622
00:37:35,640 --> 00:37:38,520
Speaker 3: a way to bring us together, help us make sense

623
00:37:38,520 --> 00:37:39,520
Speaker 3: of the human experience.

624
00:37:39,880 --> 00:37:49,120
Speaker 2: Good. I hope for a what's the right, Well, it's

625
00:37:49,120 --> 00:37:49,640
Speaker 2: got to be.

626
00:37:49,840 --> 00:37:51,160
Speaker 4: They got to resolve this thing.

627
00:37:52,320 --> 00:37:53,520
Speaker 2: I hope for a respect.

628
00:37:54,239 --> 00:37:57,760
Speaker 4: I hope for it works both ways.

629
00:37:57,800 --> 00:38:01,279
Speaker 3: Because I'm I, I am, I am strong in my

630
00:38:01,440 --> 00:38:03,440
Speaker 3: resolve to be on television.

631
00:38:03,640 --> 00:38:04,719
Speaker 2: Yes, and so.

632
00:38:04,680 --> 00:38:08,080
Speaker 4: I hope for a resolve similar for other people.

633
00:38:08,400 --> 00:38:11,520
Speaker 2: Yes, for eversion for everyone.

634
00:38:11,560 --> 00:38:17,120
Speaker 4: Yes, Yes, hope for a resolve for everyone, me, anyone.

635
00:38:16,800 --> 00:38:21,759
Speaker 2: As soon as as soon as possible. Urgency, a sad

636
00:38:21,920 --> 00:38:24,040
Speaker 2: resolve for everyone, as soon as possible, as.

637
00:38:23,960 --> 00:38:24,840
Speaker 4: Soon as possible.

638
00:38:26,000 --> 00:38:32,479
Speaker 11: We have navigated difficult times, Yes, difficult, difficult times since

639
00:38:32,520 --> 00:38:35,799
Speaker 11: we first came since we first first came on, we

640
00:38:35,880 --> 00:38:37,160
Speaker 11: built it for times.

641
00:38:37,560 --> 00:38:40,000
Speaker 3: We navigated difficult times. Remember how we built it for

642
00:38:40,080 --> 00:38:43,120
Speaker 3: sensitive times? Well, guess we navigated difficult times since we

643
00:38:43,200 --> 00:38:43,840
Speaker 3: first came out it.

644
00:38:45,160 --> 00:38:47,640
Speaker 2: So let's land this, let's land this plane.

645
00:38:48,840 --> 00:38:53,080
Speaker 3: And so, and remember the first thing I did. Yes,

646
00:38:53,239 --> 00:38:56,200
Speaker 3: this is this is called bookending. This is a writing technique.

647
00:38:56,239 --> 00:38:58,880
Speaker 4: She doesn't need writers, honestly, but will help.

648
00:39:00,719 --> 00:39:05,160
Speaker 3: I made a choice to walk away, and so I

649
00:39:05,360 --> 00:39:07,279
Speaker 3: take a step forward.

650
00:39:07,800 --> 00:39:08,600
Speaker 4: I walked away.

651
00:39:09,920 --> 00:39:13,360
Speaker 3: Remember when I had to because they canceled the TV Awards, yes,

652
00:39:13,640 --> 00:39:14,800
Speaker 3: which I was the host.

653
00:39:14,840 --> 00:39:20,160
Speaker 4: I remind you remember I walked away. Now it's time

654
00:39:21,400 --> 00:39:23,080
Speaker 4: to take a step forward.

655
00:39:22,920 --> 00:39:27,200
Speaker 2: And so I take a step forward to do what forward,

656
00:39:27,280 --> 00:39:30,120
Speaker 2: to do what to start season four and people, you know,

657
00:39:30,200 --> 00:39:32,040
Speaker 2: let's promote what.

658
00:39:32,040 --> 00:39:33,200
Speaker 4: We're doing season four.

659
00:39:33,239 --> 00:39:42,280
Speaker 2: Obviously start season four once again and once again. Right, Yeah,

660
00:39:42,520 --> 00:39:45,200
Speaker 2: well I mentioned it before. I said, like, hey, we

661
00:39:45,280 --> 00:39:46,319
Speaker 2: wrapped it April twenty eight.

662
00:39:46,400 --> 00:39:48,360
Speaker 4: This is the first chance I've had to.

663
00:39:48,120 --> 00:39:51,920
Speaker 2: Not be right. And I guess it's good to be honest.

664
00:39:52,080 --> 00:39:53,560
Speaker 2: I guess it's good to be honest and say that

665
00:39:53,600 --> 00:39:56,680
Speaker 2: I have tried to take a step forward to start

666
00:39:56,719 --> 00:39:59,840
Speaker 2: the season multiple times before. So I'm doing it again that.

667
00:40:00,000 --> 00:40:00,799
Speaker 4: Start season four.

668
00:40:00,840 --> 00:40:02,359
Speaker 3: So I take a step forward to start season four

669
00:40:02,360 --> 00:40:05,360
Speaker 3: once again. Well, I've obviously been behind the scenes doing yes,

670
00:40:05,640 --> 00:40:09,640
Speaker 3: a few steps just start to launch tomorrow. This has

671
00:40:09,680 --> 00:40:12,560
Speaker 3: been going on, and I've been kind of going like

672
00:40:12,880 --> 00:40:15,040
Speaker 3: and then on the day like I'm just sucking.

673
00:40:15,560 --> 00:40:21,360
Speaker 2: I'm getting I'm getting my steps to move it over. Yeah, starts,

674
00:40:21,719 --> 00:40:23,680
Speaker 2: I take except forward to start season four once again.

675
00:40:24,440 --> 00:40:26,520
Speaker 2: I want to say with humility, I feel like it's

676
00:40:26,560 --> 00:40:33,000
Speaker 2: not specific enough. No, because it's kind what kind of humans?

677
00:40:33,000 --> 00:40:36,680
Speaker 4: Well, it's yes, because it's like I don't want it

678
00:40:36,719 --> 00:40:40,359
Speaker 4: to be I want it to be smart.

679
00:40:40,640 --> 00:40:43,520
Speaker 2: Yes, yes, yes, yes, it's.

680
00:40:43,360 --> 00:40:51,480
Speaker 4: The kind of humility. This is weird.

681
00:40:52,800 --> 00:40:55,239
Speaker 2: I want to say it with a smart humility, smart

682
00:40:55,480 --> 00:40:56,160
Speaker 2: smarter than that.

683
00:40:59,719 --> 00:41:02,280
Speaker 4: It's an anagram for statue that would work.

684
00:41:04,640 --> 00:41:12,080
Speaker 2: Almost something close, right, yeah, something close, an extra letter.

685
00:41:12,480 --> 00:41:26,840
Speaker 9: Yeah right yeah, yeah, yeah, a stude, a stute.

686
00:41:27,520 --> 00:41:29,040
Speaker 4: Well, I'm a student. I'm a student.

687
00:41:29,040 --> 00:41:29,680
Speaker 2: I'm a student.

688
00:41:29,800 --> 00:41:31,879
Speaker 4: I'm I'm always here to learn. That's why I want

689
00:41:31,920 --> 00:41:32,239
Speaker 4: to do it.

690
00:41:32,360 --> 00:41:34,200
Speaker 2: Yes, a student, and so I take it.

691
00:41:34,360 --> 00:41:36,520
Speaker 4: I'm kind of like a statue because I'm like a

692
00:41:36,560 --> 00:41:37,120
Speaker 4: famous thing.

693
00:41:37,160 --> 00:41:41,920
Speaker 2: People look at start season four once again, within a stude, humility.

694
00:41:42,080 --> 00:41:46,239
Speaker 2: Ship it, Ship It by