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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine and More. Garnishing your hand with pineapple

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Speaker 1: parent with a delicious Chardonnay to make their taste bud swirl.

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Speaker 1: Deviled eggs are even better when paired with a light,

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Speaker 1: dry wine like a bubbly Prosecco or a Pinot Grizzy.

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Speaker 1: For me, nothing beats recommending a great wine, and with

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Speaker 1: such an extensive selection, I can help you find the

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Speaker 1: perfect one in your budget, whether you're hosting or just bring.

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Speaker 1: The wine we love to share are always low prices

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Speaker 1: and ridiculous selection this spring at Total Wine and More. Cheers.

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Speaker 1: He's a legendary queen's rapper, hang segues your boy, and

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Speaker 1: he's a Miami hip hop pioneer. What up is d

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Speaker 1: J e f N? Together they drink it up with

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Speaker 1: some of the biggest players in music and sports. You know,

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Speaker 1: I mean the most professional, unprofessional podcast and your number

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Speaker 1: one source for drunk facts. This is Drinks Chat rad

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Speaker 1: to every Day is New Year's e Round. Hey DJ

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Speaker 1: podcast pensively pluted that man and I heard heard it.

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Speaker 1: He says, say, uh, the eminem is his favorite, and

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Speaker 1: I respected that favorite. Right now, I have my two favorites. Favorite,

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Speaker 1: I'll see who you're going in the building. First off,

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Speaker 1: Steve LaBelle Phone Queen's pictures were run dmc rammer them

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Speaker 1: on toll Jam mr J D m C, Lost Boys,

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Speaker 1: Royal Flush t t VT. Steve Label been around. I

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Speaker 1: heard Russell Simmons say he's the only white guy. Let

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Speaker 1: him call me a nigger and it's gangster. And you

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Speaker 1: know what, Russell, I agree with you. Then we have

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Speaker 1: my other guy, my brother Scott Blood is bo bo.

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Speaker 1: He's been doing things before you you could be doing

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Speaker 1: things and it's nothing. I've seen him with a seventeen

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Speaker 1: million dollar boat. He picked me up and we win

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Speaker 1: got chilies. That's the hardest ship in my life. Snicker

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Speaker 1: had a what's that she called a captain, had a

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Speaker 1: yachting and we went to Chili's. It was the flying

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Speaker 1: ship I ever did in my life. This is my guy.

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Speaker 1: I seen him construct albums like the Chronic. You know,

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Speaker 1: I have a piece to do with the Firm, numerous

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Speaker 1: hits and she's going back to the roots, going back

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Speaker 1: to the route. And he's a fantastic guy. Right now,

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Speaker 1: I made you do some Steve LaBelle, Scott Starch my

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Speaker 1: favorite of the favorite. Let's be to loot there now, Scott,

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Speaker 1: you sucked a lot of bitches. Scott, I'm gonna keep it.

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Speaker 1: Is that your girl? Then you're good? All right? So

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Speaker 1: I'm a pop bottom champagne. Yeah, Scott, I ain't gonna friend.

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Speaker 1: I seen you at the height of the height. I

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Speaker 1: seen you coming up too. Yeah. That's a beautiful thing.

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Speaker 1: A lot of people don't know. And when I left

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Speaker 1: the Roots as a keyboard players writer to become a producer.

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Speaker 1: My first week and soliciting myself to be a producer,

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Speaker 1: I got two clients. My very first two clients was

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Speaker 1: you and campone and bust the Ryots. Let's make similar

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Speaker 1: to that tune. No, but Scott, let me just tell

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Speaker 1: you something. I'll be looking at the internet and I

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Speaker 1: see it on the internet when you be constructing these

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Speaker 1: beats on these keyboards, and you'll be sitting there and

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Speaker 1: it's like, I just want to keep it. Keep praising you.

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Speaker 1: Don't thank you. Uh if that's a good word. Is

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Speaker 1: that a good word? Praising you? I want to keep

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Speaker 1: praising you because you deserve being praised. Look at that

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Speaker 1: from that fact we don't spell champagne. Look at that

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Speaker 1: you want you want to show you saying you don't

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Speaker 1: spell champagne from Secon two. Yeah, come on, Happy birthday, so,

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Speaker 1: happy birthday. Happy birthday, Sonny, Happy birthday, Reverend run Yo.

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Speaker 1: So let's take it back to the beginning, Scout. Well,

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Speaker 1: you originated from Philadelphia, you know. I was born in

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Speaker 1: New York Long Island, but I moved to Florida as

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Speaker 1: an infant. And then when I was fifteen, I moved

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Speaker 1: with my fallow my dad to a Philly and I

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Speaker 1: was supposed to be going to school, but I wasn't.

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Speaker 1: I was cut in school and taking the train into

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Speaker 1: the city and I met up with Quest Love and

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Speaker 1: Black Thought and all these guys described that situation because

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Speaker 1: you started out with the roots like this was n

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Speaker 1: and yeah, man, I just I was, you know, the

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Speaker 1: nigga d f Y. I was interning at this label

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Speaker 1: rough House at the same time. Yeah, they had Cyprus

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Speaker 1: Us the food years. Yeah, and it was like getting

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Speaker 1: the chance to see actual music industry, you know, just

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Speaker 1: being nobody. And I got caught one day jamming on

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Speaker 1: the piano in the life room of their studio, and

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Speaker 1: I thought I was gonna get fired, and then I

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Speaker 1: got called down the hall to play keyboards on the

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Speaker 1: Killing Me Softly Remix and Hill That's just yeah, and

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Speaker 1: you know it just gradually, you know, I got a

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Speaker 1: record deal with the Roots and from playing on the

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Speaker 1: streets with them, we used to set up borrow power

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Speaker 1: from stores on South Street and jam. We was doing

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Speaker 1: these like little jam sessions with leaders of the New

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Speaker 1: School and all kinds of crazy credits. What's the Boots

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Speaker 1: like a street band? It was actually before there was

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Speaker 1: the Roots and it was Square Roots. Yeah, and we

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Speaker 1: had to change the name because it was some other

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Speaker 1: band that had the same name. That was the whole band.

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Speaker 1: Thing was new. But yeah, I was playing on the streets. Yeah,

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Speaker 1: I was playing on the streets. And then we actually

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Speaker 1: got discovered on at a block party on cecil be

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Speaker 1: More Avenue in the near Temple University that is Philadelphia. Yeah,

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Speaker 1: Hill Adelf that's what you could get killed that right there.

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Speaker 1: I was there to kill you right there. It teaches

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Speaker 1: you to be strong, and I think some of that

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Speaker 1: strength and perseverance I learned the Philly helped me, you know,

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Speaker 1: get through have success in so now he started out

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Speaker 1: from the route somewhere doesn't doesn't go right? You know

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Speaker 1: it was right. Everything was right as a matter of fact.

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Speaker 1: When I left the wind up in LA, when I

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Speaker 1: left the Roots, I actually just you know, I wanted

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Speaker 1: to be more than a keyboard player. I wanted to

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Speaker 1: be a producer. So I was, you know, grinding and

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Speaker 1: listen at and I went to New York. I met

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Speaker 1: you and actually the day that capone came home, that's

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Speaker 1: a that's a fact. Very days mean it's like it's nothing,

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Speaker 1: but that's none. That's a fact. And I remember it

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Speaker 1: was a good time. But and uh, you know, flashing forward, um,

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Speaker 1: I went to l A and I ran into one

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Speaker 1: of my homies from Philly, this girl Eve, and she

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Speaker 1: was like, yo, I just got signed to doctor Dre

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Speaker 1: and like that's how I got you foreverley grateful and

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Speaker 1: in debt to Eve. Pick you up because adopt that

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Speaker 1: changed my shed. But she stuck her neck out ya

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Speaker 1: for real And the next day I was in the lab.

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Speaker 1: I didn't have no we used that tapes at that time.

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Speaker 1: We didn't have to see I didn't happen that situation though,

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Speaker 1: Like so now Eve tells you to come to l a.

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Speaker 1: You know, I wasn't that doing a jams already? Yeah,

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Speaker 1: I was doing a jam session at the Martini Lounge. Okay,

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Speaker 1: you gotta jam session. We got dumb listeners, so was

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Speaker 1: the jam all right? So the Roots, I was still

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Speaker 1: hanging with them. They were still the homies, and they

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Speaker 1: would do like these kind of like the you know,

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Speaker 1: three jam meets like music, a lot of Erica bad

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Speaker 1: type ship going on and open mic. Huh open mic yeah,

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Speaker 1: open mic. It was like a women in the music

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Speaker 1: series called the Black Lily, and it was dope. But

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Speaker 1: and uh, you know, it's a root space event. It

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Speaker 1: was over. Yeah. We were doing them in New York

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Speaker 1: at the Wetlands every Sunday, and we just decided, you know,

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Speaker 1: to do one out here. So luckily I ran in

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Speaker 1: the even and the next day I didn't have nothing

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Speaker 1: to play drags, just sad at the piano, and boom

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Speaker 1: there was like can you stay out here? I was

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Speaker 1: like hell yeah, wait, said how was that? Said Dre?

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Speaker 1: Just I met Dre and I was like you not

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Speaker 1: even the studio with Dre. I got nothing to play him.

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Speaker 1: So I just get on the piano and I started

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Speaker 1: jamming for him and he's you know, about an hour later,

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Speaker 1: I had to like ten Racks hotel really Cuez and

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Speaker 1: I was my rent with day. That was good to go.

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Speaker 1: And now your glasses is ten Racks. The glass looked

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Speaker 1: smith kind of glasses. Those are portions lit glass front

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Speaker 1: of glasses. You seated glasses and glasses. So all right,

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Speaker 1: so you're in the studio, what Drake tells you to

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Speaker 1: played the piano or to beat just to play piano

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Speaker 1: because I had no beats with me. I didn't always

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Speaker 1: gonna be seeing Dr Dre, So yeah, and then the

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Speaker 1: very next day he had me work on this UM

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Speaker 1: artist named slim Shady that we did the song just

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Speaker 1: the two of us, and then the day after that

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Speaker 1: we did Big Egos that's on the Chronic two thousands

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Speaker 1: and so on and so on and then and then

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Speaker 1: life progressed to um. You know, I just got to

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Speaker 1: a place where I didn't want to feel like I

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Speaker 1: have to ask you know, Dre Dre created his empire.

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Speaker 1: I wanted to create mine. So I went to a

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Speaker 1: different city. I went to Miami, and you know, I

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Speaker 1: like got into my own clients and it wasn't really

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Speaker 1: the same type of stuff. I was working with Dre

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Speaker 1: and um then I got introduced to clubs and cocaine

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Speaker 1: and special I'm ready for I'm ready. I'm ready for cocaine.

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Speaker 1: I'm gonna say it for like again, I'm ready for.

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Speaker 1: But because Scott is my brother, I'm not just throw

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Speaker 1: this out there. I don't know if people know. I

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Speaker 1: know Scott just said it earlier. But Scott is really

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Speaker 1: my brother, and I really seen every way, shape form

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Speaker 1: fashion he ever came, and he's always been my brother,

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Speaker 1: and I'm always going to remain his brother. And ask

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Speaker 1: me who I am? Steve LaBelle, God damn it, you

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Speaker 1: froont Queen's too, Yes, sir, what are you fromming queens?

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Speaker 1: From Jamaica queens? Yeah, look look at he's from Jamaica, queen. Listen,

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Speaker 1: the first white person you met from Jamaica queens. But

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Speaker 1: that I'm gonna be honest. He blacking in both bars.

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Speaker 1: You can put us moving together. He's still blacking in

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Speaker 1: both bars. So the scribe your comings up in Jamaica.

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Speaker 1: My coming up was the late great jam Master Jay Resting.

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Speaker 1: He was he put you on and the way wait,

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Speaker 1: so how does this happen? You know? I grew up

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Speaker 1: with you know, J and Run DMC and Russell was

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Speaker 1: my mentor. Basically, you know, I was just carrying bags,

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Speaker 1: doing shot. I was doing whatever. I mean, come on, um,

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Speaker 1: come on. But at the end of the day, you know,

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Speaker 1: it was like around eight three, eight forty five shot,

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Speaker 1: I'm want to talk with another tour in eighty eight

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Speaker 1: just on a PMP public ending. Those tours are like Jerzy,

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Speaker 1: Jeff Fresh, Prince and I was around the Rush Management

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Speaker 1: days and Deaf cham days and Profile Profile Records days.

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Speaker 1: You know. Of course, you know, I didn't know what

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Speaker 1: I could do, so I was just wait, look, yeah,

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Speaker 1: there you go. I was just around and just doing

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Speaker 1: whatever need to do. I'm an opportunist, you know. I'm

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Speaker 1: from Queens, so you know. But then I was like,

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Speaker 1: you know, I tried old and I was doing all

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Speaker 1: the stuff and around these labels. But I said, you

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Speaker 1: know what, I opened up a couple of bars and

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Speaker 1: at St. John's University, and I brought all the rappers there,

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Speaker 1: Chris mull and Mark Jackson, onyx Jay for people that

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Speaker 1: did St. John's. You didn't turn prect yeah St John's,

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Speaker 1: you know, the Redman St John's. And then Um, I

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Speaker 1: got to car accident, so I sold everything and then

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Speaker 1: I got a job. Oh j and Onyx wanted to

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Speaker 1: uh start up. They wanted to find a white rapper

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Speaker 1: like a Markee Mark, so we took it to a Relativity.

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Speaker 1: So you told about Mark Warbar Market Martin Mark Mark,

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Speaker 1: but Mary Marks's single, No but Good a Good Librations, Federal,

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Speaker 1: Sticky Want. They wanted to find someone like that, so

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Speaker 1: they used my ball to find you know, fraternity brothers.

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Speaker 1: So then we took the record to Sony Relativity and

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Speaker 1: the next thing you know, I got a job of

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Speaker 1: Relativity and I was like I never had a job

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Speaker 1: for somebody else. And it was like ninety three beat Nuts,

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Speaker 1: m O P Fat Joe eight m j G three

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Speaker 1: to Mafia. Frankie Cutliss was there, UM and Easy Rest

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Speaker 1: in Peace had ruthless records there. So I worked with

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Speaker 1: all of them and I want to little Fat Joe

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Speaker 1: and Big Poe was his hype man Rest in Bubbles.

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Speaker 1: I gotta stop you will fast. You said you was

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Speaker 1: there when ice Cube and n w A had a fight.

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Speaker 1: Easy ice Cube had to beef. If you watch straight

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Speaker 1: out of Competence. I was at the tone of the

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Speaker 1: legendary tunnel, the rest of this big cap. Yeah, we

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Speaker 1: went Easy came in town with so that's not a movie. Yeah,

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Speaker 1: it's a movie. There's nobody straight out of Compton. Easy

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Speaker 1: and Ice Cub running to each other. And I thought

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Speaker 1: that was in the role I was in New York

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Speaker 1: City was but it was showed beef. But you know,

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Speaker 1: that's when he ran to each other. Had a problem.

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Speaker 1: But you know, I was really Easy, so whatever was

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Speaker 1: gonna happen is gonna happen. But and then Easy said

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Speaker 1: he wanted to go back to the hotel and he

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Speaker 1: had to plant along. He walked back to the hotel

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Speaker 1: and am I still getting the limit was freezing? He said,

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Speaker 1: now I'm a walk because you know. And then the

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Speaker 1: next thing, I've never seen him again. He got called age.

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Speaker 1: They said he died but um and then from there,

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Speaker 1: you know, he introduced me to bone thugs. I've been

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Speaker 1: with both dogs on for like, I don't know, I

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Speaker 1: don't smoke. It's twenty three years, you know. So we

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Speaker 1: did the bone and bigger though, but someone told me today,

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Speaker 1: twenty years ago today, we didn't on torrious stuffs. So

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Speaker 1: you know, I throw I throw throwbacks of that up

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Speaker 1: and then we did Riding Durty a MILLIONAI and Thug

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Speaker 1: level Tupac a whole bunch of collaps on twenty three years.

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Speaker 1: Tupac and I managed the outlows, stooped the outloads, and

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Speaker 1: then UM eight one and M J G and three

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Speaker 1: six monthful like I said, just a whole long list,

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Speaker 1: like I said, Me and Fat your brothers introduced him

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Speaker 1: to his wife and he's gonna roll. Joe, Yeah, all right,

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Speaker 1: he's got my mascot work with Big I know. I

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Speaker 1: just did a remake. That remake the work. What was

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Speaker 1: the remake? That was the remake? Scott Got too Much

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Speaker 1: eight hundred six, Tupac I of deponing of blues joint.

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Speaker 1: M So, Scott, you've worked with Little Wayne. I'm gonna

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Speaker 1: I'm gonna be honest with you, Scott. One time I

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Speaker 1: came to the hip factory to see you, and it

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Speaker 1: was a cheese line outside like it was just mad art,

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Speaker 1: but it was artist though it wasn't like a cheese

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Speaker 1: line because the cheese line in the hood, it's like

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Speaker 1: it's like the worst of the worst for you that's

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Speaker 1: sitting there waiting for the cheese line, but you had

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Speaker 1: like d m X Glory, Fat Joe, Little Wayne, Mean Timberland,

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Speaker 1: like after my outside of the hip factory, just waiting

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Speaker 1: to see you. It's a lot of work. We used

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Speaker 1: to keep five six rules going it one time at

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Speaker 1: one time at one Now, is that when Molly came in, Lolly?

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Speaker 1: Because I heard m D M A. That was very nice?

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Speaker 1: Yeah it was. It came in actually from Amsterdam. But

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Speaker 1: it's plain to you just before before, you know, when

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Speaker 1: people were just having ecstasy. You know, in the food chain,

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Speaker 1: people introduce you to everything. But yeah, well you know

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Speaker 1: the real ship was coming out here? Is that really

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Speaker 1: wasn't my thing. I used to keep a lot of that,

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Speaker 1: but it was for the ladies. It was, it was

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Speaker 1: my thing. I liked it, Thank you for thank you

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Speaker 1: for introducing I liked it, Scott, and I liked it too. Right,

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Speaker 1: it's correct. Don't don't give me the eyes because you're white. Ye,

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Speaker 1: like the effected had on women because you was doing

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Speaker 1: like dabs right, it was like just like dipping dipping dad,

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Speaker 1: remember that I do. We just took it to a

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Speaker 1: whole other level. That's so bad. It's fantastic. We just

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Speaker 1: gotta control it. We got the listen, listen, listen. I'm

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Speaker 1: just throwing this out there. I don't believe anybody has

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Speaker 1: a drug problem. This is what I believe. I just

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Speaker 1: believe you gotta take care of it. Take care of

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Speaker 1: your drug problem at a certain time, and then that's

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Speaker 1: what I believe, and then get so over for two

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Speaker 1: days and then get back this nothings dru This is

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Speaker 1: what I believe. I'm just saying this is my belief

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Speaker 1: because like I might be retarded. I'm sorry, I probably is.

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Speaker 1: Scott already know that, Steve already know that. But I believe, Um,

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Speaker 1: the M d M A you have is very fantastic Veranta.

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Speaker 1: So Steve, you've been on the road with one DMC.

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Speaker 1: You've been in a role bone Thog, some harmony. What's

301
00:18:47,920 --> 00:18:54,200
Speaker 1: your wireless road story? A crazy story in North Carolina

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Speaker 1: and we got into a little problem in the club

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Speaker 1: and run DMC. You know years this ship man, I

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00:19:02,920 --> 00:19:06,120
Speaker 1: got hit in the head and the Kanye birthday party

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Speaker 1: at the Louis Vatan store. Don't know if you knew

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Speaker 1: that thirty years his thirtieth birthday. So it was on

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Speaker 1: seven Chell fell on my head was out thirty years ago.

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Speaker 1: You know, he was thirty years old. People. People don't

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Speaker 1: know this, but I was. I was at kanye thirty

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Speaker 1: birthday and on seven Ston Store. So Chell fell in

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Speaker 1: my head. So I sued Louis Vatan. But my memories

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00:19:27,560 --> 00:19:29,440
Speaker 1: in and out. But we're in the club in North Carolina,

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Speaker 1: and there was a problem. We couldn't leave the club

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Speaker 1: because the van was parked. We're in the van at

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Speaker 1: that time in the garage of the promoter. So I

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Speaker 1: stood on this table and m no. I just stood

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Speaker 1: on the table with the concert in North Carolina, like

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Speaker 1: it was like a local club. And I thought I

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Speaker 1: was a kid in the karate kid because I'm like,

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Speaker 1: we're gonna get out of here. Show me and my

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Speaker 1: man would Stoff was running running them. See at the time,

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Speaker 1: we still on top of the table like and made

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Speaker 1: that like some king the club, the last dragon, that

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Speaker 1: little was nothing. They all just thought we have some

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00:20:01,840 --> 00:20:04,280
Speaker 1: fucking martial all expert today. Just we got off the club,

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Speaker 1: got in the van, got the funk out of JA

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Speaker 1: said I was crazy, but who knows, God damn, but

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Speaker 1: this make this makes no steel about Guy Scott. You know,

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Speaker 1: I'm sorry. I gotta go here, yo, youth like you

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Speaker 1: got like you had like Paris Hilton. Oh my god,

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Speaker 1: I heard this Paris in the first first four weeks

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Speaker 1: this conversations. Want to say to my girl, Flower, Yeah

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Speaker 1: you know, nor does you too? Okay, now I can

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Speaker 1: say anything. So now what's Paris Hill to the first

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00:20:38,000 --> 00:20:42,200
Speaker 1: person to introduced you ain't talking about that, say l A.

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Speaker 1: We'll just say l A introduced me to criminal. All right,

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00:20:46,640 --> 00:20:48,720
Speaker 1: at the end of the day, ain't nobody hold that

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00:20:48,800 --> 00:20:52,680
Speaker 1: ship to my nose, but hand you gotta have of

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00:20:52,760 --> 00:20:55,720
Speaker 1: that best niggers in the world. Like that's like that's

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00:20:55,800 --> 00:20:58,680
Speaker 1: hard Lesion marry ship that's letting dry. But I told

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00:20:58,680 --> 00:21:02,399
Speaker 1: you you don't like Olympics of drug use. Like I

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00:21:02,520 --> 00:21:05,000
Speaker 1: love your baby one more times, my girl. But I

343
00:21:05,080 --> 00:21:08,920
Speaker 1: literally used to would line up in my bedroom on

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Speaker 1: the island like ten girls, and I introduced him what

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00:21:13,040 --> 00:21:17,000
Speaker 1: we called the um uh Miami frost bite. We never

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00:21:17,080 --> 00:21:22,280
Speaker 1: heard of. That's what we called the uh Miami frost bite. Yo, Yo, Scott,

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00:21:22,280 --> 00:21:24,200
Speaker 1: you're still look at rich as hell. Tell us about

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Speaker 1: this Miami frost bite. What am I saying? Well, let's

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Speaker 1: just say this. The only reason why I'm looking rich

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Speaker 1: as hell. It's because there's no more Miami frost bites

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Speaker 1: you're going on because I still down. But you know,

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00:21:39,280 --> 00:21:41,400
Speaker 1: my man told me that this show you pretty much

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Speaker 1: can just go to the depths of about and you

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Speaker 1: know what, if you can't joke about the ship that

355
00:21:48,640 --> 00:21:50,960
Speaker 1: you've been through, fuck it, like you know you can't.

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Speaker 1: I know what the funk I was doing was completely

357
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Speaker 1: wrong and this was really wrong, but I basically used

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00:21:58,880 --> 00:22:01,480
Speaker 1: to um, I learned. I'm just gonna say this, I

359
00:22:01,680 --> 00:22:04,600
Speaker 1: learned the California frost bite or the Miami frost but

360
00:22:04,960 --> 00:22:09,480
Speaker 1: I think you've had every state frost I'll just say this.

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Speaker 1: One of the biggest singers I'm not gonna say her

362
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Speaker 1: name ever in the history of music was on the

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Speaker 1: back of a two hundred and fifty ft y'allt put

364
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Speaker 1: me in a bunch of people, and I was doing cocaine.

365
00:22:21,320 --> 00:22:23,600
Speaker 1: I was of the normal way obviously, where you snorted,

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Speaker 1: and this artist said, I want to do it, but

367
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Speaker 1: I don't do it the way you guys do. They want.

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Speaker 1: They know they liked it, put up their coolo oh

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Speaker 1: ship King. I got a guess. St. Bart's frost bite Christie. No, no,

370
00:22:47,640 --> 00:22:52,160
Speaker 1: not give me that. But I'm talking about Big Star

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Speaker 1: Houston because of that level, of that level. But don't

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Speaker 1: evening I took that in a nation that I learned

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00:23:01,080 --> 00:23:04,200
Speaker 1: that thing in the same parts and I would basically,

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Speaker 1: I guess, recruit like ten girls at the time and

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00:23:09,520 --> 00:23:13,399
Speaker 1: line them up and you frost proably went down. No,

376
00:23:13,520 --> 00:23:16,560
Speaker 1: you was living some scar face ships. I certainly was front.

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00:23:16,840 --> 00:23:19,560
Speaker 1: You picked me up one time. I was living on

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Speaker 1: Northeast eighteen Street and you was living on Palm Palm Star.

379
00:23:27,720 --> 00:23:30,360
Speaker 1: When you guys can't pick me up. And I came

380
00:23:30,400 --> 00:23:32,879
Speaker 1: downstairs and you know, I'm fat at the time, and

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00:23:32,920 --> 00:23:35,240
Speaker 1: the like can't jump over the gate. I'm like, it's

382
00:23:35,280 --> 00:23:40,359
Speaker 1: not big boy, I'm like that. So you can't just

383
00:23:40,480 --> 00:23:42,040
Speaker 1: jump over the gate. And you're a big nigger. You

384
00:23:42,119 --> 00:23:44,760
Speaker 1: got it's like one step and you gotta be like,

385
00:23:44,840 --> 00:23:48,239
Speaker 1: hold on, you gotta suggest your nuts and you get

386
00:23:48,280 --> 00:23:51,840
Speaker 1: your right. And I jumped up and these niggas had

387
00:23:51,880 --> 00:23:53,960
Speaker 1: the captain and then they went to Chile's. It was

388
00:23:54,040 --> 00:23:56,880
Speaker 1: the most melli and then they got ship. I haven't

389
00:23:56,920 --> 00:24:01,680
Speaker 1: seen in my life these niggas bitches, but naked, I'm

390
00:24:01,680 --> 00:24:05,359
Speaker 1: just getting divorced for my first marriage. I'm like, I

391
00:24:05,440 --> 00:24:07,760
Speaker 1: gotta look up my life and say, I don't really know.

392
00:24:08,760 --> 00:24:12,159
Speaker 1: I hope I got to do it. Yes, and Scott

393
00:24:12,880 --> 00:24:17,960
Speaker 1: and Raoul was big and they had the I don't

394
00:24:18,040 --> 00:24:21,080
Speaker 1: I don't even know how many million dollar boat yeship had.

395
00:24:21,640 --> 00:24:24,600
Speaker 1: But it was so beautiful and that was the first

396
00:24:24,680 --> 00:24:28,520
Speaker 1: time I ever experienced that, And it might be the

397
00:24:28,640 --> 00:24:31,119
Speaker 1: only time I've been on private jets a lot. But

398
00:24:32,080 --> 00:24:34,600
Speaker 1: did you see the Miami Frost. I actually don't know

399
00:24:34,640 --> 00:24:39,320
Speaker 1: what what is the Miami Frost? Like just some of

400
00:24:39,400 --> 00:24:42,080
Speaker 1: the people that said I kind of dirty, all right,

401
00:24:42,119 --> 00:24:44,639
Speaker 1: say it again, but still makes sense what it is?

402
00:24:46,640 --> 00:24:54,280
Speaker 1: I guess essentially. Honestly, Rouil used to say the Miami

403
00:24:54,320 --> 00:24:57,600
Speaker 1: Frost Bight was with blow and that the California Frost

404
00:24:57,600 --> 00:25:03,240
Speaker 1: but was with Molly. They crushed Molly. I'm assuming not

405
00:25:03,359 --> 00:25:10,080
Speaker 1: the crush the thing that goes in the kind of Steve,

406
00:25:10,200 --> 00:25:13,080
Speaker 1: what kind of us about you? Ask? Man? You just

407
00:25:13,119 --> 00:25:15,760
Speaker 1: say something before we passed the guy like, look, all

408
00:25:15,800 --> 00:25:20,479
Speaker 1: that ship was crazy, but you know what, um, I'm

409
00:25:20,480 --> 00:25:23,640
Speaker 1: gonna have an addicted person alitum all that drug ship.

410
00:25:23,840 --> 00:25:26,520
Speaker 1: I had to put that ship aside and now I'm

411
00:25:26,560 --> 00:25:30,320
Speaker 1: addicted to the music again. You've always been heavily addicted

412
00:25:30,359 --> 00:25:33,159
Speaker 1: into marijuana. I love it and that never gets me

413
00:25:33,240 --> 00:25:41,320
Speaker 1: in trouble. Makes a noise for that con joke about

414
00:25:41,359 --> 00:25:43,159
Speaker 1: all that ship and I live, got a joke about it.

415
00:25:43,200 --> 00:25:46,600
Speaker 1: I should have a trophy for the big You don't

416
00:25:47,040 --> 00:25:49,400
Speaker 1: joke about it. You know what. Some of the scumbad's

417
00:25:49,440 --> 00:25:52,280
Speaker 1: gonna joke about it. The caravan. No, no, no, we

418
00:25:52,440 --> 00:25:56,000
Speaker 1: care because we make him up. But we joke about

419
00:25:56,040 --> 00:25:57,920
Speaker 1: it with you because this guy. We don't know this

420
00:25:58,040 --> 00:26:00,600
Speaker 1: guy and he talked about Scott. We're gonna have to

421
00:26:00,680 --> 00:26:05,320
Speaker 1: have one of them. But like the people that whatever reason,

422
00:26:06,000 --> 00:26:08,120
Speaker 1: there are people walking the streets thinking that a little

423
00:26:08,520 --> 00:26:12,600
Speaker 1: you know, not like I usually live. I'm still living. No, Scott,

424
00:26:12,640 --> 00:26:15,640
Speaker 1: we because we know you rich. You've always been living good.

425
00:26:15,880 --> 00:26:17,359
Speaker 1: And let me just tell you something, Scott, just in

426
00:26:17,440 --> 00:26:20,040
Speaker 1: case you don't know, the hip hop hip hop community

427
00:26:20,080 --> 00:26:23,080
Speaker 1: support you. We always supported you. We're always going to

428
00:26:23,160 --> 00:26:25,359
Speaker 1: have your back, just in case you didn't know that.

429
00:26:25,960 --> 00:26:27,159
Speaker 1: You know what I'm saying, because the way you just

430
00:26:27,200 --> 00:26:28,879
Speaker 1: said that, I just want to just say that and

431
00:26:30,560 --> 00:26:32,200
Speaker 1: you went through and you know it ain't not a

432
00:26:32,240 --> 00:26:36,400
Speaker 1: man up to know for real, though we know that's

433
00:26:36,440 --> 00:26:38,719
Speaker 1: part of it. I didn't think I wouldn't have been

434
00:26:38,720 --> 00:26:41,480
Speaker 1: able to rebuild my riches and my success in my

435
00:26:41,600 --> 00:26:44,240
Speaker 1: career and everything if I hadn't admitted that. I actually

436
00:26:44,320 --> 00:26:47,760
Speaker 1: felt if you just now, most people are just in

437
00:26:47,880 --> 00:26:49,880
Speaker 1: denial and they'll just sit in the corner and they're

438
00:26:50,040 --> 00:26:53,320
Speaker 1: too scared to come out and rebuild themselves because they

439
00:26:53,320 --> 00:26:55,600
Speaker 1: don't want to have to admit they did fault. But

440
00:26:55,680 --> 00:26:57,920
Speaker 1: that's like, yeah, at this show, at this show, we have,

441
00:26:58,760 --> 00:27:01,080
Speaker 1: at this show, we have fun. Scott. Scott starts to

442
00:27:01,160 --> 00:27:04,359
Speaker 1: eat ass. That's a fact, right, Let's get it's a factor.

443
00:27:04,680 --> 00:27:10,000
Speaker 1: It's front Steve, Steve about you. Yes, now I've seen

444
00:27:10,040 --> 00:27:14,840
Speaker 1: the world man, so just imagine everything against I just like,

445
00:27:14,960 --> 00:27:17,560
Speaker 1: I just feel like your your preferences asian ass. I

446
00:27:17,680 --> 00:27:19,800
Speaker 1: just feel like I ain't going I just look at

447
00:27:19,840 --> 00:27:23,000
Speaker 1: you and say, I've been involved with a lot of

448
00:27:23,080 --> 00:27:26,080
Speaker 1: tresses with term squad. I can't, I can't, I can't.

449
00:27:26,240 --> 00:27:28,280
Speaker 1: I can't talk about that part either. You got me

450
00:27:28,359 --> 00:27:32,280
Speaker 1: on that one. I'll changing subject because something you know,

451
00:27:32,320 --> 00:27:35,680
Speaker 1: because I might go down with this somewhere with Steven

452
00:27:35,720 --> 00:27:40,359
Speaker 1: about tres I might pop off in this. Yeah, all

453
00:27:40,400 --> 00:27:44,840
Speaker 1: the time. Let's go first, terrible. So now you worked

454
00:27:44,880 --> 00:27:48,800
Speaker 1: with Tupac. I worked with Tupac Scroop the Outlaws, and

455
00:27:49,080 --> 00:27:52,160
Speaker 1: you worked with Big. I've seen pictures with you, Tupac

456
00:27:52,320 --> 00:27:55,359
Speaker 1: and Big. It's correct. You know. I did the Bone

457
00:27:55,359 --> 00:27:58,639
Speaker 1: and Biggie with Bone Thugs and then um, you know

458
00:27:58,720 --> 00:28:00,840
Speaker 1: pop we did Doug Love and like I said that

459
00:28:00,920 --> 00:28:04,040
Speaker 1: managed the Outlaws. I worked with everybody you could imagine,

460
00:28:04,080 --> 00:28:06,600
Speaker 1: and um, we discovered Nipsey Hustle. Me my partner Big,

461
00:28:06,680 --> 00:28:12,160
Speaker 1: you Shaun Kingston following, Yeah, you better check in with Big.

462
00:28:12,240 --> 00:28:15,119
Speaker 1: You know that's my guy. Um, you know, uh, I

463
00:28:15,560 --> 00:28:18,480
Speaker 1: s man Shaun Kingston. Uh, I've seen the world with

464
00:28:18,560 --> 00:28:20,639
Speaker 1: Shaun Kingston. A lot of people, you know, don't understand

465
00:28:20,680 --> 00:28:23,800
Speaker 1: that pop music get you around the world Kingston and

466
00:28:23,920 --> 00:28:28,520
Speaker 1: move on. Yeah, right now. Shaun Kingston is a very controversial. Yeah,

467
00:28:28,600 --> 00:28:31,239
Speaker 1: but me and Big you manage Shaun Kingston. Now got big.

468
00:28:31,640 --> 00:28:35,640
Speaker 1: There's no controversy, not not. I worked with Shaun Kingston

469
00:28:35,680 --> 00:28:37,080
Speaker 1: for seven years. But he gets caught up in a

470
00:28:37,119 --> 00:28:43,240
Speaker 1: lot of jams. But but Steve, Yeah, this incident is

471
00:28:43,320 --> 00:28:45,560
Speaker 1: just happened. Did you have anything to do with sun.

472
00:28:46,200 --> 00:28:49,000
Speaker 1: So now, yeah, Shaun was reckless, but that the reason

473
00:28:49,080 --> 00:28:56,200
Speaker 1: why Meek or whatever they say told you know, I

474
00:28:56,320 --> 00:28:59,760
Speaker 1: come from kill shoutout, pistol pick. None of them is drinks,

475
00:29:00,040 --> 00:29:03,080
Speaker 1: don't drink chan, we don't, I don't snitch, I don't

476
00:29:03,080 --> 00:29:06,720
Speaker 1: talk whatever it was, you know, big up all sides. Yeah, yeah, yeah,

477
00:29:06,760 --> 00:29:09,160
Speaker 1: because but anyway you don't need that. And then I'm

478
00:29:09,240 --> 00:29:11,320
Speaker 1: blessed me. I'm working with my man Scott, starting on

479
00:29:11,360 --> 00:29:13,560
Speaker 1: him for a long Scot and not managing Scott, and

480
00:29:13,600 --> 00:29:17,400
Speaker 1: we're going in you know, fantastic guy Scott story. Now Scott,

481
00:29:17,840 --> 00:29:21,080
Speaker 1: I remember fact yo, well not only I remember he

482
00:29:21,160 --> 00:29:23,560
Speaker 1: said it on our podcasts about four or five times.

483
00:29:23,640 --> 00:29:26,000
Speaker 1: He said, if I would have new every time me

484
00:29:26,160 --> 00:29:29,160
Speaker 1: and Scott go on the studio, we're gonna make a

485
00:29:29,320 --> 00:29:34,480
Speaker 1: number one w never let Scott leave me at all? Ever,

486
00:29:35,600 --> 00:29:38,640
Speaker 1: didn't do you agree with him every time? Every time?

487
00:29:38,960 --> 00:29:42,360
Speaker 1: It's crazy, it's miraculous, man, big up to Joe with

488
00:29:42,800 --> 00:29:45,640
Speaker 1: all the way up right now, that's it's cool and

489
00:29:45,720 --> 00:29:48,800
Speaker 1: dre and like man for real, cool to dre. Make

490
00:29:48,880 --> 00:29:54,520
Speaker 1: that bea though, no no, no cool to dream. You know,

491
00:29:59,040 --> 00:30:04,000
Speaker 1: school school people have been telling me. But I assume

492
00:30:04,080 --> 00:30:12,040
Speaker 1: that whatever reason, God bless because fat Joe deserves that. Man.

493
00:30:12,120 --> 00:30:16,880
Speaker 1: He's a hell of a dude. Did your boy? And

494
00:30:17,680 --> 00:30:20,320
Speaker 1: what up? Is e FN? And if you like good

495
00:30:20,400 --> 00:30:23,000
Speaker 1: wine but you can't spell some of the lier, I

496
00:30:23,160 --> 00:30:25,600
Speaker 1: like it, some a year, some a year, some a

497
00:30:25,720 --> 00:30:28,160
Speaker 1: lier some lier. We can't spell it or say it,

498
00:30:28,280 --> 00:30:29,880
Speaker 1: but we know what it is. It's time to take

499
00:30:29,920 --> 00:30:33,120
Speaker 1: the stress out of wine shopping and try Wink, the

500
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501
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502
00:30:40,240 --> 00:30:42,520
Speaker 1: but I think you don't want to pour wine while

503
00:30:42,520 --> 00:30:45,800
Speaker 1: you on yourself. Are you doing pilate so she'd drink it?

504
00:30:45,960 --> 00:30:48,200
Speaker 1: I suggest you everything you do in life, you do

505
00:30:48,480 --> 00:30:51,040
Speaker 1: with glass of wine next to you. Hang, Hang, listen,

506
00:30:51,080 --> 00:30:54,520
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507
00:30:54,560 --> 00:30:56,720
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508
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509
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510
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511
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512
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513
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514
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515
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516
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517
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521
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522
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524
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528
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535
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536
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537
00:32:32,960 --> 00:32:34,600
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538
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539
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540
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541
00:32:42,000 --> 00:32:44,520
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542
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543
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544
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545
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546
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547
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548
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549
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550
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551
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552
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553
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554
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555
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556
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557
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558
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Speaker 1: Champs Radio with Rapper and r E and djesn So.

559
00:33:38,240 --> 00:33:44,160
Speaker 1: Describe you leaving Dr Dre right, and there's so many

560
00:33:44,240 --> 00:33:50,680
Speaker 1: stories of these people that work with Dr Dre. Dre

561
00:33:51,000 --> 00:33:54,280
Speaker 1: don't pay them well whatever, come on, let me finish

562
00:33:54,840 --> 00:33:58,720
Speaker 1: or whatever, whatever, whatever excuse they use, and they leave

563
00:33:58,880 --> 00:34:02,760
Speaker 1: Dr Dre and then they never ever ever make it. Listen,

564
00:34:02,840 --> 00:34:06,360
Speaker 1: everybody can play like one of the only I know

565
00:34:06,520 --> 00:34:09,440
Speaker 1: a lot of people that have a lot of money

566
00:34:09,560 --> 00:34:12,640
Speaker 1: and a lot of success just from knowing him. All right,

567
00:34:13,120 --> 00:34:16,840
Speaker 1: Dr Dre gave me everything I ever deserved from everything

568
00:34:16,880 --> 00:34:20,440
Speaker 1: I've ever done with him, down to the percentage, Like

569
00:34:21,000 --> 00:34:26,840
Speaker 1: I think, for real, for real, Dr Dre provides opportunity

570
00:34:26,920 --> 00:34:30,640
Speaker 1: for people. But you know, It's like if people don't succeed,

571
00:34:30,800 --> 00:34:33,200
Speaker 1: and you can't expect that man to just keep people

572
00:34:33,280 --> 00:34:36,200
Speaker 1: in his doors in the studio if they ain't doing

573
00:34:36,280 --> 00:34:39,080
Speaker 1: ship like you know, and everything has its reason and

574
00:34:39,480 --> 00:34:43,440
Speaker 1: every business has its things where other business takes precedence

575
00:34:43,520 --> 00:34:45,799
Speaker 1: over that person. So they may be salty if they

576
00:34:45,880 --> 00:34:48,160
Speaker 1: had to wait in line, but they weren't that high

577
00:34:48,200 --> 00:34:52,040
Speaker 1: on the totem Poland. And you know, my whole relationship

578
00:34:52,080 --> 00:34:54,160
Speaker 1: with Dre is amazing. Right now. We actually got in

579
00:34:54,160 --> 00:34:56,120
Speaker 1: the studio a little bit. We're about to go in

580
00:34:56,239 --> 00:34:58,680
Speaker 1: and do a bunch of stuff. Um, and I heard

581
00:34:58,719 --> 00:35:01,280
Speaker 1: you are working on the cart up five? Is this correct?

582
00:35:01,360 --> 00:35:03,239
Speaker 1: I was blessed man the other day. I was down

583
00:35:03,280 --> 00:35:05,840
Speaker 1: in Miami and I got in with Wayne and I

584
00:35:05,960 --> 00:35:08,520
Speaker 1: heard you then avatar mall we had to drop on you.

585
00:35:09,600 --> 00:35:12,439
Speaker 1: I'm like, he's thinking that happen to call me friend?

586
00:35:12,480 --> 00:35:14,320
Speaker 1: I worked every day I was down there, so I

587
00:35:14,440 --> 00:35:17,839
Speaker 1: had to take her somewhere. Big up a white b. Yeah,

588
00:35:18,320 --> 00:35:20,880
Speaker 1: so you're working on Carter five. I'm working on that.

589
00:35:21,040 --> 00:35:24,920
Speaker 1: I'm working on a bunch of stuff, man, a bunch

590
00:35:24,960 --> 00:35:27,080
Speaker 1: of new talent. I got a record coming out with

591
00:35:27,200 --> 00:35:29,640
Speaker 1: this kid, pnb Rocked from Philly and that's my guy,

592
00:35:29,920 --> 00:35:32,440
Speaker 1: big U P and B. Brown. He's got his own

593
00:35:33,880 --> 00:35:38,600
Speaker 1: Orlando yea, and working on a bunch of stuff. I'm

594
00:35:38,600 --> 00:35:42,600
Speaker 1: working with Murder Beats on a bunch of stuff. Hopefully

595
00:35:42,640 --> 00:35:44,960
Speaker 1: it makes it way to Drake and the cant and

596
00:35:45,200 --> 00:35:50,239
Speaker 1: the only Canadian crew. But yeah, we're cooking. Um got

597
00:35:50,320 --> 00:35:54,160
Speaker 1: a bunch of stuff. Chris Brown, Chris Brown. Yeah, because

598
00:35:54,160 --> 00:35:58,680
Speaker 1: you did Running Running right, you did Chris Brown's original record. Yeah,

599
00:35:58,719 --> 00:36:04,040
Speaker 1: I was there, was it running? I was there. I was,

600
00:36:04,239 --> 00:36:07,440
Speaker 1: I was downstairs. Y'all was upstairs and you played me

601
00:36:07,520 --> 00:36:10,160
Speaker 1: he was. He was upstairs with Tina Davis. Am I

602
00:36:10,239 --> 00:36:13,600
Speaker 1: correct Mark pit and my Pitts And I didn't see

603
00:36:13,640 --> 00:36:16,359
Speaker 1: my pitts that day. I just seen you and Tina Davis.

604
00:36:16,440 --> 00:36:18,759
Speaker 1: I came upstairs and I was downstairs. I was. I

605
00:36:18,840 --> 00:36:21,279
Speaker 1: think I was trying to bust something. It's you know,

606
00:36:22,200 --> 00:36:23,520
Speaker 1: I mean, it's back in the days. You know what

607
00:36:23,520 --> 00:36:28,040
Speaker 1: I'm saying, Let's go it out there. And and two

608
00:36:28,160 --> 00:36:31,560
Speaker 1: years later, this kid is Chris fucking fucking Brown. Oh

609
00:36:31,880 --> 00:36:35,439
Speaker 1: that far back? No, I'm talking about not, I mean back.

610
00:36:37,040 --> 00:36:39,239
Speaker 1: Scott is in there, and you know Scott is my man.

611
00:36:39,440 --> 00:36:42,399
Speaker 1: So I could come in scott studio and Scott he'll

612
00:36:42,680 --> 00:36:45,120
Speaker 1: look at me and be like, you shouldn't really be

613
00:36:45,239 --> 00:36:48,080
Speaker 1: here right now, but he'll still let me live. Come on.

614
00:36:51,040 --> 00:36:53,879
Speaker 1: And then I went that back downstairs. And two years

615
00:36:53,960 --> 00:36:56,880
Speaker 1: later the kid he was working on was Chris Brown.

616
00:36:57,160 --> 00:36:59,920
Speaker 1: I remember seeing that, and it feels like it was

617
00:37:00,040 --> 00:37:03,359
Speaker 1: suited than two years. No, I'm not, I'm not. I'm

618
00:37:03,400 --> 00:37:07,600
Speaker 1: not describing now saying you know what, I feel like

619
00:37:08,160 --> 00:37:10,640
Speaker 1: we made the record and at least within a year. Yeah,

620
00:37:10,760 --> 00:37:12,279
Speaker 1: it was a year, and it was in a year.

621
00:37:13,200 --> 00:37:16,439
Speaker 1: Remember the day seven, the day I met Chris Brown.

622
00:37:16,480 --> 00:37:19,279
Speaker 1: I've told this story a hundred times. I like telling

623
00:37:19,320 --> 00:37:24,560
Speaker 1: this story's over there. Quite tell him the day I

624
00:37:24,640 --> 00:37:27,440
Speaker 1: met Chris Brown, he was a little kid man. He

625
00:37:27,560 --> 00:37:30,080
Speaker 1: came in and I told him. I said, Yo, you're

626
00:37:30,239 --> 00:37:34,640
Speaker 1: you're awesome person. Just stayed humble and stay just like

627
00:37:34,760 --> 00:37:38,319
Speaker 1: you are man, And he did, um, And I'm gonna

628
00:37:38,400 --> 00:37:41,120
Speaker 1: make you a number one song today. And the song

629
00:37:41,239 --> 00:37:43,520
Speaker 1: whatever we make is gonna go to number one. And

630
00:37:43,600 --> 00:37:46,879
Speaker 1: a year later it was number one. So a year later,

631
00:37:46,960 --> 00:37:50,799
Speaker 1: I said, two years, one year later, we took him

632
00:37:50,840 --> 00:37:52,440
Speaker 1: the number one. He never had a record out ever

633
00:37:52,560 --> 00:37:54,359
Speaker 1: in his life. But he deserves that. I'm not gonna

634
00:37:54,360 --> 00:37:56,600
Speaker 1: take all the credit for that. He's a talented young man.

635
00:37:56,680 --> 00:37:59,839
Speaker 1: And Chris still talented, and he still blesses me every time.

636
00:38:00,160 --> 00:38:02,560
Speaker 1: He's one of the loyal ones. That's very few. That's

637
00:38:02,600 --> 00:38:06,800
Speaker 1: Fat Joe as you, Chris Brown at Rick Ross, but

638
00:38:07,120 --> 00:38:10,879
Speaker 1: Chris on my Darkest Day Rick Chris Brown always make

639
00:38:10,920 --> 00:38:13,680
Speaker 1: sure he puts the Scott Storts record on his album

640
00:38:14,320 --> 00:38:18,759
Speaker 1: with Rick Ross as well. Now, how about kyla Um?

641
00:38:19,320 --> 00:38:21,960
Speaker 1: Did you work with college Steve CALLI? Yeah, man, I

642
00:38:21,960 --> 00:38:25,000
Speaker 1: don't know, call it a long long time. Him and

643
00:38:25,080 --> 00:38:27,440
Speaker 1: d J Nasty. You know, me and Joe used to

644
00:38:27,440 --> 00:38:29,239
Speaker 1: go to Lando and always used to run into them.

645
00:38:31,239 --> 00:38:37,640
Speaker 1: I just seen yeah from New Only exactly just yeah,

646
00:38:37,640 --> 00:38:39,719
Speaker 1: and you know we go way back, like someone just

647
00:38:39,840 --> 00:38:42,920
Speaker 1: found some crazy throwback and meet him and Tretch and

648
00:38:43,000 --> 00:38:46,040
Speaker 1: I suit from the Outlaws like from ninety five. But

649
00:38:46,200 --> 00:38:48,480
Speaker 1: you know, you know, cal knew how to master the

650
00:38:48,520 --> 00:38:52,160
Speaker 1: game and stay relevant and use his personality and God

651
00:38:52,200 --> 00:38:54,080
Speaker 1: bless him man, and God bless his new baby son.

652
00:38:54,160 --> 00:39:01,600
Speaker 1: And I try to tell people in this game that

653
00:39:02,120 --> 00:39:04,080
Speaker 1: nothing happens overnight, you know what I mean? So it

654
00:39:04,200 --> 00:39:07,239
Speaker 1: takes decades to you know, be successful. When you need

655
00:39:07,239 --> 00:39:09,640
Speaker 1: a lot of patients, you gotta sacrifice a lot and persistent.

656
00:39:09,719 --> 00:39:11,480
Speaker 1: You know, all of us at this table got resumes

657
00:39:11,520 --> 00:39:13,320
Speaker 1: and stripes and for the new generation out there, like

658
00:39:13,360 --> 00:39:16,040
Speaker 1: you got with You're working. Ship does not happen overnight.

659
00:39:16,120 --> 00:39:18,279
Speaker 1: But with Scott, we got that game record out with

660
00:39:18,360 --> 00:39:21,680
Speaker 1: Jeremiah all Eyes number four and the rhythmic charts and um,

661
00:39:22,200 --> 00:39:24,320
Speaker 1: we've got Shaggy record out and we're doing some just

662
00:39:24,440 --> 00:39:29,760
Speaker 1: different ships that Scott never did. We just Shaggy grabbed

663
00:39:29,800 --> 00:39:34,319
Speaker 1: my head counter guy. I was like, man, don't being

664
00:39:34,400 --> 00:39:36,600
Speaker 1: managing that. But you know Scott's Scott's going around the

665
00:39:36,640 --> 00:39:39,799
Speaker 1: world playing the keys with the DJ, doing some innovative ship.

666
00:39:39,960 --> 00:39:43,399
Speaker 1: We're doing a lot of brand um collapse and TV ship,

667
00:39:43,520 --> 00:39:45,800
Speaker 1: movie ship and just working with every like new artists

668
00:39:45,880 --> 00:39:49,040
Speaker 1: from you know, bebe Barelly on Deaf Jam to b

669
00:39:49,200 --> 00:39:54,359
Speaker 1: Rocks to every everything given, give Nipsey some ship, French

670
00:39:54,440 --> 00:39:57,279
Speaker 1: want to everybody. You know. You know, Scott's town never left.

671
00:39:57,320 --> 00:39:59,719
Speaker 1: Just because someone goes through trials and trip relations that

672
00:40:00,000 --> 00:40:03,160
Speaker 1: I go through trials and trip relations every day, every day,

673
00:40:03,239 --> 00:40:05,120
Speaker 1: and these things doubt me every day. You know what

674
00:40:05,200 --> 00:40:09,840
Speaker 1: I tell them like it's every day. What was what

675
00:40:10,000 --> 00:40:13,160
Speaker 1: was the situation with with Steve Gottlie? And and like

676
00:40:13,239 --> 00:40:16,280
Speaker 1: the publishing TVT I've always heard that in the beginning,

677
00:40:17,560 --> 00:40:19,520
Speaker 1: what's what's the facts on that story on the which

678
00:40:19,600 --> 00:40:22,160
Speaker 1: story on the people that that Steve Gottlie had a

679
00:40:22,239 --> 00:40:25,120
Speaker 1: percentage of your publishing? No, I just had a he

680
00:40:25,200 --> 00:40:27,360
Speaker 1: had a polaching deal with had a publishing deal. I

681
00:40:27,440 --> 00:40:30,239
Speaker 1: got my first million dollar check with him, but I didn't.

682
00:40:32,880 --> 00:40:37,239
Speaker 1: This is a real story that you know teaches you

683
00:40:37,280 --> 00:40:41,040
Speaker 1: about persistence. But you know, back in the day my

684
00:40:41,120 --> 00:40:44,960
Speaker 1: first publishing deal, I got a million dollar deal with

685
00:40:45,080 --> 00:40:49,120
Speaker 1: TVT Records, I got ad got fired, I got I

686
00:40:49,160 --> 00:40:54,359
Speaker 1: got a hundred thousand out of that respect for real?

687
00:40:54,560 --> 00:40:57,640
Speaker 1: What was the who was saying? I got robbed by

688
00:40:57,719 --> 00:41:03,960
Speaker 1: people like between Lord this and that and then ship

689
00:41:04,080 --> 00:41:07,160
Speaker 1: that was like corrupt that you know, and it was

690
00:41:07,200 --> 00:41:09,040
Speaker 1: a million up front and you got a hundred dollars

691
00:41:09,920 --> 00:41:14,600
Speaker 1: out of it. Heartbreaking, But you know what, it's just

692
00:41:14,640 --> 00:41:18,360
Speaker 1: the inspiration to make more. I did. Goddamn. That's the

693
00:41:18,960 --> 00:41:21,120
Speaker 1: part of the game. You know, plenty of it now, Now,

694
00:41:21,239 --> 00:41:26,000
Speaker 1: how was it again hot with Lizzy Lohan Hill like

695
00:41:27,000 --> 00:41:30,960
Speaker 1: he's better than that. No, not because Lizzie I've sitting

696
00:41:30,960 --> 00:41:32,600
Speaker 1: them around. I'd be like, damn. When I see her,

697
00:41:32,640 --> 00:41:36,960
Speaker 1: I'd be like, damn, I want to get Yeah, no secret.

698
00:41:37,719 --> 00:41:40,279
Speaker 1: In my day of doing my dirt and wild out

699
00:41:40,400 --> 00:41:44,239
Speaker 1: and Paris girls, listen, I had allday list girls and

700
00:41:44,320 --> 00:41:46,640
Speaker 1: I would take them out and I would walk carpet

701
00:41:47,160 --> 00:41:50,800
Speaker 1: that let's please pay all. I would mad at. I

702
00:41:50,840 --> 00:41:54,279
Speaker 1: would walk the red carpet with them, but when I

703
00:41:54,320 --> 00:41:58,360
Speaker 1: would leave, I would call the porn store across. But

704
00:41:58,719 --> 00:42:01,680
Speaker 1: they're way more fun. You bucks. King Kardashian opening, right

705
00:42:04,800 --> 00:42:08,360
Speaker 1: 's doing that out? Listen the movie like You? That

706
00:42:08,480 --> 00:42:11,000
Speaker 1: was it? Like you were first hip hop boyfriend. Let's

707
00:42:11,000 --> 00:42:13,480
Speaker 1: just keep it read Scott claiming claiming because somebody else

708
00:42:13,520 --> 00:42:16,040
Speaker 1: gonna claim it and it's not going. Do you want Nika,

709
00:42:16,160 --> 00:42:18,720
Speaker 1: I'll be telling because of sticking test out, man, Scott.

710
00:42:18,760 --> 00:42:24,200
Speaker 1: I think right now, as you claiming, I've just got

711
00:42:24,920 --> 00:42:27,200
Speaker 1: I see. I know the truth. It was the first

712
00:42:27,280 --> 00:42:30,680
Speaker 1: hip hop Come on man, listen listen. People are different

713
00:42:30,719 --> 00:42:33,000
Speaker 1: places in their lives now. I ain't trying to them. Yeah,

714
00:42:33,040 --> 00:42:37,960
Speaker 1: definitely big on the call. I got easy threes that's

715
00:42:37,960 --> 00:42:45,879
Speaker 1: the way to go. They see me the white jacket. Um,

716
00:42:47,280 --> 00:42:50,120
Speaker 1: come on, there's a price to pay for everything. Alright,

717
00:42:50,160 --> 00:42:55,480
Speaker 1: But Lindsey Lohan, how was that? Hunt? Lindsay Lohan? How

718
00:42:55,680 --> 00:43:00,920
Speaker 1: was that? Yeah? Please come on, just one or Paris Hilton?

719
00:43:01,040 --> 00:43:06,799
Speaker 1: Either one? But what could dope? Paris is dope? How

720
00:43:06,800 --> 00:43:09,920
Speaker 1: about Lindsay? That's what I know. You don't want to

721
00:43:09,920 --> 00:43:12,160
Speaker 1: talk about Linday. So she was more like a homie

722
00:43:12,560 --> 00:43:16,440
Speaker 1: than anything else. If I went there with her, I

723
00:43:16,560 --> 00:43:20,520
Speaker 1: really don't remember it so well. But she definitely got high.

724
00:43:21,040 --> 00:43:26,400
Speaker 1: Oh yeah, let's make some noise for that. Guys, maybe

725
00:43:27,800 --> 00:43:30,319
Speaker 1: here listen, listen, let me tell you something. A lot

726
00:43:30,320 --> 00:43:37,080
Speaker 1: of niggas get high with what people name Jamal, and

727
00:43:37,160 --> 00:43:42,080
Speaker 1: they get high for people named Jamaica Ja. This nigga

728
00:43:42,160 --> 00:43:47,720
Speaker 1: got high with Lindsay Lohan. Paris helped him. His first

729
00:43:47,840 --> 00:43:51,319
Speaker 1: girl was Kim Kardashian. Let's let's praise this nigga's sucking

730
00:43:51,360 --> 00:43:59,160
Speaker 1: nose and his dad. Damn it, you're my friend, Scott.

731
00:43:59,239 --> 00:44:00,920
Speaker 1: I gotta beg you. I don't know if you know

732
00:44:01,440 --> 00:44:04,160
Speaker 1: this is a platform we big up all legends and

733
00:44:04,239 --> 00:44:06,440
Speaker 1: see a lot of people don't give you the credit

734
00:44:06,520 --> 00:44:13,400
Speaker 1: for busting it wide open. A lot of things. Come on, Scott,

735
00:44:13,400 --> 00:44:14,959
Speaker 1: do you think about it? I look as think about

736
00:44:14,960 --> 00:44:17,239
Speaker 1: it together. I don't want to look Scott, and I

737
00:44:17,320 --> 00:44:19,799
Speaker 1: want to praise you for that. He was the first

738
00:44:19,920 --> 00:44:23,640
Speaker 1: nigger I've ever seen with Star Island. Star Island was

739
00:44:23,800 --> 00:44:26,239
Speaker 1: very I did a lot of first a lot of

740
00:44:26,440 --> 00:44:36,600
Speaker 1: first Bugatti. First Tom, Tom, that is a CRS the

741
00:44:36,960 --> 00:44:39,640
Speaker 1: first book. I didn't know what the funk he was

742
00:44:39,719 --> 00:44:42,560
Speaker 1: saying to me. He said, I, Nor, this is a Bugatti.

743
00:44:43,480 --> 00:44:50,800
Speaker 1: That's a fact you're talking. I don't know what it

744
00:44:50,880 --> 00:44:55,160
Speaker 1: is this listen, this is a true story, true story.

745
00:44:55,640 --> 00:44:58,120
Speaker 1: The first thing I did when I got that card delivered,

746
00:44:58,280 --> 00:45:00,719
Speaker 1: I rememped the plastic off the seats, m and I

747
00:45:00,800 --> 00:45:02,920
Speaker 1: sparked the backwood in the front driver's seat in my

748
00:45:03,040 --> 00:45:08,680
Speaker 1: driveway just to drive them, you know, sit there. And

749
00:45:08,760 --> 00:45:12,960
Speaker 1: I just christened the car. Yeah, did you bust a

750
00:45:13,080 --> 00:45:17,000
Speaker 1: nut as well? There's probably some DNA of mine left

751
00:45:17,040 --> 00:45:23,880
Speaker 1: in that, Scott. Let me tell you something, Scott, I'm

752
00:45:23,920 --> 00:45:27,319
Speaker 1: gonna be honest. At one point you was like scar

753
00:45:27,480 --> 00:45:32,719
Speaker 1: face to me, Like, is that respectful? No, I've seen

754
00:45:32,760 --> 00:45:38,239
Speaker 1: you in your career one day and you closed the draw.

755
00:45:40,760 --> 00:45:52,600
Speaker 1: It was like it was like when Lebron I said, listen,

756
00:45:53,000 --> 00:45:58,400
Speaker 1: you go like Jack Nicholson and departed. Think about it.

757
00:45:59,280 --> 00:46:02,160
Speaker 1: I don't remember of that part, but I definitely remember

758
00:46:02,160 --> 00:46:05,680
Speaker 1: when Lebron like that and I said, Yo, Scott, you

759
00:46:05,800 --> 00:46:09,400
Speaker 1: had and it was the pure paris of the parer

760
00:46:10,560 --> 00:46:13,880
Speaker 1: and not listen, let's make any Scott stories being living.

761
00:46:14,120 --> 00:46:17,360
Speaker 1: Listen a lot of y'all nigga seeing Scott face the movie.

762
00:46:18,680 --> 00:46:23,000
Speaker 1: Y'all never seen a scar facing real life. Just makes

763
00:46:23,000 --> 00:46:33,320
Speaker 1: a scarf facing real life. I said, I said, Scott

764
00:46:33,400 --> 00:46:36,799
Speaker 1: doing it, Scott going on it. This is real ship

765
00:46:37,120 --> 00:46:39,080
Speaker 1: and I respect you. Scott. Just want you to know

766
00:46:39,239 --> 00:46:42,000
Speaker 1: that from the bottom of my heart, You've always been

767
00:46:42,040 --> 00:46:44,800
Speaker 1: a great guy and I'm always respect you like that.

768
00:46:45,520 --> 00:46:50,279
Speaker 1: And Steve LaBelle, we're gonna get back into you. Last

769
00:46:50,320 --> 00:46:52,480
Speaker 1: time we had you on the phone, we asked you

770
00:46:52,880 --> 00:46:55,880
Speaker 1: a jam Master j story. You didn't really want to

771
00:46:55,920 --> 00:46:59,279
Speaker 1: get into it because we was on the phone. So

772
00:46:59,440 --> 00:47:01,440
Speaker 1: now we need you to give us because you know

773
00:47:01,560 --> 00:47:04,400
Speaker 1: jam Master Jake, real Queen's guy exactly. We have to

774
00:47:04,600 --> 00:47:07,719
Speaker 1: pay tribute and respect to jam Master and to the

775
00:47:07,880 --> 00:47:11,040
Speaker 1: fucking bitch ass nigga who fucking shot him, and listen

776
00:47:11,080 --> 00:47:13,439
Speaker 1: to the first white guy. We allow you to say nigga,

777
00:47:13,520 --> 00:47:18,360
Speaker 1: come and say you know Russian Simmons rust say you

778
00:47:18,480 --> 00:47:22,879
Speaker 1: you're allowed to say nigga the override ruffle, I want

779
00:47:22,920 --> 00:47:27,480
Speaker 1: you nigga. Call that nigga nigga killing what we kill him? Man?

780
00:47:27,600 --> 00:47:31,920
Speaker 1: You know, let's go look at it. Don't see you

781
00:47:32,920 --> 00:47:36,440
Speaker 1: do it? Four belong. By the way, we're an apartment

782
00:47:36,640 --> 00:47:40,080
Speaker 1: four B. Yep, shut out before man looking out. Let

783
00:47:40,120 --> 00:47:42,360
Speaker 1: me let me pick up my man again. Let me

784
00:47:42,440 --> 00:47:45,200
Speaker 1: pick my man. Come over, come over, come over here,

785
00:47:45,239 --> 00:47:47,839
Speaker 1: Apartment four B, please shout out, Sign up the Graham

786
00:47:47,920 --> 00:47:52,560
Speaker 1: and all that for B followers at Apartment apt dot

787
00:47:52,680 --> 00:47:57,200
Speaker 1: four B. Queens, we're in l a legend that going

788
00:47:57,280 --> 00:47:59,880
Speaker 1: down your Scott being this to me all night. You

789
00:48:00,000 --> 00:48:03,759
Speaker 1: see his shots and see my shots. Shot. No, No,

790
00:48:04,400 --> 00:48:07,640
Speaker 1: like I said that shot that. I feel like you

791
00:48:07,760 --> 00:48:12,560
Speaker 1: needed that to blown some blow jobs. Finish it because,

792
00:48:13,520 --> 00:48:16,680
Speaker 1: like I said toever, the motherfucker bitch ass nigger out there,

793
00:48:16,880 --> 00:48:21,480
Speaker 1: kill j fucking I did. I did. Maybe you and

794
00:48:21,560 --> 00:48:25,800
Speaker 1: your family rotten hell. Yeah, it's funny because you're from Queens.

795
00:48:25,840 --> 00:48:29,040
Speaker 1: So every fourth of July, Jay would call me. He's like, Steve,

796
00:48:29,360 --> 00:48:31,600
Speaker 1: call your Italian buddies. Let's get some fireworks. We go

797
00:48:31,680 --> 00:48:35,000
Speaker 1: to Speendycok Spaghetti War. You know, you know, you know

798
00:48:35,200 --> 00:48:37,600
Speaker 1: the first time I've ever seen John Gotti was in

799
00:48:38,000 --> 00:48:41,240
Speaker 1: Spaghetti Park when he beat his case. I'm like maybe

800
00:48:41,360 --> 00:48:44,400
Speaker 1: six seven years old and I'm miss Spaghetti Park and

801
00:48:44,480 --> 00:48:46,680
Speaker 1: John Gotti beat his case. So when you said that

802
00:48:46,760 --> 00:48:49,719
Speaker 1: on on on the podcast when you hung up, I

803
00:48:49,760 --> 00:48:52,520
Speaker 1: actually said that story right, And when you said that,

804
00:48:52,560 --> 00:48:55,680
Speaker 1: I knew your official limit. Let me see kah let me.

805
00:48:55,719 --> 00:48:57,320
Speaker 1: I just took my dad to Lemonize King when I

806
00:48:57,360 --> 00:48:58,879
Speaker 1: was in Queens. I'm going back to Queens next week

807
00:48:58,920 --> 00:49:03,360
Speaker 1: for my birthday. Be fifty one. Man gone, i'thday. Hell yeah, no, no,

808
00:49:03,480 --> 00:49:07,960
Speaker 1: go to Vegas, no one, I'm Vegas. What are you?

809
00:49:08,560 --> 00:49:11,200
Speaker 1: What are you calling it? Mathews frost bite from let's

810
00:49:11,600 --> 00:49:14,279
Speaker 1: Vegas for us? You gonna eat some molly ass. Let's not.

811
00:49:17,040 --> 00:49:18,640
Speaker 1: I'm going home to the tip of my father o

812
00:49:18,760 --> 00:49:21,240
Speaker 1: g ted. But you know you always want the fireworks

813
00:49:21,239 --> 00:49:22,960
Speaker 1: to bring back to to third in Hollis and blow

814
00:49:23,040 --> 00:49:25,000
Speaker 1: up all the fireworks for the kids. And we st

815
00:49:25,040 --> 00:49:26,640
Speaker 1: always get the fire works and go over there and

816
00:49:26,800 --> 00:49:29,080
Speaker 1: just you know, I just got so many stories man

817
00:49:29,160 --> 00:49:31,600
Speaker 1: from Easy to so much ship Man. Now how we

818
00:49:31,680 --> 00:49:35,719
Speaker 1: go Western Peace, jam Master Jay. But it's the first

819
00:49:35,800 --> 00:49:38,439
Speaker 1: of them. Mind, you ain't manage them at that time. Yeah,

820
00:49:38,640 --> 00:49:46,640
Speaker 1: you actually, that's just it's the first that you ask me. Yes, look,

821
00:49:46,719 --> 00:49:55,240
Speaker 1: so let's listen. Listen, listen, this is Students and Healthless

822
00:49:55,320 --> 00:50:01,160
Speaker 1: Records was distributed Relative. I worked at Relative Civity. Easy

823
00:50:01,280 --> 00:50:03,759
Speaker 1: we did his album, We did mc ran, We did

824
00:50:03,840 --> 00:50:05,719
Speaker 1: app band Clan which was will I am from a

825
00:50:06,000 --> 00:50:08,759
Speaker 1: band clan Bloods of Abraham. There was a White Wrap

826
00:50:08,840 --> 00:50:13,400
Speaker 1: group which was Jerry Heller's nephew, Terry hellers Um. There

827
00:50:13,520 --> 00:50:15,520
Speaker 1: was so many, all the signed to Ruth's you know,

828
00:50:15,640 --> 00:50:19,840
Speaker 1: Easy was a you know, real businessman, so I was

829
00:50:19,920 --> 00:50:22,160
Speaker 1: a and R there at the time. So when Bone

830
00:50:22,200 --> 00:50:24,719
Speaker 1: Throws came into York, Easy had died so didn't really

831
00:50:24,760 --> 00:50:26,279
Speaker 1: know anybody but me. So I was the A and

832
00:50:26,360 --> 00:50:28,600
Speaker 1: all I would did the solo projects and did the

833
00:50:28,640 --> 00:50:30,920
Speaker 1: more Thug label that we had so many hits and

834
00:50:31,000 --> 00:50:32,919
Speaker 1: then I just started managing them. So I wasn't around

835
00:50:32,960 --> 00:50:34,799
Speaker 1: the first of the months of thuggas Ruggish for love

836
00:50:34,840 --> 00:50:37,840
Speaker 1: of Money, Keep it right there. Yeah, it's the first

837
00:50:37,880 --> 00:50:42,960
Speaker 1: of the month. This guy, you heard that record and

838
00:50:43,040 --> 00:50:47,080
Speaker 1: what did you say? Shit, you knew you know, yeah,

839
00:50:47,120 --> 00:50:49,399
Speaker 1: but you know Bone and very innovative, creative man. They're

840
00:50:49,400 --> 00:50:52,359
Speaker 1: singing rap man and you know we're salution. They sat

841
00:50:52,480 --> 00:50:55,680
Speaker 1: Rocky Solution, Kendrick Solution rights this blank Dogs. But I

842
00:50:55,760 --> 00:50:59,200
Speaker 1: feel like Bones Dougs don't get their dues. Um. He

843
00:50:59,360 --> 00:51:01,920
Speaker 1: sold fifty million records, which is all for a rapper,

844
00:51:02,040 --> 00:51:07,759
Speaker 1: fifty millions, and they collaborate million and you see the

845
00:51:10,680 --> 00:51:16,000
Speaker 1: fifty millions and you're always touring and at the end

846
00:51:16,040 --> 00:51:19,040
Speaker 1: of the day, the only rap group No MP No

847
00:51:19,200 --> 00:51:22,839
Speaker 1: MP three that did songs with Easy Pock, Biggie Jam,

848
00:51:23,000 --> 00:51:26,279
Speaker 1: Mr Jats mentor Damn after Easy died to the record

849
00:51:26,360 --> 00:51:29,400
Speaker 1: with pun to the records of you know, so many people,

850
00:51:29,680 --> 00:51:33,120
Speaker 1: Um Tupac Doug Love, but you know, I'm still with them,

851
00:51:33,160 --> 00:51:35,040
Speaker 1: and shows you the integrity of myself because all I

852
00:51:35,120 --> 00:51:37,279
Speaker 1: know is longalty and integrity. So twenty three years later

853
00:51:38,080 --> 00:51:49,319
Speaker 1: and yeah, yeah they're crazy, but that's still melodic ship

854
00:51:50,160 --> 00:51:55,960
Speaker 1: a K nigga. I need, I need the beginning, at

855
00:51:56,000 --> 00:51:59,680
Speaker 1: the beginning. I wish we have to keep we listen,

856
00:51:59,760 --> 00:52:03,880
Speaker 1: we keyboard. But you know what, I figured, that's what

857
00:52:04,080 --> 00:52:08,480
Speaker 1: every other interview was gonna try. And I said, you

858
00:52:08,560 --> 00:52:12,320
Speaker 1: know what, this is my brother. Queen's guys would do.

859
00:52:12,840 --> 00:52:14,839
Speaker 1: They don't follow that because you know why, he ain't

860
00:52:14,840 --> 00:52:17,279
Speaker 1: gonna sunk with them like he hate sunk with me.

861
00:52:18,160 --> 00:52:21,000
Speaker 1: So I said, at first, I was like, you know,

862
00:52:21,160 --> 00:52:23,040
Speaker 1: find the keyboard and all that. And then I said,

863
00:52:23,080 --> 00:52:25,000
Speaker 1: you know what, I looked at him on the internet

864
00:52:25,120 --> 00:52:30,120
Speaker 1: seeing how he killed it, killed every I said, you know,

865
00:52:30,440 --> 00:52:32,600
Speaker 1: I just want to speak to my brother. But now

866
00:52:33,400 --> 00:52:38,440
Speaker 1: for our listeners, how did it's still dray day nigger?

867
00:52:39,040 --> 00:52:41,880
Speaker 1: How did that happen? I'm gonna tell you right now.

868
00:52:42,000 --> 00:52:45,680
Speaker 1: I remember, as clear as a Bill dre I'm getting

869
00:52:45,680 --> 00:52:49,080
Speaker 1: it with program some drums every day, like we were

870
00:52:49,160 --> 00:52:50,960
Speaker 1: sitting there and he would come up with a drum pattern,

871
00:52:51,440 --> 00:52:57,640
Speaker 1: and that particular day was separ And then he went

872
00:52:57,719 --> 00:53:01,920
Speaker 1: and need a sandwich, sadway in the kitchen at Encore Studios.

873
00:53:02,040 --> 00:53:03,799
Speaker 1: What does he eat? I don't know he was having

874
00:53:03,840 --> 00:53:06,239
Speaker 1: a sandwich? Was it turkey and gees? It could have

875
00:53:06,280 --> 00:53:11,680
Speaker 1: been quite likely, definitely hand The kitchen is obviously within

876
00:53:11,800 --> 00:53:16,400
Speaker 1: earshot of the control room of the studio and he

877
00:53:16,560 --> 00:53:19,480
Speaker 1: just left the pattern, just playing, and I got on

878
00:53:19,560 --> 00:53:22,040
Speaker 1: that joint and I said, hang ling inging, ding ding

879
00:53:22,160 --> 00:53:24,560
Speaker 1: ding ding, And he walked in with the sandwich in

880
00:53:24,640 --> 00:53:27,720
Speaker 1: his hand and he said, that's it right there. Because

881
00:53:27,760 --> 00:53:29,319
Speaker 1: we was down to the wire. We had been making

882
00:53:29,360 --> 00:53:32,160
Speaker 1: record after record, making a hundred records, and we were

883
00:53:32,200 --> 00:53:34,080
Speaker 1: looking for that single. And he said, that's it right there,

884
00:53:35,080 --> 00:53:37,400
Speaker 1: that's it. And by the end of the day, and

885
00:53:37,480 --> 00:53:40,080
Speaker 1: you did that on the piano. I did that on

886
00:53:40,160 --> 00:53:44,080
Speaker 1: the piano five minutes later. We put everything around that ship.

887
00:53:44,120 --> 00:53:45,719
Speaker 1: It was just a base on a little string. We

888
00:53:45,760 --> 00:53:48,640
Speaker 1: didn't do nothing to it. It was just three elements.

889
00:53:49,560 --> 00:53:53,920
Speaker 1: We sent it off to jay Z. Was that that

890
00:53:54,080 --> 00:53:56,160
Speaker 1: was your idea to send it to jay Z? No,

891
00:53:56,880 --> 00:53:58,520
Speaker 1: that was not that. I mean, obviously it would have

892
00:53:58,560 --> 00:54:02,080
Speaker 1: been a great idea, but quite certain that came from

893
00:54:02,160 --> 00:54:05,480
Speaker 1: Dr Dre. He's a visionary man. I learned so much

894
00:54:05,520 --> 00:54:06,960
Speaker 1: from that dude. I'm not trying to be a dick

895
00:54:07,000 --> 00:54:08,960
Speaker 1: writer or nothing, but for real, that was how I

896
00:54:09,040 --> 00:54:10,839
Speaker 1: learned how to do what the funk I did. He's

897
00:54:10,880 --> 00:54:14,959
Speaker 1: watching him bring the best out of artists. The beat

898
00:54:15,040 --> 00:54:20,840
Speaker 1: is made, he said, sending it to slide. Yeah, standard,

899
00:54:20,920 --> 00:54:22,880
Speaker 1: we respect you. Man. As a beat maker, we like

900
00:54:23,000 --> 00:54:24,520
Speaker 1: to have high standards and be like no, no, we're

901
00:54:24,520 --> 00:54:26,800
Speaker 1: gonna scrap these joints and and ship and look for

902
00:54:26,840 --> 00:54:29,279
Speaker 1: that magic ship. But Dre takes that to a whole

903
00:54:29,320 --> 00:54:32,080
Speaker 1: other level. I mean straight fire where we're all in

904
00:54:32,160 --> 00:54:35,120
Speaker 1: the room like this ship is crazy. He's like, that's

905
00:54:35,120 --> 00:54:40,239
Speaker 1: all right, let's keep going. Now that's that level level

906
00:54:40,560 --> 00:54:46,440
Speaker 1: ship and it's up, City boy d. How you doing, man?

907
00:54:47,080 --> 00:54:54,200
Speaker 1: What's going on? Man? You text me back? Now back man,

908
00:54:54,239 --> 00:54:58,839
Speaker 1: I'm going there. So do you do? Do you think?

909
00:54:59,440 --> 00:55:03,200
Speaker 1: Because now you came from the roots. Not the Roots

910
00:55:03,320 --> 00:55:07,360
Speaker 1: is a musical bad That's like if you listen to

911
00:55:07,480 --> 00:55:12,160
Speaker 1: the like trial called Quests album just came out, love it.

912
00:55:13,600 --> 00:55:16,239
Speaker 1: You could hear it loud, you could hear it and

913
00:55:16,280 --> 00:55:17,880
Speaker 1: the speakers, but then you can hear it on a

914
00:55:17,960 --> 00:55:21,680
Speaker 1: little headphone and that's when I know your album is though.

915
00:55:22,080 --> 00:55:27,760
Speaker 1: Of course rest in Peace so but so is the Roots.

916
00:55:27,880 --> 00:55:30,160
Speaker 1: The Roots is like a musical band. Funny you should

917
00:55:30,160 --> 00:55:37,000
Speaker 1: say that because the Roots we got our tone center

918
00:55:37,080 --> 00:55:40,040
Speaker 1: from an instrument called offender Rhodes, which is an electric piano.

919
00:55:40,560 --> 00:55:45,279
Speaker 1: Let's say it again for it's a electric piano. Used

920
00:55:45,280 --> 00:55:50,760
Speaker 1: their most soulful music in the seventies now Trial called quests.

921
00:55:52,480 --> 00:55:55,800
Speaker 1: A lot of their samples were samples from old records

922
00:55:55,920 --> 00:55:58,560
Speaker 1: like Herbie Hancock, Bob James, all these different people that

923
00:55:58,760 --> 00:56:03,279
Speaker 1: played Defender Roads keyboard. So when everybody was sampling it,

924
00:56:04,320 --> 00:56:08,520
Speaker 1: I started playing it before anybody. Everybody's on the Roads

925
00:56:08,560 --> 00:56:11,440
Speaker 1: is Dick for the past twenty years, but nobody was

926
00:56:11,480 --> 00:56:13,000
Speaker 1: working with it when I When I got on it

927
00:56:13,440 --> 00:56:15,239
Speaker 1: and I was like, Yo, this keyboard is that's what

928
00:56:15,320 --> 00:56:19,080
Speaker 1: they're sampling. So I said, I A bought one at

929
00:56:19,080 --> 00:56:20,719
Speaker 1: the time, nobody wanted to keyp what it was two.

930
00:56:21,280 --> 00:56:24,080
Speaker 1: I got it from the old church. Yeah, it was

931
00:56:24,120 --> 00:56:27,799
Speaker 1: giving him away in Philly. In Philly, so I had

932
00:56:27,880 --> 00:56:30,400
Speaker 1: this road. It's the size of a coffin. He imagined

933
00:56:30,400 --> 00:56:33,160
Speaker 1: toring on the street with this big gass keyboard. It's

934
00:56:33,200 --> 00:56:36,400
Speaker 1: like moving a fucking real piano. So whatever, you know

935
00:56:37,000 --> 00:56:38,880
Speaker 1: that that was what I was able to do, and

936
00:56:38,920 --> 00:56:42,240
Speaker 1: that's what I do now. I'm able to take whatever

937
00:56:42,360 --> 00:56:45,560
Speaker 1: the vibe is and I do everything live. So I've

938
00:56:46,000 --> 00:56:49,160
Speaker 1: you know, hip hop is going through periods where people

939
00:56:49,200 --> 00:56:52,200
Speaker 1: were sampling and playing live. Ship I was able to

940
00:56:52,280 --> 00:56:54,960
Speaker 1: persevere through all of that ship because I play it

941
00:56:55,040 --> 00:56:58,080
Speaker 1: live and if if samples are in, I played live

942
00:56:58,160 --> 00:56:59,920
Speaker 1: in such a way where I'm making sound like samples.

943
00:57:00,960 --> 00:57:04,160
Speaker 1: I had dirt to it. I had records crackling underneath everything.

944
00:57:04,640 --> 00:57:08,439
Speaker 1: Filter that ship and just manipulated. Now let's get into

945
00:57:08,520 --> 00:57:13,000
Speaker 1: that Lean back, baby, lean back. What the funk happened there? Raoul,

946
00:57:13,160 --> 00:57:16,560
Speaker 1: A mutual friend brought Fat Joe out to my crib

947
00:57:16,680 --> 00:57:20,520
Speaker 1: in Western Florida. Okay, let's describe to people with Western

948
00:57:20,560 --> 00:57:24,880
Speaker 1: Florida in the middle of nowhere, guys, because I still

949
00:57:24,920 --> 00:57:28,040
Speaker 1: don't know where western I was. I was, I was

950
00:57:28,080 --> 00:57:34,720
Speaker 1: trying to I was. It's Western fort LANDA. It used

951
00:57:34,760 --> 00:57:38,840
Speaker 1: to be the swamps, but now it's nice everything out there,

952
00:57:39,680 --> 00:57:42,880
Speaker 1: mosquitoes and three million dollar cribs. And then what happened?

953
00:57:42,920 --> 00:57:45,920
Speaker 1: So you out there? So Joe comes out and he

954
00:57:46,080 --> 00:57:48,919
Speaker 1: describes to it what he was feeling because he told

955
00:57:48,920 --> 00:57:50,920
Speaker 1: me he beat box this ship to you. He kind

956
00:57:50,960 --> 00:57:53,200
Speaker 1: of you just know, he don't think he didn't know.

957
00:57:54,360 --> 00:57:56,600
Speaker 1: But that's okay. But there's a whole other story about

958
00:57:56,600 --> 00:57:58,960
Speaker 1: a girl named beat Box. My girl has to do

959
00:57:59,040 --> 00:58:03,280
Speaker 1: with a are squad Trizzy, but that's a little story

960
00:58:03,360 --> 00:58:05,640
Speaker 1: from I don't want to get into that, like let's

961
00:58:05,760 --> 00:58:09,200
Speaker 1: let's go there, but around a corner from that. But no,

962
00:58:09,480 --> 00:58:14,120
Speaker 1: it's real. So he described what he wanted. Fifteen minutes later,

963
00:58:14,680 --> 00:58:19,920
Speaker 1: he had leaned Back, and then he says, Scott, I

964
00:58:20,040 --> 00:58:23,800
Speaker 1: need an intro. I need some real hardship. So I said,

965
00:58:27,080 --> 00:58:29,160
Speaker 1: and it just happened, and boom, they thought I was

966
00:58:29,200 --> 00:58:31,720
Speaker 1: a musical genius. I just got lucky that day. It

967
00:58:31,880 --> 00:58:35,720
Speaker 1: was likely you didn't say that again. And you didn't

968
00:58:35,720 --> 00:58:38,440
Speaker 1: say that again, You're like, Scott Storch is a musical

969
00:58:42,240 --> 00:58:46,760
Speaker 1: I just remember from that. In uh, two thousand five,

970
00:58:47,800 --> 00:58:50,320
Speaker 1: that was the MTV Music Awards. One of the Scott

971
00:58:50,360 --> 00:58:53,880
Speaker 1: Storch moments that was just lived this ship. In two

972
00:58:53,920 --> 00:58:59,200
Speaker 1: thousand five, the MTV Music Awards was in Miami and

973
00:59:00,400 --> 00:59:05,160
Speaker 1: I had very first McLaren SLR. They're joining the wings

974
00:59:05,200 --> 00:59:07,960
Speaker 1: that go up and so ignorantly I left that ship

975
00:59:08,080 --> 00:59:10,280
Speaker 1: on the red carpet like, and I locked the way

976
00:59:10,360 --> 00:59:13,280
Speaker 1: with the doors open. We had parents, Hilton on my arm,

977
00:59:13,800 --> 00:59:18,760
Speaker 1: and I went and I performed lean Back, and uh,

978
00:59:19,160 --> 00:59:21,400
Speaker 1: I remember we had I looked out into the audience

979
00:59:22,000 --> 00:59:25,080
Speaker 1: and I've seen Bruce Willis leaning back, and that was

980
00:59:25,280 --> 00:59:29,760
Speaker 1: one of the coolest ship I've ever seen him. And

981
00:59:29,840 --> 00:59:33,000
Speaker 1: I thot that's got Joe, say Bruce Willis and say

982
00:59:33,080 --> 00:59:36,160
Speaker 1: lean back. But Paris, that's the first person to introduce

983
00:59:36,200 --> 00:59:41,600
Speaker 1: you to cocaine. Is that's crazy? Los Angeles didn't hear man,

984
00:59:41,640 --> 00:59:45,280
Speaker 1: I didn't introduce myself. I'm like, man, people always point

985
00:59:45,320 --> 00:59:47,120
Speaker 1: the finger to anybody else. I put that ship in

986
00:59:47,160 --> 00:59:50,720
Speaker 1: my nose. Ain't girl. Send him a girl out though. Listen,

987
00:59:50,920 --> 00:59:52,520
Speaker 1: I'm gonna be honest with me. And I had that

988
00:59:52,640 --> 00:59:54,800
Speaker 1: gang of fund though I'm from the hood. I'm from

989
00:59:54,840 --> 00:59:59,680
Speaker 1: the hood. Every person that ever went there, it's a

990
01:00:00,000 --> 01:00:03,840
Speaker 1: grow you know what. The combination of cocaine and pussy

991
01:00:04,040 --> 01:00:08,240
Speaker 1: is a motherfucker. It's a motherfucker. It's the first one sky,

992
01:00:11,000 --> 01:00:13,000
Speaker 1: just one it was. I think I remember that ship.

993
01:00:13,200 --> 01:00:16,720
Speaker 1: No I heard it was Lindsay. Was it Lindsey? Stop parents?

994
01:00:19,640 --> 01:00:21,160
Speaker 1: The sky is my man. You don't give a funk.

995
01:00:21,200 --> 01:00:25,760
Speaker 1: You know, not to sound corny or square and noting,

996
01:00:26,320 --> 01:00:28,960
Speaker 1: but for really, I'm having more fun right now. And

997
01:00:29,080 --> 01:00:31,840
Speaker 1: I smoked so much weed and make so much music,

998
01:00:32,080 --> 01:00:33,640
Speaker 1: and I hang out with my girl every night. We

999
01:00:33,720 --> 01:00:36,000
Speaker 1: bug out of your girl. No, she's the ship. She

1000
01:00:36,080 --> 01:00:38,760
Speaker 1: got me on for the fucking bullshit. That ship ship,

1001
01:00:39,440 --> 01:00:42,520
Speaker 1: But that's the ah huh, let's talk about where you

1002
01:00:42,600 --> 01:00:44,640
Speaker 1: was on. That's more fun, right, it's a little bit

1003
01:00:44,760 --> 01:00:48,880
Speaker 1: more fun. So um. But but but Lindsey gave your

1004
01:00:48,960 --> 01:00:51,440
Speaker 1: coke before I heard that what I read it in

1005
01:00:51,480 --> 01:00:56,920
Speaker 1: a magazine. And listen, why do you bring up all

1006
01:00:56,960 --> 01:01:00,400
Speaker 1: these girls stay famous? No, but I'm saying, and they like,

1007
01:01:00,800 --> 01:01:04,000
Speaker 1: I know when you've been with Jamaica, But I ain't

1008
01:01:04,040 --> 01:01:06,160
Speaker 1: gonna bring that up because she can't remember. Jamaica is

1009
01:01:06,200 --> 01:01:10,680
Speaker 1: way more fun. But not to all any day, not

1010
01:01:10,840 --> 01:01:14,240
Speaker 1: to all listener, because your Scott starting ship, you're going

1011
01:01:14,480 --> 01:01:17,200
Speaker 1: not to pic Let me ask you a questions. Would

1012
01:01:17,240 --> 01:01:20,120
Speaker 1: you walk all these anglist girls on your yacht or

1013
01:01:20,120 --> 01:01:23,880
Speaker 1: would you want ten bad South American mommies with fat as?

1014
01:01:24,360 --> 01:01:26,760
Speaker 1: Now I'm a born nigga, Scott, I go to Coscos

1015
01:01:29,040 --> 01:01:34,600
Speaker 1: just hanging a picture. Listen, I'm going to cost nothing.

1016
01:01:34,960 --> 01:01:38,840
Speaker 1: We'll keep it real ship though, yo. You know what

1017
01:01:39,120 --> 01:01:42,960
Speaker 1: it's crazy, you know listen, Scott, you hang out with me,

1018
01:01:43,040 --> 01:01:46,000
Speaker 1: you never hang on me again in Miami, like listen,

1019
01:01:46,360 --> 01:01:48,320
Speaker 1: like like if I go with you the club you'll

1020
01:01:48,360 --> 01:01:50,320
Speaker 1: be figuring. It's almost awesome. I've been through a lot

1021
01:01:50,360 --> 01:01:53,280
Speaker 1: of ship with just doing right, no telling in the daytime. Alright,

1022
01:01:53,280 --> 01:01:55,200
Speaker 1: can I ask you a questions? Do you remember being

1023
01:01:55,240 --> 01:01:59,960
Speaker 1: a fugitive at my house? Yes, I was harboring the fusionist.

1024
01:02:01,280 --> 01:02:05,960
Speaker 1: Give me five strothers. Yeah, and you know what now?

1025
01:02:06,120 --> 01:02:11,960
Speaker 1: I go to Costcoals every day. Yeah, if there's time, cocles,

1026
01:02:14,040 --> 01:02:17,960
Speaker 1: I don't want to buy wine for one bottle. I

1027
01:02:18,080 --> 01:02:21,120
Speaker 1: want to buy eighteen? Did I say that a lout?

1028
01:02:21,440 --> 01:02:24,680
Speaker 1: Like maybe eight maybe a couple of trips. Yeah, so

1029
01:02:24,920 --> 01:02:29,240
Speaker 1: I buy I bout mad bottles. I bout mad bottles

1030
01:02:29,440 --> 01:02:36,000
Speaker 1: and I go to costcos all day. So Steve Labello,

1031
01:02:36,680 --> 01:02:40,280
Speaker 1: I'm boring. No, no, no, no, we know she's not cocaine.

1032
01:02:40,360 --> 01:02:43,040
Speaker 1: Story too. That's why you stop. Get never my life,

1033
01:02:43,040 --> 01:02:45,240
Speaker 1: That's why you're stalking hot. Let's keep it only god

1034
01:02:45,240 --> 01:02:47,120
Speaker 1: coul judge. But can I say something about Steve Labell.

1035
01:02:48,320 --> 01:02:50,600
Speaker 1: I'm living great right now because I got this motherfucking

1036
01:02:50,640 --> 01:02:53,760
Speaker 1: managerent and I'm just talking about financially and that's great.

1037
01:02:54,200 --> 01:02:56,120
Speaker 1: But I'm just saying like I'm living a good life.

1038
01:02:57,080 --> 01:02:58,960
Speaker 1: Look forward to every day, I get a text like, Yo,

1039
01:02:59,040 --> 01:03:01,560
Speaker 1: this motherucker's gonna show up and he pulls it out

1040
01:03:01,600 --> 01:03:04,280
Speaker 1: the woodwork for from Queens, but we kill it every

1041
01:03:04,320 --> 01:03:09,280
Speaker 1: time we're working for real hate from Queen, like she's shut.

1042
01:03:09,720 --> 01:03:11,720
Speaker 1: He's doing ship that he wouldn't do because the game

1043
01:03:11,760 --> 01:03:14,840
Speaker 1: has changed so much and it's different from back when

1044
01:03:14,880 --> 01:03:17,080
Speaker 1: he was doing a lot of stuff. So now we're

1045
01:03:17,080 --> 01:03:20,040
Speaker 1: living in the Spotify world, digital world, so many new

1046
01:03:20,200 --> 01:03:22,240
Speaker 1: artists getting signed. It's hard to keep up. But you

1047
01:03:22,320 --> 01:03:24,360
Speaker 1: gotta go with your gut in your ear, and you know,

1048
01:03:24,440 --> 01:03:26,120
Speaker 1: we lead as we're not followers, so we can go

1049
01:03:26,240 --> 01:03:28,400
Speaker 1: in with a lot of people. But sometimes it's good

1050
01:03:28,440 --> 01:03:30,840
Speaker 1: to break some new artists that are about to break.

1051
01:03:30,920 --> 01:03:35,880
Speaker 1: That kid PNB Rocks were going in and then Thursday

1052
01:03:35,920 --> 01:03:38,120
Speaker 1: Scott's going to a bookie with the hoodie from New York.

1053
01:03:39,000 --> 01:03:41,439
Speaker 1: That's that's the showing some stuff to Davis. We thought

1054
01:03:41,720 --> 01:03:45,120
Speaker 1: the movie. Yeah, so we're throwing stuff to m new

1055
01:03:45,200 --> 01:03:50,200
Speaker 1: album everybody. When don't we get into the studio and

1056
01:03:50,280 --> 01:03:53,800
Speaker 1: I try to get that James, So Jay Scott want

1057
01:03:53,800 --> 01:03:57,840
Speaker 1: to work with you. Jay Z's got and we're gonna

1058
01:03:57,840 --> 01:04:01,400
Speaker 1: do it a movies do something to m now you

1059
01:04:01,440 --> 01:04:03,520
Speaker 1: know we're throwing things out. You can't just say that

1060
01:04:05,200 --> 01:04:07,760
Speaker 1: we're throwing a very point. We're throwing things out there.

1061
01:04:08,000 --> 01:04:11,040
Speaker 1: It's eminem are we officiently saying that on drinks? And

1062
01:04:11,160 --> 01:04:14,080
Speaker 1: I'm just saying is back in the studio. I don't know.

1063
01:04:14,480 --> 01:04:16,160
Speaker 1: Let's makes a noise, but I spread in the room

1064
01:04:16,280 --> 01:04:20,080
Speaker 1: up everything when we stay stuff here. We don't think

1065
01:04:21,160 --> 01:04:25,400
Speaker 1: Lizzy Lohan is gonna be there. Scott is making the beat,

1066
01:04:25,760 --> 01:04:30,520
Speaker 1: Let's make Maria, and we're about to work with We're

1067
01:04:30,520 --> 01:04:33,240
Speaker 1: working with everybody, and you both of you guys, both

1068
01:04:33,280 --> 01:04:35,680
Speaker 1: of you guys in my family. I'm gonna just be honest,

1069
01:04:36,200 --> 01:04:39,800
Speaker 1: and I'm so happy that you guys came to let

1070
01:04:39,880 --> 01:04:43,160
Speaker 1: me bug out with you guys, but you got information

1071
01:04:43,200 --> 01:04:46,000
Speaker 1: about him and then being back in the studio. Everybody's

1072
01:04:46,040 --> 01:04:48,320
Speaker 1: back in the jay Z's back in the studio. Everybody's

1073
01:04:49,480 --> 01:04:52,040
Speaker 1: and people want substance and people on real music. So

1074
01:04:53,000 --> 01:04:56,000
Speaker 1: did you have the trial? Because the trial, did they

1075
01:04:56,080 --> 01:04:59,840
Speaker 1: hit number one? Because I know they numbers. Hopefully do

1076
01:05:00,160 --> 01:05:04,800
Speaker 1: dayl Soul hit number one? You know, feel like it's

1077
01:05:04,840 --> 01:05:09,240
Speaker 1: coming back. I think you think it is, Scott, Yeah,

1078
01:05:09,400 --> 01:05:11,360
Speaker 1: And you know what I'm on the heels, all these

1079
01:05:11,440 --> 01:05:14,959
Speaker 1: young producers and you give us he's working with Metro

1080
01:05:15,040 --> 01:05:16,960
Speaker 1: Boom and he's working with Murdered Beach. We call out

1081
01:05:17,040 --> 01:05:18,640
Speaker 1: when a lot of people, can you give us something?

1082
01:05:18,720 --> 01:05:22,720
Speaker 1: On that car to five, you're gonna see some ship.

1083
01:05:23,160 --> 01:05:26,080
Speaker 1: It's crazy. Yeah, I like this. I'll just look at

1084
01:05:27,160 --> 01:05:29,920
Speaker 1: I like it. I love working with people that are

1085
01:05:30,040 --> 01:05:32,240
Speaker 1: hungry too. Now you know you don't want to thing

1086
01:05:32,280 --> 01:05:37,640
Speaker 1: about you, Scott is um. I always tell people, I say,

1087
01:05:38,800 --> 01:05:41,840
Speaker 1: if the producer sent you to beat, I don't think

1088
01:05:41,920 --> 01:05:45,080
Speaker 1: you're working with him. And you've always been a guy

1089
01:05:45,240 --> 01:05:49,880
Speaker 1: that come over here, come vive with me. That's the

1090
01:05:49,920 --> 01:05:52,440
Speaker 1: only way against dumb man. You gotta vibe out. You

1091
01:05:52,520 --> 01:05:54,560
Speaker 1: gotta make that. At the end of the day, it's

1092
01:05:54,600 --> 01:05:57,640
Speaker 1: really can you agree with me? That's the reason why

1093
01:05:57,800 --> 01:06:02,240
Speaker 1: music died is because everybody got rich and everybody said

1094
01:06:02,480 --> 01:06:04,919
Speaker 1: I've seen you know what, and you've seen this ship,

1095
01:06:05,240 --> 01:06:08,440
Speaker 1: and nobody got back together like think about it and

1096
01:06:08,720 --> 01:06:10,520
Speaker 1: at a certain time and day and I don't want

1097
01:06:10,560 --> 01:06:13,240
Speaker 1: to put put it. But when we all got to

1098
01:06:13,320 --> 01:06:16,640
Speaker 1: the student together, there was no rack, there was no

1099
01:06:18,360 --> 01:06:19,920
Speaker 1: but you were in the studio. Wasn't like, oh, send

1100
01:06:20,000 --> 01:06:21,800
Speaker 1: it to my email and you don't even know who

1101
01:06:21,800 --> 01:06:24,080
Speaker 1: you're collaborating with, just because someone's hot at the moment.

1102
01:06:24,480 --> 01:06:26,440
Speaker 1: That's what's sucking up the music industry. So on the

1103
01:06:26,520 --> 01:06:29,880
Speaker 1: business side, and the game is twisted, and I feel

1104
01:06:29,920 --> 01:06:33,080
Speaker 1: like nineties is back and people want substance and real music,

1105
01:06:33,520 --> 01:06:35,280
Speaker 1: you know, bone Thoes work on a new album. But

1106
01:06:35,320 --> 01:06:37,080
Speaker 1: at the end of the d you know, at the

1107
01:06:37,160 --> 01:06:38,880
Speaker 1: end of the day, like there's a lot of great

1108
01:06:38,920 --> 01:06:41,080
Speaker 1: talented autists out here and the Internet is a gift

1109
01:06:41,160 --> 01:06:42,960
Speaker 1: and the curse, but we got to use it for

1110
01:06:43,080 --> 01:06:46,680
Speaker 1: advantage and always safe. To the younger generation out there

1111
01:06:46,760 --> 01:06:49,400
Speaker 1: learned the business side, like do you know about publishing?

1112
01:06:49,520 --> 01:06:51,880
Speaker 1: You know, asca being mind, you know about ancillary? Do

1113
01:06:51,920 --> 01:06:55,160
Speaker 1: you know about anything about touring? But the newer generation,

1114
01:06:55,240 --> 01:06:57,280
Speaker 1: they want to do it to be cool, do it

1115
01:06:57,400 --> 01:06:59,680
Speaker 1: to like make history, you know, because money come and

1116
01:06:59,720 --> 01:07:01,960
Speaker 1: go with us to be stayed. So I don't know.

1117
01:07:02,120 --> 01:07:04,360
Speaker 1: We're just working with everybody, and Scott trust me to

1118
01:07:04,440 --> 01:07:06,920
Speaker 1: bring generation in to work with them. And if Scott

1119
01:07:06,960 --> 01:07:10,000
Speaker 1: breaks the new generation, Scott Storch still Scott starts what

1120
01:07:10,120 --> 01:07:12,680
Speaker 1: she never left. That little I looked at it, man,

1121
01:07:13,160 --> 01:07:16,040
Speaker 1: I don't know if you don't know, gonna lest y'all that. Yeah,

1122
01:07:16,080 --> 01:07:18,600
Speaker 1: but that's all you could do, is that, you know,

1123
01:07:18,880 --> 01:07:21,760
Speaker 1: nor I feel like loyalty and the integrity called me

1124
01:07:22,240 --> 01:07:24,600
Speaker 1: um and principles of morals are throwing out the game

1125
01:07:24,720 --> 01:07:27,480
Speaker 1: right now and it's out there. Yeah, I don't know

1126
01:07:27,560 --> 01:07:31,680
Speaker 1: how to do slime. It's come over there. You ain't

1127
01:07:31,680 --> 01:07:34,960
Speaker 1: gonnah to do with the ship. Come on the side podcast,

1128
01:07:35,040 --> 01:07:40,360
Speaker 1: by the way, do let me get some of that.

1129
01:07:40,440 --> 01:07:42,640
Speaker 1: Let's make it to us. My man Revern runs birthday today,

1130
01:07:43,120 --> 01:07:46,200
Speaker 1: birthday coming up, Scott's birthday calls that's how you know,

1131
01:07:46,840 --> 01:07:48,920
Speaker 1: really France for a long time, and look at that

1132
01:07:49,640 --> 01:07:53,320
Speaker 1: how it's good. That's because little little little a little

1133
01:07:53,680 --> 01:07:55,840
Speaker 1: severing my nigga is that nigga still ain't got dream

1134
01:07:55,880 --> 01:07:57,720
Speaker 1: on and she is to all the real ones out

1135
01:07:57,760 --> 01:08:02,560
Speaker 1: there to health for cottiness, Scott, listen you, it's a

1136
01:08:02,680 --> 01:08:09,080
Speaker 1: hardcore drinker. I'm gonna quit on taking another shot with you. No,

1137
01:08:10,080 --> 01:08:12,200
Speaker 1: I'm not, I'm man, I'm man. I'm like a kid.

1138
01:08:12,280 --> 01:08:15,440
Speaker 1: I can't even do it. I'm just shipping man. Look

1139
01:08:15,480 --> 01:08:21,000
Speaker 1: at this sounds and no, we've all taken jobs during

1140
01:08:21,040 --> 01:08:23,320
Speaker 1: extra cash right. Facts back in the days. What you do?

1141
01:08:23,600 --> 01:08:26,479
Speaker 1: I used to pump the Johnny pump. I got a

1142
01:08:26,520 --> 01:08:28,280
Speaker 1: better way. We can earn extra money on the side.

1143
01:08:28,840 --> 01:08:31,080
Speaker 1: Maybe not us, but definitely our crew. It's much easier

1144
01:08:31,120 --> 01:08:34,599
Speaker 1: today thanks to Uber. Facts. Uber is an ultimate side hustle.

1145
01:08:35,080 --> 01:08:38,599
Speaker 1: You could ask Homie bars right now, right big up bars.

1146
01:08:38,680 --> 01:08:40,680
Speaker 1: You can't speak English. Driving with Uber is a new

1147
01:08:40,720 --> 01:08:43,760
Speaker 1: way you can earn extra cash whenever you want. It's

1148
01:08:43,800 --> 01:08:46,240
Speaker 1: not just another j O B. It's totally a flexible

1149
01:08:46,280 --> 01:08:48,519
Speaker 1: way to earn. You can turn it on off just

1150
01:08:48,680 --> 01:08:51,240
Speaker 1: like your car and be your own boss. If you

1151
01:08:51,320 --> 01:08:53,800
Speaker 1: have a few spare hours here and there, drive with Uber. Man,

1152
01:08:54,720 --> 01:08:56,959
Speaker 1: have you wanted to be your own boss? I always?

1153
01:08:57,120 --> 01:08:59,360
Speaker 1: I bet you make a great boss. Facts? Would you

1154
01:08:59,400 --> 01:09:03,200
Speaker 1: be a good boys? Nope? Drive with Uber and you

1155
01:09:03,360 --> 01:09:05,639
Speaker 1: are your own boss. Let's get to it. If you're

1156
01:09:05,720 --> 01:09:08,559
Speaker 1: driving right now, you should be earning right now while

1157
01:09:08,680 --> 01:09:10,800
Speaker 1: drive for free. You have the drive and get paid.

1158
01:09:10,920 --> 01:09:12,720
Speaker 1: That's right. Every day is a pay day when you

1159
01:09:12,840 --> 01:09:15,280
Speaker 1: drive with Uber because you can cash out any time

1160
01:09:15,560 --> 01:09:19,960
Speaker 1: with instant pays with cash access instant pay cash our

1161
01:09:20,000 --> 01:09:22,919
Speaker 1: earnings at five times a day with no minimum amount required.

1162
01:09:23,439 --> 01:09:25,720
Speaker 1: Then go buy some good week listen now. If you

1163
01:09:25,840 --> 01:09:28,320
Speaker 1: enjoy earning extra cash, I mean you drink Champs Army.

1164
01:09:28,600 --> 01:09:30,760
Speaker 1: If there's something special, you'd like to buy your car

1165
01:09:31,200 --> 01:09:33,519
Speaker 1: and start making you money right now, So go ahead,

1166
01:09:33,760 --> 01:09:36,040
Speaker 1: get your side hustle on. Sign up to drive up

1167
01:09:36,040 --> 01:09:39,120
Speaker 1: with Uber today. Go to Uber dot com slash drive now.

1168
01:09:39,960 --> 01:09:43,760
Speaker 1: That's Uber dot com slash drive now, b e Er

1169
01:09:43,920 --> 01:09:47,200
Speaker 1: dot com slash drive now, drive now and register now

1170
01:09:47,320 --> 01:09:51,839
Speaker 1: Let's go. WHOA Welcome to play a new podcast network

1171
01:09:51,920 --> 01:09:56,440
Speaker 1: featuring radio and TV personalities talking business, sports, tech, entertainment

1172
01:09:56,520 --> 01:10:01,080
Speaker 1: and more. Play it at play dot It. We're back

1173
01:10:01,240 --> 01:10:05,599
Speaker 1: to Drink Champs Radio with Rapper and R and DJ. Then,

1174
01:10:08,760 --> 01:10:10,599
Speaker 1: so tell us, I want to tell us some big

1175
01:10:10,640 --> 01:10:13,840
Speaker 1: Punt story Steve about man rest in peace to Big

1176
01:10:13,920 --> 01:10:18,080
Speaker 1: Punt like, it's just crazy because he was Joe's brother,

1177
01:10:18,200 --> 01:10:20,000
Speaker 1: But he was Joe. He was Joe's hype man when

1178
01:10:20,000 --> 01:10:22,320
Speaker 1: I met him, right and we would get in the van,

1179
01:10:22,400 --> 01:10:26,479
Speaker 1: remember Fantastic back in the days in Massa Peka. Unless

1180
01:10:26,520 --> 01:10:29,400
Speaker 1: you did told to me like that, why, because I've

1181
01:10:29,439 --> 01:10:35,040
Speaker 1: been speaking about Fantastic for the first podcast Fantastic. Yes,

1182
01:10:35,120 --> 01:10:36,439
Speaker 1: that's a long island. I don't know what you said.

1183
01:10:38,000 --> 01:10:40,400
Speaker 1: That's a long island. Yes, okay, my back. And we

1184
01:10:40,520 --> 01:10:42,040
Speaker 1: used to go out there and red bands and every

1185
01:10:42,120 --> 01:10:44,920
Speaker 1: label used to do it right and we get the

1186
01:10:45,040 --> 01:10:47,000
Speaker 1: vodka Netly put me on. So I wasn't even on

1187
01:10:47,080 --> 01:10:49,600
Speaker 1: the label because you talking about ninety six. Man, that

1188
01:10:49,720 --> 01:10:51,280
Speaker 1: ever you told about right now is ninety six and

1189
01:10:51,360 --> 01:10:54,280
Speaker 1: ninety seven. I ain't even tea earlier than that. Ninety Yeah,

1190
01:10:54,439 --> 01:11:00,240
Speaker 1: I was in jail, but right as I don't all that,

1191
01:11:00,840 --> 01:11:03,720
Speaker 1: um you know, and shoutott, I can tell you. So

1192
01:11:04,560 --> 01:11:07,640
Speaker 1: the show he's still in down is crazy. But you know,

1193
01:11:07,920 --> 01:11:10,240
Speaker 1: we would go get the van right and and it

1194
01:11:10,400 --> 01:11:14,400
Speaker 1: was me Raoul, Me and Raoul go back ups me

1195
01:11:14,680 --> 01:11:19,360
Speaker 1: Raoul uh flex full flex resting people. Crazy thing but

1196
01:11:19,439 --> 01:11:21,840
Speaker 1: a great man can he raided all. No, you don't

1197
01:11:21,880 --> 01:11:24,000
Speaker 1: rad it all. And then Joe and Punt and we

1198
01:11:24,080 --> 01:11:26,479
Speaker 1: were getting that fantastic vantag Joe would not fly back

1199
01:11:26,560 --> 01:11:31,240
Speaker 1: then and he would not fly. Yeah, but when Punny

1200
01:11:31,320 --> 01:11:33,680
Speaker 1: was just as hype man, he wasn't part at the time. Up.

1201
01:11:34,000 --> 01:11:35,840
Speaker 1: Once Pump blew up, he was first class every day.

1202
01:11:35,920 --> 01:11:38,600
Speaker 1: Joe still van and it to first class and we

1203
01:11:38,640 --> 01:11:40,559
Speaker 1: went to do Mix Shore Power Summit, Rest in Peace

1204
01:11:40,600 --> 01:11:42,840
Speaker 1: to Justa and Bahamas and as a picture of me

1205
01:11:42,920 --> 01:11:45,120
Speaker 1: and Cam and Punt. I threw up the other day

1206
01:11:45,160 --> 01:11:48,160
Speaker 1: and Joe took a boat there and we flew there.

1207
01:11:48,600 --> 01:11:50,800
Speaker 1: But anyway, so Pun used to be Joe's hype man.

1208
01:11:50,840 --> 01:11:58,800
Speaker 1: We would drive around back flies. We would drive to Chicago, Cleveland,

1209
01:11:58,880 --> 01:12:02,080
Speaker 1: Detroit when we health stores existed, like George's Music Room

1210
01:12:02,400 --> 01:12:06,559
Speaker 1: and all that stuff, and radio and Michel Chicago. Yeah,

1211
01:12:06,560 --> 01:12:08,760
Speaker 1: but we just go to Chicago, Detroit, Cleveland. The way

1212
01:12:08,800 --> 01:12:14,440
Speaker 1: you talk exactly, so many facts. There's so many independent

1213
01:12:14,520 --> 01:12:16,960
Speaker 1: retail stores back then. You're gonna put up pop and

1214
01:12:17,040 --> 01:12:20,720
Speaker 1: brif shirts and doing stores, give cassette samplers no thing,

1215
01:12:21,520 --> 01:12:24,600
Speaker 1: and and do radio only had vinyl and going the

1216
01:12:24,680 --> 01:12:27,360
Speaker 1: stations and Joe and pull with Joe's hite man. And

1217
01:12:27,400 --> 01:12:29,320
Speaker 1: I used to have the old motor roller flip right

1218
01:12:29,720 --> 01:12:31,400
Speaker 1: from the label. But they didn't want us to spend

1219
01:12:31,400 --> 01:12:33,120
Speaker 1: no money and have forty dollars a day per deem

1220
01:12:33,760 --> 01:12:37,200
Speaker 1: for us here and two fat guys. And I had

1221
01:12:37,240 --> 01:12:38,760
Speaker 1: those hit phones, remember back in the days when the

1222
01:12:38,840 --> 01:12:41,040
Speaker 1: dudes used to stand on that long expressman take numbers

1223
01:12:41,040 --> 01:12:42,920
Speaker 1: and hit the phones. So I had to throw away

1224
01:12:42,960 --> 01:12:46,320
Speaker 1: phone and on the road and punt Man he used

1225
01:12:46,320 --> 01:12:47,960
Speaker 1: always want to use my phone, and we would all

1226
01:12:47,960 --> 01:12:49,639
Speaker 1: get him like, Punt, I gotta call radio, I gotta

1227
01:12:49,680 --> 01:12:51,760
Speaker 1: call retail, I gotta do all this stuff. He's like,

1228
01:12:51,960 --> 01:12:53,479
Speaker 1: I just want to call my family and my kids,

1229
01:12:53,479 --> 01:12:56,280
Speaker 1: so I let to use my phone. And he would

1230
01:12:56,320 --> 01:12:58,400
Speaker 1: just always call his kids and set on that phone

1231
01:12:58,439 --> 01:13:00,840
Speaker 1: and say how much he loved And that's why when

1232
01:13:00,880 --> 01:13:02,439
Speaker 1: he passed and all that stuff in the media said

1233
01:13:02,479 --> 01:13:05,559
Speaker 1: he didn't take care of his families. Yeah. So anyway,

1234
01:13:05,640 --> 01:13:06,880
Speaker 1: at the end of the day, you know, he was

1235
01:13:07,520 --> 01:13:10,160
Speaker 1: Joe's hype man and next thing, you know, blew up

1236
01:13:10,320 --> 01:13:12,040
Speaker 1: and then he was just off to the racist man

1237
01:13:12,120 --> 01:13:14,320
Speaker 1: and um one of the biggest Latino artists ever and

1238
01:13:14,400 --> 01:13:17,479
Speaker 1: rest in peace to my brother. And I don't know,

1239
01:13:17,520 --> 01:13:21,560
Speaker 1: I just Cuban Link Triple says, all getting back in

1240
01:13:21,600 --> 01:13:25,400
Speaker 1: those days, you know, to sunshine came then you know,

1241
01:13:25,960 --> 01:13:27,680
Speaker 1: like I said, man, I've been around a lot of

1242
01:13:27,760 --> 01:13:30,760
Speaker 1: dudes in this game, and I feel like so on

1243
01:13:30,920 --> 01:13:36,160
Speaker 1: and I'm from the original Terror score change. Let me

1244
01:13:36,240 --> 01:13:40,320
Speaker 1: just get your story. It's my nigga twin. He went

1245
01:13:40,360 --> 01:13:44,759
Speaker 1: to Vegas and lost four went to Vegas eighty dollars

1246
01:13:45,200 --> 01:13:48,840
Speaker 1: and came back with twenty. Right. You like that story? Right?

1247
01:13:48,920 --> 01:13:50,720
Speaker 1: Just say you like that? Sorry, say yeah, I love it.

1248
01:13:52,680 --> 01:13:56,320
Speaker 1: Came back. We have a better story tonight a night.

1249
01:13:58,800 --> 01:14:01,320
Speaker 1: Twin is twenty is my little guy. Right, here's the

1250
01:14:01,360 --> 01:14:05,080
Speaker 1: reason why I want to get to heaven, because they said,

1251
01:14:05,479 --> 01:14:07,880
Speaker 1: in order to get to heaven, got to do things

1252
01:14:07,960 --> 01:14:10,479
Speaker 1: for people that can never do things for you back.

1253
01:14:11,880 --> 01:14:15,360
Speaker 1: And that's my guy I love. Even if he can't

1254
01:14:15,360 --> 01:14:17,640
Speaker 1: be able to do something for me back, I'm never

1255
01:14:17,720 --> 01:14:21,280
Speaker 1: gonna take it because that's my guy. That's my little guy.

1256
01:14:21,400 --> 01:14:25,320
Speaker 1: Like I look at a lot, that's you know. So

1257
01:14:25,520 --> 01:14:32,519
Speaker 1: Twin goes to the airport this morning, shape beard. He

1258
01:14:32,680 --> 01:14:35,040
Speaker 1: hit me, I am early because I'm my early bird,

1259
01:14:35,720 --> 01:14:40,479
Speaker 1: because you know, I um um, I used to be

1260
01:14:40,560 --> 01:14:45,719
Speaker 1: in jail and I got kids. With that combination together,

1261
01:14:45,880 --> 01:14:49,200
Speaker 1: I can't wake up after six thirty, right, so I

1262
01:14:49,320 --> 01:14:51,639
Speaker 1: wake up. I just hit my little nigga something nigga

1263
01:14:52,160 --> 01:14:55,560
Speaker 1: Sunny Sunny never been um calle in his life. So

1264
01:14:55,760 --> 01:14:59,080
Speaker 1: Sunny Sunny hit me four thirty in the morning. What's up, nigga?

1265
01:14:59,439 --> 01:15:07,040
Speaker 1: Come than we took my flights. I laugh, relaxed. So

1266
01:15:09,840 --> 01:15:14,000
Speaker 1: I hated my Nigga Sunday says she's coming over. Earlier.

1267
01:15:14,000 --> 01:15:18,160
Speaker 1: I said, you're listening, Twin is coming Sunny. He's Twin.

1268
01:15:18,360 --> 01:15:22,880
Speaker 1: I gotta go upstairs and shower. Sunny hits Twin, he says, man,

1269
01:15:23,080 --> 01:15:32,720
Speaker 1: twin wire you at twist. She's proud. He said, what

1270
01:15:32,880 --> 01:15:37,640
Speaker 1: are you talking about? He's like, my sister couns of

1271
01:15:37,720 --> 01:15:45,759
Speaker 1: my Fightough is this true? What is this? Come on Sunday,

1272
01:15:45,800 --> 01:15:52,640
Speaker 1: Come on Sunday. He wants, like you want to So

1273
01:15:53,560 --> 01:15:59,080
Speaker 1: this sister was keeping right because you know, I give

1274
01:15:59,120 --> 01:16:06,000
Speaker 1: it all out. She bought it, and my my palms. Look,

1275
01:16:06,120 --> 01:16:08,439
Speaker 1: I bought the flight. You know what I'm saying, I'm

1276
01:16:08,520 --> 01:16:10,479
Speaker 1: negative in the bank. So I gave her the money.

1277
01:16:10,560 --> 01:16:13,920
Speaker 1: Some the teams in her car. Pause. But then she

1278
01:16:14,080 --> 01:16:16,439
Speaker 1: had someone. I went to the you know, commonly to

1279
01:16:16,520 --> 01:16:18,599
Speaker 1: get my little check in. I'm happy as I'm gonna

1280
01:16:18,960 --> 01:16:22,920
Speaker 1: you told us niggers. And then you know, the lady

1281
01:16:22,960 --> 01:16:24,120
Speaker 1: told me I don't have a flight. And I was

1282
01:16:24,160 --> 01:16:25,720
Speaker 1: like what you men have a flame? And she's like,

1283
01:16:25,760 --> 01:16:29,519
Speaker 1: oh yeah, your mom called and canceled your flight. It's like, oh,

1284
01:16:29,920 --> 01:16:31,640
Speaker 1: I text my sister and I was like, oh you

1285
01:16:31,760 --> 01:16:36,000
Speaker 1: had a good laugh. She she said to call one

1286
01:16:36,000 --> 01:16:37,840
Speaker 1: of my rich friends to book my flight, and I

1287
01:16:37,960 --> 01:16:41,080
Speaker 1: was like, bitch, you better get Actually I know you

1288
01:16:41,160 --> 01:16:45,080
Speaker 1: got your flight. This is what happened. So it's just

1289
01:16:45,240 --> 01:16:49,880
Speaker 1: a book. F Twin is my little man. But it

1290
01:16:49,960 --> 01:16:55,759
Speaker 1: sis sucking the homies. It's okay, we understand it happens.

1291
01:16:56,920 --> 01:17:05,360
Speaker 1: Big of your sister said listen, and he blew hard

1292
01:17:05,400 --> 01:17:10,439
Speaker 1: for that. That's me of beef on my homies because

1293
01:17:10,479 --> 01:17:13,120
Speaker 1: she's beefing with him. I told you I'm sexual that

1294
01:17:13,280 --> 01:17:15,000
Speaker 1: ship with him, and these are my and I have

1295
01:17:15,080 --> 01:17:22,880
Speaker 1: a brother. This yashing my friends, I don't say like

1296
01:17:23,800 --> 01:17:27,519
Speaker 1: sash like she wanted to snitch on my friends, Like

1297
01:17:27,640 --> 01:17:30,160
Speaker 1: I almost. I'm not snitching on my nigger cause you're

1298
01:17:30,160 --> 01:17:32,719
Speaker 1: breaking the chee cold. Why you're breaking a man cold?

1299
01:17:32,800 --> 01:17:38,880
Speaker 1: I right snitching, bro, you know what I'm smashes. I

1300
01:17:38,920 --> 01:17:43,120
Speaker 1: don't know where not saying this, but I got not

1301
01:17:43,280 --> 01:17:46,360
Speaker 1: really doing that ship, all right? So she catching my flight.

1302
01:17:46,920 --> 01:17:51,240
Speaker 1: So he go to the airport and he check in.

1303
01:17:51,400 --> 01:17:53,160
Speaker 1: You know how you check in, You put your put

1304
01:17:53,200 --> 01:17:56,479
Speaker 1: your shot on the day and they'd be weighing your ship.

1305
01:17:57,280 --> 01:17:59,479
Speaker 1: I don't check that. I don't check that they weigh

1306
01:17:59,560 --> 01:18:04,759
Speaker 1: this ship. Know they waited ship was it over pounds?

1307
01:18:04,840 --> 01:18:07,439
Speaker 1: So I don't know, but I know it was over

1308
01:18:07,840 --> 01:18:11,760
Speaker 1: nine to seven pounds and they sent them out of

1309
01:18:11,800 --> 01:18:17,639
Speaker 1: the yakta mean. So now I'm gonna stay a shower

1310
01:18:17,720 --> 01:18:20,920
Speaker 1: and Sunny calling me like seven times, I see two

1311
01:18:21,040 --> 01:18:24,280
Speaker 1: miss calls from Twin. I said, damn, sh it, real downstairs.

1312
01:18:24,840 --> 01:18:27,080
Speaker 1: I don't know what I'm doing. I don't really know

1313
01:18:27,160 --> 01:18:29,160
Speaker 1: what I'm gonna do, but I'm gonna make sure I

1314
01:18:29,280 --> 01:18:33,680
Speaker 1: smell good. Grab my card. Yeah, Tom Foyd, you know

1315
01:18:33,720 --> 01:18:38,000
Speaker 1: what I'm saying. Let me sure. I came downstairs and

1316
01:18:38,160 --> 01:18:41,240
Speaker 1: Sunny he was trying to like he was trying to

1317
01:18:41,320 --> 01:18:44,800
Speaker 1: serenade you, like in a good way. I don't I

1318
01:18:44,840 --> 01:18:52,839
Speaker 1: don't know serenade was the right word. But wait, relaxed Twins.

1319
01:18:54,439 --> 01:19:00,880
Speaker 1: So bottom line it's twin. Sister told him your dad, nigga,

1320
01:19:02,920 --> 01:19:05,240
Speaker 1: you ain't get you don't know for like all I

1321
01:19:05,400 --> 01:19:08,320
Speaker 1: heard went to Sunday. Open the door. He said, she's

1322
01:19:08,400 --> 01:19:16,439
Speaker 1: trying to take my dreams. Yeah, talk about it, man,

1323
01:19:16,840 --> 01:19:18,479
Speaker 1: don't this your sister. Though we didn't want to do

1324
01:19:18,600 --> 01:19:21,760
Speaker 1: that way we do on this woman, but it's voice

1325
01:19:21,800 --> 01:19:25,160
Speaker 1: your opinion. What happened today. What happened was since and

1326
01:19:25,280 --> 01:19:27,560
Speaker 1: casting my flat only because we had we beefing. You

1327
01:19:27,600 --> 01:19:30,120
Speaker 1: know what I'm saying, this was you know this happened.

1328
01:19:30,320 --> 01:19:33,479
Speaker 1: We started beefing after the flight was so she wanted

1329
01:19:33,520 --> 01:19:36,720
Speaker 1: to get me back on your homies. Yeah, man, you

1330
01:19:36,800 --> 01:19:41,719
Speaker 1: think Scott Storm just throwing out Howami Blizzard I sucked

1331
01:19:41,720 --> 01:19:46,080
Speaker 1: everything in Miami seven years ago? She probably I probably did.

1332
01:19:46,160 --> 01:19:54,120
Speaker 1: I don't know. I don't recall. You don't interfere with

1333
01:19:54,200 --> 01:19:59,120
Speaker 1: my flight mine. Come on, man, but what she's talking

1334
01:19:59,160 --> 01:20:02,880
Speaker 1: on the homies, Yeah, that's not right. So that's not

1335
01:20:03,040 --> 01:20:05,120
Speaker 1: right because she says I'm not Louis. I'm like you

1336
01:20:05,240 --> 01:20:10,360
Speaker 1: not Louis. What you start making me look bad? Man,

1337
01:20:10,760 --> 01:20:16,479
Speaker 1: you may get you know what I'm saying, Like Scott Steve, Yes, sorry,

1338
01:20:16,720 --> 01:20:19,800
Speaker 1: yes sir, it went't laugh, Yes, sir, it went laugh

1339
01:20:20,120 --> 01:20:22,320
Speaker 1: it off today. But you know what, that's a bit

1340
01:20:22,400 --> 01:20:24,600
Speaker 1: of a thing. I made it. I made it, he

1341
01:20:24,760 --> 01:20:28,719
Speaker 1: made it. This is all guy, that's a guy. Listen.

1342
01:20:28,800 --> 01:20:31,840
Speaker 1: Sometimes you gotta take care of people. You gotta get back.

1343
01:20:32,120 --> 01:20:34,280
Speaker 1: That's what you gotta do. Talks about that's what you

1344
01:20:34,360 --> 01:20:38,200
Speaker 1: gotta give, not taken. Yeah, you show a little world

1345
01:20:38,400 --> 01:20:40,240
Speaker 1: your first time and that that ship over there now

1346
01:20:40,280 --> 01:20:44,320
Speaker 1: that's a second. Last time was the eight dollar story. Okay,

1347
01:20:45,320 --> 01:20:49,000
Speaker 1: you changed about his life. You gotta change. People look bad.

1348
01:20:49,760 --> 01:20:55,800
Speaker 1: So what's so? What's so? Scotty stories? Tell what is next?

1349
01:20:55,960 --> 01:20:58,760
Speaker 1: What's going on? That's your artist and looked like hell

1350
01:20:58,880 --> 01:21:04,720
Speaker 1: artists right there with the dress for some reason. Your

1351
01:21:04,800 --> 01:21:14,960
Speaker 1: name is Lulu Oozy bell out. What's next? Yeah? What's

1352
01:21:14,960 --> 01:21:18,719
Speaker 1: the natural? Scott Um? You know what? I have an artist,

1353
01:21:18,840 --> 01:21:25,840
Speaker 1: this girl Tyson, eighteen years old. She's a singer. She's dope.

1354
01:21:26,720 --> 01:21:29,439
Speaker 1: Um working on a whole bunch of different ship right now.

1355
01:21:29,560 --> 01:21:34,760
Speaker 1: Man Um being a freelance producer. You know, you want

1356
01:21:34,800 --> 01:21:37,120
Speaker 1: to work on the top projects that's out, and you

1357
01:21:37,160 --> 01:21:39,680
Speaker 1: want to work on the newest ship that's out, and

1358
01:21:39,880 --> 01:21:43,479
Speaker 1: you know touch the the you know the culture and

1359
01:21:43,720 --> 01:21:47,960
Speaker 1: and I guess I'm trying to like do everything right now.

1360
01:21:48,200 --> 01:21:52,400
Speaker 1: Let just be universatile and just be everywhere now where

1361
01:21:52,560 --> 01:21:56,240
Speaker 1: you in Russia and all that, everywhere doing a movie,

1362
01:21:56,439 --> 01:22:00,280
Speaker 1: doing the TV show, doing I'm doing sound packs a

1363
01:22:00,360 --> 01:22:03,919
Speaker 1: kai right now, I'm doing all kind of doing performing

1364
01:22:04,040 --> 01:22:06,120
Speaker 1: live and I'm just doing the stuff that you know,

1365
01:22:06,160 --> 01:22:09,040
Speaker 1: I'm hungry again. You know not not in terms of

1366
01:22:09,800 --> 01:22:12,120
Speaker 1: the money part of it. But I just I'm feeding

1367
01:22:12,160 --> 01:22:17,160
Speaker 1: for that spot right now. And you know, like I

1368
01:22:17,280 --> 01:22:19,360
Speaker 1: only know what it is to be at number one

1369
01:22:19,439 --> 01:22:21,760
Speaker 1: on the chart, So I'm gonna stay there. That's where

1370
01:22:21,800 --> 01:22:27,120
Speaker 1: I live. That was the next state. Um ship, I'm

1371
01:22:27,120 --> 01:22:29,800
Speaker 1: just living life, man, you know what I mean. You

1372
01:22:29,840 --> 01:22:32,680
Speaker 1: get caught up in this game thirty years and you

1373
01:22:32,760 --> 01:22:35,479
Speaker 1: do it for the love and the passion, and time

1374
01:22:35,600 --> 01:22:37,760
Speaker 1: goes by and you see a lot of things. Um,

1375
01:22:37,880 --> 01:22:39,760
Speaker 1: but I never got to enjoy myself in life. So

1376
01:22:39,800 --> 01:22:42,439
Speaker 1: I'm just enjoying myself. I don't want to do and um,

1377
01:22:43,160 --> 01:22:45,080
Speaker 1: you know, going hard with Scott. You know, we're gonna

1378
01:22:45,080 --> 01:22:47,800
Speaker 1: win some Grammys together and we're just gonna keep doing

1379
01:22:47,840 --> 01:22:50,920
Speaker 1: innovative and creative stuff that he's never did. You know.

1380
01:22:51,720 --> 01:22:54,040
Speaker 1: Um he said, we got a reality show going on,

1381
01:22:54,920 --> 01:22:56,600
Speaker 1: you know, just I got a bunch of stuff going on.

1382
01:22:56,680 --> 01:22:59,240
Speaker 1: Old times. You know, I got a consultant Businessteveal about consulting.

1383
01:22:59,320 --> 01:23:02,320
Speaker 1: I'm doing a bunch of TV stuff, reality TV stuff,

1384
01:23:03,640 --> 01:23:05,320
Speaker 1: working on new Bone, Thugs Out, and we're about to

1385
01:23:05,320 --> 01:23:07,639
Speaker 1: go on the Snoop Dog Tar Puff Pluff Past two.

1386
01:23:07,720 --> 01:23:11,560
Speaker 1: Talk of December, always trying, Yeah, bunk dugs, y'ell. We

1387
01:23:11,600 --> 01:23:14,120
Speaker 1: got a book in the anc uh you know, Shaun

1388
01:23:14,200 --> 01:23:16,680
Speaker 1: Kingston stuff. Just just doing a bunch of stuff man,

1389
01:23:16,800 --> 01:23:19,920
Speaker 1: like on this my Instagram is we're working because all

1390
01:23:20,000 --> 01:23:21,720
Speaker 1: I do is work, you know all you do? And

1391
01:23:21,760 --> 01:23:23,599
Speaker 1: then we got a merch line called hip hop don't

1392
01:23:23,640 --> 01:23:26,080
Speaker 1: know you. I just feel like for like, I'm not

1393
01:23:26,160 --> 01:23:29,360
Speaker 1: gonna stereotype. I'll stereotype this situation right now. You know,

1394
01:23:29,439 --> 01:23:30,920
Speaker 1: you meet a lot of young white kids, right and

1395
01:23:31,040 --> 01:23:34,400
Speaker 1: I am white, um, And you know there's sixteen seven

1396
01:23:34,400 --> 01:23:36,719
Speaker 1: thing got their pants up. There's fake ten half backwards

1397
01:23:36,720 --> 01:23:39,040
Speaker 1: saying they love hip hop and doing it to be cool,

1398
01:23:39,120 --> 01:23:40,880
Speaker 1: but they don't know who the best boys are. Third

1399
01:23:40,920 --> 01:23:43,680
Speaker 1: base hip hop don't know you. So you can't even

1400
01:23:43,720 --> 01:23:45,880
Speaker 1: conversate with me, like learning and big shout out the

1401
01:23:45,920 --> 01:23:47,640
Speaker 1: mc searches in the l A right now which to

1402
01:23:47,680 --> 01:23:51,640
Speaker 1: get up practast But you know, if you're fit the

1403
01:23:51,680 --> 01:23:53,400
Speaker 1: Midwest and you don't know what the Dayton family is

1404
01:23:53,439 --> 01:23:55,599
Speaker 1: all proof from one twelve rest in peace of mc breed.

1405
01:23:56,000 --> 01:23:58,519
Speaker 1: Hip hop don't know you. So I learned to learn

1406
01:23:58,640 --> 01:24:02,280
Speaker 1: the business, learn the forefathers, just learned about the culture

1407
01:24:02,320 --> 01:24:05,080
Speaker 1: and the lifestyle is deeper than just Instagram and social

1408
01:24:05,120 --> 01:24:07,479
Speaker 1: media look cool. So I'm the guy to preach that.

1409
01:24:07,600 --> 01:24:09,280
Speaker 1: I do a lot of motivation to speaking in ju

1410
01:24:09,400 --> 01:24:13,840
Speaker 1: and our hall um, drug rehabs um and uh high

1411
01:24:13,880 --> 01:24:16,559
Speaker 1: schools and colleges about the music business, in the music industry.

1412
01:24:16,560 --> 01:24:17,760
Speaker 1: So I do a lot of stuff like that. I

1413
01:24:17,960 --> 01:24:20,040
Speaker 1: go and tour and do that. I don't know. I

1414
01:24:20,280 --> 01:24:22,760
Speaker 1: just I don't know. God is great, man, man, thank

1415
01:24:22,760 --> 01:24:24,880
Speaker 1: you so much, Steven. But but before we get about

1416
01:24:24,920 --> 01:24:42,720
Speaker 1: it here that asked it's going home relaxed, and I

1417
01:24:42,800 --> 01:24:46,439
Speaker 1: thought Bowie had him. Now cut mas scenario. He said,

1418
01:24:46,520 --> 01:24:49,320
Speaker 1: jam Master Jay story, we needed, we need a jam

1419
01:24:49,400 --> 01:24:53,439
Speaker 1: Master Jakes. Who's my nephews. That's my nephew, because my nephew,

1420
01:24:55,000 --> 01:24:58,400
Speaker 1: Queen's jams j was the realist, you know, and the

1421
01:24:58,439 --> 01:25:01,000
Speaker 1: clue to run DMC. This swag one of the best

1422
01:25:01,080 --> 01:25:03,599
Speaker 1: DJs ever and it comes from one used to bring

1423
01:25:03,680 --> 01:25:05,280
Speaker 1: crates and stuff and a lot of people look up

1424
01:25:05,320 --> 01:25:08,240
Speaker 1: to him. But like I said, man, me and Jay

1425
01:25:08,280 --> 01:25:10,280
Speaker 1: did so much. Another story used to go to you know,

1426
01:25:10,400 --> 01:25:12,679
Speaker 1: the Giants games and just watch Pepper Johnson in front

1427
01:25:12,720 --> 01:25:15,320
Speaker 1: of us hours and watch the Giants game, Go to

1428
01:25:15,320 --> 01:25:18,320
Speaker 1: the next game, watch Mark Jackson playing just like just

1429
01:25:18,479 --> 01:25:20,679
Speaker 1: cool stuff. Man, Jay was just the coolest man. Wish

1430
01:25:20,720 --> 01:25:22,840
Speaker 1: that everybody got to see him, meet him and whoever

1431
01:25:22,960 --> 01:25:25,640
Speaker 1: did you know? Then they understand whe is. But you know,

1432
01:25:25,720 --> 01:25:27,840
Speaker 1: I don't forget where I come from. So every time

1433
01:25:27,920 --> 01:25:30,280
Speaker 1: I talk about the industry, I talked about jam Master

1434
01:25:30,400 --> 01:25:32,760
Speaker 1: J and Jason Marzellen and I said, I know when

1435
01:25:32,800 --> 01:25:34,880
Speaker 1: you're trying to go positive or negative or whatever you

1436
01:25:34,960 --> 01:25:37,479
Speaker 1: want to say, but I always salute jams J because

1437
01:25:37,840 --> 01:25:40,360
Speaker 1: he was the realist to me, my friends and the

1438
01:25:40,400 --> 01:25:43,320
Speaker 1: police did a terrible, terrible job. And like I said,

1439
01:25:43,320 --> 01:25:45,200
Speaker 1: whoever killed him, you know, and there's people who do

1440
01:25:45,400 --> 01:25:48,280
Speaker 1: know that he rotten. Helen and family get fucking raped

1441
01:25:48,320 --> 01:25:52,200
Speaker 1: and all types of ship just cremated and staff just

1442
01:25:52,360 --> 01:25:55,600
Speaker 1: every nasty thing you can imagine, because man, J is

1443
01:25:55,680 --> 01:25:58,599
Speaker 1: hip hop and it's sad, you know, like other other

1444
01:25:58,720 --> 01:26:01,600
Speaker 1: accidents and other people I killed in the industry, you know,

1445
01:26:01,880 --> 01:26:03,840
Speaker 1: it was different things for that reason. But for Jay,

1446
01:26:03,920 --> 01:26:06,639
Speaker 1: come on, getting killed playing the PlayStation. You know, Jay

1447
01:26:06,760 --> 01:26:09,640
Speaker 1: was on the really so I take it personal, and

1448
01:26:10,800 --> 01:26:12,439
Speaker 1: that's it. I've just been blessed to work with j

1449
01:26:12,600 --> 01:26:15,360
Speaker 1: and punting, Biggie and pop and Easy, and not a

1450
01:26:15,439 --> 01:26:17,120
Speaker 1: lot of people could say that. A lot of rappers

1451
01:26:19,320 --> 01:26:24,800
Speaker 1: describe Easy before forget about it. Marketing businessman, crip um,

1452
01:26:24,960 --> 01:26:28,559
Speaker 1: real one, Um, fear nobody and just you know, if

1453
01:26:28,600 --> 01:26:31,760
Speaker 1: you go, I'm show that movie was inaccurate. Ninety percent

1454
01:26:31,760 --> 01:26:34,000
Speaker 1: in that movie was real, like you know, and everybody

1455
01:26:34,120 --> 01:26:37,800
Speaker 1: was from what I heard. Should never got at him

1456
01:26:37,840 --> 01:26:39,600
Speaker 1: like that. And at the end of the day, like

1457
01:26:39,680 --> 01:26:41,640
Speaker 1: come on, you asked, you ask Cube, no matter what

1458
01:26:42,280 --> 01:26:44,200
Speaker 1: you know, Easy he put the money up. Easy was

1459
01:26:44,240 --> 01:26:47,200
Speaker 1: the marketing guy. Easy was the businessman in California right now.

1460
01:26:47,439 --> 01:26:49,760
Speaker 1: He signed Bone Thugs and Harmon. He signed ap band

1461
01:26:49,800 --> 01:26:52,040
Speaker 1: Clan which was will I Am. We wouldn't have a

1462
01:26:52,080 --> 01:26:56,000
Speaker 1: lot of gangster rapp and anybody was real from the world.

1463
01:26:56,640 --> 01:26:59,720
Speaker 1: It's a little Easy. Listen. His wife owns, you know,

1464
01:27:00,400 --> 01:27:02,120
Speaker 1: one of the biggest catalogs in the game. So that

1465
01:27:02,240 --> 01:27:05,479
Speaker 1: was Easy Ruthless Records. So you know, Um, he was

1466
01:27:05,880 --> 01:27:11,280
Speaker 1: innovative brand ambassador, uh, creative marketing genius. Come on, man.

1467
01:27:11,400 --> 01:27:12,960
Speaker 1: So at the end of the day, you know we

1468
01:27:13,160 --> 01:27:15,000
Speaker 1: we like I said, I feel like Easy don't get

1469
01:27:15,040 --> 01:27:17,960
Speaker 1: what he deserved. I don't think um Bone does get

1470
01:27:18,000 --> 01:27:19,519
Speaker 1: what they deserve. A lot of some of this side

1471
01:27:19,520 --> 01:27:21,800
Speaker 1: they don't get what they deserved. But you know, I've

1472
01:27:21,840 --> 01:27:23,320
Speaker 1: been blessed to work with just you know a lot

1473
01:27:23,360 --> 01:27:25,280
Speaker 1: of legendary groups three six of my feeble on MG.

1474
01:27:25,439 --> 01:27:28,400
Speaker 1: Like I said, the Outlaws and Bone. But you know,

1475
01:27:28,960 --> 01:27:31,240
Speaker 1: we need we just need to keep the culture alive. Man,

1476
01:27:31,280 --> 01:27:36,840
Speaker 1: That's what we're doing. Really. Yeah, City Boy did. But listen,

1477
01:27:37,120 --> 01:27:41,040
Speaker 1: before we get up out of here, your relationship was

1478
01:27:41,120 --> 01:27:45,400
Speaker 1: Sugar Knight, Scott. Want to start with you first with

1479
01:27:45,560 --> 01:27:51,040
Speaker 1: Sugar Knight. Sugar Night, you know what he was somebody

1480
01:27:51,080 --> 01:27:57,280
Speaker 1: had met a couple of times and in Hollywood. And

1481
01:27:57,400 --> 01:28:01,880
Speaker 1: then years later, I'm moved into a very exclusive neighborhood

1482
01:28:02,520 --> 01:28:08,040
Speaker 1: and Beverly Hills, and he was my neighbor. And you know,

1483
01:28:08,360 --> 01:28:12,720
Speaker 1: he was struggling with a lot of things, um his

1484
01:28:12,880 --> 01:28:16,920
Speaker 1: personal life as well as I was. And you know,

1485
01:28:17,080 --> 01:28:19,639
Speaker 1: he never did anything to me other than show love

1486
01:28:19,760 --> 01:28:21,479
Speaker 1: and and you know, I got nothing bad to say

1487
01:28:21,479 --> 01:28:23,600
Speaker 1: about the guy. And I know he was there for

1488
01:28:23,720 --> 01:28:28,400
Speaker 1: Tuo Puck when nobody was and he you know, we

1489
01:28:28,520 --> 01:28:32,000
Speaker 1: all in life is a is a crazy journey. So

1490
01:28:32,240 --> 01:28:34,760
Speaker 1: you know, whenever he's been through and he's going through

1491
01:28:35,040 --> 01:28:38,880
Speaker 1: and you know, big up to him, and you know, yeah,

1492
01:28:38,960 --> 01:28:41,960
Speaker 1: I mean I call him Simon. You know, I know

1493
01:28:42,040 --> 01:28:45,760
Speaker 1: Simon a long time and I judge people off the

1494
01:28:45,800 --> 01:28:48,680
Speaker 1: way they treat me, and I live off respect. And

1495
01:28:49,520 --> 01:28:52,240
Speaker 1: she has always been cool with me, you know, And um,

1496
01:28:52,280 --> 01:28:54,439
Speaker 1: I don't get involved with all the other stuff, he says.

1497
01:28:54,479 --> 01:28:56,720
Speaker 1: She said, by the end of the day, whenever he

1498
01:28:56,720 --> 01:28:59,400
Speaker 1: saw me, show me love. And um, you know, he's

1499
01:28:59,400 --> 01:29:02,240
Speaker 1: in the county right now, and I feel like a

1500
01:29:02,280 --> 01:29:04,040
Speaker 1: lot of people should step up and put some money

1501
01:29:04,080 --> 01:29:06,519
Speaker 1: on his books. I know one person who does Alan

1502
01:29:06,560 --> 01:29:09,400
Speaker 1: Groenblack for me. One Entertainment does me and a little

1503
01:29:09,479 --> 01:29:12,200
Speaker 1: queens and at the end of the day, like come on,

1504
01:29:12,320 --> 01:29:15,920
Speaker 1: he's as as a queen's answering. Just so you know,

1505
01:29:16,080 --> 01:29:18,599
Speaker 1: the biggest catalog and hip hop history is death Row

1506
01:29:19,200 --> 01:29:22,200
Speaker 1: Let's eat one owns And but you know what, people

1507
01:29:22,320 --> 01:29:25,479
Speaker 1: need to go put some money on his books because

1508
01:29:25,520 --> 01:29:28,400
Speaker 1: the end of the day, like there's always three sides

1509
01:29:28,439 --> 01:29:30,760
Speaker 1: to a story, and that man helped a lot of

1510
01:29:30,800 --> 01:29:35,200
Speaker 1: people change a lot of people's life, so he wasn't dead.

1511
01:29:35,240 --> 01:29:37,280
Speaker 1: You really can't, you know, say something about the man

1512
01:29:37,360 --> 01:29:39,920
Speaker 1: but like I said, I judge people off the way

1513
01:29:39,960 --> 01:29:42,439
Speaker 1: they treat me, Like ninety percentage music industy is a

1514
01:29:42,479 --> 01:29:46,280
Speaker 1: lot of fake ones and they're scared and they hide

1515
01:29:46,320 --> 01:29:49,200
Speaker 1: behind stuff and they call men. There's a lot of

1516
01:29:49,280 --> 01:29:51,040
Speaker 1: rappers get robbed and they call the white Jewish guy

1517
01:29:51,080 --> 01:29:53,080
Speaker 1: from Queens in l A. But at the end of

1518
01:29:53,120 --> 01:29:55,240
Speaker 1: the day, like, don't put it a salt on, be real,

1519
01:29:55,360 --> 01:29:57,040
Speaker 1: don't be fake. And there's a lot of fake people.

1520
01:29:57,080 --> 01:29:59,760
Speaker 1: But you know they're all smile on your face there,

1521
01:29:59,800 --> 01:30:02,200
Speaker 1: you know, back So everybody't there who should have made

1522
01:30:02,320 --> 01:30:04,720
Speaker 1: rich and you know, discovered and help go put just

1523
01:30:04,800 --> 01:30:07,000
Speaker 1: because put fifty dollars on his books. You've been in jail,

1524
01:30:07,040 --> 01:30:08,960
Speaker 1: so you know how much that means. But no one's

1525
01:30:08,960 --> 01:30:11,800
Speaker 1: even giving a funk that man's going easy. Sun just

1526
01:30:11,880 --> 01:30:13,920
Speaker 1: came out the county said he's song and he said

1527
01:30:13,960 --> 01:30:15,719
Speaker 1: look bad, you know, and if if had the opportunity

1528
01:30:15,720 --> 01:30:18,320
Speaker 1: to go visit, might go visit him. The leasy was

1529
01:30:18,320 --> 01:30:21,800
Speaker 1: in the county and he saw um shouldn't. But they're like,

1530
01:30:21,960 --> 01:30:23,280
Speaker 1: you know, if you don't even know him, go put

1531
01:30:23,320 --> 01:30:24,920
Speaker 1: somebody on the man's books, because he did a lot

1532
01:30:25,000 --> 01:30:27,200
Speaker 1: for this culture. That's true. And that's that's what I'm

1533
01:30:27,240 --> 01:30:28,960
Speaker 1: just saying. Like if he disrespected me, I would say,

1534
01:30:29,000 --> 01:30:30,680
Speaker 1: you know from but he never disrespect him. You know,

1535
01:30:30,760 --> 01:30:32,160
Speaker 1: we showed me love and I know him for a

1536
01:30:32,200 --> 01:30:36,160
Speaker 1: long time. So on that note, that's big up name. Yeah,

1537
01:30:36,200 --> 01:30:38,800
Speaker 1: I mean teachers on man only got to judge, right,

1538
01:30:39,200 --> 01:30:43,360
Speaker 1: motherfucking right. I don't know. I love it. Ship keep going,

1539
01:30:43,439 --> 01:30:47,680
Speaker 1: that's I love it. I got no filter, So I'm

1540
01:30:47,680 --> 01:30:51,560
Speaker 1: gonna tell you the truth, keep the questions going, like

1541
01:30:51,640 --> 01:30:53,960
Speaker 1: I ain't like shows, make some noise. Let's make some

1542
01:30:54,040 --> 01:31:00,800
Speaker 1: noise for chill forgot. It's funny you got that number

1543
01:31:00,800 --> 01:31:03,560
Speaker 1: of positive things to saying. We at different time, and

1544
01:31:03,640 --> 01:31:06,840
Speaker 1: that's beautiful. A't ain't ain't nobody gonna challenge you or

1545
01:31:06,960 --> 01:31:10,479
Speaker 1: judge you. So yeah, yeah, we got a problem like

1546
01:31:10,560 --> 01:31:13,040
Speaker 1: it is what it is. So I just want to

1547
01:31:13,080 --> 01:31:16,320
Speaker 1: thank both of your brothers for being here, Um and

1548
01:31:16,400 --> 01:31:19,600
Speaker 1: the drink champs for militia. You're doing what we gotta do,

1549
01:31:19,760 --> 01:31:21,360
Speaker 1: like we does gotta do around the corner from the

1550
01:31:21,400 --> 01:31:24,160
Speaker 1: percolat to keep the percol percolator on fire. Drin Ecres

1551
01:31:24,200 --> 01:31:35,320
Speaker 1: Walter Scott smell same backwards I did the first the

1552
01:31:35,439 --> 01:31:37,880
Speaker 1: first time it was ya gotta meet. I've been thinking

1553
01:31:40,520 --> 01:31:45,439
Speaker 1: languages that follow it, broken soul. I want. I can't

1554
01:31:45,479 --> 01:31:48,920
Speaker 1: thank you all enough, diego, thank you for putting it together,

1555
01:31:49,360 --> 01:31:52,560
Speaker 1: thank you for having Steven about Scott starts coming in

1556
01:31:52,680 --> 01:31:55,080
Speaker 1: here and just sitting here talking. And you know what

1557
01:31:55,720 --> 01:31:59,439
Speaker 1: I've seen, you know, every other interview and they want

1558
01:31:59,479 --> 01:32:03,840
Speaker 1: to have Scot. You know, we already know Scott guy

1559
01:32:04,680 --> 01:32:07,200
Speaker 1: still dope though we know we got me doing it.

1560
01:32:07,439 --> 01:32:09,920
Speaker 1: You guys The Morning Walking invited over to Scott's house

1561
01:32:09,960 --> 01:32:11,760
Speaker 1: and watch him play grand piano in his living room.

1562
01:32:11,840 --> 01:32:14,040
Speaker 1: We're gonna we're gonna do that. We're gonna do That's

1563
01:32:14,080 --> 01:32:17,680
Speaker 1: appreciate it. But that's another episode right now. It is

1564
01:32:17,720 --> 01:32:22,960
Speaker 1: holiday season, so we gotta thanks l A. Without coming over,

1565
01:32:23,000 --> 01:32:27,800
Speaker 1: I'm gonna no, no, no, no, no thanks. We're we're

1566
01:32:27,840 --> 01:32:31,040
Speaker 1: coming back to all birthdays coming up. And you live

1567
01:32:31,080 --> 01:32:32,639
Speaker 1: in l A. I live in l A and New York.

1568
01:32:33,040 --> 01:32:36,760
Speaker 1: Because we see we're seeing your fathers swimming. Man shout

1569
01:32:36,800 --> 01:32:42,559
Speaker 1: out my daughter as a queen's my dad. My dad's

1570
01:32:42,640 --> 01:32:46,400
Speaker 1: eighty three years old, and it swims thirty laps, literally

1571
01:32:46,600 --> 01:32:50,360
Speaker 1: real swimming. Eighty three years old. Man solves around were

1572
01:32:50,439 --> 01:32:53,120
Speaker 1: gangster from Queens, and um, you know he knew Jay,

1573
01:32:53,240 --> 01:32:56,160
Speaker 1: knew Joe, he knows everybody. Um. But at the end

1574
01:32:56,160 --> 01:32:57,400
Speaker 1: of the day, you know, I go back to see

1575
01:32:57,439 --> 01:32:59,160
Speaker 1: my dad, man, because you know, I lost my mom

1576
01:32:59,240 --> 01:33:02,320
Speaker 1: a few years ago, and I regretted it because I'll

1577
01:33:02,400 --> 01:33:04,519
Speaker 1: traveled so much in this game and chasing my dreams

1578
01:33:04,560 --> 01:33:07,479
Speaker 1: and chasing you know, the history and in the in

1579
01:33:07,520 --> 01:33:10,280
Speaker 1: the passion of this industry. So sometimes you forget to

1580
01:33:10,400 --> 01:33:12,519
Speaker 1: visit home and go home. So now I go home,

1581
01:33:12,600 --> 01:33:14,679
Speaker 1: taking my dad to the Mets games, Yankee games, Jets

1582
01:33:14,720 --> 01:33:17,000
Speaker 1: gihnts next and that's all that, and just spend time

1583
01:33:17,040 --> 01:33:20,559
Speaker 1: with the Lemon, Nice King Corona, just different ships. Man. Yeah,

1584
01:33:20,600 --> 01:33:23,519
Speaker 1: because you know, like we don't appreciate sometimes what we

1585
01:33:23,640 --> 01:33:26,000
Speaker 1: really have until it's too late. And you know, so

1586
01:33:26,000 --> 01:33:29,680
Speaker 1: many people don't even appreciate a dollar bill or a toothbrush,

1587
01:33:29,760 --> 01:33:31,640
Speaker 1: you know, and there's people over the world starving and

1588
01:33:31,800 --> 01:33:34,519
Speaker 1: funked up. So I appreciate life. So I just go

1589
01:33:34,640 --> 01:33:36,120
Speaker 1: back home and see my dad a lot. Man. We

1590
01:33:36,200 --> 01:33:38,240
Speaker 1: stayed were straight right where we grew up in Queens,

1591
01:33:38,280 --> 01:33:41,240
Speaker 1: and um, I'm going back next week for Thanksgiving, So

1592
01:33:41,479 --> 01:33:42,840
Speaker 1: you know, I don't forget where I come from, nor

1593
01:33:42,960 --> 01:33:45,200
Speaker 1: you already know that. Man, definitely not going back for

1594
01:33:45,360 --> 01:33:49,400
Speaker 1: things giving. But go ahead, Scott staying in Miami science

1595
01:33:49,800 --> 01:33:58,439
Speaker 1: here here this with something to leave with. Uh um no,

1596
01:33:58,720 --> 01:34:01,080
Speaker 1: just this is this pleasure to be here. Man. I'm

1597
01:34:01,120 --> 01:34:04,320
Speaker 1: just so grateful that you put this amazing show together. Man,

1598
01:34:04,960 --> 01:34:07,360
Speaker 1: I'm so proud of you. Man. God blessed, thank you,

1599
01:34:07,400 --> 01:34:10,280
Speaker 1: God blessing good people. God dank God damn it got

1600
01:34:10,360 --> 01:34:16,120
Speaker 1: them because I wonder one podcast and other fucker. You know,

1601
01:34:16,360 --> 01:34:18,320
Speaker 1: let me tell you something. You know what they always say,

1602
01:34:18,360 --> 01:34:20,160
Speaker 1: they say, oh this one, this, this one that, But

1603
01:34:20,640 --> 01:34:23,000
Speaker 1: you know what, you can never count knowing out and

1604
01:34:23,439 --> 01:34:25,920
Speaker 1: and everything is dead man, because they don't say this.

1605
01:34:26,000 --> 01:34:27,720
Speaker 1: I want them to count me out. We'll fun them

1606
01:34:27,720 --> 01:34:29,720
Speaker 1: because everybody counts a lot of people out. But you

1607
01:34:29,800 --> 01:34:32,040
Speaker 1: got the hottest podcast in the world, and you do.

1608
01:34:32,200 --> 01:34:34,040
Speaker 1: You're shooting on a lot of people's stuff, a lot

1609
01:34:34,160 --> 01:34:36,599
Speaker 1: of You're being real with and innovat him creative in them.

1610
01:34:37,040 --> 01:34:39,400
Speaker 1: People don't like that. They like the bullshit. They don't like.

1611
01:34:39,600 --> 01:34:42,519
Speaker 1: So you know, if anybody, if anybody deserves success, guys

1612
01:34:42,600 --> 01:34:44,760
Speaker 1: like yourself, who has a resume in stripes who put

1613
01:34:44,800 --> 01:34:50,680
Speaker 1: in a lot. Of course, JF my man, James used

1614
01:34:50,680 --> 01:34:53,519
Speaker 1: to work with us all back in days. Now you

1615
01:34:53,600 --> 01:34:55,559
Speaker 1: know James, but you know at the end of the day,

1616
01:34:55,720 --> 01:34:58,679
Speaker 1: that's the street team history. Ye yeah, I don't even

1617
01:34:58,760 --> 01:35:00,760
Speaker 1: know what it was, but it's out the fly. But

1618
01:35:00,800 --> 01:35:02,840
Speaker 1: you know, you guys are innovative, You're creative. It's real

1619
01:35:02,920 --> 01:35:04,360
Speaker 1: and thank you and you put you you know this

1620
01:35:04,479 --> 01:35:07,320
Speaker 1: what I swearing. Man. Everybody wants to skip the world

1621
01:35:08,160 --> 01:35:10,720
Speaker 1: and you deserve it because you put the working got

1622
01:35:10,760 --> 01:35:13,120
Speaker 1: the strips. Man, you're not skipping like you know what

1623
01:35:13,200 --> 01:35:15,120
Speaker 1: it is to go to fantastic but then you know

1624
01:35:15,160 --> 01:35:16,880
Speaker 1: what it is to get on the private jet and

1625
01:35:18,360 --> 01:35:21,960
Speaker 1: and and and exactly the tall bus and a car.

1626
01:35:22,040 --> 01:35:23,720
Speaker 1: Whatever you need to get done, you're able to get

1627
01:35:23,760 --> 01:35:26,439
Speaker 1: it done. And you're still relevant. I tell people I'm

1628
01:35:26,479 --> 01:35:28,880
Speaker 1: a dinosaur but on fossil fuel because I stay relevant.

1629
01:35:29,640 --> 01:35:31,479
Speaker 1: So as long as you have a good car, I'm

1630
01:35:31,520 --> 01:35:34,240
Speaker 1: a dinosaur, but on fossil fuel because I stay relevant.

1631
01:35:34,920 --> 01:35:37,400
Speaker 1: And if you know, and I always try to tell people, man,

1632
01:35:37,479 --> 01:35:40,559
Speaker 1: on a business side, less is more, less is more

1633
01:35:40,640 --> 01:35:44,160
Speaker 1: and quality over quantity. And to the younger generation that's listening,

1634
01:35:44,160 --> 01:35:47,120
Speaker 1: to this. Money comes and goes, but history stays. As

1635
01:35:47,160 --> 01:35:49,400
Speaker 1: long as you make history, you're gonna make money. Rollings

1636
01:35:49,439 --> 01:35:52,920
Speaker 1: don't define us, bendes don't define us. Money don't define

1637
01:35:53,000 --> 01:35:55,920
Speaker 1: real ones. So just you know, just work hard, man,

1638
01:35:56,000 --> 01:35:58,080
Speaker 1: hard works, and to really pay all And this is proven.

1639
01:35:58,160 --> 01:36:00,880
Speaker 1: This is proven right here. This is hard work right

1640
01:36:00,920 --> 01:36:04,840
Speaker 1: here through child relations and still going. But respecting, that's

1641
01:36:04,880 --> 01:36:06,519
Speaker 1: what the key to everything is. That's the real key

1642
01:36:06,560 --> 01:36:15,960
Speaker 1: to success. Respect goddamn makes a fact. No, I know

1643
01:36:16,080 --> 01:36:18,759
Speaker 1: it's gonna sneeze early. I know it's gonna sneeze earlier.

1644
01:36:19,200 --> 01:36:25,200
Speaker 1: But Scott Steve, thank you all for hanging out with

1645
01:36:25,280 --> 01:36:29,080
Speaker 1: the dream Champs. Thank apartment for b s picked them up.

1646
01:36:29,520 --> 01:36:32,679
Speaker 1: My fellow Queen's na the sounds has it? It sounds

1647
01:36:32,680 --> 01:36:38,280
Speaker 1: of course, uh Queen's ship, my nigga that just dropped

1648
01:36:38,280 --> 01:36:42,439
Speaker 1: the cold cold and John D and you got your

1649
01:36:42,479 --> 01:36:46,599
Speaker 1: button on like we think you Chicano. We don't think

1650
01:36:46,640 --> 01:36:50,400
Speaker 1: you Chicano at all. I'm just throw my friend now

1651
01:36:50,439 --> 01:36:52,640
Speaker 1: talking about Tito. Get my friend. Y'all just looked at

1652
01:36:52,680 --> 01:36:57,599
Speaker 1: my left and I see my man's shirt right shout

1653
01:36:57,600 --> 01:37:03,680
Speaker 1: out flavor the flame. I'm looking you're my nigger. But

1654
01:37:03,800 --> 01:37:08,479
Speaker 1: you're from Fairfaxts right now. I knew, I knew you

1655
01:37:08,640 --> 01:37:12,519
Speaker 1: wasn't from Cali at all. He's the one that connected

1656
01:37:12,600 --> 01:37:15,160
Speaker 1: us before. Yeah, I know, but he got he got

1657
01:37:15,240 --> 01:37:18,679
Speaker 1: the button up like like, don't look at me, little puppet.

1658
01:37:22,000 --> 01:37:29,120
Speaker 1: We're yeah, So listen, Scott, Steve, They're listen. The thing

1659
01:37:29,200 --> 01:37:32,439
Speaker 1: about our ship is we want to pick up our people,

1660
01:37:32,880 --> 01:37:35,559
Speaker 1: the people that have been in this industry and can

1661
01:37:36,760 --> 01:37:40,599
Speaker 1: and continue staying in this industry, and we want them

1662
01:37:40,640 --> 01:37:43,920
Speaker 1: to feel great every time they step in here. You know,

1663
01:37:44,400 --> 01:37:48,360
Speaker 1: we have quote unquote a million listeners. Well I don't

1664
01:37:48,360 --> 01:37:51,320
Speaker 1: even give a funk, but we got him every week

1665
01:37:51,800 --> 01:37:53,840
Speaker 1: and they tune in. And we want to pick up

1666
01:37:53,880 --> 01:37:57,120
Speaker 1: all legends because in our generation, when you have ten

1667
01:37:57,240 --> 01:38:01,000
Speaker 1: years a better, people say it's over for you, they

1668
01:38:01,040 --> 01:38:05,880
Speaker 1: say fuck you, you old fucker. Let they say say

1669
01:38:05,920 --> 01:38:08,960
Speaker 1: ship like that. But in rock and roll, in jazz,

1670
01:38:09,800 --> 01:38:12,920
Speaker 1: they praised these people the more years you have, and

1671
01:38:13,040 --> 01:38:15,360
Speaker 1: I want to change it. So I single handedly I

1672
01:38:15,439 --> 01:38:21,120
Speaker 1: didn't want to say you know what, uh, look at

1673
01:38:21,160 --> 01:38:24,120
Speaker 1: what they do. I wanted to show what we do.

1674
01:38:25,520 --> 01:38:28,560
Speaker 1: So eventually, you know, drink camps. We want to have

1675
01:38:28,720 --> 01:38:31,640
Speaker 1: our own verging a Hall of Fame. Action speak a

1676
01:38:31,640 --> 01:38:33,080
Speaker 1: lot in words. That's what you're doing, you know what

1677
01:38:33,160 --> 01:38:36,360
Speaker 1: I'm saying, And this is what we want to do.

1678
01:38:36,560 --> 01:38:40,280
Speaker 1: So drink Camps. Every A lot of people ask us

1679
01:38:41,520 --> 01:38:45,040
Speaker 1: why you interview such and such and such, and we

1680
01:38:45,360 --> 01:38:49,000
Speaker 1: we we we we love the new generation as wow,

1681
01:38:49,720 --> 01:38:52,360
Speaker 1: we're not this enom in no way shape formal fashion.

1682
01:38:53,560 --> 01:38:57,800
Speaker 1: But they got the radio stations. How about the people

1683
01:38:57,840 --> 01:39:01,960
Speaker 1: who've been around forever and nobody patted them on their back.

1684
01:39:03,280 --> 01:39:09,280
Speaker 1: That's what this is about. And it's just like, you know,

1685
01:39:09,840 --> 01:39:15,160
Speaker 1: Scott been one of the richest people ever and he

1686
01:39:15,280 --> 01:39:23,000
Speaker 1: still is, but he's the background guy. Where's the guy

1687
01:39:23,120 --> 01:39:27,479
Speaker 1: that continued to pass God on his back? That's who

1688
01:39:28,200 --> 01:39:36,840
Speaker 1: we are to drink Champs, Steve, You've been in the game,

1689
01:39:37,000 --> 01:39:41,519
Speaker 1: you ran with everybody. You may not now I've never

1690
01:39:41,680 --> 01:39:52,160
Speaker 1: got a pat on your back. Honestly, That's who we are.

1691
01:39:53,760 --> 01:40:00,439
Speaker 1: Little way the people to say we appreciate ate you.

1692
01:40:01,000 --> 01:40:05,200
Speaker 1: That's why the Champs is important. Drinks is one part

1693
01:40:05,280 --> 01:40:10,920
Speaker 1: of it, the Champ part of it. It's the real importance.

1694
01:40:12,400 --> 01:40:17,160
Speaker 1: We respect our legends and we want us to continue

1695
01:40:17,240 --> 01:40:19,720
Speaker 1: to keep doing what we're doing, Like he does. We

1696
01:40:19,960 --> 01:40:22,280
Speaker 1: gotta do around the corner from the percolator to keeping

1697
01:40:22,320 --> 01:40:26,599
Speaker 1: the percolator percolator and on the fire and that equals

1698
01:40:26,680 --> 01:40:30,760
Speaker 1: wall though now it's real ship, you know what it is.

1699
01:40:30,800 --> 01:40:32,680
Speaker 1: We just we just do. It's behind the scene, so

1700
01:40:32,840 --> 01:40:35,920
Speaker 1: to speak, being humble and just being humble, and that's

1701
01:40:35,960 --> 01:40:38,000
Speaker 1: really what it is, just being humble. Never forget where

1702
01:40:38,000 --> 01:40:41,160
Speaker 1: you come from. Never because just be confident. And we

1703
01:40:41,240 --> 01:40:43,360
Speaker 1: don't need the credit. Man, I really don't like I'm

1704
01:40:43,360 --> 01:40:46,880
Speaker 1: about how the scenes type of dude. Man, we appreciate that.

1705
01:40:47,400 --> 01:40:49,880
Speaker 1: This is what we do at Drink Champs. We give

1706
01:40:49,960 --> 01:40:53,920
Speaker 1: our legends. Scott. Don't you ever think we don't know

1707
01:40:54,479 --> 01:40:57,000
Speaker 1: how much money you made and you was coming out there.

1708
01:40:57,200 --> 01:40:59,400
Speaker 1: You picked me up in a sixty million dollar boat

1709
01:40:59,520 --> 01:41:05,720
Speaker 1: and we got the sixteen dollar mills. Just that that

1710
01:41:05,960 --> 01:41:13,760
Speaker 1: was the hardest thing, right, And this is what I'm

1711
01:41:13,760 --> 01:41:17,160
Speaker 1: trying to say, a lot of people listen. For the

1712
01:41:17,240 --> 01:41:20,800
Speaker 1: rest of my life, I will always respect the boat

1713
01:41:20,840 --> 01:41:24,479
Speaker 1: for you, brothers, Thank you Black West. The boat for

1714
01:41:24,520 --> 01:41:27,679
Speaker 1: you brothers. I will always what did you sober drink?

1715
01:41:28,280 --> 01:41:34,240
Speaker 1: I don't like it the drink Champs called you should

1716
01:41:34,280 --> 01:41:37,479
Speaker 1: have just hit it from the agg Now now you

1717
01:41:37,600 --> 01:41:41,559
Speaker 1: gotta put them some book audio there, but it doesn't matter.

1718
01:41:42,160 --> 01:41:44,719
Speaker 1: I really appreciate you brothers coming hanging out our apartment

1719
01:41:44,800 --> 01:41:48,479
Speaker 1: four B. We appreciate you for letting us, you know

1720
01:41:48,479 --> 01:41:52,200
Speaker 1: what I'm saying, set up Scott Starts, Steve Labell, you

1721
01:41:52,320 --> 01:41:55,639
Speaker 1: guys are wonderful people. Thank you for letting us bug

1722
01:41:55,680 --> 01:41:58,160
Speaker 1: out with y'all having fun, because that's what drink championships.

1723
01:41:58,200 --> 01:42:00,400
Speaker 1: We bug out, have farm with our legends. But we

1724
01:42:00,560 --> 01:42:04,360
Speaker 1: never forget to pick up all legends. We never forget

1725
01:42:04,479 --> 01:42:07,639
Speaker 1: to make sure our legends walk away and saying, these

1726
01:42:07,720 --> 01:42:12,040
Speaker 1: niggas understand what I did in life, what I did

1727
01:42:12,160 --> 01:42:15,160
Speaker 1: in this industry and what I did and that's what

1728
01:42:15,600 --> 01:42:18,080
Speaker 1: that's what our whole ship is about. So we want

1729
01:42:18,120 --> 01:42:21,400
Speaker 1: to say thank y'all, thank you, and we still drunk,

1730
01:42:21,479 --> 01:42:24,400
Speaker 1: and what we're about to do, we're still I'm still

1731
01:42:24,439 --> 01:42:29,080
Speaker 1: gonna get your drunk. Scott, Let's take their flick, all right,

1732
01:42:30,400 --> 01:43:08,519
Speaker 1: Thank you so much. Find all your favorite movies and

1733
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1740
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