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Speaker 1: Hey, everybody, before we start the episode, this is Zach

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Speaker 1: Braff here. I just want to say, have a very

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Speaker 1: big announcement that you're gonna want to know about. So

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Speaker 1: check out my instagram on October seventeenth. You're gonna want

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Speaker 1: to check in because I have a very exciting big announcement.

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Speaker 1: So mark your calendars. Set an alarm October seventeenth around

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Speaker 1: ten am. Mega announcement coming. Here's the show.

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Speaker 2: We have a live audience. No, it might be want

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Speaker 2: someone on his team or something. I didn't realize we

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Speaker 2: had a live audience. We don't if we have. If

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Speaker 2: we have a live audience, that'd be kind of cool.

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Speaker 2: If we could do that too. We could do the

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Speaker 2: show live. We should do it live. We should have

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Speaker 2: a live audience and sell tickets for the live Well,

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Speaker 2: you need to be edited and I need to be edited. Yeah,

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Speaker 2: but the live audience, the live audience can't record, can they.

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Speaker 1: I'm sure they can record, and they're just gonna wait

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Speaker 1: for you to say something stupid right now.

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Speaker 2: It might happen today, and it might happen a day

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Speaker 2: and you.

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Speaker 1: And I are still able to do this podcast is

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Speaker 1: because Daniell edits.

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Speaker 2: It Listen, we've said some of the most. You're absolutely right,

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Speaker 2: we've been so insensitive sometimes.

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Speaker 1: Well, and when you clean for two hours and you

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Speaker 1: sometimes broach sensitive issues, it's it's nice to be edited.

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Speaker 2: You don't.

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Speaker 1: You don't always not everyone is going to stick the

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Speaker 1: landing with how they phrase things.

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Speaker 2: Now, listen, I'm gonna say this. Go ahead. My wife

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Speaker 2: was saying this earlier to me today. She's like, baby,

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Speaker 2: there's nothing wrong with middle of a road. I was like,

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Speaker 2: what are you talking about. She's like, when you strive

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Speaker 2: to be too famous, things can go wrong just by

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Speaker 2: one thing you say. But when you strive to be

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Speaker 2: just you know, do you man? Make do what you

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Speaker 2: do best?

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Speaker 1: Yes, Donald, I agree. And also, don't throw freak offs because.

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Speaker 2: Watch it. But I'm not.

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Speaker 1: Saying anything other than I learned what a freak off was.

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Speaker 2: I didn't.

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Speaker 1: I didn't know that freak offs were a thing. I

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Speaker 1: have so many questions where Daniel will have to cut

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Speaker 1: it all if we go into it. But I just

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Speaker 1: want to say I'm being educated.

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Speaker 3: Can we get a can we get a quick overview

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Speaker 3: of what a freak off is?

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Speaker 2: No, but keep it one hundred man, I get it.

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Speaker 1: Let's on me talk about this in a way that

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Speaker 1: Daniel won't have to cut right, Okay, one is a

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Speaker 1: freak off Donald.

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Speaker 2: First of all, there's levels to it, and I've ever

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Speaker 2: been to one. No, That's what I'm trying to say.

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Speaker 2: There's levels to it, and I am on a certain level,

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Speaker 2: and then there's a whole another level.

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Speaker 1: I didn't know that there was nothing about it. I

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Speaker 1: didn't know there was a freak off level.

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Speaker 2: I didn't know about the freak off level either, And

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Speaker 2: I like to think I'm well connected. I now know

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Speaker 2: that I am not.

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Speaker 1: You have never been to a freak cough.

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Speaker 2: I'm assuming I've never been to a freak off, Daniel,

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Speaker 2: have you ever been to a freak off? I think

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Speaker 2: I left. I'm sure I left early.

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Speaker 1: I'm still not sure what a freak off. I assume

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Speaker 1: a freak off is. People try and outdo one another

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Speaker 1: with sexual acts so that people.

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Speaker 2: Are like, WHOA.

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Speaker 1: I thought what I was doing was crazy. What you're

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Speaker 1: doing is next level. And this is a public space,

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Speaker 1: you know, think of it like think of it like,

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Speaker 1: think of it.

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Speaker 2: Like it's like a break, like step it, step up.

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Speaker 4: Step up the street.

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Speaker 2: I was he gonna say step up. I was gonna say, like.

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Speaker 1: The you know, the NBA does the Basketball Dunking Company.

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Speaker 2: No, the Dunking Company Saturday Night. Yeah, I dun like

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Speaker 2: step up, like you bring your crew, bring my crew?

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Speaker 2: Every freak off?

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Speaker 1: Oh no, I think it's absurd. In the freak off

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Speaker 1: you mean like you mean, like, what's time we were

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Speaker 1: Julia Stiles learns to break.

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Speaker 2: The last dance. There's no battling.

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Speaker 1: There's battling and say the last like not like but

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Speaker 1: all right, but listen, what's the other one that's doing

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Speaker 1: my analogy? Can we go with my analogy?

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Speaker 2: Please? In the NBA dunking competition, what's the one with

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Speaker 2: Chris Brown?

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Speaker 1: Ok, it's like the dunking competition, but with sexual acts.

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Speaker 1: I'm assuming where someone's like, yo, he just went that

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Speaker 1: was insane. The crowd goes wild, and now it's my,

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Speaker 1: me and Tom's turn, and we're gonna let me show

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Speaker 1: you what a freak is.

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Speaker 2: Freaking off.

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Speaker 1: Yeah, they free and then the audience is like, wow,

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Speaker 1: they freaked.

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Speaker 2: Off holding up tins nine. Yeah, it's a freak off.

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Speaker 2: It's a freak off. Dan, have you ever been to

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Speaker 2: one of those? Daniel? You know, I haven't.

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Speaker 1: I'm sorry, I'm missing out on the freak Wonder if

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Speaker 1: I've been to parties where they are like, all right,

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Speaker 1: get everyone out of here who's like normal, and then

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Speaker 1: we're gonna have a off and I'm like, oh, the

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Speaker 1: party's over, going home. And then they're like and they're

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Speaker 1: like to get the yeah, get the normies out, like

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Speaker 1: turn off the lights. Like everyone like, oh, we're all leaving.

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Speaker 1: We're all leaving. And then I go home and I'm

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Speaker 1: like in bed, like reading my book, and there then

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Speaker 1: the freak off.

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Speaker 2: Starts right right. Wow. By the way, Donald, that movie

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Speaker 2: you were thinking of was Stomp the Yard. Stomp the Yard.

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Speaker 2: That's the one Columbus Short, Columbus Short and and Chris

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Speaker 2: Brown Donald one with a marion. Then there's one with

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Speaker 2: a marion and B two k in them and they

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Speaker 2: had a real popular one too, and they're trying to

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Speaker 2: it's like a community center that all the dances. I forget.

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Speaker 1: The funny ship is Julia Styles learning to break dance.

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Speaker 1: That ship's amazing. Have you ever seen that video on

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Speaker 1: the internet when she like she finds the rhythm of

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Speaker 1: the city. It's amazing, Yo, you gotta watch you just

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Speaker 1: look on you like.

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Speaker 2: A fucking exact Oh you know, said then doing that thing.

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Speaker 2: I told her rhythm.

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Speaker 1: I just remember there's a clip that's so cringe where

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Speaker 1: she's like she's learning to break like by looking at

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Speaker 1: the rhythm of the city, and like she sees people

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Speaker 1: playing basketball, and then she's like she sees how they move,

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Speaker 1: and then.

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Speaker 2: She think, that's honey, that's honey.

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Speaker 1: Oh I'm conflating two movies.

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Speaker 2: That's fine, that's honey, that's what. That's what just.

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Speaker 1: Yeah, it's two different women who learned the rhythm of

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Speaker 1: the streets. Yeah, well, the Puffies, Puffy's in a lot

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Speaker 1: of trouble. Holy shit, I don't think out of shill.

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Speaker 1: I mean, I've just been writing so much about it.

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Speaker 1: I didn't know anything about any of this. I really

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Speaker 1: know very little about Puffy, but I've just been reading,

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Speaker 1: as I'm sure a lot of people have. It's insane

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Speaker 1: what's been going on over it just.

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Speaker 2: Goes deeper, Like it just is deeper than we thought

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Speaker 2: it was. That's all, Like, no, I don't know anything,

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Speaker 2: you don't know anything like that just shows we don't know.

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Speaker 2: But they were so many charges.

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Speaker 1: I've been reading, like The Feds don't bring that many

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Speaker 1: charge arges unless they like have it all Like, they

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Speaker 1: don't they don't do what they did or the Rico

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Speaker 1: case unless they like have it all, right, Dan, you

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Speaker 1: know more about this than me. It's all allegedly. We

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Speaker 1: got to say it's all allegedly. But I'm saying little

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Speaker 1: I know about Rico charges and that's very little.

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Speaker 4: Is that?

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Speaker 1: Like they don't show their cards until they like have

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Speaker 1: it all right?

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Speaker 2: Right?

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Speaker 3: Yeah, it's no joke at this point.

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Speaker 2: Well, I will say this man for a really long

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Speaker 2: it's it's heartbreaking in a lot of ways too, because

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Speaker 2: Puff was a hero to a lot of young men,

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Speaker 2: a lot of people, you know what I mean. And

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Speaker 2: if this is the way it goes down, holy shit. Wow.

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Speaker 1: You know, well you might you might learn there might

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Speaker 1: be things proven that make him uh a really horrible,

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Speaker 1: horrible person.

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Speaker 2: We don't know, Yeah, I mean, you know, videos don't lie.

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Speaker 2: You know already the video of him. I don't want

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Speaker 2: to go into it, but anyway, Yeah, Daniel, I.

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Speaker 3: Was just going to say, you know, it's it is

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Speaker 3: always disappointing when you find out people that you previously

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Speaker 3: looked up to are monsters. You could say the same

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Speaker 3: thing about Bill Cosby. He was America's dad. He was

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Speaker 3: also a monster, and it's like, that's tough.

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Speaker 1: This one came out of the blue, thought, I mean,

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Speaker 1: just because I don't really know much about Puffy, to

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Speaker 1: be honest, I really don't. I know he was, I

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Speaker 1: know he was, I know all this like how he

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Speaker 1: influenced hip hop and everything, and I know very little,

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Speaker 1: but I this, this just came out of like all

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Speaker 1: of a sudden. This this is I mean, the articles

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Speaker 1: are everywhere and they're and they're so crazy, and people

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Speaker 1: are fucking quitting. Do you see all these people that

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Speaker 1: are that are quitting, stepping down.

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Speaker 2: From the jobs, from their jobs. They were definitely at

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Speaker 2: the freak off. Well, I don't know if they were

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Speaker 2: at the freak off, but it's very unusual that all

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Speaker 2: of a sudden people are like, you know what, I'm

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Speaker 2: gonna I'm gonna retire early.

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Speaker 1: But I'm thirty. What else would we talk about? I

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Speaker 1: don't know what else to say about the freak off?

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Speaker 4: Oh.

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Speaker 1: I ran into two actors who love you, Donald and

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Speaker 1: both want to come on the podcast at the Emmys.

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Speaker 2: Dou Lay Hill, right, you know, I love me some

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Speaker 2: dou lay hill, hold on, what go ahead?

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Speaker 4: I love me.

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Speaker 1: I was at the Emmys recruiting people left and right

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Speaker 1: and I and I thought I got dou late to say, yes.

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Speaker 2: Okay, that's wonderful. Go and I'm listening. I look at

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Speaker 2: but I look good.

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Speaker 4: Do you like my joke?

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Speaker 2: Did you watch my joke? I didn't watch you.

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Speaker 1: No, but my joke.

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Speaker 2: You can watch it on YouTube. You said I'll watch

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Speaker 2: it on YouTube after the show. Come on, man, I'll

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Speaker 2: watch it after this show.

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Speaker 1: I was texting you for your input, I know, and

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Speaker 1: I you didn't watch it. You know how I need

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Speaker 1: to watch it because after it crushed and it did

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Speaker 1: really well.

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Speaker 2: You didn't text me.

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Speaker 1: You didn't text me and be like, yo, you crushed.

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Speaker 2: Damn did you watch it?

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Speaker 4: I did watch it. You did crush.

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Speaker 2: So I'm not I'm not going to reveal it right now.

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Speaker 1: Because I know he knows the joke because I was

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Speaker 1: texting him for thought. I was texting him for thoughts

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Speaker 1: on it. And let me tell you something. I it's

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Speaker 1: pretty ballsy to do a joke you never rehearsed in

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Speaker 1: front of millions and millions and millions of people. Absolutely,

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Speaker 1: especially a joke that's got that's a little bit complex,

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Speaker 1: a little bit complex.

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Speaker 2: Just just just an instructure.

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Speaker 1: And and Bill was helping me with it, and he's like,

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Speaker 1: don't go for like four laps, dude, because you're gonna

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Speaker 1: be milking it. Go for like, go for like one

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Speaker 1: solid laugh. And I go, are you kidding me? I've

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Speaker 1: seen Christin wigg up there like get like five laughs

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Speaker 1: out of one sentence, Like I'm gonna try to like

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Speaker 1: milk the fucking thing. I only got like one line.

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Speaker 2: And and so.

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Speaker 1: It's so ballsy because we never rehearsed, and I went

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Speaker 1: up there and it fucking crushed.

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Speaker 2: I got like four laughs out of like two sentences.

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Speaker 2: That's crush the dude. That's awesome. You know what it's

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Speaker 2: like though, it's being like a parent because you do

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Speaker 2: it to me sometimes, and I know why you do it.

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Speaker 2: I'll have something that's coming out, and instead of going

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Speaker 2: right away to go see that ship, I'll wait because

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Speaker 2: I want I don't want it to be bad, and

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Speaker 2: I don't want it to be you know what I mean,

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Speaker 2: And me have to look you in the face, so

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Speaker 2: I'll wait. I'm surprised you don't want to say a.

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Speaker 4: Thing to me.

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Speaker 2: Fuck you, don't even try it. Man, it took you

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Speaker 2: nineteen years to see remember the Titans, So don't even

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Speaker 2: try it.

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Speaker 1: That was really bad, But that's just because I was

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Speaker 1: I don't know why I was weird, but I I

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Speaker 1: got to tell you, I was really nervous about it

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Speaker 1: because to get up in front of that room. I mean,

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Speaker 1: it's like all of the all of the people killing

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Speaker 1: it in Hollywood, and and and then of course who

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Speaker 1: all the millions of people who are watching at home,

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Speaker 1: and it's one thing that just like you should have

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Speaker 1: seen what they wrote. For me, it was like, oh

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Speaker 1: my god, I'm not going to get up in front

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Speaker 1: of those people and say this horrible, stupid joke. It's

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Speaker 1: not going to get eat in a chuckle. So then

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Speaker 1: I was like, I gotta like, I gotta shine, I

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Speaker 1: gotta like try and write something, and it has to

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Speaker 1: be quick because these things are quick. So I really

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Speaker 1: worked on it hard and UH and got some input

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Speaker 1: from from friends, including you, and UH and.

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Speaker 2: Thought I thought it was funny. From the gate. I like,

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Speaker 2: I like the banter between you and men from the gate.

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Speaker 2: I think your sister gave you some really good fucking advice.

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Speaker 1: Ay the way, that's someone else we're gonna have on

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Speaker 1: is Jessica Curson, my sister for those who don't know,

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Speaker 1: is a stand up whose career is just beginning finally.

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Speaker 1: I mean she's been at it and and now she's skyrocking.

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Speaker 1: She's got a Hulu special. She's fucking blowing up. Jessica Curson.

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Speaker 1: Check her out. But she's a great joke writer obviously

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Speaker 1: as a as a pro stand up who's crushing it.

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Speaker 2: She's been in it for a while. Man, she's been

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Speaker 2: in we first met well, it's kind of like at

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Speaker 2: the same time when Scrubs was happening. She kind of

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Speaker 2: Last Man Standing is a long long ride.

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Speaker 1: She was on that comic competition Last Man Study. But like,

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Speaker 1: if you go to New York and you go to

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Speaker 1: The Cellar, which is, you know, the best comedy club

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Speaker 1: on McDougal Downtown, you know, she's like, you know, one

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Speaker 1: of their staples. She's like one of the And if

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Speaker 1: you ever watched that show, what's Pete Holmes's show called

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Speaker 1: Again Crashing, it was about stand up comics. Jessica plays

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Speaker 1: herself a lot of New York stand ups play themselves

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Speaker 1: in it, and Jessica played herself in it, and she

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Speaker 1: was really funny on that. But now you know she's

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Speaker 1: finally getting her flowers. She got a big special And anyway,

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Speaker 1: Donald's right, Jessica gave me a help me with a

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Speaker 1: joke because you know, I'm not a I'm not a

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Speaker 1: stand up comic, so she helped me refine it too.

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Speaker 2: It takes a lot to be It takes a village.

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Speaker 4: Well.

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Speaker 2: Also, but listen, man, you think you think Eddie did

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Speaker 2: it by himself. He had two of the best with him.

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Speaker 2: He had Keenan and he had freaking Uh and he

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Speaker 2: had Robert Townsend. I'm just saying.

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Speaker 1: Saying that what stand ups do is they try joke out.

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Speaker 2: It bombs. They go, I gotta work on it.

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Speaker 1: They tried another joke out, and they refine it, and

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Speaker 1: they refine it and they refine it and by the

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Speaker 1: time you probably hear in the cellar in New York City,

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Speaker 1: it's fucking great. This was like a kind of a

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Speaker 1: big swing with no rehearsal in front of millions of people.

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Speaker 2: It's either gonna it's gonna go one of two ways.

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Speaker 2: One way, you're sweating bullets.

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Speaker 1: Bullets dude, we get backstage, you'll see when you see this,

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Speaker 1: like they built this whole hospital set and we didn't.

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Speaker 1: I thought it was like we're going there and the Emmys,

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Speaker 1: you know, like anything. You get up and you get

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Speaker 1: at the microphone and you each say a sentence and

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Speaker 1: then we get backstage and they're like, okay, so when

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Speaker 1: you guys, when the curtain goes up, these these extras

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Speaker 1: are gonna run through with a stretcher and and uh

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Speaker 1: and you guys will come in and then you're gonna

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Speaker 1: come to these marks and then then they start giving

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Speaker 1: us like blocking and there it's like a countdown. I'm like, wait,

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Speaker 1: what what's happening with a stretcher? Like all this shit's

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Speaker 1: happening backstage. I can see Mindy Kaling starting and be like,

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Speaker 1: oh shit, we should have come to rehearsal. And mackay

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Speaker 1: Fifer's cool as a cucumber, cool as a cucumber.

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Speaker 2: He went to rehearsal.

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Speaker 1: No, I don't know if he went to rehearsal, but

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Speaker 1: he was like he's sitting there tunnel like, so, how's

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Speaker 1: Donald man? I'm like, bro, I cannot small talk right now,

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Speaker 1: Like we are about to go live.

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Speaker 2: What I was already.

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Speaker 1: God, he's gonna come on the podcast too. But McKay

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Speaker 1: was like chill, and I was like, I felt like

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Speaker 1: I was. I was trying to hold together because McKay

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Speaker 1: was so chill, too chill for me, because he was

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Speaker 1: trying to have a small talk mindy I can see

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Speaker 1: was kind of like, whoa, there's a stretcher, there's blocking.

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Speaker 1: We should have come to rehearsal. And I'm in the middle,

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Speaker 1: like you guys just got to say, like the setup sentences,

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Speaker 1: I gotta fucking crush this joke, and uh, it.

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Speaker 2: Was really funny. It was really funny.

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Speaker 1: Anyway, he's the sweetest guy and he wants to come

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Speaker 1: on the show and he asked about you.

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Speaker 2: He couldn't be nice to that guy. He's a great dude.

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Speaker 4: Man.

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Speaker 2: I've known him since New York City, before I left

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Speaker 2: New York City. We were young in New York City.

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Speaker 2: I remember I remember when he Oh my god, I

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Speaker 2: remember the heat when he popped in New York. Oh

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Speaker 2: my goodness, gracious, I remember everything.

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Speaker 4: Movie.

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Speaker 2: What was the movie that popped him? Well? He did?

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Speaker 2: I think it was fresh? Was it fresh?

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Speaker 4: Dan?

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Speaker 2: Will you check? That was his first big break. I

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Speaker 2: remember because we're because we're in the same age that

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Speaker 2: he like, all of a sudden the guns. It was

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Speaker 2: the one where they were selling guns and stuff like that,

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Speaker 2: and it was him and Fredro Star and then he did,

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Speaker 2: I know what you did? And then it just went on.

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Speaker 2: He was like, and I know what you did last summer?

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Speaker 2: He did that high school high wasn't paid full?

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Speaker 4: Was it no?

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Speaker 2: Paidful? As much like that's the Dope Ship with him

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Speaker 2: Wood and freaking camraon that ship. Oh my god. He

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Speaker 2: has one monologue in that movie That's the Fire Ship

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Speaker 2: where he just gets out of jail and he automatically

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Speaker 2: wants to go back into selling drugs and he gets

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Speaker 2: emotional about that ship. He's like, I love selling drugs, yo,

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Speaker 2: this motherfucker yo. Sweat of course.

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Speaker 1: Man.

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Speaker 2: Then there's a like he has a and he has

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Speaker 2: a very long career also man.

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Speaker 1: Yeah, and then he did then he did a yard

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Speaker 1: like yeah he he But he's so real and just

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Speaker 1: the nicest person, except I didn't know how to tell him.

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Speaker 2: I didn't want to act nervous.

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Speaker 1: But he's like, literally we're like thirty seconds to the

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Speaker 1: curtain going up, and he's like, so how is Donald.

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Speaker 2: I'm like, bro, now.

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Speaker 1: Pace, I need to pace, and I need to say

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Speaker 1: like the lips, the tip of the teeth and the tongue.

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Speaker 2: And I was trying to make him go away. I'm like,

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Speaker 2: he's good, good, he's got kids. How was the kids?

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Speaker 1: They go, yeah, yeah, he's got kids. He goes, I

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Speaker 1: got two kids. I'm like that's great, that's great. And

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Speaker 1: he's like, how many kids? How many ms? Donald have him? Like, Bro,

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Speaker 1: I cannot he has six, but I can't tell.

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Speaker 2: He goes six. I'm like, I can't talk right now, Mackay.

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Speaker 4: I gotta get together.

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Speaker 1: But that's how cool he was about it. He didn't

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Speaker 1: give a fuck. It was like we were It was

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Speaker 1: like we were both like going to get coffee.

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Speaker 2: Right on, right on. I love it. We should talk

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Speaker 2: about our guests, guys, Brian baumb Gardner. Am I saying

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Speaker 2: that right? Daniel?

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Speaker 1: You know everything bomb Gardner from the offices here, And

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Speaker 1: that's exciting because we have a lot of I have

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Speaker 1: so many office questions.

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Speaker 2: What I have? I have? I have quite a few

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Speaker 2: office questions. Actually, yes, like you know, how did y'all

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Speaker 2: keep a straight face'll? You know, like that's a lot

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Speaker 2: of improms.

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Speaker 1: I want to know just people on our show always

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Speaker 1: ask like, how did you guys make it through that?

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00:18:04,720 --> 00:18:04,840
Speaker 2: Well?

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Speaker 1: I want to ask how they made it through Steve

403
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Speaker 1: Carrell because I find him to be one of the

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Speaker 1: funniest people in the world and very.

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Speaker 2: Quick on his toes. He's a savvy individual.

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Speaker 1: I can talk to you forever. We have so much

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Speaker 1: to catch up on. But we should probably invite our

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Speaker 1: guests in Who's Waiting? Because I was a little bit tardy.

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Speaker 5: Six seven Stories show we made about a bunch of

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Speaker 5: dogs and nurses said.

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Speaker 2: He's the Stories news. No, so YadA here? Yeah?

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Speaker 1: What is hey?

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Speaker 2: What is really good with you? Brian?

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Speaker 4: Hello?

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Speaker 2: What is really good with you? Brian?

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Speaker 1: I'm so sorry we're tardy. I fucked up the timing

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Speaker 1: of this, and we're so honored to have you on

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Speaker 1: the show.

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Speaker 4: But now I follow, we're late, You're You're good? Are

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Speaker 4: we are we good?

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Speaker 1: Here?

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00:19:02,480 --> 00:19:04,560
Speaker 4: Are you hearing me? Are you hear you?

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00:19:04,560 --> 00:19:06,440
Speaker 2: You look much like yourself?

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00:19:06,480 --> 00:19:08,680
Speaker 4: I look like myself. There you go.

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00:19:09,320 --> 00:19:12,560
Speaker 2: You don't sound like you don't sound like the character Brian.

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Speaker 1: They don't seem simple and are already.

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00:19:14,800 --> 00:19:20,199
Speaker 2: Disappointed he's a good actor. Is he's a good actor.

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Speaker 2: He he looks like like, yo, he's Kevin, dude, He's

429
00:19:25,720 --> 00:19:29,840
Speaker 2: totally Kevin in real life. Within two seconds, you're like, ship,

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Speaker 2: he's not fucking Kevin.

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Speaker 1: Does that happen to you, Brian? People like, please be

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Speaker 1: more like Kevin?

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Speaker 4: Uh? For sure? But I mean I do have to say, Zach,

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Speaker 4: it's nice to see you recently in a role that

435
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Speaker 4: that's like you. So I really appreciated Bad Monkey. You

436
00:19:48,000 --> 00:19:50,720
Speaker 4: actually play a character that's like you. That is my

437
00:19:50,760 --> 00:19:53,440
Speaker 4: true or at least your Hollywood reputation.

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00:19:53,720 --> 00:19:57,480
Speaker 2: Yeah, that's my true self. Lazy stupid guy.

439
00:19:58,880 --> 00:20:02,200
Speaker 1: No, he's like a drug to who spoilers? I can't

440
00:20:02,200 --> 00:20:05,879
Speaker 1: say all the spoilers. Okay, yeah, go on, Brian, what

441
00:20:06,000 --> 00:20:08,520
Speaker 1: what when people come up to you? Sorry, we shouldn

442
00:20:08,600 --> 00:20:10,040
Speaker 1: jump right in because I fucked up the time. We

443
00:20:10,040 --> 00:20:12,359
Speaker 1: don't have to know you're good when people come up

444
00:20:12,400 --> 00:20:15,159
Speaker 1: to you and you're you must be so recognized all

445
00:20:15,200 --> 00:20:16,640
Speaker 1: the time because the show is one of the most

446
00:20:16,680 --> 00:20:19,800
Speaker 1: beloved shows of all time. Do they are they surprised

447
00:20:19,800 --> 00:20:22,360
Speaker 1: when you like form normal sentences and aren't a simpleton?

448
00:20:26,080 --> 00:20:31,480
Speaker 4: I've little sometimes for sure. Yeah, you know, It's one

449
00:20:31,520 --> 00:20:36,040
Speaker 4: of these things where and I don't I don't know

450
00:20:36,080 --> 00:20:38,080
Speaker 4: you guys experience it, and I certainly don't want to

451
00:20:38,600 --> 00:20:41,720
Speaker 4: I don't want to overstate the case. But you know

452
00:20:42,080 --> 00:20:45,000
Speaker 4: what I say to people is The Office like we

453
00:20:45,000 --> 00:20:48,600
Speaker 4: were a hit, right, Like we were. We were big

454
00:20:48,680 --> 00:20:52,760
Speaker 4: on NBC and people watched and and you know, nominated

455
00:20:52,760 --> 00:20:55,600
Speaker 4: for the stuff and in some cases one but I

456
00:20:55,640 --> 00:20:59,600
Speaker 4: don't know of another show and television that actually once

457
00:21:00,080 --> 00:21:04,960
Speaker 4: we were done, we became much bigger, wow, like all

458
00:21:05,000 --> 00:21:09,280
Speaker 4: through you know, the streaming and the pandemic and the

459
00:21:09,320 --> 00:21:12,719
Speaker 4: Netflix and the whole thing. And it was sort of

460
00:21:12,760 --> 00:21:16,840
Speaker 4: like we've been done four or five years and and

461
00:21:16,840 --> 00:21:19,840
Speaker 4: and then I started getting mobbed in the airports, you know,

462
00:21:20,000 --> 00:21:22,800
Speaker 4: like it was this weird thing that is weird. It

463
00:21:22,960 --> 00:21:28,080
Speaker 4: sort of continued to grow, you know, way after I

464
00:21:28,119 --> 00:21:30,720
Speaker 4: think a whole I think there's.

465
00:21:30,600 --> 00:21:34,879
Speaker 2: Like maybe seven shows and you guys all came around

466
00:21:34,920 --> 00:21:38,520
Speaker 2: the same time. That grew strictly from And I was

467
00:21:38,560 --> 00:21:42,320
Speaker 2: talking about this earlier with our producers from DVD. Man,

468
00:21:42,720 --> 00:21:45,400
Speaker 2: if it wasn't for DVD sales back in the day,

469
00:21:45,480 --> 00:21:51,320
Speaker 2: man and The Office being the box set being on DVD,

470
00:21:51,440 --> 00:21:54,560
Speaker 2: it's right that's how people found you guys later on,

471
00:21:54,720 --> 00:21:58,280
Speaker 2: like you wasn't on Netflix. Well, we were looking at

472
00:21:58,480 --> 00:22:00,400
Speaker 2: we were looking at our notes and stuff like that,

473
00:22:00,480 --> 00:22:03,560
Speaker 2: and DVD, you guys weren't popular in the first season.

474
00:22:03,800 --> 00:22:06,120
Speaker 2: It wasn't I would say, like season three, Oh sure,

475
00:22:06,200 --> 00:22:09,760
Speaker 2: you guys took off, right, Yeah, DVD is what really

476
00:22:10,320 --> 00:22:11,000
Speaker 2: helped out.

477
00:22:12,440 --> 00:22:15,919
Speaker 4: If you ask me, do you to some extent, But

478
00:22:16,080 --> 00:22:20,560
Speaker 4: I mean, I think more significantly back then it was, uh,

479
00:22:21,280 --> 00:22:26,560
Speaker 4: it was the video iPod, Like we launched in right

480
00:22:26,680 --> 00:22:29,720
Speaker 4: as we started, and then there was the video iPod,

481
00:22:29,760 --> 00:22:33,800
Speaker 4: and you know, our our mutual bosses over there at

482
00:22:33,880 --> 00:22:38,119
Speaker 4: NBC Universal they put us probably as like an experiment,

483
00:22:38,320 --> 00:22:41,159
Speaker 4: like well you can have this little show for free

484
00:22:41,320 --> 00:22:46,480
Speaker 4: or whatever. Oh and then you know, you started being

485
00:22:46,480 --> 00:22:48,600
Speaker 4: able to download shows right back in the day a

486
00:22:49,119 --> 00:22:51,840
Speaker 4: dollar ninety nine or two ninety nine a show or whatever.

487
00:22:52,520 --> 00:22:54,760
Speaker 4: And we were like in the middle of the second

488
00:22:54,840 --> 00:22:58,080
Speaker 4: season and suddenly those lists started coming out like they

489
00:22:58,080 --> 00:23:00,760
Speaker 4: have now, like most streamed or whatever, and we were

490
00:23:00,800 --> 00:23:04,080
Speaker 4: like number one on that. It was like, wait, how

491
00:23:04,119 --> 00:23:07,399
Speaker 4: did that? What? Who's you know? And I think it

492
00:23:07,520 --> 00:23:12,680
Speaker 4: was young people with iPods that you know, found the

493
00:23:12,720 --> 00:23:18,320
Speaker 4: show sort of subversive and you know, different that they

494
00:23:18,320 --> 00:23:21,720
Speaker 4: could appeal to, and that's kind of where yeah, the

495
00:23:21,800 --> 00:23:25,159
Speaker 4: success of like our original run started it.

496
00:23:25,280 --> 00:23:28,359
Speaker 2: Yet I just remember having that box set and at night,

497
00:23:28,560 --> 00:23:32,960
Speaker 2: me and my now wife playing season one through five.

498
00:23:33,080 --> 00:23:33,560
Speaker 4: All right.

499
00:23:34,200 --> 00:23:36,320
Speaker 2: We were still making Scrubs at the time, but to

500
00:23:36,359 --> 00:23:39,520
Speaker 2: go to bed, we would play season one through five

501
00:23:40,240 --> 00:23:43,040
Speaker 2: in the box set and just thinking, holy shit, how

502
00:23:43,040 --> 00:23:46,080
Speaker 2: have I been missing? I was on NBC with you guys,

503
00:23:46,359 --> 00:23:50,359
Speaker 2: How have I been missing this show? And being so

504
00:23:50,560 --> 00:23:51,600
Speaker 2: fucking phenomenal?

505
00:23:51,640 --> 00:23:51,760
Speaker 4: Man.

506
00:23:51,840 --> 00:23:55,199
Speaker 1: I think another generation also just found it continues to

507
00:23:55,240 --> 00:23:57,640
Speaker 1: find it, you know. I think it is the streaming

508
00:23:57,640 --> 00:24:01,720
Speaker 1: platform Netflix that it's all now how we're on peacocky Yeah,

509
00:24:01,760 --> 00:24:04,199
Speaker 1: but whenever it was on Netflix, right yeah? And so

510
00:24:04,359 --> 00:24:07,720
Speaker 1: it just because it which allowed a whole new generation

511
00:24:08,080 --> 00:24:11,240
Speaker 1: of young people to find it. And it's so subversive

512
00:24:11,240 --> 00:24:13,800
Speaker 1: in a lot of ways. It's so on PC in

513
00:24:13,840 --> 00:24:16,560
Speaker 1: a lot of ways. Yes, And I think that there's

514
00:24:16,600 --> 00:24:18,680
Speaker 1: a lot of young people who are like, oh, like this,

515
00:24:19,680 --> 00:24:22,520
Speaker 1: this can't kind of show couldn't really be on in

516
00:24:22,960 --> 00:24:24,480
Speaker 1: this way anywhere?

517
00:24:24,960 --> 00:24:25,320
Speaker 2: Right? Right?

518
00:24:25,400 --> 00:24:25,560
Speaker 4: Right?

519
00:24:25,600 --> 00:24:25,760
Speaker 5: Right?

520
00:24:25,880 --> 00:24:27,159
Speaker 2: Isn't it sort of refreshing?

521
00:24:27,320 --> 00:24:29,800
Speaker 1: I mean I was watching some episodes on the plane

522
00:24:29,800 --> 00:24:31,119
Speaker 1: because it's kind of on one of my go to

523
00:24:31,640 --> 00:24:32,879
Speaker 1: I want you to know, you're one of my go

524
00:24:33,000 --> 00:24:35,199
Speaker 1: to plane shows. When they when they have the office

525
00:24:35,240 --> 00:24:36,880
Speaker 1: on the on the plane, that's what I watch because

526
00:24:36,920 --> 00:24:37,880
Speaker 1: I know I'm gonna laugh.

527
00:24:39,520 --> 00:24:40,359
Speaker 2: I know I'm gonna laugh.

528
00:24:40,440 --> 00:24:42,119
Speaker 1: And also I love about it is like there is

529
00:24:42,119 --> 00:24:44,760
Speaker 1: a rough season arc obviously, but you can kind of

530
00:24:44,800 --> 00:24:46,800
Speaker 1: just bop in at any moment and you're gonna laugh

531
00:24:46,840 --> 00:24:47,800
Speaker 1: at whatever is happening.

532
00:24:47,840 --> 00:24:51,680
Speaker 4: Well that that's actually a big discovery. So this is

533
00:24:51,880 --> 00:24:54,800
Speaker 4: it's a little deep, and I don't I think meta

534
00:24:54,880 --> 00:24:58,480
Speaker 4: is the wrong word. But the show was built for

535
00:24:58,640 --> 00:25:03,080
Speaker 4: streaming before streaming exists. And I'll tell you what I mean.

536
00:25:03,720 --> 00:25:07,640
Speaker 4: He Greg Daniels, our creator, He wrote a lot of

537
00:25:07,800 --> 00:25:12,840
Speaker 4: like three and four episode arcs, right, So it's like

538
00:25:13,800 --> 00:25:17,199
Speaker 4: Idris Elba comes in to be this temporary boss and

539
00:25:17,240 --> 00:25:19,680
Speaker 4: he's there three or four episodes, and then he goes,

540
00:25:21,840 --> 00:25:24,439
Speaker 4: Jim goes and takes a job at the other paper.

541
00:25:24,480 --> 00:25:26,359
Speaker 4: Come and this lasts for a few episodes and it

542
00:25:26,400 --> 00:25:29,960
Speaker 4: goes or this relationship or this whatever. And so I

543
00:25:30,040 --> 00:25:33,359
Speaker 4: think that people, you know, it's twenty two minutes if

544
00:25:33,359 --> 00:25:36,479
Speaker 4: you're watching it or whatever, and it's like, Okay, we

545
00:25:36,520 --> 00:25:39,480
Speaker 4: can watch three episodes, have a little story, and then

546
00:25:39,520 --> 00:25:41,720
Speaker 4: be like, okay, we'll pick that up later. I think

547
00:25:41,840 --> 00:25:45,120
Speaker 4: some people have said that, but I think to your

548
00:25:45,119 --> 00:25:48,560
Speaker 4: point about the young people, I always said the subversive thing.

549
00:25:48,640 --> 00:25:51,679
Speaker 4: I think that sort of a new discovery for me

550
00:25:52,040 --> 00:25:59,000
Speaker 4: is that the relationship between an unreasonable boss who makes

551
00:25:59,000 --> 00:26:07,040
Speaker 4: his employees unreasonable embarrassing things is closely mirrored to an

552
00:26:07,119 --> 00:26:12,560
Speaker 4: unreasonable teacher who makes their students do unreasonable things while

553
00:26:12,600 --> 00:26:14,800
Speaker 4: sitting next to people who you don't choose to sit

554
00:26:14,920 --> 00:26:17,439
Speaker 4: next to, and you have projects and all of that.

555
00:26:17,600 --> 00:26:23,000
Speaker 4: And I think that relatability for high school, college, even

556
00:26:23,080 --> 00:26:28,360
Speaker 4: junior high, Like, I think that's a real, real thing.

557
00:26:28,680 --> 00:26:32,200
Speaker 1: And also dealing with people who like Steve Carrell, never

558
00:26:32,280 --> 00:26:36,240
Speaker 1: says the right thing, and everyone in their life has

559
00:26:36,280 --> 00:26:39,879
Speaker 1: someone who's older who doesn't say the right thing, and

560
00:26:39,920 --> 00:26:42,159
Speaker 1: they're and they're trying to educate them and why they

561
00:26:42,240 --> 00:26:48,080
Speaker 1: can't say that. But watching him fumble through, I mean,

562
00:26:48,920 --> 00:26:52,439
Speaker 1: he's so fucking perfect in that role that.

563
00:26:54,000 --> 00:26:56,280
Speaker 4: Every everyone that's nice.

564
00:26:56,359 --> 00:26:58,600
Speaker 1: Yeah, I mean tell us about sorry, let's go back

565
00:26:58,640 --> 00:27:00,880
Speaker 1: to the very beginning and just tell us about because

566
00:27:00,920 --> 00:27:02,880
Speaker 1: I always like to hear audition stories.

567
00:27:03,400 --> 00:27:06,920
Speaker 2: How did you get this this amazing role? Well, so

568
00:27:07,520 --> 00:27:09,359
Speaker 2: you're a Northwestern graduate, aren't you?

569
00:27:09,840 --> 00:27:12,320
Speaker 4: So I went I went to no. So I went

570
00:27:12,359 --> 00:27:16,280
Speaker 4: to northwesterns. Like they're the Cherub program.

571
00:27:17,200 --> 00:27:19,120
Speaker 1: Yes, that's for people who don't know. That's like their

572
00:27:19,600 --> 00:27:20,960
Speaker 1: high school summer program.

573
00:27:21,080 --> 00:27:23,880
Speaker 4: Yeah, which is like one year between junior and senior year.

574
00:27:23,920 --> 00:27:28,080
Speaker 4: And I did that and that was where for me

575
00:27:28,400 --> 00:27:30,600
Speaker 4: because one of the things that I talk about people

576
00:27:30,640 --> 00:27:33,440
Speaker 4: when I'm talking to them is like, when for you

577
00:27:33,480 --> 00:27:36,000
Speaker 4: did it become like, oh, this is what I want

578
00:27:36,040 --> 00:27:38,560
Speaker 4: to do as opposed to a hobby. And maybe that's

579
00:27:38,600 --> 00:27:40,320
Speaker 4: because for me, like it was like, oh, I'm going

580
00:27:40,359 --> 00:27:42,879
Speaker 4: to do this play in school, I'm gonna, you know,

581
00:27:43,440 --> 00:27:45,879
Speaker 4: audition for this or whatever. But I just felt like

582
00:27:45,920 --> 00:27:48,760
Speaker 4: it was an activity or I don't know what helped

583
00:27:48,800 --> 00:27:51,040
Speaker 4: me get into college. But then I'll be a lawyer

584
00:27:51,119 --> 00:27:53,880
Speaker 4: or whatever. And that was the moment for me where

585
00:27:53,920 --> 00:27:59,720
Speaker 4: I was like, oh, like creating a character and objectives

586
00:27:59,720 --> 00:28:04,600
Speaker 4: and all of the physical and I'm gonna do voice.

587
00:28:04,680 --> 00:28:07,200
Speaker 4: And I was like, Oh, this is like a thing.

588
00:28:07,640 --> 00:28:12,160
Speaker 4: And that's where I decided. I went to SMU in Dallas,

589
00:28:12,200 --> 00:28:14,640
Speaker 4: and I think the thing for me, which I don't

590
00:28:14,640 --> 00:28:20,359
Speaker 4: know if it's unique or not, but I never I'm

591
00:28:20,440 --> 00:28:24,679
Speaker 4: curious about you guys, like I never thought truly, I

592
00:28:24,800 --> 00:28:29,400
Speaker 4: never thought about film and television, Like I watched television

593
00:28:29,800 --> 00:28:34,359
Speaker 4: and I watched movies, but there was a disassociation for

594
00:28:34,480 --> 00:28:37,280
Speaker 4: it was like I'm a theater guy. Like that's what

595
00:28:37,560 --> 00:28:40,080
Speaker 4: I'm doing, and that was sort of all I wanted

596
00:28:40,120 --> 00:28:44,000
Speaker 4: to do. I didn't have any and it wasn't like

597
00:28:44,040 --> 00:28:46,440
Speaker 4: I thought I couldn't or I don't know. There just

598
00:28:46,600 --> 00:28:48,680
Speaker 4: was like a consciousness thing for me, Like I never

599
00:28:49,320 --> 00:28:51,760
Speaker 4: was like I'm going to audition for this commercial or

600
00:28:51,800 --> 00:28:54,600
Speaker 4: this TV show or whatever. So I was doing theater

601
00:28:55,240 --> 00:29:00,880
Speaker 4: and then visited Los Angeles and well, and also lived

602
00:29:01,160 --> 00:29:04,000
Speaker 4: doing eight shows a week in the theater and like

603
00:29:04,680 --> 00:29:08,400
Speaker 4: this is not easy for the rest of my life.

604
00:29:09,440 --> 00:29:13,000
Speaker 4: So I was primarily based in Minneapolis, and I would

605
00:29:13,080 --> 00:29:16,200
Speaker 4: say that, you know, there's the Guthrie Theater there, which

606
00:29:16,240 --> 00:29:18,640
Speaker 4: is like a huge regional theater. And I was traveling

607
00:29:18,680 --> 00:29:22,240
Speaker 4: around and doing shows, touring some of New York and

608
00:29:22,360 --> 00:29:26,840
Speaker 4: Chicago and San Francisco and Dallas and you know, sort

609
00:29:26,880 --> 00:29:30,960
Speaker 4: of doing that and I was getting jobs, and then

610
00:29:31,640 --> 00:29:34,320
Speaker 4: was like, okay, I think I think I want to

611
00:29:35,080 --> 00:29:37,760
Speaker 4: for I just fell in love with Los Angeles, like

612
00:29:38,120 --> 00:29:42,719
Speaker 4: the weather, like the city, like city outre nineties in

613
00:29:42,840 --> 00:29:46,720
Speaker 4: Westwood at a coffee bean, was like, wow, this. You

614
00:29:46,760 --> 00:29:52,040
Speaker 4: don't get this in Minneapolis. And so you know, I

615
00:29:52,120 --> 00:29:57,040
Speaker 4: struggled doing shows for not a lot of people, or

616
00:29:57,120 --> 00:29:58,600
Speaker 4: doing a lot of shows.

617
00:30:00,080 --> 00:30:02,760
Speaker 2: When I how did you make a living when you

618
00:30:02,800 --> 00:30:03,560
Speaker 2: moved out to La.

619
00:30:04,560 --> 00:30:07,280
Speaker 4: So well, this is my point, which I was a

620
00:30:07,320 --> 00:30:10,080
Speaker 4: bunch of excuses. And then to say I met the

621
00:30:10,120 --> 00:30:12,600
Speaker 4: folks on the office just a couple of months after

622
00:30:12,640 --> 00:30:14,960
Speaker 4: I moved. Oh wow, So I.

623
00:30:16,600 --> 00:30:20,600
Speaker 1: Don't they want to put a disclaimer to the audience

624
00:30:20,680 --> 00:30:23,720
Speaker 1: that don't do that.

625
00:30:21,960 --> 00:30:24,640
Speaker 2: But that doesn't happen.

626
00:30:24,760 --> 00:30:28,560
Speaker 4: It doesn't, It really does. It doesn't. But I will

627
00:30:28,600 --> 00:30:31,120
Speaker 4: say this, and this is kind of a new discovery

628
00:30:31,120 --> 00:30:35,520
Speaker 4: for me, which is I I think the fact that

629
00:30:35,560 --> 00:30:41,120
Speaker 4: I hadn't been here for that show really helped me

630
00:30:41,640 --> 00:30:46,280
Speaker 4: because I was so I wasn't like, there was no nerves.

631
00:30:46,360 --> 00:30:49,280
Speaker 4: I wasn't nervous, and there's sort of every step along

632
00:30:49,320 --> 00:30:50,880
Speaker 4: the way, I was like, well, of course this is

633
00:30:50,920 --> 00:30:54,400
Speaker 4: going to happen, Like I didn't have that like self

634
00:30:54,600 --> 00:30:58,240
Speaker 4: doubt or like feeling like this is the most important

635
00:30:58,240 --> 00:31:00,120
Speaker 4: thing if I don't get it, like I only.

636
00:31:00,600 --> 00:31:03,040
Speaker 1: Thought even though you moved here, you would knew you

637
00:31:03,040 --> 00:31:05,479
Speaker 1: would still be like, holy shit, this could be life changing.

638
00:31:06,040 --> 00:31:09,640
Speaker 4: No, it's weird. I don't know why. I can't really

639
00:31:09,680 --> 00:31:14,120
Speaker 4: explain why, but the but I was but that that

640
00:31:14,160 --> 00:31:18,000
Speaker 4: part was certainly lucky. But think about this too, though.

641
00:31:18,600 --> 00:31:22,680
Speaker 4: When we started right, so I was hired in let

642
00:31:22,680 --> 00:31:28,000
Speaker 4: me get the math right. The pilot was like February

643
00:31:28,160 --> 00:31:33,840
Speaker 4: of two thousand and four, between February of two thousand

644
00:31:33,880 --> 00:31:39,960
Speaker 4: and four and September or you know, August when we

645
00:31:40,000 --> 00:31:42,520
Speaker 4: came back to work of two thousand and five, so

646
00:31:42,680 --> 00:31:46,360
Speaker 4: like over a year and a half. We shot six episodes.

647
00:31:46,960 --> 00:31:50,160
Speaker 4: So when Donald was talking about like we were, we

648
00:31:50,240 --> 00:31:53,760
Speaker 4: only shot six. You know, we shot the pilot and

649
00:31:53,800 --> 00:31:57,000
Speaker 4: then we shot five more and then it didn't air

650
00:31:57,200 --> 00:32:00,840
Speaker 4: until you know, like spring of five. So it was

651
00:32:01,200 --> 00:32:04,280
Speaker 4: over a year that it aired after we shot the pilot,

652
00:32:04,400 --> 00:32:07,640
Speaker 4: So it had start right, It wasn't it very slow,

653
00:32:07,680 --> 00:32:09,480
Speaker 4: So it wasn't they hit off the again.

654
00:32:09,720 --> 00:32:13,000
Speaker 2: NBC is very you know what shout out to NBC

655
00:32:13,120 --> 00:32:15,040
Speaker 2: back in the day, they don't do that no more.

656
00:32:15,880 --> 00:32:20,160
Speaker 2: They don't do that no more. Well, I mean Extended Family.

657
00:32:20,200 --> 00:32:22,640
Speaker 2: We shot one season. It took us two years to

658
00:32:22,680 --> 00:32:25,440
Speaker 2: make that show, and we went to a strike.

659
00:32:25,240 --> 00:32:28,640
Speaker 1: And they don't and the network doesn't have patients for

660
00:32:28,680 --> 00:32:30,640
Speaker 1: you not doing well now now back.

661
00:32:30,440 --> 00:32:33,320
Speaker 2: Then they didn't. Back then, if you had ten million viewers,

662
00:32:33,320 --> 00:32:34,440
Speaker 2: they were like, you know what.

663
00:32:35,640 --> 00:32:39,360
Speaker 1: Sel Yeah, well now too.

664
00:32:39,400 --> 00:32:41,440
Speaker 2: I don't think they got much patience if you have

665
00:32:41,520 --> 00:32:42,000
Speaker 2: ten million.

666
00:32:42,240 --> 00:32:45,680
Speaker 1: I was just saw Rob Reiner on a clip of

667
00:32:45,760 --> 00:32:48,360
Speaker 1: Rob Reiner talking about Seinfeld. I didn't know that he

668
00:32:48,400 --> 00:32:50,640
Speaker 1: was a producer of Seinfeld, which he is, and he

669
00:32:50,680 --> 00:32:52,760
Speaker 1: was talking about how it was not a big hit

670
00:32:52,840 --> 00:32:55,000
Speaker 1: at all, in fact that he had to go beg

671
00:32:55,400 --> 00:32:57,240
Speaker 1: beg beg them to keep it on the.

672
00:32:57,200 --> 00:33:00,560
Speaker 2: Air because the first whatever five or six didn't do

673
00:33:00,680 --> 00:33:01,080
Speaker 2: very well.

674
00:33:01,240 --> 00:33:05,479
Speaker 4: Yeah, our stories are very similar in this regard. So

675
00:33:05,560 --> 00:33:09,000
Speaker 4: I am told. What I am told is that the

676
00:33:09,000 --> 00:33:11,400
Speaker 4: only reason we got to make more than a pilot.

677
00:33:11,960 --> 00:33:17,880
Speaker 4: They have the what do you call them, the testing Yes,

678
00:33:18,200 --> 00:33:20,880
Speaker 4: so they bring people in and they have people test

679
00:33:21,680 --> 00:33:25,440
Speaker 4: and it did not test well except for one room,

680
00:33:25,960 --> 00:33:29,840
Speaker 4: which was they had one room which were the assistants

681
00:33:30,920 --> 00:33:34,880
Speaker 4: at NBC. So like the people who were like secretaries

682
00:33:35,360 --> 00:33:39,400
Speaker 4: and low level development people, they sort of put them

683
00:33:39,480 --> 00:33:42,880
Speaker 4: in like okay, why don't you weigh in? And those

684
00:33:43,000 --> 00:33:45,320
Speaker 4: young people liked it, and I was told the same

685
00:33:45,360 --> 00:33:48,640
Speaker 4: thing happened with Seinfeld. So they decided to give it,

686
00:33:48,640 --> 00:33:49,280
Speaker 4: give us a chance.

687
00:33:49,320 --> 00:33:51,200
Speaker 1: It's amazing when you watch it now to go like,

688
00:33:51,320 --> 00:33:54,600
Speaker 1: how could you know any there's so many stories in

689
00:33:54,600 --> 00:33:56,960
Speaker 1: Hollywood of course, of like, how could you not think

690
00:33:57,080 --> 00:34:01,400
Speaker 1: this is genius? It was so it.

691
00:34:01,800 --> 00:34:02,400
Speaker 2: Didn't make it.

692
00:34:02,760 --> 00:34:05,240
Speaker 1: But also it is so unique. It is so unique.

693
00:34:05,240 --> 00:34:07,080
Speaker 1: Obviously there had been the British Office, right, so we

694
00:34:07,120 --> 00:34:10,560
Speaker 1: had those of us. I loved that, and plenty of

695
00:34:10,600 --> 00:34:13,600
Speaker 1: us had a had a frame of reference. And I

696
00:34:13,640 --> 00:34:16,560
Speaker 1: remember thinking, how the hell? I mean, Steve Correll's genius,

697
00:34:16,600 --> 00:34:18,640
Speaker 1: of course, but how is he gonna top what Ricky

698
00:34:18,680 --> 00:34:21,799
Speaker 1: Gervais is doing. It's so it's so unique, and it's

699
00:34:21,800 --> 00:34:22,239
Speaker 1: so it.

700
00:34:22,239 --> 00:34:26,160
Speaker 2: Was also so also it was so graphic, and I

701
00:34:26,200 --> 00:34:29,080
Speaker 2: mean and dirty, like the ship he said yes on

702
00:34:29,360 --> 00:34:31,480
Speaker 2: HBO was like they were going to they were going

703
00:34:31,520 --> 00:34:32,200
Speaker 2: to get away with that.

704
00:34:33,840 --> 00:34:35,879
Speaker 1: And also it was so English of course, so how

705
00:34:36,040 --> 00:34:39,279
Speaker 1: how does this get americanized? And and and I was so,

706
00:34:39,800 --> 00:34:44,160
Speaker 1: and then it does how many episodes actually reflect the

707
00:34:44,239 --> 00:34:47,520
Speaker 1: office episodes or the British only the pilot.

708
00:34:47,360 --> 00:34:52,680
Speaker 4: Only the pilot, yes, which which Greg Daniel said, which

709
00:34:52,840 --> 00:34:58,160
Speaker 4: I learned this much later. He did that so that

710
00:34:58,239 --> 00:35:02,240
Speaker 4: he wouldn't get notes from the network on the script.

711
00:35:02,880 --> 00:35:07,359
Speaker 4: So what he did was he spent the time on

712
00:35:08,040 --> 00:35:12,080
Speaker 4: the cast, on the characters, on the world. So he

713
00:35:12,160 --> 00:35:16,719
Speaker 4: considered himself like world building of what dunder Mifflin was

714
00:35:16,880 --> 00:35:21,080
Speaker 4: and the relation, you know, like where everybody sat in there.

715
00:35:21,280 --> 00:35:24,560
Speaker 4: It was all very planned out in terms of the

716
00:35:25,120 --> 00:35:28,239
Speaker 4: type of characters they were and how they would interact

717
00:35:28,400 --> 00:35:31,080
Speaker 4: and you know, who they would associate with or not

718
00:35:31,160 --> 00:35:34,200
Speaker 4: associate with, or be forced to be next to someone

719
00:35:34,680 --> 00:35:38,120
Speaker 4: like Angela and I who really didn't didn't belong. But

720
00:35:38,160 --> 00:35:40,360
Speaker 4: there was a barrier in front of the only barrier

721
00:35:40,400 --> 00:35:44,400
Speaker 4: in the whole office in between us and all of

722
00:35:44,480 --> 00:35:45,200
Speaker 4: that stuff.

723
00:35:45,360 --> 00:35:47,400
Speaker 1: It wasn't a set, right, wasn't it a real building?

724
00:35:48,160 --> 00:35:53,680
Speaker 4: So the so we moved, Oh, the first six episodes,

725
00:35:54,920 --> 00:35:57,080
Speaker 4: there was there's an old God you guys, I'm sure

726
00:35:57,120 --> 00:35:59,200
Speaker 4: wouldn't know it. It was. I think it's was called

727
00:35:59,239 --> 00:36:00,560
Speaker 4: like Culver Studios.

728
00:36:01,040 --> 00:36:03,480
Speaker 2: It was like it's yeah, it's still there.

729
00:36:03,480 --> 00:36:06,760
Speaker 4: Our shut did it's like down.

730
00:36:09,360 --> 00:36:11,640
Speaker 1: We shot the last episode of the season of Scrubs there.

731
00:36:11,880 --> 00:36:17,160
Speaker 4: Okay, so we ate lunch on the sound stage. And

732
00:36:17,200 --> 00:36:22,000
Speaker 4: so the production offices for that building is under Befalin,

733
00:36:22,640 --> 00:36:25,480
Speaker 4: so upstairs when you go upstairs and like where the

734
00:36:25,480 --> 00:36:30,520
Speaker 4: production offices would be, that that was our set. And

735
00:36:30,640 --> 00:36:38,280
Speaker 4: then correct said the first six and then everybody said

736
00:36:38,280 --> 00:36:41,880
Speaker 4: to him like we can't sustain this, like we're on

737
00:36:41,960 --> 00:36:47,319
Speaker 4: a second floor, like there's nowhere to move around. And

738
00:36:47,400 --> 00:36:50,880
Speaker 4: so he he was like, okay, but it's not changing.

739
00:36:50,920 --> 00:36:53,360
Speaker 4: Like there was so much that was like about realism

740
00:36:53,360 --> 00:36:55,680
Speaker 4: and really, you know, he wanted everything like ultra reel.

741
00:36:56,320 --> 00:37:01,120
Speaker 4: So he recreated that space exactly exactly clay on us

742
00:37:01,280 --> 00:37:05,040
Speaker 4: on the middle of a sound stage out in Van

743
00:37:05,160 --> 00:37:09,440
Speaker 4: Nuy's panoramic city. And the only thing he did, and

744
00:37:09,480 --> 00:37:12,920
Speaker 4: it's something crazy like this, like this is not an exaggeration.

745
00:37:13,640 --> 00:37:20,879
Speaker 4: He added eighteen inches to the conference room because he

746
00:37:21,200 --> 00:37:23,680
Speaker 4: want he was he was the camera people were like,

747
00:37:23,920 --> 00:37:27,440
Speaker 4: you have to give us somewhere to stand, like we can't,

748
00:37:27,480 --> 00:37:31,359
Speaker 4: like we can't fit you know, a cast of sixteen

749
00:37:31,800 --> 00:37:35,719
Speaker 4: and you know, two camera guys and a boom Mike

750
00:37:35,800 --> 00:37:38,200
Speaker 4: guy and all that in this space, and he was like, well,

751
00:37:38,239 --> 00:37:40,120
Speaker 4: we can't change it because it's been a stat you know.

752
00:37:40,280 --> 00:37:44,799
Speaker 1: Anyway, So I was completely fooled now where because I

753
00:37:44,920 --> 00:37:46,960
Speaker 1: always had it in my mind that it was in

754
00:37:47,040 --> 00:37:48,040
Speaker 1: that building that we see.

755
00:37:48,080 --> 00:37:48,760
Speaker 2: Where's that building?

756
00:37:49,080 --> 00:37:52,120
Speaker 4: So that building is is? So that is the exterior

757
00:37:52,360 --> 00:37:57,480
Speaker 4: of the Sataquoi. I mean it's on Satokoy is what

758
00:37:57,520 --> 00:38:01,439
Speaker 4: it's called? Way, oh, Chandler Valley Studios. Yes, and yes,

759
00:38:01,600 --> 00:38:05,800
Speaker 4: that the exterior. There were two two independent sound stages,

760
00:38:06,200 --> 00:38:08,440
Speaker 4: and the exterior of one of the sound stages. That

761
00:38:08,600 --> 00:38:10,560
Speaker 4: is it? That is that is right?

762
00:38:10,640 --> 00:38:13,920
Speaker 2: Wow, it must become it must have become a tourist destination.

763
00:38:14,200 --> 00:38:16,920
Speaker 4: It is. Yeah, yeah, I mean I.

764
00:38:17,000 --> 00:38:21,080
Speaker 2: Was so fooled by the way I my whole life.

765
00:38:20,960 --> 00:38:25,719
Speaker 1: My whole life, my whole life, my whole life, my

766
00:38:26,000 --> 00:38:29,239
Speaker 1: whole time as a audience member, I believed you were.

767
00:38:29,440 --> 00:38:31,040
Speaker 1: I mean, this is so silly, because I'm a filmmaker

768
00:38:31,040 --> 00:38:32,080
Speaker 1: and that is what I do for a living. But

769
00:38:32,160 --> 00:38:34,440
Speaker 1: I was convinced that you were in that actual building

770
00:38:34,680 --> 00:38:35,680
Speaker 1: in the valley somewhere.

771
00:38:36,040 --> 00:38:40,160
Speaker 4: No, well, I mean sort of, but not. It didn't

772
00:38:40,239 --> 00:38:41,200
Speaker 4: look like that yees.

773
00:38:41,360 --> 00:38:43,919
Speaker 1: So, I mean that's the the warehouse I could tell

774
00:38:44,000 --> 00:38:45,799
Speaker 1: was a sound stage because that was kind of just

775
00:38:45,880 --> 00:38:47,279
Speaker 1: like a sound stage.

776
00:38:47,239 --> 00:38:50,440
Speaker 4: Right, Yeah, I couldn't pull it. I couldn't pull you

777
00:38:50,480 --> 00:38:50,719
Speaker 4: on that.

778
00:38:50,880 --> 00:38:53,520
Speaker 1: But yes, no, I mean the warehouse is kind of

779
00:38:53,560 --> 00:38:55,480
Speaker 1: like what if we just put it in the sound stage?

780
00:38:55,560 --> 00:39:01,360
Speaker 4: Oh yeah no, but he he you know, what do

781
00:39:01,400 --> 00:39:05,120
Speaker 4: you call it? Drop drop ceilings? With the with the

782
00:39:05,239 --> 00:39:07,880
Speaker 4: tile I'm like gesturing. I don't know if we're in

783
00:39:08,120 --> 00:39:10,239
Speaker 4: on video, but you know, the.

784
00:39:09,680 --> 00:39:12,359
Speaker 2: The it looks like you're pushing DJ down.

785
00:39:12,440 --> 00:39:14,279
Speaker 4: Oh yeah, like you can put, you can push, you

786
00:39:14,280 --> 00:39:17,000
Speaker 4: can put. Yeah, it looks like you're raising the roof

787
00:39:17,360 --> 00:39:23,200
Speaker 4: up down up down. Uh, you know the ceiling tiles move. Yeah.

788
00:39:23,239 --> 00:39:27,319
Speaker 4: So like no, they put that in so, you know,

789
00:39:27,440 --> 00:39:29,440
Speaker 4: on even on the sound stage, because he wanted it

790
00:39:29,440 --> 00:39:33,160
Speaker 4: to look the same. He wanted it to feel constricted

791
00:39:33,280 --> 00:39:35,360
Speaker 4: and and tight. Let's take a break.

792
00:39:35,400 --> 00:39:38,480
Speaker 2: We'll be right back after these fine words.

793
00:39:44,440 --> 00:39:46,399
Speaker 1: You know, we always get asked this on Scrubs, tell

794
00:39:46,480 --> 00:39:50,840
Speaker 1: us about not about the improv, how the improv was handled.

795
00:39:51,000 --> 00:39:54,279
Speaker 1: You know, we on Scrubs, you know we sort of

796
00:39:54,320 --> 00:39:57,319
Speaker 1: Bill Lawrence's rule was I definitely want it good as

797
00:39:57,360 --> 00:39:59,640
Speaker 1: written and don't and make sure you don't skip that.

798
00:39:59,680 --> 00:40:02,000
Speaker 1: I want, I definitely want to have a great version

799
00:40:02,040 --> 00:40:05,080
Speaker 1: as written and then time permitting, you guys can fuck

800
00:40:05,120 --> 00:40:09,279
Speaker 1: around and a lot of funny stuff came out of that.

801
00:40:09,480 --> 00:40:11,240
Speaker 2: Was that the same kind of vibe as you guys?

802
00:40:11,520 --> 00:40:14,640
Speaker 4: Yeah, I mean, how was explained to us which and

803
00:40:14,680 --> 00:40:17,160
Speaker 4: maybe you're just now wanting to share this, how was

804
00:40:17,200 --> 00:40:20,400
Speaker 4: explained to us, right, is that we still have mega

805
00:40:21,040 --> 00:40:27,440
Speaker 4: conglomerate studios and ge or Comcast or whoever he was

806
00:40:27,560 --> 00:40:30,120
Speaker 4: the remember, oh gee he was it.

807
00:40:30,680 --> 00:40:34,960
Speaker 2: That was the one man. But we but we had

808
00:40:35,160 --> 00:40:36,960
Speaker 2: left us in with spaceship. I'm just gonna.

809
00:40:39,840 --> 00:40:44,120
Speaker 4: Go on he uh no. So the scripts had to

810
00:40:44,120 --> 00:40:47,120
Speaker 4: be approved, like someone had to say it was okay

811
00:40:47,160 --> 00:40:50,480
Speaker 4: to say whatever the words were. And so they always

812
00:40:50,560 --> 00:40:53,239
Speaker 4: wanted us to say what the words were because they

813
00:40:53,280 --> 00:40:55,880
Speaker 4: wanted to make sure that we had a version that

814
00:40:56,040 --> 00:40:59,120
Speaker 4: was approved. But we all one hundred percent of the time,

815
00:40:59,440 --> 00:41:02,719
Speaker 4: we we changed and they started doing what did they

816
00:41:02,800 --> 00:41:07,200
Speaker 4: call a candy bag, especially for the little like direct

817
00:41:07,200 --> 00:41:11,000
Speaker 4: to the camera, you know, like you're being interviewed stuff.

818
00:41:11,600 --> 00:41:16,880
Speaker 4: We would have like eight versions of those, which essentially

819
00:41:17,760 --> 00:41:22,200
Speaker 4: was delivering the same idea, either opinion on what was

820
00:41:22,239 --> 00:41:25,839
Speaker 4: going on, or sometimes it would be like, well, we

821
00:41:25,880 --> 00:41:30,879
Speaker 4: can't really decide how Kevin would feel about whatever, so

822
00:41:30,960 --> 00:41:33,520
Speaker 4: give us both and then we'll sort of put it

823
00:41:33,560 --> 00:41:35,920
Speaker 4: all together. You know. Would he be delighted by this

824
00:41:36,080 --> 00:41:39,319
Speaker 4: or would he not understand it, or would he you know,

825
00:41:39,440 --> 00:41:44,960
Speaker 4: like whatever. So they would sort of build things, build

826
00:41:45,000 --> 00:41:47,319
Speaker 4: things in that in that way. Yeah, and that's fun.

827
00:41:47,360 --> 00:41:49,640
Speaker 1: Those direct to the camera things. You can just see

828
00:41:49,680 --> 00:41:52,919
Speaker 1: where there was so much opportunity there to riff where

829
00:41:52,960 --> 00:41:54,480
Speaker 1: you could be like, you know, because then you can

830
00:41:54,520 --> 00:41:56,560
Speaker 1: you can very easily get what's written. Okay, I got it,

831
00:41:56,600 --> 00:41:58,279
Speaker 1: I got what's right. Now let me just go off

832
00:41:58,280 --> 00:41:59,640
Speaker 1: and just see where my brain goes.

833
00:42:00,120 --> 00:42:06,240
Speaker 4: Yeah, totally. Yeah, it was Uh, that was pretty special.

834
00:42:06,239 --> 00:42:09,840
Speaker 4: But yeah, we we you know, the amount of whatever

835
00:42:09,920 --> 00:42:14,000
Speaker 4: improv got into an episode obviously just varied per per

836
00:42:14,160 --> 00:42:16,479
Speaker 4: you know, per episode, but but we were always given

837
00:42:16,480 --> 00:42:19,200
Speaker 4: an opportunity even even the scenes too.

838
00:42:20,040 --> 00:42:24,720
Speaker 2: Was anybody brave enough to go against Steve Man?

839
00:42:25,239 --> 00:42:27,680
Speaker 4: I mean it was really hard, and it's all it

840
00:42:27,760 --> 00:42:31,560
Speaker 4: was also hard just because of the structure, like he

841
00:42:32,200 --> 00:42:34,600
Speaker 4: you know, he's you know, especially like I mean, you

842
00:42:34,640 --> 00:42:37,040
Speaker 4: think about sort of the quote unquote famous scenes in

843
00:42:37,080 --> 00:42:41,919
Speaker 4: the conference room. So he's standing, you're sitting. There's sort

844
00:42:42,000 --> 00:42:45,600
Speaker 4: of no, I mean, you're already out of power imbalance there.

845
00:42:45,640 --> 00:42:49,880
Speaker 4: And then you have him who might be truly, like,

846
00:42:50,000 --> 00:42:54,319
Speaker 4: I honestly believe this the greatest improviser ever. And the

847
00:42:54,360 --> 00:42:57,760
Speaker 4: reason I say that is because not only is he funny,

848
00:42:58,040 --> 00:43:00,600
Speaker 4: not only can he come up with any thing in

849
00:43:00,640 --> 00:43:04,640
Speaker 4: the moment, but what he does, which without naming any

850
00:43:04,719 --> 00:43:08,880
Speaker 4: names other people have trouble with, is he's always on story,

851
00:43:09,520 --> 00:43:13,080
Speaker 4: like on topic. Like he's never going you know, he's

852
00:43:13,120 --> 00:43:16,319
Speaker 4: never saying something that's like, well, Michael wouldn't say that,

853
00:43:16,760 --> 00:43:21,080
Speaker 4: or but he also understands like what the whole of

854
00:43:21,120 --> 00:43:25,359
Speaker 4: the script, the individual episode or the season that we're on,

855
00:43:25,480 --> 00:43:28,680
Speaker 4: like where he's trying to get and he's just yeah,

856
00:43:28,719 --> 00:43:30,040
Speaker 4: I mean he's.

857
00:43:29,560 --> 00:43:31,719
Speaker 1: I love watching clips of the bloopers. I mean, I

858
00:43:31,719 --> 00:43:35,319
Speaker 1: know scrubs fans love watching scrub yeahs. But when I

859
00:43:35,360 --> 00:43:39,320
Speaker 1: saw recently, my Instagram knows now that I love office bloopers,

860
00:43:40,239 --> 00:43:42,600
Speaker 1: and I saw see where he was explaining his home

861
00:43:42,719 --> 00:43:47,920
Speaker 1: entertainment system to Jim and watching his Carrell try and

862
00:43:48,080 --> 00:43:50,520
Speaker 1: he couldn't get through it. It was so funny watching

863
00:43:50,640 --> 00:43:52,840
Speaker 1: him not be able to get through his improv.

864
00:43:56,600 --> 00:44:01,399
Speaker 4: Probably the closest, you know, some of your audience may

865
00:44:01,400 --> 00:44:04,560
Speaker 4: have heard this before, but probably the closest to like

866
00:44:04,640 --> 00:44:07,640
Speaker 4: standing standing up to him, which wasn't even standing up

867
00:44:07,680 --> 00:44:10,839
Speaker 4: to him was if you remember the episode which, by

868
00:44:10,880 --> 00:44:12,560
Speaker 4: the way, can you even say the title of this

869
00:44:12,680 --> 00:44:16,200
Speaker 4: episode these days on television? But gay witch hunt? When

870
00:44:16,880 --> 00:44:24,080
Speaker 4: when when he kisses Oscar? That was improved? That was

871
00:44:23,239 --> 00:44:29,720
Speaker 4: the kiss? The kiss? Where was h r? Yes, listen

872
00:44:31,000 --> 00:44:31,560
Speaker 4: is the kiss?

873
00:44:32,520 --> 00:44:36,359
Speaker 2: When this happened, Oscar had such a lawsuit.

874
00:44:37,719 --> 00:44:42,960
Speaker 1: Everybody lawsuit against more than anyone I know, but everybody outed.

875
00:44:43,360 --> 00:44:46,560
Speaker 2: He was outed in the freaking room.

876
00:44:49,320 --> 00:44:53,040
Speaker 1: Brian, Brian, is there anyone that works there that doesn't

877
00:44:53,040 --> 00:44:54,440
Speaker 1: have a lawsuit against under.

878
00:44:54,800 --> 00:44:58,560
Speaker 4: No, No, there's Hilrius. The lawsuit every every which way,

879
00:44:58,640 --> 00:45:05,279
Speaker 4: at least against Steve and probably several characters as well. Yeah,

880
00:45:05,520 --> 00:45:12,120
Speaker 4: I mean, god, God bless Greg you know he You know,

881
00:45:12,200 --> 00:45:15,240
Speaker 4: we had such a huge cast and it never got smaller,

882
00:45:15,280 --> 00:45:17,960
Speaker 4: It just kept getting bigger. He would find a different

883
00:45:18,080 --> 00:45:20,400
Speaker 4: energy that he wanted to bring in from Ellie Kemper

884
00:45:20,640 --> 00:45:24,680
Speaker 4: or Ed Helms. You know that would just sort of change,

885
00:45:24,680 --> 00:45:26,840
Speaker 4: you know, he would sort of add that ingredient in,

886
00:45:26,920 --> 00:45:29,719
Speaker 4: it would change. But you know it was it was

887
00:45:29,760 --> 00:45:32,760
Speaker 4: an office where everyone at one point in time should

888
00:45:32,760 --> 00:45:36,520
Speaker 4: have been fired, like Kevin really like he was fired

889
00:45:36,560 --> 00:45:37,520
Speaker 4: in the last episode.

890
00:45:39,880 --> 00:45:41,799
Speaker 1: You guys had to One thing that's unique about the

891
00:45:41,840 --> 00:45:45,960
Speaker 1: office that people weren't actors might not realize is, you know,

892
00:45:45,960 --> 00:45:48,640
Speaker 1: when we do our scenes on scrubs, we don't have

893
00:45:48,680 --> 00:45:51,160
Speaker 1: to be there when people are doing their other stuff.

894
00:45:51,320 --> 00:45:53,759
Speaker 1: You guys are one hundred percent of the time background.

895
00:45:54,160 --> 00:45:54,319
Speaker 4: Yes.

896
00:45:54,920 --> 00:45:58,799
Speaker 1: What was that like, I mean what, that's a very

897
00:45:59,120 --> 00:46:02,120
Speaker 1: that's a very new that's a very unique situation, and

898
00:46:02,160 --> 00:46:03,960
Speaker 1: you have hours where you're just background.

899
00:46:04,360 --> 00:46:07,319
Speaker 4: Yes, And that was again, that was a little bit

900
00:46:07,440 --> 00:46:10,400
Speaker 4: for me. I mean I I you know, I had

901
00:46:10,960 --> 00:46:14,520
Speaker 4: booked a couple of other you know, smaller jobs or whatever.

902
00:46:14,560 --> 00:46:17,400
Speaker 4: But you know, this was happened very quickly out of

903
00:46:17,440 --> 00:46:20,120
Speaker 4: the gate, and I think early on it was my

904
00:46:20,280 --> 00:46:22,640
Speaker 4: expectation that this was how it was because I had

905
00:46:22,640 --> 00:46:25,319
Speaker 4: come from theater and if you were rehearsing something, you're

906
00:46:25,640 --> 00:46:27,799
Speaker 4: always there and then you know, maybe they spend some

907
00:46:27,840 --> 00:46:30,719
Speaker 4: extra time on some other scenes. But no, it was

908
00:46:31,000 --> 00:46:36,279
Speaker 4: you know now, it really was like everybody had a

909
00:46:36,400 --> 00:46:39,799
Speaker 4: schedule of the number one on the call sheet, you know,

910
00:46:40,000 --> 00:46:47,480
Speaker 4: because because everybody was there every day all day twelve fourteen,

911
00:46:48,280 --> 00:46:51,680
Speaker 4: you know, plus hours. I mean we were doing we

912
00:46:51,680 --> 00:46:55,160
Speaker 4: were doing like sixty hours a week, and you know,

913
00:46:55,440 --> 00:46:59,799
Speaker 4: unless Michael had to go see Jan in New York

914
00:46:59,880 --> 00:47:04,040
Speaker 4: or whatever, especially early on, like we were just all there.

915
00:47:04,080 --> 00:47:05,920
Speaker 2: Was a Crossford puzzles, what was your secret?

916
00:47:06,160 --> 00:47:09,560
Speaker 4: You know, well we were you know, we were doing

917
00:47:09,640 --> 00:47:13,560
Speaker 4: thirty episodes there for a while a year, so I

918
00:47:13,640 --> 00:47:18,879
Speaker 4: was paying bills. Uh, Like we were paying bills. There

919
00:47:18,960 --> 00:47:22,279
Speaker 4: wasn't a whole People always ask about, like what were

920
00:47:22,280 --> 00:47:26,080
Speaker 4: the pranks? Like we weren't really pranky, but we did

921
00:47:26,400 --> 00:47:30,719
Speaker 4: have Uh, I don't even know what it was. It

922
00:47:30,800 --> 00:47:34,920
Speaker 4: wasn't It wasn't Google, I don't know, AOL instant messenger

923
00:47:35,000 --> 00:47:40,560
Speaker 4: or something so we could like pop something up computers

924
00:47:40,080 --> 00:47:41,680
Speaker 4: and the computers worked.

925
00:47:41,880 --> 00:47:44,040
Speaker 2: Yeah. I feel like that would a gutten a couple

926
00:47:44,080 --> 00:47:48,320
Speaker 2: of people fire. Definitely I would have been kicked.

927
00:47:49,080 --> 00:47:52,759
Speaker 1: I would have been fired. Look at this totally inappropriate means.

928
00:47:55,840 --> 00:47:58,200
Speaker 2: What did I do wrong? It's just it's just a

929
00:47:58,239 --> 00:48:01,120
Speaker 2: freaking egg quip that must be because you're like you're like,

930
00:48:01,280 --> 00:48:01,759
Speaker 2: oh my god.

931
00:48:01,760 --> 00:48:03,520
Speaker 1: As much as you love the show and you're grateful

932
00:48:03,520 --> 00:48:04,920
Speaker 1: to be on the show, at a certain point you're like,

933
00:48:05,000 --> 00:48:06,880
Speaker 1: oh my god, I have to get out of this.

934
00:48:06,920 --> 00:48:08,880
Speaker 1: I'm in the background and you don't need me. Is

935
00:48:08,880 --> 00:48:10,759
Speaker 1: there is there a Brian lookalike?

936
00:48:10,840 --> 00:48:11,239
Speaker 2: The con.

937
00:48:13,440 --> 00:48:18,600
Speaker 4: Well, we did, we were, we did joke things. Things

938
00:48:18,600 --> 00:48:20,759
Speaker 4: started changing a little bit as we went on, I

939
00:48:20,760 --> 00:48:25,759
Speaker 4: mean ten years that early on it was like, so, guys, wait,

940
00:48:25,960 --> 00:48:28,040
Speaker 4: no one ever goes to the bathroom, Like, no one

941
00:48:28,040 --> 00:48:31,200
Speaker 4: has never in the other room making a cup of

942
00:48:31,239 --> 00:48:35,080
Speaker 4: coffee while this is going on, Like, I really think

943
00:48:35,160 --> 00:48:36,880
Speaker 4: Kevin should be somewhere.

944
00:48:37,000 --> 00:48:40,879
Speaker 2: Yeah, Kevin have the ship mindy and uh and and

945
00:48:41,040 --> 00:48:42,880
Speaker 2: no fact they had it lucky because they were in

946
00:48:42,960 --> 00:48:46,120
Speaker 2: a different room. And so did the dude Creed, right did.

947
00:48:46,160 --> 00:48:48,640
Speaker 4: We No, so Creed was in our So here is

948
00:48:49,239 --> 00:48:53,319
Speaker 4: here's the here's the little nerdy insider info, right because

949
00:48:53,360 --> 00:48:57,000
Speaker 4: we Greg had come, not had come directly, but he

950
00:48:57,040 --> 00:49:01,319
Speaker 4: had worked on SNL and he was really wanting collaboration.

951
00:49:01,440 --> 00:49:03,719
Speaker 4: So like I directed. There were a lot of writers.

952
00:49:04,040 --> 00:49:07,359
Speaker 4: Here's the thing. Anyone who was in that other office,

953
00:49:07,719 --> 00:49:11,920
Speaker 4: they were writers. They were upstairs writing, so like Paul Lieberstein,

954
00:49:12,239 --> 00:49:16,880
Speaker 4: Toby Mindy, Kayling, bj Novak, there were the writers, so

955
00:49:17,280 --> 00:49:19,520
Speaker 4: they didn't have to be there until like a conference

956
00:49:19,600 --> 00:49:22,160
Speaker 4: room or you know, they would drift in for some

957
00:49:22,239 --> 00:49:26,560
Speaker 4: important you know, group scene or whatever. But yeah, they were,

958
00:49:26,680 --> 00:49:31,320
Speaker 4: they would, they would go up to the writers. Paul Liberstein,

959
00:49:31,560 --> 00:49:31,960
Speaker 4: he's one.

960
00:49:32,000 --> 00:49:34,360
Speaker 1: He's so good. I mean, they were every every everyone

961
00:49:34,440 --> 00:49:36,000
Speaker 1: is so good. But he was also one of the

962
00:49:36,000 --> 00:49:36,879
Speaker 1: main writers of the show.

963
00:49:37,200 --> 00:49:40,680
Speaker 4: Yes, yeah, and he was actually when Greg went to launch,

964
00:49:40,719 --> 00:49:43,319
Speaker 4: because Greg went with Mike Sure. Mike Sure was a

965
00:49:43,320 --> 00:49:47,000
Speaker 4: writer who played Mos. By the way, he was not

966
00:49:47,080 --> 00:49:52,120
Speaker 4: there very much at all. Yeah, when Greg Greg launched

967
00:49:53,800 --> 00:49:56,560
Speaker 4: Parks and Rec. And when he launched Parks and Rec,

968
00:49:56,680 --> 00:50:01,120
Speaker 4: Paul Liberstein actually was showrunner for a period of time.

969
00:50:01,200 --> 00:50:05,520
Speaker 2: Yeah, that's that's You guys have some great directors, man,

970
00:50:05,840 --> 00:50:09,200
Speaker 2: like your directors. I'm sure some of them.

971
00:50:09,440 --> 00:50:10,680
Speaker 4: Some of them for sure.

972
00:50:10,520 --> 00:50:14,960
Speaker 2: But then some of them are like freaking winners.

973
00:50:15,080 --> 00:50:17,160
Speaker 1: And oh yeah, I mean you mean the guest appearance

974
00:50:17,239 --> 00:50:21,160
Speaker 1: directors didn't Yeah what was that about? Like he just

975
00:50:21,200 --> 00:50:23,080
Speaker 1: loved the show and they were like I wanted to,

976
00:50:23,280 --> 00:50:24,080
Speaker 1: I want to, But.

977
00:50:24,160 --> 00:50:27,200
Speaker 2: They were definitely coming for you, Brian, that's exactly there.

978
00:50:27,239 --> 00:50:31,560
Speaker 4: The rumor was, and I it's been so long I

979
00:50:31,640 --> 00:50:36,480
Speaker 4: was told, I believe God, I'm like making excuses that

980
00:50:36,640 --> 00:50:41,760
Speaker 4: JJ Abrams wanted to direct a season and Greg Greg

981
00:50:41,920 --> 00:50:45,320
Speaker 4: preferred the model where we had a different director every week.

982
00:50:45,880 --> 00:50:49,359
Speaker 4: So J. J. Abrams came in. Harold Ramis did ye,

983
00:50:50,440 --> 00:50:53,840
Speaker 4: I don't know, four or five, and some big ones didn't.

984
00:50:54,040 --> 00:50:57,279
Speaker 2: It was always interesting. It was just always interesting to

985
00:50:57,360 --> 00:51:00,920
Speaker 2: see the director's names. It would be like what they

986
00:51:01,000 --> 00:51:01,480
Speaker 2: got his.

987
00:51:01,560 --> 00:51:02,840
Speaker 4: Doing right right?

988
00:51:03,920 --> 00:51:07,160
Speaker 2: Ken Whittingham directed, Yeah, some of the same direct I'm.

989
00:51:07,000 --> 00:51:10,600
Speaker 1: Curious, maybe Dane, you could ask chat Cheapt. This is

990
00:51:10,600 --> 00:51:14,600
Speaker 1: a good chat cheapt question. Which directors both directed scrubs

991
00:51:14,760 --> 00:51:17,120
Speaker 1: and and uh.

992
00:51:17,000 --> 00:51:18,880
Speaker 2: In the office. I know Ken Winningham was one.

993
00:51:19,200 --> 00:51:21,160
Speaker 4: Ken you must have had Koppus.

994
00:51:23,000 --> 00:51:23,879
Speaker 2: Maybe once or twice.

995
00:51:23,880 --> 00:51:24,200
Speaker 4: I don't know.

996
00:51:25,560 --> 00:51:26,480
Speaker 2: No, we never had Paul.

997
00:51:26,640 --> 00:51:28,840
Speaker 4: Oh, you never had Paul. That's surprises.

998
00:51:29,400 --> 00:51:30,160
Speaker 2: Let's take a break.

999
00:51:30,200 --> 00:51:39,640
Speaker 1: We'll be right back after these fine words. All right,

1000
00:51:39,640 --> 00:51:41,520
Speaker 1: So let's talk about your chili for a second. Did

1001
00:51:41,600 --> 00:51:44,480
Speaker 1: you have anything to do with I mean, did this

1002
00:51:44,480 --> 00:51:45,960
Speaker 1: come out of the blue or do you really make

1003
00:51:46,000 --> 00:51:46,640
Speaker 1: a good chili?

1004
00:51:47,760 --> 00:51:50,320
Speaker 4: Well, you're talking about there was the episode.

1005
00:51:50,400 --> 00:51:51,719
Speaker 2: I'm with the episode when it first.

1006
00:51:51,719 --> 00:51:53,040
Speaker 1: I know you made it, you wrote a book, but

1007
00:51:53,040 --> 00:51:53,839
Speaker 1: but like both like.

1008
00:51:56,040 --> 00:52:03,560
Speaker 4: To the writers that writers, yeah, and you know I

1009
00:52:03,560 --> 00:52:07,160
Speaker 4: I do, so I do think. All right, here here's

1010
00:52:07,280 --> 00:52:10,239
Speaker 4: my here's my cheeseball pitch for you. Right. That the

1011
00:52:10,400 --> 00:52:14,840
Speaker 4: reason that people respond to the show, and particularly like

1012
00:52:15,640 --> 00:52:20,000
Speaker 4: during a global pandemic, right, is the last line of

1013
00:52:20,040 --> 00:52:22,120
Speaker 4: the show. I'm getting serious with you for a second,

1014
00:52:22,120 --> 00:52:24,920
Speaker 4: but the last line of the show that Greg Daniels

1015
00:52:25,080 --> 00:52:29,080
Speaker 4: wrote the last episode. So he wrote it. Pam says,

1016
00:52:29,920 --> 00:52:32,480
Speaker 4: you know that She's asked like, why would they make

1017
00:52:32,480 --> 00:52:35,120
Speaker 4: a documentary of his paper company or whatever? And her

1018
00:52:35,160 --> 00:52:40,279
Speaker 4: answer is there's beauty and ordinary things. Isn't that kind

1019
00:52:40,360 --> 00:52:45,120
Speaker 4: of the point. And so for me, when you look

1020
00:52:45,160 --> 00:52:47,560
Speaker 4: at sort of the totality everybody, you know, a lot

1021
00:52:47,600 --> 00:52:51,400
Speaker 4: of people are mean. There's Michael says, inappropriate things you

1022
00:52:51,440 --> 00:52:54,520
Speaker 4: could sue, but like there is sort of a genuine

1023
00:52:54,680 --> 00:53:01,879
Speaker 4: kindness and a celebration of very small moments. Right. It's

1024
00:53:01,920 --> 00:53:05,440
Speaker 4: like the opposite of twenty four or whatever, you know,

1025
00:53:05,560 --> 00:53:09,120
Speaker 4: some big spy show or whatever. And so to me,

1026
00:53:09,400 --> 00:53:12,279
Speaker 4: part of that chili thing is that it is like

1027
00:53:12,440 --> 00:53:17,279
Speaker 4: this guy does this one thing that many people in

1028
00:53:17,480 --> 00:53:20,600
Speaker 4: America around the world do. They make a great chili.

1029
00:53:20,640 --> 00:53:24,080
Speaker 4: They're proud of it. They are celebrated by their friends

1030
00:53:24,080 --> 00:53:26,920
Speaker 4: and family doing it, and this is the thing that

1031
00:53:26,960 --> 00:53:30,160
Speaker 4: gives them great pride on the weekends and maybe goes

1032
00:53:30,200 --> 00:53:34,640
Speaker 4: to chili festivals and participates in competitions, and he believes

1033
00:53:34,680 --> 00:53:36,680
Speaker 4: this is the thing he does best. Now it's a comedy,

1034
00:53:36,760 --> 00:53:39,200
Speaker 4: so he spills it on the floor and you know,

1035
00:53:39,280 --> 00:53:44,480
Speaker 4: there's genius physical comedy by me whatever. Yes, but the

1036
00:53:44,680 --> 00:53:49,359
Speaker 4: idea is like that celebration. To me, that is in

1037
00:53:49,400 --> 00:53:52,279
Speaker 4: some ways like because people talk about it all the time,

1038
00:53:52,280 --> 00:53:57,240
Speaker 4: but it is like a physical embodiment of that thing

1039
00:53:57,760 --> 00:54:00,839
Speaker 4: that the show is trying to sell break, which is

1040
00:54:00,920 --> 00:54:05,480
Speaker 4: like just a teeny victory or you know, a great

1041
00:54:05,560 --> 00:54:08,320
Speaker 4: thing that an ordinary person does.

1042
00:54:08,560 --> 00:54:11,360
Speaker 2: So that led to you genuinely getting into.

1043
00:54:11,200 --> 00:54:14,480
Speaker 4: Chili, it did? I mean it started as a joke.

1044
00:54:14,760 --> 00:54:17,279
Speaker 1: I'll be honest, right, you were associated with chili because

1045
00:54:17,280 --> 00:54:19,600
Speaker 1: of the show. Yeah, Like I made like I had

1046
00:54:19,640 --> 00:54:25,400
Speaker 1: never made chili before. The people I associate you with chili?

1047
00:54:25,480 --> 00:54:28,920
Speaker 4: Oh one hun, do you go.

1048
00:54:28,880 --> 00:54:30,759
Speaker 1: To cookoffs and stuff like, oh yeah, he's made a book.

1049
00:54:30,800 --> 00:54:31,719
Speaker 1: You wrote a bullets.

1050
00:54:32,280 --> 00:54:34,120
Speaker 4: A cookbook about chili.

1051
00:54:34,160 --> 00:54:36,480
Speaker 2: But did you write the cookbook about chili?

1052
00:54:36,680 --> 00:54:40,080
Speaker 1: Yes, so you must have collected collected yes, yes, yes,

1053
00:54:40,120 --> 00:54:42,759
Speaker 1: so I put some of my but I made it one.

1054
00:54:42,880 --> 00:54:45,000
Speaker 1: Let's take a shout out to it. Seriously good chili

1055
00:54:45,080 --> 00:54:48,960
Speaker 1: cookbook chili recipes, all right, yes.

1056
00:54:48,760 --> 00:54:51,279
Speaker 4: One hundred and seventy seven. Well, actually, I'll tell you

1057
00:54:51,320 --> 00:54:55,880
Speaker 4: that my funniest interaction was I was traveling, I was alone.

1058
00:54:55,920 --> 00:54:58,600
Speaker 4: I was in a hotel bar, sitting there and like

1059
00:54:59,080 --> 00:55:02,640
Speaker 4: the hat on like he and I just finished eating

1060
00:55:02,719 --> 00:55:06,320
Speaker 4: and the bartender like it had been cleared away, and

1061
00:55:06,360 --> 00:55:09,560
Speaker 4: the bartender comes by and sets something down in front

1062
00:55:09,560 --> 00:55:12,640
Speaker 4: of me. I don't even really look or process. I

1063
00:55:12,719 --> 00:55:15,400
Speaker 4: just sort of look up and I'm like, oh no, no,

1064
00:55:15,880 --> 00:55:19,440
Speaker 4: I've already eaten, and he kind of leans down. It's

1065
00:55:19,480 --> 00:55:21,880
Speaker 4: like the fifties, the forties, I don't know what kind

1066
00:55:21,920 --> 00:55:23,360
Speaker 4: of movie, but he just kind of leans on the

1067
00:55:23,360 --> 00:55:26,000
Speaker 4: bar and he's like, this is from the woman at

1068
00:55:26,040 --> 00:55:27,920
Speaker 4: the end of the bar, and it's yes, it's a

1069
00:55:27,920 --> 00:55:30,960
Speaker 4: bowl of chili. Like that is what I don't get

1070
00:55:31,000 --> 00:55:34,160
Speaker 4: set a drake, I get like bowls of chili.

1071
00:55:34,360 --> 00:55:38,120
Speaker 1: That's hilarious. That's what happens. People associate you with it,

1072
00:55:38,200 --> 00:55:40,400
Speaker 1: and it's like a it was smart of you to

1073
00:55:40,480 --> 00:55:43,120
Speaker 1: lean into that, because have you become good at making

1074
00:55:43,160 --> 00:55:43,919
Speaker 1: chili at this point?

1075
00:55:44,040 --> 00:55:47,239
Speaker 4: Yeah? Well now yeah, no, I like and I do

1076
00:55:47,360 --> 00:55:50,520
Speaker 4: really ENLiGHT I do really like it. Well, and that's

1077
00:55:50,719 --> 00:55:53,520
Speaker 4: where the inspiration for the book came is. I got

1078
00:55:53,560 --> 00:55:57,120
Speaker 4: invited to and this thing is not like a couple

1079
00:55:57,160 --> 00:55:58,960
Speaker 4: of years. It's now I don't know how many, it's

1080
00:55:59,000 --> 00:56:02,760
Speaker 4: over fifty years. Actually happens at the end of September.

1081
00:56:02,800 --> 00:56:06,080
Speaker 4: I'm not going this year, but the World Championship Chili

1082
00:56:06,080 --> 00:56:09,520
Speaker 4: Cookoff you have to win like your state region. It's

1083
00:56:09,560 --> 00:56:14,040
Speaker 4: in Myrtle Beach, South Carolina, and so I went there,

1084
00:56:14,400 --> 00:56:19,359
Speaker 4: got to know them. They asked me to judge the thing,

1085
00:56:20,160 --> 00:56:22,280
Speaker 4: and then I was I was like sort of blown

1086
00:56:22,320 --> 00:56:27,120
Speaker 4: away by oh wait, this is chicken, this is white,

1087
00:56:27,360 --> 00:56:30,839
Speaker 4: this is ver day like a green chili, and all

1088
00:56:30,880 --> 00:56:33,239
Speaker 4: this type of stuff. And so we sort of put

1089
00:56:33,239 --> 00:56:35,960
Speaker 4: that together for fun. But I know, I really do

1090
00:56:36,120 --> 00:56:38,759
Speaker 4: enjoy it and the the culture of it too.

1091
00:56:39,320 --> 00:56:41,680
Speaker 2: I let you go, okay, but before we go, I

1092
00:56:41,680 --> 00:56:43,319
Speaker 2: do love a good chow. I just wanted to say

1093
00:56:43,360 --> 00:56:44,760
Speaker 2: I do. I just want to appreciate.

1094
00:56:44,800 --> 00:56:46,680
Speaker 1: Okay, you want the audience to know that you love

1095
00:56:46,760 --> 00:56:51,360
Speaker 1: Chili audience, have you registered the Donald audience?

1096
00:56:51,560 --> 00:56:54,240
Speaker 2: Dear audience, I do love.

1097
00:56:54,840 --> 00:56:57,440
Speaker 1: Now now I just read this in the notes. In

1098
00:56:57,480 --> 00:57:02,200
Speaker 1: twenty twenty alone, Americans cum relatively streamed more than fifty

1099
00:57:02,360 --> 00:57:06,960
Speaker 1: seven billion minutes of the Office, making it the most

1100
00:57:07,120 --> 00:57:09,680
Speaker 1: watched show of the year. That was during Lockdown. It

1101
00:57:09,719 --> 00:57:12,960
Speaker 1: was like the most watched show of Lockdown. I'm assuming, yes,

1102
00:57:14,000 --> 00:57:18,320
Speaker 1: that's insane. So then that tell me about you have

1103
00:57:18,400 --> 00:57:21,680
Speaker 1: your own podcast. It's obviously different from the Office Ladies.

1104
00:57:21,760 --> 00:57:24,640
Speaker 1: They the Office Ladies were the inspiration for us, by

1105
00:57:24,680 --> 00:57:27,080
Speaker 1: the way, we I'm sure they were. That popped off

1106
00:57:27,240 --> 00:57:30,000
Speaker 1: and people started approaching Donald and I and it was

1107
00:57:30,040 --> 00:57:32,640
Speaker 1: it was and we said, okay, that sounds fun. Shoot

1108
00:57:32,640 --> 00:57:36,400
Speaker 1: the shit with Donald about episodes. That sounds great. But

1109
00:57:36,480 --> 00:57:39,360
Speaker 1: you have your own podcast. What's tell people about that

1110
00:57:39,400 --> 00:57:40,880
Speaker 1: who don't know about it so they can find.

1111
00:57:40,720 --> 00:57:43,840
Speaker 4: It off the beat is what it's called. You know

1112
00:57:43,960 --> 00:57:52,920
Speaker 4: it started? Actually, so I did a Spotify exclusive podcast

1113
00:57:53,040 --> 00:57:56,680
Speaker 4: that started right about the time that Jenna and Angelas

1114
00:57:56,720 --> 00:58:00,920
Speaker 4: started Office Ladies, and it was called Oral History of

1115
00:58:00,960 --> 00:58:04,520
Speaker 4: the Office and it was totally different than what you

1116
00:58:04,560 --> 00:58:08,840
Speaker 4: guys do and what they were doing. What was curious

1117
00:58:08,920 --> 00:58:11,680
Speaker 4: to me because these numbers had started streaming and by

1118
00:58:11,720 --> 00:58:14,320
Speaker 4: the way, those numbers, this is what I mean like

1119
00:58:14,400 --> 00:58:17,520
Speaker 4: when we started like getting approached in airports, it was

1120
00:58:17,920 --> 00:58:20,640
Speaker 4: they started releasing for a brief period of time like

1121
00:58:20,720 --> 00:58:25,200
Speaker 4: streaming numbers, and we were like the stepchild's of NBC.

1122
00:58:25,800 --> 00:58:28,080
Speaker 4: And they released the numbers and it was like, not

1123
00:58:28,160 --> 00:58:33,320
Speaker 4: only were we at the top and Friends was number two,

1124
00:58:34,520 --> 00:58:38,680
Speaker 4: but we were double what Friends were doing. It was

1125
00:58:38,760 --> 00:58:42,440
Speaker 4: this sort of insane thing, and so I put together

1126
00:58:43,640 --> 00:58:51,320
Speaker 4: I interviewed everyone from the show, writers, crew, actors. We

1127
00:58:51,400 --> 00:58:54,120
Speaker 4: did about one hundred and fifty hours of interviews to

1128
00:58:54,240 --> 00:58:57,560
Speaker 4: answer the question of why why did this happen? Like

1129
00:58:58,600 --> 00:59:01,520
Speaker 4: why has this now sort of come back? So I

1130
00:59:01,560 --> 00:59:04,080
Speaker 4: started with that I loved it, then started talking to

1131
00:59:04,120 --> 00:59:06,600
Speaker 4: other people. Love to have you guys on at some

1132
00:59:06,840 --> 00:59:11,360
Speaker 4: point it's off the beat, which now you can you

1133
00:59:11,400 --> 00:59:15,840
Speaker 4: can get wherever you get your podcasts, and yeah, it's

1134
00:59:15,960 --> 00:59:18,920
Speaker 4: it's it's really fun for me. I love doing it.

1135
00:59:18,920 --> 00:59:22,280
Speaker 4: It's uh and I love listening to you guys as well.

1136
00:59:22,520 --> 00:59:22,760
Speaker 2: Well.

1137
00:59:22,800 --> 00:59:25,080
Speaker 1: Thank you man, and thank you for coming on and sorry,

1138
00:59:25,120 --> 00:59:28,200
Speaker 1: we relate, but I just wanted we find you Donald,

1139
00:59:28,240 --> 00:59:30,560
Speaker 1: and I just find you so funny and uh and

1140
00:59:30,640 --> 00:59:33,080
Speaker 1: I think I think I have all those people watch

1141
00:59:33,160 --> 00:59:36,160
Speaker 1: any more questions I know to give the well, we'll

1142
00:59:36,160 --> 00:59:37,280
Speaker 1: have him back.

1143
00:59:37,200 --> 00:59:39,800
Speaker 2: And all and all of that stuff, but we'll have him.

1144
00:59:39,640 --> 00:59:42,800
Speaker 1: Back on Donald because I hope you'll come back. Brian,

1145
00:59:43,640 --> 00:59:44,720
Speaker 1: we're such fans of yours.

1146
00:59:45,360 --> 00:59:48,040
Speaker 4: Well, thank you so much. And I can't. I can't

1147
00:59:48,120 --> 00:59:54,000
Speaker 4: leave you without noting that that that that you guys.

1148
00:59:54,480 --> 00:59:56,600
Speaker 4: I don't know if you're aware of this. You do

1149
00:59:56,720 --> 00:59:58,080
Speaker 4: some T mobile commercials?

1150
00:59:58,160 --> 00:59:59,360
Speaker 2: Yes we do, Yeah, we do.

1151
00:59:59,760 --> 01:00:04,560
Speaker 4: Yeah? Uh? Are are you aware that that weird team?

1152
01:00:05,120 --> 01:00:05,800
Speaker 4: Are you? Are you?

1153
01:00:05,840 --> 01:00:11,680
Speaker 2: Are you aware that? Yes? I said, it's okay footsteps again.

1154
01:00:12,200 --> 01:00:13,880
Speaker 2: Dan will beat the company that he said.

1155
01:00:14,000 --> 01:00:17,919
Speaker 1: Okay, We're definitely going to beat the company that you mentioned.

1156
01:00:17,800 --> 01:00:19,920
Speaker 2: That that gets no shine on.

1157
01:00:20,800 --> 01:00:22,080
Speaker 1: I don't know why you had to end on a

1158
01:00:22,120 --> 01:00:23,200
Speaker 1: sour note that there.

1159
01:00:23,280 --> 01:00:26,160
Speaker 2: You want to go, you want to go to walk?

1160
01:00:28,320 --> 01:00:31,200
Speaker 2: Have you seen Showgun? Have you seen Showgun? That's what

1161
01:00:31,240 --> 01:00:33,160
Speaker 2: this is going to be like, this is what it

1162
01:00:33,480 --> 01:00:34,160
Speaker 2: turn into.

1163
01:00:34,480 --> 01:00:37,640
Speaker 4: Yeah, I know we're following in your footsteps again. We're

1164
01:00:37,720 --> 01:00:40,440
Speaker 4: just we're just we're just picking up the pieces and

1165
01:00:40,480 --> 01:00:41,200
Speaker 4: trying to follow it.

1166
01:00:41,280 --> 01:00:43,720
Speaker 1: You're proud to be competitors with that company that shall

1167
01:00:43,760 --> 01:00:44,280
Speaker 1: not be named.

1168
01:00:44,520 --> 01:00:46,560
Speaker 2: Yeah, all right, thank you so much, Bud.

1169
01:00:46,800 --> 01:00:47,760
Speaker 4: Thanks guys.

1170
01:00:51,320 --> 01:00:56,240
Speaker 2: That I love that guy. Huh.

1171
01:00:56,280 --> 01:00:58,880
Speaker 1: He's so funny. It's funny. It's by the way, I

1172
01:00:58,920 --> 01:01:01,680
Speaker 1: gotta say, as a fan, it's weird seeing him make

1173
01:01:01,800 --> 01:01:02,600
Speaker 1: full sentences.

1174
01:01:04,520 --> 01:01:07,000
Speaker 2: That's what I was gonna say. Man, like this, dude's

1175
01:01:07,040 --> 01:01:09,920
Speaker 2: a fucking good actor. Man, you got to get into this.

1176
01:01:10,320 --> 01:01:12,400
Speaker 2: We gotta really get when we have him on again,

1177
01:01:12,440 --> 01:01:15,400
Speaker 2: I really want to talk about what he does, you know,

1178
01:01:15,840 --> 01:01:18,800
Speaker 2: what else he's doing in his career and stuff like

1179
01:01:18,840 --> 01:01:20,640
Speaker 2: that as an actor, and if he's gone back to

1180
01:01:20,720 --> 01:01:23,800
Speaker 2: theater at all. Like we we just ran out of

1181
01:01:23,880 --> 01:01:26,680
Speaker 2: so much time, and and he stayed, and he stayed

1182
01:01:26,680 --> 01:01:27,840
Speaker 2: the amount of time that we need.

1183
01:01:27,880 --> 01:01:31,000
Speaker 1: I know, I appreciate him saying so many questions. My fault,

1184
01:01:31,040 --> 01:01:33,120
Speaker 1: you know, I was trying to I fucked up the timing.

1185
01:01:33,120 --> 01:01:35,920
Speaker 1: I was trying to. I went to hot yoga. Donald,

1186
01:01:36,240 --> 01:01:36,720
Speaker 1: good for you.

1187
01:01:37,080 --> 01:01:40,280
Speaker 2: I'm trying us to lose the weight that I gained

1188
01:01:40,400 --> 01:01:45,040
Speaker 2: while in Europe. Zach, I'm going to say something to you,

1189
01:01:45,040 --> 01:01:46,800
Speaker 2: and I don't want to sound like an asshole. Okay,

1190
01:01:46,840 --> 01:01:48,160
Speaker 2: go ahead, I want I can't wait to hear what

1191
01:01:48,160 --> 01:01:53,480
Speaker 2: this is. What did you gain five pounds? Like six?

1192
01:01:53,600 --> 01:01:57,840
Speaker 1: Yeah, but I didn't want those six pounds. Don't don't

1193
01:01:57,880 --> 01:01:59,880
Speaker 1: don't say something like petty.

1194
01:02:00,600 --> 01:02:02,160
Speaker 2: I'm going to keep it to myself because I have

1195
01:02:02,200 --> 01:02:07,440
Speaker 2: something very petty about a six pound weight. Trop Well,

1196
01:02:07,520 --> 01:02:10,400
Speaker 2: let me just say, can't nobody see no six pounds

1197
01:02:10,400 --> 01:02:12,080
Speaker 2: off of your eye? I could see it, and I

1198
01:02:12,120 --> 01:02:16,000
Speaker 2: don't one can see it. You vain motherfucker. You look good, bro.

1199
01:02:16,560 --> 01:02:19,880
Speaker 2: You are a handsome go on, well, go on, well

1200
01:02:20,120 --> 01:02:25,600
Speaker 2: liked player of the male human species.

1201
01:02:25,680 --> 01:02:27,480
Speaker 1: Well, i'm single, Donald. When i'm when I have a

1202
01:02:27,480 --> 01:02:29,360
Speaker 1: wife and children, I can let my body go.

1203
01:02:29,840 --> 01:02:32,840
Speaker 2: But there are plenty of women that would love to

1204
01:02:33,000 --> 01:02:37,240
Speaker 2: be with you, my friend. Well, you just have to

1205
01:02:37,240 --> 01:02:39,680
Speaker 2: be open to receive the love. I'm ready.

1206
01:02:39,920 --> 01:02:42,480
Speaker 1: I'm ready to be so picky. I just I am

1207
01:02:42,520 --> 01:02:45,600
Speaker 1: ready to receive. I just also don't want to have personally,

1208
01:02:45,960 --> 01:02:48,080
Speaker 1: I have love handles. I'm working on getting rid of them.

1209
01:02:48,800 --> 01:02:51,560
Speaker 2: I too worked out today. Oh there you go. I

1210
01:02:51,560 --> 01:02:55,160
Speaker 2: put on a sweatsuit and went up to the top

1211
01:02:55,200 --> 01:02:58,880
Speaker 2: of my hail good and started punching with my train

1212
01:02:58,920 --> 01:03:03,640
Speaker 2: that we were good, kicking and swinging and yeah, I know,

1213
01:03:04,880 --> 01:03:05,720
Speaker 2: doing our thing.

1214
01:03:06,200 --> 01:03:11,960
Speaker 1: They're doing their day hot yoga. It really feels good.

1215
01:03:12,040 --> 01:03:14,680
Speaker 1: You come out of there high on high on life.

1216
01:03:14,680 --> 01:03:16,440
Speaker 1: It's really hard while you're in there and you want

1217
01:03:16,480 --> 01:03:18,080
Speaker 1: to die, and then you come out and you're.

1218
01:03:17,920 --> 01:03:21,240
Speaker 2: Like, oh, how's your posing?

1219
01:03:21,920 --> 01:03:23,560
Speaker 1: It's really bad. I haven't been in a long time

1220
01:03:23,560 --> 01:03:25,680
Speaker 1: because I have this horrible tennis elbow. But I put

1221
01:03:25,680 --> 01:03:28,680
Speaker 1: this strap on and I you know what I mean,

1222
01:03:29,000 --> 01:03:30,680
Speaker 1: I put this uh tennis.

1223
01:03:32,000 --> 01:03:33,080
Speaker 2: I wore my strap on.

1224
01:03:36,120 --> 01:03:37,840
Speaker 1: No one seemed to mind that I was wearing a

1225
01:03:37,880 --> 01:03:40,480
Speaker 1: strap on it high yoga. No, I have a tennis

1226
01:03:40,480 --> 01:03:43,440
Speaker 1: elbow strap on, and I thought, let me see if

1227
01:03:43,480 --> 01:03:46,080
Speaker 1: my tennis lebow can survive this. So I took my time.

1228
01:03:46,120 --> 01:03:49,680
Speaker 1: But it feels great. It feels really good. And I've

1229
01:03:49,680 --> 01:03:52,840
Speaker 1: already lost a bunch of weight from not eating like

1230
01:03:52,880 --> 01:03:54,520
Speaker 1: an asshole and drinking like an asshole.

1231
01:03:55,640 --> 01:03:59,080
Speaker 2: You know what it is, It really is the combination

1232
01:03:59,400 --> 01:04:02,920
Speaker 2: of the like I find myself noticing I've noticed now

1233
01:04:02,960 --> 01:04:04,560
Speaker 2: how much sugar I eat daily.

1234
01:04:04,680 --> 01:04:07,880
Speaker 1: Yeah, that's just the waste of your of your efforts.

1235
01:04:07,920 --> 01:04:10,280
Speaker 2: But it's it's in everything though, And that's the thing,

1236
01:04:10,320 --> 01:04:10,840
Speaker 2: you know what I mean.

1237
01:04:11,040 --> 01:04:12,800
Speaker 1: Well, I mean, I mean, of course it's in everything,

1238
01:04:12,800 --> 01:04:15,800
Speaker 1: but you cannot have sugary things on purpose.

1239
01:04:17,880 --> 01:04:22,400
Speaker 2: Well, you know, wine is you said it yourself. Where

1240
01:04:22,440 --> 01:04:23,360
Speaker 2: alcohol is the worst.

1241
01:04:23,560 --> 01:04:25,680
Speaker 1: I mean, the easiest way to drop weight is just

1242
01:04:25,680 --> 01:04:28,280
Speaker 1: take alcohol out of the equation. But I was drinking

1243
01:04:28,320 --> 01:04:30,440
Speaker 1: like a fish in Europe. It's hard to not It's

1244
01:04:30,440 --> 01:04:34,280
Speaker 1: hard to be in Paris and not drink wine. That's advanced.

1245
01:04:37,240 --> 01:04:39,360
Speaker 2: Don't drink wine in Europe, challenge level impossible.

1246
01:04:39,400 --> 01:04:41,160
Speaker 1: That's double black diamond. I couldn't do that.

1247
01:04:41,200 --> 01:04:42,720
Speaker 2: Ship That's like, that's like.

1248
01:04:43,600 --> 01:04:45,320
Speaker 1: Here are the cities I know not how to be

1249
01:04:45,360 --> 01:04:53,200
Speaker 1: healthy and Paris, Stockholm, New York in can be healthy.

1250
01:04:53,440 --> 01:04:55,160
Speaker 2: New York City should be easy.

1251
01:04:55,320 --> 01:04:57,920
Speaker 1: No, dude, Josh raid and I came back and he's like,

1252
01:04:57,920 --> 01:04:59,920
Speaker 1: I'm gonna go and try and like dry out a

1253
01:05:00,000 --> 01:05:01,280
Speaker 1: little bit in New York. I'm like, you're going to

1254
01:05:01,400 --> 01:05:03,600
Speaker 1: dry out in New York, Good fucking luck. I'm going

1255
01:05:03,600 --> 01:05:05,439
Speaker 1: to La where you can dry out.

1256
01:05:05,600 --> 01:05:08,880
Speaker 2: You can be healthy and silly dry out. Yeah, they

1257
01:05:08,920 --> 01:05:11,720
Speaker 2: give you vitamin B shots at the health stores out here.

1258
01:05:11,640 --> 01:05:15,640
Speaker 1: No, I mean la is uh, well, who is like,

1259
01:05:15,760 --> 01:05:19,760
Speaker 1: you know, the center of where I live, and you

1260
01:05:19,800 --> 01:05:23,040
Speaker 1: know it's it's health culture and it's about it's much

1261
01:05:23,040 --> 01:05:25,280
Speaker 1: easier to be healthy out here to me. By the way,

1262
01:05:25,320 --> 01:05:27,240
Speaker 1: I was driving home and I had to comment, I

1263
01:05:27,280 --> 01:05:29,240
Speaker 1: wanted to tell you this on the podcast for those

1264
01:05:29,280 --> 01:05:30,960
Speaker 1: of you who don't live in a city that's doing this.

1265
01:05:31,520 --> 01:05:34,160
Speaker 1: There's so many robots in West Hollywood. It's crazy. It's

1266
01:05:34,200 --> 01:05:35,920
Speaker 1: just kind of creeped up. But you got all the

1267
01:05:35,960 --> 01:05:38,560
Speaker 1: delivery robots on the sidewalks, and then you got the

1268
01:05:39,040 --> 01:05:42,840
Speaker 1: weaimo of driverless cars on the street. And I was

1269
01:05:42,880 --> 01:05:46,720
Speaker 1: tripping out driving home, being like, this is just kind

1270
01:05:46,720 --> 01:05:49,120
Speaker 1: of happened little by little, but we live amongst all

1271
01:05:49,120 --> 01:05:49,840
Speaker 1: these robots.

1272
01:05:49,880 --> 01:05:51,920
Speaker 2: Now, So what did they say? Thirty two is the

1273
01:05:52,000 --> 01:05:54,520
Speaker 2: year that California is going to be all electric, Right,

1274
01:05:54,600 --> 01:05:58,080
Speaker 2: that's the year that they want to clean up the

1275
01:05:58,080 --> 01:06:00,640
Speaker 2: West coast, Right, California is going to Was that a man?

1276
01:06:00,680 --> 01:06:02,240
Speaker 1: I think it was that a mandate of when they'll

1277
01:06:02,280 --> 01:06:05,680
Speaker 1: stop being allowed to get gas cars here. I'm sure

1278
01:06:06,040 --> 01:06:07,960
Speaker 1: keep cars you have, but maybe you can't buy I

1279
01:06:08,000 --> 01:06:08,360
Speaker 1: don't know.

1280
01:06:08,400 --> 01:06:10,600
Speaker 2: I don't know any of the loopholes. But by thirty

1281
01:06:10,600 --> 01:06:13,640
Speaker 2: two they want that though he's good like that.

1282
01:06:13,720 --> 01:06:16,360
Speaker 3: They won't sell anymore cars. They're not going to take

1283
01:06:16,400 --> 01:06:18,240
Speaker 3: your car away from you, but they don't take your anymore.

1284
01:06:18,240 --> 01:06:19,920
Speaker 1: They won't sell, but you can also you'll just go

1285
01:06:19,960 --> 01:06:21,760
Speaker 1: to Arizona and buy it if that's your steez.

1286
01:06:22,280 --> 01:06:23,360
Speaker 2: I mean, people always find a way.

1287
01:06:23,400 --> 01:06:25,040
Speaker 4: They'll import cars, right.

1288
01:06:24,960 --> 01:06:27,600
Speaker 2: There's I'm sure there's a loophole. But thirty two it's

1289
01:06:27,600 --> 01:06:31,680
Speaker 2: supposed to be electric and an electric city. Hell yeah,

1290
01:06:31,720 --> 01:06:35,040
Speaker 2: the fucking robots are come in. Bro, they need they

1291
01:06:35,080 --> 01:06:38,240
Speaker 2: can't gas don't help them, but it does help. What

1292
01:06:38,320 --> 01:06:41,440
Speaker 2: does help is that electricity. Man, this whole thing is

1293
01:06:41,480 --> 01:06:44,880
Speaker 2: going to be powered. Our whole would be all right. Look,

1294
01:06:45,000 --> 01:06:46,520
Speaker 2: and I'm going to jump off on a tangent.

1295
01:06:46,560 --> 01:06:48,040
Speaker 1: No, don't costruct too long.

1296
01:06:48,200 --> 01:06:50,920
Speaker 2: It's not a real it's not a crazy one. Infrastructure

1297
01:06:51,440 --> 01:06:56,120
Speaker 2: is very important and true and true, amen, And we

1298
01:06:56,200 --> 01:07:00,840
Speaker 2: need to really focus on that in California actually, especially

1299
01:07:00,840 --> 01:07:06,920
Speaker 2: because it shakes so much here on yesterday, two days ago.

1300
01:07:07,080 --> 01:07:09,360
Speaker 2: I forget the robots, I get the clean air, I

1301
01:07:09,400 --> 01:07:11,840
Speaker 2: get all of that stuff. But if these roads aren't

1302
01:07:11,920 --> 01:07:16,680
Speaker 2: shaped properly, and these buildings aren't reinforced. We're gonna have

1303
01:07:16,720 --> 01:07:19,560
Speaker 2: a real big problem because you know, ship's kind of

1304
01:07:19,720 --> 01:07:22,120
Speaker 2: shit happens anyway, last thing I want to say, that

1305
01:07:22,160 --> 01:07:24,880
Speaker 2: was beautiful, beautiful. I'm gonna I love that. I just

1306
01:07:24,960 --> 01:07:26,360
Speaker 2: want you to remember. I'm gonna get that too.

1307
01:07:26,480 --> 01:07:28,240
Speaker 1: I'm gonna get that whole paragraph tattooed on my chest

1308
01:07:28,240 --> 01:07:31,840
Speaker 1: because nostructure is important.

1309
01:07:32,520 --> 01:07:32,920
Speaker 2: Important.

1310
01:07:33,320 --> 01:07:35,800
Speaker 1: Listen, did you watch Jim Crazy yet?

1311
01:07:36,600 --> 01:07:37,360
Speaker 2: I watched some of it?

1312
01:07:37,400 --> 01:07:40,440
Speaker 1: Hold on, first of all, Daniel, you watched him crazy? No,

1313
01:07:41,240 --> 01:07:44,480
Speaker 1: you have to watch Jim Crazy, maker maker of Tiger King.

1314
01:07:44,560 --> 01:07:46,960
Speaker 2: Everybody. You have to watch Jim Crazy.

1315
01:07:47,040 --> 01:07:50,160
Speaker 3: I can't look it up, Dawn, right now, Donald, you

1316
01:07:50,200 --> 01:07:51,920
Speaker 3: got to watch I watched.

1317
01:07:52,000 --> 01:07:54,840
Speaker 2: I watched two episodes. It's insane. Oh, at the end

1318
01:07:54,840 --> 01:07:58,080
Speaker 2: of episode two, there's a twist, Daniel. Did you get

1319
01:07:58,080 --> 01:08:01,200
Speaker 2: to the twist? No? I didn't get to the twist, Daniel. Yes.

1320
01:08:01,440 --> 01:08:01,600
Speaker 4: Yes.

1321
01:08:02,560 --> 01:08:08,400
Speaker 2: There's a place in America where you can go and

1322
01:08:08,440 --> 01:08:14,320
Speaker 2: buy a chimp. Yeah, fucked up. It's Minnesota, Yes, fucked up? Daniel.

1323
01:08:16,520 --> 01:08:19,920
Speaker 2: Like bubbles? Yeah, no, Daniel, you can, Dan.

1324
01:08:20,840 --> 01:08:23,200
Speaker 1: That's exactly what ms where MJ got bubbles.

1325
01:08:23,840 --> 01:08:26,519
Speaker 2: Look, Daniel, not only can you buy the chip, but

1326
01:08:26,560 --> 01:08:28,479
Speaker 2: you can buy it from when it's a little tiny

1327
01:08:28,520 --> 01:08:30,920
Speaker 2: baby and really cute and fun and ship like that,

1328
01:08:31,520 --> 01:08:32,960
Speaker 2: and you can keep it to when.

1329
01:08:32,800 --> 01:08:35,960
Speaker 1: It kills you, if you can keep it all the

1330
01:08:36,000 --> 01:08:40,960
Speaker 1: way up until it kills you, because that's what it's

1331
01:08:40,960 --> 01:08:42,640
Speaker 1: gonna do pretty much.

1332
01:08:42,920 --> 01:08:44,240
Speaker 2: And I started watching him crazy.

1333
01:08:44,280 --> 01:08:45,880
Speaker 1: I'm like, there's no way the guy in the Tired

1334
01:08:45,960 --> 01:08:54,519
Speaker 1: King has found another fascinating story and this one's even crazier. Yo, look, Donald,

1335
01:08:54,560 --> 01:08:56,840
Speaker 1: you gotta keep going please. I text Casey every night.

1336
01:08:56,840 --> 01:08:57,920
Speaker 1: I'm like, what's TV?

1337
01:08:58,560 --> 01:09:02,559
Speaker 2: They put two thousand and one a Space oysse on

1338
01:09:02,680 --> 01:09:09,240
Speaker 2: TV to watch? They try to started going crazy, started

1339
01:09:09,320 --> 01:09:15,000
Speaker 2: jumping around with the thing, bashing the fucking You got

1340
01:09:15,000 --> 01:09:15,760
Speaker 2: to keep going, man.

1341
01:09:16,560 --> 01:09:18,920
Speaker 1: At the end of episode two there's a twist, and

1342
01:09:18,960 --> 01:09:21,800
Speaker 1: then three, it's just it's only four episodes, so just

1343
01:09:21,840 --> 01:09:22,599
Speaker 1: watch the whole thing.

1344
01:09:23,000 --> 01:09:27,479
Speaker 2: It's insane. And then the guy that they hire to

1345
01:09:27,640 --> 01:09:32,080
Speaker 2: be because this dude can't be Tiger King. Dude can't

1346
01:09:32,120 --> 01:09:33,160
Speaker 2: walk around and like.

1347
01:09:33,080 --> 01:09:34,920
Speaker 1: That, well you can't.

1348
01:09:35,200 --> 01:09:35,639
Speaker 2: He can't.

1349
01:09:36,240 --> 01:09:39,479
Speaker 1: He can't interview people in the in the exotic animal

1350
01:09:39,520 --> 01:09:41,600
Speaker 1: community because they obviously know who he is. He's a

1351
01:09:41,640 --> 01:09:44,160
Speaker 1: bad guy to them. So he has to hire a

1352
01:09:44,200 --> 01:09:46,479
Speaker 1: proxy director, and the guy he hires is like, I

1353
01:09:46,479 --> 01:09:47,960
Speaker 1: don't even know what a proxy director is.

1354
01:09:47,960 --> 01:09:51,080
Speaker 2: I had to look it up anyway. He's also he's

1355
01:09:51,120 --> 01:09:55,040
Speaker 2: also dude who's been arrested several times for being in

1356
01:09:55,080 --> 01:09:59,559
Speaker 2: the exotic animal community. Yeah. Uh, it's Daniel when you

1357
01:09:59,560 --> 01:10:03,679
Speaker 2: get the chick. Okay, yeah, Dan, watch my first episode alone.

1358
01:10:04,160 --> 01:10:07,200
Speaker 1: And also Showgun on the total opposite side of things.

1359
01:10:07,200 --> 01:10:09,120
Speaker 2: I got to say, is just now you watched it

1360
01:10:09,120 --> 01:10:11,479
Speaker 2: because it won't that shit? Huh did you? I had

1361
01:10:11,479 --> 01:10:15,400
Speaker 2: been watching. I wish you would, man, I know you,

1362
01:10:15,439 --> 01:10:18,519
Speaker 2: I know you won't. Show them so amazing. It's so beautiful.

1363
01:10:18,600 --> 01:10:19,760
Speaker 2: It's really really good.

1364
01:10:19,840 --> 01:10:23,480
Speaker 1: And obviously I started watching because I did read Showgun's

1365
01:10:23,479 --> 01:10:25,639
Speaker 1: going to sweep the awards. Showgun's going to sweep the Awards,

1366
01:10:25,640 --> 01:10:27,080
Speaker 1: And I was like, Okay, well I gotta check it out.

1367
01:10:27,080 --> 01:10:30,000
Speaker 1: I love I love big sweeping stories that are like,

1368
01:10:30,040 --> 01:10:31,840
Speaker 1: you know, it's like a it's you can't believe how

1369
01:10:31,880 --> 01:10:34,559
Speaker 1: much money they spent making this thing. It's huge and

1370
01:10:34,600 --> 01:10:37,400
Speaker 1: the actors are so good, and I was like, okay,

1371
01:10:37,479 --> 01:10:39,639
Speaker 1: and it's amazing. I finished just in time. Don't watch

1372
01:10:39,680 --> 01:10:41,400
Speaker 1: it sweep truly sweep. I think it's one more than

1373
01:10:41,439 --> 01:10:42,240
Speaker 1: any show's ever won.

1374
01:10:42,400 --> 01:10:45,040
Speaker 2: That's crazy. It's so good. All right, we won't keep

1375
01:10:45,040 --> 01:10:45,840
Speaker 2: the audience anymore.

1376
01:10:45,880 --> 01:10:48,680
Speaker 1: We've gone long. We love you guys, Thank you for

1377
01:10:48,720 --> 01:10:52,200
Speaker 1: listening to our little podcast. Donald, I miss you so much.

1378
01:10:52,200 --> 01:10:53,120
Speaker 1: It hurts sometimes.

1379
01:10:53,400 --> 01:10:55,360
Speaker 2: I miss you too. My wife told me that you

1380
01:10:55,439 --> 01:10:56,960
Speaker 2: told her you missed me socially.

1381
01:10:57,520 --> 01:10:59,640
Speaker 1: Well, you don't hang out, and I know that you're

1382
01:10:59,640 --> 01:11:01,920
Speaker 1: a bit of an agoraphobe, and I do miss you.

1383
01:11:02,720 --> 01:11:04,240
Speaker 2: I'll have to come to you. It's the only way

1384
01:11:04,240 --> 01:11:06,720
Speaker 2: I'll see you. I'll come to you. I'll come out,

1385
01:11:06,800 --> 01:11:08,800
Speaker 2: I'll get out. We can go eat some food.

1386
01:11:08,840 --> 01:11:10,280
Speaker 1: Do you want to have a freak off just me

1387
01:11:10,360 --> 01:11:10,560
Speaker 1: and you?

1388
01:11:16,080 --> 01:11:19,599
Speaker 2: What words that you can you know what it means?

1389
01:11:19,720 --> 01:11:22,800
Speaker 2: Just me versus you? How do we one up each other?

1390
01:11:24,280 --> 01:11:27,160
Speaker 1: One freak So it's one on one baby, It's like,

1391
01:11:27,520 --> 01:11:34,200
Speaker 1: oh my god, Now Donald, tune in next week when

1392
01:11:34,240 --> 01:11:36,040
Speaker 1: Donald and I are gonna do a live freak off.

1393
01:11:40,080 --> 01:11:46,040
Speaker 2: Dani will judge. That's blindfolded judge.

1394
01:11:46,760 --> 01:11:49,200
Speaker 1: We can't ask Joel Dane. You're gonna have to judge,

1395
01:11:49,360 --> 01:11:51,920
Speaker 1: all right. It feels like an HR problem. If we

1396
01:11:51,960 --> 01:11:54,080
Speaker 1: make Joel, would you I feel like it's okay.

1397
01:11:56,560 --> 01:11:59,960
Speaker 2: No problems there, all right. I love you guys. Five, six, seven, eight.

1398
01:12:00,120 --> 01:12:05,679
Speaker 5: Stories That show we made about a bunch of times

1399
01:12:05,720 --> 01:12:11,080
Speaker 5: and nurses in Canada whole. I said, here's the stories next.

1400
01:12:11,240 --> 01:12:16,759
Speaker 2: All should know. So gather round you here, ur, gather

1401
01:12:17,040 --> 01:12:21,400
Speaker 2: round you here our scot free shows and no