WEBVTT - Induction - E3

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<v Speaker 1>Murder in Miami is a production of iHeartRadio. Previously on

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<v Speaker 1>Murder in Miami. Stanford was all too willing to dive

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<v Speaker 1>into the new role of private investigator.

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<v Speaker 2>I was an utter failure at it. I said, Bob,

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<v Speaker 2>I'm sorry. I said, oh, don't worry about it. And

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<v Speaker 2>he pulled out a roll of bills, peeled off five hundreds,

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<v Speaker 2>and he said, good work.

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<v Speaker 1>Why didn't the police or Intercept ever get to the

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<v Speaker 1>bottom of who killed Clay Williams.

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<v Speaker 2>It was a strange funeral anyway. Standing in the back

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<v Speaker 2>end of the trailer were about four or five very

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<v Speaker 2>big guys, obviously detectives. They were there to send a message.

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<v Speaker 1>As far as the family's concerned. They never had any

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<v Speaker 1>true answers as to who murdered Clay or why.

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<v Speaker 3>I had understood from Clay that these were former intelligence

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<v Speaker 3>people from the federal government, whether it's CIA, Army intelligence,

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<v Speaker 3>they were all associated.

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<v Speaker 1>I think maybe Intercept had something to do with this death.

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<v Speaker 2>I certainly didn't think so at the time, but the

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<v Speaker 2>more we look into it, the more possible it seems.

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<v Speaker 1>So what was the tie between the Central Intelligence Agency

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<v Speaker 1>and Miami.

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<v Speaker 2>It's still an open murder case in Miami Dade and

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<v Speaker 2>they can't find the papers. Makes you wonder, doesn't it.

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<v Speaker 1>Following up nineteen eighty's record of five hundred and seventy

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<v Speaker 1>three murders, nineteen eighty one would become Miami's deadliest year

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<v Speaker 1>to date. Just seven months into nineteen eighty one, Miami's

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<v Speaker 1>homicide count was already at two hundred and ninety six.

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<v Speaker 1>By the end of the year, the number would reach

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<v Speaker 1>six hundred and twenty one. Clay Williams was just one

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<v Speaker 1>of those murders. Perhaps that violence played into this strange

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<v Speaker 1>and surreal time. Bill Stamford soon found himself navigating before

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<v Speaker 1>his path would cross in person with Lamar Chester. I'm

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<v Speaker 1>Lauren bred Pacheco, and this is murder in Miami.

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<v Speaker 2>So it's nineteen eighty two and basically I'm hanging out

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<v Speaker 2>of the car Doza doing odd jobs for Intercept now

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<v Speaker 2>and then. But after a while the jobs head Interceptor

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<v Speaker 2>are drying up. Bob tells me that he can't hire

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<v Speaker 2>me full time unless I have a private investigator's license.

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<v Speaker 2>So I put in for the license, but they tell

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<v Speaker 2>me it'll take several months to get it. So right

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<v Speaker 2>about that I actually made some money selling ads for

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<v Speaker 2>telephone time and temperature for a guy named Uncle Dudley

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<v Speaker 2>who wore an ice cream suit and was really quite

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<v Speaker 2>a character himself. Today is Friday, June third, The current

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<v Speaker 2>time eleven forty five pm and the temperature seventy five degrees.

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<v Speaker 4>How did you connect with him?

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<v Speaker 2>That was another Ruth connection from Alabama. I'm sure she'd

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<v Speaker 2>met him back there.

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<v Speaker 4>Was it enough to pay the rent?

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<v Speaker 2>Yeah? I wasn't making that much money, but it was

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<v Speaker 2>enough to get by on. I was really kind of

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<v Speaker 2>drifting at that point, So that's why I decided how

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<v Speaker 2>to go back to Washington, D C. And see what

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<v Speaker 2>was cooking back there?

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<v Speaker 1>Were you second guessing your decision to walk away from

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<v Speaker 1>your career.

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<v Speaker 2>It's always sort of in the back of my mind.

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<v Speaker 1>I suppose Phil, you downplay it, but you had some

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<v Speaker 1>serious bylines before you moved to Miami. I mean, major

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<v Speaker 1>articles in the New York Times, the Columbia Journalism Review

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<v Speaker 1>on defense and intelligence matters. That's an extreme impressive level

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<v Speaker 1>of success as a journalist.

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<v Speaker 2>Uh, yeah, I suppose. So what you've got to understand

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<v Speaker 2>I guess I've been trying to figure this out myself

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<v Speaker 2>as we've gotten along with the podcast, is what effect

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<v Speaker 2>that had on me? And head on all this? Yeah,

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<v Speaker 2>I wrote several pieces for the New York Times magazine.

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<v Speaker 2>One piece I did for them to cover story about

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<v Speaker 2>nuclear missile submarines. It was a big success by journalistic standards.

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<v Speaker 2>All the major magazines in Europe reprinted it. Readers, Digest,

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<v Speaker 2>the New Yorker wrote a Talk of the Town article

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<v Speaker 2>about it. So I sat back and waited for the reaction.

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<v Speaker 2>I guess I expected the legislatures of the world to

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<v Speaker 2>do something recognizing the essential insanity of the nuclear arms race.

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<v Speaker 2>Once again, how dumb can you be? And shortly after that,

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<v Speaker 2>the New York Times asked me to do another piece.

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<v Speaker 2>This went on terrorism, and I knew this from my

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<v Speaker 2>dealings with them so far that it probably never even printed.

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<v Speaker 2>That they wouldn't want to hear what I had to

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<v Speaker 2>say about the terror bombing of North Vietnam, or the

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<v Speaker 2>Ragun or the Stern Gang. So I punted. That's when

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<v Speaker 2>I began my retreat. I took a job on that

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<v Speaker 2>little political magazine we've talking about. I dropped out, went

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<v Speaker 2>to Miami, wrote some crime stories for the Miami News,

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<v Speaker 2>and ended up working for Intercept.

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<v Speaker 1>Is it safe to say that you were disillusioned?

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<v Speaker 2>Yeah, except that I'd never really had that many illusions,

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<v Speaker 2>So I guess it cou'd be more accurate to say

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<v Speaker 2>I was printed out.

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<v Speaker 1>Maybe sitting around and hearing the former CIA and intelligence

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<v Speaker 1>guys it Intercept somewhat reignited Stanford's inner investigative urges, or

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<v Speaker 1>maybe it just made a missus former beat a bit.

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<v Speaker 1>But Bill decided to make a trip back to Washington

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<v Speaker 1>to reconnect with some former contacts, only to find some

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<v Speaker 1>doors had closed during his time away.

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<v Speaker 2>I'd only been away for a little over a year,

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<v Speaker 2>I guess, but going it seemed like a very strange place,

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<v Speaker 2>especially after the intensity of what I had felt in Miami.

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<v Speaker 2>And one thing was apparent right away. Everyone knew I'd

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<v Speaker 2>gotten off the ladder to success. And I think whether

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<v Speaker 2>they thought of that consciously or not entered into all

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<v Speaker 2>their considerations, or maybe they just sensed as I did,

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<v Speaker 2>that Miami had changed me somewhat in what way I'd

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<v Speaker 2>really gotten to see a glimpse into the way things

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<v Speaker 2>really work. Before everything had been sort of abstract nuclear strategy,

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<v Speaker 2>mega tonage political programs, that sort of thing. And along

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<v Speaker 2>the way it had occurred to me that the people

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<v Speaker 2>I considered the real criminals were the people who were

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<v Speaker 2>running things in Washington and other places.

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<v Speaker 1>Like that, a realization that led Stamford to reach out

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<v Speaker 1>to a like minded connection.

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<v Speaker 2>So I got in touch with an old friend, Sheen,

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<v Speaker 2>who had but I suppose most people would call a

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<v Speaker 2>radical peace and justice organization called the Christic Institute in Washington.

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<v Speaker 2>He was a Harvard trained lawyer. They were associated with

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<v Speaker 2>the Jesuits, and they used the legal system to achieve

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<v Speaker 2>their ends.

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<v Speaker 1>The Christic Institute was a non profit public interest law

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<v Speaker 1>firm founded in nineteen eighty by Danny Shean, his wife

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<v Speaker 1>Sarah Nelson, and a Jesuit priest named William Davis. The

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<v Speaker 1>firm was a unique and revolutionary model for social reform,

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<v Speaker 1>combining investigation, litigation, and education while mobilizing public support for

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<v Speaker 1>worthy causes. They sought to wield the law as a

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<v Speaker 1>weapon of progressive change against a number of daunting targets

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<v Speaker 1>like the KKK, the American Nazi Party, as well as

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<v Speaker 1>corrupt cops and federal agents.

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<v Speaker 2>Bob Adams, the guys head of the Detective Agency, had

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<v Speaker 2>been part of a military intelligence unity in Europe that

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<v Speaker 2>provided logistical support for assassinations conducted by the United States,

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<v Speaker 2>and I thought it offered a way to prove that

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<v Speaker 2>power did. Indeed, this is Mao's dictum. I believe that

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<v Speaker 2>power came from the barrel of a gun. I mean,

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<v Speaker 2>it probably sounded as stupid then as naive as it

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<v Speaker 2>does now, but that's how I was thinking. And in

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<v Speaker 2>any case, Danny offered me a monthly stipend of twenty

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<v Speaker 2>five hundred dollars a month, which was more than I

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<v Speaker 2>usually made as a freelance writer, for sure, And I

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<v Speaker 2>put everything in the car again and went back to Wyomi.

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<v Speaker 1>So now you're basically working as a private investigator, investigative

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<v Speaker 1>journalist investigating Intercept, a private investigation from.

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<v Speaker 2>Yeah, I guess.

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<v Speaker 1>So you're lucky you didn't get yourself killed.

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<v Speaker 2>Yeah, I suppose so, although I don't know, maybe Bob

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<v Speaker 2>would have sort of enjoyed the deviousness of it.

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<v Speaker 1>That investigating Intercept would prove a bit inconvenient.

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<v Speaker 2>The funny part is that when I got back, I

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<v Speaker 2>went out to the office in Parne and it was closed.

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<v Speaker 2>It was shut down. There wasn't even a sign on

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<v Speaker 2>the door. Anymore that said Intercept. I should have known

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<v Speaker 2>something was up. When I was in DC. I'd gotten

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<v Speaker 2>a call from Ruth saying that a couple of federal

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<v Speaker 2>agents had knocked on her door one evening and asked

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<v Speaker 2>to talk to me. She said I'd moved out and

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<v Speaker 2>gone to Miami Beach some time ago, and she didn't

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<v Speaker 2>have a clue where I was. Then after they left,

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<v Speaker 2>of course, she called me and told me what had happened.

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<v Speaker 4>Did you wonder what they wanted?

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<v Speaker 2>Well, I knew it had something to do with Intercept,

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<v Speaker 2>but no, as far as I could see, I hadn't

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<v Speaker 2>done anything illegal. So I just sort of pushed it

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<v Speaker 2>out of my mind and forgot about it.

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<v Speaker 1>And at this point you also had a new girlfriend

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<v Speaker 1>who was probably a wonderful distraction.

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<v Speaker 2>Probably more than a distraction. Actually, yeah, I met Nicky

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<v Speaker 2>one night. There's a party on the roof of the

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<v Speaker 2>Cardozo and she was there with a girlfriend and struck

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<v Speaker 2>me as a slightly shorter version of Melanie Griffith, which

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<v Speaker 2>I liked very much.

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<v Speaker 1>Depending upon your age, you'd likely know actress Melanie Griffith

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<v Speaker 1>from films like Working Girl or Bonfire of the Vanities,

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<v Speaker 1>or as the daughter of Tipp Hendron, or the mother

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<v Speaker 1>of Dakota Johnson, who Griffith had with her then husband

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<v Speaker 1>Don Johnson, the star of Miami weis. For those unfamiliar

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<v Speaker 1>with any of the aforementioned, let's just say Phil found

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<v Speaker 1>Mickey very attractive.

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<v Speaker 2>So there I was, after a hiatus in Washington, d C.

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<v Speaker 2>Back in Miami or Miami Beach to be precise, or

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<v Speaker 2>even more precise, hanging out at the good old Cardozo

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<v Speaker 2>looking out at the ocean, getting twenty five hundred dollars

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<v Speaker 2>a month from the Christic Institute, doing virtually nothing.

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<v Speaker 1>That doesn't sound like such a bad life, no kidding.

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<v Speaker 1>And it was also an oddly unstructured, somewhat surreal period

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<v Speaker 1>in Stanford's life.

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<v Speaker 2>It was a great time. It was a strange time.

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<v Speaker 2>There was this jazz combo that played at the Cardoza

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<v Speaker 2>several nights a week, and I got to be friends

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<v Speaker 2>with a saxophone player whose name I can't remember now,

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<v Speaker 2>but I know he came from New Jersey and he

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<v Speaker 2>was down in Miami Beach hanging out with the rest

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<v Speaker 2>of us ne'er do wells. And he'd kid me seeing

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<v Speaker 2>me spending all the time on the porch at the

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<v Speaker 2>car Dozo, without any apparent source of income, and he says, Stanford,

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<v Speaker 2>what is your scan? What is your scam? And of

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<v Speaker 2>course I couldn't say I was getting paid for spying

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<v Speaker 2>on a detective agency that, for all practical purposes, didn't

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<v Speaker 2>exist anymore, but was affront for a major drug operation

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<v Speaker 2>with CIA connections that may or may not exist. So

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<v Speaker 2>I just smiled at him, and he'd say it again,

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<v Speaker 2>what is your scam? And it was a big joke

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<v Speaker 2>between us. Anyway. One day he said he was out

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<v Speaker 2>of towels, and so I said, well, I've got some

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<v Speaker 2>extra ones in my room. So I gave him three

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<v Speaker 2>or four towels and said just give him back to

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<v Speaker 2>me when you're done, and didn't think again about it

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<v Speaker 2>for another four or five weeks when it hit me

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<v Speaker 2>that the son of a gun still had my towels.

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<v Speaker 2>Although it's probably worth mentioning that that we hadn't so

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<v Speaker 2>much as mentioned the dawn towels since the day I

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<v Speaker 2>gave them to him. Problem was I didn't have his

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<v Speaker 2>phone number, so no way to call him, but I

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<v Speaker 2>knew that he lived down the beach about four blocks

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<v Speaker 2>and then a block back in a corner hotel there.

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<v Speaker 2>So I hopped in my Volkswagen van, which is what

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<v Speaker 2>I was driving then, and drove down Ocean Drive, turned

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<v Speaker 2>right one block and there he was standing on the corner,

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<v Speaker 2>almost at attention, elbows at his side, palms up, holding

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<v Speaker 2>my towels in front of him, all laundered and neatly folded,

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<v Speaker 2>and he said something like I thought you might be

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<v Speaker 2>needing these, and he handed them to me through the window.

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<v Speaker 2>I took the towels and said thank you very much,

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<v Speaker 2>exchanged a few more words, and I drove off.

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<v Speaker 1>So he just knew you were going to drive up.

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<v Speaker 1>That sounds like something out of a David Lynch movie.

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<v Speaker 1>What do you How do you explain that? Like mental telepathy,

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<v Speaker 1>whatever you.

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<v Speaker 2>Call it, You know, I've seen it so many times.

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<v Speaker 2>There are ways of communicating that we don't normally recognize.

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<v Speaker 2>Or synchronicity or meaningful coincidence is another way into that

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<v Speaker 2>particular world. And I think everyone is probably capable of

0:14:11.840 --> 0:14:15.679
<v Speaker 2>that sort of thing. Some are more susceptible than others,

0:14:15.720 --> 0:14:18.880
<v Speaker 2>and people are more susceptible at different times of their lives.

0:14:19.840 --> 0:14:21.920
<v Speaker 2>I think it has a lot to do with being

0:14:21.960 --> 0:14:27.400
<v Speaker 2>in a position where you're not necessarily governed by the

0:14:27.440 --> 0:14:31.960
<v Speaker 2>expectations that we've all had ingrained in us. This was

0:14:32.000 --> 0:14:35.800
<v Speaker 2>sort of that time for me. I was floating as

0:14:35.880 --> 0:14:36.600
<v Speaker 2>going with the flow.

0:14:38.160 --> 0:14:40.320
<v Speaker 1>So, I mean, I know you were dealing with the

0:14:40.400 --> 0:14:45.640
<v Speaker 1>divorce and the change of profession and a new place

0:14:45.720 --> 0:14:49.080
<v Speaker 1>to live. But do you think on some level you

0:14:49.160 --> 0:14:53.520
<v Speaker 1>were in some sort of altered reality.

0:14:54.400 --> 0:14:59.400
<v Speaker 2>No, I think it's perhaps a more real reality. I

0:14:59.440 --> 0:15:03.640
<v Speaker 2>think usually we allow ourselves to live in a more

0:15:03.640 --> 0:15:10.000
<v Speaker 2>limited reality. That's probably a discussion for another time.

0:15:16.720 --> 0:15:20.280
<v Speaker 1>Okay, back to Miami Beach. In nineteen eighty three, Bill

0:15:20.320 --> 0:15:23.840
<v Speaker 1>would eventually move into Mickey's hipster apartment building, which would

0:15:23.920 --> 0:15:27.680
<v Speaker 1>later be converted into a private mansion for designer Gianni Versace,

0:15:28.360 --> 0:15:31.680
<v Speaker 1>the same location where Versace was murdered in nineteen ninety

0:15:31.680 --> 0:15:35.640
<v Speaker 1>seven by spree killer Andrew Cananen. But in the early

0:15:35.720 --> 0:15:39.040
<v Speaker 1>nineteen eighties it was far from glamorous, even though it

0:15:39.040 --> 0:15:40.600
<v Speaker 1>was called the Amsterdam Palace.

0:15:40.960 --> 0:15:45.120
<v Speaker 4>Here's Mickey Relliot. It wasn't a palace, but you know

0:15:45.120 --> 0:15:46.560
<v Speaker 4>what I mean, Well.

0:15:46.720 --> 0:15:49.440
<v Speaker 1>Describe the building at that time and the neighborhood that

0:15:49.480 --> 0:15:50.040
<v Speaker 1>it sat in.

0:15:50.600 --> 0:15:55.040
<v Speaker 5>Okay, so it's a building that was a replicant of

0:15:55.960 --> 0:16:01.000
<v Speaker 5>Christopher Columbus's House in Dominican Republic, something like that. It

0:16:01.080 --> 0:16:03.320
<v Speaker 5>was built in nineteen twenty two, so it was not

0:16:03.440 --> 0:16:08.680
<v Speaker 5>included in the Art Deco movement or buildings that were

0:16:08.720 --> 0:16:12.400
<v Speaker 5>being showcased for Our Deco. In fact, people in our

0:16:12.440 --> 0:16:15.320
<v Speaker 5>building were always insulted. We were never part of the

0:16:15.520 --> 0:16:16.560
<v Speaker 5>Our Deco movement.

0:16:16.600 --> 0:16:17.040
<v Speaker 4>But Goes.

0:16:17.080 --> 0:16:20.320
<v Speaker 5>Really the building wasn't our Deco, and it was gorgeous,

0:16:20.520 --> 0:16:23.440
<v Speaker 5>and all along the building, Lauren, there were all these

0:16:23.840 --> 0:16:29.800
<v Speaker 5>plaques of socialists like Emma Goldman, and all the apartments

0:16:30.760 --> 0:16:34.520
<v Speaker 5>were inside, you know, looked inside into the main courtyard

0:16:34.520 --> 0:16:35.480
<v Speaker 5>with SLLT toraszo.

0:16:35.960 --> 0:16:37.960
<v Speaker 4>Oh, that's so cool it was.

0:16:38.280 --> 0:16:42.040
<v Speaker 5>And I had only found it because my friend wanted

0:16:42.080 --> 0:16:44.320
<v Speaker 5>to go and buy beads on Lincoln Road, and then

0:16:44.360 --> 0:16:46.520
<v Speaker 5>we drove up Ocean Drive and I had her stop

0:16:46.600 --> 0:16:49.520
<v Speaker 5>the car because I just couldn't believe how beautiful this

0:16:49.640 --> 0:16:53.520
<v Speaker 5>building was. And it had this beautiful bronze statue outside

0:16:53.520 --> 0:16:56.720
<v Speaker 5>of a crouching woman, and I thought, oh my god,

0:16:56.720 --> 0:16:58.880
<v Speaker 5>there's a rent sign, and I just went in met

0:16:58.880 --> 0:17:01.440
<v Speaker 5>the woman who was like eighty something was managing it,

0:17:02.080 --> 0:17:03.520
<v Speaker 5>and I rented the room.

0:17:04.000 --> 0:17:06.800
<v Speaker 1>Would you say that the building was, as the neighborhood

0:17:06.920 --> 0:17:08.639
<v Speaker 1>a bit in decline at the time.

0:17:09.119 --> 0:17:09.359
<v Speaker 3>Oh?

0:17:09.400 --> 0:17:10.040
<v Speaker 4>Absolutely?

0:17:10.160 --> 0:17:12.600
<v Speaker 5>How did I get to live there? I mean when

0:17:12.600 --> 0:17:14.760
<v Speaker 5>I would invite people that I met in Miami to

0:17:14.800 --> 0:17:18.719
<v Speaker 5>come over to the Amsterdam Palace, they were like, ugh,

0:17:18.720 --> 0:17:22.040
<v Speaker 5>who could live there? Not the Amsterdam Palace necessarily, but

0:17:22.240 --> 0:17:23.679
<v Speaker 5>who would live on South Beach.

0:17:24.440 --> 0:17:25.719
<v Speaker 4>Wow? Things have changed.

0:17:26.000 --> 0:17:31.840
<v Speaker 1>Yeah, At the time, Amsterdam Palace and Miami Beach weren't

0:17:31.880 --> 0:17:35.560
<v Speaker 1>exactly prime real estate or a prized destination location.

0:17:36.160 --> 0:17:38.200
<v Speaker 5>And when I moved there, they had the whole beach

0:17:38.240 --> 0:17:42.880
<v Speaker 5>filled with the mary Alitos. You could smell the chicken

0:17:43.200 --> 0:17:44.280
<v Speaker 5>barbecuing for.

0:17:44.359 --> 0:17:48.520
<v Speaker 6>Miles because they had the whole beach, like from fifteenth

0:17:48.920 --> 0:17:54.199
<v Speaker 6>to fifth. Wow, that area was really rife with a

0:17:54.200 --> 0:17:56.879
<v Speaker 6>lot of things happening, like not great things.

0:17:56.880 --> 0:17:59.280
<v Speaker 5>I think my car was broken into a bunch of times.

0:17:59.520 --> 0:18:01.840
<v Speaker 5>You had to be really careful where you were walking.

0:18:02.280 --> 0:18:04.080
<v Speaker 5>And I worked a couple of jobs, so when I

0:18:04.119 --> 0:18:06.400
<v Speaker 5>came home at night, it was really kind of scary

0:18:07.000 --> 0:18:10.600
<v Speaker 5>to go into the building because now it's all protected,

0:18:10.680 --> 0:18:14.240
<v Speaker 5>but then it was completely open. Anybody could come up

0:18:14.240 --> 0:18:16.720
<v Speaker 5>to my louver door apartment.

0:18:18.440 --> 0:18:22.560
<v Speaker 1>Miami at that time was known for drug related crimes,

0:18:22.680 --> 0:18:27.480
<v Speaker 1>especially homicides. How prevalent and present was that on a

0:18:27.560 --> 0:18:32.440
<v Speaker 1>daily basis? Was that always simmering under the surface.

0:18:33.600 --> 0:18:36.360
<v Speaker 5>Yeah, I would say that there was always something going on.

0:18:36.920 --> 0:18:40.080
<v Speaker 5>Like before I moved into the Amsdam Palace, I'd lived

0:18:40.080 --> 0:18:41.720
<v Speaker 5>with my sister in this other house.

0:18:42.200 --> 0:18:44.640
<v Speaker 1>Mickey and her sister rented rooms in a house from

0:18:44.680 --> 0:18:47.879
<v Speaker 1>a family who had teenage kids. One day, their father

0:18:48.080 --> 0:18:49.200
<v Speaker 1>basically disappeared.

0:18:49.640 --> 0:18:51.920
<v Speaker 5>They were at the end of high school and their

0:18:51.960 --> 0:18:55.200
<v Speaker 5>father flew drugs to Columbia and they never heard from

0:18:55.240 --> 0:18:59.320
<v Speaker 5>the father again. Somebody knew somebody that was drug related.

0:19:00.000 --> 0:19:04.239
<v Speaker 1>It's so interesting because there's this quote I read on

0:19:04.320 --> 0:19:07.600
<v Speaker 1>Miami that you could choose not to do drugs, you

0:19:07.640 --> 0:19:10.720
<v Speaker 1>could choose not to associate with people who did drugs

0:19:10.880 --> 0:19:13.480
<v Speaker 1>or soul drugs, But at the end of the day,

0:19:13.760 --> 0:19:17.280
<v Speaker 1>living in Miami at that time, you could not escape

0:19:17.359 --> 0:19:18.440
<v Speaker 1>the reality.

0:19:18.000 --> 0:19:19.400
<v Speaker 4>Of drugs, right.

0:19:19.720 --> 0:19:21.760
<v Speaker 5>I would agree with that one hundred percent.

0:19:24.040 --> 0:19:26.600
<v Speaker 1>At the time Mickey was dating Phil, she was busy

0:19:26.680 --> 0:19:29.800
<v Speaker 1>going to school and working two jobs, one as a waitress,

0:19:30.119 --> 0:19:32.080
<v Speaker 1>but the drug culture still seeped in.

0:19:32.840 --> 0:19:36.919
<v Speaker 5>I remember I was working at Tony Roma's and I

0:19:36.960 --> 0:19:40.840
<v Speaker 5>had a table that was like three couples, and they

0:19:41.040 --> 0:19:45.080
<v Speaker 5>ordered the most expensive double Johnny Walker blacks and then

0:19:45.119 --> 0:19:48.119
<v Speaker 5>they wouldn't drink it. And then they ordered all the food,

0:19:48.280 --> 0:19:50.679
<v Speaker 5>like all the things that you could order. They ordered everything,

0:19:50.760 --> 0:19:51.760
<v Speaker 5>and they didn't eat it.

0:19:52.480 --> 0:19:56.679
<v Speaker 7>And then they threw all these hundred dollars bills on

0:19:56.760 --> 0:19:59.639
<v Speaker 7>the table, and I'm thinking, oh, that's a first for me,

0:20:00.359 --> 0:20:03.080
<v Speaker 7>you know, like a fifteen hundred dollars tip after they

0:20:03.160 --> 0:20:06.360
<v Speaker 7>paid for the drinks and food that they didn't eat.

0:20:06.800 --> 0:20:07.800
<v Speaker 4>They were too coked up.

0:20:09.080 --> 0:20:13.359
<v Speaker 1>Yeah, that wasn't the set or scene you'd associate with

0:20:13.400 --> 0:20:14.760
<v Speaker 1>the Amsterdam Palace, though.

0:20:15.080 --> 0:20:19.240
<v Speaker 2>Here's phil Miami Beach was still in its tumble downstage,

0:20:19.359 --> 0:20:24.840
<v Speaker 2>and so the owner's Amsterdam Palace had divided the entire

0:20:24.920 --> 0:20:27.520
<v Speaker 2>place into studios and apartments.

0:20:28.200 --> 0:20:31.719
<v Speaker 1>Fortuitously, or maybe just in keeping with his experiences at

0:20:31.720 --> 0:20:35.080
<v Speaker 1>the time, Bill had secured the studio next to Mickey's.

0:20:35.520 --> 0:20:39.679
<v Speaker 1>As the relationship progressed, so did their living spaces.

0:20:40.359 --> 0:20:43.000
<v Speaker 2>After a few weeks, we took down the door between

0:20:43.000 --> 0:20:45.560
<v Speaker 2>our studios and had one big apartment.

0:20:45.920 --> 0:20:47.520
<v Speaker 5>We had a pretty fabulous place.

0:20:47.560 --> 0:20:51.399
<v Speaker 2>It was on the water, and I remember being transfixed

0:20:51.760 --> 0:20:53.720
<v Speaker 2>from time to time by the beauty of the place,

0:20:53.760 --> 0:20:56.480
<v Speaker 2>looking out of the apartment through the curved window of

0:20:56.520 --> 0:21:00.560
<v Speaker 2>the masonry wall, so everything's framed in white, looking out

0:21:00.560 --> 0:21:03.960
<v Speaker 2>at the bright blue sky, the blue green sea lit

0:21:04.000 --> 0:21:08.560
<v Speaker 2>with sun, the heavy green of a palm frond against them,

0:21:09.240 --> 0:21:12.159
<v Speaker 2>and thinking the world is such a beautiful place and

0:21:12.200 --> 0:21:13.840
<v Speaker 2>we have done nothing to deserve.

0:21:13.560 --> 0:21:19.520
<v Speaker 1>It, And that picturesque location would soon attract the attention

0:21:19.720 --> 0:21:23.200
<v Speaker 1>of a then unknown television show about to begin filming

0:21:23.320 --> 0:21:24.360
<v Speaker 1>in Miami.

0:21:25.160 --> 0:21:31.040
<v Speaker 8>I think they started scouting, probably eighty three four, because

0:21:31.040 --> 0:21:33.240
<v Speaker 8>I wanted to see my place and the guy in

0:21:33.280 --> 0:21:35.840
<v Speaker 8>the front place and I said, Oh, what are you

0:21:35.840 --> 0:21:36.439
<v Speaker 8>scouting for?

0:21:36.480 --> 0:21:39.000
<v Speaker 5>And he goes, oh, Miami Vice. And I go, what's

0:21:39.040 --> 0:21:41.760
<v Speaker 5>it going to be about? He said, Cocaine? I said,

0:21:41.800 --> 0:21:49.959
<v Speaker 5>do we really need that glorizing cocaine?

0:21:50.240 --> 0:21:54.320
<v Speaker 2>I remember one morning waking up looking out the door

0:21:54.840 --> 0:21:57.680
<v Speaker 2>that opened onto the courtyard, and there were these two

0:21:57.720 --> 0:22:00.440
<v Speaker 2>guys coming out of two different doors. Or is one

0:22:00.480 --> 0:22:04.760
<v Speaker 2>wearing a lavender sport coat another wearing a salmon colored

0:22:04.800 --> 0:22:10.040
<v Speaker 2>sport coat, dropping down into the classic two hands on

0:22:10.080 --> 0:22:13.800
<v Speaker 2>a pistol pose that TV detectives anyway always do it.

0:22:16.359 --> 0:22:20.560
<v Speaker 1>But Bill's own private investigator slash detective adventures were proving

0:22:20.680 --> 0:22:23.840
<v Speaker 1>a lot less glam or busy now that Intercept had

0:22:23.840 --> 0:22:24.760
<v Speaker 1>shuttered its doors.

0:22:25.320 --> 0:22:28.119
<v Speaker 2>So finally I tracked down Bob and we get together.

0:22:28.160 --> 0:22:30.760
<v Speaker 2>I don't think it was at the Cardozo Parane Pub,

0:22:31.080 --> 0:22:34.840
<v Speaker 2>probably was, and Bob tells me, turns out that Lamar

0:22:35.840 --> 0:22:39.480
<v Speaker 2>has been under federal investigation for some time now, something

0:22:39.520 --> 0:22:42.160
<v Speaker 2>called Operation Loan Star, and it's a very big deal.

0:22:42.640 --> 0:22:46.760
<v Speaker 2>Grand jury's in Houston, Atlanta, and Miami.

0:22:46.800 --> 0:22:50.280
<v Speaker 1>Which is likely why the Feds were looking for you

0:22:50.320 --> 0:22:51.080
<v Speaker 1>in the first place.

0:22:51.760 --> 0:22:54.800
<v Speaker 2>Yeah, so the smart thing Bob figures is to adopt

0:22:54.880 --> 0:22:57.880
<v Speaker 2>a low profile. He's doing business from home now, he's

0:22:57.920 --> 0:23:01.560
<v Speaker 2>working as a bodyguard, guardian, money shipments, that sort of thing.

0:23:02.200 --> 0:23:04.520
<v Speaker 1>So where does that leave you in terms of your

0:23:04.640 --> 0:23:06.600
<v Speaker 1>fledgling private investigator career?

0:23:06.920 --> 0:23:09.399
<v Speaker 2>So there really isn't much for me to do, not

0:23:09.520 --> 0:23:12.480
<v Speaker 2>an intercept anyway, And it turns out not in my

0:23:12.640 --> 0:23:15.800
<v Speaker 2>new career as a spy for the Christic Institute either,

0:23:16.240 --> 0:23:18.679
<v Speaker 2>because it turns out Bob doesn't really know much more

0:23:18.720 --> 0:23:22.040
<v Speaker 2>about the assassination business than he's already told me. He

0:23:22.160 --> 0:23:26.520
<v Speaker 2>was in an Army security agency unit in Frankfurt, Germany,

0:23:26.960 --> 0:23:30.560
<v Speaker 2>sort of enlisted man level jobs providing logistical support. But

0:23:30.640 --> 0:23:33.920
<v Speaker 2>he does remember is one of these things. He says

0:23:33.920 --> 0:23:37.520
<v Speaker 2>with the giggle that every five years, some shavetail lieutenant

0:23:37.520 --> 0:23:40.639
<v Speaker 2>who probably has no idea what he's talking about or why,

0:23:41.240 --> 0:23:44.440
<v Speaker 2>shows up at his door in Miami and reminds him

0:23:44.440 --> 0:23:48.080
<v Speaker 2>he's still bound by his strict oath of security.

0:23:49.040 --> 0:23:50.480
<v Speaker 4>And he found that amusing.

0:23:51.119 --> 0:23:54.720
<v Speaker 2>Bob was always amused by how foolish or corrupt the

0:23:54.800 --> 0:23:58.560
<v Speaker 2>world always proved itself to be. And as far as

0:23:58.600 --> 0:24:01.560
<v Speaker 2>the case against Lamar, he says, that's really nothing to

0:24:01.600 --> 0:24:04.879
<v Speaker 2>worry about either. Oh, sure, there's an indictment coming down,

0:24:05.400 --> 0:24:08.040
<v Speaker 2>but Lamar's got everything under control. He's got the best

0:24:08.080 --> 0:24:10.960
<v Speaker 2>lawyers in the world working for him. He's already got

0:24:10.960 --> 0:24:13.879
<v Speaker 2>a change of venue to Northern Georgia, where he's got

0:24:13.920 --> 0:24:18.520
<v Speaker 2>everyone bought off, and everybody had intercept with their intelligence connections,

0:24:19.119 --> 0:24:22.879
<v Speaker 2>has already made their deals and been dropped from the indictment.

0:24:23.680 --> 0:24:27.400
<v Speaker 1>Well, he's certainly right about the fact that there were

0:24:27.440 --> 0:24:29.120
<v Speaker 1>significant indictments involved.

0:24:32.000 --> 0:24:36.040
<v Speaker 9>Tilton Lamar, Chester forty five, a former Eastern Airlines pilot,

0:24:36.320 --> 0:24:38.919
<v Speaker 9>is one of twelve people charged in a major federal

0:24:38.920 --> 0:24:41.480
<v Speaker 9>investigation dubbed Operation Loan.

0:24:41.359 --> 0:24:46.240
<v Speaker 10>Star, thirty six count indictment accuses Tilton Lamar Chester Junior.

0:24:45.920 --> 0:24:49.920
<v Speaker 5>A Chester led a large smuggling organization.

0:24:50.240 --> 0:24:53.159
<v Speaker 1>In the fall of nineteen eighty three. Those indictments were

0:24:53.280 --> 0:24:54.440
<v Speaker 1>National News.

0:24:54.680 --> 0:24:57.919
<v Speaker 10>A Georgia drug runner who federal authorities say engineered a

0:24:58.040 --> 0:25:00.480
<v Speaker 10>drug smuggling and money launderings.

0:25:00.080 --> 0:25:06.280
<v Speaker 5>SKI government agents received information that international drug smuggler Lamar Chester.

0:25:06.400 --> 0:25:09.760
<v Speaker 10>Charging that Chester led a large smuggling organization.

0:25:09.520 --> 0:25:11.919
<v Speaker 9>From the island he controlled in the Bahamas to his

0:25:12.040 --> 0:25:14.760
<v Speaker 9>native Georgia and perhaps to a dozen other states.

0:25:16.000 --> 0:25:19.200
<v Speaker 1>For some background, the Bahamas are comprised of an extensive

0:25:19.280 --> 0:25:22.640
<v Speaker 1>chain of seven hundred islands and twenty four hundred low

0:25:22.720 --> 0:25:27.560
<v Speaker 1>banks or reefs of coral, rock or sand called keys,

0:25:27.600 --> 0:25:31.480
<v Speaker 1>spanning an area roughly the size of California, extending from

0:25:31.520 --> 0:25:35.960
<v Speaker 1>Florida's coast on the northwest almost to Haiti on the southeast.

0:25:36.359 --> 0:25:40.440
<v Speaker 1>The area has a long and notorious history of illicit activity.

0:25:41.080 --> 0:25:44.280
<v Speaker 1>Pirates use the Bahamas as their preferred port because of

0:25:44.320 --> 0:25:48.760
<v Speaker 1>its plentiful small islands, shallow waters, and coves, which served

0:25:48.800 --> 0:25:53.040
<v Speaker 1>as ideal hiding places. The shallow waters were also perfect

0:25:53.040 --> 0:25:56.560
<v Speaker 1>for the smaller faster boats favored by pirates, but too

0:25:56.680 --> 0:26:00.760
<v Speaker 1>shallow for the larger man of warships, often in their pursuit.

0:26:01.480 --> 0:26:05.760
<v Speaker 1>From nineteen seventeen to nineteen thirty three, when prohibition became

0:26:05.800 --> 0:26:08.840
<v Speaker 1>the law of the land in America, Bahamas played an

0:26:08.880 --> 0:26:13.440
<v Speaker 1>important part becoming an ideal hub for alcohol smuggling, offering

0:26:13.680 --> 0:26:17.399
<v Speaker 1>numerous secretive places where alcohol could be stored en route

0:26:17.440 --> 0:26:20.800
<v Speaker 1>to America. All of the above made the Bahamas an

0:26:20.880 --> 0:26:25.200
<v Speaker 1>obvious destination location for drug smugglers looking to carve out

0:26:25.280 --> 0:26:30.080
<v Speaker 1>their share of profiting off of America's insatiable and ever

0:26:30.160 --> 0:26:36.560
<v Speaker 1>evolving appetite for illegal intoxicants. Okay, back to Chester's indictment.

0:26:37.920 --> 0:26:40.720
<v Speaker 1>I'm reading from the October fourth, nineteen eighty three issue

0:26:40.760 --> 0:26:43.760
<v Speaker 1>of The New York Times under the headline group and

0:26:43.840 --> 0:26:49.920
<v Speaker 1>Bahamas charged in big Narcotic conspiracy. Federal prosecutors unseled a

0:26:50.000 --> 0:26:54.160
<v Speaker 1>thirty six count indictment today charging that a Northeastern Georgia

0:26:54.200 --> 0:26:58.439
<v Speaker 1>man led a large smuggling organization that shipped marijuana and

0:26:58.480 --> 0:27:01.680
<v Speaker 1>cocaine into the United States from a base in the Bahamas.

0:27:02.080 --> 0:27:06.040
<v Speaker 1>The indictment charged Tilton Lamar Chester Junior, forty five years

0:27:06.040 --> 0:27:10.399
<v Speaker 1>Old of Cleveland, Georgia, and eleven others with drug offenses

0:27:10.440 --> 0:27:14.320
<v Speaker 1>and conducting a criminal enterprise in a pattern of racketeering.

0:27:14.960 --> 0:27:18.200
<v Speaker 1>It asserted that the group ran an organization that purchased

0:27:18.240 --> 0:27:21.440
<v Speaker 1>the Darby Islands, a small group in the Bahamas as

0:27:21.480 --> 0:27:24.439
<v Speaker 1>a base through which to move drugs from Jamaica and

0:27:24.520 --> 0:27:28.359
<v Speaker 1>Columbia into the United States. Other defendants named in the

0:27:28.440 --> 0:27:32.600
<v Speaker 1>article are Chester's attorney Lance Eisenberg, and another smuggler you'll

0:27:32.600 --> 0:27:37.639
<v Speaker 1>hear much more about going forward, Ronald Elliott. And just

0:27:37.680 --> 0:27:40.720
<v Speaker 1>a few days after the indictment is made public, Lamar

0:27:41.119 --> 0:27:42.200
<v Speaker 1>is back in the news again.

0:27:43.160 --> 0:27:46.960
<v Speaker 5>The indictment said Chester had houses and aircraft hangar and

0:27:47.160 --> 0:27:50.000
<v Speaker 5>an airstrip built on the islands for use in the

0:27:50.080 --> 0:27:52.800
<v Speaker 5>drug operation, and.

0:27:52.800 --> 0:27:57.439
<v Speaker 2>Lamar is actually interviewed on an Atlanta television station saying,

0:27:58.280 --> 0:28:00.760
<v Speaker 2>this is a paraphrase, Yes, I did it. I flew

0:28:00.800 --> 0:28:03.240
<v Speaker 2>two hundred loads into the country. But I did it

0:28:03.280 --> 0:28:07.399
<v Speaker 2>with the ok of the CIA and the DEA. And

0:28:07.480 --> 0:28:10.600
<v Speaker 2>if the federal government is foolish enough to put me

0:28:10.640 --> 0:28:13.320
<v Speaker 2>on trial for this, I'm going to tell everything I

0:28:13.359 --> 0:28:16.439
<v Speaker 2>know about what the government's been up to. And I

0:28:16.520 --> 0:28:20.040
<v Speaker 2>have enough evidence to shake the US government to its core.

0:28:22.320 --> 0:28:25.240
<v Speaker 4>And so what did Bob think of all this?

0:28:26.080 --> 0:28:30.560
<v Speaker 2>Bob couldn't be enjoined anymore. Lamar is so sure he's

0:28:30.600 --> 0:28:33.920
<v Speaker 2>going to win, which means they'll drop the case before

0:28:33.960 --> 0:28:36.560
<v Speaker 2>it even goes to trial. That he's got his lawyers

0:28:36.560 --> 0:28:39.640
<v Speaker 2>spending half their time just trying to get his pilot's

0:28:39.680 --> 0:28:43.520
<v Speaker 2>license back. When they indicted him, they took away his

0:28:43.600 --> 0:28:47.040
<v Speaker 2>pilot's license just to punish him. Bob says, Lamar loves

0:28:47.040 --> 0:28:49.880
<v Speaker 2>to fly, and he's got this little piper cub in

0:28:49.880 --> 0:28:53.480
<v Speaker 2>addition to the planes he uses for the smuggling business,

0:28:53.920 --> 0:28:56.760
<v Speaker 2>that he likes to fly for fun over his ranch

0:28:56.920 --> 0:28:58.040
<v Speaker 2>up in northern Georgia.

0:28:58.560 --> 0:29:00.960
<v Speaker 1>Well, what did you make about this? What did you

0:29:01.000 --> 0:29:05.520
<v Speaker 1>think of Chester's gray mail defense? For anyone not familiar

0:29:05.520 --> 0:29:09.160
<v Speaker 1>with the term, gray mail, like blackmail, implies the threat

0:29:09.160 --> 0:29:13.240
<v Speaker 1>of revealing, compromising, or damaging information in exchange for benefit,

0:29:13.600 --> 0:29:18.080
<v Speaker 1>except gray mail specifically threatens the revelation of state secrets

0:29:18.240 --> 0:29:20.680
<v Speaker 1>in order to manipulate legal proceedings.

0:29:21.680 --> 0:29:24.520
<v Speaker 2>Well, to tell the truth, I really didn't know I

0:29:24.640 --> 0:29:29.160
<v Speaker 2>was were, of course that in the fifties and sixties

0:29:29.720 --> 0:29:32.400
<v Speaker 2>and into the seventies, the United States, the CIA had

0:29:32.440 --> 0:29:36.120
<v Speaker 2>been involved in using drugs to finance off the books

0:29:36.160 --> 0:29:40.320
<v Speaker 2>wars in Asia. And I knew, of course that the

0:29:40.400 --> 0:29:44.760
<v Speaker 2>guys in Intercept had intelligence connections. One had even been

0:29:45.640 --> 0:29:49.040
<v Speaker 2>overt station chief of the Miami station during the Bay

0:29:49.040 --> 0:29:52.720
<v Speaker 2>of Pig's time. But that didn't prove anything. Maybe it

0:29:52.760 --> 0:29:56.120
<v Speaker 2>was true, maybe it wasn't. For all I know, Lamar

0:29:56.280 --> 0:29:57.360
<v Speaker 2>might just be making it up.

0:29:57.880 --> 0:30:01.760
<v Speaker 1>And at this point, you hadn't yet men Lamar in person, right.

0:30:01.920 --> 0:30:05.080
<v Speaker 2>No, I still hadn't met Lamar. But the next thing

0:30:05.120 --> 0:30:07.240
<v Speaker 2>I know, I get this call from Bob saying that

0:30:07.320 --> 0:30:10.520
<v Speaker 2>Lamar wants to meet me at the Mutiny, which of

0:30:10.560 --> 0:30:14.760
<v Speaker 2>course is the hangout for all the premier drug smugglers

0:30:15.400 --> 0:30:16.120
<v Speaker 2>in Miami.

0:30:16.760 --> 0:30:20.440
<v Speaker 1>So why in the world would he want to meet

0:30:20.480 --> 0:30:24.200
<v Speaker 1>you at that point and at that place, given that

0:30:24.360 --> 0:30:25.800
<v Speaker 1>he's already been indicted.

0:30:26.320 --> 0:30:27.480
<v Speaker 2>That's what I'm wondering too.

0:30:41.480 --> 0:30:44.080
<v Speaker 1>Located on the Bay in Coconut Grove and first open

0:30:44.160 --> 0:30:47.120
<v Speaker 1>in nineteen sixty nine, the Mutiny Hotel was known for

0:30:47.200 --> 0:30:50.640
<v Speaker 1>its glitzy, debauchery and decadence. At one point in the

0:30:50.720 --> 0:30:54.040
<v Speaker 1>nineteen seventies, the Mutiny earned the distinction of selling more

0:30:54.160 --> 0:30:58.480
<v Speaker 1>dom Perigno champagne than any other venue in America. Much

0:30:58.520 --> 0:31:01.840
<v Speaker 1>of it served in hot tubs. The venue had one

0:31:01.880 --> 0:31:06.360
<v Speaker 1>hundred and thirty rooms, including lavishly decorated fantasy themed suites

0:31:06.680 --> 0:31:11.160
<v Speaker 1>with names like the Egyptian Suite, Gypsy Caravan, the Bordello,

0:31:11.520 --> 0:31:15.000
<v Speaker 1>Hot Fudge, and Outer Space. Guests are said to have

0:31:15.040 --> 0:31:20.160
<v Speaker 1>included the likes of Chaer, Jacqueline Onassis, led Zeppelin, George Bush,

0:31:20.200 --> 0:31:24.520
<v Speaker 1>and Fleetwood Mac. By the eighties, it had infamously morphed

0:31:24.560 --> 0:31:28.280
<v Speaker 1>into a cocaine cooled membership based Miami hot spot where

0:31:28.360 --> 0:31:33.680
<v Speaker 1>notorious drug traffickers partied alongside celebrities, politicians, and the drug

0:31:33.680 --> 0:31:36.840
<v Speaker 1>and law enforcement agents who were there under the guise

0:31:36.960 --> 0:31:40.880
<v Speaker 1>of monitoring the action. It also had a rapidly growing

0:31:40.920 --> 0:31:47.640
<v Speaker 1>reputation as the destination location for cocaine. Its infamous nightclub

0:31:48.040 --> 0:31:50.760
<v Speaker 1>served as the inspiration for the Babylon Club.

0:31:50.560 --> 0:31:51.960
<v Speaker 4>In the movie Scarface.

0:31:56.800 --> 0:31:59.959
<v Speaker 1>Oliver Stone, al Pacino and the rest of the casting

0:32:00.120 --> 0:32:03.440
<v Speaker 1>crew even checked into the mutiny during the filming for

0:32:03.560 --> 0:32:04.600
<v Speaker 1>research purposes.

0:32:05.520 --> 0:32:08.840
<v Speaker 2>Back to fill, so I go to the Mutiny with Bob.

0:32:08.880 --> 0:32:12.200
<v Speaker 2>There must be about two or three on a weekday afternoon,

0:32:12.760 --> 0:32:16.120
<v Speaker 2>so the place isn't really bustling yet. Lamar isn't there

0:32:16.200 --> 0:32:19.160
<v Speaker 2>yet either or else he has other business to attend to.

0:32:19.240 --> 0:32:24.000
<v Speaker 2>So Bob and I start drinking and drinking, and the

0:32:24.120 --> 0:32:27.959
<v Speaker 2>Mutiny was a new luxury hotel and coconut grove. There

0:32:27.960 --> 0:32:31.520
<v Speaker 2>were tables in the main barroom with telephones on each one,

0:32:31.800 --> 0:32:34.280
<v Speaker 2>sort of old style. This is pre cell phone days.

0:32:34.760 --> 0:32:38.360
<v Speaker 2>And it's where all the drug dealers hung out and

0:32:38.440 --> 0:32:41.400
<v Speaker 2>made deals and very conspicuous deals. And of course all

0:32:41.440 --> 0:32:44.360
<v Speaker 2>the DEA agents had memberships too, so they could sit

0:32:44.400 --> 0:32:49.160
<v Speaker 2>there and watch the drug dealers. And outside there were

0:32:49.400 --> 0:32:52.760
<v Speaker 2>several outdoor bars placed around the grounds of the hotel

0:32:53.320 --> 0:32:56.479
<v Speaker 2>with big umbrellas above them, pretty Cuban girls serving drinks.

0:32:56.720 --> 0:32:59.040
<v Speaker 2>Bob and I must have stopped at all of them

0:32:59.040 --> 0:33:01.720
<v Speaker 2>while we were waiting for them, so you guys must

0:33:01.720 --> 0:33:04.640
<v Speaker 2>have been pretty tipsy by the time Chester walked in. Well,

0:33:04.680 --> 0:33:07.800
<v Speaker 2>finally Lamar shows up. We're waiting in his room and

0:33:07.840 --> 0:33:12.680
<v Speaker 2>he breezes in. Yeah, because always we've had to drink

0:33:12.680 --> 0:33:15.800
<v Speaker 2>by The recollection is a little bit hazy at some points,

0:33:16.240 --> 0:33:19.160
<v Speaker 2>but I do remember thinking he looked a little bit

0:33:19.240 --> 0:33:23.320
<v Speaker 2>slighter than I had expected from all of Bob's heroic

0:33:23.360 --> 0:33:26.920
<v Speaker 2>descriptions of him. And I was also struck by what

0:33:26.960 --> 0:33:30.800
<v Speaker 2>I remember is sort of a lounge lizard mustache, but

0:33:30.840 --> 0:33:33.360
<v Speaker 2>that was something that I think was probably in style

0:33:33.440 --> 0:33:35.200
<v Speaker 2>back in the seventies.

0:33:35.560 --> 0:33:38.240
<v Speaker 4>What do you mean by the lounge lizard mustache?

0:33:38.440 --> 0:33:41.200
<v Speaker 2>That he had what struck me as sort of a

0:33:41.280 --> 0:33:46.080
<v Speaker 2>drug store cowboy mustache might expect to see in a

0:33:46.160 --> 0:33:48.880
<v Speaker 2>show in Las Vegas or something like that.

0:33:49.040 --> 0:33:50.520
<v Speaker 4>Do you remember what he was wearing?

0:33:50.840 --> 0:33:57.440
<v Speaker 2>Nothing flicy shirt, jeans, loafers. So we start talking nothing

0:33:57.480 --> 0:33:59.959
<v Speaker 2>special at first, How you doing? What do you think

0:34:00.160 --> 0:34:03.240
<v Speaker 2>the mutiny? That sort of thing, Nothing about the indictment

0:34:04.080 --> 0:34:06.280
<v Speaker 2>or his threat to spill the beans on the CIA

0:34:06.400 --> 0:34:09.640
<v Speaker 2>and shake the government to its core. When out of

0:34:09.640 --> 0:34:13.319
<v Speaker 2>the blue, Lamar says, with that big old door to

0:34:13.360 --> 0:34:17.000
<v Speaker 2>door salesman smile of his, I bet you're wondering why

0:34:17.320 --> 0:34:20.880
<v Speaker 2>I invited you down here, right. I must have mumbled

0:34:20.920 --> 0:34:24.200
<v Speaker 2>something I don't remember exactly what I asked Bob, and

0:34:24.400 --> 0:34:27.439
<v Speaker 2>Bob said, Lamar will explain it when we get there,

0:34:28.320 --> 0:34:30.799
<v Speaker 2>and Lamar says, well, I just want you to know

0:34:30.840 --> 0:34:34.239
<v Speaker 2>that I appreciate what you're doing here, but I sure

0:34:34.239 --> 0:34:36.240
<v Speaker 2>as hell wish you and your boys back in Washington

0:34:36.280 --> 0:34:38.800
<v Speaker 2>would get a move on it, out of the blue,

0:34:38.880 --> 0:34:42.080
<v Speaker 2>just like that. And I say what, I certainly don't

0:34:42.680 --> 0:34:44.440
<v Speaker 2>know what to make of it, And he says, oh,

0:34:44.480 --> 0:34:46.759
<v Speaker 2>come on, now, you're with the CIA. Right?

0:34:47.719 --> 0:34:51.800
<v Speaker 4>Wait? He thought you were with the CIA. Why?

0:34:54.520 --> 0:34:56.359
<v Speaker 2>I had no idea At the time. I didn't even

0:34:56.800 --> 0:35:01.160
<v Speaker 2>believe it was real. But then nothing I'd been doing

0:35:01.239 --> 0:35:04.640
<v Speaker 2>was quite real either. The work I did for the

0:35:04.640 --> 0:35:09.759
<v Speaker 2>intercept wasn't all of it quite real? And so why

0:35:09.800 --> 0:35:14.880
<v Speaker 2>would this be any less unreal? I suppose? And I say, oh,

0:35:15.320 --> 0:35:18.320
<v Speaker 2>I'm not with a CIA, at which point he nudges

0:35:18.360 --> 0:35:21.640
<v Speaker 2>my shoulder with his elbow and in a friendly way.

0:35:21.800 --> 0:35:25.160
<v Speaker 2>I mean, he's smiling. He says, good boy, that's just

0:35:25.160 --> 0:35:28.359
<v Speaker 2>what you would say. And it hasn't hit me yet.

0:35:28.360 --> 0:35:30.520
<v Speaker 2>But I'm in a very odd situation. The more I

0:35:30.560 --> 0:35:34.480
<v Speaker 2>deny it, the more he believes I'm with the CIA.

0:35:34.560 --> 0:35:36.880
<v Speaker 2>There's no way I can convince him otherwise.

0:35:37.920 --> 0:35:40.359
<v Speaker 4>So how did that meeting end?

0:35:40.800 --> 0:35:43.680
<v Speaker 2>Well, maybe I say a couple more times, I'm not

0:35:43.760 --> 0:35:46.720
<v Speaker 2>with the CIA. I don't remember that, Or maybe it's

0:35:46.760 --> 0:35:50.239
<v Speaker 2>since he's as far as he's concerned, my denial has

0:35:50.280 --> 0:35:52.920
<v Speaker 2>already proved that I am with the CIA. We have

0:35:53.320 --> 0:35:56.000
<v Speaker 2>just some more small talk, and then Bob and I

0:35:56.040 --> 0:36:00.560
<v Speaker 2>stumble off, drunkard than skunks, starting to get now and

0:36:00.600 --> 0:36:02.800
<v Speaker 2>on our way back to Miami Beach, I asked Bob

0:36:03.520 --> 0:36:07.879
<v Speaker 2>if Lamar is kidding? It still hasn't sunk that any

0:36:07.920 --> 0:36:10.640
<v Speaker 2>of this is real? Does he really believe I'm with

0:36:10.719 --> 0:36:14.839
<v Speaker 2>the CIA? And very solemnly Bob says, yes he does.

0:36:15.480 --> 0:36:18.800
<v Speaker 4>What about, Bob? Did he think you were with the CIA?

0:36:18.880 --> 0:36:22.239
<v Speaker 2>Too? That's what's even more incredible. But it won't dawn

0:36:22.320 --> 0:36:25.480
<v Speaker 2>on me till some time later. Is that, Bob the

0:36:25.520 --> 0:36:28.200
<v Speaker 2>guy who hired me in the first place? For goodness sake?

0:36:29.239 --> 0:36:32.840
<v Speaker 2>I think so too.

0:36:33.120 --> 0:36:37.359
<v Speaker 1>So as Stanford staggered home, his head was spinning, and

0:36:37.400 --> 0:36:40.759
<v Speaker 1>not just because of the alcohol. But his night was

0:36:40.840 --> 0:36:44.040
<v Speaker 1>far from over, and a hangover wouldn't be the only

0:36:44.120 --> 0:36:52.480
<v Speaker 1>thing he'd regret the next morning. On the next Murder

0:36:52.480 --> 0:36:56.080
<v Speaker 1>of Miami, looking into Clay's death, Letes further into the

0:36:56.120 --> 0:37:01.040
<v Speaker 1>mystery of dashing pilot Lamar Chester and to his inner circle,

0:37:01.440 --> 0:37:06.080
<v Speaker 1>including a legendary former cocaine smuggler, Heglarder.

0:37:06.600 --> 0:37:10.160
<v Speaker 2>Did you quit loving me? Happy? Miles? Here? Give me

0:37:10.200 --> 0:37:10.680
<v Speaker 2>a call.

0:37:11.239 --> 0:37:15.200
<v Speaker 1>Mister Miles was a close business associate and friend of

0:37:15.480 --> 0:37:18.040
<v Speaker 1>Intercept's biggest client, Lamar Chester.

0:37:18.280 --> 0:37:22.680
<v Speaker 2>And he was flying guns then to Nicaragua.

0:37:23.160 --> 0:37:26.560
<v Speaker 1>And did he tell you who he was running the

0:37:26.640 --> 0:37:27.200
<v Speaker 1>guns for?

0:37:27.800 --> 0:37:32.160
<v Speaker 7>I would imagine the CIA was running that show.

0:37:32.880 --> 0:37:33.719
<v Speaker 4>Like Icarus.

0:37:33.880 --> 0:37:36.640
<v Speaker 1>All these guys would eventually fly a bit too close

0:37:36.680 --> 0:37:37.200
<v Speaker 1>to the sun.

0:37:37.600 --> 0:37:42.719
<v Speaker 2>They all got burned except Happy, Except Happy.

0:37:43.400 --> 0:37:47.440
<v Speaker 1>Murder of Miami is a production of iHeart Radio. Executive

0:37:47.440 --> 0:37:51.759
<v Speaker 1>producers are Lauren bred Pacheco, Taylor Chicogne, and Phil Stamford.

0:37:52.600 --> 0:37:57.040
<v Speaker 1>Written by Phil Stamford and Lauren brad Pacheco, Audio editing

0:37:57.080 --> 0:38:01.160
<v Speaker 1>and sound designed by Nicholas Harder, Evan Tyer, and Taylor Chackoine,

0:38:02.080 --> 0:38:05.960
<v Speaker 1>featuring music by Evan Tyre, phill Mayer, John Murchison, and

0:38:06.040 --> 0:38:12.360
<v Speaker 1>Taylor Chackoine. For more podcasts from iHeartRadio, visit the iHeartRadio.

0:38:11.719 --> 0:38:15.120
<v Speaker 4>App, Apple Podcasts, or wherever you get the stories that

0:38:15.239 --> 0:38:15.920
<v Speaker 4>matter to you.