WEBVTT - Drinks, Drama, and Definitely No Memories • EP 812

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<v Speaker 1>First of all, you don't know me.

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<v Speaker 2>We all about that high school drama, Girl drama girl,

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<v Speaker 2>all about them.

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<v Speaker 3>High school queens forever.

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<v Speaker 2>We'll take you for a ride, and our comic girl

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<v Speaker 2>shared for the right teams Drama Queens, Jaylie's my girl,

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<v Speaker 2>up girl.

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<v Speaker 3>Fashion, but your tough girl.

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<v Speaker 1>You could sit with us Girl Drama, Queens, Drama, Queens Drama,

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<v Speaker 1>Queens Drama, Drama, Queens Drama, Queens.

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<v Speaker 4>You know how sometimes you don't even know what you

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<v Speaker 4>need until you get it, and you're like, how was

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<v Speaker 4>I getting by without this? And this is what this

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<v Speaker 4>episode felt like to me. Oh, this episode was so

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<v Speaker 4>much fun. I mean, listen, we got a lot to

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<v Speaker 4>get into, so let me just break it down. It's

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<v Speaker 4>season eight, episode twelve, The Drinks We Drank Last Night.

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<v Speaker 4>It aired January twenty fifth, twenty eleven. Synopsis reads, After

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<v Speaker 4>a wild night out on the town for a bachelorreat party,

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<v Speaker 4>Brook and the girls try to piece together the night

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<v Speaker 4>before while looking for Brooks missing engagement ring, and dealing

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<v Speaker 4>with the aftermath. The day of Brook and Julian's rehearsal,

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<v Speaker 4>the girls at the bachelor at party take something from

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<v Speaker 4>Nathan's professor prompting Nathan to confront him. Also, a dog

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<v Speaker 4>rides a skateboard directed by They Wanted Only Chad Graves,

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<v Speaker 4>written by Shana Fuel.

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<v Speaker 5>Shana who moved on to Outlander, which we lost.

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<v Speaker 3>So good.

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<v Speaker 5>Okay, guys, this was so fun to watch because obviously

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<v Speaker 5>I was so pregnant that I was hardly in the episode.

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<v Speaker 5>I mean, I remember showing up for a couple of

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<v Speaker 5>the like the search party moments that we did, and

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<v Speaker 5>then I remember coming to the beach house and looking

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<v Speaker 5>at the complete disarray that Hayley shows up in, and

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<v Speaker 5>that was fun. But all of the partying stuff, all

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<v Speaker 5>of the feather boa, like the bull riding, all of

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<v Speaker 5>it I missed. I wasn't there, and it was so

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<v Speaker 5>fun to watch. You guys did great.

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<v Speaker 3>It was such a blast. We had such a good

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<v Speaker 3>time on this episode. And you know, when you're on

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<v Speaker 3>your twelfth episode of the season, you're essentially halfway through.

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<v Speaker 3>People are usually a little tired, and you know, the

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<v Speaker 3>sleeplessness for six months is getting to you. And this episode,

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<v Speaker 3>I mean, it was like a shot of adrenaline for us.

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<v Speaker 3>It was so fun and so silly, and you know,

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<v Speaker 3>whether it was dancing on the table at the frat house,

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<v Speaker 3>or stealing the ice cream truck. I still don't know

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<v Speaker 3>where that came from. It's just it was sort of

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<v Speaker 3>like Shana took the idea of the Hangover and ran

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<v Speaker 3>with it for the girls, and I loved it.

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<v Speaker 6>Had the Hangover come out yet? I think it must have?

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<v Speaker 5>I think so, wasn't that two thousand and six?

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<v Speaker 6>Oh my gosh, did you actually just whip out the

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<v Speaker 6>correct release here of the Hangover?

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<v Speaker 5>It was a total gut assumption. I will be amazed

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<v Speaker 5>if I'm correct about that.

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<v Speaker 6>That's incredible. You're right two nine.

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<v Speaker 5>An upside down six. That's why my brain I'm just

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<v Speaker 5>like it works all right.

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<v Speaker 4>So yeah, we had little inspiration perhaps from the Hangover.

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<v Speaker 4>One thing I just sort of a general note about

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<v Speaker 4>the whole episode that I so appreciated was no one

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<v Speaker 4>was trying to look good. I say, it's about your

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<v Speaker 4>comedy A lot joy that I see you go for it.

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<v Speaker 4>You know, there's no vanity in comedy, at least there's

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<v Speaker 4>no vanity in good comedy. And everyone really leaned into

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<v Speaker 4>it and was not concerned with my angle? Do I

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<v Speaker 4>look okay? Is it was just everyone swung for the fences,

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<v Speaker 4>and as a result, it is just so funny to

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<v Speaker 4>see the physical comedy in this one was great.

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<v Speaker 5>Yeah, you nailed that. That's absolutely right. I didn't think

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<v Speaker 5>about that until you just said it. But it's one

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<v Speaker 5>of the main reasons why it works so well is

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<v Speaker 5>that to have a room full of women and no vanity,

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<v Speaker 5>that's exciting. That's really exciting to watch.

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<v Speaker 3>Well. And then the sort of BTS comedy that you

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<v Speaker 3>don't see on screen is that instead of coming in

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<v Speaker 3>you know, every third take, because we're in the South

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<v Speaker 3>and everyone's sweating to give us touch ups, our hair

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<v Speaker 3>and makeup team is actually coming in to make sure

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<v Speaker 3>we look worse to you know, make sure this smeared

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<v Speaker 3>lipstick is there, to make sure you know your hair's lopsided.

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<v Speaker 3>And it was really fun to get to do that

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<v Speaker 3>because there was I mean, listen, the CW gets made

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<v Speaker 3>fun of for it all the time, that everybody has

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<v Speaker 3>to look good always, even if they're running from vampires

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<v Speaker 3>or like, you know, underwater, and it's nice to be

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<v Speaker 3>able to really lean into being a hot mess. Oh.

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<v Speaker 5>I don't think we ever would have done that the

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<v Speaker 5>first few seasons. No way, we wouldn't. I don't think

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<v Speaker 5>we would have been allowed to. They would have seen

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<v Speaker 5>one day of dailies and been like reshoots.

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<v Speaker 4>Yeah, but speaking of the CW. Laughed out loud and

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<v Speaker 4>have in my notes that that day spa is wall

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<v Speaker 4>to wall hot masseurs, and I was like, this is

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<v Speaker 4>the most c W. That's my note is this is

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<v Speaker 4>the most c W day spa of all time.

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<v Speaker 5>Yes, only Alex could have arranged that.

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<v Speaker 4>There wasn't a dude over twenty eight, everyone had less

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<v Speaker 4>than ten percent body fat, everyone had a good tan.

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<v Speaker 6>It was hilarious to me.

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<v Speaker 4>Yeah, it was like a calendar like audition for just

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<v Speaker 4>like hot shirtless dudes.

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<v Speaker 5>It probably was.

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<v Speaker 3>It was so fun to have actual Alex, our friend

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<v Speaker 3>from town, play one of the hot messewers who's telling Haley, oh,

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<v Speaker 3>the drinks are perfectly safe and thank god you don't

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<v Speaker 3>have any because you're pregnant.

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<v Speaker 5>Yeah. I forgot about Alex. I knew that guy looked

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<v Speaker 5>so familiar, and I was like, I remember shooting this

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<v Speaker 5>scene with him, Why is he is he just familiar

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<v Speaker 5>because I remember that.

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<v Speaker 3>Moment that's my friend. Ah, so fun, so so funny.

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<v Speaker 5>I was kind of a little judge of Haley at

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<v Speaker 5>first not drinking this movie. I was like, what's wrong

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<v Speaker 5>with her? She just drank the smoothie. I forgot it's

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<v Speaker 5>the whole device.

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<v Speaker 4>But the smoothies themselves were okay. It was just when

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<v Speaker 4>you combined them with alcohol. Yes, Oh it was like

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<v Speaker 4>a baking soda vinegar situation.

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<v Speaker 3>Yes, they were some sort of wellness tonic.

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<v Speaker 5>What the hell kind of smoothie can't be mixed with alcohol,

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<v Speaker 5>That's what I want to know.

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<v Speaker 4>The unraveling of that with Alex is so good because

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<v Speaker 4>she everyone looks at her like, what the hell was

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<v Speaker 4>in those drinks? And she goes, I don't know. People

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<v Speaker 4>get someone goes, what was in those energy drinks? And

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<v Speaker 4>she goes, I don't know energy energy. You know. When

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<v Speaker 4>in the room is satisfied with that answer, and she's like,

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<v Speaker 4>I I'll go find out.

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<v Speaker 5>She had some great one liners, great moments in this episode.

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<v Speaker 5>I feel like everybody really had their own, had their

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<v Speaker 5>own unique moment, like Lisa getting the tattoo was so great,

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<v Speaker 5>and her spinning around in circles trying to see her

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<v Speaker 5>like a puppy and yeah, was great. And again, you know,

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<v Speaker 5>she's so consistent with Alex Duprey's inconsistency that it's really

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<v Speaker 5>endearing that you never know what you're going to get

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<v Speaker 5>she Is she pulling a trick, is she being manipulative?

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<v Speaker 5>Is she being really sincere? I don't know at this point.

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<v Speaker 5>I don't never know what to expect from her. But

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<v Speaker 5>I really liked her vibe in this episode.

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<v Speaker 4>And that nice moment towards the end where it just

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<v Speaker 4>sort of showed that she's she's not dumb and she's

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<v Speaker 4>not totally unaware. When she's like, I know I got

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<v Speaker 4>invited and that's okay, I just want to be around

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<v Speaker 4>some friends, it was like, Oh, like you said, it's

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<v Speaker 4>like she's consistently inconsistent, because that was a moment where

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<v Speaker 4>I went, now that that's a person I can root for.

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<v Speaker 5>Yeah, she needs real friends, so she knows it at

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<v Speaker 5>the root of it. That's why she's doing everything, which

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<v Speaker 5>makes it consistent even in the inconsistency. And by the way,

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<v Speaker 5>the fact that when somebody says who got a tattoo,

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<v Speaker 5>everybody looks at different parts of their body. In the

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<v Speaker 5>first place she goes is.

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<v Speaker 6>To the pants.

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<v Speaker 4>The opening scene with you So was so funny and

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<v Speaker 4>my favorite part of it is like you're I think

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<v Speaker 4>you're kind of just talking to yourself. You're like looking

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<v Speaker 4>in the bathroom mirror, like what the hell just happened?

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<v Speaker 4>And then from off camera we just hear shut up,

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<v Speaker 4>and the camera pans over to nothing but the feet

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<v Speaker 4>of miss Sharon Lawrence sticking out of the bathtub.

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<v Speaker 1>That was so.

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<v Speaker 6>Funny, and you're like, why, why the hell are you

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<v Speaker 6>even here?

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<v Speaker 4>It was such a good moment that visual though of

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<v Speaker 4>Sylvia just passed out, your feet kicking out. I loved.

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<v Speaker 5>I was thrown off a little though, because I thought

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<v Speaker 5>and I went back to check, I was like, did

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<v Speaker 5>we miss an episode in between the last one and

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<v Speaker 5>this one? So I guess we had a hiatus or

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<v Speaker 5>something because we you know, we didn't acknowledge the entire

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<v Speaker 5>storm and the car accident and Brook almost dying. He's

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<v Speaker 5>very dramatic. It was a lot to overlook.

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<v Speaker 3>Yeah, we don't have any of the post accident hospital stuff,

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<v Speaker 3>I guess because we'd done so much of it with

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<v Speaker 3>Quinn and Clay. But it was funny. The only mentioned

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<v Speaker 3>is you joy when Haley's talking to Nathan and you go,

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<v Speaker 3>she's just been through so much this year and he's like, yeah,

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<v Speaker 3>that's it, that's it.

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<v Speaker 5>I know.

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<v Speaker 4>Know.

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<v Speaker 5>There were several kind of throwaway moments of recap stuff,

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<v Speaker 5>like Alex saying, well, it's no secret I tried to

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<v Speaker 5>kill myself so blah blah blah whatever she said. After that,

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<v Speaker 5>I was like, whoa that is it's just kind of abrasive.

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<v Speaker 5>I guess to just come right out with it. I mean,

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<v Speaker 5>I guess if that's your experience, you can own it.

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<v Speaker 5>How if you liked to, But it was it kind

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<v Speaker 5>of struck me as aggressive. I don't know. And then

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<v Speaker 5>what was the other one? Oh, Chantelle and she was like,

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<v Speaker 5>look it's me after I was shot. Remember the water

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<v Speaker 5>balloon hits her and she's like, it's me shot. I

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<v Speaker 5>was like, oh, that is really blunt.

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<v Speaker 6>I mean, okay, guess if you're not laughing, you're crying.

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<v Speaker 4>I think that's true.

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<v Speaker 5>I think so we grazed over all the trauma in

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<v Speaker 5>this episode just so that we could get to the comedy.

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<v Speaker 4>Yeah, And you know, I have to say, because I

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<v Speaker 4>had the same moment where I thought, I think Quinn's

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<v Speaker 4>in the back of the car and there's a conversation

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<v Speaker 4>happening and I just found myself going, wow, we've we

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<v Speaker 4>haven't seen her talk to anyone about the like knockdown,

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<v Speaker 4>drag out fight and she almost died with the stalker

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<v Speaker 4>at that, Like, that's crazy. But I have to say,

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<v Speaker 4>given the nature of this episode, I was okay with that. Yeah,

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<v Speaker 4>because I loved this ride. I appreciated that we didn't

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<v Speaker 4>have to get off it to service any other past stories.

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<v Speaker 2>Yea.

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<v Speaker 4>It was just like, we're going to be fun for

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<v Speaker 4>forty two minutes and that's all we're going to do.

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<v Speaker 4>And that was great because truly, it has been so

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<v Speaker 4>heavy like lately that it was nice to have like

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<v Speaker 4>a palate cleanser of friends being friends and getting into trouble.

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<v Speaker 5>We didn't even bounce around to any different storyline. I mean,

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<v Speaker 5>it was just this the whole episode.

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<v Speaker 6>Right, A little Nathan and Kellerman, Oh.

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<v Speaker 5>Nathan and kellermant so a little bit, but it all

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<v Speaker 5>tied together in the yes, so it was really actually necessary.

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<v Speaker 5>It wasn't like separated. Yeah. I really enjoyed that.

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<v Speaker 4>You two had a really funny bit in that kind

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<v Speaker 4>of opening sequence when Brooke realizes there's a phone number

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<v Speaker 4>written on her leg and Hayley does the most mom

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<v Speaker 4>thing where she just reaches down and smudges it with

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<v Speaker 4>her finger and she goes oh, and then puts her

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<v Speaker 4>finger in her mouth to taste it and goes, oh,

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<v Speaker 4>it's chocolate, and goes did you just taste that? And

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<v Speaker 4>you just so nonchalmly go eh, I'm pregnant. But it's

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<v Speaker 4>also such a mom thing, right, because yeah, you become

0:11:42.640 --> 0:11:47.559
<v Speaker 4>so desensitized to like having booger's vomit pee everything on

0:11:47.600 --> 0:11:50.520
<v Speaker 4>you that it's like, what's a little questionable chocolate?

0:11:50.840 --> 0:11:53.640
<v Speaker 5>You know, yeah, like whatever this is, how bad could

0:11:53.640 --> 0:11:53.840
<v Speaker 5>it be?

0:11:54.520 --> 0:11:59.520
<v Speaker 3>And honestly, major points for Dave Navarro. Dude, he really

0:11:59.600 --> 0:12:03.080
<v Speaker 3>came to play and he was such a good sport

0:12:03.160 --> 0:12:06.800
<v Speaker 3>and he was so funny and he really leaned in.

0:12:07.360 --> 0:12:08.240
<v Speaker 5>Yeah he did.

0:12:08.440 --> 0:12:11.920
<v Speaker 6>He got saddled with some horrible lines.

0:12:12.320 --> 0:12:15.920
<v Speaker 4>Yeah, I wrote down the one he says, like the

0:12:15.920 --> 0:12:18.000
<v Speaker 4>first time we see him, and he when he's leaving

0:12:18.000 --> 0:12:20.560
<v Speaker 4>clothes over bros. Because he's been locked in there. He's

0:12:20.960 --> 0:12:22.360
<v Speaker 4>like a grown man who can't figure out how to

0:12:22.400 --> 0:12:26.000
<v Speaker 4>get out anyways. He's uh, he he goes, Brooke, you

0:12:26.080 --> 0:12:29.280
<v Speaker 4>were amazing. I can't remember the last time I busted

0:12:29.320 --> 0:12:31.200
<v Speaker 4>through that many condoms in one night.

0:12:32.559 --> 0:12:32.839
<v Speaker 3>Oof.

0:12:33.400 --> 0:12:35.840
<v Speaker 4>Can you imagine like being you're gonna be a one

0:12:35.880 --> 0:12:37.920
<v Speaker 4>episode guest star on a show you already are a

0:12:37.920 --> 0:12:40.240
<v Speaker 4>public figure. And that's like when you first get the

0:12:40.240 --> 0:12:43.079
<v Speaker 4>sides and you're excited and you read that line. I

0:12:43.120 --> 0:12:45.160
<v Speaker 4>would love to know what day of Navara thought of that,

0:12:46.280 --> 0:12:48.360
<v Speaker 4>because you know it's going to mean something else, but

0:12:48.400 --> 0:12:51.199
<v Speaker 4>it's still just it's so heavy handed.

0:12:51.880 --> 0:12:54.960
<v Speaker 5>Yeah, gross, we needed it though. It was good. It

0:12:55.080 --> 0:12:57.839
<v Speaker 5>was good for it was good for drama.

0:12:58.280 --> 0:13:01.320
<v Speaker 3>Well and the panic because he did it in a

0:13:01.360 --> 0:13:04.280
<v Speaker 3>way that almost like in the sixth sense when you

0:13:04.320 --> 0:13:06.040
<v Speaker 3>realize he's been dead the whole time and you go,

0:13:06.120 --> 0:13:09.119
<v Speaker 3>oh my god, now now I'm seeing things I didn't see.

0:13:09.360 --> 0:13:13.960
<v Speaker 3>He delivers the line. He doesn't play it really icky

0:13:14.040 --> 0:13:16.920
<v Speaker 3>and creepy. He delivers it in this kind of excited,

0:13:17.440 --> 0:13:21.920
<v Speaker 3>almost childish way, and you're like, oh, wow, okay, yeah

0:13:21.960 --> 0:13:24.640
<v Speaker 3>he's a rock star. Oh boy, we're in trouble here.

0:13:24.720 --> 0:13:27.160
<v Speaker 3>And then when you realize they've had a water balloon fight,

0:13:27.320 --> 0:13:30.000
<v Speaker 3>you're like, oh, the guy's just probably not had any

0:13:30.040 --> 0:13:33.520
<v Speaker 3>innocent fun in such a long time. And it's so

0:13:34.640 --> 0:13:38.280
<v Speaker 3>it makes the way he delivers the line work. When

0:13:38.320 --> 0:13:41.880
<v Speaker 3>you realize what happened, it makes it work even better.

0:13:41.960 --> 0:13:45.040
<v Speaker 3>And what a cool thing he was able to do because,

0:13:45.040 --> 0:13:46.880
<v Speaker 3>like you said, Rob, he's a one episode guest star

0:13:47.920 --> 0:13:50.840
<v Speaker 3>and he played against certain things you would expect the

0:13:50.920 --> 0:13:53.640
<v Speaker 3>rock star guy to do. And I really give him

0:13:53.679 --> 0:13:54.240
<v Speaker 3>props for that.

0:13:54.440 --> 0:13:56.600
<v Speaker 4>Yeah, it runs parallel to what I was saying about

0:13:56.640 --> 0:13:59.920
<v Speaker 4>all of you women, that no one clung to any

0:14:00.120 --> 0:14:02.200
<v Speaker 4>sense of vanity at all and just went all in

0:14:02.240 --> 0:14:02.880
<v Speaker 4>on the comedy.

0:14:03.400 --> 0:14:04.920
<v Speaker 6>That's an easy especially, I.

0:14:04.880 --> 0:14:07.160
<v Speaker 4>Think if you're like a greener actor to be like, oh,

0:14:07.160 --> 0:14:09.160
<v Speaker 4>this is the line where I say it like sexy

0:14:09.640 --> 0:14:10.840
<v Speaker 4>or cool.

0:14:10.559 --> 0:14:12.640
<v Speaker 3>Well I'm gonna be like yeah, yeah.

0:14:12.720 --> 0:14:14.240
<v Speaker 4>And he, like you said, he didn't at all. He

0:14:14.280 --> 0:14:18.400
<v Speaker 4>said it so nonchalantly that it worked. It's it's also

0:14:18.400 --> 0:14:21.280
<v Speaker 4>it's just funny because like, there are so many ways

0:14:21.360 --> 0:14:23.760
<v Speaker 4>to say, hey, I had a really fun time throwing

0:14:23.760 --> 0:14:27.840
<v Speaker 4>water balloons with you last night. To say I've never

0:14:28.040 --> 0:14:31.040
<v Speaker 4>busted through so many condoms in a night is just

0:14:31.120 --> 0:14:35.240
<v Speaker 4>a crazy way to ray. But it's Dave.

0:14:35.880 --> 0:14:38.320
<v Speaker 6>Maybe that's just you know, that's how he sees the world.

0:14:38.480 --> 0:14:41.000
<v Speaker 5>The fact that you guys really did commit so hard

0:14:41.080 --> 0:14:45.000
<v Speaker 5>to the comedy and the the vulnerability of being a

0:14:45.040 --> 0:14:49.280
<v Speaker 5>mess on camera made the the real dramatic stuff work

0:14:50.120 --> 0:14:52.960
<v Speaker 5>so well. Also that you know that, I mean, Sharon

0:14:53.040 --> 0:14:57.320
<v Speaker 5>Lawrence carried this episode for me because you guys got

0:14:57.320 --> 0:15:00.040
<v Speaker 5>to all be running around panicked and frantic, and and

0:15:00.160 --> 0:15:04.600
<v Speaker 5>she was this like sort of driving force watching doing

0:15:04.680 --> 0:15:08.320
<v Speaker 5>you know, I don't know if she was manipulating things necessarily,

0:15:08.360 --> 0:15:11.160
<v Speaker 5>but she was having fun watching. You know, she never

0:15:11.240 --> 0:15:12.960
<v Speaker 5>doubted that you guys would find the ring. It was

0:15:13.000 --> 0:15:15.240
<v Speaker 5>like she was kind of calm the whole time. And

0:15:15.280 --> 0:15:18.520
<v Speaker 5>then when you guys got up on the roof and

0:15:18.640 --> 0:15:22.720
<v Speaker 5>really started having it out, it was so raw and

0:15:22.840 --> 0:15:25.960
<v Speaker 5>honest and open. And I don't know that that would

0:15:25.960 --> 0:15:28.960
<v Speaker 5>have played as well if it had felt like there

0:15:29.000 --> 0:15:31.640
<v Speaker 5>was anything else in the episode that was disingenuous, like

0:15:32.280 --> 0:15:36.320
<v Speaker 5>perfect hair, makeup and things like that. So it really

0:15:37.600 --> 0:15:40.120
<v Speaker 5>I think that's actually what made the episode so great

0:15:40.680 --> 0:15:44.600
<v Speaker 5>for me, was the fact that you went so hard

0:15:44.640 --> 0:15:47.280
<v Speaker 5>on the comedy that the drama also could really drop

0:15:47.320 --> 0:15:51.520
<v Speaker 5>in and be really connected and real. It made me

0:15:51.560 --> 0:15:54.160
<v Speaker 5>emotional watching those scenes because I was already so invested,

0:15:54.160 --> 0:15:56.440
<v Speaker 5>and you know, when your emotions are high, whether you're

0:15:56.560 --> 0:15:59.280
<v Speaker 5>crying or laughing, they're still high. So it's actually not

0:15:59.400 --> 0:16:02.160
<v Speaker 5>that far of of a connecting point to get to

0:16:02.160 --> 0:16:02.960
<v Speaker 5>the opposite motion.

0:16:04.040 --> 0:16:19.440
<v Speaker 4>Hm. The ending of that, you guys yelling at each other,

0:16:20.640 --> 0:16:23.120
<v Speaker 4>that gut punch about the well you're not gonna be

0:16:23.120 --> 0:16:25.240
<v Speaker 4>able to give my son a family, it was like, yeah,

0:16:27.160 --> 0:16:30.400
<v Speaker 4>that's about as low as you can hit man, And

0:16:30.760 --> 0:16:34.560
<v Speaker 4>going back to the like just the commitment of it.

0:16:35.040 --> 0:16:39.600
<v Speaker 4>Can we just pause and appreciate for a moment that

0:16:39.680 --> 0:16:43.800
<v Speaker 4>we wrote Sharon Lawrence doing a keg stand into a script.

0:16:44.320 --> 0:16:46.040
<v Speaker 3>She did it, and she did it?

0:16:46.080 --> 0:16:49.520
<v Speaker 4>Did it National Treasure? Sharon Lawrence was doing a keg

0:16:49.560 --> 0:16:50.560
<v Speaker 4>stand you guys.

0:16:50.880 --> 0:16:55.880
<v Speaker 3>Yes, yes, incredible that that cut from all of us

0:16:55.960 --> 0:16:59.600
<v Speaker 3>dancing on the table over to her. I was like,

0:16:59.800 --> 0:17:02.280
<v Speaker 3>take a sip of water and literally did a spittake

0:17:02.360 --> 0:17:05.280
<v Speaker 3>in my own house, unwitnessed, but I was like, oh

0:17:05.320 --> 0:17:09.080
<v Speaker 3>my god, it shocked me in the best way. And

0:17:10.080 --> 0:17:14.280
<v Speaker 3>I think what I loved about it is you see

0:17:14.359 --> 0:17:17.199
<v Speaker 3>Brooke and Sylvia kind of at war and trying to

0:17:17.200 --> 0:17:19.760
<v Speaker 3>figure out how to relate to each other, and in

0:17:19.800 --> 0:17:22.760
<v Speaker 3>that way, some of the stuff that we know has

0:17:22.800 --> 0:17:28.639
<v Speaker 3>made Sylvia so sad it almost feels even better that

0:17:28.760 --> 0:17:31.280
<v Speaker 3>she's there. You know, Brook's like, why are you here?

0:17:31.880 --> 0:17:34.560
<v Speaker 3>And Sylvia says, you asked me, you invited me. You know,

0:17:34.560 --> 0:17:38.280
<v Speaker 3>they're trying to piece it all together, and watching her

0:17:38.480 --> 0:17:43.920
<v Speaker 3>in that sort of montage with the girls, I felt

0:17:43.960 --> 0:17:46.000
<v Speaker 3>like I got to see Sylvia have an experience that

0:17:46.080 --> 0:17:49.200
<v Speaker 3>she didn't get to have when she was younger. Yeah,

0:17:49.280 --> 0:17:52.080
<v Speaker 3>you know, she's lonely and she got to be one

0:17:52.080 --> 0:17:53.960
<v Speaker 3>of the girls for the night. And in a weird way,

0:17:54.560 --> 0:17:59.160
<v Speaker 3>Sylvia and Alex Duprey are kind of having similar experiences

0:18:00.000 --> 0:18:02.680
<v Speaker 3>and even though there's been tension or might be tension,

0:18:03.160 --> 0:18:06.960
<v Speaker 3>they really are still being welcomed in for who they are,

0:18:07.840 --> 0:18:10.920
<v Speaker 3>and it's so fun to see it. And it's really

0:18:12.240 --> 0:18:17.080
<v Speaker 3>seeing her and Brooke bonding and realizing that they have

0:18:17.160 --> 0:18:20.760
<v Speaker 3>these things to share with each other. It makes that

0:18:21.119 --> 0:18:23.960
<v Speaker 3>gut punch at the end even worse because it's like,

0:18:24.080 --> 0:18:27.320
<v Speaker 3>oh my god, they finally got somewhere real, even though

0:18:27.320 --> 0:18:28.000
<v Speaker 3>they blacked out.

0:18:28.640 --> 0:18:32.040
<v Speaker 5>Yeah, and you were guys, were building on your relationships

0:18:32.119 --> 0:18:33.600
<v Speaker 5>so much throughout the whole episode.

0:18:34.280 --> 0:18:37.000
<v Speaker 4>Also, I don't know how I've made it forty three

0:18:37.080 --> 0:18:40.920
<v Speaker 4>years and I have never heard the term smother in law.

0:18:41.480 --> 0:18:43.720
<v Speaker 4>I know, that's so good.

0:18:43.960 --> 0:18:49.960
<v Speaker 3>It's so good. I mean, speaking of the phone, that

0:18:50.160 --> 0:18:53.960
<v Speaker 3>scene her seeing smother in law, and then Sharon and

0:18:54.000 --> 0:18:59.080
<v Speaker 3>Austin's whole misdirection with each other, his physical comedy in

0:18:59.119 --> 0:19:01.239
<v Speaker 3>that beat, the way he leaps up out of that

0:19:01.280 --> 0:19:02.520
<v Speaker 3>bed and is like, mom.

0:19:02.560 --> 0:19:05.600
<v Speaker 5>Oh that moment, Oh my god, yes, which moment when

0:19:05.800 --> 0:19:10.160
<v Speaker 5>he calls U Yeah, yeah.

0:19:10.000 --> 0:19:15.000
<v Speaker 3>Yeah, it's so terrible. I might have to misbathe by myself.

0:19:15.640 --> 0:19:19.919
<v Speaker 3>I was like, no, don't, don't care. It was just

0:19:20.160 --> 0:19:23.800
<v Speaker 3>so good, and it is. It just plays on that

0:19:23.880 --> 0:19:26.440
<v Speaker 3>universal thing that no matter how old you are, no

0:19:26.440 --> 0:19:29.439
<v Speaker 3>matter how married you get, no matter what, your parents

0:19:29.440 --> 0:19:32.120
<v Speaker 3>are still your parents, and you just don't you don't

0:19:32.160 --> 0:19:33.879
<v Speaker 3>really want to have that conversation with that.

0:19:34.040 --> 0:19:36.400
<v Speaker 5>Oh her expression. I mean, honestly, you could just put

0:19:36.400 --> 0:19:39.040
<v Speaker 5>a camera on her face for an hour and because

0:19:39.040 --> 0:19:42.200
<v Speaker 5>she's always thinking, you know, she's always thinking something.

0:19:42.280 --> 0:19:44.160
<v Speaker 3>And then you get to the end of it and

0:19:44.280 --> 0:19:46.080
<v Speaker 3>she looks at me and goes, she'll give you a

0:19:46.160 --> 0:19:52.200
<v Speaker 3>ring later, right, Just all of it was chef's kiss.

0:19:52.600 --> 0:19:56.440
<v Speaker 6>Her advice to Brooke is so funny.

0:19:56.520 --> 0:19:59.520
<v Speaker 4>After Dave Navarro has done a lord's work and said

0:19:59.560 --> 0:20:03.719
<v Speaker 4>some of those brutal lines and then leaves. You know,

0:20:03.800 --> 0:20:06.840
<v Speaker 4>Brooke is devastated, and Sylvia is there to it. Sort

0:20:06.840 --> 0:20:09.080
<v Speaker 4>of initially seems like, oh, this is going to be

0:20:09.119 --> 0:20:11.239
<v Speaker 4>a really sweet bonding moment where she's going to take

0:20:11.280 --> 0:20:14.080
<v Speaker 4>her under her wing and give her some nice, loving wisdom.

0:20:14.560 --> 0:20:19.960
<v Speaker 4>And her advice is, honey, just don't tell Julian. Yeah, like,

0:20:20.520 --> 0:20:24.160
<v Speaker 4>oh my god, that's horrible advice. And look almost so sincere.

0:20:24.280 --> 0:20:27.520
<v Speaker 4>She was so sincere. It was so good.

0:20:27.920 --> 0:20:30.640
<v Speaker 5>You can see that. I guess that's a difference in generations,

0:20:30.800 --> 0:20:34.200
<v Speaker 5>right like that. Maybe I don't know, but I feel

0:20:34.200 --> 0:20:36.560
<v Speaker 5>like in that generation there's a lot of sweeping things

0:20:37.280 --> 0:20:40.080
<v Speaker 5>under the rug, a lot of just you know, life

0:20:40.119 --> 0:20:42.920
<v Speaker 5>is hard enough, just keep going, just don't talk about it.

0:20:43.560 --> 0:20:47.600
<v Speaker 5>But also look where she is in her life and lonely,

0:20:47.720 --> 0:20:52.240
<v Speaker 5>And I love what Brooke says back about marriage being

0:20:52.280 --> 0:20:55.520
<v Speaker 5>about people loving each other for who they are. And

0:20:55.640 --> 0:20:59.080
<v Speaker 5>the confession that she gives to Julian at the end

0:20:59.320 --> 0:21:02.160
<v Speaker 5>was so heartbreak and I'm so so glad that it

0:21:02.200 --> 0:21:03.480
<v Speaker 5>turned out the way that it did.

0:21:05.040 --> 0:21:09.040
<v Speaker 3>I think it is definitely a generational divide, and I

0:21:09.119 --> 0:21:13.240
<v Speaker 3>was really I was glad to see that even though

0:21:13.280 --> 0:21:16.240
<v Speaker 3>it's I mean, listen, in my opinion, it's not the

0:21:16.320 --> 0:21:20.840
<v Speaker 3>right advice. I was both glad to see Sylvia try

0:21:20.880 --> 0:21:25.120
<v Speaker 3>to have Brooks back, even though it's you go like, no,

0:21:25.400 --> 0:21:27.879
<v Speaker 3>that's not what you're going to tell her that, But

0:21:28.000 --> 0:21:31.359
<v Speaker 3>you know why because Sylvia doesn't remember anything that happened

0:21:31.400 --> 0:21:34.320
<v Speaker 3>last night either, and you know, everyone's kind of like,

0:21:34.400 --> 0:21:37.440
<v Speaker 3>oh god, you know that's not real life. But it's

0:21:37.560 --> 0:21:42.120
<v Speaker 3>making excuses. And I love that Brooke is a person

0:21:43.160 --> 0:21:46.000
<v Speaker 3>maybe because she's been through so much who just says

0:21:46.400 --> 0:21:51.240
<v Speaker 3>I don't want to make excuses and I don't want

0:21:51.280 --> 0:21:54.680
<v Speaker 3>to hide anything. Yeah, And that's something that I really,

0:21:56.640 --> 0:22:00.359
<v Speaker 3>I don't know. I cherish that in people, and it

0:22:00.480 --> 0:22:02.480
<v Speaker 3>was nice to see her say, no matter how hard

0:22:02.520 --> 0:22:06.560
<v Speaker 3>this is, I want to just tell this person what happened,

0:22:06.680 --> 0:22:09.680
<v Speaker 3>what I know, what I don't know. I don't want

0:22:09.680 --> 0:22:11.000
<v Speaker 3>this to sit between us.

0:22:11.359 --> 0:22:13.480
<v Speaker 5>There's a version of Brooke earlier that wouldn't have made

0:22:13.520 --> 0:22:18.600
<v Speaker 5>that choice. And I really that's the beauty of being

0:22:18.680 --> 0:22:20.200
<v Speaker 5>on a show for this long as you really get

0:22:20.240 --> 0:22:22.520
<v Speaker 5>to watch these characters develop and grow. And I love

0:22:22.560 --> 0:22:25.680
<v Speaker 5>where she is, that she's at that place now, so beautiful.

0:22:26.119 --> 0:22:29.120
<v Speaker 4>Yeah, it's an integrity move, which has sort of been

0:22:29.119 --> 0:22:32.000
<v Speaker 4>the brand of Brooke, at least since I've jumped on

0:22:32.040 --> 0:22:35.000
<v Speaker 4>the train, you know for sure, because yeah, that's character,

0:22:35.119 --> 0:22:37.639
<v Speaker 4>Like yeah, what people don't know doesn't hurt them, but

0:22:37.640 --> 0:22:39.360
<v Speaker 4>it's like but you know, but.

0:22:39.400 --> 0:22:41.720
<v Speaker 5>You know, and it hurts you eventually, like just eating

0:22:41.760 --> 0:22:42.400
<v Speaker 5>away at you.

0:22:42.680 --> 0:22:45.640
<v Speaker 3>Well that's the thing. I think you can say that,

0:22:45.760 --> 0:22:49.600
<v Speaker 3>but then that thing is just going to fester always. Ooh,

0:22:50.000 --> 0:22:51.639
<v Speaker 3>and it's like I don't I don't want to live

0:22:51.680 --> 0:22:53.680
<v Speaker 3>a festery life. That's not the word I want to

0:22:53.680 --> 0:22:54.639
<v Speaker 3>describe my life with.

0:22:56.119 --> 0:23:00.400
<v Speaker 4>Yeah. It's not respectful, it's not loving, yeah, because you're

0:23:00.440 --> 0:23:03.919
<v Speaker 4>not protecting someone. You're protecting your own comfort. That's what

0:23:03.960 --> 0:23:07.760
<v Speaker 4>you're protecting. Yeah, you know, you are avoiding potentially making

0:23:07.840 --> 0:23:11.040
<v Speaker 4>someone upset and ruining something you love, So you're really

0:23:11.040 --> 0:23:14.879
<v Speaker 4>it's kind of it's just a selfish move that you know,

0:23:14.920 --> 0:23:16.919
<v Speaker 4>people found a nice way to word around. But like,

0:23:17.760 --> 0:23:20.480
<v Speaker 4>don't be virtuous like you doing that's not virtuous. It's

0:23:20.480 --> 0:23:22.680
<v Speaker 4>you being selfish and not being brave.

0:23:23.359 --> 0:23:28.439
<v Speaker 5>Yeah that's right. Okay, let me ask though, I have

0:23:28.560 --> 0:23:32.120
<v Speaker 5>never been blackout drunk where I really don't remember anything

0:23:32.720 --> 0:23:36.000
<v Speaker 5>I don't know if you guys have, but when Brooke

0:23:36.119 --> 0:23:38.760
<v Speaker 5>was really freaked out about kissing this guy, for me,

0:23:38.840 --> 0:23:41.240
<v Speaker 5>I was like, oh, free pass. Like she was totally

0:23:41.280 --> 0:23:44.080
<v Speaker 5>blacked out. How could she ever remember? Like, you don't

0:23:44.119 --> 0:23:46.080
<v Speaker 5>know what you're doing when you're blacked out. Why is

0:23:46.119 --> 0:23:49.320
<v Speaker 5>she so upset about this? I don't know. That was

0:23:49.320 --> 0:23:51.879
<v Speaker 5>my That was my knee jerk reaction. I was like,

0:23:52.000 --> 0:23:54.920
<v Speaker 5>I mean, I guess I would be. I'd be upset

0:23:54.960 --> 0:23:57.560
<v Speaker 5>that my partner got that drunk or but then you're like,

0:23:57.600 --> 0:23:59.840
<v Speaker 5>but somebody did, Like this was an accident. It's not

0:23:59.880 --> 0:24:03.359
<v Speaker 5>like guy went out and intentionally binge drank until a.

0:24:03.640 --> 0:24:06.200
<v Speaker 3>Yeah, like that doesn't take like bying tequila shots to

0:24:06.400 --> 0:24:06.920
<v Speaker 3>black out.

0:24:07.240 --> 0:24:08.879
<v Speaker 5>Now, that's a different issue.

0:24:09.119 --> 0:24:12.360
<v Speaker 3>Here's the thing that I think, and I actually do think,

0:24:12.400 --> 0:24:14.760
<v Speaker 3>even though the episode was rooted in so much comedy,

0:24:14.800 --> 0:24:17.639
<v Speaker 3>we did a good job with this. I think the

0:24:17.720 --> 0:24:23.119
<v Speaker 3>thing that's the most disconcerting is that she doesn't know

0:24:23.240 --> 0:24:26.679
<v Speaker 3>what happened, not know what's happened to you.

0:24:26.760 --> 0:24:29.720
<v Speaker 5>It's so scary, so scary.

0:24:29.560 --> 0:24:34.199
<v Speaker 3>And I really think there's something in that, because then

0:24:34.240 --> 0:24:37.600
<v Speaker 3>you're going, did I even though I know I wasn't

0:24:37.600 --> 0:24:39.360
<v Speaker 3>in a place where I could have chosen it. Did

0:24:39.359 --> 0:24:44.320
<v Speaker 3>I somehow choose it? Did it happen to me? And

0:24:45.040 --> 0:24:47.639
<v Speaker 3>I didn't choose it? And then that's also awful, like

0:24:48.440 --> 0:24:51.359
<v Speaker 3>and so I think it's the not knowing and the

0:24:51.480 --> 0:24:56.640
<v Speaker 3>idea that in a block of time that you cannot recall,

0:24:56.800 --> 0:24:59.800
<v Speaker 3>you might have hurt someone you love. Like it's scary

0:24:59.840 --> 0:25:05.320
<v Speaker 3>thing on scary thing on scary thing, and that felt

0:25:05.359 --> 0:25:10.800
<v Speaker 3>so important to be sort of rooted in, and then

0:25:10.880 --> 0:25:14.160
<v Speaker 3>the comedy got to build around it of this essentially

0:25:14.320 --> 0:25:17.679
<v Speaker 3>a scavenger hunt and reverse. Yeah, we'll go to the

0:25:17.680 --> 0:25:20.080
<v Speaker 3>tattoo shop, we'll figure out where the piercing came from. Wait,

0:25:21.080 --> 0:25:23.080
<v Speaker 3>she came in here with the nickname Boots, So where

0:25:23.080 --> 0:25:26.880
<v Speaker 3>were we before? And it just keeps going and it's

0:25:27.280 --> 0:25:31.720
<v Speaker 3>so funny. But I like that the root of the

0:25:31.800 --> 0:25:33.120
<v Speaker 3>comedy is a true thing.

0:25:33.560 --> 0:25:35.960
<v Speaker 5>Yeah, super important for Brook to live in that space

0:25:36.080 --> 0:25:39.640
<v Speaker 5>for sure, of the insecurity of not knowing what happened

0:25:39.640 --> 0:25:41.960
<v Speaker 5>and what's going to happen as a result of what happened.

0:25:42.640 --> 0:25:45.879
<v Speaker 5>I think, just as an objective viewer, there was no

0:25:46.000 --> 0:25:48.679
<v Speaker 5>world in which I thought Julian would blame her for

0:25:48.760 --> 0:25:54.080
<v Speaker 5>that because she didn't do with this on purpose, right,

0:25:54.200 --> 0:25:55.960
<v Speaker 5>I don't know. I was curious what you guys might.

0:25:55.920 --> 0:25:56.400
<v Speaker 3>I don't know.

0:25:57.000 --> 0:26:01.120
<v Speaker 6>Yes, And is because is it did an excuse to go.

0:26:01.240 --> 0:26:04.960
<v Speaker 4>I just got really drunk. It's like, but she didn't.

0:26:05.040 --> 0:26:07.679
<v Speaker 5>She just did a normal amount of drinking where you

0:26:07.720 --> 0:26:11.119
<v Speaker 5>could still be like, although she did, it's like she

0:26:11.200 --> 0:26:12.080
<v Speaker 5>recognized Julian.

0:26:12.600 --> 0:26:15.600
<v Speaker 6>Yes, she didn't. She didn't remember things like. That's not that's.

0:26:15.440 --> 0:26:18.240
<v Speaker 5>Because of the smoothie. She was ambushed.

0:26:21.400 --> 0:26:25.400
<v Speaker 4>She accidentally drugged herself smoothie ambushed.

0:26:25.560 --> 0:26:27.840
<v Speaker 3>Yeah, I don't know. It's it's kind of six of one,

0:26:27.880 --> 0:26:31.679
<v Speaker 3>half a dozen of the other, right where it's like

0:26:31.840 --> 0:26:34.760
<v Speaker 3>you you don't exactly get a pass, but you also

0:26:34.960 --> 0:26:37.720
<v Speaker 3>can't be completely punished.

0:26:38.240 --> 0:26:40.960
<v Speaker 5>Yeah, it's not like it's nothing like oh well whatever.

0:26:41.320 --> 0:26:43.600
<v Speaker 5>But if I had a partner that came to me

0:26:43.640 --> 0:26:46.800
<v Speaker 5>and said, you're never gonna believe what happened. Look, I

0:26:46.840 --> 0:26:49.399
<v Speaker 5>blacked out, I drank something that and I had some

0:26:49.480 --> 0:26:51.320
<v Speaker 5>alcohol and I didn't I don't know what happened, but

0:26:51.960 --> 0:26:53.959
<v Speaker 5>I guess I kissed somebody at the bar last night.

0:26:53.960 --> 0:26:56.200
<v Speaker 5>But I literally have no memory of anything that happened.

0:26:56.240 --> 0:26:57.960
<v Speaker 5>And I wasn't out like binge drinking.

0:26:58.000 --> 0:27:00.720
<v Speaker 3>Well, it makes my tummy flip. I hate it. Really.

0:27:01.280 --> 0:27:04.679
<v Speaker 4>Yeah. I think here's the thing. If if there's a

0:27:04.840 --> 0:27:10.159
<v Speaker 4>genuine like chemo reaction that wasn't planned and had merit,

0:27:10.520 --> 0:27:12.520
<v Speaker 4>That's one thing I thought you were just saying. If

0:27:12.520 --> 0:27:15.199
<v Speaker 4>your partner came home and was like, I'm sorry, I

0:27:15.240 --> 0:27:18.520
<v Speaker 4>got a little blackout drunk and I kissed someone, there's

0:27:18.520 --> 0:27:19.560
<v Speaker 4>no free pass in there.

0:27:19.560 --> 0:27:20.720
<v Speaker 5>No no, no, no no.

0:27:21.000 --> 0:27:21.240
<v Speaker 4>Yeah.

0:27:21.280 --> 0:27:25.240
<v Speaker 6>If it is the accidental drugging of oneself, yes, it

0:27:25.359 --> 0:27:26.000
<v Speaker 6>muddies the way.

0:27:26.119 --> 0:27:29.000
<v Speaker 5>That's exactly what I'm talking about. Yes, no, no free

0:27:29.000 --> 0:27:32.560
<v Speaker 5>pass on blackout drunk, I made out with somebody, It's like, no, no,

0:27:32.680 --> 0:27:35.840
<v Speaker 5>thank you. I choose not to have this in my life.

0:27:36.160 --> 0:27:40.320
<v Speaker 3>Here's what I think is tricky. We watched the episode

0:27:40.400 --> 0:27:42.720
<v Speaker 3>so we know all of this was harmless, and then

0:27:42.800 --> 0:27:44.520
<v Speaker 3>we know it turned out to be Julian in the

0:27:44.560 --> 0:27:45.119
<v Speaker 3>first place.

0:27:45.359 --> 0:27:46.240
<v Speaker 5>I had forgotten that.

0:27:46.560 --> 0:27:49.600
<v Speaker 3>And because we watched the girls and we know these

0:27:49.640 --> 0:27:51.800
<v Speaker 3>girls and we're like, there was no mal intent here,

0:27:52.240 --> 0:27:55.240
<v Speaker 3>I think we're more likely to give them a pass.

0:27:55.480 --> 0:27:55.680
<v Speaker 5>Yeah.

0:27:56.040 --> 0:27:58.639
<v Speaker 3>I think if this happened to you in your real life,

0:27:59.520 --> 0:28:01.359
<v Speaker 3>you would be hurt.

0:28:01.800 --> 0:28:04.280
<v Speaker 5>I would be upset. You know, and I also be like,

0:28:04.520 --> 0:28:07.800
<v Speaker 5>what the hell, Like, you got drugged by a smoothie?

0:28:08.200 --> 0:28:08.480
<v Speaker 4>What?

0:28:09.760 --> 0:28:12.960
<v Speaker 3>Yeah, It's like it's tricky, and I think that's part

0:28:13.000 --> 0:28:15.879
<v Speaker 3>of it. I think it's part of the reason why

0:28:16.640 --> 0:28:21.720
<v Speaker 3>people that are involved in something can say and mean

0:28:21.760 --> 0:28:25.240
<v Speaker 3>it it wasn't like that. We didn't realize and then

0:28:25.320 --> 0:28:28.840
<v Speaker 3>everybody blacked out and and you'll go, oh, okay, But

0:28:28.920 --> 0:28:31.520
<v Speaker 3>if if you heard about this through the grapevine, like

0:28:32.200 --> 0:28:34.439
<v Speaker 3>a friend of a friend's sister, you'd be like, what

0:28:34.600 --> 0:28:38.960
<v Speaker 3>the that's not okay. So we we give more of

0:28:39.000 --> 0:28:41.080
<v Speaker 3>a pass to the people that we know because we

0:28:41.160 --> 0:28:43.560
<v Speaker 3>know what kind of people they are. And I think

0:28:43.600 --> 0:28:47.600
<v Speaker 3>it's why people judge strangers so intensely, because maybe you're

0:28:47.680 --> 0:28:50.720
<v Speaker 3>judging strangers as you are and not as they are,

0:28:51.240 --> 0:28:55.800
<v Speaker 3>and that that's part of the thing with TV. I think,

0:28:56.680 --> 0:28:59.920
<v Speaker 3>because you you get to know a character, you know

0:29:00.120 --> 0:29:03.800
<v Speaker 3>their heart, you know their moral compass, you see them

0:29:03.800 --> 0:29:07.920
<v Speaker 3>as more of a whole person. And so I'm realizing

0:29:07.920 --> 0:29:11.240
<v Speaker 3>as we're sitting here and we're like, yeah, but how great,

0:29:11.320 --> 0:29:14.520
<v Speaker 3>and she was right and good for them, and it's like, yeah,

0:29:14.520 --> 0:29:16.520
<v Speaker 3>if we heard this about a stranger, we'd probably be

0:29:17.160 --> 0:29:18.120
<v Speaker 3>way less patient.

0:29:18.400 --> 0:29:21.840
<v Speaker 6>Oh yeah, if a buddy came to me and went like, ah, yeah,

0:29:22.440 --> 0:29:24.040
<v Speaker 6>the new girl on dating, I guess she had a

0:29:24.080 --> 0:29:27.240
<v Speaker 6>bad smoothie that reacted to some booze she drank, and

0:29:27.280 --> 0:29:30.160
<v Speaker 6>she made out with a dude at the bar. There's

0:29:30.280 --> 0:29:32.760
<v Speaker 6>just no way in hell im going that's unfortunate. Man,

0:29:32.800 --> 0:29:37.040
<v Speaker 6>you should cut her some slack. Like that sounds so outlined.

0:29:38.000 --> 0:29:41.400
<v Speaker 3>But isn't that crazy because it could literally be this

0:29:41.520 --> 0:29:44.320
<v Speaker 3>exact situation and if you'd watched the episode, you'd be like,

0:29:44.360 --> 0:29:46.880
<v Speaker 3>oh no, absolutely not. Nothing bad happened those poor girls.

0:29:46.880 --> 0:29:49.520
<v Speaker 3>How funny. This'll be a great story in ten years.

0:29:49.960 --> 0:29:53.600
<v Speaker 3>And that's what's so funny to me is we I

0:29:53.600 --> 0:29:56.280
<v Speaker 3>think we give more of a pass, you know, to

0:29:56.360 --> 0:29:58.640
<v Speaker 3>the characters because we actually watch it happen and we

0:29:58.720 --> 0:30:02.400
<v Speaker 3>know they're good people, which ironically is true of people

0:30:02.440 --> 0:30:05.520
<v Speaker 3>in the world. Usually I would hope that they're good people,

0:30:06.000 --> 0:30:08.640
<v Speaker 3>but we're so like that sounds real far fetched.

0:30:09.240 --> 0:30:13.760
<v Speaker 4>Well, also because it's TV and we're not logic proofing everything,

0:30:13.800 --> 0:30:16.200
<v Speaker 4>because the fact is, I don't know if any vegetables

0:30:16.280 --> 0:30:19.920
<v Speaker 4>or fruits that when combined with alcohol make you blackout,

0:30:20.200 --> 0:30:22.600
<v Speaker 4>like unless they put a little like Benadryll in your

0:30:22.600 --> 0:30:24.040
<v Speaker 4>smoothie exactly.

0:30:24.320 --> 0:30:26.840
<v Speaker 6>Don't understand the chemistry of that.

0:30:27.520 --> 0:30:31.120
<v Speaker 3>A Valerian room, and there probably isn't any right a

0:30:31.200 --> 0:30:37.120
<v Speaker 3>Valerian root. Yeah, it's so funny. You do in order

0:30:37.200 --> 0:30:39.400
<v Speaker 3>to be a viewer, you have to be willing to

0:30:39.400 --> 0:30:42.640
<v Speaker 3>suspend disbelief, and that's part of what makes it kind

0:30:42.680 --> 0:30:44.080
<v Speaker 3>of fun.

0:30:55.680 --> 0:30:59.560
<v Speaker 6>The moment when Alex falls off the bowl and there's

0:30:59.600 --> 0:31:01.800
<v Speaker 6>that little I sort of took as an homage to

0:31:01.880 --> 0:31:04.840
<v Speaker 6>Million Dollar Baby because it's just that close up of

0:31:04.880 --> 0:31:07.560
<v Speaker 6>her falling off and hitting the railing with her head

0:31:07.640 --> 0:31:09.120
<v Speaker 6>in a terrible angle.

0:31:10.280 --> 0:31:12.120
<v Speaker 4>But then, of course, because then she falls out of

0:31:12.160 --> 0:31:14.520
<v Speaker 4>frame and it's like it's very million dollar Baby. But

0:31:14.600 --> 0:31:16.200
<v Speaker 4>then of course she does the alexy and she's like

0:31:16.440 --> 0:31:20.960
<v Speaker 4>she pops up and she's like, yeah, it was so funny.

0:31:21.000 --> 0:31:22.959
<v Speaker 4>I just I thought that was a little wink and

0:31:23.000 --> 0:31:24.680
<v Speaker 4>I just I enjoyed the heck out of that.

0:31:25.120 --> 0:31:28.000
<v Speaker 5>Yeah, great that. I've never ridden a mechanical bull, have you.

0:31:28.200 --> 0:31:30.440
<v Speaker 5>I mean, how did that go for you? You guys have

0:31:30.520 --> 0:31:30.880
<v Speaker 5>done that?

0:31:31.560 --> 0:31:35.120
<v Speaker 3>Yes, the famous Saddle Ranch in La.

0:31:35.480 --> 0:31:37.520
<v Speaker 5>Yeah, I lived right there. I used to live right

0:31:37.560 --> 0:31:38.040
<v Speaker 5>behind it.

0:31:38.240 --> 0:31:40.640
<v Speaker 6>There's only so many ways you can impress a gal,

0:31:40.680 --> 0:31:42.520
<v Speaker 6>and sometimes you just got to get up on that

0:31:42.600 --> 0:31:45.239
<v Speaker 6>mechanical bowl and show her what you think you're made of.

0:31:45.880 --> 0:31:48.880
<v Speaker 5>Did they have speed control on that when they were

0:31:48.880 --> 0:31:52.920
<v Speaker 5>filming this episode for you guys, I'm sure totally. Okay.

0:31:53.080 --> 0:31:54.640
<v Speaker 5>I don't know how it goes. If it's like a

0:31:54.720 --> 0:31:56.880
<v Speaker 5>ride that just goes at its own, you never know

0:31:56.920 --> 0:31:57.520
<v Speaker 5>what to expect.

0:31:57.920 --> 0:32:02.560
<v Speaker 4>It has levels, Okay, someone manning the controls. So if

0:32:02.600 --> 0:32:06.880
<v Speaker 4>you show up and like you're cocky, you are gonna

0:32:06.920 --> 0:32:08.400
<v Speaker 4>get bucked in a big way.

0:32:08.920 --> 0:32:09.160
<v Speaker 3>Yeah.

0:32:09.320 --> 0:32:11.560
<v Speaker 4>Whereas if it's like someone puts the Grandma on it,

0:32:11.600 --> 0:32:13.720
<v Speaker 4>they can be very gentle with it and make sure

0:32:13.760 --> 0:32:15.160
<v Speaker 4>she doesn't, you know, hurt herself.

0:32:15.520 --> 0:32:18.160
<v Speaker 3>Okay, was this a carnival job you had at one time?

0:32:18.240 --> 0:32:22.280
<v Speaker 6>Rub listen, don't get into my history.

0:32:22.600 --> 0:32:26.120
<v Speaker 4>Yes, yes, I did the tilta whirl and I did

0:32:26.280 --> 0:32:30.360
<v Speaker 4>the mechanical bowl. I love that for you.

0:32:30.880 --> 0:32:32.600
<v Speaker 5>I don't know why I've never done it. I think

0:32:32.680 --> 0:32:34.760
<v Speaker 5>I just don't like the idea of getting thrown off

0:32:34.800 --> 0:32:36.880
<v Speaker 5>of something that doesn't sound super fun.

0:32:37.400 --> 0:32:41.520
<v Speaker 4>It's so fun, though, I guess I'll land in like

0:32:41.840 --> 0:32:46.360
<v Speaker 4>a bounce house type flooring. So yeah, it's a fun one.

0:32:46.440 --> 0:32:46.640
<v Speaker 5>Joy.

0:32:46.640 --> 0:32:48.080
<v Speaker 4>I think it would be funny though, that the first

0:32:48.120 --> 0:32:50.320
<v Speaker 4>time you did it would be like once you're a

0:32:50.360 --> 0:32:53.800
<v Speaker 4>mom in my forties, like yeah, yeah, I wasn't going

0:32:53.840 --> 0:32:56.040
<v Speaker 4>to date you, but yeah, sure in your forties. I

0:32:56.040 --> 0:32:57.920
<v Speaker 4>think that would be hilarious that you're like, nah, in

0:32:57.960 --> 0:33:00.800
<v Speaker 4>my twenties and I don't think so thirties, forties.

0:33:00.840 --> 0:33:03.160
<v Speaker 5>Now it feels right now, now it's time. Yeah, I'm due,

0:33:03.200 --> 0:33:05.760
<v Speaker 5>I'm overdue. I'm in all right, I'll send you a

0:33:05.760 --> 0:33:06.880
<v Speaker 5>photo from the Bull.

0:33:06.880 --> 0:33:10.360
<v Speaker 3>Yes please. It is really fun to play games and

0:33:10.400 --> 0:33:13.120
<v Speaker 3>do kid things as an adult. I think that's why

0:33:13.120 --> 0:33:16.120
<v Speaker 3>the water balloon fight is so fun. Yeah, and they

0:33:16.200 --> 0:33:18.040
<v Speaker 3>you know, there's nowhere in the middle of the night

0:33:18.120 --> 0:33:20.800
<v Speaker 3>to get water balloons, so they've clearly gone to a

0:33:20.840 --> 0:33:23.720
<v Speaker 3>gas station and bought a box of condoms. And I

0:33:23.800 --> 0:33:26.400
<v Speaker 3>love that it's all these girls in these feather bow is,

0:33:26.640 --> 0:33:31.200
<v Speaker 3>screaming in their party outfits, playing this water balloon fight

0:33:31.480 --> 0:33:35.000
<v Speaker 3>so aggressively. It looks like a game of paintball. Yeah,

0:33:35.040 --> 0:33:38.480
<v Speaker 3>and it is just it's so fun that everybody really

0:33:38.560 --> 0:33:42.200
<v Speaker 3>went like the bull full tilt.

0:33:42.560 --> 0:33:46.880
<v Speaker 6>Hey, who was the crew member? Because little bts here?

0:33:46.920 --> 0:33:50.200
<v Speaker 4>Yeah, the gentleman eating wings with Sylvia and the wing

0:33:50.240 --> 0:33:50.960
<v Speaker 4>eating contest.

0:33:51.040 --> 0:33:53.680
<v Speaker 6>Yes, was member of our crew. Was he a transpo captain?

0:33:54.160 --> 0:33:57.840
<v Speaker 3>Yes, who either was employed as or was a volunteer

0:33:57.880 --> 0:34:01.640
<v Speaker 3>firefighter if I remember erectly, Yeah, because he remember he'd

0:34:01.640 --> 0:34:03.520
<v Speaker 3>come in his fire jacket sometimes.

0:34:03.760 --> 0:34:06.040
<v Speaker 5>He was a big dude, a big dude.

0:34:06.120 --> 0:34:10.160
<v Speaker 3>And to see those two side by side pounding wings

0:34:10.160 --> 0:34:12.480
<v Speaker 3>together and have Sharon Wynne was so good.

0:34:12.880 --> 0:34:15.400
<v Speaker 5>The tie in for her mouth being on fire. We

0:34:15.480 --> 0:34:17.880
<v Speaker 5>had to wait like forty minutes into the episode to

0:34:17.920 --> 0:34:19.399
<v Speaker 5>find out why it's so good?

0:34:19.440 --> 0:34:22.160
<v Speaker 3>What is that? And I loved in this walk and

0:34:22.239 --> 0:34:24.640
<v Speaker 3>talk with these two girls, by the way, in full

0:34:24.680 --> 0:34:29.920
<v Speaker 3>walk of shame but shameless walking barefoot down Front Street together.

0:34:31.520 --> 0:34:35.200
<v Speaker 3>You know, Sharon has this really sweet bit about how

0:34:35.239 --> 0:34:38.960
<v Speaker 3>she's never won anything and she's thanking Brook for this

0:34:39.000 --> 0:34:40.719
<v Speaker 3>great night because now she's champion.

0:34:41.320 --> 0:34:44.280
<v Speaker 5>Yeah, it's so sweet, just so sweet.

0:34:44.760 --> 0:34:47.160
<v Speaker 4>Did you either of you clock the fact that when

0:34:47.200 --> 0:34:50.080
<v Speaker 4>Brooke finally comes home towards the end of the episode

0:34:50.360 --> 0:34:54.080
<v Speaker 4>and Julian's waiting for her, he's stretched out on the

0:34:54.120 --> 0:34:59.320
<v Speaker 4>couch and his feet are up and he's wearing shoes.

0:34:59.640 --> 0:35:04.400
<v Speaker 3>Oh everybody does that? On this show. What time?

0:35:05.239 --> 0:35:07.040
<v Speaker 4>Didn't none of it? I mean, did we just not

0:35:07.120 --> 0:35:09.520
<v Speaker 4>push back on that? Were we just a busy day?

0:35:10.280 --> 0:35:12.719
<v Speaker 4>But those are your outside shoes. You have your feed

0:35:12.840 --> 0:35:17.680
<v Speaker 4>up on the pillows, the throw pillows. Uh huh.

0:35:17.760 --> 0:35:21.200
<v Speaker 3>Yeah, it's such an indicator that those shoes were never

0:35:21.280 --> 0:35:22.400
<v Speaker 3>actually worn outside.

0:35:22.960 --> 0:35:24.759
<v Speaker 5>Yeah, it's an indicator of being on a set and

0:35:24.800 --> 0:35:26.719
<v Speaker 5>that the shoes were never actually worn outside. That you

0:35:26.760 --> 0:35:29.920
<v Speaker 5>feel you just to subconsciously feel so comfortable because you're like, no,

0:35:30.000 --> 0:35:30.640
<v Speaker 5>that's pretty clean.

0:35:31.080 --> 0:35:34.880
<v Speaker 3>Yeah. Well, and in my brain, you know, he's ready

0:35:34.920 --> 0:35:40.879
<v Speaker 3>to go, they've got their rehearsal. I don't know. Maybe

0:35:40.920 --> 0:35:43.960
<v Speaker 3>it was meant to show that she's late. I don't know,

0:35:44.719 --> 0:35:48.239
<v Speaker 3>but yeah, every time everybody puts their freaking shoes on

0:35:48.280 --> 0:35:49.839
<v Speaker 3>the furniture in the show.

0:35:49.560 --> 0:35:52.920
<v Speaker 4>It's strange. I did love the reveal of when you

0:35:52.960 --> 0:35:56.799
<v Speaker 4>get to the church and it's decorated beautifully that it

0:35:56.920 --> 0:36:01.120
<v Speaker 4>was Haley and Sylvia. Yeah, because first of all, Hailey's

0:36:01.160 --> 0:36:05.920
<v Speaker 4>obviously quite pregnant as we know, just that's good friending.

0:36:06.000 --> 0:36:08.799
<v Speaker 4>And then that Sylvia did that, it gave it just

0:36:09.719 --> 0:36:14.120
<v Speaker 4>was the perfect setup for the repair that you two have.

0:36:14.880 --> 0:36:17.000
<v Speaker 4>It's kind of this cool thing I was thinking about, Like,

0:36:17.520 --> 0:36:24.080
<v Speaker 4>I love I love that she invited herself to the

0:36:24.120 --> 0:36:26.480
<v Speaker 4>party because it's sort of like you both want a

0:36:26.520 --> 0:36:30.319
<v Speaker 4>relationship and it's just not lining up right, but you're

0:36:30.440 --> 0:36:33.640
<v Speaker 4>both continuing to show up and push the buttons until

0:36:33.680 --> 0:36:36.840
<v Speaker 4>you figure it out. Like no one dipped out, like

0:36:36.880 --> 0:36:38.560
<v Speaker 4>she could have just skipped down your left, but like

0:36:39.080 --> 0:36:42.160
<v Speaker 4>she forced herself back in and then it finally created

0:36:43.120 --> 0:36:47.360
<v Speaker 4>the right time for you guys to like really drop

0:36:47.400 --> 0:36:50.480
<v Speaker 4>it all, you know, have a heart to heart and

0:36:50.520 --> 0:36:53.600
<v Speaker 4>like bond, which was great because like I so want

0:36:53.600 --> 0:36:55.000
<v Speaker 4>that for a Brooke and for Sylvia.

0:36:55.239 --> 0:36:58.719
<v Speaker 5>Yeah. Yeah, the level of humility that it required from

0:36:58.800 --> 0:37:03.560
<v Speaker 5>Sylvia in particular to be able to set aside all

0:37:03.600 --> 0:37:05.400
<v Speaker 5>of the things that she came in with, all the

0:37:05.440 --> 0:37:07.360
<v Speaker 5>ideas that she came in with about the wedding and

0:37:07.400 --> 0:37:11.680
<v Speaker 5>about their relationship and who Brooke was going to be

0:37:11.800 --> 0:37:14.840
<v Speaker 5>to her, that she was able to set all of

0:37:14.880 --> 0:37:17.520
<v Speaker 5>that down and just continue to show up for her

0:37:18.400 --> 0:37:24.520
<v Speaker 5>regardless of what her expectations were or desires. I love that. Again,

0:37:24.640 --> 0:37:27.960
<v Speaker 5>just like watching character growth, watching someone develop from who

0:37:28.200 --> 0:37:31.080
<v Speaker 5>they were when we met them, even in this short

0:37:31.080 --> 0:37:34.120
<v Speaker 5>amount of time, to see Sylvia grow like that. That

0:37:34.239 --> 0:37:36.080
<v Speaker 5>was really sweet seeing her in the church. And she

0:37:36.080 --> 0:37:38.839
<v Speaker 5>wasn't rubbing it in Brook's face. She wasn't like, if

0:37:38.840 --> 0:37:40.560
<v Speaker 5>only you had known that I was doing these nice

0:37:40.600 --> 0:37:42.560
<v Speaker 5>things for you this whole time. She didn't do any

0:37:42.560 --> 0:37:44.560
<v Speaker 5>of that. She was just there.

0:37:45.120 --> 0:37:48.840
<v Speaker 3>Yeah. Well, and I think that might be part of

0:37:48.880 --> 0:37:52.800
<v Speaker 3>why the big fight between them services that moment, right,

0:37:52.920 --> 0:37:56.920
<v Speaker 3>because for Sylvia to say what she said is so awful. Yeah,

0:37:57.760 --> 0:38:03.960
<v Speaker 3>and I think that if that kind of outburst doesn't

0:38:04.000 --> 0:38:08.480
<v Speaker 3>cause self reflection and for you to, for any human

0:38:08.560 --> 0:38:11.480
<v Speaker 3>to do that, you've got to be able to say, Okay,

0:38:11.520 --> 0:38:14.000
<v Speaker 3>I've clearly lost the plot a little bit here. Yeah,

0:38:14.400 --> 0:38:19.400
<v Speaker 3>I'm being triggered by something or I'm being absolutely unhinged.

0:38:19.480 --> 0:38:22.920
<v Speaker 3>And I thought that the circle back for them with

0:38:23.040 --> 0:38:28.160
<v Speaker 3>Sylvia saying, I'm essentially saying I'm so stuck in the

0:38:28.200 --> 0:38:30.280
<v Speaker 3>past that I can't be in the present. I'm missing

0:38:30.320 --> 0:38:35.720
<v Speaker 3>my whole life. It's a big lesson, it's a big vulnerability,

0:38:36.680 --> 0:38:41.560
<v Speaker 3>and I think in an interesting way, each of those

0:38:41.560 --> 0:38:44.680
<v Speaker 3>women knows what that means and they both want to

0:38:44.680 --> 0:38:49.040
<v Speaker 3>move forward. Yeah, you know, Broke references it a little

0:38:49.080 --> 0:38:52.160
<v Speaker 3>bit with you know, the Lucas and Peyton of it

0:38:52.200 --> 0:38:55.680
<v Speaker 3>all earlier in the episode, and when you think about

0:38:55.680 --> 0:38:58.160
<v Speaker 3>how many years Brooke didn't let anyone in because she

0:38:58.160 --> 0:39:02.600
<v Speaker 3>didn't want to get hurt again, the circumstances are different,

0:39:02.680 --> 0:39:07.840
<v Speaker 3>but she knows what Sylvia is talking about. And in

0:39:07.880 --> 0:39:09.759
<v Speaker 3>a way, I think it had to be these two

0:39:09.840 --> 0:39:12.560
<v Speaker 3>women who could help each other kind of get to

0:39:12.640 --> 0:39:16.160
<v Speaker 3>the next phase of their lives, because in this instance,

0:39:16.239 --> 0:39:20.200
<v Speaker 3>Sylvia is helping Brook, you know, except that her best

0:39:20.200 --> 0:39:22.880
<v Speaker 3>friend is never going to move home and that's hard.

0:39:23.400 --> 0:39:28.000
<v Speaker 3>And you know, asterisk on that selks that you know

0:39:28.880 --> 0:39:31.360
<v Speaker 3>they were behind the scenes politics because at the time

0:39:31.480 --> 0:39:35.000
<v Speaker 3>we were told that our friends who played those characters

0:39:35.040 --> 0:39:37.520
<v Speaker 3>were invited back for this episode and turned it down,

0:39:37.560 --> 0:39:44.880
<v Speaker 3>and you know, all this time. Yeah, and I remember

0:39:44.920 --> 0:39:48.319
<v Speaker 3>even at the time hearing that, and like, you know,

0:39:48.480 --> 0:39:51.279
<v Speaker 3>our shooting schedules were so crazy and whatnot. And I

0:39:51.360 --> 0:39:53.720
<v Speaker 3>knew if I knew that wasn't true, I'd be so upset.

0:39:53.800 --> 0:39:55.920
<v Speaker 3>So I didn't ask Hillary until like a couple of

0:39:55.960 --> 0:39:59.160
<v Speaker 3>weeks after we filmed the wedding if that was true.

0:39:59.360 --> 0:40:02.440
<v Speaker 3>I was like, Hey, I just want to know. I

0:40:02.440 --> 0:40:05.279
<v Speaker 3>won't say anything, and you know, we didn't we didn't

0:40:05.280 --> 0:40:09.239
<v Speaker 3>talk about it, probably for years, but like even even then,

0:40:09.320 --> 0:40:11.960
<v Speaker 3>I was like, oh, I'm really sad if this isn't true.

0:40:11.960 --> 0:40:13.880
<v Speaker 3>I'd rather think they were going to come and then

0:40:13.920 --> 0:40:17.160
<v Speaker 3>were unavailable because of other things they're shooting. Yeah, then

0:40:17.239 --> 0:40:19.319
<v Speaker 3>think that the grown ups in the room are so

0:40:19.360 --> 0:40:22.160
<v Speaker 3>petty they're not even going to be invited. Yeah, And

0:40:22.280 --> 0:40:25.080
<v Speaker 3>like it's interesting that in a way we were processing

0:40:25.120 --> 0:40:27.759
<v Speaker 3>something on camera that we were processing off too, you know.

0:40:28.520 --> 0:40:33.160
<v Speaker 6>And I think it's another example of brooks integrity and

0:40:33.239 --> 0:40:36.080
<v Speaker 6>her just high roading the hell out of the situation

0:40:36.239 --> 0:40:40.040
<v Speaker 6>because I mean, look at what was said right, Like

0:40:40.320 --> 0:40:44.040
<v Speaker 6>what she threw in Sylvia's face is the truth, So

0:40:45.000 --> 0:40:48.800
<v Speaker 6>it wasn't me Listen, the way she delivered the message

0:40:49.960 --> 0:40:53.320
<v Speaker 6>was kind of devoid of compassion, but she was speaking

0:40:53.320 --> 0:40:58.400
<v Speaker 6>to a behavioral choice. And what Sylvia did was cruel.

0:40:59.000 --> 0:41:02.160
<v Speaker 6>She attacked something that's out of Brooks control. There's nothing

0:41:02.200 --> 0:41:03.520
<v Speaker 6>actionable for Brooke to do there.

0:41:03.600 --> 0:41:06.560
<v Speaker 4>It was a very very mean thing to do. So

0:41:07.000 --> 0:41:11.719
<v Speaker 4>I think her decorating the church was a nice gesture

0:41:11.760 --> 0:41:14.640
<v Speaker 4>in the right direction. I think where to me, where

0:41:14.680 --> 0:41:17.239
<v Speaker 4>I really saw grace was in how Brooke handled it.

0:41:17.880 --> 0:41:21.280
<v Speaker 4>That was the appropriate move for Sylvia to begin a repair,

0:41:21.680 --> 0:41:24.960
<v Speaker 4>and I think to see Brooke be able to accept it.

0:41:26.400 --> 0:41:28.400
<v Speaker 6>That was where I saw the grace.

0:41:28.120 --> 0:41:30.120
<v Speaker 4>In the scene, because she, to me, was the one

0:41:30.120 --> 0:41:32.960
<v Speaker 4>who really got really really wronged.

0:41:34.200 --> 0:41:37.200
<v Speaker 3>Yeah, that's a nice observation, Rob. I'm listening to you

0:41:37.280 --> 0:41:39.479
<v Speaker 3>talk thinking, God, I'm just so glad Rob is a dad.

0:41:40.280 --> 0:41:46.200
<v Speaker 3>It's really glad you're raising kids to have good men

0:41:46.280 --> 0:41:50.760
<v Speaker 3>in our corner that want to really analyze emotions and things.

0:41:50.880 --> 0:41:52.840
<v Speaker 3>Is like, that's so nice.

0:41:53.239 --> 0:41:55.400
<v Speaker 4>I'm so glad that the camera doesn't pan over right

0:41:55.440 --> 0:41:57.240
<v Speaker 4>now and you see my three year old drinking mountain

0:41:57.280 --> 0:41:59.920
<v Speaker 4>dew and lighting fireworks off by himself. So let's just

0:42:00.000 --> 0:42:02.040
<v Speaker 4>stick with that narrative. You've got to keep the frame

0:42:02.120 --> 0:42:08.120
<v Speaker 4>right here. Okay. I appreciate it, and I liked I

0:42:08.200 --> 0:42:11.200
<v Speaker 4>liked the button on the end of it all with

0:42:12.080 --> 0:42:14.200
<v Speaker 4>Haley being asked to be the maid of honor.

0:42:14.600 --> 0:42:16.080
<v Speaker 5>Yeah, yeah, so sweet.

0:42:16.480 --> 0:42:17.600
<v Speaker 4>She's the one who showed up.

0:42:17.920 --> 0:42:22.280
<v Speaker 3>Yeah. And it has been a really sort of special

0:42:22.280 --> 0:42:25.239
<v Speaker 3>amount of time, right, you get we've gotten all of

0:42:25.440 --> 0:42:28.520
<v Speaker 3>our season seven, we've gotten half of our season eight

0:42:28.960 --> 0:42:34.120
<v Speaker 3>to get to see Brooke and Haley's friendship. Not that

0:42:34.200 --> 0:42:36.960
<v Speaker 3>it wasn't there before. It's always been you know, since

0:42:37.120 --> 0:42:41.040
<v Speaker 3>since we became friends early. It's been a great relationship.

0:42:41.080 --> 0:42:45.799
<v Speaker 3>But I think for both of these women who've been

0:42:45.880 --> 0:42:48.080
<v Speaker 3>juggling a lot and going through a lot in these

0:42:48.200 --> 0:42:51.680
<v Speaker 3>last two years, let's call it to have a moment.

0:42:52.320 --> 0:42:54.040
<v Speaker 3>It sort of was like, Oh, it's the first moment

0:42:54.080 --> 0:42:56.200
<v Speaker 3>where they've really gotten to pause and talk about their

0:42:56.200 --> 0:42:58.600
<v Speaker 3>friendship because they've been so busy living it.

0:42:59.120 --> 0:43:02.759
<v Speaker 5>Yeah, and it felt out fires Yeah.

0:43:03.040 --> 0:43:05.040
<v Speaker 3>Yeah, I really like they've had so much going on

0:43:05.120 --> 0:43:07.440
<v Speaker 3>and it was just it wasn't even a long scene.

0:43:07.480 --> 0:43:09.040
<v Speaker 3>But I loved that we got to have it, and

0:43:09.080 --> 0:43:11.759
<v Speaker 3>I like that we were up in that balcony kind

0:43:11.760 --> 0:43:13.080
<v Speaker 3>of removed from everything.

0:43:14.000 --> 0:43:16.160
<v Speaker 4>Yeah, you know that quote. I've been thinking about it

0:43:16.200 --> 0:43:20.920
<v Speaker 4>a lot lately. If they wanted to, they would have

0:43:21.000 --> 0:43:23.480
<v Speaker 4>you heard that one. Yes, sort of all over like

0:43:23.600 --> 0:43:26.000
<v Speaker 4>the Instagram therapy and stuff. But I love it because

0:43:26.000 --> 0:43:28.759
<v Speaker 4>it's true, right, because I will I am guilty of

0:43:29.760 --> 0:43:33.160
<v Speaker 4>giving people infinite benefits of the doubt and creating a

0:43:33.200 --> 0:43:35.759
<v Speaker 4>story as to why they weren't able to do the

0:43:35.800 --> 0:43:38.160
<v Speaker 4>thing or whatever, you know. And I like this because

0:43:38.160 --> 0:43:41.960
<v Speaker 4>it's like Haley wanted to and she did. Yeah, she

0:43:42.000 --> 0:43:44.000
<v Speaker 4>didn't talk about it. She just showed up for her friend.

0:43:44.760 --> 0:43:48.319
<v Speaker 6>Yeah, that's so awesome. What a terrific like act of

0:43:48.400 --> 0:43:51.040
<v Speaker 6>love is. Just like, I see you, buddy, I'm here

0:43:51.080 --> 0:43:53.399
<v Speaker 6>to make your day special. Didn't make big fan fair

0:43:53.440 --> 0:43:55.200
<v Speaker 6>about it, just quietly doing work.

0:43:55.600 --> 0:43:57.520
<v Speaker 5>Yeah that's great. I appreciate that.

0:43:57.520 --> 0:44:11.280
<v Speaker 3>It's so nice. It is really nice.

0:44:12.640 --> 0:44:14.160
<v Speaker 4>All right. We got a question here.

0:44:14.280 --> 0:44:16.640
<v Speaker 5>Hey, nickname Katy Perry. That's cute.

0:44:16.920 --> 0:44:18.959
<v Speaker 6>Can we just pretend it's the real Katy Perry?

0:44:19.120 --> 0:44:19.279
<v Speaker 4>Yes?

0:44:19.360 --> 0:44:21.440
<v Speaker 5>Please, let's pretend it's the real Katy Perry.

0:44:22.200 --> 0:44:23.840
<v Speaker 6>Okay, Joey take it away.

0:44:24.160 --> 0:44:27.719
<v Speaker 5>Okay. We learned in this episode that the Bachelor Bachelorette

0:44:27.719 --> 0:44:31.560
<v Speaker 5>parties are on December seventh, because of the T shirt

0:44:31.840 --> 0:44:35.080
<v Speaker 5>revealing the tour dates. Oh look at that little detail.

0:44:35.200 --> 0:44:40.480
<v Speaker 5>They almost that nugget. However, there are no Christmas decorations

0:44:40.560 --> 0:44:43.920
<v Speaker 5>and anyone's homes in anyone's homes or the stores or

0:44:43.960 --> 0:44:47.240
<v Speaker 5>the town. Was this an oversight or why was December

0:44:47.280 --> 0:44:49.040
<v Speaker 5>seventh chosen as the wedding date?

0:44:50.000 --> 0:44:51.120
<v Speaker 6>I do not know.

0:44:51.960 --> 0:44:56.560
<v Speaker 4>Can I just tell you, Katy Perry, you know the

0:44:56.680 --> 0:45:00.359
<v Speaker 4>musical genius I kissed a girl all the other songs

0:45:00.400 --> 0:45:03.080
<v Speaker 4>we know and love. You pay such good attention to detail.

0:45:03.960 --> 0:45:07.280
<v Speaker 4>Just yes, besides your musical prowess, like you're a great viewer,

0:45:07.400 --> 0:45:07.960
<v Speaker 4>So thank you.

0:45:08.280 --> 0:45:11.080
<v Speaker 5>I'm really impressed by this question. I didn't notice any

0:45:11.120 --> 0:45:11.319
<v Speaker 5>of that.

0:45:11.880 --> 0:45:14.560
<v Speaker 4>The only thing I could think is was that an

0:45:14.600 --> 0:45:18.759
<v Speaker 4>actual tour shirt of Dave Navarro's Because if it was,

0:45:18.800 --> 0:45:20.840
<v Speaker 4>then it was just because that was the Oh wait, no,

0:45:21.000 --> 0:45:24.160
<v Speaker 4>but that band didn't go to Wilmington, right.

0:45:24.320 --> 0:45:26.080
<v Speaker 3>No, definitely not because we had to make a.

0:45:26.040 --> 0:45:27.919
<v Speaker 4>True Oh yeah, Tree Hill? What am I saying?

0:45:28.000 --> 0:45:30.960
<v Speaker 5>Yeah? Yeah, so they had to make that. And when

0:45:31.000 --> 0:45:31.759
<v Speaker 5>did this stuff air?

0:45:31.800 --> 0:45:31.920
<v Speaker 3>Though?

0:45:31.960 --> 0:45:33.719
<v Speaker 5>I guess this is after hiatus, so we would have

0:45:33.719 --> 0:45:39.560
<v Speaker 5>aired this in December for fans. Well, I don't know,

0:45:39.880 --> 0:45:43.399
<v Speaker 5>because it says up here, okay, when was the aired

0:45:43.560 --> 0:45:44.880
<v Speaker 5>January twenty fifth.

0:45:45.880 --> 0:45:48.080
<v Speaker 4>Weird, that just seems like an oversight.

0:45:48.360 --> 0:45:52.720
<v Speaker 3>We might have had to film this before our holiday break.

0:45:53.160 --> 0:45:55.400
<v Speaker 3>So yeah, I wonder I wonder if it was an

0:45:55.440 --> 0:45:59.799
<v Speaker 3>actual James Addiction shirt and maybe they just ironed Tree

0:46:00.320 --> 0:46:01.360
<v Speaker 3>over another city.

0:46:02.200 --> 0:46:04.279
<v Speaker 5>I wonder if the art department was if we were

0:46:04.320 --> 0:46:06.640
<v Speaker 5>actually filming on December seventh, that like that was the

0:46:06.719 --> 0:46:08.399
<v Speaker 5>day they were making the T shirt and they were realized.

0:46:08.440 --> 0:46:09.920
<v Speaker 3>Yes, it was like an a December seventh.

0:46:10.920 --> 0:46:13.640
<v Speaker 5>I guess who knows. I don't know. We never did

0:46:13.680 --> 0:46:15.240
<v Speaker 5>any holiday anything on our show.

0:46:15.520 --> 0:46:17.600
<v Speaker 3>No, we only did Thanksgiving and Halloween.

0:46:17.920 --> 0:46:19.720
<v Speaker 4>That's right, what are you doing?

0:46:19.800 --> 0:46:22.160
<v Speaker 6>Christmas episodes are so much fun?

0:46:22.600 --> 0:46:22.799
<v Speaker 3>Guys?

0:46:23.120 --> 0:46:25.120
<v Speaker 6>The only one who loves a Christmas episode?

0:46:25.239 --> 0:46:26.680
<v Speaker 5>Oh yeah, I love it.

0:46:27.080 --> 0:46:30.319
<v Speaker 3>I feel like the reason we didn't is because the

0:46:30.400 --> 0:46:32.839
<v Speaker 3>decorations are so expensive and they have to go up

0:46:32.880 --> 0:46:35.920
<v Speaker 3>all over town and inside homes and outside homes and

0:46:35.960 --> 0:46:38.799
<v Speaker 3>across the street, like, you know, with the things that

0:46:39.680 --> 0:46:41.279
<v Speaker 3>I just think they wouldn't have spent the money for

0:46:41.320 --> 0:46:44.320
<v Speaker 3>an episode. It's like, that's why people make Christmas movies

0:46:44.440 --> 0:46:49.319
<v Speaker 3>because the entire movie, the decorations are up the whole time,

0:46:49.360 --> 0:46:50.360
<v Speaker 3>so it's worth the money.

0:46:50.560 --> 0:46:52.319
<v Speaker 5>But we could have done a what do they call

0:46:52.360 --> 0:46:54.879
<v Speaker 5>it a bottle episode? A capsule episode, Yeah, where it's

0:46:54.880 --> 0:46:56.400
<v Speaker 5>just all in one place.

0:46:56.160 --> 0:46:59.080
<v Speaker 3>And you know, yeah, you could have decorated one block

0:46:59.120 --> 0:47:01.160
<v Speaker 3>of Front Street and had us all at Nathan and

0:47:01.200 --> 0:47:02.240
<v Speaker 3>Haley's again or something.

0:47:02.480 --> 0:47:07.520
<v Speaker 5>Yeah, missed opportunity. We have a Valentine's one coming up apparently, though.

0:47:07.560 --> 0:47:09.719
<v Speaker 3>That's kind of we do what we sure do. Oh,

0:47:09.719 --> 0:47:10.560
<v Speaker 3>and Jamie did.

0:47:10.520 --> 0:47:13.520
<v Speaker 5>Create that Christmas for Lydia when she died. He created

0:47:13.560 --> 0:47:16.840
<v Speaker 5>that little like Christmas tree Christmas in July.

0:47:17.040 --> 0:47:19.080
<v Speaker 6>Let's be honest, he half asked it.

0:47:19.080 --> 0:47:19.480
<v Speaker 4>It was.

0:47:21.560 --> 0:47:24.799
<v Speaker 3>Five year old year old.

0:47:26.560 --> 0:47:30.120
<v Speaker 5>Honorable mention most likely too, what do we do want

0:47:30.120 --> 0:47:30.800
<v Speaker 5>to do? First?

0:47:31.280 --> 0:47:35.160
<v Speaker 6>Dog on a skateboard? He was professional.

0:47:34.640 --> 0:47:40.719
<v Speaker 3>Skateboard Oh my goodness. Honestly, I would give my honorable

0:47:40.760 --> 0:47:43.600
<v Speaker 3>mention to all of our background actors in this episode,

0:47:44.120 --> 0:47:47.120
<v Speaker 3>because the parties wouldn't have worked if they weren't all

0:47:47.160 --> 0:47:50.040
<v Speaker 3>so great, from the frat boys to the people at

0:47:50.080 --> 0:47:54.160
<v Speaker 3>the Mechanical bull bar, everybody doing the wings, even the

0:47:54.760 --> 0:47:58.279
<v Speaker 3>lovely girl who played the bartender when I'm freaking out

0:47:58.280 --> 0:48:01.279
<v Speaker 3>about how I kissed someone because I'm engaged, and she goes, yeah,

0:48:01.280 --> 0:48:05.480
<v Speaker 3>you told me like a million times. Everybody was so good,

0:48:06.239 --> 0:48:09.319
<v Speaker 3>and you just can't shoot an episode that relies on

0:48:09.360 --> 0:48:11.759
<v Speaker 3>a crowd without a great crowd. So hats off to

0:48:12.520 --> 0:48:16.560
<v Speaker 3>all the people who helped make us look nuts this week.

0:48:17.000 --> 0:48:20.799
<v Speaker 4>Yeah, can anyone else noticed that the frat house was

0:48:21.760 --> 0:48:26.879
<v Speaker 4>Delta Beta dB. I was like, was that a joke?

0:48:26.920 --> 0:48:29.080
<v Speaker 4>Because frat boys are often douchebags?

0:48:29.520 --> 0:48:30.560
<v Speaker 3>Oh or is.

0:48:30.520 --> 0:48:32.640
<v Speaker 4>It just because it's it's just not a real fraternity

0:48:32.640 --> 0:48:34.279
<v Speaker 4>and they just made it up paphazardly. But I was

0:48:34.280 --> 0:48:36.200
<v Speaker 4>curious to see the way they portrayed the guys because

0:48:36.200 --> 0:48:39.719
<v Speaker 4>if they were real dingises, I'd be like, oh, shanea

0:48:40.000 --> 0:48:40.520
<v Speaker 4>good one.

0:48:40.760 --> 0:48:42.200
<v Speaker 3>But that's funny, funny.

0:48:42.400 --> 0:48:45.319
<v Speaker 6>We should ask her da Vinci codes something that's not there.

0:48:45.920 --> 0:48:47.920
<v Speaker 5>My honorable mention is just going to go to Shana,

0:48:48.280 --> 0:48:50.560
<v Speaker 5>the writer of the episode, because she just nailed it

0:48:50.680 --> 0:48:54.000
<v Speaker 5>and all the little details every character had their shining moment.

0:48:54.600 --> 0:48:58.040
<v Speaker 5>She wove in the drama and the comedy so masterfully.

0:48:58.600 --> 0:49:02.000
<v Speaker 5>It was a really really well written episode from top

0:49:02.040 --> 0:49:02.759
<v Speaker 5>to bottom.

0:49:02.840 --> 0:49:03.200
<v Speaker 3>Yeah.

0:49:03.320 --> 0:49:05.000
<v Speaker 6>Yeah, should we spin a wheel?

0:49:05.280 --> 0:49:06.280
<v Speaker 3>Let's do it spin.

0:49:10.880 --> 0:49:17.799
<v Speaker 4>Ooh. Most likely to order dessert before dinner, Rob, Yeah,

0:49:17.800 --> 0:49:19.239
<v Speaker 4>if we're going real life.

0:49:20.880 --> 0:49:23.359
<v Speaker 5>Robert Butler, Ladies and gentlemen, yeah, I have.

0:49:23.680 --> 0:49:25.880
<v Speaker 4>I have zero impulse control around food, So I'm going

0:49:25.920 --> 0:49:27.360
<v Speaker 4>to say, in real life, it's probably me.

0:49:27.800 --> 0:49:30.120
<v Speaker 5>And what would your dessert of choice be, sir?

0:49:30.600 --> 0:49:33.479
<v Speaker 6>Listen if it's a place that makes a legitimate surero

0:49:34.960 --> 0:49:37.440
<v Speaker 6>say no more. How about you. You're at a restaurant,

0:49:37.480 --> 0:49:39.680
<v Speaker 6>they go, hey, we have an amazing pastry chef. We

0:49:39.719 --> 0:49:41.960
<v Speaker 6>can make anything in the world immediately. What would you

0:49:42.080 --> 0:49:44.239
<v Speaker 6>like anything immediately?

0:49:44.640 --> 0:49:48.719
<v Speaker 4>Yep. Oh man, it's like a food genie, but you

0:49:48.800 --> 0:49:50.760
<v Speaker 4>only get one wish and it has to be dessert.

0:49:50.800 --> 0:49:54.680
<v Speaker 3>So I had an answer, and then when you said

0:49:54.719 --> 0:49:59.040
<v Speaker 3>anything in the world immediately, a chocolate crepe popped into

0:49:59.080 --> 0:50:01.560
<v Speaker 3>my head. I change my answer to a creep.

0:50:01.840 --> 0:50:04.520
<v Speaker 5>Okay, I really like pavlova.

0:50:05.239 --> 0:50:07.160
<v Speaker 4>Oh, Mavlova is good.

0:50:07.960 --> 0:50:11.680
<v Speaker 5>You're up in Portland, do you go to Papa Hayden Ever? No, Okay,

0:50:11.760 --> 0:50:13.719
<v Speaker 5>there's a restaurant there unless it's close during COVID. It's

0:50:13.760 --> 0:50:16.960
<v Speaker 5>called Papa Hayden and they do unbelievable desserts and they

0:50:17.000 --> 0:50:18.920
<v Speaker 5>do this really great. They have like a baked Alaska.

0:50:19.000 --> 0:50:20.160
<v Speaker 5>They have pavlova.

0:50:20.960 --> 0:50:21.760
<v Speaker 4>Stay less.

0:50:23.360 --> 0:50:26.640
<v Speaker 5>Well, you'll go, You'll enjoy it. You'll go, you'll enjoy

0:50:26.880 --> 0:50:27.960
<v Speaker 5>get the pavlova.

0:50:28.000 --> 0:50:31.480
<v Speaker 6>Well getting as usual, I managed to force food into

0:50:31.600 --> 0:50:33.799
<v Speaker 6>the episode, so I think that checks the last of

0:50:33.840 --> 0:50:36.960
<v Speaker 6>our boxes. Thanks for joining us, everyone.

0:50:37.120 --> 0:50:40.319
<v Speaker 3>Thanks everybody. We'll see you next week for season eight,

0:50:40.400 --> 0:50:43.560
<v Speaker 3>episode thirteen, The Other half of Me.

0:50:44.200 --> 0:50:47.600
<v Speaker 5>Bye bye, Hey, thanks for listening.

0:50:47.680 --> 0:50:49.920
<v Speaker 3>Don't forget to leave us a review. You can also

0:50:50.000 --> 0:50:53.080
<v Speaker 3>follow us on Instagram at Drama Queen's ot.

0:50:53.640 --> 0:50:57.680
<v Speaker 5>Or email us at Drama Queens at iHeartRadio dot com.

0:50:58.040 --> 0:50:59.080
<v Speaker 5>See you next time.

0:51:00.280 --> 0:51:01.680
<v Speaker 3>We all about that.

0:51:01.680 --> 0:51:04.600
<v Speaker 2>High school drama Girl, Drama Girl, all about them high

0:51:04.640 --> 0:51:07.759
<v Speaker 2>school queens. We'll take you for a ride and our

0:51:07.800 --> 0:51:10.400
<v Speaker 2>comic girl cheering for the right teams.

0:51:10.480 --> 0:51:13.080
<v Speaker 5>Drama queenslease my girl, rough.

0:51:12.920 --> 0:51:14.520
<v Speaker 3>Girl fashion with your tough girl.

0:51:14.600 --> 0:51:17.280
<v Speaker 1>You could sit with us Girl Drama Queens, Drama Queens,

0:51:17.360 --> 0:51:21.359
<v Speaker 1>Drama Queens, Drama Drama Queens, Drama Queens