WEBVTT - “Legendary” (“Furt” S2E8)

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<v Speaker 1>And that's what you really missed with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio podcast.

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<v Speaker 3>Welcome to and that's what you really missed Harry Potter

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<v Speaker 3>and the Deathly Hollows Part one.

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<v Speaker 2>That's what I wish we were recapping.

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<v Speaker 1>Why don't we have a Harry Potter podcast.

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<v Speaker 2>Okay, we probably know more about Harry Potter than we

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<v Speaker 2>do about Glee. I think we'd probably be better at that.

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<v Speaker 1>So okay, welcome to the show.

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<v Speaker 2>Welcome to our first Glee wedding.

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<v Speaker 3>Oh my gosh, it feels like we have done a

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<v Speaker 3>ton of weddings already, but we haven't.

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<v Speaker 2>This is our first, right, yes, first and second because

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<v Speaker 2>there are two in this.

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<v Speaker 1>Episode, well sort of first and a half.

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<v Speaker 2>Yeah, one point five. So here's what we're doing. Season two,

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<v Speaker 2>episode eight firt, that originally aired on November twenty third,

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<v Speaker 2>two thousand and.

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<v Speaker 3>Ten, Thanksgiving time. Like at G six, was number one,

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<v Speaker 3>and a song of the of the week, Harry Potter

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<v Speaker 3>Deathly Hollers Part one seven of eight Harry Potter Movies

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<v Speaker 3>was number one. Kevin, do you remember when we went

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<v Speaker 3>to see this?

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<v Speaker 2>No? Oh wait, did we see it at Arc Light

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<v Speaker 2>at midnight?

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<v Speaker 3>Yes?

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<v Speaker 2>And did we dress up a little bit. Yes, yes,

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<v Speaker 2>I have pictures from this.

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<v Speaker 1>So now you know. This was the first Harry Potter

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<v Speaker 1>movie I'd ever seen.

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<v Speaker 2>What a weird movie to come in on because it

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<v Speaker 2>is so unlike all the other movies. It's my favorite

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<v Speaker 2>Harry Potter movie.

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<v Speaker 3>It's one of It's David's two. He puts it on

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<v Speaker 3>all the time, and I'm like, why this one?

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<v Speaker 2>See, I do think, I guess in terms of ones

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<v Speaker 2>I watch the most, not because it's my favorite. I

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<v Speaker 2>feel like it's the easiest to watch.

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<v Speaker 1>It's this one.

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<v Speaker 3>Yeah, I don't know why, you crazy girlfriend, I'm talking

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<v Speaker 3>about Goblet of Fire.

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<v Speaker 1>Like that's easy.

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<v Speaker 2>I've seen Gobin a Fire too many times. It is

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<v Speaker 2>an issue.

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<v Speaker 1>I have to doing them all too many times.

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<v Speaker 2>The reason I like this movie because you asked. I

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<v Speaker 2>think this section of the book is not great, and

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<v Speaker 2>it's the only movie that I think improves upon what's

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<v Speaker 2>written in the.

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<v Speaker 3>Book fair enough. I have to agree. I have to agree.

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<v Speaker 3>They really did do something with it. I'm not sure

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<v Speaker 3>I loved it, but they did do something.

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<v Speaker 2>I also think it's the best acting in the entire series.

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<v Speaker 1>It's like watching an indie film.

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<v Speaker 2>Yeah, those three are acting.

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<v Speaker 3>But yes, this was the first movie to come into

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<v Speaker 3>and I was kind of confused, but I was just

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<v Speaker 3>excited that everybody was so excited. So I was like

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<v Speaker 3>into it. And that's when you let me all the books.

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<v Speaker 3>And then I read all the.

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<v Speaker 1>Books and then I got into the movies a little

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<v Speaker 1>bit later. I had just refused to watch.

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<v Speaker 3>The movies until I read the books, and then I

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<v Speaker 3>finally read them all and watched and was like, this

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<v Speaker 3>is what I've been missing. I can't believe I waited

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<v Speaker 3>so long.

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<v Speaker 2>But you didn't go back and read all the books, right.

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<v Speaker 1>Yeah, yeah, yeah, I saw this movie.

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<v Speaker 3>Then I was like, all right, I got to pop

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<v Speaker 3>on the train. So then I got on all the

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<v Speaker 3>books and then I went to the movies.

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<v Speaker 1>I refused. I would not watch the movies without but

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<v Speaker 1>except for you know.

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<v Speaker 2>Part one, good for you.

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<v Speaker 1>I mean, I'm so glad I did. I don't know

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<v Speaker 1>what I was thinking.

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<v Speaker 2>I'm glad we have that time of Harry Potter being clossover. No,

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<v Speaker 2>if Harry Potter liked being untainted by the turf, oh.

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<v Speaker 3>Yes, yes, absolutely, it was such a pure, a purer,

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<v Speaker 3>more innocent time.

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<v Speaker 2>So also this week in Glee News, the American Music

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<v Speaker 2>a warts happened, Darren meets Katy Perry, but the other

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<v Speaker 2>boys we had already met Katy Perry because we had

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<v Speaker 2>hosted the Teen Choice Awards with her No Big Deal, Chancie,

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<v Speaker 2>and then shortly after we will be in her music

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<v Speaker 2>video for Last Friday Night Fun, which I had to

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<v Speaker 2>run out of a gay club a couple of weeks

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<v Speaker 2>ago because they started playing it and I was really embarrassed,

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<v Speaker 2>so I walked.

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<v Speaker 1>Out, why are you embarrassed? It's such a great video.

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<v Speaker 2>It is a great video. I don't know, because then

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<v Speaker 2>you know, Mike friends and people started looking at me.

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<v Speaker 3>It's like, hey, yeah, yeah, I hear that. Very exciting though.

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<v Speaker 3>We'll have to talk about that one yes, when we

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<v Speaker 3>get there. This episode was a new, brand new director,

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<v Speaker 3>one and only Carol Banker, who was a part of

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<v Speaker 3>the Glee crew for since season one, and she was

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<v Speaker 3>the script supervisor. And now you obviously know that sometimes

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<v Speaker 3>people asked to direct are interested in it and eventually

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<v Speaker 3>they get a yes and Carol put in her time.

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<v Speaker 3>So Carol's script supervisor, which, for people who don't know,

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<v Speaker 3>there's a script supervisor on every every day on set,

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<v Speaker 3>and they are taking copious amounts of notes on continuity.

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<v Speaker 3>So if your hair was up in the last scene

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<v Speaker 3>and in a red dress, then they make sure and

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<v Speaker 3>they're the wardrobe. They turn the wardrobe to people like

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<v Speaker 3>turn to them and are like, what day is this

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<v Speaker 3>and then they're like, oh, she was in the red

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<v Speaker 3>dress with their hair up, and then we have photo

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<v Speaker 3>proof to refer to. And it's just all these crazy things.

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<v Speaker 3>I did not explain that very well, but I.

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<v Speaker 2>Mean even within a scene, it's like, if there's a

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<v Speaker 2>take your first few takes, if you turn your head

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<v Speaker 2>and let's say Jenna, your hair is down and half

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<v Speaker 2>of it moves from behind your shoulder Tom in front

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<v Speaker 2>of your shoulder, then that's what you need to do

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<v Speaker 2>to match that every single time now and Carol, because

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<v Speaker 2>we had so many people on our show, the script

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<v Speaker 2>supervisor is paying attention to that many actors all at once.

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<v Speaker 2>They're also making sure you're saying all the correct dialogue.

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<v Speaker 2>If you drop a word, if you add a word,

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<v Speaker 2>if you're improving, that person is going to come in

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<v Speaker 2>and be like, so here's the actual line, and you

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<v Speaker 2>do need to do it as written for all of

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<v Speaker 2>the characters in every scene, every single take, all the time.

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<v Speaker 2>And they also are taking the notes because they sit

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<v Speaker 2>with the director and the DP and watch the takes

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<v Speaker 2>and sometimes the director will be like, Okay, that's the

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<v Speaker 2>take I want, so they can also mark those things

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<v Speaker 2>down that this is the director's preferred take in the

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<v Speaker 2>moment for the edit. So it is a huge job,

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<v Speaker 2>huge responsibility, but they see everything because they're sort of

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<v Speaker 2>at the epicenter where all the departments are talking to

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<v Speaker 2>the director, to the DP and they're all going to

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<v Speaker 2>that little area where the script supervisor sits. So Carol

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<v Speaker 2>Banker got to step on up and then you know,

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<v Speaker 2>shortly after then she goes off to direct all kinds

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<v Speaker 2>of different things series.

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<v Speaker 3>Yeah, thank you for that, much better excellently than nonsense. Yeah,

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<v Speaker 3>So Carol does this one, and this is one of

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<v Speaker 3>many that she will also do on Glee. And we've

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<v Speaker 3>got some special guest stars. We have the one and

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<v Speaker 3>only Carol Burnett.

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<v Speaker 1>It's very Carols.

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<v Speaker 2>I watched this last night, and I watched the season finale,

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<v Speaker 2>series finale of The Marvelous Missus Masel right after not

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<v Speaker 2>realizing that there's a person playing Carol Burnett. And a

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<v Speaker 2>young Carol Burnette in the finale of Mazel And then

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<v Speaker 2>I woke up today and Carol Burnett is trending.

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<v Speaker 1>Oh wow.

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<v Speaker 2>Yes, and it's just a lot of Carol Burnette because

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<v Speaker 2>she's an icon.

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<v Speaker 1>Well, there's also a lot of Carols.

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<v Speaker 3>We have Carol Banker, Carol Burnett, and Carol Hudson Humble.

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<v Speaker 2>That's right, almost, yeah, she becomes Hudson Humble in this episode, right,

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<v Speaker 2>I mean, how I mean, it was really special to

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<v Speaker 2>talk to Jane when she was on about getting to

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<v Speaker 2>work with Carol Burnett. How crazy you know?

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<v Speaker 1>That is very surreal, very surreal.

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<v Speaker 3>And also talking about Jane mentioned marrying herself, which I

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<v Speaker 3>did not think was going to come so quickly.

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<v Speaker 2>I did not think it was in this episode.

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<v Speaker 1>I thought it was in like season six because it

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<v Speaker 1>sounds like a season six move. Fair enough, very good,

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<v Speaker 1>that's right.

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<v Speaker 3>Tell me about the tell me about the songs in

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<v Speaker 3>this episode.

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<v Speaker 2>So we have Ohio, the song Ohio, marry you, sway

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<v Speaker 2>and just the Way you Are. It's like a many

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<v Speaker 2>early Bruno Mars tribute episode.

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<v Speaker 3>Right. And then the overview of this episode is that

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<v Speaker 3>Burt and Carroll announced that they got engaged, and Kurt

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<v Speaker 3>takes on all the wedding planning and hires new Directions

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<v Speaker 3>to perform at the wedding.

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<v Speaker 1>Finn is a little hesitant, obviously for personal reasons. Sue

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<v Speaker 1>also decides that she's going to get married, but she's

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<v Speaker 1>gonna marry herself, and her mom comes to town. The

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<v Speaker 1>one really Carol Burnett, and Sue is still principal and

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<v Speaker 1>she is actually going to advocate for Kurt, so that

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<v Speaker 1>is the overview.

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<v Speaker 2>The real big star of this episode really is Carol Burnett.

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<v Speaker 2>We've had a lot of really famous people on the

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<v Speaker 2>show Legends, but I feel like Carol Burnett is a

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<v Speaker 2>TV legend, yeah, icon. And what was wild for me

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<v Speaker 2>watching this was knowing how much Jane admires her. And

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<v Speaker 2>obviously this is not surprising, but the whole time I

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<v Speaker 2>was watching Jane interact with Carol in character, I was

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<v Speaker 2>just thinking about how much fun and also how hard

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<v Speaker 2>it must be to stay in character, because I know

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<v Speaker 2>when you're in scenes with a legendary actor, you're also

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<v Speaker 2>sometimes aware of I am watching this really famous, incredibly

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<v Speaker 2>talented person in front of me right now. Obviously, if

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<v Speaker 2>you're like really talented, like Jane. You're probably just in

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<v Speaker 2>it and you're doing the job. But it was so

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<v Speaker 2>weird to see Jane play So Sylvester next to Carol Burnett. Yes, yes,

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<v Speaker 2>because I wanted her to just be Jane and like

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<v Speaker 2>fawn over her.

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<v Speaker 3>Right, and she was not doing that is not the

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<v Speaker 3>character at all. So it's yeah, I must have been.

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<v Speaker 3>I can only imagine. It's like very out outer body.

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<v Speaker 2>It's very out of like their number together was just phenomenal.

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<v Speaker 2>So let's talk about this storyline. We'll cook because this

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<v Speaker 2>is the smaller storyline that happens in this but they

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<v Speaker 2>do it in big way. So Carol Burnette shows up

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<v Speaker 2>in Principal Sylvester's office, right, and we learned that she

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<v Speaker 2>is Suceivester's mother and she's a famous Nazi hunter.

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<v Speaker 1>We really love the Nazi hunters. Engley.

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<v Speaker 2>Yeah, only it's very I mean, it's quite funny and

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<v Speaker 2>they sort of go at it. Sue Sylvester has this

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<v Speaker 2>complicated relationship with her mother and she overhears that Sue

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<v Speaker 2>has decided that she's going to marry herself because Rod

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<v Speaker 2>Reminkin is getting married and she's really embarrassed and furious

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<v Speaker 2>about it. So no one can love her like herself,

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<v Speaker 2>so she's going to marry herself. And Mama Sevester comes

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<v Speaker 2>in is like, this is really sad and pathetic and

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<v Speaker 2>has all these insults and it's a lot of you know,

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<v Speaker 2>you abandon us, you abandon your daughters, you abandon me.

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<v Speaker 2>I've been taking care of us, Like where have you been?

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<v Speaker 2>And she's like, well, you know, off killing nazis right,

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<v Speaker 2>But she's so funny.

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<v Speaker 1>I mean, it's so funny.

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<v Speaker 2>I know that's zero percent surprising that Kara Bournette is funny, right,

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<v Speaker 2>but way to sell a qui storyline.

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<v Speaker 1>A wild storyline.

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<v Speaker 3>But then at the root of it, to be fair,

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<v Speaker 3>and I don't know if this is just the magic

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<v Speaker 3>of them where like or I mean a combination of

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<v Speaker 3>the writing and the magic of them where it really

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<v Speaker 3>does come back to a mother and daughter, right Like

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<v Speaker 3>at the end, it really is just about in the

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<v Speaker 3>in the auditorium, they're really that's the foundation of it.

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<v Speaker 1>Is like a kind of a broken family.

0:12:27.600 --> 0:12:33.480
<v Speaker 3>Yeah, but yeah, this is crazy, and I'm glad that

0:12:33.520 --> 0:12:35.640
<v Speaker 3>there's a voice for reason that Doris is like, this

0:12:35.760 --> 0:12:37.880
<v Speaker 3>is kind of crazy, but even more so it's funny

0:12:37.880 --> 0:12:40.800
<v Speaker 3>because Doris is like, I can't believe that you're not

0:12:40.920 --> 0:12:44.560
<v Speaker 3>letting me be a more central part of your wedding,

0:12:45.160 --> 0:12:52.360
<v Speaker 3>right the age old you know, mother parents involved in

0:12:52.400 --> 0:12:53.000
<v Speaker 3>the weddings.

0:12:54.000 --> 0:12:57.120
<v Speaker 2>So did you love this number that they did together?

0:12:58.720 --> 0:13:02.040
<v Speaker 3>I mean when she opened her mouth, I was like, right, right, right, right,

0:13:02.120 --> 0:13:03.120
<v Speaker 3>that's Carol Burnett.

0:13:04.200 --> 0:13:10.200
<v Speaker 2>It's wonderful that I also forgot Carol Burnett can sing,

0:13:10.280 --> 0:13:11.520
<v Speaker 2>she can do everything.

0:13:11.440 --> 0:13:13.880
<v Speaker 1>And it's a simple They just you know, like just

0:13:14.000 --> 0:13:15.800
<v Speaker 1>let them do their thing, but.

0:13:15.720 --> 0:13:18.960
<v Speaker 2>Not it's like not everybody can pull off that, you know,

0:13:19.040 --> 0:13:21.000
<v Speaker 2>the dialogue in the middle of the song, and like

0:13:21.360 --> 0:13:25.199
<v Speaker 2>they're both comedic geniuses. And they told the line of

0:13:25.280 --> 0:13:29.800
<v Speaker 2>what you said of you know, identifying and representing that

0:13:29.960 --> 0:13:33.480
<v Speaker 2>storyline the mother and daughter relationship that is serious but

0:13:33.640 --> 0:13:37.160
<v Speaker 2>also in the context of the absurdity of what's going

0:13:37.200 --> 0:13:40.840
<v Speaker 2>on in the situation around them, and it's just so

0:13:41.040 --> 0:13:43.880
<v Speaker 2>beautifully done and puts the rest of us to absolute change.

0:13:43.920 --> 0:13:47.959
<v Speaker 3>Jane, Yeah, I forgot how good that number was, and

0:13:47.960 --> 0:13:50.920
<v Speaker 3>when I launched it, I was like, oh, right, this number,

0:13:51.280 --> 0:13:54.760
<v Speaker 3>I think I don't remember it well. Right, It's probably

0:13:54.760 --> 0:13:57.439
<v Speaker 3>because we were like, oh, this doesn't include us. Let's

0:13:57.440 --> 0:14:00.440
<v Speaker 3>just go when we were back back in the day,

0:14:00.640 --> 0:14:01.440
<v Speaker 3>you know, Well.

0:14:01.280 --> 0:14:02.760
<v Speaker 2>That was one of those things too where it's like

0:14:02.960 --> 0:14:05.480
<v Speaker 2>we got to have some of those amazing people on,

0:14:05.920 --> 0:14:08.760
<v Speaker 2>but if we didn't interact with them exactly, and it

0:14:08.800 --> 0:14:11.520
<v Speaker 2>wasn't even like we read the scripts. It wasn't that

0:14:11.559 --> 0:14:14.480
<v Speaker 2>we were skipping it. It was that we were probably

0:14:14.480 --> 0:14:17.360
<v Speaker 2>in dance rehearsal or recording or something, so we just.

0:14:18.280 --> 0:14:19.880
<v Speaker 1>I mean, I didn't meet Carol, did you.

0:14:20.800 --> 0:14:25.400
<v Speaker 2>I think I did actually, or I saw her like

0:14:25.440 --> 0:14:28.680
<v Speaker 2>we had a conversation as a group on the New

0:14:28.760 --> 0:14:31.560
<v Speaker 2>York backlot, which is, you know, where our stages were.

0:14:32.120 --> 0:14:33.840
<v Speaker 2>I think I did see her for a second, and

0:14:33.840 --> 0:14:35.880
<v Speaker 2>it was just I don't think I spoke. I was

0:14:37.000 --> 0:14:37.880
<v Speaker 2>sort of an awe.

0:14:38.320 --> 0:14:42.040
<v Speaker 1>I mean, what do you say to the queen?

0:14:51.320 --> 0:14:54.200
<v Speaker 2>So Sue decides to you know, if she's marrying herself,

0:14:54.240 --> 0:14:58.480
<v Speaker 2>she's officiating the wedding. The wedding happens.

0:14:58.520 --> 0:15:00.880
<v Speaker 1>At Jeans home.

0:15:01.840 --> 0:15:04.080
<v Speaker 2>Jane is also just so talented as well. The three

0:15:04.320 --> 0:15:06.280
<v Speaker 2>together just they are.

0:15:07.000 --> 0:15:08.680
<v Speaker 1>It was a really crazy family.

0:15:08.720 --> 0:15:11.480
<v Speaker 3>They really sold like a very kind of broken family,

0:15:11.520 --> 0:15:14.240
<v Speaker 3>and it was really heart breaking.

0:15:14.720 --> 0:15:18.680
<v Speaker 2>As crazy as it is that Adida's wedding dress is phenomenal.

0:15:20.840 --> 0:15:24.520
<v Speaker 2>Carol Burnette's reaction to it is also phenomenal. She was

0:15:24.560 --> 0:15:26.280
<v Speaker 2>all of us, she was.

0:15:26.600 --> 0:15:29.160
<v Speaker 1>It's ridiculous, it's absolutely crazy.

0:15:29.600 --> 0:15:34.680
<v Speaker 3>Lou Irich at her has her crazy, wonderful genius again.

0:15:36.320 --> 0:15:36.560
<v Speaker 1>Yeah.

0:15:36.600 --> 0:15:40.160
<v Speaker 3>So the Doris says that she still thinks this whole

0:15:40.160 --> 0:15:42.520
<v Speaker 3>thing is absolutely crazy, and she's sad that she's not

0:15:42.760 --> 0:15:46.800
<v Speaker 3>a part of more a part of the wedding. And

0:15:46.800 --> 0:15:48.640
<v Speaker 3>and then Sue gives it to her, gives it to

0:15:48.640 --> 0:15:51.960
<v Speaker 3>her mom. So she's a bully, which is then you

0:15:51.960 --> 0:15:54.520
<v Speaker 3>are like, oh, I see where she Sylvester got it from.

0:15:54.680 --> 0:15:57.640
<v Speaker 3>I see why she is the way she is, and

0:15:58.080 --> 0:16:02.920
<v Speaker 3>you know, it's just her and Jean, and Sue says,

0:16:02.960 --> 0:16:05.120
<v Speaker 3>you know, when I finally began to like who I am,

0:16:05.200 --> 0:16:09.240
<v Speaker 3>when I stopped trying to please you, burn Burn burn

0:16:09.320 --> 0:16:12.320
<v Speaker 3>burn is very It was the most profound thing I've

0:16:12.760 --> 0:16:13.640
<v Speaker 3>heard you say.

0:16:14.160 --> 0:16:18.440
<v Speaker 1>All right, and then Doris is uninvited to the wedding. Goodbye.

0:16:19.720 --> 0:16:21.280
<v Speaker 2>That's that's a wrap on doors.

0:16:21.040 --> 0:16:23.520
<v Speaker 3>And that's and that's a wrap on Carolbournett, and that's

0:16:23.640 --> 0:16:27.720
<v Speaker 3>rap on Sue marrying Sue.

0:16:28.720 --> 0:16:32.120
<v Speaker 2>And there it is, there, it is so the real

0:16:32.360 --> 0:16:37.080
<v Speaker 2>meat of this episode is the wedding that happens in

0:16:37.160 --> 0:16:37.760
<v Speaker 2>record time.

0:16:38.920 --> 0:16:40.200
<v Speaker 1>I thought. I was like already.

0:16:41.040 --> 0:16:42.640
<v Speaker 2>I was like, we don't want to just drag this

0:16:42.680 --> 0:16:45.080
<v Speaker 2>wedding preparation out for a couple episodes.

0:16:45.080 --> 0:16:48.960
<v Speaker 1>Right, No, that's not the Kurt's just a magician, that's

0:16:49.000 --> 0:16:51.000
<v Speaker 1>not the Ryan Murphy style. No.

0:16:51.000 --> 0:16:53.600
<v Speaker 2>No, they want to introduce it and wrap it up

0:16:53.600 --> 0:16:55.400
<v Speaker 2>within forty two minutes.

0:16:56.960 --> 0:16:59.880
<v Speaker 3>So Bert and Carol's surprise Kurt in fin at school

0:17:00.200 --> 0:17:04.440
<v Speaker 3>and they tell them that they got engaged. And Kurt

0:17:04.640 --> 0:17:08.280
<v Speaker 3>is so excited. He's got the wedding planning under He's

0:17:08.320 --> 0:17:10.520
<v Speaker 3>got it, you know, from the trunk full of wedding

0:17:10.560 --> 0:17:13.400
<v Speaker 3>liazines under his bed instead of all the other things

0:17:13.440 --> 0:17:18.080
<v Speaker 3>that boys have under the bed. And Finn is seemingly

0:17:18.840 --> 0:17:22.200
<v Speaker 3>not so excited. He's a bit shocked. Feels a bit

0:17:22.320 --> 0:17:25.760
<v Speaker 3>soon probably, And Burt and carrellly going to Waikiki for

0:17:25.760 --> 0:17:31.119
<v Speaker 3>their honeymoon take me with You, and Bert wants a

0:17:31.119 --> 0:17:34.360
<v Speaker 3>really good band, so Kurt is going to enlist new

0:17:34.400 --> 0:17:37.400
<v Speaker 3>directions to because we're a really good band.

0:17:38.200 --> 0:17:42.399
<v Speaker 2>We're a great band, a wedding band. We have a

0:17:42.520 --> 0:17:46.119
<v Speaker 2>band that place with us, that is a really band

0:17:46.440 --> 0:17:51.800
<v Speaker 2>that's actually a band. Yeah, so glee wedding. So simultaneously

0:17:52.840 --> 0:17:56.439
<v Speaker 2>what's going on with Kurt, right, is that Kurt's getting

0:17:56.560 --> 0:18:03.439
<v Speaker 2>bullied by Krowski still, and there's this power dynamic and

0:18:03.520 --> 0:18:07.480
<v Speaker 2>shift where Finn is feeling sort of pushed aside because

0:18:07.480 --> 0:18:09.560
<v Speaker 2>he felt like he was blindsided by this whole wedding.

0:18:09.880 --> 0:18:13.080
<v Speaker 2>Kurt's taking the lead, I'm gonna take it over. And

0:18:13.160 --> 0:18:18.399
<v Speaker 2>then at the same time, Kurt's getting bullied and shoved aside,

0:18:18.400 --> 0:18:20.880
<v Speaker 2>and Finn was not stepping up to the plate as

0:18:20.920 --> 0:18:26.919
<v Speaker 2>now he's about to be his step brother, and everyone

0:18:26.960 --> 0:18:31.919
<v Speaker 2>wants Finn to be a leader, and Kurt is like,

0:18:32.440 --> 0:18:34.879
<v Speaker 2>you are the leader. You need to step up, and

0:18:34.880 --> 0:18:36.639
<v Speaker 2>like I'm going to teach you to learn a dance

0:18:36.680 --> 0:18:40.280
<v Speaker 2>for this wedding, and you're gonna give yourself and you're

0:18:40.280 --> 0:18:43.240
<v Speaker 2>gonna give your mom away and all these things, and

0:18:43.520 --> 0:18:46.040
<v Speaker 2>Finn is just sort of resistant to all of it.

0:18:46.600 --> 0:18:49.399
<v Speaker 2>But he's like, actually, you're right, I can be a

0:18:49.440 --> 0:18:52.359
<v Speaker 2>leader if I step up and I learned to dance.

0:18:52.680 --> 0:18:55.520
<v Speaker 2>But then when he's actually push comes to shove, and

0:18:55.600 --> 0:18:59.000
<v Speaker 2>it's time for the glee club to enlist him because

0:18:59.000 --> 0:19:01.359
<v Speaker 2>the girls have this great scene, right where all of

0:19:01.400 --> 0:19:05.240
<v Speaker 2>you girls pull together who have boyfriends on the football

0:19:05.240 --> 0:19:11.800
<v Speaker 2>team or boyfriends, right, and you're going to enlist their

0:19:11.840 --> 0:19:16.280
<v Speaker 2>help to go after Krofsky, to threaten Krossky, like stay

0:19:16.320 --> 0:19:19.800
<v Speaker 2>away from Kurt. And when Finn's approached about it, he's like,

0:19:20.040 --> 0:19:23.200
<v Speaker 2>I can't, it's going to jeopardize you know, football team,

0:19:23.560 --> 0:19:25.560
<v Speaker 2>my future. But at the same time, it's like Sam's

0:19:25.600 --> 0:19:29.040
<v Speaker 2>also trying to get his spot back as quarterback. But

0:19:30.119 --> 0:19:33.800
<v Speaker 2>when the time comes and they actually do approach Krofsky

0:19:33.880 --> 0:19:38.640
<v Speaker 2>about it, Sam steps up in a big way and

0:19:39.359 --> 0:19:40.320
<v Speaker 2>gets into that fight.

0:19:40.720 --> 0:19:43.240
<v Speaker 3>Yeah, that locker see room scene was really great. So

0:19:43.320 --> 0:19:45.840
<v Speaker 3>when the girls enlist the boys to do it.

0:19:45.760 --> 0:19:46.800
<v Speaker 1>They go and.

0:19:48.760 --> 0:19:51.640
<v Speaker 3>They really do confront Krossky and he's kind of cornered,

0:19:51.880 --> 0:19:53.800
<v Speaker 3>And I was.

0:19:53.800 --> 0:19:55.880
<v Speaker 2>Proud of the boys for all the stupid things they

0:19:55.880 --> 0:19:59.080
<v Speaker 2>do to this. This is good, No, it was.

0:19:59.200 --> 0:20:02.680
<v Speaker 3>It was really good, and it gave the the storyline

0:20:02.960 --> 0:20:06.440
<v Speaker 3>some more gravity that people were actually taking it a

0:20:06.480 --> 0:20:10.280
<v Speaker 3>little bit more seriously or giving it more notice and attention,

0:20:10.480 --> 0:20:13.119
<v Speaker 3>which I thought, like, Okay, finally they were not just

0:20:13.119 --> 0:20:15.439
<v Speaker 3>saying like, oh, yeah, there's nothing we can do, which

0:20:15.760 --> 0:20:16.720
<v Speaker 3>is a whole other thing.

0:20:17.200 --> 0:20:18.240
<v Speaker 1>In the principal's office.

0:20:18.280 --> 0:20:20.320
<v Speaker 2>Well it also like, yeah, did make up for a

0:20:20.359 --> 0:20:23.639
<v Speaker 2>couple of episodes ago when Kurt really was getting the

0:20:23.840 --> 0:20:27.280
<v Speaker 2>shit beat out of him by nobody? Is yeah, and

0:20:27.280 --> 0:20:30.240
<v Speaker 2>she was just like, I know, you're not happy. Where

0:20:30.359 --> 0:20:32.240
<v Speaker 2>at least they you know, they took her into the

0:20:32.240 --> 0:20:39.400
<v Speaker 2>principal's office and Sue really grounded is explaining that nobody

0:20:39.440 --> 0:20:42.439
<v Speaker 2>saw it. You weren't hurt this time, right, And he

0:20:42.480 --> 0:20:45.120
<v Speaker 2>doesn't really feel yet that he you know, his life

0:20:45.160 --> 0:20:48.199
<v Speaker 2>was threatened, right, And so nothing really happens, and then

0:20:48.240 --> 0:20:50.040
<v Speaker 2>they go after Kofski to try to.

0:20:50.680 --> 0:20:53.160
<v Speaker 3>What did you guys have have like a stunt double

0:20:53.240 --> 0:20:55.479
<v Speaker 3>or anything for you falling out of the wait and

0:20:55.480 --> 0:20:56.720
<v Speaker 3>everything that's not you.

0:20:57.280 --> 0:20:57.760
<v Speaker 1>I don't think.

0:20:57.840 --> 0:20:59.720
<v Speaker 2>No, they wouldn't let us do any stunts.

0:21:00.280 --> 0:21:03.119
<v Speaker 1>I was very impressed because I thought thought it was

0:21:03.160 --> 0:21:03.840
<v Speaker 1>you that went down.

0:21:04.320 --> 0:21:08.240
<v Speaker 2>No, there was no even if we even suggested, like nope,

0:21:08.720 --> 0:21:11.640
<v Speaker 2>but that's fine. I mean, there are incredibly talented stunt people.

0:21:11.720 --> 0:21:15.520
<v Speaker 2>That's their profession. Leave it to the professionals totally, except

0:21:15.640 --> 0:21:17.600
<v Speaker 2>I was pushing to the pool. That was me, but

0:21:18.280 --> 0:21:21.879
<v Speaker 2>because that was not planned. But besides that, yeah, we

0:21:21.920 --> 0:21:23.680
<v Speaker 2>had we had an incredible stunt team.

0:21:23.960 --> 0:21:27.119
<v Speaker 3>Yes we did, and yeah, Sam really takes a beating

0:21:27.160 --> 0:21:30.600
<v Speaker 3>for him and really and really goes to goes to

0:21:30.640 --> 0:21:35.560
<v Speaker 3>the map no, but intended with with Krofski for Kurt

0:21:35.800 --> 0:21:39.040
<v Speaker 3>and that, Yeah, they gave the whole thing a little

0:21:39.040 --> 0:21:41.600
<v Speaker 3>bit more gravity. So yeah, I think that was frustrating

0:21:41.640 --> 0:21:44.400
<v Speaker 3>to me. When Sue takes them into the office and

0:21:44.480 --> 0:21:46.680
<v Speaker 3>even though she really is advocating for him and is

0:21:46.720 --> 0:21:49.600
<v Speaker 3>actually taking this seriously and not you know, just kind

0:21:49.640 --> 0:21:55.120
<v Speaker 3>of being Sue, it was It's upsetting because that's crazy

0:21:55.240 --> 0:21:58.520
<v Speaker 3>that all of that that happened still wasn't enough to

0:21:58.560 --> 0:22:02.639
<v Speaker 3>get Kroftski, you know, suspended.

0:22:02.720 --> 0:22:04.760
<v Speaker 2>Right, And it's not like, I mean every time that happened,

0:22:04.760 --> 0:22:07.600
<v Speaker 2>he was in the hallway full of kids. So it's

0:22:07.600 --> 0:22:10.360
<v Speaker 2>not like there's not witnesses to any of this happening exactly,

0:22:10.480 --> 0:22:12.000
<v Speaker 2>but at least, I mean, I guess better late than

0:22:12.000 --> 0:22:15.560
<v Speaker 2>ever that it's finally being addressed because we need it

0:22:15.600 --> 0:22:17.959
<v Speaker 2>for this other plot point that happens at the end. Right,

0:22:20.000 --> 0:22:25.359
<v Speaker 2>So then this wedding happens and Santana approaches Finn Frankentine,

0:22:26.720 --> 0:22:31.680
<v Speaker 2>which was Corey's Twitter handle for a long time, and

0:22:32.520 --> 0:22:35.240
<v Speaker 2>it was like, look, if you want to be a

0:22:35.320 --> 0:22:39.440
<v Speaker 2>leader and get your cool status back, then like we

0:22:39.480 --> 0:22:43.600
<v Speaker 2>should maybe tell everyone that we did it last year.

0:22:44.160 --> 0:22:46.840
<v Speaker 2>And he's like, I can't. This is sweet. This is

0:22:46.920 --> 0:22:50.440
<v Speaker 2>the fincial, you know, relationship that we all know and love.

0:22:50.520 --> 0:22:54.200
<v Speaker 2>Where he's like, I can't tell her because I love

0:22:54.240 --> 0:22:55.440
<v Speaker 2>her and I don't want to break her heart and

0:22:55.480 --> 0:22:59.520
<v Speaker 2>it's going to break her heart. But their scene was

0:22:59.600 --> 0:23:00.359
<v Speaker 2>so great together.

0:23:01.040 --> 0:23:02.600
<v Speaker 1>I really like Santana Infant together.

0:23:02.760 --> 0:23:05.520
<v Speaker 2>Yeah, they're very good together. Yes, it was sort of

0:23:05.520 --> 0:23:09.480
<v Speaker 2>similar also in like real life, where they're obviously very

0:23:09.480 --> 0:23:15.320
<v Speaker 2>different people, but to me, they sort of filled similar

0:23:15.440 --> 0:23:19.680
<v Speaker 2>roles amongst like our friend group. They were really good

0:23:19.680 --> 0:23:22.159
<v Speaker 2>at getting us all together. They were all about the

0:23:22.240 --> 0:23:25.080
<v Speaker 2>camaraderie and making sure like we stayed together and stayed friends,

0:23:25.280 --> 0:23:28.639
<v Speaker 2>whether it was events or house parties, whatever it was

0:23:28.760 --> 0:23:32.399
<v Speaker 2>right they and they were also just two of like

0:23:32.680 --> 0:23:37.520
<v Speaker 2>the nicest and funniest people right like they always, I

0:23:37.560 --> 0:23:39.720
<v Speaker 2>don't know, were mirrors to me of each other.

0:23:39.920 --> 0:23:42.200
<v Speaker 1>So interesting. I didn't think about it because.

0:23:41.960 --> 0:23:45.160
<v Speaker 2>They're completely they're so different, but it was almost their

0:23:45.240 --> 0:23:50.440
<v Speaker 2>dynamic within our ranks was similar. Yeah, like they operated

0:23:50.440 --> 0:23:52.840
<v Speaker 2>two different ways, but what they were trying to accomplish

0:23:52.920 --> 0:23:53.920
<v Speaker 2>was the same. Does that make sense?

0:23:54.119 --> 0:23:56.480
<v Speaker 1>Yeah, no, totally, I just didn't say it that way.

0:23:56.800 --> 0:23:59.159
<v Speaker 2>They're very, very talented actors, and so yeah, getting to

0:23:59.160 --> 0:24:01.639
<v Speaker 2>watch some plays wild the best.

0:24:02.400 --> 0:24:04.480
<v Speaker 1>Okay, so we get to the church, they get married.

0:24:05.400 --> 0:24:07.000
<v Speaker 2>Did you know the song marry You before this?

0:24:08.320 --> 0:24:09.320
<v Speaker 1>Yeah, definitely.

0:24:09.880 --> 0:24:12.440
<v Speaker 2>I had never heard it before. Oh, it was so

0:24:12.560 --> 0:24:13.120
<v Speaker 2>fairly new.

0:24:13.480 --> 0:24:14.240
<v Speaker 1>It was fairly new.

0:24:14.320 --> 0:24:16.720
<v Speaker 3>I was running that album into the ground though at

0:24:16.720 --> 0:24:19.480
<v Speaker 3>that point, so I think that's why I knew it

0:24:19.560 --> 0:24:21.960
<v Speaker 3>and was very excited for it.

0:24:22.160 --> 0:24:24.359
<v Speaker 2>How fun were these two days at this church?

0:24:24.760 --> 0:24:25.680
<v Speaker 1>I mean the most fun.

0:24:25.760 --> 0:24:35.720
<v Speaker 3>First of all, that number Mary was specifically was ridiculous,

0:24:36.040 --> 0:24:38.879
<v Speaker 3>and it was so much I remember rehearsing it.

0:24:39.160 --> 0:24:41.560
<v Speaker 2>I think very rehearsed it.

0:24:41.560 --> 0:24:43.600
<v Speaker 3>It was a very quick It was like Zach and

0:24:43.640 --> 0:24:45.320
<v Speaker 3>Brooke like running down the aisle being like do this

0:24:45.600 --> 0:24:48.320
<v Speaker 3>or have fun and be stupid and you know, go

0:24:48.400 --> 0:24:48.760
<v Speaker 3>for it.

0:24:48.800 --> 0:24:51.879
<v Speaker 2>And it was really sweet. All these pairings and groupings.

0:24:52.359 --> 0:24:58.080
<v Speaker 3>Yes, I really had a great time filming this and Romi,

0:24:58.640 --> 0:25:03.680
<v Speaker 3>which we hadn't really worked with Romy all that much yet.

0:25:04.119 --> 0:25:07.840
<v Speaker 3>And yeah, and we love Romy and we loved Romy

0:25:07.840 --> 0:25:10.000
<v Speaker 3>and we loved watching her do her thing with Finn.

0:25:10.080 --> 0:25:11.880
<v Speaker 3>But you know, it's a lot of Corey and and

0:25:12.000 --> 0:25:17.680
<v Speaker 3>romy To. So when romy came to this wonderful wedding,

0:25:17.760 --> 0:25:21.040
<v Speaker 3>she's like, what are we doing here? She comes with

0:25:21.080 --> 0:25:24.680
<v Speaker 3>this stuffel bag into our trailers and is like pulls

0:25:24.680 --> 0:25:29.360
<v Speaker 3>out like I got patron. She literally brought the kids patron.

0:25:30.359 --> 0:25:33.359
<v Speaker 2>But I will say she did not tell she had

0:25:33.400 --> 0:25:36.960
<v Speaker 2>patron until we got to the reception, when we weren't

0:25:37.000 --> 0:25:39.800
<v Speaker 2>really doing anything. Yeah, you know, we had to like

0:25:39.840 --> 0:25:42.560
<v Speaker 2>really perform marry you and all that. Oh yeah, sit

0:25:42.600 --> 0:25:46.600
<v Speaker 2>through that emotional scene. But when we were tequila at

0:25:46.640 --> 0:25:49.960
<v Speaker 2>that point, No, there was a lot of like hours

0:25:50.000 --> 0:25:51.919
<v Speaker 2>and hours of us sitting at those tables in the

0:25:51.960 --> 0:25:52.960
<v Speaker 2>reception room.

0:25:53.480 --> 0:25:54.680
<v Speaker 1>I bought her from my memory.

0:25:54.960 --> 0:25:57.800
<v Speaker 2>Yeah, I just remember. I don't remember performing at the

0:25:57.840 --> 0:26:01.600
<v Speaker 2>reception at all, zero record. I just remember sitting at

0:26:01.600 --> 0:26:02.600
<v Speaker 2>that table for hours.

0:26:02.840 --> 0:26:05.200
<v Speaker 1>You know why, though, Kevin is because it was really quick.

0:26:05.240 --> 0:26:08.320
<v Speaker 3>We really shot that really quickly, so they spent a

0:26:08.400 --> 0:26:10.000
<v Speaker 3>lot of time on Sway.

0:26:10.640 --> 0:26:13.760
<v Speaker 1>Yes, Sway took a very long time, and I remember

0:26:14.920 --> 0:26:16.280
<v Speaker 1>the time. Yes.

0:26:16.800 --> 0:26:19.439
<v Speaker 3>So let's talk about what we talked about last week'st

0:26:19.840 --> 0:26:22.800
<v Speaker 3>in the teaser for last week's episode.

0:26:23.320 --> 0:26:31.119
<v Speaker 1>Diana, Leah, Me and me at the time were vegetarians pescatarians.

0:26:31.119 --> 0:26:34.320
<v Speaker 1>If you will we eat fish. Yeah. Diana was like,

0:26:34.359 --> 0:26:37.879
<v Speaker 1>I think gravy meat and I was like me too.

0:26:39.240 --> 0:26:41.800
<v Speaker 1>She's like she was just have some meat and I

0:26:41.880 --> 0:26:42.160
<v Speaker 1>was like.

0:26:43.720 --> 0:26:48.520
<v Speaker 3>Yeah, and she's like and then came Wendy's. Who got

0:26:48.520 --> 0:26:49.320
<v Speaker 3>the Wendy's?

0:26:49.560 --> 0:26:51.760
<v Speaker 2>So I was trying to remember this. I think Transpo.

0:26:52.040 --> 0:26:53.119
<v Speaker 2>I think Transpo Seth.

0:26:53.440 --> 0:26:56.199
<v Speaker 1>It was close by. That's why they were.

0:26:56.720 --> 0:27:00.360
<v Speaker 2>I think they were maybe running to Wendy's get lunch

0:27:00.400 --> 0:27:01.040
<v Speaker 2>for themselves.

0:27:02.200 --> 0:27:04.320
<v Speaker 1>We're like, can you get it for twenty of us?

0:27:04.960 --> 0:27:06.679
<v Speaker 2>It was just like the three or it was like

0:27:06.680 --> 0:27:09.159
<v Speaker 2>three or four of us. I think it was just

0:27:09.160 --> 0:27:09.720
<v Speaker 2>the three of us.

0:27:09.960 --> 0:27:11.720
<v Speaker 1>That's chicken sandwich man, and.

0:27:11.680 --> 0:27:14.919
<v Speaker 2>We sat on our trailer floor. Oh, the two of

0:27:14.960 --> 0:27:19.480
<v Speaker 2>you break that pescatarianism before my eyes, and you were

0:27:19.520 --> 0:27:21.280
<v Speaker 2>both so worried you're going to get sick. Neither of

0:27:21.320 --> 0:27:23.960
<v Speaker 2>you did. Now you're fine because maybe it's not real chicken.

0:27:24.240 --> 0:27:29.040
<v Speaker 1>It probably wasn't. It's probably rubber but so good.

0:27:29.240 --> 0:27:32.280
<v Speaker 3>But it was delicious and also, like we barely ever

0:27:32.320 --> 0:27:33.439
<v Speaker 3>got to go shoot on location.

0:27:33.600 --> 0:27:36.560
<v Speaker 2>We were on the stages of Paramount all the time,

0:27:36.800 --> 0:27:41.160
<v Speaker 2>and so we were somewhere at a church it felt

0:27:41.160 --> 0:27:45.880
<v Speaker 2>like Kid's house. Were out there's patron and chicken sandwiches,

0:27:46.000 --> 0:27:48.280
<v Speaker 2>chicken sandwiches, and we had a great time. It was

0:27:48.320 --> 0:27:52.040
<v Speaker 2>also did I think they were like paparazzi shots as well,

0:27:52.080 --> 0:27:55.280
<v Speaker 2>because we were always on the lot, So I was

0:27:55.320 --> 0:27:58.560
<v Speaker 2>also you know, an early time for us of having

0:27:58.560 --> 0:28:01.000
<v Speaker 2>to experience paparazzi in that way while we're shooting.

0:28:01.240 --> 0:28:03.840
<v Speaker 3>Yes, because when we shot sectionals and regils last time,

0:28:03.880 --> 0:28:06.160
<v Speaker 3>there wasn't a lot of paparazzi. But as we started

0:28:06.200 --> 0:28:10.080
<v Speaker 3>to get to these bigger like locations and people found

0:28:10.080 --> 0:28:12.679
<v Speaker 3>out they would have to put base camp behind like

0:28:13.200 --> 0:28:16.600
<v Speaker 3>fences or gates or put up walls for us because

0:28:17.240 --> 0:28:20.520
<v Speaker 3>it got a little crazy starting probably now, you're right,

0:28:20.560 --> 0:28:21.160
<v Speaker 3>there were a lot.

0:28:21.040 --> 0:28:23.800
<v Speaker 1>Of paparazzi shots. Do you remember we went to that park?

0:28:24.200 --> 0:28:25.520
<v Speaker 2>Yes, the Swings.

0:28:25.560 --> 0:28:27.840
<v Speaker 3>So we found a park at lunch and we walked

0:28:27.960 --> 0:28:29.679
<v Speaker 3>to the park and we got on the swings and

0:28:29.720 --> 0:28:32.120
<v Speaker 3>we're in our red dresses. I am with the flowers

0:28:32.119 --> 0:28:37.480
<v Speaker 3>on our hair, with sweatpants under swinging. Yeah, the Swings.

0:28:38.600 --> 0:28:40.360
<v Speaker 3>We were really living our lives.

0:28:40.480 --> 0:28:41.520
<v Speaker 1>We were like, we're right.

0:28:42.000 --> 0:28:43.800
<v Speaker 2>Because I felt like we didn't have a lot to do.

0:28:43.960 --> 0:28:45.640
<v Speaker 2>We're in a lot of the wedding, but I don't

0:28:46.080 --> 0:28:47.160
<v Speaker 2>I think there's a lot of setup.

0:28:47.280 --> 0:28:49.840
<v Speaker 3>There's a lot of Roamy, a lot of extras, a

0:28:49.880 --> 0:28:52.200
<v Speaker 3>lot of Mike, a lot of Kurt and Finn.

0:28:52.360 --> 0:28:55.760
<v Speaker 1>So I feel like we were like, wo, just having

0:28:55.760 --> 0:28:56.080
<v Speaker 1>a ball.

0:29:04.640 --> 0:29:09.760
<v Speaker 2>I would like to point out two serious things. The

0:29:09.840 --> 0:29:13.200
<v Speaker 2>Bert and Carol vows.

0:29:13.360 --> 0:29:18.880
<v Speaker 4>Just kill me now. It was really really how I

0:29:18.920 --> 0:29:24.080
<v Speaker 4>have goosebumps now. Those two they to deliver us a hawk.

0:29:24.520 --> 0:29:28.240
<v Speaker 4>I want them to be in everything, everywhere, all at once.

0:29:29.080 --> 0:29:34.480
<v Speaker 4>I love them so much. They're so good together. I mean,

0:29:34.600 --> 0:29:38.040
<v Speaker 4>we were so lucky that we were surrounded by so

0:29:38.160 --> 0:29:41.400
<v Speaker 4>many talented actors to.

0:29:41.440 --> 0:29:42.200
<v Speaker 1>Lift us up.

0:29:42.880 --> 0:29:46.880
<v Speaker 2>You know, growing up, Michael Maalley was the host of

0:29:46.920 --> 0:29:48.400
<v Speaker 2>that Nickelodeon.

0:29:47.800 --> 0:29:51.120
<v Speaker 3>Show Global Guts and then Global Guts, and I had

0:29:51.160 --> 0:29:56.240
<v Speaker 3>no idea just how good of an actor and a

0:29:56.280 --> 0:29:59.400
<v Speaker 3>good man, like just a good person.

0:30:00.080 --> 0:30:01.600
<v Speaker 1>Now sometimes you just got to pay the bills.

0:30:02.440 --> 0:30:05.520
<v Speaker 2>Oh, I get it, as I've a host that shows myself.

0:30:07.080 --> 0:30:11.240
<v Speaker 3>No, he's really such a wonderful man, such a wonderful man,

0:30:11.640 --> 0:30:14.800
<v Speaker 3>what a talented bunch and the.

0:30:14.800 --> 0:30:17.800
<v Speaker 2>Other thing, the other aspect of this, because Finn's been

0:30:18.640 --> 0:30:23.640
<v Speaker 2>you know when the Glee club boys minus Finn confronted Kurowski,

0:30:24.880 --> 0:30:27.160
<v Speaker 2>I mean Tina really went hard on him, saying, you know,

0:30:27.360 --> 0:30:33.120
<v Speaker 2>everyone was there except Finn, and he was feeling it.

0:30:33.160 --> 0:30:38.080
<v Speaker 2>And I think during that wedding ceremony he really realized

0:30:39.080 --> 0:30:43.200
<v Speaker 2>I messed up and I need to somethings are more important.

0:30:43.320 --> 0:30:46.000
<v Speaker 2>We're now family and he does this whole number to

0:30:46.040 --> 0:30:52.240
<v Speaker 2>surprise Kurt, and it's so sweet two together. Oh my,

0:30:52.560 --> 0:30:57.400
<v Speaker 2>Michael Malley's face. When Michael Mallley realizes what's going on,

0:30:58.840 --> 0:31:01.840
<v Speaker 2>you have to look at his face. Right before kurkly

0:31:01.960 --> 0:31:05.280
<v Speaker 2>Finn go get Carol and Bert from the table to

0:31:05.360 --> 0:31:08.120
<v Speaker 2>join them, he is just on the verge of breaking

0:31:08.120 --> 0:31:11.680
<v Speaker 2>into tears and it is this I'm full goosebumps right now.

0:31:11.840 --> 0:31:13.320
<v Speaker 2>Can you see it on camera? I don't know if

0:31:13.320 --> 0:31:18.960
<v Speaker 2>you can see it, no, but it was I you

0:31:19.000 --> 0:31:23.240
<v Speaker 2>know when you see a parent cry, Oh God, And

0:31:23.320 --> 0:31:24.800
<v Speaker 2>it was just so sweet.

0:31:25.240 --> 0:31:29.080
<v Speaker 3>No, it's really Corey too knows how to really give

0:31:29.120 --> 0:31:30.760
<v Speaker 3>a good, good monologue.

0:31:31.600 --> 0:31:32.640
<v Speaker 1>He knows how to deliver.

0:31:32.880 --> 0:31:35.200
<v Speaker 2>And we had had so much tequila by that point.

0:31:35.960 --> 0:31:38.120
<v Speaker 1>Yeah, no, probably all those.

0:31:38.000 --> 0:31:40.200
<v Speaker 2>Reactions of us dancing to Sway, I was like, do

0:31:40.240 --> 0:31:40.920
<v Speaker 2>we look drunk?

0:31:41.760 --> 0:31:44.840
<v Speaker 1>Probably the record.

0:31:44.640 --> 0:31:46.280
<v Speaker 2>We didn't get drunk. I don't think any of us

0:31:46.320 --> 0:31:49.080
<v Speaker 2>got drunk. We just like took a shot this time. No,

0:31:49.200 --> 0:31:51.800
<v Speaker 2>we were scared and like ROMI also was not trying

0:31:51.840 --> 0:31:55.040
<v Speaker 2>to get anybody in trouble, and so like we were

0:31:55.080 --> 0:31:57.640
<v Speaker 2>just you know, one little shot, just for a.

0:31:57.560 --> 0:31:58.720
<v Speaker 1>Little sippy, for good measure.

0:31:59.040 --> 0:32:04.600
<v Speaker 2>Yeah, just but maybe this was the beginning of what

0:32:04.760 --> 0:32:07.280
<v Speaker 2>caused Blame it on the alcohol. So let's just mark this.

0:32:07.880 --> 0:32:11.800
<v Speaker 1>Let's see Roy's fault, It's Romy's fault.

0:32:12.960 --> 0:32:19.400
<v Speaker 3>So then yeah, so Finn redeems himself, Carol and Bert

0:32:19.680 --> 0:32:23.960
<v Speaker 3>are married, there's a new union, and we get into

0:32:24.000 --> 0:32:31.320
<v Speaker 3>this much more serious, deeper storyline where we've mentioned Krofsky

0:32:31.440 --> 0:32:39.840
<v Speaker 3>is still tormenting Kurt and he he really gets in

0:32:39.960 --> 0:32:46.640
<v Speaker 3>his face this time around, and Kurt says, he feels

0:32:46.680 --> 0:32:48.680
<v Speaker 3>like he's in a horror movie where he just never

0:32:48.760 --> 0:32:50.360
<v Speaker 3>knows what's going to happen, and he doesn't know what

0:32:50.440 --> 0:32:54.160
<v Speaker 3>cross he is capable of, capable, well.

0:32:54.080 --> 0:33:00.000
<v Speaker 1>Tina capable of that. He you know, after his life

0:33:00.080 --> 0:33:01.240
<v Speaker 1>has been threatened.

0:33:01.280 --> 0:33:05.920
<v Speaker 3>And to wrap it all up, I mean, Sue has

0:33:06.040 --> 0:33:08.400
<v Speaker 3>really advocated for Kurt. She's like, there's not a lot

0:33:08.480 --> 0:33:10.920
<v Speaker 3>I can do, but if I see it myself, I

0:33:10.960 --> 0:33:13.800
<v Speaker 3>really will. I will come for him, and I will

0:33:13.920 --> 0:33:15.000
<v Speaker 3>I will get him out for you.

0:33:15.080 --> 0:33:22.160
<v Speaker 2>Well, and Kurt admits to Finn and Bert that well,

0:33:22.360 --> 0:33:24.800
<v Speaker 2>he admits to Finn right that like his life was threatened.

0:33:24.880 --> 0:33:27.440
<v Speaker 2>And then we go into like a whole different gear, right,

0:33:28.080 --> 0:33:31.600
<v Speaker 2>and then Sue is like, no, no, no, no, we're

0:33:31.640 --> 0:33:35.840
<v Speaker 2>not doing this. You're expelled, You're out, and I appreciate it. Also,

0:33:36.160 --> 0:33:39.160
<v Speaker 2>you know how they portrayed the Krofsky dad and right

0:33:39.360 --> 0:33:42.560
<v Speaker 2>because he didn't believe his son, right, he knows something's up.

0:33:43.200 --> 0:33:49.360
<v Speaker 2>And they bring Kurt back in like, look, because there

0:33:49.400 --> 0:33:52.680
<v Speaker 2>are no witnesses to any of this, we can't we

0:33:52.720 --> 0:33:54.719
<v Speaker 2>can't expel him. So he's coming back to school. And

0:33:54.760 --> 0:33:59.040
<v Speaker 2>then Sue says, Figgins is coming back. I can't help

0:33:59.080 --> 0:34:02.120
<v Speaker 2>you from this office, but if I'm in the hallways,

0:34:02.240 --> 0:34:04.600
<v Speaker 2>I can be another set of eyes eyes, right, and

0:34:04.640 --> 0:34:05.080
<v Speaker 2>I can.

0:34:04.960 --> 0:34:06.040
<v Speaker 1>Help you well.

0:34:06.240 --> 0:34:09.759
<v Speaker 3>And then to rewind a little bit, Bert Bert is

0:34:09.800 --> 0:34:11.960
<v Speaker 3>being helped by Kurt and Finn.

0:34:13.480 --> 0:34:16.040
<v Speaker 1>With his dancing right right.

0:34:16.080 --> 0:34:20.040
<v Speaker 3>They're helping Bert and he sees Krofsky, and at this

0:34:20.120 --> 0:34:26.040
<v Speaker 3>point Finn knows about the threat, and Bert's like, what

0:34:26.120 --> 0:34:28.840
<v Speaker 3>is that? And Krofsky's kind of like walking by the hallway,

0:34:28.880 --> 0:34:31.560
<v Speaker 3>and Finn's like, if you don't tell him, I will,

0:34:32.120 --> 0:34:37.080
<v Speaker 3>So m Kurt has to tell Bert what happens, and

0:34:37.120 --> 0:34:41.040
<v Speaker 3>Bert comes charging out as a father should and would

0:34:41.040 --> 0:34:47.280
<v Speaker 3>do again another wonderful performance by Mike O'Malley, just taking

0:34:47.360 --> 0:34:51.680
<v Speaker 3>Kofski down Zong as far as anybody will let him,

0:34:51.800 --> 0:34:55.080
<v Speaker 3>and let a grown man take a child down or

0:34:55.080 --> 0:34:58.840
<v Speaker 3>a teen, And so that's kind of what kick starts

0:34:58.840 --> 0:35:03.360
<v Speaker 3>Burt finding out, that's how Bert finds out, yes, and

0:35:03.360 --> 0:35:05.799
<v Speaker 3>then we fast forward to where we just left off,

0:35:05.920 --> 0:35:13.319
<v Speaker 3>where Krofsky's coming back to school, and so Carol and

0:35:13.400 --> 0:35:16.879
<v Speaker 3>Bert obviously take as the parents and as the voice

0:35:16.920 --> 0:35:20.880
<v Speaker 3>of reason should, and the people in control tell Kurt

0:35:21.239 --> 0:35:25.000
<v Speaker 3>that they're going to take their honeymoon money and they're

0:35:25.040 --> 0:35:27.520
<v Speaker 3>going to give it to him for a Dalton. So

0:35:27.760 --> 0:35:30.680
<v Speaker 3>Kurt comes into the choir room, misters, she's all excited

0:35:30.719 --> 0:35:34.720
<v Speaker 3>to give him a solo for regionals, which probably wouldn't

0:35:34.760 --> 0:35:37.600
<v Speaker 3>lie anyway, you know, Rachel's going to get it, and

0:35:38.160 --> 0:35:41.879
<v Speaker 3>Kurt says that he is leaving, and everybody's really kind

0:35:41.880 --> 0:35:45.560
<v Speaker 3>of taking this seriously. But I don't think this seriously

0:35:45.640 --> 0:35:48.440
<v Speaker 3>up to this point more serious enough.

0:35:48.560 --> 0:35:50.560
<v Speaker 1>Where we're going to lose Kurt.

0:35:50.719 --> 0:35:56.640
<v Speaker 3>Yeah, which I understood, like like zero tolerance and I

0:35:56.680 --> 0:35:57.959
<v Speaker 3>wouldn't feel safe there.

0:35:58.040 --> 0:36:01.120
<v Speaker 1>And good for Kurt.

0:36:02.760 --> 0:36:06.920
<v Speaker 2>I love you know, Holp said everyone is because oh yeah, again,

0:36:07.080 --> 0:36:11.920
<v Speaker 2>like the this show being on a network in twenty

0:36:12.120 --> 0:36:17.120
<v Speaker 2>ten and you have the gay character who's arguably one

0:36:17.160 --> 0:36:20.839
<v Speaker 2>of the biggest characters on the show and beloved by

0:36:20.920 --> 0:36:24.040
<v Speaker 2>all the other characters in the show, and to see

0:36:24.080 --> 0:36:29.919
<v Speaker 2>how that affects them, where he's become so popular and

0:36:30.719 --> 0:36:34.719
<v Speaker 2>so vital to their friend group and glee club, and

0:36:34.800 --> 0:36:36.880
<v Speaker 2>it was just really profound and moving to me in

0:36:36.920 --> 0:36:43.400
<v Speaker 2>that way. And Amber getting up and just saying Kurt

0:36:43.560 --> 0:36:46.560
<v Speaker 2>and there's no other line, and it's like, broke my heart.

0:36:47.040 --> 0:36:52.440
<v Speaker 3>No where it's one of us, and he's also going

0:36:52.520 --> 0:36:54.319
<v Speaker 3>to be competing against us.

0:36:54.480 --> 0:36:58.880
<v Speaker 2>Of course Rachel points that out immediately, but fair because

0:36:59.040 --> 0:37:00.360
<v Speaker 2>the next episode.

0:37:02.080 --> 0:37:05.920
<v Speaker 1>It's so exciting special education. Yeah.

0:37:06.040 --> 0:37:08.640
<v Speaker 2>Side note, This other thing that happened during this episode

0:37:09.200 --> 0:37:12.760
<v Speaker 2>was Sam and Quinn. Sam is fully obsessed with Quinn

0:37:13.760 --> 0:37:16.080
<v Speaker 2>basically proposes and like, here's a promise. Why She's like, no,

0:37:16.400 --> 0:37:19.560
<v Speaker 2>you're crazy. But after watching how he's stuck up for Kurt,

0:37:20.760 --> 0:37:22.160
<v Speaker 2>by the end of the episode, she's like, you didn't

0:37:22.160 --> 0:37:25.480
<v Speaker 2>even notice somewhere in your ring and it was just

0:37:25.600 --> 0:37:29.000
<v Speaker 2>really sweet, you know, a little like sub storyline that

0:37:29.120 --> 0:37:32.400
<v Speaker 2>was woven in there. And they're really sweet together, and

0:37:32.440 --> 0:37:37.400
<v Speaker 2>he's making her feel comfortable after having a terrible previous year, right,

0:37:37.719 --> 0:37:41.960
<v Speaker 2>and yeah, really they're just really cute to get too.

0:37:43.000 --> 0:37:45.120
<v Speaker 2>So that's the episode. Should we get into some tarty

0:37:45.160 --> 0:37:49.600
<v Speaker 2>takes real quick, let's do it? Okay, my cringe. As

0:37:49.719 --> 0:37:54.480
<v Speaker 2>much as I love everything else happening, it Sue marrying

0:37:54.560 --> 0:37:59.680
<v Speaker 2>herself and like kissing her own hand really made me

0:37:59.719 --> 0:38:00.640
<v Speaker 2>feel comfortable.

0:38:05.840 --> 0:38:07.719
<v Speaker 3>It made me really a control that I don't even

0:38:07.760 --> 0:38:11.359
<v Speaker 3>want to talk about. Yeah, exactly, I'll take that one too.

0:38:12.280 --> 0:38:17.520
<v Speaker 2>Best dance move, I mean Everyone's little thing, very yeah,

0:38:18.000 --> 0:38:20.239
<v Speaker 2>so cute, what a cute thing.

0:38:20.840 --> 0:38:21.600
<v Speaker 1>Best song.

0:38:23.000 --> 0:38:24.120
<v Speaker 2>I would say, marry you.

0:38:25.040 --> 0:38:26.200
<v Speaker 1>I would say just the way you are.

0:38:27.520 --> 0:38:28.280
<v Speaker 2>They're both great.

0:38:28.440 --> 0:38:28.680
<v Speaker 1>Yeah.

0:38:28.719 --> 0:38:35.560
<v Speaker 3>The best performance by a prop oh, I mean my

0:38:35.680 --> 0:38:50.280
<v Speaker 3>ribbons are pretty great. I will say the tequila camera working.

0:38:52.520 --> 0:38:56.480
<v Speaker 2>And the best lines, I mean the vows.

0:38:56.920 --> 0:38:57.680
<v Speaker 1>The vows are great.

0:38:58.000 --> 0:39:00.600
<v Speaker 3>Yeah, okay, So this is the one, this whole really,

0:39:01.120 --> 0:39:02.799
<v Speaker 3>I really love Jane's performance.

0:39:03.239 --> 0:39:03.920
<v Speaker 1>She just.

0:39:05.480 --> 0:39:09.799
<v Speaker 3>Played this the seriousness of Kirk being bullied and harassed

0:39:10.080 --> 0:39:14.240
<v Speaker 3>and threatened so beautifully with the comedy of Sue Sylvester.

0:39:14.360 --> 0:39:17.480
<v Speaker 3>She always does it so beautiful, but this one in particular,

0:39:17.840 --> 0:39:20.560
<v Speaker 3>when she's like, it was so serious about him being

0:39:20.560 --> 0:39:22.160
<v Speaker 3>her assed and how there's not a lot she could

0:39:22.200 --> 0:39:23.080
<v Speaker 3>do and you know.

0:39:23.200 --> 0:39:23.920
<v Speaker 1>Blah blah blah.

0:39:23.920 --> 0:39:28.920
<v Speaker 3>But then she says she's calling him a lady, and

0:39:28.960 --> 0:39:32.520
<v Speaker 3>he's like, that's actually bullying, and she's like, okay, noted,

0:39:32.760 --> 0:39:36.080
<v Speaker 3>and then the term is so fast, but it's so serious.

0:39:36.080 --> 0:39:37.959
<v Speaker 3>In the delivery, she says, I'll allow you to choose

0:39:37.960 --> 0:39:43.319
<v Speaker 3>from the following nicknames then Gilfling, Porcelain, and chicklemy Dove,

0:39:45.480 --> 0:39:47.320
<v Speaker 3>and Chris says, I guess I'll go with Porcelain.

0:39:47.840 --> 0:39:54.400
<v Speaker 2>She's like, I was really hoping protect so good, very funny.

0:39:55.440 --> 0:40:02.160
<v Speaker 2>So the ship we found on TikTok, let's do it never.

0:40:02.400 --> 0:40:08.520
<v Speaker 2>Ben Finer on TikTok posted the Sesame Street parody of

0:40:08.600 --> 0:40:12.040
<v Speaker 2>Glee No and said never forget the most accurate parody

0:40:12.040 --> 0:40:15.759
<v Speaker 2>of Glee ever. And they talked about the letter G. No,

0:40:16.000 --> 0:40:19.640
<v Speaker 2>it's called G stop and it's a full recreation of

0:40:19.760 --> 0:40:22.959
<v Speaker 2>the set. The characters all in Sesame Street form.

0:40:23.120 --> 0:40:23.279
<v Speaker 3>No.

0:40:24.360 --> 0:40:26.360
<v Speaker 2>Yeah, it's not regionals, it's genals.

0:40:26.600 --> 0:40:29.000
<v Speaker 1>Is it real? This is really Sesame Street did this?

0:40:29.120 --> 0:40:29.319
<v Speaker 3>Yes?

0:40:31.080 --> 0:40:35.799
<v Speaker 2>What, it's incredible, It's absolutely incredible. You find a song

0:40:35.840 --> 0:40:41.600
<v Speaker 2>with a letter G Sylvester, there's everybody. It is stop

0:40:42.600 --> 0:40:46.440
<v Speaker 2>crazily good. I don't understand how these things happen.

0:40:47.600 --> 0:40:47.680
<v Speaker 3>What?

0:40:48.960 --> 0:40:50.360
<v Speaker 1>Yeah, this is amazing.

0:40:50.719 --> 0:40:51.400
<v Speaker 2>There's a song.

0:40:51.960 --> 0:40:52.760
<v Speaker 1>I'm shocked.

0:40:53.360 --> 0:40:57.480
<v Speaker 2>Yeah, everyone go look at that because it's phenomenon.

0:40:57.760 --> 0:41:03.279
<v Speaker 3>So the puppets look really similar, Okay, okay, wow wow.

0:41:02.520 --> 0:41:05.600
<v Speaker 2>So never Ben finer like Ben as in b e N.

0:41:06.800 --> 0:41:13.239
<v Speaker 2>It's just even the other voices like Mercedes not Mercedes.

0:41:14.040 --> 0:41:16.160
<v Speaker 2>I could go on. I won't keep you anymore. You

0:41:16.200 --> 0:41:17.240
<v Speaker 2>go check it out for yourself.

0:41:17.560 --> 0:41:23.360
<v Speaker 3>Well, join us next week for episodes Sprasial Education in

0:41:23.600 --> 0:41:24.920
<v Speaker 3>some competition.

0:41:28.520 --> 0:41:29.480
<v Speaker 1>That's what you really missed.

0:41:30.120 --> 0:41:33.239
<v Speaker 2>Thanks for listening, and follow us on Instagram at and

0:41:33.360 --> 0:41:35.560
<v Speaker 2>that's what you really miss pod. Make sure to write

0:41:35.640 --> 0:41:37.920
<v Speaker 2>us a review and leave us five stars. See you

0:41:37.920 --> 0:41:38.319
<v Speaker 2>next time,