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Speaker 1: And that's what you really missed with Jenna.

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Speaker 2: And Kevin an iHeartRadio podcast.

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Speaker 3: Welcome to and that's what you really missed Harry Potter

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Speaker 3: and the Deathly Hollows Part one.

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Speaker 2: That's what I wish we were recapping.

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Speaker 1: Why don't we have a Harry Potter podcast.

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Speaker 2: Okay, we probably know more about Harry Potter than we

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Speaker 2: do about Glee. I think we'd probably be better at that.

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Speaker 1: So okay, welcome to the show.

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Speaker 2: Welcome to our first Glee wedding.

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Speaker 3: Oh my gosh, it feels like we have done a

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Speaker 3: ton of weddings already, but we haven't.

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Speaker 2: This is our first, right, yes, first and second because

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Speaker 2: there are two in this.

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Speaker 1: Episode, well sort of first and a half.

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Speaker 2: Yeah, one point five. So here's what we're doing. Season two,

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Speaker 2: episode eight firt, that originally aired on November twenty third,

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Speaker 2: two thousand and.

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Speaker 3: Ten, Thanksgiving time. Like at G six, was number one,

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Speaker 3: and a song of the of the week, Harry Potter

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Speaker 3: Deathly Hollers Part one seven of eight Harry Potter Movies

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Speaker 3: was number one. Kevin, do you remember when we went

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Speaker 3: to see this?

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Speaker 2: No? Oh wait, did we see it at Arc Light

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Speaker 2: at midnight?

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Speaker 3: Yes?

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Speaker 2: And did we dress up a little bit. Yes, yes,

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Speaker 2: I have pictures from this.

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Speaker 1: So now you know. This was the first Harry Potter

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Speaker 1: movie I'd ever seen.

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Speaker 2: What a weird movie to come in on because it

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Speaker 2: is so unlike all the other movies. It's my favorite

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Speaker 2: Harry Potter movie.

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Speaker 3: It's one of It's David's two. He puts it on

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Speaker 3: all the time, and I'm like, why this one?

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Speaker 2: See, I do think, I guess in terms of ones

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Speaker 2: I watch the most, not because it's my favorite. I

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Speaker 2: feel like it's the easiest to watch.

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Speaker 1: It's this one.

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Speaker 3: Yeah, I don't know why, you crazy girlfriend, I'm talking

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Speaker 3: about Goblet of Fire.

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Speaker 1: Like that's easy.

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Speaker 2: I've seen Gobin a Fire too many times. It is

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Speaker 2: an issue.

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Speaker 1: I have to doing them all too many times.

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Speaker 2: The reason I like this movie because you asked. I

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Speaker 2: think this section of the book is not great, and

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Speaker 2: it's the only movie that I think improves upon what's

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Speaker 2: written in the.

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Speaker 3: Book fair enough. I have to agree. I have to agree.

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Speaker 3: They really did do something with it. I'm not sure

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Speaker 3: I loved it, but they did do something.

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Speaker 2: I also think it's the best acting in the entire series.

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Speaker 1: It's like watching an indie film.

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Speaker 2: Yeah, those three are acting.

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Speaker 3: But yes, this was the first movie to come into

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Speaker 3: and I was kind of confused, but I was just

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Speaker 3: excited that everybody was so excited. So I was like

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Speaker 3: into it. And that's when you let me all the books.

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Speaker 3: And then I read all the.

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Speaker 1: Books and then I got into the movies a little

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Speaker 1: bit later. I had just refused to watch.

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Speaker 3: The movies until I read the books, and then I

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Speaker 3: finally read them all and watched and was like, this

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Speaker 3: is what I've been missing. I can't believe I waited

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Speaker 3: so long.

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Speaker 2: But you didn't go back and read all the books, right.

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Speaker 1: Yeah, yeah, yeah, I saw this movie.

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Speaker 3: Then I was like, all right, I got to pop

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Speaker 3: on the train. So then I got on all the

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Speaker 3: books and then I went to the movies.

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Speaker 1: I refused. I would not watch the movies without but

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Speaker 1: except for you know.

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Speaker 2: Part one, good for you.

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Speaker 1: I mean, I'm so glad I did. I don't know

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Speaker 1: what I was thinking.

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Speaker 2: I'm glad we have that time of Harry Potter being clossover. No,

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Speaker 2: if Harry Potter liked being untainted by the turf, oh.

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Speaker 3: Yes, yes, absolutely, it was such a pure, a purer,

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Speaker 3: more innocent time.

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Speaker 2: So also this week in Glee News, the American Music

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Speaker 2: a warts happened, Darren meets Katy Perry, but the other

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Speaker 2: boys we had already met Katy Perry because we had

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Speaker 2: hosted the Teen Choice Awards with her No Big Deal, Chancie,

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Speaker 2: and then shortly after we will be in her music

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Speaker 2: video for Last Friday Night Fun, which I had to

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Speaker 2: run out of a gay club a couple of weeks

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Speaker 2: ago because they started playing it and I was really embarrassed,

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Speaker 2: so I walked.

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Speaker 1: Out, why are you embarrassed? It's such a great video.

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Speaker 2: It is a great video. I don't know, because then

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Speaker 2: you know, Mike friends and people started looking at me.

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Speaker 3: It's like, hey, yeah, yeah, I hear that. Very exciting though.

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Speaker 3: We'll have to talk about that one yes, when we

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Speaker 3: get there. This episode was a new, brand new director,

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Speaker 3: one and only Carol Banker, who was a part of

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Speaker 3: the Glee crew for since season one, and she was

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Speaker 3: the script supervisor. And now you obviously know that sometimes

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Speaker 3: people asked to direct are interested in it and eventually

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Speaker 3: they get a yes and Carol put in her time.

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Speaker 3: So Carol's script supervisor, which, for people who don't know,

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Speaker 3: there's a script supervisor on every every day on set,

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Speaker 3: and they are taking copious amounts of notes on continuity.

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Speaker 3: So if your hair was up in the last scene

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Speaker 3: and in a red dress, then they make sure and

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Speaker 3: they're the wardrobe. They turn the wardrobe to people like

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Speaker 3: turn to them and are like, what day is this

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Speaker 3: and then they're like, oh, she was in the red

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Speaker 3: dress with their hair up, and then we have photo

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Speaker 3: proof to refer to. And it's just all these crazy things.

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Speaker 3: I did not explain that very well, but I.

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Speaker 2: Mean even within a scene, it's like, if there's a

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Speaker 2: take your first few takes, if you turn your head

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Speaker 2: and let's say Jenna, your hair is down and half

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Speaker 2: of it moves from behind your shoulder Tom in front

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Speaker 2: of your shoulder, then that's what you need to do

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Speaker 2: to match that every single time now and Carol, because

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Speaker 2: we had so many people on our show, the script

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Speaker 2: supervisor is paying attention to that many actors all at once.

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Speaker 2: They're also making sure you're saying all the correct dialogue.

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Speaker 2: If you drop a word, if you add a word,

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Speaker 2: if you're improving, that person is going to come in

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Speaker 2: and be like, so here's the actual line, and you

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Speaker 2: do need to do it as written for all of

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Speaker 2: the characters in every scene, every single take, all the time.

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Speaker 2: And they also are taking the notes because they sit

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Speaker 2: with the director and the DP and watch the takes

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Speaker 2: and sometimes the director will be like, Okay, that's the

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Speaker 2: take I want, so they can also mark those things

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Speaker 2: down that this is the director's preferred take in the

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Speaker 2: moment for the edit. So it is a huge job,

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Speaker 2: huge responsibility, but they see everything because they're sort of

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Speaker 2: at the epicenter where all the departments are talking to

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Speaker 2: the director, to the DP and they're all going to

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Speaker 2: that little area where the script supervisor sits. So Carol

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Speaker 2: Banker got to step on up and then you know,

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Speaker 2: shortly after then she goes off to direct all kinds

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Speaker 2: of different things series.

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Speaker 3: Yeah, thank you for that, much better excellently than nonsense. Yeah,

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Speaker 3: So Carol does this one, and this is one of

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Speaker 3: many that she will also do on Glee. And we've

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Speaker 3: got some special guest stars. We have the one and

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Speaker 3: only Carol Burnett.

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Speaker 1: It's very Carols.

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Speaker 2: I watched this last night, and I watched the season finale,

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Speaker 2: series finale of The Marvelous Missus Masel right after not

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Speaker 2: realizing that there's a person playing Carol Burnett. And a

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Speaker 2: young Carol Burnette in the finale of Mazel And then

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Speaker 2: I woke up today and Carol Burnett is trending.

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Speaker 1: Oh wow.

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Speaker 2: Yes, and it's just a lot of Carol Burnette because

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Speaker 2: she's an icon.

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Speaker 1: Well, there's also a lot of Carols.

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Speaker 3: We have Carol Banker, Carol Burnett, and Carol Hudson Humble.

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Speaker 2: That's right, almost, yeah, she becomes Hudson Humble in this episode, right,

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Speaker 2: I mean, how I mean, it was really special to

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Speaker 2: talk to Jane when she was on about getting to

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Speaker 2: work with Carol Burnett. How crazy you know?

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Speaker 1: That is very surreal, very surreal.

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Speaker 3: And also talking about Jane mentioned marrying herself, which I

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Speaker 3: did not think was going to come so quickly.

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Speaker 2: I did not think it was in this episode.

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Speaker 1: I thought it was in like season six because it

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Speaker 1: sounds like a season six move. Fair enough, very good,

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Speaker 1: that's right.

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Speaker 3: Tell me about the tell me about the songs in

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Speaker 3: this episode.

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Speaker 2: So we have Ohio, the song Ohio, marry you, sway

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Speaker 2: and just the Way you Are. It's like a many

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Speaker 2: early Bruno Mars tribute episode.

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Speaker 3: Right. And then the overview of this episode is that

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Speaker 3: Burt and Carroll announced that they got engaged, and Kurt

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Speaker 3: takes on all the wedding planning and hires new Directions

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Speaker 3: to perform at the wedding.

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Speaker 1: Finn is a little hesitant, obviously for personal reasons. Sue

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Speaker 1: also decides that she's going to get married, but she's

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Speaker 1: gonna marry herself, and her mom comes to town. The

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Speaker 1: one really Carol Burnett, and Sue is still principal and

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Speaker 1: she is actually going to advocate for Kurt, so that

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Speaker 1: is the overview.

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Speaker 2: The real big star of this episode really is Carol Burnett.

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Speaker 2: We've had a lot of really famous people on the

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Speaker 2: show Legends, but I feel like Carol Burnett is a

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Speaker 2: TV legend, yeah, icon. And what was wild for me

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Speaker 2: watching this was knowing how much Jane admires her. And

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Speaker 2: obviously this is not surprising, but the whole time I

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Speaker 2: was watching Jane interact with Carol in character, I was

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Speaker 2: just thinking about how much fun and also how hard

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Speaker 2: it must be to stay in character, because I know

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Speaker 2: when you're in scenes with a legendary actor, you're also

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Speaker 2: sometimes aware of I am watching this really famous, incredibly

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Speaker 2: talented person in front of me right now. Obviously, if

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Speaker 2: you're like really talented, like Jane. You're probably just in

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Speaker 2: it and you're doing the job. But it was so

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Speaker 2: weird to see Jane play So Sylvester next to Carol Burnett. Yes, yes,

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Speaker 2: because I wanted her to just be Jane and like

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Speaker 2: fawn over her.

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Speaker 3: Right, and she was not doing that is not the

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Speaker 3: character at all. So it's yeah, I must have been.

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Speaker 3: I can only imagine. It's like very out outer body.

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Speaker 2: It's very out of like their number together was just phenomenal.

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Speaker 2: So let's talk about this storyline. We'll cook because this

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Speaker 2: is the smaller storyline that happens in this but they

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Speaker 2: do it in big way. So Carol Burnette shows up

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Speaker 2: in Principal Sylvester's office, right, and we learned that she

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Speaker 2: is Suceivester's mother and she's a famous Nazi hunter.

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Speaker 1: We really love the Nazi hunters. Engley.

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Speaker 2: Yeah, only it's very I mean, it's quite funny and

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Speaker 2: they sort of go at it. Sue Sylvester has this

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Speaker 2: complicated relationship with her mother and she overhears that Sue

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Speaker 2: has decided that she's going to marry herself because Rod

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Speaker 2: Reminkin is getting married and she's really embarrassed and furious

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Speaker 2: about it. So no one can love her like herself,

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Speaker 2: so she's going to marry herself. And Mama Sevester comes

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Speaker 2: in is like, this is really sad and pathetic and

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Speaker 2: has all these insults and it's a lot of you know,

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Speaker 2: you abandon us, you abandon your daughters, you abandon me.

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Speaker 2: I've been taking care of us, Like where have you been?

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Speaker 2: And she's like, well, you know, off killing nazis right,

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Speaker 2: But she's so funny.

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Speaker 1: I mean, it's so funny.

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Speaker 2: I know that's zero percent surprising that Kara Bournette is funny, right,

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Speaker 2: but way to sell a qui storyline.

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Speaker 1: A wild storyline.

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Speaker 3: But then at the root of it, to be fair,

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Speaker 3: and I don't know if this is just the magic

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Speaker 3: of them where like or I mean a combination of

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Speaker 3: the writing and the magic of them where it really

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Speaker 3: does come back to a mother and daughter, right Like

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Speaker 3: at the end, it really is just about in the

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Speaker 3: in the auditorium, they're really that's the foundation of it.

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Speaker 1: Is like a kind of a broken family.

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Speaker 3: Yeah, but yeah, this is crazy, and I'm glad that

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Speaker 3: there's a voice for reason that Doris is like, this

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Speaker 3: is kind of crazy, but even more so it's funny

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Speaker 3: because Doris is like, I can't believe that you're not

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Speaker 3: letting me be a more central part of your wedding,

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Speaker 3: right the age old you know, mother parents involved in

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Speaker 3: the weddings.

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Speaker 2: So did you love this number that they did together?

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Speaker 3: I mean when she opened her mouth, I was like, right, right, right, right,

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Speaker 3: that's Carol Burnett.

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Speaker 2: It's wonderful that I also forgot Carol Burnett can sing,

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Speaker 2: she can do everything.

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Speaker 1: And it's a simple They just you know, like just

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Speaker 1: let them do their thing, but.

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Speaker 2: Not it's like not everybody can pull off that, you know,

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Speaker 2: the dialogue in the middle of the song, and like

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Speaker 2: they're both comedic geniuses. And they told the line of

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Speaker 2: what you said of you know, identifying and representing that

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Speaker 2: storyline the mother and daughter relationship that is serious but

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Speaker 2: also in the context of the absurdity of what's going

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Speaker 2: on in the situation around them, and it's just so

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Speaker 2: beautifully done and puts the rest of us to absolute change.

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Speaker 3: Jane, Yeah, I forgot how good that number was, and

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Speaker 3: when I launched it, I was like, oh, right, this number,

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Speaker 3: I think I don't remember it well. Right, It's probably

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Speaker 3: because we were like, oh, this doesn't include us. Let's

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Speaker 3: just go when we were back back in the day,

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Speaker 3: you know, Well.

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Speaker 2: That was one of those things too where it's like

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Speaker 2: we got to have some of those amazing people on,

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Speaker 2: but if we didn't interact with them exactly, and it

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Speaker 2: wasn't even like we read the scripts. It wasn't that

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Speaker 2: we were skipping it. It was that we were probably

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Speaker 2: in dance rehearsal or recording or something, so we just.

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Speaker 1: I mean, I didn't meet Carol, did you.

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Speaker 2: I think I did actually, or I saw her like

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Speaker 2: we had a conversation as a group on the New

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Speaker 2: York backlot, which is, you know, where our stages were.

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Speaker 2: I think I did see her for a second, and

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Speaker 2: it was just I don't think I spoke. I was

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Speaker 2: sort of an awe.

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Speaker 1: I mean, what do you say to the queen?

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Speaker 2: So Sue decides to you know, if she's marrying herself,

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Speaker 2: she's officiating the wedding. The wedding happens.

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Speaker 1: At Jeans home.

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Speaker 2: Jane is also just so talented as well. The three

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Speaker 2: together just they are.

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Speaker 1: It was a really crazy family.

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Speaker 3: They really sold like a very kind of broken family,

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Speaker 3: and it was really heart breaking.

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Speaker 2: As crazy as it is that Adida's wedding dress is phenomenal.

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Speaker 2: Carol Burnette's reaction to it is also phenomenal. She was

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Speaker 2: all of us, she was.

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Speaker 1: It's ridiculous, it's absolutely crazy.

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Speaker 3: Lou Irich at her has her crazy, wonderful genius again.

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Speaker 1: Yeah.

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Speaker 3: So the Doris says that she still thinks this whole

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Speaker 3: thing is absolutely crazy, and she's sad that she's not

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Speaker 3: a part of more a part of the wedding. And

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Speaker 3: and then Sue gives it to her, gives it to

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Speaker 3: her mom. So she's a bully, which is then you

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Speaker 3: are like, oh, I see where she Sylvester got it from.

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Speaker 3: I see why she is the way she is, and

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Speaker 3: you know, it's just her and Jean, and Sue says,

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Speaker 3: you know, when I finally began to like who I am,

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Speaker 3: when I stopped trying to please you, burn Burn burn

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Speaker 3: burn is very It was the most profound thing I've

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Speaker 3: heard you say.

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Speaker 1: All right, and then Doris is uninvited to the wedding. Goodbye.

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Speaker 2: That's that's a wrap on doors.

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Speaker 3: And that's and that's a wrap on Carolbournett, and that's

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Speaker 3: rap on Sue marrying Sue.

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Speaker 2: And there it is, there, it is so the real

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Speaker 2: meat of this episode is the wedding that happens in

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Speaker 2: record time.

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Speaker 1: I thought. I was like already.

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Speaker 2: I was like, we don't want to just drag this

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Speaker 2: wedding preparation out for a couple episodes.

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Speaker 1: Right, No, that's not the Kurt's just a magician, that's

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Speaker 1: not the Ryan Murphy style. No.

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Speaker 2: No, they want to introduce it and wrap it up

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Speaker 2: within forty two minutes.

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Speaker 3: So Bert and Carol's surprise Kurt in fin at school

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Speaker 3: and they tell them that they got engaged. And Kurt

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Speaker 3: is so excited. He's got the wedding planning under He's

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Speaker 3: got it, you know, from the trunk full of wedding

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Speaker 3: liazines under his bed instead of all the other things

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Speaker 3: that boys have under the bed. And Finn is seemingly

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Speaker 3: not so excited. He's a bit shocked. Feels a bit

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Speaker 3: soon probably, And Burt and carrellly going to Waikiki for

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Speaker 3: their honeymoon take me with You, and Bert wants a

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Speaker 3: really good band, so Kurt is going to enlist new

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Speaker 3: directions to because we're a really good band.

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Speaker 2: We're a great band, a wedding band. We have a

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Speaker 2: band that place with us, that is a really band

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Speaker 2: that's actually a band. Yeah, so glee wedding. So simultaneously

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Speaker 2: what's going on with Kurt, right, is that Kurt's getting

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Speaker 2: bullied by Krowski still, and there's this power dynamic and

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Speaker 2: shift where Finn is feeling sort of pushed aside because

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Speaker 2: he felt like he was blindsided by this whole wedding.

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Speaker 2: Kurt's taking the lead, I'm gonna take it over. And

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Speaker 2: then at the same time, Kurt's getting bullied and shoved aside,

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Speaker 2: and Finn was not stepping up to the plate as

336
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Speaker 2: now he's about to be his step brother, and everyone

337
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Speaker 2: wants Finn to be a leader, and Kurt is like,

338
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Speaker 2: you are the leader. You need to step up, and

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Speaker 2: like I'm going to teach you to learn a dance

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Speaker 2: for this wedding, and you're gonna give yourself and you're

341
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Speaker 2: gonna give your mom away and all these things, and

342
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Speaker 2: Finn is just sort of resistant to all of it.

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Speaker 2: But he's like, actually, you're right, I can be a

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Speaker 2: leader if I step up and I learned to dance.

345
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Speaker 2: But then when he's actually push comes to shove, and

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Speaker 2: it's time for the glee club to enlist him because

347
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Speaker 2: the girls have this great scene, right where all of

348
00:19:01,400 --> 00:19:05,240
Speaker 2: you girls pull together who have boyfriends on the football

349
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Speaker 2: team or boyfriends, right, and you're going to enlist their

350
00:19:11,840 --> 00:19:16,280
Speaker 2: help to go after Krofsky, to threaten Krossky, like stay

351
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Speaker 2: away from Kurt. And when Finn's approached about it, he's like,

352
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Speaker 2: I can't, it's going to jeopardize you know, football team,

353
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Speaker 2: my future. But at the same time, it's like Sam's

354
00:19:25,600 --> 00:19:29,040
Speaker 2: also trying to get his spot back as quarterback. But

355
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Speaker 2: when the time comes and they actually do approach Krofsky

356
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Speaker 2: about it, Sam steps up in a big way and

357
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Speaker 2: gets into that fight.

358
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Speaker 3: Yeah, that locker see room scene was really great. So

359
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Speaker 3: when the girls enlist the boys to do it.

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Speaker 1: They go and.

361
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Speaker 3: They really do confront Krossky and he's kind of cornered,

362
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Speaker 3: And I was.

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Speaker 2: Proud of the boys for all the stupid things they

364
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Speaker 2: do to this. This is good, No, it was.

365
00:19:59,200 --> 00:20:02,680
Speaker 3: It was really good, and it gave the the storyline

366
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Speaker 3: some more gravity that people were actually taking it a

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Speaker 3: little bit more seriously or giving it more notice and attention,

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Speaker 3: which I thought, like, Okay, finally they were not just

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Speaker 3: saying like, oh, yeah, there's nothing we can do, which

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Speaker 3: is a whole other thing.

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Speaker 1: In the principal's office.

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Speaker 2: Well it also like, yeah, did make up for a

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Speaker 2: couple of episodes ago when Kurt really was getting the

374
00:20:23,840 --> 00:20:27,280
Speaker 2: shit beat out of him by nobody? Is yeah, and

375
00:20:27,280 --> 00:20:30,240
Speaker 2: she was just like, I know, you're not happy. Where

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Speaker 2: at least they you know, they took her into the

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Speaker 2: principal's office and Sue really grounded is explaining that nobody

378
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Speaker 2: saw it. You weren't hurt this time, right, And he

379
00:20:42,480 --> 00:20:45,120
Speaker 2: doesn't really feel yet that he you know, his life

380
00:20:45,160 --> 00:20:48,199
Speaker 2: was threatened, right, And so nothing really happens, and then

381
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Speaker 2: they go after Kofski to try to.

382
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Speaker 3: What did you guys have have like a stunt double

383
00:20:53,240 --> 00:20:55,479
Speaker 3: or anything for you falling out of the wait and

384
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Speaker 3: everything that's not you.

385
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Speaker 1: I don't think.

386
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Speaker 2: No, they wouldn't let us do any stunts.

387
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Speaker 1: I was very impressed because I thought thought it was

388
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Speaker 1: you that went down.

389
00:21:04,320 --> 00:21:08,240
Speaker 2: No, there was no even if we even suggested, like nope,

390
00:21:08,720 --> 00:21:11,640
Speaker 2: but that's fine. I mean, there are incredibly talented stunt people.

391
00:21:11,720 --> 00:21:15,520
Speaker 2: That's their profession. Leave it to the professionals totally, except

392
00:21:15,640 --> 00:21:17,600
Speaker 2: I was pushing to the pool. That was me, but

393
00:21:18,280 --> 00:21:21,879
Speaker 2: because that was not planned. But besides that, yeah, we

394
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Speaker 2: had we had an incredible stunt team.

395
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Speaker 3: Yes we did, and yeah, Sam really takes a beating

396
00:21:27,160 --> 00:21:30,600
Speaker 3: for him and really and really goes to goes to

397
00:21:30,640 --> 00:21:35,560
Speaker 3: the map no, but intended with with Krofski for Kurt

398
00:21:35,800 --> 00:21:39,040
Speaker 3: and that, Yeah, they gave the whole thing a little

399
00:21:39,040 --> 00:21:41,600
Speaker 3: bit more gravity. So yeah, I think that was frustrating

400
00:21:41,640 --> 00:21:44,400
Speaker 3: to me. When Sue takes them into the office and

401
00:21:44,480 --> 00:21:46,680
Speaker 3: even though she really is advocating for him and is

402
00:21:46,720 --> 00:21:49,600
Speaker 3: actually taking this seriously and not you know, just kind

403
00:21:49,640 --> 00:21:55,120
Speaker 3: of being Sue, it was It's upsetting because that's crazy

404
00:21:55,240 --> 00:21:58,520
Speaker 3: that all of that that happened still wasn't enough to

405
00:21:58,560 --> 00:22:02,639
Speaker 3: get Kroftski, you know, suspended.

406
00:22:02,720 --> 00:22:04,760
Speaker 2: Right, And it's not like, I mean every time that happened,

407
00:22:04,760 --> 00:22:07,600
Speaker 2: he was in the hallway full of kids. So it's

408
00:22:07,600 --> 00:22:10,360
Speaker 2: not like there's not witnesses to any of this happening exactly,

409
00:22:10,480 --> 00:22:12,000
Speaker 2: but at least, I mean, I guess better late than

410
00:22:12,000 --> 00:22:15,560
Speaker 2: ever that it's finally being addressed because we need it

411
00:22:15,600 --> 00:22:17,959
Speaker 2: for this other plot point that happens at the end. Right,

412
00:22:20,000 --> 00:22:25,359
Speaker 2: So then this wedding happens and Santana approaches Finn Frankentine,

413
00:22:26,720 --> 00:22:31,680
Speaker 2: which was Corey's Twitter handle for a long time, and

414
00:22:32,520 --> 00:22:35,240
Speaker 2: it was like, look, if you want to be a

415
00:22:35,320 --> 00:22:39,440
Speaker 2: leader and get your cool status back, then like we

416
00:22:39,480 --> 00:22:43,600
Speaker 2: should maybe tell everyone that we did it last year.

417
00:22:44,160 --> 00:22:46,840
Speaker 2: And he's like, I can't. This is sweet. This is

418
00:22:46,920 --> 00:22:50,440
Speaker 2: the fincial, you know, relationship that we all know and love.

419
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Speaker 2: Where he's like, I can't tell her because I love

420
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Speaker 2: her and I don't want to break her heart and

421
00:22:55,480 --> 00:22:59,520
Speaker 2: it's going to break her heart. But their scene was

422
00:22:59,600 --> 00:23:00,359
Speaker 2: so great together.

423
00:23:01,040 --> 00:23:02,600
Speaker 1: I really like Santana Infant together.

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00:23:02,760 --> 00:23:05,520
Speaker 2: Yeah, they're very good together. Yes, it was sort of

425
00:23:05,520 --> 00:23:09,480
Speaker 2: similar also in like real life, where they're obviously very

426
00:23:09,480 --> 00:23:15,320
Speaker 2: different people, but to me, they sort of filled similar

427
00:23:15,440 --> 00:23:19,680
Speaker 2: roles amongst like our friend group. They were really good

428
00:23:19,680 --> 00:23:22,159
Speaker 2: at getting us all together. They were all about the

429
00:23:22,240 --> 00:23:25,080
Speaker 2: camaraderie and making sure like we stayed together and stayed friends,

430
00:23:25,280 --> 00:23:28,639
Speaker 2: whether it was events or house parties, whatever it was

431
00:23:28,760 --> 00:23:32,399
Speaker 2: right they and they were also just two of like

432
00:23:32,680 --> 00:23:37,520
Speaker 2: the nicest and funniest people right like they always, I

433
00:23:37,560 --> 00:23:39,720
Speaker 2: don't know, were mirrors to me of each other.

434
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Speaker 1: So interesting. I didn't think about it because.

435
00:23:41,960 --> 00:23:45,160
Speaker 2: They're completely they're so different, but it was almost their

436
00:23:45,240 --> 00:23:50,440
Speaker 2: dynamic within our ranks was similar. Yeah, like they operated

437
00:23:50,440 --> 00:23:52,840
Speaker 2: two different ways, but what they were trying to accomplish

438
00:23:52,920 --> 00:23:53,920
Speaker 2: was the same. Does that make sense?

439
00:23:54,119 --> 00:23:56,480
Speaker 1: Yeah, no, totally, I just didn't say it that way.

440
00:23:56,800 --> 00:23:59,159
Speaker 2: They're very, very talented actors, and so yeah, getting to

441
00:23:59,160 --> 00:24:01,639
Speaker 2: watch some plays wild the best.

442
00:24:02,400 --> 00:24:04,480
Speaker 1: Okay, so we get to the church, they get married.

443
00:24:05,400 --> 00:24:07,000
Speaker 2: Did you know the song marry You before this?

444
00:24:08,320 --> 00:24:09,320
Speaker 1: Yeah, definitely.

445
00:24:09,880 --> 00:24:12,440
Speaker 2: I had never heard it before. Oh, it was so

446
00:24:12,560 --> 00:24:13,120
Speaker 2: fairly new.

447
00:24:13,480 --> 00:24:14,240
Speaker 1: It was fairly new.

448
00:24:14,320 --> 00:24:16,720
Speaker 3: I was running that album into the ground though at

449
00:24:16,720 --> 00:24:19,480
Speaker 3: that point, so I think that's why I knew it

450
00:24:19,560 --> 00:24:21,960
Speaker 3: and was very excited for it.

451
00:24:22,160 --> 00:24:24,359
Speaker 2: How fun were these two days at this church?

452
00:24:24,760 --> 00:24:25,680
Speaker 1: I mean the most fun.

453
00:24:25,760 --> 00:24:35,720
Speaker 3: First of all, that number Mary was specifically was ridiculous,

454
00:24:36,040 --> 00:24:38,879
Speaker 3: and it was so much I remember rehearsing it.

455
00:24:39,160 --> 00:24:41,560
Speaker 2: I think very rehearsed it.

456
00:24:41,560 --> 00:24:43,600
Speaker 3: It was a very quick It was like Zach and

457
00:24:43,640 --> 00:24:45,320
Speaker 3: Brooke like running down the aisle being like do this

458
00:24:45,600 --> 00:24:48,320
Speaker 3: or have fun and be stupid and you know, go

459
00:24:48,400 --> 00:24:48,760
Speaker 3: for it.

460
00:24:48,800 --> 00:24:51,879
Speaker 2: And it was really sweet. All these pairings and groupings.

461
00:24:52,359 --> 00:24:58,080
Speaker 3: Yes, I really had a great time filming this and Romi,

462
00:24:58,640 --> 00:25:03,680
Speaker 3: which we hadn't really worked with Romy all that much yet.

463
00:25:04,119 --> 00:25:07,840
Speaker 3: And yeah, and we love Romy and we loved Romy

464
00:25:07,840 --> 00:25:10,000
Speaker 3: and we loved watching her do her thing with Finn.

465
00:25:10,080 --> 00:25:11,880
Speaker 3: But you know, it's a lot of Corey and and

466
00:25:12,000 --> 00:25:17,680
Speaker 3: romy To. So when romy came to this wonderful wedding,

467
00:25:17,760 --> 00:25:21,040
Speaker 3: she's like, what are we doing here? She comes with

468
00:25:21,080 --> 00:25:24,680
Speaker 3: this stuffel bag into our trailers and is like pulls

469
00:25:24,680 --> 00:25:29,360
Speaker 3: out like I got patron. She literally brought the kids patron.

470
00:25:30,359 --> 00:25:33,359
Speaker 2: But I will say she did not tell she had

471
00:25:33,400 --> 00:25:36,960
Speaker 2: patron until we got to the reception, when we weren't

472
00:25:37,000 --> 00:25:39,800
Speaker 2: really doing anything. Yeah, you know, we had to like

473
00:25:39,840 --> 00:25:42,560
Speaker 2: really perform marry you and all that. Oh yeah, sit

474
00:25:42,600 --> 00:25:46,600
Speaker 2: through that emotional scene. But when we were tequila at

475
00:25:46,640 --> 00:25:49,960
Speaker 2: that point, No, there was a lot of like hours

476
00:25:50,000 --> 00:25:51,919
Speaker 2: and hours of us sitting at those tables in the

477
00:25:51,960 --> 00:25:52,960
Speaker 2: reception room.

478
00:25:53,480 --> 00:25:54,680
Speaker 1: I bought her from my memory.

479
00:25:54,960 --> 00:25:57,800
Speaker 2: Yeah, I just remember. I don't remember performing at the

480
00:25:57,840 --> 00:26:01,600
Speaker 2: reception at all, zero record. I just remember sitting at

481
00:26:01,600 --> 00:26:02,600
Speaker 2: that table for hours.

482
00:26:02,840 --> 00:26:05,200
Speaker 1: You know why, though, Kevin is because it was really quick.

483
00:26:05,240 --> 00:26:08,320
Speaker 3: We really shot that really quickly, so they spent a

484
00:26:08,400 --> 00:26:10,000
Speaker 3: lot of time on Sway.

485
00:26:10,640 --> 00:26:13,760
Speaker 1: Yes, Sway took a very long time, and I remember

486
00:26:14,920 --> 00:26:16,280
Speaker 1: the time. Yes.

487
00:26:16,800 --> 00:26:19,439
Speaker 3: So let's talk about what we talked about last week'st

488
00:26:19,840 --> 00:26:22,800
Speaker 3: in the teaser for last week's episode.

489
00:26:23,320 --> 00:26:31,119
Speaker 1: Diana, Leah, Me and me at the time were vegetarians pescatarians.

490
00:26:31,119 --> 00:26:34,320
Speaker 1: If you will we eat fish. Yeah. Diana was like,

491
00:26:34,359 --> 00:26:37,879
Speaker 1: I think gravy meat and I was like me too.

492
00:26:39,240 --> 00:26:41,800
Speaker 1: She's like she was just have some meat and I

493
00:26:41,880 --> 00:26:42,160
Speaker 1: was like.

494
00:26:43,720 --> 00:26:48,520
Speaker 3: Yeah, and she's like and then came Wendy's. Who got

495
00:26:48,520 --> 00:26:49,320
Speaker 3: the Wendy's?

496
00:26:49,560 --> 00:26:51,760
Speaker 2: So I was trying to remember this. I think Transpo.

497
00:26:52,040 --> 00:26:53,119
Speaker 2: I think Transpo Seth.

498
00:26:53,440 --> 00:26:56,199
Speaker 1: It was close by. That's why they were.

499
00:26:56,720 --> 00:27:00,360
Speaker 2: I think they were maybe running to Wendy's get lunch

500
00:27:00,400 --> 00:27:01,040
Speaker 2: for themselves.

501
00:27:02,200 --> 00:27:04,320
Speaker 1: We're like, can you get it for twenty of us?

502
00:27:04,960 --> 00:27:06,679
Speaker 2: It was just like the three or it was like

503
00:27:06,680 --> 00:27:09,159
Speaker 2: three or four of us. I think it was just

504
00:27:09,160 --> 00:27:09,720
Speaker 2: the three of us.

505
00:27:09,960 --> 00:27:11,720
Speaker 1: That's chicken sandwich man, and.

506
00:27:11,680 --> 00:27:14,919
Speaker 2: We sat on our trailer floor. Oh, the two of

507
00:27:14,960 --> 00:27:19,480
Speaker 2: you break that pescatarianism before my eyes, and you were

508
00:27:19,520 --> 00:27:21,280
Speaker 2: both so worried you're going to get sick. Neither of

509
00:27:21,320 --> 00:27:23,960
Speaker 2: you did. Now you're fine because maybe it's not real chicken.

510
00:27:24,240 --> 00:27:29,040
Speaker 1: It probably wasn't. It's probably rubber but so good.

511
00:27:29,240 --> 00:27:32,280
Speaker 3: But it was delicious and also, like we barely ever

512
00:27:32,320 --> 00:27:33,439
Speaker 3: got to go shoot on location.

513
00:27:33,600 --> 00:27:36,560
Speaker 2: We were on the stages of Paramount all the time,

514
00:27:36,800 --> 00:27:41,160
Speaker 2: and so we were somewhere at a church it felt

515
00:27:41,160 --> 00:27:45,880
Speaker 2: like Kid's house. Were out there's patron and chicken sandwiches,

516
00:27:46,000 --> 00:27:48,280
Speaker 2: chicken sandwiches, and we had a great time. It was

517
00:27:48,320 --> 00:27:52,040
Speaker 2: also did I think they were like paparazzi shots as well,

518
00:27:52,080 --> 00:27:55,280
Speaker 2: because we were always on the lot, So I was

519
00:27:55,320 --> 00:27:58,560
Speaker 2: also you know, an early time for us of having

520
00:27:58,560 --> 00:28:01,000
Speaker 2: to experience paparazzi in that way while we're shooting.

521
00:28:01,240 --> 00:28:03,840
Speaker 3: Yes, because when we shot sectionals and regils last time,

522
00:28:03,880 --> 00:28:06,160
Speaker 3: there wasn't a lot of paparazzi. But as we started

523
00:28:06,200 --> 00:28:10,080
Speaker 3: to get to these bigger like locations and people found

524
00:28:10,080 --> 00:28:12,679
Speaker 3: out they would have to put base camp behind like

525
00:28:13,200 --> 00:28:16,600
Speaker 3: fences or gates or put up walls for us because

526
00:28:17,240 --> 00:28:20,520
Speaker 3: it got a little crazy starting probably now, you're right,

527
00:28:20,560 --> 00:28:21,160
Speaker 3: there were a lot.

528
00:28:21,040 --> 00:28:23,800
Speaker 1: Of paparazzi shots. Do you remember we went to that park?

529
00:28:24,200 --> 00:28:25,520
Speaker 2: Yes, the Swings.

530
00:28:25,560 --> 00:28:27,840
Speaker 3: So we found a park at lunch and we walked

531
00:28:27,960 --> 00:28:29,679
Speaker 3: to the park and we got on the swings and

532
00:28:29,720 --> 00:28:32,120
Speaker 3: we're in our red dresses. I am with the flowers

533
00:28:32,119 --> 00:28:37,480
Speaker 3: on our hair, with sweatpants under swinging. Yeah, the Swings.

534
00:28:38,600 --> 00:28:40,360
Speaker 3: We were really living our lives.

535
00:28:40,480 --> 00:28:41,520
Speaker 1: We were like, we're right.

536
00:28:42,000 --> 00:28:43,800
Speaker 2: Because I felt like we didn't have a lot to do.

537
00:28:43,960 --> 00:28:45,640
Speaker 2: We're in a lot of the wedding, but I don't

538
00:28:46,080 --> 00:28:47,160
Speaker 2: I think there's a lot of setup.

539
00:28:47,280 --> 00:28:49,840
Speaker 3: There's a lot of Roamy, a lot of extras, a

540
00:28:49,880 --> 00:28:52,200
Speaker 3: lot of Mike, a lot of Kurt and Finn.

541
00:28:52,360 --> 00:28:55,760
Speaker 1: So I feel like we were like, wo, just having

542
00:28:55,760 --> 00:28:56,080
Speaker 1: a ball.

543
00:29:04,640 --> 00:29:09,760
Speaker 2: I would like to point out two serious things. The

544
00:29:09,840 --> 00:29:13,200
Speaker 2: Bert and Carol vows.

545
00:29:13,360 --> 00:29:18,880
Speaker 4: Just kill me now. It was really really how I

546
00:29:18,920 --> 00:29:24,080
Speaker 4: have goosebumps now. Those two they to deliver us a hawk.

547
00:29:24,520 --> 00:29:28,240
Speaker 4: I want them to be in everything, everywhere, all at once.

548
00:29:29,080 --> 00:29:34,480
Speaker 4: I love them so much. They're so good together. I mean,

549
00:29:34,600 --> 00:29:38,040
Speaker 4: we were so lucky that we were surrounded by so

550
00:29:38,160 --> 00:29:41,400
Speaker 4: many talented actors to.

551
00:29:41,440 --> 00:29:42,200
Speaker 1: Lift us up.

552
00:29:42,880 --> 00:29:46,880
Speaker 2: You know, growing up, Michael Maalley was the host of

553
00:29:46,920 --> 00:29:48,400
Speaker 2: that Nickelodeon.

554
00:29:47,800 --> 00:29:51,120
Speaker 3: Show Global Guts and then Global Guts, and I had

555
00:29:51,160 --> 00:29:56,240
Speaker 3: no idea just how good of an actor and a

556
00:29:56,280 --> 00:29:59,400
Speaker 3: good man, like just a good person.

557
00:30:00,080 --> 00:30:01,600
Speaker 1: Now sometimes you just got to pay the bills.

558
00:30:02,440 --> 00:30:05,520
Speaker 2: Oh, I get it, as I've a host that shows myself.

559
00:30:07,080 --> 00:30:11,240
Speaker 3: No, he's really such a wonderful man, such a wonderful man,

560
00:30:11,640 --> 00:30:14,800
Speaker 3: what a talented bunch and the.

561
00:30:14,800 --> 00:30:17,800
Speaker 2: Other thing, the other aspect of this, because Finn's been

562
00:30:18,640 --> 00:30:23,640
Speaker 2: you know when the Glee club boys minus Finn confronted Kurowski,

563
00:30:24,880 --> 00:30:27,160
Speaker 2: I mean Tina really went hard on him, saying, you know,

564
00:30:27,360 --> 00:30:33,120
Speaker 2: everyone was there except Finn, and he was feeling it.

565
00:30:33,160 --> 00:30:38,080
Speaker 2: And I think during that wedding ceremony he really realized

566
00:30:39,080 --> 00:30:43,200
Speaker 2: I messed up and I need to somethings are more important.

567
00:30:43,320 --> 00:30:46,000
Speaker 2: We're now family and he does this whole number to

568
00:30:46,040 --> 00:30:52,240
Speaker 2: surprise Kurt, and it's so sweet two together. Oh my,

569
00:30:52,560 --> 00:30:57,400
Speaker 2: Michael Malley's face. When Michael Mallley realizes what's going on,

570
00:30:58,840 --> 00:31:01,840
Speaker 2: you have to look at his face. Right before kurkly

571
00:31:01,960 --> 00:31:05,280
Speaker 2: Finn go get Carol and Bert from the table to

572
00:31:05,360 --> 00:31:08,120
Speaker 2: join them, he is just on the verge of breaking

573
00:31:08,120 --> 00:31:11,680
Speaker 2: into tears and it is this I'm full goosebumps right now.

574
00:31:11,840 --> 00:31:13,320
Speaker 2: Can you see it on camera? I don't know if

575
00:31:13,320 --> 00:31:18,960
Speaker 2: you can see it, no, but it was I you

576
00:31:19,000 --> 00:31:23,240
Speaker 2: know when you see a parent cry, Oh God, And

577
00:31:23,320 --> 00:31:24,800
Speaker 2: it was just so sweet.

578
00:31:25,240 --> 00:31:29,080
Speaker 3: No, it's really Corey too knows how to really give

579
00:31:29,120 --> 00:31:30,760
Speaker 3: a good, good monologue.

580
00:31:31,600 --> 00:31:32,640
Speaker 1: He knows how to deliver.

581
00:31:32,880 --> 00:31:35,200
Speaker 2: And we had had so much tequila by that point.

582
00:31:35,960 --> 00:31:38,120
Speaker 1: Yeah, no, probably all those.

583
00:31:38,000 --> 00:31:40,200
Speaker 2: Reactions of us dancing to Sway, I was like, do

584
00:31:40,240 --> 00:31:40,920
Speaker 2: we look drunk?

585
00:31:41,760 --> 00:31:44,840
Speaker 1: Probably the record.

586
00:31:44,640 --> 00:31:46,280
Speaker 2: We didn't get drunk. I don't think any of us

587
00:31:46,320 --> 00:31:49,080
Speaker 2: got drunk. We just like took a shot this time. No,

588
00:31:49,200 --> 00:31:51,800
Speaker 2: we were scared and like ROMI also was not trying

589
00:31:51,840 --> 00:31:55,040
Speaker 2: to get anybody in trouble, and so like we were

590
00:31:55,080 --> 00:31:57,640
Speaker 2: just you know, one little shot, just for a.

591
00:31:57,560 --> 00:31:58,720
Speaker 1: Little sippy, for good measure.

592
00:31:59,040 --> 00:32:04,600
Speaker 2: Yeah, just but maybe this was the beginning of what

593
00:32:04,760 --> 00:32:07,280
Speaker 2: caused Blame it on the alcohol. So let's just mark this.

594
00:32:07,880 --> 00:32:11,800
Speaker 1: Let's see Roy's fault, It's Romy's fault.

595
00:32:12,960 --> 00:32:19,400
Speaker 3: So then yeah, so Finn redeems himself, Carol and Bert

596
00:32:19,680 --> 00:32:23,960
Speaker 3: are married, there's a new union, and we get into

597
00:32:24,000 --> 00:32:31,320
Speaker 3: this much more serious, deeper storyline where we've mentioned Krofsky

598
00:32:31,440 --> 00:32:39,840
Speaker 3: is still tormenting Kurt and he he really gets in

599
00:32:39,960 --> 00:32:46,640
Speaker 3: his face this time around, and Kurt says, he feels

600
00:32:46,680 --> 00:32:48,680
Speaker 3: like he's in a horror movie where he just never

601
00:32:48,760 --> 00:32:50,360
Speaker 3: knows what's going to happen, and he doesn't know what

602
00:32:50,440 --> 00:32:54,160
Speaker 3: cross he is capable of, capable, well.

603
00:32:54,080 --> 00:33:00,000
Speaker 1: Tina capable of that. He you know, after his life

604
00:33:00,080 --> 00:33:01,240
Speaker 1: has been threatened.

605
00:33:01,280 --> 00:33:05,920
Speaker 3: And to wrap it all up, I mean, Sue has

606
00:33:06,040 --> 00:33:08,400
Speaker 3: really advocated for Kurt. She's like, there's not a lot

607
00:33:08,480 --> 00:33:10,920
Speaker 3: I can do, but if I see it myself, I

608
00:33:10,960 --> 00:33:13,800
Speaker 3: really will. I will come for him, and I will

609
00:33:13,920 --> 00:33:15,000
Speaker 3: I will get him out for you.

610
00:33:15,080 --> 00:33:22,160
Speaker 2: Well, and Kurt admits to Finn and Bert that well,

611
00:33:22,360 --> 00:33:24,800
Speaker 2: he admits to Finn right that like his life was threatened.

612
00:33:24,880 --> 00:33:27,440
Speaker 2: And then we go into like a whole different gear, right,

613
00:33:28,080 --> 00:33:31,600
Speaker 2: and then Sue is like, no, no, no, no, we're

614
00:33:31,640 --> 00:33:35,840
Speaker 2: not doing this. You're expelled, You're out, and I appreciate it. Also,

615
00:33:36,160 --> 00:33:39,160
Speaker 2: you know how they portrayed the Krofsky dad and right

616
00:33:39,360 --> 00:33:42,560
Speaker 2: because he didn't believe his son, right, he knows something's up.

617
00:33:43,200 --> 00:33:49,360
Speaker 2: And they bring Kurt back in like, look, because there

618
00:33:49,400 --> 00:33:52,680
Speaker 2: are no witnesses to any of this, we can't we

619
00:33:52,720 --> 00:33:54,719
Speaker 2: can't expel him. So he's coming back to school. And

620
00:33:54,760 --> 00:33:59,040
Speaker 2: then Sue says, Figgins is coming back. I can't help

621
00:33:59,080 --> 00:34:02,120
Speaker 2: you from this office, but if I'm in the hallways,

622
00:34:02,240 --> 00:34:04,600
Speaker 2: I can be another set of eyes eyes, right, and

623
00:34:04,640 --> 00:34:05,080
Speaker 2: I can.

624
00:34:04,960 --> 00:34:06,040
Speaker 1: Help you well.

625
00:34:06,240 --> 00:34:09,759
Speaker 3: And then to rewind a little bit, Bert Bert is

626
00:34:09,800 --> 00:34:11,960
Speaker 3: being helped by Kurt and Finn.

627
00:34:13,480 --> 00:34:16,040
Speaker 1: With his dancing right right.

628
00:34:16,080 --> 00:34:20,040
Speaker 3: They're helping Bert and he sees Krofsky, and at this

629
00:34:20,120 --> 00:34:26,040
Speaker 3: point Finn knows about the threat, and Bert's like, what

630
00:34:26,120 --> 00:34:28,840
Speaker 3: is that? And Krofsky's kind of like walking by the hallway,

631
00:34:28,880 --> 00:34:31,560
Speaker 3: and Finn's like, if you don't tell him, I will,

632
00:34:32,120 --> 00:34:37,080
Speaker 3: So m Kurt has to tell Bert what happens, and

633
00:34:37,120 --> 00:34:41,040
Speaker 3: Bert comes charging out as a father should and would

634
00:34:41,040 --> 00:34:47,280
Speaker 3: do again another wonderful performance by Mike O'Malley, just taking

635
00:34:47,360 --> 00:34:51,680
Speaker 3: Kofski down Zong as far as anybody will let him,

636
00:34:51,800 --> 00:34:55,080
Speaker 3: and let a grown man take a child down or

637
00:34:55,080 --> 00:34:58,840
Speaker 3: a teen, And so that's kind of what kick starts

638
00:34:58,840 --> 00:35:03,360
Speaker 3: Burt finding out, that's how Bert finds out, yes, and

639
00:35:03,360 --> 00:35:05,799
Speaker 3: then we fast forward to where we just left off,

640
00:35:05,920 --> 00:35:13,319
Speaker 3: where Krofsky's coming back to school, and so Carol and

641
00:35:13,400 --> 00:35:16,879
Speaker 3: Bert obviously take as the parents and as the voice

642
00:35:16,920 --> 00:35:20,880
Speaker 3: of reason should, and the people in control tell Kurt

643
00:35:21,239 --> 00:35:25,000
Speaker 3: that they're going to take their honeymoon money and they're

644
00:35:25,040 --> 00:35:27,520
Speaker 3: going to give it to him for a Dalton. So

645
00:35:27,760 --> 00:35:30,680
Speaker 3: Kurt comes into the choir room, misters, she's all excited

646
00:35:30,719 --> 00:35:34,720
Speaker 3: to give him a solo for regionals, which probably wouldn't

647
00:35:34,760 --> 00:35:37,600
Speaker 3: lie anyway, you know, Rachel's going to get it, and

648
00:35:38,160 --> 00:35:41,879
Speaker 3: Kurt says that he is leaving, and everybody's really kind

649
00:35:41,880 --> 00:35:45,560
Speaker 3: of taking this seriously. But I don't think this seriously

650
00:35:45,640 --> 00:35:48,440
Speaker 3: up to this point more serious enough.

651
00:35:48,560 --> 00:35:50,560
Speaker 1: Where we're going to lose Kurt.

652
00:35:50,719 --> 00:35:56,640
Speaker 3: Yeah, which I understood, like like zero tolerance and I

653
00:35:56,680 --> 00:35:57,959
Speaker 3: wouldn't feel safe there.

654
00:35:58,040 --> 00:36:01,120
Speaker 1: And good for Kurt.

655
00:36:02,760 --> 00:36:06,920
Speaker 2: I love you know, Holp said everyone is because oh yeah, again,

656
00:36:07,080 --> 00:36:11,920
Speaker 2: like the this show being on a network in twenty

657
00:36:12,120 --> 00:36:17,120
Speaker 2: ten and you have the gay character who's arguably one

658
00:36:17,160 --> 00:36:20,839
Speaker 2: of the biggest characters on the show and beloved by

659
00:36:20,920 --> 00:36:24,040
Speaker 2: all the other characters in the show, and to see

660
00:36:24,080 --> 00:36:29,919
Speaker 2: how that affects them, where he's become so popular and

661
00:36:30,719 --> 00:36:34,719
Speaker 2: so vital to their friend group and glee club, and

662
00:36:34,800 --> 00:36:36,880
Speaker 2: it was just really profound and moving to me in

663
00:36:36,920 --> 00:36:43,400
Speaker 2: that way. And Amber getting up and just saying Kurt

664
00:36:43,560 --> 00:36:46,560
Speaker 2: and there's no other line, and it's like, broke my heart.

665
00:36:47,040 --> 00:36:52,440
Speaker 3: No where it's one of us, and he's also going

666
00:36:52,520 --> 00:36:54,319
Speaker 3: to be competing against us.

667
00:36:54,480 --> 00:36:58,880
Speaker 2: Of course Rachel points that out immediately, but fair because

668
00:36:59,040 --> 00:37:00,360
Speaker 2: the next episode.

669
00:37:02,080 --> 00:37:05,920
Speaker 1: It's so exciting special education. Yeah.

670
00:37:06,040 --> 00:37:08,640
Speaker 2: Side note, This other thing that happened during this episode

671
00:37:09,200 --> 00:37:12,760
Speaker 2: was Sam and Quinn. Sam is fully obsessed with Quinn

672
00:37:13,760 --> 00:37:16,080
Speaker 2: basically proposes and like, here's a promise. Why She's like, no,

673
00:37:16,400 --> 00:37:19,560
Speaker 2: you're crazy. But after watching how he's stuck up for Kurt,

674
00:37:20,760 --> 00:37:22,160
Speaker 2: by the end of the episode, she's like, you didn't

675
00:37:22,160 --> 00:37:25,480
Speaker 2: even notice somewhere in your ring and it was just

676
00:37:25,600 --> 00:37:29,000
Speaker 2: really sweet, you know, a little like sub storyline that

677
00:37:29,120 --> 00:37:32,400
Speaker 2: was woven in there. And they're really sweet together, and

678
00:37:32,440 --> 00:37:37,400
Speaker 2: he's making her feel comfortable after having a terrible previous year, right,

679
00:37:37,719 --> 00:37:41,960
Speaker 2: and yeah, really they're just really cute to get too.

680
00:37:43,000 --> 00:37:45,120
Speaker 2: So that's the episode. Should we get into some tarty

681
00:37:45,160 --> 00:37:49,600
Speaker 2: takes real quick, let's do it? Okay, my cringe. As

682
00:37:49,719 --> 00:37:54,480
Speaker 2: much as I love everything else happening, it Sue marrying

683
00:37:54,560 --> 00:37:59,680
Speaker 2: herself and like kissing her own hand really made me

684
00:37:59,719 --> 00:38:00,640
Speaker 2: feel comfortable.

685
00:38:05,840 --> 00:38:07,719
Speaker 3: It made me really a control that I don't even

686
00:38:07,760 --> 00:38:11,359
Speaker 3: want to talk about. Yeah, exactly, I'll take that one too.

687
00:38:12,280 --> 00:38:17,520
Speaker 2: Best dance move, I mean Everyone's little thing, very yeah,

688
00:38:18,000 --> 00:38:20,239
Speaker 2: so cute, what a cute thing.

689
00:38:20,840 --> 00:38:21,600
Speaker 1: Best song.

690
00:38:23,000 --> 00:38:24,120
Speaker 2: I would say, marry you.

691
00:38:25,040 --> 00:38:26,200
Speaker 1: I would say just the way you are.

692
00:38:27,520 --> 00:38:28,280
Speaker 2: They're both great.

693
00:38:28,440 --> 00:38:28,680
Speaker 1: Yeah.

694
00:38:28,719 --> 00:38:35,560
Speaker 3: The best performance by a prop oh, I mean my

695
00:38:35,680 --> 00:38:50,280
Speaker 3: ribbons are pretty great. I will say the tequila camera working.

696
00:38:52,520 --> 00:38:56,480
Speaker 2: And the best lines, I mean the vows.

697
00:38:56,920 --> 00:38:57,680
Speaker 1: The vows are great.

698
00:38:58,000 --> 00:39:00,600
Speaker 3: Yeah, okay, So this is the one, this whole really,

699
00:39:01,120 --> 00:39:02,799
Speaker 3: I really love Jane's performance.

700
00:39:03,239 --> 00:39:03,920
Speaker 1: She just.

701
00:39:05,480 --> 00:39:09,799
Speaker 3: Played this the seriousness of Kirk being bullied and harassed

702
00:39:10,080 --> 00:39:14,240
Speaker 3: and threatened so beautifully with the comedy of Sue Sylvester.

703
00:39:14,360 --> 00:39:17,480
Speaker 3: She always does it so beautiful, but this one in particular,

704
00:39:17,840 --> 00:39:20,560
Speaker 3: when she's like, it was so serious about him being

705
00:39:20,560 --> 00:39:22,160
Speaker 3: her assed and how there's not a lot she could

706
00:39:22,200 --> 00:39:23,080
Speaker 3: do and you know.

707
00:39:23,200 --> 00:39:23,920
Speaker 1: Blah blah blah.

708
00:39:23,920 --> 00:39:28,920
Speaker 3: But then she says she's calling him a lady, and

709
00:39:28,960 --> 00:39:32,520
Speaker 3: he's like, that's actually bullying, and she's like, okay, noted,

710
00:39:32,760 --> 00:39:36,080
Speaker 3: and then the term is so fast, but it's so serious.

711
00:39:36,080 --> 00:39:37,959
Speaker 3: In the delivery, she says, I'll allow you to choose

712
00:39:37,960 --> 00:39:43,319
Speaker 3: from the following nicknames then Gilfling, Porcelain, and chicklemy Dove,

713
00:39:45,480 --> 00:39:47,320
Speaker 3: and Chris says, I guess I'll go with Porcelain.

714
00:39:47,840 --> 00:39:54,400
Speaker 2: She's like, I was really hoping protect so good, very funny.

715
00:39:55,440 --> 00:40:02,160
Speaker 2: So the ship we found on TikTok, let's do it never.

716
00:40:02,400 --> 00:40:08,520
Speaker 2: Ben Finer on TikTok posted the Sesame Street parody of

717
00:40:08,600 --> 00:40:12,040
Speaker 2: Glee No and said never forget the most accurate parody

718
00:40:12,040 --> 00:40:15,759
Speaker 2: of Glee ever. And they talked about the letter G. No,

719
00:40:16,000 --> 00:40:19,640
Speaker 2: it's called G stop and it's a full recreation of

720
00:40:19,760 --> 00:40:22,959
Speaker 2: the set. The characters all in Sesame Street form.

721
00:40:23,120 --> 00:40:23,279
Speaker 3: No.

722
00:40:24,360 --> 00:40:26,360
Speaker 2: Yeah, it's not regionals, it's genals.

723
00:40:26,600 --> 00:40:29,000
Speaker 1: Is it real? This is really Sesame Street did this?

724
00:40:29,120 --> 00:40:29,319
Speaker 3: Yes?

725
00:40:31,080 --> 00:40:35,799
Speaker 2: What, it's incredible, It's absolutely incredible. You find a song

726
00:40:35,840 --> 00:40:41,600
Speaker 2: with a letter G Sylvester, there's everybody. It is stop

727
00:40:42,600 --> 00:40:46,440
Speaker 2: crazily good. I don't understand how these things happen.

728
00:40:47,600 --> 00:40:47,680
Speaker 3: What?

729
00:40:48,960 --> 00:40:50,360
Speaker 1: Yeah, this is amazing.

730
00:40:50,719 --> 00:40:51,400
Speaker 2: There's a song.

731
00:40:51,960 --> 00:40:52,760
Speaker 1: I'm shocked.

732
00:40:53,360 --> 00:40:57,480
Speaker 2: Yeah, everyone go look at that because it's phenomenon.

733
00:40:57,760 --> 00:41:03,279
Speaker 3: So the puppets look really similar, Okay, okay, wow wow.

734
00:41:02,520 --> 00:41:05,600
Speaker 2: So never Ben finer like Ben as in b e N.

735
00:41:06,800 --> 00:41:13,239
Speaker 2: It's just even the other voices like Mercedes not Mercedes.

736
00:41:14,040 --> 00:41:16,160
Speaker 2: I could go on. I won't keep you anymore. You

737
00:41:16,200 --> 00:41:17,240
Speaker 2: go check it out for yourself.

738
00:41:17,560 --> 00:41:23,360
Speaker 3: Well, join us next week for episodes Sprasial Education in

739
00:41:23,600 --> 00:41:24,920
Speaker 3: some competition.

740
00:41:28,520 --> 00:41:29,480
Speaker 1: That's what you really missed.

741
00:41:30,120 --> 00:41:33,239
Speaker 2: Thanks for listening, and follow us on Instagram at and

742
00:41:33,360 --> 00:41:35,560
Speaker 2: that's what you really miss pod. Make sure to write

743
00:41:35,640 --> 00:41:37,920
Speaker 2: us a review and leave us five stars. See you

744
00:41:37,920 --> 00:41:38,319
Speaker 2: next time,