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Speaker 1: Okay, hey man, use him a face of yours. It

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Speaker 1: don't matter if you will by an inch or mark women,

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Speaker 1: I don't have friends, Room room man. Welcome to Fast Friends,

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Speaker 1: presented by the NBA.

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Speaker 2: That's game.

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Speaker 1: We're continuing our off season podcast series of watching and

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Speaker 1: breaking down every film from the Fast and Furious franchise,

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Speaker 1: and guys, we're getting closer and closer to the end

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Speaker 1: because today we're tackling the eighth movie from the series,

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Speaker 1: The Fate of the Furious alternatively known as F eight

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Speaker 1: or Fast and Furious eight. I'm still j E. Skeets

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Speaker 1: here with our f F expert Trey Kirby, hey A,

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Speaker 1: and of course the third man. We got our super

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Speaker 1: producer jd. Hello there, and here we are. If you

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Speaker 1: are a true Fast Friend and you're enjoying this very

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Speaker 1: weird series, why not leave us a five star rating

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Speaker 1: and review over on Apple Podcasts and or subscribe to

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Speaker 1: No Dunks on YouTube if you haven't done that already,

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Speaker 1: that really helps us out. Keep tweeting in your your

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Speaker 1: Fast Friend's thoughts to No Dunks Inc. On Twitter. That's

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Speaker 1: at No Dunks, Inc. And if you want to send

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Speaker 1: in your questions email them in no dunks at the

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Speaker 1: Athletic dot Com. Just put Fast Friends there in the

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Speaker 1: subject headero. Okay, Yeah, The Fate of the Furious f

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Speaker 1: Fate came out in April twenty seventeen. Budget two hundred

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Speaker 1: and fifty to two hundred and seventy million dollars. That's

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Speaker 1: a lot of money to make a movie. It's all right,

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Speaker 1: did okay in the box office. Not as great as

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Speaker 1: the last one, but still one point two billion worldwide

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Speaker 1: back to back billions for these movies in this franchise,

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Speaker 1: it's unbelievable. The skinny when a mysterious woman seduces Dominic

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Speaker 1: Toretto into the world of terrorism and a betray of

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Speaker 1: those closest to him, the crew faces trial that we'll

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Speaker 1: test them like never before. Stars Vin the Rock, Jason Statham,

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Speaker 1: a regular cast of characters, and a new new edition

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Speaker 1: It is Charlist theirn as the villain in this one, okay,

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Speaker 1: directed this time by f Gary Gray. What a name

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Speaker 1: on on Gary there f Aary Gray. So we always

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Speaker 1: start Fast Friends by asking our expert what he remembers

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Speaker 1: about the first time he saw the movie, and in

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Speaker 1: this case, the Fate of the Furious Trey what do

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Speaker 1: you remember.

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Speaker 3: Well, it went down in the United States of America

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Speaker 3: and Furious seven. They stayed in the States for Furious eight,

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Speaker 3: and so did. I saw that one here in Atlanta

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Speaker 3: again at Atlantic Station opening weekend. You know, this did

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Speaker 3: add a new cast member. Those Skeets. The Internet's Robbie

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Speaker 3: Calland is who I saw this one? Okay, Yeah, he's

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Speaker 3: a big time fast and furious head.

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Speaker 1: I'm a big fast head.

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Speaker 3: If I recalling correctly, I saw him tweeting something about

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Speaker 3: this during the week it was released, sent out the

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Speaker 3: fast signal. We hooked up got some tickets for Atlantic Station,

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Speaker 3: if I'm not mistaken. This was his second time of

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Speaker 3: the weekend seeing Furious eight.

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Speaker 1: You know, see it once. Got to go back in

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Speaker 1: you know, you don't.

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Speaker 3: Yeah, there's so much like lost context. If you're just

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Speaker 3: you know, you're just seeing the explosions out there, you

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Speaker 3: really lose the nuances of it, I think, Skeets. Yeah,

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Speaker 3: but yeah, Robbie saw it twice. I saw it once

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Speaker 3: that opening weekend. But this was actually not the first

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Speaker 3: time I saw this movie because it was filming in

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Speaker 3: Cleveland during the twenty sixteen finals. We were filming in

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Speaker 3: Cleveland during the twenty sixteen finals. So after seeing a

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Speaker 3: bunch of reports of you know, the production going on

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Speaker 3: somewhere in the city, I had to go down and

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Speaker 3: take a look. They don't want this being filmed, but

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Speaker 3: there's a massive pile up of New York City cars

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Speaker 3: here at the Fast eight set.

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Speaker 1: That's right, a massive pile up. You're real mo Verdi

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Speaker 1: on the set.

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Speaker 3: Spies out, Madam spies out. But I mean, being this

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Speaker 3: close to this production, I couldn't. I had to peea

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Speaker 3: Donterretto and live outside the law. I had to go

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Speaker 3: up and get close to it. I think what they

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Speaker 3: said is that they used like these pile up scenes

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Speaker 3: as kind of you know, like the overhead shots for

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Speaker 3: when everything's falling out of the building, that sort of thing.

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Speaker 3: They were doing like crazy nighttime stunts. I remember at

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Speaker 3: the time too, you'd follow on Twitter that'd just be like,

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Speaker 3: you know, it's like a capitol building or something, and

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Speaker 3: just gigantic explosions. So a lot was going on in Cleveland.

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Speaker 3: Twenty sixteen June, we had the Calves in the finals.

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Speaker 3: I think the Cleveland Indians were also a pretty solid

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Speaker 3: baseball team at the time, and then we had Fast

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Speaker 3: eight film there, so yeah, once I actually got to

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Speaker 3: see a little production and then see those scenes in

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Speaker 3: the movie.

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Speaker 1: Great stuff. Wow, that is that's incredible. JD. I'm not

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Speaker 1: going to ask you if you saw this in theaters.

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Speaker 1: I know you didn't, but it was this the first

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Speaker 1: time for you watching this one of the series or

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Speaker 1: were you a real Robbie Kalend about it?

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Speaker 2: Yeah, definitely not a Robbie Kalend about it. I don't

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Speaker 2: think I've seen it. It was not familiar to me,

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Speaker 2: so no, but I do remember Trey and his reporting

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Speaker 2: back with the pile ups of cars, and I was

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Speaker 2: I was looking for those cars, and I think I

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Speaker 2: spotted them.

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Speaker 1: You got Yeah, I think you did too. Okay, well,

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Speaker 1: let's get into the movie then, and we'll figure out

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Speaker 1: whether we like this one. We'll also have our Fast

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Speaker 1: Part things we did enjoy, be it scenes, cars, quotes

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Speaker 1: from the movie, the Furious Part, things that upset us,

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Speaker 1: things we hated, and then we'll rank it and we'll

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Speaker 1: see where it falls and especially your guys leader board

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Speaker 1: comparing it to the other seven in this series. But

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Speaker 1: right into it here, following the defeat of Decker, Shaw

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Speaker 1: and Moe's Chicande, Dom Toretto and Letty. They're on their

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Speaker 1: honeymoon in Havana. We're in Cuba to start this movie.

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Speaker 1: When Dom's cousin, Fernando, he gets in trouble owing money

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Speaker 1: to a local racer named Roaldo. Where's Roaldo? He's in Cuba.

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Speaker 1: Sensing Roaldo is a lone shark, Dom challenges Roaldo you

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Speaker 1: guessed it to a race pitting Fernando's piece of shit

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Speaker 1: car against Roaldo's fifty six Ford Fairlane Crown Victoria. And

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Speaker 1: then Dom wagers his own sixty one Chevy and Paula

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Speaker 1: the fastest car on the island. That made me laugh

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Speaker 1: every time I think Fernando always he made up a

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Speaker 1: scouting report. Yeah, he wanted everybody to know that Dom's

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Speaker 1: is the fastest car on the island and that his

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Speaker 1: is the slowest car on the island. I don't know why.

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Speaker 1: That made me laugh. And then after narrowly winning that race,

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Speaker 1: Dom allows Roaldo to keep his car, his own car,

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Speaker 1: saying his respect is enough, all right, you keep it.

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Speaker 1: He also, while he's leaving, just gives the keys to

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Speaker 1: his cousin Fernando, his own car the fastest car on

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Speaker 1: the island because I don't know. He's just got a

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Speaker 1: lot of them, I guess at this point. I mean,

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Speaker 1: they're never short on cars, so you know, I'm sure

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Speaker 1: insurance is driving him crazy. So here you take it.

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Speaker 1: I'll get you the title later on. So that's where

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Speaker 1: we open in Cuba. JD. We'll go to you first.

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Speaker 1: What did you think of the start of this movie?

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Speaker 2: I loved it, you know, back to basics. We're in

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Speaker 2: the middle of his street race. I mean, I have questions, obviously,

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Speaker 2: but should I even bother asking?

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Speaker 3: Oh?

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Speaker 1: Come on?

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Speaker 2: You know, well I was confused. I was confused at

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Speaker 2: the change. Right. Dom arrives on the scene the cousin

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Speaker 2: and uh, what's name Roaldo? We're arguing. It's like he's

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Speaker 2: he's he's getting ready to tow the car away, which

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Speaker 2: again is a honk of garbage. Why you want this car?

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Speaker 2: Who knows? But anyways, he wants the car. Dom shows up.

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Speaker 2: He's like, what are you doing to my cousin's car?

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Speaker 2: Guy owes me money. We made a deal, right. Dom's

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Speaker 2: backs him up right away, like, hey, you made a deal.

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Speaker 2: You gotta pay you gotta pay the piper. And then

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Speaker 2: Roaldo says, oh, you're gonna pay. It's like, okay, yeah,

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Speaker 2: he's paying. He's taking as far. But that was the

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Speaker 2: that that was enough for for Dom to be like, okay, okay,

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Speaker 2: hold on, hold on, hold on, I'll race you for

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Speaker 2: this car. You know what I mean? Like, I didn't

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Speaker 2: understand what the other than what you just said. Skeet's Uh.

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Speaker 2: I guess he sensed that he was a loan shark

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Speaker 2: and he was gonna milk him for more than just

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Speaker 2: the car. Maybe, but maybe I don't know. Again, who cares.

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Speaker 2: We got we got a we got a great race.

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Speaker 2: And then of course there's this you know, toe to

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Speaker 2: toe standoff, and and it's and it's like, hey, it

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Speaker 2: doesn't matter. It doesn't matter who's driving the car, or

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Speaker 2: it only matters who's driving the car, not what's under

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Speaker 2: the hood. Okay, you drive that car. Then he's like,

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Speaker 2: no problem, immediately puts something under the hood, right, It

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Speaker 2: doesn't even it takes two seconds and he's already stripping

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Speaker 2: it down and putting this. Uh, what I understand is

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Speaker 2: is a dental nos. Right, it's uh, it's laughing gas.

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Speaker 2: I think that's what it was. I think that's what

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Speaker 2: it was after a little research. But you know, okay,

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Speaker 2: so you're being a little disingenuous. It's like, yeah, okay,

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Speaker 2: I'll beat you as long as I soup up this car.

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Speaker 2: So so it does matter what's under the uh. But

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Speaker 2: you know, it was a nice twist. And again, how

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Speaker 2: fast can you drive reverse? I mean, who knows? Who cares?

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Speaker 2: You know, you're driving a bomb. He's impervious to flames anyways.

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Speaker 2: But I honestly, I thought it was great. It was fun,

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Speaker 2: great to be in Havana. I assume this is when

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Speaker 2: Obama had lifted the sanctions and you were and opened

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Speaker 2: the doors a little bit.

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Speaker 3: I think they said this was the first major motion

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Speaker 3: picture filmed in Cuba since the nineteen fifties or something

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Speaker 3: like that.

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Speaker 2: Well, there you go.

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Speaker 1: Have either of you guys ever been to Cuba?

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Speaker 2: I have you have, so j D.

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Speaker 1: You know, the car culture is a real thing there.

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Speaker 1: It is pretty wild. And I like how they did

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Speaker 1: sort of like, you know, they weave that into the

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Speaker 1: love affair there with Cuba. I thought that was neat.

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Speaker 2: Absolutely, Havana is awesome. It's like, well, parts of it

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Speaker 2: are awesome and parts of it. When I was I

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Speaker 2: was there in the late nineties, so there was definitely

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Speaker 2: a section of town where they wanted the tourists to be,

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Speaker 2: and then the rest of it was, you know, had

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Speaker 2: his problem. It's a communist country and isolated from literally

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Speaker 2: the whole rest of the world. That hence these cars

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Speaker 2: that haven't been updated since the nineteen fifties. But you know,

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Speaker 2: as an outsider, just a stupid tourist walking around, that

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Speaker 2: was definitely part of its charm. Is just these old

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Speaker 2: cars and these people just making a go of it.

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Speaker 2: The Cuban people were lovely, and yeah, it was great

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Speaker 2: to see in a major motion picture and a pretty

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Speaker 2: spectacular action scene, you know.

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Speaker 1: So, yeah, it was great. We even I think one

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Speaker 1: of them, I don't know if it's dom Er, I

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Speaker 1: guess it's Dom says what he loves about Cuba. It's

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Speaker 1: the culture, people in beauty, he says, that's right, He's right.

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Speaker 1: If you've ever been check check check. What'd you think

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Speaker 1: of the start of this TK? I love it.

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Speaker 3: Starting with the street race is great, I think they said. Basically,

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Speaker 3: this is a tribute to Brian no longer being in

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Speaker 3: the series. All of his major movies started with The

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Speaker 3: Street race. Usually Brian is one of the guys, so

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Speaker 3: to go into it here I think was pretty cool.

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Speaker 3: I think it's very funny that Dom's prowess the quarter

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Speaker 3: mile has followed him around the globe.

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Speaker 1: You know where, I don't know.

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Speaker 3: Sixteen years into the franchise and everybody's still bringing up

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Speaker 3: the quarter mile, Like Dom hasn't raised the quarter mile

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Speaker 3: in forever, Like he went to Tokyo and just wasted

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Speaker 3: the drift King drifting an American muscle and they're like, yeah,

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Speaker 3: but can you do a quarter mile?

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Speaker 1: He's like, yeah, I started with the quarter mile.

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Speaker 2: Okay.

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Speaker 1: Yeah.

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Speaker 3: We also get a little callback to Brian as well.

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Speaker 3: They call him a buster a few times. Glad to

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Speaker 3: see that's still around, JD. Like you mentioned, Dom is

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Speaker 3: driving his car on fire for minutes at a time,

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Speaker 3: Like he keeps such of the steering wheel it's so hot,

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Speaker 3: he flings it around backwards. And a hilarious shot of

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Speaker 3: Vin Diesel. I don't know why they show a couple

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Speaker 3: of shots of him in this movie, like looking backwards

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Speaker 3: the way you would have to if you were going

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Speaker 3: to be driving backwards, and just like the combination of

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Speaker 3: his head and his shoulders and his neck. It's like

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Speaker 3: eighteen thousand muscles come down from his scalp and his

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Speaker 3: eyes get humongous. I was laughing out loud when he

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Speaker 3: turned to look over the edge of the seat. He wins,

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Speaker 3: the car crashes, he gives Roaldo his car back, and

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Speaker 3: Roaldo is in tears. This is like, that was the

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Speaker 3: biggest question to be able, Like why is this guy

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Speaker 3: in tears here? Like he's so touched by what Don

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Speaker 3: Toretto has done, giving Roaldo his car back and then

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Speaker 3: giving Fernando, you know, Dom's awesome car, without any indication

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Speaker 3: that Dom is leaving Cuba at any time at this point, right,

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Speaker 3: Like we're just thinking he's still hanging around. So I mean,

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Speaker 3: probably he does have a garage. Maybe he's won some

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Speaker 3: of these street races, in which case, why are you

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Speaker 3: throwing down with him?

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Speaker 2: Roaldo?

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Speaker 1: But that was killing me. Roaldo in tears.

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Speaker 3: But now he has to respect Don Toretto and still

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Speaker 3: gets to keep his car. I guess it paid out later,

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Speaker 3: you know, pay it forward is what Dom's motto is

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Speaker 3: in this in this situation, and it works.

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Speaker 1: Out for him. But I was like, why why, Roaldo?

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Speaker 3: You should be happy, Like I mean, maybe these are

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Speaker 3: happy tears, but these are more like relieved tears to me.

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Speaker 1: Also, why why does Dom respect Roaldo? He tried to

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Speaker 1: kill him? Boy? Did guy throw a motorbike in front

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Speaker 1: of him? Is the part I don't get them just

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Speaker 1: because it was a close race. I mean, he's like, Wow,

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Speaker 1: you were damn close to beating me, even though you

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Speaker 1: like basically had to cheat. That's the weird part. It's like,

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Speaker 1: where was the Why did he really respect him? I

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Speaker 1: did not really understand.

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Speaker 2: But I think I think it was more. He explains

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Speaker 2: it to Cipher later on. He's just I had the

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Speaker 2: opportunity to destroy him and I didn't. I took the

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Speaker 2: high road and I changed him.

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Speaker 1: Yeah, right right, that's true. So Dom has saved him again.

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Speaker 1: This continuing theme of Dom is Jesus Christ basically throughout

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Speaker 1: this entire franchise. Yeah, that's a good point. We also,

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Speaker 1: I don't want to gloss over it because we have

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Speaker 1: the little you know, Letty kicking it with Dom talking

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Speaker 1: about the car ours, you know, you know, falling in

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Speaker 1: love again. I guess Lenny wearing a lot more makeup

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Speaker 1: than I ever remember her wearing. That was the first

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Speaker 1: thing that I noticed here in this opening scene, and

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Speaker 1: then we soon learned the whole thing about them thinking

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Speaker 1: about having a baby, so they're gonna like those breadcrumbs

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Speaker 1: happen to see a dad today.

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Speaker 2: Dom, by the.

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Speaker 1: Way, you would be a good dad. Just thinking we

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Speaker 1: did see a dad. It's on my mind. It's amazing.

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Speaker 1: So I will say the crash part is pretty cool

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Speaker 1: where he jumps out of the car and has it

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Speaker 1: because it's on fire go flying into the water. But

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Speaker 1: the way it just goes like it looks like it

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Speaker 1: goes like fifty feet up in the air, the way

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Speaker 1: it's spinning. Well done on the stunt there to get

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Speaker 1: that particular crash. Okay, well we're still in Cuba here

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Speaker 1: because the next day, I guess an elusive woman named Cipher.

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Speaker 1: You might remember her from The Matrix. She was one

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Speaker 1: of the twins coerce is Dom. Cipher does this is

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Speaker 1: Charlie's throw. Coers is Dom into working for her by

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Speaker 1: showing him something on her phone, so they have their

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Speaker 1: first scene here. I hate how Dom is holding the

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Speaker 1: phone in this. It's like so like, hey, you gotta

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Speaker 1: hold it high in frame here, and it's just like

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Speaker 1: I don't know no one's holding the phone like this,

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Speaker 1: but yeah, he she like tricks him because she pretends

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Speaker 1: to the car is broken down, and that's what gets

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Speaker 1: Dom to stop. There's a part like what you quickly learned,

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Speaker 1: she's following him, knows everything about him. Was it supposed

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Speaker 1: to be impressive that Cipher called Dom's coffee order black

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Speaker 1: no sugar, Like that's the most rare coffee order we've

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Speaker 1: like ever heard of him. That would be my first guess, Well,

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Speaker 1: he was pretty shook. She got it. I might have

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Speaker 1: to go to a certain place today. It's like okay, sure,

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Speaker 1: but yeah, we get the the introduction of Cipher. I

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Speaker 1: guess I'll ask you right here, JD, what did you

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Speaker 1: think of this new villain who's playing her and how

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Speaker 1: she ropes Dom into her world? What do you think?

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Speaker 2: Well, you know what, it's Charlie's there and I love her.

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Speaker 2: I thought she was awesome in this. She's by far

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Speaker 2: the best villain we've had so far. So they keep

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Speaker 2: bringing it up and up and up. I know who's better?

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Speaker 2: Who's better than that Cipher? Well in terms of menacing Listen,

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Speaker 2: you know, we we might as well get into this now,

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Speaker 2: Like I love I love the how cold and analytical

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Speaker 2: and scientific she is compared to Dom's all about family,

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Speaker 2: all about love and respect and all those amorphous uh

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Speaker 2: you know, good feeling guts gut feeling type stuff. And

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Speaker 2: she's just the cold hearted uh you know, she has

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Speaker 2: no soul and she's just uh totally uh in it

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Speaker 2: for whatever. Like And that's how I've said that for

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Speaker 2: the for all the villains, like, the scarier they are,

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Speaker 2: the less they care about any of that stuff. So

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Speaker 2: the she's a great foil for for him. And uh,

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Speaker 2: you know, and family has always been a huge weakness

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Speaker 2: for him. I mean, there's there's no way that there.

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Speaker 2: It wasn't his child looking at the front, you know,

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Speaker 2: there was no surprise there. It's like, oh, it's got

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Speaker 2: to be a son or something like a child of

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Speaker 2: his or a family member, because there is no reason

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Speaker 2: why he would go against his family. Like it all.

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Speaker 1: Exact fake family, that's right.

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Speaker 2: And uh And she's such a good actor and and

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Speaker 2: they give her such clumsy lines, but she kills it.

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Speaker 2: I mean, I I think I think it's great. Like

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Speaker 2: I was very very happy to be in the world

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Speaker 2: where Charlie's thereon is the is the villain, although uh

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Speaker 2: we were I was watching this with Rachel and it's

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Speaker 2: like Cipher. God, It's like, could that's the best they

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00:19:14,480 --> 00:19:16,359
Speaker 2: could come up with for a name? And then I

349
00:19:16,400 --> 00:19:19,040
Speaker 2: was sort of jokingly going, hah, well, you know Morpheus

350
00:19:19,119 --> 00:19:22,800
Speaker 2: was already taken her, or you know, Neo already taken,

351
00:19:22,840 --> 00:19:26,720
Speaker 2: Trinity already taken. Then I realized, fucking Cipher is a

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Speaker 2: name from the Matrix. There's a Joe Pantonioni's character's name

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Speaker 2: is Cipher, so you're they're not even original with their

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Speaker 2: hacker names. But uh, you know, it's another it's another

355
00:19:38,600 --> 00:19:41,359
Speaker 2: mister nobody. It's a placeholder, and uh, you know what,

356
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Speaker 2: at this point, who cares?

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Speaker 1: Okay, Trey, what did you think of Charlie's here in

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Speaker 1: this movie?

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Speaker 3: I think she gives a great performance, But I also

360
00:19:51,119 --> 00:19:53,919
Speaker 3: think the entirety of the performance is her whispering the

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Speaker 3: whole time. She's whispering every single line of this, and

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Speaker 3: I think it comes off nice against Vin Deesel in particular,

363
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Speaker 3: because he's a bit of a whisperer with his lines

364
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Speaker 3: as well, So it builds up the sense of this

365
00:20:06,800 --> 00:20:09,719
Speaker 3: menacing nature between the two of them, and you know,

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Speaker 3: you definitely get the feeling with her explaining how you

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Speaker 3: know she set up Dom having to go to a

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Speaker 3: different place to get to get a basic coffee that

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Speaker 3: she can get to him anywhere she needs to to

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Speaker 3: me her character, her code. Much like Owen Shaw we'll

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Speaker 3: see him again in not too long. Her code has

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Speaker 3: to be precision as well, because you know that's the only.

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Speaker 1: Thing that can go up against family.

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Speaker 3: You can either be on one side, the emotional side

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Speaker 3: of her to the analytical side. They give her a

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Speaker 3: bunch of just mumbo jumbo nonsense to say in this movie.

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Speaker 3: I feel like she whispers it out. So she's doing

378
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Speaker 3: the best she can with what she's been given, and

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Speaker 3: I do feel like she's very sinister. But the way

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Speaker 3: that they've had to film this, and you know, the

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Speaker 3: only time she's really face the face I feel like

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Speaker 3: with any of the Fast crew is when she's with Dom,

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Speaker 3: and Dom is working with her at that point, so

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Speaker 3: you lose a little bit of the danger, I think,

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Speaker 3: because she's just you know, even We'll get to this

386
00:21:04,640 --> 00:21:07,600
Speaker 3: later obviously, but even when they're doing the submarine chase down,

387
00:21:07,880 --> 00:21:09,880
Speaker 3: she's not even in the submarine no, right, Like she's

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Speaker 3: not even there, So that's a little that's a little

389
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Speaker 3: bit of a knock for me. Is like, yeah, she

390
00:21:14,880 --> 00:21:17,280
Speaker 3: is the villain and she's in control of everything, but

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Speaker 3: it almost doesn't feel like she's in real danger or

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Speaker 3: that she's causing so much danger to these people. She's

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Speaker 3: trying to set up something dangerous and we're trying to

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Speaker 3: get there before she does. But you know, I do

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Speaker 3: I do like the performance she gives all things considered.

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Speaker 1: I like the payoff later learning that the reason she's

397
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Speaker 1: you know, roped Domin to help her do all this

398
00:21:38,680 --> 00:21:42,440
Speaker 1: is because he has what twice basically blew up her

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Speaker 1: previous plans because she was linked to off the top

400
00:21:47,160 --> 00:21:52,080
Speaker 1: of my head, here I guess, yeah, owen I yeah, right,

401
00:21:52,240 --> 00:21:55,880
Speaker 1: So in two previous movies she is actually we never

402
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Speaker 1: seen her, but she's behind the scenes helping like facilitate

403
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Speaker 1: all of this. And Dombs you know, fast and furious

404
00:22:01,880 --> 00:22:04,280
Speaker 1: crew is always screwing it up. So she's thinking, well,

405
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Speaker 1: if I can just get him, he's always screwing up

406
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Speaker 1: my plans, I'll just get him to do it. So

407
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Speaker 1: how am I going to do that? Well, you know,

408
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Speaker 1: it's got to involve family, and luckily this guy didn't

409
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Speaker 1: wrap it up when he was with Elena. There Elena

410
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Speaker 1: for a little bit and he's got himself a child. Okay,

411
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Speaker 1: so we go from that. He's in. I mean, it

412
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Speaker 1: didn't take long. He's like, well, I guess I'm in.

413
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Speaker 1: I think we now go to the soccer scene here

414
00:22:29,240 --> 00:22:34,040
Speaker 1: in the movie where the Rock Hobbs is the coach

415
00:22:34,040 --> 00:22:38,359
Speaker 1: of his daughter's soccer team. It's a you know, we

416
00:22:38,440 --> 00:22:41,560
Speaker 1: get some comedy, I guess in the sense of the

417
00:22:41,800 --> 00:22:44,640
Speaker 1: agent showing up to try and get him to come back.

418
00:22:44,680 --> 00:22:48,119
Speaker 1: And there's some Taylor Swift jokes in here, but we

419
00:22:48,160 --> 00:22:51,720
Speaker 1: get them doing them Maori chant before the game. That

420
00:22:51,880 --> 00:22:54,520
Speaker 1: was a little out of left field, just to drive

421
00:22:54,560 --> 00:22:57,679
Speaker 1: home the fact that the Samoan rock, of course, and

422
00:22:58,480 --> 00:23:01,600
Speaker 1: just how dedicated he is and to his daughter's team.

423
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Speaker 1: This is so I thought, it's a strange scene, but

424
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Speaker 1: it's like, hey, it's the Rock. Let's give him some

425
00:23:09,800 --> 00:23:12,439
Speaker 1: funny lines here, and this is a funny situation. I

426
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Speaker 1: guess I could have done without it, I think in

427
00:23:14,600 --> 00:23:17,200
Speaker 1: the end, JD. But maybe you were more of a fan.

428
00:23:17,920 --> 00:23:20,600
Speaker 2: Yeah, I know, I'm the same. I think it was

429
00:23:20,680 --> 00:23:23,960
Speaker 2: played for comedy and it didn't quite hit the mark

430
00:23:24,080 --> 00:23:28,359
Speaker 2: like the again, it just like we knew that Dom

431
00:23:28,520 --> 00:23:31,440
Speaker 2: was looking at a child of his. We knew right

432
00:23:31,480 --> 00:23:34,680
Speaker 2: from the moment that the Rock opens his mouth, he's

433
00:23:34,720 --> 00:23:38,600
Speaker 2: not talking to soldiers. He's talking to a kid's sports team,

434
00:23:38,720 --> 00:23:41,359
Speaker 2: sports team. And of course we know he has a daughter,

435
00:23:41,440 --> 00:23:44,800
Speaker 2: so yes, it's a it's a it's his daughter's soccer team.

436
00:23:44,840 --> 00:23:47,840
Speaker 2: And yeah, okay, fine, I'm sure I got a great

437
00:23:47,880 --> 00:23:50,840
Speaker 2: big pop in the in the theater, you tell me, Trey,

438
00:23:50,960 --> 00:23:54,840
Speaker 2: But I was just like, okay, sure, fine, And then

439
00:23:54,920 --> 00:23:58,040
Speaker 2: just to have this buttoned up sort of all business,

440
00:23:58,840 --> 00:24:03,159
Speaker 2: uh agent, you know, telling him we gotta go, we

441
00:24:03,280 --> 00:24:06,720
Speaker 2: gotta go save the world, and the Rock is you know,

442
00:24:06,800 --> 00:24:12,399
Speaker 2: hey cheer for the Dragons or whatever their names are. Yeah, okay, sure,

443
00:24:13,280 --> 00:24:16,280
Speaker 2: I guess it's I guess, you know whatever. I guess.

444
00:24:16,359 --> 00:24:21,239
Speaker 1: Look, so Trey, was there a big pop. And for

445
00:24:21,280 --> 00:24:24,280
Speaker 1: this Seede the comedy, of course, there's a big pop.

446
00:24:24,359 --> 00:24:27,879
Speaker 3: A couple of few great lines from Hobbs in here.

447
00:24:28,200 --> 00:24:30,439
Speaker 3: Like just imagine looking at the script and seeing that

448
00:24:30,520 --> 00:24:32,879
Speaker 3: there's a line where Hobbs has to say, Taylor Swift,

449
00:24:32,960 --> 00:24:37,040
Speaker 3: you gotta be shitting me. That's a real sentence obviously

450
00:24:37,119 --> 00:24:40,080
Speaker 3: the callback to his daughter. I'm saying, ah, Dady's got

451
00:24:40,080 --> 00:24:42,120
Speaker 3: to go to work. Yeah he does. And I think

452
00:24:42,160 --> 00:24:45,479
Speaker 3: the biggest laugh was when they cut to the crowd

453
00:24:45,560 --> 00:24:49,160
Speaker 3: and it's all moms watching Hobbs. Because he's wearing a

454
00:24:49,280 --> 00:24:53,280
Speaker 3: very tight tank top, he's looking even more jacked. So yeah,

455
00:24:53,320 --> 00:24:56,400
Speaker 3: definite pops on that. But the way we've been doing

456
00:24:56,400 --> 00:24:59,359
Speaker 3: this and recording the podcast, it's like, when you're watching

457
00:24:59,359 --> 00:25:02,640
Speaker 3: all of these in quick succession, you're like, oh, you're

458
00:25:02,680 --> 00:25:05,119
Speaker 3: giving us the Bryan scene again. Yeah, Like and you

459
00:25:05,160 --> 00:25:07,480
Speaker 3: see it starts with a click, like a close shot

460
00:25:07,800 --> 00:25:10,240
Speaker 3: of the rock, and that's how you know instantly, well,

461
00:25:10,320 --> 00:25:12,160
Speaker 3: this is not a real thing. We're gonna be getting

462
00:25:12,160 --> 00:25:14,960
Speaker 3: some jokes out of this. We just saw this at

463
00:25:15,000 --> 00:25:18,000
Speaker 3: the exact same point in the movie in Fast seven,

464
00:25:18,160 --> 00:25:20,879
Speaker 3: So I don't know. I guess it paid off getting

465
00:25:20,920 --> 00:25:23,240
Speaker 3: to see you know, all the all the moms crushing

466
00:25:23,280 --> 00:25:23,800
Speaker 3: on the Hobbs.

467
00:25:23,960 --> 00:25:26,359
Speaker 1: Yeah, that's about it. I laughed at that part. That

468
00:25:26,400 --> 00:25:29,800
Speaker 1: part was funny, Like the guy like, there's there's way

469
00:25:29,800 --> 00:25:33,280
Speaker 1: more moms here than there are. Yeah, soccer players are kids, yeah,

470
00:25:33,280 --> 00:25:37,080
Speaker 1: which is funny. Also, I do have a question Taylor

471
00:25:37,119 --> 00:25:42,080
Speaker 1: Swift is called Tata. I've never heard that. I but

472
00:25:42,480 --> 00:25:43,879
Speaker 1: you know, not like I really know.

473
00:25:44,040 --> 00:25:46,400
Speaker 2: Well, you're a forty one year old man. I know there.

474
00:25:46,680 --> 00:25:48,840
Speaker 1: I've heard of like swift Ease or something like that

475
00:25:48,920 --> 00:25:52,240
Speaker 1: out of Stow. I just never heard called maybe she is.

476
00:25:52,320 --> 00:25:55,800
Speaker 3: Yeah, well, I mean it comes up right away. When

477
00:25:56,359 --> 00:25:58,920
Speaker 3: you throw a Tata and Google, it comes up right away.

478
00:25:58,960 --> 00:26:02,760
Speaker 3: Why is Taylor Swift out of the loop on Redditt skates?

479
00:26:02,760 --> 00:26:03,720
Speaker 3: Did you start this throat?

480
00:26:05,880 --> 00:26:11,720
Speaker 1: I may have? Okay anyway, so he's in so shortly afterward,

481
00:26:12,680 --> 00:26:16,960
Speaker 1: we've got uh Luke Hobbs the Rock. He's got a recruit,

482
00:26:17,200 --> 00:26:22,040
Speaker 1: Dom and his team Letty, Roman, Tej and Ramsey. Yes confirmed,

483
00:26:22,119 --> 00:26:24,440
Speaker 1: Ramsey is now part of the crew. She does almost

484
00:26:24,440 --> 00:26:30,440
Speaker 1: nothing in this movie to help Hobbes retrieve an EPM

485
00:26:30,480 --> 00:26:34,600
Speaker 1: device from a military outpost in Berlin. And this is

486
00:26:35,280 --> 00:26:40,280
Speaker 1: during the getaway when Dom goes rogue forces Hobbs off

487
00:26:40,280 --> 00:26:43,320
Speaker 1: the road right after Hobbs said I buy you a beer.

488
00:26:43,480 --> 00:26:47,200
Speaker 1: Some beers didn't say corona. Maybe that's why he wasn't specific,

489
00:26:47,240 --> 00:26:50,119
Speaker 1: and that's why Don got upset. But he drives Hobbs

490
00:26:50,160 --> 00:26:54,560
Speaker 1: off the road steals the device for Cipher, who, you know,

491
00:26:54,680 --> 00:26:59,920
Speaker 1: if it wasn't clear by now, is a cyber terrorist Jade.

492
00:27:00,240 --> 00:27:02,960
Speaker 1: I guess I'll ask it this way. Having never seen

493
00:27:03,000 --> 00:27:07,439
Speaker 1: this movie, were you surprised where the story went, like

494
00:27:07,520 --> 00:27:10,720
Speaker 1: where Dom, you know, does backstab his or has to

495
00:27:10,880 --> 00:27:13,240
Speaker 1: is forced to turn against his family or did you

496
00:27:13,640 --> 00:27:15,040
Speaker 1: have an idea of that going into it.

497
00:27:15,880 --> 00:27:19,800
Speaker 2: I honestly had no idea. I assumed somebody would flip,

498
00:27:19,960 --> 00:27:22,439
Speaker 2: you know, just because what else are you gonna do?

499
00:27:23,760 --> 00:27:28,399
Speaker 2: But I was kind of surprised at how almost Manchurian

500
00:27:28,520 --> 00:27:30,920
Speaker 2: candidate it was. It was just like Dom all of

501
00:27:30,960 --> 00:27:33,520
Speaker 2: a sudden is no longer dumb, Like yeah, becomes this

502
00:27:33,960 --> 00:27:39,240
Speaker 2: automaton who is just h He's just literally turning his

503
00:27:39,359 --> 00:27:42,840
Speaker 2: back on all the rest of his family. And you know,

504
00:27:43,080 --> 00:27:45,120
Speaker 2: the reason better be good, you know.

505
00:27:45,359 --> 00:27:49,119
Speaker 1: Like if it ended up being a car, he really

506
00:27:49,280 --> 00:27:53,439
Speaker 1: liked it. Oh you found this.

507
00:27:55,640 --> 00:28:00,639
Speaker 3: Sweet sixty five in PAULU My god, Yeah, I do

508
00:28:00,720 --> 00:28:04,080
Speaker 3: feel like Dom could have given a better undercover performance here, man,

509
00:28:04,160 --> 00:28:06,119
Speaker 3: Like you're giving it away right away. As soon as

510
00:28:06,119 --> 00:28:08,360
Speaker 3: he sits in the car, He's like not talking to anybody,

511
00:28:08,520 --> 00:28:12,000
Speaker 3: not looking around, He's driving in the back, like come on, Dom,

512
00:28:12,320 --> 00:28:15,440
Speaker 3: we know you're not gonna be taking the back seat

513
00:28:15,480 --> 00:28:16,000
Speaker 3: on this one.

514
00:28:16,080 --> 00:28:16,760
Speaker 1: Let's split up.

515
00:28:16,800 --> 00:28:20,520
Speaker 3: I mean, Letty calls him on it right away, right away.

516
00:28:20,680 --> 00:28:22,679
Speaker 1: Yeah, you can tell he's distracted.

517
00:28:22,760 --> 00:28:25,760
Speaker 3: And uh, you know, I think a hilarious line right

518
00:28:25,800 --> 00:28:29,320
Speaker 3: at the end of this, after Dom has left Hobbs

519
00:28:29,400 --> 00:28:30,720
Speaker 3: injured in his vehicle.

520
00:28:31,080 --> 00:28:39,600
Speaker 1: I've seen that look before, Dominic Toretto, just the trailer. Yeah,

521
00:28:39,320 --> 00:28:43,640
Speaker 1: h Dom drives his car up onto that plane flawlessly,

522
00:28:43,880 --> 00:28:46,800
Speaker 1: a perfect escape because those don't usually go that well

523
00:28:46,800 --> 00:28:48,360
Speaker 1: when cars are going on the planes, but that one

524
00:28:48,360 --> 00:28:48,800
Speaker 1: they nailed.

525
00:28:48,840 --> 00:28:52,320
Speaker 2: GD Yeah it was Did he drive a car on

526
00:28:52,360 --> 00:28:55,680
Speaker 2: the plane last time? And the plane sequence I can remember?

527
00:28:56,440 --> 00:28:59,520
Speaker 1: Drove a car off the plane? Yeah? Sure? How did

528
00:28:59,520 --> 00:29:00,800
Speaker 1: it get there? The first plane?

529
00:29:00,840 --> 00:29:03,080
Speaker 2: I'm gouldn't have to drive it. I think he's had

530
00:29:03,120 --> 00:29:07,600
Speaker 2: some experience, I suppose, but yeah, I did think that. Like,

531
00:29:08,160 --> 00:29:10,800
Speaker 2: I don't know why my mind goes places like this,

532
00:29:10,920 --> 00:29:14,480
Speaker 2: but the plane is like this, you know, and he

533
00:29:14,640 --> 00:29:17,320
Speaker 2: just hits the brakes, lights go off, and he just

534
00:29:17,360 --> 00:29:20,680
Speaker 2: gets out of the car and the ramp isn't even yet.

535
00:29:20,760 --> 00:29:26,080
Speaker 2: You know. It's like, because can we just wait for

536
00:29:26,160 --> 00:29:29,880
Speaker 2: it to level off? You know, but the plane stuff

537
00:29:29,920 --> 00:29:33,400
Speaker 2: I found a little distracting. You mentioned it already, Trey,

538
00:29:33,440 --> 00:29:36,320
Speaker 2: but they're basically whispering to each other. And most of

539
00:29:36,360 --> 00:29:38,680
Speaker 2: the scenes in the plane, if you've ever been in

540
00:29:38,720 --> 00:29:41,800
Speaker 2: a plane, which we all have, it's not that quiet.

541
00:29:42,320 --> 00:29:46,240
Speaker 4: Oh but jad iget We've been saying this, like since

542
00:29:46,280 --> 00:29:47,360
Speaker 4: the first movie.

543
00:29:47,440 --> 00:29:51,880
Speaker 1: People have the greatest hearing in this ranch. Everybody can

544
00:29:51,920 --> 00:29:55,040
Speaker 1: hear every single thing thing, be it car to car,

545
00:29:55,200 --> 00:29:57,880
Speaker 1: be a loud planes, being giant crowds. It doesn't matter.

546
00:29:57,960 --> 00:29:59,800
Speaker 1: Everybody picks up on everything. It's incredible.

547
00:30:00,240 --> 00:30:01,240
Speaker 2: Fair enough, fair enough.

548
00:30:02,320 --> 00:30:04,520
Speaker 1: So yeah, do we we get them talking to each

549
00:30:04,560 --> 00:30:07,120
Speaker 1: other here? Then on the plane? Is that correct? Cipher

550
00:30:07,200 --> 00:30:10,760
Speaker 1: and Dom a little bit, I believe so, yeah, yeah,

551
00:30:10,800 --> 00:30:11,880
Speaker 1: I can't remember where it happens.

552
00:30:12,320 --> 00:30:14,840
Speaker 2: There's this sort of weird moment where Torman comes up

553
00:30:14,920 --> 00:30:17,280
Speaker 2: to him to him.

554
00:30:19,560 --> 00:30:20,400
Speaker 1: Kind of roads.

555
00:30:20,680 --> 00:30:24,040
Speaker 3: Yes, he was in notes for the first half of

556
00:30:24,080 --> 00:30:29,680
Speaker 3: this movie before they gave him the name as well.

557
00:30:27,800 --> 00:30:30,360
Speaker 2: And he started he start of blocks him from getting

558
00:30:30,440 --> 00:30:33,960
Speaker 2: to her, and then he says something weird like, uh,

559
00:30:34,000 --> 00:30:36,960
Speaker 2: are you okay with this or whatever? Like, I mean,

560
00:30:37,040 --> 00:30:38,760
Speaker 2: how could you not be okay with it? He just

561
00:30:38,960 --> 00:30:42,240
Speaker 2: drove his car onto the plane, like this is shocking

562
00:30:42,280 --> 00:30:46,080
Speaker 2: to you, Like what, I didn't understand that little stand up,

563
00:30:46,120 --> 00:30:48,040
Speaker 2: but I think it was just to give them, like,

564
00:30:48,440 --> 00:30:49,120
Speaker 2: you know, friction.

565
00:30:49,480 --> 00:30:52,560
Speaker 1: Yeah that will pay off later for Yeah, sure that's it,

566
00:30:52,680 --> 00:30:54,760
Speaker 1: because otherwise, what does this guy have against him?

567
00:30:54,840 --> 00:30:56,560
Speaker 2: Yeah, you're right exactly.

568
00:30:56,160 --> 00:31:01,239
Speaker 1: You're following. He's following your boss's orders, right, cipher like

569
00:31:02,160 --> 00:31:05,760
Speaker 1: I did. Was there any like a little chemistry between

570
00:31:05,840 --> 00:31:10,640
Speaker 1: Torment and uh Charlice at all or just strictly business?

571
00:31:10,960 --> 00:31:13,280
Speaker 2: The only chemistry I saw was way late in the

572
00:31:13,320 --> 00:31:16,800
Speaker 2: movie and there was a guy named Matt who was

573
00:31:16,960 --> 00:31:19,840
Speaker 2: one of the technicians. He was the larger guy, and

574
00:31:19,880 --> 00:31:22,360
Speaker 2: she actually crouches them. You know, she goes, all right,

575
00:31:23,600 --> 00:31:27,240
Speaker 2: let's let's go. I was like, she's begging. Not I

576
00:31:27,280 --> 00:31:30,920
Speaker 2: think I'm going out probably probably.

577
00:31:31,440 --> 00:31:34,760
Speaker 4: Yeah, I know exactly what you're talking about because I

578
00:31:34,800 --> 00:31:38,280
Speaker 4: wrote that down to like whoa a little shoulder wrote.

579
00:31:39,280 --> 00:31:45,440
Speaker 1: Let's get this up, baby. Okay. So Hobbs gets arrested

580
00:31:45,520 --> 00:31:48,560
Speaker 1: for this going wrong? Right, Yeah that's what. Yeah, Okay.

581
00:31:48,840 --> 00:31:51,880
Speaker 2: When she was warned about he was warned the soccer

582
00:31:52,320 --> 00:31:55,600
Speaker 2: the soccer team, the guy's like, hey, get to work,

583
00:31:55,640 --> 00:31:57,560
Speaker 2: and by the way, if you funck this up, you're

584
00:31:57,560 --> 00:32:00,680
Speaker 2: getting arrested and we're not gonna help you. That's basically

585
00:32:00,720 --> 00:32:01,600
Speaker 2: what he's said, So.

586
00:32:01,640 --> 00:32:07,200
Speaker 1: Why am I helping you? Then? But yeah, Hobbs gets arrested.

587
00:32:07,960 --> 00:32:11,479
Speaker 1: He is locked up in the same high security prison

588
00:32:11,920 --> 00:32:14,440
Speaker 1: which holds deckerd shot. Now Hobbs has a scene with

589
00:32:14,520 --> 00:32:18,320
Speaker 1: mister Nobody and his uh, his little sidekick, his protege

590
00:32:18,320 --> 00:32:21,440
Speaker 1: there Eric or what do they end up calling him nobody,

591
00:32:21,480 --> 00:32:24,200
Speaker 1: which is sort of funny. Yeah, I don't think there's

592
00:32:24,280 --> 00:32:27,120
Speaker 1: much to say about that. You know, we know that

593
00:32:27,880 --> 00:32:30,560
Speaker 1: he's there. That's the most important part. Mister Nobody is

594
00:32:30,600 --> 00:32:36,360
Speaker 1: because Hobbs goes in. There's decord man. Jason Statham has

595
00:32:36,400 --> 00:32:38,160
Speaker 1: more lines in the in the first scene of this

596
00:32:38,200 --> 00:32:40,560
Speaker 1: movie than he had in the entire last movie in

597
00:32:40,720 --> 00:32:43,280
Speaker 1: f F seven. I mean, the two of them going

598
00:32:43,320 --> 00:32:46,040
Speaker 1: back and forth barking at each other from a you know,

599
00:32:46,040 --> 00:32:50,040
Speaker 1: across the cell block hall. Pretty funny. We got. We

600
00:32:50,080 --> 00:32:53,840
Speaker 1: get a lot of hobbson Shaw here, uh, which is

601
00:32:54,320 --> 00:32:56,520
Speaker 1: makes sense because they're setting up for another movie, which

602
00:32:56,520 --> 00:32:58,080
Speaker 1: will be the next one we do here in the

603
00:32:58,360 --> 00:33:02,520
Speaker 1: Fast Friends podcast series, which is Hobbs and Shaw I

604
00:33:02,640 --> 00:33:08,360
Speaker 1: enjoyed it. I loved almost everything that involved Shaw Jason

605
00:33:08,360 --> 00:33:10,600
Speaker 1: Statham in this one. And I'm not very high on

606
00:33:10,600 --> 00:33:12,480
Speaker 1: this movie, I will say overall when we get to

607
00:33:12,520 --> 00:33:15,360
Speaker 1: our ranking, but he is great and I liked him

608
00:33:15,360 --> 00:33:18,280
Speaker 1: having more lines. To be honest. Yeah, I love the

609
00:33:18,280 --> 00:33:19,960
Speaker 1: interplay between Hobbs and Shaw.

610
00:33:19,960 --> 00:33:22,440
Speaker 3: And you're like, you see this first scene between them,

611
00:33:22,440 --> 00:33:24,280
Speaker 3: when they're really getting to chop it up and you know,

612
00:33:24,440 --> 00:33:28,760
Speaker 3: posturing back and forth to each other. What does Hobbes

613
00:33:29,000 --> 00:33:33,800
Speaker 3: say to Shaw, get your candy back, candy ass back

614
00:33:33,800 --> 00:33:37,880
Speaker 3: out there and toss some more salads. That's what Hobbs

615
00:33:37,880 --> 00:33:40,680
Speaker 3: says to Shaw. That's a rock line right there, actually

616
00:33:40,720 --> 00:33:44,600
Speaker 3: getting candy ass into a movie. And then hobb or

617
00:33:44,680 --> 00:33:47,800
Speaker 3: our Shaw eventually responds back to Hobbs it's thirty eight

618
00:33:47,800 --> 00:33:51,080
Speaker 3: feet of steel and concrete, or so I've been told.

619
00:33:51,080 --> 00:33:52,080
Speaker 1: Thanks for the callback.

620
00:33:52,160 --> 00:33:54,760
Speaker 3: But it does to me seem that Deckard got an

621
00:33:54,800 --> 00:33:57,280
Speaker 3: upgrade on his room, because when they put him away,

622
00:33:57,320 --> 00:34:00,479
Speaker 3: I was like, you're not looking at anything, there's nobody

623
00:34:00,520 --> 00:34:03,560
Speaker 3: around you. But now he's got like a window view

624
00:34:03,640 --> 00:34:06,840
Speaker 3: of the rest of the prison. Him and Hobbs can

625
00:34:06,920 --> 00:34:10,280
Speaker 3: like have an interface with each other. The glass doesn't

626
00:34:10,280 --> 00:34:12,640
Speaker 3: sound proof at all. I don't know how that's possible.

627
00:34:13,000 --> 00:34:15,720
Speaker 3: I've got a window between my kitchen and where I grill,

628
00:34:15,800 --> 00:34:17,840
Speaker 3: and like I'll be screaming at the top of my

629
00:34:17,960 --> 00:34:21,760
Speaker 3: lungs at Laura, can you have a burger tray?

630
00:34:22,080 --> 00:34:25,759
Speaker 1: Everybody has the greatest hearing ever in this movie. It's

631
00:34:25,800 --> 00:34:26,800
Speaker 1: super hero hearing.

632
00:34:26,880 --> 00:34:30,319
Speaker 3: Yeah, it's crazy, but I feel like, not only did

633
00:34:30,360 --> 00:34:32,719
Speaker 3: they beef up Jason Stathan's role and let him do

634
00:34:32,760 --> 00:34:34,600
Speaker 3: what he's best at, Like him and Hobbes are both

635
00:34:34,680 --> 00:34:38,040
Speaker 3: awesome at kicking ass and cracking wise, so let them

636
00:34:38,080 --> 00:34:40,879
Speaker 3: do that together a lot. I think plays really well.

637
00:34:40,920 --> 00:34:44,840
Speaker 3: But also Jason Statham looks humongous, like he was looking

638
00:34:44,920 --> 00:34:47,960
Speaker 3: spelt in a suit in Fast seven, and now he's

639
00:34:48,040 --> 00:34:50,279
Speaker 3: like on par with I don't know if I would

640
00:34:50,280 --> 00:34:51,879
Speaker 3: say he's on par with the Rock, but he's at

641
00:34:51,960 --> 00:34:54,839
Speaker 3: like at least tyresee levels of muscles here.

642
00:34:55,320 --> 00:34:56,280
Speaker 1: Man, it's umungous.

643
00:34:56,480 --> 00:34:58,239
Speaker 3: I guess he's been in jail for a couple of years,

644
00:34:58,280 --> 00:35:00,719
Speaker 3: probably just lifting the entire time, nothing else to do.

645
00:35:00,840 --> 00:35:03,680
Speaker 3: But I love these scenes with Sean Habs.

646
00:35:03,680 --> 00:35:07,239
Speaker 1: For sure, you liked you liked Hobbes. The Rock just

647
00:35:07,480 --> 00:35:10,399
Speaker 1: punching a wall for five minutes and then just doing

648
00:35:10,480 --> 00:35:14,080
Speaker 1: a bench. Yeah, a little curls with a concrete bench

649
00:35:14,120 --> 00:35:17,040
Speaker 1: that he's just ripped off the wall. JD. What'd you

650
00:35:17,080 --> 00:35:18,560
Speaker 1: think of this? And then and then of course they

651
00:35:18,680 --> 00:35:20,080
Speaker 1: escape here too, the two of them.

652
00:35:20,400 --> 00:35:23,399
Speaker 2: Yeah, I mean I loved the whole prison thing. I

653
00:35:23,440 --> 00:35:27,239
Speaker 2: loved uh, the the escape, and I love the back

654
00:35:27,280 --> 00:35:31,799
Speaker 2: and forth and and there's undeniable chemistry between those two,

655
00:35:31,880 --> 00:35:34,520
Speaker 2: and it's obvious why they would want to do a

656
00:35:34,560 --> 00:35:38,560
Speaker 2: movie with them. And the friendlier they get, they're still sparring,

657
00:35:38,640 --> 00:35:41,439
Speaker 2: you know, as the movie goes, they're still sparring. And

658
00:35:41,600 --> 00:35:44,120
Speaker 2: uh again, watching this with Rachel and she was like

659
00:35:45,239 --> 00:35:48,960
Speaker 2: getting all every time those two were on screen together,

660
00:35:49,080 --> 00:35:52,360
Speaker 2: and she's she's like, I want to see uh, I

661
00:35:52,400 --> 00:35:55,359
Speaker 2: want to see Hobbs and Shah the fast and by

662
00:35:55,560 --> 00:36:05,040
Speaker 2: curious who wants to see them have sex? Basically, so it.

663
00:36:05,000 --> 00:36:08,920
Speaker 1: Sounds like Rachel may have been up in the soccer stands.

664
00:36:10,760 --> 00:36:12,719
Speaker 2: Only with Staithan there. I think it's the two of

665
00:36:12,760 --> 00:36:15,319
Speaker 2: them together, you know, I think she's shipping the two

666
00:36:15,360 --> 00:36:15,680
Speaker 2: of them.

667
00:36:15,840 --> 00:36:21,400
Speaker 1: Okay, okay, well they do escape, like so, mister nobody

668
00:36:21,960 --> 00:36:26,200
Speaker 1: opens hobbes jail cell and then he's like, no, no

669
00:36:27,480 --> 00:36:30,239
Speaker 1: staying here, stand here, I gotta get some more sets in.

670
00:36:31,239 --> 00:36:35,440
Speaker 1: But then Shaw takes advantage. Of course, Decker takes advantage

671
00:36:35,440 --> 00:36:39,440
Speaker 1: and basically strangles the one guard that's nearby him and

672
00:36:39,480 --> 00:36:45,520
Speaker 1: then like uh elect yes, zab's the security system, and

673
00:36:45,520 --> 00:36:48,480
Speaker 1: then that unlocks everybody, and then yeah, we get this crazy,

674
00:36:48,920 --> 00:36:53,160
Speaker 1: pretty long escaping from jail scene. It's shot a little weird.

675
00:36:53,280 --> 00:36:56,640
Speaker 1: It's it's you said in one of the movies JD.

676
00:36:56,880 --> 00:36:59,800
Speaker 1: And it was probably because they were like car formations.

677
00:37:00,040 --> 00:37:01,600
Speaker 1: Think which one was the tunnel one that.

678
00:37:01,560 --> 00:37:05,360
Speaker 2: We were all fast and furious, Yeah, the fourth one.

679
00:37:05,280 --> 00:37:09,439
Speaker 1: Yeah, I remember we compared it to Mad Max. This

680
00:37:09,840 --> 00:37:13,840
Speaker 1: jail scene felt super Mad Max to me. That that like,

681
00:37:13,840 --> 00:37:15,480
Speaker 1: I don't even know how you describe it, where it's

682
00:37:15,480 --> 00:37:18,040
Speaker 1: like it's sped up, you know what I mean, It's

683
00:37:18,080 --> 00:37:20,160
Speaker 1: like that weird sped up. And then it's like, of course,

684
00:37:20,200 --> 00:37:22,160
Speaker 1: like there are slow motion shots and stuff like that.

685
00:37:22,280 --> 00:37:23,120
Speaker 1: Does that make sense, you know?

686
00:37:23,160 --> 00:37:27,440
Speaker 2: Absolutely? Yeah, they definitely mess with the frame rates. Yeah,

687
00:37:27,520 --> 00:37:31,840
Speaker 2: in a good way. I thought, like it's super slick

688
00:37:31,920 --> 00:37:36,200
Speaker 2: and super choreographed and well done, but also you really

689
00:37:36,280 --> 00:37:38,880
Speaker 2: get a sense of the chaos of a prison riot,

690
00:37:38,960 --> 00:37:41,680
Speaker 2: you know, and uh, you know the superhuman things that

691
00:37:41,680 --> 00:37:44,839
Speaker 2: they're doing. They literally shoot the Rock. I mean it's

692
00:37:44,920 --> 00:37:49,440
Speaker 2: rubber bullets, but still mistake. Yeah, I mean, it's just

693
00:37:49,560 --> 00:37:51,680
Speaker 2: great to see, you know it. It looks like a

694
00:37:51,719 --> 00:37:56,480
Speaker 2: shotgun and it's just basically bullets are literally he just

695
00:37:56,560 --> 00:37:59,520
Speaker 2: walks and he gets that. He gets angrier and angrier

696
00:37:59,520 --> 00:38:02,040
Speaker 2: every time he gets hit by one. It's just great.

697
00:38:02,160 --> 00:38:04,480
Speaker 2: I mean, I love. I had the time of my

698
00:38:04,520 --> 00:38:07,160
Speaker 2: life watching this scene, this whole movie actually, so I'm

699
00:38:07,239 --> 00:38:07,960
Speaker 2: high on it.

700
00:38:08,080 --> 00:38:11,399
Speaker 1: Just okay, good, Well, I laughed when I think it's

701
00:38:11,440 --> 00:38:16,839
Speaker 1: the Rock does a weird slide under like a railing. Yeah.

702
00:38:17,000 --> 00:38:19,520
Speaker 1: Part of it's just weird to see the Rock do

703
00:38:19,840 --> 00:38:24,040
Speaker 1: like parkour type things. Yeah, it's just yeah, when it's

704
00:38:24,080 --> 00:38:26,560
Speaker 1: state them like going on the fence, You're like, it's

705
00:38:26,600 --> 00:38:28,759
Speaker 1: totally totally believable.

706
00:38:28,800 --> 00:38:31,239
Speaker 3: But there's it's just strange to think of the Rock

707
00:38:31,360 --> 00:38:34,560
Speaker 3: doing anything like using subtlety rather than strength. Because all

708
00:38:34,600 --> 00:38:37,320
Speaker 3: I was thinking was like, the very last scene of

709
00:38:37,360 --> 00:38:40,120
Speaker 3: this breakout is I don't know, he just like runs

710
00:38:40,120 --> 00:38:42,520
Speaker 3: through five guys and a door and they go flying.

711
00:38:42,800 --> 00:38:46,279
Speaker 3: Imagine this guy in the Eliminator on American Gladiators just

712
00:38:46,400 --> 00:38:49,239
Speaker 3: blasting through that vital one. Nobody would be able to

713
00:38:49,280 --> 00:38:51,880
Speaker 3: stand up to him. But yeah, the way it's choreographed,

714
00:38:51,920 --> 00:38:53,520
Speaker 3: I think it's great, and like you're mentioning, there are

715
00:38:53,920 --> 00:38:56,520
Speaker 3: different like zooms in the angles and like, yeah, the

716
00:38:57,080 --> 00:38:59,600
Speaker 3: directing of it really heightens the tension and the action,

717
00:38:59,719 --> 00:39:02,080
Speaker 3: which hasn't always been the case in fist fights in

718
00:39:02,120 --> 00:39:04,120
Speaker 3: this series, but this one is really really cool.

719
00:39:04,440 --> 00:39:08,279
Speaker 1: So they both escape and you know who's there, Intelligence

720
00:39:08,320 --> 00:39:12,880
Speaker 1: Operative Mister Nobody. That's Kurt Russell and his protege, Eric Reisner.

721
00:39:14,200 --> 00:39:16,840
Speaker 1: They recruit them. I mean they're basically like well, I

722
00:39:16,880 --> 00:39:18,719
Speaker 1: thought that took a little longer than I thought, but

723
00:39:18,719 --> 00:39:22,520
Speaker 1: they recruit them to help the team find Dom and

724
00:39:22,560 --> 00:39:24,960
Speaker 1: then try and capture Cipher. So they get these two guys.

725
00:39:25,840 --> 00:39:29,400
Speaker 1: Deckard reveals here that Cipher had hired his brother Owen

726
00:39:29,440 --> 00:39:33,240
Speaker 1: Shaw to steal the night Shade device and Moe's Jacande

727
00:39:33,400 --> 00:39:36,880
Speaker 1: to steal God's Eye, which was Ramsey's software program in

728
00:39:36,920 --> 00:39:41,040
Speaker 1: these previous movies, which has made Cipher target Dom, and

729
00:39:41,080 --> 00:39:44,120
Speaker 1: that that's that's why she's actually trying to get Dom

730
00:39:44,160 --> 00:39:46,759
Speaker 1: there because he's interfered with her plans. Before the team

731
00:39:46,840 --> 00:39:49,680
Speaker 1: tracks Dom and Cipher to their place. You know, we're

732
00:39:49,719 --> 00:39:51,400
Speaker 1: at the headquarters here. We can go through this if

733
00:39:51,400 --> 00:39:54,399
Speaker 1: you guys want. We're at the headquarters. But they sort

734
00:39:54,400 --> 00:39:57,400
Speaker 1: of figure it out. They you know, a little work around.

735
00:39:57,480 --> 00:39:59,440
Speaker 1: We got, we got Ramsey, we got Ted, we got

736
00:39:59,440 --> 00:40:05,400
Speaker 1: some smart on this and even and even Shaw. But

737
00:40:05,480 --> 00:40:10,520
Speaker 1: moments before they attack the base, sorry not not moments

738
00:40:10,560 --> 00:40:12,640
Speaker 1: before they attack the base, they're trying to track them down.

739
00:40:12,640 --> 00:40:15,439
Speaker 1: They figured it out, but boom, it turns out they're

740
00:40:15,520 --> 00:40:19,439
Speaker 1: there right Cipher and Dom. They injure the FF team

741
00:40:19,680 --> 00:40:22,800
Speaker 1: and they steal God sigh, I think I have that correct.

742
00:40:22,800 --> 00:40:25,759
Speaker 1: So after that little that little mistake there. But there's

743
00:40:25,800 --> 00:40:27,799
Speaker 1: a lot going on here where we always get a

744
00:40:27,840 --> 00:40:32,480
Speaker 1: headquarter scene in these movies. Now this is mister Nobody's place.

745
00:40:33,080 --> 00:40:36,160
Speaker 1: And we learn that they're all on Inner Poll's top

746
00:40:36,200 --> 00:40:40,000
Speaker 1: ten most wanted list except for Roman. Lot of a

747
00:40:40,000 --> 00:40:42,400
Speaker 1: funny part at'll payoff later to as a line in

748
00:40:42,440 --> 00:40:46,080
Speaker 1: the movie, and we get Tes hitting on Ramsey. Good

749
00:40:46,080 --> 00:40:49,680
Speaker 1: to know. We're keeping that weird plot point going. And

750
00:40:49,760 --> 00:40:52,240
Speaker 1: like I said, we learned that Dom is officially working

751
00:40:52,239 --> 00:40:55,440
Speaker 1: with Cipher. They learned that because of all these things

752
00:40:55,480 --> 00:40:57,360
Speaker 1: that Dom and his team have done in the past

753
00:40:57,360 --> 00:41:00,839
Speaker 1: to piss off Cipher, and they've corrupted too, and that's

754
00:41:00,880 --> 00:41:03,000
Speaker 1: why Shaw is now there. Trey, when'd you make of

755
00:41:03,000 --> 00:41:05,720
Speaker 1: this crazy se Well, there's a lot.

756
00:41:05,520 --> 00:41:08,520
Speaker 3: Of swings in this one, Skeets, You're like, once they

757
00:41:08,560 --> 00:41:11,200
Speaker 3: get everybody together, I think it's very weird. I mean,

758
00:41:11,239 --> 00:41:14,000
Speaker 3: there's no way that Fast and Furious really could have

759
00:41:14,040 --> 00:41:16,400
Speaker 3: seen this coming. But the fact that Kurt Russell is

760
00:41:16,400 --> 00:41:20,720
Speaker 3: playing a character based in a location called nowhere where

761
00:41:20,760 --> 00:41:23,000
Speaker 3: in The Guardians of the Galaxy, the second one, he's

762
00:41:23,040 --> 00:41:26,319
Speaker 3: playing a character who's based somewhere called nowhere, that's just

763
00:41:26,400 --> 00:41:29,680
Speaker 3: too weird for me to like completely ignore. But I mean,

764
00:41:29,800 --> 00:41:31,520
Speaker 3: like that's not their fault, but it's like, Wow, this

765
00:41:31,600 --> 00:41:35,000
Speaker 3: guy really is just living nowhere and he's playing a

766
00:41:35,080 --> 00:41:38,560
Speaker 3: similar character. I do feel like, especially in Fast seven,

767
00:41:38,640 --> 00:41:41,200
Speaker 3: when your first introduct introduced to him, you're like, he

768
00:41:41,280 --> 00:41:44,000
Speaker 3: seems like a good guy, but is he He seems

769
00:41:44,000 --> 00:41:45,840
Speaker 3: still to be a good guy. He's basically the plot

770
00:41:46,080 --> 00:41:47,960
Speaker 3: exposer in this. He's like, here's what's going to be

771
00:41:48,000 --> 00:41:50,960
Speaker 3: happening for the entire movie. Anytime he shows up. But

772
00:41:51,080 --> 00:41:54,160
Speaker 3: you're like, okay, cool, good idea, Roman, you should use

773
00:41:54,200 --> 00:41:56,520
Speaker 3: God's Eye. We just learned it has changed the face

774
00:41:56,560 --> 00:42:00,440
Speaker 3: of manhunts forever. Yep, Oh, sorry, it doesn't work. Second,

775
00:42:00,440 --> 00:42:04,520
Speaker 3: actually it does work. We can completely reverse it. Oh,

776
00:42:04,560 --> 00:42:07,320
Speaker 3: the call is coming from inside the building.

777
00:42:07,719 --> 00:42:08,960
Speaker 1: They are already there.

778
00:42:09,000 --> 00:42:11,319
Speaker 3: And then some weird stuff happens, Like I understand that

779
00:42:11,400 --> 00:42:14,239
Speaker 3: Dom has been compromised at this point, he is in

780
00:42:14,280 --> 00:42:18,160
Speaker 3: it with Cipher. They're just destroying everything trying to get information.

781
00:42:19,360 --> 00:42:20,759
Speaker 3: And then Cipher kisses Dom.

782
00:42:21,280 --> 00:42:22,080
Speaker 1: Yeah, I'm like.

783
00:42:22,239 --> 00:42:27,560
Speaker 3: Huh, like what that was so so strange to me,

784
00:42:27,719 --> 00:42:28,080
Speaker 3: and like.

785
00:42:29,520 --> 00:42:32,800
Speaker 1: Dom doesn't oppose it, nor does he go for it.

786
00:42:32,800 --> 00:42:33,840
Speaker 1: It just like happens.

787
00:42:33,880 --> 00:42:38,399
Speaker 3: You're like, okay, and then what he just says to him,

788
00:42:38,440 --> 00:42:40,480
Speaker 3: You're gonna turn your back on family just like that.

789
00:42:40,800 --> 00:42:43,560
Speaker 1: Yeah, I guess so he just completely exploded the family.

790
00:42:44,000 --> 00:42:45,080
Speaker 1: It just I don't know.

791
00:42:45,080 --> 00:42:47,360
Speaker 3: There's a lot of swings in this scene to me

792
00:42:47,440 --> 00:42:51,799
Speaker 3: that were like huh, huh, okay, yeah, God's I good idea. Wait,

793
00:42:51,840 --> 00:42:54,440
Speaker 3: no bad idea, wait, good idea again. Now we're kissing.

794
00:42:55,120 --> 00:42:58,759
Speaker 3: All of this happens basically instantly, and that glosses over

795
00:42:58,800 --> 00:43:03,399
Speaker 3: the fact that Shaw shows up, and they're all like, well,

796
00:43:03,400 --> 00:43:05,120
Speaker 3: I guess we gotta work with them now. You know,

797
00:43:05,280 --> 00:43:07,320
Speaker 3: we were just hunting this guy down. He was trying

798
00:43:07,360 --> 00:43:10,640
Speaker 3: to kill us. We destroyed his brother, but we're teaming

799
00:43:10,719 --> 00:43:13,000
Speaker 3: up now because we all don't like the same person.

800
00:43:13,080 --> 00:43:16,720
Speaker 1: On accident, it was strange to me. I had totally

801
00:43:16,719 --> 00:43:19,399
Speaker 1: forgotten about the kiss, and the reason is I don't

802
00:43:19,400 --> 00:43:21,640
Speaker 1: think they actually ever really kiss you. Notice how they

803
00:43:21,640 --> 00:43:25,840
Speaker 1: shot that one JD. Yeah, it's like Charlist there on

804
00:43:26,280 --> 00:43:28,560
Speaker 1: her back is to the camera and she like does

805
00:43:28,800 --> 00:43:32,120
Speaker 1: she blocks then leans over the actual lip block. Yeah.

806
00:43:32,320 --> 00:43:34,560
Speaker 1: I just don't have a feeling they didn't really kiss

807
00:43:34,560 --> 00:43:36,279
Speaker 1: in really, I mean, they didn't show us at least,

808
00:43:36,320 --> 00:43:37,920
Speaker 1: but that's what we're led to believe. Of course they're

809
00:43:37,960 --> 00:43:40,879
Speaker 1: kissing weird. Yeah, they blow up the spot with these

810
00:43:41,560 --> 00:43:46,239
Speaker 1: like next generation concussion grenades too. It's like she said, yeah,

811
00:43:46,400 --> 00:43:53,360
Speaker 1: very specific a lot happening, Like TK said, uh, anything

812
00:43:53,360 --> 00:43:54,480
Speaker 1: to add to this scene again.

813
00:43:54,760 --> 00:43:56,879
Speaker 2: I mean, it didn't bother me as much as it's

814
00:43:56,880 --> 00:44:02,120
Speaker 2: bothering Tray like it. Yes, Roman suggests it and I

815
00:44:02,120 --> 00:44:07,760
Speaker 2: got I. My takeaway was nobody was basically saying, Okay,

816
00:44:07,760 --> 00:44:09,879
Speaker 2: great idea, we'll try it as if we hadn't tried

817
00:44:09,920 --> 00:44:13,200
Speaker 2: it before. And they try it, and let I'm gonna

818
00:44:13,239 --> 00:44:15,359
Speaker 2: let you see what happens when we try it, and

819
00:44:15,400 --> 00:44:18,840
Speaker 2: then we see all the the hits all over the world,

820
00:44:19,640 --> 00:44:24,720
Speaker 2: the false pings, the false pings. Yeah, and when Shots

821
00:44:24,719 --> 00:44:26,719
Speaker 2: shows up, there is a little bit of pushback, but

822
00:44:27,040 --> 00:44:30,160
Speaker 2: it's a fair point, like, uh, he did kill Han

823
00:44:30,239 --> 00:44:33,000
Speaker 2: and all of a sudden they're working together. But but

824
00:44:33,080 --> 00:44:34,640
Speaker 2: they don't like it, Tray, they don't like.

825
00:44:34,640 --> 00:44:37,200
Speaker 1: Don't like it. They definitely don't like it.

826
00:44:37,640 --> 00:44:40,400
Speaker 2: Uh. And uh, as far as the kiss goes, you know,

827
00:44:40,640 --> 00:44:43,600
Speaker 2: it's a random thing that she does just to stir

828
00:44:43,680 --> 00:44:47,080
Speaker 2: the pot. That's what I got from it. But yeah,

829
00:44:47,120 --> 00:44:52,239
Speaker 2: it's weirdly shot and again uh Manchurian candidate. Uh is

830
00:44:52,360 --> 00:44:56,920
Speaker 2: just you know, not reacting, just you know, being a

831
00:44:57,040 --> 00:45:00,279
Speaker 2: robot basically, And it's uh. And I can under stan

832
00:45:00,400 --> 00:45:04,759
Speaker 2: Letty's frustration, like what are you doing, man, like this

833
00:45:05,200 --> 00:45:07,799
Speaker 2: family member or this thing that you the reason you're

834
00:45:07,800 --> 00:45:10,359
Speaker 2: doing is better be good because you just blew us

835
00:45:10,360 --> 00:45:13,080
Speaker 2: all up, like we're all you know, we could have

836
00:45:13,160 --> 00:45:14,360
Speaker 2: all died just now.

837
00:45:15,239 --> 00:45:17,600
Speaker 1: The roles have been reversed between Dom and Letty here

838
00:45:18,080 --> 00:45:21,879
Speaker 1: because it was Letty in her amnesia having her sort

839
00:45:21,920 --> 00:45:24,440
Speaker 1: of acting out of character at least to Dom. And

840
00:45:24,520 --> 00:45:26,920
Speaker 1: now it's a Dom of course doing this, and Letty's

841
00:45:26,920 --> 00:45:29,520
Speaker 1: going like, what the hell's going on here? One thing

842
00:45:29,520 --> 00:45:32,200
Speaker 1: in watching this movie, I was fascinated to see how

843
00:45:32,200 --> 00:45:36,040
Speaker 1: they would tackle the character of Brian O'Connor. We know

844
00:45:36,080 --> 00:45:38,760
Speaker 1: he's alive in the Fashion and Furious franchise. Paul Walker

845
00:45:38,840 --> 00:45:40,480
Speaker 1: himself is of course dead, and we talked about in

846
00:45:40,520 --> 00:45:42,960
Speaker 1: the last movie. And it took about forty eight minutes

847
00:45:42,960 --> 00:45:46,960
Speaker 1: into this movie for Brian excuse me, for Roman to

848
00:45:47,040 --> 00:45:50,880
Speaker 1: suggest they call Brian, and I was like, okay, okay.

849
00:45:50,880 --> 00:45:53,880
Speaker 1: They threw it in there, and you know, he says

850
00:45:53,920 --> 00:45:59,120
Speaker 1: Brian would know what to do, he would, yeah, right,

851
00:46:01,320 --> 00:46:06,399
Speaker 1: But man, Letty rejects the idea immediately. She shoots it down. No,

852
00:46:07,080 --> 00:46:10,719
Speaker 1: we promise not to bring him and Mia and of

853
00:46:10,760 --> 00:46:13,560
Speaker 1: course Jack and their and their other baby that we

854
00:46:13,560 --> 00:46:16,640
Speaker 1: don't even know the name of into any more dangerous activity.

855
00:46:16,640 --> 00:46:16,960
Speaker 2: I don't know.

856
00:46:16,960 --> 00:46:19,080
Speaker 1: I was just like I was waiting for it. Actually

857
00:46:19,080 --> 00:46:20,480
Speaker 1: I wasn't waiting for it. Was like, how are they

858
00:46:20,480 --> 00:46:22,960
Speaker 1: gonna do this? Are they even going to mention him?

859
00:46:23,680 --> 00:46:28,080
Speaker 1: And they did, and it was just a Nope, we

860
00:46:28,120 --> 00:46:32,879
Speaker 1: can't call him, even though his best friend, even though

861
00:46:33,160 --> 00:46:38,560
Speaker 1: his brother in law has gone crazy, gone rogue, He's

862
00:46:38,560 --> 00:46:40,239
Speaker 1: busy being a dad. He's still trying to figure out

863
00:46:40,280 --> 00:46:42,759
Speaker 1: how to open the van door. So I just just

864
00:46:42,840 --> 00:46:44,560
Speaker 1: leave him be. But anyway, they did, and I was

865
00:46:44,600 --> 00:46:47,400
Speaker 1: actually like, okay, fair enough. At least he slipped that

866
00:46:47,480 --> 00:46:53,239
Speaker 1: in there, all right. So when Dom shows signs of

867
00:46:53,239 --> 00:46:55,600
Speaker 1: frustration with Cipher because he's getting a little tired of

868
00:46:55,600 --> 00:47:02,600
Speaker 1: this bull crap, she takes him to see his ex

869
00:47:02,760 --> 00:47:09,640
Speaker 1: lover and DSS agent Elena Nevis and their son, whose

870
00:47:09,680 --> 00:47:13,720
Speaker 1: existence Dom was unaware of. I mean, you know, before

871
00:47:13,760 --> 00:47:17,600
Speaker 1: the start of this movie at least having kidnapped both

872
00:47:17,640 --> 00:47:21,640
Speaker 1: of them to secure Dom's loyalty and turn on his team.

873
00:47:21,760 --> 00:47:28,840
Speaker 1: Here is we've now seen what was on the phone, right, Yeah, well, actually,

874
00:47:29,440 --> 00:47:34,960
Speaker 1: what's the baby on the phone? Was? Could have Elena

875
00:47:35,040 --> 00:47:40,600
Speaker 1: been enough to turn down? Okay, I don't know. So

876
00:47:42,400 --> 00:47:45,399
Speaker 1: he then immediately and seeing the phone, knows it's his kid,

877
00:47:46,040 --> 00:47:48,279
Speaker 1: and it's like, well, I did have sex with her

878
00:47:48,320 --> 00:47:54,360
Speaker 1: in Brazil there that one time. The looks at the

879
00:47:54,440 --> 00:47:56,640
Speaker 1: kid should have been wearing a tidy tank top. By

880
00:47:56,680 --> 00:48:01,960
Speaker 1: the way, big miss, tiny necklace, tiny tank top, no

881
00:48:02,160 --> 00:48:06,160
Speaker 1: combat boots. Yeah right, that would have been very cuy.

882
00:48:06,200 --> 00:48:09,719
Speaker 2: Yes, in my mind, there's a scene that was cut

883
00:48:09,760 --> 00:48:13,520
Speaker 2: away from right. It's like he's like, oh my god,

884
00:48:14,200 --> 00:48:18,160
Speaker 2: cut but then the scene is actually, yes, Dom, that's

885
00:48:18,440 --> 00:48:23,040
Speaker 2: your son. His middle name is Marcos, doesn't have.

886
00:48:23,040 --> 00:48:26,719
Speaker 1: A first first name. I wrote that down. So what's

887
00:48:26,719 --> 00:48:31,200
Speaker 1: the baby's name? Blank? Marcos Neves waiting for you to

888
00:48:31,239 --> 00:48:39,200
Speaker 1: come around. What just named the kid? Was great? Yeah,

889
00:48:39,200 --> 00:48:39,719
Speaker 1: what'll she say?

890
00:48:39,760 --> 00:48:42,800
Speaker 3: When I realized I was pregnant? You had just realized

891
00:48:42,920 --> 00:48:46,799
Speaker 3: Letty was alive. I was gonna tell you after your honeymoon.

892
00:48:48,880 --> 00:48:52,680
Speaker 3: I think there were opportunities, like you should have mentioned it, you,

893
00:48:53,920 --> 00:48:56,759
Speaker 3: of any people, to mention it to the guy who

894
00:48:56,840 --> 00:49:01,000
Speaker 3: was com constantly talking about family, like, you're probably gonna

895
00:49:01,000 --> 00:49:03,400
Speaker 3: be able to slide it in here, cauz. What I

896
00:49:03,440 --> 00:49:06,840
Speaker 3: guess is it at the end of Fast five that

897
00:49:07,000 --> 00:49:10,040
Speaker 3: Neves and Hobbs go and tell Dom and.

898
00:49:10,000 --> 00:49:13,240
Speaker 1: The crew you're fine, You're you're all free. It's that easy.

899
00:49:13,320 --> 00:49:15,239
Speaker 3: Yeah, Yeah, that would have been the time to me,

900
00:49:15,320 --> 00:49:18,839
Speaker 3: because Dom even says like, you can stay here if

901
00:49:18,880 --> 00:49:21,680
Speaker 3: you want. She's like, nah, I'm heading back to my family,

902
00:49:22,440 --> 00:49:25,160
Speaker 3: not my son, the cops. I'm heading back to work

903
00:49:25,200 --> 00:49:28,799
Speaker 3: with the cops. Like have the conversation. Then this is

904
00:49:28,880 --> 00:49:31,360
Speaker 3: and I guess it's not totally after the honeymoon, but

905
00:49:31,760 --> 00:49:34,040
Speaker 3: it seems like the perfect time to get your cards

906
00:49:34,040 --> 00:49:37,120
Speaker 3: on the table here, considering you know, Dom is gonna

907
00:49:37,120 --> 00:49:38,839
Speaker 3: be all over the place, like there's a chance they

908
00:49:38,880 --> 00:49:42,719
Speaker 3: never run into each other again. I think I missed

909
00:49:42,760 --> 00:49:44,600
Speaker 3: opportunity by Nevis, to be quite honest.

910
00:49:44,760 --> 00:49:47,799
Speaker 1: Yeah, yeah, Nevis definitely telling Dom she wanted him to

911
00:49:47,880 --> 00:49:49,879
Speaker 1: decide on the child's first name. It's like that thing

912
00:49:49,920 --> 00:49:52,120
Speaker 1: you got to see the baby. Yeah, see the baby

913
00:49:52,120 --> 00:49:55,479
Speaker 1: before you name the baby. But Marcos that's the middle name.

914
00:49:55,920 --> 00:49:59,280
Speaker 1: We get, uh, we get some acting here from Vin

915
00:49:59,400 --> 00:50:01,440
Speaker 1: JD Double Tears.

916
00:50:02,160 --> 00:50:05,279
Speaker 2: Nora noted Loo's totally fake to me.

917
00:50:05,600 --> 00:50:08,040
Speaker 1: That was exactly what she said that I've.

918
00:50:07,880 --> 00:50:12,000
Speaker 2: Seen in these movies, Like I've thought, are those just

919
00:50:12,080 --> 00:50:14,480
Speaker 2: glued on there? Because they were just they were lingering

920
00:50:14,520 --> 00:50:19,399
Speaker 2: for so long and then finally one drops. I was like, man,

921
00:50:19,480 --> 00:50:21,560
Speaker 2: that's me every morning when I put my eye drops

922
00:50:21,600 --> 00:50:24,759
Speaker 2: in it every day, you know, it did not look

923
00:50:24,920 --> 00:50:27,960
Speaker 2: real at all. But I don't know. I mean, I

924
00:50:28,560 --> 00:50:29,440
Speaker 2: I honestly don't know.

925
00:50:30,120 --> 00:50:33,000
Speaker 1: Are are they on the plane right now? Is this

926
00:50:33,040 --> 00:50:37,879
Speaker 1: where the cell is? Okay? Yeah, this glass box that

927
00:50:38,440 --> 00:50:40,520
Speaker 1: never send the babies in. Okay, that's what I thought.

928
00:50:41,719 --> 00:50:45,239
Speaker 1: I just want to make sure. Uh yeah, he's he's

929
00:50:45,239 --> 00:50:47,400
Speaker 1: broken up about it. Don't worry. We see a necklace

930
00:50:47,440 --> 00:50:49,440
Speaker 1: in one of these shots that's going to become important

931
00:50:49,800 --> 00:50:52,960
Speaker 1: later on. I can't believe that this necklace is turning

932
00:50:53,120 --> 00:50:56,000
Speaker 1: more and more into a more character in this series.

933
00:50:56,120 --> 00:50:59,400
Speaker 3: It's it's just add Cipher and Roads to the list

934
00:50:59,440 --> 00:51:02,240
Speaker 3: of characters who have shared a scene with this necklace.

935
00:51:02,600 --> 00:51:05,040
Speaker 1: This necklace, like I would say, it probably.

936
00:51:04,680 --> 00:51:08,839
Speaker 3: Goes Dom number one, Brian's still number two, and then

937
00:51:08,960 --> 00:51:11,640
Speaker 3: necklace is probably coming in number three for the biggest

938
00:51:12,160 --> 00:51:12,840
Speaker 3: This one.

939
00:51:12,960 --> 00:51:17,160
Speaker 1: Huge necklace plays a massive part. No one noticed the

940
00:51:17,200 --> 00:51:21,279
Speaker 1: blinking necklace now, but or just kept it there the

941
00:51:21,280 --> 00:51:21,759
Speaker 1: whole time.

942
00:51:21,840 --> 00:51:23,200
Speaker 2: Yeah, where.

943
00:51:24,840 --> 00:51:26,960
Speaker 3: It's just on a bar, just a bar or a

944
00:51:27,320 --> 00:51:29,239
Speaker 3: nail that was sticking hill like that.

945
00:51:29,280 --> 00:51:33,160
Speaker 1: We'll keep that up there. It's like a yeah, it's

946
00:51:33,200 --> 00:51:37,680
Speaker 1: like a baby ornament for the little Marcos there pod Okay,

947
00:51:37,960 --> 00:51:42,839
Speaker 1: So anything else with this reveal here really to uh,

948
00:51:43,040 --> 00:51:46,720
Speaker 1: at least to to the audience. You know, there's a baby,

949
00:51:46,840 --> 00:51:50,000
Speaker 1: it's his Oh my god, Now it makes sense. Now

950
00:51:50,040 --> 00:51:53,840
Speaker 1: we know why he's doing this true family over just

951
00:51:54,560 --> 00:51:59,640
Speaker 1: the other family than water. Yeah, okay, nothing else that

952
00:52:00,680 --> 00:52:04,440
Speaker 1: In New York City, let's go there, Cipher sends Dom

953
00:52:04,560 --> 00:52:08,520
Speaker 1: in a seventy one Plymouth GTX to retrieve a nuclear football,

954
00:52:08,560 --> 00:52:12,000
Speaker 1: which is the briefcase with codes held by the Russian

955
00:52:12,160 --> 00:52:19,200
Speaker 1: Minister of Defense prior to the theft. Dom briefly evades

956
00:52:19,640 --> 00:52:26,239
Speaker 1: Cipher with the help we learned later of Roaldo and

957
00:52:26,800 --> 00:52:34,000
Speaker 1: persuades Deckard and Owen's mother Magdalen, who is Helen Miron,

958
00:52:34,360 --> 00:52:38,960
Speaker 1: to help him. Okay, I got so confused that this

959
00:52:39,120 --> 00:52:42,200
Speaker 1: part in real time at least like the you knew

960
00:52:42,239 --> 00:52:45,000
Speaker 1: Dom was up to something. Of course, he's trying to

961
00:52:45,080 --> 00:52:48,839
Speaker 1: evade God's eye and Cipher watching him with all these

962
00:52:48,880 --> 00:52:53,919
Speaker 1: cameras to meet, like I said, the mother of Shaw

963
00:52:54,040 --> 00:52:56,160
Speaker 1: And I don't know if I tuned out or what

964
00:52:56,280 --> 00:52:58,520
Speaker 1: I was doing while watching this, but this is a

965
00:52:58,520 --> 00:53:01,839
Speaker 1: pretty quick scene. Am I wrong? Between the original scene,

966
00:53:01,840 --> 00:53:03,799
Speaker 1: I know there's some like little little flashbacks, I guess

967
00:53:03,840 --> 00:53:09,640
Speaker 1: but between dom And and missus Shaw right JD like

968
00:53:09,640 --> 00:53:13,000
Speaker 1: like almost remind me what happens here because they come

969
00:53:13,080 --> 00:53:14,840
Speaker 1: up with the plan, I guess, but we as the

970
00:53:14,880 --> 00:53:16,799
Speaker 1: audience don't really know the full We.

971
00:53:16,760 --> 00:53:19,160
Speaker 2: Don't know what the plan is. It's it is very

972
00:53:19,280 --> 00:53:23,239
Speaker 2: quick and you know, I was very successful turning my

973
00:53:23,239 --> 00:53:25,960
Speaker 2: brain off before watching this movie, so as I was

974
00:53:26,040 --> 00:53:33,640
Speaker 2: happily just just following along blissfully unaware. But yeah, I mean,

975
00:53:33,719 --> 00:53:37,719
Speaker 2: how like he enlisted the help of Rolo what's his

976
00:53:37,800 --> 00:53:41,759
Speaker 2: name again, Roaldo, so that we get that payoff, right

977
00:53:41,840 --> 00:53:44,279
Speaker 2: he backed up? Yeah, and later we find out, but

978
00:53:44,320 --> 00:53:47,839
Speaker 2: we don't find out that until later streaming down his

979
00:53:47,920 --> 00:53:53,759
Speaker 2: face is so snata to help you man. But I

980
00:53:54,440 --> 00:53:56,680
Speaker 2: love this kind of stuff where it's just sort of

981
00:53:56,920 --> 00:54:00,600
Speaker 2: you know, I'm gonna evade, I'm putting, I'm tricking the

982
00:54:00,640 --> 00:54:05,000
Speaker 2: people who are who are holding me captive, but yeah,

983
00:54:05,000 --> 00:54:08,000
Speaker 2: they're not much is revealed other than oh, we're meeting

984
00:54:08,200 --> 00:54:11,239
Speaker 2: the Shah mother and uh.

985
00:54:11,080 --> 00:54:13,480
Speaker 1: How does he know? How does he get in contact

986
00:54:13,480 --> 00:54:14,080
Speaker 1: with exactly?

987
00:54:14,200 --> 00:54:17,279
Speaker 2: Don't think about it, states, you can't think about it

988
00:54:17,320 --> 00:54:21,320
Speaker 2: like that. The amount of uh, you know, the timing

989
00:54:21,400 --> 00:54:23,239
Speaker 2: of where they were going to be and the truck

990
00:54:23,320 --> 00:54:26,200
Speaker 2: backing up and the kill switch on the car to

991
00:54:26,280 --> 00:54:30,080
Speaker 2: make it, you know, stop working and they excuse to

992
00:54:30,239 --> 00:54:33,200
Speaker 2: pull you know, that whole all of the orchestration is

993
00:54:33,280 --> 00:54:38,520
Speaker 2: just whatever. Yeah, it's my magic spark, like my past.

994
00:54:39,560 --> 00:54:43,120
Speaker 2: But yeah, I mean, uh, honestly, I was just so

995
00:54:43,280 --> 00:54:45,840
Speaker 2: thrilled to see Helen Mirren and just be like, Okay,

996
00:54:45,880 --> 00:54:47,799
Speaker 2: here we go, here we go. I loving this.

997
00:54:48,320 --> 00:54:50,880
Speaker 1: So yeah, I know you're right. I shouldn't think about it.

998
00:54:50,960 --> 00:54:53,440
Speaker 1: That's what we're doing here. It's like he either contacted

999
00:54:53,480 --> 00:54:56,759
Speaker 1: her somehow to set up the meeting or Nora's like

1000
00:54:56,920 --> 00:55:01,560
Speaker 1: maybe somehow, Like she's such like sort of a mob

1001
00:55:01,680 --> 00:55:04,120
Speaker 1: boss in a way that she's always at this location

1002
00:55:04,800 --> 00:55:08,160
Speaker 1: is like a far fetched possibilities.

1003
00:55:08,440 --> 00:55:12,280
Speaker 2: He got the impression that she had agreed to see him. Yeah,

1004
00:55:12,480 --> 00:55:17,080
Speaker 2: he was sort of brought in. But yeah, again, I

1005
00:55:17,120 --> 00:55:20,120
Speaker 2: don't know, I have no answer for you. I'm sorry.

1006
00:55:20,400 --> 00:55:24,120
Speaker 3: Okay, yeah, Because I mean Dom would think that Owen

1007
00:55:24,239 --> 00:55:27,680
Speaker 3: Shaw at best, he's still laid up in the hospital,

1008
00:55:29,040 --> 00:55:31,839
Speaker 3: he would still be an enemy of Deckard Shaw. He

1009
00:55:31,880 --> 00:55:34,799
Speaker 3: doesn't know that Shaw is now helping his old crew.

1010
00:55:36,239 --> 00:55:38,440
Speaker 3: But I guess it's Dom's idea to meet up with

1011
00:55:38,520 --> 00:55:42,520
Speaker 3: Magdalene and suddenly Dom despite finding out that he became

1012
00:55:42,560 --> 00:55:45,680
Speaker 3: a parent like fifteen minutes ago. He's like giving her

1013
00:55:45,719 --> 00:55:49,279
Speaker 3: parenting advice as like a seven year old woman, like,

1014
00:55:49,640 --> 00:55:52,719
Speaker 3: you're the expert. You didn't even know that your son

1015
00:55:52,800 --> 00:55:57,480
Speaker 3: was alive. Such a yeah, exactly. But I love the

1016
00:55:57,520 --> 00:56:00,680
Speaker 3: way that, basically the Helen Mirren character came about is

1017
00:56:01,080 --> 00:56:03,400
Speaker 3: she saw Fast seven and was like, it would be

1018
00:56:03,440 --> 00:56:04,160
Speaker 3: awesome to be a.

1019
00:56:04,080 --> 00:56:07,319
Speaker 1: Bad guy in one of these movies. And they're like, hey,

1020
00:56:07,360 --> 00:56:09,640
Speaker 1: you're a bad guy one of these movies right away.

1021
00:56:09,800 --> 00:56:12,680
Speaker 2: Yeah, that's awesome. It's so great.

1022
00:56:13,400 --> 00:56:16,600
Speaker 1: All right, So yeah this you gotta yeah a little

1023
00:56:16,920 --> 00:56:19,520
Speaker 1: let let let go of reality here, at least in

1024
00:56:19,560 --> 00:56:21,480
Speaker 1: terms of I think setting up this, like when did

1025
00:56:21,480 --> 00:56:23,520
Speaker 1: he do it? How is he not being tracked by cipher?

1026
00:56:23,560 --> 00:56:25,879
Speaker 1: When this is going on God's Eye? All they tell

1027
00:56:25,960 --> 00:56:29,480
Speaker 1: us is like cameras everywhere, blah blah blah. He's in

1028
00:56:29,520 --> 00:56:32,920
Speaker 1: another restaurant, there's no security, there's no one with other

1029
00:56:33,000 --> 00:56:35,520
Speaker 1: cell phones around. I thought this thing also picked up uh,

1030
00:56:35,880 --> 00:56:39,640
Speaker 1: you know audio too this godside. Couldn't they be hearing

1031
00:56:39,719 --> 00:56:43,399
Speaker 1: all of this anyway? It answer an electron like, yeah,

1032
00:56:43,480 --> 00:56:48,799
Speaker 1: chronic device like hack that one. Yeah. So we then

1033
00:56:48,880 --> 00:56:51,480
Speaker 1: get somewhere in here the scene the team at the

1034
00:56:51,480 --> 00:56:56,080
Speaker 1: toy shop where they're in New York. They're there have

1035
00:56:56,239 --> 00:56:59,359
Speaker 1: their their choice of all these vehicles that have been

1036
00:56:59,400 --> 00:57:02,760
Speaker 1: seized and you know, mainly from drug lords and stuff

1037
00:57:02,800 --> 00:57:05,319
Speaker 1: like that, but there's some military vehicles in here. Let's

1038
00:57:05,360 --> 00:57:09,160
Speaker 1: get some more building between the characters, especially Hobson Shaw

1039
00:57:09,200 --> 00:57:11,680
Speaker 1: and one of these scenes at the toy shop where

1040
00:57:11,680 --> 00:57:15,200
Speaker 1: they're you know, bonding over weird threats back and forth

1041
00:57:15,239 --> 00:57:18,040
Speaker 1: to each other and engine blocks and stuff like that,

1042
00:57:18,640 --> 00:57:21,520
Speaker 1: just you know, just building that romance. And I'm sure

1043
00:57:21,600 --> 00:57:22,640
Speaker 1: Rachel was loving this scene.

1044
00:57:22,720 --> 00:57:26,040
Speaker 2: Oh totally totally. That's when she said the fastened by

1045
00:57:26,120 --> 00:57:29,280
Speaker 2: curious line, and then they're started starting to soften up

1046
00:57:29,520 --> 00:57:32,520
Speaker 2: to one another. Yeah, that sort of jab jab jab,

1047
00:57:32,560 --> 00:57:35,160
Speaker 2: and then they both sort of goay, got me.

1048
00:57:35,680 --> 00:57:38,520
Speaker 1: They said that was another rock ad lib.

1049
00:57:39,080 --> 00:57:41,640
Speaker 3: That last line, He's like, I'm gonna kick your teeth

1050
00:57:41,680 --> 00:57:44,600
Speaker 3: so far down your throat you gotta.

1051
00:57:44,040 --> 00:57:46,680
Speaker 1: Brush a tooth brush on your ass to brush your teeth.

1052
00:57:47,000 --> 00:57:49,720
Speaker 3: That was apparently a rock ad lib that they both

1053
00:57:49,760 --> 00:57:51,680
Speaker 3: reacted to, and they kept it and you can tell

1054
00:57:51,760 --> 00:57:54,960
Speaker 3: Jason Statham's laughing, and I guess I don't know. It

1055
00:57:54,960 --> 00:57:57,080
Speaker 3: seems to me that you only hear these stories about

1056
00:57:57,120 --> 00:57:59,400
Speaker 3: this movie about the Rock. Maybe everybody else is sticking

1057
00:57:59,400 --> 00:58:01,000
Speaker 3: to the script, or maybe he's just got a better

1058
00:58:01,040 --> 00:58:02,760
Speaker 3: agent who wants to get that stuff out there. But

1059
00:58:03,240 --> 00:58:06,640
Speaker 3: anytime I see one of these insults is just something

1060
00:58:06,680 --> 00:58:08,440
Speaker 3: off the top of the dome from Dwayne Johnson.

1061
00:58:08,480 --> 00:58:10,520
Speaker 1: I'm like, I believe it. I don't really believe it.

1062
00:58:10,600 --> 00:58:13,760
Speaker 1: Let him go. So we now get another action scene here,

1063
00:58:13,800 --> 00:58:17,160
Speaker 1: because like I told you, Cipher has Dom trying to

1064
00:58:17,160 --> 00:58:21,760
Speaker 1: get this suitcase from this the Russian Minister of Defense.

1065
00:58:22,600 --> 00:58:27,600
Speaker 1: Cipher hacks into the electronic systems of many cars, remotely

1066
00:58:27,640 --> 00:58:30,640
Speaker 1: controlling them by way of auto drive, causing them to

1067
00:58:30,760 --> 00:58:34,080
Speaker 1: disable the convoy so that Dom can take the football.

1068
00:58:34,400 --> 00:58:36,360
Speaker 1: This is a long, long scene here, but these are

1069
00:58:36,400 --> 00:58:38,440
Speaker 1: all those cars you're seeing, all these pile ups that

1070
00:58:38,480 --> 00:58:40,360
Speaker 1: Tray was seeing in Cleveland when they were shooting this

1071
00:58:40,440 --> 00:58:43,600
Speaker 1: back in twenty sixteen. It's happening in NYC. Of course.

1072
00:58:44,160 --> 00:58:48,720
Speaker 1: The team, though, intercepts Dom in their cars with a

1073
00:58:48,760 --> 00:58:51,920
Speaker 1: whole bunch of car boots. Yeah, oh man, they're back.

1074
00:58:52,160 --> 00:58:56,720
Speaker 1: So many of them, but he somehow escapes this and

1075
00:58:56,760 --> 00:59:00,240
Speaker 1: then seemingly kills Deckert in the process. I meant some

1076
00:59:00,280 --> 00:59:01,000
Speaker 1: point plank.

1077
00:59:01,360 --> 00:59:02,040
Speaker 2: Yeah.

1078
00:59:02,280 --> 00:59:05,680
Speaker 1: Letty then catches up to Dom. Uh you know, she's

1079
00:59:05,680 --> 00:59:08,240
Speaker 1: got the pick six on the nuclear football here, but

1080
00:59:09,840 --> 00:59:14,160
Speaker 1: she's ambushed and then nearly killed by Cipher's enforcer torment

1081
00:59:14,440 --> 00:59:19,360
Speaker 1: Or Connor Rhodes, before Dom stops him. And then in retaliation,

1082
00:59:19,920 --> 00:59:23,800
Speaker 1: Cipher has Rhodes execute Nevis in front of Dom and

1083
00:59:23,840 --> 00:59:26,439
Speaker 1: then threatening to kill his son. Next, so we get

1084
00:59:26,440 --> 00:59:29,960
Speaker 1: the zombie cars. Jd Well, were you a fan of

1085
00:59:30,000 --> 00:59:30,560
Speaker 1: this scene?

1086
00:59:30,760 --> 00:59:34,800
Speaker 2: I was, Okay, I thought, you know, again, who cares?

1087
00:59:35,120 --> 00:59:37,400
Speaker 2: This is awesome? Look at all those cars, Like there's

1088
00:59:37,440 --> 00:59:40,280
Speaker 2: an overhead shot of all the cars. They literally look

1089
00:59:40,480 --> 00:59:43,880
Speaker 2: like zombies I've seen in a million zombie movies. Yep,

1090
00:59:44,080 --> 00:59:48,640
Speaker 2: just running and just crashing into stuff. And you know,

1091
00:59:48,760 --> 00:59:51,960
Speaker 2: as somebody who's a little bit afraid of AI, it

1092
00:59:52,080 --> 00:59:54,480
Speaker 2: kind of got you know, gave me the heb gbs

1093
00:59:54,520 --> 00:59:57,640
Speaker 2: a little bit, you know, like sure could this happen?

1094
00:59:57,760 --> 01:00:01,520
Speaker 2: I don't know, It's semi plausible at least. I mean,

1095
01:00:01,520 --> 01:00:05,320
Speaker 2: they have self driving cars. I mean, you know, when

1096
01:00:05,600 --> 01:00:08,040
Speaker 2: when she's like make it rain and the cars are

1097
01:00:08,120 --> 01:00:11,240
Speaker 2: just you know, falling from the sky. Is just it

1098
01:00:11,320 --> 01:00:16,120
Speaker 2: was cool. The harpoon scene was was you know, there's

1099
01:00:16,160 --> 01:00:20,439
Speaker 2: this moment where he's shaking them off one by one.

1100
01:00:20,600 --> 01:00:25,680
Speaker 2: Roman Fine, okay, but when the rock the rocks harpoon

1101
01:00:25,800 --> 01:00:29,720
Speaker 2: is in the driver's side door, and you know he

1102
01:00:29,720 --> 01:00:33,160
Speaker 2: doesn't open the door, he just rams the door with

1103
01:00:33,240 --> 01:00:36,400
Speaker 2: his shoulder. The shoulder. He's been shot in twice by

1104
01:00:36,440 --> 01:00:39,720
Speaker 2: my cat already. So but and then it was enough

1105
01:00:39,760 --> 01:00:44,520
Speaker 2: to you know, the cargoes flipping flying and it's just like,

1106
01:00:45,400 --> 01:00:49,200
Speaker 2: you know, okay, sure, I mean, you know, it's just

1107
01:00:49,280 --> 01:00:53,080
Speaker 2: fun to see the harpoons and everybody like everything has

1108
01:00:53,120 --> 01:00:55,919
Speaker 2: to be done in cars, right, Like you can't get

1109
01:00:55,920 --> 01:01:00,320
Speaker 2: out and grab them or anything. It's gotta be gott

1110
01:01:00,320 --> 01:01:01,120
Speaker 2: to be from a car.

1111
01:01:01,240 --> 01:01:05,720
Speaker 1: So, I mean, I just didn't understand how he got

1112
01:01:05,720 --> 01:01:12,160
Speaker 1: out of a like basically roped carpooned by five different vehicles,

1113
01:01:12,520 --> 01:01:15,640
Speaker 1: And it was so confused. All they kept saying for like,

1114
01:01:15,720 --> 01:01:18,720
Speaker 1: the reason was they just kept amping up how much

1115
01:01:18,720 --> 01:01:21,280
Speaker 1: work in the car. That's all he kept saying, is

1116
01:01:21,320 --> 01:01:23,720
Speaker 1: like oh thousand, note two thousand. Nope, somebody says like

1117
01:01:23,720 --> 01:01:25,480
Speaker 1: three thousands like, oh, okay, that that.

1118
01:01:25,560 --> 01:01:32,760
Speaker 2: Explains it says, try five thousands, okay, Llion, it's a.

1119
01:01:32,720 --> 01:01:35,440
Speaker 1: Lot because you have him pinned and he's somehow like

1120
01:01:35,840 --> 01:01:39,280
Speaker 1: shaking you off, like a wild like Stallion or something

1121
01:01:39,360 --> 01:01:40,320
Speaker 1: like bull or something.

1122
01:01:40,680 --> 01:01:43,480
Speaker 3: He knows to go for Roman. I think that's the key. Roman,

1123
01:01:44,160 --> 01:01:47,400
Speaker 3: Roman's the weak link here that you know. He when

1124
01:01:47,400 --> 01:01:49,680
Speaker 3: they did the drop out of the plane, he got

1125
01:01:49,720 --> 01:01:52,160
Speaker 3: lost in the woods. He eventually comes back to help

1126
01:01:52,240 --> 01:01:56,080
Speaker 3: save them, and he couldn't talk the box into the

1127
01:01:56,120 --> 01:01:56,920
Speaker 3: police station.

1128
01:01:57,600 --> 01:01:58,840
Speaker 1: Uh in fast five.

1129
01:01:58,960 --> 01:02:02,280
Speaker 3: So Dom's look when push comes the shove, I'm just

1130
01:02:02,320 --> 01:02:04,439
Speaker 3: gonna I'm just gonna smash into room. And he cares

1131
01:02:04,480 --> 01:02:06,760
Speaker 3: more about having a cool car than actually being able

1132
01:02:06,800 --> 01:02:09,000
Speaker 3: to use it, so he smacks into it. I was

1133
01:02:09,080 --> 01:02:12,200
Speaker 3: dying laughing at two lines in this. The first is

1134
01:02:12,240 --> 01:02:15,040
Speaker 3: from Cipher, who, like, you know, she's like, find all

1135
01:02:15,080 --> 01:02:16,560
Speaker 3: of the cars we can hack, and.

1136
01:02:16,520 --> 01:02:19,439
Speaker 1: They're like, there's over a thousand of them, hack them all,

1137
01:02:26,560 --> 01:02:29,320
Speaker 1: hack them all. That to me was hilarious.

1138
01:02:29,920 --> 01:02:33,160
Speaker 3: And then once they have carpooned Domb, I think it's

1139
01:02:33,240 --> 01:02:36,320
Speaker 3: Letty who says the line watch the drag or the

1140
01:02:36,440 --> 01:02:37,720
Speaker 3: line will snap that.

1141
01:02:38,280 --> 01:02:41,560
Speaker 1: I'm like that's what you say when you're bass fishing.

1142
01:02:41,280 --> 01:02:44,560
Speaker 3: Not when you're trying to catch a guy in a car.

1143
01:02:44,880 --> 01:02:46,640
Speaker 3: I'm like, yeah, you gotta set your drag to make

1144
01:02:46,680 --> 01:02:49,960
Speaker 3: sure it doesn't pull too hard on you. Uh, But

1145
01:02:50,200 --> 01:02:52,160
Speaker 3: you know, we also get another call back a little

1146
01:02:52,200 --> 01:02:55,800
Speaker 3: bit later, Dombu Shaw tracks down domb after they're both

1147
01:02:55,840 --> 01:02:58,760
Speaker 3: out of their cars after he's escaped from the carpoons.

1148
01:02:59,160 --> 01:03:01,000
Speaker 1: They thought this was good to be a street fight.

1149
01:03:01,720 --> 01:03:06,880
Speaker 3: Blastom, completely blastom. I think he hit them twice before

1150
01:03:06,920 --> 01:03:09,120
Speaker 3: they go off. And then you know, Dom is pretty

1151
01:03:09,160 --> 01:03:13,320
Speaker 3: cavalier with the nuclear football, like, let he just takes it.

1152
01:03:13,240 --> 01:03:16,880
Speaker 1: From him, no problem. But is this a part of

1153
01:03:16,920 --> 01:03:18,480
Speaker 1: Dom's plan? Do you think?

1154
01:03:18,520 --> 01:03:21,120
Speaker 3: So that was his original plan? Like me made me

1155
01:03:21,200 --> 01:03:23,560
Speaker 3: do all this kind of stuff. But I mean he

1156
01:03:23,840 --> 01:03:26,120
Speaker 3: just had the meeting, Like what's he setting up with

1157
01:03:26,280 --> 01:03:28,960
Speaker 3: Shaw's mom If this is the original plan to have

1158
01:03:29,080 --> 01:03:32,240
Speaker 3: Lety come and take the threat, Yeah, I mean improvising

1159
01:03:32,320 --> 01:03:34,400
Speaker 3: is what they do best, so clearly they're trying to

1160
01:03:34,400 --> 01:03:36,960
Speaker 3: get on the same page there. But I did think

1161
01:03:37,000 --> 01:03:39,280
Speaker 3: Dom should have been a little bit more protective now

1162
01:03:39,320 --> 01:03:43,960
Speaker 3: that he is stealing nuclear launch codes. Yeah, that's quite

1163
01:03:44,040 --> 01:03:47,160
Speaker 3: a level up for Dom Toretta. There's a little bit

1164
01:03:47,200 --> 01:03:50,960
Speaker 3: later on where Cipher is kind of like berating him.

1165
01:03:50,960 --> 01:03:53,840
Speaker 3: He's She's like this has gotten too big for you. You know,

1166
01:03:55,280 --> 01:03:56,880
Speaker 3: we're doing all this kind of stuff, and like at

1167
01:03:56,880 --> 01:04:00,880
Speaker 3: this point, Dom has then stolen this EMP and nuclear

1168
01:04:00,960 --> 01:04:05,280
Speaker 3: launch codes. I wish he was like, you're right, I

1169
01:04:05,320 --> 01:04:07,280
Speaker 3: was just trying to steal DVDs, like.

1170
01:04:08,280 --> 01:04:11,600
Speaker 1: I just wanted to television. Can I just take my

1171
01:04:11,680 --> 01:04:15,000
Speaker 1: family and go home and leave the life? Ryan's loving it.

1172
01:04:15,000 --> 01:04:18,600
Speaker 1: We don't even call that guy anymore. Can I go

1173
01:04:18,640 --> 01:04:22,120
Speaker 1: to the beach. That's a great point, I will say too.

1174
01:04:22,440 --> 01:04:24,880
Speaker 1: With the zombie cars, it did look cool. Looked like

1175
01:04:24,920 --> 01:04:28,040
Speaker 1: they literally crashed like a thousand cars in this scene.

1176
01:04:28,400 --> 01:04:31,960
Speaker 1: I didn't mind the idea to slow down the limo

1177
01:04:32,040 --> 01:04:35,680
Speaker 1: that had the Russian Ministry of Defense like by just

1178
01:04:35,720 --> 01:04:38,720
Speaker 1: like dropping a million cars and basically blocking them. And

1179
01:04:38,720 --> 01:04:41,200
Speaker 1: that's when Dom, like badass Dom comes up with the

1180
01:04:42,160 --> 01:04:46,800
Speaker 1: well chainsaw basically swat gear. Yeah. I was like, alright, Dom,

1181
01:04:46,840 --> 01:04:48,800
Speaker 1: you know, probably has a little overkill, I think, but

1182
01:04:49,000 --> 01:04:52,480
Speaker 1: uh yeah, thought that that part looked. It did look cool.

1183
01:04:52,560 --> 01:04:54,840
Speaker 1: How they like pinned it down, I guess to then

1184
01:04:54,920 --> 01:04:57,920
Speaker 1: ultimately get the briefcase. Yeah, and what and what you

1185
01:04:57,920 --> 01:05:00,960
Speaker 1: think about? Were shocked at all when Cipher and Connor

1186
01:05:01,240 --> 01:05:04,600
Speaker 1: basically kill Nevis and they're like, well, you know, you

1187
01:05:05,400 --> 01:05:07,680
Speaker 1: basically blew this or you didn't do as well as

1188
01:05:07,680 --> 01:05:10,560
Speaker 1: you should have, and we're we're amping up the stakes

1189
01:05:10,600 --> 01:05:12,560
Speaker 1: here and we're killing her. I mean, if she dead,

1190
01:05:12,640 --> 01:05:15,240
Speaker 1: I don't know. If she comes back, then I'm done.

1191
01:05:16,160 --> 01:05:19,160
Speaker 3: She got to be dead, if I mean, if she

1192
01:05:19,280 --> 01:05:22,040
Speaker 3: comes back, she has to be dead. If she comes

1193
01:05:22,080 --> 01:05:25,640
Speaker 3: back like the ultimate fake out by Cipher, because that

1194
01:05:25,640 --> 01:05:28,880
Speaker 3: would have meant I guess Cipher like hooks a bulletproof

1195
01:05:28,960 --> 01:05:31,360
Speaker 3: vest on her before shooting her.

1196
01:05:31,720 --> 01:05:34,480
Speaker 1: Hey, she's next level though, I would have passed her.

1197
01:05:34,800 --> 01:05:41,000
Speaker 2: Yeah exactly. I mean, you know it was I think

1198
01:05:41,040 --> 01:05:42,840
Speaker 2: it was her plan all along. It was just a

1199
01:05:42,840 --> 01:05:45,000
Speaker 2: matter of when she was going to kill her, and

1200
01:05:45,720 --> 01:05:49,360
Speaker 2: that just it just added to her villainous you know,

1201
01:05:49,520 --> 01:05:52,200
Speaker 2: Like I just hope that she doesn't end up on

1202
01:05:52,240 --> 01:05:56,040
Speaker 2: their team, you know, down the road, because just one

1203
01:05:56,040 --> 01:05:58,960
Speaker 2: thing to kill Han, you know, at for revenge, but

1204
01:05:59,040 --> 01:06:02,480
Speaker 2: to kill you know, a mother in front of her

1205
01:06:02,680 --> 01:06:06,680
Speaker 2: baby son and the father of that child. If she

1206
01:06:06,840 --> 01:06:10,400
Speaker 2: ends up on the team, then that's when I'm out,

1207
01:06:10,760 --> 01:06:11,920
Speaker 2: you know, Okay.

1208
01:06:11,800 --> 01:06:15,240
Speaker 1: I'll do it for you. Yeah, Nevis Man. She she

1209
01:06:15,560 --> 01:06:18,760
Speaker 1: is a tragic character in this Yeah, Fast and Furious

1210
01:06:18,800 --> 01:06:21,160
Speaker 1: franchise when you really think about it, like how she

1211
01:06:21,280 --> 01:06:24,240
Speaker 1: got into this and what's happened to her? Not a

1212
01:06:24,240 --> 01:06:26,840
Speaker 1: lot of good and now she's in very dead. I

1213
01:06:26,840 --> 01:06:29,440
Speaker 1: would like to think she's at least gone bang Bank,

1214
01:06:29,440 --> 01:06:33,480
Speaker 1: who's taken care of a little little Marcos there after her.

1215
01:06:33,600 --> 01:06:36,480
Speaker 1: Uh oh, that's good question. You know we never got.

1216
01:06:36,480 --> 01:06:42,439
Speaker 1: We never got. They've gotta be a hacker. Mat he's

1217
01:06:42,440 --> 01:06:48,240
Speaker 1: such a good dance. Yeah, you're doing great, honey, that's great.

1218
01:06:48,360 --> 01:06:51,240
Speaker 1: I hope so, I hope so because like I thought,

1219
01:06:51,280 --> 01:06:53,560
Speaker 1: we might get a weird part like you see in

1220
01:06:53,560 --> 01:06:56,320
Speaker 1: a million times in movies like this before, like Cipher,

1221
01:06:56,520 --> 01:06:59,080
Speaker 1: like oh I want that child, or like we learned

1222
01:06:59,080 --> 01:07:02,600
Speaker 1: that Cipher couldn't have children, or that classic thing, and

1223
01:07:02,680 --> 01:07:04,840
Speaker 1: like this one will be mine. But she don't do

1224
01:07:04,840 --> 01:07:07,840
Speaker 1: that at all. She couldn't care less about that baby. Yeah,

1225
01:07:07,920 --> 01:07:14,080
Speaker 1: forget it. Okay. So we basically are now going to Russia.

1226
01:07:14,120 --> 01:07:17,600
Speaker 1: I mean we've been all over the globe here. Tom

1227
01:07:17,760 --> 01:07:22,240
Speaker 1: is going to infiltrate a military separatist base in Russia.

1228
01:07:22,720 --> 01:07:25,320
Speaker 1: You know, a modified sixty eight DODS charger to use

1229
01:07:25,400 --> 01:07:30,320
Speaker 1: the MP device to disable their security and then to

1230
01:07:30,480 --> 01:07:35,600
Speaker 1: disable a nuclear submarine, enabling cipher to hijacket and attempt

1231
01:07:35,640 --> 01:07:38,880
Speaker 1: to use it. It's arsenal to trigger a nuclear war.

1232
01:07:38,920 --> 01:07:41,320
Speaker 1: That's the plan here. This is why we're you know,

1233
01:07:41,520 --> 01:07:44,040
Speaker 1: it was like basically it was like God's eye to

1234
01:07:44,160 --> 01:07:48,320
Speaker 1: the EMP device to now the submarine and then to

1235
01:07:48,840 --> 01:07:52,200
Speaker 1: know nuclear warfare. I guess though, though, though they are

1236
01:07:52,200 --> 01:07:55,440
Speaker 1: once again intercepted by the team who are able to

1237
01:07:55,760 --> 01:07:58,480
Speaker 1: shut down the sub's nuclear weapons and then drive out

1238
01:07:58,480 --> 01:08:00,200
Speaker 1: towards the seagate. That's where we get them on the

1239
01:08:00,240 --> 01:08:03,040
Speaker 1: ice that would prevent sub from leaving into open waters

1240
01:08:03,640 --> 01:08:07,520
Speaker 1: while being pursued by the separatists. Okay, so lots lots

1241
01:08:07,600 --> 01:08:10,080
Speaker 1: lots here. Where did you want to start with this

1242
01:08:10,120 --> 01:08:14,520
Speaker 1: one tray of us in Russia, with this whole plan

1243
01:08:14,560 --> 01:08:15,400
Speaker 1: with the submarine.

1244
01:08:15,960 --> 01:08:19,760
Speaker 3: Great line from Hobbes I think he's talking to it

1245
01:08:19,840 --> 01:08:22,719
Speaker 3: must be little nobody. He's like, you know, stop following

1246
01:08:22,720 --> 01:08:23,840
Speaker 3: all these rules.

1247
01:08:23,600 --> 01:08:29,240
Speaker 1: Saddle up, be a man and save the goddamn world. Yeah,

1248
01:08:29,439 --> 01:08:30,320
Speaker 1: let's go, Bud.

1249
01:08:30,680 --> 01:08:34,599
Speaker 3: I also like that mister Nobody keeps calling Hobbes luke.

1250
01:08:35,000 --> 01:08:37,839
Speaker 3: He calls it duke every time. I think it's funny.

1251
01:08:38,920 --> 01:08:41,160
Speaker 3: But you know, I like the fact that they set

1252
01:08:41,160 --> 01:08:45,000
Speaker 3: this up rather than in Fast six, where you're like,

1253
01:08:45,240 --> 01:08:47,840
Speaker 3: all right, we gotta go take this plane down. That's

1254
01:08:47,880 --> 01:08:49,320
Speaker 3: all they say, you know, they gotta take the plane

1255
01:08:49,320 --> 01:08:51,960
Speaker 3: down and ends up being an eighteen mile runway. This one.

1256
01:08:52,200 --> 01:08:54,840
Speaker 3: They're getting you ready for it. They're like, it's ten

1257
01:08:54,920 --> 01:08:58,400
Speaker 3: miles away. We're gonna be driving on this for ten miles,

1258
01:08:58,479 --> 01:09:02,479
Speaker 3: so buckle up. Thanks to get exciting here. I also

1259
01:09:02,640 --> 01:09:05,759
Speaker 3: like once Dom takes down the gates with the EMP

1260
01:09:06,280 --> 01:09:10,200
Speaker 3: and Cipher takes control, because you're not really totally sure

1261
01:09:10,200 --> 01:09:13,519
Speaker 3: what's happening here still, so you have Ramsey literally say

1262
01:09:13,920 --> 01:09:18,160
Speaker 3: in layman's terms, she just carjacked a submarine. Yeah, thank

1263
01:09:18,200 --> 01:09:21,320
Speaker 3: you for the cue position. A great moment with Letty

1264
01:09:21,400 --> 01:09:23,800
Speaker 3: uppercuts a guy and the nuts pushes him into a

1265
01:09:23,880 --> 01:09:32,400
Speaker 3: spinning propeller. Hobbs comes over nasty, we get some more carpooning.

1266
01:09:33,960 --> 01:09:37,759
Speaker 3: You know, a great line from Roman where he shoots

1267
01:09:37,800 --> 01:09:41,439
Speaker 3: a bunch of snowmobilers. You know, there's snowmobilers out there.

1268
01:09:41,439 --> 01:09:45,160
Speaker 3: They've got all kinds of vehicles chasing from Cypher's team

1269
01:09:45,439 --> 01:09:48,560
Speaker 3: number eleven my ass, and then eventually we get the

1270
01:09:48,600 --> 01:09:51,960
Speaker 3: flying Rocketman up on the plane but sticking down on.

1271
01:09:53,560 --> 01:09:55,679
Speaker 1: Like on the on the ice. I think it looks cool.

1272
01:09:55,800 --> 01:09:59,080
Speaker 3: It looks amazing for sure, and I mean there's also

1273
01:09:59,120 --> 01:10:01,640
Speaker 3: the comedy of why in the world Roman would bring

1274
01:10:01,680 --> 01:10:06,040
Speaker 3: a Lamborghini yeah, to Russia, to the Tiger in Russia

1275
01:10:06,040 --> 01:10:08,679
Speaker 3: to be doing this, but uh, it ended up being funny.

1276
01:10:08,680 --> 01:10:10,880
Speaker 3: I think some of the visuals are so good. This

1277
01:10:11,040 --> 01:10:15,879
Speaker 3: is like, if you're talking unbelievable stunts, like somehow destroying

1278
01:10:15,920 --> 01:10:19,360
Speaker 3: a submarine that's underwater, I think probably takes the number one.

1279
01:10:19,400 --> 01:10:21,800
Speaker 3: I don't know if it's more unrealistic than jumping from

1280
01:10:21,920 --> 01:10:25,720
Speaker 3: skyscraper to skyscraper to skyscraper, but I don't know. There

1281
01:10:25,720 --> 01:10:27,439
Speaker 3: are parts of it that definitely work for me. In

1282
01:10:27,479 --> 01:10:29,080
Speaker 3: parts of it where I'm like, okay, so we're just

1283
01:10:29,080 --> 01:10:31,320
Speaker 3: gonna keep turning on and off the propeller. Having this

1284
01:10:31,400 --> 01:10:35,559
Speaker 3: hack off between Cipher and Randy, I was like, Okay,

1285
01:10:35,600 --> 01:10:38,200
Speaker 3: it's like, yeah, we gotta you know, like you're saying, skeets,

1286
01:10:38,280 --> 01:10:41,040
Speaker 3: Ramsey doesn't have much to do in this movie, she's

1287
01:10:41,080 --> 01:10:44,439
Speaker 3: just riding Shotgun with tej for the majority of it.

1288
01:10:44,520 --> 01:10:47,639
Speaker 3: Like give her her own car or something like that.

1289
01:10:47,800 --> 01:10:51,000
Speaker 3: Giselle got to drive her own car, Mia did. Letty

1290
01:10:51,080 --> 01:10:53,679
Speaker 3: obviously does. She's probably the number two driver at this point.

1291
01:10:53,960 --> 01:10:56,240
Speaker 3: Why can't Ramsey drive a car? I think they should

1292
01:10:56,240 --> 01:10:58,800
Speaker 3: have given her some keys. But they finally give her

1293
01:10:58,800 --> 01:11:00,760
Speaker 3: something to do, and it's like, turn don't know, no,

1294
01:11:00,920 --> 01:11:02,519
Speaker 3: she turned it off, Okay, I got to turn it

1295
01:11:02,520 --> 01:11:07,160
Speaker 3: back on. Well okay, so yeah, a lot of backs

1296
01:11:07,200 --> 01:11:10,640
Speaker 3: and forth, but I don't know, there's enough cool parts.

1297
01:11:10,400 --> 01:11:13,320
Speaker 1: That I'm like, this is working for me. Yeah. For

1298
01:11:13,360 --> 01:11:15,960
Speaker 1: some reason, this like little hack off between Cipher and

1299
01:11:16,040 --> 01:11:19,240
Speaker 1: Ramsey reminded me of the scene in The Social Network

1300
01:11:19,280 --> 01:11:22,960
Speaker 1: where they're like, uh, they're having like in the dorm,

1301
01:11:23,080 --> 01:11:26,200
Speaker 1: like a coating battle or something like that. That's all

1302
01:11:26,280 --> 01:11:29,080
Speaker 1: I was reminded of of, Like, dude, they should be

1303
01:11:29,120 --> 01:11:31,800
Speaker 1: doing shots while they do this, getting drunk while they're

1304
01:11:31,800 --> 01:11:34,160
Speaker 1: trying to like, you know, hack each other's hack here.

1305
01:11:34,400 --> 01:11:36,880
Speaker 1: Uh yeah, JD, what do you think of this entire

1306
01:11:37,160 --> 01:11:40,360
Speaker 1: Russian thing? There's a lot going on here, including the

1307
01:11:40,439 --> 01:11:45,280
Speaker 1: rock I guess, just like pushing a bomb away a

1308
01:11:45,320 --> 01:11:49,439
Speaker 1: missile on the ice. Torpedo, yeah, torpedo, Yeah, just steering

1309
01:11:49,479 --> 01:11:49,800
Speaker 1: it in.

1310
01:11:49,800 --> 01:11:52,840
Speaker 2: Another Just get out, get out of your car that

1311
01:11:52,920 --> 01:11:57,120
Speaker 2: you're driving, you know, and slide on the ice and

1312
01:11:57,200 --> 01:12:00,920
Speaker 2: just just gently redirect it to is your enemy's car?

1313
01:12:01,760 --> 01:12:06,439
Speaker 2: I mean, sure, why not? You know? I mean I

1314
01:12:06,479 --> 01:12:09,439
Speaker 2: don't know. Uh. There it had a sub in it.

1315
01:12:09,520 --> 01:12:12,120
Speaker 2: I love subs. Shout out to Crimson Tide, shout out

1316
01:12:12,160 --> 01:12:14,479
Speaker 2: to hunt for at October. You know, like if there's

1317
01:12:14,479 --> 01:12:17,719
Speaker 2: a sub in a movie, I'm gonna enjoy it. But yeah,

1318
01:12:17,760 --> 01:12:21,240
Speaker 2: the hacking stuff back and forth is so tedious, but

1319
01:12:21,280 --> 01:12:24,160
Speaker 2: it at least it was. They were fast about it.

1320
01:12:24,200 --> 01:12:26,400
Speaker 2: And how come hackers never use a mouse?

1321
01:12:28,320 --> 01:12:29,080
Speaker 1: Slows them down?

1322
01:12:29,920 --> 01:12:34,360
Speaker 2: I guess it's all it's just typing code, right, but

1323
01:12:34,400 --> 01:12:36,320
Speaker 2: what are you typing? And the how are you in

1324
01:12:36,400 --> 01:12:38,720
Speaker 2: so easily? But who cares? You know, it's just like

1325
01:12:38,840 --> 01:12:40,439
Speaker 2: turn it on, turn it off, turn it on, turn

1326
01:12:40,479 --> 01:12:44,200
Speaker 2: it off. You guys went over it. Yeah, and also

1327
01:12:44,400 --> 01:12:47,920
Speaker 2: the sub is huge, and why don't you just drive

1328
01:12:48,080 --> 01:12:49,760
Speaker 2: away from the you know what I mean? Like the

1329
01:12:49,840 --> 01:12:54,720
Speaker 2: sub like it's not gonna turn You're in a Lamborghini,

1330
01:12:54,760 --> 01:13:00,519
Speaker 2: you go that way? Tag? But yeah, exactly or or

1331
01:13:00,640 --> 01:13:02,200
Speaker 2: but whatever you're.

1332
01:13:02,040 --> 01:13:05,000
Speaker 1: Saying when they're being chased by that sub like the

1333
01:13:05,040 --> 01:13:06,920
Speaker 1: ice behind him, like yeah, why do you guys just

1334
01:13:06,960 --> 01:13:08,000
Speaker 1: go to the cleft? Right?

1335
01:13:08,080 --> 01:13:13,560
Speaker 2: Yeah, right exactly. But again it was the visuals are spectacular,

1336
01:13:13,640 --> 01:13:17,960
Speaker 2: and uh, it was fun and I liked Roman when

1337
01:13:18,000 --> 01:13:21,280
Speaker 2: he was shot those the slowmobilers and it's just really

1338
01:13:21,280 --> 01:13:23,600
Speaker 2: cool to see the snowmobiles and the bodies of the

1339
01:13:23,640 --> 01:13:27,160
Speaker 2: guys just just slide past him. Basically, It's just like,

1340
01:13:27,240 --> 01:13:30,880
Speaker 2: that's a cool visual and I thought he had a

1341
01:13:30,920 --> 01:13:32,960
Speaker 2: good line. And you know what, shout out to Roman

1342
01:13:33,000 --> 01:13:38,920
Speaker 2: because I read an upsetting article in the in the

1343
01:13:39,040 --> 01:13:42,879
Speaker 2: Washington Post where we knew we heard about Vin Diesel

1344
01:13:43,000 --> 01:13:45,840
Speaker 2: has this this thing where he can't lose a fight. Well,

1345
01:13:46,240 --> 01:13:49,680
Speaker 2: it turns out that Statham has a similar clause in

1346
01:13:49,720 --> 01:13:54,040
Speaker 2: his contract and so does the Rock. My god, so

1347
01:13:54,400 --> 01:13:56,760
Speaker 2: I was so disappointed when I read that. And then

1348
01:13:57,120 --> 01:14:02,640
Speaker 2: but Roman, he just continually gets dunked on. You know,

1349
01:14:02,880 --> 01:14:07,519
Speaker 2: he's got the he's he is the most comfortable with himself, tyrese,

1350
01:14:07,840 --> 01:14:11,320
Speaker 2: because he's able to be dunked on and continually have

1351
01:14:11,400 --> 01:14:14,519
Speaker 2: his ass handed to him in these movies. And so

1352
01:14:14,600 --> 01:14:17,920
Speaker 2: shout out to you, Tyrese, and I appreciate that you're

1353
01:14:18,080 --> 01:14:20,880
Speaker 2: not You're not afraid to look like a fool on

1354
01:14:20,960 --> 01:14:25,320
Speaker 2: camera for our entertainment. So get it together, the rest

1355
01:14:25,360 --> 01:14:27,479
Speaker 2: of you three. I don't I gotta know where they're

1356
01:14:27,479 --> 01:14:30,240
Speaker 2: gonna go from here. They all have to be you know,

1357
01:14:30,680 --> 01:14:33,920
Speaker 2: uh friends, right, because they're not gonna they don't want

1358
01:14:33,920 --> 01:14:39,000
Speaker 2: to admit to each other. Yeah, exactly, So, So shout

1359
01:14:39,000 --> 01:14:42,400
Speaker 2: out to Tyrese. Mad respect for him.

1360
01:14:42,920 --> 01:14:46,000
Speaker 1: I thought this was his best movie his character, of

1361
01:14:46,040 --> 01:14:50,040
Speaker 1: course Romans since uh, you know, the dreadful Too Fast,

1362
01:14:50,040 --> 01:14:52,840
Speaker 1: Too Furious, which we said, we said was great. He

1363
01:14:52,960 --> 01:14:55,720
Speaker 1: was a star in that horrible movie. But you know,

1364
01:14:56,080 --> 01:14:57,800
Speaker 1: a lot of the lines they had given over the

1365
01:14:57,840 --> 01:15:00,920
Speaker 1: last couple of movies or cringe, cringe, you know, I

1366
01:15:00,960 --> 01:15:02,960
Speaker 1: know he's supposed to be the humor in these scenes

1367
01:15:02,960 --> 01:15:04,400
Speaker 1: a lot of the time. Then he continued to be

1368
01:15:04,400 --> 01:15:06,040
Speaker 1: in this one. But I actually thought there were some

1369
01:15:06,080 --> 01:15:08,040
Speaker 1: funny payoffs, and you know, you're right, he got a

1370
01:15:08,080 --> 01:15:12,200
Speaker 1: little badass moment here out on the ice after picking

1371
01:15:12,200 --> 01:15:14,400
Speaker 1: the Lamborghini, which was a stupid. One thing I'll say,

1372
01:15:14,400 --> 01:15:17,760
Speaker 1: like overall, especially as these last couple of movies have

1373
01:15:17,800 --> 01:15:19,759
Speaker 1: gone on, and this one it went to the extreme.

1374
01:15:21,400 --> 01:15:24,800
Speaker 1: This cast, this crew, I mean of the Fast and

1375
01:15:24,840 --> 01:15:29,960
Speaker 1: the Furious Man, think about what they're doing. Who they're

1376
01:15:30,000 --> 01:15:32,720
Speaker 1: trying to save the world a lot of the times

1377
01:15:32,960 --> 01:15:39,200
Speaker 1: each other from death, babies, family, and they're just cracking

1378
01:15:39,400 --> 01:15:42,559
Speaker 1: jokes twenty four to seven in the cars to each other.

1379
01:15:43,840 --> 01:15:48,280
Speaker 1: That's all they're doing. Yeah, like no one's that concerned.

1380
01:15:48,479 --> 01:15:52,519
Speaker 1: Everybody is just keeping it light and just talking, talking

1381
01:15:52,560 --> 01:15:55,080
Speaker 1: on the columns back and forth, making fun of each

1382
01:15:55,120 --> 01:15:58,160
Speaker 1: other when like there's some really heavy shit going on here,

1383
01:15:58,800 --> 01:16:01,200
Speaker 1: and it's like I get it, Like it's just because

1384
01:16:01,240 --> 01:16:03,599
Speaker 1: it's the movie, like cool action scenes and then some humor.

1385
01:16:03,640 --> 01:16:06,240
Speaker 1: But it's like, shouldn't you guys be like a little

1386
01:16:06,240 --> 01:16:10,720
Speaker 1: more locked in here that they are always in this

1387
01:16:10,760 --> 01:16:14,680
Speaker 1: one specifically, they're always making jokes anytime they're in a

1388
01:16:14,720 --> 01:16:18,000
Speaker 1: car talking to each other. But yeah, one hundred percent.

1389
01:16:18,080 --> 01:16:21,479
Speaker 3: My favorite of this is when I think it's Hobbs

1390
01:16:21,520 --> 01:16:23,759
Speaker 3: and Roman are in the car and you know, Roman

1391
01:16:23,800 --> 01:16:26,360
Speaker 3: is getting upset, as usually does, and Hobbs responds to him.

1392
01:16:26,640 --> 01:16:32,840
Speaker 3: Why are you always yelling, Well, Hobbs, it's because you're

1393
01:16:32,840 --> 01:16:35,040
Speaker 3: going one hundred and fifty miles on the ice and

1394
01:16:35,080 --> 01:16:37,760
Speaker 3: there's a submarine right behind you chasing you down. In

1395
01:16:37,800 --> 01:16:39,800
Speaker 3: this scenario, I'm with you. You kind of gotta be

1396
01:16:39,800 --> 01:16:40,479
Speaker 3: a little bit loud.

1397
01:16:40,640 --> 01:16:44,960
Speaker 2: Yeah, exactly. And in that particular scene, the Racks plan

1398
01:16:45,280 --> 01:16:47,799
Speaker 2: is for to get hit by a missile, Like that's

1399
01:16:47,840 --> 01:16:52,040
Speaker 2: his plan, Guys, get in front of me. I'll take

1400
01:16:52,040 --> 01:16:56,759
Speaker 2: the hit. And Tyresee is like, what you Tyrese Roman,

1401
01:16:56,840 --> 01:16:59,960
Speaker 2: you should be yelling. You should be shitting your pants. Also,

1402
01:17:01,280 --> 01:17:03,679
Speaker 2: he must have her hypothermia because he just came.

1403
01:17:08,560 --> 01:17:11,240
Speaker 4: And then he says later on the movie, we're jumping

1404
01:17:11,240 --> 01:17:12,559
Speaker 4: to the end, But like I was thinking that the

1405
01:17:12,560 --> 01:17:14,920
Speaker 4: whole time too, Like, how is this guy not suffering

1406
01:17:14,920 --> 01:17:17,519
Speaker 4: from hypothermia to the point where he ends up taking

1407
01:17:17,560 --> 01:17:21,760
Speaker 4: a selfie right out on the water before he then

1408
01:17:21,920 --> 01:17:23,599
Speaker 4: finally says, let's get out of here.

1409
01:17:23,600 --> 01:17:28,040
Speaker 1: It's cold. Yeah. Yeah, maybe they have like, uh, what

1410
01:17:28,040 --> 01:17:29,960
Speaker 1: what do you call those like the seats that warm

1411
01:17:30,040 --> 01:17:36,320
Speaker 1: up in one I guess yes, uh so Okay, So meanwhile,

1412
01:17:36,360 --> 01:17:38,559
Speaker 1: all of this going on in Russia on the ice

1413
01:17:38,640 --> 01:17:40,840
Speaker 1: with the sub all of this stuff, the hacking, the

1414
01:17:40,960 --> 01:17:46,919
Speaker 1: breaking through things, fleeing from the separatists and all that. Meanwhile, Decord,

1415
01:17:47,600 --> 01:17:49,880
Speaker 1: who faked his death with the help of his mom,

1416
01:17:50,360 --> 01:17:55,120
Speaker 1: teams up with Owen and they infiltrate Cipher's plane to

1417
01:17:55,320 --> 01:17:58,799
Speaker 1: rescue Dom's son. Will Owen takes control of the plane,

1418
01:17:59,360 --> 01:18:03,320
Speaker 1: so once Decker reports that the child is safe, he

1419
01:18:03,439 --> 01:18:06,320
Speaker 1: lets Dom know. Then Dom out there because Dom is

1420
01:18:06,320 --> 01:18:09,240
Speaker 1: not in this scene of course, with everybody out on

1421
01:18:09,280 --> 01:18:12,400
Speaker 1: the ice at first, Dom turns on site for kills.

1422
01:18:12,479 --> 01:18:19,480
Speaker 1: Rhodes kills Torman there, avenging Nephys's death before rejoining his team.

1423
01:18:19,720 --> 01:18:25,720
Speaker 1: Deckerd baby plain scene Trey my favorite scene in the

1424
01:18:25,760 --> 01:18:31,200
Speaker 1: movie by a mile. Everybody's nodding, yeah, everybody's in a green.

1425
01:18:31,280 --> 01:18:33,320
Speaker 1: This scene is awesome. Anytime they went back to it,

1426
01:18:33,439 --> 01:18:35,200
Speaker 1: I will say, JD, I want to get your take

1427
01:18:35,240 --> 01:18:37,479
Speaker 1: on this. The only thing that could have made it

1428
01:18:37,520 --> 01:18:41,240
Speaker 1: better would have been to be playing the Elvin and

1429
01:18:41,240 --> 01:18:44,960
Speaker 1: the Chipmunks music while he's kicking ass. Yeah.

1430
01:18:45,040 --> 01:18:45,400
Speaker 2: I don't like.

1431
01:18:46,920 --> 01:18:49,720
Speaker 1: Like superhero movies all the time, and I love it

1432
01:18:49,760 --> 01:18:51,720
Speaker 1: every single time. And why didn't they do that?

1433
01:18:52,320 --> 01:18:52,840
Speaker 3: I don't know.

1434
01:18:53,040 --> 01:18:57,200
Speaker 2: Is it because is that song a Christmas song? Mm hmm, yeah,

1435
01:18:57,240 --> 01:18:59,120
Speaker 2: so maybe it was because it's a Christmas song and

1436
01:18:59,200 --> 01:19:04,719
Speaker 2: they decided not to, but blown opportunity. In my mind,

1437
01:19:04,800 --> 01:19:08,200
Speaker 2: like absolutely should have been that. Yeah, but or maybe

1438
01:19:08,200 --> 01:19:09,960
Speaker 2: it was because they were cutting back and forth.

1439
01:19:10,200 --> 01:19:11,280
Speaker 1: I think that might be the.

1440
01:19:11,200 --> 01:19:12,240
Speaker 2: Reason that must be it.

1441
01:19:12,280 --> 01:19:13,960
Speaker 1: But it would have been a little more jarring, but

1442
01:19:13,960 --> 01:19:15,439
Speaker 1: it would have been great. I think I still could

1443
01:19:15,439 --> 01:19:17,920
Speaker 1: have made that work cutting out to the funny scene

1444
01:19:17,960 --> 01:19:21,120
Speaker 1: because like it's like again we see like Deadpool has

1445
01:19:21,160 --> 01:19:23,800
Speaker 1: done it. Oh yeah, many many other ones have done it.

1446
01:19:23,840 --> 01:19:25,280
Speaker 1: Guardians and Galaxy, I think, have done it.

1447
01:19:25,680 --> 01:19:28,640
Speaker 2: And they're not they're not shy about using tropes like

1448
01:19:29,160 --> 01:19:32,400
Speaker 2: have been used one hundred times before. So yeah, yeah,

1449
01:19:32,439 --> 01:19:36,559
Speaker 2: you're you're a spot on and I agree the best scene.

1450
01:19:36,640 --> 01:19:39,160
Speaker 2: I think it's the best scene in the series that

1451
01:19:39,200 --> 01:19:44,080
Speaker 2: I've seen so far in eight movies. And Statham, I

1452
01:19:44,080 --> 01:19:45,760
Speaker 2: think he's the only one that could pull it off,

1453
01:19:45,800 --> 01:19:50,360
Speaker 2: you know, like in this cast. Anyways, Yeah, yeah, I

1454
01:19:50,439 --> 01:19:54,160
Speaker 2: loved it. After watching that scene, I was like, this

1455
01:19:54,240 --> 01:19:57,160
Speaker 2: movie can do no wrong now, like you got me,

1456
01:19:57,479 --> 01:19:58,000
Speaker 2: you got me.

1457
01:19:58,240 --> 01:20:00,160
Speaker 1: And it came near the end, which was nice. They

1458
01:20:00,240 --> 01:20:02,479
Speaker 1: usually put these really cool scenes of earlier in the movie,

1459
01:20:02,479 --> 01:20:03,840
Speaker 1: but that's what they saved to the end. Trey, he

1460
01:20:03,880 --> 01:20:04,360
Speaker 1: loved it. Too.

1461
01:20:04,560 --> 01:20:06,760
Speaker 3: Oh yeah, this is no doubt the best scene in

1462
01:20:06,760 --> 01:20:08,240
Speaker 3: the movie. And I love that it comes right at

1463
01:20:08,240 --> 01:20:10,240
Speaker 3: the end. You know, we first kind of get the

1464
01:20:10,280 --> 01:20:12,760
Speaker 3: tip off, like there's these random flying rocketmen.

1465
01:20:13,360 --> 01:20:16,400
Speaker 1: I sat up on the edge of my seat. Interesting

1466
01:20:17,040 --> 01:20:19,200
Speaker 1: these fellows.

1467
01:20:18,479 --> 01:20:21,840
Speaker 3: Decord and Owen, and we get a line about you

1468
01:20:22,000 --> 01:20:25,200
Speaker 3: and planes don't have a good history. Deckard says to Owen,

1469
01:20:25,600 --> 01:20:30,840
Speaker 3: no shit, says oh, I love it. I think you're

1470
01:20:30,920 --> 01:20:32,519
Speaker 3: exactly right on all fronts here.

1471
01:20:32,640 --> 01:20:32,920
Speaker 2: JD.

1472
01:20:33,760 --> 01:20:36,840
Speaker 3: Stathan pulls this off perfectly because he's got like, you know,

1473
01:20:37,680 --> 01:20:39,080
Speaker 3: a cool fighting style.

1474
01:20:39,520 --> 01:20:39,640
Speaker 1: Uh.

1475
01:20:39,680 --> 01:20:42,840
Speaker 3: They've got the incredible scenes where like he slides the

1476
01:20:42,880 --> 01:20:45,120
Speaker 3: baby out of the way, goes and does moves and

1477
01:20:45,120 --> 01:20:46,800
Speaker 3: then comes back to the baby. And every time he

1478
01:20:46,880 --> 01:20:50,000
Speaker 3: like comes back, he's got a playful face like Jason Statham,

1479
01:20:50,080 --> 01:20:53,559
Speaker 3: I actually think is charming in those little twenty second

1480
01:20:53,600 --> 01:20:57,200
Speaker 3: scenes where he's you know, talking to Marco's future Brian

1481
01:20:57,280 --> 01:20:59,519
Speaker 3: and kind of trying to calm him down and you

1482
01:20:59,520 --> 01:21:01,120
Speaker 3: know it's gonna get loud, and here he puts on

1483
01:21:01,160 --> 01:21:02,120
Speaker 3: those little ear muffs.

1484
01:21:02,200 --> 01:21:03,040
Speaker 1: I think that's all.

1485
01:21:03,720 --> 01:21:07,920
Speaker 3: It's just a great juxtaposition of cute and savage all

1486
01:21:07,960 --> 01:21:10,080
Speaker 3: at the same time, and it totally works for me.

1487
01:21:10,520 --> 01:21:12,680
Speaker 3: I'm gonna start telling people that Fast eight is my

1488
01:21:12,680 --> 01:21:17,200
Speaker 3: favorite Christmas movie. People tell you Diehard right like people

1489
01:21:17,200 --> 01:21:19,000
Speaker 3: tell you Diehard is a Christmas movie.

1490
01:21:19,240 --> 01:21:21,479
Speaker 2: Well Christmas movie, okay, and this.

1491
01:21:21,439 --> 01:21:26,200
Speaker 3: Has a Christmas song playing throughout the climax of the movie.

1492
01:21:26,640 --> 01:21:29,360
Speaker 1: It's quiet quietly but yes, yep, quietly. Yeah.

1493
01:21:29,400 --> 01:21:32,120
Speaker 3: And then it's also filmed out in a snowy location

1494
01:21:32,720 --> 01:21:35,040
Speaker 3: out there on the ice above the submarine.

1495
01:21:35,640 --> 01:21:37,839
Speaker 1: I'm watching it in December to see if this whole.

1496
01:21:37,760 --> 01:21:40,559
Speaker 3: Time as a Christmas movie, and then that's gonna be like, oh,

1497
01:21:40,600 --> 01:21:44,240
Speaker 3: you think Diehard is why? I think Fate of the Furious.

1498
01:21:46,600 --> 01:21:52,280
Speaker 3: But yeah, it's so good that, uh, you know, Statham

1499
01:21:52,280 --> 01:21:55,639
Speaker 3: almost steals the movie here. And I also think it's

1500
01:21:55,720 --> 01:21:58,400
Speaker 3: very weird. We'll get into this a little bit later,

1501
01:21:58,439 --> 01:22:00,639
Speaker 3: but apparently, you know, at this point point in time,

1502
01:22:01,920 --> 01:22:04,639
Speaker 3: Vin and the Rock are not getting along, so they

1503
01:22:04,680 --> 01:22:08,320
Speaker 3: share no scenes together in this movie, Like they're not

1504
01:22:08,479 --> 01:22:10,639
Speaker 3: in the scene together. They didn't act together. That's how

1505
01:22:10,720 --> 01:22:13,439
Speaker 3: mad they were at each other. And it basically comes

1506
01:22:13,479 --> 01:22:15,960
Speaker 3: down to the Rock being like, Vin, you're being unprofessional here,

1507
01:22:16,240 --> 01:22:19,519
Speaker 3: and I don't know, I don't know exactly what went down.

1508
01:22:19,520 --> 01:22:23,040
Speaker 3: But it's very strange that they don't interact with each other, Like,

1509
01:22:23,040 --> 01:22:24,439
Speaker 3: these are the two biggest stars in the movie, and

1510
01:22:24,439 --> 01:22:27,519
Speaker 3: they're not really interacting with each other, which leaves you know,

1511
01:22:27,640 --> 01:22:29,599
Speaker 3: Statham has to be playing off somebody. He plays off

1512
01:22:29,640 --> 01:22:30,960
Speaker 3: the rock quite a bit in this one, and he

1513
01:22:30,960 --> 01:22:33,240
Speaker 3: plays off a baby here and it's just incredible. That's

1514
01:22:33,280 --> 01:22:34,400
Speaker 3: why I had to bring him back.

1515
01:22:34,680 --> 01:22:37,719
Speaker 2: Yeah, is the rock nut in the final scene.

1516
01:22:37,840 --> 01:22:39,559
Speaker 1: Yeah, but I don't think they ever walk to each

1517
01:22:39,560 --> 01:22:42,639
Speaker 1: other now they're all there on the New York City

1518
01:22:42,840 --> 01:22:43,840
Speaker 1: rooftop or wherever they are.

1519
01:22:44,000 --> 01:22:47,800
Speaker 2: Yeah, yeah, interest I remember, I remember there was a

1520
01:22:48,360 --> 01:22:52,560
Speaker 2: beef for sure, but huh, that's now I got to

1521
01:22:52,600 --> 01:22:55,799
Speaker 2: go back and watch it and see that they're never together.

1522
01:22:55,960 --> 01:22:58,840
Speaker 1: Well, well, they're sort of together when Dom runs them

1523
01:22:58,840 --> 01:23:01,120
Speaker 1: off the road, I guess too. But yeah, you know,

1524
01:23:01,280 --> 01:23:05,559
Speaker 1: there's no talking to each other really, right, which is wild.

1525
01:23:05,600 --> 01:23:07,760
Speaker 1: I hadn't never thought of that. So and what is

1526
01:23:07,800 --> 01:23:10,120
Speaker 1: the reason or you want to save that till a

1527
01:23:10,120 --> 01:23:13,880
Speaker 1: little bit later, TK, like okay, just say that, okay,

1528
01:23:13,880 --> 01:23:15,960
Speaker 1: because let's fish this movie. We're actually getting pretty close

1529
01:23:16,000 --> 01:23:21,559
Speaker 1: here to the end. So infuriated Cipher is that. You know,

1530
01:23:21,640 --> 01:23:23,840
Speaker 1: Dom is turned and then this is not going well

1531
01:23:23,840 --> 01:23:28,800
Speaker 1: here she fires an infrared homing missile at Dom, but

1532
01:23:29,360 --> 01:23:32,640
Speaker 1: he breaks away from his team. He maneuvers around. He

1533
01:23:32,680 --> 01:23:35,680
Speaker 1: sort of goes up a mountain basically with his car,

1534
01:23:35,840 --> 01:23:40,120
Speaker 1: and then he circles back and takes it over the sub,

1535
01:23:40,160 --> 01:23:43,559
Speaker 1: which is like half in the water half out. Boom.

1536
01:23:43,840 --> 01:23:48,719
Speaker 1: Missile into the sub causes a massive explosion. Though Dom,

1537
01:23:48,920 --> 01:23:51,720
Speaker 1: for being a great driver, doesn't like doesn't line this

1538
01:23:51,760 --> 01:23:54,960
Speaker 1: one up perfectly, like clips the the what would you

1539
01:23:55,040 --> 01:23:58,280
Speaker 1: even call it the fin I guess sub? Yeah, the

1540
01:23:58,280 --> 01:24:00,920
Speaker 1: top part there. He clips it. Otherwise he would have

1541
01:24:00,920 --> 01:24:02,519
Speaker 1: been cool. He would have just been able to drive

1542
01:24:02,640 --> 01:24:05,960
Speaker 1: right over it. But he like sort of spins destroys

1543
01:24:05,960 --> 01:24:12,519
Speaker 1: his charger. And then the team like like Guardians of

1544
01:24:12,560 --> 01:24:16,080
Speaker 1: the Galaxy, actually like a bunch of roots here they

1545
01:24:16,120 --> 01:24:26,080
Speaker 1: form a vehicle a vehicular blockade around Dom. Firewall, firewall. Yeah,

1546
01:24:26,120 --> 01:24:32,120
Speaker 1: shout out to Ramsey, this Norton shielding him from this

1547
01:24:32,560 --> 01:24:35,000
Speaker 1: ensuing explosion, which I guess just takes a while to

1548
01:24:35,080 --> 01:24:36,840
Speaker 1: kick off. They got time to drive over there and

1549
01:24:36,840 --> 01:24:41,439
Speaker 1: set up their cars, uh, and that prevents the fire

1550
01:24:41,560 --> 01:24:46,680
Speaker 1: this fireball explosion from hitting dom, though, why doesn't it

1551
01:24:46,720 --> 01:24:50,880
Speaker 1: blow up their cars? I'm not sure. Anyway, submarine destroyed.

1552
01:24:50,960 --> 01:24:55,200
Speaker 1: They've saved him, he saved the world. Everybody's happy. Uh.

1553
01:24:55,240 --> 01:24:58,120
Speaker 1: And then okay, we got one more scene after this,

1554
01:24:58,200 --> 01:25:02,680
Speaker 1: really one or two. But this firewall as you called it, JD.

1555
01:25:02,960 --> 01:25:05,080
Speaker 1: I know this sounds like this entire movie you've just

1556
01:25:05,080 --> 01:25:08,960
Speaker 1: been kicking back, sitting next to Rachel, feet up, not

1557
01:25:09,000 --> 01:25:11,760
Speaker 1: a care in the world, just entertain me. So I

1558
01:25:11,800 --> 01:25:15,200
Speaker 1: guess this didn't upset you as this one. Really I

1559
01:25:15,240 --> 01:25:16,680
Speaker 1: was rolling my eyes a lot at this time.

1560
01:25:16,760 --> 01:25:22,280
Speaker 2: Oh, totally Again, it's back to the everything has to

1561
01:25:22,280 --> 01:25:24,280
Speaker 2: be done in a car, and it all has to

1562
01:25:24,320 --> 01:25:27,880
Speaker 2: be cars. Like I understand, but we're you know, we're

1563
01:25:28,200 --> 01:25:32,800
Speaker 2: eight movies in. We could like, I don't know, we.

1564
01:25:32,760 --> 01:25:33,880
Speaker 1: Didn't need this part.

1565
01:25:34,160 --> 01:25:34,680
Speaker 2: We didn't need.

1566
01:25:34,760 --> 01:25:37,880
Speaker 1: I really don't. I would have been totally fine with

1567
01:25:38,000 --> 01:25:42,759
Speaker 1: him successfully like ramping up over the submarine. Boom, missile

1568
01:25:42,800 --> 01:25:46,040
Speaker 1: hits it. He drives, does a cool spin, says Bob's

1569
01:25:46,040 --> 01:25:49,240
Speaker 1: your uncle, and everyone's like awesome, Like yeah, but your back.

1570
01:25:49,320 --> 01:25:53,679
Speaker 2: You're like, why did they have to family? The family

1571
01:25:53,840 --> 01:25:57,559
Speaker 2: has to come together. You don't turn your back on family.

1572
01:25:57,680 --> 01:26:01,559
Speaker 2: Even though he definitely turned his back on them, but

1573
01:26:01,680 --> 01:26:04,400
Speaker 2: the but you know, and that's a that's he thanks

1574
01:26:04,439 --> 01:26:06,640
Speaker 2: them at the next scene. He's like, hey, thanks for

1575
01:26:06,680 --> 01:26:10,360
Speaker 2: not turning your back on me. And the unfortunate thing

1576
01:26:10,479 --> 01:26:13,840
Speaker 2: is that they have to do it in cars like

1577
01:26:16,280 --> 01:26:20,560
Speaker 2: that's the that's the frustrating thing. But you know, I

1578
01:26:20,560 --> 01:26:22,519
Speaker 2: would it would have been better if one of them

1579
01:26:22,640 --> 01:26:25,040
Speaker 2: or all of them were happened to be in fire

1580
01:26:25,120 --> 01:26:28,680
Speaker 2: retardant uh suits, right, and then they all sort of

1581
01:26:28,760 --> 01:26:31,120
Speaker 2: run around him and and give him a group a group.

1582
01:26:31,680 --> 01:26:33,120
Speaker 2: I would have been way better with them.

1583
01:26:38,880 --> 01:26:41,000
Speaker 3: All I could think was man, good thing Dom wore

1584
01:26:41,000 --> 01:26:45,120
Speaker 3: a jacket here, because usually he's going arms out it

1585
01:26:45,160 --> 01:26:47,840
Speaker 3: would be a freezing and b you're getting singed by

1586
01:26:47,840 --> 01:26:51,280
Speaker 3: that gigantic fireball. But he had his leathers on protecting himself,

1587
01:26:51,560 --> 01:26:52,880
Speaker 3: so that was smart he did.

1588
01:26:53,479 --> 01:26:56,280
Speaker 1: Yeah, it's I could have done without the shielding part

1589
01:26:56,640 --> 01:27:00,360
Speaker 1: for sure, But they do it. And and we go

1590
01:27:00,439 --> 01:27:04,160
Speaker 1: back to the plane here because Deckard reaches the I

1591
01:27:04,160 --> 01:27:06,280
Speaker 1: guess the front of the plane or he gets to cipher.

1592
01:27:06,520 --> 01:27:10,760
Speaker 1: He confronts her and she says, peace out, Bye, I've

1593
01:27:10,760 --> 01:27:13,920
Speaker 1: got a bear, shoot you don't and she you know,

1594
01:27:14,040 --> 01:27:17,639
Speaker 1: hacks a little code there, boom door opens, she jumps out,

1595
01:27:17,800 --> 01:27:20,240
Speaker 1: and Shaw's basically got to like can't chase her eating

1596
01:27:20,240 --> 01:27:22,639
Speaker 1: in a parachute. And also there is a baby there,

1597
01:27:23,680 --> 01:27:26,920
Speaker 1: so he's forced to save Dom's son from being sucked

1598
01:27:26,960 --> 01:27:31,760
Speaker 1: out of the plane. And yeah, yeah, it's it's fine.

1599
01:27:32,400 --> 01:27:34,320
Speaker 1: I loved again back to this whole decord with the

1600
01:27:34,320 --> 01:27:37,720
Speaker 1: baby scene, the little headphones on them hilarious and like

1601
01:27:37,840 --> 01:27:40,600
Speaker 1: Trey said, like I loved when they went back to

1602
01:27:40,680 --> 01:27:43,320
Speaker 1: him after killing guys and just taking guys down left

1603
01:27:43,360 --> 01:27:46,479
Speaker 1: and right like they would do, like the from the

1604
01:27:46,520 --> 01:27:49,559
Speaker 1: perspective of the baby, like if like you're looking out

1605
01:27:50,000 --> 01:27:52,360
Speaker 1: as Marcos and you're seeing Jason like trying to cool

1606
01:27:52,400 --> 01:27:55,000
Speaker 1: you and stuff like that. And the baby star of

1607
01:27:55,080 --> 01:28:00,680
Speaker 1: this film. Baby's incredible. They got some great scenes out

1608
01:28:00,680 --> 01:28:04,280
Speaker 1: of this baby, some great reactions. Doesn't the baby wave

1609
01:28:04,360 --> 01:28:07,080
Speaker 1: at one point? Is that fake? I couldn't tell if

1610
01:28:07,120 --> 01:28:09,040
Speaker 1: that was fake, little fake arm that went up there,

1611
01:28:09,080 --> 01:28:12,719
Speaker 1: but they got it. So to end the movie, mister

1612
01:28:12,800 --> 01:28:17,120
Speaker 1: Nobody and uh, hold on plane pilot.

1613
01:28:17,479 --> 01:28:19,800
Speaker 2: Yeah, I think that was That was a weird part

1614
01:28:19,880 --> 01:28:23,360
Speaker 2: because the other Shah was in the cockpit. And then

1615
01:28:23,479 --> 01:28:27,000
Speaker 2: holds a gun to the pilot. Oh yeah, land the plane.

1616
01:28:27,600 --> 01:28:29,920
Speaker 2: So I go, okay, you don't have to hold a gun.

1617
01:28:30,680 --> 01:28:33,960
Speaker 1: All right, we're going to do a whole lot. I mean,

1618
01:28:33,960 --> 01:28:36,240
Speaker 1: he helped him get on there. Yeah, kill some guys

1619
01:28:36,240 --> 01:28:37,840
Speaker 1: at the beginning. But then yeah, he's just up in

1620
01:28:37,880 --> 01:28:38,400
Speaker 1: the cockpit.

1621
01:28:38,479 --> 01:28:39,520
Speaker 2: He's still recovering.

1622
01:28:40,240 --> 01:28:42,720
Speaker 1: That's true. Good point.

1623
01:28:44,520 --> 01:28:46,680
Speaker 2: I need to ask my brother about this, because, no

1624
01:28:46,720 --> 01:28:50,720
Speaker 2: matter what in movies, why are those pilots wearing the

1625
01:28:50,760 --> 01:28:54,160
Speaker 2: pilot the traditional pilot? You know what I mean, It's

1626
01:28:54,240 --> 01:28:58,760
Speaker 2: like you're you're working for an international cyber terrorists. I mean,

1627
01:28:58,840 --> 01:29:03,360
Speaker 2: just wear a hoodie or something, you don't. I mean,

1628
01:29:03,400 --> 01:29:08,280
Speaker 2: I admire the professionalism, I guess, but you know, I

1629
01:29:09,040 --> 01:29:11,200
Speaker 2: you know, it's just jeans and a T shirt.

1630
01:29:12,320 --> 01:29:14,840
Speaker 1: Maybe you legally have to wear that to fly a plane,

1631
01:29:14,920 --> 01:29:18,080
Speaker 1: no matter if you're working for a cyber terrorist. Okay,

1632
01:29:18,120 --> 01:29:21,559
Speaker 1: so mister Nobody uh and Eric there. They visit domin

1633
01:29:21,600 --> 01:29:23,960
Speaker 1: his team in NYC to report that the Cipher's still

1634
01:29:24,000 --> 01:29:25,599
Speaker 1: at large. Doh, we started jump out of the plane

1635
01:29:25,640 --> 01:29:27,120
Speaker 1: with a parachute. We know she's going to be around

1636
01:29:27,120 --> 01:29:30,120
Speaker 1: at some point in this franchise, Hobbes has his record cleared.

1637
01:29:30,479 --> 01:29:33,400
Speaker 1: He's offered his DSS job back, but he declines in

1638
01:29:33,520 --> 01:29:36,719
Speaker 1: order to spend more time with his family, especially his daughter.

1639
01:29:36,960 --> 01:29:41,400
Speaker 1: Decker delivers Dom his son. I thought this part was

1640
01:29:41,439 --> 01:29:44,840
Speaker 1: a little strange, the timing. He hasn't seen the baby yet,

1641
01:29:45,080 --> 01:29:49,080
Speaker 1: Like I guess there have been flying in this plane

1642
01:29:49,200 --> 01:29:53,160
Speaker 1: and they've gotten back from Russia, and it's like, couldn't

1643
01:29:53,680 --> 01:29:55,479
Speaker 1: You would have thought they would have already had the

1644
01:29:55,520 --> 01:29:59,240
Speaker 1: baby in Dom's hands. But there he is to deliver

1645
01:29:59,360 --> 01:30:02,559
Speaker 1: the sun, you know, puts his differences aside with Dom

1646
01:30:02,640 --> 01:30:07,200
Speaker 1: and Hobbes. And then Dom names his son Brian. So

1647
01:30:07,240 --> 01:30:15,360
Speaker 1: it's Brian Marcos Toretto. I guess, yes, Nevis Toretto, Ryan

1648
01:30:15,400 --> 01:30:19,240
Speaker 1: Marcos nevs Toretto. Yeah, I hope so. And they celebrate

1649
01:30:19,360 --> 01:30:22,800
Speaker 1: there on the rooftop and yeah, and we get a

1650
01:30:22,800 --> 01:30:26,240
Speaker 1: little bit of like the necklace had the tracker, it's

1651
01:30:26,280 --> 01:30:30,200
Speaker 1: where we're this is revealed to us again that blinking

1652
01:30:30,280 --> 01:30:32,800
Speaker 1: light that nobody picked up on, and of course the

1653
01:30:32,840 --> 01:30:35,160
Speaker 1: necklace as the star, and there it is. Then then

1654
01:30:35,160 --> 01:30:37,519
Speaker 1: that is really that is really the movie, the Fate

1655
01:30:37,680 --> 01:30:40,320
Speaker 1: of the Furious. Everybody's happy, and we'll be setting up

1656
01:30:40,320 --> 01:30:44,400
Speaker 1: for the next one, but anything to add before we

1657
01:30:44,439 --> 01:30:46,679
Speaker 1: get to the fast and the furious parts of the podcast.

1658
01:30:46,760 --> 01:30:50,840
Speaker 2: Judy Again, I was riding a high from the baby scene,

1659
01:30:50,920 --> 01:30:54,880
Speaker 2: so all was forgiven from that point out. I did

1660
01:30:55,000 --> 01:30:57,479
Speaker 2: read that there was and I was waiting for a

1661
01:30:57,520 --> 01:31:01,360
Speaker 2: cut scene. Actually, I and Jackson was like, fast forward

1662
01:31:01,360 --> 01:31:03,680
Speaker 2: and fast forward, and I'm like, no, I like, I

1663
01:31:03,760 --> 01:31:05,840
Speaker 2: like it to happen naturally.

1664
01:31:06,760 --> 01:31:09,160
Speaker 1: I like to imagine you were looking for a mid

1665
01:31:09,200 --> 01:31:10,040
Speaker 1: or post credit scene.

1666
01:31:10,120 --> 01:31:12,360
Speaker 2: Yeah, yeah, and it didn't happen. But then I read

1667
01:31:12,920 --> 01:31:16,320
Speaker 2: that there was a tease of Hobbs and Shaw that

1668
01:31:16,479 --> 01:31:22,000
Speaker 2: Vin Diesel insisted they called the movie back tray. Is

1669
01:31:22,040 --> 01:31:23,280
Speaker 2: this correct? Am I righting this?

1670
01:31:23,840 --> 01:31:24,760
Speaker 1: I think so. Yeah.

1671
01:31:25,160 --> 01:31:28,799
Speaker 2: So they already distributed the movies, the film, the actual

1672
01:31:28,920 --> 01:31:31,800
Speaker 2: film stock to the theaters, and Vin Diesel was like,

1673
01:31:31,960 --> 01:31:35,759
Speaker 2: uh ah, I don't think so, and pulled back, pulled

1674
01:31:35,800 --> 01:31:40,000
Speaker 2: them all back to remove the cutscene that was teasing

1675
01:31:40,080 --> 01:31:44,559
Speaker 2: Hobbs and Shaw, and I was just then, what are

1676
01:31:44,560 --> 01:31:47,280
Speaker 2: you doing? What do you do? I want to like you,

1677
01:31:47,400 --> 01:31:49,920
Speaker 2: Vin Diesel, I want to, but you keep giving me

1678
01:31:50,000 --> 01:31:54,680
Speaker 2: these reasons to be like, come on man. Anyways, I

1679
01:31:54,720 --> 01:31:55,719
Speaker 2: thought that was interesting.

1680
01:31:55,760 --> 01:31:57,800
Speaker 3: Okay, yeah, he's been a bit of a controlling father

1681
01:31:57,880 --> 01:31:58,559
Speaker 3: to his family.

1682
01:31:58,600 --> 01:32:00,320
Speaker 1: Here basically what it.

1683
01:32:00,280 --> 01:32:04,960
Speaker 3: Comes down to, I was like, why did Deckard give

1684
01:32:05,400 --> 01:32:07,479
Speaker 3: Dom's son a British boxing glove?

1685
01:32:08,040 --> 01:32:09,200
Speaker 1: That was a weird thing.

1686
01:32:09,040 --> 01:32:12,240
Speaker 3: To be like, It's always been about cars and bringing

1687
01:32:12,360 --> 01:32:15,240
Speaker 3: gifts of you know, cars, and I know at one

1688
01:32:15,280 --> 01:32:21,559
Speaker 3: point Dom says to Shaw, only American muscle for my son, right,

1689
01:32:21,720 --> 01:32:24,559
Speaker 3: and you're thinking he's gonna pull out. I guess like

1690
01:32:24,600 --> 01:32:27,680
Speaker 3: Deckard is driving a Jaguar earlier, but maybe that just

1691
01:32:27,720 --> 01:32:30,640
Speaker 3: doesn't read necessarily as a British car or something. So

1692
01:32:30,680 --> 01:32:32,400
Speaker 3: they're like, well, we got to put something with a

1693
01:32:32,520 --> 01:32:35,519
Speaker 3: union jack on there, and it's a boxing glove, because

1694
01:32:35,560 --> 01:32:39,240
Speaker 3: I mean, he is good at fighting. Yeah, but we're

1695
01:32:39,240 --> 01:32:40,439
Speaker 3: talking cars here, buddy.

1696
01:32:40,840 --> 01:32:45,200
Speaker 1: Well yeah. And also they're they're like continuing joke, is

1697
01:32:45,200 --> 01:32:47,479
Speaker 1: is this a street fight or not? You know where

1698
01:32:47,520 --> 01:32:50,760
Speaker 1: you're not wearing boxing gloves in a street fight? Good point, Yeah,

1699
01:32:50,800 --> 01:32:52,599
Speaker 1: but I think, yeah, maybe that's where they're trying to

1700
01:32:52,640 --> 01:32:54,240
Speaker 1: like gm that in there too.

1701
01:32:54,560 --> 01:32:57,639
Speaker 3: I will say another set of goosebumps when Dom names

1702
01:32:57,640 --> 01:33:00,120
Speaker 3: his son Brian a total sin for this guy, and

1703
01:33:00,240 --> 01:33:02,679
Speaker 3: then Dom says grace for the first time ever which

1704
01:33:02,720 --> 01:33:04,600
Speaker 3: is great because I think at the end they're like,

1705
01:33:04,720 --> 01:33:06,639
Speaker 3: you know what, We've had a lot of people praying

1706
01:33:06,680 --> 01:33:08,320
Speaker 3: at the end of these movies, but it's never been

1707
01:33:08,400 --> 01:33:10,120
Speaker 3: you Vin take.

1708
01:33:10,000 --> 01:33:15,800
Speaker 1: A turn you Yeah. Yeah. I think that baby brought

1709
01:33:15,840 --> 01:33:18,320
Speaker 1: a lot out of Vin. Diesel is acting too, and

1710
01:33:18,400 --> 01:33:21,040
Speaker 1: they was always like, uh, he like gave that baby

1711
01:33:21,040 --> 01:33:22,760
Speaker 1: a little kiss on the head at one point, and

1712
01:33:22,800 --> 01:33:25,439
Speaker 1: it was like, oh, he's like, uh, this has made

1713
01:33:25,520 --> 01:33:28,800
Speaker 1: him warmer. He's he's dropped like the macho you know

1714
01:33:29,120 --> 01:33:31,040
Speaker 1: act a little bit, or he's toned it down a

1715
01:33:31,080 --> 01:33:33,880
Speaker 1: tiny bit here with the with this baby. I hope this.

1716
01:33:34,080 --> 01:33:36,200
Speaker 1: I hope this little Brian sticks around. I'd like to

1717
01:33:36,200 --> 01:33:37,800
Speaker 1: see him in a little tank top. I will say

1718
01:33:37,800 --> 01:33:41,000
Speaker 1: that again, but uh it's okay, ok. Yeah. So then

1719
01:33:41,000 --> 01:33:43,519
Speaker 1: we uh we just a little zoom out into the

1720
01:33:43,880 --> 01:33:46,040
Speaker 1: New York City sky. So they live in New York

1721
01:33:46,080 --> 01:33:50,320
Speaker 1: now too, Yeah, yeah, turn their back on California. Weird.

1722
01:33:50,400 --> 01:33:51,800
Speaker 2: Well his house got blown up.

1723
01:33:52,000 --> 01:33:55,800
Speaker 1: Oh yeah, good point. Well they had a they have

1724
01:33:55,920 --> 01:33:58,599
Speaker 1: money because unless they're renting this place, thought was a

1725
01:33:58,920 --> 01:34:01,960
Speaker 1: very big rooftop in Great Patty appear to be a

1726
01:34:01,960 --> 01:34:05,799
Speaker 1: great spot at New York City. Okay, so that's the movie.

1727
01:34:05,840 --> 01:34:07,759
Speaker 1: That's the fate of the Furious. Let's do the fast.

1728
01:34:07,880 --> 01:34:11,000
Speaker 1: Our favorite scenes cars are quotes, Trey, Let's start with you.

1729
01:34:11,040 --> 01:34:13,280
Speaker 1: What do you got at the top of your list? Here?

1730
01:34:13,720 --> 01:34:16,639
Speaker 3: The top two scenes for me are both of the

1731
01:34:16,680 --> 01:34:20,839
Speaker 3: Shaw fight scenes, basically breaking out of jail with Hobbs

1732
01:34:20,880 --> 01:34:21,639
Speaker 3: early on.

1733
01:34:21,680 --> 01:34:23,080
Speaker 1: And saving the baby.

1734
01:34:23,120 --> 01:34:25,960
Speaker 3: I think just every part of those is playing to

1735
01:34:26,000 --> 01:34:29,800
Speaker 3: the strengths, particularly of Jason Statham, you know, and the

1736
01:34:29,920 --> 01:34:32,120
Speaker 3: rock at least in that first one. You know, that's

1737
01:34:32,160 --> 01:34:34,000
Speaker 3: what these guys should be doing, is kicking ass and

1738
01:34:34,320 --> 01:34:37,639
Speaker 3: making jokes, and that's all that is. Is like fight, fight, fight, fight, fight,

1739
01:34:37,920 --> 01:34:39,679
Speaker 3: get off a one liner, fight fight pipe bye, fighte

1740
01:34:39,720 --> 01:34:42,160
Speaker 3: get off a one liner. And then later on when

1741
01:34:42,200 --> 01:34:44,639
Speaker 3: it's just Shaw and the baby, you know, similar sort

1742
01:34:44,640 --> 01:34:48,200
Speaker 3: of stuff, only now it's in an even more enclosed space.

1743
01:34:48,280 --> 01:34:50,120
Speaker 3: I love when they put a fight in somewhere small

1744
01:34:50,120 --> 01:34:53,280
Speaker 3: where you've got to be using your surroundings to kind

1745
01:34:53,320 --> 01:34:57,400
Speaker 3: of get around and you know, enhance your attacks.

1746
01:34:57,400 --> 01:34:59,360
Speaker 1: And I think both of them are choreographed great.

1747
01:35:00,080 --> 01:35:02,840
Speaker 3: They both play really well in the movie, and you know,

1748
01:35:02,880 --> 01:35:06,040
Speaker 3: they're both like high tension scenes where you know that

1749
01:35:06,120 --> 01:35:07,880
Speaker 3: our heroes are going to be getting out, but at

1750
01:35:07,960 --> 01:35:11,880
Speaker 3: least they're in some serious adverse situations, completely out numbered.

1751
01:35:11,920 --> 01:35:13,840
Speaker 3: We've already seen Shaw be able to go through an

1752
01:35:13,960 --> 01:35:16,680
Speaker 3: entire hospital of guards, so you're not totally worried about it.

1753
01:35:16,720 --> 01:35:18,720
Speaker 3: But the way he's able to pull it off, I

1754
01:35:18,760 --> 01:35:22,400
Speaker 3: think are really great. And you're like, after seeing this movie,

1755
01:35:22,400 --> 01:35:24,400
Speaker 3: you're like, no, wonder they're going to be spinning off

1756
01:35:24,439 --> 01:35:24,960
Speaker 3: this character.

1757
01:35:25,080 --> 01:35:26,000
Speaker 1: He just came in.

1758
01:35:26,200 --> 01:35:29,760
Speaker 3: He had seventeen lines in the seventh movie. We got

1759
01:35:29,760 --> 01:35:31,760
Speaker 3: to get more out of Jason Statham, and they really

1760
01:35:31,760 --> 01:35:32,679
Speaker 3: really do in this one.

1761
01:35:32,880 --> 01:35:35,760
Speaker 1: Yeah, and it's like they figured out. I mean it's

1762
01:35:35,760 --> 01:35:39,160
Speaker 1: sad but true. But like Dom needs his car to

1763
01:35:39,240 --> 01:35:43,200
Speaker 1: do cool things, these guys don't exactly you know, Hams

1764
01:35:43,240 --> 01:35:45,679
Speaker 1: and Shaw, we do not need to have them in vehicles.

1765
01:35:45,720 --> 01:35:47,880
Speaker 1: In fact, that to their detriment, we should have them

1766
01:35:47,960 --> 01:35:51,360
Speaker 1: just you know, kicking ass and going through big walls

1767
01:35:51,400 --> 01:35:54,440
Speaker 1: like they're the Kool Aid manling stuff like that. So yeah,

1768
01:35:54,600 --> 01:35:56,160
Speaker 1: no brain er why they want to do a movie

1769
01:35:56,160 --> 01:35:58,080
Speaker 1: with these guys to spin off And like this whole

1770
01:35:58,120 --> 01:36:02,919
Speaker 1: dynamic in real life between what sounding to be jealous

1771
01:36:03,439 --> 01:36:06,680
Speaker 1: really of their success or fame or whatever you want

1772
01:36:06,720 --> 01:36:10,160
Speaker 1: to call it. It's so strange but weird, weird. Okay,

1773
01:36:10,200 --> 01:36:10,760
Speaker 1: so what do you have?

1774
01:36:10,840 --> 01:36:11,080
Speaker 2: J D?

1775
01:36:11,680 --> 01:36:13,800
Speaker 1: As you're fast part of this podcast.

1776
01:36:13,560 --> 01:36:16,680
Speaker 2: I had the exact same scenes the baby fight. I

1777
01:36:16,720 --> 01:36:18,960
Speaker 2: loved the jet packs from the as soon as you

1778
01:36:19,000 --> 01:36:23,679
Speaker 2: see those jet packs are just like whoa and yeah,

1779
01:36:23,720 --> 01:36:28,360
Speaker 2: and I am so sick of cars now, like you know,

1780
01:36:28,439 --> 01:36:32,040
Speaker 2: a little peek behind the curtain, I've watched I want

1781
01:36:32,240 --> 01:36:34,360
Speaker 2: these are the only movies I've watched. I've watched eight

1782
01:36:34,920 --> 01:36:38,800
Speaker 2: eight fast and furious movies straight and that's it. I

1783
01:36:38,800 --> 01:36:40,599
Speaker 2: haven't watched anything else like that.

1784
01:36:41,280 --> 01:36:45,479
Speaker 1: What did a suicide squad? Actually, no, I see that's

1785
01:36:45,479 --> 01:36:48,920
Speaker 1: on my too. Okay, all right, great, I can't wait.

1786
01:36:50,080 --> 01:36:54,959
Speaker 1: But yeah, Trey summed it up perfectly. The Jason Statham

1787
01:36:55,760 --> 01:36:58,800
Speaker 1: ran away with this movie, I think, especially after the

1788
01:36:58,840 --> 01:37:01,880
Speaker 1: baby fight, but certainly the jail fight with the Rock

1789
01:37:01,960 --> 01:37:05,600
Speaker 1: and Statham. It was just incredible and and just a

1790
01:37:05,720 --> 01:37:08,720
Speaker 1: delight to see. Yeah, it just makes you want to

1791
01:37:08,760 --> 01:37:09,880
Speaker 1: fire up the transporter.

1792
01:37:12,200 --> 01:37:13,600
Speaker 2: I've never seen the Transport.

1793
01:37:13,840 --> 01:37:16,240
Speaker 1: Yeah, I guess if you would enjoy it if you're

1794
01:37:16,280 --> 01:37:19,400
Speaker 1: a fan of Jason Stathum for sure. One quote I

1795
01:37:19,439 --> 01:37:22,160
Speaker 1: don't know my favorite, but I was like, ugh, I

1796
01:37:22,240 --> 01:37:25,599
Speaker 1: was like perplexing. Somebody says when they're talking about Eric,

1797
01:37:25,720 --> 01:37:28,400
Speaker 1: this little nobody, the sidekick to mister Nobody. Someone says

1798
01:37:28,439 --> 01:37:32,320
Speaker 1: he's still green. And then I think it's Roman that says, yeah,

1799
01:37:32,520 --> 01:37:40,479
Speaker 1: like fresh baby shit, what a weird line.

1800
01:37:44,280 --> 01:37:47,080
Speaker 2: Have any others Well, that was part of what I

1801
01:37:47,120 --> 01:37:52,000
Speaker 2: hated about. Well, I'll get into it now because we're

1802
01:37:52,000 --> 01:37:57,720
Speaker 2: talking about it, but just again, I employer, I employ you,

1803
01:37:57,800 --> 01:38:01,240
Speaker 2: Please hire a comedian or somebody. Just punch up the

1804
01:38:01,320 --> 01:38:05,160
Speaker 2: dialogue because it's just some of them are good to tray.

1805
01:38:05,240 --> 01:38:10,800
Speaker 2: You mentioned a couple back earlier. But you know, like

1806
01:38:10,920 --> 01:38:16,200
Speaker 2: at one point, Torman says something says to Vin diesel

1807
01:38:16,320 --> 01:38:20,080
Speaker 2: move and he said, what did you say? And then

1808
01:38:20,360 --> 01:38:23,280
Speaker 2: Vin says, if I say it again, it'll be to

1809
01:38:23,400 --> 01:38:28,840
Speaker 2: a corpse cringe. When the Rock arrives at the at

1810
01:38:28,880 --> 01:38:34,120
Speaker 2: the at the the prison, Hobbs, this is what Hobb sorry,

1811
01:38:34,120 --> 01:38:38,840
Speaker 2: this is what Shaw says. Well, well, well, Luke Hobbs

1812
01:38:38,880 --> 01:38:46,920
Speaker 2: behind bars, would you look at that has like first draft? Bullshit?

1813
01:38:47,560 --> 01:38:51,360
Speaker 2: Oh Rock, Rock says to Jason Stephen, what are you

1814
01:38:51,400 --> 01:38:59,000
Speaker 2: gonna do? Apply for a job? Head asshole again Hobbes retorts,

1815
01:38:59,400 --> 01:39:01,600
Speaker 2: I think, uh, I think. I think that tight T

1816
01:39:01,720 --> 01:39:04,680
Speaker 2: shirt is cutting off the circulation to your brain. You

1817
01:39:04,680 --> 01:39:09,080
Speaker 2: should get a bigger size who is writing Who is

1818
01:39:09,120 --> 01:39:11,400
Speaker 2: writing it? You know what I mean? At one point,

1819
01:39:11,680 --> 01:39:18,200
Speaker 2: uh where the rock says to Jason Stapham or uh

1820
01:39:18,360 --> 01:39:21,960
Speaker 2: to to the to the group while while uh uh

1821
01:39:22,200 --> 01:39:25,439
Speaker 2: Shaw is trying to hack something, I think I should

1822
01:39:25,920 --> 01:39:29,120
Speaker 2: I'm happy to slap that whisker biscuit right off his face.

1823
01:39:29,600 --> 01:39:34,280
Speaker 2: I like, I pause the movie. I'm like, whisker biscuit.

1824
01:39:34,560 --> 01:39:39,200
Speaker 2: I googled it. That's it. It's a thing. It's actual. Yes,

1825
01:39:39,280 --> 01:39:42,200
Speaker 2: it's a it's an archery thing. It's like a circle,

1826
01:39:42,479 --> 01:39:44,880
Speaker 2: circle with whiskers in it, and it's to hold the

1827
01:39:45,040 --> 01:39:48,320
Speaker 2: arrow steady, but it's whiskers so it can allow the

1828
01:39:48,360 --> 01:39:52,559
Speaker 2: feathers to go through. Okay, what what what do you tell?

1829
01:39:52,600 --> 01:39:56,680
Speaker 2: What is his whiskers on his face? Also Urban Dictionary

1830
01:39:57,000 --> 01:40:02,080
Speaker 2: Vagina again does and it just that it doesn't make

1831
01:40:02,080 --> 01:40:04,599
Speaker 2: any sense, you know what I mean, Like, it's.

1832
01:40:04,479 --> 01:40:07,200
Speaker 1: Not a thing. These lines, yeah.

1833
01:40:06,760 --> 01:40:08,880
Speaker 2: Yeah, but then they're said with such gusto that people

1834
01:40:08,880 --> 01:40:11,240
Speaker 2: were like, yeah, good burn, but not really actually, if

1835
01:40:11,240 --> 01:40:14,280
Speaker 2: you actually read them or look at them. Don't put

1836
01:40:14,320 --> 01:40:17,679
Speaker 2: the close captions on for these movies because then you

1837
01:40:17,720 --> 01:40:19,880
Speaker 2: just see how lain the dialogue can be.

1838
01:40:20,040 --> 01:40:22,880
Speaker 1: But maybe that's it. That's a tip. We're a little

1839
01:40:22,920 --> 01:40:25,880
Speaker 1: far in now to give us that tip. And there's

1840
01:40:25,880 --> 01:40:28,280
Speaker 1: a lot of whispering too, and sometimes it helps to

1841
01:40:28,280 --> 01:40:32,080
Speaker 1: have those on any other. While we're on the quotes part,

1842
01:40:32,200 --> 01:40:32,640
Speaker 1: tray that you.

1843
01:40:33,120 --> 01:40:36,720
Speaker 3: My favorite quote is when mister Nobody is getting the

1844
01:40:36,760 --> 01:40:40,160
Speaker 3: team together to chase down Dom and he brings in

1845
01:40:40,320 --> 01:40:44,479
Speaker 3: Show to help the fast team, and Hobbs says, someone

1846
01:40:44,560 --> 01:40:46,360
Speaker 3: tell me why you put me in a room with

1847
01:40:46,400 --> 01:40:49,320
Speaker 3: this tea and crumpets eaten in criminal?

1848
01:40:49,560 --> 01:40:51,519
Speaker 1: Some bitch?

1849
01:40:52,520 --> 01:40:57,160
Speaker 3: What an incredible delivery on this one, the bitch. It

1850
01:40:57,479 --> 01:41:02,200
Speaker 3: was wild this tea and crumpets eating criminal sum bitch.

1851
01:41:04,400 --> 01:41:06,559
Speaker 1: IW on that like ten.

1852
01:41:06,479 --> 01:41:09,439
Speaker 3: Times when I was watching it, just to keep hearing

1853
01:41:09,479 --> 01:41:10,320
Speaker 3: this delivery.

1854
01:41:11,080 --> 01:41:14,320
Speaker 1: I actually this one I watched on Where the hell

1855
01:41:14,439 --> 01:41:16,960
Speaker 1: was I watching this? I think I was streaming it

1856
01:41:17,000 --> 01:41:19,400
Speaker 1: through like direct stream or whatever the heck GE's called.

1857
01:41:19,400 --> 01:41:23,240
Speaker 1: Now I had to watch this with ads four ads

1858
01:41:23,320 --> 01:41:29,240
Speaker 1: popped up. It was really strange. Yeah, it gave me

1859
01:41:29,320 --> 01:41:31,320
Speaker 1: time to look at the notes see what I maybe

1860
01:41:31,479 --> 01:41:36,679
Speaker 1: missed car ads at least. No, no, it's whatever whatever.

1861
01:41:36,680 --> 01:41:41,280
Speaker 1: They were just selling me toothpasts stuff. Yeah, exactly. Okay,

1862
01:41:41,400 --> 01:41:45,439
Speaker 1: so the furious part because I just to say, my

1863
01:41:45,479 --> 01:41:48,840
Speaker 1: favorite scene is by a'm mile, Like I said, the

1864
01:41:48,880 --> 01:41:50,639
Speaker 1: shop part on the airplane where he's got the baby.

1865
01:41:50,640 --> 01:41:53,320
Speaker 1: It's very very funny and it's incredible looking, and more

1866
01:41:53,360 --> 01:41:55,240
Speaker 1: and more and more of that. In fact, save the movie.

1867
01:41:55,280 --> 01:41:58,280
Speaker 1: I'll say, to me, the furious, dumbest scene, other things

1868
01:41:58,280 --> 01:42:00,560
Speaker 1: you hated, or even random observation, it's Trey you go

1869
01:42:00,600 --> 01:42:01,360
Speaker 1: first on this one.

1870
01:42:01,600 --> 01:42:04,880
Speaker 3: I did not like the Cipher and Dom kiss completely

1871
01:42:04,920 --> 01:42:07,760
Speaker 3: thrown in, and that to me was like the only

1872
01:42:07,800 --> 01:42:10,400
Speaker 3: reason this scene exists is so that we can tease

1873
01:42:10,479 --> 01:42:12,719
Speaker 3: this scene in a trailer. You're like, oh wait, Dom

1874
01:42:12,800 --> 01:42:16,120
Speaker 3: has yeh a new love interest.

1875
01:42:15,880 --> 01:42:16,080
Speaker 2: You know.

1876
01:42:16,160 --> 01:42:19,400
Speaker 3: And it didn't make any It had zero impact on

1877
01:42:19,479 --> 01:42:22,320
Speaker 3: the story except for Dom at one point asks like, hey,

1878
01:42:22,320 --> 01:42:26,040
Speaker 3: why'd you do that? Not really any follow up on

1879
01:42:26,160 --> 01:42:28,439
Speaker 3: anything from there, and it never goes anywhere because there's

1880
01:42:28,479 --> 01:42:31,800
Speaker 3: like there's zero chemistry between Cipher and Dom and like

1881
01:42:31,920 --> 01:42:35,280
Speaker 3: that's not Cypher's character at all, Like using her, yeah,

1882
01:42:35,320 --> 01:42:38,200
Speaker 3: you know, using her her flirtatious ways or anything like that.

1883
01:42:38,240 --> 01:42:41,320
Speaker 3: She's serious. I also I hate the hack off. The

1884
01:42:41,320 --> 01:42:43,679
Speaker 3: hack off was brutal to me when they're like, oh,

1885
01:42:43,680 --> 01:42:45,639
Speaker 3: we turned on the propeller, No we turned it off.

1886
01:42:45,640 --> 01:42:47,479
Speaker 3: No we turned it on, No we turned it off.

1887
01:42:47,560 --> 01:42:50,080
Speaker 3: I did not like that at all. Those were the

1888
01:42:50,080 --> 01:42:51,559
Speaker 3: two biggest problems for me.

1889
01:42:51,760 --> 01:42:54,160
Speaker 1: Yeah, and then within that too, we get the uh.

1890
01:42:54,240 --> 01:42:56,840
Speaker 1: I think it's Tej the one guy that knows about

1891
01:42:56,880 --> 01:43:01,200
Speaker 1: this stuff. He's conveniently locked outside of the room where

1892
01:43:01,439 --> 01:43:04,400
Speaker 1: it's roman, and I believe it's Eric right, or like

1893
01:43:04,920 --> 01:43:08,000
Speaker 1: trying to find this thing that they need to pull

1894
01:43:08,120 --> 01:43:10,280
Speaker 1: right to, like sort of yeah, like a chip, some

1895
01:43:10,280 --> 01:43:13,320
Speaker 1: sort of thing. It's like, okay, yeah, and they're like

1896
01:43:13,680 --> 01:43:16,040
Speaker 1: they both pull one at the same time. That sets

1897
01:43:16,080 --> 01:43:19,640
Speaker 1: off something else and wa, all right, I'm with you

1898
01:43:19,720 --> 01:43:22,200
Speaker 1: on those U JD. Do you agree or you got

1899
01:43:22,200 --> 01:43:22,800
Speaker 1: something else? Dad?

1900
01:43:23,000 --> 01:43:25,920
Speaker 2: I do agree. And I guess they didn't get the

1901
01:43:25,920 --> 01:43:28,759
Speaker 2: memo that or maybe they this is before they started

1902
01:43:29,320 --> 01:43:32,040
Speaker 2: a lot of movies will we'll shoot stuff and then

1903
01:43:32,160 --> 01:43:34,160
Speaker 2: put in the trailer, but then it doesn't end up

1904
01:43:34,200 --> 01:43:36,559
Speaker 2: in the movie. And I guess they didn't realize they

1905
01:43:36,600 --> 01:43:40,040
Speaker 2: could do that because Yeah, the kiss was completely unnecessary

1906
01:43:40,080 --> 01:43:45,640
Speaker 2: and never pays off the dialogue. Again, I wish they

1907
01:43:45,680 --> 01:43:49,679
Speaker 2: would punch it up. I hated this scene where, yeah,

1908
01:43:49,720 --> 01:43:51,599
Speaker 2: you know, this is one of many things, but it's

1909
01:43:51,960 --> 01:43:56,599
Speaker 2: when Roman was trying to sound out Russian. Oh yeah,

1910
01:43:56,640 --> 01:43:56,920
Speaker 2: you know.

1911
01:43:57,200 --> 01:43:59,559
Speaker 1: Well that's the part where he's in that room, right.

1912
01:43:59,439 --> 01:44:06,080
Speaker 2: And it's just like, okay. Little Nobody was completely a

1913
01:44:06,240 --> 01:44:09,240
Speaker 2: useless character. I don't know why they added him other

1914
01:44:09,360 --> 01:44:12,240
Speaker 2: than maybe as a replacement for Paul Walker.

1915
01:44:12,320 --> 01:44:13,120
Speaker 1: Is that par totally?

1916
01:44:13,720 --> 01:44:16,799
Speaker 3: Yeah, I thought he was totally the Brian replacement because

1917
01:44:17,000 --> 01:44:19,799
Speaker 3: most of his interactions I feel like are with Roman,

1918
01:44:19,880 --> 01:44:22,439
Speaker 3: and I actually feel like they have decent chemistry. Roman

1919
01:44:22,560 --> 01:44:24,880
Speaker 3: and Little Nobody, you know, kind of cracking on each

1920
01:44:24,880 --> 01:44:25,920
Speaker 3: other back and forth.

1921
01:44:26,439 --> 01:44:27,520
Speaker 1: And you also.

1922
01:44:27,320 --> 01:44:30,080
Speaker 3: Notice like when they actually let Little Nobody drive, he's

1923
01:44:30,200 --> 01:44:33,800
Speaker 3: driving like Brian style cars. Oh yeah, like you know,

1924
01:44:33,880 --> 01:44:36,080
Speaker 3: he's driving like, I don't know, a Toyota or whatever.

1925
01:44:36,160 --> 01:44:42,040
Speaker 3: Apparently Scott Eastwood the actor, and Roman Tyresee and Brian

1926
01:44:42,080 --> 01:44:44,679
Speaker 3: Paul Walker are all we're all like really close friends

1927
01:44:44,840 --> 01:44:47,559
Speaker 3: in real life. So yeah, I think he's totally the

1928
01:44:47,560 --> 01:44:49,599
Speaker 3: prime replacement, and that is Clint Eastwood Son.

1929
01:44:49,880 --> 01:44:54,479
Speaker 2: Yeah, yeah, really. Yeah, wow, learning I.

1930
01:44:54,840 --> 01:44:57,559
Speaker 1: Never even thought of, like the Brian replacement part. That

1931
01:44:57,640 --> 01:45:00,080
Speaker 1: makes so much sense. I actually just thought and it

1932
01:45:00,120 --> 01:45:01,400
Speaker 1: goes hand in hand. No I think about it, but

1933
01:45:01,479 --> 01:45:05,120
Speaker 1: like it's there. Like Roman's been the punching bag for

1934
01:45:05,160 --> 01:45:08,120
Speaker 1: so long in this series, and he was at times too,

1935
01:45:08,160 --> 01:45:10,880
Speaker 1: but like that sort of got passed a little bit

1936
01:45:10,920 --> 01:45:14,440
Speaker 1: to the new guy. Like this, this guy the protege

1937
01:45:14,439 --> 01:45:16,519
Speaker 1: of the screen guy, and like they were all everybody

1938
01:45:16,560 --> 01:45:19,240
Speaker 1: was dunking on him totally, including Roman a lot of

1939
01:45:19,240 --> 01:45:19,519
Speaker 1: the time.

1940
01:45:19,600 --> 01:45:23,680
Speaker 2: Yeah, shit is definitely rolling downhill, you know, hate to

1941
01:45:23,680 --> 01:45:26,280
Speaker 2: be the new guy in these in these things, man.

1942
01:45:26,880 --> 01:45:29,360
Speaker 2: And also they need to find they need to find

1943
01:45:29,400 --> 01:45:31,240
Speaker 2: something more for Ramsey to do.

1944
01:45:31,479 --> 01:45:33,559
Speaker 1: Yeah, or she shouldn't be there like.

1945
01:45:33,479 --> 01:45:36,160
Speaker 2: One of the other I think she's there to replace

1946
01:45:36,400 --> 01:45:39,519
Speaker 2: gal Gado, who was like a badass super soldier type.

1947
01:45:39,880 --> 01:45:42,360
Speaker 2: You know, why not have her do that stuff? We

1948
01:45:42,400 --> 01:45:43,639
Speaker 2: already have a tech guy.

1949
01:45:43,840 --> 01:45:47,720
Speaker 1: Yeah yeah, yeah.

1950
01:45:47,000 --> 01:45:49,960
Speaker 2: And I hate the I hate that they're always hitting

1951
01:45:50,000 --> 01:45:53,559
Speaker 2: on her. I get that she's hot and and all that,

1952
01:45:53,680 --> 01:45:58,360
Speaker 2: but you know, in this in twenty twenty one workplace,

1953
01:45:59,240 --> 01:46:03,040
Speaker 2: you know, uh, it's it's inappropriate in my opinion, and

1954
01:46:03,240 --> 01:46:05,320
Speaker 2: you know, I get that they're criminals and stuff for

1955
01:46:05,840 --> 01:46:10,040
Speaker 2: their outlaws, but still I just don't like that dynamic,

1956
01:46:10,080 --> 01:46:12,760
Speaker 2: and that's you know, just give her something. Well.

1957
01:46:12,800 --> 01:46:15,160
Speaker 1: They come back to it at the end of the movie, too, right,

1958
01:46:15,280 --> 01:46:17,720
Speaker 1: and she sort of like says, what does she say

1959
01:46:17,760 --> 01:46:18,160
Speaker 1: at the end?

1960
01:46:18,439 --> 01:46:20,439
Speaker 3: Yeah, I think I like both of yours. I like

1961
01:46:20,520 --> 01:46:23,320
Speaker 3: both of you, But can you tell me your last name?

1962
01:46:23,560 --> 01:46:25,880
Speaker 3: And that to me falls completely flat. Have they ever

1963
01:46:25,920 --> 01:46:27,519
Speaker 3: even said Ramsey's last name?

1964
01:46:27,720 --> 01:46:27,800
Speaker 1: Like?

1965
01:46:28,720 --> 01:46:30,439
Speaker 2: Is Ramsey even her real name?

1966
01:46:30,720 --> 01:46:30,880
Speaker 3: Right?

1967
01:46:30,920 --> 01:46:32,200
Speaker 2: I thought it was a hacker name.

1968
01:46:33,600 --> 01:46:38,040
Speaker 3: Yeah, tell me my real name? Great comeback, Like, I

1969
01:46:38,040 --> 01:46:39,840
Speaker 3: don't know. They haven't given her anything to do. And

1970
01:46:39,880 --> 01:46:42,840
Speaker 3: I also feel like you mentioned it earlier. Skeets ne

1971
01:46:42,960 --> 01:46:45,040
Speaker 3: of Us has really had a shitty fast run here.

1972
01:46:45,760 --> 01:46:49,280
Speaker 3: She was the only incorruptible coup in all of Rio.

1973
01:46:49,439 --> 01:46:52,280
Speaker 3: Of course, two months into taking the job, she goes

1974
01:46:52,320 --> 01:46:53,679
Speaker 3: on the run with a criminal.

1975
01:46:54,640 --> 01:46:57,240
Speaker 1: She's with him for one week, gets pregnant.

1976
01:46:57,320 --> 01:47:00,760
Speaker 3: Dom finds out his wife is still alive but has amnesia,

1977
01:47:00,960 --> 01:47:02,880
Speaker 3: and Nevis gets left instantly.

1978
01:47:03,040 --> 01:47:06,120
Speaker 1: They don't even talk about it. Offers her to stay.

1979
01:47:06,160 --> 01:47:08,960
Speaker 3: She says no, even though at that time pregnant with

1980
01:47:09,240 --> 01:47:11,479
Speaker 3: Dom's baby, could have said something there. She goes back

1981
01:47:11,479 --> 01:47:14,439
Speaker 3: to the cops her alleged family who she just left

1982
01:47:14,520 --> 01:47:17,160
Speaker 3: rather than the actual family she was with. She gets

1983
01:47:17,160 --> 01:47:19,200
Speaker 3: a new job, and then she gets kidnapped and murdered

1984
01:47:19,240 --> 01:47:22,480
Speaker 3: in front of her son. Like, ye, they do absolutely

1985
01:47:22,520 --> 01:47:25,040
Speaker 3: nothing for her. Anytime they bring her back, You're like,

1986
01:47:25,640 --> 01:47:28,639
Speaker 3: uh oh, something something bad is going down for Nevis

1987
01:47:28,640 --> 01:47:29,760
Speaker 3: here trait.

1988
01:47:30,000 --> 01:47:33,559
Speaker 1: I almost forgot. We did get a cameo from two

1989
01:47:33,560 --> 01:47:36,120
Speaker 1: of our favorites in the Fast in the franchise When

1990
01:47:36,120 --> 01:47:36,960
Speaker 1: did it happen again?

1991
01:47:37,840 --> 01:47:41,120
Speaker 3: They were the flashback, right, Yeah, they save Decard like

1992
01:47:41,160 --> 01:47:45,200
Speaker 3: they pick up Decard in who is ambulance Leo and Santos?

1993
01:47:45,360 --> 01:47:46,439
Speaker 1: Yes, yeah, and they've got.

1994
01:47:46,280 --> 01:47:49,599
Speaker 3: Helen Mihren back, you know, Shaw's mom in the back

1995
01:47:49,640 --> 01:47:52,160
Speaker 3: of the ambulance and we get I don't know if

1996
01:47:52,160 --> 01:47:54,040
Speaker 3: you want to call it a pulp fiction scene or

1997
01:47:54,120 --> 01:47:56,960
Speaker 3: a Crank starring Jason Statham scene, but that's exactly what

1998
01:47:57,000 --> 01:47:58,920
Speaker 3: it is. When he gets the adrenaline to the heart,

1999
01:47:58,960 --> 01:48:01,000
Speaker 3: you see his eyes open up, he pops right back up.

2000
01:48:01,080 --> 01:48:04,040
Speaker 3: Like that's how the movie Cranks or Crank I think

2001
01:48:04,040 --> 01:48:05,960
Speaker 3: they maybe even made two of them. That's basically how

2002
01:48:06,000 --> 01:48:07,559
Speaker 3: they start like they hook him up to a battery

2003
01:48:07,600 --> 01:48:09,960
Speaker 3: and he's like jump started back to life, and it

2004
01:48:10,040 --> 01:48:11,719
Speaker 3: is exactly like that, yeah.

2005
01:48:11,840 --> 01:48:16,280
Speaker 2: Yeah, and so is the conceit that he's dead clinically

2006
01:48:16,400 --> 01:48:18,720
Speaker 2: dead and she brings him back to life. And if so,

2007
01:48:19,320 --> 01:48:24,000
Speaker 2: how like was he actually shot by Dom? You know

2008
01:48:24,040 --> 01:48:27,799
Speaker 2: what I mean? Like he shoots him twice bullets? Yeah, yeah, maybe,

2009
01:48:27,880 --> 01:48:31,240
Speaker 2: I guess, but his heart he needed to be resuscitated

2010
01:48:31,280 --> 01:48:34,960
Speaker 2: by adrenaline. I guess that part of it. See, you

2011
01:48:35,800 --> 01:48:40,439
Speaker 2: can't think, you can't think about it, because it'll drive

2012
01:48:40,479 --> 01:48:46,160
Speaker 2: you mad, absolutely mad. Like when when what's her face?

2013
01:48:46,160 --> 01:48:49,080
Speaker 2: Cipher is telling it, saying, Hey, I'm gonna these are

2014
01:48:49,160 --> 01:48:52,360
Speaker 2: my plans, this is what I'm doing, and and then

2015
01:48:52,880 --> 01:48:54,960
Speaker 2: finally it's like I'm going to steal a nuclear football.

2016
01:48:54,960 --> 01:48:57,040
Speaker 2: Then I'm going to get a submarine. And she's telling

2017
01:48:57,040 --> 01:49:00,960
Speaker 2: this to Dom and then she he's like, what, so

2018
01:49:01,040 --> 01:49:02,760
Speaker 2: you're gonna you want to start a war? Are you

2019
01:49:02,840 --> 01:49:05,680
Speaker 2: doing all this to start? Award? And she's like no, no, no,

2020
01:49:05,800 --> 01:49:08,559
Speaker 2: I want to I want to accountability And this is

2021
01:49:08,600 --> 01:49:11,680
Speaker 2: the look he makes, just like what what are you

2022
01:49:11,760 --> 01:49:13,880
Speaker 2: talking like? Accountability?

2023
01:49:13,960 --> 01:49:16,240
Speaker 1: First? What? Hold on? Hold on? I think Marco's just

2024
01:49:16,560 --> 01:49:20,320
Speaker 1: his pants. Who's going to clean that up? Yeah?

2025
01:49:20,320 --> 01:49:22,320
Speaker 3: That was my face too when she said she wanted

2026
01:49:22,360 --> 01:49:23,759
Speaker 3: accountability totally.

2027
01:49:24,600 --> 01:49:24,800
Speaker 1: Yeah.

2028
01:49:25,760 --> 01:49:29,200
Speaker 3: And she also I feel like in that same monologue

2029
01:49:29,240 --> 01:49:32,040
Speaker 3: she's giving to Dom, she says something along the lines

2030
01:49:32,080 --> 01:49:40,639
Speaker 3: of like family is about biological lie. It's like, yeah, what, literally,

2031
01:49:40,680 --> 01:49:41,439
Speaker 3: what are you saying?

2032
01:49:41,520 --> 01:49:42,519
Speaker 1: Is that why you're whispering?

2033
01:49:42,560 --> 01:49:44,760
Speaker 3: Because you have like anything that was coming out of

2034
01:49:44,760 --> 01:49:47,120
Speaker 3: her mouth that was like, you're just trying to use

2035
01:49:47,160 --> 01:49:49,880
Speaker 3: a lot of big words here to make her sound

2036
01:49:49,920 --> 01:49:54,760
Speaker 3: like the sophisticated, next level criminal. And anytime I was

2037
01:49:54,840 --> 01:49:56,879
Speaker 3: just like left with Vin Diesel face.

2038
01:49:56,760 --> 01:50:01,880
Speaker 1: Like, huh, excuse me? Is she American? I know Charlie

2039
01:50:02,439 --> 01:50:07,200
Speaker 1: is South African? Is she American? In this movie? It's

2040
01:50:07,200 --> 01:50:10,720
Speaker 1: good a question we don't know, we're told. I know

2041
01:50:11,600 --> 01:50:13,920
Speaker 1: I felt like she was. I didn't. There's no other

2042
01:50:13,960 --> 01:50:14,720
Speaker 1: reason to think she was.

2043
01:50:14,880 --> 01:50:16,600
Speaker 3: Well, she's so wrapped up in trying to be a

2044
01:50:16,640 --> 01:50:19,599
Speaker 3: mystery that she's forgotten who she is. You know, Dom

2045
01:50:19,640 --> 01:50:23,080
Speaker 3: can tell that because she has her hair dyed blonde

2046
01:50:23,160 --> 01:50:24,400
Speaker 3: and she's wearing contacts.

2047
01:50:26,520 --> 01:50:29,479
Speaker 2: She kind of reminded me of the I kept thinking

2048
01:50:29,520 --> 01:50:31,320
Speaker 2: of the Borg at Queen I know this is the

2049
01:50:31,360 --> 01:50:33,840
Speaker 2: wrong crowd, but if you ever saw that Star Trek

2050
01:50:33,880 --> 01:50:36,720
Speaker 2: movie where you actually meet the Queen of the Borgs,

2051
01:50:37,560 --> 01:50:41,080
Speaker 2: she kind of reminded me of that similar look, similar way,

2052
01:50:41,240 --> 01:50:47,120
Speaker 2: similar whispery, sort of calm, you know, scientific approach to everything.

2053
01:50:47,280 --> 01:50:50,400
Speaker 2: But there are some people in the YouTube comments that'll

2054
01:50:50,479 --> 01:50:52,840
Speaker 2: that'll get the reference problems.

2055
01:50:52,960 --> 01:50:55,519
Speaker 1: I know my buddy dub and Stesche will be loving

2056
01:50:55,560 --> 01:50:59,040
Speaker 1: that reference. All right, Well, let's uh, let's rank this

2057
01:50:59,120 --> 01:51:01,280
Speaker 1: bad boy. Let's see her falls on your Fast and

2058
01:51:01,320 --> 01:51:03,920
Speaker 1: Furious leaderboard, guys, JD will start with you. From one

2059
01:51:03,920 --> 01:51:06,960
Speaker 1: to ten? How would you rate the fate of the Furious?

2060
01:51:07,160 --> 01:51:10,320
Speaker 2: Yeah, so you and I think this was use Gates

2061
01:51:10,360 --> 01:51:12,920
Speaker 2: who put this little quote in. From one to ten?

2062
01:51:12,960 --> 01:51:14,479
Speaker 2: How would you rate the Fast and Furious? And then

2063
01:51:14,520 --> 01:51:17,960
Speaker 2: there's a quote that says The film received lukewarm reviews

2064
01:51:18,000 --> 01:51:21,280
Speaker 2: from critics, many of whom praised the performances and action

2065
01:51:21,400 --> 01:51:27,519
Speaker 2: sequences but deemed the film unnecessary. Well, guess what, all

2066
01:51:27,640 --> 01:51:33,599
Speaker 2: film is unnecessary? Right? So I'm not gonna lie. Last time,

2067
01:51:33,640 --> 01:51:35,519
Speaker 2: I was in a terrible mood. I had a headache.

2068
01:51:35,520 --> 01:51:37,639
Speaker 2: I was watching seven and I hate it every minute

2069
01:51:37,640 --> 01:51:39,559
Speaker 2: of it this. I must have been in a great

2070
01:51:39,600 --> 01:51:42,720
Speaker 2: mood because I loved every second of this. I had

2071
01:51:42,720 --> 01:51:46,559
Speaker 2: the time of my life. That's by far number one

2072
01:51:46,600 --> 01:51:49,479
Speaker 2: on my leaderboard. Well not by far, but I'm going

2073
01:51:49,560 --> 01:51:52,400
Speaker 2: to give it a nine point five. I can't what.

2074
01:51:53,479 --> 01:51:55,800
Speaker 2: I just thought it was fun and I turned my

2075
01:51:55,880 --> 01:51:58,439
Speaker 2: brain off, which is what I've been trying to do

2076
01:51:58,520 --> 01:52:01,080
Speaker 2: this whole time, eight films, and I was finally able

2077
01:52:01,120 --> 01:52:03,360
Speaker 2: to do it and just enjoy the ride. I knew

2078
01:52:03,360 --> 01:52:05,720
Speaker 2: I was going on a roller coaster, and I just

2079
01:52:05,840 --> 01:52:08,320
Speaker 2: enjoyed the roller coaster and didn't ask questions. I didn't

2080
01:52:08,360 --> 01:52:11,559
Speaker 2: look down and see the you know, the if the

2081
01:52:11,640 --> 01:52:15,839
Speaker 2: stanchions were actually sound or anything. It was rattling like crazy,

2082
01:52:16,360 --> 01:52:19,479
Speaker 2: almost collapsed underneath me, but I made it to the

2083
01:52:19,560 --> 01:52:23,600
Speaker 2: end and the baby scene, it was just just incredible,

2084
01:52:23,840 --> 01:52:27,759
Speaker 2: just worth the price of admissions. So nine point five.

2085
01:52:28,439 --> 01:52:31,599
Speaker 2: I won't bother going down because it gets it's It's

2086
01:52:31,680 --> 01:52:32,400
Speaker 2: number one.

2087
01:52:32,720 --> 01:52:34,120
Speaker 1: Number one with a bang.

2088
01:52:34,280 --> 01:52:34,559
Speaker 4: Wow.

2089
01:52:34,760 --> 01:52:37,200
Speaker 1: The Fate of the Furious Fate, like the first movie

2090
01:52:37,640 --> 01:52:40,880
Speaker 1: post Paul Walker's death, JD has as number one.

2091
01:52:40,920 --> 01:52:41,240
Speaker 2: So far.

2092
01:52:41,320 --> 01:52:44,120
Speaker 1: I got a couple of go uh, Trey, well, what

2093
01:52:44,160 --> 01:52:46,000
Speaker 1: do you think you've got a couple tens in the mix.

2094
01:52:46,120 --> 01:52:48,000
Speaker 1: Is this uh? Is this right there? Is it a

2095
01:52:48,000 --> 01:52:48,720
Speaker 1: little lower to you?

2096
01:52:49,160 --> 01:52:51,160
Speaker 3: This is the worst of the new era Fast and

2097
01:52:51,240 --> 01:52:56,040
Speaker 3: the Furious movies? Yeah, I feel like uh f Gary

2098
01:52:56,160 --> 01:52:58,640
Speaker 3: Gray was kind of painted into a corner with the

2099
01:52:58,720 --> 01:53:02,920
Speaker 3: huge action scenes here Fast seven, very air centric almost

2100
01:53:02,960 --> 01:53:03,680
Speaker 3: everything in that one.

2101
01:53:03,760 --> 01:53:04,559
Speaker 1: His cars don't.

2102
01:53:04,439 --> 01:53:07,120
Speaker 3: Fly, so we kind of have to be back to

2103
01:53:07,200 --> 01:53:09,719
Speaker 3: the ground or something underneath the ground. We get both,

2104
01:53:09,800 --> 01:53:13,080
Speaker 3: but we've already seen a bunch of cars seen that

2105
01:53:13,200 --> 01:53:15,240
Speaker 3: wasn't too Fast, too furious. When they all come out

2106
01:53:15,280 --> 01:53:18,120
Speaker 3: of the garage. This we get the zombie cars, which

2107
01:53:18,280 --> 01:53:20,760
Speaker 3: I think was great. I did really enjoy the zombie cars.

2108
01:53:21,160 --> 01:53:24,960
Speaker 3: The sub scene also is great, but kind of a sillier,

2109
01:53:25,040 --> 01:53:28,320
Speaker 3: better version of the plane scene from Fast five, only

2110
01:53:28,360 --> 01:53:30,200
Speaker 3: we're trying to pull a sub up rather than pull

2111
01:53:30,200 --> 01:53:33,160
Speaker 3: a plane down. Charlie's there and I think is pretty good.

2112
01:53:33,439 --> 01:53:36,439
Speaker 3: She's always whispering, but still a good performance. She's sinister.

2113
01:53:37,160 --> 01:53:39,120
Speaker 1: I don't like that as a villain.

2114
01:53:39,200 --> 01:53:41,720
Speaker 3: She's rarely face to face with the people she's being

2115
01:53:41,720 --> 01:53:43,639
Speaker 3: a villain to, but that's just kind of the nature

2116
01:53:43,680 --> 01:53:45,960
Speaker 3: of her villain I wish they would have done something

2117
01:53:45,960 --> 01:53:49,280
Speaker 3: more with Rhodes, Like he's not really doing much that Like,

2118
01:53:49,960 --> 01:53:51,960
Speaker 3: That's one of the cool things to me is watching

2119
01:53:52,000 --> 01:53:55,519
Speaker 3: these back and seeing like who was popular in twenty sixteen,

2120
01:53:55,680 --> 01:53:58,320
Speaker 3: you know, apparently it was Torman Giants Bain. I was

2121
01:53:58,320 --> 01:54:00,680
Speaker 3: happy to see him around, but they he doesn't do

2122
01:54:00,800 --> 01:54:03,400
Speaker 3: a whole bunch in this movie. I feel like the

2123
01:54:03,479 --> 01:54:05,599
Speaker 3: number two bad guy has had a lot more to

2124
01:54:05,640 --> 01:54:09,519
Speaker 3: do in some of these other Fast and Furious, like Phoenix,

2125
01:54:09,560 --> 01:54:11,479
Speaker 3: you know, is kind of a huge plot point in

2126
01:54:11,560 --> 01:54:14,560
Speaker 3: Fast four because he's the guy who ended up exploding

2127
01:54:14,640 --> 01:54:18,360
Speaker 3: Letty's car or whatever or whatever. I actually liked Scott

2128
01:54:18,400 --> 01:54:21,120
Speaker 3: Eastwood in his role. I liked having a new Brian

2129
01:54:21,240 --> 01:54:24,479
Speaker 3: back around. But the fact that the two biggest stars

2130
01:54:24,520 --> 01:54:26,639
Speaker 3: in the movie can't stand to be around each other,

2131
01:54:26,680 --> 01:54:29,479
Speaker 3: I think is a huge problem with this. I'm giving

2132
01:54:29,479 --> 01:54:33,000
Speaker 3: it a six. I loved Statham, I loved Helen Mirren.

2133
01:54:33,080 --> 01:54:35,600
Speaker 3: The breakout scene, the baby scene, those are great and

2134
01:54:35,640 --> 01:54:37,680
Speaker 3: they really save it for me. This movie does build

2135
01:54:37,880 --> 01:54:40,240
Speaker 3: the climaxes at the end, you know, I love that,

2136
01:54:40,360 --> 01:54:41,840
Speaker 3: But it's a six.

2137
01:54:42,040 --> 01:54:45,960
Speaker 1: It's in the same tier for me as Fast six. Actually,

2138
01:54:46,000 --> 01:54:46,920
Speaker 1: so I've got a few tens.

2139
01:54:46,920 --> 01:54:49,160
Speaker 3: I got a few sevens and I got the bad

2140
01:54:49,200 --> 01:54:50,880
Speaker 3: one way down at the bottom two fast.

2141
01:54:51,360 --> 01:54:55,560
Speaker 1: Okay, I'm going even lower than Trey. I wasn't as

2142
01:54:55,600 --> 01:54:57,760
Speaker 1: high on this as of course JD. I'm more in

2143
01:54:57,800 --> 01:55:01,080
Speaker 1: the ballpark where TK is with out stay them. Without

2144
01:55:01,120 --> 01:55:04,760
Speaker 1: even that baby scene, I had this extremely low love

2145
01:55:04,840 --> 01:55:06,800
Speaker 1: where it came in the movie. It was the best

2146
01:55:06,840 --> 01:55:09,520
Speaker 1: by far the scene that we talked about, So that

2147
01:55:09,560 --> 01:55:12,440
Speaker 1: was good. Saved it a little bit. I guess I'm

2148
01:55:12,560 --> 01:55:16,840
Speaker 1: fine with Charlie's thearn overall. I hate hacker stuff though

2149
01:55:17,160 --> 01:55:18,840
Speaker 1: in movies for the most part. So of this, I mean,

2150
01:55:18,840 --> 01:55:20,880
Speaker 1: that's like they're her whole thing, and it's like, Okay,

2151
01:55:20,920 --> 01:55:25,320
Speaker 1: I'm so tired of this. Ah. It is weird that

2152
01:55:26,120 --> 01:55:28,680
Speaker 1: Dom and Hobbes are not even now talking to each

2153
01:55:28,720 --> 01:55:32,680
Speaker 1: other in this franchise. It just makes you go. This

2154
01:55:32,840 --> 01:55:35,040
Speaker 1: entire movie just made me go, oh, I'm actually excited

2155
01:55:35,040 --> 01:55:37,680
Speaker 1: for hobbson Shaw, Yeah, because I'm sort of dommed out

2156
01:55:38,080 --> 01:55:42,800
Speaker 1: and these guys are the best, and I'm fascinated to

2157
01:55:42,880 --> 01:55:45,560
Speaker 1: see are they like, how they're working together, who they're

2158
01:55:45,600 --> 01:55:47,400
Speaker 1: trying to take down, did they turn on each other?

2159
01:55:47,600 --> 01:55:49,320
Speaker 1: How all that plays out? So I just kept thinking

2160
01:55:49,320 --> 01:55:50,720
Speaker 1: the whole time, like all right, I'll just get over

2161
01:55:50,760 --> 01:55:52,880
Speaker 1: eight here and let's get to the ninth one of

2162
01:55:52,920 --> 01:55:55,440
Speaker 1: the franchise, Hobbs and Shaw. So I'm gonna give it

2163
01:55:56,240 --> 01:56:01,680
Speaker 1: a four pretty low. Yeah, maybe it was the ads

2164
01:56:01,680 --> 01:56:03,400
Speaker 1: that I had to watch, Jade, I don't know, but

2165
01:56:04,160 --> 01:56:06,520
Speaker 1: it's just I think, what's happening here too, because the

2166
01:56:06,560 --> 01:56:09,280
Speaker 1: way we're watching these it's like, you know, you said it, JD,

2167
01:56:09,440 --> 01:56:11,560
Speaker 1: Like this is all we're watching almost right now, and

2168
01:56:12,040 --> 01:56:14,920
Speaker 1: we're watching them pretty quickly, you know, after one another,

2169
01:56:15,000 --> 01:56:17,440
Speaker 1: and you know I talked before how they blend together

2170
01:56:17,480 --> 01:56:19,280
Speaker 1: and stuff, but you get like a little bit of

2171
01:56:19,280 --> 01:56:21,560
Speaker 1: a burnout at some point where it's like all right,

2172
01:56:21,760 --> 01:56:24,640
Speaker 1: and I like totally not that it was like amazing

2173
01:56:24,680 --> 01:56:26,800
Speaker 1: or anything, but like totally called what was gonna happen

2174
01:56:26,840 --> 01:56:29,320
Speaker 1: with the missile at the end, Like he's just gonna

2175
01:56:29,320 --> 01:56:32,640
Speaker 1: have it somehow track him into the sub I hated

2176
01:56:32,640 --> 01:56:36,600
Speaker 1: the firewall, as we talked about, it's stupid, and yeah,

2177
01:56:36,680 --> 01:56:39,040
Speaker 1: some of these other characters are just like eh, they're

2178
01:56:39,080 --> 01:56:40,640
Speaker 1: just like a little bit of throwaways. Like I don't

2179
01:56:40,640 --> 01:56:43,240
Speaker 1: know why Ramsey's even there. I mean again, Ted could

2180
01:56:43,280 --> 01:56:46,280
Speaker 1: be doing this. She's not a Galgado replacement at all.

2181
01:56:46,400 --> 01:56:48,080
Speaker 1: She is in terms of just being a beautiful woman,

2182
01:56:48,120 --> 01:56:50,240
Speaker 1: I guess. And they're like, well that works for some

2183
01:56:50,360 --> 01:56:52,120
Speaker 1: one of these one of these other guys to like,

2184
01:56:52,360 --> 01:56:53,360
Speaker 1: you know, creepily hit on.

2185
01:56:53,440 --> 01:56:54,640
Speaker 2: So there's that, But.

2186
01:56:54,840 --> 01:56:57,600
Speaker 1: I'm before overall love the baby. The baby is a

2187
01:56:57,640 --> 01:57:00,840
Speaker 1: star to me. Yeah, great baby. You know what, I

2188
01:57:00,840 --> 01:57:03,360
Speaker 1: hope this franchise goes to like fifty now and that

2189
01:57:03,480 --> 01:57:06,680
Speaker 1: baby is like taking over and is running things. That

2190
01:57:06,720 --> 01:57:10,240
Speaker 1: would be cool. Little Brian marcos Nevis Toretto running things.

2191
01:57:10,280 --> 01:57:13,280
Speaker 1: Get that. Get that baby a tuna silwich, the.

2192
01:57:13,280 --> 01:57:16,640
Speaker 3: Next generation, Jack and Brian roam in the streets.

2193
01:57:16,720 --> 01:57:21,160
Speaker 1: Yeah, oh that's going to happen. Oh yeah, the series

2194
01:57:21,200 --> 01:57:24,200
Speaker 1: will likely go away and then we'll come back right

2195
01:57:25,000 --> 01:57:29,120
Speaker 1: twenty years later, Grandpa dom, I can't wait. Wow, Okay,

2196
01:57:29,320 --> 01:57:32,160
Speaker 1: got me excited. Uh So, what's next? I mean I

2197
01:57:32,200 --> 01:57:34,840
Speaker 1: said it. It's Hobbs and Shaw. It's the ninth movie

2198
01:57:34,840 --> 01:57:37,800
Speaker 1: in the franchise. Only two left for us guys, Hobson,

2199
01:57:37,800 --> 01:57:40,040
Speaker 1: Shaw and then F nine, which recently came out. So Trey,

2200
01:57:40,080 --> 01:57:41,640
Speaker 1: what do we need to know heading into this one?

2201
01:57:41,800 --> 01:57:45,240
Speaker 3: That's right, Hobbs and Shaw, Samoe and Thor teaming up

2202
01:57:45,280 --> 01:57:47,720
Speaker 3: with That Tea and Crumpet Zeat and Criminal.

2203
01:57:47,880 --> 01:57:49,920
Speaker 1: So Bitch.

2204
01:57:51,040 --> 01:57:55,560
Speaker 3: Nine movies into the franchise our first spin off, and honestly,

2205
01:57:55,760 --> 01:57:59,280
Speaker 3: this spinoff to me seems to be the main reason

2206
01:57:59,360 --> 01:58:02,800
Speaker 3: for all of the tension on set during Fast eight,

2207
01:58:03,560 --> 01:58:08,200
Speaker 3: from reading the Tea leaves from reading the Rocks Instagram

2208
01:58:08,240 --> 01:58:11,240
Speaker 3: post where he was basically like, I love working with

2209
01:58:11,280 --> 01:58:14,760
Speaker 3: my female co workers, and all my male coworkers are

2210
01:58:14,840 --> 01:58:18,920
Speaker 3: candy asses. What it sounds like happened is that producers

2211
01:58:19,280 --> 01:58:23,800
Speaker 3: went to The Rock and Jason Statham apparently and said,

2212
01:58:23,800 --> 01:58:25,880
Speaker 3: we're going to be spinning off Hobbs and Shaw. Would

2213
01:58:25,880 --> 01:58:28,760
Speaker 3: you be interested in it? They said yes, and they

2214
01:58:28,800 --> 01:58:31,120
Speaker 3: did that before they told basically everybody else who was

2215
01:58:31,160 --> 01:58:35,040
Speaker 3: involved with Fast eight, which means then that Hobbs and

2216
01:58:35,080 --> 01:58:38,560
Speaker 3: Shaw had to come out before Fast nine, which is like, hey,

2217
01:58:38,560 --> 01:58:41,360
Speaker 3: why are you pushing back the main franchise to launch

2218
01:58:41,400 --> 01:58:45,480
Speaker 3: this new series with two newcomers, Which is a fair point,

2219
01:58:45,600 --> 01:58:49,040
Speaker 3: but I think they pitched this as a buddy cop movie.

2220
01:58:49,040 --> 01:58:50,960
Speaker 3: I mean, they're not cops, but whatever for The Rock

2221
01:58:51,000 --> 01:58:54,160
Speaker 3: and Jason Statham, which as we saw in Fast eight,

2222
01:58:54,680 --> 01:58:58,160
Speaker 3: is going to play to their strengths. I was shocked

2223
01:58:58,440 --> 01:59:01,760
Speaker 3: how much I loved Hobbs and Shaw the first time

2224
01:59:01,840 --> 01:59:05,680
Speaker 3: I watched it, much smaller, kind of throwbacky movie. I

2225
01:59:05,760 --> 01:59:09,200
Speaker 3: was kind of thinking it would be similar to Tokyo Drift.

2226
01:59:09,240 --> 01:59:11,040
Speaker 3: Honestly the first time I saw it, where it's like,

2227
01:59:11,080 --> 01:59:12,840
Speaker 3: you know, it's part of the franchise, but it's kind

2228
01:59:12,840 --> 01:59:15,080
Speaker 3: of sitting off to the side of it, maybe a

2229
01:59:15,120 --> 01:59:16,080
Speaker 3: little inessential.

2230
01:59:16,480 --> 01:59:17,080
Speaker 1: It was great.

2231
01:59:17,520 --> 01:59:20,160
Speaker 3: So I'm excited to be watching this one because for

2232
01:59:20,240 --> 01:59:23,240
Speaker 3: two like random characters that were added kind of halfway

2233
01:59:23,280 --> 01:59:26,760
Speaker 3: through this franchise, this seems to be a whole new

2234
01:59:26,800 --> 01:59:28,400
Speaker 3: franchise that could be starting here.

2235
01:59:28,440 --> 01:59:29,720
Speaker 1: And if you liked.

2236
01:59:29,560 --> 01:59:31,720
Speaker 3: Stethan's performance, if you've liked what you've seen from the

2237
01:59:31,800 --> 01:59:34,240
Speaker 3: Rock so far, much more of it in Hobbs and Show.

2238
01:59:34,440 --> 01:59:37,800
Speaker 1: Does this move the story forward overall or is it

2239
01:59:37,880 --> 01:59:42,720
Speaker 1: really branch off, Like how much will this have an

2240
01:59:42,760 --> 01:59:45,600
Speaker 1: impact on F nine and all the movies moving forward?

2241
01:59:45,680 --> 01:59:48,040
Speaker 1: Or is it sort of like plucked out and it's like, Okay,

2242
01:59:48,040 --> 01:59:50,360
Speaker 1: these are the characters, of course, but it has really

2243
01:59:50,520 --> 01:59:52,240
Speaker 1: nothing to do with the rest of it.

2244
01:59:53,360 --> 01:59:55,600
Speaker 3: I haven't seen Fast nine yet, so I can't totally

2245
01:59:55,640 --> 01:59:57,920
Speaker 3: answer that question. It's gonna be a fresh one for

2246
01:59:58,080 --> 02:00:02,120
Speaker 3: all of us. But I mean, with these movies, everything

2247
02:00:02,240 --> 02:00:04,680
Speaker 3: builds or doesn't build, right, Like in Fast eight, we

2248
02:00:04,760 --> 02:00:08,120
Speaker 3: heard Don just casually mentioned, hey, don't take your don't

2249
02:00:08,160 --> 02:00:11,120
Speaker 3: take your foot off the tiger's neck, and then much

2250
02:00:11,200 --> 02:00:14,080
Speaker 3: later the foot was taken off the tiger's neck. So yeah,

2251
02:00:14,120 --> 02:00:16,040
Speaker 3: I'm sure whatever is going down in Hobbs and Shaw

2252
02:00:16,080 --> 02:00:20,160
Speaker 3: while at some point have an influence on Fast twelve

2253
02:00:20,280 --> 02:00:20,760
Speaker 3: or whatever.

2254
02:00:21,480 --> 02:00:24,600
Speaker 1: JD. I assume you're gonna be watching this with Rachel.

2255
02:00:25,000 --> 02:00:27,440
Speaker 2: Well, baby, uh, you know shit.

2256
02:00:28,000 --> 02:00:31,960
Speaker 1: I mean, yes, I would think she's gonna want to

2257
02:00:31,960 --> 02:00:33,080
Speaker 1: watch this, but it sounds of it.

2258
02:00:33,360 --> 02:00:36,640
Speaker 2: I mean, for all, I know she's watching it right now.

2259
02:00:36,760 --> 02:00:41,640
Speaker 2: Actually I have no idea she's not. She's not around,

2260
02:00:41,800 --> 02:00:42,400
Speaker 2: so oh.

2261
02:00:43,000 --> 02:00:47,200
Speaker 1: She's she's streaming hobs and Shaw as we record. Okay, okay, well,

2262
02:00:47,200 --> 02:00:49,400
Speaker 1: are you excited at least moving forward? We're almost done too.

2263
02:00:49,440 --> 02:00:50,320
Speaker 1: Are you excited about that?

2264
02:00:51,000 --> 02:00:55,520
Speaker 2: I'm excited that we're almost done for sure. Yes, I

2265
02:00:55,520 --> 02:00:58,120
Speaker 2: am excited that I have not seen the next two,

2266
02:00:58,280 --> 02:01:00,560
Speaker 2: so I'm going in blind. I don't think i've seen

2267
02:01:01,160 --> 02:01:04,120
Speaker 2: even trailers for either movie. I've definitely been trying to

2268
02:01:04,200 --> 02:01:08,400
Speaker 2: avoid the F nine trailers because I want to go

2269
02:01:08,440 --> 02:01:12,960
Speaker 2: in completely blind if possible. I did get one spoiler.

2270
02:01:13,200 --> 02:01:16,360
Speaker 2: I think we talked about it, the brother is coming.

2271
02:01:17,680 --> 02:01:22,640
Speaker 2: But yeah, it's hard to research these movies and read

2272
02:01:22,680 --> 02:01:27,240
Speaker 2: about them at this point because you're sort of accidentally

2273
02:01:27,280 --> 02:01:30,280
Speaker 2: seeing stuff about F nine and stuff. Yeah, but I

2274
02:01:30,360 --> 02:01:33,480
Speaker 2: think I've done a pretty good job avoiding both. So

2275
02:01:34,280 --> 02:01:38,000
Speaker 2: I'm pumped. And Hobbs and Shaw, yeah, like were the

2276
02:01:38,040 --> 02:01:41,680
Speaker 2: best two things about the movies so far, So it's

2277
02:01:41,720 --> 02:01:42,600
Speaker 2: gonna be good, yea.

2278
02:01:42,840 --> 02:01:47,720
Speaker 1: I expect to, Like, I too, have no idea what

2279
02:01:47,800 --> 02:01:49,960
Speaker 1: the plot of this movie is, outside of course these

2280
02:01:49,960 --> 02:01:52,680
Speaker 1: guys being in it, But like I said, they it's

2281
02:01:52,720 --> 02:01:55,960
Speaker 1: Hobbs and Shot. It's not Hobbs versus Shaw, so they're

2282
02:01:55,960 --> 02:01:59,080
Speaker 1: together who they trying to take down? Does somebody turn

2283
02:01:59,120 --> 02:02:01,360
Speaker 1: on each other? Does Owen come in to play here?

2284
02:02:01,400 --> 02:02:03,400
Speaker 1: To any of these other I'm fascinated to see if

2285
02:02:03,440 --> 02:02:05,880
Speaker 1: any of these other characters are in this movie. Who

2286
02:02:05,920 --> 02:02:08,320
Speaker 1: got the call up for like this little spinoff or

2287
02:02:08,400 --> 02:02:10,879
Speaker 1: is it sort of a you know alone and by itself?

2288
02:02:11,080 --> 02:02:13,000
Speaker 1: Can't wait? Hobbs and Shaw will be our next movie

2289
02:02:13,040 --> 02:02:15,000
Speaker 1: make sure you guys watch it so you're up to

2290
02:02:15,040 --> 02:02:17,720
Speaker 1: date for the next Fast Friends. I'll remind you all

2291
02:02:17,800 --> 02:02:19,920
Speaker 1: tweet at us at no dunk sync. That's i NC

2292
02:02:20,240 --> 02:02:22,920
Speaker 1: on Twitter. Any of your Fast and Furious thoughts you

2293
02:02:22,960 --> 02:02:25,720
Speaker 1: can email them to No Dunks at the Athletic dot com.

2294
02:02:25,880 --> 02:02:28,360
Speaker 1: Put Fast Friends in the subject header. And if you

2295
02:02:28,400 --> 02:02:30,360
Speaker 1: listen on Apple Podcast, leave us at five star rating

2296
02:02:30,440 --> 02:02:32,640
Speaker 1: and review. If you're digging this, and if you're on YouTube,

2297
02:02:32,680 --> 02:02:36,200
Speaker 1: subscribe and leave a YouTube comment about the movie and

2298
02:02:36,640 --> 02:02:38,760
Speaker 1: moving forward here with two more hobbs and shot and

2299
02:02:38,800 --> 02:02:41,920
Speaker 1: then f nine getting close, getting close to wrapping this up,

2300
02:02:41,960 --> 02:02:44,480
Speaker 1: and pretty damn close to the start of the NBA season,

2301
02:02:44,560 --> 02:02:47,360
Speaker 1: So very exciting. Thank you so much for joining us.

2302
02:02:47,840 --> 02:02:49,680
Speaker 1: We will see you next time on Fast Friends.

2303
02:02:52,240 --> 02:03:07,600
Speaker 2: SA Chama Para Sash and Chama Pea sash and Rama

2304
02:03:07,760 --> 02:03:09,960
Speaker 2: Pea Sash.