WEBVTT - Episode 383 w/ Method Man

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<v Speaker 1>He is drinks chants, motherfucking podcast make He's a legendary

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<v Speaker 1>queens rapper.

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<v Speaker 2>He ain't segregate as your boy in O R E.

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<v Speaker 2>He's a Miami hip hop pyoneer.

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<v Speaker 1>What Up?

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<v Speaker 2>It's d J E f N. Together they drink it

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<v Speaker 2>up with some of the biggest players. You me and

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<v Speaker 2>the most.

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<v Speaker 3>Professional unprofessional podcast and your number one source for drunk

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<v Speaker 3>drink chans.

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<v Speaker 2>MO day is New Year c That's it's time for

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<v Speaker 2>drink Champs. Drink up? Motherfuck? Would it good? Be hoping?

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<v Speaker 1>He is?

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<v Speaker 2>What is to be?

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<v Speaker 4>This your boy in O R E? What's DJ E

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<v Speaker 4>f N? And this motherfucking drink Champs? Crazy World Hour?

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<v Speaker 2>Make some.

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<v Speaker 4>Whre Me and E Finn started this show. We said

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<v Speaker 4>we won to base it on legends. This man that

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<v Speaker 4>we have today, he's not only a legend, he's an icon.

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<v Speaker 2>He can do anything.

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<v Speaker 4>I witnessed it, from acting to rapping, to walk in

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<v Speaker 4>on your hands on stage.

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<v Speaker 2>To fight and crime that night like Batman last night. Right,

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<v Speaker 2>he can do it all. I literally sint it.

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<v Speaker 4>We literally we went through his whole discography and literally

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<v Speaker 4>we didn't we could we The records just kept going,

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<v Speaker 4>kept going.

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<v Speaker 2>We didn't.

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<v Speaker 4>We didn't have to play a record over and over

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<v Speaker 4>because this guy really has classics. This guy is really

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<v Speaker 4>a legend, he's really an icon. He's really and one

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<v Speaker 4>of the most humblest people I know, but he is

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<v Speaker 4>a goddamn king. And in case you don't know who

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<v Speaker 4>the fuck we talking about, were talking about the one.

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<v Speaker 2>So if you want to, you want to all, did

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<v Speaker 2>you go to the.

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<v Speaker 1>Hotel or well, I'm on this hotel came. Yeah, the

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<v Speaker 1>writers strike helped the Screen Actors Guild. The actors strike help.

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<v Speaker 1>I just want everybody to get their money. I will

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<v Speaker 1>never block anybody from a check, but it always feels

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<v Speaker 1>good to be able to work. And we got grips

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<v Speaker 1>lighting guys. I mean, everybody's going to come out on

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<v Speaker 1>the other and I hope better than they were left off.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 4>Yeah, because I went to the show in Paris and

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<v Speaker 4>I was I was telling but I went to the

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<v Speaker 4>show in Paris and one thing that I was amazed

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<v Speaker 4>about it was it wasn't like Knives was coming out

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<v Speaker 4>and then Wu Tang was coming out. It's like almost

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<v Speaker 4>sharing the stage. It felt like a mixtape. I was

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<v Speaker 4>sitting there and I could not hold myself.

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<v Speaker 2>Like.

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<v Speaker 4>I sat there and I sweated, like I'm sweating right now.

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<v Speaker 4>I fucking yelled to the top of my lungs. I

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<v Speaker 4>was sitting there and this is this is a real

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<v Speaker 4>put to the tour. So you wasn't on that first

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<v Speaker 4>leg at.

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<v Speaker 1>I wasn't on the first leg of the tour, which

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<v Speaker 1>is why, like I can't even give away how to

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<v Speaker 1>how the show goes. But I'm not as upfront as

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<v Speaker 1>the other guys are because the way the show was patterned.

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<v Speaker 1>Rizza put the show together. By the way, the way

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<v Speaker 1>it was pattern was like a play. Okay, so you

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<v Speaker 1>have act one, Act two, Act three, Act four, and

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<v Speaker 1>so on and so forth. We added day Lot soul.

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<v Speaker 1>That's a that's a major bump right there.

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<v Speaker 2>You know what I mean. I think dudes added day

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<v Speaker 2>Lost soul. Jesse Cage. The crowd gets soggy because daylight, man.

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<v Speaker 1>I mean, yeah, you're talking about performance like shout out

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<v Speaker 1>to truegy Dove, you know what I mean. Rest in Paradise, brother,

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<v Speaker 1>you know what I mean. But yeah, I'm happy to

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<v Speaker 1>have them there. Tylerb is with us too as well,

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<v Speaker 1>and you know it's always good to be around the fellas,

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<v Speaker 1>let's work. Hell yeah, we got more people there. Hell yeah.

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<v Speaker 4>Man, I ain't gonna lie, like I know you said,

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<v Speaker 4>you know, you can't blow it up, But I was there.

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<v Speaker 4>I went to the show and I was so impressed.

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<v Speaker 4>Like it's so I'm dope to see our groups.

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<v Speaker 1>Uh yeah, seasons, you know what what I'm saying, Like

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<v Speaker 1>like I'll go to a every now and then I'll

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<v Speaker 1>go to go check out a new artist and I'll

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<v Speaker 1>see that they're developing.

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<v Speaker 2>But once you have an artist like Wu and Nas

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<v Speaker 2>has experienced this experience, and.

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<v Speaker 4>It's like and it's crazy because because every time I

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<v Speaker 4>see you on stage, man, it feels like you just

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<v Speaker 4>belong there.

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<v Speaker 2>I'll be happy to be there. Man. I love performing.

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<v Speaker 2>You still love performing. Look at you. It's as fun

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<v Speaker 2>as you make it, you know what I mean.

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<v Speaker 1>And especially with my guys Wu Tang, I just love

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<v Speaker 1>being on stage with them because I remember where we

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<v Speaker 1>started at and every now and then, I gotta shake

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<v Speaker 1>it off because I'm looking at you know, us as teenagers,

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<v Speaker 1>and I'm looking at it and I'm.

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<v Speaker 2>Just like enjoyed in my heart to see where we

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<v Speaker 2>came from, to see where we're at right there and stuff.

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<v Speaker 1>It's like, man, I used to see you walk around

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<v Speaker 1>the same dirty ass sneakers. Now you pulling up in

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<v Speaker 1>the maybox. That is so dope.

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<v Speaker 4>So we saved this with quick Time with Slim. Well,

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<v Speaker 4>I want to ask you off top, so what do

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<v Speaker 4>you like more? Performing or making the record?

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<v Speaker 2>Damn?

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<v Speaker 1>They both like the same to me, because it's being

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<v Speaker 1>creative and that's what I am. You know, I go

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<v Speaker 1>beyond artists. I like to call us creatives because that's

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<v Speaker 1>what we do. We start with a blank slaton, whatever

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<v Speaker 1>it is, that's what it's going to be, right, I

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<v Speaker 1>don't know.

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<v Speaker 2>I mean just being in the studio, the studio atmosphere,

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<v Speaker 2>I don't really like it. You don't like being in

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<v Speaker 2>the studio.

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<v Speaker 1>No. I like to write in the comforts of my

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<v Speaker 1>own home, or, believe it or not, the front seat

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<v Speaker 1>of a vehicle, moving vehicle.

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<v Speaker 2>I like to write there as well. It got to

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<v Speaker 2>be moving. Yeah. Wow.

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<v Speaker 1>A lot of my writing was done like that because

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<v Speaker 1>I think the fact that my album, my first album,

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<v Speaker 1>was literally destroyed in the flood. A lot of the

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<v Speaker 1>writing and stuff I had to do while Wu Tang

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<v Speaker 1>was promoting the first album. So we was down south

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<v Speaker 1>West so all that, and while these guys were going

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<v Speaker 1>to the after party, I was in the studio recording so.

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<v Speaker 2>Much so your first solo.

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<v Speaker 5>He just said that, like what did you destroying that flood.

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<v Speaker 2>The whole everything. We're the majority of it.

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<v Speaker 1>So RIZ had to remake a lot of the tracks

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<v Speaker 1>and I had to re record.

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<v Speaker 2>Did you change anything about the album? Like? Was how

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<v Speaker 2>different was it from the original?

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<v Speaker 1>Only one that changed somewhat? It sounded better when I

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<v Speaker 1>originally done it was stimulation. The night that I did it,

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<v Speaker 1>we had performed. Like I said, I was coming right

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<v Speaker 1>off the stage going right into the studio. And I

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<v Speaker 1>remember this studio in particular when I did it because

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<v Speaker 1>one of.

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<v Speaker 2>The dudes from Troup was there.

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<v Speaker 1>True matter of fact, the lead singer dude, a little

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<v Speaker 1>short one and uh, you know uh, And I remember

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<v Speaker 1>the popper stopper had like the hang at the hangar

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<v Speaker 1>with the stocking wrap, the you know what I mean.

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<v Speaker 1>We just caught the ship like that, that kind of ship,

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<v Speaker 1>don't know, don't know. Theof was the size of a

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<v Speaker 1>small closet in the in the projects period.

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<v Speaker 2>But I got it done. I got it done.

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<v Speaker 1>If people knew what I went through to get that

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<v Speaker 1>four mic album, and they gave me four mics in

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<v Speaker 1>the source.

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<v Speaker 2>I wasn't mad at it. I wouldn't felt like like

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<v Speaker 2>from me.

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<v Speaker 4>So I always wanted to ask you because we were

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<v Speaker 4>playing this record earlier and they said you hate this record?

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<v Speaker 2>What record was? It? Was? It me? Yeah, that's what

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<v Speaker 2>I heard.

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<v Speaker 5>I saw an old interview where you had said you

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<v Speaker 5>didn't really like the record. You had to be convinced

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<v Speaker 5>of it.

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<v Speaker 1>Yeah, But over the years I learned to love it.

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<v Speaker 1>I like, when I wrote Met the Man, I was

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<v Speaker 1>like fifteen, sixteen years sixteen, seventeen years young.

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<v Speaker 2>Niggas got no excuse for real. We were you out

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<v Speaker 2>here making for falling years old?

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<v Speaker 1>I mean we weren't back then. We wasn't writing verses.

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<v Speaker 1>We was writing songs. We had verses with hooks, you

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<v Speaker 1>know what I mean. We had routines all that shit.

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<v Speaker 1>But we was doing it for nothing, you know, just

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<v Speaker 1>to impress the people around our way.

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<v Speaker 2>So yeah, man, like it was it was real back then.

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<v Speaker 1>B you know, so you you you didn't like it

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<v Speaker 1>at first. I just it was the rhyms.

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<v Speaker 2>It was the rhymes.

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<v Speaker 1>I thought they were a bit dated, but the date,

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<v Speaker 1>the updated part.

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<v Speaker 2>Of it was the hook. Now my mind works crazy.

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<v Speaker 1>I don't know where I heard these records before, but

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<v Speaker 1>it was etched in my head. Hey, you get off

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<v Speaker 1>my cloud. You don't know me, you don't know myself.

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<v Speaker 1>Hey you get off my cloud?

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<v Speaker 2>Who is that?

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<v Speaker 1>Hey you get off of my cloud? Right now? Now,

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<v Speaker 1>I think that's Boosy Boosey Collins. But it was stuck

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<v Speaker 1>in my head right So when I got by the

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<v Speaker 1>time I got to the m E t h O

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<v Speaker 1>d Man, that was already etched in my head from

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<v Speaker 1>you know, m E t h O d oh ov.

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<v Speaker 2>Big hauling oce Holy. The man part came from Ask.

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<v Speaker 1>It's one of my favorite records, was music Man, The

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<v Speaker 1>Music Man.

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<v Speaker 2>So it's m E t h O d Man. So

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<v Speaker 2>you put like three songs together and made censorship years old.

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<v Speaker 1>Yeah, yeah, and no no, I was like sixteen seventeen.

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<v Speaker 1>The other hook part, I got that bad. That's the Beatles.

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<v Speaker 6>He's got yo, holy shit.

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<v Speaker 2>Because I've lived in area.

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<v Speaker 1>Remember, like we didn't have back in the day when

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<v Speaker 1>we were short these we didn't have like video music box,

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<v Speaker 1>you know, video jukebox and the closest thing that we

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<v Speaker 1>could get to see in hip hop videos was never

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<v Speaker 1>really if you think about it. So the videos that

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<v Speaker 1>we did see was top forty countdowns out of rock

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<v Speaker 1>and Roll, Got.

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<v Speaker 2>A rock and Roll.

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<v Speaker 1>I remember I was a big bon Jovi fan. You

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<v Speaker 1>give the bad then they came up with the wanted that.

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<v Speaker 1>I was like, John won Jovi is a bad motherfucker. Yeah.

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<v Speaker 2>I found that we were born on the same day. It

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<v Speaker 2>was over great record, The Holy and you said you

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<v Speaker 2>wanted to ask about the songs.

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<v Speaker 4>You know what's crazy. I had never knew, like I

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<v Speaker 4>had always debated what had dropped first? Was it protect

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<v Speaker 4>your neck?

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<v Speaker 1>Protect or medad Man was already done. I like, I

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<v Speaker 1>sat there and watched Rizid make the beat. I sat

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<v Speaker 1>there and watched Rizad make the beat for Wo tenk

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<v Speaker 1>Clan ain't nothing to fuck with. Like I was sitting

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<v Speaker 1>there while he was going through the joints. I don't

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<v Speaker 1>want to give it where they know what the samples

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<v Speaker 1>are there.

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<v Speaker 2>Yeah, you know he.

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<v Speaker 1>Had a fucking record of cartoon classics and that's where

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<v Speaker 1>the Underdog sample came from, right, and the medic Man

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<v Speaker 1>sample was I don't know if it's a woman tell

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<v Speaker 1>that either you know, and the sample is so small

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<v Speaker 1>you you won't be able to find it. Wow, for method, man,

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<v Speaker 1>you won't be able to find that motherfucker. So you know,

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<v Speaker 1>I was around for some shit, nigga that shit, but

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<v Speaker 1>always well protecting that contraded. I had read somewhere that

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<v Speaker 1>people misconscrewed my words and thought that I paid one

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<v Speaker 1>hundred dollars to get into.

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<v Speaker 2>The Wu Tang. Yeah. Now the story goes.

0:11:17.840 --> 0:11:22.960
<v Speaker 1>Like this, Rizza was putting together this song, cor protecting

0:11:23.040 --> 0:11:24.559
<v Speaker 1>that well, wasn't carp protecting neck then, but he was

0:11:24.559 --> 0:11:26.280
<v Speaker 1>putting together the song, and he said, bring one hundred

0:11:26.320 --> 0:11:28.160
<v Speaker 1>dollars to the studio. They had already paid for the studio.

0:11:28.480 --> 0:11:29.839
<v Speaker 1>They were trying to get some of their money back,

0:11:30.000 --> 0:11:31.880
<v Speaker 1>so they tried to get every man to bring a

0:11:31.960 --> 0:11:34.640
<v Speaker 1>hundred dollars to the studio. And I said, honestly, I

0:11:34.640 --> 0:11:36.320
<v Speaker 1>think me and you God the only niggas that brought

0:11:36.280 --> 0:11:37.040
<v Speaker 1>one hundred dollars.

0:11:37.920 --> 0:11:40.320
<v Speaker 2>Say shit, They just kept the money and shit.

0:11:41.559 --> 0:11:44.720
<v Speaker 1>But you know, out of it came a dope ass

0:11:44.760 --> 0:11:47.720
<v Speaker 1>motherfucker getting shit, you know what I'm saying, and contraded

0:11:47.760 --> 0:11:49.360
<v Speaker 1>what people think. No, we did not pay to get

0:11:49.360 --> 0:11:51.319
<v Speaker 1>into the group. We all grew up around each other,

0:11:51.360 --> 0:11:54.640
<v Speaker 1>from teenagers like pre teenagers to adults.

0:11:54.679 --> 0:11:57.040
<v Speaker 2>You know what I'm saying. So yeah, so let me.

0:11:56.960 --> 0:11:59.400
<v Speaker 4>Ask you, because you was the first that was that

0:11:59.440 --> 0:12:00.520
<v Speaker 4>was he was the first one.

0:12:00.360 --> 0:12:05.880
<v Speaker 2>With a solo record, the first one to sign the documentary.

0:12:06.080 --> 0:12:07.960
<v Speaker 4>He was the first one to the first one to

0:12:07.960 --> 0:12:10.000
<v Speaker 4>say he was the last one to lay the last

0:12:10.080 --> 0:12:13.959
<v Speaker 4>verse on on on on the first what was it?

0:12:15.360 --> 0:12:17.960
<v Speaker 1>And the show says that told you was the first

0:12:17.960 --> 0:12:19.520
<v Speaker 1>one to sign the contract to start it off.

0:12:19.880 --> 0:12:21.920
<v Speaker 5>It was the last one to start the first of

0:12:22.120 --> 0:12:24.240
<v Speaker 5>the second album forever.

0:12:24.080 --> 0:12:25.000
<v Speaker 2>To end a contract.

0:12:26.160 --> 0:12:36.120
<v Speaker 1>Oh, I didn't know that that was.

0:12:36.240 --> 0:12:36.679
<v Speaker 2>I ain't know.

0:12:36.760 --> 0:12:40.480
<v Speaker 1>I honestly, I know we had a contract ship that

0:12:40.480 --> 0:12:42.679
<v Speaker 1>could end. Honestly, let me finish the sin and I

0:12:42.800 --> 0:12:44.280
<v Speaker 1>know we had a contract that could end in ship,

0:12:44.320 --> 0:12:47.320
<v Speaker 1>you know, brotherhood forever and ship. And it's like Rizzi

0:12:47.400 --> 0:12:51.080
<v Speaker 1>has given ri has given us way more than we

0:12:51.840 --> 0:12:55.520
<v Speaker 1>ever could have dreamed of, and we've given him the same.

0:12:56.720 --> 0:12:59.760
<v Speaker 2>As a collective. You'll never see anything like this.

0:13:00.200 --> 0:13:02.280
<v Speaker 1>And you know, and I'm not it's not a brag,

0:13:02.320 --> 0:13:03.040
<v Speaker 1>It's just I'm.

0:13:02.920 --> 0:13:05.760
<v Speaker 4>Just letting you know that I'm ragging me, I'm bragging

0:13:05.800 --> 0:13:07.680
<v Speaker 4>for you. Yes, it would never be another Wu.

0:13:07.600 --> 0:13:10.880
<v Speaker 1>Tang, the cohesion and just the the I would like

0:13:10.920 --> 0:13:13.000
<v Speaker 1>to call it clutch genius because we had no idea

0:13:13.080 --> 0:13:15.360
<v Speaker 1>what we were doing when we were, you know, just

0:13:15.360 --> 0:13:18.640
<v Speaker 1>freestyling for fun, going to the house, making tapes on

0:13:18.280 --> 0:13:20.199
<v Speaker 1>the on the just on the fly, you know what

0:13:20.240 --> 0:13:22.880
<v Speaker 1>I mean. Some dudes had just started rhyming for like

0:13:22.920 --> 0:13:25.359
<v Speaker 1>two years and got nice just being around that atmosphere

0:13:25.440 --> 0:13:29.840
<v Speaker 1>kind of thing, you know. And to have him have

0:13:29.920 --> 0:13:31.800
<v Speaker 1>a vision to put all of that to I mean,

0:13:31.840 --> 0:13:32.960
<v Speaker 1>this is like frantic shit.

0:13:33.080 --> 0:13:34.719
<v Speaker 2>Nobody like when you heard.

0:13:36.080 --> 0:13:38.240
<v Speaker 1>Only people that that I can think that came close,

0:13:38.400 --> 0:13:40.760
<v Speaker 1>and they came before us was n w A. When

0:13:40.800 --> 0:13:43.679
<v Speaker 1>you heard the NWA album, you expected to hear all

0:13:43.720 --> 0:13:45.920
<v Speaker 1>of them on each record, but you didn't. Sometimes you

0:13:46.040 --> 0:13:49.200
<v Speaker 1>just got easy. Sometimes you got ice Cube and Brand,

0:13:49.240 --> 0:13:51.520
<v Speaker 1>you know, or just Dre and Cube and you know

0:13:51.559 --> 0:13:54.280
<v Speaker 1>what I mean, and really did that same ship. But

0:13:54.440 --> 0:13:56.559
<v Speaker 1>it was more clutch genius than anything because we had

0:13:56.559 --> 0:13:59.960
<v Speaker 1>these records for years before anybody even heard these ships.

0:14:00.320 --> 0:14:03.079
<v Speaker 1>So he put them all together and made him sound

0:14:03.080 --> 0:14:05.280
<v Speaker 1>like it was a complete fucking apple. This is why

0:14:05.400 --> 0:14:08.440
<v Speaker 1>method Man is a solo record on a fucking on

0:14:08.520 --> 0:14:10.199
<v Speaker 1>a protecting neck on the flip side of.

0:14:10.160 --> 0:14:13.440
<v Speaker 4>It, and s because that's my host. Yeah, question the

0:14:13.520 --> 0:14:17.080
<v Speaker 4>leader of the wang. What launched you in that way?

0:14:18.040 --> 0:14:20.080
<v Speaker 4>You know what's crazy on that? On that record, the

0:14:20.120 --> 0:14:22.920
<v Speaker 4>first thing you say, you could tell that you wanted

0:14:22.920 --> 0:14:24.400
<v Speaker 4>to shout out your crew. The first thing you do

0:14:24.440 --> 0:14:25.240
<v Speaker 4>is shout out your crew.

0:14:25.680 --> 0:14:27.920
<v Speaker 2>Off top. It might have said method man, but one

0:14:27.920 --> 0:14:29.120
<v Speaker 2>thing I noticed is off.

0:14:29.080 --> 0:14:32.200
<v Speaker 1>Top orchestrated that part of it. But I probably would

0:14:32.240 --> 0:14:33.880
<v Speaker 1>have did that ship anyway. And Justus is the one

0:14:33.880 --> 0:14:36.280
<v Speaker 1>who actually said it. He did the breakdown of it

0:14:36.320 --> 0:14:39.400
<v Speaker 1>and ship word, that's us. That's just a that's the

0:14:39.560 --> 0:14:43.320
<v Speaker 1>just a mac and he was good at that. Nah,

0:14:43.400 --> 0:14:45.880
<v Speaker 1>that was just that was just a holy because you've

0:14:45.920 --> 0:14:50.800
<v Speaker 1>been the way too many ships, I'd be saying that part.

0:14:51.160 --> 0:14:52.560
<v Speaker 2>I definitely be saying that far.

0:14:53.320 --> 0:14:59.000
<v Speaker 4>So you got a chance to work with Tupac and Biggie. Yeah, yeah,

0:14:59.040 --> 0:14:59.880
<v Speaker 4>how crazy is that?

0:15:00.200 --> 0:15:01.960
<v Speaker 1>Well it would have been crazy if Plock would have

0:15:02.000 --> 0:15:02.920
<v Speaker 1>actually been there.

0:15:03.560 --> 0:15:04.480
<v Speaker 2>Now we're big.

0:15:05.040 --> 0:15:07.400
<v Speaker 1>I remember Tracy Waples came and picked me up, scooped

0:15:07.400 --> 0:15:10.920
<v Speaker 1>me up, and the word was amongst the crew because

0:15:10.920 --> 0:15:13.480
<v Speaker 1>we was getting hot. We had some traction and Rizz's

0:15:13.600 --> 0:15:16.440
<v Speaker 1>smart motherfucker. I mean, people don't give them enough credit.

0:15:17.160 --> 0:15:18.720
<v Speaker 1>Didn't want you to do the record, right, he did

0:15:18.720 --> 0:15:21.200
<v Speaker 1>not want us to do any records with anybody outside

0:15:21.200 --> 0:15:21.560
<v Speaker 1>of the clan.

0:15:21.680 --> 0:15:22.240
<v Speaker 2>Keep the money on.

0:15:27.240 --> 0:15:29.520
<v Speaker 1>It's just genius to it because when you got when

0:15:29.560 --> 0:15:31.680
<v Speaker 1>your name is hot, why would you want to spread

0:15:31.720 --> 0:15:32.600
<v Speaker 1>your money?

0:15:33.760 --> 0:15:34.800
<v Speaker 2>So you you bring it.

0:15:34.960 --> 0:15:38.760
<v Speaker 1>But in my defense, I'm thinking, well, if I kill

0:15:38.800 --> 0:15:39.920
<v Speaker 1>this record, their.

0:15:39.720 --> 0:15:40.920
<v Speaker 2>Fans are now our fans.

0:15:41.000 --> 0:15:45.040
<v Speaker 1>Yes, So Tracy Waple comes scoops me up, I go

0:15:45.080 --> 0:15:48.240
<v Speaker 1>do the record. Biggie is mad funny. This is like

0:15:48.240 --> 0:15:49.920
<v Speaker 1>my second time. The first time I met him was

0:15:49.920 --> 0:15:53.200
<v Speaker 1>outside the Meuse. We all performed there that night. We

0:15:53.280 --> 0:15:56.320
<v Speaker 1>performed Big Perform. Yo Yo performed that night as well,

0:15:56.800 --> 0:15:58.280
<v Speaker 1>and that was the first time I seen Big Due

0:15:58.280 --> 0:15:59.120
<v Speaker 1>party in bullshit.

0:15:59.360 --> 0:15:59.480
<v Speaker 2>Now.

0:15:59.520 --> 0:16:00.920
<v Speaker 1>The reason why knew it was big because he had

0:16:00.920 --> 0:16:05.200
<v Speaker 1>on the big shirt. Now back then, now, back then.

0:16:05.320 --> 0:16:07.800
<v Speaker 1>If you wore a fucking shirt in the video and

0:16:07.880 --> 0:16:09.720
<v Speaker 1>it was your first video and you a new artist,

0:16:10.280 --> 0:16:12.680
<v Speaker 1>you were seeing in that ship everywhere for the next

0:16:12.720 --> 0:16:15.360
<v Speaker 1>few weeks. Ain't no lie, no lie. I wore a

0:16:15.360 --> 0:16:17.560
<v Speaker 1>lot of my ship like that. All I need ship

0:16:17.920 --> 0:16:20.480
<v Speaker 1>to fucking bring the pain lever. That ship went.

0:16:20.320 --> 0:16:21.360
<v Speaker 2>Everywhere with you niggas.

0:16:21.560 --> 0:16:24.480
<v Speaker 1>Think about it, Okay, think about it. There's live footage

0:16:24.600 --> 0:16:28.160
<v Speaker 1>at the Roxy Puppy's birthday party. I got the leather on,

0:16:29.080 --> 0:16:33.640
<v Speaker 1>live footage right Wutang performing in Long Island. I got

0:16:33.640 --> 0:16:38.800
<v Speaker 1>the leather on. Bring the pain video let on like

0:16:38.920 --> 0:16:40.560
<v Speaker 1>guess me, oh yeah that got to be and we

0:16:40.560 --> 0:16:42.440
<v Speaker 1>got the leather on. But let's me ask you because

0:16:42.480 --> 0:16:44.000
<v Speaker 1>you said something. You said Pop wasn't there.

0:16:44.160 --> 0:16:46.320
<v Speaker 2>No, he wasn't there. Pack was in jail. That was

0:16:46.360 --> 0:16:47.480
<v Speaker 2>for the Dog Pound album.

0:16:47.560 --> 0:16:51.160
<v Speaker 1>That was for Dad and death Bro was so tight

0:16:51.280 --> 0:16:55.400
<v Speaker 1>that when Pot came home they gave him the record

0:16:55.640 --> 0:16:57.680
<v Speaker 1>because they you know, it was like come home pocketing.

0:16:57.720 --> 0:16:59.280
<v Speaker 2>When he came home, they was like, here it is,

0:16:59.600 --> 0:17:01.520
<v Speaker 2>whatever you want, We got it now was the East

0:17:01.560 --> 0:17:02.880
<v Speaker 2>Coast time.

0:17:03.040 --> 0:17:06.040
<v Speaker 1>No, I never got any flag. Nobody says ship to

0:17:06.119 --> 0:17:06.960
<v Speaker 1>me about that ship.

0:17:07.200 --> 0:17:08.920
<v Speaker 2>Nothing. Let me tell you something about we'll take you

0:17:10.920 --> 0:17:12.080
<v Speaker 2>for one all right.

0:17:12.119 --> 0:17:16.280
<v Speaker 1>You know it's non ten members, ten members, okay, but

0:17:16.520 --> 0:17:20.240
<v Speaker 1>they don't know that tim members got family. Members were

0:17:20.240 --> 0:17:24.320
<v Speaker 1>from everywhere. We're from everywhere. We got family. Wait, even

0:17:24.359 --> 0:17:26.280
<v Speaker 1>though we had ship, but we from everywhere. So it's

0:17:26.320 --> 0:17:29.000
<v Speaker 1>like if somebody did feel a certain kind of way,

0:17:29.000 --> 0:17:31.800
<v Speaker 1>it was rectified really fast, really fucking fast. But I

0:17:31.880 --> 0:17:34.440
<v Speaker 1>never got any beef whatever. Me and Big was still cool.

0:17:34.440 --> 0:17:37.119
<v Speaker 1>Big never looked at it in any weird kind of

0:17:37.119 --> 0:17:39.280
<v Speaker 1>more fucking way and ship and you know when I

0:17:39.320 --> 0:17:40.840
<v Speaker 1>finally did run in the park.

0:17:40.760 --> 0:17:41.919
<v Speaker 2>The record wasn't even mentioned.

0:17:44.040 --> 0:17:47.560
<v Speaker 1>Go ahead, man, okay, all right, So this ship going

0:17:47.600 --> 0:17:51.120
<v Speaker 1>on with the East Coast West Coast ship. I fly

0:17:51.240 --> 0:17:55.480
<v Speaker 1>out to Cali that day for Soul Trained like everybody did. Okay,

0:17:55.960 --> 0:17:58.240
<v Speaker 1>Soul Training awards happening. I get on the plane. I'm

0:17:58.280 --> 0:18:03.320
<v Speaker 1>in first class. Shure he leaving from New York, and

0:18:03.320 --> 0:18:07.560
<v Speaker 1>I'm like, well, wow, that's that's interesting. You know, first

0:18:07.600 --> 0:18:09.760
<v Speaker 1>class from New York to l A. From New York

0:18:09.800 --> 0:18:12.119
<v Speaker 1>to l A. Yes, okay, he ain't say ship to

0:18:12.200 --> 0:18:16.120
<v Speaker 1>me either. He says ship to me anyway, No, he did.

0:18:16.119 --> 0:18:17.320
<v Speaker 1>When he got off the plane, though he did the

0:18:17.320 --> 0:18:20.320
<v Speaker 1>het nod that shug ship. He was like walked off

0:18:20.320 --> 0:18:22.480
<v Speaker 1>the plane, you know what I mean. I didn't even

0:18:22.520 --> 0:18:27.200
<v Speaker 1>say ship back though. It was like, but long story short,

0:18:27.920 --> 0:18:29.080
<v Speaker 1>and that means it's gonna be longer.

0:18:30.000 --> 0:18:32.000
<v Speaker 2>I'm in House of Blues.

0:18:32.040 --> 0:18:33.320
<v Speaker 1>This is way he used to do the Soul Trade

0:18:33.600 --> 0:18:36.280
<v Speaker 1>party every day. Yeah, right there on the strip they

0:18:36.400 --> 0:18:39.640
<v Speaker 1>do the Soul Train party. I'm up in here right now.

0:18:39.680 --> 0:18:42.159
<v Speaker 1>I'm on mushrooms like a motherfucker.

0:18:43.760 --> 0:18:45.160
<v Speaker 2>That's what they was doing out there.

0:18:48.840 --> 0:18:53.960
<v Speaker 1>I'm in here like this, and I mean it didn't

0:18:54.040 --> 0:18:56.760
<v Speaker 1>hit me, hit me like because you know, we got

0:18:56.760 --> 0:18:59.080
<v Speaker 1>a force fielder time, we got force field around it.

0:18:59.080 --> 0:19:02.880
<v Speaker 2>But I'm by myself. Uh, it didn't hit me while

0:19:02.920 --> 0:19:03.520
<v Speaker 2>I'm in the.

0:19:03.400 --> 0:19:05.600
<v Speaker 1>Club, in the House of Blues till I saw Puff

0:19:06.119 --> 0:19:07.920
<v Speaker 1>and Saint a slight against Puff. But it was like

0:19:08.080 --> 0:19:11.320
<v Speaker 1>I see Puffy and I see Puffy with like six bodyguards.

0:19:11.560 --> 0:19:12.240
<v Speaker 2>Then it hit me.

0:19:12.960 --> 0:19:17.680
<v Speaker 1>It was like, wait a minute, Yeah, the whole, the whole,

0:19:17.960 --> 0:19:21.040
<v Speaker 1>the whole, everything, everything, the situation, everything.

0:19:20.760 --> 0:19:25.359
<v Speaker 2>Everything right there is bliss like a motherfucker.

0:19:26.000 --> 0:19:29.360
<v Speaker 1>But I see Puffy coming and mind you, Puff don't

0:19:29.400 --> 0:19:31.880
<v Speaker 1>speak to me. No, he speaks to me, But he

0:19:31.960 --> 0:19:34.600
<v Speaker 1>never speaks to me like this embraced.

0:19:34.160 --> 0:19:36.439
<v Speaker 2>Map for something. Did he have a shiny shuit on? No,

0:19:36.480 --> 0:19:38.280
<v Speaker 2>you have a shiny shit on Puff, that on all black.

0:19:39.240 --> 0:19:40.720
<v Speaker 2>But he's on point. You can on point.

0:19:41.119 --> 0:19:42.720
<v Speaker 1>He ain't the drink, none of that ship. But he

0:19:42.760 --> 0:19:45.760
<v Speaker 1>had all these niggas with them, bodyguard niggas. So now

0:19:45.760 --> 0:19:49.720
<v Speaker 1>it's like, oh, ship, I slided my ass. Now I'm

0:19:49.720 --> 0:19:51.600
<v Speaker 1>looking around to see if anybody saw me speak to

0:19:51.640 --> 0:19:54.200
<v Speaker 1>this motherfucker and saw that ship. Right, And don't ask

0:19:54.240 --> 0:19:56.880
<v Speaker 1>me why I'm thinking that. It's just I don't want

0:19:56.880 --> 0:19:59.399
<v Speaker 1>to be on anybody fucking radar at this point.

0:19:59.480 --> 0:19:59.600
<v Speaker 2>Right.

0:20:01.600 --> 0:20:03.239
<v Speaker 1>So I'm up and you know, I remember how they

0:20:03.280 --> 0:20:05.360
<v Speaker 1>had the food booths and you know, you can sit

0:20:05.440 --> 0:20:06.960
<v Speaker 1>up in the bar. So I'm sitting up on top

0:20:07.000 --> 0:20:09.119
<v Speaker 1>of the booth, sitting like this, right, and I'm in

0:20:09.160 --> 0:20:10.879
<v Speaker 1>my head like crazy, and I was like, did that

0:20:11.000 --> 0:20:13.919
<v Speaker 1>just happened? Because Puff's never that nice to me. I

0:20:13.960 --> 0:20:15.400
<v Speaker 1>mean he's nice, but he's.

0:20:15.240 --> 0:20:20.000
<v Speaker 2>Never that nice to me. You got play with? Is

0:20:20.320 --> 0:20:20.879
<v Speaker 2>that everything?

0:20:20.880 --> 0:20:22.880
<v Speaker 1>I'm in the club down that see Puffy come through,

0:20:22.920 --> 0:20:23.800
<v Speaker 1>And now it's like, oh.

0:20:23.640 --> 0:20:29.080
<v Speaker 2>Ship, he's going okay, Oh he's damn Puffy.

0:20:29.560 --> 0:20:31.159
<v Speaker 1>Like I said, I slid up in a booth like this.

0:20:31.240 --> 0:20:33.640
<v Speaker 1>Now I'm just sitting there. I'm fucked up off these rooms.

0:20:33.680 --> 0:20:36.560
<v Speaker 1>Now I'm at the utmost point here, the peak of

0:20:37.200 --> 0:20:41.440
<v Speaker 1>shroom high and I'm sitting there and shipping. It's like

0:20:42.600 --> 0:20:47.600
<v Speaker 1>and I hear math math now look and it's Latifa.

0:20:48.280 --> 0:20:50.159
<v Speaker 1>She's like, what the fuck are you doing up in

0:20:50.200 --> 0:20:50.720
<v Speaker 1>that corner?

0:20:50.880 --> 0:20:54.320
<v Speaker 2>Come here. I snapped out of that. I was good

0:20:54.359 --> 0:20:56.760
<v Speaker 2>the rest of the night. After that, shout after you, Dan,

0:20:56.920 --> 0:21:01.880
<v Speaker 2>I love you, I love you. After that, I was like, shit,

0:21:01.960 --> 0:21:02.520
<v Speaker 2>we good.

0:21:03.080 --> 0:21:07.440
<v Speaker 1>Good niggah. So the end of the night happens, all

0:21:07.520 --> 0:21:13.800
<v Speaker 1>lights come on, I'm leaving. Turn around Tupac in the

0:21:13.840 --> 0:21:16.960
<v Speaker 1>same club. Yeah, the whole night. I had no idea though,

0:21:17.400 --> 0:21:21.399
<v Speaker 1>but turn around his pocket ship. Now he's telling me

0:21:21.440 --> 0:21:24.040
<v Speaker 1>about something, some incident that happened with Rizide in Vegas,

0:21:24.160 --> 0:21:26.720
<v Speaker 1>and if he was there, it probably wouldn't It definitely

0:21:26.720 --> 0:21:27.400
<v Speaker 1>wouldn't have happened.

0:21:27.400 --> 0:21:28.960
<v Speaker 2>Blah blah blah. Spoke to the piles that be.

0:21:29.440 --> 0:21:33.359
<v Speaker 1>Basically, he was saying, if there's anybody we would funking

0:21:33.440 --> 0:21:35.320
<v Speaker 1>on the East coast, it'll be Wu Tang.

0:21:35.640 --> 0:21:36.200
<v Speaker 2>You know what I mean.

0:21:36.640 --> 0:21:39.919
<v Speaker 1>This is letting us know and anybody that was in

0:21:40.000 --> 0:21:41.600
<v Speaker 1>the know know that it wasn't the East coast West

0:21:41.600 --> 0:21:41.960
<v Speaker 1>Coast thing.

0:21:42.160 --> 0:21:43.399
<v Speaker 2>Bad boy death roa.

0:21:43.560 --> 0:21:47.960
<v Speaker 1>Okay, he started saying something else, but I'm not really

0:21:47.960 --> 0:21:50.879
<v Speaker 1>listening because I'm looking at the death row piece on

0:21:50.960 --> 0:21:53.160
<v Speaker 1>his chain and this is my first time eating Park,

0:21:53.200 --> 0:21:55.080
<v Speaker 1>so I'm like, oh shit, this fucking tupac. Look at

0:21:55.119 --> 0:21:59.800
<v Speaker 1>that fucking change. And he remember looking up and he

0:22:00.040 --> 0:22:02.600
<v Speaker 1>finished what he was saying. I was like, yeah, you know, men,

0:22:02.600 --> 0:22:04.679
<v Speaker 1>come to the table. We talked all right, peace And

0:22:04.720 --> 0:22:06.520
<v Speaker 1>I remember looking at Sugar and he got the cigar

0:22:06.720 --> 0:22:13.320
<v Speaker 1>like this and he's like nothing, nothing, No, it'spread, just

0:22:14.000 --> 0:22:17.359
<v Speaker 1>the man stow it because the cameras is on Nigga ship,

0:22:17.400 --> 0:22:18.280
<v Speaker 1>he and sug.

0:22:18.040 --> 0:22:18.680
<v Speaker 2>Mold and ship.

0:22:18.760 --> 0:22:22.680
<v Speaker 1>So I'm like, yeah, walk out, we get out front

0:22:22.680 --> 0:22:25.840
<v Speaker 1>and ship and no live man. I remember being in

0:22:25.880 --> 0:22:28.399
<v Speaker 1>the back of Pink Dot in that alley where you

0:22:28.400 --> 0:22:30.520
<v Speaker 1>know what Pink Dot is right up the block, and

0:22:30.560 --> 0:22:32.719
<v Speaker 1>we sat there and was discussing that whole night of

0:22:32.760 --> 0:22:36.160
<v Speaker 1>how that ship was so fucking weird, you and Park, No,

0:22:36.280 --> 0:22:38.560
<v Speaker 1>oh you, me and the people. I was like, okay, okay, okay,

0:22:38.640 --> 0:22:41.119
<v Speaker 1>how that ship was just so fucking weird and the

0:22:41.160 --> 0:22:44.560
<v Speaker 1>party and all that shit happened like that Latifa like.

0:22:44.880 --> 0:22:47.199
<v Speaker 2>Nigga, what are you doing? The mushrooms right, It was

0:22:47.240 --> 0:22:48.600
<v Speaker 2>definitely the mushroom.

0:22:52.600 --> 0:22:54.360
<v Speaker 1>Shut out the pink Dot, but that you know, that's

0:22:54.400 --> 0:22:57.359
<v Speaker 1>my pox story and ship. Now I didn't You didn't

0:22:57.359 --> 0:22:59.919
<v Speaker 1>se him after that record? Never, He never said they

0:23:00.080 --> 0:23:02.000
<v Speaker 1>you're looking for the No, never, because you had to

0:23:02.040 --> 0:23:04.440
<v Speaker 1>clear that honestly, Yeah, but I had cleared it.

0:23:04.359 --> 0:23:09.000
<v Speaker 2>For dog Pounds guys in corrupt my nigga. So the

0:23:09.040 --> 0:23:09.480
<v Speaker 2>way that.

0:23:09.359 --> 0:23:12.280
<v Speaker 1>Ship ended up on the record, they were playing it

0:23:12.280 --> 0:23:14.520
<v Speaker 1>in New York. I didn't feel any kind of way

0:23:14.560 --> 0:23:15.920
<v Speaker 1>about it because I killed my verse, so I didn't

0:23:15.960 --> 0:23:16.199
<v Speaker 1>give a.

0:23:16.200 --> 0:23:17.760
<v Speaker 2>Fuck what anybody thought any fucking way.

0:23:17.760 --> 0:23:19.639
<v Speaker 1>But they were playing it in New York, and that

0:23:19.760 --> 0:23:21.159
<v Speaker 1>was the first time I heard it. I had no

0:23:21.240 --> 0:23:24.200
<v Speaker 1>idea Pok was on the ship really right because of

0:23:24.280 --> 0:23:26.920
<v Speaker 1>the part that park rhyme. Then that was ragees verse

0:23:27.800 --> 0:23:30.480
<v Speaker 1>and then I get rage because it was a dog

0:23:30.520 --> 0:23:33.280
<v Speaker 1>Pound record and Decks verse.

0:23:33.119 --> 0:23:34.880
<v Speaker 2>Wasn't on there, so I was like, wow, that's that's

0:23:34.920 --> 0:23:35.720
<v Speaker 2>that's interesting.

0:23:36.040 --> 0:23:38.160
<v Speaker 4>So originally it was it was it was a Wu

0:23:38.200 --> 0:23:42.080
<v Speaker 4>Tang collab with It was just, uh, let's put this way.

0:23:42.359 --> 0:23:44.919
<v Speaker 1>Anytime I went to Cali, them niggas would come scoop me.

0:23:45.640 --> 0:23:47.879
<v Speaker 1>When they came to the East Coast, I would come

0:23:47.880 --> 0:23:49.840
<v Speaker 1>scoop Then, okay, cool that kind of thing. And Ship

0:23:49.880 --> 0:23:51.480
<v Speaker 1>I had niggas in Harlem and Ship in the back

0:23:51.480 --> 0:23:52.919
<v Speaker 1>of the four, running these niggas in the back of

0:23:52.920 --> 0:23:55.679
<v Speaker 1>the four like this multi million dollar niggas scrunched up

0:23:55.680 --> 0:23:58.919
<v Speaker 1>in the back of my motherfucker anyway.

0:24:00.359 --> 0:24:01.520
<v Speaker 2>Yeah, it would always come get me.

0:24:01.560 --> 0:24:03.679
<v Speaker 1>And Deck just happened to be there that day, Me

0:24:03.760 --> 0:24:06.879
<v Speaker 1>and him and Doc slid over the Dazzer's crib fed

0:24:06.960 --> 0:24:11.439
<v Speaker 1>us play some motherfucking NBA two K smoked and started writing.

0:24:12.640 --> 0:24:15.680
<v Speaker 2>Well, and you said you you spoke the big after

0:24:15.760 --> 0:24:17.280
<v Speaker 2>that too, Big, I mean.

0:24:17.119 --> 0:24:19.320
<v Speaker 1>Not nbah g K was EA Sports. It was NBA

0:24:19.520 --> 0:24:21.399
<v Speaker 1>Live Sorry, NBA Live look Ahead.

0:24:21.520 --> 0:24:24.120
<v Speaker 4>And you said you saw a big after the pop

0:24:24.160 --> 0:24:26.600
<v Speaker 4>record got reported and nothing was never.

0:24:26.920 --> 0:24:32.040
<v Speaker 2>No, never anything. Let me let me explain something.

0:24:32.080 --> 0:24:36.400
<v Speaker 1>Even when Ghosts and Ray, or rather Ray for instance,

0:24:36.440 --> 0:24:40.200
<v Speaker 1>said something about album cover and all that stuff, already,

0:24:40.240 --> 0:24:42.240
<v Speaker 1>Me and Big had already had a rapport, you know

0:24:42.280 --> 0:24:45.320
<v Speaker 1>what I mean, And the way they felt wasn't the

0:24:45.359 --> 0:24:48.400
<v Speaker 1>way I felt at all. Plus it didn't have any

0:24:48.480 --> 0:24:51.200
<v Speaker 1>merit to it because we never discussed that as a clan.

0:24:51.720 --> 0:24:55.119
<v Speaker 1>That's just something Ray came off with as Ray. That

0:24:55.320 --> 0:24:57.040
<v Speaker 1>I mean, that's how he felt. That's how he felt,

0:24:57.080 --> 0:24:58.440
<v Speaker 1>you know what I mean? But that had already had a.

0:24:58.359 --> 0:25:01.080
<v Speaker 2>Record album though, right I was raised. I was raised.

0:25:01.440 --> 0:25:08.760
<v Speaker 1>It was on Ghost album album because he was like Claude, Yeah,

0:25:09.040 --> 0:25:09.280
<v Speaker 1>I was.

0:25:09.720 --> 0:25:14.040
<v Speaker 2>Skinner is on Ghost album. Wasn't on.

0:25:14.560 --> 0:25:17.080
<v Speaker 1>Ye. Matter of fact, it was Ghosts that said that

0:25:17.119 --> 0:25:24.159
<v Speaker 1>ship you're right, you're right, you're right, you're right, my brains.

0:25:24.160 --> 0:25:28.280
<v Speaker 1>It was Ghosts that said it on Raised album. They're

0:25:28.280 --> 0:25:31.560
<v Speaker 1>absolutely right. But like I said, like even when we

0:25:31.600 --> 0:25:37.440
<v Speaker 1>used to do shows with them niggas, some dudes would

0:25:37.440 --> 0:25:39.400
<v Speaker 1>just keep walking, you know what I mean? You say,

0:25:39.440 --> 0:25:41.080
<v Speaker 1>but I would always stop and stay what's up there?

0:25:41.080 --> 0:25:43.200
<v Speaker 1>In the season we used to kick it regardless to

0:25:43.320 --> 0:25:46.399
<v Speaker 1>who was there, whatever, whatever. And Ship Big was a

0:25:46.400 --> 0:25:49.199
<v Speaker 1>great dude, man, like really really fucking anybody knew him,

0:25:49.200 --> 0:25:51.080
<v Speaker 1>to tell you, the funniest small fucker on the planet

0:25:51.119 --> 0:25:52.000
<v Speaker 1>and Ship the coolest.

0:25:52.000 --> 0:25:52.160
<v Speaker 2>Hell.

0:25:53.119 --> 0:25:57.560
<v Speaker 1>Do you understand how hard it was to rhyme with Big, No,

0:25:57.640 --> 0:26:00.879
<v Speaker 1>I didn't. Ignorance is blessed, bro, And I'm telling you

0:26:00.920 --> 0:26:03.200
<v Speaker 1>at that listen, who was hotter than Fish?

0:26:03.240 --> 0:26:06.440
<v Speaker 2>Grease, Nigga, Lucky let me tell you something, and ain't

0:26:06.480 --> 0:26:07.640
<v Speaker 2>no flight against bad boys?

0:26:07.800 --> 0:26:10.800
<v Speaker 1>Or maybe it is. But y'all niggas lucky. We ain't

0:26:10.840 --> 0:26:13.480
<v Speaker 1>have our ship together the way we had our ship together.

0:26:13.640 --> 0:26:15.920
<v Speaker 1>Fact ain't no truth.

0:26:17.560 --> 0:26:19.600
<v Speaker 2>We let a lot of y'all niggas listen.

0:26:19.640 --> 0:26:21.919
<v Speaker 4>I listened to the record, and I listened to a

0:26:21.920 --> 0:26:25.840
<v Speaker 4>lot of Big features, and Big really murders everybody that

0:26:25.880 --> 0:26:27.720
<v Speaker 4>he's on the record with. I'm so sorry to certain

0:26:27.720 --> 0:26:29.280
<v Speaker 4>people that be mad at me when I say this,

0:26:29.480 --> 0:26:30.240
<v Speaker 4>I apologize.

0:26:30.240 --> 0:26:34.480
<v Speaker 1>I don't mean no disrespect. But Big other than you

0:26:34.680 --> 0:26:36.800
<v Speaker 1>and Jay, I I don't see j murdered that.

0:26:36.880 --> 0:26:39.040
<v Speaker 2>Fuck it man. I don't say Jay was ready. I

0:26:39.040 --> 0:26:41.440
<v Speaker 2>think Jay had that verse for like eight years. He

0:26:41.560 --> 0:26:46.119
<v Speaker 2>was just waiting, like shit. I got like one of

0:26:46.200 --> 0:26:47.160
<v Speaker 2>the chamber right here.

0:26:47.520 --> 0:26:52.359
<v Speaker 1>Yeah, but did you realize that Big one one of

0:26:52.359 --> 0:26:55.600
<v Speaker 1>the goats at that time, he wasn't. Nobody knew who

0:26:55.680 --> 0:26:58.600
<v Speaker 1>we were, Nobody even it was like the way we

0:26:58.680 --> 0:27:01.119
<v Speaker 1>thought about ourselves because you know, New York was the

0:27:01.200 --> 0:27:04.040
<v Speaker 1>mecca of fucking hip hop. So that try state, if

0:27:04.040 --> 0:27:07.000
<v Speaker 1>you let there, that's the world for you.

0:27:05.880 --> 0:27:08.960
<v Speaker 2>You go down south ship like that, people like.

0:27:10.760 --> 0:27:15.199
<v Speaker 1>You goide. You go down south. This is where it

0:27:15.280 --> 0:27:19.480
<v Speaker 1>change is at. This is where bad boys said, right,

0:27:19.560 --> 0:27:22.480
<v Speaker 1>one more chairs. They was loving that ship in the shell, right,

0:27:23.359 --> 0:27:26.560
<v Speaker 1>big Papa the shell. We and had those records, but

0:27:26.600 --> 0:27:28.560
<v Speaker 1>we didn't have all I need, which was my ship.

0:27:28.600 --> 0:27:32.480
<v Speaker 1>But killing that ship and them niggas took the fuck

0:27:32.560 --> 0:27:34.880
<v Speaker 1>off man, bless all of them man for real. They

0:27:35.000 --> 0:27:39.560
<v Speaker 1>you know, that's an iconic fucking label, iconic fucking crew.

0:27:40.000 --> 0:27:43.760
<v Speaker 2>And Puffs still doing this salute. Let's describe this session.

0:27:44.119 --> 0:27:48.199
<v Speaker 4>Yeah, Tracy Rapels, you said, hey, why she picks you up?

0:27:48.240 --> 0:27:50.760
<v Speaker 4>You'll go through the session. And is this beat already

0:27:50.800 --> 0:27:54.359
<v Speaker 4>playing or easy mob made to beat? Yeah, it was playing.

0:27:54.640 --> 0:27:56.160
<v Speaker 2>It was already playing. It was already playing.

0:27:56.280 --> 0:27:59.480
<v Speaker 1>You walked in and said, Noah, I walked in and

0:27:59.680 --> 0:28:02.800
<v Speaker 1>Big snapping on Puff first, and you know, I'm just laughing.

0:28:02.920 --> 0:28:05.159
<v Speaker 2>This ship was sh It was hilarious because Puff was like,

0:28:05.200 --> 0:28:05.840
<v Speaker 2>y'all say my name.

0:28:05.880 --> 0:28:07.800
<v Speaker 1>He's like Nigga said your name like fifteen times on

0:28:07.840 --> 0:28:10.320
<v Speaker 1>this motherfucker EO puffing. I'm telling the truth too, you know,

0:28:10.359 --> 0:28:14.280
<v Speaker 1>I'm telling the truth. But then we sat there and

0:28:14.359 --> 0:28:16.600
<v Speaker 1>road diversus. We both sat there and road them and.

0:28:17.000 --> 0:28:20.880
<v Speaker 2>I'm a artist. Are you sitting there trying to take

0:28:20.920 --> 0:28:21.560
<v Speaker 2>his head off?

0:28:22.600 --> 0:28:24.679
<v Speaker 1>Or you just saying I'm just gone no when I

0:28:24.720 --> 0:28:26.960
<v Speaker 1>heard the beat. Sometimes you hear a beat and your

0:28:27.000 --> 0:28:30.720
<v Speaker 1>pin just start flowing. So once you started flowing, nothing

0:28:30.720 --> 0:28:33.080
<v Speaker 1>else existed. You can't hear ship but the beat and

0:28:33.119 --> 0:28:35.560
<v Speaker 1>your pen roll your pin going. So it was no

0:28:35.640 --> 0:28:38.280
<v Speaker 1>communication at that point in time. I didn't hear his ship,

0:28:38.520 --> 0:28:39.600
<v Speaker 1>he didn't hear my ship.

0:28:39.920 --> 0:28:41.240
<v Speaker 2>So it's even at that.

0:28:41.080 --> 0:28:44.720
<v Speaker 1>Point now, I wasn't even taking each other head off me.

0:28:44.880 --> 0:28:46.520
<v Speaker 1>I was just trying to stay in the pocket like

0:28:46.560 --> 0:28:48.960
<v Speaker 1>I always do. I'm gonna stay in the pocket. I'm

0:28:48.960 --> 0:28:51.440
<v Speaker 1>gonna ride this rhythm and I'm gonna I'm gonna do

0:28:51.560 --> 0:28:54.480
<v Speaker 1>like a little nas catence if I can and ship. Well,

0:28:54.520 --> 0:28:56.720
<v Speaker 1>what I thought was the NOAs catence. It was close.

0:28:57.080 --> 0:28:59.280
<v Speaker 1>It's kind of close, but it wasn't exactly yet because

0:28:59.280 --> 0:29:00.200
<v Speaker 1>it ran off to.

0:29:00.200 --> 0:29:02.760
<v Speaker 2>Some other ship. But I've always had kitten, So who

0:29:02.840 --> 0:29:04.920
<v Speaker 2>came up with the idea of y'all going back and forth?

0:29:05.160 --> 0:29:08.120
<v Speaker 1>Yeah, that was big big. He wanted he wanted to

0:29:08.200 --> 0:29:10.600
<v Speaker 1>end it. You can't mess with them. And I was

0:29:10.600 --> 0:29:12.600
<v Speaker 1>supposed to come with th h O D Man, but

0:29:12.640 --> 0:29:14.800
<v Speaker 1>it didn't fall on beat, so I overlapped him to

0:29:14.840 --> 0:29:17.040
<v Speaker 1>do it. That's why I came in th h O

0:29:17.280 --> 0:29:20.000
<v Speaker 1>D Man and now I got more glocks in text

0:29:20.080 --> 0:29:23.360
<v Speaker 1>than you make it hot. He wrote that Niggas won't

0:29:23.360 --> 0:29:25.640
<v Speaker 1>even stand next to you. He said, you say this.

0:29:25.600 --> 0:29:26.120
<v Speaker 2>Part right here.

0:29:26.120 --> 0:29:37.520
<v Speaker 1>I was like, I'll say that, but I ain't gonna

0:29:37.520 --> 0:29:41.600
<v Speaker 1>lie better you like I can listen to it that

0:29:41.680 --> 0:29:45.000
<v Speaker 1>record to this day, and like I said, it's like

0:29:45.080 --> 0:29:48.000
<v Speaker 1>y'all even like and I just didn't hear anybody hanging

0:29:48.000 --> 0:29:48.520
<v Speaker 1>with Big.

0:29:48.320 --> 0:29:48.800
<v Speaker 2>At that time.

0:29:48.880 --> 0:29:50.920
<v Speaker 1>That was my man's right there. If you asked me,

0:29:51.000 --> 0:29:53.120
<v Speaker 1>I'll say we both killed it. But other people like

0:29:53.200 --> 0:29:56.200
<v Speaker 1>to say ship like you know, I edged them stuff

0:29:56.280 --> 0:29:56.640
<v Speaker 1>like that.

0:29:57.000 --> 0:29:58.280
<v Speaker 2>But we're talking about.

0:29:58.000 --> 0:30:02.520
<v Speaker 1>Two first of all kids right doing something they loved

0:30:03.120 --> 0:30:06.440
<v Speaker 1>and trying to make something from nothing, being creatives. That's

0:30:06.480 --> 0:30:09.120
<v Speaker 1>all having fun. It wasn't I bet you. Big wasn't

0:30:09.120 --> 0:30:11.320
<v Speaker 1>trying to take my head off. I wasn't trying to

0:30:11.320 --> 0:30:13.240
<v Speaker 1>take We was just having fun in that bit. Soon

0:30:13.240 --> 0:30:14.800
<v Speaker 1>as I walked in there, I told you what it was.

0:30:14.840 --> 0:30:19.360
<v Speaker 1>The atmosphere was light, Niggas was snapping. It felt like

0:30:19.440 --> 0:30:20.200
<v Speaker 1>being around with.

0:30:20.120 --> 0:30:21.400
<v Speaker 2>Two peers for real.

0:30:21.520 --> 0:30:24.600
<v Speaker 1>That was my man and you a Na's new album

0:30:24.920 --> 0:30:26.840
<v Speaker 1>am My Own NAS's no album and you don't know

0:30:26.920 --> 0:30:29.160
<v Speaker 1>nothing from what house.

0:30:29.360 --> 0:30:32.320
<v Speaker 2>I nos ain't sent me no record. I love to

0:30:32.320 --> 0:30:33.360
<v Speaker 2>get on the noajs right.

0:30:33.920 --> 0:30:38.720
<v Speaker 1>Just sorry, Oh I get it, Yes.

0:30:38.800 --> 0:30:40.840
<v Speaker 2>Okay, I mean no, no, no, no.

0:30:40.680 --> 0:30:44.160
<v Speaker 1>No, see you you fell for the Okie dough. They

0:30:44.200 --> 0:30:47.440
<v Speaker 1>do these remixes with old verses and they splice all

0:30:47.480 --> 0:30:50.320
<v Speaker 1>of them together and people think those are real records.

0:30:50.560 --> 0:30:53.920
<v Speaker 1>I've been having real complaints about this shit right because

0:30:54.520 --> 0:30:57.960
<v Speaker 1>Rizzard did a record called Built for This DJ Scandalists

0:30:57.960 --> 0:31:03.360
<v Speaker 1>I'm looking at you, brother, and a guy did a remake.

0:31:03.080 --> 0:31:06.920
<v Speaker 2>To it, not market Scotts Grelly. No no, no, no, no no.

0:31:07.160 --> 0:31:10.000
<v Speaker 1>This shit was for a Rizzar's soundtrack, The Man with

0:31:10.080 --> 0:31:13.560
<v Speaker 1>the Iron Fist, and we did a song with Freddie

0:31:13.560 --> 0:31:16.240
<v Speaker 1>Gibbs caught Built for This myself in street.

0:31:16.720 --> 0:31:17.760
<v Speaker 2>He remakes it.

0:31:18.520 --> 0:31:21.520
<v Speaker 1>He puts a different beat up underneath it, puts ice

0:31:21.560 --> 0:31:27.120
<v Speaker 1>Cube easy, a bunch of just features on there, of

0:31:27.280 --> 0:31:30.480
<v Speaker 1>old verses from these dudes, and just splice it all together.

0:31:30.560 --> 0:31:32.960
<v Speaker 1>Now people think it's the real joint. Now this is

0:31:32.960 --> 0:31:36.239
<v Speaker 1>where I have the problem at go ahead and do that,

0:31:36.400 --> 0:31:39.360
<v Speaker 1>but when I go on Built for This, the original,

0:31:39.640 --> 0:31:43.160
<v Speaker 1>it's barely got a million views. That one has over

0:31:43.240 --> 0:31:48.960
<v Speaker 1>three hundred million views. People think it's a real record. Now,

0:31:49.760 --> 0:31:54.160
<v Speaker 1>I'm not saying that they're stealing, right, but they're stealing,

0:31:54.960 --> 0:31:59.520
<v Speaker 1>and no serious, they're stealing because that revenue should be

0:31:59.560 --> 0:32:01.800
<v Speaker 1>going to the artist that took the time out to

0:32:01.920 --> 0:32:05.080
<v Speaker 1>make it. Like I sat my ass down and wrote

0:32:05.120 --> 0:32:08.800
<v Speaker 1>for that record. Rizzard sat his ass down and put

0:32:08.800 --> 0:32:10.520
<v Speaker 1>that whole composition together.

0:32:10.600 --> 0:32:12.240
<v Speaker 2>That's time consuming.

0:32:12.080 --> 0:32:14.760
<v Speaker 1>As well as you start to put in a studio

0:32:14.920 --> 0:32:18.200
<v Speaker 1>time and video courts, and then you have somebody splice

0:32:18.200 --> 0:32:21.080
<v Speaker 1>a whole bunch of old video footage together, throw a

0:32:21.120 --> 0:32:23.000
<v Speaker 1>bunch of artists. I mean, people should know that it's

0:32:23.040 --> 0:32:25.960
<v Speaker 1>not a real easy ease on it. They should know

0:32:26.000 --> 0:32:27.880
<v Speaker 1>it's not a real song. And this shit got over

0:32:27.960 --> 0:32:32.240
<v Speaker 1>three hundred million fuckers. Well, now someone can have the

0:32:32.320 --> 0:32:34.960
<v Speaker 1>argument and say, well maybe it sounds better. I'm giving shit.

0:32:35.640 --> 0:32:38.880
<v Speaker 1>I don't care the fuck. There's an original out there,

0:32:38.880 --> 0:32:42.160
<v Speaker 1>and shit that artists made to be consumed by the

0:32:42.480 --> 0:32:45.440
<v Speaker 1>by the masses to bring the money back to their families,

0:32:45.480 --> 0:32:48.440
<v Speaker 1>to feed their fucking families. Not these motherfuckers over here. Man,

0:32:49.000 --> 0:32:52.520
<v Speaker 1>that's shit crazy. And that South cent you channel on YouTube.

0:32:52.560 --> 0:32:54.760
<v Speaker 1>Got niggas is bogus as fuck y'all got that's where

0:32:54.760 --> 0:32:55.959
<v Speaker 1>all of it be at now.

0:32:56.040 --> 0:32:57.200
<v Speaker 2>Then gave them a fucking life.

0:32:57.200 --> 0:32:59.960
<v Speaker 1>That gave them a fucking see that damn it all right,

0:33:00.640 --> 0:33:03.360
<v Speaker 1>holy ship trash for that ship, man, that ship is

0:33:03.400 --> 0:33:05.480
<v Speaker 1>like that Shay Robert niggas. I have seen your ship.

0:33:05.520 --> 0:33:07.720
<v Speaker 1>You was on the fucking record with it. Was you

0:33:08.160 --> 0:33:11.160
<v Speaker 1>fucking uh? What's that nigga name? Uh?

0:33:11.800 --> 0:33:17.520
<v Speaker 2>Uh? Sting from the police, nigga, Michael fucking yeah, nigga

0:33:17.600 --> 0:33:23.040
<v Speaker 2>burke back of rackets on your track, nigga nigga. So

0:33:23.240 --> 0:33:25.960
<v Speaker 2>that's crazy. They're like, nor murdered that ship.

0:33:30.560 --> 0:33:32.800
<v Speaker 1>So you see some ship like that and they're like, oh,

0:33:32.800 --> 0:33:34.040
<v Speaker 1>this ship better than super Thumb.

0:33:34.080 --> 0:33:35.880
<v Speaker 2>Matter of fact, it's better than anything Nor he did.

0:33:35.880 --> 0:33:38.920
<v Speaker 2>You don't look at that ship like wait a minute, right, let.

0:33:38.760 --> 0:33:42.640
<v Speaker 1>Me call this motherfucker al So you you remade my

0:33:42.680 --> 0:33:43.520
<v Speaker 1>ship and ship? Right?

0:33:43.600 --> 0:33:44.880
<v Speaker 2>So, so where the revenue at?

0:33:44.920 --> 0:33:46.600
<v Speaker 1>I see a ship at three hundred million views and

0:33:46.600 --> 0:33:47.880
<v Speaker 1>ship and I know how YouTube pay.

0:33:47.920 --> 0:33:51.040
<v Speaker 2>I'm saying, no, did you get a plaque? And so

0:33:51.200 --> 0:33:52.440
<v Speaker 2>I mean, we's mines.

0:33:52.480 --> 0:33:55.320
<v Speaker 1>But the Niles is a new joint though, right, oh no,

0:33:55.440 --> 0:34:00.320
<v Speaker 1>because I've done only track I've done with Knives and

0:34:00.360 --> 0:34:05.360
<v Speaker 1>we was on the studio was Fuck Belly and uh

0:34:05.520 --> 0:34:10.479
<v Speaker 1>fuck dog Dogs for Life for Belly soundtrack Yeah, Dogs

0:34:10.480 --> 0:34:15.480
<v Speaker 1>for Life. Yeah, and he killed that ship. So there's

0:34:15.600 --> 0:34:17.880
<v Speaker 1>I mean, I'm dying to get on another track with

0:34:17.960 --> 0:34:19.160
<v Speaker 1>not because he murdered us on that.

0:34:19.200 --> 0:34:22.080
<v Speaker 2>I gotta get my kit, I gotta get my back,

0:34:23.480 --> 0:34:25.560
<v Speaker 2>want to. I just want to keep up. I ever

0:34:25.640 --> 0:34:27.200
<v Speaker 2>trying to take no head. I would never.

0:34:27.120 --> 0:34:30.279
<v Speaker 1>Ever, ever ever come out of MC. I'm on the track,

0:34:32.600 --> 0:34:37.040
<v Speaker 1>oh no, but that's not on the official album.

0:34:37.840 --> 0:34:39.480
<v Speaker 2>I got a lie. I say this a lot.

0:34:40.400 --> 0:34:42.840
<v Speaker 4>One time I did a song with styles B and

0:34:42.920 --> 0:34:44.640
<v Speaker 4>he did he did the verse.

0:34:44.440 --> 0:34:48.839
<v Speaker 2>After me and I always wanted to be always wanted

0:34:48.840 --> 0:34:50.920
<v Speaker 2>to be mad. And it's not like you're trying to

0:34:50.960 --> 0:34:51.480
<v Speaker 2>go at him.

0:34:51.480 --> 0:34:54.879
<v Speaker 1>And I'm trying to tell y'all I'm just a night

0:34:55.920 --> 0:34:57.520
<v Speaker 1>Yeah yeah, yeah.

0:34:57.520 --> 0:35:01.319
<v Speaker 4>So gim was fly was man, That's right. Our show

0:35:01.360 --> 0:35:02.960
<v Speaker 4>was about giving flowers. We wanted to give you your

0:35:02.960 --> 0:35:03.839
<v Speaker 4>flowers face to face.

0:35:03.880 --> 0:35:14.320
<v Speaker 2>Man, I want to see you Snoop set is like

0:35:14.600 --> 0:35:16.400
<v Speaker 2>it's better than the Grammy because it's coming for your people.

0:35:17.040 --> 0:35:17.920
<v Speaker 2>The man look.

0:35:19.920 --> 0:35:24.800
<v Speaker 1>Up man, Snoop always know what to say that Snoop

0:35:24.800 --> 0:35:30.040
<v Speaker 1>ain't even a star. Snoop is like a fucking enterprise man.

0:35:30.160 --> 0:35:33.520
<v Speaker 1>He's just an establishment, you know, Snoop, I got your

0:35:33.520 --> 0:35:37.600
<v Speaker 1>cereal to my grandbaby. I love that ship. He liked

0:35:37.640 --> 0:35:39.600
<v Speaker 1>them for he liked them, Snoop Loops. You know we

0:35:39.640 --> 0:35:41.840
<v Speaker 1>know what you Snoop loops.

0:35:42.960 --> 0:35:46.359
<v Speaker 4>What kind of butt is that man? That she looked

0:35:46.360 --> 0:35:50.560
<v Speaker 4>good piece? I'm thikking for a piece of But.

0:35:52.080 --> 0:35:56.120
<v Speaker 1>Morning, you know what, don't speaking the butt, speaking the

0:35:56.160 --> 0:35:58.000
<v Speaker 1>butt and you saying you want to piece.

0:35:57.800 --> 0:36:00.279
<v Speaker 2>Your fellas bring that ship over here real fast. Okay,

0:36:00.280 --> 0:36:05.600
<v Speaker 2>you've got to. We've got to get flowers to know

0:36:05.640 --> 0:36:10.480
<v Speaker 2>what I mean. Yeah, then here is your prob bro,

0:36:13.760 --> 0:36:28.000
<v Speaker 2>damn right, So what is this? Bring it down with?

0:36:28.239 --> 0:36:31.239
<v Speaker 1>So this is the cow safe box right here, right,

0:36:31.920 --> 0:36:36.319
<v Speaker 1>and it's basically a nice dressing for what's inside.

0:36:36.440 --> 0:36:37.680
<v Speaker 2>Oh this this is gorgeous.

0:36:37.719 --> 0:36:41.239
<v Speaker 1>And right now those boxes are getting very popular and

0:36:41.840 --> 0:36:44.880
<v Speaker 1>as the laws lightning in different states, we're going to

0:36:44.920 --> 0:36:47.759
<v Speaker 1>be able to get them. The more people with the

0:36:47.880 --> 0:36:51.040
<v Speaker 1>flower inside. But these are the kind of flowers, These

0:36:51.040 --> 0:36:52.439
<v Speaker 1>are the kind of flowers I give.

0:36:52.640 --> 0:36:55.160
<v Speaker 2>Yes, I love your flowers. Though these are dope. I've

0:36:55.360 --> 0:37:00.920
<v Speaker 2>sing this is do appreciate it. Absolutely, Yeah, I'm definitely

0:37:00.920 --> 0:37:01.520
<v Speaker 2>gonna try to stud.

0:37:04.920 --> 0:37:08.920
<v Speaker 1>Oh hold up, Holy moly, we got more ship for y'all.

0:37:14.120 --> 0:37:16.640
<v Speaker 1>This ship y'all can put in that room where y'all

0:37:16.640 --> 0:37:18.960
<v Speaker 1>got all the free ship people. Give y'all that y'all

0:37:18.960 --> 0:37:21.279
<v Speaker 1>to ask, y'all just in one room.

0:37:21.880 --> 0:37:24.399
<v Speaker 2>Put that right next to that is love. I see

0:37:24.480 --> 0:37:28.520
<v Speaker 2>your thieves looking at them ship, especially see them some

0:37:28.600 --> 0:37:35.680
<v Speaker 2>reason you listen. Your face said it all. Just like

0:37:36.400 --> 0:37:38.399
<v Speaker 2>your face was like I'm taking here off and ship

0:37:40.800 --> 0:37:47.480
<v Speaker 2>I don't it is yeah, yeah, just yeah, so meth yes, sure, yes.

0:37:47.560 --> 0:37:51.439
<v Speaker 4>I believe you in every acting role you ever did,

0:37:52.560 --> 0:37:57.480
<v Speaker 4>Like I seriously, yo, did you not one time I

0:37:57.640 --> 0:38:00.480
<v Speaker 4>got serious about acting a little bit right and.

0:38:00.200 --> 0:38:04.960
<v Speaker 2>Built that state property that was so I got I

0:38:04.960 --> 0:38:06.040
<v Speaker 2>got off of the role.

0:38:07.360 --> 0:38:10.080
<v Speaker 4>And I turned it down immediately because I was scared

0:38:10.120 --> 0:38:11.000
<v Speaker 4>to play a doctor.

0:38:11.120 --> 0:38:12.200
<v Speaker 2>I was scared to try.

0:38:12.960 --> 0:38:14.880
<v Speaker 1>You were scared of that long ass dialogue.

0:38:15.000 --> 0:38:16.399
<v Speaker 2>I was probably scared of that. Yeah.

0:38:16.480 --> 0:38:19.600
<v Speaker 4>But what I'm saying is I can see you as

0:38:19.640 --> 0:38:21.600
<v Speaker 4>a gangster on film. I can see you as a

0:38:21.640 --> 0:38:24.680
<v Speaker 4>doctor on film, and I believe every fuck a lawyer,

0:38:25.360 --> 0:38:28.280
<v Speaker 4>every fucking role you would take it like the dinners

0:38:28.320 --> 0:38:28.960
<v Speaker 4>out of this ship.

0:38:30.719 --> 0:38:34.520
<v Speaker 2>I appreciate you, brother. You know what, though, I.

0:38:34.520 --> 0:38:37.960
<v Speaker 1>Made a decision a while ago that I was gonna

0:38:38.920 --> 0:38:41.880
<v Speaker 1>I just got tired of doing shows overseas, because you know,

0:38:41.960 --> 0:38:45.120
<v Speaker 1>there was a time where the new ship was hitting.

0:38:45.400 --> 0:38:49.080
<v Speaker 1>These kids was tearing it up. They was getting way

0:38:49.080 --> 0:38:50.960
<v Speaker 1>more than us for shows, and they were getting all

0:38:51.000 --> 0:38:53.520
<v Speaker 1>of the shows. Nobody wanted to see any nineties ship,

0:38:53.640 --> 0:38:56.359
<v Speaker 1>so we were doing over sea shows. Appreciated over there.

0:38:56.520 --> 0:38:58.480
<v Speaker 1>I loved them over there, but it was too much.

0:38:59.080 --> 0:39:02.600
<v Speaker 1>It was like my fourth time overseas that year. I

0:39:02.680 --> 0:39:05.920
<v Speaker 1>was tired, and I said, you know, I'm gonna try

0:39:05.960 --> 0:39:07.839
<v Speaker 1>to acting well, not try it. I said, you know what,

0:39:07.920 --> 0:39:10.600
<v Speaker 1>when I get home, I'm gonna make a decision to

0:39:11.320 --> 0:39:13.800
<v Speaker 1>take this acting shit way more serious than I did before.

0:39:13.840 --> 0:39:16.960
<v Speaker 1>And I went bought a ticket to LA did not

0:39:17.000 --> 0:39:20.720
<v Speaker 1>get a hotel room, did not get a car, no suits,

0:39:20.800 --> 0:39:23.640
<v Speaker 1>no nothing. I went to my manager's house and slept

0:39:23.640 --> 0:39:25.440
<v Speaker 1>on her couch in the Hollywood Hills.

0:39:27.000 --> 0:39:28.880
<v Speaker 2>And I did that for about a month and a half.

0:39:29.920 --> 0:39:34.240
<v Speaker 1>But when you're doing this, your auditioning, I'm auditioning, yes,

0:39:34.280 --> 0:39:36.120
<v Speaker 1>but there's no plan, there's no real No.

0:39:36.960 --> 0:39:38.960
<v Speaker 2>You've only done like two or three movies.

0:39:39.000 --> 0:39:41.680
<v Speaker 1>Maybe No, No, I'd done a bunch of shit, yes,

0:39:41.760 --> 0:39:44.239
<v Speaker 1>but I had took a long hiatus to focus on

0:39:44.320 --> 0:39:46.479
<v Speaker 1>the music. At this point in time, me and death

0:39:46.560 --> 0:39:49.160
<v Speaker 1>Jam were not on the same page.

0:39:50.080 --> 0:39:51.880
<v Speaker 2>They were ahead of the curve.

0:39:52.000 --> 0:39:54.399
<v Speaker 1>They were trying to stay above water because you had

0:39:54.560 --> 0:39:57.919
<v Speaker 1>cash Money breathing down. The next you know, Puffy Benn

0:39:58.080 --> 0:40:01.440
<v Speaker 1>was kicking death Jam's ass and shiit what depth Jam had?

0:40:01.760 --> 0:40:04.960
<v Speaker 1>What depth Jam did have that the other people didn't have?

0:40:05.000 --> 0:40:11.000
<v Speaker 1>They had the Yankees, DMX, Ludicris, Job Rule Red and

0:40:11.080 --> 0:40:15.520
<v Speaker 1>meth Fab was over there at this point, Jada Kiss,

0:40:15.520 --> 0:40:17.160
<v Speaker 1>I think was over here. At this point, we were

0:40:17.200 --> 0:40:20.600
<v Speaker 1>just you know, big ass fucking roster and shit, Damn,

0:40:20.600 --> 0:40:21.640
<v Speaker 1>I done lost my train of thought.

0:40:21.680 --> 0:40:23.440
<v Speaker 4>That's exactly what they told me when I assigned to

0:40:23.440 --> 0:40:26.040
<v Speaker 4>Depth Jam. Welcome to the Yankees. Welcome to the Yankees, right,

0:40:26.280 --> 0:40:30.360
<v Speaker 4>They actually used that reference, like welcome to like you

0:40:30.480 --> 0:40:32.280
<v Speaker 4>like basically you was playing in the mighty leagues.

0:40:32.560 --> 0:40:35.440
<v Speaker 2>Yeah. I was like, well, damn, that's that was some

0:40:35.520 --> 0:40:36.399
<v Speaker 2>cocky shit to say.

0:40:36.640 --> 0:40:38.400
<v Speaker 1>So they got me on my way out the door

0:40:38.440 --> 0:40:40.560
<v Speaker 1>at least that's what it felt like. You know, I

0:40:40.600 --> 0:40:42.360
<v Speaker 1>wasn't me and included in a lot of things and

0:40:42.440 --> 0:40:43.920
<v Speaker 1>a lot of and you know what, I got to

0:40:43.960 --> 0:40:45.520
<v Speaker 1>take the blame for some of that because I was

0:40:45.520 --> 0:40:48.560
<v Speaker 1>a really rotten person because I saw it coming and

0:40:51.080 --> 0:40:55.200
<v Speaker 1>not I don't know, I just I would be angry

0:40:55.960 --> 0:40:58.680
<v Speaker 1>all the time because it was hard for me to

0:40:58.800 --> 0:41:07.040
<v Speaker 1>accept that. I don't know, not to sound vain, but

0:41:07.200 --> 0:41:10.359
<v Speaker 1>I wasn't that nigga anymore, or at least that's what

0:41:10.400 --> 0:41:11.160
<v Speaker 1>it felt.

0:41:10.880 --> 0:41:14.239
<v Speaker 2>Like, or I wasn't in what honestly what it.

0:41:14.320 --> 0:41:17.839
<v Speaker 1>Was that to you, No, dude, the label wasn't saying

0:41:17.840 --> 0:41:19.640
<v Speaker 1>I was saying this to myself, but the label was

0:41:19.680 --> 0:41:20.200
<v Speaker 1>showing me.

0:41:22.200 --> 0:41:22.719
<v Speaker 2>What time is.

0:41:22.800 --> 0:41:25.920
<v Speaker 1>Your time is basically is coming to an end. But

0:41:26.680 --> 0:41:29.160
<v Speaker 1>and you know, I made the decision that I can

0:41:29.200 --> 0:41:32.400
<v Speaker 1>contribute way more and I can show all these motherfuckers

0:41:32.440 --> 0:41:33.960
<v Speaker 1>that it's not the end for me.

0:41:34.040 --> 0:41:35.240
<v Speaker 2>This is just the beginning.

0:41:35.280 --> 0:41:39.640
<v Speaker 1>But I didn't apply myself the way I should have,

0:41:39.719 --> 0:41:44.959
<v Speaker 1>and I didn't voice my frustrations in a articulate manner.

0:41:44.840 --> 0:41:45.720
<v Speaker 2>Like I can now.

0:41:46.800 --> 0:41:49.719
<v Speaker 1>So a lot of doors were starting to close, not

0:41:49.880 --> 0:41:52.799
<v Speaker 1>because of the career thing, but because of the the

0:41:52.880 --> 0:41:55.440
<v Speaker 1>vitriol that I was spitting out of my mouth, the

0:41:56.520 --> 0:41:58.600
<v Speaker 1>anger and the misery that I was spreading, to the

0:41:58.600 --> 0:42:00.440
<v Speaker 1>point where you don't want to answer that per since call.

0:42:00.520 --> 0:42:02.640
<v Speaker 1>But I was at that point in time, had to

0:42:02.640 --> 0:42:05.279
<v Speaker 1>listen to myself. I wouldn't fucking have tookn my call

0:42:05.360 --> 0:42:07.520
<v Speaker 1>at that point.

0:42:08.320 --> 0:42:09.200
<v Speaker 2>So I made a decision.

0:42:09.400 --> 0:42:11.759
<v Speaker 1>I'm going to fucking take this acting ship and I'm

0:42:11.760 --> 0:42:14.359
<v Speaker 1>gonna run with it. If it happens, it happens, if

0:42:14.360 --> 0:42:16.680
<v Speaker 1>it doesn't, it doesn't. There's no plan, but this is

0:42:16.680 --> 0:42:19.960
<v Speaker 1>what I want to do. Started getting on my physical

0:42:20.000 --> 0:42:24.840
<v Speaker 1>fitness ship. Started going to classes, we say classes, acting class,

0:42:24.840 --> 0:42:28.520
<v Speaker 1>acting class, actually sitting in a class, right and and

0:42:28.560 --> 0:42:29.120
<v Speaker 1>you method?

0:42:29.200 --> 0:42:29.399
<v Speaker 2>Man?

0:42:29.560 --> 0:42:32.120
<v Speaker 5>Yeah, how did you like? How would you able to

0:42:32.160 --> 0:42:33.280
<v Speaker 5>do that? Like, it's easy.

0:42:33.320 --> 0:42:35.680
<v Speaker 1>Those kids in there already stars if you asked me.

0:42:35.719 --> 0:42:37.600
<v Speaker 1>A lot of those kids that go to those classes

0:42:37.600 --> 0:42:40.120
<v Speaker 1>are so advanced already. It's just that we haven't heard

0:42:40.160 --> 0:42:45.120
<v Speaker 1>of them. You know, the classes. It helps, but it

0:42:45.200 --> 0:42:48.160
<v Speaker 1>actually helped, But I would rather be I would rather

0:42:48.239 --> 0:42:51.000
<v Speaker 1>be coached by myself. The classes help you with the

0:42:51.040 --> 0:42:56.000
<v Speaker 1>exercises and and and and technique, and it's always great

0:42:56.000 --> 0:43:00.920
<v Speaker 1>to have the tools, and I topic has a book

0:43:00.920 --> 0:43:04.200
<v Speaker 1>called the Twelve Tools of Acting or We're putting power back,

0:43:04.280 --> 0:43:07.359
<v Speaker 1>giving power to the actor. And once you learn these

0:43:07.400 --> 0:43:10.319
<v Speaker 1>twelve tools, there's no way that you can walk on

0:43:10.360 --> 0:43:12.280
<v Speaker 1>a set and fill out a place and not understand

0:43:12.320 --> 0:43:18.200
<v Speaker 1>what's going on because of these tools here. So I'm

0:43:18.200 --> 0:43:20.080
<v Speaker 1>going on these or I'm getting sometime I don't getting

0:43:20.080 --> 0:43:23.960
<v Speaker 1>three four editions right that week, so I'm constantly studying,

0:43:24.040 --> 0:43:27.239
<v Speaker 1>well this is yeah that week, but they're different characters.

0:43:27.719 --> 0:43:32.120
<v Speaker 1>So I'm learning the dialogue first and the day of

0:43:33.280 --> 0:43:35.360
<v Speaker 1>I have to transition into this character. So how do

0:43:35.400 --> 0:43:37.960
<v Speaker 1>you do that? It could be a song. I can

0:43:38.000 --> 0:43:39.640
<v Speaker 1>listen to certain kind of music and it's like.

0:43:39.600 --> 0:43:40.439
<v Speaker 2>Okay, now I'm there.

0:43:41.280 --> 0:43:44.959
<v Speaker 1>Or it'd be a memory, something that jars that, something

0:43:45.000 --> 0:43:47.480
<v Speaker 1>that brings that out, you know what I mean. Or

0:43:47.680 --> 0:43:49.640
<v Speaker 1>you go to your tools and you say, what do

0:43:49.719 --> 0:43:51.560
<v Speaker 1>I want in this scene?

0:43:51.640 --> 0:43:53.719
<v Speaker 2>What's my scene objective? Right here?

0:43:54.560 --> 0:43:56.560
<v Speaker 1>Then you got to say, okay, well what is my

0:43:56.680 --> 0:43:57.799
<v Speaker 1>overall objective?

0:43:57.840 --> 0:43:58.000
<v Speaker 2>Now?

0:43:58.040 --> 0:44:02.160
<v Speaker 1>For me in real life, my overall objective is just

0:44:02.200 --> 0:44:04.680
<v Speaker 1>to win. I think everybody in this room can relate

0:44:04.719 --> 0:44:08.640
<v Speaker 1>to that shit, So why not fight for that every day?

0:44:08.719 --> 0:44:12.200
<v Speaker 1>That's what we do in these scenes, we're fighting to win,

0:44:12.280 --> 0:44:14.520
<v Speaker 1>whether we're a villain or the good guy.

0:44:15.960 --> 0:44:19.120
<v Speaker 2>Writ's dad, Samuel Jackson. I did that was all I did.

0:44:19.920 --> 0:44:21.000
<v Speaker 2>I definitely did it.

0:44:21.400 --> 0:44:24.960
<v Speaker 1>But whether you're the villain or the hero, you're fighting

0:44:25.000 --> 0:44:25.440
<v Speaker 1>for something.

0:44:25.480 --> 0:44:26.920
<v Speaker 2>You're fighting to fucking win.

0:44:27.280 --> 0:44:30.239
<v Speaker 1>Who's saying the villain isn't right because in his heart

0:44:30.280 --> 0:44:32.640
<v Speaker 1>he's doing the right fucking thing. He thinks he's the hero,

0:44:33.800 --> 0:44:36.399
<v Speaker 1>and the hero is doing what he feels is right.

0:44:36.400 --> 0:44:39.200
<v Speaker 1>He could be the fucking villain and not know it,

0:44:39.480 --> 0:44:42.200
<v Speaker 1>you know what I mean? And that's the beauty of

0:44:42.880 --> 0:44:47.640
<v Speaker 1>when you approach these fucking scenes or even these scripts,

0:44:47.640 --> 0:44:49.960
<v Speaker 1>when you're reading them and shit. First off, when you

0:44:50.000 --> 0:44:53.239
<v Speaker 1>read a fucking scene, Nori, I don't like to read,

0:44:53.320 --> 0:44:53.759
<v Speaker 1>but let's go on.

0:44:53.920 --> 0:44:54.560
<v Speaker 2>No, but fuck that.

0:44:54.640 --> 0:44:56.680
<v Speaker 1>When you see this scene and shit, first thing that

0:44:56.719 --> 0:44:58.799
<v Speaker 1>should be going through your head is okay, what's going

0:44:58.840 --> 0:45:01.600
<v Speaker 1>on here? You understand what's going on here. The next

0:45:01.640 --> 0:45:03.880
<v Speaker 1>thing you should say is okay, I see these words.

0:45:03.880 --> 0:45:05.120
<v Speaker 1>But how would I say it.

0:45:05.160 --> 0:45:09.319
<v Speaker 4>I'm going to the school of method school, I'm comeing

0:45:09.320 --> 0:45:11.319
<v Speaker 4>to see you once a week.

0:45:12.360 --> 0:45:13.800
<v Speaker 2>I'm gonna follow you. He could.

0:45:16.440 --> 0:45:20.399
<v Speaker 1>For sure, I'm serious, it would be like how would

0:45:20.400 --> 0:45:25.000
<v Speaker 1>you say it? And for me, it takes me back

0:45:25.040 --> 0:45:28.400
<v Speaker 1>to just just being on the block and dudes telling

0:45:28.480 --> 0:45:30.720
<v Speaker 1>stories from the third person.

0:45:31.880 --> 0:45:33.240
<v Speaker 2>About something that happened.

0:45:33.880 --> 0:45:36.239
<v Speaker 1>And really, if you got a good storyteller, y'all know

0:45:36.280 --> 0:45:39.000
<v Speaker 1>this ship, if he doing other people voices and ship,

0:45:39.440 --> 0:45:41.440
<v Speaker 1>he'd be acting like certain niggas. And y'all know all

0:45:41.520 --> 0:45:43.120
<v Speaker 1>know that this nigga acts a certain.

0:45:42.840 --> 0:45:45.919
<v Speaker 2>Way of ship. You laugh, and same fucking thing, because

0:45:45.960 --> 0:45:47.520
<v Speaker 2>you know, I'm gonna be honest with you method. I

0:45:47.560 --> 0:45:51.200
<v Speaker 2>think I took the sucker out how I would read

0:45:51.239 --> 0:45:52.640
<v Speaker 2>scripts when they gave it to me, and I would

0:45:52.680 --> 0:45:55.480
<v Speaker 2>just change all the words to my words. So I

0:45:55.520 --> 0:45:57.160
<v Speaker 2>think I should have did what you usual.

0:45:57.239 --> 0:46:00.120
<v Speaker 4>I should have because like, for instance, stay Pop the

0:46:00.239 --> 0:46:02.480
<v Speaker 4>character they came to me and it was named Pedro,

0:46:02.719 --> 0:46:04.520
<v Speaker 4>and I didn't want to be named Pedro. I was like, nah,

0:46:04.520 --> 0:46:06.720
<v Speaker 4>I'm not the Patro. I was like, I'm a local,

0:46:06.960 --> 0:46:09.239
<v Speaker 4>you know what I mean? So I changed it and

0:46:09.280 --> 0:46:11.680
<v Speaker 4>then all of the because they actually wrote it for

0:46:11.680 --> 0:46:12.239
<v Speaker 4>p D Crack.

0:46:12.320 --> 0:46:14.319
<v Speaker 2>This is what a lot of people don't know. Pety

0:46:14.400 --> 0:46:15.520
<v Speaker 2>Crack got locked up.

0:46:15.640 --> 0:46:17.439
<v Speaker 4>When pe d Crack got locked up, the only other

0:46:17.560 --> 0:46:19.920
<v Speaker 4>black and Puerto Rican in the game, was me Pete

0:46:19.960 --> 0:46:22.439
<v Speaker 4>Crack black and Puerto Rican. Yeah, Petty crack black nigga

0:46:22.480 --> 0:46:23.000
<v Speaker 4>rickey like me.

0:46:23.120 --> 0:46:25.200
<v Speaker 2>Yeah. So yeah.

0:46:25.280 --> 0:46:28.120
<v Speaker 1>So what I did was I just basically changed all

0:46:28.160 --> 0:46:31.120
<v Speaker 1>of the words. And what I'm in retrospect, I should

0:46:31.160 --> 0:46:34.000
<v Speaker 1>have I should have tried to be Pedro. I should

0:46:34.000 --> 0:46:37.400
<v Speaker 1>have tried to No, no, no, no, see that you should

0:46:37.520 --> 0:46:47.480
<v Speaker 1>try to be you. That's what I did, interpret Pedro you.

0:46:46.040 --> 0:46:49.279
<v Speaker 2>But you did it because it was you. It was you.

0:46:55.080 --> 0:46:58.920
<v Speaker 1>And and can't nobody over here say that ship wasn't believable,

0:46:59.000 --> 0:46:59.840
<v Speaker 1>y'all looking at.

0:46:59.719 --> 0:47:04.080
<v Speaker 2>Me like, that's him. That's what you do? Right, met me?

0:47:04.560 --> 0:47:08.919
<v Speaker 1>You've been on OZ, right, how did you get that role?

0:47:09.360 --> 0:47:13.560
<v Speaker 1>Audition for that motherfucker aud audition? There's this lady, Alexa Fogel,

0:47:13.680 --> 0:47:17.480
<v Speaker 1>who's a casting person for a lot of major networks.

0:47:17.480 --> 0:47:21.040
<v Speaker 1>She did a lot of stuff for HBO. She's she's

0:47:21.040 --> 0:47:24.239
<v Speaker 1>a beautiful lady, beautiful lady man. But she rang and

0:47:24.400 --> 0:47:26.880
<v Speaker 1>she lets you, she lets your ass know. I got

0:47:26.920 --> 0:47:29.239
<v Speaker 1>a story about her. So when I audition for OS,

0:47:29.239 --> 0:47:32.000
<v Speaker 1>I'm still green whatever whatever, And honestly, I think I

0:47:32.080 --> 0:47:34.600
<v Speaker 1>really got the part because she pushed for me. Love

0:47:34.640 --> 0:47:38.960
<v Speaker 1>her for that. She's same ship with Webay Clock Hassa.

0:47:40.800 --> 0:47:42.759
<v Speaker 1>He knows about her as well. We always auditioned for

0:47:42.880 --> 0:47:44.520
<v Speaker 1>we her guy. She calls us in for all kind

0:47:44.520 --> 0:47:48.840
<v Speaker 1>of ship. If you get the Alexa still of approval,

0:47:48.880 --> 0:47:51.160
<v Speaker 1>you good. So I'm on the set of os Now

0:47:51.200 --> 0:47:52.600
<v Speaker 1>and I'm I'm ready.

0:47:52.920 --> 0:47:55.000
<v Speaker 2>You know, I ain't been to jail, but I know

0:47:55.040 --> 0:47:56.320
<v Speaker 2>what jail is, niggas.

0:47:56.640 --> 0:48:00.160
<v Speaker 1>I'm about to show these niggas what it is on

0:48:00.200 --> 0:48:04.200
<v Speaker 1>that set. Man, see dudes resting knocked. That ain't nothing

0:48:04.280 --> 0:48:06.680
<v Speaker 1>like the show. Nothing like the show and ship. But

0:48:06.760 --> 0:48:09.200
<v Speaker 1>soon as that ship set action and I've seen the

0:48:09.239 --> 0:48:11.279
<v Speaker 1>actors doing their thing, I was like, okay, this ship

0:48:11.320 --> 0:48:14.160
<v Speaker 1>is serious. I got to step my ship up his ship.

0:48:14.440 --> 0:48:19.520
<v Speaker 1>Why am I here? Okay, got you now. My first

0:48:19.560 --> 0:48:22.200
<v Speaker 1>scene that I had was with Lord Jamar. Jamal was

0:48:22.239 --> 0:48:24.440
<v Speaker 1>already on this ship. He was shout out to Lord

0:48:24.480 --> 0:48:29.560
<v Speaker 1>Jamar Greatest. So the scene called for me to be

0:48:29.600 --> 0:48:32.560
<v Speaker 1>in the visiting room with Mums rest in Paradise. Mums,

0:48:32.600 --> 0:48:34.720
<v Speaker 1>that's the poet nude. Oh yeah, that's right. I forgot.

0:48:35.440 --> 0:48:38.760
<v Speaker 1>And it was supposed to be a hit on Lord Jamal,

0:48:38.800 --> 0:48:41.319
<v Speaker 1>who ain't fucking with nobody in there. Now, you had

0:48:41.520 --> 0:48:44.600
<v Speaker 1>the black Muslims, you had the gangsters, you had the

0:48:44.640 --> 0:48:48.280
<v Speaker 1>White Arians, then you had the Christian dudes. Lord Jamar

0:48:48.920 --> 0:48:51.719
<v Speaker 1>was for the Fox said Nation, the Guards. He was

0:48:51.760 --> 0:48:54.080
<v Speaker 1>by hisself in there, so everybody trying and kill his

0:48:54.160 --> 0:48:55.480
<v Speaker 1>ass about the show.

0:48:55.640 --> 0:48:55.959
<v Speaker 2>The show.

0:49:04.239 --> 0:49:05.880
<v Speaker 1>He was killing that ship. I felt bad. I had

0:49:05.920 --> 0:49:09.680
<v Speaker 1>to do him dirty. But I'm in the visiting room.

0:49:09.760 --> 0:49:11.960
<v Speaker 1>The scene is me in the visiting room with mums.

0:49:12.000 --> 0:49:14.719
<v Speaker 1>I'm visiting moms. He's in the visiting room at the

0:49:14.760 --> 0:49:17.880
<v Speaker 1>same time, visiting with his chick. I'm supposed to do

0:49:17.960 --> 0:49:20.440
<v Speaker 1>a hit. I'm a visitor. I'm supposed to pull a

0:49:20.520 --> 0:49:23.800
<v Speaker 1>shame from under the table, walk over the Lord jamauro

0:49:24.200 --> 0:49:29.239
<v Speaker 1>stick them give him the pok action, right, I do it.

0:49:29.520 --> 0:49:32.000
<v Speaker 2>Now. Here's another thing from fact.

0:49:32.360 --> 0:49:35.280
<v Speaker 1>Steve Bushemi who plays Knuckie Thompson on Boywalking.

0:49:35.520 --> 0:49:38.080
<v Speaker 2>He directed that episode. I love this motherfucker.

0:49:38.800 --> 0:49:41.040
<v Speaker 1>This is what every time I do something with acting

0:49:41.080 --> 0:49:42.719
<v Speaker 1>and I learned something new. Shit make me want to

0:49:42.760 --> 0:49:48.200
<v Speaker 1>do it more. He says, that was good, but you're

0:49:48.200 --> 0:49:52.359
<v Speaker 1>moving too fast. Slow it down, got it? He don't

0:49:52.400 --> 0:49:59.080
<v Speaker 1>know I'm green, so slow it down. To me means

0:49:58.000 --> 0:50:02.120
<v Speaker 1>you know, you know, so action.

0:50:02.880 --> 0:50:04.080
<v Speaker 2>That's what me and mom's talking.

0:50:04.680 --> 0:50:07.120
<v Speaker 1>I grabbed this ship, but I'm not animated with the slowness.

0:50:07.160 --> 0:50:12.600
<v Speaker 1>But I'm moving a little slow. Do it sits me down?

0:50:13.200 --> 0:50:17.640
<v Speaker 1>Steve doesn't say ship to me nothing. He goes to

0:50:17.680 --> 0:50:20.760
<v Speaker 1>the prop guy. See the problem was this the shank

0:50:20.840 --> 0:50:24.440
<v Speaker 1>under the table. I was grabbing it too fast. I'm

0:50:24.440 --> 0:50:29.600
<v Speaker 1>not even looking from grabbing it too fast. Instead of

0:50:29.640 --> 0:50:32.160
<v Speaker 1>him having to keep telling me to do it or

0:50:32.400 --> 0:50:34.480
<v Speaker 1>you know, to stay on my ass about it and

0:50:34.520 --> 0:50:37.200
<v Speaker 1>maybe fuck with my confidence, he goes to the grip

0:50:37.200 --> 0:50:40.719
<v Speaker 1>and tells the grip move. It doesn't tell me though,

0:50:41.360 --> 0:50:42.520
<v Speaker 1>all doesn't tell me shit.

0:50:43.480 --> 0:50:51.319
<v Speaker 2>Okay, action he forced to slow down.

0:50:51.920 --> 0:50:54.680
<v Speaker 1>He got what he wanted. He got what he wanted

0:50:55.520 --> 0:51:01.719
<v Speaker 1>what he and me mine was blown. Mind was blown, bro.

0:51:01.920 --> 0:51:03.680
<v Speaker 2>And that makes me think, like when they do these

0:51:03.680 --> 0:51:05.399
<v Speaker 2>horror movies with these kids.

0:51:05.680 --> 0:51:09.640
<v Speaker 1>How they rear them? Because I know they really scared

0:51:09.680 --> 0:51:12.919
<v Speaker 1>the actors and actresses. I know that for a fact.

0:51:13.080 --> 0:51:15.000
<v Speaker 1>You know that tension and ship you know tho some

0:51:15.040 --> 0:51:19.160
<v Speaker 1>of those screens are you know, but sometimes they scared

0:51:19.160 --> 0:51:21.600
<v Speaker 1>the ship out they I know they do. So I'm

0:51:21.600 --> 0:51:24.440
<v Speaker 1>wondering how they do that with the kids. That's the

0:51:24.480 --> 0:51:28.680
<v Speaker 1>last thing I let my child do act.

0:51:28.719 --> 0:51:31.399
<v Speaker 2>Are you a method actor? No? No?

0:51:33.520 --> 0:51:36.080
<v Speaker 1>When I leader set, David McLean ash still be there

0:51:36.120 --> 0:51:36.680
<v Speaker 1>in that suit.

0:51:36.800 --> 0:51:39.440
<v Speaker 2>Yo. I worked with a method actor one time. What

0:51:39.480 --> 0:51:42.360
<v Speaker 2>did you say it was? You said it was the

0:51:42.520 --> 0:51:45.839
<v Speaker 2>motherfucker did not break character? Don't. He was like, they

0:51:45.920 --> 0:51:46.760
<v Speaker 2>go to the set.

0:51:47.239 --> 0:51:49.719
<v Speaker 1>It takes longer to shoot with them because them and

0:51:49.760 --> 0:51:52.480
<v Speaker 1>the director always having back and forth between.

0:51:52.920 --> 0:51:53.600
<v Speaker 2>It's just a lot.

0:51:53.640 --> 0:51:57.880
<v Speaker 4>Because he stated like he stayed in character album DMX

0:51:57.920 --> 0:52:01.040
<v Speaker 4>that called me and was get we'll come to the crib.

0:52:01.520 --> 0:52:06.000
<v Speaker 2>So when I'm around it and begives his Matt.

0:52:05.840 --> 0:52:09.080
<v Speaker 4>Schwartz or something like that. So he plays in Fast

0:52:09.080 --> 0:52:11.880
<v Speaker 4>and Furious this ship. So he's He's like, was that

0:52:11.920 --> 0:52:13.040
<v Speaker 4>the Mexican just called you?

0:52:13.120 --> 0:52:13.759
<v Speaker 2>I was like yeah.

0:52:13.960 --> 0:52:15.160
<v Speaker 4>So he was like, all right, cool, So I want

0:52:15.200 --> 0:52:17.080
<v Speaker 4>to break character tomorrow? Can I come hang out with you?

0:52:17.120 --> 0:52:20.400
<v Speaker 1>And and like he had to tell me that you

0:52:20.480 --> 0:52:22.440
<v Speaker 1>will be the other guy you don't know.

0:52:22.560 --> 0:52:26.280
<v Speaker 4>You don't know me personally right now on your meeting

0:52:26.440 --> 0:52:29.120
<v Speaker 4>is this guy. And he would he would come on character.

0:52:29.440 --> 0:52:30.959
<v Speaker 4>I mean he would come on set and he would

0:52:31.000 --> 0:52:33.400
<v Speaker 4>be the jail guy because this is a treasure of

0:52:33.480 --> 0:52:35.560
<v Speaker 4>seven Money's not not the greatest movie I ever did,

0:52:35.760 --> 0:52:39.800
<v Speaker 4>but but uh, that's when I learned method actic.

0:52:39.920 --> 0:52:43.320
<v Speaker 1>Bro, you can't put a price on what those method

0:52:43.360 --> 0:52:43.880
<v Speaker 1>actors do.

0:52:44.400 --> 0:52:46.080
<v Speaker 2>They just become that character and that's it, right.

0:52:46.120 --> 0:52:50.280
<v Speaker 1>But actors, even theater actors, I believe, they can't stand

0:52:50.360 --> 0:52:53.920
<v Speaker 1>the bullfuckers. The process just takes so much longer. But

0:52:53.920 --> 0:52:56.960
<v Speaker 1>it's great when it works. It definitely works. Okay, when

0:52:56.960 --> 0:52:59.520
<v Speaker 1>it doesn't work, it's like, see, I tell you YEA

0:53:00.120 --> 0:53:01.719
<v Speaker 1>gonna sit around and discuss this ship all day.

0:53:01.760 --> 0:53:04.719
<v Speaker 2>We should have just been shooting the whole time. It

0:53:04.800 --> 0:53:09.759
<v Speaker 2>has to take a toll on their men. But if

0:53:09.760 --> 0:53:11.919
<v Speaker 2>I'm playing the homeless man, I'm not going down.

0:53:11.960 --> 0:53:15.880
<v Speaker 1>I don't sleep out and no, you know, I'll just

0:53:15.920 --> 0:53:18.359
<v Speaker 1>revert back to my childhood. We was always THEMN thear

0:53:18.400 --> 0:53:21.920
<v Speaker 1>homeless anyway, every month, like shit, got to scrap them

0:53:22.000 --> 0:53:22.720
<v Speaker 1>dimes together.

0:53:22.960 --> 0:53:27.200
<v Speaker 4>So first you on os OZ Classic Oz, though, then

0:53:27.280 --> 0:53:29.520
<v Speaker 4>you get the opportunity to do the.

0:53:29.400 --> 0:53:32.279
<v Speaker 2>Wild Yeah, you wouldn't know the fuck up for I

0:53:32.320 --> 0:53:33.120
<v Speaker 2>got a story.

0:53:32.840 --> 0:53:37.759
<v Speaker 1>For this already, So I go do a movie called

0:53:37.840 --> 0:53:41.480
<v Speaker 1>Brown Sugar. Brown Sugar bad right, and they're like brown

0:53:41.480 --> 0:53:44.840
<v Speaker 1>sugar meth. You ain't in brown Sugar exactly because I

0:53:44.920 --> 0:53:46.520
<v Speaker 1>made the cutting room floor.

0:53:46.360 --> 0:53:47.640
<v Speaker 2>This is I just got to.

0:53:47.640 --> 0:53:50.440
<v Speaker 1>Put this ship in the context, went and shot the movie,

0:53:50.800 --> 0:53:52.520
<v Speaker 1>but wasn't in the movie. This is the movie with

0:53:52.640 --> 0:53:57.239
<v Speaker 1>most death. Take eggs anili, and I'm about to say,

0:53:57.239 --> 0:54:03.520
<v Speaker 1>I ain't see you were right exactly my nigga ha

0:54:03.640 --> 0:54:05.000
<v Speaker 1>song we made.

0:54:05.000 --> 0:54:08.120
<v Speaker 2>He was. I'm glad I'm not the only right.

0:54:11.239 --> 0:54:13.600
<v Speaker 1>I called him clock and Ship because the clockers okay,

0:54:13.600 --> 0:54:16.560
<v Speaker 1>oh yeah, I re bember clockers. So he was there too.

0:54:16.640 --> 0:54:22.440
<v Speaker 1>He was supposed to play like my assistant. Yeah, yeah, yeah,

0:54:23.320 --> 0:54:25.840
<v Speaker 1>he's supposed to play my sidekick assistant in the scene

0:54:25.880 --> 0:54:29.040
<v Speaker 1>and ship. Now, if anybody know, clock Clock ain't nobody

0:54:29.080 --> 0:54:31.640
<v Speaker 1>fucking assistant at all at all.

0:54:31.960 --> 0:54:32.120
<v Speaker 2>Nah.

0:54:32.239 --> 0:54:34.360
<v Speaker 1>Now that's that's just not in his characters, not in

0:54:34.360 --> 0:54:37.800
<v Speaker 1>his DNA. He ain't nobody fucking assistant. So he didn't

0:54:37.840 --> 0:54:39.640
<v Speaker 1>like the ship, he didn't like the scene, hen't liked

0:54:39.640 --> 0:54:40.600
<v Speaker 1>the words and that ship.

0:54:40.640 --> 0:54:41.720
<v Speaker 2>So he left.

0:54:43.719 --> 0:54:46.960
<v Speaker 1>When he left, I stayed. Did them all fucking thing

0:54:47.040 --> 0:54:49.279
<v Speaker 1>one two, one two, blah blah blah blah blah. Now

0:54:49.320 --> 0:54:54.439
<v Speaker 1>I was supposed to audition for The fucking Wire that day.

0:54:54.600 --> 0:54:59.040
<v Speaker 1>But I did the fucking movie Sugar right clop went

0:54:59.080 --> 0:55:02.160
<v Speaker 1>and auditioned with the Wire and got and got it

0:55:02.360 --> 0:55:04.960
<v Speaker 1>we Bab. I'm not saying I would have got we Bab,

0:55:04.960 --> 0:55:06.360
<v Speaker 1>but I would have been on the show from the

0:55:06.360 --> 0:55:06.799
<v Speaker 1>ground up.

0:55:06.800 --> 0:55:10.439
<v Speaker 2>Ship at the Wire.

0:55:12.920 --> 0:55:16.040
<v Speaker 1>But the thing about cheese was what people couldn't understand.

0:55:16.120 --> 0:55:18.880
<v Speaker 1>His cheese was a survivor. He was just trying to survive. Man.

0:55:18.880 --> 0:55:22.440
<v Speaker 1>You got understand there, but you gotta understand the backstory

0:55:22.600 --> 0:55:25.280
<v Speaker 1>behind a person. What would make a person do something

0:55:25.360 --> 0:55:28.279
<v Speaker 1>like that? If you think about it, what would make

0:55:28.320 --> 0:55:29.880
<v Speaker 1>a person do something like that?

0:55:30.880 --> 0:55:32.680
<v Speaker 2>He liked the cheese. He didn't have a.

0:55:32.719 --> 0:55:35.879
<v Speaker 1>Choice because if he wouldn't have gave his uncle, who

0:55:36.000 --> 0:55:37.040
<v Speaker 1>was they gonna kill first?

0:55:37.800 --> 0:55:39.640
<v Speaker 2>Thank you very much, nobody.

0:55:39.960 --> 0:55:42.480
<v Speaker 1>You gotta see the nuances of what's going on here.

0:55:42.480 --> 0:55:46.399
<v Speaker 1>And ship cheese is a fucking survival It's like, yeah,

0:55:46.480 --> 0:55:47.120
<v Speaker 1>kill that nigga.

0:55:47.960 --> 0:55:57.040
<v Speaker 2>I ain't gonna lie. I still see Marlowe, marlow he

0:55:57.160 --> 0:56:01.200
<v Speaker 2>got that famous nigga, Like, I don't play about games.

0:56:01.239 --> 0:56:02.759
<v Speaker 2>I don't know if he was ever acting. I'm not

0:56:02.760 --> 0:56:07.359
<v Speaker 2>sure even he prolific with them hands, his feet. Don't

0:56:07.360 --> 0:56:08.200
<v Speaker 2>play with that man.

0:56:08.280 --> 0:56:13.000
<v Speaker 1>He's prolific, But now you're on power the fuck you

0:56:13.080 --> 0:56:15.000
<v Speaker 1>keep just getting these roles run.

0:56:15.440 --> 0:56:23.040
<v Speaker 2>Black people love me. Tell you, I loved it, honestly.

0:56:23.040 --> 0:56:25.279
<v Speaker 1>It's the it's it's just a testament to the work

0:56:25.280 --> 0:56:30.000
<v Speaker 1>ethic and Ship and lucky to draw because I mean,

0:56:31.480 --> 0:56:36.000
<v Speaker 1>you look at someone like ll cool J and today, Yeah,

0:56:36.200 --> 0:56:38.680
<v Speaker 1>and if you bring his name up in certain circles,

0:56:38.840 --> 0:56:41.600
<v Speaker 1>a lot of people don't know that he was a

0:56:41.680 --> 0:56:45.480
<v Speaker 1>rapper exactly right. They don't know these these facts about

0:56:45.520 --> 0:56:49.919
<v Speaker 1>him and Ship, or that he's been consistently working non

0:56:50.000 --> 0:56:52.160
<v Speaker 1>stop since he was sixteen years old.

0:56:52.440 --> 0:56:53.319
<v Speaker 2>Crazy, he's on.

0:56:53.239 --> 0:56:55.880
<v Speaker 1>A show in CIS that has been on now for

0:56:55.920 --> 0:56:57.959
<v Speaker 1>how long he's he's him and ized team.

0:56:58.640 --> 0:56:59.960
<v Speaker 2>Straight fucking numbers and Ship.

0:57:01.280 --> 0:57:04.880
<v Speaker 1>But people, at least our community, some of us do,

0:57:05.040 --> 0:57:08.319
<v Speaker 1>especially our age rage. We know because you know, Nigga

0:57:08.320 --> 0:57:12.239
<v Speaker 1>was like golf up, but people came up after that.

0:57:12.600 --> 0:57:15.440
<v Speaker 1>They don't know that. They don't watch NCIS. I mean

0:57:15.480 --> 0:57:17.280
<v Speaker 1>I don't watch the shit, you know what I mean.

0:57:17.480 --> 0:57:19.200
<v Speaker 1>Not saying they ain't a good show. All a great show,

0:57:19.400 --> 0:57:23.800
<v Speaker 1>It's just not my kind of shit. I was lucky

0:57:23.920 --> 0:57:29.479
<v Speaker 1>enough to have a so called hiatus where people didn't

0:57:29.480 --> 0:57:32.479
<v Speaker 1>see me, but I was the same as LLLL, consistently working.

0:57:32.560 --> 0:57:35.320
<v Speaker 1>It's just that just because you didn't see me doesn't

0:57:35.320 --> 0:57:39.040
<v Speaker 1>mean I wasn't. And when I got the call for

0:57:39.160 --> 0:57:42.040
<v Speaker 1>PowerBook two that came out, I don't know where that

0:57:42.080 --> 0:57:46.440
<v Speaker 1>shit came from, man, but I was ecstatic until I

0:57:46.520 --> 0:57:50.400
<v Speaker 1>wasn't because I was like, Okay, do we know what

0:57:50.400 --> 0:57:51.720
<v Speaker 1>the part is? They was like, no, we don't know

0:57:51.760 --> 0:57:53.240
<v Speaker 1>what the part is yet, but we're going to get

0:57:53.240 --> 0:57:56.680
<v Speaker 1>it soon. I get it, and I'm like, I'm about

0:57:56.680 --> 0:57:59.280
<v Speaker 1>the murder some shit. I'mbot to kill shit and watch

0:57:59.280 --> 0:58:01.720
<v Speaker 1>I'm gonna be worse then fucking ghost saying Tom he

0:58:01.760 --> 0:58:05.720
<v Speaker 1>put together Who's watch this ship? I get the script.

0:58:06.720 --> 0:58:10.760
<v Speaker 1>It's the lawyer and it's this dialogue dialogue. Now, I

0:58:10.880 --> 0:58:13.800
<v Speaker 1>like monologues, you know ours with monologues and ship.

0:58:13.640 --> 0:58:16.120
<v Speaker 2>But it's a lawyer nigga.

0:58:15.680 --> 0:58:21.480
<v Speaker 1>And there's there's certain you know, influctions, uh dialogue that

0:58:21.560 --> 0:58:30.000
<v Speaker 1>you have to have uh. And that nuance that I

0:58:30.080 --> 0:58:32.640
<v Speaker 1>was talking about with why people thought Cheese was a

0:58:32.680 --> 0:58:34.920
<v Speaker 1>foul nigga, But Cheese was saving his own ass in

0:58:34.960 --> 0:58:35.520
<v Speaker 1>the midst of.

0:58:37.560 --> 0:58:46.800
<v Speaker 2>He definitely was Damn. I loved my face the lawyer,

0:58:46.880 --> 0:58:47.680
<v Speaker 2>the lawyer because.

0:58:47.960 --> 0:58:50.040
<v Speaker 1>Yeah, you said okay, so yeah, I was like, damn.

0:58:50.080 --> 0:58:51.680
<v Speaker 1>So now I'm a little deflated. I'm like, they want

0:58:51.720 --> 0:58:54.440
<v Speaker 1>to play a lawyer nervous as ship, you know. I

0:58:54.480 --> 0:58:56.360
<v Speaker 1>was like, yeah, fuck that. Wait a minute. I just

0:58:56.760 --> 0:58:59.479
<v Speaker 1>did my acting classes and we did a scene where

0:59:01.120 --> 0:59:03.360
<v Speaker 1>what they do is in the acting class, they'll give

0:59:03.400 --> 0:59:06.520
<v Speaker 1>you a scene partner and you guys have a week

0:59:06.560 --> 0:59:09.040
<v Speaker 1>to work on a scene from an actual movie. The

0:59:09.120 --> 0:59:11.560
<v Speaker 1>actual movie that I worked on with my scene partner

0:59:12.240 --> 0:59:16.280
<v Speaker 1>was Philadelphia. I played the Denzel part and he played

0:59:16.320 --> 0:59:19.120
<v Speaker 1>the Tom Hanks part. And it's their first meeting when

0:59:19.520 --> 0:59:23.080
<v Speaker 1>Tom Hanks comes into his office and they're funny shit though,

0:59:23.680 --> 0:59:28.400
<v Speaker 1>because he's very If you look at Denzel as a master,

0:59:28.840 --> 0:59:31.560
<v Speaker 1>if you look at his body language in the beginning,

0:59:32.480 --> 0:59:33.040
<v Speaker 1>it's money.

0:59:33.120 --> 0:59:34.120
<v Speaker 2>Money just walked in the.

0:59:34.040 --> 0:59:36.440
<v Speaker 1>Door, so he's pre engaging, blah blah blah blah blah.

0:59:37.240 --> 0:59:41.000
<v Speaker 2>Tom Hanks says, I have age. It's like he's you know,

0:59:41.080 --> 0:59:43.000
<v Speaker 2>he catches him at first, but then it's like saying.

0:59:42.800 --> 0:59:47.480
<v Speaker 1>Post yeah, yeah, start wiping your hands and shit, like

0:59:47.760 --> 0:59:51.160
<v Speaker 1>people didn't know what back then, but He's doing these

0:59:51.280 --> 0:59:54.720
<v Speaker 1>nuances that you won't pick up on unless you actually

0:59:54.800 --> 0:59:57.120
<v Speaker 1>and he makes you feel that shit. That's where I

0:59:57.160 --> 1:00:01.560
<v Speaker 1>want to be, where I make a person actually feel ship.

1:00:02.200 --> 1:00:04.360
<v Speaker 1>Like you have a watch a fucking horror movie and

1:00:04.440 --> 1:00:05.800
<v Speaker 1>somebody get their arm chopped and we know this sh

1:00:05.840 --> 1:00:06.880
<v Speaker 1>it is fake, but you still go.

1:00:09.000 --> 1:00:12.439
<v Speaker 2>Come on like Scarface, Yeah, we knew Scarface wasn't real.

1:00:12.880 --> 1:00:13.880
<v Speaker 2>You get to that level.

1:00:13.920 --> 1:00:17.600
<v Speaker 1>So this is me thinking that level when they told

1:00:17.640 --> 1:00:18.800
<v Speaker 1>me this lawyer part.

1:00:20.120 --> 1:00:20.520
<v Speaker 2>FiOS.

1:00:22.320 --> 1:00:24.560
<v Speaker 1>I go toward audition, and first person I see when

1:00:24.600 --> 1:00:26.919
<v Speaker 1>I'm in the audition, this banger. This is a dude

1:00:26.920 --> 1:00:29.640
<v Speaker 1>that plays Chris Paulo on the wire. I'm like, oh,

1:00:29.680 --> 1:00:34.000
<v Speaker 1>this motherfucker got it because he all that. I didn't

1:00:34.040 --> 1:00:35.240
<v Speaker 1>know he was there to be the teacher. I thought

1:00:35.240 --> 1:00:36.840
<v Speaker 1>he was there to be the lawyer. I go in.

1:00:37.160 --> 1:00:40.120
<v Speaker 1>I got on the red sweater. I got on a

1:00:40.200 --> 1:00:44.320
<v Speaker 1>fucking collar shirt under the red sweater. This is my lawyer,

1:00:44.360 --> 1:00:49.000
<v Speaker 1>look Ship. I don't even know the suit really, I

1:00:49.000 --> 1:00:52.040
<v Speaker 1>don't own a suit that fit anyway.

1:00:53.120 --> 1:00:54.000
<v Speaker 2>Get through the audition.

1:00:55.120 --> 1:00:58.640
<v Speaker 1>Mark is there, Mark Canton uh, Anthony himan Way who

1:00:58.640 --> 1:01:02.240
<v Speaker 1>directed it. That's my guy right there, Anthony and when

1:01:02.240 --> 1:01:03.880
<v Speaker 1>I walked out, I was like, that shit sucked. I

1:01:03.880 --> 1:01:06.320
<v Speaker 1>ain't get the part I caught Sean. I was like, hey,

1:01:06.320 --> 1:01:08.280
<v Speaker 1>I fucked up, Sean. I ain't even fucking get the part.

1:01:08.680 --> 1:01:10.720
<v Speaker 1>I was messing up in there, and I sweat a lot.

1:01:10.760 --> 1:01:13.880
<v Speaker 1>I had big ass sweat stains under my under arms

1:01:13.880 --> 1:01:16.360
<v Speaker 1>and shit. And two days later I got the call

1:01:16.440 --> 1:01:18.200
<v Speaker 1>back like, yeah, he got it. It's like, get the

1:01:18.200 --> 1:01:18.959
<v Speaker 1>fuck out of here.

1:01:19.120 --> 1:01:21.360
<v Speaker 2>Now. I'm shitting in my pass because I'm like god

1:01:21.760 --> 1:01:23.600
<v Speaker 2>Chez Lawyer every week.

1:01:25.840 --> 1:01:27.400
<v Speaker 1>But that first day I showed up because I was

1:01:27.440 --> 1:01:31.040
<v Speaker 1>shooting another TV show at the time with Kadem Hardersting

1:01:31.040 --> 1:01:33.800
<v Speaker 1>called Teenage Bounty Hunters. Check that shit out on Netflix.

1:01:34.080 --> 1:01:37.480
<v Speaker 1>Shit's hilarious. And Kadem still got it. He still got

1:01:37.480 --> 1:01:41.520
<v Speaker 1>it his shit. I had to fly well. I shot

1:01:41.560 --> 1:01:44.480
<v Speaker 1>with them. The first day I got there. Everybody was

1:01:44.560 --> 1:01:47.560
<v Speaker 1>just welcome the dude with open arms. Now, this's the

1:01:47.600 --> 1:01:50.840
<v Speaker 1>same crew from Power. Michael grew up with all these people,

1:01:50.880 --> 1:01:54.280
<v Speaker 1>so they know him. The Tory grew up with these people.

1:01:54.280 --> 1:01:54.840
<v Speaker 2>They know her.

1:01:54.880 --> 1:01:57.440
<v Speaker 1>They don't know me, though, And like I said, embraced

1:01:57.480 --> 1:01:59.560
<v Speaker 1>me with open arms, made me feel comfortable and shipped

1:01:59.560 --> 1:02:02.280
<v Speaker 1>to the point there was no nervous energy and we

1:02:02.440 --> 1:02:04.200
<v Speaker 1>just got through that first day. Once I got through

1:02:04.240 --> 1:02:07.440
<v Speaker 1>that first day, I was still nervous, but it started

1:02:07.440 --> 1:02:10.160
<v Speaker 1>to wane or ween off a bit, is that the

1:02:10.200 --> 1:02:10.600
<v Speaker 1>right word?

1:02:10.640 --> 1:02:12.920
<v Speaker 2>Ween ween off a bit?

1:02:13.720 --> 1:02:16.040
<v Speaker 1>And by the time I got to like the fourth episode,

1:02:16.160 --> 1:02:19.080
<v Speaker 1>or I was dead. Now this is the funny correlation

1:02:19.200 --> 1:02:22.600
<v Speaker 1>between that and the Twitter verse. We got a big

1:02:22.640 --> 1:02:26.360
<v Speaker 1>ass Twitter following, and those first four episodes where I

1:02:26.400 --> 1:02:29.280
<v Speaker 1>felt like I was nervous, people were like, look at

1:02:29.360 --> 1:02:33.480
<v Speaker 1>meda man, cringe, look at medic man, cringe. Method man

1:02:33.560 --> 1:02:35.960
<v Speaker 1>is a lawyer? Ha ha ha ha ha medad Man

1:02:36.000 --> 1:02:40.200
<v Speaker 1>a lawyer. By the fourth episode, who does David McClean?

1:02:40.240 --> 1:02:40.760
<v Speaker 2>Motherfuckers?

1:02:42.320 --> 1:02:45.560
<v Speaker 1>Wasn't method man no more. By the second season, I'm

1:02:45.560 --> 1:02:48.200
<v Speaker 1>in the street, they calling me that shit. So so

1:02:48.360 --> 1:02:52.240
<v Speaker 1>let me ask you, what how do you study for

1:02:52.320 --> 1:02:54.120
<v Speaker 1>this role? Do you go hang out with a lawyer?

1:02:54.400 --> 1:02:58.880
<v Speaker 2>I had a coach. The coach is the way to go. Yeah.

1:02:58.920 --> 1:03:03.000
<v Speaker 1>So, in fact, my coach is Larry Library, Larry Larry

1:03:03.000 --> 1:03:08.440
<v Speaker 1>b all right. Now, Now, Larry was the only black person,

1:03:09.640 --> 1:03:13.400
<v Speaker 1>only black star in Revenge of the Nerds. Think about it,

1:03:13.440 --> 1:03:19.680
<v Speaker 1>Oh my homeboy, yea Lamar Lamar, contrary to the poor

1:03:19.760 --> 1:03:20.400
<v Speaker 1>he loved pussy.

1:03:20.480 --> 1:03:22.400
<v Speaker 2>So you know what I'm.

1:03:22.320 --> 1:03:31.960
<v Speaker 1>Saying anyway, Yeah, that's that's my coach. And dude has

1:03:32.000 --> 1:03:35.400
<v Speaker 1>a way of doing things that you know, we speak.

1:03:35.480 --> 1:03:36.720
<v Speaker 2>He speaks the language.

1:03:36.880 --> 1:03:39.280
<v Speaker 1>And I'm not taking away from any other coaches, but

1:03:39.400 --> 1:03:42.240
<v Speaker 1>he he kind of speaks my language. He he talks

1:03:42.280 --> 1:03:45.040
<v Speaker 1>in a way that simplifies things for me that I

1:03:45.040 --> 1:03:46.000
<v Speaker 1>can understand it.

1:03:46.560 --> 1:03:49.040
<v Speaker 2>You know what I mean? Wow, I would does he

1:03:49.120 --> 1:03:51.600
<v Speaker 2>coach you for each scene or is it.

1:03:51.600 --> 1:03:55.480
<v Speaker 1>Just a general episode that I was doing? I would

1:03:55.480 --> 1:04:00.560
<v Speaker 1>call him for a session and we would go over it. Yeah,

1:04:00.560 --> 1:04:00.840
<v Speaker 1>he's a.

1:04:00.840 --> 1:04:02.959
<v Speaker 2>Good guy man. A lot of love for that guy.

1:04:03.040 --> 1:04:05.720
<v Speaker 1>Man. He he took good care of me and shit,

1:04:05.840 --> 1:04:08.680
<v Speaker 1>I mean I got a naacp image of all for

1:04:08.720 --> 1:04:09.800
<v Speaker 1>that shit, you know what I mean?

1:04:09.880 --> 1:04:11.080
<v Speaker 2>So he knows the shit.

1:04:11.720 --> 1:04:11.880
<v Speaker 1>You know.

1:04:12.200 --> 1:04:18.360
<v Speaker 2>Shit. Now, if you had a chance to pick what

1:04:18.520 --> 1:04:19.360
<v Speaker 2>it be rapping.

1:04:19.640 --> 1:04:26.760
<v Speaker 1>Or acting, I can't pick. Can't pick because because like

1:04:26.800 --> 1:04:29.240
<v Speaker 1>I said, being a creative, that doesn't limit me to

1:04:29.440 --> 1:04:33.640
<v Speaker 1>just rapping or even just acting, you know, I mean

1:04:33.720 --> 1:04:38.000
<v Speaker 1>think about it. Redman is definitely a creative right and

1:04:38.080 --> 1:04:40.800
<v Speaker 1>it didn't just limit him back. I mean he doesn't

1:04:40.840 --> 1:04:43.240
<v Speaker 1>have to if he doesn't want to, and I agree

1:04:43.280 --> 1:04:44.640
<v Speaker 1>with him one hundred and ten percent.

1:04:44.800 --> 1:04:45.960
<v Speaker 2>That's my guy right there.

1:04:46.200 --> 1:04:47.840
<v Speaker 1>If you don't want to take that shit fuck that,

1:04:48.000 --> 1:04:49.880
<v Speaker 1>anybody try and stick him, I'm gonna kill him.

1:04:50.680 --> 1:04:51.000
<v Speaker 2>Period.

1:04:51.920 --> 1:04:55.240
<v Speaker 5>But you would probably say that hip hop brought you

1:04:55.280 --> 1:04:56.720
<v Speaker 5>to here to that today.

1:04:56.840 --> 1:05:01.840
<v Speaker 1>Absolutely, yes, yes, absolutely, but it doesn't and tell the

1:05:01.880 --> 1:05:04.800
<v Speaker 1>whole story of who I am. I mean, look at

1:05:04.880 --> 1:05:09.320
<v Speaker 1>rat Man first, and it's like he rat he DJ right,

1:05:09.800 --> 1:05:12.840
<v Speaker 1>and he jumped out of the airplance. Yeah, he's crazy creative,

1:05:15.160 --> 1:05:19.200
<v Speaker 1>creative though, because he's painting whole fucking landscapes while he's floating.

1:05:21.480 --> 1:05:23.280
<v Speaker 2>He's becoming one with hisself.

1:05:23.320 --> 1:05:30.120
<v Speaker 1>Except the painting now, the the animation and the.

1:05:27.960 --> 1:05:30.920
<v Speaker 2>The inspiration is drawing inside. Now.

1:05:31.000 --> 1:05:33.440
<v Speaker 1>He doesn't have to inspire anybody else. Now, he just

1:05:33.480 --> 1:05:37.960
<v Speaker 1>inspires himself. And when you're there, can't nobody stop you? Man,

1:05:38.760 --> 1:05:39.200
<v Speaker 1>for real?

1:05:40.480 --> 1:05:43.600
<v Speaker 2>We got quick, Thomas, Yeah, of course, we're ready, be ready.

1:05:45.000 --> 1:05:49.120
<v Speaker 2>Ain't drinking ship. Who's a designated drinking You gonn pick

1:05:49.160 --> 1:05:54.840
<v Speaker 2>somebody to drink for you drink? I tell you.

1:05:59.040 --> 1:06:03.400
<v Speaker 1>All right, let's go Hi, every damn ship ship they

1:06:03.440 --> 1:06:05.880
<v Speaker 1>can and called those two well, it's funny too, because

1:06:05.920 --> 1:06:07.920
<v Speaker 1>your lists come and go. I got one too, and

1:06:07.960 --> 1:06:11.160
<v Speaker 1>ship your ship. Let me tell you, because they taught

1:06:11.160 --> 1:06:16.520
<v Speaker 1>me this ship is no no to here, not here.

1:06:16.720 --> 1:06:21.240
<v Speaker 2>Not here. I would listen. You're my acting. I still care,

1:06:21.240 --> 1:06:22.760
<v Speaker 2>I still look.

1:06:22.800 --> 1:06:26.040
<v Speaker 1>So I still can't say certain words like what they

1:06:26.040 --> 1:06:27.400
<v Speaker 1>got to come up and then I can tell you

1:06:27.400 --> 1:06:27.640
<v Speaker 1>like I.

1:06:27.880 --> 1:06:30.760
<v Speaker 2>Can't people laughing at me every time I say coffee,

1:06:31.360 --> 1:06:35.919
<v Speaker 2>why he said it's fine. What I said, it's fine? Yeah?

1:06:36.920 --> 1:06:38.080
<v Speaker 2>Sometimes I say coffee.

1:06:39.720 --> 1:06:43.680
<v Speaker 1>Yeah, but that's so that's some Italian ship, right, that's my.

1:06:44.160 --> 1:06:46.960
<v Speaker 2>People be telling me I'm Italian. You got that, that's

1:06:47.040 --> 1:06:50.080
<v Speaker 2>that's that's that. But see I do that with David McLean.

1:06:51.120 --> 1:06:55.520
<v Speaker 1>Instead of saying that's that's ours, I say that's ours ours. Yeah,

1:06:55.680 --> 1:06:57.720
<v Speaker 1>it's instead of saying I want a glass of water,

1:06:58.200 --> 1:07:02.720
<v Speaker 1>say I want a glass of water, right, And that's

1:07:02.760 --> 1:07:04.560
<v Speaker 1>not my daughter, that's my daughter.

1:07:05.440 --> 1:07:08.600
<v Speaker 4>It's not like some Boston accent there sounds like I'm

1:07:08.600 --> 1:07:11.000
<v Speaker 4>never gonna get this ship.

1:07:11.160 --> 1:07:12.000
<v Speaker 2>That's easy. Ship.

1:07:12.080 --> 1:07:15.600
<v Speaker 1>All I did was copy CALLI niggas okay, okay and gangsters.

1:07:15.680 --> 1:07:17.400
<v Speaker 2>They talked like that. You know what. The crazy thing

1:07:17.440 --> 1:07:20.880
<v Speaker 2>I just seen the other day that the dumb c

1:07:21.240 --> 1:07:25.640
<v Speaker 2>was like the Yeah for Dempson, Yeah, I thought that

1:07:25.720 --> 1:07:28.800
<v Speaker 2>was amazing. Man. I haven't spoke to him so long.

1:07:28.800 --> 1:07:36.200
<v Speaker 1>Man wherever you have some stories, niggas. But there's a

1:07:36.200 --> 1:07:39.840
<v Speaker 1>woman with you on Soul Plane that that you kind

1:07:39.840 --> 1:07:44.280
<v Speaker 1>of like flipped on people for not taking the acting gig. Serious, Nah,

1:07:44.760 --> 1:07:47.360
<v Speaker 1>that wasn't me that, No, I don't know.

1:07:47.520 --> 1:07:51.120
<v Speaker 2>Jesse Terrrero wasn't having Jesse runs a tight ship. Man.

1:07:51.600 --> 1:07:53.840
<v Speaker 1>You know I didn't do anything of the sort, you know,

1:07:55.520 --> 1:07:59.840
<v Speaker 1>if anything that was Kevin's vehicle. But Snoop stole that movie.

1:08:00.640 --> 1:08:03.680
<v Speaker 1>You stole that movie. That fucking captain mac He was

1:08:03.760 --> 1:08:05.600
<v Speaker 1>killing that ship, nigger. I think a lot of that

1:08:05.640 --> 1:08:07.880
<v Speaker 1>ship was covered off the top of his head. Shout

1:08:07.880 --> 1:08:11.880
<v Speaker 1>out the stupid dog an amazing motherfucking Do.

1:08:11.840 --> 1:08:13.880
<v Speaker 2>You think we need a soul plane in real life?

1:08:14.720 --> 1:08:14.800
<v Speaker 1>No?

1:08:15.800 --> 1:08:17.679
<v Speaker 2>But I tell you what I do have a suggestion.

1:08:18.160 --> 1:08:23.519
<v Speaker 1>I want they should have designated flights for people with

1:08:23.600 --> 1:08:25.880
<v Speaker 1>children and animals.

1:08:27.320 --> 1:08:31.040
<v Speaker 2>You killed that man because you know I love kids.

1:08:31.280 --> 1:08:32.760
<v Speaker 2>Say all children is on one flight?

1:08:32.840 --> 1:08:34.960
<v Speaker 1>Like it should be a designated flight for people with children.

1:08:35.080 --> 1:08:37.400
<v Speaker 1>Just children, Okay, people, dog, you know what I mean?

1:08:38.680 --> 1:08:41.759
<v Speaker 2>Yeah, my friend. He wants his dog. He got relax.

1:08:41.960 --> 1:08:45.360
<v Speaker 1>And I have nothing against the animals, the animal community,

1:08:45.360 --> 1:08:50.639
<v Speaker 1>the animal loving community, have nothing against the children. But there,

1:08:50.680 --> 1:08:54.200
<v Speaker 1>but it can be an inconvenience sometimes and.

1:08:54.040 --> 1:08:55.840
<v Speaker 2>Sometimes it be that big ass dog they like it's

1:08:55.880 --> 1:08:56.559
<v Speaker 2>a puppy. It could be.

1:08:58.600 --> 1:09:01.160
<v Speaker 1>Sixteen years old. I have a fear of big dogs.

1:09:01.280 --> 1:09:04.400
<v Speaker 1>I've been bitten before. I mean, I've been chased a lot,

1:09:05.160 --> 1:09:07.400
<v Speaker 1>so I have like this little fear of big dogs

1:09:07.400 --> 1:09:09.200
<v Speaker 1>and ship. So if I have to sit next to

1:09:09.200 --> 1:09:10.639
<v Speaker 1>your big dog, and I'm not going to be afraid

1:09:10.680 --> 1:09:13.280
<v Speaker 1>of it, I'm pretty sure the dog is well behaved,

1:09:13.360 --> 1:09:17.000
<v Speaker 1>but it's making my experience uncomfortable, you know. And I

1:09:17.080 --> 1:09:19.760
<v Speaker 1>paid just as much or if not more, from my

1:09:19.840 --> 1:09:20.880
<v Speaker 1>seat than you did.

1:09:20.960 --> 1:09:23.439
<v Speaker 2>And if the dog has an accident, we have to

1:09:23.520 --> 1:09:24.160
<v Speaker 2>ride with that.

1:09:24.520 --> 1:09:27.439
<v Speaker 1>And I heard that the person that has the dog

1:09:27.520 --> 1:09:30.720
<v Speaker 1>is responsible for it. Now I've seen people have their

1:09:30.720 --> 1:09:33.080
<v Speaker 1>dogs in the airport.

1:09:34.320 --> 1:09:35.439
<v Speaker 2>Yeah, you know what I mean.

1:09:38.960 --> 1:09:41.080
<v Speaker 1>Now the thing with the kids, Now, it's not so

1:09:41.160 --> 1:09:43.400
<v Speaker 1>much with the kids because sometimes kids their ears pop

1:09:43.439 --> 1:09:43.840
<v Speaker 1>and then.

1:09:43.720 --> 1:09:47.640
<v Speaker 2>You know, drives them freaking crazy. But if your child.

1:09:49.040 --> 1:09:55.000
<v Speaker 1>Is constantly screaming no, I want it, let me, you know,

1:09:55.400 --> 1:10:00.439
<v Speaker 1>jumping out and and or just you know, just the

1:10:00.520 --> 1:10:02.840
<v Speaker 1>kick in the seat thing, and you're sitting there on

1:10:02.880 --> 1:10:07.000
<v Speaker 1>your phone. What I can't say anything to this child

1:10:07.360 --> 1:10:09.839
<v Speaker 1>that you don't say anything to the child. And honestly,

1:10:09.880 --> 1:10:14.120
<v Speaker 1>real men don't say anything to women, and especially not

1:10:14.160 --> 1:10:19.200
<v Speaker 1>in the confrontational man. So now I'm stuck with this,

1:10:19.200 --> 1:10:21.840
<v Speaker 1>this badass kid, and I'm saying, I'm saying all kinds

1:10:21.840 --> 1:10:22.559
<v Speaker 1>of faust ship.

1:10:22.360 --> 1:10:25.000
<v Speaker 2>In my head, like if it was mine, I beat

1:10:25.040 --> 1:10:37.000
<v Speaker 2>the ship out. I was taking the damn And you know,

1:10:37.360 --> 1:10:39.280
<v Speaker 2>I think that they should have their own flights period.

1:10:39.920 --> 1:10:47.240
<v Speaker 3>In the dream Champs Airline, bro drink Champs Airlines, Yeah

1:10:47.600 --> 1:10:51.080
<v Speaker 3>New York, No, not to New York, just flying out

1:10:51.080 --> 1:10:52.040
<v Speaker 3>of Orlando period.

1:10:52.520 --> 1:10:56.799
<v Speaker 2>The Disney kids all up in just being in that terminal.

1:10:57.479 --> 1:11:01.800
<v Speaker 1>I think you just got that carpet and that little

1:11:01.880 --> 1:11:03.759
<v Speaker 1>round every year when you get off them drag.

1:11:03.680 --> 1:11:05.679
<v Speaker 2>That corfet is so warn the fuck out.

1:11:06.640 --> 1:11:10.400
<v Speaker 1>Look them babies being there, tearing that place to fuck down.

1:11:10.640 --> 1:11:13.639
<v Speaker 1>And this is what they do. Tell me if from lying,

1:11:13.720 --> 1:11:15.640
<v Speaker 1>this is what they do. All the colorful shit be

1:11:15.720 --> 1:11:18.400
<v Speaker 1>right soon as you get off that plate, All the colorful.

1:11:17.920 --> 1:11:20.040
<v Speaker 2>Shit be right that candy toys.

1:11:20.200 --> 1:11:23.200
<v Speaker 1>It's like when you do spend like fifteen hundred already

1:11:23.240 --> 1:11:25.560
<v Speaker 1>in the park over two days, getting your kids on

1:11:25.640 --> 1:11:29.000
<v Speaker 1>kind of shit that broke the second day. Now they

1:11:29.040 --> 1:11:31.519
<v Speaker 1>got this sit in the fucking and it's for double.

1:11:32.160 --> 1:11:32.960
<v Speaker 2>You ain't even in the.

1:11:32.880 --> 1:11:37.560
<v Speaker 1>Party for double in the motherfucking airport, so fuck them. No,

1:11:37.800 --> 1:11:40.200
<v Speaker 1>you should see the kids falling down, parents dragging their

1:11:40.320 --> 1:11:41.920
<v Speaker 1>kids away from the fucking.

1:11:42.120 --> 1:11:44.120
<v Speaker 2>You know what I mean. The little mini mouse toy,

1:11:44.640 --> 1:11:48.880
<v Speaker 2>the little girl like little sluts you dead ragging up,

1:11:48.880 --> 1:11:51.640
<v Speaker 2>you know them leashes, got the leash like this, the

1:11:51.720 --> 1:11:52.400
<v Speaker 2>home just like this.

1:11:57.000 --> 1:12:02.040
<v Speaker 1>Then you get that cool mom is cool, white ball coolert.

1:12:02.040 --> 1:12:06.280
<v Speaker 2>So she just left the baby there, left the baby there.

1:12:07.880 --> 1:12:11.160
<v Speaker 1>Like okay, carro I'm going that's what you're gonna do. Okay,

1:12:11.200 --> 1:12:15.240
<v Speaker 1>Mom's gone by, car walk the off. That baby girl

1:12:15.240 --> 1:12:17.599
<v Speaker 1>stood there crowd for a second. She was watching it, though.

1:12:17.960 --> 1:12:19.920
<v Speaker 1>As soon as she got too far, she got up

1:12:19.960 --> 1:12:22.320
<v Speaker 1>like a started running right behind.

1:12:22.680 --> 1:12:26.840
<v Speaker 2>Yeah. Yes, all right, I'm ready, I'm ready, I'm ready there.

1:12:27.120 --> 1:12:31.120
<v Speaker 5>All right, I think you wanna explain the rules. We're

1:12:31.120 --> 1:12:35.599
<v Speaker 5>gonna give you two choices. If you pick one, we're good.

1:12:35.640 --> 1:12:38.200
<v Speaker 5>But if you say both are neither we drinking? Well

1:12:38.200 --> 1:12:41.839
<v Speaker 5>we drinking for you? Well, well you're drinking your tatue.

1:12:42.200 --> 1:12:44.840
<v Speaker 4>By the way, I'm not gonna lie at the video set.

1:12:45.000 --> 1:12:46.680
<v Speaker 4>You came to my hood, you know me.

1:12:46.720 --> 1:12:46.880
<v Speaker 2>Now.

1:12:47.000 --> 1:12:48.960
<v Speaker 4>You asked me for two bottles of Ace of Spade.

1:12:49.360 --> 1:12:51.639
<v Speaker 4>I gave it to you, but then you forgot them.

1:12:51.760 --> 1:12:53.680
<v Speaker 2>So I want to make sure I get put them in.

1:12:53.800 --> 1:12:56.160
<v Speaker 4>Oh nice, yea, I'm gonna make sure because I think

1:12:56.200 --> 1:12:59.240
<v Speaker 4>you ask for your wife. And by the way, I

1:12:59.280 --> 1:13:01.240
<v Speaker 4>had to make sure you're gonna believe with these two

1:13:01.240 --> 1:13:01.840
<v Speaker 4>bottles this time?

1:13:01.840 --> 1:13:03.720
<v Speaker 2>Okay, So how I get it on the plane? You

1:13:03.800 --> 1:13:05.479
<v Speaker 2>put you know all you gotta do?

1:13:05.600 --> 1:13:12.400
<v Speaker 1>Give it to d Yeah, because I've seen them.

1:13:12.520 --> 1:13:15.080
<v Speaker 2>If it's not duty free, because they are taking If

1:13:15.080 --> 1:13:16.280
<v Speaker 2>you got, if you got, if you got, if you

1:13:16.360 --> 1:13:18.880
<v Speaker 2>got the what is that ship called? If you if

1:13:18.920 --> 1:13:20.439
<v Speaker 2>you put if you checking in the back, if you

1:13:20.520 --> 1:13:26.000
<v Speaker 2>check it in the bag, if yeah, yeah, I'll you forget.

1:13:26.040 --> 1:13:28.960
<v Speaker 4>I want you to know I'm a because you won't

1:13:29.000 --> 1:13:31.320
<v Speaker 4>ask me for nothing. That one thing you asked me

1:13:31.360 --> 1:13:33.960
<v Speaker 4>for I've never forgotten. And I remember you putting the

1:13:33.960 --> 1:13:37.200
<v Speaker 4>bottles back because the director wanted to film. And then

1:13:37.200 --> 1:13:39.760
<v Speaker 4>you forgot you. By the way, I wonder what came

1:13:39.800 --> 1:13:46.120
<v Speaker 4>there with though, goddamn, let me tell you something matth

1:13:46.400 --> 1:13:50.360
<v Speaker 4>you my friend, But that never that never downgrades my

1:13:50.520 --> 1:13:52.240
<v Speaker 4>fanness for of you.

1:13:52.400 --> 1:13:53.320
<v Speaker 2>Never downgrade.

1:13:53.320 --> 1:13:56.479
<v Speaker 4>It never takes away from how great you are. Like,

1:13:56.560 --> 1:13:58.760
<v Speaker 4>I'm just letting you know, bro, you are one of

1:13:58.760 --> 1:14:01.639
<v Speaker 4>the greats. Are you a real one?

1:14:02.000 --> 1:14:02.600
<v Speaker 2>You?

1:14:02.120 --> 1:14:02.160
<v Speaker 1>You?

1:14:02.600 --> 1:14:06.320
<v Speaker 2>You ain't a liar? You are every Every.

1:14:06.080 --> 1:14:09.719
<v Speaker 4>Motherfucking encounter I've ever had with you has always been pleasant.

1:14:09.720 --> 1:14:12.639
<v Speaker 4>It has always been real, and I really appreciate you.

1:14:12.640 --> 1:14:16.400
<v Speaker 4>Thank you, And let me say.

1:14:16.280 --> 1:14:17.240
<v Speaker 2>That real quick. Yeah.

1:14:17.360 --> 1:14:19.479
<v Speaker 5>One of the few people that since the day he

1:14:19.520 --> 1:14:21.000
<v Speaker 5>doesn't remember the day I met him, but since the

1:14:21.080 --> 1:14:23.800
<v Speaker 5>day I met him. He said my name right, yeah,

1:14:24.120 --> 1:14:26.080
<v Speaker 5>I got I got to drop in ninety four. How

1:14:26.080 --> 1:14:30.240
<v Speaker 5>can I be down from him? And he said it immaculately.

1:14:29.560 --> 1:14:32.920
<v Speaker 4>Because you've been effing for a long time, for a

1:14:32.960 --> 1:14:33.759
<v Speaker 4>long time.

1:14:34.680 --> 1:14:40.200
<v Speaker 1>He said, I said it in the car, and I

1:14:40.240 --> 1:14:43.439
<v Speaker 1>was like, rash, How you say his name like you

1:14:43.479 --> 1:14:46.000
<v Speaker 1>don't like when you call him?

1:14:46.479 --> 1:14:48.639
<v Speaker 2>You got the skip? Do you got?

1:14:49.920 --> 1:14:54.920
<v Speaker 1>Do we got it set up? And do you got? Yeah?

1:14:55.640 --> 1:14:56.760
<v Speaker 1>Use your job application?

1:14:56.920 --> 1:15:00.320
<v Speaker 2>Boys, By the way, I get a lie di you

1:15:00.439 --> 1:15:03.839
<v Speaker 2>what what's up? That's my boy diego.

1:15:04.400 --> 1:15:05.800
<v Speaker 4>He might have been He might have been the most

1:15:05.840 --> 1:15:07.719
<v Speaker 4>hype ist we've had seven years.

1:15:08.240 --> 1:15:14.600
<v Speaker 2>You know, all your lyrics rocks hang on, yeah, got you?

1:15:14.840 --> 1:15:23.519
<v Speaker 2>Oh ship ship she spread out and rocks hang on

1:15:24.720 --> 1:15:25.280
<v Speaker 2>like that ship.

1:15:27.320 --> 1:15:32.719
<v Speaker 1>Thank you, Dave did that ship?

1:15:33.360 --> 1:15:36.600
<v Speaker 2>This is your ray right? Yeah?

1:15:37.320 --> 1:15:42.759
<v Speaker 5>Oh nigga, y'all were freestyling.

1:15:42.840 --> 1:15:49.040
<v Speaker 1>This is like, yeah, tongue out your ship with the

1:15:49.160 --> 1:15:50.120
<v Speaker 1>Russian screw job.

1:15:53.200 --> 1:15:55.280
<v Speaker 2>Baby.

1:15:57.080 --> 1:16:09.840
<v Speaker 1>Yeah, he was losing because this is a classic. That

1:16:09.880 --> 1:16:12.400
<v Speaker 1>ship perfect. That ship went further than that we was.

1:16:12.479 --> 1:16:14.120
<v Speaker 1>We started mother jokes and all that.

1:16:15.120 --> 1:16:15.559
<v Speaker 2>One thing.

1:16:15.640 --> 1:16:20.960
<v Speaker 1>Dude, rais hilarious, figure, hilarious son, the funniest fuck.

1:16:21.360 --> 1:16:27.000
<v Speaker 4>Yes, you know, while I went to raise wedding, I

1:16:27.000 --> 1:16:29.960
<v Speaker 4>had beautiful, beautiful, beautiful her.

1:16:30.120 --> 1:16:31.839
<v Speaker 2>Wedding reception everything.

1:16:32.640 --> 1:16:34.679
<v Speaker 4>I wanted to send love to him and his queen

1:16:35.040 --> 1:16:39.280
<v Speaker 4>real thank you for inviting me, me being part of that.

1:16:39.280 --> 1:16:41.720
<v Speaker 2>That was hip hop royalty. I knew Chef was going

1:16:41.800 --> 1:16:44.320
<v Speaker 2>to turn up like that. Man. That motherfucker always been

1:16:44.360 --> 1:16:46.840
<v Speaker 2>a little clack gone like you know what I mean?

1:16:47.000 --> 1:16:50.799
<v Speaker 1>Yeah, man, yeah, Hitchcock mixed with Capone.

1:16:52.520 --> 1:16:55.559
<v Speaker 2>I don't believe his wife is Italian too, yeah, it

1:16:55.680 --> 1:16:59.760
<v Speaker 2>was telling that ship was destined. I'm telling you this

1:17:00.120 --> 1:17:00.800
<v Speaker 2>so beautiful.

1:17:02.200 --> 1:17:06.240
<v Speaker 4>Me nobody, nobody has security, everybody that was dead and

1:17:06.280 --> 1:17:08.120
<v Speaker 4>we just we just showed out for the brother man.

1:17:08.200 --> 1:17:14.280
<v Speaker 2>Let's make some great I love that for my brother.

1:17:14.439 --> 1:17:16.880
<v Speaker 2>I want that for all my brothers. Okay, let let's

1:17:16.920 --> 1:17:18.439
<v Speaker 2>get the quick time of slide ready.

1:17:18.720 --> 1:17:25.800
<v Speaker 5>Yes, first, all right, Biggie or Big L, where are

1:17:25.800 --> 1:17:27.599
<v Speaker 5>you doing that?

1:17:29.560 --> 1:17:30.599
<v Speaker 2>Well? Check this right.

1:17:30.680 --> 1:17:33.120
<v Speaker 1>Big L used to shell me my my, my wet

1:17:33.360 --> 1:17:38.479
<v Speaker 1>you know what I mean. Yeah, Big L used to

1:17:38.479 --> 1:17:41.639
<v Speaker 1>shell me. Dush nigga.

1:17:43.560 --> 1:17:48.360
<v Speaker 2>None of us big hit that ship from BIGL. With

1:17:48.520 --> 1:17:50.120
<v Speaker 2>that being said, both.

1:17:50.000 --> 1:17:57.400
<v Speaker 4>Okay, drinking shun is back, by the way, I'm not

1:17:57.439 --> 1:17:59.680
<v Speaker 4>gonna lie to I think that's the first time I've

1:17:59.720 --> 1:18:00.160
<v Speaker 4>ever been.

1:18:00.080 --> 1:18:01.760
<v Speaker 2>Shot like that on drinking.

1:18:03.360 --> 1:18:03.479
<v Speaker 5>All.

1:18:03.520 --> 1:18:08.800
<v Speaker 2>We didn't understand that first. I mean this was like

1:18:08.880 --> 1:18:11.679
<v Speaker 2>the first time first time you didn't understand the slang.

1:18:11.680 --> 1:18:14.160
<v Speaker 4>Of course, let me I tell you, I didn't know

1:18:14.200 --> 1:18:15.960
<v Speaker 4>Big L even knew who I was.

1:18:16.800 --> 1:18:18.360
<v Speaker 2>And when Big L passed away.

1:18:18.200 --> 1:18:21.559
<v Speaker 4>This drop came out of him saying, I following with

1:18:21.720 --> 1:18:24.200
<v Speaker 4>Nori and Cam was doing something. He said something like that,

1:18:24.240 --> 1:18:25.680
<v Speaker 4>and I was I was blowing away that.

1:18:25.600 --> 1:18:28.320
<v Speaker 1>He even knew who I was, but he sold us

1:18:29.280 --> 1:18:32.719
<v Speaker 1>and ye just thought, but you just thought those was rhymes.

1:18:33.560 --> 1:18:37.719
<v Speaker 1>I was living streets boy.

1:18:38.000 --> 1:18:43.240
<v Speaker 2>Recipes both of them, all right, park or d m X.

1:18:44.280 --> 1:18:47.960
<v Speaker 1>Man, I can't he polarizing right now? Man, It's like

1:18:48.080 --> 1:18:50.680
<v Speaker 1>East Coast West Coast there, the same nigga.

1:18:51.960 --> 1:18:55.280
<v Speaker 2>Was a good shot to me. You gotta do the

1:18:55.320 --> 1:18:59.400
<v Speaker 2>next fall. That's all on you. I'm gonna skip this.

1:19:00.400 --> 1:19:03.920
<v Speaker 2>I'm miss action. Nigga's that nigga? O D B or

1:19:03.920 --> 1:19:11.840
<v Speaker 2>BISMARKI dB stop playing dirty dirt dog there, y'all? Yeah?

1:19:11.920 --> 1:19:15.240
<v Speaker 2>Really putting Fourth di Ciper or True Master?

1:19:19.800 --> 1:19:23.000
<v Speaker 1>Mm hmm, well Fourth decide that's one of Riz's pupils

1:19:23.000 --> 1:19:25.040
<v Speaker 1>and ship and he he he took.

1:19:24.840 --> 1:19:25.840
<v Speaker 2>It pretty far.

1:19:26.800 --> 1:19:29.519
<v Speaker 1>But I gotta go with True Master because true Masters

1:19:29.560 --> 1:19:34.719
<v Speaker 1>still doing it. Okay, Yeah? And he you know, yeah,

1:19:35.160 --> 1:19:37.599
<v Speaker 1>he's smart with that ship. He's a master with them,

1:19:37.880 --> 1:19:39.120
<v Speaker 1>with them, with their music.

1:19:40.560 --> 1:19:48.840
<v Speaker 5>Ellmatic are ready to die? You skipped oky? I wanted

1:19:48.840 --> 1:19:49.519
<v Speaker 5>to do Ellatic?

1:19:50.360 --> 1:19:57.200
<v Speaker 2>Did Jesus dude all madic or rad? And I said

1:19:57.240 --> 1:19:59.720
<v Speaker 2>that they was going to ask that question too, Who

1:19:59.800 --> 1:20:00.240
<v Speaker 2>was me?

1:20:00.800 --> 1:20:02.960
<v Speaker 1>I said, Yo, They're gonna ask me probably ask me

1:20:03.000 --> 1:20:05.240
<v Speaker 1>some ship like Aromatic or Ready to Die, and I'm

1:20:05.240 --> 1:20:07.200
<v Speaker 1>gonna say some funny ship like I don't own either

1:20:07.240 --> 1:20:11.120
<v Speaker 1>one of them fucking albums or something like I never

1:20:11.200 --> 1:20:14.360
<v Speaker 1>heard either one of them ships write some dumb ship

1:20:14.439 --> 1:20:14.720
<v Speaker 1>like that.

1:20:14.840 --> 1:20:17.920
<v Speaker 2>Right, both of them ships is fucking classic. Hell yeah, right,

1:20:18.760 --> 1:20:22.759
<v Speaker 2>I'm taking a shot that both. Okay, go ahead, both

1:20:23.040 --> 1:20:23.519
<v Speaker 2>you got it?

1:20:23.520 --> 1:20:25.640
<v Speaker 1>Do wall We got what we got late Bloomer, come

1:20:25.680 --> 1:20:28.360
<v Speaker 1>on there or you took it early.

1:20:30.640 --> 1:20:33.960
<v Speaker 5>If you're gonna represent represent Grash five.

1:20:33.680 --> 1:20:36.479
<v Speaker 4>You represent math right now. Don't make us look bad.

1:20:37.400 --> 1:20:42.040
<v Speaker 4>Ice Cube or Scarface Cube, you my man, But I

1:20:42.040 --> 1:20:44.599
<v Speaker 4>gotta go with Face. Face has never done a bad

1:20:44.680 --> 1:20:47.160
<v Speaker 4>album yet. Man, I have never heard a bad scarf

1:20:47.280 --> 1:20:52.160
<v Speaker 4>Face album ever. Face is that dude. But it's almost

1:20:52.160 --> 1:20:54.880
<v Speaker 4>like applying like you heard the bad No, no, no, I'm

1:20:54.880 --> 1:20:55.800
<v Speaker 4>not implying.

1:20:55.400 --> 1:20:57.800
<v Speaker 1>That it's had a bad cubeb I'm just saying Scarface

1:20:57.880 --> 1:21:00.720
<v Speaker 1>has been consistent over the years. Ice Cube has a

1:21:00.760 --> 1:21:03.600
<v Speaker 1>lot more hats that he wears and ship. You know,

1:21:03.720 --> 1:21:07.280
<v Speaker 1>so while ice Cube might have been you know, conquering Hollywood,

1:21:07.720 --> 1:21:10.560
<v Speaker 1>Face was you know small for me.

1:21:10.760 --> 1:21:13.280
<v Speaker 2>Because you know, if it wants to argue you down

1:21:14.439 --> 1:21:20.920
<v Speaker 2>I can get it like Ice Cube. Look, let me

1:21:20.960 --> 1:21:25.840
<v Speaker 2>tell you, I just love your love ice Like. I

1:21:26.040 --> 1:21:27.480
<v Speaker 2>was the only person.

1:21:28.880 --> 1:21:31.519
<v Speaker 1>That I know that when we went on the West

1:21:31.560 --> 1:21:34.880
<v Speaker 1>Coast and did a show with him, the stadium was

1:21:35.080 --> 1:21:39.120
<v Speaker 1>full of Mexicans, full of them. They loved that nigga

1:21:39.200 --> 1:21:43.479
<v Speaker 1>like the Dodgers for real. That was hard because they

1:21:43.479 --> 1:21:44.280
<v Speaker 1>love the Dodgers.

1:21:45.280 --> 1:21:50.400
<v Speaker 2>Rizza or Premiere pre Bowl? You cool as ship, but Rizzid.

1:21:52.640 --> 1:21:54.720
<v Speaker 2>I love your pre Bowl, but Rizzi, you got a

1:21:54.920 --> 1:21:58.960
<v Speaker 2>whole thing like this one. That love that J Kendrick

1:22:03.280 --> 1:22:16.200
<v Speaker 2>so ship we're just taking made me choke on that

1:22:16.320 --> 1:22:18.360
<v Speaker 2>shit pause.

1:22:19.280 --> 1:22:24.479
<v Speaker 1>Slick Rick, Big Daddy Kane, slick Rick, Big Daddy Kane. Damn,

1:22:24.560 --> 1:22:26.760
<v Speaker 1>I should say big Daddy Kane to rock him? Man,

1:22:27.840 --> 1:22:30.240
<v Speaker 1>you know what I'm saying. I'll say big Daddy can't

1:22:30.240 --> 1:22:34.519
<v Speaker 1>and rock him. Let's say that one, all right, all right, yo?

1:22:35.439 --> 1:22:35.599
<v Speaker 2>Man?

1:22:36.680 --> 1:22:41.920
<v Speaker 1>I gave Kana a the cow box and just you know, now,

1:22:42.080 --> 1:22:44.479
<v Speaker 1>you know, giving him his flowers, and he seemed too

1:22:44.600 --> 1:22:48.560
<v Speaker 1>enthusiastic about that. That's that's probably.

1:22:49.960 --> 1:22:50.439
<v Speaker 2>A goodness.

1:22:50.640 --> 1:22:53.000
<v Speaker 1>You know, him and him and my partner, and they

1:22:53.040 --> 1:22:54.800
<v Speaker 1>knew each other, so they was chopping it up. He

1:22:54.880 --> 1:22:56.880
<v Speaker 1>got a bit distracted, but you ain't even thank me

1:22:56.920 --> 1:22:57.479
<v Speaker 1>for that ship.

1:23:00.040 --> 1:23:06.719
<v Speaker 2>I'm thinking a little bit, Daddy Man, I'm gonna say both.

1:23:06.920 --> 1:23:13.320
<v Speaker 4>Yeah, Okay, Mary j or Mariah Carey, Mary the Wire

1:23:13.520 --> 1:23:13.920
<v Speaker 4>or Os.

1:23:15.320 --> 1:23:16.200
<v Speaker 2>It got to be The Wire.

1:23:16.240 --> 1:23:18.720
<v Speaker 1>The Wire is the greatest show, the greatest crime show

1:23:18.720 --> 1:23:19.160
<v Speaker 1>ever made.

1:23:19.200 --> 1:23:19.840
<v Speaker 2>I agree.

1:23:20.960 --> 1:23:25.320
<v Speaker 4>Yeah, we just can't skip over that though. The Wire

1:23:26.160 --> 1:23:32.880
<v Speaker 4>and All of Power is probably one of the best

1:23:32.920 --> 1:23:39.599
<v Speaker 4>classic TV hood shows ever. Which one I'm saying.

1:23:38.439 --> 1:23:41.200
<v Speaker 1>Like, you know what, when I think a lot of

1:23:41.240 --> 1:23:43.840
<v Speaker 1>it has to do now with The Wire, I can.

1:23:43.680 --> 1:23:46.520
<v Speaker 2>Speak for The Wire. Those guys are from the community.

1:23:47.080 --> 1:23:51.519
<v Speaker 1>All the actors shot, the actors, the fucking writers.

1:23:51.640 --> 1:23:56.560
<v Speaker 2>It was the police. The police was Ed burn Is,

1:23:56.600 --> 1:23:56.920
<v Speaker 2>the cop.

1:23:57.160 --> 1:24:00.960
<v Speaker 1>He was one of the writers. Simon worked at the newspaper.

1:24:01.240 --> 1:24:06.760
<v Speaker 7>Okay, okay, like fucking him and Melvin fucking people that

1:24:06.760 --> 1:24:09.839
<v Speaker 7>that's they fucking buddies. Melvin was one of the biggest

1:24:09.840 --> 1:24:13.519
<v Speaker 7>fucking drug dealers and fucking Baltimore and ships. No, the

1:24:13.680 --> 1:24:17.200
<v Speaker 7>nigga that played the fucking deacon, the preacher, he the

1:24:17.240 --> 1:24:17.760
<v Speaker 7>real deal.

1:24:18.280 --> 1:24:24.360
<v Speaker 1>That's that's what the dudead. Yes, you know, you know,

1:24:25.000 --> 1:24:26.960
<v Speaker 1>for all that clothes he like this right that's a

1:24:27.080 --> 1:24:30.800
<v Speaker 1>O G O G like super o G right there.

1:24:31.439 --> 1:24:35.080
<v Speaker 1>And fucking the nigga that played Omar, or or rather

1:24:35.120 --> 1:24:35.799
<v Speaker 1>the real Omar.

1:24:36.040 --> 1:24:36.960
<v Speaker 2>He was in the show too.

1:24:37.640 --> 1:24:42.440
<v Speaker 1>He was fucking in the in the.

1:24:41.240 --> 1:24:44.439
<v Speaker 2>R P right well, the actor. No, I'm not talking

1:24:44.479 --> 1:24:48.400
<v Speaker 2>about Mike. He was in the scene with Mike. He

1:24:48.479 --> 1:24:49.679
<v Speaker 2>was in the scene with Mike.

1:24:50.240 --> 1:24:53.040
<v Speaker 1>When Mike was in they brought him the fucking the

1:24:53.120 --> 1:24:56.160
<v Speaker 1>phone books and ship with the glasses. The big nigga

1:24:56.520 --> 1:24:59.880
<v Speaker 1>that's Omar in jail and yeah, that's Homar.

1:25:00.120 --> 1:25:00.439
<v Speaker 2>Get them.

1:25:00.600 --> 1:25:04.439
<v Speaker 1>Yeah, that's so teach me too much. And he ain't gay,

1:25:05.360 --> 1:25:09.040
<v Speaker 1>just you know, f y and ship but like and

1:25:09.040 --> 1:25:12.240
<v Speaker 1>and and and the corner that showed the corner they

1:25:12.240 --> 1:25:16.519
<v Speaker 1>did that too, corner right and yeah as well. Now

1:25:16.880 --> 1:25:20.240
<v Speaker 1>Ms fran Frannie like played by Candy Alexander.

1:25:20.720 --> 1:25:23.280
<v Speaker 2>She played frand that Omar and.

1:25:23.280 --> 1:25:27.160
<v Speaker 1>Her married in real life, real the real friend and

1:25:27.200 --> 1:25:27.880
<v Speaker 1>the real Omar.

1:25:28.680 --> 1:25:31.519
<v Speaker 2>Wow, at least at that time they was.

1:25:31.560 --> 1:25:33.800
<v Speaker 1>I don't know about now, but yeah, yeah, and I

1:25:33.880 --> 1:25:36.680
<v Speaker 1>met the real DeAndre that the friend's son that was

1:25:36.680 --> 1:25:39.000
<v Speaker 1>selling the drugs and got strung out on it. He

1:25:39.120 --> 1:25:44.840
<v Speaker 1>was the he was the other Muslim cat you have

1:25:44.960 --> 1:25:48.200
<v Speaker 1>brother muse that was with him carrying the book.

1:25:48.360 --> 1:25:53.760
<v Speaker 2>That's DeAndre, that's her. So this is me acting this

1:25:54.000 --> 1:25:54.240
<v Speaker 2>out of.

1:25:54.560 --> 1:25:59.360
<v Speaker 4>Pure fun facts, y'all at a pure innises.

1:25:59.479 --> 1:26:00.720
<v Speaker 2>Yeah, you know.

1:26:02.320 --> 1:26:04.640
<v Speaker 1>The wire was that ship when you got hired to

1:26:04.680 --> 1:26:08.120
<v Speaker 1>do it or you knew it, you knew it. The

1:26:08.160 --> 1:26:11.880
<v Speaker 1>first season blew everybody the fuck away. They did everybody

1:26:11.920 --> 1:26:14.439
<v Speaker 1>to fuck away. I got on on the second season.

1:26:14.720 --> 1:26:17.599
<v Speaker 1>I was lead with Pablo Shriver, my dude, pob blow

1:26:17.640 --> 1:26:18.320
<v Speaker 1>what's up boy?

1:26:19.000 --> 1:26:23.559
<v Speaker 2>He's dope. And then that third season is what solidified.

1:26:23.000 --> 1:26:25.320
<v Speaker 1>And what people didn't understand about the second season was

1:26:25.320 --> 1:26:27.759
<v Speaker 1>you cannot tell the story of Baltimore and not include

1:26:27.760 --> 1:26:28.240
<v Speaker 1>the Docks.

1:26:28.320 --> 1:26:30.160
<v Speaker 2>What is the second The second season is the construction

1:26:30.600 --> 1:26:30.880
<v Speaker 2>on the.

1:26:32.760 --> 1:26:36.360
<v Speaker 1>Union with the Greeks, right, So the pattern that they

1:26:36.400 --> 1:26:39.080
<v Speaker 1>followed was you saw from the drug dealers perspective and

1:26:39.080 --> 1:26:43.760
<v Speaker 1>the cops prospective first season, second season it was now

1:26:43.800 --> 1:26:46.960
<v Speaker 1>that came later. The second season was the Docks, the gangsters,

1:26:47.080 --> 1:26:49.439
<v Speaker 1>the cops, and the Greeks, because you cannot tell us

1:26:49.560 --> 1:26:52.479
<v Speaker 1>the story of Baltimore without including them fucking docks, or

1:26:52.560 --> 1:26:55.320
<v Speaker 1>they would not have been true to form. That third

1:26:55.400 --> 1:26:59.040
<v Speaker 1>season was the education system when they brought them kids in.

1:27:00.680 --> 1:27:02.480
<v Speaker 2>Yeah, Michauld be Jordan's.

1:27:05.439 --> 1:27:07.680
<v Speaker 1>He was sing the season when seventh season one, in

1:27:07.800 --> 1:27:10.880
<v Speaker 1>the fourth season was the newspapers, the newspapers and all

1:27:10.920 --> 1:27:11.559
<v Speaker 1>that ship.

1:27:11.439 --> 1:27:14.280
<v Speaker 2>And then everything just came to a head.

1:27:14.160 --> 1:27:18.080
<v Speaker 5>And the political side of the politically started getting into politics.

1:27:18.320 --> 1:27:22.599
<v Speaker 4>Seasons The Wire have seven five five because it's arguably

1:27:22.640 --> 1:27:28.000
<v Speaker 4>the Sopranos, The Wire all HBO too crazy.

1:27:28.160 --> 1:27:32.759
<v Speaker 1>Yeah, and but this, this is this is elected logu

1:27:33.680 --> 1:27:34.160
<v Speaker 1>all of them.

1:27:34.320 --> 1:27:38.000
<v Speaker 2>Yeah, the Wire. Yes, that's Alexa.

1:27:38.960 --> 1:27:43.400
<v Speaker 4>Yeah, you know, I've never seen Breaking Band and the Brothers,

1:27:43.920 --> 1:27:44.799
<v Speaker 4>all of these shows.

1:27:45.720 --> 1:27:48.920
<v Speaker 1>Alexa, she cast all of these, killing the game. Yeah,

1:27:48.960 --> 1:27:52.439
<v Speaker 1>she killing the game man. And I mean, you know,

1:27:53.080 --> 1:27:55.200
<v Speaker 1>at the end of the day when he, like I

1:27:55.280 --> 1:27:57.559
<v Speaker 1>was saying, when these stories are told by the people

1:27:57.560 --> 1:28:00.400
<v Speaker 1>who are from the communities, I don't think you can lose, man.

1:28:00.320 --> 1:28:06.320
<v Speaker 2>But you can't. You cannot, Okay, Yeah, what's the next one?

1:28:06.680 --> 1:28:09.320
<v Speaker 2>New Jack City or King of New York.

1:28:13.479 --> 1:28:15.719
<v Speaker 1>The acting is way better in King of New York,

1:28:16.360 --> 1:28:19.680
<v Speaker 1>way way better in King of New York and King

1:28:19.720 --> 1:28:21.880
<v Speaker 1>of New York. The acting and that's not taken away

1:28:21.920 --> 1:28:24.599
<v Speaker 1>from New Jack City because they was killing that shit.

1:28:24.720 --> 1:28:26.599
<v Speaker 2>Everybody was really, but if.

1:28:26.439 --> 1:28:30.280
<v Speaker 1>You it's apples and oranges really, because King of New

1:28:30.360 --> 1:28:35.080
<v Speaker 1>York is just low budget goodness, whereas New Jack City

1:28:35.160 --> 1:28:37.680
<v Speaker 1>had a little bit more of a budget. And I

1:28:37.720 --> 1:28:42.080
<v Speaker 1>mean earnest they had earnest he could. I mean that

1:28:42.160 --> 1:28:45.760
<v Speaker 1>motherfucker take lemons and make lemonade. You heard He's a

1:28:45.920 --> 1:28:48.960
<v Speaker 1>brilliant fucking director. You know what I'm talking about. So

1:28:50.800 --> 1:28:55.080
<v Speaker 1>I'm gonna go with damn shit King of New York,

1:28:55.120 --> 1:28:58.639
<v Speaker 1>the underdog fucking I like the way that shit ended.

1:28:59.040 --> 1:29:01.960
<v Speaker 2>Conway or Been need a butcher. You ain't getting me

1:29:02.000 --> 1:29:06.880
<v Speaker 2>to do that? Both niggas. Ain't that wake up? Brother?

1:29:11.080 --> 1:29:16.120
<v Speaker 4>Look that one hit me all right? Only built for

1:29:16.200 --> 1:29:16.880
<v Speaker 4>Cuban links.

1:29:17.280 --> 1:29:24.360
<v Speaker 2>I am neither both niggas both Jesus. I gotta go

1:29:24.400 --> 1:29:28.800
<v Speaker 2>to get do do? How many shots we a right now?

1:29:29.200 --> 1:29:32.759
<v Speaker 2>I think we're at five? Yeah? You drinking shoe polished?

1:29:32.840 --> 1:29:42.599
<v Speaker 2>Go ahead, my nigga sho that's what it's called mother water.

1:29:42.680 --> 1:29:51.200
<v Speaker 2>But there's a portable bottle. I'm calling checks though every

1:29:51.200 --> 1:29:58.519
<v Speaker 2>month that was hard. You wanna go to the next one?

1:29:58.880 --> 1:29:59.160
<v Speaker 1>Ship?

1:29:59.479 --> 1:30:03.280
<v Speaker 5>I think I but he changed it on the other ones.

1:30:03.600 --> 1:30:09.599
<v Speaker 5>Uh cares one or mass days?

1:30:10.040 --> 1:30:13.639
<v Speaker 2>You can't do that. It gotta be Chris. It has

1:30:13.720 --> 1:30:13.920
<v Speaker 2>to be.

1:30:14.080 --> 1:30:17.360
<v Speaker 1>Even though Ace was a big inspiration behind my Rahms

1:30:17.400 --> 1:30:19.360
<v Speaker 1>back in the day. I was biting his ship too,

1:30:19.800 --> 1:30:22.400
<v Speaker 1>But you gotta go with Chris Man knowledge raised supreme

1:30:22.439 --> 1:30:26.439
<v Speaker 1>over nearly everyone who That ain't even fair great good.

1:30:27.000 --> 1:30:32.120
<v Speaker 5>The next one, okay, this is movies Master Killer or

1:30:32.160 --> 1:30:33.200
<v Speaker 5>Five Deadly Venoms.

1:30:33.240 --> 1:30:39.439
<v Speaker 2>I'm going mad, Oh, Gordon Lewis, Gordon leew Is that dude, man.

1:30:40.120 --> 1:30:43.519
<v Speaker 2>But the Five Deadly Venoms is like, that's like the

1:30:43.600 --> 1:30:46.800
<v Speaker 2>fucking just like that. That's that.

1:30:47.040 --> 1:30:49.880
<v Speaker 1>If I tell anybody to start their fucking journey with

1:30:49.920 --> 1:30:53.240
<v Speaker 1>those movies, it would be that one. But that that

1:30:53.880 --> 1:30:56.200
<v Speaker 1>Master Killer got to be into the thirty six chambers.

1:30:56.240 --> 1:30:58.960
<v Speaker 1>It has to be shout out the ghost face just

1:30:59.000 --> 1:31:01.040
<v Speaker 1>because he told me to do that ship Yesterday's like,

1:31:01.080 --> 1:31:02.400
<v Speaker 1>just say my name and ship.

1:31:02.200 --> 1:31:02.439
<v Speaker 5>On that.

1:31:08.200 --> 1:31:09.000
<v Speaker 2>Ghosts.

1:31:09.160 --> 1:31:13.880
<v Speaker 4>But I remember my first experience with Wou Tang and

1:31:14.200 --> 1:31:18.599
<v Speaker 4>y'all incorporated the kum Fu flicks the movies in there,

1:31:18.880 --> 1:31:22.240
<v Speaker 4>and I remember that being like the most genius ship.

1:31:22.280 --> 1:31:25.800
<v Speaker 1>After that Rizzo motherfucker again. So that was Rizzar's ideazz

1:31:26.320 --> 1:31:28.200
<v Speaker 1>Riz all day. I mean, we were sitting around watching

1:31:28.240 --> 1:31:30.360
<v Speaker 1>them ships, and that's all he used to do. He

1:31:30.400 --> 1:31:33.439
<v Speaker 1>had them ships, and like he had ships that weren't

1:31:33.479 --> 1:31:37.600
<v Speaker 1>even in English or with subtitles up underneath. That motherfucker

1:31:37.640 --> 1:31:40.360
<v Speaker 1>man Riz is an ill motherfucker. So I mean the

1:31:40.479 --> 1:31:43.080
<v Speaker 1>vision was already there. He knew exactly how he wanted

1:31:43.120 --> 1:31:46.360
<v Speaker 1>to do it. He implemented it, and I mean, like,

1:31:47.040 --> 1:31:49.040
<v Speaker 1>I don't know if you're familiar with a team, but

1:31:49.120 --> 1:31:51.200
<v Speaker 1>when Hannibal used to say, I love it when the

1:31:51.240 --> 1:31:55.080
<v Speaker 1>plan comes together, that's exactly what that ship feel like. Nigga,

1:31:55.160 --> 1:31:58.080
<v Speaker 1>you want to take a little, don't go. That's a

1:31:58.160 --> 1:31:59.400
<v Speaker 1>god ship like job.

1:31:59.439 --> 1:32:02.920
<v Speaker 2>Well done. Murdoch was my dude, and.

1:32:02.080 --> 1:32:04.720
<v Speaker 4>I'm being honest, ride out drunk the share out of me.

1:32:04.760 --> 1:32:07.200
<v Speaker 4>In Paris. He straight up to me, he was like, what,

1:32:08.560 --> 1:32:09.280
<v Speaker 4>oh ship?

1:32:09.760 --> 1:32:10.599
<v Speaker 2>I didn't know what to do.

1:32:10.640 --> 1:32:13.439
<v Speaker 4>He had great goose and some Japanese ship, and I

1:32:13.520 --> 1:32:18.200
<v Speaker 4>was just like, risd knows how to focus his cheek

1:32:18.439 --> 1:32:22.280
<v Speaker 4>yo drink. He'll drink a whole bottle, be drunk and

1:32:22.320 --> 1:32:29.640
<v Speaker 4>be like straight. I don't know if he knew I

1:32:29.720 --> 1:32:31.719
<v Speaker 4>was gonna be there. I was like, I got no film.

1:32:31.760 --> 1:32:34.360
<v Speaker 4>It's the first five seconds of it. I go yo, man,

1:32:34.560 --> 1:32:36.240
<v Speaker 4>He's like, what of course I got you.

1:32:36.320 --> 1:32:36.680
<v Speaker 2>I got you.

1:32:37.360 --> 1:32:39.040
<v Speaker 4>As soon as those cameras went off, he was like,

1:32:39.120 --> 1:32:41.880
<v Speaker 4>let's go. And it was like in my mind he

1:32:42.040 --> 1:32:45.400
<v Speaker 4>was saying, like I'm a beating Norri drinking tonight.

1:32:45.160 --> 1:32:49.599
<v Speaker 1>And he said, boy, smart fly motherfucker. Yoh, oh my god,

1:32:49.640 --> 1:32:52.840
<v Speaker 1>I ain't gonna lie. Oh man, I know I know

1:32:52.960 --> 1:32:55.519
<v Speaker 1>all of you niggas. That's what's crazy. I got we

1:32:55.640 --> 1:33:02.720
<v Speaker 1>got a great light, you know, and everyone. Man. The

1:33:02.760 --> 1:33:06.120
<v Speaker 1>funniest shit about the whole ship is like Queens, yes

1:33:06.640 --> 1:33:09.320
<v Speaker 1>anonymous with hip hop, you know what I mean, mc

1:33:09.600 --> 1:33:10.719
<v Speaker 1>shan old.

1:33:10.640 --> 1:33:12.519
<v Speaker 2>Juice Crew up to you guys.

1:33:13.200 --> 1:33:17.840
<v Speaker 1>I mean even with NICKI Minaj now and ship, it's lit.

1:33:17.920 --> 1:33:22.559
<v Speaker 1>Queens has always been lit. Brooklyn, same ship, Big Jay Fab.

1:33:23.000 --> 1:33:25.439
<v Speaker 1>The list goes on and on. You know the Bronx

1:33:25.439 --> 1:33:29.400
<v Speaker 1>where it started at. You got Joe Kuan ling them niggas,

1:33:29.439 --> 1:33:31.200
<v Speaker 1>you know what I mean, Harlem, Harlem, dude.

1:33:31.200 --> 1:33:33.400
<v Speaker 2>They number people still.

1:33:33.479 --> 1:33:36.400
<v Speaker 1>You know, to be from Staten Island in the not

1:33:36.479 --> 1:33:39.439
<v Speaker 1>just be from Staten Island, but to be respected and

1:33:39.560 --> 1:33:42.679
<v Speaker 1>this genre is a beautiful fucking thing.

1:33:42.720 --> 1:33:43.920
<v Speaker 2>And ship because for.

1:33:43.920 --> 1:33:47.160
<v Speaker 1>Real, even to this day, I'll be on the instagram

1:33:47.240 --> 1:33:51.960
<v Speaker 1>and ship and they was like different shoes for different Burroughs.

1:33:53.640 --> 1:33:53.840
<v Speaker 5>Right.

1:33:54.200 --> 1:33:56.719
<v Speaker 1>They put the ship up for Brooklyn Black Air Force

1:33:56.800 --> 1:34:01.800
<v Speaker 1>one right right right, Queen. I think Queen's had like

1:34:01.880 --> 1:34:04.200
<v Speaker 1>you had an Air Jordan or something like that, maybe

1:34:04.240 --> 1:34:04.919
<v Speaker 1>the four.

1:34:04.760 --> 1:34:07.000
<v Speaker 2>Or something like. I don't know, I can't quite I

1:34:07.040 --> 1:34:08.760
<v Speaker 2>know Harlem was like that that boot.

1:34:08.800 --> 1:34:12.599
<v Speaker 1>Them niggas used to the the old Dingo boot.

1:34:13.160 --> 1:34:19.439
<v Speaker 2>Remember them ships, the pony skin ship. You know. Charl

1:34:19.840 --> 1:34:21.000
<v Speaker 2>had Nigga.

1:34:21.200 --> 1:34:23.160
<v Speaker 1>I think it was it was off of a crocoile

1:34:23.280 --> 1:34:29.559
<v Speaker 1>hug boot, one of those. He tried the shipold us

1:34:29.560 --> 1:34:32.240
<v Speaker 1>Man like real bad a ship. But then you know,

1:34:32.400 --> 1:34:34.640
<v Speaker 1>ask anybody that came to stat Dollard. They missed that.

1:34:34.760 --> 1:34:40.679
<v Speaker 1>Ferry got a good look. I recorded the Mystic Studios

1:34:40.720 --> 1:34:46.559
<v Speaker 1>at one point, Mystic the shithold, Damn. I'm playing mystic

1:34:46.600 --> 1:34:52.800
<v Speaker 1>as dope, mysticans, Dope, my bad, my bad ship, my bad.

1:34:53.240 --> 1:34:55.840
<v Speaker 2>That's nice in that. It's nice in there. They're like

1:34:56.280 --> 1:34:57.920
<v Speaker 2>I got in there. It was like yo, you know, woo,

1:34:58.000 --> 1:35:00.680
<v Speaker 2>can't do they here? I was like I thought I was.

1:35:01.200 --> 1:35:07.160
<v Speaker 2>I was like.

1:35:09.120 --> 1:35:13.000
<v Speaker 1>Ship, the med flab open for business, the toilet fixed.

1:35:13.200 --> 1:35:16.320
<v Speaker 2>Okay, you got the toilet fix y'all come in there.

1:35:16.320 --> 1:35:19.920
<v Speaker 1>You's the bathroom now, baby, this.

1:35:20.280 --> 1:35:23.719
<v Speaker 2>Is gonna be a funny one Redman or Buster rons.

1:35:23.760 --> 1:35:25.600
<v Speaker 1>You don't do that to me and ship busted my

1:35:25.760 --> 1:35:28.519
<v Speaker 1>brother from another mother. But Redman all day. You can't

1:35:28.560 --> 1:35:30.559
<v Speaker 1>do that ship. And now they taking ship away from

1:35:30.560 --> 1:35:33.280
<v Speaker 1>Buster because Buster just got a lifetime achievement of woman

1:35:34.560 --> 1:35:35.719
<v Speaker 1>but Redman ship.

1:35:36.760 --> 1:35:39.720
<v Speaker 4>Yeah, you battle Red Man in versus. But if they

1:35:39.800 --> 1:35:43.760
<v Speaker 4>was to offer you to battle Buster, I would even

1:35:43.800 --> 1:35:45.240
<v Speaker 4>like going on stage after Buster.

1:35:45.600 --> 1:35:46.000
<v Speaker 2>Kid, be.

1:35:47.960 --> 1:35:50.920
<v Speaker 1>Serious, Buster take all the air out of the room

1:35:50.960 --> 1:35:53.680
<v Speaker 1>as he shut has he sure he ain't come in

1:35:53.680 --> 1:35:54.479
<v Speaker 1>the game like that?

1:35:54.920 --> 1:35:58.240
<v Speaker 2>He consisted his fuck right, yo.

1:35:58.240 --> 1:36:01.240
<v Speaker 1>Buster, There's nothing that I don't think like whatever Buster

1:36:01.320 --> 1:36:03.000
<v Speaker 1>put his mind to, he could do that ship. But

1:36:03.040 --> 1:36:05.640
<v Speaker 1>when he in front of that crowd, that's his. I

1:36:05.640 --> 1:36:08.400
<v Speaker 1>don't care who performing that. That crowd is fucking his.

1:36:09.200 --> 1:36:11.240
<v Speaker 4>He says, he doesn't rehearse. I told him, you know

1:36:11.520 --> 1:36:13.960
<v Speaker 4>to him, is you know the beautiful thing about it?

1:36:14.040 --> 1:36:14.160
<v Speaker 2>Right?

1:36:14.240 --> 1:36:14.400
<v Speaker 1>Him?

1:36:14.439 --> 1:36:16.400
<v Speaker 2>And split it? None of us real because me and

1:36:16.479 --> 1:36:20.280
<v Speaker 2>Doc do the same ship. Right. So no, but you

1:36:20.360 --> 1:36:22.479
<v Speaker 2>performed with somebody. I'm serious.

1:36:22.920 --> 1:36:26.920
<v Speaker 1>You perform with somebody for so long that you learn

1:36:27.000 --> 1:36:29.479
<v Speaker 1>the nuances of what they do. Doc do this move

1:36:29.560 --> 1:36:31.680
<v Speaker 1>he used to do all the time on the Goodness Right,

1:36:32.000 --> 1:36:33.719
<v Speaker 1>So after a while I started doing.

1:36:36.560 --> 1:36:39.040
<v Speaker 2>It. Became part of the routine. No, this is real shit.

1:36:39.479 --> 1:36:41.840
<v Speaker 1>Even that Superman LOVEO shit we did on the versus,

1:36:42.439 --> 1:36:44.479
<v Speaker 1>we never done that ship before. That ship was made

1:36:44.560 --> 1:36:47.160
<v Speaker 1>up on the spot, made up on the spot. What

1:36:47.520 --> 1:36:50.280
<v Speaker 1>would happen in the rehearsal for the verses because we

1:36:50.280 --> 1:36:52.479
<v Speaker 1>wanted to get our songs right was I said, you

1:36:52.479 --> 1:36:54.280
<v Speaker 1>know what, you should get a cap for Superman lover.

1:36:54.520 --> 1:36:55.000
<v Speaker 2>That's it.

1:36:55.360 --> 1:36:57.280
<v Speaker 1>We ain't say what it was gonna be, how it

1:36:57.360 --> 1:36:59.160
<v Speaker 1>was going to be. But when I put the cap

1:36:59.280 --> 1:37:01.120
<v Speaker 1>on him and I flung it back like that.

1:37:01.120 --> 1:37:03.360
<v Speaker 2>I was like, wait a minute, it's kind of fly.

1:37:03.439 --> 1:37:04.439
<v Speaker 2>That's kind of fly, right.

1:37:13.840 --> 1:37:16.720
<v Speaker 1>And regardless, you know, whoever had the best verses and

1:37:16.720 --> 1:37:18.639
<v Speaker 1>all that, and I think the locks and the dips

1:37:18.680 --> 1:37:21.280
<v Speaker 1>that one was the best by far, by far. I

1:37:21.360 --> 1:37:26.400
<v Speaker 1>like the I like the Beanie Man want before.

1:37:29.439 --> 1:37:33.280
<v Speaker 4>Over and he started and he started doing homies verse

1:37:33.360 --> 1:37:34.240
<v Speaker 4>on his own song.

1:37:35.320 --> 1:37:41.280
<v Speaker 1>Yeah yeah yeah man, yeah yeah showmanship wise again. Locks

1:37:42.240 --> 1:37:43.840
<v Speaker 1>you could tell that they I mean when you come

1:37:43.880 --> 1:37:45.680
<v Speaker 1>up under the bar No. But when you come up

1:37:45.760 --> 1:37:47.720
<v Speaker 1>under that bad boy Umbrother, that's a requirement.

1:37:48.520 --> 1:37:48.720
<v Speaker 2>You know.

1:37:48.880 --> 1:37:52.560
<v Speaker 1>Remember they was with Puff first, and Puff did tour tours.

1:37:53.160 --> 1:37:56.439
<v Speaker 1>These ain't fucking you know clubs these with arenas. You

1:37:56.479 --> 1:37:58.439
<v Speaker 1>gotta have your ship together, brocatro all that ship so

1:37:58.479 --> 1:38:03.000
<v Speaker 1>them niggas is veterans period. But when you get two

1:38:03.080 --> 1:38:08.639
<v Speaker 1>guys like myself and Doc and you know, you never

1:38:08.680 --> 1:38:11.479
<v Speaker 1>know what you're gonna get because this motherfucker do comedy

1:38:11.520 --> 1:38:13.080
<v Speaker 1>while you're up there. I might do some fucking man,

1:38:13.160 --> 1:38:14.600
<v Speaker 1>you never know what the fuck you're gonna get and

1:38:14.600 --> 1:38:17.839
<v Speaker 1>ship and we don't sometimes, and sometimes we get backstage

1:38:17.880 --> 1:38:19.320
<v Speaker 1>and be like, good show, my nigga, and we give

1:38:19.360 --> 1:38:22.800
<v Speaker 1>that look like that's it, that's it. That's fucking it

1:38:22.920 --> 1:38:25.080
<v Speaker 1>right there now. Split now to get back to Buster.

1:38:25.280 --> 1:38:27.840
<v Speaker 1>Him and Spliff start have that same report. He told

1:38:27.880 --> 1:38:30.720
<v Speaker 1>me that and Spliff, Spliff is so in tune with

1:38:30.760 --> 1:38:36.200
<v Speaker 1>this nigga, you see it. You could tell sometimes that

1:38:36.439 --> 1:38:38.960
<v Speaker 1>Buster do some new ship and Splipper catch it out

1:38:38.960 --> 1:38:41.799
<v Speaker 1>the side of his eye and catch it. Sometimes Buster

1:38:42.080 --> 1:38:43.960
<v Speaker 1>and the ship too soon, and Spliff will still be

1:38:44.040 --> 1:38:44.360
<v Speaker 1>doing it.

1:38:44.400 --> 1:38:45.520
<v Speaker 2>But it blend.

1:38:45.280 --> 1:38:50.040
<v Speaker 4>Well, blend well is fuck to this day, twenty five years.

1:38:50.080 --> 1:38:52.240
<v Speaker 4>I've been telling Buster, I don't I think you rehears

1:38:52.560 --> 1:38:53.640
<v Speaker 4>ain't rehearsing.

1:38:53.280 --> 1:38:58.959
<v Speaker 2>Ship, and he never reheards. Now that's experience, it's experienced.

1:38:58.960 --> 1:39:01.720
<v Speaker 1>The thing I loved our Buster was the Leaders of

1:39:01.800 --> 1:39:05.840
<v Speaker 1>the New School Reunion. I never thought i'd see that

1:39:06.880 --> 1:39:08.400
<v Speaker 1>they got a whole album lead us in New School.

1:39:08.439 --> 1:39:12.360
<v Speaker 1>They got a whole album recording. Yeah, I got he

1:39:12.400 --> 1:39:14.320
<v Speaker 1>got a flip Moe album. He got a Leaders to

1:39:14.360 --> 1:39:16.000
<v Speaker 1>the New School. I spent you know, I spending bust

1:39:16.080 --> 1:39:20.120
<v Speaker 1>like almost two times a week. And that's why we're

1:39:20.120 --> 1:39:23.240
<v Speaker 1>going to see Buster and fifty cents in Nice, France.

1:39:23.760 --> 1:39:26.360
<v Speaker 1>Drink Chance will be on the way and October and

1:39:26.800 --> 1:39:30.120
<v Speaker 1>look at were putting in for your flight right now,

1:39:31.200 --> 1:39:34.160
<v Speaker 1>I see you. Yeah, you will be in Nice, France

1:39:34.479 --> 1:39:39.600
<v Speaker 1>to seeing them street. You see Woo Woo and Nas

1:39:39.640 --> 1:39:43.640
<v Speaker 1>in Paris. So now we're gonna go Nice, going to Nice.

1:39:43.680 --> 1:39:48.080
<v Speaker 2>We're going to Nice. That beach, the beach is all rocks. Yeah,

1:39:48.120 --> 1:39:49.680
<v Speaker 2>we're going to we ain't going to beach.

1:39:49.880 --> 1:39:56.639
<v Speaker 1>The beautiful yeah, beautiful, okay, beautiful, Holy moly, yeah, okay.

1:39:56.720 --> 1:39:58.720
<v Speaker 2>So let's go to the next one. How high or

1:39:58.760 --> 1:40:01.200
<v Speaker 2>belly two separate.

1:40:01.400 --> 1:40:04.479
<v Speaker 1>Damn, I would have said how high or half bait

1:40:04.680 --> 1:40:05.559
<v Speaker 1>or some ship like that.

1:40:10.120 --> 1:40:10.960
<v Speaker 2>High or half bait?

1:40:11.280 --> 1:40:13.280
<v Speaker 1>Oh you mean oh I got you, y'all said correalition.

1:40:14.680 --> 1:40:16.920
<v Speaker 1>I like, well I got more screen time and how high?

1:40:16.920 --> 1:40:23.040
<v Speaker 2>So I'll say how high? Okay? A video music about too.

1:40:25.400 --> 1:40:29.040
<v Speaker 1>I think that I can't blame d C or Lilu

1:40:29.120 --> 1:40:35.320
<v Speaker 1>YACHTI for the premise. MTV was very smart for doing

1:40:35.360 --> 1:40:37.719
<v Speaker 1>what they did because the product was just sitting there.

1:40:38.439 --> 1:40:41.479
<v Speaker 2>They got the rights, and you know, it keeps the

1:40:41.560 --> 1:40:42.040
<v Speaker 2>name alive.

1:40:42.120 --> 1:40:44.960
<v Speaker 1>So I'm not mad at it was them TV.

1:40:45.760 --> 1:40:47.320
<v Speaker 2>I'm not mad at in this ship.

1:40:47.360 --> 1:40:50.120
<v Speaker 1>But I think that I don't think it was fair

1:40:50.120 --> 1:40:53.800
<v Speaker 1>to those two guys. I think that, especially DC, his

1:40:53.880 --> 1:40:56.360
<v Speaker 1>first vehicle should have been something original because he's funny

1:40:56.400 --> 1:40:56.800
<v Speaker 1>as fuck.

1:40:57.160 --> 1:40:59.880
<v Speaker 2>Did you watch it? No, I haven't seen it. Huh,

1:40:59.880 --> 1:41:03.960
<v Speaker 2>I haven't seen it. Okay, I know what the script was, Privy.

1:41:05.200 --> 1:41:06.519
<v Speaker 2>I'm moving on because I don't know how to deal

1:41:06.560 --> 1:41:15.080
<v Speaker 2>with this video music boxer. You m TV raps. I'm

1:41:15.080 --> 1:41:16.639
<v Speaker 2>going with Uncle Ral. I gotta go Uncle.

1:41:16.760 --> 1:41:18.439
<v Speaker 1>I gotta go Uncle Rob. But see ED will do

1:41:18.479 --> 1:41:20.000
<v Speaker 1>the same ship. I think I think Ed lovel will

1:41:20.040 --> 1:41:22.960
<v Speaker 1>do the same ship thing. So okay, shout out to

1:41:23.120 --> 1:41:27.519
<v Speaker 1>Ed lover head, lover head heat here e f n.

1:41:28.080 --> 1:41:31.719
<v Speaker 1>It's like er he got yeah, full full full everybody

1:41:31.800 --> 1:41:32.160
<v Speaker 1>is really me.

1:41:32.240 --> 1:41:35.559
<v Speaker 2>But they Beijing full pike. No no, no, no no, it's not.

1:41:35.640 --> 1:41:38.880
<v Speaker 2>It's just for men, just for Beijing, break you out,

1:41:39.920 --> 1:41:40.280
<v Speaker 2>just for men.

1:41:40.360 --> 1:41:43.360
<v Speaker 1>It's just let's pick up the fat Joe and DJ College.

1:41:43.360 --> 1:41:45.120
<v Speaker 1>I don't know what they got going on. Tanks a

1:41:45.160 --> 1:41:45.479
<v Speaker 1>part of that.

1:41:45.560 --> 1:41:50.960
<v Speaker 2>To know wh niggas up like that. That's terrible.

1:41:51.160 --> 1:41:54.000
<v Speaker 5>They posted they posted it.

1:41:55.560 --> 1:41:57.160
<v Speaker 2>You know, they call that the male b b L.

1:42:04.000 --> 1:42:09.959
<v Speaker 2>I think I gotta let this up. My brother Josey College,

1:42:10.240 --> 1:42:15.040
<v Speaker 2>Holy ship. That was myth who said that. I'm walking around,

1:42:15.520 --> 1:42:17.759
<v Speaker 2>I'm looking around, but they can't hold u account.

1:42:18.160 --> 1:42:21.679
<v Speaker 1>I mean, women been doing it for years, so that's real.

1:42:21.960 --> 1:42:23.120
<v Speaker 2>Just a look. That's all.

1:42:24.600 --> 1:42:27.479
<v Speaker 1>Ray Kwan or ghost Face Great Quana, ghost Face bo

1:42:27.760 --> 1:42:29.240
<v Speaker 1>drink motherfucker.

1:42:30.400 --> 1:42:34.920
<v Speaker 2>Like he does not hesitate on loud. The one thing

1:42:34.920 --> 1:42:38.200
<v Speaker 2>that you know about meth is you are loyal Lord. Yes,

1:42:38.360 --> 1:42:40.960
<v Speaker 2>I am sure, yes, I am.

1:42:41.240 --> 1:42:43.000
<v Speaker 4>Let me say something because I know, like I said,

1:42:43.040 --> 1:42:44.599
<v Speaker 4>I know, everybody for wool chain.

1:42:46.000 --> 1:42:49.479
<v Speaker 2>Individually. I have relationships with every single artist.

1:42:50.760 --> 1:42:53.439
<v Speaker 4>The one thing that I could I can see is

1:42:54.600 --> 1:42:56.879
<v Speaker 4>there was one point where like kind of like everybody

1:42:56.960 --> 1:43:00.479
<v Speaker 4>was kind of like mad at Rizia a little bit. Yeah,

1:43:00.479 --> 1:43:03.800
<v Speaker 4>but I've never seen you publicly ever say anything They

1:43:03.960 --> 1:43:04.479
<v Speaker 4>wasn't dead.

1:43:05.479 --> 1:43:08.400
<v Speaker 1>That's my nigga right there, man, Rizid. Like I said,

1:43:09.600 --> 1:43:15.840
<v Speaker 1>I understand nuance, and I don't always get how things work,

1:43:15.920 --> 1:43:17.920
<v Speaker 1>but when they're explained to me or when I have

1:43:18.040 --> 1:43:20.800
<v Speaker 1>the epiphany and I get it, I can admit when

1:43:20.800 --> 1:43:21.280
<v Speaker 1>I'm wrong.

1:43:21.439 --> 1:43:23.360
<v Speaker 2>So I think I'm gonna live longer that way.

1:43:24.840 --> 1:43:26.519
<v Speaker 5>But be honest, you said that at one point you

1:43:26.560 --> 1:43:29.920
<v Speaker 5>didn't really well, not that you didn't understand nuance, but

1:43:29.960 --> 1:43:32.320
<v Speaker 5>that you were more angry, like when it came to death.

1:43:32.400 --> 1:43:32.679
<v Speaker 2>Jam.

1:43:32.960 --> 1:43:35.600
<v Speaker 5>Did that take time for you to get to that

1:43:35.680 --> 1:43:36.679
<v Speaker 5>nuance or maturity?

1:43:36.960 --> 1:43:37.520
<v Speaker 2>Yeah?

1:43:37.600 --> 1:43:43.000
<v Speaker 1>Yeah, And it started when I started doing my fitness journey,

1:43:43.560 --> 1:43:46.040
<v Speaker 1>because before you can start on the outside, you got

1:43:46.160 --> 1:43:49.000
<v Speaker 1>to start with the inside shit. And I wasn't well, man,

1:43:49.400 --> 1:43:51.000
<v Speaker 1>you know, I wasn't well. I had to let a

1:43:51.040 --> 1:43:56.200
<v Speaker 1>lot of things go and stop blaming people and take

1:43:56.240 --> 1:44:01.559
<v Speaker 1>accountability for myself and take control. That's a beautiful thing

1:44:01.560 --> 1:44:03.439
<v Speaker 1>when you do that when you take control and you

1:44:03.479 --> 1:44:05.559
<v Speaker 1>fully know that you're in full control.

1:44:06.320 --> 1:44:11.000
<v Speaker 2>Bruh, I'll punch a whole in the fucking wall right now. Ship.

1:44:11.439 --> 1:44:14.479
<v Speaker 2>You look you can do it. I'm like, looks like

1:44:14.479 --> 1:44:17.040
<v Speaker 2>a superhero right now. Now.

1:44:17.080 --> 1:44:20.920
<v Speaker 4>Another thing that I've seen is you were the only

1:44:20.960 --> 1:44:22.240
<v Speaker 4>one that had a job.

1:44:23.880 --> 1:44:26.519
<v Speaker 2>During the come up. Everyone you worked to Staten Island.

1:44:26.520 --> 1:44:28.160
<v Speaker 2>I worked the majority of my time.

1:44:28.240 --> 1:44:30.479
<v Speaker 1>Yeah, but when I lost my job, I had to

1:44:30.560 --> 1:44:31.479
<v Speaker 1>hustle myself.

1:44:31.560 --> 1:44:33.639
<v Speaker 2>You didn't, you lost the job. I seen you. Yeah,

1:44:33.640 --> 1:44:35.920
<v Speaker 2>I lost my job at the Statue of Liberty. Statue

1:44:35.920 --> 1:44:38.680
<v Speaker 2>of Liberty, right, yeah, No, they ain't find me. I

1:44:38.720 --> 1:44:45.920
<v Speaker 2>let me tell you what happened. Just the funny ship

1:44:46.040 --> 1:44:46.400
<v Speaker 2>right here.

1:44:46.600 --> 1:44:50.160
<v Speaker 1>Nineteen years old and I got into an accident on

1:44:50.200 --> 1:44:53.760
<v Speaker 1>the on the island driving one of the Heister trucks, uh,

1:44:53.880 --> 1:44:57.679
<v Speaker 1>the cart taking big dumpsters of garbage to the other

1:44:57.720 --> 1:45:00.240
<v Speaker 1>side of the Liberty Island. Crashed my foot up, up,

1:45:00.720 --> 1:45:02.800
<v Speaker 1>went to the hospital and just never went back to work.

1:45:03.760 --> 1:45:05.439
<v Speaker 2>It just didn't go back. I ain't come back down

1:45:05.560 --> 1:45:09.000
<v Speaker 2>this man. I just left. I just left. Yeah. I

1:45:09.040 --> 1:45:10.800
<v Speaker 2>was on crutches. I'm supposed to do.

1:45:10.840 --> 1:45:12.879
<v Speaker 1>I was on crutches for like the whole fucking summer,

1:45:13.479 --> 1:45:17.439
<v Speaker 1>miserable as fuck, miserable as hell when.

1:45:17.280 --> 1:45:17.880
<v Speaker 2>You came back.

1:45:18.040 --> 1:45:20.080
<v Speaker 1>But you know the thing that this is the crazy

1:45:20.080 --> 1:45:23.479
<v Speaker 1>ship because all my friends hustled, and the whole time

1:45:24.080 --> 1:45:25.880
<v Speaker 1>they was out there hustling, I'm there with him because

1:45:25.880 --> 1:45:28.800
<v Speaker 1>we're smoking. So I'm seeing them how they hustle, how

1:45:28.800 --> 1:45:30.920
<v Speaker 1>they do it, how they get away. All that ship,

1:45:31.000 --> 1:45:35.160
<v Speaker 1>you know, And when I started, I just followed that

1:45:35.160 --> 1:45:39.000
<v Speaker 1>pattern and ship. And honestly, I've been locked up one

1:45:39.080 --> 1:45:45.800
<v Speaker 1>time for possession of a control substance. Is we the

1:45:45.840 --> 1:45:49.639
<v Speaker 1>control sucson? No, they don't consider that. They don't say that, right,

1:45:49.640 --> 1:45:52.960
<v Speaker 1>They just say marijuana. They don't say control substance because

1:45:52.960 --> 1:45:54.800
<v Speaker 1>I well, no, I wasn't locked up with us.

1:45:54.920 --> 1:45:55.400
<v Speaker 2>No.

1:45:55.080 --> 1:45:57.559
<v Speaker 1>No. All the rest of my arrest was probably was

1:45:58.000 --> 1:46:03.040
<v Speaker 1>mostly for smoking in public and having weed on me,

1:46:03.439 --> 1:46:06.639
<v Speaker 1>but that was possession of a controlled substance. I only

1:46:06.640 --> 1:46:11.360
<v Speaker 1>got caught once. The whole time I was I hate

1:46:11.439 --> 1:46:13.000
<v Speaker 1>this is why when I when I be wrong, and

1:46:13.040 --> 1:46:15.559
<v Speaker 1>I don't say too much about my drug career, because

1:46:15.600 --> 1:46:18.160
<v Speaker 1>I hated that ship. I wasn't No Kingpin didn't have

1:46:18.160 --> 1:46:20.360
<v Speaker 1>any aspirations to be a Kingpin. I was just trying

1:46:20.400 --> 1:46:22.680
<v Speaker 1>to get money enough to pay the rent or to

1:46:22.720 --> 1:46:24.040
<v Speaker 1>buy a hotel room for the night.

1:46:24.520 --> 1:46:25.800
<v Speaker 2>I respected sleeping and shit.

1:46:26.760 --> 1:46:32.080
<v Speaker 4>So at the end of the day, when you was

1:46:32.160 --> 1:46:34.040
<v Speaker 4>drinking absolute straight, it burned.

1:46:34.120 --> 1:46:35.800
<v Speaker 1>Yeah, that type shit I was doing on con of

1:46:35.840 --> 1:46:38.519
<v Speaker 1>thebauchery and ship. At the end of the day, I

1:46:39.160 --> 1:46:43.519
<v Speaker 1>still had this talent. And when like I said, lucky

1:46:43.520 --> 1:46:46.400
<v Speaker 1>to draw niggas got lucky, I didn't. I'm gonna tell

1:46:46.400 --> 1:46:51.160
<v Speaker 1>you like this, bro, Staten Island. You know how you

1:46:51.200 --> 1:46:53.280
<v Speaker 1>grew up in New York. You know, like nobody go

1:46:53.360 --> 1:46:54.080
<v Speaker 1>to Staten Island.

1:46:54.160 --> 1:46:57.280
<v Speaker 4>So they say yes, So they say, I'm gonna be honest,

1:46:57.400 --> 1:46:59.840
<v Speaker 4>let me, let me, let me just give your flowers again.

1:47:02.080 --> 1:47:04.479
<v Speaker 4>What y'all did is phenomenal. Which I did is un

1:47:05.560 --> 1:47:08.600
<v Speaker 4>foreseeing it's never gonna be duplicated.

1:47:09.360 --> 1:47:10.360
<v Speaker 2>I remember just hearing.

1:47:10.439 --> 1:47:12.960
<v Speaker 4>I don't remember, just like I remember, I remember being

1:47:13.000 --> 1:47:16.040
<v Speaker 4>scared of you, like me literally, I was scared of

1:47:16.120 --> 1:47:19.000
<v Speaker 4>you because you had any I was like, what's wrong?

1:47:21.439 --> 1:47:24.360
<v Speaker 2>Yeah, we looked. He was like wait a minute, like

1:47:24.479 --> 1:47:27.320
<v Speaker 2>what the fuck is instanle? No, maybe that's why we

1:47:27.320 --> 1:47:31.679
<v Speaker 2>didn't know. Holy ship.

1:47:31.960 --> 1:47:34.120
<v Speaker 1>Now now mind you Pard not to cut you. I

1:47:34.240 --> 1:47:37.800
<v Speaker 1>remember what I said about Big with the shirt, and

1:47:37.880 --> 1:47:41.840
<v Speaker 1>you know, after the video everywhere with that fucking eye

1:47:41.880 --> 1:47:45.679
<v Speaker 1>nigga one day girl around my way adriller love you mother.

1:47:46.400 --> 1:47:49.240
<v Speaker 1>She was like, take that stupid ship out your fucking eye.

1:47:49.479 --> 1:47:51.760
<v Speaker 1>You gonna fuck your eye up at I wear thatfter

1:47:51.800 --> 1:47:53.920
<v Speaker 1>that I took that bitch out of you.

1:47:54.360 --> 1:47:58.040
<v Speaker 4>I'm gonna be honest. Ghost Face too. I was scared

1:47:58.080 --> 1:48:01.720
<v Speaker 4>of ghost Face as well because of the nigga didn't.

1:48:01.479 --> 1:48:02.200
<v Speaker 2>Show his face.

1:48:02.320 --> 1:48:05.879
<v Speaker 1>Well, your nigga knew what that was nuanced, come on once.

1:48:06.200 --> 1:48:08.200
<v Speaker 1>But I'm a fan, I don't I don't know. I'm

1:48:08.200 --> 1:48:11.000
<v Speaker 1>not in the industry at all. So a guy is

1:48:11.080 --> 1:48:13.479
<v Speaker 1>doing the verse hiding his face.

1:48:14.360 --> 1:48:19.120
<v Speaker 5>Oh does this yo, bro, Holy moly, call himself ghost Face.

1:48:21.040 --> 1:48:22.040
<v Speaker 2>I always got to tell us.

1:48:22.400 --> 1:48:24.320
<v Speaker 4>I always say it to ghost and Ghost be looking

1:48:24.320 --> 1:48:25.599
<v Speaker 4>at me like he relaxed.

1:48:25.640 --> 1:48:29.719
<v Speaker 1>We've been We've been at shows and Bounty they showed

1:48:29.800 --> 1:48:30.920
<v Speaker 1>up looking for this nigga.

1:48:31.120 --> 1:48:32.000
<v Speaker 2>I heard the story.

1:48:32.200 --> 1:48:35.400
<v Speaker 1>I heard that like this nigga had and then you know,

1:48:35.600 --> 1:48:37.640
<v Speaker 1>so it was major when he came out with his

1:48:37.720 --> 1:48:40.080
<v Speaker 1>Dolottle album and the first thing he did in the

1:48:40.160 --> 1:48:48.200
<v Speaker 1>video was what showed his face free nigga like, oh,

1:48:48.760 --> 1:48:52.200
<v Speaker 1>you know what I mean? Since the face been redealed,

1:48:52.320 --> 1:48:56.200
<v Speaker 1>game got real. Come on now, ghost is.

1:48:56.120 --> 1:48:58.960
<v Speaker 2>That nigga Ben the ghost Killer?

1:49:02.640 --> 1:49:04.880
<v Speaker 1>And I think that's that's the mystique of the Wu

1:49:04.960 --> 1:49:07.920
<v Speaker 1>Tang right there, because you people constantly learned ship about us.

1:49:08.120 --> 1:49:09.880
<v Speaker 1>The thing, the constant thing that I get is I

1:49:09.880 --> 1:49:12.320
<v Speaker 1>didn't understand the words you motherfuckers was talking about back

1:49:12.320 --> 1:49:12.720
<v Speaker 1>in the day.

1:49:12.760 --> 1:49:13.800
<v Speaker 2>But the beats sound good.

1:49:14.120 --> 1:49:16.320
<v Speaker 1>But as I got old, Yeah, but as I got old,

1:49:16.400 --> 1:49:18.680
<v Speaker 1>it was like wow, and people explained ship to me,

1:49:18.720 --> 1:49:19.840
<v Speaker 1>and it was like wow.

1:49:19.840 --> 1:49:23.440
<v Speaker 4>Because ye, Staten Island was its own barrows.

1:49:23.720 --> 1:49:25.000
<v Speaker 2>This is the beauty of it.

1:49:25.000 --> 1:49:27.639
<v Speaker 1>It's like anybody that came to Staten Island they found

1:49:27.640 --> 1:49:32.160
<v Speaker 1>out real quick. Like these niggas is fucking crazy out crazy.

1:49:32.520 --> 1:49:37.920
<v Speaker 2>I ain't gonna lie. You changed the game, man, So

1:49:38.040 --> 1:49:39.200
<v Speaker 2>let me ask you about the beginning.

1:49:39.240 --> 1:49:41.519
<v Speaker 1>Right now, White boys to beat y'all, White boys up,

1:49:42.640 --> 1:49:46.280
<v Speaker 1>white boys, they different.

1:49:46.920 --> 1:49:53.639
<v Speaker 2>Thas lie Nasa Jada, kiss Nasa Jada. I'm on tour

1:49:53.680 --> 1:49:54.439
<v Speaker 2>with nas right now.

1:49:59.800 --> 1:50:02.479
<v Speaker 5>I gag the next month. You don't want to do

1:50:02.479 --> 1:50:05.320
<v Speaker 5>none of these, huh. I see your cap Donna or

1:50:05.360 --> 1:50:05.960
<v Speaker 5>street life.

1:50:06.560 --> 1:50:11.880
<v Speaker 2>You don't do that the fuck na both. Let mek

1:50:11.960 --> 1:50:14.800
<v Speaker 2>up the cat man, you know, because he taught.

1:50:15.400 --> 1:50:18.440
<v Speaker 4>I kept saying to you all night. I know everybody,

1:50:19.160 --> 1:50:23.080
<v Speaker 4>but I didn't meet Cat till later after he came

1:50:23.080 --> 1:50:28.280
<v Speaker 4>out of jail. Crazy shi it is. You might have

1:50:28.320 --> 1:50:31.040
<v Speaker 4>been in there with him. And that's my nigga. That's

1:50:31.080 --> 1:50:32.559
<v Speaker 4>what I was about to get to, like he's like,

1:50:33.600 --> 1:50:36.360
<v Speaker 4>and he's on the low one of the funniest niggas

1:50:36.400 --> 1:50:39.120
<v Speaker 4>in the world. Larryus, Like, don't let Cat start baking

1:50:39.840 --> 1:50:41.560
<v Speaker 4>start he will he will get he will cut you

1:50:41.640 --> 1:50:42.160
<v Speaker 4>the fuck off.

1:50:42.800 --> 1:50:45.599
<v Speaker 2>Yes, and lyrically one of the others and literally one.

1:50:45.560 --> 1:50:48.080
<v Speaker 1>Of you throwing the instrumental. Cat can give you a

1:50:48.080 --> 1:50:51.320
<v Speaker 1>ten minute freestyle. I put I put money on it.

1:50:51.439 --> 1:50:53.800
<v Speaker 1>Ten minutes stro how long was Winterwards his verse on that?

1:50:55.680 --> 1:50:58.479
<v Speaker 4>And he might have freestyled that don't play with if

1:50:58.479 --> 1:51:01.400
<v Speaker 4>you remember when we had wood tag on, yeah me

1:51:01.520 --> 1:51:02.280
<v Speaker 4>you got.

1:51:04.920 --> 1:51:08.120
<v Speaker 2>I was in heaven. I don't know why because I

1:51:08.240 --> 1:51:09.639
<v Speaker 2>looked and that that was brother.

1:51:12.320 --> 1:51:15.879
<v Speaker 1>Sometimes niggas see I only go junior high school with niggas.

1:51:15.960 --> 1:51:19.439
<v Speaker 1>They go back grade school. Man, you could tell that too,

1:51:19.600 --> 1:51:20.960
<v Speaker 1>that go back grade school.

1:51:21.000 --> 1:51:21.639
<v Speaker 2>With them niggas.

1:51:21.680 --> 1:51:25.440
<v Speaker 4>Man, you could tell okay, I'm gonnask this one.

1:51:25.720 --> 1:51:28.800
<v Speaker 2>M O P or marb D get my drink ready?

1:51:29.120 --> 1:51:36.000
<v Speaker 1>Yeah, might as well, man, because you're fame fame, famous, fame.

1:51:35.760 --> 1:51:37.960
<v Speaker 2>And billy like them.

1:51:38.040 --> 1:51:41.559
<v Speaker 1>Niggas could have transcended and been, but they did not

1:51:41.760 --> 1:51:49.840
<v Speaker 1>compromise for ship and that's why we love them niggas

1:51:50.080 --> 1:51:51.080
<v Speaker 1>for life.

1:51:50.520 --> 1:51:53.160
<v Speaker 2>Also, let me big up a habit.

1:51:53.200 --> 1:51:58.200
<v Speaker 4>I've seen them another day a half, Yes, birthday and

1:51:58.400 --> 1:52:01.400
<v Speaker 4>havoc and Q tip everybody that I got to see

1:52:01.400 --> 1:52:04.679
<v Speaker 4>people at his birthday party was a pleasure.

1:52:05.120 --> 1:52:07.479
<v Speaker 2>And also, y'all sin have blessings. Man.

1:52:07.560 --> 1:52:09.160
<v Speaker 1>I mean it may be over for a lot of

1:52:09.200 --> 1:52:11.599
<v Speaker 1>people out there, but trust me, he still missed his

1:52:11.640 --> 1:52:14.599
<v Speaker 1>brother and that ships still fresh for him. Just send

1:52:14.680 --> 1:52:17.760
<v Speaker 1>him a con word anything. I know his Instagram.

1:52:18.200 --> 1:52:20.440
<v Speaker 2>I always say that I missed Prodigy.

1:52:21.280 --> 1:52:24.840
<v Speaker 1>No prodigy, really really really really really from Himstead like me.

1:52:25.520 --> 1:52:28.559
<v Speaker 2>Damn, that's right. That's the first thing when you google you,

1:52:29.680 --> 1:52:30.440
<v Speaker 2>the first.

1:52:30.160 --> 1:52:34.040
<v Speaker 1>Thing they say, they say Himstead, I kept it a

1:52:34.160 --> 1:52:38.040
<v Speaker 1>buck and anybody that that live in Pimpstead right from

1:52:38.160 --> 1:52:42.719
<v Speaker 1>Rock Monsciano fucking stove God from from Long Island too.

1:52:42.880 --> 1:52:45.080
<v Speaker 2>Stove Guard. I believe it's from Long Island and.

1:52:45.520 --> 1:52:48.040
<v Speaker 1>Rock him, you know, shout out talking about Wine Dance

1:52:48.160 --> 1:52:52.400
<v Speaker 1>niggas man or everybody in Wine Dance could fight back

1:52:52.400 --> 1:52:52.800
<v Speaker 1>in the day.

1:52:52.800 --> 1:52:53.280
<v Speaker 2>When I was.

1:52:54.800 --> 1:52:57.080
<v Speaker 4>They've had three bodies on the floor and they kept barbecuing.

1:52:57.120 --> 1:52:59.599
<v Speaker 4>I said, wait, yeah, there you this is.

1:52:59.560 --> 1:53:02.720
<v Speaker 2>Not the rap upside we got.

1:53:02.880 --> 1:53:04.519
<v Speaker 1>And I was just like, wait a minute, Yeah, but

1:53:04.560 --> 1:53:06.040
<v Speaker 1>you were saying about Pete.

1:53:06.200 --> 1:53:09.240
<v Speaker 2>You were saying to me Pete. I really love pe Man.

1:53:09.280 --> 1:53:09.720
<v Speaker 2>I missed Pe.

1:53:09.840 --> 1:53:12.880
<v Speaker 4>I missed every thing, and I was thinking about it

1:53:12.880 --> 1:53:15.040
<v Speaker 4>the other day and and you're right. You know, people

1:53:15.080 --> 1:53:16.160
<v Speaker 4>should reach out to topic.

1:53:16.920 --> 1:53:21.080
<v Speaker 2>Let me tell you something about yeah like them.

1:53:21.160 --> 1:53:26.360
<v Speaker 1>Yeah yeah, and also Daylight Man because Yo Dave's birthday

1:53:26.520 --> 1:53:29.519
<v Speaker 1>was racial and uh you know we on tour with

1:53:29.600 --> 1:53:31.760
<v Speaker 1>them and they still feeling it, you know what I mean.

1:53:31.840 --> 1:53:33.200
<v Speaker 2>So yeah, yeah, yes.

1:53:33.520 --> 1:53:35.920
<v Speaker 4>Should reach out to the Wu Tang clan because O

1:53:36.080 --> 1:53:40.160
<v Speaker 4>d B Loss is never going to be forgeting, No nah, no,

1:53:40.680 --> 1:53:41.960
<v Speaker 4>I mean never be forgotten.

1:53:42.000 --> 1:53:44.759
<v Speaker 1>Some of our mantra come directly from O. Dirty killer

1:53:44.760 --> 1:53:47.200
<v Speaker 1>bees came from dirty killer bees. On the swarm came

1:53:47.200 --> 1:53:49.719
<v Speaker 1>from Dirty Woo Tangers, from the children came from Dirty.

1:53:50.080 --> 1:53:53.960
<v Speaker 1>All of that ship, most of our motherfucking bravado came

1:53:53.960 --> 1:53:56.160
<v Speaker 1>from Dirty man. He told us from day one, even

1:53:56.200 --> 1:53:57.840
<v Speaker 1>if we didn't believe it, he believed it.

1:53:57.920 --> 1:54:03.240
<v Speaker 2>We the best, fucking best period.

1:54:04.040 --> 1:54:06.679
<v Speaker 1>And not to take away from those lists or nothing.

1:54:06.720 --> 1:54:09.360
<v Speaker 1>You know, I've seen them, the crew list and all that,

1:54:09.400 --> 1:54:11.599
<v Speaker 1>and I don't pay attention to those. But the fans

1:54:11.600 --> 1:54:15.679
<v Speaker 1>are speaking louder than the list nowadays. And death bro. Yeah,

1:54:16.040 --> 1:54:19.080
<v Speaker 1>you know, salute to them. But the people have spoken

1:54:19.120 --> 1:54:21.840
<v Speaker 1>and said that Wu Tang clans number one crew and

1:54:22.200 --> 1:54:26.080
<v Speaker 1>outcasts again, shout out to them, love them. But the

1:54:26.080 --> 1:54:28.080
<v Speaker 1>people are spoken again and said Wu Tang is the

1:54:28.160 --> 1:54:30.080
<v Speaker 1>number one group Wu.

1:54:29.960 --> 1:54:33.040
<v Speaker 4>Tang against outcasts and versus or Wu Tang is dungeon family.

1:54:33.440 --> 1:54:35.800
<v Speaker 1>Well, w Tang gonna do no verses. We got too

1:54:35.800 --> 1:54:38.880
<v Speaker 1>many songs, man, it wouldn't fit and would not fit.

1:54:39.200 --> 1:54:40.440
<v Speaker 1>I don't think you can get us all in the

1:54:40.520 --> 1:54:45.600
<v Speaker 1>room anyway, for real. I'm keeping it a buck.

1:54:46.000 --> 1:54:49.560
<v Speaker 4>I think Swiss and Timberlin will get that bad.

1:54:49.560 --> 1:54:53.800
<v Speaker 2>I believe. I'm sorry.

1:54:53.840 --> 1:54:59.560
<v Speaker 4>I know they've been quiet out there. Believe Swiss. Yesterday

1:54:59.600 --> 1:55:02.880
<v Speaker 4>morning he hit me. Yeah, it's been talking, not about verses.

1:55:03.200 --> 1:55:07.160
<v Speaker 2>But wu tang against would you would you preferred waking

1:55:07.160 --> 1:55:09.560
<v Speaker 2>against outcast? Or who taking this Dungeon family.

1:55:09.640 --> 1:55:12.920
<v Speaker 1>Who tang against our castle, will tank against Dungeon families.

1:55:14.040 --> 1:55:17.480
<v Speaker 1>That Dungeon family they strong man, and Outcast is strong

1:55:17.520 --> 1:55:20.880
<v Speaker 1>by themselves too. But I'm just speaking to the the

1:55:20.960 --> 1:55:24.520
<v Speaker 1>people that you know, take these lists and and and

1:55:24.600 --> 1:55:28.200
<v Speaker 1>speak validity, and Outcast is fucking dope as far as

1:55:28.880 --> 1:55:33.640
<v Speaker 1>albums and and consistency, and and Andre being the monster

1:55:33.760 --> 1:55:36.200
<v Speaker 1>that he is, and Big Boy just being as dope

1:55:36.240 --> 1:55:39.120
<v Speaker 1>as he is. And Ship I can see why a

1:55:39.200 --> 1:55:41.080
<v Speaker 1>lot of people like, yeah, give the South.

1:55:41.160 --> 1:55:43.280
<v Speaker 2>They just do. And it's kind of monumental.

1:55:43.440 --> 1:55:46.320
<v Speaker 1>Yes, it's kind of monumental that they're number one because

1:55:46.360 --> 1:55:50.160
<v Speaker 1>at the source of Wars, dra said that Ship South

1:55:50.240 --> 1:55:54.640
<v Speaker 1>got something to say, and there is happy ever since.

1:55:57.800 --> 1:55:59.920
<v Speaker 2>And I've been yelled from that day forward.

1:55:59.920 --> 1:56:01.960
<v Speaker 1>It was like he was on the mission to show

1:56:02.000 --> 1:56:04.920
<v Speaker 1>people in the South came up man big time. Well

1:56:04.920 --> 1:56:06.680
<v Speaker 1>they've been up, but we just didn't know.

1:56:06.800 --> 1:56:09.440
<v Speaker 4>I just seen an interview with Baby and Baby said

1:56:09.920 --> 1:56:12.120
<v Speaker 4>that nobody would never have it back. He said the

1:56:12.160 --> 1:56:14.120
<v Speaker 4>West Coast would never have it back, to the East Coast

1:56:14.160 --> 1:56:15.120
<v Speaker 4>would never have it back.

1:56:15.400 --> 1:56:17.720
<v Speaker 2>He said, it's in the South, staying in the South,

1:56:17.800 --> 1:56:22.760
<v Speaker 2>and that's it. I disagree, it's it's it's worldwide, right, Yeah,

1:56:22.760 --> 1:56:24.120
<v Speaker 2>I don't think even the region.

1:56:23.920 --> 1:56:26.840
<v Speaker 1>That's we'll have it back, because I mean, they got

1:56:26.840 --> 1:56:29.080
<v Speaker 1>a whole fucking movement in the UK.

1:56:29.320 --> 1:56:31.000
<v Speaker 2>That's these motherfuckers. I like that.

1:56:31.040 --> 1:56:34.960
<v Speaker 1>You're nice, these motherfuckers is nice. Not just the drill,

1:56:35.040 --> 1:56:37.919
<v Speaker 1>but you know, other ship. Shout out to Ocean Wisdom.

1:56:38.480 --> 1:56:41.520
<v Speaker 1>Shout out to my man Young Meth, welcome home, Brodie

1:56:41.720 --> 1:56:42.400
<v Speaker 1>Man they got.

1:56:43.120 --> 1:56:47.440
<v Speaker 2>Shout out to Little Simms. Yeah, yeah, yeah, and now

1:56:47.520 --> 1:56:51.720
<v Speaker 2>he earned that ship. He nice nice. Did the record

1:56:51.760 --> 1:56:53.240
<v Speaker 2>with it? I did record with him.

1:56:53.320 --> 1:57:03.480
<v Speaker 1>Yes, I can check it out afterwards. It's called win

1:57:03.560 --> 1:57:03.920
<v Speaker 1>a Bago.

1:57:04.240 --> 1:57:04.520
<v Speaker 2>Okay.

1:57:05.480 --> 1:57:08.680
<v Speaker 1>Also little Sims, she got this joint called Gorilla. Check

1:57:08.760 --> 1:57:12.160
<v Speaker 1>that ship out. She real dope, she real dope, Yes, sir.

1:57:12.360 --> 1:57:17.560
<v Speaker 1>And also check out my man P. K. Patrick Carnegie Karne.

1:57:17.600 --> 1:57:18.600
<v Speaker 2>Okay, what is it? Carne?

1:57:19.480 --> 1:57:23.040
<v Speaker 1>I'm a big dog stuff and within a big but

1:57:23.440 --> 1:57:25.800
<v Speaker 1>he sounds rich to me, said with a big.

1:57:25.640 --> 1:57:27.480
<v Speaker 2>He said, whatever motherfuckers say.

1:57:28.120 --> 1:57:31.160
<v Speaker 1>He said, Uh, where's drain at?

1:57:31.200 --> 1:57:32.160
<v Speaker 2>He should have the accents?

1:57:32.560 --> 1:57:35.880
<v Speaker 1>Yeah, he said, fuck you and your fat mother. Damn,

1:57:36.080 --> 1:57:40.320
<v Speaker 1>she can use a tree for a back scrubber. I

1:57:40.360 --> 1:57:42.800
<v Speaker 1>can make a raft of back blubber or settle to

1:57:42.880 --> 1:57:44.680
<v Speaker 1>the long lost owls on her back.

1:57:44.720 --> 1:57:49.680
<v Speaker 2>Brother, that sounded Scottish. And you're a virgin. You never

1:57:49.760 --> 1:57:53.440
<v Speaker 2>had sex with a person. You only had sex with

1:57:53.560 --> 1:57:56.800
<v Speaker 2>your right time. We both know that ain't right? Man?

1:57:58.920 --> 1:58:03.160
<v Speaker 1>Right? And ship flying in the pollen in the cockpit.

1:58:03.880 --> 1:58:05.880
<v Speaker 1>You now that's got a neck like in our stretch.

1:58:06.120 --> 1:58:15.640
<v Speaker 1>Tell a coume nibble on this. Pekke cock bitch word

1:58:16.840 --> 1:58:20.879
<v Speaker 1>mugs or Pete rock Pete. I love margins, but pete

1:58:21.040 --> 1:58:22.280
<v Speaker 1>good fellas or casino?

1:58:23.160 --> 1:58:24.280
<v Speaker 2>Oh fuck.

1:58:27.040 --> 1:58:29.480
<v Speaker 1>Good fellas because it's shorter that that that casino. Get

1:58:29.520 --> 1:58:31.680
<v Speaker 1>long in the tooth like a motherfucker. Man at the tire,

1:58:31.720 --> 1:58:33.640
<v Speaker 1>the here and Sharon Stone crying.

1:58:33.320 --> 1:58:37.720
<v Speaker 4>Wine and ship that's a good waiting for this, this

1:58:37.720 --> 1:58:38.680
<v Speaker 4>this question?

1:58:38.880 --> 1:58:50.880
<v Speaker 2>All night? Sugar or puff? Sugar puff? Sugar puff? That's

1:58:50.920 --> 1:58:55.840
<v Speaker 2>if you say both, We're good. I'm not saying but

1:58:55.960 --> 1:58:57.640
<v Speaker 2>what do you mean sugar and puff? Or what what

1:58:57.680 --> 1:59:00.000
<v Speaker 2>do you mean? Whatever you want? Yeah, yeah, I don't

1:59:00.120 --> 1:59:00.960
<v Speaker 2>no shug puff?

1:59:01.240 --> 1:59:03.280
<v Speaker 4>Okay, all right, so we don't take a shot the

1:59:03.440 --> 1:59:06.240
<v Speaker 4>yeah picked okay, n W a h public enemy.

1:59:07.080 --> 1:59:16.720
<v Speaker 2>Mm hmm. They both stood. Damn. You feel like you

1:59:16.760 --> 1:59:17.400
<v Speaker 2>want to take a shot?

1:59:17.720 --> 1:59:22.680
<v Speaker 1>Yeah, yeah, okay, shot shot shot shot, shot shot.

1:59:23.280 --> 1:59:35.680
<v Speaker 2>Okay, uh Rockefeller, Yeah, I better take that shot. Dat

1:59:35.680 --> 1:59:36.800
<v Speaker 2>even say alone.

1:59:36.840 --> 1:59:39.600
<v Speaker 4>I was, I was, I was going take the shot

1:59:40.160 --> 1:59:42.720
<v Speaker 4>and this last one and to be put this out

1:59:42.920 --> 1:59:51.120
<v Speaker 4>loyalty or respect. I'm gonna say loyalty because you know,

1:59:51.200 --> 1:59:53.640
<v Speaker 4>a lot of times people don't respect it, but after

1:59:53.720 --> 1:59:55.760
<v Speaker 4>a while, it gains you respect.

1:59:56.200 --> 1:59:59.840
<v Speaker 2>So I'm gonna go with loyalty and ship man. So

2:00:00.880 --> 2:00:06.840
<v Speaker 2>let's make some noise back, but take a plisso to

2:00:06.960 --> 2:00:07.480
<v Speaker 2>hold it down.

2:00:08.480 --> 2:00:17.200
<v Speaker 4>Okay, this famous tour you method man, DMX job Rule

2:00:17.800 --> 2:00:23.360
<v Speaker 4>jay Z. Yeah, it's rumored that you and meth Me

2:00:23.440 --> 2:00:26.800
<v Speaker 4>and Red. Yeah, you and Red came out first. Yeah

2:00:26.840 --> 2:00:28.200
<v Speaker 4>we did, but y'all.

2:00:27.960 --> 2:00:30.320
<v Speaker 2>Destroyed it so much that it made people want to

2:00:30.360 --> 2:00:32.920
<v Speaker 2>come to the show after a while. Yeah, that's the

2:00:33.040 --> 2:00:34.880
<v Speaker 2>that's the story. And then I was there. I know

2:00:34.960 --> 2:00:37.920
<v Speaker 2>that shit happened, all right.

2:00:37.920 --> 2:00:40.480
<v Speaker 1>So DJ Clue was the house DJ Okay, he would

2:00:40.520 --> 2:00:41.440
<v Speaker 1>be out there, lights be on.

2:00:41.520 --> 2:00:43.200
<v Speaker 2>You know, people are still getting in their seats and

2:00:43.560 --> 2:00:43.920
<v Speaker 2>no lied.

2:00:44.000 --> 2:00:45.920
<v Speaker 1>Sometimes we would go out on that stage, the lights

2:00:45.920 --> 2:00:48.400
<v Speaker 1>will still be on and people were still getting in

2:00:48.400 --> 2:00:50.960
<v Speaker 1>their seats. But by the time we finished the show,

2:00:51.600 --> 2:00:54.320
<v Speaker 1>our set rather, it would always be packed and they

2:00:54.320 --> 2:00:55.879
<v Speaker 1>would be amped up for the rest.

2:00:55.720 --> 2:00:57.200
<v Speaker 2>Of the show. And this is when you start flying

2:00:57.200 --> 2:00:58.360
<v Speaker 2>in yeah. Yeah.

2:00:58.600 --> 2:01:02.120
<v Speaker 1>So then after like the third one, the reviews come

2:01:02.160 --> 2:01:04.680
<v Speaker 1>in and people was like, get to the show Earth

2:01:04.720 --> 2:01:07.360
<v Speaker 1>early met the man in red Man do their thing,

2:01:07.480 --> 2:01:12.160
<v Speaker 1>and yeah, man's early. I would say, like before the

2:01:12.200 --> 2:01:15.360
<v Speaker 1>first act Couples seven seven seven, there was an actor

2:01:15.440 --> 2:01:16.280
<v Speaker 1>came on before y'all.

2:01:16.360 --> 2:01:18.680
<v Speaker 2>Nah, it's just clue. He was the house j Yeah.

2:01:18.760 --> 2:01:20.920
<v Speaker 1>Yeah, and then we would come on after that and ship.

2:01:21.080 --> 2:01:23.840
<v Speaker 1>But I mean it says a lot because we got

2:01:24.680 --> 2:01:27.240
<v Speaker 1>the Source Award that year for Performers of the Year.

2:01:28.240 --> 2:01:29.120
<v Speaker 2>Yeah, that was dope.

2:01:30.200 --> 2:01:31.720
<v Speaker 1>Now even though we didn't get to perform at the

2:01:31.760 --> 2:01:33.440
<v Speaker 1>Source a Wars, because that's when that fight happened.

2:01:35.320 --> 2:01:37.360
<v Speaker 2>That was when the fight happened at the Source of Wars. Yeah,

2:01:37.400 --> 2:01:42.080
<v Speaker 2>that's when we won. Mm hmm. Yeah. Dude was in

2:01:42.120 --> 2:01:50.440
<v Speaker 2>the crowd scrapping. This is another Source Awards where Sugarber

2:01:50.480 --> 2:01:51.040
<v Speaker 2>is on the stage.

2:01:51.080 --> 2:01:53.880
<v Speaker 1>No, nah, that that one. I had my wife at

2:01:53.880 --> 2:01:56.160
<v Speaker 1>that one too. Man, that ship was weird that night.

2:01:56.840 --> 2:02:01.360
<v Speaker 1>That shit was real weird. I like that night. It

2:02:01.440 --> 2:02:03.960
<v Speaker 1>showed a big divide in hip hop, you know what

2:02:03.960 --> 2:02:06.960
<v Speaker 1>I mean, in hip hop in West no in hip

2:02:06.960 --> 2:02:10.040
<v Speaker 1>hop period. And the thing about it was the way

2:02:10.080 --> 2:02:13.200
<v Speaker 1>it turked in the East coast West Coast was because

2:02:13.240 --> 2:02:16.440
<v Speaker 1>of media attention, and they steered it into that because

2:02:16.440 --> 2:02:19.000
<v Speaker 1>it sold more articles.

2:02:20.920 --> 2:02:23.880
<v Speaker 2>I noticed a cliche type of question. Ye notice a

2:02:23.920 --> 2:02:25.960
<v Speaker 2>cliche type of question. But did you ever think that

2:02:26.040 --> 2:02:30.400
<v Speaker 2>hip hop will make it this war? Hey? I knew it.

2:02:30.480 --> 2:02:31.080
<v Speaker 2>I knew it.

2:02:31.080 --> 2:02:35.080
<v Speaker 1>It's like the same reason why I love being black. Oh,

2:02:35.080 --> 2:02:37.080
<v Speaker 1>I love because it's like I think I got an

2:02:37.160 --> 2:02:41.200
<v Speaker 1>advantage because of being black. I think I have an

2:02:41.240 --> 2:02:43.920
<v Speaker 1>advantage because of the way I came up in this world.

2:02:44.000 --> 2:02:46.600
<v Speaker 1>And shit, you know what I mean, It's like my

2:02:46.720 --> 2:02:50.840
<v Speaker 1>disadvantages on my advantages in this world because I'm always

2:02:50.840 --> 2:02:53.560
<v Speaker 1>going to be underestimated from the door. But I'm always ready,

2:02:54.640 --> 2:02:57.640
<v Speaker 1>so I don't have to get ready. Damn, that makes

2:02:57.640 --> 2:02:58.160
<v Speaker 1>a noise of that.

2:03:00.960 --> 2:03:02.920
<v Speaker 2>You gotta go, Yeah, I gotta cash this flight.

2:03:03.520 --> 2:03:07.600
<v Speaker 4>But did you ever because I don't think you accept

2:03:07.600 --> 2:03:16.440
<v Speaker 4>this terminology, You're gonna talk that sex. Look, let me

2:03:16.480 --> 2:03:19.080
<v Speaker 4>clear this up, wanting for the last I'm gonna clear

2:03:19.080 --> 2:03:20.120
<v Speaker 4>this up for the last time.

2:03:20.200 --> 2:03:23.280
<v Speaker 1>Of course, the admiration is a great thing. It makes

2:03:23.320 --> 2:03:28.760
<v Speaker 1>me feel great. Does it tend to be uncomfortable at times? Absolutely?

2:03:29.920 --> 2:03:35.800
<v Speaker 1>For me, it's being put on a pedestal that people

2:03:36.680 --> 2:03:39.440
<v Speaker 1>create in their own minds, and then when you fall

2:03:39.560 --> 2:03:42.680
<v Speaker 1>short of that, there's no coming back from it, and

2:03:42.720 --> 2:03:48.480
<v Speaker 1>there's no forgiveness or uh, what's the word redemption in

2:03:48.520 --> 2:03:52.320
<v Speaker 1>their eyes. So for me, just put me on the

2:03:52.360 --> 2:03:56.440
<v Speaker 1>ground level with all you guys. We can all commute

2:03:56.440 --> 2:03:58.600
<v Speaker 1>together and ship and see the beauty in each and

2:03:58.640 --> 2:03:59.680
<v Speaker 1>every last one of us.

2:03:59.680 --> 2:04:01.880
<v Speaker 2>Because all of us got sexy in us. Let's just

2:04:01.960 --> 2:04:09.160
<v Speaker 2>keep it that. That's where. But I'll be sexy, why not?

2:04:11.120 --> 2:04:15.280
<v Speaker 2>But yeah, and shout out to the Men's Health. Yo.

2:04:15.400 --> 2:04:19.800
<v Speaker 1>Yeah, your fifty fifty was very gracious because I'm pretty

2:04:19.800 --> 2:04:22.200
<v Speaker 1>sure that was his cover. And this dude is such

2:04:22.200 --> 2:04:27.440
<v Speaker 1>a marketing genius that yeah fifty is he definitely chess.

2:04:27.720 --> 2:04:30.760
<v Speaker 1>He not check is at all man, and he definitely

2:04:30.840 --> 2:04:31.760
<v Speaker 1>knows what he's doing.

2:04:31.800 --> 2:04:34.040
<v Speaker 2>And ship shout out the fifth fifty.

2:04:37.280 --> 2:04:39.880
<v Speaker 1>Let me just tell you you you you my role model.

2:04:40.520 --> 2:04:46.240
<v Speaker 1>Mm hmmm, solute you my brother. I know you know that,

2:04:46.280 --> 2:04:48.080
<v Speaker 1>but I'm gonna tell it in front of the people.

2:04:48.680 --> 2:04:51.240
<v Speaker 1>You know, if I need advice, I'll call you, I'll

2:04:51.240 --> 2:04:54.600
<v Speaker 1>reach out. You always pick up the phone, always talk

2:04:54.680 --> 2:04:55.000
<v Speaker 1>to me.

2:04:55.400 --> 2:04:57.480
<v Speaker 4>And I just want you to know how I appreciated

2:04:57.600 --> 2:05:02.400
<v Speaker 4>you are in life as a totality, not just not

2:05:02.520 --> 2:05:05.280
<v Speaker 4>just not just who you are as an artist, who

2:05:05.280 --> 2:05:09.680
<v Speaker 4>you are as a man, because our relationship is man relationship.

2:05:10.480 --> 2:05:14.920
<v Speaker 2>I had one because Meth came out one time. Let

2:05:14.960 --> 2:05:17.240
<v Speaker 2>me just tell us, I'm going Keith marry. I was

2:05:17.360 --> 2:05:21.920
<v Speaker 2>finally I finally had my one headlining tour and Meth

2:05:22.080 --> 2:05:25.240
<v Speaker 2>came out on Keith Mary's ship. He started walking on

2:05:25.280 --> 2:05:31.000
<v Speaker 2>people's head. I got that ship from my daughter.

2:05:32.120 --> 2:05:35.200
<v Speaker 4>But we want to tell you we love you. We

2:05:35.240 --> 2:05:37.560
<v Speaker 4>want to tell you how honest we are to have

2:05:37.680 --> 2:05:40.280
<v Speaker 4>you on this show. I'm going to tell you how

2:05:40.320 --> 2:05:43.240
<v Speaker 4>much you mean the hip hop appreciate because you really

2:05:43.400 --> 2:05:46.360
<v Speaker 4>really go appreciate it really and.

2:05:46.320 --> 2:05:48.560
<v Speaker 2>It's transcendent hip hop at this point for sure, and

2:05:48.880 --> 2:05:52.320
<v Speaker 2>Nigga you on everything. Thank you, brother, thank you.

2:05:52.760 --> 2:05:57.200
<v Speaker 1>If I see you selling apple Jack's Waffle's tomorrow, I

2:05:57.240 --> 2:06:00.920
<v Speaker 1>won't be surprised because I'm like, I'm a bottles Apple

2:06:01.000 --> 2:06:02.800
<v Speaker 1>Jacks waffle waffles.

2:06:04.560 --> 2:06:08.800
<v Speaker 4>Because you can do everything, bro, no wrong. Man, don't

2:06:08.840 --> 2:06:10.520
<v Speaker 4>take nothing away from me to tell you how great

2:06:10.520 --> 2:06:13.720
<v Speaker 4>you are it. Don't take nothing away from anything. And

2:06:13.760 --> 2:06:16.040
<v Speaker 4>I just want to say thank you my brother, big

2:06:16.120 --> 2:06:17.520
<v Speaker 4>up James Ellis.

2:06:17.200 --> 2:06:21.040
<v Speaker 1>Yes, sir, salute to this platform too. Man, y'all killing it.

2:06:21.120 --> 2:06:21.440
<v Speaker 2>Thank you.

2:06:21.720 --> 2:06:24.680
<v Speaker 1>I love the fucking platform. And you guys are always

2:06:24.720 --> 2:06:26.400
<v Speaker 1>going to have an audience in my house.

2:06:26.520 --> 2:06:33.560
<v Speaker 2>Thank you. Everybody to get up and make some noise, motherfucker.

2:06:39.080 --> 2:06:42.920
<v Speaker 5>Drink Champs is a Drink Champs LLC production in association

2:06:43.040 --> 2:06:47.400
<v Speaker 5>with Interval Presents hosts and executive producers n O r

2:06:47.480 --> 2:06:51.920
<v Speaker 5>E and dj e f N from Interval Presents executive

2:06:51.920 --> 2:06:56.200
<v Speaker 5>producers Alan Coy and Jake Kleinberg. Listen to Drink Champs

2:06:56.200 --> 2:07:00.520
<v Speaker 5>on Apple Podcast, Amazon Music, Spotify, or wherever you get

2:07:00.560 --> 2:07:04.160
<v Speaker 5>your podcasts. Thanks for joining us for another episode of

2:07:04.240 --> 2:07:06.960
<v Speaker 5>Drink Champs hosted by yours truly, dj E f N

2:07:07.200 --> 2:07:09.360
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2:07:09.440 --> 2:07:11.960
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2:07:12.000 --> 2:07:16.320
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2:07:16.360 --> 2:07:20.040
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2:07:20.120 --> 2:07:22.920
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2:07:23.000 --> 2:07:26.000
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2:07:26.120 --> 2:07:35.040
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