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Speaker 1: He is drinks chants, motherfucking podcast make He's a legendary

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Speaker 1: queens rapper.

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Speaker 2: He ain't segregate as your boy in O R E.

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Speaker 2: He's a Miami hip hop pyoneer.

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Speaker 1: What Up?

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Speaker 2: It's d J E f N. Together they drink it

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Speaker 2: up with some of the biggest players. You me and

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Speaker 2: the most.

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Speaker 3: Professional unprofessional podcast and your number one source for drunk

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Speaker 3: drink chans.

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Speaker 2: MO day is New Year c That's it's time for

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Speaker 2: drink Champs. Drink up? Motherfuck? Would it good? Be hoping?

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Speaker 1: He is?

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Speaker 2: What is to be?

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Speaker 4: This your boy in O R E? What's DJ E

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Speaker 4: f N? And this motherfucking drink Champs? Crazy World Hour?

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Speaker 2: Make some.

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Speaker 4: Whre Me and E Finn started this show. We said

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Speaker 4: we won to base it on legends. This man that

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Speaker 4: we have today, he's not only a legend, he's an icon.

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Speaker 2: He can do anything.

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Speaker 4: I witnessed it, from acting to rapping, to walk in

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Speaker 4: on your hands on stage.

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Speaker 2: To fight and crime that night like Batman last night. Right,

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Speaker 2: he can do it all. I literally sint it.

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Speaker 4: We literally we went through his whole discography and literally

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Speaker 4: we didn't we could we The records just kept going,

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Speaker 4: kept going.

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Speaker 2: We didn't.

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Speaker 4: We didn't have to play a record over and over

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Speaker 4: because this guy really has classics. This guy is really

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Speaker 4: a legend, he's really an icon. He's really and one

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Speaker 4: of the most humblest people I know, but he is

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Speaker 4: a goddamn king. And in case you don't know who

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Speaker 4: the fuck we talking about, were talking about the one.

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Speaker 2: So if you want to, you want to all, did

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Speaker 2: you go to the.

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Speaker 1: Hotel or well, I'm on this hotel came. Yeah, the

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Speaker 1: writers strike helped the Screen Actors Guild. The actors strike help.

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Speaker 1: I just want everybody to get their money. I will

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Speaker 1: never block anybody from a check, but it always feels

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Speaker 1: good to be able to work. And we got grips

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Speaker 1: lighting guys. I mean, everybody's going to come out on

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Speaker 1: the other and I hope better than they were left off.

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Speaker 2: You know what I'm saying.

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Speaker 4: Yeah, because I went to the show in Paris and

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Speaker 4: I was I was telling but I went to the

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Speaker 4: show in Paris and one thing that I was amazed

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Speaker 4: about it was it wasn't like Knives was coming out

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Speaker 4: and then Wu Tang was coming out. It's like almost

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Speaker 4: sharing the stage. It felt like a mixtape. I was

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Speaker 4: sitting there and I could not hold myself.

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Speaker 2: Like.

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Speaker 4: I sat there and I sweated, like I'm sweating right now.

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Speaker 4: I fucking yelled to the top of my lungs. I

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Speaker 4: was sitting there and this is this is a real

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Speaker 4: put to the tour. So you wasn't on that first

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Speaker 4: leg at.

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Speaker 1: I wasn't on the first leg of the tour, which

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Speaker 1: is why, like I can't even give away how to

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Speaker 1: how the show goes. But I'm not as upfront as

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Speaker 1: the other guys are because the way the show was patterned.

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Speaker 1: Rizza put the show together. By the way, the way

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Speaker 1: it was pattern was like a play. Okay, so you

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Speaker 1: have act one, Act two, Act three, Act four, and

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Speaker 1: so on and so forth. We added day Lot soul.

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Speaker 1: That's a that's a major bump right there.

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Speaker 2: You know what I mean. I think dudes added day

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Speaker 2: Lost soul. Jesse Cage. The crowd gets soggy because daylight, man.

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Speaker 1: I mean, yeah, you're talking about performance like shout out

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Speaker 1: to truegy Dove, you know what I mean. Rest in Paradise, brother,

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Speaker 1: you know what I mean. But yeah, I'm happy to

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Speaker 1: have them there. Tylerb is with us too as well,

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Speaker 1: and you know it's always good to be around the fellas,

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Speaker 1: let's work. Hell yeah, we got more people there. Hell yeah.

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Speaker 4: Man, I ain't gonna lie, like I know you said,

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Speaker 4: you know, you can't blow it up, But I was there.

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Speaker 4: I went to the show and I was so impressed.

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Speaker 4: Like it's so I'm dope to see our groups.

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Speaker 1: Uh yeah, seasons, you know what what I'm saying, Like

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Speaker 1: like I'll go to a every now and then I'll

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Speaker 1: go to go check out a new artist and I'll

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Speaker 1: see that they're developing.

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Speaker 2: But once you have an artist like Wu and Nas

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Speaker 2: has experienced this experience, and.

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Speaker 4: It's like and it's crazy because because every time I

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Speaker 4: see you on stage, man, it feels like you just

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Speaker 4: belong there.

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Speaker 2: I'll be happy to be there. Man. I love performing.

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Speaker 2: You still love performing. Look at you. It's as fun

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Speaker 2: as you make it, you know what I mean.

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Speaker 1: And especially with my guys Wu Tang, I just love

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Speaker 1: being on stage with them because I remember where we

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Speaker 1: started at and every now and then, I gotta shake

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Speaker 1: it off because I'm looking at you know, us as teenagers,

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Speaker 1: and I'm looking at it and I'm.

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Speaker 2: Just like enjoyed in my heart to see where we

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Speaker 2: came from, to see where we're at right there and stuff.

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Speaker 1: It's like, man, I used to see you walk around

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Speaker 1: the same dirty ass sneakers. Now you pulling up in

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Speaker 1: the maybox. That is so dope.

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Speaker 4: So we saved this with quick Time with Slim. Well,

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Speaker 4: I want to ask you off top, so what do

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Speaker 4: you like more? Performing or making the record?

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Speaker 2: Damn?

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Speaker 1: They both like the same to me, because it's being

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Speaker 1: creative and that's what I am. You know, I go

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Speaker 1: beyond artists. I like to call us creatives because that's

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Speaker 1: what we do. We start with a blank slaton, whatever

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Speaker 1: it is, that's what it's going to be, right, I

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Speaker 1: don't know.

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Speaker 2: I mean just being in the studio, the studio atmosphere,

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Speaker 2: I don't really like it. You don't like being in

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Speaker 2: the studio.

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Speaker 1: No. I like to write in the comforts of my

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Speaker 1: own home, or, believe it or not, the front seat

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Speaker 1: of a vehicle, moving vehicle.

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Speaker 2: I like to write there as well. It got to

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Speaker 2: be moving. Yeah. Wow.

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Speaker 1: A lot of my writing was done like that because

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Speaker 1: I think the fact that my album, my first album,

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Speaker 1: was literally destroyed in the flood. A lot of the

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Speaker 1: writing and stuff I had to do while Wu Tang

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Speaker 1: was promoting the first album. So we was down south

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Speaker 1: West so all that, and while these guys were going

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Speaker 1: to the after party, I was in the studio recording so.

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Speaker 2: Much so your first solo.

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Speaker 5: He just said that, like what did you destroying that flood.

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Speaker 2: The whole everything. We're the majority of it.

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Speaker 1: So RIZ had to remake a lot of the tracks

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Speaker 1: and I had to re record.

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Speaker 2: Did you change anything about the album? Like? Was how

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Speaker 2: different was it from the original?

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Speaker 1: Only one that changed somewhat? It sounded better when I

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Speaker 1: originally done it was stimulation. The night that I did it,

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Speaker 1: we had performed. Like I said, I was coming right

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Speaker 1: off the stage going right into the studio. And I

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Speaker 1: remember this studio in particular when I did it because

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Speaker 1: one of.

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Speaker 2: The dudes from Troup was there.

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Speaker 1: True matter of fact, the lead singer dude, a little

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Speaker 1: short one and uh, you know uh, And I remember

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Speaker 1: the popper stopper had like the hang at the hangar

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Speaker 1: with the stocking wrap, the you know what I mean.

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Speaker 1: We just caught the ship like that, that kind of ship,

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Speaker 1: don't know, don't know. Theof was the size of a

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Speaker 1: small closet in the in the projects period.

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Speaker 2: But I got it done. I got it done.

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Speaker 1: If people knew what I went through to get that

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Speaker 1: four mic album, and they gave me four mics in

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Speaker 1: the source.

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Speaker 2: I wasn't mad at it. I wouldn't felt like like

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Speaker 2: from me.

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Speaker 4: So I always wanted to ask you because we were

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Speaker 4: playing this record earlier and they said you hate this record?

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Speaker 2: What record was? It? Was? It me? Yeah, that's what

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Speaker 2: I heard.

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Speaker 5: I saw an old interview where you had said you

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Speaker 5: didn't really like the record. You had to be convinced

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Speaker 5: of it.

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Speaker 1: Yeah, But over the years I learned to love it.

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Speaker 1: I like, when I wrote Met the Man, I was

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Speaker 1: like fifteen, sixteen years sixteen, seventeen years young.

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Speaker 2: Niggas got no excuse for real. We were you out

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Speaker 2: here making for falling years old?

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Speaker 1: I mean we weren't back then. We wasn't writing verses.

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Speaker 1: We was writing songs. We had verses with hooks, you

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Speaker 1: know what I mean. We had routines all that shit.

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Speaker 1: But we was doing it for nothing, you know, just

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Speaker 1: to impress the people around our way.

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Speaker 2: So yeah, man, like it was it was real back then.

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Speaker 1: B you know, so you you you didn't like it

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Speaker 1: at first. I just it was the rhyms.

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Speaker 2: It was the rhymes.

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Speaker 1: I thought they were a bit dated, but the date,

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Speaker 1: the updated part.

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Speaker 2: Of it was the hook. Now my mind works crazy.

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Speaker 1: I don't know where I heard these records before, but

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Speaker 1: it was etched in my head. Hey, you get off

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Speaker 1: my cloud. You don't know me, you don't know myself.

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Speaker 1: Hey you get off my cloud?

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Speaker 2: Who is that?

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Speaker 1: Hey you get off of my cloud? Right now? Now,

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Speaker 1: I think that's Boosy Boosey Collins. But it was stuck

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Speaker 1: in my head right So when I got by the

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Speaker 1: time I got to the m E t h O

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Speaker 1: d Man, that was already etched in my head from

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Speaker 1: you know, m E t h O d oh ov.

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Speaker 2: Big hauling oce Holy. The man part came from Ask.

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Speaker 1: It's one of my favorite records, was music Man, The

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Speaker 1: Music Man.

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Speaker 2: So it's m E t h O d Man. So

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Speaker 2: you put like three songs together and made censorship years old.

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Speaker 1: Yeah, yeah, and no no, I was like sixteen seventeen.

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Speaker 1: The other hook part, I got that bad. That's the Beatles.

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Speaker 6: He's got yo, holy shit.

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Speaker 2: Because I've lived in area.

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Speaker 1: Remember, like we didn't have back in the day when

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Speaker 1: we were short these we didn't have like video music box,

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Speaker 1: you know, video jukebox and the closest thing that we

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Speaker 1: could get to see in hip hop videos was never

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Speaker 1: really if you think about it. So the videos that

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Speaker 1: we did see was top forty countdowns out of rock

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Speaker 1: and Roll, Got.

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Speaker 2: A rock and Roll.

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Speaker 1: I remember I was a big bon Jovi fan. You

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Speaker 1: give the bad then they came up with the wanted that.

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Speaker 1: I was like, John won Jovi is a bad motherfucker. Yeah.

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Speaker 2: I found that we were born on the same day. It

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Speaker 2: was over great record, The Holy and you said you

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Speaker 2: wanted to ask about the songs.

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Speaker 4: You know what's crazy. I had never knew, like I

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Speaker 4: had always debated what had dropped first? Was it protect

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Speaker 4: your neck?

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Speaker 1: Protect or medad Man was already done. I like, I

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Speaker 1: sat there and watched Rizid make the beat. I sat

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Speaker 1: there and watched Rizad make the beat for Wo tenk

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Speaker 1: Clan ain't nothing to fuck with. Like I was sitting

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Speaker 1: there while he was going through the joints. I don't

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Speaker 1: want to give it where they know what the samples

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Speaker 1: are there.

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Speaker 2: Yeah, you know he.

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Speaker 1: Had a fucking record of cartoon classics and that's where

224
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Speaker 1: the Underdog sample came from, right, and the medic Man

225
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Speaker 1: sample was I don't know if it's a woman tell

226
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Speaker 1: that either you know, and the sample is so small

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Speaker 1: you you won't be able to find it. Wow, for method, man,

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Speaker 1: you won't be able to find that motherfucker. So you know,

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Speaker 1: I was around for some shit, nigga that shit, but

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Speaker 1: always well protecting that contraded. I had read somewhere that

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Speaker 1: people misconscrewed my words and thought that I paid one

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Speaker 1: hundred dollars to get into.

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Speaker 2: The Wu Tang. Yeah. Now the story goes.

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Speaker 1: Like this, Rizza was putting together this song, cor protecting

235
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Speaker 1: that well, wasn't carp protecting neck then, but he was

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Speaker 1: putting together the song, and he said, bring one hundred

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Speaker 1: dollars to the studio. They had already paid for the studio.

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Speaker 1: They were trying to get some of their money back,

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Speaker 1: so they tried to get every man to bring a

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Speaker 1: hundred dollars to the studio. And I said, honestly, I

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Speaker 1: think me and you God the only niggas that brought

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Speaker 1: one hundred dollars.

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Speaker 2: Say shit, They just kept the money and shit.

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Speaker 1: But you know, out of it came a dope ass

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Speaker 1: motherfucker getting shit, you know what I'm saying, and contraded

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Speaker 1: what people think. No, we did not pay to get

247
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Speaker 1: into the group. We all grew up around each other,

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Speaker 1: from teenagers like pre teenagers to adults.

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Speaker 2: You know what I'm saying. So yeah, so let me.

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Speaker 4: Ask you, because you was the first that was that

251
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Speaker 4: was he was the first one.

252
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Speaker 2: With a solo record, the first one to sign the documentary.

253
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Speaker 4: He was the first one to the first one to

254
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Speaker 4: say he was the last one to lay the last

255
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Speaker 4: verse on on on on the first what was it?

256
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Speaker 1: And the show says that told you was the first

257
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Speaker 1: one to sign the contract to start it off.

258
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Speaker 5: It was the last one to start the first of

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Speaker 5: the second album forever.

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Speaker 2: To end a contract.

261
00:12:26,160 --> 00:12:36,120
Speaker 1: Oh, I didn't know that that was.

262
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Speaker 2: I ain't know.

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Speaker 1: I honestly, I know we had a contract ship that

264
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Speaker 1: could end. Honestly, let me finish the sin and I

265
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Speaker 1: know we had a contract that could end in ship,

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Speaker 1: you know, brotherhood forever and ship. And it's like Rizzi

267
00:12:47,400 --> 00:12:51,080
Speaker 1: has given ri has given us way more than we

268
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Speaker 1: ever could have dreamed of, and we've given him the same.

269
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Speaker 2: As a collective. You'll never see anything like this.

270
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Speaker 1: And you know, and I'm not it's not a brag,

271
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Speaker 1: It's just I'm.

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Speaker 4: Just letting you know that I'm ragging me, I'm bragging

273
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Speaker 4: for you. Yes, it would never be another Wu.

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Speaker 1: Tang, the cohesion and just the the I would like

275
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Speaker 1: to call it clutch genius because we had no idea

276
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Speaker 1: what we were doing when we were, you know, just

277
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Speaker 1: freestyling for fun, going to the house, making tapes on

278
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Speaker 1: the on the just on the fly, you know what

279
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Speaker 1: I mean. Some dudes had just started rhyming for like

280
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Speaker 1: two years and got nice just being around that atmosphere

281
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Speaker 1: kind of thing, you know. And to have him have

282
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Speaker 1: a vision to put all of that to I mean,

283
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Speaker 1: this is like frantic shit.

284
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Speaker 2: Nobody like when you heard.

285
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Speaker 1: Only people that that I can think that came close,

286
00:13:38,400 --> 00:13:40,760
Speaker 1: and they came before us was n w A. When

287
00:13:40,800 --> 00:13:43,679
Speaker 1: you heard the NWA album, you expected to hear all

288
00:13:43,720 --> 00:13:45,920
Speaker 1: of them on each record, but you didn't. Sometimes you

289
00:13:46,040 --> 00:13:49,200
Speaker 1: just got easy. Sometimes you got ice Cube and Brand,

290
00:13:49,240 --> 00:13:51,520
Speaker 1: you know, or just Dre and Cube and you know

291
00:13:51,559 --> 00:13:54,280
Speaker 1: what I mean, and really did that same ship. But

292
00:13:54,440 --> 00:13:56,559
Speaker 1: it was more clutch genius than anything because we had

293
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Speaker 1: these records for years before anybody even heard these ships.

294
00:14:00,320 --> 00:14:03,079
Speaker 1: So he put them all together and made him sound

295
00:14:03,080 --> 00:14:05,280
Speaker 1: like it was a complete fucking apple. This is why

296
00:14:05,400 --> 00:14:08,440
Speaker 1: method Man is a solo record on a fucking on

297
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Speaker 1: a protecting neck on the flip side of.

298
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Speaker 4: It, and s because that's my host. Yeah, question the

299
00:14:13,520 --> 00:14:17,080
Speaker 4: leader of the wang. What launched you in that way?

300
00:14:18,040 --> 00:14:20,080
Speaker 4: You know what's crazy on that? On that record, the

301
00:14:20,120 --> 00:14:22,920
Speaker 4: first thing you say, you could tell that you wanted

302
00:14:22,920 --> 00:14:24,400
Speaker 4: to shout out your crew. The first thing you do

303
00:14:24,440 --> 00:14:25,240
Speaker 4: is shout out your crew.

304
00:14:25,680 --> 00:14:27,920
Speaker 2: Off top. It might have said method man, but one

305
00:14:27,920 --> 00:14:29,120
Speaker 2: thing I noticed is off.

306
00:14:29,080 --> 00:14:32,200
Speaker 1: Top orchestrated that part of it. But I probably would

307
00:14:32,240 --> 00:14:33,880
Speaker 1: have did that ship anyway. And Justus is the one

308
00:14:33,880 --> 00:14:36,280
Speaker 1: who actually said it. He did the breakdown of it

309
00:14:36,320 --> 00:14:39,400
Speaker 1: and ship word, that's us. That's just a that's the

310
00:14:39,560 --> 00:14:43,320
Speaker 1: just a mac and he was good at that. Nah,

311
00:14:43,400 --> 00:14:45,880
Speaker 1: that was just that was just a holy because you've

312
00:14:45,920 --> 00:14:50,800
Speaker 1: been the way too many ships, I'd be saying that part.

313
00:14:51,160 --> 00:14:52,560
Speaker 2: I definitely be saying that far.

314
00:14:53,320 --> 00:14:59,000
Speaker 4: So you got a chance to work with Tupac and Biggie. Yeah, yeah,

315
00:14:59,040 --> 00:14:59,880
Speaker 4: how crazy is that?

316
00:15:00,200 --> 00:15:01,960
Speaker 1: Well it would have been crazy if Plock would have

317
00:15:02,000 --> 00:15:02,920
Speaker 1: actually been there.

318
00:15:03,560 --> 00:15:04,480
Speaker 2: Now we're big.

319
00:15:05,040 --> 00:15:07,400
Speaker 1: I remember Tracy Waples came and picked me up, scooped

320
00:15:07,400 --> 00:15:10,920
Speaker 1: me up, and the word was amongst the crew because

321
00:15:10,920 --> 00:15:13,480
Speaker 1: we was getting hot. We had some traction and Rizz's

322
00:15:13,600 --> 00:15:16,440
Speaker 1: smart motherfucker. I mean, people don't give them enough credit.

323
00:15:17,160 --> 00:15:18,720
Speaker 1: Didn't want you to do the record, right, he did

324
00:15:18,720 --> 00:15:21,200
Speaker 1: not want us to do any records with anybody outside

325
00:15:21,200 --> 00:15:21,560
Speaker 1: of the clan.

326
00:15:21,680 --> 00:15:22,240
Speaker 2: Keep the money on.

327
00:15:27,240 --> 00:15:29,520
Speaker 1: It's just genius to it because when you got when

328
00:15:29,560 --> 00:15:31,680
Speaker 1: your name is hot, why would you want to spread

329
00:15:31,720 --> 00:15:32,600
Speaker 1: your money?

330
00:15:33,760 --> 00:15:34,800
Speaker 2: So you you bring it.

331
00:15:34,960 --> 00:15:38,760
Speaker 1: But in my defense, I'm thinking, well, if I kill

332
00:15:38,800 --> 00:15:39,920
Speaker 1: this record, their.

333
00:15:39,720 --> 00:15:40,920
Speaker 2: Fans are now our fans.

334
00:15:41,000 --> 00:15:45,040
Speaker 1: Yes, So Tracy Waple comes scoops me up, I go

335
00:15:45,080 --> 00:15:48,240
Speaker 1: do the record. Biggie is mad funny. This is like

336
00:15:48,240 --> 00:15:49,920
Speaker 1: my second time. The first time I met him was

337
00:15:49,920 --> 00:15:53,200
Speaker 1: outside the Meuse. We all performed there that night. We

338
00:15:53,280 --> 00:15:56,320
Speaker 1: performed Big Perform. Yo Yo performed that night as well,

339
00:15:56,800 --> 00:15:58,280
Speaker 1: and that was the first time I seen Big Due

340
00:15:58,280 --> 00:15:59,120
Speaker 1: party in bullshit.

341
00:15:59,360 --> 00:15:59,480
Speaker 2: Now.

342
00:15:59,520 --> 00:16:00,920
Speaker 1: The reason why knew it was big because he had

343
00:16:00,920 --> 00:16:05,200
Speaker 1: on the big shirt. Now back then, now, back then.

344
00:16:05,320 --> 00:16:07,800
Speaker 1: If you wore a fucking shirt in the video and

345
00:16:07,880 --> 00:16:09,720
Speaker 1: it was your first video and you a new artist,

346
00:16:10,280 --> 00:16:12,680
Speaker 1: you were seeing in that ship everywhere for the next

347
00:16:12,720 --> 00:16:15,360
Speaker 1: few weeks. Ain't no lie, no lie. I wore a

348
00:16:15,360 --> 00:16:17,560
Speaker 1: lot of my ship like that. All I need ship

349
00:16:17,920 --> 00:16:20,480
Speaker 1: to fucking bring the pain lever. That ship went.

350
00:16:20,320 --> 00:16:21,360
Speaker 2: Everywhere with you niggas.

351
00:16:21,560 --> 00:16:24,480
Speaker 1: Think about it, Okay, think about it. There's live footage

352
00:16:24,600 --> 00:16:28,160
Speaker 1: at the Roxy Puppy's birthday party. I got the leather on,

353
00:16:29,080 --> 00:16:33,640
Speaker 1: live footage right Wutang performing in Long Island. I got

354
00:16:33,640 --> 00:16:38,800
Speaker 1: the leather on. Bring the pain video let on like

355
00:16:38,920 --> 00:16:40,560
Speaker 1: guess me, oh yeah that got to be and we

356
00:16:40,560 --> 00:16:42,440
Speaker 1: got the leather on. But let's me ask you because

357
00:16:42,480 --> 00:16:44,000
Speaker 1: you said something. You said Pop wasn't there.

358
00:16:44,160 --> 00:16:46,320
Speaker 2: No, he wasn't there. Pack was in jail. That was

359
00:16:46,360 --> 00:16:47,480
Speaker 2: for the Dog Pound album.

360
00:16:47,560 --> 00:16:51,160
Speaker 1: That was for Dad and death Bro was so tight

361
00:16:51,280 --> 00:16:55,400
Speaker 1: that when Pot came home they gave him the record

362
00:16:55,640 --> 00:16:57,680
Speaker 1: because they you know, it was like come home pocketing.

363
00:16:57,720 --> 00:16:59,280
Speaker 2: When he came home, they was like, here it is,

364
00:16:59,600 --> 00:17:01,520
Speaker 2: whatever you want, We got it now was the East

365
00:17:01,560 --> 00:17:02,880
Speaker 2: Coast time.

366
00:17:03,040 --> 00:17:06,040
Speaker 1: No, I never got any flag. Nobody says ship to

367
00:17:06,119 --> 00:17:06,960
Speaker 1: me about that ship.

368
00:17:07,200 --> 00:17:08,920
Speaker 2: Nothing. Let me tell you something about we'll take you

369
00:17:10,920 --> 00:17:12,080
Speaker 2: for one all right.

370
00:17:12,119 --> 00:17:16,280
Speaker 1: You know it's non ten members, ten members, okay, but

371
00:17:16,520 --> 00:17:20,240
Speaker 1: they don't know that tim members got family. Members were

372
00:17:20,240 --> 00:17:24,320
Speaker 1: from everywhere. We're from everywhere. We got family. Wait, even

373
00:17:24,359 --> 00:17:26,280
Speaker 1: though we had ship, but we from everywhere. So it's

374
00:17:26,320 --> 00:17:29,000
Speaker 1: like if somebody did feel a certain kind of way,

375
00:17:29,000 --> 00:17:31,800
Speaker 1: it was rectified really fast, really fucking fast. But I

376
00:17:31,880 --> 00:17:34,440
Speaker 1: never got any beef whatever. Me and Big was still cool.

377
00:17:34,440 --> 00:17:37,119
Speaker 1: Big never looked at it in any weird kind of

378
00:17:37,119 --> 00:17:39,280
Speaker 1: more fucking way and ship and you know when I

379
00:17:39,320 --> 00:17:40,840
Speaker 1: finally did run in the park.

380
00:17:40,760 --> 00:17:41,919
Speaker 2: The record wasn't even mentioned.

381
00:17:44,040 --> 00:17:47,560
Speaker 1: Go ahead, man, okay, all right, So this ship going

382
00:17:47,600 --> 00:17:51,120
Speaker 1: on with the East Coast West Coast ship. I fly

383
00:17:51,240 --> 00:17:55,480
Speaker 1: out to Cali that day for Soul Trained like everybody did. Okay,

384
00:17:55,960 --> 00:17:58,240
Speaker 1: Soul Training awards happening. I get on the plane. I'm

385
00:17:58,280 --> 00:18:03,320
Speaker 1: in first class. Shure he leaving from New York, and

386
00:18:03,320 --> 00:18:07,560
Speaker 1: I'm like, well, wow, that's that's interesting. You know, first

387
00:18:07,600 --> 00:18:09,760
Speaker 1: class from New York to l A. From New York

388
00:18:09,800 --> 00:18:12,119
Speaker 1: to l A. Yes, okay, he ain't say ship to

389
00:18:12,200 --> 00:18:16,120
Speaker 1: me either. He says ship to me anyway, No, he did.

390
00:18:16,119 --> 00:18:17,320
Speaker 1: When he got off the plane, though he did the

391
00:18:17,320 --> 00:18:20,320
Speaker 1: het nod that shug ship. He was like walked off

392
00:18:20,320 --> 00:18:22,480
Speaker 1: the plane, you know what I mean. I didn't even

393
00:18:22,520 --> 00:18:27,200
Speaker 1: say ship back though. It was like, but long story short,

394
00:18:27,920 --> 00:18:29,080
Speaker 1: and that means it's gonna be longer.

395
00:18:30,000 --> 00:18:32,000
Speaker 2: I'm in House of Blues.

396
00:18:32,040 --> 00:18:33,320
Speaker 1: This is way he used to do the Soul Trade

397
00:18:33,600 --> 00:18:36,280
Speaker 1: party every day. Yeah, right there on the strip they

398
00:18:36,400 --> 00:18:39,640
Speaker 1: do the Soul Train party. I'm up in here right now.

399
00:18:39,680 --> 00:18:42,159
Speaker 1: I'm on mushrooms like a motherfucker.

400
00:18:43,760 --> 00:18:45,160
Speaker 2: That's what they was doing out there.

401
00:18:48,840 --> 00:18:53,960
Speaker 1: I'm in here like this, and I mean it didn't

402
00:18:54,040 --> 00:18:56,760
Speaker 1: hit me, hit me like because you know, we got

403
00:18:56,760 --> 00:18:59,080
Speaker 1: a force fielder time, we got force field around it.

404
00:18:59,080 --> 00:19:02,880
Speaker 2: But I'm by myself. Uh, it didn't hit me while

405
00:19:02,920 --> 00:19:03,520
Speaker 2: I'm in the.

406
00:19:03,400 --> 00:19:05,600
Speaker 1: Club, in the House of Blues till I saw Puff

407
00:19:06,119 --> 00:19:07,920
Speaker 1: and Saint a slight against Puff. But it was like

408
00:19:08,080 --> 00:19:11,320
Speaker 1: I see Puffy and I see Puffy with like six bodyguards.

409
00:19:11,560 --> 00:19:12,240
Speaker 2: Then it hit me.

410
00:19:12,960 --> 00:19:17,680
Speaker 1: It was like, wait a minute, Yeah, the whole, the whole,

411
00:19:17,960 --> 00:19:21,040
Speaker 1: the whole, everything, everything, the situation, everything.

412
00:19:20,760 --> 00:19:25,359
Speaker 2: Everything right there is bliss like a motherfucker.

413
00:19:26,000 --> 00:19:29,360
Speaker 1: But I see Puffy coming and mind you, Puff don't

414
00:19:29,400 --> 00:19:31,880
Speaker 1: speak to me. No, he speaks to me, But he

415
00:19:31,960 --> 00:19:34,600
Speaker 1: never speaks to me like this embraced.

416
00:19:34,160 --> 00:19:36,439
Speaker 2: Map for something. Did he have a shiny shuit on? No,

417
00:19:36,480 --> 00:19:38,280
Speaker 2: you have a shiny shit on Puff, that on all black.

418
00:19:39,240 --> 00:19:40,720
Speaker 2: But he's on point. You can on point.

419
00:19:41,119 --> 00:19:42,720
Speaker 1: He ain't the drink, none of that ship. But he

420
00:19:42,760 --> 00:19:45,760
Speaker 1: had all these niggas with them, bodyguard niggas. So now

421
00:19:45,760 --> 00:19:49,720
Speaker 1: it's like, oh, ship, I slided my ass. Now I'm

422
00:19:49,720 --> 00:19:51,600
Speaker 1: looking around to see if anybody saw me speak to

423
00:19:51,640 --> 00:19:54,200
Speaker 1: this motherfucker and saw that ship. Right, And don't ask

424
00:19:54,240 --> 00:19:56,880
Speaker 1: me why I'm thinking that. It's just I don't want

425
00:19:56,880 --> 00:19:59,399
Speaker 1: to be on anybody fucking radar at this point.

426
00:19:59,480 --> 00:19:59,600
Speaker 2: Right.

427
00:20:01,600 --> 00:20:03,239
Speaker 1: So I'm up and you know, I remember how they

428
00:20:03,280 --> 00:20:05,360
Speaker 1: had the food booths and you know, you can sit

429
00:20:05,440 --> 00:20:06,960
Speaker 1: up in the bar. So I'm sitting up on top

430
00:20:07,000 --> 00:20:09,119
Speaker 1: of the booth, sitting like this, right, and I'm in

431
00:20:09,160 --> 00:20:10,879
Speaker 1: my head like crazy, and I was like, did that

432
00:20:11,000 --> 00:20:13,919
Speaker 1: just happened? Because Puff's never that nice to me. I

433
00:20:13,960 --> 00:20:15,400
Speaker 1: mean he's nice, but he's.

434
00:20:15,240 --> 00:20:20,000
Speaker 2: Never that nice to me. You got play with? Is

435
00:20:20,320 --> 00:20:20,879
Speaker 2: that everything?

436
00:20:20,880 --> 00:20:22,880
Speaker 1: I'm in the club down that see Puffy come through,

437
00:20:22,920 --> 00:20:23,800
Speaker 1: And now it's like, oh.

438
00:20:23,640 --> 00:20:29,080
Speaker 2: Ship, he's going okay, Oh he's damn Puffy.

439
00:20:29,560 --> 00:20:31,159
Speaker 1: Like I said, I slid up in a booth like this.

440
00:20:31,240 --> 00:20:33,640
Speaker 1: Now I'm just sitting there. I'm fucked up off these rooms.

441
00:20:33,680 --> 00:20:36,560
Speaker 1: Now I'm at the utmost point here, the peak of

442
00:20:37,200 --> 00:20:41,440
Speaker 1: shroom high and I'm sitting there and shipping. It's like

443
00:20:42,600 --> 00:20:47,600
Speaker 1: and I hear math math now look and it's Latifa.

444
00:20:48,280 --> 00:20:50,159
Speaker 1: She's like, what the fuck are you doing up in

445
00:20:50,200 --> 00:20:50,720
Speaker 1: that corner?

446
00:20:50,880 --> 00:20:54,320
Speaker 2: Come here. I snapped out of that. I was good

447
00:20:54,359 --> 00:20:56,760
Speaker 2: the rest of the night. After that, shout after you, Dan,

448
00:20:56,920 --> 00:21:01,880
Speaker 2: I love you, I love you. After that, I was like, shit,

449
00:21:01,960 --> 00:21:02,520
Speaker 2: we good.

450
00:21:03,080 --> 00:21:07,440
Speaker 1: Good niggah. So the end of the night happens, all

451
00:21:07,520 --> 00:21:13,800
Speaker 1: lights come on, I'm leaving. Turn around Tupac in the

452
00:21:13,840 --> 00:21:16,960
Speaker 1: same club. Yeah, the whole night. I had no idea though,

453
00:21:17,400 --> 00:21:21,399
Speaker 1: but turn around his pocket ship. Now he's telling me

454
00:21:21,440 --> 00:21:24,040
Speaker 1: about something, some incident that happened with Rizide in Vegas,

455
00:21:24,160 --> 00:21:26,720
Speaker 1: and if he was there, it probably wouldn't It definitely

456
00:21:26,720 --> 00:21:27,400
Speaker 1: wouldn't have happened.

457
00:21:27,400 --> 00:21:28,960
Speaker 2: Blah blah blah. Spoke to the piles that be.

458
00:21:29,440 --> 00:21:33,359
Speaker 1: Basically, he was saying, if there's anybody we would funking

459
00:21:33,440 --> 00:21:35,320
Speaker 1: on the East coast, it'll be Wu Tang.

460
00:21:35,640 --> 00:21:36,200
Speaker 2: You know what I mean.

461
00:21:36,640 --> 00:21:39,919
Speaker 1: This is letting us know and anybody that was in

462
00:21:40,000 --> 00:21:41,600
Speaker 1: the know know that it wasn't the East coast West

463
00:21:41,600 --> 00:21:41,960
Speaker 1: Coast thing.

464
00:21:42,160 --> 00:21:43,399
Speaker 2: Bad boy death roa.

465
00:21:43,560 --> 00:21:47,960
Speaker 1: Okay, he started saying something else, but I'm not really

466
00:21:47,960 --> 00:21:50,879
Speaker 1: listening because I'm looking at the death row piece on

467
00:21:50,960 --> 00:21:53,160
Speaker 1: his chain and this is my first time eating Park,

468
00:21:53,200 --> 00:21:55,080
Speaker 1: so I'm like, oh shit, this fucking tupac. Look at

469
00:21:55,119 --> 00:21:59,800
Speaker 1: that fucking change. And he remember looking up and he

470
00:22:00,040 --> 00:22:02,600
Speaker 1: finished what he was saying. I was like, yeah, you know, men,

471
00:22:02,600 --> 00:22:04,679
Speaker 1: come to the table. We talked all right, peace And

472
00:22:04,720 --> 00:22:06,520
Speaker 1: I remember looking at Sugar and he got the cigar

473
00:22:06,720 --> 00:22:13,320
Speaker 1: like this and he's like nothing, nothing, No, it'spread, just

474
00:22:14,000 --> 00:22:17,359
Speaker 1: the man stow it because the cameras is on Nigga ship,

475
00:22:17,400 --> 00:22:18,280
Speaker 1: he and sug.

476
00:22:18,040 --> 00:22:18,680
Speaker 2: Mold and ship.

477
00:22:18,760 --> 00:22:22,680
Speaker 1: So I'm like, yeah, walk out, we get out front

478
00:22:22,680 --> 00:22:25,840
Speaker 1: and ship and no live man. I remember being in

479
00:22:25,880 --> 00:22:28,399
Speaker 1: the back of Pink Dot in that alley where you

480
00:22:28,400 --> 00:22:30,520
Speaker 1: know what Pink Dot is right up the block, and

481
00:22:30,560 --> 00:22:32,719
Speaker 1: we sat there and was discussing that whole night of

482
00:22:32,760 --> 00:22:36,160
Speaker 1: how that ship was so fucking weird, you and Park, No,

483
00:22:36,280 --> 00:22:38,560
Speaker 1: oh you, me and the people. I was like, okay, okay, okay,

484
00:22:38,640 --> 00:22:41,119
Speaker 1: how that ship was just so fucking weird and the

485
00:22:41,160 --> 00:22:44,560
Speaker 1: party and all that shit happened like that Latifa like.

486
00:22:44,880 --> 00:22:47,199
Speaker 2: Nigga, what are you doing? The mushrooms right, It was

487
00:22:47,240 --> 00:22:48,600
Speaker 2: definitely the mushroom.

488
00:22:52,600 --> 00:22:54,360
Speaker 1: Shut out the pink Dot, but that you know, that's

489
00:22:54,400 --> 00:22:57,359
Speaker 1: my pox story and ship. Now I didn't You didn't

490
00:22:57,359 --> 00:22:59,919
Speaker 1: se him after that record? Never, He never said they

491
00:23:00,080 --> 00:23:02,000
Speaker 1: you're looking for the No, never, because you had to

492
00:23:02,040 --> 00:23:04,440
Speaker 1: clear that honestly, Yeah, but I had cleared it.

493
00:23:04,359 --> 00:23:09,000
Speaker 2: For dog Pounds guys in corrupt my nigga. So the

494
00:23:09,040 --> 00:23:09,480
Speaker 2: way that.

495
00:23:09,359 --> 00:23:12,280
Speaker 1: Ship ended up on the record, they were playing it

496
00:23:12,280 --> 00:23:14,520
Speaker 1: in New York. I didn't feel any kind of way

497
00:23:14,560 --> 00:23:15,920
Speaker 1: about it because I killed my verse, so I didn't

498
00:23:15,960 --> 00:23:16,199
Speaker 1: give a.

499
00:23:16,200 --> 00:23:17,760
Speaker 2: Fuck what anybody thought any fucking way.

500
00:23:17,760 --> 00:23:19,639
Speaker 1: But they were playing it in New York, and that

501
00:23:19,760 --> 00:23:21,159
Speaker 1: was the first time I heard it. I had no

502
00:23:21,240 --> 00:23:24,200
Speaker 1: idea Pok was on the ship really right because of

503
00:23:24,280 --> 00:23:26,920
Speaker 1: the part that park rhyme. Then that was ragees verse

504
00:23:27,800 --> 00:23:30,480
Speaker 1: and then I get rage because it was a dog

505
00:23:30,520 --> 00:23:33,280
Speaker 1: Pound record and Decks verse.

506
00:23:33,119 --> 00:23:34,880
Speaker 2: Wasn't on there, so I was like, wow, that's that's

507
00:23:34,920 --> 00:23:35,720
Speaker 2: that's interesting.

508
00:23:36,040 --> 00:23:38,160
Speaker 4: So originally it was it was it was a Wu

509
00:23:38,200 --> 00:23:42,080
Speaker 4: Tang collab with It was just, uh, let's put this way.

510
00:23:42,359 --> 00:23:44,919
Speaker 1: Anytime I went to Cali, them niggas would come scoop me.

511
00:23:45,640 --> 00:23:47,879
Speaker 1: When they came to the East Coast, I would come

512
00:23:47,880 --> 00:23:49,840
Speaker 1: scoop Then, okay, cool that kind of thing. And Ship

513
00:23:49,880 --> 00:23:51,480
Speaker 1: I had niggas in Harlem and Ship in the back

514
00:23:51,480 --> 00:23:52,919
Speaker 1: of the four, running these niggas in the back of

515
00:23:52,920 --> 00:23:55,679
Speaker 1: the four like this multi million dollar niggas scrunched up

516
00:23:55,680 --> 00:23:58,919
Speaker 1: in the back of my motherfucker anyway.

517
00:24:00,359 --> 00:24:01,520
Speaker 2: Yeah, it would always come get me.

518
00:24:01,560 --> 00:24:03,679
Speaker 1: And Deck just happened to be there that day, Me

519
00:24:03,760 --> 00:24:06,879
Speaker 1: and him and Doc slid over the Dazzer's crib fed

520
00:24:06,960 --> 00:24:11,439
Speaker 1: us play some motherfucking NBA two K smoked and started writing.

521
00:24:12,640 --> 00:24:15,680
Speaker 2: Well, and you said you you spoke the big after

522
00:24:15,760 --> 00:24:17,280
Speaker 2: that too, Big, I mean.

523
00:24:17,119 --> 00:24:19,320
Speaker 1: Not nbah g K was EA Sports. It was NBA

524
00:24:19,520 --> 00:24:21,399
Speaker 1: Live Sorry, NBA Live look Ahead.

525
00:24:21,520 --> 00:24:24,120
Speaker 4: And you said you saw a big after the pop

526
00:24:24,160 --> 00:24:26,600
Speaker 4: record got reported and nothing was never.

527
00:24:26,920 --> 00:24:32,040
Speaker 2: No, never anything. Let me let me explain something.

528
00:24:32,080 --> 00:24:36,400
Speaker 1: Even when Ghosts and Ray, or rather Ray for instance,

529
00:24:36,440 --> 00:24:40,200
Speaker 1: said something about album cover and all that stuff, already,

530
00:24:40,240 --> 00:24:42,240
Speaker 1: Me and Big had already had a rapport, you know

531
00:24:42,280 --> 00:24:45,320
Speaker 1: what I mean, And the way they felt wasn't the

532
00:24:45,359 --> 00:24:48,400
Speaker 1: way I felt at all. Plus it didn't have any

533
00:24:48,480 --> 00:24:51,200
Speaker 1: merit to it because we never discussed that as a clan.

534
00:24:51,720 --> 00:24:55,119
Speaker 1: That's just something Ray came off with as Ray. That

535
00:24:55,320 --> 00:24:57,040
Speaker 1: I mean, that's how he felt. That's how he felt,

536
00:24:57,080 --> 00:24:58,440
Speaker 1: you know what I mean? But that had already had a.

537
00:24:58,359 --> 00:25:01,080
Speaker 2: Record album though, right I was raised. I was raised.

538
00:25:01,440 --> 00:25:08,760
Speaker 1: It was on Ghost album album because he was like Claude, Yeah,

539
00:25:09,040 --> 00:25:09,280
Speaker 1: I was.

540
00:25:09,720 --> 00:25:14,040
Speaker 2: Skinner is on Ghost album. Wasn't on.

541
00:25:14,560 --> 00:25:17,080
Speaker 1: Ye. Matter of fact, it was Ghosts that said that

542
00:25:17,119 --> 00:25:24,159
Speaker 1: ship you're right, you're right, you're right, you're right, my brains.

543
00:25:24,160 --> 00:25:28,280
Speaker 1: It was Ghosts that said it on Raised album. They're

544
00:25:28,280 --> 00:25:31,560
Speaker 1: absolutely right. But like I said, like even when we

545
00:25:31,600 --> 00:25:37,440
Speaker 1: used to do shows with them niggas, some dudes would

546
00:25:37,440 --> 00:25:39,400
Speaker 1: just keep walking, you know what I mean? You say,

547
00:25:39,440 --> 00:25:41,080
Speaker 1: but I would always stop and stay what's up there?

548
00:25:41,080 --> 00:25:43,200
Speaker 1: In the season we used to kick it regardless to

549
00:25:43,320 --> 00:25:46,399
Speaker 1: who was there, whatever, whatever. And Ship Big was a

550
00:25:46,400 --> 00:25:49,199
Speaker 1: great dude, man, like really really fucking anybody knew him,

551
00:25:49,200 --> 00:25:51,080
Speaker 1: to tell you, the funniest small fucker on the planet

552
00:25:51,119 --> 00:25:52,000
Speaker 1: and Ship the coolest.

553
00:25:52,000 --> 00:25:52,160
Speaker 2: Hell.

554
00:25:53,119 --> 00:25:57,560
Speaker 1: Do you understand how hard it was to rhyme with Big, No,

555
00:25:57,640 --> 00:26:00,879
Speaker 1: I didn't. Ignorance is blessed, bro, And I'm telling you

556
00:26:00,920 --> 00:26:03,200
Speaker 1: at that listen, who was hotter than Fish?

557
00:26:03,240 --> 00:26:06,440
Speaker 2: Grease, Nigga, Lucky let me tell you something, and ain't

558
00:26:06,480 --> 00:26:07,640
Speaker 2: no flight against bad boys?

559
00:26:07,800 --> 00:26:10,800
Speaker 1: Or maybe it is. But y'all niggas lucky. We ain't

560
00:26:10,840 --> 00:26:13,480
Speaker 1: have our ship together the way we had our ship together.

561
00:26:13,640 --> 00:26:15,920
Speaker 1: Fact ain't no truth.

562
00:26:17,560 --> 00:26:19,600
Speaker 2: We let a lot of y'all niggas listen.

563
00:26:19,640 --> 00:26:21,919
Speaker 4: I listened to the record, and I listened to a

564
00:26:21,920 --> 00:26:25,840
Speaker 4: lot of Big features, and Big really murders everybody that

565
00:26:25,880 --> 00:26:27,720
Speaker 4: he's on the record with. I'm so sorry to certain

566
00:26:27,720 --> 00:26:29,280
Speaker 4: people that be mad at me when I say this,

567
00:26:29,480 --> 00:26:30,240
Speaker 4: I apologize.

568
00:26:30,240 --> 00:26:34,480
Speaker 1: I don't mean no disrespect. But Big other than you

569
00:26:34,680 --> 00:26:36,800
Speaker 1: and Jay, I I don't see j murdered that.

570
00:26:36,880 --> 00:26:39,040
Speaker 2: Fuck it man. I don't say Jay was ready. I

571
00:26:39,040 --> 00:26:41,440
Speaker 2: think Jay had that verse for like eight years. He

572
00:26:41,560 --> 00:26:46,119
Speaker 2: was just waiting, like shit. I got like one of

573
00:26:46,200 --> 00:26:47,160
Speaker 2: the chamber right here.

574
00:26:47,520 --> 00:26:52,359
Speaker 1: Yeah, but did you realize that Big one one of

575
00:26:52,359 --> 00:26:55,600
Speaker 1: the goats at that time, he wasn't. Nobody knew who

576
00:26:55,680 --> 00:26:58,600
Speaker 1: we were, Nobody even it was like the way we

577
00:26:58,680 --> 00:27:01,119
Speaker 1: thought about ourselves because you know, New York was the

578
00:27:01,200 --> 00:27:04,040
Speaker 1: mecca of fucking hip hop. So that try state, if

579
00:27:04,040 --> 00:27:07,000
Speaker 1: you let there, that's the world for you.

580
00:27:05,880 --> 00:27:08,960
Speaker 2: You go down south ship like that, people like.

581
00:27:10,760 --> 00:27:15,199
Speaker 1: You goide. You go down south. This is where it

582
00:27:15,280 --> 00:27:19,480
Speaker 1: change is at. This is where bad boys said, right,

583
00:27:19,560 --> 00:27:22,480
Speaker 1: one more chairs. They was loving that ship in the shell, right,

584
00:27:23,359 --> 00:27:26,560
Speaker 1: big Papa the shell. We and had those records, but

585
00:27:26,600 --> 00:27:28,560
Speaker 1: we didn't have all I need, which was my ship.

586
00:27:28,600 --> 00:27:32,480
Speaker 1: But killing that ship and them niggas took the fuck

587
00:27:32,560 --> 00:27:34,880
Speaker 1: off man, bless all of them man for real. They

588
00:27:35,000 --> 00:27:39,560
Speaker 1: you know, that's an iconic fucking label, iconic fucking crew.

589
00:27:40,000 --> 00:27:43,760
Speaker 2: And Puffs still doing this salute. Let's describe this session.

590
00:27:44,119 --> 00:27:48,199
Speaker 4: Yeah, Tracy Rapels, you said, hey, why she picks you up?

591
00:27:48,240 --> 00:27:50,760
Speaker 4: You'll go through the session. And is this beat already

592
00:27:50,800 --> 00:27:54,359
Speaker 4: playing or easy mob made to beat? Yeah, it was playing.

593
00:27:54,640 --> 00:27:56,160
Speaker 2: It was already playing. It was already playing.

594
00:27:56,280 --> 00:27:59,480
Speaker 1: You walked in and said, Noah, I walked in and

595
00:27:59,680 --> 00:28:02,800
Speaker 1: Big snapping on Puff first, and you know, I'm just laughing.

596
00:28:02,920 --> 00:28:05,159
Speaker 2: This ship was sh It was hilarious because Puff was like,

597
00:28:05,200 --> 00:28:05,840
Speaker 2: y'all say my name.

598
00:28:05,880 --> 00:28:07,800
Speaker 1: He's like Nigga said your name like fifteen times on

599
00:28:07,840 --> 00:28:10,320
Speaker 1: this motherfucker EO puffing. I'm telling the truth too, you know,

600
00:28:10,359 --> 00:28:14,280
Speaker 1: I'm telling the truth. But then we sat there and

601
00:28:14,359 --> 00:28:16,600
Speaker 1: road diversus. We both sat there and road them and.

602
00:28:17,000 --> 00:28:20,880
Speaker 2: I'm a artist. Are you sitting there trying to take

603
00:28:20,920 --> 00:28:21,560
Speaker 2: his head off?

604
00:28:22,600 --> 00:28:24,679
Speaker 1: Or you just saying I'm just gone no when I

605
00:28:24,720 --> 00:28:26,960
Speaker 1: heard the beat. Sometimes you hear a beat and your

606
00:28:27,000 --> 00:28:30,720
Speaker 1: pin just start flowing. So once you started flowing, nothing

607
00:28:30,720 --> 00:28:33,080
Speaker 1: else existed. You can't hear ship but the beat and

608
00:28:33,119 --> 00:28:35,560
Speaker 1: your pen roll your pin going. So it was no

609
00:28:35,640 --> 00:28:38,280
Speaker 1: communication at that point in time. I didn't hear his ship,

610
00:28:38,520 --> 00:28:39,600
Speaker 1: he didn't hear my ship.

611
00:28:39,920 --> 00:28:41,240
Speaker 2: So it's even at that.

612
00:28:41,080 --> 00:28:44,720
Speaker 1: Point now, I wasn't even taking each other head off me.

613
00:28:44,880 --> 00:28:46,520
Speaker 1: I was just trying to stay in the pocket like

614
00:28:46,560 --> 00:28:48,960
Speaker 1: I always do. I'm gonna stay in the pocket. I'm

615
00:28:48,960 --> 00:28:51,440
Speaker 1: gonna ride this rhythm and I'm gonna I'm gonna do

616
00:28:51,560 --> 00:28:54,480
Speaker 1: like a little nas catence if I can and ship. Well,

617
00:28:54,520 --> 00:28:56,720
Speaker 1: what I thought was the NOAs catence. It was close.

618
00:28:57,080 --> 00:28:59,280
Speaker 1: It's kind of close, but it wasn't exactly yet because

619
00:28:59,280 --> 00:29:00,200
Speaker 1: it ran off to.

620
00:29:00,200 --> 00:29:02,760
Speaker 2: Some other ship. But I've always had kitten, So who

621
00:29:02,840 --> 00:29:04,920
Speaker 2: came up with the idea of y'all going back and forth?

622
00:29:05,160 --> 00:29:08,120
Speaker 1: Yeah, that was big big. He wanted he wanted to

623
00:29:08,200 --> 00:29:10,600
Speaker 1: end it. You can't mess with them. And I was

624
00:29:10,600 --> 00:29:12,600
Speaker 1: supposed to come with th h O D Man, but

625
00:29:12,640 --> 00:29:14,800
Speaker 1: it didn't fall on beat, so I overlapped him to

626
00:29:14,840 --> 00:29:17,040
Speaker 1: do it. That's why I came in th h O

627
00:29:17,280 --> 00:29:20,000
Speaker 1: D Man and now I got more glocks in text

628
00:29:20,080 --> 00:29:23,360
Speaker 1: than you make it hot. He wrote that Niggas won't

629
00:29:23,360 --> 00:29:25,640
Speaker 1: even stand next to you. He said, you say this.

630
00:29:25,600 --> 00:29:26,120
Speaker 2: Part right here.

631
00:29:26,120 --> 00:29:37,520
Speaker 1: I was like, I'll say that, but I ain't gonna

632
00:29:37,520 --> 00:29:41,600
Speaker 1: lie better you like I can listen to it that

633
00:29:41,680 --> 00:29:45,000
Speaker 1: record to this day, and like I said, it's like

634
00:29:45,080 --> 00:29:48,000
Speaker 1: y'all even like and I just didn't hear anybody hanging

635
00:29:48,000 --> 00:29:48,520
Speaker 1: with Big.

636
00:29:48,320 --> 00:29:48,800
Speaker 2: At that time.

637
00:29:48,880 --> 00:29:50,920
Speaker 1: That was my man's right there. If you asked me,

638
00:29:51,000 --> 00:29:53,120
Speaker 1: I'll say we both killed it. But other people like

639
00:29:53,200 --> 00:29:56,200
Speaker 1: to say ship like you know, I edged them stuff

640
00:29:56,280 --> 00:29:56,640
Speaker 1: like that.

641
00:29:57,000 --> 00:29:58,280
Speaker 2: But we're talking about.

642
00:29:58,000 --> 00:30:02,520
Speaker 1: Two first of all kids right doing something they loved

643
00:30:03,120 --> 00:30:06,440
Speaker 1: and trying to make something from nothing, being creatives. That's

644
00:30:06,480 --> 00:30:09,120
Speaker 1: all having fun. It wasn't I bet you. Big wasn't

645
00:30:09,120 --> 00:30:11,320
Speaker 1: trying to take my head off. I wasn't trying to

646
00:30:11,320 --> 00:30:13,240
Speaker 1: take We was just having fun in that bit. Soon

647
00:30:13,240 --> 00:30:14,800
Speaker 1: as I walked in there, I told you what it was.

648
00:30:14,840 --> 00:30:19,360
Speaker 1: The atmosphere was light, Niggas was snapping. It felt like

649
00:30:19,440 --> 00:30:20,200
Speaker 1: being around with.

650
00:30:20,120 --> 00:30:21,400
Speaker 2: Two peers for real.

651
00:30:21,520 --> 00:30:24,600
Speaker 1: That was my man and you a Na's new album

652
00:30:24,920 --> 00:30:26,840
Speaker 1: am My Own NAS's no album and you don't know

653
00:30:26,920 --> 00:30:29,160
Speaker 1: nothing from what house.

654
00:30:29,360 --> 00:30:32,320
Speaker 2: I nos ain't sent me no record. I love to

655
00:30:32,320 --> 00:30:33,360
Speaker 2: get on the noajs right.

656
00:30:33,920 --> 00:30:38,720
Speaker 1: Just sorry, Oh I get it, Yes.

657
00:30:38,800 --> 00:30:40,840
Speaker 2: Okay, I mean no, no, no, no.

658
00:30:40,680 --> 00:30:44,160
Speaker 1: No, see you you fell for the Okie dough. They

659
00:30:44,200 --> 00:30:47,440
Speaker 1: do these remixes with old verses and they splice all

660
00:30:47,480 --> 00:30:50,320
Speaker 1: of them together and people think those are real records.

661
00:30:50,560 --> 00:30:53,920
Speaker 1: I've been having real complaints about this shit right because

662
00:30:54,520 --> 00:30:57,960
Speaker 1: Rizzard did a record called Built for This DJ Scandalists

663
00:30:57,960 --> 00:31:03,360
Speaker 1: I'm looking at you, brother, and a guy did a remake.

664
00:31:03,080 --> 00:31:06,920
Speaker 2: To it, not market Scotts Grelly. No no, no, no, no no.

665
00:31:07,160 --> 00:31:10,000
Speaker 1: This shit was for a Rizzar's soundtrack, The Man with

666
00:31:10,080 --> 00:31:13,560
Speaker 1: the Iron Fist, and we did a song with Freddie

667
00:31:13,560 --> 00:31:16,240
Speaker 1: Gibbs caught Built for This myself in street.

668
00:31:16,720 --> 00:31:17,760
Speaker 2: He remakes it.

669
00:31:18,520 --> 00:31:21,520
Speaker 1: He puts a different beat up underneath it, puts ice

670
00:31:21,560 --> 00:31:27,120
Speaker 1: Cube easy, a bunch of just features on there, of

671
00:31:27,280 --> 00:31:30,480
Speaker 1: old verses from these dudes, and just splice it all together.

672
00:31:30,560 --> 00:31:32,960
Speaker 1: Now people think it's the real joint. Now this is

673
00:31:32,960 --> 00:31:36,239
Speaker 1: where I have the problem at go ahead and do that,

674
00:31:36,400 --> 00:31:39,360
Speaker 1: but when I go on Built for This, the original,

675
00:31:39,640 --> 00:31:43,160
Speaker 1: it's barely got a million views. That one has over

676
00:31:43,240 --> 00:31:48,960
Speaker 1: three hundred million views. People think it's a real record. Now,

677
00:31:49,760 --> 00:31:54,160
Speaker 1: I'm not saying that they're stealing, right, but they're stealing,

678
00:31:54,960 --> 00:31:59,520
Speaker 1: and no serious, they're stealing because that revenue should be

679
00:31:59,560 --> 00:32:01,800
Speaker 1: going to the artist that took the time out to

680
00:32:01,920 --> 00:32:05,080
Speaker 1: make it. Like I sat my ass down and wrote

681
00:32:05,120 --> 00:32:08,800
Speaker 1: for that record. Rizzard sat his ass down and put

682
00:32:08,800 --> 00:32:10,520
Speaker 1: that whole composition together.

683
00:32:10,600 --> 00:32:12,240
Speaker 2: That's time consuming.

684
00:32:12,080 --> 00:32:14,760
Speaker 1: As well as you start to put in a studio

685
00:32:14,920 --> 00:32:18,200
Speaker 1: time and video courts, and then you have somebody splice

686
00:32:18,200 --> 00:32:21,080
Speaker 1: a whole bunch of old video footage together, throw a

687
00:32:21,120 --> 00:32:23,000
Speaker 1: bunch of artists. I mean, people should know that it's

688
00:32:23,040 --> 00:32:25,960
Speaker 1: not a real easy ease on it. They should know

689
00:32:26,000 --> 00:32:27,880
Speaker 1: it's not a real song. And this shit got over

690
00:32:27,960 --> 00:32:32,240
Speaker 1: three hundred million fuckers. Well, now someone can have the

691
00:32:32,320 --> 00:32:34,960
Speaker 1: argument and say, well maybe it sounds better. I'm giving shit.

692
00:32:35,640 --> 00:32:38,880
Speaker 1: I don't care the fuck. There's an original out there,

693
00:32:38,880 --> 00:32:42,160
Speaker 1: and shit that artists made to be consumed by the

694
00:32:42,480 --> 00:32:45,440
Speaker 1: by the masses to bring the money back to their families,

695
00:32:45,480 --> 00:32:48,440
Speaker 1: to feed their fucking families. Not these motherfuckers over here. Man,

696
00:32:49,000 --> 00:32:52,520
Speaker 1: that's shit crazy. And that South cent you channel on YouTube.

697
00:32:52,560 --> 00:32:54,760
Speaker 1: Got niggas is bogus as fuck y'all got that's where

698
00:32:54,760 --> 00:32:55,959
Speaker 1: all of it be at now.

699
00:32:56,040 --> 00:32:57,200
Speaker 2: Then gave them a fucking life.

700
00:32:57,200 --> 00:32:59,960
Speaker 1: That gave them a fucking see that damn it all right,

701
00:33:00,640 --> 00:33:03,360
Speaker 1: holy ship trash for that ship, man, that ship is

702
00:33:03,400 --> 00:33:05,480
Speaker 1: like that Shay Robert niggas. I have seen your ship.

703
00:33:05,520 --> 00:33:07,720
Speaker 1: You was on the fucking record with it. Was you

704
00:33:08,160 --> 00:33:11,160
Speaker 1: fucking uh? What's that nigga name? Uh?

705
00:33:11,800 --> 00:33:17,520
Speaker 2: Uh? Sting from the police, nigga, Michael fucking yeah, nigga

706
00:33:17,600 --> 00:33:23,040
Speaker 2: burke back of rackets on your track, nigga nigga. So

707
00:33:23,240 --> 00:33:25,960
Speaker 2: that's crazy. They're like, nor murdered that ship.

708
00:33:30,560 --> 00:33:32,800
Speaker 1: So you see some ship like that and they're like, oh,

709
00:33:32,800 --> 00:33:34,040
Speaker 1: this ship better than super Thumb.

710
00:33:34,080 --> 00:33:35,880
Speaker 2: Matter of fact, it's better than anything Nor he did.

711
00:33:35,880 --> 00:33:38,920
Speaker 2: You don't look at that ship like wait a minute, right, let.

712
00:33:38,760 --> 00:33:42,640
Speaker 1: Me call this motherfucker al So you you remade my

713
00:33:42,680 --> 00:33:43,520
Speaker 1: ship and ship? Right?

714
00:33:43,600 --> 00:33:44,880
Speaker 2: So, so where the revenue at?

715
00:33:44,920 --> 00:33:46,600
Speaker 1: I see a ship at three hundred million views and

716
00:33:46,600 --> 00:33:47,880
Speaker 1: ship and I know how YouTube pay.

717
00:33:47,920 --> 00:33:51,040
Speaker 2: I'm saying, no, did you get a plaque? And so

718
00:33:51,200 --> 00:33:52,440
Speaker 2: I mean, we's mines.

719
00:33:52,480 --> 00:33:55,320
Speaker 1: But the Niles is a new joint though, right, oh no,

720
00:33:55,440 --> 00:34:00,320
Speaker 1: because I've done only track I've done with Knives and

721
00:34:00,360 --> 00:34:05,360
Speaker 1: we was on the studio was Fuck Belly and uh

722
00:34:05,520 --> 00:34:10,479
Speaker 1: fuck dog Dogs for Life for Belly soundtrack Yeah, Dogs

723
00:34:10,480 --> 00:34:15,480
Speaker 1: for Life. Yeah, and he killed that ship. So there's

724
00:34:15,600 --> 00:34:17,880
Speaker 1: I mean, I'm dying to get on another track with

725
00:34:17,960 --> 00:34:19,160
Speaker 1: not because he murdered us on that.

726
00:34:19,200 --> 00:34:22,080
Speaker 2: I gotta get my kit, I gotta get my back,

727
00:34:23,480 --> 00:34:25,560
Speaker 2: want to. I just want to keep up. I ever

728
00:34:25,640 --> 00:34:27,200
Speaker 2: trying to take no head. I would never.

729
00:34:27,120 --> 00:34:30,279
Speaker 1: Ever, ever ever come out of MC. I'm on the track,

730
00:34:32,600 --> 00:34:37,040
Speaker 1: oh no, but that's not on the official album.

731
00:34:37,840 --> 00:34:39,480
Speaker 2: I got a lie. I say this a lot.

732
00:34:40,400 --> 00:34:42,840
Speaker 4: One time I did a song with styles B and

733
00:34:42,920 --> 00:34:44,640
Speaker 4: he did he did the verse.

734
00:34:44,440 --> 00:34:48,839
Speaker 2: After me and I always wanted to be always wanted

735
00:34:48,840 --> 00:34:50,920
Speaker 2: to be mad. And it's not like you're trying to

736
00:34:50,960 --> 00:34:51,480
Speaker 2: go at him.

737
00:34:51,480 --> 00:34:54,879
Speaker 1: And I'm trying to tell y'all I'm just a night

738
00:34:55,920 --> 00:34:57,520
Speaker 1: Yeah yeah, yeah.

739
00:34:57,520 --> 00:35:01,319
Speaker 4: So gim was fly was man, That's right. Our show

740
00:35:01,360 --> 00:35:02,960
Speaker 4: was about giving flowers. We wanted to give you your

741
00:35:02,960 --> 00:35:03,839
Speaker 4: flowers face to face.

742
00:35:03,880 --> 00:35:14,320
Speaker 2: Man, I want to see you Snoop set is like

743
00:35:14,600 --> 00:35:16,400
Speaker 2: it's better than the Grammy because it's coming for your people.

744
00:35:17,040 --> 00:35:17,920
Speaker 2: The man look.

745
00:35:19,920 --> 00:35:24,800
Speaker 1: Up man, Snoop always know what to say that Snoop

746
00:35:24,800 --> 00:35:30,040
Speaker 1: ain't even a star. Snoop is like a fucking enterprise man.

747
00:35:30,160 --> 00:35:33,520
Speaker 1: He's just an establishment, you know, Snoop, I got your

748
00:35:33,520 --> 00:35:37,600
Speaker 1: cereal to my grandbaby. I love that ship. He liked

749
00:35:37,640 --> 00:35:39,600
Speaker 1: them for he liked them, Snoop Loops. You know we

750
00:35:39,640 --> 00:35:41,840
Speaker 1: know what you Snoop loops.

751
00:35:42,960 --> 00:35:46,359
Speaker 4: What kind of butt is that man? That she looked

752
00:35:46,360 --> 00:35:50,560
Speaker 4: good piece? I'm thikking for a piece of But.

753
00:35:52,080 --> 00:35:56,120
Speaker 1: Morning, you know what, don't speaking the butt, speaking the

754
00:35:56,160 --> 00:35:58,000
Speaker 1: butt and you saying you want to piece.

755
00:35:57,800 --> 00:36:00,279
Speaker 2: Your fellas bring that ship over here real fast. Okay,

756
00:36:00,280 --> 00:36:05,600
Speaker 2: you've got to. We've got to get flowers to know

757
00:36:05,640 --> 00:36:10,480
Speaker 2: what I mean. Yeah, then here is your prob bro,

758
00:36:13,760 --> 00:36:28,000
Speaker 2: damn right, So what is this? Bring it down with?

759
00:36:28,239 --> 00:36:31,239
Speaker 1: So this is the cow safe box right here, right,

760
00:36:31,920 --> 00:36:36,319
Speaker 1: and it's basically a nice dressing for what's inside.

761
00:36:36,440 --> 00:36:37,680
Speaker 2: Oh this this is gorgeous.

762
00:36:37,719 --> 00:36:41,239
Speaker 1: And right now those boxes are getting very popular and

763
00:36:41,840 --> 00:36:44,880
Speaker 1: as the laws lightning in different states, we're going to

764
00:36:44,920 --> 00:36:47,759
Speaker 1: be able to get them. The more people with the

765
00:36:47,880 --> 00:36:51,040
Speaker 1: flower inside. But these are the kind of flowers, These

766
00:36:51,040 --> 00:36:52,439
Speaker 1: are the kind of flowers I give.

767
00:36:52,640 --> 00:36:55,160
Speaker 2: Yes, I love your flowers. Though these are dope. I've

768
00:36:55,360 --> 00:37:00,920
Speaker 2: sing this is do appreciate it. Absolutely, Yeah, I'm definitely

769
00:37:00,920 --> 00:37:01,520
Speaker 2: gonna try to stud.

770
00:37:04,920 --> 00:37:08,920
Speaker 1: Oh hold up, Holy moly, we got more ship for y'all.

771
00:37:14,120 --> 00:37:16,640
Speaker 1: This ship y'all can put in that room where y'all

772
00:37:16,640 --> 00:37:18,960
Speaker 1: got all the free ship people. Give y'all that y'all

773
00:37:18,960 --> 00:37:21,279
Speaker 1: to ask, y'all just in one room.

774
00:37:21,880 --> 00:37:24,399
Speaker 2: Put that right next to that is love. I see

775
00:37:24,480 --> 00:37:28,520
Speaker 2: your thieves looking at them ship, especially see them some

776
00:37:28,600 --> 00:37:35,680
Speaker 2: reason you listen. Your face said it all. Just like

777
00:37:36,400 --> 00:37:38,399
Speaker 2: your face was like I'm taking here off and ship

778
00:37:40,800 --> 00:37:47,480
Speaker 2: I don't it is yeah, yeah, just yeah, so meth yes, sure, yes.

779
00:37:47,560 --> 00:37:51,439
Speaker 4: I believe you in every acting role you ever did,

780
00:37:52,560 --> 00:37:57,480
Speaker 4: Like I seriously, yo, did you not one time I

781
00:37:57,640 --> 00:38:00,480
Speaker 4: got serious about acting a little bit right and.

782
00:38:00,200 --> 00:38:04,960
Speaker 2: Built that state property that was so I got I

783
00:38:04,960 --> 00:38:06,040
Speaker 2: got off of the role.

784
00:38:07,360 --> 00:38:10,080
Speaker 4: And I turned it down immediately because I was scared

785
00:38:10,120 --> 00:38:11,000
Speaker 4: to play a doctor.

786
00:38:11,120 --> 00:38:12,200
Speaker 2: I was scared to try.

787
00:38:12,960 --> 00:38:14,880
Speaker 1: You were scared of that long ass dialogue.

788
00:38:15,000 --> 00:38:16,399
Speaker 2: I was probably scared of that. Yeah.

789
00:38:16,480 --> 00:38:19,600
Speaker 4: But what I'm saying is I can see you as

790
00:38:19,640 --> 00:38:21,600
Speaker 4: a gangster on film. I can see you as a

791
00:38:21,640 --> 00:38:24,680
Speaker 4: doctor on film, and I believe every fuck a lawyer,

792
00:38:25,360 --> 00:38:28,280
Speaker 4: every fucking role you would take it like the dinners

793
00:38:28,320 --> 00:38:28,960
Speaker 4: out of this ship.

794
00:38:30,719 --> 00:38:34,520
Speaker 2: I appreciate you, brother. You know what, though, I.

795
00:38:34,520 --> 00:38:37,960
Speaker 1: Made a decision a while ago that I was gonna

796
00:38:38,920 --> 00:38:41,880
Speaker 1: I just got tired of doing shows overseas, because you know,

797
00:38:41,960 --> 00:38:45,120
Speaker 1: there was a time where the new ship was hitting.

798
00:38:45,400 --> 00:38:49,080
Speaker 1: These kids was tearing it up. They was getting way

799
00:38:49,080 --> 00:38:50,960
Speaker 1: more than us for shows, and they were getting all

800
00:38:51,000 --> 00:38:53,520
Speaker 1: of the shows. Nobody wanted to see any nineties ship,

801
00:38:53,640 --> 00:38:56,359
Speaker 1: so we were doing over sea shows. Appreciated over there.

802
00:38:56,520 --> 00:38:58,480
Speaker 1: I loved them over there, but it was too much.

803
00:38:59,080 --> 00:39:02,600
Speaker 1: It was like my fourth time overseas that year. I

804
00:39:02,680 --> 00:39:05,920
Speaker 1: was tired, and I said, you know, I'm gonna try

805
00:39:05,960 --> 00:39:07,839
Speaker 1: to acting well, not try it. I said, you know what,

806
00:39:07,920 --> 00:39:10,600
Speaker 1: when I get home, I'm gonna make a decision to

807
00:39:11,320 --> 00:39:13,800
Speaker 1: take this acting shit way more serious than I did before.

808
00:39:13,840 --> 00:39:16,960
Speaker 1: And I went bought a ticket to LA did not

809
00:39:17,000 --> 00:39:20,720
Speaker 1: get a hotel room, did not get a car, no suits,

810
00:39:20,800 --> 00:39:23,640
Speaker 1: no nothing. I went to my manager's house and slept

811
00:39:23,640 --> 00:39:25,440
Speaker 1: on her couch in the Hollywood Hills.

812
00:39:27,000 --> 00:39:28,880
Speaker 2: And I did that for about a month and a half.

813
00:39:29,920 --> 00:39:34,240
Speaker 1: But when you're doing this, your auditioning, I'm auditioning, yes,

814
00:39:34,280 --> 00:39:36,120
Speaker 1: but there's no plan, there's no real No.

815
00:39:36,960 --> 00:39:38,960
Speaker 2: You've only done like two or three movies.

816
00:39:39,000 --> 00:39:41,680
Speaker 1: Maybe No, No, I'd done a bunch of shit, yes,

817
00:39:41,760 --> 00:39:44,239
Speaker 1: but I had took a long hiatus to focus on

818
00:39:44,320 --> 00:39:46,479
Speaker 1: the music. At this point in time, me and death

819
00:39:46,560 --> 00:39:49,160
Speaker 1: Jam were not on the same page.

820
00:39:50,080 --> 00:39:51,880
Speaker 2: They were ahead of the curve.

821
00:39:52,000 --> 00:39:54,399
Speaker 1: They were trying to stay above water because you had

822
00:39:54,560 --> 00:39:57,919
Speaker 1: cash Money breathing down. The next you know, Puffy Benn

823
00:39:58,080 --> 00:40:01,440
Speaker 1: was kicking death Jam's ass and shiit what depth Jam had?

824
00:40:01,760 --> 00:40:04,960
Speaker 1: What depth Jam did have that the other people didn't have?

825
00:40:05,000 --> 00:40:11,000
Speaker 1: They had the Yankees, DMX, Ludicris, Job Rule Red and

826
00:40:11,080 --> 00:40:15,520
Speaker 1: meth Fab was over there at this point, Jada Kiss,

827
00:40:15,520 --> 00:40:17,160
Speaker 1: I think was over here. At this point, we were

828
00:40:17,200 --> 00:40:20,600
Speaker 1: just you know, big ass fucking roster and shit, Damn,

829
00:40:20,600 --> 00:40:21,640
Speaker 1: I done lost my train of thought.

830
00:40:21,680 --> 00:40:23,440
Speaker 4: That's exactly what they told me when I assigned to

831
00:40:23,440 --> 00:40:26,040
Speaker 4: Depth Jam. Welcome to the Yankees. Welcome to the Yankees, right,

832
00:40:26,280 --> 00:40:30,360
Speaker 4: They actually used that reference, like welcome to like you

833
00:40:30,480 --> 00:40:32,280
Speaker 4: like basically you was playing in the mighty leagues.

834
00:40:32,560 --> 00:40:35,440
Speaker 2: Yeah. I was like, well, damn, that's that was some

835
00:40:35,520 --> 00:40:36,399
Speaker 2: cocky shit to say.

836
00:40:36,640 --> 00:40:38,400
Speaker 1: So they got me on my way out the door

837
00:40:38,440 --> 00:40:40,560
Speaker 1: at least that's what it felt like. You know, I

838
00:40:40,600 --> 00:40:42,360
Speaker 1: wasn't me and included in a lot of things and

839
00:40:42,440 --> 00:40:43,920
Speaker 1: a lot of and you know what, I got to

840
00:40:43,960 --> 00:40:45,520
Speaker 1: take the blame for some of that because I was

841
00:40:45,520 --> 00:40:48,560
Speaker 1: a really rotten person because I saw it coming and

842
00:40:51,080 --> 00:40:55,200
Speaker 1: not I don't know, I just I would be angry

843
00:40:55,960 --> 00:40:58,680
Speaker 1: all the time because it was hard for me to

844
00:40:58,800 --> 00:41:07,040
Speaker 1: accept that. I don't know, not to sound vain, but

845
00:41:07,200 --> 00:41:10,359
Speaker 1: I wasn't that nigga anymore, or at least that's what

846
00:41:10,400 --> 00:41:11,160
Speaker 1: it felt.

847
00:41:10,880 --> 00:41:14,239
Speaker 2: Like, or I wasn't in what honestly what it.

848
00:41:14,320 --> 00:41:17,839
Speaker 1: Was that to you, No, dude, the label wasn't saying

849
00:41:17,840 --> 00:41:19,640
Speaker 1: I was saying this to myself, but the label was

850
00:41:19,680 --> 00:41:20,200
Speaker 1: showing me.

851
00:41:22,200 --> 00:41:22,719
Speaker 2: What time is.

852
00:41:22,800 --> 00:41:25,920
Speaker 1: Your time is basically is coming to an end. But

853
00:41:26,680 --> 00:41:29,160
Speaker 1: and you know, I made the decision that I can

854
00:41:29,200 --> 00:41:32,400
Speaker 1: contribute way more and I can show all these motherfuckers

855
00:41:32,440 --> 00:41:33,960
Speaker 1: that it's not the end for me.

856
00:41:34,040 --> 00:41:35,240
Speaker 2: This is just the beginning.

857
00:41:35,280 --> 00:41:39,640
Speaker 1: But I didn't apply myself the way I should have,

858
00:41:39,719 --> 00:41:44,959
Speaker 1: and I didn't voice my frustrations in a articulate manner.

859
00:41:44,840 --> 00:41:45,720
Speaker 2: Like I can now.

860
00:41:46,800 --> 00:41:49,719
Speaker 1: So a lot of doors were starting to close, not

861
00:41:49,880 --> 00:41:52,799
Speaker 1: because of the career thing, but because of the the

862
00:41:52,880 --> 00:41:55,440
Speaker 1: vitriol that I was spitting out of my mouth, the

863
00:41:56,520 --> 00:41:58,600
Speaker 1: anger and the misery that I was spreading, to the

864
00:41:58,600 --> 00:42:00,440
Speaker 1: point where you don't want to answer that per since call.

865
00:42:00,520 --> 00:42:02,640
Speaker 1: But I was at that point in time, had to

866
00:42:02,640 --> 00:42:05,279
Speaker 1: listen to myself. I wouldn't fucking have tookn my call

867
00:42:05,360 --> 00:42:07,520
Speaker 1: at that point.

868
00:42:08,320 --> 00:42:09,200
Speaker 2: So I made a decision.

869
00:42:09,400 --> 00:42:11,759
Speaker 1: I'm going to fucking take this acting ship and I'm

870
00:42:11,760 --> 00:42:14,359
Speaker 1: gonna run with it. If it happens, it happens, if

871
00:42:14,360 --> 00:42:16,680
Speaker 1: it doesn't, it doesn't. There's no plan, but this is

872
00:42:16,680 --> 00:42:19,960
Speaker 1: what I want to do. Started getting on my physical

873
00:42:20,000 --> 00:42:24,840
Speaker 1: fitness ship. Started going to classes, we say classes, acting class,

874
00:42:24,840 --> 00:42:28,520
Speaker 1: acting class, actually sitting in a class, right and and

875
00:42:28,560 --> 00:42:29,120
Speaker 1: you method?

876
00:42:29,200 --> 00:42:29,399
Speaker 2: Man?

877
00:42:29,560 --> 00:42:32,120
Speaker 5: Yeah, how did you like? How would you able to

878
00:42:32,160 --> 00:42:33,280
Speaker 5: do that? Like, it's easy.

879
00:42:33,320 --> 00:42:35,680
Speaker 1: Those kids in there already stars if you asked me.

880
00:42:35,719 --> 00:42:37,600
Speaker 1: A lot of those kids that go to those classes

881
00:42:37,600 --> 00:42:40,120
Speaker 1: are so advanced already. It's just that we haven't heard

882
00:42:40,160 --> 00:42:45,120
Speaker 1: of them. You know, the classes. It helps, but it

883
00:42:45,200 --> 00:42:48,160
Speaker 1: actually helped, But I would rather be I would rather

884
00:42:48,239 --> 00:42:51,000
Speaker 1: be coached by myself. The classes help you with the

885
00:42:51,040 --> 00:42:56,000
Speaker 1: exercises and and and and technique, and it's always great

886
00:42:56,000 --> 00:43:00,920
Speaker 1: to have the tools, and I topic has a book

887
00:43:00,920 --> 00:43:04,200
Speaker 1: called the Twelve Tools of Acting or We're putting power back,

888
00:43:04,280 --> 00:43:07,359
Speaker 1: giving power to the actor. And once you learn these

889
00:43:07,400 --> 00:43:10,319
Speaker 1: twelve tools, there's no way that you can walk on

890
00:43:10,360 --> 00:43:12,280
Speaker 1: a set and fill out a place and not understand

891
00:43:12,320 --> 00:43:18,200
Speaker 1: what's going on because of these tools here. So I'm

892
00:43:18,200 --> 00:43:20,080
Speaker 1: going on these or I'm getting sometime I don't getting

893
00:43:20,080 --> 00:43:23,960
Speaker 1: three four editions right that week, so I'm constantly studying,

894
00:43:24,040 --> 00:43:27,239
Speaker 1: well this is yeah that week, but they're different characters.

895
00:43:27,719 --> 00:43:32,120
Speaker 1: So I'm learning the dialogue first and the day of

896
00:43:33,280 --> 00:43:35,360
Speaker 1: I have to transition into this character. So how do

897
00:43:35,400 --> 00:43:37,960
Speaker 1: you do that? It could be a song. I can

898
00:43:38,000 --> 00:43:39,640
Speaker 1: listen to certain kind of music and it's like.

899
00:43:39,600 --> 00:43:40,439
Speaker 2: Okay, now I'm there.

900
00:43:41,280 --> 00:43:44,959
Speaker 1: Or it'd be a memory, something that jars that, something

901
00:43:45,000 --> 00:43:47,480
Speaker 1: that brings that out, you know what I mean. Or

902
00:43:47,680 --> 00:43:49,640
Speaker 1: you go to your tools and you say, what do

903
00:43:49,719 --> 00:43:51,560
Speaker 1: I want in this scene?

904
00:43:51,640 --> 00:43:53,719
Speaker 2: What's my scene objective? Right here?

905
00:43:54,560 --> 00:43:56,560
Speaker 1: Then you got to say, okay, well what is my

906
00:43:56,680 --> 00:43:57,799
Speaker 1: overall objective?

907
00:43:57,840 --> 00:43:58,000
Speaker 2: Now?

908
00:43:58,040 --> 00:44:02,160
Speaker 1: For me in real life, my overall objective is just

909
00:44:02,200 --> 00:44:04,680
Speaker 1: to win. I think everybody in this room can relate

910
00:44:04,719 --> 00:44:08,640
Speaker 1: to that shit, So why not fight for that every day?

911
00:44:08,719 --> 00:44:12,200
Speaker 1: That's what we do in these scenes, we're fighting to win,

912
00:44:12,280 --> 00:44:14,520
Speaker 1: whether we're a villain or the good guy.

913
00:44:15,960 --> 00:44:19,120
Speaker 2: Writ's dad, Samuel Jackson. I did that was all I did.

914
00:44:19,920 --> 00:44:21,000
Speaker 2: I definitely did it.

915
00:44:21,400 --> 00:44:24,960
Speaker 1: But whether you're the villain or the hero, you're fighting

916
00:44:25,000 --> 00:44:25,440
Speaker 1: for something.

917
00:44:25,480 --> 00:44:26,920
Speaker 2: You're fighting to fucking win.

918
00:44:27,280 --> 00:44:30,239
Speaker 1: Who's saying the villain isn't right because in his heart

919
00:44:30,280 --> 00:44:32,640
Speaker 1: he's doing the right fucking thing. He thinks he's the hero,

920
00:44:33,800 --> 00:44:36,399
Speaker 1: and the hero is doing what he feels is right.

921
00:44:36,400 --> 00:44:39,200
Speaker 1: He could be the fucking villain and not know it,

922
00:44:39,480 --> 00:44:42,200
Speaker 1: you know what I mean? And that's the beauty of

923
00:44:42,880 --> 00:44:47,640
Speaker 1: when you approach these fucking scenes or even these scripts,

924
00:44:47,640 --> 00:44:49,960
Speaker 1: when you're reading them and shit. First off, when you

925
00:44:50,000 --> 00:44:53,239
Speaker 1: read a fucking scene, Nori, I don't like to read,

926
00:44:53,320 --> 00:44:53,759
Speaker 1: but let's go on.

927
00:44:53,920 --> 00:44:54,560
Speaker 2: No, but fuck that.

928
00:44:54,640 --> 00:44:56,680
Speaker 1: When you see this scene and shit, first thing that

929
00:44:56,719 --> 00:44:58,799
Speaker 1: should be going through your head is okay, what's going

930
00:44:58,840 --> 00:45:01,600
Speaker 1: on here? You understand what's going on here. The next

931
00:45:01,640 --> 00:45:03,880
Speaker 1: thing you should say is okay, I see these words.

932
00:45:03,880 --> 00:45:05,120
Speaker 1: But how would I say it.

933
00:45:05,160 --> 00:45:09,319
Speaker 4: I'm going to the school of method school, I'm comeing

934
00:45:09,320 --> 00:45:11,319
Speaker 4: to see you once a week.

935
00:45:12,360 --> 00:45:13,800
Speaker 2: I'm gonna follow you. He could.

936
00:45:16,440 --> 00:45:20,399
Speaker 1: For sure, I'm serious, it would be like how would

937
00:45:20,400 --> 00:45:25,000
Speaker 1: you say it? And for me, it takes me back

938
00:45:25,040 --> 00:45:28,400
Speaker 1: to just just being on the block and dudes telling

939
00:45:28,480 --> 00:45:30,720
Speaker 1: stories from the third person.

940
00:45:31,880 --> 00:45:33,240
Speaker 2: About something that happened.

941
00:45:33,880 --> 00:45:36,239
Speaker 1: And really, if you got a good storyteller, y'all know

942
00:45:36,280 --> 00:45:39,000
Speaker 1: this ship, if he doing other people voices and ship,

943
00:45:39,440 --> 00:45:41,440
Speaker 1: he'd be acting like certain niggas. And y'all know all

944
00:45:41,520 --> 00:45:43,120
Speaker 1: know that this nigga acts a certain.

945
00:45:42,840 --> 00:45:45,919
Speaker 2: Way of ship. You laugh, and same fucking thing, because

946
00:45:45,960 --> 00:45:47,520
Speaker 2: you know, I'm gonna be honest with you method. I

947
00:45:47,560 --> 00:45:51,200
Speaker 2: think I took the sucker out how I would read

948
00:45:51,239 --> 00:45:52,640
Speaker 2: scripts when they gave it to me, and I would

949
00:45:52,680 --> 00:45:55,480
Speaker 2: just change all the words to my words. So I

950
00:45:55,520 --> 00:45:57,160
Speaker 2: think I should have did what you usual.

951
00:45:57,239 --> 00:46:00,120
Speaker 4: I should have because like, for instance, stay Pop the

952
00:46:00,239 --> 00:46:02,480
Speaker 4: character they came to me and it was named Pedro,

953
00:46:02,719 --> 00:46:04,520
Speaker 4: and I didn't want to be named Pedro. I was like, nah,

954
00:46:04,520 --> 00:46:06,720
Speaker 4: I'm not the Patro. I was like, I'm a local,

955
00:46:06,960 --> 00:46:09,239
Speaker 4: you know what I mean? So I changed it and

956
00:46:09,280 --> 00:46:11,680
Speaker 4: then all of the because they actually wrote it for

957
00:46:11,680 --> 00:46:12,239
Speaker 4: p D Crack.

958
00:46:12,320 --> 00:46:14,319
Speaker 2: This is what a lot of people don't know. Pety

959
00:46:14,400 --> 00:46:15,520
Speaker 2: Crack got locked up.

960
00:46:15,640 --> 00:46:17,439
Speaker 4: When pe d Crack got locked up, the only other

961
00:46:17,560 --> 00:46:19,920
Speaker 4: black and Puerto Rican in the game, was me Pete

962
00:46:19,960 --> 00:46:22,439
Speaker 4: Crack black and Puerto Rican. Yeah, Petty crack black nigga

963
00:46:22,480 --> 00:46:23,000
Speaker 4: rickey like me.

964
00:46:23,120 --> 00:46:25,200
Speaker 2: Yeah. So yeah.

965
00:46:25,280 --> 00:46:28,120
Speaker 1: So what I did was I just basically changed all

966
00:46:28,160 --> 00:46:31,120
Speaker 1: of the words. And what I'm in retrospect, I should

967
00:46:31,160 --> 00:46:34,000
Speaker 1: have I should have tried to be Pedro. I should

968
00:46:34,000 --> 00:46:37,400
Speaker 1: have tried to No, no, no, no, see that you should

969
00:46:37,520 --> 00:46:47,480
Speaker 1: try to be you. That's what I did, interpret Pedro you.

970
00:46:46,040 --> 00:46:49,279
Speaker 2: But you did it because it was you. It was you.

971
00:46:55,080 --> 00:46:58,920
Speaker 1: And and can't nobody over here say that ship wasn't believable,

972
00:46:59,000 --> 00:46:59,840
Speaker 1: y'all looking at.

973
00:46:59,719 --> 00:47:04,080
Speaker 2: Me like, that's him. That's what you do? Right, met me?

974
00:47:04,560 --> 00:47:08,919
Speaker 1: You've been on OZ, right, how did you get that role?

975
00:47:09,360 --> 00:47:13,560
Speaker 1: Audition for that motherfucker aud audition? There's this lady, Alexa Fogel,

976
00:47:13,680 --> 00:47:17,480
Speaker 1: who's a casting person for a lot of major networks.

977
00:47:17,480 --> 00:47:21,040
Speaker 1: She did a lot of stuff for HBO. She's she's

978
00:47:21,040 --> 00:47:24,239
Speaker 1: a beautiful lady, beautiful lady man. But she rang and

979
00:47:24,400 --> 00:47:26,880
Speaker 1: she lets you, she lets your ass know. I got

980
00:47:26,920 --> 00:47:29,239
Speaker 1: a story about her. So when I audition for OS,

981
00:47:29,239 --> 00:47:32,000
Speaker 1: I'm still green whatever whatever, And honestly, I think I

982
00:47:32,080 --> 00:47:34,600
Speaker 1: really got the part because she pushed for me. Love

983
00:47:34,640 --> 00:47:38,960
Speaker 1: her for that. She's same ship with Webay Clock Hassa.

984
00:47:40,800 --> 00:47:42,759
Speaker 1: He knows about her as well. We always auditioned for

985
00:47:42,880 --> 00:47:44,520
Speaker 1: we her guy. She calls us in for all kind

986
00:47:44,520 --> 00:47:48,840
Speaker 1: of ship. If you get the Alexa still of approval,

987
00:47:48,880 --> 00:47:51,160
Speaker 1: you good. So I'm on the set of os Now

988
00:47:51,200 --> 00:47:52,600
Speaker 1: and I'm I'm ready.

989
00:47:52,920 --> 00:47:55,000
Speaker 2: You know, I ain't been to jail, but I know

990
00:47:55,040 --> 00:47:56,320
Speaker 2: what jail is, niggas.

991
00:47:56,640 --> 00:48:00,160
Speaker 1: I'm about to show these niggas what it is on

992
00:48:00,200 --> 00:48:04,200
Speaker 1: that set. Man, see dudes resting knocked. That ain't nothing

993
00:48:04,280 --> 00:48:06,680
Speaker 1: like the show. Nothing like the show and ship. But

994
00:48:06,760 --> 00:48:09,200
Speaker 1: soon as that ship set action and I've seen the

995
00:48:09,239 --> 00:48:11,279
Speaker 1: actors doing their thing, I was like, okay, this ship

996
00:48:11,320 --> 00:48:14,160
Speaker 1: is serious. I got to step my ship up his ship.

997
00:48:14,440 --> 00:48:19,520
Speaker 1: Why am I here? Okay, got you now. My first

998
00:48:19,560 --> 00:48:22,200
Speaker 1: scene that I had was with Lord Jamar. Jamal was

999
00:48:22,239 --> 00:48:24,440
Speaker 1: already on this ship. He was shout out to Lord

1000
00:48:24,480 --> 00:48:29,560
Speaker 1: Jamar Greatest. So the scene called for me to be

1001
00:48:29,600 --> 00:48:32,560
Speaker 1: in the visiting room with Mums rest in Paradise. Mums,

1002
00:48:32,600 --> 00:48:34,720
Speaker 1: that's the poet nude. Oh yeah, that's right. I forgot.

1003
00:48:35,440 --> 00:48:38,760
Speaker 1: And it was supposed to be a hit on Lord Jamal,

1004
00:48:38,800 --> 00:48:41,319
Speaker 1: who ain't fucking with nobody in there. Now, you had

1005
00:48:41,520 --> 00:48:44,600
Speaker 1: the black Muslims, you had the gangsters, you had the

1006
00:48:44,640 --> 00:48:48,280
Speaker 1: White Arians, then you had the Christian dudes. Lord Jamar

1007
00:48:48,920 --> 00:48:51,719
Speaker 1: was for the Fox said Nation, the Guards. He was

1008
00:48:51,760 --> 00:48:54,080
Speaker 1: by hisself in there, so everybody trying and kill his

1009
00:48:54,160 --> 00:48:55,480
Speaker 1: ass about the show.

1010
00:48:55,640 --> 00:48:55,959
Speaker 2: The show.

1011
00:49:04,239 --> 00:49:05,880
Speaker 1: He was killing that ship. I felt bad. I had

1012
00:49:05,920 --> 00:49:09,680
Speaker 1: to do him dirty. But I'm in the visiting room.

1013
00:49:09,760 --> 00:49:11,960
Speaker 1: The scene is me in the visiting room with mums.

1014
00:49:12,000 --> 00:49:14,719
Speaker 1: I'm visiting moms. He's in the visiting room at the

1015
00:49:14,760 --> 00:49:17,880
Speaker 1: same time, visiting with his chick. I'm supposed to do

1016
00:49:17,960 --> 00:49:20,440
Speaker 1: a hit. I'm a visitor. I'm supposed to pull a

1017
00:49:20,520 --> 00:49:23,800
Speaker 1: shame from under the table, walk over the Lord jamauro

1018
00:49:24,200 --> 00:49:29,239
Speaker 1: stick them give him the pok action, right, I do it.

1019
00:49:29,520 --> 00:49:32,000
Speaker 2: Now. Here's another thing from fact.

1020
00:49:32,360 --> 00:49:35,280
Speaker 1: Steve Bushemi who plays Knuckie Thompson on Boywalking.

1021
00:49:35,520 --> 00:49:38,080
Speaker 2: He directed that episode. I love this motherfucker.

1022
00:49:38,800 --> 00:49:41,040
Speaker 1: This is what every time I do something with acting

1023
00:49:41,080 --> 00:49:42,719
Speaker 1: and I learned something new. Shit make me want to

1024
00:49:42,760 --> 00:49:48,200
Speaker 1: do it more. He says, that was good, but you're

1025
00:49:48,200 --> 00:49:52,359
Speaker 1: moving too fast. Slow it down, got it? He don't

1026
00:49:52,400 --> 00:49:59,080
Speaker 1: know I'm green, so slow it down. To me means

1027
00:49:58,000 --> 00:50:02,120
Speaker 1: you know, you know, so action.

1028
00:50:02,880 --> 00:50:04,080
Speaker 2: That's what me and mom's talking.

1029
00:50:04,680 --> 00:50:07,120
Speaker 1: I grabbed this ship, but I'm not animated with the slowness.

1030
00:50:07,160 --> 00:50:12,600
Speaker 1: But I'm moving a little slow. Do it sits me down?

1031
00:50:13,200 --> 00:50:17,640
Speaker 1: Steve doesn't say ship to me nothing. He goes to

1032
00:50:17,680 --> 00:50:20,760
Speaker 1: the prop guy. See the problem was this the shank

1033
00:50:20,840 --> 00:50:24,440
Speaker 1: under the table. I was grabbing it too fast. I'm

1034
00:50:24,440 --> 00:50:29,600
Speaker 1: not even looking from grabbing it too fast. Instead of

1035
00:50:29,640 --> 00:50:32,160
Speaker 1: him having to keep telling me to do it or

1036
00:50:32,400 --> 00:50:34,480
Speaker 1: you know, to stay on my ass about it and

1037
00:50:34,520 --> 00:50:37,200
Speaker 1: maybe fuck with my confidence, he goes to the grip

1038
00:50:37,200 --> 00:50:40,719
Speaker 1: and tells the grip move. It doesn't tell me though,

1039
00:50:41,360 --> 00:50:42,520
Speaker 1: all doesn't tell me shit.

1040
00:50:43,480 --> 00:50:51,319
Speaker 2: Okay, action he forced to slow down.

1041
00:50:51,920 --> 00:50:54,680
Speaker 1: He got what he wanted. He got what he wanted

1042
00:50:55,520 --> 00:51:01,719
Speaker 1: what he and me mine was blown. Mind was blown, bro.

1043
00:51:01,920 --> 00:51:03,680
Speaker 2: And that makes me think, like when they do these

1044
00:51:03,680 --> 00:51:05,399
Speaker 2: horror movies with these kids.

1045
00:51:05,680 --> 00:51:09,640
Speaker 1: How they rear them? Because I know they really scared

1046
00:51:09,680 --> 00:51:12,919
Speaker 1: the actors and actresses. I know that for a fact.

1047
00:51:13,080 --> 00:51:15,000
Speaker 1: You know that tension and ship you know tho some

1048
00:51:15,040 --> 00:51:19,160
Speaker 1: of those screens are you know, but sometimes they scared

1049
00:51:19,160 --> 00:51:21,600
Speaker 1: the ship out they I know they do. So I'm

1050
00:51:21,600 --> 00:51:24,440
Speaker 1: wondering how they do that with the kids. That's the

1051
00:51:24,480 --> 00:51:28,680
Speaker 1: last thing I let my child do act.

1052
00:51:28,719 --> 00:51:31,399
Speaker 2: Are you a method actor? No? No?

1053
00:51:33,520 --> 00:51:36,080
Speaker 1: When I leader set, David McLean ash still be there

1054
00:51:36,120 --> 00:51:36,680
Speaker 1: in that suit.

1055
00:51:36,800 --> 00:51:39,440
Speaker 2: Yo. I worked with a method actor one time. What

1056
00:51:39,480 --> 00:51:42,360
Speaker 2: did you say it was? You said it was the

1057
00:51:42,520 --> 00:51:45,839
Speaker 2: motherfucker did not break character? Don't. He was like, they

1058
00:51:45,920 --> 00:51:46,760
Speaker 2: go to the set.

1059
00:51:47,239 --> 00:51:49,719
Speaker 1: It takes longer to shoot with them because them and

1060
00:51:49,760 --> 00:51:52,480
Speaker 1: the director always having back and forth between.

1061
00:51:52,920 --> 00:51:53,600
Speaker 2: It's just a lot.

1062
00:51:53,640 --> 00:51:57,880
Speaker 4: Because he stated like he stayed in character album DMX

1063
00:51:57,920 --> 00:52:01,040
Speaker 4: that called me and was get we'll come to the crib.

1064
00:52:01,520 --> 00:52:06,000
Speaker 2: So when I'm around it and begives his Matt.

1065
00:52:05,840 --> 00:52:09,080
Speaker 4: Schwartz or something like that. So he plays in Fast

1066
00:52:09,080 --> 00:52:11,880
Speaker 4: and Furious this ship. So he's He's like, was that

1067
00:52:11,920 --> 00:52:13,040
Speaker 4: the Mexican just called you?

1068
00:52:13,120 --> 00:52:13,759
Speaker 2: I was like yeah.

1069
00:52:13,960 --> 00:52:15,160
Speaker 4: So he was like, all right, cool, So I want

1070
00:52:15,200 --> 00:52:17,080
Speaker 4: to break character tomorrow? Can I come hang out with you?

1071
00:52:17,120 --> 00:52:20,400
Speaker 1: And and like he had to tell me that you

1072
00:52:20,480 --> 00:52:22,440
Speaker 1: will be the other guy you don't know.

1073
00:52:22,560 --> 00:52:26,280
Speaker 4: You don't know me personally right now on your meeting

1074
00:52:26,440 --> 00:52:29,120
Speaker 4: is this guy. And he would he would come on character.

1075
00:52:29,440 --> 00:52:30,959
Speaker 4: I mean he would come on set and he would

1076
00:52:31,000 --> 00:52:33,400
Speaker 4: be the jail guy because this is a treasure of

1077
00:52:33,480 --> 00:52:35,560
Speaker 4: seven Money's not not the greatest movie I ever did,

1078
00:52:35,760 --> 00:52:39,800
Speaker 4: but but uh, that's when I learned method actic.

1079
00:52:39,920 --> 00:52:43,320
Speaker 1: Bro, you can't put a price on what those method

1080
00:52:43,360 --> 00:52:43,880
Speaker 1: actors do.

1081
00:52:44,400 --> 00:52:46,080
Speaker 2: They just become that character and that's it, right.

1082
00:52:46,120 --> 00:52:50,280
Speaker 1: But actors, even theater actors, I believe, they can't stand

1083
00:52:50,360 --> 00:52:53,920
Speaker 1: the bullfuckers. The process just takes so much longer. But

1084
00:52:53,920 --> 00:52:56,960
Speaker 1: it's great when it works. It definitely works. Okay, when

1085
00:52:56,960 --> 00:52:59,520
Speaker 1: it doesn't work, it's like, see, I tell you YEA

1086
00:53:00,120 --> 00:53:01,719
Speaker 1: gonna sit around and discuss this ship all day.

1087
00:53:01,760 --> 00:53:04,719
Speaker 2: We should have just been shooting the whole time. It

1088
00:53:04,800 --> 00:53:09,759
Speaker 2: has to take a toll on their men. But if

1089
00:53:09,760 --> 00:53:11,919
Speaker 2: I'm playing the homeless man, I'm not going down.

1090
00:53:11,960 --> 00:53:15,880
Speaker 1: I don't sleep out and no, you know, I'll just

1091
00:53:15,920 --> 00:53:18,359
Speaker 1: revert back to my childhood. We was always THEMN thear

1092
00:53:18,400 --> 00:53:21,920
Speaker 1: homeless anyway, every month, like shit, got to scrap them

1093
00:53:22,000 --> 00:53:22,720
Speaker 1: dimes together.

1094
00:53:22,960 --> 00:53:27,200
Speaker 4: So first you on os OZ Classic Oz, though, then

1095
00:53:27,280 --> 00:53:29,520
Speaker 4: you get the opportunity to do the.

1096
00:53:29,400 --> 00:53:32,279
Speaker 2: Wild Yeah, you wouldn't know the fuck up for I

1097
00:53:32,320 --> 00:53:33,120
Speaker 2: got a story.

1098
00:53:32,840 --> 00:53:37,759
Speaker 1: For this already, So I go do a movie called

1099
00:53:37,840 --> 00:53:41,480
Speaker 1: Brown Sugar. Brown Sugar bad right, and they're like brown

1100
00:53:41,480 --> 00:53:44,840
Speaker 1: sugar meth. You ain't in brown Sugar exactly because I

1101
00:53:44,920 --> 00:53:46,520
Speaker 1: made the cutting room floor.

1102
00:53:46,360 --> 00:53:47,640
Speaker 2: This is I just got to.

1103
00:53:47,640 --> 00:53:50,440
Speaker 1: Put this ship in the context, went and shot the movie,

1104
00:53:50,800 --> 00:53:52,520
Speaker 1: but wasn't in the movie. This is the movie with

1105
00:53:52,640 --> 00:53:57,239
Speaker 1: most death. Take eggs anili, and I'm about to say,

1106
00:53:57,239 --> 00:54:03,520
Speaker 1: I ain't see you were right exactly my nigga ha

1107
00:54:03,640 --> 00:54:05,000
Speaker 1: song we made.

1108
00:54:05,000 --> 00:54:08,120
Speaker 2: He was. I'm glad I'm not the only right.

1109
00:54:11,239 --> 00:54:13,600
Speaker 1: I called him clock and Ship because the clockers okay,

1110
00:54:13,600 --> 00:54:16,560
Speaker 1: oh yeah, I re bember clockers. So he was there too.

1111
00:54:16,640 --> 00:54:22,440
Speaker 1: He was supposed to play like my assistant. Yeah, yeah, yeah,

1112
00:54:23,320 --> 00:54:25,840
Speaker 1: he's supposed to play my sidekick assistant in the scene

1113
00:54:25,880 --> 00:54:29,040
Speaker 1: and ship. Now, if anybody know, clock Clock ain't nobody

1114
00:54:29,080 --> 00:54:31,640
Speaker 1: fucking assistant at all at all.

1115
00:54:31,960 --> 00:54:32,120
Speaker 2: Nah.

1116
00:54:32,239 --> 00:54:34,360
Speaker 1: Now that's that's just not in his characters, not in

1117
00:54:34,360 --> 00:54:37,800
Speaker 1: his DNA. He ain't nobody fucking assistant. So he didn't

1118
00:54:37,840 --> 00:54:39,640
Speaker 1: like the ship, he didn't like the scene, hen't liked

1119
00:54:39,640 --> 00:54:40,600
Speaker 1: the words and that ship.

1120
00:54:40,640 --> 00:54:41,720
Speaker 2: So he left.

1121
00:54:43,719 --> 00:54:46,960
Speaker 1: When he left, I stayed. Did them all fucking thing

1122
00:54:47,040 --> 00:54:49,279
Speaker 1: one two, one two, blah blah blah blah blah. Now

1123
00:54:49,320 --> 00:54:54,439
Speaker 1: I was supposed to audition for The fucking Wire that day.

1124
00:54:54,600 --> 00:54:59,040
Speaker 1: But I did the fucking movie Sugar right clop went

1125
00:54:59,080 --> 00:55:02,160
Speaker 1: and auditioned with the Wire and got and got it

1126
00:55:02,360 --> 00:55:04,960
Speaker 1: we Bab. I'm not saying I would have got we Bab,

1127
00:55:04,960 --> 00:55:06,360
Speaker 1: but I would have been on the show from the

1128
00:55:06,360 --> 00:55:06,799
Speaker 1: ground up.

1129
00:55:06,800 --> 00:55:10,439
Speaker 2: Ship at the Wire.

1130
00:55:12,920 --> 00:55:16,040
Speaker 1: But the thing about cheese was what people couldn't understand.

1131
00:55:16,120 --> 00:55:18,880
Speaker 1: His cheese was a survivor. He was just trying to survive. Man.

1132
00:55:18,880 --> 00:55:22,440
Speaker 1: You got understand there, but you gotta understand the backstory

1133
00:55:22,600 --> 00:55:25,280
Speaker 1: behind a person. What would make a person do something

1134
00:55:25,360 --> 00:55:28,279
Speaker 1: like that? If you think about it, what would make

1135
00:55:28,320 --> 00:55:29,880
Speaker 1: a person do something like that?

1136
00:55:30,880 --> 00:55:32,680
Speaker 2: He liked the cheese. He didn't have a.

1137
00:55:32,719 --> 00:55:35,879
Speaker 1: Choice because if he wouldn't have gave his uncle, who

1138
00:55:36,000 --> 00:55:37,040
Speaker 1: was they gonna kill first?

1139
00:55:37,800 --> 00:55:39,640
Speaker 2: Thank you very much, nobody.

1140
00:55:39,960 --> 00:55:42,480
Speaker 1: You gotta see the nuances of what's going on here.

1141
00:55:42,480 --> 00:55:46,399
Speaker 1: And ship cheese is a fucking survival It's like, yeah,

1142
00:55:46,480 --> 00:55:47,120
Speaker 1: kill that nigga.

1143
00:55:47,960 --> 00:55:57,040
Speaker 2: I ain't gonna lie. I still see Marlowe, marlow he

1144
00:55:57,160 --> 00:56:01,200
Speaker 2: got that famous nigga, Like, I don't play about games.

1145
00:56:01,239 --> 00:56:02,759
Speaker 2: I don't know if he was ever acting. I'm not

1146
00:56:02,760 --> 00:56:07,359
Speaker 2: sure even he prolific with them hands, his feet. Don't

1147
00:56:07,360 --> 00:56:08,200
Speaker 2: play with that man.

1148
00:56:08,280 --> 00:56:13,000
Speaker 1: He's prolific, But now you're on power the fuck you

1149
00:56:13,080 --> 00:56:15,000
Speaker 1: keep just getting these roles run.

1150
00:56:15,440 --> 00:56:23,040
Speaker 2: Black people love me. Tell you, I loved it, honestly.

1151
00:56:23,040 --> 00:56:25,279
Speaker 1: It's the it's it's just a testament to the work

1152
00:56:25,280 --> 00:56:30,000
Speaker 1: ethic and Ship and lucky to draw because I mean,

1153
00:56:31,480 --> 00:56:36,000
Speaker 1: you look at someone like ll cool J and today, Yeah,

1154
00:56:36,200 --> 00:56:38,680
Speaker 1: and if you bring his name up in certain circles,

1155
00:56:38,840 --> 00:56:41,600
Speaker 1: a lot of people don't know that he was a

1156
00:56:41,680 --> 00:56:45,480
Speaker 1: rapper exactly right. They don't know these these facts about

1157
00:56:45,520 --> 00:56:49,919
Speaker 1: him and Ship, or that he's been consistently working non

1158
00:56:50,000 --> 00:56:52,160
Speaker 1: stop since he was sixteen years old.

1159
00:56:52,440 --> 00:56:53,319
Speaker 2: Crazy, he's on.

1160
00:56:53,239 --> 00:56:55,880
Speaker 1: A show in CIS that has been on now for

1161
00:56:55,920 --> 00:56:57,959
Speaker 1: how long he's he's him and ized team.

1162
00:56:58,640 --> 00:56:59,960
Speaker 2: Straight fucking numbers and Ship.

1163
00:57:01,280 --> 00:57:04,880
Speaker 1: But people, at least our community, some of us do,

1164
00:57:05,040 --> 00:57:08,319
Speaker 1: especially our age rage. We know because you know, Nigga

1165
00:57:08,320 --> 00:57:12,239
Speaker 1: was like golf up, but people came up after that.

1166
00:57:12,600 --> 00:57:15,440
Speaker 1: They don't know that. They don't watch NCIS. I mean

1167
00:57:15,480 --> 00:57:17,280
Speaker 1: I don't watch the shit, you know what I mean.

1168
00:57:17,480 --> 00:57:19,200
Speaker 1: Not saying they ain't a good show. All a great show,

1169
00:57:19,400 --> 00:57:23,800
Speaker 1: It's just not my kind of shit. I was lucky

1170
00:57:23,920 --> 00:57:29,479
Speaker 1: enough to have a so called hiatus where people didn't

1171
00:57:29,480 --> 00:57:32,479
Speaker 1: see me, but I was the same as LLLL, consistently working.

1172
00:57:32,560 --> 00:57:35,320
Speaker 1: It's just that just because you didn't see me doesn't

1173
00:57:35,320 --> 00:57:39,040
Speaker 1: mean I wasn't. And when I got the call for

1174
00:57:39,160 --> 00:57:42,040
Speaker 1: PowerBook two that came out, I don't know where that

1175
00:57:42,080 --> 00:57:46,440
Speaker 1: shit came from, man, but I was ecstatic until I

1176
00:57:46,520 --> 00:57:50,400
Speaker 1: wasn't because I was like, Okay, do we know what

1177
00:57:50,400 --> 00:57:51,720
Speaker 1: the part is? They was like, no, we don't know

1178
00:57:51,760 --> 00:57:53,240
Speaker 1: what the part is yet, but we're going to get

1179
00:57:53,240 --> 00:57:56,680
Speaker 1: it soon. I get it, and I'm like, I'm about

1180
00:57:56,680 --> 00:57:59,280
Speaker 1: the murder some shit. I'mbot to kill shit and watch

1181
00:57:59,280 --> 00:58:01,720
Speaker 1: I'm gonna be worse then fucking ghost saying Tom he

1182
00:58:01,760 --> 00:58:05,720
Speaker 1: put together Who's watch this ship? I get the script.

1183
00:58:06,720 --> 00:58:10,760
Speaker 1: It's the lawyer and it's this dialogue dialogue. Now, I

1184
00:58:10,880 --> 00:58:13,800
Speaker 1: like monologues, you know ours with monologues and ship.

1185
00:58:13,640 --> 00:58:16,120
Speaker 2: But it's a lawyer nigga.

1186
00:58:15,680 --> 00:58:21,480
Speaker 1: And there's there's certain you know, influctions, uh dialogue that

1187
00:58:21,560 --> 00:58:30,000
Speaker 1: you have to have uh. And that nuance that I

1188
00:58:30,080 --> 00:58:32,640
Speaker 1: was talking about with why people thought Cheese was a

1189
00:58:32,680 --> 00:58:34,920
Speaker 1: foul nigga, But Cheese was saving his own ass in

1190
00:58:34,960 --> 00:58:35,520
Speaker 1: the midst of.

1191
00:58:37,560 --> 00:58:46,800
Speaker 2: He definitely was Damn. I loved my face the lawyer,

1192
00:58:46,880 --> 00:58:47,680
Speaker 2: the lawyer because.

1193
00:58:47,960 --> 00:58:50,040
Speaker 1: Yeah, you said okay, so yeah, I was like, damn.

1194
00:58:50,080 --> 00:58:51,680
Speaker 1: So now I'm a little deflated. I'm like, they want

1195
00:58:51,720 --> 00:58:54,440
Speaker 1: to play a lawyer nervous as ship, you know. I

1196
00:58:54,480 --> 00:58:56,360
Speaker 1: was like, yeah, fuck that. Wait a minute. I just

1197
00:58:56,760 --> 00:58:59,479
Speaker 1: did my acting classes and we did a scene where

1198
00:59:01,120 --> 00:59:03,360
Speaker 1: what they do is in the acting class, they'll give

1199
00:59:03,400 --> 00:59:06,520
Speaker 1: you a scene partner and you guys have a week

1200
00:59:06,560 --> 00:59:09,040
Speaker 1: to work on a scene from an actual movie. The

1201
00:59:09,120 --> 00:59:11,560
Speaker 1: actual movie that I worked on with my scene partner

1202
00:59:12,240 --> 00:59:16,280
Speaker 1: was Philadelphia. I played the Denzel part and he played

1203
00:59:16,320 --> 00:59:19,120
Speaker 1: the Tom Hanks part. And it's their first meeting when

1204
00:59:19,520 --> 00:59:23,080
Speaker 1: Tom Hanks comes into his office and they're funny shit though,

1205
00:59:23,680 --> 00:59:28,400
Speaker 1: because he's very If you look at Denzel as a master,

1206
00:59:28,840 --> 00:59:31,560
Speaker 1: if you look at his body language in the beginning,

1207
00:59:32,480 --> 00:59:33,040
Speaker 1: it's money.

1208
00:59:33,120 --> 00:59:34,120
Speaker 2: Money just walked in the.

1209
00:59:34,040 --> 00:59:36,440
Speaker 1: Door, so he's pre engaging, blah blah blah blah blah.

1210
00:59:37,240 --> 00:59:41,000
Speaker 2: Tom Hanks says, I have age. It's like he's you know,

1211
00:59:41,080 --> 00:59:43,000
Speaker 2: he catches him at first, but then it's like saying.

1212
00:59:42,800 --> 00:59:47,480
Speaker 1: Post yeah, yeah, start wiping your hands and shit, like

1213
00:59:47,760 --> 00:59:51,160
Speaker 1: people didn't know what back then, but He's doing these

1214
00:59:51,280 --> 00:59:54,720
Speaker 1: nuances that you won't pick up on unless you actually

1215
00:59:54,800 --> 00:59:57,120
Speaker 1: and he makes you feel that shit. That's where I

1216
00:59:57,160 --> 01:00:01,560
Speaker 1: want to be, where I make a person actually feel ship.

1217
01:00:02,200 --> 01:00:04,360
Speaker 1: Like you have a watch a fucking horror movie and

1218
01:00:04,440 --> 01:00:05,800
Speaker 1: somebody get their arm chopped and we know this sh

1219
01:00:05,840 --> 01:00:06,880
Speaker 1: it is fake, but you still go.

1220
01:00:09,000 --> 01:00:12,439
Speaker 2: Come on like Scarface, Yeah, we knew Scarface wasn't real.

1221
01:00:12,880 --> 01:00:13,880
Speaker 2: You get to that level.

1222
01:00:13,920 --> 01:00:17,600
Speaker 1: So this is me thinking that level when they told

1223
01:00:17,640 --> 01:00:18,800
Speaker 1: me this lawyer part.

1224
01:00:20,120 --> 01:00:20,520
Speaker 2: FiOS.

1225
01:00:22,320 --> 01:00:24,560
Speaker 1: I go toward audition, and first person I see when

1226
01:00:24,600 --> 01:00:26,919
Speaker 1: I'm in the audition, this banger. This is a dude

1227
01:00:26,920 --> 01:00:29,640
Speaker 1: that plays Chris Paulo on the wire. I'm like, oh,

1228
01:00:29,680 --> 01:00:34,000
Speaker 1: this motherfucker got it because he all that. I didn't

1229
01:00:34,040 --> 01:00:35,240
Speaker 1: know he was there to be the teacher. I thought

1230
01:00:35,240 --> 01:00:36,840
Speaker 1: he was there to be the lawyer. I go in.

1231
01:00:37,160 --> 01:00:40,120
Speaker 1: I got on the red sweater. I got on a

1232
01:00:40,200 --> 01:00:44,320
Speaker 1: fucking collar shirt under the red sweater. This is my lawyer,

1233
01:00:44,360 --> 01:00:49,000
Speaker 1: look Ship. I don't even know the suit really, I

1234
01:00:49,000 --> 01:00:52,040
Speaker 1: don't own a suit that fit anyway.

1235
01:00:53,120 --> 01:00:54,000
Speaker 2: Get through the audition.

1236
01:00:55,120 --> 01:00:58,640
Speaker 1: Mark is there, Mark Canton uh, Anthony himan Way who

1237
01:00:58,640 --> 01:01:02,240
Speaker 1: directed it. That's my guy right there, Anthony and when

1238
01:01:02,240 --> 01:01:03,880
Speaker 1: I walked out, I was like, that shit sucked. I

1239
01:01:03,880 --> 01:01:06,320
Speaker 1: ain't get the part I caught Sean. I was like, hey,

1240
01:01:06,320 --> 01:01:08,280
Speaker 1: I fucked up, Sean. I ain't even fucking get the part.

1241
01:01:08,680 --> 01:01:10,720
Speaker 1: I was messing up in there, and I sweat a lot.

1242
01:01:10,760 --> 01:01:13,880
Speaker 1: I had big ass sweat stains under my under arms

1243
01:01:13,880 --> 01:01:16,360
Speaker 1: and shit. And two days later I got the call

1244
01:01:16,440 --> 01:01:18,200
Speaker 1: back like, yeah, he got it. It's like, get the

1245
01:01:18,200 --> 01:01:18,959
Speaker 1: fuck out of here.

1246
01:01:19,120 --> 01:01:21,360
Speaker 2: Now. I'm shitting in my pass because I'm like god

1247
01:01:21,760 --> 01:01:23,600
Speaker 2: Chez Lawyer every week.

1248
01:01:25,840 --> 01:01:27,400
Speaker 1: But that first day I showed up because I was

1249
01:01:27,440 --> 01:01:31,040
Speaker 1: shooting another TV show at the time with Kadem Hardersting

1250
01:01:31,040 --> 01:01:33,800
Speaker 1: called Teenage Bounty Hunters. Check that shit out on Netflix.

1251
01:01:34,080 --> 01:01:37,480
Speaker 1: Shit's hilarious. And Kadem still got it. He still got

1252
01:01:37,480 --> 01:01:41,520
Speaker 1: it his shit. I had to fly well. I shot

1253
01:01:41,560 --> 01:01:44,480
Speaker 1: with them. The first day I got there. Everybody was

1254
01:01:44,560 --> 01:01:47,560
Speaker 1: just welcome the dude with open arms. Now, this's the

1255
01:01:47,600 --> 01:01:50,840
Speaker 1: same crew from Power. Michael grew up with all these people,

1256
01:01:50,880 --> 01:01:54,280
Speaker 1: so they know him. The Tory grew up with these people.

1257
01:01:54,280 --> 01:01:54,840
Speaker 2: They know her.

1258
01:01:54,880 --> 01:01:57,440
Speaker 1: They don't know me, though, And like I said, embraced

1259
01:01:57,480 --> 01:01:59,560
Speaker 1: me with open arms, made me feel comfortable and shipped

1260
01:01:59,560 --> 01:02:02,280
Speaker 1: to the point there was no nervous energy and we

1261
01:02:02,440 --> 01:02:04,200
Speaker 1: just got through that first day. Once I got through

1262
01:02:04,240 --> 01:02:07,440
Speaker 1: that first day, I was still nervous, but it started

1263
01:02:07,440 --> 01:02:10,160
Speaker 1: to wane or ween off a bit, is that the

1264
01:02:10,200 --> 01:02:10,600
Speaker 1: right word?

1265
01:02:10,640 --> 01:02:12,920
Speaker 2: Ween ween off a bit?

1266
01:02:13,720 --> 01:02:16,040
Speaker 1: And by the time I got to like the fourth episode,

1267
01:02:16,160 --> 01:02:19,080
Speaker 1: or I was dead. Now this is the funny correlation

1268
01:02:19,200 --> 01:02:22,600
Speaker 1: between that and the Twitter verse. We got a big

1269
01:02:22,640 --> 01:02:26,360
Speaker 1: ass Twitter following, and those first four episodes where I

1270
01:02:26,400 --> 01:02:29,280
Speaker 1: felt like I was nervous, people were like, look at

1271
01:02:29,360 --> 01:02:33,480
Speaker 1: meda man, cringe, look at medic man, cringe. Method man

1272
01:02:33,560 --> 01:02:35,960
Speaker 1: is a lawyer? Ha ha ha ha ha medad Man

1273
01:02:36,000 --> 01:02:40,200
Speaker 1: a lawyer. By the fourth episode, who does David McClean?

1274
01:02:40,240 --> 01:02:40,760
Speaker 2: Motherfuckers?

1275
01:02:42,320 --> 01:02:45,560
Speaker 1: Wasn't method man no more. By the second season, I'm

1276
01:02:45,560 --> 01:02:48,200
Speaker 1: in the street, they calling me that shit. So so

1277
01:02:48,360 --> 01:02:52,240
Speaker 1: let me ask you, what how do you study for

1278
01:02:52,320 --> 01:02:54,120
Speaker 1: this role? Do you go hang out with a lawyer?

1279
01:02:54,400 --> 01:02:58,880
Speaker 2: I had a coach. The coach is the way to go. Yeah.

1280
01:02:58,920 --> 01:03:03,000
Speaker 1: So, in fact, my coach is Larry Library, Larry Larry

1281
01:03:03,000 --> 01:03:08,440
Speaker 1: b all right. Now, Now, Larry was the only black person,

1282
01:03:09,640 --> 01:03:13,400
Speaker 1: only black star in Revenge of the Nerds. Think about it,

1283
01:03:13,440 --> 01:03:19,680
Speaker 1: Oh my homeboy, yea Lamar Lamar, contrary to the poor

1284
01:03:19,760 --> 01:03:20,400
Speaker 1: he loved pussy.

1285
01:03:20,480 --> 01:03:22,400
Speaker 2: So you know what I'm.

1286
01:03:22,320 --> 01:03:31,960
Speaker 1: Saying anyway, Yeah, that's that's my coach. And dude has

1287
01:03:32,000 --> 01:03:35,400
Speaker 1: a way of doing things that you know, we speak.

1288
01:03:35,480 --> 01:03:36,720
Speaker 2: He speaks the language.

1289
01:03:36,880 --> 01:03:39,280
Speaker 1: And I'm not taking away from any other coaches, but

1290
01:03:39,400 --> 01:03:42,240
Speaker 1: he he kind of speaks my language. He he talks

1291
01:03:42,280 --> 01:03:45,040
Speaker 1: in a way that simplifies things for me that I

1292
01:03:45,040 --> 01:03:46,000
Speaker 1: can understand it.

1293
01:03:46,560 --> 01:03:49,040
Speaker 2: You know what I mean? Wow, I would does he

1294
01:03:49,120 --> 01:03:51,600
Speaker 2: coach you for each scene or is it.

1295
01:03:51,600 --> 01:03:55,480
Speaker 1: Just a general episode that I was doing? I would

1296
01:03:55,480 --> 01:04:00,560
Speaker 1: call him for a session and we would go over it. Yeah,

1297
01:04:00,560 --> 01:04:00,840
Speaker 1: he's a.

1298
01:04:00,840 --> 01:04:02,959
Speaker 2: Good guy man. A lot of love for that guy.

1299
01:04:03,040 --> 01:04:05,720
Speaker 1: Man. He he took good care of me and shit,

1300
01:04:05,840 --> 01:04:08,680
Speaker 1: I mean I got a naacp image of all for

1301
01:04:08,720 --> 01:04:09,800
Speaker 1: that shit, you know what I mean?

1302
01:04:09,880 --> 01:04:11,080
Speaker 2: So he knows the shit.

1303
01:04:11,720 --> 01:04:11,880
Speaker 1: You know.

1304
01:04:12,200 --> 01:04:18,360
Speaker 2: Shit. Now, if you had a chance to pick what

1305
01:04:18,520 --> 01:04:19,360
Speaker 2: it be rapping.

1306
01:04:19,640 --> 01:04:26,760
Speaker 1: Or acting, I can't pick. Can't pick because because like

1307
01:04:26,800 --> 01:04:29,240
Speaker 1: I said, being a creative, that doesn't limit me to

1308
01:04:29,440 --> 01:04:33,640
Speaker 1: just rapping or even just acting, you know, I mean

1309
01:04:33,720 --> 01:04:38,000
Speaker 1: think about it. Redman is definitely a creative right and

1310
01:04:38,080 --> 01:04:40,800
Speaker 1: it didn't just limit him back. I mean he doesn't

1311
01:04:40,840 --> 01:04:43,240
Speaker 1: have to if he doesn't want to, and I agree

1312
01:04:43,280 --> 01:04:44,640
Speaker 1: with him one hundred and ten percent.

1313
01:04:44,800 --> 01:04:45,960
Speaker 2: That's my guy right there.

1314
01:04:46,200 --> 01:04:47,840
Speaker 1: If you don't want to take that shit fuck that,

1315
01:04:48,000 --> 01:04:49,880
Speaker 1: anybody try and stick him, I'm gonna kill him.

1316
01:04:50,680 --> 01:04:51,000
Speaker 2: Period.

1317
01:04:51,920 --> 01:04:55,240
Speaker 5: But you would probably say that hip hop brought you

1318
01:04:55,280 --> 01:04:56,720
Speaker 5: to here to that today.

1319
01:04:56,840 --> 01:05:01,840
Speaker 1: Absolutely, yes, yes, absolutely, but it doesn't and tell the

1320
01:05:01,880 --> 01:05:04,800
Speaker 1: whole story of who I am. I mean, look at

1321
01:05:04,880 --> 01:05:09,320
Speaker 1: rat Man first, and it's like he rat he DJ right,

1322
01:05:09,800 --> 01:05:12,840
Speaker 1: and he jumped out of the airplance. Yeah, he's crazy creative,

1323
01:05:15,160 --> 01:05:19,200
Speaker 1: creative though, because he's painting whole fucking landscapes while he's floating.

1324
01:05:21,480 --> 01:05:23,280
Speaker 2: He's becoming one with hisself.

1325
01:05:23,320 --> 01:05:30,120
Speaker 1: Except the painting now, the the animation and the.

1326
01:05:27,960 --> 01:05:30,920
Speaker 2: The inspiration is drawing inside. Now.

1327
01:05:31,000 --> 01:05:33,440
Speaker 1: He doesn't have to inspire anybody else. Now, he just

1328
01:05:33,480 --> 01:05:37,960
Speaker 1: inspires himself. And when you're there, can't nobody stop you? Man,

1329
01:05:38,760 --> 01:05:39,200
Speaker 1: for real?

1330
01:05:40,480 --> 01:05:43,600
Speaker 2: We got quick, Thomas, Yeah, of course, we're ready, be ready.

1331
01:05:45,000 --> 01:05:49,120
Speaker 2: Ain't drinking ship. Who's a designated drinking You gonn pick

1332
01:05:49,160 --> 01:05:54,840
Speaker 2: somebody to drink for you drink? I tell you.

1333
01:05:59,040 --> 01:06:03,400
Speaker 1: All right, let's go Hi, every damn ship ship they

1334
01:06:03,440 --> 01:06:05,880
Speaker 1: can and called those two well, it's funny too, because

1335
01:06:05,920 --> 01:06:07,920
Speaker 1: your lists come and go. I got one too, and

1336
01:06:07,960 --> 01:06:11,160
Speaker 1: ship your ship. Let me tell you, because they taught

1337
01:06:11,160 --> 01:06:16,520
Speaker 1: me this ship is no no to here, not here.

1338
01:06:16,720 --> 01:06:21,240
Speaker 2: Not here. I would listen. You're my acting. I still care,

1339
01:06:21,240 --> 01:06:22,760
Speaker 2: I still look.

1340
01:06:22,800 --> 01:06:26,040
Speaker 1: So I still can't say certain words like what they

1341
01:06:26,040 --> 01:06:27,400
Speaker 1: got to come up and then I can tell you

1342
01:06:27,400 --> 01:06:27,640
Speaker 1: like I.

1343
01:06:27,880 --> 01:06:30,760
Speaker 2: Can't people laughing at me every time I say coffee,

1344
01:06:31,360 --> 01:06:35,919
Speaker 2: why he said it's fine. What I said, it's fine? Yeah?

1345
01:06:36,920 --> 01:06:38,080
Speaker 2: Sometimes I say coffee.

1346
01:06:39,720 --> 01:06:43,680
Speaker 1: Yeah, but that's so that's some Italian ship, right, that's my.

1347
01:06:44,160 --> 01:06:46,960
Speaker 2: People be telling me I'm Italian. You got that, that's

1348
01:06:47,040 --> 01:06:50,080
Speaker 2: that's that's that. But see I do that with David McLean.

1349
01:06:51,120 --> 01:06:55,520
Speaker 1: Instead of saying that's that's ours, I say that's ours ours. Yeah,

1350
01:06:55,680 --> 01:06:57,720
Speaker 1: it's instead of saying I want a glass of water,

1351
01:06:58,200 --> 01:07:02,720
Speaker 1: say I want a glass of water, right, And that's

1352
01:07:02,760 --> 01:07:04,560
Speaker 1: not my daughter, that's my daughter.

1353
01:07:05,440 --> 01:07:08,600
Speaker 4: It's not like some Boston accent there sounds like I'm

1354
01:07:08,600 --> 01:07:11,000
Speaker 4: never gonna get this ship.

1355
01:07:11,160 --> 01:07:12,000
Speaker 2: That's easy. Ship.

1356
01:07:12,080 --> 01:07:15,600
Speaker 1: All I did was copy CALLI niggas okay, okay and gangsters.

1357
01:07:15,680 --> 01:07:17,400
Speaker 2: They talked like that. You know what. The crazy thing

1358
01:07:17,440 --> 01:07:20,880
Speaker 2: I just seen the other day that the dumb c

1359
01:07:21,240 --> 01:07:25,640
Speaker 2: was like the Yeah for Dempson, Yeah, I thought that

1360
01:07:25,720 --> 01:07:28,800
Speaker 2: was amazing. Man. I haven't spoke to him so long.

1361
01:07:28,800 --> 01:07:36,200
Speaker 1: Man wherever you have some stories, niggas. But there's a

1362
01:07:36,200 --> 01:07:39,840
Speaker 1: woman with you on Soul Plane that that you kind

1363
01:07:39,840 --> 01:07:44,280
Speaker 1: of like flipped on people for not taking the acting gig. Serious, Nah,

1364
01:07:44,760 --> 01:07:47,360
Speaker 1: that wasn't me that, No, I don't know.

1365
01:07:47,520 --> 01:07:51,120
Speaker 2: Jesse Terrrero wasn't having Jesse runs a tight ship. Man.

1366
01:07:51,600 --> 01:07:53,840
Speaker 1: You know I didn't do anything of the sort, you know,

1367
01:07:55,520 --> 01:07:59,840
Speaker 1: if anything that was Kevin's vehicle. But Snoop stole that movie.

1368
01:08:00,640 --> 01:08:03,680
Speaker 1: You stole that movie. That fucking captain mac He was

1369
01:08:03,760 --> 01:08:05,600
Speaker 1: killing that ship, nigger. I think a lot of that

1370
01:08:05,640 --> 01:08:07,880
Speaker 1: ship was covered off the top of his head. Shout

1371
01:08:07,880 --> 01:08:11,880
Speaker 1: out the stupid dog an amazing motherfucking Do.

1372
01:08:11,840 --> 01:08:13,880
Speaker 2: You think we need a soul plane in real life?

1373
01:08:14,720 --> 01:08:14,800
Speaker 1: No?

1374
01:08:15,800 --> 01:08:17,679
Speaker 2: But I tell you what I do have a suggestion.

1375
01:08:18,160 --> 01:08:23,519
Speaker 1: I want they should have designated flights for people with

1376
01:08:23,600 --> 01:08:25,880
Speaker 1: children and animals.

1377
01:08:27,320 --> 01:08:31,040
Speaker 2: You killed that man because you know I love kids.

1378
01:08:31,280 --> 01:08:32,760
Speaker 2: Say all children is on one flight?

1379
01:08:32,840 --> 01:08:34,960
Speaker 1: Like it should be a designated flight for people with children.

1380
01:08:35,080 --> 01:08:37,400
Speaker 1: Just children, Okay, people, dog, you know what I mean?

1381
01:08:38,680 --> 01:08:41,759
Speaker 2: Yeah, my friend. He wants his dog. He got relax.

1382
01:08:41,960 --> 01:08:45,360
Speaker 1: And I have nothing against the animals, the animal community,

1383
01:08:45,360 --> 01:08:50,639
Speaker 1: the animal loving community, have nothing against the children. But there,

1384
01:08:50,680 --> 01:08:54,200
Speaker 1: but it can be an inconvenience sometimes and.

1385
01:08:54,040 --> 01:08:55,840
Speaker 2: Sometimes it be that big ass dog they like it's

1386
01:08:55,880 --> 01:08:56,559
Speaker 2: a puppy. It could be.

1387
01:08:58,600 --> 01:09:01,160
Speaker 1: Sixteen years old. I have a fear of big dogs.

1388
01:09:01,280 --> 01:09:04,400
Speaker 1: I've been bitten before. I mean, I've been chased a lot,

1389
01:09:05,160 --> 01:09:07,400
Speaker 1: so I have like this little fear of big dogs

1390
01:09:07,400 --> 01:09:09,200
Speaker 1: and ship. So if I have to sit next to

1391
01:09:09,200 --> 01:09:10,639
Speaker 1: your big dog, and I'm not going to be afraid

1392
01:09:10,680 --> 01:09:13,280
Speaker 1: of it, I'm pretty sure the dog is well behaved,

1393
01:09:13,360 --> 01:09:17,000
Speaker 1: but it's making my experience uncomfortable, you know. And I

1394
01:09:17,080 --> 01:09:19,760
Speaker 1: paid just as much or if not more, from my

1395
01:09:19,840 --> 01:09:20,880
Speaker 1: seat than you did.

1396
01:09:20,960 --> 01:09:23,439
Speaker 2: And if the dog has an accident, we have to

1397
01:09:23,520 --> 01:09:24,160
Speaker 2: ride with that.

1398
01:09:24,520 --> 01:09:27,439
Speaker 1: And I heard that the person that has the dog

1399
01:09:27,520 --> 01:09:30,720
Speaker 1: is responsible for it. Now I've seen people have their

1400
01:09:30,720 --> 01:09:33,080
Speaker 1: dogs in the airport.

1401
01:09:34,320 --> 01:09:35,439
Speaker 2: Yeah, you know what I mean.

1402
01:09:38,960 --> 01:09:41,080
Speaker 1: Now the thing with the kids, Now, it's not so

1403
01:09:41,160 --> 01:09:43,400
Speaker 1: much with the kids because sometimes kids their ears pop

1404
01:09:43,439 --> 01:09:43,840
Speaker 1: and then.

1405
01:09:43,720 --> 01:09:47,640
Speaker 2: You know, drives them freaking crazy. But if your child.

1406
01:09:49,040 --> 01:09:55,000
Speaker 1: Is constantly screaming no, I want it, let me, you know,

1407
01:09:55,400 --> 01:10:00,439
Speaker 1: jumping out and and or just you know, just the

1408
01:10:00,520 --> 01:10:02,840
Speaker 1: kick in the seat thing, and you're sitting there on

1409
01:10:02,880 --> 01:10:07,000
Speaker 1: your phone. What I can't say anything to this child

1410
01:10:07,360 --> 01:10:09,839
Speaker 1: that you don't say anything to the child. And honestly,

1411
01:10:09,880 --> 01:10:14,120
Speaker 1: real men don't say anything to women, and especially not

1412
01:10:14,160 --> 01:10:19,200
Speaker 1: in the confrontational man. So now I'm stuck with this,

1413
01:10:19,200 --> 01:10:21,840
Speaker 1: this badass kid, and I'm saying, I'm saying all kinds

1414
01:10:21,840 --> 01:10:22,559
Speaker 1: of faust ship.

1415
01:10:22,360 --> 01:10:25,000
Speaker 2: In my head, like if it was mine, I beat

1416
01:10:25,040 --> 01:10:37,000
Speaker 2: the ship out. I was taking the damn And you know,

1417
01:10:37,360 --> 01:10:39,280
Speaker 2: I think that they should have their own flights period.

1418
01:10:39,920 --> 01:10:47,240
Speaker 3: In the dream Champs Airline, bro drink Champs Airlines, Yeah

1419
01:10:47,600 --> 01:10:51,080
Speaker 3: New York, No, not to New York, just flying out

1420
01:10:51,080 --> 01:10:52,040
Speaker 3: of Orlando period.

1421
01:10:52,520 --> 01:10:56,799
Speaker 2: The Disney kids all up in just being in that terminal.

1422
01:10:57,479 --> 01:11:01,800
Speaker 1: I think you just got that carpet and that little

1423
01:11:01,880 --> 01:11:03,759
Speaker 1: round every year when you get off them drag.

1424
01:11:03,680 --> 01:11:05,679
Speaker 2: That corfet is so warn the fuck out.

1425
01:11:06,640 --> 01:11:10,400
Speaker 1: Look them babies being there, tearing that place to fuck down.

1426
01:11:10,640 --> 01:11:13,639
Speaker 1: And this is what they do. Tell me if from lying,

1427
01:11:13,720 --> 01:11:15,640
Speaker 1: this is what they do. All the colorful shit be

1428
01:11:15,720 --> 01:11:18,400
Speaker 1: right soon as you get off that plate, All the colorful.

1429
01:11:17,920 --> 01:11:20,040
Speaker 2: Shit be right that candy toys.

1430
01:11:20,200 --> 01:11:23,200
Speaker 1: It's like when you do spend like fifteen hundred already

1431
01:11:23,240 --> 01:11:25,560
Speaker 1: in the park over two days, getting your kids on

1432
01:11:25,640 --> 01:11:29,000
Speaker 1: kind of shit that broke the second day. Now they

1433
01:11:29,040 --> 01:11:31,519
Speaker 1: got this sit in the fucking and it's for double.

1434
01:11:32,160 --> 01:11:32,960
Speaker 2: You ain't even in the.

1435
01:11:32,880 --> 01:11:37,560
Speaker 1: Party for double in the motherfucking airport, so fuck them. No,

1436
01:11:37,800 --> 01:11:40,200
Speaker 1: you should see the kids falling down, parents dragging their

1437
01:11:40,320 --> 01:11:41,920
Speaker 1: kids away from the fucking.

1438
01:11:42,120 --> 01:11:44,120
Speaker 2: You know what I mean. The little mini mouse toy,

1439
01:11:44,640 --> 01:11:48,880
Speaker 2: the little girl like little sluts you dead ragging up,

1440
01:11:48,880 --> 01:11:51,640
Speaker 2: you know them leashes, got the leash like this, the

1441
01:11:51,720 --> 01:11:52,400
Speaker 2: home just like this.

1442
01:11:57,000 --> 01:12:02,040
Speaker 1: Then you get that cool mom is cool, white ball coolert.

1443
01:12:02,040 --> 01:12:06,280
Speaker 2: So she just left the baby there, left the baby there.

1444
01:12:07,880 --> 01:12:11,160
Speaker 1: Like okay, carro I'm going that's what you're gonna do. Okay,

1445
01:12:11,200 --> 01:12:15,240
Speaker 1: Mom's gone by, car walk the off. That baby girl

1446
01:12:15,240 --> 01:12:17,599
Speaker 1: stood there crowd for a second. She was watching it, though.

1447
01:12:17,960 --> 01:12:19,920
Speaker 1: As soon as she got too far, she got up

1448
01:12:19,960 --> 01:12:22,320
Speaker 1: like a started running right behind.

1449
01:12:22,680 --> 01:12:26,840
Speaker 2: Yeah. Yes, all right, I'm ready, I'm ready, I'm ready there.

1450
01:12:27,120 --> 01:12:31,120
Speaker 5: All right, I think you wanna explain the rules. We're

1451
01:12:31,120 --> 01:12:35,599
Speaker 5: gonna give you two choices. If you pick one, we're good.

1452
01:12:35,640 --> 01:12:38,200
Speaker 5: But if you say both are neither we drinking? Well

1453
01:12:38,200 --> 01:12:41,839
Speaker 5: we drinking for you? Well, well you're drinking your tatue.

1454
01:12:42,200 --> 01:12:44,840
Speaker 4: By the way, I'm not gonna lie at the video set.

1455
01:12:45,000 --> 01:12:46,680
Speaker 4: You came to my hood, you know me.

1456
01:12:46,720 --> 01:12:46,880
Speaker 2: Now.

1457
01:12:47,000 --> 01:12:48,960
Speaker 4: You asked me for two bottles of Ace of Spade.

1458
01:12:49,360 --> 01:12:51,639
Speaker 4: I gave it to you, but then you forgot them.

1459
01:12:51,760 --> 01:12:53,680
Speaker 2: So I want to make sure I get put them in.

1460
01:12:53,800 --> 01:12:56,160
Speaker 4: Oh nice, yea, I'm gonna make sure because I think

1461
01:12:56,200 --> 01:12:59,240
Speaker 4: you ask for your wife. And by the way, I

1462
01:12:59,280 --> 01:13:01,240
Speaker 4: had to make sure you're gonna believe with these two

1463
01:13:01,240 --> 01:13:01,840
Speaker 4: bottles this time?

1464
01:13:01,840 --> 01:13:03,720
Speaker 2: Okay, So how I get it on the plane? You

1465
01:13:03,800 --> 01:13:05,479
Speaker 2: put you know all you gotta do?

1466
01:13:05,600 --> 01:13:12,400
Speaker 1: Give it to d Yeah, because I've seen them.

1467
01:13:12,520 --> 01:13:15,080
Speaker 2: If it's not duty free, because they are taking If

1468
01:13:15,080 --> 01:13:16,280
Speaker 2: you got, if you got, if you got, if you

1469
01:13:16,360 --> 01:13:18,880
Speaker 2: got the what is that ship called? If you if

1470
01:13:18,920 --> 01:13:20,439
Speaker 2: you put if you checking in the back, if you

1471
01:13:20,520 --> 01:13:26,000
Speaker 2: check it in the bag, if yeah, yeah, I'll you forget.

1472
01:13:26,040 --> 01:13:28,960
Speaker 4: I want you to know I'm a because you won't

1473
01:13:29,000 --> 01:13:31,320
Speaker 4: ask me for nothing. That one thing you asked me

1474
01:13:31,360 --> 01:13:33,960
Speaker 4: for I've never forgotten. And I remember you putting the

1475
01:13:33,960 --> 01:13:37,200
Speaker 4: bottles back because the director wanted to film. And then

1476
01:13:37,200 --> 01:13:39,760
Speaker 4: you forgot you. By the way, I wonder what came

1477
01:13:39,800 --> 01:13:46,120
Speaker 4: there with though, goddamn, let me tell you something matth

1478
01:13:46,400 --> 01:13:50,360
Speaker 4: you my friend, But that never that never downgrades my

1479
01:13:50,520 --> 01:13:52,240
Speaker 4: fanness for of you.

1480
01:13:52,400 --> 01:13:53,320
Speaker 2: Never downgrade.

1481
01:13:53,320 --> 01:13:56,479
Speaker 4: It never takes away from how great you are. Like,

1482
01:13:56,560 --> 01:13:58,760
Speaker 4: I'm just letting you know, bro, you are one of

1483
01:13:58,760 --> 01:14:01,639
Speaker 4: the greats. Are you a real one?

1484
01:14:02,000 --> 01:14:02,600
Speaker 2: You?

1485
01:14:02,120 --> 01:14:02,160
Speaker 1: You?

1486
01:14:02,600 --> 01:14:06,320
Speaker 2: You ain't a liar? You are every Every.

1487
01:14:06,080 --> 01:14:09,719
Speaker 4: Motherfucking encounter I've ever had with you has always been pleasant.

1488
01:14:09,720 --> 01:14:12,639
Speaker 4: It has always been real, and I really appreciate you.

1489
01:14:12,640 --> 01:14:16,400
Speaker 4: Thank you, And let me say.

1490
01:14:16,280 --> 01:14:17,240
Speaker 2: That real quick. Yeah.

1491
01:14:17,360 --> 01:14:19,479
Speaker 5: One of the few people that since the day he

1492
01:14:19,520 --> 01:14:21,000
Speaker 5: doesn't remember the day I met him, but since the

1493
01:14:21,080 --> 01:14:23,800
Speaker 5: day I met him. He said my name right, yeah,

1494
01:14:24,120 --> 01:14:26,080
Speaker 5: I got I got to drop in ninety four. How

1495
01:14:26,080 --> 01:14:30,240
Speaker 5: can I be down from him? And he said it immaculately.

1496
01:14:29,560 --> 01:14:32,920
Speaker 4: Because you've been effing for a long time, for a

1497
01:14:32,960 --> 01:14:33,759
Speaker 4: long time.

1498
01:14:34,680 --> 01:14:40,200
Speaker 1: He said, I said it in the car, and I

1499
01:14:40,240 --> 01:14:43,439
Speaker 1: was like, rash, How you say his name like you

1500
01:14:43,479 --> 01:14:46,000
Speaker 1: don't like when you call him?

1501
01:14:46,479 --> 01:14:48,639
Speaker 2: You got the skip? Do you got?

1502
01:14:49,920 --> 01:14:54,920
Speaker 1: Do we got it set up? And do you got? Yeah?

1503
01:14:55,640 --> 01:14:56,760
Speaker 1: Use your job application?

1504
01:14:56,920 --> 01:15:00,320
Speaker 2: Boys, By the way, I get a lie di you

1505
01:15:00,439 --> 01:15:03,839
Speaker 2: what what's up? That's my boy diego.

1506
01:15:04,400 --> 01:15:05,800
Speaker 4: He might have been He might have been the most

1507
01:15:05,840 --> 01:15:07,719
Speaker 4: hype ist we've had seven years.

1508
01:15:08,240 --> 01:15:14,600
Speaker 2: You know, all your lyrics rocks hang on, yeah, got you?

1509
01:15:14,840 --> 01:15:23,519
Speaker 2: Oh ship ship she spread out and rocks hang on

1510
01:15:24,720 --> 01:15:25,280
Speaker 2: like that ship.

1511
01:15:27,320 --> 01:15:32,719
Speaker 1: Thank you, Dave did that ship?

1512
01:15:33,360 --> 01:15:36,600
Speaker 2: This is your ray right? Yeah?

1513
01:15:37,320 --> 01:15:42,759
Speaker 5: Oh nigga, y'all were freestyling.

1514
01:15:42,840 --> 01:15:49,040
Speaker 1: This is like, yeah, tongue out your ship with the

1515
01:15:49,160 --> 01:15:50,120
Speaker 1: Russian screw job.

1516
01:15:53,200 --> 01:15:55,280
Speaker 2: Baby.

1517
01:15:57,080 --> 01:16:09,840
Speaker 1: Yeah, he was losing because this is a classic. That

1518
01:16:09,880 --> 01:16:12,400
Speaker 1: ship perfect. That ship went further than that we was.

1519
01:16:12,479 --> 01:16:14,120
Speaker 1: We started mother jokes and all that.

1520
01:16:15,120 --> 01:16:15,559
Speaker 2: One thing.

1521
01:16:15,640 --> 01:16:20,960
Speaker 1: Dude, rais hilarious, figure, hilarious son, the funniest fuck.

1522
01:16:21,360 --> 01:16:27,000
Speaker 4: Yes, you know, while I went to raise wedding, I

1523
01:16:27,000 --> 01:16:29,960
Speaker 4: had beautiful, beautiful, beautiful her.

1524
01:16:30,120 --> 01:16:31,839
Speaker 2: Wedding reception everything.

1525
01:16:32,640 --> 01:16:34,679
Speaker 4: I wanted to send love to him and his queen

1526
01:16:35,040 --> 01:16:39,280
Speaker 4: real thank you for inviting me, me being part of that.

1527
01:16:39,280 --> 01:16:41,720
Speaker 2: That was hip hop royalty. I knew Chef was going

1528
01:16:41,800 --> 01:16:44,320
Speaker 2: to turn up like that. Man. That motherfucker always been

1529
01:16:44,360 --> 01:16:46,840
Speaker 2: a little clack gone like you know what I mean?

1530
01:16:47,000 --> 01:16:50,799
Speaker 1: Yeah, man, yeah, Hitchcock mixed with Capone.

1531
01:16:52,520 --> 01:16:55,559
Speaker 2: I don't believe his wife is Italian too, yeah, it

1532
01:16:55,680 --> 01:16:59,760
Speaker 2: was telling that ship was destined. I'm telling you this

1533
01:17:00,120 --> 01:17:00,800
Speaker 2: so beautiful.

1534
01:17:02,200 --> 01:17:06,240
Speaker 4: Me nobody, nobody has security, everybody that was dead and

1535
01:17:06,280 --> 01:17:08,120
Speaker 4: we just we just showed out for the brother man.

1536
01:17:08,200 --> 01:17:14,280
Speaker 2: Let's make some great I love that for my brother.

1537
01:17:14,439 --> 01:17:16,880
Speaker 2: I want that for all my brothers. Okay, let let's

1538
01:17:16,920 --> 01:17:18,439
Speaker 2: get the quick time of slide ready.

1539
01:17:18,720 --> 01:17:25,800
Speaker 5: Yes, first, all right, Biggie or Big L, where are

1540
01:17:25,800 --> 01:17:27,599
Speaker 5: you doing that?

1541
01:17:29,560 --> 01:17:30,599
Speaker 2: Well? Check this right.

1542
01:17:30,680 --> 01:17:33,120
Speaker 1: Big L used to shell me my my, my wet

1543
01:17:33,360 --> 01:17:38,479
Speaker 1: you know what I mean. Yeah, Big L used to

1544
01:17:38,479 --> 01:17:41,639
Speaker 1: shell me. Dush nigga.

1545
01:17:43,560 --> 01:17:48,360
Speaker 2: None of us big hit that ship from BIGL. With

1546
01:17:48,520 --> 01:17:50,120
Speaker 2: that being said, both.

1547
01:17:50,000 --> 01:17:57,400
Speaker 4: Okay, drinking shun is back, by the way, I'm not

1548
01:17:57,439 --> 01:17:59,680
Speaker 4: gonna lie to I think that's the first time I've

1549
01:17:59,720 --> 01:18:00,160
Speaker 4: ever been.

1550
01:18:00,080 --> 01:18:01,760
Speaker 2: Shot like that on drinking.

1551
01:18:03,360 --> 01:18:03,479
Speaker 5: All.

1552
01:18:03,520 --> 01:18:08,800
Speaker 2: We didn't understand that first. I mean this was like

1553
01:18:08,880 --> 01:18:11,679
Speaker 2: the first time first time you didn't understand the slang.

1554
01:18:11,680 --> 01:18:14,160
Speaker 4: Of course, let me I tell you, I didn't know

1555
01:18:14,200 --> 01:18:15,960
Speaker 4: Big L even knew who I was.

1556
01:18:16,800 --> 01:18:18,360
Speaker 2: And when Big L passed away.

1557
01:18:18,200 --> 01:18:21,559
Speaker 4: This drop came out of him saying, I following with

1558
01:18:21,720 --> 01:18:24,200
Speaker 4: Nori and Cam was doing something. He said something like that,

1559
01:18:24,240 --> 01:18:25,680
Speaker 4: and I was I was blowing away that.

1560
01:18:25,600 --> 01:18:28,320
Speaker 1: He even knew who I was, but he sold us

1561
01:18:29,280 --> 01:18:32,719
Speaker 1: and ye just thought, but you just thought those was rhymes.

1562
01:18:33,560 --> 01:18:37,719
Speaker 1: I was living streets boy.

1563
01:18:38,000 --> 01:18:43,240
Speaker 2: Recipes both of them, all right, park or d m X.

1564
01:18:44,280 --> 01:18:47,960
Speaker 1: Man, I can't he polarizing right now? Man, It's like

1565
01:18:48,080 --> 01:18:50,680
Speaker 1: East Coast West Coast there, the same nigga.

1566
01:18:51,960 --> 01:18:55,280
Speaker 2: Was a good shot to me. You gotta do the

1567
01:18:55,320 --> 01:18:59,400
Speaker 2: next fall. That's all on you. I'm gonna skip this.

1568
01:19:00,400 --> 01:19:03,920
Speaker 2: I'm miss action. Nigga's that nigga? O D B or

1569
01:19:03,920 --> 01:19:11,840
Speaker 2: BISMARKI dB stop playing dirty dirt dog there, y'all? Yeah?

1570
01:19:11,920 --> 01:19:15,240
Speaker 2: Really putting Fourth di Ciper or True Master?

1571
01:19:19,800 --> 01:19:23,000
Speaker 1: Mm hmm, well Fourth decide that's one of Riz's pupils

1572
01:19:23,000 --> 01:19:25,040
Speaker 1: and ship and he he he took.

1573
01:19:24,840 --> 01:19:25,840
Speaker 2: It pretty far.

1574
01:19:26,800 --> 01:19:29,519
Speaker 1: But I gotta go with True Master because true Masters

1575
01:19:29,560 --> 01:19:34,719
Speaker 1: still doing it. Okay, Yeah? And he you know, yeah,

1576
01:19:35,160 --> 01:19:37,599
Speaker 1: he's smart with that ship. He's a master with them,

1577
01:19:37,880 --> 01:19:39,120
Speaker 1: with them, with their music.

1578
01:19:40,560 --> 01:19:48,840
Speaker 5: Ellmatic are ready to die? You skipped oky? I wanted

1579
01:19:48,840 --> 01:19:49,519
Speaker 5: to do Ellatic?

1580
01:19:50,360 --> 01:19:57,200
Speaker 2: Did Jesus dude all madic or rad? And I said

1581
01:19:57,240 --> 01:19:59,720
Speaker 2: that they was going to ask that question too, Who

1582
01:19:59,800 --> 01:20:00,240
Speaker 2: was me?

1583
01:20:00,800 --> 01:20:02,960
Speaker 1: I said, Yo, They're gonna ask me probably ask me

1584
01:20:03,000 --> 01:20:05,240
Speaker 1: some ship like Aromatic or Ready to Die, and I'm

1585
01:20:05,240 --> 01:20:07,200
Speaker 1: gonna say some funny ship like I don't own either

1586
01:20:07,240 --> 01:20:11,120
Speaker 1: one of them fucking albums or something like I never

1587
01:20:11,200 --> 01:20:14,360
Speaker 1: heard either one of them ships write some dumb ship

1588
01:20:14,439 --> 01:20:14,720
Speaker 1: like that.

1589
01:20:14,840 --> 01:20:17,920
Speaker 2: Right, both of them ships is fucking classic. Hell yeah, right,

1590
01:20:18,760 --> 01:20:22,759
Speaker 2: I'm taking a shot that both. Okay, go ahead, both

1591
01:20:23,040 --> 01:20:23,519
Speaker 2: you got it?

1592
01:20:23,520 --> 01:20:25,640
Speaker 1: Do wall We got what we got late Bloomer, come

1593
01:20:25,680 --> 01:20:28,360
Speaker 1: on there or you took it early.

1594
01:20:30,640 --> 01:20:33,960
Speaker 5: If you're gonna represent represent Grash five.

1595
01:20:33,680 --> 01:20:36,479
Speaker 4: You represent math right now. Don't make us look bad.

1596
01:20:37,400 --> 01:20:42,040
Speaker 4: Ice Cube or Scarface Cube, you my man, But I

1597
01:20:42,040 --> 01:20:44,599
Speaker 4: gotta go with Face. Face has never done a bad

1598
01:20:44,680 --> 01:20:47,160
Speaker 4: album yet. Man, I have never heard a bad scarf

1599
01:20:47,280 --> 01:20:52,160
Speaker 4: Face album ever. Face is that dude. But it's almost

1600
01:20:52,160 --> 01:20:54,880
Speaker 4: like applying like you heard the bad No, no, no, I'm

1601
01:20:54,880 --> 01:20:55,800
Speaker 4: not implying.

1602
01:20:55,400 --> 01:20:57,800
Speaker 1: That it's had a bad cubeb I'm just saying Scarface

1603
01:20:57,880 --> 01:21:00,720
Speaker 1: has been consistent over the years. Ice Cube has a

1604
01:21:00,760 --> 01:21:03,600
Speaker 1: lot more hats that he wears and ship. You know,

1605
01:21:03,720 --> 01:21:07,280
Speaker 1: so while ice Cube might have been you know, conquering Hollywood,

1606
01:21:07,720 --> 01:21:10,560
Speaker 1: Face was you know small for me.

1607
01:21:10,760 --> 01:21:13,280
Speaker 2: Because you know, if it wants to argue you down

1608
01:21:14,439 --> 01:21:20,920
Speaker 2: I can get it like Ice Cube. Look, let me

1609
01:21:20,960 --> 01:21:25,840
Speaker 2: tell you, I just love your love ice Like. I

1610
01:21:26,040 --> 01:21:27,480
Speaker 2: was the only person.

1611
01:21:28,880 --> 01:21:31,519
Speaker 1: That I know that when we went on the West

1612
01:21:31,560 --> 01:21:34,880
Speaker 1: Coast and did a show with him, the stadium was

1613
01:21:35,080 --> 01:21:39,120
Speaker 1: full of Mexicans, full of them. They loved that nigga

1614
01:21:39,200 --> 01:21:43,479
Speaker 1: like the Dodgers for real. That was hard because they

1615
01:21:43,479 --> 01:21:44,280
Speaker 1: love the Dodgers.

1616
01:21:45,280 --> 01:21:50,400
Speaker 2: Rizza or Premiere pre Bowl? You cool as ship, but Rizzid.

1617
01:21:52,640 --> 01:21:54,720
Speaker 2: I love your pre Bowl, but Rizzi, you got a

1618
01:21:54,920 --> 01:21:58,960
Speaker 2: whole thing like this one. That love that J Kendrick

1619
01:22:03,280 --> 01:22:16,200
Speaker 2: so ship we're just taking made me choke on that

1620
01:22:16,320 --> 01:22:18,360
Speaker 2: shit pause.

1621
01:22:19,280 --> 01:22:24,479
Speaker 1: Slick Rick, Big Daddy Kane, slick Rick, Big Daddy Kane. Damn,

1622
01:22:24,560 --> 01:22:26,760
Speaker 1: I should say big Daddy Kane to rock him? Man,

1623
01:22:27,840 --> 01:22:30,240
Speaker 1: you know what I'm saying. I'll say big Daddy can't

1624
01:22:30,240 --> 01:22:34,519
Speaker 1: and rock him. Let's say that one, all right, all right, yo?

1625
01:22:35,439 --> 01:22:35,599
Speaker 2: Man?

1626
01:22:36,680 --> 01:22:41,920
Speaker 1: I gave Kana a the cow box and just you know, now,

1627
01:22:42,080 --> 01:22:44,479
Speaker 1: you know, giving him his flowers, and he seemed too

1628
01:22:44,600 --> 01:22:48,560
Speaker 1: enthusiastic about that. That's that's probably.

1629
01:22:49,960 --> 01:22:50,439
Speaker 2: A goodness.

1630
01:22:50,640 --> 01:22:53,000
Speaker 1: You know, him and him and my partner, and they

1631
01:22:53,040 --> 01:22:54,800
Speaker 1: knew each other, so they was chopping it up. He

1632
01:22:54,880 --> 01:22:56,880
Speaker 1: got a bit distracted, but you ain't even thank me

1633
01:22:56,920 --> 01:22:57,479
Speaker 1: for that ship.

1634
01:23:00,040 --> 01:23:06,719
Speaker 2: I'm thinking a little bit, Daddy Man, I'm gonna say both.

1635
01:23:06,920 --> 01:23:13,320
Speaker 4: Yeah, Okay, Mary j or Mariah Carey, Mary the Wire

1636
01:23:13,520 --> 01:23:13,920
Speaker 4: or Os.

1637
01:23:15,320 --> 01:23:16,200
Speaker 2: It got to be The Wire.

1638
01:23:16,240 --> 01:23:18,720
Speaker 1: The Wire is the greatest show, the greatest crime show

1639
01:23:18,720 --> 01:23:19,160
Speaker 1: ever made.

1640
01:23:19,200 --> 01:23:19,840
Speaker 2: I agree.

1641
01:23:20,960 --> 01:23:25,320
Speaker 4: Yeah, we just can't skip over that though. The Wire

1642
01:23:26,160 --> 01:23:32,880
Speaker 4: and All of Power is probably one of the best

1643
01:23:32,920 --> 01:23:39,599
Speaker 4: classic TV hood shows ever. Which one I'm saying.

1644
01:23:38,439 --> 01:23:41,200
Speaker 1: Like, you know what, when I think a lot of

1645
01:23:41,240 --> 01:23:43,840
Speaker 1: it has to do now with The Wire, I can.

1646
01:23:43,680 --> 01:23:46,520
Speaker 2: Speak for The Wire. Those guys are from the community.

1647
01:23:47,080 --> 01:23:51,519
Speaker 1: All the actors shot, the actors, the fucking writers.

1648
01:23:51,640 --> 01:23:56,560
Speaker 2: It was the police. The police was Ed burn Is,

1649
01:23:56,600 --> 01:23:56,920
Speaker 2: the cop.

1650
01:23:57,160 --> 01:24:00,960
Speaker 1: He was one of the writers. Simon worked at the newspaper.

1651
01:24:01,240 --> 01:24:06,760
Speaker 7: Okay, okay, like fucking him and Melvin fucking people that

1652
01:24:06,760 --> 01:24:09,839
Speaker 7: that's they fucking buddies. Melvin was one of the biggest

1653
01:24:09,840 --> 01:24:13,519
Speaker 7: fucking drug dealers and fucking Baltimore and ships. No, the

1654
01:24:13,680 --> 01:24:17,200
Speaker 7: nigga that played the fucking deacon, the preacher, he the

1655
01:24:17,240 --> 01:24:17,760
Speaker 7: real deal.

1656
01:24:18,280 --> 01:24:24,360
Speaker 1: That's that's what the dudead. Yes, you know, you know,

1657
01:24:25,000 --> 01:24:26,960
Speaker 1: for all that clothes he like this right that's a

1658
01:24:27,080 --> 01:24:30,800
Speaker 1: O G O G like super o G right there.

1659
01:24:31,439 --> 01:24:35,080
Speaker 1: And fucking the nigga that played Omar, or or rather

1660
01:24:35,120 --> 01:24:35,799
Speaker 1: the real Omar.

1661
01:24:36,040 --> 01:24:36,960
Speaker 2: He was in the show too.

1662
01:24:37,640 --> 01:24:42,440
Speaker 1: He was fucking in the in the.

1663
01:24:41,240 --> 01:24:44,439
Speaker 2: R P right well, the actor. No, I'm not talking

1664
01:24:44,479 --> 01:24:48,400
Speaker 2: about Mike. He was in the scene with Mike. He

1665
01:24:48,479 --> 01:24:49,679
Speaker 2: was in the scene with Mike.

1666
01:24:50,240 --> 01:24:53,040
Speaker 1: When Mike was in they brought him the fucking the

1667
01:24:53,120 --> 01:24:56,160
Speaker 1: phone books and ship with the glasses. The big nigga

1668
01:24:56,520 --> 01:24:59,880
Speaker 1: that's Omar in jail and yeah, that's Homar.

1669
01:25:00,120 --> 01:25:00,439
Speaker 2: Get them.

1670
01:25:00,600 --> 01:25:04,439
Speaker 1: Yeah, that's so teach me too much. And he ain't gay,

1671
01:25:05,360 --> 01:25:09,040
Speaker 1: just you know, f y and ship but like and

1672
01:25:09,040 --> 01:25:12,240
Speaker 1: and and and the corner that showed the corner they

1673
01:25:12,240 --> 01:25:16,519
Speaker 1: did that too, corner right and yeah as well. Now

1674
01:25:16,880 --> 01:25:20,240
Speaker 1: Ms fran Frannie like played by Candy Alexander.

1675
01:25:20,720 --> 01:25:23,280
Speaker 2: She played frand that Omar and.

1676
01:25:23,280 --> 01:25:27,160
Speaker 1: Her married in real life, real the real friend and

1677
01:25:27,200 --> 01:25:27,880
Speaker 1: the real Omar.

1678
01:25:28,680 --> 01:25:31,519
Speaker 2: Wow, at least at that time they was.

1679
01:25:31,560 --> 01:25:33,800
Speaker 1: I don't know about now, but yeah, yeah, and I

1680
01:25:33,880 --> 01:25:36,680
Speaker 1: met the real DeAndre that the friend's son that was

1681
01:25:36,680 --> 01:25:39,000
Speaker 1: selling the drugs and got strung out on it. He

1682
01:25:39,120 --> 01:25:44,840
Speaker 1: was the he was the other Muslim cat you have

1683
01:25:44,960 --> 01:25:48,200
Speaker 1: brother muse that was with him carrying the book.

1684
01:25:48,360 --> 01:25:53,760
Speaker 2: That's DeAndre, that's her. So this is me acting this

1685
01:25:54,000 --> 01:25:54,240
Speaker 2: out of.

1686
01:25:54,560 --> 01:25:59,360
Speaker 4: Pure fun facts, y'all at a pure innises.

1687
01:25:59,479 --> 01:26:00,720
Speaker 2: Yeah, you know.

1688
01:26:02,320 --> 01:26:04,640
Speaker 1: The wire was that ship when you got hired to

1689
01:26:04,680 --> 01:26:08,120
Speaker 1: do it or you knew it, you knew it. The

1690
01:26:08,160 --> 01:26:11,880
Speaker 1: first season blew everybody the fuck away. They did everybody

1691
01:26:11,920 --> 01:26:14,439
Speaker 1: to fuck away. I got on on the second season.

1692
01:26:14,720 --> 01:26:17,599
Speaker 1: I was lead with Pablo Shriver, my dude, pob blow

1693
01:26:17,640 --> 01:26:18,320
Speaker 1: what's up boy?

1694
01:26:19,000 --> 01:26:23,559
Speaker 2: He's dope. And then that third season is what solidified.

1695
01:26:23,000 --> 01:26:25,320
Speaker 1: And what people didn't understand about the second season was

1696
01:26:25,320 --> 01:26:27,759
Speaker 1: you cannot tell the story of Baltimore and not include

1697
01:26:27,760 --> 01:26:28,240
Speaker 1: the Docks.

1698
01:26:28,320 --> 01:26:30,160
Speaker 2: What is the second The second season is the construction

1699
01:26:30,600 --> 01:26:30,880
Speaker 2: on the.

1700
01:26:32,760 --> 01:26:36,360
Speaker 1: Union with the Greeks, right, So the pattern that they

1701
01:26:36,400 --> 01:26:39,080
Speaker 1: followed was you saw from the drug dealers perspective and

1702
01:26:39,080 --> 01:26:43,760
Speaker 1: the cops prospective first season, second season it was now

1703
01:26:43,800 --> 01:26:46,960
Speaker 1: that came later. The second season was the Docks, the gangsters,

1704
01:26:47,080 --> 01:26:49,439
Speaker 1: the cops, and the Greeks, because you cannot tell us

1705
01:26:49,560 --> 01:26:52,479
Speaker 1: the story of Baltimore without including them fucking docks, or

1706
01:26:52,560 --> 01:26:55,320
Speaker 1: they would not have been true to form. That third

1707
01:26:55,400 --> 01:26:59,040
Speaker 1: season was the education system when they brought them kids in.

1708
01:27:00,680 --> 01:27:02,480
Speaker 2: Yeah, Michauld be Jordan's.

1709
01:27:05,439 --> 01:27:07,680
Speaker 1: He was sing the season when seventh season one, in

1710
01:27:07,800 --> 01:27:10,880
Speaker 1: the fourth season was the newspapers, the newspapers and all

1711
01:27:10,920 --> 01:27:11,559
Speaker 1: that ship.

1712
01:27:11,439 --> 01:27:14,280
Speaker 2: And then everything just came to a head.

1713
01:27:14,160 --> 01:27:18,080
Speaker 5: And the political side of the politically started getting into politics.

1714
01:27:18,320 --> 01:27:22,599
Speaker 4: Seasons The Wire have seven five five because it's arguably

1715
01:27:22,640 --> 01:27:28,000
Speaker 4: the Sopranos, The Wire all HBO too crazy.

1716
01:27:28,160 --> 01:27:32,759
Speaker 1: Yeah, and but this, this is this is elected logu

1717
01:27:33,680 --> 01:27:34,160
Speaker 1: all of them.

1718
01:27:34,320 --> 01:27:38,000
Speaker 2: Yeah, the Wire. Yes, that's Alexa.

1719
01:27:38,960 --> 01:27:43,400
Speaker 4: Yeah, you know, I've never seen Breaking Band and the Brothers,

1720
01:27:43,920 --> 01:27:44,799
Speaker 4: all of these shows.

1721
01:27:45,720 --> 01:27:48,920
Speaker 1: Alexa, she cast all of these, killing the game. Yeah,

1722
01:27:48,960 --> 01:27:52,439
Speaker 1: she killing the game man. And I mean, you know,

1723
01:27:53,080 --> 01:27:55,200
Speaker 1: at the end of the day when he, like I

1724
01:27:55,280 --> 01:27:57,559
Speaker 1: was saying, when these stories are told by the people

1725
01:27:57,560 --> 01:28:00,400
Speaker 1: who are from the communities, I don't think you can lose, man.

1726
01:28:00,320 --> 01:28:06,320
Speaker 2: But you can't. You cannot, Okay, Yeah, what's the next one?

1727
01:28:06,680 --> 01:28:09,320
Speaker 2: New Jack City or King of New York.

1728
01:28:13,479 --> 01:28:15,719
Speaker 1: The acting is way better in King of New York,

1729
01:28:16,360 --> 01:28:19,680
Speaker 1: way way better in King of New York and King

1730
01:28:19,720 --> 01:28:21,880
Speaker 1: of New York. The acting and that's not taken away

1731
01:28:21,920 --> 01:28:24,599
Speaker 1: from New Jack City because they was killing that shit.

1732
01:28:24,720 --> 01:28:26,599
Speaker 2: Everybody was really, but if.

1733
01:28:26,439 --> 01:28:30,280
Speaker 1: You it's apples and oranges really, because King of New

1734
01:28:30,360 --> 01:28:35,080
Speaker 1: York is just low budget goodness, whereas New Jack City

1735
01:28:35,160 --> 01:28:37,680
Speaker 1: had a little bit more of a budget. And I

1736
01:28:37,720 --> 01:28:42,080
Speaker 1: mean earnest they had earnest he could. I mean that

1737
01:28:42,160 --> 01:28:45,760
Speaker 1: motherfucker take lemons and make lemonade. You heard He's a

1738
01:28:45,920 --> 01:28:48,960
Speaker 1: brilliant fucking director. You know what I'm talking about. So

1739
01:28:50,800 --> 01:28:55,080
Speaker 1: I'm gonna go with damn shit King of New York,

1740
01:28:55,120 --> 01:28:58,639
Speaker 1: the underdog fucking I like the way that shit ended.

1741
01:28:59,040 --> 01:29:01,960
Speaker 2: Conway or Been need a butcher. You ain't getting me

1742
01:29:02,000 --> 01:29:06,880
Speaker 2: to do that? Both niggas. Ain't that wake up? Brother?

1743
01:29:11,080 --> 01:29:16,120
Speaker 4: Look that one hit me all right? Only built for

1744
01:29:16,200 --> 01:29:16,880
Speaker 4: Cuban links.

1745
01:29:17,280 --> 01:29:24,360
Speaker 2: I am neither both niggas both Jesus. I gotta go

1746
01:29:24,400 --> 01:29:28,800
Speaker 2: to get do do? How many shots we a right now?

1747
01:29:29,200 --> 01:29:32,759
Speaker 2: I think we're at five? Yeah? You drinking shoe polished?

1748
01:29:32,840 --> 01:29:42,599
Speaker 2: Go ahead, my nigga sho that's what it's called mother water.

1749
01:29:42,680 --> 01:29:51,200
Speaker 2: But there's a portable bottle. I'm calling checks though every

1750
01:29:51,200 --> 01:29:58,519
Speaker 2: month that was hard. You wanna go to the next one?

1751
01:29:58,880 --> 01:29:59,160
Speaker 1: Ship?

1752
01:29:59,479 --> 01:30:03,280
Speaker 5: I think I but he changed it on the other ones.

1753
01:30:03,600 --> 01:30:09,599
Speaker 5: Uh cares one or mass days?

1754
01:30:10,040 --> 01:30:13,639
Speaker 2: You can't do that. It gotta be Chris. It has

1755
01:30:13,720 --> 01:30:13,920
Speaker 2: to be.

1756
01:30:14,080 --> 01:30:17,360
Speaker 1: Even though Ace was a big inspiration behind my Rahms

1757
01:30:17,400 --> 01:30:19,360
Speaker 1: back in the day. I was biting his ship too,

1758
01:30:19,800 --> 01:30:22,400
Speaker 1: But you gotta go with Chris Man knowledge raised supreme

1759
01:30:22,439 --> 01:30:26,439
Speaker 1: over nearly everyone who That ain't even fair great good.

1760
01:30:27,000 --> 01:30:32,120
Speaker 5: The next one, okay, this is movies Master Killer or

1761
01:30:32,160 --> 01:30:33,200
Speaker 5: Five Deadly Venoms.

1762
01:30:33,240 --> 01:30:39,439
Speaker 2: I'm going mad, Oh, Gordon Lewis, Gordon leew Is that dude, man.

1763
01:30:40,120 --> 01:30:43,519
Speaker 2: But the Five Deadly Venoms is like, that's like the

1764
01:30:43,600 --> 01:30:46,800
Speaker 2: fucking just like that. That's that.

1765
01:30:47,040 --> 01:30:49,880
Speaker 1: If I tell anybody to start their fucking journey with

1766
01:30:49,920 --> 01:30:53,240
Speaker 1: those movies, it would be that one. But that that

1767
01:30:53,880 --> 01:30:56,200
Speaker 1: Master Killer got to be into the thirty six chambers.

1768
01:30:56,240 --> 01:30:58,960
Speaker 1: It has to be shout out the ghost face just

1769
01:30:59,000 --> 01:31:01,040
Speaker 1: because he told me to do that ship Yesterday's like,

1770
01:31:01,080 --> 01:31:02,400
Speaker 1: just say my name and ship.

1771
01:31:02,200 --> 01:31:02,439
Speaker 5: On that.

1772
01:31:08,200 --> 01:31:09,000
Speaker 2: Ghosts.

1773
01:31:09,160 --> 01:31:13,880
Speaker 4: But I remember my first experience with Wou Tang and

1774
01:31:14,200 --> 01:31:18,599
Speaker 4: y'all incorporated the kum Fu flicks the movies in there,

1775
01:31:18,880 --> 01:31:22,240
Speaker 4: and I remember that being like the most genius ship.

1776
01:31:22,280 --> 01:31:25,800
Speaker 1: After that Rizzo motherfucker again. So that was Rizzar's ideazz

1777
01:31:26,320 --> 01:31:28,200
Speaker 1: Riz all day. I mean, we were sitting around watching

1778
01:31:28,240 --> 01:31:30,360
Speaker 1: them ships, and that's all he used to do. He

1779
01:31:30,400 --> 01:31:33,439
Speaker 1: had them ships, and like he had ships that weren't

1780
01:31:33,479 --> 01:31:37,600
Speaker 1: even in English or with subtitles up underneath. That motherfucker

1781
01:31:37,640 --> 01:31:40,360
Speaker 1: man Riz is an ill motherfucker. So I mean the

1782
01:31:40,479 --> 01:31:43,080
Speaker 1: vision was already there. He knew exactly how he wanted

1783
01:31:43,120 --> 01:31:46,360
Speaker 1: to do it. He implemented it, and I mean, like,

1784
01:31:47,040 --> 01:31:49,040
Speaker 1: I don't know if you're familiar with a team, but

1785
01:31:49,120 --> 01:31:51,200
Speaker 1: when Hannibal used to say, I love it when the

1786
01:31:51,240 --> 01:31:55,080
Speaker 1: plan comes together, that's exactly what that ship feel like. Nigga,

1787
01:31:55,160 --> 01:31:58,080
Speaker 1: you want to take a little, don't go. That's a

1788
01:31:58,160 --> 01:31:59,400
Speaker 1: god ship like job.

1789
01:31:59,439 --> 01:32:02,920
Speaker 2: Well done. Murdoch was my dude, and.

1790
01:32:02,080 --> 01:32:04,720
Speaker 4: I'm being honest, ride out drunk the share out of me.

1791
01:32:04,760 --> 01:32:07,200
Speaker 4: In Paris. He straight up to me, he was like, what,

1792
01:32:08,560 --> 01:32:09,280
Speaker 4: oh ship?

1793
01:32:09,760 --> 01:32:10,599
Speaker 2: I didn't know what to do.

1794
01:32:10,640 --> 01:32:13,439
Speaker 4: He had great goose and some Japanese ship, and I

1795
01:32:13,520 --> 01:32:18,200
Speaker 4: was just like, risd knows how to focus his cheek

1796
01:32:18,439 --> 01:32:22,280
Speaker 4: yo drink. He'll drink a whole bottle, be drunk and

1797
01:32:22,320 --> 01:32:29,640
Speaker 4: be like straight. I don't know if he knew I

1798
01:32:29,720 --> 01:32:31,719
Speaker 4: was gonna be there. I was like, I got no film.

1799
01:32:31,760 --> 01:32:34,360
Speaker 4: It's the first five seconds of it. I go yo, man,

1800
01:32:34,560 --> 01:32:36,240
Speaker 4: He's like, what of course I got you.

1801
01:32:36,320 --> 01:32:36,680
Speaker 2: I got you.

1802
01:32:37,360 --> 01:32:39,040
Speaker 4: As soon as those cameras went off, he was like,

1803
01:32:39,120 --> 01:32:41,880
Speaker 4: let's go. And it was like in my mind he

1804
01:32:42,040 --> 01:32:45,400
Speaker 4: was saying, like I'm a beating Norri drinking tonight.

1805
01:32:45,160 --> 01:32:49,599
Speaker 1: And he said, boy, smart fly motherfucker. Yoh, oh my god,

1806
01:32:49,640 --> 01:32:52,840
Speaker 1: I ain't gonna lie. Oh man, I know I know

1807
01:32:52,960 --> 01:32:55,519
Speaker 1: all of you niggas. That's what's crazy. I got we

1808
01:32:55,640 --> 01:33:02,720
Speaker 1: got a great light, you know, and everyone. Man. The

1809
01:33:02,760 --> 01:33:06,120
Speaker 1: funniest shit about the whole ship is like Queens, yes

1810
01:33:06,640 --> 01:33:09,320
Speaker 1: anonymous with hip hop, you know what I mean, mc

1811
01:33:09,600 --> 01:33:10,719
Speaker 1: shan old.

1812
01:33:10,640 --> 01:33:12,519
Speaker 2: Juice Crew up to you guys.

1813
01:33:13,200 --> 01:33:17,840
Speaker 1: I mean even with NICKI Minaj now and ship, it's lit.

1814
01:33:17,920 --> 01:33:22,559
Speaker 1: Queens has always been lit. Brooklyn, same ship, Big Jay Fab.

1815
01:33:23,000 --> 01:33:25,439
Speaker 1: The list goes on and on. You know the Bronx

1816
01:33:25,439 --> 01:33:29,400
Speaker 1: where it started at. You got Joe Kuan ling them niggas,

1817
01:33:29,439 --> 01:33:31,200
Speaker 1: you know what I mean, Harlem, Harlem, dude.

1818
01:33:31,200 --> 01:33:33,400
Speaker 2: They number people still.

1819
01:33:33,479 --> 01:33:36,400
Speaker 1: You know, to be from Staten Island in the not

1820
01:33:36,479 --> 01:33:39,439
Speaker 1: just be from Staten Island, but to be respected and

1821
01:33:39,560 --> 01:33:42,679
Speaker 1: this genre is a beautiful fucking thing.

1822
01:33:42,720 --> 01:33:43,920
Speaker 2: And ship because for.

1823
01:33:43,920 --> 01:33:47,160
Speaker 1: Real, even to this day, I'll be on the instagram

1824
01:33:47,240 --> 01:33:51,960
Speaker 1: and ship and they was like different shoes for different Burroughs.

1825
01:33:53,640 --> 01:33:53,840
Speaker 5: Right.

1826
01:33:54,200 --> 01:33:56,719
Speaker 1: They put the ship up for Brooklyn Black Air Force

1827
01:33:56,800 --> 01:34:01,800
Speaker 1: one right right right, Queen. I think Queen's had like

1828
01:34:01,880 --> 01:34:04,200
Speaker 1: you had an Air Jordan or something like that, maybe

1829
01:34:04,240 --> 01:34:04,919
Speaker 1: the four.

1830
01:34:04,760 --> 01:34:07,000
Speaker 2: Or something like. I don't know, I can't quite I

1831
01:34:07,040 --> 01:34:08,760
Speaker 2: know Harlem was like that that boot.

1832
01:34:08,800 --> 01:34:12,599
Speaker 1: Them niggas used to the the old Dingo boot.

1833
01:34:13,160 --> 01:34:19,439
Speaker 2: Remember them ships, the pony skin ship. You know. Charl

1834
01:34:19,840 --> 01:34:21,000
Speaker 2: had Nigga.

1835
01:34:21,200 --> 01:34:23,160
Speaker 1: I think it was it was off of a crocoile

1836
01:34:23,280 --> 01:34:29,559
Speaker 1: hug boot, one of those. He tried the shipold us

1837
01:34:29,560 --> 01:34:32,240
Speaker 1: Man like real bad a ship. But then you know,

1838
01:34:32,400 --> 01:34:34,640
Speaker 1: ask anybody that came to stat Dollard. They missed that.

1839
01:34:34,760 --> 01:34:40,679
Speaker 1: Ferry got a good look. I recorded the Mystic Studios

1840
01:34:40,720 --> 01:34:46,559
Speaker 1: at one point, Mystic the shithold, Damn. I'm playing mystic

1841
01:34:46,600 --> 01:34:52,800
Speaker 1: as dope, mysticans, Dope, my bad, my bad ship, my bad.

1842
01:34:53,240 --> 01:34:55,840
Speaker 2: That's nice in that. It's nice in there. They're like

1843
01:34:56,280 --> 01:34:57,920
Speaker 2: I got in there. It was like yo, you know, woo,

1844
01:34:58,000 --> 01:35:00,680
Speaker 2: can't do they here? I was like I thought I was.

1845
01:35:01,200 --> 01:35:07,160
Speaker 2: I was like.

1846
01:35:09,120 --> 01:35:13,000
Speaker 1: Ship, the med flab open for business, the toilet fixed.

1847
01:35:13,200 --> 01:35:16,320
Speaker 2: Okay, you got the toilet fix y'all come in there.

1848
01:35:16,320 --> 01:35:19,920
Speaker 1: You's the bathroom now, baby, this.

1849
01:35:20,280 --> 01:35:23,719
Speaker 2: Is gonna be a funny one Redman or Buster rons.

1850
01:35:23,760 --> 01:35:25,600
Speaker 1: You don't do that to me and ship busted my

1851
01:35:25,760 --> 01:35:28,519
Speaker 1: brother from another mother. But Redman all day. You can't

1852
01:35:28,560 --> 01:35:30,559
Speaker 1: do that ship. And now they taking ship away from

1853
01:35:30,560 --> 01:35:33,280
Speaker 1: Buster because Buster just got a lifetime achievement of woman

1854
01:35:34,560 --> 01:35:35,719
Speaker 1: but Redman ship.

1855
01:35:36,760 --> 01:35:39,720
Speaker 4: Yeah, you battle Red Man in versus. But if they

1856
01:35:39,800 --> 01:35:43,760
Speaker 4: was to offer you to battle Buster, I would even

1857
01:35:43,800 --> 01:35:45,240
Speaker 4: like going on stage after Buster.

1858
01:35:45,600 --> 01:35:46,000
Speaker 2: Kid, be.

1859
01:35:47,960 --> 01:35:50,920
Speaker 1: Serious, Buster take all the air out of the room

1860
01:35:50,960 --> 01:35:53,680
Speaker 1: as he shut has he sure he ain't come in

1861
01:35:53,680 --> 01:35:54,479
Speaker 1: the game like that?

1862
01:35:54,920 --> 01:35:58,240
Speaker 2: He consisted his fuck right, yo.

1863
01:35:58,240 --> 01:36:01,240
Speaker 1: Buster, There's nothing that I don't think like whatever Buster

1864
01:36:01,320 --> 01:36:03,000
Speaker 1: put his mind to, he could do that ship. But

1865
01:36:03,040 --> 01:36:05,640
Speaker 1: when he in front of that crowd, that's his. I

1866
01:36:05,640 --> 01:36:08,400
Speaker 1: don't care who performing that. That crowd is fucking his.

1867
01:36:09,200 --> 01:36:11,240
Speaker 4: He says, he doesn't rehearse. I told him, you know

1868
01:36:11,520 --> 01:36:13,960
Speaker 4: to him, is you know the beautiful thing about it?

1869
01:36:14,040 --> 01:36:14,160
Speaker 2: Right?

1870
01:36:14,240 --> 01:36:14,400
Speaker 1: Him?

1871
01:36:14,439 --> 01:36:16,400
Speaker 2: And split it? None of us real because me and

1872
01:36:16,479 --> 01:36:20,280
Speaker 2: Doc do the same ship. Right. So no, but you

1873
01:36:20,360 --> 01:36:22,479
Speaker 2: performed with somebody. I'm serious.

1874
01:36:22,920 --> 01:36:26,920
Speaker 1: You perform with somebody for so long that you learn

1875
01:36:27,000 --> 01:36:29,479
Speaker 1: the nuances of what they do. Doc do this move

1876
01:36:29,560 --> 01:36:31,680
Speaker 1: he used to do all the time on the Goodness Right,

1877
01:36:32,000 --> 01:36:33,719
Speaker 1: So after a while I started doing.

1878
01:36:36,560 --> 01:36:39,040
Speaker 2: It. Became part of the routine. No, this is real shit.

1879
01:36:39,479 --> 01:36:41,840
Speaker 1: Even that Superman LOVEO shit we did on the versus,

1880
01:36:42,439 --> 01:36:44,479
Speaker 1: we never done that ship before. That ship was made

1881
01:36:44,560 --> 01:36:47,160
Speaker 1: up on the spot, made up on the spot. What

1882
01:36:47,520 --> 01:36:50,280
Speaker 1: would happen in the rehearsal for the verses because we

1883
01:36:50,280 --> 01:36:52,479
Speaker 1: wanted to get our songs right was I said, you

1884
01:36:52,479 --> 01:36:54,280
Speaker 1: know what, you should get a cap for Superman lover.

1885
01:36:54,520 --> 01:36:55,000
Speaker 2: That's it.

1886
01:36:55,360 --> 01:36:57,280
Speaker 1: We ain't say what it was gonna be, how it

1887
01:36:57,360 --> 01:36:59,160
Speaker 1: was going to be. But when I put the cap

1888
01:36:59,280 --> 01:37:01,120
Speaker 1: on him and I flung it back like that.

1889
01:37:01,120 --> 01:37:03,360
Speaker 2: I was like, wait a minute, it's kind of fly.

1890
01:37:03,439 --> 01:37:04,439
Speaker 2: That's kind of fly, right.

1891
01:37:13,840 --> 01:37:16,720
Speaker 1: And regardless, you know, whoever had the best verses and

1892
01:37:16,720 --> 01:37:18,639
Speaker 1: all that, and I think the locks and the dips

1893
01:37:18,680 --> 01:37:21,280
Speaker 1: that one was the best by far, by far. I

1894
01:37:21,360 --> 01:37:26,400
Speaker 1: like the I like the Beanie Man want before.

1895
01:37:29,439 --> 01:37:33,280
Speaker 4: Over and he started and he started doing homies verse

1896
01:37:33,360 --> 01:37:34,240
Speaker 4: on his own song.

1897
01:37:35,320 --> 01:37:41,280
Speaker 1: Yeah yeah yeah man, yeah yeah showmanship wise again. Locks

1898
01:37:42,240 --> 01:37:43,840
Speaker 1: you could tell that they I mean when you come

1899
01:37:43,880 --> 01:37:45,680
Speaker 1: up under the bar No. But when you come up

1900
01:37:45,760 --> 01:37:47,720
Speaker 1: under that bad boy Umbrother, that's a requirement.

1901
01:37:48,520 --> 01:37:48,720
Speaker 2: You know.

1902
01:37:48,880 --> 01:37:52,560
Speaker 1: Remember they was with Puff first, and Puff did tour tours.

1903
01:37:53,160 --> 01:37:56,439
Speaker 1: These ain't fucking you know clubs these with arenas. You

1904
01:37:56,479 --> 01:37:58,439
Speaker 1: gotta have your ship together, brocatro all that ship so

1905
01:37:58,479 --> 01:38:03,000
Speaker 1: them niggas is veterans period. But when you get two

1906
01:38:03,080 --> 01:38:08,639
Speaker 1: guys like myself and Doc and you know, you never

1907
01:38:08,680 --> 01:38:11,479
Speaker 1: know what you're gonna get because this motherfucker do comedy

1908
01:38:11,520 --> 01:38:13,080
Speaker 1: while you're up there. I might do some fucking man,

1909
01:38:13,160 --> 01:38:14,600
Speaker 1: you never know what the fuck you're gonna get and

1910
01:38:14,600 --> 01:38:17,839
Speaker 1: ship and we don't sometimes, and sometimes we get backstage

1911
01:38:17,880 --> 01:38:19,320
Speaker 1: and be like, good show, my nigga, and we give

1912
01:38:19,360 --> 01:38:22,800
Speaker 1: that look like that's it, that's it. That's fucking it

1913
01:38:22,920 --> 01:38:25,080
Speaker 1: right there now. Split now to get back to Buster.

1914
01:38:25,280 --> 01:38:27,840
Speaker 1: Him and Spliff start have that same report. He told

1915
01:38:27,880 --> 01:38:30,720
Speaker 1: me that and Spliff, Spliff is so in tune with

1916
01:38:30,760 --> 01:38:36,200
Speaker 1: this nigga, you see it. You could tell sometimes that

1917
01:38:36,439 --> 01:38:38,960
Speaker 1: Buster do some new ship and Splipper catch it out

1918
01:38:38,960 --> 01:38:41,799
Speaker 1: the side of his eye and catch it. Sometimes Buster

1919
01:38:42,080 --> 01:38:43,960
Speaker 1: and the ship too soon, and Spliff will still be

1920
01:38:44,040 --> 01:38:44,360
Speaker 1: doing it.

1921
01:38:44,400 --> 01:38:45,520
Speaker 2: But it blend.

1922
01:38:45,280 --> 01:38:50,040
Speaker 4: Well, blend well is fuck to this day, twenty five years.

1923
01:38:50,080 --> 01:38:52,240
Speaker 4: I've been telling Buster, I don't I think you rehears

1924
01:38:52,560 --> 01:38:53,640
Speaker 4: ain't rehearsing.

1925
01:38:53,280 --> 01:38:58,959
Speaker 2: Ship, and he never reheards. Now that's experience, it's experienced.

1926
01:38:58,960 --> 01:39:01,720
Speaker 1: The thing I loved our Buster was the Leaders of

1927
01:39:01,800 --> 01:39:05,840
Speaker 1: the New School Reunion. I never thought i'd see that

1928
01:39:06,880 --> 01:39:08,400
Speaker 1: they got a whole album lead us in New School.

1929
01:39:08,439 --> 01:39:12,360
Speaker 1: They got a whole album recording. Yeah, I got he

1930
01:39:12,400 --> 01:39:14,320
Speaker 1: got a flip Moe album. He got a Leaders to

1931
01:39:14,360 --> 01:39:16,000
Speaker 1: the New School. I spent you know, I spending bust

1932
01:39:16,080 --> 01:39:20,120
Speaker 1: like almost two times a week. And that's why we're

1933
01:39:20,120 --> 01:39:23,240
Speaker 1: going to see Buster and fifty cents in Nice, France.

1934
01:39:23,760 --> 01:39:26,360
Speaker 1: Drink Chance will be on the way and October and

1935
01:39:26,800 --> 01:39:30,120
Speaker 1: look at were putting in for your flight right now,

1936
01:39:31,200 --> 01:39:34,160
Speaker 1: I see you. Yeah, you will be in Nice, France

1937
01:39:34,479 --> 01:39:39,600
Speaker 1: to seeing them street. You see Woo Woo and Nas

1938
01:39:39,640 --> 01:39:43,640
Speaker 1: in Paris. So now we're gonna go Nice, going to Nice.

1939
01:39:43,680 --> 01:39:48,080
Speaker 2: We're going to Nice. That beach, the beach is all rocks. Yeah,

1940
01:39:48,120 --> 01:39:49,680
Speaker 2: we're going to we ain't going to beach.

1941
01:39:49,880 --> 01:39:56,639
Speaker 1: The beautiful yeah, beautiful, okay, beautiful, Holy moly, yeah, okay.

1942
01:39:56,720 --> 01:39:58,720
Speaker 2: So let's go to the next one. How high or

1943
01:39:58,760 --> 01:40:01,200
Speaker 2: belly two separate.

1944
01:40:01,400 --> 01:40:04,479
Speaker 1: Damn, I would have said how high or half bait

1945
01:40:04,680 --> 01:40:05,559
Speaker 1: or some ship like that.

1946
01:40:10,120 --> 01:40:10,960
Speaker 2: High or half bait?

1947
01:40:11,280 --> 01:40:13,280
Speaker 1: Oh you mean oh I got you, y'all said correalition.

1948
01:40:14,680 --> 01:40:16,920
Speaker 1: I like, well I got more screen time and how high?

1949
01:40:16,920 --> 01:40:23,040
Speaker 2: So I'll say how high? Okay? A video music about too.

1950
01:40:25,400 --> 01:40:29,040
Speaker 1: I think that I can't blame d C or Lilu

1951
01:40:29,120 --> 01:40:35,320
Speaker 1: YACHTI for the premise. MTV was very smart for doing

1952
01:40:35,360 --> 01:40:37,719
Speaker 1: what they did because the product was just sitting there.

1953
01:40:38,439 --> 01:40:41,479
Speaker 2: They got the rights, and you know, it keeps the

1954
01:40:41,560 --> 01:40:42,040
Speaker 2: name alive.

1955
01:40:42,120 --> 01:40:44,960
Speaker 1: So I'm not mad at it was them TV.

1956
01:40:45,760 --> 01:40:47,320
Speaker 2: I'm not mad at in this ship.

1957
01:40:47,360 --> 01:40:50,120
Speaker 1: But I think that I don't think it was fair

1958
01:40:50,120 --> 01:40:53,800
Speaker 1: to those two guys. I think that, especially DC, his

1959
01:40:53,880 --> 01:40:56,360
Speaker 1: first vehicle should have been something original because he's funny

1960
01:40:56,400 --> 01:40:56,800
Speaker 1: as fuck.

1961
01:40:57,160 --> 01:40:59,880
Speaker 2: Did you watch it? No, I haven't seen it. Huh,

1962
01:40:59,880 --> 01:41:03,960
Speaker 2: I haven't seen it. Okay, I know what the script was, Privy.

1963
01:41:05,200 --> 01:41:06,519
Speaker 2: I'm moving on because I don't know how to deal

1964
01:41:06,560 --> 01:41:15,080
Speaker 2: with this video music boxer. You m TV raps. I'm

1965
01:41:15,080 --> 01:41:16,639
Speaker 2: going with Uncle Ral. I gotta go Uncle.

1966
01:41:16,760 --> 01:41:18,439
Speaker 1: I gotta go Uncle Rob. But see ED will do

1967
01:41:18,479 --> 01:41:20,000
Speaker 1: the same ship. I think I think Ed lovel will

1968
01:41:20,040 --> 01:41:22,960
Speaker 1: do the same ship thing. So okay, shout out to

1969
01:41:23,120 --> 01:41:27,519
Speaker 1: Ed lover head, lover head heat here e f n.

1970
01:41:28,080 --> 01:41:31,719
Speaker 1: It's like er he got yeah, full full full everybody

1971
01:41:31,800 --> 01:41:32,160
Speaker 1: is really me.

1972
01:41:32,240 --> 01:41:35,559
Speaker 2: But they Beijing full pike. No no, no, no no, it's not.

1973
01:41:35,640 --> 01:41:38,880
Speaker 2: It's just for men, just for Beijing, break you out,

1974
01:41:39,920 --> 01:41:40,280
Speaker 2: just for men.

1975
01:41:40,360 --> 01:41:43,360
Speaker 1: It's just let's pick up the fat Joe and DJ College.

1976
01:41:43,360 --> 01:41:45,120
Speaker 1: I don't know what they got going on. Tanks a

1977
01:41:45,160 --> 01:41:45,479
Speaker 1: part of that.

1978
01:41:45,560 --> 01:41:50,960
Speaker 2: To know wh niggas up like that. That's terrible.

1979
01:41:51,160 --> 01:41:54,000
Speaker 5: They posted they posted it.

1980
01:41:55,560 --> 01:41:57,160
Speaker 2: You know, they call that the male b b L.

1981
01:42:04,000 --> 01:42:09,959
Speaker 2: I think I gotta let this up. My brother Josey College,

1982
01:42:10,240 --> 01:42:15,040
Speaker 2: Holy ship. That was myth who said that. I'm walking around,

1983
01:42:15,520 --> 01:42:17,759
Speaker 2: I'm looking around, but they can't hold u account.

1984
01:42:18,160 --> 01:42:21,679
Speaker 1: I mean, women been doing it for years, so that's real.

1985
01:42:21,960 --> 01:42:23,120
Speaker 2: Just a look. That's all.

1986
01:42:24,600 --> 01:42:27,479
Speaker 1: Ray Kwan or ghost Face Great Quana, ghost Face bo

1987
01:42:27,760 --> 01:42:29,240
Speaker 1: drink motherfucker.

1988
01:42:30,400 --> 01:42:34,920
Speaker 2: Like he does not hesitate on loud. The one thing

1989
01:42:34,920 --> 01:42:38,200
Speaker 2: that you know about meth is you are loyal Lord. Yes,

1990
01:42:38,360 --> 01:42:40,960
Speaker 2: I am sure, yes, I am.

1991
01:42:41,240 --> 01:42:43,000
Speaker 4: Let me say something because I know, like I said,

1992
01:42:43,040 --> 01:42:44,599
Speaker 4: I know, everybody for wool chain.

1993
01:42:46,000 --> 01:42:49,479
Speaker 2: Individually. I have relationships with every single artist.

1994
01:42:50,760 --> 01:42:53,439
Speaker 4: The one thing that I could I can see is

1995
01:42:54,600 --> 01:42:56,879
Speaker 4: there was one point where like kind of like everybody

1996
01:42:56,960 --> 01:43:00,479
Speaker 4: was kind of like mad at Rizia a little bit. Yeah,

1997
01:43:00,479 --> 01:43:03,800
Speaker 4: but I've never seen you publicly ever say anything They

1998
01:43:03,960 --> 01:43:04,479
Speaker 4: wasn't dead.

1999
01:43:05,479 --> 01:43:08,400
Speaker 1: That's my nigga right there, man, Rizid. Like I said,

2000
01:43:09,600 --> 01:43:15,840
Speaker 1: I understand nuance, and I don't always get how things work,

2001
01:43:15,920 --> 01:43:17,920
Speaker 1: but when they're explained to me or when I have

2002
01:43:18,040 --> 01:43:20,800
Speaker 1: the epiphany and I get it, I can admit when

2003
01:43:20,800 --> 01:43:21,280
Speaker 1: I'm wrong.

2004
01:43:21,439 --> 01:43:23,360
Speaker 2: So I think I'm gonna live longer that way.

2005
01:43:24,840 --> 01:43:26,519
Speaker 5: But be honest, you said that at one point you

2006
01:43:26,560 --> 01:43:29,920
Speaker 5: didn't really well, not that you didn't understand nuance, but

2007
01:43:29,960 --> 01:43:32,320
Speaker 5: that you were more angry, like when it came to death.

2008
01:43:32,400 --> 01:43:32,679
Speaker 2: Jam.

2009
01:43:32,960 --> 01:43:35,600
Speaker 5: Did that take time for you to get to that

2010
01:43:35,680 --> 01:43:36,679
Speaker 5: nuance or maturity?

2011
01:43:36,960 --> 01:43:37,520
Speaker 2: Yeah?

2012
01:43:37,600 --> 01:43:43,000
Speaker 1: Yeah, And it started when I started doing my fitness journey,

2013
01:43:43,560 --> 01:43:46,040
Speaker 1: because before you can start on the outside, you got

2014
01:43:46,160 --> 01:43:49,000
Speaker 1: to start with the inside shit. And I wasn't well, man,

2015
01:43:49,400 --> 01:43:51,000
Speaker 1: you know, I wasn't well. I had to let a

2016
01:43:51,040 --> 01:43:56,200
Speaker 1: lot of things go and stop blaming people and take

2017
01:43:56,240 --> 01:44:01,559
Speaker 1: accountability for myself and take control. That's a beautiful thing

2018
01:44:01,560 --> 01:44:03,439
Speaker 1: when you do that when you take control and you

2019
01:44:03,479 --> 01:44:05,559
Speaker 1: fully know that you're in full control.

2020
01:44:06,320 --> 01:44:11,000
Speaker 2: Bruh, I'll punch a whole in the fucking wall right now. Ship.

2021
01:44:11,439 --> 01:44:14,479
Speaker 2: You look you can do it. I'm like, looks like

2022
01:44:14,479 --> 01:44:17,040
Speaker 2: a superhero right now. Now.

2023
01:44:17,080 --> 01:44:20,920
Speaker 4: Another thing that I've seen is you were the only

2024
01:44:20,960 --> 01:44:22,240
Speaker 4: one that had a job.

2025
01:44:23,880 --> 01:44:26,519
Speaker 2: During the come up. Everyone you worked to Staten Island.

2026
01:44:26,520 --> 01:44:28,160
Speaker 2: I worked the majority of my time.

2027
01:44:28,240 --> 01:44:30,479
Speaker 1: Yeah, but when I lost my job, I had to

2028
01:44:30,560 --> 01:44:31,479
Speaker 1: hustle myself.

2029
01:44:31,560 --> 01:44:33,639
Speaker 2: You didn't, you lost the job. I seen you. Yeah,

2030
01:44:33,640 --> 01:44:35,920
Speaker 2: I lost my job at the Statue of Liberty. Statue

2031
01:44:35,920 --> 01:44:38,680
Speaker 2: of Liberty, right, yeah, No, they ain't find me. I

2032
01:44:38,720 --> 01:44:45,920
Speaker 2: let me tell you what happened. Just the funny ship

2033
01:44:46,040 --> 01:44:46,400
Speaker 2: right here.

2034
01:44:46,600 --> 01:44:50,160
Speaker 1: Nineteen years old and I got into an accident on

2035
01:44:50,200 --> 01:44:53,760
Speaker 1: the on the island driving one of the Heister trucks, uh,

2036
01:44:53,880 --> 01:44:57,679
Speaker 1: the cart taking big dumpsters of garbage to the other

2037
01:44:57,720 --> 01:45:00,240
Speaker 1: side of the Liberty Island. Crashed my foot up, up,

2038
01:45:00,720 --> 01:45:02,800
Speaker 1: went to the hospital and just never went back to work.

2039
01:45:03,760 --> 01:45:05,439
Speaker 2: It just didn't go back. I ain't come back down

2040
01:45:05,560 --> 01:45:09,000
Speaker 2: this man. I just left. I just left. Yeah. I

2041
01:45:09,040 --> 01:45:10,800
Speaker 2: was on crutches. I'm supposed to do.

2042
01:45:10,840 --> 01:45:12,879
Speaker 1: I was on crutches for like the whole fucking summer,

2043
01:45:13,479 --> 01:45:17,439
Speaker 1: miserable as fuck, miserable as hell when.

2044
01:45:17,280 --> 01:45:17,880
Speaker 2: You came back.

2045
01:45:18,040 --> 01:45:20,080
Speaker 1: But you know the thing that this is the crazy

2046
01:45:20,080 --> 01:45:23,479
Speaker 1: ship because all my friends hustled, and the whole time

2047
01:45:24,080 --> 01:45:25,880
Speaker 1: they was out there hustling, I'm there with him because

2048
01:45:25,880 --> 01:45:28,800
Speaker 1: we're smoking. So I'm seeing them how they hustle, how

2049
01:45:28,800 --> 01:45:30,920
Speaker 1: they do it, how they get away. All that ship,

2050
01:45:31,000 --> 01:45:35,160
Speaker 1: you know, And when I started, I just followed that

2051
01:45:35,160 --> 01:45:39,000
Speaker 1: pattern and ship. And honestly, I've been locked up one

2052
01:45:39,080 --> 01:45:45,800
Speaker 1: time for possession of a control substance. Is we the

2053
01:45:45,840 --> 01:45:49,639
Speaker 1: control sucson? No, they don't consider that. They don't say that, right,

2054
01:45:49,640 --> 01:45:52,960
Speaker 1: They just say marijuana. They don't say control substance because

2055
01:45:52,960 --> 01:45:54,800
Speaker 1: I well, no, I wasn't locked up with us.

2056
01:45:54,920 --> 01:45:55,400
Speaker 2: No.

2057
01:45:55,080 --> 01:45:57,559
Speaker 1: No. All the rest of my arrest was probably was

2058
01:45:58,000 --> 01:46:03,040
Speaker 1: mostly for smoking in public and having weed on me,

2059
01:46:03,439 --> 01:46:06,639
Speaker 1: but that was possession of a controlled substance. I only

2060
01:46:06,640 --> 01:46:11,360
Speaker 1: got caught once. The whole time I was I hate

2061
01:46:11,439 --> 01:46:13,000
Speaker 1: this is why when I when I be wrong, and

2062
01:46:13,040 --> 01:46:15,559
Speaker 1: I don't say too much about my drug career, because

2063
01:46:15,600 --> 01:46:18,160
Speaker 1: I hated that ship. I wasn't No Kingpin didn't have

2064
01:46:18,160 --> 01:46:20,360
Speaker 1: any aspirations to be a Kingpin. I was just trying

2065
01:46:20,400 --> 01:46:22,680
Speaker 1: to get money enough to pay the rent or to

2066
01:46:22,720 --> 01:46:24,040
Speaker 1: buy a hotel room for the night.

2067
01:46:24,520 --> 01:46:25,800
Speaker 2: I respected sleeping and shit.

2068
01:46:26,760 --> 01:46:32,080
Speaker 4: So at the end of the day, when you was

2069
01:46:32,160 --> 01:46:34,040
Speaker 4: drinking absolute straight, it burned.

2070
01:46:34,120 --> 01:46:35,800
Speaker 1: Yeah, that type shit I was doing on con of

2071
01:46:35,840 --> 01:46:38,519
Speaker 1: thebauchery and ship. At the end of the day, I

2072
01:46:39,160 --> 01:46:43,519
Speaker 1: still had this talent. And when like I said, lucky

2073
01:46:43,520 --> 01:46:46,400
Speaker 1: to draw niggas got lucky, I didn't. I'm gonna tell

2074
01:46:46,400 --> 01:46:51,160
Speaker 1: you like this, bro, Staten Island. You know how you

2075
01:46:51,200 --> 01:46:53,280
Speaker 1: grew up in New York. You know, like nobody go

2076
01:46:53,360 --> 01:46:54,080
Speaker 1: to Staten Island.

2077
01:46:54,160 --> 01:46:57,280
Speaker 4: So they say yes, So they say, I'm gonna be honest,

2078
01:46:57,400 --> 01:46:59,840
Speaker 4: let me, let me, let me just give your flowers again.

2079
01:47:02,080 --> 01:47:04,479
Speaker 4: What y'all did is phenomenal. Which I did is un

2080
01:47:05,560 --> 01:47:08,600
Speaker 4: foreseeing it's never gonna be duplicated.

2081
01:47:09,360 --> 01:47:10,360
Speaker 2: I remember just hearing.

2082
01:47:10,439 --> 01:47:12,960
Speaker 4: I don't remember, just like I remember, I remember being

2083
01:47:13,000 --> 01:47:16,040
Speaker 4: scared of you, like me literally, I was scared of

2084
01:47:16,120 --> 01:47:19,000
Speaker 4: you because you had any I was like, what's wrong?

2085
01:47:21,439 --> 01:47:24,360
Speaker 2: Yeah, we looked. He was like wait a minute, like

2086
01:47:24,479 --> 01:47:27,320
Speaker 2: what the fuck is instanle? No, maybe that's why we

2087
01:47:27,320 --> 01:47:31,679
Speaker 2: didn't know. Holy ship.

2088
01:47:31,960 --> 01:47:34,120
Speaker 1: Now now mind you Pard not to cut you. I

2089
01:47:34,240 --> 01:47:37,800
Speaker 1: remember what I said about Big with the shirt, and

2090
01:47:37,880 --> 01:47:41,840
Speaker 1: you know, after the video everywhere with that fucking eye

2091
01:47:41,880 --> 01:47:45,679
Speaker 1: nigga one day girl around my way adriller love you mother.

2092
01:47:46,400 --> 01:47:49,240
Speaker 1: She was like, take that stupid ship out your fucking eye.

2093
01:47:49,479 --> 01:47:51,760
Speaker 1: You gonna fuck your eye up at I wear thatfter

2094
01:47:51,800 --> 01:47:53,920
Speaker 1: that I took that bitch out of you.

2095
01:47:54,360 --> 01:47:58,040
Speaker 4: I'm gonna be honest. Ghost Face too. I was scared

2096
01:47:58,080 --> 01:48:01,720
Speaker 4: of ghost Face as well because of the nigga didn't.

2097
01:48:01,479 --> 01:48:02,200
Speaker 2: Show his face.

2098
01:48:02,320 --> 01:48:05,879
Speaker 1: Well, your nigga knew what that was nuanced, come on once.

2099
01:48:06,200 --> 01:48:08,200
Speaker 1: But I'm a fan, I don't I don't know. I'm

2100
01:48:08,200 --> 01:48:11,000
Speaker 1: not in the industry at all. So a guy is

2101
01:48:11,080 --> 01:48:13,479
Speaker 1: doing the verse hiding his face.

2102
01:48:14,360 --> 01:48:19,120
Speaker 5: Oh does this yo, bro, Holy moly, call himself ghost Face.

2103
01:48:21,040 --> 01:48:22,040
Speaker 2: I always got to tell us.

2104
01:48:22,400 --> 01:48:24,320
Speaker 4: I always say it to ghost and Ghost be looking

2105
01:48:24,320 --> 01:48:25,599
Speaker 4: at me like he relaxed.

2106
01:48:25,640 --> 01:48:29,719
Speaker 1: We've been We've been at shows and Bounty they showed

2107
01:48:29,800 --> 01:48:30,920
Speaker 1: up looking for this nigga.

2108
01:48:31,120 --> 01:48:32,000
Speaker 2: I heard the story.

2109
01:48:32,200 --> 01:48:35,400
Speaker 1: I heard that like this nigga had and then you know,

2110
01:48:35,600 --> 01:48:37,640
Speaker 1: so it was major when he came out with his

2111
01:48:37,720 --> 01:48:40,080
Speaker 1: Dolottle album and the first thing he did in the

2112
01:48:40,160 --> 01:48:48,200
Speaker 1: video was what showed his face free nigga like, oh,

2113
01:48:48,760 --> 01:48:52,200
Speaker 1: you know what I mean? Since the face been redealed,

2114
01:48:52,320 --> 01:48:56,200
Speaker 1: game got real. Come on now, ghost is.

2115
01:48:56,120 --> 01:48:58,960
Speaker 2: That nigga Ben the ghost Killer?

2116
01:49:02,640 --> 01:49:04,880
Speaker 1: And I think that's that's the mystique of the Wu

2117
01:49:04,960 --> 01:49:07,920
Speaker 1: Tang right there, because you people constantly learned ship about us.

2118
01:49:08,120 --> 01:49:09,880
Speaker 1: The thing, the constant thing that I get is I

2119
01:49:09,880 --> 01:49:12,320
Speaker 1: didn't understand the words you motherfuckers was talking about back

2120
01:49:12,320 --> 01:49:12,720
Speaker 1: in the day.

2121
01:49:12,760 --> 01:49:13,800
Speaker 2: But the beats sound good.

2122
01:49:14,120 --> 01:49:16,320
Speaker 1: But as I got old, Yeah, but as I got old,

2123
01:49:16,400 --> 01:49:18,680
Speaker 1: it was like wow, and people explained ship to me,

2124
01:49:18,720 --> 01:49:19,840
Speaker 1: and it was like wow.

2125
01:49:19,840 --> 01:49:23,440
Speaker 4: Because ye, Staten Island was its own barrows.

2126
01:49:23,720 --> 01:49:25,000
Speaker 2: This is the beauty of it.

2127
01:49:25,000 --> 01:49:27,639
Speaker 1: It's like anybody that came to Staten Island they found

2128
01:49:27,640 --> 01:49:32,160
Speaker 1: out real quick. Like these niggas is fucking crazy out crazy.

2129
01:49:32,520 --> 01:49:37,920
Speaker 2: I ain't gonna lie. You changed the game, man, So

2130
01:49:38,040 --> 01:49:39,200
Speaker 2: let me ask you about the beginning.

2131
01:49:39,240 --> 01:49:41,519
Speaker 1: Right now, White boys to beat y'all, White boys up,

2132
01:49:42,640 --> 01:49:46,280
Speaker 1: white boys, they different.

2133
01:49:46,920 --> 01:49:53,639
Speaker 2: Thas lie Nasa Jada, kiss Nasa Jada. I'm on tour

2134
01:49:53,680 --> 01:49:54,439
Speaker 2: with nas right now.

2135
01:49:59,800 --> 01:50:02,479
Speaker 5: I gag the next month. You don't want to do

2136
01:50:02,479 --> 01:50:05,320
Speaker 5: none of these, huh. I see your cap Donna or

2137
01:50:05,360 --> 01:50:05,960
Speaker 5: street life.

2138
01:50:06,560 --> 01:50:11,880
Speaker 2: You don't do that the fuck na both. Let mek

2139
01:50:11,960 --> 01:50:14,800
Speaker 2: up the cat man, you know, because he taught.

2140
01:50:15,400 --> 01:50:18,440
Speaker 4: I kept saying to you all night. I know everybody,

2141
01:50:19,160 --> 01:50:23,080
Speaker 4: but I didn't meet Cat till later after he came

2142
01:50:23,080 --> 01:50:28,280
Speaker 4: out of jail. Crazy shi it is. You might have

2143
01:50:28,320 --> 01:50:31,040
Speaker 4: been in there with him. And that's my nigga. That's

2144
01:50:31,080 --> 01:50:32,559
Speaker 4: what I was about to get to, like he's like,

2145
01:50:33,600 --> 01:50:36,360
Speaker 4: and he's on the low one of the funniest niggas

2146
01:50:36,400 --> 01:50:39,120
Speaker 4: in the world. Larryus, Like, don't let Cat start baking

2147
01:50:39,840 --> 01:50:41,560
Speaker 4: start he will he will get he will cut you

2148
01:50:41,640 --> 01:50:42,160
Speaker 4: the fuck off.

2149
01:50:42,800 --> 01:50:45,599
Speaker 2: Yes, and lyrically one of the others and literally one.

2150
01:50:45,560 --> 01:50:48,080
Speaker 1: Of you throwing the instrumental. Cat can give you a

2151
01:50:48,080 --> 01:50:51,320
Speaker 1: ten minute freestyle. I put I put money on it.

2152
01:50:51,439 --> 01:50:53,800
Speaker 1: Ten minutes stro how long was Winterwards his verse on that?

2153
01:50:55,680 --> 01:50:58,479
Speaker 4: And he might have freestyled that don't play with if

2154
01:50:58,479 --> 01:51:01,400
Speaker 4: you remember when we had wood tag on, yeah me

2155
01:51:01,520 --> 01:51:02,280
Speaker 4: you got.

2156
01:51:04,920 --> 01:51:08,120
Speaker 2: I was in heaven. I don't know why because I

2157
01:51:08,240 --> 01:51:09,639
Speaker 2: looked and that that was brother.

2158
01:51:12,320 --> 01:51:15,879
Speaker 1: Sometimes niggas see I only go junior high school with niggas.

2159
01:51:15,960 --> 01:51:19,439
Speaker 1: They go back grade school. Man, you could tell that too,

2160
01:51:19,600 --> 01:51:20,960
Speaker 1: that go back grade school.

2161
01:51:21,000 --> 01:51:21,639
Speaker 2: With them niggas.

2162
01:51:21,680 --> 01:51:25,440
Speaker 4: Man, you could tell okay, I'm gonnask this one.

2163
01:51:25,720 --> 01:51:28,800
Speaker 2: M O P or marb D get my drink ready?

2164
01:51:29,120 --> 01:51:36,000
Speaker 1: Yeah, might as well, man, because you're fame fame, famous, fame.

2165
01:51:35,760 --> 01:51:37,960
Speaker 2: And billy like them.

2166
01:51:38,040 --> 01:51:41,559
Speaker 1: Niggas could have transcended and been, but they did not

2167
01:51:41,760 --> 01:51:49,840
Speaker 1: compromise for ship and that's why we love them niggas

2168
01:51:50,080 --> 01:51:51,080
Speaker 1: for life.

2169
01:51:50,520 --> 01:51:53,160
Speaker 2: Also, let me big up a habit.

2170
01:51:53,200 --> 01:51:58,200
Speaker 4: I've seen them another day a half, Yes, birthday and

2171
01:51:58,400 --> 01:52:01,400
Speaker 4: havoc and Q tip everybody that I got to see

2172
01:52:01,400 --> 01:52:04,679
Speaker 4: people at his birthday party was a pleasure.

2173
01:52:05,120 --> 01:52:07,479
Speaker 2: And also, y'all sin have blessings. Man.

2174
01:52:07,560 --> 01:52:09,160
Speaker 1: I mean it may be over for a lot of

2175
01:52:09,200 --> 01:52:11,599
Speaker 1: people out there, but trust me, he still missed his

2176
01:52:11,640 --> 01:52:14,599
Speaker 1: brother and that ships still fresh for him. Just send

2177
01:52:14,680 --> 01:52:17,760
Speaker 1: him a con word anything. I know his Instagram.

2178
01:52:18,200 --> 01:52:20,440
Speaker 2: I always say that I missed Prodigy.

2179
01:52:21,280 --> 01:52:24,840
Speaker 1: No prodigy, really really really really really from Himstead like me.

2180
01:52:25,520 --> 01:52:28,559
Speaker 2: Damn, that's right. That's the first thing when you google you,

2181
01:52:29,680 --> 01:52:30,440
Speaker 2: the first.

2182
01:52:30,160 --> 01:52:34,040
Speaker 1: Thing they say, they say Himstead, I kept it a

2183
01:52:34,160 --> 01:52:38,040
Speaker 1: buck and anybody that that live in Pimpstead right from

2184
01:52:38,160 --> 01:52:42,719
Speaker 1: Rock Monsciano fucking stove God from from Long Island too.

2185
01:52:42,880 --> 01:52:45,080
Speaker 2: Stove Guard. I believe it's from Long Island and.

2186
01:52:45,520 --> 01:52:48,040
Speaker 1: Rock him, you know, shout out talking about Wine Dance

2187
01:52:48,160 --> 01:52:52,400
Speaker 1: niggas man or everybody in Wine Dance could fight back

2188
01:52:52,400 --> 01:52:52,800
Speaker 1: in the day.

2189
01:52:52,800 --> 01:52:53,280
Speaker 2: When I was.

2190
01:52:54,800 --> 01:52:57,080
Speaker 4: They've had three bodies on the floor and they kept barbecuing.

2191
01:52:57,120 --> 01:52:59,599
Speaker 4: I said, wait, yeah, there you this is.

2192
01:52:59,560 --> 01:53:02,720
Speaker 2: Not the rap upside we got.

2193
01:53:02,880 --> 01:53:04,519
Speaker 1: And I was just like, wait a minute, Yeah, but

2194
01:53:04,560 --> 01:53:06,040
Speaker 1: you were saying about Pete.

2195
01:53:06,200 --> 01:53:09,240
Speaker 2: You were saying to me Pete. I really love pe Man.

2196
01:53:09,280 --> 01:53:09,720
Speaker 2: I missed Pe.

2197
01:53:09,840 --> 01:53:12,880
Speaker 4: I missed every thing, and I was thinking about it

2198
01:53:12,880 --> 01:53:15,040
Speaker 4: the other day and and you're right. You know, people

2199
01:53:15,080 --> 01:53:16,160
Speaker 4: should reach out to topic.

2200
01:53:16,920 --> 01:53:21,080
Speaker 2: Let me tell you something about yeah like them.

2201
01:53:21,160 --> 01:53:26,360
Speaker 1: Yeah yeah, and also Daylight Man because Yo Dave's birthday

2202
01:53:26,520 --> 01:53:29,519
Speaker 1: was racial and uh you know we on tour with

2203
01:53:29,600 --> 01:53:31,760
Speaker 1: them and they still feeling it, you know what I mean.

2204
01:53:31,840 --> 01:53:33,200
Speaker 2: So yeah, yeah, yes.

2205
01:53:33,520 --> 01:53:35,920
Speaker 4: Should reach out to the Wu Tang clan because O

2206
01:53:36,080 --> 01:53:40,160
Speaker 4: d B Loss is never going to be forgeting, No nah, no,

2207
01:53:40,680 --> 01:53:41,960
Speaker 4: I mean never be forgotten.

2208
01:53:42,000 --> 01:53:44,759
Speaker 1: Some of our mantra come directly from O. Dirty killer

2209
01:53:44,760 --> 01:53:47,200
Speaker 1: bees came from dirty killer bees. On the swarm came

2210
01:53:47,200 --> 01:53:49,719
Speaker 1: from Dirty Woo Tangers, from the children came from Dirty.

2211
01:53:50,080 --> 01:53:53,960
Speaker 1: All of that ship, most of our motherfucking bravado came

2212
01:53:53,960 --> 01:53:56,160
Speaker 1: from Dirty man. He told us from day one, even

2213
01:53:56,200 --> 01:53:57,840
Speaker 1: if we didn't believe it, he believed it.

2214
01:53:57,920 --> 01:54:03,240
Speaker 2: We the best, fucking best period.

2215
01:54:04,040 --> 01:54:06,679
Speaker 1: And not to take away from those lists or nothing.

2216
01:54:06,720 --> 01:54:09,360
Speaker 1: You know, I've seen them, the crew list and all that,

2217
01:54:09,400 --> 01:54:11,599
Speaker 1: and I don't pay attention to those. But the fans

2218
01:54:11,600 --> 01:54:15,679
Speaker 1: are speaking louder than the list nowadays. And death bro. Yeah,

2219
01:54:16,040 --> 01:54:19,080
Speaker 1: you know, salute to them. But the people have spoken

2220
01:54:19,120 --> 01:54:21,840
Speaker 1: and said that Wu Tang clans number one crew and

2221
01:54:22,200 --> 01:54:26,080
Speaker 1: outcasts again, shout out to them, love them. But the

2222
01:54:26,080 --> 01:54:28,080
Speaker 1: people are spoken again and said Wu Tang is the

2223
01:54:28,160 --> 01:54:30,080
Speaker 1: number one group Wu.

2224
01:54:29,960 --> 01:54:33,040
Speaker 4: Tang against outcasts and versus or Wu Tang is dungeon family.

2225
01:54:33,440 --> 01:54:35,800
Speaker 1: Well, w Tang gonna do no verses. We got too

2226
01:54:35,800 --> 01:54:38,880
Speaker 1: many songs, man, it wouldn't fit and would not fit.

2227
01:54:39,200 --> 01:54:40,440
Speaker 1: I don't think you can get us all in the

2228
01:54:40,520 --> 01:54:45,600
Speaker 1: room anyway, for real. I'm keeping it a buck.

2229
01:54:46,000 --> 01:54:49,560
Speaker 4: I think Swiss and Timberlin will get that bad.

2230
01:54:49,560 --> 01:54:53,800
Speaker 2: I believe. I'm sorry.

2231
01:54:53,840 --> 01:54:59,560
Speaker 4: I know they've been quiet out there. Believe Swiss. Yesterday

2232
01:54:59,600 --> 01:55:02,880
Speaker 4: morning he hit me. Yeah, it's been talking, not about verses.

2233
01:55:03,200 --> 01:55:07,160
Speaker 2: But wu tang against would you would you preferred waking

2234
01:55:07,160 --> 01:55:09,560
Speaker 2: against outcast? Or who taking this Dungeon family.

2235
01:55:09,640 --> 01:55:12,920
Speaker 1: Who tang against our castle, will tank against Dungeon families.

2236
01:55:14,040 --> 01:55:17,480
Speaker 1: That Dungeon family they strong man, and Outcast is strong

2237
01:55:17,520 --> 01:55:20,880
Speaker 1: by themselves too. But I'm just speaking to the the

2238
01:55:20,960 --> 01:55:24,520
Speaker 1: people that you know, take these lists and and and

2239
01:55:24,600 --> 01:55:28,200
Speaker 1: speak validity, and Outcast is fucking dope as far as

2240
01:55:28,880 --> 01:55:33,640
Speaker 1: albums and and consistency, and and Andre being the monster

2241
01:55:33,760 --> 01:55:36,200
Speaker 1: that he is, and Big Boy just being as dope

2242
01:55:36,240 --> 01:55:39,120
Speaker 1: as he is. And Ship I can see why a

2243
01:55:39,200 --> 01:55:41,080
Speaker 1: lot of people like, yeah, give the South.

2244
01:55:41,160 --> 01:55:43,280
Speaker 2: They just do. And it's kind of monumental.

2245
01:55:43,440 --> 01:55:46,320
Speaker 1: Yes, it's kind of monumental that they're number one because

2246
01:55:46,360 --> 01:55:50,160
Speaker 1: at the source of Wars, dra said that Ship South

2247
01:55:50,240 --> 01:55:54,640
Speaker 1: got something to say, and there is happy ever since.

2248
01:55:57,800 --> 01:55:59,920
Speaker 2: And I've been yelled from that day forward.

2249
01:55:59,920 --> 01:56:01,960
Speaker 1: It was like he was on the mission to show

2250
01:56:02,000 --> 01:56:04,920
Speaker 1: people in the South came up man big time. Well

2251
01:56:04,920 --> 01:56:06,680
Speaker 1: they've been up, but we just didn't know.

2252
01:56:06,800 --> 01:56:09,440
Speaker 4: I just seen an interview with Baby and Baby said

2253
01:56:09,920 --> 01:56:12,120
Speaker 4: that nobody would never have it back. He said the

2254
01:56:12,160 --> 01:56:14,120
Speaker 4: West Coast would never have it back, to the East Coast

2255
01:56:14,160 --> 01:56:15,120
Speaker 4: would never have it back.

2256
01:56:15,400 --> 01:56:17,720
Speaker 2: He said, it's in the South, staying in the South,

2257
01:56:17,800 --> 01:56:22,760
Speaker 2: and that's it. I disagree, it's it's it's worldwide, right, Yeah,

2258
01:56:22,760 --> 01:56:24,120
Speaker 2: I don't think even the region.

2259
01:56:23,920 --> 01:56:26,840
Speaker 1: That's we'll have it back, because I mean, they got

2260
01:56:26,840 --> 01:56:29,080
Speaker 1: a whole fucking movement in the UK.

2261
01:56:29,320 --> 01:56:31,000
Speaker 2: That's these motherfuckers. I like that.

2262
01:56:31,040 --> 01:56:34,960
Speaker 1: You're nice, these motherfuckers is nice. Not just the drill,

2263
01:56:35,040 --> 01:56:37,919
Speaker 1: but you know, other ship. Shout out to Ocean Wisdom.

2264
01:56:38,480 --> 01:56:41,520
Speaker 1: Shout out to my man Young Meth, welcome home, Brodie

2265
01:56:41,720 --> 01:56:42,400
Speaker 1: Man they got.

2266
01:56:43,120 --> 01:56:47,440
Speaker 2: Shout out to Little Simms. Yeah, yeah, yeah, and now

2267
01:56:47,520 --> 01:56:51,720
Speaker 2: he earned that ship. He nice nice. Did the record

2268
01:56:51,760 --> 01:56:53,240
Speaker 2: with it? I did record with him.

2269
01:56:53,320 --> 01:57:03,480
Speaker 1: Yes, I can check it out afterwards. It's called win

2270
01:57:03,560 --> 01:57:03,920
Speaker 1: a Bago.

2271
01:57:04,240 --> 01:57:04,520
Speaker 2: Okay.

2272
01:57:05,480 --> 01:57:08,680
Speaker 1: Also little Sims, she got this joint called Gorilla. Check

2273
01:57:08,760 --> 01:57:12,160
Speaker 1: that ship out. She real dope, she real dope, Yes, sir.

2274
01:57:12,360 --> 01:57:17,560
Speaker 1: And also check out my man P. K. Patrick Carnegie Karne.

2275
01:57:17,600 --> 01:57:18,600
Speaker 2: Okay, what is it? Carne?

2276
01:57:19,480 --> 01:57:23,040
Speaker 1: I'm a big dog stuff and within a big but

2277
01:57:23,440 --> 01:57:25,800
Speaker 1: he sounds rich to me, said with a big.

2278
01:57:25,640 --> 01:57:27,480
Speaker 2: He said, whatever motherfuckers say.

2279
01:57:28,120 --> 01:57:31,160
Speaker 1: He said, Uh, where's drain at?

2280
01:57:31,200 --> 01:57:32,160
Speaker 2: He should have the accents?

2281
01:57:32,560 --> 01:57:35,880
Speaker 1: Yeah, he said, fuck you and your fat mother. Damn,

2282
01:57:36,080 --> 01:57:40,320
Speaker 1: she can use a tree for a back scrubber. I

2283
01:57:40,360 --> 01:57:42,800
Speaker 1: can make a raft of back blubber or settle to

2284
01:57:42,880 --> 01:57:44,680
Speaker 1: the long lost owls on her back.

2285
01:57:44,720 --> 01:57:49,680
Speaker 2: Brother, that sounded Scottish. And you're a virgin. You never

2286
01:57:49,760 --> 01:57:53,440
Speaker 2: had sex with a person. You only had sex with

2287
01:57:53,560 --> 01:57:56,800
Speaker 2: your right time. We both know that ain't right? Man?

2288
01:57:58,920 --> 01:58:03,160
Speaker 1: Right? And ship flying in the pollen in the cockpit.

2289
01:58:03,880 --> 01:58:05,880
Speaker 1: You now that's got a neck like in our stretch.

2290
01:58:06,120 --> 01:58:15,640
Speaker 1: Tell a coume nibble on this. Pekke cock bitch word

2291
01:58:16,840 --> 01:58:20,879
Speaker 1: mugs or Pete rock Pete. I love margins, but pete

2292
01:58:21,040 --> 01:58:22,280
Speaker 1: good fellas or casino?

2293
01:58:23,160 --> 01:58:24,280
Speaker 2: Oh fuck.

2294
01:58:27,040 --> 01:58:29,480
Speaker 1: Good fellas because it's shorter that that that casino. Get

2295
01:58:29,520 --> 01:58:31,680
Speaker 1: long in the tooth like a motherfucker. Man at the tire,

2296
01:58:31,720 --> 01:58:33,640
Speaker 1: the here and Sharon Stone crying.

2297
01:58:33,320 --> 01:58:37,720
Speaker 4: Wine and ship that's a good waiting for this, this

2298
01:58:37,720 --> 01:58:38,680
Speaker 4: this question?

2299
01:58:38,880 --> 01:58:50,880
Speaker 2: All night? Sugar or puff? Sugar puff? Sugar puff? That's

2300
01:58:50,920 --> 01:58:55,840
Speaker 2: if you say both, We're good. I'm not saying but

2301
01:58:55,960 --> 01:58:57,640
Speaker 2: what do you mean sugar and puff? Or what what

2302
01:58:57,680 --> 01:59:00,000
Speaker 2: do you mean? Whatever you want? Yeah, yeah, I don't

2303
01:59:00,120 --> 01:59:00,960
Speaker 2: no shug puff?

2304
01:59:01,240 --> 01:59:03,280
Speaker 4: Okay, all right, so we don't take a shot the

2305
01:59:03,440 --> 01:59:06,240
Speaker 4: yeah picked okay, n W a h public enemy.

2306
01:59:07,080 --> 01:59:16,720
Speaker 2: Mm hmm. They both stood. Damn. You feel like you

2307
01:59:16,760 --> 01:59:17,400
Speaker 2: want to take a shot?

2308
01:59:17,720 --> 01:59:22,680
Speaker 1: Yeah, yeah, okay, shot shot shot shot, shot shot.

2309
01:59:23,280 --> 01:59:35,680
Speaker 2: Okay, uh Rockefeller, Yeah, I better take that shot. Dat

2310
01:59:35,680 --> 01:59:36,800
Speaker 2: even say alone.

2311
01:59:36,840 --> 01:59:39,600
Speaker 4: I was, I was, I was going take the shot

2312
01:59:40,160 --> 01:59:42,720
Speaker 4: and this last one and to be put this out

2313
01:59:42,920 --> 01:59:51,120
Speaker 4: loyalty or respect. I'm gonna say loyalty because you know,

2314
01:59:51,200 --> 01:59:53,640
Speaker 4: a lot of times people don't respect it, but after

2315
01:59:53,720 --> 01:59:55,760
Speaker 4: a while, it gains you respect.

2316
01:59:56,200 --> 01:59:59,840
Speaker 2: So I'm gonna go with loyalty and ship man. So

2317
02:00:00,880 --> 02:00:06,840
Speaker 2: let's make some noise back, but take a plisso to

2318
02:00:06,960 --> 02:00:07,480
Speaker 2: hold it down.

2319
02:00:08,480 --> 02:00:17,200
Speaker 4: Okay, this famous tour you method man, DMX job Rule

2320
02:00:17,800 --> 02:00:23,360
Speaker 4: jay Z. Yeah, it's rumored that you and meth Me

2321
02:00:23,440 --> 02:00:26,800
Speaker 4: and Red. Yeah, you and Red came out first. Yeah

2322
02:00:26,840 --> 02:00:28,200
Speaker 4: we did, but y'all.

2323
02:00:27,960 --> 02:00:30,320
Speaker 2: Destroyed it so much that it made people want to

2324
02:00:30,360 --> 02:00:32,920
Speaker 2: come to the show after a while. Yeah, that's the

2325
02:00:33,040 --> 02:00:34,880
Speaker 2: that's the story. And then I was there. I know

2326
02:00:34,960 --> 02:00:37,920
Speaker 2: that shit happened, all right.

2327
02:00:37,920 --> 02:00:40,480
Speaker 1: So DJ Clue was the house DJ Okay, he would

2328
02:00:40,520 --> 02:00:41,440
Speaker 1: be out there, lights be on.

2329
02:00:41,520 --> 02:00:43,200
Speaker 2: You know, people are still getting in their seats and

2330
02:00:43,560 --> 02:00:43,920
Speaker 2: no lied.

2331
02:00:44,000 --> 02:00:45,920
Speaker 1: Sometimes we would go out on that stage, the lights

2332
02:00:45,920 --> 02:00:48,400
Speaker 1: will still be on and people were still getting in

2333
02:00:48,400 --> 02:00:50,960
Speaker 1: their seats. But by the time we finished the show,

2334
02:00:51,600 --> 02:00:54,320
Speaker 1: our set rather, it would always be packed and they

2335
02:00:54,320 --> 02:00:55,879
Speaker 1: would be amped up for the rest.

2336
02:00:55,720 --> 02:00:57,200
Speaker 2: Of the show. And this is when you start flying

2337
02:00:57,200 --> 02:00:58,360
Speaker 2: in yeah. Yeah.

2338
02:00:58,600 --> 02:01:02,120
Speaker 1: So then after like the third one, the reviews come

2339
02:01:02,160 --> 02:01:04,680
Speaker 1: in and people was like, get to the show Earth

2340
02:01:04,720 --> 02:01:07,360
Speaker 1: early met the man in red Man do their thing,

2341
02:01:07,480 --> 02:01:12,160
Speaker 1: and yeah, man's early. I would say, like before the

2342
02:01:12,200 --> 02:01:15,360
Speaker 1: first act Couples seven seven seven, there was an actor

2343
02:01:15,440 --> 02:01:16,280
Speaker 1: came on before y'all.

2344
02:01:16,360 --> 02:01:18,680
Speaker 2: Nah, it's just clue. He was the house j Yeah.

2345
02:01:18,760 --> 02:01:20,920
Speaker 1: Yeah, and then we would come on after that and ship.

2346
02:01:21,080 --> 02:01:23,840
Speaker 1: But I mean it says a lot because we got

2347
02:01:24,680 --> 02:01:27,240
Speaker 1: the Source Award that year for Performers of the Year.

2348
02:01:28,240 --> 02:01:29,120
Speaker 2: Yeah, that was dope.

2349
02:01:30,200 --> 02:01:31,720
Speaker 1: Now even though we didn't get to perform at the

2350
02:01:31,760 --> 02:01:33,440
Speaker 1: Source a Wars, because that's when that fight happened.

2351
02:01:35,320 --> 02:01:37,360
Speaker 2: That was when the fight happened at the Source of Wars. Yeah,

2352
02:01:37,400 --> 02:01:42,080
Speaker 2: that's when we won. Mm hmm. Yeah. Dude was in

2353
02:01:42,120 --> 02:01:50,440
Speaker 2: the crowd scrapping. This is another Source Awards where Sugarber

2354
02:01:50,480 --> 02:01:51,040
Speaker 2: is on the stage.

2355
02:01:51,080 --> 02:01:53,880
Speaker 1: No, nah, that that one. I had my wife at

2356
02:01:53,880 --> 02:01:56,160
Speaker 1: that one too. Man, that ship was weird that night.

2357
02:01:56,840 --> 02:02:01,360
Speaker 1: That shit was real weird. I like that night. It

2358
02:02:01,440 --> 02:02:03,960
Speaker 1: showed a big divide in hip hop, you know what

2359
02:02:03,960 --> 02:02:06,960
Speaker 1: I mean, in hip hop in West no in hip

2360
02:02:06,960 --> 02:02:10,040
Speaker 1: hop period. And the thing about it was the way

2361
02:02:10,080 --> 02:02:13,200
Speaker 1: it turked in the East coast West Coast was because

2362
02:02:13,240 --> 02:02:16,440
Speaker 1: of media attention, and they steered it into that because

2363
02:02:16,440 --> 02:02:19,000
Speaker 1: it sold more articles.

2364
02:02:20,920 --> 02:02:23,880
Speaker 2: I noticed a cliche type of question. Ye notice a

2365
02:02:23,920 --> 02:02:25,960
Speaker 2: cliche type of question. But did you ever think that

2366
02:02:26,040 --> 02:02:30,400
Speaker 2: hip hop will make it this war? Hey? I knew it.

2367
02:02:30,480 --> 02:02:31,080
Speaker 2: I knew it.

2368
02:02:31,080 --> 02:02:35,080
Speaker 1: It's like the same reason why I love being black. Oh,

2369
02:02:35,080 --> 02:02:37,080
Speaker 1: I love because it's like I think I got an

2370
02:02:37,160 --> 02:02:41,200
Speaker 1: advantage because of being black. I think I have an

2371
02:02:41,240 --> 02:02:43,920
Speaker 1: advantage because of the way I came up in this world.

2372
02:02:44,000 --> 02:02:46,600
Speaker 1: And shit, you know what I mean, It's like my

2373
02:02:46,720 --> 02:02:50,840
Speaker 1: disadvantages on my advantages in this world because I'm always

2374
02:02:50,840 --> 02:02:53,560
Speaker 1: going to be underestimated from the door. But I'm always ready,

2375
02:02:54,640 --> 02:02:57,640
Speaker 1: so I don't have to get ready. Damn, that makes

2376
02:02:57,640 --> 02:02:58,160
Speaker 1: a noise of that.

2377
02:03:00,960 --> 02:03:02,920
Speaker 2: You gotta go, Yeah, I gotta cash this flight.

2378
02:03:03,520 --> 02:03:07,600
Speaker 4: But did you ever because I don't think you accept

2379
02:03:07,600 --> 02:03:16,440
Speaker 4: this terminology, You're gonna talk that sex. Look, let me

2380
02:03:16,480 --> 02:03:19,080
Speaker 4: clear this up, wanting for the last I'm gonna clear

2381
02:03:19,080 --> 02:03:20,120
Speaker 4: this up for the last time.

2382
02:03:20,200 --> 02:03:23,280
Speaker 1: Of course, the admiration is a great thing. It makes

2383
02:03:23,320 --> 02:03:28,760
Speaker 1: me feel great. Does it tend to be uncomfortable at times? Absolutely?

2384
02:03:29,920 --> 02:03:35,800
Speaker 1: For me, it's being put on a pedestal that people

2385
02:03:36,680 --> 02:03:39,440
Speaker 1: create in their own minds, and then when you fall

2386
02:03:39,560 --> 02:03:42,680
Speaker 1: short of that, there's no coming back from it, and

2387
02:03:42,720 --> 02:03:48,480
Speaker 1: there's no forgiveness or uh, what's the word redemption in

2388
02:03:48,520 --> 02:03:52,320
Speaker 1: their eyes. So for me, just put me on the

2389
02:03:52,360 --> 02:03:56,440
Speaker 1: ground level with all you guys. We can all commute

2390
02:03:56,440 --> 02:03:58,600
Speaker 1: together and ship and see the beauty in each and

2391
02:03:58,640 --> 02:03:59,680
Speaker 1: every last one of us.

2392
02:03:59,680 --> 02:04:01,880
Speaker 2: Because all of us got sexy in us. Let's just

2393
02:04:01,960 --> 02:04:09,160
Speaker 2: keep it that. That's where. But I'll be sexy, why not?

2394
02:04:11,120 --> 02:04:15,280
Speaker 2: But yeah, and shout out to the Men's Health. Yo.

2395
02:04:15,400 --> 02:04:19,800
Speaker 1: Yeah, your fifty fifty was very gracious because I'm pretty

2396
02:04:19,800 --> 02:04:22,200
Speaker 1: sure that was his cover. And this dude is such

2397
02:04:22,200 --> 02:04:27,440
Speaker 1: a marketing genius that yeah fifty is he definitely chess.

2398
02:04:27,720 --> 02:04:30,760
Speaker 1: He not check is at all man, and he definitely

2399
02:04:30,840 --> 02:04:31,760
Speaker 1: knows what he's doing.

2400
02:04:31,800 --> 02:04:34,040
Speaker 2: And ship shout out the fifth fifty.

2401
02:04:37,280 --> 02:04:39,880
Speaker 1: Let me just tell you you you you my role model.

2402
02:04:40,520 --> 02:04:46,240
Speaker 1: Mm hmmm, solute you my brother. I know you know that,

2403
02:04:46,280 --> 02:04:48,080
Speaker 1: but I'm gonna tell it in front of the people.

2404
02:04:48,680 --> 02:04:51,240
Speaker 1: You know, if I need advice, I'll call you, I'll

2405
02:04:51,240 --> 02:04:54,600
Speaker 1: reach out. You always pick up the phone, always talk

2406
02:04:54,680 --> 02:04:55,000
Speaker 1: to me.

2407
02:04:55,400 --> 02:04:57,480
Speaker 4: And I just want you to know how I appreciated

2408
02:04:57,600 --> 02:05:02,400
Speaker 4: you are in life as a totality, not just not

2409
02:05:02,520 --> 02:05:05,280
Speaker 4: just not just who you are as an artist, who

2410
02:05:05,280 --> 02:05:09,680
Speaker 4: you are as a man, because our relationship is man relationship.

2411
02:05:10,480 --> 02:05:14,920
Speaker 2: I had one because Meth came out one time. Let

2412
02:05:14,960 --> 02:05:17,240
Speaker 2: me just tell us, I'm going Keith marry. I was

2413
02:05:17,360 --> 02:05:21,920
Speaker 2: finally I finally had my one headlining tour and Meth

2414
02:05:22,080 --> 02:05:25,240
Speaker 2: came out on Keith Mary's ship. He started walking on

2415
02:05:25,280 --> 02:05:31,000
Speaker 2: people's head. I got that ship from my daughter.

2416
02:05:32,120 --> 02:05:35,200
Speaker 4: But we want to tell you we love you. We

2417
02:05:35,240 --> 02:05:37,560
Speaker 4: want to tell you how honest we are to have

2418
02:05:37,680 --> 02:05:40,280
Speaker 4: you on this show. I'm going to tell you how

2419
02:05:40,320 --> 02:05:43,240
Speaker 4: much you mean the hip hop appreciate because you really

2420
02:05:43,400 --> 02:05:46,360
Speaker 4: really go appreciate it really and.

2421
02:05:46,320 --> 02:05:48,560
Speaker 2: It's transcendent hip hop at this point for sure, and

2422
02:05:48,880 --> 02:05:52,320
Speaker 2: Nigga you on everything. Thank you, brother, thank you.

2423
02:05:52,760 --> 02:05:57,200
Speaker 1: If I see you selling apple Jack's Waffle's tomorrow, I

2424
02:05:57,240 --> 02:06:00,920
Speaker 1: won't be surprised because I'm like, I'm a bottles Apple

2425
02:06:01,000 --> 02:06:02,800
Speaker 1: Jacks waffle waffles.

2426
02:06:04,560 --> 02:06:08,800
Speaker 4: Because you can do everything, bro, no wrong. Man, don't

2427
02:06:08,840 --> 02:06:10,520
Speaker 4: take nothing away from me to tell you how great

2428
02:06:10,520 --> 02:06:13,720
Speaker 4: you are it. Don't take nothing away from anything. And

2429
02:06:13,760 --> 02:06:16,040
Speaker 4: I just want to say thank you my brother, big

2430
02:06:16,120 --> 02:06:17,520
Speaker 4: up James Ellis.

2431
02:06:17,200 --> 02:06:21,040
Speaker 1: Yes, sir, salute to this platform too. Man, y'all killing it.

2432
02:06:21,120 --> 02:06:21,440
Speaker 2: Thank you.

2433
02:06:21,720 --> 02:06:24,680
Speaker 1: I love the fucking platform. And you guys are always

2434
02:06:24,720 --> 02:06:26,400
Speaker 1: going to have an audience in my house.

2435
02:06:26,520 --> 02:06:33,560
Speaker 2: Thank you. Everybody to get up and make some noise, motherfucker.

2436
02:06:39,080 --> 02:06:42,920
Speaker 5: Drink Champs is a Drink Champs LLC production in association

2437
02:06:43,040 --> 02:06:47,400
Speaker 5: with Interval Presents hosts and executive producers n O r

2438
02:06:47,480 --> 02:06:51,920
Speaker 5: E and dj e f N from Interval Presents executive

2439
02:06:51,920 --> 02:06:56,200
Speaker 5: producers Alan Coy and Jake Kleinberg. Listen to Drink Champs

2440
02:06:56,200 --> 02:07:00,520
Speaker 5: on Apple Podcast, Amazon Music, Spotify, or wherever you get

2441
02:07:00,560 --> 02:07:04,160
Speaker 5: your podcasts. Thanks for joining us for another episode of

2442
02:07:04,240 --> 02:07:06,960
Speaker 5: Drink Champs hosted by yours truly, dj E f N

2443
02:07:07,200 --> 02:07:09,360
Speaker 5: and n O r E. Please make sure to follow

2444
02:07:09,440 --> 02:07:11,960
Speaker 5: us on all our socials that's at drink Champs across

2445
02:07:12,000 --> 02:07:16,320
Speaker 5: all platforms. At the Real noriagon I g at Noriaga

2446
02:07:16,360 --> 02:07:20,040
Speaker 5: on Twitter, mine is at Who's Crazy on ig at

2447
02:07:20,120 --> 02:07:22,920
Speaker 5: dj e f N on Twitter, and most importantly, stay

2448
02:07:23,000 --> 02:07:26,000
Speaker 5: up to date with the latest releases, news and merch

2449
02:07:26,120 --> 02:07:35,040
Speaker 5: by going to drink Champs dot com