WEBVTT - Fault w/ Lou Diamond Phillips

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<v Speaker 1>Of the law and order franchises. SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies.

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<v Speaker 3>These episodes are based on. These are our stories. Done done.

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<v Speaker 2>Hi, Welcome to That's Messed Up, an SVU podcast.

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<v Speaker 3>This is my co host Kara, and.

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<v Speaker 1>This is my co host Liza. So great to see

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<v Speaker 1>you again, my love. Yeah, oh that was really sweet. Well,

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<v Speaker 1>I have to explain.

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<v Speaker 2>You know, we talk about an episode of SVU, we

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<v Speaker 2>talk about the true crime it's based on, and we

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<v Speaker 2>have a celebrity guest from the episode.

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<v Speaker 3>Yeah, but call me my love again. That was cute.

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<v Speaker 3>What's up with you, my love? What's how's your week going?

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<v Speaker 2>I mean, we had a pretty fun day yesterday eating Chipotle,

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<v Speaker 2>and it has ruined my day the next day, I

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<v Speaker 2>am having some problems.

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<v Speaker 3>Yeah, we ate Chipotle yesterday. You guys came over.

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<v Speaker 1>I woke I had an interesting wake up because my

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<v Speaker 1>toddler woke up a little bit sick. She's got like

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<v Speaker 1>a little bit of a runny nose, and she woke

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<v Speaker 1>up and she said to my husband, my nose feels crazy.

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<v Speaker 1>So I think that's kind of like the new way

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<v Speaker 1>I'm going to talk about being sick.

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<v Speaker 3>Oh, of course.

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<v Speaker 2>It's just I love hearing her figure things out, Like

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<v Speaker 2>instead of saying big, you know, she says heavy, Like yeah,

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<v Speaker 2>it's cool to see the way the brain processes and

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<v Speaker 2>learns how to communicate.

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<v Speaker 3>It's been a joy. And she know she's cute.

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<v Speaker 1>But also I'm currently wearing you can't see, but I'm

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<v Speaker 1>currently wearing my that's messed up hot pink tank top,

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<v Speaker 1>which is available on our merch store, please go buy.

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<v Speaker 1>And I put that on this morning and I was

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<v Speaker 1>in the bathroom with her and.

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<v Speaker 3>She goes, that's Lisa's shirt.

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<v Speaker 1>It's like, well yeah, I was like, yeah, we both

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<v Speaker 1>have it. She's like, why did you steal Lisa's shirt.

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<v Speaker 1>She's she's got a she's a little bit of a

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<v Speaker 1>baby baby Benson. She's got a very ingrained sense of

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<v Speaker 1>right and wrong. Like today Jared was talking on my

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<v Speaker 1>phone and I had his phone in my hand, and

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<v Speaker 1>she was.

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<v Speaker 3>Like, give Dada back his phone. That's not your phone,

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<v Speaker 3>that's his. Like she's so perceptive.

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<v Speaker 2>Yeah, she's definitely your child. There's no way she's not.

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<v Speaker 2>I was gonna say, I have caught up on the

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<v Speaker 2>current season of lonod svo.

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<v Speaker 3>Oh my gosh, the last few episodes.

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<v Speaker 2>The actress that was in Homeland, who played Mandy Patankin's.

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<v Speaker 3>Wife, Yes, she's in.

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<v Speaker 2>She's so good because I remember you saying you watched

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<v Speaker 2>that episode and you were crying, and I definitely cried. Yeah,

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<v Speaker 2>I just like it just was really like I think

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<v Speaker 2>they did such a good job just like encompassing how

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<v Speaker 2>desperate times have been for people during COVID, Like I

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<v Speaker 2>think a lot of us have been lucky, we've squeaked through,

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<v Speaker 2>but like a lot of people haven't been. And it's like,

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<v Speaker 2>you know, they just show this woman whose business has

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<v Speaker 2>been touched, whose family has been touched, whose marriage has

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<v Speaker 2>been touched, Like it's just really oh, if you're not

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<v Speaker 2>caught up, just grab a box of tissues and settle

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<v Speaker 2>in for that episode. And the one before it was

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<v Speaker 2>like was like just really like graphic and also horrific.

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<v Speaker 3>You know, no, it's an intense season.

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<v Speaker 2>I also want to say, like when will they stop

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<v Speaker 2>holding Benson hostage?

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<v Speaker 3>Like when will it aunt how many more times?

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<v Speaker 1>This one was like a little bit of a more

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<v Speaker 1>low stakes hostage situation. Did you really ever think that

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<v Speaker 1>this woman was going to shoot Olivia.

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<v Speaker 2>I mean, right, no, but I got maybe with since

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<v Speaker 2>she's not a professional gun user, she could have we

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<v Speaker 2>you know, do some damage. I also, I have noticed

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<v Speaker 2>all the Black Lives Matter flags in the in the

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<v Speaker 2>background of everything. I appreciate that. And I also love that.

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<v Speaker 2>I mean, I love iced tea. I love that he's

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<v Speaker 2>in love. I can't get enough.

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<v Speaker 3>Yeah, his love is fun and careesy as a girlfriend. Yeah,

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<v Speaker 3>no one told me.

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<v Speaker 2>No one tweeted it, no one instant story, no dms like,

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<v Speaker 2>no one. It never came up. I just am kind

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<v Speaker 2>of disappointed in the listeners.

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<v Speaker 1>Well, he's dating this new woman, and I don't know

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<v Speaker 1>that it's going to make it past that last episode

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<v Speaker 1>that we just the first and last episode we saw

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<v Speaker 1>her in.

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<v Speaker 2>Yeah, I know, but because I also liked with Rollin's

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<v Speaker 2>dad when the dad was like, you don't accept Careese's

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<v Speaker 2>love because you don't think that you're good enough for him,

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<v Speaker 2>And that made me empathize with Rollins in a way.

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<v Speaker 2>I never have you we all think she's just a

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<v Speaker 2>dumb bitch, but really she is.

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<v Speaker 3>You know, I wouldn't say we all.

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<v Speaker 1>She does have several dedicated fan pages, but you specifically

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<v Speaker 1>hate her, you know, we get dms. People agree, But

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<v Speaker 1>I think that we are watching the evolution of your

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<v Speaker 1>You're starting to like her. I see, yeah, I've been

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<v Speaker 1>watching that from the beginning where you're like just shut up, rons,

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<v Speaker 1>and now you're like, love that messy bun.

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<v Speaker 2>Like I'm seeing the progression. I do love messy buns, Lisa.

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<v Speaker 4>I was going to tell you about Careesy, but I

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<v Speaker 4>got too nervous to tell you because i'd it, wasn't

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<v Speaker 4>sure how you would feel and if it would like

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<v Speaker 4>upset you.

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<v Speaker 3>That's a true fact. No, I want Coriesy to have love.

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<v Speaker 2>I want him to feel the love that he wants

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<v Speaker 2>to give, you know, let him be a stepdad already,

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<v Speaker 2>like he wants it so fucking bad.

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<v Speaker 3>So true. Oh I wanted to tell you, Lisa. So okay.

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<v Speaker 1>So we had a couple we talk about in cells

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<v Speaker 1>on this podcast a lot and a lot of people.

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<v Speaker 1>A couple people have written us being like, what are

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<v Speaker 1>you saying when you say in cell? And I guess

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<v Speaker 1>it's not like a fully universal term yet, but sadly

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<v Speaker 1>it's it's involuntary celibate. So it's I n cel it's

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<v Speaker 1>like a portmanteau of abbreviations of involuntarily celibate, which is

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<v Speaker 1>like basically like horrible men who don't understand why women

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<v Speaker 1>don't give them sex and attention and they think they

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<v Speaker 1>always think it's because like they're not attractive enough or

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<v Speaker 1>they don't have enough money, and it's like, no, if

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<v Speaker 1>you actually like read what you write in Reddit.

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<v Speaker 3>Forums, it's just who you are. It's your personality.

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<v Speaker 1>And a lot of in cells have like done murders

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<v Speaker 1>and like mass shootings and stuff like that, but based

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<v Speaker 1>on like they're the philosophy, Like it's a.

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<v Speaker 3>Very what's crazy is?

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<v Speaker 2>I know for a fact there are women that are

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<v Speaker 2>involuntarily celibate all over town.

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<v Speaker 3>Why are they punching people? You know?

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<v Speaker 2>Like I just don't.

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<v Speaker 1>Yeah, I've been involuntarily celibate for over a year of

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<v Speaker 1>my life before and I never killed anybody. And I

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<v Speaker 1>and I went on Naria chat room to talk about it.

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<v Speaker 1>But I was reading this article that one of our

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<v Speaker 1>friends in New York sent me that is about this

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<v Speaker 1>plastic surgeon in Indiana who does surgery on in cells

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<v Speaker 1>to like make them like sort of classically hot, to

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<v Speaker 1>make them like angular and jaw like cut jaws, big lips.

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<v Speaker 3>You know what I mean.

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<v Speaker 1>Like and it's just like a really wild because like

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<v Speaker 1>people like one guy in the article like flew from Jesus.

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<v Speaker 1>I forget where he is, maybe South Africa or something

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<v Speaker 1>to Indian Indianapolis to.

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<v Speaker 3>Get his face.

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<v Speaker 1>Just readone and they're doing multiple surgeries and this guy

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<v Speaker 1>in Indiana. This is in The Cut, which is part

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<v Speaker 1>of New York Magazine. This article, if you want to

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<v Speaker 1>look it up, it's called how Many Bones Would You

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<v Speaker 1>Break to Get laid?

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<v Speaker 3>Is the is the headline? Great title? Yeah? And I

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<v Speaker 3>don't know. I just thought it was interesting.

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<v Speaker 1>I wanted to bring it up to you because it's

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<v Speaker 1>just crazy, how like these guys And honestly, they show

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<v Speaker 1>pictures of some.

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<v Speaker 3>Of these guys, they're not that bad looking.

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<v Speaker 1>Nobody has like deformities, Like they're not that bad looking.

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<v Speaker 1>It's like, if you could learn to like respect and

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<v Speaker 1>listen and talk to women in a normal way, you

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<v Speaker 1>would get laid.

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<v Speaker 2>Like, yeah, I actually just saw a post. I wonder

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<v Speaker 2>I would have probably just disappeared. But it was like,

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<v Speaker 2>if you can't be friends with a woman that's not

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<v Speaker 2>fucking you, you're gonna actually be a bad romantic partner anyways,

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<v Speaker 2>because I think you have to be friends with your partner.

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<v Speaker 2>You can't just and if you're together with someone for

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<v Speaker 2>a long time, there's gonna be times you can't fuck,

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<v Speaker 2>Like if someone has their kidney removed or something. I

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<v Speaker 2>don't know, like we're feeling depressed. No, it's never about looks.

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<v Speaker 2>It's all it's like people that are like, oh, if

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<v Speaker 2>I do this or that or that, that's the reason

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<v Speaker 2>I'm not meeting someone. And it's like it's always internal. Yeah,

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<v Speaker 2>it's internal. It's very racist. They think like that.

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<v Speaker 1>They think that other races are like taking away all

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<v Speaker 1>the women, like they're they're nuts.

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<v Speaker 3>I mean, I don't have any sympathy for.

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<v Speaker 1>Them, but like, I just thought the article was interesting

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<v Speaker 1>that there's this one guy in Indianapolis who's kind of

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<v Speaker 1>like he basically is like, whatever you want to do,

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<v Speaker 1>will do, Like he a lot of people, a lot

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<v Speaker 1>of surgeons will not operate on people who have body dysmorphia.

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<v Speaker 1>And this guy's like, no, if this is what you want,

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<v Speaker 1>you can have it.

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<v Speaker 2>And he just like, but these people are going to

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<v Speaker 2>be very surprised when this does not help them get laid.

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<v Speaker 2>I know it's just not gonna happen, But I like

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<v Speaker 2>that this guy is swindling in cells.

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<v Speaker 3>Like I'm not mad about it. Yeah, they're paying a

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<v Speaker 3>lot too, Go buy a second house, don't.

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<v Speaker 1>He has like he has like patented silicone to like

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<v Speaker 1>make your cheekbones higher and like have that like he

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<v Speaker 1>does jawwidening to make them they all look like they

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<v Speaker 1>all look like kind of like silly European models for

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<v Speaker 1>Dulcia and Cabana, you know what I mean. Like it's like, Okay,

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<v Speaker 1>this is a little bit too much.

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<v Speaker 3>The cut actually is doing great work. I think was

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<v Speaker 3>it the cut? And so I don't know.

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<v Speaker 2>But ze Ways new show premiered and her press is amazing.

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<v Speaker 2>She wore these one pair of Versace mules that I

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<v Speaker 2>was like, are you fucking kidding me? Yeah, yeah, yeah,

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<v Speaker 2>yeah those are so cool. They're sold out.

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<v Speaker 1>She wants them so that if you are looking for

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<v Speaker 1>a new show, you guys have to watch z Way

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<v Speaker 1>on showtime Ziwe z Way. She had an iconic Instagram

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<v Speaker 1>live show that Lisa was a guest on.

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<v Speaker 2>Yeah, I regret some things I said. I mean, the

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<v Speaker 2>whole point, her whole thing is like, you know, she's

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<v Speaker 2>a black woman who's always or a lot of the

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<v Speaker 2>times in white spaces, and it's uncomfortable to talk about race.

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<v Speaker 2>So she kind of flips it and asks really like

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<v Speaker 2>chill benine questions, but they are uncomfortable, and it's just like,

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<v Speaker 2>I want to make white people uncomfortable. And I went

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<v Speaker 2>on it, and I think I tried too hard not

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<v Speaker 2>to be like I don't know, it's embarrassing to think

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<v Speaker 2>about it.

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<v Speaker 1>I thought you were great. I thought you were great,

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<v Speaker 1>and you do like yes, well, she was like, what

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<v Speaker 1>do you think about black love? I'm like, Whinny and

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<v Speaker 1>Bobby kind of messy. She's like that's what you think,

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<v Speaker 1>and I'm.

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<v Speaker 3>Like, oh my god, oh my god.

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<v Speaker 2>And then the comments are going and they're like this

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<v Speaker 2>dumb bitch read a book like it's it's really fun.

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<v Speaker 2>But she interviewed Frand Leebowitz, who famously doesn't really do

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<v Speaker 2>much press.

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<v Speaker 1>So it's like really really yeah, and she got glorious

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<v Speaker 1>Steinem and that's on her pilot episode, So check it

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<v Speaker 1>out if you're looking for a new show. I do

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<v Speaker 1>have we should start, But you know, this is kind

0:10:31.679 --> 0:10:34.520
<v Speaker 1>of my mo I one time was booked to do

0:10:34.840 --> 0:10:38.959
<v Speaker 1>a MISS event and I thought it was for MS,

0:10:39.360 --> 0:10:41.760
<v Speaker 1>so I just rolled in looking when it.

0:10:41.679 --> 0:10:42.920
<v Speaker 3>Was Miss Magazine.

0:10:43.080 --> 0:10:46.240
<v Speaker 2>It sure was, and so I was rushing. I booked

0:10:46.280 --> 0:10:48.600
<v Speaker 2>a bunch of shows. I show up Kathen and Jimmy's there,

0:10:48.640 --> 0:10:52.120
<v Speaker 2>Glorious Steinem's there. It's a full red carpet, and I'm

0:10:52.160 --> 0:10:54.760
<v Speaker 2>like performing in front of these women and meeting Glorious

0:10:54.760 --> 0:10:57.800
<v Speaker 2>Steinem looking like trash, and I was like, I would

0:10:57.800 --> 0:10:59.640
<v Speaker 2>have brought a friend. I would have put on a limb.

0:11:00.280 --> 0:11:03.319
<v Speaker 2>Why were you not dressing up for MS? Because I

0:11:03.360 --> 0:11:04.760
<v Speaker 2>had other spots. It was just like, oh, I have

0:11:04.800 --> 0:11:06.800
<v Speaker 2>a night of spot. I'll have to raise money for

0:11:06.920 --> 0:11:08.640
<v Speaker 2>MS and go on my way. And then I had

0:11:08.640 --> 0:11:11.199
<v Speaker 2>to cancel all these shows, being like, okay, I am

0:11:11.520 --> 0:11:13.400
<v Speaker 2>with Glorious seignhum right now, I'm.

0:11:13.280 --> 0:11:17.120
<v Speaker 3>Not coming to her show. I have to stay. But

0:11:17.280 --> 0:11:20.160
<v Speaker 3>it was MS magazine. Amazing.

0:11:20.679 --> 0:11:22.920
<v Speaker 1>Well, let's jump in because we've got a really really

0:11:22.960 --> 0:11:26.720
<v Speaker 1>hot episode today, a classic episode, an amazing guest, a

0:11:26.760 --> 0:11:29.800
<v Speaker 1>horrifying crime, the usual, so you know, get ready to

0:11:29.840 --> 0:11:30.520
<v Speaker 1>be horrified.

0:11:34.360 --> 0:11:35.320
<v Speaker 3>Okay, okay.

0:11:35.440 --> 0:11:39.360
<v Speaker 1>Today is an episode many have asked for. It is

0:11:39.400 --> 0:11:42.280
<v Speaker 1>an episode Neil Bear called one of his most haunting.

0:11:42.720 --> 0:11:48.079
<v Speaker 1>Today we are doing Fault season seven, episode nineteen. Lisa,

0:11:48.120 --> 0:11:50.720
<v Speaker 1>do you have thoughts of opening thoughts about this episode?

0:11:51.200 --> 0:11:52.679
<v Speaker 3>Yeah? I have some thoughts, but I don't know if

0:11:52.679 --> 0:11:53.960
<v Speaker 3>we're keeping it a secret.

0:11:54.120 --> 0:11:59.000
<v Speaker 2>But okay, some good guest stars in this episode, some crimes,

0:11:59.280 --> 0:12:01.520
<v Speaker 2>some relateationship testing moments.

0:12:01.880 --> 0:12:04.839
<v Speaker 1>It isn't a iconic Bensler episode, I think because there

0:12:04.920 --> 0:12:07.120
<v Speaker 1>is some shit that goes down between them.

0:12:07.400 --> 0:12:10.240
<v Speaker 2>Yeah, and you know Stabler does not handle his emotions.

0:12:10.280 --> 0:12:12.400
<v Speaker 2>He gets mad at the wrong person. I mean, it's

0:12:12.440 --> 0:12:15.559
<v Speaker 2>classic in many ways. There's an airport moment or is

0:12:15.559 --> 0:12:18.160
<v Speaker 2>it a bus? You know, it's just it's great. Okay.

0:12:18.280 --> 0:12:22.200
<v Speaker 1>So we open on a couple breaking up in a

0:12:22.240 --> 0:12:25.320
<v Speaker 1>laundry room of a New York City apartment building.

0:12:25.480 --> 0:12:30.360
<v Speaker 3>You know, Patty, and the guy's name is who Cares.

0:12:31.080 --> 0:12:33.360
<v Speaker 1>So there, you know, she's in her laundry room and

0:12:34.160 --> 0:12:36.280
<v Speaker 1>he comes in. He's like, I love you, but sometimes

0:12:36.360 --> 0:12:38.840
<v Speaker 1>loves just not enough. She's like thanks, doctor Phil, and

0:12:38.880 --> 0:12:42.320
<v Speaker 1>then whatever he leaves, and then she's just crying at

0:12:42.320 --> 0:12:44.920
<v Speaker 1>the dryer, haven't we all? So then she hears a

0:12:44.960 --> 0:12:48.640
<v Speaker 1>noise and she thinks it's her ex Tommy and this

0:12:48.760 --> 0:12:52.320
<v Speaker 1>is like from the New York City Nightmare Treasure Trove, right,

0:12:52.360 --> 0:12:54.439
<v Speaker 1>Like you're in your building's laundry room and like someone

0:12:54.440 --> 0:12:57.080
<v Speaker 1>attacks you. It's like very no one's down there, it's

0:12:57.160 --> 0:13:00.280
<v Speaker 1>dark whatever. So she's getting like she's walking to the

0:13:00.320 --> 0:13:02.720
<v Speaker 1>noise and then they do this like crazy camera zoom

0:13:02.760 --> 0:13:04.640
<v Speaker 1>in on her like she's being attacked. But guess what,

0:13:04.760 --> 0:13:08.000
<v Speaker 1>it's a parrot. It's a parrot named Bretta. I feel

0:13:08.040 --> 0:13:10.600
<v Speaker 1>like I've seen a lot of exotic birds on this view.

0:13:10.880 --> 0:13:12.640
<v Speaker 1>We need to like make a note to ask Neil

0:13:12.640 --> 0:13:15.280
<v Speaker 1>Bher like if someone on staff like had a bird thing, don't.

0:13:15.440 --> 0:13:17.520
<v Speaker 1>I mean, I feel like there's a lot of victims

0:13:17.520 --> 0:13:19.000
<v Speaker 1>with a bird or like.

0:13:19.160 --> 0:13:21.240
<v Speaker 3>She was always nice to my bird, so I knew

0:13:21.280 --> 0:13:22.160
<v Speaker 3>she was a good person.

0:13:22.240 --> 0:13:24.120
<v Speaker 1>We already we did an episode like that. You know,

0:13:24.400 --> 0:13:25.480
<v Speaker 1>like there's a lot of birds.

0:13:25.640 --> 0:13:27.400
<v Speaker 2>Yeah, it's a lot of birds, and I don't know

0:13:27.480 --> 0:13:28.920
<v Speaker 2>one person in New York with a bird.

0:13:29.559 --> 0:13:29.640
<v Speaker 5>No.

0:13:30.160 --> 0:13:32.440
<v Speaker 3>Also, Bretta is a fucked up name. Isn't that a

0:13:32.480 --> 0:13:35.040
<v Speaker 3>gun name? Yeah? I think it's like it sounds very

0:13:35.040 --> 0:13:36.000
<v Speaker 3>mafia gun to me.

0:13:37.160 --> 0:13:42.240
<v Speaker 1>So Patty goes to bring barretta but I'm sorry, So baratta.

0:13:41.880 --> 0:13:43.079
<v Speaker 3>Yeah, delicious.

0:13:44.280 --> 0:13:47.720
<v Speaker 1>Patty goes to bring Bretta back to Missus Clifford. She

0:13:47.760 --> 0:13:49.959
<v Speaker 1>obviously knows this bird. This bird gets out all the time.

0:13:50.000 --> 0:13:52.400
<v Speaker 1>It seems like she's like, God, this place is a mess,

0:13:52.440 --> 0:13:54.440
<v Speaker 1>and it is a mess, but it's also like furniture

0:13:54.520 --> 0:13:57.720
<v Speaker 1>is overturned. I don't know why she's not more shocked

0:13:57.840 --> 0:14:01.400
<v Speaker 1>or like suspicious that something's gone on. People can be messy,

0:14:01.400 --> 0:14:03.360
<v Speaker 1>but they don't usually have their coffee table like over

0:14:03.440 --> 0:14:06.800
<v Speaker 1>on its side. She puts the bird back, and then

0:14:06.840 --> 0:14:09.200
<v Speaker 1>she sees as she's leaving, she sees like a foot

0:14:09.520 --> 0:14:12.559
<v Speaker 1>coming out of the kitchen. She walks in and finds

0:14:12.559 --> 0:14:15.520
<v Speaker 1>mister and Missus Clifford murdered in their kitchen, blood everywhere.

0:14:15.559 --> 0:14:18.200
<v Speaker 3>It's pretty gross. So now we cut to the police.

0:14:18.200 --> 0:14:18.640
<v Speaker 3>Are there?

0:14:18.840 --> 0:14:22.400
<v Speaker 1>Doctor Melinda Warner is giving us like the full expository rundown,

0:14:22.960 --> 0:14:26.320
<v Speaker 1>no sign of forced entry. Simon Clifford is the man

0:14:26.600 --> 0:14:27.600
<v Speaker 1>age forty seven.

0:14:27.800 --> 0:14:29.120
<v Speaker 3>I need everybody to go back to this.

0:14:29.080 --> 0:14:31.120
<v Speaker 1>Episode, pause on this man's face and tell me that

0:14:31.280 --> 0:14:32.520
<v Speaker 1>is a forty seven year old man.

0:14:32.760 --> 0:14:35.440
<v Speaker 3>He looks sixty, so I don't know.

0:14:35.600 --> 0:14:37.880
<v Speaker 1>He has a full head of gray hair and a mustache.

0:14:38.080 --> 0:14:40.400
<v Speaker 1>He does not look forty seven. I'm just saying, did

0:14:40.400 --> 0:14:41.880
<v Speaker 1>you have any did did that ring for you?

0:14:41.960 --> 0:14:43.600
<v Speaker 3>Lisa? No, it didn't.

0:14:43.960 --> 0:14:46.880
<v Speaker 2>I'm really bad with ages. I feel like that's just

0:14:46.960 --> 0:14:49.640
<v Speaker 2>not something I comprehend well. Like people will be like

0:14:49.680 --> 0:14:52.720
<v Speaker 2>I'll talk about someone and the person I'm.

0:14:52.560 --> 0:14:54.840
<v Speaker 3>With will always ask how old is are they?

0:14:54.880 --> 0:14:58.360
<v Speaker 1>And I never have an idea. Okay, well, I thought

0:14:58.360 --> 0:14:59.840
<v Speaker 1>this man looked much older than forty.

0:14:59.840 --> 0:15:00.320
<v Speaker 3>Sive of him.

0:15:00.360 --> 0:15:03.120
<v Speaker 2>But my favorite age game is like when you go

0:15:03.200 --> 0:15:05.800
<v Speaker 2>back and watch a rom common, someone is twenty seven

0:15:05.840 --> 0:15:08.080
<v Speaker 2>and about to slit their wrists for not being married.

0:15:08.160 --> 0:15:10.000
<v Speaker 3>Like those are the moments I love.

0:15:11.520 --> 0:15:13.320
<v Speaker 2>I love what I'm like, Oh, I'm twenty five, Like

0:15:13.560 --> 0:15:15.880
<v Speaker 2>my best friends are runaway b one of the weddings

0:15:15.880 --> 0:15:18.520
<v Speaker 2>with Julia Roberts, she's like twenty seven and miserable, and

0:15:18.560 --> 0:15:19.000
<v Speaker 2>it's like.

0:15:18.920 --> 0:15:22.240
<v Speaker 1>If you go back and watch the Bird Cage, Calista Flockhart.

0:15:21.680 --> 0:15:25.640
<v Speaker 3>Is nineteen marrying the guy and they're just like, they're

0:15:25.640 --> 0:15:30.440
<v Speaker 3>a little young, but it's like nineteen. Anyway, times have changed, but.

0:15:30.480 --> 0:15:33.520
<v Speaker 2>Also as a culture, we do all look better than

0:15:33.880 --> 0:15:34.600
<v Speaker 2>back in the day.

0:15:34.880 --> 0:15:37.680
<v Speaker 1>I think, yes, at the age of forty seven, but

0:15:37.800 --> 0:15:40.720
<v Speaker 1>I still think this man looks like a not sixty

0:15:40.800 --> 0:15:44.200
<v Speaker 1>years old if he's a day, but he has been

0:15:44.240 --> 0:15:46.920
<v Speaker 1>dead for about five hours. His throat's been cut from behind,

0:15:47.000 --> 0:15:49.120
<v Speaker 1>and it was a hunting knife used for butchering.

0:15:49.240 --> 0:15:52.160
<v Speaker 3>They and then Lilah Clifford is the wife. She was

0:15:52.160 --> 0:15:52.720
<v Speaker 3>on the run.

0:15:52.840 --> 0:15:56.040
<v Speaker 1>It's not as clean of a attack because.

0:15:55.800 --> 0:15:56.880
<v Speaker 3>She was trying to escape.

0:15:57.160 --> 0:15:59.440
<v Speaker 1>And then we hear about the third victim, Amy Clifford,

0:15:59.440 --> 0:16:00.760
<v Speaker 1>who is their sixteen year old daughter.

0:16:00.880 --> 0:16:02.320
<v Speaker 3>She has not been cut at all.

0:16:03.560 --> 0:16:06.360
<v Speaker 1>There is signs of sexual assault, but no seaman or spermicide.

0:16:06.400 --> 0:16:10.560
<v Speaker 1>So doctor Warner is hypothesizing that either he couldn't get

0:16:10.560 --> 0:16:12.680
<v Speaker 1>a boner or he got scared off and then he

0:16:12.760 --> 0:16:15.280
<v Speaker 1>choked her to death. So then they're like, let me

0:16:15.280 --> 0:16:17.880
<v Speaker 1>show you the kids room, and you're like bracing yourselves

0:16:17.880 --> 0:16:19.920
<v Speaker 1>that there's going to be like two dead kids. But

0:16:19.960 --> 0:16:23.960
<v Speaker 1>we go into this room and there's no bodies, no blood,

0:16:24.120 --> 0:16:26.520
<v Speaker 1>and the two children that you normally occupy the room,

0:16:26.600 --> 0:16:29.040
<v Speaker 1>Ryan age nine and Rebecca age seven, are missing.

0:16:30.000 --> 0:16:31.760
<v Speaker 3>Done, done credits.

0:16:31.920 --> 0:16:34.720
<v Speaker 2>I'd rather some missing kids than some slashed up dead

0:16:34.760 --> 0:16:35.400
<v Speaker 2>kids in a bed.

0:16:35.800 --> 0:16:39.240
<v Speaker 3>I don't think we would see that. Yeah, we've seen it.

0:16:39.360 --> 0:16:40.960
<v Speaker 3>We've seen it. We've seen it.

0:16:41.040 --> 0:16:43.320
<v Speaker 1>But at the beginning of the episode, that's a little

0:16:43.760 --> 0:16:44.800
<v Speaker 1>our listeners are nuts.

0:16:44.800 --> 0:16:45.880
<v Speaker 3>They're like, do charisma.

0:16:46.000 --> 0:16:50.280
<v Speaker 2>We don't want to, we don't need, we don't need

0:16:50.760 --> 0:16:51.880
<v Speaker 2>a house of dead children.

0:16:51.920 --> 0:16:54.640
<v Speaker 3>I mean, we'll do okay.

0:16:54.640 --> 0:16:57.040
<v Speaker 1>So tap of act one, Olivia is showing pictures of

0:16:57.080 --> 0:16:59.640
<v Speaker 1>the kids to Kragan, and Cragan's out on the streets

0:16:59.640 --> 0:17:01.280
<v Speaker 1>and we Craigan in the street, right.

0:17:01.320 --> 0:17:02.440
<v Speaker 3>I love a Craigan in the street.

0:17:02.480 --> 0:17:04.640
<v Speaker 1>He's got his little neozy's hat on and he is

0:17:05.200 --> 0:17:07.040
<v Speaker 1>ready to give orders.

0:17:06.760 --> 0:17:09.680
<v Speaker 3>And the sheets you didn't even do with the fun.

0:17:09.920 --> 0:17:11.080
<v Speaker 3>You're like, because I do.

0:17:11.119 --> 0:17:13.760
<v Speaker 1>The Craigan is a stabler in the sheets. You were saying,

0:17:13.760 --> 0:17:15.560
<v Speaker 1>I want a Cragan in the streets and a Stabler

0:17:15.560 --> 0:17:15.880
<v Speaker 1>in the sheet.

0:17:15.960 --> 0:17:19.119
<v Speaker 2>Yeah, you did nothing with that. I'm like, shh. I

0:17:19.160 --> 0:17:21.680
<v Speaker 2>was sitting here waiting like she's gonna do a little joke.

0:17:22.680 --> 0:17:26.760
<v Speaker 1>No, I'm sorry, sorry, I didn't do that joke. I

0:17:26.800 --> 0:17:30.080
<v Speaker 1>respect Ludacris too much. But you I want to say,

0:17:30.080 --> 0:17:32.400
<v Speaker 1>you love that era of music too, It's I do.

0:17:34.000 --> 0:17:36.920
<v Speaker 1>So that's a good Maybe that's a good idea for merch.

0:17:37.480 --> 0:17:43.080
<v Speaker 1>Craigan in the streets Benceler Bence, no Stabler in the sheets,

0:17:43.080 --> 0:17:44.359
<v Speaker 1>but half our audience probably.

0:17:44.080 --> 0:17:46.280
<v Speaker 3>Wants Benson in the sheets anyway, cut all of this,

0:17:46.560 --> 0:17:49.440
<v Speaker 3>but that's not the game. I guess she does slap

0:17:49.480 --> 0:17:50.119
<v Speaker 3>people around.

0:17:50.480 --> 0:17:53.199
<v Speaker 1>Okay, you don't know what she's like in bed, except

0:17:53.200 --> 0:17:54.919
<v Speaker 1>I guess we've seen her like snuggle up in a

0:17:54.960 --> 0:17:56.240
<v Speaker 1>man's shirt a couple of times.

0:17:56.560 --> 0:17:59.920
<v Speaker 3>All right, So the manhunt.

0:17:59.480 --> 0:18:02.439
<v Speaker 1>Is underway for this psychopath who has murdered his family

0:18:02.480 --> 0:18:03.680
<v Speaker 1>and kidnap these two children.

0:18:03.840 --> 0:18:06.320
<v Speaker 3>So he Stabler finds out all this information.

0:18:06.400 --> 0:18:08.159
<v Speaker 1>He goes The family's lived here for seven years, the

0:18:08.160 --> 0:18:10.359
<v Speaker 1>mom and dad have both been popped for drug possession.

0:18:10.760 --> 0:18:13.240
<v Speaker 1>Their oldest son is in sing sing for armed robbery.

0:18:14.040 --> 0:18:16.800
<v Speaker 1>So then it's like, oh, oh, Hallerin wants your attention.

0:18:17.000 --> 0:18:22.480
<v Speaker 1>He's our hot rip tech who finds a bunch of

0:18:22.480 --> 0:18:25.760
<v Speaker 1>footprints that are all kind of in a tight cluster,

0:18:26.080 --> 0:18:28.640
<v Speaker 1>like of standing and walking in a circle that has

0:18:28.680 --> 0:18:32.240
<v Speaker 1>a perfect view of Ryan and Rebecca's bedroom. This seems

0:18:32.280 --> 0:18:34.560
<v Speaker 1>like insane police work to me to just like walk

0:18:34.600 --> 0:18:37.000
<v Speaker 1>around and see if you find a bunch of matching footprints,

0:18:37.000 --> 0:18:39.760
<v Speaker 1>but I get they did that. And then this little

0:18:39.800 --> 0:18:43.200
<v Speaker 1>old landlord shows up. He of course, like everything in SVU,

0:18:43.280 --> 0:18:47.960
<v Speaker 1>is the landlord that knows this entire family story. He's like, oh,

0:18:48.000 --> 0:18:50.200
<v Speaker 1>Simon Clifford, the man who's been murdered is just the

0:18:50.280 --> 0:18:53.479
<v Speaker 1>kid's stepdad, and he married Lilah last fall, but they

0:18:53.560 --> 0:18:57.639
<v Speaker 1>shacked up right after Glenn moved out. Now, Glenn, just

0:18:57.680 --> 0:19:01.840
<v Speaker 1>a side note, is the name of the of this character.

0:19:01.920 --> 0:19:04.400
<v Speaker 1>He's also the name of Bob Saggett's character. And one

0:19:04.440 --> 0:19:06.720
<v Speaker 1>of our listeners who is named Glenn said that they

0:19:06.800 --> 0:19:09.560
<v Speaker 1>started a list of an informal list of Glenn's in

0:19:09.640 --> 0:19:14.440
<v Speaker 1>TV shows and movies recently and that it is mostly villains,

0:19:15.520 --> 0:19:17.920
<v Speaker 1>ben bad people. Yeah, Glenn is not.

0:19:17.880 --> 0:19:21.560
<v Speaker 3>A good name. Sorry to that man. I'm sorry to

0:19:21.600 --> 0:19:22.040
<v Speaker 3>this man.

0:19:23.560 --> 0:19:26.320
<v Speaker 1>So anyway, they got together after Glenn moved out. There

0:19:26.320 --> 0:19:28.359
<v Speaker 1>was a big custody fight. They would get violin with

0:19:28.359 --> 0:19:31.520
<v Speaker 1>each other all the time, and he was like, he

0:19:31.560 --> 0:19:33.240
<v Speaker 1>came by a couple of nights ago, he threatened to

0:19:33.320 --> 0:19:37.359
<v Speaker 1>kill her, and again, yeah, this landlord knows every personal

0:19:37.400 --> 0:19:40.720
<v Speaker 1>family detail. So now we've got Glenn. He's an interrogation

0:19:41.359 --> 0:19:43.159
<v Speaker 1>and he's like, it was all talk. I was just

0:19:43.200 --> 0:19:45.080
<v Speaker 1>mad because she was going to move my kids to Florida.

0:19:45.200 --> 0:19:48.439
<v Speaker 1>She's letting a drug addict raise my kids, and he's like,

0:19:48.600 --> 0:19:51.399
<v Speaker 1>search my house, do whatever you want. Like, he's definitely

0:19:51.400 --> 0:19:53.200
<v Speaker 1>not you get the feeling, he's definitely not the guy,

0:19:53.280 --> 0:19:56.400
<v Speaker 1>and he's obviously very upset that his oldest daughter has

0:19:56.440 --> 0:20:00.880
<v Speaker 1>been murdered and his two children are missing. So now

0:20:00.880 --> 0:20:03.120
<v Speaker 1>we're at Sing Sing. They take you on a lot

0:20:03.119 --> 0:20:07.000
<v Speaker 1>of rides in this episode before we get to the

0:20:07.800 --> 0:20:11.239
<v Speaker 1>actual meat of who has these kids. So now we're

0:20:11.280 --> 0:20:14.520
<v Speaker 1>at Sing Sing talking to the eldest son, Calvin. They're

0:20:14.520 --> 0:20:16.560
<v Speaker 1>asking him, how have you made any friends in prison?

0:20:17.000 --> 0:20:19.080
<v Speaker 1>Are you in the Aryan Nation? And he says no,

0:20:19.240 --> 0:20:21.800
<v Speaker 1>But then ic T's like, don't even try this shit

0:20:21.800 --> 0:20:23.240
<v Speaker 1>with me. I see that you have eight eight on

0:20:23.280 --> 0:20:26.800
<v Speaker 1>your wrist, which Munch clarifies the eighth letter.

0:20:26.640 --> 0:20:27.800
<v Speaker 3>Of the alphabet is H.

0:20:27.840 --> 0:20:30.760
<v Speaker 1>So eight eight stands for Kyle Hitler, and the guy goes, well,

0:20:30.840 --> 0:20:32.359
<v Speaker 1>I like my ass the way it is, So I

0:20:32.400 --> 0:20:33.640
<v Speaker 1>got a fall in with somebody.

0:20:34.000 --> 0:20:37.119
<v Speaker 3>That's an interesting quote. I mean, I think that's probably

0:20:37.119 --> 0:20:38.480
<v Speaker 3>how a lot of people in prison feel.

0:20:38.720 --> 0:20:40.680
<v Speaker 2>I mean I think, yeah, you have to just do it.

0:20:40.720 --> 0:20:43.400
<v Speaker 2>I just wonder if we went, like what else white

0:20:43.480 --> 0:20:44.240
<v Speaker 2>Jews would.

0:20:44.040 --> 0:20:46.600
<v Speaker 3>Do oh late in like a lady jail. I don't know,

0:20:46.840 --> 0:20:49.159
<v Speaker 3>like would the Nazis let us in or would we

0:20:49.200 --> 0:20:51.399
<v Speaker 3>have no group to go to? Yeah, that's true. We

0:20:51.400 --> 0:20:53.640
<v Speaker 3>wouldn't be able to go with the Aryan women. Were

0:20:53.640 --> 0:20:58.560
<v Speaker 3>there Jewish women? Well, Cindy Cindy in Orange's New Black Converts,

0:20:58.680 --> 0:21:02.200
<v Speaker 3>but just something she ality has her group of friends.

0:21:02.280 --> 0:21:03.840
<v Speaker 1>Yes, send anything, but if you guys have any ideas

0:21:03.920 --> 0:21:06.040
<v Speaker 1>for what gangsley's then I can join. When we're in prison.

0:21:06.119 --> 0:21:08.880
<v Speaker 1>We would really appreciate it. Send those straight to the DMS.

0:21:10.040 --> 0:21:12.800
<v Speaker 1>So this guy says, there's no way I pissed anyone

0:21:12.840 --> 0:21:16.320
<v Speaker 1>off enough to kill my entire family. And he's basically like,

0:21:16.359 --> 0:21:20.479
<v Speaker 1>I'm not. My stepdad is scum. He hangs out with scums,

0:21:20.480 --> 0:21:23.000
<v Speaker 1>so he's probably like, it's my stepdad or somebody connected

0:21:23.040 --> 0:21:25.680
<v Speaker 1>to him. And he said he talked to Rebecca a

0:21:25.760 --> 0:21:28.639
<v Speaker 1>week ago and that she was home midday from school,

0:21:28.640 --> 0:21:30.480
<v Speaker 1>which is weird. She picked up the phone and that

0:21:30.560 --> 0:21:32.760
<v Speaker 1>the school had sent her home. No one would say why,

0:21:32.840 --> 0:21:36.280
<v Speaker 1>and the whole situation seems sketchy. So now we're at

0:21:36.280 --> 0:21:40.720
<v Speaker 1>Rebecca's school and Rebecca's teacher is saying, oh, she didn't

0:21:40.760 --> 0:21:41.400
<v Speaker 1>do anything wrong.

0:21:41.440 --> 0:21:42.639
<v Speaker 3>She was upset because.

0:21:42.359 --> 0:21:44.679
<v Speaker 1>There was a man hanging outside the school yard, and

0:21:44.720 --> 0:21:46.359
<v Speaker 1>by the time another kid came and told me about it,

0:21:46.440 --> 0:21:48.480
<v Speaker 1>I went out there. Rebecca was right up at the

0:21:48.480 --> 0:21:51.840
<v Speaker 1>fence and this guy was jerking off and Rebecca was

0:21:51.880 --> 0:21:54.880
<v Speaker 1>just standing there traumatized. So she pulled her away, and

0:21:54.920 --> 0:21:57.040
<v Speaker 1>then she and a bunch of other girls who saw

0:21:57.119 --> 0:21:58.920
<v Speaker 1>this were upset and they all got sent home early.

0:21:58.960 --> 0:22:01.320
<v Speaker 1>And the teacher goes, but I drew this just in case,

0:22:01.359 --> 0:22:03.960
<v Speaker 1>because the cops told her, don't worry. This guy probably

0:22:04.000 --> 0:22:05.919
<v Speaker 1>won't come back and this has nothing to do with anything,

0:22:05.960 --> 0:22:09.240
<v Speaker 1>which is insane. And then the teacher goes, don't worry,

0:22:09.280 --> 0:22:11.840
<v Speaker 1>I drew this and just pulls out a stunning portrait

0:22:11.920 --> 0:22:14.520
<v Speaker 1>of this pedophile and she's like, I'm the art teacher,

0:22:14.680 --> 0:22:18.200
<v Speaker 1>Like it's a full framer, right, it's beautiful. Yeah, No,

0:22:18.320 --> 0:22:22.520
<v Speaker 1>I like all the details.

0:22:20.160 --> 0:22:22.840
<v Speaker 3>Of this character that we're about to meet.

0:22:24.359 --> 0:22:26.359
<v Speaker 1>So they're at the precinct talking about how they're going

0:22:26.359 --> 0:22:28.679
<v Speaker 1>to get the drawing out to the media, and they're like, oh,

0:22:28.760 --> 0:22:31.800
<v Speaker 1>Lilah Clifford's bank account just got emptied out, and apparently

0:22:31.840 --> 0:22:34.760
<v Speaker 1>it was only like sixty dollars. So they try to

0:22:34.760 --> 0:22:36.719
<v Speaker 1>go get the ATM footage, but before they do that,

0:22:36.760 --> 0:22:40.040
<v Speaker 1>we do see Ryan and Rebecca's faces on NY one,

0:22:40.119 --> 0:22:42.719
<v Speaker 1>which is I know we're not allowed to stay iconic anymore,

0:22:42.720 --> 0:22:46.720
<v Speaker 1>but I and NYC icon Sorry, I love n Y one.

0:22:47.160 --> 0:22:50.520
<v Speaker 2>One time I thought I was going to be hosting

0:22:50.520 --> 0:22:54.240
<v Speaker 2>the Halloween parade for New York one, but I wasn't.

0:22:54.640 --> 0:22:57.720
<v Speaker 2>But I told everyone I was what like I was

0:22:57.800 --> 0:23:00.480
<v Speaker 2>just going to be interviewed for my costume during the parade,

0:23:00.560 --> 0:23:02.879
<v Speaker 2>but I thought I was going to be the correspondent.

0:23:03.200 --> 0:23:05.879
<v Speaker 3>And so I was like, and so I brought a friend.

0:23:06.359 --> 0:23:08.600
<v Speaker 2>Everyone at the cellar like put the TVs on, and

0:23:08.600 --> 0:23:10.600
<v Speaker 2>they're like, you weren't on the TV.

0:23:10.760 --> 0:23:13.680
<v Speaker 3>And I was like, where was the miscommunication, Lisa?

0:23:14.080 --> 0:23:17.440
<v Speaker 2>Maybe my dreams were bigger than my reading comprehension.

0:23:17.560 --> 0:23:19.760
<v Speaker 1>And I was just like, like the word host was

0:23:19.840 --> 0:23:20.960
<v Speaker 1>just not in it anywhere.

0:23:21.720 --> 0:23:21.920
<v Speaker 3>No.

0:23:22.400 --> 0:23:24.199
<v Speaker 2>I was waiting and waiting, and then I like they

0:23:24.280 --> 0:23:25.960
<v Speaker 2>kept interviewing other people in front of me, and I

0:23:26.000 --> 0:23:27.800
<v Speaker 2>was like, I thought I was going to be interviewing

0:23:27.800 --> 0:23:30.000
<v Speaker 2>people Like I just assumed I was going to be

0:23:30.040 --> 0:23:32.919
<v Speaker 2>the host and it wasn't it was their newscasters.

0:23:33.119 --> 0:23:35.800
<v Speaker 1>So, oh my god, Lisa trigger the grand Marshal of

0:23:35.800 --> 0:23:36.720
<v Speaker 1>the Halloween career.

0:23:36.880 --> 0:23:38.840
<v Speaker 3>I wish one day and one day.

0:23:39.680 --> 0:23:42.439
<v Speaker 1>So they do check this ATM footage and they see

0:23:42.480 --> 0:23:45.639
<v Speaker 1>that this guy made Ryan use the ATM. There's like

0:23:45.800 --> 0:23:47.720
<v Speaker 1>you can see just like like the little corner of

0:23:47.760 --> 0:23:48.600
<v Speaker 1>a kid's head.

0:23:48.400 --> 0:23:51.520
<v Speaker 3>Going up to use the ATM. And uh.

0:23:51.560 --> 0:23:54.520
<v Speaker 1>Meanwhile, Olivia gets a call. They've got an idea on

0:23:54.560 --> 0:23:58.800
<v Speaker 1>the sketch, so they had to outdoor Adventures and this

0:23:58.880 --> 0:24:02.800
<v Speaker 1>guy bits perfectly into the cannon of SVU side characters.

0:24:03.000 --> 0:24:05.639
<v Speaker 1>He remembers an exact order that somebody made at his

0:24:05.720 --> 0:24:10.480
<v Speaker 1>outdoor store one month ago. He remembers everything he bought.

0:24:10.840 --> 0:24:13.560
<v Speaker 1>I understand maybe remembering that he got the telephoto lens,

0:24:13.600 --> 0:24:15.520
<v Speaker 1>because it is that he got this telephoto lens camera

0:24:15.560 --> 0:24:17.600
<v Speaker 1>that's like two grand top of the line. He's only

0:24:17.600 --> 0:24:19.560
<v Speaker 1>sold three of them, so I guess he could remember that.

0:24:19.920 --> 0:24:21.600
<v Speaker 1>But he also remembers, oh, he bought a couple of

0:24:21.680 --> 0:24:25.280
<v Speaker 1>kids sleeping bags, rope, a hunting knife, and I'm like,

0:24:25.440 --> 0:24:29.720
<v Speaker 1>the memory on this guy is very impressive. And then

0:24:30.880 --> 0:24:33.760
<v Speaker 1>he obviously has looked through and found that the guy

0:24:33.840 --> 0:24:35.920
<v Speaker 1>used a credit card and so now boom, we've got

0:24:35.920 --> 0:24:39.440
<v Speaker 1>the identity. Victor Paul Gaetano is the name of this man.

0:24:40.160 --> 0:24:43.160
<v Speaker 1>So they find out that Victor Paul Gaetano was arrested

0:24:43.160 --> 0:24:45.280
<v Speaker 1>six weeks ago from molesting a nine year old. He

0:24:45.359 --> 0:24:48.359
<v Speaker 1>skipped bail, and he's a registered sex offender for a

0:24:48.440 --> 0:24:51.280
<v Speaker 1>rape of a child with serious bodily harm that stems

0:24:51.280 --> 0:24:53.520
<v Speaker 1>from a previous crime in nineteen eighty seven when he

0:24:53.520 --> 0:24:56.640
<v Speaker 1>held a twelve year old boy hostage, tortured, raped, burn

0:24:56.760 --> 0:25:01.280
<v Speaker 1>him horrible. And as we're hearing all this, we are seeing,

0:25:01.440 --> 0:25:04.320
<v Speaker 1>we're hearing this like simultaneously, as the cops bust into

0:25:04.359 --> 0:25:08.480
<v Speaker 1>Gaetano's apartment, they're checking everything. Nobody is there, but they

0:25:08.520 --> 0:25:10.359
<v Speaker 1>did find the little girl's baret, so they know that

0:25:10.400 --> 0:25:12.480
<v Speaker 1>they like kind of just miss them that they were there.

0:25:12.840 --> 0:25:15.280
<v Speaker 1>So now we've got Huang on the scene doing a

0:25:15.280 --> 0:25:18.040
<v Speaker 1>little bit more exposition, kind of reading from a report

0:25:18.160 --> 0:25:22.840
<v Speaker 1>by doctor PAULA. Greenfield, who treated Gaetano back in Pennsylvania.

0:25:23.400 --> 0:25:27.480
<v Speaker 1>He basically this guy is a full psychopath. He self

0:25:27.520 --> 0:25:30.439
<v Speaker 1>reported that as a teen he sexually assaulted over a

0:25:30.520 --> 0:25:34.600
<v Speaker 1>dozen girls and boys, all strangers to him sexuality and

0:25:34.640 --> 0:25:37.919
<v Speaker 1>inflicting pain are like fully intertwined for him from an

0:25:37.920 --> 0:25:41.480
<v Speaker 1>early age. Huang doesn't believe that Gaetano was a pedophile

0:25:41.520 --> 0:25:43.560
<v Speaker 1>in the classic sense. They just think he's a sadist

0:25:43.560 --> 0:25:46.480
<v Speaker 1>and he probably chooses children because they're easier to control.

0:25:47.400 --> 0:25:49.440
<v Speaker 1>It turns out he was kicked out of his program

0:25:50.000 --> 0:25:52.800
<v Speaker 1>that he was in Pennsylvania with doctor Greenfield after three

0:25:52.920 --> 0:25:55.800
<v Speaker 1>years because he refused to participate and express desire to

0:25:55.840 --> 0:25:59.520
<v Speaker 1>continue his behavior. And you know, Stabler rightfully is like

0:25:59.560 --> 0:26:01.920
<v Speaker 1>wide and they just commit him. And Wang keeps saying, oh,

0:26:01.920 --> 0:26:05.080
<v Speaker 1>he didn't fit the criteria, and Finn's like, well, it

0:26:05.160 --> 0:26:08.479
<v Speaker 1>sounded like he said I'm going to reoffend, So how

0:26:08.520 --> 0:26:08.840
<v Speaker 1>does that.

0:26:08.800 --> 0:26:09.720
<v Speaker 3>Not fit the criteria?

0:26:10.119 --> 0:26:13.600
<v Speaker 1>And Wang explains, you know, psychotherapy encourages you to express

0:26:13.600 --> 0:26:17.320
<v Speaker 1>your desires and thoughts without fears of being punished, So technically,

0:26:17.320 --> 0:26:18.879
<v Speaker 1>I don't think they can take what he says in

0:26:18.960 --> 0:26:23.320
<v Speaker 1>therapy sessions and like use it against him. So even

0:26:23.320 --> 0:26:25.440
<v Speaker 1>though there's all this evidence that he would probably reoffend,

0:26:25.440 --> 0:26:27.440
<v Speaker 1>I guess it was like not enough criteria for a

0:26:27.480 --> 0:26:31.880
<v Speaker 1>civil commitment. So now we go to Pennsylvania and talk

0:26:31.920 --> 0:26:36.040
<v Speaker 1>to doctor Paula. Greenfield, who we've already seen in our

0:26:36.080 --> 0:26:39.840
<v Speaker 1>time doing this podcast. She's played by Rebecca Weisaki, and

0:26:39.880 --> 0:26:41.800
<v Speaker 1>she has she has big.

0:26:41.640 --> 0:26:43.359
<v Speaker 3>Sandra Bernhard vibes to me.

0:26:43.800 --> 0:26:47.160
<v Speaker 1>And if you recognize her, it's because she played Marcy,

0:26:47.359 --> 0:26:51.959
<v Speaker 1>the woman in Serendipity who helped that pregnant woman find

0:26:52.000 --> 0:26:55.879
<v Speaker 1>the baby parents who worked at the flavor factory. Yes, remember,

0:26:55.960 --> 0:26:57.919
<v Speaker 1>she was like, we got along really great, Like she

0:26:57.960 --> 0:26:59.679
<v Speaker 1>worked at like a suicide hotline and you're not supposed

0:26:59.720 --> 0:27:01.560
<v Speaker 1>to become friends with people, but she like, she got

0:27:01.600 --> 0:27:03.640
<v Speaker 1>along great with that woman and then helped her give

0:27:03.640 --> 0:27:07.159
<v Speaker 1>her baby away. So she said that guy town has

0:27:07.200 --> 0:27:09.879
<v Speaker 1>probably been planning this for months, maybe even years, Like

0:27:09.920 --> 0:27:12.160
<v Speaker 1>the planning of it is what kind of gets him going.

0:27:13.560 --> 0:27:15.400
<v Speaker 1>She's like, I have no idea what he was even

0:27:15.520 --> 0:27:17.800
<v Speaker 1>like before he was in prison. He's he's like a

0:27:17.840 --> 0:27:22.040
<v Speaker 1>full scale liar. Never isn't lying, Like one second he

0:27:22.080 --> 0:27:24.320
<v Speaker 1>says he was molested and he's like, no, my mother

0:27:24.440 --> 0:27:27.440
<v Speaker 1>was an angel, Like I never knew my father.

0:27:27.600 --> 0:27:28.040
<v Speaker 3>Just kidding.

0:27:28.040 --> 0:27:29.639
<v Speaker 1>I moved around all the time because my dad was

0:27:29.680 --> 0:27:32.240
<v Speaker 1>in the military. Like he just was lying all the time.

0:27:32.680 --> 0:27:34.760
<v Speaker 1>And she said, you know, eventually you just realize he's

0:27:34.800 --> 0:27:38.240
<v Speaker 1>playing you. He's never telling the truth ever. And Huong's like,

0:27:38.560 --> 0:27:41.560
<v Speaker 1>these are the worst kinds of offenders because they really

0:27:41.560 --> 0:27:44.720
<v Speaker 1>make you believe you can help them, and Greenfield's like,

0:27:45.200 --> 0:27:47.840
<v Speaker 1>you can't help a sociopath. It's this whole debate about

0:27:47.840 --> 0:27:50.159
<v Speaker 1>sex offenders being cured, like I can't cure you of

0:27:50.240 --> 0:27:52.080
<v Speaker 1>needing oxygen to breathe.

0:27:51.760 --> 0:27:53.600
<v Speaker 3>Which is interesting because there is.

0:27:54.960 --> 0:27:58.119
<v Speaker 1>Research about, you know, whether you can cure sex offender,

0:27:58.160 --> 0:28:01.080
<v Speaker 1>whether their urges can be like with hell. But someone

0:28:01.200 --> 0:28:04.800
<v Speaker 1>like this, I think it's different because it's not just

0:28:04.840 --> 0:28:05.800
<v Speaker 1>a sexual desire.

0:28:05.840 --> 0:28:06.639
<v Speaker 3>It's like a violet.

0:28:06.640 --> 0:28:09.400
<v Speaker 1>It's like a desire for violence that I don't think

0:28:09.400 --> 0:28:11.639
<v Speaker 1>you can get from, like you know, being in a

0:28:11.640 --> 0:28:17.800
<v Speaker 1>consensual relationship or looking at pornography or whatever. So she says, basically,

0:28:17.840 --> 0:28:20.159
<v Speaker 1>he sees weakness in you and he exploits it. And

0:28:20.200 --> 0:28:23.240
<v Speaker 1>she said for her, her weakness was her revulsion of him.

0:28:23.920 --> 0:28:27.080
<v Speaker 1>So he was like super detailed and would sit and

0:28:27.800 --> 0:28:32.080
<v Speaker 1>like weave these tales of torturing children like it was

0:28:32.359 --> 0:28:35.119
<v Speaker 1>telling a bedtime story. And she says she thinks her

0:28:35.119 --> 0:28:37.439
<v Speaker 1>greatest accomplishment with him was teaching him how to imitate

0:28:37.480 --> 0:28:40.400
<v Speaker 1>normal human behavior, and that essentially made him more dangerous,

0:28:40.920 --> 0:28:44.480
<v Speaker 1>and she says, I've got all his journals and taped sessions.

0:28:44.480 --> 0:28:45.680
<v Speaker 3>I don't know if any of this is going to

0:28:45.720 --> 0:28:46.040
<v Speaker 3>help you.

0:28:46.960 --> 0:28:50.560
<v Speaker 1>So then Huang and Kragan are back at the precinct

0:28:50.640 --> 0:28:53.880
<v Speaker 1>watching one of these video sessions of Gaetano, and that's

0:28:53.920 --> 0:28:58.800
<v Speaker 1>when we learn that he is played by Oscar nominated

0:28:59.400 --> 0:29:04.160
<v Speaker 1>legend and Lou Diamond Phillips. So I'm obsessed with him

0:29:04.160 --> 0:29:06.240
<v Speaker 1>from La Bamba and here he is as a serial

0:29:06.360 --> 0:29:11.000
<v Speaker 1>killer and he's confessing to like, you know, cutting a

0:29:11.080 --> 0:29:13.680
<v Speaker 1>kid and all this blood that comes out, and it's

0:29:13.760 --> 0:29:15.880
<v Speaker 1>just really gross because he is really talking about it,

0:29:15.920 --> 0:29:17.200
<v Speaker 1>almost like it's romantic.

0:29:17.240 --> 0:29:18.320
<v Speaker 3>It's really disgusting.

0:29:18.600 --> 0:29:20.959
<v Speaker 1>And this is intercut with scenes of Huang interviewing one

0:29:20.960 --> 0:29:24.719
<v Speaker 1>of Gaetano's victims. And I've always remembered this interview, like

0:29:24.880 --> 0:29:26.880
<v Speaker 1>from when I watched this episode years and years ago,

0:29:26.920 --> 0:29:29.400
<v Speaker 1>i always have remembered this interview with this guy because

0:29:30.440 --> 0:29:33.320
<v Speaker 1>it's just so sad, how like he just lives in

0:29:33.360 --> 0:29:39.360
<v Speaker 1>a bubble of trauma, and like he says, like, I

0:29:39.400 --> 0:29:41.400
<v Speaker 1>never knew people could do things like that to your

0:29:41.440 --> 0:29:43.920
<v Speaker 1>body or be so evil, and he's basically like, I

0:29:43.920 --> 0:29:44.720
<v Speaker 1>don't leave the house.

0:29:44.920 --> 0:29:45.800
<v Speaker 3>I work online.

0:29:45.880 --> 0:29:47.520
<v Speaker 1>I haven't gone outside in years, but you know, I've

0:29:47.520 --> 0:29:49.960
<v Speaker 1>got TV and I can order anything I want off

0:29:50.000 --> 0:29:50.600
<v Speaker 1>the internet.

0:29:50.680 --> 0:29:53.880
<v Speaker 3>And it's not a bad life, not a bad life

0:29:53.920 --> 0:29:54.160
<v Speaker 3>at all.

0:29:54.200 --> 0:29:57.680
<v Speaker 1>And I just always remember that monologue as for lack

0:29:57.720 --> 0:29:58.880
<v Speaker 1>of a better word, haunting.

0:30:00.080 --> 0:30:03.080
<v Speaker 2>Yeah, this comes up a lot, and I've been thinking

0:30:03.080 --> 0:30:03.800
<v Speaker 2>about it a lot.

0:30:03.920 --> 0:30:06.800
<v Speaker 3>How so much like quote.

0:30:06.640 --> 0:30:09.600
<v Speaker 2>Unquote bad behavior, like these things stay with you and

0:30:09.880 --> 0:30:12.640
<v Speaker 2>just how much trauma people are carrying around, and that

0:30:13.080 --> 0:30:15.800
<v Speaker 2>we need to stop judging people for their wacko behaviors

0:30:15.840 --> 0:30:18.440
<v Speaker 2>and realize like or try to think like, oh what

0:30:18.600 --> 0:30:19.480
<v Speaker 2>made them like this?

0:30:20.080 --> 0:30:21.720
<v Speaker 3>Right, instead of just being mad at people.

0:30:22.400 --> 0:30:25.760
<v Speaker 2>Yeah, I'm just honestly, Hunting Ground has taken over for

0:30:25.840 --> 0:30:28.680
<v Speaker 2>the worst interview for me, because like the rope mark

0:30:28.720 --> 0:30:29.320
<v Speaker 2>on her neck.

0:30:29.880 --> 0:30:32.520
<v Speaker 1>Do you remember, oh, the girl that's in the that's

0:30:32.520 --> 0:30:33.480
<v Speaker 1>in the mental institution?

0:30:34.040 --> 0:30:37.040
<v Speaker 2>Yeah, like yeah that one. When you were like this

0:30:37.360 --> 0:30:39.920
<v Speaker 2>interview fucked me up. I was like that Hunting Ground

0:30:39.920 --> 0:30:42.680
<v Speaker 2>one has not left my brain for sure.

0:30:43.360 --> 0:30:47.640
<v Speaker 1>So basically now they're saying they're getting more clear picture

0:30:47.640 --> 0:30:49.440
<v Speaker 1>of this guy, and they're like if the kids are

0:30:49.560 --> 0:30:51.840
<v Speaker 1>around still and alive, they won't be for long, so

0:30:51.920 --> 0:30:55.000
<v Speaker 1>like we got to move fast. So then they get

0:30:55.040 --> 0:30:57.680
<v Speaker 1>a tip that there's been a sighting of Gaetano at

0:30:57.720 --> 0:31:01.040
<v Speaker 1>the George Washington Bridge bus terminal, where I've never been.

0:31:01.680 --> 0:31:03.600
<v Speaker 3>I think, Lisa, you said you've been there one time.

0:31:03.840 --> 0:31:05.400
<v Speaker 3>I've been on the bridge. I don't know about the

0:31:05.440 --> 0:31:06.200
<v Speaker 3>bus terminal.

0:31:06.280 --> 0:31:08.360
<v Speaker 1>Oh, I thought you said, Oh no, sorry, it was Hannah.

0:31:08.400 --> 0:31:14.440
<v Speaker 1>Hannah's been there. So we meet this fucking money transfer guy.

0:31:14.600 --> 0:31:18.040
<v Speaker 1>I can't stand this guy. Whenever I watch this episode,

0:31:18.080 --> 0:31:19.440
<v Speaker 1>I want to punch this guy in the face.

0:31:19.880 --> 0:31:21.040
<v Speaker 3>Look, he's very smart.

0:31:21.080 --> 0:31:23.480
<v Speaker 1>He works at a money transfer place where Gaetano came

0:31:23.880 --> 0:31:26.560
<v Speaker 1>and he recognized him because he recognized the kids. The

0:31:26.640 --> 0:31:29.440
<v Speaker 1>kids look like zombies and were just like standing there traumatized.

0:31:29.720 --> 0:31:30.840
<v Speaker 3>So this guy is smart.

0:31:30.920 --> 0:31:34.040
<v Speaker 1>He told him, oh, I don't have your wire transfer yet,

0:31:34.080 --> 0:31:34.680
<v Speaker 1>but it's coming in.

0:31:34.760 --> 0:31:36.440
<v Speaker 3>It'll be here by four, and he stalled him so

0:31:36.440 --> 0:31:38.200
<v Speaker 3>he could call the cops. Very smart.

0:31:38.280 --> 0:31:40.920
<v Speaker 1>That's where this man's intelligence ends. Then he has no

0:31:41.120 --> 0:31:43.640
<v Speaker 1>chill at all. They're all hanging around the bus station

0:31:43.680 --> 0:31:45.760
<v Speaker 1>waiting for Guyitana to show up, and this guy is

0:31:45.800 --> 0:31:49.360
<v Speaker 1>sitting there like wide eyed, like doing a cartoon impression

0:31:49.400 --> 0:31:50.560
<v Speaker 1>of somebody who's nervous.

0:31:50.760 --> 0:31:55.480
<v Speaker 2>It's definitely top like comedic moments on SVU, I would say.

0:31:55.600 --> 0:31:58.120
<v Speaker 1>I mean, he won't stop looking at this killer, Like

0:31:58.160 --> 0:32:00.000
<v Speaker 1>it's like just look down at a piece of paper

0:32:00.040 --> 0:32:02.719
<v Speaker 1>and draw a smiley face, like do something else besides

0:32:02.760 --> 0:32:04.800
<v Speaker 1>look so fucking obviously terrified.

0:32:05.080 --> 0:32:08.360
<v Speaker 2>And he keeps talking to Stabler, like he keeps talking

0:32:08.400 --> 0:32:10.040
<v Speaker 2>and Stablers like shut the fuck up.

0:32:10.400 --> 0:32:12.520
<v Speaker 1>Yeah, because like this guy's looking over and seeing a

0:32:12.520 --> 0:32:15.480
<v Speaker 1>man staring directly at him, button using his mouth to

0:32:15.560 --> 0:32:17.160
<v Speaker 1>talk to the person that's in front of him. Like

0:32:17.200 --> 0:32:21.040
<v Speaker 1>it's completely it's just like, oh, he's driving me nuts.

0:32:21.640 --> 0:32:24.800
<v Speaker 1>And it's also like you're behind glass and the cops

0:32:24.840 --> 0:32:27.480
<v Speaker 1>are everywhere. Why are you worried that something's gonna happen

0:32:27.560 --> 0:32:30.360
<v Speaker 1>to you? Like he's like, don't leave me here, I'm

0:32:30.360 --> 0:32:34.600
<v Speaker 1>gonna get murdered. It's like, you're fine. So Gaetano shows up,

0:32:34.640 --> 0:32:38.080
<v Speaker 1>He sees money order guy looking totally fucking flipped, so

0:32:38.120 --> 0:32:40.920
<v Speaker 1>he tips him off. He starts running, and now this

0:32:40.960 --> 0:32:44.840
<v Speaker 1>is where like things get completely nuts. There's like a

0:32:44.880 --> 0:32:48.960
<v Speaker 1>million people in this bus station. Gaetano and Benson and

0:32:48.960 --> 0:32:51.720
<v Speaker 1>Stable are just like knocking people over left and right,

0:32:51.800 --> 0:32:52.800
<v Speaker 1>like throwing elbows.

0:32:52.800 --> 0:32:55.040
<v Speaker 3>People are just falling, packages are flying.

0:32:55.520 --> 0:32:57.600
<v Speaker 1>They're all like you know, splitting up and taking different

0:32:57.680 --> 0:32:59.360
<v Speaker 1>taxs and trying to find this guy head him off

0:32:59.440 --> 0:33:02.280
<v Speaker 1>up here, blah blah blah. Suddenly, like a whole massive

0:33:02.280 --> 0:33:05.760
<v Speaker 1>people start running. Stabler's running against the flow of traffic,

0:33:06.360 --> 0:33:08.400
<v Speaker 1>and we don't really know why they're running. Maybe Gaetano

0:33:08.520 --> 0:33:10.160
<v Speaker 1>was like there and just pulled a knife or something.

0:33:10.160 --> 0:33:12.960
<v Speaker 1>And then Elliott sees the little boy, Ryan just standing

0:33:12.960 --> 0:33:16.240
<v Speaker 1>there dazed and looking at him, and he's like, Ryan,

0:33:16.280 --> 0:33:18.280
<v Speaker 1>come here, I'm gonna get you. And then he looks

0:33:18.320 --> 0:33:22.040
<v Speaker 1>over and sees Guetano holding the little girl. Then Benson

0:33:22.080 --> 0:33:25.200
<v Speaker 1>comes out of nowhere and goes freeze. He slashes Benson

0:33:25.200 --> 0:33:28.200
<v Speaker 1>with a knife in the neck, and he just heads

0:33:28.240 --> 0:33:29.480
<v Speaker 1>up the escalator.

0:33:29.000 --> 0:33:29.840
<v Speaker 3>With Ryan and Rebecca.

0:33:30.720 --> 0:33:34.240
<v Speaker 1>So Stabler has to think which I guess an escalator

0:33:34.280 --> 0:33:37.520
<v Speaker 1>seems like a sketchy They're so slow moving, I don't know.

0:33:38.000 --> 0:33:39.120
<v Speaker 3>Stable has to think fast.

0:33:39.120 --> 0:33:40.800
<v Speaker 1>He's like, do I chase the kids and the guy,

0:33:40.920 --> 0:33:42.760
<v Speaker 1>or do I check on Olivia, Like he may have

0:33:42.840 --> 0:33:46.360
<v Speaker 1>just like hit her full corotid artery which is not

0:33:46.440 --> 0:33:50.200
<v Speaker 1>in her butt, and like she could be dying, right,

0:33:50.520 --> 0:33:51.920
<v Speaker 1>So he decides to check on Olivia.

0:33:52.040 --> 0:33:54.480
<v Speaker 3>She's like, I'm okay, I'm okay, go find Gaetano.

0:33:55.560 --> 0:33:57.880
<v Speaker 1>You can tell he really thinks that he has like

0:33:58.520 --> 0:34:00.320
<v Speaker 1>he when he comes up to her, like, he looks

0:34:00.360 --> 0:34:03.480
<v Speaker 1>like no, like she's dying, So you can tell that

0:34:03.640 --> 0:34:06.320
<v Speaker 1>he thinks it's really serious, but it is more of

0:34:06.360 --> 0:34:09.440
<v Speaker 1>a nick. And then Stabler gets upstairs and there's a

0:34:09.480 --> 0:34:11.480
<v Speaker 1>crowd of people gathered around, and Fin's like, don't come

0:34:11.480 --> 0:34:11.920
<v Speaker 1>over here.

0:34:12.000 --> 0:34:12.760
<v Speaker 3>He killed Ryan.

0:34:12.800 --> 0:34:17.040
<v Speaker 1>He slid his throat, and Stabler is like super super shook,

0:34:17.680 --> 0:34:20.520
<v Speaker 1>and Gaetano has disappeared with Rebecca into the crowd. I

0:34:20.600 --> 0:34:24.160
<v Speaker 1>don't understand the skills of these killers. Should just move

0:34:24.200 --> 0:34:27.560
<v Speaker 1>through crowds holding a child, and I don't know. I

0:34:27.560 --> 0:34:28.960
<v Speaker 1>guess everybody was getting out of the way because he

0:34:28.960 --> 0:34:31.480
<v Speaker 1>has a hunting knife in his hand. So now Elliott

0:34:31.520 --> 0:34:33.480
<v Speaker 1>is freaking out about how close he was just saving

0:34:33.480 --> 0:34:37.960
<v Speaker 1>the boy. And Elliot's like brooding and all mad, and

0:34:38.040 --> 0:34:40.399
<v Speaker 1>Olivia is like trying to console him, and he's like, please,

0:34:40.440 --> 0:34:41.960
<v Speaker 1>don't try to help me out right now. And it's

0:34:42.000 --> 0:34:45.000
<v Speaker 1>like a little bit intense because they both were involved

0:34:45.040 --> 0:34:45.560
<v Speaker 1>in this and.

0:34:46.000 --> 0:34:49.440
<v Speaker 2>Clearly it's like, yeah, it is your fault. It's like,

0:34:49.520 --> 0:34:51.000
<v Speaker 2>you know what I mean, it is your fault. You

0:34:51.040 --> 0:34:53.000
<v Speaker 2>fucked up? Would you rather hear that right now? You

0:34:53.040 --> 0:34:53.920
<v Speaker 2>got a kid killed?

0:34:54.000 --> 0:34:54.480
<v Speaker 3>What do you want?

0:34:54.800 --> 0:34:56.360
<v Speaker 2>They are It's like you don't want anyone to be

0:34:56.440 --> 0:34:58.640
<v Speaker 2>nice to you, then I'll tell you the truth. It's

0:34:58.680 --> 0:34:59.200
<v Speaker 2>your fault.

0:34:59.320 --> 0:35:02.160
<v Speaker 1>She never said, Elliott, help me come over here, like

0:35:02.280 --> 0:35:06.000
<v Speaker 1>he made Yeah, So we get into this, but basically

0:35:06.920 --> 0:35:08.440
<v Speaker 1>they're having this little.

0:35:08.280 --> 0:35:10.719
<v Speaker 3>Argument over like where he could have gone.

0:35:10.800 --> 0:35:13.960
<v Speaker 1>And then uniformed officers like, there's a carjacking two blocks

0:35:14.040 --> 0:35:14.600
<v Speaker 1>up the street.

0:35:15.040 --> 0:35:16.560
<v Speaker 3>They like assume this has to do with.

0:35:16.600 --> 0:35:19.400
<v Speaker 1>I guess it's probably fits that Gaetano's description. So they

0:35:19.480 --> 0:35:20.680
<v Speaker 1>get to the street of.

0:35:20.640 --> 0:35:23.200
<v Speaker 3>This car jacking. This woman is like, they took my car.

0:35:23.280 --> 0:35:24.719
<v Speaker 3>He had a kid with him, I just got out

0:35:24.719 --> 0:35:26.320
<v Speaker 3>of the car. Blah blah blah. She's hysterical.

0:35:26.800 --> 0:35:29.680
<v Speaker 1>And then Elliott all of a sudden, out of nowhere,

0:35:29.760 --> 0:35:32.040
<v Speaker 1>just picks up a pipe because there's just pipes lying

0:35:32.080 --> 0:35:34.319
<v Speaker 1>around in New York, guys, it's the city that never

0:35:34.400 --> 0:35:39.200
<v Speaker 1>doesn't have pipes lying around and just slams the window

0:35:39.280 --> 0:35:42.440
<v Speaker 1>in of this car, and Olivia is like, what the

0:35:42.440 --> 0:35:44.200
<v Speaker 1>fuck are you doing? And he's like, this car has

0:35:44.239 --> 0:35:46.560
<v Speaker 1>a flat tire and look, check out, there's no tags.

0:35:46.760 --> 0:35:49.320
<v Speaker 1>He obviously came to this block for a certain reason

0:35:49.800 --> 0:35:52.680
<v Speaker 1>and this is his car, and Olivia is doubting him,

0:35:52.680 --> 0:35:53.799
<v Speaker 1>and he turns out to be right.

0:35:53.920 --> 0:35:55.719
<v Speaker 3>He Stabler finds a notebook with a.

0:35:55.680 --> 0:35:58.040
<v Speaker 1>Guy's name on it and the name of the money

0:35:58.120 --> 0:35:59.920
<v Speaker 1>transfer place and an amount of money in a phone.

0:36:00.719 --> 0:36:03.839
<v Speaker 1>So they bring in this guy who's the one who's

0:36:03.840 --> 0:36:06.200
<v Speaker 1>supposed to be sending Gaetano the money, and he's like,

0:36:06.520 --> 0:36:08.200
<v Speaker 1>I only know him from the Air Force. We haven't

0:36:08.200 --> 0:36:10.560
<v Speaker 1>seen each other in twenty years. Stabler's like trying to

0:36:10.600 --> 0:36:12.680
<v Speaker 1>do this bad cop shit, like if I find out

0:36:12.719 --> 0:36:16.560
<v Speaker 1>you're lying, I'll fucking wear your head for breakfast or whatever.

0:36:16.640 --> 0:36:18.360
<v Speaker 1>I don't know what am I even talking about, Like

0:36:19.280 --> 0:36:22.560
<v Speaker 1>I'll wear your head for breakfast. That's that's the kind

0:36:22.600 --> 0:36:26.040
<v Speaker 1>of shit. So he's like doing his bad cop shit.

0:36:26.400 --> 0:36:28.960
<v Speaker 1>He storms out, Olivia follows, and now we get a

0:36:29.000 --> 0:36:31.240
<v Speaker 1>real moment with these two. She's like, you got something

0:36:31.239 --> 0:36:32.560
<v Speaker 1>you want to say to me, because if you do,

0:36:32.680 --> 0:36:35.239
<v Speaker 1>let's hear it. And he's like, why didn't you shoot

0:36:35.280 --> 0:36:38.280
<v Speaker 1>Gaetano And she's like he was using a child.

0:36:38.120 --> 0:36:39.080
<v Speaker 3>As a shield.

0:36:39.239 --> 0:36:42.480
<v Speaker 1>There were civilians everywhere. I couldn't get a shot, Like

0:36:42.840 --> 0:36:44.480
<v Speaker 1>I mean, you have to agree with her, like she's

0:36:44.480 --> 0:36:47.120
<v Speaker 1>not going to endanger other people. And then he's like,

0:36:47.160 --> 0:36:49.040
<v Speaker 1>I can't be looking over my shoulder all the time

0:36:49.080 --> 0:36:51.840
<v Speaker 1>to see if you're okay, and I need to know

0:36:51.880 --> 0:36:53.279
<v Speaker 1>you can do your job and not wait for me

0:36:53.320 --> 0:36:54.440
<v Speaker 1>to come to the rescue.

0:36:54.560 --> 0:36:56.600
<v Speaker 3>So kind of fucked up this stuff. And she's like,

0:36:56.680 --> 0:36:58.000
<v Speaker 3>you know, that's not how it is.

0:36:58.680 --> 0:37:01.080
<v Speaker 1>But then Craigan Daddy Egan comes up and breaks up

0:37:01.120 --> 0:37:04.840
<v Speaker 1>the kids fighting and he threatens to suspend them. Suddenly

0:37:04.880 --> 0:37:07.239
<v Speaker 1>it's like we get that call that they get, you know,

0:37:07.320 --> 0:37:08.080
<v Speaker 1>once per episode.

0:37:08.120 --> 0:37:10.160
<v Speaker 3>At least, Warner's got to show you guys something.

0:37:10.960 --> 0:37:14.279
<v Speaker 1>So they go to see Melinda Warner the Emmy and

0:37:14.640 --> 0:37:18.000
<v Speaker 1>she shows them that there is something phosphorescent all over

0:37:18.040 --> 0:37:21.960
<v Speaker 1>the jacket that Ryan was wearing. Elliott is really continuing

0:37:21.960 --> 0:37:24.239
<v Speaker 1>to just be the mayor of asshole City, and he's

0:37:24.360 --> 0:37:26.440
<v Speaker 1>just like, what do we here for a light show?

0:37:26.520 --> 0:37:27.799
<v Speaker 3>Like what is this? Like what is it?

0:37:27.880 --> 0:37:29.239
<v Speaker 1>Just like I mean, if you're running it for tests,

0:37:29.280 --> 0:37:31.200
<v Speaker 1>like why did you bring us down here? Like and

0:37:31.239 --> 0:37:33.680
<v Speaker 1>then he just kind of walks out and Warner goes,

0:37:33.840 --> 0:37:37.000
<v Speaker 1>Sometimes all that brooding intensity is just annoying, and I'm like,

0:37:37.200 --> 0:37:37.680
<v Speaker 1>put it.

0:37:37.640 --> 0:37:40.359
<v Speaker 3>On a T shirt, Doctor Warner. I love it.

0:37:41.120 --> 0:37:43.360
<v Speaker 2>I mean, if you told me fifteen years ago that

0:37:43.480 --> 0:37:46.200
<v Speaker 2>I would be hating on Stabler this hard, I would

0:37:46.239 --> 0:37:47.080
<v Speaker 2>never have believed you.

0:37:47.920 --> 0:37:51.640
<v Speaker 3>I can't believe how much I've turned on him recent

0:37:51.680 --> 0:37:53.800
<v Speaker 3>like revisiting and such.

0:37:54.200 --> 0:37:57.319
<v Speaker 1>We've all grown this toxic maxculinity will not stand man.

0:37:58.320 --> 0:38:00.479
<v Speaker 1>So Warner also has a cell phone that she found

0:38:00.480 --> 0:38:03.120
<v Speaker 1>with the boy, and Olivia's like, well, we found all that,

0:38:03.120 --> 0:38:04.799
<v Speaker 1>we accounted for all the cell phones, so this one

0:38:04.880 --> 0:38:07.839
<v Speaker 1>must be actually Gaetano's cell phone. And it turns out

0:38:07.880 --> 0:38:12.040
<v Speaker 1>it is Gaetano's work phone, and the tech is able

0:38:12.080 --> 0:38:14.360
<v Speaker 1>to basically because it's a work phone, they have this

0:38:14.440 --> 0:38:17.040
<v Speaker 1>extra tracking software on it because no one trusts their employees,

0:38:17.360 --> 0:38:19.680
<v Speaker 1>and they're able to pull up all of Gaetano's whereabouts

0:38:19.719 --> 0:38:20.560
<v Speaker 1>for the last month.

0:38:21.320 --> 0:38:21.560
<v Speaker 5>Yeah.

0:38:21.560 --> 0:38:24.160
<v Speaker 2>And I also was about to say, when has Melinda

0:38:24.160 --> 0:38:25.040
<v Speaker 2>ever failed you?

0:38:25.080 --> 0:38:28.719
<v Speaker 3>Motherfucker? Yeah? When has she ever played games with? You?

0:38:28.960 --> 0:38:30.960
<v Speaker 3>Always comes through right.

0:38:31.760 --> 0:38:34.640
<v Speaker 1>Sometimes I have had the thought before, why wasn't this

0:38:34.680 --> 0:38:37.239
<v Speaker 1>a phone call you? Know, because sometimes they do go

0:38:37.320 --> 0:38:39.000
<v Speaker 1>all the way to the Emmy's office and it's like.

0:38:39.360 --> 0:38:40.880
<v Speaker 3>Okay, I feel like you could have texted that.

0:38:41.040 --> 0:38:42.759
<v Speaker 2>You know why it's not a phone call because it's

0:38:42.760 --> 0:38:44.440
<v Speaker 2>not cinematic and we need to see her.

0:38:44.800 --> 0:38:48.759
<v Speaker 3>I know, of course, Okay, sorry, I believe I believe you.

0:38:48.840 --> 0:38:50.040
<v Speaker 3>I'm just saying this.

0:38:50.239 --> 0:38:52.120
<v Speaker 1>In this instance, it's like she had to give you

0:38:52.120 --> 0:38:55.520
<v Speaker 1>the cell phone and the other information is important too,

0:38:55.680 --> 0:39:00.120
<v Speaker 1>So he's just being a bitch. And now, well, well

0:39:00.239 --> 0:39:03.840
<v Speaker 1>Olivia's out there chasing down fucking lists of places this

0:39:03.880 --> 0:39:07.080
<v Speaker 1>guy has been. Elliott's just like showing up at Huang's

0:39:07.120 --> 0:39:10.560
<v Speaker 1>office like crying because he basically won't go see a therapist.

0:39:10.600 --> 0:39:12.120
<v Speaker 3>And he's like.

0:39:12.160 --> 0:39:14.879
<v Speaker 1>I wish I didn't, and Houanng's like care so much

0:39:15.400 --> 0:39:17.360
<v Speaker 1>and he's like, that's what makes you a good partner,

0:39:17.400 --> 0:39:20.200
<v Speaker 1>and it's like okay, and then he goes, she made

0:39:20.280 --> 0:39:22.719
<v Speaker 1>me turn away and he's like how how did she

0:39:22.840 --> 0:39:26.399
<v Speaker 1>make you do anything? And this is the full philosophy

0:39:26.440 --> 0:39:28.879
<v Speaker 1>of the summer camp that I went to where as

0:39:28.920 --> 0:39:32.160
<v Speaker 1>a counselor, they taught us like this whole philosophy of

0:39:32.560 --> 0:39:35.680
<v Speaker 1>uh well, it's been called many things. Reality therapy control theory,

0:39:35.719 --> 0:39:37.400
<v Speaker 1>but like basically the idea that no one makes you

0:39:37.440 --> 0:39:39.920
<v Speaker 1>feel any way. You feel the things you feel. You

0:39:40.000 --> 0:39:43.040
<v Speaker 1>choose to feel how you want to feel. So it's

0:39:43.080 --> 0:39:46.440
<v Speaker 1>exactly what Hawang is talking about here. You made your decision,

0:39:46.480 --> 0:39:49.440
<v Speaker 1>you chose your feeling for Olivia, and that's not something

0:39:49.440 --> 0:39:52.680
<v Speaker 1>you can blame on her. And so Elliott does realize

0:39:52.680 --> 0:39:54.600
<v Speaker 1>eventually that it was his own choice and that he's

0:39:54.640 --> 0:39:58.719
<v Speaker 1>responsible for it. So now he's back at the precinct

0:39:58.719 --> 0:40:01.680
<v Speaker 1>and he gets the results of the glowing a phosphorescent

0:40:01.719 --> 0:40:06.439
<v Speaker 1>substance on Ryan's jacket are copper and zinc cadmium sul fight.

0:40:07.000 --> 0:40:08.799
<v Speaker 1>Of course, this is going to lead us into a

0:40:08.880 --> 0:40:11.880
<v Speaker 1>Munch monologue where we don't really care, but he basically

0:40:11.960 --> 0:40:14.040
<v Speaker 1>is like, well, the military was spreading the stuff all

0:40:14.080 --> 0:40:16.000
<v Speaker 1>over the city back in the seventy whatever.

0:40:16.760 --> 0:40:17.920
<v Speaker 3>We basically find.

0:40:17.719 --> 0:40:20.880
<v Speaker 1>Out that this is a chemical that like was involved

0:40:20.880 --> 0:40:23.520
<v Speaker 1>with sort of like a simulation of nuclear testing, So

0:40:24.120 --> 0:40:27.360
<v Speaker 1>it would be probably found at an old military facility

0:40:27.400 --> 0:40:30.040
<v Speaker 1>or like a current military facility. So Stabler Menson meet

0:40:30.160 --> 0:40:32.439
<v Speaker 1>up at this industrial site in New Jersey, a metal

0:40:32.480 --> 0:40:35.239
<v Speaker 1>plating facility, but it was once a military facility, so

0:40:35.280 --> 0:40:36.840
<v Speaker 1>they're kind of they feel like they're getting closed. The

0:40:36.840 --> 0:40:40.279
<v Speaker 1>place looks totally shut down, perfectly great place to hide

0:40:40.280 --> 0:40:43.719
<v Speaker 1>a child and hide out if you're a wanted fugitive.

0:40:45.360 --> 0:40:48.160
<v Speaker 1>So they enter the facility really quietly, they smell cigarettes.

0:40:48.200 --> 0:40:50.200
<v Speaker 1>They kind of know that they're closed. They separate so

0:40:50.239 --> 0:40:53.000
<v Speaker 1>they can close in on Gaetano and there's kind of

0:40:53.000 --> 0:40:56.120
<v Speaker 1>a struggle that we don't see, and then a shot

0:40:56.200 --> 0:40:58.879
<v Speaker 1>is fired in Olivia like you know, jucks for cover,

0:40:59.040 --> 0:41:02.600
<v Speaker 1>and when she comes back up, she basically sees that

0:41:02.640 --> 0:41:05.959
<v Speaker 1>Gaetano has Elliott like with a gun to his head,

0:41:06.280 --> 0:41:07.520
<v Speaker 1>and they're both screaming like.

0:41:07.520 --> 0:41:10.120
<v Speaker 3>Drop your weapon, shoot him, drop your wepon, shoot him.

0:41:10.160 --> 0:41:14.600
<v Speaker 3>It's like really really intense, and I don't know what

0:41:14.640 --> 0:41:17.760
<v Speaker 3>I would do. I mean I would probably just cry

0:41:17.920 --> 0:41:18.520
<v Speaker 3>or so, I don't know.

0:41:20.000 --> 0:41:23.719
<v Speaker 1>So there's a full standoff happening in this final act

0:41:23.760 --> 0:41:26.480
<v Speaker 1>of the episode. It's just like Olivia is trying to

0:41:26.520 --> 0:41:29.839
<v Speaker 1>talk Victor down, but you know, he's like this full sociopath,

0:41:29.960 --> 0:41:30.680
<v Speaker 1>so he's lying.

0:41:30.760 --> 0:41:32.920
<v Speaker 3>He's like, I killed Rebecca. Oh no, wait, just kidding,

0:41:32.960 --> 0:41:33.840
<v Speaker 3>she might still be alive.

0:41:33.920 --> 0:41:35.440
<v Speaker 1>I think I left her in a van in Newark,

0:41:35.520 --> 0:41:37.160
<v Speaker 1>like you guys can go find her, like you know,

0:41:37.480 --> 0:41:40.200
<v Speaker 1>he's giving them all these lies, but you can tell

0:41:40.239 --> 0:41:43.440
<v Speaker 1>he's getting spooped because like the Eludaimon, Phillips is doing

0:41:43.480 --> 0:41:45.799
<v Speaker 1>a lot of like really good facial acting where he's like, oh,

0:41:45.920 --> 0:41:48.520
<v Speaker 1>actually you know, and you can kind of he's not

0:41:48.680 --> 0:41:51.640
<v Speaker 1>like the most cool, calm serial killer of all time,

0:41:51.719 --> 0:41:55.000
<v Speaker 1>Like he's definitely realizes he's being closed in on because

0:41:55.040 --> 0:41:58.480
<v Speaker 1>he knows there's backup coming, and he's like, you know,

0:41:58.640 --> 0:42:00.799
<v Speaker 1>kind of taunting Olivia, like you better take me out

0:42:00.800 --> 0:42:01.360
<v Speaker 1>in one shot.

0:42:01.440 --> 0:42:02.560
<v Speaker 3>My reflexes are pretty good.

0:42:02.560 --> 0:42:04.600
<v Speaker 1>I could shoot your partner before I go down, like

0:42:05.200 --> 0:42:08.560
<v Speaker 1>all this stuff, and then at one point he goes, uh,

0:42:08.600 --> 0:42:10.600
<v Speaker 1>but yeah, try it. Definitely, it'll probably turn out great.

0:42:10.640 --> 0:42:12.160
<v Speaker 1>And I thought that was really funny. I was like,

0:42:12.160 --> 0:42:14.400
<v Speaker 1>look at this funny serial killer. He just had a

0:42:14.440 --> 0:42:15.440
<v Speaker 1>little bit of comedy.

0:42:15.960 --> 0:42:18.839
<v Speaker 2>And Stabler is so annoying in this scene that I'm

0:42:18.880 --> 0:42:19.960
<v Speaker 2>on the side of the killer.

0:42:20.160 --> 0:42:24.680
<v Speaker 3>It's like it's too much. He's screaming at Ben. Yeah,

0:42:24.719 --> 0:42:28.840
<v Speaker 3>he just keeps going shoot him. It's like it's a lot.

0:42:29.360 --> 0:42:33.520
<v Speaker 1>So they totally realize he's lying about the girl like that,

0:42:33.719 --> 0:42:35.879
<v Speaker 1>I mean they think pretty much that he's killed her,

0:42:37.440 --> 0:42:41.000
<v Speaker 1>and they're just Ellie and Olivia are just making like intense,

0:42:41.080 --> 0:42:44.239
<v Speaker 1>prolonged eye contact for a lot of this standoff, and

0:42:44.239 --> 0:42:45.520
<v Speaker 1>then Olivia says I'm.

0:42:45.440 --> 0:42:48.600
<v Speaker 3>Sorry at one point or sorry, and I can't tell.

0:42:48.480 --> 0:42:50.480
<v Speaker 1>If it's because she's about to shoot him or because

0:42:50.480 --> 0:42:51.719
<v Speaker 1>she's refusing to shoot him.

0:42:51.960 --> 0:42:54.799
<v Speaker 3>And then suddenly, out of nowhere, a sniper like blows.

0:42:54.480 --> 0:42:58.080
<v Speaker 1>Gaetano's face off, Like a guy from the NYPD comes

0:42:58.120 --> 0:43:01.719
<v Speaker 1>in from the side quiet and has just you know,

0:43:01.840 --> 0:43:02.480
<v Speaker 1>suspect down.

0:43:02.680 --> 0:43:04.760
<v Speaker 3>What if it was a cop from Italy just visiting,

0:43:05.480 --> 0:43:05.960
<v Speaker 3>just helping.

0:43:06.680 --> 0:43:10.759
<v Speaker 1>Sorry, because they trade people, yeah, you know, they send

0:43:10.760 --> 0:43:13.759
<v Speaker 1>their man in Rome over there and all that. So yeah,

0:43:13.800 --> 0:43:17.480
<v Speaker 1>a member of the Carabinieri from Rome shoots guy Dona's

0:43:17.480 --> 0:43:20.359
<v Speaker 1>face off, and then Elliott and Olivia are just kind

0:43:20.360 --> 0:43:23.360
<v Speaker 1>of standing there staring at each other. It's really intense,

0:43:23.600 --> 0:43:25.880
<v Speaker 1>Like the other cops are moving in kind of to

0:43:26.000 --> 0:43:28.120
<v Speaker 1>assess the scene, and these two are just staring at

0:43:28.160 --> 0:43:28.480
<v Speaker 1>each other.

0:43:28.520 --> 0:43:31.320
<v Speaker 3>And then suddenly they hear like something faint off in

0:43:31.360 --> 0:43:31.720
<v Speaker 3>the distant.

0:43:31.800 --> 0:43:34.600
<v Speaker 1>Elliot's like, everybody be quiet, and they can kind of

0:43:34.640 --> 0:43:40.319
<v Speaker 1>hear a child's crying, whining and so they investigate in

0:43:40.360 --> 0:43:42.400
<v Speaker 1>the warehouse, they find Rebecca in a crate.

0:43:42.600 --> 0:43:43.280
<v Speaker 3>She's alive.

0:43:44.320 --> 0:43:47.440
<v Speaker 1>So that's like the small silver lining on this horrific

0:43:47.600 --> 0:43:48.640
<v Speaker 1>episode of crime.

0:43:48.920 --> 0:43:51.439
<v Speaker 2>I'm also acting like so annoyed, but it's only because

0:43:51.440 --> 0:43:55.120
<v Speaker 2>I've seen this episode dozens of times and it is

0:43:55.160 --> 0:43:57.319
<v Speaker 2>a really intense, scary scene. If you don't know what's

0:43:57.360 --> 0:44:00.279
<v Speaker 2>going to happen, Yes, you know, you're like Stabler, your

0:44:00.320 --> 0:44:02.640
<v Speaker 2>fucking mouth, Benson know what's up. But then you're like Benson,

0:44:03.000 --> 0:44:06.120
<v Speaker 2>he like lou Diamond Phillips is you know, he's a lunatic.

0:44:06.160 --> 0:44:08.000
<v Speaker 3>He'll kill all of you like it is.

0:44:08.120 --> 0:44:11.960
<v Speaker 2>Yeah, it is a very intense, awesome scene. I understand

0:44:12.000 --> 0:44:13.359
<v Speaker 2>why Neil Bhaer loves it.

0:44:13.840 --> 0:44:17.280
<v Speaker 1>Yeah, it's a it's really I mean, this episode fully

0:44:17.320 --> 0:44:22.080
<v Speaker 1>tests their relationship the whole time. So at the hospital

0:44:22.160 --> 0:44:25.560
<v Speaker 1>we find out that Rebecca's okay, Like, because they were

0:44:25.560 --> 0:44:27.640
<v Speaker 1>on the run so much, he didn't really have much

0:44:27.680 --> 0:44:30.080
<v Speaker 1>time to inflict any physical injury on her, so she's

0:44:30.080 --> 0:44:33.880
<v Speaker 1>actually pretty okay. Besides the trauma of about her whole

0:44:33.920 --> 0:44:35.200
<v Speaker 1>family being fucking killed.

0:44:35.239 --> 0:44:38.360
<v Speaker 3>She's not okay, but she's physically okay.

0:44:38.600 --> 0:44:42.080
<v Speaker 1>She will never be okay, right, and Ellie and Olivia

0:44:42.120 --> 0:44:43.719
<v Speaker 1>are kind of having a heart to hear and she

0:44:43.840 --> 0:44:46.319
<v Speaker 1>and He's like, I know you would have taken the

0:44:46.320 --> 0:44:48.680
<v Speaker 1>shot and she's like, no, I wouldn't have, Like you

0:44:48.719 --> 0:44:51.120
<v Speaker 1>expect me to cause your death to take you away

0:44:51.120 --> 0:44:54.600
<v Speaker 1>from your children and your wife, like and then she

0:44:54.719 --> 0:44:57.399
<v Speaker 1>says what about me? Like the idea of living without

0:44:57.440 --> 0:45:00.160
<v Speaker 1>Stabler is so unthinkable to her, Like how could I

0:45:00.280 --> 0:45:03.640
<v Speaker 1>possibly have ended your life or been part of that?

0:45:04.239 --> 0:45:06.359
<v Speaker 1>And he's like, well, we both chose each other over

0:45:06.400 --> 0:45:08.200
<v Speaker 1>the job, and we can't let that happen again or

0:45:08.239 --> 0:45:10.719
<v Speaker 1>we can't be partners. And he's like, you and this

0:45:10.800 --> 0:45:12.440
<v Speaker 1>job are the only things I've gotten anymore, and I

0:45:12.440 --> 0:45:16.960
<v Speaker 1>don't want to wreck that. So final button of the

0:45:17.000 --> 0:45:20.920
<v Speaker 1>episode is Olivia goes into Craigan's office and he's like,

0:45:20.960 --> 0:45:22.719
<v Speaker 1>what's up live, and she's like, I want a new

0:45:22.760 --> 0:45:28.560
<v Speaker 1>partner and Dick, Well, it's really a nutty episode because

0:45:28.960 --> 0:45:32.160
<v Speaker 1>do you think they want you to think that Stabler.

0:45:31.840 --> 0:45:33.440
<v Speaker 3>Is the one that's going to call off the partnership?

0:45:33.440 --> 0:45:36.520
<v Speaker 1>But really it's like Olivia, like, I think she realizes

0:45:36.560 --> 0:45:38.640
<v Speaker 1>how much he is meaning.

0:45:38.320 --> 0:45:41.720
<v Speaker 2>To her, But what's the next episode? This isn't before,

0:45:41.800 --> 0:45:45.320
<v Speaker 2>like because they don't switch off partner. No, what happens

0:45:45.520 --> 0:45:47.040
<v Speaker 2>he has a new partner. He teams up with a

0:45:47.040 --> 0:45:49.200
<v Speaker 2>new partner to investiato sexual. It's called Fat.

0:45:49.520 --> 0:45:50.160
<v Speaker 3>Yes, okay.

0:45:50.320 --> 0:45:55.480
<v Speaker 2>Fat is a really funny episode, and Anthony Anderson is

0:45:55.760 --> 0:45:58.640
<v Speaker 2>like a dick and a brute, and Craigan pairs them

0:45:58.760 --> 0:46:01.520
<v Speaker 2>up so Stabler can learn what it's like to work

0:46:01.560 --> 0:46:04.520
<v Speaker 2>with someone that doesn't know how to follow the rules.

0:46:04.960 --> 0:46:09.160
<v Speaker 1>Yes, and I believe also this coincided with her taking

0:46:09.160 --> 0:46:10.040
<v Speaker 1>a pregnancy leave.

0:46:10.680 --> 0:46:13.200
<v Speaker 2>Yes, well, because I was also gonna say, I don't

0:46:13.239 --> 0:46:15.120
<v Speaker 2>know why I said this episode so funny. I always

0:46:15.239 --> 0:46:18.520
<v Speaker 2>was fine with it. But the actress Rooney Mara has

0:46:18.600 --> 0:46:19.959
<v Speaker 2>talked shit about.

0:46:20.040 --> 0:46:22.799
<v Speaker 3>Being on SVU and this episode. She's just been like

0:46:23.120 --> 0:46:26.000
<v Speaker 3>she's just been like that episode was fucking stupid, Like

0:46:26.120 --> 0:46:27.920
<v Speaker 3>she just didn't her dad like.

0:46:27.880 --> 0:46:30.920
<v Speaker 1>Owns the Giants and she's a billionaire. He's like the

0:46:30.960 --> 0:46:34.040
<v Speaker 1>page like each parent owns an NFLT. Yeah, I'm sure

0:46:34.040 --> 0:46:35.960
<v Speaker 1>she's like, why did I bother doing one episode of

0:46:35.960 --> 0:46:39.680
<v Speaker 1>episodic television? Like who caresn't she with somebody like terrible

0:46:39.760 --> 0:46:40.200
<v Speaker 1>right now?

0:46:40.239 --> 0:46:43.600
<v Speaker 3>Like yeah, walking Phoenix, Syla buff Oh No, yeah, walking.

0:46:45.000 --> 0:46:48.040
<v Speaker 1>Okay, let's take a quick break, any break, and then

0:46:48.120 --> 0:46:50.320
<v Speaker 1>Lisa will take us through the true crime.

0:47:02.760 --> 0:47:07.200
<v Speaker 2>Hello, welcome back. This crime is bad and the criminal

0:47:07.280 --> 0:47:08.799
<v Speaker 2>is bad. And I don't know if this is good

0:47:08.800 --> 0:47:12.479
<v Speaker 2>news or not. But he did just actually die March

0:47:12.560 --> 0:47:13.960
<v Speaker 2>twenty ninth, twenty twenty one.

0:47:14.000 --> 0:47:15.640
<v Speaker 3>He died of brain cancer in jail.

0:47:16.280 --> 0:47:18.280
<v Speaker 2>So you know, if you want to pop a champagne

0:47:18.280 --> 0:47:20.279
<v Speaker 2>glass while you listen to the rest of this, maybe

0:47:20.280 --> 0:47:24.240
<v Speaker 2>you'll be happy. He did have like he got charged

0:47:24.320 --> 0:47:27.480
<v Speaker 2>and convicted of with like ten life sentences and ten

0:47:27.560 --> 0:47:30.040
<v Speaker 2>death penalties, like he was gonna die in prison no

0:47:30.120 --> 0:47:32.560
<v Speaker 2>matter what. And I don't know whatever. It's brain cancer.

0:47:32.600 --> 0:47:37.360
<v Speaker 2>So Lou Diamond Phillips character is based on Joseph Edward Duncan.

0:47:38.080 --> 0:47:41.959
<v Speaker 2>And what's wild is they made Lou Diamond Phillips character

0:47:42.040 --> 0:47:44.560
<v Speaker 2>have three names too. There is a lot of similarities.

0:47:44.719 --> 0:47:46.960
<v Speaker 1>A lot of serial killers have three names because you

0:47:47.000 --> 0:47:48.600
<v Speaker 1>don't want to you don't want to mix them up

0:47:48.600 --> 0:47:49.239
<v Speaker 1>with someone else.

0:47:49.480 --> 0:47:50.959
<v Speaker 3>Oh is that what it is? Yeah?

0:47:50.960 --> 0:47:52.920
<v Speaker 1>Because like if there was like another serial code named

0:47:52.960 --> 0:47:54.920
<v Speaker 1>Lisa Traeger, like when you want it to be like

0:47:55.320 --> 0:47:57.399
<v Speaker 1>Liza Mercedes Trager or.

0:47:57.360 --> 0:47:59.360
<v Speaker 3>Something like that. So that it's like, that's not me,

0:47:59.440 --> 0:48:02.640
<v Speaker 3>that I'm my middle name. Wow.

0:48:02.920 --> 0:48:04.680
<v Speaker 2>They do it on purpose, so it's not like John

0:48:04.680 --> 0:48:06.400
<v Speaker 2>Wayne Gacy goes by John Wayne Gacy.

0:48:06.480 --> 0:48:09.640
<v Speaker 1>They were just like yeah, because Joseph Duncan, you got

0:48:09.760 --> 0:48:11.719
<v Speaker 1>to think is a pretty kind of easy name. I

0:48:11.760 --> 0:48:13.920
<v Speaker 1>think one of the only people that isn't is like

0:48:13.960 --> 0:48:16.719
<v Speaker 1>Ted Bundy isn't. Jeffrey Dahmer isn't. But a lot of

0:48:16.880 --> 0:48:18.480
<v Speaker 1>serial killers go by three names.

0:48:18.920 --> 0:48:22.800
<v Speaker 2>That is really cool. I like learning that information you

0:48:22.840 --> 0:48:26.280
<v Speaker 2>can always learn. Should I stop going by three names?

0:48:28.080 --> 0:48:30.040
<v Speaker 3>Oh? That is one of my favorite trends on Twitter.

0:48:30.200 --> 0:48:31.960
<v Speaker 2>Like when we all hate someone and then someone has

0:48:31.960 --> 0:48:36.920
<v Speaker 2>to be like, I'm a different Mike Pence, you know, yeah,

0:48:37.000 --> 0:48:39.920
<v Speaker 2>it's not me, and they all interact with each other

0:48:40.040 --> 0:48:44.000
<v Speaker 2>being like, oh, I got it bad, so I enjoy it.

0:48:44.080 --> 0:48:44.279
<v Speaker 5>Yeah.

0:48:44.320 --> 0:48:47.120
<v Speaker 1>Like do you remember when Becky with the Good Hair

0:48:47.400 --> 0:48:49.960
<v Speaker 1>thing came out and everybody was confusing Rachel Ray with

0:48:50.040 --> 0:48:53.120
<v Speaker 1>Rachel Roy. Yes, and everybody was sending Rachel Roy like

0:48:53.120 --> 0:48:55.280
<v Speaker 1>they were like putting bees in all of her Instagram.

0:48:55.360 --> 0:48:57.360
<v Speaker 1>It's like, that's not that's Rachel Ray.

0:48:58.800 --> 0:48:59.439
<v Speaker 3>I love it.

0:49:01.280 --> 0:49:06.040
<v Speaker 2>So this takes place in Cordelaine Idaho. I don't know

0:49:06.080 --> 0:49:08.319
<v Speaker 2>if I'm saying it right. I spelled it phonetically so

0:49:08.360 --> 0:49:11.120
<v Speaker 2>I wouldn't fuck it up. And then it still looks insane.

0:49:11.200 --> 0:49:13.319
<v Speaker 3>Yeah, Curdalaane I think is what it is.

0:49:13.400 --> 0:49:19.280
<v Speaker 2>Yeah, Cordelaine, Cordlino, Idaho, Idaho, Idaho, not Ohio potatoes, Okay.

0:49:19.320 --> 0:49:20.920
<v Speaker 3>So it's a town.

0:49:21.360 --> 0:49:23.200
<v Speaker 2>You know, no one fucking lives in an, Idaho, So

0:49:23.360 --> 0:49:27.640
<v Speaker 2>it's a chill place. There's fishing vacations. It's not a

0:49:27.680 --> 0:49:32.520
<v Speaker 2>bustling metropolis. So it's a calm town. And then May sixteenth,

0:49:32.600 --> 0:49:35.440
<v Speaker 2>two thousand and five, the most brutal crime in the area.

0:49:35.280 --> 0:49:36.880
<v Speaker 3>That has ever happened happened.

0:49:37.520 --> 0:49:42.880
<v Speaker 2>It was a Monday afternoon and Robert Hollinsworth calls the

0:49:42.920 --> 0:49:45.600
<v Speaker 2>cops and he's just a man walking in the neighborhood

0:49:45.960 --> 0:49:49.440
<v Speaker 2>and walks to his neighbor's house and there's blood stains

0:49:49.520 --> 0:49:50.600
<v Speaker 2>all over the front door.

0:49:51.160 --> 0:49:52.680
<v Speaker 3>So he calls the police.

0:49:52.920 --> 0:49:55.680
<v Speaker 2>And it is a small town, so the cop is like, well,

0:49:55.760 --> 0:49:59.640
<v Speaker 2>I know that family, and so he goes over there

0:50:00.120 --> 0:50:02.440
<v Speaker 2>and he sees the blood in the front door. So

0:50:02.480 --> 0:50:05.040
<v Speaker 2>he walks around and in the back there's also blood

0:50:05.040 --> 0:50:07.439
<v Speaker 2>on the back door and the back doors propped open

0:50:07.480 --> 0:50:09.839
<v Speaker 2>a little bit, so we obviously know something fucked up

0:50:09.880 --> 0:50:13.359
<v Speaker 2>is happening, and he calls for backup immediately. And so

0:50:13.400 --> 0:50:16.360
<v Speaker 2>the house is Brenda Grony and she lives with her

0:50:16.400 --> 0:50:19.640
<v Speaker 2>boyfriend Mark McKenzie and there and her three kids, so

0:50:19.760 --> 0:50:22.760
<v Speaker 2>he is also stepdad. Like in the episode of SVU.

0:50:22.880 --> 0:50:26.520
<v Speaker 2>The three kids are Slate is thirteen, Dylan is nine,

0:50:26.680 --> 0:50:30.080
<v Speaker 2>and Shasta is eight, and these are very like nineties

0:50:30.160 --> 0:50:31.160
<v Speaker 2>fun names.

0:50:31.280 --> 0:50:35.560
<v Speaker 3>I really enjoy it. I wish I didn't, since horrific

0:50:35.600 --> 0:50:36.480
<v Speaker 3>things are about to happen.

0:50:37.360 --> 0:50:41.520
<v Speaker 2>So after backup comes all the cops, they enter the

0:50:41.600 --> 0:50:45.160
<v Speaker 2>house and they find a young female and male face

0:50:45.320 --> 0:50:50.000
<v Speaker 2>down and bound with their hands behind their back, and

0:50:50.040 --> 0:50:53.719
<v Speaker 2>then their heads were mutilated. So these people were a

0:50:53.840 --> 0:50:57.439
<v Speaker 2>bludgeoned multiple times in the head and it's just very

0:50:57.560 --> 0:51:01.680
<v Speaker 2>severe head trauma. There were three bodies and they were

0:51:01.800 --> 0:51:05.640
<v Speaker 2>organized head to toe, so it's like an open square

0:51:05.680 --> 0:51:07.239
<v Speaker 2>with a gap missing. I don't know if you need

0:51:07.280 --> 0:51:09.399
<v Speaker 2>to know the positioning of the bodies, but they were

0:51:09.400 --> 0:51:11.560
<v Speaker 2>positioned that way. And there is a third body and

0:51:11.640 --> 0:51:14.560
<v Speaker 2>unfortunately that is thirteen year old Slade, So we have

0:51:14.560 --> 0:51:19.200
<v Speaker 2>thirteen year old Slade mom stepdad are all bludgeoned and dead,

0:51:19.480 --> 0:51:22.560
<v Speaker 2>and there's blood stains everywhere in the house, like every room,

0:51:22.680 --> 0:51:26.319
<v Speaker 2>every wall, there's just blood fucking everywhere. There was blood

0:51:26.360 --> 0:51:28.640
<v Speaker 2>in the little ones rooms. So the other two kids

0:51:28.880 --> 0:51:32.080
<v Speaker 2>and they but they the cops did start to think

0:51:32.120 --> 0:51:35.240
<v Speaker 2>that the kids had a different fate than the people

0:51:35.239 --> 0:51:37.080
<v Speaker 2>in the living room since they weren't there, like they

0:51:37.400 --> 0:51:40.040
<v Speaker 2>just I don't know if it's optimism, but the young

0:51:40.120 --> 0:51:43.319
<v Speaker 2>kids were nowhere to be found, so you know, they're

0:51:43.360 --> 0:51:45.440
<v Speaker 2>not dead in front of you, so that is a

0:51:45.480 --> 0:51:49.000
<v Speaker 2>good sign. By nightfall, they still couldn't find Shasta or Dylan,

0:51:49.440 --> 0:51:54.000
<v Speaker 2>so they contacted the FBI and the dad. It was

0:51:54.080 --> 0:51:57.839
<v Speaker 2>really sad. He was talking, this is an ID Investigates,

0:51:57.880 --> 0:52:00.719
<v Speaker 2>you know crime show that I watched. In it, he

0:52:00.800 --> 0:52:04.120
<v Speaker 2>was like, it's tough because you're grieving one child, but

0:52:04.160 --> 0:52:06.120
<v Speaker 2>you have to put that all aside to go look

0:52:06.160 --> 0:52:07.960
<v Speaker 2>for another one and be hopeful that your.

0:52:07.840 --> 0:52:11.160
<v Speaker 3>Other kids are alive. So it was just, I'm sure

0:52:11.160 --> 0:52:12.680
<v Speaker 3>it's so many feelings to.

0:52:13.320 --> 0:52:16.040
<v Speaker 1>Juggle, like, and this is the biological dad like Glenn

0:52:16.080 --> 0:52:20.920
<v Speaker 1>in the episode, exactly. Yeah, I'm I'm actually pretty shocked

0:52:20.960 --> 0:52:24.560
<v Speaker 1>how close sview really like grasped onto some of these details.

0:52:24.640 --> 0:52:28.680
<v Speaker 1>Usually it's pretty funky and they've really stuck. They really

0:52:28.719 --> 0:52:31.000
<v Speaker 1>stuck to a lot of key facts of this case.

0:52:31.560 --> 0:52:35.040
<v Speaker 1>So an amber alert goes out no clues. Really, I

0:52:35.120 --> 0:52:37.200
<v Speaker 1>remember this, by the way, like you're living in New

0:52:37.280 --> 0:52:39.640
<v Speaker 1>York City. I remember these two kids being missing. This

0:52:39.760 --> 0:52:42.040
<v Speaker 1>was like on national news. I feel like I remember

0:52:42.239 --> 0:52:44.640
<v Speaker 1>because I remember the name Shasta. I was like, Shasta

0:52:44.719 --> 0:52:47.640
<v Speaker 1>is like such a that is such a nineties name.

0:52:47.719 --> 0:52:50.480
<v Speaker 1>Like I remember these two kids, uh with their and

0:52:50.560 --> 0:52:52.920
<v Speaker 1>I remember their names like that, they were everywhere.

0:52:53.280 --> 0:52:54.360
<v Speaker 3>I do not remember it.

0:52:54.400 --> 0:52:57.640
<v Speaker 2>Does it did go international since like they just couldn't

0:52:57.680 --> 0:52:59.520
<v Speaker 2>find them for so long and it was so brutal,

0:52:59.560 --> 0:53:05.759
<v Speaker 2>but damn not international. It went national, but they just

0:53:05.800 --> 0:53:07.759
<v Speaker 2>had a really hard time with the case. There was

0:53:07.760 --> 0:53:10.960
<v Speaker 2>no witnesses, fingerprints, weapons, like nothing, so they had to

0:53:11.000 --> 0:53:14.080
<v Speaker 2>spend their time learning about the victims and work outward

0:53:14.200 --> 0:53:17.880
<v Speaker 2>because there was no evidence left behind. So the background

0:53:17.920 --> 0:53:21.360
<v Speaker 2>on the family is Brendan Mark dated seven years great relationship.

0:53:22.040 --> 0:53:25.120
<v Speaker 2>Mark had a manufacturing job in Spokane, which is forty

0:53:25.160 --> 0:53:28.400
<v Speaker 2>miles away, and Brenda gave up her cleaning business to

0:53:28.440 --> 0:53:31.880
<v Speaker 2>stay at home and they were known to be partiers.

0:53:31.880 --> 0:53:34.240
<v Speaker 2>They loved a good time, and he loved the kids,

0:53:34.520 --> 0:53:38.560
<v Speaker 2>and so yeah, they were just like family people who

0:53:38.600 --> 0:53:39.360
<v Speaker 2>loved to party.

0:53:39.560 --> 0:53:41.800
<v Speaker 3>I bet we would be on vacation with them in

0:53:41.880 --> 0:53:42.600
<v Speaker 3>Palm Springs.

0:53:43.960 --> 0:53:47.000
<v Speaker 2>The crime was so violent that they assumed it was

0:53:47.000 --> 0:53:48.880
<v Speaker 2>someone that knew the family and had a lot of

0:53:48.920 --> 0:53:53.480
<v Speaker 2>anger towards these people, but confused about the kidnapping, like

0:53:53.680 --> 0:53:56.759
<v Speaker 2>why wouldn't you snatch the kids when they're walking home

0:53:56.800 --> 0:53:59.000
<v Speaker 2>from school or going to the store to get candy,

0:53:59.080 --> 0:54:02.160
<v Speaker 2>Like why are you killing parents and taking kids? There's

0:54:02.280 --> 0:54:06.480
<v Speaker 2>lots of easier ways to snatch kids. Stay tuned, I'll

0:54:06.520 --> 0:54:11.640
<v Speaker 2>teach you how, Okay. So they were like it has

0:54:11.719 --> 0:54:14.919
<v Speaker 2>to be personal for sure. So they had to rule

0:54:14.960 --> 0:54:17.200
<v Speaker 2>the dad out, and that's Steve, and they had a

0:54:17.239 --> 0:54:20.239
<v Speaker 2>hard time getting along post divorce in terms of like

0:54:20.320 --> 0:54:23.520
<v Speaker 2>custody or real estate. But I mean, like most crime

0:54:23.520 --> 0:54:26.880
<v Speaker 2>movies shows real life cases, you have to exclude like

0:54:26.920 --> 0:54:30.000
<v Speaker 2>the husband, the father, like everyone that's close to it.

0:54:30.400 --> 0:54:33.040
<v Speaker 3>And so what made people suspicious of the dad was

0:54:33.080 --> 0:54:33.440
<v Speaker 3>he was.

0:54:33.400 --> 0:54:36.080
<v Speaker 2>On television and he made a wild statement like a

0:54:36.080 --> 0:54:38.800
<v Speaker 2>plea to the killer, and was like they had nothing

0:54:38.880 --> 0:54:41.080
<v Speaker 2>to do with this. Leave them alone and bring them

0:54:41.120 --> 0:54:43.680
<v Speaker 2>home safely. And so everyone's like, have to do with what, bitch?

0:54:43.800 --> 0:54:46.040
<v Speaker 3>Yeah, what does that mean? Yeah?

0:54:46.120 --> 0:54:49.480
<v Speaker 2>So everyone just like assumed he you know, maybe he

0:54:49.520 --> 0:54:51.880
<v Speaker 2>owed money. I don't know, but they're like, what the

0:54:51.880 --> 0:54:54.040
<v Speaker 2>fuck are you talking about? And so they gave him

0:54:54.040 --> 0:54:56.279
<v Speaker 2>a polygraph to see if there was weird things. There

0:54:56.400 --> 0:54:59.400
<v Speaker 2>was one moment of weird things with the voice. But

0:55:00.080 --> 0:55:02.480
<v Speaker 2>Ronie's like, I was home alone the night of the murders,

0:55:02.640 --> 0:55:05.520
<v Speaker 2>and they found cell phone and laptop records to prove

0:55:05.520 --> 0:55:08.480
<v Speaker 2>that he was home, so he did have an alibi

0:55:08.560 --> 0:55:12.880
<v Speaker 2>for that. Steven Brenda the biological parents. They also have

0:55:12.920 --> 0:55:15.640
<v Speaker 2>two adult sons, Jesse and Vance, and they've both been

0:55:15.680 --> 0:55:16.000
<v Speaker 2>in a lot.

0:55:16.000 --> 0:55:17.400
<v Speaker 3>They've both been in a lot of trouble.

0:55:17.640 --> 0:55:20.560
<v Speaker 2>They were bad teens, you know, drug users, and Jesse

0:55:20.719 --> 0:55:22.960
<v Speaker 2>had an airtight alibi because he was in jail. So

0:55:23.040 --> 0:55:27.040
<v Speaker 2>that's great news for armed robbery. And then Vance, they

0:55:27.080 --> 0:55:30.200
<v Speaker 2>came away with investigating him that he had no involvement,

0:55:30.239 --> 0:55:34.080
<v Speaker 2>and they felt really confident in that decision. So they

0:55:34.280 --> 0:55:37.040
<v Speaker 2>excluded everyone in the family. Now what did they do?

0:55:37.200 --> 0:55:40.640
<v Speaker 2>So the cops went to the tip So they started

0:55:40.640 --> 0:55:44.000
<v Speaker 2>getting tips about a barbecue before the killings. They were

0:55:44.000 --> 0:55:45.960
<v Speaker 2>trying to see if someone from this barbecue did it

0:55:45.960 --> 0:55:49.120
<v Speaker 2>because there was some drama and there was like a

0:55:49.120 --> 0:55:51.480
<v Speaker 2>little fingerprint on the door that matches one of the

0:55:51.480 --> 0:55:54.560
<v Speaker 2>party guests, and that was Gary young Wood. He did

0:55:54.560 --> 0:55:59.200
<v Speaker 2>have a criminal record, and Jesse the son, the older son,

0:55:59.280 --> 0:56:01.000
<v Speaker 2>said young Wood owed his mom.

0:56:00.800 --> 0:56:03.279
<v Speaker 3>And Mark two thousand dollars. So they're like, okay, is

0:56:03.280 --> 0:56:04.080
<v Speaker 3>this a money thing.

0:56:04.719 --> 0:56:06.480
<v Speaker 2>They tried to find him to interview him, but it

0:56:06.520 --> 0:56:08.680
<v Speaker 2>was really hard to find him, and so they got

0:56:08.719 --> 0:56:11.359
<v Speaker 2>an a warrant to track his cell phone to find him,

0:56:11.640 --> 0:56:14.520
<v Speaker 2>and it was super hard to locate him. And more

0:56:14.560 --> 0:56:18.279
<v Speaker 2>suspicious that right after the murders took place, he took

0:56:18.320 --> 0:56:19.040
<v Speaker 2>off time.

0:56:19.880 --> 0:56:21.520
<v Speaker 3>He like went on vacation to Boise.

0:56:21.600 --> 0:56:23.960
<v Speaker 2>So he's nowhere to be found and they're like, he's

0:56:23.960 --> 0:56:26.520
<v Speaker 2>avoiding us because he knows something. But he had a

0:56:26.520 --> 0:56:30.000
<v Speaker 2>parole officer, and so the parole officer contacted him and

0:56:30.480 --> 0:56:32.479
<v Speaker 2>was like, they're looking for you, bro, and he came

0:56:32.800 --> 0:56:35.920
<v Speaker 2>rushing back to town. Okay, so he wanted to clear

0:56:35.960 --> 0:56:37.800
<v Speaker 2>this up. He said that they.

0:56:37.680 --> 0:56:41.680
<v Speaker 3>Grilled for hours with they grill, Oh, they grilled him

0:56:41.680 --> 0:56:43.520
<v Speaker 3>for hours. This is not about the barber they grilled.

0:56:43.520 --> 0:56:44.960
<v Speaker 3>This is not about the barbecue anymore.

0:56:47.360 --> 0:56:50.400
<v Speaker 2>So they grilled this guy for hours. He denied to

0:56:50.400 --> 0:56:52.840
<v Speaker 2>have anything to do with these murders. He offers to

0:56:52.880 --> 0:56:56.080
<v Speaker 2>take a lie detector test, he passes it, and again

0:56:56.480 --> 0:56:58.560
<v Speaker 2>like so they've cleared everyone and they have to go

0:56:58.600 --> 0:57:01.239
<v Speaker 2>to the more tips tips was maybe it was a

0:57:01.239 --> 0:57:05.560
<v Speaker 2>biker gang situation because the weapon was a hammer, and

0:57:05.680 --> 0:57:09.319
<v Speaker 2>I guess outlaw bikers do hammer jobs, like that's their

0:57:09.960 --> 0:57:13.640
<v Speaker 2>cool way to kill. And and Brenda was really into

0:57:13.680 --> 0:57:17.800
<v Speaker 2>motorcycle so they looked into like what was going on,

0:57:18.160 --> 0:57:21.720
<v Speaker 2>and the biker theory also died out, so.

0:57:22.000 --> 0:57:24.400
<v Speaker 3>A lot of dead ends in this case. They can't

0:57:24.400 --> 0:57:24.840
<v Speaker 3>crack it.

0:57:25.040 --> 0:57:28.680
<v Speaker 2>And now by this time, the blood at the crime

0:57:28.720 --> 0:57:31.560
<v Speaker 2>scene comes back like all of the testing, we have

0:57:31.600 --> 0:57:33.920
<v Speaker 2>our own, Melinda Warner, and none of the blood is

0:57:33.960 --> 0:57:37.320
<v Speaker 2>Shasta or Dylan's. So that's good and that, you know,

0:57:37.640 --> 0:57:40.320
<v Speaker 2>is hopeful that the kids are alive somewhere. But what's

0:57:40.320 --> 0:57:42.680
<v Speaker 2>sad is it was the thirteen year old boys. So

0:57:43.080 --> 0:57:45.720
<v Speaker 2>it was his blood all over, which means that he

0:57:45.840 --> 0:57:49.320
<v Speaker 2>was like injured, bleeding in pain, walking around the house

0:57:50.440 --> 0:57:53.600
<v Speaker 2>and then dropped by his mom to fucking die next

0:57:53.600 --> 0:57:56.520
<v Speaker 2>to her. I mean it's brutal. It's really brutal. So

0:57:56.560 --> 0:58:00.200
<v Speaker 2>like the blood all over was this young child's. So

0:58:00.200 --> 0:58:03.000
<v Speaker 2>it's really sad if you need to take a moment.

0:58:04.840 --> 0:58:08.800
<v Speaker 2>And this isn't like they've already exhausted so many different things.

0:58:08.800 --> 0:58:10.920
<v Speaker 2>And it's only May twentieth at this point, only four

0:58:11.000 --> 0:58:14.800
<v Speaker 2>days after the murder, so they have done a lot

0:58:14.800 --> 0:58:15.760
<v Speaker 2>of work, honestly.

0:58:16.600 --> 0:58:17.760
<v Speaker 3>But there is a twist.

0:58:18.400 --> 0:58:21.439
<v Speaker 2>Toxicology reports say that the parents did weed and meth

0:58:21.520 --> 0:58:24.280
<v Speaker 2>hours before they were killed, so they're like, can this

0:58:24.320 --> 0:58:27.280
<v Speaker 2>be a violent drug gang? So they start looking at

0:58:27.280 --> 0:58:30.880
<v Speaker 2>the local skid head gangs that have been robbing people.

0:58:31.440 --> 0:58:34.400
<v Speaker 2>But none of the theories they had explain the child factor.

0:58:34.520 --> 0:58:37.160
<v Speaker 2>So that's what was so hard. It's like, why wouldn't

0:58:37.160 --> 0:58:39.120
<v Speaker 2>you kill everyone? Why are you taking seth? Like just

0:58:39.160 --> 0:58:42.160
<v Speaker 2>it didn't The case didn't make sense to anyone. Top

0:58:42.200 --> 0:58:45.000
<v Speaker 2>behavior analysis people are having trouble figuring it out.

0:58:45.640 --> 0:58:47.520
<v Speaker 3>It's just not typical because.

0:58:47.400 --> 0:58:50.680
<v Speaker 2>Usually they have like serial killer experts and child abduction

0:58:50.960 --> 0:58:53.080
<v Speaker 2>experts and none of them can kind of figure it out.

0:58:53.880 --> 0:58:56.560
<v Speaker 2>There was also no patterns out there that matched the crime,

0:58:57.200 --> 0:59:00.640
<v Speaker 2>so then why would you take the kids, So it's like,

0:59:00.800 --> 0:59:03.240
<v Speaker 2>is it a ransom? Is it to sell them into slavery?

0:59:03.720 --> 0:59:06.440
<v Speaker 2>And so then they were like, if you find out

0:59:06.440 --> 0:59:08.840
<v Speaker 2>why the children are taken, maybe that'll help us solve

0:59:08.840 --> 0:59:11.920
<v Speaker 2>the crime. By the end of May, there's one hundred

0:59:11.920 --> 0:59:14.280
<v Speaker 2>and fifty people working around the clock to solve this crime.

0:59:14.320 --> 0:59:16.680
<v Speaker 2>I mean, people want to fucking solve this crime. A

0:59:16.720 --> 0:59:19.600
<v Speaker 2>local woman comes forward with a new lead. And this

0:59:19.640 --> 0:59:21.800
<v Speaker 2>happens on forensic files all the time, like so many

0:59:21.800 --> 0:59:23.880
<v Speaker 2>cases I think would never ever get solved if it

0:59:23.920 --> 0:59:28.120
<v Speaker 2>wasn't for just like one wild tip. And so it's

0:59:28.600 --> 0:59:31.280
<v Speaker 2>kind of interesting, you know, say something, see something, or

0:59:31.400 --> 0:59:34.720
<v Speaker 2>I'll you know, switch that. But so local woman comes

0:59:34.760 --> 0:59:37.640
<v Speaker 2>forward with a new lead. The night the family was murdered,

0:59:37.680 --> 0:59:41.400
<v Speaker 2>she was traveling between court Alane and Spokane and around

0:59:41.400 --> 0:59:44.320
<v Speaker 2>two am she saw a dark colored vehicle pull off

0:59:44.440 --> 0:59:48.000
<v Speaker 2>just east to the house and there were three men

0:59:48.040 --> 0:59:50.000
<v Speaker 2>and maybe one of them was involved in the crime.

0:59:50.120 --> 0:59:53.320
<v Speaker 2>It didn't seem promising at all, but they were pulled

0:59:53.320 --> 0:59:55.439
<v Speaker 2>over only one mile away from the house, so it's

0:59:55.480 --> 0:59:59.320
<v Speaker 2>like worth investigating. But also like I would never think

0:59:59.360 --> 1:00:01.040
<v Speaker 2>that's a tip, Like you know what I mean, if

1:00:01.080 --> 1:00:02.440
<v Speaker 2>I saw a car in the middle of the night,

1:00:02.520 --> 1:00:05.640
<v Speaker 2>just driving off an exit, Like I don't know if

1:00:05.960 --> 1:00:08.160
<v Speaker 2>I would call and be like, maybe it's this car.

1:00:08.320 --> 1:00:10.560
<v Speaker 3>So it's yeah.

1:00:09.880 --> 1:00:12.240
<v Speaker 1>It's like I saw three guys a mile away from

1:00:12.240 --> 1:00:14.120
<v Speaker 1>where this happened, and they looked weird.

1:00:14.200 --> 1:00:16.560
<v Speaker 3>I mean, yeah, it is kind of I.

1:00:16.840 --> 1:00:18.840
<v Speaker 2>Mean, I hope to help solve the crime one day,

1:00:18.960 --> 1:00:20.960
<v Speaker 2>or well, I hope no crimes ever happened around me too.

1:00:21.080 --> 1:00:21.520
<v Speaker 3>Okay.

1:00:21.560 --> 1:00:28.240
<v Speaker 2>So another informant calls as an anonymous tipster and was like,

1:00:28.320 --> 1:00:32.320
<v Speaker 2>I think some of my associates I heard them talking

1:00:32.320 --> 1:00:36.720
<v Speaker 2>about burying some bodies in Silver Valley, Idaho. So he

1:00:36.760 --> 1:00:38.960
<v Speaker 2>calls with that and he gives the names of the

1:00:39.000 --> 1:00:43.520
<v Speaker 2>three guys. I don't who cares, Mike, Ray, Ben, Okay,

1:00:43.560 --> 1:00:45.160
<v Speaker 2>these are the guys. The guys like I heard them

1:00:45.160 --> 1:00:47.680
<v Speaker 2>talking about bearing a body. They did all have a

1:00:47.680 --> 1:00:49.880
<v Speaker 2>criminal record, and they drove a car that was similar

1:00:50.120 --> 1:00:52.600
<v Speaker 2>to the one that the lady called in. The cell

1:00:52.640 --> 1:00:55.080
<v Speaker 2>phone activity analysis says that they were in the area

1:00:55.080 --> 1:00:57.040
<v Speaker 2>of the crime scene around the time of the crime.

1:00:58.080 --> 1:01:01.080
<v Speaker 2>So with these guys like, okay, this is it, this

1:01:01.240 --> 1:01:03.280
<v Speaker 2>is it, And so they're setting up surveillance and like

1:01:03.320 --> 1:01:06.360
<v Speaker 2>getting ready to investigate these guys, thinking they've zeroed in

1:01:06.400 --> 1:01:08.960
<v Speaker 2>on who did it, but they get a call two

1:01:08.960 --> 1:01:13.640
<v Speaker 2>am Saturday morning that is earth shattering. FBI agents said

1:01:13.640 --> 1:01:16.920
<v Speaker 2>that a local waitress, Amber Dern, just came back from

1:01:16.960 --> 1:01:19.400
<v Speaker 2>her break and saw new people in her section and

1:01:19.520 --> 1:01:21.000
<v Speaker 2>went there and it was fucking Shasta.

1:01:21.080 --> 1:01:24.560
<v Speaker 3>She recognized Shasta's photo and she.

1:01:24.560 --> 1:01:27.080
<v Speaker 2>Said Shasta had down hands in a prayer position and

1:01:27.120 --> 1:01:30.080
<v Speaker 2>body language just screamed help me. So she went over

1:01:30.120 --> 1:01:33.240
<v Speaker 2>to the table like everything was normal. She took the

1:01:33.400 --> 1:01:36.560
<v Speaker 2>orders and then snuck back into the rest like snuck

1:01:36.640 --> 1:01:38.160
<v Speaker 2>to the back of the restaurant and told the manager

1:01:38.200 --> 1:01:40.800
<v Speaker 2>to call nine one one, And when the squad car

1:01:40.840 --> 1:01:42.760
<v Speaker 2>pulled up, she walked outside and was like, you need

1:01:42.760 --> 1:01:45.680
<v Speaker 2>a call for backup. I am positive that this is

1:01:45.760 --> 1:01:49.000
<v Speaker 2>Shasta and whoever fucking took her. So, I mean, I

1:01:49.040 --> 1:01:51.240
<v Speaker 2>hope Amber got a key to the city because she

1:01:51.440 --> 1:01:53.760
<v Speaker 2>really like handled everything well. She was not the guy

1:01:53.760 --> 1:01:57.439
<v Speaker 2>in the bus terminal making a scene and looking and talking.

1:01:57.720 --> 1:02:00.520
<v Speaker 3>Like she fucking handled Take a note. Take a note

1:02:00.520 --> 1:02:03.160
<v Speaker 3>from this waitress, you little bitch. You gotta act like

1:02:03.480 --> 1:02:05.480
<v Speaker 3>nothing is wrong.

1:02:06.480 --> 1:02:09.000
<v Speaker 2>So they enter cautiously and walk him out to the

1:02:09.000 --> 1:02:10.800
<v Speaker 2>squad car with the no real issues, and then the

1:02:11.560 --> 1:02:14.760
<v Speaker 2>cop grabbed Amber and was like, hey, go sit with

1:02:14.840 --> 1:02:17.480
<v Speaker 2>the girl. And so Amber said that she sat with

1:02:17.520 --> 1:02:19.440
<v Speaker 2>Shasta and that.

1:02:19.480 --> 1:02:23.520
<v Speaker 3>She started to cry and so and how long is

1:02:23.560 --> 1:02:27.480
<v Speaker 3>she She's been with this man for two months now? Yeah?

1:02:27.520 --> 1:02:28.000
<v Speaker 6>Wow?

1:02:28.600 --> 1:02:34.520
<v Speaker 2>Yeah, And so Shasta's rushed to the hospital and Steve,

1:02:34.600 --> 1:02:38.120
<v Speaker 2>the biological father, reunites with his daughter. So now they

1:02:38.120 --> 1:02:42.160
<v Speaker 2>have Joseph Edward Duncan in custody. He's from North Dakota

1:02:43.000 --> 1:02:46.200
<v Speaker 2>and they just they just start interrogating him, and this

1:02:46.280 --> 1:02:49.360
<v Speaker 2>is like so crazy. He's a level three sex offender

1:02:49.360 --> 1:02:52.560
<v Speaker 2>and a fugitive from an old molestation case from Minnesota.

1:02:53.280 --> 1:02:55.920
<v Speaker 2>His first sex crime occurred in nineteen seventy eight when

1:02:55.960 --> 1:02:57.800
<v Speaker 2>he was fifteen years old, and at that point he

1:02:57.840 --> 1:03:02.640
<v Speaker 2>already admitted to raping like thirteen boys. So he was

1:03:02.880 --> 1:03:06.720
<v Speaker 2>like a fucking full on rapist by fifteen. And then

1:03:06.840 --> 1:03:11.560
<v Speaker 2>two years later, in nineteen eighty, he got sent to

1:03:11.640 --> 1:03:15.360
<v Speaker 2>prison in Kansas City from molesting a teenage boy and

1:03:15.400 --> 1:03:19.320
<v Speaker 2>there he was diagnosed a sexual psychopath and he had

1:03:19.360 --> 1:03:23.919
<v Speaker 2>like treatment and psychicals and therapy while there. During those years,

1:03:24.000 --> 1:03:27.360
<v Speaker 2>he committed crimes but he did not confess to them,

1:03:27.400 --> 1:03:30.280
<v Speaker 2>and they were not connected to him until he was

1:03:30.640 --> 1:03:33.120
<v Speaker 2>put in prison for the crimes that he committed against

1:03:33.160 --> 1:03:37.280
<v Speaker 2>the Grody family. So he was committing tons of crimes

1:03:37.520 --> 1:03:40.600
<v Speaker 2>that no one was able to solve. So like then

1:03:40.600 --> 1:03:44.240
<v Speaker 2>when he was finally arrested, all these unsolved crimes were solved.

1:03:44.440 --> 1:03:46.520
<v Speaker 1>So he went to jail in nineteen eighty and he

1:03:46.600 --> 1:03:49.640
<v Speaker 1>stayed in jail for fourteen years and ninety four, and

1:03:49.680 --> 1:03:52.120
<v Speaker 1>then he was released and so, and then he committed

1:03:52.120 --> 1:03:54.240
<v Speaker 1>a bunch of crimes because he got out six years early.

1:03:54.840 --> 1:03:56.880
<v Speaker 2>Yeah, but no one caught him during those times, so

1:03:56.920 --> 1:03:59.600
<v Speaker 2>he was just like living it up until two thousand

1:03:59.640 --> 1:04:01.760
<v Speaker 2>and four. So in two thousand and four, he got

1:04:01.840 --> 1:04:04.680
<v Speaker 2>charged with sexually molesting a six year old boy in Minnesota,

1:04:05.360 --> 1:04:07.680
<v Speaker 2>but Duncan was not ready to go back to jail,

1:04:07.800 --> 1:04:10.959
<v Speaker 2>so he borrowed fifteen grand for bail, and he skipped town.

1:04:11.480 --> 1:04:15.600
<v Speaker 2>The fact that a judge offered this fucking lunatic bail,

1:04:17.240 --> 1:04:18.280
<v Speaker 2>I don't understand it.

1:04:18.320 --> 1:04:21.680
<v Speaker 3>I just don't understand it, Like it's really what the fuck?

1:04:21.960 --> 1:04:24.479
<v Speaker 2>Like, he spent fourteen years in prison, he did it again,

1:04:24.520 --> 1:04:25.760
<v Speaker 2>Why does he get bail?

1:04:25.880 --> 1:04:29.000
<v Speaker 3>I don't understand it. Yeah, So he wrote a.

1:04:28.920 --> 1:04:32.400
<v Speaker 2>Lot of stuff on his web page about like society's

1:04:32.400 --> 1:04:36.400
<v Speaker 2>persecution of sex offenders and that it's not fair the

1:04:36.400 --> 1:04:39.960
<v Speaker 2>way he was treated, and he could have fought the

1:04:40.000 --> 1:04:42.920
<v Speaker 2>case and risked prison, but he just didn't want to,

1:04:43.000 --> 1:04:44.400
<v Speaker 2>so he went on the round to live out his

1:04:44.520 --> 1:04:49.360
<v Speaker 2>ultimate fantasy. And his final blog entry, I just can't

1:04:49.360 --> 1:04:52.920
<v Speaker 2>believe these killers have blogs, So he wrote them right

1:04:52.960 --> 1:04:56.840
<v Speaker 2>before the murders, and in quotes, he writes, I am scared,

1:04:56.920 --> 1:05:00.000
<v Speaker 2>alone and confused, and my reaction is to strike out

1:05:00.120 --> 1:05:04.800
<v Speaker 2>toward the perceived source of my misery, society. My intent

1:05:04.880 --> 1:05:07.600
<v Speaker 2>is to harm society as much as I can and

1:05:07.640 --> 1:05:13.360
<v Speaker 2>then die. So wow, But they're like, where the fuck

1:05:13.440 --> 1:05:16.800
<v Speaker 2>is Dylan? Like we're getting all these theories and things

1:05:16.800 --> 1:05:19.680
<v Speaker 2>from him and his history, but where is Dylan?

1:05:20.120 --> 1:05:22.800
<v Speaker 3>But he invoked his Fifth Amendment rights and did not talk.

1:05:23.600 --> 1:05:26.720
<v Speaker 2>They did find a lot of evidence in the car, shotgun, laptop,

1:05:26.800 --> 1:05:30.000
<v Speaker 2>GPS device, empty package, was ZIP ties that were used,

1:05:30.320 --> 1:05:33.400
<v Speaker 2>and then a microdrive that contained images of the children

1:05:33.440 --> 1:05:36.920
<v Speaker 2>while in captivity. They can't find the murder weapon or

1:05:36.960 --> 1:05:38.880
<v Speaker 2>anything that will lead to the missing boy, and they

1:05:38.920 --> 1:05:39.720
<v Speaker 2>ran out of options.

1:05:39.760 --> 1:05:40.360
<v Speaker 3>So they had to.

1:05:40.320 --> 1:05:42.800
<v Speaker 2>Turn to Shasta, and I think they were like trying

1:05:42.800 --> 1:05:45.160
<v Speaker 2>to spare her from like reliving all this, but they

1:05:45.160 --> 1:05:47.960
<v Speaker 2>had to interview her to get information. And the show

1:05:48.080 --> 1:05:51.919
<v Speaker 2>I was watching use the word haunting, and they said

1:05:51.920 --> 1:05:54.560
<v Speaker 2>what Shasta said was just so fucking haunting, and I

1:05:54.720 --> 1:05:57.120
<v Speaker 2>got excited that they used our word, but sad that

1:05:57.200 --> 1:06:01.240
<v Speaker 2>anyone experienced anything so haunting. So she said that the

1:06:01.320 --> 1:06:03.880
<v Speaker 2>night of the murder, she woke up to her mother

1:06:03.960 --> 1:06:06.520
<v Speaker 2>calling for her, and when she got to the living room,

1:06:06.560 --> 1:06:09.280
<v Speaker 2>she saw Joseph Duncan standing over her family.

1:06:08.920 --> 1:06:10.480
<v Speaker 3>With a shotguh, my god.

1:06:10.880 --> 1:06:12.480
<v Speaker 2>He took the two kids and laid them in the

1:06:12.480 --> 1:06:14.720
<v Speaker 2>backyard because he didn't want them to see what he

1:06:14.760 --> 1:06:16.480
<v Speaker 2>was going to do to their family, because he wanted

1:06:16.480 --> 1:06:18.800
<v Speaker 2>to take them calm, and so it wasn't like to

1:06:18.840 --> 1:06:20.960
<v Speaker 2>spare them the violence. He basically was like, if they

1:06:21.000 --> 1:06:24.320
<v Speaker 2>saw me murder their family, they wouldn't have just gone

1:06:24.360 --> 1:06:26.600
<v Speaker 2>with me. And so he left them in the yard

1:06:26.720 --> 1:06:29.680
<v Speaker 2>tied up while he did that, and then he drove

1:06:29.800 --> 1:06:33.360
<v Speaker 2>ninety five miles away to Saint Regis, Montana, and once

1:06:33.800 --> 1:06:36.760
<v Speaker 2>there he sexually assaults both of them. They spent six

1:06:36.800 --> 1:06:39.720
<v Speaker 2>weeks in captivity, and then he took Dylan into a

1:06:39.880 --> 1:06:42.960
<v Speaker 2>un abandoned cabin, tortured him, lested him, and then shoots

1:06:43.040 --> 1:06:45.960
<v Speaker 2>Dylan in the head in front of Shasta and burns

1:06:46.200 --> 1:06:47.000
<v Speaker 2>the boy's body.

1:06:48.080 --> 1:06:49.160
<v Speaker 3>Jesus.

1:06:49.440 --> 1:06:53.480
<v Speaker 2>He said he spared Shasta's life because he taught her

1:06:53.480 --> 1:06:53.880
<v Speaker 2>how to.

1:06:53.920 --> 1:06:59.280
<v Speaker 3>Love whatever you say, buddy. Yeah.

1:06:59.320 --> 1:07:02.920
<v Speaker 2>And then one of the talking head authors crime people

1:07:03.000 --> 1:07:05.800
<v Speaker 2>in this special said that she believes he had no

1:07:06.280 --> 1:07:08.800
<v Speaker 2>intention into keeping her alive and he just fucked up

1:07:08.800 --> 1:07:10.880
<v Speaker 2>with the diner and she's lucky to be alive, and

1:07:11.160 --> 1:07:12.520
<v Speaker 2>he would have never kept her alive.

1:07:12.600 --> 1:07:15.040
<v Speaker 1>So I don't thank god that waitress. Thank God for

1:07:15.080 --> 1:07:16.040
<v Speaker 1>that waitress.

1:07:16.440 --> 1:07:19.960
<v Speaker 2>Yeah. They did find the remains of Dylan where Shasta

1:07:19.960 --> 1:07:22.800
<v Speaker 2>said the murder took place. They confront Duncan with all

1:07:22.840 --> 1:07:26.440
<v Speaker 2>the evidence, and he finally confesses he left Minnesota to

1:07:26.480 --> 1:07:28.840
<v Speaker 2>not go back to jail and was just driving looking

1:07:28.840 --> 1:07:33.680
<v Speaker 2>for targets and he like by chance saw their house

1:07:33.680 --> 1:07:36.760
<v Speaker 2>and saw Shasta and Dylan playing in the house around

1:07:36.800 --> 1:07:39.720
<v Speaker 2>the house and was like, that's that's my person. Spent

1:07:39.800 --> 1:07:41.600
<v Speaker 2>the next day and a half checking out the house.

1:07:41.680 --> 1:07:45.840
<v Speaker 2>He brought the weapon, like he tried to commit the

1:07:45.840 --> 1:07:48.160
<v Speaker 2>perfect crime, and it took you know, days of planning,

1:07:48.640 --> 1:07:52.040
<v Speaker 2>but it was like a random family. He entered through

1:07:52.040 --> 1:07:55.000
<v Speaker 2>an unlocked door while Brenda was asleep in the living room.

1:07:55.000 --> 1:07:57.080
<v Speaker 2>He turned the weapon on her and said, where is

1:07:57.120 --> 1:07:59.520
<v Speaker 2>the man of the house, and instructed her to lead

1:07:59.600 --> 1:08:02.439
<v Speaker 2>him to the man of the house put zip ties

1:08:02.480 --> 1:08:04.640
<v Speaker 2>on Mark. He wanted them to think it's a robbery

1:08:05.160 --> 1:08:06.880
<v Speaker 2>because if he let them know that he wanted to

1:08:06.880 --> 1:08:09.440
<v Speaker 2>take the kids, they would have fought him harder. So

1:08:09.520 --> 1:08:13.000
<v Speaker 2>he is he is smart, unfortunately, and so he played

1:08:13.000 --> 1:08:16.320
<v Speaker 2>it like a robbery, so they like didn't fight him

1:08:16.760 --> 1:08:20.800
<v Speaker 2>to protect the children. So we still don't know, like

1:08:20.840 --> 1:08:22.600
<v Speaker 2>why he went to that diner and went back to

1:08:22.680 --> 1:08:25.000
<v Speaker 2>the town that Some say it's like because he ran

1:08:25.040 --> 1:08:28.720
<v Speaker 2>out of money. Some say that Shasta did befriend him,

1:08:28.760 --> 1:08:29.240
<v Speaker 2>and like.

1:08:29.680 --> 1:08:31.800
<v Speaker 1>Yeah, like why would you go back to It's back

1:08:31.840 --> 1:08:35.000
<v Speaker 1>in Courtelaine, like that's like begging to be caught.

1:08:35.080 --> 1:08:37.920
<v Speaker 2>Yeah, it's really confusing why he did it. And then

1:08:37.960 --> 1:08:40.439
<v Speaker 2>he just pled guilty to three counts of kidnapping and

1:08:40.520 --> 1:08:44.080
<v Speaker 2>three counts of murder and received six life sentences and

1:08:44.160 --> 1:08:48.320
<v Speaker 2>so yeah, it's good he pled guilty because Shasta didn't

1:08:48.360 --> 1:08:50.080
<v Speaker 2>have to take the stand, and I think everyone was

1:08:50.080 --> 1:08:53.080
<v Speaker 2>trying to protect her. So December third, two thousand and seven,

1:08:53.120 --> 1:08:56.120
<v Speaker 2>he pleads guilty on ten federal charges and he had

1:08:56.160 --> 1:08:58.360
<v Speaker 2>nothing to say, Like his quote is, I have nothing

1:08:58.400 --> 1:09:02.360
<v Speaker 2>to say. And then three years after these horrific crimes,

1:09:02.360 --> 1:09:06.040
<v Speaker 2>he receives three additional life terms plus three death penalties

1:09:06.600 --> 1:09:09.599
<v Speaker 2>and he sent to Terry Hoe, Indiana's prison.

1:09:10.240 --> 1:09:12.800
<v Speaker 1>Those are for like previous crimes that he had not

1:09:12.920 --> 1:09:14.960
<v Speaker 1>been like tried for, but he probably confessed to.

1:09:15.479 --> 1:09:18.720
<v Speaker 2>Yeah, So in nineteen ninety seven there was a kidnapping

1:09:18.720 --> 1:09:23.920
<v Speaker 2>and murder of Anthony Martinez of Beaumont, California, and he

1:09:24.040 --> 1:09:28.240
<v Speaker 2>confessed to it. And then in nineteen ninety six he

1:09:28.600 --> 1:09:32.400
<v Speaker 2>murdered two girls in Seattle, Washington that he's confessed to

1:09:32.479 --> 1:09:34.120
<v Speaker 2>but wasn't like convicted of.

1:09:35.000 --> 1:09:39.639
<v Speaker 3>It's weird. He's really creepy, looking too, very creepy.

1:09:39.720 --> 1:09:42.599
<v Speaker 2>He looks like what you would think of creep looks

1:09:42.680 --> 1:09:45.240
<v Speaker 2>like and like who to protect your children from.

1:09:46.160 --> 1:09:48.920
<v Speaker 3>And then this is just like a little fact.

1:09:49.160 --> 1:09:53.760
<v Speaker 2>But the jurors were actually offered counseling after the case

1:09:53.800 --> 1:09:57.800
<v Speaker 2>because the evidence was so fucked up. Fuck really, Yeah,

1:09:57.840 --> 1:10:00.880
<v Speaker 2>and there was video evidence of stuff, like he videotaped

1:10:00.960 --> 1:10:04.800
<v Speaker 2>the oh my stuff and so they had to watch it,

1:10:04.880 --> 1:10:08.599
<v Speaker 2>and so a lot of the jurors needed help with

1:10:08.680 --> 1:10:10.080
<v Speaker 2>their mental stability.

1:10:10.560 --> 1:10:12.400
<v Speaker 1>It's so crazy that this happened in two thousand and

1:10:12.439 --> 1:10:15.360
<v Speaker 1>five because it just feels like a nineteen seventies or

1:10:15.360 --> 1:10:18.960
<v Speaker 1>eighties kidnapping or something just that he got away. There

1:10:19.000 --> 1:10:21.519
<v Speaker 1>was like no evidence like cell phone stuff, you know,

1:10:21.640 --> 1:10:25.519
<v Speaker 1>Like it just feels like a very old school type

1:10:25.520 --> 1:10:27.400
<v Speaker 1>of horrific serial killer crime.

1:10:27.479 --> 1:10:30.000
<v Speaker 2>And then in a new school way, but like the

1:10:30.040 --> 1:10:33.160
<v Speaker 2>way these crimes were connected that led authorities to connect

1:10:33.200 --> 1:10:38.759
<v Speaker 2>to previous crimes was bloggers, Like bloggers found similarities between

1:10:38.840 --> 1:10:43.400
<v Speaker 2>other crimes at these times, and like it is like

1:10:43.479 --> 1:10:48.840
<v Speaker 2>what are cops for that? Bloggers, waitresses, like all of

1:10:48.880 --> 1:10:51.200
<v Speaker 2>these random people are doing your work.

1:10:52.280 --> 1:10:55.240
<v Speaker 1>But then if you watch like the Cecil Hotel documentary,

1:10:55.280 --> 1:10:57.439
<v Speaker 1>you're like, sometimes bloggers are fucking stupid and they get

1:10:57.439 --> 1:11:00.200
<v Speaker 1>the wrong person and ruin their life. So like, I

1:11:00.200 --> 1:11:02.760
<v Speaker 1>do think bloggers can be good, but they can be bad.

1:11:02.800 --> 1:11:05.600
<v Speaker 3>To watch that one yet, so yeah, this is just

1:11:06.280 --> 1:11:10.280
<v Speaker 3>the rundown. He is dead and wishing all the best

1:11:10.320 --> 1:11:11.200
<v Speaker 3>to Shasta.

1:11:11.720 --> 1:11:13.960
<v Speaker 1>It's almost not fair that he died like so early.

1:11:14.040 --> 1:11:15.880
<v Speaker 1>He could have I would have liked him and Jil

1:11:15.920 --> 1:11:20.240
<v Speaker 1>for like another thirty years. And she's probably god like

1:11:20.280 --> 1:11:23.360
<v Speaker 1>in her twenties now, huh, poor Shasta.

1:11:23.720 --> 1:11:28.840
<v Speaker 3>All right, well, I hope she's moving on with hope

1:11:28.880 --> 1:11:29.320
<v Speaker 3>and love.

1:11:29.680 --> 1:11:32.439
<v Speaker 7>This episode comes out today is May eighteenth, and this

1:11:32.560 --> 1:11:35.639
<v Speaker 7>crime happened May fifteenth, two thousand and five, So that's

1:11:35.680 --> 1:11:39.160
<v Speaker 7>the sixteen year anniversary of her Famili's her first three

1:11:39.160 --> 1:11:40.040
<v Speaker 7>families death.

1:11:41.200 --> 1:11:46.920
<v Speaker 1>Jeez, another tough one. What am we gonna get a

1:11:46.920 --> 1:11:47.519
<v Speaker 1>fun murder?

1:11:47.560 --> 1:11:47.920
<v Speaker 3>Lisa?

1:11:48.400 --> 1:11:51.000
<v Speaker 2>Well, we got one person mad about the microchips? Did

1:11:51.000 --> 1:11:52.120
<v Speaker 2>you see that message?

1:11:52.880 --> 1:11:55.599
<v Speaker 3>She goes, I'm very disappointed you guys didn't cover a crime.

1:11:55.640 --> 1:11:57.760
<v Speaker 3>I just needed to let you know that, oh, one person.

1:11:57.800 --> 1:11:58.639
<v Speaker 3>I didn't even see that.

1:11:59.000 --> 1:12:00.920
<v Speaker 4>I was just gonna say, if you want to end

1:12:00.920 --> 1:12:03.160
<v Speaker 4>this episode on a fun note, you can mention that

1:12:03.320 --> 1:12:05.599
<v Speaker 4>after the episode, Sugar, you said you had never heard

1:12:05.640 --> 1:12:08.479
<v Speaker 4>the name Vance in real life, and this story, Lisa,

1:12:08.840 --> 1:12:10.599
<v Speaker 4>there was an older brother named Vance.

1:12:11.200 --> 1:12:13.360
<v Speaker 3>Oh wow, Okay, that is a fun ending.

1:12:13.640 --> 1:12:15.720
<v Speaker 2>Vance and I hope the Vans, I hope, yeah, I

1:12:15.720 --> 1:12:17.439
<v Speaker 2>hope the boys are good.

1:12:17.479 --> 1:12:19.800
<v Speaker 3>And you know, she did get to be with her dad.

1:12:21.560 --> 1:12:22.439
<v Speaker 3>But yeah, it's rough.

1:12:22.560 --> 1:12:25.479
<v Speaker 1>Yeah, like she at least has some surviving family and

1:12:25.520 --> 1:12:27.360
<v Speaker 1>hopefully like she has her brothers.

1:12:27.800 --> 1:12:28.599
<v Speaker 3>It's just scary.

1:12:29.240 --> 1:12:31.839
<v Speaker 2>I mean not to ruin the movie The Strangers for everyone,

1:12:31.840 --> 1:12:34.240
<v Speaker 2>but that horror movie is really scary because it was

1:12:34.439 --> 1:12:40.400
<v Speaker 2>just like random. Yeah, the randomness of it is scary.

1:12:40.520 --> 1:12:42.400
<v Speaker 2>Like that's some killer from Minnesota.

1:12:42.520 --> 1:12:45.360
<v Speaker 3>Yeah, can escape from court.

1:12:45.439 --> 1:12:47.800
<v Speaker 2>And drive to Idah see your kid and be like

1:12:47.840 --> 1:12:49.560
<v Speaker 2>I'm going to kill you guys two days from that.

1:12:49.800 --> 1:12:54.360
<v Speaker 1>Like it is haunting, Yeah, and I think that's what

1:12:54.439 --> 1:12:58.720
<v Speaker 1>they try to you know. Also highlight in the episode

1:12:58.760 --> 1:13:01.280
<v Speaker 1>is that everybody that got Toano killed was a stranger.

1:13:01.320 --> 1:13:04.200
<v Speaker 1>It wasn't like these were personal people he got close to.

1:13:04.320 --> 1:13:05.960
<v Speaker 1>He just like stalked and hunted people.

1:13:06.040 --> 1:13:06.240
<v Speaker 3>You know.

1:13:06.320 --> 1:13:13.040
<v Speaker 1>It's really fucking scary. But let's take a quick moment

1:13:13.280 --> 1:13:17.840
<v Speaker 1>and hear from our very special guests.

1:13:22.960 --> 1:13:26.800
<v Speaker 2>I am so excited for this guest it truly. I

1:13:26.800 --> 1:13:29.200
<v Speaker 2>think when I found out, I jumped up and down.

1:13:31.240 --> 1:13:32.479
<v Speaker 3>Huge. Guess guys.

1:13:32.720 --> 1:13:36.439
<v Speaker 1>He is a Golden Globe and Tony Award nominee. He

1:13:37.240 --> 1:13:40.000
<v Speaker 1>famously played Richie Vallens in La Bamba, one of my

1:13:40.040 --> 1:13:44.440
<v Speaker 1>formative movies as a child. He's currently playing Lieutenant Gilroyo

1:13:44.520 --> 1:13:47.960
<v Speaker 1>on Fox's Prodigal Son, and you, if you did your homework,

1:13:48.439 --> 1:13:51.400
<v Speaker 1>sadly recognize him as Victor Paul Gaetano. Guys, check out

1:13:51.439 --> 1:13:54.080
<v Speaker 1>our interview with the one and only lou Diamond Phillips.

1:13:54.960 --> 1:13:57.840
<v Speaker 3>We are so excited, and we need to tell you.

1:13:57.880 --> 1:14:00.000
<v Speaker 2>All of our friends that we told that we're interviewing

1:14:00.120 --> 1:14:09.160
<v Speaker 2>you lost their fucking minds. Like people were like, our

1:14:09.200 --> 1:14:11.559
<v Speaker 2>friend who's Filipino, was like, he is the King of

1:14:11.600 --> 1:14:15.280
<v Speaker 2>the Philippines. And then two of our friends are like,

1:14:15.320 --> 1:14:19.120
<v Speaker 2>we watched Little Bamba every single day on HBO for years.

1:14:19.160 --> 1:14:22.800
<v Speaker 2>Like everyone was like, was so excited, and so are we,

1:14:22.880 --> 1:14:24.440
<v Speaker 2>So we're yeah, we're pops.

1:14:24.880 --> 1:14:27.400
<v Speaker 5>So all my interviews yesterday were about the fact that

1:14:27.760 --> 1:14:30.639
<v Speaker 5>Fathom was putting Lebamba back in the movie theaters.

1:14:31.160 --> 1:14:33.440
<v Speaker 6>Oh ridiculous.

1:14:34.400 --> 1:14:37.200
<v Speaker 5>So so yeah, I did a bunch of interviews yesterday

1:14:37.200 --> 1:14:40.360
<v Speaker 5>with you know, writer director Louis Valdez. That man, that

1:14:40.479 --> 1:14:43.839
<v Speaker 5>was That was a lovely little trip down memory lane.

1:14:44.000 --> 1:14:45.439
<v Speaker 3>I mean that's where I first knew you.

1:14:45.640 --> 1:14:47.080
<v Speaker 1>That movie came out when I was a kid, and

1:14:47.120 --> 1:14:49.400
<v Speaker 1>I loved it so much, So We're so honored to

1:14:49.439 --> 1:14:52.559
<v Speaker 1>talk to you. And this episode is classic of SVU.

1:14:53.160 --> 1:14:54.880
<v Speaker 1>I know it was a long time ago. No worries

1:14:54.920 --> 1:14:57.680
<v Speaker 1>if you forget some stuff from you know, from the

1:14:58.200 --> 1:14:59.599
<v Speaker 1>shooting time of Fault.

1:14:59.760 --> 1:15:02.639
<v Speaker 2>The show runner Neil Bear, when we asked his favorite

1:15:02.720 --> 1:15:05.679
<v Speaker 2>and or most haunting episodes, he said, this one.

1:15:06.439 --> 1:15:09.680
<v Speaker 5>Yeah, it's you know, it's it's pretty intense.

1:15:10.360 --> 1:15:14.000
<v Speaker 6>I mean, that's a lot for SVU, you know.

1:15:14.439 --> 1:15:17.799
<v Speaker 5>I know, one of my favorite stories about that particular

1:15:17.840 --> 1:15:21.519
<v Speaker 5>episode was was I said, yes, Sight Unseen.

1:15:22.439 --> 1:15:24.840
<v Speaker 6>I didn't even read the script because I'm a fan

1:15:24.840 --> 1:15:25.200
<v Speaker 6>of the show.

1:15:25.240 --> 1:15:27.000
<v Speaker 5>I've been a fan of the show, you know, since

1:15:27.040 --> 1:15:33.120
<v Speaker 5>its inception. I've also known Marishka Man since the late eighties.

1:15:33.560 --> 1:15:34.799
<v Speaker 6>She did a tiny, little.

1:15:34.600 --> 1:15:37.280
<v Speaker 5>Independent film that a lot of my friends were involved with,

1:15:37.360 --> 1:15:39.840
<v Speaker 5>so you know, I met her at the screening of

1:15:39.880 --> 1:15:41.840
<v Speaker 5>that way back in the day.

1:15:42.400 --> 1:15:44.400
<v Speaker 6>So we kind of ran in the same circles for

1:15:44.439 --> 1:15:45.000
<v Speaker 6>a long time.

1:15:45.360 --> 1:15:47.280
<v Speaker 5>So it came to me and it's like, yes, one

1:15:47.320 --> 1:15:49.280
<v Speaker 5>hundred percent, I will do this whatever, I don't care.

1:15:49.479 --> 1:15:51.240
<v Speaker 6>And so you're the bad guy. I said, well, come on,

1:15:51.280 --> 1:15:52.479
<v Speaker 6>I figure, you know.

1:15:53.479 --> 1:15:57.760
<v Speaker 5>And my daughter Grace was eight nine at the time,

1:15:57.920 --> 1:16:01.639
<v Speaker 5>or whatever, and I remember I said, I listened, Dad's

1:16:01.640 --> 1:16:03.439
<v Speaker 5>got to go, you know, to New York City next

1:16:03.479 --> 1:16:06.760
<v Speaker 5>week to do this show. And she said, what show

1:16:06.760 --> 1:16:08.559
<v Speaker 5>are you doing? I said, well, I'm doing STU.

1:16:08.640 --> 1:16:10.040
<v Speaker 6>She can I watch it?

1:16:11.520 --> 1:16:12.200
<v Speaker 3>I don't think so.

1:16:13.400 --> 1:16:17.639
<v Speaker 5>We didn't let her watch SVU anyway, and it was like, no, no,

1:16:17.680 --> 1:16:21.280
<v Speaker 5>you can't. You can't watch this episode, Grace. Are you

1:16:21.320 --> 1:16:24.280
<v Speaker 5>the bad guy? And I'm like, yeah, I'm the bad guy.

1:16:24.360 --> 1:16:28.000
<v Speaker 8>She goes, do you kill people? I said, yes, I

1:16:28.080 --> 1:16:32.880
<v Speaker 8>kill people. I've seen you kill people. I said, not

1:16:33.040 --> 1:16:36.920
<v Speaker 8>like this, so yeah, you.

1:16:36.880 --> 1:16:39.120
<v Speaker 6>Know, serial killer, pedophile. That's that's a good way to

1:16:39.160 --> 1:16:40.120
<v Speaker 6>have on the old resume.

1:16:40.560 --> 1:16:44.200
<v Speaker 1>Seriously, man, well what I was going to say is

1:16:44.240 --> 1:16:45.960
<v Speaker 1>so interesting about you. I don't know if you can

1:16:45.960 --> 1:16:48.920
<v Speaker 1>speak to this, but like, you've played Richard Ramirez, You've

1:16:48.960 --> 1:16:52.439
<v Speaker 1>played this terrible victor Paul Gaetano, the serial killer in

1:16:52.479 --> 1:16:54.400
<v Speaker 1>this episode, but then in a lot of other stuff

1:16:54.400 --> 1:16:56.240
<v Speaker 1>you play the cop, you play the good guy, And

1:16:56.280 --> 1:16:58.160
<v Speaker 1>I feel like a lot of actors get pigeonholed into

1:16:58.160 --> 1:17:00.000
<v Speaker 1>one or the other, and you kind of seamlessly can

1:17:00.120 --> 1:17:02.800
<v Speaker 1>be like evil or the hero. Like, what do you

1:17:02.880 --> 1:17:06.280
<v Speaker 1>think that is about you?

1:17:07.400 --> 1:17:09.840
<v Speaker 3>They don't care that it's because you're talented.

1:17:11.040 --> 1:17:11.600
<v Speaker 6>That's a good an.

1:17:12.360 --> 1:17:14.880
<v Speaker 1>There's plenty of talented people that always play the cop

1:17:15.040 --> 1:17:16.640
<v Speaker 1>or always play the murderer, you know.

1:17:17.040 --> 1:17:20.240
<v Speaker 5>Yeah, yeah, no, it's true. I've been fortunate. I mean,

1:17:20.280 --> 1:17:22.160
<v Speaker 5>you know, I literally I have to go back to

1:17:23.680 --> 1:17:27.320
<v Speaker 5>theater training, you know, and not just the theater training,

1:17:27.360 --> 1:17:31.559
<v Speaker 5>but the appetite that theater training gave me for roles.

1:17:32.280 --> 1:17:35.320
<v Speaker 5>Where I from a very early age.

1:17:35.080 --> 1:17:36.880
<v Speaker 6>I thought I don't want to play just one thing,

1:17:37.200 --> 1:17:38.400
<v Speaker 6>you know, and.

1:17:38.520 --> 1:17:41.720
<v Speaker 5>There are many many actors who are famous for doing

1:17:41.720 --> 1:17:43.479
<v Speaker 5>one thing and they're very very good at it.

1:17:43.560 --> 1:17:46.120
<v Speaker 6>You know, that's what they do, that's their brand. And

1:17:46.160 --> 1:17:48.600
<v Speaker 6>you know, I mean not not to mench anybody contemporary,

1:17:48.640 --> 1:17:50.680
<v Speaker 6>but you know, you're John Wayne, Japlin Eastwood's.

1:17:50.840 --> 1:17:55.120
<v Speaker 5>You know, they are personalities, they're iconic, and people love

1:17:55.120 --> 1:17:56.920
<v Speaker 5>them so much that they don't want to get out

1:17:56.960 --> 1:18:00.280
<v Speaker 5>of that lane. For me, I always consider myself a

1:18:00.360 --> 1:18:03.400
<v Speaker 5>character actor. Uh. And thank goodness being you know that

1:18:03.400 --> 1:18:05.320
<v Speaker 5>that translated into being the character lead.

1:18:05.760 --> 1:18:07.120
<v Speaker 6>But it meant that I could do you know, a

1:18:07.160 --> 1:18:10.040
<v Speaker 6>lot of different kinds of roles. Uh. And you know,

1:18:10.200 --> 1:18:11.479
<v Speaker 6>in college, I was you.

1:18:11.479 --> 1:18:14.880
<v Speaker 5>Know, doing everything from from Mamick to Shakespeare to Moliere

1:18:14.920 --> 1:18:19.080
<v Speaker 5>to improv comedy and hopefully honing talent and.

1:18:19.040 --> 1:18:19.720
<v Speaker 6>All of it, you know.

1:18:19.960 --> 1:18:22.680
<v Speaker 5>So so that's why when you look at my, you know,

1:18:23.360 --> 1:18:24.240
<v Speaker 5>body of work.

1:18:24.080 --> 1:18:29.920
<v Speaker 6>You just go what or Western comedy drama and you.

1:18:29.880 --> 1:18:38.000
<v Speaker 5>Knowsles you know that takes a very special kind of talent.

1:18:38.479 --> 1:18:43.120
<v Speaker 5>Uh And so you know, I just enjoyed the genre

1:18:43.200 --> 1:18:47.200
<v Speaker 5>of employment more than anything else. Uh So yeah, But

1:18:47.240 --> 1:18:51.880
<v Speaker 5>I mean it's because I love characters. I love creating characters,

1:18:51.880 --> 1:18:56.080
<v Speaker 5>and I and I you know, apply a few different rules,

1:18:56.120 --> 1:18:59.720
<v Speaker 5>you know. I mean, you cannot judge your character, and

1:19:00.040 --> 1:19:02.599
<v Speaker 5>you know, and especially in a situation like this, if

1:19:02.640 --> 1:19:05.000
<v Speaker 5>you hold that character at arms distance, if you're trying

1:19:05.040 --> 1:19:07.560
<v Speaker 5>to tell the audience constantly, if you're apologizing to the

1:19:07.600 --> 1:19:12.480
<v Speaker 5>audience going this isn't me, I'm just I'm acting, then

1:19:12.520 --> 1:19:14.639
<v Speaker 5>you lessen the impact on them. It's not fair. It's

1:19:14.640 --> 1:19:16.000
<v Speaker 5>not fair to the character, it's not fair.

1:19:15.880 --> 1:19:16.400
<v Speaker 6>To the audience.

1:19:16.720 --> 1:19:18.720
<v Speaker 5>So you know, when you take a job like this,

1:19:18.840 --> 1:19:20.960
<v Speaker 5>it is your job to scare the shit out of people.

1:19:21.640 --> 1:19:23.679
<v Speaker 6>You have to be brutal.

1:19:24.439 --> 1:19:27.720
<v Speaker 5>And what's interesting, because you mentioned this, I literally look

1:19:27.760 --> 1:19:33.160
<v Speaker 5>at Gatano as the amused Boosch to Richard Ramirez, although

1:19:33.160 --> 1:19:34.200
<v Speaker 5>I didn't know it at the time.

1:19:34.520 --> 1:19:35.600
<v Speaker 3>Oh interesting.

1:19:36.240 --> 1:19:41.000
<v Speaker 5>And what was I think really informative for me and

1:19:41.040 --> 1:19:46.639
<v Speaker 5>that I carried from this particular experience was was Paul

1:19:46.720 --> 1:19:53.120
<v Speaker 5>mccrane's direction. And it's like, make this guy boring, killing

1:19:53.160 --> 1:19:55.599
<v Speaker 5>people and draining a child's blood and all of that

1:19:55.960 --> 1:20:01.080
<v Speaker 5>is so mundane to you. And in that normalcy, in

1:20:01.280 --> 1:20:06.400
<v Speaker 5>that apparent I don't know, homogenization of a killer mind,

1:20:06.520 --> 1:20:10.200
<v Speaker 5>you know, that's what's frightening. And that the little video

1:20:10.760 --> 1:20:12.600
<v Speaker 5>clip that we did, you know, where he's describing how

1:20:12.680 --> 1:20:15.920
<v Speaker 5>much yeah, came out of the body. He went, no, no,

1:20:16.160 --> 1:20:20.479
<v Speaker 5>less less bland, bland, And it was amazing, you know,

1:20:20.640 --> 1:20:22.920
<v Speaker 5>it was amazing. It was. And when I ended up

1:20:22.920 --> 1:20:27.679
<v Speaker 5>doing the research for Richard Ramirez and watching him talk

1:20:27.720 --> 1:20:29.960
<v Speaker 5>about being a Satan worshiper.

1:20:29.439 --> 1:20:31.400
<v Speaker 6>And all this other stuff, you know, he said, you know,

1:20:31.479 --> 1:20:32.920
<v Speaker 6>this is just so boring.

1:20:32.960 --> 1:20:34.880
<v Speaker 5>You know, he's just talking about it like he's talking

1:20:34.920 --> 1:20:36.719
<v Speaker 5>about the weather, you know, and it's.

1:20:36.520 --> 1:20:38.120
<v Speaker 6>Just like wow.

1:20:38.240 --> 1:20:40.920
<v Speaker 5>And that's chilling more than growling and more than streaming

1:20:40.920 --> 1:20:43.960
<v Speaker 5>and yelling. It's that that the fact that that that

1:20:44.120 --> 1:20:46.679
<v Speaker 5>mind is already there that they don't have to flip

1:20:46.680 --> 1:20:47.040
<v Speaker 5>the switch.

1:20:47.080 --> 1:20:47.840
<v Speaker 6>This is where they live.

1:20:48.479 --> 1:20:51.840
<v Speaker 2>And were you able to find empathy and understanding with

1:20:51.880 --> 1:20:54.880
<v Speaker 2>that character to play him or that's not necessary because

1:20:54.880 --> 1:20:56.920
<v Speaker 2>you said you have to connect with them, like do

1:20:57.000 --> 1:20:59.960
<v Speaker 2>you have to trick yourself into liking him?

1:21:00.160 --> 1:21:01.519
<v Speaker 3>Or you can hate him and play him.

1:21:01.560 --> 1:21:04.320
<v Speaker 6>I can hate him. I can absolutely hate him. I mean,

1:21:04.439 --> 1:21:05.400
<v Speaker 6>you know, being being the.

1:21:05.320 --> 1:21:08.559
<v Speaker 5>Father of four daughters somebody like that. I'm sorry, I

1:21:08.600 --> 1:21:11.880
<v Speaker 5>have very little sympathy. Uh you know, I mean because

1:21:11.960 --> 1:21:15.200
<v Speaker 5>because they ceased to become human, you know.

1:21:15.840 --> 1:21:17.400
<v Speaker 6>Uh, And there wasn't a big backstory.

1:21:18.160 --> 1:21:21.840
<v Speaker 5>Having said that, though, in doing the research for Richard Ramirez,

1:21:22.200 --> 1:21:24.639
<v Speaker 5>I go, how else could he have turned out?

1:21:25.439 --> 1:21:28.160
<v Speaker 6>How else could he have turned out? The book by

1:21:28.200 --> 1:21:29.160
<v Speaker 6>Philip Cakudo, The.

1:21:29.200 --> 1:21:34.120
<v Speaker 5>Nightstalker is brilliant and so you know, illuminative of you know,

1:21:34.560 --> 1:21:38.080
<v Speaker 5>how he was built from a very very early age

1:21:38.240 --> 1:21:44.040
<v Speaker 5>and that includes the possibility of chemical alteration because both

1:21:44.080 --> 1:21:46.960
<v Speaker 5>his parents worked in a boot factory where they were

1:21:47.000 --> 1:21:49.120
<v Speaker 5>dealing with toxic materials day in.

1:21:49.080 --> 1:21:50.559
<v Speaker 6>And day out for hours at a time.

1:21:51.080 --> 1:21:53.879
<v Speaker 5>So you know, that's that's one that he he suffered

1:21:53.920 --> 1:21:57.280
<v Speaker 5>a head injury at a very early age, and then

1:21:57.560 --> 1:22:00.360
<v Speaker 5>all the sociological influences on him, and you know from

1:22:00.360 --> 1:22:01.920
<v Speaker 5>an uncle who came back in Vietnam and it was

1:22:01.920 --> 1:22:09.280
<v Speaker 5>an absolute monster himself. Yeah, and sexualized photographs, souvenirs that

1:22:09.320 --> 1:22:13.000
<v Speaker 5>he took, and so therefore once again taking the humanity

1:22:13.080 --> 1:22:19.280
<v Speaker 5>out of that, and you know, and just just this sad,

1:22:19.640 --> 1:22:23.280
<v Speaker 5>sad state of wanting to be somebody, wanting to be powerful,

1:22:23.320 --> 1:22:26.680
<v Speaker 5>being so empty inside that the only way you know,

1:22:26.720 --> 1:22:29.720
<v Speaker 5>you could do that was was to exert power and

1:22:29.800 --> 1:22:31.960
<v Speaker 5>violence over someone helpless.

1:22:32.240 --> 1:22:36.599
<v Speaker 2>You know, did you film at the bus station? How

1:22:36.720 --> 1:22:38.680
<v Speaker 2>was it filming with so many people? And were those

1:22:38.720 --> 1:22:40.840
<v Speaker 2>extras or were they really people? At the bus station?

1:22:43.479 --> 1:22:44.679
<v Speaker 3>It was just so crowded.

1:22:44.760 --> 1:22:46.760
<v Speaker 1>It's like a huge I mean, you're weaving through a

1:22:46.800 --> 1:22:48.800
<v Speaker 1>million crowds and like it's really.

1:22:48.800 --> 1:22:51.280
<v Speaker 6>Yeah, no, it's it's it's really really cool.

1:22:51.280 --> 1:22:52.920
<v Speaker 5>And you know, I mean, and this is the advantage

1:22:52.920 --> 1:22:55.160
<v Speaker 5>of being on a hit show is they have a budget,

1:22:55.280 --> 1:22:58.880
<v Speaker 5>you know, so they you know, uh, And at the

1:22:58.960 --> 1:23:01.320
<v Speaker 5>time I had I hadn't worked in New York since

1:23:01.360 --> 1:23:04.680
<v Speaker 5>I've done you know, The King and I but I

1:23:04.720 --> 1:23:07.320
<v Speaker 5>have this love of New York and and and filming in.

1:23:07.280 --> 1:23:08.760
<v Speaker 6>New York, like what I'm going through right now on

1:23:08.800 --> 1:23:11.680
<v Speaker 6>Fludigal Sonny. You just look at and yeah, you know,

1:23:11.800 --> 1:23:12.880
<v Speaker 6>this is this is it.

1:23:13.520 --> 1:23:17.320
<v Speaker 5>And here we are in this bus station and they

1:23:17.360 --> 1:23:19.280
<v Speaker 5>can close off a certain area and we had a

1:23:19.439 --> 1:23:24.320
<v Speaker 5>number a number of background artists, but within those background artists,

1:23:24.360 --> 1:23:27.800
<v Speaker 5>we had quite a few stunt performers, so that you

1:23:27.840 --> 1:23:30.559
<v Speaker 5>could run over somebody or knocking anybody and if you did,

1:23:30.600 --> 1:23:32.280
<v Speaker 5>it wasn't a big deal because they're expecting it.

1:23:32.520 --> 1:23:32.920
<v Speaker 6>Right.

1:23:33.120 --> 1:23:35.479
<v Speaker 1>Oh, I didn't even think about that, because yeah, there's

1:23:35.479 --> 1:23:38.240
<v Speaker 1>a lot of places where when you run, you're knocking

1:23:38.280 --> 1:23:39.120
<v Speaker 1>people out of the way.

1:23:39.439 --> 1:23:41.960
<v Speaker 3>Maloney's like out of the way to all these civilians.

1:23:42.000 --> 1:23:43.960
<v Speaker 1>I didn't realize that those would be stunt people because

1:23:43.960 --> 1:23:44.639
<v Speaker 1>they've got a like.

1:23:44.680 --> 1:23:47.200
<v Speaker 5>Yeah, they have to be because next next thing, you know,

1:23:47.320 --> 1:23:49.040
<v Speaker 5>the you know, the background artists bump.

1:23:49.439 --> 1:23:51.320
<v Speaker 6>You know, I got paid a little bit more.

1:23:53.439 --> 1:23:55.360
<v Speaker 5>So those are you know, those are those are definitely

1:23:55.439 --> 1:23:57.639
<v Speaker 5>part of the film crew.

1:23:57.920 --> 1:24:00.840
<v Speaker 6>But beyond that, they can't shut down the entire area,

1:24:01.080 --> 1:24:02.439
<v Speaker 6>and so you know, it's it's.

1:24:02.280 --> 1:24:05.320
<v Speaker 5>Always a little fun to, uh, you know, watch a

1:24:05.320 --> 1:24:07.519
<v Speaker 5>big crowd scene in someplace like Times Square because you

1:24:07.520 --> 1:24:09.839
<v Speaker 5>can look in the background and say, okay, civilians, civilians,

1:24:09.840 --> 1:24:11.280
<v Speaker 5>civilian because they're staring at the.

1:24:11.200 --> 1:24:14.000
<v Speaker 6>Camera watching things go on.

1:24:14.080 --> 1:24:18.320
<v Speaker 5>Right, So, so yes, there were a number of background

1:24:18.400 --> 1:24:20.200
<v Speaker 5>artists and stunt performers.

1:24:20.080 --> 1:24:22.920
<v Speaker 6>But you know in the deep background, those are those.

1:24:22.760 --> 1:24:24.720
<v Speaker 5>Are real people going about their business and going, oh,

1:24:25.040 --> 1:24:25.840
<v Speaker 5>you're shooting again.

1:24:28.840 --> 1:24:31.160
<v Speaker 2>Since you have like a theater background and you've been

1:24:31.200 --> 1:24:33.519
<v Speaker 2>working for so long and a fan of SVW, I

1:24:33.600 --> 1:24:35.720
<v Speaker 2>was wondering if any of your friends have been on

1:24:35.800 --> 1:24:38.599
<v Speaker 2>episodes or there's any episodes that stick out to you

1:24:38.640 --> 1:24:40.240
<v Speaker 2>that you've seen and that you really like.

1:24:41.520 --> 1:24:46.000
<v Speaker 1>Wow, because everybody's son SVU.

1:24:46.120 --> 1:24:47.960
<v Speaker 6>Right, No, that's just it. I mean you go down

1:24:48.000 --> 1:24:50.720
<v Speaker 6>the list of people and it's just it's just crazy,

1:24:51.320 --> 1:24:52.040
<v Speaker 6>wacky good.

1:24:53.240 --> 1:24:55.200
<v Speaker 5>Charlne Woodard, who you know, in the first season of

1:24:55.200 --> 1:24:57.519
<v Speaker 5>Prodigal Son, played Malcolm's therapist.

1:24:58.400 --> 1:25:00.559
<v Speaker 6>Speaking of theater and the and the inner of that.

1:25:01.479 --> 1:25:04.600
<v Speaker 5>You know, she was ended up getting killed, But I

1:25:04.680 --> 1:25:09.360
<v Speaker 5>had a lovely sort of recurring role as a sort

1:25:09.360 --> 1:25:11.680
<v Speaker 5>of a street social worker, you know.

1:25:11.920 --> 1:25:15.519
<v Speaker 6>And Charlene and I had done a play together ages

1:25:15.560 --> 1:25:17.599
<v Speaker 6>and Ages ago at the La Joy.

1:25:17.760 --> 1:25:21.519
<v Speaker 5>Yeah, Charlene Woodard, we had done The Good Person of

1:25:21.520 --> 1:25:27.320
<v Speaker 5>Sasuan in a new translation by Tony Kushner, and we

1:25:28.120 --> 1:25:29.400
<v Speaker 5>almost got to New York did it?

1:25:30.000 --> 1:25:31.439
<v Speaker 3>Oh my god, that's Sister Peg.

1:25:31.680 --> 1:25:34.320
<v Speaker 1>We literally do a segment every single week on our

1:25:34.360 --> 1:25:36.680
<v Speaker 1>podcast where we say what would Sister Peg do?

1:25:36.760 --> 1:25:37.680
<v Speaker 3>And we mentioned like a.

1:25:37.760 --> 1:25:40.760
<v Speaker 1>Charity or like an organization because her character is so

1:25:41.160 --> 1:25:42.320
<v Speaker 1>iconic on the show.

1:25:42.439 --> 1:25:45.680
<v Speaker 6>Exactly, and she's amazing, she is that she is just

1:25:46.439 --> 1:25:49.559
<v Speaker 6>this beautiful light, a wonderful human being.

1:25:50.720 --> 1:25:52.000
<v Speaker 1>Can I we asked you a question a little bit

1:25:52.160 --> 1:25:54.559
<v Speaker 1>more asked for you questions. So you got to work

1:25:54.560 --> 1:25:58.200
<v Speaker 1>with these little kids, but like you're this terrifying character,

1:25:58.280 --> 1:26:00.639
<v Speaker 1>so like in between takes or you like goofing around

1:26:00.680 --> 1:26:02.400
<v Speaker 1>with these kids being like I'm not a bad guy,

1:26:02.479 --> 1:26:04.760
<v Speaker 1>or are you like so that they.

1:26:06.000 --> 1:26:10.200
<v Speaker 5>No, no, you know, it's it's interesting. You have to

1:26:10.240 --> 1:26:13.240
<v Speaker 5>trust the person that you're working with. It has to

1:26:13.280 --> 1:26:18.679
<v Speaker 5>be a dance. And so these kids could not have performed. Uh,

1:26:19.080 --> 1:26:21.160
<v Speaker 5>they wouldn't even let me pick them up, you know,

1:26:21.240 --> 1:26:23.679
<v Speaker 5>if they were afraid of me. So it's about and

1:26:23.680 --> 1:26:26.439
<v Speaker 5>and and having just met them that day, you're hanging

1:26:26.520 --> 1:26:28.920
<v Speaker 5>out and you're making jokes and you're talking and saying, hey,

1:26:28.960 --> 1:26:31.760
<v Speaker 5>what what are you interested in and you know, and

1:26:31.840 --> 1:26:34.559
<v Speaker 5>and and becoming friends because it's like, okay, so on

1:26:34.640 --> 1:26:36.599
<v Speaker 5>this take, I'm gonna pick you up and I'm gonna

1:26:36.640 --> 1:26:38.400
<v Speaker 5>run with you, and I'm gonna be looking really really

1:26:38.400 --> 1:26:41.759
<v Speaker 5>really mean, but I'm just acting, you know. So it's

1:26:41.800 --> 1:26:45.360
<v Speaker 5>it's you know, it's it's necessary to to engender that

1:26:45.520 --> 1:26:48.960
<v Speaker 5>level of trust because otherwise they're going to be stiff

1:26:49.000 --> 1:26:50.640
<v Speaker 5>as a board and not and not be able to

1:26:50.640 --> 1:26:51.400
<v Speaker 5>actually act with you.

1:26:52.040 --> 1:26:54.760
<v Speaker 3>And how was it stabbing Marishka in the.

1:26:56.479 --> 1:26:56.639
<v Speaker 6>Well?

1:26:56.680 --> 1:27:02.200
<v Speaker 5>The other the other amazing detail to to the filming,

1:27:02.240 --> 1:27:03.680
<v Speaker 5>the behind the scenes stuff, as you know, if you

1:27:03.720 --> 1:27:05.280
<v Speaker 5>look at it closely, I.

1:27:05.200 --> 1:27:06.280
<v Speaker 6>Mean, Risk is pregnant.

1:27:07.600 --> 1:27:12.720
<v Speaker 5>She's shooting this and she's yeah, so they're they're you know,

1:27:13.320 --> 1:27:16.840
<v Speaker 5>they're they're shooting her really tight and from behind and

1:27:16.880 --> 1:27:20.200
<v Speaker 5>you know, the very very few profiles man, because they

1:27:20.240 --> 1:27:22.320
<v Speaker 5>can't reveal that she's actually pregnant.

1:27:22.360 --> 1:27:24.840
<v Speaker 6>And so for me, I'm like, oh, that one more

1:27:24.920 --> 1:27:27.360
<v Speaker 6>twist here. I got to be so careful because.

1:27:27.120 --> 1:27:32.360
<v Speaker 5>She's you know, so it's like, uh, it was very

1:27:32.439 --> 1:27:36.320
<v Speaker 5>funny and she was such a sweetheart man, so game,

1:27:36.720 --> 1:27:39.040
<v Speaker 5>so you know, just and then you know, I got

1:27:39.040 --> 1:27:41.080
<v Speaker 5>to hold a gun to to Maloney's head.

1:27:41.280 --> 1:27:42.920
<v Speaker 3>You know, you really have the dream role.

1:27:42.960 --> 1:27:44.760
<v Speaker 1>I mean, you got to assault both of the main

1:27:44.960 --> 1:27:46.479
<v Speaker 1>characters and then.

1:27:46.360 --> 1:27:48.479
<v Speaker 6>Get shot in the head myself. So it's like a

1:27:48.560 --> 1:27:51.800
<v Speaker 6>dream come true. So h and then you know, you

1:27:51.880 --> 1:27:52.599
<v Speaker 6>just do the whole drill.

1:27:52.640 --> 1:27:55.640
<v Speaker 5>But once again, it's it's the uh, the trust, you know,

1:27:55.680 --> 1:27:59.960
<v Speaker 5>and and Musky and Maloney could not do.

1:28:00.160 --> 1:28:04.559
<v Speaker 6>Those roles without without being you know, incredibly game for

1:28:04.560 --> 1:28:06.000
<v Speaker 6>for right that comes along.

1:28:06.360 --> 1:28:09.679
<v Speaker 5>And so I mean I'm literally pressing this gun into

1:28:09.760 --> 1:28:11.640
<v Speaker 5>Chris's you know, temple and say no.

1:28:11.680 --> 1:28:15.000
<v Speaker 6>Man, go ahead, good good, good dimple in here.

1:28:15.240 --> 1:28:17.920
<v Speaker 5>You know, it's like, okay, you know, if you're cool

1:28:17.920 --> 1:28:19.240
<v Speaker 5>with it, you know, I'll bring it.

1:28:20.000 --> 1:28:21.840
<v Speaker 2>I don't have an SV related, but I was just

1:28:21.960 --> 1:28:25.400
<v Speaker 2>going to ask about what you're writing and working on now.

1:28:25.479 --> 1:28:27.040
<v Speaker 6>Ah yay, thank you.

1:28:28.000 --> 1:28:29.960
<v Speaker 5>Uh And and you know, I mean speaking of well,

1:28:30.000 --> 1:28:32.679
<v Speaker 5>not speaking of but you know, the pandemic actually having

1:28:32.680 --> 1:28:33.519
<v Speaker 5>a silver lining.

1:28:34.120 --> 1:28:37.280
<v Speaker 6>I had been working on a novel for ten years.

1:28:37.840 --> 1:28:40.000
<v Speaker 6>When my wife and I first got together.

1:28:40.680 --> 1:28:42.240
<v Speaker 5>She was reading a lot of my writing, you know,

1:28:42.240 --> 1:28:44.880
<v Speaker 5>and I've written screenplays and plays and that sort of thing.

1:28:45.360 --> 1:28:49.360
<v Speaker 5>And she is an amazing artist, and she showed me

1:28:49.400 --> 1:28:53.040
<v Speaker 5>these drawings that were supposed to be for a graphic

1:28:53.120 --> 1:28:57.320
<v Speaker 5>novel that were inspired from Hans Christian Anderson's The Tinderbox Uh.

1:28:57.360 --> 1:28:59.920
<v Speaker 5>And so I looked at these and, oh my god,

1:29:00.080 --> 1:29:05.360
<v Speaker 5>this is like this post apocalyptic Kurosawa infused fairytale a

1:29:05.360 --> 1:29:07.160
<v Speaker 5>little like Star Wars, and I thought this would.

1:29:06.960 --> 1:29:08.160
<v Speaker 6>Make a great movie. Let's do this.

1:29:08.600 --> 1:29:10.880
<v Speaker 5>And she loved the idea too, so I wrote the screenplay.

1:29:12.560 --> 1:29:14.840
<v Speaker 5>When we read the screenplay, we realized that nobody was

1:29:14.840 --> 1:29:17.320
<v Speaker 5>going to give us millions and millions of dollars to

1:29:17.400 --> 1:29:20.080
<v Speaker 5>make this movie. So talk to my manager about it.

1:29:20.120 --> 1:29:22.599
<v Speaker 5>He loved the idea, he says, well, write the novel, you.

1:29:22.560 --> 1:29:24.559
<v Speaker 6>Know, but my day job kept getting in the way,

1:29:24.760 --> 1:29:26.920
<v Speaker 6>and so it took about.

1:29:26.640 --> 1:29:29.960
<v Speaker 5>Ten years and then it stole like the November before

1:29:30.040 --> 1:29:34.000
<v Speaker 5>the pandemic hit. The plug got pulled on Prodigal Son

1:29:34.040 --> 1:29:36.160
<v Speaker 5>in March, and so I was able to do the

1:29:36.200 --> 1:29:39.040
<v Speaker 5>final edits in the agent's notes and publisher's notes and

1:29:39.160 --> 1:29:40.240
<v Speaker 5>you know, editor's.

1:29:39.920 --> 1:29:43.120
<v Speaker 6>Notes while I was sitting at home, which was great.

1:29:43.439 --> 1:29:47.679
<v Speaker 5>And The Tinderbox Soldier of Indira just got released last

1:29:47.840 --> 1:29:52.320
<v Speaker 5>last November, and it has thirty illustrations from my wife, Yvonne,

1:29:52.760 --> 1:29:55.080
<v Speaker 5>which are sort of amazing. But it's funny. As I

1:29:55.080 --> 1:29:57.320
<v Speaker 5>was writing the novels, she was like, I don't draw

1:29:57.479 --> 1:30:01.160
<v Speaker 5>sci fi. Why, you know, a movie when she's said

1:30:01.160 --> 1:30:02.880
<v Speaker 5>in a space she was cool with it, but as

1:30:02.920 --> 1:30:04.280
<v Speaker 5>a novel she's like, I don't.

1:30:04.120 --> 1:30:08.559
<v Speaker 6>Draw site, I don't space ship, I don't draw you know.

1:30:09.040 --> 1:30:11.240
<v Speaker 5>But she got out of her comfort zone and she

1:30:11.240 --> 1:30:15.840
<v Speaker 5>she really Uh, the illustrations are beautiful because they're they're

1:30:15.880 --> 1:30:20.360
<v Speaker 5>sort of graphic novel meets German woodcut, which is her background,

1:30:20.920 --> 1:30:25.200
<v Speaker 5>uh meets you know, a retro steampunk sci fi, you know,

1:30:25.320 --> 1:30:26.559
<v Speaker 5>and so they're really really cool.

1:30:30.240 --> 1:30:31.000
<v Speaker 3>Holy shit.

1:30:31.160 --> 1:30:34.400
<v Speaker 2>Lou Diamond Phillips a multifaceted man. I mean, I can't

1:30:34.400 --> 1:30:39.320
<v Speaker 2>believe it. Yeah, actor writer sing Whols is adopted by

1:30:39.360 --> 1:30:40.440
<v Speaker 2>different races.

1:30:40.840 --> 1:30:42.920
<v Speaker 1>I know, I don't know if we we didn't even

1:30:42.960 --> 1:30:45.799
<v Speaker 1>talk about this with him, but he's been officially accepted

1:30:45.800 --> 1:30:49.000
<v Speaker 1>into like an indigenous tribe's he's been officially recognized by

1:30:49.000 --> 1:30:53.160
<v Speaker 1>like the Latino community, like he is literally he's Filipino.

1:30:52.680 --> 1:30:55.360
<v Speaker 2>But he's a man of all of all people. Everyone

1:30:55.400 --> 1:30:59.519
<v Speaker 2>wants him in their group. Yeah, the king and I

1:30:59.520 --> 1:31:02.640
<v Speaker 2>mean he's he's attractive, he's writing books. It seems you know,

1:31:02.720 --> 1:31:08.120
<v Speaker 2>he seems like an attentive father. Yeah, he's awesome. But

1:31:08.200 --> 1:31:11.360
<v Speaker 2>let's jump into our post mortem. What did we learn

1:31:11.439 --> 1:31:13.400
<v Speaker 2>from this horrible episode?

1:31:13.600 --> 1:31:15.920
<v Speaker 3>And I learned a lesson from him? You know.

1:31:16.040 --> 1:31:18.360
<v Speaker 2>What I learned from him is like, like you take

1:31:18.400 --> 1:31:21.520
<v Speaker 2>every job type of thing you like, expand your horizons,

1:31:21.560 --> 1:31:24.360
<v Speaker 2>you play different types of characters and skills, and like,

1:31:24.720 --> 1:31:27.719
<v Speaker 2>I just enjoyed the way he talked about his career

1:31:27.760 --> 1:31:30.040
<v Speaker 2>in life and how you have to just like go

1:31:30.080 --> 1:31:32.040
<v Speaker 2>along for the ride and then you can last thirty

1:31:32.080 --> 1:31:33.599
<v Speaker 2>forty years having a good time.

1:31:34.040 --> 1:31:37.000
<v Speaker 3>And I, you know, I enjoy hearing inspirational stories.

1:31:36.640 --> 1:31:39.760
<v Speaker 2>Like that because sometimes you audition for things for years

1:31:39.760 --> 1:31:41.000
<v Speaker 2>and you just don't get stuff.

1:31:41.000 --> 1:31:42.920
<v Speaker 3>So it's like nice to hear someone be like, yeah,

1:31:42.960 --> 1:31:44.639
<v Speaker 3>you just do stuff right.

1:31:44.880 --> 1:31:46.720
<v Speaker 2>And if you don't do that, you go direct to

1:31:46.760 --> 1:31:48.439
<v Speaker 2>play or you go act there, or you go on

1:31:48.680 --> 1:31:50.479
<v Speaker 2>the road, I don't know where. You get adopted by

1:31:50.520 --> 1:31:54.960
<v Speaker 2>the Cherokees, like it's wild. But I also what I

1:31:55.040 --> 1:31:57.439
<v Speaker 2>learned from the episode is like you gotta go to therapy,

1:31:57.520 --> 1:31:58.719
<v Speaker 2>stable or go to therapy.

1:31:58.760 --> 1:32:00.479
<v Speaker 3>How many more times can you talk about this.

1:32:00.920 --> 1:32:03.559
<v Speaker 1>Yeah, you can't be in a relationship, a close work

1:32:03.640 --> 1:32:07.240
<v Speaker 1>relationship and a romantic relationship, any kind of relationship with

1:32:07.320 --> 1:32:11.400
<v Speaker 1>the kind of anger and weird crap that he carries

1:32:11.439 --> 1:32:14.720
<v Speaker 1>around with him. You got to go to therapy. And

1:32:14.760 --> 1:32:17.920
<v Speaker 1>you know what, Huang is busy. Huang cannot be your therapist.

1:32:19.120 --> 1:32:25.920
<v Speaker 1>He is on FBI profiler and psychiatrys, psychologist whatever.

1:32:26.800 --> 1:32:28.000
<v Speaker 3>Too busy.

1:32:28.000 --> 1:32:31.080
<v Speaker 2>So if you're helping the police in an undercover investigation,

1:32:31.320 --> 1:32:32.000
<v Speaker 2>play it cool.

1:32:32.280 --> 1:32:35.160
<v Speaker 1>I will never forgive that Western Union man. I think

1:32:35.200 --> 1:32:39.240
<v Speaker 1>he's responsible for that child's death. Keep your eyes peeled,

1:32:39.280 --> 1:32:41.719
<v Speaker 1>like that waitress saved Shasta Grony's life.

1:32:41.800 --> 1:32:44.839
<v Speaker 3>Like, keep your eyes peeled. If you see amber alerts, look.

1:32:44.680 --> 1:32:49.080
<v Speaker 1>At them and like because like, honestly, that woman, her

1:32:49.320 --> 1:32:51.559
<v Speaker 1>egle eye is like the reason that girl is alive

1:32:51.560 --> 1:32:53.839
<v Speaker 1>and the reason that guy was arrested.

1:32:54.439 --> 1:32:54.679
<v Speaker 3>Yeah.

1:32:54.720 --> 1:32:57.719
<v Speaker 2>Also, if you are in charge of the criminal justice system,

1:32:57.840 --> 1:33:00.800
<v Speaker 2>let's not let people skip down on Bay. Like, I

1:33:00.840 --> 1:33:04.479
<v Speaker 2>don't know if someone's just like a full on killer, like,

1:33:04.800 --> 1:33:08.320
<v Speaker 2>keep them in jail. I don't understand. Yeah, I just

1:33:08.439 --> 1:33:11.880
<v Speaker 2>don't understand the veil system when it comes to white

1:33:11.920 --> 1:33:12.519
<v Speaker 2>men who kill.

1:33:13.240 --> 1:33:15.519
<v Speaker 3>But oh yeah, because the real life man was white.

1:33:15.600 --> 1:33:17.800
<v Speaker 4>Right. Yeah, I learned if an actress is pregnant, you

1:33:17.800 --> 1:33:20.880
<v Speaker 4>can just zoom it on their face and not show

1:33:20.920 --> 1:33:22.840
<v Speaker 4>their body ever in an episode.

1:33:23.840 --> 1:33:24.120
<v Speaker 3>Yeah.

1:33:24.200 --> 1:33:26.600
<v Speaker 2>I mean most people that Karen and I meet on

1:33:26.680 --> 1:33:29.360
<v Speaker 2>our zooms have no idea Kara is about to pop.

1:33:29.680 --> 1:33:32.840
<v Speaker 3>Yeah, just keep it tight, shoulders up, baby. Yeah, it's

1:33:32.920 --> 1:33:33.800
<v Speaker 3>just also cool.

1:33:33.800 --> 1:33:36.800
<v Speaker 2>It's also like if you watch TV and you're like,

1:33:36.840 --> 1:33:39.320
<v Speaker 2>oh no, why is that actor not there anymore? It's

1:33:39.400 --> 1:33:42.160
<v Speaker 2>like it was a contract issue or they had a baby.

1:33:42.280 --> 1:33:46.160
<v Speaker 2>You know, Like it is wild that there's just things

1:33:46.200 --> 1:33:48.639
<v Speaker 2>outside of the story that push the story.

1:33:49.000 --> 1:33:50.960
<v Speaker 3>Yeah, it's kind of cool.

1:33:51.240 --> 1:33:54.840
<v Speaker 2>If you're in a standoff, I don't also like give up,

1:33:55.320 --> 1:33:56.000
<v Speaker 2>a sharp.

1:33:55.760 --> 1:33:57.639
<v Speaker 3>Shooter will shoot you, you know what I mean?

1:33:57.760 --> 1:34:00.880
<v Speaker 2>Like these people holding people hostage and the thing I

1:34:00.920 --> 1:34:02.880
<v Speaker 2>know they're not doing well mentally, but like.

1:34:03.000 --> 1:34:04.320
<v Speaker 3>You're gonna get shot.

1:34:04.680 --> 1:34:08.360
<v Speaker 2>Yeah, you're not surviving holding two police officers hostage, you

1:34:08.400 --> 1:34:11.760
<v Speaker 2>know what I mean? Like, right, I just don't understand.

1:34:11.880 --> 1:34:15.720
<v Speaker 2>Stop taking people hostage. That's my tip of the day.

1:34:16.120 --> 1:34:17.760
<v Speaker 2>It's not worth it. Why do you want to go

1:34:17.800 --> 1:34:19.680
<v Speaker 2>to jail? Stop holding people hostage?

1:34:20.320 --> 1:34:23.960
<v Speaker 3>Don't do it. That's that's a lot of lessons. That's

1:34:23.960 --> 1:34:26.160
<v Speaker 3>pretty good lot of lessons, a lot of lessons for today.

1:34:26.720 --> 1:34:31.040
<v Speaker 1>Now let's jump into our what would Sister Peg do segment?

1:34:31.680 --> 1:34:33.920
<v Speaker 1>This is where you guys know, where we kind of

1:34:33.960 --> 1:34:36.840
<v Speaker 1>direct you towards an organization, a resource, something to kind

1:34:36.840 --> 1:34:39.519
<v Speaker 1>of give you more info on one of the topics

1:34:39.520 --> 1:34:42.320
<v Speaker 1>we covered today. I mean, we honestly were just the

1:34:42.360 --> 1:34:45.080
<v Speaker 1>whole time that Lisa was doing telling us about this

1:34:45.160 --> 1:34:49.880
<v Speaker 1>true crime, thinking about poor Shasta and like rebuilding your

1:34:49.880 --> 1:34:53.400
<v Speaker 1>life after so much tragedy and trauma. So we today

1:34:53.439 --> 1:34:56.160
<v Speaker 1>are gonna shout out the National Center for Victims of Crime,

1:34:56.680 --> 1:35:00.240
<v Speaker 1>which is Victims of Crime dot org. They are a

1:35:00.280 --> 1:35:03.639
<v Speaker 1>nonprofit that advocates for victims' rights. They trained professionals who

1:35:03.640 --> 1:35:07.400
<v Speaker 1>work with victims, and they're just a trusted source of

1:35:07.400 --> 1:35:13.599
<v Speaker 1>information for victims issues. So go check them out. And yeah, and.

1:35:13.560 --> 1:35:15.960
<v Speaker 2>Kara, you know, I am very passionate about this, learning

1:35:16.000 --> 1:35:19.000
<v Speaker 2>all this through the podcast. I am like, we need

1:35:19.120 --> 1:35:20.839
<v Speaker 2>to help people after they've.

1:35:20.640 --> 1:35:21.799
<v Speaker 3>Gone through traumatic things.

1:35:21.840 --> 1:35:24.280
<v Speaker 2>They're not going to act normal when abnormal things happen

1:35:24.360 --> 1:35:27.439
<v Speaker 2>to them. And we have to stop judging people that

1:35:27.720 --> 1:35:30.120
<v Speaker 2>are doing destructive things with their life. Because they are

1:35:30.600 --> 1:35:33.559
<v Speaker 2>they could be healing from a horrific event in their lives.

1:35:34.080 --> 1:35:36.200
<v Speaker 2>So I'm just really grateful for this pot. You know,

1:35:36.240 --> 1:35:40.240
<v Speaker 2>I'm learning to so I'm happy about that. And next

1:35:40.280 --> 1:35:43.280
<v Speaker 2>week we're going to be watching glasgow Man's Wrath. We've

1:35:43.320 --> 1:35:47.640
<v Speaker 2>heard your requests and we are fulfilling them. It's season sixteen,

1:35:47.800 --> 1:35:52.959
<v Speaker 2>episode six. Join us in this woodsy episode on Hulu

1:35:53.080 --> 1:35:56.240
<v Speaker 2>or Peacock go to the local library. We had a

1:35:56.240 --> 1:35:58.759
<v Speaker 2>librarian message us and she liked the shout out.

1:36:00.120 --> 1:36:03.280
<v Speaker 1>Somebody also just requested this episode yesterday and it's like

1:36:03.439 --> 1:36:04.040
<v Speaker 1>we're on it.

1:36:04.360 --> 1:36:07.439
<v Speaker 3>Yeah, where we listen. We do what we what you do,

1:36:07.520 --> 1:36:10.960
<v Speaker 3>We do what you tell us. See you guys next week.

1:36:11.000 --> 1:36:21.479
<v Speaker 3>Bye bye. That's Messed Up as an exactly right production.

1:36:21.720 --> 1:36:23.600
<v Speaker 1>If you have compliments you'd like to give us or

1:36:23.640 --> 1:36:25.799
<v Speaker 1>episodes you'd like us to cover, shoot us an email

1:36:25.840 --> 1:36:28.280
<v Speaker 1>at That's Messed Up Pod at gmail dot com.

1:36:28.320 --> 1:36:31.000
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

1:36:31.080 --> 1:36:33.680
<v Speaker 2>and on Twitter at messed Up Pod, and follow us

1:36:33.680 --> 1:36:36.639
<v Speaker 2>personally at Kara Klank and at glitter Cheese.

1:36:36.800 --> 1:36:39.519
<v Speaker 1>As always, please see our show notes for sources and

1:36:39.600 --> 1:36:40.280
<v Speaker 1>more information.

1:36:40.640 --> 1:36:43.920
<v Speaker 2>Thank you so much to SBU super fan and our

1:36:44.160 --> 1:36:47.080
<v Speaker 2>incredible producer, Hannah Kyle Kragon.

1:36:46.920 --> 1:36:50.000
<v Speaker 1>And to our sound engineer and personal hero, Analie Snilson.

1:36:50.160 --> 1:36:52.960
<v Speaker 3>And to Henry Koperski for our theme song, to.

1:36:53.040 --> 1:36:56.200
<v Speaker 1>Carly Jean Andrews for our artwork. Thanks to our executive

1:36:56.200 --> 1:37:00.280
<v Speaker 1>producers Georgia Hardstar, Karen Kogariff, Daniel Kramer, and everybody at

1:37:00.320 --> 1:37:01.280
<v Speaker 1>Exactly Right Media.

1:37:01.360 --> 1:37:05.400
<v Speaker 2>Listen, subscribe, leave us a review on Apple Podcasts, Stitcher,

1:37:05.600 --> 1:37:08.800
<v Speaker 2>or wherever you get your podcasts. If you're an advertiser

1:37:08.840 --> 1:37:12.120
<v Speaker 2>interested in advertising on our show, go to midroll dot

1:37:12.160 --> 1:37:14.719
<v Speaker 2>com slash ads Done.

1:37:14.720 --> 1:37:15.480
<v Speaker 3>Done