1 00:00:05,240 --> 00:00:07,480 Speaker 1: Hey, this is Annie and Smansa and welcome to stuff 2 00:00:07,480 --> 00:00:19,200 Speaker 1: I've never told you a prediction of iHeartRadio. And welcome 3 00:00:19,239 --> 00:00:21,720 Speaker 1: to another edition a Feminist around the World. And yes, 4 00:00:21,800 --> 00:00:24,320 Speaker 1: I'm taking over your segment again, Samantha. 5 00:00:24,520 --> 00:00:27,880 Speaker 2: I dare you, Yes, so I dare I. 6 00:00:27,880 --> 00:00:31,240 Speaker 1: Dare I do want to put a timestamp on this 7 00:00:31,280 --> 00:00:36,840 Speaker 1: one because it's changing a lot. Today is January tenth, 8 00:00:36,880 --> 00:00:40,160 Speaker 1: twenty twenty four. Happy belated birthday to my friend Marissa. 9 00:00:40,159 --> 00:00:42,880 Speaker 3: If you're listening, Happy belated birthday Marissa. 10 00:00:43,159 --> 00:00:44,760 Speaker 2: Yeap yesterday yesterday. 11 00:00:45,560 --> 00:00:47,160 Speaker 1: So yeah, this one is a bit of a follow 12 00:00:47,200 --> 00:00:50,400 Speaker 1: up I mentioned recently. It's a bit of a follow 13 00:00:50,479 --> 00:00:54,120 Speaker 1: up on the episode we did my last takeover of 14 00:00:54,200 --> 00:00:57,120 Speaker 1: the segment on Nia da Costa and the Marvels. So 15 00:00:57,200 --> 00:01:00,000 Speaker 1: today we are talking about the director of the next 16 00:01:00,040 --> 00:01:02,280 Speaker 1: Star Wars movie that is going to focus on Daisy 17 00:01:02,320 --> 00:01:05,840 Speaker 1: Ridley's character Ray and her Jedi Order. It's supposed to 18 00:01:05,840 --> 00:01:08,880 Speaker 1: take place fifteen years after the Rise of Skywalker. It's 19 00:01:08,880 --> 00:01:12,399 Speaker 1: set to come out sometime in twenty twenty six. But 20 00:01:12,480 --> 00:01:16,600 Speaker 1: this director is Charmine Obeyed Hinoi. She has said she 21 00:01:16,680 --> 00:01:19,880 Speaker 1: loves heroes, she loves the lived in esthetic, of the 22 00:01:19,880 --> 00:01:22,440 Speaker 1: original trilogy and things like Andora. That's part of why 23 00:01:22,480 --> 00:01:25,880 Speaker 1: she was hired. She is the first woman and Pakistani 24 00:01:26,040 --> 00:01:31,920 Speaker 1: American to direct a Star Wars movie. So quickly, there's 25 00:01:31,959 --> 00:01:34,880 Speaker 1: a reason this story came into my lap, and it 26 00:01:34,959 --> 00:01:37,959 Speaker 1: was kind of comical and infuriating. So I was hanging 27 00:01:38,000 --> 00:01:40,720 Speaker 1: out with a friend of mine recently and she was 28 00:01:40,760 --> 00:01:44,160 Speaker 1: talking about how she works with this guy who is 29 00:01:45,600 --> 00:01:48,559 Speaker 1: liberal in some ways but very conservative in other ways, 30 00:01:48,560 --> 00:01:51,360 Speaker 1: and she can't quite figure him out. And one of 31 00:01:51,360 --> 00:01:54,280 Speaker 1: the examples she brought up was she said he was 32 00:01:54,360 --> 00:01:58,280 Speaker 1: talking he didn't understand her point. She was making about 33 00:01:58,320 --> 00:02:03,680 Speaker 1: like toxic fandom, women and people of color off of 34 00:02:03,720 --> 00:02:06,600 Speaker 1: social media, like all of this, and he didn't know 35 00:02:06,640 --> 00:02:09,040 Speaker 1: what she was talking about. But of course he had 36 00:02:09,040 --> 00:02:10,760 Speaker 1: a comeback and it was, well, did you hear what 37 00:02:10,800 --> 00:02:14,200 Speaker 1: this new director has said? She has said that this 38 00:02:14,480 --> 00:02:17,200 Speaker 1: new movie she's making is going to make men uncomfortable, 39 00:02:18,160 --> 00:02:21,120 Speaker 1: And I was like, huh, that doesn't sound right. I 40 00:02:21,160 --> 00:02:23,519 Speaker 1: feel like I would know about this if that was true. 41 00:02:24,160 --> 00:02:28,320 Speaker 1: And sure enough, so I have quite a story for you. 42 00:02:28,760 --> 00:02:34,000 Speaker 1: But first let us break down Charmino Bai Chanoi. She 43 00:02:34,240 --> 00:02:39,800 Speaker 1: is a Canadian Pakistani activist, journalist, documentarian, and filmmaker, perhaps 44 00:02:39,800 --> 00:02:42,440 Speaker 1: best known for her work around honor killings and asset 45 00:02:42,440 --> 00:02:45,960 Speaker 1: attacks against girls and women in her home country. She 46 00:02:46,080 --> 00:02:49,160 Speaker 1: was born in Karachi, Pakistan, in nineteen seventy eight, and 47 00:02:49,200 --> 00:02:51,440 Speaker 1: she later moved to the US, where she received a 48 00:02:51,480 --> 00:02:54,760 Speaker 1: bachelor's in economics and government from Smith College and then 49 00:02:54,760 --> 00:02:58,800 Speaker 1: two master's degrees from Stanford University and Communication and International 50 00:02:58,800 --> 00:03:01,880 Speaker 1: Policy Studies. After she graduated, she moved to Canada with 51 00:03:01,880 --> 00:03:06,000 Speaker 1: her husband, where she became a Canadian citizen, But in 52 00:03:06,000 --> 00:03:09,240 Speaker 1: two thousand and two she returned to Pakistan to make documentaries. 53 00:03:09,720 --> 00:03:13,760 Speaker 1: Her twenty twelve documentary Saving Face traced the harsh history 54 00:03:13,760 --> 00:03:17,160 Speaker 1: of acid attacks against women in Pakistan, highlighting the stories 55 00:03:17,200 --> 00:03:19,639 Speaker 1: of two survivors of these attacks and bringing to light 56 00:03:19,680 --> 00:03:22,400 Speaker 1: how prevalent they were at the time, and as part 57 00:03:22,440 --> 00:03:25,240 Speaker 1: of her work, she helped push for changes to address 58 00:03:25,280 --> 00:03:28,680 Speaker 1: these attacks. Here's the quote from screen rant. Her works 59 00:03:28,680 --> 00:03:31,959 Speaker 1: have been hugely influential, resulting in actual changes of the 60 00:03:32,040 --> 00:03:35,320 Speaker 1: law pertaining to honor killings in Pakistan. In twenty twelve, 61 00:03:35,320 --> 00:03:38,080 Speaker 1: the government of Pakistan awarded Obeyed Chenoi one of its 62 00:03:38,120 --> 00:03:41,600 Speaker 1: highest civilian honors, and time magazine recognized her as one 63 00:03:41,600 --> 00:03:44,880 Speaker 1: of its top one hundred most influential people in the world. 64 00:03:45,920 --> 00:03:49,760 Speaker 1: In twenty fifteen, she debuted documentary following the story of 65 00:03:49,760 --> 00:03:52,960 Speaker 1: Pakistani musicians on their journey to perform at Lincoln's Center 66 00:03:53,000 --> 00:03:55,880 Speaker 1: in New York called Song of Lahore, and her twenty 67 00:03:55,880 --> 00:03:58,480 Speaker 1: sixteen documentary A Girl in the River The Price of 68 00:03:58,520 --> 00:04:01,200 Speaker 1: Forgiveness followed the story of a woman who survived an 69 00:04:01,200 --> 00:04:05,240 Speaker 1: attempted honor killing, and in doing so, it shedded light 70 00:04:05,320 --> 00:04:08,640 Speaker 1: on the history of this practice in that country. All 71 00:04:08,680 --> 00:04:10,960 Speaker 1: of these were acclaimed, and she did a bunch of 72 00:04:11,000 --> 00:04:14,600 Speaker 1: other projects too. These are just a taste. Her other 73 00:04:14,640 --> 00:04:18,679 Speaker 1: works have looked into issues such as child abuse, gun violence, police, 74 00:04:18,720 --> 00:04:23,520 Speaker 1: women's soldiers, education, the trans experience in Pakistan, and scarcity. 75 00:04:24,320 --> 00:04:28,520 Speaker 1: And she has done children's series one including one that's 76 00:04:28,520 --> 00:04:32,800 Speaker 1: sort of like Our Female First but in Pakistan, in 77 00:04:32,839 --> 00:04:36,640 Speaker 1: an animated film called Satara Let Girls Dream That sounds 78 00:04:36,680 --> 00:04:40,599 Speaker 1: really really interesting. She also directed the twenty eighteen documentary 79 00:04:40,640 --> 00:04:45,920 Speaker 1: Student Athlete alongside Trish Dawton that was on HBO. She is, 80 00:04:46,080 --> 00:04:48,720 Speaker 1: as of January twenty twenty four, the first and only 81 00:04:48,760 --> 00:04:51,880 Speaker 1: woman director to win two Academy Awards by thirty seven 82 00:04:52,000 --> 00:04:55,240 Speaker 1: years old, and the first Pakistani winner and only one 83 00:04:55,279 --> 00:04:57,320 Speaker 1: of eleven women to win an Oscar for a non 84 00:04:57,360 --> 00:05:00,640 Speaker 1: fiction film. She's won six Emmy Awards, both at the 85 00:05:00,680 --> 00:05:04,960 Speaker 1: International Emmy Awards and News and Documentaries Awards. And that's 86 00:05:05,000 --> 00:05:08,000 Speaker 1: really just a handful of what she's won. So here's 87 00:05:08,520 --> 00:05:10,880 Speaker 1: a quick run through, but again this is not at 88 00:05:10,880 --> 00:05:15,119 Speaker 1: all complete. She was the first non US American person 89 00:05:15,160 --> 00:05:18,599 Speaker 1: to win a Livingstone Award for Young Journalist. Twenty fifteen, 90 00:05:18,839 --> 00:05:21,279 Speaker 1: she became the first Pakistani person to make a full 91 00:05:21,360 --> 00:05:25,600 Speaker 1: length computer animated movie. She was the first artist named 92 00:05:25,600 --> 00:05:28,279 Speaker 1: to co chair of the World Economic Forum in twenty seventeen. 93 00:05:29,000 --> 00:05:32,000 Speaker 1: That same year, she was awarded the Knight International Journalism 94 00:05:32,040 --> 00:05:35,320 Speaker 1: Award by the International Center for Journalist. She's also been 95 00:05:35,360 --> 00:05:38,520 Speaker 1: involved in charities. No surprise, she was key in founding 96 00:05:38,600 --> 00:05:40,960 Speaker 1: the Citizens' Archive of Pakistan in two thousand and seven, 97 00:05:41,000 --> 00:05:43,800 Speaker 1: which is an organization focused on preserving the culture and 98 00:05:43,839 --> 00:05:47,680 Speaker 1: heritage of Pakistan. Though a bulk of her work has 99 00:05:47,720 --> 00:05:50,320 Speaker 1: been in documentaries, this is not her first foray. Star 100 00:05:50,360 --> 00:05:53,120 Speaker 1: Wars will not be her first foray into Hollywood by 101 00:05:53,160 --> 00:05:56,400 Speaker 1: any means. In twenty twenty two, She directed two episodes 102 00:05:56,400 --> 00:06:01,000 Speaker 1: of the Disney Plus show Miss Marvel before seeing read 103 00:06:01,040 --> 00:06:03,800 Speaker 1: in episode five, time and time again. She was the 104 00:06:03,839 --> 00:06:07,200 Speaker 1: first Pakistani director to work with Marvel, and this did 105 00:06:07,200 --> 00:06:10,440 Speaker 1: give her a really valuable experience working with visual effects 106 00:06:10,520 --> 00:06:15,560 Speaker 1: teams who reported enjoying working with her. Cinematographer Jules Olafwin 107 00:06:15,640 --> 00:06:18,800 Speaker 1: told screen Rant, the last thing was the director. Sharmino 108 00:06:18,880 --> 00:06:22,159 Speaker 1: baie Chenoi is on paper a pretty amazing person. She's 109 00:06:22,200 --> 00:06:25,920 Speaker 1: a two time Oscar winning, seven time Any winning documentary director. 110 00:06:26,200 --> 00:06:28,560 Speaker 1: Not only that, she's very much involved in a lot 111 00:06:28,560 --> 00:06:32,560 Speaker 1: of social programs in Pakistan, highly regarded there. I did 112 00:06:32,560 --> 00:06:35,240 Speaker 1: my research, I started delving into her. I was blown away. 113 00:06:35,560 --> 00:06:38,040 Speaker 1: She sounded pretty amazing. Then I met her on a 114 00:06:38,120 --> 00:06:40,479 Speaker 1: Zoom call and we hit it off immediately. I just 115 00:06:40,520 --> 00:06:42,279 Speaker 1: thought I had to work with this woman. She just 116 00:06:42,320 --> 00:06:45,800 Speaker 1: sounds so amazing. The rest is history. I've worked with 117 00:06:45,839 --> 00:06:48,719 Speaker 1: her and I love her. She is amazing. She's everything 118 00:06:48,760 --> 00:06:51,080 Speaker 1: the Google search said she is, but so much more. 119 00:06:51,560 --> 00:06:53,920 Speaker 1: She's a really decent, wonderful human being and I loved 120 00:06:53,960 --> 00:06:58,000 Speaker 1: working with her every minute. Which, yes, if you haven't 121 00:06:58,000 --> 00:07:00,640 Speaker 1: seen that show, Miss Marvel, the host is a big 122 00:07:00,680 --> 00:07:05,919 Speaker 1: part of that show. Uh and Charmino Beijani had done 123 00:07:06,160 --> 00:07:09,039 Speaker 1: an installation called Home nineteen forty seven and twenty seventeen 124 00:07:09,080 --> 00:07:12,360 Speaker 1: all about the ten million Indian and Pakistani families displaced 125 00:07:12,360 --> 00:07:14,760 Speaker 1: by the partition, which is something that is part of 126 00:07:14,800 --> 00:07:29,400 Speaker 1: the show. Okay, so she's done a lot. Now she's 127 00:07:29,440 --> 00:07:32,960 Speaker 1: directing a Star Wars movie with a female lead, Daisy 128 00:07:33,080 --> 00:07:38,360 Speaker 1: Ridley with Ray and yes, a quote was circulating that 129 00:07:38,480 --> 00:07:41,520 Speaker 1: was going to quote make men uncomfortable. So let's break 130 00:07:41,520 --> 00:07:44,640 Speaker 1: this down. This quote is at least eight years old 131 00:07:45,440 --> 00:07:49,679 Speaker 1: and was about her film saving face about the. 132 00:07:51,280 --> 00:07:53,640 Speaker 2: Yeah, it wasn't even no. 133 00:07:53,760 --> 00:07:56,920 Speaker 3: It was a dude because he's. 134 00:07:56,160 --> 00:07:59,840 Speaker 1: Yeah, yes, and it wasn't part actually a joke. She 135 00:08:00,160 --> 00:08:02,200 Speaker 1: kind of was like, oh, yeah, I like to make 136 00:08:02,240 --> 00:08:05,400 Speaker 1: men uncomfortable. And the moderator was Jon Stewart and she 137 00:08:05,440 --> 00:08:09,160 Speaker 1: immediately said to him, but not you like it was 138 00:08:09,240 --> 00:08:11,200 Speaker 1: kind of a joke, and she was talking about this 139 00:08:11,320 --> 00:08:16,400 Speaker 1: subject matter that she documented, which was very traumatic, and yeah, 140 00:08:16,480 --> 00:08:19,760 Speaker 1: should probably make you uncomfortable. And I just would like 141 00:08:19,800 --> 00:08:22,280 Speaker 1: to put a reminder here if you're mad about this 142 00:08:22,440 --> 00:08:25,080 Speaker 1: Star Wars thing, like, maybe take a second and think 143 00:08:25,120 --> 00:08:28,720 Speaker 1: about the documentary she's done, Like made me think about that. 144 00:08:30,640 --> 00:08:33,640 Speaker 1: But okay, it was eight years old quote, but everyone 145 00:08:33,720 --> 00:08:38,559 Speaker 1: was saying, oh, she hates men, she hates Star Wars. 146 00:08:39,040 --> 00:08:41,520 Speaker 1: There's like already a ton of articles and internet users 147 00:08:41,520 --> 00:08:45,160 Speaker 1: that appiled on claiming she doesn't have any experience to 148 00:08:45,200 --> 00:08:49,199 Speaker 1: be working on this movie. I would like to point 149 00:08:49,240 --> 00:08:52,360 Speaker 1: out there's a couple things I would like to point out. 150 00:08:52,720 --> 00:08:56,000 Speaker 1: One is the script is written by a man. I 151 00:08:56,040 --> 00:08:58,360 Speaker 1: do think that that's important to keep in mind because 152 00:08:58,360 --> 00:09:00,760 Speaker 1: I feel like a lot of the criticisms has gotten 153 00:09:00,760 --> 00:09:05,480 Speaker 1: as a character is that she's underdeveloped or superficial. She 154 00:09:05,640 --> 00:09:07,800 Speaker 1: was written and directed by a man, Like, I think 155 00:09:07,880 --> 00:09:09,880 Speaker 1: Daisy really did a great job. But if I feel like, 156 00:09:10,320 --> 00:09:11,760 Speaker 1: you know, maybe just keep that in the back of 157 00:09:11,800 --> 00:09:17,040 Speaker 1: your head. I also kind of feel like I get 158 00:09:17,080 --> 00:09:19,280 Speaker 1: that critique, but I feel like she's in every person 159 00:09:19,360 --> 00:09:21,520 Speaker 1: character and a lot of male heroes are that character 160 00:09:21,559 --> 00:09:24,160 Speaker 1: and they don't get the same critique. And I don't 161 00:09:24,160 --> 00:09:26,200 Speaker 1: think this. I don't know this guy. I'm not saying 162 00:09:26,200 --> 00:09:28,040 Speaker 1: he's gonna do a bad job at all. I'm just saying, like, 163 00:09:28,120 --> 00:09:31,679 Speaker 1: that's something to keep in mind, and I want success, 164 00:09:31,840 --> 00:09:34,000 Speaker 1: so I'm not like I hope he veils and I 165 00:09:34,000 --> 00:09:36,319 Speaker 1: can point him, No, I want like something. 166 00:09:36,440 --> 00:09:42,120 Speaker 2: I want a good movie. And you can see. 167 00:09:41,960 --> 00:09:44,400 Speaker 1: Our book and the chapter I did on Mary Suis 168 00:09:44,440 --> 00:09:46,280 Speaker 1: for more about this whole thing with Ray's character and 169 00:09:46,280 --> 00:09:49,160 Speaker 1: a lot of the critiques she has already gotten, and 170 00:09:49,200 --> 00:09:52,920 Speaker 1: a lot of them very sexist in nature. Obey Chnoi 171 00:09:53,000 --> 00:09:56,120 Speaker 1: even as a quote about the importance of having male 172 00:09:56,200 --> 00:09:59,280 Speaker 1: champions in your life. But she did say this will 173 00:09:59,280 --> 00:10:02,720 Speaker 1: be a women centered in feminist movie. She said, quote, 174 00:10:02,720 --> 00:10:04,960 Speaker 1: it's about time we had a woman shaped Star Wars, 175 00:10:05,240 --> 00:10:07,160 Speaker 1: which got everybody really mad, and a lot of people 176 00:10:07,200 --> 00:10:12,360 Speaker 1: I feel like we're being disingenuous with their critique of 177 00:10:12,400 --> 00:10:14,120 Speaker 1: this because they were like, well, women, have you know 178 00:10:14,160 --> 00:10:17,679 Speaker 1: what about the Brackett or whatever, and like yeah, but 179 00:10:17,760 --> 00:10:20,679 Speaker 1: this is the first woman directing the Star Wars movie, 180 00:10:20,720 --> 00:10:25,840 Speaker 1: like ah, And if you type in her name and YouTube, 181 00:10:25,880 --> 00:10:28,840 Speaker 1: all the first results were like Star Wars hates men, 182 00:10:29,600 --> 00:10:32,600 Speaker 1: Go away, Star Wars is two woke, a Star Wars 183 00:10:32,600 --> 00:10:36,199 Speaker 1: movie by a man hating feminists. The new Star Wars 184 00:10:36,240 --> 00:10:39,920 Speaker 1: director really hates men. Star Wars director has ties to 185 00:10:40,000 --> 00:10:44,200 Speaker 1: Hillary Clinton without respect we reject. 186 00:10:45,400 --> 00:10:52,800 Speaker 3: I'm very specific. It was very Hillary Clinton. 187 00:10:53,320 --> 00:10:56,160 Speaker 2: The thumbnail was very funny. I must say, I thought. 188 00:10:56,000 --> 00:10:59,640 Speaker 3: Really find it hilarious that feminist is now coincided with 189 00:11:00,080 --> 00:11:05,680 Speaker 3: I don't know, stopping honored this. I mean, I guess, 190 00:11:05,960 --> 00:11:10,760 Speaker 3: I mean technically yes, yeah, but it's a bad thing. 191 00:11:12,080 --> 00:11:15,199 Speaker 1: Yeah, question, trust me. I want to come back and 192 00:11:15,240 --> 00:11:17,000 Speaker 1: do a whole episode on this. I do not want 193 00:11:17,040 --> 00:11:19,280 Speaker 1: to because otherwise this episode is gonna be way too long. 194 00:11:19,320 --> 00:11:21,440 Speaker 1: But yes, I have a lot of thoughts about this. 195 00:11:22,400 --> 00:11:25,080 Speaker 1: I personally don't think Adam Driver is helping. I can't 196 00:11:25,080 --> 00:11:28,520 Speaker 1: tell if he's joking or not, but he's like, Wokeness 197 00:11:28,600 --> 00:11:31,920 Speaker 1: killed Han Solo Because every apparently everybody comes up to him, 198 00:11:31,920 --> 00:11:33,360 Speaker 1: it's like, why did you kill Han Solo? 199 00:11:33,720 --> 00:11:35,560 Speaker 2: He says, Wokeness killed Oh yeah. 200 00:11:35,640 --> 00:11:38,800 Speaker 3: That doesn't help when they misquote everything. So if they're 201 00:11:38,840 --> 00:11:41,640 Speaker 3: taking a quote that was not even reference to this movie, 202 00:11:41,840 --> 00:11:44,640 Speaker 3: and then she said it may not gonna be uncomfortable 203 00:11:44,679 --> 00:11:46,880 Speaker 3: because of what she does for this movie, which is 204 00:11:46,880 --> 00:11:49,360 Speaker 3: not true. They're going to take that quote and run 205 00:11:49,360 --> 00:11:49,640 Speaker 3: with it. 206 00:11:50,600 --> 00:11:52,800 Speaker 2: Oh, they were so happy to run with it. Oh 207 00:11:52,840 --> 00:11:53,240 Speaker 2: my gosh. 208 00:11:53,320 --> 00:11:55,559 Speaker 1: But it was really funny because when my friend said 209 00:11:55,559 --> 00:11:57,720 Speaker 1: that at the story I told at the top, I 210 00:11:57,720 --> 00:11:59,480 Speaker 1: immediately looked up, looked it up, and I was like, 211 00:11:59,600 --> 00:12:01,560 Speaker 1: that's what thought, That's exactly what I thought. 212 00:12:01,920 --> 00:12:05,480 Speaker 3: So only were you really wrong, but you're really like 213 00:12:05,640 --> 00:12:06,640 Speaker 3: telling on yourself. 214 00:12:07,360 --> 00:12:09,360 Speaker 2: Yes, and they don't know. 215 00:12:10,320 --> 00:12:14,440 Speaker 1: Either they don't know or willfully are misrepresenting it right. 216 00:12:14,679 --> 00:12:17,080 Speaker 1: And today, just today I saw a headline that they 217 00:12:17,360 --> 00:12:20,080 Speaker 1: are now they announced that the Mandalorian Grogu are getting 218 00:12:20,120 --> 00:12:22,960 Speaker 1: their own movie by Jean Favreau and Dave Filoni and 219 00:12:23,080 --> 00:12:26,840 Speaker 1: all of these same people are like good damage control. 220 00:12:27,000 --> 00:12:30,400 Speaker 1: Maybe they'll never make this movie at all, which does happen, 221 00:12:31,120 --> 00:12:34,280 Speaker 1: So it could be this movie never comes out, we'll. 222 00:12:34,080 --> 00:12:36,040 Speaker 3: See or they'll do the same thing where they ruin it. 223 00:12:36,640 --> 00:12:40,160 Speaker 1: Yeah, that's true, that's true. And we did talk about 224 00:12:40,160 --> 00:12:44,160 Speaker 1: that with the Marvels about like with a huge company 225 00:12:44,200 --> 00:12:46,880 Speaker 1: like this, sometimes like the editing is out of the 226 00:12:46,880 --> 00:12:49,079 Speaker 1: director's control. Sometimes like pieces of it are out of 227 00:12:49,160 --> 00:12:52,720 Speaker 1: your control. And Star Wars notoriously like a look at 228 00:12:52,760 --> 00:12:54,880 Speaker 1: our episodes we did on the sequel trilogy with how 229 00:12:54,960 --> 00:12:58,560 Speaker 1: literally every movie changed the story completely from the last 230 00:12:58,600 --> 00:13:02,360 Speaker 1: one because of toxic fandom and the company like caving 231 00:13:02,440 --> 00:13:06,720 Speaker 1: into it. So you can have legitimate critiques on something 232 00:13:07,120 --> 00:13:09,640 Speaker 1: Lord knows. I have very I have some critiques on 233 00:13:09,720 --> 00:13:13,079 Speaker 1: Star Wars and Marvel stuff, but again, this movie hasn't 234 00:13:13,080 --> 00:13:16,080 Speaker 1: even come out yet, so can we stop. But I 235 00:13:16,120 --> 00:13:18,320 Speaker 1: hate that so much of these criticisms are tied up 236 00:13:18,320 --> 00:13:21,559 Speaker 1: in sexism and racism and what have you, and women 237 00:13:21,600 --> 00:13:23,440 Speaker 1: and people of color are punished more for a movie 238 00:13:23,440 --> 00:13:26,160 Speaker 1: that isn't perfect, which of course it won't be again, 239 00:13:26,280 --> 00:13:31,120 Speaker 1: especially if it's this huge company like Disney. Again, your 240 00:13:31,120 --> 00:13:33,880 Speaker 1: beautiful Darling film Imparta Strikes Back, which is my favorite, 241 00:13:34,120 --> 00:13:37,079 Speaker 1: was largely financed outside the studio, so it wasn't subject 242 00:13:37,120 --> 00:13:41,400 Speaker 1: to Disney, but now it is, and there's all of 243 00:13:41,400 --> 00:13:43,240 Speaker 1: these people like, well, we can't make these people. 244 00:13:43,240 --> 00:13:44,520 Speaker 2: Man, we can't do this. We can't do this, we 245 00:13:44,520 --> 00:13:46,600 Speaker 2: can do this, can't have nice things? 246 00:13:47,080 --> 00:13:49,040 Speaker 1: Yeah, and I know I talked about this before, but 247 00:13:49,080 --> 00:13:54,199 Speaker 1: I hate being in anywhere near the Vinn diagram of. 248 00:13:52,800 --> 00:13:53,600 Speaker 2: Of these people. 249 00:13:53,840 --> 00:13:56,600 Speaker 1: So I feel like I have to be more outspoken 250 00:13:56,640 --> 00:13:58,600 Speaker 1: about something that maybe I don't like that much either, 251 00:13:59,080 --> 00:14:00,880 Speaker 1: but I'm like, no, oh, I'm not going to be 252 00:14:00,960 --> 00:14:02,440 Speaker 1: on your side because you're gross. 253 00:14:03,960 --> 00:14:05,880 Speaker 3: You're not wrong, but I'm definitely not taking sides with 254 00:14:05,920 --> 00:14:07,160 Speaker 3: you exactly. 255 00:14:07,280 --> 00:14:09,480 Speaker 1: And I will defend things I don't like a Star 256 00:14:09,520 --> 00:14:12,800 Speaker 1: Wars universe. I absolutely will, because sometimes you just don't 257 00:14:12,880 --> 00:14:15,000 Speaker 1: like something but other people do and that's okay. 258 00:14:15,200 --> 00:14:18,160 Speaker 2: That's okay. Sometimes I like parts of it and not 259 00:14:18,240 --> 00:14:22,000 Speaker 2: all of it, and that's okay, Like, oh okay. That's 260 00:14:22,040 --> 00:14:24,240 Speaker 2: why being a fan is. Did you find the things 261 00:14:24,280 --> 00:14:26,160 Speaker 2: you like and you let people like what they like. 262 00:14:27,600 --> 00:14:27,880 Speaker 3: Yes. 263 00:14:28,520 --> 00:14:33,160 Speaker 1: So it's just like I feel annoyed because obviously for 264 00:14:33,160 --> 00:14:36,880 Speaker 1: a lot of reasons, but I feel annoyed because they're 265 00:14:36,920 --> 00:14:40,800 Speaker 1: already angry about something. It hasn't come out. They were 266 00:14:40,840 --> 00:14:44,600 Speaker 1: always going to say the same thing, but now I 267 00:14:44,640 --> 00:14:47,200 Speaker 1: feel like I won't even say fans because I won't 268 00:14:47,240 --> 00:14:49,160 Speaker 1: call them that, but like they'll say they have a 269 00:14:49,240 --> 00:14:53,240 Speaker 1: legitimate critique as a disguise to hide that they're actually 270 00:14:53,280 --> 00:14:55,960 Speaker 1: just being sexist, are racist, and they were never going 271 00:14:56,000 --> 00:14:58,600 Speaker 1: to like it in the first place. They were never 272 00:14:58,640 --> 00:15:01,160 Speaker 1: going to like it, and then they get angry when 273 00:15:01,200 --> 00:15:03,480 Speaker 1: they get called out on it because they point to 274 00:15:03,560 --> 00:15:06,240 Speaker 1: other people who maybe agree. 275 00:15:06,320 --> 00:15:08,240 Speaker 2: But not for the same terrible reasons. 276 00:15:09,080 --> 00:15:12,040 Speaker 1: It's just them, like they're using you for their bullshit 277 00:15:12,120 --> 00:15:18,200 Speaker 1: to justify how they are. Like that's why I hesitate. 278 00:15:18,240 --> 00:15:20,360 Speaker 1: That's why I've been so protective of some things. I 279 00:15:20,360 --> 00:15:21,920 Speaker 1: don't even like that much because. 280 00:15:21,680 --> 00:15:23,920 Speaker 2: I'm like, I'm not gonna let you be this bad man. 281 00:15:24,360 --> 00:15:28,760 Speaker 1: I will not stand for it. It is. 282 00:15:29,560 --> 00:15:32,640 Speaker 2: And look, can I recommend fan fiction to you if 283 00:15:32,680 --> 00:15:36,480 Speaker 2: you don't like it. There's a old world. There are books, 284 00:15:36,480 --> 00:15:40,360 Speaker 2: you can read, tons of comics. There's so much out there. 285 00:15:40,920 --> 00:15:41,760 Speaker 2: You're fine. 286 00:15:42,560 --> 00:15:44,840 Speaker 1: You can have a headcanon. You keep it to yourself, 287 00:15:44,880 --> 00:15:45,720 Speaker 1: but it's beautiful. 288 00:15:45,760 --> 00:15:46,280 Speaker 2: I have fun. 289 00:15:47,280 --> 00:15:47,800 Speaker 3: It's great. 290 00:15:48,840 --> 00:15:51,960 Speaker 1: A bunch of people like me are able to do 291 00:15:52,040 --> 00:15:56,040 Speaker 1: that instead of being hateful and driving people off social media. 292 00:15:56,240 --> 00:15:58,640 Speaker 1: And I promise you we have more reason to be 293 00:15:58,680 --> 00:16:01,440 Speaker 1: angry than you do. So I'm tired of it. 294 00:16:02,000 --> 00:16:08,400 Speaker 2: And they are so emotional, and you know it. 295 00:16:08,400 --> 00:16:10,680 Speaker 1: Might actually be a good movie of this thing you 296 00:16:10,720 --> 00:16:13,240 Speaker 1: say you're a fan of, So maybe just wait and 297 00:16:13,280 --> 00:16:16,160 Speaker 1: see and be open minded about it. Just calm down, 298 00:16:17,640 --> 00:16:20,040 Speaker 1: and like, I'm somebody who get I get emotional about 299 00:16:20,040 --> 00:16:20,600 Speaker 1: fan things. 300 00:16:20,880 --> 00:16:23,320 Speaker 2: But I also know when it's like, all right, I 301 00:16:23,320 --> 00:16:25,560 Speaker 2: didn't like it wasn't for me. That's my right, that's it, 302 00:16:25,600 --> 00:16:26,200 Speaker 2: and you move on. 303 00:16:26,440 --> 00:16:29,640 Speaker 3: You don't collection if I have to watch every day. 304 00:16:29,520 --> 00:16:30,600 Speaker 2: Exactly moving on. 305 00:16:30,680 --> 00:16:39,040 Speaker 1: See see all right, well I'm looking forward to it. Yes, 306 00:16:39,160 --> 00:16:42,080 Speaker 1: and this has been like I honestly, and I feel 307 00:16:42,080 --> 00:16:44,400 Speaker 1: a little shamed about this. I didn't know all of 308 00:16:44,440 --> 00:16:47,880 Speaker 1: this stuff about obeyed Chanoi and this is amazing stuff 309 00:16:47,880 --> 00:16:49,160 Speaker 1: like some of those I think we should put in 310 00:16:49,200 --> 00:16:55,040 Speaker 1: our movies and our books, like absolutely anyway, Sorry, got 311 00:16:55,040 --> 00:16:55,760 Speaker 1: a little emotional. 312 00:16:55,760 --> 00:17:03,080 Speaker 2: I like it, but get them. I'm so annoyed by this. Well, listeners, if. 313 00:17:02,960 --> 00:17:06,720 Speaker 1: You have any thoughts about this, if you have any suggestions, 314 00:17:07,960 --> 00:17:09,720 Speaker 1: clearly I do. I'm going to go back and talk 315 00:17:09,720 --> 00:17:14,600 Speaker 1: about this war excited. You can email us any suggestions 316 00:17:14,600 --> 00:17:16,159 Speaker 1: for this segment. I didn't finish my sentence. 317 00:17:16,320 --> 00:17:17,440 Speaker 2: You can email. 318 00:17:17,160 --> 00:17:20,919 Speaker 1: Us step Media mom Stuff at iHeartMedia dot com. You 319 00:17:20,960 --> 00:17:22,600 Speaker 1: might us on Twitter at mom stuff Podcasts, or on 320 00:17:22,600 --> 00:17:25,080 Speaker 1: Instagram and TikTok and stuff. I never told you. We 321 00:17:25,160 --> 00:17:27,359 Speaker 1: do have a book you can get wherever you get 322 00:17:27,359 --> 00:17:28,800 Speaker 1: your books. We have a t paolog store you can 323 00:17:28,840 --> 00:17:30,560 Speaker 1: get some stuff there. We need to add some more 324 00:17:30,600 --> 00:17:31,040 Speaker 1: stuff to. 325 00:17:30,960 --> 00:17:33,560 Speaker 3: That st We do think it's not about some ideas 326 00:17:33,600 --> 00:17:35,160 Speaker 3: and we haven't done anything about it. 327 00:17:35,800 --> 00:17:39,600 Speaker 2: Yes, that's that's on my New Year's list. 328 00:17:39,800 --> 00:17:42,760 Speaker 1: So all right, Well, thanks it's always to our super 329 00:17:42,760 --> 00:17:45,359 Speaker 1: produced Christine or executive producer Maya and a contributor Joey. 330 00:17:45,480 --> 00:17:48,159 Speaker 1: Thank you and thanks to you for listening. Stuff on 331 00:17:48,160 --> 00:17:50,000 Speaker 1: Ever Told You inspection by heart Radio. For more podcasts 332 00:17:50,000 --> 00:17:51,280 Speaker 1: from My Heart Radio, you can check out the heart 333 00:17:51,320 --> 00:17:53,080 Speaker 1: Radio app, Apple podcast or if you listen to your 334 00:17:53,080 --> 00:18:00,960 Speaker 1: favorite shows and one who knows w