WEBVTT - One on One:  Keiko Agena (Lane Kim)

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<v Speaker 1>I am all in you, I am all in with

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<v Speaker 1>Scott Patterson and I Heart Radio Podcast. Hi everybody. Uh,

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<v Speaker 1>this is Scott Patterson, I am all in podcast and

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<v Speaker 1>this is one on one with Lane Kim played brilliantly

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<v Speaker 1>by Keiko again. Uh um, I'm gonna tell you a

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<v Speaker 1>little bit about Keiko. Welcome, by the way to the

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<v Speaker 1>podcast Nice to Happen. Um Kago plays a character of

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<v Speaker 1>Lane Kim. As you all know, Lane is Stars Hollows

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<v Speaker 1>resident music lover. Lane has been um is seeing toting

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<v Speaker 1>what she refers to was the Mojo Bible of music around,

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<v Speaker 1>aiming to procure every last record in it. Due to

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<v Speaker 1>her family strict religious adherence, Lane is a master of

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<v Speaker 1>in juneer, successfully executing various schemes to procure the aforementioned tunes,

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<v Speaker 1>often with the help of her childhood best friend Rory.

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<v Speaker 1>Let's get into this. There's, there's a, there's a there's

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<v Speaker 1>there's a lot more stuff in here. I could go

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<v Speaker 1>on talking about your resume forever, but I want to

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<v Speaker 1>get into the questions. And we'll get into your resume

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<v Speaker 1>a little later, because this is an impressive list of

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<v Speaker 1>shows that you've been on. And we'll get into that.

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<v Speaker 1>But let's start from the beginning. How did you get

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<v Speaker 1>the role of Lane? Oh, I was just one of

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<v Speaker 1>the pack. I think when I auditioned for Lane, it

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<v Speaker 1>was with a bunch of other people. I think I

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<v Speaker 1>showed up and they were probably two pages worth of

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<v Speaker 1>people who have who had signed in at that point

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<v Speaker 1>and UH and so I just went through the weeding

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<v Speaker 1>out process until we um, you know, we got to

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<v Speaker 1>the UH network test. I guess was the last one

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<v Speaker 1>UM until we shot the pilot. That was my process.

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<v Speaker 1>I didn't have any special there were no special lines

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<v Speaker 1>for me. I just kind of went in with the group.

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<v Speaker 1>So you went you met casting first audition, then you

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<v Speaker 1>went to producers second audition, Then it was network, and

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<v Speaker 1>then it was studio. So it was for total Yeah,

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<v Speaker 1>was a studio first or network first? I can't remember.

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<v Speaker 1>I didn't have to go through that. I just got

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<v Speaker 1>cast as a guest starting pilot, al right, whatever, No,

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<v Speaker 1>I had to jump through a few hoops and then

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<v Speaker 1>I had a producers session. I remember that. That was

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<v Speaker 1>the first time I had had something like that. With

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<v Speaker 1>the met up with Amy and maybe Dan was there,

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<v Speaker 1>someone else was there too, But a little with Amy

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<v Speaker 1>before the final test. I think where was Gavin blown there? Oh?

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<v Speaker 1>That's right. Was it Gavin that was there at the

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<v Speaker 1>and Leslie Leslie Lincoln Gladder? Was she there? She directed

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<v Speaker 1>the pilot. I don't think she was there at that session.

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<v Speaker 1>I know Amy was there. Um, yeah, and then we

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<v Speaker 1>So what do you remember about the actual audition? Do

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<v Speaker 1>you think you nailed it? Yeah? Do you remember the audition,

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<v Speaker 1>like how how it went for you? Did you feel

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<v Speaker 1>afterwards like you nailed it and you you felt pretty

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<v Speaker 1>good about it? Or or what? Well? I always say

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<v Speaker 1>the saving grace was that I had had I was

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<v Speaker 1>part of a very very tiny, recurring part on Felicity

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<v Speaker 1>at the same time, and because of that, I was

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<v Speaker 1>just distracted enough to not obsess about the audition process. Also,

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<v Speaker 1>I had never gone through so many auditions, so I

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<v Speaker 1>didn't even know there was such a thing as a

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<v Speaker 1>studio test and then network test. I honestly didn't know

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<v Speaker 1>why I had to keep showing up. So when I

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<v Speaker 1>showed up at the in the room, I was surprised

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<v Speaker 1>by the fact that there were, you know, a dozen

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<v Speaker 1>people in there. I didn't know why they were, but

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<v Speaker 1>I just came in and I did the same thing

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<v Speaker 1>as I did the audition before, and because I was

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<v Speaker 1>distracted enough, I read the lines very flat and I

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<v Speaker 1>didn't I don't think I put any extra spin on

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<v Speaker 1>it or any extra mustard on it, which I think

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<v Speaker 1>with that this writing, as you might, I don't know

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<v Speaker 1>what your opinion is, but is on it. But I

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<v Speaker 1>feel like, especially at that point that was the writing

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<v Speaker 1>was good enough that I didn't putting any extra schmeg

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<v Speaker 1>on it wasn't going to help at any and so

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<v Speaker 1>I think that's actually was ended up being helpful for

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<v Speaker 1>the fans tuning in. Getting a series regular job on

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<v Speaker 1>a on a comedy or a sitcom or a dramedy

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<v Speaker 1>or a drama is an excruciatingly long, arduous process because

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<v Speaker 1>you meet the casting people, and then if you get

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<v Speaker 1>through that, you meet the produce some of the producers,

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<v Speaker 1>maybe not all of them. And then if you get

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<v Speaker 1>past that, and you get in the group that goes

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<v Speaker 1>to the studio, and then if you and then that

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<v Speaker 1>gets nervous because it's a big conference room and all

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<v Speaker 1>these suits come in and there you know, yeah, it's

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<v Speaker 1>nerve wracking. And then if you get through that, then

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<v Speaker 1>you go to the network where it's a bigger conference

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<v Speaker 1>room or it's even a small theater within that network

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<v Speaker 1>where they do that kind of thing, and then there

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<v Speaker 1>might be fifty people there and it's it's very, very

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<v Speaker 1>difficult to get a job. So um So, when you

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<v Speaker 1>first got the script, did you ever think the character

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<v Speaker 1>of Lane will become so loved and so important to

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<v Speaker 1>the series. I did know that it was a great character.

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<v Speaker 1>I mean the fact that she was part of it

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<v Speaker 1>and you got to see her home life and her mom,

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<v Speaker 1>and it did seem interesting, and I loved the overall script,

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<v Speaker 1>that's for sure. When I read that full script, I thought, dang,

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<v Speaker 1>I hope this gets too series, because even as a fan,

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<v Speaker 1>I think this is a good show. So that was

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<v Speaker 1>a special feeling. I didn't think I would get it,

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<v Speaker 1>So I had a lot of I wasn't attached to it,

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<v Speaker 1>but I remember thinking, oh, this is this is a

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<v Speaker 1>great part for someone exactly. Yeah, you know, I'm in

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<v Speaker 1>the same way. I never think I'm gonna get anything,

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<v Speaker 1>and then it's kind of a shock when you when

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<v Speaker 1>you get it, it's like, wow, how did that happened?

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<v Speaker 1>It's fun, it's fun, Yeah, it's fun. Um So, What

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<v Speaker 1>did you like most about Lane and what did you

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<v Speaker 1>like least about Lane. I liked that she had to

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<v Speaker 1>care about two things. One she cared deeply about her

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<v Speaker 1>mother and the other way she would care deeply about

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<v Speaker 1>her own obsessions and her own independence. And I like

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<v Speaker 1>characters that have that want two things that don't easily

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<v Speaker 1>fit together. That's just fun to play off of, to

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<v Speaker 1>play those two wants off of each other. Um. The

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<v Speaker 1>thing that I like least about her is that you know,

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<v Speaker 1>you have all of this build up in that character,

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<v Speaker 1>and I don't think that she ever got to fly.

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<v Speaker 1>You put a so much pressure on this character, which

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<v Speaker 1>is fun and what you need in comedy. But I

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<v Speaker 1>wish that she had had more moments of um fulfillment.

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<v Speaker 1>I think I think there's a there's there's a lot

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<v Speaker 1>of frustration I have with that care as a fan too,

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<v Speaker 1>or and as someone who got to play her, I

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<v Speaker 1>would say that's the thing I like least about her.

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<v Speaker 1>Um that there was more potential to flesh out that

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<v Speaker 1>character and and and you know, with augmented storylines and

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<v Speaker 1>and and conclusions. Yeah more um Uh. I think she

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<v Speaker 1>just had a hard life, which is fun for comedy.

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<v Speaker 1>But I I don't know, and maybe this wouldn't make

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<v Speaker 1>a better show, But I think selfishly I wish that

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<v Speaker 1>she had had maybe more for fulfillment. It's at least

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<v Speaker 1>with the music side and the independent side of of

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<v Speaker 1>her because we get to, you know, touch base with

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<v Speaker 1>her ten years later in the in the what about

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<v Speaker 1>a spinoff show? You and Let's do that? There's so

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<v Speaker 1>much more story to help people. Let's uh, let's uh,

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<v Speaker 1>let's spin her off? Right, And it's like, who's going

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<v Speaker 1>to write it? Right? Yeah? I know that that the

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<v Speaker 1>current writers are kind of busy, I know with what Oh,

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<v Speaker 1>that's right, the award winning show. So did you? Um,

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<v Speaker 1>here's a fan question, did you? Did you and Alexis

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<v Speaker 1>have a great friendship outside the show. I wish we

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<v Speaker 1>had more of a friendship. That was probably a lot

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<v Speaker 1>to do with with uh, with me not making as

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<v Speaker 1>much of an effort as I should have. But I

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<v Speaker 1>also think I was so so um, I'm not worried

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<v Speaker 1>is the wrong word, but you know, they worked so

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<v Speaker 1>many hours that they're off off set time I thought

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<v Speaker 1>was so precious to them and I and I didn't

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<v Speaker 1>want to insert myself into um into their that time

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<v Speaker 1>of their their lives. I don't know how how you

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<v Speaker 1>felt about that, but I just that's part of why,

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<v Speaker 1>especially with Alexis and Lauren, I think that they had

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<v Speaker 1>such a tough schedule. I mean I couldn't get away

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<v Speaker 1>from him. I mean I couldn't get off me. Yeah.

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<v Speaker 1>So what do you think of the um, Well, I mean,

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<v Speaker 1>did you click right away with with Alexis because you

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<v Speaker 1>had so many scenes with her, and and it seemed

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<v Speaker 1>also effortless and great and that was that real? Was

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<v Speaker 1>that translated from real life? Well, Alexis is so um,

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<v Speaker 1>such a wonderful person. And I do think that as

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<v Speaker 1>soon as I met her as a person, you just

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<v Speaker 1>recognize that she's an intelligent, special individual. And I think

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<v Speaker 1>that there's part of me that felt um protective of

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<v Speaker 1>her right away as U as a fellow actor and

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<v Speaker 1>and and and someone that recognizes how how unique of

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<v Speaker 1>a person that she is. So maybe maybe some of

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<v Speaker 1>that was something that is just insta shure. And I

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<v Speaker 1>think that probably shows in how our characters related to

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<v Speaker 1>each other, that we like and respect each other, um

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<v Speaker 1>right off the bat. That she was so young, I

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<v Speaker 1>mean yes, and she was very youngest. Yeah, yeah, she

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<v Speaker 1>seemed very vulnerable, and yeah, she like it was all

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<v Speaker 1>coming at her so quickly, and all the limousines and

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<v Speaker 1>the speeches and the awards and all the whole thing.

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<v Speaker 1>I mean, it was just like wow. You know, she

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<v Speaker 1>was at n y U Film School, right, she wasn't

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<v Speaker 1>even in their program, I don't think, and she went

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<v Speaker 1>in for this thing, and she was modeling in New

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<v Speaker 1>York and studying and you know, she's a smart kid

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<v Speaker 1>and or was at the time a smart kid, and

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<v Speaker 1>u um, I'm sure this just just blew her mind away,

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<v Speaker 1>all this uh you know, this job and and the

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<v Speaker 1>time it required and the time it took out of

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<v Speaker 1>her day, you know, yeah, because I think she wanted

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<v Speaker 1>she had other things she wanted to do obviously, right,

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<v Speaker 1>and this was all just such a surprise, like what's

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<v Speaker 1>going on? Yeah, And I think it's the kind of

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<v Speaker 1>thing when you're lead on a television show that um

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<v Speaker 1>that maybe people do know this or don't know this,

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<v Speaker 1>but you don't. They don't have a lot of time

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<v Speaker 1>for other things period, especially show like this with with

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<v Speaker 1>where the days are very long, and yeah, there's not

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<v Speaker 1>a lot of extra time, right, there's there's there's the

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<v Speaker 1>extra time is filled with photo shoots, with radio and

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<v Speaker 1>TV promotions and travel to do the same. And yeah,

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<v Speaker 1>it's it's it's a full time job. I mean, the

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<v Speaker 1>promotional side of it is a job in and of itself. Uh.

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<v Speaker 1>And to take that on and then beyond set all

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<v Speaker 1>those hours. My god. Um, So, Emily Kuroda, Mrs Kim

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<v Speaker 1>was your mom. And what did you think of the

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<v Speaker 1>relationship of Lane and Mrs Kim in comparison to Rory

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<v Speaker 1>and Laurela. Oh, that's interesting, Well, I think that, um,

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<v Speaker 1>the Lane Mrs Kim dynamic was not the same as

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<v Speaker 1>Laura La and Emily, but was more similar to that

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<v Speaker 1>dynamic than to Laura Lie Rory, where it's um people

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<v Speaker 1>who have a very different idea of what what's the

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<v Speaker 1>right way to live a life? Uh? Yeah, so it's

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<v Speaker 1>pretty as far as it being, it was very opposite

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<v Speaker 1>of what Rory had with her mom. It really was,

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<v Speaker 1>wasn't it. I mean it was, um, I mean, you know,

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<v Speaker 1>of course you love your mom and your respect your mom,

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<v Speaker 1>but boy, she uh, she was really putting the handcuffs

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<v Speaker 1>on you. She even in a town like stars Hollow,

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<v Speaker 1>that was such a such a happy harmless place to live?

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<v Speaker 1>What was she so afraid? No? I mean I can

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<v Speaker 1>understand that if you're living in a big city, right,

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<v Speaker 1>I mean if you're living in Chicago or New York

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<v Speaker 1>or l A or San Francisco. But this is stars Hollow.

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<v Speaker 1>This is this tiny little hamlet with all these cheery, funny,

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<v Speaker 1>happy little people and nothing bad happens there. What was

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<v Speaker 1>your mom's so a little place? Though? We don't Stars

0:13:02.600 --> 0:13:08.120
<v Speaker 1>Hollow just like I loved it? Oh yeah, no question. Yeah,

0:13:08.160 --> 0:13:11.439
<v Speaker 1>there's a place where you have unlimited budget for festivals

0:13:12.280 --> 0:13:16.679
<v Speaker 1>and you only have one stop light. Everybody knows each other,

0:13:17.120 --> 0:13:22.040
<v Speaker 1>everybody's smart. That's kind of a lovely lula. Well that's

0:13:22.080 --> 0:13:24.520
<v Speaker 1>what really made the relationships stick out for me, because

0:13:24.520 --> 0:13:29.240
<v Speaker 1>I kept saying, what is what is Lane's mom so afraid?

0:13:29.400 --> 0:13:33.640
<v Speaker 1>Will happen to her daughter? It? Stars Hollow, It stars allow,

0:13:33.720 --> 0:13:41.040
<v Speaker 1>That's why they're there. Ye all right, here's another fan question.

0:13:41.360 --> 0:13:46.680
<v Speaker 1>Uh you were um okay, so you recently said in

0:13:47.280 --> 0:13:50.040
<v Speaker 1>in today's world, Lane Kim would be different. Why is

0:13:50.160 --> 0:13:53.080
<v Speaker 1>that you used to? I guess you stated this in

0:13:53.120 --> 0:13:56.720
<v Speaker 1>an interview When a fan wants to know how would

0:13:56.840 --> 0:13:59.800
<v Speaker 1>Lane can be different? In today's world or would she

0:14:00.000 --> 0:14:03.000
<v Speaker 1>and be different in today's world opposed to two thousand,

0:14:04.200 --> 0:14:06.120
<v Speaker 1>so it's only one years later, would you be different?

0:14:06.520 --> 0:14:12.960
<v Speaker 1>I think that in some ways, when you're in a

0:14:13.080 --> 0:14:21.480
<v Speaker 1>small town, because of the access to UH people that

0:14:21.560 --> 0:14:24.520
<v Speaker 1>have the same opinion that you do, basically different fandoms

0:14:24.560 --> 0:14:29.000
<v Speaker 1>through the Internet, I think that in some ways, um

0:14:29.120 --> 0:14:35.400
<v Speaker 1>Lane would have found UM connections to other people. She

0:14:35.400 --> 0:14:39.080
<v Speaker 1>would have a secret UM and thriving internet life. I

0:14:39.120 --> 0:14:43.240
<v Speaker 1>think that it's I think it's more fun that she

0:14:43.320 --> 0:14:46.000
<v Speaker 1>didn't have that outlet. That she had to kind of

0:14:46.080 --> 0:14:49.920
<v Speaker 1>live to find a way to live her her fantasy

0:14:50.000 --> 0:14:53.400
<v Speaker 1>music life in the real world with UM and that

0:14:53.480 --> 0:14:58.080
<v Speaker 1>was more of a of a challenge UH for her.

0:14:58.080 --> 0:14:59.640
<v Speaker 1>But I think that would be a that would be

0:14:59.680 --> 0:15:02.000
<v Speaker 1>a big difference is that she she would have been

0:15:02.040 --> 0:15:05.680
<v Speaker 1>able to find connections UM with people that didn't live

0:15:05.680 --> 0:15:10.200
<v Speaker 1>in stars hollow Um that she had something common with right,

0:15:11.840 --> 0:15:14.640
<v Speaker 1>I think, yeah, right, the way the Internet and social

0:15:14.680 --> 0:15:18.800
<v Speaker 1>media has evolved, Yeah, I would if she would have

0:15:18.920 --> 0:15:21.240
<v Speaker 1>like a fun I wonder if she would have like

0:15:21.280 --> 0:15:23.920
<v Speaker 1>a fun um. Oh, this is a kind of a

0:15:24.360 --> 0:15:26.200
<v Speaker 1>fun thing to do about if she would have a

0:15:26.280 --> 0:15:32.680
<v Speaker 1>secret UH like Instagram where she did some kind of

0:15:33.440 --> 0:15:35.840
<v Speaker 1>musical and I could see that I could see her

0:15:35.880 --> 0:15:40.920
<v Speaker 1>producing these a little music videos um under the guise

0:15:41.000 --> 0:15:43.480
<v Speaker 1>of another a secret identity. That that would be a

0:15:43.480 --> 0:15:49.080
<v Speaker 1>fun Lane Kim storyline, and maybe it'll happen, I mean

0:15:49.120 --> 0:15:54.320
<v Speaker 1>write it. Maybe. Um. Uh, you were the one person

0:15:54.440 --> 0:15:58.280
<v Speaker 1>that knew all of these gentlemen. So I have to

0:15:58.400 --> 0:16:02.800
<v Speaker 1>ask you, Okay, are you team Logan, team Jess or

0:16:02.840 --> 0:16:09.800
<v Speaker 1>team Dean and tell us why I'm team Jess. I

0:16:09.840 --> 0:16:14.520
<v Speaker 1>am team Jeff and uh. I say that because I

0:16:15.000 --> 0:16:20.440
<v Speaker 1>always felt that the main problem with Jess is that

0:16:20.560 --> 0:16:24.480
<v Speaker 1>he needed to um mature and find some vulnerability. I

0:16:24.480 --> 0:16:27.280
<v Speaker 1>thought that was his only big and it's a big flaw,

0:16:27.960 --> 0:16:31.160
<v Speaker 1>but that that was something that would happen over time.

0:16:31.200 --> 0:16:34.040
<v Speaker 1>That I thought that their chemistry together and the way

0:16:34.040 --> 0:16:36.800
<v Speaker 1>that they matched intellectually and the way that he really

0:16:36.880 --> 0:16:40.280
<v Speaker 1>did their love for each other seems genuine. And I

0:16:40.320 --> 0:16:42.360
<v Speaker 1>didn't I didn't think that once he grew up that

0:16:42.360 --> 0:16:45.960
<v Speaker 1>he would ever cheat on Rory or or or that

0:16:46.080 --> 0:16:49.720
<v Speaker 1>sort of thing. Whereas I always sort of thought, maybe

0:16:49.800 --> 0:16:53.560
<v Speaker 1>I questioned Logan, well that's a that's the downside of Logan,

0:16:53.600 --> 0:16:55.240
<v Speaker 1>And then Dean, I just never thought was the right

0:16:55.360 --> 0:16:58.920
<v Speaker 1>just match for her. Um. So that's why I'm team Jess,

0:16:59.040 --> 0:17:01.040
<v Speaker 1>because I thought then really they would be right for

0:17:01.040 --> 0:17:03.760
<v Speaker 1>each other. I feel exactly the same way. Yeah, yeah,

0:17:03.800 --> 0:17:06.080
<v Speaker 1>I do. I I felt I always felt that Logan

0:17:06.240 --> 0:17:07.959
<v Speaker 1>there was just I don't know, you know, I just

0:17:09.200 --> 0:17:11.639
<v Speaker 1>I didn't see it. I just didn't see it. There

0:17:11.720 --> 0:17:13.880
<v Speaker 1>was there was a quality there that I just thought

0:17:14.040 --> 0:17:18.440
<v Speaker 1>was not gonna work out for her. You know, there

0:17:18.520 --> 0:17:22.520
<v Speaker 1>was He's hiding something, that character was hiding something, and

0:17:22.560 --> 0:17:26.240
<v Speaker 1>it just was so apparent to me, and I think,

0:17:26.280 --> 0:17:29.560
<v Speaker 1>I think that's you know, Matt Sukri adding that layer

0:17:29.920 --> 0:17:32.880
<v Speaker 1>for the character, which I thought was a brilliant choice

0:17:32.920 --> 0:17:35.680
<v Speaker 1>because it did make you distrust him a little bit,

0:17:35.720 --> 0:17:41.640
<v Speaker 1>and I think you needed to um uh. And and Dean, gosh,

0:17:41.760 --> 0:17:44.720
<v Speaker 1>you know, I just saw Rory's So I'm watching because

0:17:44.760 --> 0:17:48.040
<v Speaker 1>I've never seen the episode, so I'm watching me before

0:17:48.080 --> 0:17:51.000
<v Speaker 1>I do the podcast, right, so I'll watch it the

0:17:51.080 --> 0:17:52.720
<v Speaker 1>night before and make notes, or the day up and

0:17:52.760 --> 0:17:56.439
<v Speaker 1>make notes, and the day we record. And I just

0:17:56.480 --> 0:18:00.000
<v Speaker 1>saw Rory's two birthday parties before we did the last

0:18:00.040 --> 0:18:04.760
<v Speaker 1>podcast with George Bell, and I was stunned at how

0:18:04.840 --> 0:18:10.240
<v Speaker 1>bold Dean was kissing her in Doses market that way,

0:18:10.600 --> 0:18:14.480
<v Speaker 1>and then coming over Laurel I invited him to movie night,

0:18:15.000 --> 0:18:18.600
<v Speaker 1>which Rory was horrified by, but she, you know, acquiesced

0:18:18.720 --> 0:18:24.879
<v Speaker 1>and and and Laura I gave him the speech when

0:18:25.200 --> 0:18:28.840
<v Speaker 1>Rory excused herself for a minute about don't hurt my kid,

0:18:29.680 --> 0:18:33.480
<v Speaker 1>like what she was telling. What she was telling Dean

0:18:33.640 --> 0:18:38.199
<v Speaker 1>was don't impregnate my daughter the way Christopher did me like,

0:18:38.440 --> 0:18:40.560
<v Speaker 1>she's not getting on your motorcycle. And he goes, well,

0:18:40.600 --> 0:18:42.680
<v Speaker 1>I don't have a motorcycle. She and she just looked

0:18:42.720 --> 0:18:46.000
<v Speaker 1>at him and said she's not getting on your motorcycle,

0:18:46.080 --> 0:18:50.480
<v Speaker 1>which meant don't knock don't knock her up, you know,

0:18:51.600 --> 0:18:54.480
<v Speaker 1>because the whole town's watching you, kid. You know, it's

0:18:54.480 --> 0:18:57.040
<v Speaker 1>not just where, it's the whole town, So don't mess

0:18:57.080 --> 0:19:01.440
<v Speaker 1>with us. Um And then he had he had the

0:19:02.040 --> 0:19:06.840
<v Speaker 1>gumption when she was done to say now is it?

0:19:07.359 --> 0:19:11.760
<v Speaker 1>Can I talk now? And I was like, wow, he's eighteen,

0:19:11.880 --> 0:19:15.000
<v Speaker 1>what is our seventeen in the show, Like he's a

0:19:15.080 --> 0:19:17.960
<v Speaker 1>kid in high school and he just got to talk

0:19:18.400 --> 0:19:22.040
<v Speaker 1>from a very protective mama bear. And it didn't face

0:19:22.119 --> 0:19:25.840
<v Speaker 1>him didn't face him at all. So and then he

0:19:25.880 --> 0:19:29.560
<v Speaker 1>mentions to Rory about, hey, do I when does the

0:19:29.640 --> 0:19:32.120
<v Speaker 1>guest get to like, if we do this again? Can

0:19:32.160 --> 0:19:35.120
<v Speaker 1>I pick the movie and have you seen Boogie Nights?

0:19:35.160 --> 0:19:43.000
<v Speaker 1>And I'm like, oh no, and Laurel I wasn't around.

0:19:43.440 --> 0:19:45.960
<v Speaker 1>Um so I'm thinking, wow, this is this is going

0:19:46.000 --> 0:19:49.399
<v Speaker 1>down the wrong road here, And right away I was

0:19:49.440 --> 0:19:51.920
<v Speaker 1>just like, I mean, I did a Scott Colin rant.

0:19:51.920 --> 0:19:53.440
<v Speaker 1>I don't know if I'm going to do a Dean rant,

0:19:53.520 --> 0:19:55.200
<v Speaker 1>but I think I might be doing one right now.

0:19:55.680 --> 0:19:58.679
<v Speaker 1>Um So I agree. I totally agree with you. I

0:19:58.720 --> 0:20:02.320
<v Speaker 1>agree with you on percent um. I think Jessice is

0:20:02.359 --> 0:20:06.440
<v Speaker 1>perfect for her as he matures, if he matures. Yes,

0:20:07.000 --> 0:20:14.159
<v Speaker 1>did Lane like Paris? Did Lane like Paris? Did you

0:20:14.160 --> 0:20:17.199
<v Speaker 1>interact with Paris? Did you act with her a lot? No?

0:20:17.520 --> 0:20:22.439
<v Speaker 1>I wish I love. I mean, wow, what a what

0:20:22.520 --> 0:20:26.520
<v Speaker 1>a power husband actress. I wish there were more scenes

0:20:26.880 --> 0:20:33.880
<v Speaker 1>or opportunities because she's so great. Mm hmmm. I don't

0:20:33.880 --> 0:20:39.040
<v Speaker 1>know if she liked Paris. I mean there must have been.

0:20:39.520 --> 0:20:41.800
<v Speaker 1>You might might not have been really aware of her,

0:20:42.240 --> 0:20:45.199
<v Speaker 1>but I did. Did Did Rory confide in you at times?

0:20:45.240 --> 0:20:47.399
<v Speaker 1>And when well? She went off to Yale, and I

0:20:47.440 --> 0:20:50.440
<v Speaker 1>don't know. You know how much interaction you guys had

0:20:50.480 --> 0:20:52.400
<v Speaker 1>once she went off to Yale because I haven't seen

0:20:52.400 --> 0:20:56.360
<v Speaker 1>the episodes, but I don't remember any of scripts. So yeah,

0:20:56.400 --> 0:20:59.199
<v Speaker 1>because that's when they or I'm sorry, when she went

0:20:59.240 --> 0:21:02.720
<v Speaker 1>off to children. Yeah, I feel like the worlds were

0:21:02.800 --> 0:21:11.360
<v Speaker 1>so separate. Um, that's a good question. I don't know.

0:21:11.720 --> 0:21:13.359
<v Speaker 1>I don't know if I don't know if she likes

0:21:14.000 --> 0:21:15.640
<v Speaker 1>I can't believe. This is the first time I've think

0:21:15.640 --> 0:21:18.679
<v Speaker 1>I've been I've been asked it or have thought about it.

0:21:18.800 --> 0:21:22.320
<v Speaker 1>We'll come back to us. Um. Um, So you love

0:21:22.400 --> 0:21:24.840
<v Speaker 1>Lane love music? Did you share this love of music

0:21:24.880 --> 0:21:29.320
<v Speaker 1>with your character? Are you a music not No, I

0:21:29.359 --> 0:21:35.120
<v Speaker 1>have very little music knowledge, although I do. I will

0:21:35.119 --> 0:21:38.280
<v Speaker 1>say the last piece of music that I really fell

0:21:38.280 --> 0:21:43.480
<v Speaker 1>in love with was Leonard Cohen's Um album that he

0:21:43.720 --> 0:21:46.080
<v Speaker 1>came out with just before he passed, which I love

0:21:46.560 --> 0:21:49.280
<v Speaker 1>even still every time I listened to it. Wanted darker.

0:21:49.320 --> 0:21:51.200
<v Speaker 1>I would say that that and that seems like something

0:21:51.240 --> 0:21:54.480
<v Speaker 1>that Lane would like. I think that's a crossover. But

0:21:54.520 --> 0:21:57.040
<v Speaker 1>then the other one, you know, that's not a crossover,

0:21:57.119 --> 0:21:59.679
<v Speaker 1>probably a spin Doctors like I love the Spin Doctors.

0:21:59.680 --> 0:22:04.080
<v Speaker 1>I do not think that Lane Kim would have that

0:22:04.160 --> 0:22:08.240
<v Speaker 1>in her list. I think she's be too snooty to

0:22:08.640 --> 0:22:11.160
<v Speaker 1>admit that she had the Spin Doctors in there. So

0:22:11.320 --> 0:22:14.440
<v Speaker 1>we all know, say, on the music subject, we all

0:22:14.480 --> 0:22:16.919
<v Speaker 1>know that Lane played the drums. Did you enjoy learning

0:22:16.960 --> 0:22:20.040
<v Speaker 1>how to play the drums? Because that was required? I

0:22:20.080 --> 0:22:24.520
<v Speaker 1>did love it. Who taught you? Jeanie? I forget her

0:22:24.600 --> 0:22:28.040
<v Speaker 1>last name, but she was a friend of um Helen

0:22:28.080 --> 0:22:31.520
<v Speaker 1>and Dave's and who actually played drums in the band

0:22:31.640 --> 0:22:37.080
<v Speaker 1>that Dave that the actual day Grabowski plays in. She

0:22:37.240 --> 0:22:39.479
<v Speaker 1>was my drum teacher. So every week we would get

0:22:39.520 --> 0:22:41.600
<v Speaker 1>together and play for like a couple of hours or

0:22:41.640 --> 0:22:43.879
<v Speaker 1>something like that. Does she have you listen to certain

0:22:43.920 --> 0:22:46.600
<v Speaker 1>drummers and to try to play along with them? Oh?

0:22:46.680 --> 0:22:48.679
<v Speaker 1>I wasn't even at that point yet. I mean she

0:22:49.280 --> 0:22:55.000
<v Speaker 1>just did, like very rudimentary thing. Um. Yes, but I

0:22:55.040 --> 0:22:56.560
<v Speaker 1>have been told that my four on the floor is

0:22:56.560 --> 0:23:00.600
<v Speaker 1>pretty decent by Sebastian Bachiven. He was like, oh, you know, uh,

0:23:00.680 --> 0:23:03.399
<v Speaker 1>you're not bad again. Uh So I take that as

0:23:03.440 --> 0:23:07.360
<v Speaker 1>a god. So listen. I know we're going a little

0:23:07.400 --> 0:23:10.639
<v Speaker 1>bit out of order with this next question, but you know,

0:23:10.680 --> 0:23:15.520
<v Speaker 1>the writers had Lane wait to have sex until she

0:23:15.680 --> 0:23:24.680
<v Speaker 1>was married. How did you feel about this? H As

0:23:24.720 --> 0:23:28.159
<v Speaker 1>an actor, what a great fun, comedic thing to play

0:23:28.200 --> 0:23:29.879
<v Speaker 1>that you waited to long to have sex and it

0:23:29.960 --> 0:23:32.600
<v Speaker 1>was terrible? Um. But then as a fan, I kind

0:23:32.600 --> 0:23:34.359
<v Speaker 1>of feel bad for this kind of goes back to

0:23:34.400 --> 0:23:37.000
<v Speaker 1>the thing I said before, like Lane's life is pretty rough,

0:23:37.040 --> 0:23:38.760
<v Speaker 1>Like she waited all this time, and the first time

0:23:38.760 --> 0:23:43.399
<v Speaker 1>that she had sex, it's uh terrible, and she gets

0:23:43.400 --> 0:23:47.520
<v Speaker 1>pregnant with twins? Are we assume that it happened right away?

0:23:47.720 --> 0:23:53.520
<v Speaker 1>So I don't I don't know. It's mixed. What is

0:23:53.560 --> 0:24:00.679
<v Speaker 1>your favorite memory of kil More girls? There's just too many, right,

0:24:00.720 --> 0:24:04.960
<v Speaker 1>They're just flooding in. Yeah, I mean, I guess one

0:24:05.000 --> 0:24:07.080
<v Speaker 1>of the one of my favorite ones is getting to

0:24:07.480 --> 0:24:12.080
<v Speaker 1>film with Emily Corona on the time where things all

0:24:12.359 --> 0:24:15.280
<v Speaker 1>really start to fall apart, where Lane gets kicked out

0:24:15.280 --> 0:24:18.080
<v Speaker 1>of the house. That was really fun. I think I'm

0:24:18.119 --> 0:24:20.360
<v Speaker 1>glad I got to stay with the character long enough.

0:24:20.480 --> 0:24:25.560
<v Speaker 1>Where the you you could say that the Rory Lane

0:24:26.000 --> 0:24:29.159
<v Speaker 1>um dynamic was the biggest one in Lane's life, but

0:24:29.200 --> 0:24:33.520
<v Speaker 1>I but I would even venture to say that it

0:24:33.560 --> 0:24:35.520
<v Speaker 1>was her and her mom and so to stay with

0:24:35.600 --> 0:24:38.520
<v Speaker 1>a relationship long enough to that that core relationship in

0:24:38.560 --> 0:24:42.160
<v Speaker 1>her life has a chance to change is interesting. So

0:24:42.200 --> 0:24:44.359
<v Speaker 1>I think I was glad that I got to spend

0:24:44.440 --> 0:24:47.280
<v Speaker 1>enough time with that relationship to see a change. You know,

0:24:47.400 --> 0:24:49.800
<v Speaker 1>I I want to ask my own question here, what

0:24:49.800 --> 0:24:52.560
<v Speaker 1>what was Emily Corona like to work with? I mean,

0:24:52.640 --> 0:24:54.560
<v Speaker 1>she was so wonderful you guys had such a great

0:24:54.640 --> 0:24:57.320
<v Speaker 1>dynamic and the comedy was flying off you too? What

0:24:57.320 --> 0:25:01.920
<v Speaker 1>what was she like? She is is fantastic as an actress,

0:25:01.920 --> 0:25:05.320
<v Speaker 1>and she's probably the person that I know and spend

0:25:05.400 --> 0:25:10.439
<v Speaker 1>time with the most off you know offset um. So

0:25:10.520 --> 0:25:13.520
<v Speaker 1>I've seen her work in a lot of different ways,

0:25:13.640 --> 0:25:16.840
<v Speaker 1>and she's fantastic. I mean, the emotional depth of Emily

0:25:16.960 --> 0:25:21.880
<v Speaker 1>is incredible, and she she's also someone that's very um

0:25:21.920 --> 0:25:24.879
<v Speaker 1>different from her character and it's obviously she's able to

0:25:24.920 --> 0:25:27.760
<v Speaker 1>access that that side of it. But you know, something

0:25:27.800 --> 0:25:30.359
<v Speaker 1>that people wouldn't necessarily know about Emily is like what

0:25:30.400 --> 0:25:33.080
<v Speaker 1>a tech head Emily is? You know, she is very

0:25:33.200 --> 0:25:36.280
<v Speaker 1>different than um then I think you would think of

0:25:36.400 --> 0:25:39.760
<v Speaker 1>Mrs Kim and and so I I just love everything

0:25:39.800 --> 0:25:41.639
<v Speaker 1>that she brought and I do. I would say that

0:25:41.720 --> 0:25:43.359
<v Speaker 1>as soon as that was. One of the things I

0:25:43.359 --> 0:25:47.520
<v Speaker 1>remember from the pilot is that I was a little

0:25:47.720 --> 0:25:51.000
<v Speaker 1>worried about who they might have cast as my mom.

0:25:51.040 --> 0:25:52.560
<v Speaker 1>I just knew that was going to be such an

0:25:52.600 --> 0:25:57.720
<v Speaker 1>important role in in the show. And when I showed

0:25:57.800 --> 0:26:00.480
<v Speaker 1>up to set and when I saw Emily and when

0:26:00.480 --> 0:26:03.639
<v Speaker 1>you did that first take, I just there was so

0:26:03.720 --> 0:26:06.119
<v Speaker 1>much joy in my heart because I was like, ah,

0:26:06.160 --> 0:26:10.800
<v Speaker 1>they got it right, Like this actress is exactly what

0:26:10.880 --> 0:26:12.639
<v Speaker 1>I want for this character, and this is going to

0:26:12.720 --> 0:26:16.040
<v Speaker 1>be so much fun to playoff of her. It was.

0:26:16.119 --> 0:26:18.360
<v Speaker 1>It was really it was a sense of relief, right,

0:26:18.480 --> 0:26:21.040
<v Speaker 1>That's how I felt when I first started with Lauren

0:26:21.240 --> 0:26:23.280
<v Speaker 1>and the very first diner scene up in Toronto was

0:26:23.720 --> 0:26:26.120
<v Speaker 1>I did have joy in my heart as well. I said, Wow,

0:26:26.160 --> 0:26:29.040
<v Speaker 1>this is going to be great because she was so

0:26:29.119 --> 0:26:31.399
<v Speaker 1>good and it was just so you know, it wasn't

0:26:31.960 --> 0:26:33.480
<v Speaker 1>I'm not going to say it was easy for because

0:26:33.520 --> 0:26:35.880
<v Speaker 1>you know, acting is hard, but it seemed easy for her,

0:26:35.960 --> 0:26:40.680
<v Speaker 1>and it was just this is going to be great. Yeah,

0:26:40.840 --> 0:26:43.520
<v Speaker 1>when did you know that? When did you know that

0:26:43.600 --> 0:26:46.680
<v Speaker 1>it was? When did you get the feeling that, oh,

0:26:46.800 --> 0:26:48.480
<v Speaker 1>this is this is going to go to series and

0:26:48.520 --> 0:26:50.119
<v Speaker 1>this is people are going to really fall in love

0:26:50.160 --> 0:26:51.880
<v Speaker 1>with it. Did you have that a moment like when

0:26:51.920 --> 0:26:54.760
<v Speaker 1>I read the script right from the script, right from

0:26:54.760 --> 0:26:59.040
<v Speaker 1>the get go? Yeah, yeah. And then I think the

0:26:59.080 --> 0:27:02.640
<v Speaker 1>other mom was when I got on the set the

0:27:02.680 --> 0:27:07.040
<v Speaker 1>first time up in Toronto at Luke's Diner and I

0:27:07.080 --> 0:27:11.160
<v Speaker 1>saw Lauren and Alexis rehearsing and they were sitting down

0:27:11.240 --> 0:27:14.040
<v Speaker 1>at a table in Luke's Diner and they were rehearsing

0:27:14.040 --> 0:27:17.159
<v Speaker 1>a scene and I thought, wow, look at that chemistry.

0:27:17.320 --> 0:27:19.960
<v Speaker 1>And that's the other aha moment. I was like, this

0:27:20.040 --> 0:27:23.440
<v Speaker 1>is gonna go. Yeah, you know, this will get picked up.

0:27:24.320 --> 0:27:27.760
<v Speaker 1>And I remember having the conversation with Lauren at Amy's

0:27:28.080 --> 0:27:32.000
<v Speaker 1>first Christmas party at her house. Uh, like, you know,

0:27:32.119 --> 0:27:33.879
<v Speaker 1>we were outside and like, how long you think it's

0:27:33.920 --> 0:27:35.840
<v Speaker 1>going to go? And she said a couple of years

0:27:35.840 --> 0:27:38.159
<v Speaker 1>and I said five years, and you know, we just

0:27:38.240 --> 0:27:40.479
<v Speaker 1>kind of knew, you know, it was gonna go. And

0:27:40.480 --> 0:27:42.040
<v Speaker 1>you were one of the first people I met when

0:27:42.080 --> 0:27:45.000
<v Speaker 1>I went up there. Well, when I came from the

0:27:45.040 --> 0:27:48.280
<v Speaker 1>hotel in my jogging suit because the airline had lost

0:27:48.320 --> 0:27:50.720
<v Speaker 1>my luggage, and I went to that five star French

0:27:50.760 --> 0:27:52.560
<v Speaker 1>restaurant and they let me in and there you were,

0:27:52.560 --> 0:27:55.800
<v Speaker 1>and you and Lauren were there that you were the

0:27:55.840 --> 0:27:58.679
<v Speaker 1>first and we sat in the in the bar and

0:27:58.720 --> 0:28:00.280
<v Speaker 1>had a drink and got to know each other. You

0:28:00.320 --> 0:28:03.600
<v Speaker 1>were the first people I met. Isn't that funny? Timothy

0:28:03.640 --> 0:28:05.960
<v Speaker 1>Hutton was in the corner and I thought he was

0:28:06.000 --> 0:28:08.040
<v Speaker 1>part of the show, and said, what's Timothy Hutton doing here?

0:28:08.160 --> 0:28:10.960
<v Speaker 1>Is he part of the show? Because everybody was staying

0:28:10.960 --> 0:28:13.760
<v Speaker 1>at that hotel. Everybody, all the actors in town doing

0:28:14.359 --> 0:28:16.560
<v Speaker 1>film and TV projects stay at that hotel, so that

0:28:16.600 --> 0:28:19.040
<v Speaker 1>restaurant was very popular. How different would it have been

0:28:19.080 --> 0:28:21.879
<v Speaker 1>if we we had shot the show in Toronto? Do

0:28:21.920 --> 0:28:28.919
<v Speaker 1>you think, Oh, that's a good question. Um, I mean,

0:28:28.960 --> 0:28:31.240
<v Speaker 1>I think it would have been great regardless. But that

0:28:31.320 --> 0:28:35.480
<v Speaker 1>was such a tough show to schedule. Yeah, it's just

0:28:35.560 --> 0:28:38.800
<v Speaker 1>hard to imagine being in a And I did a

0:28:38.880 --> 0:28:45.280
<v Speaker 1>series in in Canada, UH in Vancouver. Right after UH Gilmore,

0:28:45.320 --> 0:28:47.880
<v Speaker 1>I went and did Aliens in America up in Vancouver.

0:28:48.120 --> 0:28:50.400
<v Speaker 1>And it's tough to be away from home like that.

0:28:50.480 --> 0:28:52.920
<v Speaker 1>And we only did a year and it was a

0:28:52.960 --> 0:28:55.160
<v Speaker 1>great show and great writing and great actors and the

0:28:55.200 --> 0:28:59.520
<v Speaker 1>whole thing. But it's tough. It's really hard and some

0:28:59.560 --> 0:29:02.320
<v Speaker 1>people and the cast were really struggling with being away

0:29:02.320 --> 0:29:06.080
<v Speaker 1>from home and it was really hard for them. And uh,

0:29:06.760 --> 0:29:10.760
<v Speaker 1>I yeah, it's it's hard, you know, it's hard. I'm

0:29:10.800 --> 0:29:13.200
<v Speaker 1>I'm glad they decided. But I remember they took a vote.

0:29:13.240 --> 0:29:16.400
<v Speaker 1>They asked everybody, you know, what do you want to do,

0:29:16.920 --> 0:29:22.360
<v Speaker 1>and everybody said, l a not to knock Toronto. It's

0:29:22.400 --> 0:29:24.000
<v Speaker 1>a great city. It's one of the great cities of

0:29:24.000 --> 0:29:26.760
<v Speaker 1>the world. But I don't think anybody wanted to be

0:29:26.840 --> 0:29:28.880
<v Speaker 1>away from home because we knew it was going to

0:29:28.960 --> 0:29:32.920
<v Speaker 1>be a five at least a five year commitment. Yeah,

0:29:33.040 --> 0:29:37.520
<v Speaker 1>and yeah, so it's amazing, Uh what people do for

0:29:37.560 --> 0:29:40.680
<v Speaker 1>their craft and to leave their home for five years

0:29:40.720 --> 0:29:43.240
<v Speaker 1>and you know, but and people do it. They relocate

0:29:43.560 --> 0:29:46.320
<v Speaker 1>and people relocate to South Africa to do a series

0:29:46.360 --> 0:29:51.800
<v Speaker 1>and it's just like wow. Yeah. Anyway, Um, what was

0:29:51.840 --> 0:29:57.800
<v Speaker 1>your favorite episode? Oh that's hard to say. I mean,

0:29:58.080 --> 0:30:03.840
<v Speaker 1>even speaking about, uh, the pilot. I think there's something

0:30:03.880 --> 0:30:07.560
<v Speaker 1>sweet about the pilot. When I'm asked about what my

0:30:07.560 --> 0:30:10.240
<v Speaker 1>favorite episode does, I think about the beginning and the ends.

0:30:10.240 --> 0:30:13.200
<v Speaker 1>And I don't know if that's because of just looking

0:30:13.240 --> 0:30:15.479
<v Speaker 1>back and appreciating the whole the whole thing of it.

0:30:15.560 --> 0:30:22.840
<v Speaker 1>But um, you know, getting to shoot, just the newness

0:30:22.960 --> 0:30:26.440
<v Speaker 1>of of of of shooting a pilot and all of

0:30:26.440 --> 0:30:31.120
<v Speaker 1>those mistakes I made also, like I remember, I remember

0:30:32.360 --> 0:30:36.080
<v Speaker 1>mistakes really well. Here's a silly thing like, um, I

0:30:36.120 --> 0:30:37.920
<v Speaker 1>think this was in the pilot. In any case, it

0:30:37.960 --> 0:30:39.960
<v Speaker 1>was sometime early on. It might not have been the pilot,

0:30:40.040 --> 0:30:43.280
<v Speaker 1>but it was sometime early on where I didn't I

0:30:43.280 --> 0:30:46.040
<v Speaker 1>didn't even understand. Sorry, I shouldn't admit this, but you know,

0:30:46.080 --> 0:30:47.840
<v Speaker 1>it was a way back when I didn't even understand

0:30:47.880 --> 0:30:51.160
<v Speaker 1>like all of the parts that you need to shoot

0:30:51.160 --> 0:30:53.360
<v Speaker 1>a scene. So I would come and I remember there

0:30:53.400 --> 0:30:56.200
<v Speaker 1>was this big scene and we were shooting the Master,

0:30:57.400 --> 0:31:00.080
<v Speaker 1>and we shot the Master, and I thought that I

0:31:00.120 --> 0:31:02.400
<v Speaker 1>was done. And I thought, oh, when when you're done,

0:31:02.440 --> 0:31:04.680
<v Speaker 1>you just go back to your trailer. And I just

0:31:04.720 --> 0:31:06.920
<v Speaker 1>took it upon myself to walk away from set. And

0:31:06.960 --> 0:31:09.280
<v Speaker 1>I do remember thinking that I remember hearing that they

0:31:09.320 --> 0:31:11.360
<v Speaker 1>couldn't find me, you know, like they were trying to

0:31:11.400 --> 0:31:14.840
<v Speaker 1>shoot the rest of the scene. I thought I was done, um,

0:31:14.920 --> 0:31:18.120
<v Speaker 1>and there, uh no, we have to go find her

0:31:18.200 --> 0:31:21.920
<v Speaker 1>on the Warner Brothers lot. And so so then I learned,

0:31:21.920 --> 0:31:24.600
<v Speaker 1>oh no, this no, this is gonna take a while.

0:31:25.320 --> 0:31:28.080
<v Speaker 1>I need to do this whole process. It's not just goodness,

0:31:29.000 --> 0:31:39.280
<v Speaker 1>Oh my goodness, where's Lane exactly? You know, I made

0:31:39.280 --> 0:31:42.880
<v Speaker 1>a confession on this on this podcast when we started,

0:31:42.920 --> 0:31:46.000
<v Speaker 1>I did borrow a few things. Borrow, I'll use that

0:31:46.200 --> 0:31:50.000
<v Speaker 1>term borrow from the set. Did you borrow anything from

0:31:50.000 --> 0:31:55.040
<v Speaker 1>the set the way I did? Um? There was I

0:31:56.960 --> 0:31:59.520
<v Speaker 1>there was some and it was not yeah, it was

0:31:59.800 --> 0:32:03.880
<v Speaker 1>my glasses from the It was from the uh. Well,

0:32:03.920 --> 0:32:07.760
<v Speaker 1>because here was the thing, in my defense, when we

0:32:07.840 --> 0:32:11.520
<v Speaker 1>finished the first the actual series, we didn't know we

0:32:11.520 --> 0:32:14.400
<v Speaker 1>were coming back or not, and those were my actual

0:32:14.440 --> 0:32:18.560
<v Speaker 1>glasses and they and so those are lost to wherever

0:32:18.800 --> 0:32:21.400
<v Speaker 1>the world those are, and so when we came back,

0:32:21.800 --> 0:32:26.520
<v Speaker 1>I really wanted to have my character glasses from the revival,

0:32:26.680 --> 0:32:29.840
<v Speaker 1>and so I kind of I did what about what

0:32:29.880 --> 0:32:32.880
<v Speaker 1>did you? What did you borrow? Perfectly understandable. Nobody can

0:32:32.880 --> 0:32:37.360
<v Speaker 1>fault here for that. The question isn't what what did

0:32:37.440 --> 0:32:42.440
<v Speaker 1>I borrow? It's what didn't? Good Lord, I have a

0:32:42.480 --> 0:32:46.280
<v Speaker 1>whole treasure trove of things, but they were being offered

0:32:46.320 --> 0:32:49.000
<v Speaker 1>to me as it as it wound down, and that's

0:32:49.080 --> 0:32:52.720
<v Speaker 1>how I knew there was a good chance that we

0:32:52.720 --> 0:32:56.560
<v Speaker 1>weren't coming back. I didn't know. Well I didn't either,

0:32:56.680 --> 0:32:59.280
<v Speaker 1>but it's like, why, why, why why is the props

0:32:59.320 --> 0:33:02.920
<v Speaker 1>department saying you know? I mean, were they privy to

0:33:03.000 --> 0:33:06.880
<v Speaker 1>the negotiations? I guess because because of the first to know,

0:33:08.400 --> 0:33:10.960
<v Speaker 1>because the construction crews the first to know, right because

0:33:10.960 --> 0:33:12.560
<v Speaker 1>they got to tear it down and build something. So

0:33:12.600 --> 0:33:15.440
<v Speaker 1>I something comes on their schedule, like, hey, they're not

0:33:15.520 --> 0:33:17.680
<v Speaker 1>coming back, and this other show is coming in, and

0:33:17.720 --> 0:33:20.120
<v Speaker 1>we got a timeline here to tear this stuff down

0:33:20.320 --> 0:33:22.280
<v Speaker 1>and build a new sets, because that's what takes a

0:33:22.280 --> 0:33:25.160
<v Speaker 1>lot of time is building those sets. So they know

0:33:25.320 --> 0:33:28.040
<v Speaker 1>right away. So I guess they got an alert or

0:33:28.160 --> 0:33:32.280
<v Speaker 1>they had they had prior knowledge, and I just and

0:33:32.280 --> 0:33:35.360
<v Speaker 1>then I was up in Toronto actually making a film,

0:33:35.600 --> 0:33:37.640
<v Speaker 1>and when I got the word from my manager saying

0:33:37.720 --> 0:33:40.360
<v Speaker 1>this show has been canceled, I was like, well, I

0:33:40.480 --> 0:33:42.640
<v Speaker 1>kind of it was shocking, but I kind of knew

0:33:42.640 --> 0:33:47.240
<v Speaker 1>it already because because I was being offered stuff from

0:33:50.160 --> 0:33:53.400
<v Speaker 1>I got the whole diner because you can film Gilmore

0:33:53.480 --> 0:33:57.600
<v Speaker 1>Girls because you have so many props of the show. Yeah,

0:33:57.600 --> 0:34:00.680
<v Speaker 1>I tried to get on the you know, the the

0:34:01.080 --> 0:34:05.440
<v Speaker 1>tour route, Come on in, you know five bucks you

0:34:05.480 --> 0:34:07.360
<v Speaker 1>can go, Luke stannerd I gotta set up in my

0:34:07.400 --> 0:34:13.760
<v Speaker 1>living room. So okay, So here's a Shawn Gun question.

0:34:13.800 --> 0:34:16.200
<v Speaker 1>He says he keeps in contact with you the most.

0:34:16.920 --> 0:34:19.960
<v Speaker 1>H So who do who do you keep in contact

0:34:20.239 --> 0:34:22.320
<v Speaker 1>the most? Within the cast? Is there somebody are you

0:34:22.400 --> 0:34:25.200
<v Speaker 1>cheating on? Shawn Gun? Alright, Sean Gun your one and

0:34:25.280 --> 0:34:27.880
<v Speaker 1>only or more of a group thing? Because Sean and

0:34:27.960 --> 0:34:30.839
<v Speaker 1>John Cabrera know each other very right, right, So I

0:34:30.880 --> 0:34:33.960
<v Speaker 1>was actually over at John's house and Sean was there

0:34:33.960 --> 0:34:37.000
<v Speaker 1>too with his with his wife Toosh. So yes, those

0:34:37.200 --> 0:34:41.400
<v Speaker 1>between um Sean and John who know each other, Um

0:34:41.440 --> 0:34:43.360
<v Speaker 1>and I've been to both of their weddings since the

0:34:43.400 --> 0:34:46.680
<v Speaker 1>show has ended. And then Emily Coroda would probably be

0:34:46.760 --> 0:34:51.200
<v Speaker 1>the groups of people. Okay, So we have a segment

0:34:51.320 --> 0:34:54.640
<v Speaker 1>now called rapid Fire. Are you ready to answer questions

0:34:55.160 --> 0:35:00.520
<v Speaker 1>thrown at you quickly? Yes, don't be scared? All right,

0:35:00.480 --> 0:35:02.719
<v Speaker 1>you're ready? Here we go. How do you take your

0:35:02.719 --> 0:35:07.239
<v Speaker 1>coffee black? Why don't? Why am I lying already with

0:35:07.239 --> 0:35:11.080
<v Speaker 1>with oat milk? It's this rapid fire is very revealing

0:35:11.520 --> 0:35:15.640
<v Speaker 1>with oat milk? Okay, why did you? Why did you?

0:35:16.560 --> 0:35:21.960
<v Speaker 1>I don't know already. Next, well, we already know, we already,

0:35:22.000 --> 0:35:23.799
<v Speaker 1>you already answered this question. We already know your team,

0:35:23.840 --> 0:35:25.000
<v Speaker 1>just so we don't have to ask it. But I'm

0:35:25.000 --> 0:35:27.000
<v Speaker 1>gonna ask you anywhere your team logan team just our team,

0:35:27.000 --> 0:35:37.960
<v Speaker 1>team team, who's the daddy uh um logan best memory

0:35:37.960 --> 0:35:40.080
<v Speaker 1>of Gilmore girls. We already asked this, but go ahead

0:35:40.080 --> 0:35:46.000
<v Speaker 1>of answer. Um the pilot or um walking around before

0:35:46.640 --> 0:35:50.440
<v Speaker 1>we filmed the wedding sequence and looking at how beautiful

0:35:50.440 --> 0:35:52.359
<v Speaker 1>they had made the set. That was beautiful from from

0:35:52.400 --> 0:35:56.520
<v Speaker 1>the Netflix reboot, right, Yes, yeah, that was that was

0:35:56.680 --> 0:35:59.720
<v Speaker 1>really pretty. That was the most photographed. I mean, everybody

0:35:59.760 --> 0:36:03.400
<v Speaker 1>was tell the iPhones out photographing the heck out of that. Yeah.

0:36:03.680 --> 0:36:06.440
<v Speaker 1>I have tons of pictures from that. I even have

0:36:06.640 --> 0:36:11.120
<v Speaker 1>like slow mo fancy iPhone edited photos of Lauren when

0:36:11.120 --> 0:36:15.160
<v Speaker 1>the snow was falling on her after the wedding. Oh yeah,

0:36:15.640 --> 0:36:17.520
<v Speaker 1>I told her to walk down the stairs. Amy said,

0:36:17.520 --> 0:36:20.239
<v Speaker 1>come on down the stairs, and I'm like wondering, why

0:36:20.280 --> 0:36:21.960
<v Speaker 1>the hell am I not in this shot? So I

0:36:21.960 --> 0:36:24.400
<v Speaker 1>whipped up my iPhone and I started taking pictures and

0:36:24.520 --> 0:36:26.600
<v Speaker 1>filming it. And she said you can't do that, and

0:36:26.600 --> 0:36:30.200
<v Speaker 1>I said, yeah, watch me watch. I stole a few

0:36:30.200 --> 0:36:33.680
<v Speaker 1>of those. I gave him away. But give for you,

0:36:33.840 --> 0:36:36.319
<v Speaker 1>give for you. Um, what show are you you show

0:36:36.360 --> 0:36:42.080
<v Speaker 1>your binge watching right now? Um? What did I just? Oh?

0:36:42.400 --> 0:36:45.440
<v Speaker 1>I rewatched Atlanta and my husband is going nuts. Sports

0:36:45.640 --> 0:36:48.120
<v Speaker 1>such a good show, alright, cast? Remember you texted most

0:36:48.200 --> 0:36:54.360
<v Speaker 1>recently John Cabrera. Okay, so let's go. So that's it

0:36:54.440 --> 0:36:56.959
<v Speaker 1>for Rapid Fire. You did really well. You only lied once.

0:36:57.000 --> 0:37:00.600
<v Speaker 1>People usually lie two or three times. We usually get

0:37:00.640 --> 0:37:03.800
<v Speaker 1>people right away. We got your right away. You said black,

0:37:03.800 --> 0:37:06.719
<v Speaker 1>but you take it with oat milk. Don't don't be

0:37:06.840 --> 0:37:12.840
<v Speaker 1>bothered by this. Everybody does it. So let's talk about

0:37:12.880 --> 0:37:17.640
<v Speaker 1>So listen. You were also on Who Lose the First?

0:37:17.680 --> 0:37:21.040
<v Speaker 1>And you join the cast of Prodigal Son, which which

0:37:21.040 --> 0:37:23.000
<v Speaker 1>God canceled. But everybody should watch that show. What a

0:37:23.000 --> 0:37:25.040
<v Speaker 1>fantastic show. Tell us tell us a little bit about

0:37:25.080 --> 0:37:28.120
<v Speaker 1>that show. What was that? Like? I loved it? It

0:37:28.160 --> 0:37:33.200
<v Speaker 1>was a really um special show about a a serial

0:37:33.280 --> 0:37:38.520
<v Speaker 1>killer and the son who loves him but is a

0:37:38.520 --> 0:37:40.960
<v Speaker 1>a profiler, grows up to be a profiler. And I

0:37:40.960 --> 0:37:44.279
<v Speaker 1>get to play a quirky or got to play a

0:37:44.360 --> 0:37:49.839
<v Speaker 1>quirky medical examiner who is so intelligent about her job,

0:37:49.880 --> 0:37:52.560
<v Speaker 1>but very socially awkward and like like we were talking

0:37:52.560 --> 0:37:56.040
<v Speaker 1>about Lane up having two things that don't mesh well together.

0:37:56.520 --> 0:37:58.920
<v Speaker 1>I love I love that she was so confident in

0:37:59.000 --> 0:38:01.520
<v Speaker 1>one area of her life and so deficient in another

0:38:01.560 --> 0:38:05.040
<v Speaker 1>air of her life. UM. So right off the bat

0:38:05.040 --> 0:38:08.240
<v Speaker 1>when I read that uh script, I got excited about

0:38:08.520 --> 0:38:11.440
<v Speaker 1>getting a chance to do that. Right. Um did you

0:38:11.440 --> 0:38:16.440
<v Speaker 1>get to I didn't. I don't really watch television, um,

0:38:16.560 --> 0:38:21.640
<v Speaker 1>other than the financial channels. Uh, but I love Michael Shannon.

0:38:21.800 --> 0:38:25.080
<v Speaker 1>I just love his work. Uh. He was brilliant, Frost Nixon.

0:38:25.200 --> 0:38:28.360
<v Speaker 1>He was just anything the guy does. Uh. Did you

0:38:28.400 --> 0:38:31.200
<v Speaker 1>get to work with him a lot? You know? That

0:38:31.320 --> 0:38:35.000
<v Speaker 1>was one of the Uh one of my favorite moments

0:38:35.440 --> 0:38:40.040
<v Speaker 1>on Prodigal Son is that we had once one um

0:38:40.040 --> 0:38:43.640
<v Speaker 1>seen together where our characters meet. And what was fun

0:38:43.680 --> 0:38:49.480
<v Speaker 1>about that is that on paper, um, it was was

0:38:49.520 --> 0:38:53.360
<v Speaker 1>a great scene written, but because of who he is

0:38:54.760 --> 0:38:57.440
<v Speaker 1>when I when I showed up and we started to

0:38:57.520 --> 0:39:02.160
<v Speaker 1>rehearse and kind of discover on the day, what happened is, um,

0:39:02.200 --> 0:39:04.880
<v Speaker 1>my characters are enamored with him, and I started to

0:39:05.400 --> 0:39:09.440
<v Speaker 1>giggle and laugh about a joke. Adres is not necessarily funny,

0:39:09.440 --> 0:39:11.359
<v Speaker 1>but she thinks she's funny sometimes, and so she sort

0:39:11.400 --> 0:39:14.320
<v Speaker 1>of makes a joke that I start giggling at. During

0:39:14.360 --> 0:39:18.799
<v Speaker 1>rehearsal his character, it finds it funny as well. By

0:39:18.800 --> 0:39:22.040
<v Speaker 1>the time we get to what that moment is and

0:39:22.040 --> 0:39:25.600
<v Speaker 1>what what is printed and exists as that scene, we're

0:39:25.680 --> 0:39:29.839
<v Speaker 1>full on belly laughing at each other during that scene.

0:39:29.840 --> 0:39:32.080
<v Speaker 1>And that's just something that's not it wasn't written that

0:39:32.120 --> 0:39:35.040
<v Speaker 1>we laugh. We share a laugh together. But because of

0:39:37.120 --> 0:39:39.600
<v Speaker 1>because he's the kind of actor that is willing to

0:39:39.640 --> 0:39:44.200
<v Speaker 1>go down whatever road is, uh is, it shows up

0:39:44.200 --> 0:39:46.360
<v Speaker 1>on the day I got to walk down a little

0:39:46.360 --> 0:39:48.960
<v Speaker 1>path with him, and so he's the kind of person

0:39:49.000 --> 0:39:52.000
<v Speaker 1>that you would love to have other scenes with because

0:39:52.120 --> 0:39:54.640
<v Speaker 1>you're you're going to be surprised by whatever he brings

0:39:54.680 --> 0:39:58.200
<v Speaker 1>to it. Yeah, which is which is a really uh

0:39:59.680 --> 0:40:04.360
<v Speaker 1>um excellent point you make about the acting process is

0:40:04.440 --> 0:40:07.680
<v Speaker 1>to trust what you have on the day. If you've

0:40:07.719 --> 0:40:10.800
<v Speaker 1>done the work, if you're invested in the character, something arrives.

0:40:11.360 --> 0:40:16.359
<v Speaker 1>It's supposed to arrive. So don't ignore it because that's

0:40:16.400 --> 0:40:19.719
<v Speaker 1>the gift. That's what all your work and all your

0:40:19.719 --> 0:40:23.399
<v Speaker 1>research is bringing forth. So don't you know, and then

0:40:23.440 --> 0:40:25.640
<v Speaker 1>you sometimes get a director like don't do that and

0:40:25.719 --> 0:40:29.360
<v Speaker 1>say why it's it's here, Yeah, this is this is

0:40:29.400 --> 0:40:32.080
<v Speaker 1>what I'm going with and don't you know, don't rain

0:40:32.160 --> 0:40:37.000
<v Speaker 1>on my parade. Yeah yeah, yeah, And and it is

0:40:37.000 --> 0:40:40.960
<v Speaker 1>amazing that. Uh. Sometimes you'll you'll get an actor that

0:40:41.040 --> 0:40:43.319
<v Speaker 1>allows all that, like you know, the head of the

0:40:43.520 --> 0:40:45.600
<v Speaker 1>cast and the big star and the whole thing, and

0:40:45.640 --> 0:40:48.160
<v Speaker 1>they love that and that's why they're in that position

0:40:48.160 --> 0:40:52.600
<v Speaker 1>because they know that that's the gold. UM. Loved catching up.

0:40:53.160 --> 0:40:56.200
<v Speaker 1>Love to have you back on. We have a lot

0:40:56.239 --> 0:40:59.919
<v Speaker 1>more to talk about and uh and really, I mean,

0:41:01.000 --> 0:41:07.600
<v Speaker 1>Keiko is truly one of the unsung, underappreciated actors working

0:41:07.640 --> 0:41:10.600
<v Speaker 1>in the business right now, um, and has been working

0:41:10.600 --> 0:41:13.239
<v Speaker 1>in the business for a long time. UM. And all

0:41:13.239 --> 0:41:15.200
<v Speaker 1>you have to do is, you know, the thing that

0:41:15.239 --> 0:41:20.160
<v Speaker 1>impressed me most about your skills as an actress was

0:41:20.239 --> 0:41:23.640
<v Speaker 1>that drunk scene you played at that that party. And

0:41:23.680 --> 0:41:25.719
<v Speaker 1>I forget what episode it was, but I saw a

0:41:25.719 --> 0:41:28.520
<v Speaker 1>clip of it and I and I was just amazed

0:41:28.560 --> 0:41:32.440
<v Speaker 1>at how you just nailed that and the comedy coming

0:41:32.480 --> 0:41:35.800
<v Speaker 1>out of that. I forget what the episode was, and I,

0:41:35.880 --> 0:41:37.640
<v Speaker 1>like I said, I didn't see the episode, but I

0:41:37.680 --> 0:41:40.040
<v Speaker 1>did see a clip I so I saw it in

0:41:40.320 --> 0:41:42.200
<v Speaker 1>you know where I saw it. I saw it on

0:41:42.239 --> 0:41:43.719
<v Speaker 1>the A d R stage when I had the loop

0:41:43.800 --> 0:41:47.759
<v Speaker 1>lines and that was a couple of scenes. And the

0:41:47.760 --> 0:41:49.640
<v Speaker 1>guy that was in there that ran the A d

0:41:49.800 --> 0:41:51.319
<v Speaker 1>R stage, he said, you got to see the scene

0:41:51.320 --> 0:41:54.120
<v Speaker 1>at Keiko. I mean, he said, it's just freaking amazing.

0:41:54.160 --> 0:41:56.279
<v Speaker 1>And I said, yeah, let me say it and he

0:41:56.320 --> 0:41:59.359
<v Speaker 1>played it and I was like, wow, you know, so

0:42:00.080 --> 0:42:01.960
<v Speaker 1>you know what you're doing. You're one of the best

0:42:02.560 --> 0:42:05.120
<v Speaker 1>out there. I wish you all the best and I

0:42:05.160 --> 0:42:08.000
<v Speaker 1>hope you come back. Um and go go pick up

0:42:08.000 --> 0:42:11.719
<v Speaker 1>her book called No Mistakes, and it is a an

0:42:11.840 --> 0:42:15.280
<v Speaker 1>artist workbook because she knows what she's doing on a set.

0:42:15.360 --> 0:42:17.520
<v Speaker 1>She knows she knows the acting game, and she knows

0:42:17.560 --> 0:42:21.200
<v Speaker 1>the craft and it's a skill set and Keikos get

0:42:21.360 --> 0:42:24.920
<v Speaker 1>the skills. Um. So if you're feeling down and you're

0:42:24.960 --> 0:42:27.400
<v Speaker 1>frustrated in your life or your career and you're an actor,

0:42:27.520 --> 0:42:32.160
<v Speaker 1>just work on your skills. Just keep working to acquire skills,

0:42:32.200 --> 0:42:35.880
<v Speaker 1>because it's a daily commitment to improving those skills, little

0:42:35.960 --> 0:42:39.120
<v Speaker 1>by little by little, that's all it is. It's nothing

0:42:39.120 --> 0:42:43.000
<v Speaker 1>to get down about and when you get the skills honed,

0:42:43.400 --> 0:42:46.399
<v Speaker 1>when they're ready and you can display them, you will

0:42:46.440 --> 0:42:50.120
<v Speaker 1>get work. It's as simple as that. So keep working.

0:42:50.840 --> 0:42:55.040
<v Speaker 1>Thanks for coming on, Keiko and uh being an inspiration

0:42:55.080 --> 0:42:59.160
<v Speaker 1>to everybody, and we'll talk soon. Okay, awesome, thanky, all right,

0:42:59.239 --> 0:43:31.320
<v Speaker 1>take care, all right, bye, got dot ja ja Hey everybody,

0:43:31.320 --> 0:43:34.640
<v Speaker 1>and don't forget follow us on Instagram at I Am

0:43:34.719 --> 0:43:39.200
<v Speaker 1>all In podcast and Emailie at Gilmore at I heart

0:43:39.320 --> 0:43:42.439
<v Speaker 1>radio dot com. Oh you Gilmore fans. If you're looking

0:43:42.480 --> 0:43:44.200
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0:43:44.320 --> 0:43:48.080
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