1 00:00:00,720 --> 00:00:18,000 Speaker 1: I am all in you, I am all in with 2 00:00:18,120 --> 00:00:22,880 Speaker 1: Scott Patterson and I Heart Radio Podcast. Hi everybody. Uh, 3 00:00:22,920 --> 00:00:26,000 Speaker 1: this is Scott Patterson, I am all in podcast and 4 00:00:26,200 --> 00:00:31,400 Speaker 1: this is one on one with Lane Kim played brilliantly 5 00:00:31,440 --> 00:00:34,519 Speaker 1: by Keiko again. Uh um, I'm gonna tell you a 6 00:00:34,520 --> 00:00:37,360 Speaker 1: little bit about Keiko. Welcome, by the way to the 7 00:00:37,400 --> 00:00:41,080 Speaker 1: podcast Nice to Happen. Um Kago plays a character of 8 00:00:41,120 --> 00:00:44,360 Speaker 1: Lane Kim. As you all know, Lane is Stars Hollows 9 00:00:44,680 --> 00:00:49,519 Speaker 1: resident music lover. Lane has been um is seeing toting 10 00:00:49,560 --> 00:00:52,560 Speaker 1: what she refers to was the Mojo Bible of music around, 11 00:00:52,600 --> 00:00:56,320 Speaker 1: aiming to procure every last record in it. Due to 12 00:00:56,360 --> 00:00:59,480 Speaker 1: her family strict religious adherence, Lane is a master of 13 00:00:59,520 --> 00:01:05,479 Speaker 1: in juneer, successfully executing various schemes to procure the aforementioned tunes, 14 00:01:05,560 --> 00:01:09,200 Speaker 1: often with the help of her childhood best friend Rory. 15 00:01:09,880 --> 00:01:12,440 Speaker 1: Let's get into this. There's, there's a, there's a there's 16 00:01:12,520 --> 00:01:15,200 Speaker 1: there's a lot more stuff in here. I could go 17 00:01:15,280 --> 00:01:17,800 Speaker 1: on talking about your resume forever, but I want to 18 00:01:17,840 --> 00:01:19,800 Speaker 1: get into the questions. And we'll get into your resume 19 00:01:19,840 --> 00:01:22,399 Speaker 1: a little later, because this is an impressive list of 20 00:01:22,440 --> 00:01:24,600 Speaker 1: shows that you've been on. And we'll get into that. 21 00:01:24,600 --> 00:01:26,080 Speaker 1: But let's start from the beginning. How did you get 22 00:01:26,080 --> 00:01:30,720 Speaker 1: the role of Lane? Oh, I was just one of 23 00:01:30,760 --> 00:01:33,399 Speaker 1: the pack. I think when I auditioned for Lane, it 24 00:01:33,760 --> 00:01:36,000 Speaker 1: was with a bunch of other people. I think I 25 00:01:36,040 --> 00:01:39,720 Speaker 1: showed up and they were probably two pages worth of 26 00:01:40,160 --> 00:01:42,639 Speaker 1: people who have who had signed in at that point 27 00:01:43,280 --> 00:01:45,920 Speaker 1: and UH and so I just went through the weeding 28 00:01:45,920 --> 00:01:49,200 Speaker 1: out process until we um, you know, we got to 29 00:01:49,280 --> 00:01:52,080 Speaker 1: the UH network test. I guess was the last one 30 00:01:52,800 --> 00:01:56,480 Speaker 1: UM until we shot the pilot. That was my process. 31 00:01:56,480 --> 00:01:58,840 Speaker 1: I didn't have any special there were no special lines 32 00:01:58,880 --> 00:02:01,000 Speaker 1: for me. I just kind of went in with the group. 33 00:02:01,320 --> 00:02:05,480 Speaker 1: So you went you met casting first audition, then you 34 00:02:05,520 --> 00:02:10,600 Speaker 1: went to producers second audition, Then it was network, and 35 00:02:10,639 --> 00:02:13,720 Speaker 1: then it was studio. So it was for total Yeah, 36 00:02:14,000 --> 00:02:16,160 Speaker 1: was a studio first or network first? I can't remember. 37 00:02:16,240 --> 00:02:18,040 Speaker 1: I didn't have to go through that. I just got 38 00:02:18,080 --> 00:02:24,120 Speaker 1: cast as a guest starting pilot, al right, whatever, No, 39 00:02:24,400 --> 00:02:26,280 Speaker 1: I had to jump through a few hoops and then 40 00:02:26,280 --> 00:02:29,079 Speaker 1: I had a producers session. I remember that. That was 41 00:02:29,120 --> 00:02:30,799 Speaker 1: the first time I had had something like that. With 42 00:02:30,840 --> 00:02:33,639 Speaker 1: the met up with Amy and maybe Dan was there, 43 00:02:33,680 --> 00:02:37,880 Speaker 1: someone else was there too, But a little with Amy 44 00:02:37,919 --> 00:02:42,399 Speaker 1: before the final test. I think where was Gavin blown there? Oh? 45 00:02:42,639 --> 00:02:44,440 Speaker 1: That's right. Was it Gavin that was there at the 46 00:02:45,120 --> 00:02:48,320 Speaker 1: and Leslie Leslie Lincoln Gladder? Was she there? She directed 47 00:02:48,320 --> 00:02:51,560 Speaker 1: the pilot. I don't think she was there at that session. 48 00:02:52,760 --> 00:02:58,240 Speaker 1: I know Amy was there. Um, yeah, and then we 49 00:02:58,680 --> 00:03:01,679 Speaker 1: So what do you remember about the actual audition? Do 50 00:03:01,760 --> 00:03:05,080 Speaker 1: you think you nailed it? Yeah? Do you remember the audition, 51 00:03:05,200 --> 00:03:07,320 Speaker 1: like how how it went for you? Did you feel 52 00:03:07,400 --> 00:03:10,360 Speaker 1: afterwards like you nailed it and you you felt pretty 53 00:03:10,360 --> 00:03:13,520 Speaker 1: good about it? Or or what? Well? I always say 54 00:03:13,520 --> 00:03:19,400 Speaker 1: the saving grace was that I had had I was 55 00:03:20,000 --> 00:03:23,680 Speaker 1: part of a very very tiny, recurring part on Felicity 56 00:03:23,720 --> 00:03:27,120 Speaker 1: at the same time, and because of that, I was 57 00:03:27,280 --> 00:03:32,640 Speaker 1: just distracted enough to not obsess about the audition process. Also, 58 00:03:32,680 --> 00:03:35,000 Speaker 1: I had never gone through so many auditions, so I 59 00:03:35,000 --> 00:03:37,080 Speaker 1: didn't even know there was such a thing as a 60 00:03:37,120 --> 00:03:39,320 Speaker 1: studio test and then network test. I honestly didn't know 61 00:03:39,320 --> 00:03:41,240 Speaker 1: why I had to keep showing up. So when I 62 00:03:41,320 --> 00:03:43,920 Speaker 1: showed up at the in the room, I was surprised 63 00:03:43,960 --> 00:03:45,520 Speaker 1: by the fact that there were, you know, a dozen 64 00:03:45,520 --> 00:03:47,520 Speaker 1: people in there. I didn't know why they were, but 65 00:03:47,600 --> 00:03:49,240 Speaker 1: I just came in and I did the same thing 66 00:03:49,280 --> 00:03:53,360 Speaker 1: as I did the audition before, and because I was 67 00:03:53,440 --> 00:03:57,120 Speaker 1: distracted enough, I read the lines very flat and I 68 00:03:57,120 --> 00:03:59,600 Speaker 1: didn't I don't think I put any extra spin on 69 00:03:59,680 --> 00:04:01,680 Speaker 1: it or any extra mustard on it, which I think 70 00:04:01,680 --> 00:04:03,840 Speaker 1: with that this writing, as you might, I don't know 71 00:04:03,840 --> 00:04:06,920 Speaker 1: what your opinion is, but is on it. But I 72 00:04:06,960 --> 00:04:09,520 Speaker 1: feel like, especially at that point that was the writing 73 00:04:09,560 --> 00:04:12,480 Speaker 1: was good enough that I didn't putting any extra schmeg 74 00:04:12,600 --> 00:04:14,240 Speaker 1: on it wasn't going to help at any and so 75 00:04:14,280 --> 00:04:19,039 Speaker 1: I think that's actually was ended up being helpful for 76 00:04:19,200 --> 00:04:23,040 Speaker 1: the fans tuning in. Getting a series regular job on 77 00:04:23,080 --> 00:04:26,440 Speaker 1: a on a comedy or a sitcom or a dramedy 78 00:04:26,520 --> 00:04:31,239 Speaker 1: or a drama is an excruciatingly long, arduous process because 79 00:04:31,279 --> 00:04:33,160 Speaker 1: you meet the casting people, and then if you get 80 00:04:33,200 --> 00:04:36,120 Speaker 1: through that, you meet the produce some of the producers, 81 00:04:36,120 --> 00:04:38,279 Speaker 1: maybe not all of them. And then if you get 82 00:04:38,320 --> 00:04:40,360 Speaker 1: past that, and you get in the group that goes 83 00:04:40,400 --> 00:04:43,440 Speaker 1: to the studio, and then if you and then that 84 00:04:43,520 --> 00:04:45,760 Speaker 1: gets nervous because it's a big conference room and all 85 00:04:45,760 --> 00:04:49,400 Speaker 1: these suits come in and there you know, yeah, it's 86 00:04:49,440 --> 00:04:51,160 Speaker 1: nerve wracking. And then if you get through that, then 87 00:04:51,200 --> 00:04:53,480 Speaker 1: you go to the network where it's a bigger conference 88 00:04:53,560 --> 00:04:57,000 Speaker 1: room or it's even a small theater within that network 89 00:04:57,040 --> 00:04:58,640 Speaker 1: where they do that kind of thing, and then there 90 00:04:58,720 --> 00:05:02,159 Speaker 1: might be fifty people there and it's it's very, very 91 00:05:02,200 --> 00:05:07,159 Speaker 1: difficult to get a job. So um So, when you 92 00:05:07,160 --> 00:05:09,280 Speaker 1: first got the script, did you ever think the character 93 00:05:09,320 --> 00:05:13,200 Speaker 1: of Lane will become so loved and so important to 94 00:05:13,279 --> 00:05:18,479 Speaker 1: the series. I did know that it was a great character. 95 00:05:18,839 --> 00:05:22,200 Speaker 1: I mean the fact that she was part of it 96 00:05:22,240 --> 00:05:24,800 Speaker 1: and you got to see her home life and her mom, 97 00:05:24,839 --> 00:05:28,039 Speaker 1: and it did seem interesting, and I loved the overall script, 98 00:05:28,160 --> 00:05:31,559 Speaker 1: that's for sure. When I read that full script, I thought, dang, 99 00:05:31,600 --> 00:05:34,360 Speaker 1: I hope this gets too series, because even as a fan, 100 00:05:34,560 --> 00:05:37,000 Speaker 1: I think this is a good show. So that was 101 00:05:37,040 --> 00:05:39,159 Speaker 1: a special feeling. I didn't think I would get it, 102 00:05:39,240 --> 00:05:41,800 Speaker 1: So I had a lot of I wasn't attached to it, 103 00:05:41,920 --> 00:05:44,200 Speaker 1: but I remember thinking, oh, this is this is a 104 00:05:44,200 --> 00:05:47,919 Speaker 1: great part for someone exactly. Yeah, you know, I'm in 105 00:05:47,920 --> 00:05:49,680 Speaker 1: the same way. I never think I'm gonna get anything, 106 00:05:49,800 --> 00:05:52,520 Speaker 1: and then it's kind of a shock when you when 107 00:05:52,560 --> 00:05:54,680 Speaker 1: you get it, it's like, wow, how did that happened? 108 00:05:55,720 --> 00:06:00,440 Speaker 1: It's fun, it's fun, Yeah, it's fun. Um So, What 109 00:06:00,480 --> 00:06:03,359 Speaker 1: did you like most about Lane and what did you 110 00:06:03,520 --> 00:06:11,200 Speaker 1: like least about Lane. I liked that she had to 111 00:06:13,000 --> 00:06:15,920 Speaker 1: care about two things. One she cared deeply about her 112 00:06:15,920 --> 00:06:18,680 Speaker 1: mother and the other way she would care deeply about 113 00:06:18,720 --> 00:06:22,240 Speaker 1: her own obsessions and her own independence. And I like 114 00:06:22,480 --> 00:06:27,360 Speaker 1: characters that have that want two things that don't easily 115 00:06:27,360 --> 00:06:31,160 Speaker 1: fit together. That's just fun to play off of, to 116 00:06:31,279 --> 00:06:34,120 Speaker 1: play those two wants off of each other. Um. The 117 00:06:34,200 --> 00:06:39,520 Speaker 1: thing that I like least about her is that you know, 118 00:06:39,600 --> 00:06:42,400 Speaker 1: you have all of this build up in that character, 119 00:06:42,560 --> 00:06:44,800 Speaker 1: and I don't think that she ever got to fly. 120 00:06:45,160 --> 00:06:47,599 Speaker 1: You put a so much pressure on this character, which 121 00:06:47,640 --> 00:06:49,760 Speaker 1: is fun and what you need in comedy. But I 122 00:06:49,800 --> 00:06:55,280 Speaker 1: wish that she had had more moments of um fulfillment. 123 00:06:55,400 --> 00:06:57,560 Speaker 1: I think I think there's a there's there's a lot 124 00:06:57,560 --> 00:07:01,840 Speaker 1: of frustration I have with that care as a fan too, 125 00:07:01,960 --> 00:07:04,960 Speaker 1: or and as someone who got to play her, I 126 00:07:05,000 --> 00:07:07,120 Speaker 1: would say that's the thing I like least about her. 127 00:07:07,720 --> 00:07:10,760 Speaker 1: Um that there was more potential to flesh out that 128 00:07:10,840 --> 00:07:16,280 Speaker 1: character and and and you know, with augmented storylines and 129 00:07:16,280 --> 00:07:22,720 Speaker 1: and and conclusions. Yeah more um Uh. I think she 130 00:07:22,840 --> 00:07:25,440 Speaker 1: just had a hard life, which is fun for comedy. 131 00:07:25,440 --> 00:07:27,840 Speaker 1: But I I don't know, and maybe this wouldn't make 132 00:07:27,840 --> 00:07:31,360 Speaker 1: a better show, But I think selfishly I wish that 133 00:07:31,440 --> 00:07:37,680 Speaker 1: she had had maybe more for fulfillment. It's at least 134 00:07:37,760 --> 00:07:40,120 Speaker 1: with the music side and the independent side of of 135 00:07:40,240 --> 00:07:43,520 Speaker 1: her because we get to, you know, touch base with 136 00:07:43,560 --> 00:07:46,840 Speaker 1: her ten years later in the in the what about 137 00:07:46,840 --> 00:07:52,760 Speaker 1: a spinoff show? You and Let's do that? There's so 138 00:07:52,880 --> 00:07:56,760 Speaker 1: much more story to help people. Let's uh, let's uh, 139 00:07:56,920 --> 00:07:59,240 Speaker 1: let's spin her off? Right, And it's like, who's going 140 00:07:59,280 --> 00:08:04,200 Speaker 1: to write it? Right? Yeah? I know that that the 141 00:08:04,280 --> 00:08:07,640 Speaker 1: current writers are kind of busy, I know with what Oh, 142 00:08:07,680 --> 00:08:11,440 Speaker 1: that's right, the award winning show. So did you? Um, 143 00:08:11,480 --> 00:08:15,920 Speaker 1: here's a fan question, did you? Did you and Alexis 144 00:08:16,000 --> 00:08:21,880 Speaker 1: have a great friendship outside the show. I wish we 145 00:08:21,920 --> 00:08:25,720 Speaker 1: had more of a friendship. That was probably a lot 146 00:08:25,800 --> 00:08:29,040 Speaker 1: to do with with uh, with me not making as 147 00:08:29,120 --> 00:08:30,440 Speaker 1: much of an effort as I should have. But I 148 00:08:30,520 --> 00:08:37,760 Speaker 1: also think I was so so um, I'm not worried 149 00:08:37,880 --> 00:08:39,680 Speaker 1: is the wrong word, but you know, they worked so 150 00:08:39,720 --> 00:08:45,040 Speaker 1: many hours that they're off off set time I thought 151 00:08:45,080 --> 00:08:47,559 Speaker 1: was so precious to them and I and I didn't 152 00:08:47,640 --> 00:08:52,320 Speaker 1: want to insert myself into um into their that time 153 00:08:52,520 --> 00:08:54,720 Speaker 1: of their their lives. I don't know how how you 154 00:08:54,760 --> 00:08:57,120 Speaker 1: felt about that, but I just that's part of why, 155 00:08:57,200 --> 00:08:59,319 Speaker 1: especially with Alexis and Lauren, I think that they had 156 00:09:00,200 --> 00:09:02,080 Speaker 1: such a tough schedule. I mean I couldn't get away 157 00:09:02,080 --> 00:09:07,600 Speaker 1: from him. I mean I couldn't get off me. Yeah. 158 00:09:07,760 --> 00:09:11,439 Speaker 1: So what do you think of the um, Well, I mean, 159 00:09:11,440 --> 00:09:15,280 Speaker 1: did you click right away with with Alexis because you 160 00:09:15,280 --> 00:09:17,040 Speaker 1: had so many scenes with her, and and it seemed 161 00:09:17,080 --> 00:09:20,839 Speaker 1: also effortless and great and that was that real? Was 162 00:09:20,880 --> 00:09:29,240 Speaker 1: that translated from real life? Well, Alexis is so um, 163 00:09:29,360 --> 00:09:33,200 Speaker 1: such a wonderful person. And I do think that as 164 00:09:33,200 --> 00:09:36,280 Speaker 1: soon as I met her as a person, you just 165 00:09:36,320 --> 00:09:40,000 Speaker 1: recognize that she's an intelligent, special individual. And I think 166 00:09:40,040 --> 00:09:46,120 Speaker 1: that there's part of me that felt um protective of 167 00:09:46,120 --> 00:09:52,559 Speaker 1: her right away as U as a fellow actor and 168 00:09:52,559 --> 00:09:55,800 Speaker 1: and and and someone that recognizes how how unique of 169 00:09:55,800 --> 00:09:57,880 Speaker 1: a person that she is. So maybe maybe some of 170 00:09:57,920 --> 00:10:00,960 Speaker 1: that was something that is just insta shure. And I 171 00:10:01,000 --> 00:10:04,560 Speaker 1: think that probably shows in how our characters related to 172 00:10:04,559 --> 00:10:07,400 Speaker 1: each other, that we like and respect each other, um 173 00:10:07,600 --> 00:10:10,200 Speaker 1: right off the bat. That she was so young, I 174 00:10:10,240 --> 00:10:15,000 Speaker 1: mean yes, and she was very youngest. Yeah, yeah, she 175 00:10:15,120 --> 00:10:18,920 Speaker 1: seemed very vulnerable, and yeah, she like it was all 176 00:10:18,960 --> 00:10:22,080 Speaker 1: coming at her so quickly, and all the limousines and 177 00:10:22,120 --> 00:10:24,760 Speaker 1: the speeches and the awards and all the whole thing. 178 00:10:24,760 --> 00:10:26,960 Speaker 1: I mean, it was just like wow. You know, she 179 00:10:27,480 --> 00:10:29,760 Speaker 1: was at n y U Film School, right, she wasn't 180 00:10:29,760 --> 00:10:33,520 Speaker 1: even in their program, I don't think, and she went 181 00:10:33,559 --> 00:10:35,920 Speaker 1: in for this thing, and she was modeling in New 182 00:10:36,000 --> 00:10:38,720 Speaker 1: York and studying and you know, she's a smart kid 183 00:10:38,800 --> 00:10:41,040 Speaker 1: and or was at the time a smart kid, and 184 00:10:41,160 --> 00:10:45,440 Speaker 1: u um, I'm sure this just just blew her mind away, 185 00:10:45,480 --> 00:10:48,439 Speaker 1: all this uh you know, this job and and the 186 00:10:48,480 --> 00:10:50,520 Speaker 1: time it required and the time it took out of 187 00:10:50,559 --> 00:10:52,400 Speaker 1: her day, you know, yeah, because I think she wanted 188 00:10:52,640 --> 00:10:54,920 Speaker 1: she had other things she wanted to do obviously, right, 189 00:10:54,960 --> 00:10:57,160 Speaker 1: and this was all just such a surprise, like what's 190 00:10:57,160 --> 00:11:00,679 Speaker 1: going on? Yeah, And I think it's the kind of 191 00:11:00,679 --> 00:11:03,920 Speaker 1: thing when you're lead on a television show that um 192 00:11:04,160 --> 00:11:06,000 Speaker 1: that maybe people do know this or don't know this, 193 00:11:06,080 --> 00:11:08,480 Speaker 1: but you don't. They don't have a lot of time 194 00:11:08,760 --> 00:11:12,400 Speaker 1: for other things period, especially show like this with with 195 00:11:12,559 --> 00:11:16,000 Speaker 1: where the days are very long, and yeah, there's not 196 00:11:16,040 --> 00:11:18,960 Speaker 1: a lot of extra time, right, there's there's there's the 197 00:11:19,040 --> 00:11:22,640 Speaker 1: extra time is filled with photo shoots, with radio and 198 00:11:22,679 --> 00:11:27,079 Speaker 1: TV promotions and travel to do the same. And yeah, 199 00:11:27,160 --> 00:11:30,040 Speaker 1: it's it's it's a full time job. I mean, the 200 00:11:30,400 --> 00:11:34,439 Speaker 1: promotional side of it is a job in and of itself. Uh. 201 00:11:34,480 --> 00:11:36,440 Speaker 1: And to take that on and then beyond set all 202 00:11:36,480 --> 00:11:42,920 Speaker 1: those hours. My god. Um, So, Emily Kuroda, Mrs Kim 203 00:11:43,080 --> 00:11:44,319 Speaker 1: was your mom. And what did you think of the 204 00:11:44,360 --> 00:11:48,480 Speaker 1: relationship of Lane and Mrs Kim in comparison to Rory 205 00:11:48,600 --> 00:11:53,360 Speaker 1: and Laurela. Oh, that's interesting, Well, I think that, um, 206 00:11:53,520 --> 00:11:59,080 Speaker 1: the Lane Mrs Kim dynamic was not the same as 207 00:11:59,520 --> 00:12:02,640 Speaker 1: Laura La and Emily, but was more similar to that 208 00:12:02,760 --> 00:12:08,040 Speaker 1: dynamic than to Laura Lie Rory, where it's um people 209 00:12:08,080 --> 00:12:11,520 Speaker 1: who have a very different idea of what what's the 210 00:12:11,640 --> 00:12:15,120 Speaker 1: right way to live a life? Uh? Yeah, so it's 211 00:12:15,160 --> 00:12:18,920 Speaker 1: pretty as far as it being, it was very opposite 212 00:12:18,960 --> 00:12:22,720 Speaker 1: of what Rory had with her mom. It really was, 213 00:12:22,720 --> 00:12:25,760 Speaker 1: wasn't it. I mean it was, um, I mean, you know, 214 00:12:25,760 --> 00:12:27,840 Speaker 1: of course you love your mom and your respect your mom, 215 00:12:27,920 --> 00:12:31,120 Speaker 1: but boy, she uh, she was really putting the handcuffs 216 00:12:31,120 --> 00:12:33,720 Speaker 1: on you. She even in a town like stars Hollow, 217 00:12:33,840 --> 00:12:37,800 Speaker 1: that was such a such a happy harmless place to live? 218 00:12:38,160 --> 00:12:41,400 Speaker 1: What was she so afraid? No? I mean I can 219 00:12:41,480 --> 00:12:43,920 Speaker 1: understand that if you're living in a big city, right, 220 00:12:44,559 --> 00:12:46,760 Speaker 1: I mean if you're living in Chicago or New York 221 00:12:46,880 --> 00:12:49,440 Speaker 1: or l A or San Francisco. But this is stars Hollow. 222 00:12:50,240 --> 00:12:53,400 Speaker 1: This is this tiny little hamlet with all these cheery, funny, 223 00:12:53,440 --> 00:12:57,760 Speaker 1: happy little people and nothing bad happens there. What was 224 00:12:57,840 --> 00:13:02,560 Speaker 1: your mom's so a little place? Though? We don't Stars 225 00:13:02,600 --> 00:13:08,120 Speaker 1: Hollow just like I loved it? Oh yeah, no question. Yeah, 226 00:13:08,160 --> 00:13:11,439 Speaker 1: there's a place where you have unlimited budget for festivals 227 00:13:12,280 --> 00:13:16,679 Speaker 1: and you only have one stop light. Everybody knows each other, 228 00:13:17,120 --> 00:13:22,040 Speaker 1: everybody's smart. That's kind of a lovely lula. Well that's 229 00:13:22,080 --> 00:13:24,520 Speaker 1: what really made the relationships stick out for me, because 230 00:13:24,520 --> 00:13:29,240 Speaker 1: I kept saying, what is what is Lane's mom so afraid? 231 00:13:29,400 --> 00:13:33,640 Speaker 1: Will happen to her daughter? It? Stars Hollow, It stars allow, 232 00:13:33,720 --> 00:13:41,040 Speaker 1: That's why they're there. Ye all right, here's another fan question. 233 00:13:41,360 --> 00:13:46,680 Speaker 1: Uh you were um okay, so you recently said in 234 00:13:47,280 --> 00:13:50,040 Speaker 1: in today's world, Lane Kim would be different. Why is 235 00:13:50,160 --> 00:13:53,080 Speaker 1: that you used to? I guess you stated this in 236 00:13:53,120 --> 00:13:56,720 Speaker 1: an interview When a fan wants to know how would 237 00:13:56,840 --> 00:13:59,800 Speaker 1: Lane can be different? In today's world or would she 238 00:14:00,000 --> 00:14:03,000 Speaker 1: and be different in today's world opposed to two thousand, 239 00:14:04,200 --> 00:14:06,120 Speaker 1: so it's only one years later, would you be different? 240 00:14:06,520 --> 00:14:12,960 Speaker 1: I think that in some ways, when you're in a 241 00:14:13,080 --> 00:14:21,480 Speaker 1: small town, because of the access to UH people that 242 00:14:21,560 --> 00:14:24,520 Speaker 1: have the same opinion that you do, basically different fandoms 243 00:14:24,560 --> 00:14:29,000 Speaker 1: through the Internet, I think that in some ways, um 244 00:14:29,120 --> 00:14:35,400 Speaker 1: Lane would have found UM connections to other people. She 245 00:14:35,400 --> 00:14:39,080 Speaker 1: would have a secret UM and thriving internet life. I 246 00:14:39,120 --> 00:14:43,240 Speaker 1: think that it's I think it's more fun that she 247 00:14:43,320 --> 00:14:46,000 Speaker 1: didn't have that outlet. That she had to kind of 248 00:14:46,080 --> 00:14:49,920 Speaker 1: live to find a way to live her her fantasy 249 00:14:50,000 --> 00:14:53,400 Speaker 1: music life in the real world with UM and that 250 00:14:53,480 --> 00:14:58,080 Speaker 1: was more of a of a challenge UH for her. 251 00:14:58,080 --> 00:14:59,640 Speaker 1: But I think that would be a that would be 252 00:14:59,680 --> 00:15:02,000 Speaker 1: a big difference is that she she would have been 253 00:15:02,040 --> 00:15:05,680 Speaker 1: able to find connections UM with people that didn't live 254 00:15:05,680 --> 00:15:10,200 Speaker 1: in stars hollow Um that she had something common with right, 255 00:15:11,840 --> 00:15:14,640 Speaker 1: I think, yeah, right, the way the Internet and social 256 00:15:14,680 --> 00:15:18,800 Speaker 1: media has evolved, Yeah, I would if she would have 257 00:15:18,920 --> 00:15:21,240 Speaker 1: like a fun I wonder if she would have like 258 00:15:21,280 --> 00:15:23,920 Speaker 1: a fun um. Oh, this is a kind of a 259 00:15:24,360 --> 00:15:26,200 Speaker 1: fun thing to do about if she would have a 260 00:15:26,280 --> 00:15:32,680 Speaker 1: secret UH like Instagram where she did some kind of 261 00:15:33,440 --> 00:15:35,840 Speaker 1: musical and I could see that I could see her 262 00:15:35,880 --> 00:15:40,920 Speaker 1: producing these a little music videos um under the guise 263 00:15:41,000 --> 00:15:43,480 Speaker 1: of another a secret identity. That that would be a 264 00:15:43,480 --> 00:15:49,080 Speaker 1: fun Lane Kim storyline, and maybe it'll happen, I mean 265 00:15:49,120 --> 00:15:54,320 Speaker 1: write it. Maybe. Um. Uh, you were the one person 266 00:15:54,440 --> 00:15:58,280 Speaker 1: that knew all of these gentlemen. So I have to 267 00:15:58,400 --> 00:16:02,800 Speaker 1: ask you, Okay, are you team Logan, team Jess or 268 00:16:02,840 --> 00:16:09,800 Speaker 1: team Dean and tell us why I'm team Jess. I 269 00:16:09,840 --> 00:16:14,520 Speaker 1: am team Jeff and uh. I say that because I 270 00:16:15,000 --> 00:16:20,440 Speaker 1: always felt that the main problem with Jess is that 271 00:16:20,560 --> 00:16:24,480 Speaker 1: he needed to um mature and find some vulnerability. I 272 00:16:24,480 --> 00:16:27,280 Speaker 1: thought that was his only big and it's a big flaw, 273 00:16:27,960 --> 00:16:31,160 Speaker 1: but that that was something that would happen over time. 274 00:16:31,200 --> 00:16:34,040 Speaker 1: That I thought that their chemistry together and the way 275 00:16:34,040 --> 00:16:36,800 Speaker 1: that they matched intellectually and the way that he really 276 00:16:36,880 --> 00:16:40,280 Speaker 1: did their love for each other seems genuine. And I 277 00:16:40,320 --> 00:16:42,360 Speaker 1: didn't I didn't think that once he grew up that 278 00:16:42,360 --> 00:16:45,960 Speaker 1: he would ever cheat on Rory or or or that 279 00:16:46,080 --> 00:16:49,720 Speaker 1: sort of thing. Whereas I always sort of thought, maybe 280 00:16:49,800 --> 00:16:53,560 Speaker 1: I questioned Logan, well that's a that's the downside of Logan, 281 00:16:53,600 --> 00:16:55,240 Speaker 1: And then Dean, I just never thought was the right 282 00:16:55,360 --> 00:16:58,920 Speaker 1: just match for her. Um. So that's why I'm team Jess, 283 00:16:59,040 --> 00:17:01,040 Speaker 1: because I thought then really they would be right for 284 00:17:01,040 --> 00:17:03,760 Speaker 1: each other. I feel exactly the same way. Yeah, yeah, 285 00:17:03,800 --> 00:17:06,080 Speaker 1: I do. I I felt I always felt that Logan 286 00:17:06,240 --> 00:17:07,959 Speaker 1: there was just I don't know, you know, I just 287 00:17:09,200 --> 00:17:11,639 Speaker 1: I didn't see it. I just didn't see it. There 288 00:17:11,720 --> 00:17:13,880 Speaker 1: was there was a quality there that I just thought 289 00:17:14,040 --> 00:17:18,440 Speaker 1: was not gonna work out for her. You know, there 290 00:17:18,520 --> 00:17:22,520 Speaker 1: was He's hiding something, that character was hiding something, and 291 00:17:22,560 --> 00:17:26,240 Speaker 1: it just was so apparent to me, and I think, 292 00:17:26,280 --> 00:17:29,560 Speaker 1: I think that's you know, Matt Sukri adding that layer 293 00:17:29,920 --> 00:17:32,880 Speaker 1: for the character, which I thought was a brilliant choice 294 00:17:32,920 --> 00:17:35,680 Speaker 1: because it did make you distrust him a little bit, 295 00:17:35,720 --> 00:17:41,640 Speaker 1: and I think you needed to um uh. And and Dean, gosh, 296 00:17:41,760 --> 00:17:44,720 Speaker 1: you know, I just saw Rory's So I'm watching because 297 00:17:44,760 --> 00:17:48,040 Speaker 1: I've never seen the episode, so I'm watching me before 298 00:17:48,080 --> 00:17:51,000 Speaker 1: I do the podcast, right, so I'll watch it the 299 00:17:51,080 --> 00:17:52,720 Speaker 1: night before and make notes, or the day up and 300 00:17:52,760 --> 00:17:56,439 Speaker 1: make notes, and the day we record. And I just 301 00:17:56,480 --> 00:18:00,000 Speaker 1: saw Rory's two birthday parties before we did the last 302 00:18:00,040 --> 00:18:04,760 Speaker 1: podcast with George Bell, and I was stunned at how 303 00:18:04,840 --> 00:18:10,240 Speaker 1: bold Dean was kissing her in Doses market that way, 304 00:18:10,600 --> 00:18:14,480 Speaker 1: and then coming over Laurel I invited him to movie night, 305 00:18:15,000 --> 00:18:18,600 Speaker 1: which Rory was horrified by, but she, you know, acquiesced 306 00:18:18,720 --> 00:18:24,879 Speaker 1: and and and Laura I gave him the speech when 307 00:18:25,200 --> 00:18:28,840 Speaker 1: Rory excused herself for a minute about don't hurt my kid, 308 00:18:29,680 --> 00:18:33,480 Speaker 1: like what she was telling. What she was telling Dean 309 00:18:33,640 --> 00:18:38,199 Speaker 1: was don't impregnate my daughter the way Christopher did me like, 310 00:18:38,440 --> 00:18:40,560 Speaker 1: she's not getting on your motorcycle. And he goes, well, 311 00:18:40,600 --> 00:18:42,680 Speaker 1: I don't have a motorcycle. She and she just looked 312 00:18:42,720 --> 00:18:46,000 Speaker 1: at him and said she's not getting on your motorcycle, 313 00:18:46,080 --> 00:18:50,480 Speaker 1: which meant don't knock don't knock her up, you know, 314 00:18:51,600 --> 00:18:54,480 Speaker 1: because the whole town's watching you, kid. You know, it's 315 00:18:54,480 --> 00:18:57,040 Speaker 1: not just where, it's the whole town, So don't mess 316 00:18:57,080 --> 00:19:01,440 Speaker 1: with us. Um And then he had he had the 317 00:19:02,040 --> 00:19:06,840 Speaker 1: gumption when she was done to say now is it? 318 00:19:07,359 --> 00:19:11,760 Speaker 1: Can I talk now? And I was like, wow, he's eighteen, 319 00:19:11,880 --> 00:19:15,000 Speaker 1: what is our seventeen in the show, Like he's a 320 00:19:15,080 --> 00:19:17,960 Speaker 1: kid in high school and he just got to talk 321 00:19:18,400 --> 00:19:22,040 Speaker 1: from a very protective mama bear. And it didn't face 322 00:19:22,119 --> 00:19:25,840 Speaker 1: him didn't face him at all. So and then he 323 00:19:25,880 --> 00:19:29,560 Speaker 1: mentions to Rory about, hey, do I when does the 324 00:19:29,640 --> 00:19:32,120 Speaker 1: guest get to like, if we do this again? Can 325 00:19:32,160 --> 00:19:35,120 Speaker 1: I pick the movie and have you seen Boogie Nights? 326 00:19:35,160 --> 00:19:43,000 Speaker 1: And I'm like, oh no, and Laurel I wasn't around. 327 00:19:43,440 --> 00:19:45,960 Speaker 1: Um so I'm thinking, wow, this is this is going 328 00:19:46,000 --> 00:19:49,399 Speaker 1: down the wrong road here, And right away I was 329 00:19:49,440 --> 00:19:51,920 Speaker 1: just like, I mean, I did a Scott Colin rant. 330 00:19:51,920 --> 00:19:53,440 Speaker 1: I don't know if I'm going to do a Dean rant, 331 00:19:53,520 --> 00:19:55,200 Speaker 1: but I think I might be doing one right now. 332 00:19:55,680 --> 00:19:58,679 Speaker 1: Um So I agree. I totally agree with you. I 333 00:19:58,720 --> 00:20:02,320 Speaker 1: agree with you on percent um. I think Jessice is 334 00:20:02,359 --> 00:20:06,440 Speaker 1: perfect for her as he matures, if he matures. Yes, 335 00:20:07,000 --> 00:20:14,159 Speaker 1: did Lane like Paris? Did Lane like Paris? Did you 336 00:20:14,160 --> 00:20:17,199 Speaker 1: interact with Paris? Did you act with her a lot? No? 337 00:20:17,520 --> 00:20:22,439 Speaker 1: I wish I love. I mean, wow, what a what 338 00:20:22,520 --> 00:20:26,520 Speaker 1: a power husband actress. I wish there were more scenes 339 00:20:26,880 --> 00:20:33,880 Speaker 1: or opportunities because she's so great. Mm hmmm. I don't 340 00:20:33,880 --> 00:20:39,040 Speaker 1: know if she liked Paris. I mean there must have been. 341 00:20:39,520 --> 00:20:41,800 Speaker 1: You might might not have been really aware of her, 342 00:20:42,240 --> 00:20:45,199 Speaker 1: but I did. Did Did Rory confide in you at times? 343 00:20:45,240 --> 00:20:47,399 Speaker 1: And when well? She went off to Yale, and I 344 00:20:47,440 --> 00:20:50,440 Speaker 1: don't know. You know how much interaction you guys had 345 00:20:50,480 --> 00:20:52,400 Speaker 1: once she went off to Yale because I haven't seen 346 00:20:52,400 --> 00:20:56,360 Speaker 1: the episodes, but I don't remember any of scripts. So yeah, 347 00:20:56,400 --> 00:20:59,199 Speaker 1: because that's when they or I'm sorry, when she went 348 00:20:59,240 --> 00:21:02,720 Speaker 1: off to children. Yeah, I feel like the worlds were 349 00:21:02,800 --> 00:21:11,360 Speaker 1: so separate. Um, that's a good question. I don't know. 350 00:21:11,720 --> 00:21:13,359 Speaker 1: I don't know if I don't know if she likes 351 00:21:14,000 --> 00:21:15,640 Speaker 1: I can't believe. This is the first time I've think 352 00:21:15,640 --> 00:21:18,679 Speaker 1: I've been I've been asked it or have thought about it. 353 00:21:18,800 --> 00:21:22,320 Speaker 1: We'll come back to us. Um. Um, So you love 354 00:21:22,400 --> 00:21:24,840 Speaker 1: Lane love music? Did you share this love of music 355 00:21:24,880 --> 00:21:29,320 Speaker 1: with your character? Are you a music not No, I 356 00:21:29,359 --> 00:21:35,120 Speaker 1: have very little music knowledge, although I do. I will 357 00:21:35,119 --> 00:21:38,280 Speaker 1: say the last piece of music that I really fell 358 00:21:38,280 --> 00:21:43,480 Speaker 1: in love with was Leonard Cohen's Um album that he 359 00:21:43,720 --> 00:21:46,080 Speaker 1: came out with just before he passed, which I love 360 00:21:46,560 --> 00:21:49,280 Speaker 1: even still every time I listened to it. Wanted darker. 361 00:21:49,320 --> 00:21:51,200 Speaker 1: I would say that that and that seems like something 362 00:21:51,240 --> 00:21:54,480 Speaker 1: that Lane would like. I think that's a crossover. But 363 00:21:54,520 --> 00:21:57,040 Speaker 1: then the other one, you know, that's not a crossover, 364 00:21:57,119 --> 00:21:59,679 Speaker 1: probably a spin Doctors like I love the Spin Doctors. 365 00:21:59,680 --> 00:22:04,080 Speaker 1: I do not think that Lane Kim would have that 366 00:22:04,160 --> 00:22:08,240 Speaker 1: in her list. I think she's be too snooty to 367 00:22:08,640 --> 00:22:11,160 Speaker 1: admit that she had the Spin Doctors in there. So 368 00:22:11,320 --> 00:22:14,440 Speaker 1: we all know, say, on the music subject, we all 369 00:22:14,480 --> 00:22:16,919 Speaker 1: know that Lane played the drums. Did you enjoy learning 370 00:22:16,960 --> 00:22:20,040 Speaker 1: how to play the drums? Because that was required? I 371 00:22:20,080 --> 00:22:24,520 Speaker 1: did love it. Who taught you? Jeanie? I forget her 372 00:22:24,600 --> 00:22:28,040 Speaker 1: last name, but she was a friend of um Helen 373 00:22:28,080 --> 00:22:31,520 Speaker 1: and Dave's and who actually played drums in the band 374 00:22:31,640 --> 00:22:37,080 Speaker 1: that Dave that the actual day Grabowski plays in. She 375 00:22:37,240 --> 00:22:39,479 Speaker 1: was my drum teacher. So every week we would get 376 00:22:39,520 --> 00:22:41,600 Speaker 1: together and play for like a couple of hours or 377 00:22:41,640 --> 00:22:43,879 Speaker 1: something like that. Does she have you listen to certain 378 00:22:43,920 --> 00:22:46,600 Speaker 1: drummers and to try to play along with them? Oh? 379 00:22:46,680 --> 00:22:48,679 Speaker 1: I wasn't even at that point yet. I mean she 380 00:22:49,280 --> 00:22:55,000 Speaker 1: just did, like very rudimentary thing. Um. Yes, but I 381 00:22:55,040 --> 00:22:56,560 Speaker 1: have been told that my four on the floor is 382 00:22:56,560 --> 00:23:00,600 Speaker 1: pretty decent by Sebastian Bachiven. He was like, oh, you know, uh, 383 00:23:00,680 --> 00:23:03,399 Speaker 1: you're not bad again. Uh So I take that as 384 00:23:03,440 --> 00:23:07,360 Speaker 1: a god. So listen. I know we're going a little 385 00:23:07,400 --> 00:23:10,639 Speaker 1: bit out of order with this next question, but you know, 386 00:23:10,680 --> 00:23:15,520 Speaker 1: the writers had Lane wait to have sex until she 387 00:23:15,680 --> 00:23:24,680 Speaker 1: was married. How did you feel about this? H As 388 00:23:24,720 --> 00:23:28,159 Speaker 1: an actor, what a great fun, comedic thing to play 389 00:23:28,200 --> 00:23:29,879 Speaker 1: that you waited to long to have sex and it 390 00:23:29,960 --> 00:23:32,600 Speaker 1: was terrible? Um. But then as a fan, I kind 391 00:23:32,600 --> 00:23:34,359 Speaker 1: of feel bad for this kind of goes back to 392 00:23:34,400 --> 00:23:37,000 Speaker 1: the thing I said before, like Lane's life is pretty rough, 393 00:23:37,040 --> 00:23:38,760 Speaker 1: Like she waited all this time, and the first time 394 00:23:38,760 --> 00:23:43,399 Speaker 1: that she had sex, it's uh terrible, and she gets 395 00:23:43,400 --> 00:23:47,520 Speaker 1: pregnant with twins? Are we assume that it happened right away? 396 00:23:47,720 --> 00:23:53,520 Speaker 1: So I don't I don't know. It's mixed. What is 397 00:23:53,560 --> 00:24:00,679 Speaker 1: your favorite memory of kil More girls? There's just too many, right, 398 00:24:00,720 --> 00:24:04,960 Speaker 1: They're just flooding in. Yeah, I mean, I guess one 399 00:24:05,000 --> 00:24:07,080 Speaker 1: of the one of my favorite ones is getting to 400 00:24:07,480 --> 00:24:12,080 Speaker 1: film with Emily Corona on the time where things all 401 00:24:12,359 --> 00:24:15,280 Speaker 1: really start to fall apart, where Lane gets kicked out 402 00:24:15,280 --> 00:24:18,080 Speaker 1: of the house. That was really fun. I think I'm 403 00:24:18,119 --> 00:24:20,360 Speaker 1: glad I got to stay with the character long enough. 404 00:24:20,480 --> 00:24:25,560 Speaker 1: Where the you you could say that the Rory Lane 405 00:24:26,000 --> 00:24:29,159 Speaker 1: um dynamic was the biggest one in Lane's life, but 406 00:24:29,200 --> 00:24:33,520 Speaker 1: I but I would even venture to say that it 407 00:24:33,560 --> 00:24:35,520 Speaker 1: was her and her mom and so to stay with 408 00:24:35,600 --> 00:24:38,520 Speaker 1: a relationship long enough to that that core relationship in 409 00:24:38,560 --> 00:24:42,160 Speaker 1: her life has a chance to change is interesting. So 410 00:24:42,200 --> 00:24:44,359 Speaker 1: I think I was glad that I got to spend 411 00:24:44,440 --> 00:24:47,280 Speaker 1: enough time with that relationship to see a change. You know, 412 00:24:47,400 --> 00:24:49,800 Speaker 1: I I want to ask my own question here, what 413 00:24:49,800 --> 00:24:52,560 Speaker 1: what was Emily Corona like to work with? I mean, 414 00:24:52,640 --> 00:24:54,560 Speaker 1: she was so wonderful you guys had such a great 415 00:24:54,640 --> 00:24:57,320 Speaker 1: dynamic and the comedy was flying off you too? What 416 00:24:57,320 --> 00:25:01,920 Speaker 1: what was she like? She is is fantastic as an actress, 417 00:25:01,920 --> 00:25:05,320 Speaker 1: and she's probably the person that I know and spend 418 00:25:05,400 --> 00:25:10,439 Speaker 1: time with the most off you know offset um. So 419 00:25:10,520 --> 00:25:13,520 Speaker 1: I've seen her work in a lot of different ways, 420 00:25:13,640 --> 00:25:16,840 Speaker 1: and she's fantastic. I mean, the emotional depth of Emily 421 00:25:16,960 --> 00:25:21,880 Speaker 1: is incredible, and she she's also someone that's very um 422 00:25:21,920 --> 00:25:24,879 Speaker 1: different from her character and it's obviously she's able to 423 00:25:24,920 --> 00:25:27,760 Speaker 1: access that that side of it. But you know, something 424 00:25:27,800 --> 00:25:30,359 Speaker 1: that people wouldn't necessarily know about Emily is like what 425 00:25:30,400 --> 00:25:33,080 Speaker 1: a tech head Emily is? You know, she is very 426 00:25:33,200 --> 00:25:36,280 Speaker 1: different than um then I think you would think of 427 00:25:36,400 --> 00:25:39,760 Speaker 1: Mrs Kim and and so I I just love everything 428 00:25:39,800 --> 00:25:41,639 Speaker 1: that she brought and I do. I would say that 429 00:25:41,720 --> 00:25:43,359 Speaker 1: as soon as that was. One of the things I 430 00:25:43,359 --> 00:25:47,520 Speaker 1: remember from the pilot is that I was a little 431 00:25:47,720 --> 00:25:51,000 Speaker 1: worried about who they might have cast as my mom. 432 00:25:51,040 --> 00:25:52,560 Speaker 1: I just knew that was going to be such an 433 00:25:52,600 --> 00:25:57,720 Speaker 1: important role in in the show. And when I showed 434 00:25:57,800 --> 00:26:00,480 Speaker 1: up to set and when I saw Emily and when 435 00:26:00,480 --> 00:26:03,639 Speaker 1: you did that first take, I just there was so 436 00:26:03,720 --> 00:26:06,119 Speaker 1: much joy in my heart because I was like, ah, 437 00:26:06,160 --> 00:26:10,800 Speaker 1: they got it right, Like this actress is exactly what 438 00:26:10,880 --> 00:26:12,639 Speaker 1: I want for this character, and this is going to 439 00:26:12,720 --> 00:26:16,040 Speaker 1: be so much fun to playoff of her. It was. 440 00:26:16,119 --> 00:26:18,360 Speaker 1: It was really it was a sense of relief, right, 441 00:26:18,480 --> 00:26:21,040 Speaker 1: That's how I felt when I first started with Lauren 442 00:26:21,240 --> 00:26:23,280 Speaker 1: and the very first diner scene up in Toronto was 443 00:26:23,720 --> 00:26:26,120 Speaker 1: I did have joy in my heart as well. I said, Wow, 444 00:26:26,160 --> 00:26:29,040 Speaker 1: this is going to be great because she was so 445 00:26:29,119 --> 00:26:31,399 Speaker 1: good and it was just so you know, it wasn't 446 00:26:31,960 --> 00:26:33,480 Speaker 1: I'm not going to say it was easy for because 447 00:26:33,520 --> 00:26:35,880 Speaker 1: you know, acting is hard, but it seemed easy for her, 448 00:26:35,960 --> 00:26:40,680 Speaker 1: and it was just this is going to be great. Yeah, 449 00:26:40,840 --> 00:26:43,520 Speaker 1: when did you know that? When did you know that 450 00:26:43,600 --> 00:26:46,680 Speaker 1: it was? When did you get the feeling that, oh, 451 00:26:46,800 --> 00:26:48,480 Speaker 1: this is this is going to go to series and 452 00:26:48,520 --> 00:26:50,119 Speaker 1: this is people are going to really fall in love 453 00:26:50,160 --> 00:26:51,880 Speaker 1: with it. Did you have that a moment like when 454 00:26:51,920 --> 00:26:54,760 Speaker 1: I read the script right from the script, right from 455 00:26:54,760 --> 00:26:59,040 Speaker 1: the get go? Yeah, yeah. And then I think the 456 00:26:59,080 --> 00:27:02,640 Speaker 1: other mom was when I got on the set the 457 00:27:02,680 --> 00:27:07,040 Speaker 1: first time up in Toronto at Luke's Diner and I 458 00:27:07,080 --> 00:27:11,160 Speaker 1: saw Lauren and Alexis rehearsing and they were sitting down 459 00:27:11,240 --> 00:27:14,040 Speaker 1: at a table in Luke's Diner and they were rehearsing 460 00:27:14,040 --> 00:27:17,159 Speaker 1: a scene and I thought, wow, look at that chemistry. 461 00:27:17,320 --> 00:27:19,960 Speaker 1: And that's the other aha moment. I was like, this 462 00:27:20,040 --> 00:27:23,440 Speaker 1: is gonna go. Yeah, you know, this will get picked up. 463 00:27:24,320 --> 00:27:27,760 Speaker 1: And I remember having the conversation with Lauren at Amy's 464 00:27:28,080 --> 00:27:32,000 Speaker 1: first Christmas party at her house. Uh, like, you know, 465 00:27:32,119 --> 00:27:33,879 Speaker 1: we were outside and like, how long you think it's 466 00:27:33,920 --> 00:27:35,840 Speaker 1: going to go? And she said a couple of years 467 00:27:35,840 --> 00:27:38,159 Speaker 1: and I said five years, and you know, we just 468 00:27:38,240 --> 00:27:40,479 Speaker 1: kind of knew, you know, it was gonna go. And 469 00:27:40,480 --> 00:27:42,040 Speaker 1: you were one of the first people I met when 470 00:27:42,080 --> 00:27:45,000 Speaker 1: I went up there. Well, when I came from the 471 00:27:45,040 --> 00:27:48,280 Speaker 1: hotel in my jogging suit because the airline had lost 472 00:27:48,320 --> 00:27:50,720 Speaker 1: my luggage, and I went to that five star French 473 00:27:50,760 --> 00:27:52,560 Speaker 1: restaurant and they let me in and there you were, 474 00:27:52,560 --> 00:27:55,800 Speaker 1: and you and Lauren were there that you were the 475 00:27:55,840 --> 00:27:58,679 Speaker 1: first and we sat in the in the bar and 476 00:27:58,720 --> 00:28:00,280 Speaker 1: had a drink and got to know each other. You 477 00:28:00,320 --> 00:28:03,600 Speaker 1: were the first people I met. Isn't that funny? Timothy 478 00:28:03,640 --> 00:28:05,960 Speaker 1: Hutton was in the corner and I thought he was 479 00:28:06,000 --> 00:28:08,040 Speaker 1: part of the show, and said, what's Timothy Hutton doing here? 480 00:28:08,160 --> 00:28:10,960 Speaker 1: Is he part of the show? Because everybody was staying 481 00:28:10,960 --> 00:28:13,760 Speaker 1: at that hotel. Everybody, all the actors in town doing 482 00:28:14,359 --> 00:28:16,560 Speaker 1: film and TV projects stay at that hotel, so that 483 00:28:16,600 --> 00:28:19,040 Speaker 1: restaurant was very popular. How different would it have been 484 00:28:19,080 --> 00:28:21,879 Speaker 1: if we we had shot the show in Toronto? Do 485 00:28:21,920 --> 00:28:28,919 Speaker 1: you think, Oh, that's a good question. Um, I mean, 486 00:28:28,960 --> 00:28:31,240 Speaker 1: I think it would have been great regardless. But that 487 00:28:31,320 --> 00:28:35,480 Speaker 1: was such a tough show to schedule. Yeah, it's just 488 00:28:35,560 --> 00:28:38,800 Speaker 1: hard to imagine being in a And I did a 489 00:28:38,880 --> 00:28:45,280 Speaker 1: series in in Canada, UH in Vancouver. Right after UH Gilmore, 490 00:28:45,320 --> 00:28:47,880 Speaker 1: I went and did Aliens in America up in Vancouver. 491 00:28:48,120 --> 00:28:50,400 Speaker 1: And it's tough to be away from home like that. 492 00:28:50,480 --> 00:28:52,920 Speaker 1: And we only did a year and it was a 493 00:28:52,960 --> 00:28:55,160 Speaker 1: great show and great writing and great actors and the 494 00:28:55,200 --> 00:28:59,520 Speaker 1: whole thing. But it's tough. It's really hard and some 495 00:28:59,560 --> 00:29:02,320 Speaker 1: people and the cast were really struggling with being away 496 00:29:02,320 --> 00:29:06,080 Speaker 1: from home and it was really hard for them. And uh, 497 00:29:06,760 --> 00:29:10,760 Speaker 1: I yeah, it's it's hard, you know, it's hard. I'm 498 00:29:10,800 --> 00:29:13,200 Speaker 1: I'm glad they decided. But I remember they took a vote. 499 00:29:13,240 --> 00:29:16,400 Speaker 1: They asked everybody, you know, what do you want to do, 500 00:29:16,920 --> 00:29:22,360 Speaker 1: and everybody said, l a not to knock Toronto. It's 501 00:29:22,400 --> 00:29:24,000 Speaker 1: a great city. It's one of the great cities of 502 00:29:24,000 --> 00:29:26,760 Speaker 1: the world. But I don't think anybody wanted to be 503 00:29:26,840 --> 00:29:28,880 Speaker 1: away from home because we knew it was going to 504 00:29:28,960 --> 00:29:32,920 Speaker 1: be a five at least a five year commitment. Yeah, 505 00:29:33,040 --> 00:29:37,520 Speaker 1: and yeah, so it's amazing, Uh what people do for 506 00:29:37,560 --> 00:29:40,680 Speaker 1: their craft and to leave their home for five years 507 00:29:40,720 --> 00:29:43,240 Speaker 1: and you know, but and people do it. They relocate 508 00:29:43,560 --> 00:29:46,320 Speaker 1: and people relocate to South Africa to do a series 509 00:29:46,360 --> 00:29:51,800 Speaker 1: and it's just like wow. Yeah. Anyway, Um, what was 510 00:29:51,840 --> 00:29:57,800 Speaker 1: your favorite episode? Oh that's hard to say. I mean, 511 00:29:58,080 --> 00:30:03,840 Speaker 1: even speaking about, uh, the pilot. I think there's something 512 00:30:03,880 --> 00:30:07,560 Speaker 1: sweet about the pilot. When I'm asked about what my 513 00:30:07,560 --> 00:30:10,240 Speaker 1: favorite episode does, I think about the beginning and the ends. 514 00:30:10,240 --> 00:30:13,200 Speaker 1: And I don't know if that's because of just looking 515 00:30:13,240 --> 00:30:15,479 Speaker 1: back and appreciating the whole the whole thing of it. 516 00:30:15,560 --> 00:30:22,840 Speaker 1: But um, you know, getting to shoot, just the newness 517 00:30:22,960 --> 00:30:26,440 Speaker 1: of of of of shooting a pilot and all of 518 00:30:26,440 --> 00:30:31,120 Speaker 1: those mistakes I made also, like I remember, I remember 519 00:30:32,360 --> 00:30:36,080 Speaker 1: mistakes really well. Here's a silly thing like, um, I 520 00:30:36,120 --> 00:30:37,920 Speaker 1: think this was in the pilot. In any case, it 521 00:30:37,960 --> 00:30:39,960 Speaker 1: was sometime early on. It might not have been the pilot, 522 00:30:40,040 --> 00:30:43,280 Speaker 1: but it was sometime early on where I didn't I 523 00:30:43,280 --> 00:30:46,040 Speaker 1: didn't even understand. Sorry, I shouldn't admit this, but you know, 524 00:30:46,080 --> 00:30:47,840 Speaker 1: it was a way back when I didn't even understand 525 00:30:47,880 --> 00:30:51,160 Speaker 1: like all of the parts that you need to shoot 526 00:30:51,160 --> 00:30:53,360 Speaker 1: a scene. So I would come and I remember there 527 00:30:53,400 --> 00:30:56,200 Speaker 1: was this big scene and we were shooting the Master, 528 00:30:57,400 --> 00:31:00,080 Speaker 1: and we shot the Master, and I thought that I 529 00:31:00,120 --> 00:31:02,400 Speaker 1: was done. And I thought, oh, when when you're done, 530 00:31:02,440 --> 00:31:04,680 Speaker 1: you just go back to your trailer. And I just 531 00:31:04,720 --> 00:31:06,920 Speaker 1: took it upon myself to walk away from set. And 532 00:31:06,960 --> 00:31:09,280 Speaker 1: I do remember thinking that I remember hearing that they 533 00:31:09,320 --> 00:31:11,360 Speaker 1: couldn't find me, you know, like they were trying to 534 00:31:11,400 --> 00:31:14,840 Speaker 1: shoot the rest of the scene. I thought I was done, um, 535 00:31:14,920 --> 00:31:18,120 Speaker 1: and there, uh no, we have to go find her 536 00:31:18,200 --> 00:31:21,920 Speaker 1: on the Warner Brothers lot. And so so then I learned, 537 00:31:21,920 --> 00:31:24,600 Speaker 1: oh no, this no, this is gonna take a while. 538 00:31:25,320 --> 00:31:28,080 Speaker 1: I need to do this whole process. It's not just goodness, 539 00:31:29,000 --> 00:31:39,280 Speaker 1: Oh my goodness, where's Lane exactly? You know, I made 540 00:31:39,280 --> 00:31:42,880 Speaker 1: a confession on this on this podcast when we started, 541 00:31:42,920 --> 00:31:46,000 Speaker 1: I did borrow a few things. Borrow, I'll use that 542 00:31:46,200 --> 00:31:50,000 Speaker 1: term borrow from the set. Did you borrow anything from 543 00:31:50,000 --> 00:31:55,040 Speaker 1: the set the way I did? Um? There was I 544 00:31:56,960 --> 00:31:59,520 Speaker 1: there was some and it was not yeah, it was 545 00:31:59,800 --> 00:32:03,880 Speaker 1: my glasses from the It was from the uh. Well, 546 00:32:03,920 --> 00:32:07,760 Speaker 1: because here was the thing, in my defense, when we 547 00:32:07,840 --> 00:32:11,520 Speaker 1: finished the first the actual series, we didn't know we 548 00:32:11,520 --> 00:32:14,400 Speaker 1: were coming back or not, and those were my actual 549 00:32:14,440 --> 00:32:18,560 Speaker 1: glasses and they and so those are lost to wherever 550 00:32:18,800 --> 00:32:21,400 Speaker 1: the world those are, and so when we came back, 551 00:32:21,800 --> 00:32:26,520 Speaker 1: I really wanted to have my character glasses from the revival, 552 00:32:26,680 --> 00:32:29,840 Speaker 1: and so I kind of I did what about what 553 00:32:29,880 --> 00:32:32,880 Speaker 1: did you? What did you borrow? Perfectly understandable. Nobody can 554 00:32:32,880 --> 00:32:37,360 Speaker 1: fault here for that. The question isn't what what did 555 00:32:37,440 --> 00:32:42,440 Speaker 1: I borrow? It's what didn't? Good Lord, I have a 556 00:32:42,480 --> 00:32:46,280 Speaker 1: whole treasure trove of things, but they were being offered 557 00:32:46,320 --> 00:32:49,000 Speaker 1: to me as it as it wound down, and that's 558 00:32:49,080 --> 00:32:52,720 Speaker 1: how I knew there was a good chance that we 559 00:32:52,720 --> 00:32:56,560 Speaker 1: weren't coming back. I didn't know. Well I didn't either, 560 00:32:56,680 --> 00:32:59,280 Speaker 1: but it's like, why, why, why why is the props 561 00:32:59,320 --> 00:33:02,920 Speaker 1: department saying you know? I mean, were they privy to 562 00:33:03,000 --> 00:33:06,880 Speaker 1: the negotiations? I guess because because of the first to know, 563 00:33:08,400 --> 00:33:10,960 Speaker 1: because the construction crews the first to know, right because 564 00:33:10,960 --> 00:33:12,560 Speaker 1: they got to tear it down and build something. So 565 00:33:12,600 --> 00:33:15,440 Speaker 1: I something comes on their schedule, like, hey, they're not 566 00:33:15,520 --> 00:33:17,680 Speaker 1: coming back, and this other show is coming in, and 567 00:33:17,720 --> 00:33:20,120 Speaker 1: we got a timeline here to tear this stuff down 568 00:33:20,320 --> 00:33:22,280 Speaker 1: and build a new sets, because that's what takes a 569 00:33:22,280 --> 00:33:25,160 Speaker 1: lot of time is building those sets. So they know 570 00:33:25,320 --> 00:33:28,040 Speaker 1: right away. So I guess they got an alert or 571 00:33:28,160 --> 00:33:32,280 Speaker 1: they had they had prior knowledge, and I just and 572 00:33:32,280 --> 00:33:35,360 Speaker 1: then I was up in Toronto actually making a film, 573 00:33:35,600 --> 00:33:37,640 Speaker 1: and when I got the word from my manager saying 574 00:33:37,720 --> 00:33:40,360 Speaker 1: this show has been canceled, I was like, well, I 575 00:33:40,480 --> 00:33:42,640 Speaker 1: kind of it was shocking, but I kind of knew 576 00:33:42,640 --> 00:33:47,240 Speaker 1: it already because because I was being offered stuff from 577 00:33:50,160 --> 00:33:53,400 Speaker 1: I got the whole diner because you can film Gilmore 578 00:33:53,480 --> 00:33:57,600 Speaker 1: Girls because you have so many props of the show. Yeah, 579 00:33:57,600 --> 00:34:00,680 Speaker 1: I tried to get on the you know, the the 580 00:34:01,080 --> 00:34:05,440 Speaker 1: tour route, Come on in, you know five bucks you 581 00:34:05,480 --> 00:34:07,360 Speaker 1: can go, Luke stannerd I gotta set up in my 582 00:34:07,400 --> 00:34:13,760 Speaker 1: living room. So okay, So here's a Shawn Gun question. 583 00:34:13,800 --> 00:34:16,200 Speaker 1: He says he keeps in contact with you the most. 584 00:34:16,920 --> 00:34:19,960 Speaker 1: H So who do who do you keep in contact 585 00:34:20,239 --> 00:34:22,320 Speaker 1: the most? Within the cast? Is there somebody are you 586 00:34:22,400 --> 00:34:25,200 Speaker 1: cheating on? Shawn Gun? Alright, Sean Gun your one and 587 00:34:25,280 --> 00:34:27,880 Speaker 1: only or more of a group thing? Because Sean and 588 00:34:27,960 --> 00:34:30,839 Speaker 1: John Cabrera know each other very right, right, So I 589 00:34:30,880 --> 00:34:33,960 Speaker 1: was actually over at John's house and Sean was there 590 00:34:33,960 --> 00:34:37,000 Speaker 1: too with his with his wife Toosh. So yes, those 591 00:34:37,200 --> 00:34:41,400 Speaker 1: between um Sean and John who know each other, Um 592 00:34:41,440 --> 00:34:43,360 Speaker 1: and I've been to both of their weddings since the 593 00:34:43,400 --> 00:34:46,680 Speaker 1: show has ended. And then Emily Coroda would probably be 594 00:34:46,760 --> 00:34:51,200 Speaker 1: the groups of people. Okay, So we have a segment 595 00:34:51,320 --> 00:34:54,640 Speaker 1: now called rapid Fire. Are you ready to answer questions 596 00:34:55,160 --> 00:35:00,520 Speaker 1: thrown at you quickly? Yes, don't be scared? All right, 597 00:35:00,480 --> 00:35:02,719 Speaker 1: you're ready? Here we go. How do you take your 598 00:35:02,719 --> 00:35:07,239 Speaker 1: coffee black? Why don't? Why am I lying already with 599 00:35:07,239 --> 00:35:11,080 Speaker 1: with oat milk? It's this rapid fire is very revealing 600 00:35:11,520 --> 00:35:15,640 Speaker 1: with oat milk? Okay, why did you? Why did you? 601 00:35:16,560 --> 00:35:21,960 Speaker 1: I don't know already. Next, well, we already know, we already, 602 00:35:22,000 --> 00:35:23,799 Speaker 1: you already answered this question. We already know your team, 603 00:35:23,840 --> 00:35:25,000 Speaker 1: just so we don't have to ask it. But I'm 604 00:35:25,000 --> 00:35:27,000 Speaker 1: gonna ask you anywhere your team logan team just our team, 605 00:35:27,000 --> 00:35:37,960 Speaker 1: team team, who's the daddy uh um logan best memory 606 00:35:37,960 --> 00:35:40,080 Speaker 1: of Gilmore girls. We already asked this, but go ahead 607 00:35:40,080 --> 00:35:46,000 Speaker 1: of answer. Um the pilot or um walking around before 608 00:35:46,640 --> 00:35:50,440 Speaker 1: we filmed the wedding sequence and looking at how beautiful 609 00:35:50,440 --> 00:35:52,359 Speaker 1: they had made the set. That was beautiful from from 610 00:35:52,400 --> 00:35:56,520 Speaker 1: the Netflix reboot, right, Yes, yeah, that was that was 611 00:35:56,680 --> 00:35:59,720 Speaker 1: really pretty. That was the most photographed. I mean, everybody 612 00:35:59,760 --> 00:36:03,400 Speaker 1: was tell the iPhones out photographing the heck out of that. Yeah. 613 00:36:03,680 --> 00:36:06,440 Speaker 1: I have tons of pictures from that. I even have 614 00:36:06,640 --> 00:36:11,120 Speaker 1: like slow mo fancy iPhone edited photos of Lauren when 615 00:36:11,120 --> 00:36:15,160 Speaker 1: the snow was falling on her after the wedding. Oh yeah, 616 00:36:15,640 --> 00:36:17,520 Speaker 1: I told her to walk down the stairs. Amy said, 617 00:36:17,520 --> 00:36:20,239 Speaker 1: come on down the stairs, and I'm like wondering, why 618 00:36:20,280 --> 00:36:21,960 Speaker 1: the hell am I not in this shot? So I 619 00:36:21,960 --> 00:36:24,400 Speaker 1: whipped up my iPhone and I started taking pictures and 620 00:36:24,520 --> 00:36:26,600 Speaker 1: filming it. And she said you can't do that, and 621 00:36:26,600 --> 00:36:30,200 Speaker 1: I said, yeah, watch me watch. I stole a few 622 00:36:30,200 --> 00:36:33,680 Speaker 1: of those. I gave him away. But give for you, 623 00:36:33,840 --> 00:36:36,319 Speaker 1: give for you. Um, what show are you you show 624 00:36:36,360 --> 00:36:42,080 Speaker 1: your binge watching right now? Um? What did I just? Oh? 625 00:36:42,400 --> 00:36:45,440 Speaker 1: I rewatched Atlanta and my husband is going nuts. Sports 626 00:36:45,640 --> 00:36:48,120 Speaker 1: such a good show, alright, cast? Remember you texted most 627 00:36:48,200 --> 00:36:54,360 Speaker 1: recently John Cabrera. Okay, so let's go. So that's it 628 00:36:54,440 --> 00:36:56,959 Speaker 1: for Rapid Fire. You did really well. You only lied once. 629 00:36:57,000 --> 00:37:00,600 Speaker 1: People usually lie two or three times. We usually get 630 00:37:00,640 --> 00:37:03,800 Speaker 1: people right away. We got your right away. You said black, 631 00:37:03,800 --> 00:37:06,719 Speaker 1: but you take it with oat milk. Don't don't be 632 00:37:06,840 --> 00:37:12,840 Speaker 1: bothered by this. Everybody does it. So let's talk about 633 00:37:12,880 --> 00:37:17,640 Speaker 1: So listen. You were also on Who Lose the First? 634 00:37:17,680 --> 00:37:21,040 Speaker 1: And you join the cast of Prodigal Son, which which 635 00:37:21,040 --> 00:37:23,000 Speaker 1: God canceled. But everybody should watch that show. What a 636 00:37:23,000 --> 00:37:25,040 Speaker 1: fantastic show. Tell us tell us a little bit about 637 00:37:25,080 --> 00:37:28,120 Speaker 1: that show. What was that? Like? I loved it? It 638 00:37:28,160 --> 00:37:33,200 Speaker 1: was a really um special show about a a serial 639 00:37:33,280 --> 00:37:38,520 Speaker 1: killer and the son who loves him but is a 640 00:37:38,520 --> 00:37:40,960 Speaker 1: a profiler, grows up to be a profiler. And I 641 00:37:40,960 --> 00:37:44,279 Speaker 1: get to play a quirky or got to play a 642 00:37:44,360 --> 00:37:49,839 Speaker 1: quirky medical examiner who is so intelligent about her job, 643 00:37:49,880 --> 00:37:52,560 Speaker 1: but very socially awkward and like like we were talking 644 00:37:52,560 --> 00:37:56,040 Speaker 1: about Lane up having two things that don't mesh well together. 645 00:37:56,520 --> 00:37:58,920 Speaker 1: I love I love that she was so confident in 646 00:37:59,000 --> 00:38:01,520 Speaker 1: one area of her life and so deficient in another 647 00:38:01,560 --> 00:38:05,040 Speaker 1: air of her life. UM. So right off the bat 648 00:38:05,040 --> 00:38:08,240 Speaker 1: when I read that uh script, I got excited about 649 00:38:08,520 --> 00:38:11,440 Speaker 1: getting a chance to do that. Right. Um did you 650 00:38:11,440 --> 00:38:16,440 Speaker 1: get to I didn't. I don't really watch television, um, 651 00:38:16,560 --> 00:38:21,640 Speaker 1: other than the financial channels. Uh, but I love Michael Shannon. 652 00:38:21,800 --> 00:38:25,080 Speaker 1: I just love his work. Uh. He was brilliant, Frost Nixon. 653 00:38:25,200 --> 00:38:28,360 Speaker 1: He was just anything the guy does. Uh. Did you 654 00:38:28,400 --> 00:38:31,200 Speaker 1: get to work with him a lot? You know? That 655 00:38:31,320 --> 00:38:35,000 Speaker 1: was one of the Uh one of my favorite moments 656 00:38:35,440 --> 00:38:40,040 Speaker 1: on Prodigal Son is that we had once one um 657 00:38:40,040 --> 00:38:43,640 Speaker 1: seen together where our characters meet. And what was fun 658 00:38:43,680 --> 00:38:49,480 Speaker 1: about that is that on paper, um, it was was 659 00:38:49,520 --> 00:38:53,360 Speaker 1: a great scene written, but because of who he is 660 00:38:54,760 --> 00:38:57,440 Speaker 1: when I when I showed up and we started to 661 00:38:57,520 --> 00:39:02,160 Speaker 1: rehearse and kind of discover on the day, what happened is, um, 662 00:39:02,200 --> 00:39:04,880 Speaker 1: my characters are enamored with him, and I started to 663 00:39:05,400 --> 00:39:09,440 Speaker 1: giggle and laugh about a joke. Adres is not necessarily funny, 664 00:39:09,440 --> 00:39:11,359 Speaker 1: but she thinks she's funny sometimes, and so she sort 665 00:39:11,400 --> 00:39:14,320 Speaker 1: of makes a joke that I start giggling at. During 666 00:39:14,360 --> 00:39:18,799 Speaker 1: rehearsal his character, it finds it funny as well. By 667 00:39:18,800 --> 00:39:22,040 Speaker 1: the time we get to what that moment is and 668 00:39:22,040 --> 00:39:25,600 Speaker 1: what what is printed and exists as that scene, we're 669 00:39:25,680 --> 00:39:29,839 Speaker 1: full on belly laughing at each other during that scene. 670 00:39:29,840 --> 00:39:32,080 Speaker 1: And that's just something that's not it wasn't written that 671 00:39:32,120 --> 00:39:35,040 Speaker 1: we laugh. We share a laugh together. But because of 672 00:39:37,120 --> 00:39:39,600 Speaker 1: because he's the kind of actor that is willing to 673 00:39:39,640 --> 00:39:44,200 Speaker 1: go down whatever road is, uh is, it shows up 674 00:39:44,200 --> 00:39:46,360 Speaker 1: on the day I got to walk down a little 675 00:39:46,360 --> 00:39:48,960 Speaker 1: path with him, and so he's the kind of person 676 00:39:49,000 --> 00:39:52,000 Speaker 1: that you would love to have other scenes with because 677 00:39:52,120 --> 00:39:54,640 Speaker 1: you're you're going to be surprised by whatever he brings 678 00:39:54,680 --> 00:39:58,200 Speaker 1: to it. Yeah, which is which is a really uh 679 00:39:59,680 --> 00:40:04,360 Speaker 1: um excellent point you make about the acting process is 680 00:40:04,440 --> 00:40:07,680 Speaker 1: to trust what you have on the day. If you've 681 00:40:07,719 --> 00:40:10,800 Speaker 1: done the work, if you're invested in the character, something arrives. 682 00:40:11,360 --> 00:40:16,359 Speaker 1: It's supposed to arrive. So don't ignore it because that's 683 00:40:16,400 --> 00:40:19,719 Speaker 1: the gift. That's what all your work and all your 684 00:40:19,719 --> 00:40:23,399 Speaker 1: research is bringing forth. So don't you know, and then 685 00:40:23,440 --> 00:40:25,640 Speaker 1: you sometimes get a director like don't do that and 686 00:40:25,719 --> 00:40:29,360 Speaker 1: say why it's it's here, Yeah, this is this is 687 00:40:29,400 --> 00:40:32,080 Speaker 1: what I'm going with and don't you know, don't rain 688 00:40:32,160 --> 00:40:37,000 Speaker 1: on my parade. Yeah yeah, yeah, And and it is 689 00:40:37,000 --> 00:40:40,960 Speaker 1: amazing that. Uh. Sometimes you'll you'll get an actor that 690 00:40:41,040 --> 00:40:43,319 Speaker 1: allows all that, like you know, the head of the 691 00:40:43,520 --> 00:40:45,600 Speaker 1: cast and the big star and the whole thing, and 692 00:40:45,640 --> 00:40:48,160 Speaker 1: they love that and that's why they're in that position 693 00:40:48,160 --> 00:40:52,600 Speaker 1: because they know that that's the gold. UM. Loved catching up. 694 00:40:53,160 --> 00:40:56,200 Speaker 1: Love to have you back on. We have a lot 695 00:40:56,239 --> 00:40:59,919 Speaker 1: more to talk about and uh and really, I mean, 696 00:41:01,000 --> 00:41:07,600 Speaker 1: Keiko is truly one of the unsung, underappreciated actors working 697 00:41:07,640 --> 00:41:10,600 Speaker 1: in the business right now, um, and has been working 698 00:41:10,600 --> 00:41:13,239 Speaker 1: in the business for a long time. UM. And all 699 00:41:13,239 --> 00:41:15,200 Speaker 1: you have to do is, you know, the thing that 700 00:41:15,239 --> 00:41:20,160 Speaker 1: impressed me most about your skills as an actress was 701 00:41:20,239 --> 00:41:23,640 Speaker 1: that drunk scene you played at that that party. And 702 00:41:23,680 --> 00:41:25,719 Speaker 1: I forget what episode it was, but I saw a 703 00:41:25,719 --> 00:41:28,520 Speaker 1: clip of it and I and I was just amazed 704 00:41:28,560 --> 00:41:32,440 Speaker 1: at how you just nailed that and the comedy coming 705 00:41:32,480 --> 00:41:35,800 Speaker 1: out of that. I forget what the episode was, and I, 706 00:41:35,880 --> 00:41:37,640 Speaker 1: like I said, I didn't see the episode, but I 707 00:41:37,680 --> 00:41:40,040 Speaker 1: did see a clip I so I saw it in 708 00:41:40,320 --> 00:41:42,200 Speaker 1: you know where I saw it. I saw it on 709 00:41:42,239 --> 00:41:43,719 Speaker 1: the A d R stage when I had the loop 710 00:41:43,800 --> 00:41:47,759 Speaker 1: lines and that was a couple of scenes. And the 711 00:41:47,760 --> 00:41:49,640 Speaker 1: guy that was in there that ran the A d 712 00:41:49,800 --> 00:41:51,319 Speaker 1: R stage, he said, you got to see the scene 713 00:41:51,320 --> 00:41:54,120 Speaker 1: at Keiko. I mean, he said, it's just freaking amazing. 714 00:41:54,160 --> 00:41:56,279 Speaker 1: And I said, yeah, let me say it and he 715 00:41:56,320 --> 00:41:59,359 Speaker 1: played it and I was like, wow, you know, so 716 00:42:00,080 --> 00:42:01,960 Speaker 1: you know what you're doing. You're one of the best 717 00:42:02,560 --> 00:42:05,120 Speaker 1: out there. I wish you all the best and I 718 00:42:05,160 --> 00:42:08,000 Speaker 1: hope you come back. Um and go go pick up 719 00:42:08,000 --> 00:42:11,719 Speaker 1: her book called No Mistakes, and it is a an 720 00:42:11,840 --> 00:42:15,280 Speaker 1: artist workbook because she knows what she's doing on a set. 721 00:42:15,360 --> 00:42:17,520 Speaker 1: She knows she knows the acting game, and she knows 722 00:42:17,560 --> 00:42:21,200 Speaker 1: the craft and it's a skill set and Keikos get 723 00:42:21,360 --> 00:42:24,920 Speaker 1: the skills. Um. So if you're feeling down and you're 724 00:42:24,960 --> 00:42:27,400 Speaker 1: frustrated in your life or your career and you're an actor, 725 00:42:27,520 --> 00:42:32,160 Speaker 1: just work on your skills. Just keep working to acquire skills, 726 00:42:32,200 --> 00:42:35,880 Speaker 1: because it's a daily commitment to improving those skills, little 727 00:42:35,960 --> 00:42:39,120 Speaker 1: by little by little, that's all it is. It's nothing 728 00:42:39,120 --> 00:42:43,000 Speaker 1: to get down about and when you get the skills honed, 729 00:42:43,400 --> 00:42:46,399 Speaker 1: when they're ready and you can display them, you will 730 00:42:46,440 --> 00:42:50,120 Speaker 1: get work. It's as simple as that. So keep working. 731 00:42:50,840 --> 00:42:55,040 Speaker 1: Thanks for coming on, Keiko and uh being an inspiration 732 00:42:55,080 --> 00:42:59,160 Speaker 1: to everybody, and we'll talk soon. Okay, awesome, thanky, all right, 733 00:42:59,239 --> 00:43:31,320 Speaker 1: take care, all right, bye, got dot ja ja Hey everybody, 734 00:43:31,320 --> 00:43:34,640 Speaker 1: and don't forget follow us on Instagram at I Am 735 00:43:34,719 --> 00:43:39,200 Speaker 1: all In podcast and Emailie at Gilmore at I heart 736 00:43:39,320 --> 00:43:42,439 Speaker 1: radio dot com. Oh you Gilmore fans. If you're looking 737 00:43:42,480 --> 00:43:44,200 Speaker 1: for the best cup of coffee in the world, go 738 00:43:44,320 --> 00:43:48,080 Speaker 1: to my website for my company scott ep dot com 739 00:43:48,200 --> 00:43:50,560 Speaker 1: s CEO T T y P dot com, scott ep 740 00:43:50,719 --> 00:44:00,120 Speaker 1: dot com Grade one Specialty Coffee O