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Speaker 1: Why Hello, Andrew Barber, Good morning, Jodie Sweeten, Good morning.

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Speaker 1: How goes it?

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Speaker 2: Uh, well, it's Halloween. Technically we're recording this on.

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Speaker 1: Halloween, and we're recording this on Halloween. On Halloween, so

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Speaker 1: I had my Kimmy Gibbler scarf on earlier as my

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Speaker 1: nod to Halloween, the bacon and egg scarf, but I

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Speaker 1: took it off because I got hot, so that that

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Speaker 1: was my attempt.

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Speaker 2: Well, so there was bacon and eggs scarf present for

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Speaker 2: a moment. There was.

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Speaker 1: And now I'm wearing my LA shirt in honor of

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Speaker 1: Dodgers and the right wonderful just.

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Speaker 2: Won just one last night. That was a big thing.

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Speaker 2: I'm a sleep on the couch. Yeah, so that was great.

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Speaker 1: I know, come on, Scalon is it's fine.

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Speaker 2: Well, they were losing when I around the time I

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Speaker 2: fell asleep and he was not happy and had like

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Speaker 2: changed the channel. So I was like, I'm just gonna yeah,

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Speaker 2: I'm just gonna like go.

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Speaker 1: To sleep, and that wasn't looking good for the first half,

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Speaker 1: but they rallied.

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Speaker 2: Scary. But one thing I wanted to chat about is

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Speaker 2: some some sad news that we got recently, which is

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Speaker 2: that our lovely and wonderful costumer Roberta hayes On on

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Speaker 2: full House, who we have mentioned many times, was such

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Speaker 2: an influential person in our lives and was just such

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Speaker 2: a fascinating human. She passed away just recently, a few

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Speaker 2: weeks ago, and yeah, we just wanted to talk about

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Speaker 2: her and say how much we loved her, and yeah,

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Speaker 2: she was just.

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Speaker 1: Uh, she was a light, you know, she was such

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Speaker 1: a light on our set.

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Speaker 2: Was just one hundred per self, one hundred per self,

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Speaker 2: one hundred percent authentically herself.

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Speaker 1: Yah.

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Speaker 2: Yeah, you know, I think I don't know if I

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Speaker 2: told the story before. I probably did, and I think

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Speaker 2: you know it. But I in sixth grade, we were

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Speaker 2: asked to write, you know, five paragraph essay or whatever

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Speaker 2: on someone who we admired or someone who changed how

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Speaker 2: we thought about somebody. And I remember I wrote mine

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Speaker 2: about Roberta. Oh, and I wrote it about and I

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Speaker 2: can still remember. I referenced all of the bangles and

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Speaker 2: the bracelets that she used to wear. And you could

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Speaker 2: hear her before, you know, before she got there. You

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Speaker 2: could hear her bracelets, and she had purple hair, and

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Speaker 2: she you know, was a little bit older, but like

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Speaker 2: it didn't. She dressed exactly how she wanted in all black,

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Speaker 2: and she was just She was a dancer too, and

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Speaker 2: so she always would tell me stories about her time

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Speaker 2: as a professional dancer. And Gina Traconis, who was also

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Speaker 2: one of our who was our costumers, they had actually

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Speaker 2: worked together. They had danced in Westside Story, the original movie,

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Speaker 2: and so, you know, she just as a young kid

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Speaker 2: who you know, grew up in a relatively like conservative area,

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Speaker 2: I just remember Roberta being this sort of wild, exotic

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Speaker 2: person that was unlike anything. And I I watched.

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Speaker 1: Her h.

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Speaker 2: Just be funny and kind and and just who she was,

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Speaker 2: you know, and yeah, she really she made a huge

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Speaker 2: act on me as a young kid to see a

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Speaker 2: woman who didn't care anything about being who anybody thought

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Speaker 2: she was supposed to be. You know, she was just like, no,

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Speaker 2: I'm not gonna this is who I am. And it

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Speaker 2: was so creative and so I mean she I remember

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Speaker 2: I met her at Nana's. In Nana's was like a

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Speaker 2: like a really cool like hip store. There was one

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Speaker 2: on Melrose, and there was one in Santa Monica, and

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Speaker 2: I think we went to the one in Santa Monica

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Speaker 2: because she lived in Venice and we met her there

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Speaker 2: and she helped me pick out my outfit for my

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Speaker 2: very first concert, which was a George Michael concert. And

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Speaker 2: it was the it was Jeremy was it, Jeremy licked No,

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Speaker 2: Jeremy Miller Miller to Jerry and Miller's birthday party and

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Speaker 2: Candas was there and everything. And I had this red

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Speaker 2: like little off the shoulder shirt and these black gloves

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Speaker 2: and a hat and this like petticoat black thing and

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Speaker 2: these leggings and boots and that was all Roberta. And

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Speaker 2: I freaking loved it. I absolutely loved it. And she, like,

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Speaker 2: I remember my mom was like, let's ask Roberta, because

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Speaker 2: my mom was like she'll know, she'll know what to me,

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Speaker 2: like make you cool, and I and she did, and yeah,

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Speaker 2: I just I have some really really fond memories of

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Speaker 2: Roberta and some lovely pictures. I'll send those into our

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Speaker 2: producers so that we can put them up on Instagram

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Speaker 2: and then in you know the small world that la is.

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Speaker 2: Years later, when I was working in drug and alcohol

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Speaker 2: treatment and I was a director of operations, so I

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Speaker 2: was in charge of you know, hiring people and interviewing

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Speaker 2: people and stuff. And this young guy came in and

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Speaker 2: interviewed with me, and I didn't even think about his

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Speaker 2: name is Rocco and I kind of put two, it

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Speaker 2: didn't put two and two together. And at the end

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Speaker 2: of the interview, he's like, hey, by the way, I

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Speaker 2: think you knew my grandma. And I was like, oh,

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Speaker 2: who's your grandma? And he was like, Roberta Hayes. And

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Speaker 2: it hit me. I went wait because I remember when

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Speaker 2: he was born.

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Speaker 1: Wow.

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Speaker 2: And I know his mom too. I know DD too

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Speaker 2: through you know, mutual friends and stuff. And and Miscal

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Speaker 2: has known Roberta. Oh wow, through you know. I mean

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Speaker 2: it's like she's known him for years.

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Speaker 1: Yeah.

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Speaker 2: And so just these weird little bits and pieces of

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Speaker 2: my life that Roberta was always sort of sewn into.

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Speaker 2: And she, you know, even she was ninety something wow

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Speaker 2: when she died. But she uh, she had had lost

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Speaker 2: an eye at one point, but she had a glass

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Speaker 2: eye in it and she got it a really really

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Speaker 2: light ice blue, so that it was like a shocking

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Speaker 2: color as opposed to her other eyes, so that she

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Speaker 2: had two different colored eyes. And that was such a

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Speaker 2: roverted thing. And she had a gold name plate necklace

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Speaker 2: that said legendary yep, And and boy was she she.

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Speaker 2: And she's been in art books and photographers books for

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Speaker 2: you know, like Venice Beach Originals and all those guys.

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Speaker 2: You know, she's just she was a really amazing, fascinating,

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Speaker 2: probably complicated, but a woman who just made such an

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Speaker 2: impact on a young kid who always felt like a

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Speaker 2: little bit different and and not quite like mainstream. And

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Speaker 2: yet I, you know, I just didn't she gave I

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Speaker 2: saw that she gave herself and women permission to be

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Speaker 2: whoever they wanted to be. And yeah, I just I

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Speaker 2: love that about her. And she I had given her

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Speaker 2: a copy of that essay that I wrote back then.

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Speaker 2: I had given it so glad you did. She had

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Speaker 2: it hanging on her fridge for years. Wow, maybe even

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Speaker 2: I mean, I don't know, but she she had it

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Speaker 2: up there and she told the scal about it, and

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Speaker 2: she yeah, it meant a lot to her too. So

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Speaker 2: I just wanted to, yeah, have us tell a little,

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Speaker 2: you know, a little moment about Roberta.

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Speaker 1: She was absolutely the muse for Kimmy Gibbler's style, like

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Speaker 1: that came straight from Roberta. Because she was, like you mentioned,

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Speaker 1: she was very much the same, just marching to the

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Speaker 1: beat of her own drum, didn't care what other people thought.

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Speaker 1: She was like, this is my style and I am

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Speaker 1: going to own it and wear it. And that came

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Speaker 1: through through my character, you know, all of those iconic

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Speaker 1: yeah outfits.

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Speaker 2: She was the one that would go find these weird

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Speaker 2: because she shopped at weird vintage stores and Melrose and

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Speaker 2: she would be like, oh my god, I found like,

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Speaker 2: you know, some weird, wacky piece of jewelry or purse

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Speaker 2: or something. You know, the days before Etsy, you had

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Speaker 2: to go and actually find that stuff in person.

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Speaker 1: Yeah, she was just she was just a genius of

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Speaker 1: style and putting things together that you wouldn't think to

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Speaker 1: put together, but she made it all work. Yeah. She

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Speaker 1: she had a huge impact on the show.

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Speaker 2: Yeah, and she was one of a kind and legendary indeed.

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Speaker 2: So she will be missed. And Robert or wherever you

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Speaker 2: are out there on the weird little cosmic dust of things,

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Speaker 2: you you you definitely made a big difference in my life.

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Speaker 2: So we love you. And and yeah, it's just wild

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Speaker 2: to me that you know, still connected with her family

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Speaker 2: and her and it's yeah, the world again, the world

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Speaker 2: is small, but yeah, but my heart is full.

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Speaker 1: So oh that. Well, there we go. That's the episode,

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Speaker 1: right there, folks, and.

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Speaker 2: We're done, and that's it.

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Speaker 1: And I know, how do we how do we? I know,

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Speaker 1: I don't know how we transition from here, but that

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Speaker 1: was that was very beautiful. We'll dedicate this episode to Roberta.

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Speaker 2: We love you.

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Speaker 1: Yeah, we love you, Roberta.

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Speaker 2: And remember always be exactly who the hell you are.

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Speaker 2: Don't let anybody tell you what you got to be. Yes,

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Speaker 2: wherever you can wear it well into your nineties, and

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Speaker 2: don't don't listen to them.

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Speaker 1: I love that. Yeah, I love that. Well, let's get

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Speaker 1: into it, shall we. I mean, we can't, we can't

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Speaker 1: top that. This is we have to go straight into

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Speaker 1: the episode.

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Speaker 2: There, we have to go straight in the episode. But

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Speaker 2: I will say this episode is epic, so it only

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Speaker 2: fits that we talked about an epic human being at

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Speaker 2: the beginning of And I don't say that because it's

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Speaker 2: about stuff, but this is. Oh, it's what I hear

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Speaker 2: most often as people's favorite episode.

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Speaker 1: Yeah, I was gonna say the same thing. This is

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Speaker 1: a legendary episode. Anyone who's ever seen Full House will

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Speaker 1: remember this episode, even if you don't remember the rest

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Speaker 1: of the series like this is, this is this is

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Speaker 1: a lot of people's favorite episode, and I'm very curious

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Speaker 1: as we get into it to hear your thoughts about

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Speaker 1: why that might be. So Welcome back to how Rude Tanneritos.

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Speaker 1: I'm Andrea Barber and I'm Jody Sweeten, and today we

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Speaker 1: are discussing season three episode twenty Honey I Broke the House.

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Speaker 1: Oh yeah. It originally aired on March ninth, nineteen ninety

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Speaker 1: and it goes a little something like this, Stephanie drives

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Speaker 1: Joey's prized classic car into the house when she is

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Speaker 1: left unsupervised. Oh does she? Oh does she?

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Speaker 2: Yeah.

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Speaker 1: It was directed by Bill Foster Goffee Coffee, Coffee, Coffee,

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Speaker 1: cough Coffee, and it was written by Kim Weissakoff. And

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Speaker 1: there's no guest stars this week.

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Speaker 2: There's none.

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Speaker 1: No, it's just it's just just Rosie. Yeah, just Rosie

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Speaker 1: the car. That's it. So we start with the teaser

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Speaker 1: in the backyard, Michelle is holding a baby baseball bat

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Speaker 1: and Joey is using his announcer voice to introduce her

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Speaker 1: stepping up to the plate for her very first at bat.

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Speaker 1: Michelle Belle Chelle the Babe Babe, Babe Tenner. Michelle approves

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Speaker 1: of this intro, saying thank you very much. Then she

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Speaker 1: steps up to the plate and hits the ball off

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Speaker 1: the tee. It doesn't go far, but she makes a

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Speaker 1: run for it. However, instead of going to first base,

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Speaker 1: she runs to third on our way there, she picks

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Speaker 1: up the soft ball and carries it with her to

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Speaker 1: the base. Then she runs over to first base before

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Speaker 1: heading over to second. You know you didn't.

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Speaker 2: Nobody was explicit that you had to go in a

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Speaker 2: certain order. She was like, to hit all the bases.

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Speaker 2: You made a home run.

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Speaker 1: She understood the assignments sort of right. When she gets

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Speaker 1: to the second base, she decides to pick up the

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Speaker 1: plate and Joey tells her to head home. Michelle takes

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Speaker 1: this literally. She steals the plate and she ditches the

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Speaker 1: game and runs into the house through the back door.

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Speaker 1: She runs into the kitchen and yells, I'm home, and

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Speaker 1: then she shakes her head and says to herself, this

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Speaker 1: game is way too easy. Joey follows her in and laughs,

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Speaker 1: asking what are you doing, baby Ruth. He asks for

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Speaker 1: a kiss and hug, and Michelle gives him just that.

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Speaker 1: Super cut.

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Speaker 2: This was a cute This was a very cute teaser.

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Speaker 2: And I noticed that they're just getting way better at talking,

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Speaker 2: you know what I mean, Like it's just much more

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Speaker 2: natural sounding out of their mouth.

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Speaker 1: It's very evident throughout the whole episode they're nailing their lines.

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Speaker 1: They're acting, they're acting acting, not making very very well done.

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Speaker 2: And I think this is the first teaser that I've

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Speaker 2: seen that that actually changed rooms. Oh yeah, that's the

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Speaker 2: backyard into the kitchen. Usually the teasers just in and out,

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Speaker 2: but yeah.

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Speaker 1: Right right, no, this was they had to repo at

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Speaker 1: least one camera to get that shot.

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Speaker 2: I wonder if, and now that I think about it,

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Speaker 2: is it so that you see both the backyard and

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Speaker 2: the kitchen before everything's ruined, so that maybe is sort

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Speaker 2: of fresh in your mind.

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Speaker 1: I don't know.

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Speaker 2: That could be that has nothing to do with it

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Speaker 2: and that, but it feels like those two sets are

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Speaker 2: very important in the thing. So it's like a nice

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Speaker 2: way to at the top of the show sort of

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Speaker 2: get everybody like, look, you come into the kitchen.

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Speaker 1: And they could have cut it right after. Oh she's

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Speaker 1: literally she's steeling, She's going home, go home, right right.

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Speaker 1: They could have cut it right there, but they deliberately

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Speaker 1: repolled the camera and finished the scene in the.

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Speaker 2: Kitchen because because you don't go into because you then

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Speaker 2: you're in DJ and steps room, and then you're in

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Speaker 2: the living room in the backyard, and you don't see

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Speaker 2: the kitchen until it's.

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Speaker 1: Until it's destroyed, which was probably written like that on purpose,

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Speaker 1: so they didn't.

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Speaker 2: Well, they also had to remake that whole wall out

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Speaker 2: of balsam wood, so oh yeah, yeah, oh, that it

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Speaker 2: would break effectively.

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Speaker 1: I can only imagine the budget for special effects for

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Speaker 1: stunts and right like this and set deck, all of it, yeah,

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Speaker 1: all of it. So next, in the girl's room, Michelle

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Speaker 1: is using a stuffoscope on one of her stuffed animals

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Speaker 1: as Kimmy and DJ sit at the table doing homework.

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Speaker 1: We noticed that they're both wearing headphones and listening to music.

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Speaker 1: Kimmy as usual as copying DJ's homework. It's silent in

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Speaker 1: the room until they burst out singing blame it on

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Speaker 1: the rain. Yeah, yeah, yes.

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Speaker 2: We really made a lot of Millie Vanilli references, which is,

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Speaker 2: you know, sad one of them has has since passed,

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Speaker 2: but it's just all the better when you find out

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Speaker 2: that not long after that, it was the whole you know,

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Speaker 2: lip syncing scandal and blah blah blah. Yeah, and we

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Speaker 2: just were referencing them all over the place. They were

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Speaker 2: super popular.

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Speaker 1: They were so popular. I loved their mus I still

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Speaker 1: love their music. I love their music.

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Speaker 2: Whoever the hell was singing it great, I don't know it.

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Speaker 2: They were great, doesn't even matter who really were loved it?

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Speaker 1: Yeah it was, it was catchy, it was great. I

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Speaker 1: love Millie Vanilli. I'm living for all of these Milli

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Speaker 1: Vanilli references. So dated, it's so it's so excellently dated,

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Speaker 1: you know what I mean, It's just nineties really, Oh god? Yeah. Yeah.

287
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Speaker 1: Michelle trayes to copy the girls and she sings Rain

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Speaker 1: Rain Go Away. Yeah yeah, she tried nay for effort.

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Speaker 1: Then Stephanie cheerfully walks in telling the girls she has

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Speaker 1: great news, but she doesn't get a response, so she

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00:16:53,280 --> 00:16:56,120
Speaker 1: walks up to Kimmy and DJ and moves their headphones

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Speaker 1: away from their ears so they're forced to listen to her.

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00:16:58,800 --> 00:17:01,520
Speaker 1: This time, she says, I still have twenty minutes before

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Speaker 1: dance class. If anybody wants to play, Kimmy and DJ

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00:17:05,000 --> 00:17:08,760
Speaker 1: roll their eyes and take off their headphones. DJ emphasizes,

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Speaker 1: can't you see I'm doing our homework, referencing herself and Kimmy.

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Speaker 2: Of course she really she was a good friend. Look, Kimmy,

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00:17:19,640 --> 00:17:24,439
Speaker 2: you're yeah, yeah, she was like just just I got you.

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00:17:24,560 --> 00:17:28,680
Speaker 1: Yeah, you know, it was a staple of our friendship.

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Speaker 2: It's true.

301
00:17:30,240 --> 00:17:32,200
Speaker 1: Kimmy chimes in, Oh, go ahead.

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Speaker 2: No, I was gonna say maybe maybe, maybe, you know,

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00:17:34,160 --> 00:17:37,160
Speaker 2: maybe poor Kimmy had some some undiagnosed learning disability though

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Speaker 2: why she struggled so much in school with.

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Speaker 1: The little the little we know about her home life

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00:17:42,400 --> 00:17:47,120
Speaker 1: of course with her so yeah, no, Kimmy needed help,

307
00:17:47,480 --> 00:17:51,919
Speaker 1: and DJ was there to save the day. Yes, so,

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00:17:52,000 --> 00:17:54,960
Speaker 1: Kimmy says, you know, there's a country where they use

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Speaker 1: little annoying kids for lunch meat. Steph smirks, Then you

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Speaker 1: better not go because you're full of baloney.

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Speaker 2: It's pretty good, car right.

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Speaker 1: It's good. Not our strongest, you know, frenemy smack talk,

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Speaker 1: but it's it.

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Speaker 2: Was okay, it was great, it was good. It turned

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00:18:10,480 --> 00:18:13,800
Speaker 2: me off to lunch beat baloney.

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Speaker 1: It's just yeah, the moving on. So DJ's had enough.

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00:18:20,080 --> 00:18:22,439
Speaker 1: She tells Steph to go downstairs. And run around the

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00:18:22,440 --> 00:18:26,119
Speaker 1: couch about a thousand times. Stephanie admits she's getting the

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00:18:26,160 --> 00:18:29,959
Speaker 1: feeling she's not wanted there. DJ tells her make that

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00:18:30,000 --> 00:18:33,800
Speaker 1: two thousand times. Steph size, now I'm sure of it,

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00:18:34,119 --> 00:18:38,160
Speaker 1: and she runs off. Michelle gives Kimmy her stethoscope, telling

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00:18:38,200 --> 00:18:40,760
Speaker 1: her to listen to this, and then she screams yeah,

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00:18:40,880 --> 00:18:45,080
Speaker 1: yeah into the device as Kimmy winces at the amplified noise.

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Speaker 1: It's a funny bit. Can we talk about the fashion

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00:18:48,640 --> 00:18:51,360
Speaker 1: in this opening scene here?

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00:18:51,440 --> 00:18:54,480
Speaker 2: So I was like, oh my god, this outfit. And

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00:18:54,520 --> 00:18:56,400
Speaker 2: then that's when I was like, oh wait, that's right.

328
00:18:56,480 --> 00:18:58,919
Speaker 2: It's the car episode because I'm like, I this outfit

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00:18:59,000 --> 00:19:03,080
Speaker 2: stands out so vividly, the Stephanie outfit. That sweater, yeah,

330
00:19:03,080 --> 00:19:05,000
Speaker 2: which first of all, the sweater with the leggings and

331
00:19:05,040 --> 00:19:08,680
Speaker 2: the boots, I'd wear it today. It's cute, very cute,

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00:19:09,680 --> 00:19:13,720
Speaker 2: and my hair bow. I guess this is my little

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00:19:13,960 --> 00:19:16,040
Speaker 2: well I'll save it for the everywhere Okay.

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00:19:16,040 --> 00:19:18,000
Speaker 1: I was wondering if this would be your everywhere you look, Yeah.

335
00:19:18,400 --> 00:19:21,040
Speaker 2: I say it. But the whole thing, the boat, the

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00:19:21,119 --> 00:19:24,639
Speaker 2: curly hair, the pink boots with the sweater, which was

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00:19:24,680 --> 00:19:25,760
Speaker 2: like some sort of grass.

338
00:19:26,280 --> 00:19:28,880
Speaker 1: It was great, multi patterned, multi colored.

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00:19:28,880 --> 00:19:31,600
Speaker 2: There was a lot of size sweater. It was great. Oh,

340
00:19:31,640 --> 00:19:33,520
Speaker 2: I could take you to cowboy boots.

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00:19:33,600 --> 00:19:35,880
Speaker 1: You were, you were strutting in this in this outfit.

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00:19:35,960 --> 00:19:36,280
Speaker 1: You look.

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00:19:36,600 --> 00:19:40,200
Speaker 2: My favorite outfit is like boots, leggings and a sweatshirt.

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00:19:40,320 --> 00:19:43,439
Speaker 2: It's just always been I'm like, I'm comfortable. I feel

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00:19:43,520 --> 00:19:46,760
Speaker 2: I can I can take my long strides and the

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00:19:46,880 --> 00:19:47,639
Speaker 2: legs that I need to.

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00:19:47,880 --> 00:19:50,480
Speaker 1: Yeah. Anyway, Oh, it was cute and you were in

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00:19:50,520 --> 00:19:53,240
Speaker 1: it for the whole episode, which is not often you

349
00:19:53,280 --> 00:19:55,680
Speaker 1: wear the same outfit for the whole episode usually.

350
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Speaker 2: There Yeah, well this episode was basically like just a

351
00:19:58,760 --> 00:20:01,439
Speaker 2: few hours right house, so it was not It was

352
00:20:01,480 --> 00:20:04,000
Speaker 2: just all one change, which isn't that easy.

353
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Speaker 1: It's always easy, I know, right.

354
00:20:05,920 --> 00:20:08,520
Speaker 2: Uh but yeah, the fashion in this in this.

355
00:20:08,440 --> 00:20:11,480
Speaker 1: Fashion was great. DJ's back in her signature mustard yellow,

356
00:20:11,520 --> 00:20:14,679
Speaker 1: and mustard yellow looks great on her. Yeah, Kimmy's got

357
00:20:14,720 --> 00:20:17,720
Speaker 1: a royal blue sweater with like some geometrical shapes on it,

358
00:20:18,080 --> 00:20:19,280
Speaker 1: which I also love a little.

359
00:20:19,320 --> 00:20:21,080
Speaker 2: You got a little side half and half.

360
00:20:21,080 --> 00:20:23,720
Speaker 1: They're did a little side half in half with curls

361
00:20:24,080 --> 00:20:26,320
Speaker 1: and the little this is the start of my my

362
00:20:26,760 --> 00:20:30,359
Speaker 1: side swept bang era, which gets more and more nests

363
00:20:30,560 --> 00:20:33,080
Speaker 1: like as we go through the series. But yeah, I

364
00:20:33,119 --> 00:20:36,280
Speaker 1: love that little side swept bang and a little teasing

365
00:20:36,560 --> 00:20:38,639
Speaker 1: like that was my that was my jam I did that.

366
00:20:38,760 --> 00:20:42,560
Speaker 2: This was the beginning of the teased bang era. Oh yeah,

367
00:20:42,560 --> 00:20:44,680
Speaker 2: but then you we're going to see coming up really

368
00:20:45,520 --> 00:20:48,480
Speaker 2: uh takes on the life of its own worse like

369
00:20:48,520 --> 00:20:51,160
Speaker 2: the mullets in the beginning of the season, Our bangs

370
00:20:51,240 --> 00:20:54,440
Speaker 2: just grow and grow like a chia.

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Speaker 1: Pet Yep, It's it's epic. So next in the living room,

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00:20:59,280 --> 00:21:01,760
Speaker 1: Danny and Becky are sitting on the couch when Stephanie

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Speaker 1: walks in and announces, I have eighteen minutes until Dan's class.

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00:21:05,119 --> 00:21:09,280
Speaker 1: Who wants to play? Danny is apologetic, we'd love to,

375
00:21:09,400 --> 00:21:11,600
Speaker 1: but we're trying to come up with some interesting things

376
00:21:11,600 --> 00:21:15,560
Speaker 1: to talk about on tomorrow's show. Stephanie suggests talk about

377
00:21:15,560 --> 00:21:18,639
Speaker 1: my day so far. It's been fascinating. It all started

378
00:21:18,640 --> 00:21:21,119
Speaker 1: when I heard the alarm clock and woke up. She

379
00:21:21,160 --> 00:21:23,119
Speaker 1: stops her story to remind the adults that they might

380
00:21:23,160 --> 00:21:24,000
Speaker 1: want to take notes.

381
00:21:24,800 --> 00:21:25,960
Speaker 2: Fascinating things are coming.

382
00:21:27,280 --> 00:21:29,800
Speaker 1: Danny and Becky give each other a nervous glance before

383
00:21:29,840 --> 00:21:33,320
Speaker 1: Steph continues, and then I open my eyes and right

384
00:21:33,400 --> 00:21:35,680
Speaker 1: in the corner were those little I crispies.

385
00:21:36,040 --> 00:21:37,480
Speaker 2: You know, I get them every morning.

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00:21:37,640 --> 00:21:41,399
Speaker 1: You're there grows grows, but true, it's true.

387
00:21:41,560 --> 00:21:44,840
Speaker 2: I mean now I'm doing yeah like it makes me

388
00:21:44,880 --> 00:21:46,560
Speaker 2: want to itch the inner corner of my eye.

389
00:21:48,960 --> 00:21:51,680
Speaker 1: So Danny and Becky cut her off, and Danny assures

390
00:21:51,720 --> 00:21:54,800
Speaker 1: Steph that he he loves her stories and and every

391
00:21:54,840 --> 00:21:58,080
Speaker 1: single detail that she adds to them. He tells Becky

392
00:21:58,119 --> 00:22:00,560
Speaker 1: that the simplest stories just go on on and on

393
00:22:00,640 --> 00:22:04,240
Speaker 1: and on and on, and Becky is not surprised. Gee,

394
00:22:04,280 --> 00:22:08,000
Speaker 1: I wonder where she gets that from. Then Jesse walks

395
00:22:08,040 --> 00:22:10,600
Speaker 1: into the room. Stephanie can't wait to tell him about

396
00:22:10,600 --> 00:22:13,320
Speaker 1: her day, but Jesse reminds her, you already told me

397
00:22:13,560 --> 00:22:18,800
Speaker 1: I Crispy's gross. Want to share this day with people

398
00:22:18,840 --> 00:22:20,600
Speaker 1: like you are just you need.

399
00:22:20,480 --> 00:22:25,040
Speaker 2: To know every detail you know. I'm giving you gold here.

400
00:22:27,680 --> 00:22:32,280
Speaker 1: Steph realizes she hasn't told Joey yet. Jesse is eager

401
00:22:32,320 --> 00:22:34,439
Speaker 1: to hand her off, so he pushes her into the kitchen,

402
00:22:34,480 --> 00:22:37,560
Speaker 1: telling her that Joey loves a good eye crispy story.

403
00:22:38,240 --> 00:22:42,080
Speaker 1: Sure he does. Then Jesse makes his way over to Becky.

404
00:22:42,440 --> 00:22:45,480
Speaker 1: He suggests that they have a nice romantic evening tonight.

405
00:22:46,000 --> 00:22:48,280
Speaker 1: He can go over to her place and make chicken

406
00:22:48,359 --> 00:22:49,159
Speaker 1: a la Jesse.

407
00:22:50,359 --> 00:22:52,000
Speaker 2: Do we think he's actually making chicken?

408
00:22:52,040 --> 00:22:52,159
Speaker 1: There?

409
00:22:52,320 --> 00:22:53,800
Speaker 2: Is that a reference to something else?

410
00:22:54,000 --> 00:22:55,520
Speaker 1: Oh? Is it a euphemism? Uh?

411
00:22:56,480 --> 00:22:56,920
Speaker 2: I don't know.

412
00:22:57,280 --> 00:22:59,920
Speaker 1: Did we ever see Jesse can cook like he's cooked

413
00:23:00,160 --> 00:23:05,280
Speaker 1: the kids? Right? So maybe he was actually Maybe the

414
00:23:05,320 --> 00:23:09,159
Speaker 1: delivery was the delivery was suggestive, so I think it

415
00:23:09,200 --> 00:23:11,240
Speaker 1: could go either way. Maybe he would saying hey, I'll

416
00:23:11,240 --> 00:23:12,840
Speaker 1: cook for you, and then uh.

417
00:23:13,200 --> 00:23:15,560
Speaker 2: Right, I mean he said he's chicken and not sausage,

418
00:23:15,600 --> 00:23:16,560
Speaker 2: so I guess that's better.

419
00:23:17,960 --> 00:23:18,240
Speaker 1: True.

420
00:23:18,960 --> 00:23:20,560
Speaker 2: Yeah, it wasn't like he was gonna make hot dogs,

421
00:23:20,600 --> 00:23:23,280
Speaker 2: because that would then I'd be like, we don't know.

422
00:23:26,240 --> 00:23:29,040
Speaker 1: So Becky stands and begins to walk away while telling

423
00:23:29,119 --> 00:23:32,159
Speaker 1: Jesse she can't tonight she has a business dinner with

424
00:23:32,240 --> 00:23:35,840
Speaker 1: Bo McIntyre. I wonder where they got that name, right right,

425
00:23:35,920 --> 00:23:39,919
Speaker 1: we just finished talking to to Doug McIntyre, the writer. Bo.

426
00:23:40,160 --> 00:23:44,240
Speaker 1: It's such a such a manly name. Man, it's a

427
00:23:43,840 --> 00:23:48,760
Speaker 1: man yeah, Bo. I associate it with like a like

428
00:23:48,800 --> 00:23:51,720
Speaker 1: a soap opera star, you know, like Bo Bo McIntyre

429
00:23:51,840 --> 00:23:52,680
Speaker 1: seems like ankey.

430
00:23:52,760 --> 00:23:56,040
Speaker 2: It just seems to me it sounds like a ridiculous name.

431
00:23:56,280 --> 00:23:58,399
Speaker 2: Oh really, yeah, it sounds like who would name that?

432
00:23:58,400 --> 00:24:01,280
Speaker 2: Would be like, I'm going to name my child Boo.

433
00:24:01,960 --> 00:24:05,679
Speaker 1: Okay, I liked it. It fit my my it fit

434
00:24:06,400 --> 00:24:12,399
Speaker 1: it fit the end. Jesse's imagining who Bo McIntyre really is. Yeah. Yeah,

435
00:24:12,440 --> 00:24:15,520
Speaker 1: So Jesse of course immediately gets jealous. He questions who's

436
00:24:15,560 --> 00:24:18,919
Speaker 1: Bo McIntyre. Becky tries to calm him, assuring him that

437
00:24:18,920 --> 00:24:22,080
Speaker 1: there's no reason to be jealous. Bo is just a guest.

438
00:24:22,119 --> 00:24:25,760
Speaker 1: On tomorrow's show, Danny pipes up, telling Jesse he has

439
00:24:25,840 --> 00:24:29,120
Speaker 1: to catch this guy. He's amazing. He's only thirty years old,

440
00:24:29,320 --> 00:24:33,000
Speaker 1: an ex quarterback, a neurosurgeon, and he was just voted

441
00:24:33,040 --> 00:24:37,000
Speaker 1: the Bay Area's most eligible bachelor. Jesse gives Becky a

442
00:24:37,040 --> 00:24:43,600
Speaker 1: stern look and tells her she's not going what it's

443
00:24:43,640 --> 00:24:45,600
Speaker 1: a knee jerk reaction. I get it, I get it.

444
00:24:46,119 --> 00:24:46,960
Speaker 2: He was like, you're not going.

445
00:24:47,000 --> 00:24:50,080
Speaker 1: I was like, uh, did he just try her like

446
00:24:50,119 --> 00:24:50,720
Speaker 1: his daughter?

447
00:24:50,960 --> 00:24:53,680
Speaker 2: I was that one threw me for a loop. You're

448
00:24:53,720 --> 00:24:54,160
Speaker 2: not going?

449
00:24:54,240 --> 00:24:58,720
Speaker 1: I was like, it's a worse thing.

450
00:24:58,840 --> 00:25:01,200
Speaker 2: First of all, we know she he's going because she's

451
00:25:01,240 --> 00:25:09,640
Speaker 2: not listening to that, because she's Secondly, yeah, secondly, nickis.

452
00:25:08,160 --> 00:25:12,119
Speaker 1: You have to save your chicken ala Jesse for another time.

453
00:25:12,000 --> 00:25:14,639
Speaker 2: Right, Yeah, yeah, chicken al a solo.

454
00:25:16,560 --> 00:25:19,120
Speaker 1: So Danny gives a nervous laugh. Well, my work here

455
00:25:19,240 --> 00:25:21,760
Speaker 1: is done. He quickly leaves so he can head back

456
00:25:21,800 --> 00:25:24,800
Speaker 1: to the station. Becky tells Jesse that she better get

457
00:25:24,800 --> 00:25:26,639
Speaker 1: going as well. She has to get ready for her

458
00:25:26,640 --> 00:25:29,439
Speaker 1: business dinner, which he has no reason to be jealous of.

459
00:25:30,480 --> 00:25:34,160
Speaker 1: Jesse tries to play it cool. Jealous me being jealous,

460
00:25:34,359 --> 00:25:36,879
Speaker 1: I don't think. So he walks towards the door and

461
00:25:36,920 --> 00:25:38,520
Speaker 1: tells them that he's going to go on a long

462
00:25:38,640 --> 00:25:43,359
Speaker 1: ride until this feeling of not being jealous passes. Good job, Jesse,

463
00:25:43,480 --> 00:25:44,360
Speaker 1: here's your good job.

464
00:25:44,480 --> 00:25:45,200
Speaker 2: You're learning.

465
00:25:45,720 --> 00:25:49,680
Speaker 1: Go for a walk, take some deep breaths. Yeah, get

466
00:25:49,680 --> 00:25:51,160
Speaker 1: out your regression on the pavement.

467
00:25:51,359 --> 00:25:53,080
Speaker 2: Yeah yeah, just there you go.

468
00:25:53,520 --> 00:25:56,720
Speaker 1: He's learning some some healthier coping techniques.

469
00:25:56,960 --> 00:25:57,320
Speaker 2: Exactly.

470
00:25:57,440 --> 00:26:01,280
Speaker 1: I'm proud of him. Yes, So next in the backyard.

471
00:26:01,640 --> 00:26:03,520
Speaker 1: You're right, we go straight to the backyard. We never

472
00:26:03,560 --> 00:26:05,639
Speaker 1: go in the kitchen, never go in the kitchen. I

473
00:26:05,640 --> 00:26:08,480
Speaker 1: think it was probably a set issue, like we had

474
00:26:08,520 --> 00:26:10,199
Speaker 1: to do the special effects and all that stuff, so

475
00:26:10,200 --> 00:26:12,560
Speaker 1: they had to it was a thing. Oh, totally totally

476
00:26:12,560 --> 00:26:14,920
Speaker 1: makes sense logistically for yeah, for this episode.

477
00:26:15,000 --> 00:26:17,760
Speaker 2: Yeah, they probably didn't want to like dress the city,

478
00:26:17,760 --> 00:26:18,960
Speaker 2: you know what I mean. They were like, we're building

479
00:26:19,000 --> 00:26:21,320
Speaker 2: an entire wall and set and let's just make it.

480
00:26:21,400 --> 00:26:24,200
Speaker 1: Yeah, yeah, simplify. Let's simplify this process.

481
00:26:24,400 --> 00:26:24,640
Speaker 2: Right.

482
00:26:25,440 --> 00:26:28,000
Speaker 1: So in the backyard, Joey is polishing a beautiful red

483
00:26:28,040 --> 00:26:31,000
Speaker 1: car as Stuff continues to tell him all about her day.

484
00:26:31,200 --> 00:26:32,400
Speaker 2: Not this car get in the backyard.

485
00:26:33,119 --> 00:26:34,000
Speaker 1: How did he buy a car?

486
00:26:34,520 --> 00:26:35,480
Speaker 2: Why is he buying a car?

487
00:26:35,560 --> 00:26:37,600
Speaker 1: I don't know I did Does he make it enough

488
00:26:37,640 --> 00:26:40,239
Speaker 1: money to buy a car car like this?

489
00:26:40,400 --> 00:26:43,000
Speaker 2: Like it's the early nineties.

490
00:26:43,160 --> 00:26:45,399
Speaker 1: I'm also wondering we already have a red car in

491
00:26:45,440 --> 00:26:48,359
Speaker 1: the family, the bullet Dan's cart. Why didn't they just

492
00:26:48,440 --> 00:26:49,800
Speaker 1: use bullet for this episode?

493
00:26:49,880 --> 00:26:51,240
Speaker 2: Well, because the bullet went in the bay.

494
00:26:51,960 --> 00:26:57,680
Speaker 3: Oh, but this family has really really hitty luck with cars.

495
00:26:58,119 --> 00:27:00,000
Speaker 1: They should get all of their licenses revolt.

496
00:27:00,160 --> 00:27:02,840
Speaker 2: I yeah, I feel like at some point the authorities

497
00:27:02,880 --> 00:27:05,959
Speaker 2: should have been alerted and been like, I you guys,

498
00:27:06,280 --> 00:27:08,520
Speaker 2: like their insurance company must just be like, what is

499
00:27:08,720 --> 00:27:10,080
Speaker 2: happening at this house.

500
00:27:10,400 --> 00:27:12,520
Speaker 1: How do we drop the Tanners from the stay.

501
00:27:13,080 --> 00:27:15,679
Speaker 2: They can't get home insurance, they can't get car insurance.

502
00:27:16,560 --> 00:27:18,760
Speaker 2: Jesse laid his bike down, broke both of his arms.

503
00:27:18,800 --> 00:27:21,480
Speaker 2: I mean, come on, this family is should not be

504
00:27:21,600 --> 00:27:25,400
Speaker 2: on anything motorized at all. No, we're not alert, never

505
00:27:26,680 --> 00:27:29,439
Speaker 2: and certainly not a pretty red car. No. No, you

506
00:27:29,480 --> 00:27:31,560
Speaker 2: guys get an old piece of station wagon.

507
00:27:31,640 --> 00:27:33,640
Speaker 1: That's it, which is what you need?

508
00:27:33,640 --> 00:27:36,879
Speaker 2: Anyway? Who's buying classic cars? Slip nine people around? Anyway?

509
00:27:36,920 --> 00:27:39,280
Speaker 1: I know they they need a sprinter van is what

510
00:27:39,320 --> 00:27:41,159
Speaker 1: they need for all of the family members, all the

511
00:27:41,160 --> 00:27:42,880
Speaker 1: people that end up planting in that house.

512
00:27:42,960 --> 00:27:45,440
Speaker 2: The Tanners would have had a minivan, Okay, yeah, it would.

513
00:27:45,240 --> 00:27:51,480
Speaker 1: Have had Danny would have owned that minivan, loved it. Yeah,

514
00:27:51,840 --> 00:27:53,560
Speaker 1: it's very un brand for Tanner.

515
00:27:53,600 --> 00:27:56,480
Speaker 2: But crashing a minivan through the kitchen isn't as sad

516
00:27:56,560 --> 00:27:59,520
Speaker 2: as crashing a really pretty true red car through the

517
00:28:00,359 --> 00:28:02,160
Speaker 2: Joke's gotta work, Jokes gotta work.

518
00:28:09,440 --> 00:28:12,360
Speaker 1: So Steph is talking about her teacher ruining the surprise

519
00:28:12,600 --> 00:28:16,719
Speaker 1: behind macaroni surprise. I don't think that's a surprise that

520
00:28:16,800 --> 00:28:17,520
Speaker 1: you want.

521
00:28:19,680 --> 00:28:23,240
Speaker 2: You know, there's good surprises and there's bad surprises, Yeah, well,

522
00:28:23,880 --> 00:28:25,800
Speaker 2: surprises not great.

523
00:28:26,080 --> 00:28:29,359
Speaker 1: Well, but if the surprise is macaroni, she's right that

524
00:28:29,400 --> 00:28:31,440
Speaker 1: the teacher gave it away. But if it's a different

525
00:28:31,680 --> 00:28:34,000
Speaker 1: if it's something besides macaroni, that's a surprise.

526
00:28:34,160 --> 00:28:37,159
Speaker 2: Though usually it's macaroni with something else. It's with whatever

527
00:28:37,200 --> 00:28:39,480
Speaker 2: meat didn't get cooked for the rest of the week,

528
00:28:39,680 --> 00:28:41,040
Speaker 2: and so they put it in there and they're like,

529
00:28:41,160 --> 00:28:44,560
Speaker 2: it's a surprise, and you're like, that's not even meat.

530
00:28:44,800 --> 00:28:46,920
Speaker 1: Yeah, and then another surprise comes eight hours.

531
00:28:46,760 --> 00:28:50,600
Speaker 2: Later, when you're yeah, it might be forty five minutes.

532
00:28:52,360 --> 00:28:56,680
Speaker 1: Yeah. So finally, Joey has just had enough. He loves

533
00:28:56,720 --> 00:28:59,440
Speaker 1: to hear her stories, but she hasn't said a word

534
00:28:59,480 --> 00:29:03,320
Speaker 1: about his brand new used car stuff, stands back to

535
00:29:03,360 --> 00:29:06,240
Speaker 1: admire the vehicle in its entirety, before mustering out a

536
00:29:06,520 --> 00:29:08,160
Speaker 1: nice now back to my day.

537
00:29:08,440 --> 00:29:11,800
Speaker 2: Yeah anyway, like, oh.

538
00:29:11,680 --> 00:29:15,840
Speaker 1: Steph, Like she's a quintessential little sister, the annoying little

539
00:29:15,840 --> 00:29:18,880
Speaker 1: sister that can't read the room, that just wants people

540
00:29:18,920 --> 00:29:20,080
Speaker 1: to listen to hers, Like that is it?

541
00:29:20,120 --> 00:29:22,360
Speaker 2: You'r you know? I will say in this episode, I

542
00:29:22,400 --> 00:29:25,840
Speaker 2: was like, wait, did they actually think this a thing?

543
00:29:26,640 --> 00:29:28,040
Speaker 2: Was this who I was? Was like the kid that

544
00:29:28,040 --> 00:29:29,400
Speaker 2: wouldn't shut up, and they were like, let's writ an

545
00:29:29,400 --> 00:29:31,920
Speaker 2: episode about it. She crashes into a car, or crashes

546
00:29:31,960 --> 00:29:32,600
Speaker 2: into a kitchen.

547
00:29:33,200 --> 00:29:36,160
Speaker 1: I don't remember you being this intense in person.

548
00:29:36,280 --> 00:29:37,120
Speaker 2: Yeah no, I wasn't like it.

549
00:29:37,160 --> 00:29:39,080
Speaker 1: I mean we weren't this this bad, But I mean

550
00:29:39,120 --> 00:29:41,280
Speaker 1: you were. You were chatty, Kathy, but not like to

551
00:29:41,320 --> 00:29:44,240
Speaker 1: the point of not reading the room, that's true, not

552
00:29:44,320 --> 00:29:49,200
Speaker 1: letting anyone else talk. So you know, that's okay. So

553
00:29:49,240 --> 00:29:51,720
Speaker 1: stuph tries to continue her story about her day, but

554
00:29:51,800 --> 00:29:55,640
Speaker 1: Joey cuts her off. This is a nineteen sixty three rambler.

555
00:29:55,760 --> 00:29:58,920
Speaker 1: It's a classic. And then he gives a dramatic sigh.

556
00:29:59,400 --> 00:30:01,320
Speaker 1: People say it it's wrong to love a car, but

557
00:30:01,360 --> 00:30:04,520
Speaker 1: I don't care what people say. I love you, Rosie.

558
00:30:04,880 --> 00:30:07,160
Speaker 1: He bends down and kisses the trunk of the car,

559
00:30:07,680 --> 00:30:10,120
Speaker 1: and that's when he notices something is wrong with the car.

560
00:30:10,680 --> 00:30:13,840
Speaker 1: He says oh no, out loud, and Stephanie asks what's wrong.

561
00:30:14,800 --> 00:30:19,440
Speaker 1: Joey responds Nick, and Stephanie responds, okay, what's wrong? Nick?

562
00:30:21,080 --> 00:30:25,440
Speaker 1: It laughed out loud. Joey explains, no, there's a nick

563
00:30:25,600 --> 00:30:28,760
Speaker 1: in the paint. He's gonna head to sid in Jean's

564
00:30:28,800 --> 00:30:31,680
Speaker 1: auto supplies to get a little bottle of touch up paint.

565
00:30:32,280 --> 00:30:34,320
Speaker 1: Joey yells to comment, asking if he wants to go

566
00:30:34,360 --> 00:30:37,200
Speaker 1: on a walk. When Comet runs outside to greet Joey,

567
00:30:37,280 --> 00:30:40,960
Speaker 1: Steph offers to watch Rosie for him while he's gone.

568
00:30:41,520 --> 00:30:44,520
Speaker 1: He thanks her, and he gets tugged away by Comet.

569
00:30:44,880 --> 00:30:48,000
Speaker 1: Oh boy, So why, I mean, aside from the plot

570
00:30:48,040 --> 00:30:50,440
Speaker 1: point here, why why didn't he just take the car?

571
00:30:50,560 --> 00:30:52,640
Speaker 1: Why didn't he drive the car down to the auto shop.

572
00:30:53,160 --> 00:30:55,560
Speaker 2: Well, after getting it into that backyard, do you know

573
00:30:55,600 --> 00:30:57,440
Speaker 2: what he had to do? He had to turn it sideways,

574
00:30:57,560 --> 00:30:58,400
Speaker 2: fit it through the gate.

575
00:30:58,600 --> 00:31:00,160
Speaker 1: You know, it's a lot.

576
00:31:00,520 --> 00:31:02,240
Speaker 2: You're like, let's just leave it. The only way out

577
00:31:02,320 --> 00:31:06,840
Speaker 2: is literally through the kitchen. So it's yeah, she's got

578
00:31:06,920 --> 00:31:08,920
Speaker 2: going there, right, He's like, I can't now, it's here.

579
00:31:09,120 --> 00:31:09,920
Speaker 2: It's just it's here.

580
00:31:10,440 --> 00:31:12,040
Speaker 1: It's a permanent fixture.

581
00:31:11,960 --> 00:31:15,280
Speaker 2: Like a fountain, right, imagine getting it out of the house.

582
00:31:15,840 --> 00:31:19,720
Speaker 1: Yeah, yeah, no, it's yeah, I get it. So, when

583
00:31:19,720 --> 00:31:22,640
Speaker 1: she's alone, Steph decides to open the car door and

584
00:31:22,680 --> 00:31:25,360
Speaker 1: hop inside. She gets behind the wheel and realizes she

585
00:31:25,400 --> 00:31:29,280
Speaker 1: better buckle up. Oh should she? Yes, she should? Yeah,

586
00:31:29,360 --> 00:31:31,360
Speaker 1: Then she grabs the steering wheel and makes a loud

587
00:31:31,520 --> 00:31:34,760
Speaker 1: room room noise, pretending as though she's driving the car.

588
00:31:35,280 --> 00:31:38,360
Speaker 1: She stops and declares, I need some driving music. She

589
00:31:38,440 --> 00:31:42,240
Speaker 1: pushes some buttons on the control panel and accidentally turns

590
00:31:42,280 --> 00:31:45,440
Speaker 1: the car on. No, she intentionally turns the car on.

591
00:31:45,640 --> 00:31:48,360
Speaker 1: She turns that key. You think it's not just pressing

592
00:31:48,640 --> 00:31:49,320
Speaker 1: pressing buttons.

593
00:31:49,320 --> 00:31:52,760
Speaker 2: They have buttons like that in the sixty three Rambler.

594
00:31:52,800 --> 00:31:53,360
Speaker 2: You had to.

595
00:31:53,280 --> 00:31:57,520
Speaker 1: Crank that thing to turn that key over.

596
00:31:57,560 --> 00:32:02,200
Speaker 2: There was some mechanism literally inside. Yeah. Right, So she

597
00:32:03,160 --> 00:32:05,360
Speaker 2: intentionally turned the car because she was like, oh, well, duh,

598
00:32:05,480 --> 00:32:07,320
Speaker 2: the radio is not gonna work at the car's not up.

599
00:32:07,440 --> 00:32:11,360
Speaker 1: Oh okay, so she's she's determined to find the radio.

600
00:32:11,440 --> 00:32:14,920
Speaker 2: Still didn't work, so she's like, maybe I'm missing something.

601
00:32:15,200 --> 00:32:19,640
Speaker 1: Okay, okay, well, just it's all downhill from here. She

602
00:32:19,760 --> 00:32:22,840
Speaker 1: is startled by the loud engine noise and commands Rosie

603
00:32:22,840 --> 00:32:25,840
Speaker 1: to stay. She pats the steering wheel, saying good car,

604
00:32:25,920 --> 00:32:30,520
Speaker 1: good car. Then she notices the transmission shifter reading p

605
00:32:30,680 --> 00:32:34,960
Speaker 1: R N d L, and she thinks the R must

606
00:32:35,000 --> 00:32:39,560
Speaker 1: stand for radio, so she switches the car to R,

607
00:32:39,920 --> 00:32:45,640
Speaker 1: and sure enough, Rosie begins to reverse. Stephanie screams, whoa, Rosie, whoa,

608
00:32:46,360 --> 00:32:50,000
Speaker 1: but the car doesn't stop. Steph lets out a terrified

609
00:32:50,080 --> 00:32:54,280
Speaker 1: scream as Rosie crashes into the house, going straight through

610
00:32:54,320 --> 00:32:58,720
Speaker 1: the kitchen wall. Wow, okay, tell me, tell me everything

611
00:32:58,720 --> 00:33:00,800
Speaker 1: about what you remember about this stunt.

612
00:33:01,360 --> 00:33:07,040
Speaker 2: Uh okay. So I remember that they had taken that

613
00:33:07,240 --> 00:33:12,240
Speaker 2: set wall down and basically rebuilt it with balsa wood,

614
00:33:12,320 --> 00:33:15,680
Speaker 2: which balsa wood is like a really light, easily breakable

615
00:33:16,320 --> 00:33:18,120
Speaker 2: wood that they use a lot for stunts and things

616
00:33:18,160 --> 00:33:21,520
Speaker 2: like that because it doesn't it doesn't like splinter it

617
00:33:21,680 --> 00:33:23,720
Speaker 2: would so its splinters kind of like it, but it's

618
00:33:23,760 --> 00:33:28,440
Speaker 2: not as as as dense. So everything was made out

619
00:33:28,440 --> 00:33:30,520
Speaker 2: of that, and they you know, dressed the set and everything,

620
00:33:31,240 --> 00:33:35,720
Speaker 2: and they had a stunt driver. Obviously they did not

621
00:33:35,880 --> 00:33:39,480
Speaker 2: let me back the car through the kitchen as a child.

622
00:33:39,560 --> 00:33:41,640
Speaker 2: It did one shot where it sort of rolled back,

623
00:33:41,680 --> 00:33:45,760
Speaker 2: but that was it. And then the person who is

624
00:33:45,800 --> 00:33:49,640
Speaker 2: in the car is a stunt driver, a small person

625
00:33:50,840 --> 00:33:54,160
Speaker 2: who could scoot down and kind of look like child

626
00:33:54,320 --> 00:33:57,600
Speaker 2: size and be in the passenger's seat of the car

627
00:33:57,680 --> 00:33:59,760
Speaker 2: or be in the driver's seat of the car. And

628
00:34:00,560 --> 00:34:03,280
Speaker 2: you know, when you do stunts like this, they take

629
00:34:03,400 --> 00:34:06,920
Speaker 2: a lot of precautions, yes, even more so now, but

630
00:34:07,240 --> 00:34:10,000
Speaker 2: but certainly, you know, then it was only the people

631
00:34:10,080 --> 00:34:12,319
Speaker 2: who had to be on the floor would be on

632
00:34:12,360 --> 00:34:15,120
Speaker 2: the floor. Nobody. I don't think anybody was allowed in

633
00:34:15,160 --> 00:34:16,799
Speaker 2: the audience in case of, you know, a piece of

634
00:34:16,840 --> 00:34:19,960
Speaker 2: something went flying right and it has to wear eye protection.

635
00:34:20,160 --> 00:34:22,400
Speaker 2: They have things set up around the cameras so that

636
00:34:22,520 --> 00:34:24,520
Speaker 2: you know, any of the crew that has to be

637
00:34:24,600 --> 00:34:30,000
Speaker 2: standing there, you know, is is protected. But we did

638
00:34:30,080 --> 00:34:31,960
Speaker 2: I think we got to watch it on the monitors,

639
00:34:32,719 --> 00:34:34,840
Speaker 2: or maybe we got to watch it in the control

640
00:34:34,920 --> 00:34:37,000
Speaker 2: room upstairs. I seem to remember. I feel like I

641
00:34:37,040 --> 00:34:41,720
Speaker 2: remember watching it like directly and not necessarily on a screen,

642
00:34:41,800 --> 00:34:44,360
Speaker 2: but like from a distance, or maybe it was on

643
00:34:44,400 --> 00:34:44,760
Speaker 2: a screen.

644
00:34:44,760 --> 00:34:46,719
Speaker 1: I don't I remember watching it on a screen, so

645
00:34:46,760 --> 00:34:48,799
Speaker 1: I must be the stage dressing room.

646
00:34:49,080 --> 00:34:52,279
Speaker 2: Yeah maybe, yeah, maybe that was it. But but I

647
00:34:52,400 --> 00:34:59,040
Speaker 2: definitely remember it happening, because it's loud to crash a

648
00:34:59,120 --> 00:35:01,439
Speaker 2: car through a kitchen and you know you're rolling on set,

649
00:35:01,520 --> 00:35:03,960
Speaker 2: so it's like, okay, everybody quiet, you know, they ring

650
00:35:04,040 --> 00:35:06,040
Speaker 2: the bell and everyone everything is dead. It goes from

651
00:35:06,160 --> 00:35:11,920
Speaker 2: dead silent to a car, you know, loudly crashing through

652
00:35:12,080 --> 00:35:16,520
Speaker 2: a set and things going flying, and yeah, it was,

653
00:35:17,280 --> 00:35:19,160
Speaker 2: I mean, it was pretty intense to see it was.

654
00:35:19,280 --> 00:35:22,600
Speaker 2: It was also really it was it was fun to watch, like, yeah,

655
00:35:22,880 --> 00:35:25,360
Speaker 2: you know, watching big stunts like that. We didn't really

656
00:35:25,480 --> 00:35:29,479
Speaker 2: do a ton of that kind of stuff on Full

657
00:35:29,480 --> 00:35:31,560
Speaker 2: House and so that was a that was a big

658
00:35:31,560 --> 00:35:32,920
Speaker 2: one and it was a big one for me to

659
00:35:32,960 --> 00:35:37,359
Speaker 2: be a part of. And so anyway, after the car

660
00:35:37,560 --> 00:35:40,799
Speaker 2: came through the window, they left every like, you know,

661
00:35:40,840 --> 00:35:44,719
Speaker 2: it was hot set, everything was as is. So the

662
00:35:44,760 --> 00:35:47,240
Speaker 2: way things are in that scene is exactly how they fell.

663
00:35:47,280 --> 00:35:49,239
Speaker 2: And you know, obviously if there was something that was

664
00:35:49,280 --> 00:35:52,920
Speaker 2: going to hit somebody, they put it down. But that

665
00:35:53,040 --> 00:35:55,080
Speaker 2: was just how it was. And so if you notice

666
00:35:55,480 --> 00:35:57,960
Speaker 2: when I go to get out of the back of

667
00:35:58,000 --> 00:36:00,239
Speaker 2: the car, I kind of crawl over the seats and

668
00:36:00,360 --> 00:36:03,000
Speaker 2: out of the back door of the passenger side to

669
00:36:03,000 --> 00:36:05,600
Speaker 2: get into the kitchen after I've crashed it. Uh huh,

670
00:36:05,680 --> 00:36:08,880
Speaker 2: that door is a little bit open because that was

671
00:36:08,920 --> 00:36:10,480
Speaker 2: how I had to get into the car.

672
00:36:11,360 --> 00:36:11,520
Speaker 1: Uh.

673
00:36:12,280 --> 00:36:14,719
Speaker 2: You know, it was the only semi they cleared. If

674
00:36:14,719 --> 00:36:16,480
Speaker 2: you can, you can see too, they cleared kind of

675
00:36:16,520 --> 00:36:18,279
Speaker 2: a little path, so there wasn't anything for me to

676
00:36:18,920 --> 00:36:21,000
Speaker 2: step on or hurt myself or whatever. But there was

677
00:36:21,040 --> 00:36:24,319
Speaker 2: you know, it was broken glass and uh not I

678
00:36:24,320 --> 00:36:28,799
Speaker 2: think they used like sugar glass for it. But but yeah,

679
00:36:28,840 --> 00:36:30,480
Speaker 2: I remember, you know, they cleared the little path and

680
00:36:30,520 --> 00:36:33,120
Speaker 2: I crawled in over the seat and then had to

681
00:36:33,120 --> 00:36:37,479
Speaker 2: crawl out of there. And yeah, it was fascinating and

682
00:36:37,480 --> 00:36:39,640
Speaker 2: and they were like don't touch anything. You know, that

683
00:36:39,760 --> 00:36:43,680
Speaker 2: was obviously it was like don't touch anything. Yeah, but yeah,

684
00:36:43,719 --> 00:36:45,520
Speaker 2: it was. It was fun to watch. It was a

685
00:36:45,560 --> 00:36:47,000
Speaker 2: big It was a big deal.

686
00:36:47,200 --> 00:36:49,200
Speaker 1: That's a bit. That was a big stunt for that

687
00:36:49,719 --> 00:36:51,839
Speaker 1: for anyone, but especially an eight year old I can

688
00:36:51,920 --> 00:36:55,840
Speaker 1: imagine that was it was really cool to Yeah.

689
00:36:55,640 --> 00:36:56,880
Speaker 2: It was really cool to be a part of.

690
00:36:57,000 --> 00:36:59,719
Speaker 1: So so yeah, so that was what I remember about

691
00:36:59,760 --> 00:37:02,560
Speaker 1: the big the big car through the kitchen crash. Yeah,

692
00:37:02,640 --> 00:37:05,160
Speaker 1: do you remember did you meet your stunt double? Was

693
00:37:05,200 --> 00:37:09,000
Speaker 1: she wearing a wig with the yeah curdl the little.

694
00:37:08,719 --> 00:37:13,439
Speaker 2: Blonde curls and everything, and you know that was uh yeah,

695
00:37:13,520 --> 00:37:15,080
Speaker 2: I was like, oh hi, And then I you know,

696
00:37:15,200 --> 00:37:17,360
Speaker 2: got to watch her drive through the kitchen.

697
00:37:17,560 --> 00:37:20,719
Speaker 1: Yeah, and I remember watching this thirty years later when

698
00:37:20,719 --> 00:37:21,920
Speaker 1: we did it again for Fuller.

699
00:37:22,320 --> 00:37:24,640
Speaker 2: Yes, for Fuller, that's right.

700
00:37:24,680 --> 00:37:25,000
Speaker 3: We did it.

701
00:37:25,080 --> 00:37:28,879
Speaker 1: Yeah, we did it for Fuller. You had a stunt

702
00:37:28,960 --> 00:37:31,320
Speaker 1: double again. I got to watch this one down on

703
00:37:31,360 --> 00:37:34,800
Speaker 1: the floor. I was in a village for this one. Yes, yeah, yeah,

704
00:37:34,840 --> 00:37:39,400
Speaker 1: but I remember you. You did half of it like

705
00:37:39,440 --> 00:37:40,000
Speaker 1: they I did.

706
00:37:40,080 --> 00:37:41,200
Speaker 2: Have you reversed the car.

707
00:37:41,320 --> 00:37:43,719
Speaker 1: You reversed the car and they set up some sort

708
00:37:43,719 --> 00:37:44,400
Speaker 1: of metal.

709
00:37:44,160 --> 00:37:46,600
Speaker 2: Barrier there was. Yeah, they called it, I forget what

710
00:37:46,600 --> 00:37:48,160
Speaker 2: they call. It's like a dead man's weight or something

711
00:37:48,160 --> 00:37:49,799
Speaker 2: I think is what they call. Where it's basically like

712
00:37:49,880 --> 00:37:54,160
Speaker 2: a giant metal plate that there's a huge chain linked

713
00:37:54,200 --> 00:37:57,319
Speaker 2: to and then they take that chain and connect it

714
00:37:57,360 --> 00:38:01,120
Speaker 2: to the axle of the car. Yeah, so that it

715
00:38:01,160 --> 00:38:04,160
Speaker 2: can only go back so far so far, so it

716
00:38:04,200 --> 00:38:06,920
Speaker 2: wouldn't you know whatever. But the thing with that is

717
00:38:07,080 --> 00:38:08,600
Speaker 2: and with an old car, and I think I told

718
00:38:08,640 --> 00:38:10,239
Speaker 2: the story before, is that you kind of have to

719
00:38:10,280 --> 00:38:13,200
Speaker 2: really hit the accelerator and when you do that, you've

720
00:38:13,200 --> 00:38:15,320
Speaker 2: only got you know whatever, eight feet on this chain,

721
00:38:15,480 --> 00:38:19,080
Speaker 2: so you you stop real quickly. And they had taken

722
00:38:19,120 --> 00:38:23,799
Speaker 2: the headrest out for the shots you can see, so

723
00:38:23,880 --> 00:38:26,239
Speaker 2: there was so yeah, I definitely, uh, I didn't do

724
00:38:26,239 --> 00:38:28,480
Speaker 2: my neck any favors on that one. And yeah, I

725
00:38:28,480 --> 00:38:32,000
Speaker 2: remember spoke. I came up and was like, are you okay.

726
00:38:32,000 --> 00:38:33,160
Speaker 2: I was like yeah, yeah, yeah, yeah.

727
00:38:33,200 --> 00:38:33,439
Speaker 1: Yeah.

728
00:38:35,600 --> 00:38:36,560
Speaker 2: Next morning I wake up and.

729
00:38:36,600 --> 00:38:38,480
Speaker 1: I was like, oh, yeah, I have a whiplash, and

730
00:38:38,600 --> 00:38:41,080
Speaker 1: You're like, oh, I'm feeling it. I'm feeling it. Yeah

731
00:38:41,080 --> 00:38:43,239
Speaker 1: that was Yeah.

732
00:38:43,280 --> 00:38:46,200
Speaker 2: I did not get whiplash on this time around. They

733
00:38:46,200 --> 00:38:49,239
Speaker 2: did not let me anywhere near anything stunted like.

734
00:38:49,640 --> 00:38:51,560
Speaker 1: And you probably couldn't even reach the pedals too. Yeah,

735
00:38:51,600 --> 00:38:53,360
Speaker 1: I mean, yeah, exactly.

736
00:38:53,400 --> 00:38:56,040
Speaker 2: I couldn't even see where this through. I was looking

737
00:38:56,040 --> 00:38:56,919
Speaker 2: through the steering wheel.

738
00:38:58,200 --> 00:39:00,640
Speaker 1: Yep. Oh, but what a stunt it was. Visually it

739
00:39:00,680 --> 00:39:01,919
Speaker 1: was very satisfying.

740
00:39:02,200 --> 00:39:02,960
Speaker 2: It was and is.

741
00:39:03,040 --> 00:39:04,760
Speaker 1: I think that's part of the reason why people remember

742
00:39:04,760 --> 00:39:07,600
Speaker 1: this episode so well. I mean, a car crashing through

743
00:39:07,640 --> 00:39:10,000
Speaker 1: a kitchen. Yeah, it sort of sticks in your memory.

744
00:39:10,239 --> 00:39:12,239
Speaker 1: That's a that's a big deal. That is a very

745
00:39:12,280 --> 00:39:16,200
Speaker 1: big deal. It is so Stephanie and the car are

746
00:39:16,200 --> 00:39:20,000
Speaker 1: now in the kitchen. Debris is covering the car, but

747
00:39:20,040 --> 00:39:22,880
Speaker 1: we see Steph's little head through the steering wheel and

748
00:39:22,920 --> 00:39:27,680
Speaker 1: her eyes are wide with horror. She worriedly states, I'm

749
00:39:27,719 --> 00:39:30,920
Speaker 1: in the house and I'm still in the car. She

750
00:39:31,040 --> 00:39:33,000
Speaker 1: climbs into the back row so she can get out

751
00:39:33,000 --> 00:39:36,400
Speaker 1: of the car, and she's, you're ad living some looped

752
00:39:36,480 --> 00:39:39,960
Speaker 1: lines here, I can tell. Let's cover the silence. She

753
00:39:40,040 --> 00:39:40,720
Speaker 1: climbs out.

754
00:39:40,600 --> 00:39:44,120
Speaker 2: The trying to climb over a seat, you know.

755
00:39:44,480 --> 00:39:48,360
Speaker 1: Yeah. Once she surveys the damage that has been done,

756
00:39:48,480 --> 00:39:51,040
Speaker 1: she closes her eyes and begs, please be a dream,

757
00:39:51,239 --> 00:39:54,919
Speaker 1: Please be a dream. Oh boy. When she doesn't wake up,

758
00:39:55,080 --> 00:39:58,960
Speaker 1: she realizes this is a nightmare. She tiptoes around the

759
00:39:58,960 --> 00:40:01,800
Speaker 1: glass and broken wood that's covering the floor and shrugs,

760
00:40:02,400 --> 00:40:06,160
Speaker 1: maybe no one will notice. Just then Michelle marches into

761
00:40:06,200 --> 00:40:09,560
Speaker 1: the room. She sees the mess and her jaw drops.

762
00:40:10,360 --> 00:40:13,080
Speaker 1: Steph tries to play it cool, greeting her sister like normal,

763
00:40:13,480 --> 00:40:19,000
Speaker 1: and Michelle shouts, there's a car in the kitchen. Amazing delivery.

764
00:40:19,160 --> 00:40:23,480
Speaker 1: But yeah, by Ashley, this was great, so classic. And

765
00:40:23,600 --> 00:40:26,360
Speaker 1: I remember in Fuller trying they were trying to get Tommy,

766
00:40:27,080 --> 00:40:30,560
Speaker 1: the twin who played Tommy to mimic that delivery, and it.

767
00:40:31,320 --> 00:40:34,440
Speaker 2: Couldn't quite do it. No, no, that was a perfect

768
00:40:34,840 --> 00:40:36,319
Speaker 2: car in the kitchen.

769
00:40:37,880 --> 00:40:42,000
Speaker 1: So Stephanie gives Michelle a puzzled look. There is She

770
00:40:42,080 --> 00:40:44,279
Speaker 1: turns to look at the mess and she acts oblivious.

771
00:40:47,000 --> 00:40:50,520
Speaker 2: Car gets you a car. You know what you're talking about.

772
00:40:51,560 --> 00:40:54,239
Speaker 1: Steph asks, did you see how it got here? And

773
00:40:54,320 --> 00:40:57,640
Speaker 1: Michelle shakes her head. No. Steph lets out a sigh

774
00:40:57,680 --> 00:41:01,439
Speaker 1: of relief. Good. I'm in the clear until Joey gets

775
00:41:01,480 --> 00:41:03,840
Speaker 1: home and tells dad how he left me alone with

776
00:41:03,960 --> 00:41:08,560
Speaker 1: the car. Then I'm dead meat. Michelle responds with white eyes.

777
00:41:09,040 --> 00:41:10,480
Speaker 1: You got it, dude.

778
00:41:11,200 --> 00:41:12,160
Speaker 2: Now wait a minute.

779
00:41:12,440 --> 00:41:13,680
Speaker 1: Huh.

780
00:41:14,040 --> 00:41:16,960
Speaker 2: If you think about it, that means the girls are

781
00:41:17,000 --> 00:41:17,600
Speaker 2: home alone.

782
00:41:18,080 --> 00:41:22,839
Speaker 1: Yeah, and the only teenagers are upstairs listening to Millie

783
00:41:22,880 --> 00:41:24,920
Speaker 1: Vanilli very loudly on their headphones.

784
00:41:25,360 --> 00:41:34,520
Speaker 2: True, but a car just crashed into the house. Nobody

785
00:41:34,600 --> 00:41:34,920
Speaker 2: heard it.

786
00:41:35,440 --> 00:41:38,759
Speaker 1: No, he felt it. You would feel you'd feel that. Oh,

787
00:41:38,800 --> 00:41:39,960
Speaker 1: the whole house was show.

788
00:41:40,160 --> 00:41:46,920
Speaker 3: Yeah, kudos to the builders of this Victorian house because

789
00:41:46,960 --> 00:41:52,040
Speaker 3: it has withstood the San Francisco earthquake and a car

790
00:41:52,080 --> 00:41:52,680
Speaker 3: through the kitchen.

791
00:41:52,960 --> 00:41:56,959
Speaker 2: Yeah, don't structurally sound. Nothing has collapsed. We're not worried

792
00:41:56,960 --> 00:41:59,879
Speaker 2: about the ceiling. There's no everyone's still in the house,

793
00:42:00,000 --> 00:42:03,400
Speaker 2: walking over there, walking into the room. It's fine. So

794
00:42:03,960 --> 00:42:11,640
Speaker 2: this is ninety Yeah, it is up to some things.

795
00:42:12,080 --> 00:42:14,920
Speaker 1: Yeah. No, the girls are very much unattended. And I

796
00:42:14,920 --> 00:42:16,800
Speaker 1: got the kitchen.

797
00:42:17,400 --> 00:42:19,960
Speaker 2: That would have would have been very one of those

798
00:42:20,040 --> 00:42:21,000
Speaker 2: very special episodes.

799
00:42:21,320 --> 00:42:24,400
Speaker 1: Yeah. Well yes, and the Tanners, they're the type that

800
00:42:24,440 --> 00:42:26,719
Speaker 1: would eat three meals a day at the kitchen, at

801
00:42:26,760 --> 00:42:28,600
Speaker 1: the kitchen table, right, So the fact that there was

802
00:42:28,640 --> 00:42:31,040
Speaker 1: no one you were studying at the kitchen table.

803
00:42:31,440 --> 00:42:33,440
Speaker 2: What, Yes, things that could have happened.

804
00:42:33,600 --> 00:42:35,040
Speaker 1: This could have been catastrophic.

805
00:42:35,280 --> 00:42:37,919
Speaker 2: But but it almost seemed like everybody, like the guys

806
00:42:38,000 --> 00:42:39,960
Speaker 2: left but didn't really consider the fact that they were

807
00:42:40,040 --> 00:42:43,960
Speaker 2: leaving the girls home alone, because Jesse left with Danny

808
00:42:44,600 --> 00:42:46,520
Speaker 2: and was like, oh, Joey's here, and then Joey was

809
00:42:46,560 --> 00:42:47,480
Speaker 2: like bye, I see you later.

810
00:42:47,719 --> 00:42:52,680
Speaker 1: Yeah, this this really rests on Joey's shoulders in my opinion.

811
00:42:52,880 --> 00:42:53,120
Speaker 2: Yeah.

812
00:42:53,200 --> 00:42:56,240
Speaker 1: Yeah, he had left an eight unattended with a car

813
00:42:56,280 --> 00:42:58,319
Speaker 1: and left the key in the ignition that's and left

814
00:42:58,360 --> 00:43:02,600
Speaker 1: her responsible for it. Yes, right, Joey, what are you thinking? No,

815
00:43:02,719 --> 00:43:04,120
Speaker 1: I don't care how hard it was to get the

816
00:43:04,120 --> 00:43:06,440
Speaker 1: car in the backyard. Put the car and drive the

817
00:43:06,440 --> 00:43:08,360
Speaker 1: car and take Stephanie with you and you take the

818
00:43:08,400 --> 00:43:11,439
Speaker 1: keys or take the keys. Yes, yeah, there there would

819
00:43:11,480 --> 00:43:13,800
Speaker 1: have been a lot of ways to mitigate this accident.

820
00:43:13,800 --> 00:43:15,080
Speaker 1: But then we wouldn't, but then we wouldn't.

821
00:43:15,120 --> 00:43:17,280
Speaker 2: But then it wouldn't be funny, you know, then you wouldn't.

822
00:43:17,320 --> 00:43:20,080
Speaker 2: Then it wouldn't be memorable. So yeah, we're just bringing

823
00:43:20,160 --> 00:43:22,600
Speaker 2: up stupid points people. We know, we know comedy is

824
00:43:22,640 --> 00:43:27,040
Speaker 2: in the car crashing through the kitchen, but also in reality.

825
00:43:27,320 --> 00:43:30,000
Speaker 1: What are these people doing? This is ridiculous. Only on

826
00:43:30,040 --> 00:43:35,560
Speaker 1: a sitcom would this happen? Yep. And now so back

827
00:43:35,560 --> 00:43:38,360
Speaker 1: in the girls room, DJ and kim Mey are still

828
00:43:38,360 --> 00:43:42,520
Speaker 1: completing their homework with their headphones in. Steph tries to

829
00:43:42,520 --> 00:43:45,319
Speaker 1: sneak past them and she's successful. As the girls are

830
00:43:45,320 --> 00:43:47,080
Speaker 1: busy with their homework, they're.

831
00:43:46,840 --> 00:43:49,520
Speaker 2: Going to have hearing damage with apparently how loud they're

832
00:43:49,560 --> 00:43:52,120
Speaker 2: listening to this music, because that's what teenagers did.

833
00:43:52,280 --> 00:43:56,279
Speaker 1: Yeah, I know what you care about. Yeah no, this

834
00:43:56,480 --> 00:44:00,000
Speaker 1: was the louder the better. Yeah, and Kimmy starts saying

835
00:44:00,120 --> 00:44:04,480
Speaker 1: and straight up by Paula Abdoul loved that sight is

836
00:44:04,640 --> 00:44:07,799
Speaker 1: when John was dating her. I think this is when John. Yes,

837
00:44:08,600 --> 00:44:10,680
Speaker 1: I think so, because the telephone episode is coming up.

838
00:44:11,200 --> 00:44:15,640
Speaker 1: And didn't she choreograph your dance for that particular episode?

839
00:44:15,719 --> 00:44:18,600
Speaker 1: Was it that one she choreographed something? Or maybe give

840
00:44:18,640 --> 00:44:19,880
Speaker 1: you tips? Am I making this up?

841
00:44:20,680 --> 00:44:22,359
Speaker 2: I think she might have given me some tips because

842
00:44:22,360 --> 00:44:24,960
Speaker 2: I don't remember if she I don't think she choreographed

843
00:44:25,000 --> 00:44:27,160
Speaker 2: that one. If that was, I don't know, but anyway,

844
00:44:27,320 --> 00:44:30,480
Speaker 2: but yeah, I think around that, Yes, she was around.

845
00:44:30,560 --> 00:44:32,360
Speaker 2: She was super sweet. Yeah, John was dating.

846
00:44:32,200 --> 00:44:35,279
Speaker 1: Paula, so yeah, very very cool. I was. I was

847
00:44:35,280 --> 00:44:38,560
Speaker 1: definitely starstruck when she when she came around the set.

848
00:44:39,480 --> 00:44:42,040
Speaker 1: So Stephanie is grabbing some essentials out of her drawer.

849
00:44:42,400 --> 00:44:45,719
Speaker 1: When Michelle stomps up to DJ and Kimmy, she yells hey,

850
00:44:46,239 --> 00:44:48,920
Speaker 1: but the girls don't hear her, so Michelle unplugs their

851
00:44:48,960 --> 00:44:53,480
Speaker 1: headphones and reiterates I said hey. Kimmy takes off her

852
00:44:53,480 --> 00:44:57,120
Speaker 1: headphones and asks, what do you want, squirt, and Michelle's

853
00:44:57,160 --> 00:45:02,040
Speaker 1: eyes narrow. Don't call me squirt like we were mentioning

854
00:45:02,040 --> 00:45:05,239
Speaker 1: the delivery is so good. Yeah, Ashley's doing She's crushing it.

855
00:45:05,320 --> 00:45:06,680
Speaker 1: She's doing such a great job.

856
00:45:06,760 --> 00:45:08,920
Speaker 2: Sound like they're they're a little funny, and it doesn't

857
00:45:08,960 --> 00:45:12,600
Speaker 2: sound as like, you know, kind of stilted, but it's they're, Yeah,

858
00:45:12,640 --> 00:45:14,000
Speaker 2: they're having fun with it now.

859
00:45:14,320 --> 00:45:17,000
Speaker 1: It doesn't sound like they're mimicking Adria. It sounds like

860
00:45:17,000 --> 00:45:19,919
Speaker 1: they're actually acting something, getting a motion behind it. It's

861
00:45:19,960 --> 00:45:23,880
Speaker 1: it's great, I'm loving it. So DJ takes a different approach.

862
00:45:24,320 --> 00:45:28,799
Speaker 1: Maybe help you, Madam. Michelle tells them with urgency, there's

863
00:45:28,840 --> 00:45:32,279
Speaker 1: a car in the kitchen and Stephanie winces when she

864
00:45:32,360 --> 00:45:36,720
Speaker 1: hears this. DJ thinks it's a big joke, and she responds, yeah,

865
00:45:36,760 --> 00:45:40,319
Speaker 1: and there's a bus in the bathroom. Steph let's out

866
00:45:40,360 --> 00:45:44,880
Speaker 1: a very forced laugh. Hah good one DJ. DJ notices

867
00:45:44,920 --> 00:45:48,440
Speaker 1: that she's stuffing mister Bear into a bag, and she

868
00:45:48,520 --> 00:45:52,919
Speaker 1: asks Steph what she's doing. Steph stutters, uh, well, we're

869
00:45:52,920 --> 00:45:55,439
Speaker 1: having a dress rehearsal at dance class and I need

870
00:45:55,520 --> 00:45:59,400
Speaker 1: something to rehearse stressing in. A car honks outside and

871
00:45:59,440 --> 00:46:03,200
Speaker 1: Stuff tells the girl girls that that's her ride. Who

872
00:46:03,360 --> 00:46:06,200
Speaker 1: who's driving? Who's driving, Stephanie.

873
00:46:06,280 --> 00:46:07,600
Speaker 2: One of your friends from dance class.

874
00:46:09,160 --> 00:46:12,080
Speaker 1: Okay, so she's actually I thought the dance class thing

875
00:46:12,200 --> 00:46:14,160
Speaker 1: was a ruse to cover up the fact that she's actually.

876
00:46:14,400 --> 00:46:16,399
Speaker 2: Remember she kid that she started this whole thing, coming

877
00:46:16,440 --> 00:46:18,440
Speaker 2: in and saying I have twenty minutes until my dance class.

878
00:46:18,640 --> 00:46:20,560
Speaker 2: Somebody played with me and she was so bored because

879
00:46:20,560 --> 00:46:21,799
Speaker 2: no one would play with her that she.

880
00:46:21,760 --> 00:46:24,040
Speaker 1: Got in a car and backed into the kit back didn't. Okay,

881
00:46:24,080 --> 00:46:26,600
Speaker 1: so this is this is the she's like twenty minutes

882
00:46:26,640 --> 00:46:28,120
Speaker 1: since the beginning of the episode.

883
00:46:28,239 --> 00:46:30,959
Speaker 2: Wow, that's what I'm saying this. Look, this happens quick.

884
00:46:31,440 --> 00:46:33,880
Speaker 2: This is a lesson. You know, there will be a

885
00:46:33,880 --> 00:46:35,960
Speaker 2: car in your kitchen just before you even know it.

886
00:46:35,960 --> 00:46:38,560
Speaker 1: It's almost in real time. Yeah, that's crazy. Okay.

887
00:46:38,600 --> 00:46:40,600
Speaker 2: So yeah, because this is it's a very it's an

888
00:46:40,640 --> 00:46:43,480
Speaker 2: episode that really does take place almost yeah, in real time.

889
00:46:43,680 --> 00:46:46,200
Speaker 1: Yeah. So okay. So, so it's a dance mom that's

890
00:46:46,200 --> 00:46:48,320
Speaker 1: here to pick up Stephanie take her to dance class.

891
00:46:48,440 --> 00:46:54,000
Speaker 2: It's probably uh, she's probably played by Debbie Debbie Gregory.

892
00:46:54,200 --> 00:46:58,080
Speaker 1: Yes, yeah, no doubt, no doubt, Debbie Gregory. Her scene

893
00:46:58,120 --> 00:47:02,160
Speaker 1: must have gotten cut from the episode. So Steph drops

894
00:47:02,160 --> 00:47:04,760
Speaker 1: her bag off at the door and walks up to DJ. First,

895
00:47:05,239 --> 00:47:08,560
Speaker 1: she says goodbye to her big sister, adding I'll always

896
00:47:08,600 --> 00:47:11,160
Speaker 1: remember you, before giving her a big hug and kiss

897
00:47:11,200 --> 00:47:15,120
Speaker 1: on the cheek. She walks up to Michelle next, saying goodbye, Michelle,

898
00:47:15,520 --> 00:47:19,000
Speaker 1: best of luck in everything you do. She gives her

899
00:47:19,000 --> 00:47:21,120
Speaker 1: a hug and a kiss on the cheek as well,

900
00:47:21,440 --> 00:47:26,480
Speaker 1: so dramatic saying my goodbyes. Stuph begins to walk away,

901
00:47:26,480 --> 00:47:30,879
Speaker 1: but Kimmy's arms are outstretched. She's waiting for her goodbye too.

902
00:47:31,600 --> 00:47:34,280
Speaker 1: Steph glances at her and merely says, see you, gibbler.

903
00:47:34,840 --> 00:47:39,400
Speaker 1: She walks out. Kimmy. Kimmy really wants to be friends

904
00:47:39,400 --> 00:47:42,440
Speaker 1: with stuff, like she really wants like some sort of validation.

905
00:47:43,320 --> 00:47:43,799
Speaker 1: She wanted a.

906
00:47:43,840 --> 00:47:46,560
Speaker 2: Hug, you know. Yeah, but then she'll call, you know,

907
00:47:46,600 --> 00:47:49,080
Speaker 2: and then she'll be me sure again. The frenemies.

908
00:47:49,200 --> 00:47:51,880
Speaker 1: It's a you know, it's a very toxic friendship.

909
00:47:51,960 --> 00:47:54,920
Speaker 2: And I am here and I'm here for it. Yeah.

910
00:47:55,000 --> 00:47:57,560
Speaker 1: So a little while later in the kitchen, DJ and

911
00:47:57,640 --> 00:48:00,799
Speaker 1: Kimmy mindlessly walk into the kitchen and they are ad

912
00:48:00,800 --> 00:48:02,720
Speaker 1: libbing about new kids on the block.

913
00:48:03,000 --> 00:48:05,239
Speaker 2: Yes, I caught that. I was like, oh, that wasn't

914
00:48:05,239 --> 00:48:06,840
Speaker 2: an ad lib. That was just you guys being.

915
00:48:06,680 --> 00:48:09,239
Speaker 1: Like I got we're talking about him. Yeah, that was

916
00:48:09,280 --> 00:48:10,839
Speaker 1: my idea. It was like, oh, we have to ad

917
00:48:10,840 --> 00:48:13,880
Speaker 1: lib we're talking about new kids on the block. So

918
00:48:13,920 --> 00:48:16,120
Speaker 1: they stop in their tracks when they see the car

919
00:48:16,200 --> 00:48:20,000
Speaker 1: that has crashed through the wall. They scream, whoa baby

920
00:48:20,239 --> 00:48:23,840
Speaker 1: in unison, DJ shouts there's a car in the kitchen,

921
00:48:24,480 --> 00:48:27,759
Speaker 1: and Michelle wags her finger. I told you so. DJ

922
00:48:27,920 --> 00:48:30,319
Speaker 1: asks Michelle if she knows how the car got in there,

923
00:48:30,800 --> 00:48:35,120
Speaker 1: and Michelle nods, yes, I do, through the window. Then

924
00:48:35,239 --> 00:48:38,000
Speaker 1: Jesse walks in carrying a tower of grocery bags that

925
00:48:38,040 --> 00:48:41,839
Speaker 1: are conveniently covering his eyes from the disaster. But when

926
00:48:41,840 --> 00:48:44,160
Speaker 1: he walks in and bumps into the car, he realizes

927
00:48:44,360 --> 00:48:47,399
Speaker 1: something is wrong. He drops the bags to see what's

928
00:48:47,440 --> 00:48:50,360
Speaker 1: going on and yells have mercy. When he takes in

929
00:48:50,440 --> 00:48:55,839
Speaker 1: the sight, he's speechless. There's there's a there's a and

930
00:48:55,880 --> 00:49:00,000
Speaker 1: Michelle finishes his sentence, there's a car in the kitchen. Yeah,

931
00:49:00,040 --> 00:49:02,759
Speaker 1: this is now a catchphrase, are in the kitchen, But

932
00:49:02,800 --> 00:49:03,759
Speaker 1: it's a hilarious thing.

933
00:49:03,800 --> 00:49:05,680
Speaker 2: It just keeps coming back like, there's a there's a

934
00:49:05,680 --> 00:49:06,520
Speaker 2: car in the kitchen.

935
00:49:06,280 --> 00:49:09,280
Speaker 1: A car in the kitchen. Jesse gives her a smug

936
00:49:09,600 --> 00:49:12,480
Speaker 1: thank you and directs his attention to DJ and Kimmy.

937
00:49:13,080 --> 00:49:15,759
Speaker 1: He asks how a car got in there, and the

938
00:49:15,760 --> 00:49:20,720
Speaker 1: girls answer in unison through the window, very matter of fact. Yeah.

939
00:49:21,200 --> 00:49:23,960
Speaker 1: Jesse asks if everyone is okay, and DJ tells him

940
00:49:24,000 --> 00:49:28,960
Speaker 1: they're fine. But then we hear Danny returning home, dj admits,

941
00:49:29,160 --> 00:49:32,239
Speaker 1: I don't think Dad is gonna be fine. Jesse tells

942
00:49:32,280 --> 00:49:34,840
Speaker 1: the girls they need to break this to him very gently.

943
00:49:35,600 --> 00:49:37,440
Speaker 2: Gently. How do you break that gently?

944
00:49:37,880 --> 00:49:39,239
Speaker 1: How do you know way to break it?

945
00:49:39,440 --> 00:49:42,840
Speaker 2: There's I just it's a soft no, no.

946
00:49:42,840 --> 00:49:47,280
Speaker 1: There's no soft way to explain this. No, yep. Danny

947
00:49:47,320 --> 00:49:50,279
Speaker 1: calls out where is everybody, and Kimmy responds, in your

948
00:49:50,320 --> 00:49:51,600
Speaker 1: new garage.

949
00:49:52,080 --> 00:49:53,520
Speaker 2: Damn it, Kimmy, Jimmy.

950
00:49:55,040 --> 00:49:58,000
Speaker 1: Dj urges Jesse to stall him and promises they'll be

951
00:49:58,080 --> 00:50:01,440
Speaker 1: right back. Jesse picks up Michelle, telling her she'll be

952
00:50:01,440 --> 00:50:03,640
Speaker 1: coming with him because it'll be a lot harder for

953
00:50:03,719 --> 00:50:07,200
Speaker 1: Danny to cry in front of her. In the living room,

954
00:50:07,280 --> 00:50:09,279
Speaker 1: Danny is hanging up his jacket by the front door.

955
00:50:09,840 --> 00:50:12,839
Speaker 1: Jesse SLINKs into the room without opening the door too

956
00:50:12,880 --> 00:50:16,000
Speaker 1: wide so Danny doesn't see the atrocity. In the kitchen,

957
00:50:17,000 --> 00:50:19,120
Speaker 1: Danny has a huge smile on his face when he

958
00:50:19,200 --> 00:50:21,879
Speaker 1: sees the two of them. He asks how they're doing,

959
00:50:22,200 --> 00:50:26,480
Speaker 1: and Jesse responds, we've had a bang up day. Michelle

960
00:50:26,520 --> 00:50:29,279
Speaker 1: can't keep the secret any longer. She shouts there's a

961
00:50:29,320 --> 00:50:33,000
Speaker 1: car in the kitchen. Danny laughs and kisses his daughter

962
00:50:33,080 --> 00:50:36,600
Speaker 1: on the cheek, telling her how silly she is. Jesse

963
00:50:36,760 --> 00:50:40,920
Speaker 1: laughs along, but admits she's not that silly. Yeah no,

964
00:50:41,520 --> 00:50:43,919
Speaker 1: He tells Danny there's something he'd like to show him

965
00:50:44,040 --> 00:50:47,080
Speaker 1: in the kitchen. Just then, DJ pokes her head in

966
00:50:47,160 --> 00:50:49,480
Speaker 1: and tells Jesse she's ready so he can send in

967
00:50:49,520 --> 00:50:54,120
Speaker 1: her Dad. Now. Danny's grinning. This is great. I love surprises.

968
00:50:54,840 --> 00:50:57,359
Speaker 1: He realizes it must be one of those bonus I

969
00:50:57,520 --> 00:51:03,600
Speaker 1: love Dad days. I don't know. Danny walks past him

970
00:51:03,640 --> 00:51:07,520
Speaker 1: and into the kitchen to check out his surprise. He

971
00:51:07,560 --> 00:51:10,319
Speaker 1: walks in and the car is still sitting there. His

972
00:51:10,480 --> 00:51:15,719
Speaker 1: face shifts from excitement to confusion to utter horror. DJ

973
00:51:15,800 --> 00:51:19,640
Speaker 1: snaps a picture and compliments him, good face, dad. He

974
00:51:19,719 --> 00:51:22,960
Speaker 1: asks if everyone's all right, and questions where Stephanie is.

975
00:51:23,680 --> 00:51:26,440
Speaker 1: DJ tells them they're fine, and Steph's at dance class.

976
00:51:26,719 --> 00:51:28,239
Speaker 2: She still wants a dance class?

977
00:51:28,760 --> 00:51:31,960
Speaker 1: No, according to DJ, Steph said I'm going to dance class,

978
00:51:31,960 --> 00:51:32,640
Speaker 1: so DJ.

979
00:51:32,520 --> 00:51:36,040
Speaker 2: Thinks class, yes, yeah, yeah, that's right.

980
00:51:36,880 --> 00:51:39,960
Speaker 1: Uh. Once those questions are answered, Danny turns his attention

981
00:51:40,040 --> 00:51:42,760
Speaker 1: back to the crash. He screams, look at this house,

982
00:51:43,040 --> 00:51:45,600
Speaker 1: Look at this kitchen, look at this mess. I just

983
00:51:45,760 --> 00:51:50,200
Speaker 1: waxed the floor. His shock turns into anger as he asks,

984
00:51:50,480 --> 00:51:52,040
Speaker 1: where's my best friend?

985
00:51:52,280 --> 00:51:53,480
Speaker 2: Joey.

986
00:51:53,719 --> 00:51:55,880
Speaker 1: DJ holds up her camera and tells him she wants

987
00:51:55,960 --> 00:51:59,160
Speaker 1: one more picture. Danny reminds her this is a serious

988
00:51:59,160 --> 00:52:04,200
Speaker 1: matter and nods, that's okay. You don't have to smile, dang, DJ,

989
00:52:04,320 --> 00:52:07,560
Speaker 1: have some compassion, like she yeah, just wants.

990
00:52:07,760 --> 00:52:12,480
Speaker 2: She's like, I need you know, she's photojournalistic. Really, she

991
00:52:12,480 --> 00:52:16,760
Speaker 2: needs to capture the moment as it happens. Not no judgment, no, no,

992
00:52:17,000 --> 00:52:17,920
Speaker 2: just this is the moment.

993
00:52:18,280 --> 00:52:21,160
Speaker 1: Yeah, she's she's over her panic about the situation. She

994
00:52:21,239 --> 00:52:22,360
Speaker 1: just wants photo evidence.

995
00:52:22,440 --> 00:52:24,040
Speaker 2: I mean, and you're standing in a room that now,

996
00:52:24,400 --> 00:52:25,640
Speaker 2: what if the ceiling collapses?

997
00:52:26,239 --> 00:52:29,960
Speaker 1: Just nobody's worried about that. No, no, they are not

998
00:52:30,320 --> 00:52:34,560
Speaker 1: interested in the structural integrity of the full house. So

999
00:52:34,719 --> 00:52:38,440
Speaker 1: next we're inside Becky's house. This is the first time

1000
00:52:38,520 --> 00:52:40,320
Speaker 1: we're seeing the inside of her house.

1001
00:52:40,680 --> 00:52:42,720
Speaker 2: Yes, I thought it was an old person's home.

1002
00:52:43,080 --> 00:52:45,160
Speaker 1: Right, the decor likely.

1003
00:52:45,800 --> 00:52:46,799
Speaker 2: I was like, is there?

1004
00:52:46,920 --> 00:52:47,680
Speaker 1: Does she live with.

1005
00:52:47,680 --> 00:52:49,560
Speaker 2: Her great grandmother?

1006
00:52:49,880 --> 00:52:53,120
Speaker 1: It's it's so much peach, so much peach. There was

1007
00:52:53,120 --> 00:52:56,000
Speaker 1: a lot going on. There was the sea foam green carpet,

1008
00:52:56,320 --> 00:52:59,840
Speaker 1: the floral patterned furniture. The peach colored curtain was like

1009
00:53:00,120 --> 00:53:02,960
Speaker 1: so that it matched early nineties. It was like, what

1010
00:53:03,000 --> 00:53:04,759
Speaker 1: do we have in the back room, Let's throw it

1011
00:53:04,760 --> 00:53:05,240
Speaker 1: on brisset.

1012
00:53:05,560 --> 00:53:09,120
Speaker 2: And also quite a spacious abode, you know what I mean,

1013
00:53:09,280 --> 00:53:12,560
Speaker 2: like some sort of is it like a condo? Almost?

1014
00:53:12,600 --> 00:53:15,760
Speaker 1: I don't know. I would think as a single woman

1015
00:53:15,800 --> 00:53:18,879
Speaker 1: in her twenties, which is I don't know if she'd

1016
00:53:18,880 --> 00:53:20,520
Speaker 1: own a whole house, So I was thinking condo.

1017
00:53:20,960 --> 00:53:24,239
Speaker 2: Yeah, well we've seen her before when Jesse goes to

1018
00:53:24,280 --> 00:53:26,400
Speaker 2: her house and it's like outside of like kind of

1019
00:53:26,400 --> 00:53:28,480
Speaker 2: a built So yeah, it feels to me like a

1020
00:53:28,600 --> 00:53:31,239
Speaker 2: like a maybe an old building turned into it. It

1021
00:53:31,280 --> 00:53:31,719
Speaker 2: doesn't matter.

1022
00:53:31,840 --> 00:53:35,680
Speaker 1: Why are we? Why are we? Why are we discestions? Anyways? Okay,

1023
00:53:35,760 --> 00:53:39,000
Speaker 1: so it's not the most attractive home, but here we

1024
00:53:39,040 --> 00:53:49,880
Speaker 1: are unless you're into peach. Right. Becky's getting ready to

1025
00:53:49,960 --> 00:53:52,600
Speaker 1: leave the house when someone knocks on her door. She

1026
00:53:52,800 --> 00:53:55,359
Speaker 1: asks who's there, and the person on the other end

1027
00:53:55,440 --> 00:53:59,720
Speaker 1: yells Stephanie Judith Tanner. Becky opens the door and asks

1028
00:54:00,280 --> 00:54:03,520
Speaker 1: what is she doing there? She explains that her carpool

1029
00:54:03,600 --> 00:54:08,440
Speaker 1: dropped her off. She came to say goodbye, Becky questions goodbye.

1030
00:54:09,000 --> 00:54:11,680
Speaker 1: She ushers Stephanie inside the house and asks where is

1031
00:54:11,719 --> 00:54:15,040
Speaker 1: she going. Steph explains that she's moving to Mexico and

1032
00:54:15,080 --> 00:54:17,520
Speaker 1: going to start a new life as a Mexican hat dancer.

1033
00:54:18,680 --> 00:54:22,359
Speaker 1: Becky's perplexed, You're not allowed to cross the street. How

1034
00:54:22,360 --> 00:54:26,160
Speaker 1: can you cross the border? Stephan admits she has no choice.

1035
00:54:26,200 --> 00:54:30,160
Speaker 1: She's a woman on the run. Becky asks why, and

1036
00:54:30,160 --> 00:54:35,040
Speaker 1: Stephanie sighs because I can never go home again. Sad

1037
00:54:35,160 --> 00:54:38,360
Speaker 1: music plays as Steph hangs her head in despair.

1038
00:54:38,840 --> 00:54:42,319
Speaker 2: Right sad, commercial, very especially very sad.

1039
00:54:42,320 --> 00:54:45,720
Speaker 1: Though I was like, oh, yeah, this is the beginning

1040
00:54:45,760 --> 00:54:49,160
Speaker 1: of when Steph is just beating herself up, yeah, for

1041
00:54:49,200 --> 00:54:51,319
Speaker 1: this mistake, and she's taking it very hard.

1042
00:54:51,600 --> 00:54:54,279
Speaker 2: She say, I'm well, man, let me She's back to

1043
00:54:54,320 --> 00:54:57,480
Speaker 2: Carthura kitchen. True, but she is like it was an

1044
00:54:57,520 --> 00:55:00,800
Speaker 2: accident and you know, she's okay. But there's but I

1045
00:55:01,120 --> 00:55:03,200
Speaker 2: love that she went to Becky to say, you know

1046
00:55:03,200 --> 00:55:06,520
Speaker 2: what I mean that she went to Becky to say goodbye.

1047
00:55:07,200 --> 00:55:10,359
Speaker 1: She felt safe going to Becky's. Yeah, No, that was

1048
00:55:10,560 --> 00:55:13,799
Speaker 1: That's some good. That's a good bonding moment between stef

1049
00:55:13,880 --> 00:55:16,920
Speaker 1: and Becky. So when we come back from the sad

1050
00:55:16,960 --> 00:55:20,720
Speaker 1: commercial break, we're still in Becky's house. Becky asks Steph

1051
00:55:20,840 --> 00:55:24,560
Speaker 1: why exactly she can't go home. She tells Becky that

1052
00:55:24,600 --> 00:55:27,719
Speaker 1: she's having a little problem, and then Stuff admits it's

1053
00:55:27,760 --> 00:55:33,480
Speaker 1: actually a super giganto dinosaur sized problem. Becky brings her

1054
00:55:33,520 --> 00:55:35,680
Speaker 1: over to the couch and asks Steph to tell her

1055
00:55:35,680 --> 00:55:39,879
Speaker 1: what happened. Steph's size, it's too terrible. I can't even

1056
00:55:39,920 --> 00:55:43,200
Speaker 1: say the words. Becky assures her that she can tell

1057
00:55:43,239 --> 00:55:46,719
Speaker 1: her anything. Steph tries to muster up the courage to

1058
00:55:46,760 --> 00:55:50,919
Speaker 1: tell her I drop I drew, and when it's clear

1059
00:55:51,000 --> 00:55:53,879
Speaker 1: she can't quite say it, Becky tries to guess, you

1060
00:55:54,000 --> 00:55:59,640
Speaker 1: dropped something? Did something break? Steph nods. Becky asks what

1061
00:55:59,760 --> 00:56:03,000
Speaker 1: she and Steph admits, you name it, I broke it.

1062
00:56:03,840 --> 00:56:05,120
Speaker 2: Yeah.

1063
00:56:05,200 --> 00:56:07,600
Speaker 1: Then suddenly there's a knock at the door. It's Jesse.

1064
00:56:08,480 --> 00:56:10,879
Speaker 1: Steph jumps up and runs to the closet to hide.

1065
00:56:11,320 --> 00:56:13,960
Speaker 1: Becky follows after her, and Stephanie begs her not to

1066
00:56:14,000 --> 00:56:17,319
Speaker 1: tell Jesse that she's here. Becky answers the door and

1067
00:56:17,400 --> 00:56:21,320
Speaker 1: Jesse walks in. He's suspicious. He says he heard voices

1068
00:56:21,440 --> 00:56:25,120
Speaker 1: and asks Becky who she was talking to Becky is

1069
00:56:25,160 --> 00:56:28,120
Speaker 1: apprehensive and tells him a lie, nobody. I'm a talk

1070
00:56:28,160 --> 00:56:31,719
Speaker 1: show host and I was practicing talking. Jesse comment to.

1071
00:56:31,719 --> 00:56:33,920
Speaker 2: Yourself, like everyone does, right, I do it?

1072
00:56:34,040 --> 00:56:35,919
Speaker 1: You know she's ing her line.

1073
00:56:36,239 --> 00:56:37,280
Speaker 2: I'm not even joking.

1074
00:56:37,640 --> 00:56:39,839
Speaker 1: Here's I have to say a stupid.

1075
00:56:39,480 --> 00:56:40,320
Speaker 2: Thing I did this morning?

1076
00:56:40,480 --> 00:56:41,560
Speaker 1: Oh tell me, tell me?

1077
00:56:41,640 --> 00:56:45,680
Speaker 2: Dropped b and her friend off at school, dropped them off,

1078
00:56:46,960 --> 00:56:50,960
Speaker 2: drove away, wasn't even out of the parking lot yet,

1079
00:56:51,400 --> 00:56:55,960
Speaker 2: asked them a question, and then I went where. Oh

1080
00:56:56,000 --> 00:56:59,480
Speaker 2: my god, oh my god, you just that?

1081
00:57:00,080 --> 00:57:05,480
Speaker 1: Huh yeah, so your transition into middle age is nearly complete.

1082
00:57:06,840 --> 00:57:07,960
Speaker 2: At least I won't remember it.

1083
00:57:09,040 --> 00:57:14,560
Speaker 1: True. So Jesse comments that Becky looks beautiful, way too

1084
00:57:14,600 --> 00:57:18,560
Speaker 1: beautiful for a business dinner. What like a car just

1085
00:57:18,600 --> 00:57:20,720
Speaker 1: crashed through the kitchen. And this is what Jesse is

1086
00:57:20,760 --> 00:57:24,920
Speaker 1: concerned about, is Becky's supposed you.

1087
00:57:24,960 --> 00:57:28,360
Speaker 2: Know what, I just hold the house up for a

1088
00:57:28,400 --> 00:57:30,920
Speaker 2: little bit, and uh, I'm going to be back.

1089
00:57:32,640 --> 00:57:34,880
Speaker 1: Like that's not helpful. This is not helpful to the

1090
00:57:34,920 --> 00:57:38,760
Speaker 1: problem at hand. Jesse Also, this is carpool driver.

1091
00:57:38,800 --> 00:57:41,200
Speaker 2: They just dropped the kid off as some unknown address,

1092
00:57:42,120 --> 00:57:43,880
Speaker 2: you know what I mean. Kid was like I got

1093
00:57:43,920 --> 00:57:45,600
Speaker 2: a duffle bag. I need to get out here. Don't

1094
00:57:45,600 --> 00:57:46,400
Speaker 2: ask any questions.

1095
00:57:46,440 --> 00:57:49,840
Speaker 1: Okay, bye, yeah bye, you're a minor. Bye, it doesn't matter.

1096
00:57:50,360 --> 00:57:53,120
Speaker 2: Yeah, I've never dropped you off here before. And uh,

1097
00:57:54,120 --> 00:57:55,960
Speaker 2: you're not going to dance last bye?

1098
00:57:56,080 --> 00:58:00,800
Speaker 1: Yeah hikes. Yeah, that's the nineties. You know. Parents didn't care.

1099
00:58:00,920 --> 00:58:04,920
Speaker 1: They didn't care as much about kids. So Becky notices

1100
00:58:04,960 --> 00:58:08,520
Speaker 1: the bouquet of flowers that Jesse's holding. She smiles, those

1101
00:58:08,560 --> 00:58:11,800
Speaker 1: are beautiful roses? Are they from me? She reaches for them,

1102
00:58:11,800 --> 00:58:16,600
Speaker 1: and Jesse pulls them away. He responds maybe. She folds

1103
00:58:16,600 --> 00:58:19,240
Speaker 1: her arms and gives him a disappointed look, So he

1104
00:58:19,320 --> 00:58:22,440
Speaker 1: admits I was gonna come over and apologize for acting

1105
00:58:22,520 --> 00:58:26,320
Speaker 1: jealous about that MacIntire creep. Then he realizes he's doing

1106
00:58:26,360 --> 00:58:29,360
Speaker 1: it again. He holds out the bouquet to Becky and says,

1107
00:58:29,400 --> 00:58:31,280
Speaker 1: I'm sorry. Will you forgive me?

1108
00:58:32,200 --> 00:58:32,480
Speaker 2: Becky?

1109
00:58:32,560 --> 00:58:37,480
Speaker 1: He takes yes. Good progress progress. Becky takes the roses

1110
00:58:37,480 --> 00:58:40,240
Speaker 1: and tells Jesse, of course, I forgive you. This was

1111
00:58:40,360 --> 00:58:43,400
Speaker 1: very sweet. She gives him a kiss before hastily pushing

1112
00:58:43,480 --> 00:58:46,160
Speaker 1: him towards the door. She thanks Jesse for coming by

1113
00:58:46,200 --> 00:58:48,040
Speaker 1: and tells him she'll call later to tell him all

1114
00:58:48,040 --> 00:58:51,800
Speaker 1: about her boring dinner. Once she successfully pushes him out

1115
00:58:51,840 --> 00:58:55,320
Speaker 1: the door, she rushes over to the closet, but Jesse

1116
00:58:55,480 --> 00:58:59,520
Speaker 1: walks right back in. He asks whose suitcase is sitting

1117
00:58:59,560 --> 00:59:02,840
Speaker 1: on the floor. Becky is shielding the closet door as

1118
00:59:02,840 --> 00:59:06,560
Speaker 1: she tells Jesse it's not what he thinks. Jesse realizes

1119
00:59:06,600 --> 00:59:10,560
Speaker 1: there's someone in the closet Bessie. Becky asks what closet,

1120
00:59:11,320 --> 00:59:15,240
Speaker 1: and Jesse guesses it's McIntyre, isn't it. He moves Becky

1121
00:59:15,240 --> 00:59:17,760
Speaker 1: aside and yells at the door McIntire, come on out.

1122
00:59:18,000 --> 00:59:21,680
Speaker 1: I got your business dinner right here. He opens the

1123
00:59:21,680 --> 00:59:24,840
Speaker 1: door and begins to search through the clothes. Meanwhile, Steph

1124
00:59:24,920 --> 00:59:27,840
Speaker 1: is inside of a coat that's hanging on the door.

1125
00:59:30,560 --> 00:59:32,840
Speaker 2: I think that was like the sport was like where

1126
00:59:32,840 --> 00:59:40,160
Speaker 2: can we dangle Jody from again harness? I'm a third

1127
00:59:40,480 --> 00:59:47,120
Speaker 2: third Yeah, oh pilet Pio Astronaut episode. Yes, and this

1128
00:59:48,520 --> 00:59:50,560
Speaker 2: know what I'm saying. That's just every season they're like,

1129
00:59:50,680 --> 00:59:52,880
Speaker 2: let's I don't know why we're around somewhere.

1130
00:59:53,040 --> 00:59:56,439
Speaker 1: It's like a challenge, can we put Jody in harness again?

1131
00:59:56,480 --> 00:59:59,040
Speaker 2: I mean it was hilarious though it was hilarious, and

1132
00:59:59,120 --> 01:00:01,560
Speaker 2: I remember and you see it when you know he

1133
01:00:01,600 --> 01:00:04,840
Speaker 2: opens the door. I was having I kept laughing when

1134
01:00:04,880 --> 01:00:07,360
Speaker 2: they opened the door because as a kid, you're hanging

1135
01:00:07,400 --> 01:00:09,600
Speaker 2: there on a door. It's ridiculous and you it's so

1136
01:00:09,800 --> 01:00:13,000
Speaker 2: silly and fun, and I was like trying to hold

1137
01:00:13,000 --> 01:00:14,120
Speaker 2: it together. I did my best.

1138
01:00:14,280 --> 01:00:16,800
Speaker 1: It was the look on your face. You're just like

1139
01:00:16,840 --> 01:00:20,000
Speaker 1: this cute little cherub, like you're just so cute. And

1140
01:00:20,040 --> 01:00:22,000
Speaker 1: then I can see you're trying so hard not to

1141
01:00:22,040 --> 01:00:25,040
Speaker 1: bring it so hard. And then John turns to look

1142
01:00:25,080 --> 01:00:26,440
Speaker 1: at you, and then we.

1143
01:00:27,840 --> 01:00:29,920
Speaker 2: Like every time we would make icon that he'd turn around,

1144
01:00:29,960 --> 01:00:33,520
Speaker 2: and I was like, yeah, it's so good.

1145
01:00:34,040 --> 01:00:36,440
Speaker 1: This is just a classic full house moment.

1146
01:00:36,560 --> 01:00:38,240
Speaker 2: It really is so great.

1147
01:00:39,560 --> 01:00:42,000
Speaker 1: So after Jesse is through with his search, he declares,

1148
01:00:42,200 --> 01:00:45,240
Speaker 1: just as I suspected, nobody's in here. He turns and

1149
01:00:45,320 --> 01:00:48,320
Speaker 1: is suddenly face to face with Stephanie and she gives

1150
01:00:48,400 --> 01:00:51,640
Speaker 1: him a timid laugh. He asks what she's doing there,

1151
01:00:51,760 --> 01:00:55,600
Speaker 1: and she answers, just hanging around.

1152
01:00:56,120 --> 01:00:56,400
Speaker 3: Yep.

1153
01:00:56,960 --> 01:00:58,560
Speaker 1: Did did you say that in the pilot?

1154
01:00:58,720 --> 01:01:00,400
Speaker 2: I did, and that's what I said, when yeah, what

1155
01:01:00,400 --> 01:01:01,320
Speaker 2: are you doing? They're jazz?

1156
01:01:01,360 --> 01:01:01,720
Speaker 1: Hang?

1157
01:01:02,720 --> 01:01:06,640
Speaker 2: Yeah, I think I've said it a couple times every

1158
01:01:06,640 --> 01:01:09,240
Speaker 2: time I'm every time I'm hanging around from somewhere, I

1159
01:01:09,560 --> 01:01:11,560
Speaker 2: make the joke right, So at least three times.

1160
01:01:11,760 --> 01:01:13,240
Speaker 1: Yeah, this is like an annual bit.

1161
01:01:13,640 --> 01:01:14,040
Speaker 3: It is.

1162
01:01:15,760 --> 01:01:17,880
Speaker 1: So. Jesse picks her up and sets her on the floor,

1163
01:01:18,000 --> 01:01:21,320
Speaker 1: telling her it's time to go, but Becky explains that

1164
01:01:21,360 --> 01:01:26,400
Speaker 1: Steph has a super giganto dinosaur sized problem. Jesse holds

1165
01:01:26,440 --> 01:01:29,000
Speaker 1: Stephanie's hand and brings her to a chair to sit down.

1166
01:01:29,560 --> 01:01:33,240
Speaker 1: He asks her to tell him about it. Steph hangs

1167
01:01:33,280 --> 01:01:36,479
Speaker 1: her head with Shane. She admits, I sort of drove

1168
01:01:36,560 --> 01:01:41,400
Speaker 1: Joey's car into the kitchen. Jesse's shocked. You're the one

1169
01:01:41,400 --> 01:01:45,480
Speaker 1: who drove Joey's Steph, you can't even drive. She raises

1170
01:01:45,520 --> 01:01:50,160
Speaker 1: an eyebrow. You're telling me. Becky chimes in, no wonder

1171
01:01:50,200 --> 01:01:53,600
Speaker 1: you're moving to Mexico. Jesse directs his attention to Steph,

1172
01:01:53,720 --> 01:01:56,280
Speaker 1: giving her a word of advice. Take it from a

1173
01:01:56,280 --> 01:01:58,520
Speaker 1: guy who's been in trouble a lot. I know you're

1174
01:01:58,520 --> 01:02:01,400
Speaker 1: feeling scared, you feel like you got to run, But

1175
01:02:01,440 --> 01:02:03,880
Speaker 1: the best way to solve this problem is to go

1176
01:02:03,960 --> 01:02:08,840
Speaker 1: home and face the music. Stephanie inquires, was Dad really

1177
01:02:08,880 --> 01:02:11,880
Speaker 1: mad when he saw the kitchen. Jesse says she can

1178
01:02:11,920 --> 01:02:14,520
Speaker 1: see for herself once DJ's pictures come back from the

1179
01:02:14,560 --> 01:02:18,520
Speaker 1: One Hour Photo. I remember the one hour Photo in

1180
01:02:18,560 --> 01:02:19,640
Speaker 1: the mall.

1181
01:02:20,240 --> 01:02:22,840
Speaker 2: Yeah, and their pictures would go by the front thing

1182
01:02:22,960 --> 01:02:24,680
Speaker 2: and people would stand there and you could watch random

1183
01:02:24,680 --> 01:02:26,120
Speaker 2: people's pictures. Yeah.

1184
01:02:26,280 --> 01:02:29,120
Speaker 1: Yeah, Oh my my mom and I took so many

1185
01:02:29,120 --> 01:02:32,600
Speaker 1: trips to the One Hour Photo to develop photos. Ye. Yes,

1186
01:02:32,760 --> 01:02:33,520
Speaker 1: that is where you.

1187
01:02:33,480 --> 01:02:36,560
Speaker 2: See the little blue envelope. Yeah, one hour Photo place.

1188
01:02:36,800 --> 01:02:41,320
Speaker 1: Oh memories. So Jesse stands up and puts his arm

1189
01:02:41,320 --> 01:02:44,160
Speaker 1: around Stephanie, leading her to the door so they can

1190
01:02:44,320 --> 01:02:48,120
Speaker 1: head home. In the living room, Danny is sorting through

1191
01:02:48,160 --> 01:02:50,920
Speaker 1: papers when DJ and Michelle walk in through the kitchen.

1192
01:02:51,480 --> 01:02:54,160
Speaker 1: DJ reminds her dad that it's almost dinner and asks

1193
01:02:54,240 --> 01:02:57,360
Speaker 1: if he'd like her to set the car. The audience

1194
01:02:57,400 --> 01:03:02,320
Speaker 1: loves this too, right, They're like this. Danny sighs and

1195
01:03:02,400 --> 01:03:05,560
Speaker 1: makes a joke. Sure, honey, but use the good hubcaps.

1196
01:03:06,680 --> 01:03:09,640
Speaker 1: Then Joey walks in with comet. He's happily whistling a

1197
01:03:09,720 --> 01:03:13,880
Speaker 1: tune to himself, oblivious to what's happened. Michelle wags her

1198
01:03:13,880 --> 01:03:17,800
Speaker 1: finger at him. You're in big trouble. Mister Danny stands

1199
01:03:17,800 --> 01:03:21,200
Speaker 1: and approaches him, asking if he's okay. They were worried sick.

1200
01:03:21,880 --> 01:03:25,760
Speaker 1: Joey's confused, telling Danny he's fine. Danny shouts, in that case,

1201
01:03:25,880 --> 01:03:29,280
Speaker 1: you're in big trouble. Mister. Joey explains, I know I'm

1202
01:03:29,280 --> 01:03:31,760
Speaker 1: a little late, but you're not gonna believe what happened.

1203
01:03:32,120 --> 01:03:35,040
Speaker 1: I had this little nick in my car right and

1204
01:03:35,120 --> 01:03:40,400
Speaker 1: Danny sarcastically responds, you don't say. Joey continues, and I

1205
01:03:40,440 --> 01:03:42,439
Speaker 1: went to buy some touch up paint, and you'll never

1206
01:03:42,520 --> 01:03:46,200
Speaker 1: believe who I ran into. Danny cuts him off, speaking

1207
01:03:46,280 --> 01:03:48,880
Speaker 1: or running into things? Come with me to the kitchen.

1208
01:03:49,600 --> 01:03:52,960
Speaker 1: Joey smiles, Ah, are you upset because I took the

1209
01:03:53,040 --> 01:03:57,320
Speaker 1: last ice cube and didn't refill the tray? Danny's eyes

1210
01:03:57,440 --> 01:04:02,000
Speaker 1: narrow something like that. Runs through the door kitchen door first,

1211
01:04:02,080 --> 01:04:04,240
Speaker 1: telling her dad to wait because she wants to get

1212
01:04:04,240 --> 01:04:07,520
Speaker 1: there first. Danny gets behind Joey and pushes him into

1213
01:04:07,560 --> 01:04:10,280
Speaker 1: the room. Joey insists he can go to the store

1214
01:04:10,320 --> 01:04:13,400
Speaker 1: and buy more ice. It'll be fine, he doesn't need

1215
01:04:13,440 --> 01:04:14,160
Speaker 1: to worry about it.

1216
01:04:14,960 --> 01:04:17,680
Speaker 2: Then classic sitcom moment where you're we're not going to

1217
01:04:17,760 --> 01:04:20,840
Speaker 2: talk about the thing, but I'm gonna keep Yeah, it's hard.

1218
01:04:21,440 --> 01:04:25,680
Speaker 1: It's building, it's building to this moments, Joey walks into

1219
01:04:25,680 --> 01:04:29,600
Speaker 1: the kitchen and witnesses the scene. He screams with terror,

1220
01:04:29,960 --> 01:04:33,920
Speaker 1: my car on cue, DJ snaps a picture of her

1221
01:04:34,000 --> 01:04:39,600
Speaker 1: uncle's horrified face. Oh. DJ. Joey runs over to Rosie

1222
01:04:39,640 --> 01:04:43,240
Speaker 1: in despair. He turns to Danny and shouts, this is

1223
01:04:43,280 --> 01:04:48,360
Speaker 1: my punishment for not filling the ice cube, Dray. Danny's confused.

1224
01:04:48,600 --> 01:04:52,280
Speaker 1: Are you saying you didn't know about this? Joey whimpers.

1225
01:04:52,760 --> 01:04:55,120
Speaker 1: If I did, don't you think I would have bought

1226
01:04:55,200 --> 01:04:58,960
Speaker 1: a bigger jar of touch up paint. Then he reveals

1227
01:04:58,960 --> 01:05:02,160
Speaker 1: that when he left to to the store, Stephanie was

1228
01:05:02,200 --> 01:05:03,920
Speaker 1: the one watching the car.

1229
01:05:04,760 --> 01:05:05,720
Speaker 2: Right, the eight year old?

1230
01:05:05,960 --> 01:05:09,400
Speaker 1: The eight year old? Yeah. On cue, Jesse and Stephanie

1231
01:05:09,440 --> 01:05:13,440
Speaker 1: walk into the kitchen. Steph nervously begins to explain what happened.

1232
01:05:14,120 --> 01:05:16,520
Speaker 1: I was taking a make believe drive through the country

1233
01:05:16,600 --> 01:05:18,960
Speaker 1: and I wanted to play the radio, so I turned

1234
01:05:18,960 --> 01:05:21,600
Speaker 1: the key and the next thing I knew, I was

1235
01:05:21,600 --> 01:05:25,400
Speaker 1: in the kitchen. Joey admits, I should have never left

1236
01:05:25,440 --> 01:05:30,080
Speaker 1: those keys in the ignition, right, yes, yes, thank you

1237
01:05:30,160 --> 01:05:33,160
Speaker 1: exactly a little too late, right, Stephan.

1238
01:05:33,200 --> 01:05:35,040
Speaker 2: Maybe what the lesson we were trying to teach on

1239
01:05:35,080 --> 01:05:37,000
Speaker 2: this episode is don't leave your keys in the ignition

1240
01:05:37,080 --> 01:05:39,040
Speaker 2: when your kids are around, because you could back into

1241
01:05:39,080 --> 01:05:40,480
Speaker 2: your house and destroy things.

1242
01:05:40,920 --> 01:05:43,880
Speaker 1: Yes. Oh, there's multiple lessons in this episode, but that

1243
01:05:44,160 --> 01:05:46,760
Speaker 1: is one of them. Don't leave your child unattended at home,

1244
01:05:46,840 --> 01:05:49,240
Speaker 1: don't leave your car your keys in the ignition, and.

1245
01:05:49,160 --> 01:05:51,800
Speaker 2: Don't make an eight year old your valet, right.

1246
01:05:52,080 --> 01:05:55,480
Speaker 1: And if you're a kid, don't don't play with the car.

1247
01:05:55,520 --> 01:05:59,880
Speaker 1: Play with the car, right, Don't play with the car. Yeah.

1248
01:06:00,040 --> 01:06:02,240
Speaker 1: So Steph makes her way over to Joey, assuring him

1249
01:06:02,440 --> 01:06:05,200
Speaker 1: it's not his fault. She had no business being in

1250
01:06:05,280 --> 01:06:10,040
Speaker 1: his new car. It was perfect, Oh, Steph, Oh, Steph.

1251
01:06:10,280 --> 01:06:14,440
Speaker 1: Joey sighs, well, almost the radio didn't work, and Steph

1252
01:06:14,480 --> 01:06:17,040
Speaker 1: throws her arms up in the air. Now, he tells me.

1253
01:06:18,280 --> 01:06:21,680
Speaker 1: Then she turns to her dad and says, go ahead, yell, scream,

1254
01:06:22,040 --> 01:06:24,680
Speaker 1: punish me, or if you want, I'll just move to Mexico.

1255
01:06:25,640 --> 01:06:28,000
Speaker 1: Danny calmly tells her that right now, he just wants

1256
01:06:28,000 --> 01:06:30,160
Speaker 1: her to wait upstairs in her room until he can

1257
01:06:30,200 --> 01:06:33,240
Speaker 1: figure out what to do. With her. Jesse takes Steph's

1258
01:06:33,240 --> 01:06:36,120
Speaker 1: hand and leads her over to DJ. Jesse asks that

1259
01:06:36,160 --> 01:06:38,720
Speaker 1: she brings Stephanie upstairs and make sure she doesn't skip

1260
01:06:38,760 --> 01:06:42,720
Speaker 1: the country. Michelle exclaims, my turn to drive the car.

1261
01:06:43,840 --> 01:06:46,439
Speaker 1: Joey shakes his head. You know the rules, nobody gets

1262
01:06:46,480 --> 01:06:50,400
Speaker 1: to drive until they're eight years old. Then he throws

1263
01:06:50,440 --> 01:06:52,959
Speaker 1: his head onto He throws his head onto his car,

1264
01:06:53,040 --> 01:06:56,840
Speaker 1: yelling rosy. He breaks out into hysterics and Michelle tries

1265
01:06:56,880 --> 01:07:01,880
Speaker 1: to encourage him. Don't cry, be a big boy. So

1266
01:07:02,080 --> 01:07:05,200
Speaker 1: in the girls room, DJ is trying to console Stephanie,

1267
01:07:05,400 --> 01:07:08,640
Speaker 1: reminding her she made a mistake, but everything's going to

1268
01:07:08,680 --> 01:07:11,520
Speaker 1: be all right. Stephanie just stares down at her bed,

1269
01:07:11,800 --> 01:07:15,560
Speaker 1: not saying a word. Danny walks in and tells DJ

1270
01:07:15,680 --> 01:07:19,080
Speaker 1: that he'd like to talk to Stephanie alone before she leaves.

1271
01:07:19,600 --> 01:07:22,600
Speaker 1: DJ kindly tells Steph to hang in there, and as

1272
01:07:22,640 --> 01:07:24,560
Speaker 1: she's walking out, she stops in front of her dad,

1273
01:07:24,800 --> 01:07:27,880
Speaker 1: telling him to go easy on Steph. She's just a kid.

1274
01:07:28,880 --> 01:07:32,520
Speaker 1: Ah like, this is a rare moment of DJ, you know,

1275
01:07:32,640 --> 01:07:36,840
Speaker 1: looking at Yeah, She's like it feels bad for Stephanie.

1276
01:07:36,840 --> 01:07:40,200
Speaker 1: I like this. I like this sensitive dj yeah, So

1277
01:07:40,280 --> 01:07:43,600
Speaker 1: Danny closes the door and turns his attention to Stephanie,

1278
01:07:43,720 --> 01:07:46,840
Speaker 1: who is staring at him with worry. He starts off

1279
01:07:46,880 --> 01:07:50,320
Speaker 1: by saying, I am very disappointed in you. You could

1280
01:07:50,320 --> 01:07:53,280
Speaker 1: have been hurt, You could have hurt someone else. He

1281
01:07:53,360 --> 01:07:56,439
Speaker 1: shakes his head and sternly tells her what you did

1282
01:07:56,560 --> 01:07:59,920
Speaker 1: is the stupidest thing you've ever done, and Steph nods,

1283
01:08:00,400 --> 01:08:03,960
Speaker 1: I know. That's why I ran away, and Danny asks,

1284
01:08:04,080 --> 01:08:07,680
Speaker 1: and you know better than that too, don't you. Steph

1285
01:08:07,760 --> 01:08:10,720
Speaker 1: raises her voice, I know everything I do is wrong.

1286
01:08:10,920 --> 01:08:15,280
Speaker 1: I hate myself and she pulls the covers over her head,

1287
01:08:15,560 --> 01:08:19,160
Speaker 1: hiding herself. This is so hard to watch, like she's

1288
01:08:19,200 --> 01:08:21,760
Speaker 1: only eight years old and she's just beating herself up

1289
01:08:21,880 --> 01:08:25,559
Speaker 1: on with this mistake. Danny tells her to come out

1290
01:08:25,560 --> 01:08:28,800
Speaker 1: from under there, but she insists I don't deserve fresh air.

1291
01:08:29,680 --> 01:08:31,720
Speaker 1: Danny asks how long she's going to stay under there,

1292
01:08:31,840 --> 01:08:35,600
Speaker 1: and Steph shouts till I get married. Danny admits it

1293
01:08:35,640 --> 01:08:38,800
Speaker 1: could be difficult to meet somebody under there, so Steph

1294
01:08:38,880 --> 01:08:41,000
Speaker 1: pulls the covers off of her and decides she'll just

1295
01:08:41,040 --> 01:08:43,000
Speaker 1: stay in her room for the rest of her life.

1296
01:08:43,000 --> 01:08:47,320
Speaker 1: Then Danny doesn't know about that, but he does know

1297
01:08:47,400 --> 01:08:51,920
Speaker 1: that he needs to punish her big time. Yeah. Steph

1298
01:08:51,960 --> 01:08:54,720
Speaker 1: pulls herself out of bed and suggests, I should never

1299
01:08:54,760 --> 01:08:57,679
Speaker 1: get any allowance or presence ever again, and you should

1300
01:08:57,720 --> 01:08:59,840
Speaker 1: send me away to Carpenter School so I can build

1301
01:08:59,880 --> 01:09:02,200
Speaker 1: a brand new house that you can live in without me,

1302
01:09:02,760 --> 01:09:05,559
Speaker 1: and you'd never have to hug or kiss me again.

1303
01:09:06,280 --> 01:09:10,559
Speaker 1: And she walks over to the table and begins to cry. Oh.

1304
01:09:10,640 --> 01:09:12,880
Speaker 1: Danny looks at her with empathy, and he tells her

1305
01:09:13,240 --> 01:09:15,960
Speaker 1: there is nothing you could ever do that would make

1306
01:09:16,000 --> 01:09:19,720
Speaker 1: me stop hugging and kissing you. And Steph turns to

1307
01:09:19,760 --> 01:09:23,880
Speaker 1: her dad and asks nothing. Danny holds out his hand,

1308
01:09:24,080 --> 01:09:27,920
Speaker 1: telling her to come here. He continues, you have to

1309
01:09:27,960 --> 01:09:30,680
Speaker 1: know that no matter what you do wrong, and no

1310
01:09:30,760 --> 01:09:34,240
Speaker 1: matter how angry I get, I am always going to

1311
01:09:34,280 --> 01:09:39,840
Speaker 1: forgive you because I love you. Stephanie's voice shakes. How

1312
01:09:39,880 --> 01:09:42,640
Speaker 1: can you still love me? I wrecked Joey's car and

1313
01:09:42,680 --> 01:09:46,559
Speaker 1: I broke the house. Danny reminds her that those are

1314
01:09:46,640 --> 01:09:49,760
Speaker 1: just things. They can buy a new car or put

1315
01:09:49,840 --> 01:09:54,040
Speaker 1: up a new wall, but there's only one Stephanie Judith Tanner,

1316
01:09:54,479 --> 01:09:58,920
Speaker 1: and she can never be replaced. Steph admits she never

1317
01:09:58,960 --> 01:10:02,360
Speaker 1: thought of that, and Danny smiles, I think about it

1318
01:10:02,439 --> 01:10:05,840
Speaker 1: every day. She grabs her dad and gives him a

1319
01:10:05,920 --> 01:10:09,000
Speaker 1: giant hug. She tells him that she loves him, and

1320
01:10:09,040 --> 01:10:11,559
Speaker 1: he gives her a kiss on the cheek, and that

1321
01:10:11,680 --> 01:10:13,520
Speaker 1: is our show.

1322
01:10:13,640 --> 01:10:14,760
Speaker 2: I cried it that last scene.

1323
01:10:14,960 --> 01:10:19,360
Speaker 1: I did too. It was just beautiful. It was so

1324
01:10:19,360 --> 01:10:23,360
Speaker 1: beautifully written, it was so beautifully performed, and you and

1325
01:10:23,400 --> 01:10:24,839
Speaker 1: Bob just have that connection.

1326
01:10:25,439 --> 01:10:28,040
Speaker 2: Yeah, that was I think that was what made me cry.

1327
01:10:28,080 --> 01:10:31,440
Speaker 2: And it was you know, also going to the Sclorioderma

1328
01:10:31,520 --> 01:10:35,479
Speaker 2: event this week, as we were like a block away,

1329
01:10:35,720 --> 01:10:39,439
Speaker 2: I had this moment where I went and this guy's

1330
01:10:39,439 --> 01:10:41,960
Speaker 2: like what and I said, I don't know why, but

1331
01:10:42,000 --> 01:10:43,840
Speaker 2: it just hit me again that Bob won't be there.

1332
01:10:45,520 --> 01:10:47,639
Speaker 2: It's such a you know, it was such a hymn event,

1333
01:10:47,720 --> 01:10:49,400
Speaker 2: and so this then watching.

1334
01:10:49,080 --> 01:10:51,960
Speaker 1: This scene geez yeah.

1335
01:10:51,360 --> 01:10:53,680
Speaker 2: And you know, and him saying like there, you know,

1336
01:10:53,680 --> 01:10:57,920
Speaker 2: there's only one and you could never be replaced. Oh

1337
01:10:57,960 --> 01:10:59,040
Speaker 2: and hits that big hug.

1338
01:10:59,080 --> 01:11:02,360
Speaker 1: I was like, yeah, yeah, that's very true. It really

1339
01:11:02,920 --> 01:11:06,920
Speaker 1: really it hits differently, Yeah for sure, Yeah, it really

1340
01:11:06,960 --> 01:11:09,400
Speaker 1: did starn that, but it just it was it was

1341
01:11:09,479 --> 01:11:12,000
Speaker 1: such a such a great scene.

1342
01:11:12,000 --> 01:11:13,880
Speaker 2: I mean, and I'm not saying that because it feels

1343
01:11:13,920 --> 01:11:15,080
Speaker 2: weird to compliment yourself on.

1344
01:11:15,080 --> 01:11:20,439
Speaker 1: A great scene, but like, yeah, watching it objectively, it

1345
01:11:20,479 --> 01:11:23,080
Speaker 1: was just it was a really great scene.

1346
01:11:23,200 --> 01:11:25,880
Speaker 2: And it wasn't you know, steph had some resistance to

1347
01:11:27,200 --> 01:11:28,800
Speaker 2: hearing it was okay, And I think that was a

1348
01:11:28,840 --> 01:11:31,639
Speaker 2: really important lesson to hear, like you can do something

1349
01:11:32,240 --> 01:11:34,920
Speaker 2: really stupid and I'm still gonna love you.

1350
01:11:35,160 --> 01:11:39,440
Speaker 1: Yeah. Yeah, this is the scene that made the episode.

1351
01:11:39,600 --> 01:11:41,920
Speaker 1: Without it, it just would have been more of a joke, like, oh,

1352
01:11:41,960 --> 01:11:45,280
Speaker 1: she broke the house. But this scene you see Stephanie

1353
01:11:45,400 --> 01:11:48,800
Speaker 1: going through all of the emotions. You see her transform

1354
01:11:49,320 --> 01:11:52,639
Speaker 1: into accepting that she made this mistake and she's not perfect,

1355
01:11:52,720 --> 01:11:55,000
Speaker 1: but her dad is always going to love her, right,

1356
01:11:55,040 --> 01:11:58,240
Speaker 1: And it's so well explained by Danny too, like it's

1357
01:11:58,320 --> 01:11:59,599
Speaker 1: just everything you want.

1358
01:11:59,640 --> 01:12:03,800
Speaker 2: And yeah, Bob was so great and genuine in that scene.

1359
01:12:03,920 --> 01:12:07,360
Speaker 2: And and again because like because he and I had

1360
01:12:07,400 --> 01:12:12,960
Speaker 2: such a great connection and and he we were just close.

1361
01:12:13,320 --> 01:12:18,080
Speaker 2: You know, I can absolutely see that in the way

1362
01:12:18,280 --> 01:12:19,639
Speaker 2: he talks to me in that scene.

1363
01:12:20,040 --> 01:12:21,599
Speaker 1: Yeah, you know, he talked.

1364
01:12:21,640 --> 01:12:23,200
Speaker 2: I mean, that's like exactly how.

1365
01:12:23,080 --> 01:12:24,600
Speaker 1: You would talk to your kids, how we talk to

1366
01:12:24,640 --> 01:12:28,479
Speaker 1: it like it just uh, it was really sweet to watch. Yeah,

1367
01:12:28,720 --> 01:12:32,800
Speaker 1: it was. It was just a perfect parenting moment. You know,

1368
01:12:33,200 --> 01:12:35,200
Speaker 1: she's not letting her off the hook. You know, she's

1369
01:12:35,240 --> 01:12:37,920
Speaker 1: still gonna be she's not gonna get a punishment, but

1370
01:12:38,120 --> 01:12:40,160
Speaker 1: he just reminds her that he doesn't hate her. He's

1371
01:12:40,200 --> 01:12:42,240
Speaker 1: never going to stop hugging her, and he's always going

1372
01:12:42,320 --> 01:12:44,840
Speaker 1: to love her. That's just that's the unconditional love that you, right,

1373
01:12:45,120 --> 01:12:49,360
Speaker 1: you just want for everybody. Yeah, it was just beautiful.

1374
01:12:49,520 --> 01:12:53,080
Speaker 2: This was it was this you know again, I watched

1375
01:12:53,120 --> 01:12:55,599
Speaker 2: it and I went, oh, yeah, this is this is

1376
01:12:55,640 --> 01:12:58,519
Speaker 2: this hits all the full House moments and it was great.

1377
01:12:59,200 --> 01:13:03,320
Speaker 2: It was a really greatly greatly The episode was written

1378
01:13:03,400 --> 01:13:06,240
Speaker 2: really well. Oh it was funny. There was some really

1379
01:13:06,240 --> 01:13:10,559
Speaker 2: funny banter moments. The jokes were good and snappy. It

1380
01:13:10,600 --> 01:13:13,360
Speaker 2: was this was a really great episode. I can see

1381
01:13:13,360 --> 01:13:15,160
Speaker 2: why a lot of people are like, oh my god.

1382
01:13:15,160 --> 01:13:17,400
Speaker 2: It was my one of my favorite episodes because it

1383
01:13:17,520 --> 01:13:21,479
Speaker 2: everybody's involved. Becky helps out, like Jesse has a little moment,

1384
01:13:21,479 --> 01:13:23,680
Speaker 2: but we see some growth with him, and you know,

1385
01:13:23,800 --> 01:13:25,960
Speaker 2: and Danny and Steph have this great thing and we

1386
01:13:26,000 --> 01:13:29,000
Speaker 2: see you know, DJ being kind like it's just it's

1387
01:13:29,080 --> 01:13:32,040
Speaker 2: really it was a really great use of all of

1388
01:13:32,040 --> 01:13:34,880
Speaker 2: the all the characters, and it was funny, yeah, and

1389
01:13:35,240 --> 01:13:38,120
Speaker 2: and really heartwarming. Like it it was the whole full

1390
01:13:38,120 --> 01:13:38,960
Speaker 2: house package.

1391
01:13:39,360 --> 01:13:41,800
Speaker 1: Yeah, that's true. It had all of the right ingredients

1392
01:13:42,080 --> 01:13:46,519
Speaker 1: for a perfect full house episode. And visually it had

1393
01:13:46,560 --> 01:13:48,960
Speaker 1: so many visual moments that you did stick in your mind.

1394
01:13:48,960 --> 01:13:50,519
Speaker 1: Not for sure the car in the kitchen, but you

1395
01:13:50,680 --> 01:13:52,520
Speaker 1: hanging from the the COVID.

1396
01:13:52,520 --> 01:13:55,720
Speaker 2: Like people forgot that was in the same episode. Yeah,

1397
01:13:55,760 --> 01:13:56,800
Speaker 2: me too, me too.

1398
01:13:57,760 --> 01:14:00,000
Speaker 1: Yeah, no, this is this is one of those episodes

1399
01:14:00,080 --> 01:14:00,879
Speaker 1: you never forget.

1400
01:14:01,040 --> 01:14:03,519
Speaker 2: And yeah, and I have to say, like, as you know,

1401
01:14:03,760 --> 01:14:05,960
Speaker 2: as an adult going back and watching it at like

1402
01:14:06,200 --> 01:14:08,240
Speaker 2: and knowing like I was an eight year old little kid,

1403
01:14:08,240 --> 01:14:10,800
Speaker 2: I'm watching it. I'm like, you're pretty damn good. That

1404
01:14:10,880 --> 01:14:12,439
Speaker 2: was pretty damn good in this episode.

1405
01:14:12,479 --> 01:14:13,559
Speaker 1: Oh yeah you were.

1406
01:14:13,720 --> 01:14:16,080
Speaker 2: You pat myself on the back for it, like it.

1407
01:14:16,000 --> 01:14:18,880
Speaker 1: Was well deserved. Yes, you knocked it out of the park.

1408
01:14:18,920 --> 01:14:21,120
Speaker 2: It's fun. And I remembered it's so much fun with

1409
01:14:21,160 --> 01:14:23,599
Speaker 2: that episode because it it was I loved you know,

1410
01:14:23,840 --> 01:14:26,240
Speaker 2: the oh now you tell me, you know sort of

1411
01:14:26,280 --> 01:14:28,759
Speaker 2: the like the jokes back and forth and the and

1412
01:14:28,760 --> 01:14:30,600
Speaker 2: and the scene with Bob and yeah, I just I

1413
01:14:30,680 --> 01:14:33,320
Speaker 2: really enjoyed doing this episode. And it was so much

1414
01:14:33,320 --> 01:14:35,559
Speaker 2: fun to, you know, see a stunt and do all

1415
01:14:35,600 --> 01:14:38,240
Speaker 2: this stuff and hang from a door and yeah.

1416
01:14:38,400 --> 01:14:40,960
Speaker 1: But yeah, And I don't think people realize just how

1417
01:14:40,960 --> 01:14:43,080
Speaker 1: hard it is for an eight year old to tap

1418
01:14:43,120 --> 01:14:46,280
Speaker 1: into those kind of emotions because you haven't had a

1419
01:14:46,280 --> 01:14:49,160
Speaker 1: lot of life experience as an eight year old. So

1420
01:14:49,200 --> 01:14:50,920
Speaker 1: the fact that you were able to tap in to

1421
01:14:51,040 --> 01:14:54,200
Speaker 1: those deep emotions and produce tears and and really make

1422
01:14:54,240 --> 01:14:56,160
Speaker 1: it relatable, that was I mean, it was just the

1423
01:14:56,160 --> 01:14:58,880
Speaker 1: fact that you're only ate is mind blowing. So it

1424
01:14:59,000 --> 01:15:02,080
Speaker 1: was very well done by you and Bob and everybody.

1425
01:15:02,120 --> 01:15:03,840
Speaker 1: It was just it's a great.

1426
01:15:04,160 --> 01:15:06,360
Speaker 2: Great emphasiy. This was This was a really this was

1427
01:15:06,360 --> 01:15:08,320
Speaker 2: a fun one. I can't believe we finally got to

1428
01:15:08,479 --> 01:15:09,719
Speaker 2: the car through the kitchen episode.

1429
01:15:09,840 --> 01:15:13,320
Speaker 1: Yes, yes, I somehow thought it was later in a

1430
01:15:13,400 --> 01:15:15,880
Speaker 1: later season, but no, season three, season three. He just

1431
01:15:15,920 --> 01:15:18,080
Speaker 1: has some classic classic episode.

1432
01:15:18,240 --> 01:15:21,120
Speaker 2: I was, we were we were hitting really hitting our stride.

1433
01:15:21,360 --> 01:15:21,960
Speaker 1: Definitely.

1434
01:15:22,080 --> 01:15:25,360
Speaker 2: I feel like three four five was like, I feel

1435
01:15:25,360 --> 01:15:28,719
Speaker 2: like that has some good ones. The sweet Spot, Yeah, yeah, yeah.

1436
01:15:28,800 --> 01:15:31,760
Speaker 1: I'm interested to hear from fan ritos uh if this

1437
01:15:31,880 --> 01:15:34,040
Speaker 1: is their favorite episode and if it is, oh yeah, why,

1438
01:15:34,240 --> 01:15:36,080
Speaker 1: Like I would like to send us some comments right

1439
01:15:36,160 --> 01:15:38,559
Speaker 1: on the Instagram page. Tell us why you love this

1440
01:15:38,640 --> 01:15:40,320
Speaker 1: episode and if it's your favorite why?

1441
01:15:40,800 --> 01:15:43,519
Speaker 2: Yeah, yeah, I'd love to hear it. Now, did you

1442
01:15:43,560 --> 01:15:45,680
Speaker 2: have an everywhere you look in this episode?

1443
01:15:45,840 --> 01:15:48,080
Speaker 1: I do? I have. I have more of an every

1444
01:15:48,280 --> 01:15:51,920
Speaker 1: everywhere you know. It's oh more than everywhere you look. Okay,

1445
01:15:52,000 --> 01:15:55,160
Speaker 1: I have some fact some fast facts here. Okay, so

1446
01:15:55,200 --> 01:15:57,360
Speaker 1: you know, the inspiration for this episode came from Jeff

1447
01:15:57,360 --> 01:16:02,040
Speaker 1: Franklin himself because when he was fourteen, he drove his

1448
01:16:02,080 --> 01:16:07,000
Speaker 1: car into his dad's car into his garage. Seriously, yes,

1449
01:16:07,080 --> 01:16:10,000
Speaker 1: so this came Jeff's own life because I was wondering,

1450
01:16:10,040 --> 01:16:10,760
Speaker 1: like how did they come up with?

1451
01:16:11,080 --> 01:16:13,760
Speaker 2: Was yeah, just like who actually did this? Like where

1452
01:16:13,760 --> 01:16:14,559
Speaker 2: did this come from?

1453
01:16:14,680 --> 01:16:16,479
Speaker 1: Right? It was Jeff? It was Jeff. He was a

1454
01:16:16,479 --> 01:16:19,760
Speaker 1: little bit older, he was a teenager. But yeah, so

1455
01:16:20,280 --> 01:16:20,880
Speaker 1: it came from.

1456
01:16:20,800 --> 01:16:22,479
Speaker 2: Me trying to steal his dad's car and he wound

1457
01:16:22,560 --> 01:16:24,040
Speaker 2: up backing it into the garage or something.

1458
01:16:24,320 --> 01:16:27,120
Speaker 1: That's my guess. I don't know the details like that,

1459
01:16:27,240 --> 01:16:31,080
Speaker 1: but right, yeah, very very funny. And then this somehow

1460
01:16:31,080 --> 01:16:33,800
Speaker 1: became becomes a trope in like the sitcom world, we

1461
01:16:33,880 --> 01:16:37,280
Speaker 1: have Family Matters where Eddie drives the car into the

1462
01:16:37,280 --> 01:16:40,280
Speaker 1: front of the house when trying to impress a girlfriend, right,

1463
01:16:40,640 --> 01:16:43,719
Speaker 1: everybody Loves Raymond Frank backs the car into the front

1464
01:16:43,760 --> 01:16:48,799
Speaker 1: of Ray's house and then re dating full House Silver Spoons,

1465
01:16:49,200 --> 01:16:52,040
Speaker 1: Ricky's driving lesson goes terribly wrong and he drives the

1466
01:16:52,080 --> 01:16:52,840
Speaker 1: car into the house.

1467
01:16:53,120 --> 01:16:54,200
Speaker 2: That was nineteen eighty three.

1468
01:16:54,240 --> 01:16:57,800
Speaker 1: So this was a trope. Yeah, this was the thing

1469
01:16:57,880 --> 01:16:59,360
Speaker 1: driving cars into walls.

1470
01:16:59,479 --> 01:17:03,200
Speaker 2: That was That was a there's I mean, there's nothing more.

1471
01:17:03,320 --> 01:17:06,559
Speaker 2: There's I mean, talk about a situation that you have

1472
01:17:06,600 --> 01:17:08,519
Speaker 2: to deal with, you know what I mean, Like that's

1473
01:17:08,760 --> 01:17:10,679
Speaker 2: the point of every sick On episode is like, what's

1474
01:17:10,720 --> 01:17:14,360
Speaker 2: the problem? What's the situation that causes havoc? And I'd

1475
01:17:14,360 --> 01:17:16,719
Speaker 2: say a car going through your house is pretty epic.

1476
01:17:17,080 --> 01:17:20,080
Speaker 1: That's pretty dramatic. That's that's something that people will remember

1477
01:17:20,600 --> 01:17:21,080
Speaker 1: than they do.

1478
01:17:21,280 --> 01:17:24,640
Speaker 2: Yeah, I uh, you know, knock on wood. Uh, no

1479
01:17:24,760 --> 01:17:26,120
Speaker 2: cars through the kitchen yet.

1480
01:17:25,960 --> 01:17:27,800
Speaker 1: So knock on wood. Yeah.

1481
01:17:27,920 --> 01:17:29,439
Speaker 2: Use, you're still.

1482
01:17:29,240 --> 01:17:30,760
Speaker 1: Got a you know, you still got kids that are

1483
01:17:31,240 --> 01:17:33,600
Speaker 1: you need to learning to drive. Ye, I should not

1484
01:17:33,680 --> 01:17:36,240
Speaker 1: say there I've got yeah, don't don't, don't curse yourself.

1485
01:17:36,439 --> 01:17:38,599
Speaker 1: But what was your everywhere you look? Oh?

1486
01:17:38,640 --> 01:17:40,760
Speaker 2: So my everywhere you look. It's a small thing, but

1487
01:17:40,960 --> 01:17:43,799
Speaker 2: in my hair, if you see, I have a a

1488
01:17:44,000 --> 01:17:47,040
Speaker 2: like a bow that's in my hair. It is made

1489
01:17:48,080 --> 01:17:53,719
Speaker 2: out of newspaper comics. So cool. It's actual newspaper comics

1490
01:17:53,800 --> 01:17:56,200
Speaker 2: laminated and then made into a bow. And I had

1491
01:17:56,280 --> 01:17:58,960
Speaker 2: several of them. And I don't again, I don't know

1492
01:17:59,000 --> 01:18:02,080
Speaker 2: where we got them or or Roberta or Frankie or

1493
01:18:02,160 --> 01:18:04,679
Speaker 2: whoever found them or my mom, you know, but yeah,

1494
01:18:04,680 --> 01:18:06,200
Speaker 2: that my little everywhere you look, I was like, oh

1495
01:18:06,200 --> 01:18:09,720
Speaker 2: my gosh, because I vividly remember that bow, and I

1496
01:18:09,720 --> 01:18:11,559
Speaker 2: thought it was so cool that it was made out

1497
01:18:11,560 --> 01:18:13,120
Speaker 2: of like comics.

1498
01:18:13,439 --> 01:18:15,680
Speaker 1: Yeah, and it was in color too. Well.

1499
01:18:15,800 --> 01:18:18,320
Speaker 2: It was the funny pages. It was like me. It

1500
01:18:18,360 --> 01:18:20,280
Speaker 2: was it was like the comic section of a newspaper.

1501
01:18:20,360 --> 01:18:23,040
Speaker 2: And I loved every Sunday I would read the funny pages,

1502
01:18:24,200 --> 01:18:26,360
Speaker 2: you know, at home, and that, yeah, that was a

1503
01:18:26,360 --> 01:18:28,479
Speaker 2: bow made out of made out of the funny pages.

1504
01:18:29,120 --> 01:18:32,240
Speaker 1: That was stylish. And I would not be surprised if

1505
01:18:32,320 --> 01:18:36,360
Speaker 1: Roberta had hand made that herself, right and that was

1506
01:18:36,479 --> 01:18:38,280
Speaker 1: just me right on brand for her. Yeah.

1507
01:18:38,840 --> 01:18:41,839
Speaker 2: Yeah, well that was This was such a fun episode.

1508
01:18:42,240 --> 01:18:45,120
Speaker 2: I can't believe we finally made it to uh honey,

1509
01:18:45,120 --> 01:18:45,840
Speaker 2: I broke the house.

1510
01:18:46,080 --> 01:18:50,679
Speaker 1: Yeah, I loved it. I loved everything about this episode.

1511
01:18:50,760 --> 01:18:51,800
Speaker 2: It was a good one. It was a good one

1512
01:18:51,840 --> 01:18:54,679
Speaker 2: top to bottom. Well, thank you Fana Rito's for joining

1513
01:18:54,760 --> 01:18:58,320
Speaker 2: us on another fun episode of How Rude Tanurito's. We

1514
01:18:58,320 --> 01:19:01,400
Speaker 2: can't thank you enough. We having you guys listen. It's

1515
01:19:01,400 --> 01:19:03,880
Speaker 2: so much fun. And uh, if you want to follow

1516
01:19:03,960 --> 01:19:05,960
Speaker 2: us on Instagram, make sure that you follow us at

1517
01:19:06,000 --> 01:19:09,160
Speaker 2: how Rude Podcast, or you can email us with those

1518
01:19:09,360 --> 01:19:13,360
Speaker 2: those questions that Andrea had asked earlier, let us know

1519
01:19:13,720 --> 01:19:16,439
Speaker 2: why this is your favorite episode. Well, let us know

1520
01:19:16,560 --> 01:19:17,920
Speaker 2: if it happens.

1521
01:19:17,520 --> 01:19:19,639
Speaker 1: To be your favorite episode, and if it is, why,

1522
01:19:19,920 --> 01:19:22,000
Speaker 1: you know, Yeah, I would love that feedback.

1523
01:19:22,120 --> 01:19:24,680
Speaker 2: That would be great. And yeah, so you can send

1524
01:19:24,720 --> 01:19:27,120
Speaker 2: us an email at how redpodcast at gmail dot com

1525
01:19:27,520 --> 01:19:30,000
Speaker 2: and make sure you're liking and subscribing to the podcast

1526
01:19:30,080 --> 01:19:32,360
Speaker 2: on whatever platform you happen to be listening to it

1527
01:19:32,400 --> 01:19:34,760
Speaker 2: on so you can get all the newest episodes right

1528
01:19:34,800 --> 01:19:36,840
Speaker 2: when they come out. Our fun interviews with people from

1529
01:19:36,840 --> 01:19:41,200
Speaker 2: behind the scenes, our recaps, our fan question and answer episodes,

1530
01:19:41,840 --> 01:19:45,680
Speaker 2: Our Our Car part, our car podcast, Oh my God,

1531
01:19:46,000 --> 01:19:49,240
Speaker 2: our car podcasts in a Hundai you know. Oh yes,

1532
01:19:49,320 --> 01:19:52,519
Speaker 2: you never know. You want to get to the newest stag. Yeah,

1533
01:19:52,600 --> 01:19:55,360
Speaker 2: so you never know what you're gonna get. But thank

1534
01:19:55,360 --> 01:19:58,360
Speaker 2: you guys for listening. And remember the world is small,

1535
01:20:00,080 --> 01:20:06,200
Speaker 2: but the kitchen is full of vehicles. Yeah, the kitchen

1536
01:20:06,200 --> 01:20:09,600
Speaker 2: has s some damage. Think they hired the same contractor

1537
01:20:09,600 --> 01:20:11,320
Speaker 2: the second time around, and they were like, you're never

1538
01:20:11,400 --> 01:20:12,759
Speaker 2: gonna believe this man.

1539
01:20:13,520 --> 01:20:17,080
Speaker 1: Danny Retainer, Like he built that basement for Joey. He

1540
01:20:17,280 --> 01:20:20,400
Speaker 1: had to rebuild the kitchen ball twice. When is the

1541
01:20:20,439 --> 01:20:22,680
Speaker 1: cement truck episode? Like that, it's coming up.

1542
01:20:22,760 --> 01:20:24,160
Speaker 2: It's probably coming in season four.

1543
01:20:24,439 --> 01:20:26,519
Speaker 1: Yeah, like this was They're like, oh, we like that.

1544
01:20:26,720 --> 01:20:28,920
Speaker 2: Let's just keep ruining this wall.

1545
01:20:29,320 --> 01:20:32,880
Speaker 1: Yeah, it must not be a load bearing wall anyway.

1546
01:20:33,160 --> 01:20:36,439
Speaker 2: Thanks guys for listening and we will see you next time.

1547
01:20:37,080 --> 01:20:38,479
Speaker 1: Bye.