WEBVTT - REPLAY - Chris Brown

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<v Speaker 1>R and B money, Honey, we are.

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<v Speaker 2>Than think about the child. We are the authority on

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<v Speaker 2>all th R and B ladies and gentlemen. My name

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<v Speaker 2>is Tank, and this.

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<v Speaker 3>Tell them what it is. Ship.

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<v Speaker 4>Yeah, hold on, hold on, yeah, motherfuckers, Oh, motherfucking yeah.

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<v Speaker 1>I'm not gonna do long intro.

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<v Speaker 2>You know why why because the people have been asking,

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<v Speaker 2>not asking for two interview, demanding the interviews, threatening two interviews.

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<v Speaker 1>One was Jesus and the other was christ.

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<v Speaker 5>Yeah, yeah, yeah, ship ship.

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<v Speaker 3>I'm gonna be round right now, y'all can't funk with us?

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<v Speaker 1>Go ahead. I remember, I remember.

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<v Speaker 2>I remember walking into the studio on your second album

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<v Speaker 2>and you're saying, big bro out, I want you to

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<v Speaker 2>get on. I'm like, okay, cool, you know, come up there.

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<v Speaker 2>You know, probably gonna help you, right, help you, help

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<v Speaker 2>you really put the ship together. You know what I'm saying,

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<v Speaker 2>because that's what I do, and help you put your

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<v Speaker 2>ship together. You know what I'm saying. I'm on a

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<v Speaker 2>high level. You know, I'm a high level producer, writing

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<v Speaker 2>and singer. You know you probably need me. I'm on

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<v Speaker 2>the way. And I get in there and you play

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<v Speaker 2>this song called take My Time, and you said, yeah,

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<v Speaker 2>big brother, got I got. I kind of modeled it

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<v Speaker 2>off after Sexual Pain and it's already good. You just

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<v Speaker 2>you just sing your verse, right, this is your verse.

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<v Speaker 2>And I was like, so he doesn't need.

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<v Speaker 1>And bro.

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<v Speaker 2>It was like the craziest I'd never seen a learning

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<v Speaker 2>curve that small to where a first album, it was

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<v Speaker 2>like people were giving you things.

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<v Speaker 5>Yeah, had to learn that was like school.

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<v Speaker 2>And by your second album you had already figured it out.

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<v Speaker 2>And it was scary to see. I was like, where's

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<v Speaker 2>he gonna be on his third album? Where's he gonna be?

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<v Speaker 2>And now too many years later, now it's just records

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<v Speaker 2>being broken. Now you're just breaking your own records.

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<v Speaker 6>I'm trying to set againness world records and it's not

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<v Speaker 6>even it's not even close.

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<v Speaker 2>You know what I'm saying. We like to start to begin.

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<v Speaker 2>I just had to start there because I just I

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<v Speaker 2>just when I felt like I wasn't needed anymore musically,

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<v Speaker 2>I just kind of.

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<v Speaker 1>Myself.

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<v Speaker 6>But I called him I was like being broken on

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<v Speaker 6>the record. So it was like I didn't feel the

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<v Speaker 6>record at that time. It would be like me stealing

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<v Speaker 6>a record from you. What I'm saying that I didn't

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<v Speaker 6>involve you in the record because I'm like, I was

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<v Speaker 6>inspired by your song to do the song. So I

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<v Speaker 6>was like, let me now get on the record with me,

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<v Speaker 6>bro Like, and I can talk. I can talk a

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<v Speaker 6>little bit more adult now on the song because I'm older,

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<v Speaker 6>you know, before I had to learn him like, oh,

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<v Speaker 6>I can't say that, I can't say this. And then

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<v Speaker 6>by the time, like even working with you from Kerry Hillson,

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<v Speaker 6>I Donnis, you know, like working with all these different writers,

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<v Speaker 6>Dre and Dal all of them, like back in the day,

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<v Speaker 6>I was fifteen fourteen doing that album, my first album.

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<v Speaker 5>Man, that's that was like learning. So like I said,

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<v Speaker 5>I was in school, like Okay, this is how you

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<v Speaker 5>do it. This is how you make a song. There's

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<v Speaker 5>a verse a pre course, and I didn't know none

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<v Speaker 5>of that.

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<v Speaker 1>So you learned that over a summer, bro.

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<v Speaker 3>Man, That's what it felt like.

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<v Speaker 1>That's what it felt like.

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<v Speaker 2>I felt like that it took me to the place

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<v Speaker 2>of being where I was the teacher. It took me

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<v Speaker 2>to a place of being reverting back to a student.

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<v Speaker 1>Damn. Like watching him work like that, I was like, okay,

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<v Speaker 1>he different. No, we literally like and.

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<v Speaker 7>I don't know if we've ever told you this, but

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<v Speaker 7>we've literally worked with you, got in the car and

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<v Speaker 7>then implement it some of the ship you do.

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<v Speaker 3>Bro, you may look at us like the big brother.

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<v Speaker 7>No, Nigga, we've literally worked with you and been like, nigga,

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<v Speaker 7>did you watch out he and then he did.

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<v Speaker 3>His vocal this way.

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<v Speaker 6>Oh yeah, like you know we're paying attention. Yeah, that's sporadic.

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<v Speaker 6>How how we record? Like I learned, remember how everybody

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<v Speaker 6>used to have to record like we have to punch.

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<v Speaker 5>No, it was really no punching.

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<v Speaker 6>You had to sing that whole work, right, So once

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<v Speaker 6>technology got faster, I was like, we can still do

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<v Speaker 6>the same amount of effort as far as you remember.

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<v Speaker 6>How how how do my stack? So how it's it's

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<v Speaker 6>faster to me because it's like in section and I

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<v Speaker 6>can just put them all together and then it looks

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<v Speaker 6>like a painting.

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<v Speaker 5>So that's what I was kind of learning.

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<v Speaker 6>So if y'all, if y'all implemented certain ship, I'm like, damn,

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<v Speaker 6>y'all was looking at what I was doing.

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<v Speaker 1>I'm stealing.

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<v Speaker 3>I used to.

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<v Speaker 5>A great word.

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<v Speaker 2>You know what I'm saying, Thank you stealing. I'm at

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<v Speaker 2>the house like Jesus Christ.

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<v Speaker 1>How we get that?

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<v Speaker 2>How do we get that? I ain't gonna do the dance?

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<v Speaker 2>Moved to go over and slow it down a little bit,

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<v Speaker 2>like I ain't.

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<v Speaker 1>Make it do that.

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<v Speaker 3>He's here now, Chris is here, So Chris Brown. That's

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<v Speaker 3>Nigga Brown. Just so you know, that's Nigga Brown over there.

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<v Speaker 7>And he always mentions you when he mentions his dance

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<v Speaker 7>move for some odd reason.

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<v Speaker 2>Because you have to understand, I'm the older version of

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<v Speaker 2>Chris Brown. Since this genuine won't do the dances. You

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<v Speaker 2>know what I'm saying, I tell the nigga the nigga

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<v Speaker 2>first of all, come on, due to the fucking pony dance.

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<v Speaker 2>He won't do the fucking pony dance. So it upsets me.

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<v Speaker 1>I won't do it.

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<v Speaker 2>So now I got to pick up the mantle. I

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<v Speaker 2>gotta go back to my freaky days. You know what

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<v Speaker 2>I'm saying. Video I'm doing summersaults. You know what I'm saying.

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<v Speaker 2>I'm blowing up fucking buildings. You know what I'm saying, Like,

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<v Speaker 2>I got to go back to those days just to

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<v Speaker 2>show people I'm really that.

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<v Speaker 3>Yeah, So what are you telling you? Is he was

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<v Speaker 3>Yusie for you.

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<v Speaker 2>No, I'm not saying that. What I'm saying is, don't

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<v Speaker 2>don't think I ain't got feet.

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<v Speaker 1>Y'all got I got feet.

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<v Speaker 3>They don't all work the same.

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<v Speaker 1>No, Brown, that's going to be too left feet. But

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<v Speaker 1>it's the left them.

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<v Speaker 2>Let's go to the beginning, the beginning of when when

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<v Speaker 2>did somebody identify that you had something special?

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<v Speaker 6>Or when did you I mean, as you know, like

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<v Speaker 6>I think I was like probably about nine when I

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<v Speaker 6>was like, Okay, I actually can sing. I was in

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<v Speaker 6>the choir and I was like, oh, they gave me

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<v Speaker 6>the leads and I was like I'm seeing people like

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<v Speaker 6>yeah baby when I sing church Yeah, And I'm like, yeah, oh,

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<v Speaker 6>I really sound good to these people because you know,

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<v Speaker 6>your family members always hate man, shut up, you don't

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<v Speaker 6>sound like So I really took a series like nine

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<v Speaker 6>to ten, and then my mom was we were in

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<v Speaker 6>Tappa handing, and I was like, look I met these people.

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<v Speaker 5>We just got to drive like an hour and a

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<v Speaker 5>half away, Like you met the people.

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<v Speaker 6>Yeah, I met him. I met the people through through

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<v Speaker 6>through like one guy. I met him through like three

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<v Speaker 6>different people. So I maintained a close relationship with a

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<v Speaker 6>guy that was around my age, and we and we

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<v Speaker 6>always did music, but he would he would always dance.

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<v Speaker 6>So he'll take me to like the radio shows, like, look,

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<v Speaker 6>let's go up to the radio station while they doing

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<v Speaker 6>like they knew artist stuff. Let's let's see if we

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<v Speaker 6>can slide in there and we just play our stuff

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<v Speaker 6>and we just dance.

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<v Speaker 5>So I hung with him, and then he got noticed

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<v Speaker 5>by like.

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<v Speaker 6>Troy Taylor's people and a group of different different uh

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<v Speaker 6>like guys that that they knew around the Virginia area.

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<v Speaker 5>So from there we.

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<v Speaker 6>Started working and then I met the people I met

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<v Speaker 6>in New York and so now that was like all

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<v Speaker 6>in like a three to four year process. But it

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<v Speaker 6>was like as soon as I said, Mom, want to

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<v Speaker 6>do this, it was like basketball practice. Okay, drive I

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<v Speaker 6>don't know what You're in the studio till six in

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<v Speaker 6>the morning, Drive back nine to eight and what age

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<v Speaker 6>shit ten?

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<v Speaker 1>Eleven?

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<v Speaker 5>Oh man, yeah ten, shout out to yeah mama.

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<v Speaker 1>Mama.

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<v Speaker 6>Mama was son the vision she and she made sure

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<v Speaker 6>I still went took my ass to school. But at

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<v Speaker 6>the same time, she was like, all right, if you

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<v Speaker 6>want to do this, you're gonna have to have the

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<v Speaker 6>same discipline and you can't be slacking off on certain shit.

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<v Speaker 5>So I got too.

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<v Speaker 6>Much energy as it is, So I was like, shit,

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<v Speaker 6>I'm not feeling I'm finna do this.

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<v Speaker 2>So people writing songs for y'all like producing songs. Yeah,

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<v Speaker 2>a group, like what's going on?

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<v Speaker 5>Uh? Well, I was never.

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<v Speaker 6>I was never in a group. The only group I

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<v Speaker 6>was in was with my boy TJ. Shout out to TJ.

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<v Speaker 5>Free him. Uh but for him, yeah, yeah, yeah yeah.

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<v Speaker 6>He'd be out in the buy it some time. But

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<v Speaker 6>back in the day, he was the rapper, you know

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<v Speaker 6>what I'm saying. And I would get on the songs

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<v Speaker 6>with him and just be on the courses like you know,

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<v Speaker 6>do hooks and stuff. And we would write little stuff

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<v Speaker 6>and it really won't like good at the time when

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<v Speaker 6>we was young, but it was for our age.

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<v Speaker 5>It was like exceptional, Like okay, y'all got your potention.

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<v Speaker 3>Remember he was man.

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<v Speaker 5>Fans my my rap name. So he was TJ nice

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<v Speaker 5>and see sizzle he was. He was a sizzle man.

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<v Speaker 6>It was I was playing basketball, so sa sizzle was

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<v Speaker 6>a word you can say.

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<v Speaker 2>Back then, I wouldn't be hurricane and he he niggas

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<v Speaker 2>would have never.

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<v Speaker 5>Made the hell out we would have made it get

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<v Speaker 5>him out of here.

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<v Speaker 7>I would have been the punk ass executive y'all come

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<v Speaker 7>sing probably man, if you don't get sizzled and hurricane

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<v Speaker 7>the funk.

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<v Speaker 1>Out of here.

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<v Speaker 3>Man again, bro, look at R and B.

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<v Speaker 1>Look what R and B is done for y'all too, Man,

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<v Speaker 1>what was the next level up? When it was like?

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<v Speaker 2>When was it like, Okay, this ship is getting serious

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<v Speaker 2>or we found a record or we found a moment

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<v Speaker 2>where so when I started, pros are starting now.

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<v Speaker 6>So I had my first I think it got serious

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<v Speaker 6>to me when I booked my and this had nothing

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<v Speaker 6>to do with music at the time, but because we

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<v Speaker 6>showcased our musical talent, we booked the job. It was

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<v Speaker 6>for a g unit campaign, right, and so like I

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<v Speaker 6>was like, you know what, fifty c hes gonna.

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<v Speaker 5>Be able to see it. He gonna be at the

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<v Speaker 5>vote at the shoot. We can give him my demo.

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<v Speaker 6>We could sing, you know, the typical like y'all want

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<v Speaker 6>to get signs ship. So we actually did that audition.

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<v Speaker 6>They was like, man, you kids are phenomenal, and they

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<v Speaker 6>booked us. Boom, we got there. We went, we backstage

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<v Speaker 6>with all of them, like but I never really hung

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<v Speaker 6>with fifty at that time. He just was always respectful,

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<v Speaker 6>like what's up y'all boom, But we was around Lloyd

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<v Speaker 6>Banks a couple of different.

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<v Speaker 5>Guys, but we were bad little kids. Like you know

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<v Speaker 5>what I'm saying.

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<v Speaker 6>We already had weed and ship like, so we was like,

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<v Speaker 6>we're trying to smoke our weed on the side.

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<v Speaker 5>They're like, man, what y'all doing, and so like nah,

0:10:19.000 --> 0:10:21.319
<v Speaker 5>we wrapped and we see. So we started.

0:10:21.000 --> 0:10:23.160
<v Speaker 6>Performing with them and then they was like you know what, man,

0:10:23.200 --> 0:10:26.640
<v Speaker 6>y'all niggas is dope. And then I remember one niggas

0:10:26.679 --> 0:10:28.240
<v Speaker 6>like man, but we don't know how to fuck markt No,

0:10:28.320 --> 0:10:29.880
<v Speaker 6>damn kids, we some gangsters.

0:10:30.440 --> 0:10:32.080
<v Speaker 5>So I was like, so I was like, damn, Like

0:10:32.120 --> 0:10:32.880
<v Speaker 5>I understood it.

0:10:33.240 --> 0:10:35.120
<v Speaker 6>But it was just like, Okay, this ship is about

0:10:35.120 --> 0:10:37.559
<v Speaker 6>to be real for us because other artists actually looking

0:10:37.800 --> 0:10:40.920
<v Speaker 6>and that not saying the typical art that's cool, you

0:10:40.920 --> 0:10:41.679
<v Speaker 6>know what I'm saying.

0:10:41.600 --> 0:10:43.640
<v Speaker 1>So like real real artists who do.

0:10:43.920 --> 0:10:45.600
<v Speaker 5>And people were looking up. There was the hottest group

0:10:45.640 --> 0:10:47.480
<v Speaker 5>at the time, you know what I'm saying.

0:10:47.520 --> 0:10:50.760
<v Speaker 6>So like for us that was like seeing seeing gods,

0:10:50.880 --> 0:10:52.920
<v Speaker 6>like okay, cool, we get to see all our all

0:10:52.960 --> 0:10:55.480
<v Speaker 6>our idols in one and they like our stuff. And

0:10:55.480 --> 0:10:58.280
<v Speaker 6>then from there our demo tapes started going out, like

0:10:58.320 --> 0:11:00.480
<v Speaker 6>we had a but I was only how I discovered

0:11:00.480 --> 0:11:02.280
<v Speaker 6>I had a solo song that I did.

0:11:02.480 --> 0:11:04.360
<v Speaker 5>It's called Whose Girl Is that? You can go look

0:11:04.360 --> 0:11:05.160
<v Speaker 5>at her YouTube.

0:11:05.520 --> 0:11:07.200
<v Speaker 6>I was like, I think I was twelve or thirteen

0:11:07.240 --> 0:11:11.040
<v Speaker 6>when I shot it, So this was yeah, so so,

0:11:11.679 --> 0:11:14.320
<v Speaker 6>but it was like back then, you know that was that.

0:11:14.480 --> 0:11:18.319
<v Speaker 6>It was like the bootleg videos, you know how man,

0:11:18.360 --> 0:11:21.360
<v Speaker 6>it's gotta be two thousand and what three?

0:11:22.880 --> 0:11:24.959
<v Speaker 1>Might it might have been on DVD? I thought I

0:11:25.000 --> 0:11:26.319
<v Speaker 1>thought it might have been on VHS.

0:11:26.400 --> 0:11:28.640
<v Speaker 5>No, no, no, we had we had it on the debut.

0:11:29.200 --> 0:11:29.800
<v Speaker 1>Yeah, yeah, yeah.

0:11:29.800 --> 0:11:31.439
<v Speaker 5>If it was VHS, I would be like, oh you

0:11:31.679 --> 0:11:34.559
<v Speaker 5>heard the the popping before the videos stuff.

0:11:34.960 --> 0:11:35.240
<v Speaker 1>Yeah.

0:11:35.280 --> 0:11:38.080
<v Speaker 6>But when we did we did the video like it

0:11:38.120 --> 0:11:40.920
<v Speaker 6>wasn't It wasn't really expensive, but you know, because it

0:11:41.000 --> 0:11:43.080
<v Speaker 6>was independent, we was like, okay, cool, we're gonna we're

0:11:43.120 --> 0:11:45.280
<v Speaker 6>gonna shoot it like this. And the demo tape actually

0:11:45.320 --> 0:11:47.240
<v Speaker 6>the video didn't even go out because we didn't have

0:11:47.240 --> 0:11:48.920
<v Speaker 6>no platform to put it on. We would just ship

0:11:48.960 --> 0:11:51.480
<v Speaker 6>ship it or shop it with our demos. So the

0:11:51.520 --> 0:11:53.960
<v Speaker 6>demo I was number seven out of a song of

0:11:54.000 --> 0:11:56.880
<v Speaker 6>maybe like twenty eight, but with seven different or seven

0:11:56.920 --> 0:11:58.000
<v Speaker 6>or eight different artists.

0:11:58.120 --> 0:11:59.520
<v Speaker 5>It was like a damn mixtape mixed up.

0:12:00.200 --> 0:12:02.640
<v Speaker 6>So but basically they were shopping it out to other

0:12:03.000 --> 0:12:06.320
<v Speaker 6>labels to see and I remember Tina Davis to this

0:12:06.360 --> 0:12:09.240
<v Speaker 6>day shout out to Teena Davis. She she listened to

0:12:09.320 --> 0:12:12.199
<v Speaker 6>the songs like who's this kid? And then I want

0:12:12.200 --> 0:12:14.320
<v Speaker 6>to meet this kid? And that's when I went to

0:12:14.360 --> 0:12:16.679
<v Speaker 6>death Jam and she had to meeting with us, and

0:12:16.720 --> 0:12:18.920
<v Speaker 6>then from there they wanted to sign us, and then

0:12:19.280 --> 0:12:21.040
<v Speaker 6>you know, a merger happened. She left and I was like,

0:12:21.040 --> 0:12:22.680
<v Speaker 6>hold on, but Tina, you listened to me first, so

0:12:23.360 --> 0:12:24.959
<v Speaker 6>could you you want to manage me? I don't got

0:12:24.960 --> 0:12:27.120
<v Speaker 6>no manage You're like, She's like cool, but you want

0:12:27.160 --> 0:12:28.960
<v Speaker 6>to stay here or I can get you some other deals?

0:12:29.040 --> 0:12:32.440
<v Speaker 1>I said you, So does the company get the deal

0:12:32.480 --> 0:12:33.640
<v Speaker 1>and you're part of that deal.

0:12:33.800 --> 0:12:35.920
<v Speaker 5>So what it was was the company did a deal

0:12:35.960 --> 0:12:36.160
<v Speaker 5>with me.

0:12:36.200 --> 0:12:39.280
<v Speaker 6>When I ended up signing with with job at the time,

0:12:39.880 --> 0:12:42.120
<v Speaker 6>the company, we we just paid them out for the

0:12:42.160 --> 0:12:44.040
<v Speaker 6>work that they already did and then we gave them

0:12:44.080 --> 0:12:47.400
<v Speaker 6>points on the album and they would Yeah. So they

0:12:47.400 --> 0:12:49.600
<v Speaker 6>always get credited so that that that classic album, they're

0:12:49.600 --> 0:12:51.400
<v Speaker 6>always going to eat from it, you know what I'm saying.

0:12:51.440 --> 0:12:53.360
<v Speaker 6>So the way I looked at it was it was

0:12:53.440 --> 0:12:56.559
<v Speaker 6>cool because they didn't hold me into a nah, you

0:12:56.640 --> 0:12:58.960
<v Speaker 6>gotta be like this we get we taking your publishing,

0:12:59.320 --> 0:12:59.880
<v Speaker 6>they need all this.

0:13:00.120 --> 0:13:00.760
<v Speaker 5>They didn't.

0:13:00.800 --> 0:13:03.680
<v Speaker 6>They didn't strong arm at all because and they believed

0:13:03.720 --> 0:13:04.920
<v Speaker 6>in the dream, you know what I'm saying.

0:13:04.920 --> 0:13:05.400
<v Speaker 5>To this day.

0:13:05.559 --> 0:13:08.360
<v Speaker 6>TJ's father was the guy who really put it together.

0:13:08.559 --> 0:13:10.920
<v Speaker 6>So me and TJ are brothers, even with his kids

0:13:10.920 --> 0:13:13.440
<v Speaker 6>with everything. So it's like, how how I looked at

0:13:13.480 --> 0:13:14.920
<v Speaker 6>it was like, damn, they gave me a shot and

0:13:14.920 --> 0:13:15.400
<v Speaker 6>they let me.

0:13:15.880 --> 0:13:17.880
<v Speaker 7>They let me do what I needed to do because

0:13:17.920 --> 0:13:21.320
<v Speaker 7>there have been labels that have held artists and you

0:13:21.440 --> 0:13:23.319
<v Speaker 7>never get a chance to see if an artist is

0:13:23.360 --> 0:13:25.320
<v Speaker 7>going to become a star because they're just trying to

0:13:25.360 --> 0:13:28.440
<v Speaker 7>do what they consider to be business instead of actually

0:13:28.640 --> 0:13:29.640
<v Speaker 7>caring about the artists.

0:13:29.720 --> 0:13:29.920
<v Speaker 1>Yeah.

0:13:30.640 --> 0:13:30.920
<v Speaker 5>Yeah.

0:13:31.440 --> 0:13:33.720
<v Speaker 6>And then Mark Pitt's how they did it with us.

0:13:33.800 --> 0:13:37.200
<v Speaker 6>With Mark pitts uh, the actual production company I was

0:13:37.200 --> 0:13:37.640
<v Speaker 6>working with.

0:13:38.240 --> 0:13:40.400
<v Speaker 5>They they brought me right to Mark Pits with Tina.

0:13:40.520 --> 0:13:42.760
<v Speaker 6>So when we went to a job, they was like

0:13:42.800 --> 0:13:44.480
<v Speaker 6>you know what, we don't want to let y'all leave

0:13:44.520 --> 0:13:47.440
<v Speaker 6>the building. Like and I built a bigger rapport with

0:13:47.520 --> 0:13:49.760
<v Speaker 6>Mark out of any other A and R that I

0:13:49.760 --> 0:13:51.880
<v Speaker 6>would meet, Like, you know, Kevin Loules was cool as hell,

0:13:51.920 --> 0:13:55.720
<v Speaker 6>but like Mark Pitts was like more young. He was energetic,

0:13:55.760 --> 0:13:57.360
<v Speaker 6>like he was like, hey man, let's and you know,

0:13:57.480 --> 0:14:00.600
<v Speaker 6>job had everybody too. They had Britney Spears, Aaron Carter

0:14:00.600 --> 0:14:03.680
<v Speaker 6>at the time, recipes, uh r, Kelly, they had everybody,

0:14:03.720 --> 0:14:06.000
<v Speaker 6>you know what I'm saying. So I'm looking like who

0:14:06.080 --> 0:14:08.120
<v Speaker 6>who's going to be the best for the genre that

0:14:08.120 --> 0:14:08.520
<v Speaker 6>I'm doing?

0:14:08.559 --> 0:14:10.760
<v Speaker 5>Who's going to be the best R and B genre?

0:14:10.800 --> 0:14:12.319
<v Speaker 3>You're already thinking about that fourteen?

0:14:12.520 --> 0:14:12.720
<v Speaker 2>Yeah?

0:14:12.720 --> 0:14:13.800
<v Speaker 5>Because I needed. I needed.

0:14:13.960 --> 0:14:16.360
<v Speaker 6>I always always wanted to execute a plan and know

0:14:16.440 --> 0:14:18.959
<v Speaker 6>that it comes with a lot of shit, Like you

0:14:19.040 --> 0:14:21.040
<v Speaker 6>know what I'm saying, Like I'm not okay, I'm not

0:14:21.040 --> 0:14:22.640
<v Speaker 6>gonna just do this right now to get some girls

0:14:22.640 --> 0:14:24.960
<v Speaker 6>and then go back home. Anything I could do to

0:14:25.000 --> 0:14:28.160
<v Speaker 6>not go back home, like you know what I'm saying,

0:14:28.200 --> 0:14:32.640
<v Speaker 6>To elevate my life, I think I planned. I'm very imaginative,

0:14:32.680 --> 0:14:36.200
<v Speaker 6>so so my my what is it called? My manifestations

0:14:36.240 --> 0:14:39.600
<v Speaker 6>were already like years in advance, like I want to

0:14:39.640 --> 0:14:40.720
<v Speaker 6>do this so you know.

0:14:41.400 --> 0:14:45.680
<v Speaker 2>So you said Tina Davis shout out to Tenna Davis

0:14:45.920 --> 0:14:50.320
<v Speaker 2>shout out to the area. Yeah, yeah, what's your when

0:14:50.360 --> 0:14:51.560
<v Speaker 2>you get with Tina Davis?

0:14:52.360 --> 0:14:53.120
<v Speaker 1>What is what is?

0:14:53.200 --> 0:14:55.240
<v Speaker 2>First of all, you spoke on it just like a

0:14:55.240 --> 0:14:57.680
<v Speaker 2>little bit in terms of you saying like something was

0:14:57.920 --> 0:15:01.680
<v Speaker 2>something about her made sense for you in terms of saying,

0:15:01.680 --> 0:15:04.600
<v Speaker 2>you know, I want to roll with you. Yeah, what

0:15:04.760 --> 0:15:07.120
<v Speaker 2>was that thing that you just connected with that just

0:15:07.160 --> 0:15:09.840
<v Speaker 2>made you like because that's a different type of because

0:15:09.840 --> 0:15:10.960
<v Speaker 2>you already in a building.

0:15:11.080 --> 0:15:13.800
<v Speaker 5>Yeah, I feel like, well she did.

0:15:13.920 --> 0:15:16.360
<v Speaker 6>She really kind of like showed me the first the

0:15:16.400 --> 0:15:18.960
<v Speaker 6>first ten minutes of me being in the office because

0:15:18.960 --> 0:15:20.920
<v Speaker 6>we came in there. Me and TJ came in there

0:15:21.000 --> 0:15:24.360
<v Speaker 6>red rags on beads like I hadn't read to get it.

0:15:24.480 --> 0:15:27.120
<v Speaker 6>We came, we came on some gangs, trying to look tough.

0:15:27.680 --> 0:15:30.000
<v Speaker 6>She's like, take that shit off, take all that off.

0:15:30.200 --> 0:15:31.040
<v Speaker 5>Boom boom.

0:15:31.240 --> 0:15:34.320
<v Speaker 6>And when we when I started performing, she would be like,

0:15:34.400 --> 0:15:38.280
<v Speaker 6>stop do this when you perform, act like that. This

0:15:38.320 --> 0:15:39.360
<v Speaker 6>person the only person.

0:15:39.760 --> 0:15:43.840
<v Speaker 5>So she gave me direction that i've that I've never experienced,

0:15:43.840 --> 0:15:46.160
<v Speaker 5>and I was like, this is the sharpening that I

0:15:46.200 --> 0:15:49.360
<v Speaker 5>need in order to be big. You gee what I'm saying.

0:15:49.360 --> 0:15:52.160
<v Speaker 6>So once once she did that, I was like, damn,

0:15:52.240 --> 0:15:54.040
<v Speaker 6>she believed in me and gave me a chance with

0:15:54.120 --> 0:15:55.840
<v Speaker 6>somebody could have they could have just let me go

0:15:55.920 --> 0:15:57.320
<v Speaker 6>out how I thought it.

0:15:57.240 --> 0:15:57.600
<v Speaker 1>Was gonna be.

0:15:57.680 --> 0:15:59.240
<v Speaker 5>And then it was they were like, we don't want this.

0:15:59.800 --> 0:16:01.080
<v Speaker 5>You know what I'm saying. We don't want this kid.

0:16:01.280 --> 0:16:01.880
<v Speaker 5>She shaped it.

0:16:01.920 --> 0:16:05.400
<v Speaker 6>So I was like, you know what, I don't want

0:16:05.440 --> 0:16:08.000
<v Speaker 6>to I don't want to traverse through this whole kind

0:16:08.000 --> 0:16:10.040
<v Speaker 6>of thing and not know where the fuck I'm going

0:16:10.800 --> 0:16:12.480
<v Speaker 6>that right there. I want to see if she wants

0:16:12.520 --> 0:16:14.840
<v Speaker 6>to manage me or be a part of it, because

0:16:14.880 --> 0:16:17.880
<v Speaker 6>she she kind of like opened the spark up in

0:16:17.720 --> 0:16:20.400
<v Speaker 6>my in my creative brain or seeing what I really

0:16:20.440 --> 0:16:20.880
<v Speaker 6>needed to be.

0:16:21.040 --> 0:16:22.800
<v Speaker 2>And I think the reason I was asking you that

0:16:22.840 --> 0:16:26.240
<v Speaker 2>is because as as like, just as new artists emerged,

0:16:26.280 --> 0:16:29.200
<v Speaker 2>I think, you know, we see we see new artists

0:16:29.240 --> 0:16:32.360
<v Speaker 2>with this with definitely a great level of confidence. But

0:16:33.720 --> 0:16:35.720
<v Speaker 2>I want artists to make sure they're putting themselves in

0:16:35.760 --> 0:16:39.120
<v Speaker 2>a position with people that challenge them, Yeah, challenge them

0:16:39.160 --> 0:16:39.920
<v Speaker 2>to be better.

0:16:40.720 --> 0:16:44.720
<v Speaker 6>What is it called what we conditioning, not conditioning like

0:16:44.760 --> 0:16:46.640
<v Speaker 6>when we were younger. You have to go through artists

0:16:46.640 --> 0:16:48.240
<v Speaker 6>development development, That's what it was.

0:16:48.360 --> 0:16:50.160
<v Speaker 5>So so as far as what we have to do

0:16:50.320 --> 0:16:52.160
<v Speaker 5>is like you got to go through media training. You

0:16:52.200 --> 0:16:52.560
<v Speaker 5>gotta go.

0:16:52.800 --> 0:16:54.920
<v Speaker 6>You got to know how to answer a question, like

0:16:55.080 --> 0:16:59.040
<v Speaker 6>you got to know how to think about lost art.

0:16:58.800 --> 0:17:02.080
<v Speaker 2>To lead the interview. Yeah, like there they have a goal.

0:17:02.320 --> 0:17:04.520
<v Speaker 2>But I have a fucking call, right, I got ship

0:17:04.560 --> 0:17:07.240
<v Speaker 2>that I'm selling exactly. Okay, what question you asked me.

0:17:08.040 --> 0:17:10.560
<v Speaker 2>We don't get back to this fucking if I promise you.

0:17:10.960 --> 0:17:14.160
<v Speaker 2>That takes preparation, though, that takes preparation. And I remember

0:17:14.440 --> 0:17:17.080
<v Speaker 2>my first time meeting you in New York. I think

0:17:17.080 --> 0:17:18.400
<v Speaker 2>you're like fourteen, maybe.

0:17:18.240 --> 0:17:22.480
<v Speaker 7>About to be fifteen, at Ethiopia's office when she was

0:17:22.520 --> 0:17:26.399
<v Speaker 7>in publishing at the time at the Universal Music Publishing Company,

0:17:26.400 --> 0:17:28.480
<v Speaker 7>and I was there on the writing trip, and I

0:17:28.520 --> 0:17:31.480
<v Speaker 7>never forget he walked in there. She said, it's a

0:17:31.560 --> 0:17:34.119
<v Speaker 7>kid you got to meet. She's like, you have to

0:17:34.119 --> 0:17:35.880
<v Speaker 7>meet him. She's like he only in here for minute,

0:17:35.880 --> 0:17:37.879
<v Speaker 7>but you got to meet him. And she brought you

0:17:37.960 --> 0:17:41.639
<v Speaker 7>to that room and I literally, like you said, within

0:17:41.840 --> 0:17:44.480
<v Speaker 7>five ten minutes, I was like, oh, he about to

0:17:44.480 --> 0:17:45.400
<v Speaker 7>be the biggest on the road.

0:17:46.440 --> 0:17:47.320
<v Speaker 5>He was in the writing room.

0:17:47.359 --> 0:17:49.520
<v Speaker 7>I was in the little writing room. I was in

0:17:49.520 --> 0:17:51.440
<v Speaker 7>a little writing room. I was like, Yo, whoever the.

0:17:51.359 --> 0:17:55.200
<v Speaker 3>Fuck that is that nigga? Everybody in trouble.

0:17:56.200 --> 0:17:57.800
<v Speaker 7>She's like, you know how that she is because she

0:17:57.840 --> 0:18:00.240
<v Speaker 7>was signing you from a publishing seat. She was working

0:18:00.280 --> 0:18:02.199
<v Speaker 7>with you on that, so you know, of course it's

0:18:02.280 --> 0:18:04.440
<v Speaker 7>it's kind of one of those and you know this

0:18:04.520 --> 0:18:07.920
<v Speaker 7>stage where everybody everywhere you're going before you crack off,

0:18:07.960 --> 0:18:11.240
<v Speaker 7>your auditioning everywhere pretty much just in your personality whatever

0:18:11.280 --> 0:18:13.280
<v Speaker 7>it is. So when I tell her, she's like, yeah,

0:18:14.160 --> 0:18:17.760
<v Speaker 7>I think you start. I'm like, yo, he got it.

0:18:17.760 --> 0:18:18.639
<v Speaker 1>It's like he has it.

0:18:19.359 --> 0:18:22.199
<v Speaker 7>And I hadn't seen anything like that because to me,

0:18:23.480 --> 0:18:27.160
<v Speaker 7>you were already even at fourteen fifteen, in my opinion,

0:18:28.640 --> 0:18:31.879
<v Speaker 7>you were already in the space of, oh, he's going

0:18:31.960 --> 0:18:35.320
<v Speaker 7>to be able to transition into an adult artist too,

0:18:35.840 --> 0:18:37.840
<v Speaker 7>even though you hadn't put out none of your kid record.

0:18:38.960 --> 0:18:41.240
<v Speaker 7>I saw it with you and just from your personality back,

0:18:41.400 --> 0:18:43.159
<v Speaker 7>you know, but what they used to call call it

0:18:43.240 --> 0:18:46.360
<v Speaker 7>managed nigga, he was managed.

0:18:46.560 --> 0:18:51.000
<v Speaker 5>Yeah. I was looking at everything with a skirt. Who

0:18:51.040 --> 0:19:00.600
<v Speaker 5>that what's the name? That's the country you want? It

0:19:00.640 --> 0:19:05.000
<v Speaker 5>starts early in the country. Yeah, you grow fast and fastest.

0:19:05.240 --> 0:19:07.040
<v Speaker 1>So you're making when you get with you.

0:19:07.240 --> 0:19:10.680
<v Speaker 2>Now you start making rounds right because you you made

0:19:10.840 --> 0:19:14.119
<v Speaker 2>you made heavy rounds very early that most most new

0:19:14.200 --> 0:19:15.080
<v Speaker 2>artists don't get to make.

0:19:15.200 --> 0:19:18.119
<v Speaker 1>You know what I'm saying. And you made a stop

0:19:18.119 --> 0:19:19.120
<v Speaker 1>at the underdogs.

0:19:19.440 --> 0:19:20.920
<v Speaker 5>Oh yeah, facts, oh yeah.

0:19:21.240 --> 0:19:26.560
<v Speaker 2>And I'm looking at this little nigga, I'm like, okay.

0:19:26.080 --> 0:19:27.560
<v Speaker 5>I was nervous too.

0:19:27.680 --> 0:19:29.240
<v Speaker 6>I ain't a lot going in there with y'all because

0:19:29.240 --> 0:19:33.440
<v Speaker 6>you gotta think I'm still learning singing, like it's still

0:19:33.480 --> 0:19:35.199
<v Speaker 6>I had a natural talent, but like to be in

0:19:35.240 --> 0:19:38.520
<v Speaker 6>there and and here y'all running scales all that.

0:19:38.640 --> 0:19:41.879
<v Speaker 5>I'm in there sweating. But I'm not going to let you.

0:19:41.880 --> 0:19:46.000
<v Speaker 1>You weren't scared. You was going back with us, though.

0:19:46.040 --> 0:19:53.159
<v Speaker 1>He was like dar devil. Look at him. I'm like,

0:19:53.480 --> 0:19:55.800
<v Speaker 1>can you dance? He said, yeah, nigga. I was like

0:19:59.600 --> 0:20:02.160
<v Speaker 1>you then, I think it was a DVD or type

0:20:02.200 --> 0:20:04.120
<v Speaker 1>of something, and I said.

0:20:03.880 --> 0:20:05.480
<v Speaker 6>That showed you the whole I say, that's when we

0:20:05.480 --> 0:20:07.560
<v Speaker 6>did the little school runs and I was showing you

0:20:07.760 --> 0:20:09.240
<v Speaker 6>like the performance.

0:20:08.720 --> 0:20:10.920
<v Speaker 1>Said oh you you can, damn.

0:20:11.720 --> 0:20:11.920
<v Speaker 5>Yeah.

0:20:13.160 --> 0:20:15.159
<v Speaker 2>I'm just I'm just trying to find a win. I'm like,

0:20:15.240 --> 0:20:17.600
<v Speaker 2>can you hoop niggas? Yeah, nigga, I can hoop? Yeah,

0:20:18.320 --> 0:20:24.320
<v Speaker 2>let's And it was like at every turn it was like.

0:20:26.080 --> 0:20:30.359
<v Speaker 1>This nigga is different. This nigga do everything. He sings,

0:20:31.119 --> 0:20:38.040
<v Speaker 1>he danced, he hoop, he manish. I love this nigga

0:20:38.840 --> 0:20:41.640
<v Speaker 1>and not to speed forward.

0:20:41.680 --> 0:20:47.399
<v Speaker 2>But there was a point where I was like, Okay,

0:20:47.760 --> 0:20:49.280
<v Speaker 2>first you get a hear record, let's start there.

0:20:50.359 --> 0:20:54.760
<v Speaker 3>Out the gate, out the gate. There was no sputter

0:20:54.800 --> 0:20:55.440
<v Speaker 3>for you at all.

0:20:55.680 --> 0:20:57.960
<v Speaker 5>I was. I was just surprised though I was.

0:20:58.040 --> 0:21:00.680
<v Speaker 6>I was like, I didn't even realize how big the

0:21:00.720 --> 0:21:01.560
<v Speaker 6>record was gonna be.

0:21:01.800 --> 0:21:03.320
<v Speaker 5>Like not to kill it now.

0:21:03.400 --> 0:21:06.159
<v Speaker 6>But I hated the record because I was doing R

0:21:06.160 --> 0:21:08.920
<v Speaker 6>and B R and B songs, so like Scott's stories,

0:21:08.920 --> 0:21:11.240
<v Speaker 6>I was like, man, I don't know what a hit is,

0:21:11.280 --> 0:21:12.880
<v Speaker 6>so I'm not gonna tell him that this is not.

0:21:12.840 --> 0:21:14.600
<v Speaker 3>A hit, right, And he got a gang of hits.

0:21:14.680 --> 0:21:14.880
<v Speaker 2>Yeah.

0:21:14.920 --> 0:21:16.600
<v Speaker 5>So I sat in there like, man.

0:21:16.440 --> 0:21:17.280
<v Speaker 1>I don't really like this.

0:21:17.359 --> 0:21:18.320
<v Speaker 5>Saw me in Miami.

0:21:18.880 --> 0:21:20.520
<v Speaker 6>I'm trying to tell teen and all them like I

0:21:20.520 --> 0:21:22.600
<v Speaker 6>don't think this is fun. Me this song, ain't. We

0:21:22.680 --> 0:21:25.000
<v Speaker 6>got so many other songs like the your song.

0:21:25.119 --> 0:21:26.639
<v Speaker 1>The your song. I'm like, so.

0:21:28.200 --> 0:21:30.080
<v Speaker 6>I'm thinking all of that type because I wanted to

0:21:30.119 --> 0:21:33.480
<v Speaker 6>be more, more vulnerable or not, but I also wanted

0:21:33.480 --> 0:21:34.960
<v Speaker 6>to kick ass on the dance and I wanted to

0:21:34.960 --> 0:21:35.479
<v Speaker 6>show off that.

0:21:35.600 --> 0:21:37.920
<v Speaker 5>So they was like, nah, trust me, this is it

0:21:38.600 --> 0:21:39.680
<v Speaker 5>put it out and I didn't.

0:21:39.720 --> 0:21:42.280
<v Speaker 6>When it blew up, I said, what the It's like,

0:21:42.520 --> 0:21:45.080
<v Speaker 6>I'm still in like, what is it called imposter syndrome?

0:21:45.400 --> 0:21:47.320
<v Speaker 6>To this day, I still know the feeling of how

0:21:47.359 --> 0:21:57.280
<v Speaker 6>I felt when that shitent crazy.

0:22:00.960 --> 0:22:02.399
<v Speaker 7>So when you do your difference, we went by that

0:22:02.400 --> 0:22:05.000
<v Speaker 7>because I always asked this question. And at this point

0:22:05.040 --> 0:22:08.440
<v Speaker 7>you're like fourteen fifty fifteen, you get to do did

0:22:08.440 --> 0:22:10.320
<v Speaker 7>they let you touch the money?

0:22:11.440 --> 0:22:11.520
<v Speaker 1>So?

0:22:11.640 --> 0:22:13.359
<v Speaker 6>How I did it? See a lot of people don't know.

0:22:13.400 --> 0:22:15.160
<v Speaker 6>I didn't get signed for like you know how people

0:22:15.160 --> 0:22:16.600
<v Speaker 6>get signed for. Oh, I got signed for me and

0:22:16.640 --> 0:22:20.280
<v Speaker 6>eight men. Back then it won't so I got signed

0:22:20.280 --> 0:22:23.080
<v Speaker 6>for like one hundred and fifty k, right and so

0:22:23.200 --> 0:22:25.840
<v Speaker 6>and then from there, because I was under age, my

0:22:26.280 --> 0:22:28.440
<v Speaker 6>mom was in control of it, but most of it.

0:22:28.359 --> 0:22:31.240
<v Speaker 5>Would be like a trust yeah yeah.

0:22:30.760 --> 0:22:32.680
<v Speaker 6>The Cooglan account, Yeah, Cooglan Acount, so I wouldn't be

0:22:32.680 --> 0:22:33.280
<v Speaker 6>able to touch it.

0:22:33.400 --> 0:22:34.400
<v Speaker 5>So obviously we could.

0:22:34.480 --> 0:22:36.280
<v Speaker 6>She could go and withdraw stuff if I wanted to

0:22:36.280 --> 0:22:37.879
<v Speaker 6>make purchases or I wanted to do stuff.

0:22:38.040 --> 0:22:40.680
<v Speaker 5>But nah, I still was every bit of a teenager

0:22:40.720 --> 0:22:42.199
<v Speaker 5>that they made me.

0:22:42.320 --> 0:22:44.280
<v Speaker 3>So as a teenager, what's the what's the first thing

0:22:44.320 --> 0:22:44.680
<v Speaker 3>you buy?

0:22:45.320 --> 0:22:47.840
<v Speaker 5>Oh? Do you escalate? Bro?

0:22:49.040 --> 0:22:49.640
<v Speaker 1>Off the deal?

0:22:49.920 --> 0:22:51.720
<v Speaker 5>That's what you got? No, you know what it was?

0:22:51.720 --> 0:22:54.159
<v Speaker 6>Was it an escalator? And it was like an I

0:22:54.200 --> 0:22:56.399
<v Speaker 6>don't know if it's not. It might have been escalator

0:22:56.520 --> 0:22:57.720
<v Speaker 6>or for Ford something.

0:22:57.760 --> 0:22:59.680
<v Speaker 5>I remember. It's a big truck. It's been a while.

0:23:00.480 --> 0:23:02.920
<v Speaker 6>I had the Lamborghini doors on it, and like I

0:23:03.000 --> 0:23:06.720
<v Speaker 6>put the doors that come up, like your first your

0:23:06.760 --> 0:23:07.359
<v Speaker 6>first car.

0:23:07.280 --> 0:23:11.520
<v Speaker 3>Had Lamborghiny doors. This is getting I was about to get.

0:23:12.080 --> 0:23:14.360
<v Speaker 5>I swear I was about to get a Honda Civic. Bro,

0:23:14.720 --> 0:23:18.800
<v Speaker 5>I was about to get a put put that was

0:23:19.040 --> 0:23:19.960
<v Speaker 5>gonna be my first car.

0:23:20.040 --> 0:23:23.520
<v Speaker 7>But it's like it's definitely your uncle.

0:23:24.000 --> 0:23:26.679
<v Speaker 3>God, you definitely got to be real related.

0:23:26.680 --> 0:23:29.800
<v Speaker 6>So sure, because I was gonna do with the suicide

0:23:30.280 --> 0:23:35.800
<v Speaker 6>man the butterfly doors. Yeah, bro, Like I'm from I'm

0:23:35.800 --> 0:23:37.840
<v Speaker 6>from partial South, like Virginia is the South.

0:23:38.119 --> 0:23:40.119
<v Speaker 2>But you know what I'm saying, So you don't just

0:23:40.200 --> 0:23:49.320
<v Speaker 2>listen to what DC Maryland? Like what d C and Maryland?

0:23:49.560 --> 0:23:55.120
<v Speaker 2>They mirror the South. Yeah, period like we mirror everything south.

0:23:55.160 --> 0:23:56.840
<v Speaker 2>There was like we went through East Coast phase with

0:23:56.880 --> 0:23:59.440
<v Speaker 2>Biggie and but we mirror.

0:23:59.240 --> 0:24:01.040
<v Speaker 5>The last money was it Tappahannock?

0:24:01.080 --> 0:24:02.840
<v Speaker 1>Definitely just cash money?

0:24:02.920 --> 0:24:03.000
<v Speaker 5>Was it?

0:24:03.359 --> 0:24:03.399
<v Speaker 3>You?

0:24:03.840 --> 0:24:04.119
<v Speaker 1>You?

0:24:05.200 --> 0:24:05.400
<v Speaker 3>Yeah?

0:24:06.640 --> 0:24:07.040
<v Speaker 5>Everybody?

0:24:07.119 --> 0:24:09.880
<v Speaker 3>You know your purchase is the best one that we've had.

0:24:09.440 --> 0:24:13.040
<v Speaker 3>What nigga, that's sixteen you bought?

0:24:13.080 --> 0:24:14.919
<v Speaker 6>But I had the amps in the back too. I

0:24:14.960 --> 0:24:16.520
<v Speaker 6>had like I ain't gonna lie. I took out the

0:24:16.520 --> 0:24:19.360
<v Speaker 6>whole back seat. It's like it was like six six

0:24:19.480 --> 0:24:23.200
<v Speaker 6>sixteen and.

0:24:22.240 --> 0:24:25.119
<v Speaker 1>Knocking, locking fuga.

0:24:26.240 --> 0:24:31.919
<v Speaker 6>I was in Virginia thinking, I was, you know, you.

0:24:30.240 --> 0:24:33.280
<v Speaker 1>Pull up on that skating ring with that Oh god,

0:24:32.560 --> 0:24:38.359
<v Speaker 1>it's first hit record. What changes for you in your mind?

0:24:38.560 --> 0:24:41.520
<v Speaker 2>Now? I mean now it's not now it's not guesswork.

0:24:41.560 --> 0:24:43.480
<v Speaker 2>Now things are like this is what I do. Now,

0:24:43.520 --> 0:24:46.200
<v Speaker 2>Things are automatic. Now, things are like it's more so

0:24:46.280 --> 0:24:48.160
<v Speaker 2>what I need I can get.

0:24:49.720 --> 0:24:51.080
<v Speaker 6>It kind of was like you know when the kid,

0:24:51.119 --> 0:24:52.800
<v Speaker 6>when I could just go to the movies with my

0:24:52.800 --> 0:24:56.160
<v Speaker 6>homeboys because I did everything as a as a regular kid,

0:24:56.280 --> 0:24:58.040
<v Speaker 6>you know what I'm saying, even being in Harlem to

0:24:58.119 --> 0:25:00.919
<v Speaker 6>be in Virginia like I did, like regular, so I

0:25:01.000 --> 0:25:03.520
<v Speaker 6>was used to being around people and being in an environment.

0:25:03.560 --> 0:25:06.200
<v Speaker 6>As soon as that song went crazy, I couldn't go nowhere.

0:25:06.320 --> 0:25:08.760
<v Speaker 6>I couldn't go to the mall. Like if I walked

0:25:08.760 --> 0:25:10.680
<v Speaker 6>outside of the neighborhood that I was in, it would

0:25:10.680 --> 0:25:13.840
<v Speaker 6>be people running down the street like so I was

0:25:13.840 --> 0:25:16.159
<v Speaker 6>still in Virginia. No, Well, and Jay took me out

0:25:16.160 --> 0:25:17.879
<v Speaker 6>of Virginia as soon as as soon as I shot

0:25:17.960 --> 0:25:20.199
<v Speaker 6>the deal, like I think my record came on. I

0:25:20.240 --> 0:25:21.879
<v Speaker 6>was in tenth grade when my song came out and

0:25:21.960 --> 0:25:23.880
<v Speaker 6>when I got my record deal. So and I didn't

0:25:23.960 --> 0:25:26.720
<v Speaker 6>leave school until after my song had already hit the radio.

0:25:27.200 --> 0:25:29.000
<v Speaker 6>So they's like, we got to pull them, we gotta,

0:25:29.160 --> 0:25:31.240
<v Speaker 6>we gotta get him out of there. So then from there,

0:25:31.400 --> 0:25:34.800
<v Speaker 6>I went from Virginia to Jersey, so so I could

0:25:34.800 --> 0:25:36.720
<v Speaker 6>be closer to uh New York. But I couldn't even

0:25:36.760 --> 0:25:38.720
<v Speaker 6>walk down the street there like I was. We would

0:25:38.720 --> 0:25:39.200
<v Speaker 6>literally have.

0:25:39.200 --> 0:25:41.640
<v Speaker 5>To drive in the garage every time we come home

0:25:41.920 --> 0:25:43.560
<v Speaker 5>and shut the door. So nobody knows.

0:25:43.640 --> 0:25:45.240
<v Speaker 3>What's the what's the mindset?

0:25:45.240 --> 0:25:48.679
<v Speaker 7>Of that for you as this sixteen year old, fifteen,

0:25:48.720 --> 0:25:51.160
<v Speaker 7>sixteen year old kid, Like, how does it? Because that's

0:25:51.200 --> 0:25:54.480
<v Speaker 7>the one thing it's bro, And I know, I know

0:25:54.520 --> 0:25:57.200
<v Speaker 7>he can attest to this because we are all so

0:25:57.400 --> 0:26:00.000
<v Speaker 7>close and we've we've all known each other for so long.

0:26:01.400 --> 0:26:06.520
<v Speaker 7>We have so many conversations that come to us about you, right,

0:26:07.080 --> 0:26:08.600
<v Speaker 7>and my things always been.

0:26:11.040 --> 0:26:12.080
<v Speaker 3>I can't tell him.

0:26:12.119 --> 0:26:14.280
<v Speaker 7>I can only tell him so much because I haven't

0:26:14.320 --> 0:26:18.000
<v Speaker 7>had that experience. And that's a very real thing that

0:26:18.080 --> 0:26:21.679
<v Speaker 7>I think people have never truly taken into account that, Bro,

0:26:21.800 --> 0:26:27.479
<v Speaker 7>this has been your life since fifteen years old. Like,

0:26:27.880 --> 0:26:30.040
<v Speaker 7>just tell me if you can remember that as being

0:26:30.080 --> 0:26:31.720
<v Speaker 7>like a fifteen year old, Like, yo, they're pulling me

0:26:31.760 --> 0:26:34.159
<v Speaker 7>out of school, I can't go outside, I can't go

0:26:34.200 --> 0:26:35.320
<v Speaker 7>to the movies.

0:26:35.680 --> 0:26:37.680
<v Speaker 5>You know, it's a lot of kid no more because

0:26:37.680 --> 0:26:41.080
<v Speaker 5>of my challenging spirit. I like challenges.

0:26:41.280 --> 0:26:45.440
<v Speaker 6>It was amazing thing because I be real because guess

0:26:45.520 --> 0:26:48.160
<v Speaker 6>what if Well, now I'm gonna look at the bright side.

0:26:48.200 --> 0:26:51.120
<v Speaker 5>I ain't got to be in school. I ain't got

0:26:51.119 --> 0:26:52.760
<v Speaker 5>to be I could do my I got a two do.

0:26:53.320 --> 0:26:54.639
<v Speaker 5>I don't got to be there. I could do. I

0:26:54.680 --> 0:26:56.840
<v Speaker 5>can go out. Did you finish. I'm going Yeah I did,

0:26:56.880 --> 0:26:58.600
<v Speaker 5>if you did, but I ain't gonna lie. I took

0:26:58.640 --> 0:26:59.960
<v Speaker 5>the first two years off.

0:27:00.520 --> 0:27:03.320
<v Speaker 3>Of high school though college.

0:27:04.000 --> 0:27:07.560
<v Speaker 5>Yeah so I was originally supposed to be the class seven.

0:27:07.680 --> 0:27:11.960
<v Speaker 2>I'm kind of yeah, so so technically you two years

0:27:12.000 --> 0:27:12.400
<v Speaker 2>younger to.

0:27:12.560 --> 0:27:13.919
<v Speaker 5>Yeah, I'll take it ship.

0:27:15.080 --> 0:27:18.480
<v Speaker 6>But yeah, man, it was so for you adjusted to it. Yeah,

0:27:18.480 --> 0:27:20.120
<v Speaker 6>it wasn't and it would be fun. I would still

0:27:20.119 --> 0:27:21.720
<v Speaker 6>do regular ship. I would just make sure I have

0:27:22.400 --> 0:27:24.720
<v Speaker 6>my niggas around, like my homeboys, some of them being school.

0:27:24.720 --> 0:27:25.560
<v Speaker 5>I go to their school.

0:27:25.720 --> 0:27:29.399
<v Speaker 6>So my cousin just on a Friday, hey, y'all, come

0:27:29.440 --> 0:27:35.000
<v Speaker 6>outside the girls, I saw them screaming. Then after that

0:27:35.040 --> 0:27:36.160
<v Speaker 6>they come back to school on Monday.

0:27:36.160 --> 0:27:37.439
<v Speaker 5>They the man in school, you know.

0:27:38.520 --> 0:27:40.160
<v Speaker 6>So I used to go to the mall ship bo

0:27:40.320 --> 0:27:42.280
<v Speaker 6>Bo did this ship too, like shout out to Bow.

0:27:42.600 --> 0:27:45.000
<v Speaker 6>But we used to go to the mall, and I

0:27:45.040 --> 0:27:47.040
<v Speaker 6>did it by myself, just to see what it was.

0:27:47.080 --> 0:27:48.719
<v Speaker 6>I used to go to the mall and just go

0:27:48.760 --> 0:27:51.280
<v Speaker 6>to one store it's popping in Virginia and like, hey

0:27:51.320 --> 0:27:54.520
<v Speaker 6>that's and then take off running and wait, you would

0:27:54.560 --> 0:27:55.879
<v Speaker 6>run before it even gets started.

0:27:56.000 --> 0:28:03.879
<v Speaker 5>Take We did this a man and it worked. I'm

0:28:03.880 --> 0:28:06.159
<v Speaker 5>talking about they would table chase you was running out

0:28:06.160 --> 0:28:06.720
<v Speaker 5>of man's land.

0:28:06.920 --> 0:28:08.560
<v Speaker 1>I was running out.

0:28:11.119 --> 0:28:13.840
<v Speaker 5>I was at I think Virginia Center comments. That's what

0:28:13.880 --> 0:28:15.800
<v Speaker 5>it was we used to go to, and then I

0:28:15.880 --> 0:28:17.520
<v Speaker 5>used to be at I used to go with what

0:28:17.720 --> 0:28:19.280
<v Speaker 5>was it up against the wall.

0:28:19.320 --> 0:28:23.000
<v Speaker 6>It was another dtail all detailer. Yeah, said yeah, I'll

0:28:23.040 --> 0:28:25.359
<v Speaker 6>be right there. They had to ship there, man, what

0:28:25.600 --> 0:28:27.480
<v Speaker 6>all the girls being there? So and then I go

0:28:27.520 --> 0:28:29.480
<v Speaker 6>in there and start with my homeboys to come with me,

0:28:29.520 --> 0:28:32.160
<v Speaker 6>and then I see just so they'll notice who I am,

0:28:32.400 --> 0:28:33.480
<v Speaker 6>like just on some young ship.

0:28:33.560 --> 0:28:35.840
<v Speaker 7>Then they'll be like, hold on, that is here's some

0:28:35.960 --> 0:28:40.040
<v Speaker 7>R and V ship, R n V ship. Nigga can't

0:28:40.080 --> 0:28:48.040
<v Speaker 7>just bust out rapping, look around and.

0:28:51.880 --> 0:28:52.240
<v Speaker 5>Facts.

0:28:52.240 --> 0:28:57.760
<v Speaker 2>It worked, absolutely worked. Okay, here here, here's what I

0:28:57.760 --> 0:29:00.160
<v Speaker 2>want from you. Right when did you meet him? It

0:29:00.240 --> 0:29:03.480
<v Speaker 2>was the Scream tour, that first album, that first album.

0:29:03.240 --> 0:29:05.520
<v Speaker 5>Right, I think it was. It had to be. It

0:29:05.600 --> 0:29:09.840
<v Speaker 5>had to be like first album and the first album fatigues, Yes.

0:29:09.960 --> 0:29:15.479
<v Speaker 2>First album, yep. Okay, So so I'm watching I used

0:29:15.520 --> 0:29:18.720
<v Speaker 2>to watch you in the Marin Battle. Yeah, and I

0:29:18.800 --> 0:29:21.320
<v Speaker 2>used to I used to watch get You. Yeah, you

0:29:21.400 --> 0:29:26.800
<v Speaker 2>would you would be like fuck, you would be angry nigga.

0:29:29.200 --> 0:29:30.080
<v Speaker 1>All right and I'll be back.

0:29:30.960 --> 0:29:32.480
<v Speaker 5>But I always say this to this day.

0:29:33.080 --> 0:29:36.080
<v Speaker 6>At that time, his discipline and what he learned and

0:29:36.080 --> 0:29:37.760
<v Speaker 6>how he gets that niggas was not.

0:29:37.840 --> 0:29:38.800
<v Speaker 5>Fucking with that boy.

0:29:39.440 --> 0:29:40.000
<v Speaker 1>He's a monster.

0:29:40.440 --> 0:29:42.320
<v Speaker 6>I don't know about now because I get off now,

0:29:43.960 --> 0:29:48.120
<v Speaker 6>but at that time, that boy was a monster.

0:29:48.240 --> 0:29:51.200
<v Speaker 1>He was a monster. But I want to go to

0:29:51.240 --> 0:29:52.000
<v Speaker 1>the Scream tour.

0:29:52.040 --> 0:29:53.760
<v Speaker 2>I was using that to set up set up the

0:29:53.760 --> 0:29:58.560
<v Speaker 2>Scream tour, and my cousin, my cousin and my people

0:29:58.600 --> 0:30:00.280
<v Speaker 2>wanted to go to the tour, so we can't. We

0:30:00.360 --> 0:30:02.200
<v Speaker 2>came to see you, and we came backstage and everything,

0:30:03.080 --> 0:30:05.400
<v Speaker 2>and I'm watching you on stage and I had I

0:30:05.440 --> 0:30:09.840
<v Speaker 2>hadn't seen you perform since the album was out, since

0:30:09.880 --> 0:30:12.240
<v Speaker 2>everything was going crazy, I hadn't seen you perform yet,

0:30:13.240 --> 0:30:15.680
<v Speaker 2>and you know, all had the records and he was,

0:30:15.720 --> 0:30:19.640
<v Speaker 2>you know, of course he was headlined. But I watched

0:30:19.640 --> 0:30:24.960
<v Speaker 2>you come out in those black fatigues and I watched

0:30:25.680 --> 0:30:31.800
<v Speaker 2>I can't do the move. I watched like you was

0:30:32.040 --> 0:30:36.840
<v Speaker 2>the crumping and you were like pause, you was your

0:30:36.960 --> 0:30:39.760
<v Speaker 2>arms were out this wide you was, you was. It

0:30:39.800 --> 0:30:42.640
<v Speaker 2>was the like the whole fucking stage was in between y'all,

0:30:42.840 --> 0:30:47.200
<v Speaker 2>and I'm looking. I'm like, he's getting ready to pass

0:30:47.800 --> 0:30:50.760
<v Speaker 2>the guy. He's getting ready to pass him because I

0:30:51.040 --> 0:30:52.400
<v Speaker 2>didn't see a kid on stage.

0:30:52.840 --> 0:30:55.920
<v Speaker 1>I saw a grown ass man on stage at the

0:30:55.960 --> 0:30:59.280
<v Speaker 1>screen tour. He's getting ready and I'm looking at my

0:30:59.320 --> 0:31:05.000
<v Speaker 1>little cousin. She's like, oh my god, you all right?

0:31:05.040 --> 0:31:06.440
<v Speaker 1>You know, we go to church on Sunday, you know,

0:31:06.480 --> 0:31:13.680
<v Speaker 1>we have today's fri listen, and we go backstage to

0:31:14.800 --> 0:31:17.560
<v Speaker 1>take her to meet him and she sees, she sees

0:31:17.600 --> 0:31:20.080
<v Speaker 1>this nigga Chris and the Flesh, and she goes, mm hm,

0:31:21.880 --> 0:31:26.760
<v Speaker 1>So you are little? Did you as you are little?

0:31:28.320 --> 0:31:32.040
<v Speaker 2>That night I saw you, there was for me the

0:31:32.040 --> 0:31:36.120
<v Speaker 2>beginning of the separation of you going to another place

0:31:36.440 --> 0:31:38.680
<v Speaker 2>because I felt like you were I felt like you

0:31:38.720 --> 0:31:41.880
<v Speaker 2>were angrier, you were more aggressive, and you had something

0:31:41.880 --> 0:31:44.360
<v Speaker 2>in your mind that you were aiming.

0:31:44.200 --> 0:31:46.160
<v Speaker 6>You know what it was though, even being on that tour,

0:31:46.240 --> 0:31:48.280
<v Speaker 6>like what I learned, and I learned from Bio a lot.

0:31:48.640 --> 0:31:50.720
<v Speaker 5>You know, he's like one of the greatest showmen as far.

0:31:50.640 --> 0:31:56.920
<v Speaker 6>As so the lack of discipline that I had. I

0:31:56.960 --> 0:32:00.720
<v Speaker 6>had a great amount of training, meaning like okay, Sam's

0:32:00.720 --> 0:32:02.719
<v Speaker 6>you know everybody, they're gonna they're gonna get us right

0:32:02.760 --> 0:32:04.840
<v Speaker 6>with the moves. Were gonna have fun. And I was

0:32:04.840 --> 0:32:07.640
<v Speaker 6>able to be also creative too. They didn't just say

0:32:07.640 --> 0:32:09.680
<v Speaker 6>we're gonna do this. They let me come over with

0:32:09.720 --> 0:32:11.560
<v Speaker 6>some things. But the thing that I felt that I

0:32:11.640 --> 0:32:16.400
<v Speaker 6>lacked was the experienced one and and just the discipline

0:32:16.440 --> 0:32:17.520
<v Speaker 6>that everybody else had.

0:32:18.040 --> 0:32:20.840
<v Speaker 5>You know, we it was B two K bow uh.

0:32:20.960 --> 0:32:23.520
<v Speaker 5>It was so many other artists all polished here.

0:32:23.680 --> 0:32:24.720
<v Speaker 1>Yeah, so when you.

0:32:24.720 --> 0:32:26.440
<v Speaker 5>Would see their shows, you would see the glitz and

0:32:26.440 --> 0:32:26.920
<v Speaker 5>the glamour.

0:32:27.000 --> 0:32:29.160
<v Speaker 6>Like me, I had a DJ booth, just a little

0:32:29.200 --> 0:32:31.360
<v Speaker 6>DJ booth that I was slide from under with the

0:32:31.440 --> 0:32:33.600
<v Speaker 6>dancers with the little smoke, and then I had a

0:32:33.640 --> 0:32:37.320
<v Speaker 6>graffiti background, you know what I'm saying. And they maybe

0:32:37.400 --> 0:32:39.840
<v Speaker 6>maybe gave me like twelve minutes. I probably had like

0:32:40.200 --> 0:32:42.160
<v Speaker 6>not even that, it might have been eight minutes. So

0:32:42.240 --> 0:32:45.280
<v Speaker 6>I had to, you know, figure it out. But seeing

0:32:45.280 --> 0:32:48.320
<v Speaker 6>these other performers, it kind of like grew my hunger

0:32:48.360 --> 0:32:50.840
<v Speaker 6>for what I needed to be doing in order to

0:32:50.880 --> 0:32:53.360
<v Speaker 6>in order to be the person headlining, in order to

0:32:53.360 --> 0:32:55.240
<v Speaker 6>be the person that I think I can be. You

0:32:55.280 --> 0:32:56.960
<v Speaker 6>know what I'm saying, so a lot of them, a

0:32:57.000 --> 0:32:59.080
<v Speaker 6>lot of those guys, and seeing their performance, seeing their

0:32:59.120 --> 0:33:01.719
<v Speaker 6>their quality and how out long they're dancing, and then

0:33:01.760 --> 0:33:03.880
<v Speaker 6>they're just getting off and all the screams, like it

0:33:03.920 --> 0:33:08.240
<v Speaker 6>was really the Scream Tour, like you, it's no other

0:33:08.840 --> 0:33:10.719
<v Speaker 6>there's no other experience that I can tell you. At

0:33:10.720 --> 0:33:14.160
<v Speaker 6>that time, was like forget all the festivals and stuff

0:33:14.200 --> 0:33:15.280
<v Speaker 6>that they got going on right now.

0:33:15.400 --> 0:33:18.360
<v Speaker 5>Back then your ears were literally you would really go.

0:33:18.480 --> 0:33:21.920
<v Speaker 5>Definitely shout out to Michael Martin. I saw him during

0:33:21.920 --> 0:33:22.480
<v Speaker 5>the Grammy week.

0:33:22.520 --> 0:33:24.880
<v Speaker 7>I never met him before, and I just told him,

0:33:24.920 --> 0:33:27.800
<v Speaker 7>I'm like, listen, man, what you did just what I

0:33:27.840 --> 0:33:29.120
<v Speaker 7>mean obviously what you've.

0:33:28.960 --> 0:33:31.200
<v Speaker 3>Done in the business, pier, but that Scream Tour.

0:33:31.480 --> 0:33:36.200
<v Speaker 7>Jesus with giving that type of spotlight to young artists

0:33:36.960 --> 0:33:40.600
<v Speaker 7>and putting him on that type of platform.

0:33:40.360 --> 0:33:42.240
<v Speaker 3>I don't know anyone that's done that.

0:33:42.520 --> 0:33:44.600
<v Speaker 6>I don't, I don't. I don't think it can be

0:33:44.680 --> 0:33:47.680
<v Speaker 6>done right now. It's not like with you. I think

0:33:47.680 --> 0:33:50.000
<v Speaker 6>that's sounds. I can't even recreate like I was just

0:33:50.000 --> 0:33:51.280
<v Speaker 6>happy to be a part of it.

0:33:51.160 --> 0:33:51.520
<v Speaker 1>Like I was.

0:33:51.840 --> 0:33:55.600
<v Speaker 7>That's a legendary to recreate with these phones. Man, that's

0:33:55.640 --> 0:33:56.160
<v Speaker 7>the other part.

0:33:56.240 --> 0:34:00.680
<v Speaker 2>Yeah, yeah, because because because like that stay was like

0:34:01.320 --> 0:34:04.840
<v Speaker 2>still in that moment, it still was a place where

0:34:04.880 --> 0:34:08.239
<v Speaker 2>you still felt like this is the only place I'm

0:34:08.239 --> 0:34:09.000
<v Speaker 2>gonna get to see that.

0:34:09.200 --> 0:34:11.319
<v Speaker 5>Yeah, I'm only gonna see this type of shit here.

0:34:11.880 --> 0:34:14.120
<v Speaker 2>Like it was still that we hadn't gotten to the

0:34:14.160 --> 0:34:16.760
<v Speaker 2>phone yet to where you could get used to seeing

0:34:17.239 --> 0:34:19.640
<v Speaker 2>that type of shit all the time. It just runs

0:34:19.719 --> 0:34:24.240
<v Speaker 2>all day. That's them scream to it. It was really screams, yeah,

0:34:24.600 --> 0:34:27.279
<v Speaker 2>facts like motherfuckers. When you came on stage, it was

0:34:27.920 --> 0:34:31.080
<v Speaker 2>they was glued from from from from top to bottom.

0:34:31.120 --> 0:34:32.680
<v Speaker 6>And I was nervous because that's like, you know, we

0:34:32.760 --> 0:34:35.680
<v Speaker 6>had performed before, Like I've performed at different places I

0:34:35.680 --> 0:34:38.000
<v Speaker 6>had to perform what is.

0:34:38.000 --> 0:34:39.800
<v Speaker 5>It playing in Hollywood? Different different places.

0:34:39.840 --> 0:34:41.960
<v Speaker 6>But there's a little venues when you I'm in an

0:34:42.000 --> 0:34:45.319
<v Speaker 6>arena now, and it's even though I go on first,

0:34:45.760 --> 0:34:47.520
<v Speaker 6>the parents back then they trying to get their kids

0:34:47.560 --> 0:34:50.680
<v Speaker 6>into the building early. So now if the show starts

0:34:50.680 --> 0:34:53.719
<v Speaker 6>at let's say nine, some people might not leave their

0:34:53.719 --> 0:34:57.360
<v Speaker 6>house to eight thirty.

0:34:56.000 --> 0:34:56.680
<v Speaker 5>You know what I'm saying.

0:34:56.719 --> 0:34:59.520
<v Speaker 6>So, but back then, everybody's in there, sitting there waiting.

0:35:00.280 --> 0:35:03.080
<v Speaker 6>So whoever the first artist is they either standing up

0:35:03.160 --> 0:35:03.759
<v Speaker 6>or booing the ship.

0:35:04.280 --> 0:35:08.360
<v Speaker 7>Did you like, speaking of booing, did you ever experience

0:35:08.960 --> 0:35:10.120
<v Speaker 7>a fucked up show.

0:35:10.640 --> 0:35:11.560
<v Speaker 5>Like early on?

0:35:11.640 --> 0:35:12.319
<v Speaker 3>Like early on?

0:35:12.480 --> 0:35:17.120
<v Speaker 6>No, No, I'm gonna be real, like I've never got

0:35:17.160 --> 0:35:20.080
<v Speaker 6>like a boot, like a bad boot. I don't want

0:35:20.080 --> 0:35:22.359
<v Speaker 6>to jinx myself, but but I've never got like he's

0:35:22.360 --> 0:35:25.239
<v Speaker 6>not your nigga, But I've never I never got boot

0:35:25.320 --> 0:35:26.440
<v Speaker 6>on a thousand hit records.

0:35:26.440 --> 0:35:27.799
<v Speaker 3>But you're not getting don't worry about that.

0:35:28.800 --> 0:35:31.839
<v Speaker 5>Almost I said, you almost got boo.

0:35:34.719 --> 0:35:36.600
<v Speaker 3>It started off with this moddy. That's my fault.

0:35:38.160 --> 0:35:42.120
<v Speaker 2>His playlist song wasn't working yeah radio so and he

0:35:42.239 --> 0:35:44.759
<v Speaker 2>still wanted to sing yeah, which we're working.

0:35:44.760 --> 0:35:45.600
<v Speaker 1>It was it was.

0:35:47.080 --> 0:35:53.280
<v Speaker 2>Spent seven hundred thousand. I started singing the songs.

0:35:53.320 --> 0:35:56.360
<v Speaker 1>The girls in the front row looking at her friends.

0:35:56.360 --> 0:36:02.239
<v Speaker 1>Oh oh god, I still.

0:36:01.960 --> 0:36:06.759
<v Speaker 2>Got two minutes and it's a tape, so that that

0:36:06.120 --> 0:36:10.920
<v Speaker 2>you just gotta live that motherfucking out you.

0:36:10.880 --> 0:36:12.359
<v Speaker 5>Start, that's when you start thinking the most.

0:36:12.719 --> 0:36:15.359
<v Speaker 2>That's when I started sweating. That's when you get caught

0:36:15.360 --> 0:36:16.080
<v Speaker 2>the mouth man.

0:36:16.360 --> 0:36:19.040
<v Speaker 6>Now I sucked up myself on stage, like did the

0:36:19.080 --> 0:36:21.960
<v Speaker 6>back flip slipped? But I play it off or like

0:36:22.040 --> 0:36:23.800
<v Speaker 6>you know what I'm saying, then stepped off the stage

0:36:23.840 --> 0:36:25.520
<v Speaker 6>before and fell in the crowd.

0:36:26.960 --> 0:36:32.600
<v Speaker 7>But yeah, they still feel bad for because you're just

0:36:32.640 --> 0:36:33.080
<v Speaker 7>being great.

0:36:33.280 --> 0:36:37.319
<v Speaker 2>Yeah they still screamed, oh my goddess.

0:36:37.120 --> 0:36:38.919
<v Speaker 3>Okay, oh my god.

0:36:39.280 --> 0:36:40.120
<v Speaker 1>Okay.

0:36:40.920 --> 0:36:44.560
<v Speaker 7>So off the first off, the first album, you start

0:36:44.600 --> 0:36:46.239
<v Speaker 7>to you start to see what this thing is like.

0:36:46.280 --> 0:36:48.239
<v Speaker 7>You start to see, you know, what fame is like,

0:36:48.400 --> 0:36:51.759
<v Speaker 7>and how how you're gonna adjust. Did you ever have

0:36:52.000 --> 0:36:56.080
<v Speaker 7>like the can I do it again? Because you know,

0:36:56.120 --> 0:36:59.040
<v Speaker 7>people talk about the sophomore sophomore.

0:36:58.719 --> 0:37:00.279
<v Speaker 6>J I had that in my in the back of

0:37:00.320 --> 0:37:02.800
<v Speaker 6>my head probably every day, you know what I'm saying.

0:37:02.840 --> 0:37:06.480
<v Speaker 5>So like, for me, it was because the first album

0:37:06.560 --> 0:37:08.920
<v Speaker 5>was like a learning experience. I wrote with writers. I

0:37:08.920 --> 0:37:10.200
<v Speaker 5>didn't really write, you know.

0:37:10.280 --> 0:37:13.120
<v Speaker 6>It was really how they kind of shaped what I

0:37:13.200 --> 0:37:16.399
<v Speaker 6>what my ideas would be. The second album was like, okay, cool,

0:37:16.400 --> 0:37:20.239
<v Speaker 6>well you've been you've been right the song selections, you're

0:37:20.239 --> 0:37:22.640
<v Speaker 6>picking the choices, you know what you're doing. So but

0:37:22.719 --> 0:37:25.480
<v Speaker 6>I feel like it's like the challenge thing again. I

0:37:25.520 --> 0:37:28.320
<v Speaker 6>was like, you know what, I'm gonna try.

0:37:28.200 --> 0:37:28.879
<v Speaker 5>To prove them wrong.

0:37:29.360 --> 0:37:29.880
<v Speaker 3>You fought for that.

0:37:30.120 --> 0:37:32.560
<v Speaker 6>Yeah, like I said, I proved myself wrong with the

0:37:32.680 --> 0:37:33.480
<v Speaker 6>with the first album.

0:37:33.560 --> 0:37:35.319
<v Speaker 5>So it's like, now now I'm gonna prove them wrong.

0:37:35.360 --> 0:37:37.640
<v Speaker 5>I could do this ship. So I was. I had

0:37:37.640 --> 0:37:39.239
<v Speaker 5>that sophomore Jinx in the back of my head.

0:37:39.480 --> 0:37:42.040
<v Speaker 1>What's the first first record from the second?

0:37:42.239 --> 0:37:44.239
<v Speaker 6>The second album? Damn Let Men Make Me Go? You know,

0:37:44.280 --> 0:37:45.640
<v Speaker 6>I got a lot of damn albums, man, I.

0:37:47.280 --> 0:37:48.640
<v Speaker 5>Know. I think that's the album.

0:37:49.200 --> 0:37:54.360
<v Speaker 7>Records from the first from the first album?

0:37:54.640 --> 0:37:58.680
<v Speaker 1>Was it kids, Kiss? I'm yeah it was Kiss, wasn't it.

0:37:58.960 --> 0:38:01.239
<v Speaker 5>It had to it had to? Oh no, wall to Wall?

0:38:01.960 --> 0:38:04.080
<v Speaker 1>Oh yeah, well I think.

0:38:03.920 --> 0:38:08.200
<v Speaker 2>It was water Wall. It was absolutely absolutely water Wall

0:38:08.600 --> 0:38:09.799
<v Speaker 2>then Kiss Kiss.

0:38:11.120 --> 0:38:13.440
<v Speaker 3>I imagine you're putting together your show set.

0:38:13.760 --> 0:38:18.520
<v Speaker 6>You know, look for tour now, bro, it's crazy because

0:38:18.560 --> 0:38:20.560
<v Speaker 6>I'm trying to because you know, people are still in

0:38:20.600 --> 0:38:21.680
<v Speaker 6>love with the older songs.

0:38:21.680 --> 0:38:24.080
<v Speaker 5>So it's like, I have no problem doing that.

0:38:24.120 --> 0:38:26.400
<v Speaker 6>But the only difference is when people come to my shows,

0:38:26.440 --> 0:38:30.000
<v Speaker 6>I want them to see something like evolution. Like you

0:38:30.040 --> 0:38:31.759
<v Speaker 6>know what I'm saying. They're not seeing the last tour

0:38:31.800 --> 0:38:33.799
<v Speaker 6>that they saw. They're not seen the one before that.

0:38:34.160 --> 0:38:37.040
<v Speaker 6>Every tour is completely different and it gives them, you know,

0:38:37.080 --> 0:38:39.840
<v Speaker 6>the same nostalgia. But also with this with the new music.

0:38:40.280 --> 0:38:42.680
<v Speaker 6>So it's so hard for us right now. I even

0:38:42.840 --> 0:38:45.080
<v Speaker 6>I even put on my Instagram and Twitter, like, look

0:38:45.320 --> 0:38:48.520
<v Speaker 6>what songs y'all want me to perform? They was like

0:38:48.560 --> 0:38:50.759
<v Speaker 6>all of them bitches. I said, we're gonna be there

0:38:50.760 --> 0:38:51.360
<v Speaker 6>for three days.

0:38:51.400 --> 0:38:54.080
<v Speaker 2>I'm not, but you gotta think of it like this though, right,

0:38:54.320 --> 0:38:58.400
<v Speaker 2>I always equated back to like Frankie Beverly and May. Yeah,

0:38:58.680 --> 0:39:08.759
<v Speaker 2>Frankie Beverly and the same show in Arenas for twenty years.

0:39:08.760 --> 0:39:13.640
<v Speaker 7>With all due respect, they don't have a hundred.

0:39:13.480 --> 0:39:15.960
<v Speaker 2>No, no, no, let me get into. What I'm getting

0:39:15.960 --> 0:39:20.799
<v Speaker 2>to is the variations of those songs that make it

0:39:20.840 --> 0:39:21.400
<v Speaker 2>old to you.

0:39:22.000 --> 0:39:23.920
<v Speaker 5>Don't get don't get old to them.

0:39:24.000 --> 0:39:25.000
<v Speaker 1>Don't get old to them.

0:39:25.480 --> 0:39:27.880
<v Speaker 5>But at least how you how how they will see it?

0:39:27.960 --> 0:39:30.920
<v Speaker 2>Yeah, they remember that. They're telling that friends. Watch when

0:39:30.960 --> 0:39:34.480
<v Speaker 2>he do this, he do this thing when he sings.

0:39:35.560 --> 0:39:37.800
<v Speaker 2>Watch when there you're waiting.

0:39:37.880 --> 0:39:39.960
<v Speaker 6>You got a point too, that's the point. But I

0:39:39.960 --> 0:39:41.759
<v Speaker 6>always want to how I look. I'll be like you

0:39:41.800 --> 0:39:44.399
<v Speaker 6>know what, I want to always give them more. It's

0:39:44.400 --> 0:39:47.280
<v Speaker 6>not like because you can see Chris Brown on YouTube,

0:39:47.280 --> 0:39:48.520
<v Speaker 6>but you can go see it and be like all right,

0:39:48.920 --> 0:39:50.560
<v Speaker 6>and then they're like man fell off.

0:39:50.800 --> 0:39:52.919
<v Speaker 5>I never want to hear that ship until I'm ready

0:39:52.920 --> 0:39:53.960
<v Speaker 5>to be like, look, I'm tired.

0:39:54.480 --> 0:39:57.480
<v Speaker 1>I don't think because new material.

0:39:57.200 --> 0:39:59.440
<v Speaker 5>I'm not, You're not gonna be tired. But that was hypothetic.

0:39:59.480 --> 0:40:01.880
<v Speaker 1>You have like eight thousand songs and the what's.

0:40:01.719 --> 0:40:02.920
<v Speaker 3>The longest show you've done?

0:40:03.640 --> 0:40:03.879
<v Speaker 5>Ship?

0:40:03.920 --> 0:40:06.040
<v Speaker 6>The last one we just did. We just came from

0:40:06.080 --> 0:40:08.400
<v Speaker 6>towards overseas. You came to it like two hours and

0:40:08.400 --> 0:40:09.040
<v Speaker 6>fifteen minutes.

0:40:09.080 --> 0:40:11.960
<v Speaker 1>Hold on, let's nigga, that's let's go, let's go there,

0:40:12.840 --> 0:40:14.280
<v Speaker 1>let's go there. Movie that's.

0:40:15.760 --> 0:40:15.920
<v Speaker 5>Over.

0:40:16.080 --> 0:40:16.840
<v Speaker 1>Ship.

0:40:17.760 --> 0:40:19.680
<v Speaker 2>I was like, Bag, we're going over seas to Chris Brown.

0:40:19.719 --> 0:40:22.600
<v Speaker 2>What the fuck are you talking about? We're going to Paris.

0:40:23.200 --> 0:40:25.880
<v Speaker 1>Pack your ship. We're going to see Chris Brown. I

0:40:26.160 --> 0:40:28.800
<v Speaker 1>told you. Now, make me tell you again.

0:40:28.960 --> 0:40:31.440
<v Speaker 7>Nigga, like you have enough room in his bag to

0:40:31.600 --> 0:40:34.359
<v Speaker 7>bring me back a hoodie or nothing. No, no, mer

0:40:34.760 --> 0:40:35.879
<v Speaker 7>don't like to travel like that.

0:40:36.080 --> 0:40:37.040
<v Speaker 1>That's why you should can't.

0:40:37.120 --> 0:40:44.200
<v Speaker 2>Okay, okay, march here now, merchant here, march here. We

0:40:44.200 --> 0:40:47.799
<v Speaker 2>were in Paris and we pull up to the venue

0:40:47.800 --> 0:40:50.319
<v Speaker 2>I'm hitting and we're here. He's like, all right, come

0:40:50.360 --> 0:40:55.919
<v Speaker 2>to the back. And as we're at the venue. It's

0:40:56.120 --> 0:40:59.840
<v Speaker 2>quiet outside of the venue the show. The show starts

0:40:59.840 --> 0:41:05.920
<v Speaker 2>and like maybe like an hour, it's quiet, there's no traffic,

0:41:06.800 --> 0:41:08.240
<v Speaker 2>there's there's there's nothing.

0:41:08.760 --> 0:41:12.359
<v Speaker 1>And I'm like, this is weird. This is Chris Brown show.

0:41:12.400 --> 0:41:15.279
<v Speaker 2>This is this is supposed to be It's supposed to

0:41:15.320 --> 0:41:17.000
<v Speaker 2>be off the chain, house side, motherfucker is supposed to

0:41:17.040 --> 0:41:20.799
<v Speaker 2>be bootlegging shit, all sorts of ship. Right, we walk

0:41:20.880 --> 0:41:29.760
<v Speaker 2>into that Building's twenty thousand people already in there, probably

0:41:29.760 --> 0:41:32.879
<v Speaker 2>two hours of They are in their seats like this

0:41:35.040 --> 0:41:39.400
<v Speaker 2>ready but vernying on Dick Saponi's coming out soon, just

0:41:39.600 --> 0:41:41.480
<v Speaker 2>sitting dispelly.

0:41:41.480 --> 0:41:42.840
<v Speaker 1>It's going to be so good.

0:41:43.520 --> 0:41:47.360
<v Speaker 2>And and you know, we're so used to seeing shows,

0:41:47.560 --> 0:41:50.120
<v Speaker 2>you know, in the States and how people react in

0:41:50.160 --> 0:41:53.520
<v Speaker 2>the States. But I wanted to go to Paris because

0:41:53.560 --> 0:41:57.080
<v Speaker 2>I wanted to see people with a different mindset. I

0:41:57.120 --> 0:42:02.080
<v Speaker 2>wanted to see people completely free of what this the

0:42:02.120 --> 0:42:03.480
<v Speaker 2>state stigma.

0:42:03.320 --> 0:42:05.319
<v Speaker 5>Is, how you gotta be cool?

0:42:05.320 --> 0:42:07.759
<v Speaker 2>I'm people supposed to act, how the dudes is? I mean,

0:42:07.800 --> 0:42:10.720
<v Speaker 2>I fuck with, I said I rock with. It wasn't

0:42:10.960 --> 0:42:17.160
<v Speaker 2>none of that. I'm watching grown men go ape shoes.

0:42:18.080 --> 0:42:21.040
<v Speaker 2>It was themselves in the music when these songs. Come on,

0:42:21.120 --> 0:42:24.719
<v Speaker 2>I got a videotape of the entire arena jumping up

0:42:24.760 --> 0:42:30.319
<v Speaker 2>and die. I'm like Jesus. Rice and we had talked

0:42:30.360 --> 0:42:33.279
<v Speaker 2>about it before, before you got the overseas tour, and

0:42:33.360 --> 0:42:35.320
<v Speaker 2>I said, Bro, I said, look, Bro, the world is

0:42:35.320 --> 0:42:37.080
<v Speaker 2>getting ready to open up to you in such a

0:42:37.120 --> 0:42:39.319
<v Speaker 2>way that I don't even think you could you even

0:42:39.440 --> 0:42:41.640
<v Speaker 2>understand it. And you was like, he was like, bro,

0:42:41.760 --> 0:42:44.280
<v Speaker 2>I hear you, but I'm I'm I'm not gonna believe

0:42:44.320 --> 0:42:45.120
<v Speaker 2>it until I see it.

0:42:45.239 --> 0:42:46.640
<v Speaker 5>Yeah, facts, I remember I told you that.

0:42:47.160 --> 0:42:50.440
<v Speaker 2>And we and we were sitting in your dress room backstage.

0:42:50.480 --> 0:42:53.520
<v Speaker 2>I said, do you see this? I said, And I

0:42:53.600 --> 0:42:55.399
<v Speaker 2>watched you for two nights in a row. I don't

0:42:55.440 --> 0:42:58.960
<v Speaker 2>know how the fuck you did it for two and

0:42:58.960 --> 0:43:02.480
<v Speaker 2>a half hours, dance and sing.

0:43:03.080 --> 0:43:05.600
<v Speaker 6>NonStop because I haven't been over there in a minute too,

0:43:05.680 --> 0:43:08.240
<v Speaker 6>So by me having a tour out there, I was like, damn,

0:43:08.600 --> 0:43:10.840
<v Speaker 6>this is I haven't toured over there in twelve years

0:43:10.880 --> 0:43:14.160
<v Speaker 6>in certain places twelve like like London, certain places it

0:43:14.160 --> 0:43:17.719
<v Speaker 6>has been twelve years. So I'm like, damn. So that

0:43:17.880 --> 0:43:20.799
<v Speaker 6>they got a whole chunk of history that they ain't

0:43:20.840 --> 0:43:23.840
<v Speaker 6>even sing. So I'm like, I can't be lazy and

0:43:24.160 --> 0:43:27.160
<v Speaker 6>go on stage and do sixty minutes ninety minutes and

0:43:27.320 --> 0:43:28.520
<v Speaker 6>be like all right, cool, we just give me out

0:43:28.520 --> 0:43:30.240
<v Speaker 6>of new shit and getting out of it.

0:43:30.040 --> 0:43:32.640
<v Speaker 3>Sixty ninety minutes is the that's the regular show. And

0:43:32.640 --> 0:43:33.600
<v Speaker 3>he's like, I can't.

0:43:35.520 --> 0:43:37.000
<v Speaker 5>I can't be nice because of the chuck.

0:43:38.840 --> 0:43:41.280
<v Speaker 6>Yeah, because because because think about it, it's it's people

0:43:41.280 --> 0:43:43.400
<v Speaker 6>that's my age bringing their kids to the show, you

0:43:43.480 --> 0:43:44.040
<v Speaker 6>know what I'm saying.

0:43:44.040 --> 0:43:45.759
<v Speaker 5>So they're like, now this is the person I like.

0:43:45.840 --> 0:43:50.520
<v Speaker 6>So it's almost like teaching a class again, like okay, cool,

0:43:51.080 --> 0:43:53.160
<v Speaker 6>the kid might not know this song, but they mama

0:43:53.160 --> 0:43:54.840
<v Speaker 6>know the song and they gonna pray, you know.

0:43:55.040 --> 0:43:55.200
<v Speaker 5>So.

0:43:55.680 --> 0:43:58.360
<v Speaker 6>But in that in that space, it's like it's like

0:43:58.400 --> 0:44:01.200
<v Speaker 6>a different appreciation. Remember I was like, it's like not

0:44:01.280 --> 0:44:03.480
<v Speaker 6>to discredit, you know, the US, but at the end

0:44:03.480 --> 0:44:04.840
<v Speaker 6>of the day when you go over there.

0:44:04.719 --> 0:44:05.560
<v Speaker 1>It's like different.

0:44:05.960 --> 0:44:07.640
<v Speaker 5>You're really appreciated for the music.

0:44:07.840 --> 0:44:09.640
<v Speaker 3>They don't see you all the time either. Yeah you

0:44:09.680 --> 0:44:11.560
<v Speaker 3>said they miss you, they miss you.

0:44:11.600 --> 0:44:13.440
<v Speaker 2>But R and B is still a thing. Listen, And

0:44:13.440 --> 0:44:16.880
<v Speaker 2>I gotta say it like, we're not we're not slighting

0:44:16.880 --> 0:44:20.480
<v Speaker 2>in the US, but the US is spoiled. They see

0:44:20.520 --> 0:44:23.319
<v Speaker 2>us walking down the street, they see it's very sass

0:44:23.360 --> 0:44:26.360
<v Speaker 2>to see. It's in Miami moving already, they see us

0:44:26.440 --> 0:44:30.480
<v Speaker 2>and so overseas like even just just even outside of

0:44:30.520 --> 0:44:34.920
<v Speaker 2>the presence their their thirst and desire for real music

0:44:35.920 --> 0:44:37.680
<v Speaker 2>is just it's just different.

0:44:37.840 --> 0:44:39.319
<v Speaker 1>It's still old school over there.

0:44:39.320 --> 0:44:44.080
<v Speaker 5>It's it's it's the words songs and speak English.

0:44:44.320 --> 0:44:45.080
<v Speaker 3>That's gotta be great.

0:44:45.200 --> 0:44:48.680
<v Speaker 6>That's that's that's phenom. I never I could never understand that.

0:44:48.760 --> 0:44:51.280
<v Speaker 6>It still makes me. I think I get more excited

0:44:51.440 --> 0:44:52.840
<v Speaker 6>when I when I when I see that because I'm like,

0:44:52.880 --> 0:44:54.640
<v Speaker 6>you know what, that that type of energy. They don't

0:44:54.640 --> 0:44:56.960
<v Speaker 6>know what the fuck I'm saying, or they might now,

0:44:57.040 --> 0:44:59.959
<v Speaker 6>but it's for them to like something that that bad

0:45:00.680 --> 0:45:13.879
<v Speaker 6>and you know what I'm saying, that takes dedication. Yeah,

0:45:13.920 --> 0:45:16.000
<v Speaker 6>but you know the States give me my love too,

0:45:16.120 --> 0:45:16.719
<v Speaker 6>because I can't.

0:45:16.760 --> 0:45:17.319
<v Speaker 5>I can't lie.

0:45:17.520 --> 0:45:20.319
<v Speaker 6>Fuck the media aspect we talk about like we talk

0:45:20.400 --> 0:45:22.600
<v Speaker 6>about when I when I when we geah them asses

0:45:22.600 --> 0:45:24.759
<v Speaker 6>in them seats, you know what I'm saying, And so

0:45:24.840 --> 0:45:27.080
<v Speaker 6>and they real fans like my fan base. I can say,

0:45:27.680 --> 0:45:30.120
<v Speaker 6>you know, you got Nikki's fan base beyond these fan base.

0:45:31.440 --> 0:45:32.759
<v Speaker 5>Yeah, but the.

0:45:32.800 --> 0:45:35.080
<v Speaker 6>Fans, I feel like everybody them in their family, they

0:45:35.080 --> 0:45:37.239
<v Speaker 6>got they always you know, I always a comment. I'll

0:45:37.239 --> 0:45:39.440
<v Speaker 6>get on somebody asks if they go crazy in the comments,

0:45:39.440 --> 0:45:43.520
<v Speaker 6>but I always listen and kind of like let them

0:45:43.520 --> 0:45:45.640
<v Speaker 6>dictate certain aspects of Okay, y'all want to hear this.

0:45:45.719 --> 0:45:48.080
<v Speaker 6>Y'all like this, like I like to be engaged with them,

0:45:48.200 --> 0:45:50.319
<v Speaker 6>so they so they know that this shit ain't just

0:45:50.360 --> 0:45:52.120
<v Speaker 6>like oh, all right, shut up and listen. And then

0:45:52.120 --> 0:45:54.120
<v Speaker 6>I'm gonna make y'all follow me this way, you know

0:45:54.160 --> 0:45:55.680
<v Speaker 6>what I'm saying. I feel like as a family and

0:45:55.760 --> 0:45:57.720
<v Speaker 6>the people that support me there, I love this person.

0:45:57.960 --> 0:46:00.560
<v Speaker 6>You know, it'd be people's mama's kids. They be like,

0:46:00.680 --> 0:46:02.680
<v Speaker 6>you know what, I love that boy like so and

0:46:02.719 --> 0:46:04.840
<v Speaker 6>I can I can feel that energy. So when I

0:46:04.840 --> 0:46:08.000
<v Speaker 6>get into an arena, you know the fans is the

0:46:08.080 --> 0:46:08.920
<v Speaker 6>really wanted to keep me in.

0:46:09.239 --> 0:46:09.359
<v Speaker 2>Bro.

0:46:09.440 --> 0:46:10.680
<v Speaker 3>You change the meet and greet.

0:46:12.239 --> 0:46:14.800
<v Speaker 7>Oh yeah, you got some flat behind that too, like nigga,

0:46:15.120 --> 0:46:16.520
<v Speaker 7>you literally change.

0:46:16.239 --> 0:46:16.879
<v Speaker 3>The meet and greek.

0:46:18.000 --> 0:46:21.040
<v Speaker 2>I'm gonna I want to say this, okay, all right,

0:46:21.800 --> 0:46:28.240
<v Speaker 2>they got on his ass like I'm not doing okay,

0:46:29.480 --> 0:46:32.640
<v Speaker 2>I might have to do something. Yeah, you got you

0:46:32.640 --> 0:46:34.920
<v Speaker 2>gotta at least I might have to do something, you

0:46:35.000 --> 0:46:37.279
<v Speaker 2>know what I'm saying. But the Chris Brown meet and Greek,

0:46:37.920 --> 0:46:39.080
<v Speaker 2>it's out of control.

0:46:39.280 --> 0:46:43.120
<v Speaker 7>You might need to press that ship fun like I

0:46:43.239 --> 0:46:46.160
<v Speaker 7>bet it's because.

0:46:46.000 --> 0:46:48.960
<v Speaker 6>Look where else in the time, Like everybody usually like

0:46:49.040 --> 0:46:51.279
<v Speaker 6>you get your pictures back in the day, all the

0:46:51.560 --> 0:46:56.239
<v Speaker 6>artists like yeah, you know, like like and I don't

0:46:56.239 --> 0:46:58.279
<v Speaker 6>do I'm not doing like one hundred and fifty people

0:46:58.280 --> 0:46:59.719
<v Speaker 6>a night, like you know what I'm saying. So might

0:47:00.120 --> 0:47:02.480
<v Speaker 6>be a small intimate group of people that actually spent

0:47:02.600 --> 0:47:05.040
<v Speaker 6>that money that they might not even have to come

0:47:05.080 --> 0:47:07.000
<v Speaker 6>and meet me. So I'm not gonna make they moment,

0:47:07.480 --> 0:47:09.120
<v Speaker 6>you know, I don't want to make their moment, just

0:47:09.120 --> 0:47:09.799
<v Speaker 6>something Hey what's up?

0:47:09.920 --> 0:47:11.080
<v Speaker 5>Let me sign this? Get the funk out?

0:47:11.440 --> 0:47:13.520
<v Speaker 6>Like that's weak to me because I feel like these

0:47:13.520 --> 0:47:15.360
<v Speaker 6>are the same people, no matter how big of that

0:47:15.400 --> 0:47:17.400
<v Speaker 6>group or smaller that group, I feel like they're the

0:47:17.400 --> 0:47:20.720
<v Speaker 6>same people. That's a part of the family aspect. So

0:47:20.719 --> 0:47:22.600
<v Speaker 6>so and some of these girls is man, that's the

0:47:22.719 --> 0:47:24.680
<v Speaker 6>bucket list. Some of them they like, Look.

0:47:24.520 --> 0:47:26.239
<v Speaker 5>All I want to do is just be able to

0:47:26.239 --> 0:47:28.600
<v Speaker 5>be on him cool as long as you ain't got

0:47:28.680 --> 0:47:30.479
<v Speaker 5>COVID were good.

0:47:31.200 --> 0:47:33.239
<v Speaker 2>I should tell my wife she should loosen up and

0:47:33.320 --> 0:47:36.080
<v Speaker 2>let me. Yeah.

0:47:36.160 --> 0:47:38.640
<v Speaker 6>Yeah, but you can't do no motherfucking pictures with your

0:47:38.640 --> 0:47:41.359
<v Speaker 6>shirt off because then you can't You can't you can't

0:47:41.400 --> 0:47:45.839
<v Speaker 6>gauge the person. You don't know what might lick your

0:47:45.880 --> 0:47:47.320
<v Speaker 6>stomach and something you're gonna be like hold.

0:47:47.080 --> 0:47:52.279
<v Speaker 1>Onto that you get off now.

0:47:53.000 --> 0:47:54.480
<v Speaker 3>But got you also?

0:47:54.520 --> 0:47:57.839
<v Speaker 7>In my opinion, bro, like, I've met a lot of people,

0:47:57.960 --> 0:48:00.400
<v Speaker 7>I've friends with a lot of people. We've been in

0:48:00.400 --> 0:48:03.279
<v Speaker 7>this industry a long time, and I really believe that

0:48:03.360 --> 0:48:05.960
<v Speaker 7>you are the most.

0:48:06.880 --> 0:48:08.759
<v Speaker 3>How can I say you're the.

0:48:10.440 --> 0:48:15.919
<v Speaker 7>Your cares, bro cook, absolutely care, but the most accessible.

0:48:16.880 --> 0:48:21.080
<v Speaker 3>Yeah, superstar I've ever seen, literally, bro.

0:48:21.520 --> 0:48:23.160
<v Speaker 5>Yeah, Like I feel.

0:48:22.960 --> 0:48:25.319
<v Speaker 6>Like I feel like Jill probably humbled me on that

0:48:25.360 --> 0:48:29.600
<v Speaker 6>one that Yeah, there's that. But being able to like

0:48:29.640 --> 0:48:32.480
<v Speaker 6>go through ship and not have to be, you know,

0:48:32.719 --> 0:48:34.319
<v Speaker 6>walk a thin line because a lot of artists have

0:48:34.320 --> 0:48:36.440
<v Speaker 6>to walk a thin line unless you're independent. If you're

0:48:36.560 --> 0:48:38.360
<v Speaker 6>like the mainstream, you can't do this. You can't be

0:48:38.400 --> 0:48:41.000
<v Speaker 6>associated with somebody, You can't do a song because of

0:48:41.040 --> 0:48:44.600
<v Speaker 6>how it looks. Once that shit, like once I was

0:48:44.640 --> 0:48:46.640
<v Speaker 6>able to still do music and they was and I

0:48:46.680 --> 0:48:48.560
<v Speaker 6>got to be my regular nigga, Like, I got to

0:48:48.600 --> 0:48:51.120
<v Speaker 6>be myself man, funk all this extra shit.

0:48:51.160 --> 0:48:52.920
<v Speaker 5>I can look if somebody come up to me, what's

0:48:53.000 --> 0:48:53.719
<v Speaker 5>up you like with music?

0:48:53.719 --> 0:48:53.960
<v Speaker 1>All right?

0:48:53.960 --> 0:48:54.759
<v Speaker 5>What's I appreciate it?

0:48:54.840 --> 0:48:55.000
<v Speaker 1>Cool?

0:48:55.040 --> 0:48:55.480
<v Speaker 5>Can I get a.

0:48:55.440 --> 0:48:57.920
<v Speaker 6>Picture if I'm in a go Sorry not right now,

0:48:57.960 --> 0:49:00.320
<v Speaker 6>but I appreciate you boom If I'm not, it's a

0:49:00.719 --> 0:49:03.120
<v Speaker 6>million pictures, whether I'm drunk, whatever it is, I'm gonna

0:49:03.120 --> 0:49:05.520
<v Speaker 6>take a picture with somebody, like, because I've been able,

0:49:05.560 --> 0:49:08.640
<v Speaker 6>I've been humbled through whatever my experiences are.

0:49:09.080 --> 0:49:10.880
<v Speaker 5>Like, so I done went through bullshit. I and went

0:49:10.920 --> 0:49:12.160
<v Speaker 5>through you know, normal nigga shit.

0:49:12.239 --> 0:49:15.359
<v Speaker 6>So it's like, you know what, let me uh, let

0:49:15.440 --> 0:49:17.839
<v Speaker 6>me not take this ship for granted and be appreciative

0:49:17.920 --> 0:49:21.200
<v Speaker 6>every single second, every single time I get to get

0:49:21.200 --> 0:49:23.600
<v Speaker 6>a chance to like do anything or be around somebody.

0:49:23.760 --> 0:49:25.840
<v Speaker 2>This is a flowers pod, right, and so this is

0:49:26.080 --> 0:49:33.120
<v Speaker 2>for you, your flowers. Take a second to to to speak

0:49:33.160 --> 0:49:38.000
<v Speaker 2>on Team Breezy and and staying down with you through

0:49:38.000 --> 0:49:40.759
<v Speaker 2>thick and thin. What is that feeling like to you?

0:49:41.600 --> 0:49:44.440
<v Speaker 6>It's the it's the imposter syndrome again, like you know,

0:49:44.600 --> 0:49:47.200
<v Speaker 6>because it's it's it's unbelievable, like sometimes I wake up,

0:49:47.200 --> 0:49:50.080
<v Speaker 6>I'm like, damn, people go by like whether I'm promoting,

0:49:50.120 --> 0:49:52.040
<v Speaker 6>I don't care if there's some shoes I'm promoting or

0:49:52.560 --> 0:49:56.160
<v Speaker 6>there's a there's a following of people, a big following.

0:49:55.840 --> 0:49:58.399
<v Speaker 5>Of people who who support me, you know what I'm saying.

0:49:58.480 --> 0:50:02.000
<v Speaker 6>So that also makes me the uh like cherish where

0:50:02.000 --> 0:50:04.799
<v Speaker 6>I'm at, bros a Team Breezy, Like even to have

0:50:05.320 --> 0:50:07.480
<v Speaker 6>a name for people to follow.

0:50:07.239 --> 0:50:09.759
<v Speaker 5>You is kind of crazy, you know what I'm saying.

0:50:09.760 --> 0:50:13.120
<v Speaker 6>So I feel like I'm appreciative, Like my fans know

0:50:13.160 --> 0:50:14.759
<v Speaker 6>how much, and I try to let them in on

0:50:14.800 --> 0:50:17.000
<v Speaker 6>stuff I talked to them, like I remember because somebody

0:50:17.040 --> 0:50:18.040
<v Speaker 6>dates for the tours will come.

0:50:18.120 --> 0:50:20.120
<v Speaker 5>I say, look, y'all, get on my damn nerves.

0:50:20.120 --> 0:50:22.120
<v Speaker 6>If y'all ain't got the damn you sit on and

0:50:22.200 --> 0:50:24.239
<v Speaker 6>got this, shut up the puck up and go.

0:50:24.200 --> 0:50:25.160
<v Speaker 5>To the next city.

0:50:25.360 --> 0:50:29.000
<v Speaker 6>So so so like but but I'm able to I

0:50:29.040 --> 0:50:30.920
<v Speaker 6>wouldn't even be in this chair right now.

0:50:31.120 --> 0:50:32.759
<v Speaker 5>Like, but y'all my brother, so I probably would be

0:50:32.800 --> 0:50:33.120
<v Speaker 5>in the chair.

0:50:33.520 --> 0:50:37.560
<v Speaker 6>But any success or anything that that's further that these

0:50:37.600 --> 0:50:39.919
<v Speaker 6>songs that I'm putting out like that, ain't that ain't

0:50:40.239 --> 0:50:42.120
<v Speaker 6>us paying somebody off and.

0:50:42.000 --> 0:50:43.719
<v Speaker 5>Trying to like please, like you know what I'm saying.

0:50:43.760 --> 0:50:46.160
<v Speaker 5>That's that's really the fans, you know what I'm saying.

0:50:46.320 --> 0:50:49.160
<v Speaker 6>And they and they kept me here twenty almost twenty

0:50:49.239 --> 0:50:52.120
<v Speaker 6>years now, so it's like for me to have that

0:50:52.239 --> 0:50:54.000
<v Speaker 6>connection with them, it's probably.

0:50:53.719 --> 0:50:56.160
<v Speaker 5>The biggest thing ever, you know. So so I may

0:50:56.280 --> 0:50:58.560
<v Speaker 5>that's why I'm always thirsty and still doing me. Why

0:50:58.600 --> 0:51:01.120
<v Speaker 5>he's still doing this? Why it because of y'all? Like

0:51:01.320 --> 0:51:03.000
<v Speaker 5>that's the reason real.

0:51:02.880 --> 0:51:08.359
<v Speaker 2>Talk shout out to Team Yeah, I talked to Team

0:51:08.400 --> 0:51:11.920
<v Speaker 2>Breezy often talked they.

0:51:11.640 --> 0:51:14.160
<v Speaker 1>You know, as as as as as a Team Breezer.

0:51:14.360 --> 0:51:17.319
<v Speaker 1>You know what I'm saying. Never with you shout out

0:51:19.200 --> 0:51:21.280
<v Speaker 1>what's your favorite album?

0:51:21.600 --> 0:51:21.799
<v Speaker 2>Uh?

0:51:22.400 --> 0:51:23.000
<v Speaker 1>Out of mind?

0:51:25.600 --> 0:51:28.400
<v Speaker 5>Damn it's you know what it is? I can I

0:51:28.440 --> 0:51:31.920
<v Speaker 5>have two? I got Eleven of the Motherfuckers.

0:51:32.200 --> 0:51:35.400
<v Speaker 6>Uh, my two will be my first one because of

0:51:35.440 --> 0:51:38.879
<v Speaker 6>the experience that what we talked about earlier, like how

0:51:38.920 --> 0:51:42.080
<v Speaker 6>it felt everything was was was amazing. So I think

0:51:42.120 --> 0:51:45.360
<v Speaker 6>the first one and then my fame album.

0:51:46.120 --> 0:51:49.160
<v Speaker 7>Yeah, I got the Grammy Grammy album.

0:51:49.160 --> 0:51:50.920
<v Speaker 6>And the reason why I say that is because of

0:51:52.239 --> 0:51:54.719
<v Speaker 6>the ship I had to go through around that time

0:51:55.480 --> 0:51:58.520
<v Speaker 6>and still make music and people still listening to me

0:51:58.600 --> 0:52:00.440
<v Speaker 6>despite maybe not come with me.

0:52:00.520 --> 0:52:02.200
<v Speaker 5>For real, I'm not liking New York, you know what

0:52:02.200 --> 0:52:06.799
<v Speaker 5>I'm saying. The first canceled Nigga.

0:52:05.880 --> 0:52:08.000
<v Speaker 6>So you know, so those two albums kind of like

0:52:08.360 --> 0:52:10.960
<v Speaker 6>were milestones in my career, Like the first one has

0:52:10.960 --> 0:52:12.680
<v Speaker 6>shown me that I'm I'm able to do it, and

0:52:12.719 --> 0:52:15.719
<v Speaker 6>then that album Okay you can do it, Yeah, I

0:52:15.719 --> 0:52:16.239
<v Speaker 6>can do it again.

0:52:17.200 --> 0:52:22.200
<v Speaker 1>I'm gonna go the The first album, first album as

0:52:22.200 --> 0:52:27.160
<v Speaker 1>a classic exclusive is special to me.

0:52:28.640 --> 0:52:29.799
<v Speaker 3>What's your favorite Chris song?

0:52:30.160 --> 0:52:31.680
<v Speaker 1>In the goal is.

0:52:33.280 --> 0:52:37.040
<v Speaker 3>What's your favorite Chris song? Okay? I know mine off

0:52:37.040 --> 0:52:37.680
<v Speaker 3>the top of my head.

0:52:38.280 --> 0:52:40.200
<v Speaker 1>It changes, he just plays.

0:52:43.239 --> 0:52:45.360
<v Speaker 3>I still got my favorite, though you don't have your favorite.

0:52:46.480 --> 0:52:49.120
<v Speaker 1>It changes every time he plays me.

0:52:49.120 --> 0:52:53.080
<v Speaker 7>Something he just to this day, yeah, to this day.

0:52:53.280 --> 0:52:55.440
<v Speaker 7>The Nigga played it for me a record plan, and

0:52:55.480 --> 0:52:59.160
<v Speaker 7>I said, Nigga, the record tomorrow, the record.

0:52:59.120 --> 0:53:02.920
<v Speaker 2>The record that the record that haunts me, like a

0:53:03.040 --> 0:53:06.360
<v Speaker 2>record that when I hear it, it takes me to

0:53:06.440 --> 0:53:09.360
<v Speaker 2>where I was, like, it takes me back to Paris

0:53:09.719 --> 0:53:10.760
<v Speaker 2>and watching on stage.

0:53:10.840 --> 0:53:11.480
<v Speaker 1>It's Indigo.

0:53:12.120 --> 0:53:12.359
<v Speaker 3>Yeah.

0:53:13.160 --> 0:53:16.239
<v Speaker 2>If there's something about the feeling, it's something about the conversation,

0:53:17.880 --> 0:53:23.759
<v Speaker 2>it's something about Indigo, Bro, that is so special to me.

0:53:23.880 --> 0:53:25.239
<v Speaker 1>I don't know what it is.

0:53:25.280 --> 0:53:29.800
<v Speaker 2>It's the melodies, it's the trust, the production, it's the words,

0:53:29.920 --> 0:53:37.319
<v Speaker 2>it's like my life. I'm like, it's special to me,

0:53:37.880 --> 0:53:40.560
<v Speaker 2>super special.

0:53:42.960 --> 0:53:43.440
<v Speaker 1>And Heat.

0:53:45.760 --> 0:53:48.400
<v Speaker 2>And the reason Heat just got so embedded was because

0:53:48.440 --> 0:53:53.440
<v Speaker 2>everybody thinks I'm singing on it. Everybody thinks I'm singing

0:53:53.520 --> 0:53:56.640
<v Speaker 2>on Heat, and I never said I wasn't singing on Heat.

0:53:57.360 --> 0:53:57.919
<v Speaker 1>You know what I'm saying.

0:53:58.200 --> 0:54:00.439
<v Speaker 7>I don't think he knows what songs he's one of yours,

0:54:00.920 --> 0:54:04.920
<v Speaker 7>since I think I'm singing backgrounds.

0:54:05.840 --> 0:54:08.000
<v Speaker 2>I was just I was just in a sensation on

0:54:08.080 --> 0:54:10.000
<v Speaker 2>the other day and I was like, I was like,

0:54:10.160 --> 0:54:12.759
<v Speaker 2>why does he sound like me on the end of

0:54:12.800 --> 0:54:13.239
<v Speaker 2>this song?

0:54:13.280 --> 0:54:15.239
<v Speaker 1>Why does his ad libs? I said, funk, I did

0:54:15.280 --> 0:54:17.319
<v Speaker 1>the ad libs? Got it?

0:54:17.600 --> 0:54:17.920
<v Speaker 5>Got it?

0:54:17.960 --> 0:54:20.120
<v Speaker 1>Because Chris will be like, get in the poof and

0:54:20.200 --> 0:54:21.040
<v Speaker 1>just sing something of this ship.

0:54:21.120 --> 0:54:24.400
<v Speaker 6>I'm like, yeah, because I just need his voice and backgrounds,

0:54:24.400 --> 0:54:26.880
<v Speaker 6>and he knows where to put the pockets at. So

0:54:26.880 --> 0:54:30.480
<v Speaker 6>I'd be like, it'd been damn it, eight to nine

0:54:30.520 --> 0:54:32.920
<v Speaker 6>songs already.

0:54:35.480 --> 0:54:38.719
<v Speaker 2>He never remembers, though, we'd be doing so much of it,

0:54:39.280 --> 0:54:41.719
<v Speaker 2>and for me, it's just like in your space, I

0:54:41.800 --> 0:54:44.040
<v Speaker 2>just try to make myself available for whatever it is

0:54:44.080 --> 0:54:45.560
<v Speaker 2>you need. You know what I'm saying, whether it be

0:54:45.800 --> 0:54:50.040
<v Speaker 2>whether it be musical conversation. Another question I wanted to

0:54:50.040 --> 0:54:55.959
<v Speaker 2>ask you is probably a deeper question in and now

0:54:56.120 --> 0:55:00.279
<v Speaker 2>in your stages of being a father. We we have

0:55:00.400 --> 0:55:04.520
<v Speaker 2>so many loves, right, and love changes in terms of

0:55:04.560 --> 0:55:07.120
<v Speaker 2>what it means as we grow. What does love mean

0:55:07.160 --> 0:55:07.360
<v Speaker 2>to you?

0:55:07.440 --> 0:55:13.480
<v Speaker 5>Now, that's a deep question. What does love mean to me? Uh?

0:55:14.520 --> 0:55:16.879
<v Speaker 6>Love is scary to me, but at the same time,

0:55:17.040 --> 0:55:21.000
<v Speaker 6>like it's too I'm full of it, you know what

0:55:21.000 --> 0:55:22.080
<v Speaker 6>I'm saying, I'm full of love.

0:55:22.200 --> 0:55:24.319
<v Speaker 5>Like so I feel like my kids kind of like

0:55:24.360 --> 0:55:26.359
<v Speaker 5>made me appreciate.

0:55:25.800 --> 0:55:28.040
<v Speaker 6>What that word mean, what the word meant like to

0:55:28.160 --> 0:55:30.640
<v Speaker 6>love something outside of yourself, outside of anything.

0:55:30.719 --> 0:55:34.719
<v Speaker 2>That's like, that's that's great segue. Are they are? Are

0:55:34.760 --> 0:55:38.439
<v Speaker 2>they making you more free to love, more open to love?

0:55:39.560 --> 0:55:42.279
<v Speaker 5>Yes? And no, they're they're making me more open to

0:55:42.360 --> 0:55:43.640
<v Speaker 5>loving them. Then like I'm just.

0:55:45.680 --> 0:55:48.600
<v Speaker 6>I'm pouring all my love and them, but you're also

0:55:48.680 --> 0:55:49.200
<v Speaker 6>very protective.

0:55:49.280 --> 0:55:52.719
<v Speaker 3>Yeah, but makes you yeah, not let more people in.

0:55:53.239 --> 0:55:56.000
<v Speaker 6>Yeah, But at the same time, like it's making me

0:55:56.400 --> 0:55:59.720
<v Speaker 6>learn patience and making me learn just life skills that

0:55:59.520 --> 0:56:01.480
<v Speaker 6>I that I I made. It might have been too

0:56:01.600 --> 0:56:04.279
<v Speaker 6>too antsy for too busy for So I think love

0:56:04.320 --> 0:56:07.480
<v Speaker 6>for me now is like it's expanding. It's like me,

0:56:07.840 --> 0:56:10.040
<v Speaker 6>you're saying you have to have a favorite color, right, No,

0:56:10.200 --> 0:56:13.279
<v Speaker 6>I really don't. I can actually find beauty in every

0:56:13.320 --> 0:56:17.160
<v Speaker 6>all of the colors. So my uh, my thought process

0:56:17.239 --> 0:56:20.320
<v Speaker 6>on love isn't as controlled as I thought it should be.

0:56:20.360 --> 0:56:22.200
<v Speaker 6>It should be like this, it should be like no,

0:56:22.480 --> 0:56:24.839
<v Speaker 6>like love is an abundance to me. So I feel

0:56:24.880 --> 0:56:27.480
<v Speaker 6>like it's like, all right, cool, I don't got Yeah

0:56:27.520 --> 0:56:27.960
<v Speaker 6>I could.

0:56:28.080 --> 0:56:33.800
<v Speaker 5>I could do this out. Yeah, I can smile a

0:56:33.840 --> 0:56:34.239
<v Speaker 5>lot more.

0:56:34.440 --> 0:56:34.680
<v Speaker 2>Yeah.

0:56:35.320 --> 0:56:39.520
<v Speaker 7>Now look look that's that's what you're for, what you've

0:56:39.560 --> 0:56:41.120
<v Speaker 7>been through and what you've accomplished.

0:56:41.280 --> 0:56:44.000
<v Speaker 3>Yeah, you should smile more. Yeah, you know what I mean.

0:56:44.080 --> 0:56:47.560
<v Speaker 7>You should continue to have a good time because this

0:56:47.560 --> 0:56:50.040
<v Speaker 7>this isn't given to everyone. Yeah, you know what I mean.

0:56:50.200 --> 0:56:54.279
<v Speaker 7>It's especially your life and what you know. And but

0:56:54.320 --> 0:56:57.959
<v Speaker 7>the thing that would make me angry when it came

0:56:58.000 --> 0:57:01.160
<v Speaker 7>to you was that people didn't realize this.

0:57:01.200 --> 0:57:03.399
<v Speaker 3>Was your life, you know what I mean.

0:57:03.480 --> 0:57:06.399
<v Speaker 7>Everybody had an opinion or has an opinion of how

0:57:06.440 --> 0:57:09.839
<v Speaker 7>you should live your life. And for me, as your brother,

0:57:09.920 --> 0:57:11.799
<v Speaker 7>I've never had an opinion about how you should live

0:57:11.800 --> 0:57:13.600
<v Speaker 7>your life. And you know we've had many a talk

0:57:13.640 --> 0:57:16.600
<v Speaker 7>to in many a cities and many long nights, and

0:57:16.680 --> 0:57:20.720
<v Speaker 7>I've never said you should do No, you should do

0:57:20.760 --> 0:57:22.840
<v Speaker 7>what you want to do and live how you want

0:57:22.880 --> 0:57:25.760
<v Speaker 7>to live and experience the things you want to because

0:57:25.840 --> 0:57:28.360
<v Speaker 7>it's what makes you who you are, you know what

0:57:28.400 --> 0:57:30.640
<v Speaker 7>I mean. And you've been able to, like you said,

0:57:31.760 --> 0:57:34.160
<v Speaker 7>average motherfucker can't go sit down and go and be

0:57:34.200 --> 0:57:35.840
<v Speaker 7>in the whole tank and go to jail.

0:57:36.800 --> 0:57:40.360
<v Speaker 3>That's your experience. So whatever that put you there, you

0:57:40.440 --> 0:57:42.080
<v Speaker 3>were able to man up.

0:57:42.600 --> 0:57:45.680
<v Speaker 7>Except that even though you did lose me a championship

0:57:45.720 --> 0:57:48.360
<v Speaker 7>in the NBA E League because we were undefeated and

0:57:48.360 --> 0:57:50.000
<v Speaker 7>then you went you had to go do too much

0:57:50.040 --> 0:57:51.320
<v Speaker 7>and you.

0:57:51.240 --> 0:57:55.360
<v Speaker 6>Had to Yeah, I was like and then by the

0:57:55.360 --> 0:57:57.280
<v Speaker 6>time I got out, I was not about to play.

0:57:57.160 --> 0:58:01.080
<v Speaker 5>The basketball and the season was over there for bad

0:58:02.160 --> 0:58:03.840
<v Speaker 5>you And you was like Niga going in.

0:58:03.840 --> 0:58:07.600
<v Speaker 1>Two weeks, you have to have a fro. The stomach said,

0:58:07.920 --> 0:58:09.880
<v Speaker 1>it's gonna be gone. It's gonna be going in two weeks.

0:58:09.920 --> 0:58:12.479
<v Speaker 1>Two weeks and then two weeks I said, Okay, he's back.

0:58:12.640 --> 0:58:14.560
<v Speaker 6>Yeah I was, because they called me in them pictures.

0:58:14.560 --> 0:58:16.960
<v Speaker 6>I think we went to like now I went to

0:58:17.120 --> 0:58:18.680
<v Speaker 6>I went to South to France or something.

0:58:19.320 --> 0:58:19.480
<v Speaker 1>Bro.

0:58:19.560 --> 0:58:21.200
<v Speaker 6>They took the pictures and I was just seeing that

0:58:21.200 --> 0:58:25.760
<v Speaker 6>that jelly roll. I said, what hell no, And then

0:58:25.760 --> 0:58:29.040
<v Speaker 6>from there just dancing, dancing, dancing. I was even big

0:58:29.040 --> 0:58:31.560
<v Speaker 6>on when I got out of jail for the for

0:58:31.640 --> 0:58:33.920
<v Speaker 6>the BT Awards, when I had to when I when

0:58:33.960 --> 0:58:35.920
<v Speaker 6>we came, I did loyal and I had to h

0:58:36.400 --> 0:58:39.280
<v Speaker 6>This was when everybody's wearing for real hats. Yeah, like

0:58:39.400 --> 0:58:46.160
<v Speaker 6>you know, the smoky the beer hat. But I remember

0:58:46.320 --> 0:58:48.000
<v Speaker 6>having this outfit. I had to put the outfit on

0:58:48.040 --> 0:58:51.160
<v Speaker 6>and it was like too small. The pants wouldn't fit.

0:58:51.400 --> 0:58:52.080
<v Speaker 5>Like I was.

0:58:52.120 --> 0:58:54.320
<v Speaker 6>I'm like a thirty four or thirty six, and I

0:58:54.360 --> 0:58:58.840
<v Speaker 6>was like a few thirty Yeah, for sure, I was

0:58:58.920 --> 0:59:02.760
<v Speaker 6>like a forty or something. Fordy. I'm talking about big

0:59:02.800 --> 0:59:06.840
<v Speaker 6>boy big. I said, hold on, you know what, I

0:59:06.840 --> 0:59:08.040
<v Speaker 6>can't do this no more.

0:59:08.280 --> 0:59:09.080
<v Speaker 5>But I was. I was.

0:59:09.440 --> 0:59:11.280
<v Speaker 6>I had to go through a lot of boot camp,

0:59:11.360 --> 0:59:12.960
<v Speaker 6>dancing and everything else to get back.

0:59:12.960 --> 0:59:14.920
<v Speaker 5>But Nigga ship back though.

0:59:17.800 --> 0:59:20.120
<v Speaker 1>Yeah, because you was all right.

0:59:20.240 --> 0:59:23.240
<v Speaker 5>It was terrible. I'm telling you that my most depressing

0:59:23.280 --> 0:59:26.840
<v Speaker 5>time of my life. Bro Chris Brown, it was a

0:59:27.200 --> 0:59:28.760
<v Speaker 5>Brown Brown.

0:59:33.320 --> 0:59:36.120
<v Speaker 2>When did you really get into the business, like start

0:59:36.160 --> 0:59:38.200
<v Speaker 2>owning the business of all of that, because that's what

0:59:38.240 --> 0:59:39.480
<v Speaker 2>people really don't know about you.

0:59:40.080 --> 0:59:44.840
<v Speaker 1>I think, yeah.

0:59:45.440 --> 0:59:47.520
<v Speaker 6>I did that first, and I would be like I

0:59:47.560 --> 0:59:49.720
<v Speaker 6>was seventeen when I started trying to invest in certain

0:59:49.720 --> 0:59:52.720
<v Speaker 6>things just because I knew, like, you know, unless you torn,

0:59:52.760 --> 0:59:55.080
<v Speaker 6>unless you like, you don't know how how long you're

0:59:55.080 --> 0:59:55.880
<v Speaker 6>gonna be successful.

0:59:55.880 --> 0:59:58.640
<v Speaker 5>And it's not like every artist can make it look like.

0:59:58.600 --> 1:00:00.400
<v Speaker 6>They getting money, getting money, getting my If you not

1:00:00.640 --> 1:00:02.600
<v Speaker 6>a touring act, if you're not doing stuff, you're not

1:00:02.640 --> 1:00:03.440
<v Speaker 6>gonna you need.

1:00:03.280 --> 1:00:04.120
<v Speaker 5>An exit strategy.

1:00:04.240 --> 1:00:06.360
<v Speaker 6>So I would have, like, you know, the business people

1:00:06.360 --> 1:00:08.560
<v Speaker 6>around me at the time, I can't say they were

1:00:08.600 --> 1:00:11.080
<v Speaker 6>good at the time, but you know, my investments were

1:00:11.120 --> 1:00:12.880
<v Speaker 6>like into burger kings and stuff like that, just so

1:00:12.920 --> 1:00:16.760
<v Speaker 6>I could have a portfolio of and you know, constant income.

1:00:17.080 --> 1:00:17.320
<v Speaker 1>You know.

1:00:17.400 --> 1:00:18.480
<v Speaker 5>So that was my first step.

1:00:18.560 --> 1:00:21.360
<v Speaker 6>But when I really started getting into like the music side,

1:00:21.360 --> 1:00:24.160
<v Speaker 6>like the executive side, it was like I was twenty five,

1:00:24.760 --> 1:00:28.480
<v Speaker 6>and what happened was, uh, loyal and all these other

1:00:28.520 --> 1:00:31.280
<v Speaker 6>records had already been been blowing up, so and I

1:00:31.360 --> 1:00:33.600
<v Speaker 6>was out of my almost out of my contract, so

1:00:33.680 --> 1:00:34.600
<v Speaker 6>I was able to negotiate.

1:00:34.600 --> 1:00:35.760
<v Speaker 5>I was like, well, cool, well.

1:00:35.720 --> 1:00:38.800
<v Speaker 6>Now that I have leverage as an actual not an artist,

1:00:39.080 --> 1:00:40.520
<v Speaker 6>I don't want to be an artist. I want to

1:00:40.560 --> 1:00:42.680
<v Speaker 6>be fifty to fifty profits shared with you guys. I

1:00:42.720 --> 1:00:45.320
<v Speaker 6>want to have the same deal Birdman got Universal, like

1:00:45.640 --> 1:00:47.120
<v Speaker 6>you know, you know, I acted around trying to figure

1:00:47.160 --> 1:00:49.800
<v Speaker 6>out so I don't have to be getting you know,

1:00:50.720 --> 1:00:51.320
<v Speaker 6>cents on the.

1:00:51.280 --> 1:00:53.240
<v Speaker 3>Dollar, right, you know, just living off advances.

1:00:53.360 --> 1:00:54.080
<v Speaker 5>You get what I'm saying.

1:00:54.160 --> 1:00:57.120
<v Speaker 6>So from there that was my first step boom, and

1:00:57.120 --> 1:00:59.240
<v Speaker 6>then I think they were like oh and then they

1:00:59.360 --> 1:01:00.560
<v Speaker 6>kind of like, you know what, fuck it.

1:01:00.560 --> 1:01:00.960
<v Speaker 5>We'll do it.

1:01:01.080 --> 1:01:03.720
<v Speaker 6>I'm like, shit, damn, I'm like the youngest nigga with this,

1:01:03.840 --> 1:01:05.720
<v Speaker 6>with this deal right here. I don't think nobody knows,

1:01:05.800 --> 1:01:07.320
<v Speaker 6>you know. So that was my first step.

1:01:07.360 --> 1:01:09.760
<v Speaker 5>Then after that was me trying to own my masters.

1:01:10.120 --> 1:01:11.880
<v Speaker 6>So I think when I was like twenty seven or

1:01:11.880 --> 1:01:15.440
<v Speaker 6>twenty eight, like by that time, it was a renegotiation time,

1:01:15.440 --> 1:01:18.000
<v Speaker 6>and I was like, hey, cool, I still want this,

1:01:18.040 --> 1:01:20.880
<v Speaker 6>but let me get my masters from here. From from

1:01:21.160 --> 1:01:24.160
<v Speaker 6>I think from my fame albuming up, I said, let

1:01:24.160 --> 1:01:25.919
<v Speaker 6>me get the Masters from there, and then I'm able

1:01:25.960 --> 1:01:28.720
<v Speaker 6>to come back and negotiate, you know, in six years

1:01:28.720 --> 1:01:29.360
<v Speaker 6>for the.

1:01:29.360 --> 1:01:31.280
<v Speaker 5>First album and all of my shit.

1:01:31.720 --> 1:01:34.080
<v Speaker 6>So being able to have that type of structure deal

1:01:34.200 --> 1:01:36.240
<v Speaker 6>like shout out the Mark Pits again, you know what

1:01:36.280 --> 1:01:39.400
<v Speaker 6>I'm saying, Peter Edge, everybody that was you know, everybody

1:01:39.440 --> 1:01:40.960
<v Speaker 6>that really kind of like looked and said, you know,

1:01:41.000 --> 1:01:44.200
<v Speaker 6>we'll give them this deal. And Barry Rice, Barry Rice

1:01:44.280 --> 1:01:47.200
<v Speaker 6>is like he put the shit down, like he really

1:01:47.240 --> 1:01:49.840
<v Speaker 6>he the one that kind of allowed me to be like,

1:01:49.920 --> 1:01:52.440
<v Speaker 6>you know what, here a fucking kid, take it.

1:01:52.960 --> 1:01:53.520
<v Speaker 5>You got it?

1:01:53.680 --> 1:01:55.360
<v Speaker 1>I mean, you had made him so much.

1:01:56.200 --> 1:01:59.160
<v Speaker 7>Yeah, but let's let's also speak on that. Let's not

1:01:59.280 --> 1:02:04.320
<v Speaker 7>let's not just breeze over that the fact that you

1:02:04.560 --> 1:02:09.040
<v Speaker 7>understood though, I got to prove myself first, because now

1:02:09.080 --> 1:02:12.160
<v Speaker 7>we have these we have these new artists who come

1:02:12.200 --> 1:02:14.920
<v Speaker 7>into the game thinking they can own the masters, Like

1:02:15.240 --> 1:02:18.040
<v Speaker 7>why would I let you have the masters or why

1:02:18.080 --> 1:02:20.960
<v Speaker 7>would you deserve your masters in the beginning, if someone

1:02:21.080 --> 1:02:24.000
<v Speaker 7>is actually making the initial investment and.

1:02:25.880 --> 1:02:26.439
<v Speaker 3>They're not working.

1:02:27.000 --> 1:02:29.200
<v Speaker 7>So somebody walking into the door saying why I owe

1:02:29.240 --> 1:02:30.760
<v Speaker 7>my masters? Okay, well what are you going to do

1:02:30.800 --> 1:02:32.720
<v Speaker 7>with it? Do you know how to license it? Is

1:02:32.760 --> 1:02:36.200
<v Speaker 7>there any distribution for it? And is it worth anything

1:02:36.640 --> 1:02:39.880
<v Speaker 7>in the beginning? Right, so you were able to say, hey, listen,

1:02:40.720 --> 1:02:45.720
<v Speaker 7>now I want from fame ongoing, and now I'll put

1:02:45.720 --> 1:02:47.960
<v Speaker 7>myself in a position because I'll continue to be successful

1:02:48.720 --> 1:02:52.840
<v Speaker 7>to come back again, renegotiate and get those initial albums

1:02:52.920 --> 1:02:58.720
<v Speaker 7>as well. That's just smart business, and I think embedding

1:02:58.720 --> 1:03:01.000
<v Speaker 7>on yourself. But I think people want to skip the

1:03:01.080 --> 1:03:04.760
<v Speaker 7>steps and say, oh well this labeled like listen, labors

1:03:04.760 --> 1:03:06.240
<v Speaker 7>are going to be what they are. Labors are going

1:03:06.320 --> 1:03:08.440
<v Speaker 7>to their banks and.

1:03:08.280 --> 1:03:09.000
<v Speaker 3>That's what they do.

1:03:09.040 --> 1:03:12.040
<v Speaker 7>But they also have infrastructure to put you in a

1:03:12.120 --> 1:03:14.720
<v Speaker 7>place that's unimaginable.

1:03:14.840 --> 1:03:18.400
<v Speaker 5>Yeah, yeah, absolutely, I don't disagree with that at all, you.

1:03:18.440 --> 1:03:18.919
<v Speaker 3>Know what I mean.

1:03:19.320 --> 1:03:22.000
<v Speaker 7>And so I think you should be, for lack of

1:03:22.040 --> 1:03:24.320
<v Speaker 7>a better term, a poster boy of like listen, just

1:03:24.440 --> 1:03:28.320
<v Speaker 7>be successful, Just be great, You be great, You get

1:03:28.440 --> 1:03:30.080
<v Speaker 7>everything you're supposed to out.

1:03:30.000 --> 1:03:30.439
<v Speaker 1>Of this ship.

1:03:30.560 --> 1:03:33.480
<v Speaker 6>Yeah, and get the right lawyers. Make sure your lawyers

1:03:33.480 --> 1:03:36.120
<v Speaker 6>is looking a little bit of contract. Yeah, so you

1:03:36.160 --> 1:03:38.840
<v Speaker 6>got to make sure everybody. You know, when I was young,

1:03:38.880 --> 1:03:42.520
<v Speaker 6>I was I was fortunate enough to be saved on

1:03:42.600 --> 1:03:45.200
<v Speaker 6>certain things, but I was my deals weren't always great.

1:03:45.400 --> 1:03:47.640
<v Speaker 6>So once I was able to be able to be

1:03:47.720 --> 1:03:49.320
<v Speaker 6>more independence, like, look, I got a little bit more

1:03:49.400 --> 1:03:51.800
<v Speaker 6>leverage now, and they then, you know, they made all

1:03:51.840 --> 1:03:52.800
<v Speaker 6>this money and all that.

1:03:53.120 --> 1:03:54.680
<v Speaker 5>So I'm more like, you know, I'm.

1:03:54.520 --> 1:03:58.600
<v Speaker 6>Able to now see real money or see something from

1:03:58.600 --> 1:04:00.880
<v Speaker 6>what I've created because I know I created it. So

1:04:00.920 --> 1:04:02.440
<v Speaker 6>now you know I can go and do this. Now

1:04:02.560 --> 1:04:04.640
<v Speaker 6>I can create some more. Wait till you'll see what

1:04:04.640 --> 1:04:06.720
<v Speaker 6>I'm about to create. So now I get to own

1:04:06.760 --> 1:04:09.320
<v Speaker 6>all of that, you know. And and it's like like

1:04:09.360 --> 1:04:11.200
<v Speaker 6>you said, I'm like a testament to that to hey,

1:04:12.400 --> 1:04:14.200
<v Speaker 6>not saying put your head down, just be the best

1:04:14.240 --> 1:04:15.240
<v Speaker 6>you right.

1:04:15.680 --> 1:04:17.520
<v Speaker 2>I feel like the way I go to the gym

1:04:17.640 --> 1:04:21.200
<v Speaker 2>is the way you go to the studio. Yeah, It's

1:04:21.240 --> 1:04:22.840
<v Speaker 2>like that's what I said. Your me and Green you

1:04:22.840 --> 1:04:26.280
<v Speaker 2>should bench pressed. It's like, is there no no way limit?

1:04:26.360 --> 1:04:31.480
<v Speaker 1>Though I got something.

1:04:31.320 --> 1:04:35.200
<v Speaker 2>Something get a good fifty off now, But even in

1:04:35.280 --> 1:04:38.240
<v Speaker 2>my my meeting Green pictures like there's some some joints

1:04:38.240 --> 1:04:40.040
<v Speaker 2>and like some nights like you know what come on?

1:04:43.520 --> 1:04:48.400
<v Speaker 5>Yeah, because you know, like we can't do certain.

1:04:48.080 --> 1:04:51.439
<v Speaker 2>Things try something else, I get the same back.

1:04:55.360 --> 1:04:57.480
<v Speaker 5>I got your picture, I got next.

1:04:59.200 --> 1:05:03.000
<v Speaker 7>Listen already waiting for what these pictures gonna look like. Man,

1:05:03.040 --> 1:05:08.080
<v Speaker 7>you know shit is gonna be insane. Oh shit, here's

1:05:08.120 --> 1:05:09.120
<v Speaker 7>the last question.

1:05:09.320 --> 1:05:11.520
<v Speaker 1>Bro. How do you do like eight thousand songs in

1:05:11.560 --> 1:05:12.960
<v Speaker 1>one night? Bro? Like you do?

1:05:14.440 --> 1:05:17.200
<v Speaker 2>How is that even possible that you I come to

1:05:17.280 --> 1:05:20.280
<v Speaker 2>your house and there are I just left your house

1:05:20.800 --> 1:05:22.760
<v Speaker 2>two days ago and I come back and there are

1:05:22.800 --> 1:05:24.160
<v Speaker 2>twenty new songs.

1:05:24.560 --> 1:05:24.760
<v Speaker 5>How?

1:05:26.040 --> 1:05:27.880
<v Speaker 6>I just feel like a lot of the times, you know,

1:05:27.920 --> 1:05:29.200
<v Speaker 6>how I used to be in the studio back in

1:05:29.200 --> 1:05:30.760
<v Speaker 6>the day. Even I'm like, yo, come to the studio,

1:05:31.520 --> 1:05:33.840
<v Speaker 6>Like I just I think, what did you call you?

1:05:33.880 --> 1:05:34.120
<v Speaker 5>Master?

1:05:34.240 --> 1:05:36.520
<v Speaker 6>Something that you spend more than a one hundred hours

1:05:36.600 --> 1:05:40.280
<v Speaker 6>on or something? So I think I'll just try to overly, overly,

1:05:40.360 --> 1:05:42.840
<v Speaker 6>overly overly master it. So me being in the studio,

1:05:42.960 --> 1:05:44.560
<v Speaker 6>like I might have an idea in my head, or

1:05:44.560 --> 1:05:46.520
<v Speaker 6>I might just hear some songs like man, I need

1:05:46.560 --> 1:05:47.240
<v Speaker 6>to get on my game.

1:05:47.320 --> 1:05:47.919
<v Speaker 5>I need to steal.

1:05:48.120 --> 1:05:50.360
<v Speaker 6>It's like shooting jump shots, like you know, you gotta

1:05:50.400 --> 1:05:52.360
<v Speaker 6>make sure if you don't, if you don't shop at

1:05:52.360 --> 1:05:53.920
<v Speaker 6>the tube, it ain't gonna work. So I feel like

1:05:54.680 --> 1:05:56.920
<v Speaker 6>me being in the studio is where I kind of live.

1:05:57.000 --> 1:05:58.360
<v Speaker 6>I got two studios, you see in the house. I

1:05:58.400 --> 1:06:01.280
<v Speaker 6>got two studios in the house, so I can change scening,

1:06:01.320 --> 1:06:03.640
<v Speaker 6>real change, like you know, mental states.

1:06:03.640 --> 1:06:05.160
<v Speaker 5>When I'm in different studios.

1:06:05.840 --> 1:06:11.560
<v Speaker 1>I've never seen you're making the amount of songs that underdogs,

1:06:11.560 --> 1:06:14.120
<v Speaker 1>all of us in different rooms used to make. It

1:06:14.160 --> 1:06:16.280
<v Speaker 1>was it was six of us, and he's still making more.

1:06:16.360 --> 1:06:18.520
<v Speaker 1>It's just wanting. We weren't making money at night.

1:06:18.760 --> 1:06:21.800
<v Speaker 7>We weren't writing twenty songs at night.

1:06:31.280 --> 1:06:31.720
<v Speaker 3>You got it.

1:06:32.080 --> 1:06:33.640
<v Speaker 5>You gotta how many things you have?

1:06:35.240 --> 1:06:38.760
<v Speaker 6>I said before like fifteen thousands, but then but then

1:06:39.200 --> 1:06:41.800
<v Speaker 6>I think I miscalculated, you know, So it's it's a

1:06:42.000 --> 1:06:42.840
<v Speaker 6>world champlainship.

1:06:42.880 --> 1:06:45.040
<v Speaker 5>Yeah that was that was I think I was thinking

1:06:45.040 --> 1:06:45.200
<v Speaker 5>of it.

1:06:45.280 --> 1:06:49.280
<v Speaker 6>I'm like, okay, I got this, yeah a lot, So

1:06:49.440 --> 1:06:52.200
<v Speaker 6>I'm gonna be realistic. And it's it's in the eight

1:06:52.280 --> 1:06:56.880
<v Speaker 6>thousands to nine thousands, though it's a lot, like.

1:06:56.320 --> 1:07:00.520
<v Speaker 1>Like it's finished or just the pieces.

1:07:00.520 --> 1:07:02.520
<v Speaker 6>I can say pieces, It won't it won't be. It

1:07:02.600 --> 1:07:04.240
<v Speaker 6>might be first verse, cause you know how I used

1:07:04.240 --> 1:07:06.680
<v Speaker 6>to send demos out be first verse or chorse and

1:07:06.680 --> 1:07:09.160
<v Speaker 6>then no second verse. So it'll be stuff like that.

1:07:09.240 --> 1:07:13.080
<v Speaker 6>So it's like, yeah, collectively, is that a lot.

1:07:12.960 --> 1:07:13.920
<v Speaker 3>Of that'sag insane?

1:07:14.000 --> 1:07:17.240
<v Speaker 5>Bro mm hmmm, what you got for.

1:07:24.080 --> 1:07:27.280
<v Speaker 3>M h Come on, comfy Tea, you say what you got?

1:07:27.320 --> 1:07:29.200
<v Speaker 3>You see you see his fitty comfy.

1:07:29.040 --> 1:07:32.400
<v Speaker 2>Shot out exclusive game. Come on, comfy Tea, turn these

1:07:32.400 --> 1:07:33.360
<v Speaker 2>towels into a outfit.

1:07:35.840 --> 1:07:37.120
<v Speaker 1>It's the Superman music.

1:07:39.360 --> 1:07:40.640
<v Speaker 3>No, it's not. We don't want to be to.

1:07:42.320 --> 1:07:43.360
<v Speaker 5>The remix.

1:07:48.320 --> 1:07:50.720
<v Speaker 2>Team Breezy want to know what they want to know

1:07:52.160 --> 1:07:53.840
<v Speaker 2>what we want to know. You've listened to a lot

1:07:53.880 --> 1:07:57.680
<v Speaker 2>of music in your days, young man. Yeah, some of

1:07:57.680 --> 1:08:03.280
<v Speaker 2>this music you've made your favorite. The world wants to know.

1:08:03.280 --> 1:08:10.120
<v Speaker 3>Your top five, saying.

1:08:09.960 --> 1:08:20.599
<v Speaker 1>This ship, your top five, top five, your top five

1:08:21.479 --> 1:08:30.240
<v Speaker 1>RB sing whatever you already song? We all a lo

1:08:31.200 --> 1:08:35.800
<v Speaker 1>you gotta show. I'm dancing to go. I'm really all

1:08:35.960 --> 1:08:36.280
<v Speaker 1>to know.

1:08:40.240 --> 1:08:41.200
<v Speaker 2>If he has.

1:08:45.760 --> 1:08:56.160
<v Speaker 1>Top you top five.

1:08:58.479 --> 1:09:10.960
<v Speaker 8>Yeah, y'all gonna put me on the spot.

1:09:11.920 --> 1:09:14.840
<v Speaker 6>It's so damn mark to pick five. But look, I'll

1:09:14.880 --> 1:09:17.840
<v Speaker 6>give you now. My ship might change in a couple

1:09:17.880 --> 1:09:18.200
<v Speaker 6>of days.

1:09:18.200 --> 1:09:21.639
<v Speaker 5>Come on, Top five R and B singers right right now.

1:09:21.680 --> 1:09:24.280
<v Speaker 2>Today you're saying today, No, No, I'm saying how you

1:09:24.320 --> 1:09:26.080
<v Speaker 2>feel today?

1:09:27.000 --> 1:09:27.479
<v Speaker 1>Your world.

1:09:27.680 --> 1:09:30.760
<v Speaker 6>So this is not biased because my brother in the room,

1:09:30.840 --> 1:09:36.599
<v Speaker 6>you know, I say it all the time. Tank Usher, yes,

1:09:36.920 --> 1:09:43.599
<v Speaker 6>Brandy Yeah, Tevin Campbell yeah, and Sam Cook Ship.

1:09:44.439 --> 1:09:46.920
<v Speaker 7>So that's my top five I can think of right now. Okay,

1:09:47.000 --> 1:09:54.719
<v Speaker 7>all right, Kevin was really cold. Listen tomorrow whatever better?

1:09:54.760 --> 1:10:00.400
<v Speaker 1>Are you better than me? He was? He was killing

1:10:00.439 --> 1:10:03.920
<v Speaker 1>grown men. Prodigy, he's a prodigy.

1:10:03.800 --> 1:10:05.920
<v Speaker 5>His rangers, he was gifted.

1:10:06.640 --> 1:10:14.840
<v Speaker 3>Chess boy. Oh my god, nigga, how do you still

1:10:14.880 --> 1:10:15.599
<v Speaker 3>sing that high?

1:10:15.760 --> 1:10:18.000
<v Speaker 1>I'll get my nerves he'd be giving me. So I

1:10:18.080 --> 1:10:19.080
<v Speaker 1>was like, bro, you can sing this one.

1:10:20.120 --> 1:10:20.559
<v Speaker 5>I don't know.

1:10:20.640 --> 1:10:22.920
<v Speaker 6>I think it's it's just like the adrenaline when you

1:10:22.960 --> 1:10:23.559
<v Speaker 6>get on stage.

1:10:23.560 --> 1:10:26.639
<v Speaker 1>It's like, but even talking voices not My talking.

1:10:26.479 --> 1:10:28.679
<v Speaker 6>Voice is raspy, like I gotta, I gott but you're

1:10:28.800 --> 1:10:29.839
<v Speaker 6>clear on records.

1:10:29.920 --> 1:10:31.400
<v Speaker 5>Yeah, So I don't know.

1:10:31.439 --> 1:10:34.120
<v Speaker 6>I'm just always I guess we sing from different parts

1:10:34.160 --> 1:10:36.080
<v Speaker 6>when we when I talk, I don't think I'm talking

1:10:36.120 --> 1:10:39.960
<v Speaker 6>from the same diaphragm is when I'm singing, So I'm

1:10:40.000 --> 1:10:41.040
<v Speaker 6>pushing the air differently.

1:10:41.560 --> 1:10:41.760
<v Speaker 5>Yeah.

1:10:41.840 --> 1:10:43.840
<v Speaker 6>So I feel like that's why I'm able to still

1:10:43.880 --> 1:10:46.680
<v Speaker 6>sound young and still sound like.

1:10:46.640 --> 1:10:48.599
<v Speaker 5>The old met but not the super young Me, not.

1:10:48.600 --> 1:10:51.120
<v Speaker 6>The fifteen, but at least I said, my voice hasn't

1:10:51.160 --> 1:10:52.520
<v Speaker 6>like changed dramatically.

1:10:52.800 --> 1:10:54.000
<v Speaker 3>Nigga you and Ralph Treastman.

1:10:54.280 --> 1:10:58.080
<v Speaker 2>Yeah, I do not sound figure it out now. I

1:10:58.080 --> 1:10:59.559
<v Speaker 2>listened to the Young Thank, I was like this, who

1:10:59.640 --> 1:10:59.920
<v Speaker 2>is this?

1:11:00.240 --> 1:11:04.759
<v Speaker 7>Was this singing three?

1:11:05.160 --> 1:11:07.599
<v Speaker 1>So crazy? They like singing that whole song.

1:11:07.640 --> 1:11:14.120
<v Speaker 2>I will not breezy your top five R and B songs.

1:11:14.880 --> 1:11:18.799
<v Speaker 5>Oh, this is gonna be difficult, brother, braik my hair by.

1:11:18.640 --> 1:11:25.000
<v Speaker 6>Mario Ship, Heirl, Lily Girl, Lily, Somebody Sleeping.

1:11:25.479 --> 1:11:27.680
<v Speaker 3>Yeah, the remix.

1:11:27.520 --> 1:11:29.000
<v Speaker 5>Them so so differently.

1:11:29.080 --> 1:11:39.080
<v Speaker 6>Okay, Damn Oh, Sex Love and Pain that's you know, yes,

1:11:39.200 --> 1:11:40.320
<v Speaker 6>the beginning, the.

1:11:40.160 --> 1:11:42.880
<v Speaker 5>Intro, the intro from the yes.

1:11:43.200 --> 1:11:48.080
<v Speaker 7>That he never does live, He's do it live. You

1:11:48.160 --> 1:11:51.040
<v Speaker 7>don't given give him the ship though, Bro.

1:11:51.240 --> 1:11:53.200
<v Speaker 6>I listened to that before when I was on tour,

1:11:53.280 --> 1:11:54.800
<v Speaker 6>any any tour I was on, I would listen to

1:11:54.800 --> 1:11:56.000
<v Speaker 6>that as my warm up songs.

1:11:56.000 --> 1:11:58.519
<v Speaker 3>But I sing you, I need you right now. I

1:11:58.560 --> 1:12:00.880
<v Speaker 3>need you right now, my brother. I need you on

1:12:00.920 --> 1:12:03.400
<v Speaker 3>my team to tell him to do the damn sound

1:12:03.560 --> 1:12:04.160
<v Speaker 3>even the song.

1:12:04.680 --> 1:12:07.400
<v Speaker 7>I need him to do the Sex Love and Pain

1:12:07.680 --> 1:12:09.599
<v Speaker 7>album one Night Only.

1:12:10.040 --> 1:12:11.680
<v Speaker 6>Yeah, you gott at least you gotta give him that

1:12:11.680 --> 1:12:12.759
<v Speaker 6>because that's my favorite album.

1:12:12.800 --> 1:12:16.639
<v Speaker 5>One Night Only, don't be scared.

1:12:17.240 --> 1:12:19.639
<v Speaker 7>Let's do that, alum, Let's do that one of those,

1:12:19.680 --> 1:12:21.400
<v Speaker 7>one of them type of benu fact.

1:12:21.840 --> 1:12:22.960
<v Speaker 1>All right, one night Only.

1:12:24.120 --> 1:12:27.200
<v Speaker 5>I'm trying to think that's three, so I gotta think

1:12:27.200 --> 1:12:27.639
<v Speaker 5>it two more.

1:12:27.680 --> 1:12:27.840
<v Speaker 1>Now.

1:12:28.040 --> 1:12:37.520
<v Speaker 5>This is all this subject to change now, is it? Superstar? Superstar?

1:12:38.360 --> 1:12:38.559
<v Speaker 1>Right?

1:12:39.000 --> 1:12:42.679
<v Speaker 6>And and Candy Rain so for really.

1:12:45.800 --> 1:12:49.080
<v Speaker 3>Yeah, so yeah, shout out to soul for real.

1:12:49.560 --> 1:12:52.920
<v Speaker 5>God, you know, I'm like what it need so for real.

1:12:53.640 --> 1:12:55.800
<v Speaker 6>But it's so difficult for me to come up with

1:12:55.800 --> 1:12:58.679
<v Speaker 6>those five songs. And I had like ten other songs like.

1:12:58.560 --> 1:13:03.200
<v Speaker 2>A combo of so many are like four thousands, eight thousands.

1:13:03.240 --> 1:13:04.800
<v Speaker 5>Yeah, And I didn't want to add my songs in it.

1:13:04.840 --> 1:13:06.680
<v Speaker 5>I wanted to get everybody to do that.

1:13:06.800 --> 1:13:08.840
<v Speaker 3>You know, how do you have a favorite Chris Brown song?

1:13:10.320 --> 1:13:14.000
<v Speaker 5>Shit? No, I have rarors I have. I have. I

1:13:14.040 --> 1:13:15.840
<v Speaker 5>have times of when I when I like songs.

1:13:15.880 --> 1:13:20.120
<v Speaker 3>Man, this niggas is pouring champagne. You got some chage.

1:13:20.560 --> 1:13:24.360
<v Speaker 1>I told you yea Eras niggas breaking his own rest.

1:13:24.640 --> 1:13:27.000
<v Speaker 6>I think Eras is like certain songs that I what

1:13:27.080 --> 1:13:28.440
<v Speaker 6>I was going through at certain.

1:13:28.200 --> 1:13:31.120
<v Speaker 5>Times, like damn, Like like how you like no bullshit?

1:13:31.479 --> 1:13:34.320
<v Speaker 6>For example, that era of no Bullshit and and Deuces

1:13:35.439 --> 1:13:36.160
<v Speaker 6>those songs.

1:13:36.200 --> 1:13:37.920
<v Speaker 5>When we did those songs, that was like when I

1:13:37.960 --> 1:13:41.040
<v Speaker 5>was at my lowest, Like I was like with the.

1:13:41.000 --> 1:13:44.240
<v Speaker 6>Back back against the wall, like no no support from

1:13:44.240 --> 1:13:45.719
<v Speaker 6>the label, no support from radio.

1:13:45.960 --> 1:13:47.519
<v Speaker 5>They was like, you know what, we ain't fucking with you,

1:13:47.640 --> 1:13:48.960
<v Speaker 5>mixt You're canceled.

1:13:49.040 --> 1:13:51.320
<v Speaker 6>Yeah, so these songs are mixtape songs that out ten

1:13:51.360 --> 1:13:53.639
<v Speaker 6>months before we put them on on that album.

1:13:54.000 --> 1:13:54.719
<v Speaker 5>You know what I'm saying.

1:13:54.800 --> 1:13:57.120
<v Speaker 6>So and I'm I'm shot the video for like twenty

1:13:57.120 --> 1:13:59.880
<v Speaker 6>five hundred each video Deduces video and no bullshit. But

1:14:00.520 --> 1:14:03.280
<v Speaker 6>it was it was like being an independent artist and

1:14:03.320 --> 1:14:05.519
<v Speaker 6>grinding your motherfucker yourself being like, you know what, I'm

1:14:05.520 --> 1:14:06.400
<v Speaker 6>gonna prove them wrong.

1:14:06.479 --> 1:14:08.639
<v Speaker 5>So I could say those songs would.

1:14:08.400 --> 1:14:10.360
<v Speaker 6>Be an era, and then then it could be the

1:14:10.360 --> 1:14:14.000
<v Speaker 6>next songs that I'm doing. So it switches all the time. Yeah,

1:14:14.120 --> 1:14:16.720
<v Speaker 6>you know, I feel like I can always go back

1:14:16.760 --> 1:14:19.720
<v Speaker 6>to different songs and then relive those moments in my

1:14:19.720 --> 1:14:22.280
<v Speaker 6>head and be like damn that happened, and also remind

1:14:22.320 --> 1:14:24.559
<v Speaker 6>myself like damn, I do remember that, you know.

1:14:25.040 --> 1:14:30.240
<v Speaker 2>So it's billed your voltron you're super R and B artists.

1:14:30.640 --> 1:14:32.000
<v Speaker 2>We want to know who you're going to get the

1:14:32.080 --> 1:14:37.479
<v Speaker 2>vocal from, the performance style, the styling, from the heart

1:14:37.520 --> 1:14:40.679
<v Speaker 2>of the artist, the passion of the artists. And since

1:14:40.760 --> 1:14:43.320
<v Speaker 2>you know, since you're a songwriter, who's gonna write for

1:14:43.360 --> 1:14:46.519
<v Speaker 2>that artist, Let's start with the vocal. Who you're getting

1:14:46.520 --> 1:14:48.840
<v Speaker 2>the vocal from for your super R and B artists?

1:14:49.880 --> 1:14:56.320
<v Speaker 5>The vocal. Damn, I'm gonna go with Tevin Campbell.

1:14:57.160 --> 1:14:59.439
<v Speaker 6>I'm gonna just as far as the as far as

1:14:59.439 --> 1:15:01.840
<v Speaker 6>the vocal, yeah, like the range or whatever.

1:15:01.880 --> 1:15:06.800
<v Speaker 5>You Yeah, I'm going with Tevan. Your voice his voice

1:15:06.840 --> 1:15:08.639
<v Speaker 5>is different. His voice was just cold.

1:15:08.760 --> 1:15:10.320
<v Speaker 1>Wasn't supposed to be like that.

1:15:10.479 --> 1:15:12.720
<v Speaker 6>No, So I'm gonna go I'm gonna go with the

1:15:12.800 --> 1:15:17.519
<v Speaker 6>voice wise, Yeah, yeah, between him and Mike, because Mike.

1:15:17.520 --> 1:15:20.120
<v Speaker 1>Just got pick one or you can mix it. What.

1:15:20.520 --> 1:15:22.240
<v Speaker 6>Yes, it's gonna be like a hybrid. It's gonna be

1:15:22.320 --> 1:15:23.599
<v Speaker 6>Mike and Tevin Jackson.

1:15:25.280 --> 1:15:30.320
<v Speaker 2>Okay, uh performing style on stage Michael Jackson.

1:15:31.920 --> 1:15:36.720
<v Speaker 5>I could have guessed down should Yeah, that was easy? Yeah, Okay, styling,

1:15:37.000 --> 1:15:37.680
<v Speaker 5>who's gonna put this?

1:15:42.120 --> 1:15:50.360
<v Speaker 6>Damn Uh, it's gonna be a hybrid. Another hybrid. It's

1:15:50.360 --> 1:15:53.280
<v Speaker 6>gonna be like a trifecta hybrid Michael, me and and

1:15:53.400 --> 1:15:57.280
<v Speaker 6>Usher mm hmm as far as styling, and I gotta

1:15:57.280 --> 1:16:00.479
<v Speaker 6>say yes in this in this category because like and

1:16:00.520 --> 1:16:03.320
<v Speaker 6>through his eerrors, from the my Ways to the you know,

1:16:03.560 --> 1:16:08.559
<v Speaker 6>everything he'd done has has been visually like stamped in

1:16:08.600 --> 1:16:12.400
<v Speaker 6>your head to wearic iconic, you know what I'm saying.

1:16:13.560 --> 1:16:15.759
<v Speaker 5>He made niggas wear coofies and ship like you remember.

1:16:18.080 --> 1:16:21.640
<v Speaker 6>So it's like certain things will always be embedded in

1:16:21.760 --> 1:16:24.800
<v Speaker 6>style and fragments to me. So it's like Michael was

1:16:24.800 --> 1:16:30.240
<v Speaker 6>the definition of that, Like he could wear wrestling looking yeah,

1:16:30.320 --> 1:16:31.720
<v Speaker 6>like being his own icon.

1:16:33.080 --> 1:16:35.640
<v Speaker 2>I think when we talk about styling, not even to

1:16:35.680 --> 1:16:37.920
<v Speaker 2>stop you here, but I think you're the first person,

1:16:38.479 --> 1:16:41.080
<v Speaker 2>the first artist that I've ever walked into the room

1:16:41.640 --> 1:16:45.479
<v Speaker 2>to the dressing room and they were like the racks.

1:16:45.600 --> 1:16:48.920
<v Speaker 2>There were racks on racks on racks of clothes and

1:16:49.000 --> 1:16:50.800
<v Speaker 2>you had no idea what you were going to put

1:16:50.840 --> 1:16:53.040
<v Speaker 2>on like that night. You don't you don't have a

1:16:53.240 --> 1:16:56.719
<v Speaker 2>uniform where you're like, Okay, this is the tour fit

1:16:57.120 --> 1:17:00.080
<v Speaker 2>and these are the combinations of the tour fit. This

1:17:00.200 --> 1:17:02.640
<v Speaker 2>is where this I was like what are you gonna wear?

1:17:02.680 --> 1:17:03.920
<v Speaker 2>He's like, oh no, I'm about to look through it

1:17:04.000 --> 1:17:08.160
<v Speaker 2>right now. He getting dressed in school, like like he

1:17:08.240 --> 1:17:09.559
<v Speaker 2>getting dressed in Marcus.

1:17:09.640 --> 1:17:14.280
<v Speaker 1>Let me just grab somebody. I've never seen anything like

1:17:14.320 --> 1:17:15.120
<v Speaker 1>that in my life.

1:17:15.280 --> 1:17:17.200
<v Speaker 6>So what I've done the last couple of tours and

1:17:17.360 --> 1:17:18.799
<v Speaker 6>this tour is gonna be a little different.

1:17:18.960 --> 1:17:20.759
<v Speaker 5>So we have a set to where.

1:17:20.680 --> 1:17:22.000
<v Speaker 6>Because I don't want to give too much, I want

1:17:22.000 --> 1:17:24.680
<v Speaker 6>you to come and see it, but I'm going to

1:17:24.760 --> 1:17:26.840
<v Speaker 6>have changes in the outfice. But the outfite is going

1:17:26.880 --> 1:17:29.320
<v Speaker 6>to be more customized like a lot of like designers

1:17:29.320 --> 1:17:32.400
<v Speaker 6>are making specific stuff for me, so it'll be more

1:17:32.439 --> 1:17:34.599
<v Speaker 6>So it goes along with the with the actual show

1:17:34.640 --> 1:17:36.840
<v Speaker 6>of what I'm trying to show, like the Broadway style

1:17:36.880 --> 1:17:38.680
<v Speaker 6>of what I'm trying to show, but before like the

1:17:39.000 --> 1:17:42.040
<v Speaker 6>last toy you were at and the different ones. The

1:17:42.080 --> 1:17:45.439
<v Speaker 6>stage that I've built is is you can change your

1:17:45.439 --> 1:17:47.880
<v Speaker 6>outfit every night. You could be something different because the

1:17:47.920 --> 1:17:51.639
<v Speaker 6>stage doesn't it doesn't have a certain Yeah, it has

1:17:51.640 --> 1:17:54.639
<v Speaker 6>a freedom about it. So we just have a rack

1:17:54.680 --> 1:17:57.160
<v Speaker 6>of clothes and long as long as I can dance

1:17:57.200 --> 1:17:59.160
<v Speaker 6>in them and it's not not too tight or the

1:17:59.200 --> 1:18:01.800
<v Speaker 6>shirts is like, you know, I'm putting on something different

1:18:01.800 --> 1:18:02.120
<v Speaker 6>every night.

1:18:02.120 --> 1:18:03.320
<v Speaker 1>I always think of behind the things.

1:18:03.320 --> 1:18:05.559
<v Speaker 2>I'll be thinking about the nigga that has to put

1:18:06.080 --> 1:18:08.200
<v Speaker 2>take all that out and put off.

1:18:08.479 --> 1:18:09.880
<v Speaker 3>And he be trying to figure out a way to

1:18:09.920 --> 1:18:11.040
<v Speaker 3>steal some ship.

1:18:11.280 --> 1:18:15.480
<v Speaker 1>Of course I'm ahead that fits.

1:18:15.560 --> 1:18:18.519
<v Speaker 3>Yeah, always comes back with something.

1:18:21.160 --> 1:18:24.360
<v Speaker 6>Because this nigga not afraid to ask, because look that's like, look,

1:18:24.400 --> 1:18:26.320
<v Speaker 6>little bro, you already want to.

1:18:27.960 --> 1:18:29.160
<v Speaker 2>You can take you can take it. I'm like a

1:18:29.920 --> 1:18:35.559
<v Speaker 2>whole that jacket like ship, the passion of.

1:18:35.560 --> 1:18:43.479
<v Speaker 6>The artist, passionate the artist, Prince I would say prince

1:18:43.960 --> 1:18:47.880
<v Speaker 6>cold passion because you can play every instrument right and

1:18:48.000 --> 1:18:48.320
<v Speaker 6>mean it.

1:18:48.760 --> 1:18:49.720
<v Speaker 5>Man, what mean it?

1:18:50.600 --> 1:18:50.720
<v Speaker 3>Come?

1:18:50.800 --> 1:18:53.280
<v Speaker 5>Get this hit? Get this hit?

1:18:53.640 --> 1:18:54.880
<v Speaker 1>Who who says that?

1:18:54.960 --> 1:18:57.160
<v Speaker 5>Like I would have been like that, I'm keeping this record.

1:18:57.439 --> 1:19:00.280
<v Speaker 5>You don't want this record? No? He he know he

1:19:00.240 --> 1:19:02.439
<v Speaker 5>he is the ship passion.

1:19:05.720 --> 1:19:08.200
<v Speaker 7>You start doing that, you got a gang here records

1:19:08.400 --> 1:19:11.479
<v Speaker 7>telling niggas that get the song.

1:19:12.320 --> 1:19:13.639
<v Speaker 1>Who's going to write for that artist?

1:19:15.000 --> 1:19:19.360
<v Speaker 5>Damn, there's so many damn good writers. Who's gonna write?

1:19:19.360 --> 1:19:21.920
<v Speaker 6>I was I couldn't say Phil Collins because it wouldn't

1:19:21.920 --> 1:19:23.760
<v Speaker 6>be cool because Phil Collins is one of my like

1:19:23.840 --> 1:19:25.440
<v Speaker 6>he's one of the dope writers.

1:19:25.160 --> 1:19:29.519
<v Speaker 3>Out all time. Why can't Phil Collins write the records?

1:19:29.880 --> 1:19:30.080
<v Speaker 1>Yeah?

1:19:30.080 --> 1:19:31.760
<v Speaker 5>I think Phil could do it, but I would say

1:19:31.800 --> 1:19:32.599
<v Speaker 5>Quincy Jones.

1:19:33.240 --> 1:19:37.920
<v Speaker 3>I mean, there's no argument.

1:19:38.439 --> 1:19:41.400
<v Speaker 7>Yeah, I was just like, I'm goa Thay curveball though. Yeah,

1:19:42.040 --> 1:19:43.280
<v Speaker 7>who's gonna do the choreography?

1:19:44.479 --> 1:19:44.799
<v Speaker 5>Damn?

1:19:45.080 --> 1:19:47.519
<v Speaker 3>Come on, man, use a stepper, Use a real deal stepper.

1:19:47.640 --> 1:19:50.439
<v Speaker 5>You know what it would have to be.

1:19:50.479 --> 1:19:52.439
<v Speaker 6>It would have to be a collective because in that

1:19:52.600 --> 1:19:56.479
<v Speaker 6>dancing ships, so many come on on, so many people

1:19:56.479 --> 1:19:59.799
<v Speaker 6>who made you know, I'm talking about fly fly styles, SAMs,

1:20:00.360 --> 1:20:01.240
<v Speaker 6>Josh Smith.

1:20:01.880 --> 1:20:03.760
<v Speaker 5>We got Lavel? Uh?

1:20:03.880 --> 1:20:06.839
<v Speaker 6>Is it label Franklin who he taught me a thriller?

1:20:07.640 --> 1:20:11.599
<v Speaker 6>His name is Lavel, but he takes that. Yeah, world

1:20:11.680 --> 1:20:13.920
<v Speaker 6>music wars when I was young. Sorry I'm forgetting his

1:20:14.280 --> 1:20:18.120
<v Speaker 6>last name, but you got super Damn you got man.

1:20:18.160 --> 1:20:19.320
<v Speaker 5>I'm trying to think I.

1:20:19.600 --> 1:20:20.640
<v Speaker 3>Did this on purpose.

1:20:22.160 --> 1:20:23.400
<v Speaker 1>To give, but.

1:20:25.880 --> 1:20:28.640
<v Speaker 7>You're not even trying to get you. This is what

1:20:28.680 --> 1:20:31.760
<v Speaker 7>our podcast is about. Podcast is about Jamaica. I'm thinking

1:20:31.760 --> 1:20:34.800
<v Speaker 7>to him still, It's about celebrating. It's about celebrating people

1:20:34.880 --> 1:20:36.639
<v Speaker 7>that aren't always celebrated publicly.

1:20:36.680 --> 1:20:38.320
<v Speaker 5>Absolutely absolutely, who.

1:20:38.160 --> 1:20:40.840
<v Speaker 7>Means so much to what we do and has have

1:20:41.000 --> 1:20:44.840
<v Speaker 7>meant so much to what you do because they mold God,

1:20:44.920 --> 1:20:46.400
<v Speaker 7>they shaped all that ship.

1:20:46.960 --> 1:20:50.200
<v Speaker 6>Yeah, one hundred percent. So I mean there's so many

1:20:50.240 --> 1:20:52.400
<v Speaker 6>different people that that I'm leaving out too. So I

1:20:52.439 --> 1:20:54.120
<v Speaker 6>know they're like, man, he didn't say my name.

1:20:54.760 --> 1:20:56.840
<v Speaker 1>My bad. You know.

1:20:57.479 --> 1:21:00.360
<v Speaker 6>At the same time, it would be with that dance ship.

1:21:00.600 --> 1:21:03.240
<v Speaker 6>It would have to be a collective group. It still

1:21:03.280 --> 1:21:05.400
<v Speaker 6>makes it's a village that make it, you know, take

1:21:05.400 --> 1:21:07.320
<v Speaker 6>a village to crazy.

1:21:07.360 --> 1:21:07.599
<v Speaker 1>Yeah.

1:21:08.600 --> 1:21:15.320
<v Speaker 7>So, yeah, we've come to the point.

1:21:16.960 --> 1:21:20.400
<v Speaker 2>I ain't saying no names. Hey, I ain't saying no names.

1:21:20.400 --> 1:21:22.759
<v Speaker 2>Saying no names. I ain't saying no niggs.

1:21:24.760 --> 1:21:31.679
<v Speaker 1>Weird know what you did? Don't say she ain't saying

1:21:31.680 --> 1:21:40.920
<v Speaker 1>no name, no name? All right?

1:21:41.000 --> 1:21:41.200
<v Speaker 5>Cool?

1:21:41.280 --> 1:21:41.960
<v Speaker 3>Hold hold on.

1:21:43.120 --> 1:21:46.599
<v Speaker 6>I listened to like, Okay, this sounds like I got

1:21:46.600 --> 1:21:50.400
<v Speaker 6>to say some funny she give you exactly right now.

1:21:50.479 --> 1:21:53.280
<v Speaker 7>You are at a very important part of the show. Yeah,

1:21:53.439 --> 1:21:55.639
<v Speaker 7>it's called I ain't saying no names. Will you tell

1:21:55.680 --> 1:22:00.320
<v Speaker 7>us a story funny or funked up? Are funny and fuck?

1:22:01.520 --> 1:22:04.240
<v Speaker 7>The only rule to the game. The rules is you

1:22:04.320 --> 1:22:07.479
<v Speaker 7>can't say no names name all right?

1:22:07.520 --> 1:22:08.880
<v Speaker 5>Cool? Well, I ain't saying no names.

1:22:08.960 --> 1:22:10.200
<v Speaker 3>Yeah, come on, come on.

1:22:10.640 --> 1:22:16.160
<v Speaker 6>But yeah, So there was this artist, and this artist

1:22:16.240 --> 1:22:18.680
<v Speaker 6>wanted to go out to the club with us, so,

1:22:18.840 --> 1:22:22.200
<v Speaker 6>you know, huge artists. So I'm like, all right, cool, me,

1:22:22.320 --> 1:22:24.040
<v Speaker 6>me and my crib, We're gonna go to the club.

1:22:24.880 --> 1:22:28.240
<v Speaker 6>It's it's nigga night, it's turn up night. You know

1:22:28.240 --> 1:22:30.840
<v Speaker 6>it's gonna be another artist in their performing. And that

1:22:30.960 --> 1:22:33.000
<v Speaker 6>artist song was the number one song in the country.

1:22:33.040 --> 1:22:34.400
<v Speaker 6>I'm talking about going crazy.

1:22:34.720 --> 1:22:37.559
<v Speaker 5>We get in the club, I make sure we got

1:22:37.560 --> 1:22:38.840
<v Speaker 5>the whole section full of women.

1:22:40.080 --> 1:22:44.599
<v Speaker 6>So the person in there he looking around the song.

1:22:44.680 --> 1:22:48.880
<v Speaker 6>Come on, the other artist is on stage, start singing

1:22:48.880 --> 1:22:53.560
<v Speaker 6>a song. The whole building erupts. I'm talking about it erupts,

1:22:53.600 --> 1:22:57.080
<v Speaker 6>like everybody. Girls in our section, Girl, they going crazy.

1:22:57.600 --> 1:22:58.880
<v Speaker 6>I look over to this person.

1:23:00.560 --> 1:23:01.640
<v Speaker 1>He ain't feeling.

1:23:03.560 --> 1:23:06.840
<v Speaker 6>I'm talking about, not a smirk, not a head, no nothing.

1:23:07.479 --> 1:23:10.400
<v Speaker 6>I turned back to look at the artists. But the

1:23:10.400 --> 1:23:12.559
<v Speaker 6>next time I turned back to look at the person

1:23:12.600 --> 1:23:15.200
<v Speaker 6>in my section, they gone, I don't see him.

1:23:15.240 --> 1:23:19.400
<v Speaker 5>I'm like, what that? What is nigga win? I look up.

1:23:19.439 --> 1:23:23.120
<v Speaker 6>The nigga is on the DJ booth right next to

1:23:23.160 --> 1:23:25.000
<v Speaker 6>the artist that's doing the song.

1:23:25.520 --> 1:23:29.040
<v Speaker 5>And he just like this the nigga.

1:23:29.120 --> 1:23:31.200
<v Speaker 6>When the song goes off, the nigga takes the mic,

1:23:32.960 --> 1:23:35.960
<v Speaker 6>takes the mic. So I'm thinking this artist is about

1:23:36.000 --> 1:23:38.640
<v Speaker 6>to do some songs. I'm like, okay, he got he

1:23:38.720 --> 1:23:41.320
<v Speaker 6>got the itch like you know, you know some artists

1:23:41.320 --> 1:23:44.400
<v Speaker 6>can't take it, you know, they self sender though they

1:23:44.479 --> 1:23:45.240
<v Speaker 6>you know, it got to.

1:23:46.840 --> 1:23:48.559
<v Speaker 5>Syndrome. Like I'm not one of those.

1:23:48.560 --> 1:23:49.960
<v Speaker 6>I know how to be like, oh this is litter here,

1:23:50.960 --> 1:23:53.160
<v Speaker 6>but I can read it all over this person's face.

1:23:53.720 --> 1:23:56.040
<v Speaker 6>Get the mic. I'm thinking he about to do it

1:23:56.160 --> 1:23:57.040
<v Speaker 6>songs or do something.

1:23:57.040 --> 1:23:59.640
<v Speaker 3>I'm like, oh, this is crazy about to go crazy here.

1:23:59.720 --> 1:24:03.720
<v Speaker 5>Yeah, the nigga goes on a forty five minute rent.

1:24:05.120 --> 1:24:07.720
<v Speaker 6>I'm talking about talking. I'm talking about saying all of

1:24:07.960 --> 1:24:11.600
<v Speaker 6>everything that about nothing. It's like it's it's so just

1:24:12.000 --> 1:24:14.960
<v Speaker 6>like disappointing. Like when I was in there, I started

1:24:14.960 --> 1:24:18.360
<v Speaker 6>looking around and then from the club being a yeah,

1:24:18.640 --> 1:24:21.080
<v Speaker 6>everybody turning up, maybe holler as some girls, what's up,

1:24:21.400 --> 1:24:24.000
<v Speaker 6>it went from that to looking like the waiting room

1:24:24.040 --> 1:24:24.360
<v Speaker 6>in Hell.

1:24:24.800 --> 1:24:25.560
<v Speaker 5>That's what I felt like.

1:24:25.600 --> 1:24:29.759
<v Speaker 6>It was like, yeah, like everybody turned into psychopath people.

1:24:30.240 --> 1:24:32.479
<v Speaker 6>And he was not saying you know what I'm saying

1:24:32.520 --> 1:24:35.760
<v Speaker 6>the topic of what his rent was about was was like,

1:24:35.840 --> 1:24:38.559
<v Speaker 6>what the fuck put the music back on?

1:24:38.680 --> 1:24:40.160
<v Speaker 5>Like that's you know, that's how I feel.

1:24:41.439 --> 1:24:44.599
<v Speaker 6>So in that club, there's a there's a secret area

1:24:44.640 --> 1:24:46.720
<v Speaker 6>that's like a resting area. You can go down at

1:24:46.720 --> 1:24:49.360
<v Speaker 6>the club, so I said, I told one of hummies,

1:24:49.439 --> 1:24:49.840
<v Speaker 6>I can't.

1:24:50.040 --> 1:24:51.720
<v Speaker 5>I don't want to sit up here and hear this

1:24:51.760 --> 1:24:55.080
<v Speaker 5>shit all night. So I'm going downstairs. I'm a cheer.

1:24:55.120 --> 1:24:57.960
<v Speaker 5>I'm gonna smoke this blunt downstairs. Whatever we doing, boom boom.

1:24:57.880 --> 1:25:00.680
<v Speaker 6>And by this nigga gonna stop talking soun later, so

1:25:00.920 --> 1:25:03.960
<v Speaker 6>you know, I'm gonna go back up there afterwards. I'm

1:25:04.000 --> 1:25:07.360
<v Speaker 6>down that motherfucker for about twenty to thirty minutes and.

1:25:07.400 --> 1:25:08.160
<v Speaker 5>Are you still here?

1:25:08.479 --> 1:25:08.519
<v Speaker 2>No?

1:25:08.720 --> 1:25:11.559
<v Speaker 5>Right right right right right over the over the this hit.

1:25:11.640 --> 1:25:12.799
<v Speaker 3>It took over the club.

1:25:14.160 --> 1:25:18.000
<v Speaker 6>This is how it ended for me, anyway. So I

1:25:18.080 --> 1:25:21.320
<v Speaker 6>get up back into the section. Half of the girls

1:25:21.360 --> 1:25:24.120
<v Speaker 6>is gone, most of most of the most of.

1:25:23.600 --> 1:25:28.559
<v Speaker 5>The fine girl. They yeah, I'm like, man, what the

1:25:28.600 --> 1:25:29.479
<v Speaker 5>fuck is going on?

1:25:30.240 --> 1:25:33.240
<v Speaker 6>The last thing I hear such and such, ain't stick

1:25:33.280 --> 1:25:34.439
<v Speaker 6>they finger in my booty.

1:25:34.600 --> 1:25:35.639
<v Speaker 1>I don't even play.

1:25:35.439 --> 1:25:41.960
<v Speaker 6>That way, I said, Yeah, I'm out this motherfucker. Look

1:25:43.280 --> 1:25:46.360
<v Speaker 6>and I look to our mutual friend that was there,

1:25:46.439 --> 1:25:48.760
<v Speaker 6>was there. I said, you gotta be a nigga and

1:25:48.760 --> 1:25:50.320
<v Speaker 6>stop letting this niggas be like this.

1:25:50.920 --> 1:25:52.679
<v Speaker 5>Your ays need to be able to tell your friends.

1:25:52.800 --> 1:25:54.719
<v Speaker 5>Stop being a yes man. You need to be like, look, nigga,

1:25:54.800 --> 1:25:56.599
<v Speaker 5>this ain't it. You don't say this type of shit.

1:25:56.920 --> 1:25:58.880
<v Speaker 5>And I left the club. I ain't even answer no

1:25:58.920 --> 1:25:59.559
<v Speaker 5>phone calls.

1:25:59.560 --> 1:26:01.960
<v Speaker 3>I ain't go on home.

1:26:03.760 --> 1:26:04.880
<v Speaker 5>I ain't gonna say no names.

1:26:05.400 --> 1:26:08.559
<v Speaker 7>Yeah you can whoever was in that club though they

1:26:08.720 --> 1:26:12.040
<v Speaker 7>like I was there, I was there be to come.

1:26:12.880 --> 1:26:16.080
<v Speaker 1>I was there the finger.

1:26:19.320 --> 1:26:24.000
<v Speaker 3>No no, not each love.

1:26:25.800 --> 1:26:29.160
<v Speaker 1>Brother, Chris brown Man. When I say we you.

1:26:29.120 --> 1:26:34.880
<v Speaker 7>Even it's another thank you. I got to give you one.

1:26:34.920 --> 1:26:37.960
<v Speaker 7>Will always keep me your word. Something you've always done

1:26:38.120 --> 1:26:40.760
<v Speaker 7>from the day I've met you. If you say you're

1:26:40.800 --> 1:26:42.439
<v Speaker 7>gonna do something, you're gonna do it.

1:26:42.520 --> 1:26:45.240
<v Speaker 5>Yeah you might be late, yeah a little late, but

1:26:45.400 --> 1:26:49.120
<v Speaker 5>you know, oh.

1:26:49.040 --> 1:26:52.120
<v Speaker 7>Shit happens, but you always do what you say you're

1:26:52.120 --> 1:26:54.720
<v Speaker 7>gonna do. And I want to thank you for. At

1:26:54.720 --> 1:26:57.320
<v Speaker 7>the time, I was managing the artist named Love Rants

1:26:58.120 --> 1:27:00.840
<v Speaker 7>and there was this record that we had and I

1:27:00.880 --> 1:27:03.559
<v Speaker 7>had this crazy idea to turn this rap record into

1:27:03.560 --> 1:27:06.320
<v Speaker 7>an R and B song. You heard it and you

1:27:06.439 --> 1:27:10.360
<v Speaker 7>was like, Nigga, I'm coming to do it tomorrow. Yeah,

1:27:10.400 --> 1:27:14.360
<v Speaker 7>and you put up in your fast car, you knock

1:27:14.400 --> 1:27:19.920
<v Speaker 7>the shit out, and this record has lived on to

1:27:20.040 --> 1:27:20.519
<v Speaker 7>this day.

1:27:21.560 --> 1:27:23.639
<v Speaker 3>I cannot go to a club.

1:27:23.920 --> 1:27:26.640
<v Speaker 7>It's still I'm going to hear the R and B

1:27:26.760 --> 1:27:30.919
<v Speaker 7>version of up to this day. Nigga, send me videos

1:27:30.920 --> 1:27:31.879
<v Speaker 7>from friends, send.

1:27:31.760 --> 1:27:34.679
<v Speaker 3>Me video on it anywhere in the world.

1:27:34.920 --> 1:27:37.800
<v Speaker 7>And the fact that you obviously you did that for

1:27:37.880 --> 1:27:40.280
<v Speaker 7>me because we're brothers, but the fact that you were

1:27:40.320 --> 1:27:44.400
<v Speaker 7>able to help me make this record that came from

1:27:44.439 --> 1:27:47.479
<v Speaker 7>the Bey area and my young boys had had this song.

1:27:47.280 --> 1:27:50.000
<v Speaker 3>And it was blown up and you helped.

1:27:49.720 --> 1:27:52.160
<v Speaker 7>Them take the record worldwide. I just want to say

1:27:52.160 --> 1:27:54.320
<v Speaker 7>thank you, No, thank you, I appreciate you that for that.

1:27:54.600 --> 1:27:57.799
<v Speaker 5>I appreciate you. You see, I'm bad with thank you.

1:27:57.920 --> 1:28:01.000
<v Speaker 6>Like when people think me become like real ship, you

1:28:01.120 --> 1:28:02.920
<v Speaker 6>help me all the same in the same token. I

1:28:02.960 --> 1:28:05.000
<v Speaker 6>look at it like like if you would have called

1:28:05.000 --> 1:28:06.920
<v Speaker 6>and if it was a Wax song, we would be

1:28:06.920 --> 1:28:07.799
<v Speaker 6>like like, let's.

1:28:07.560 --> 1:28:09.160
<v Speaker 3>Try a different record.

1:28:09.880 --> 1:28:12.040
<v Speaker 5>But it's like, you know what what a song gonna do?

1:28:12.120 --> 1:28:13.960
<v Speaker 6>And then at the same time, it's even easier when

1:28:14.000 --> 1:28:16.000
<v Speaker 6>it's when it's like family. When you got people that's

1:28:16.120 --> 1:28:18.000
<v Speaker 6>around you that are musically gifted and they do the

1:28:18.000 --> 1:28:20.960
<v Speaker 6>same thing you do. It's not a conversation like nah,

1:28:21.000 --> 1:28:23.280
<v Speaker 6>I can't really do it, or no, I'm here whatever

1:28:23.320 --> 1:28:25.599
<v Speaker 6>you need, you know. So I appreciate y'all.

1:28:25.640 --> 1:28:25.800
<v Speaker 1>Bro.

1:28:26.960 --> 1:28:31.599
<v Speaker 2>I am upset that this song was was on fire,

1:28:32.439 --> 1:28:36.439
<v Speaker 2>super flames, right, and this nigga wouldn't go nowhere and.

1:28:36.400 --> 1:28:39.439
<v Speaker 3>Performance or I was becoming your manager.

1:28:40.400 --> 1:28:41.439
<v Speaker 1>That ship he was, he.

1:28:41.479 --> 1:28:44.760
<v Speaker 2>Was, he was behind the scenes, and it was promoters

1:28:44.800 --> 1:28:45.840
<v Speaker 2>offering him the best.

1:28:47.160 --> 1:28:48.639
<v Speaker 3>We had some other ship we had to do though.

1:28:48.640 --> 1:28:49.679
<v Speaker 1>Man, I don't know.

1:28:50.439 --> 1:28:53.000
<v Speaker 3>Look at us now, Look at us now?

1:28:53.240 --> 1:28:54.280
<v Speaker 1>You got records now?

1:28:57.080 --> 1:29:01.200
<v Speaker 5>Yeah, yeah, they be lonely. What the fuck is we doing?

1:29:02.960 --> 1:29:04.640
<v Speaker 5>I'm just saying, y'all know me and this nigga got

1:29:04.680 --> 1:29:09.200
<v Speaker 5>a record again. It's all right, it's so way. Let

1:29:09.320 --> 1:29:12.000
<v Speaker 5>y'all know that we got a record.

1:29:12.320 --> 1:29:12.920
<v Speaker 3>Thank you again.

1:29:13.680 --> 1:29:16.040
<v Speaker 2>Listen, brother to say we love you would be an understatement.

1:29:17.640 --> 1:29:18.679
<v Speaker 2>You already know what that means.

1:29:18.920 --> 1:29:19.360
<v Speaker 5>My brothers.

1:29:20.720 --> 1:29:22.640
<v Speaker 1>We don't play no games about Breezy. You know what

1:29:22.680 --> 1:29:24.000
<v Speaker 1>I'm saying. And that's in real life.

1:29:24.040 --> 1:29:27.760
<v Speaker 2>That's not that's not music, that's not entertainment, that's that's

1:29:27.840 --> 1:29:30.479
<v Speaker 2>real life, in real life. And so I think people

1:29:30.520 --> 1:29:34.000
<v Speaker 2>have known by you know, all the times I've jumped

1:29:34.000 --> 1:29:37.479
<v Speaker 2>in the in the comments to make sure fuck you

1:29:37.600 --> 1:29:42.479
<v Speaker 2>niggas up you fuck around with the fuck around yeah alone.

1:29:42.560 --> 1:29:48.800
<v Speaker 2>But my congratulations to you man for continuing to work hard, bro.

1:29:49.280 --> 1:29:52.880
<v Speaker 2>And I think that that's the separation between you and

1:29:53.160 --> 1:29:56.880
<v Speaker 2>everybody that you've probably seen from the last twenty something

1:29:56.960 --> 1:29:57.840
<v Speaker 2>years come and go.

1:29:58.040 --> 1:29:59.360
<v Speaker 1>You just won't stop working.

1:30:00.200 --> 1:30:04.080
<v Speaker 2>And and that is commendable with the success that you've had,

1:30:04.479 --> 1:30:08.240
<v Speaker 2>that you are still aspiring and still pushing to do

1:30:08.360 --> 1:30:12.160
<v Speaker 2>more and to be greater. Like if if if I'm

1:30:12.200 --> 1:30:15.599
<v Speaker 2>telling my son to chase anything saying you watch Chris Brown,

1:30:16.640 --> 1:30:19.040
<v Speaker 2>you watch that journey and you watch him work, and

1:30:19.080 --> 1:30:21.680
<v Speaker 2>that's how you work, and that's how you find it.

1:30:23.880 --> 1:30:28.000
<v Speaker 1>We appreciate you, man. Listen, man, my name is Tank Man.

1:30:30.080 --> 1:30:36.679
<v Speaker 2>And this is the R and Money podcast them on all.

1:30:36.680 --> 1:30:44.840
<v Speaker 1>Things R and B one of the greatest to ever

1:30:44.920 --> 1:30:45.080
<v Speaker 1>do it.

1:30:51.360 --> 1:30:55.400
<v Speaker 5>Yeah, R and B Money.

1:30:56.520 --> 1:30:58.280
<v Speaker 7>R and B Money is a production of the Black

1:30:58.320 --> 1:31:03.080
<v Speaker 7>Effect Podcast Network. For more podcasts from iHeartRadio, visit the

1:31:03.200 --> 1:31:07.040
<v Speaker 7>iHeartRadio app, Apple Podcasts, or wherever you listen to your

1:31:07.040 --> 1:31:10.920
<v Speaker 7>favorite shows. Don't forget to subscribe to and rate our show,

1:31:11.280 --> 1:31:13.880
<v Speaker 7>and you can connect with us on social media at

1:31:13.960 --> 1:31:18.160
<v Speaker 7>Jay Valentine and at the Real Tank. For the extended episode,

1:31:18.320 --> 1:31:22.479
<v Speaker 7>subscribe to YouTube dot com, Forward, slash r, and b

1:31:22.640 --> 1:31:22.920
<v Speaker 7>Money